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Speaker 1: He is drink chants, motherfucking podcast man. He's a legends

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Speaker 1: every queen's rapper.

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Speaker 2: He ain't agreed. That's your boy in O R E.

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Speaker 1: He's a Miami hip hop mayonnaier put up his dj

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Speaker 1: E f N. Together they drink it up with some.

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Speaker 2: Of the biggest players, you know what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk.

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Speaker 2: Drink chans, mother, for every day is New Year c.

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Speaker 1: That's it's time for drink champions. Drink up mother, mother?

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Speaker 1: Would it good be holding?

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Speaker 4: It?

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Speaker 1: Should be?

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Speaker 2: This your boy in O R E? What up his

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Speaker 2: dj E f N? And this drink chaps y. I

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Speaker 2: will make some.

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Speaker 3: Now when I tell you right here, this brother is

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Speaker 3: an entrepreneur. He is my hands.

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Speaker 5: Down, my bad bad his hands down.

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Speaker 3: Seriously, my favorite artist CEO there is. I always see

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Speaker 3: him hold down his artists. I always see him with them.

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Speaker 3: I always see him want the best with him. He's

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Speaker 3: I heard he just he's charging niggas twenty five thousands

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Speaker 3: to have your car next to his. The man has

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Speaker 3: been countless and they here promoting their ship, everything, everything, everything,

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Speaker 3: and so in case you don't know so much, my motherfucker.

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Speaker 4: And just right off the jump, I want to make

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Speaker 4: you clear. I invited my big homes.

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Speaker 3: Paris. And by the way, I can tell you a drinker.

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Speaker 3: Did you get? Is that the whiskey with the with

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Speaker 3: with the with the ice cube? Yeah okay, that's how

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Speaker 3: you drink it. Yeah, that's how I drink whiskey too,

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Speaker 3: just straight, a little bit of ice straight.

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Speaker 6: Yeah, yeah, okay, and then once that ice goes, you

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Speaker 6: need more whiskey.

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Speaker 3: Okay, okay, let me ask you something because this elephant

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Speaker 3: in the room.

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Speaker 2: At one point you were the owner. Oh yeah, can

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Speaker 2: you explain us? Can you tell us that's my past?

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Speaker 2: My I got my future in my past.

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Speaker 6: So some of the so Ace was my first brand.

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Speaker 2: He was what did you do?

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Speaker 3: Everything? Everything? Everything you're looking at is that brand? Right?

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Speaker 3: Huge success. It's a great brand.

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Speaker 1: Uh you launched it from the inception. It was your

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Speaker 1: baby from.

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Speaker 6: The inception and uh, amazing brand and it it catapulted me.

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Speaker 6: It gave me the ability to do all these other brands.

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Speaker 6: Now that's the goal. New brands, new brands, So do

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Speaker 6: say bel Air, BOMBOO, McQueen, ViOn and now the Deacon.

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Speaker 2: God damn it.

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Speaker 3: Gonna make up some sit together to.

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Speaker 1: Let me ask.

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Speaker 3: One thing that I noticed when Bella came out was

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Speaker 3: I went to the champagne section, and it wouldn't be

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Speaker 3: in the champagne section.

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Speaker 2: It would be in the sponkling Win section.

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Speaker 3: Why is it in the sponkling Wine section and not

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Speaker 3: in the champagne section.

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Speaker 2: It depends on the story you're in.

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Speaker 6: Oh really yeah, So in some cases it's ideally I want.

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Speaker 3: To be in both sections. That's ideal.

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Speaker 6: You want to be in the champagne section, and you

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Speaker 6: want to be in the sparkling section. All sparklings, big picture,

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Speaker 6: all champagne, all prosecco, all cavas from Spain, prosecco from Italy,

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Speaker 6: champagne from France is sparkling, and then each one falls

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Speaker 6: into their category.

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Speaker 2: So bell Air you'll find in both categories.

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Speaker 3: Oh okay, okay, okay, I didn't see that, So Rose,

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Speaker 3: talk to me. We gave it to you, We gave

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Speaker 3: it to y'all last night.

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Speaker 2: Come on, come on, no.

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Speaker 4: No, no, no no, no, we got to be on it. Yes,

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Speaker 4: that was a great game. I'm gonna be honest. I

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Speaker 4: was expecting this sweep a sweet up.

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Speaker 3: I'm just being honest.

