1 00:00:00,640 --> 00:00:03,040 Speaker 1: Welcome to Drink Champs, the production of The Black Effect 2 00:00:03,080 --> 00:00:17,760 Speaker 1: and I Heart Radio and it's drink Cha's motherfucking podcast. 3 00:00:19,200 --> 00:00:22,439 Speaker 1: He's a legendary Queen's rappers. He's like, is your boy 4 00:00:22,440 --> 00:00:25,520 Speaker 1: in O R? He's a Miami hip hop pioneer. What 5 00:00:25,640 --> 00:00:28,280 Speaker 1: up is d J e f N? Together they drinking 6 00:00:28,360 --> 00:00:31,960 Speaker 1: up with some of the biggest players in the most professional, 7 00:00:32,200 --> 00:00:36,560 Speaker 1: unprofessional podcast and yet number one sorts for drunk fast drinks. 8 00:00:36,600 --> 00:00:41,080 Speaker 1: Mother is New year' z. That's time for Drink Champs. 9 00:00:41,440 --> 00:00:51,120 Speaker 1: Drink up for the would it could be hopefully ship 10 00:00:51,200 --> 00:00:54,000 Speaker 1: boy in O R? What up is d J e FN? 11 00:00:54,080 --> 00:01:02,040 Speaker 1: And this is Drink chas motherfucker yappy like we always say. Man. 12 00:01:02,040 --> 00:01:05,200 Speaker 1: When we started this show, we knew and we realized 13 00:01:05,240 --> 00:01:08,319 Speaker 1: that there's other shows for the young people and the 14 00:01:08,400 --> 00:01:11,039 Speaker 1: new young hot dudes, and we said, we want to, 15 00:01:11,160 --> 00:01:13,760 Speaker 1: you know, cater to our legends, the people that has 16 00:01:13,800 --> 00:01:16,720 Speaker 1: been down, people that's put in the work, the people 17 00:01:16,720 --> 00:01:18,680 Speaker 1: have been loyal to the game, the people that's never 18 00:01:18,720 --> 00:01:21,720 Speaker 1: turned their back on the game inspired us. That inspired us, 19 00:01:21,880 --> 00:01:25,240 Speaker 1: and not only that, you know what I'm saying, people 20 00:01:25,240 --> 00:01:28,720 Speaker 1: who stay true to the games. People who is you know, 21 00:01:29,400 --> 00:01:32,640 Speaker 1: amongst the culture and these two brothers right here right now, 22 00:01:33,280 --> 00:01:38,200 Speaker 1: is that you know what I mean is real hip hop, 23 00:01:39,120 --> 00:01:46,080 Speaker 1: real culture, real men, you know what I'm saying. Not 24 00:01:46,160 --> 00:01:52,480 Speaker 1: to be confused, you know, I mean, you know, you 25 00:01:52,520 --> 00:01:55,960 Speaker 1: know with all of that, you know what, but case 26 00:01:56,200 --> 00:01:58,440 Speaker 1: what we're talking about about dress from black Seat and 27 00:01:58,520 --> 00:02:05,400 Speaker 1: see what's going on? What your brothers is on tour? 28 00:02:05,600 --> 00:02:09,000 Speaker 1: What did your brothers doing? Um, a couple of spot days, 29 00:02:09,000 --> 00:02:10,960 Speaker 1: you know, really has since the COVID kind of done 30 00:02:11,720 --> 00:02:14,760 Speaker 1: came back to um on the other side where we 31 00:02:14,800 --> 00:02:16,560 Speaker 1: can get back outside a little bit. You know, we 32 00:02:16,639 --> 00:02:19,120 Speaker 1: had a spot day down here in Miami, and you know, 33 00:02:19,200 --> 00:02:21,359 Speaker 1: like like everybody is really kind of you know, we 34 00:02:21,480 --> 00:02:27,280 Speaker 1: all like one person away from you know, being cousins, 35 00:02:27,320 --> 00:02:32,440 Speaker 1: Like one person one person away. I like that tell 36 00:02:32,480 --> 00:02:34,919 Speaker 1: you so you know, one spot day so um, so yeah, 37 00:02:34,919 --> 00:02:37,480 Speaker 1: so we're gonna be down here and um and one 38 00:02:37,480 --> 00:02:39,640 Speaker 1: of the one of the brothers that works here is 39 00:02:39,840 --> 00:02:41,440 Speaker 1: a very very good friend of Mount for a lot 40 00:02:41,480 --> 00:02:43,040 Speaker 1: of years, you know what I'm saying, Like I've literally 41 00:02:43,080 --> 00:02:45,480 Speaker 1: seen him kind of grow up as as a person 42 00:02:45,520 --> 00:02:48,280 Speaker 1: and man and and executive. Now what I'm saying, he 43 00:02:48,320 --> 00:02:49,840 Speaker 1: was like you know, like you're gonna be down there, 44 00:02:49,960 --> 00:02:51,799 Speaker 1: like when they reach out to the fellas and see 45 00:02:51,800 --> 00:02:53,880 Speaker 1: if we can put it together. I was very grateful 46 00:02:53,880 --> 00:02:57,600 Speaker 1: because I really really like the platform. So let me 47 00:02:57,639 --> 00:02:59,680 Speaker 1: let me get straight into it. Right. One of the 48 00:02:59,720 --> 00:03:04,440 Speaker 1: most um a group of world groups before Wu Tang, 49 00:03:05,600 --> 00:03:08,680 Speaker 1: one of the most you know, famous groups, uh, was 50 00:03:08,760 --> 00:03:13,760 Speaker 1: native tongue collection A collection A collection you know, um, 51 00:03:13,840 --> 00:03:16,240 Speaker 1: and you both of you brothers was in native time. 52 00:03:17,080 --> 00:03:20,640 Speaker 1: How how how how was that to see a transition 53 00:03:20,760 --> 00:03:23,239 Speaker 1: from just just you tell me just how you even 54 00:03:23,240 --> 00:03:25,400 Speaker 1: got down with native to because we know we recentually 55 00:03:25,440 --> 00:03:27,600 Speaker 1: had read alert on here and we recently had money 56 00:03:27,680 --> 00:03:31,080 Speaker 1: Love on here. But um, you know, I was picking 57 00:03:31,160 --> 00:03:34,280 Speaker 1: their brains about, you know, the native tongue. I want 58 00:03:34,280 --> 00:03:36,560 Speaker 1: to hear you guys perspective, like how did you get 59 00:03:36,600 --> 00:03:38,440 Speaker 1: down with it? And what was it like once you 60 00:03:38,520 --> 00:03:41,200 Speaker 1: got down with it? Um? I guess I'll go first, 61 00:03:41,200 --> 00:03:44,000 Speaker 1: because I guess yeah, Well, for me, it was it 62 00:03:44,320 --> 00:03:49,080 Speaker 1: was really this really organic dope experience because I'm I 63 00:03:49,440 --> 00:03:52,960 Speaker 1: met long in North Carolina, and you know, I went 64 00:03:53,000 --> 00:03:54,880 Speaker 1: to high school in North Carolina. I'm from the Story 65 00:03:54,960 --> 00:03:57,640 Speaker 1: Projects and I grew up in the blaming projects as 66 00:03:57,680 --> 00:04:09,760 Speaker 1: well with both my parents to live Yeah, yeah, sincer Sami. People. 67 00:04:10,480 --> 00:04:12,720 Speaker 1: Um just to say, like, you know, so I'm you know, 68 00:04:12,760 --> 00:04:14,960 Speaker 1: that's where I'm from, grew up. Everybody knows me as Tiki, 69 00:04:15,160 --> 00:04:16,320 Speaker 1: you know what I'm saying, Like, you know, we all 70 00:04:16,360 --> 00:04:18,680 Speaker 1: got nickname. Of course, everybody know me at Tiki. You 71 00:04:18,720 --> 00:04:20,919 Speaker 1: know what I'm saying to them. So, um, my mom's 72 00:04:20,920 --> 00:04:24,040 Speaker 1: got remarried, went to high school North Carolina. So you know, 73 00:04:24,120 --> 00:04:26,240 Speaker 1: we moved North Carolina when I get my senior year 74 00:04:26,279 --> 00:04:29,120 Speaker 1: in high school, we moved to another little spot, and 75 00:04:29,160 --> 00:04:31,280 Speaker 1: I mean long. We had a metube friend, this cat 76 00:04:31,320 --> 00:04:33,960 Speaker 1: named Standing Stand was from the Bronx. He was my 77 00:04:34,080 --> 00:04:36,480 Speaker 1: man like. He was both from New York and Carolina. 78 00:04:36,960 --> 00:04:38,560 Speaker 1: So we was really holding it down. And we had 79 00:04:38,560 --> 00:04:41,000 Speaker 1: a little man by the name of Shorty Doo Shor 80 00:04:41,600 --> 00:04:44,400 Speaker 1: was long Long was so small he had to stand 81 00:04:44,400 --> 00:04:48,400 Speaker 1: on milk crates. But he was the nicest DJ any 82 00:04:48,440 --> 00:04:50,720 Speaker 1: of us ever seen. He was. He was beyond nice, 83 00:04:50,880 --> 00:04:53,200 Speaker 1: you know what I'm saying. But and so that like 84 00:04:53,240 --> 00:04:54,640 Speaker 1: I was our little creue, you know I'm saying. My 85 00:04:54,640 --> 00:04:56,560 Speaker 1: cousin f was down there, big Shot, the big from 86 00:04:56,560 --> 00:04:59,880 Speaker 1: Bash um, you know what I'm saying, just to say, like, so, 87 00:05:00,040 --> 00:05:02,200 Speaker 1: we was running around down there kind of doing the 88 00:05:02,240 --> 00:05:04,599 Speaker 1: New York thing in Carolina really holding it down. And 89 00:05:05,960 --> 00:05:09,360 Speaker 1: long story short, Red Alert had a show down there 90 00:05:09,600 --> 00:05:12,479 Speaker 1: with Sparky d and the Real Rock sand and Red 91 00:05:12,560 --> 00:05:14,880 Speaker 1: was the host. So we had Little Juice at the 92 00:05:15,040 --> 00:05:17,880 Speaker 1: at the arena and and and Raleigh, my man Crazed 93 00:05:17,880 --> 00:05:20,400 Speaker 1: from the Bronx, was one of the promoters. We was 94 00:05:20,440 --> 00:05:26,000 Speaker 1: able to get Long on stage. We had a little 95 00:05:26,040 --> 00:05:31,040 Speaker 1: Juice stage right, A man is one of the promoters. 96 00:05:31,680 --> 00:05:33,520 Speaker 1: So we got Long on stage in front of everybody's 97 00:05:33,560 --> 00:05:36,279 Speaker 1: on entire arena and he's so little everybody's bugging out, 98 00:05:36,279 --> 00:05:39,040 Speaker 1: but he's dumb nice. So Red approaches. I'm like, yo, 99 00:05:39,200 --> 00:05:40,800 Speaker 1: you know, like yo, who are you know like this 100 00:05:40,839 --> 00:05:43,040 Speaker 1: out there? And he's like, yo, shorty do I I'm 101 00:05:43,080 --> 00:05:45,440 Speaker 1: from Brooklyn but I live down here, but I come 102 00:05:45,480 --> 00:05:48,480 Speaker 1: up every summer. So Red gives him a number, like YO, 103 00:05:48,720 --> 00:05:50,480 Speaker 1: when when you come up, get up with me? So 104 00:05:50,520 --> 00:05:54,119 Speaker 1: that's summer. Red Long goes up. Red hasn't been a student, 105 00:05:54,120 --> 00:05:56,840 Speaker 1: you know I read is Red grabs him running them around, 106 00:05:57,240 --> 00:05:59,960 Speaker 1: And Red hasn't been a studio for the Jungle Brother 107 00:06:00,080 --> 00:06:03,440 Speaker 1: this first album, making up their first album, you know, saying, 108 00:06:03,440 --> 00:06:06,159 Speaker 1: so that's when Long gets introduced to the clip. I'm saying, 109 00:06:06,200 --> 00:06:09,039 Speaker 1: so every summer he's coming back and forth unbeknown to 110 00:06:09,040 --> 00:06:11,440 Speaker 1: me because I don't I didn't finish school. I'm you know, 111 00:06:11,480 --> 00:06:13,280 Speaker 1: I'm doing a hundred different things up in my head, 112 00:06:13,360 --> 00:06:15,320 Speaker 1: doing some things right, doing something's wrong. You're not to go, 113 00:06:15,480 --> 00:06:17,040 Speaker 1: but just to say, you know, I'm trying to out 114 00:06:17,680 --> 00:06:21,239 Speaker 1: so so you know, every something, he's coming back and forth. 115 00:06:21,800 --> 00:06:25,000 Speaker 1: So eventually, after I'm bumping my head, you know enough 116 00:06:25,040 --> 00:06:26,880 Speaker 1: times where I'm not trying to bump it anymore. I'm 117 00:06:26,880 --> 00:06:30,200 Speaker 1: trying to do something else, I think God blesses me, 118 00:06:30,200 --> 00:06:32,400 Speaker 1: and I'm and I'm literally walking down the street my hand. 119 00:06:32,440 --> 00:06:34,320 Speaker 1: I just got my first apartment in the Bronx and 120 00:06:34,440 --> 00:06:36,600 Speaker 1: from Queens, but I get my first apartment in the 121 00:06:36,640 --> 00:06:38,239 Speaker 1: Bronx because it's the only place I got a fourth 122 00:06:38,520 --> 00:06:39,880 Speaker 1: And you know, when you're young, you don't even care 123 00:06:39,880 --> 00:06:43,119 Speaker 1: if you're walking over crackheads, it don't even matter. I'm uh, 124 00:06:43,839 --> 00:06:51,040 Speaker 1: that's not an avenue right over again, fishing And that's 125 00:06:51,040 --> 00:06:52,560 Speaker 1: why a lot of cats think I'm from the Bronx 126 00:06:52,600 --> 00:06:54,600 Speaker 1: because you know what I'm saying, that's where I got 127 00:06:54,680 --> 00:06:57,400 Speaker 1: my first apartment and that's where we kind of blew from. 128 00:06:57,640 --> 00:07:00,360 Speaker 1: So I'm literally walking down the street and my hand 129 00:07:00,400 --> 00:07:03,159 Speaker 1: come from from work going going back to a school office, 130 00:07:03,800 --> 00:07:06,160 Speaker 1: and I passed along on the street my hand and 131 00:07:06,279 --> 00:07:08,200 Speaker 1: I'm like wow, wow, like you know what I'm saying, 132 00:07:08,240 --> 00:07:09,960 Speaker 1: Like y'all hadn't seen each other and seeing each other 133 00:07:10,080 --> 00:07:12,760 Speaker 1: since the room in North Carolina, you know I'm saying. 134 00:07:13,200 --> 00:07:15,360 Speaker 1: So I'm like, Yo, what you're doing up here? He's like, 135 00:07:15,400 --> 00:07:17,120 Speaker 1: you know, like Yo, I'm trying to do this music thing. 136 00:07:17,160 --> 00:07:19,240 Speaker 1: I'm like word, like yo, you know, like where you at? 137 00:07:19,320 --> 00:07:21,720 Speaker 1: He's like, I'm in Brooklyn. I'm staying with my aunt, 138 00:07:21,920 --> 00:07:24,640 Speaker 1: her man and their kid in a studio. But you 139 00:07:24,760 --> 00:07:26,840 Speaker 1: was already writing ROMs. She was already making music or no, 140 00:07:27,320 --> 00:07:29,720 Speaker 1: I was writing ROMs. But like like it was more 141 00:07:30,040 --> 00:07:32,000 Speaker 1: like catching rep you know what I'm saying, Like you know, 142 00:07:32,040 --> 00:07:34,440 Speaker 1: like you're going to block hustling, you changing the lyrics 143 00:07:34,560 --> 00:07:37,920 Speaker 1: and you know, like you know, just but but I 144 00:07:38,000 --> 00:07:40,360 Speaker 1: had it in me because I was doing it all 145 00:07:40,440 --> 00:07:42,960 Speaker 1: these years down South, every day when I was down South, 146 00:07:43,400 --> 00:07:45,360 Speaker 1: just just because it was nothing else to do. My 147 00:07:45,480 --> 00:07:48,480 Speaker 1: man had equipment, had mis and his mom was cool. 148 00:07:48,520 --> 00:07:50,200 Speaker 1: We could smoke, We drink a lot forties. So every 149 00:07:50,280 --> 00:07:52,240 Speaker 1: day we just could. You know what I'm saying. Every 150 00:07:52,320 --> 00:07:54,240 Speaker 1: day every day that's what we did. What I'm saying. 151 00:07:54,320 --> 00:07:56,320 Speaker 1: But I didn't realize it would be the training ground 152 00:07:56,400 --> 00:07:58,680 Speaker 1: for later, you know what I'm saying. But so so 153 00:07:58,840 --> 00:08:01,520 Speaker 1: bumping along. He don't really have a stable situation. I 154 00:08:01,640 --> 00:08:04,480 Speaker 1: just got an apartment. I'm like, yo, mom, a little man. 155 00:08:04,520 --> 00:08:06,880 Speaker 1: I'm like, yo, give me one week deliving it. You 156 00:08:06,880 --> 00:08:08,680 Speaker 1: can become crushed with me till you get on your feet. 157 00:08:09,200 --> 00:08:10,760 Speaker 1: So when he comes, you know, So the next week 158 00:08:10,800 --> 00:08:12,960 Speaker 1: he comes, stay with me. He got records, he got turntables. 159 00:08:12,960 --> 00:08:15,040 Speaker 1: I'm like, oh, you still do when this ship? Like yo, 160 00:08:15,240 --> 00:08:17,280 Speaker 1: I'm bugging out, Like Yo, that's what's up, you know 161 00:08:17,280 --> 00:08:20,200 Speaker 1: what I'm saying. So he comes in and I don't 162 00:08:20,240 --> 00:08:22,600 Speaker 1: really feel like it's for me to start taking him 163 00:08:23,200 --> 00:08:26,040 Speaker 1: where I just came from. So I start kind of 164 00:08:26,120 --> 00:08:27,760 Speaker 1: like piggyback and with what you know, what you got 165 00:08:27,800 --> 00:08:30,280 Speaker 1: going on, you know what I'm saying. So he started 166 00:08:30,600 --> 00:08:33,040 Speaker 1: introducing me to the cats, taking me to the client 167 00:08:33,160 --> 00:08:35,960 Speaker 1: p I saw meeting DAYLT of Jungle Tried, Tried, when 168 00:08:36,000 --> 00:08:39,400 Speaker 1: they're working on their first album. Okay, but you just 169 00:08:39,480 --> 00:08:42,199 Speaker 1: answer my question before I about to say whatever, was 170 00:08:42,360 --> 00:08:46,880 Speaker 1: trying back the first record out yet you know, it's 171 00:08:46,880 --> 00:08:49,480 Speaker 1: just been probably featured on the Jungle Brothers. That's the 172 00:08:49,520 --> 00:08:53,360 Speaker 1: only thing that the promo, right, the promo right right, 173 00:08:53,400 --> 00:08:56,360 Speaker 1: that's that's really them getting their first look. And so 174 00:08:56,559 --> 00:08:59,480 Speaker 1: I'm you know, it's kind of cool because it's like 175 00:08:59,559 --> 00:09:02,480 Speaker 1: at a time time when like I already know who 176 00:09:02,559 --> 00:09:05,240 Speaker 1: cats are other than other than tribal, Like I don't hustle. 177 00:09:05,360 --> 00:09:08,760 Speaker 1: I remember hustling on Prince of Roosevelt and Flushing and 178 00:09:08,840 --> 00:09:11,640 Speaker 1: the boxes on the corner, and I remember pottles of 179 00:09:11,679 --> 00:09:14,559 Speaker 1: my Lan coming on and just how I felt to 180 00:09:14,679 --> 00:09:15,959 Speaker 1: hear it, you know what I'm saying. So now I'm 181 00:09:15,960 --> 00:09:17,960 Speaker 1: in a room with these cats, and I'm like looking 182 00:09:17,960 --> 00:09:20,199 Speaker 1: at them like, oh, you know, like I don't even 183 00:09:20,240 --> 00:09:22,760 Speaker 1: think they realize how powerful they are, at least in 184 00:09:22,800 --> 00:09:24,360 Speaker 1: my eyes, you know what I'm saying, Like, like they 185 00:09:24,440 --> 00:09:27,200 Speaker 1: really stand for something and they're coming together the natives. 186 00:09:27,880 --> 00:09:30,360 Speaker 1: It's really powerful, you know what I'm saying. Like, But 187 00:09:30,559 --> 00:09:33,199 Speaker 1: at the same time, it's like I'm I'm I'm a 188 00:09:33,280 --> 00:09:36,120 Speaker 1: project kid from Queens, though you might not see it 189 00:09:36,240 --> 00:09:39,240 Speaker 1: when you when you look at me, but like I'm 190 00:09:39,320 --> 00:09:42,880 Speaker 1: literally just coming from Rikers and coming from a halfway house. 191 00:09:43,280 --> 00:09:45,199 Speaker 1: You said I did to most on Rikers because I 192 00:09:45,240 --> 00:09:48,679 Speaker 1: jumped bell on on a direct selle and and and 193 00:09:48,840 --> 00:09:51,680 Speaker 1: then get caught up, get extradited from North Carolina. Don't 194 00:09:51,679 --> 00:09:53,000 Speaker 1: get no bell I have to do the whole case 195 00:09:53,080 --> 00:09:55,880 Speaker 1: frou from Rikers and then get probated to a halfway house. 196 00:09:56,520 --> 00:09:59,200 Speaker 1: From there, I get in school, I get a job. 197 00:10:00,280 --> 00:10:04,560 Speaker 1: And that's when I'm bumping along. Department. That's all doing 198 00:10:04,600 --> 00:10:06,480 Speaker 1: the right that That's when I bumping along and you 199 00:10:06,640 --> 00:10:09,640 Speaker 1: something so so even bumping along like you know, like 200 00:10:09,840 --> 00:10:11,800 Speaker 1: I'm like, you're still doing this ship. He's pulling out 201 00:10:11,840 --> 00:10:14,760 Speaker 1: records and like this problem might be four records, this 202 00:10:14,800 --> 00:10:17,400 Speaker 1: probably might be six records. There's probably five records. He 203 00:10:17,600 --> 00:10:20,800 Speaker 1: got no equipment, got turn tables and records, and I'm like, 204 00:10:20,880 --> 00:10:23,319 Speaker 1: you know, what's he's possible and he put you know, 205 00:10:23,400 --> 00:10:26,040 Speaker 1: put one beat on. He's like, yo, I hear this beat, 206 00:10:26,480 --> 00:10:29,640 Speaker 1: play a bet he I had his baseline play baseline 207 00:10:29,760 --> 00:10:32,000 Speaker 1: said these horns but it's all in his head. We 208 00:10:32,240 --> 00:10:35,679 Speaker 1: got no quick They're like like that was that was 209 00:10:36,000 --> 00:10:38,599 Speaker 1: making the beat in the day. That was kind of 210 00:10:38,679 --> 00:10:41,960 Speaker 1: cheat that was that was on the album. I literally 211 00:10:42,120 --> 00:10:47,480 Speaker 1: like like like like that's how how regular regular record? 212 00:10:47,480 --> 00:10:49,599 Speaker 1: Like like like he kind of like he kind of 213 00:10:49,720 --> 00:10:52,920 Speaker 1: felt like and which was real, like you know, like 214 00:10:53,040 --> 00:10:54,920 Speaker 1: he's in the room with the natives for a few years. 215 00:10:55,000 --> 00:10:57,480 Speaker 1: He kind of felt like it was for us to 216 00:10:57,760 --> 00:11:02,040 Speaker 1: not necessarily hone on break beats, but to discover new breakbeats. 217 00:11:02,559 --> 00:11:04,800 Speaker 1: So that's what a lot of our projects was a 218 00:11:04,840 --> 00:11:07,000 Speaker 1: lot about when did Cord record? How did you? How 219 00:11:07,000 --> 00:11:08,959 Speaker 1: do you? How do how do you remember that he 220 00:11:09,000 --> 00:11:11,880 Speaker 1: wrote it down or something like um? Because you said 221 00:11:11,920 --> 00:11:14,240 Speaker 1: he was making the um like playing different records and 222 00:11:14,280 --> 00:11:16,720 Speaker 1: that's how it. So how did he remember? Like because 223 00:11:16,720 --> 00:11:18,520 Speaker 1: you know, I like right now if I play a record, 224 00:11:18,559 --> 00:11:20,439 Speaker 1: I can stop a record and say two minutes and 225 00:11:20,640 --> 00:11:23,120 Speaker 1: ten seconds, this is the part I like back then 226 00:11:23,160 --> 00:11:25,800 Speaker 1: we have our phones wen't have but he probably remember 227 00:11:29,559 --> 00:11:31,800 Speaker 1: like like like the number one get a loops gonna 228 00:11:31,840 --> 00:11:33,480 Speaker 1: stand out to him because he's already got something else 229 00:11:33,520 --> 00:11:35,240 Speaker 1: that he thinks goes with it. So he's kind of 230 00:11:35,280 --> 00:11:38,840 Speaker 1: remember it. But number two, I don't don't drink, smoke, 231 00:11:39,400 --> 00:11:42,080 Speaker 1: none of your above he has he has ability, don't 232 00:11:44,000 --> 00:11:48,400 Speaker 1: like understandable. He got straight a builders. We ain't got 233 00:11:48,520 --> 00:11:51,079 Speaker 1: no more. So that led up to you actually getting 234 00:11:51,080 --> 00:11:53,360 Speaker 1: down what they tell that was like you know, so 235 00:11:53,559 --> 00:11:55,839 Speaker 1: so you know, like it's kind of cool because it's like, 236 00:11:55,920 --> 00:11:57,400 Speaker 1: you know, like I said, like I'm kind of like 237 00:11:57,520 --> 00:12:00,280 Speaker 1: this hustling kid that's not talking about hustling, you know 238 00:12:00,320 --> 00:12:02,760 Speaker 1: what I'm saying. And so so I think that's rubbing 239 00:12:02,840 --> 00:12:04,240 Speaker 1: him the right way it is. I don't I don't 240 00:12:04,240 --> 00:12:06,920 Speaker 1: need nothing from nobody. I'm kind of self sufficient. What happening? 241 00:12:07,320 --> 00:12:09,439 Speaker 1: So we're really friends, you know I'm saying like you know, 242 00:12:09,559 --> 00:12:12,079 Speaker 1: like you know should be you know, like what's the angle? 243 00:12:12,320 --> 00:12:15,040 Speaker 1: Was no angle? Cool? This is my man saying. If anything, 244 00:12:15,040 --> 00:12:16,800 Speaker 1: I'm a little protective of him, you know what I'm saying. 245 00:12:16,880 --> 00:12:20,920 Speaker 1: So I'm so we saw start getting cool and you know, 246 00:12:21,240 --> 00:12:23,839 Speaker 1: I'm peeping Loan stability in the room. Long actually did 247 00:12:23,960 --> 00:12:27,200 Speaker 1: the cuts on Buddy, you know, like like low known fact. 248 00:12:27,520 --> 00:12:30,439 Speaker 1: Loan contributed beat to Tips first album, like you know, 249 00:12:30,559 --> 00:12:33,240 Speaker 1: like he was there with them walking in and um 250 00:12:33,559 --> 00:12:36,719 Speaker 1: so when he's introducing me. They're looking at me like 251 00:12:36,840 --> 00:12:40,120 Speaker 1: I'm an extension along which is love, you know, saying 252 00:12:40,120 --> 00:12:42,040 Speaker 1: with just love you know what I'm saying, which because 253 00:12:42,080 --> 00:12:44,400 Speaker 1: the group hadn't been officially formed between right right, right, 254 00:12:44,440 --> 00:12:46,840 Speaker 1: they had never heard me rhyme anything, and I'm saying, 255 00:12:46,840 --> 00:12:48,560 Speaker 1: we've just been hanging out for a few months though 256 00:12:48,640 --> 00:12:50,280 Speaker 1: now you know what I'm saying, So they don't heard 257 00:12:50,280 --> 00:12:52,760 Speaker 1: me freestyle little bit heeaded there, but you know, nothing official. 258 00:12:53,400 --> 00:12:55,640 Speaker 1: My first record was Daylight Soul is Dead jumping on 259 00:12:55,800 --> 00:12:57,480 Speaker 1: Fanatic of the B word that they put me on 260 00:12:57,679 --> 00:12:59,559 Speaker 1: a joint. That was the first joint that people heard me. 261 00:13:00,320 --> 00:13:03,040 Speaker 1: So what happens is this Like I'm really peeping the 262 00:13:03,120 --> 00:13:06,600 Speaker 1: temperature like they along, like you know, like we need 263 00:13:06,679 --> 00:13:08,440 Speaker 1: to make a demo, like you know what I'm saying, 264 00:13:08,520 --> 00:13:10,959 Speaker 1: Like we were really in the room with some of 265 00:13:11,040 --> 00:13:14,120 Speaker 1: the dopest cats in hip hop if we can impress them, 266 00:13:14,400 --> 00:13:16,400 Speaker 1: especially Red, like Red is Red. That was your goal 267 00:13:16,480 --> 00:13:18,839 Speaker 1: to make a demo. It wasn't make a real full 268 00:13:18,920 --> 00:13:22,679 Speaker 1: flax record. It was just a demo. Yeah yeah, yeah, yeah, 269 00:13:23,000 --> 00:13:26,160 Speaker 1: you know, because you want to done the champion, you guys, right, 270 00:13:26,400 --> 00:13:28,319 Speaker 1: we you know we wanted, Yeah, we wanted to be 271 00:13:28,800 --> 00:13:30,240 Speaker 1: in the room with him. What I'm saying, like, we 272 00:13:30,280 --> 00:13:31,800 Speaker 1: didn't want to just put a record out and they 273 00:13:31,920 --> 00:13:34,320 Speaker 1: hear it. We wanted, you know, to be an extension. 274 00:13:34,360 --> 00:13:37,000 Speaker 1: You know I'm saying so. And that's how it felt too, 275 00:13:37,040 --> 00:13:39,160 Speaker 1: because literally every day that's who I hung out with. 276 00:13:39,880 --> 00:13:41,480 Speaker 1: You know, it got to the point where I didn't 277 00:13:41,480 --> 00:13:43,439 Speaker 1: even go to the hood. I'm hanging out. You know, 278 00:13:43,480 --> 00:13:45,840 Speaker 1: what's in the village with, you know, Devin washing Sprint Park. 279 00:13:45,920 --> 00:13:48,520 Speaker 1: This had the other you know later for what's in 280 00:13:48,559 --> 00:13:50,520 Speaker 1: the backpack? I got the backpack, you know what I'm saying, 281 00:13:50,559 --> 00:13:57,040 Speaker 1: Like I'm making so so like eventually this is my word, 282 00:13:57,320 --> 00:13:59,120 Speaker 1: um you know, like back then, you know, like a 283 00:13:59,200 --> 00:14:01,160 Speaker 1: studio session called paper, Like you know what I'm saying, 284 00:14:01,160 --> 00:14:04,000 Speaker 1: We're gonna spend easily our studio session. He's gonna spend 285 00:14:04,320 --> 00:14:06,839 Speaker 1: five to seven huney easily. That was a filter for 286 00:14:07,120 --> 00:14:09,320 Speaker 1: people who wasn't really into it to not get into 287 00:14:09,360 --> 00:14:12,320 Speaker 1: it right that road. So so like they definitely were 288 00:14:12,360 --> 00:14:16,000 Speaker 1: buffers because because now you know, like you gotta computer, 289 00:14:16,120 --> 00:14:21,920 Speaker 1: you anybody, they really had to want what I'm saying, 290 00:14:22,000 --> 00:14:24,240 Speaker 1: And like I said, like like you spend the five 291 00:14:24,320 --> 00:14:27,360 Speaker 1: seven hundred to do a song maybe maybe two, you 292 00:14:27,400 --> 00:14:29,000 Speaker 1: know what I'm saying. So if you're trying to do 293 00:14:29,120 --> 00:14:31,040 Speaker 1: three to five songs you spend, you spend a couple 294 00:14:31,040 --> 00:14:35,240 Speaker 1: of jeys, So well, um me along. I'm you know, 295 00:14:35,280 --> 00:14:36,800 Speaker 1: I'm like, yo, we need to do a dem alone. 296 00:14:36,880 --> 00:14:38,800 Speaker 1: You know, like we got Red and you got the Natives, 297 00:14:38,840 --> 00:14:41,360 Speaker 1: this and the other. Because Red is also an asset 298 00:14:41,480 --> 00:14:44,640 Speaker 1: within himself what I'm saying, so we know, I'm like, yo, along, 299 00:14:44,800 --> 00:14:47,080 Speaker 1: like we just as nice, like you just as talented 300 00:14:47,120 --> 00:14:50,760 Speaker 1: as these kids. Like like I think I'm just as nice. 301 00:14:50,800 --> 00:14:52,520 Speaker 1: I think what I'm saying, Like we've been ranking rhymes 302 00:14:52,600 --> 00:14:56,360 Speaker 1: just as long. I literally sell point all my jewelry 303 00:14:56,400 --> 00:14:58,200 Speaker 1: to taking long to the porn shop. Point all my 304 00:14:58,280 --> 00:14:59,960 Speaker 1: jewelry right in the porn shop. Give him half my 305 00:15:00,320 --> 00:15:02,360 Speaker 1: half the paper. I'm like, yo, let's go book. Some 306 00:15:02,440 --> 00:15:05,040 Speaker 1: sessions were partners, now, you know what I'm saying, because 307 00:15:05,360 --> 00:15:08,280 Speaker 1: I kind of got to justify like he bought me 308 00:15:08,360 --> 00:15:10,400 Speaker 1: in the room, you know what I'm saying, Like like 309 00:15:10,520 --> 00:15:13,320 Speaker 1: you know, like like if this works out, you just 310 00:15:13,480 --> 00:15:16,080 Speaker 1: changed my life, you know what I'm saying. And I 311 00:15:16,160 --> 00:15:17,960 Speaker 1: felt real loyal to him for a lot of years 312 00:15:18,040 --> 00:15:20,680 Speaker 1: behind that, you know what I'm saying, Maybe even overly 313 00:15:20,760 --> 00:15:24,600 Speaker 1: so sometimes, but just to say so, so we go 314 00:15:24,720 --> 00:15:26,440 Speaker 1: and we do this demo. We do it on twenty 315 00:15:26,520 --> 00:15:30,280 Speaker 1: third three doses a studio and um the Astor Hotel. 316 00:15:31,480 --> 00:15:33,800 Speaker 1: They had a studio in it. We do a demo 317 00:15:33,880 --> 00:15:36,160 Speaker 1: in there, like like three or five songs. We hit 318 00:15:36,200 --> 00:15:38,479 Speaker 1: the natives with it, We hit Read with it. Everybody's 319 00:15:38,520 --> 00:15:40,640 Speaker 1: digging it, you know what I'm saying. They put us 320 00:15:41,320 --> 00:15:44,080 Speaker 1: Read sets up a bunch of meetings with us with 321 00:15:44,360 --> 00:15:46,960 Speaker 1: funking clan God blessed Death. Wasn't y'all on job at 322 00:15:47,000 --> 00:15:51,160 Speaker 1: what point? No, No, that was a tribe. So Read 323 00:15:51,360 --> 00:15:52,760 Speaker 1: us up a bunch of calls. We wanted to get 324 00:15:52,800 --> 00:15:55,160 Speaker 1: on depth jail, but Leo was kind of a character 325 00:15:55,200 --> 00:16:00,520 Speaker 1: that I was like, y'all can't with Hopefully I've heard 326 00:16:00,520 --> 00:16:03,120 Speaker 1: he's growing up. I know I've grown up. Just to 327 00:16:03,200 --> 00:16:05,840 Speaker 1: say so, so we didn't, you know, we didn't do 328 00:16:05,880 --> 00:16:07,880 Speaker 1: the depth everything. We want to go with a PolyGram 329 00:16:08,960 --> 00:16:13,240 Speaker 1: and you know, so once we get the deal, well 330 00:16:13,520 --> 00:16:16,160 Speaker 1: as we're about to shot start shopping the deal, Red 331 00:16:16,240 --> 00:16:18,040 Speaker 1: puts us with a great man by the name of 332 00:16:18,120 --> 00:16:22,000 Speaker 1: Chris lady and so um, Chris warks up being our 333 00:16:22,040 --> 00:16:25,440 Speaker 1: first manager and we wind up being the first deal 334 00:16:25,640 --> 00:16:30,720 Speaker 1: that that gets a deal with Chris in an executive position. 335 00:16:31,000 --> 00:16:33,720 Speaker 1: This Chris Russian Management or just Chris violence Chris. This 336 00:16:33,800 --> 00:16:36,760 Speaker 1: is before Chris was violated. This is Chris us this baby, yeah, 337 00:16:36,800 --> 00:16:39,840 Speaker 1: this is baby baby sounds his baby. This is the 338 00:16:40,000 --> 00:16:43,720 Speaker 1: very first of everything, before everything got rolled in, this 339 00:16:44,000 --> 00:16:48,080 Speaker 1: very first thing because something happened. I was real dope, 340 00:16:48,120 --> 00:16:50,600 Speaker 1: you know I'm saying, and I hope you know what 341 00:16:50,640 --> 00:16:53,320 Speaker 1: I'm saying. It speaks to I think how we start 342 00:16:53,400 --> 00:16:55,560 Speaker 1: looking at each other like you know, like when Chris 343 00:16:55,600 --> 00:17:00,280 Speaker 1: started just his company and I said, he's managing us here, 344 00:17:00,560 --> 00:17:03,360 Speaker 1: he's our first manager. He comes to me, he's like, yo, 345 00:17:03,600 --> 00:17:05,080 Speaker 1: you know, like you know I had the deal is done. 346 00:17:05,119 --> 00:17:09,280 Speaker 1: We don't negotiate. Everything's done. Um he's like they're ready 347 00:17:09,320 --> 00:17:11,000 Speaker 1: to write y'all to check, you know, like like it's 348 00:17:11,040 --> 00:17:13,600 Speaker 1: not it's not going with it's not a middleman situation. 349 00:17:13,680 --> 00:17:15,520 Speaker 1: It's not like going through Chris. It's you know, like 350 00:17:15,720 --> 00:17:18,639 Speaker 1: it's our deal directly, right. So but he comes to 351 00:17:18,680 --> 00:17:20,119 Speaker 1: me and he's straight up and he's like you know, 352 00:17:20,240 --> 00:17:22,280 Speaker 1: like look, you know, like this is the first thing 353 00:17:22,359 --> 00:17:24,800 Speaker 1: my company has ever done. He's like, yo, would it 354 00:17:24,880 --> 00:17:27,320 Speaker 1: be I if they wrote the check to my company 355 00:17:27,520 --> 00:17:29,200 Speaker 1: and my company wrote the check to y'all, so it 356 00:17:29,280 --> 00:17:32,560 Speaker 1: showed the work exactly, So you know, yeah, yeah, you know, 357 00:17:32,920 --> 00:17:35,880 Speaker 1: it shows that exactly. He's established company. Else he's working 358 00:17:36,040 --> 00:17:37,879 Speaker 1: what have you. And I'm like, you know, like I 359 00:17:37,920 --> 00:17:39,639 Speaker 1: wouldn't have it any other way, man, Like you know 360 00:17:39,680 --> 00:17:41,320 Speaker 1: what I'm saying, like we came this far, like you know, 361 00:17:41,440 --> 00:17:44,639 Speaker 1: like but you know, I look at it sometimes and 362 00:17:45,160 --> 00:17:49,080 Speaker 1: a lot of cats just don't have that simple together, 363 00:17:49,880 --> 00:17:53,120 Speaker 1: you know, like like like like loyalty, yeah, yeah, exactly, 364 00:17:54,440 --> 00:17:56,440 Speaker 1: yeah yeah, right right right right, you know, I'm saying 365 00:17:56,560 --> 00:17:58,560 Speaker 1: loyalty in the transparent That's how it happens to this 366 00:17:59,240 --> 00:18:02,400 Speaker 1: day right now. Um, most of the time, the checks 367 00:18:02,440 --> 00:18:04,760 Speaker 1: go to the lawyer, and the lawyer, um you know, 368 00:18:04,880 --> 00:18:07,560 Speaker 1: sends it out. Yeah, but you better believe the lawyer's 369 00:18:07,600 --> 00:18:09,320 Speaker 1: gonna take his piece off the top before you know, 370 00:18:10,119 --> 00:18:12,399 Speaker 1: you know, yeah, you know what I'm sure I just 371 00:18:12,520 --> 00:18:16,600 Speaker 1: did too, Like let's but but but but it didn't 372 00:18:16,640 --> 00:18:18,320 Speaker 1: have to be like that, Okay, it could have been 373 00:18:18,359 --> 00:18:19,879 Speaker 1: me kind of check to him, Okay, cool, you know 374 00:18:19,880 --> 00:18:23,800 Speaker 1: what I'm saying, right, And but but us being brothers, 375 00:18:23,960 --> 00:18:26,159 Speaker 1: was me believing in him just as much as he 376 00:18:26,160 --> 00:18:29,440 Speaker 1: believed in me, right, So, and what happened eventually was 377 00:18:29,600 --> 00:18:33,280 Speaker 1: like you know, like I really wound up looking at 378 00:18:33,359 --> 00:18:36,639 Speaker 1: Rush as something that was could be detrimental just because 379 00:18:36,680 --> 00:18:39,080 Speaker 1: of the interaction that we had. So when Chris went 380 00:18:39,160 --> 00:18:41,439 Speaker 1: the Rush, I had to be straight up when him 381 00:18:41,440 --> 00:18:43,880 Speaker 1: like Yo, Chris, I love you man, but I don't 382 00:18:43,880 --> 00:18:46,040 Speaker 1: want to go over there. You know what I'm saying, 383 00:18:46,440 --> 00:18:50,960 Speaker 1: like like like this is my world. Like like my 384 00:18:51,080 --> 00:18:54,960 Speaker 1: interaction with Leo to me was was downright disrespectful. But 385 00:18:55,160 --> 00:18:58,680 Speaker 1: I I'm not cutting you off. But Leo didn't have 386 00:18:58,720 --> 00:19:00,760 Speaker 1: anything to do with Rush. I thought it was just 387 00:19:00,880 --> 00:19:02,520 Speaker 1: he's a part of the whole tel Yeah, but I 388 00:19:02,600 --> 00:19:05,520 Speaker 1: thought not, That's that's what I think. The meeting with said. 389 00:19:05,680 --> 00:19:07,080 Speaker 1: That's why I took the meeting when we was when 390 00:19:07,119 --> 00:19:08,679 Speaker 1: we was going when you're going to Rush was going 391 00:19:08,720 --> 00:19:10,359 Speaker 1: to Rush to the label. I took the meeting with 392 00:19:10,440 --> 00:19:13,919 Speaker 1: Leo when Chris was going to do this management thing 393 00:19:14,280 --> 00:19:18,240 Speaker 1: he was earlier it like what yeah, this is this 394 00:19:18,400 --> 00:19:24,960 Speaker 1: is nineties nineties yeah, yeah, like yeah, you're saying yeah, 395 00:19:25,040 --> 00:19:26,760 Speaker 1: like like Leo's all over the block, you know what 396 00:19:26,760 --> 00:19:29,240 Speaker 1: I'm saying, and this is my word like and and 397 00:19:29,440 --> 00:19:32,600 Speaker 1: I'm not trying to So I thought that's how they 398 00:19:32,720 --> 00:19:36,600 Speaker 1: was always corner in the market meeting. They were one 399 00:19:36,760 --> 00:19:38,119 Speaker 1: one of them was depth to them, and then one 400 00:19:38,160 --> 00:19:39,800 Speaker 1: of them was the management. So that's where they could 401 00:19:40,000 --> 00:19:42,160 Speaker 1: They started three sixty before they knew they was doing 402 00:19:42,200 --> 00:19:46,080 Speaker 1: three sixty. Because just think about it. If I'm signed 403 00:19:46,119 --> 00:19:49,920 Speaker 1: to cheat and then she is my manager, that's technically illegal. 404 00:19:50,200 --> 00:19:52,960 Speaker 1: Like I signed the cheat and then signed the chasm 405 00:19:53,720 --> 00:19:57,320 Speaker 1: as I got signed to you as the label and 406 00:19:57,359 --> 00:19:59,960 Speaker 1: then signed to you as management. As long as y'all 407 00:20:00,160 --> 00:20:02,919 Speaker 1: names on the company, that's perfectly fine. You can hang 408 00:20:02,960 --> 00:20:05,639 Speaker 1: out every day, be best friends, that's not illegal. But 409 00:20:05,800 --> 00:20:08,439 Speaker 1: if y'all name is on the same company, that's how 410 00:20:08,480 --> 00:20:10,320 Speaker 1: I can get out the contract. So I always thought 411 00:20:10,440 --> 00:20:13,480 Speaker 1: that you just scool with just some ship get to 412 00:20:13,600 --> 00:20:16,040 Speaker 1: you and and and that says a lot like this 413 00:20:16,200 --> 00:20:17,720 Speaker 1: is how I'm looking at it, like like yo, there's 414 00:20:17,760 --> 00:20:20,359 Speaker 1: there's too much power in that structure for somebody that 415 00:20:20,400 --> 00:20:22,560 Speaker 1: I don't even really feel like that, you know what 416 00:20:22,600 --> 00:20:25,080 Speaker 1: I'm saying, I feel comfortable given that kind of power. 