WEBVTT - The State of Streaming: Tubi | SVU

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<v Speaker 1>Film Spotting is presented by Regal Unlimited, the all you

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<v Speaker 2>To Me is a free with ads streaming service with

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<v Speaker 2>a huge library of movies and also old television shows

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<v Speaker 2>and new television shows and weird things like starfields and

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<v Speaker 2>images of plants and stuff. Have you tried it out?

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<v Speaker 2>Should you try it out? I'm Jordan Hoffman.

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<v Speaker 3>And I'm at Singer. With more movies, more series, more

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<v Speaker 3>pictures of plants and things going straight into streaming than

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<v Speaker 3>ever before, it felt like the right time for a

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<v Speaker 3>podcast that keeps track of it all, and that podcast

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<v Speaker 3>is is Film Spotting Streaming Video Unit. This week we're

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<v Speaker 3>going to continue our semi regular series we call the

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<v Speaker 3>State of Streaming. This week our subject is to be

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<v Speaker 3>or to be? To be or not to be? And

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<v Speaker 3>I can answer that question.

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<v Speaker 4>It is.

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<v Speaker 2>It's to be.

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<v Speaker 3>That's what we're talking about. Plus this week's new to

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<v Speaker 3>streaming titles, some deep cut streaming recommendations, and we finish

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<v Speaker 3>out the episode as always with a game.

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<v Speaker 2>It's exciting because I lost last week. I've only lost

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<v Speaker 2>three times and I've won ten times. This is episode

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<v Speaker 2>fourteen of Film Spotting SVU. Will I win again? To

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<v Speaker 2>odds say yes, but we'll find out. It's all coming

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<v Speaker 2>up on Film Spotting SVU. Welcome to Film Spotting s

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<v Speaker 2>v U, also known as Film Spotting SAH. I'm Jordan Hoffman.

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<v Speaker 2>Now later in the show, we've got streaming recommendations as always,

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<v Speaker 2>also known as the rex eg a listener request recommendation

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<v Speaker 2>for a hangout comedy in the vein of a semi

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<v Speaker 2>obscure two thousand and five ensemble comedy. I love listener Thomas.

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<v Speaker 2>You're my favorite listener because you're a very funny man.

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<v Speaker 2>And a game which producer Sam is calling, of course,

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<v Speaker 2>to be or not to be Waka Waka Waka.

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<v Speaker 3>I stole his joke. I stole his joke before he

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<v Speaker 3>could make it.

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<v Speaker 2>The first stup is and I think to B is

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<v Speaker 2>actually called to B to V to B TV. I

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<v Speaker 2>think that's the actual name of it. I don't think

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<v Speaker 2>it's called tub. I think it's called to be TV,

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<v Speaker 2>but that's that's neither here nor there.

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<v Speaker 3>Well stream, that's their website, but I don't I don't

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<v Speaker 3>know that, but their logos.

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<v Speaker 4>I think no.

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<v Speaker 2>I think if you get a press release from this company, it's,

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<v Speaker 2>you know, coming up on to b TV. I think

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<v Speaker 2>that's what they call it, but maybe not, but nobody

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<v Speaker 2>calls it that. I think I could be wrong. Once

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<v Speaker 2>in a very very blue moon, the bluest of moons,

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<v Speaker 2>I am wrong. It's rare. Oh, how it's rare. But

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<v Speaker 2>sometimes I'm wrong. Never, Never am I wrong in public,

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<v Speaker 2>but sometimes I'm wrong in private. All right, listen now,

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<v Speaker 2>it's very important to remind the listeners that this is

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<v Speaker 2>our second edition of a semi regular feature we call

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<v Speaker 2>the State of Streaming, and this, of course is about

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<v Speaker 2>two b We did one before on Netflix. We started

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<v Speaker 2>with the Big Red Machine, the most streaming of all streams. Matt,

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<v Speaker 2>do you want to remind the listeners kind of or

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<v Speaker 2>you want to explain to the listeners what this is

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<v Speaker 2>because maybe they missed that first episode? Yes?

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<v Speaker 3>Yes, So this is the second installment of an occasional

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<v Speaker 3>series we call The.

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<v Speaker 5>State Streaming, where instead of reviewing one title that's on streaming,

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<v Speaker 5>we review an entire streaming service, and.

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<v Speaker 3>We discuss how easy it is to use, the quality

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<v Speaker 3>of their selection, whether it's worth what you're expecting to

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<v Speaker 3>pay on a subscription basis, and at the end of

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<v Speaker 3>the discussion, we assign a score that we can then

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<v Speaker 3>use to compare this service to the other ones we

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<v Speaker 3>have done, and eventually, if we go on long enough,

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<v Speaker 3>we will determine the.

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<v Speaker 5>Greatst streaming service of all time in the history of

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<v Speaker 5>the world.

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<v Speaker 3>And hopefully Sam will add some reverb there to make

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<v Speaker 3>me sound.

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<v Speaker 2>Yeah, echo effects And look, I heard.

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<v Speaker 3>How many sound effects he added to the last week's episode,

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<v Speaker 3>So now I have total I have total rain to

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<v Speaker 3>to add as many sound effects. He's the master of

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<v Speaker 3>the sound effect, so I'm gonna make him earn his foods.

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<v Speaker 2>I was impressed with his ability to to slip in

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<v Speaker 2>clips of the in laws last week was.

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<v Speaker 3>Hope, I hope that you tell a long, rambling story

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<v Speaker 3>just so he can insert the sound of the Jordan

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<v Speaker 3>Hoffman anecdote that he added in there.

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<v Speaker 2>Well we're going to well, you know it's once we

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<v Speaker 2>get this episode started. Come on, let's stop talking and

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<v Speaker 2>start talking. Let's get the episode started. Now, the first

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<v Speaker 2>chapter or the first you know, ven chapter. Yeah, of

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<v Speaker 2>we're gonna determine its library slash how easy it is

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<v Speaker 2>to find titles. Now, I'm gonna go first because I'm

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<v Speaker 2>tired of you talking. The the way I decided to

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<v Speaker 2>do it was twofold because I have in my home

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<v Speaker 2>we have what's called the Apple TV device, the thing

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<v Speaker 2>of a jig you put to your TV. I don't

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<v Speaker 2>have a smart TV. I used to have a Roku

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<v Speaker 2>at some point in my life. I got the Apple

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<v Speaker 2>one and that's what I use. So I used that

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<v Speaker 2>for part of the time, and then I just used

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<v Speaker 2>my laptop because I know that's how the kids watched

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<v Speaker 2>television now is on their laptop. And I gotta says,

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<v Speaker 2>it's a bit of a different world the laptop versus

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<v Speaker 2>the Apple TV in terms of everything usability, but even

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<v Speaker 2>just in terms of finding the titles, because it's a

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<v Speaker 2>lot slower on the Apple TV, at least for me.

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<v Speaker 2>There was a lot of hang in and you know,

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<v Speaker 2>you move your thumb and it didn't quite do what

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<v Speaker 2>you wanted it to do, and it was a little bit,

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<v Speaker 2>a little bit disappointing in terms of the library, Like

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<v Speaker 2>the impressiveness of what Tube has to offer Tooby is

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<v Speaker 2>pretty fig you know the joke as they call the

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<v Speaker 2>people's streamer, right because it's free, you know, I just

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<v Speaker 2>have to watch some ads. So it's you know, movies

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<v Speaker 2>for everybody, and it is impressive. They do have a

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<v Speaker 2>lot of movies you've heard of. It's not all just

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<v Speaker 2>like public domain titles. And but their real win is

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<v Speaker 2>the wacky you know, back of the video store. What

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<v Speaker 2>is this weird thing here? They have a lot of

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<v Speaker 2>oddball stuff. But in terms of my when I first

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<v Speaker 2>went on the page on my Apple TV, I was

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<v Speaker 2>impressed with that they did do some programming for the calendar.

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<v Speaker 2>Now I looked at it, I did my inventory my

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<v Speaker 2>investigation soon after the fourth of July, so it had

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<v Speaker 2>right up top Independence Day, and I thought, hey, somebody's thinking.

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<v Speaker 2>So they had Independence Day right up top, and also

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<v Speaker 2>Independence Day Resurgence, which, as it happened, I've never seen before,

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<v Speaker 2>and I ended up watching that movie as my I

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<v Speaker 2>was going to test out a feature, so I ended

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<v Speaker 2>up watching Independence Day two, which is a crazy movie.

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<v Speaker 2>So that was kind of cool. And then I guess

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<v Speaker 2>it somehow knew me. It was sniffing me out because

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<v Speaker 2>it had Star Trek the motion picture right up top two.

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<v Speaker 2>I know, everything's connected and it kind of knows. So

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<v Speaker 2>I don't know if that's there for everybody or that

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<v Speaker 2>was there for me. And then also they had the

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<v Speaker 2>Michael Jackson documentary, the one that came out just after

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<v Speaker 2>he passed away. I think it's called this is It?

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<v Speaker 2>Michael Jackson? This is It? I think it's called that.

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<v Speaker 2>And I figured, oh, that's smart because Michael the feature

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<v Speaker 2>film is still blazon it up at the box office,

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<v Speaker 2>it's still in theaters. It's the number two movie of

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<v Speaker 2>the year box office wise. So I thought that was,

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<v Speaker 2>you know, somebody is smart. They're programming this well. But

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<v Speaker 2>then you drill down a little bit and they have

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<v Speaker 2>these categories that just didn't quite make sense to me.

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<v Speaker 2>They had a category for drama and drama I think

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<v Speaker 2>in the land to B is just mean a synonym

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<v Speaker 2>for movie or show, because there are things in there

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<v Speaker 2>that I would never consider drama or you know, I'm like,

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<v Speaker 2>you know, the remake of The Poseidon Adventure, which I

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<v Speaker 2>forgot even existed, Is that something you would put in drama,

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<v Speaker 2>I guess it's very dramatic.

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<v Speaker 3>There's a title way of Jordan.

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<v Speaker 2>Well, yeah, sure, the TV show The forty four hundred,

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<v Speaker 2>which was a sci fi thing, drama, pan Am, the

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<v Speaker 2>mad Man rip off with what's her name Christina Ricci,

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<v Speaker 2>the comedy burlesque with Share the kind of hy a

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<v Speaker 2>fantasy film, beautiful creatures, that's all in drama. I thought

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<v Speaker 2>that was a little weird. I scrolled down a little

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<v Speaker 2>further to romance and burlesque, and beautiful Creatures were there again,

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<v Speaker 2>which led me to believe that they don't have you know,

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<v Speaker 2>those are relatively new movies. They're at least from this century,

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<v Speaker 2>and they have stars. And the truth is a lot

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<v Speaker 2>of what makes to be cool is that they have

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<v Speaker 2>a lot of odd ball stuff from days of yore,

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<v Speaker 2>Like they have no nine zillion episodes of Doctor Who

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<v Speaker 2>and the Old Doctor Who, you know, the one that

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<v Speaker 2>looks like it's shot on you know, very cheap videotape

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<v Speaker 2>and does not have a big budget. You know, that's

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<v Speaker 2>kind of the two v Bread and Butter, which, in

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<v Speaker 2>a way I respect. A couple of other funny things

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<v Speaker 2>I saw in the in the when I was like

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<v Speaker 2>surveying the catalog. They had a category called creator Verse

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<v Speaker 2>and I had no idea what creator Verse was, and

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<v Speaker 2>it looked to me a lot of in house produced

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<v Speaker 2>stuff that or a lot of podcasts. It was just

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<v Speaker 2>people talking. Then they had a category called before they

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<v Speaker 2>there were Stars. I'm like, oh, that's kind of cute.

0:09:58.684 --> 0:10:00.885
<v Speaker 2>So it had like, you know, the movie night Shift.

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<v Speaker 2>I'm like, yeah, that had Shelley Long and it before

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<v Speaker 2>she was famous. That's I love the movie night Shift.

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<v Speaker 2>That's great. And then I had the TV show Party

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<v Speaker 2>of Five and I'm like, well, that's the show that

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<v Speaker 2>made them all stars. And I had the movie The

0:10:12.605 --> 0:10:14.485
<v Speaker 2>Lost Boys, and again it's like, that's the movie that

0:10:14.525 --> 0:10:18.965
<v Speaker 2>made Cory Feldman famous. And I had the series two

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<v Speaker 2>to two seven and no disrespec to Marla Gibbs already

0:10:22.845 --> 0:10:24.804
<v Speaker 2>was famous. She was in The Jeffersons and who became

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<v Speaker 2>famous from two. I didn't know. That category just was

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<v Speaker 2>all kind of weird to me. But then as you

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<v Speaker 2>drill down further, they had other categories. They had something

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<v Speaker 2>called Stanley Kubrick Essentials, which I thought was surprising, and

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<v Speaker 2>it had only six films full metal jacket pads of Glory, Lolita,

0:10:40.405 --> 0:10:44.645
<v Speaker 2>The Killing Killers, Kiss and Fear and Desire, which was

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<v Speaker 2>which is a movie I guess in the public domain now.

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<v Speaker 2>But when I was young, and I think when Matt

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<v Speaker 2>and when you were young, and when Sam was young

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<v Speaker 2>and we were learning about Stanley Kubrick, that was the

0:10:54.165 --> 0:10:58.005
<v Speaker 2>movie you couldn't find because it's not very good, and

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<v Speaker 2>it was kind of nobody owned it. Nowadays it's easy

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<v Speaker 2>to find you to go on YouTube and watch it,

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<v Speaker 2>but they have it there. I was kind of impressed

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<v Speaker 2>with that. And then they also had something called Myths

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<v Speaker 2>and Legends, and I got to say, this was great.

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<v Speaker 2>This is like every Steve Reeves movie. You know, a

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<v Speaker 2>lot of hercules, a lot of you know, I guess

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<v Speaker 2>because The Odyssey's coming out soon. They had that in there,

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<v Speaker 2>a lot of strong men in tight shorts, very very

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<v Speaker 2>rich bench. I just clicked on one at random called Atlas,

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<v Speaker 2>shot on location in Greece. It was a Roger Korman production,

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<v Speaker 2>but the quality it didn't just look like a VHS.

0:11:35.605 --> 0:11:39.725
<v Speaker 2>It looked like somebody had dubbed their friends VHS and

0:11:39.765 --> 0:11:42.405
<v Speaker 2>then the VHS player had the tracking off a little bit.

0:11:42.445 --> 0:11:45.445
<v Speaker 2>It looked so bad that I actually could not watch

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<v Speaker 2>more than five minutes, like this just looks like mud,

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<v Speaker 2>But I was kind of impressed that it was there.

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<v Speaker 2>So in terms of my take on the library, you know, yeah,

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<v Speaker 2>it's not the spot for the hottest new releases. You know,

0:11:58.725 --> 0:12:02.285
<v Speaker 2>that's still gonna be HBO Max. But in terms of like,

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<v Speaker 2>oh they got this weird thing, I gotta say I

0:12:04.925 --> 0:12:08.005
<v Speaker 2>was kind of impressed with it. I will say though,

0:12:08.045 --> 0:12:12.324
<v Speaker 2>that on the laptop it's a lot easier to find things,

0:12:12.365 --> 0:12:15.405
<v Speaker 2>but that's the net. That's the next category is the interface.

0:12:15.485 --> 0:12:17.405
<v Speaker 2>So in terms of the library itself, I got to

0:12:17.445 --> 0:12:19.725
<v Speaker 2>say I was pretty impressed, especially with the old TV

0:12:19.804 --> 0:12:23.005
<v Speaker 2>shows doctor Hood. And you know, my wife's been watching

0:12:23.125 --> 0:12:26.405
<v Speaker 2>Dynasty because she'd never seen it, even though she's like

0:12:26.485 --> 0:12:29.684
<v Speaker 2>the perfect age and demeanor to be a Dynasty or fan.

0:12:29.804 --> 0:12:32.405
<v Speaker 3>We're talking about this, I think recently.

0:12:31.925 --> 0:12:33.844
<v Speaker 2>I mentioned this, Like one day she woke up. I

0:12:33.885 --> 0:12:35.925
<v Speaker 2>think she was like looking at Instagram and there was

0:12:35.965 --> 0:12:39.125
<v Speaker 2>like a supercut of like all the like everybody getting

0:12:39.165 --> 0:12:41.204
<v Speaker 2>slapped on Dynasty, and she's like, how have I never

0:12:41.245 --> 0:12:44.925
<v Speaker 2>seen Dynasty? What's wrong with me? And she declared, from

0:12:44.925 --> 0:12:47.365
<v Speaker 2>this day forth, I shall watch every Dynasty episode and

0:12:47.405 --> 0:12:50.165
<v Speaker 2>she's probably by now next to done. I wonder if

0:12:50.165 --> 0:12:53.325
<v Speaker 2>she's gonna be doing Dallas next and she's been enjoying it.

0:12:53.405 --> 0:12:55.765
<v Speaker 2>So yeah, every episode of Dynasty is on there. Ever

0:12:55.765 --> 0:12:58.845
<v Speaker 2>episode of Dallas and other things of that ilk Falcon

0:12:58.925 --> 0:13:02.245
<v Speaker 2>Crest I'm sure is on there. That's what they're all about.

0:13:02.365 --> 0:13:06.005
<v Speaker 2>You know, it was dark Shadows, all that stuff is.

0:13:06.325 --> 0:13:09.285
<v Speaker 2>That's that's the bread and butter is old TV from

0:13:10.365 --> 0:13:12.965
<v Speaker 2>I think our listeners tend to be around our age,

0:13:13.045 --> 0:13:15.445
<v Speaker 2>or millennials at least, so TVs that you kind of

0:13:15.485 --> 0:13:18.445
<v Speaker 2>remember from from your childhood are on there.

0:13:19.165 --> 0:13:22.285
<v Speaker 3>Here's how I investigated the library of TB and we

0:13:22.325 --> 0:13:25.205
<v Speaker 3>should say if you don't know TOUB, which we didn't

0:13:25.245 --> 0:13:29.045
<v Speaker 3>really mention that, it's you know, AD supported totally free.

0:13:30.045 --> 0:13:33.245
<v Speaker 3>According to Wikipedia, it has something like one hundred million

0:13:33.325 --> 0:13:38.885
<v Speaker 3>monthly users, which is staggering. Was founded in twenty fourteen

0:13:38.925 --> 0:13:41.205
<v Speaker 3>by a couple of guys who had worked for another

0:13:41.285 --> 0:13:45.005
<v Speaker 3>company named ad Rise, which I remember that name from

0:13:45.005 --> 0:13:49.605
<v Speaker 3>that time. They built the business on licensing content like

0:13:49.925 --> 0:13:53.204
<v Speaker 3>ancient episodes of Doctor Who I guess, and making everything

0:13:53.245 --> 0:13:57.645
<v Speaker 3>available on demand, but building in what I often find

0:13:57.645 --> 0:14:00.885
<v Speaker 3>to be very jarring. Ad breaks, but the company was

0:14:00.925 --> 0:14:03.485
<v Speaker 3>then sold. It's now owned by Fox. This is a

0:14:04.125 --> 0:14:07.645
<v Speaker 3>wing of the Fox conglomerate. They acquired it in March

0:14:07.684 --> 0:14:12.165
<v Speaker 3>of twenty twenty four, four hundred and forty million dollars.

0:14:12.925 --> 0:14:13.885
<v Speaker 2>Wow, a lot of dough.

0:14:14.605 --> 0:14:18.485
<v Speaker 3>Yeah, so that's what two B is. As you mentioned,

0:14:18.485 --> 0:14:20.805
<v Speaker 3>they have movies, they have TV. They also have live TV.

0:14:21.085 --> 0:14:24.045
<v Speaker 3>You know, they have what's called fast free at supported

0:14:24.285 --> 0:14:27.365
<v Speaker 3>streaming television where they have, you know, instead of on demand,

0:14:27.445 --> 0:14:29.565
<v Speaker 3>it's you can scroll through a channel guide and if

0:14:29.605 --> 0:14:34.045
<v Speaker 3>you want to watch old episodes of one show, they

0:14:34.045 --> 0:14:36.965
<v Speaker 3>often have them playing around the clock, you know. If

0:14:37.245 --> 0:14:39.365
<v Speaker 3>you know, there's a twenty four to seven channel for

0:14:39.525 --> 0:14:42.525
<v Speaker 3>Supermarket Sweep in case you want to know what Hammerger

0:14:42.605 --> 0:14:45.605
<v Speaker 3>Helper cost in nineteen ninety two. There's a twenty four

0:14:45.645 --> 0:14:49.685
<v Speaker 3>to seven channel for Dateline NBC just in case you,

0:14:49.765 --> 0:14:52.125
<v Speaker 3>like Jordan Hoffman, need to listen to the sound of

0:14:52.165 --> 0:14:54.605
<v Speaker 3>Stone Phillip's voice to send you off to sleep after

0:14:54.605 --> 0:14:57.725
<v Speaker 3>a hard day's work. And there is even a twenty

0:14:57.725 --> 0:15:01.885
<v Speaker 3>four hour channel for the FBI, just in case, at

0:15:01.925 --> 0:15:04.845
<v Speaker 3>any time of the day or night, you need to

0:15:04.965 --> 0:15:09.365
<v Speaker 3>recreate the Leonardo DiCaprio pointing meme from Once upon a

0:15:09.405 --> 0:15:13.045
<v Speaker 3>Time in Hollywood by actually pointing at a TV show

0:15:13.085 --> 0:15:17.005
<v Speaker 3>and that's playing the FBI. There you go. So in

0:15:17.085 --> 0:15:20.045
<v Speaker 3>terms of the library, I tooled around like you did, Jordan.

0:15:20.685 --> 0:15:22.485
<v Speaker 3>What I I also did was I decided to like

0:15:22.925 --> 0:15:25.325
<v Speaker 3>type in because when I go to a streaming service,

0:15:25.325 --> 0:15:28.765
<v Speaker 3>I want to see what like directors they have and

0:15:28.845 --> 0:15:31.245
<v Speaker 3>what they have available from directors that I might want

0:15:31.285 --> 0:15:34.005
<v Speaker 3>to watch something for. So I'm going to run through

0:15:34.085 --> 0:15:36.125
<v Speaker 3>just I have a half dozen names I typed in

0:15:36.285 --> 0:15:38.805
<v Speaker 3>kind of at random, just thinking of names, and I'll

0:15:38.805 --> 0:15:41.645
<v Speaker 3>tell you who they had. I typed in Martin Scorsese.

0:15:41.765 --> 0:15:45.605
<v Speaker 3>They had four films, Mean Streets, Raging Bull, The Age

0:15:45.605 --> 0:15:49.605
<v Speaker 3>of Innocence, and The Last Waltz. I typed in Jane Campion.

0:15:49.965 --> 0:15:53.485
<v Speaker 2>I have to interrupt. That's fascinating because why didn't I

0:15:53.605 --> 0:15:56.285
<v Speaker 2>see those when I did my audit. Those are big

0:15:56.325 --> 0:16:00.605
<v Speaker 2>ass movies that should have been on you know, bubbled up,

0:16:01.045 --> 0:16:04.045
<v Speaker 2>you know it's ridiculous, Raging Bulls, Oscar Winner.

0:16:04.085 --> 0:16:06.125
<v Speaker 3>Come on, I don't I don't trust the ALGORTITHM. I

0:16:06.165 --> 0:16:08.205
<v Speaker 3>need I need to search for me. I don't trust it,

0:16:08.805 --> 0:16:11.285
<v Speaker 3>So I typed in Jane Campion. And I got one

0:16:11.325 --> 0:16:15.765
<v Speaker 3>film in the cut. I typed in Akira Kurosawa. I

0:16:15.805 --> 0:16:21.525
<v Speaker 3>got one, two, three, I got five films seven Samurai Hidden, four, Tortress,

0:16:22.085 --> 0:16:26.685
<v Speaker 3>Ron High and Low, and Raschamont. So that's that's not bad.

0:16:26.805 --> 0:16:31.085
<v Speaker 3>But I typed spiel I typed in Steven Spielberg, eh zero.

0:16:31.605 --> 0:16:35.365
<v Speaker 3>I typed in Quentin Tarantino, eh zero. So I guess

0:16:35.365 --> 0:16:38.365
<v Speaker 3>that's five names, not six. But so yeah, it's a

0:16:38.365 --> 0:16:41.405
<v Speaker 3>mixed bag. Some directors you're you know, you're you're actually

0:16:41.445 --> 0:16:44.045
<v Speaker 3>gonna be able to find stuff. Some you're not. Now

0:16:44.085 --> 0:16:47.285
<v Speaker 3>that said, I also, as you said, they have these categories,

0:16:47.685 --> 0:16:50.965
<v Speaker 3>and I looked through the categories and many were as

0:16:51.085 --> 0:16:55.525
<v Speaker 3>Jordan described, very strange, very random, seemingly haphazard, you know,

0:16:55.845 --> 0:17:01.365
<v Speaker 3>dramas like the remake of Poseidon. But I did find

0:17:01.365 --> 0:17:02.925
<v Speaker 3>this one. I don't know if I don't know if

0:17:02.965 --> 0:17:05.925
<v Speaker 3>you spotted this one Jordan called double Features. Did you

0:17:05.965 --> 0:17:06.565
<v Speaker 3>see this one?

0:17:07.285 --> 0:17:08.725
<v Speaker 2>No? No, I didn't see it.

0:17:09.085 --> 0:17:15.845
<v Speaker 3>So the Double Features collection was is literally two movies

0:17:16.325 --> 0:17:20.125
<v Speaker 3>that could be played together, and they're just arranged in order,

0:17:20.205 --> 0:17:22.484
<v Speaker 3>so you had to kind of see and recognize the

0:17:22.485 --> 0:17:24.885
<v Speaker 3>Double Features. But here's just a list of the movies

0:17:24.925 --> 0:17:29.285
<v Speaker 3>in just this collection, Gunfight at the OK Corral, The

0:17:29.285 --> 0:17:36.525
<v Speaker 3>Man Who Shot Liberty, Valance, The Doors Walk, Hard Boyhood, Slacker,

0:17:37.845 --> 0:17:42.645
<v Speaker 3>The Killer, and Hard Boiled Rachaman and Seventh Samurai. We

0:17:42.765 --> 0:17:46.805
<v Speaker 3>already mentioned. They have that Mother and Burning Long Feature

0:17:47.605 --> 0:17:54.805
<v Speaker 3>Before Sunrise, Before Sunset, Yep, Eraserhead, Inland Empire, The Dark,

0:17:54.845 --> 0:18:00.605
<v Speaker 3>Crystal and Labyrinth and Le Samurai and Thief, and.

0:18:01.445 --> 0:18:04.805
<v Speaker 2>That, Wow, every one of those movies is great.