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Speaker 4: But you know, uh, you know, Jimmy Buckets had to

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Speaker 4: sit out to make some things happen. So I'm happy

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Speaker 4: you guys pulled it off. Let's keep it interesting, you

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Speaker 4: know what I mean.

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Speaker 3: I'm not gonna lie. I do love the sport, you

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Speaker 3: know what I mean? This this is my childhood. Like

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Speaker 3: when I see in the next playing the heat, I'm

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Speaker 3: thinking of Tim Hardaway, I'm thinking of the lines on morning.

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Speaker 3: I'm thinking of those those those those edges when when

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Speaker 3: when basketball was basketball, But they're foul just for touching

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Speaker 3: your tea. So I haven't been this excited in ten

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Speaker 3: years because I guess we haven't made it so but.

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Speaker 4: I'm this the first time you guys made a home game,

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Speaker 4: you know, but one second round home game?

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Speaker 2: Why did not bring this up?

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Speaker 7: I actually was happy for you.

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Speaker 4: I looked over at your coach and he deserved it.

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Speaker 2: So let's talk about this. This car. You got a

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Speaker 2: car show.

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Speaker 7: Yeah, we got a huge car show coming.

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Speaker 3: So I heard it started that two thousand, but this

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Speaker 3: shit got so big you sawed to charge niggas twenty

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Speaker 3: five racks.

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Speaker 4: No, no, no, that's for a special vendors slide. That's

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Speaker 4: when you want to be right next to Rose. Get

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Speaker 4: to meet the big boys, the big dolls. This is

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Speaker 4: for the big boys. This is not one of those

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Speaker 4: car shows where you come and if you win, they

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Speaker 4: give you the fifty dollars plastic trophy.

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Speaker 2: If you go home.

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Speaker 4: No, no, no, no no. This is where you get

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Speaker 4: the network. Really boss up the chains and the keys

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Speaker 4: that are giving you. This is damn there's six figures

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Speaker 4: that I'm gonna put.

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Speaker 2: So someone wins a prize.

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Speaker 3: Yeah, yeah, no the car.

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Speaker 4: Yeah, you know, we got big boys coming from out

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Speaker 4: of the country, right from all over the you know,

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Speaker 4: in the US. So it's gonna be a real huge event.

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Speaker 4: You're gonna oh man, I'm not even sure. I'm not

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Speaker 4: even sure how many cars. I know, we expected close

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Speaker 4: to seven thousand people.

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Speaker 3: And this is your second year doing this.

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Speaker 4: The second year and really it just began out of

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Speaker 4: the last year was amazing.

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Speaker 7: It was it began out of the love.

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Speaker 2: It was amazing. Wasn't you an MV battling at one point?

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Speaker 3: No, envy was never on my level. The battle I

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Speaker 3: would I would I would never do that, no, no.

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Speaker 8: Versus every time speaking, it's a ball, the nigga wrapping, I.

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Speaker 3: Wouldn't do that.

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Speaker 4: The MV I rocked with Envy. I I like MV

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Speaker 4: I with MV you know what I'm saying. But in

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Speaker 4: the car game, he not ready for that, you know.

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Speaker 4: But I supported Ship and anybody that go there, you

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Speaker 4: got a lot of heart. Anybody that go to MV ship,

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Speaker 4: I fuck with you too.

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Speaker 9: Yes, wait, this a whole week. I can't overhead and

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Speaker 9: just tell this motherfucker up.

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Speaker 3: But because it's different, because like, let me pick up

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Speaker 3: you in because y'all the only two people I've been

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Speaker 3: seeing doing.

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Speaker 1: That, and y'all have class.

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Speaker 3: So so what kind of cause is this? Is this

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Speaker 3: old schools?

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Speaker 2: Is this new schools?

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Speaker 1: All around?

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Speaker 3: Really?

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Speaker 4: Really, I invite everything around. But the heart of it

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Speaker 4: most definitely is classic collectible calls. Hard to find calls.

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Speaker 4: I love to see a one of one. If you

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Speaker 4: come with something I've never son, I'm gonna offer and

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Speaker 4: try to buy your car from you. Last car show,

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Speaker 4: I bought six cars, you know, right on the weekend

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Speaker 4: right there, and there was a lot of calls bought

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Speaker 4: and soul. Oh it's one of those situations, you know

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Speaker 4: what I'm saying. Yeah, it's dudes walk and around with

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Speaker 4: the duffiel bad what's happening?

