WEBVTT - BONUS: Forgotten History with Rachel Maddow

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<v Speaker 1>Welcome back, SNAFU listeners. We're back to discuss a dicey subject,

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<v Speaker 1>a far right coup, an attempt to overthrow the democratically

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<v Speaker 1>elected government of the United States of America. Because you'll

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<v Speaker 1>never dee our country with weakness. You have to show

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<v Speaker 1>strength when you have to be strowing.

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<v Speaker 2>We all know.

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<v Speaker 1>Nope, not that one.

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<v Speaker 3>In the United States District Court Washington DC.

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<v Speaker 1>Chief Justice Edward C. Iiker. Besides, at the trial of

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<v Speaker 1>thirty elled seditionists. Here we go. That's the one that's right,

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<v Speaker 1>my friends. Back in nineteen forty four, the Nazis tried

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<v Speaker 1>to overthrow the US government with the help of some

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<v Speaker 1>US congressmen know less. I'm talking about the Great Sedition

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<v Speaker 1>Trial of nineteen forty four, which is the subject of

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<v Speaker 1>a history podcast hosted by Rachel Maddow called Ultra. Now.

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<v Speaker 1>Ultra and Snaffo have a lot in common. Both podcasts

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<v Speaker 1>are deep dives into important moments in American history which

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<v Speaker 1>are largely forgotten, and yet they feel oddly prescient to

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<v Speaker 1>our world today. So naturally I wanted to sit down

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<v Speaker 1>and talk with Ultra's creator. So today I'm coming into

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<v Speaker 1>your feed with a treat. My conversation with Rachel Maddow

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<v Speaker 1>about Ultra and Snaffo. We talk about these two extraordinary stories,

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<v Speaker 1>forgotten history in general, the roots of authoritarianism, and how

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<v Speaker 1>it all weaves into current events. Rachel is well known

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<v Speaker 1>for being a rigorous on air journalist, author, and podcaster.

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<v Speaker 1>She's curious, a deep thinker, profoundly insightful, and pretty damn funny,

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<v Speaker 1>all of which makes her a hell of a lot

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<v Speaker 1>of fun to talk to. I really enjoyed this conversation.

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<v Speaker 1>I learned a lot, and I think you will too.

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<v Speaker 1>So here it is my chat with Rachel Matdow. Hello.

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<v Speaker 3>Hi, It's Rachel Meadow.

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<v Speaker 1>Rachel Maddow. It's so cool to meet you. This is awesome.

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<v Speaker 3>Nice to meet you too. It's great. This is very exciting.

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<v Speaker 1>Indeed, I agree, Thanks so much for jumping into our

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<v Speaker 1>SNAPU universe. So what's happening? Where are you?

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<v Speaker 2>I'm in rural dirt road, western Massachusetts road.

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<v Speaker 1>I don't know that.

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<v Speaker 2>It's kind of the ambient vibe where I have. We're

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<v Speaker 2>really out in the middle of nowhere. It's fantastic.

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<v Speaker 1>What are you hiding from, Rachel? What's going on?

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<v Speaker 3>Humans?

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<v Speaker 1>Yeah? Okay, that's fair. Are you in a bunker?

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<v Speaker 2>What's weird? Actually, and this is true. The cottage that

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<v Speaker 2>I'm in right now, this little house in which we

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<v Speaker 2>built this studio, audio studios and stuff so I can

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<v Speaker 2>do my TV show from here, has a legit nuclear

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<v Speaker 2>bomb shelter in the basement, like.

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<v Speaker 1>Because you built it or because it was already there.

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<v Speaker 3>No, it was there.

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<v Speaker 2>It was built by whoever had this house in the fifties.

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<v Speaker 2>And it's got concrete like this and triple rebar. And

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<v Speaker 2>when we came in to like flatten out the floor

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<v Speaker 2>and make everything normal, the contractor was like, we have

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<v Speaker 2>to leave the basement.

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<v Speaker 1>Can I tell you something. I'm not like a crazy

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<v Speaker 1>prepper kind of doomsday person, but like I would like

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<v Speaker 1>to have a bunker.

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<v Speaker 3>It just seems like a nice option.

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<v Speaker 1>Yeah, all right, well this is fun. I would love

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<v Speaker 1>to go deeper into apocalypse preparation, but we have some

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<v Speaker 1>really fun stuff to talk about. First of all, your

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<v Speaker 1>podcast Ultra was the number one podcast on Apple for

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<v Speaker 1>what like five weeks, a bunch of weeks.

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<v Speaker 2>A bunch of weeks it was number one, and then

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<v Speaker 2>it was less than number one, and then it was

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<v Speaker 2>back up to number one again.

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<v Speaker 3>So It was really a surprise and very exciting.

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<v Speaker 1>Yeah, and very well deserved. I listened to it twice.

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<v Speaker 1>I just had it was so fun. I listened to

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<v Speaker 1>it all the way through and then I was like,

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<v Speaker 1>I got to hear that again, but I don't have

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<v Speaker 1>as much time, so I listened to it at like

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<v Speaker 1>one point eight speed. And it's funny when you listen

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<v Speaker 1>to something sped up like that, everyone sounds unbelievably intelligent.

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<v Speaker 2>I had the opposite problem, which is that my doctor,

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<v Speaker 2>who is you know, my doctor, like kind of my friend.

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<v Speaker 3>But my doctor.

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<v Speaker 2>Texted me all concerned that there was something wrong with

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<v Speaker 2>me because he had listened to Ultra and he was like,

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<v Speaker 2>you really, I know you've had issues with depression and

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<v Speaker 2>stuff in the past, and you really turns out he

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<v Speaker 2>was listening to it on zero point seventy five.

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<v Speaker 1>Oh my god.

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<v Speaker 3>He thought I was really down.

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<v Speaker 1>That's amazing.

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<v Speaker 2>He thought he had special medical insights into what was

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<v Speaker 2>going on with this podcast.

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<v Speaker 1>That's amazing. Great Ultra. It is an extraordinary story. It

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<v Speaker 1>is extremely well told. It's incredibly engaging and really really fun.

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<v Speaker 1>And I would love to just for our SNAFU listeners

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<v Speaker 1>if you haven't heard, Ultra. Can you break it down,

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<v Speaker 1>just like, what's the basic story.

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<v Speaker 2>The basic story is, in the lead up to World

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<v Speaker 2>War Two, there was a really really big Nazi and

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<v Speaker 2>I mean that specifically. I don't mean like Nazis, I

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<v Speaker 2>mean we're the Nazis, big Nazi effort to try to

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<v Speaker 2>exploit what the Germans called kernels of disturbance in the

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<v Speaker 2>United States, and so they were trying to propagandize us

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<v Speaker 2>really heavily. They supported a bunch of American native fascist

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<v Speaker 2>movements that were way scarier than we remember them in history,

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<v Speaker 2>and they paid a bunch of members of Congress and

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<v Speaker 2>senators to be on their side for this effort. And

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<v Speaker 2>it all sort of culminated in the Great Sedition Trial

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<v Speaker 2>of nineteen forty four, when nearly thirty of the folks

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<v Speaker 2>who were involved with the Nazis in these various plots

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<v Speaker 2>got put on trial and they got off.

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<v Speaker 3>There was a mistrial, and they were all let go.

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<v Speaker 1>It's so profound, this story, it is so intense, and

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<v Speaker 1>it's totally mind blowing. In your description just now, you

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<v Speaker 1>said the trial was the Great Sedition Trial of what

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<v Speaker 1>nineteen forty four forty four, that implies that this was

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<v Speaker 1>like a landmark event that we all know and understand.

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<v Speaker 1>What's so incredible about this story to me, among there's

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<v Speaker 1>lots of things incredible about it, but one of the

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<v Speaker 1>most incredible things is how forgotten it is. And it's

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<v Speaker 1>something that I think our podcasts share, which is the

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<v Speaker 1>sort of forgotten history stories that are that are insanely important.

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<v Speaker 1>And one of the historians in your podcast actually says

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<v Speaker 1>at one point, I'm a PhD in history, and most

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<v Speaker 1>of my colleagues who are PhDs in history have never

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<v Speaker 1>heard of this, and so then, of course the general

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<v Speaker 1>public has no idea, and I wonder why is it forgotten?

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<v Speaker 2>Well, it's you know, I was thinking about the parallels

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<v Speaker 2>with that and with Able Archer with what you cover

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<v Speaker 2>in SNAFFU, and I think there there is something that's

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<v Speaker 2>like important for us to reflect on as people who

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<v Speaker 2>tell stories and who are interested in history, which is

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<v Speaker 2>that sometimes the reason something is forgotten is because of

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<v Speaker 2>who won and who lost.