0:18:05.045 --> 0:18:07.725
<v Speaker 3>Yeah, And that that's not every title, that is just

0:18:07.845 --> 0:18:12.325
<v Speaker 3>the good titles in there, and that that one collection

0:18:12.485 --> 0:18:16.525
<v Speaker 3>on two B has more good old movies than all

0:18:16.565 --> 0:18:20.725
<v Speaker 3>of Netflix and several other streaming services. So I think

0:18:20.725 --> 0:18:22.765
<v Speaker 3>we have to give them a certain amount of credit

0:18:23.245 --> 0:18:26.165
<v Speaker 3>that their library actually has. It may not be the

0:18:26.245 --> 0:18:28.445
<v Speaker 3>deepest in the world. It's not as good as going

0:18:28.485 --> 0:18:31.685
<v Speaker 3>to Kim's Video, but if you want to watch some

0:18:31.805 --> 0:18:36.605
<v Speaker 3>classic old films, they actually have some. And so I

0:18:36.605 --> 0:18:38.245
<v Speaker 3>thought that was pretty good. Now. The only other thing

0:18:38.285 --> 0:18:40.525
<v Speaker 3>I wanted to mention, because we're already yacking a lot,

0:18:41.085 --> 0:18:43.605
<v Speaker 3>I watched on twob this week just to get a

0:18:43.845 --> 0:18:47.605
<v Speaker 3>taste of the two B. I watched two movies. I

0:18:47.685 --> 0:18:52.525
<v Speaker 3>watched Paths of Glory, which Jordan mentioned, and I watched

0:18:52.685 --> 0:18:57.765
<v Speaker 3>Return of the Killer Tomatoes, and yes, I mean that

0:18:57.925 --> 0:19:01.325
<v Speaker 3>is a range, that's expansive, that is a variety. And

0:19:01.405 --> 0:19:05.205
<v Speaker 3>I appreciate the fact that if you use this free

0:19:05.245 --> 0:19:09.445
<v Speaker 3>service you can watch a wide variety of things. I

0:19:09.485 --> 0:19:11.405
<v Speaker 3>think that is good. And let me see if I

0:19:11.405 --> 0:19:13.045
<v Speaker 3>have anything else I wanted to say here before we

0:19:13.045 --> 0:19:15.965
<v Speaker 3>give our scores. Oh, I just I look through some

0:19:16.085 --> 0:19:18.965
<v Speaker 3>of the genres, because things are also arranged by genre.

0:19:19.565 --> 0:19:22.765
<v Speaker 3>I looked under action. Do you want to guess, Jordan,

0:19:22.885 --> 0:19:25.805
<v Speaker 3>how many action movies, or at least movies they have

0:19:25.965 --> 0:19:27.645
<v Speaker 3>listed as action on TB.

0:19:29.165 --> 0:19:31.485
<v Speaker 2>Probably one hundred and seventy five, I don't know.

0:19:31.885 --> 0:19:34.845
<v Speaker 3>That's pretty close. It was two hundred. They listed two

0:19:34.925 --> 0:19:39.005
<v Speaker 3>hundred exactly when I looked. And you know, that's better

0:19:39.085 --> 0:19:42.605
<v Speaker 3>than a most video stores. You know, my local Blockbuster

0:19:42.645 --> 0:19:44.484
<v Speaker 3>when I was a kid did not have two hundred

0:19:44.485 --> 0:19:47.525
<v Speaker 3>action movies, right, And it's an eclectic selection. They have

0:19:47.605 --> 0:19:52.445
<v Speaker 3>the original Rollerball, but they've also got Who Killed Captain Alex.

0:19:52.485 --> 0:19:54.085
<v Speaker 3>I don't know if you've seen that, Jordan, but it

0:19:54.125 --> 0:19:57.325
<v Speaker 3>is one of these movies from well Collywood, which is delightful.

0:19:57.325 --> 0:19:58.845
<v Speaker 3>We don't have time to talk about it now, but

0:19:59.045 --> 0:20:02.725
<v Speaker 3>just again a range of options they had. The very

0:20:02.765 --> 0:20:07.005
<v Speaker 3>first Academy Award Best Picture winner, Wings was in that genre.

0:20:07.525 --> 0:20:11.005
<v Speaker 3>So it's not always easy to find things because you

0:20:11.085 --> 0:20:15.005
<v Speaker 3>have to scroll that action genre. I did not see

0:20:15.045 --> 0:20:17.045
<v Speaker 3>I was looking on my laptop. I did not see

0:20:17.045 --> 0:20:20.525
<v Speaker 3>a way to rearrange it, to sort it a to

0:20:20.605 --> 0:20:22.805
<v Speaker 3>Z or Z or even by your release. You just

0:20:22.805 --> 0:20:24.965
<v Speaker 3>had to look through the whole thing. Here's what we

0:20:25.045 --> 0:20:26.925
<v Speaker 3>got and you got to look through it, and that

0:20:27.005 --> 0:20:28.045
<v Speaker 3>can be frustrating.

0:20:29.325 --> 0:20:31.325
<v Speaker 2>I think the thing is, yeah, like two B is

0:20:31.405 --> 0:20:34.005
<v Speaker 2>like go play like you know, we got it all

0:20:34.045 --> 0:20:35.925
<v Speaker 2>for you, but we're not making it easy. I think

0:20:35.925 --> 0:20:37.525
<v Speaker 2>that's the yin and yang of it. I do want

0:20:37.525 --> 0:20:39.565
<v Speaker 2>to add a couple of things. Number One, I saw

0:20:39.605 --> 0:20:41.605
<v Speaker 2>who killed Captain Allen's with you, by the way, we

0:20:41.605 --> 0:20:44.245
<v Speaker 2>were next to one another screaming and yelling in Austin, Texas.

0:20:44.565 --> 0:20:47.085
<v Speaker 2>Number Two, we got to talk about the ads now.

0:20:47.125 --> 0:20:49.605
<v Speaker 2>I watched a feature film also for my first time.

0:20:49.645 --> 0:20:52.805
<v Speaker 2>On two B. I watched Independence Day Resurgence, which is

0:20:52.845 --> 0:20:55.125
<v Speaker 2>a terrible movie. And I did watch it kind of

0:20:55.205 --> 0:20:56.485
<v Speaker 2>late at night and I was on the couch and

0:20:56.525 --> 0:20:58.685
<v Speaker 2>I was laying down, and because I wasn't gonna be

0:20:58.685 --> 0:21:01.045
<v Speaker 2>writing about this movie, I knew full well that I'd

0:21:01.045 --> 0:21:03.725
<v Speaker 2>be following and sleep, and in fact I did. And

0:21:03.765 --> 0:21:06.085
<v Speaker 2>then the ad breaks would come every twelve and a

0:21:06.125 --> 0:21:08.845
<v Speaker 2>half minutes, every sixteen minutes, whatever it is. And the

0:21:08.885 --> 0:21:12.685
<v Speaker 2>ads in classic form were so loud that they woke

0:21:12.765 --> 0:21:15.205
<v Speaker 2>me up off the couch. I mean, that's just a

0:21:15.205 --> 0:21:19.005
<v Speaker 2>classic move. The ads did come kind of randomly, it

0:21:19.085 --> 0:21:21.365
<v Speaker 2>seemed like they did. It wasn't in the middle of

0:21:21.445 --> 0:21:23.525
<v Speaker 2>somebody talking, but it just sort of like, oh and

0:21:23.645 --> 0:21:28.285
<v Speaker 2>a d here it is another thing about a cholesterol pill. Fine,

0:21:28.605 --> 0:21:32.925
<v Speaker 2>but here's something interesting. There is the live TV thing

0:21:32.965 --> 0:21:35.565
<v Speaker 2>that you talked about beautifully, you know, twenty four hours

0:21:35.565 --> 0:21:38.005
<v Speaker 2>of Supermarket Sweep. And I did do an audit on that,

0:21:38.405 --> 0:21:41.645
<v Speaker 2>and I'm pretty familiar with that from Pluto TV, Pluto

0:21:41.725 --> 0:21:44.685
<v Speaker 2>TV and to BTV are I would say the Pepsi

0:21:44.725 --> 0:21:48.645
<v Speaker 2>and coke to one another. And I oftentimes play around

0:21:48.685 --> 0:21:52.245
<v Speaker 2>with Pluto's live TV because they have some cool stuff

0:21:52.245 --> 0:21:56.125
<v Speaker 2>when there deep, deep, deep in their range, like they

0:21:56.205 --> 0:22:01.525
<v Speaker 2>have a channel just devoted to like art, art museums,

0:22:01.565 --> 0:22:04.605
<v Speaker 2>just like floating around the Hermitage and Russia. They have

0:22:04.725 --> 0:22:07.605
<v Speaker 2>a lot of shows. They have like a classical music

0:22:07.685 --> 0:22:12.605
<v Speaker 2>channel where it's just like Symphonies the Vienna Symphony doing

0:22:13.085 --> 0:22:15.925
<v Speaker 2>a show which I sometimes put on in the background.

0:22:16.165 --> 0:22:17.845
<v Speaker 2>And then the thing that I really love is they

0:22:17.885 --> 0:22:20.484
<v Speaker 2>have a channel which is just like spa music and

0:22:20.565 --> 0:22:24.165
<v Speaker 2>shots of nature, which I think is great. I forget

0:22:24.165 --> 0:22:26.165
<v Speaker 2>what they call it on Pluto, but it's like a

0:22:26.205 --> 0:22:29.765
<v Speaker 2>beautiful shot of a lagoon in Bora Bora. And then

0:22:29.925 --> 0:22:33.125
<v Speaker 2>just you know, synthesizer music. I love it. So I

0:22:33.285 --> 0:22:38.565
<v Speaker 2>was looking on tub's offerings and they didn't have anything

0:22:38.565 --> 0:22:40.205
<v Speaker 2>that I just mentioned like that. They have a lot

0:22:40.205 --> 0:22:43.085
<v Speaker 2>of stuff. They have live news from Montana. If you

0:22:43.125 --> 0:22:44.325
<v Speaker 2>want to know what the weather's going to be in

0:22:44.405 --> 0:22:47.085
<v Speaker 2>Bothe in Montana, they got it. They got a lot

0:22:47.125 --> 0:22:49.405
<v Speaker 2>of sports, a lot of golf, a lot of race,

0:22:49.485 --> 0:22:52.765
<v Speaker 2>you know, F one racing, a lot of college sports

0:22:52.845 --> 0:22:56.085
<v Speaker 2>not my thing, a lot of Spanish language stuff. It's impressive.

0:22:56.125 --> 0:22:58.205
<v Speaker 2>And then you know twenty four hours of doctor who

0:22:58.245 --> 0:23:01.285
<v Speaker 2>all this sort of thing. But they didn't have this.

0:23:01.525 --> 0:23:04.005
<v Speaker 2>So I did like a search in the search bar.

0:23:05.045 --> 0:23:08.605
<v Speaker 2>I looked up classical music, thinking if that channel with

0:23:08.725 --> 0:23:11.285
<v Speaker 2>like symphonies would be on there, and it wasn't They

0:23:11.285 --> 0:23:14.085
<v Speaker 2>had some documentaries about Beethoven, Mozar or whatever. But then

0:23:14.125 --> 0:23:16.765
<v Speaker 2>they actually had the thing I was looking for, which

0:23:16.845 --> 0:23:19.045
<v Speaker 2>is just like a shot of nature or a shot

0:23:19.085 --> 0:23:23.725
<v Speaker 2>of science, like you know hubble telescope pictures under music.

0:23:24.605 --> 0:23:28.085
<v Speaker 2>So I found one and it was truly it was

0:23:28.125 --> 0:23:32.365
<v Speaker 2>like kind of bad screensaver shots of galaxies and quasars

0:23:32.525 --> 0:23:36.005
<v Speaker 2>and supernovas. I think they were computer generated even but

0:23:36.085 --> 0:23:37.645
<v Speaker 2>I put it on and it was spa music and

0:23:37.685 --> 0:23:39.245
<v Speaker 2>it was a good thing to have in the background.

0:23:39.405 --> 0:23:41.485
<v Speaker 2>Now this is the Punchline'm getting to this Matt. I

0:23:41.565 --> 0:23:43.845
<v Speaker 2>put it on thinking wouldn't it be funny you put

0:23:43.845 --> 0:23:45.725
<v Speaker 2>this on to go to sleep? Because it also said

0:23:45.725 --> 0:23:47.805
<v Speaker 2>it was like five hours long. You put it on

0:23:47.885 --> 0:23:49.845
<v Speaker 2>to go to sleep, the ads are going to wake

0:23:49.885 --> 0:23:52.765
<v Speaker 2>you up, Like what's the point, Like that's that's the

0:23:52.805 --> 0:23:54.845
<v Speaker 2>worst thing. You're gonna drift off, drift off that it's

0:23:54.845 --> 0:23:58.285
<v Speaker 2>gonna be like are you suffering from my high cholesterol?

0:23:59.285 --> 0:24:03.725
<v Speaker 2>But it didn't happen. They actually turned off the ads

0:24:04.125 --> 0:24:07.605
<v Speaker 2>for this type of feature. Now they have a lot

0:24:07.685 --> 0:24:12.325
<v Speaker 2>of them. So somebody working at two B has some smarts.

0:24:12.365 --> 0:24:14.605
<v Speaker 2>They said, you know what, let's let's turn off our

0:24:14.645 --> 0:24:18.445
<v Speaker 2>ad function for the go to sleep channels. It wasn't

0:24:18.445 --> 0:24:20.285
<v Speaker 2>a channel though it was a program, they didn't have

0:24:20.325 --> 0:24:22.325
<v Speaker 2>a channel for it. You had to find these things,

0:24:22.365 --> 0:24:24.405
<v Speaker 2>and they had many of them, and I found them

0:24:24.445 --> 0:24:26.925
<v Speaker 2>by searching classical music. I'm sure if you search by

0:24:26.965 --> 0:24:30.205
<v Speaker 2>SPA music or relaxation, they had a lot. They had

0:24:30.245 --> 0:24:32.405
<v Speaker 2>one of Tibetan's singing balls. I didn't plus play, but

0:24:32.405 --> 0:24:34.125
<v Speaker 2>they you know, they have like eight hours of Tibetan

0:24:34.165 --> 0:24:36.605
<v Speaker 2>singing balls. I think that's great. So hats off to

0:24:36.645 --> 0:24:39.045
<v Speaker 2>two be. I was kind of impressed. I mean, I'm

0:24:39.045 --> 0:24:42.965
<v Speaker 2>sure this is their least watched thing on the entire platform.

0:24:43.085 --> 0:24:46.245
<v Speaker 2>Are these weird little go to sleep things? But for me,

0:24:46.445 --> 0:24:48.445
<v Speaker 2>I gotta say, hats off.

0:24:49.045 --> 0:24:52.605
<v Speaker 3>Okay, So I think we should factor when we're giving

0:24:52.645 --> 0:24:55.205
<v Speaker 3>our scores here from zero to ten. We should only

0:24:55.245 --> 0:24:59.285
<v Speaker 3>talk about the library here, and the commercial aspect we

0:24:59.285 --> 0:25:02.205
<v Speaker 3>can talk about. I think in the next section that

0:25:02.525 --> 0:25:05.845
<v Speaker 3>the intrusiveness of the commercials, you know what I'm saying,

0:25:06.685 --> 0:25:10.005
<v Speaker 3>So I do, yes, so, but the fact that they

0:25:10.005 --> 0:25:12.925
<v Speaker 3>have spa music that you can fall asleep to, that

0:25:13.205 --> 0:25:15.885
<v Speaker 3>certainly you should consider. So Jordan out of yeah, a

0:25:15.925 --> 0:25:17.765
<v Speaker 3>score of one to ten. What do you give two

0:25:17.885 --> 0:25:18.845
<v Speaker 3>b's a library.

0:25:19.965 --> 0:25:22.005
<v Speaker 2>I give it an eight, an eight.

0:25:22.605 --> 0:25:26.285
<v Speaker 3>I decided just because it's so hard to use, like

0:25:26.325 --> 0:25:28.525
<v Speaker 3>to find things. I dinged it a little bit and

0:25:28.565 --> 0:25:32.645
<v Speaker 3>I said, a seven point five. It is hard to use.

0:25:32.685 --> 0:25:34.725
<v Speaker 3>You gotta work for it. You gotta work for it.

0:25:34.765 --> 0:25:36.005
<v Speaker 3>But there is good stuff on there.

0:25:36.765 --> 0:25:38.765
<v Speaker 2>Yeah, but also how much did it cost you? Book gus,

0:25:38.765 --> 0:25:40.925
<v Speaker 2>it costs you nothing. You should work, Get off your

0:25:40.925 --> 0:25:41.485
<v Speaker 2>ass and work.

0:25:43.605 --> 0:25:48.925
<v Speaker 3>Okay. So the second finger of our five part score

0:25:49.005 --> 0:25:53.045
<v Speaker 3>that we're measuring our streaming services on is the playback,

0:25:53.125 --> 0:25:56.085
<v Speaker 3>the interface, how easy it is to watch something or

0:25:56.165 --> 0:25:59.765
<v Speaker 3>rewind something. I think this is where the commercials absolutely

0:25:59.765 --> 0:26:01.965
<v Speaker 3>become a factor. And Jordan, there was something I know

0:26:02.045 --> 0:26:04.965
<v Speaker 3>you wanted to address here, which was also like signing

0:26:05.045 --> 0:26:06.045
<v Speaker 3>up for the service.

0:26:06.525 --> 0:26:09.725
<v Speaker 2>Right to B is free and they will not accept

0:26:09.725 --> 0:26:12.805
<v Speaker 2>your money to make to make the ads go away.

0:26:12.845 --> 0:26:15.125
<v Speaker 2>But the one thing they will ask you to do

0:26:15.405 --> 0:26:18.005
<v Speaker 2>pretty much, there's a big yellow button no matter where you.

0:26:17.965 --> 0:26:20.005
<v Speaker 3>Go submit to a test.

0:26:20.125 --> 0:26:23.405
<v Speaker 2>Oh, register your email address, because you know, there's nothing

0:26:23.485 --> 0:26:25.845
<v Speaker 2>more important on the Internet than your data. That's all

0:26:25.885 --> 0:26:28.325
<v Speaker 2>they want is your data, man, your data. So you

0:26:28.325 --> 0:26:33.285
<v Speaker 2>give them your right. If you give them your email address,

0:26:33.885 --> 0:26:37.725
<v Speaker 2>they will give you They will allow you to hold

0:26:37.725 --> 0:26:41.045
<v Speaker 2>your place in something you're watching. So if you watch

0:26:41.085 --> 0:26:43.725
<v Speaker 2>half of Independence Day Resurgence and then put it on

0:26:43.805 --> 0:26:45.685
<v Speaker 2>pause for a day and a half and come back.

0:26:45.565 --> 0:26:48.445
<v Speaker 3>You're gonna almost sleepot in the middle of the night, right.

0:26:48.365 --> 0:26:50.805
<v Speaker 2>So if you register, you can do it. Pluto does

0:26:50.805 --> 0:26:53.165
<v Speaker 2>the same thing. And I have not registered, and my

0:26:53.245 --> 0:26:56.725
<v Speaker 2>wife has not either, and she keeps complaining. She's like,

0:26:56.765 --> 0:26:59.925
<v Speaker 2>I got a register because she's watching Dynasty over weeks

0:26:59.925 --> 0:27:02.045
<v Speaker 2>and weeks and she keeps having to go, wait was it?

0:27:02.085 --> 0:27:05.325
<v Speaker 2>Was it episode thirty two or episode thirty one, and

0:27:05.405 --> 0:27:07.525
<v Speaker 2>but says, well, you can register and you can find

0:27:07.525 --> 0:27:08.965
<v Speaker 2>your place. She's like, I don't want to do that,

0:27:08.965 --> 0:27:10.885
<v Speaker 2>which I understand, because you're gonna get emails for the

0:27:10.925 --> 0:27:13.205
<v Speaker 2>rest of your life from Tube. You do that, your

0:27:13.445 --> 0:27:17.125
<v Speaker 2>your grandkids are gonna get harassed by Tube. So that

0:27:17.165 --> 0:27:20.445
<v Speaker 2>would add that would help the usability. But it comes

0:27:20.525 --> 0:27:23.045
<v Speaker 2>to a cause and I haven't done it now. The

0:27:23.085 --> 0:27:25.685
<v Speaker 2>other thing about the use of the playback interface, how

0:27:25.725 --> 0:27:28.045
<v Speaker 2>easy it is to watch rewind blah blah blah. It

0:27:28.165 --> 0:27:31.085
<v Speaker 2>really depends on where you're doing it if you're doing

0:27:31.125 --> 0:27:33.645
<v Speaker 2>it on your laptop or I would imagine your iPad.

0:27:34.245 --> 0:27:37.525
<v Speaker 2>It's pretty good on the Apple TV, at least in

0:27:37.645 --> 0:27:41.645
<v Speaker 2>my home. Uh, it's pretty bad actually, Like it's it's

0:27:41.685 --> 0:27:44.885
<v Speaker 2>you move your thumb to get the cursor over and

0:27:44.925 --> 0:27:48.125
<v Speaker 2>there's a lag. Now I don't think that's due to

0:27:48.525 --> 0:27:52.365
<v Speaker 2>my you know, my Wi Fi, because when I do

0:27:52.445 --> 0:27:54.845
<v Speaker 2>it on on the bigger red Rids machine on Netflix,

0:27:54.885 --> 0:27:57.285
<v Speaker 2>it works like a charm because they're, you know, because

0:27:57.285 --> 0:27:59.285
<v Speaker 2>I'm paying for that for this, They're like, what, you

0:27:59.325 --> 0:28:01.205
<v Speaker 2>want me to move fast? You're not even paying So

0:28:01.285 --> 0:28:04.125
<v Speaker 2>it's not Uh, it's not the best. So I give

0:28:04.165 --> 0:28:10.165
<v Speaker 2>them high marks in usability for the laptop. But on

0:28:10.245 --> 0:28:14.085
<v Speaker 2>my Apple TV with my little Apple remote, it's pretty crappy,

0:28:14.165 --> 0:28:16.205
<v Speaker 2>I gotta say. And you got to type stuff in

0:28:16.845 --> 0:28:18.605
<v Speaker 2>and you know you're using the letter you know you

0:28:18.645 --> 0:28:20.645
<v Speaker 2>can't type. You're typing in if you want a doctor

0:28:20.645 --> 0:28:25.005
<v Speaker 2>who E O C to it's a little bit annoying.

0:28:25.325 --> 0:28:28.765
<v Speaker 2>And then in terms of the live TV section, it's

0:28:28.805 --> 0:28:32.325
<v Speaker 2>almost unusable on the Apple TV because things hang. You

0:28:32.445 --> 0:28:35.365
<v Speaker 2>got your screen. It's like I felt like my like

0:28:35.405 --> 0:28:38.285
<v Speaker 2>my like my great grandfather. Wow, what is this. It's

0:28:38.485 --> 0:28:42.125
<v Speaker 2>so much noise, it's it's total chaos on the lap.

0:28:42.005 --> 0:28:44.885
<v Speaker 3>Flash and the number twelve over and over. What I do?

0:28:45.805 --> 0:28:49.725
<v Speaker 2>The the live TV function on the laptop was cool,

0:28:49.765 --> 0:28:51.765
<v Speaker 2>and that's how I dug down and that's how I

0:28:51.805 --> 0:28:54.285
<v Speaker 2>found the twenty four hours of supermarket sweep. It was

0:28:54.325 --> 0:28:57.565
<v Speaker 2>pretty cool. The one thing I will say is you

0:28:57.605 --> 0:29:00.525
<v Speaker 2>can't get a moment of quiet. So when you open

0:29:00.605 --> 0:29:04.405
<v Speaker 2>it up the live TV, the top channel automatically comes on.

0:29:04.565 --> 0:29:07.205
<v Speaker 2>And because right now we're in the middle of the

0:29:07.245 --> 0:29:09.925
<v Speaker 2>World Cup. Yes, and they like the World Cup. That's

0:29:09.925 --> 0:29:12.685
<v Speaker 2>impressive because they're probably because the start of Fox. So

0:29:12.765 --> 0:29:16.005
<v Speaker 2>Fox has put tossed a little World Cup on there. Yeah.

0:29:16.045 --> 0:29:17.805
<v Speaker 2>And there's a lot of sports here too, like and

0:29:17.845 --> 0:29:20.205
<v Speaker 2>I would imagine any sports on Fox is going to

0:29:20.285 --> 0:29:21.925
<v Speaker 2>be on here. So that's great if you don't want

0:29:21.925 --> 0:29:25.085
<v Speaker 2>to pay for cable or whatever. You know. I don't

0:29:25.125 --> 0:29:26.925
<v Speaker 2>know if football games are on here or not, but

0:29:26.925 --> 0:29:28.965
<v Speaker 2>but I had a lot of sports that I got through.

0:29:29.965 --> 0:29:34.085
<v Speaker 2>So while I was invoice inventorying and look for cool

0:29:34.125 --> 0:29:36.685
<v Speaker 2>stuff on the live TV, I couldn't get the World

0:29:36.725 --> 0:29:39.925
<v Speaker 2>Cup to stop. And there was no X there was

0:29:39.965 --> 0:29:42.925
<v Speaker 2>no mute there was no pause. And then when I

0:29:42.965 --> 0:29:45.245
<v Speaker 2>was like enough these I don't the World Cup has

0:29:45.325 --> 0:29:47.525
<v Speaker 2>riding me crazy, I just clicked at something at random.

0:29:47.525 --> 0:29:51.005
<v Speaker 2>It was some old movie with Roslin Russell, and then

0:29:51.085 --> 0:29:53.205
<v Speaker 2>she was there and Roslind Russell couldn't shut up. So

0:29:53.245 --> 0:29:54.885
<v Speaker 2>I was a little bit annoyed at the lack of

0:29:54.925 --> 0:29:58.965
<v Speaker 2>an off button. But so that's a ding and I

0:29:59.005 --> 0:30:01.125
<v Speaker 2>didn't even get that far on my Apple TV. It

0:30:01.205 --> 0:30:04.005
<v Speaker 2>was so unusable. So I give it very poor marks

0:30:04.565 --> 0:30:07.605
<v Speaker 2>on usability on the Apple TV, and I give it

0:30:08.205 --> 0:30:10.685
<v Speaker 2>fair marks on my computer.

0:30:11.485 --> 0:30:17.445
<v Speaker 3>Okay, I will say this, the commercials are definitely a factor.

0:30:18.485 --> 0:30:20.725
<v Speaker 3>But here is a twist for you, Jordan. I tell

0:30:20.725 --> 0:30:24.885
<v Speaker 3>you the that ambient noise channel you were talking about.

0:30:25.765 --> 0:30:31.525
<v Speaker 3>I am not sure whether it was just that channel

0:30:31.565 --> 0:30:34.205
<v Speaker 3>that didn't have the commercials, because I was watching things

0:30:34.205 --> 0:30:36.645
<v Speaker 3>and there were sometimes commercials, and then sometimes I would

0:30:36.645 --> 0:30:38.885
<v Speaker 3>not get commercials, and I don't know if it's a

0:30:38.925 --> 0:30:42.925
<v Speaker 3>glitch or I don't know how it works. Tell you, Yeah,

0:30:42.965 --> 0:30:45.605
<v Speaker 3>when I was watching like Return of the Killer Tomatoes,

0:30:45.685 --> 0:30:48.045
<v Speaker 3>I think I only had like one commercial break in

0:30:48.085 --> 0:30:52.645
<v Speaker 3>the entire movie, and sometimes you would get something every

0:30:52.645 --> 0:30:54.645
<v Speaker 3>fifteen minutes or so and other times there would be

0:30:54.685 --> 0:30:56.125
<v Speaker 3>long stretches.

