1
00:00:00,120 --> 00:00:00,480
Speaker 1: Worrying.

2
00:00:01,280 --> 00:00:05,640
Speaker 2: Today's episode contains spoilers for the season finale of Night

3
00:00:05,680 --> 00:00:06,880
Speaker 2: of the Seven Kingdoms.

4
00:00:07,200 --> 00:00:16,280
Speaker 3: Spoiler a lot, I'm gonna cry.

5
00:00:25,960 --> 00:00:29,840
Speaker 2: Hello many of us, Jason and I'm Rosie Knight and

6
00:00:29,880 --> 00:00:31,600
Speaker 2: welcome back to x ray version of the podcast where

7
00:00:31,600 --> 00:00:33,479
Speaker 2: We Dive Deep is your Favorite shows, movies, comics of

8
00:00:33,520 --> 00:00:35,559
Speaker 2: pop culture, comedy, ver by her Heart podcast where we're

9
00:00:35,560 --> 00:00:38,280
Speaker 2: bringing the three episodes Fuss News.

10
00:00:38,560 --> 00:00:42,280
Speaker 4: In today's episode, Oh my goodness, guys, I don't know

11
00:00:42,320 --> 00:00:45,559
Speaker 4: if you're ready. It's our recap of the final episode

12
00:00:45,920 --> 00:00:48,080
Speaker 4: of a Night of the Seven Kingdom season one, and

13
00:00:48,159 --> 00:00:49,800
Speaker 4: oh my gosh, I think it might be one of

14
00:00:49,840 --> 00:00:52,240
Speaker 4: the best episodes of TV that we've had in about

15
00:00:52,240 --> 00:00:55,960
Speaker 4: five years at least, So you know, we'll be recapping, discussing,

16
00:00:55,960 --> 00:00:57,920
Speaker 4: and then of course some let us from the Seven

17
00:00:58,000 --> 00:00:59,840
Speaker 4: Kingdoms or will that number.

18
00:00:59,680 --> 00:01:03,760
Speaker 3: Change at the end of this episode and production notes guys.

19
00:01:04,200 --> 00:01:06,920
Speaker 3: Later this week, we will begin our lead up to

20
00:01:09,040 --> 00:01:12,680
Speaker 3: Marvel's next Avengers movie with a new series, Impending Doomsday.

21
00:01:12,720 --> 00:01:15,280
Speaker 3: Each month through a very fun lens, we will be

22
00:01:15,319 --> 00:01:17,480
Speaker 3: looking back at a collection of characters they're placed in

23
00:01:17,480 --> 00:01:20,280
Speaker 3: the MCU and what we hope to see them get

24
00:01:20,360 --> 00:01:22,679
Speaker 3: up to in the next Avengers adventure. So tune in

25
00:01:23,080 --> 00:01:27,720
Speaker 3: later this week for the very first episode of Impending Doomsday.

26
00:01:29,360 --> 00:01:34,080
Speaker 1: The season finale.

27
00:01:34,360 --> 00:01:38,800
Speaker 3: Oh my god, I'm just like, yeah, I know.

28
00:01:39,760 --> 00:01:42,640
Speaker 2: And it begins with Jazz. You a thing that I

29
00:01:42,720 --> 00:01:45,600
Speaker 2: wasn't sure would ever work, and you have. This is

30
00:01:45,640 --> 00:01:48,520
Speaker 2: one of the more audacious, honestly, one of the more

31
00:01:48,560 --> 00:01:54,080
Speaker 2: audacious decisions, creative decisions, yep in this show, and maybe

32
00:01:54,120 --> 00:01:57,760
Speaker 2: it gave it throws ever to have in world Jazz.

33
00:01:57,840 --> 00:02:05,800
Speaker 2: Start episode, we see Lionel and Dunk. They are sitting

34
00:02:05,880 --> 00:02:08,839
Speaker 2: under Dunk's tree on the edge of Ashford Meadow where

35
00:02:08,840 --> 00:02:13,360
Speaker 2: he's been camping out, hopefully digging his latrin holes far

36
00:02:13,480 --> 00:02:17,120
Speaker 2: enough from the tree, but we'll see fingers crossed on

37
00:02:17,160 --> 00:02:21,520
Speaker 2: that one. The Master, Lionel's master, is seeing.

38
00:02:21,160 --> 00:02:25,520
Speaker 1: To both men. They both look not the worst for wear.

39
00:02:25,680 --> 00:02:29,240
Speaker 2: It's clearly been maybe a couple three days a week

40
00:02:29,440 --> 00:02:30,360
Speaker 2: or something like that.

41
00:02:30,600 --> 00:02:34,760
Speaker 3: Thumb rest. He's looking pretty good.

42
00:02:35,080 --> 00:02:36,840
Speaker 1: He's looking pretty good.

43
00:02:37,520 --> 00:02:40,880
Speaker 3: They look Jason. They're looking a bit cozy. Eh, there's

44
00:02:40,880 --> 00:02:42,160
Speaker 3: a little snuggly vibe.

45
00:02:42,400 --> 00:02:43,200
Speaker 1: There's a friendship.

46
00:02:43,320 --> 00:02:48,200
Speaker 3: It's a little posts they relax. Yeah, very deep friendship.

47
00:02:48,240 --> 00:02:50,000
Speaker 2: I don't know that there's a term for it. It's

48
00:02:50,040 --> 00:02:57,239
Speaker 2: just like a deep bond of between and Lionel has

49
00:02:58,080 --> 00:03:01,960
Speaker 2: is loving Listen, guys, died, but that fucking happens, you

50
00:03:02,000 --> 00:03:04,840
Speaker 2: know what I mean? Like where he's loving what happened,

51
00:03:04,919 --> 00:03:06,160
Speaker 2: he's loving the outcome.

52
00:03:06,280 --> 00:03:07,880
Speaker 1: It's all for the best. We won.

53
00:03:09,000 --> 00:03:12,080
Speaker 2: It is certainly, to your point, a post coital vibe.

54
00:03:12,720 --> 00:03:15,840
Speaker 2: And meanwhile, Duncan's not really sharing in it. He's stewing

55
00:03:15,880 --> 00:03:19,360
Speaker 2: in the guilt over the death of Baylor, poor fucking

56
00:03:19,440 --> 00:03:20,120
Speaker 2: Humphrey Harding.

57
00:03:20,240 --> 00:03:20,880
Speaker 1: Not even.

58
00:03:23,000 --> 00:03:26,400
Speaker 3: Duncan is just so guilty about Baylor. And it's like, babe,

59
00:03:26,400 --> 00:03:28,880
Speaker 3: you're not even thinking about the right people below this

60
00:03:29,000 --> 00:03:31,000
Speaker 3: point as he will love on this episode, and I

61
00:03:31,120 --> 00:03:31,560
Speaker 3: love it.

62
00:03:32,080 --> 00:03:35,360
Speaker 2: Lionel offers Duncan a spot of court, and it storms in.

63
00:03:35,680 --> 00:03:40,400
Speaker 2: It's like, you'll be my sworn buddy. He's that's it,

64
00:03:40,680 --> 00:03:44,760
Speaker 2: just herf bro. We'll go hawking, We'll go sailing. I'll

65
00:03:44,800 --> 00:03:47,800
Speaker 2: go We'll get on the boat, we'll go across the bay.

66
00:03:47,840 --> 00:03:48,920
Speaker 2: We'll go check out Tarth.

67
00:03:49,040 --> 00:03:50,440
Speaker 1: You ever been to tarf.

68
00:03:51,600 --> 00:03:59,800
Speaker 2: Big in stature, big women over there, And uh, while

69
00:03:59,800 --> 00:04:02,960
Speaker 2: this is happening with the Master, who is like probing

70
00:04:03,040 --> 00:04:08,560
Speaker 2: that dunks bandages and looking at them. Turns to Lionel,

71
00:04:08,240 --> 00:04:11,240
Speaker 2: why this man's going to die? His wounds are affected,

72
00:04:11,720 --> 00:04:15,280
Speaker 2: he's only got a few moments get out of here,

73
00:04:16,000 --> 00:04:19,159
Speaker 2: which he's like, it's.

74
00:04:19,040 --> 00:04:23,520
Speaker 3: So funny, legit, like maybe one of my favorite cold

75
00:04:23,560 --> 00:04:28,000
Speaker 3: opens of any Game of Thrones, Like it's so fucking funny.

76
00:04:28,000 --> 00:04:31,719
Speaker 3: When he goes you're ship macedon, like, go away, go away,

77
00:04:31,880 --> 00:04:34,680
Speaker 3: You're not gonna he's fine, like and the Masa just

78
00:04:34,760 --> 00:04:38,080
Speaker 3: runs away. He's like, yeah, I suck and a Dunk

79
00:04:38,279 --> 00:04:39,160
Speaker 3: is not gonna die.

80
00:04:39,320 --> 00:04:42,320
Speaker 2: Dunky looks like grisly, like, oh shit, I'm gonna die.

81
00:04:42,720 --> 00:04:45,360
Speaker 2: Lionel never his pulse never raised, like.

82
00:04:45,279 --> 00:04:46,320
Speaker 1: Shut up, get out of.

83
00:04:51,520 --> 00:04:56,919
Speaker 2: Lionel tells Dunk and listen, if you don't take my

84
00:04:57,080 --> 00:05:00,919
Speaker 2: offer to be my sworn buddy, come to storms in

85
00:05:01,000 --> 00:05:01,240
Speaker 2: with me.

86
00:05:01,480 --> 00:05:04,080
Speaker 1: Hawk, ride, sail the whole thing.

87
00:05:04,440 --> 00:05:04,800
Speaker 3: Kiss.

88
00:05:04,960 --> 00:05:07,240
Speaker 1: I will hate kiss, hug.

89
00:05:08,640 --> 00:05:10,960
Speaker 3: Lots of hugging in this episode, and I love.

90
00:05:10,800 --> 00:05:13,880
Speaker 1: It walking hand in hand. I will hate you if

91
00:05:13,880 --> 00:05:14,680
Speaker 1: you don't do it.

92
00:05:15,880 --> 00:05:19,920
Speaker 2: And Duncan is just still like stewing and moping, and

93
00:05:20,080 --> 00:05:23,880
Speaker 2: it's like, I don't worry about Baylor, Prince Baylor, baby break.

94
00:05:23,920 --> 00:05:26,800
Speaker 2: First of all, a dead dragon is great for us.

95
00:05:26,920 --> 00:05:29,080
Speaker 1: There's one, Yes, I love.

96
00:05:29,279 --> 00:05:31,720
Speaker 3: Any dead dragon is a good dragon.

97
00:05:31,760 --> 00:05:35,679
Speaker 2: It's good for us, for the realm, and for guys

98
00:05:35,800 --> 00:05:37,960
Speaker 2: like you and me, me being a lord and you

99
00:05:38,040 --> 00:05:43,480
Speaker 2: being my sworn buddy potentially. And also, the gods don't

100
00:05:43,680 --> 00:05:47,640
Speaker 2: favor a man who tries to cheat them, like Baylor,

101
00:05:47,960 --> 00:05:51,800
Speaker 2: who decided to enter the fight in order to fight

102
00:05:51,839 --> 00:05:55,760
Speaker 2: against men sworn to protect him. That's not getting the

103
00:05:55,800 --> 00:05:59,159
Speaker 2: god's favor. Look look at the people who fought for you.

104
00:05:59,040 --> 00:06:04,400
Speaker 3: Me at old boy Harding, He's like the blind nice

105
00:06:04,480 --> 00:06:05,960
Speaker 3: bree Besbrey.

106
00:06:07,920 --> 00:06:10,600
Speaker 2: Look at them, those guys fought for you, okay. And

107
00:06:10,760 --> 00:06:12,760
Speaker 2: he's the real ones, right, He.

108
00:06:12,720 --> 00:06:16,640
Speaker 1: Just like was out here trying to pull a fast one. Okay.

109
00:06:17,080 --> 00:06:20,880
Speaker 2: And by the way, TVD, there's a war coming, join

110
00:06:21,000 --> 00:06:24,600
Speaker 2: up with me. And by the way, I have no

111
00:06:24,640 --> 00:06:25,560
Speaker 2: inside information.

112
00:06:25,600 --> 00:06:26,920
Speaker 1: It's just there's always one coming.

113
00:06:26,960 --> 00:06:31,960
Speaker 3: But Honey said this. I have that momentary thing where

114
00:06:32,000 --> 00:06:34,000
Speaker 3: I was like, wait a minute, wait a minute, does

115
00:06:34,040 --> 00:06:36,680
Speaker 3: he know is he going? I was like, nah, this

116
00:06:36,839 --> 00:06:39,520
Speaker 3: is always a war in west Rows.

117
00:06:39,360 --> 00:06:42,440
Speaker 2: Like Lionel has a Lionel has a has a bet

118
00:06:42,480 --> 00:06:48,279
Speaker 2: On Calci at like significantly good odds that there will

119
00:06:48,320 --> 00:06:51,120
Speaker 2: be a war in West Rows in the next three years.

120
00:06:50,839 --> 00:06:52,680
Speaker 3: And he knows if he gets Dunk on side, his

121
00:06:52,720 --> 00:06:53,720
Speaker 3: gods go up up.

122
00:06:53,800 --> 00:06:54,400
Speaker 1: Uh, that's right.

123
00:06:56,320 --> 00:07:00,120
Speaker 2: Clearly it has been an amount of time because we're

124
00:07:00,120 --> 00:07:03,960
Speaker 2: having the funeral for Baylor and the royal family has

125
00:07:04,320 --> 00:07:08,279
Speaker 2: has decided to attend. We see Baylor's son, Prince Valar

126
00:07:08,880 --> 00:07:12,560
Speaker 2: is there. His wife Kira of Tyros is there.

127
00:07:13,720 --> 00:07:18,720
Speaker 1: Uh. Yes, we misspoke, and he said that. Well, first

128
00:07:18,760 --> 00:07:21,800
Speaker 1: of all, we didn't say we we did, and we

129
00:07:21,840 --> 00:07:22,040
Speaker 1: did it.

130
00:07:22,320 --> 00:07:25,640
Speaker 2: I were being enough. Yeah, we were being too casual.

131
00:07:25,760 --> 00:07:27,559
Speaker 2: But it's okay, we make this. Come on, ma, stop

132
00:07:27,720 --> 00:07:31,680
Speaker 2: make let's make we make mistakes here where it's a

133
00:07:31,720 --> 00:07:32,480
Speaker 2: family affair.

134
00:07:33,120 --> 00:07:36,000
Speaker 3: Oh, exactly exactly, this is where we get to be here.

135
00:07:36,400 --> 00:07:39,840
Speaker 2: So anyway, Valor and his wife Kira of Tyrosh is there.

136
00:07:39,880 --> 00:07:41,800
Speaker 2: Of course, Prince Makar is there.

137
00:07:42,240 --> 00:07:46,920
Speaker 3: Okay, Jason, let's re let's reset who is in line

138
00:07:46,920 --> 00:07:49,840
Speaker 3: to the throne right now in tau Gary and val

139
00:07:50,320 --> 00:07:51,760
Speaker 3: Vala Yes.

140
00:07:51,520 --> 00:07:53,480
Speaker 1: And we pray for and we pray for his health.

141
00:07:53,600 --> 00:07:57,280
Speaker 3: We pray for his health every day we pray happens.

142
00:07:58,200 --> 00:08:03,680
Speaker 2: Take vitamin C zinc, zinc, drinking orange juice, take some

143
00:08:04,120 --> 00:08:06,160
Speaker 2: emergency and just be healthy.

144
00:08:06,280 --> 00:08:08,800
Speaker 1: Wash your hands. Prince val Are we pray for your health.

145
00:08:08,800 --> 00:08:12,720
Speaker 1: That's it. And of course Arion.

146
00:08:12,520 --> 00:08:18,880
Speaker 2: Is there, Egg is there, and they're just everybody is

147
00:08:19,960 --> 00:08:22,440
Speaker 2: very sad. This is a tragic event for his family

148
00:08:22,560 --> 00:08:23,960
Speaker 2: and a cataclysmic event.

149
00:08:23,760 --> 00:08:24,280
Speaker 1: For the realm.

150
00:08:24,840 --> 00:08:29,120
Speaker 2: Dunk lingers kind of on the edge, and then when

151
00:08:29,160 --> 00:08:33,000
Speaker 2: it's broken up and it feels like a dignified moment

152
00:08:33,040 --> 00:08:36,360
Speaker 2: to do so, he goes in. He apologizes to Prince

153
00:08:36,440 --> 00:08:38,760
Speaker 2: valar who basically is like, well, you know, like my

154
00:08:39,440 --> 00:08:42,280
Speaker 2: dad was an important man, Like you're literally nothing.

155
00:08:42,280 --> 00:08:46,680
Speaker 1: Why are you here? And why is he Duncan listen,

156
00:08:46,880 --> 00:08:47,719
Speaker 1: He didn't need to say it.