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<v Speaker 1>Right Like, of course, the good history is told the winners.

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<v Speaker 2>History is told by the winners, and sometimes what the

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<v Speaker 2>winners most want is for us to forget that the

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<v Speaker 2>thing happened and that's definitely. I feel like that's a

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<v Speaker 2>little bit of the story that you unfold in in Snaffu,

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<v Speaker 2>Like with the the doing its assessment of what happened

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<v Speaker 2>with Abel Archer and whether it was a close call,

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<v Speaker 2>They're like, no, no, no, it was fine.

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<v Speaker 3>It was no big deal.

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<v Speaker 2>And that's part of the history that you uncover and

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<v Speaker 2>that you tell in the story. But it's also important

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<v Speaker 2>that the CIA wants it to be minimized, wants it

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<v Speaker 2>not to be remembered as a significant thing. And a

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<v Speaker 2>sort of different version of that happens in my story

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<v Speaker 2>where the good news, ending to the extent that there

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<v Speaker 2>is one, is that all of the elected officials who

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<v Speaker 2>were part of this plot, who are the real bad

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<v Speaker 2>guys here, the public knew enough, they found out enough

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<v Speaker 2>about what those guys were up to that they voted

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<v Speaker 2>them all out of office, like one of them got

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<v Speaker 2>voted out of office. And so even though a lot

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<v Speaker 2>of them were household names, really influential members of the

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<v Speaker 2>House in the Senate at the time, once they got

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<v Speaker 2>turfed out by voters who were disgusted by their behavior,

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<v Speaker 2>they went from being big deals to being losers.

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<v Speaker 3>And the losers get forgotten, and.

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<v Speaker 2>So part of the history that we have to contend

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<v Speaker 2>with is how much are the players here minimized in history,

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<v Speaker 2>either because it's convenient for somebody or because the good

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<v Speaker 2>guys won, And how much does that affect whether this

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<v Speaker 2>story is easy to find or easy to be told.

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<v Speaker 2>So I just I find that dynamic interesting because you

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<v Speaker 2>have to put yourself then in the story. In terms

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<v Speaker 2>of how hard it is for you to find these things.

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<v Speaker 1>Well, it's a little bit of a scary reality when

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<v Speaker 1>you think the forgotten stories of history are very often

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<v Speaker 1>some of the most important because the reason that they're

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<v Speaker 1>forgotten is that they were either painful or embarrassing or

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<v Speaker 1>extremely problematic. And yet those are the things that we

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<v Speaker 1>do have the potential to learn the most from.

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<v Speaker 2>And the other circumstances in which that happens is because

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<v Speaker 2>it was a really scary thing and some Americans or

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<v Speaker 2>some characters in the story rose up and did the

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<v Speaker 2>right thing and neutralized the danger right here, right. Yeah,

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<v Speaker 2>But that's also those heroes. We also need to learn

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<v Speaker 2>that story. So it's it can't it can be like

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<v Speaker 2>a deliberate shunt this away. Let's not think about it,

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<v Speaker 2>But it can also be a like who close call,

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<v Speaker 2>let's forget about it?

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<v Speaker 1>Yeah you know, yeah, okay, so how the hell did

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<v Speaker 1>you find it? Like with SNAFU, we just we knew

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<v Speaker 1>we wanted to do a podcast, and we wanted to

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<v Speaker 1>do something kind of history and irreverent, and we set

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<v Speaker 1>about looking for the thing. Did you know you wanted

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<v Speaker 1>to do a podcast and look for something exciting and

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<v Speaker 1>meaningful or did you just dig up this story or

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<v Speaker 1>stumble on it and then say this has to be told?

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<v Speaker 2>So I was I sort of feel like the all

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<v Speaker 2>the best stories that I've ever been involved in telling

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<v Speaker 2>come out of ignorance, like, come out of legitimate curiosity,

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<v Speaker 2>like I don't understand where this came from, or this

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<v Speaker 2>thing that everybody thinks makes sense to them doesn't make

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<v Speaker 2>sense to me. And I was going through that sort

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<v Speaker 2>of train of thought just as part of my news

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<v Speaker 2>you know, my day job at MSNBC, thinking about Holocaust denial.

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<v Speaker 2>So we're having this big upsurge in anti Semitism and

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<v Speaker 2>kind of anti semitism wedded to political power, which is

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<v Speaker 2>a very dangerous thing. And at the core of all

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<v Speaker 2>of it is this sort of burbling thing where people

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<v Speaker 2>say the Holocaust didn't happen. And I've always felt like

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<v Speaker 2>it's not obvious to me how that can exist. Intellectually, sure,

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<v Speaker 2>like it's one thing to be prejudiced, it's another thing

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<v Speaker 2>to say this obvious thing and history of which we

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<v Speaker 2>have all this proof, I choose to.

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<v Speaker 3>Contend that it didn't happen.

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<v Speaker 2>And so I was interested in where that came from,

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<v Speaker 2>and particularly where it came from in the first instance,

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<v Speaker 2>like how early on did people start denying it?

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<v Speaker 3>And what I.

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<v Speaker 2>Found, to my surprise, is that Holocaust denile really came

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<v Speaker 2>from the United States. It didn't come from Germany, and

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<v Speaker 2>it happened really early on. It happened in the forties.

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<v Speaker 1>Wow, which is.

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<v Speaker 2>Nuts, because there's all these American Gish and refugees from Europe,

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<v Speaker 2>including refugees from Germany coming here, who are eyewitnesses, who

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<v Speaker 2>are survivors who had family members killed or who were

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<v Speaker 2>liberating the concentration camps. I mean, so all this irrefutable evidence,

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<v Speaker 2>and yet this thing emerges in the late forties in

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<v Speaker 2>the United States and then starts pinging around the world.

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<v Speaker 2>Where we're going to say that didn't happen? So interested

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<v Speaker 2>in where the hell did that come from and why

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<v Speaker 2>and who were the characters who dreven this up knowing

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<v Speaker 2>that it was false but concocting it for a political reason.

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<v Speaker 2>And in trying to figure that out, which is a

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<v Speaker 2>story I'm still going to tell, but I haven't gotten

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<v Speaker 2>there yet, I realized that actually those folks came out

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<v Speaker 2>of this milia during World War two in the United

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<v Speaker 2>States that we've forgotten about, and they all went on

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<v Speaker 2>trial and oh my god, the judge died in the

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<v Speaker 2>middle of the trial and they were all set free,

0:12:46.559 --> 0:12:48.880
<v Speaker 2>and then what happened to them is so it ended

0:12:48.920 --> 0:12:52.560
<v Speaker 2>up being kind of the prequel to the story that

0:12:52.600 --> 0:12:54.880
<v Speaker 2>I wanted to tell, but I realized there was enough

0:12:54.920 --> 0:12:56.319
<v Speaker 2>there that I should probably tell it.

0:12:57.080 --> 0:13:00.319
<v Speaker 1>That's that is fascinating. I feel like that's of how

0:13:00.320 --> 0:13:02.240
<v Speaker 1>some of the best stories do come about.

0:13:02.800 --> 0:13:05.599
<v Speaker 2>Can I ask you a Snafu question about that, Liz? Yeah,

0:13:05.640 --> 0:13:09.160
<v Speaker 2>I thought the thing that I most admired about the

0:13:09.160 --> 0:13:12.679
<v Speaker 2>storytelling in Snaffhu was your sort of fearlessness about casting

0:13:12.720 --> 0:13:15.480
<v Speaker 2>doubt on the story. So obviously there's I mean, for

0:13:15.480 --> 0:13:17.679
<v Speaker 2>everybody's listened to it, like, there's lots of twists and

0:13:17.760 --> 0:13:21.640
<v Speaker 2>lots of you know, backing up and reconsidering stuff that's

0:13:21.679 --> 0:13:25.200
<v Speaker 2>earlier been presented. And I wondered, when you constructed the

0:13:25.200 --> 0:13:28.080
<v Speaker 2>story and when you decided to do it, did you

0:13:28.360 --> 0:13:35.960
<v Speaker 2>know about the doubt and uncertainty and sort of woliness

0:13:36.120 --> 0:13:39.200
<v Speaker 2>of the bottom line of that story when you started,

0:13:39.280 --> 0:13:41.800
<v Speaker 2>or did you think it was a more certain story

0:13:41.800 --> 0:13:44.680
<v Speaker 2>when you started and you only got to that you know,

0:13:44.760 --> 0:13:47.840
<v Speaker 2>more mature, complex bottom line once you were into it

0:13:48.080 --> 0:13:49.000
<v Speaker 2>in the middle of the research.