0:30:56.285 --> 0:30:58.565
<v Speaker 2>And if they scale it based on I don't know

0:30:58.605 --> 0:31:00.605
<v Speaker 2>how many times it's used. If there's something that's so

0:31:00.845 --> 0:31:03.925
<v Speaker 2>rare and such such bargain basement that no one in

0:31:03.925 --> 0:31:06.405
<v Speaker 2>the right mind is pressing play, they just leave it alone.

0:31:06.885 --> 0:31:09.565
<v Speaker 2>But something like you said you watched Pads of Glory,

0:31:09.565 --> 0:31:12.245
<v Speaker 2>which is in there, that's in the Cooper collection, that

0:31:12.325 --> 0:31:15.525
<v Speaker 2>gets good placement. I watched Independence Day two right around

0:31:15.605 --> 0:31:20.045
<v Speaker 2>Independence Day. They loaded that one with ads, so it

0:31:20.085 --> 0:31:22.045
<v Speaker 2>could be that they have a scaling system. The more

0:31:22.245 --> 0:31:24.525
<v Speaker 2>people click, the more ads get served.

0:31:24.885 --> 0:31:27.325
<v Speaker 3>So yes, and I will say the one thing is

0:31:27.405 --> 0:31:30.485
<v Speaker 3>like a Prime video, which even though you pay for it,

0:31:30.565 --> 0:31:32.925
<v Speaker 3>you now have ads unless you I guess you can

0:31:32.965 --> 0:31:36.325
<v Speaker 3>probably I think you can pay for Prime video, Prime

0:31:36.525 --> 0:31:40.125
<v Speaker 3>or something where you can avoid the abs. Ads. You

0:31:40.125 --> 0:31:42.645
<v Speaker 3>can't avoid the abs when you're watching something like you

0:31:42.645 --> 0:31:44.725
<v Speaker 3>know with John Krasinski and at the ebbs are going

0:31:44.805 --> 0:31:50.165
<v Speaker 3>to be right there. But the ad breaks are visible

0:31:50.325 --> 0:31:52.685
<v Speaker 3>in the program. They show you on little with little

0:31:52.765 --> 0:31:55.245
<v Speaker 3>dots on the timeline. There's going to be a commercial

0:31:55.245 --> 0:31:57.725
<v Speaker 3>coming up in X number of minutes. So if you

0:31:57.805 --> 0:31:59.405
<v Speaker 3>were like, okay, I need to use the restroom. Oh,

0:31:59.485 --> 0:32:01.325
<v Speaker 3>I'll just wait for there to be a commercial and

0:32:01.365 --> 0:32:05.325
<v Speaker 3>I'll go use it on to be again, you're they're

0:32:05.365 --> 0:32:07.885
<v Speaker 3>expecting you to do the work. They're not. This is

0:32:07.885 --> 0:32:09.885
<v Speaker 3>a little bit bargain basement. We don't know, we don't

0:32:09.885 --> 0:32:12.085
<v Speaker 3>know when there's going to be a commercial, and they

0:32:12.165 --> 0:32:14.885
<v Speaker 3>might just pop up. And that does sometimes make them

0:32:14.925 --> 0:32:17.925
<v Speaker 3>more obtrusive, because you can be in the middle of

0:32:17.925 --> 0:32:22.405
<v Speaker 3>a dramatic scene about the you know, the killing the

0:32:22.445 --> 0:32:27.485
<v Speaker 3>potential killings of soldiers for being cowards in World War One,

0:32:28.085 --> 0:32:31.005
<v Speaker 3>if you're watching Paths of Glory. But other times they're

0:32:31.045 --> 0:32:32.765
<v Speaker 3>like you could be watching something and there you can

0:32:32.765 --> 0:32:34.285
<v Speaker 3>go long stretches and go, you know, I haven't seen

0:32:34.285 --> 0:32:37.285
<v Speaker 3>a commercial in a while, and you don't know when

0:32:37.285 --> 0:32:38.525
<v Speaker 3>there's gonna be one coming up.

0:32:38.645 --> 0:32:41.165
<v Speaker 2>So it's a jump scare. It's good for harbor, it is.

0:32:41.205 --> 0:32:42.605
<v Speaker 3>It can be a little bit of a jump scare.

0:32:42.645 --> 0:32:44.645
<v Speaker 3>All right, So what did you give your number? Did

0:32:44.685 --> 0:32:48.285
<v Speaker 3>I miss it? Now I'm going to say five. I

0:32:48.285 --> 0:32:51.645
<v Speaker 3>guess I'm going to say six, Yeah, five, Sam? Are

0:32:51.645 --> 0:32:54.125
<v Speaker 3>you keeping track of these numbers for us? Sam?

0:32:54.405 --> 0:32:54.685
<v Speaker 4>He is?

0:32:55.325 --> 0:32:55.645
<v Speaker 3>Okay?

0:32:55.645 --> 0:32:59.925
<v Speaker 2>Can you imagine how furious Stanley Kubrick would be at

0:32:59.925 --> 0:33:02.685
<v Speaker 2>the way to be his treating Paths of Glory. He

0:33:02.725 --> 0:33:04.445
<v Speaker 2>would just be I mean, this is the guy who

0:33:04.445 --> 0:33:08.125
<v Speaker 2>would send notes to the projectionists on how on on

0:33:08.165 --> 0:33:10.965
<v Speaker 2>what the volume levels should be at which reel and whatnot.

0:33:11.645 --> 0:33:15.485
<v Speaker 3>It's not just, It's not just. It's not just two

0:33:15.565 --> 0:33:17.765
<v Speaker 3>B though. I mean, on Netflix you can watch something

0:33:17.805 --> 0:33:20.365
<v Speaker 3>at one point five speed. You think Kubrick would have

0:33:20.445 --> 0:33:22.965
<v Speaker 3>liked that. You think you would have liked you watching

0:33:23.525 --> 0:33:26.085
<v Speaker 3>Tom Cruise wander through fake New York City at one

0:33:26.085 --> 0:33:26.965
<v Speaker 3>point five speed?

0:33:27.045 --> 0:33:30.925
<v Speaker 2>I don't think so, Probably not, Probably not? Okay, all right,

0:33:31.805 --> 0:33:39.085
<v Speaker 2>chapter Yeah. The next chapter is but reliability reliability slash,

0:33:39.165 --> 0:33:42.605
<v Speaker 2>How often do you deal with crashing out of sync audio,

0:33:42.765 --> 0:33:47.605
<v Speaker 2>grainy video? And my response was, seems okay. Didn't have

0:33:47.645 --> 0:33:50.165
<v Speaker 2>any problem with any of the things you mentioned, except

0:33:50.205 --> 0:33:54.165
<v Speaker 2>for this. I did audit some of those really kooky

0:33:54.365 --> 0:33:57.925
<v Speaker 2>early Doctor Who episodes because I like early Doctor Who,

0:33:58.605 --> 0:34:02.005
<v Speaker 2>and there's no way to make Doctor Who look good.

0:34:02.045 --> 0:34:03.925
<v Speaker 2>I mean, unless you were to Remasgine. There's no way,

0:34:03.925 --> 0:34:09.484
<v Speaker 2>because the original format was one inch videotape. But it

0:34:09.565 --> 0:34:14.205
<v Speaker 2>looked particularly bad on my TV when I was streaming

0:34:14.205 --> 0:34:16.765
<v Speaker 2>it on two B like it was the it was

0:34:16.805 --> 0:34:20.285
<v Speaker 2>the worst I've ever seen Doctor Who. And then I

0:34:20.325 --> 0:34:22.965
<v Speaker 2>watched it on my computer. I had the live Doctor

0:34:22.965 --> 0:34:25.725
<v Speaker 2>Who channel on on both my computer and my TV,

0:34:25.844 --> 0:34:27.964
<v Speaker 2>and it was funny because like they were like half

0:34:28.005 --> 0:34:30.005
<v Speaker 2>a second out of sinc So I'm here and you know,

0:34:30.045 --> 0:34:32.844
<v Speaker 2>the guy with the crazy scarf talk twice. It looked

0:34:32.845 --> 0:34:34.725
<v Speaker 2>better on my TV. There was more, maybe just because

0:34:34.725 --> 0:34:38.245
<v Speaker 2>the pixelization was better than the image was smaller. So

0:34:38.325 --> 0:34:41.405
<v Speaker 2>if you're gonna be watching an old, old, old old

0:34:41.485 --> 0:34:44.565
<v Speaker 2>thing on a bad format to begin with, stick with

0:34:44.605 --> 0:34:47.645
<v Speaker 2>your computer. So everything else was fine. I mean, there's

0:34:47.645 --> 0:34:49.245
<v Speaker 2>only so much you could do with old Doctor Who.

0:34:49.285 --> 0:34:52.965
<v Speaker 2>But it looked unused. Like I've seen Doctor Who's streaming

0:34:53.085 --> 0:34:56.485
<v Speaker 2>on other services and it hasn't looked quite as bad

0:34:56.525 --> 0:34:58.165
<v Speaker 2>as it looked on to me. So I got to

0:34:58.205 --> 0:34:59.205
<v Speaker 2>ding them a little bit for that.

0:35:11.605 --> 0:35:15.645
<v Speaker 3>I didn't use a television. I just used my computer,

0:35:16.085 --> 0:35:19.445
<v Speaker 3>which I use for a lot of viewing, and I

0:35:19.445 --> 0:35:21.485
<v Speaker 3>didn't have any issues. I mean, the only thing I

0:35:21.525 --> 0:35:23.285
<v Speaker 3>would say is the ads. You know, the ads are

0:35:23.285 --> 0:35:27.685
<v Speaker 3>weird and random and sometimes very intrusive, but you know,

0:35:27.845 --> 0:35:31.725
<v Speaker 3>like I watched Paths of Glory you know, was it

0:35:31.765 --> 0:35:35.685
<v Speaker 3>as good as watching it on a beautiful criterion Blu

0:35:35.805 --> 0:35:37.404
<v Speaker 3>ray or. I don't know if they have a four K,

0:35:37.565 --> 0:35:40.805
<v Speaker 3>but I'm sure it wasn't. But it looked pretty good.

0:35:40.885 --> 0:35:43.765
<v Speaker 3>It did not look, you know, like you know, I

0:35:43.765 --> 0:35:46.245
<v Speaker 3>didn't have issues with the with the audio, with the video.

0:35:46.885 --> 0:35:49.484
<v Speaker 3>It was a decent print. I know Jordan was saying

0:35:49.525 --> 0:35:54.725
<v Speaker 3>earlier he had some issues with prints looking like mud so,

0:35:55.445 --> 0:35:57.845
<v Speaker 3>but I didn't have any issues to speak of. I

0:35:58.405 --> 0:36:02.085
<v Speaker 3>would I wish, I wish I did rewinding back and forth.

0:36:02.085 --> 0:36:04.085
<v Speaker 2>It was fine. I mean, it was like a rather service.

0:36:03.885 --> 0:36:07.445
<v Speaker 3>Right, Yeah, exactly, I guess, I will say. And maybe

0:36:07.445 --> 0:36:10.205
<v Speaker 3>this was something I should have maybe mentioned in the

0:36:10.245 --> 0:36:13.005
<v Speaker 3>previous segment. I don't love, at least on the laptop,

0:36:13.045 --> 0:36:15.245
<v Speaker 3>that you have to rewind thirty seconds. I like a

0:36:15.285 --> 0:36:20.565
<v Speaker 3>fifteen second back. Thirty is too much, you might be right, Yeah,

0:36:21.245 --> 0:36:22.605
<v Speaker 3>fifteen is the right number.

0:36:22.685 --> 0:36:23.125
<v Speaker 2>I agree.

0:36:23.445 --> 0:36:25.484
<v Speaker 3>I want to maybe I want I missed a line,

0:36:25.605 --> 0:36:29.405
<v Speaker 3>or I want to rewatch a reaction or a specific shot.

0:36:29.725 --> 0:36:31.924
<v Speaker 3>I don't need to go back thirty seconds. That's too much,

0:36:32.365 --> 0:36:32.805
<v Speaker 3>You're right.

0:36:32.885 --> 0:36:35.325
<v Speaker 2>I just watched something on Disney Plus last night on

0:36:35.365 --> 0:36:37.245
<v Speaker 2>my computer, and they had the fifteen, which is the

0:36:37.525 --> 0:36:40.005
<v Speaker 2>I even thought to myself, that's the right amount. It's perfect.

0:36:40.045 --> 0:36:42.645
<v Speaker 2>So it's it's pretty good. I give it a seven.

0:36:43.205 --> 0:36:43.965
<v Speaker 3>I give it an eight.

0:36:44.645 --> 0:36:48.925
<v Speaker 2>The next category is quality. Quality in terms of the.

0:36:49.645 --> 0:36:51.965
<v Speaker 3>Well it's well, let me let me interrupt, it's quality

0:36:52.285 --> 0:37:00.005
<v Speaker 3>slash variety of originals originals? Okay, how often do you

0:37:00.085 --> 0:37:03.045
<v Speaker 3>want to watch and how often do you actually watch

0:37:03.325 --> 0:37:04.925
<v Speaker 3>the original programming?

0:37:05.365 --> 0:37:07.484
<v Speaker 2>All right, I'm gonna be honest with you. I didn't

0:37:07.485 --> 0:37:09.965
<v Speaker 2>really understand the assignment. I give this it incomplete. I

0:37:09.965 --> 0:37:13.125
<v Speaker 2>didn't actually watch any to be originals. I did see

0:37:13.165 --> 0:37:16.445
<v Speaker 2>a few of them. They looked mostly like podcasts, but

0:37:16.685 --> 0:37:19.845
<v Speaker 2>what I and there was one that I thought was

0:37:19.885 --> 0:37:21.725
<v Speaker 2>an original. It was like it was like these two

0:37:21.765 --> 0:37:24.245
<v Speaker 2>people just talking. I don't know what it was, but

0:37:24.525 --> 0:37:28.685
<v Speaker 2>I did. I was amazed at the live TV, the

0:37:28.765 --> 0:37:32.404
<v Speaker 2>depth of it, like the Bob Ross channel. Uh there

0:37:32.565 --> 0:37:35.485
<v Speaker 2>was I mentioned for there was no chill out stuff

0:37:35.525 --> 0:37:37.365
<v Speaker 2>like on Pluto. But they did have a channel devoted

0:37:37.405 --> 0:37:39.685
<v Speaker 2>to BBC Earth, which I thought was pretty cool, Like

0:37:39.685 --> 0:37:42.925
<v Speaker 2>that's what I could see using a lot. Then they

0:37:42.965 --> 0:37:45.165
<v Speaker 2>had a chat so funny they had these Remember there

0:37:45.245 --> 0:37:46.565
<v Speaker 2>was a I say it's like two thousand and eight,

0:37:46.605 --> 0:37:49.125
<v Speaker 2>two thousand and nine when they had all these shows

0:37:49.605 --> 0:37:53.245
<v Speaker 2>Ice Road Truckers and Alaska Fishermen, all these like guys

0:37:53.285 --> 0:37:56.245
<v Speaker 2>at work in dangerous jobs. And there was a show

0:37:56.285 --> 0:37:59.685
<v Speaker 2>that I actually did watch once for like I got

0:37:59.725 --> 0:38:01.605
<v Speaker 2>sucked in the in the in the tractor beam and

0:38:01.685 --> 0:38:04.205
<v Speaker 2>watched it for like an afternoon called Axemen.

0:38:04.685 --> 0:38:08.285
<v Speaker 3>Do you remember ax Men? It was a popular shotdown.

0:38:08.365 --> 0:38:11.045
<v Speaker 3>I'm like, maybe the name sounds vaguely familiar. I never

0:38:11.045 --> 0:38:11.605
<v Speaker 3>reached it.

0:38:11.845 --> 0:38:14.325
<v Speaker 2>Yeah, it was about these guys. It was about loggers

0:38:14.405 --> 0:38:18.045
<v Speaker 2>in Oregon chopping down trees and and there's a twenty

0:38:18.085 --> 0:38:21.325
<v Speaker 2>four hour channel of axe Men. The people who we're

0:38:21.445 --> 0:38:23.685
<v Speaker 2>in axe Men aren't even going to be watching the

0:38:24.485 --> 0:38:26.885
<v Speaker 2>mom of the head axe Man even they're not going

0:38:26.925 --> 0:38:29.645
<v Speaker 2>to be watching this. It's ridiculous. So it was just

0:38:29.645 --> 0:38:31.645
<v Speaker 2>sort of like I was really impressed with the depth

0:38:31.645 --> 0:38:33.645
<v Speaker 2>of it. And then there were some other things that

0:38:33.685 --> 0:38:37.605
<v Speaker 2>I thought were originals, but they were just YouTube channels

0:38:38.205 --> 0:38:42.045
<v Speaker 2>on the live TV. And this is where I'm the

0:38:42.085 --> 0:38:44.045
<v Speaker 2>kind of I'm not in the demographic, but a lot

0:38:44.045 --> 0:38:48.404
<v Speaker 2>of these were like streamers, like just people talking, not

0:38:48.445 --> 0:38:50.845
<v Speaker 2>like political streamers like you see in the new like

0:38:50.885 --> 0:38:53.285
<v Speaker 2>you know, these loudmouth racists and what and it wasn't

0:38:53.285 --> 0:38:58.005
<v Speaker 2>like that. But there was something called Jubilee TV. And

0:38:58.165 --> 0:39:01.285
<v Speaker 2>I have seen clips of this online from the from

0:39:01.285 --> 0:39:04.325
<v Speaker 2>the youth. It's like these dating shows that are in

0:39:04.365 --> 0:39:06.605
<v Speaker 2>like a white void where they get a lot of

0:39:06.605 --> 0:39:08.565
<v Speaker 2>sexy girls and tight clothes and a lot of honky

0:39:08.605 --> 0:39:11.245
<v Speaker 2>guys and tight clothes and they like kind of flirt

0:39:11.285 --> 0:39:14.085
<v Speaker 2>with each other. And I was like, oh, that's where

0:39:14.085 --> 0:39:17.325
<v Speaker 2>this comes from. It's it's something called Jubilee TV. And

0:39:17.365 --> 0:39:18.965
<v Speaker 2>I clicked on it and it was like dating. It's

0:39:18.965 --> 0:39:23.405
<v Speaker 2>a YouTube channel but they just have on this So

0:39:24.005 --> 0:39:26.565
<v Speaker 2>that's as far. That's as close as I got to originals.

0:39:26.605 --> 0:39:29.285
<v Speaker 2>I was impressed by the depth of it if I

0:39:29.445 --> 0:39:32.365
<v Speaker 2>liked the particular podcasters, like there was one there was

0:39:32.365 --> 0:39:34.645
<v Speaker 2>like these two guys in a gal they were yapping

0:39:34.685 --> 0:39:36.565
<v Speaker 2>in front of their mics, and I was like, who

0:39:36.605 --> 0:39:39.005
<v Speaker 2>are these people? I think it's called Mythic, but I

0:39:39.045 --> 0:39:41.645
<v Speaker 2>think it's called Mythic And I googled Mythic and it's

0:39:41.685 --> 0:39:43.765
<v Speaker 2>like a popular podcast since twenty twelve, Like, oh right,

0:39:43.805 --> 0:39:45.445
<v Speaker 2>you kidding me, They've been around that long. Who are

0:39:45.485 --> 0:39:47.165
<v Speaker 2>these people. So I'm a little bit out of it

0:39:47.205 --> 0:39:49.605
<v Speaker 2>on this, but I did not watch any two BE Originals.

0:39:49.605 --> 0:39:51.445
<v Speaker 2>Did you actually watch any two BE Originals?

0:39:51.805 --> 0:39:54.725
<v Speaker 3>Well, no, I didn't watch any. I didn't know that

0:39:54.805 --> 0:39:59.085
<v Speaker 3>to Be had originals until we were doing this episode

0:39:59.125 --> 0:40:03.884
<v Speaker 3>and I did some searching on their interface, and sure enough,

0:40:03.925 --> 0:40:06.485
<v Speaker 3>there is a category. They have a category on there

0:40:06.525 --> 0:40:11.405
<v Speaker 3>for to Be Originals, and it's quite long, shockingly long,

0:40:11.885 --> 0:40:15.725
<v Speaker 3>all filled with things that looked frankly very bad. I mean,

0:40:15.765 --> 0:40:17.965
<v Speaker 3>there wasn't one thing that look It looked a lot

0:40:18.005 --> 0:40:20.325
<v Speaker 3>of things that looked like they previous and a previous

0:40:20.405 --> 0:40:22.525
<v Speaker 3>life would have been in Red Box originals, you know

0:40:22.565 --> 0:40:25.725
<v Speaker 3>what I mean. That's the kind of material we're looking at.

0:40:25.805 --> 0:40:29.245
<v Speaker 3>You know, we're talking about a weekly talk show called

0:40:29.285 --> 0:40:34.645
<v Speaker 3>The Other Football featuring Ron Gronkowski, a cartoon called The

0:40:34.685 --> 0:40:40.605
<v Speaker 3>Freak Brothers, a WWE wrestling show called Evolve, a what

0:40:40.725 --> 0:40:44.405
<v Speaker 3>looked kind of like an asylum mockbuster called Butch Cassidy

0:40:44.725 --> 0:40:49.005
<v Speaker 3>and the Wild Bunch. They had two direct to video

0:40:49.125 --> 0:40:52.925
<v Speaker 3>War of the World's I guess sequels or spinoffs or

0:40:53.005 --> 0:40:57.844
<v Speaker 3>ripoffs called War of the World's Annihilation and also War

0:40:57.925 --> 0:41:02.445
<v Speaker 3>of the World's Extinction there was a show called Busted

0:41:02.485 --> 0:41:07.445
<v Speaker 3>on Bodycam that I bet is fantastic. But I guess

0:41:07.525 --> 0:41:10.285
<v Speaker 3>looking through this page did make me realize. Okay, I

0:41:10.285 --> 0:41:16.005
<v Speaker 3>guess occasionally I do get pr emails about to be originals.

0:41:16.165 --> 0:41:20.485
<v Speaker 3>I if they've released anything that has made any sort

0:41:20.485 --> 0:41:24.165
<v Speaker 3>of an impact on broader popular culture, I don't know

0:41:24.205 --> 0:41:26.364
<v Speaker 3>what that would be. I don't think that's happened yet.

0:41:26.845 --> 0:41:29.165
<v Speaker 3>And the fact that you didn't even know that there

0:41:29.165 --> 0:41:32.884
<v Speaker 3>were any and and you now, granted you probably should

0:41:32.885 --> 0:41:34.565
<v Speaker 3>have read a little more carefully and known what you

0:41:34.565 --> 0:41:38.565
<v Speaker 3>were looking for, but in looking around, you didn't come

0:41:38.605 --> 0:41:41.565
<v Speaker 3>across anything. Now, these were all marked to be original.

0:41:41.925 --> 0:41:44.844
<v Speaker 3>So the fact that you didn't find these on your own,

0:41:45.405 --> 0:41:48.565
<v Speaker 3>no looking through, and you did look through this this

0:41:48.685 --> 0:41:51.325
<v Speaker 3>service a lot. I think that says something also about

0:41:51.325 --> 0:41:53.085
<v Speaker 3>the way that even though they have these things, they're

0:41:53.165 --> 0:41:56.445
<v Speaker 3>kind of siloed off a little bit, and they there's.

0:41:56.245 --> 0:41:58.925
<v Speaker 2>A degree of information overload. When you're on these things.

0:41:58.925 --> 0:42:01.045
<v Speaker 2>It's like it's there's all these images come in your way.

0:42:01.085 --> 0:42:03.565
<v Speaker 2>There's like, oh my god, independency Resurgence, I should watch

0:42:03.645 --> 0:42:06.245
<v Speaker 2>that and like, wow, they have the killing too, holy smoke, right,

0:42:06.565 --> 0:42:07.125
<v Speaker 2>So it's a lot.

0:42:07.285 --> 0:42:09.205
<v Speaker 3>I looked to see, is there one of these that

0:42:09.285 --> 0:42:12.565
<v Speaker 3>looks even remotely interesting that maybe it's worth giving it

0:42:12.605 --> 0:42:15.245
<v Speaker 3>a shot, And I ultimately was like, I don't want

0:42:15.285 --> 0:42:16.765
<v Speaker 3>to watch any of these. That's why I wound up

0:42:16.845 --> 0:42:19.325
<v Speaker 3>watching Paths of Glory in Return of the Killer Tomatoes

0:42:19.405 --> 0:42:21.365
<v Speaker 3>is like, I would much rather spend my time watching

0:42:21.845 --> 0:42:26.805
<v Speaker 3>things like that. And so I looked through the selection

0:42:27.165 --> 0:42:29.965
<v Speaker 3>and watched none, And I feel like that's it. That's

0:42:30.005 --> 0:42:32.045
<v Speaker 3>its own damning review in and of itself. So what

0:42:32.085 --> 0:42:33.245
<v Speaker 3>do you want to give these?

0:42:33.405 --> 0:42:34.844
<v Speaker 2>I'll give it like, I'll give it a three. I'll

0:42:34.845 --> 0:42:37.444
<v Speaker 2>give I'll give a three because I'm impressed by what

0:42:37.965 --> 0:42:41.885
<v Speaker 2>I'm referring to. I guess I'm giving it three, but

0:42:41.925 --> 0:42:44.085
<v Speaker 2>I should give it a zero. But I'm giving it

0:42:44.085 --> 0:42:48.205
<v Speaker 2>a three because to me, all that weird stuff on

0:42:48.285 --> 0:42:52.045
<v Speaker 2>the live section, that uh, that Jubilee TV thing, the

0:42:52.125 --> 0:42:55.605
<v Speaker 2>dating stuff, like all of that axe men, the Bob

0:42:55.685 --> 0:42:59.525
<v Speaker 2>Ross channel, I'm calling that originals because where the hell

0:42:59.565 --> 0:43:01.205
<v Speaker 2>else am I going to see twenty four hours of

0:43:01.285 --> 0:43:04.485
<v Speaker 2>Bob Ross. Now, let me ask you, Ron Grigkowski is

0:43:04.525 --> 0:43:06.605
<v Speaker 2>the other football? What is the other football?

0:43:06.805 --> 0:43:09.565
<v Speaker 3>I think it's soccer. I think it's more of their

0:43:09.725 --> 0:43:11.245
<v Speaker 3>World Cup related material.

0:43:11.445 --> 0:43:13.765
<v Speaker 2>Is he a soccer player? Ron gronkowk No, he's a

0:43:13.765 --> 0:43:16.925
<v Speaker 2>football player. That's why he's the other football because he's.

0:43:16.805 --> 0:43:20.885
<v Speaker 3>Talking about the other football meaning football meaning soccer.

0:43:21.325 --> 0:43:22.725
<v Speaker 2>Why would they get him to do it? He's the

0:43:22.765 --> 0:43:24.325
<v Speaker 2>worst guy to do it. Should get a soccer player

0:43:24.325 --> 0:43:24.725
<v Speaker 2>to do it.