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Speaker 10: Wow?

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Speaker 3: Yeah? And it's all on your property. Yeah, this on

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Speaker 3: my property. But you got the biggest US pool in

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Speaker 3: the world, right in the US, the.

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Speaker 4: Largest US residential pool. Yeah yeah, without a doubt.

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Speaker 1: I think North American I heard, not even you as

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Speaker 1: I think I'm not even Canada. You excluded Canada to it.

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Speaker 4: But most definitely it's a situation where you know, it

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Speaker 4: began out of love.

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Speaker 7: It's just like me making music.

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Speaker 4: It's just like me, you know, making my alias Rose

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Speaker 4: and then getting the rock with my favorite rosette right

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Speaker 4: looking brave me and then you know, me being a

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Speaker 4: car collector, want to invite some of the greatest car collectors,

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Speaker 4: car builders, interior designers.

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Speaker 7: Let's let's do business.

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Speaker 6: You know you said he's your favorite entrepreneur, right, yes,

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Speaker 6: Like I think the key about the car show is

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Speaker 6: he just had an idea and he just said in

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Speaker 6: posted it and he said, I don't know what's gonna happen,

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Speaker 6: I'm gonna go do it because it's me and I

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Speaker 6: want to do it. That was the most amazing about it,

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Speaker 6: and it all freaking came together at the same time,

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Speaker 6: and it was packed and it was crazy crazy.

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Speaker 2: So it wasn't like a money play.

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Speaker 4: It was like, yeah, yeah, it's definitely because I'm a

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Speaker 4: two hundred.

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Speaker 2: Plus, are you? He doesn't have enough barns to put

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Speaker 2: him in.

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Speaker 4: Yeah, that's why I buy him. Majority of the homes

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Speaker 4: I buy because I need to.

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Speaker 1: I'm not gonna lie. That's one thing I love about you.

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Speaker 3: I love following you because we show people a great

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Speaker 3: lifestyle without flawsing.

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Speaker 2: It's a great balance to it.

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Speaker 3: You know what I'm saying, Like you buying all these

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Speaker 3: beautiful things, but for some reason, I don't feel like

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Speaker 3: you're flossing on us.

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Speaker 2: I feel like you're just saying this is motivation.

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Speaker 4: I'm gonna be honest, that's not my goal to floss

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Speaker 4: on you. I just know what he did for me,

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Speaker 4: you know what I'm saying. Growing up in Karra City,

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Speaker 4: we used to go walk out the one eighty third

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Speaker 4: Street at right before five six pm because we knew

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Speaker 4: all the Dolphin players will be lead practice and you're

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Speaker 4: watching Reggie wear Richmond were bride behind that two little

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Speaker 4: six hundred beings with the white with the white rooms.

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Speaker 7: That was that motivation.

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Speaker 3: I need. I need to see it. Fu reading it.

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Speaker 3: I need to see it.

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Speaker 4: That's maybe why I didn't really grasp and in those

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Speaker 4: earlier years. I needed a school that showed me the film.

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Speaker 4: The school system failed me.

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Speaker 3: You know.

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Speaker 2: But you've been to the house. No, I haven't been

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Speaker 2: in the house.

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Speaker 3: I got an invite once right off, I didn't want

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Speaker 3: to go with you should see it. I didn't know

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Speaker 3: about it. To take the dunk, I had to take

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Speaker 3: the tummy through the value.

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Speaker 2: But if you if you go, what happens.

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Speaker 6: What happens is because we're always sending young artists there

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Speaker 6: to go meet him. There they get they get goosebumps

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Speaker 6: because this they see it. It's real. I can get this.

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Speaker 6: I can get here too. I can have it.

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Speaker 2: Oh my god.

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Speaker 6: And the field you're sitting on, the promised man, three

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Speaker 6: hundred acres, sixty thousand square feet projects.

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Speaker 3: Speaking of the projects, oh, it's street projects and a

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Speaker 3: couple of football fields at the town. I'm just thinking

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Speaker 3: about it. I'm sorry it's a hood out of this,

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Speaker 3: but that's what I'm thinking about it. He jokes, but

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Speaker 3: it's true.

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Speaker 6: He drive the tractor to to mold the lawn by

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Speaker 6: the time you finish, you got to startle over it again.