0:13:49.600 --> 0:13:52.840
<v Speaker 1>Yeah, it was the latter. Like everything you read about

0:13:52.840 --> 0:13:56.840
<v Speaker 1>Able Archer in the sort of to the extent that

0:13:56.880 --> 0:13:59.560
<v Speaker 1>it's in the zeitgeist, just little blips and blurbs. It

0:13:59.600 --> 0:14:04.040
<v Speaker 1>sounds like a very cut and dry thing, but like anything,

0:14:04.120 --> 0:14:07.160
<v Speaker 1>the more you dig, the more nuanced it becomes. And

0:14:07.200 --> 0:14:12.680
<v Speaker 1>then it became for us as storytellers just feeling a

0:14:12.880 --> 0:14:19.320
<v Speaker 1>kind of responsibility to reflect that nuance and the complexity.

0:14:19.480 --> 0:14:23.800
<v Speaker 1>You know, even some even historians, have some different perspectives

0:14:23.800 --> 0:14:26.920
<v Speaker 1>on it that are very meaningful. I don't know. We

0:14:27.000 --> 0:14:29.320
<v Speaker 1>really wanted to lean into the integrity of it, and

0:14:29.360 --> 0:14:31.480
<v Speaker 1>that made it a little bit messier of a story,

0:14:32.440 --> 0:14:36.280
<v Speaker 1>but ultimately the messiness kind of gave rise to some

0:14:36.320 --> 0:14:40.840
<v Speaker 1>really exciting questions and kind of pontifications, and that's really

0:14:40.880 --> 0:14:43.600
<v Speaker 1>where we wound up, kind of putting the focus in

0:14:43.680 --> 0:14:44.800
<v Speaker 1>that last episode.

0:14:45.720 --> 0:14:48.560
<v Speaker 2>Well, it makes it more profound and more real. It

0:14:48.600 --> 0:14:51.240
<v Speaker 2>also makes it more of a contribution to the history

0:14:51.360 --> 0:14:53.800
<v Speaker 2>of it. Right to have all the interviews that you

0:14:53.880 --> 0:14:57.960
<v Speaker 2>do and to have an honest reflection of the real

0:14:58.800 --> 0:15:02.080
<v Speaker 2>you know, the legitimate contention with the various facts and

0:15:02.120 --> 0:15:05.560
<v Speaker 2>the various perspectives on it. It's a it's a real

0:15:05.680 --> 0:15:08.680
<v Speaker 2>work of history with all the jokes included. But also

0:15:09.200 --> 0:15:11.200
<v Speaker 2>it does get you to a more profound place in

0:15:11.280 --> 0:15:17.440
<v Speaker 2>terms of getting I think, encouraging critical thinking about seemingly cut.

0:15:17.280 --> 0:15:19.119
<v Speaker 3>And dry episodes.

0:15:19.200 --> 0:15:22.840
<v Speaker 2>I just thought that was really, like I said, mature

0:15:22.920 --> 0:15:24.200
<v Speaker 2>and complex and cool.

0:15:25.720 --> 0:15:26.000
<v Speaker 1>Go on.

0:15:28.800 --> 0:15:31.520
<v Speaker 3>Also, you guys, you're just so handsome, and it was.

0:15:32.240 --> 0:15:37.160
<v Speaker 1>No, that's I'm literally like getting chills. That means so

0:15:37.320 --> 0:15:40.200
<v Speaker 1>much to hear from you, Rachel. I really really appreciate that.

0:15:41.240 --> 0:15:44.520
<v Speaker 1>And yeah, we really put a ton of work into it,

0:15:44.560 --> 0:15:46.240
<v Speaker 1>and so that means a lot.

0:15:50.120 --> 0:15:51.640
<v Speaker 2>I think you had it harder than I did, because

0:15:51.640 --> 0:15:54.760
<v Speaker 2>in my case, the Great Sedition Trial of nineteen forty

0:15:54.760 --> 0:15:58.720
<v Speaker 2>four is forgotten. The only histories of it have been

0:15:58.720 --> 0:16:01.640
<v Speaker 2>written by people who simple thized with the fascist defendants,

0:16:02.120 --> 0:16:04.440
<v Speaker 2>and so all the histories of it have all been

0:16:04.520 --> 0:16:07.400
<v Speaker 2>about how they were railroaded, and it was terrible that

0:16:07.440 --> 0:16:09.960
<v Speaker 2>these people were put on trial, and how ridiculous this

0:16:10.040 --> 0:16:13.280
<v Speaker 2>contention that the Nazis were working with any Americans? Do

0:16:13.360 --> 0:16:16.400
<v Speaker 2>you believe how prejudiced the Department of Justice is against

0:16:16.600 --> 0:16:20.400
<v Speaker 2>good American conservatives? And so all the history, all the

0:16:20.440 --> 0:16:25.080
<v Speaker 2>history of it was really biased and all in the

0:16:25.120 --> 0:16:28.560
<v Speaker 2>same direction. And nobody had ever revisited that history looking

0:16:28.560 --> 0:16:31.440
<v Speaker 2>at it from a more balanced perspective, And so I

0:16:31.560 --> 0:16:35.400
<v Speaker 2>didn't have to I didn't have to contend with sort

0:16:35.400 --> 0:16:40.840
<v Speaker 2>of you know, great nuanced, honest broker perspectives on both sides.

0:16:40.960 --> 0:16:43.960
<v Speaker 3>There was just a bunch of clap trap about it.

0:16:43.840 --> 0:16:47.440
<v Speaker 2>And nobody had ever done a broader, less I think,

0:16:47.480 --> 0:16:50.160
<v Speaker 2>in my from my perspective, less biased look at the evidence.

0:16:51.320 --> 0:16:54.480
<v Speaker 1>Wasn't I thought Roggy wrote a book. But were you

0:16:54.560 --> 0:16:56.880
<v Speaker 1>able to dig that up? Is that is that findable?

0:16:57.680 --> 0:16:58.080
<v Speaker 2>Ish?

0:16:58.320 --> 0:16:58.560
<v Speaker 1>Yeah?

0:16:58.640 --> 0:17:00.360
<v Speaker 2>I mean, if you want to get a copy of it,

0:17:00.400 --> 0:17:02.120
<v Speaker 2>I can maybe give you a deal. I think I

0:17:02.200 --> 0:17:04.920
<v Speaker 2>own all the copies of it. It never had like

0:17:04.960 --> 0:17:07.400
<v Speaker 2>a second printing. It never went anywhere.

0:17:07.320 --> 0:17:09.840
<v Speaker 1>So sorry to tell us who Roggy is, because I

0:17:09.880 --> 0:17:11.320
<v Speaker 1>just brought him up out of the blue.

0:17:11.600 --> 0:17:15.760
<v Speaker 2>So Roggy is O John Roggy, who is a German American.

0:17:15.800 --> 0:17:18.280
<v Speaker 2>Interestingly enough, he grows up in the United States, son

0:17:18.320 --> 0:17:20.840
<v Speaker 2>of German immigrants, speaking German at home, and he's this

0:17:20.960 --> 0:17:27.359
<v Speaker 2>wonderkin's lawyer and prosecutor and Justice Department official, and he

0:17:27.600 --> 0:17:30.920
<v Speaker 2>ends up being the crusading prosecutor who tries to bring

0:17:30.960 --> 0:17:34.120
<v Speaker 2>the sedition trial home, who tries to finish it, who

0:17:34.160 --> 0:17:38.800
<v Speaker 2>fights against the mistrial. And the great twist in my

0:17:38.920 --> 0:17:43.600
<v Speaker 2>story in Ultra is when as the trial's falling apart,

0:17:44.080 --> 0:17:48.960
<v Speaker 2>Raggy gets leave to go to Germany and he gets

0:17:49.000 --> 0:17:53.800
<v Speaker 2>to try to prove his contention that these weren't just

0:17:54.400 --> 0:17:58.080
<v Speaker 2>conservative Americans who had their own anti Semitic fascist ideas

0:17:58.160 --> 0:18:01.080
<v Speaker 2>that were actually working with the Nazi government. They're being

0:18:01.080 --> 0:18:03.439
<v Speaker 2>paid by the Germans in many instances. He gets to

0:18:03.480 --> 0:18:05.679
<v Speaker 2>prove that from the German side, and he interviews all

0:18:05.680 --> 0:18:09.919
<v Speaker 2>these Nazi prisoners and they in fact give him all

0:18:09.960 --> 0:18:11.959
<v Speaker 2>the dirt on all the Americans they were working with,

0:18:12.000 --> 0:18:14.280
<v Speaker 2>and so he's able to prove the collusion, if you will,

0:18:14.359 --> 0:18:18.120
<v Speaker 2>from the other side, and by the time he brings