0:43:24.845 --> 0:43:27.565
<v Speaker 3>Well, he's kind of a you know, he's a celebrity

0:43:27.605 --> 0:43:29.565
<v Speaker 3>and media personality.

0:43:29.645 --> 0:43:33.165
<v Speaker 2>Now I disagree. I think that's a really dumb idea.

0:43:33.205 --> 0:43:36.364
<v Speaker 2>And now I get a good idea. I said, That's

0:43:36.365 --> 0:43:39.365
<v Speaker 2>why I just said what it was. I'm not a

0:43:39.485 --> 0:43:42.125
<v Speaker 2>development executive at two B. What do you bring me

0:43:42.165 --> 0:43:47.765
<v Speaker 2>on blast for? What's up? It's Rock and Jamus and

0:43:47.805 --> 0:43:50.405
<v Speaker 2>we're both super excited for the World.

0:43:50.125 --> 0:43:52.285
<v Speaker 4>Cup coming up and need a brush up on a

0:43:52.605 --> 0:43:53.844
<v Speaker 4>soccer knowledge.

0:43:54.085 --> 0:43:54.725
<v Speaker 2>So what score?

0:43:54.845 --> 0:43:55.805
<v Speaker 3>You gave it a three?

0:43:55.965 --> 0:43:56.885
<v Speaker 2>I give it a three.

0:43:57.005 --> 0:43:58.045
<v Speaker 3>I'm giving it a one.

0:43:58.645 --> 0:43:59.685
<v Speaker 2>Wow, good for you.

0:44:00.005 --> 0:44:03.845
<v Speaker 3>Okay, Finally, the price? How much is it is it worth?

0:44:03.845 --> 0:44:07.965
<v Speaker 3>The price? It's free? Now it's free. It's not great

0:44:07.965 --> 0:44:11.245
<v Speaker 3>in terms of originals. The ads are not ideal, but

0:44:11.325 --> 0:44:12.365
<v Speaker 3>you can't beat that price.

0:44:12.805 --> 0:44:15.885
<v Speaker 2>Yeah, the ads really suck. I mean, I could imagine

0:44:15.925 --> 0:44:18.085
<v Speaker 2>what it was like watching a real movie like The

0:44:18.165 --> 0:44:21.605
<v Speaker 2>Killing or Sorry of Pads of Glory. Like I said,

0:44:21.645 --> 0:44:24.765
<v Speaker 2>I was watching Independence State two, which, by the way,

0:44:24.765 --> 0:44:26.844
<v Speaker 2>Matt Singer, have you seen Independence States?

0:44:27.045 --> 0:44:30.444
<v Speaker 3>I saw Independence Day Resurgence and yes, put a little

0:44:30.485 --> 0:44:33.645
<v Speaker 3>respect on its title Independence Day Colon Resurgence. I saw

0:44:33.645 --> 0:44:35.645
<v Speaker 3>it in the theater on opening night because they did

0:44:35.645 --> 0:44:37.005
<v Speaker 3>not have breast screenings for that.

0:44:37.285 --> 0:44:39.565
<v Speaker 2>It is it is. I knew it was going to

0:44:39.605 --> 0:44:43.645
<v Speaker 2>be bad. Everybody everybody's it is truly horrible. I was

0:44:43.725 --> 0:44:46.525
<v Speaker 2>not prepared for just how bad it is. It is

0:44:46.605 --> 0:44:49.405
<v Speaker 2>actually so bad it's good. I actually recommend it and

0:44:49.445 --> 0:44:52.925
<v Speaker 2>maybe one day we should cover it. No, it is

0:44:53.125 --> 0:44:57.045
<v Speaker 2>u shockingly bad. Like laughing, I was all of what

0:44:57.125 --> 0:45:00.404
<v Speaker 2>I wasn't treating. I was laughing. But those ads did

0:45:00.485 --> 0:45:04.125
<v Speaker 2>annoy the f atemy. So I got to say. It's free.

0:45:04.165 --> 0:45:08.205
<v Speaker 2>But at a certain point, it's like pay three ninety nine,

0:45:08.245 --> 0:45:10.085
<v Speaker 2>Like if you're gonna watch like the good movies like

0:45:10.405 --> 0:45:12.885
<v Speaker 2>Raging Bull is on there. If if you don't want

0:45:12.885 --> 0:45:14.925
<v Speaker 2>to have a way to watch Raging Bull for free,

0:45:15.645 --> 0:45:18.525
<v Speaker 2>maybe spend three ninety nine and rent it on Amazon

0:45:18.605 --> 0:45:21.645
<v Speaker 2>or Apple for for Killer Tomatoes, watch it with the

0:45:21.645 --> 0:45:24.685
<v Speaker 2>ads for independency resurgers. Watch it with the ads, but

0:45:24.845 --> 0:45:28.525
<v Speaker 2>for something that you actually want to have a mature,

0:45:29.085 --> 0:45:33.845
<v Speaker 2>cinematic encounter with, unless you're absolutely broke and you're in debt.

0:45:33.925 --> 0:45:35.645
<v Speaker 2>I mean, I don't know. Maybe some of our listeners

0:45:35.685 --> 0:45:37.765
<v Speaker 2>are in debt and and and should not even be

0:45:38.445 --> 0:45:40.805
<v Speaker 2>you know, should be donating blood instead of listening to

0:45:40.805 --> 0:45:43.285
<v Speaker 2>the show. But if you have a job and three

0:45:43.365 --> 0:45:47.805
<v Speaker 2>ninety nine to spare, sometimes don't go to tub. So

0:45:47.885 --> 0:45:50.685
<v Speaker 2>I'm of mixed feelings. It's free, but there is no

0:45:50.725 --> 0:45:53.325
<v Speaker 2>free lunch. Nothing's free. You're getting these ads. The ads suck.

0:45:53.325 --> 0:45:57.445
<v Speaker 2>You're hearing about Jardians and diabetes pills really loud all

0:45:57.485 --> 0:46:03.245
<v Speaker 2>the time. So I'm gonna give it a seven. I

0:46:03.285 --> 0:46:07.405
<v Speaker 2>give it a seven. It's seven. Look, maybe Sam is

0:46:07.445 --> 0:46:08.205
<v Speaker 2>making a high face.

0:46:08.365 --> 0:46:12.285
<v Speaker 3>Maybe our listeners, maybe our listeners are are they're listening

0:46:12.405 --> 0:46:16.445
<v Speaker 3>while they're donating blood? Did you think about that? Look,

0:46:17.285 --> 0:46:21.245
<v Speaker 3>you're you're right. I mean, it's not the way. It

0:46:21.325 --> 0:46:23.845
<v Speaker 3>is not the way that Stanley and Kubrick intended you

0:46:23.885 --> 0:46:27.325
<v Speaker 3>to watch Pads of Glory. But he didn't intend you

0:46:27.325 --> 0:46:30.645
<v Speaker 3>to watch it on a television at all. So and

0:46:30.885 --> 0:46:33.525
<v Speaker 3>I am of the generation as is Sam and Jordan

0:46:33.605 --> 0:46:37.645
<v Speaker 3>that we we grew up watching things with ads. There was,

0:46:37.685 --> 0:46:41.365
<v Speaker 3>you know, like yes, yes, we had HBO and movies

0:46:41.405 --> 0:46:44.485
<v Speaker 3>would play on HBO without commercial interruption, and for a

0:46:44.525 --> 0:46:47.805
<v Speaker 3>while they aired that way on AMC as well, but

0:46:48.205 --> 0:46:50.605
<v Speaker 3>at a certain point AMC, which is where I watched

0:46:50.645 --> 0:46:54.085
<v Speaker 3>a lot of movies growing up, and even PBS. I

0:46:54.165 --> 0:46:56.165
<v Speaker 3>used to watch the first time I watched The Sting

0:46:56.325 --> 0:46:59.245
<v Speaker 3>was on PBS, and every ten minutes I would be

0:46:59.325 --> 0:47:01.805
<v Speaker 3>into there was it was a pledge drive for God's sake,

0:47:01.885 --> 0:47:04.085
<v Speaker 3>and I have to sit through them. And I was

0:47:04.205 --> 0:47:06.325
<v Speaker 3>enraptured by this movie, but I still had to sit

0:47:06.405 --> 0:47:08.165
<v Speaker 3>through them yacking about tote pegs.

0:47:08.525 --> 0:47:10.444
<v Speaker 2>So alp Roman, what did your money?

0:47:10.525 --> 0:47:10.725
<v Speaker 6>Yeah?

0:47:10.925 --> 0:47:14.645
<v Speaker 3>Right, So that's not saying that's I'm not necessarily defending

0:47:14.685 --> 0:47:17.645
<v Speaker 3>the ads. All I'm saying is that I am kind

0:47:17.645 --> 0:47:20.525
<v Speaker 3>of I'm sort of used to that at this point

0:47:20.725 --> 0:47:23.005
<v Speaker 3>or in some way it's almost nostalgic to me to

0:47:23.165 --> 0:47:28.285
<v Speaker 3>watch a movie with ads, and if they're not too obtrusive,

0:47:28.405 --> 0:47:32.085
<v Speaker 3>and if they're not put in two haphazardly, it doesn't

0:47:32.125 --> 0:47:33.884
<v Speaker 3>bother me that much, or if they're not so long

0:47:33.965 --> 0:47:37.485
<v Speaker 3>some of these fast channels or services you go to

0:47:37.485 --> 0:47:39.205
<v Speaker 3>put on an you know, when there's an AD break,

0:47:39.445 --> 0:47:42.364
<v Speaker 3>it's three and a half minutes sometimes and that's too much.

0:47:42.485 --> 0:47:45.525
<v Speaker 3>Thirty seconds, I can I can give you thirty seconds

0:47:45.645 --> 0:47:49.605
<v Speaker 3>to sell me, you know, pills, blood pressure, pills. Three

0:47:49.605 --> 0:47:51.325
<v Speaker 3>and a half minutes of ads, and a lot of

0:47:51.325 --> 0:47:53.605
<v Speaker 3>times they don't have a lot of inventory, so you

0:47:53.645 --> 0:47:56.805
<v Speaker 3>see the same ad three times. That drives me crazy

0:47:57.005 --> 0:47:59.205
<v Speaker 3>that I can't stand. But that was not the experience

0:47:59.245 --> 0:47:59.525
<v Speaker 3>I had.

0:47:59.605 --> 0:48:03.365
<v Speaker 2>I know it to be. I know every potentially negative

0:48:03.365 --> 0:48:07.245
<v Speaker 2>side effect of Jardians, so I can list of You

0:48:07.365 --> 0:48:10.285
<v Speaker 2>might have chronic constipation if you're on Jardians, so you know.

0:48:10.525 --> 0:48:14.725
<v Speaker 3>Yeah, so, so the ads are not ideal, but I think,

0:48:15.685 --> 0:48:19.045
<v Speaker 3>you know, as a small price to pay for some

0:48:19.085 --> 0:48:20.845
<v Speaker 3>of we missed it. They have some good movies on

0:48:20.885 --> 0:48:22.965
<v Speaker 3>you if you're willing to put up with the ads.

0:48:24.365 --> 0:48:27.165
<v Speaker 3>I feel like it's kind of Honestly, I walked out

0:48:27.205 --> 0:48:31.405
<v Speaker 3>of this experience thinking Toby has more stuff than I realized,

0:48:31.445 --> 0:48:34.285
<v Speaker 3>and I am gonna use it more in the future.

0:48:34.725 --> 0:48:35.844
<v Speaker 2>Yeah.

0:48:34.925 --> 0:48:38.045
<v Speaker 3>So for the price you said seven, I'll give it

0:48:38.085 --> 0:48:40.805
<v Speaker 3>an eight. I will give it an eight. And so

0:48:40.885 --> 0:48:45.285
<v Speaker 3>Sam will always making faces ooh faces. We can't hear him,

0:48:45.325 --> 0:48:49.325
<v Speaker 3>he's muted, but Sam's making ooh faces. So Sam, I

0:48:49.365 --> 0:48:51.125
<v Speaker 3>think let's take a break.

0:48:51.645 --> 0:48:53.485
<v Speaker 7>You don't even have to take a break. I got

0:48:53.485 --> 0:48:56.085
<v Speaker 7>total talate it all up. I did it while you

0:48:56.125 --> 0:48:56.885
<v Speaker 7>were you had.

0:48:56.845 --> 0:48:59.325
<v Speaker 3>Enough talkers and toes to count this up. I did

0:48:59.605 --> 0:49:00.005
<v Speaker 3>a break.

0:49:00.045 --> 0:49:02.165
<v Speaker 7>Well, you threw in the point five, which of course

0:49:02.245 --> 0:49:07.725
<v Speaker 7>complicated things. But remarkably, you guys came out almost exactly

0:49:08.005 --> 0:49:11.404
<v Speaker 7>with the same number. Uh, you're Jordan. You came out

0:49:11.445 --> 0:49:14.925
<v Speaker 7>at a total of thirty and Matt thirty point five.

0:49:15.885 --> 0:49:16.205
<v Speaker 8>Wow.

0:49:16.885 --> 0:49:18.365
<v Speaker 7>What we don't have is to we don't have the

0:49:18.445 --> 0:49:20.964
<v Speaker 7>numbers that we compare it to where Netflix came out.

0:49:21.125 --> 0:49:22.605
<v Speaker 3>Wait, I'm going to look for it. I think I

0:49:22.685 --> 0:49:24.045
<v Speaker 3>have it. Let me, I think I put it in

0:49:24.085 --> 0:49:26.845
<v Speaker 3>the in our little channel. Here, hold on, I'm scrolling back.

0:49:27.125 --> 0:49:28.325
<v Speaker 2>While you're it is. I have it.

0:49:28.445 --> 0:49:29.125
<v Speaker 3>Here, I have it.

0:49:29.205 --> 0:49:29.645
<v Speaker 2>I have it.

0:49:29.685 --> 0:49:32.405
<v Speaker 3>Okay, once again, we're ready. We're really fast. You're ready.

0:49:32.405 --> 0:49:35.445
<v Speaker 3>Here it is for our first So what when we

0:49:35.485 --> 0:49:40.085
<v Speaker 3>did this for Netflix? Matt, that's me gave Netflix a

0:49:40.165 --> 0:49:44.685
<v Speaker 3>twenty nine, meaning I gave two be a slightly better score. Wow,

0:49:44.885 --> 0:49:50.725
<v Speaker 3>and Jordan gave a thirty three. So Jordan prefers Netflix

0:49:50.765 --> 0:49:51.844
<v Speaker 3>to two BE according to.

0:49:51.805 --> 0:49:54.685
<v Speaker 2>These, yeah, and I jamat I stand by that.

0:49:54.765 --> 0:49:58.045
<v Speaker 3>So then it's then the system works exclamation point. Yeah,

0:49:58.045 --> 0:50:00.845
<v Speaker 3>but that's our that's our state of streaming of two B.

0:50:01.405 --> 0:50:01.605
<v Speaker 4>Yeah.

0:50:01.685 --> 0:50:04.365
<v Speaker 2>I just feel like it's important to mention the listeners

0:50:04.405 --> 0:50:07.325
<v Speaker 2>that though rare, Jardians can cause a dangerous build up

0:50:07.325 --> 0:50:09.605
<v Speaker 2>of acid in the blood, even if your blood sugar

0:50:09.645 --> 0:50:12.645
<v Speaker 2>is not extremely high. Symptoms include nausea, vomiting, stomach pain,

0:50:12.765 --> 0:50:13.845
<v Speaker 2>and troubled breathing.

0:50:14.085 --> 0:50:20.325
<v Speaker 3>The pill the Big Side. Now, normally we recommend another

0:50:20.445 --> 0:50:23.525
<v Speaker 3>title that relates to our main review on the show

0:50:23.565 --> 0:50:25.725
<v Speaker 3>this week, because we're talking all about to Be, who

0:50:25.725 --> 0:50:28.245
<v Speaker 3>are just gonna recommend something on to Be in our

0:50:29.085 --> 0:50:36.645
<v Speaker 3>boxers Rezig? All right, it's the recommendation segment. It's the

0:50:36.725 --> 0:50:39.405
<v Speaker 3>rec sag Jordan, do you have something you want to

0:50:39.445 --> 0:50:42.365
<v Speaker 3>recommend on two B besides ambient noise to fall asleep to?

0:50:42.925 --> 0:50:44.885
<v Speaker 2>Yes, I'm gonna make it quick. I do want to

0:50:44.925 --> 0:50:47.605
<v Speaker 2>give a shout out to to Be because two of

0:50:47.645 --> 0:50:53.085
<v Speaker 2>my very recent rec seggs were available, What's Up Doc,

0:50:53.125 --> 0:50:55.364
<v Speaker 2>which I mentioned a few weeks ago. I forget what

0:50:55.405 --> 0:50:58.685
<v Speaker 2>that was connected to. Probably a romantic comedy. And The

0:50:58.725 --> 0:51:02.125
<v Speaker 2>in Laws, which I adore, which we talked about last

0:51:02.125 --> 0:51:04.485
<v Speaker 2>week with The Little Brother, because it's about the the

0:51:04.525 --> 0:51:07.805
<v Speaker 2>you know, the the tightly wound Alan Arkin and the

0:51:07.845 --> 0:51:11.925
<v Speaker 2>spasmodic Tasmanian Devil played by Peter Falk both to be films.

0:51:13.285 --> 0:51:17.884
<v Speaker 2>I looked around and I almost recommended something just because

0:51:17.925 --> 0:51:20.245
<v Speaker 2>it's a deep cut and I've never seen it. And

0:51:20.325 --> 0:51:22.805
<v Speaker 2>I said, and you can't recommend a movie you've never seen,

0:51:23.325 --> 0:51:27.245
<v Speaker 2>but I've never seen Roman Polanski's what you know about what?

0:51:27.445 --> 0:51:29.845
<v Speaker 2>It was? A movie he made like in between movies.

0:51:30.405 --> 0:51:33.485
<v Speaker 2>It's like a very weird thing in his catalog. And

0:51:33.525 --> 0:51:35.565
<v Speaker 2>I've never seen it, and now I know it's on

0:51:35.645 --> 0:51:37.805
<v Speaker 2>toob but I can't recommend it because I never saw it.

0:51:38.205 --> 0:51:42.485
<v Speaker 2>But they did have one of my favorite sci fi

0:51:43.525 --> 0:51:50.924
<v Speaker 2>psychedelic freak out movies ever man, and that is Altered States.

0:51:51.085 --> 0:51:57.045
<v Speaker 2>Oh William hurt in a tank of saltwater, reverting to

0:51:57.165 --> 0:52:02.645
<v Speaker 2>a primordial state, regressing, regressing into it. I'm eating I'm

0:52:02.765 --> 0:52:05.085
<v Speaker 2>eating a goat. There is a line for the movie,

0:52:05.125 --> 0:52:09.125
<v Speaker 2>I'm drinking goat's blood. I'm eating a goat. What a movie.

0:52:09.245 --> 0:52:11.045
<v Speaker 3>These are not lines from the movie. These are things

0:52:11.045 --> 0:52:13.525
<v Speaker 3>that Jordan texted me in the last week. I'm sorry,

0:52:13.645 --> 0:52:14.924
<v Speaker 3>we have to be honest here.

0:52:15.405 --> 0:52:17.325
<v Speaker 2>Yeah, Altered States is not a deep cut. I would

0:52:17.365 --> 0:52:19.525
<v Speaker 2>imagine most people have heard of it or seen it.

0:52:19.565 --> 0:52:22.085
<v Speaker 2>But if you, if by chance, you've never seen it,

0:52:22.085 --> 0:52:26.285
<v Speaker 2>it's so goddamn good's It was came out in the eighties,

0:52:26.605 --> 0:52:29.405
<v Speaker 2>nineteen eighty, but it's really an early seventies kind of

0:52:29.405 --> 0:52:32.325
<v Speaker 2>freak out movie. It's got Bob Balabanon A two, which

0:52:32.365 --> 0:52:37.405
<v Speaker 2>is always worthwhile. It's William hurt Is, a PhD in

0:52:38.205 --> 0:52:42.165
<v Speaker 2>I don't know, neurology or something, and he's experimenting with

0:52:42.285 --> 0:52:46.965
<v Speaker 2>weird types of payote and whatnot and isolation tanks, which

0:52:46.965 --> 0:52:49.005
<v Speaker 2>I know Joe Rogan is into. You go into a

0:52:49.045 --> 0:52:52.525
<v Speaker 2>tank and your spirit and your body separate, and so

0:52:52.645 --> 0:52:54.844
<v Speaker 2>he mixes it too. He crosses the streams, he takes

0:52:54.885 --> 0:52:57.805
<v Speaker 2>the payote and goes in the tank and he becomes

0:52:57.805 --> 0:53:01.485
<v Speaker 2>a wolfman basically, and I just love And it's Ken

0:53:01.565 --> 0:53:04.645
<v Speaker 2>Russell directed it, and he's at his most in you know,

0:53:04.765 --> 0:53:08.725
<v Speaker 2>Ken Russell is a pretty extravagant filmmaker, and when he's

0:53:08.725 --> 0:53:10.525
<v Speaker 2>got a budget. He just throws it all up there

0:53:10.565 --> 0:53:14.605
<v Speaker 2>on the screen. It's it's so good, and it's a

0:53:14.765 --> 0:53:18.285
<v Speaker 2>New York Circle nineteen seventy nine, nineteen eighty. It's great,

0:53:18.405 --> 0:53:21.645
<v Speaker 2>and it's over the top, and it's pre possible, and

0:53:22.285 --> 0:53:25.165
<v Speaker 2>it kind of is a look at psychedelic culture a

0:53:25.205 --> 0:53:27.525
<v Speaker 2>little bit. It's based on a book that Patti Chayevsky wrote,

0:53:27.525 --> 0:53:29.765
<v Speaker 2>and I think that book was more about, you know,

0:53:30.645 --> 0:53:33.685
<v Speaker 2>a true investigation into psychedelic research, and this is more

0:53:33.765 --> 0:53:36.005
<v Speaker 2>just like look at the Crazy Lights Man. But I

0:53:36.405 --> 0:53:38.045
<v Speaker 2>can't get enough of all the states. I've seen it

0:53:38.085 --> 0:53:40.445
<v Speaker 2>many times. You love this movie too, right, that's it? Now?

0:53:40.565 --> 0:53:44.045
<v Speaker 3>I don't. I don't. It's fine, bo, that's whatever. You

0:53:44.085 --> 0:53:45.485
<v Speaker 3>don't like it, not really?

0:53:45.605 --> 0:53:49.005
<v Speaker 2>No, oh to too wacky, too crazy?

0:53:49.365 --> 0:53:52.565
<v Speaker 3>Yeah, it is what it is. You know, it's fine.

0:53:53.245 --> 0:53:57.565
<v Speaker 2>Wow. Maybe it's just because I don't know. I don't know.

0:53:57.645 --> 0:53:58.844
<v Speaker 2>I thought, I think it's really good.

0:53:59.125 --> 0:54:01.925
<v Speaker 6>I'm an attending physician at the Peter bed Brigham Hospital

0:54:02.005 --> 0:54:03.205
<v Speaker 6>and I'm not gonna listen to.

0:54:03.165 --> 0:54:04.205
<v Speaker 2>Any more of your bum.

0:54:08.085 --> 0:54:09.485
<v Speaker 3>When was the last time you watched it?

0:54:10.165 --> 0:54:13.805
<v Speaker 2>Uh? Not that long ago. I saw it at the Metrograph.

0:54:13.885 --> 0:54:15.925
<v Speaker 2>They had a double feature of Ken Russell, and I

0:54:15.965 --> 0:54:19.605
<v Speaker 2>went and saw it there on thirty five and was

0:54:19.685 --> 0:54:23.404
<v Speaker 2>just like, well, this is so deep. Man just turned

0:54:23.405 --> 0:54:27.605
<v Speaker 2>into a goat. But it's so good. I I you know,

0:54:27.765 --> 0:54:31.245
<v Speaker 2>it scratches my psychedelic itch. I mean, you know, I

0:54:31.285 --> 0:54:33.404
<v Speaker 2>saw Pink Floyd the Wall when I was maybe too young,

0:54:33.485 --> 0:54:35.725
<v Speaker 2>and I've been chasing that dragon ever since. Man, But

0:54:35.805 --> 0:54:39.325
<v Speaker 2>I I respond to this type of filmmaking. You know,

0:54:39.445 --> 0:54:42.765
<v Speaker 2>I like movies like Mandy and.

0:54:43.405 --> 0:54:46.805
<v Speaker 3>You willingly go to dozens of fish concerts.

0:54:47.125 --> 0:54:48.765
<v Speaker 2>Yeah, if you go to fish conferences, you're gonna like

0:54:48.805 --> 0:54:50.405
<v Speaker 2>the movie Altered. If you go to fish conscints, you've

0:54:50.405 --> 0:54:51.205
<v Speaker 2>already seen Altered.

0:54:51.525 --> 0:54:57.725
<v Speaker 3>Hell, if you start sets exactly exactly.

0:54:57.325 --> 0:54:59.045
<v Speaker 2>Sam, do you like Altered States? Come on?

0:55:00.245 --> 0:55:01.925
<v Speaker 7>Never seen seen it?

0:55:03.125 --> 0:55:05.805
<v Speaker 2>Dragged into this? You've never seen it? Watch it?

0:55:07.885 --> 0:55:10.364
<v Speaker 3>Don't watch it? On Toby? Do you watch it?

0:55:10.565 --> 0:55:13.525
<v Speaker 7>My question was, should you watch Altered States? If you're

0:55:13.565 --> 0:55:16.165
<v Speaker 7>taking the medication that that they spawned.

0:55:19.805 --> 0:55:22.165
<v Speaker 3>Could he create an all state? Is that one of

0:55:22.165 --> 0:55:26.125
<v Speaker 3>the side effects may turn you Side effects include turning

0:55:26.165 --> 0:55:31.445
<v Speaker 3>you into a goat? All right, So my recommendation for

0:55:31.565 --> 0:55:34.805
<v Speaker 3>two B besides pads of glory, we already talked about,

0:55:34.845 --> 0:55:36.885
<v Speaker 3>and I guess Return of the Killer Tomatoes. But I

0:55:36.965 --> 0:55:39.045
<v Speaker 3>was I one night when I was flipping around on there,

0:55:39.085 --> 0:55:41.885
<v Speaker 3>I put something else on, and I also fell asleep,

0:55:41.925 --> 0:55:44.205
<v Speaker 3>not watching patle Glory, not watching Return of the Killer Tomatoes.

0:55:44.245 --> 0:55:46.925
<v Speaker 3>I was watching something that shall go unnamed, and I

0:55:46.925 --> 0:55:49.245
<v Speaker 3>fell asleep, and when I woke up, TWOB was still

0:55:49.285 --> 0:55:52.765
<v Speaker 3>playing on my computer. It had auto played through a

0:55:52.765 --> 0:55:55.405
<v Speaker 3>bunch of titles. It kind of did a you know,

0:55:55.525 --> 0:55:59.085
<v Speaker 3>like related title game of telephone where it took me

0:55:59.165 --> 0:56:01.125
<v Speaker 3>to from one thing to the next to the next.