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Speaker 7: But so do it before. I just left and they't

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Speaker 7: have time.

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Speaker 6: Man, It's just it's beyond motivating. It's beyond motivating.

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Speaker 3: Oh man, do we make some moise for that? So

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Speaker 3: how does this connection happen? How do you got? Mean?

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Speaker 7: Well, let me take it?

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Speaker 4: I take you?

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Speaker 7: Okay?

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Speaker 3: So cool? Uh.

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Speaker 4: You know one of my early hit records that just

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Speaker 4: popped off.

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Speaker 3: I'm in New York. I'm just really moving around New York.

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Speaker 4: DJ Clue. We at the club. It's the club where

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Speaker 4: the grass hanging from the ceiling. Greenhouse House man all

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Speaker 4: Rob Peter Greenhouse. That ship was dope. So I'm in

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Speaker 4: the grass and there I'm smoking good. I'm drinking good.

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Speaker 3: I was.

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Speaker 4: I was brought in by DJ Clue. DJ Clue sending

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Speaker 4: me buckets and buckets.

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Speaker 2: Yeah, her clue is down first, right, okay.

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Speaker 4: Yeah right here. You know what I'm saying. So we

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Speaker 4: in there, we're smoking good, we balling the chicks. It's

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Speaker 4: one of those nights hit records. We're moving boom. I

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Speaker 4: go back to the hotel and at the London Hotel,

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Speaker 4: I wake up the next morning I hit clue, A clue.

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Speaker 4: What was that I was drinking?

256
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Speaker 3: Oh? That was bell Air.

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Speaker 4: I need some more of that right now where I'm Matt.

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Speaker 4: You know what I'm saying. I just want to shit

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00:13:01,960 --> 00:13:06,000
Speaker 4: earlier in the morning breakfast vibe just like vibe boom,

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Speaker 4: we do that. I tell him I need more again

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Speaker 4: than he finally let me know, Yo, you need to

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Speaker 4: meet Brett. This motherfucker, super cool guy, you know what

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Speaker 4: I mean. But I'll be speaking with him. Make it happen.

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Speaker 7: That was it?

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Speaker 1: God damn it.

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Speaker 2: This is fourteen years.

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Speaker 1: Wow, because it's been around fourteen years.

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Speaker 2: Actually, no, it's twelve years because this was the first one,

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Speaker 2: right did you guys came out with the black bottle

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Speaker 2: and black bottle and I'm bouncing the around a little bit,

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Speaker 2: but is this the lux Yeah? This is my favorite one. Yeah,

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Speaker 2: I got that a little bit sweeter, a little bit sweat.

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Speaker 2: Got that next in my in my crib.

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Speaker 3: I got there right next to my opens one, So

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Speaker 3: like that's who I got up there with, open one.

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Speaker 2: That's my favorite one. If you know you got to

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Speaker 2: open one up there against bel Air.

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Speaker 3: You know what I'm saying, Yeah, it's the bell a

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Speaker 3: man hold on. Yeah, you ain't drinking all that yet.

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Speaker 3: Oh that's why I say he's a drink I forgot.

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Speaker 11: I forgot.

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Speaker 12: I totally forgot this drink Champs.

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Speaker 7: And just to keep it, just to keep it real.

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Speaker 4: I'm smooth with my drinking, but I may, you know,

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Speaker 4: sip throughout the day. That's how Rose do it. I'll

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Speaker 4: started in the morning, I you know, hit me a blint,

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00:14:18,240 --> 00:14:21,720
Speaker 4: you know, start my conversation. Sent me some bell, you know,

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Speaker 4: then you know throughout the day, little room temp. I

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Speaker 4: like a room temp type of person. So if you

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00:14:27,760 --> 00:14:31,120
Speaker 4: club you need the big buckets and the sparkles that

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00:14:31,840 --> 00:14:34,800
Speaker 4: I'm room temp. Give me that ship room temp and

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Speaker 4: if it's one of these, you may get a real

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Speaker 4: great conversation.

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00:14:40,040 --> 00:14:41,520
Speaker 3: I've been looking at your watch the whole night and

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00:14:41,640 --> 00:14:43,480
Speaker 3: you could tell us an ap. I can't tell what

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00:14:43,560 --> 00:14:44,360
Speaker 3: kind of ap is that?