0:18:18.240 --> 0:18:22.480
<v Speaker 2>those findings home to the United States, we have won

0:18:22.520 --> 0:18:26.240
<v Speaker 2>the war. Everybody wants to move on. Roggy has become

0:18:26.920 --> 0:18:30.800
<v Speaker 2>a political figure in a way that he is very

0:18:30.840 --> 0:18:33.760
<v Speaker 2>much demonized by one side and then ultimately by the

0:18:33.840 --> 0:18:37.520
<v Speaker 2>other side, and nobody really wants to hear it. And

0:18:37.600 --> 0:18:41.119
<v Speaker 2>so he does create this really valuable historical record. But

0:18:41.119 --> 0:18:43.520
<v Speaker 2>by the time it lands he finally gets it published,

0:18:43.520 --> 0:18:45.199
<v Speaker 2>he has to fight with the Justice Tournament to get

0:18:45.240 --> 0:18:47.479
<v Speaker 2>it declassified and all this stuff. By the time it

0:18:47.560 --> 0:18:52.159
<v Speaker 2>finally lands in the public record, it's nineteen sixty one,

0:18:52.280 --> 0:18:54.640
<v Speaker 2>and this is ancient history, and nobody buys the book,

0:18:54.680 --> 0:18:59.240
<v Speaker 2>and nobody reviews it, and nobody stocks it in their archives,

0:18:59.000 --> 0:19:04.040
<v Speaker 2>and it just disappears until you know, all these decades later,

0:19:04.600 --> 0:19:07.040
<v Speaker 2>that story ends up being of interest to me because

0:19:07.080 --> 0:19:11.720
<v Speaker 2>of its resonance with our current situation and it's and

0:19:11.800 --> 0:19:14.280
<v Speaker 2>thank god he did it, because the records there, even

0:19:14.280 --> 0:19:16.199
<v Speaker 2>though nobody cared about it in his lifetime and he

0:19:16.240 --> 0:19:17.119
<v Speaker 2>died in obscurity.

0:19:17.880 --> 0:19:22.479
<v Speaker 1>It just raises so many fascinating questions and issues. Okay,

0:19:22.480 --> 0:19:27.000
<v Speaker 1>so anti semitism or racism in all its forms, these

0:19:27.040 --> 0:19:32.920
<v Speaker 1>are things that most people agree are bad, right, bad

0:19:32.960 --> 0:19:38.040
<v Speaker 1>and gone. Yeah, you're right. Yeah. They also seem embedded

0:19:38.240 --> 0:19:42.680
<v Speaker 1>in most modern emergencies of fascism.

0:19:42.920 --> 0:19:43.360
<v Speaker 3>Yeah.

0:19:43.400 --> 0:19:47.800
<v Speaker 1>I know, throughout history, totalitarianism pops up in many different

0:19:47.840 --> 0:19:53.520
<v Speaker 1>forms all over the political spectrum, but fascism, and I

0:19:54.080 --> 0:19:57.600
<v Speaker 1>ask this not as any kind of indictment of conservatism,

0:19:57.720 --> 0:20:01.560
<v Speaker 1>but fascism in particular, seems to bubble up from the right.

0:20:01.760 --> 0:20:03.000
<v Speaker 1>Why do you think that is.

0:20:03.920 --> 0:20:06.720
<v Speaker 2>Well, I mean, I do think that there's you know,

0:20:06.760 --> 0:20:10.320
<v Speaker 2>there's different types of authoritarianism, right, and there's definitely you know,

0:20:10.520 --> 0:20:16.439
<v Speaker 2>left wing authoritarianism as well, and the when you're talking

0:20:16.480 --> 0:20:22.840
<v Speaker 2>about you know, tyrannical forms of government, right wing authoritarianism, which.

0:20:22.840 --> 0:20:24.360
<v Speaker 3>In some instances is fascism.

0:20:24.440 --> 0:20:28.119
<v Speaker 2>Not always, but sometimes this is fascism ends up having

0:20:28.160 --> 0:20:32.520
<v Speaker 2>a recurrent appeal in our country and in other Western democracies.

0:20:34.200 --> 0:20:37.439
<v Speaker 2>I think because people don't like democracy. I mean, the

0:20:37.440 --> 0:20:41.360
<v Speaker 2>basic idea of democracy is that everybody gets a say.

0:20:41.640 --> 0:20:45.720
<v Speaker 2>And if you think that you and people like you

0:20:45.760 --> 0:20:48.560
<v Speaker 2>should get a say but other people shouldn't, that's a

0:20:49.000 --> 0:20:51.840
<v Speaker 2>that's an instinct that people have. And there can be

0:20:51.920 --> 0:20:54.400
<v Speaker 2>left wing authoritarianism, which is a different drive and comes

0:20:54.440 --> 0:20:58.040
<v Speaker 2>from a different place and leads to murder, leads to

0:20:58.160 --> 0:21:00.720
<v Speaker 2>mass murder in general as well.

0:21:00.560 --> 0:21:01.280
<v Speaker 3>Just as much mayhem.

0:21:01.560 --> 0:21:04.320
<v Speaker 2>But on the right, the way it works is me

0:21:04.440 --> 0:21:06.800
<v Speaker 2>and my people were the only people who should count

0:21:06.880 --> 0:21:10.720
<v Speaker 2>as citizens. The other people who are technically you're telling

0:21:10.720 --> 0:21:13.119
<v Speaker 2>me how to be part of this democracy are lesser

0:21:13.160 --> 0:21:16.560
<v Speaker 2>than or evil or their interlopers, and we not only

0:21:16.600 --> 0:21:18.679
<v Speaker 2>need to exclude them from the decision making process, but

0:21:18.720 --> 0:21:20.199
<v Speaker 2>we need to blame them for all the things that

0:21:20.240 --> 0:21:23.440
<v Speaker 2>are going wrong here, and we need to exclude them

0:21:23.560 --> 0:21:26.280
<v Speaker 2>from the decision making process and punish them for all

0:21:26.320 --> 0:21:27.320
<v Speaker 2>the terrible things they've done.

0:21:27.320 --> 0:21:29.600
<v Speaker 3>Because if it was just us in charge, everything would

0:21:29.600 --> 0:21:30.160
<v Speaker 3>be fine.

0:21:30.480 --> 0:21:35.800
<v Speaker 2>And that's the basic idea, and that's why authoritarianism on

0:21:35.840 --> 0:21:38.040
<v Speaker 2>the right almost always.

0:21:37.640 --> 0:21:39.480
<v Speaker 3>Comes with antisemitism.

0:21:40.000 --> 0:21:41.760
<v Speaker 2>It's either going to be anti semitism or it's going

0:21:41.800 --> 0:21:44.960
<v Speaker 2>to be some other thing that looks like anti semitism

0:21:45.040 --> 0:21:47.920
<v Speaker 2>that is directed towards some other minority, because you need

0:21:47.960 --> 0:21:50.560
<v Speaker 2>some out group to define as the source of all

0:21:50.600 --> 0:21:53.800
<v Speaker 2>the problems, because you, the in group, are perfect, and

0:21:53.840 --> 0:21:56.960
<v Speaker 2>if you were just given full control, everything would be fine.

0:21:57.400 --> 0:22:01.400
<v Speaker 2>And it's just it's dumb, and it's simple and it's

0:22:01.520 --> 0:22:03.160
<v Speaker 2>recurrent and.

0:22:03.359 --> 0:22:08.239
<v Speaker 1>Well, humans, we're dumb. Us are dumb, we do dumb things.

0:22:08.320 --> 0:22:11.320
<v Speaker 2>And we don't remember what the old dumb things were.

0:22:11.400 --> 0:22:13.239
<v Speaker 2>So the new dumb things come around and we're like,

0:22:13.320 --> 0:22:16.400
<v Speaker 2>whoa wait, you're telling me it's the Jews.

0:22:16.560 --> 0:22:20.880
<v Speaker 1>You know. Shocker, there's that great Hegel quote. The only

0:22:20.920 --> 0:22:23.280
<v Speaker 1>thing we've learned from history is that we learn nothing

0:22:23.280 --> 0:22:26.760
<v Speaker 1>from history. And I wonder if you have any thoughts

0:22:26.800 --> 0:22:29.760
<v Speaker 1>on how we can do better. It feels like in

0:22:29.800 --> 0:22:33.200
<v Speaker 1>with modern technology, we should be able to be better

0:22:33.280 --> 0:22:36.840
<v Speaker 1>at learning from from history, but maybe we're just not

0:22:37.040 --> 0:22:39.199
<v Speaker 1>wired for it in our DNA.