0:56:01.605 --> 0:56:04.205
<v Speaker 3>And the thing that it wound up on was the

0:56:04.205 --> 0:56:07.125
<v Speaker 3>thing I'm gonna recommend because it's actually one of my

0:56:07.165 --> 0:56:11.525
<v Speaker 3>all time favorite TV shows, The Twilight Zone. The entire

0:56:11.805 --> 0:56:15.405
<v Speaker 3>Twilight Zone is another show that you can stream in

0:56:15.445 --> 0:56:19.884
<v Speaker 3>its totality on TOOB. And I'm going to imagine most

0:56:19.885 --> 0:56:22.045
<v Speaker 3>people know what the towilet it Zone is, but it is,

0:56:22.085 --> 0:56:25.205
<v Speaker 3>of course the classic fifties and sixties horror in sci

0:56:25.205 --> 0:56:29.485
<v Speaker 3>fi anthology series created by and hosted by Rod Serling,

0:56:30.245 --> 0:56:33.565
<v Speaker 3>and uh, you know, it's been revived many times, but

0:56:33.765 --> 0:56:38.085
<v Speaker 3>this is the original classic Twilight Zone that is on there,

0:56:38.125 --> 0:56:41.125
<v Speaker 3>and the entire look that looked like the entire show

0:56:41.205 --> 0:56:44.365
<v Speaker 3>is on there every episode if you wanted to do

0:56:44.445 --> 0:56:47.165
<v Speaker 3>a binge. And you know, the nice part about an

0:56:47.285 --> 0:56:49.605
<v Speaker 3>old TV show like this is the ads are not

0:56:50.125 --> 0:56:52.525
<v Speaker 3>intrusive because they were built with ad breaks.

0:56:52.525 --> 0:56:53.685
<v Speaker 2>Oh that's a really good point.

0:56:54.045 --> 0:56:58.085
<v Speaker 3>And when I watched, I watched one episode that I've

0:56:58.125 --> 0:56:59.885
<v Speaker 3>seen every episode of the Twilight Zone. It is one

0:56:59.925 --> 0:57:02.885
<v Speaker 3>of my favorite shows. And I rewatched one and actually

0:57:03.605 --> 0:57:05.805
<v Speaker 3>one of the ad breaks had no ads. It just

0:57:05.925 --> 0:57:07.605
<v Speaker 3>went to dart, it went to black and it came

0:57:07.685 --> 0:57:09.364
<v Speaker 3>right back up. So again, that's what I was talking

0:57:09.405 --> 0:57:11.125
<v Speaker 3>about about the ads or not I think I watched.

0:57:11.125 --> 0:57:14.045
<v Speaker 3>I had one ad break in an in a twenty

0:57:14.085 --> 0:57:17.645
<v Speaker 3>eight minute episode, and good look if you're you know,

0:57:17.925 --> 0:57:20.205
<v Speaker 3>there's so many famous episodes of the show, I don't

0:57:20.205 --> 0:57:23.845
<v Speaker 3>need to recommend those. I'll throw out one less well

0:57:23.885 --> 0:57:26.045
<v Speaker 3>known episode that I like, and that's the one I

0:57:26.085 --> 0:57:28.965
<v Speaker 3>rewatched just to see does it look good on two

0:57:28.965 --> 0:57:29.445
<v Speaker 3>b is it?

0:57:29.645 --> 0:57:29.885
<v Speaker 2>You know?

0:57:30.045 --> 0:57:33.605
<v Speaker 3>Did they cut it up? Or everything look great? The

0:57:33.645 --> 0:57:38.005
<v Speaker 3>episode I rewatched is called the Silence episode twenty five

0:57:38.085 --> 0:57:42.845
<v Speaker 3>of season two, written by Rod Serling, directed by Boris Segal,

0:57:42.925 --> 0:57:45.965
<v Speaker 3>who went on to make the Omega Man with Charlton Heston.

0:57:46.725 --> 0:57:49.885
<v Speaker 3>It's a fun episode because, unlike most Twilight Zones, where

0:57:49.925 --> 0:57:52.045
<v Speaker 3>of course there's a there is a twist in this episode.

0:57:52.045 --> 0:57:54.085
<v Speaker 3>There's always the almost always was a twist at the

0:57:54.165 --> 0:57:56.965
<v Speaker 3>end of every Twilight Zone. But this one is not

0:57:57.085 --> 0:58:01.645
<v Speaker 3>a supernatural or futuristic or sci fi episode basically at all.

0:58:01.685 --> 0:58:04.405
<v Speaker 3>It is a It is a very sort of mundane

0:58:04.445 --> 0:58:07.925
<v Speaker 3>by those standards episode. It is set entirely in like

0:58:08.005 --> 0:58:12.565
<v Speaker 3>this snooty gentleman's club where this guy won't shut up.

0:58:12.605 --> 0:58:15.005
<v Speaker 3>One of the members is very talkative talk talk talk talk, talk,

0:58:15.045 --> 0:58:17.605
<v Speaker 3>talk talk, and one of the other members hates him

0:58:17.605 --> 0:58:20.085
<v Speaker 3>and is sick of listening to him, and so he

0:58:20.125 --> 0:58:24.325
<v Speaker 3>offers him a a bet. If the loudmouth will shut

0:58:24.405 --> 0:58:28.365
<v Speaker 3>up for one whole year, he will pay him five

0:58:28.605 --> 0:58:31.325
<v Speaker 3>hundred thousand dollars, which that's a lot of money now,

0:58:31.365 --> 0:58:34.325
<v Speaker 3>but this is nineteen sixty one we're talking about, so

0:58:34.405 --> 0:58:37.205
<v Speaker 3>it's a lot of money. And so in twenty eight

0:58:37.245 --> 0:58:40.685
<v Speaker 3>minutes you watch the wager develop. You see this guy. Now,

0:58:41.245 --> 0:58:43.485
<v Speaker 3>to make sure he doesn't cheat, he has to live

0:58:43.565 --> 0:58:45.645
<v Speaker 3>for a year, and this to me seems much harder

0:58:45.685 --> 0:58:48.285
<v Speaker 3>than keeping quiet. He has to live inside a glass

0:58:48.685 --> 0:58:54.765
<v Speaker 3>zoo enclosure basically inside the gentleman's club, the club, the

0:58:54.805 --> 0:59:02.405
<v Speaker 3>private club, a club for gentlemen, not a strip club.

0:59:02.685 --> 0:59:07.725
<v Speaker 2>Guys in like the lure roles with a big fireplace and.

0:59:07.965 --> 0:59:12.685
<v Speaker 3>Yes exactly men with balding men smoking cigars in front

0:59:12.685 --> 0:59:17.605
<v Speaker 3>of fireplaces and talking about their stock portfolios. So he

0:59:17.645 --> 0:59:20.325
<v Speaker 3>has to live inside a zoo enclosure inside the club

0:59:20.365 --> 0:59:23.525
<v Speaker 3>for a year. And it has not one, but two

0:59:23.885 --> 0:59:29.205
<v Speaker 3>very clever twists, and it has, you know, for an

0:59:29.245 --> 0:59:32.725
<v Speaker 3>old TV show. The Twilight Zone, of course, except for

0:59:32.725 --> 0:59:35.845
<v Speaker 3>a handful of episodes, was shot on film, often by

0:59:36.165 --> 0:59:38.845
<v Speaker 3>up and coming directors who went on to do great things.

0:59:39.085 --> 0:59:42.565
<v Speaker 3>And it has some really lovely camera work, some wonderful

0:59:43.125 --> 0:59:46.685
<v Speaker 3>close ups. There's close ups of ears twitching as they

0:59:46.725 --> 0:59:51.565
<v Speaker 3>listen to horrible motormouth guy talking. There are close ups

0:59:51.645 --> 0:59:56.245
<v Speaker 3>on mouths moving. There are interesting angles on like notepads.

0:59:56.485 --> 0:59:58.765
<v Speaker 3>The guy can only communicate by writing on notepads, all

0:59:58.765 --> 1:00:01.045
<v Speaker 3>that kind of stuff. So there's a lot of great

1:00:01.085 --> 1:00:02.925
<v Speaker 3>Twilight Zones. That's just one I thought I would throw

1:00:02.925 --> 1:00:05.885
<v Speaker 3>out that probably the listeners have not seen that I enjoy.

1:00:06.245 --> 1:00:08.885
<v Speaker 3>But again, you can watch the entire series. It is

1:00:08.925 --> 1:00:11.005
<v Speaker 3>streaming on on to B.

1:00:11.445 --> 1:00:15.605
<v Speaker 4>You will perhaps withstand the pressures for three or four weeks,

1:00:15.645 --> 1:00:19.005
<v Speaker 4>maybe a couple of months, and then you will succumb.

1:00:20.045 --> 1:00:26.845
<v Speaker 4>That's again. In the meantime, I will derive several months

1:00:26.845 --> 1:00:28.725
<v Speaker 4>of exquisite silence.

1:00:30.125 --> 1:00:31.525
<v Speaker 2>I love the Twilet Zone. Of course, I love the

1:00:31.525 --> 1:00:35.685
<v Speaker 2>Twilight Zone. I have not seen every episode to wit,

1:00:35.885 --> 1:00:38.565
<v Speaker 2>I have not seen the silence. I just googled. There

1:00:38.605 --> 1:00:41.365
<v Speaker 2>are one hundred and fifty six episodes at Twilight Zone,

1:00:41.405 --> 1:00:43.205
<v Speaker 2>and I don't know how many I've seen, but I

1:00:43.245 --> 1:00:45.085
<v Speaker 2>certainly have not seen all one fifty six.

1:00:45.205 --> 1:00:47.445
<v Speaker 3>A few years ago, I went and watched all the one.

1:00:47.485 --> 1:00:49.965
<v Speaker 3>I think it was streaming on either Netflix or some

1:00:50.085 --> 1:00:53.565
<v Speaker 3>other service, and I watched every single one, and I

1:00:53.685 --> 1:00:57.965
<v Speaker 3>actually ranked every single one on screen crush. The article

1:00:58.045 --> 1:01:00.325
<v Speaker 3>is still up on screen crush dot com, and so

1:01:00.365 --> 1:01:03.125
<v Speaker 3>good for you. You can use that as your kind

1:01:03.125 --> 1:01:05.045
<v Speaker 3>of guide. You know, a lot of the famous ones

1:01:05.085 --> 1:01:06.645
<v Speaker 3>are at the top of the list. There's a reason

1:01:06.685 --> 1:01:09.805
<v Speaker 3>that you know. You know, Time Enough at Last is

1:01:10.485 --> 1:01:12.885
<v Speaker 3>a famous episode of the Twilight Zone, and to serve

1:01:12.965 --> 1:01:16.005
<v Speaker 3>man as a famous episode, but there are because there's

1:01:16.005 --> 1:01:17.845
<v Speaker 3>one hundred and sixty of them. They're not all great,

1:01:17.845 --> 1:01:19.965
<v Speaker 3>but there's a lot of really good ones. And so

1:01:20.085 --> 1:01:23.085
<v Speaker 3>even in like the time fifty of that list, you're

1:01:23.125 --> 1:01:25.565
<v Speaker 3>gonna find a lot of great TV that you could watch.

1:01:25.645 --> 1:01:27.485
<v Speaker 2>So I just want to let the listeners know that

1:01:28.685 --> 1:01:30.485
<v Speaker 2>it is for free on two B, it is for

1:01:30.525 --> 1:01:33.245
<v Speaker 2>free on Pluto, and it might be interesting to see

1:01:33.605 --> 1:01:35.965
<v Speaker 2>where their ad breaks are different and if they are compared,

1:01:36.085 --> 1:01:39.285
<v Speaker 2>if they're advertising different diabetes drugs on that one, and

1:01:39.525 --> 1:01:41.845
<v Speaker 2>I will say it is if you want no ads,

1:01:41.965 --> 1:01:45.005
<v Speaker 2>you can watch all five seasons of the Twilight Zone

1:01:45.045 --> 1:01:48.725
<v Speaker 2>on Paramount Plus, Paramount Paramount Plus.

1:01:48.565 --> 1:01:51.445
<v Speaker 3>Or Paramount plus plus. If you pay for Basic Paramount Plus,

1:01:51.525 --> 1:01:52.325
<v Speaker 3>you still get ads.

1:01:52.685 --> 1:01:57.165
<v Speaker 9>So no, really, yes, yes, yes, oh god, so you

1:01:57.245 --> 1:01:58.005
<v Speaker 9>have to pay for para.

1:01:58.205 --> 1:02:00.045
<v Speaker 3>It's not called Paramount plus plus. But I think from

1:02:00.085 --> 1:02:03.365
<v Speaker 3>now on, anytime there's a service that has ads and

1:02:03.405 --> 1:02:05.925
<v Speaker 3>no ads, we have to call the no ad version

1:02:05.925 --> 1:02:10.045
<v Speaker 3>plus plus. Let's get to our personalized recommendation. Are you

1:02:10.085 --> 1:02:13.125
<v Speaker 3>ready to this? One? I think comes from the film

1:02:13.285 --> 1:02:16.445
<v Speaker 3>Spotting discord, where if you are a member of the

1:02:16.485 --> 1:02:19.125
<v Speaker 3>film Spotting Patreon, you can access this discord. We have

1:02:19.205 --> 1:02:22.565
<v Speaker 3>our own channel over there where we're hanging out or

1:02:22.645 --> 1:02:24.605
<v Speaker 3>we're shooting the breeze, we're talking. I know.

1:02:25.285 --> 1:02:27.645
<v Speaker 2>I apologize to the listeners. I have never known.

1:02:27.645 --> 1:02:29.445
<v Speaker 3>It's good we can make fun of you because you're

1:02:29.485 --> 1:02:30.965
<v Speaker 3>not in there. We get to make fun of you.

1:02:31.445 --> 1:02:34.605
<v Speaker 2>When we hang up. I'm gonna ask Sam to send

1:02:34.605 --> 1:02:37.685
<v Speaker 2>me the password again because I haven't been in there.

1:02:37.965 --> 1:02:40.965
<v Speaker 2>But the listener request comes this week from Thomas quiz

1:02:41.005 --> 1:02:44.805
<v Speaker 2>Master Todd. Yes, and he says that he's looking for

1:02:44.845 --> 1:02:47.565
<v Speaker 2>a hangout comedy, which is great, and I'm going, yeah,

1:02:47.685 --> 1:02:50.205
<v Speaker 2>quiz Master Todd, I'm with you. A hangout Comedy's a

1:02:50.205 --> 1:02:53.965
<v Speaker 2>great idea. But then I gotta give quiz Master Thomas

1:02:54.005 --> 1:03:00.725
<v Speaker 2>Todd hats off. He says, I'm looking for a hangout comedy. Allah.

1:03:01.365 --> 1:03:05.085
<v Speaker 2>Happy endings, Sure, And I don't know about you, man,

1:03:05.125 --> 1:03:06.685
<v Speaker 2>I don't know about you, Sam, But I go, what

1:03:06.725 --> 1:03:09.485
<v Speaker 2>the hell's happy endings? What is he talking about? And

1:03:09.605 --> 1:03:13.285
<v Speaker 2>Happy Endings is a little remembered nineteen ninety eight film

1:03:13.485 --> 1:03:17.885
<v Speaker 2>by Don Russ, director of the Opposite of Sex and Bounce,

1:03:17.925 --> 1:03:21.645
<v Speaker 2>which starred Lisa Kudro, Steve Coogan, Bobby Canavale, Maggie gill

1:03:21.725 --> 1:03:25.405
<v Speaker 2>A Hall, Laura Dern and the Great Tom Arnold and

1:03:26.365 --> 1:03:30.125
<v Speaker 2>I never actually saw Happy Endings. I it sounds good.

1:03:30.205 --> 1:03:32.005
<v Speaker 2>I'd like to see it, but I.

1:03:32.005 --> 1:03:33.965
<v Speaker 3>Don't know if I saw it or not. I don't remember.

1:03:34.005 --> 1:03:36.325
<v Speaker 3>But there it is. I know, you know, you know

1:03:36.325 --> 1:03:40.005
<v Speaker 3>why I know it. Jordan tell me it coined. It

1:03:40.125 --> 1:03:43.805
<v Speaker 3>was the inspiration for the coining of the term hyperlink cinema.

1:03:43.845 --> 1:03:47.685
<v Speaker 3>That was the movie that a film critic for Film Comment,

1:03:48.005 --> 1:03:51.485
<v Speaker 3>her name I haven't written down, Alyssa Quart was writing

1:03:51.525 --> 1:03:55.605
<v Speaker 3>about this movie in Film Comment and created the coin

1:03:55.685 --> 1:04:00.005
<v Speaker 3>that term hyperlink cinema, which is is a lot of

1:04:00.005 --> 1:04:03.165
<v Speaker 3>the examples are not comedies, and they're not hangout comedies,

1:04:03.165 --> 1:04:05.005
<v Speaker 3>which is sort of the problem I encountered here. But

1:04:05.965 --> 1:04:09.325
<v Speaker 3>hyperlink cinema is like a movie about a scene or

1:04:09.405 --> 1:04:11.485
<v Speaker 3>a time and a place where a bunch of people

1:04:11.885 --> 1:04:17.165
<v Speaker 3>are like intersecting stories all set around either a place

1:04:17.285 --> 1:04:21.765
<v Speaker 3>or like an idea, like like a god help us

1:04:21.805 --> 1:04:26.485
<v Speaker 3>crash the car, the car trash racism solving movie. Crash

1:04:26.925 --> 1:04:30.325
<v Speaker 3>is a hyperlink cinema film. Syriana is a is a

1:04:30.405 --> 1:04:33.085
<v Speaker 3>hyperlint Traffic is a hyperlink cinema film.

1:04:33.165 --> 1:04:37.845
<v Speaker 2>Yeah is is shortcuts with that COMMU absolutely shortcuts.

1:04:37.965 --> 1:04:41.805
<v Speaker 3>Nashville even hyperlink. Those are classic examples. But anyway, that's

1:04:41.845 --> 1:04:44.205
<v Speaker 3>why I know it is that it is the film

1:04:44.245 --> 1:04:47.525
<v Speaker 3>that that maybe inspired is a bit strong, but it

1:04:47.605 --> 1:04:50.245
<v Speaker 3>was the moment when that term, which is a useful term,

1:04:50.765 --> 1:04:51.325
<v Speaker 3>was coined.

1:04:51.845 --> 1:04:54.245
<v Speaker 2>Well, by the way, FYI Sam corrected me, it's from

1:04:54.325 --> 1:04:57.445
<v Speaker 2>two thousand and five and not yes, two thousand and five,

1:04:57.485 --> 1:04:59.645
<v Speaker 2>And I love all those actors. I haven't seen it,

1:04:59.725 --> 1:05:04.485
<v Speaker 2>but I was impressed that our listener would be like, hey,

1:05:04.605 --> 1:05:07.285
<v Speaker 2>like happy Endings, Like that's a movie that everybody's conversing in,

1:05:07.365 --> 1:05:09.605
<v Speaker 2>you know, it's like a something like Raise, a Lost Dark,

1:05:09.885 --> 1:05:11.445
<v Speaker 2>The Godfather. Happy.

1:05:12.045 --> 1:05:15.085
<v Speaker 3>One of those checks out for me. So what's your recommendation?

1:05:15.845 --> 1:05:19.205
<v Speaker 2>Uh yeah, so a hangout comedy? I went big. I

1:05:19.245 --> 1:05:21.925
<v Speaker 2>just just said, what's the first one that comes to mind?

1:05:22.765 --> 1:05:24.525
<v Speaker 2>The first one that comes to mind is with Nail

1:05:24.605 --> 1:05:27.685
<v Speaker 2>and I. It's the most hangout of all comedies. There's

1:05:27.725 --> 1:05:31.005
<v Speaker 2>no plot. The plot is two guys with Nolan. I

1:05:31.125 --> 1:05:33.525
<v Speaker 2>is a British film for the late nineteen eighties. It

1:05:33.605 --> 1:05:37.725
<v Speaker 2>stars Richard E. Grant. It catapulted him into Richard Y

1:05:37.765 --> 1:05:40.365
<v Speaker 2>Grant dumb. It's the most Richardy Grant movie ever made.

1:05:40.805 --> 1:05:44.725
<v Speaker 2>He plays with Noel. He's a wacky wanna be actor

1:05:45.125 --> 1:05:48.605
<v Speaker 2>in sixties Britain. And somebody else played Eye. I don't

1:05:48.605 --> 1:05:51.605
<v Speaker 2>even remember that actor's name. And somebody else played the

1:05:52.285 --> 1:05:56.365
<v Speaker 2>gay uncle. And the movie is about nothing. It's about

1:05:56.485 --> 1:05:59.005
<v Speaker 2>two guys who are broke in London. They're out of

1:05:59.045 --> 1:06:02.565
<v Speaker 2>work actors, and they're so broke. They're depressed about their apartment.

1:06:02.605 --> 1:06:04.605
<v Speaker 2>They say, hey, we want to go for a weekend

1:06:04.645 --> 1:06:08.565
<v Speaker 2>in the country. Richardy Grant's uncle has a country house.

1:06:08.605 --> 1:06:10.285
<v Speaker 2>They say, can we stay there for a while. He

1:06:10.325 --> 1:06:13.885
<v Speaker 2>says okay. They go there. There's no heat, the water

1:06:13.965 --> 1:06:17.565
<v Speaker 2>doesn't work, it's raining, they're caveetching. They stay drunk. Then

1:06:17.605 --> 1:06:19.645
<v Speaker 2>they go back to London and something happens in the

1:06:19.685 --> 1:06:23.445
<v Speaker 2>movie ends, and that's it. But it is a cult classic.

1:06:23.685 --> 1:06:26.765
<v Speaker 2>And when you went for me anyhow, i'd heard about

1:06:26.805 --> 1:06:29.525
<v Speaker 2>the movie before I saw it. You gotta see with Nilan,

1:06:29.565 --> 1:06:32.205
<v Speaker 2>I you gotta see with Noia. It's incredible, And I

1:06:32.285 --> 1:06:34.845
<v Speaker 2>did watch it on VHS. I rented it, and I

1:06:34.925 --> 1:06:38.565
<v Speaker 2>will say that I was a little bit unimpressed because

1:06:38.605 --> 1:06:41.325
<v Speaker 2>I had not been prepared for the fact that there's

1:06:41.405 --> 1:06:44.845
<v Speaker 2>virtually no story. It's all character riffing, it's all hanging

1:06:44.885 --> 1:06:46.325
<v Speaker 2>out with those people, and I was like, what was

1:06:46.365 --> 1:06:48.445
<v Speaker 2>this movie? And then it lingered and I saw it

1:06:48.445 --> 1:06:50.165
<v Speaker 2>a second time and I'm like, this is a masterpiece.

1:06:50.245 --> 1:06:51.925
<v Speaker 2>Same thing for me with Harold and Maud. First time

1:06:51.925 --> 1:06:53.365
<v Speaker 2>I saw Harold and Maud and I'm like, what the

1:06:53.405 --> 1:06:55.125
<v Speaker 2>hell's going on here? And then I realized that it

1:06:55.165 --> 1:06:58.925
<v Speaker 2>was actually quite good. So the thing about with Nila

1:06:58.925 --> 1:07:00.925
<v Speaker 2>and I is it's all about Richard Y Grant. It's

1:07:00.965 --> 1:07:04.005
<v Speaker 2>based on this guy's memoirs and the guy who directed

1:07:04.005 --> 1:07:06.325
<v Speaker 2>it and wrote it. He originally was an actor in

1:07:06.365 --> 1:07:10.405
<v Speaker 2>the late sixties. He was in some of the Zephyrrelli films,

1:07:10.405 --> 1:07:14.085
<v Speaker 2>a British actor and his name, I should probably say

1:07:14.085 --> 1:07:16.805
<v Speaker 2>his name Bruce Robinson, I think. If it's not correct,

1:07:16.805 --> 1:07:19.725
<v Speaker 2>Samuel correct me, and it is Bruce Robinson.

1:07:19.725 --> 1:07:20.045
<v Speaker 3>Okay.

1:07:20.285 --> 1:07:22.965
<v Speaker 2>So, and he never did anything as good. He made

1:07:23.005 --> 1:07:25.125
<v Speaker 2>another movie with Richardie Grant called How to Get Ahead

1:07:25.125 --> 1:07:27.325
<v Speaker 2>in Advertising, which is kind of a sci fi premise,

1:07:27.925 --> 1:07:30.125
<v Speaker 2>and then he this is it, this is this is

1:07:30.285 --> 1:07:34.845
<v Speaker 2>this is his the movie from his heart And how

1:07:34.885 --> 1:07:37.045
<v Speaker 2>do you even get into talking Richardie Grant is just

1:07:37.085 --> 1:07:40.205
<v Speaker 2>like drunk all the time and flamboyant, and he's a

1:07:40.245 --> 1:07:42.325
<v Speaker 2>want to be actor and here everything is oh blah blah.

1:07:42.365 --> 1:07:44.245
<v Speaker 2>I mean, the most famous line is they go into

1:07:44.325 --> 1:07:47.485
<v Speaker 2>a little, a little t shop in the middle of

1:07:47.565 --> 1:07:50.645
<v Speaker 2>rural Britain. All these old Grannis are in there and

1:07:50.685 --> 1:07:53.045
<v Speaker 2>they're drunk and they're like, sir, you must leave, and

1:07:53.045 --> 1:07:56.765
<v Speaker 2>he's like, we shall stay. We demand wine. We shall

1:07:56.805 --> 1:08:00.405
<v Speaker 2>have the finest wines known to humanity. We want them here,

1:08:00.965 --> 1:08:02.565
<v Speaker 2>and we want them now.

1:08:02.805 --> 1:08:03.325
<v Speaker 4>We want the.

1:08:03.285 --> 1:08:06.805
<v Speaker 7>Finest wines available to humanity. We want them here and

1:08:06.845 --> 1:08:07.925
<v Speaker 7>we want them now.

1:08:08.245 --> 1:08:12.085
<v Speaker 2>Miss Blenda has it. There are no real punchlines in

1:08:12.125 --> 1:08:15.005
<v Speaker 2>the movie, but there's like everything is quotable. So it's

1:08:15.045 --> 1:08:17.804
<v Speaker 2>just so funny. And there have been times in my

1:08:17.925 --> 1:08:20.485
<v Speaker 2>life when I've said, when I've been in a restaurant

1:08:20.525 --> 1:08:22.764
<v Speaker 2>and I whip out, we shall have the finest lines

1:08:22.925 --> 1:08:24.924
<v Speaker 2>that most of humanity, and people get the joke.

1:08:25.005 --> 1:08:28.684
<v Speaker 3>It's very funny, it is, and everyone thinks I'm really

1:08:28.724 --> 1:08:29.564
<v Speaker 3>funny when I did it.

1:08:30.165 --> 1:08:30.884
<v Speaker 2>Every love.

1:08:32.564 --> 1:08:33.044
<v Speaker 4>Best.