157
00:08:47,800 --> 00:08:51,240
Speaker 2: Duncan's already thinking it.

158
00:08:51,520 --> 00:08:54,080
Speaker 3: I love this interaction so much. It tells us so

159
00:08:54,160 --> 00:08:57,080
Speaker 3: much about how Dunk has still just not luned anything,

160
00:08:57,160 --> 00:08:59,840
Speaker 3: like you killed this man's dad, Like, don't go up

161
00:08:59,840 --> 00:09:02,920
Speaker 3: to him at the funeral and be like, hey, sorry, bro.

162
00:09:03,120 --> 00:09:06,640
Speaker 3: Like he doesn't know the rules of how to interact.

163
00:09:06,679 --> 00:09:08,920
Speaker 3: But that is what makes them so incredible. And in

164
00:09:08,960 --> 00:09:13,200
Speaker 3: a way I feel like the la like VALA's kind

165
00:09:13,240 --> 00:09:16,600
Speaker 3: of question. And again, this is just the writing in

166
00:09:16,640 --> 00:09:20,240
Speaker 3: this episode, and the performances are so incredible, there's a

167
00:09:20,320 --> 00:09:23,200
Speaker 3: question to it that also doesn't just feel like an insult.

168
00:09:23,240 --> 00:09:26,160
Speaker 3: There is like a pondering and a wonder of like

169
00:09:26,679 --> 00:09:29,439
Speaker 3: is there a reason? Like are you gonna do something great?

170
00:09:29,480 --> 00:09:33,080
Speaker 3: And that is an ongoing thread throughout this episode with

171
00:09:33,120 --> 00:09:36,040
Speaker 3: these really great moments between Duncan and these Princes of

172
00:09:36,040 --> 00:09:38,680
Speaker 3: the Blood and Crown Princes.

173
00:09:38,360 --> 00:09:39,319
Speaker 1: Duncan and Raymond.

174
00:09:39,840 --> 00:09:43,079
Speaker 3: Hey, god bros. Speaking of romances, this.

175
00:09:43,520 --> 00:09:46,560
Speaker 2: Beautiful bromance, and this is coming right off of Valar

176
00:09:46,679 --> 00:09:48,800
Speaker 2: being like I wish you were dead. I wish my

177
00:09:48,880 --> 00:09:51,679
Speaker 2: dad was alive, and I wish you were dead, and Duncan,

178
00:09:52,720 --> 00:09:55,760
Speaker 2: you know, sinks into Raymond's arms and is like, everybody

179
00:09:55,760 --> 00:09:58,800
Speaker 2: blames me. Everybody thinks it's my fault, and Raymond's like this,

180
00:09:59,200 --> 00:10:02,959
Speaker 2: don't worry. I'm getting like, it's not I don't blame

181
00:10:03,000 --> 00:10:05,360
Speaker 2: you at all. In fact, you're about to see how

182
00:10:05,400 --> 00:10:10,280
Speaker 2: good things are for me.

183
00:10:11,920 --> 00:10:16,160
Speaker 3: Throughout this episode, we are supposed to be wondering, as

184
00:10:16,280 --> 00:10:19,560
Speaker 3: dunk is, how much better off or worse off is

185
00:10:19,600 --> 00:10:22,160
Speaker 3: the Kingdom going to be without Prince Byloor. But what

186
00:10:22,280 --> 00:10:25,679
Speaker 3: I kind of love is throughout this episode, we just

187
00:10:25,880 --> 00:10:30,880
Speaker 3: meet people whose lives have been positively impacted by the

188
00:10:31,000 --> 00:10:35,160
Speaker 3: trial happening and Dunks. It's been great for a lot

189
00:10:35,200 --> 00:10:38,840
Speaker 3: of people. Like I'm feeling like we are seeing Dunk's

190
00:10:39,000 --> 00:10:42,439
Speaker 3: impact on people's lives in a very material way this episode,

191
00:10:42,480 --> 00:10:43,240
Speaker 3: and I love it.

192
00:10:43,760 --> 00:10:46,040
Speaker 2: So Dunk goes in for a hug. He really needs

193
00:10:46,080 --> 00:10:48,920
Speaker 2: that hug, and he like, won't let go. It's a

194
00:10:48,920 --> 00:10:53,240
Speaker 2: little too long. Raymond is like, okay, okay, okay, and

195
00:10:54,679 --> 00:10:59,160
Speaker 2: Raymond then is like, listen, I know you're sad, but

196
00:10:59,720 --> 00:11:01,600
Speaker 2: you you caused the Crown prince death.

197
00:11:02,360 --> 00:11:03,840
Speaker 1: YadA, YadA, YadA. The road.

198
00:11:04,960 --> 00:11:08,960
Speaker 2: Yeah. Yeah, it's like a nine to eleven in. But

199
00:11:09,440 --> 00:11:12,120
Speaker 2: guess what, I got a new schedule. I'm starting my

200
00:11:12,120 --> 00:11:14,560
Speaker 2: own branch of the family, the Green Apple fossil Is,

201
00:11:14,800 --> 00:11:20,200
Speaker 2: And I got me a beautiful wife who loves me,

202
00:11:20,480 --> 00:11:25,800
Speaker 2: very beautiful, redheaded wife, and things are looking up at me,

203
00:11:26,559 --> 00:11:29,040
Speaker 2: the head of the Green Apple foss Away branch.

204
00:11:29,360 --> 00:11:32,480
Speaker 3: That's this great moment where she pops out and donek

205
00:11:32,480 --> 00:11:35,440
Speaker 3: obviously recognizes that she's one of the court designs, but

206
00:11:35,640 --> 00:11:39,040
Speaker 3: he won't tell Raymond. She's like, yeah, I'm pregnant. He

207
00:11:39,080 --> 00:11:41,080
Speaker 3: got me pregnant last night, we're having a boy and

208
00:11:41,160 --> 00:11:44,319
Speaker 3: Dunk's like, Okay, I'm gonna encourage her on her little hustle.

209
00:11:44,400 --> 00:11:46,679
Speaker 3: And I love it. And I love it because they

210
00:11:46,760 --> 00:11:50,240
Speaker 3: actually clearly do really like each other. And again, Dunk

211
00:11:50,440 --> 00:11:53,800
Speaker 3: just making two people's lives immediately batter. This court design

212
00:11:53,920 --> 00:11:57,880
Speaker 3: is now missus green Apple foss Away, Lady green Apple

213
00:11:57,920 --> 00:12:01,240
Speaker 3: foss Away. Raymond's getting laid the first time maybe ever,

214
00:12:01,360 --> 00:12:03,600
Speaker 3: and he doesn't have to deal with Stephan. This is

215
00:12:03,679 --> 00:12:07,800
Speaker 3: going great. Dunk, you are a good Stefan.

216
00:12:08,800 --> 00:12:12,559
Speaker 2: Do you think Steph is like knocking on the tenth

217
00:12:12,720 --> 00:12:17,480
Speaker 2: door of Turgary and Maker Tier being like, where's my

218
00:12:17,520 --> 00:12:21,480
Speaker 2: Lord're gonna get my lordship, Hey, my lord to talk to.

219
00:12:21,440 --> 00:12:29,079
Speaker 5: You about the agreement we had. Hello, Hello, mak Or

220
00:12:30,040 --> 00:12:32,720
Speaker 5: Dunk into a meeting and this is this is a

221
00:12:32,720 --> 00:12:33,120
Speaker 5: big one.

222
00:12:34,240 --> 00:12:36,800
Speaker 1: Dunk is like half expecting to be.

223
00:12:37,000 --> 00:12:40,320
Speaker 2: To be executed at this meeting, which certainly Makar could do.

224
00:12:40,440 --> 00:12:42,199
Speaker 2: And what the fuck is anybody gonna.

225
00:12:42,040 --> 00:12:44,640
Speaker 3: Do about He's gonna do anything, especially because the Towney's over.

226
00:12:45,120 --> 00:12:48,640
Speaker 3: I also, I love this moment because you see again

227
00:12:48,960 --> 00:12:52,640
Speaker 3: the impact of the Trial of the Seven and Dunk's arrival,

228
00:12:53,120 --> 00:12:56,720
Speaker 3: Raymond tells the Targarian Knights that they're just like Dunk's

229
00:12:56,760 --> 00:12:59,080
Speaker 3: not gonna go with them, which I feel like is

230
00:12:59,080 --> 00:13:01,160
Speaker 3: probably not something I think he would have done, you know,

231
00:13:01,280 --> 00:13:03,720
Speaker 3: a week ago. But he's like, no, he's been through enough.

232
00:13:04,000 --> 00:13:06,920
Speaker 3: As everyone is kind of feeling like maybe the Tagarian

233
00:13:06,960 --> 00:13:10,040
Speaker 3: grip is slipping, so I love to see that. But obviously,

234
00:13:10,040 --> 00:13:12,120
Speaker 3: you know, Dunk is an honorable man and he's ready

235
00:13:12,160 --> 00:13:14,080
Speaker 3: to have his head chopped off. So he's like, I'm out,

236
00:13:14,280 --> 00:13:14,760
Speaker 3: I'm going.

237
00:13:15,120 --> 00:13:19,640
Speaker 2: May Car says, so here's what Here's what's going on

238
00:13:19,679 --> 00:13:24,079
Speaker 2: in the family. Arian is getting sent to the Free

239
00:13:24,080 --> 00:13:26,360
Speaker 2: City's military account.

240
00:13:26,880 --> 00:13:30,079
Speaker 3: Boarding schools, going to military school in Alaska, Bill and

241
00:13:30,120 --> 00:13:30,720
Speaker 3: Ted style.

242
00:13:30,840 --> 00:13:34,920
Speaker 2: He's that's right, okay, teach him some some.

243
00:13:35,080 --> 00:13:37,320
Speaker 1: Discipline in his life.

244
00:13:39,200 --> 00:13:44,600
Speaker 2: May Car then says, you think you're fucking sad, fucking

245
00:13:44,679 --> 00:13:47,120
Speaker 2: bitch boy, moping little sad boy.

246
00:13:47,440 --> 00:13:48,040
Speaker 1: Yeah, let me.

247
00:13:47,960 --> 00:13:52,720
Speaker 2: Tell you about me. Everybody in this country thinks I

248
00:13:52,960 --> 00:13:57,480
Speaker 2: set this up to kill my brother, who I actually loved,

249
00:13:59,320 --> 00:14:03,080
Speaker 2: a step in the line of succession, not even to

250
00:14:03,160 --> 00:14:07,080
Speaker 2: the main line of succession, just that.

251
00:14:07,400 --> 00:14:08,920
Speaker 1: You know, to get closer everything.

252
00:14:09,160 --> 00:14:11,760
Speaker 2: I did that, and I live with that I'm getting

253
00:14:11,840 --> 00:14:13,880
Speaker 2: dinged about that. I'm gonna have to hear that ship

254
00:14:14,320 --> 00:14:20,360
Speaker 2: my whole entire life, and that's that's what I'm dealing with.

255
00:14:20,360 --> 00:14:22,760
Speaker 2: And Duncan's like, well, listen, I had no choice because

256
00:14:24,760 --> 00:14:28,240
Speaker 2: cut my hand and foot off, and like what you know, what,

257
00:14:28,240 --> 00:14:30,120
Speaker 2: what's what's the night without a hand and foot? But

258
00:14:30,200 --> 00:14:33,920
Speaker 2: like you know, hand and foot clearly not worth a

259
00:14:33,960 --> 00:14:37,760
Speaker 2: prince's life. Egg is listening in as Duncan talks to

260
00:14:38,120 --> 00:14:41,600
Speaker 2: make Car and I will say he's got a little

261
00:14:41,600 --> 00:14:45,480
Speaker 2: politically better because I think previous dunk might have been a.

262
00:14:45,400 --> 00:14:47,840
Speaker 1: Little luxury on the princess of the realm.

263
00:14:50,760 --> 00:14:53,720
Speaker 2: Yeah, this version is more like, you know, like he

264
00:14:53,840 --> 00:14:57,600
Speaker 2: knows when to slip in the little lesson and he's like, listen, well,

265
00:14:57,640 --> 00:15:00,120
Speaker 2: you know, sir Arlen taught.

266
00:15:00,600 --> 00:15:03,280
Speaker 1: Uh a lot about.

267
00:15:03,080 --> 00:15:09,160
Speaker 2: Life, and maybe the realm, you know need maybe the

268
00:15:09,200 --> 00:15:13,280
Speaker 2: realm needs my hand and foot more than uh, Sir Arlin,

269
00:15:14,120 --> 00:15:16,800
Speaker 2: more than Prince Baylor's life. And Maker's like, you know,

270
00:15:16,840 --> 00:15:19,200
Speaker 2: I really, I really really doubt that.

271
00:15:19,480 --> 00:15:21,360
Speaker 3: I love when he said this because, like I said,

272
00:15:21,400 --> 00:15:24,640
Speaker 3: Jay said, I feel like they're doing great foreshadowing here

273
00:15:24,840 --> 00:15:27,840
Speaker 3: right this question of He's like maybe one day, you know,

274
00:15:27,920 --> 00:15:29,920
Speaker 3: there's gonna be a time when my foot or my

275
00:15:30,080 --> 00:15:33,200
Speaker 3: arm is more needed to the realm by you know, Baylor,

276
00:15:33,280 --> 00:15:36,680
Speaker 3: and Maker's like yeah, highly bloody lightly like, don't fucking

277
00:15:36,760 --> 00:15:39,720
Speaker 3: think so. But you know from the that little glint

278
00:15:39,840 --> 00:15:43,680
Speaker 3: in the eye, like the Targarian prescience is alerting all

279
00:15:43,800 --> 00:15:47,600
Speaker 3: of them that Dunk is actually gonna be someone important,

280
00:15:47,800 --> 00:15:50,040
Speaker 3: like Darron already knows, but the rest of them are

281
00:15:50,040 --> 00:15:52,160
Speaker 3: starting to feel it. And I love how they show

282
00:15:52,200 --> 00:15:53,200
Speaker 3: it in this episode.

283
00:15:53,240 --> 00:15:58,440
Speaker 2: Make Her then surprises everyone, maybe even himself the most

284
00:15:58,520 --> 00:16:04,440
Speaker 2: when he says, listen, my son loves you, Egg, little Egg,

285
00:16:05,760 --> 00:16:09,200
Speaker 2: come to summer haul. Okay, the summer the summer palace,

286
00:16:09,520 --> 00:16:14,200
Speaker 2: the where I'm staying. I'm set up there. Nothing bad

287
00:16:14,560 --> 00:16:19,720
Speaker 2: will We will finish your training, okay, Yoda style, and

288
00:16:19,800 --> 00:16:23,120
Speaker 2: he can squire for you, and you'll do all that

289
00:16:23,360 --> 00:16:26,280
Speaker 2: under the watchful eye of me, and you'll have all

290
00:16:26,440 --> 00:16:29,960
Speaker 2: the best equipment and the best horses, and it'll be great.

291
00:16:30,800 --> 00:16:34,920
Speaker 2: You're gonna have to swear to me right but and

292
00:16:34,920 --> 00:16:37,720
Speaker 2: and not knowing of course that like Lionel's also made

293
00:16:37,720 --> 00:16:41,160
Speaker 2: an offer, and you know, again, my master, my very

294
00:16:41,160 --> 00:16:42,480
Speaker 2: own master of arms, can train you.

295
00:16:42,560 --> 00:16:43,920
Speaker 1: It's it's a good offer.

296
00:16:44,000 --> 00:16:47,560
Speaker 2: Duncan says, no, walks out. Duncan meets Egg on the stairs.

297
00:16:47,560 --> 00:16:48,120
Speaker 1: He apologies.

298
00:16:48,120 --> 00:16:50,040
Speaker 2: He's like, sorry, Egg, I'm not gonna do it, and

299
00:16:50,120 --> 00:16:53,560
Speaker 2: Egg is pissed and just disillusion Basically.

300
00:16:53,240 --> 00:16:55,480
Speaker 3: I also love that dunks. So I have declining as

301
00:16:55,560 --> 00:16:58,640
Speaker 3: he's like, had enough of princes. I'm not okay, don't

302
00:16:58,680 --> 00:17:00,920
Speaker 3: get your head chopped off me. Like I think, like,

303
00:17:01,040 --> 00:17:03,440
Speaker 3: like let's be a little less sassy about it, like

304
00:17:03,480 --> 00:17:03,680
Speaker 3: you go.

305
00:17:03,760 --> 00:17:06,679
Speaker 1: To learn to let down and let.

306
00:17:06,560 --> 00:17:09,920
Speaker 3: Him down easy, mat But honestly, poor little my poor

307
00:17:09,960 --> 00:17:15,040
Speaker 3: guy trouble based tap, he's a little baby.