417 00:20:25,480 --> 00:20:27,960 Speaker 1: What I'm saying. But I love Chris. But but they 418 00:20:28,040 --> 00:20:30,840 Speaker 1: got Chris in, you know, like their mentor, and Chris, 419 00:20:31,800 --> 00:20:34,800 Speaker 1: Chris was not a partner. Chris was coming in, little 420 00:20:34,840 --> 00:20:37,320 Speaker 1: coming in and you know, like and they're grooming him. Okay, 421 00:20:37,480 --> 00:20:39,840 Speaker 1: I'm saying, he's a little home It's okay at this point, 422 00:20:39,920 --> 00:20:41,399 Speaker 1: at this point, right, you know, I'm saying, So what 423 00:20:41,560 --> 00:20:44,959 Speaker 1: Chris does he respects you know, I'm saying, and he's like, yo, 424 00:20:45,160 --> 00:20:46,879 Speaker 1: you know I'm gonna put you. I'm gonna put you 425 00:20:47,000 --> 00:20:49,720 Speaker 1: somebody to trust. And I think you can trust because 426 00:20:50,119 --> 00:20:54,639 Speaker 1: uh shot him Latifa four Flavor unit. This is the 427 00:20:54,680 --> 00:20:58,560 Speaker 1: beginning of OKA. And so we had the deal. Flavor 428 00:20:58,600 --> 00:21:01,600 Speaker 1: of the Month was out already and Flavor you know 429 00:21:01,720 --> 00:21:07,400 Speaker 1: became our management sense and right right right, And Chris 430 00:21:07,480 --> 00:21:09,480 Speaker 1: w wasn't to Rushia you know now, and that's where 431 00:21:09,520 --> 00:21:11,760 Speaker 1: we parted. But you know that that was I was 432 00:21:11,840 --> 00:21:16,119 Speaker 1: in his office the week you know before he passed. 433 00:21:16,160 --> 00:21:17,399 Speaker 1: You know what I'm saying, So like you know, like 434 00:21:17,800 --> 00:21:20,120 Speaker 1: state my brother. You know what I'm saying. And God 435 00:21:20,160 --> 00:21:23,440 Speaker 1: bless yeah, God blessed sin silly like just a good man, 436 00:21:23,600 --> 00:21:25,440 Speaker 1: a good brother man. I definitely missed, you know what, 437 00:21:25,760 --> 00:21:28,800 Speaker 1: definitely missed. I don't wanted to switch to cheat. We'll 438 00:21:28,800 --> 00:21:32,280 Speaker 1: crip up. But before we do that, UM, I'll be 439 00:21:33,440 --> 00:21:35,480 Speaker 1: We're miss if I don't ask you this. Do you 440 00:21:35,560 --> 00:21:43,800 Speaker 1: think Chris killed this up? Um? It doesn't seem like 441 00:21:45,080 --> 00:21:48,359 Speaker 1: like like the brother I knew. But one thing happened 442 00:21:48,400 --> 00:21:51,040 Speaker 1: when when I went to go see Chris, we had 443 00:21:51,080 --> 00:21:53,359 Speaker 1: a conversation that we had never had before where he 444 00:21:53,480 --> 00:21:58,920 Speaker 1: was talking about, um, we are just talking about inside 445 00:21:58,960 --> 00:22:01,119 Speaker 1: the house, you know what I'm saying, Like like me 446 00:22:01,200 --> 00:22:03,399 Speaker 1: and christ knowing each other a lot of years and 447 00:22:04,000 --> 00:22:06,199 Speaker 1: you know, and and seeing each other through a lot 448 00:22:06,240 --> 00:22:08,840 Speaker 1: of situations, but we generally didn't have the in the 449 00:22:08,920 --> 00:22:12,399 Speaker 1: house about what's going on, you know I'm saying. So, 450 00:22:12,720 --> 00:22:15,520 Speaker 1: you know, So that kind of struck me, like I'll 451 00:22:15,560 --> 00:22:19,720 Speaker 1: never forget that, you know what I'm saying. And I 452 00:22:19,880 --> 00:22:23,200 Speaker 1: do know for me to have a conversation like that 453 00:22:23,440 --> 00:22:27,879 Speaker 1: with him, he was not in the right space. Not 454 00:22:28,000 --> 00:22:29,639 Speaker 1: to say in the race space, because I don't know 455 00:22:29,720 --> 00:22:32,560 Speaker 1: what the race spaces I'm saying, but but he was 456 00:22:32,640 --> 00:22:35,680 Speaker 1: in a space that I didn't really know him for 457 00:22:35,840 --> 00:22:37,760 Speaker 1: being it, you know what I'm saying, like like like 458 00:22:37,880 --> 00:22:39,760 Speaker 1: you know, like he was he was sharing a few 459 00:22:39,840 --> 00:22:43,000 Speaker 1: things that you know, like like like like that he 460 00:22:43,160 --> 00:22:45,119 Speaker 1: just never shared before. And I've been around him for 461 00:22:45,160 --> 00:22:47,040 Speaker 1: a lot of years and and I'm sure you know, 462 00:22:47,160 --> 00:22:49,280 Speaker 1: there's ups and downs, you know, in all of our lives, 463 00:22:49,320 --> 00:22:51,399 Speaker 1: you know what I'm saying. And you know, to the 464 00:22:51,480 --> 00:22:53,320 Speaker 1: degree that he shared a couple of things that I 465 00:22:53,600 --> 00:22:56,480 Speaker 1: you know, like it really kind of kind is stuck 466 00:22:56,560 --> 00:22:59,760 Speaker 1: with me, you know. So you know, so when everything happened, 467 00:23:02,080 --> 00:23:05,080 Speaker 1: I've never known what to think, but it it didn't 468 00:23:05,119 --> 00:23:11,840 Speaker 1: seem like the type of characteristics characteristics that um that 469 00:23:12,119 --> 00:23:14,879 Speaker 1: I knew him to have, you know, like like like 470 00:23:14,960 --> 00:23:17,200 Speaker 1: Chris was a fighter, you know what I'm saying, Like 471 00:23:17,320 --> 00:23:19,960 Speaker 1: even even yeah, you know I was with Chris when 472 00:23:20,080 --> 00:23:23,280 Speaker 1: he got cut us at night, you know, when Chris 473 00:23:23,400 --> 00:23:24,720 Speaker 1: got cut, you know what I'm saying, Like you know, 474 00:23:24,840 --> 00:23:30,760 Speaker 1: like you know, like we swore goes the club. No, No, 475 00:23:30,960 --> 00:23:36,520 Speaker 1: it was uh right right bick square, Like yeah, I 476 00:23:36,520 --> 00:23:38,840 Speaker 1: mean you know, like like Chris was a fighter, you 477 00:23:38,880 --> 00:23:40,359 Speaker 1: know what I'm saying, Like you know, and you know, 478 00:23:40,440 --> 00:23:42,320 Speaker 1: and we were all New Yorkers you know what I'm saying, 479 00:23:42,400 --> 00:23:45,320 Speaker 1: Like it's something about being in New Yorker, like you know, 480 00:23:45,480 --> 00:23:50,400 Speaker 1: like all our odds can be against you, you know, yeah, yeah, 481 00:23:50,440 --> 00:23:53,720 Speaker 1: right exactly, like you know, like we just don't quit, 482 00:23:53,840 --> 00:23:56,080 Speaker 1: you know what I'm saying. So it hurt. It hurt 483 00:23:56,960 --> 00:24:02,159 Speaker 1: me that, um, and there's so much down That's what 484 00:24:02,280 --> 00:24:06,320 Speaker 1: hurts me. That's what hurts me is that I like, definitively, 485 00:24:07,000 --> 00:24:09,320 Speaker 1: I was like, Nope, he didn't do he didn't do that, 486 00:24:09,520 --> 00:24:11,440 Speaker 1: Like this is a setup. And then I started to 487 00:24:11,520 --> 00:24:15,159 Speaker 1: hang with certain people and certain people revealing things, and 488 00:24:15,600 --> 00:24:19,600 Speaker 1: I mind you, I'm I'm young, young, so like I 489 00:24:19,680 --> 00:24:22,119 Speaker 1: don't think he ever revealed certain ship to me like 490 00:24:22,200 --> 00:24:24,920 Speaker 1: he always I could, like he was this strong guy, 491 00:24:25,000 --> 00:24:27,000 Speaker 1: like even at times when I knew he was vulnerable. 492 00:24:27,320 --> 00:24:29,280 Speaker 1: So I say that. Before I say that, I want 493 00:24:29,280 --> 00:24:31,480 Speaker 1: to ask you the same question, Um, do you think, 494 00:24:31,520 --> 00:24:35,119 Speaker 1: because you have the same relationship with Chris pretty much right, Um, 495 00:24:35,480 --> 00:24:37,840 Speaker 1: do you think he killed this up? I mean, of 496 00:24:37,960 --> 00:24:40,920 Speaker 1: course the immediate answers to say no, because Chris, I 497 00:24:41,080 --> 00:24:44,280 Speaker 1: know well never would never take his own life. But 498 00:24:44,440 --> 00:24:46,920 Speaker 1: at the same time, I was gone, like I was 499 00:24:46,960 --> 00:24:49,760 Speaker 1: away for twelve years and you know, I got relasd 500 00:24:49,920 --> 00:24:52,359 Speaker 1: Chris passed away while he was. I got released like 501 00:24:52,520 --> 00:24:54,840 Speaker 1: on a Tuesday, and Chris fast like a third like 502 00:24:54,920 --> 00:24:56,800 Speaker 1: two like a day and two after I got released. 503 00:24:57,880 --> 00:25:00,840 Speaker 1: We need to get a se crazy that dres that 504 00:25:00,960 --> 00:25:04,800 Speaker 1: hit me like, yo, Chris want to see you. It 505 00:25:05,000 --> 00:25:07,080 Speaker 1: just was like the day I came home, he was like, yo, 506 00:25:07,200 --> 00:25:09,399 Speaker 1: Chris want to see you. And I was like, all right, 507 00:25:09,600 --> 00:25:13,320 Speaker 1: you got some bread. And he was still trying to help, 508 00:25:13,359 --> 00:25:14,840 Speaker 1: you know what, saying like like like, Chris, you know 509 00:25:15,240 --> 00:25:18,840 Speaker 1: this is my word, Chris, I was releasing an independent project. 510 00:25:19,080 --> 00:25:21,239 Speaker 1: Um you're saying like I've been releasing independent projects over 511 00:25:21,240 --> 00:25:22,520 Speaker 1: the years, you know, just on my own, my own 512 00:25:22,520 --> 00:25:25,480 Speaker 1: little label and kind of just you know, staying you know, 513 00:25:26,280 --> 00:25:29,320 Speaker 1: with my feet, you know, in the culture to how 514 00:25:29,400 --> 00:25:31,600 Speaker 1: I feel. So I was releasing this project called up 515 00:25:31,880 --> 00:25:34,119 Speaker 1: from the Blackpool of Genius, and I stopped by Chris's 516 00:25:34,160 --> 00:25:36,480 Speaker 1: office and let him hear it and talk to him about, 517 00:25:36,520 --> 00:25:39,119 Speaker 1: you know, possibilities of how to push your full it. 518 00:25:39,640 --> 00:25:41,919 Speaker 1: Chris jumped on the phone, maybe about three phone calls 519 00:25:42,920 --> 00:25:48,159 Speaker 1: on behalf of it right there. Ye, Chris hadn't managed 520 00:25:48,200 --> 00:25:50,600 Speaker 1: me since he handed me to chuck him. He still 521 00:25:50,680 --> 00:25:53,159 Speaker 1: was a brother, know what I'm saying, Like that was 522 00:25:53,240 --> 00:25:55,200 Speaker 1: my dude, Like you know, like that was because you 523 00:25:55,200 --> 00:25:57,440 Speaker 1: went to Flavor, you know, like but that was my 524 00:25:57,720 --> 00:26:00,159 Speaker 1: could I could call Chris about anything like you know, 525 00:26:00,560 --> 00:26:02,600 Speaker 1: and like I said, we didn't. We didn't really reach 526 00:26:02,640 --> 00:26:05,960 Speaker 1: out to each other like that, but it was always bad, 527 00:26:06,040 --> 00:26:08,440 Speaker 1: you know what I'm saying, Like like you know, you know, 528 00:26:08,480 --> 00:26:11,440 Speaker 1: I could literally just jump in his car and you know, 529 00:26:11,560 --> 00:26:13,640 Speaker 1: like yo, where you're going, you know, dropped me off 530 00:26:13,840 --> 00:26:16,439 Speaker 1: here like like it was like my brother like brothers, 531 00:26:16,560 --> 00:26:19,000 Speaker 1: like you know what I'm saying, Like we negotiated his 532 00:26:19,119 --> 00:26:21,440 Speaker 1: first deal, my first deal, you know what I'm saying, 533 00:26:21,680 --> 00:26:25,040 Speaker 1: So so we knew each other before that, you know 534 00:26:25,040 --> 00:26:27,840 Speaker 1: I'm saying like it wasn't something that was he didn't 535 00:26:27,840 --> 00:26:29,600 Speaker 1: look at me and see dress a black sheet. I 536 00:26:29,640 --> 00:26:31,720 Speaker 1: didn't look at him and see baby Chris when we 537 00:26:31,880 --> 00:26:33,840 Speaker 1: was rocking, you know what I'm saying, Like we had 538 00:26:34,119 --> 00:26:36,919 Speaker 1: we was already rockhead and Red really was like oh 539 00:26:37,119 --> 00:26:39,400 Speaker 1: and really he's the one that put me in sheer 540 00:26:39,440 --> 00:26:44,920 Speaker 1: together really like I used to like when they had sessions. 541 00:26:45,600 --> 00:26:47,920 Speaker 1: I guess Chris would have dress and long and long 542 00:26:48,119 --> 00:26:50,080 Speaker 1: like probably writing for me with the beating, because the 543 00:26:50,119 --> 00:26:52,520 Speaker 1: beating us was producing my first album, because I was 544 00:26:53,600 --> 00:26:59,520 Speaker 1: shout out to the beat. I think, like I feel 545 00:26:59,560 --> 00:27:07,639 Speaker 1: like yo, like Chris just like left me there. It 546 00:27:07,760 --> 00:27:13,640 Speaker 1: was just like like but to his credit, he wasn't 547 00:27:13,640 --> 00:27:16,000 Speaker 1: an average kid. What I'm saying, like this kid have 548 00:27:16,200 --> 00:27:18,560 Speaker 1: more sneakers and tasting, you know what I'm saying, and 549 00:27:19,119 --> 00:27:22,520 Speaker 1: and and alpha numeric beep when cats, you know what 550 00:27:22,520 --> 00:27:25,760 Speaker 1: I'm saying, was trying to send hello to their girls. 551 00:27:26,240 --> 00:27:28,680 Speaker 1: You know, I'm saying seven whatever the hell? You know 552 00:27:28,720 --> 00:27:32,280 Speaker 1: what I'm saying, Like she was ahead of grown men 553 00:27:33,119 --> 00:27:36,160 Speaker 1: on a certain level. I don't even think he realized 554 00:27:37,119 --> 00:27:39,680 Speaker 1: how fly he was to a degree, you know what 555 00:27:39,680 --> 00:27:41,879 Speaker 1: I'm saying, Like like she was a flat cat, you know, 556 00:27:42,400 --> 00:27:46,399 Speaker 1: young dude. So even in him getting dropped off, it 557 00:27:46,600 --> 00:27:50,360 Speaker 1: was like all right, you know, like I don't mind, 558 00:27:50,680 --> 00:27:53,520 Speaker 1: you know, like you know, like he's he's not gonna, 559 00:27:53,560 --> 00:27:55,840 Speaker 1: he's not gonna, he's not gonna bother me. You know 560 00:27:55,840 --> 00:27:57,399 Speaker 1: I'm saying, like it was I used to get me 561 00:27:57,520 --> 00:28:00,680 Speaker 1: in spots still you do read dressing read They used 562 00:28:00,680 --> 00:28:04,400 Speaker 1: to get me in everywhere, and I was it wasn't young. 563 00:28:04,480 --> 00:28:07,680 Speaker 1: I was little. I was will a little, you know, 564 00:28:07,760 --> 00:28:09,840 Speaker 1: I used to make it happen. Is Red is the 565 00:28:09,920 --> 00:28:12,800 Speaker 1: uncle that's in everybody's family that that you know, like 566 00:28:12,960 --> 00:28:15,719 Speaker 1: he used the one that gives you your first bid man. 567 00:28:15,920 --> 00:28:17,879 Speaker 1: He had him here and he's like, yeah, yeah, you 568 00:28:17,960 --> 00:28:21,840 Speaker 1: know right ya young smoke, you have a smoke. I 569 00:28:21,920 --> 00:28:24,119 Speaker 1: guess me and dress kind of clicked more because I 570 00:28:24,200 --> 00:28:27,280 Speaker 1: guess because everybook from meybody, how we look and everybody 571 00:28:27,359 --> 00:28:30,639 Speaker 1: was like brothers. Definitely looked like we just started running 572 00:28:30,640 --> 00:28:32,720 Speaker 1: around like and it's my word, like I was doing 573 00:28:32,800 --> 00:28:34,240 Speaker 1: your album. I remember I used to be in the 574 00:28:34,320 --> 00:28:37,159 Speaker 1: car with Chris like, Yo, you're giving dressing them all 575 00:28:37,240 --> 00:28:43,920 Speaker 1: a good beats like you're gonna be yeah yo, And 576 00:28:43,960 --> 00:28:46,080 Speaker 1: I remember it's my words back in those days too, 577 00:28:46,200 --> 00:28:47,880 Speaker 1: like you know, because you used to around Micet and 578 00:28:47,920 --> 00:28:51,600 Speaker 1: I remember my feet could barely touch the floor in 579 00:28:51,640 --> 00:28:54,520 Speaker 1: the back seat of my car, like I'll been running 580 00:28:54,520 --> 00:28:56,360 Speaker 1: them since then, like you know, like those was to 581 00:28:56,640 --> 00:29:00,720 Speaker 1: my song, Yeah, like those is you know, this is 582 00:29:00,760 --> 00:29:03,040 Speaker 1: my word. Him and Mice was you know, around, was 583 00:29:03,080 --> 00:29:06,480 Speaker 1: around me and I used to I love to see 584 00:29:06,560 --> 00:29:10,120 Speaker 1: them because they were like just official young cats. You 585 00:29:10,120 --> 00:29:12,520 Speaker 1: know what I'm saying, like just really official cats. I mean, 586 00:29:12,560 --> 00:29:14,800 Speaker 1: you know what I'm saying, Like I love seeing them. 587 00:29:15,720 --> 00:29:18,600 Speaker 1: Later on, I felt a little guilty because I felt like, 588 00:29:19,800 --> 00:29:22,720 Speaker 1: maybe you know, like you know, you wouldn't know what 589 00:29:23,080 --> 00:29:25,120 Speaker 1: to look at me. But maybe I felt like, you know, 590 00:29:25,280 --> 00:29:27,480 Speaker 1: maybe on the undercurrent these things that people don't know 591 00:29:27,560 --> 00:29:29,120 Speaker 1: about me, maybe I was doing a little too much 592 00:29:29,200 --> 00:29:32,480 Speaker 1: around you. You know what I'm saying. So I think 593 00:29:32,560 --> 00:29:38,040 Speaker 1: you both had good hair, beautiful this is true. So 594 00:29:38,200 --> 00:29:39,840 Speaker 1: that means you were smashing a lot. It's a lot 595 00:29:39,840 --> 00:29:42,680 Speaker 1: of finger popping a lot. I mean it was going down. 596 00:29:42,760 --> 00:29:49,720 Speaker 1: Let's make When we lived, Dress had an apartment in 597 00:29:49,800 --> 00:29:52,160 Speaker 1: the Bronx on Theory and it was crazy. It was 598 00:29:52,200 --> 00:29:56,040 Speaker 1: like a two family house. I believe Schoubiz lived downstairs. Downstairs. 599 00:29:56,040 --> 00:29:58,680 Speaker 1: I had the upstain Dress at the upstairs. I was 600 00:29:58,760 --> 00:30:00,400 Speaker 1: in v A and I wasn't even know bucking out, 601 00:30:00,480 --> 00:30:03,520 Speaker 1: you know, getting bulls, getting in this bullshit. Gress was like, yo, 602 00:30:03,600 --> 00:30:05,760 Speaker 1: come on, So he brought me. His son from North 603 00:30:05,840 --> 00:30:08,000 Speaker 1: Carolina wasn't there. You know, he came for the summers, 604 00:30:08,600 --> 00:30:10,920 Speaker 1: so he had to call back the racing car bad Yo, 605 00:30:11,240 --> 00:30:13,080 Speaker 1: and it's funny that you say the finger popping like 606 00:30:13,520 --> 00:30:17,240 Speaker 1: so much ship went down on the racing. She was amazing, 607 00:30:17,400 --> 00:30:21,480 Speaker 1: Like that was the racing cloth back, got it. He'd 608 00:30:21,480 --> 00:30:23,360 Speaker 1: be bringing all kinds you know like she was. You know, 609 00:30:23,520 --> 00:30:26,040 Speaker 1: like his two stop strong level was out the room, 610 00:30:26,120 --> 00:30:30,320 Speaker 1: you know, beyond beyond normal, and he'd be yo, man, 611 00:30:30,440 --> 00:30:33,240 Speaker 1: this dude, I felt. I thought I thought I was 612 00:30:33,360 --> 00:30:37,200 Speaker 1: nice with it, but um, yeah, yeah, she's she's exceptional. 613 00:30:38,040 --> 00:30:40,600 Speaker 1: So let me actually just say, okay, saying something bad, 614 00:30:41,120 --> 00:30:43,479 Speaker 1: but let me ask you to say the question um earlier, 615 00:30:43,560 --> 00:30:45,680 Speaker 1: like so that how did you get down with native tone? 616 00:30:45,720 --> 00:30:48,160 Speaker 1: Because it's like only I had your own careers, but 617 00:30:48,240 --> 00:30:50,840 Speaker 1: then this was this was like your family outside of 618 00:30:50,880 --> 00:30:53,520 Speaker 1: your family, so like how did how did you? How 619 00:30:53,560 --> 00:30:56,160 Speaker 1: did it even start? I got damn? I'm from call Ops, 620 00:30:56,160 --> 00:30:58,360 Speaker 1: sitting in the bronx. Okay, I guess, you know, just 621 00:30:58,400 --> 00:31:00,960 Speaker 1: hanging out outside. I was let twelve, you know, after 622 00:31:01,000 --> 00:31:04,760 Speaker 1: school on weekends, Alison and Keith of the Safari Sisters, 623 00:31:04,760 --> 00:31:07,160 Speaker 1: they used to dance for our teeth. It was like 624 00:31:07,240 --> 00:31:09,320 Speaker 1: one summer they had their own apartment because they all 625 00:31:09,360 --> 00:31:12,080 Speaker 1: knew my my older brothers, you know, from high school, 626 00:31:12,080 --> 00:31:14,400 Speaker 1: from Truman and all that. So I was like little. 627 00:31:14,440 --> 00:31:17,200 Speaker 1: I was a little cheap little brother Troit little brother. 628 00:31:17,360 --> 00:31:20,400 Speaker 1: So it was once something. Allowed used to always that's summer. 629 00:31:20,440 --> 00:31:23,520 Speaker 1: She used to be there and everybody, like everybody used 630 00:31:23,520 --> 00:31:29,120 Speaker 1: to be there, like from Special. Let you say, Latifa 631 00:31:29,240 --> 00:31:32,360 Speaker 1: used to be there and um you know, she was 632 00:31:32,400 --> 00:31:34,280 Speaker 1: staying with her dances and it was just like that 633 00:31:34,480 --> 00:31:37,120 Speaker 1: was like the party house, like and you gotta remember 634 00:31:37,160 --> 00:31:39,600 Speaker 1: this is like the late eighties, so Latif is Latieth 635 00:31:39,640 --> 00:31:44,640 Speaker 1: for empty lights there everybody Special led epmbs like saying, 636 00:31:44,720 --> 00:31:48,200 Speaker 1: but they say, we was like yeo, this ship is 637 00:31:48,320 --> 00:31:49,840 Speaker 1: little over, you know what I mean. And I was 638 00:31:49,920 --> 00:31:52,240 Speaker 1: just little cheat and I used to I guess I 639 00:31:52,360 --> 00:31:55,640 Speaker 1: just knew Alice was a little I was pat like twelve, 640 00:31:57,280 --> 00:31:58,600 Speaker 1: you know what I'm saying. Like I used to be 641 00:31:58,760 --> 00:32:01,920 Speaker 1: the little old nigga just having holding their cracks, like 642 00:32:02,560 --> 00:32:07,160 Speaker 1: just through and this before I had to record out, 643 00:32:08,400 --> 00:32:10,360 Speaker 1: like they had Alison and Keeper's house. It was like 644 00:32:11,000 --> 00:32:13,880 Speaker 1: it was like the hip hop hangout. So I used 645 00:32:13,880 --> 00:32:15,880 Speaker 1: to just be hanging out. They needed something from the store, 646 00:32:15,960 --> 00:32:17,480 Speaker 1: you know, if they're going to smoke weed, they'd be 647 00:32:17,560 --> 00:32:18,960 Speaker 1: like cheating the room, you know, what I mean that 648 00:32:19,080 --> 00:32:22,160 Speaker 1: type thing. But and so Chris was always there and 649 00:32:22,720 --> 00:32:25,200 Speaker 1: being at there was so many chicks. Christ and Shot 650 00:32:25,320 --> 00:32:27,360 Speaker 1: Kim was like the only dudes that was always there. 651 00:32:27,440 --> 00:32:29,440 Speaker 1: So I always was cool with Christ and Shot and 652 00:32:29,480 --> 00:32:31,920 Speaker 1: I guess because Chris was from the Bronx, we just 653 00:32:32,080 --> 00:32:35,160 Speaker 1: clicked more. And then um I had asked Lock they 654 00:32:35,200 --> 00:32:36,760 Speaker 1: had to shell big show at the at the Apolo. 655 00:32:36,880 --> 00:32:39,160 Speaker 1: I asked her could I because she get me tickets 656 00:32:39,440 --> 00:32:41,320 Speaker 1: and she was like, why don't you just come with us? 657 00:32:41,320 --> 00:32:42,720 Speaker 1: And I was like cool. So when we get to 658 00:32:42,800 --> 00:32:46,160 Speaker 1: the Apollo, I went with Chris and the Jungle Brothers 659 00:32:46,160 --> 00:32:48,080 Speaker 1: because you know they was girls. They had to change 660 00:32:48,120 --> 00:32:49,320 Speaker 1: and ship, you know what I mean. So I went 661 00:32:49,400 --> 00:32:51,760 Speaker 1: with the Fellas and then I think Africa missed the 662 00:32:51,840 --> 00:32:54,880 Speaker 1: flight from like London, so you know, Sammy and Sammy 663 00:32:54,920 --> 00:32:56,840 Speaker 1: Be and Mike g was kind of figure out how 664 00:32:56,880 --> 00:32:58,320 Speaker 1: was they gonna do the show and I just was like, 665 00:32:58,800 --> 00:33:02,440 Speaker 1: let me run. They was like what, Like I didn't 666 00:33:02,480 --> 00:33:06,240 Speaker 1: even know where she came from, because anybody now, I 667 00:33:06,480 --> 00:33:09,120 Speaker 1: never wrote a rap like I think I had. I 668 00:33:09,240 --> 00:33:12,120 Speaker 1: had my pap sent me to like African man classes 669 00:33:12,160 --> 00:33:14,440 Speaker 1: and queens, like I think it was on Jamaica or 670 00:33:14,520 --> 00:33:16,320 Speaker 1: Hillside that back in the day, and they used to 671 00:33:16,400 --> 00:33:19,120 Speaker 1: make us write poetry. So I had like three or 672 00:33:19,160 --> 00:33:22,480 Speaker 1: four poems. But you know, to me, I guess, poetry 673 00:33:22,600 --> 00:33:25,280 Speaker 1: wasn't cool. So to me, they was my my little rap. 674 00:33:25,400 --> 00:33:29,680 Speaker 1: So that's how I composed it. So um, Chris was 675 00:33:29,720 --> 00:33:31,400 Speaker 1: like what you're gonna say? So I said to run 676 00:33:31,480 --> 00:33:33,880 Speaker 1: and Chris was like word him and Mike Mike was like, 677 00:33:34,000 --> 00:33:36,200 Speaker 1: not gonna be scared. I was like nah, it was 678 00:33:36,280 --> 00:33:39,960 Speaker 1: like I Mike g called me out. And that was 679 00:33:40,240 --> 00:33:43,080 Speaker 1: my first time performing. I rocked up polo. You know 680 00:33:43,440 --> 00:33:49,280 Speaker 1: this is the skipped over that lord pollow the first performance. 681 00:33:50,640 --> 00:33:54,640 Speaker 1: He said, that's so the was just like oh shorty, 682 00:33:54,760 --> 00:33:57,200 Speaker 1: like the ship was at many club and no one cared. 683 00:33:59,840 --> 00:34:01,760 Speaker 1: I'm like, I swear to go, like I never thought 684 00:34:01,800 --> 00:34:05,400 Speaker 1: about rapping. I never It just it was meant to be, 685 00:34:05,520 --> 00:34:07,160 Speaker 1: I guess. And when I got off the stage, the 686 00:34:07,240 --> 00:34:09,640 Speaker 1: Jungle Brothers were still performing and Chris was like, yo, 687 00:34:10,360 --> 00:34:12,759 Speaker 1: I just started the label on the son you You're 688 00:34:12,760 --> 00:34:14,480 Speaker 1: gonna be the first person on song. But let me 689 00:34:14,520 --> 00:34:17,200 Speaker 1: ask you, so when you hit that stage, what what 690 00:34:17,440 --> 00:34:19,440 Speaker 1: was it? It wasn't the adrenaline or was it the 691 00:34:19,480 --> 00:34:22,719 Speaker 1: people's reaction? Was it just the performance or what the book? Like, 692 00:34:22,840 --> 00:34:25,840 Speaker 1: I was nervous, as Okay, that's true, that's that's adrenaline, 693 00:34:25,880 --> 00:34:30,040 Speaker 1: that's saying. So the adrenaline definitely was floying. But I 694 00:34:30,120 --> 00:34:34,480 Speaker 1: don't know, like I just I just went for minds, like, 695 00:34:34,640 --> 00:34:36,719 Speaker 1: I can't tell you what it was. I just was like, 696 00:34:36,840 --> 00:34:41,200 Speaker 1: that's called me. I just was like yo. But the 697 00:34:41,280 --> 00:34:46,440 Speaker 1: crowd had to react. And that's what really, you know, 698 00:34:46,480 --> 00:34:48,480 Speaker 1: what I'm saying made it pop because the crowd like 699 00:34:48,600 --> 00:34:50,120 Speaker 1: really took to me. Let me ask. You know, you 700 00:34:50,200 --> 00:34:53,719 Speaker 1: aren't your first shoes with comedy club. Nobody gave so. 701 00:34:54,880 --> 00:34:56,640 Speaker 1: And I was dating two girls at the time. I 702 00:34:56,680 --> 00:34:58,359 Speaker 1: didn't think either one of them would come, and they 703 00:34:58,440 --> 00:35:01,959 Speaker 1: both came. And I was saying ship like I didn't 704 00:35:01,960 --> 00:35:03,319 Speaker 1: think I was that and I was lit in the hood. 705 00:35:03,360 --> 00:35:04,960 Speaker 1: But that's nowhere else, nowhere else. No one I was 706 00:35:05,000 --> 00:35:08,520 Speaker 1: giving about me. So was it discouraging to you? No, 707 00:35:08,960 --> 00:35:13,080 Speaker 1: it was, and it wasn't. It was discouraging because it 708 00:35:13,200 --> 00:35:15,520 Speaker 1: was only people from my hood who kind of knew 709 00:35:15,560 --> 00:35:18,680 Speaker 1: me and knew my words. But everyone who wasn't from 710 00:35:18,760 --> 00:35:20,759 Speaker 1: the hood just looking at us like we was bozos 711 00:35:20,800 --> 00:35:22,480 Speaker 1: and looking at us like who the funk are they? 712 00:35:23,080 --> 00:35:25,319 Speaker 1: And they had not heard this new queen sound at 713 00:35:25,360 --> 00:35:28,120 Speaker 1: the time. You know what I'm saying that we was 714 00:35:28,520 --> 00:35:31,759 Speaker 1: we was was actually advanced. So did it discourage me 715 00:35:31,840 --> 00:35:33,920 Speaker 1: a lot? Did I act like any discourage me? No, 716 00:35:34,560 --> 00:35:36,919 Speaker 1: but it did discourage me. When you when you're going 717 00:35:37,040 --> 00:35:39,759 Speaker 1: like this and the motherfucker ate moving that fucks you up. 718 00:35:40,560 --> 00:35:42,920 Speaker 1: You're like, wait a minute, I seemed the actor came 719 00:35:43,000 --> 00:35:46,239 Speaker 1: on before me. Look at you like it's always a 720 00:35:46,280 --> 00:35:48,960 Speaker 1: hardcore dude word and it's just standing it because because 721 00:35:48,960 --> 00:35:54,920 Speaker 1: he made it, he you doing his slot. That was 722 00:35:55,000 --> 00:35:57,560 Speaker 1: so always that one nig though, but now it was 723 00:35:57,640 --> 00:36:00,440 Speaker 1: all artists. There's no fans now it's really no I 724 00:36:00,560 --> 00:36:02,360 Speaker 1: really got only fans. They should make up at no 725 00:36:02,520 --> 00:36:06,399 Speaker 1: fans because there's no fans now everyone it's an artist. 726 00:36:06,480 --> 00:36:09,000 Speaker 1: Everyone's a star. Like that's the reasoning about the filters, Like, 727 00:36:09,480 --> 00:36:12,719 Speaker 1: you know, I wish that, you know, like when they 728 00:36:12,840 --> 00:36:16,480 Speaker 1: post new music, I wish they didn't have likes, like 729 00:36:17,239 --> 00:36:19,879 Speaker 1: like like you know, so that way, so that way, 730 00:36:20,000 --> 00:36:22,640 Speaker 1: you know what I'm saying, You're not liking something because 731 00:36:22,640 --> 00:36:25,240 Speaker 1: it's got a million views. I wish you don't have views. 732 00:36:25,680 --> 00:36:27,359 Speaker 1: You know what I'm saying, Like, like, so that way, 733 00:36:27,400 --> 00:36:29,120 Speaker 1: you know, like you keep the keep the stats, but 734 00:36:29,200 --> 00:36:32,239 Speaker 1: just don't making public because there's so many cats that 735 00:36:32,400 --> 00:36:36,520 Speaker 1: just like things. Because it's got a billion views, You're 736 00:36:36,520 --> 00:36:39,120 Speaker 1: absolutely right, because like Netflix don't give out their numbers. 737 00:36:39,280 --> 00:36:42,399 Speaker 1: But what Netflix do do is they'll put one, two, three, 738 00:36:42,520 --> 00:36:45,120 Speaker 1: four or five, six, seven, eight, nine, ten, So you're 739 00:36:45,280 --> 00:36:47,560 Speaker 1: you're you're drawing to that even though they ain't putting numbers, 740 00:36:47,880 --> 00:36:50,080 Speaker 1: Like if this ship is number one on netflicks, check 741 00:36:50,120 --> 00:36:52,040 Speaker 1: it out. Yeah, yeah, so you're right, you're the same 742 00:36:52,120 --> 00:36:53,839 Speaker 1: same thing, same in theory. You know what I'm saying, Like, Yo, 743 00:36:54,040 --> 00:36:57,239 Speaker 1: if something's got a billion views, yo, you I'm like 744 00:36:57,560 --> 00:36:59,200 Speaker 1: a billion people don't see this. I ain't seeing this. 745 00:36:59,480 --> 00:37:01,120 Speaker 1: That's right, you're saying, like, yeah, what is you know 746 00:37:01,239 --> 00:37:03,959 Speaker 1: saying you're automatically drawn to it and everybody that sees 747 00:37:04,000 --> 00:37:07,520 Speaker 1: it is. But if if there's no views, if there's 748 00:37:07,560 --> 00:37:12,440 Speaker 1: no likes, then when I hear something, I like it 749 00:37:12,480 --> 00:37:14,359 Speaker 1: because I like it. But you know what I'm saying, 750 00:37:14,360 --> 00:37:15,759 Speaker 1: I like it because it resonates. I like because it 751 00:37:15,760 --> 00:37:18,960 Speaker 1: speaks to me. What I'm saying, it's not that it's popular, 752 00:37:19,080 --> 00:37:20,960 Speaker 1: it's not that you know, this is the end thing 753 00:37:21,080 --> 00:37:23,560 Speaker 1: and this is the next this is the prototype, this 754 00:37:23,600 --> 00:37:27,839 Speaker 1: is the blue print. Not it's organic what I'm saying. 755 00:37:27,880 --> 00:37:31,279 Speaker 1: And that's where all music comes from. I missed that 756 00:37:31,440 --> 00:37:33,800 Speaker 1: aspect of our music because all of the records that 757 00:37:33,880 --> 00:37:37,200 Speaker 1: exist today, they existed back then, you know, saying all 758 00:37:37,480 --> 00:37:41,600 Speaker 1: a little ridiculous whatever over the top of the all 759 00:37:41,680 --> 00:37:45,000 Speaker 1: of that, you know, wearing whatever that. No, No, the 760 00:37:45,239 --> 00:37:51,680 Speaker 1: difference is that it was juxtaposed next to equality, you 761 00:37:51,719 --> 00:37:53,920 Speaker 1: know what I'm saying, like like like there was you got. 762 00:37:54,280 --> 00:37:56,719 Speaker 1: It wasn't French fries every day. You know, I'm saying, 763 00:37:56,760 --> 00:38:00,200 Speaker 1: you had the choice French fries, steak, potatoes. You could 764 00:38:00,200 --> 00:38:02,120 Speaker 1: be a vegan, you could be you know, you could 765 00:38:02,120 --> 00:38:05,200 Speaker 1: be your meat lover's platinum. It didn't matter. But but 766 00:38:05,360 --> 00:38:08,120 Speaker 1: you got a chance to make your own plate. Nowadays, 767 00:38:09,680 --> 00:38:11,759 Speaker 1: it's just fresh. It's just all French fries. It's a 768 00:38:11,800 --> 00:38:13,960 Speaker 1: little bit of the twist. Something is chili French fries. 769 00:38:14,600 --> 00:38:19,160 Speaker 1: Some got cayenne pepper on them, some got pieces of 770 00:38:19,239 --> 00:38:24,200 Speaker 1: ship it. But it's all fed. But it's but I 771 00:38:24,280 --> 00:38:26,880 Speaker 1: take away the views too, because you can manipulate that, 772 00:38:27,719 --> 00:38:30,160 Speaker 1: you know, because before it was word of mouth, it 773 00:38:30,280 --> 00:38:31,960 Speaker 1: was people telling you this is dope, and then you 774 00:38:32,120 --> 00:38:33,480 Speaker 1: listen to it. If it was dope, it was dope, 775 00:38:33,520 --> 00:38:35,359 Speaker 1: you kept and you pass it off to your friends 776 00:38:35,360 --> 00:38:37,759 Speaker 1: and you hold me, you copy the tape. Now an 777 00:38:37,760 --> 00:38:40,560 Speaker 1: algorithm can dictate that, and that can be manipulated. And 778 00:38:41,000 --> 00:38:43,640 Speaker 1: also I give the power back to DJs. I hate 779 00:38:43,680 --> 00:38:46,880 Speaker 1: I hate that that music right now is what's the 780 00:38:46,920 --> 00:38:51,440 Speaker 1: word um that when it's played everywhere syndicated again, it's 781 00:38:51,440 --> 00:38:55,680 Speaker 1: programmed that the syndicated. The syndication sucks up up hip hop. 782 00:38:56,280 --> 00:38:58,520 Speaker 1: It takes away our creativity. It takes the power out 783 00:38:58,600 --> 00:39:02,320 Speaker 1: of DJ's hands. A d J in Baltimore or to 784 00:39:02,400 --> 00:39:04,960 Speaker 1: be able to introduce the people of Baltimore to what's 785 00:39:05,000 --> 00:39:09,720 Speaker 1: popping in Bolton saying yeah, yeah, yeah, people in Virginia 786 00:39:09,800 --> 00:39:12,560 Speaker 1: need to know, Yo, this is you know what's going 787 00:39:12,640 --> 00:39:14,759 Speaker 1: on here? This is a new cat from all the 788 00:39:14,840 --> 00:39:17,880 Speaker 1: hood and and and and and each place gets a 789 00:39:17,960 --> 00:39:22,000 Speaker 1: chance to champion what's what's what's what's coming to the service. 790 00:39:22,360 --> 00:39:25,359 Speaker 1: But right now, everybody's playing the same record so much 791 00:39:25,400 --> 00:39:30,120 Speaker 1: in degree that cats don't even feel like there a 792 00:39:30,200 --> 00:39:31,759 Speaker 1: New York cat. Don't sound like a New York cat. 793 00:39:32,040 --> 00:39:35,000 Speaker 1: He sounds like a syndicated cat. It ain't even about 794 00:39:35,080 --> 00:39:37,759 Speaker 1: it ain't even about where, it ain't even about North 795 00:39:37,920 --> 00:39:40,279 Speaker 1: southeast what he sounds syndicated. I think a lot of 796 00:39:40,360 --> 00:39:45,680 Speaker 1: that I'm saying. The other day he was saying how 797 00:39:45,680 --> 00:39:48,480 Speaker 1: the music today doesn't last, and I think that's why 798 00:39:48,640 --> 00:39:51,839 Speaker 1: he said. But I think that's what what Dredge just said. 799 00:39:51,840 --> 00:39:55,960 Speaker 1: I think that's why we're living in the McDonald's world. 800 00:39:57,719 --> 00:40:01,320 Speaker 1: Everywhere you know, McDonald's friends ain't going, But we also 801 00:40:01,440 --> 00:40:03,840 Speaker 1: got some real hip hop ship here right right, you 802 00:40:03,880 --> 00:40:06,000 Speaker 1: know what I'm saying. And I want to bring my 803 00:40:06,120 --> 00:40:10,400 Speaker 1: man Molecules from the Legion. Dress is Dress is popping. 804 00:40:10,440 --> 00:40:12,799 Speaker 1: And he had his label One Love to Mercury through 805 00:40:12,840 --> 00:40:16,480 Speaker 1: PolyGram and the Legion was the first group that Word 806 00:40:16,640 --> 00:40:20,680 Speaker 1: of Mind introduced. Ques was with me from the beginning. Ques, 807 00:40:20,719 --> 00:40:22,920 Speaker 1: actually we used to be walking to shows from Van 808 00:40:23,960 --> 00:40:29,120 Speaker 1: Was you know you was actually road. I understand. I 809 00:40:29,120 --> 00:40:33,880 Speaker 1: don't even like that's got the game when you defense 810 00:40:33,960 --> 00:40:36,080 Speaker 1: is offense, you know what I'm saying. So I got 811 00:40:36,160 --> 00:40:37,840 Speaker 1: to say, who point you know what got me? I 812 00:40:37,960 --> 00:40:39,640 Speaker 1: got you? I got you. Let me just find some 813 00:40:39,719 --> 00:40:43,319 Speaker 1: covering them are let me bring him in. Okay, I'm sorry, 814 00:40:43,560 --> 00:40:45,600 Speaker 1: I'm sorry. Really was that before the teacher to take 815 00:40:45,640 --> 00:40:49,239 Speaker 1: over my shoulders? Now we gotta get into into the 816 00:40:49,320 --> 00:40:52,879 Speaker 1: Black Sheep first album and like yes, yes, yes, yeah. 817 00:40:53,040 --> 00:40:55,400 Speaker 1: Like I feel like, would you say that that's what 818 00:40:55,560 --> 00:41:01,439 Speaker 1: you're drinking the Yeah, someone drink, we're taking shots the record. 819 00:41:01,680 --> 00:41:08,359 Speaker 1: I'd like to keeping the Black owned. Basically, I'm talking shot. 820 00:41:08,440 --> 00:41:09,840 Speaker 1: You want to drink, I want to shot? All right, 821 00:41:09,880 --> 00:41:11,799 Speaker 1: let's do a shot. Kind of hurt me to say 822 00:41:11,840 --> 00:41:15,279 Speaker 1: that you say syndicated it's her hip hop, because I 823 00:41:15,320 --> 00:41:18,360 Speaker 1: feel like you're like, no, but that's a one record. 824 00:41:18,360 --> 00:41:21,520 Speaker 1: You're talking about the sound overall and people yeah, yeah, yeah, yeah, 825 00:41:21,520 --> 00:41:25,480 Speaker 1: but yeah, I say, like just to just to real 826 00:41:25,560 --> 00:41:28,879 Speaker 1: quickly there, the syndication I'm talking about is the same 827 00:41:29,040 --> 00:41:34,120 Speaker 1: playlist that every radio station is playing. It's the cookie 828 00:41:34,160 --> 00:41:36,719 Speaker 1: cutter ship. I just had a popular record saying that 829 00:41:36,840 --> 00:41:38,799 Speaker 1: that radio stations chose to play. You know I'm saying, 830 00:41:39,040 --> 00:41:42,800 Speaker 1: but the syndication is everyone that falls under the umbrella 831 00:41:42,960 --> 00:41:46,279 Speaker 1: of what's the heart radio plays the same they all 832 00:41:46,280 --> 00:41:50,640 Speaker 1: they all get the same list. Coconut coconup. Okay, you're 833 00:41:50,640 --> 00:41:52,839 Speaker 1: saying like like every all of these DJ's on all 834 00:41:52,880 --> 00:41:54,920 Speaker 1: of the power stations, they all get the same list, 835 00:41:55,160 --> 00:41:57,160 Speaker 1: all of the whatever stations, they'll get the same list. 836 00:41:57,239 --> 00:41:59,200 Speaker 1: That's what I'm talking about, Like they're taking the power 837 00:41:59,239 --> 00:42:03,920 Speaker 1: out of DJ's and what more these playlists, Like I 838 00:42:04,040 --> 00:42:06,279 Speaker 1: really believe there's an agenda, you know something, because the 839 00:42:06,320 --> 00:42:09,680 Speaker 1: playlists aren't aren't health Like why aren't our playlists healthy? 