0:22:39.640 --> 0:22:44.280
<v Speaker 2>I think that you know, fart jokes helps, like you know,

0:22:44.359 --> 0:22:46.720
<v Speaker 2>like when you know you did that whole riff on,

0:22:46.880 --> 0:22:49.399
<v Speaker 2>like the Valentines, Like I have so many treasons that

0:22:49.480 --> 0:22:53.399
<v Speaker 2>I love you, like Valentine's for Spies huh, and the

0:22:53.800 --> 0:22:56.840
<v Speaker 2>well fake game show that you inserted into, like like

0:22:56.880 --> 0:23:03.520
<v Speaker 2>the it's storytelling skill and up being the entertainment quotient

0:23:03.800 --> 0:23:06.639
<v Speaker 2>in direct ratio with the complexity of the story that

0:23:06.680 --> 0:23:09.480
<v Speaker 2>you're telling. That helps, Like, I don't know that that's

0:23:09.520 --> 0:23:13.880
<v Speaker 2>technological innovation, but it's it's an evolution of our sort

0:23:13.880 --> 0:23:20.679
<v Speaker 2>of ambition to make these stories understandable, memorable, repeatable, you know,

0:23:20.720 --> 0:23:23.359
<v Speaker 2>both on TV and in this kind of podcast and

0:23:23.400 --> 0:23:26.440
<v Speaker 2>book world that I'm into. I try to tell stories

0:23:26.480 --> 0:23:30.080
<v Speaker 2>in such a way that they stick. And so even

0:23:30.119 --> 0:23:33.359
<v Speaker 2>if you can't persuade somebody else to listen to Ultra,

0:23:33.640 --> 0:23:35.840
<v Speaker 2>or you can't persuade somebody else to read my book

0:23:35.840 --> 0:23:39.040
<v Speaker 2>about Spiro Agnew, if you listen to the podcast or

0:23:39.080 --> 0:23:41.639
<v Speaker 2>if you read that book, you will have absorbed the

0:23:41.640 --> 0:23:43.399
<v Speaker 2>story well in us that you can give somebody the

0:23:43.440 --> 0:23:46.560
<v Speaker 2>gist of it and pass on. And that's what you're

0:23:46.560 --> 0:23:50.600
<v Speaker 2>doing in SNAFU. That's the whole idea of doing real

0:23:50.720 --> 0:23:55.879
<v Speaker 2>history that's rigorous and honest and intellectually engaged with the

0:23:55.880 --> 0:24:00.280
<v Speaker 2>ambiguities and all those things. But it's also fun and

0:24:00.400 --> 0:24:03.280
<v Speaker 2>is also not homework. It's just it's something that's a pleasure.

0:24:04.200 --> 0:24:07.080
<v Speaker 2>And I think that's you know, if you've got those skills,

0:24:07.119 --> 0:24:10.360
<v Speaker 2>that's a that's a mitzvah, that's a service to humanity

0:24:10.400 --> 0:24:11.720
<v Speaker 2>into our country to use them that way.

0:24:12.480 --> 0:24:15.480
<v Speaker 1>Yeah, you got to give give people some some candy

0:24:15.520 --> 0:24:18.399
<v Speaker 1>with the vegetables, right, you gotta.

0:24:18.160 --> 0:24:20.680
<v Speaker 2>Do you got to do your Nancy astrologer stuff. It

0:24:21.320 --> 0:24:22.440
<v Speaker 2>turns out to be important.

0:24:22.720 --> 0:24:27.240
<v Speaker 1>It is. It's crazy how important astrology was in the

0:24:27.280 --> 0:24:30.840
<v Speaker 1>Reagan administration. It's crazy. It's absolutely crazy.

0:24:31.359 --> 0:24:33.560
<v Speaker 2>Growing up in the eighties in San Francisco, I have

0:24:33.640 --> 0:24:36.919
<v Speaker 2>to tell you the fact that Nancy's astrologer was in

0:24:36.960 --> 0:24:40.439
<v Speaker 2>San Francisco, I remember being like kind of proud.

0:24:41.560 --> 0:24:42.919
<v Speaker 1>Yeah, oh that's funny.

0:24:43.000 --> 0:24:46.679
<v Speaker 2>This idea, like the rasputant pulling the strings in the

0:24:46.680 --> 0:24:49.240
<v Speaker 2>Reagan white House might be this lady in knob Hill.

0:24:49.640 --> 0:24:52.399
<v Speaker 3>It's actually like a source of regional pride for me.

0:24:53.000 --> 0:24:55.960
<v Speaker 1>Oh that's great. I think the thing that I feel

0:24:56.000 --> 0:24:59.560
<v Speaker 1>like is missing is And maybe this is a maybe, Rachel,

0:24:59.560 --> 0:25:01.600
<v Speaker 1>maybe this is a book pitch for us. Maybe we

0:25:01.720 --> 0:25:04.959
<v Speaker 1>do a book together, and it's basically like the lessons

0:25:05.040 --> 0:25:08.080
<v Speaker 1>of history. These are the lessons, and then here are

0:25:08.080 --> 0:25:10.760
<v Speaker 1>the events that teach us those lessons. So you can

0:25:10.800 --> 0:25:12.719
<v Speaker 1>no longer say like, well, I don't know how to

0:25:12.760 --> 0:25:14.800
<v Speaker 1>interpret that, or I don't know what to learn from that,

0:25:14.920 --> 0:25:18.680
<v Speaker 1>Like we need a compendium of the lessons.

0:25:18.440 --> 0:25:21.440
<v Speaker 2>Lesson seventeen, Stop blaming the juice.

0:25:21.680 --> 0:25:25.520
<v Speaker 1>Yeah, okay, here's what that's one, right, Here's why this

0:25:25.560 --> 0:25:28.920
<v Speaker 1>is a book. We need to write have a phone.

0:25:28.880 --> 0:25:31.560
<v Speaker 2>That connects between Washington and Moscow.

0:25:31.840 --> 0:25:34.359
<v Speaker 1>That you have that phone, Yeah, and you and use

0:25:34.400 --> 0:25:35.080
<v Speaker 1>it occasionally.

0:25:36.040 --> 0:25:37.280
<v Speaker 3>But I think that.

0:25:39.640 --> 0:25:42.240
<v Speaker 2>It's interesting to me that there really is a lot

0:25:42.280 --> 0:25:47.000
<v Speaker 2>of interest in documentary and history stuff. That's a surprise

0:25:47.040 --> 0:25:50.640
<v Speaker 2>to me, Like seeing like how popular documentaries are on Netflix.

0:25:50.680 --> 0:25:55.280
<v Speaker 2>When Netflix offers you in with literally equal effort, like

0:25:55.280 --> 0:25:57.360
<v Speaker 2>clicking on one side of the screen versus the other,

0:25:57.760 --> 0:26:00.760
<v Speaker 2>you can watch anything. So many people opt for documentaries.

0:26:00.880 --> 0:26:07.920
<v Speaker 2>There there's something there isn't There's a rational and constructive

0:26:08.080 --> 0:26:11.720
<v Speaker 2>human hunger to learn stuff. And that's that to me

0:26:11.880 --> 0:26:14.200
<v Speaker 2>is very heartening. You know, I feel like that's room

0:26:14.200 --> 0:26:14.560
<v Speaker 2>to run.

0:26:14.760 --> 0:26:17.159
<v Speaker 1>I agree. I agree with that, and I actually I

0:26:17.160 --> 0:26:20.320
<v Speaker 1>think the success of your podcast to me was very

0:26:20.359 --> 0:26:25.359
<v Speaker 1>reassuring just the you know, I think the lessons baked

0:26:25.400 --> 0:26:28.800
<v Speaker 1>into your podcast are so important and meaningful and prescient,

0:26:29.440 --> 0:26:31.919
<v Speaker 1>and I loved I was just so thrilled that that

0:26:32.880 --> 0:26:35.600
<v Speaker 1>so many people were we're getting.

0:26:35.400 --> 0:26:35.920
<v Speaker 3>Thank you.

0:26:40.080 --> 0:26:44.240
<v Speaker 1>Both of these stories able archer or or Snaffo, i

0:26:44.240 --> 0:26:50.239
<v Speaker 1>should say, and ultra our podcasts. And you have an

0:26:50.240 --> 0:26:57.040
<v Speaker 1>incredible career as a broadcaster, legendary broadcaster for many many years.

0:26:57.640 --> 0:27:02.119
<v Speaker 1>How how is this kind of segue back into audio gone,

0:27:02.119 --> 0:27:04.920
<v Speaker 1>And how did it affect how you consider telling this story.