308
00:17:15,680 --> 00:17:16,879
Speaker 1: It's a lot of trouble for ten.

309
00:17:16,920 --> 00:17:21,800
Speaker 2: There's two deaths, true, there's two deaths and multiple exilings.

310
00:17:21,880 --> 00:17:27,480
Speaker 2: And we then have a flashback to Sir Arlen still

311
00:17:27,560 --> 00:17:31,240
Speaker 2: nursing that risk wound, which certainly seems like the infection

312
00:17:31,359 --> 00:17:34,239
Speaker 2: on that wrist wound that we've seen him kind of

313
00:17:34,280 --> 00:17:38,560
Speaker 2: fiddling with throughout the series through multiple flashmacks is probably

314
00:17:38,640 --> 00:17:41,159
Speaker 2: the thing that killed him. Right, So, leaning up against

315
00:17:41,160 --> 00:17:44,000
Speaker 2: the tree, the tree that we see in episode one,

316
00:17:44,359 --> 00:17:48,000
Speaker 2: and he is telling a story about the penny tree

317
00:17:48,119 --> 00:17:51,480
Speaker 2: and how cool it is and you go there, you

318
00:17:51,640 --> 00:17:53,640
Speaker 2: nail your penny to the tree, and it's just beautiful.

319
00:17:53,720 --> 00:17:56,160
Speaker 2: Now after the centuries, it's covered with these pennies.

320
00:17:55,800 --> 00:17:57,760
Speaker 3: And you're meant to come and take them back, but

321
00:17:57,760 --> 00:17:58,120
Speaker 3: no one.

322
00:17:58,680 --> 00:18:00,680
Speaker 2: No one ever takes it back. Right, It's like you

323
00:18:00,680 --> 00:18:02,560
Speaker 2: throw a penny in a fountain. We're you gonna go

324
00:18:02,640 --> 00:18:04,040
Speaker 2: in and get the penny and just leave it there.

325
00:18:04,760 --> 00:18:07,520
Speaker 2: Duncan then gets to the point he's like, why did

326
00:18:07,560 --> 00:18:08,320
Speaker 2: you never knight me?

327
00:18:09,160 --> 00:18:12,919
Speaker 3: And it seems like this huge moment of is this

328
00:18:12,960 --> 00:18:16,359
Speaker 3: a recollection? Like is this an acknowledgment? And then it

329
00:18:16,400 --> 00:18:17,400
Speaker 3: feels like it is.

330
00:18:18,359 --> 00:18:21,600
Speaker 2: It feels like it's still I think it's still ambiguous enough.

331
00:18:21,720 --> 00:18:24,439
Speaker 3: It is because of what happens, because he doesn't.

332
00:18:25,200 --> 00:18:30,120
Speaker 1: Yeah, so Arln is like she just says nothing because

333
00:18:30,119 --> 00:18:30,480
Speaker 1: he's dead.

334
00:18:30,640 --> 00:18:31,080
Speaker 3: No, he's not.

335
00:18:31,720 --> 00:18:32,760
Speaker 1: He was just joking.

336
00:18:33,200 --> 00:18:36,760
Speaker 3: It was gying. I was literally I was like, okay,

337
00:18:36,800 --> 00:18:39,120
Speaker 3: so he never knighted him. That's what we're accepting, and

338
00:18:39,119 --> 00:18:40,960
Speaker 3: he's Dunk's crying and.

339
00:18:43,400 --> 00:18:50,159
Speaker 2: Selling it deathly Hallows Part two where Harry is laying

340
00:18:50,359 --> 00:18:53,480
Speaker 2: in Haggard's arms. The tears are falling down and everyone's crying.

341
00:18:54,840 --> 00:18:57,000
Speaker 2: Look at this and they just love me, don't they?

342
00:18:57,119 --> 00:18:58,080
Speaker 1: Everybody loves me?

343
00:18:58,240 --> 00:19:03,840
Speaker 3: He really like his are like crying, breaking down, and

344
00:19:03,880 --> 00:19:09,960
Speaker 3: he's like my little eyes opening, like oh yeah, hard.

345
00:19:09,960 --> 00:19:12,600
Speaker 2: Harry was in those arms being like, fuck man, this

346
00:19:12,680 --> 00:19:15,280
Speaker 2: is this amazing situation.

347
00:19:15,480 --> 00:19:22,680
Speaker 3: But like my god, Harry loves to be the He

348
00:19:22,840 --> 00:19:26,359
Speaker 3: wanted to hear don't cry over him. He wanted to

349
00:19:26,440 --> 00:19:28,840
Speaker 3: know that this man cares him. And then he says

350
00:19:28,880 --> 00:19:32,600
Speaker 3: that great line, which obviously is kind of what inspires

351
00:19:32,680 --> 00:19:35,320
Speaker 3: Dunk to do what he does next, where he says

352
00:19:35,359 --> 00:19:39,119
Speaker 3: to him, a real night always finishes the story, and

353
00:19:39,240 --> 00:19:42,359
Speaker 3: Dunk knows that's an egg story. It's not over.

354
00:19:44,840 --> 00:19:48,480
Speaker 1: My son's speaking of Finnish stories.

355
00:19:48,720 --> 00:19:52,560
Speaker 2: And so they go to the tent where Lord Beesbury's

356
00:19:52,640 --> 00:19:56,040
Speaker 2: coffin is laid out and it's covered in bees. So cool,

357
00:19:57,080 --> 00:19:59,480
Speaker 2: the just bees all over it, honey bees, and no

358
00:19:59,480 --> 00:20:00,399
Speaker 2: one's getting stung.

359
00:20:00,520 --> 00:20:05,359
Speaker 3: It's just chilling. It's like a cool weird show. I

360
00:20:05,359 --> 00:20:07,840
Speaker 3: guess you get a free meal in a show when

361
00:20:07,840 --> 00:20:08,800
Speaker 3: you go to a bees brief.

362
00:20:08,920 --> 00:20:11,320
Speaker 2: Darren is the drunken is there and Duncan is like,

363
00:20:11,440 --> 00:20:14,840
Speaker 2: have you no shame? And honestly, I think Darren Darren

364
00:20:15,240 --> 00:20:16,760
Speaker 2: has some culpability in this.

365
00:20:16,840 --> 00:20:17,720
Speaker 1: But let's calm down.

366
00:20:18,359 --> 00:20:21,840
Speaker 3: Why why is Dunk always blaming it on Daryn, Like,

367
00:20:22,040 --> 00:20:25,520
Speaker 3: chill out, he really isn't that bad. Like, go fucking

368
00:20:25,600 --> 00:20:29,920
Speaker 3: picchuat that ship. I don't want to hover. Also, let's

369
00:20:30,080 --> 00:20:34,240
Speaker 3: move on. Darren all points has accepted his culpability and

370
00:20:34,480 --> 00:20:38,520
Speaker 3: like his shoes. I I love this characterization of him

371
00:20:38,600 --> 00:20:43,639
Speaker 3: so much, this kind of Tyrian but even more world worn.

372
00:20:43,880 --> 00:20:46,960
Speaker 3: He knows that everything is gonna do en.

373
00:20:48,560 --> 00:20:50,440
Speaker 1: Romance and just fucking.

374
00:20:50,320 --> 00:20:53,399
Speaker 3: Crying literally like he's and he doesn't care. He's gonna

375
00:20:54,520 --> 00:20:57,720
Speaker 3: he's doing a Jaeger bomb. He's gonna like say some

376
00:20:57,840 --> 00:20:59,480
Speaker 3: crazy ship to you, and if you punch him in

377
00:20:59,480 --> 00:21:01,600
Speaker 3: the face, he's gonna to say, I know I deserve it,

378
00:21:02,280 --> 00:21:04,320
Speaker 3: And yeah, Dunk, let's give him a break.

379
00:21:04,760 --> 00:21:08,080
Speaker 2: Darren has a bit of wisdom and part Dunk and

380
00:21:08,119 --> 00:21:10,480
Speaker 2: he says this made me cry, are you gonna take egg?

381
00:21:11,200 --> 00:21:12,160
Speaker 1: And Duncan is like.

382
00:21:12,600 --> 00:21:16,440
Speaker 3: No, no, that's not my kids happens, not my concern.

383
00:21:16,840 --> 00:21:18,080
Speaker 1: Beesberry's did.

384
00:21:21,800 --> 00:21:26,320
Speaker 2: Right over there. I'm not fucking with this ship anymore.

385
00:21:26,720 --> 00:21:29,120
Speaker 2: And Darren is like, well, you know, it's interesting because

386
00:21:29,160 --> 00:21:33,600
Speaker 2: Arion was also a very nice young boy at one,

387
00:21:34,119 --> 00:21:37,080
Speaker 2: very nice young boy, much like Egg.

388
00:21:37,160 --> 00:21:38,720
Speaker 1: He liked to fish, he liked to do all the

389
00:21:38,760 --> 00:21:39,600
Speaker 1: things Egg likes to do.

390
00:21:40,480 --> 00:21:45,359
Speaker 2: Who knows what happened and that hits Dunk right in

391
00:21:45,720 --> 00:21:47,480
Speaker 2: so good.

392
00:21:47,560 --> 00:21:51,000
Speaker 3: This writing is unbelievable, Like this ship took my breath away.

393
00:21:51,160 --> 00:21:54,040
Speaker 3: When Darren's like, yeah, my brother always wasn't he wasn't

394
00:21:54,080 --> 00:21:57,360
Speaker 3: always a monster And He's like, hey, Egg's not a monster.

395
00:21:57,920 --> 00:21:59,000
Speaker 3: I'm not talking about.

396
00:21:58,840 --> 00:22:00,000
Speaker 1: Give him, give him five years.

397
00:22:00,440 --> 00:22:03,000
Speaker 3: Yeah, he says, we will make a man out of him. Yeah,

398
00:22:03,119 --> 00:22:06,639
Speaker 3: And it is like, well, it's so good, like this

399
00:22:06,880 --> 00:22:11,119
Speaker 3: nature nurture conversation, but about the Targarians in a Game

400
00:22:11,160 --> 00:22:15,679
Speaker 3: of Thrones thirty minute ostensibly a comedy show. This just

401
00:22:15,720 --> 00:22:18,280
Speaker 3: completely took me out. And the way that it pairs

402
00:22:18,400 --> 00:22:23,119
Speaker 3: up with the next scene is just like fucking unbelievable.

403
00:22:23,160 --> 00:22:26,119
Speaker 3: The production design between the warmth of the bar and

404
00:22:26,160 --> 00:22:28,919
Speaker 3: the inn and the common folk and the lower lords

405
00:22:28,960 --> 00:22:31,879
Speaker 3: in all the world where Egg has been involved while

406
00:22:31,880 --> 00:22:35,199
Speaker 3: he's been with Dunk, to where we see him in

407
00:22:35,359 --> 00:22:41,200
Speaker 3: his like gross dark black targarian chambers. Oh my poor

408
00:22:41,240 --> 00:22:43,359
Speaker 3: little lonely prints in the blood.

409
00:22:44,359 --> 00:22:48,960
Speaker 2: So Eggs meanwhile, like in his prince chamber, and he's

410
00:22:49,080 --> 00:22:53,320
Speaker 2: seeing that his little stubble head hairs back. He goes

411
00:22:53,359 --> 00:22:57,840
Speaker 2: into Arion's room, sees Arion his beat up. I mean,

412
00:22:57,960 --> 00:22:59,600
Speaker 2: Dunk really fucking worked on him.

413
00:22:59,720 --> 00:23:04,480
Speaker 3: Yeah, And you know what I gotta say, Arion, I'm

414
00:23:04,480 --> 00:23:06,280
Speaker 3: pretty sure you're doing pretty well, because they looked to

415
00:23:06,320 --> 00:23:09,080
Speaker 3: me like, don't cut your femoral artery. So you're you're

416
00:23:09,119 --> 00:23:11,400
Speaker 3: hanging in there and you're a strong boy. And I'm

417
00:23:11,440 --> 00:23:14,320
Speaker 3: glad that they didn't put too much focus on Arian

418
00:23:14,359 --> 00:23:16,080
Speaker 3: being too fucked up, which was something some of it.

419
00:23:16,200 --> 00:23:18,040
Speaker 3: We were all kind of wondering because it did look

420
00:23:18,119 --> 00:23:19,639
Speaker 3: like he got to work so hard. But you know,

421
00:23:19,680 --> 00:23:22,280
Speaker 3: it's fine. He was fine, He's doing okay. Egg's gonna

422
00:23:22,280 --> 00:23:22,840
Speaker 3: try and kill him.

423
00:23:22,880 --> 00:23:26,359
Speaker 2: Egg should Egg has a knife and he's crossing the

424
00:23:26,440 --> 00:23:29,760
Speaker 2: room to Arion's bed and he's he is gonna kill him.

425
00:23:29,800 --> 00:23:30,560
Speaker 3: He's gonna kill him.

426
00:23:30,600 --> 00:23:34,600
Speaker 2: He's like, it looks pretty sure that well, he's really

427
00:23:34,680 --> 00:23:35,359
Speaker 2: thinking about it.

428
00:23:35,400 --> 00:23:36,480
Speaker 3: He's thinking about it.

429
00:23:36,840 --> 00:23:39,560
Speaker 2: And as he is crossing the room, he looks over

430
00:23:39,600 --> 00:23:43,080
Speaker 2: and he realizes that his father, uh may Car, is

431
00:23:43,080 --> 00:23:49,120
Speaker 2: there and and it's a wonderful wordless moment where may

432
00:23:49,160 --> 00:23:53,399
Speaker 2: Car doesn't scold him. He just goes over, takes the

433
00:23:53,480 --> 00:23:55,479
Speaker 2: knife and it hugs the boy and they share this

434
00:23:55,520 --> 00:23:58,720
Speaker 2: wonderful moment until someone comes to tell them the dunkness Here.

435
00:23:59,040 --> 00:24:01,440
Speaker 2: Dunk comes up and is like, listen, yeah, I'll do it.

436
00:24:01,520 --> 00:24:02,200
Speaker 2: I'll take them.

437
00:24:02,720 --> 00:24:07,880
Speaker 1: But I love lecturing princess. So here's my here's my deal.

438
00:24:08,000 --> 00:24:11,520
Speaker 3: This man, he's he's immortal. So he's like, I'm just

439
00:24:11,520 --> 00:24:14,040
Speaker 3: gonna tell you bitches about yourself. He's like, I can

440
00:24:14,080 --> 00:24:15,240
Speaker 3: fight any man.

441
00:24:15,240 --> 00:24:15,439
Speaker 1: I can.

442
00:24:15,640 --> 00:24:15,760
Speaker 3: Here.

443
00:24:16,800 --> 00:24:18,000
Speaker 1: Here's what we're doing.

444
00:24:18,280 --> 00:24:21,200
Speaker 2: Okay, this is the rules. It's gonna be just like

445
00:24:21,720 --> 00:24:27,280
Speaker 2: the Sir Arland program. We're sleeping outside, we're trees, maybe

446
00:24:27,640 --> 00:24:33,159
Speaker 2: question Mark. We're eating absolute ship that we signed, beef,

447
00:24:34,400 --> 00:24:38,400
Speaker 2: this salt if we can find the selfie whatever we're

448
00:24:38,400 --> 00:24:41,680
Speaker 2: gonna eat. We're gonna be drinking at puddles, okay.

449
00:24:41,840 --> 00:24:48,400
Speaker 3: Eating some nasty bread filled with like maggots and ship fruya.

450
00:24:48,560 --> 00:24:53,000
Speaker 2: Okay, it's all of it, shitting liquid ship.

451
00:24:53,320 --> 00:24:56,160
Speaker 3: Maybe he's just gonna die of typhus on the way.

452
00:24:56,280 --> 00:24:56,840
Speaker 3: Who knows.

453
00:24:57,240 --> 00:25:01,280
Speaker 2: Man, you're gonna have to be naked in the river

454
00:25:01,480 --> 00:25:05,680
Speaker 2: when you wash your one set of clothes and makers.

455
00:25:04,280 --> 00:25:06,560
Speaker 3: Like what are you talking?

456
00:25:06,880 --> 00:25:09,960
Speaker 1: What the fuck are you talking about?

457
00:25:10,000 --> 00:25:12,280
Speaker 2: And Youn's like, well, don't you think that Egg needs

458
00:25:12,359 --> 00:25:14,399
Speaker 2: like to experience real life unlike the rest of the

459
00:25:14,400 --> 00:25:17,200
Speaker 2: princess and Makers like, fuck off, that's my last son.

460
00:25:17,400 --> 00:25:20,200
Speaker 1: The last thing I want is him dying of tysis.

461
00:25:20,520 --> 00:25:25,679
Speaker 2: Yeah, because by a fucking flea and fleep, give me

462
00:25:25,720 --> 00:25:27,440
Speaker 2: a pryell you.