840 00:42:10,200 --> 00:42:15,719 Speaker 1: And yeah, like period, like like like the things that 841 00:42:15,880 --> 00:42:19,319 Speaker 1: that the things that have the largest platform, every every 842 00:42:19,400 --> 00:42:22,680 Speaker 1: radio station that has that, every power radio station, like 843 00:42:22,840 --> 00:42:24,840 Speaker 1: like like what what do we what do we feeding 844 00:42:24,920 --> 00:42:26,520 Speaker 1: these kids? You know what I'm saying, because at the 845 00:42:26,600 --> 00:42:29,520 Speaker 1: end of the day, like like the prison system is 846 00:42:29,600 --> 00:42:34,440 Speaker 1: really is really big business, and and and whose kids 847 00:42:34,680 --> 00:42:37,040 Speaker 1: are they gonna put into prison? What do these kids 848 00:42:37,120 --> 00:42:39,400 Speaker 1: listen to? Well, we don't want them to listen to 849 00:42:39,600 --> 00:42:42,160 Speaker 1: things that are gonna put them on the path that 850 00:42:42,680 --> 00:42:46,360 Speaker 1: a Chuck d or k r Rest might put them on, 851 00:42:46,640 --> 00:42:49,440 Speaker 1: or even a native tongue might put them on. You 852 00:42:49,480 --> 00:42:51,520 Speaker 1: know what I'm saying, like like like like how can 853 00:42:51,640 --> 00:42:55,520 Speaker 1: we you know what I'm saying, basically keep the agenda 854 00:42:56,120 --> 00:42:59,360 Speaker 1: as is well, basically, we can make sure all the 855 00:42:59,440 --> 00:43:02,479 Speaker 1: radio stats is the plan this sheet of paper saying, 856 00:43:02,760 --> 00:43:05,200 Speaker 1: and what's the one that the paper ain't healthy? I 857 00:43:05,360 --> 00:43:09,239 Speaker 1: agree and disagree. I not feel like say one thing. Listen, 858 00:43:09,320 --> 00:43:11,720 Speaker 1: our show is about bigging up all legends while they alive. 859 00:43:12,040 --> 00:43:14,200 Speaker 1: We want to let you know that this is about y'all, 860 00:43:14,400 --> 00:43:16,160 Speaker 1: the bringing in the holdie. After we do QuickTime with 861 00:43:16,239 --> 00:43:18,600 Speaker 1: Slime and I want to say, y'all legends and we 862 00:43:18,680 --> 00:43:22,279 Speaker 1: appreciate y'all. That's a little guy, Dad. That's a dred 863 00:43:26,600 --> 00:43:29,040 Speaker 1: That's all. I mean, you know I'm a marijuana. But 864 00:43:29,520 --> 00:43:31,680 Speaker 1: I think what Dreds is really saying is like back 865 00:43:31,719 --> 00:43:34,160 Speaker 1: in the days, if we went to Clue or Red 866 00:43:34,239 --> 00:43:36,359 Speaker 1: but the record, he would play it if he liked 867 00:43:36,400 --> 00:43:38,520 Speaker 1: it or if he didn't like it, would it. But 868 00:43:38,640 --> 00:43:40,320 Speaker 1: it's like you go to a DJ now when it's like, 869 00:43:40,400 --> 00:43:43,200 Speaker 1: well yo, it's you know, it's program directors, and it's 870 00:43:43,239 --> 00:43:45,640 Speaker 1: like yo, and what the funk you this one? Are you? 871 00:43:46,000 --> 00:43:48,040 Speaker 1: You're supposed to be the biggest nigger in this state. 872 00:43:48,960 --> 00:43:53,839 Speaker 1: Ain't play a record? You like? Yeah, lost their powers, right, 873 00:43:55,400 --> 00:44:02,839 Speaker 1: it was powers at radio lost their powers. It still up. 874 00:44:02,960 --> 00:44:08,719 Speaker 1: But but you certified crew. They don't got no um, 875 00:44:09,280 --> 00:44:11,480 Speaker 1: no ties and no radio station, no ties and nothing, 876 00:44:11,640 --> 00:44:14,759 Speaker 1: and they have their own following. Like I remember it, 877 00:44:14,800 --> 00:44:18,839 Speaker 1: it's been bad if I made if I made who 878 00:44:18,920 --> 00:44:22,560 Speaker 1: got that there are? But if I made one of 879 00:44:22,640 --> 00:44:25,960 Speaker 1: those right, but if I made the ones that mattered 880 00:44:26,080 --> 00:44:29,200 Speaker 1: when when the sound was being developed, was on the 881 00:44:29,360 --> 00:44:32,520 Speaker 1: radio at night on weekends, and it was the biggest 882 00:44:32,600 --> 00:44:35,880 Speaker 1: platform all music had. What I'm saying, So at the 883 00:44:36,000 --> 00:44:37,560 Speaker 1: end of the day, So at the end of the day, 884 00:44:37,880 --> 00:44:40,239 Speaker 1: let them other niggas be the lesson niggas. You know 885 00:44:40,239 --> 00:44:43,400 Speaker 1: what I'm saying. All music needs to be creative, Our 886 00:44:43,480 --> 00:44:45,160 Speaker 1: needs to be We need to be able to be 887 00:44:45,280 --> 00:44:47,759 Speaker 1: able to We need to be able to do the 888 00:44:47,840 --> 00:44:50,200 Speaker 1: things that that got us here. We're not even able 889 00:44:50,239 --> 00:44:52,400 Speaker 1: to do the things that got us here. You know 890 00:44:52,400 --> 00:44:54,279 Speaker 1: what I'm saying. Let the mother niggas be the be 891 00:44:54,400 --> 00:44:56,640 Speaker 1: the niggas. Yeah, yeah, Well there's some other niggas that's 892 00:44:56,640 --> 00:44:59,800 Speaker 1: doing some syndicated ship. They are whatever. They need to 893 00:44:59,800 --> 00:45:02,320 Speaker 1: be the lesson niggas, not us. We're the ones that 894 00:45:02,440 --> 00:45:04,919 Speaker 1: put it in the middle America's home. We're the reason 895 00:45:05,040 --> 00:45:07,680 Speaker 1: niggas is getting the paper they get you know what 896 00:45:07,719 --> 00:45:10,640 Speaker 1: I'm saying, and and and they and and and I 897 00:45:10,719 --> 00:45:13,600 Speaker 1: don't dig the ag ism that cats trying to play 898 00:45:13,719 --> 00:45:16,319 Speaker 1: in hip hop, especially when you know what I'm saying, 899 00:45:16,360 --> 00:45:19,520 Speaker 1: this is my word. Like yea, if you've been a 900 00:45:19,600 --> 00:45:23,680 Speaker 1: mechanic for twenty years, you're messing mechanic. You've been taking 901 00:45:23,719 --> 00:45:26,719 Speaker 1: taekwondo for thirty years, twenty years, you have messed a 902 00:45:26,800 --> 00:45:30,759 Speaker 1: taekwondo a third day and teacher. If you've been a chef, 903 00:45:30,880 --> 00:45:36,840 Speaker 1: your master chef, yo, these kids cannot compete. Just kidding, 904 00:45:37,800 --> 00:45:41,399 Speaker 1: how you gonna watch? How you gonna wah chefs at 905 00:45:41,440 --> 00:45:43,800 Speaker 1: all nicest? You know what I'm saying, like like like 906 00:45:43,840 --> 00:45:46,359 Speaker 1: I got I got, I got I like that you don't. 907 00:45:48,480 --> 00:45:50,320 Speaker 1: As a DJ, I gotta say, going back to the 908 00:45:50,440 --> 00:45:53,759 Speaker 1: DJ conversation, there was the era that and wronger right, 909 00:45:53,840 --> 00:45:57,160 Speaker 1: the era that that I'm coming from. DJ we dictated 910 00:45:57,239 --> 00:45:59,680 Speaker 1: to the audience what was dope R. That's what I'm saying. 911 00:46:00,880 --> 00:46:05,000 Speaker 1: It's different now the audience is telling the DJ. But 912 00:46:05,120 --> 00:46:07,319 Speaker 1: we're not gonna think. Let me just tell you something. 913 00:46:07,880 --> 00:46:09,759 Speaker 1: You're right to a certain extent. It's like me, like 914 00:46:09,840 --> 00:46:12,879 Speaker 1: one of my favorite DJ, DJ Camillo, Right, No, DJ 915 00:46:13,000 --> 00:46:16,120 Speaker 1: Camillo on the radio is playing a record for five 916 00:46:16,280 --> 00:46:20,399 Speaker 1: to fifteen seconds. You watch him in the club, he's 917 00:46:20,400 --> 00:46:23,200 Speaker 1: gonna tell that same record down. So what I'm saying 918 00:46:23,320 --> 00:46:25,400 Speaker 1: is to me, that's still a DJ to me because 919 00:46:25,440 --> 00:46:27,239 Speaker 1: he knows how to play it and he knows how 920 00:46:27,280 --> 00:46:29,880 Speaker 1: to sneak it in between these other top forty records 921 00:46:29,920 --> 00:46:32,600 Speaker 1: that are accepted not everybody's. But this is what I said. 922 00:46:32,640 --> 00:46:34,480 Speaker 1: I said, I said, they still exist. But you know what, 923 00:46:34,800 --> 00:46:37,680 Speaker 1: do you know what I want? I wonder, I wonder 924 00:46:37,800 --> 00:46:40,400 Speaker 1: how many DJs will be playing this ship though? How 925 00:46:40,440 --> 00:46:42,080 Speaker 1: many these will we will be playing the ship that 926 00:46:42,120 --> 00:46:45,320 Speaker 1: they're playing if it wasn't on that list on a 927 00:46:45,440 --> 00:46:50,080 Speaker 1: real say, how many of these money fun money? Don't 928 00:46:50,160 --> 00:46:51,960 Speaker 1: you can't give me money to pay that? You know 929 00:46:51,960 --> 00:46:54,600 Speaker 1: I'm saying this, This is still real DJ's out there 930 00:46:54,760 --> 00:46:57,320 Speaker 1: flexible to sell on money man, FLEXI money. You know 931 00:46:57,320 --> 00:46:59,040 Speaker 1: what I'm saying, Like like you know, at the end 932 00:46:59,080 --> 00:47:00,920 Speaker 1: of the day, I'm not speak on that at all, 933 00:47:01,560 --> 00:47:04,160 Speaker 1: just to say, you know what I'm saying, like flexa 934 00:47:05,440 --> 00:47:07,160 Speaker 1: I don't know, like this is my word, like like 935 00:47:09,360 --> 00:47:14,960 Speaker 1: and I'm not shouting Flex'm not, but but I'm but 936 00:47:15,040 --> 00:47:21,000 Speaker 1: I'm but I'm telling I'm telling everybody right now, just 937 00:47:21,400 --> 00:47:24,120 Speaker 1: shouting flex because you know what I'm saying. I don't. 938 00:47:24,160 --> 00:47:26,040 Speaker 1: I don't know what flex is doing, but I'm not 939 00:47:26,120 --> 00:47:28,800 Speaker 1: seeing that. But I do notice for a fact that 940 00:47:29,719 --> 00:47:32,680 Speaker 1: that any could be anything could be circumvented to be 941 00:47:33,440 --> 00:47:35,680 Speaker 1: whatever it needs to be. I'm saying it might not 942 00:47:35,760 --> 00:47:38,160 Speaker 1: be paper the way you get paid. You know what 943 00:47:38,200 --> 00:47:40,439 Speaker 1: I'm saying. But but don't think that somebody's not getting 944 00:47:40,480 --> 00:47:43,239 Speaker 1: paid because because because because you don't see the transaction. 945 00:47:43,560 --> 00:47:45,839 Speaker 1: You know, I assgue with you as well. But I'm 946 00:47:45,920 --> 00:47:49,359 Speaker 1: telling you I've seen people come with bags. Yeah, yeah, 947 00:47:50,080 --> 00:47:52,279 Speaker 1: I get it. I get it. If he don't like 948 00:47:52,440 --> 00:47:55,040 Speaker 1: the record, he will not do, doesn't doesn't have that, 949 00:47:55,120 --> 00:47:58,759 Speaker 1: doesn't have a marketing company. I know exactly what you're 950 00:47:58,760 --> 00:48:04,080 Speaker 1: going with it. Again, he's uh company, market company? Yeah yah, yeah, 951 00:48:04,120 --> 00:48:08,400 Speaker 1: yeah yeah, I just had a market the company. If 952 00:48:08,920 --> 00:48:12,800 Speaker 1: he had market I felt one point he had a 953 00:48:12,880 --> 00:48:16,600 Speaker 1: marketing company. You don't talk to me, Yeah, you get 954 00:48:16,640 --> 00:48:19,480 Speaker 1: your marketed. Yeah, don't talk to that. I say, I 955 00:48:20,239 --> 00:48:24,359 Speaker 1: say that that could be true. It's not even there 956 00:48:24,400 --> 00:48:26,399 Speaker 1: no more. So that's how them telling you. But I'm 957 00:48:26,440 --> 00:48:30,279 Speaker 1: just saying ship worked. I had a great relationship with him. 958 00:48:30,840 --> 00:48:32,239 Speaker 1: We were like this at one point when I was 959 00:48:32,280 --> 00:48:37,200 Speaker 1: platinum and I had that man a record. We're good, 960 00:48:38,239 --> 00:48:41,840 Speaker 1: he said, Doria ain't sucking with this ship. It was 961 00:48:41,880 --> 00:48:43,560 Speaker 1: nothing not gonna offer him. I couldn't offer him a 962 00:48:43,600 --> 00:48:46,680 Speaker 1: free performance at the tunnel. He wasn't fun with that record. 963 00:48:47,320 --> 00:48:50,239 Speaker 1: Then I came back two months later gave him a 964 00:48:50,320 --> 00:48:54,439 Speaker 1: record after this shoot out in front of Night seven. 965 00:48:54,440 --> 00:48:58,839 Speaker 1: I don't know nothing about I can't even give him 966 00:48:58,880 --> 00:49:01,480 Speaker 1: the record. I couldn't even physic like make eye contact 967 00:49:01,520 --> 00:49:03,320 Speaker 1: with him because I wasn't allowed in the building, so 968 00:49:03,440 --> 00:49:07,000 Speaker 1: I had to give him the record. Dude, I can't 969 00:49:07,000 --> 00:49:08,920 Speaker 1: even say a window. It was a door. So we 970 00:49:09,000 --> 00:49:11,640 Speaker 1: didn't physically make eye contact. Like I just seen his 971 00:49:11,920 --> 00:49:13,759 Speaker 1: hand and he's seen my brown skin hand. If he 972 00:49:13,800 --> 00:49:15,239 Speaker 1: just had to guess that we was each other, it 973 00:49:15,320 --> 00:49:16,800 Speaker 1: was like we was in jail, like you know what 974 00:49:16,800 --> 00:49:21,360 Speaker 1: I'm saying. Put and you could tell he played, he 975 00:49:21,400 --> 00:49:24,040 Speaker 1: could tell his his his confidence in me wasn't it 976 00:49:25,360 --> 00:49:27,080 Speaker 1: you know what I mean. I wasn't sure Flex was 977 00:49:27,280 --> 00:49:28,680 Speaker 1: a big fan of me or not. I know he 978 00:49:28,800 --> 00:49:31,240 Speaker 1: respected me and I respected him. But then he played 979 00:49:31,239 --> 00:49:33,880 Speaker 1: the record, and he played for two seconds. Homeboy. I 980 00:49:34,040 --> 00:49:37,080 Speaker 1: came the party and then he single handedly stopped that 981 00:49:37,160 --> 00:49:39,359 Speaker 1: motherfucker and was like, I'm sorry, Nor because he knew 982 00:49:39,360 --> 00:49:41,000 Speaker 1: he had funt of him. He knew he treated me 983 00:49:41,120 --> 00:49:45,320 Speaker 1: like like the guy asking for change, you know, downstairs, 984 00:49:45,360 --> 00:49:46,840 Speaker 1: and he gave me the change like this, like you 985 00:49:46,880 --> 00:49:48,879 Speaker 1: know what I mean, like like this. So I would 986 00:49:48,880 --> 00:49:52,480 Speaker 1: say that to say in his defense, where he liked something, 987 00:49:53,080 --> 00:49:55,560 Speaker 1: you ain't got to give him nothing. He's gonna get 988 00:49:55,600 --> 00:49:57,799 Speaker 1: behind it. He gonna he gonna because he's gonna put 989 00:49:57,880 --> 00:50:01,239 Speaker 1: hip hop first. And I know I'm my personal experience 990 00:50:01,600 --> 00:50:05,000 Speaker 1: as far as bread right, this is my word flex. 991 00:50:05,600 --> 00:50:10,480 Speaker 1: I've known flex. I remember I gave this chick some 992 00:50:10,600 --> 00:50:13,359 Speaker 1: party people big pick up this Sally. Sally was man cool. 993 00:50:13,520 --> 00:50:16,000 Speaker 1: I get Sally the Valleys, gave Salad some paper. She 994 00:50:16,080 --> 00:50:17,600 Speaker 1: had an all girl crew, gave us some paper. They 995 00:50:17,640 --> 00:50:20,920 Speaker 1: had original Flavor perform there at the party. You know 996 00:50:20,920 --> 00:50:25,560 Speaker 1: what I'm saying, And and and and I didn't have 997 00:50:25,640 --> 00:50:26,960 Speaker 1: nothing to do it just front of some paper, you 998 00:50:27,000 --> 00:50:28,319 Speaker 1: know what I'm saying. But I came by the party 999 00:50:28,320 --> 00:50:30,560 Speaker 1: and I'm saying it was dope, original flavor performance, saying 1000 00:50:30,560 --> 00:50:33,000 Speaker 1: at the table this young jay Z and Ski and 1001 00:50:33,000 --> 00:50:34,920 Speaker 1: all them, they saying at the table rocking, you know 1002 00:50:34,960 --> 00:50:37,319 Speaker 1: what I'm saying, And I probably a little hot because 1003 00:50:37,320 --> 00:50:38,880 Speaker 1: I probably should have rocked with him. But I was 1004 00:50:38,960 --> 00:50:40,360 Speaker 1: just taking it all in the high, you know what 1005 00:50:40,360 --> 00:50:42,120 Speaker 1: I'm saying. Until she comes up to me and she's like, Yo, 1006 00:50:42,200 --> 00:50:44,640 Speaker 1: they fronting on me downstairs. They won't pay me, And 1007 00:50:44,719 --> 00:50:46,360 Speaker 1: I'm like, work like, you know, like I ain't n 1008 00:50:46,440 --> 00:50:47,840 Speaker 1: up do with it. I gave her paper, she got 1009 00:50:47,920 --> 00:50:51,080 Speaker 1: the spot herself. But the record is blazing hot at 1010 00:50:51,120 --> 00:50:53,040 Speaker 1: this at this moment, so I'm like, Yo, come on, 1011 00:50:53,120 --> 00:50:54,920 Speaker 1: come on out, says show me now stays. So I 1012 00:50:55,000 --> 00:50:57,200 Speaker 1: go downstairs with Sally. You know what I'm saying. Some 1013 00:50:57,320 --> 00:50:59,960 Speaker 1: Italian cats are but they looked young, you know, saying 1014 00:51:00,080 --> 00:51:03,279 Speaker 1: um in the office as a bunch of paper on 1015 00:51:03,320 --> 00:51:05,560 Speaker 1: the table, I walk in. I just grabbed the tape. 1016 00:51:05,600 --> 00:51:07,640 Speaker 1: I just grabbed the paper, like yo, this this your paper, right, 1017 00:51:08,200 --> 00:51:09,799 Speaker 1: And she was like yeah, So I just grab the people. 1018 00:51:09,840 --> 00:51:11,600 Speaker 1: I was like, Yo, what's what's up with y'all? Know 1019 00:51:11,640 --> 00:51:13,279 Speaker 1: what I'm saying. They're just looking at me like, you know, 1020 00:51:13,400 --> 00:51:16,400 Speaker 1: like what are you doing? I was like, yo, she 1021 00:51:16,520 --> 00:51:18,680 Speaker 1: she ran into the spot from yall right this you 1022 00:51:18,719 --> 00:51:20,960 Speaker 1: got a spot from right. So they're like yeah. So 1023 00:51:21,080 --> 00:51:22,880 Speaker 1: I'm like, okay, well I just saw I take my 1024 00:51:22,960 --> 00:51:26,200 Speaker 1: paper out and and just as I'm counting my paper out, 1025 00:51:26,920 --> 00:51:30,160 Speaker 1: Flex comes down. She haird Flex. This is we're probably 1026 00:51:30,160 --> 00:51:33,000 Speaker 1: one of Flexes, probably one of his first gigs literally 1027 00:51:33,080 --> 00:51:35,839 Speaker 1: in the city. Flex come down and he's loud like, yo, 1028 00:51:35,920 --> 00:51:39,120 Speaker 1: who who will paying me? Though? Who are paying? So? 1029 00:51:39,239 --> 00:51:41,719 Speaker 1: So I'm like, yeah, yeah, same Flex. So I'm like, yo, 1030 00:51:42,160 --> 00:51:46,080 Speaker 1: how much you get paid? Three hunted three hundred that's 1031 00:51:46,120 --> 00:51:47,959 Speaker 1: how early this how early it was in his career. 1032 00:51:48,040 --> 00:51:50,279 Speaker 1: Three hund three h gig. You know what I'm saying. 1033 00:51:50,320 --> 00:51:52,360 Speaker 1: I count three hundred dollars out of the paper. I 1034 00:51:52,440 --> 00:51:54,160 Speaker 1: give it to him. He doing gigs for a ounce 1035 00:51:54,160 --> 00:52:05,239 Speaker 1: of weed this time. Make out that it was my 1036 00:52:05,320 --> 00:52:07,280 Speaker 1: little paper out and I gave the rest of sally. 1037 00:52:07,800 --> 00:52:10,439 Speaker 1: That's the general. Was we good? They ain't saying nothing. 1038 00:52:10,520 --> 00:52:13,239 Speaker 1: I ain't saying nothing. No, That's how I played out. 1039 00:52:14,680 --> 00:52:16,320 Speaker 1: Now we gotta go back to what I was asking you. 1040 00:52:16,560 --> 00:52:19,399 Speaker 1: The choice is yours talk about that record, the making 1041 00:52:19,480 --> 00:52:21,440 Speaker 1: of it, and did you know it was gonna be 1042 00:52:21,480 --> 00:52:25,640 Speaker 1: as big as it was. Um. The making of it 1043 00:52:25,800 --> 00:52:27,719 Speaker 1: was kind of cool because like, you know, like we 1044 00:52:28,040 --> 00:52:30,359 Speaker 1: just came off Flavor of the Month, which I thought 1045 00:52:30,480 --> 00:52:34,000 Speaker 1: was like really creative. I thought Flavor of the Month 1046 00:52:34,239 --> 00:52:36,360 Speaker 1: should have been like one of the biggest singles in 1047 00:52:36,520 --> 00:52:39,040 Speaker 1: hip hop, just because I really thought like it was 1048 00:52:39,160 --> 00:52:42,080 Speaker 1: just this really creatively done joint and it was just 1049 00:52:42,200 --> 00:52:45,560 Speaker 1: bright was a break record, Um, but Nordy by Nature 1050 00:52:45,560 --> 00:52:47,320 Speaker 1: gave it a real kicking ask and with an O 1051 00:52:47,400 --> 00:52:48,600 Speaker 1: P P. You know what I'm saying, Like like like 1052 00:52:48,719 --> 00:52:51,040 Speaker 1: like we're going head and head and I feel like 1053 00:52:51,080 --> 00:52:53,919 Speaker 1: they kind of got us with that. So our next single, 1054 00:52:54,000 --> 00:52:55,719 Speaker 1: we was like, you know, like like we really gotta 1055 00:52:55,800 --> 00:52:59,200 Speaker 1: we really gotta put something that just is undeniable what 1056 00:52:59,200 --> 00:53:02,520 Speaker 1: I'm saying, But like, because I wrote a play of 1057 00:53:02,560 --> 00:53:04,640 Speaker 1: the Month was undenival and a little bit too. I 1058 00:53:04,680 --> 00:53:07,960 Speaker 1: think the way long Intro did kind of left a 1059 00:53:08,000 --> 00:53:10,560 Speaker 1: little bit of funniness in my mouth and a few 1060 00:53:10,600 --> 00:53:14,560 Speaker 1: other people's mouths. So that was kind of it was 1061 00:53:14,640 --> 00:53:17,959 Speaker 1: it was a little bit understandable why everything just wasn't 1062 00:53:17,960 --> 00:53:20,239 Speaker 1: a mind. So now let's get everything aligned with this 1063 00:53:20,400 --> 00:53:22,760 Speaker 1: next single. So we choose to do the choices yours. 1064 00:53:22,920 --> 00:53:25,920 Speaker 1: I write three whole new verses. Long is gonna do 1065 00:53:25,920 --> 00:53:29,960 Speaker 1: a remix when Long comes with this track that has 1066 00:53:30,040 --> 00:53:31,880 Speaker 1: the baseline, and when one comes to the track that 1067 00:53:32,000 --> 00:53:34,000 Speaker 1: we you know now know its choice is just my word, 1068 00:53:34,080 --> 00:53:37,560 Speaker 1: Like I had never heard anything like this in my life. 1069 00:53:38,080 --> 00:53:41,640 Speaker 1: Like I looked at him like like almost like he 1070 00:53:41,880 --> 00:53:45,000 Speaker 1: was a Martian, like a free Like, Yo, how the 1071 00:53:45,080 --> 00:53:46,719 Speaker 1: fund did you do? What is it? What is it? 1072 00:53:47,160 --> 00:53:49,360 Speaker 1: You know I'm saying, And then you know, listening to 1073 00:53:49,480 --> 00:53:53,480 Speaker 1: it again, listen to it again, and all right, So 1074 00:53:53,560 --> 00:53:56,080 Speaker 1: I got three new verses. I laid three new verses 1075 00:53:56,120 --> 00:53:58,480 Speaker 1: on it, and I'm feeling like, Yo, this ship is crazy. 1076 00:53:58,880 --> 00:54:01,600 Speaker 1: You know what I'm saying, Um, we give it to Mercury. 1077 00:54:02,239 --> 00:54:06,880 Speaker 1: Mercury's like, you know, what's it's? I but, um, you 1078 00:54:06,960 --> 00:54:11,040 Speaker 1: know this baseline it's cool. But the real, the real 1079 00:54:11,160 --> 00:54:14,160 Speaker 1: remix should be keep the first two verses from the 1080 00:54:14,239 --> 00:54:17,200 Speaker 1: original and this engine engine number not like make that 1081 00:54:17,320 --> 00:54:19,680 Speaker 1: the remix makes Let's just make that. They told you 1082 00:54:19,760 --> 00:54:21,600 Speaker 1: to take that out. They told me, they told me 1083 00:54:21,640 --> 00:54:23,480 Speaker 1: to take out the first two verses. I wrote three 1084 00:54:23,520 --> 00:54:25,759 Speaker 1: new verses. It told me to leave the first to 1085 00:54:26,760 --> 00:54:29,000 Speaker 1: put them the side and just just add this third verse? 1086 00:54:29,640 --> 00:54:31,560 Speaker 1: Did just say that that? And you know when you're 1087 00:54:31,600 --> 00:54:33,719 Speaker 1: young and somebody tells you something this, this is what 1088 00:54:33,840 --> 00:54:35,920 Speaker 1: y'll do. Yeah, that's what you'll do. You're something, just 1089 00:54:35,960 --> 00:54:38,239 Speaker 1: what we're gonna do. Let's do it. I argue, all right, cool, 1090 00:54:38,320 --> 00:54:41,680 Speaker 1: let's do it. And it clicked, you know, it literally click. 1091 00:54:41,880 --> 00:54:45,680 Speaker 1: And I remember us being in the studio and I 1092 00:54:45,760 --> 00:54:48,840 Speaker 1: remember um turning along. We're mixing it, we're mixing and 1093 00:54:48,920 --> 00:54:51,560 Speaker 1: playing aloud in the speaker, and I just turned along 1094 00:54:51,640 --> 00:54:54,520 Speaker 1: and I'm like, yo, man, like I don't know what 1095 00:54:54,680 --> 00:54:57,320 Speaker 1: we just did, but I know we just did something 1096 00:54:57,800 --> 00:55:06,320 Speaker 1: like meeting and nowadays words, that's what you mean honestly, 1097 00:55:06,480 --> 00:55:08,759 Speaker 1: Like I was hoping it was, you know what I'm saying, 1098 00:55:08,760 --> 00:55:10,680 Speaker 1: because you know, like in hip hop, hip hop could 1099 00:55:10,680 --> 00:55:12,200 Speaker 1: be kind of funny sometimes, you know what I'm saying, 1100 00:55:12,200 --> 00:55:14,880 Speaker 1: Like you could you could know something that's just amazing 1101 00:55:15,200 --> 00:55:22,080 Speaker 1: and be like yeah what yeah you know? So you know, 1102 00:55:22,239 --> 00:55:25,680 Speaker 1: like so you know, but I think at this particular point, 1103 00:55:25,719 --> 00:55:29,480 Speaker 1: I was I hadn't really gotten that humbled yet, you 1104 00:55:29,520 --> 00:55:32,440 Speaker 1: know same whares. I was like, yo, I knew, I 1105 00:55:32,520 --> 00:55:34,560 Speaker 1: knew this year I knew we did something. You know 1106 00:55:34,600 --> 00:55:37,439 Speaker 1: I'm saying, But did I know that thirty years later, 1107 00:55:38,760 --> 00:55:42,320 Speaker 1: you know she would be and join the Fighter Verse record? 1108 00:55:42,360 --> 00:55:44,879 Speaker 1: You know yeah, you know, like it's it's like every 1109 00:55:45,200 --> 00:55:48,440 Speaker 1: three to five years, this record gets a rebirth of 1110 00:55:48,560 --> 00:55:53,360 Speaker 1: a major magnetude and it introduces it to a younger generation. 1111 00:55:54,080 --> 00:55:56,600 Speaker 1: And you know it's now like you know, I literally 1112 00:55:57,040 --> 00:56:02,280 Speaker 1: have you know, grandkids singing this song, not just kids, 1113 00:56:02,480 --> 00:56:05,400 Speaker 1: not just you know, you know, like it's it's become 1114 00:56:05,520 --> 00:56:08,320 Speaker 1: multi generational, you know what I'm saying. And I already 1115 00:56:08,400 --> 00:56:13,160 Speaker 1: see where where it's being played for infants type ship 1116 00:56:13,280 --> 00:56:15,800 Speaker 1: like and I'm like wow, Like you know, it amazes me. 1117 00:56:16,080 --> 00:56:19,719 Speaker 1: And one of the dopest things about this to me 1118 00:56:20,239 --> 00:56:26,480 Speaker 1: is is that I get to be a part of 1119 00:56:26,560 --> 00:56:29,759 Speaker 1: my children's lives when I'm not here. You know what 1120 00:56:29,760 --> 00:56:32,319 Speaker 1: I'm saying that Like that means it makes so much 1121 00:56:32,400 --> 00:56:34,439 Speaker 1: to me, you know, saying like like like I don't 1122 00:56:34,520 --> 00:56:37,360 Speaker 1: come from that, I don't I don't come from anybody 1123 00:56:37,480 --> 00:56:42,520 Speaker 1: giving me anything. You know, I'm saying, regardless of who, what, where, 1124 00:56:42,600 --> 00:56:45,279 Speaker 1: how Okay, hold on, you can drink right now, you 1125 00:56:45,400 --> 00:56:48,600 Speaker 1: got anybody? Hold on real quire we end this on 1126 00:56:48,920 --> 00:56:51,360 Speaker 1: on for artists listening and the business side of it. 1127 00:56:51,719 --> 00:56:54,160 Speaker 1: How was that set up for you? Do you still 1128 00:56:54,239 --> 00:56:57,120 Speaker 1: eat off that record? You got to go back to that. 1129 00:56:57,160 --> 00:56:59,360 Speaker 1: I was gonna go back with the quick time Hold on, 1130 00:56:59,440 --> 00:57:01,560 Speaker 1: Hold hold. We were talking about let's stay with it 1131 00:57:02,480 --> 00:57:05,640 Speaker 1: because everything did you you were young and doing that record. 1132 00:57:05,719 --> 00:57:08,680 Speaker 1: Did did you guys do everything right? So that record 1133 00:57:08,760 --> 00:57:12,280 Speaker 1: that lives today and we'll live on forever does benefit 1134 00:57:12,360 --> 00:57:15,640 Speaker 1: your children and your children's children. UM, thank god, um, 1135 00:57:17,080 --> 00:57:20,919 Speaker 1: thank god we did um Like we didn't. We didn't 1136 00:57:21,000 --> 00:57:23,640 Speaker 1: maximize the situation to the degree that like the deal 1137 00:57:23,800 --> 00:57:27,680 Speaker 1: wasn't a fair deal book, whereas monetarily we didn't. We 1138 00:57:27,720 --> 00:57:30,160 Speaker 1: didn't take a number we should the number we took. 1139 00:57:31,040 --> 00:57:38,720 Speaker 1: They got paid in full the very first check, very first, first, 1140 00:57:38,880 --> 00:57:42,000 Speaker 1: very first, the very first publishing check that came in 1141 00:57:42,560 --> 00:57:45,920 Speaker 1: three months later that comes were recouped from what they 1142 00:57:45,920 --> 00:57:49,600 Speaker 1: gave us, recruited very first, the label put into it 1143 00:57:49,640 --> 00:57:53,760 Speaker 1: for anybody, the very first check. So they've had number 1144 00:57:53,920 --> 00:57:59,000 Speaker 1: props thirty years. We was recouped very he was never 1145 00:57:59,120 --> 00:58:01,200 Speaker 1: in the red, always in the green, because that's what 1146 00:58:01,280 --> 00:58:04,280 Speaker 1: they say. Oh well, they tried, they tried to. They 1147 00:58:04,680 --> 00:58:06,840 Speaker 1: you know, like you know, they're gonna try that's that's 1148 00:58:06,840 --> 00:58:10,440 Speaker 1: the game. They we went gold like immediately, and they 1149 00:58:10,920 --> 00:58:12,880 Speaker 1: to this day if you look up my record, they 1150 00:58:12,880 --> 00:58:15,640 Speaker 1: would probably still try to say it's just gold. You know, 1151 00:58:15,640 --> 00:58:18,480 Speaker 1: I'm saying, like, but with a record like that, I'm saying, like, 1152 00:58:19,320 --> 00:58:22,120 Speaker 1: you know, like, but that's the album when gold is 1153 00:58:22,160 --> 00:58:25,000 Speaker 1: what you're saying the album, but that record, but even 1154 00:58:25,040 --> 00:58:27,640 Speaker 1: the album we went, we went, we went. The album 1155 00:58:27,680 --> 00:58:32,000 Speaker 1: went gold the first uh six seven months, it's platinum, 1156 00:58:32,520 --> 00:58:35,880 Speaker 1: multi platinum already, yeah, I'm saying, but it's still listed 1157 00:58:36,360 --> 00:58:40,640 Speaker 1: as the gold record. You know what I'm saying, right 1158 00:58:40,720 --> 00:58:42,920 Speaker 1: right right there, And that's where they stopped at nothing 1159 00:58:42,960 --> 00:58:47,280 Speaker 1: something I'm saying, So moving forward now right right right 1160 00:58:47,360 --> 00:58:50,880 Speaker 1: right right right, so so moving forward right so moving 1161 00:58:50,920 --> 00:58:53,880 Speaker 1: forward anything that has to be done. They throw that 1162 00:58:54,000 --> 00:58:57,360 Speaker 1: out hoping that that's the gauge you're you're cool with, 1163 00:58:58,400 --> 00:59:01,919 Speaker 1: you know, any other gage requires you sending someone in there, 1164 00:59:02,480 --> 00:59:04,160 Speaker 1: you know what I'm saying. But you know, I'm from 1165 00:59:04,240 --> 00:59:09,120 Speaker 1: the yo, like like if anybody learned I learned from y'all, alright, 1166 00:59:09,200 --> 00:59:11,480 Speaker 1: that sends somebody in there, you know what I'm saying, 1167 00:59:11,480 --> 00:59:20,520 Speaker 1: Like I'm quick like, I gotta like a commercial choice. 1168 00:59:20,640 --> 00:59:25,320 Speaker 1: The choice m hm na, you know the mics are 1169 00:59:25,480 --> 00:59:32,000 Speaker 1: just so check it. We're gonna get back to that 1170 00:59:32,040 --> 00:59:34,160 Speaker 1: because I want to. Um. I got a lot more 1171 00:59:34,280 --> 00:59:37,080 Speaker 1: questions of that. Um. But this is a game we 1172 00:59:37,120 --> 00:59:39,240 Speaker 1: played quick time and slim. Being that you're not drinking, 1173 00:59:39,320 --> 00:59:41,040 Speaker 1: you're gonna put it all on cheeste. Is that okay? 1174 00:59:41,520 --> 00:59:43,240 Speaker 1: It's all only come on you. You're here to have fun, 1175 00:59:43,320 --> 00:59:45,480 Speaker 1: got damn it? All right, cool, but we're gonna drink 1176 00:59:45,520 --> 00:59:48,120 Speaker 1: with You're gonna drink with you, so I'm a professional 1177 00:59:50,240 --> 00:59:54,720 Speaker 1: grabbing other water mother place it alright? Cool? All right, 1178 00:59:54,960 --> 00:59:57,200 Speaker 1: So this is how the game go. Don't give you 1179 00:59:57,240 --> 01:00:00,640 Speaker 1: two choices. You can pick one of the other, that's cool. 1180 01:00:00,800 --> 01:00:04,120 Speaker 1: But if you pick both, then Ustin she got to drink. Yeah, 1181 01:00:04,120 --> 01:00:07,240 Speaker 1: we're all drinking. If you pick neither, we gotta drink. 1182 01:00:07,240 --> 01:00:10,440 Speaker 1: It's politically correct. We're drinking. But if you get politically correct, 1183 01:00:10,480 --> 01:00:14,040 Speaker 1: we drink. But if genuinely you mean both, yeah, genuinely 1184 01:00:14,080 --> 01:00:17,600 Speaker 1: you mean both. Right, So you're ready, you're ready? She 1185 01:00:17,760 --> 01:00:21,040 Speaker 1: keep okay that over there. She let me know he 1186 01:00:21,120 --> 01:00:25,040 Speaker 1: might be driving, like, yo, don't do too much. Cool, 1187 01:00:25,120 --> 01:00:32,200 Speaker 1: you're ready all right, Biggie or jay Z Right, it's easy. 1188 01:00:34,840 --> 01:00:36,960 Speaker 1: You're gonna take that big of a shot. You can 1189 01:00:37,000 --> 01:00:41,240 Speaker 1: take a regular shot. I just shot for this farm. 1190 01:00:41,280 --> 01:00:43,320 Speaker 1: You're gotta take the shots. Yeah, yeah, it's better. It's 1191 01:00:43,320 --> 01:00:46,720 Speaker 1: better that way. It's kind of okay. Would you about 1192 01:00:46,720 --> 01:00:48,840 Speaker 1: to say? I think I think it gonna be a 1193 01:00:48,880 --> 01:00:51,120 Speaker 1: long one. And I think both of them are mad cool. 1194 01:00:51,920 --> 01:00:55,640 Speaker 1: I like I know them both, but I don't know 1195 01:00:56,160 --> 01:00:58,240 Speaker 1: neither of them. Well, you know what I'm saying, But 1196 01:00:58,320 --> 01:01:00,960 Speaker 1: I but but I've had the play as you of 1197 01:01:02,320 --> 01:01:06,560 Speaker 1: of of being you know, someone that bumps into them 1198 01:01:06,600 --> 01:01:08,720 Speaker 1: for for years and years, and like I used to 1199 01:01:08,760 --> 01:01:10,520 Speaker 1: bump in the I used to bump in the big 1200 01:01:10,640 --> 01:01:12,960 Speaker 1: and he'd be with Seeds and Kim and I'd be 1201 01:01:13,040 --> 01:01:15,680 Speaker 1: with Cheat and it might be times square like three 1202 01:01:15,760 --> 01:01:17,880 Speaker 1: four in the morning, you know what I'm saying. Like, 1203 01:01:18,080 --> 01:01:20,160 Speaker 1: and we stopped, you know what I'm saying, And we 1204 01:01:20,320 --> 01:01:23,080 Speaker 1: swop for like a half an hour. You know what 1205 01:01:23,120 --> 01:01:27,600 Speaker 1: I'm saying, I ain't gonna kind of blowing each other up. 1206 01:01:27,680 --> 01:01:31,800 Speaker 1: Must just go all the way, you know, like you know, 1207 01:01:31,880 --> 01:01:35,040 Speaker 1: like because because they were like kids, you know, over 1208 01:01:35,240 --> 01:01:38,960 Speaker 1: him seas and and uh, Kim, you know, like you know, 1209 01:01:39,080 --> 01:01:42,080 Speaker 1: like you might have a litt puppy eyes creature. I 1210 01:01:42,120 --> 01:01:45,680 Speaker 1: don't remember, but you know, just to say, like but 1211 01:01:46,000 --> 01:01:48,720 Speaker 1: me and but me and Big, you know what I'm saying, 1212 01:01:48,800 --> 01:01:51,600 Speaker 1: Like we were we were trying to figure it out, 1213 01:01:52,640 --> 01:01:54,120 Speaker 1: you know what I'm saying. I remember the first time 1214 01:01:54,120 --> 01:01:55,760 Speaker 1: I met Big. Big came up to me on the 1215 01:01:55,800 --> 01:01:59,480 Speaker 1: show in Virginia and he walks up to me. It's 1216 01:01:59,560 --> 01:02:02,240 Speaker 1: Big comes and I just finished rocking. He comes up 1217 01:02:02,280 --> 01:02:04,440 Speaker 1: and I'm standing in the club and he walks with me, 1218 01:02:04,480 --> 01:02:06,200 Speaker 1: stands next to me. He's like, I don't know who 1219 01:02:06,240 --> 01:02:10,120 Speaker 1: he using nothing, And he's like, Yo, I'm just gonna 1220 01:02:10,160 --> 01:02:12,880 Speaker 1: stand because I know I know the bitch is about 1221 01:02:12,920 --> 01:02:16,360 Speaker 1: to be right here. I just started dying laughing like yo, 1222 01:02:16,520 --> 01:02:19,400 Speaker 1: you know, like like and you know, like like Big 1223 01:02:19,560 --> 01:02:23,640 Speaker 1: was funny, like he was genuine sounds like you're going, Big, Um, 1224 01:02:25,400 --> 01:02:27,760 Speaker 1: see how you did said that. I was gonna say 1225 01:02:27,760 --> 01:02:29,640 Speaker 1: the little things I knew about j you know what 1226 01:02:29,680 --> 01:02:32,160 Speaker 1: I'm saying. But you know, like like is a different, 1227 01:02:32,360 --> 01:02:35,080 Speaker 1: different kind of character. But I'm I guess I have 1228 01:02:35,240 --> 01:02:41,480 Speaker 1: to go with Jay just because of of the opportunity 1229 01:02:41,600 --> 01:02:44,120 Speaker 1: that life afforded him. Okay, you know what I'm saying, 1230 01:02:44,200 --> 01:02:49,880 Speaker 1: all right, Queen Latifa or money Lave, Oh, I'm gonna 1231 01:02:50,000 --> 01:02:58,320 Speaker 1: go with I'm gonna go a lot. Yeah, Okay, damn 1232 01:02:59,680 --> 01:03:05,240 Speaker 1: I love both. But you know yeah, okay, big all 1233 01:03:05,360 --> 01:03:10,840 Speaker 1: big punt. Oh, that's a good one. You gotta drink. 1234 01:03:12,120 --> 01:03:14,160 Speaker 1: That's a good one. We don't mind. You can punish us, 1235 01:03:14,200 --> 01:03:21,640 Speaker 1: you can punish us. Let me keep it a buck 1236 01:03:24,520 --> 01:03:27,640 Speaker 1: punned by the hair, by the hair on my tooth. Okay, 1237 01:03:28,640 --> 01:03:33,520 Speaker 1: pun was was beyond special. Um And this is my word, 1238 01:03:33,640 --> 01:03:38,320 Speaker 1: like like cat's no, punk was special, but cats don't 1239 01:03:39,320 --> 01:03:45,600 Speaker 1: really speak to the depth of how special punk was. 1240 01:03:46,240 --> 01:03:49,720 Speaker 1: That was special. That was the word Smith l was 1241 01:03:50,200 --> 01:03:53,320 Speaker 1: dead nice for his but the depth of punt Okay, 1242 01:03:54,200 --> 01:03:59,120 Speaker 1: that was nowhere near. Okay, and that's the difference for me. Okay, 1243 01:03:59,320 --> 01:04:05,880 Speaker 1: the Brons took queens. Okay, good looking brothers gonna take 1244 01:04:05,920 --> 01:04:18,320 Speaker 1: that because I took you with were relocated. Let me 1245 01:04:18,440 --> 01:04:20,440 Speaker 1: keep it up. I got I got a lot of 1246 01:04:20,520 --> 01:04:23,480 Speaker 1: love for the Bronx, and the Bronx embraced me. And 1247 01:04:24,320 --> 01:04:25,560 Speaker 1: you know what I'm saying, But this is my word, 1248 01:04:25,680 --> 01:04:30,080 Speaker 1: like Queen's raised me. You know what I'm saying when 1249 01:04:30,080 --> 01:04:32,000 Speaker 1: I when I was on aland A thoughts from Brooklyn. 1250 01:04:32,640 --> 01:04:34,480 Speaker 1: You know what I'm saying, that's the result of queens. 