0:27:05.640 --> 0:27:08.760
<v Speaker 2>It's a good question because definitely sort of falling in

0:27:08.760 --> 0:27:11.959
<v Speaker 2>love with the story and doing the research and realizing

0:27:12.240 --> 0:27:14.560
<v Speaker 2>like kind of where it was going and what the

0:27:14.560 --> 0:27:16.280
<v Speaker 2>bottom line of it was going to be and everything,

0:27:16.320 --> 0:27:18.600
<v Speaker 2>it was definitely an open question as to how to

0:27:18.720 --> 0:27:21.600
<v Speaker 2>produce it, like make I could. I know that I

0:27:21.600 --> 0:27:23.200
<v Speaker 2>could write a book about it, because I'm almost done

0:27:23.200 --> 0:27:25.320
<v Speaker 2>with the book about it now, or I could try

0:27:25.359 --> 0:27:27.720
<v Speaker 2>to produce it for TV, or try to make it

0:27:27.760 --> 0:27:30.520
<v Speaker 2>into a movie or do some other thing. And ultimately

0:27:30.600 --> 0:27:35.200
<v Speaker 2>I decided to do it as a podcast because I'm

0:27:35.280 --> 0:27:37.520
<v Speaker 2>kind of just in love with audio. I think that

0:27:38.040 --> 0:27:42.440
<v Speaker 2>my background in radio was I don't know if that

0:27:42.840 --> 0:27:45.240
<v Speaker 2>if it stamped a love for audio on me, or

0:27:45.280 --> 0:27:47.640
<v Speaker 2>if I was just wired that way anyway. But when

0:27:47.680 --> 0:27:49.879
<v Speaker 2>I even when I when I do TV shows and

0:27:49.880 --> 0:27:52.720
<v Speaker 2>stuff like, I don't really think about what stuff looks like.

0:27:54.160 --> 0:27:56.639
<v Speaker 2>I think of the visual presentation of whatever's going on.

0:27:56.680 --> 0:27:59.400
<v Speaker 2>It's just kind of decoration for the words. And when

0:27:59.400 --> 0:28:04.000
<v Speaker 2>you do audio, there's this I don't know, level of.

0:28:05.320 --> 0:28:06.440
<v Speaker 3>I don't want to say, like.

0:28:08.040 --> 0:28:09.720
<v Speaker 2>I don't want to be too sappy about it, but

0:28:09.760 --> 0:28:11.800
<v Speaker 2>there's a sort of level of intensity, like you're kind

0:28:11.800 --> 0:28:14.720
<v Speaker 2>of speaking into somebody's ear rather than sitting in front

0:28:14.720 --> 0:28:17.920
<v Speaker 2>of them talking, and it's it's it's can be intense,

0:28:17.960 --> 0:28:20.159
<v Speaker 2>and it's also unforgiving. I think you have to be

0:28:20.600 --> 0:28:24.200
<v Speaker 2>more precise in an audio environment and than you do

0:28:24.359 --> 0:28:27.439
<v Speaker 2>when you have the help of visuals to distract people.

0:28:28.200 --> 0:28:30.840
<v Speaker 2>So I find it to be more challenging and more rewarding.

0:28:30.880 --> 0:28:33.040
<v Speaker 2>It's also kind of more more the way that I

0:28:33.119 --> 0:28:36.119
<v Speaker 2>like to absorb information. I don't like to watch stuff

0:28:36.119 --> 0:28:37.480
<v Speaker 2>as much as I like to listen to it.

0:28:38.040 --> 0:28:43.120
<v Speaker 1>That's interesting, I'm I feel similarly, I found myself just

0:28:43.400 --> 0:28:47.320
<v Speaker 1>devouring podcasts and audio books in a way that I

0:28:47.600 --> 0:28:51.200
<v Speaker 1>never really consumed television. I mean I watched TV, of course,

0:28:51.240 --> 0:28:53.880
<v Speaker 1>but I never I was never like a, you know,

0:28:54.240 --> 0:28:57.640
<v Speaker 1>addicted to shows or anything. And I but then podcasts

0:28:57.640 --> 0:29:00.520
<v Speaker 1>would just suck me in and I realized, like, this

0:29:00.960 --> 0:29:05.840
<v Speaker 1>is this incredibly powerful vehicle, and and the way that

0:29:06.280 --> 0:29:11.440
<v Speaker 1>we work with a microphone it's incredibly intimate, and I

0:29:12.200 --> 0:29:12.640
<v Speaker 1>love that.

0:29:12.720 --> 0:29:18.840
<v Speaker 2>I think it's like, oh god, I'm pregnant, I'm very powerful.

0:29:18.960 --> 0:29:23.280
<v Speaker 1>My voice is very powerful. No, But I feel when

0:29:23.320 --> 0:29:26.440
<v Speaker 1>I watch a documentary, especially something historical, a lot of

0:29:26.440 --> 0:29:31.480
<v Speaker 1>times you can feel the sweatiness of the visuals there.

0:29:31.720 --> 0:29:34.600
<v Speaker 1>They clearly had to dig for something to put here,

0:29:34.800 --> 0:29:38.920
<v Speaker 1>Like okay, we're panning over photographs. Here, we're you know,

0:29:39.120 --> 0:29:43.440
<v Speaker 1>we've got some weird visual metaphor happening, or we're looking

0:29:43.440 --> 0:29:48.240
<v Speaker 1>at uh, like reenactment footage. Sometimes it just feels like, okay,

0:29:48.800 --> 0:29:50.840
<v Speaker 1>we get it, Like you had to put something there

0:29:50.840 --> 0:29:54.080
<v Speaker 1>and you didn't have something. But with audio, there's you

0:29:54.080 --> 0:29:57.640
<v Speaker 1>don't there's no cheating, you just it's all. It's all there.

0:29:57.720 --> 0:30:00.920
<v Speaker 2>It's all speaking right into the person ear, which is

0:30:00.960 --> 0:30:03.120
<v Speaker 2>inside their head, which is right next to their brain.

0:30:03.360 --> 0:30:04.200
<v Speaker 1>It's like a laser.

0:30:04.480 --> 0:30:07.680
<v Speaker 2>And I found that in an interesting way when we

0:30:07.720 --> 0:30:12.160
<v Speaker 2>put out the first couple episodes of Ultra, we didn't

0:30:12.400 --> 0:30:13.960
<v Speaker 2>make up any of the sound. All the sound that

0:30:13.960 --> 0:30:16.440
<v Speaker 2>we used was was real tape. But a lot of

0:30:16.520 --> 0:30:20.920
<v Speaker 2>people thought that we had faked the news broadcasts, that

0:30:21.040 --> 0:30:23.040
<v Speaker 2>we had found actors who were going to speak in

0:30:23.080 --> 0:30:24.680
<v Speaker 2>weird old trans Atlantic accent.

0:30:24.800 --> 0:30:28.160
<v Speaker 1>It is hard to believe that broadcasters spoke in this

0:30:28.280 --> 0:30:33.240
<v Speaker 1>heightened tone like that. Yeah, it's it's kind of wild,

0:30:33.280 --> 0:30:34.000
<v Speaker 1>but they really.

0:30:33.800 --> 0:30:37.120
<v Speaker 2>Told ourselves that old timey news was all very objective

0:30:37.160 --> 0:30:39.880
<v Speaker 2>and stayed and there wasn't any opinion or emotion in it. Yeah,

0:30:40.120 --> 0:30:42.800
<v Speaker 2>because they really did talk like this and then threw

0:30:42.840 --> 0:30:45.800
<v Speaker 2>all sorts of shade and their side and they were,

0:30:46.680 --> 0:30:47.040
<v Speaker 2>you know.

0:30:47.040 --> 0:30:49.400
<v Speaker 3>And lots of asides and lots of opinion, and that's

0:30:49.400 --> 0:30:50.120
<v Speaker 3>what it sounded like.

0:30:50.400 --> 0:30:54.200
<v Speaker 1>Well, so tell us what's happening next with Ultra because

0:30:54.200 --> 0:30:56.320
<v Speaker 1>there's a very exciting sort of next step.

0:30:57.400 --> 0:30:59.200
<v Speaker 3>Yeah, this is I kind of can't believe it.

0:30:59.240 --> 0:31:04.080
<v Speaker 2>But Steven Spielberg optioned Ultra to make a movie out

0:31:04.120 --> 0:31:07.840
<v Speaker 2>of it, and so he's this you know, he's an

0:31:07.920 --> 0:31:11.719
<v Speaker 2>up and comer, is the one that sort of one

0:31:11.760 --> 0:31:12.440
<v Speaker 2>to watch.

0:31:13.240 --> 0:31:16.320
<v Speaker 1>First of all, huge congratulations, and it's a no brainer.

0:31:16.560 --> 0:31:19.920
<v Speaker 1>This makes perfect sense. The story is so riveting.