463
00:25:27,920 --> 00:25:30,600
Speaker 3: I also like he's the only good son, like he's

464
00:25:30,640 --> 00:25:35,680
Speaker 3: the nice one. Fucking break Duncan again. I love his naivete,

465
00:25:35,840 --> 00:25:39,040
Speaker 3: his silliness, his assumption that this will walk. But again,

466
00:25:39,160 --> 00:25:42,600
Speaker 3: I just want to call out the incredible writing because

467
00:25:42,960 --> 00:25:47,560
Speaker 3: when he turns around to Macar and says the only

468
00:25:47,680 --> 00:25:51,720
Speaker 3: beef that Arian ever ate was rare and cooked to bloody,

469
00:25:52,160 --> 00:25:55,040
Speaker 3: and Maker has that moment of like, fuck, maybe my

470
00:25:55,119 --> 00:25:58,720
Speaker 3: son does need to eat potsl beef. My kids are

471
00:25:58,720 --> 00:26:02,520
Speaker 3: fucking spoil ass bitches. But obviously, like there is this

472
00:26:02,680 --> 00:26:06,919
Speaker 3: incredible longing and sadness and yearning when he says this

473
00:26:07,119 --> 00:26:10,480
Speaker 3: is my lost son, like he cannot allow him to

474
00:26:10,520 --> 00:26:12,920
Speaker 3: do it, and it's so sad because obviously we want

475
00:26:12,920 --> 00:26:15,879
Speaker 3: to see these adventures between these two sweet boys, but.

476
00:26:17,720 --> 00:26:20,280
Speaker 1: There's no one that loves not being a father, like

477
00:26:20,280 --> 00:26:21,560
Speaker 1: a targetarian.

478
00:26:21,240 --> 00:26:26,159
Speaker 2: And ultimately, you know who's gonna be like, not like

479
00:26:26,160 --> 00:26:26,800
Speaker 2: I'm doing anything.

480
00:26:28,119 --> 00:26:29,920
Speaker 3: How did I raise the other kids? Like what was

481
00:26:30,000 --> 00:26:32,000
Speaker 3: doing to some guy? You know? Like I have ships

482
00:26:32,000 --> 00:26:33,520
Speaker 3: a random stranger. It's fine.

483
00:26:34,840 --> 00:26:37,000
Speaker 1: Dunk Is like, we're gonna ride off.

484
00:26:37,040 --> 00:26:39,960
Speaker 2: When Raymond comes over and brings Sweetbook Sweetfoot back, and

485
00:26:40,040 --> 00:26:42,800
Speaker 2: Duncan is like, listen, I'm not going to storms end.

486
00:26:43,160 --> 00:26:45,399
Speaker 2: I'm gonna go off on my own hedge night style

487
00:26:45,480 --> 00:26:48,679
Speaker 2: and figure it out. And Sweetfoot is too sweet for

488
00:26:48,720 --> 00:26:54,080
Speaker 2: that kind of journey, so just give him lots to apples.

489
00:26:53,560 --> 00:26:57,840
Speaker 3: And oh my gosh, and again, unbelievable character moment here.

490
00:26:57,920 --> 00:26:59,960
Speaker 3: I need to know if this was an actor who

491
00:27:00,040 --> 00:27:03,600
Speaker 3: plays Raymond choice or a direction choice. But instead of

492
00:27:03,680 --> 00:27:07,159
Speaker 3: just feeding Sweetfoot the apple off his palm as you

493
00:27:07,280 --> 00:27:09,040
Speaker 3: usually do you just put a whole apple in your

494
00:27:09,280 --> 00:27:12,160
Speaker 3: palm and the horse will eat it, Raymond takes bites

495
00:27:12,200 --> 00:27:14,560
Speaker 3: of the apple, spits them into his hand, and then

496
00:27:14,600 --> 00:27:16,600
Speaker 3: feeds it to the horse and then uses the same

497
00:27:16,720 --> 00:27:19,640
Speaker 3: horsey spit hand to eat the apple again and give

498
00:27:19,640 --> 00:27:22,160
Speaker 3: it to him. It's so good. It's just this. Yeah,

499
00:27:22,200 --> 00:27:24,320
Speaker 3: this is just a guy. He's gonna make some cider.

500
00:27:24,680 --> 00:27:27,320
Speaker 3: He's gonna have a hot quarters, am wife, and he's

501
00:27:27,359 --> 00:27:29,439
Speaker 3: gonna eat apples with this horse. And his life is

502
00:27:29,800 --> 00:27:33,399
Speaker 3: exponentially better because Dunk was in it, and I just

503
00:27:33,600 --> 00:27:35,439
Speaker 3: fucking love it. It's so good.

504
00:27:36,680 --> 00:27:39,480
Speaker 2: Later, Duncan nails a penny to the tree he's been

505
00:27:39,480 --> 00:27:43,159
Speaker 2: sleeping under it. An egg shows up, and eggs like, listen,

506
00:27:43,880 --> 00:27:47,560
Speaker 2: good news. Make our my dad, my lord father, my

507
00:27:47,720 --> 00:27:54,600
Speaker 2: lord father. Prince Makar Targarian has said, okay, you can

508
00:27:54,880 --> 00:27:58,760
Speaker 2: sleep outside shit in the woods and eat terrible.

509
00:27:58,440 --> 00:28:01,040
Speaker 3: Food and live as a peasant, and they ride off.

510
00:28:01,080 --> 00:28:02,159
Speaker 1: They ride off together.

511
00:28:02,240 --> 00:28:05,080
Speaker 2: Duncan is like, well, okay, okay, I didn't realize I

512
00:28:05,119 --> 00:28:07,280
Speaker 2: had this much juice with the tarn Heared family, but

513
00:28:07,280 --> 00:28:11,160
Speaker 2: that's right. They ride off together and discuss like, where

514
00:28:11,240 --> 00:28:12,080
Speaker 2: where do you think we're gonna go?

515
00:28:12,160 --> 00:28:14,000
Speaker 1: I don't know. We could go here, we could go there,

516
00:28:14,080 --> 00:28:15,400
Speaker 1: we could go anywhere.

517
00:28:15,000 --> 00:28:16,920
Speaker 2: In the Seven kingdoms, and the eggs like, not, it's

518
00:28:16,960 --> 00:28:20,200
Speaker 2: not it's not. And then they have this conversation about

519
00:28:20,400 --> 00:28:23,680
Speaker 2: how can it be, how can it be not? See

520
00:28:23,720 --> 00:28:27,000
Speaker 2: because before the conquest it was seven right, And then

521
00:28:27,000 --> 00:28:29,120
Speaker 2: they put kings landing in and then the crown Lands

522
00:28:29,160 --> 00:28:32,200
Speaker 2: became eight, but we never it's like the District of Columbia,

523
00:28:32,240 --> 00:28:34,720
Speaker 2: like we never call it in the eighth.

524
00:28:34,800 --> 00:28:36,199
Speaker 1: And then Dorn has come in.

525
00:28:36,280 --> 00:28:39,440
Speaker 2: You remember that big news it was all over the papers, Dunk,

526
00:28:40,480 --> 00:28:42,080
Speaker 2: but we still call it the Seven Kingdos because it

527
00:28:42,120 --> 00:28:43,840
Speaker 2: just rolls off the Tonuk And then like what and

528
00:28:43,880 --> 00:28:46,080
Speaker 2: then Duncan's like, oh, yeah, well what about Dorn. Let's

529
00:28:46,080 --> 00:28:48,000
Speaker 2: go to Dorn. Let's check out Dorn. It's new in

530
00:28:48,040 --> 00:28:50,840
Speaker 2: the the new state in the Union. Let's go down there.

531
00:28:51,000 --> 00:28:54,400
Speaker 3: As egg says, he said, there's great puppeteering in Dawn.

532
00:28:54,560 --> 00:28:57,040
Speaker 3: So a bit of a hint that that maybe we

533
00:28:57,080 --> 00:28:59,800
Speaker 3: will get an expansion on the town Cell storyline, something

534
00:28:59,800 --> 00:29:01,360
Speaker 3: that we don't get in the books, that everyone in

535
00:29:01,400 --> 00:29:03,520
Speaker 3: the discord has been excited about. And then we get

536
00:29:03,560 --> 00:29:08,360
Speaker 3: this fantastic moment where they changed the credits at the

537
00:29:08,560 --> 00:29:11,000
Speaker 3: end from a Night of the Seven Kingdoms to a

538
00:29:11,080 --> 00:29:14,520
Speaker 3: Knight of the Nine Kingdoms. Very very cute. But if

539
00:29:14,560 --> 00:29:16,440
Speaker 3: you thought things were over and it was a happy

540
00:29:16,520 --> 00:29:19,360
Speaker 3: ending and there would be no conflict in the future, incorrect.

541
00:29:19,400 --> 00:29:20,160
Speaker 3: There is a stinger.

542
00:29:21,280 --> 00:29:23,920
Speaker 1: That's right, macar Is.

543
00:29:24,440 --> 00:29:26,840
Speaker 2: They're packing up, they're getting ready to leave Astrod Meadow

544
00:29:26,960 --> 00:29:27,880
Speaker 2: and Macar is.

545
00:29:27,880 --> 00:29:32,160
Speaker 1: Like ag and one Egg snuck off.

546
00:29:32,720 --> 00:29:36,120
Speaker 3: So dude, first of all, can I just say something, Dungeons,

547
00:29:36,120 --> 00:29:38,560
Speaker 3: did you not learn? Did you not learn from the

548
00:29:38,560 --> 00:29:43,320
Speaker 3: first situation? Egg? We love him, but he's a naughty boy.

549
00:29:43,480 --> 00:29:46,720
Speaker 3: He's a boy who cries dire wolf. He lied to

550
00:29:46,760 --> 00:29:49,560
Speaker 3: you the first time. He's a lion liar who lies.

551
00:29:50,000 --> 00:29:54,480
Speaker 2: I gotta say, you know, Arian is bad, There's no

552
00:29:54,680 --> 00:29:55,280
Speaker 2: excusing it.

553
00:29:55,680 --> 00:29:57,480
Speaker 1: But in this episode.

554
00:29:56,960 --> 00:30:04,400
Speaker 2: Alone, Egg tries to commit murder like murder of a sibling,

555
00:30:04,600 --> 00:30:07,560
Speaker 2: tries to kill kinseling Kinsling.

556
00:30:07,960 --> 00:30:10,000
Speaker 3: That's true, very bad. In Game of Brones, Wealth.

557
00:30:10,320 --> 00:30:13,560
Speaker 2: Lies, lies to his like, sticks away from his father,

558
00:30:13,880 --> 00:30:18,640
Speaker 2: lies to Duncan again, and has probably set Duncan up

559
00:30:18,640 --> 00:30:20,000
Speaker 2: to be a kid again.

560
00:30:20,360 --> 00:30:23,000
Speaker 3: So why does he keep doing this? Like? I get

561
00:30:23,040 --> 00:30:24,640
Speaker 3: that he wants to go with Dunk and his life

562
00:30:24,720 --> 00:30:26,760
Speaker 3: is very terrible, And I think they do such a

563
00:30:26,760 --> 00:30:32,640
Speaker 3: great job showcasing in that moment the kind of depressing, morbid,

564
00:30:33,040 --> 00:30:35,320
Speaker 3: murderous life the Egg would lead if he stayed with

565
00:30:35,360 --> 00:30:38,560
Speaker 3: the Targarians. But for God's sake, just beg your dad

566
00:30:38,600 --> 00:30:41,560
Speaker 3: to let you go. Do not run away? Because once again,

567
00:30:41,920 --> 00:30:45,320
Speaker 3: you're gonna end up with Dunk in a bad situation. Please,

568
00:30:46,120 --> 00:30:49,480
Speaker 3: bloody hell, Egg, learn your lesson. We are all rooting

569
00:30:49,560 --> 00:30:53,520
Speaker 3: for you. Don't mess it up. And also, I just

570
00:30:53,520 --> 00:30:55,240
Speaker 3: want to say I love that last moment because you

571
00:30:55,320 --> 00:30:58,160
Speaker 3: lean into the fact here that like maybe Egg isn't

572
00:30:58,520 --> 00:31:01,200
Speaker 3: so good compared to other tops. He causes a lot

573
00:31:01,200 --> 00:31:04,760
Speaker 3: of problems. And we get this great moment where Dunk

574
00:31:04,800 --> 00:31:06,920
Speaker 3: says to him, are you mad? An Egg? Instead of

575
00:31:06,960 --> 00:31:10,360
Speaker 3: denying it or being insulted, goes does it matter? Or

576
00:31:10,440 --> 00:31:13,480
Speaker 3: is it relevant? And I love that moment because again,

577
00:31:14,040 --> 00:31:18,120
Speaker 3: that targarian madness, it fucking matters, and maybe you've got

578
00:31:18,120 --> 00:31:18,800
Speaker 3: a little bit of it.

579
00:31:18,880 --> 00:31:22,320
Speaker 1: Bro Let's take a quick break. We'll be right back

580
00:31:22,360 --> 00:31:39,600
Speaker 1: to discuss this. Yeah, and we're back.

581
00:31:40,480 --> 00:31:43,920
Speaker 2: What a wonderful just a wonderful capper it makes, you know,

582
00:31:43,960 --> 00:31:46,120
Speaker 2: I wish we had four more episodes of this season.

583
00:31:47,040 --> 00:31:48,560
Speaker 2: And I have to say, the first thing on my

584
00:31:48,720 --> 00:31:55,400
Speaker 2: mind after rewatching that episode is King's Guard. You've done

585
00:31:55,400 --> 00:31:58,720
Speaker 2: it again. Oh my god, there's only one son now

586
00:31:59,160 --> 00:31:59,960
Speaker 2: to watch.

587
00:32:00,440 --> 00:32:04,760
Speaker 1: Darren Well, right, darn is out there.

588
00:32:04,800 --> 00:32:08,520
Speaker 2: But like whatever kind of we've kind of like we've

589
00:32:08,560 --> 00:32:13,560
Speaker 2: all kind of agreed, I think quietly right that Darren whatever,

590
00:32:13,720 --> 00:32:16,120
Speaker 2: like if he gets if he disappears into.

591
00:32:15,920 --> 00:32:18,440
Speaker 1: The woods, whatever, that's kind of what Egg.

592
00:32:19,960 --> 00:32:23,560
Speaker 2: We gotta keep an eye on this guy. And how

593
00:32:23,840 --> 00:32:25,960
Speaker 2: how the fuck are you losing him again?

594
00:32:26,200 --> 00:32:29,160
Speaker 3: I'm seriously, I'm like, okay, so are you not telling

595
00:32:29,240 --> 00:32:32,840
Speaker 3: me right in this situation that you have Maka? Obviously

596
00:32:33,000 --> 00:32:36,120
Speaker 3: we know you've got Maka he's the king. Then you

597
00:32:36,200 --> 00:32:39,200
Speaker 3: got Arrian he's very sick. You got Valor. That's your

598
00:32:39,280 --> 00:32:41,880
Speaker 3: Valor as your heir. As we've said, dude, Egg is

599
00:32:41,920 --> 00:32:44,360
Speaker 3: not that far away from being the ann now because

600
00:32:44,360 --> 00:32:45,520
Speaker 3: of Baylor being killed.

601
00:32:45,560 --> 00:32:48,280
Speaker 1: He's still unlikely, guys, but everybody has moved up, and.

602
00:32:48,360 --> 00:32:50,760
Speaker 3: Everybody's moved up. It should be a time when the

603
00:32:50,840 --> 00:32:54,000
Speaker 3: King's god are being more serious than ever.

604
00:32:54,920 --> 00:33:00,600
Speaker 2: Right, So Baylor's Baylor's personal contingent of King's They're like

605
00:33:00,680 --> 00:33:04,440
Speaker 2: free to do whatever, so they should be on Egg duty.

606
00:33:04,760 --> 00:33:09,400
Speaker 2: Not to mention that, just the Targarian household guards like,

607
00:33:09,440 --> 00:33:10,400
Speaker 2: where are you guys?

608
00:33:10,680 --> 00:33:16,680
Speaker 3: Okay, we do it, Jason on illegal level. What happens

609
00:33:16,880 --> 00:33:20,320
Speaker 3: to the King's guard who didn't protect Baylaw because he

610
00:33:20,360 --> 00:33:22,120
Speaker 3: was killed by his own brother, did they end up

611
00:33:22,120 --> 00:33:25,080
Speaker 3: getting skategotd do they get allowed do? What do you

612
00:33:25,120 --> 00:33:26,040
Speaker 3: think happens there?