1251 01:04:34,840 --> 01:04:37,160 Speaker 1: When I was down South state, you know, like everything 1252 01:04:37,320 --> 01:04:40,200 Speaker 1: everything that anybody ever thought, you know what I'm saying, 1253 01:04:40,720 --> 01:04:43,520 Speaker 1: for better or worse was a result of queens. Que 1254 01:04:43,560 --> 01:04:47,280 Speaker 1: tip off for Rell tip easily. Okay, Yeah, I knew 1255 01:04:47,280 --> 01:04:50,400 Speaker 1: that fix, but I know you. I know for Roles 1256 01:04:52,280 --> 01:04:54,160 Speaker 1: every hard for me though too. Okay, But this one, 1257 01:04:54,200 --> 01:04:56,800 Speaker 1: I don't know where you're gonna go with Jongo Brothers 1258 01:04:56,880 --> 01:05:02,920 Speaker 1: update lost so um yeah, that that one, I can't alright, alright, 1259 01:05:03,120 --> 01:05:05,920 Speaker 1: so we gotta drink drinking. We gotta drink either cheer 1260 01:05:06,040 --> 01:05:10,960 Speaker 1: that one. You've been feeling good though. We're on one 1261 01:05:11,040 --> 01:05:15,400 Speaker 1: like mostly everybody even wanting to be politically because because 1262 01:05:15,440 --> 01:05:18,640 Speaker 1: because to me, it's like it's like it's like picking 1263 01:05:18,960 --> 01:05:22,320 Speaker 1: your favorite kid or picking you know, your favorite when 1264 01:05:22,360 --> 01:05:26,360 Speaker 1: this game is fos, it's like should drink for you? 1265 01:05:27,240 --> 01:05:32,200 Speaker 1: You're drinking this We were go get killed too, but 1266 01:05:32,320 --> 01:05:40,720 Speaker 1: we're going with cher right now. The tunnel or Latin Quarters. Um, 1267 01:05:41,920 --> 01:05:48,800 Speaker 1: I'm gonna go with Latin Quarters because not not not 1268 01:05:48,960 --> 01:05:52,120 Speaker 1: And like they were they were both. They were both 1269 01:05:52,760 --> 01:05:56,720 Speaker 1: Yo can say you'll Latin quarters story, please get let's 1270 01:05:56,760 --> 01:05:59,560 Speaker 1: get into it, let's go, and it's my word. I'm 1271 01:05:59,600 --> 01:06:02,680 Speaker 1: not sure, that's so so so so I'm gonna put 1272 01:06:02,720 --> 01:06:06,520 Speaker 1: a curse on this. I'm not sure. One night I leave, 1273 01:06:06,640 --> 01:06:09,240 Speaker 1: i leave the Bland Projects. You know, say, I'm hustling 1274 01:06:09,280 --> 01:06:12,200 Speaker 1: and the band in Queen's. Normally I'm hanging out with 1275 01:06:12,280 --> 01:06:14,440 Speaker 1: my dudes, like we'd all go to a spot, you know, 1276 01:06:14,600 --> 01:06:16,520 Speaker 1: saying together, like you literally keep ol J on the 1277 01:06:16,600 --> 01:06:18,840 Speaker 1: whole literally like we're all young hustling kids. So we 1278 01:06:18,920 --> 01:06:20,400 Speaker 1: got little those I don't know old j as a 1279 01:06:20,440 --> 01:06:30,640 Speaker 1: cap service, right right, right cool because everyone but you know, 1280 01:06:30,760 --> 01:06:33,400 Speaker 1: like we're young hustling your kids, so you know, like 1281 01:06:34,960 --> 01:06:37,880 Speaker 1: we're in range of of seeing maybe a g a 1282 01:06:38,000 --> 01:06:42,760 Speaker 1: day as as young hustlers, which in the eighties is 1283 01:06:43,280 --> 01:06:45,120 Speaker 1: a lot of money. You know what I'm saying, Like 1284 01:06:45,200 --> 01:06:49,360 Speaker 1: Bentles is my spot, Yeah, the Red Parrot, Like you 1285 01:06:49,400 --> 01:06:51,880 Speaker 1: know what I'm saying, Like I'm a I'm yeah, I'm 1286 01:06:52,200 --> 01:06:54,000 Speaker 1: all over you know what I'm saying. And I'm coming 1287 01:06:54,120 --> 01:06:56,040 Speaker 1: right out right out of the Bland Project. You know 1288 01:06:56,040 --> 01:06:58,240 Speaker 1: I'm saying, but I've run with a real cool crew 1289 01:06:58,440 --> 01:07:01,440 Speaker 1: and you know, like we hitting up spots together and 1290 01:07:02,000 --> 01:07:04,520 Speaker 1: it's nothing for us to spend five to seven eight 1291 01:07:04,600 --> 01:07:12,240 Speaker 1: hundred dollars hanging out. So um, so uh, this particular 1292 01:07:12,320 --> 01:07:18,160 Speaker 1: story is uh, I'm I'm almost Black Quarters. Like yeah, no, no, no, 1293 01:07:18,440 --> 01:07:22,200 Speaker 1: I was about to tell you. I'm like, yeah, this 1294 01:07:22,360 --> 01:07:25,000 Speaker 1: particular story, Um, nobody wants to hang out with me 1295 01:07:25,080 --> 01:07:27,280 Speaker 1: this name, and I want to go to land Quarters, 1296 01:07:27,320 --> 01:07:28,880 Speaker 1: you know what I'm saying. So I take a cab 1297 01:07:28,960 --> 01:07:31,640 Speaker 1: by myself. I take old j by myself. And the 1298 01:07:31,680 --> 01:07:33,560 Speaker 1: way I'm dressed, you know, I got a little jewelry 1299 01:07:33,640 --> 01:07:35,400 Speaker 1: on I got you know, I might have had maybe 1300 01:07:35,400 --> 01:07:39,640 Speaker 1: a little make up maybe whatever it was. I didn't 1301 01:07:39,640 --> 01:07:41,000 Speaker 1: have to I didn't have to wait. You know what 1302 01:07:41,040 --> 01:07:43,240 Speaker 1: I'm saying. I woke by. I woke by the front 1303 01:07:43,600 --> 01:07:45,440 Speaker 1: and I kind of not you know, at the security 1304 01:07:45,720 --> 01:07:49,040 Speaker 1: they opened up to the opening. Let me cool. So 1305 01:07:49,280 --> 01:07:50,640 Speaker 1: now I'm in. You know, I'm saying like paying was 1306 01:07:50,680 --> 01:07:52,520 Speaker 1: an issue, Like you know, I'm saying, I'm in. So 1307 01:07:52,640 --> 01:07:54,720 Speaker 1: now I'm standing by myself, just taking it in, you know, 1308 01:07:54,760 --> 01:07:56,240 Speaker 1: And I do this from time of time. I would 1309 01:07:56,280 --> 01:07:57,840 Speaker 1: leave the projects and just go to different plugs. I 1310 01:07:57,880 --> 01:08:00,720 Speaker 1: go to roseland and catch tricky tea and you know, 1311 01:08:00,920 --> 01:08:02,640 Speaker 1: and things. You know, just by myself, you know what 1312 01:08:02,640 --> 01:08:04,760 Speaker 1: I'm saying, because hip hop is young and you know, 1313 01:08:04,880 --> 01:08:07,000 Speaker 1: I just love it like that. So I'm in a 1314 01:08:07,120 --> 01:08:10,080 Speaker 1: spot and this dude walks up with me and he's like, yo, 1315 01:08:10,200 --> 01:08:12,920 Speaker 1: true and I'm like, oh, ship, this nigga has no 1316 01:08:12,960 --> 01:08:17,200 Speaker 1: idea who I am. But he's adamant true true, Yo, 1317 01:08:17,400 --> 01:08:19,920 Speaker 1: I ain't seen you since that out of that and 1318 01:08:20,040 --> 01:08:24,120 Speaker 1: I'm like, yo, I'm not true. He's like what he's 1319 01:08:24,160 --> 01:08:26,160 Speaker 1: looking at me. He's like, Yo, this is my word. 1320 01:08:26,960 --> 01:08:29,280 Speaker 1: I thought you Yo, you look just like my man. 1321 01:08:29,520 --> 01:08:30,840 Speaker 1: You know what I'm saying, You look just I ain't 1322 01:08:30,840 --> 01:08:34,120 Speaker 1: seen him since blah blah blah. Yo, Yo, you're bugging 1323 01:08:34,160 --> 01:08:36,640 Speaker 1: me out. You look so much like him. And I 1324 01:08:36,680 --> 01:08:39,640 Speaker 1: can see he's getting crazy paper, just dudes getting you know, 1325 01:08:39,760 --> 01:08:42,479 Speaker 1: like he's beyond heavy crazy, you know, maked out this 1326 01:08:42,560 --> 01:08:44,920 Speaker 1: and he's like getting crazy paper. I'm like, oh, you know, 1327 01:08:45,040 --> 01:08:47,760 Speaker 1: like now I'm not dude. So he wants to see, like, yo, 1328 01:08:49,360 --> 01:08:52,080 Speaker 1: get some champagne from one of his dudes. He's gonna 1329 01:08:52,080 --> 01:08:54,240 Speaker 1: sit down. He was a talk he's like, Yo, it's 1330 01:08:54,240 --> 01:08:55,960 Speaker 1: too loud in here. Yo, take a ride with me. Man. 1331 01:08:56,680 --> 01:09:00,439 Speaker 1: I'm like what He's like, yo, take around me. So 1332 01:09:00,479 --> 01:09:04,400 Speaker 1: I'm like, all right. We walked out the club, he 1333 01:09:04,479 --> 01:09:06,880 Speaker 1: got the Bens park right in the front, were getting 1334 01:09:06,880 --> 01:09:09,160 Speaker 1: the bens. We're driving around. He started driving up. He's 1335 01:09:09,240 --> 01:09:12,720 Speaker 1: home the Alto. Is this you're just my word? I 1336 01:09:12,800 --> 01:09:16,600 Speaker 1: honestly think it was. He starts showing me blocks and 1337 01:09:17,920 --> 01:09:20,360 Speaker 1: he's like, you know, like, yeah, this is this. You 1338 01:09:20,400 --> 01:09:22,040 Speaker 1: know we can do this here, we do this here, 1339 01:09:22,439 --> 01:09:24,880 Speaker 1: my mom's holds down this and like I don't know 1340 01:09:24,960 --> 01:09:26,479 Speaker 1: if that was in this story or not, but this 1341 01:09:26,600 --> 01:09:29,040 Speaker 1: stupid this cat tells me my mom's holds down this. 1342 01:09:29,280 --> 01:09:30,519 Speaker 1: And you know what kind of gunning you like, my 1343 01:09:30,600 --> 01:09:32,640 Speaker 1: mom's gonna get the guns? Is that you like? Like? 1344 01:09:33,479 --> 01:09:36,160 Speaker 1: And I'm like, you know, like I'm hustling at the time. 1345 01:09:36,640 --> 01:09:39,360 Speaker 1: But he's talking about ship. That's you know, like I'm 1346 01:09:39,360 --> 01:09:41,360 Speaker 1: from I'm from Queens, you know what they like? Like 1347 01:09:41,439 --> 01:09:44,280 Speaker 1: he's talking about Big Hall and ship right there, and 1348 01:09:44,400 --> 01:09:47,439 Speaker 1: I'm like, um, we're don't back to your club. Like 1349 01:09:48,000 --> 01:09:49,680 Speaker 1: He's like, I just wanted to show you, you know, Like, Yo, 1350 01:09:49,720 --> 01:09:51,639 Speaker 1: I'm gonna put you on, like you know you you're 1351 01:09:51,640 --> 01:09:54,599 Speaker 1: about to be right. And so you know, we dropped 1352 01:09:54,600 --> 01:09:57,519 Speaker 1: back down to the club and he walks right back 1353 01:09:57,560 --> 01:10:01,719 Speaker 1: the same spot, same help, same by right there in front. 1354 01:10:01,920 --> 01:10:03,720 Speaker 1: We walked back in. They opened it up some as 1355 01:10:03,720 --> 01:10:07,280 Speaker 1: they see him. Now he starts walking me to his crew. 1356 01:10:07,360 --> 01:10:09,720 Speaker 1: He's got niggers in there. We left his people. He's 1357 01:10:09,760 --> 01:10:12,120 Speaker 1: about maybe six seven dudes. But one thing I noticed 1358 01:10:12,160 --> 01:10:16,320 Speaker 1: about everybody is that everybody's everybody's cut. Everybody's got cut, 1359 01:10:17,000 --> 01:10:20,160 Speaker 1: you know what I'm saying. And I'm like heart like 1360 01:10:21,240 --> 01:10:24,000 Speaker 1: everybody everybody got a buck. Everybody got buck and Shane 1361 01:10:24,040 --> 01:10:28,599 Speaker 1: you're saying, and everyone, every single one. And so now 1362 01:10:28,680 --> 01:10:31,120 Speaker 1: I'm looking at like, you know, I'm young and pretty. 1363 01:10:31,720 --> 01:10:34,040 Speaker 1: I'm like, you don't want to get I'm like, you know, 1364 01:10:34,160 --> 01:10:40,880 Speaker 1: like I don't know for you looking at your friends, 1365 01:10:40,960 --> 01:10:44,840 Speaker 1: you know, you know, like you know, and and it's 1366 01:10:44,880 --> 01:10:47,000 Speaker 1: my word, you know. Like he gave me his number 1367 01:10:47,000 --> 01:10:48,560 Speaker 1: and all that ship and I never called him or 1368 01:10:48,560 --> 01:10:50,439 Speaker 1: nothing like that. Like I was content with what I 1369 01:10:50,680 --> 01:10:52,680 Speaker 1: was a little bit of that I was able to do. 1370 01:10:52,920 --> 01:10:56,080 Speaker 1: A g day was plenty in my world, you know 1371 01:10:56,120 --> 01:10:58,439 Speaker 1: what I'm saying. And you know, like but to this 1372 01:10:58,800 --> 01:11:02,559 Speaker 1: but to this day, the energy I remember the dude's 1373 01:11:02,600 --> 01:11:07,160 Speaker 1: face to send the other that was. So i 'm 1374 01:11:07,160 --> 01:11:11,240 Speaker 1: gonna say lant quar okay, um Brand Newbian or trialal quests. 1375 01:11:14,880 --> 01:11:20,640 Speaker 1: M h m hm wow, that's that's that's ready. We 1376 01:11:20,720 --> 01:11:26,080 Speaker 1: got our shots ready, Um let me get us some room, chick. Ready. 1377 01:11:27,560 --> 01:11:30,240 Speaker 1: We ain't gotta overthink it now. You could. You could 1378 01:11:30,240 --> 01:11:33,080 Speaker 1: just say both we get on our married way, but 1379 01:11:33,200 --> 01:11:39,120 Speaker 1: you gotta mean both. If you mean I'm gonna I'm 1380 01:11:39,160 --> 01:11:43,280 Speaker 1: gonna say trial, okay, closer, and the means I'm gonna 1381 01:11:43,280 --> 01:11:47,880 Speaker 1: say trial is this I'm I can look at I 1382 01:11:47,960 --> 01:11:53,800 Speaker 1: can look at um their debut albums. On their debut album, 1383 01:11:53,800 --> 01:11:55,280 Speaker 1: I'm gonna give it. I would give it. I would 1384 01:11:55,280 --> 01:11:57,599 Speaker 1: give it to Brand Newbian. But if I look at 1385 01:11:57,600 --> 01:11:59,920 Speaker 1: their bodies of work, you know what I'm saying. If 1386 01:12:00,000 --> 01:12:02,639 Speaker 1: I look at the criteria right right, if I'm looking 1387 01:12:02,640 --> 01:12:08,040 Speaker 1: at their body of work, then um, at some point, 1388 01:12:09,120 --> 01:12:12,920 Speaker 1: tribes steps ahead of Brand Nubian. You know what I'm saying. 1389 01:12:13,080 --> 01:12:17,320 Speaker 1: And and and it's pretty clear Brand Nubians debut was 1390 01:12:17,800 --> 01:12:24,240 Speaker 1: definitely a superior one to tribes, but ultimately tribe went 1391 01:12:24,320 --> 01:12:29,360 Speaker 1: on sasonically just become a monster. Could I ask the question, 1392 01:12:29,439 --> 01:12:33,240 Speaker 1: what's Trib's biggest record? I've never looked at it like 1393 01:12:33,320 --> 01:12:39,200 Speaker 1: talking about numbers or like the biggest record. So I 1394 01:12:39,280 --> 01:12:42,000 Speaker 1: think world talk, world talk. Can I kick it any bigger? 1395 01:12:42,040 --> 01:12:45,240 Speaker 1: Because I see commercial scenario. I don't know Google that. 1396 01:12:45,720 --> 01:12:47,840 Speaker 1: I think it's I actually think it's something that's newer 1397 01:12:47,920 --> 01:12:51,000 Speaker 1: than in their catalog. Okay, but do we get that answer. 1398 01:12:51,080 --> 01:13:01,880 Speaker 1: Let's let's move on. Okay, this one, I don't know. 1399 01:13:02,040 --> 01:13:06,559 Speaker 1: We're gonna go Dr Max a Tupac. That's actually easy 1400 01:13:06,640 --> 01:13:15,800 Speaker 1: for me, Dr Max, I gotta ask what you know 1401 01:13:15,880 --> 01:13:23,120 Speaker 1: what right there? Yeah, he's ready for me. No, no, no, no, 1402 01:13:23,280 --> 01:13:26,760 Speaker 1: I mean kills Ques might need to be here like 1403 01:13:26,920 --> 01:13:30,800 Speaker 1: like like see it's like this, like and certain people, 1404 01:13:31,000 --> 01:13:33,560 Speaker 1: certain people are gonna understand exactly what I'm saying, a 1405 01:13:33,720 --> 01:13:38,040 Speaker 1: lot of people are not gonna understand like what I'm saying. Okay, Um, 1406 01:13:38,960 --> 01:13:41,559 Speaker 1: like I was around Pock you know what I'm saying, 1407 01:13:42,160 --> 01:13:44,600 Speaker 1: and you got to talk about that? Yeah? Yeah, I 1408 01:13:44,640 --> 01:13:46,160 Speaker 1: mean you know she was when me went up when 1409 01:13:46,240 --> 01:13:48,599 Speaker 1: when we met it was at festival in the lake 1410 01:13:48,640 --> 01:13:51,320 Speaker 1: in OpenD. You know, I'm saying we wanted up hanging 1411 01:13:51,320 --> 01:13:53,400 Speaker 1: out an extra day of what pockets. This is the 1412 01:13:53,439 --> 01:14:00,519 Speaker 1: park where he won that underground pockets sweet Definitely did 1413 01:14:00,560 --> 01:14:03,160 Speaker 1: you on the ground Okay, okay, but he definitely got 1414 01:14:03,400 --> 01:14:05,439 Speaker 1: some weed. But he I feel like at the time 1415 01:14:05,520 --> 01:14:11,840 Speaker 1: he was kind of transitioning. Ye, he's about that's where 1416 01:14:11,880 --> 01:14:15,400 Speaker 1: he was. Definitely definitely show he was. He was just 1417 01:14:15,439 --> 01:14:17,600 Speaker 1: got a baby pup. Okay, that's what That's where he was. 1418 01:14:18,240 --> 01:14:23,120 Speaker 1: He wasn't it was no longer a backup dancing, not 1419 01:14:23,200 --> 01:14:26,840 Speaker 1: because he was too Yeah yeah, yeah, yeah, he wasn't 1420 01:14:27,000 --> 01:14:30,080 Speaker 1: back up dances, going't gonna you know, having somebody grabbed 1421 01:14:30,080 --> 01:14:32,920 Speaker 1: your ance week friends got a baby yogo geb on. 1422 01:14:33,000 --> 01:14:36,800 Speaker 1: Then some week that's we met because it was because 1423 01:14:36,800 --> 01:14:39,360 Speaker 1: it was loud. But you know what I'm saying, and 1424 01:14:40,320 --> 01:14:42,479 Speaker 1: you know, like I got I got love for Pop. 1425 01:14:42,600 --> 01:14:44,439 Speaker 1: You know what I'm saying, Like I got a lot 1426 01:14:44,520 --> 01:14:50,320 Speaker 1: of love for a lot of brothers. You know what 1427 01:14:50,360 --> 01:15:00,200 Speaker 1: I'm saying. But if I made sometimes time bolster is 1428 01:15:02,360 --> 01:15:13,280 Speaker 1: the myth. Sometimes time bolsters what is good, and sometimes 1429 01:15:13,479 --> 01:15:24,479 Speaker 1: time diminishes everything else. Pop was. He was multifaceted, but 1430 01:15:24,800 --> 01:15:36,880 Speaker 1: he was far from intimidating. He was far from um. 1431 01:15:39,400 --> 01:15:43,320 Speaker 1: He was far from what people paint him as. On 1432 01:15:43,439 --> 01:15:48,879 Speaker 1: a daily very diverse. Some days he was an asshole, 1433 01:15:50,080 --> 01:15:52,800 Speaker 1: some days he was a brother to look up to. 1434 01:15:54,000 --> 01:15:56,240 Speaker 1: Some days he was a kid to slap in the 1435 01:15:56,320 --> 01:15:59,599 Speaker 1: back of his head. He was all of them things, 1436 01:16:00,439 --> 01:16:02,400 Speaker 1: you know what I'm saying, And all depending on who 1437 01:16:02,760 --> 01:16:07,640 Speaker 1: you were, would be how you know, really how you 1438 01:16:07,760 --> 01:16:10,000 Speaker 1: view them. You know what I'm saying, like this is 1439 01:16:10,080 --> 01:16:13,120 Speaker 1: my word, like everybody think they real to the real 1440 01:16:13,160 --> 01:16:15,439 Speaker 1: step in the room. Man, you know what I'm saying, 1441 01:16:15,560 --> 01:16:19,120 Speaker 1: Like like like he knew who to go out in 1442 01:16:19,200 --> 01:16:22,000 Speaker 1: my opinion, he he in my opinion. And it's not 1443 01:16:22,200 --> 01:16:24,920 Speaker 1: a shot at him in no way or his gangster 1444 01:16:25,160 --> 01:16:27,360 Speaker 1: or his lack of you know what I'm saying. But 1445 01:16:27,960 --> 01:16:33,519 Speaker 1: but cats, cats have an understanding of of what they're 1446 01:16:33,560 --> 01:16:39,120 Speaker 1: doing when they do it, very very calculated, very calculated. 1447 01:16:39,600 --> 01:16:42,320 Speaker 1: Um and and and and and a bit of an 1448 01:16:42,479 --> 01:16:46,920 Speaker 1: opportunists on a certain degree. I had love for him, 1449 01:16:47,040 --> 01:16:51,600 Speaker 1: and and and I think we respected each other for 1450 01:16:51,720 --> 01:16:54,599 Speaker 1: the most part, you know what I'm saying. But we've 1451 01:16:54,720 --> 01:16:56,599 Speaker 1: we had a couple of runnings a couple of times. 1452 01:16:56,680 --> 01:16:59,320 Speaker 1: You know, I'm saying, like one time at Travaga Squire 1453 01:17:00,000 --> 01:17:03,040 Speaker 1: were performer in Queens. Travaga Squire holds about maybe three 1454 01:17:03,120 --> 01:17:06,559 Speaker 1: four thousand people. Now it's in the heart of Jamaica. 1455 01:17:07,200 --> 01:17:14,000 Speaker 1: So the lineup is the Legion, Biggie and Tupaca. That's 1456 01:17:14,040 --> 01:17:18,000 Speaker 1: the line right, So there's about so to Tupaca is 1457 01:17:18,040 --> 01:17:24,200 Speaker 1: headlining and the Legion is opening and no way await 1458 01:17:24,240 --> 01:17:28,599 Speaker 1: who's you know? How was the how did it go? Y'all? Was? Yeah, 1459 01:17:28,920 --> 01:17:34,240 Speaker 1: uh no, Biggie was opening then then y'all then then 1460 01:17:34,280 --> 01:17:37,240 Speaker 1: they were supposed to be pop now because it's if 1461 01:17:37,280 --> 01:17:41,599 Speaker 1: it holds four thousand people, it's about maybe thirty nine 1462 01:17:41,800 --> 01:17:48,280 Speaker 1: hundred dudes in here, straight griming, straight hood. You know 1463 01:17:48,280 --> 01:17:53,360 Speaker 1: what I'm saying, Pop is mad nervous. And when I 1464 01:17:53,439 --> 01:17:57,559 Speaker 1: say nervous, mad nervous, like yo, like something's gonna happen. 1465 01:17:57,600 --> 01:17:59,680 Speaker 1: Here's too many niggas in here. It's that any other y'all. 1466 01:17:59,680 --> 01:18:01,840 Speaker 1: I'm I'm gonna jump on with Big so I can 1467 01:18:01,880 --> 01:18:04,720 Speaker 1: get out of here. And I'm like, YO, hold up, man, 1468 01:18:04,800 --> 01:18:07,240 Speaker 1: wait a minute, wait a minute, like Yo, the Legion 1469 01:18:07,439 --> 01:18:09,320 Speaker 1: is a new group, man. Like if you jump on 1470 01:18:09,439 --> 01:18:12,720 Speaker 1: with Big, everybody's gonna think that's it and they're gonna 1471 01:18:12,720 --> 01:18:15,040 Speaker 1: be heading to the door, like at least you know 1472 01:18:15,040 --> 01:18:18,800 Speaker 1: what I'm saying. Let um my, dudes rock. You know 1473 01:18:18,800 --> 01:18:21,080 Speaker 1: what I'm saying. And you know I said, if anything, 1474 01:18:21,200 --> 01:18:22,640 Speaker 1: if we need to switch or whatever we need to do, 1475 01:18:22,840 --> 01:18:25,040 Speaker 1: I said, but don't jump on with big energy to 1476 01:18:25,040 --> 01:18:28,599 Speaker 1: be out Like it's almost like he almost almost playing 1477 01:18:28,600 --> 01:18:30,120 Speaker 1: a little bit. But at the end of the day, 1478 01:18:31,080 --> 01:18:32,920 Speaker 1: I don't I don't want to go there, you know 1479 01:18:32,920 --> 01:18:35,720 Speaker 1: what I'm saying. But he's like, yo, no, you know, 1480 01:18:35,840 --> 01:18:37,880 Speaker 1: like if they I don't want I don't want to 1481 01:18:37,920 --> 01:18:40,479 Speaker 1: catch any flak for anything. I'm like, Yo, my dude, 1482 01:18:40,520 --> 01:18:42,720 Speaker 1: if you act cool, NIGGAS is gonna act cool. If 1483 01:18:42,760 --> 01:18:45,400 Speaker 1: you act nervous, NIGGAS is gonna be acting nervous. If 1484 01:18:45,439 --> 01:18:48,400 Speaker 1: you act like there's an issue, your energy is gonna 1485 01:18:48,520 --> 01:18:50,120 Speaker 1: let there be an issue. But if you act like 1486 01:18:50,240 --> 01:18:52,240 Speaker 1: we're a bunch of brothers that came together to to 1487 01:18:52,479 --> 01:18:55,600 Speaker 1: to hang out with you, then that's what it's gonna be. 1488 01:18:56,280 --> 01:18:58,479 Speaker 1: You know what I'm saying. I don't know, man, I 1489 01:18:58,520 --> 01:19:00,920 Speaker 1: don't know, Like he's just man nervous, is right. So 1490 01:19:01,640 --> 01:19:03,960 Speaker 1: we're all getting ready for the show. Now mind you, 1491 01:19:04,120 --> 01:19:10,760 Speaker 1: he's being held down by a stretch money back. I'm saying, yeah, yeah, 1492 01:19:11,160 --> 01:19:13,479 Speaker 1: lot squard young girls, but just say like this is 1493 01:19:13,560 --> 01:19:17,280 Speaker 1: this is family. This this is my family more than his. 1494 01:19:19,160 --> 01:19:21,680 Speaker 1: He doesn't realize this, you know what I'm saying. And 1495 01:19:21,840 --> 01:19:23,960 Speaker 1: I've never spoken to it, you know what I'm saying, 1496 01:19:23,960 --> 01:19:25,880 Speaker 1: But I've been in the room with Stretch when he's 1497 01:19:25,960 --> 01:19:29,920 Speaker 1: sleeping until the sun came up. You know what I'm saying, 1498 01:19:29,960 --> 01:19:31,720 Speaker 1: like like like like this is I don't know hust 1499 01:19:31,880 --> 01:19:35,080 Speaker 1: Like I don't been around cats eons. You know, I'm 1500 01:19:35,120 --> 01:19:38,519 Speaker 1: saying real New York cat. But cats wouldn't know it 1501 01:19:38,680 --> 01:19:41,639 Speaker 1: because you know they all they heard was Carolina. It's 1502 01:19:41,680 --> 01:19:49,960 Speaker 1: so good. So he's gonna jump on the promoters like yo, 1503 01:19:50,200 --> 01:19:52,120 Speaker 1: Pocket is gonna jump on a big man and it's 1504 01:19:52,160 --> 01:19:54,120 Speaker 1: gonna sunk up the set for y'all. I hope, I 1505 01:19:54,240 --> 01:19:57,240 Speaker 1: hope to cant everybody stays. So now I'm a little 1506 01:19:57,320 --> 01:19:59,720 Speaker 1: just disappointed, and I'm like, yo, dude, like you really act, 1507 01:19:59,720 --> 01:20:01,600 Speaker 1: can a bit you right here? Like yo? So I 1508 01:20:01,680 --> 01:20:05,200 Speaker 1: go in the back of the dress room and whereas 1509 01:20:05,280 --> 01:20:08,200 Speaker 1: had it probably been anybody else, they probably couldn't have 1510 01:20:08,200 --> 01:20:10,760 Speaker 1: got by niggas. But these are all niggas I grew 1511 01:20:10,880 --> 01:20:13,040 Speaker 1: up with, you know what I'm saying, Like, Yo, what up? 1512 01:20:13,560 --> 01:20:15,400 Speaker 1: Without stretched? What up? Niggas? You know I'm saying. So 1513 01:20:15,479 --> 01:20:17,360 Speaker 1: I walked right up to him, and nobody's gonna say 1514 01:20:17,400 --> 01:20:19,640 Speaker 1: nothing to me, and I'm like, Yo, the fund is 1515 01:20:19,680 --> 01:20:22,320 Speaker 1: wrong with you? Like Yo, we already talked this and 1516 01:20:22,400 --> 01:20:24,200 Speaker 1: the other, like you know, like and he's just acting 1517 01:20:24,280 --> 01:20:27,320 Speaker 1: like like he's turning his head like you know, like 1518 01:20:27,680 --> 01:20:31,560 Speaker 1: he doesn't want to like just be accountable for what 1519 01:20:31,760 --> 01:20:34,679 Speaker 1: it is, Like, Yo, we together. Why you always gotta 1520 01:20:34,800 --> 01:20:36,720 Speaker 1: fucking you know, saying like in my head, it's like 1521 01:20:38,200 --> 01:20:41,880 Speaker 1: certain cats allowed sometimes when they don't need to be 1522 01:20:43,560 --> 01:20:46,639 Speaker 1: and and I've probably been guilty of it. In this moment, 1523 01:20:46,720 --> 01:20:48,560 Speaker 1: I felt like he was guilty of it, you know 1524 01:20:48,600 --> 01:20:50,040 Speaker 1: what I'm saying. I felt like, you know, like, yo, 1525 01:20:50,320 --> 01:20:51,800 Speaker 1: my dude, like you know, like you just took a 1526 01:20:51,840 --> 01:20:54,160 Speaker 1: lot of ship that you know, like that you don't 1527 01:20:54,240 --> 01:20:58,560 Speaker 1: necessarily what all the time, you know saying. And I 1528 01:20:58,640 --> 01:21:00,479 Speaker 1: kind of pressed him a little bit and the niggas, 1529 01:21:00,479 --> 01:21:02,519 Speaker 1: you know what I'm saying, And everybody's kind of stopping looking, 1530 01:21:03,640 --> 01:21:06,920 Speaker 1: and he still jumps on with Big and he's ready 1531 01:21:06,960 --> 01:21:08,320 Speaker 1: to get out of there, and it said that stop. 1532 01:21:08,439 --> 01:21:13,800 Speaker 1: That night at Allegendary Freestyle, We're Big, he jumps on 1533 01:21:13,880 --> 01:21:16,960 Speaker 1: with Big and before as he's getting off the stage, 1534 01:21:17,000 --> 01:21:18,439 Speaker 1: as him and Big and get up stage before they 1535 01:21:18,479 --> 01:21:20,040 Speaker 1: could get off the stage, I've run up on the 1536 01:21:20,120 --> 01:21:23,559 Speaker 1: stage before people start turning around, because, like I said, 1537 01:21:23,680 --> 01:21:25,559 Speaker 1: no one even knows who the legion is. No one 1538 01:21:25,680 --> 01:21:28,040 Speaker 1: even knows I'm near, you know, I'm saying, bringing them out. 1539 01:21:28,520 --> 01:21:29,880 Speaker 1: So I run up and I grabbed the mic and 1540 01:21:29,960 --> 01:21:32,280 Speaker 1: I was like, Yo, that was cute. I was real cute. 1541 01:21:32,280 --> 01:21:33,760 Speaker 1: I was like, but you're ready for the real show, 1542 01:21:34,320 --> 01:21:35,519 Speaker 1: you know what I'm saying, Like you know, And I 1543 01:21:35,600 --> 01:21:37,720 Speaker 1: wasn't the ship on Big, and I wasn't even a 1544 01:21:37,760 --> 01:21:40,160 Speaker 1: ship on him. But I was just to say, like, yo, 1545 01:21:40,920 --> 01:21:44,040 Speaker 1: don't be leaving the energy or funked up, like like 1546 01:21:44,960 --> 01:21:47,920 Speaker 1: it's us, Like you know what I'm saying, Ain't nobody 1547 01:21:47,960 --> 01:21:50,680 Speaker 1: in here gonna get hurt but us. If you're not 1548 01:21:50,800 --> 01:21:53,560 Speaker 1: controlling the shift, you're not on but I but I, 1549 01:21:53,680 --> 01:21:55,840 Speaker 1: but I get mad at the Natives for the same ship. 1550 01:21:56,240 --> 01:21:58,599 Speaker 1: But if you're not controlling the ship, you're talking about 1551 01:21:58,640 --> 01:22:02,920 Speaker 1: controlling the fund is you doing? Don't leave Ship funked 1552 01:22:02,960 --> 01:22:05,479 Speaker 1: up for us? So I jump up on stage. I'm like, yo, 1553 01:22:05,520 --> 01:22:07,920 Speaker 1: you're ready for the real for the real show now, yo, 1554 01:22:08,080 --> 01:22:09,840 Speaker 1: y'arder the leak, you know. So I got cast turned 1555 01:22:09,880 --> 01:22:12,200 Speaker 1: around and cubes or testing like ques was there when 1556 01:22:12,240 --> 01:22:15,120 Speaker 1: I went in the dress room. You know, niggas was like, oh, Ship, 1557 01:22:15,200 --> 01:22:18,160 Speaker 1: did that just happens? And and and but but you 1558 01:22:18,240 --> 01:22:21,240 Speaker 1: gotta understand this too, Hocket his mind side. He's smaller 1559 01:22:21,320 --> 01:22:30,240 Speaker 1: than me. I just come in, brother, break the rules. 1560 01:22:32,320 --> 01:22:34,240 Speaker 1: Let's just do it. Come on. I wanted to finish 1561 01:22:34,280 --> 01:22:43,680 Speaker 1: with Yeah for you, I don't because I don't want it. 1562 01:22:44,680 --> 01:22:47,720 Speaker 1: You bring up to name, It's like it's like it's 1563 01:22:47,760 --> 01:22:49,519 Speaker 1: kind of hard to tell you don't want it. It's 1564 01:22:49,560 --> 01:22:52,000 Speaker 1: kind of hard to tell something if it's not so, 1565 01:22:52,880 --> 01:22:55,360 Speaker 1: you know, in that night, like I understand what dress 1566 01:22:55,400 --> 01:22:58,960 Speaker 1: is saying dress? He had this image is how he 1567 01:22:59,120 --> 01:23:03,840 Speaker 1: moved It was fights. That's the part you left out. Yeah, 1568 01:23:03,880 --> 01:23:06,719 Speaker 1: maybe he felt a vibe that was like queens niggers 1569 01:23:06,960 --> 01:23:10,120 Speaker 1: getting it in this corner. That fight would break up 1570 01:23:10,400 --> 01:23:12,519 Speaker 1: this this dude over here he got cut in the 1571 01:23:12,600 --> 01:23:17,800 Speaker 1: face in biggest deep his Brooklyn dudes. We deep with 1572 01:23:17,920 --> 01:23:20,920 Speaker 1: our you know, bronze dudes. So we're like this is normal. 1573 01:23:22,000 --> 01:23:24,320 Speaker 1: By the fifth fights, Pockets like I'm ready to get 1574 01:23:24,320 --> 01:23:27,000 Speaker 1: out of here, and that's when Dress with to say. 1575 01:23:27,120 --> 01:23:29,640 Speaker 1: You know, Dress was like, yo, you just you know, 1576 01:23:30,080 --> 01:23:32,759 Speaker 1: put this energy out like you're tough and you ain't scared, 1577 01:23:32,840 --> 01:23:34,680 Speaker 1: Like why are you why are you leaving? What's what's 1578 01:23:34,680 --> 01:23:37,360 Speaker 1: going on? This is And that's what I wanted to 1579 01:23:37,400 --> 01:23:39,599 Speaker 1: put in it because Dress left their part out fighting. 1580 01:23:40,640 --> 01:23:42,120 Speaker 1: Yeah yeah, I mean yeah, but I mean, you know, 1581 01:23:43,760 --> 01:23:49,920 Speaker 1: just to say like Killings was you know, Kings was 1582 01:23:49,960 --> 01:23:52,080 Speaker 1: privy to a lot as well, like to our walks 1583 01:23:52,640 --> 01:23:54,640 Speaker 1: and you know he's around. He was a rails of 1584 01:23:54,720 --> 01:24:01,519 Speaker 1: real dudes right from left right. Yeah, he came out 1585 01:24:01,600 --> 01:24:04,840 Speaker 1: and told us before. By the third fight, he was like, yo, 1586 01:24:04,920 --> 01:24:06,800 Speaker 1: he's ready to get out of here. And that's when 1587 01:24:06,880 --> 01:24:08,720 Speaker 1: Dress went back there like yeah, I'm gonna talk to 1588 01:24:08,800 --> 01:24:11,160 Speaker 1: him because we was cool with Big and Big like 1589 01:24:11,360 --> 01:24:16,519 Speaker 1: this is normal, not right Big by that by this point, 1590 01:24:16,800 --> 01:24:19,920 Speaker 1: you know, like this is this is well after me 1591 01:24:20,080 --> 01:24:21,960 Speaker 1: meeting Big, I don't seem Big around and you know 1592 01:24:21,960 --> 01:24:23,920 Speaker 1: what saying like I said, we're not cool but we 1593 01:24:24,080 --> 01:24:25,880 Speaker 1: respect each other. You know, I'm saying, like, you know, 1594 01:24:26,000 --> 01:24:28,280 Speaker 1: like we don't have each other number, but ain't no 1595 01:24:28,400 --> 01:24:30,120 Speaker 1: time that we see each other that we don't stop 1596 01:24:30,200 --> 01:24:32,080 Speaker 1: and talk for a few minutes. You know, you know, 1597 01:24:32,240 --> 01:24:34,559 Speaker 1: you know how it is what I'm saying. Especially when 1598 01:24:34,640 --> 01:24:36,880 Speaker 1: we young, got a lot to sasteron, so you know, 1599 01:24:37,000 --> 01:24:39,080 Speaker 1: like we wasn't really in the mingling cruise a lot, 1600 01:24:39,160 --> 01:24:41,000 Speaker 1: you know, saying like you know, everybody kind of stood 1601 01:24:41,000 --> 01:24:43,840 Speaker 1: on their own. Yeah, I know, I know, you know, 1602 01:24:44,200 --> 01:24:47,920 Speaker 1: I don't know because because yeah, because y'all are stand 1603 01:24:47,960 --> 01:24:49,800 Speaker 1: off ship. You know what I'm saying, Like, you know, 1604 01:24:50,120 --> 01:24:52,160 Speaker 1: it is what it was. I think as we got 1605 01:24:52,280 --> 01:24:58,280 Speaker 1: older in the industry, we we became more understanding of 1606 01:24:59,439 --> 01:25:04,680 Speaker 1: of we shire space with strangers. We're really not strangers. 1607 01:25:05,600 --> 01:25:09,040 Speaker 1: We might not, we might not. Me and you have 1608 01:25:09,160 --> 01:25:13,040 Speaker 1: never spoke on the phone. Me and you met one time, 1609 01:25:13,600 --> 01:25:17,600 Speaker 1: Ruby briefly, But me and you aren't strangers exactly, you 1610 01:25:17,640 --> 01:25:19,920 Speaker 1: know what I'm saying. Exactly why do we look at 1611 01:25:19,960 --> 01:25:22,160 Speaker 1: each other like that? Like? Why is why is our 1612 01:25:22,280 --> 01:25:24,439 Speaker 1: energy like that? When we young? What I'm saying, and 1613 01:25:24,840 --> 01:25:26,920 Speaker 1: I was one of the problems in hip hop. What 1614 01:25:26,960 --> 01:25:30,200 Speaker 1: I'm saying like, don't get it twisted. It still still still, 1615 01:25:30,240 --> 01:25:32,120 Speaker 1: it's still still. But at the end of the day, 1616 01:25:32,120 --> 01:25:33,760 Speaker 1: you don't get twisted. Yeah, we should be able to 1617 01:25:33,800 --> 01:25:37,080 Speaker 1: We should be able to verbally jeouse without question a 1618 01:25:37,120 --> 01:25:39,240 Speaker 1: matter of fact, should be mandatory get some of these 1619 01:25:39,320 --> 01:25:41,200 Speaker 1: dead weight out here. But this is at the end 1620 01:25:41,240 --> 01:25:43,600 Speaker 1: of the day, at the end of the day, Like 1621 01:25:44,240 --> 01:25:59,760 Speaker 1: we're taking a TV break over there, Morris, I was like, shot, 1622 01:26:00,000 --> 01:26:05,120 Speaker 1: well do that. But you know what I'm saying about. 1623 01:26:05,200 --> 01:26:08,080 Speaker 1: But I wish, I wish, I wish. One of the 1624 01:26:08,200 --> 01:26:10,120 Speaker 1: things that's really you know that we grow up and 1625 01:26:10,200 --> 01:26:12,519 Speaker 1: we start really seeing is how how they how they 1626 01:26:12,960 --> 01:26:17,280 Speaker 1: systemically divide us. Let me say one thing because I 1627 01:26:17,439 --> 01:26:20,840 Speaker 1: want to get through this with fast. So your par um, 1628 01:26:21,360 --> 01:26:24,160 Speaker 1: how did how did your relationship in prior to his death? 1629 01:26:24,520 --> 01:26:27,120 Speaker 1: Because that was one part, right, A lot of people 1630 01:26:27,240 --> 01:26:29,720 Speaker 1: say that this it's like ten different parts, right, Like 1631 01:26:30,320 --> 01:26:32,760 Speaker 1: there's some people who like, what the most positive brother 1632 01:26:32,760 --> 01:26:34,360 Speaker 1: I ever seen, And there's some people like, that's the 1633 01:26:34,400 --> 01:26:36,200 Speaker 1: most negative brother I ever seen. There's some people that 1634 01:26:36,360 --> 01:26:39,560 Speaker 1: be like, that's the most wildest whatever, and as the 1635 01:26:39,600 --> 01:26:43,559 Speaker 1: softest brother I ever seen. So how did you did 1636 01:26:43,600 --> 01:26:45,559 Speaker 1: you have a link with him again after he went 1637 01:26:45,640 --> 01:26:47,679 Speaker 1: on death row, like after he got on death because 1638 01:26:47,680 --> 01:26:49,400 Speaker 1: it seems like he was a different dude when he 1639 01:26:49,479 --> 01:26:52,439 Speaker 1: got a death row. Did you see him after that? Yeah, 1640 01:26:53,400 --> 01:26:56,120 Speaker 1: Like you know what I'm saying, Like, yeah, post Papa's 1641 01:26:56,200 --> 01:27:01,800 Speaker 1: multifascinating what I'm saying. And you know, like sometimes sometimes 1642 01:27:02,760 --> 01:27:06,439 Speaker 1: I adored him sometimes in conversation they're saying, sometimes sometimes 1643 01:27:06,479 --> 01:27:09,120 Speaker 1: I have a conversation with him. Was was very dope, 1644 01:27:09,240 --> 01:27:13,040 Speaker 1: was very cool and and and he been after death 1645 01:27:13,120 --> 01:27:17,960 Speaker 1: roparc Um, after death roparc I think he had an agenda, 1646 01:27:18,720 --> 01:27:20,800 Speaker 1: you know what I'm saying. And let's remember that was 1647 01:27:20,840 --> 01:27:23,400 Speaker 1: a short time game, like a long but his time 1648 01:27:23,720 --> 01:27:26,360 Speaker 1: death row was very short and there was a lot 1649 01:27:26,439 --> 01:27:28,680 Speaker 1: going on around that too. That cats I think, you know, 1650 01:27:28,800 --> 01:27:32,439 Speaker 1: sometimes don't put into the equation because he had a 1651 01:27:32,520 --> 01:27:34,920 Speaker 1: vendetta against New York? Did you mo out for me? 1652 01:27:35,120 --> 01:27:37,640 Speaker 1: He was always silent with me, But I think a 1653 01:27:37,680 --> 01:27:39,880 Speaker 1: lot of that I was so I was a lot younger, 1654 01:27:40,080 --> 01:27:41,599 Speaker 1: So I was like a kid. You know what I'm 1655 01:27:41,600 --> 01:27:45,960 Speaker 1: saying that he wasn't a kid when But why do 1656 01:27:46,000 --> 01:27:47,760 Speaker 1: you say he had a vendetta against New York when 1657 01:27:47,760 --> 01:27:50,800 Speaker 1: he was trying to do that. He had new Young 1658 01:27:50,920 --> 01:27:55,320 Speaker 1: records for me. But he said, well, you say what 1659 01:27:56,280 --> 01:28:03,200 Speaker 1: I mean that ride? What do you mean that that's 1660 01:28:03,920 --> 01:28:07,120 Speaker 1: we were shocks in that valley, that's ride. What do 1661 01:28:07,200 --> 01:28:10,920 Speaker 1: you think that meant? Hey, guys were cool? I mean 1662 01:28:11,000 --> 01:28:15,439 Speaker 1: he was a champion death Row East. This is it 1663 01:28:15,600 --> 01:28:17,720 Speaker 1: was the same with me, Like, I don't really I 1664 01:28:17,760 --> 01:28:19,800 Speaker 1: don't think gave me that. I don't think he was 1665 01:28:19,840 --> 01:28:21,920 Speaker 1: a champion death Row. I think there was people that 1666 01:28:22,040 --> 01:28:26,519 Speaker 1: he was again Row East. Is that even a thing? No, 1667 01:28:26,640 --> 01:28:28,760 Speaker 1: it was a thing, really it we I mean it 1668 01:28:28,920 --> 01:28:33,960 Speaker 1: was right, No, it wasn't. It was I didn't do anything. 