1:08:33.245 --> 1:08:37.365
<v Speaker 2>He's like Richardy Grant. The movie is a classic handmade

1:08:37.405 --> 1:08:41.605
<v Speaker 2>films production. This is George Harrison's production company, who, of

1:08:41.725 --> 1:08:44.925
<v Speaker 2>course George Harrison got into the movie business because he

1:08:45.165 --> 1:08:48.925
<v Speaker 2>liked Monty Python and Monty Python was having trouble with

1:08:48.965 --> 1:08:52.365
<v Speaker 2>their financing, and George Harrison said, I would like to

1:08:52.405 --> 1:08:56.525
<v Speaker 2>see more Monty Python, and I am insanely rich. Here

1:08:56.645 --> 1:09:00.005
<v Speaker 2>is a check, Monty Python, go make another movie. And

1:09:00.045 --> 1:09:02.725
<v Speaker 2>then that movie was successful. I forgot. I think that

1:09:02.805 --> 1:09:05.405
<v Speaker 2>was Life of Brian. I think it was after Holy Grail.

1:09:05.605 --> 1:09:06.684
<v Speaker 3>I believe that's correct.

1:09:06.805 --> 1:09:09.165
<v Speaker 2>Yes, yeah, So he's like, oh, you're having trouble financing

1:09:09.205 --> 1:09:11.285
<v Speaker 2>Life of Brian. I want to see it, you guys rule.

1:09:11.685 --> 1:09:13.805
<v Speaker 2>And then Life of Brian was a financial success, and

1:09:13.845 --> 1:09:18.125
<v Speaker 2>George Harrison's like, film film producing, this is easy. So

1:09:18.205 --> 1:09:22.245
<v Speaker 2>he founded a company and many of his movie were successful,

1:09:22.245 --> 1:09:24.485
<v Speaker 2>and he was involved. He wasn't just a silent partner.

1:09:24.565 --> 1:09:27.685
<v Speaker 2>He was involved in Time Bandits. He was involved.

1:09:27.325 --> 1:09:29.365
<v Speaker 3>Playing the sitar, he was playing guitar.

1:09:30.885 --> 1:09:34.965
<v Speaker 2>He was involved in The Long Good Friday. He Handmade Films.

1:09:35.005 --> 1:09:37.445
<v Speaker 2>Was one of the great independent film pressing companies out

1:09:37.485 --> 1:09:40.685
<v Speaker 2>of Britain, and they made extremely British movies. That's what

1:09:40.725 --> 1:09:42.805
<v Speaker 2>I like. They weren't because they didn't have to make

1:09:42.805 --> 1:09:45.724
<v Speaker 2>a profit, so he didn't have to worry about being mainstream.

1:09:45.765 --> 1:09:47.965
<v Speaker 2>He made the movies that he wanted to make, and

1:09:48.045 --> 1:09:51.485
<v Speaker 2>one of them was this and it's probably maybe one

1:09:51.485 --> 1:09:55.445
<v Speaker 2>of the best handmade films in the bunch. So if

1:09:55.485 --> 1:09:58.445
<v Speaker 2>you haven't seen it, watch it, but watch it knowing

1:09:58.565 --> 1:10:01.965
<v Speaker 2>it is the ultimate hangout movie. There truly is no plot.

1:10:02.005 --> 1:10:04.285
<v Speaker 2>The plot is they hang out in London, they hang

1:10:04.325 --> 1:10:07.684
<v Speaker 2>out up in the country in a cottage with no heat,

1:10:08.085 --> 1:10:10.285
<v Speaker 2>and then they hang out a little bit in London again,

1:10:10.445 --> 1:10:12.564
<v Speaker 2>and then next thing you know, it's been ninety eight minutes.

1:10:12.565 --> 1:10:14.604
<v Speaker 2>It is time to go home. That's it. But it's great.

1:10:14.645 --> 1:10:16.205
<v Speaker 2>I love it. You love it too, right, Matt Singer?

1:10:16.205 --> 1:10:18.925
<v Speaker 3>Of course, sure, yes, yes, more than altered States. Let's

1:10:19.005 --> 1:10:21.604
<v Speaker 3>let's put it that way. You want me to tell

1:10:21.605 --> 1:10:24.445
<v Speaker 3>people where it's streaming, because I'm going to just guess.

1:10:24.205 --> 1:10:26.285
<v Speaker 2>That you don't know to be no, Toby, that's the

1:10:26.285 --> 1:10:26.724
<v Speaker 2>whole point.

1:10:26.885 --> 1:10:29.445
<v Speaker 3>Is it on to b Okay, I didn't see.

1:10:29.445 --> 1:10:31.644
<v Speaker 2>That's why I picked it, I hope so well.

1:10:31.685 --> 1:10:36.445
<v Speaker 3>It's also it's also available on the Criterion Channel and

1:10:36.605 --> 1:10:40.125
<v Speaker 3>HBO Max at the moment, so whether Jordan is correct

1:10:40.205 --> 1:10:42.925
<v Speaker 3>or not, those are alternate options as well.

1:10:43.565 --> 1:10:46.085
<v Speaker 2>Yeah, I goofed up. We were done with the Tub chapter.

1:10:46.245 --> 1:10:50.125
<v Speaker 2>Now it's not on TV. I got confused, but it's

1:10:50.205 --> 1:10:52.645
<v Speaker 2>on It's on HBO Max's it is.

1:10:52.645 --> 1:10:54.685
<v Speaker 3>Available for streaming. You could also, I mean it is

1:10:54.685 --> 1:10:56.685
<v Speaker 3>also you can get a physical copy. You could rent it.

1:10:56.765 --> 1:10:58.085
<v Speaker 3>But yeah, if you want to stream it, it's on

1:10:58.125 --> 1:11:00.525
<v Speaker 3>Criterion right now, and it's on HBO Max.

1:11:00.605 --> 1:11:03.965
<v Speaker 2>And YouTube Television and and of course three as always,

1:11:04.005 --> 1:11:07.245
<v Speaker 2>as always, three ninety nine on Amazon blah blah blah.

1:11:07.245 --> 1:11:10.564
<v Speaker 3>Okay, Well, unlike Jordan, I did not goof up. I

1:11:10.605 --> 1:11:14.165
<v Speaker 3>made sure mine was streaming on to B and I

1:11:14.325 --> 1:11:16.205
<v Speaker 3>was actually looking to see if I could find like

1:11:16.245 --> 1:11:19.085
<v Speaker 3>one of these real hyperlink kind of movies, and there

1:11:19.085 --> 1:11:22.765
<v Speaker 3>were some that one I felt was a little just

1:11:22.805 --> 1:11:27.605
<v Speaker 3>too obvious, which was Slacker Richard Link Later Slacker definitely qualifies.

1:11:27.685 --> 1:11:31.165
<v Speaker 3>That is available on tub and then Jim Jarmish's Coffee

1:11:31.165 --> 1:11:34.405
<v Speaker 3>and Cigarettes is also on there. That's close. That's really

1:11:34.405 --> 1:11:37.325
<v Speaker 3>more of an anthology film than a hyperlink film, because

1:11:37.365 --> 1:11:40.485
<v Speaker 3>the stories are not really like crossing over anything. I

1:11:40.525 --> 1:11:43.205
<v Speaker 3>don't love that movie, but if that's you know, again,

1:11:43.245 --> 1:11:45.724
<v Speaker 3>that's very much a hangout movie. I mean, that really

1:11:45.885 --> 1:11:48.325
<v Speaker 3>is very very close as well. That's also on TB.

1:11:48.485 --> 1:11:50.925
<v Speaker 3>But the movie that I picked, I saw something that

1:11:52.125 --> 1:11:54.445
<v Speaker 3>it's close enough and it's one of my favorite movies

1:11:54.485 --> 1:11:56.885
<v Speaker 3>that I love to champion, So I'm gonna that's what

1:11:56.925 --> 1:12:00.125
<v Speaker 3>I'm picking here. It is. I think of it as

1:12:00.165 --> 1:12:04.205
<v Speaker 3>a hangout movie. I definitely has men and women hanging out,

1:12:04.285 --> 1:12:09.325
<v Speaker 3>shooting the breeze, drinking, commiserating about their lives, their jobs,

1:12:09.365 --> 1:12:12.045
<v Speaker 3>about getting older. It is a great comedy. It is

1:12:12.085 --> 1:12:15.205
<v Speaker 3>a movie I to turn two for comfort, comic comfort.

1:12:15.645 --> 1:12:18.045
<v Speaker 3>The older I get, the more I like it. It is

1:12:18.085 --> 1:12:22.885
<v Speaker 3>the film Whipper trying to guess. I just oh, I.

1:12:22.885 --> 1:12:23.604
<v Speaker 2>Would never have guessed.

1:12:24.725 --> 1:12:27.485
<v Speaker 3>Now, I didn't think you would. It's Hooper, which is

1:12:27.485 --> 1:12:30.965
<v Speaker 3>the Burt Reynolds vehicle directed by Hal Needham. This is

1:12:31.005 --> 1:12:33.845
<v Speaker 3>their follow up to Smokey and the Bandit, which was

1:12:33.885 --> 1:12:37.405
<v Speaker 3>also also had Burt Reynolds and Sally Field. All three

1:12:37.445 --> 1:12:43.645
<v Speaker 3>of them redeemed for Hooper and how need Him and

1:12:43.645 --> 1:12:47.245
<v Speaker 3>Bert Reynolds had an interesting kind of dynamic as filmmakers.

1:12:47.285 --> 1:12:51.245
<v Speaker 3>They were friends. How need Him was Burt reynolds stunt

1:12:51.245 --> 1:12:54.405
<v Speaker 3>double early in both of their careers. That's how they

1:12:54.805 --> 1:12:58.365
<v Speaker 3>became friends. And then hell need Him as he got older,

1:12:58.405 --> 1:13:01.885
<v Speaker 3>got into stunt coordinating, got into second unit directing. He

1:13:02.005 --> 1:13:06.045
<v Speaker 3>wanted to direct movies, and Bert becomes a bigger and

1:13:06.045 --> 1:13:08.805
<v Speaker 3>bigger star and he says, oh, well, let's make a movie.

1:13:09.245 --> 1:13:11.925
<v Speaker 3>And that's how Smokey and the Bandit happened is that

1:13:12.205 --> 1:13:15.845
<v Speaker 3>Hal Needham had the idea and Bert said, if you

1:13:15.925 --> 1:13:19.085
<v Speaker 3>let my buddy Hall direct it, I'll be in it.

1:13:19.165 --> 1:13:22.684
<v Speaker 3>And that's what happened. And the next movie they made

1:13:22.685 --> 1:13:25.005
<v Speaker 3>after that was a huge hit. They got a bit

1:13:25.045 --> 1:13:27.805
<v Speaker 3>of a blank check, you might say, to make something else,

1:13:27.845 --> 1:13:30.205
<v Speaker 3>and they made Hooper, which was a much more personal

1:13:30.245 --> 1:13:34.564
<v Speaker 3>film where Bert basically plays hal Needham, this kind of

1:13:34.645 --> 1:13:39.645
<v Speaker 3>aging stunt man and stunt coordinator. He is working on

1:13:39.685 --> 1:13:42.365
<v Speaker 3>a movie at the time where he's doubling a very

1:13:42.405 --> 1:13:45.564
<v Speaker 3>famous actor, Jordan, do you know the actor who he's doubling.

1:13:45.925 --> 1:13:48.085
<v Speaker 2>Oh gosh, I haven't seen it in a long time,

1:13:48.125 --> 1:13:48.885
<v Speaker 2>so I don't remember.

1:13:49.165 --> 1:13:53.165
<v Speaker 3>It is Adam West playing himself. Adam West, awesome, is

1:13:53.245 --> 1:13:56.525
<v Speaker 3>the star of the movie. Bert is his double, and

1:13:56.805 --> 1:14:00.005
<v Speaker 3>it's a big stunt filled movie, Hollywood movie. And while

1:14:00.005 --> 1:14:03.205
<v Speaker 3>they're working on it, this new up and coming stunt

1:14:03.205 --> 1:14:05.764
<v Speaker 3>man appears on the scene, played by Jan Michael Vincent,

1:14:05.965 --> 1:14:10.644
<v Speaker 3>and the movie is them hanging out, getting drunk, riding horses,

1:14:10.725 --> 1:14:14.405
<v Speaker 3>falling out of Building's typical guy stuff, you know. But

1:14:14.645 --> 1:14:16.405
<v Speaker 3>then the two of them kind of get into like

1:14:16.445 --> 1:14:20.205
<v Speaker 3>a frenemy rivalry where they each want to prove because

1:14:20.205 --> 1:14:23.565
<v Speaker 3>this is a it's their stuntman, their macho there's competition.

1:14:23.645 --> 1:14:26.405
<v Speaker 3>They want to be the best, and so this rivalry

1:14:26.445 --> 1:14:30.245
<v Speaker 3>starts to build that leads to this epic stunt filled

1:14:30.365 --> 1:14:32.525
<v Speaker 3>car chase sequence at the end of the movie, which

1:14:32.525 --> 1:14:35.445
<v Speaker 3>if you haven't seen Hooper, the stunts throughout the movie

1:14:35.445 --> 1:14:39.405
<v Speaker 3>are great, but the ending is really incredible, and you go,

1:14:39.765 --> 1:14:42.405
<v Speaker 3>no one should have done this. This looks so dangerous.

1:14:42.765 --> 1:14:45.925
<v Speaker 3>This was such a bad idea, but they pulled it

1:14:45.965 --> 1:14:49.684
<v Speaker 3>off and the stunts are spectacular, and you would expect

1:14:49.725 --> 1:14:52.085
<v Speaker 3>nothing less. It's a movie directed by a stunt man

1:14:52.165 --> 1:14:56.644
<v Speaker 3>about these guys who were, you know, throughout Hollywood history

1:14:56.845 --> 1:15:01.485
<v Speaker 3>up until today, basically are kind of you know, kept hidden,

1:15:02.165 --> 1:15:07.245
<v Speaker 3>not valorized, their sacrifices, their work are not treated well. Thankfully.

1:15:07.325 --> 1:15:09.445
<v Speaker 3>I think, is it next year or is it the

1:15:09.485 --> 1:15:13.125
<v Speaker 3>year after, we are finally getting an Oscar for Best

1:15:13.165 --> 1:15:18.285
<v Speaker 3>Stunt Design. So finally st stuntmen and stunt coordinators are

1:15:18.365 --> 1:15:20.564
<v Speaker 3>going to start to get a little bit of credit

1:15:21.085 --> 1:15:24.245
<v Speaker 3>awards recognition, which is great. But this movie is kind

1:15:24.285 --> 1:15:26.645
<v Speaker 3>of like, you know, like shining a light on this

1:15:26.725 --> 1:15:29.685
<v Speaker 3>world of stuntmen that was you know, just it was

1:15:29.885 --> 1:15:34.085
<v Speaker 3>kind of just pushed to the side and ignored. And

1:15:34.125 --> 1:15:36.885
<v Speaker 3>it's a funny movie. It's a breezy movie. There isn't

1:15:36.885 --> 1:15:40.325
<v Speaker 3>a villain. There isn't really a plot beyond we're making

1:15:40.365 --> 1:15:43.805
<v Speaker 3>a movie and we're hanging out. And Bert Reynolds is

1:15:43.805 --> 1:15:47.845
<v Speaker 3>great in it. Obviously, he became more of a punchline

1:15:47.925 --> 1:15:51.644
<v Speaker 3>later in his career. He was you know, mocked on SNL,

1:15:51.765 --> 1:15:54.685
<v Speaker 3>Celebrity Jeopardy, and he made a lot of shlock. He

1:15:54.685 --> 1:15:57.765
<v Speaker 3>would show up for a paycheck. But he's great in

1:15:57.805 --> 1:15:59.804
<v Speaker 3>this movie. He is absolutely wonderful.

1:16:00.205 --> 1:16:04.085
<v Speaker 2>It's really good. And Sally Field is Calli.

1:16:03.885 --> 1:16:05.564
<v Speaker 3>Field is great. They were in a real life couple

1:16:05.605 --> 1:16:08.644
<v Speaker 3>at the time. They have great chemistry together on screen.

1:16:09.085 --> 1:16:10.525
<v Speaker 3>And the thing that I really like about it, and

1:16:10.565 --> 1:16:12.005
<v Speaker 3>the reason that I do like it more and more

1:16:12.045 --> 1:16:14.765
<v Speaker 3>as I get older, is Bert was like forty two

1:16:15.045 --> 1:16:18.765
<v Speaker 3>forty three ish when he made it, roughly around my age.

1:16:18.765 --> 1:16:21.525
<v Speaker 3>I'm now a little older. But part of the movie

1:16:21.565 --> 1:16:24.045
<v Speaker 3>is about getting older. He is the old guy on

1:16:24.085 --> 1:16:26.325
<v Speaker 3>the scene now even though he's only forty two. He

1:16:26.365 --> 1:16:29.445
<v Speaker 3>can't you know, he's got he's got scars and bandages,

1:16:29.445 --> 1:16:29.845
<v Speaker 3>and there's a.

1:16:29.845 --> 1:16:32.045
<v Speaker 2>Scene issues that's, yeah, I was worried about his back.

1:16:32.125 --> 1:16:34.045
<v Speaker 3>Yeah. And there's a scene early in the movie where

1:16:34.085 --> 1:16:36.845
<v Speaker 3>he's just looking at himself in the mirror, almost naked.

1:16:36.845 --> 1:16:39.445
<v Speaker 3>He's got underwear on, I guess or whatever, and he's

1:16:39.485 --> 1:16:42.125
<v Speaker 3>looking at himself and he's just so disgusted with himself.

1:16:42.165 --> 1:16:44.765
<v Speaker 3>And he's Burt Reynolds, and he looks great, but but

1:16:45.205 --> 1:16:49.365
<v Speaker 3>you know, when you're forty two, everything looks bad to you.

1:16:49.605 --> 1:16:52.285
<v Speaker 3>And I really, I really love that about it. That

1:16:52.325 --> 1:16:54.925
<v Speaker 3>it's that it's a movie about even a big, you know,

1:16:55.845 --> 1:16:58.525
<v Speaker 3>ego maniacal movie star like Burt could like kind of

1:16:59.005 --> 1:17:01.365
<v Speaker 3>let himself look a little flabby and a little old

1:17:01.405 --> 1:17:02.205
<v Speaker 3>and a little sag.

1:17:02.245 --> 1:17:05.765
<v Speaker 2>He wasn't concerned about being Yeah, there's a little there's

1:17:05.765 --> 1:17:09.684
<v Speaker 2>a self deprecatingness to the movie that really serves it. Well.

1:17:10.405 --> 1:17:12.805
<v Speaker 2>It's uh, it's probably I mean, I would have to

1:17:12.965 --> 1:17:16.005
<v Speaker 2>really look back at every Burt Reynolds movie, but maybe

1:17:16.045 --> 1:17:17.965
<v Speaker 2>Deliverance is better, but it's a different kind of movie.

1:17:17.965 --> 1:17:20.845
<v Speaker 2>I think show my favorite. It's my favorite Burt Reynolds

1:17:20.885 --> 1:17:23.925
<v Speaker 2>move with laughs for sure. It is another ball run.

1:17:23.965 --> 1:17:25.885
<v Speaker 2>It's better than Smoking the Band, the original Smoking in

1:17:25.885 --> 1:17:26.925
<v Speaker 2>the bandit is great too.

1:17:26.965 --> 1:17:29.205
<v Speaker 3>That's another movie that I watch a lot. I actually,

1:17:29.285 --> 1:17:31.045
<v Speaker 3>you know, like I didn't. I was not a kid

1:17:31.045 --> 1:17:33.085
<v Speaker 3>who was watching Burt Reynolds movies. He was just a

1:17:33.085 --> 1:17:35.365
<v Speaker 3>little before my time to be like a kid growing

1:17:35.445 --> 1:17:38.645
<v Speaker 3>up on those movies. But I can also Smoking the

1:17:38.685 --> 1:17:40.805
<v Speaker 3>bandit is a movie I watch at least once a

1:17:40.885 --> 1:17:42.804
<v Speaker 3>year that it just kind of chills. It's a great,

1:17:43.085 --> 1:17:46.085
<v Speaker 3>chill out, fun movie. And this is one of those

1:17:46.125 --> 1:17:48.085
<v Speaker 3>for me as well. I've watched it a bunch lately,

1:17:48.125 --> 1:17:51.045
<v Speaker 3>and it's like when I can't think of what to watch,

1:17:51.085 --> 1:17:53.405
<v Speaker 3>I put on I put on a little Hooper so

1:17:53.645 --> 1:17:54.885
<v Speaker 3>and it is streaming on to.

1:17:55.005 --> 1:17:57.604
<v Speaker 2>Be I don't believe I was going over fifty five,

1:17:57.965 --> 1:18:01.085
<v Speaker 2>you were going fifty five backwards. Well that's not I

1:18:01.085 --> 1:18:05.644
<v Speaker 2>guess the law is it unsafe backing? Silly law, It's

1:18:05.685 --> 1:18:09.045
<v Speaker 2>still a law. Let's sum up the rec seg real quick,

1:18:09.085 --> 1:18:11.604
<v Speaker 2>because we got to get to our game. The rec

1:18:11.685 --> 1:18:14.405
<v Speaker 2>segs that are available on two B. I picked the

1:18:14.605 --> 1:18:18.965
<v Speaker 2>Ken Russell Psychedelic Freak Out Altered States. Matt Singer cut

1:18:19.245 --> 1:18:23.205
<v Speaker 2>picked the entire five seas of Twilight Zone, specifically watching

1:18:23.205 --> 1:18:26.285
<v Speaker 2>the episode of the Silence from SEM two, and then

1:18:26.325 --> 1:18:29.445
<v Speaker 2>for our hangout comedies, I picked the British film with Nol,

1:18:29.485 --> 1:18:32.965
<v Speaker 2>which is spelled with nail like a hammer and nail,

1:18:33.005 --> 1:18:36.525
<v Speaker 2>but it's pronounced with nol withnel and I from eighty seven,

1:18:36.725 --> 1:18:40.604
<v Speaker 2>and Matt Singer picked nineteen seventy eight Hooper, directed by

1:18:40.645 --> 1:18:43.285
<v Speaker 2>Hal Needham. And that's the Rex sag. Do you want

1:18:43.285 --> 1:18:45.045
<v Speaker 2>to say rexseg real quick? You want to shout out?

1:18:45.085 --> 1:18:46.485
<v Speaker 3>That's all right, I said it. I just need to

1:18:46.485 --> 1:18:48.405
<v Speaker 3>say it once. That's okay. We don't need to run

1:18:48.405 --> 1:18:49.165
<v Speaker 3>it into the ground.

1:18:49.565 --> 1:18:52.245
<v Speaker 2>Well, then I think what we should run into is

1:18:52.325 --> 1:18:56.564
<v Speaker 2>our game, because I'm eager to play Sam's new game.

1:18:57.045 --> 1:18:59.764
<v Speaker 3>All right, Sam's here for our game segment. I stole

1:18:59.805 --> 1:19:02.045
<v Speaker 3>his title and I used it in my intro to

1:19:02.085 --> 1:19:04.565
<v Speaker 3>the episode. I already know what it's called to be

1:19:05.165 --> 1:19:06.605
<v Speaker 3>or not to be, but I have no idea what

1:19:06.605 --> 1:19:08.765
<v Speaker 3>we're going to be playing. What is to be or

1:19:08.805 --> 1:19:10.724
<v Speaker 3>not to be? Sam, Well, it was funny.

1:19:10.885 --> 1:19:15.005
<v Speaker 7>I talked about this briefly at the before we started recording.

1:19:15.045 --> 1:19:18.564
<v Speaker 7>You know, I sort of was tinkering with it this morning,

1:19:19.685 --> 1:19:21.725
<v Speaker 7>and tinkering is it while you as we're talking, I

1:19:21.765 --> 1:19:25.605
<v Speaker 7>have to admit. So let's see how it goes. To

1:19:25.805 --> 1:19:28.085
<v Speaker 7>be or not to be is the name of the game.

1:19:28.125 --> 1:19:30.485
<v Speaker 7>But actually it's more like to be and not to be.

1:19:30.605 --> 1:19:33.365
<v Speaker 7>These are these are films. These are questions about films

1:19:33.365 --> 1:19:36.245
<v Speaker 7>that are and are not on the streaming service to

1:19:36.405 --> 1:19:39.005
<v Speaker 7>be TV. So the catch here that I threw at

1:19:39.125 --> 1:19:41.845
<v Speaker 7>you before we record it is we're gonna try something

1:19:42.285 --> 1:19:46.045
<v Speaker 7>with bidding. All of the answers to these questions or

1:19:46.045 --> 1:19:51.564
<v Speaker 7>these prompts have multiple, you know, four to ten potential answers.

1:19:51.605 --> 1:19:54.045
<v Speaker 7>I originally was going to say, just name two quickly,

1:19:54.085 --> 1:19:57.885
<v Speaker 7>buzz in name two. We're gonna try bidding where you

1:19:57.965 --> 1:20:01.005
<v Speaker 7>guys will alternate giving a chance to bid how many

1:20:01.165 --> 1:20:04.445
<v Speaker 7>answers you think you can give, and the other person

1:20:04.485 --> 1:20:07.245
<v Speaker 7>will have a chance to outbid. And I think, how

1:20:07.285 --> 1:20:09.764
<v Speaker 7>we're gonna try it here, We're just trying. We're flying

1:20:09.805 --> 1:20:11.965
<v Speaker 7>by the seat of our pants here. If you make

1:20:12.005 --> 1:20:15.485
<v Speaker 7>a bid and you fail to meet that bid, then

1:20:15.525 --> 1:20:17.564
<v Speaker 7>the other person gets those points that you bid to say,

1:20:17.605 --> 1:20:20.325
<v Speaker 7>You're like, I'm gonna get four, right, you only get three.

1:20:20.365 --> 1:20:22.805
<v Speaker 7>The other person get gets those four points. That's just

1:20:22.805 --> 1:20:25.205
<v Speaker 7>how we're gonna We're gonna try to do it, all right, Okay,

1:20:25.885 --> 1:20:28.845
<v Speaker 7>and we'll just see how it goes. So I guess

1:20:28.845 --> 1:20:29.605
<v Speaker 7>we'll jump into that.

1:20:29.645 --> 1:20:33.005
<v Speaker 3>Are any questions, Let's just let's dive in.

1:20:33.725 --> 1:20:35.604
<v Speaker 7>You one, I'll go a question.

1:20:36.005 --> 1:20:39.085
<v Speaker 2>Well, I'll figure it out, all right, So.

1:20:39.245 --> 1:20:42.365
<v Speaker 7>Matt, you won the last game I did, so I'm

1:20:42.365 --> 1:20:44.325
<v Speaker 7>gonna give you the chance to make the first bid.