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Speaker 13: Let me, I've been looking the whole time, like what

298
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Speaker 13: is that?

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Speaker 2: This gep it up for the Emerald, that's what it is.

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Speaker 3: Oh my god, Holy moa okay, boom, So we got

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Speaker 3: the we got we got the Rose.

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Speaker 1: How do you move on?

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00:15:07,320 --> 00:15:11,480
Speaker 3: Why do you most mostampa's, uh, they don't do flavorsk

304
00:15:11,560 --> 00:15:12,800
Speaker 3: what made you want to do flavors?

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Speaker 2: What made.

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Speaker 6: We were the first ones in the champagne category. Brute

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Speaker 6: is everyone's biggest, So the gold bottle of ace is

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Speaker 6: brute everything, no nectar is small.

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Speaker 1: What does that mean?

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Speaker 2: What does that mean?

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Speaker 1: Bruch is a.

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Speaker 6: Style, it's a maha much sugar's in there. So there's

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Speaker 6: brute is how much sugar? So there's a certain amount

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Speaker 6: of sugar. You can't go over that. You're no longer

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Speaker 6: a brute, you fall into other categories, demisec or sec.

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Speaker 6: But Brute is ninety percent of the category, and then Rose,

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Speaker 6: and then demisec and then blanc, the blancs which is

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Speaker 6: a white grape, and the smaller we were, the we

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Speaker 6: decided I wanted to be different. I wanted to be

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Speaker 6: known for Rose, and we started with Rose first and

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Speaker 6: it became the single biggest Rose brand in the world.

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Speaker 2: And then we came out.

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Speaker 6: With the traditional Brute, which is this and traditional champagne

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Speaker 6: traditional colors, so a little bit dry sweet, but it's amazing.

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Speaker 6: This brand now is the number one sparkling in the

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Speaker 6: United States.

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Speaker 3: Pre number onemagne. Hey, come on, guys, you.

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Speaker 1: Imagine that when you connected with him, that his name

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Speaker 1: would be synonymous with the brand.

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Speaker 2: Uh Rose, you know, stray some creed in the air.

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Speaker 1: You know what I did You think it would go

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Speaker 1: that far?

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Speaker 2: No?

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Speaker 6: No, And that's more me knowing Ross Now I get it,

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00:16:39,640 --> 00:16:42,800
Speaker 6: But no, you never know. You never know what I think.

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00:16:42,840 --> 00:16:45,720
Speaker 6: It's also just the way I am. It's walked before

337
00:16:45,760 --> 00:16:49,960
Speaker 6: you run. We'll get there eventually. But you know, brands

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00:16:49,960 --> 00:16:52,840
Speaker 6: take time to build. It doesn't happen overnight, never will

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00:16:53,360 --> 00:16:54,360
Speaker 6: doesn't happen overnight.

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Speaker 3: But it's so many rappers who had like Champagnes, and

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00:16:57,080 --> 00:17:00,680
Speaker 3: so many rappers who had entertainment period like you know,

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00:17:00,680 --> 00:17:03,520
Speaker 3: you got Mark Warboro. I think he just dropped into

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Speaker 3: kill Up. You got all these people. What makes you

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Speaker 3: want to be in an entertainment business where.

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Speaker 6: The difference, well, I'd say the problem is ninety nine

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00:17:12,640 --> 00:17:16,359
Speaker 6: percent of those guys the brands don't work. The brands

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00:17:16,400 --> 00:17:18,399
Speaker 6: don't want to work what they because they're not in

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Speaker 6: the business. I'm not in the entertainment business. I'm not

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Speaker 6: in the music business. I'm in the liquor business. That's

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Speaker 6: all I know. Right, And whether it's Jay or whether

351
00:17:26,080 --> 00:17:28,840
Speaker 6: it's Rick or whether it's post or whether it's Kalid,

352
00:17:30,160 --> 00:17:33,439
Speaker 6: if they if we can find a mutual relationship that

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Speaker 6: works for all of us because they love the brands.

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Speaker 2: I want to do something.

355
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Speaker 1: And one thing.

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00:17:39,840 --> 00:17:43,240
Speaker 3: Is different about you is I feel like you've given

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Speaker 3: them ownership.

358
00:17:45,160 --> 00:17:50,800
Speaker 2: Is that correct? Or Rick Cat one hundred?