1669 01:28:34,200 --> 01:28:37,040 Speaker 1: Amy never got off the ground and never got That's 1670 01:28:37,080 --> 01:28:40,600 Speaker 1: where when when pocket nosupposedly met in Battery Park in 1671 01:28:40,640 --> 01:28:43,760 Speaker 1: New York City, That's what supposed to picket signs were saying. 1672 01:28:43,800 --> 01:28:46,080 Speaker 1: Because I believe they hired a lot of West Coast 1673 01:28:46,120 --> 01:28:48,320 Speaker 1: people that was with them, but they also hired people 1674 01:28:48,360 --> 01:28:50,040 Speaker 1: that was in town and he was he was doing 1675 01:28:50,400 --> 01:28:53,040 Speaker 1: down as well. There was insourcing, so you know what 1676 01:28:53,080 --> 01:28:56,080 Speaker 1: I'm saying. So they had people that was actually head 1677 01:28:56,240 --> 01:29:00,880 Speaker 1: from East Coast. The East Side a nation album with 1678 01:29:01,000 --> 01:29:04,040 Speaker 1: with Dug Down with Buckshot and Black all those guys up. 1679 01:29:04,080 --> 01:29:05,360 Speaker 1: I mean, I don't. I don't see it as clear 1680 01:29:05,439 --> 01:29:08,920 Speaker 1: cut as fucking York from from him. Absolutely, yeah I did. 1681 01:29:09,880 --> 01:29:11,519 Speaker 1: I mean yeah, I mean you know what I'm saying. 1682 01:29:11,520 --> 01:29:16,479 Speaker 1: I mean yeah, yeah, that's because he attacked Queens. Man. No, 1683 01:29:16,640 --> 01:29:20,240 Speaker 1: he ain't attacked Queens New York. He definitely did attack 1684 01:29:20,320 --> 01:29:22,080 Speaker 1: New York. He listened. At the end of the day, 1685 01:29:22,120 --> 01:29:26,120 Speaker 1: if I got beet listening because I'm not I'm not disappointable. 1686 01:29:26,120 --> 01:29:27,479 Speaker 1: I was actually a fan of Park. But I just 1687 01:29:27,680 --> 01:29:30,880 Speaker 1: I can't. I can't deteriorate history. I can't change history. 1688 01:29:31,479 --> 01:29:34,200 Speaker 1: At the end of the day. If I got beef 1689 01:29:34,600 --> 01:29:38,160 Speaker 1: with this cup, right, I got beef with this cup. 1690 01:29:38,320 --> 01:29:41,479 Speaker 1: The minute I say the cup and great Rock and 1691 01:29:41,920 --> 01:29:45,519 Speaker 1: and and I and a spade, everything that goes everything 1692 01:29:45,600 --> 01:29:49,160 Speaker 1: that goes through, that's what that's that's that's bad because 1693 01:29:49,400 --> 01:29:51,360 Speaker 1: the end of the day, these guys can be talking 1694 01:29:51,400 --> 01:29:53,960 Speaker 1: to them and say your chill the chill Cup, like 1695 01:29:54,240 --> 01:29:56,840 Speaker 1: like you can work this out. They can work this out, Cup. 1696 01:29:57,320 --> 01:30:00,640 Speaker 1: But but now when you say funk him, fuck him, 1697 01:30:00,760 --> 01:30:03,160 Speaker 1: funck him and fun him, these guys conversation with the 1698 01:30:03,240 --> 01:30:06,680 Speaker 1: cup now is different. They're saying, forgive him, but I 1699 01:30:06,680 --> 01:30:08,960 Speaker 1: don't really him. If you don't, I don't really care, 1700 01:30:09,280 --> 01:30:10,880 Speaker 1: you know what I'm saying, because he already got at 1701 01:30:10,920 --> 01:30:14,320 Speaker 1: me and I know a bigger cup because you know, 1702 01:30:14,439 --> 01:30:16,560 Speaker 1: you know, you know the crazy shit is. I was 1703 01:30:16,600 --> 01:30:19,200 Speaker 1: just listening to Snoop Dogg, and Snoop Dogg said he 1704 01:30:19,320 --> 01:30:22,240 Speaker 1: had this new he had the new found found respect 1705 01:30:22,320 --> 01:30:25,519 Speaker 1: for Fat Joe. When Fat Joe actually stepped to ice 1706 01:30:25,600 --> 01:30:28,479 Speaker 1: Cube in Farra Caran's house, they're all on the place 1707 01:30:28,560 --> 01:30:31,439 Speaker 1: to piece, They're all in the place of you know, 1708 01:30:31,720 --> 01:30:33,280 Speaker 1: no one can't do no one's doing nothing in the 1709 01:30:33,280 --> 01:30:36,160 Speaker 1: Farer car house. Just be clear. It's gonna break you up, 1710 01:30:36,200 --> 01:30:38,000 Speaker 1: put you in the pre and the fool Nelson like 1711 01:30:38,080 --> 01:30:42,599 Speaker 1: you've never been in before. Trust me. So he stepped 1712 01:30:42,600 --> 01:30:44,519 Speaker 1: to ice Cube because this is when ice Cuble was 1713 01:30:44,560 --> 01:30:47,160 Speaker 1: on the West Side connection. So fat so Snoop this 1714 01:30:47,280 --> 01:30:49,760 Speaker 1: Snoop story, by the way, Snoop just describes it as 1715 01:30:50,680 --> 01:30:52,479 Speaker 1: like Fat Joe stepped to him, was like yo, I 1716 01:30:52,600 --> 01:30:56,720 Speaker 1: was disappointed, Like we held you down when when the 1717 01:30:56,800 --> 01:30:58,639 Speaker 1: West goes home, he shipped on you and you came 1718 01:30:58,680 --> 01:31:02,120 Speaker 1: to New York and you let Chuck d and the people, 1719 01:31:04,520 --> 01:31:06,120 Speaker 1: How the fun did you do this? Like? How did 1720 01:31:06,160 --> 01:31:08,720 Speaker 1: you do that? So Snoop said, wow, like he had 1721 01:31:08,760 --> 01:31:12,080 Speaker 1: a whole new respect kind of respect for that. So 1722 01:31:12,200 --> 01:31:14,439 Speaker 1: that's that's what I'm trying to say, is like Pop 1723 01:31:14,680 --> 01:31:17,720 Speaker 1: ran with y'all in New York, like he literally I 1724 01:31:17,760 --> 01:31:20,040 Speaker 1: mean like, I mean it was in the same sectors, 1725 01:31:20,360 --> 01:31:22,800 Speaker 1: same sectors. How did they feel when you're just bumping 1726 01:31:22,840 --> 01:31:24,600 Speaker 1: to him? Though? But but but I would seeing how 1727 01:31:24,640 --> 01:31:26,360 Speaker 1: do know something? No, what I'm saying is how did 1728 01:31:26,360 --> 01:31:28,639 Speaker 1: they feel like him? Because like he got a record call? 1729 01:31:28,880 --> 01:31:30,719 Speaker 1: This is crazy. The other day, I was just walking 1730 01:31:31,120 --> 01:31:33,679 Speaker 1: and I listened to a record call he got Ain't 1731 01:31:33,720 --> 01:31:36,200 Speaker 1: nothing like the old school and he breaks down New 1732 01:31:36,280 --> 01:31:39,240 Speaker 1: York with Skelly and how the parties, And I'm like, 1733 01:31:39,360 --> 01:31:41,320 Speaker 1: this is really a New York nigger. Then the very 1734 01:31:41,400 --> 01:31:45,320 Speaker 1: next record come on CALIFORNIAA Love, And I believed them 1735 01:31:45,360 --> 01:31:51,040 Speaker 1: in both records. I said, only ship West Coast, trying 1736 01:31:51,080 --> 01:31:55,000 Speaker 1: to do my West Coast. I can't. I ain't gonna walking. 1737 01:31:55,000 --> 01:31:56,360 Speaker 1: But it was like something like it. You know what 1738 01:31:56,400 --> 01:32:00,720 Speaker 1: I'm saying. You obviously believe him in Juice too. You 1739 01:32:00,760 --> 01:32:02,080 Speaker 1: don't want to go there. A lot of people say 1740 01:32:02,320 --> 01:32:07,639 Speaker 1: changed after Jersy. So when you've seen the death row pocket, 1741 01:32:07,840 --> 01:32:11,120 Speaker 1: it was a different type of energy. Yeah, you said 1742 01:32:11,160 --> 01:32:14,120 Speaker 1: it was the same energy, even defferent when when me 1743 01:32:14,200 --> 01:32:18,559 Speaker 1: and his relationship always the same. What I'm saying, that's 1744 01:32:19,000 --> 01:32:21,960 Speaker 1: one of the last times I've seen is in the 1745 01:32:22,040 --> 01:32:26,760 Speaker 1: Diamond District. I'm by myself. He's like about fifteen dudes. 1746 01:32:27,760 --> 01:32:29,960 Speaker 1: Some of the dudes he's with. I don't think he 1747 01:32:30,160 --> 01:32:33,280 Speaker 1: realized he's who's He knew that he knows who he's with. 1748 01:32:33,560 --> 01:32:38,720 Speaker 1: Brooklyn people, Umolyn issue. But a couple of you know, 1749 01:32:39,200 --> 01:32:41,360 Speaker 1: you know, a couple of hands that was that definitely 1750 01:32:41,840 --> 01:32:46,360 Speaker 1: understand if if if he wasn't shopping for if everybody 1751 01:32:46,400 --> 01:32:49,720 Speaker 1: wasn't shopping he was, he was out of pocket. You 1752 01:32:49,760 --> 01:32:52,640 Speaker 1: know what I'm saying, And and and if you know, 1753 01:32:52,880 --> 01:32:55,080 Speaker 1: and those that know know why you know what I'm saying, 1754 01:32:55,160 --> 01:32:57,640 Speaker 1: Like you know, like like you don't, you don't you 1755 01:32:57,680 --> 01:33:01,240 Speaker 1: don't wolves aren't you know what I'm saying, show dogs. 1756 01:33:02,160 --> 01:33:03,959 Speaker 1: You know what I'm saying. You don't run with wolves 1757 01:33:04,680 --> 01:33:07,479 Speaker 1: acting like you know, like you're taking a walk in 1758 01:33:07,560 --> 01:33:10,960 Speaker 1: Central Park. That's not what wolves are. Four says a 1759 01:33:11,000 --> 01:33:14,080 Speaker 1: little rough now too Yeah, it's not that rough, you 1760 01:33:14,120 --> 01:33:16,799 Speaker 1: know what I'm saying, Like he's running around the Diamond 1761 01:33:16,880 --> 01:33:20,000 Speaker 1: District and you know, I'm sure he's getting whatever he's 1762 01:33:20,040 --> 01:33:23,120 Speaker 1: getting that for his new walk, you know what I'm saying, 1763 01:33:23,400 --> 01:33:27,200 Speaker 1: because I remember when it was you know, the punched 1764 01:33:27,240 --> 01:33:30,080 Speaker 1: out oozy rings and uh, you know the stuff that 1765 01:33:30,240 --> 01:33:35,360 Speaker 1: was pretty Canal Street that like like that you really 1766 01:33:35,439 --> 01:33:39,880 Speaker 1: couldn't even really get in the room that the cats 1767 01:33:39,960 --> 01:33:42,640 Speaker 1: I knew was in. You know what I'm saying. And 1768 01:33:42,760 --> 01:33:45,519 Speaker 1: I'm not trying to shoot It's just the truth, you 1769 01:33:45,560 --> 01:33:47,560 Speaker 1: know what I'm saying. So you know, like like and 1770 01:33:47,680 --> 01:33:49,560 Speaker 1: that's not the ship on him to say, like you know, 1771 01:33:49,720 --> 01:33:54,519 Speaker 1: like he we all we all start where we start from. 1772 01:33:54,520 --> 01:33:57,400 Speaker 1: When we all grow it, we all grow to become 1773 01:33:57,400 --> 01:33:58,800 Speaker 1: who we're gonna be, you know what I'm saying. But 1774 01:33:59,200 --> 01:34:02,160 Speaker 1: but that's the But that's the type of things that 1775 01:34:02,200 --> 01:34:05,120 Speaker 1: I'm trying to say, Like Pop didn't understand certain things 1776 01:34:05,600 --> 01:34:12,000 Speaker 1: just about New York culture that a record wasn't really 1777 01:34:12,080 --> 01:34:15,120 Speaker 1: gonna facilitate, you know what I'm saying, Like, you know, 1778 01:34:15,240 --> 01:34:18,479 Speaker 1: like you're in the Diamond District with cats that come 1779 01:34:18,600 --> 01:34:23,840 Speaker 1: to the Diamond District to sell what they just just stole, 1780 01:34:24,000 --> 01:34:26,120 Speaker 1: you know what I'm saying, And and and and and 1781 01:34:26,320 --> 01:34:31,320 Speaker 1: and you come in there spending a ridiculous number, you know, 1782 01:34:32,400 --> 01:34:34,360 Speaker 1: in front of him, you know what I'm saying, and 1783 01:34:35,040 --> 01:34:37,160 Speaker 1: like like, those are the things that like that, those 1784 01:34:37,200 --> 01:34:41,040 Speaker 1: are the little things that aren't little that he would 1785 01:34:41,080 --> 01:34:44,479 Speaker 1: do regularly, you know what I'm saying. And like I said, 1786 01:34:44,560 --> 01:34:48,320 Speaker 1: like I've seen Pop do many things like that, many 1787 01:34:48,520 --> 01:34:50,320 Speaker 1: like like not. And that's not to shift on them. 1788 01:34:50,720 --> 01:34:53,160 Speaker 1: And that's not to say that he wasn't that he 1789 01:34:53,280 --> 01:34:57,720 Speaker 1: wasn't solid, you know, Pop, Pop, He was a lot 1790 01:34:57,800 --> 01:35:01,679 Speaker 1: of things, you know what I'm saying. But sometimes sometimes 1791 01:35:01,880 --> 01:35:05,759 Speaker 1: you know, like sometimes your little man needs to get checked. 1792 01:35:06,560 --> 01:35:08,679 Speaker 1: Sometimes your little man needs to get punched in the chest. 1793 01:35:09,680 --> 01:35:12,439 Speaker 1: Not all the time, sometimes your little man puts you 1794 01:35:12,600 --> 01:35:15,280 Speaker 1: on point. Sometimes your little man checks you, you know, 1795 01:35:15,479 --> 01:35:18,920 Speaker 1: like he was all of that what I'm saying. I 1796 01:35:19,120 --> 01:35:28,160 Speaker 1: just hope people can understand that because people only look 1797 01:35:28,200 --> 01:35:34,880 Speaker 1: at him as one thing. And you know it, you know, 1798 01:35:35,000 --> 01:35:37,080 Speaker 1: when you when you put somebody on a pedal stool, 1799 01:35:37,640 --> 01:35:40,240 Speaker 1: it's almost like when you found out, you know, Martin 1800 01:35:40,320 --> 01:35:44,240 Speaker 1: Luther King was getting some side ass. I was happy, Yeah, 1801 01:35:44,360 --> 01:35:52,120 Speaker 1: you know, like, yeah, deserve happy, deserved it. He said 1802 01:35:53,000 --> 01:35:58,960 Speaker 1: real quick. This is a person he was. Unfortunately he's 1803 01:35:58,960 --> 01:36:05,840 Speaker 1: not here from young young park that didn't mature like 1804 01:36:06,000 --> 01:36:11,080 Speaker 1: the rest of us are having same with Big And 1805 01:36:11,160 --> 01:36:13,760 Speaker 1: that's why I don't say anything out of respect when 1806 01:36:13,800 --> 01:36:16,000 Speaker 1: people revere him, I don't. I don't tell them some 1807 01:36:16,080 --> 01:36:19,160 Speaker 1: of the things that I know that might be in contrast, 1808 01:36:19,760 --> 01:36:23,080 Speaker 1: I don't really share those things because he's not here 1809 01:36:23,200 --> 01:36:27,320 Speaker 1: to have had the opportunity to become everything that they 1810 01:36:27,439 --> 01:36:30,320 Speaker 1: think is. You know what I'm saying, you know, like 1811 01:36:30,560 --> 01:36:35,559 Speaker 1: like like thank god we got the opportunity to go forward. 1812 01:36:36,800 --> 01:36:40,120 Speaker 1: You know what I'm saying, like to be better. You 1813 01:36:40,160 --> 01:36:41,840 Speaker 1: know what I'm saying, Like that that was for Parking 1814 01:36:41,920 --> 01:36:44,640 Speaker 1: Big two. That was for them too, you know what 1815 01:36:44,680 --> 01:36:49,000 Speaker 1: I'm saying. And you know, like that the boat, the 1816 01:36:49,240 --> 01:36:53,960 Speaker 1: bullshit that took place. You know what I'm saying, Like 1817 01:36:55,240 --> 01:36:59,040 Speaker 1: we're gonna we're gonna move. We're gonna move. That was 1818 01:36:59,720 --> 01:37:08,639 Speaker 1: man like he l l care arrest one's shock class 1819 01:37:08,680 --> 01:37:16,519 Speaker 1: two shot glass. That's a good one. I'm gonna I'm 1820 01:37:16,560 --> 01:37:25,439 Speaker 1: gonna go with these things, Queen Shall, I didn't even 1821 01:37:25,520 --> 01:37:29,760 Speaker 1: realize that I can tell you why, let me tell 1822 01:37:29,760 --> 01:37:35,439 Speaker 1: you what hel hell is? You is? You got on 1823 01:37:35,520 --> 01:37:46,280 Speaker 1: a bit And I'm not even gonna piggy back right now. 1824 01:37:46,800 --> 01:37:50,400 Speaker 1: I just say hell I was. She was what sixty 1825 01:37:50,520 --> 01:37:53,920 Speaker 1: seventeen years old? Carry death gym on their back on 1826 01:37:54,040 --> 01:37:57,160 Speaker 1: this back? Did you? Did you see him in Crush Groove? 1827 01:37:58,040 --> 01:38:00,680 Speaker 1: Just just is that when he had the radio, just 1828 01:38:00,840 --> 01:38:06,240 Speaker 1: his appearance and Crush Groove alone alone set the tune 1829 01:38:06,280 --> 01:38:09,799 Speaker 1: for the culture, like like like just the little snippet 1830 01:38:09,840 --> 01:38:13,880 Speaker 1: of L. L and Crushed Groove was harder than the 1831 01:38:14,000 --> 01:38:18,120 Speaker 1: sub Cats careers. Like like like he said the tune 1832 01:38:19,040 --> 01:38:21,120 Speaker 1: for hip hop that that was a B boy that 1833 01:38:21,360 --> 01:38:23,640 Speaker 1: came into the picture. You know what I'm saying, Like 1834 01:38:23,720 --> 01:38:25,240 Speaker 1: like you ain't ever seen it. I was a B 1835 01:38:25,360 --> 01:38:28,000 Speaker 1: boy that came in. Don't shoot him, Jay, That's just 1836 01:38:28,080 --> 01:38:30,240 Speaker 1: a B boy, you know what I'm saying. Like you 1837 01:38:30,280 --> 01:38:33,080 Speaker 1: know what I'm saying, like like like yeah, oh man, 1838 01:38:33,160 --> 01:38:35,479 Speaker 1: like you know, I got love for Chris Chriss and beasts, 1839 01:38:35,920 --> 01:38:41,920 Speaker 1: but but L L Yo, Yeah, like l L Alan Iverson, 1840 01:38:42,360 --> 01:38:44,200 Speaker 1: like you know as a kid, like you know, he 1841 01:38:44,320 --> 01:38:47,160 Speaker 1: came in when Cats was looking like you know, like 1842 01:38:47,400 --> 01:38:49,680 Speaker 1: flash and everything, and L just came in, you know, 1843 01:38:49,800 --> 01:39:00,840 Speaker 1: across the cats over like Nigga move over. Oh um, 1844 01:39:05,320 --> 01:39:09,559 Speaker 1: I gotta go with the guard right yeah, okay, yeah, 1845 01:39:10,800 --> 01:39:14,160 Speaker 1: you know Craik. Quick quick story, quick story. When I 1846 01:39:14,240 --> 01:39:15,840 Speaker 1: first when I first get back to New York, When 1847 01:39:15,840 --> 01:39:18,200 Speaker 1: I first get back to New York. Okay, I'm Carolina. 1848 01:39:18,280 --> 01:39:21,840 Speaker 1: First we get out of New York. Um. I'm not 1849 01:39:21,880 --> 01:39:25,400 Speaker 1: sure why I started hustling yet, but but I have 1850 01:39:25,760 --> 01:39:27,960 Speaker 1: been doing the music shipped down south, you know what saying? So, 1851 01:39:28,160 --> 01:39:31,280 Speaker 1: so I do want to be around hip hop. So 1852 01:39:31,360 --> 01:39:33,400 Speaker 1: I'm looking at the paper looking for a job. It's 1853 01:39:33,439 --> 01:39:37,439 Speaker 1: a job power Plays Studios. Queen's Queen, you know, right 1854 01:39:38,160 --> 01:39:43,720 Speaker 1: right right queens right, So I go with here. They 1855 01:39:43,840 --> 01:39:46,639 Speaker 1: hired me. I mean, my first record ive ever made 1856 01:39:47,240 --> 01:39:51,960 Speaker 1: the right right right? I haven't dot I doctor Rodriguez, 1857 01:39:52,280 --> 01:39:58,240 Speaker 1: work out get the best right. No, No, I haven't doctor. No, no, no, 1858 01:39:58,360 --> 01:40:02,840 Speaker 1: not Dr Butcher. They got um but just say um. 1859 01:40:03,400 --> 01:40:07,800 Speaker 1: So they hired me first day. I've never I've never 1860 01:40:07,960 --> 01:40:09,840 Speaker 1: worked in the studio nothing, you know, I ain't got 1861 01:40:10,000 --> 01:40:13,799 Speaker 1: no nothing. So I'm in a studio, power Play studio, 1862 01:40:14,240 --> 01:40:17,320 Speaker 1: going down the city. I'm sitting there. I ain't been 1863 01:40:17,360 --> 01:40:20,000 Speaker 1: in sitting at this desk for twenty minutes when the 1864 01:40:20,080 --> 01:40:23,479 Speaker 1: door opens up from studio a Rock Kim walks up 1865 01:40:23,560 --> 01:40:28,599 Speaker 1: to the desk, asked me for a light, give my light. 1866 01:40:28,640 --> 01:40:31,439 Speaker 1: I got my pocket. I give my lighter. He takes it, 1867 01:40:31,960 --> 01:40:34,120 Speaker 1: walks in the back, and I'm sitting there. I'm like, 1868 01:40:35,800 --> 01:40:37,720 Speaker 1: with my lighter. No, no, no, no, no, just beat. 1869 01:40:37,800 --> 01:40:44,439 Speaker 1: This wasn't pretty. I was like, yo, I put this 1870 01:40:44,560 --> 01:40:49,559 Speaker 1: fucking job out. I was first and the last day 1871 01:40:49,600 --> 01:40:52,160 Speaker 1: I worked there. I was like, yo, I'm gonna know 1872 01:40:52,320 --> 01:40:54,320 Speaker 1: Rock him, but I ain't gonna know him from sitting 1873 01:40:54,320 --> 01:40:57,680 Speaker 1: behind no fucking desk out of the studio. Well, and 1874 01:40:57,720 --> 01:41:00,160 Speaker 1: I put the job makes some noise for and I 1875 01:41:00,240 --> 01:41:05,120 Speaker 1: was like, yeah, like I just it just felt wrong. 1876 01:41:05,720 --> 01:41:07,559 Speaker 1: It just felt like, you know, like he just walked 1877 01:41:07,640 --> 01:41:09,800 Speaker 1: up short at me and took my lighter, you know, 1878 01:41:10,040 --> 01:41:12,080 Speaker 1: and took it. Word took my lighter, you know what 1879 01:41:12,120 --> 01:41:14,400 Speaker 1: I'm saying. And I was like, yo, I can't do this, 1880 01:41:15,200 --> 01:41:18,040 Speaker 1: you know, like I'm I'm gonna meet him, but I 1881 01:41:18,080 --> 01:41:22,479 Speaker 1: think it's gonna take dress lighter right now. No no, no, no, 1882 01:41:22,600 --> 01:41:23,960 Speaker 1: no no. It wasn't nothing to do with the light 1883 01:41:24,040 --> 01:41:27,640 Speaker 1: at all, Like like it was it was. It was. 1884 01:41:27,800 --> 01:41:30,200 Speaker 1: It was the presence of somebody that you know, saying 1885 01:41:30,320 --> 01:41:34,720 Speaker 1: like that I respected and and I was like, like, 1886 01:41:35,320 --> 01:41:38,320 Speaker 1: he ain't gonna respect me for having a lighter, you 1887 01:41:38,360 --> 01:41:40,920 Speaker 1: know what I'm saying, Like respect from someone you respected, 1888 01:41:41,040 --> 01:41:43,200 Speaker 1: right right right right? And I was like, yo, like 1889 01:41:43,439 --> 01:41:46,040 Speaker 1: like this ain't it. This ain't that? And I and 1890 01:41:46,120 --> 01:41:48,560 Speaker 1: I didn't even know if it was gonna be on 1891 01:41:48,760 --> 01:41:51,840 Speaker 1: some music ship or some street ship, you know, like 1892 01:41:51,960 --> 01:41:55,679 Speaker 1: like not even say on some some some rough ship, 1893 01:41:56,479 --> 01:41:59,240 Speaker 1: but on some he getting paper, you know what I'm saying, 1894 01:41:59,320 --> 01:42:00,840 Speaker 1: Like like I knew he'd respect that, you know what 1895 01:42:00,840 --> 01:42:03,519 Speaker 1: I'm saying, like else, but I knew he wasn't respecting 1896 01:42:03,560 --> 01:42:06,680 Speaker 1: And think he just tooks light like that's rock Kim 1897 01:42:06,840 --> 01:42:09,160 Speaker 1: like like like you know, like that's rock him, you 1898 01:42:09,200 --> 01:42:12,759 Speaker 1: know what I'm saying. And even then that's rock him. Okay, 1899 01:42:13,400 --> 01:42:18,439 Speaker 1: quickly kick or red alert okay, and kid could say 1900 01:42:18,520 --> 01:42:27,280 Speaker 1: red okay, locks are MARTI, um damn she. I hate 1901 01:42:27,320 --> 01:42:37,040 Speaker 1: to do this, see but water and I'm gonna tell 1902 01:42:37,040 --> 01:42:39,000 Speaker 1: you why it once again. I'm gonna tell you what 1903 01:42:39,080 --> 01:42:42,639 Speaker 1: it once again. Well, don't get twisted, don't get twisted. 1904 01:42:42,720 --> 01:42:47,000 Speaker 1: Pull your shots up brother, the locks are special or 1905 01:42:47,160 --> 01:42:53,800 Speaker 1: special special special as they come. Queen, the locks of 1906 01:42:53,840 --> 01:43:02,280 Speaker 1: specialists makes sense to me, y'all's sake, I make sense 1907 01:43:02,320 --> 01:43:07,599 Speaker 1: of it. Yo, this is my word debut album. Well, damn, 1908 01:43:07,680 --> 01:43:10,040 Speaker 1: that's not true. That's not real because because because because 1909 01:43:10,040 --> 01:43:18,679 Speaker 1: because my mom, they had had every miss hell hell yeah, 1910 01:43:18,760 --> 01:43:21,920 Speaker 1: So that's not really. They will be many because I'm 1911 01:43:21,920 --> 01:43:23,400 Speaker 1: looking at I'm looking at you know what I'm saying, 1912 01:43:23,520 --> 01:43:27,920 Speaker 1: um uh, the infermous. You're looking at the infamous. Yeah, 1913 01:43:27,960 --> 01:43:29,800 Speaker 1: as they did, a lot of people think that's the first. 1914 01:43:30,040 --> 01:43:31,240 Speaker 1: It's not the first, you know what I'm saying that 1915 01:43:31,680 --> 01:43:33,200 Speaker 1: the other one is dope too, believe it or not 1916 01:43:33,400 --> 01:43:35,680 Speaker 1: for the time, friends, Yeah yeah, not not not but 1917 01:43:35,760 --> 01:43:40,320 Speaker 1: but but but the infamous album. The infamous album is equivalent, 1918 01:43:40,560 --> 01:43:43,960 Speaker 1: is equivalent to illmatic. No. Infamous is often you know, 1919 01:43:44,120 --> 01:43:52,800 Speaker 1: saying the infamous message you know we no, we didn't know, 1920 01:43:52,960 --> 01:43:56,160 Speaker 1: we didn't did versus a solo. Let me tell you why, 1921 01:43:56,240 --> 01:43:57,960 Speaker 1: Let me tell you why we didn't. Let me tell 1922 01:43:57,960 --> 01:43:59,840 Speaker 1: you why I dressed If you look at you but 1923 01:44:00,000 --> 01:44:02,639 Speaker 1: out hell, ill magic had to come out for them 1924 01:44:02,680 --> 01:44:06,400 Speaker 1: to make the infamous, like like they had to their 1925 01:44:06,439 --> 01:44:08,200 Speaker 1: game up. Yeah, they had to see how NAS change 1926 01:44:08,200 --> 01:44:14,559 Speaker 1: the trajectory of the game for Infamous to be made infamous. 1927 01:44:14,880 --> 01:44:19,040 Speaker 1: Infamous came out clearly after Yeah, I'm working on at 1928 01:44:19,040 --> 01:44:23,760 Speaker 1: the same time. Changed all the way we rumb the 1929 01:44:23,840 --> 01:44:26,600 Speaker 1: way we looked like NAS. I got to give that 1930 01:44:26,680 --> 01:44:29,240 Speaker 1: to NAS, not taking anything away from more Deep. But 1931 01:44:30,760 --> 01:44:33,080 Speaker 1: but I don't think came out after it might have 1932 01:44:33,120 --> 01:44:36,280 Speaker 1: been working around the because I'm like like like like 1933 01:44:36,400 --> 01:44:39,800 Speaker 1: I don't I don't I don't see where I don't see. 1934 01:44:40,080 --> 01:44:46,559 Speaker 1: I don't see. This came out a year later. Yeah, yeah, yeah, right, 1935 01:44:46,600 --> 01:44:51,640 Speaker 1: there change expected for me. I respected, but but it 1936 01:44:51,760 --> 01:44:54,960 Speaker 1: felt like but it felt like the records were so close. 1937 01:44:55,520 --> 01:44:57,000 Speaker 1: You know what I'm saying, And I agree with you. 1938 01:44:57,400 --> 01:45:00,679 Speaker 1: I'm not disagree with you to tell you it Infamous 1939 01:45:00,720 --> 01:45:05,439 Speaker 1: wouldn't up without thematic, you know what I'm saying. I 1940 01:45:05,479 --> 01:45:09,240 Speaker 1: can't agree with that, just being honest, Like me growing 1941 01:45:09,280 --> 01:45:11,360 Speaker 1: up from queens Me from left Frack City, but a 1942 01:45:11,439 --> 01:45:13,840 Speaker 1: lot of my you know, I'm going to raise left right, 1943 01:45:13,880 --> 01:45:15,639 Speaker 1: but a lot of my cousins and friends and people 1944 01:45:15,680 --> 01:45:18,120 Speaker 1: that I associated with, people I played basketball with it 1945 01:45:18,600 --> 01:45:22,240 Speaker 1: from Queensbridge. Because I remember like there was a time 1946 01:45:22,280 --> 01:45:24,719 Speaker 1: where people thought like Queen's Bridge was corny or Queen's 1947 01:45:24,720 --> 01:45:26,479 Speaker 1: Bridge because of with care And I was like these 1948 01:45:26,520 --> 01:45:31,280 Speaker 1: things Gill, y'all, ye keep playing the fact that people 1949 01:45:31,400 --> 01:45:34,680 Speaker 1: think that ship like that. Fray didn't when Almatic drop 1950 01:45:35,280 --> 01:45:37,360 Speaker 1: to think that I was something else too, So I 1951 01:45:37,439 --> 01:45:39,680 Speaker 1: get it. I was in jail with Amatic Drop and 1952 01:45:39,720 --> 01:45:42,280 Speaker 1: I remember being so proud. I remember walking in the 1953 01:45:42,439 --> 01:45:46,840 Speaker 1: yard that day. I just walked different. I feel that 1954 01:45:47,080 --> 01:45:50,080 Speaker 1: I was like, I feel like, all right cool, I 1955 01:45:50,160 --> 01:45:52,519 Speaker 1: feel that queen queenship. That ship went out the window 1956 01:45:53,560 --> 01:45:57,320 Speaker 1: saying it because he really painted queens in the way 1957 01:45:57,400 --> 01:46:00,320 Speaker 1: queens needed to be painted, especially after the bridge over. 1958 01:46:00,400 --> 01:46:02,400 Speaker 1: Even though care Rest was just talking about the bridge, 1959 01:46:02,560 --> 01:46:05,800 Speaker 1: he did take slight shots at Queen's So I feel 1960 01:46:05,840 --> 01:46:09,880 Speaker 1: like he rebuilt all of queens all it like, you know, 1961 01:46:10,360 --> 01:46:13,240 Speaker 1: not just Queen's Bridge. So um but but great. We 1962 01:46:13,280 --> 01:46:15,040 Speaker 1: took a shot for that. Anyway. We don't even know 1963 01:46:15,080 --> 01:46:16,560 Speaker 1: who you picked the locks up all deep, but we 1964 01:46:16,840 --> 01:46:19,559 Speaker 1: know you get it with mall beet. No, you went 1965 01:46:19,600 --> 01:46:24,240 Speaker 1: with both. You went with he Okay, he's under the rest. 1966 01:46:26,840 --> 01:46:28,880 Speaker 1: I feel I feel like right now, I feel like 1967 01:46:29,000 --> 01:46:35,360 Speaker 1: right now, y'all, y'all both kind of playing so what 1968 01:46:35,600 --> 01:46:41,160 Speaker 1: one I'm not even gonna speak. Yeah, yeah, y'allay me. Yeah, 1969 01:46:41,160 --> 01:46:45,320 Speaker 1: I've told me when I did reviews and find out 1970 01:46:45,320 --> 01:46:51,400 Speaker 1: what I easily both MTV raps or Video Music Box. 1971 01:46:52,479 --> 01:46:57,599 Speaker 1: Oh you got switch from um, I got I gotta take. 1972 01:46:57,640 --> 01:47:03,519 Speaker 1: I gotta even know Ralph, even though Ralph is god like, 1973 01:47:03,640 --> 01:47:06,760 Speaker 1: like he raised New York. Ralph, Ralph raised New York, 1974 01:47:06,840 --> 01:47:08,719 Speaker 1: you know what I'm saying, and was the perfect gatekeeper. 1975 01:47:09,000 --> 01:47:11,960 Speaker 1: Ralph was a perfect gatekeeper. Like if Viacom doesn't hire 1976 01:47:12,040 --> 01:47:16,120 Speaker 1: that man and make him a big, big executive, you 1977 01:47:16,160 --> 01:47:18,320 Speaker 1: know what I'm saying, because he's the type of person 1978 01:47:18,439 --> 01:47:21,880 Speaker 1: that keeps the gate correctly. Please whoever's in charge of 1979 01:47:22,040 --> 01:47:27,680 Speaker 1: anything up there higher like yeah, like like he he 1980 01:47:28,000 --> 01:47:30,120 Speaker 1: uncled all of us properly. You know what I'm saying. 1981 01:47:30,400 --> 01:47:35,160 Speaker 1: But I'm gonna take um your MTV raps because your 1982 01:47:35,520 --> 01:47:38,640 Speaker 1: TV reps did something that Ralph couldn't do, and that 1983 01:47:38,920 --> 01:47:47,760 Speaker 1: was introduced us to Nebraska. They introduced us to Wisconsin. Holmes, Yeah, right, 1984 01:47:47,880 --> 01:47:50,880 Speaker 1: right right right, places places that that the block that 1985 01:47:51,080 --> 01:47:53,519 Speaker 1: and that Ralph wasn't gonna be able to bring us. 1986 01:47:53,960 --> 01:47:56,040 Speaker 1: You know what I'm saying, wait, hold on, I didn't 1987 01:47:56,040 --> 01:48:00,240 Speaker 1: know that MTV did that. Ralph never like like I 1988 01:48:00,320 --> 01:48:04,639 Speaker 1: syndicated with the word right is just we can't heard. 1989 01:48:05,360 --> 01:48:12,519 Speaker 1: I never saw that even so part of my child everybody, 1990 01:48:14,520 --> 01:48:17,000 Speaker 1: but I don't I never saw Ralph just raised us. 1991 01:48:18,120 --> 01:48:21,240 Speaker 1: I'm saying, right, right, right, right, right right right. He's 1992 01:48:23,280 --> 01:48:26,000 Speaker 1: he's the blueprint for an MTV rap, for a rap city. 1993 01:48:26,160 --> 01:48:29,839 Speaker 1: He is the blueprint that I mean to the degree. 1994 01:48:29,960 --> 01:48:37,240 Speaker 1: But but he he They're the beginning of of big business. 1995 01:48:38,160 --> 01:48:40,559 Speaker 1: They did the best they could, you know what I'm saying. 1996 01:48:41,000 --> 01:48:42,880 Speaker 1: But but you know what I'm saying, But they at 1997 01:48:42,920 --> 01:48:46,920 Speaker 1: the beginning, at the beginning of of syndication, to be honest, 1998 01:48:47,240 --> 01:48:52,880 Speaker 1: because at the beginning of us losing power? Who they 1999 01:48:53,000 --> 01:48:55,639 Speaker 1: being the check cutters. I'm saying, who are we talking about? 2000 01:48:55,960 --> 01:48:58,160 Speaker 1: We're talking about your TV? Like know what I'm saying, 2001 01:48:58,200 --> 01:49:00,400 Speaker 1: like like like though they though they did this, so 2002 01:49:00,560 --> 01:49:02,960 Speaker 1: they though they brought us to Middle America. The at 2003 01:49:03,000 --> 01:49:07,320 Speaker 1: the beginning of us you know, um, fab you know, 2004 01:49:07,439 --> 01:49:11,280 Speaker 1: like the beginning of the end, you know, turn that 2005 01:49:11,400 --> 01:49:13,360 Speaker 1: around and you know that the beginning, you know, like 2006 01:49:14,080 --> 01:49:16,200 Speaker 1: of everything. Don't get it twisted. It kind of had 2007 01:49:16,280 --> 01:49:19,680 Speaker 1: to go there for us to the person understand what 2008 01:49:19,720 --> 01:49:24,599 Speaker 1: he's saying, it's just mad deep right global, Yeah, yeah, 2009 01:49:25,400 --> 01:49:28,120 Speaker 1: for us to be here, that had to sacrifice you 2010 01:49:28,160 --> 01:49:31,400 Speaker 1: what I'm saying, right right, right, but but but but 2011 01:49:31,680 --> 01:49:35,320 Speaker 1: in this in this moment is for us to learn 2012 01:49:35,439 --> 01:49:38,320 Speaker 1: all power. You know what I'm saying. In this moment, 2013 01:49:38,400 --> 01:49:40,760 Speaker 1: we didn't recognize our power as we should. The younger 2014 01:49:40,840 --> 01:49:45,400 Speaker 1: generation is recognizing it much more as they've learned how 2015 01:49:45,439 --> 01:49:51,200 Speaker 1: to monetize every movement. We had no idea that type 2016 01:49:51,200 --> 01:49:53,560 Speaker 1: of ship existed, and it existed then, it just it 2017 01:49:53,680 --> 01:49:57,200 Speaker 1: wasn't the Internet, but the relationships existed to be broken, 2018 01:49:57,560 --> 01:49:59,920 Speaker 1: like you know, like I did say that, you know, 2019 01:50:00,160 --> 01:50:03,880 Speaker 1: like because Hammer wasn't us, maybe that we kind of 2020 01:50:03,920 --> 01:50:07,840 Speaker 1: treated him wrong, but but he was. He was broken 2021 01:50:07,880 --> 01:50:09,479 Speaker 1: in the deal, you know what I'm saying, Like like 2022 01:50:09,640 --> 01:50:13,160 Speaker 1: like like we just wanted it to be official, Like 2023 01:50:13,240 --> 01:50:15,400 Speaker 1: we didn't view it as official, but he was official 2024 01:50:15,439 --> 01:50:18,840 Speaker 1: where he was from, right, which is which which is which? 2025 01:50:18,880 --> 01:50:21,280 Speaker 1: Which was New York's, which which was New York's which 2026 01:50:21,400 --> 01:50:22,960 Speaker 1: was which was why New York had to eat a 2027 01:50:22,960 --> 01:50:24,960 Speaker 1: little humble pie. Like if it wasn't no Hammer they 2028 01:50:25,000 --> 01:50:36,719 Speaker 1: wouldn't have hype. That's a difference what you out the window. 2029 01:50:40,560 --> 01:50:42,360 Speaker 1: Just to say, like yo, just to say that, but 2030 01:50:42,439 --> 01:50:45,680 Speaker 1: that was the beginnings of you know, of corporate you 2031 01:50:45,720 --> 01:50:48,400 Speaker 1: know what I'm saying. And then like like these kids 2032 01:50:48,920 --> 01:50:51,400 Speaker 1: they figured it out, like these kids could take if 2033 01:50:51,439 --> 01:50:55,080 Speaker 1: the choices yours came out, now you know, it'd be 2034 01:50:55,240 --> 01:51:00,960 Speaker 1: worth twenty million. I understanding exactly what I I never 2035 01:51:01,439 --> 01:51:06,280 Speaker 1: saw anything. I never saw a tenth of the cats 2036 01:51:06,320 --> 01:51:09,559 Speaker 1: get you know, these cats get a hundred thousands, they 2037 01:51:09,600 --> 01:51:11,840 Speaker 1: don't go they don't go outside for us a hundred thousand. 2038 01:51:12,360 --> 01:51:15,320 Speaker 1: I never made a hundred thousand dollars for what you 2039 01:51:15,360 --> 01:51:17,880 Speaker 1: know what I'm saying, that's just the truth. I'm saying. 2040 01:51:18,160 --> 01:51:20,960 Speaker 1: I'm proud of you. But but I know, but I 2041 01:51:21,040 --> 01:51:26,080 Speaker 1: know everybody but say I know, but I know. I'm 2042 01:51:26,160 --> 01:51:29,840 Speaker 1: responsible for bringing ship into Middle America. I know they 2043 01:51:29,920 --> 01:51:31,640 Speaker 1: didn't get that money with it if I didn't do 2044 01:51:31,680 --> 01:51:34,600 Speaker 1: what I did. You know, I'm saying, yeah, yeah, yeah, no, 2045 01:51:34,800 --> 01:51:37,560 Speaker 1: it's so good because I'm still here and and and 2046 01:51:38,320 --> 01:51:40,640 Speaker 1: I'm not even finished, like you know what saying, like 2047 01:51:40,640 --> 01:51:42,680 Speaker 1: I still got the energy. I'm good with it. But 2048 01:51:42,800 --> 01:51:44,479 Speaker 1: at the end of the day, Like my whole ship 2049 01:51:44,600 --> 01:51:47,479 Speaker 1: is this, Like I'm learning from them too. I'm learning 2050 01:51:47,520 --> 01:51:49,960 Speaker 1: how to monetize. I'm learning how to how to take 2051 01:51:50,960 --> 01:51:52,519 Speaker 1: you know, the jewels are did you know? And you're 2052 01:51:52,600 --> 01:51:55,200 Speaker 1: learning them too. You know, what your page is really worth, 2053 01:51:55,760 --> 01:51:58,479 Speaker 1: you know, as opposed to it being on everybody else's page. 2054 01:51:58,520 --> 01:52:00,920 Speaker 1: What it's worth on your page, Little things like that. 2055 01:52:01,240 --> 01:52:03,240 Speaker 1: Moving forward, you know, I'm saying, making sure all of 2056 01:52:03,280 --> 01:52:08,320 Speaker 1: your songs are asked captain and registered, and even even 2057 01:52:08,360 --> 01:52:10,439 Speaker 1: the little things, you know what I'm saying, making sure 2058 01:52:10,479 --> 01:52:13,840 Speaker 1: because because that's your legacy. You're saying, the kid gets that. 2059 01:52:14,400 --> 01:52:16,600 Speaker 1: And and even the independent albums that I've done that 2060 01:52:16,840 --> 01:52:19,560 Speaker 1: people might not have heard of, a w M of 2061 01:52:20,000 --> 01:52:22,160 Speaker 1: of from the black Pool of Genius, I did album 2062 01:52:22,200 --> 01:52:27,439 Speaker 1: with Jerobi from a Tripical Question that Everton. Three albums 2063 01:52:27,479 --> 01:52:31,000 Speaker 1: you might not have heard of. But eventually I might 2064 01:52:31,080 --> 01:52:33,680 Speaker 1: not be here. People are gonna go look and look, 2065 01:52:33,680 --> 01:52:35,720 Speaker 1: and then I'm like, yo, this cat was crazy with it, 2066 01:52:36,240 --> 01:52:37,879 Speaker 1: you know what I'm saying. And all of that's registered, 2067 01:52:37,960 --> 01:52:43,719 Speaker 1: and who's going to get those listens on my monetized situation? Kids? 2068 01:52:44,280 --> 01:52:45,720 Speaker 1: You know what I'm saying. So we're playing for real 2069 01:52:45,800 --> 01:52:47,760 Speaker 1: out here. So what I'm saying, we're playing for real 2070 01:52:48,120 --> 01:52:53,040 Speaker 1: perfect questions to the next question, Fab five or at 2071 01:52:53,080 --> 01:52:57,080 Speaker 1: Love one? At Love? Um, you know what, No disrespect 2072 01:52:57,160 --> 01:52:59,680 Speaker 1: to Fab, but Fab has done a couple of sucker things. 