1:20:44.765 --> 1:20:47.365
<v Speaker 7>But there's a seven okay question, I'm going hopefully this

1:20:47.405 --> 1:20:50.564
<v Speaker 7>won't take forty minutes like last week's game. All right,

1:20:50.565 --> 1:20:53.645
<v Speaker 7>here we go. There are several Best Picture winners on

1:20:54.125 --> 1:20:57.485
<v Speaker 7>two B, from nineteen twenty seven's Wings which you mentioned

1:20:57.525 --> 1:21:00.205
<v Speaker 7>to yes, twenty twenty two's Everything Everywhere, All at Once,

1:21:00.245 --> 1:21:03.485
<v Speaker 7>I think, according to letterbox anyway, the most popular current

1:21:03.965 --> 1:21:09.045
<v Speaker 7>title on two B. Some decades have several Best Picture winners,

1:21:09.045 --> 1:21:11.045
<v Speaker 7>some have none. In the twenty tens, there are three

1:21:11.125 --> 1:21:15.285
<v Speaker 7>Best Picture winners from the twenty tens, from the two thousands,

1:21:15.365 --> 1:21:19.165
<v Speaker 7>zero on TWOBE the nineteen thirties all ten, all ten

1:21:19.285 --> 1:21:22.165
<v Speaker 7>Best Picture winners. Maybe maybe some of the women in

1:21:22.165 --> 1:21:23.845
<v Speaker 7>the public domain. I have no idea, but all ten.

1:21:25.045 --> 1:21:27.365
<v Speaker 7>So for this question, we're going with the Best Picture

1:21:27.365 --> 1:21:34.285
<v Speaker 7>winners from the nineteen sixties oh R to B, meaning

1:21:34.365 --> 1:21:38.205
<v Speaker 7>six are not to be. So I'm going to name

1:21:38.245 --> 1:21:40.485
<v Speaker 7>the four that are, and then you're going to pick

1:21:41.605 --> 1:21:43.644
<v Speaker 7>the six, and you're going to say up to six

1:21:43.765 --> 1:21:44.805
<v Speaker 7>that you can keep.

1:21:45.805 --> 1:21:48.405
<v Speaker 2>Okay, Okay, So I have a very important question. Yes,

1:21:48.405 --> 1:21:51.365
<v Speaker 2>these are the nineteen sixties. So is this nineteen sixty

1:21:51.445 --> 1:21:53.564
<v Speaker 2>through sixty nine or sixty one through seven?

1:21:53.685 --> 1:21:55.845
<v Speaker 7>Okay, this is a good question. I believe these are

1:21:55.845 --> 1:22:01.445
<v Speaker 7>the films were released in nineteen sixty through nineteen sixty nine, right, Okay.

1:22:01.245 --> 1:22:03.365
<v Speaker 2>You understand what I'm saying. This is the twenty first set.

1:22:03.405 --> 1:22:04.085
<v Speaker 2>There is no use.

1:22:04.245 --> 1:22:04.445
<v Speaker 4>I know.

1:22:04.805 --> 1:22:05.525
<v Speaker 2>I thought about this.

1:22:05.645 --> 1:22:06.365
<v Speaker 7>I think we got it.

1:22:06.445 --> 1:22:06.724
<v Speaker 2>Okay.

1:22:06.845 --> 1:22:10.485
<v Speaker 3>Nineteen sixty is the sixties, nineteen seventy is the seventies.

1:22:10.565 --> 1:22:11.525
<v Speaker 2>I think I understand.

1:22:11.605 --> 1:22:14.724
<v Speaker 7>I concur But but there's also the Oscar year.

1:22:15.205 --> 1:22:17.885
<v Speaker 3>Yeah, thats complicated as well.

1:22:18.645 --> 1:22:21.724
<v Speaker 2>But these are released in sixty through sixty nine. Yeah,

1:22:22.085 --> 1:22:23.885
<v Speaker 2>I think I can do well. I think I can

1:22:23.925 --> 1:22:24.445
<v Speaker 2>do well on them.

1:22:24.445 --> 1:22:25.285
<v Speaker 3>Okay. So the.

1:22:28.085 --> 1:22:32.564
<v Speaker 7>Actually in the chat the four that are ineligible because

1:22:32.645 --> 1:22:35.285
<v Speaker 7>the four these are for to be. Okay, put them

1:22:35.285 --> 1:22:36.885
<v Speaker 7>in the chat so you can see it.

1:22:37.165 --> 1:22:37.365
<v Speaker 2>Right.

1:22:37.445 --> 1:22:39.165
<v Speaker 3>So these are the ones that are on to b.

1:22:39.525 --> 1:22:43.525
<v Speaker 7>The Apartment West Side Story, all of our exclamation Point

1:22:43.965 --> 1:22:48.245
<v Speaker 7>and Midnight Cowboy are to be. So there are six

1:22:48.725 --> 1:22:49.965
<v Speaker 7>titles that are not to be.

1:22:50.325 --> 1:22:52.644
<v Speaker 3>I'm gonna if this is allowed, I'm just gonna write

1:22:52.645 --> 1:22:55.245
<v Speaker 3>down so I don't forget. I'm I'm jotting notes down

1:22:55.285 --> 1:22:58.845
<v Speaker 3>of the ones that I know for sure. Okay, So

1:22:58.885 --> 1:23:00.845
<v Speaker 3>you want me to bid, You want me to bid?

1:23:00.925 --> 1:23:02.525
<v Speaker 7>How many can you get of the six?

1:23:03.885 --> 1:23:06.405
<v Speaker 3>Well, I just very quickly I could think of two.

1:23:06.485 --> 1:23:08.965
<v Speaker 3>So i'll bid too. If you can do more than that, Jordan,

1:23:09.085 --> 1:23:10.045
<v Speaker 3>you go right ahead.

1:23:12.525 --> 1:23:17.765
<v Speaker 2>Uh, I don't know that I can. Okay, a ship,

1:23:17.845 --> 1:23:20.045
<v Speaker 2>all right, I'll let you do it, all right, Okay

1:23:20.245 --> 1:23:20.965
<v Speaker 2>for you to the.

1:23:21.125 --> 1:23:24.405
<v Speaker 3>Two that I have are let's hope I'm right in

1:23:24.445 --> 1:23:27.805
<v Speaker 3>the Heat of the Night and Tom Jones. Those are

1:23:27.805 --> 1:23:29.005
<v Speaker 3>the two that I that came to.

1:23:29.005 --> 1:23:32.365
<v Speaker 7>Mind, our best picture winners in the nineteen sixties. Two

1:23:32.405 --> 1:23:35.685
<v Speaker 7>points for Matt Okay. The others are Lawrence of Arabia,

1:23:35.765 --> 1:23:40.405
<v Speaker 7>Big big big title of course, yeah, my fair Lady. Yeah,

1:23:40.445 --> 1:23:44.925
<v Speaker 7>the Sound of Music. Sure, and movies probably the tough

1:23:44.925 --> 1:23:46.325
<v Speaker 7>one Man for all seasons.

1:23:47.005 --> 1:23:47.845
<v Speaker 2>Oh I love that movie.

1:23:47.845 --> 1:23:49.445
<v Speaker 7>That one great Best Picture winner?

1:23:49.805 --> 1:23:51.885
<v Speaker 2>What did it beat? Because that deserved.

1:23:53.005 --> 1:23:53.565
<v Speaker 3>Okay, I don't know.

1:23:55.525 --> 1:23:57.764
<v Speaker 7>I'm being quizzed. Who's asking?

1:23:58.565 --> 1:23:58.845
<v Speaker 4>All right?

1:23:58.965 --> 1:24:01.125
<v Speaker 3>If you asked the next question and I'll look that up.

1:24:01.165 --> 1:24:02.125
<v Speaker 2>So all right, oh you do that.

1:24:02.125 --> 1:24:04.925
<v Speaker 7>Okay, we're on to number two. Okay, So Jordan, you

1:24:04.965 --> 1:24:05.644
<v Speaker 7>get the first babies.

1:24:05.685 --> 1:24:07.445
<v Speaker 2>So Matt one two points two points?

1:24:07.685 --> 1:24:11.365
<v Speaker 7>He bid too, he got to Oh, okay, okay. Richard

1:24:11.445 --> 1:24:15.285
<v Speaker 7>Link later there are six Richard link later films on

1:24:15.485 --> 1:24:19.005
<v Speaker 7>to be you mentioned that both the slackers on there

1:24:19.165 --> 1:24:23.405
<v Speaker 7>Blacker yeah, before sunrise before set okay. Link later, being

1:24:23.405 --> 1:24:27.485
<v Speaker 7>the prolific filmmaker that he has made five films between

1:24:27.845 --> 1:24:31.724
<v Speaker 7>nineteen ninety five before sunrise and two thousand and fours

1:24:32.125 --> 1:24:36.485
<v Speaker 7>before sunset, all of which are not to be five.

1:24:37.285 --> 1:24:38.405
<v Speaker 2>I can do some of these.

1:24:38.285 --> 1:24:40.485
<v Speaker 7>Okay, So how many would you like to bid?

1:24:41.525 --> 1:24:42.445
<v Speaker 2>Give me the years again?

1:24:42.605 --> 1:24:46.125
<v Speaker 7>So it's to nineteen ninety five is before sunrise, two

1:24:46.125 --> 1:24:47.845
<v Speaker 7>thousand and four is before sunset.

1:24:48.565 --> 1:24:52.165
<v Speaker 2>I can do four of these moves.

1:24:52.645 --> 1:24:55.325
<v Speaker 3>Go you go ahead, I could do it.

1:24:55.405 --> 1:24:57.325
<v Speaker 2>Okay, you ready? Here we see it?

1:24:57.405 --> 1:25:07.725
<v Speaker 6>Yeah, tape, yes, well, Waking Life correct, Scanner Darkly, Oh,

1:25:09.005 --> 1:25:09.405
<v Speaker 6>I'm out?

1:25:09.805 --> 1:25:12.085
<v Speaker 2>Or can I keep going with others? Sure?

1:25:12.125 --> 1:25:13.445
<v Speaker 7>You need to get four? Right?

1:25:14.005 --> 1:25:20.564
<v Speaker 2>Go? Okay? All right? The Newton Boys, Yes, yeah, we

1:25:20.605 --> 1:25:23.205
<v Speaker 2>need one and I need one more Richard Link later

1:25:23.325 --> 1:25:25.125
<v Speaker 2>before two thousand and five.

1:25:25.805 --> 1:25:29.525
<v Speaker 7>Before two thousand and four, before twenty four nineteen, two.

1:25:29.365 --> 1:25:32.845
<v Speaker 2>Thousand and five, and after two. I can do this

1:25:33.045 --> 1:25:36.325
<v Speaker 2>before two thousand and four, but not Scannered dark that Philips,

1:25:36.405 --> 1:25:41.564
<v Speaker 2>String Boys, uh and not. I think shit or out tried.

1:25:41.605 --> 1:25:44.804
<v Speaker 7>School of Rock, Yes, School of Rock, that's the big one.

1:25:45.205 --> 1:25:48.765
<v Speaker 7>The last one is Suburban Suburbia.

1:25:49.085 --> 1:25:50.005
<v Speaker 2>Yeah, you got the four.

1:25:50.245 --> 1:25:52.205
<v Speaker 7>Got the four's four to two? Well done.

1:25:52.245 --> 1:25:52.445
<v Speaker 2>Good.

1:25:52.605 --> 1:25:54.165
<v Speaker 3>I don't think that he got to make a mistake

1:25:54.205 --> 1:25:54.805
<v Speaker 3>to keep going.

1:25:54.845 --> 1:25:59.725
<v Speaker 2>I think I was the Union. Well, you're allowed to

1:25:59.765 --> 1:26:00.325
<v Speaker 2>make a mistake.

1:26:00.365 --> 1:26:02.445
<v Speaker 7>I think Scanner Darkly came out two thousand and five,

1:26:02.445 --> 1:26:03.325
<v Speaker 7>maybe two thousand and six.

1:26:03.565 --> 1:26:05.005
<v Speaker 3>That's like two thousand and six or seven.

1:26:05.045 --> 1:26:05.925
<v Speaker 2>That's definitely outs.

1:26:05.965 --> 1:26:08.125
<v Speaker 3>I knew that was outside the round. Here here are

1:26:08.245 --> 1:26:10.644
<v Speaker 3>the movies that A Man for All Seasons beat quickly.

1:26:11.125 --> 1:26:14.564
<v Speaker 3>Alphie the rush beat it. The Russians are coming. The

1:26:14.605 --> 1:26:15.445
<v Speaker 3>Russians are coming.

1:26:15.845 --> 1:26:16.685
<v Speaker 2>Deserve to beat it.

1:26:16.925 --> 1:26:20.724
<v Speaker 3>The sand pebbles never saw it? Me neither, and who's

1:26:20.725 --> 1:26:21.965
<v Speaker 3>a free Virginia.

1:26:21.685 --> 1:26:25.445
<v Speaker 2>Wall Ooh, deserve to beat it. That's the correct winner.

1:26:25.485 --> 1:26:27.805
<v Speaker 2>I love the three that i'd seen. I never saw

1:26:27.845 --> 1:26:30.885
<v Speaker 2>sand pebbles. The Russians are coming is very funny. But

1:26:31.125 --> 1:26:33.485
<v Speaker 2>a man for all seasons rules. What a movie?

1:26:33.805 --> 1:26:35.925
<v Speaker 7>Okay? I like this betting so far, so good?

1:26:36.165 --> 1:26:36.525
<v Speaker 2>All right?

1:26:37.365 --> 1:26:43.005
<v Speaker 7>Number three nineties Leonardo DiCaprio. Ah, snap, there are five

1:26:43.165 --> 1:26:46.725
<v Speaker 7>DiCaprio starring films on to be, all of them from

1:26:46.725 --> 1:26:47.285
<v Speaker 7>the nineties.

1:26:47.885 --> 1:26:48.405
<v Speaker 2>Oh my god.

1:26:48.845 --> 1:26:53.764
<v Speaker 7>But Leo somehow appeared in twelve films in the nineties. Twelve.

1:26:53.965 --> 1:26:56.845
<v Speaker 7>I am again going to share the the five that

1:26:56.925 --> 1:27:01.125
<v Speaker 7>are to be in the chat, so you know, and

1:27:01.165 --> 1:27:03.365
<v Speaker 7>that means there are seven more that are not to be.

1:27:03.765 --> 1:27:06.085
<v Speaker 7>These are the ones I will read them critters.

1:27:06.125 --> 1:27:06.405
<v Speaker 2>Three.

1:27:07.205 --> 1:27:12.405
<v Speaker 7>Yeah, This Boy's Life, a little film called Titanic, the

1:27:12.445 --> 1:27:15.125
<v Speaker 7>Man in the Iron Mask, and what he allen Celebrity

1:27:15.245 --> 1:27:15.965
<v Speaker 7>all to be.

1:27:19.365 --> 1:27:29.604
<v Speaker 8>Oh my god, you know our second thought, Jack, let's go,

1:27:30.205 --> 1:27:33.085
<v Speaker 8>let go, just like just like a.

1:27:34.565 --> 1:27:34.885
<v Speaker 2>I'd be.

1:27:38.965 --> 1:27:43.205
<v Speaker 3>Goodbye, goodbye. I don't care if the door can hold

1:27:43.285 --> 1:27:44.525
<v Speaker 3>us both up, I'm out of here.

1:27:45.965 --> 1:27:50.205
<v Speaker 2>Seven nineties movies it was.

1:27:50.285 --> 1:27:54.005
<v Speaker 3>Oh no, it might even be earlier. Actually no, it's

1:27:54.045 --> 1:27:56.724
<v Speaker 3>I think it's ninety nine different.

1:27:58.165 --> 1:27:58.885
<v Speaker 7>You get the first?

1:27:59.365 --> 1:28:02.805
<v Speaker 3>I can? I can again. I'm just I'm I'm betting conservatively.

1:28:03.005 --> 1:28:04.965
<v Speaker 3>What do I know? I can for sure name?

1:28:05.405 --> 1:28:05.604
<v Speaker 7>Oh?

1:28:05.645 --> 1:28:07.525
<v Speaker 3>I just thought of a third one. I think I

1:28:07.565 --> 1:28:09.645
<v Speaker 3>hope he's in this movie. I'm gonna say three. So

1:28:09.725 --> 1:28:11.725
<v Speaker 3>he just thought of a third that I think he's in.

1:28:12.005 --> 1:28:14.045
<v Speaker 3>I'm gonna feel real stupid if he's not. But I can.

1:28:14.125 --> 1:28:15.005
<v Speaker 3>I can think of three.

1:28:16.405 --> 1:28:22.804
<v Speaker 2>Okay, I can think of three. I could think of three.

1:28:23.045 --> 1:28:26.245
<v Speaker 2>But that's that's bit. I have to outbid him. Can

1:28:26.245 --> 1:28:31.965
<v Speaker 2>I whip out a fourth Leo movie? Crud? Uh? Yeah,

1:28:32.085 --> 1:28:33.125
<v Speaker 2>I could do it.

1:28:34.005 --> 1:28:37.005
<v Speaker 3>It's gonna keep naming movies now until he get I

1:28:37.085 --> 1:28:37.485
<v Speaker 3>go for it.

1:28:37.525 --> 1:28:41.965
<v Speaker 7>The clock, al, here we go.

1:28:41.925 --> 1:28:42.365
<v Speaker 2>Here we go?

1:28:42.725 --> 1:28:48.925
<v Speaker 7>The beach, no, two thousand, alright?

1:28:48.965 --> 1:28:49.485
<v Speaker 2>Never remember?

1:28:50.805 --> 1:28:50.885
<v Speaker 4>Uh?

1:28:51.325 --> 1:29:00.405
<v Speaker 2>Total eclipse, yes, total eclipse? Uh? The Basketball Diaries yes? Uh,

1:29:00.765 --> 1:29:03.285
<v Speaker 2>the the one I just had in my head. Romeo

1:29:03.445 --> 1:29:04.165
<v Speaker 2>plus Julie.

1:29:04.365 --> 1:29:05.365
<v Speaker 7>Yes, that's three.

1:29:05.925 --> 1:29:07.645
<v Speaker 2>But now I need but I but I had the

1:29:07.645 --> 1:29:09.804
<v Speaker 2>beach and that's not it. I need another Leo movie.

1:29:10.005 --> 1:29:13.844
<v Speaker 2>Oh crud, he's a handsome boy. He's in all those movies.

1:29:15.925 --> 1:29:18.205
<v Speaker 9>Oh we gotta give him a time limit, this is

1:29:18.205 --> 1:29:22.604
<v Speaker 9>too long? Or oh no, three, you don't have it?

1:29:23.405 --> 1:29:27.125
<v Speaker 9>Two mask out?

1:29:27.685 --> 1:29:30.045
<v Speaker 7>Okay, So I think I think by the rules I

1:29:30.085 --> 1:29:32.924
<v Speaker 7>stated at the beginning, Matt gets those four points.

1:29:33.365 --> 1:29:35.965
<v Speaker 3>Yes I can. There were two that I thought of

1:29:36.005 --> 1:29:38.844
<v Speaker 3>that you didn't mention. Okay, go for it, right, Gilbert

1:29:38.925 --> 1:29:43.325
<v Speaker 3>grape O nomination? And then is he in itf he's

1:29:43.365 --> 1:29:45.405
<v Speaker 3>in this? I think I think he is. Is he

1:29:45.485 --> 1:29:46.604
<v Speaker 3>in Marvin's room?

1:29:46.765 --> 1:29:52.045
<v Speaker 7>Marvin's Room? That's correct. Let's you guys. I think the

1:29:52.085 --> 1:29:54.725
<v Speaker 7>only two you didn't mention, the big one that you'll

1:29:54.805 --> 1:30:00.245
<v Speaker 7>kick yourself for is Raimi's Quick in the Dead, also

1:30:00.485 --> 1:30:04.925
<v Speaker 7>in I don't know if anybody remembers him in Poison

1:30:04.965 --> 1:30:06.845
<v Speaker 7>ivy starring.

1:30:06.605 --> 1:30:12.285
<v Speaker 2>Oh well, hops off to Matt for having more pocket.

1:30:13.325 --> 1:30:17.125
<v Speaker 7>So you earned the points you stole from Jordan's six four.

1:30:17.325 --> 1:30:17.765
<v Speaker 7>I think six.

1:30:17.925 --> 1:30:19.805
<v Speaker 2>I never saw totally clips by the way, his total

1:30:19.845 --> 1:30:22.525
<v Speaker 2>clips and even one total eclipse.

1:30:22.565 --> 1:30:29.325
<v Speaker 7>That's he plays our French poet. Okay, we're moving on

1:30:29.365 --> 1:30:33.885
<v Speaker 7>to question four. Master cinematographer Roger.

1:30:33.645 --> 1:30:35.445
<v Speaker 2>Deakins love that guy.

1:30:35.605 --> 1:30:39.205
<v Speaker 7>He's a sixteen time Oscar nominee, and there are sixteen

1:30:39.285 --> 1:30:42.925
<v Speaker 7>Deacons shot films on to be, from nineteen eighty one's

1:30:42.965 --> 1:30:47.365
<v Speaker 7>Walcott to twenty eleven's Rango, but nothing after twenty eleven.

1:30:47.965 --> 1:30:50.685
<v Speaker 7>Only one of his Oscar nominated films is to Be.

1:30:50.925 --> 1:30:54.684
<v Speaker 7>It's Fargo, which was just got a thirtieth anniversary review

1:30:54.765 --> 1:30:57.565
<v Speaker 7>last week on Film Spotting On the Film Spotting on

1:30:57.645 --> 1:31:03.485
<v Speaker 7>other Ship, Deakins was nominated four more times four Cohen

1:31:03.565 --> 1:31:08.604
<v Speaker 7>director's movie directed movies. Oh boy, what are those four?

1:31:08.725 --> 1:31:11.765
<v Speaker 7>You can bid up to four? I believe it is. Yeah,

1:31:11.845 --> 1:31:13.085
<v Speaker 7>Jordan's turn to bid.

1:31:14.125 --> 1:31:16.685
<v Speaker 2>The one Oscar nominated one that's already on to be

1:31:16.965 --> 1:31:18.245
<v Speaker 2>is what Fargo?

1:31:18.645 --> 1:31:22.445
<v Speaker 7>So he was he was Oscar. A total five Cohen's

1:31:22.445 --> 1:31:25.045
<v Speaker 7>director movies. One of them is to Be. It is Fargo.

1:31:25.365 --> 1:31:28.485
<v Speaker 7>There are four more. Oh what's your bid?

1:31:28.645 --> 1:31:36.045
<v Speaker 2>I mean I don't know geez two?

1:31:36.605 --> 1:31:36.765
<v Speaker 4>Two?

1:31:37.205 --> 1:31:38.885
<v Speaker 2>Two? Yeah, right, I could.

1:31:39.405 --> 1:31:41.245
<v Speaker 3>Can I quickly think of a third because I can

1:31:41.285 --> 1:31:42.045
<v Speaker 3>think I know two?

1:31:42.205 --> 1:31:44.525
<v Speaker 2>Also, okay, I know all the movies, but I don't

1:31:44.565 --> 1:31:45.684
<v Speaker 2>know which for us exactly.

1:31:46.045 --> 1:31:49.165
<v Speaker 7>That's right, trick, all right, go for it. Jordan's go ahead,

1:31:49.965 --> 1:31:51.485
<v Speaker 7>you can tie it up with the two.

1:31:52.365 --> 1:31:58.325
<v Speaker 2>Sure, okay. He was nominated for the Best Cinematography for

1:31:58.525 --> 1:31:59.765
<v Speaker 2>No Country for Old Men.

1:31:59.925 --> 1:32:00.245
<v Speaker 7>Correct.

1:32:01.365 --> 1:32:07.405
<v Speaker 2>He was nominated for Best Cinematography four Oh boy, here

1:32:07.445 --> 1:32:10.765
<v Speaker 2>it comes the man who wasn't there?

1:32:11.165 --> 1:32:12.965
<v Speaker 7>Yes, two points.

1:32:13.325 --> 1:32:14.845
<v Speaker 3>The other one I was going to guess, and maybe

1:32:14.845 --> 1:32:17.005
<v Speaker 3>I guess I should have gone for it was Oh brother,

1:32:17.045 --> 1:32:20.125
<v Speaker 3>where art? That was the other one that I was pretty.

1:32:19.925 --> 1:32:23.005
<v Speaker 7>Also nominated for True Grit is last I think collaboration

1:32:23.885 --> 1:32:25.724
<v Speaker 7>nominated Collaboration, True Grit.

1:32:25.885 --> 1:32:29.005
<v Speaker 3>Okay, Okay, I guess I should have been bold.

1:32:29.405 --> 1:32:32.564
<v Speaker 7>Okay, Matt, this is right in your wheelhouse. It's almost fair.

1:32:34.405 --> 1:32:35.605
<v Speaker 2>How many are on?

1:32:37.605 --> 1:32:39.285
<v Speaker 7>This is Arnold? It's Arnold?

1:32:39.805 --> 1:32:40.045
<v Speaker 3>Great?

1:32:40.085 --> 1:32:43.725
<v Speaker 7>Okay. There are ten Schwarzenegger movies on to be from

1:32:43.765 --> 1:32:46.925
<v Speaker 7>nineteen seventies. I think this got referenced. Maybe Hercules and

1:32:46.965 --> 1:32:52.085
<v Speaker 7>New York is Ontos to twenty nineteen is the movie

1:32:52.125 --> 1:32:55.045
<v Speaker 7>I'd never heard of, Iron Mask, but maybe you bad movie,

1:32:55.125 --> 1:32:58.925
<v Speaker 7>bad movie with Jackie Chan Among them, though, are Terminator two,

1:32:59.005 --> 1:33:02.845
<v Speaker 7>Judgment Day nineteen ninety one, and Terminator three, Rise of

1:33:02.885 --> 1:33:05.165
<v Speaker 7>the Machines, not the original Terminator.

1:33:05.285 --> 1:33:08.845
<v Speaker 3>Unfortunately, Palms Talk to the Hend.

1:33:09.565 --> 1:33:12.565
<v Speaker 7>So nineteen ninety one to two thousand and three, Schwarzenegger

1:33:12.685 --> 1:33:17.485
<v Speaker 7>start in nine films between those two terminators ninety one

1:33:17.765 --> 1:33:20.525
<v Speaker 7>to two thousand and three. Okay, only one of them

1:33:20.685 --> 1:33:25.685
<v Speaker 7>is two B it's twenty twenty two's Collateral Damage, not

1:33:25.805 --> 1:33:28.445
<v Speaker 7>a bad movie. So that means there are eight eight

1:33:28.925 --> 1:33:33.525
<v Speaker 7>Schwartzenegger's starring films made between nineteen ninety one and two

1:33:33.565 --> 1:33:38.085
<v Speaker 7>thousand and three that are not to be eight Matt,

1:33:38.165 --> 1:33:39.045
<v Speaker 7>what is your bid?

1:33:39.965 --> 1:33:40.685
<v Speaker 4>Go for eight? Man?

1:33:40.805 --> 1:33:44.765
<v Speaker 3>Come on, I don't know if I can off the

1:33:44.845 --> 1:33:46.445
<v Speaker 3>top of my head I can come up with eight,

1:33:46.525 --> 1:33:51.045
<v Speaker 3>but I feel very confident I could least do six.

1:33:51.405 --> 1:33:51.644
<v Speaker 2>Wow.