613
00:33:26,720 --> 00:33:31,400
Speaker 2: I mean, I think it's like you're a king's guard

614
00:33:31,480 --> 00:33:34,520
Speaker 2: for life, so nothing. You know, they did their best,

615
00:33:34,520 --> 00:33:37,000
Speaker 2: and ultimately it was Macar that did it, So I

616
00:33:37,040 --> 00:33:39,960
Speaker 2: think that did the worst possible outcome that would be

617
00:33:39,960 --> 00:33:41,840
Speaker 2: if one of one of them did it. Of course,

618
00:33:41,880 --> 00:33:45,160
Speaker 2: they tried their best and then make Car somehow, you know,

619
00:33:45,320 --> 00:33:47,880
Speaker 2: hit his brother in the head hard enough.

620
00:33:48,280 --> 00:33:50,080
Speaker 1: What was he That's the other thing. What the fuck

621
00:33:50,200 --> 00:33:51,000
Speaker 1: was he swinging at that?

622
00:33:51,120 --> 00:33:53,400
Speaker 3: Crazy? May? I know? The dunk said, oh, you was

623
00:33:53,520 --> 00:33:54,840
Speaker 3: you know, he fought for me. But I'm like, who

624
00:33:54,880 --> 00:33:59,520
Speaker 3: are you swinging at? Because who was hard at? I'm saying, okay,

625
00:33:59,560 --> 00:34:01,160
Speaker 3: what did they think it was? Maybe he was trying

626
00:34:01,200 --> 00:34:03,120
Speaker 3: to take out Ari and he just got sick of it,

627
00:34:03,200 --> 00:34:04,600
Speaker 3: like he was getting a bit tired.

628
00:34:04,960 --> 00:34:07,959
Speaker 2: But like he must have really been like wailing away

629
00:34:09,160 --> 00:34:12,319
Speaker 2: to hit his brother that hard that he crushed.

630
00:34:11,960 --> 00:34:15,080
Speaker 3: His skull through the hellet. There was also some questions

631
00:34:15,120 --> 00:34:18,520
Speaker 3: about this in discord, and I would like to more

632
00:34:18,560 --> 00:34:22,120
Speaker 3: specifically ask you as our kind of master. I mean,

633
00:34:22,480 --> 00:34:27,399
Speaker 3: whoever made Prince VALA's armor is definitely getting got now right,

634
00:34:27,520 --> 00:34:29,840
Speaker 3: Like if you are the reason if your skull gets

635
00:34:29,880 --> 00:34:33,080
Speaker 3: crushed wearing that armors, so like does that mean like

636
00:34:33,480 --> 00:34:36,200
Speaker 3: is that because people didn't think Vala would be fighting

637
00:34:36,280 --> 00:34:38,840
Speaker 3: well or really in battle, so it's more of a

638
00:34:38,880 --> 00:34:42,320
Speaker 3: shiny armor. Is it just this happens if you're somebody

639
00:34:42,400 --> 00:34:44,560
Speaker 3: caves in your skull with a mace. Do you think

640
00:34:44,600 --> 00:34:48,040
Speaker 3: this is an issue of bad craftsmanship? Do you think

641
00:34:48,080 --> 00:34:50,160
Speaker 3: there will be a come upance or is this just

642
00:34:50,200 --> 00:34:50,600
Speaker 3: gonna be?

643
00:34:50,760 --> 00:34:53,279
Speaker 1: I think it's happened. Everybody's so shocked. Let's move on.

644
00:34:53,960 --> 00:34:54,800
Speaker 1: Type of situation.

645
00:34:55,040 --> 00:34:56,160
Speaker 3: Lucky for you, you know.

646
00:34:56,719 --> 00:34:59,680
Speaker 2: I do wonder if you know, when something like this

647
00:34:59,719 --> 00:35:03,880
Speaker 2: happen thins in the old days in real life and

648
00:35:04,000 --> 00:35:08,240
Speaker 2: like a law enforcement situation, you might see like someone

649
00:35:08,280 --> 00:35:10,880
Speaker 2: get put on desk duty and one wonders, the King's

650
00:35:10,880 --> 00:35:13,840
Speaker 2: guard are just like, hey, just handle the White book

651
00:35:14,080 --> 00:35:14,799
Speaker 2: from that's it.

652
00:35:14,920 --> 00:35:16,680
Speaker 3: Yeah yeah, yeah, yeah, yeah, hit in the book.

653
00:35:16,800 --> 00:35:17,719
Speaker 1: That's what you're doing.

654
00:35:18,200 --> 00:35:21,000
Speaker 3: You're on the books now. So yeah, maybe somebody's getting

655
00:35:21,160 --> 00:35:23,279
Speaker 3: I could see some people maybe getting sent to the wall,

656
00:35:23,800 --> 00:35:26,120
Speaker 3: you know a little like you're not in trouble, trouble,

657
00:35:26,440 --> 00:35:29,759
Speaker 3: but like maybe you're not allowed to be around Egg.

658
00:35:30,160 --> 00:35:33,480
Speaker 3: I mean the fact that Egg is missing again this quickly.

659
00:35:34,080 --> 00:35:37,160
Speaker 3: It's time to do some some serious re hiring and

660
00:35:37,239 --> 00:35:40,480
Speaker 3: firing in the Tagarian God.

661
00:35:40,480 --> 00:35:43,239
Speaker 2: What if you were Dunk, what would you have done?

662
00:35:43,640 --> 00:35:46,840
Speaker 2: What deal would you have taken? Would you go Lionel?

663
00:35:46,880 --> 00:35:47,719
Speaker 2: Would you go Ma Car?

664
00:35:47,800 --> 00:35:50,120
Speaker 1: Would you go going out on your own? I gotta

665
00:35:50,160 --> 00:35:52,320
Speaker 1: say seems like the worst option.

666
00:35:52,360 --> 00:35:56,200
Speaker 3: Definitely the last option. I think that was a Dunk

667
00:35:56,960 --> 00:36:00,480
Speaker 3: trying to be his own man and find his way

668
00:36:01,120 --> 00:36:04,600
Speaker 3: in a kind of world that he doesn't really understand.

669
00:36:04,680 --> 00:36:09,239
Speaker 3: But now he's a part of I think that if

670
00:36:09,320 --> 00:36:14,840
Speaker 3: I was Dunk, I probably actually would have gone for

671
00:36:14,920 --> 00:36:19,080
Speaker 3: more of a compromise and been like, hey, Lionel Barrathian

672
00:36:19,160 --> 00:36:22,640
Speaker 3: wants me to go to Storm's End, and he wants

673
00:36:22,640 --> 00:36:24,960
Speaker 3: me to be there as like essentially like one of

674
00:36:24,960 --> 00:36:27,640
Speaker 3: his stags. But it's not gonna be that dangerous. Maybe

675
00:36:27,680 --> 00:36:30,360
Speaker 3: Egg could come with me and train there and be

676
00:36:30,440 --> 00:36:33,320
Speaker 3: my squire there and he's still within the lordly houses

677
00:36:33,360 --> 00:36:35,279
Speaker 3: and I still get to live, but he doesn't. You know,

678
00:36:35,320 --> 00:36:37,880
Speaker 3: you don't have to live in summer Hall being Hella depressed,

679
00:36:37,920 --> 00:36:40,880
Speaker 3: living with the Targarians. But it's more likely. I feel

680
00:36:40,880 --> 00:36:45,560
Speaker 3: like Makar's gonna accept that than you know, possibly sending

681
00:36:45,680 --> 00:36:48,799
Speaker 3: Egg into a peasant's life, though saying that you could

682
00:36:48,880 --> 00:36:51,080
Speaker 3: end up in a kind of Theon situation where Egg

683
00:36:51,080 --> 00:36:54,000
Speaker 3: almost seems like he is almost a prisoner of the Brathians.

684
00:36:54,000 --> 00:36:57,040
Speaker 3: I suppose. I don't know. I just think that going

685
00:36:57,040 --> 00:37:00,120
Speaker 3: out on your own is a bad idea, and you

686
00:37:00,160 --> 00:37:02,520
Speaker 3: should be making the most of the allies that you have.

687
00:37:02,600 --> 00:37:05,680
Speaker 3: And it's very clear that Lionel is currently a great ally.

688
00:37:05,960 --> 00:37:08,360
Speaker 3: But obviously I do think that if I was Dunk,

689
00:37:08,360 --> 00:37:10,840
Speaker 3: I would want to travel with Eggs. So I probably

690
00:37:10,840 --> 00:37:14,000
Speaker 3: would have ended up taking the Tagarian deal. I probably

691
00:37:14,000 --> 00:37:15,080
Speaker 3: wouldn't have been great.

692
00:37:15,160 --> 00:37:20,440
Speaker 1: Soun's pretty great, as one must. I don't know.

693
00:37:20,480 --> 00:37:22,480
Speaker 2: Here's the thing I would do, the Lionel one. I

694
00:37:22,480 --> 00:37:26,160
Speaker 2: think the Targarian one comes with the fact that you're

695
00:37:26,160 --> 00:37:30,120
Speaker 2: gonna enter that looks even like if you're one of

696
00:37:30,160 --> 00:37:32,440
Speaker 2: these people who's like, you know, I think make Car

697
00:37:32,520 --> 00:37:35,239
Speaker 2: set it all up, you know, west ROSSI conspiracy theorist.

698
00:37:35,280 --> 00:37:36,799
Speaker 2: I think make Caar set it all up. I think

699
00:37:36,840 --> 00:37:39,160
Speaker 2: the whole thing was a plot to move up one.

700
00:37:39,960 --> 00:37:42,080
Speaker 2: I think if you take Dunk on it looks even

701
00:37:42,120 --> 00:37:44,040
Speaker 2: more like a plot And I think if you're dunk

702
00:37:44,120 --> 00:37:45,360
Speaker 2: riding into summer hall.

703
00:37:45,320 --> 00:37:47,640
Speaker 1: People are looking at you like you're a piece of shit.

704
00:37:47,960 --> 00:37:50,000
Speaker 3: Oh yeah, you played a paw in.

705
00:37:49,880 --> 00:37:51,400
Speaker 1: This plotting piece.

706
00:37:51,600 --> 00:37:54,319
Speaker 3: Okay, so that.

707
00:37:55,200 --> 00:37:59,279
Speaker 1: I lean heavily Lionel. He's a fun guy. You're gonna

708
00:37:59,280 --> 00:37:59,959
Speaker 1: have a fun time.

709
00:38:00,280 --> 00:38:01,040
Speaker 3: Yeah.

710
00:38:01,160 --> 00:38:05,400
Speaker 1: Again, it's like you never it's never be like a soldier.

711
00:38:07,320 --> 00:38:09,920
Speaker 1: It was hawking riding.

712
00:38:10,440 --> 00:38:14,680
Speaker 2: Okay, sounds like some that's like some Saudi Prince activities.

713
00:38:14,760 --> 00:38:18,560
Speaker 3: There's no I was gonna say, no energy like you

714
00:38:18,719 --> 00:38:21,600
Speaker 3: just every day as you're on a beautiful island, you

715
00:38:21,640 --> 00:38:25,920
Speaker 3: could go sailing to dawn, probably many beautiful women and

716
00:38:26,000 --> 00:38:29,439
Speaker 3: men or whatever your persuasion is. I feel like, yeah,

717
00:38:29,600 --> 00:38:35,040
Speaker 3: Lionel definitely a good bet for health and happiness. Jason,

718
00:38:35,040 --> 00:38:38,640
Speaker 3: did you see the great conversations that Daniel Ing has

719
00:38:38,680 --> 00:38:42,680
Speaker 3: been having about how he auditioned to play both Theon

720
00:38:42,960 --> 00:38:47,640
Speaker 3: and Oberon Martel in the original series? Obviously, I think, yeah,

721
00:38:47,640 --> 00:38:50,200
Speaker 3: I think that you know Theon that would have been.

722
00:38:50,440 --> 00:38:52,319
Speaker 3: I would have been interested to see it. But I

723
00:38:52,320 --> 00:38:54,280
Speaker 3: think we can even though obviously we all love Pedro

724
00:38:54,320 --> 00:38:58,200
Speaker 3: Pascal Obert, I'm surprised I'm shocked that they didn't go

725
00:38:58,280 --> 00:39:01,240
Speaker 3: for him because I feel like they have very similar energy.

726
00:39:02,160 --> 00:39:04,200
Speaker 3: But yeah, I'm very excited to kind of see what

727
00:39:04,239 --> 00:39:07,120
Speaker 3: we get more of with the Laughing Storm fingers crossed,

728
00:39:07,120 --> 00:39:09,960
Speaker 3: because I just feel like his casting brought such a

729
00:39:09,960 --> 00:39:13,200
Speaker 3: good energy. And as you mentioned, with the jazz cold

730
00:39:13,239 --> 00:39:16,439
Speaker 3: open with him and the Mastuff, it also wouldn't really

731
00:39:16,480 --> 00:39:18,759
Speaker 3: work if you didn't have someone like Daniel Ings who

732
00:39:18,840 --> 00:39:22,040
Speaker 3: can kind of play off. Because the first shot is

733
00:39:22,080 --> 00:39:25,000
Speaker 3: just a POV from Dunk, So it's just literally looking

734
00:39:25,040 --> 00:39:28,160
Speaker 3: at Daniel Ing's looking both disgusted and kind of turned

735
00:39:28,200 --> 00:39:32,880
Speaker 3: on and angry and happy with this jazz in the background.

736
00:39:33,120 --> 00:39:38,080
Speaker 3: Just man, what an ensemble cast. Also, let's shout out

737
00:39:38,200 --> 00:39:42,719
Speaker 3: Lord Ashbury's daughter, because we were saying, you know, she

738
00:39:42,760 --> 00:39:45,360
Speaker 3: didn't get a lot of roles, a lot of talking

739
00:39:45,440 --> 00:39:48,880
Speaker 3: roles in this showed a lot of women they needed

740
00:39:48,920 --> 00:39:56,000
Speaker 3: her for the to say one exactly. I actually loved

741
00:39:56,600 --> 00:39:58,440
Speaker 3: this was one of those moments of if you're gonna

742
00:39:58,440 --> 00:40:00,960
Speaker 3: do it, you know, quantity not quality, which I'm sure

743
00:40:01,000 --> 00:40:04,440
Speaker 3: is what they would argue here, but I loved that

744
00:40:04,560 --> 00:40:06,800
Speaker 3: she got that moment of agency to go up to

745
00:40:06,880 --> 00:40:08,920
Speaker 3: Dunk and be like, Hey, whatever the fuck these fucking

746
00:40:08,920 --> 00:40:12,480
Speaker 3: Targarians tell you you didn't ruin my name day, You

747
00:40:12,520 --> 00:40:15,000
Speaker 3: didn't fuck it up. They fucked you over, and you

748
00:40:15,040 --> 00:40:17,840
Speaker 3: were right to fucking do it. And I love again.

749
00:40:18,760 --> 00:40:23,600
Speaker 3: We're seeing the impact of Dunk's beliefs, his willpower that

750
00:40:23,760 --> 00:40:26,440
Speaker 3: speech that he gave at the Tawny. We are getting

751
00:40:26,480 --> 00:40:30,960
Speaker 3: to see how he is changing wester Ros just by

752
00:40:31,080 --> 00:40:34,239
Speaker 3: inspiring other people, even people who are higher born than him,

753
00:40:34,680 --> 00:40:37,920
Speaker 3: to have morals, integrity, to believe in the notion of

754
00:40:38,000 --> 00:40:40,560
Speaker 3: a true night. And I think in that moment, I

755
00:40:40,600 --> 00:40:42,719
Speaker 3: was really glad that they'd included that character, and I

756
00:40:42,719 --> 00:40:45,680
Speaker 3: thought it was a fun kind of end to her art,

757
00:40:45,800 --> 00:40:48,880
Speaker 3: almost though reverse Fridging, she was almost like it was

758
00:40:48,920 --> 00:40:51,040
Speaker 3: like a not manic, pitsy dream girl, because she's not

759
00:40:51,080 --> 00:40:54,160
Speaker 3: a romance, she's a child, but some kind of there

760
00:40:54,200 --> 00:40:56,839
Speaker 3: was something very fun there about her role, being like, Hey,

761
00:40:56,880 --> 00:40:59,080
Speaker 3: I'm gonna come here and just assert you that you

762
00:40:59,120 --> 00:41:01,640
Speaker 3: actually did something fun fucking right, And because donkeys who

763
00:41:01,640 --> 00:41:04,799
Speaker 3: he is, that opinion of a young woman actually mad

764
00:41:04,840 --> 00:41:06,880
Speaker 3: as to him when it wouldn't for many people in

765
00:41:06,960 --> 00:41:07,520
Speaker 3: west Rows.

766
00:41:08,120 --> 00:41:09,000
Speaker 1: Let me let me.

767
00:41:10,640 --> 00:41:14,640
Speaker 2: Talk about Valar's helmet in a different way. Okay, I

768
00:41:14,640 --> 00:41:18,120
Speaker 2: think it was made correctly, but do we think it fit? Oh, like,

769
00:41:18,239 --> 00:41:22,120
Speaker 2: do we think Dad's head was like bigger than Son's

770
00:41:22,160 --> 00:41:26,040
Speaker 2: head and then therefore the cranium was like closer to

771
00:41:26,160 --> 00:41:28,240
Speaker 2: the to the outer shell.