2073 01:52:59,720 --> 01:53:03,000 Speaker 1: I ain't really dick, you know what I'm saying. We 2074 01:53:03,120 --> 01:53:05,200 Speaker 1: like to hear it. Here we go. It's what it is, 2075 01:53:05,520 --> 01:53:06,840 Speaker 1: you know, you know you know what I mean. Man, 2076 01:53:07,880 --> 01:53:14,560 Speaker 1: never down the Facebook. But you know sometimes cats do 2077 01:53:14,680 --> 01:53:18,240 Speaker 1: stuff that you know, like fat five we're talking about. Okay, 2078 01:53:18,520 --> 01:53:21,719 Speaker 1: this is what it is. Um Um. I got reached 2079 01:53:21,720 --> 01:53:24,840 Speaker 1: out to about VH one, Right, v H one hits 2080 01:53:24,880 --> 01:53:28,240 Speaker 1: me and they're like YoY so him. You know this 2081 01:53:28,360 --> 01:53:30,000 Speaker 1: is maybe just some years ago when they had the 2082 01:53:30,080 --> 01:53:32,200 Speaker 1: top one hunting whatever, you know, the top top one 2083 01:53:32,680 --> 01:53:35,280 Speaker 1: like in the year the year yeah do yeah, they're 2084 01:53:35,280 --> 01:53:38,920 Speaker 1: doing it. They had it, um and they you know, like, yo, 2085 01:53:39,040 --> 01:53:40,400 Speaker 1: you made this list. You know, we want you to 2086 01:53:40,520 --> 01:53:43,759 Speaker 1: come down, you know, top one hundred hip hop records. 2087 01:53:45,680 --> 01:53:49,280 Speaker 1: This is my word. He told me it was number nine. Wow, 2088 01:53:50,080 --> 01:53:51,800 Speaker 1: right up, that's fine. He told me that she was 2089 01:53:51,960 --> 01:53:54,120 Speaker 1: number nine, you know what I'm saying. And I was 2090 01:53:54,200 --> 01:53:56,040 Speaker 1: like wow, like you know, like that ship man a 2091 01:53:56,080 --> 01:53:59,040 Speaker 1: lot to me, Like, Yo, that's so fucking dope, you 2092 01:53:59,120 --> 01:54:01,040 Speaker 1: know what I'm saying. So I go, I do the 2093 01:54:01,080 --> 01:54:03,439 Speaker 1: interview that said the other yeah, yeah, yeah. When the 2094 01:54:03,479 --> 01:54:07,600 Speaker 1: ship came out, she was number seventy nine and executive 2095 01:54:07,600 --> 01:54:11,439 Speaker 1: producers Fat five Freddy. The niggas that I met around it, 2096 01:54:11,560 --> 01:54:14,680 Speaker 1: like everybody around it told me what it was. He 2097 01:54:14,800 --> 01:54:16,160 Speaker 1: the only nigger that I could have touched it. And 2098 01:54:16,200 --> 01:54:17,599 Speaker 1: even when I saw him after, I was like, yo, 2099 01:54:17,640 --> 01:54:19,719 Speaker 1: you know I owe you one right, and he couldn't 2100 01:54:19,720 --> 01:54:21,400 Speaker 1: say nothing. I left it at that. You know what 2101 01:54:21,400 --> 01:54:22,840 Speaker 1: I'm saying that It ain't like like I want to 2102 01:54:22,880 --> 01:54:24,560 Speaker 1: fight him or nothing, but just to say like you know, 2103 01:54:24,680 --> 01:54:29,640 Speaker 1: like yeah whatever, I'll take it off. Wow, Okay, you 2104 01:54:29,720 --> 01:54:32,560 Speaker 1: got deep. I didn't know what it's what it like. 2105 01:54:32,720 --> 01:54:35,000 Speaker 1: And it's another thing like cats don't realize, like yo, 2106 01:54:35,960 --> 01:54:38,520 Speaker 1: this is hip hop man like like cats to be 2107 01:54:38,680 --> 01:54:41,520 Speaker 1: quick dug. You know, it's not about being politically correct 2108 01:54:41,560 --> 01:54:45,040 Speaker 1: all the time. It's always about being real. You know 2109 01:54:45,040 --> 01:54:46,960 Speaker 1: what I'm saying. It's real for real, like and and 2110 01:54:47,280 --> 01:54:49,280 Speaker 1: I'm not coming at him like at the end of 2111 01:54:49,320 --> 01:54:51,560 Speaker 1: the day like he did that. I ain't do the ship. 2112 01:54:51,800 --> 01:54:53,520 Speaker 1: You know what I'm saying, like it ain't it ain't. 2113 01:54:54,040 --> 01:54:56,400 Speaker 1: And I gotta be accountable for the ship I do too, 2114 01:54:56,560 --> 01:54:58,240 Speaker 1: like you know, when I do something stupid, you know, 2115 01:54:58,400 --> 01:55:01,600 Speaker 1: like like you know, we come from the place where 2116 01:55:01,640 --> 01:55:03,680 Speaker 1: cats get punched in the chest for doing something stupid. 2117 01:55:03,880 --> 01:55:06,640 Speaker 1: You don't get killed, don't get stabbed. You know, you 2118 01:55:06,760 --> 01:55:09,000 Speaker 1: get to go home and think about doing some dumb ship. 2119 01:55:09,360 --> 01:55:10,760 Speaker 1: You know what I'm saying. When you come back out, 2120 01:55:10,880 --> 01:55:14,680 Speaker 1: you do better, like like that's the object. The object 2121 01:55:14,800 --> 01:55:17,640 Speaker 1: is to be better. So like you know, like he's 2122 01:55:17,680 --> 01:55:20,000 Speaker 1: not beyond somebody punchment his chest for doing some dumb ship. 2123 01:55:20,680 --> 01:55:23,960 Speaker 1: That's what it is. Okay, So eighties or nineties hip hop? Oh, 2124 01:55:24,080 --> 01:55:27,000 Speaker 1: come on, nineties, it's us. I mean it was us, 2125 01:55:27,080 --> 01:55:29,400 Speaker 1: you know what I'm saying, like you know, like yeah, 2126 01:55:29,600 --> 01:55:32,800 Speaker 1: and and and if I make yo. Let me clear 2127 01:55:32,960 --> 01:55:36,440 Speaker 1: something up. When I said, when I said Mob Deep, 2128 01:55:38,480 --> 01:55:42,560 Speaker 1: that album is equivalent to Illmatic, and I said yours 2129 01:55:42,720 --> 01:55:47,360 Speaker 1: is too, kind of the way Minds is too. What 2130 01:55:47,480 --> 01:55:52,280 Speaker 1: I meant by that is that's the bar, you know 2131 01:55:52,280 --> 01:55:54,120 Speaker 1: what I'm saying. And we spend the rest of our 2132 01:55:54,200 --> 01:55:58,920 Speaker 1: careers trying to at least meet the ball or supersede 2133 01:55:58,960 --> 01:56:01,880 Speaker 1: the ball or that. But that's the bar, you know 2134 01:56:01,880 --> 01:56:05,720 Speaker 1: what I'm saying. So when somebody looks at you, that's 2135 01:56:05,760 --> 01:56:08,000 Speaker 1: what they think. They're thinking of you at your best, 2136 01:56:08,320 --> 01:56:10,120 Speaker 1: that's you at your best. You know what I'm saying 2137 01:56:11,920 --> 01:56:14,200 Speaker 1: to the world might not be that to you, but 2138 01:56:14,360 --> 01:56:16,320 Speaker 1: to everybody else. When you look at when you look 2139 01:56:16,360 --> 01:56:19,440 Speaker 1: at morb d, when you look at Nas, that's their 2140 01:56:19,520 --> 01:56:22,520 Speaker 1: best and that's his best. And they spend saying with me, 2141 01:56:22,680 --> 01:56:24,240 Speaker 1: you know, like and so they spend the rest of 2142 01:56:24,320 --> 01:56:27,040 Speaker 1: their career trying to equate to that. And that's what 2143 01:56:27,160 --> 01:56:29,839 Speaker 1: I meant when I said that that's record is equivalent 2144 01:56:29,920 --> 01:56:31,720 Speaker 1: to that record, you know what I'm saying to say that, 2145 01:56:31,840 --> 01:56:33,160 Speaker 1: you know, like at the end of the day, like 2146 01:56:34,120 --> 01:56:39,160 Speaker 1: you know, like it's dope to hear what you said 2147 01:56:39,160 --> 01:56:41,920 Speaker 1: about Nas, because I felt similar. I'm from a story 2148 01:56:42,000 --> 01:56:45,160 Speaker 1: of projects, you know, I'm saying. I spend time in Ravenswood, 2149 01:56:45,520 --> 01:56:48,760 Speaker 1: I got friends I haven't been in the community center 2150 01:56:48,840 --> 01:56:53,440 Speaker 1: and in Queensbridge. And you know Shan Guard that's my man. 2151 01:56:53,600 --> 01:56:56,000 Speaker 1: He was in my elementary school together. That's my man, Jeff. 2152 01:56:56,040 --> 01:56:58,080 Speaker 1: You know, like like like you know Russ and you know, 2153 01:56:58,160 --> 01:57:00,320 Speaker 1: like like those are cats I grew up with saying 2154 01:57:00,400 --> 01:57:02,560 Speaker 1: like that run through all of these projects that we 2155 01:57:02,680 --> 01:57:08,320 Speaker 1: both know. I'm saying, yeah, yeah, yeah, yes, But what 2156 01:57:08,480 --> 01:57:11,000 Speaker 1: was kiss together? We'll just say, but I can tell 2157 01:57:11,000 --> 01:57:15,080 Speaker 1: your story off came about, but your say, but these 2158 01:57:15,120 --> 01:57:16,840 Speaker 1: are the things that we didn't see when we saw 2159 01:57:16,880 --> 01:57:19,240 Speaker 1: each other. When we first saw each other. You see 2160 01:57:19,240 --> 01:57:22,160 Speaker 1: that at me, I had no idea. Let's say. And 2161 01:57:22,640 --> 01:57:24,240 Speaker 1: that's when I say, when we see each other, we 2162 01:57:24,280 --> 01:57:27,040 Speaker 1: don't see brothers, but we have more brothers than we 2163 01:57:27,200 --> 01:57:35,960 Speaker 1: ever realized that I made some most that okay, across colors, Yo, 2164 01:57:36,320 --> 01:57:40,200 Speaker 1: I hate yo. Let me tell you something funny that's hard. 2165 01:57:40,240 --> 01:57:43,040 Speaker 1: Let me tell you. Let me say, so, I'm doing 2166 01:57:43,080 --> 01:57:45,800 Speaker 1: a CEO right. So I'm doing that CEO the longest quick, 2167 01:57:47,280 --> 01:57:50,960 Speaker 1: the longest one I'm doing not senior right, And you 2168 01:57:51,040 --> 01:57:53,680 Speaker 1: know I'm about I'm about us as a community, doing 2169 01:57:53,760 --> 01:57:55,880 Speaker 1: some ship that's dope, and I'm always going to support 2170 01:57:56,080 --> 01:57:58,120 Speaker 1: that other. But it's got to be right, you know, 2171 01:57:58,160 --> 01:58:00,800 Speaker 1: I'm saying. So so cat, I don't know, you know, 2172 01:58:00,880 --> 01:58:03,640 Speaker 1: I'm getting ready to go rock on sending. I'm dressing 2173 01:58:03,760 --> 01:58:05,960 Speaker 1: I got like the Massoni ship, like you know this 2174 01:58:06,000 --> 01:58:09,760 Speaker 1: is my word. I was. I was Kanye Man stopping. 2175 01:58:10,160 --> 01:58:11,720 Speaker 1: You know, I'm saying, like there was no world running 2176 01:58:11,840 --> 01:58:15,760 Speaker 1: Massoni ship. I'm not gonna Massoni ship back then. You 2177 01:58:15,800 --> 01:58:17,520 Speaker 1: know what I'm saying. I'm going, I'm yo, come on 2178 01:58:17,680 --> 01:58:23,080 Speaker 1: man yo. Yeah they didn't just stop, yo, but just 2179 01:58:23,200 --> 01:58:25,880 Speaker 1: in saye yo listen. So I got the Missoni sha 2180 01:58:25,960 --> 01:58:28,600 Speaker 1: I'm going on. So that's where my head is at, 2181 01:58:28,680 --> 01:58:32,040 Speaker 1: Like I'm already there at at that age, you know 2182 01:58:32,040 --> 01:58:39,200 Speaker 1: what I'm saying, call Knin somehow gets backstage at at 2183 01:58:39,280 --> 01:58:42,880 Speaker 1: the thing, I think maybe he knew shot somebody. Yo. 2184 01:58:42,960 --> 01:58:45,640 Speaker 1: This dude comes up to me like, yo, I brought 2185 01:58:45,680 --> 01:58:47,920 Speaker 1: you something, you know, the rocks name. I'm like, huh, 2186 01:58:48,280 --> 01:58:52,160 Speaker 1: I don't even know. And he pulls out this vessel 2187 01:58:52,400 --> 01:58:54,000 Speaker 1: and that ship like goes all the way down to 2188 01:58:54,120 --> 01:58:58,240 Speaker 1: like like like like to to like three. It think 2189 01:58:58,360 --> 01:59:00,120 Speaker 1: it was rocking the vest that goes over almost just 2190 01:59:00,200 --> 01:59:05,000 Speaker 1: over your knees. Like I'm like, you know, like this 2191 01:59:05,080 --> 01:59:07,800 Speaker 1: is where I want to support this brother so badly. 2192 01:59:08,560 --> 01:59:11,920 Speaker 1: But like I said, I'm rocking. I'm a Sony sweater 2193 01:59:12,520 --> 01:59:15,680 Speaker 1: and you know, like like like I'm so beyond you 2194 01:59:15,760 --> 01:59:19,440 Speaker 1: know what he's presenting and and and and and and 2195 01:59:19,600 --> 01:59:21,920 Speaker 1: and as and as he blew up and made millions 2196 01:59:21,960 --> 01:59:25,680 Speaker 1: of dollars. You know, I was happy for him and 2197 01:59:26,000 --> 01:59:31,560 Speaker 1: and God bless him. I'm from I'm from a different 2198 01:59:31,640 --> 01:59:34,240 Speaker 1: league of cats. Like we've rocked not even sheeps, we're 2199 01:59:34,280 --> 01:59:36,920 Speaker 1: rocking lambskins like you know, It's like I'm a different 2200 01:59:37,000 --> 01:59:43,880 Speaker 1: caliber of cat. Did you rock the vest? No? No, no, 2201 01:59:46,880 --> 01:59:49,440 Speaker 1: to this day, I've never owned you know what I'm saying, 2202 01:59:49,480 --> 01:59:53,560 Speaker 1: like like like and I hate, I hate that I didn't, 2203 01:59:54,720 --> 02:00:00,200 Speaker 1: but but I would have been. I would have been 2204 02:00:00,240 --> 02:00:03,080 Speaker 1: a sheep if I did, not a black sheep, like 2205 02:00:03,280 --> 02:00:05,240 Speaker 1: like like that ship ain't my style, you know what 2206 02:00:05,240 --> 02:00:07,880 Speaker 1: I'm saying. And I've been doing me, you know, like 2207 02:00:07,920 --> 02:00:10,000 Speaker 1: I said, I've been doing me from the door I learned. 2208 02:00:10,000 --> 02:00:13,360 Speaker 1: I learned earlier that I'm good enough. Choices you're talking, 2209 02:00:13,400 --> 02:00:16,080 Speaker 1: flipping them up taught me that I'm good enough. I 2210 02:00:16,800 --> 02:00:19,600 Speaker 1: taught you that too, You're good enough. I hope this ship, 2211 02:00:20,080 --> 02:00:21,560 Speaker 1: like you know, like we're good enough, Like I don't 2212 02:00:21,640 --> 02:00:24,800 Speaker 1: ever feel like you gotta conform to some ship now, 2213 02:00:24,880 --> 02:00:27,440 Speaker 1: I'm good enough. What I'm saying, like like I already 2214 02:00:27,480 --> 02:00:29,640 Speaker 1: don't want being me. You know what I'm saying. So 2215 02:00:30,040 --> 02:00:32,320 Speaker 1: so I'm not not like I get it, it's black on, 2216 02:00:32,520 --> 02:00:35,720 Speaker 1: you're designer, but this ship looks crazy. You know what 2217 02:00:35,760 --> 02:00:38,520 Speaker 1: I'm saying. In my opinion, you know what I'm saying. 2218 02:00:38,680 --> 02:00:41,520 Speaker 1: So everybody that had it on not saying you look crazy, 2219 02:00:42,480 --> 02:00:48,120 Speaker 1: you look fucking crazy. It's my word. Niggas was run 2220 02:00:48,160 --> 02:00:51,320 Speaker 1: around with fat Albut on the end, I've been racking 2221 02:00:51,360 --> 02:00:58,000 Speaker 1: the same ship since Yoyo Kanye Nigga. Yo, come on, man, 2222 02:00:58,080 --> 02:01:02,160 Speaker 1: y'all already know what it is. Yo. I'm saying like like, 2223 02:01:02,280 --> 02:01:06,320 Speaker 1: come on, man, like like we really like I'm looking 2224 02:01:06,320 --> 02:01:10,560 Speaker 1: at Catter y'all serious, y'all like the trader at James 2225 02:01:10,640 --> 02:01:17,200 Speaker 1: Freestyle right now, crazy is just crazy And that's just 2226 02:01:17,320 --> 02:01:21,160 Speaker 1: what I said. Okay, where it's crazy and that's not 2227 02:01:21,240 --> 02:01:26,080 Speaker 1: the showing him. But have you ever heard freesty? Come on, man, 2228 02:01:26,840 --> 02:01:29,840 Speaker 1: let's keep it a buck shot Kim or Chris, Like, 2229 02:01:32,560 --> 02:01:35,680 Speaker 1: that's what you gotta drink for that. Jesus, I forgot 2230 02:01:35,680 --> 02:01:39,480 Speaker 1: I gotta drink. We were drinking anymore. But like I said, 2231 02:01:39,520 --> 02:01:40,960 Speaker 1: I ain't trying to start the shot because I know 2232 02:01:41,200 --> 02:01:44,160 Speaker 1: the internet is very sensationalized and all that, but it 2233 02:01:44,320 --> 02:01:47,280 Speaker 1: is what it is and you know and you know, no, no, 2234 02:01:47,600 --> 02:01:54,640 Speaker 1: you gotta take a shot taking that. But let me 2235 02:01:54,720 --> 02:01:58,600 Speaker 1: say this just to counter some of the vibrato yo, 2236 02:01:58,840 --> 02:02:08,560 Speaker 1: like Olibry's very good. That's that classic area. But you 2237 02:02:08,640 --> 02:02:11,720 Speaker 1: know it. But you're devoted, Yo. This is my word 2238 02:02:11,840 --> 02:02:14,440 Speaker 1: from like I said, Man, I don't know you, but 2239 02:02:14,480 --> 02:02:17,800 Speaker 1: I know you, and I'm proud of you. That's my word. 2240 02:02:18,160 --> 02:02:20,560 Speaker 1: I'm proud of you, man, that's my word. So because 2241 02:02:20,600 --> 02:02:23,280 Speaker 1: because I see you. But you said both, right, Chris, like, 2242 02:02:23,520 --> 02:02:25,440 Speaker 1: and we try to get through this and if we're 2243 02:02:25,440 --> 02:02:26,800 Speaker 1: gonna get right back to the interview, but this is 2244 02:02:26,840 --> 02:02:29,720 Speaker 1: actually not the interview plus an interview, Yeah, because we 2245 02:02:29,800 --> 02:02:32,520 Speaker 1: just actually a quick time but not quick quick time. Yeah, okay, 2246 02:02:32,960 --> 02:02:35,920 Speaker 1: right you said he said both, Okay, B Street or 2247 02:02:35,960 --> 02:02:40,040 Speaker 1: Crush Groove. Oh yeo, I gotta go. I got yeah, 2248 02:02:40,040 --> 02:02:44,320 Speaker 1: I gotta go. Crush grow Yeah, nobody drinks nobody drinking? 2249 02:02:44,360 --> 02:02:51,400 Speaker 1: Who Okay, yeah, I mean because no idea. I mean 2250 02:02:51,480 --> 02:02:55,440 Speaker 1: like like like like like the Queen's aspect of it, 2251 02:02:55,480 --> 02:02:58,320 Speaker 1: like I could see myself in it, man, because okay, 2252 02:02:59,360 --> 02:03:05,760 Speaker 1: nor he spoke queens. Ye crazy we're from Queens. But 2253 02:03:07,080 --> 02:03:14,600 Speaker 1: I said, what strip to be the solo representative on 2254 02:03:14,760 --> 02:03:17,680 Speaker 1: the scene, I'll be the booming, bashing clocking. Crazy cash 2255 02:03:17,760 --> 02:03:23,200 Speaker 1: did come from Queen's strip, I said stripp to be 2256 02:03:23,320 --> 02:03:27,880 Speaker 1: the solo representative on the scene, the Bronx, I'd be 2257 02:03:28,000 --> 02:03:31,280 Speaker 1: the booming bash, boom bashing clocking. Crazy cash did come 2258 02:03:31,320 --> 02:03:40,040 Speaker 1: from Queen's back Then the w public enemies. Oh um, um, 2259 02:03:44,960 --> 02:03:49,200 Speaker 1: you know what, Um, that's gonna lead to somewhere dope. 2260 02:03:49,440 --> 02:03:51,840 Speaker 1: But you gotta drink on that one. Okay, Okay, let's drive. 2261 02:03:52,040 --> 02:03:54,120 Speaker 1: You know why that's gonna but that's gonna lead to 2262 02:03:54,160 --> 02:03:56,320 Speaker 1: somewhere dope. And let me let me tell you that 2263 02:03:56,400 --> 02:03:58,880 Speaker 1: the verses I want don't know come back to you 2264 02:03:58,960 --> 02:04:01,480 Speaker 1: the verses later. Police. Yeah, okay, don't blow it. Okay. 2265 02:04:01,520 --> 02:04:07,360 Speaker 1: I don't feel like man, you're you're the most sulfurst 2266 02:04:07,440 --> 02:04:13,680 Speaker 1: drunkest because I mean, you know why you don't see 2267 02:04:13,760 --> 02:04:15,080 Speaker 1: much of me. This is why you don't see much 2268 02:04:15,080 --> 02:04:20,040 Speaker 1: of you. You don't see much of me, you know, Like, yeah, 2269 02:04:20,480 --> 02:04:23,040 Speaker 1: I don't know about so ice tea or ice Cube. 2270 02:04:25,200 --> 02:04:28,200 Speaker 1: I gotta go with Cube because our very the very 2271 02:04:28,320 --> 02:04:31,720 Speaker 1: first tour I ever went on was Ice Cube taking 2272 02:04:31,880 --> 02:04:37,400 Speaker 1: Black Sheet on tour. That is yo, very first tour. 2273 02:04:37,520 --> 02:04:40,200 Speaker 1: We got to go around which country version of ice 2274 02:04:40,280 --> 02:04:42,720 Speaker 1: Cubs is America's was one death certificate? Which one? Which 2275 02:04:42,720 --> 02:04:47,160 Speaker 1: one is with the lynch mall popping, my dude. We 2276 02:04:47,520 --> 02:04:53,440 Speaker 1: had so much fun started back Sheet started. It was yo, 2277 02:04:53,680 --> 02:04:56,960 Speaker 1: it was us we see in the Man's Circle. We 2278 02:04:57,120 --> 02:04:59,120 Speaker 1: was only New York group and that's why they bought 2279 02:04:59,160 --> 02:05:00,880 Speaker 1: us to be the East coast, right. It was us 2280 02:05:00,920 --> 02:05:02,880 Speaker 1: that we seen the Man's Circle, which was cool y 2281 02:05:02,960 --> 02:05:05,920 Speaker 1: old dub you know, saying, um, della funky almost say, 2282 02:05:06,400 --> 02:05:09,440 Speaker 1: Who's Cube's cousin? And then Cub and the LSHM and 2283 02:05:09,520 --> 02:05:12,120 Speaker 1: this small world. Yo, Like we started and I bought 2284 02:05:12,160 --> 02:05:14,160 Speaker 1: showing a g I WoT show it. I just bought 2285 02:05:14,200 --> 02:05:18,080 Speaker 1: show cue. That's an incredible Like, Yo, we had so 2286 02:05:18,240 --> 02:05:22,600 Speaker 1: much time a kind of school I could. We drove, 2287 02:05:22,720 --> 02:05:25,080 Speaker 1: We drove and this is the first time, like this 2288 02:05:25,160 --> 02:05:27,440 Speaker 1: first time I have my own tour bus and like 2289 02:05:27,560 --> 02:05:29,800 Speaker 1: this is the first time it's happening. It was a 2290 02:05:29,880 --> 02:05:32,720 Speaker 1: national tour. Yeah yeah yeah, Like like at the t 2291 02:05:32,840 --> 02:05:35,040 Speaker 1: shirt got like probably about fifty dates on it, you 2292 02:05:35,080 --> 02:05:37,800 Speaker 1: know what I'm saying, Um and uh, like this is 2293 02:05:37,840 --> 02:05:40,360 Speaker 1: my word. We drove on the tour bus from New York. 2294 02:05:40,960 --> 02:05:43,960 Speaker 1: Me show Queues was on the bus with us. We 2295 02:05:44,440 --> 02:05:46,160 Speaker 1: was on the bus and we started off in Phoenix. 2296 02:05:46,200 --> 02:05:49,080 Speaker 1: First date was in Phoenix. And just riding from New 2297 02:05:49,160 --> 02:05:51,800 Speaker 1: York to Phoenix for the first show, Like we didn't 2298 02:05:51,800 --> 02:05:54,080 Speaker 1: fly there. We were on the bus with the driver. 2299 02:05:54,320 --> 02:05:57,400 Speaker 1: It's like thirty seven. Yeah, I felt like yeah, yeah, 2300 02:05:57,840 --> 02:05:59,880 Speaker 1: but but it was just like it was just like 2301 02:06:02,080 --> 02:06:05,320 Speaker 1: bathrooms then yeah yeah, yeah, yeah you think it just 2302 02:06:10,600 --> 02:06:17,600 Speaker 1: the window It was a hour house in the bus. Yo. 2303 02:06:17,960 --> 02:06:20,000 Speaker 1: But but but the trip there was like the yellow 2304 02:06:20,040 --> 02:06:21,600 Speaker 1: brick roll, you know what I'm saying, Like like it 2305 02:06:21,760 --> 02:06:23,800 Speaker 1: was like like yodis is about to happen, you know 2306 02:06:23,800 --> 02:06:25,920 Speaker 1: what I'm saying. Like it was dope like like you know, 2307 02:06:26,040 --> 02:06:28,440 Speaker 1: and and show business like one of my very best friends, 2308 02:06:28,480 --> 02:06:30,960 Speaker 1: especially in the industry, probably probably my very you know 2309 02:06:31,000 --> 02:06:32,240 Speaker 1: what I'm saying, like like we used to have a 2310 02:06:32,280 --> 02:06:34,000 Speaker 1: house together, so you know, I bought him out and 2311 02:06:34,400 --> 02:06:35,960 Speaker 1: showed me like you know, like that was his first 2312 02:06:36,040 --> 02:06:38,680 Speaker 1: tour and this is when they remember when show had 2313 02:06:38,720 --> 02:06:42,080 Speaker 1: the red cassette tape that had Party Groove, the very 2314 02:06:42,160 --> 02:06:48,320 Speaker 1: first version getting it was during that that was they 2315 02:06:48,360 --> 02:06:57,840 Speaker 1: would just like, um, they were just the show dropped 2316 02:06:57,840 --> 02:06:59,920 Speaker 1: that out drop. It was just coming up. It was 2317 02:07:00,120 --> 02:07:03,000 Speaker 1: just that the album was just about to come at 2318 02:07:04,680 --> 02:07:06,080 Speaker 1: In fact, yeah, I don't think it was out yeah, 2319 02:07:06,080 --> 02:07:08,480 Speaker 1: because because I know we probably would have been like yo, 2320 02:07:08,600 --> 02:07:19,520 Speaker 1: come Rob, you know what I'm saying, like Yo, yeah, okay, 2321 02:07:19,560 --> 02:07:20,840 Speaker 1: so this is one I don't remember. We're gonna go 2322 02:07:20,880 --> 02:07:29,360 Speaker 1: with this one scarf Face or g rap Wow. Oh 2323 02:07:29,600 --> 02:07:34,040 Speaker 1: that hurts. That literally hurts. Like I played golf with 2324 02:07:34,160 --> 02:07:37,480 Speaker 1: scar Face like like like I'm I'm the floors. I 2325 02:07:37,600 --> 02:07:43,720 Speaker 1: respect the back there. You know what. Amazing nice Yeah 2326 02:07:43,880 --> 02:07:46,440 Speaker 1: i'mn have a golfer and um yeah yeah me and 2327 02:07:46,520 --> 02:07:49,160 Speaker 1: Face get it in like yo, yeah he's nice to 2328 02:07:49,240 --> 02:07:51,960 Speaker 1: be cause he complay got a little game. Um but 2329 02:07:52,040 --> 02:07:55,440 Speaker 1: we saw my g brack um damn and Raps from 2330 02:07:55,560 --> 02:08:02,920 Speaker 1: where damn. Yeah, let's see. I'm you know what, um 2331 02:08:03,920 --> 02:08:10,200 Speaker 1: this is? This is This is a This is a 2332 02:08:10,280 --> 02:08:12,960 Speaker 1: hard one because I can look at it like like 2333 02:08:13,080 --> 02:08:18,680 Speaker 1: g raps personal influence is greater than scar Face personal 2334 02:08:18,760 --> 02:08:21,600 Speaker 1: influence on me. But I'm able to kind of step 2335 02:08:21,680 --> 02:08:23,920 Speaker 1: back from it and look at both of their personal 2336 02:08:23,960 --> 02:08:27,440 Speaker 1: influence on hip hop. You know what I'm saying, And 2337 02:08:28,240 --> 02:08:39,080 Speaker 1: to that regard, um, it's I'm really really gonna have 2338 02:08:39,280 --> 02:08:44,160 Speaker 1: to give it by a millimeter too. It's actually very close, 2339 02:08:45,000 --> 02:08:47,640 Speaker 1: very right right, but but by that regard by millimeter 2340 02:08:47,760 --> 02:08:51,080 Speaker 1: might have to give it to face only only only 2341 02:08:51,200 --> 02:08:58,400 Speaker 1: because only because of this, every head, every head knows 2342 02:08:58,520 --> 02:09:02,960 Speaker 1: both of them and loves both. YEA. The only place 2343 02:09:03,000 --> 02:09:07,920 Speaker 1: where one is really greater than the other is um 2344 02:09:10,440 --> 02:09:23,240 Speaker 1: is females that don't necessarily mess with hip hop like 2345 02:09:23,360 --> 02:09:26,720 Speaker 1: a little rap, but don't necessarily mess with hip hop. 2346 02:09:27,080 --> 02:09:29,080 Speaker 1: He lost me around with a little little and I'm 2347 02:09:29,080 --> 02:09:33,200 Speaker 1: gonna be come to bring full circle. Um. Star Face 2348 02:09:33,240 --> 02:09:37,480 Speaker 1: has made songs that that that gets get that get 2349 02:09:37,520 --> 02:09:41,840 Speaker 1: in rooms that g raps songs have it talk like sex. 2350 02:09:41,920 --> 02:09:46,000 Speaker 1: It's not gonna get in the same room that you know. Um, 2351 02:09:47,480 --> 02:09:51,320 Speaker 1: the some of Marry Mary Mary Man, what what's what's 2352 02:09:51,360 --> 02:09:53,800 Speaker 1: the what's the the hood? The hood record that that's 2353 02:09:54,040 --> 02:09:57,040 Speaker 1: done done and right right right right right right right 2354 02:09:57,480 --> 02:09:59,520 Speaker 1: right like like like like you talk about the Gettle 2355 02:09:59,520 --> 02:10:03,240 Speaker 1: Boys record, yeah, right right right right, not playing tricks 2356 02:10:03,240 --> 02:10:08,720 Speaker 1: but solo right right right, that's a record that that 2357 02:10:09,000 --> 02:10:12,560 Speaker 1: that really doesn't have you know what I'm saying, and 2358 02:10:12,880 --> 02:10:18,560 Speaker 1: and and and they both got heads. But my block 2359 02:10:18,720 --> 02:10:21,840 Speaker 1: is gonna get the person that doesn't really funk with us. 2360 02:10:23,560 --> 02:10:27,600 Speaker 1: She Rapp doesn't have that song. If you don't funk 2361 02:10:27,640 --> 02:10:29,680 Speaker 1: with hip hop, you don't funk with rap. Rap doesn't 2362 02:10:29,680 --> 02:10:32,720 Speaker 1: really have doesn't really have the song that's gonna pull 2363 02:10:32,800 --> 02:10:35,840 Speaker 1: you in. But Face has a few records that if 2364 02:10:35,880 --> 02:10:39,040 Speaker 1: you don't funk with us. But I like that record, right, 2365 02:10:39,760 --> 02:10:41,240 Speaker 1: you know what I'm saying. You see, Rap didn't come 2366 02:10:41,240 --> 02:10:44,640 Speaker 1: out for the Face versus versus. A lot of people 2367 02:10:44,960 --> 02:10:47,560 Speaker 1: spreading rumors to saying like like, he's kind of hard 2368 02:10:47,600 --> 02:10:49,920 Speaker 1: to work with our work with t rap, and there's 2369 02:10:49,920 --> 02:10:52,040 Speaker 1: always been a blessing for me that he didn't come 2370 02:10:52,080 --> 02:10:55,880 Speaker 1: up for hoodough. So what I mean was he invited 2371 02:10:58,240 --> 02:11:00,720 Speaker 1: once that he declined that was Carross for one exactly. 2372 02:11:01,000 --> 02:11:04,440 Speaker 1: He said that kind of in the midst of the battle, don't. Yeah, 2373 02:11:04,520 --> 02:11:07,320 Speaker 1: I mean, but you know, in the mid yeah, yeah, 2374 02:11:07,760 --> 02:11:11,600 Speaker 1: but you know, but you know, like I hear, but 2375 02:11:11,680 --> 02:11:13,480 Speaker 1: I would have made moment I would I wouldn't. I 2376 02:11:13,480 --> 02:11:15,480 Speaker 1: wouldn't be too deep into it to say that that 2377 02:11:15,920 --> 02:11:18,080 Speaker 1: that she's a real one. You know, he might have 2378 02:11:18,120 --> 02:11:24,560 Speaker 1: been busy. Okay, you know, like he's that would have 2379 02:11:24,640 --> 02:11:27,840 Speaker 1: been crazy, it would have been but you know, but 2380 02:11:28,800 --> 02:11:34,000 Speaker 1: but his life he wants to but he might have been. 2381 02:11:34,160 --> 02:11:38,120 Speaker 1: Life is real, man, this is what I'm seeing. Life 2382 02:11:38,240 --> 02:11:40,200 Speaker 1: is really like like I'm saying, he really might have 2383 02:11:40,280 --> 02:11:42,040 Speaker 1: been busy. But you know what I'm saying, like like 2384 02:11:42,160 --> 02:11:45,720 Speaker 1: like you know, trust me, Like you know, it's like 2385 02:11:45,840 --> 02:11:51,200 Speaker 1: sometimes we get so caught up in think something. You know, 2386 02:11:51,240 --> 02:11:56,400 Speaker 1: it's like like drink champion, but the reason why, Yeah, 2387 02:11:56,480 --> 02:12:01,720 Speaker 1: but maybe it happens. Maybe you want to make the 2388 02:12:01,800 --> 02:12:04,680 Speaker 1: call because it's kine record of Canes wanted to be 2389 02:12:05,160 --> 02:12:09,560 Speaker 1: from it. But when Cares once said, um, we invited 2390 02:12:09,640 --> 02:12:12,600 Speaker 1: g Rappid, he declined, like came was supposed to meanly 2391 02:12:12,640 --> 02:12:15,400 Speaker 1: come out on that next record and explain he didn't decline, 2392 02:12:15,760 --> 02:12:17,960 Speaker 1: but becamean address it at all. So it just makes 2393 02:12:18,000 --> 02:12:22,080 Speaker 1: you just say, that's the truth Caress said it. Well, 2394 02:12:22,160 --> 02:12:24,960 Speaker 1: maybe the truth is he declined. Maybe that's what I'm saying, 2395 02:12:25,080 --> 02:12:28,360 Speaker 1: but he declined for his own reasons, maybe maybe his kids, 2396 02:12:28,440 --> 02:12:32,520 Speaker 1: but maybe he's maybe family, maybe someone little maybe you know, 2397 02:12:32,800 --> 02:12:35,080 Speaker 1: and that's trying to try to lead them to earlier 2398 02:12:35,400 --> 02:12:39,240 Speaker 1: like like like we will come and I say this 2399 02:12:39,680 --> 02:12:43,400 Speaker 1: like about everybody, like us included, we become fragile a 2400 02:12:43,480 --> 02:12:45,240 Speaker 1: little bit. Yeah, you know what I'm saying, like like 2401 02:12:45,760 --> 02:12:48,200 Speaker 1: like has become like you know what I'm saying to 2402 02:12:48,280 --> 02:12:51,240 Speaker 1: the degree that you know, like like right now the 2403 02:12:51,320 --> 02:12:56,280 Speaker 1: word and it's not poking. I'm just because it's dead decline, 2404 02:12:56,400 --> 02:13:02,360 Speaker 1: he declined. There's nothing naked about that. There's nothing, there's 2405 02:13:02,360 --> 02:13:05,760 Speaker 1: nothing negative. I'm gonna say that to put the clan 2406 02:13:06,480 --> 02:13:09,440 Speaker 1: say word take the word and say the process of negative. 2407 02:13:09,480 --> 02:13:11,480 Speaker 1: I don't think the clone will fall with the positive. 2408 02:13:11,880 --> 02:13:13,480 Speaker 1: I don't think it's full on the positive need that 2409 02:13:13,560 --> 02:13:17,880 Speaker 1: that's right. I think I think would be a new word, ya, buddy, Well, 2410 02:13:18,120 --> 02:13:20,760 Speaker 1: it depends on the word for the lack of a 2411 02:13:20,800 --> 02:13:22,400 Speaker 1: better thing. It depends on when you put the word 2412 02:13:22,480 --> 02:13:28,000 Speaker 1: like depends when you're declining to are you gonna jump 2413 02:13:28,000 --> 02:13:33,400 Speaker 1: off the room? Like for lack of drink From day one, 2414 02:13:33,480 --> 02:13:37,880 Speaker 1: I'm saying you're gonna jump off the roof the climbs like. 2415 02:13:37,920 --> 02:13:40,360 Speaker 1: It all depends on when you put the word like 2416 02:13:40,480 --> 02:13:45,360 Speaker 1: everything but it's negative to the jumping off parts one 2417 02:13:45,440 --> 02:13:48,000 Speaker 1: last one, I'm jump back into that y'all been drinking 2418 02:13:51,200 --> 02:13:53,320 Speaker 1: one last one is even gonna jump back into that? Okay, 2419 02:13:53,520 --> 02:14:00,160 Speaker 1: jump or large bro, premre large bro. You know my 2420 02:14:00,240 --> 02:14:09,920 Speaker 1: life pro story, Queen gotta que I got another one story. 2421 02:14:10,200 --> 02:14:12,440 Speaker 1: I don't know if you know what I mean. We 2422 02:14:12,520 --> 02:14:17,200 Speaker 1: obviously don't know your alright, it's a good place for 2423 02:14:17,320 --> 02:14:24,960 Speaker 1: that guy. This is the place story before, before, before 2424 02:14:25,280 --> 02:14:27,960 Speaker 1: I choose, I'm gonna tell you all this story. It's 2425 02:14:27,960 --> 02:14:30,360 Speaker 1: a real story. I'm sorry. It's a real story, and 2426 02:14:30,640 --> 02:14:32,960 Speaker 1: it's it's when I was right under your noses. But 2427 02:14:33,000 --> 02:14:34,320 Speaker 1: a lot of my ship is kind of like that 2428 02:14:35,480 --> 02:14:40,240 Speaker 1: right under. Come, let's go pete this. When I first 2429 02:14:40,280 --> 02:14:42,320 Speaker 1: get back from Carolina, when I first get up here, 2430 02:14:42,440 --> 02:14:45,320 Speaker 1: my pops will gets to be a heroin dealer, pretty 2431 02:14:45,320 --> 02:14:48,160 Speaker 1: pretty fair sized ee right there in the bland fleshing 2432 02:14:48,440 --> 02:14:51,880 Speaker 1: what I'm saying, and um big family, the August family. 2433 02:14:52,120 --> 02:14:55,120 Speaker 1: So when I first get back, I'm having inclinations, you know, 2434 02:14:55,280 --> 02:14:57,280 Speaker 1: towards music, you know, saying, but I'm not sure what 2435 02:14:57,360 --> 02:14:58,520 Speaker 1: I want to do. But I'm like, yo, pop, I 2436 02:14:58,600 --> 02:15:00,600 Speaker 1: really like this hip hop stuff that seven yether, you know, 2437 02:15:00,760 --> 02:15:02,480 Speaker 1: like I would love to kind of find my way 2438 02:15:02,520 --> 02:15:05,480 Speaker 1: into it. My Papa was like, Yo, you gotta go 2439 02:15:05,600 --> 02:15:08,960 Speaker 1: find this kid. Go find this kid. I'm cool with 2440 02:15:09,040 --> 02:15:12,040 Speaker 1: his father. His father is like a family friend. Go 2441 02:15:12,200 --> 02:15:16,160 Speaker 1: find him. Tell him that I sent you to find you, 2442 02:15:16,280 --> 02:15:19,440 Speaker 1: to find him. He's going to help you. This is 2443 02:15:19,480 --> 02:15:21,520 Speaker 1: your father telling my father telling me. I'm telling my 2444 02:15:21,600 --> 02:15:24,680 Speaker 1: father like golden child, sho find the person. Go find 2445 02:15:24,720 --> 02:15:28,520 Speaker 1: this go find I'm cool. I'm cool with his father. 2446 02:15:28,720 --> 02:15:30,600 Speaker 1: His father knows who I am. You know what I'm saying. 2447 02:15:30,640 --> 02:15:33,520 Speaker 1: I've been around him and his father. His father knows 2448 02:15:33,600 --> 02:15:36,720 Speaker 1: our family. Go find him. He's in this stuff. He'll 2449 02:15:36,760 --> 02:15:39,520 Speaker 1: help you. This before this, before I'm in the studio 2450 02:15:39,600 --> 02:15:43,080 Speaker 1: with Native owners just forelongs there all. So when I 2451 02:15:43,400 --> 02:15:45,960 Speaker 1: when I find large professor who my father told me 2452 02:15:46,000 --> 02:15:49,000 Speaker 1: to go find, I'm trying to explain he wasn't large, 2453 02:15:52,240 --> 02:15:54,160 Speaker 1: he's you know, but he's gonna do that, and you know, 2454 02:15:54,320 --> 02:15:57,440 Speaker 1: like yeah, like, um, you know, yeah, so I mean 2455 02:15:57,520 --> 02:16:02,080 Speaker 1: before yeah, yeah, you know, but but I find him 2456 02:16:02,760 --> 02:16:06,040 Speaker 1: and I'm just not what else what else it was 2457 02:16:06,240 --> 02:16:09,360 Speaker 1: in the city. I see him in the city and 2458 02:16:09,520 --> 02:16:13,400 Speaker 1: um and because he because he was cool with tipping him, 2459 02:16:13,400 --> 02:16:14,840 Speaker 1: you know, saying like like this is when I'm just 2460 02:16:15,320 --> 02:16:17,400 Speaker 1: just starting to meet some kind of things. I think. 2461 02:16:17,600 --> 02:16:19,920 Speaker 1: I'm no, no, no, this is before this was this 2462 02:16:20,080 --> 02:16:22,920 Speaker 1: before tipping him. I bumped to him in the city. 2463 02:16:23,720 --> 02:16:27,560 Speaker 1: How what was the situation? I forgot what the situation was, 2464 02:16:27,680 --> 02:16:31,000 Speaker 1: but somebody puts me onto him, and I'm like, oh, ship, 2465 02:16:31,120 --> 02:16:33,280 Speaker 1: my pop's been sending me to look for you. I 2466 02:16:33,400 --> 02:16:35,640 Speaker 1: just came from North Carolina, this any other and all 2467 02:16:35,720 --> 02:16:38,000 Speaker 1: he heard was I just came from North Carolina and 2468 02:16:38,080 --> 02:16:41,320 Speaker 1: everything else mus to sound like ura. You know what 2469 02:16:41,360 --> 02:16:43,760 Speaker 1: I'm saying, because when I said, you know, when my 2470 02:16:43,800 --> 02:16:46,439 Speaker 1: pops tend me to find you, I just came from Carolina, 2471 02:16:46,520 --> 02:16:48,400 Speaker 1: just said, Neil, I'm trying to do this music yell 2472 02:16:48,840 --> 02:16:51,200 Speaker 1: like like he was like yo, like for real, like 2473 02:16:51,320 --> 02:16:54,879 Speaker 1: like like he really played me like like listen. It's 2474 02:16:54,959 --> 02:16:58,040 Speaker 1: just made his face like like like you know, like 2475 02:16:58,440 --> 02:17:01,039 Speaker 1: like like country like country country, like country, hold up, 2476 02:17:01,040 --> 02:17:03,760 Speaker 1: hold on the country, you know, like like that was 2477 02:17:03,840 --> 02:17:06,840 Speaker 1: the whole demeanor. And I kind of got it because 2478 02:17:06,920 --> 02:17:09,360 Speaker 1: we did it to country cats later and you know, 2479 02:17:09,440 --> 02:17:19,600 Speaker 1: like New York really really it was I've been for years. 2480 02:17:24,840 --> 02:17:28,240 Speaker 1: We did, we did, and I did too, and I 2481 02:17:28,360 --> 02:17:29,800 Speaker 1: was wrong. You know what I'm saying, but just say 2482 02:17:29,879 --> 02:17:33,360 Speaker 1: like none of less. So so he plays me like that, 2483 02:17:33,520 --> 02:17:35,080 Speaker 1: you know what I'm saying, And so I have no 2484 02:17:35,200 --> 02:17:37,880 Speaker 1: idea how I should move forward. So I just bounced 2485 02:17:37,879 --> 02:17:39,880 Speaker 1: off like I had cool. You know, I well, I 2486 02:17:39,879 --> 02:17:41,760 Speaker 1: ain't mean to bother you. Man. I go back to 2487 02:17:41,840 --> 02:17:44,520 Speaker 1: my father. I'm like, yo, he is not gonna help me. 2488 02:17:44,640 --> 02:17:46,000 Speaker 1: There's no way in the world's gonna help me. Like 2489 02:17:46,040 --> 02:17:47,920 Speaker 1: he played me like like I was just some sucker. 