0:31:20.400 --> 0:31:22.640
<v Speaker 3>I hope that that is true.

0:31:22.680 --> 0:31:25.080
<v Speaker 2>I mean what I am learning is as I am

0:31:25.120 --> 0:31:27.920
<v Speaker 2>sort of tiptoeing into this side of the world where

0:31:27.920 --> 0:31:30.200
<v Speaker 2>I have never been before, is that a movie is

0:31:30.240 --> 0:31:30.920
<v Speaker 2>going to be made?

0:31:31.600 --> 0:31:36.600
<v Speaker 1>Is you know, yeah, we're going to ruin it with visuals.

0:31:37.320 --> 0:31:39.480
<v Speaker 3>Well no, but like is a movie going to be made?

0:31:39.520 --> 0:31:43.479
<v Speaker 2>Like until someone is buying a ticket, receiving their change,

0:31:43.520 --> 0:31:46.360
<v Speaker 2>and walking into a dark room where a projector is running.

0:31:46.560 --> 0:31:48.960
<v Speaker 2>I don't believe the movie exists, you know what I mean, Like,

0:31:49.000 --> 0:31:52.320
<v Speaker 2>there's a lot that goes in between optioning a movie

0:31:52.320 --> 0:31:54.120
<v Speaker 2>and then it actually coming into the world, and.

0:31:54.040 --> 0:31:56.800
<v Speaker 3>So I believe that it's going to be a movie.

0:31:56.800 --> 0:31:59.280
<v Speaker 3>But we'll see. I know, I'm you know, I did this.

0:31:59.480 --> 0:32:02.360
<v Speaker 2>My previous podcast was called Bagman, was about Spiro Agnew

0:32:02.680 --> 0:32:05.400
<v Speaker 2>and that's also in the movie making process. That's going

0:32:05.480 --> 0:32:08.280
<v Speaker 2>to be a focus features film. But it just takes

0:32:08.320 --> 0:32:10.680
<v Speaker 2>a long time, and there's all sorts of things that happen.

0:32:10.760 --> 0:32:13.600
<v Speaker 2>And I mean, I'm used to a daily production cable

0:32:13.640 --> 0:32:15.640
<v Speaker 2>news world, where you think of something in the morning

0:32:15.680 --> 0:32:17.640
<v Speaker 2>and it's on TV at night and then you have

0:32:17.680 --> 0:32:18.960
<v Speaker 2>to stop thinking about it because you got to do

0:32:19.000 --> 0:32:19.880
<v Speaker 2>something else the next day.

0:32:20.280 --> 0:32:24.240
<v Speaker 1>And that's how we make movies. Rachel No, I know,

0:32:24.040 --> 0:32:28.680
<v Speaker 1>I know, there's a whole rigamarole, and you're very wise

0:32:28.800 --> 0:32:33.000
<v Speaker 1>to kind of hold off on on the excitement of

0:32:33.120 --> 0:32:37.120
<v Speaker 1>having a movie until you're walking in the door. But

0:32:37.320 --> 0:32:41.600
<v Speaker 1>just having a movie optioned by someone like Spielberg is

0:32:41.760 --> 0:32:45.920
<v Speaker 1>so thrilling or focused features for the Agnews story. Those

0:32:45.920 --> 0:32:50.000
<v Speaker 1>are just such credible storytellers and you can sort of

0:32:50.040 --> 0:32:53.160
<v Speaker 1>feel confident that they'll be these stories will be handled

0:32:53.280 --> 0:32:55.480
<v Speaker 1>very well. I feel like this would be such a

0:32:55.480 --> 0:32:56.240
<v Speaker 1>cool movie.

0:32:56.520 --> 0:32:59.160
<v Speaker 2>Both of them feel like movies to me too, Like

0:32:59.200 --> 0:33:00.880
<v Speaker 2>I like, you know, I watch as much you know,

0:33:00.920 --> 0:33:04.040
<v Speaker 2>streaming television and miniseries and all that stuff as anybody else.

0:33:04.080 --> 0:33:06.120
<v Speaker 2>But I do feel like both of these stories like

0:33:06.680 --> 0:33:08.880
<v Speaker 2>seem like, you know, sit down for two hours and

0:33:08.920 --> 0:33:11.200
<v Speaker 2>watch a single arc in the movie theater like its

0:33:11.240 --> 0:33:14.280
<v Speaker 2>just and I would. I'd just love for it to

0:33:14.360 --> 0:33:15.400
<v Speaker 2>work in both cases.

0:33:15.440 --> 0:33:18.360
<v Speaker 1>So I think I should play Oh, John Rocky, Okay,

0:33:18.520 --> 0:33:20.440
<v Speaker 1>you think I should be Roggy in this movie?

0:33:20.520 --> 0:33:20.680
<v Speaker 2>Right?

0:33:20.720 --> 0:33:25.880
<v Speaker 1>I mean that just skills obvious, obvious obvious. Okay. So

0:33:27.880 --> 0:33:34.000
<v Speaker 1>both of our podcasts have a lot of present day

0:33:34.640 --> 0:33:43.080
<v Speaker 1>relevance and impressions, and yours, I think is is really

0:33:43.760 --> 0:33:47.880
<v Speaker 1>really intensely relevant to right now. So in what at

0:33:47.960 --> 0:33:52.240
<v Speaker 1>what stage in your process did the events of January

0:33:52.280 --> 0:33:57.480
<v Speaker 1>sixth happen? Was that? Were you already working on this podcast?

0:33:59.520 --> 0:34:04.000
<v Speaker 2>No, I wasn't working on the Sedition trial by that point.

0:34:04.160 --> 0:34:05.560
<v Speaker 3>What was weird is that the.

0:34:05.520 --> 0:34:07.520
<v Speaker 2>Resonance stuff like I felt like I got a little

0:34:07.560 --> 0:34:10.960
<v Speaker 2>kick in the teeth from the universe because when the

0:34:11.000 --> 0:34:16.000
<v Speaker 2>first episode of Ultra was posted, when we published was

0:34:16.239 --> 0:34:20.280
<v Speaker 2>the day that the Oathkeeper's sedition trial started, so.

0:34:20.239 --> 0:34:21.960
<v Speaker 3>That was that was weird.

0:34:23.080 --> 0:34:25.000
<v Speaker 2>And then it was eight episodes and by the time

0:34:25.000 --> 0:34:26.880
<v Speaker 2>we got to episode eight was when we were waiting

0:34:26.880 --> 0:34:30.400
<v Speaker 2>for the verdict. So it was really just that was uncanny.

0:34:30.520 --> 0:34:31.960
<v Speaker 2>I just felt like that was a that was a

0:34:31.960 --> 0:34:35.480
<v Speaker 2>little that was unsettling almost, But you know it also

0:34:35.960 --> 0:34:38.840
<v Speaker 2>I feel like you do in trying to pick the

0:34:38.960 --> 0:34:43.000
<v Speaker 2>right story to tell, you have to believe in the

0:34:43.000 --> 0:34:46.279
<v Speaker 2>story on its own terms, sort of regardless of the resonance. Like, yes,

0:34:46.320 --> 0:34:48.720
<v Speaker 2>there is going to be resonance, and there are lessons

0:34:48.760 --> 0:34:51.160
<v Speaker 2>to be learned and things to be gleaned from the

0:34:51.200 --> 0:34:54.719
<v Speaker 2>past that could help us in our current contention. But

0:34:55.200 --> 0:34:58.080
<v Speaker 2>I don't feel like you can you can't let that

0:34:58.200 --> 0:35:00.920
<v Speaker 2>drive you know, that has to a little bit of

0:35:00.920 --> 0:35:02.440
<v Speaker 2>that is just going to be stuff that you can't

0:35:02.520 --> 0:35:04.480
<v Speaker 2>see along the way, I was thinking about it with

0:35:04.840 --> 0:35:10.480
<v Speaker 2>Able Archer and Snafu with the before the Korean airliner

0:35:10.520 --> 0:35:14.160
<v Speaker 2>was shot down, you highlight how the Russians were essentially

0:35:14.200 --> 0:35:19.000
<v Speaker 2>paying were giving bounties to their own side for people

0:35:19.000 --> 0:35:22.520
<v Speaker 2>who were spotting radar incursions on the radar, and so

0:35:22.960 --> 0:35:26.520
<v Speaker 2>you were essentially saying, like, that's bad news in terms

0:35:26.560 --> 0:35:29.680
<v Speaker 2>of what eventually happens with the civilian airliner being shot

0:35:29.719 --> 0:35:34.799
<v Speaker 2>down after being misidentified as a military threat in Russian airspace. Well,

0:35:35.000 --> 0:35:37.959
<v Speaker 2>you know, just within the past week, Russia just gave

0:35:38.160 --> 0:35:41.800
<v Speaker 2>medals to the fighter pilots who dumped all that fuel

0:35:41.800 --> 0:35:44.239
<v Speaker 2>on the US Reaper drone over the Black Sea.