772
00:41:28,719 --> 00:41:31,600
Speaker 1: Yeah, kind of, That's why it was.

773
00:41:31,920 --> 00:41:34,479
Speaker 3: They didn't have an abom he got cracked. It didn't

774
00:41:34,480 --> 00:41:36,560
Speaker 3: have enough space you know in the Yeah, there was

775
00:41:36,719 --> 00:41:39,719
Speaker 3: enough breathing was enough breathing room. The dent, you know,

776
00:41:39,760 --> 00:41:41,759
Speaker 3: there's meant to be like an inch, let's say, so

777
00:41:41,840 --> 00:41:44,000
Speaker 3: the dent could go in his head was too big.

778
00:41:44,239 --> 00:41:47,960
Speaker 3: It could be Jason or other opten because Baylor did

779
00:41:48,000 --> 00:41:50,640
Speaker 3: kind of have a peanut head. It could be the

780
00:41:50,719 --> 00:41:52,200
Speaker 3: VALA's head was bigger.

781
00:41:53,080 --> 00:41:55,480
Speaker 1: You got that long, beautiful like anime.

782
00:41:57,320 --> 00:42:01,319
Speaker 3: That's why I'm saying. I'm like, maybe maybe it was

783
00:42:01,360 --> 00:42:03,520
Speaker 3: actually that the helmet was a little too big so

784
00:42:03,600 --> 00:42:06,120
Speaker 3: it couldn't fully be secured and protect him. And there

785
00:42:06,160 --> 00:42:08,040
Speaker 3: was you know a little bit of a shake factor

786
00:42:08,280 --> 00:42:10,719
Speaker 3: when he got hit with that mace. I would love

787
00:42:10,800 --> 00:42:13,880
Speaker 3: to know. I'm like, let's get the referees and the

788
00:42:13,920 --> 00:42:16,000
Speaker 3: medics to rewindy.

789
00:42:16,600 --> 00:42:19,920
Speaker 2: We do say we need var in tournaments, so we

790
00:42:19,920 --> 00:42:21,600
Speaker 2: can really understand.

791
00:42:21,080 --> 00:42:25,560
Speaker 3: Like what Finally, I'm glad somebody's saying something sensible about tournaments,

792
00:42:25,600 --> 00:42:27,080
Speaker 3: because otherwise we're never gonna know.

793
00:42:27,440 --> 00:42:28,919
Speaker 2: Let me ask you this, do you think we'll get

794
00:42:28,920 --> 00:42:33,239
Speaker 2: more than six episodes? Like the ratings as reported, Yes,

795
00:42:33,400 --> 00:42:37,840
Speaker 2: are big fortunes and then fourteen point five million on

796
00:42:37,880 --> 00:42:40,960
Speaker 2: the last episode. That's that's just what I saw sometime

797
00:42:41,000 --> 00:42:41,359
Speaker 2: this week.

798
00:42:41,400 --> 00:42:42,440
Speaker 1: And we've grown no.

799
00:42:42,600 --> 00:42:45,840
Speaker 3: And the thing is, that's very rare for this for HBO,

800
00:42:45,920 --> 00:42:49,560
Speaker 3: even a show that is known for presty consistent growth

801
00:42:49,680 --> 00:42:52,680
Speaker 3: in viewership every episode. Something that is very rare. It's

802
00:42:52,680 --> 00:42:54,800
Speaker 3: been happening on the Pit season two, it's been happening

803
00:42:54,840 --> 00:42:58,120
Speaker 3: on a Night of the Seven Kingdoms. Most famously happened

804
00:42:58,280 --> 00:43:00,600
Speaker 3: with Killing Eve. That was one of the first shows

805
00:43:00,640 --> 00:43:03,759
Speaker 3: really made a huge impact on Oh my God. More

806
00:43:03,760 --> 00:43:05,759
Speaker 3: people are talking about this, talking about this, and it

807
00:43:05,760 --> 00:43:09,520
Speaker 3: becomes a cultural zeitgeist. I think eight episode's minimum for

808
00:43:09,600 --> 00:43:11,200
Speaker 3: season two is my guests.

809
00:43:11,400 --> 00:43:14,800
Speaker 2: I do wonder because you know the thing that Warner

810
00:43:14,840 --> 00:43:19,120
Speaker 2: Brothers who me who at any moment could be bought

811
00:43:19,120 --> 00:43:23,960
Speaker 2: by either Netflix or Paramount, you know, clearly the thing

812
00:43:24,000 --> 00:43:26,360
Speaker 2: that they love about this show is that it's cheaper,

813
00:43:28,760 --> 00:43:34,359
Speaker 2: but does it it does the rise in audience then

814
00:43:34,560 --> 00:43:37,640
Speaker 2: warrant coming up too episodes and it's only really an

815
00:43:37,640 --> 00:43:39,600
Speaker 2: hour of television when you think about it, if you

816
00:43:39,880 --> 00:43:43,359
Speaker 2: exactly stick to the half hour format, I would love

817
00:43:43,440 --> 00:43:46,600
Speaker 2: to see them decide to do that. If one the

818
00:43:46,640 --> 00:43:49,440
Speaker 2: material is there, and I think it is, and I

819
00:43:49,440 --> 00:43:52,319
Speaker 2: think if you as long as you ground it in

820
00:43:52,400 --> 00:43:55,000
Speaker 2: character and build out these character moments enough, I think

821
00:43:55,000 --> 00:44:01,680
Speaker 2: it's there and I hope we see that because I listen,

822
00:44:01,719 --> 00:44:04,320
Speaker 2: I think this season was near perfect.

823
00:44:04,800 --> 00:44:07,640
Speaker 1: Agree, I just wanted more. I just wish there was

824
00:44:07,719 --> 00:44:08,560
Speaker 1: a little.

825
00:44:08,239 --> 00:44:10,640
Speaker 3: More, a little bit more. I mean, I was watching

826
00:44:11,040 --> 00:44:13,880
Speaker 3: this episode just sort of by the end of it,

827
00:44:13,920 --> 00:44:16,680
Speaker 3: I felt like a grief that I haven't felt for

828
00:44:16,719 --> 00:44:19,319
Speaker 3: a long time after watching a TV show where I

829
00:44:19,400 --> 00:44:21,360
Speaker 3: just want to spend more time with the people that

830
00:44:21,480 --> 00:44:23,759
Speaker 3: used to be something I felt so deeply as a kid.

831
00:44:23,800 --> 00:44:26,120
Speaker 3: I'll never forget the first time I ever watched Stand

832
00:44:26,120 --> 00:44:28,799
Speaker 3: by Me when I was like ten, and then I realized, oh,

833
00:44:29,000 --> 00:44:31,000
Speaker 3: you know, River Phoenix had already passed away, and I

834
00:44:31,080 --> 00:44:33,720
Speaker 3: kind of had this huge grief of just this movie

835
00:44:33,800 --> 00:44:36,200
Speaker 3: moved me so much. I wanted to spend time in

836
00:44:36,200 --> 00:44:39,120
Speaker 3: that world, and as this episode was coming to an end,

837
00:44:39,160 --> 00:44:41,280
Speaker 3: I was thinking, I don't want to wait two years

838
00:44:41,320 --> 00:44:43,880
Speaker 3: to see where they end up, Like I care about

839
00:44:43,920 --> 00:44:47,080
Speaker 3: them and I want to know. Okay, So Jason, for

840
00:44:47,200 --> 00:44:51,320
Speaker 3: people who haven't read the next books in the series,

841
00:44:51,360 --> 00:44:54,600
Speaker 3: Guy's great time to pick up the Hedge Night Novella's

842
00:44:54,640 --> 00:44:58,320
Speaker 3: their complete delight. How would you kind of non spoiler

843
00:44:58,440 --> 00:45:01,200
Speaker 3: tease some of the aspect of what we can expect

844
00:45:01,960 --> 00:45:04,879
Speaker 3: in the Duncan Egg stories as this continues.

845
00:45:06,040 --> 00:45:09,000
Speaker 2: Well, we're going to see their continued adventures. We're going

846
00:45:09,080 --> 00:45:19,600
Speaker 2: to see Dunk go into service with a with a lord,

847
00:45:19,640 --> 00:45:23,160
Speaker 2: and we're going to see adventures that happen because of.

848
00:45:23,080 --> 00:45:25,320
Speaker 1: His service to this person.

849
00:45:28,719 --> 00:45:30,839
Speaker 2: And I don't think it's right to say more than that,

850
00:45:31,000 --> 00:45:33,840
Speaker 2: but I will say one of the things that will

851
00:45:34,000 --> 00:45:40,560
Speaker 2: be fun is we're going to get some interesting background

852
00:45:40,680 --> 00:45:45,960
Speaker 2: about the Blackfire Rebellion, how it started, it's continuing effects

853
00:45:45,960 --> 00:45:51,279
Speaker 2: within the realm, and kind of feel the stirrings of

854
00:45:51,400 --> 00:45:59,680
Speaker 2: potentially another one and then after that, another tournament, another conspiracy,

855
00:46:00,640 --> 00:46:04,600
Speaker 2: more Blackfire Rebellion stuff. I saw and I don't know

856
00:46:04,640 --> 00:46:09,200
Speaker 2: how much. I don't know how trustable. This is yet

857
00:46:09,280 --> 00:46:12,240
Speaker 2: on social media, but I saw a rumor that Henry

858
00:46:12,280 --> 00:46:14,239
Speaker 2: Cavill is being considered for.

859
00:46:14,920 --> 00:46:17,160
Speaker 3: I had heard this too Damon Blackfire.

860
00:46:17,640 --> 00:46:19,880
Speaker 1: Yeah, which would be fucking incredible.

861
00:46:20,480 --> 00:46:24,200
Speaker 3: It was, I believe, and I would love if this

862
00:46:24,360 --> 00:46:27,920
Speaker 3: was either smart market cast it like smart marketing. It

863
00:46:28,040 --> 00:46:31,920
Speaker 3: was a very Tom Holland moment at a comic convention

864
00:46:32,480 --> 00:46:36,360
Speaker 3: where they were talking about Henry Carvill and it seemed

865
00:46:36,400 --> 00:46:39,399
Speaker 3: like Dexter kind of hinted that maybe he had been

866
00:46:39,480 --> 00:46:42,120
Speaker 3: cast and maybe there was conversation. I mean, that would

867
00:46:42,120 --> 00:46:44,799
Speaker 3: be incredible, Jason. I've also heard a lot of talk

868
00:46:44,800 --> 00:46:48,759
Speaker 3: in the discord. People very excited after you know, our conversations. Though,

869
00:46:48,800 --> 00:46:50,920
Speaker 3: as we said, near perfect show. I don't think this

870
00:46:50,960 --> 00:46:54,080
Speaker 3: is one of the things I change about, ironically, the

871
00:46:54,160 --> 00:46:57,839
Speaker 3: lack of like female characters or central female characters. Could

872
00:46:57,880 --> 00:46:59,759
Speaker 3: you tease a little bit because there is gonna be

873
00:46:59,760 --> 00:47:03,080
Speaker 3: a very central female character coming in right that people

874
00:47:03,080 --> 00:47:03,359
Speaker 3: are there.

875
00:47:04,520 --> 00:47:07,719
Speaker 2: That will change and I would expect them to lean

876
00:47:07,719 --> 00:47:09,920
Speaker 2: into it considering the dearth of female characters.

877
00:47:10,080 --> 00:47:13,880
Speaker 1: That's my game the first season. But that should change.

878
00:47:14,200 --> 00:47:17,040
Speaker 3: Yeah, very exciting, And then we.

879
00:47:16,960 --> 00:47:20,160
Speaker 2: Should mention that there is a fourth novella which George

880
00:47:20,200 --> 00:47:21,920
Speaker 2: has not written but has talked about.

881
00:47:22,239 --> 00:47:25,080
Speaker 3: Yes, there is stuff that is canon that he has

882
00:47:25,120 --> 00:47:26,960
Speaker 3: not written yet but that we know is canon.

883
00:47:27,560 --> 00:47:30,200
Speaker 1: Right, That is titled The she Wolves of Winterfell.

884
00:47:30,760 --> 00:47:34,360
Speaker 2: We don't know much about it, but that you know,

885
00:47:34,400 --> 00:47:37,719
Speaker 2: if we could get there, then that's good. Certainly that

886
00:47:37,719 --> 00:47:40,520
Speaker 2: would solve a lot of our kind of gender imbalanced problem.

887
00:47:40,640 --> 00:47:43,080
Speaker 3: It's just a bunch of dio wolves which are based,

888
00:47:43,120 --> 00:47:48,720
Speaker 3: so just actual. I like the naming convention that George,

889
00:47:48,840 --> 00:47:53,560
Speaker 3: very exploitation of you, very fun, Jason. Now that you've

890
00:47:53,920 --> 00:47:55,840
Speaker 3: you know, you and Greer have obviously been covering this

891
00:47:55,920 --> 00:47:58,799
Speaker 3: on the official show. You've watched these episodes a lot.

892
00:47:59,400 --> 00:48:02,160
Speaker 3: Was that an thing kind of as we wrap up

893
00:48:02,160 --> 00:48:05,000
Speaker 3: our coverage, as we do start to look at this

894
00:48:05,040 --> 00:48:07,319
Speaker 3: as something that is the past, something we're covering. How

895
00:48:07,320 --> 00:48:09,319
Speaker 3: does it feel for you as a fan to see

896
00:48:09,360 --> 00:48:12,160
Speaker 3: this come to life and to now kind of be

897
00:48:12,280 --> 00:48:14,840
Speaker 3: in this post a Night of the Seven Kingdom's Hedge

898
00:48:14,920 --> 00:48:18,560
Speaker 3: Night Prestige TV era. That must be very surreal thinking

899
00:48:18,640 --> 00:48:19,600
Speaker 3: that twenty years.

900
00:48:19,960 --> 00:48:22,239
Speaker 2: I mean, I think it's it's wonderful that they've done this,

901
00:48:22,480 --> 00:48:26,080
Speaker 2: and I think further it's proof of concept that this

902
00:48:26,280 --> 00:48:32,000
Speaker 2: is a world in which multiple types of executions of

903
00:48:32,280 --> 00:48:36,120
Speaker 2: stories from within the universe are possible. You know, I

904
00:48:36,480 --> 00:48:42,040
Speaker 2: would have I think most people would have been very

905
00:48:42,320 --> 00:48:46,520
Speaker 2: suspicious or dismissive about the idea of like basically a

906
00:48:46,560 --> 00:48:47,400
Speaker 2: half hour comedy.

907
00:48:47,440 --> 00:48:47,840
Speaker 1: Said it was.

908
00:48:48,160 --> 00:48:51,439
Speaker 2: Both as the way to do the hedge night, and

909
00:48:52,520 --> 00:48:57,280
Speaker 2: it's it's worked wonderfully. The mishmash of genres, the different

910
00:48:58,080 --> 00:49:02,080
Speaker 2: musical choices from you know, early twentieth century folk music

911
00:49:02,120 --> 00:49:07,719
Speaker 2: to jazz, et cetera, the kind of cowboy motifs that

912
00:49:07,880 --> 00:49:14,240
Speaker 2: you hear throughout the music, the poop jokes, et cetera.

913
00:49:14,680 --> 00:49:17,800
Speaker 2: Like this is stuff that I think writ large you

914
00:49:17,840 --> 00:49:21,279
Speaker 2: would have thought didn't work. And in fact, you know,

915
00:49:21,400 --> 00:49:25,000
Speaker 2: Benny often Weiss have said in multiple interviews when they

916
00:49:25,000 --> 00:49:30,440
Speaker 2: were looking to, you know, start producing these stories, that

917
00:49:30,520 --> 00:49:32,279
Speaker 2: one of the things they were concerned about was like

918
00:49:32,280 --> 00:49:34,479
Speaker 2: coming off too much like Monty Python and the whole

919
00:49:34,920 --> 00:49:43,480
Speaker 2: you know, like comical nights, you know, clad, yeah, that

920
00:49:43,560 --> 00:49:47,840
Speaker 2: kind of thing. And it's shown that there's there's a

921
00:49:47,880 --> 00:49:51,080
Speaker 2: significant amount of space before you get to that place

922
00:49:51,120 --> 00:49:53,240
Speaker 2: where that can be a problem. And if you ground

923
00:49:53,280 --> 00:49:59,000
Speaker 2: in the characters, you explore the themes and you're I

924
00:49:59,040 --> 00:50:01,240
Speaker 2: don't want to say authentic to the stories, but authentic

925
00:50:01,320 --> 00:50:03,000
Speaker 2: to the characters as they exist.