2490 02:17:48,760 --> 02:17:52,200 Speaker 1: So my father was like, why as then up keeping 2491 02:17:52,240 --> 02:17:54,280 Speaker 1: it a buck? My father said, you know what, his 2492 02:17:54,360 --> 02:17:56,880 Speaker 1: father could be funny sometimes too. Don't even worry about it. 2493 02:17:57,720 --> 02:18:00,720 Speaker 1: So this is my father's words, the act. You know, 2494 02:18:01,720 --> 02:18:04,960 Speaker 1: so um, So I bounced off of it. You know 2495 02:18:05,040 --> 02:18:08,120 Speaker 1: I am cool. I go on to you know, I 2496 02:18:08,200 --> 02:18:11,520 Speaker 1: want to get in trouble. That's any other beat long later, 2497 02:18:11,760 --> 02:18:14,440 Speaker 1: this any other all the native something stuff happens, this 2498 02:18:14,640 --> 02:18:19,879 Speaker 1: any other so fast forward. I got the record out, 2499 02:18:20,160 --> 02:18:25,360 Speaker 1: Flavored Choice, faking the funk comes out. Now I know 2500 02:18:25,440 --> 02:18:28,039 Speaker 1: who he is because my father just got My father 2501 02:18:28,120 --> 02:18:29,720 Speaker 1: said me, I don't know if he knows that I'm 2502 02:18:29,720 --> 02:18:31,840 Speaker 1: gonna do that. Ran up on him that all that 2503 02:18:31,959 --> 02:18:33,480 Speaker 1: time back. But I know who he is. You know, 2504 02:18:34,040 --> 02:18:36,000 Speaker 1: you know my father se I'm proud of him, like 2505 02:18:36,040 --> 02:18:38,280 Speaker 1: you know, like and I'm cool that like that my 2506 02:18:38,360 --> 02:18:40,720 Speaker 1: father like said, you're faking the fun came out faking, 2507 02:18:40,920 --> 02:18:42,800 Speaker 1: Isn't that on the way man can't jump? Its main 2508 02:18:42,879 --> 02:18:47,800 Speaker 1: source for people that don't know, we gotta talk. I'm 2509 02:18:47,879 --> 02:18:51,000 Speaker 1: in the exotic you know what I'm saying. That's family, Um, 2510 02:18:51,280 --> 02:18:54,360 Speaker 1: you know, like comes out and I buy the record, 2511 02:18:55,080 --> 02:18:58,039 Speaker 1: like that's how much it's a crazy record, by the way, crazy, 2512 02:18:58,280 --> 02:19:00,440 Speaker 1: But now I'm gonna record not that that's why this 2513 02:19:00,440 --> 02:19:02,160 Speaker 1: show I'm about to say, it hurts even more, you 2514 02:19:02,200 --> 02:19:06,840 Speaker 1: know what I'm saying, Like yo, so yeah, right right, frush, 2515 02:19:07,440 --> 02:19:10,720 Speaker 1: you know what I'm saying. So so I buy the record. 2516 02:19:10,840 --> 02:19:13,680 Speaker 1: You know it's literally supported to that degree when the 2517 02:19:13,720 --> 02:19:18,120 Speaker 1: record gets on two minutes and fifty seconds. If you 2518 02:19:18,240 --> 02:19:21,040 Speaker 1: go on YouTube right now, two minutes and fifty seconds, 2519 02:19:21,120 --> 02:19:25,160 Speaker 1: faking the funk, you're here. Just turn it up now listen. 2520 02:19:25,360 --> 02:19:29,240 Speaker 1: I listen right under it. Now, listen now listen. And 2521 02:19:29,280 --> 02:19:31,360 Speaker 1: I kept putting that ship back and I'm like, that 2522 02:19:31,520 --> 02:19:35,600 Speaker 1: sounds so much like it's me from from Holseby knows 2523 02:19:36,879 --> 02:19:40,840 Speaker 1: this nigga put my voice under faking the funk, even 2524 02:19:40,959 --> 02:19:43,200 Speaker 1: the line not ring the bell. That's some ship I 2525 02:19:43,280 --> 02:19:45,880 Speaker 1: used to rhyme on Pristan Roosevelt when we called a 2526 02:19:45,920 --> 02:19:47,560 Speaker 1: four bagger. If you called a four bag and you 2527 02:19:47,640 --> 02:19:49,520 Speaker 1: hit the stops, I'm ring the belt some my corn 2528 02:19:49,600 --> 02:19:51,800 Speaker 1: board war story, ring the bell. I'm like, I'm going 2529 02:19:51,959 --> 02:19:55,720 Speaker 1: to kill this nigga. You know what I'm saying, like, 2530 02:19:55,879 --> 02:20:03,480 Speaker 1: because what happened was this. I hustle where you live 2531 02:20:04,760 --> 02:20:09,160 Speaker 1: and I've never seen you ever because he's gonna flush 2532 02:20:09,200 --> 02:20:12,400 Speaker 1: into Yeah, he's from walking distance from where I hustle 2533 02:20:12,560 --> 02:20:19,200 Speaker 1: for years, got felonies there. I've never seen this in 2534 02:20:19,480 --> 02:20:24,040 Speaker 1: my life now, unbeknownst to me, so so crushed me. 2535 02:20:24,520 --> 02:20:29,840 Speaker 1: I'm fair now now nobody else knows my war, including him, 2536 02:20:30,879 --> 02:20:35,760 Speaker 1: But faking the funcus far from my war. You know, 2537 02:20:35,760 --> 02:20:39,400 Speaker 1: I'm saying, like, how dare you? I'm I'm I'm disgusted 2538 02:20:39,720 --> 02:20:42,279 Speaker 1: discussing to degree that to me is beyond a record 2539 02:20:42,400 --> 02:20:46,520 Speaker 1: because I hustle where you're from. You know what I'm saying, 2540 02:20:46,560 --> 02:20:48,680 Speaker 1: like like like you gotta be out of your fucking mind. 2541 02:20:49,160 --> 02:20:50,640 Speaker 1: You know what I'm saying, like like like it's beyond 2542 02:20:50,680 --> 02:20:55,200 Speaker 1: the record. So eventually, oh, my man's here, you know, 2543 02:20:55,320 --> 02:20:57,800 Speaker 1: so eventually, so so I got it out here. I'm pissed. 2544 02:20:57,800 --> 02:20:59,720 Speaker 1: I'm pissed at this dude, you know what I'm saying. 2545 02:20:59,800 --> 02:21:01,879 Speaker 1: So visually I'm like, I'm a bumping to him eventually, 2546 02:21:02,480 --> 02:21:06,480 Speaker 1: So eventually I'm on a hun you know what I'm saying, 2547 02:21:06,879 --> 02:21:08,959 Speaker 1: call um right next to Willie Burgs like two three 2548 02:21:08,959 --> 02:21:10,680 Speaker 1: and the more. It's like two three in the morning. 2549 02:21:11,120 --> 02:21:13,520 Speaker 1: And when my man queues sitting right next to me, 2550 02:21:14,000 --> 02:21:17,199 Speaker 1: we mean the seventh series BM. You know what I'm saying. 2551 02:21:17,360 --> 02:21:20,840 Speaker 1: I looked at my left, who do I see large 2552 02:21:20,920 --> 02:21:24,119 Speaker 1: professor at the like we had a red light's large 2553 02:21:24,160 --> 02:21:30,880 Speaker 1: professor and I cannelt ye. So before the light changes, 2554 02:21:31,520 --> 02:21:35,160 Speaker 1: I'm like culling this nigger, you know what I'm saying. 2555 02:21:35,560 --> 02:21:38,080 Speaker 1: Before the light changes, I pulled my car out and 2556 02:21:38,160 --> 02:21:40,440 Speaker 1: I cut his car off at the light. Right at 2557 02:21:40,440 --> 02:21:44,600 Speaker 1: the light. He can't even move forward a hundred in 2558 02:21:44,640 --> 02:21:46,720 Speaker 1: the middle of street. I got a car cut off, 2559 02:21:46,760 --> 02:21:52,280 Speaker 1: Like I'm a cop. I get off the car, get 2560 02:21:52,320 --> 02:21:54,800 Speaker 1: out the car, walk around the side to his mirror, 2561 02:21:54,879 --> 02:21:58,720 Speaker 1: to his window. I'm like his eyes as big as sources, 2562 02:21:58,800 --> 02:22:02,160 Speaker 1: like you know, like what the fund is happening. I'm like, um, 2563 02:22:02,240 --> 02:22:06,720 Speaker 1: put up yo, what up yo? Um listening professor, did 2564 02:22:06,879 --> 02:22:13,480 Speaker 1: you did you say mple my voice, I'm faking the funk? 2565 02:22:14,920 --> 02:22:19,920 Speaker 1: He's like huh, Like wait, man, did you sample my 2566 02:22:20,040 --> 02:22:23,760 Speaker 1: voice on faking the phone? And he's looking at you know, 2567 02:22:23,840 --> 02:22:26,640 Speaker 1: he looks around, he looks at the scenario, and he 2568 02:22:26,760 --> 02:22:30,720 Speaker 1: looks at me like like, I'm sure he never imagined 2569 02:22:30,879 --> 02:22:33,160 Speaker 1: this that you know what I'm saying. And he's like no, 2570 02:22:34,080 --> 02:22:40,560 Speaker 1: it looks at me like no, and like in that moment, 2571 02:22:42,080 --> 02:22:45,800 Speaker 1: in that moment, I'm glad he said that. Glad he 2572 02:22:46,160 --> 02:22:49,879 Speaker 1: denied it. I'm glad he denied it because and he said, yeah, 2573 02:22:49,959 --> 02:22:51,560 Speaker 1: this is my word. I was so mad at him, 2574 02:22:52,560 --> 02:22:54,360 Speaker 1: I was gonna pull him out the window like that's 2575 02:22:54,400 --> 02:22:56,400 Speaker 1: there's no if fans or buts about it. I'm gonna 2576 02:22:56,480 --> 02:22:58,160 Speaker 1: let you finish. But this is a sampling like a 2577 02:22:58,800 --> 02:23:06,480 Speaker 1: problem you was. You was saying because she jumped, intervened, 2578 02:23:08,360 --> 02:23:13,400 Speaker 1: he didn't do this, nig is crazy. So you felt 2579 02:23:13,440 --> 02:23:16,280 Speaker 1: like he was because he from the little kid ship. 2580 02:23:16,360 --> 02:23:19,000 Speaker 1: I'm telling you the ship got he like that what 2581 02:23:19,080 --> 02:23:21,000 Speaker 1: it is. But what I'm saying, did you feel like 2582 02:23:21,920 --> 02:23:24,240 Speaker 1: he just shouldn't have sampled you or because how he 2583 02:23:24,680 --> 02:23:27,960 Speaker 1: wasn't mad at about It wasn't homage to sam. It 2584 02:23:28,080 --> 02:23:30,840 Speaker 1: wasn't like here to be At one point, I thought 2585 02:23:30,840 --> 02:23:33,600 Speaker 1: that was hamish. Actually, I'm asking you like you didn't 2586 02:23:33,600 --> 02:23:35,360 Speaker 1: think it. You couldn't feel like, yeah, that was dumb. 2587 02:23:35,800 --> 02:23:38,000 Speaker 1: I don't know dress dress. Yeah. Let me tell y'all 2588 02:23:38,000 --> 02:23:40,400 Speaker 1: all right, like like right now, right now, I'm a 2589 02:23:40,440 --> 02:23:50,640 Speaker 1: little disappointed in y'all. Disappointed, mad a little bit because 2590 02:23:50,720 --> 02:23:53,720 Speaker 1: y'all'll know goddamn well when hip hop is and what 2591 02:23:53,879 --> 02:23:56,039 Speaker 1: hip hop is not, and y'all know that the shot 2592 02:23:56,120 --> 02:24:01,160 Speaker 1: sniggers were taking. So you feel, yeah, not just just 2593 02:24:01,400 --> 02:24:06,160 Speaker 1: just to temperature up the climate of hip hop, that's okay. 2594 02:24:06,720 --> 02:24:10,520 Speaker 1: Faking the funk he was saying, you were taking the 2595 02:24:10,560 --> 02:24:15,800 Speaker 1: phone talking at games, you felt it was just saying. 2596 02:24:15,840 --> 02:24:17,800 Speaker 1: I just said I had a round where when I 2597 02:24:17,879 --> 02:24:20,040 Speaker 1: was hustling up where I say, ring the bell, This 2598 02:24:20,160 --> 02:24:24,080 Speaker 1: nigga said, war started ring the bell. This nigga that 2599 02:24:24,200 --> 02:24:28,680 Speaker 1: got my voice under it. It's my voice, it's mine. 2600 02:24:29,360 --> 02:24:35,720 Speaker 1: Faking the funk, I don't know, man, Like on top 2601 02:24:35,760 --> 02:24:39,520 Speaker 1: of you, on top of it, a hustle, on top 2602 02:24:39,560 --> 02:24:43,360 Speaker 1: of a hustle a hustle where this nigga is saying 2603 02:24:43,520 --> 02:24:47,720 Speaker 1: that he's from. He's claiming flushing and you know, and 2604 02:24:47,760 --> 02:24:51,959 Speaker 1: claim flushing. It's all loved, yo, I love you know y' 2605 02:24:52,120 --> 02:24:54,800 Speaker 1: y'all gonna like were goals, but I'm telling you all 2606 02:24:54,800 --> 02:24:57,440 Speaker 1: where it was all right, So you know, claim flushing 2607 02:24:57,520 --> 02:24:59,200 Speaker 1: is all good. But at the end of the day, 2608 02:24:59,360 --> 02:25:02,840 Speaker 1: like like repped flushing. You know what I'm saying. It's 2609 02:25:02,879 --> 02:25:05,240 Speaker 1: a difference, you know what I'm saying, the different claiming 2610 02:25:05,320 --> 02:25:07,000 Speaker 1: some of them repping something. You know what I'm saying. 2611 02:25:07,040 --> 02:25:09,160 Speaker 1: I repped Flushing, you know what I'm saying. And um, 2612 02:25:09,800 --> 02:25:11,880 Speaker 1: so you know. So so I was letting them know, like, yo, 2613 02:25:11,959 --> 02:25:14,480 Speaker 1: you must be out of your mind. And the fact 2614 02:25:14,560 --> 02:25:18,640 Speaker 1: that you denied it said everything, because if it was 2615 02:25:18,680 --> 02:25:20,720 Speaker 1: any of what y'are talking about, ain't nothing wrong with 2616 02:25:20,840 --> 02:25:26,000 Speaker 1: saying yeah you know, or did I or did I 2617 02:25:26,080 --> 02:25:31,400 Speaker 1: do something wrong or just you know? But no, no, 2618 02:25:31,480 --> 02:25:33,400 Speaker 1: it was you're pulling up in front out the street. 2619 02:25:34,160 --> 02:25:39,680 Speaker 1: It's no time to say yeah, maybe i'll call you 2620 02:25:39,800 --> 02:25:44,400 Speaker 1: later say yeah, I just told you I think he 2621 02:25:44,440 --> 02:25:47,200 Speaker 1: did the right that you know, he absolutely did the right. 2622 02:25:47,280 --> 02:25:48,600 Speaker 1: Then I just told you I think he did the 2623 02:25:48,720 --> 02:25:51,440 Speaker 1: right thing. But but but but but but later he 2624 02:25:51,520 --> 02:25:54,360 Speaker 1: told you, but it wasn't what but but I didn't 2625 02:25:54,400 --> 02:25:57,280 Speaker 1: do but I didn't do the wrong thing. It was 2626 02:25:57,640 --> 02:25:59,760 Speaker 1: it was it was what I thought it was, you know. 2627 02:26:00,040 --> 02:26:02,120 Speaker 1: And so when you listen to it, you know you're here, 2628 02:26:02,120 --> 02:26:03,840 Speaker 1: and I listen. I listened. So I asked him you 2629 02:26:04,200 --> 02:26:06,560 Speaker 1: did you see with my voice? And he's like nah, 2630 02:26:07,560 --> 02:26:12,880 Speaker 1: And and in that moment, I was like, Yo, if 2631 02:26:12,959 --> 02:26:19,560 Speaker 1: you didn't sample my voice, then you ain't nobody, because 2632 02:26:20,680 --> 02:26:26,320 Speaker 1: somebody sampled my voice. But if it wasn't you, then 2633 02:26:26,400 --> 02:26:29,640 Speaker 1: you ain't no body I'm talking to whoever did that, 2634 02:26:30,520 --> 02:26:32,040 Speaker 1: or they would they would be able to stand by that. 2635 02:26:32,720 --> 02:26:34,520 Speaker 1: And I got back in my car. You know what 2636 02:26:34,560 --> 02:26:36,520 Speaker 1: I'm saying. But every time I've seen him after that, 2637 02:26:37,000 --> 02:26:39,000 Speaker 1: that nigga couldn't get a pound from me. If he 2638 02:26:39,040 --> 02:26:41,960 Speaker 1: swild my niggas, I'd be like, funk that nigga. Yeah, 2639 02:26:41,959 --> 02:26:43,640 Speaker 1: any way, this is a together. And that'd be the 2640 02:26:43,760 --> 02:26:46,120 Speaker 1: things that cats thought that they could do to me 2641 02:26:46,879 --> 02:26:50,120 Speaker 1: when the load, when the low cats thought that that 2642 02:26:50,240 --> 02:26:52,080 Speaker 1: that that would be my work, and and it would 2643 02:26:52,120 --> 02:26:53,960 Speaker 1: be it would be funny when the cat that thinks 2644 02:26:54,000 --> 02:26:56,400 Speaker 1: that they don't funk with you, realize that they can't 2645 02:26:56,440 --> 02:26:59,640 Speaker 1: funk with you. You know what I'm saying, And and 2646 02:26:59,800 --> 02:27:01,480 Speaker 1: and that's a little more of my walk than cats 2647 02:27:01,560 --> 02:27:05,039 Speaker 1: ever realized. But I don't. I don't talk a lot. 2648 02:27:05,600 --> 02:27:07,880 Speaker 1: I'm saying, unless some more drink chips. I'm saying, like, 2649 02:27:07,920 --> 02:27:14,480 Speaker 1: you know what I'm saying. But I'm I'm gonna bring 2650 02:27:14,520 --> 02:27:18,080 Speaker 1: this fools. I'm telling if if I tell you a 2651 02:27:18,080 --> 02:27:19,680 Speaker 1: story a hunt of time, I'm gonna tell you exactly 2652 02:27:19,720 --> 02:27:22,800 Speaker 1: the same thing. Ain't Nober the truth. So now I'm 2653 02:27:22,879 --> 02:27:24,560 Speaker 1: mad at him, you know what I'm saying, because I 2654 02:27:24,600 --> 02:27:27,200 Speaker 1: feel like he disrespected me. And and I'm not speaking 2655 02:27:27,240 --> 02:27:28,800 Speaker 1: on it because I don't want it to become something 2656 02:27:28,879 --> 02:27:31,240 Speaker 1: that everybody's like, yo, because now I gotta do something 2657 02:27:31,280 --> 02:27:34,680 Speaker 1: to you being record or as mad as I was, 2658 02:27:34,840 --> 02:27:36,560 Speaker 1: you know what I'm saying. And I know niggas that 2659 02:27:36,600 --> 02:27:40,160 Speaker 1: got him under pressure where he lives, like like is 2660 02:27:40,280 --> 02:27:42,279 Speaker 1: that deep? Like you know what I'm saying. Like, but anyway, 2661 02:27:42,520 --> 02:27:45,520 Speaker 1: I'm like, yo, I don't want to be I was 2662 02:27:45,600 --> 02:27:48,160 Speaker 1: mad at him for a while. I wanted up leaving 2663 02:27:48,320 --> 02:27:50,480 Speaker 1: New York, going to Carolina and coming back and when 2664 02:27:50,520 --> 02:27:52,760 Speaker 1: I came back, Professor was one of the first people 2665 02:27:52,760 --> 02:27:55,160 Speaker 1: I saw when I got back. And this is my word, 2666 02:27:55,200 --> 02:27:58,119 Speaker 1: in my heart, I didn't want to be mad at him. 2667 02:27:58,760 --> 02:28:01,760 Speaker 1: In my heart, I was like my father sent me 2668 02:28:01,840 --> 02:28:05,760 Speaker 1: to find him, like like like like in my heart, 2669 02:28:06,520 --> 02:28:09,000 Speaker 1: even though I felt like he tried to play me. 2670 02:28:09,800 --> 02:28:14,000 Speaker 1: You know, I'm saying he didn't know me, He didn't 2671 02:28:14,120 --> 02:28:19,480 Speaker 1: know he didn't know himself to do that ship. You 2672 02:28:19,520 --> 02:28:21,400 Speaker 1: know what I'm saying, because if he didn't know himself, 2673 02:28:21,800 --> 02:28:23,880 Speaker 1: he would have never done that ship. You know what 2674 02:28:23,879 --> 02:28:25,600 Speaker 1: I'm saying, because at the end of the day, like 2675 02:28:26,320 --> 02:28:30,840 Speaker 1: you ain't getting props off of off of that ship. 2676 02:28:31,280 --> 02:28:36,280 Speaker 1: In my eyes, the person that you focus that ship at, 2677 02:28:37,000 --> 02:28:38,800 Speaker 1: you know what I'm saying, Like nigger, I walked through 2678 02:28:38,920 --> 02:28:43,000 Speaker 1: that ship, you know I'm saying, and and and I'll 2679 02:28:43,120 --> 02:28:47,800 Speaker 1: prove who was faking the funk if anybody was. But 2680 02:28:47,879 --> 02:28:50,040 Speaker 1: I don't want to do that. I don't want to 2681 02:28:50,080 --> 02:28:52,320 Speaker 1: be mad at you know. More so what I see 2682 02:28:52,400 --> 02:28:54,720 Speaker 1: him at a DJ at a gig in Manhattan, and 2683 02:28:54,800 --> 02:28:56,200 Speaker 1: I woke up to him at the d end of 2684 02:28:56,200 --> 02:28:59,720 Speaker 1: the DJ. But yeah, yeah, this is this is literally 2685 02:28:59,800 --> 02:29:01,560 Speaker 1: like here too later you know I'm saying, I don't 2686 02:29:01,560 --> 02:29:03,320 Speaker 1: went down south came back, but I don't want to 2687 02:29:03,320 --> 02:29:05,280 Speaker 1: be mad. Every time I saw him, I would I 2688 02:29:05,320 --> 02:29:08,360 Speaker 1: would just be on some bullshit with and I'm the 2689 02:29:08,440 --> 02:29:12,160 Speaker 1: type of chat out I wanted to make him mad 2690 02:29:12,280 --> 02:29:14,800 Speaker 1: enough to want to fight me. So the busses ass like, 2691 02:29:14,920 --> 02:29:17,360 Speaker 1: that's literally the type of ship definitely crazy, you know, 2692 02:29:17,959 --> 02:29:20,560 Speaker 1: but yeah, but you know, but but but he did that. 2693 02:29:20,640 --> 02:29:22,120 Speaker 1: I didn't do that, you know what I'm saying, like 2694 02:29:22,360 --> 02:29:24,680 Speaker 1: like that that that'd be my ship. I'm one of 2695 02:29:24,720 --> 02:29:26,720 Speaker 1: those dudes like once you break that, I'm the wrong 2696 02:29:26,800 --> 02:29:31,760 Speaker 1: person I had to never talk about. Don't want to 2697 02:29:31,760 --> 02:29:34,280 Speaker 1: those people want you like you know how people break 2698 02:29:34,320 --> 02:29:36,000 Speaker 1: the rules but then want you to play by the rules. 2699 02:29:36,640 --> 02:29:38,680 Speaker 1: I don't want those people like I make it blatantly 2700 02:29:38,720 --> 02:29:40,800 Speaker 1: obviously want you break the rules. Ain't no fucking rules. 2701 02:29:40,879 --> 02:29:43,960 Speaker 1: Now I'm saying, like that's me and that's why I 2702 02:29:44,040 --> 02:29:47,440 Speaker 1: don't like to get put in the positions. But nonetheless, 2703 02:29:47,879 --> 02:29:49,240 Speaker 1: so I walk up to him and I'm like, Yo, 2704 02:29:50,040 --> 02:29:51,520 Speaker 1: my dude, I don't want to be mad at you know, 2705 02:29:51,640 --> 02:29:53,600 Speaker 1: more mad like it was my word like we was kids. 2706 02:29:53,720 --> 02:29:57,640 Speaker 1: I don't think you meant that and honestly, I don't 2707 02:29:57,680 --> 02:30:00,200 Speaker 1: want to be looking at you like I want to 2708 02:30:00,200 --> 02:30:02,039 Speaker 1: do something to you. I don't know what I'm saying, 2709 02:30:02,080 --> 02:30:04,000 Speaker 1: so I want to apologize for the energy that I 2710 02:30:04,160 --> 02:30:05,760 Speaker 1: was coming at you. And you can see the relief 2711 02:30:05,800 --> 02:30:08,880 Speaker 1: in them. I'm saying this any other. He was like, Yo, Yo, 2712 02:30:09,000 --> 02:30:10,640 Speaker 1: that's cool man, it's any other like you know, like 2713 02:30:10,800 --> 02:30:13,600 Speaker 1: it's almost like he wanted to apologize, but an apologize. 2714 02:30:13,640 --> 02:30:17,120 Speaker 1: He didn't have to admit, so he didn't. But it's cool, 2715 02:30:17,280 --> 02:30:19,680 Speaker 1: but just to say. But he gave me his number 2716 02:30:20,480 --> 02:30:22,200 Speaker 1: and I appreciate it. I was like, yo, that's so duk, 2717 02:30:22,280 --> 02:30:24,360 Speaker 1: like like I'm definitely reach out, like like I thought 2718 02:30:24,400 --> 02:30:27,560 Speaker 1: it was cool that he trusted my energy in doing that. 2719 02:30:27,760 --> 02:30:29,760 Speaker 1: You know, he gave me his number, like like now 2720 02:30:29,800 --> 02:30:31,280 Speaker 1: I can get up with him, like like like my 2721 02:30:31,440 --> 02:30:34,360 Speaker 1: dad wanted me to type ship. I feel good about 2722 02:30:34,440 --> 02:30:37,400 Speaker 1: having his number. So I call him, you know, and 2723 02:30:37,760 --> 02:30:41,080 Speaker 1: we're talking this and the other. And he invited me 2724 02:30:41,120 --> 02:30:43,920 Speaker 1: over to his crib. And when I go to his crib, 2725 02:30:44,160 --> 02:30:45,600 Speaker 1: I didn't know where he lived, but he lives in 2726 02:30:45,640 --> 02:30:49,640 Speaker 1: the call out. She just no, no, no, I don't 2727 02:30:49,640 --> 02:31:00,840 Speaker 1: know where he lived. Drinking ahead I found out he 2728 02:31:00,920 --> 02:31:05,080 Speaker 1: lived in the car out at this time or still 2729 02:31:05,920 --> 02:31:16,920 Speaker 1: now you're all right, I was like, yeah, it's no 2730 02:31:17,240 --> 02:31:21,800 Speaker 1: NICKI like so, so I found out, you know, like 2731 02:31:21,879 --> 02:31:24,160 Speaker 1: he revited me to call out at the time. So 2732 02:31:24,400 --> 02:31:26,560 Speaker 1: I go over there and you know, we're sitting with 2733 02:31:26,680 --> 02:31:32,080 Speaker 1: talking um and I tell him how my father sent 2734 02:31:32,160 --> 02:31:36,280 Speaker 1: me to find him, and you know, like he's like, oh, ship, 2735 02:31:37,040 --> 02:31:39,840 Speaker 1: Like it's almost like, you know, like it's almost like 2736 02:31:39,920 --> 02:31:42,120 Speaker 1: when I came to you know, like like like like 2737 02:31:42,240 --> 02:31:44,960 Speaker 1: he literally played like I was from Carolina like that 2738 02:31:45,040 --> 02:31:47,280 Speaker 1: she came in in out what I'm saying, so like 2739 02:31:47,360 --> 02:31:50,600 Speaker 1: he had no idea. And then I started talking about, 2740 02:31:50,680 --> 02:31:53,520 Speaker 1: you know, about me being in the Bland and you know, 2741 02:31:53,720 --> 02:31:55,600 Speaker 1: growing up in the Bland, you know what I'm saying, 2742 02:31:55,640 --> 02:31:58,039 Speaker 1: and that together he starts telling me about him growing 2743 02:31:58,080 --> 02:32:00,120 Speaker 1: up in the Bland and it's not the other. Then 2744 02:32:00,160 --> 02:32:02,360 Speaker 1: he goes in the back. His father had just died. 2745 02:32:03,080 --> 02:32:04,520 Speaker 1: God bless him, you know what I'm saying, you know, 2746 02:32:04,600 --> 02:32:06,800 Speaker 1: God bless his pop. His father had just died. And 2747 02:32:06,840 --> 02:32:08,240 Speaker 1: he goes in the back and he's packing up a 2748 02:32:08,280 --> 02:32:09,720 Speaker 1: bunch of stuff. He goes to the back and he's 2749 02:32:09,720 --> 02:32:12,440 Speaker 1: playing me beach, which I was amazed that I'm listening 2750 02:32:12,480 --> 02:32:14,560 Speaker 1: to the beach steps professor playing for me, you know, 2751 02:32:14,680 --> 02:32:17,000 Speaker 1: like I thought all this time. He goes in the 2752 02:32:17,040 --> 02:32:19,600 Speaker 1: back and he comes back with a picture and he 2753 02:32:19,680 --> 02:32:21,400 Speaker 1: says to me, he sends me a picture. He said, Yo, 2754 02:32:22,440 --> 02:32:25,160 Speaker 1: this is my pop. He's like with his best friend. 2755 02:32:25,959 --> 02:32:28,880 Speaker 1: You know what this is. I said, Yeah, that's my 2756 02:32:29,000 --> 02:32:33,680 Speaker 1: uncle Raymond, my father's younger brother. H It's like that 2757 02:32:33,800 --> 02:32:37,039 Speaker 1: was my my dad's best friend. You know what I'm saying. 2758 02:32:37,800 --> 02:32:40,600 Speaker 1: Gray was passed away as well. No, no, no, no, 2759 02:32:40,760 --> 02:32:44,080 Speaker 1: my my uncle Raymond still out Okay, but but my 2760 02:32:44,160 --> 02:32:47,040 Speaker 1: uncle Raymond was his father's best friend. You know what 2761 02:32:47,040 --> 02:32:49,680 Speaker 1: I'm saying, Like like like that's how we were kids 2762 02:32:49,760 --> 02:32:53,160 Speaker 1: together in the fucking big park and flushing his pictures, 2763 02:32:53,200 --> 02:32:57,160 Speaker 1: it's literally pictures of us as kids, meadow park, no fleshing, 2764 02:32:59,000 --> 02:33:02,240 Speaker 1: the parking in the you know what I'm saying, life Like, 2765 02:33:02,320 --> 02:33:06,000 Speaker 1: there's literally pictures of us as kids. You know what 2766 02:33:06,000 --> 02:33:09,920 Speaker 1: I'm saying. So so again when I say when we 2767 02:33:10,080 --> 02:33:12,640 Speaker 1: look at each other, what we see and when we 2768 02:33:12,760 --> 02:33:15,480 Speaker 1: don't see, you know what I'm saying, We family, man, 2769 02:33:16,400 --> 02:33:25,519 Speaker 1: We much more family than than than systemically induced realities. 2770 02:33:27,320 --> 02:33:29,920 Speaker 1: You know what I'm saying. We family, and we gotta 2771 02:33:30,120 --> 02:33:32,400 Speaker 1: stop the bullshit every time we look at each other. 2772 02:33:32,440 --> 02:33:34,440 Speaker 1: That's what we gotta see. We gotta start moving together. 2773 02:33:34,680 --> 02:33:38,400 Speaker 1: We gotta start pooling our resources. Family. Man. It's it's 2774 02:33:38,400 --> 02:33:41,280 Speaker 1: how you know. And it's like life is taking me 2775 02:33:41,360 --> 02:33:45,040 Speaker 1: on so many missions for me to come full circle 2776 02:33:45,600 --> 02:33:49,280 Speaker 1: and be face to face with myself. All right, I'm 2777 02:33:49,360 --> 02:33:52,840 Speaker 1: sitting with fucking large because we don't win on this 2778 02:33:53,000 --> 02:33:58,640 Speaker 1: whole ship, and we was there from the beginning. Would 2779 02:33:58,640 --> 02:34:02,560 Speaker 1: you ever do a versus against the effects? Yeah? Me, 2780 02:34:02,760 --> 02:34:04,720 Speaker 1: and That's Effects is my favorite show I love. I 2781 02:34:04,760 --> 02:34:07,800 Speaker 1: love rocking shows with That's Effects. Yeah, I would that. Yeah, 2782 02:34:07,920 --> 02:34:10,880 Speaker 1: how are you? Yeah? I do it versus against anybody? 2783 02:34:10,920 --> 02:34:14,160 Speaker 1: I can care less. I would do it. I would 2784 02:34:14,200 --> 02:34:16,240 Speaker 1: do it versus versus the whole wolf saying about myself, 2785 02:34:17,120 --> 02:34:22,360 Speaker 1: you know, I do I know if I'm just saying 2786 02:34:22,400 --> 02:34:26,119 Speaker 1: like like like I'm you know, like yeah, yeah, I'd 2787 02:34:26,200 --> 02:34:29,520 Speaker 1: go against like the biggest you know, like battle rapper. 2788 02:34:29,560 --> 02:34:31,960 Speaker 1: I'm not a battle rapper, but like like I find, 2789 02:34:32,080 --> 02:34:37,760 Speaker 1: I find I find put myself in situations as an 2790 02:34:37,920 --> 02:34:44,480 Speaker 1: MC like like exhilarating, like like like every time, every 2791 02:34:44,520 --> 02:34:46,920 Speaker 1: time I've got I've been on a record with a 2792 02:34:46,959 --> 02:34:51,200 Speaker 1: bunch of m C s um like that ship is 2793 02:34:51,280 --> 02:34:54,760 Speaker 1: a it's a test of your metal, you know what 2794 02:34:54,800 --> 02:34:57,400 Speaker 1: I'm saying, and and and I take it as such 2795 02:34:58,000 --> 02:35:00,320 Speaker 1: like like this is my word like and not just 2796 02:35:00,400 --> 02:35:03,840 Speaker 1: sound like that, but I think every m C needs 2797 02:35:04,000 --> 02:35:07,080 Speaker 1: this in them like you can't. You can't. It's not 2798 02:35:07,200 --> 02:35:10,560 Speaker 1: a record that I've ever been on with other MCS 2799 02:35:10,640 --> 02:35:14,960 Speaker 1: that that I'm not dominant on it, at least to 2800 02:35:15,040 --> 02:35:18,680 Speaker 1: you in your opinion. Now it doesn't exist. That's worried 2801 02:35:18,760 --> 02:35:21,440 Speaker 1: like you telling you know, like Perry and if it does, 2802 02:35:21,600 --> 02:35:23,440 Speaker 1: point point it out like that there's not and not 2803 02:35:23,560 --> 02:35:27,360 Speaker 1: to say that I dominated it, but that I'm not dominant, 2804 02:35:27,800 --> 02:35:29,160 Speaker 1: you know what I'm saying, Like I'm not saying that 2805 02:35:29,280 --> 02:35:33,960 Speaker 1: I'm the one, but on any record i'm one with 2806 02:35:34,080 --> 02:35:37,200 Speaker 1: other cats, I'm dominant. What I'm saying like like you'll 2807 02:35:37,240 --> 02:35:39,800 Speaker 1: look at me and you'll be like that, that's that's 2808 02:35:39,840 --> 02:35:43,600 Speaker 1: one of the standout versus on that record are none 2809 02:35:44,600 --> 02:35:47,199 Speaker 1: by no record that I'm on with other people. Earlier, 2810 02:35:47,320 --> 02:35:50,000 Speaker 1: I stopped you for a seconds. I think you said 2811 02:35:50,280 --> 02:35:52,800 Speaker 1: the ultimate versus that you would want to see, and 2812 02:35:53,160 --> 02:35:55,560 Speaker 1: who was that? Who the ultimate versus that you would 2813 02:35:55,600 --> 02:35:58,440 Speaker 1: want to see? Inside you? You you're batting anybody? You 2814 02:35:58,520 --> 02:36:10,280 Speaker 1: said native tone versus um death Row. And for the 2815 02:36:10,320 --> 02:36:14,720 Speaker 1: reason being the diversity that's missing, how about can I 2816 02:36:14,800 --> 02:36:19,560 Speaker 1: give him a better one? Still native tongue, ready, native 2817 02:36:19,720 --> 02:36:26,880 Speaker 1: tongue worst Dungeon family. That would be cool, But but 2818 02:36:27,080 --> 02:36:29,560 Speaker 1: that death Ro is really not here no more like 2819 02:36:30,160 --> 02:36:33,560 Speaker 1: shug everyone that everything deteriorated. They probably wouldn't come together 2820 02:36:33,600 --> 02:36:37,520 Speaker 1: as death Ro. But the Dungeon family outcast, goody mab 2821 02:36:37,600 --> 02:36:42,320 Speaker 1: Who else am I missing? Um? Uh okay? Who else 2822 02:36:42,360 --> 02:36:46,120 Speaker 1: is done? Fans? Come on, sleepy Brown? Yeah that would 2823 02:36:46,120 --> 02:36:50,080 Speaker 1: that would be dope. Yeah, it would be dope. And 2824 02:36:51,120 --> 02:36:52,960 Speaker 1: would it would definitely be. And it's kind of like 2825 02:36:53,320 --> 02:36:56,080 Speaker 1: I feel like native tongue past the torch to the 2826 02:36:56,760 --> 02:36:59,440 Speaker 1: Dungeon family here, so because I feel like outcasts kind 2827 02:36:59,440 --> 02:37:02,440 Speaker 1: of like the new tribe, kind of like a different 2828 02:37:02,560 --> 02:37:06,080 Speaker 1: version of tribe. Yeah, you know what they they they 2829 02:37:07,320 --> 02:37:10,480 Speaker 1: they did something that I wish we had done, meaning 2830 02:37:10,520 --> 02:37:13,200 Speaker 1: that I wish we had been a microcosm of the 2831 02:37:13,280 --> 02:37:16,080 Speaker 1: records we made, Like we made these records about about 2832 02:37:16,120 --> 02:37:19,400 Speaker 1: about black empowerment. We made these records about unity, about 2833 02:37:19,440 --> 02:37:23,560 Speaker 1: pooling our resources, about education, about educating our seats, about 2834 02:37:23,600 --> 02:37:28,360 Speaker 1: being pre parents, about being a family unit, about staying 2835 02:37:28,480 --> 02:37:34,760 Speaker 1: together and moving the culture forward, and then we didn't 2836 02:37:35,840 --> 02:37:39,120 Speaker 1: set the example that we asked the people to do. 2837 02:37:40,560 --> 02:37:43,920 Speaker 1: It's supposed to be a native tongue tour in which 2838 02:37:44,120 --> 02:37:47,040 Speaker 1: they're supposed to be native tongue distribution. We're supposed to 2839 02:37:47,040 --> 02:37:49,160 Speaker 1: have the native tongue tour, supposed have native tongue water 2840 02:37:49,720 --> 02:37:52,960 Speaker 1: some motherfucking to the sea covers to like it's it's 2841 02:37:52,959 --> 02:37:56,959 Speaker 1: supposed to be something so prolific native tongue. It's supposed 2842 02:37:57,000 --> 02:38:00,440 Speaker 1: to be something so it's not too late. But I've 2843 02:38:00,480 --> 02:38:02,840 Speaker 1: been saying this for a long time and the parties 2844 02:38:02,959 --> 02:38:06,440 Speaker 1: that that need to step up need to step up, man, 2845 02:38:06,560 --> 02:38:08,600 Speaker 1: like you know, like it is what it is, but 2846 02:38:08,800 --> 02:38:13,640 Speaker 1: ultimately like it's like yo, like well not like it 2847 02:38:14,080 --> 02:38:16,120 Speaker 1: like yeah, I mean, you know some of us all 2848 02:38:16,280 --> 02:38:18,280 Speaker 1: and some of us you know, need to get with it, 2849 02:38:18,560 --> 02:38:22,160 Speaker 1: but nonetheless like it's like yo, Like we made records 2850 02:38:22,240 --> 02:38:25,640 Speaker 1: about exactly what we're talking about, and the Dungeon family 2851 02:38:25,760 --> 02:38:28,920 Speaker 1: kind of has kind of step like like they did 2852 02:38:28,959 --> 02:38:32,280 Speaker 1: what they're supposed to. They got on their position themselves, 2853 02:38:32,360 --> 02:38:34,720 Speaker 1: on our shoulders and took it a lower higher. That's 2854 02:38:34,760 --> 02:38:36,760 Speaker 1: what you're supposed to do. That's what we're all supposed 2855 02:38:36,800 --> 02:38:39,320 Speaker 1: to do with right, no doubt. And you know so 2856 02:38:39,520 --> 02:38:42,959 Speaker 1: for that aspect, I think it's dope. It's a celebration 2857 02:38:43,480 --> 02:38:47,080 Speaker 1: of of our community. I think it's dope on on 2858 02:38:47,160 --> 02:38:49,800 Speaker 1: the versus. But the reason I want to versus with 2859 02:38:50,200 --> 02:38:54,680 Speaker 1: with something so in contrast, it's because it's versus, you 2860 02:38:54,720 --> 02:38:58,880 Speaker 1: know what I'm saying. And to say this that like 2861 02:38:59,720 --> 02:39:02,080 Speaker 1: has it's a little bit like the two part that 2862 02:39:02,520 --> 02:39:04,240 Speaker 1: that I just spoke to a little earlier. I'm not 2863 02:39:04,360 --> 02:39:07,879 Speaker 1: trying to take away from them, but cats it brought 2864 02:39:08,040 --> 02:39:18,480 Speaker 1: into an analysis are air quotes definitely a reality that 2865 02:39:18,760 --> 02:39:24,720 Speaker 1: could never be reality, and and literally to the degree 2866 02:39:24,800 --> 02:39:30,440 Speaker 1: that they were afraid of it, like right like like 2867 02:39:30,560 --> 02:39:35,360 Speaker 1: like like I'm a little disappointed in and how we've 2868 02:39:35,440 --> 02:39:40,280 Speaker 1: been moving as a community, like like like the gang 2869 02:39:40,360 --> 02:39:46,200 Speaker 1: culture and all that stuff, like like you know, like 2870 02:39:46,480 --> 02:39:49,880 Speaker 1: like like a lot of a lot of my thought process, 2871 02:39:49,879 --> 02:39:51,680 Speaker 1: I don't say a lot. And the reason I don't 2872 02:39:51,720 --> 02:39:55,160 Speaker 1: say a lot because my my answer to it is 2873 02:39:55,200 --> 02:39:57,800 Speaker 1: I'm a fucking grown up, you know what I'm saying, Like, 2874 02:39:58,959 --> 02:40:04,080 Speaker 1: if you forty plus, it's time for you to be 2875 02:40:04,160 --> 02:40:10,560 Speaker 1: an example of something other than up than other than 2876 02:40:12,200 --> 02:40:15,280 Speaker 1: you know what I'm saying. And and if you didn't 2877 02:40:15,360 --> 02:40:21,840 Speaker 1: grow up in something, don't go seeking something, you know 2878 02:40:21,879 --> 02:40:25,240 Speaker 1: what I'm saying, like like like like be strong enough 2879 02:40:25,440 --> 02:40:31,320 Speaker 1: to lead everyone everyone, you know what I'm saying, and 2880 02:40:32,560 --> 02:40:36,000 Speaker 1: and and and I'm gonna say something else And I 2881 02:40:36,080 --> 02:40:40,080 Speaker 1: don't know what it's worth because it's a question. Yo, 2882 02:40:40,600 --> 02:40:45,840 Speaker 1: what's going on in Chicago is crazy and what's even 2883 02:40:46,120 --> 02:40:49,720 Speaker 1: crazier to me? And like I said, this is not 2884 02:40:49,840 --> 02:40:55,760 Speaker 1: a shot. This is something I've sincerely wonder, Like is 2885 02:40:55,840 --> 02:41:00,480 Speaker 1: that the home of farrakot h is at the home 2886 02:41:00,760 --> 02:41:09,119 Speaker 1: of the nation. That's where I'm asking because in my opinion, 2887 02:41:09,480 --> 02:41:12,800 Speaker 1: the two are co related. And I'm not seeing the 2888 02:41:12,879 --> 02:41:17,040 Speaker 1: co relation. And I say that to say that I'm 2889 02:41:17,560 --> 02:41:21,720 Speaker 1: just as accountable for what's going on here, like like 2890 02:41:21,840 --> 02:41:25,120 Speaker 1: we gotta step up in front of cats. We gotta 2891 02:41:25,200 --> 02:41:32,000 Speaker 1: start being willing to stand for something, you know what 2892 02:41:32,040 --> 02:41:34,640 Speaker 1: I'm saying, Like like if if the person you respect 2893 02:41:35,240 --> 02:41:41,040 Speaker 1: you respect because of their salary and you're fucking idiot. 2894 02:41:42,480 --> 02:41:44,120 Speaker 1: You know what I'm saying, And somebody needs to be 2895 02:41:44,240 --> 02:41:46,040 Speaker 1: telling you that. And if ain't nobody telling you that, 2896 02:41:47,120 --> 02:41:50,600 Speaker 1: allow me for real, like yo, like we need to 2897 02:41:50,800 --> 02:41:53,879 Speaker 1: stop some of the stuff that we're doing, myself included, 2898 02:41:54,920 --> 02:41:57,280 Speaker 1: Like I'm trying to be a better person, a better father, 2899 02:41:57,760 --> 02:42:01,240 Speaker 1: a better all the above, and they don't come where 2900 02:42:01,280 --> 02:42:04,240 Speaker 1: we're from. It don't come easy. I was forty years 2901 02:42:04,240 --> 02:42:06,640 Speaker 1: old when I found out what a nuclear family man. 2902 02:42:08,000 --> 02:42:09,040 Speaker 1: You know what I'm saying, Like I didn't even know 2903 02:42:09,080 --> 02:42:11,720 Speaker 1: what it meant he was saying. And I'm not a 2904 02:42:11,840 --> 02:42:15,400 Speaker 1: stupid person, but I was forty years oldhen I found 2905 02:42:15,400 --> 02:42:18,080 Speaker 1: with a nuclear family man. The most important thing in 2906 02:42:18,160 --> 02:42:22,560 Speaker 1: our community is our families, and they've broken that down, 2907 02:42:23,160 --> 02:42:25,400 Speaker 1: They've taken out away from us. That's what we need 2908 02:42:25,440 --> 02:42:27,879 Speaker 1: to be fighting for. We don't need to be fighting 2909 02:42:27,959 --> 02:42:32,000 Speaker 1: for nothing else, but our families and the broken ones 2910 02:42:32,200 --> 02:42:36,440 Speaker 1: need to be fighting to fix themselves, like it's worth it. 2911 02:42:36,440 --> 02:42:41,400 Speaker 1: It's us as a father today, I make sacrifices that 2912 02:42:41,520 --> 02:42:44,920 Speaker 1: I wish my fault had made for me that I wish. 2913 02:42:45,200 --> 02:42:47,080 Speaker 1: You know what I'm saying. And that's not a shot 2914 02:42:47,160 --> 02:42:51,000 Speaker 1: in him. He's a result of what all, All of 2915 02:42:51,160 --> 02:42:53,960 Speaker 1: all our fathers are results of you know what I'm saying, 2916 02:42:54,400 --> 02:42:57,320 Speaker 1: playing their hands that they got dope. But at the 2917 02:42:57,440 --> 02:43:00,480 Speaker 1: end of the day, as I've been playing my hand, 2918 02:43:02,480 --> 02:43:06,240 Speaker 1: I've learned that there was some sacrifices that was worth taking. 