359
00:17:51,400 --> 00:17:54,280
Speaker 1: I want them beautiful, That's what I want.

360
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Speaker 2: That's the relationships.

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Speaker 1: She makes a noise for that.

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00:17:56,040 --> 00:18:00,639
Speaker 3: Yeah, because it's so many people who come and like

363
00:18:00,800 --> 00:18:03,080
Speaker 3: coming to the coach that used the coach, and then

364
00:18:03,200 --> 00:18:04,920
Speaker 3: they don't even give the coature nothing. So the fact

365
00:18:04,960 --> 00:18:07,920
Speaker 3: that you know you're making people partners and you're making

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Speaker 3: people owners that's I think that's something that should be.

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00:18:10,600 --> 00:18:12,639
Speaker 2: I take it further it.

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00:18:12,840 --> 00:18:17,600
Speaker 6: You know, for example, in Africa right now, Ross reached

369
00:18:17,600 --> 00:18:21,840
Speaker 6: out because of us, and because there's two artists one artist,

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00:18:22,000 --> 00:18:29,000
Speaker 6: uh Chocko in uh in Uh there's a cameraon I think.

371
00:18:29,080 --> 00:18:32,640
Speaker 6: So he's got a song that's blowing up. He put

372
00:18:32,680 --> 00:18:35,680
Speaker 6: bel Air as the hook. It's amazing. We reached out

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00:18:35,680 --> 00:18:38,600
Speaker 6: and said, I'm gonna you've done us as solid. I

374
00:18:38,680 --> 00:18:42,320
Speaker 6: gotta support you now. So Ross, he's Ross did on

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Speaker 6: Instagram live there all it's.

376
00:18:44,119 --> 00:18:45,280
Speaker 3: What he was doing.

377
00:18:45,400 --> 00:18:48,480
Speaker 4: Is he reached out to his city and basically put

378
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Speaker 4: a certain amount of money on the table just to

379
00:18:51,680 --> 00:18:53,639
Speaker 4: you know, do something in the in the city.

380
00:18:53,680 --> 00:18:58,360
Speaker 6: And we just up that multiply ten thousand additional dollars

381
00:18:58,400 --> 00:19:02,320
Speaker 6: in an Instagram challenge songs going Crazy. And there's another group,

382
00:19:02,440 --> 00:19:07,240
Speaker 6: Nady Kenzo out of Tanzania. Again, they made bel air

383
00:19:07,240 --> 00:19:10,119
Speaker 6: part of their it's their brand. So what do we do.

384
00:19:10,200 --> 00:19:12,200
Speaker 6: We went after them and supported the hell out of them.

385
00:19:12,240 --> 00:19:14,560
Speaker 6: And I think most people do the opposite. They run away.

386
00:19:14,800 --> 00:19:17,560
Speaker 3: Yeah, like like, yeah, you don't see too many Champagne

387
00:19:17,840 --> 00:19:18,359
Speaker 3: and I want.

388
00:19:18,640 --> 00:19:23,440
Speaker 4: I want to really network and build relationships and ultimately

389
00:19:23,560 --> 00:19:28,679
Speaker 4: sign artists. Yeah, And I said that when I was

390
00:19:28,680 --> 00:19:31,880
Speaker 4: there last year, like Yo and I built a connection

391
00:19:32,040 --> 00:19:34,520
Speaker 4: with several artists that we actually building with.

392
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Speaker 1: They have a huge market, a huge scene, great artists

393
00:19:37,480 --> 00:19:37,880
Speaker 1: over there.

394
00:19:37,960 --> 00:19:42,439
Speaker 4: Oh and afrobeatches man, it's huge to me. What we

395
00:19:42,480 --> 00:19:44,040
Speaker 4: don't recognize enough.

396
00:19:43,920 --> 00:19:48,080
Speaker 3: Is their style. The fashion over in Africa.

397
00:19:48,160 --> 00:19:50,840
Speaker 4: I went to fashion shows over and when I tell

398
00:19:50,880 --> 00:19:53,560
Speaker 4: you that ship was next level I'm talking about it's

399
00:19:53,600 --> 00:19:56,520
Speaker 4: a lot of vibe that we got to pay trip

400
00:19:56,560 --> 00:19:59,320
Speaker 4: you to that and networking, you know, like I said,

401
00:19:59,359 --> 00:20:02,919
Speaker 4: we most have in Italy extended our arms in the

402
00:20:02,960 --> 00:20:06,479
Speaker 4: first you know, everybody who catching our attention send it

403
00:20:06,520 --> 00:20:08,119
Speaker 4: our way right.