1:33:51.805 --> 1:33:55.605
<v Speaker 3>Wow, let's do it, Jordan. You want to try to

1:33:55.645 --> 1:33:56.165
<v Speaker 3>do more than that?

1:33:56.525 --> 1:33:57.725
<v Speaker 2>I cannot do?

1:33:57.805 --> 1:34:00.925
<v Speaker 3>So okay, so that starts in nineteen ninety one, right, yes, yes,

1:34:01.365 --> 1:34:03.005
<v Speaker 3>So I'm just gonna type them, and I'm going to

1:34:03.045 --> 1:34:05.085
<v Speaker 3>say them as I type them and think. So Batman

1:34:05.205 --> 1:34:11.684
<v Speaker 3>and Robin correct the sixth day, Yes, Junior yas Saction Hero.

1:34:12.165 --> 1:34:13.165
<v Speaker 7>Yes, that's four.

1:34:15.285 --> 1:34:16.005
<v Speaker 2>End of Days.

1:34:16.485 --> 1:34:18.325
<v Speaker 7>Yes, that's five. We need one more.

1:34:18.445 --> 1:34:20.005
<v Speaker 3>I need one more true lies.

1:34:20.365 --> 1:34:20.845
<v Speaker 7>That's six.

1:34:21.325 --> 1:34:25.325
<v Speaker 2>So there's two more, two more erasers.

1:34:26.245 --> 1:34:28.285
<v Speaker 3>And I'm just trying to think of what the other

1:34:28.365 --> 1:34:33.605
<v Speaker 3>one would be. It's a comedy, give me, give me,

1:34:33.885 --> 1:34:39.765
<v Speaker 3>it's a comedy. That's ninety's ear Oh, jingle all the way,

1:34:39.845 --> 1:34:40.845
<v Speaker 3>Jingle the way.

1:34:41.525 --> 1:34:41.725
<v Speaker 2>Yeah.

1:34:43.245 --> 1:34:45.684
<v Speaker 7>Wow, it's suddenly twelve six.

1:34:45.765 --> 1:34:49.405
<v Speaker 2>Jordan's are Trek?

1:34:50.325 --> 1:34:50.525
<v Speaker 4>Yes?

1:34:50.765 --> 1:34:54.285
<v Speaker 3>How many Star Trek cast members can you name?

1:34:55.325 --> 1:34:58.245
<v Speaker 7>This is where we got into some trouble because my

1:34:58.365 --> 1:35:02.045
<v Speaker 7>last question is not really a bidding one, because I

1:35:02.165 --> 1:35:03.845
<v Speaker 7>came up with this last night before I came up

1:35:03.885 --> 1:35:07.205
<v Speaker 7>with the bids. I don't even know based on the

1:35:07.285 --> 1:35:10.525
<v Speaker 7>questions I have left if you could even get close

1:35:10.605 --> 1:35:12.725
<v Speaker 7>to twelve Jordan. But I'll give you a shot here.

1:35:13.685 --> 1:35:17.165
<v Speaker 7>See how this goes. It's okay, okay, number say Hans

1:35:17.285 --> 1:35:21.685
<v Speaker 7>Zimmer Yeah, has composed the scores for something like two

1:35:21.765 --> 1:35:25.604
<v Speaker 7>hundred movies, twenty nine of them. Twenty nine of them

1:35:25.645 --> 1:35:30.965
<v Speaker 7>are on to be including consecutive Best Picture winners. Okay?

1:35:31.085 --> 1:35:34.045
<v Speaker 7>Is that clear? Twenty nine are on to be, including

1:35:34.085 --> 1:35:36.885
<v Speaker 7>two consecutive Best Picture winners. I'm just gonna so this

1:35:37.045 --> 1:35:39.085
<v Speaker 7>question is for you, Jordan. You have a chance to

1:35:39.165 --> 1:35:40.805
<v Speaker 7>answer it for the two points. That's how I'm gonna

1:35:40.805 --> 1:35:40.965
<v Speaker 7>do this.

1:35:41.045 --> 1:35:43.725
<v Speaker 2>Okay, all right, that's fair for Pride for Pride.

1:35:43.445 --> 1:35:47.205
<v Speaker 7>For Pride the first, the first, okay, the first earned

1:35:47.285 --> 1:35:52.245
<v Speaker 7>Zimmer his first Oscar nomination. I know what it is, Okay,

1:35:53.245 --> 1:35:55.645
<v Speaker 7>the first. So what I'm asking for and you'll get

1:35:55.685 --> 1:35:58.205
<v Speaker 7>two points if you can get this. What are those

1:35:58.245 --> 1:36:00.405
<v Speaker 7>two consecutive Best Picture winners? I have one more piece

1:36:00.405 --> 1:36:01.965
<v Speaker 7>of information, but if you feel like you know it,

1:36:02.125 --> 1:36:02.525
<v Speaker 7>go ahead.

1:36:03.125 --> 1:36:05.205
<v Speaker 2>I feel like it's Driving Miss Daisy because I know

1:36:05.285 --> 1:36:07.325
<v Speaker 2>that he did that okay score. It's like a very

1:36:07.485 --> 1:36:10.925
<v Speaker 2>non Hans Zimmer score and it doesn't have like thundering

1:36:11.085 --> 1:36:17.645
<v Speaker 2>drama that so Driving This Daisy is the is a

1:36:17.965 --> 1:36:18.925
<v Speaker 2>Best Picture winner?

1:36:19.165 --> 1:36:19.325
<v Speaker 4>Yes?

1:36:20.245 --> 1:36:22.925
<v Speaker 2>So the question is is what won Best Picture either

1:36:23.085 --> 1:36:25.525
<v Speaker 2>before or after driving Miss Days.

1:36:25.485 --> 1:36:29.005
<v Speaker 7>That he did the score for correct I will tell

1:36:29.045 --> 1:36:33.765
<v Speaker 7>you that he earned his first Oscar nomination for one

1:36:33.845 --> 1:36:38.245
<v Speaker 7>of them, and he lost that Oscar to Dave Gruson

1:36:38.645 --> 1:36:41.245
<v Speaker 7>for his score for the Milagro Beanfield War.

1:36:41.845 --> 1:36:45.725
<v Speaker 2>Oh christ oh, okay, I happened. Okay, I think I

1:36:45.805 --> 1:36:49.805
<v Speaker 2>know the answer. Okay, Driving Miss Daisy was eighty seven.

1:36:50.645 --> 1:36:54.925
<v Speaker 2>Milagro Beanfield War I believe was eighty six. Hence the

1:36:55.085 --> 1:36:57.565
<v Speaker 2>Oscar winner for eighty six was out of Africa.

1:36:57.925 --> 1:36:59.205
<v Speaker 7>You're a little off.

1:36:59.645 --> 1:37:00.684
<v Speaker 2>Your years are off.

1:37:01.245 --> 1:37:04.644
<v Speaker 3>Driving Miss Daisy is ninety eighty nine, eighty nine. Okay,

1:37:04.645 --> 1:37:07.604
<v Speaker 3>I knew he was too early. Maybe the awards were

1:37:07.725 --> 1:37:08.844
<v Speaker 3>for nineteen ninety.

1:37:08.805 --> 1:37:11.285
<v Speaker 2>Oh, so I got it wrong. What's the answer? Or Matt,

1:37:11.445 --> 1:37:12.605
<v Speaker 2>can you steal I?

1:37:12.885 --> 1:37:15.724
<v Speaker 3>No, I don't, I don't. I'm not a Hans Zimmer.

1:37:15.925 --> 1:37:20.205
<v Speaker 7>So interestingly, Hans Zimmer was not nominated for Driving Miss Daisy.

1:37:21.485 --> 1:37:22.525
<v Speaker 3>So you were totally wrong.

1:37:22.645 --> 1:37:24.965
<v Speaker 7>But he was, but well, but he did do the

1:37:25.005 --> 1:37:29.285
<v Speaker 7>score for it. But he was nominated for the previous

1:37:29.365 --> 1:37:32.125
<v Speaker 7>year's Best Picture, the nineteen eighty eight or the film

1:37:32.165 --> 1:37:34.405
<v Speaker 7>that came out in nineteen eighty eight, which is is

1:37:34.605 --> 1:37:39.285
<v Speaker 7>eighty eight rain Man, Rainman, rain Man. So we all

1:37:39.325 --> 1:37:40.725
<v Speaker 7>learned something about Hans Zimmer here.

1:37:41.365 --> 1:37:43.405
<v Speaker 2>So it is surprise that all of us, who know

1:37:43.965 --> 1:37:47.205
<v Speaker 2>so many unimportant facts that our tingers fingertips know saying

1:37:47.205 --> 1:37:48.165
<v Speaker 2>about rain Man.

1:37:53.085 --> 1:37:55.805
<v Speaker 7>Well done. I think that's the game. I've got one more.

1:37:55.845 --> 1:37:58.165
<v Speaker 7>You guys already kind of covered at those coolulated it

1:37:58.325 --> 1:38:00.805
<v Speaker 7>wasn't yeah we we we he got it, And I

1:38:00.885 --> 1:38:01.965
<v Speaker 7>think I think, yeah.

1:38:02.085 --> 1:38:09.205
<v Speaker 2>I figured big losing three I've lost too. Can I

1:38:09.365 --> 1:38:12.445
<v Speaker 2>just say out of Africa which is a movie that

1:38:12.485 --> 1:38:14.765
<v Speaker 2>I really should rewatch because I haven't seen it in

1:38:14.845 --> 1:38:18.205
<v Speaker 2>one hundred years. It did win the Best Original Score

1:38:18.925 --> 1:38:21.405
<v Speaker 2>for who wrote the best Original score for Out of Africa?

1:38:22.485 --> 1:38:25.165
<v Speaker 2>You tell us? This is Oh? You tell us John?

1:38:25.245 --> 1:38:29.125
<v Speaker 2>It's John Barry. Yeah, yeah, And I would like to

1:38:29.165 --> 1:38:31.485
<v Speaker 2>say that Out of Africa, a movie I haven't seen

1:38:31.525 --> 1:38:33.684
<v Speaker 2>in twenty five years and a movie that probably will

1:38:33.685 --> 1:38:35.285
<v Speaker 2>put me to sleep, although I should see it again,

1:38:35.965 --> 1:38:39.845
<v Speaker 2>not has the best original score of all time. Like

1:38:39.965 --> 1:38:41.965
<v Speaker 2>if you were going to rap the best original scores,

1:38:42.125 --> 1:38:46.644
<v Speaker 2>nothing is as sweeping and majestic and lush and sam.

1:38:46.805 --> 1:38:50.005
<v Speaker 2>If I were editing this week's film spotting a little,

1:38:50.165 --> 1:38:52.925
<v Speaker 2>I would play us out with a little bit of

1:38:53.045 --> 1:38:55.165
<v Speaker 2>the Out of Africa score, and then when we come

1:38:55.245 --> 1:38:57.644
<v Speaker 2>back for the end, everybody will have a be weeping

1:38:57.725 --> 1:38:59.925
<v Speaker 2>into their hankies because the music is so OPO.

1:39:00.085 --> 1:39:04.085
<v Speaker 7>I know that I had the audio tape of Barry's

1:39:04.485 --> 1:39:07.045
<v Speaker 7>score for Dances and Wolves, which is also very.

1:39:06.965 --> 1:39:09.604
<v Speaker 2>Good, very good. The John Dunbar theme is almost as

1:39:09.645 --> 1:39:19.405
<v Speaker 2>good as the Out of Africa theme. It really is beautiful. Well, folks,

1:39:19.485 --> 1:39:22.205
<v Speaker 2>we did it. We This is the longest episode yet,

1:39:22.245 --> 1:39:25.685
<v Speaker 2>but I'm having fun and I lost the game, so

1:39:25.765 --> 1:39:28.125
<v Speaker 2>it's ten to four. I'm still I've still got some

1:39:28.205 --> 1:39:30.325
<v Speaker 2>wiggle room, but I'm on a losing streak. I've lost

1:39:30.365 --> 1:39:33.005
<v Speaker 2>two in a row. But now's the time on the

1:39:33.085 --> 1:39:38.445
<v Speaker 2>show when we let listeners know what's coming new to streaming.

1:39:38.605 --> 1:39:42.085
<v Speaker 2>And first up, these are theatrical releases that are newly

1:39:42.125 --> 1:39:44.845
<v Speaker 2>available to rent or buy, so they're not you know,

1:39:45.045 --> 1:39:47.684
<v Speaker 2>you gotta pay extra sometimes like fourteen ninety nine something

1:39:47.685 --> 1:39:50.724
<v Speaker 2>like that. But new is this movie called The bread

1:39:50.765 --> 1:39:54.125
<v Speaker 2>Winner by Nate Bargatzi. I don't know if that's how

1:39:54.165 --> 1:39:57.405
<v Speaker 2>he pronounced. And this is supposed to be one of

1:39:57.485 --> 1:39:59.525
<v Speaker 2>the worst movies of the year. People hate this movie.

1:39:59.645 --> 1:40:02.685
<v Speaker 2>Our friend Matt Singer, our friend Bill Gbire the other

1:40:02.805 --> 1:40:04.845
<v Speaker 2>day was just ranting and raving about how terrible this

1:40:04.965 --> 1:40:07.525
<v Speaker 2>movie is. I'm almost curious to see it. Did you

1:40:07.605 --> 1:40:08.405
<v Speaker 2>see The bread Winner?

1:40:08.965 --> 1:40:11.724
<v Speaker 3>I didn't, but you're right. We were having conversations about

1:40:11.845 --> 1:40:13.765
<v Speaker 3>like the worst movies of the year so far, and

1:40:14.045 --> 1:40:15.845
<v Speaker 3>this was one that was thrown out there, and I

1:40:15.925 --> 1:40:17.965
<v Speaker 3>was going, oh, I gotta, I gotta watch The bread Winner.

1:40:18.085 --> 1:40:20.045
<v Speaker 2>But I'm not going to spend fourteen ninety nine. I'm

1:40:20.045 --> 1:40:21.845
<v Speaker 2>gonna wait a few more weeks until, like it's been

1:40:22.005 --> 1:40:25.485
<v Speaker 2>zero zero now, other stuff that's coming theatrical release is

1:40:25.525 --> 1:40:28.245
<v Speaker 2>coming to streaming. And this is not for rent or

1:40:28.325 --> 1:40:32.965
<v Speaker 2>buy is God Is, which is supposed to be very,

1:40:33.085 --> 1:40:33.525
<v Speaker 2>very good.

1:40:33.645 --> 1:40:36.205
<v Speaker 3>I haven't heard the opposite thing about this movie, which

1:40:36.245 --> 1:40:37.445
<v Speaker 3>is that it's quite interesting.

1:40:37.925 --> 1:40:40.405
<v Speaker 2>Yes, it's directed and written by a woman the name

1:40:40.445 --> 1:40:43.925
<v Speaker 2>of Alicia Harris. It's based on her own play, and

1:40:44.045 --> 1:40:47.405
<v Speaker 2>it starts Carrie young Sterling k Brown and Janelle Monet.

1:40:47.605 --> 1:40:51.724
<v Speaker 2>And it is on everybody's favorite streaming service, MGM Plus,

1:40:51.925 --> 1:40:54.445
<v Speaker 2>which you know, more and more is actually becoming a

1:40:54.565 --> 1:40:57.925
<v Speaker 2>viable service. I haven't really explored it yet, but everything

1:40:57.965 --> 1:41:01.525
<v Speaker 2>on MGM Plus eventually comes to Prime Amazon Prime because

1:41:01.525 --> 1:41:04.965
<v Speaker 2>Amazon owns MGM. So if you don't have MGM plus yet,

1:41:05.005 --> 1:41:06.604
<v Speaker 2>you can give it a few more weeks. It'll wind

1:41:06.685 --> 1:41:10.525
<v Speaker 2>up on Prime Video. That's God Is, God Is. And

1:41:10.645 --> 1:41:12.925
<v Speaker 2>then another one, which I hear is pretty good called

1:41:13.125 --> 1:41:16.525
<v Speaker 2>Mile and Kicks, which makes me think of the song

1:41:16.925 --> 1:41:19.605
<v Speaker 2>Pumped Up Kicks, you know, a little ditty from the

1:41:19.765 --> 1:41:22.924
<v Speaker 2>early two thousands. It's directed by a woman named Chandler

1:41:23.165 --> 1:41:26.965
<v Speaker 2>Levac who did Roommates earlier. This year, which we discussed

1:41:27.005 --> 1:41:28.925
<v Speaker 2>on SVU. I didn't love it that much, but I

1:41:29.005 --> 1:41:31.245
<v Speaker 2>hear this one is better. A twenty two year old

1:41:31.325 --> 1:41:33.845
<v Speaker 2>music critic moves to Montreal to write a book about

1:41:33.845 --> 1:41:37.925
<v Speaker 2>Alanis Morris That's Jagged Little Pill. But her plans are

1:41:37.965 --> 1:41:40.925
<v Speaker 2>complicated when she becomes romantically involved with two members of

1:41:41.005 --> 1:41:44.725
<v Speaker 2>an indie band. And it's on Netflix. That sounds charming. Yes,

1:41:45.405 --> 1:41:47.965
<v Speaker 2>so that's on Netflix now, mile End kicks. It did

1:41:48.165 --> 1:41:51.925
<v Speaker 2>very well at festivals, and now we the non festival

1:41:52.005 --> 1:41:56.604
<v Speaker 2>going public can ascertain for ourselves if it's any good, Matt,

1:41:56.685 --> 1:41:58.285
<v Speaker 2>do you want to tell the listeners? What else is

1:41:58.325 --> 1:42:00.405
<v Speaker 2>coming directly to streaming? Sure?

1:42:00.525 --> 1:42:04.485
<v Speaker 3>Starting on Friday the seventeenth, we have They Fight starring

1:42:04.525 --> 1:42:08.405
<v Speaker 3>Andre Holland and Wenel Pierce. They're training DC youth for

1:42:08.485 --> 1:42:11.845
<v Speaker 3>a high stakes boxing tournament that will be available on Hulu.

1:42:12.645 --> 1:42:16.885
<v Speaker 3>And then we also have heart Stopper Forever, an extension

1:42:17.085 --> 1:42:22.165
<v Speaker 3>of the Netflix high school set heart Stoppers series about

1:42:22.245 --> 1:42:24.805
<v Speaker 3>two teenage boys whose friendship turns into a romance. So

1:42:24.885 --> 1:42:29.205
<v Speaker 3>this is like the the the Tom Clancy's Jack Ryan's

1:42:29.285 --> 1:42:33.445
<v Speaker 3>Ghost War of teen boy romances. I guess it is

1:42:33.525 --> 1:42:38.564
<v Speaker 3>the film continuation. Perhaps the conclusion I don't know. Uh,

1:42:39.325 --> 1:42:43.365
<v Speaker 3>and that is also on Netflix. Now, we've been hearing

1:42:43.405 --> 1:42:45.765
<v Speaker 3>feedback from listeners that, you know, they want to know

1:42:45.925 --> 1:42:47.885
<v Speaker 3>what we're reviewing in advance so they can watch it

1:42:47.965 --> 1:42:52.165
<v Speaker 3>before the conversation. That's very understandable. So we mentioned this

1:42:52.405 --> 1:42:56.245
<v Speaker 3>title I think, last week, and we're gonna we're etching

1:42:56.325 --> 1:42:59.125
<v Speaker 3>it into stone now. Next week on the show, we

1:42:59.325 --> 1:43:02.885
<v Speaker 3>are going to discuss on Hulu a service. I don't

1:43:02.885 --> 1:43:05.604
<v Speaker 3>think we've done a review of a title A main

1:43:05.685 --> 1:43:06.845
<v Speaker 3>title on that.

1:43:08.485 --> 1:43:08.684
<v Speaker 4>Movie.

1:43:08.725 --> 1:43:09.845
<v Speaker 2>Wasn't that so I think that was?

1:43:10.125 --> 1:43:12.165
<v Speaker 3>That was HBO Max, that was Hbox.

1:43:12.525 --> 1:43:13.045
<v Speaker 2>This is Hulu.

1:43:13.205 --> 1:43:16.285
<v Speaker 3>It's Redux Reducks. It is a sci fi film a

1:43:16.365 --> 1:43:20.684
<v Speaker 3>woman traveling through parallel universes killing her daughter's murderer again

1:43:20.765 --> 1:43:24.644
<v Speaker 3>and again. Great premise and it's like a family project,

1:43:24.725 --> 1:43:27.405
<v Speaker 3>directed by brothers and starring is it their sister who

1:43:27.485 --> 1:43:27.885
<v Speaker 3>stars it?

1:43:28.045 --> 1:43:29.765
<v Speaker 2>Yes? Yeah, So we love that.

1:43:29.885 --> 1:43:33.245
<v Speaker 3>Hook and it sounds intriguing. That's gonna be the subject

1:43:33.325 --> 1:43:36.724
<v Speaker 3>of next week's film spotting s for you, Redux Reducks

1:43:36.805 --> 1:43:37.845
<v Speaker 3>on Hulu.

1:43:38.405 --> 1:43:41.325
<v Speaker 2>Awesome. I'm looking forward to it. I'm gonna will myself

1:43:41.405 --> 1:43:43.205
<v Speaker 2>to like that movie. I know it's gonna be good.

1:43:43.645 --> 1:43:46.005
<v Speaker 2>So I want to thank the listeners for listening, and

1:43:46.165 --> 1:43:48.644
<v Speaker 2>the listeners who wrote feedback. This is a long episode.

1:43:48.645 --> 1:43:50.285
<v Speaker 2>If you made it this long milezl tuff to you.

1:43:50.965 --> 1:43:54.125
<v Speaker 2>We have a great next week. We've already got the

1:43:54.245 --> 1:43:57.165
<v Speaker 2>reeg for that one in the pipeline, but keep more coming.

1:43:57.565 --> 1:43:59.125
<v Speaker 2>But the one for next week is gonna be great.

1:43:59.165 --> 1:44:00.845
<v Speaker 2>And you know why I love it so much, Matt.

1:44:00.965 --> 1:44:01.445
<v Speaker 2>You know why.

1:44:02.165 --> 1:44:04.205
<v Speaker 3>I don't know why Jordan. I'm not inside that head

1:44:04.245 --> 1:44:04.604
<v Speaker 3>of yours.

1:44:04.845 --> 1:44:09.325
<v Speaker 2>The author of the email began his by complimenting me.

1:44:09.885 --> 1:44:11.405
<v Speaker 2>That's why he's the best.

1:44:11.525 --> 1:44:16.405
<v Speaker 3>Stay tuned to hear a compliment of Jordan. That's a

1:44:16.525 --> 1:44:19.485
<v Speaker 3>hook that'll get the listeners subscribed.

1:44:20.085 --> 1:44:23.765
<v Speaker 2>If you want to send us any feedback, not just

1:44:24.085 --> 1:44:27.445
<v Speaker 2>a recommendation request, but just feedback in general, it's very

1:44:27.525 --> 1:44:29.725
<v Speaker 2>easy to do. You go to your email and you

1:44:29.965 --> 1:44:34.405
<v Speaker 2>type in feedback at film Spotting SVU, all one word

1:44:34.605 --> 1:44:37.365
<v Speaker 2>dot com. You could find Matt Singer on Instagram and

1:44:37.445 --> 1:44:40.965
<v Speaker 2>letterbox at Superpulse. You can find me on Blue Sky

1:44:41.125 --> 1:44:46.965
<v Speaker 2>at j Hoffman and recently, our friend Matt Singer was

1:44:47.085 --> 1:44:52.085
<v Speaker 2>on the very popular podcast called blank Check with Griffin

1:44:52.125 --> 1:44:57.885
<v Speaker 2>Newman and David Simms, and wait, isn't their producer named Sam? Also,

1:44:58.005 --> 1:44:59.005
<v Speaker 2>what's the producer's name?

1:44:59.205 --> 1:45:00.485
<v Speaker 3>Ben Ben?

1:45:00.845 --> 1:45:03.845
<v Speaker 2>Sam? Benlen Sam? Ben's a nice guy. I love that

1:45:03.885 --> 1:45:04.604
<v Speaker 2>guy's sweetheart.

1:45:04.685 --> 1:45:05.365
<v Speaker 3>You love him so much.

1:45:05.405 --> 1:45:07.125
<v Speaker 2>You don't know his name, but he's for a minute,

1:45:07.125 --> 1:45:09.365
<v Speaker 2>I forget. I know so many people, I can't remember everybody.

1:45:10.485 --> 1:45:13.565
<v Speaker 2>And also, if I may be so bold, I have

1:45:13.805 --> 1:45:18.085
<v Speaker 2>just launched a new podcast called the star Log Podcast

1:45:18.165 --> 1:45:20.725
<v Speaker 2>for those of you that like sci fi. Star Log

1:45:20.805 --> 1:45:23.965
<v Speaker 2>mag magazine is back. It's coming to print later this fall,

1:45:24.525 --> 1:45:27.165
<v Speaker 2>and go to starlog dot com put your name in

1:45:27.325 --> 1:45:29.405
<v Speaker 2>the box that says we want your email address because

1:45:29.405 --> 1:45:31.325
<v Speaker 2>we want your email address to send you our weekly

1:45:31.485 --> 1:45:35.644
<v Speaker 2>newsletter called The Loud Star, which I write. You hear

1:45:35.805 --> 1:45:39.844
<v Speaker 2>from me every week yapping about sci fi and real science.

1:45:40.445 --> 1:45:42.725
<v Speaker 2>This week's episode is all about black holes, and we

1:45:42.845 --> 1:45:45.564
<v Speaker 2>have a black hole physicist on really like a truth

1:45:45.645 --> 1:45:48.325
<v Speaker 2>like he is the head of astrophysics at MIT. Came

1:45:48.405 --> 1:45:50.765
<v Speaker 2>on My stupid show. Can you believe that? Really cool?

1:45:50.925 --> 1:45:53.325
<v Speaker 3>Did you ask him about turning into a goat and

1:45:53.605 --> 1:45:54.485
<v Speaker 3>what the songs?

1:45:55.925 --> 1:45:58.405
<v Speaker 2>We did talk to him about black holes and he

1:45:58.605 --> 1:46:00.725
<v Speaker 2>was very polite in telling me that I didn't know

1:46:00.805 --> 1:46:02.005
<v Speaker 2>what the hell I was talking about.

1:46:02.365 --> 1:46:05.205
<v Speaker 3>How I want to tune in. Forget about Jordan Hoffmann

1:46:05.285 --> 1:46:08.485
<v Speaker 3>compliments that'll get me to tune in.

1:46:09.045 --> 1:46:12.085
<v Speaker 2>So starlog, Starlog, starlog, go to starlog dot com and

1:46:12.165 --> 1:46:14.085
<v Speaker 2>type in your name. Get all that stuff coming in.

1:46:14.245 --> 1:46:18.165
<v Speaker 2>Thank you once again to Sam van Halgrin, the greatest

1:46:18.205 --> 1:46:22.925
<v Speaker 2>producer in the Internet who produces s VU each week.

1:46:23.045 --> 1:46:25.804
<v Speaker 2>I'm Jordan Hoffman and I'm that singer.

1:46:26.085 --> 1:46:27.005
<v Speaker 3>Thanks for listening.