0:35:44.960 --> 0:35:46.200
<v Speaker 3>I mean, it's the same.

0:35:46.400 --> 0:35:48.279
<v Speaker 2>I mean, I'm sure you weren't thinking about that when

0:35:48.320 --> 0:35:51.680
<v Speaker 2>you didable Archer and suffer, But Russia is doing the

0:35:51.719 --> 0:35:59.080
<v Speaker 2>same thing in monetarily and with military awards, rewarding people

0:35:59.120 --> 0:36:03.399
<v Speaker 2>for doing incrediblyckless things that threaten conflict between the East

0:36:03.400 --> 0:36:03.719
<v Speaker 2>and West.

0:36:03.760 --> 0:36:06.719
<v Speaker 1>Sure. Well, one of the things that I think was

0:36:07.120 --> 0:36:11.440
<v Speaker 1>really profound in Ultra was what this idea that emerged

0:36:11.520 --> 0:36:16.160
<v Speaker 1>that there was no legal remedy for all of this

0:36:16.840 --> 0:36:21.560
<v Speaker 1>horrible behavior. The legal remedies failed, there was a mistrial,

0:36:21.920 --> 0:36:26.160
<v Speaker 1>and then the government basically just gave up on prosecuting

0:36:26.200 --> 0:36:31.839
<v Speaker 1>these misdeeds and because they didn't want the headache, and

0:36:31.920 --> 0:36:34.359
<v Speaker 1>so Roggy sort of makes the case in that Meet

0:36:34.400 --> 0:36:39.400
<v Speaker 1>the Press interview that the remedy then must be just

0:36:40.360 --> 0:36:45.040
<v Speaker 1>transparency and information, getting it out there, educating the public.

0:36:45.280 --> 0:36:48.840
<v Speaker 1>That's all you can do. When this bad behavior can't

0:36:48.880 --> 0:36:54.359
<v Speaker 1>be actually meaningfully reprimanded in some way, all you can

0:36:54.400 --> 0:36:58.360
<v Speaker 1>do is expose it. And I think that's very powerful.

0:36:58.400 --> 0:37:02.799
<v Speaker 1>It's also a little bit terrifying and disheartening, and I

0:37:02.840 --> 0:37:07.960
<v Speaker 1>wonder if you feel like the January sixth trials have

0:37:08.360 --> 0:37:13.240
<v Speaker 1>They've obviously gone a lot smoother than the Great Sedition trial,

0:37:13.680 --> 0:37:17.960
<v Speaker 1>but is that evidence of progress? Do you think we're

0:37:17.960 --> 0:37:18.480
<v Speaker 1>doing better?

0:37:19.480 --> 0:37:22.720
<v Speaker 2>It's interesting because it really does. I think it cuts

0:37:22.760 --> 0:37:24.600
<v Speaker 2>both ways. I think there is a case to be

0:37:24.760 --> 0:37:29.040
<v Speaker 2>made by looking back at the fascist movements in this

0:37:29.080 --> 0:37:34.720
<v Speaker 2>country that were supported by Nazi Germany, including an element

0:37:34.760 --> 0:37:38.160
<v Speaker 2>of that that operated inside the Congress. There's ways to

0:37:38.239 --> 0:37:40.000
<v Speaker 2>look back at that, all that story that I tell

0:37:40.040 --> 0:37:42.279
<v Speaker 2>in Ultra and say, you know, some of these things

0:37:42.320 --> 0:37:45.760
<v Speaker 2>were legit crimes and people should have gone to jail,

0:37:46.000 --> 0:37:49.239
<v Speaker 2>and that like crimes were committed here and crimes should

0:37:49.239 --> 0:37:52.440
<v Speaker 2>have been prosecuted as such, including by some members of Congress,

0:37:52.440 --> 0:37:56.560
<v Speaker 2>where that escaped punishment. I think largely because they bullied

0:37:56.560 --> 0:38:00.320
<v Speaker 2>the Justice Department into not coming out for them, and

0:38:00.360 --> 0:38:02.719
<v Speaker 2>we're seeing a little bit of that happening. We're seeing

0:38:02.760 --> 0:38:04.839
<v Speaker 2>some resonance with some of the stuff that's happening right

0:38:04.840 --> 0:38:08.560
<v Speaker 2>now in our new cycle. But the other, the sort

0:38:08.600 --> 0:38:12.600
<v Speaker 2>of good news side of what Roggy was preaching on

0:38:12.719 --> 0:38:15.600
<v Speaker 2>Meet the Press that day is that, you know, the

0:38:15.640 --> 0:38:19.439
<v Speaker 2>people need to know this information. The legal remedy isn't there.

0:38:19.560 --> 0:38:22.760
<v Speaker 2>The legal remedy is that the legal solution has failed.

0:38:22.760 --> 0:38:26.359
<v Speaker 2>The legal remedy cannot be used as are the sum

0:38:26.400 --> 0:38:28.719
<v Speaker 2>total of our response here. What has to happen is

0:38:28.719 --> 0:38:32.240
<v Speaker 2>that the people need to know. And obviously people knowing

0:38:32.400 --> 0:38:35.000
<v Speaker 2>isn't an end in itself. That doesn't fix it. What

0:38:35.040 --> 0:38:37.480
<v Speaker 2>he means, what goes unsaid, is that when the people know,

0:38:37.560 --> 0:38:41.560
<v Speaker 2>they will act and if and you can trust Americans

0:38:42.080 --> 0:38:45.880
<v Speaker 2>to defend our democracy and to stand up against tyranny

0:38:45.960 --> 0:38:49.800
<v Speaker 2>and to reject authoritarianism and anti semitism and all the

0:38:49.840 --> 0:38:51.480
<v Speaker 2>other things that go with it, but they need to

0:38:51.560 --> 0:38:55.600
<v Speaker 2>know that it's happening. And so that one calls on

0:38:55.640 --> 0:38:57.600
<v Speaker 2>all of us. Yeah, I mean, it calls on journalists,

0:38:57.680 --> 0:39:00.520
<v Speaker 2>it calls on activists, it calls on everybody. Who can

0:39:00.520 --> 0:39:03.919
<v Speaker 2>contribute to the public record, including you know, dorks making

0:39:03.960 --> 0:39:08.040
<v Speaker 2>podcasts down the road. But hopefully it means that a

0:39:08.120 --> 0:39:11.160
<v Speaker 2>well informed public will make righteous decisions.

0:39:11.200 --> 0:39:12.719
<v Speaker 3>And I want to believe that I.

0:39:12.719 --> 0:39:15.759
<v Speaker 1>Do too, And I think that's a good note to

0:39:16.520 --> 0:39:20.960
<v Speaker 1>end on. Rachel, thank you so so very much for

0:39:21.239 --> 0:39:24.600
<v Speaker 1>jumping in the booth here and having this chat with us.

0:39:24.680 --> 0:39:28.120
<v Speaker 1>It's just really, really fun, and I wish you the

0:39:28.160 --> 0:39:30.200
<v Speaker 1>best of luck with the movie adaptation.

0:39:31.080 --> 0:39:33.799
<v Speaker 3>Thanks Ed, Thanks this has been super fun. I appreciate it.

0:39:37.440 --> 0:39:40.520
<v Speaker 1>SNAFU is a production of iHeartRadio, Film Nation Entertainment, and

0:39:40.560 --> 0:39:44.680
<v Speaker 1>Pacific Electric Picture Company in association with Gilded Audio. It's

0:39:44.760 --> 0:39:48.920
<v Speaker 1>executive produced by me Ed Helms, Milan Papelka, Mike Falbo,

0:39:49.080 --> 0:39:52.440
<v Speaker 1>Andy Chuck, and Whitney Donaldson. Our lead producers are Sarah

0:39:52.520 --> 0:39:56.400
<v Speaker 1>Joyner and Alyssa Martino. Our producer is Carl Nellis, Associate

0:39:56.440 --> 0:40:00.200
<v Speaker 1>producer Tory Smith. Our senior editor is Jeffrey Lewis via

0:40:00.280 --> 0:40:04.080
<v Speaker 1>Canny as our production assistant. Our creative executive is Brett Harris.

0:40:04.480 --> 0:40:08.000
<v Speaker 1>Engineering and technical direction by Nick Dooley. Special thanks to

0:40:08.040 --> 0:40:09.839
<v Speaker 1>Alison Cohen and Matt Eisenstadt.