926
00:50:04,000 --> 00:50:05,840
Speaker 1: To the spirit, there's a lot there is.

927
00:50:06,239 --> 00:50:11,200
Speaker 2: It's a rich, rich, rich world with wonderful drama and

928
00:50:11,840 --> 00:50:15,080
Speaker 2: a lot of rich character, like humane character notes. To me,

929
00:50:15,160 --> 00:50:20,759
Speaker 2: the thing that separated A Song of Ice and Fire,

930
00:50:20,800 --> 00:50:26,600
Speaker 2: Game of Thrones the show from other fantasy is you know,

931
00:50:26,640 --> 00:50:29,959
Speaker 2: I love Lord of the Rings, but I love Lord

932
00:50:30,360 --> 00:50:33,359
Speaker 2: Love love love, but you can't really there's never a

933
00:50:33,400 --> 00:50:35,840
Speaker 2: moment where you're like, oh, I see myself in Frodo.

934
00:50:35,920 --> 00:50:37,359
Speaker 1: Maybe there is for but.

935
00:50:37,480 --> 00:50:42,160
Speaker 3: Yeah, I mean yeah, not particularly I see myself in Gandalf,

936
00:50:42,320 --> 00:50:45,120
Speaker 3: or I see myself, you know, like it's just not well,

937
00:50:45,120 --> 00:50:50,960
Speaker 3: you know, there's like three women in the whole thing.

938
00:50:49,120 --> 00:50:54,680
Speaker 2: Like they're so heightened and they're so fantastical, and there's

939
00:50:54,760 --> 00:50:58,160
Speaker 2: something much more human about the motivations and the and

940
00:50:58,239 --> 00:51:02,399
Speaker 2: the emotions and the action of these characters, and that

941
00:51:02,480 --> 00:51:06,040
Speaker 2: came through in this series, and that is why all

942
00:51:06,120 --> 00:51:09,600
Speaker 2: the little genre flourishers were I love that thing.

943
00:51:09,760 --> 00:51:10,920
Speaker 1: So it's just it's.

944
00:51:10,760 --> 00:51:13,279
Speaker 2: Been wonderful to see and I hope, you know, I

945
00:51:13,280 --> 00:51:16,160
Speaker 2: think I have complete confidence that it will only get

946
00:51:16,160 --> 00:51:16,880
Speaker 2: better from here.

947
00:51:17,320 --> 00:51:19,480
Speaker 3: Yeah, I agree. I think that something the show did

948
00:51:19,520 --> 00:51:22,360
Speaker 3: that I kind of wasn't expecting to find so powerful

949
00:51:22,560 --> 00:51:27,480
Speaker 3: was the exploration of kind of class and status and

950
00:51:28,120 --> 00:51:32,359
Speaker 3: then just the feelings that I felt of being represented

951
00:51:32,520 --> 00:51:34,759
Speaker 3: as like a kid who didn't have people kind of

952
00:51:34,800 --> 00:51:39,480
Speaker 3: advocating for my best kind of health or happiness, and

953
00:51:39,560 --> 00:51:41,560
Speaker 3: also as a working class person who was trying to

954
00:51:41,600 --> 00:51:43,000
Speaker 3: find their way in a world that I didn't really

955
00:51:43,080 --> 00:51:45,800
Speaker 3: understand that was full of people who had like law

956
00:51:45,920 --> 00:51:50,919
Speaker 3: and you know, rituals and conversations that I just had

957
00:51:50,920 --> 00:51:53,320
Speaker 3: no idea about as somebody who hadn't gone to college

958
00:51:53,320 --> 00:51:55,799
Speaker 3: and stuff. There was just so much there that for

959
00:51:55,920 --> 00:51:58,319
Speaker 3: me as well. Was the thing that also spoke to

960
00:51:58,360 --> 00:52:00,759
Speaker 3: me about the Game of Thrones TV series is I

961
00:52:00,840 --> 00:52:05,760
Speaker 3: just remember when they got into the storyline about Gendre

962
00:52:06,680 --> 00:52:10,440
Speaker 3: Right and kind of him as a bastard, and this

963
00:52:10,920 --> 00:52:16,680
Speaker 3: exploration of how the royal's lack of care for people

964
00:52:16,880 --> 00:52:20,839
Speaker 3: impacted this kind of ripple effect throughout Westeros, on both

965
00:52:20,880 --> 00:52:24,200
Speaker 3: the side of the royals who are impacted by bastards

966
00:52:24,239 --> 00:52:27,120
Speaker 3: and lineage, but also the people who were left behind.

967
00:52:27,560 --> 00:52:30,880
Speaker 3: And I remember that just feeling so different to anything

968
00:52:30,960 --> 00:52:32,680
Speaker 3: like Lord of the Rings or any of these high

969
00:52:32,719 --> 00:52:35,600
Speaker 3: fantasies I'd read before. So I agree. I think that,

970
00:52:35,920 --> 00:52:40,240
Speaker 3: to me is the secret source of this show. It's funny,

971
00:52:40,320 --> 00:52:43,360
Speaker 3: it's a half an hour comedy, but it's also like

972
00:52:43,400 --> 00:52:48,680
Speaker 3: a really badass, like working class commentary, and it's very

973
00:52:48,719 --> 00:52:52,200
Speaker 3: subversive and hopeful, and yeah, I just I can't wait

974
00:52:52,560 --> 00:52:56,040
Speaker 3: to see more. Jason, A quick question before we move

975
00:52:56,080 --> 00:52:58,840
Speaker 3: on to our letters. If you were gonna do a

976
00:52:58,920 --> 00:53:02,000
Speaker 3: Game of Thrones, a Night of the Seven Kingdom specific

977
00:53:02,080 --> 00:53:05,799
Speaker 3: spin off with any background character, what would your pitch be?

978
00:53:05,960 --> 00:53:07,120
Speaker 3: What's your log line.

979
00:53:08,719 --> 00:53:10,320
Speaker 1: With any background character?

980
00:53:11,360 --> 00:53:13,680
Speaker 3: I would say, let's go for Let's say we're doing

981
00:53:13,760 --> 00:53:16,000
Speaker 3: the Night of the Seven Kingdoms is so popular, We're

982
00:53:16,000 --> 00:53:19,480
Speaker 3: doing a Night of the Seven Kingdom specific spinoff. What's

983
00:53:19,560 --> 00:53:24,839
Speaker 3: your unexpected six episode mini series? I think mine, even

984
00:53:24,880 --> 00:53:27,120
Speaker 3: though I would love for mine to be about the

985
00:53:27,160 --> 00:53:30,600
Speaker 3: psychic because I do love her the Is she a scammer?

986
00:53:30,760 --> 00:53:33,839
Speaker 3: Is she not? I think because of my love of

987
00:53:33,880 --> 00:53:39,240
Speaker 3: coziness and also like the current romanticy kind of erotica trend,

988
00:53:39,719 --> 00:53:44,040
Speaker 3: I'm going for a Raymond. I need to see Raymond,

989
00:53:44,040 --> 00:53:47,200
Speaker 3: green Apple, Fossia and his wife running like a cider

990
00:53:47,680 --> 00:53:50,680
Speaker 3: and it's like a slice of life, cozy fantasy, kind

991
00:53:50,680 --> 00:53:53,959
Speaker 3: of like Lord of the Rings. Lots of feasting, lots

992
00:53:54,000 --> 00:53:56,759
Speaker 3: of stuff, and they're just happy. There's no conflict. I

993
00:53:56,800 --> 00:53:58,560
Speaker 3: just want to see a little happy town of green

994
00:53:58,600 --> 00:54:00,120
Speaker 3: Apple Fossil as well.

995
00:54:00,200 --> 00:54:02,440
Speaker 2: I think you could do like how far could we

996
00:54:02,480 --> 00:54:07,800
Speaker 2: push the genre? Could we do like a like a

997
00:54:08,000 --> 00:54:09,080
Speaker 2: Cheers style?

998
00:54:09,400 --> 00:54:13,200
Speaker 1: How about the about it about.

999
00:54:12,960 --> 00:54:18,120
Speaker 3: The Yes I wish now you're talking my language, That's

1000
00:54:18,160 --> 00:54:20,360
Speaker 3: what I'm saying. Yes, I think The Night of the

1001
00:54:20,360 --> 00:54:23,200
Speaker 3: Seven Kingdom opens up those kind of possibilities in a

1002
00:54:23,360 --> 00:54:26,120
Speaker 3: legends and lattes kind of Well, do our book like

1003
00:54:26,160 --> 00:54:28,279
Speaker 3: that can be a New York Times bestseller? Yes, give

1004
00:54:28,360 --> 00:54:32,879
Speaker 3: us the Cider Apple Fossilay's tavern Cheers style sit called

1005
00:54:32,880 --> 00:54:34,279
Speaker 3: me and Jason will write it.

1006
00:54:35,880 --> 00:54:37,399
Speaker 2: Let's take a quick break and we'll g it back

1007
00:54:37,400 --> 00:55:00,279
Speaker 2: with our favorite things quick thoughts. Let error back, Okay,

1008
00:55:00,360 --> 00:55:03,600
Speaker 2: your favorite little things from this episode.

1009
00:55:04,520 --> 00:55:09,920
Speaker 3: I absolutely adored the moment where we saw Raymond Fossaway

1010
00:55:10,719 --> 00:55:15,880
Speaker 3: have his homemade, hand painted green Apple shield that was

1011
00:55:16,000 --> 00:55:20,480
Speaker 3: obviously so inspired by Dunk making his own side or

1012
00:55:20,600 --> 00:55:23,480
Speaker 3: creating his own shield with the oak Tree and the

1013
00:55:23,480 --> 00:55:26,440
Speaker 3: Falling Star, and I just thought that was such a

1014
00:55:26,480 --> 00:55:31,160
Speaker 3: gorgeous moment again about Dunk's impact and also this person

1015
00:55:31,280 --> 00:55:33,520
Speaker 3: just realizing for the first time in his life that

1016
00:55:33,560 --> 00:55:35,640
Speaker 3: he has agency and can do what he wants and

1017
00:55:35,680 --> 00:55:37,680
Speaker 3: doesn't have to live in the shadow of those who

1018
00:55:37,960 --> 00:55:40,480
Speaker 3: are seen as better than him. I just thought that

1019
00:55:40,680 --> 00:55:44,000
Speaker 3: visual storytelling was so lovely. So that was that was

1020
00:55:44,040 --> 00:55:45,360
Speaker 3: my first one. What about you.

1021
00:55:47,440 --> 00:55:51,440
Speaker 1: The Beesberry Coffin, I love it. It's so cute.

1022
00:55:51,880 --> 00:55:54,759
Speaker 2: Everybody's wondering, like it's I is it magic? Like how

1023
00:55:54,800 --> 00:55:57,879
Speaker 2: do they do it? The bees aren't singing anybody. It's

1024
00:55:57,920 --> 00:56:00,799
Speaker 2: a wonderful conversation piece. It's a shame that somebody had

1025
00:56:00,840 --> 00:56:05,160
Speaker 2: to die in order for them to breathe that. But

1026
00:56:05,200 --> 00:56:10,640
Speaker 2: it's a little bit of culture of beesberry culture that

1027
00:56:10,800 --> 00:56:13,480
Speaker 2: we get a taste of here, sweet honey taste.

1028
00:56:13,719 --> 00:56:18,400
Speaker 3: I love that. Also, great character moment between Raymond and Rowan,

1029
00:56:18,440 --> 00:56:21,240
Speaker 3: who we learn as the quarter stands name, where Raymond

1030
00:56:21,280 --> 00:56:24,640
Speaker 3: believes it's magic, but Rowan just goes, no, babe, Like

1031
00:56:24,680 --> 00:56:27,239
Speaker 3: they just put the queen inside the coffin, and you

1032
00:56:27,280 --> 00:56:30,040
Speaker 3: see these little kids playing with the bees and the

1033
00:56:30,120 --> 00:56:34,000
Speaker 3: hive bees yeah, just lovely. Again, great world building. I

1034
00:56:34,080 --> 00:56:37,960
Speaker 3: adore that. My next one, also in the world building.

1035
00:56:38,320 --> 00:56:41,879
Speaker 3: This is the kind of detail I love. Right when

1036
00:56:41,920 --> 00:56:45,200
Speaker 3: you see Raymond's tent and his tent is black and

1037
00:56:45,280 --> 00:56:47,640
Speaker 3: it's just this kind of busted ass little tent and

1038
00:56:47,680 --> 00:56:49,960
Speaker 3: he says, well, step Ann took my tent away. These

1039
00:56:50,040 --> 00:56:53,400
Speaker 3: kind of red, gorgeous you know, luxurious tents full of

1040
00:56:53,400 --> 00:56:56,680
Speaker 3: food with servants, These little moments of this is the

1041
00:56:56,800 --> 00:57:00,759
Speaker 3: direct impact of turning against your family. Not in the

1042
00:57:00,800 --> 00:57:02,799
Speaker 3: way that we've seen before in Game of Thrones where

1043
00:57:03,000 --> 00:57:05,439
Speaker 3: you will have your head chopped off or Allison's gonna

1044
00:57:05,520 --> 00:57:07,760
Speaker 3: try and stab you in the eye or whatever version.

1045
00:57:08,239 --> 00:57:12,720
Speaker 3: This is the every single day mundanity of what happens

1046
00:57:12,719 --> 00:57:14,960
Speaker 3: if you stand up for yourself in wester Ros, and

1047
00:57:15,000 --> 00:57:19,280
Speaker 3: the physical manifestation of literally losing your home, your luxury,

1048
00:57:19,280 --> 00:57:22,160
Speaker 3: your status, but then getting to see that Raymond finds

1049
00:57:22,200 --> 00:57:25,000
Speaker 3: like an instant happiness and freedom away from that. Again,

1050
00:57:25,200 --> 00:57:30,120
Speaker 3: unbelievable world building. This is legitimately literally a thirty minute episode,

1051
00:57:30,200 --> 00:57:33,000
Speaker 3: like thirty minutes is the and you there are so

1052
00:57:33,280 --> 00:57:35,640
Speaker 3: many details like this that you could just ponder and

1053
00:57:35,680 --> 00:57:36,840
Speaker 3: look over all day.

1054
00:57:38,840 --> 00:57:41,280
Speaker 2: My next one is going to be Makar, who, as

1055
00:57:41,320 --> 00:57:43,800
Speaker 2: I've stated in the books, came off to me like

1056
00:57:43,840 --> 00:57:51,160
Speaker 2: a very steely, kind of dour, mean, not nice grim man.

1057
00:57:51,280 --> 00:57:54,720
Speaker 2: I think that's even how he is described in the books.

1058
00:57:55,280 --> 00:58:01,480
Speaker 2: And instead what emerges from the show is a guy

1059
00:58:01,520 --> 00:58:04,640
Speaker 2: who's worried about his kids. He's got one alcoholic son,

1060
00:58:05,240 --> 00:58:11,000
Speaker 2: he's got another one who is crazy or just pocket

1061
00:58:11,080 --> 00:58:13,760
Speaker 2: cannot be controlled. And he's got a young one who

1062
00:58:13,760 --> 00:58:17,840
Speaker 2: seems nice but keeps doing naughty things. And the guy

1063
00:58:18,080 --> 00:58:22,640
Speaker 2: is stressed all the time. And I thought that it

1064
00:58:22,760 --> 00:58:28,600
Speaker 2: humanized him. It it made him a much more empathic character,

1065
00:58:28,720 --> 00:58:31,760
Speaker 2: despite the fact that all of the things that he

1066
00:58:31,760 --> 00:58:33,160
Speaker 2: does in the book are still the things that he

1067
00:58:33,160 --> 00:58:36,200
Speaker 2: does in the in the show, including kill his brother

1068
00:58:36,360 --> 00:58:46,720
Speaker 2: by accident, so they say it. And it also gives

1069
00:58:46,760 --> 00:58:50,640
Speaker 2: him these wonderful human notes like the like the hug

1070
00:58:50,760 --> 00:58:52,080
Speaker 2: with with Meg.

1071
00:58:52,280 --> 00:58:54,760
Speaker 1: It's just it's it was great. It was great.

1072
00:58:54,800 --> 00:59:01,200
Speaker 2: The way he in particular deepened was wonder fall and

1073
00:59:01,240 --> 00:59:01,920
Speaker 2: I just loved it.