2919 02:43:07,280 --> 02:43:10,200 Speaker 1: There was some ship that was worth not doing or 2920 02:43:10,280 --> 02:43:14,800 Speaker 1: not being to just stay put or if you know better, 2921 02:43:14,879 --> 02:43:18,720 Speaker 1: act better. Period. Yo, Sometimes you don't know better, but 2922 02:43:18,840 --> 02:43:22,440 Speaker 1: some people know better and don't act better. But sometimes 2923 02:43:22,520 --> 02:43:24,920 Speaker 1: you don't know better, but you know right from wrong, 2924 02:43:25,240 --> 02:43:27,080 Speaker 1: you know what I'm saying. Like like, I didn't always 2925 02:43:27,160 --> 02:43:31,760 Speaker 1: have a moral compass. That's why I missed Fife. Fife 2926 02:43:31,800 --> 02:43:34,920 Speaker 1: had a moral compass. Fife made me better by just 2927 02:43:35,080 --> 02:43:37,880 Speaker 1: being around him. Fife is a kind of cap. If 2928 02:43:37,920 --> 02:43:43,800 Speaker 1: we all jumped the turnstyle, Fife wouldn't jump it. And 2929 02:43:44,440 --> 02:43:46,680 Speaker 1: I was stupid enough to think that the first time 2930 02:43:46,720 --> 02:43:49,120 Speaker 1: it happened that he was scared. But that was me 2931 02:43:49,240 --> 02:43:52,879 Speaker 1: being stupid. He just had a moral compass. Some people 2932 02:43:52,959 --> 02:43:56,160 Speaker 1: do the right thing when nobody's looking. That was Fife, 2933 02:43:56,720 --> 02:43:59,039 Speaker 1: know what I'm saying, But that ship don't really exists. 2934 02:43:59,160 --> 02:44:03,600 Speaker 1: You know, when you're young and you rambunctious and you're 2935 02:44:03,640 --> 02:44:06,560 Speaker 1: willing to roll the dice, you know what I'm saying. 2936 02:44:06,680 --> 02:44:09,040 Speaker 1: So you roll the dice every chance you get. You 2937 02:44:09,120 --> 02:44:12,080 Speaker 1: look forward to getting the dice, what I'm saying. And 2938 02:44:12,280 --> 02:44:14,520 Speaker 1: so like as you get older and you start seeing 2939 02:44:14,600 --> 02:44:16,800 Speaker 1: cats that got a little bit of fiber to them, 2940 02:44:17,160 --> 02:44:21,160 Speaker 1: that stands for something, you know what I'm saying, that 2941 02:44:21,480 --> 02:44:25,360 Speaker 1: that are loyal to a fault because that's who they are, 2942 02:44:26,000 --> 02:44:27,840 Speaker 1: you know, like that means something to you and and 2943 02:44:28,160 --> 02:44:31,840 Speaker 1: it means something in life, you know. And I'm talking 2944 02:44:31,879 --> 02:44:33,520 Speaker 1: a lot, you know, like I said, you know, but 2945 02:44:33,680 --> 02:44:36,120 Speaker 1: at the end of the day, actually one question, right, 2946 02:44:36,240 --> 02:44:39,760 Speaker 1: because why did you guys name the group black sheep? 2947 02:44:40,959 --> 02:44:45,080 Speaker 1: You know? Question because you know, I forget we bring 2948 02:44:45,160 --> 02:44:46,960 Speaker 1: up a fight. I think fight said this lot's like 2949 02:44:47,320 --> 02:44:50,200 Speaker 1: bad guys were black bag cats is bad luck, bad 2950 02:44:50,360 --> 02:44:54,879 Speaker 1: black magic. Then you name it black sheep, and black 2951 02:44:54,920 --> 02:44:57,320 Speaker 1: sheep is the one that stands out right, the one 2952 02:44:57,400 --> 02:44:59,360 Speaker 1: third base third very say, okay, okay, that was a 2953 02:44:59,440 --> 02:45:02,880 Speaker 1: white guy. I don't know what the search was the 2954 02:45:02,920 --> 02:45:09,959 Speaker 1: other one like, okay it was it was I don't know. Yeah, okay, um, 2955 02:45:10,240 --> 02:45:12,400 Speaker 1: what were you the black sheep of We thought of 2956 02:45:12,480 --> 02:45:16,120 Speaker 1: that the natives like like like when we when we 2957 02:45:16,200 --> 02:45:17,720 Speaker 1: did the demo, like like you know what I'm saying, 2958 02:45:17,879 --> 02:45:21,080 Speaker 1: like like like we realized the power of the click 2959 02:45:21,160 --> 02:45:23,160 Speaker 1: we was in, Like like this is my word, man, 2960 02:45:23,560 --> 02:45:26,320 Speaker 1: those cats are so powerful. I know, this is my word. 2961 02:45:26,440 --> 02:45:28,800 Speaker 1: Like I couldn't have better big brothers, right, like like 2962 02:45:29,400 --> 02:45:33,840 Speaker 1: I've learned so much artistically from them, just to say, so, 2963 02:45:34,200 --> 02:45:36,240 Speaker 1: we're coming out with an album, we're doing, we're working 2964 02:45:36,280 --> 02:45:39,840 Speaker 1: on music. We're in this click, like like these are 2965 02:45:39,959 --> 02:45:43,200 Speaker 1: some dope cats. We have to find a way to 2966 02:45:43,720 --> 02:45:46,760 Speaker 1: like we're doing the same process. We all produced, producing 2967 02:45:46,760 --> 02:45:49,080 Speaker 1: the same kind of way, but we have to find 2968 02:45:49,120 --> 02:45:52,600 Speaker 1: a way to be as dope as them, but not 2969 02:45:53,480 --> 02:45:55,880 Speaker 1: sound like them, you know what I'm saying, Like like 2970 02:45:56,000 --> 02:45:57,720 Speaker 1: you know, like like and so at the end of 2971 02:45:57,760 --> 02:45:59,320 Speaker 1: the day, like you know, like if you looked at 2972 02:45:59,720 --> 02:46:02,400 Speaker 1: and this just was just being true to what we saw. 2973 02:46:03,000 --> 02:46:05,640 Speaker 1: You looked at daylight. Daylight was kind of hippy is 2974 02:46:05,760 --> 02:46:07,400 Speaker 1: and even though you know when I didn't want you 2975 02:46:07,440 --> 02:46:08,960 Speaker 1: to call them hippy, but you know they're kind of 2976 02:46:09,000 --> 02:46:11,800 Speaker 1: really free flowing. Trial was kind of the same, you 2977 02:46:11,840 --> 02:46:14,200 Speaker 1: know what I'm saying, a little bit more kenty cloth cloth, 2978 02:46:14,600 --> 02:46:15,960 Speaker 1: but you know, at the same time all of that, 2979 02:46:16,080 --> 02:46:20,200 Speaker 1: all of that, you know, jungle was much more fatigues 2980 02:46:20,320 --> 02:46:23,520 Speaker 1: and even before there was been fashioned you know what 2981 02:46:23,520 --> 02:46:26,160 Speaker 1: I'm saying. Like they definitely was you know, heavy, heavy 2982 02:46:26,200 --> 02:46:30,120 Speaker 1: on on the fatigues and whatnot. So you know, at 2983 02:46:30,160 --> 02:46:33,680 Speaker 1: the time this is my word like I like before 2984 02:46:33,959 --> 02:46:36,080 Speaker 1: I sold it like I had jewelry, and you know, 2985 02:46:36,240 --> 02:46:40,360 Speaker 1: like um, you know, fucking little Gumby and curly and 2986 02:46:40,440 --> 02:46:41,800 Speaker 1: all of this ship. You know what I'm saying. And 2987 02:46:42,480 --> 02:46:46,920 Speaker 1: you know I'm much more of a you see, uh, 2988 02:46:47,280 --> 02:46:54,040 Speaker 1: more of a current street. Not to say hard, but 2989 02:46:55,400 --> 02:47:01,760 Speaker 1: to say the click I came up with in New York. 2990 02:47:02,800 --> 02:47:05,400 Speaker 1: All all goal was to be able to fit in 2991 02:47:05,959 --> 02:47:09,200 Speaker 1: Lord Cast, Big Show, the Lord Sea Shot. Um, you 2992 02:47:09,280 --> 02:47:11,120 Speaker 1: know saying shortly black. You know what I'm saying, Um, 2993 02:47:11,280 --> 02:47:13,199 Speaker 1: Steve v O God bless you know what I'm saying. 2994 02:47:13,400 --> 02:47:18,560 Speaker 1: Ross you know, Um Jr pop Yo. Just to say, 2995 02:47:19,080 --> 02:47:22,320 Speaker 1: all of the cats I just said, we all dressed 2996 02:47:22,400 --> 02:47:25,400 Speaker 1: to get in. Now when I say to get in, 2997 02:47:26,320 --> 02:47:31,520 Speaker 1: it didn't matter what the function was. But I know what, Carl, 2998 02:47:31,560 --> 02:47:34,160 Speaker 1: can I offer me? I wasn't getting in there, you 2999 02:47:34,200 --> 02:47:36,280 Speaker 1: know what I'm saying. If you noticed me throughout my 3000 02:47:36,440 --> 02:47:41,039 Speaker 1: entire career, I was dressed to attend. It didn't matter 3001 02:47:41,120 --> 02:47:44,760 Speaker 1: what it was. I was good. You know what I'm saying. 3002 02:47:45,040 --> 02:47:47,560 Speaker 1: And that's the click I came from. We was we 3003 02:47:47,680 --> 02:47:50,680 Speaker 1: was getting in that room. You know what I'm saying, Oh, 3004 02:47:50,760 --> 02:47:52,560 Speaker 1: that's how you gotta get that looked again, that roope, 3005 02:47:52,840 --> 02:47:55,720 Speaker 1: and that's from the door. That's where I came from. 3006 02:47:56,320 --> 02:48:00,880 Speaker 1: I never made I never put clothes and rhymes. That's 3007 02:48:00,920 --> 02:48:03,560 Speaker 1: just my giving, you know what I'm saying, like like 3008 02:48:03,720 --> 02:48:05,440 Speaker 1: like I ain't got to talk about that. You're gonna 3009 02:48:05,480 --> 02:48:08,320 Speaker 1: see that. That's my giving. I ain't got That's a 3010 02:48:08,400 --> 02:48:10,640 Speaker 1: waste of words for me, you know what I'm saying, 3011 02:48:10,680 --> 02:48:12,920 Speaker 1: Like you're gonna see that. You're saying that like that's 3012 02:48:12,959 --> 02:48:16,240 Speaker 1: just what it's like. It's like a cat that a line. 3013 02:48:16,240 --> 02:48:17,640 Speaker 1: Ain't gonna scott and tell you it was a line. 3014 02:48:17,680 --> 02:48:19,600 Speaker 1: You know, I'm saying, they're gonta smack the shift. He 3015 02:48:19,840 --> 02:48:21,600 Speaker 1: normally don't have to tell you. You can really look 3016 02:48:21,640 --> 02:48:25,240 Speaker 1: at you like nigger, you know, Oh my bad saying 3017 02:48:25,320 --> 02:48:27,360 Speaker 1: like he gotta say you sha, you know what it 3018 02:48:27,480 --> 02:48:32,400 Speaker 1: is you're saying like you know, So that's where I'm from. 3019 02:48:33,360 --> 02:48:39,320 Speaker 1: Um again Kanye stopped, but just saying, but just say 3020 02:48:39,640 --> 02:48:42,040 Speaker 1: like yo, like you know, like I come from some 3021 02:48:42,160 --> 02:48:47,320 Speaker 1: real stuff where you know, like honestly I couldn't tell 3022 02:48:47,360 --> 02:48:50,240 Speaker 1: my story. You saw Kanye Porto Sagua, Right, That's what 3023 02:48:50,320 --> 02:48:56,360 Speaker 1: I'm here, restaurant. Continue that's cool. No, no, no, And 3024 02:48:56,600 --> 02:48:59,400 Speaker 1: not because because I actually wrote him said I actually 3025 02:48:59,400 --> 02:49:04,080 Speaker 1: say yo what he said. Yeah, but he said, ain't 3026 02:49:04,120 --> 02:49:06,360 Speaker 1: gonna tell you what you're wearing. Because because because it 3027 02:49:06,400 --> 02:49:09,800 Speaker 1: will make much to sound even more grounded, we just 3028 02:49:09,959 --> 02:49:15,680 Speaker 1: say just say like yo, like man, as time is 3029 02:49:15,720 --> 02:49:18,840 Speaker 1: going on, man, like you know, we all just trying 3030 02:49:18,879 --> 02:49:23,040 Speaker 1: to figure it out still, God damn it. Let's make 3031 02:49:23,080 --> 02:49:25,119 Speaker 1: some lloyds for your card. Yea panther glasses you think 3032 02:49:25,360 --> 02:49:30,400 Speaker 1: you seeing those? Those are? Let me give roses getting Yeah, 3033 02:49:30,720 --> 02:49:35,080 Speaker 1: totally forgot, yo. Where's the roses that gud boards or 3034 02:49:35,160 --> 02:49:38,120 Speaker 1: somebody que would have had the regular size roses for you? 3035 02:49:38,560 --> 02:49:40,200 Speaker 1: They told us to the last minute he was coming 3036 02:49:40,240 --> 02:49:42,520 Speaker 1: to it today. It was very bad communicated Vinny, not 3037 02:49:42,680 --> 02:49:45,240 Speaker 1: not them. Vinney was bad back. But we want to 3038 02:49:45,280 --> 02:49:49,080 Speaker 1: literally give you up roses, your flowers, and we got 3039 02:49:49,280 --> 02:49:51,720 Speaker 1: we got we got one for you too, cute, goddamnit. 3040 02:49:52,160 --> 02:49:53,600 Speaker 1: And if I could clean up a little bit too, 3041 02:49:53,720 --> 02:49:56,600 Speaker 1: man like like the car cannas and the food bulls 3042 02:49:56,720 --> 02:50:00,360 Speaker 1: and you know all that, like yo, put sorry, sorry, 3043 02:50:00,400 --> 02:50:05,880 Speaker 1: we just wet. Yeah, you know and l he you 3044 02:50:05,959 --> 02:50:16,440 Speaker 1: know he alumni. Right, this is amazing. I appreciate Let 3045 02:50:16,560 --> 02:50:23,000 Speaker 1: this think very much. This is appreciate it. Shout out 3046 02:50:23,680 --> 02:50:26,960 Speaker 1: shout to organic food King and with the flowers an 3047 02:50:27,040 --> 02:50:29,800 Speaker 1: organic food. Let me ask you this one more because um, 3048 02:50:30,680 --> 02:50:35,040 Speaker 1: they are so recently finally negotiated getting their masters back. 3049 02:50:36,000 --> 02:50:37,920 Speaker 1: Is that a journey that you're on. Is that something 3050 02:50:37,920 --> 02:50:42,200 Speaker 1: that you're gonna pursue? Um? Yeah, like like definitely. Um. 3051 02:50:42,360 --> 02:50:44,120 Speaker 1: One of the things that I definitely want to drop 3052 02:50:44,160 --> 02:50:47,920 Speaker 1: a jewel or two for cats, especially for the older artists. Um. 3053 02:50:48,640 --> 02:50:50,560 Speaker 1: One of the things that I've been able to learn 3054 02:50:50,959 --> 02:50:54,480 Speaker 1: is um that you know, like we've got especially if 3055 02:50:54,520 --> 02:50:57,080 Speaker 1: you have a contract from the nineties, you have a 3056 02:50:57,200 --> 02:51:01,560 Speaker 1: window at thirty years, you know. And Carmon told something 3057 02:51:01,560 --> 02:51:03,520 Speaker 1: about that, right, Yeah, that was a different, a different thing. 3058 02:51:03,640 --> 02:51:06,480 Speaker 1: Cameron said, after ten years, you can recreate your thing. 3059 02:51:06,600 --> 02:51:10,160 Speaker 1: This is something different, same, same category. Different, But yeah, 3060 02:51:11,480 --> 02:51:13,760 Speaker 1: I hope that's the case that that's f live, that is. 3061 02:51:13,879 --> 02:51:17,879 Speaker 1: But I hadn't necessarily heard that particularly thing, and I'm 3062 02:51:17,959 --> 02:51:20,760 Speaker 1: kind of like really jumping in it. But cam is 3063 02:51:20,920 --> 02:51:23,720 Speaker 1: definitely shop. I wouldn't put it past that situation existing. 3064 02:51:23,959 --> 02:51:27,600 Speaker 1: But what I know if it exists is at thirty years. Um, 3065 02:51:28,400 --> 02:51:33,000 Speaker 1: there's a window where um, as long as this addressed 3066 02:51:33,760 --> 02:51:38,440 Speaker 1: in in writing at thirty five years, between thirty two 3067 02:51:38,480 --> 02:51:42,800 Speaker 1: and thirty five years, but um, everything can be reverse 3068 02:51:43,080 --> 02:51:46,080 Speaker 1: reverse if it's not. If the paperwork's not done and 3069 02:51:46,200 --> 02:51:48,680 Speaker 1: not put in, it just rolls over, you know what 3070 02:51:48,720 --> 02:51:52,080 Speaker 1: I'm saying. And a lot of times once that's happened, 3071 02:51:52,240 --> 02:51:55,000 Speaker 1: you know, that's where you know, it's that's the lifetime 3072 02:51:55,120 --> 02:51:57,880 Speaker 1: of that artist. So you know, like who would know 3073 02:51:58,000 --> 02:52:00,520 Speaker 1: those terms? Though? That's the crazy of the things that 3074 02:52:00,600 --> 02:52:03,119 Speaker 1: we that we find out as we move forward. These 3075 02:52:03,320 --> 02:52:05,120 Speaker 1: these are things that are kind of common knowledge that 3076 02:52:05,200 --> 02:52:07,360 Speaker 1: they just don't share with you. Well, it's not common 3077 02:52:07,440 --> 02:52:10,800 Speaker 1: because it's not being shared at all. It's yeah, yeah, 3078 02:52:11,760 --> 02:52:14,760 Speaker 1: what I'm saying, But in their community, you know what 3079 02:52:14,800 --> 02:52:17,680 Speaker 1: I'm saying, In the community that's taken you know what 3080 02:52:17,680 --> 02:52:24,800 Speaker 1: I'm saying. Trust me, it's common amongst thieves. You know 3081 02:52:24,800 --> 02:52:30,200 Speaker 1: what I'm saying, and yeah, you know, they know, and 3082 02:52:30,720 --> 02:52:32,800 Speaker 1: they know not to tell. They don't not to tell, 3083 02:52:33,000 --> 02:52:34,320 Speaker 1: like you know, once you found that the first time 3084 02:52:34,320 --> 02:52:36,360 Speaker 1: you found out what points really was, you know what 3085 02:52:36,360 --> 02:52:38,039 Speaker 1: I'm saying, like you know, like, oh, you've got eight 3086 02:52:38,160 --> 02:52:40,720 Speaker 1: nine points, ten points. They don't tell you that that's 3087 02:52:40,920 --> 02:52:47,400 Speaker 1: percentage eight percentage. That means it's nine that exists. That's 3088 02:52:47,440 --> 02:52:53,920 Speaker 1: not yours, right and and golf a big you're splitting 3089 02:52:53,959 --> 02:52:58,279 Speaker 1: it or it's more than two y'alls, but there's ninetent 3090 02:52:58,800 --> 02:53:02,160 Speaker 1: out there. It exists. Since so when I say they 3091 02:53:02,280 --> 02:53:06,280 Speaker 1: made their money back, first check you, I'm saying like 3092 02:53:06,400 --> 02:53:09,000 Speaker 1: like like it's free, like like like you know, like 3093 02:53:10,040 --> 02:53:13,560 Speaker 1: I should be a multi millionaire if they just gave 3094 02:53:13,600 --> 02:53:17,280 Speaker 1: me half, you know, say the game, right, but yeah, right, right, 3095 02:53:17,360 --> 02:53:18,920 Speaker 1: but but that's not what they do. But you know, 3096 02:53:19,040 --> 02:53:21,080 Speaker 1: but like at the end of the day, you should 3097 02:53:21,120 --> 02:53:23,600 Speaker 1: look into it because well, now I'm already I'm already 3098 02:53:23,600 --> 02:53:26,720 Speaker 1: signed already in I'm speaking when I know not yeah, 3099 02:53:26,879 --> 02:53:29,680 Speaker 1: like I'm already situated to get my ship back, and 3100 02:53:29,800 --> 02:53:32,400 Speaker 1: I'm saying not easier when I started my I'm starting 3101 02:53:32,480 --> 02:53:34,600 Speaker 1: my journey when I'm going to continuing my journey. It 3102 02:53:34,720 --> 02:53:37,240 Speaker 1: was a lot easier than what I thought. It was 3103 02:53:37,240 --> 02:53:38,920 Speaker 1: a lot easier than when I tried back in the 3104 02:53:39,040 --> 02:53:41,240 Speaker 1: days because a lot of them giving up their rights 3105 02:53:41,280 --> 02:53:44,120 Speaker 1: to people that we actually signed to signed solder to 3106 02:53:44,240 --> 02:53:46,600 Speaker 1: someone else and they gave away they write too. So 3107 02:53:47,520 --> 02:53:50,640 Speaker 1: so it's like it's like so, but Dayli Daylie was 3108 02:53:50,640 --> 02:53:52,560 Speaker 1: a little different because they knew who it was. They 3109 02:53:52,640 --> 02:53:56,720 Speaker 1: knew Thompson. Mean you know what I'm saying, And I'm 3110 02:53:56,840 --> 02:54:00,920 Speaker 1: so happy, Yeah, yeah, yeah, of course that was. That 3111 02:54:01,000 --> 02:54:04,360 Speaker 1: was and it's funked up, especially because day Line is 3112 02:54:04,440 --> 02:54:08,960 Speaker 1: like like like one of the foundation bricks of the 3113 02:54:09,080 --> 02:54:11,400 Speaker 1: fucking label. Like you know, it says so much to 3114 02:54:12,000 --> 02:54:15,040 Speaker 1: you know, to the people that how you treat your 3115 02:54:15,160 --> 02:54:18,920 Speaker 1: your your home team says everything. You know what I'm saying, 3116 02:54:18,959 --> 02:54:22,360 Speaker 1: like says everything, like like they that that company. Literally 3117 02:54:24,440 --> 02:54:26,560 Speaker 1: Tom still we've been giving back all the groups they 3118 02:54:26,720 --> 02:54:31,400 Speaker 1: masters working out, working part of it, a part of that. 3119 02:54:31,560 --> 02:54:34,280 Speaker 1: But we're not taken about nature, you know that. But 3120 02:54:34,320 --> 02:54:36,920 Speaker 1: then you know that Tom didn't do the ship, No 3121 02:54:37,080 --> 02:54:42,440 Speaker 1: it's him, because no, no, no Tom, Tom sold it 3122 02:54:43,040 --> 02:54:44,160 Speaker 1: and then he brought it back up. This is what 3123 02:54:44,200 --> 02:54:46,600 Speaker 1: I'm saying. That's why I say he did do it back. 3124 02:54:46,760 --> 02:54:52,360 Speaker 1: I'm something about yeah, yeah, he bought it back for 3125 02:54:52,480 --> 02:54:55,120 Speaker 1: my now right now, he brought it back from him 3126 02:54:55,160 --> 02:54:57,840 Speaker 1: right now, I'm talking about for them to negotiate like whatever, 3127 02:54:57,959 --> 02:55:00,320 Speaker 1: he put his label on the market, whatever it did. 3128 02:55:01,000 --> 02:55:04,320 Speaker 1: Then he went back and bought certain albums like individually, 3129 02:55:04,520 --> 02:55:07,360 Speaker 1: and that's how Dayloight got caught up. Yeah that's a fact, 3130 02:55:07,480 --> 02:55:11,040 Speaker 1: trust me. I mean it. Trust I don't know. But 3131 02:55:11,120 --> 02:55:13,600 Speaker 1: as far as now though, like he just sold everything, 3132 02:55:13,879 --> 02:55:16,840 Speaker 1: and like he didn't let them off when he sold it, 3133 02:55:17,080 --> 02:55:20,160 Speaker 1: when he sold everything when he sold it to let 3134 02:55:20,240 --> 02:55:24,160 Speaker 1: them off, I believe. So yeah, yeah, yeah, I know 3135 02:55:24,200 --> 02:55:26,000 Speaker 1: what you're saying. Yeah, yeah, yeah, I know what you're saying. 3136 02:55:26,000 --> 02:55:27,960 Speaker 1: But what I'm saying is that was the second time. 3137 02:55:28,240 --> 02:55:31,280 Speaker 1: This is one time he sold it and then whatever 3138 02:55:31,600 --> 02:55:34,400 Speaker 1: ver and then came back. And that's the screpancy where 3139 02:55:34,400 --> 02:55:36,680 Speaker 1: they came here is because he had brought it back 3140 02:55:37,600 --> 02:55:40,080 Speaker 1: and we got into it and then I guess you're 3141 02:55:40,080 --> 02:55:41,560 Speaker 1: playing dirty, like he said, so he was waiting for 3142 02:55:41,600 --> 02:55:43,400 Speaker 1: a minute, so you just put me on the stuff. 3143 02:55:43,400 --> 02:55:45,760 Speaker 1: Hold on, So you're saying that when Daylock got their 3144 02:55:45,800 --> 02:55:48,039 Speaker 1: masses back they didn't negotiate with Tom. This is someone 3145 02:55:48,120 --> 02:55:51,520 Speaker 1: else didn't negotiate it with. Holy that's great information. That's 3146 02:55:51,520 --> 02:55:55,360 Speaker 1: great information. Holy shit, Holy, Because if y'all under the 3147 02:55:55,400 --> 02:55:58,640 Speaker 1: same unbrella yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, 3148 02:55:59,360 --> 02:56:01,240 Speaker 1: definitely on this. I didn't know that. Yeah yeah, well 3149 02:56:01,240 --> 02:56:02,680 Speaker 1: I didn't know that though I thought it was what 3150 02:56:03,400 --> 02:56:06,040 Speaker 1: that's that's a that's great information. Thank you, Thank you 3151 02:56:06,120 --> 02:56:10,560 Speaker 1: guys here. So listen, man, you're cute. You gotta you 3152 02:56:10,600 --> 02:56:12,760 Speaker 1: gotta take a shot. Man, you gotta take a shot. 3153 02:56:13,520 --> 02:56:15,920 Speaker 1: You gotta take a shot. Goddamn. And then we're going 3154 02:56:16,600 --> 02:56:19,000 Speaker 1: what you got going on? Cute? What what's the new? 3155 02:56:20,600 --> 02:56:23,960 Speaker 1: Still doing things? What's the leading man? We uh we 3156 02:56:24,040 --> 02:56:27,200 Speaker 1: got we got some projects getting ready to drop, working 3157 02:56:27,240 --> 02:56:30,680 Speaker 1: on the album right now. And then I'm doing a 3158 02:56:30,720 --> 02:56:35,720 Speaker 1: project of show base and uh yeah, you know, working 3159 02:56:35,800 --> 02:56:37,800 Speaker 1: with my family. Me and she just banged out a 3160 02:56:37,920 --> 02:56:42,360 Speaker 1: joint fire and uh course you know that. So yeah, yeah, 3161 02:56:42,360 --> 02:56:45,840 Speaker 1: what your coups think? Come on, Y'allalute to y'all, bro, 3162 02:56:46,480 --> 02:56:54,160 Speaker 1: what's a little to y'all? Salute? Yeah, salute, salute. I 3163 02:56:54,240 --> 02:57:00,760 Speaker 1: like that. Nory. I don't smoke, but I smoked. I 3164 02:57:00,840 --> 02:57:04,240 Speaker 1: hit the smoke. Yeah, trust me, people smoke, they go 3165 02:57:04,280 --> 02:57:07,280 Speaker 1: a little crazy. They're going a little for a couple 3166 02:57:07,320 --> 02:57:10,000 Speaker 1: of people. Man, So what you got going on cheek? 3167 02:57:10,160 --> 02:57:14,760 Speaker 1: You know we we smoked, you know, daily all day 3168 02:57:14,800 --> 02:57:19,880 Speaker 1: with it. But she went to smoke already got you? 3169 02:57:20,400 --> 02:57:24,160 Speaker 1: Yeah you're good. Yeah, yeah, come on to your family. 3170 02:57:25,120 --> 02:57:27,560 Speaker 1: I got my book, Another kind of Freedom. She'll b 3171 02:57:27,720 --> 02:57:31,280 Speaker 1: x dot com on Amazon. You feel safer with that? Why? 3172 02:57:31,320 --> 02:57:34,000 Speaker 1: I also got a documentary that AMC just picked up. 3173 02:57:34,520 --> 02:57:37,560 Speaker 1: I'm supposed to be dropping regulations launch April at the 3174 02:57:37,640 --> 02:57:43,520 Speaker 1: top of first quarter, and I'm doing the score documented 3175 02:57:43,560 --> 02:57:49,200 Speaker 1: me about your whole life. Yeah, the gall from but 3176 02:57:49,920 --> 02:57:55,040 Speaker 1: it's already done. Just picked it up. So it was 3177 02:57:55,160 --> 02:57:57,920 Speaker 1: it was a lot of um, there was a lot 3178 02:57:57,959 --> 02:58:00,280 Speaker 1: of handicapping us with the license and a lot of 3179 02:58:00,320 --> 02:58:03,720 Speaker 1: the music the documentary, but you know, I guess they 3180 02:58:03,800 --> 02:58:07,360 Speaker 1: got it ironed out and so early next quarter the book. 3181 02:58:07,720 --> 02:58:14,880 Speaker 1: You know, yeah, come and dress. What's what's going on 3182 02:58:15,000 --> 02:58:17,920 Speaker 1: for you? I got some really, some really amazing stuff 3183 02:58:17,959 --> 02:58:20,680 Speaker 1: happening right now. Um, I have this really cool project 3184 02:58:21,360 --> 02:58:23,640 Speaker 1: that's under the Monica D and D. D and D 3185 02:58:23,959 --> 02:58:28,840 Speaker 1: stands for Dilla and Dress. I met j Diller. I 3186 02:58:28,920 --> 02:58:33,240 Speaker 1: met I met Diller's mom um pre COVID and I 3187 02:58:33,280 --> 02:58:36,000 Speaker 1: was doing a charity of Van Puerto Rico, and um, 3188 02:58:36,240 --> 02:58:37,840 Speaker 1: you know, she just so happened out of a house there. 3189 02:58:37,840 --> 02:58:40,480 Speaker 1: So I meet her and her husband and they invite 3190 02:58:40,480 --> 02:58:42,600 Speaker 1: me back to the house that got some DJ. She's cooking, 3191 02:58:42,840 --> 02:58:44,920 Speaker 1: she's telling me all about her son out of her mouth. 3192 02:58:45,160 --> 02:58:47,440 Speaker 1: Just blowing my mind, you know, because I was kind 3193 02:58:47,480 --> 02:58:50,560 Speaker 1: of the one native that really didn't have the religion. Yeah, 3194 02:58:50,800 --> 02:58:52,199 Speaker 1: you know, I kind of just made him in passing. 3195 02:58:52,200 --> 02:58:54,000 Speaker 1: I didn't really know him like that, so so it 3196 02:58:54,120 --> 02:58:56,640 Speaker 1: was kind of yeah, it was kind of awesome, you know, 3197 02:58:56,920 --> 02:58:59,320 Speaker 1: to be getting this. And at the end of the night, 3198 02:59:00,520 --> 02:59:03,240 Speaker 1: her husband and herself or my dukes, offered me the 3199 02:59:03,320 --> 02:59:06,160 Speaker 1: opportunity they had just gotten back a lot of his 3200 02:59:06,560 --> 02:59:10,119 Speaker 1: music under the estate, under the catalog, under the umbrella 3201 02:59:10,120 --> 02:59:12,200 Speaker 1: of the estate, they helpered me an opportunity to go 3202 02:59:12,360 --> 02:59:15,600 Speaker 1: through all of this personal stuff and create a project. 3203 02:59:16,600 --> 02:59:19,720 Speaker 1: So I was overwhelmed, like, oh my god, like you know, 3204 02:59:19,920 --> 02:59:21,920 Speaker 1: A would have been crazy with the track, but they 3205 02:59:22,040 --> 02:59:24,200 Speaker 1: let me do this, and so I put it was 3206 02:59:24,320 --> 02:59:26,800 Speaker 1: became like this mission. I started listening to every interview 3207 02:59:27,040 --> 02:59:29,320 Speaker 1: just doing every beat I could find everything I could 3208 02:59:29,360 --> 02:59:32,200 Speaker 1: find about him, and it became like this organic thing 3209 02:59:32,280 --> 02:59:34,560 Speaker 1: that I did where he became like a best friend 3210 02:59:34,600 --> 02:59:36,560 Speaker 1: of mine that I never hung out with, Like I 3211 02:59:37,000 --> 02:59:40,520 Speaker 1: kicked it with his best friends and you know, yeah, 3212 02:59:40,560 --> 02:59:43,240 Speaker 1: but I started meeting people around him and and what 3213 02:59:43,360 --> 02:59:46,080 Speaker 1: what happened was the album took place and that and 3214 02:59:46,160 --> 02:59:49,240 Speaker 1: there's a documentary about the making of the album that 3215 02:59:49,440 --> 02:59:53,560 Speaker 1: that's coming. So that's coming together at sometimes next year. 3216 02:59:53,920 --> 02:59:56,840 Speaker 1: But the album has the likes of Bunby Chuck, d 3217 02:59:57,680 --> 03:00:03,879 Speaker 1: CeeLo Green, Corey, Guns, Source, Money, Chi Ali, Uh My Son, 3218 03:00:04,400 --> 03:00:08,240 Speaker 1: Dela Funky, Homo sapien to Um. I mean like like 3219 03:00:08,400 --> 03:00:12,760 Speaker 1: it's the smuggage book freeways on there. Um yeah, I said, 3220 03:00:12,800 --> 03:00:16,440 Speaker 1: so its money, like like it's it's heavy. It's heavy, 3221 03:00:16,480 --> 03:00:18,160 Speaker 1: you know I'm saying like it's it's a real heavy piece. 3222 03:00:18,680 --> 03:00:21,480 Speaker 1: Um My man Uh Alexander Simone who was the grandson 3223 03:00:21,560 --> 03:00:26,240 Speaker 1: of Nina Simone, Jalil Shaw, Uh Centauria, a new upcoming 3224 03:00:26,360 --> 03:00:30,600 Speaker 1: artist that's gonna blow everybody's mind. Was my album. But 3225 03:00:31,040 --> 03:00:32,920 Speaker 1: all of these, but all these I pull all these 3226 03:00:33,040 --> 03:00:35,600 Speaker 1: featured artists. What I'm saying, like all of these cats 3227 03:00:35,959 --> 03:00:37,360 Speaker 1: some of them like I've never got a chance to 3228 03:00:37,400 --> 03:00:39,120 Speaker 1: do one with Bunny, I gotta do one with Bumby 3229 03:00:39,320 --> 03:00:42,000 Speaker 1: and you know, like it was just for dillab for 3230 03:00:42,879 --> 03:00:44,800 Speaker 1: everybody I just name is rocking with me over a 3231 03:00:44,879 --> 03:00:48,080 Speaker 1: dillerb what I'm saying. So, so that's coming sometime next year. 3232 03:00:48,080 --> 03:00:50,560 Speaker 1: I don't know the date because we're still doing a documentary, 3233 03:00:50,600 --> 03:00:52,160 Speaker 1: so you can't really put a date on that one, 3234 03:00:52,480 --> 03:00:54,800 Speaker 1: but it's coming. Then I got this a couple of 3235 03:00:54,920 --> 03:00:56,760 Speaker 1: I'm doing a series of EPs of what I'm doing 3236 03:00:56,800 --> 03:01:00,320 Speaker 1: to stay busy. So I'm just reaching out to dope 3237 03:01:00,360 --> 03:01:03,520 Speaker 1: produces that I think a dope like, whether they're well 3238 03:01:03,600 --> 03:01:05,560 Speaker 1: known or not well known, and I'm gonna do like 3239 03:01:05,680 --> 03:01:08,000 Speaker 1: five songs with them. So the first one coming out 3240 03:01:08,200 --> 03:01:10,040 Speaker 1: is me and my dude Stu Bangers. I don't know 3241 03:01:10,040 --> 03:01:12,600 Speaker 1: if you're familiar with Stu Bangers out of Massachusetts. Your 3242 03:01:12,640 --> 03:01:15,039 Speaker 1: son is like just straight cryptonite hard, you know, it's 3243 03:01:15,040 --> 03:01:16,920 Speaker 1: like he gets it in. So me and Stu Bank 3244 03:01:16,959 --> 03:01:20,600 Speaker 1: has got this project called called Sheep stew Um. I 3245 03:01:20,720 --> 03:01:23,960 Speaker 1: also got another EP that's gonna be coming out with 3246 03:01:24,440 --> 03:01:26,760 Speaker 1: It's almost like a Lucy Pearl, you know what I'm saying, 3247 03:01:26,920 --> 03:01:29,920 Speaker 1: and I'll just say to the two guys and one girl, well, 3248 03:01:30,160 --> 03:01:35,879 Speaker 1: just really one gout one girl. Sound terrible, sound very 3249 03:01:41,160 --> 03:01:44,480 Speaker 1: it sounds kind of portant. It was very important. But 3250 03:01:45,160 --> 03:01:47,520 Speaker 1: you're right, it is two guys girl. But but but 3251 03:01:47,680 --> 03:01:50,640 Speaker 1: one is a producer and I'm just gonna give the 3252 03:01:50,680 --> 03:01:53,680 Speaker 1: way to producer. The producer is a producer by the 3253 03:01:53,800 --> 03:01:56,240 Speaker 1: by the name of Vitamin D. You familiar vitamin D 3254 03:01:56,440 --> 03:01:59,960 Speaker 1: A little bit, your vitamin D is Vitamin D is 3255 03:02:00,080 --> 03:02:02,880 Speaker 1: one of the dopest produced. Every dope producer in the 3256 03:02:03,000 --> 03:02:06,120 Speaker 1: game knows exactly who vite him in d is and 3257 03:02:06,640 --> 03:02:10,119 Speaker 1: it's it's I'm taking upon myself to make sure everybody 3258 03:02:10,200 --> 03:02:13,280 Speaker 1: knows who like. Every dope producing the game knows who 3259 03:02:13,320 --> 03:02:16,080 Speaker 1: he is. And it's like like he's that dope and 3260 03:02:16,320 --> 03:02:18,600 Speaker 1: so I'm doing this amazing project with him. And and 3261 03:02:18,760 --> 03:02:20,480 Speaker 1: there is a Lucy up in there. I'm not gonna 3262 03:02:20,520 --> 03:02:24,480 Speaker 1: give away who she is yet. Okay, I think it's 3263 03:02:24,520 --> 03:02:27,119 Speaker 1: time to take a picture, picture and taking the drop. 3264 03:02:29,200 --> 03:02:32,960 Speaker 1: Just do one more shot. He trying to you know, 3265 03:02:33,040 --> 03:02:38,960 Speaker 1: he's a drink chad. But love word man and the 3266 03:02:39,000 --> 03:02:42,760 Speaker 1: work y'all are doing. Man, y'all doing some amazing work. 3267 03:02:42,800 --> 03:02:46,080 Speaker 1: And and and to say that that don't that don't 3268 03:02:46,120 --> 03:02:48,240 Speaker 1: mean that that knocks don't come with it and all 3269 03:02:48,280 --> 03:02:51,080 Speaker 1: that ship you're not not But y'all are bouncing off 3270 03:02:51,120 --> 03:02:54,280 Speaker 1: ship like like like men. Y'all, y'all, y'all, y'all, y'all, 3271 03:02:54,520 --> 03:02:58,120 Speaker 1: y'all are good for all community and and and y'all 3272 03:02:58,320 --> 03:02:59,920 Speaker 1: you know what I'm saying, y'all are setting a dope 3273 03:03:00,120 --> 03:03:05,040 Speaker 1: example of of how capable we are. Litt let me 3274 03:03:05,080 --> 03:03:07,200 Speaker 1: just say, let me say this before we leave, but 3275 03:03:07,520 --> 03:03:13,480 Speaker 1: our whole purpose is the key the true generation alive. 3276 03:03:14,959 --> 03:03:19,680 Speaker 1: And that means you know, people who you know to 3277 03:03:19,800 --> 03:03:22,960 Speaker 1: be famous, to be in the hip hop. Is this. 3278 03:03:24,160 --> 03:03:26,200 Speaker 1: I apologize to anybody who ever been the war. I've 3279 03:03:26,200 --> 03:03:29,080 Speaker 1: been to the army and you take this the wrong 3280 03:03:29,200 --> 03:03:32,080 Speaker 1: way and been the But the same thing is fighting 3281 03:03:32,120 --> 03:03:35,080 Speaker 1: a war. It's a different kind of veterans. It's a 3282 03:03:35,120 --> 03:03:38,520 Speaker 1: different type of veterans. But we're veterans, veterans of our 3283 03:03:38,560 --> 03:03:42,440 Speaker 1: own things. We're not comparing the pain and the struggle. 3284 03:03:42,520 --> 03:03:49,560 Speaker 1: But that ship, that ship is a mental to what 3285 03:03:49,640 --> 03:03:53,760 Speaker 1: you're saying. A lot of people don't understand that. Like 3286 03:03:53,840 --> 03:03:56,040 Speaker 1: you know, you've got other You've got other friends that 3287 03:03:56,200 --> 03:03:59,560 Speaker 1: you know, have a job and when they take off 3288 03:03:59,600 --> 03:04:02,560 Speaker 1: their unit form, that's it. Like our uniform is on 3289 03:04:03,080 --> 03:04:05,960 Speaker 1: four seven and it's my work. When the Cap comes 3290 03:04:05,959 --> 03:04:09,160 Speaker 1: home from war, people around him can't really relate to 3291 03:04:09,280 --> 03:04:12,080 Speaker 1: what he's been through. And the same kind of with us, 3292 03:04:12,720 --> 03:04:14,800 Speaker 1: like you know, like people can see it and they 3293 03:04:14,879 --> 03:04:19,360 Speaker 1: can form an assumption, but they have no idea to 3294 03:04:19,520 --> 03:04:22,600 Speaker 1: the degree, you know, like the undercurrent and the ship 3295 03:04:22,720 --> 03:04:25,280 Speaker 1: that's over yet this ship under your feet and over 3296 03:04:25,320 --> 03:04:27,600 Speaker 1: your head and you got to navigate that ship, you know, 3297 03:04:27,760 --> 03:04:29,520 Speaker 1: and it's real, you know what I'm saying. So, but 3298 03:04:30,080 --> 03:04:34,040 Speaker 1: but that's life, Y'all's life, y'all. But we're want to 3299 03:04:34,040 --> 03:04:37,640 Speaker 1: say to you, you know, ch Q, this is your platform, 3300 03:04:37,720 --> 03:04:39,480 Speaker 1: this is your format when you'll want to come over 3301 03:04:39,520 --> 03:04:41,280 Speaker 1: here and promote I don't even know what pick you 3302 03:04:41,360 --> 03:04:43,920 Speaker 1: got over there. You want to promote that, you want 3303 03:04:43,920 --> 03:04:47,000 Speaker 1: to promote the book. I'm gonna promote the documentary goal 3304 03:04:47,280 --> 03:04:53,440 Speaker 1: you have the goalief goal Leaf Golifa speak to the mic. 3305 03:04:53,520 --> 03:04:58,600 Speaker 1: So we get to okay, cool, yes, yes, so it's 3306 03:04:58,720 --> 03:05:01,119 Speaker 1: but right, I'm assuming all right, cool, Yeah, that's something 3307 03:05:01,160 --> 03:05:06,040 Speaker 1: I'm getting to Golden golden leave. I definitely get I 3308 03:05:06,120 --> 03:05:09,600 Speaker 1: never get a black sheep straining two you got you 3309 03:05:09,760 --> 03:05:12,320 Speaker 1: gotta do that, and you should put a white sheep 3310 03:05:12,360 --> 03:05:29,760 Speaker 1: on the couple and the commercial needs take advantage with Jesus. Yeah. Love, 3311 03:05:29,879 --> 03:05:38,080 Speaker 1: y'all take a drain draining first right. Thanks for joining 3312 03:05:38,200 --> 03:05:40,920 Speaker 1: us for another episode of Drink Champs hosted by Yours truly, 3313 03:05:41,040 --> 03:05:43,800 Speaker 1: d J e F and n r E. Please make 3314 03:05:43,800 --> 03:05:46,080 Speaker 1: sure to follow us on all our socials. Let's add 3315 03:05:46,120 --> 03:05:49,600 Speaker 1: Drink Champs across all platforms at the Real Noriegan, I 3316 03:05:49,800 --> 03:05:53,440 Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy 3317 03:05:53,640 --> 03:05:56,520 Speaker 1: on I g at d j e FN on Twitter, 3318 03:05:56,920 --> 03:05:59,440 Speaker 1: and most importantly, stay up to date with the latest releases, 3319 03:05:59,800 --> 03:06:03,040 Speaker 1: new us and merg by going to drink Champs dot com. 3320 03:06:09,720 --> 03:06:12,760 Speaker 1: For more podcasts from my heart Radio, visit the iHeart 3321 03:06:12,840 --> 03:06:16,360 Speaker 1: Radio app, Apple Podcast, or wherever you listen to your 3322 03:06:16,400 --> 03:06:19,120 Speaker 1: favorite shows. H