1074
00:59:02,120 --> 00:59:04,600
Speaker 3: Yeah, I think for me, another moment that I thought

1075
00:59:04,680 --> 00:59:08,320
Speaker 3: was just so brilliant, especially after the controversial flashback lot,

1076
00:59:08,480 --> 00:59:10,240
Speaker 3: like where we got to learn a lot about Dunk

1077
00:59:10,320 --> 00:59:13,920
Speaker 3: last episode and with Rafe and everything. I loved their

1078
00:59:14,040 --> 00:59:17,200
Speaker 3: al and flashback because it played with our understanding and

1079
00:59:17,320 --> 00:59:20,600
Speaker 3: idea of like Dunk as a reliable narrator, Dunk as

1080
00:59:20,640 --> 00:59:25,520
Speaker 3: a dreamer, Dunk as somebody who's constantly in conversation with horses,

1081
00:59:25,520 --> 00:59:28,200
Speaker 3: with his spirits with people he used to know, like

1082
00:59:28,240 --> 00:59:31,760
Speaker 3: he has this otherworldly state them. And we get that

1083
00:59:31,800 --> 00:59:35,080
Speaker 3: moment where it seems just like Maker, where we do

1084
00:59:35,120 --> 00:59:37,480
Speaker 3: get a definitive answer that Makar was not trying to

1085
00:59:37,560 --> 00:59:40,240
Speaker 3: kill his brother. It's very clear when he talks to

1086
00:59:40,280 --> 00:59:42,600
Speaker 3: Dunk about it. It seems like they give us that

1087
00:59:42,640 --> 00:59:46,160
Speaker 3: definitive answer, well, Sir Alin never knighted him. And then

1088
00:59:46,160 --> 00:59:51,440
Speaker 3: we get this incredible, like thirty second crying performance by

1089
00:59:51,440 --> 00:59:55,000
Speaker 3: Peter Claffe that had me crying and like just yelling

1090
00:59:55,040 --> 00:59:57,720
Speaker 3: at the TV and just kind of pain. It was

1091
00:59:57,760 --> 01:00:00,400
Speaker 3: so beautiful and so incredible, and I was like, oh

1092
01:00:00,400 --> 01:00:02,520
Speaker 3: my God, give this man a fucking Emmy. And then

1093
01:00:02,560 --> 01:00:06,160
Speaker 3: you get that great a Night of the Seven Kingdom's

1094
01:00:06,240 --> 01:00:09,720
Speaker 3: tone shift and Sir Alan's still alive, and you don't

1095
01:00:09,760 --> 01:00:12,400
Speaker 3: get the answer, and you don't get the definition, and

1096
01:00:12,440 --> 01:00:16,320
Speaker 3: you don't get the easy is done good or is

1097
01:00:16,360 --> 01:00:18,600
Speaker 3: he bad because that's not how life fucking is, and

1098
01:00:18,720 --> 01:00:22,640
Speaker 3: instead you get this another unexpected inspirational moment from Sir

1099
01:00:22,680 --> 01:00:25,440
Speaker 3: Alan Ray says, a real night always finishes the story

1100
01:00:25,480 --> 01:00:28,480
Speaker 3: and I just that moment. Oh man, that was Like

1101
01:00:28,640 --> 01:00:30,520
Speaker 3: that was when I was rewatching it this morning, I

1102
01:00:30,560 --> 01:00:33,880
Speaker 3: texted our the production group chat and was just like,

1103
01:00:34,800 --> 01:00:36,640
Speaker 3: I think this is one of the best episodes of

1104
01:00:36,640 --> 01:00:38,880
Speaker 3: TV in the last like five years, Like, I don't

1105
01:00:38,920 --> 01:00:44,680
Speaker 3: think there's another for me. This puts this show fully, fully,

1106
01:00:45,200 --> 01:00:48,520
Speaker 3: if not slightly above How's the Dragon? For me? And

1107
01:00:48,560 --> 01:00:50,840
Speaker 3: I know that's not a controversial take in our discord,

1108
01:00:50,880 --> 01:00:53,520
Speaker 3: where this has definitely become the more popular show, but

1109
01:00:53,640 --> 01:00:56,240
Speaker 3: everyone knows. I just think that that show and its

1110
01:00:56,320 --> 01:00:59,000
Speaker 3: representation of Rinier and Allison and all the women who've

1111
01:00:59,000 --> 01:01:01,880
Speaker 3: played them throughout is one of the master works of

1112
01:01:01,960 --> 01:01:05,520
Speaker 3: like television chamber drama, and I do think that it

1113
01:01:05,600 --> 01:01:07,920
Speaker 3: will be looked upon that way in the future when

1114
01:01:07,920 --> 01:01:10,080
Speaker 3: we look back on it, like it's incredible they were

1115
01:01:10,080 --> 01:01:14,280
Speaker 3: able to make it. But this episode, this finale, I

1116
01:01:14,320 --> 01:01:17,240
Speaker 3: was like, I'm gonna watch this whole season again next week.

1117
01:01:17,400 --> 01:01:19,160
Speaker 3: How so The Dragon is a hard watch for me.

1118
01:01:19,200 --> 01:01:21,440
Speaker 3: It's not something that I can go back to and

1119
01:01:21,480 --> 01:01:24,360
Speaker 3: rewatch again and again, because the relationship between the two

1120
01:01:24,360 --> 01:01:26,480
Speaker 3: of them is so painful to see it be torn apart.

1121
01:01:26,840 --> 01:01:29,080
Speaker 3: This is the opposite where you end and you just think,

1122
01:01:29,560 --> 01:01:30,800
Speaker 3: I want to see more of them. I want to

1123
01:01:30,840 --> 01:01:32,720
Speaker 3: see them together. I want to see them thrive. I

1124
01:01:32,760 --> 01:01:36,040
Speaker 3: don't want Maker to be chasing them down thinking that

1125
01:01:36,160 --> 01:01:38,680
Speaker 3: dun't kidnapped Egg. You know, I want good things for them.

1126
01:01:38,720 --> 01:01:40,120
Speaker 3: You can't help it, that's what you want.

1127
01:01:40,240 --> 01:01:42,240
Speaker 1: Well, I think make her at this point we'll understand that.

1128
01:01:43,280 --> 01:01:46,680
Speaker 3: Oh oh no, no, no, Like I even love the

1129
01:01:46,840 --> 01:01:48,760
Speaker 3: kind of way they ended it where it did have

1130
01:01:48,800 --> 01:01:53,320
Speaker 3: that home alone kind of comedic like Egg. You know,

1131
01:01:54,400 --> 01:01:56,600
Speaker 3: it doesn't feel like, you know, after him with your

1132
01:01:56,640 --> 01:01:58,360
Speaker 3: top off, his head off, with his head Alice in

1133
01:01:58,360 --> 01:02:00,360
Speaker 3: one Bland style. It's a little bit more like, oh

1134
01:02:00,400 --> 01:02:02,919
Speaker 3: my fucking son. But you just want them to do well,

1135
01:02:02,960 --> 01:02:05,000
Speaker 3: and you're so happy for them. And every time I

1136
01:02:05,000 --> 01:02:07,440
Speaker 3: watch out to the Dragon, I'm praying that my lesbian

1137
01:02:07,520 --> 01:02:10,120
Speaker 3: babes get back together, my sap at queens. But they

1138
01:02:10,120 --> 01:02:13,760
Speaker 3: will never get back together. I know where it's going, duncan, Egg,

1139
01:02:13,880 --> 01:02:15,760
Speaker 3: I know where it's going, but there's so much more

1140
01:02:15,840 --> 01:02:17,560
Speaker 3: journey for them to go on, and that just makes

1141
01:02:17,600 --> 01:02:21,680
Speaker 3: me so happy. Jason, Before we leave wester ros In

1142
01:02:21,720 --> 01:02:24,800
Speaker 3: twenty twenty six, well until our Ravens report, but before

1143
01:02:24,840 --> 01:02:27,920
Speaker 3: we leave the recap, any last letters to the Seven Kingdom?

1144
01:02:27,960 --> 01:02:30,760
Speaker 3: Any notes? We already told the King's god off, but

1145
01:02:30,840 --> 01:02:33,320
Speaker 3: is there anyone who needs to be alerted to anything

1146
01:02:33,360 --> 01:02:34,040
Speaker 3: before we leave?

1147
01:02:34,760 --> 01:02:38,480
Speaker 1: Um? Gosh. I would just say that.

1148
01:02:40,360 --> 01:02:45,240
Speaker 2: I feel bad for Baylor, not only that he died,

1149
01:02:45,560 --> 01:02:48,640
Speaker 2: but that he his reputation is going to take As

1150
01:02:48,720 --> 01:02:55,200
Speaker 2: we saw with from Lionel, his reputation is at least

1151
01:02:55,200 --> 01:02:59,640
Speaker 2: the elite circles taking a hit. This guy tried to cheat,

1152
01:03:00,080 --> 01:03:05,680
Speaker 2: He tried to pull a fast one. You know, I

1153
01:03:06,080 --> 01:03:09,680
Speaker 2: would imagine there's going to be significant Monday morning quarterbacking

1154
01:03:09,720 --> 01:03:11,560
Speaker 2: about what he could have done differently.

1155
01:03:12,560 --> 01:03:14,360
Speaker 1: You know, he's the guy who is like, stay on

1156
01:03:14,400 --> 01:03:16,360
Speaker 1: your horse? Did he stay on his horse?

1157
01:03:16,480 --> 01:03:16,560
Speaker 2: Like?

1158
01:03:16,680 --> 01:03:19,440
Speaker 1: How could he have Could he have used the horse differently?

1159
01:03:20,320 --> 01:03:22,000
Speaker 1: Could he have hemmed everybody up?

1160
01:03:23,520 --> 01:03:25,480
Speaker 2: And I just feel I feel bad for the guy

1161
01:03:25,480 --> 01:03:30,440
Speaker 2: because he was pretty clear eyed about the challenges that

1162
01:03:30,640 --> 01:03:36,000
Speaker 2: face the Targarian family, and you kind of imagine that

1163
01:03:36,120 --> 01:03:40,000
Speaker 2: he would have continued the work that his father, the

1164
01:03:40,040 --> 01:03:45,280
Speaker 2: current king, had put in place where the priority is diployed,

1165
01:03:45,320 --> 01:03:47,200
Speaker 2: like yes, we can go to war, of course, you know,

1166
01:03:47,200 --> 01:03:50,720
Speaker 2: we're the Targarians, but it's about diplomacy, like we brought

1167
01:03:50,760 --> 01:03:55,040
Speaker 2: Dorn into the kingdom through diplomacy after many years of war.

1168
01:03:55,120 --> 01:03:56,520
Speaker 1: But that you know, you know what I mean.

1169
01:03:57,080 --> 01:04:03,600
Speaker 2: And it seemed like Baylor was going to continue on

1170
01:04:03,680 --> 01:04:07,000
Speaker 2: that mission of you know, I could see him as

1171
01:04:07,120 --> 01:04:10,160
Speaker 2: king doing multiple circuits.

1172
01:04:09,720 --> 01:04:12,440
Speaker 1: Of the of the entire kingdom, you know, going.

1173
01:04:12,200 --> 01:04:15,960
Speaker 2: All around to all the constituent realms, visiting everybody, what's

1174
01:04:16,000 --> 01:04:17,200
Speaker 2: going on, what do you need?

1175
01:04:17,320 --> 01:04:20,800
Speaker 3: What you know, and taking an audience and people would

1176
01:04:20,800 --> 01:04:23,000
Speaker 3: be loving it. He's given him sheep. If you know,

1177
01:04:23,040 --> 01:04:25,240
Speaker 3: there's no dragons anymore, but if your sheep goes missing,

1178
01:04:25,480 --> 01:04:27,480
Speaker 3: he's probably still gonna break you. Now, it would have

1179
01:04:27,480 --> 01:04:28,320
Speaker 3: been a nice king.

1180
01:04:28,640 --> 01:04:30,680
Speaker 2: And so now it's Valor and we'll see what he's

1181
01:04:30,720 --> 01:04:35,000
Speaker 2: made of. And surely he's been, in some form or

1182
01:04:35,000 --> 01:04:37,280
Speaker 2: fashion prepared for this, although you always have to be

1183
01:04:37,280 --> 01:04:39,560
Speaker 2: careful with that because that seems like a plot to

1184
01:04:39,600 --> 01:04:42,400
Speaker 2: the Targetarians. When hey just get ready, you never know,

1185
01:04:42,480 --> 01:04:45,000
Speaker 2: and they'll be like, well, are you plotting against the

1186
01:04:45,040 --> 01:04:45,600
Speaker 2: Crown Prince?

1187
01:04:45,840 --> 01:04:49,440
Speaker 1: But so it's on him and we'll see what happens.

1188
01:04:50,080 --> 01:04:50,520
Speaker 3: Yeah.

1189
01:04:50,680 --> 01:04:52,440
Speaker 2: On the next episode of extra Vision, we're taking one

1190
01:04:52,520 --> 01:04:54,120
Speaker 2: last look at the Night and Seven Kingdoms with their

1191
01:04:54,160 --> 01:04:56,840
Speaker 2: final Ravens work plus or to lead up to Avengers

1192
01:04:56,880 --> 01:04:57,920
Speaker 2: Doomsday begins.

1193
01:04:58,040 --> 01:04:59,360
Speaker 1: That's it for this episode.

1194
01:04:59,520 --> 01:05:07,800
Speaker 2: Thanks x ray Vision is hosted by Jason Scepcion and

1195
01:05:07,920 --> 01:05:10,360
Speaker 2: Rosie Knight and is a production of iHeart Podcasts.

1196
01:05:10,680 --> 01:05:14,280
Speaker 3: Our executive producers are Joel Monique and Aaron Korfman.

1197
01:05:14,520 --> 01:05:16,560
Speaker 1: Our supervising producer is Abu Zafar.

1198
01:05:16,960 --> 01:05:20,880
Speaker 3: Our producers are Common Laurent Dean Jonathan and Pey Wack.

1199
01:05:21,040 --> 01:05:23,800
Speaker 2: A theme song is by Brian Vasquez, with alternate theme

1200
01:05:23,840 --> 01:05:25,120
Speaker 2: songs by Aaron Kauffman.

1201
01:05:25,280 --> 01:05:28,680
Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1202
01:05:28,760 --> 01:05:30,520
Speaker 3: Heidi our discorded moderator.

1203
01:05:37,440 --> 01:05:39,480
Speaker 4: This is one eight hundred gambler. Do you have a

1204
01:05:39,520 --> 01:05:40,560
Speaker 4: gambling problem?

1205
01:05:40,960 --> 01:05:41,600
Speaker 1: Hey, Mike?

1206
01:05:41,680 --> 01:05:44,120
Speaker 2: This is his stuff for Marine and I got play.

1207
01:05:44,720 --> 01:05:49,200
Speaker 2: I do think I have a problem, Mike. I took

1208
01:05:50,480 --> 01:05:58,880
Speaker 2: Targerians to win in the Trial of Seven and I

1209
01:05:58,920 --> 01:06:02,440
Speaker 2: put everything on it. I thought, you know, you got

1210
01:06:02,440 --> 01:06:05,360
Speaker 2: Baylor and Maker. And there you got multiple kings god knights.

1211
01:06:05,360 --> 01:06:07,040
Speaker 2: What are they gonna do? They can't, ye know, they

1212
01:06:07,040 --> 01:06:10,440
Speaker 2: can't hit anybody, right. And so then you got Arian

1213
01:06:10,560 --> 01:06:14,400
Speaker 2: also in there. He knows how to fight. I don't

1214
01:06:14,440 --> 01:06:17,000
Speaker 2: know anything about the dunk guy, but nobody thinks he's training.

1215
01:06:17,000 --> 01:06:17,880
Speaker 2: He's a raw guy.

1216
01:06:17,960 --> 01:06:18,600
Speaker 1: He's huge.

1217
01:06:19,400 --> 01:06:22,120
Speaker 2: And then, uh, you got a guy on one leg.

1218
01:06:22,360 --> 01:06:24,960
Speaker 2: You got a guy with one eye. I thought it

1219
01:06:25,000 --> 01:06:28,920
Speaker 2: was Targerian's all the way Mike instead, what Look what happened?

1220
01:06:28,960 --> 01:06:33,560
Speaker 2: Mike Baylaw is dead, hit by his own brother.

1221
01:06:35,280 --> 01:06:35,520
Speaker 1: Mike.

1222
01:06:36,560 --> 01:06:39,400
Speaker 2: They're gonna turn off my phone at the end of

1223
01:06:39,440 --> 01:06:43,160
Speaker 2: this end of this call, because I got I got nothing, Mike.

1224
01:06:43,760 --> 01:06:47,760
Speaker 2: I lost the kids college fund, I lost the house.

1225
01:06:48,520 --> 01:06:50,919
Speaker 2: My wife's kicked me out. I'm making this I'm making

1226
01:06:50,920 --> 01:06:54,600
Speaker 2: this call from a deli down the street. I lost

1227
01:06:54,640 --> 01:06:58,560
Speaker 2: everything and I and I'm ready to admit it now. Mike,

1228
01:06:58,640 --> 01:07:01,320
Speaker 2: I got a problem. I'll take my answer off the

1229
01:07:01,360 --> 01:07:01,680
Speaker 2: air man.

1230
01:07:01,760 --> 01:07:02,080
Speaker 1: Thank you,