404
00:20:09,400 --> 00:20:09,919
Speaker 7: Straight up?

405
00:20:10,440 --> 00:20:16,120
Speaker 3: So recently you made headlines for buying Meek Mail's house.

406
00:20:16,720 --> 00:20:19,119
Speaker 1: Right cash is the set?

407
00:20:19,720 --> 00:20:26,400
Speaker 3: Yeah, what the fuck does that mean? Did you come

408
00:20:26,480 --> 00:20:30,200
Speaker 3: to this man with a means? Yeah? What it means is.

409
00:20:31,680 --> 00:20:34,920
Speaker 7: It's basically paid him full right then?

410
00:20:35,400 --> 00:20:37,960
Speaker 3: So what he was selling his house right right right?

411
00:20:38,080 --> 00:20:41,399
Speaker 4: It was something that met had posted online, okay, you know,

412
00:20:41,560 --> 00:20:43,919
Speaker 4: like he had posts, you know, put it up for sale.

413
00:20:44,560 --> 00:20:46,200
Speaker 7: Ship was moving slow.

414
00:20:47,040 --> 00:20:48,959
Speaker 2: And I was just so just on some homie. Shi

415
00:20:49,080 --> 00:20:50,360
Speaker 2: was like, let me get that off the market for.

416
00:20:50,320 --> 00:20:51,159
Speaker 7: You for no reason.

417
00:20:51,880 --> 00:20:57,800
Speaker 2: They give it a come on, make sure make sure.

418
00:21:00,240 --> 00:21:02,240
Speaker 3: I'm gonna make sure I got your real phone number again,

419
00:21:05,880 --> 00:21:07,080
Speaker 3: because I definitely need.

420
00:21:06,960 --> 00:21:10,919
Speaker 4: To make sure make sure you have my contact for

421
00:21:11,000 --> 00:21:17,359
Speaker 4: everybody that's watching. Uh and this is no reference to that.

422
00:21:17,359 --> 00:21:19,960
Speaker 4: That's me meet Mail, my family. But if you out

423
00:21:20,000 --> 00:21:23,399
Speaker 4: there watching, but and you about the face foreclose, you

424
00:21:23,520 --> 00:21:26,000
Speaker 4: reach out to me, please right.

425
00:21:28,080 --> 00:21:34,680
Speaker 3: He you know Ross you you gotta appreciate it. Dude

426
00:21:34,720 --> 00:21:39,040
Speaker 3: does this all the time. I want to say something,

427
00:21:39,080 --> 00:21:43,880
Speaker 3: because living in Miami is always you hear rumors or whatever,

428
00:21:43,960 --> 00:21:45,720
Speaker 3: and it was at one point it was a time

429
00:21:45,760 --> 00:21:48,560
Speaker 3: where you was hearing, you know, Meek and Ross it's

430
00:21:48,640 --> 00:21:52,040
Speaker 3: beefing or whatever. And then I've seen that picture or

431
00:21:52,160 --> 00:21:54,920
Speaker 3: was it footage of y'all in the studio in the studio,

432
00:21:55,560 --> 00:21:58,680
Speaker 3: that shit touched my heart because I can't stand when

433
00:21:58,800 --> 00:22:01,520
Speaker 3: people are down together and then they start beefing each other.

434
00:22:01,560 --> 00:22:05,639
Speaker 3: I want people to I notice, I noticed, like not

435
00:22:05,760 --> 00:22:08,720
Speaker 3: realistic that people gonna stay together forever, but I like that.

436
00:22:08,840 --> 00:22:09,240
Speaker 1: I like that.

437
00:22:09,280 --> 00:22:11,439
Speaker 3: I like to see Wu Tang together forever. I like

438
00:22:11,480 --> 00:22:13,960
Speaker 3: to see you know, outcasts together forever. I like to

439
00:22:14,000 --> 00:22:18,200
Speaker 3: see that and together forever. I don't want Mayback music

440
00:22:18,640 --> 00:22:21,199
Speaker 3: to always be together. So that's me like, I'm I'm

441
00:22:21,240 --> 00:22:23,560
Speaker 3: a I'm I'm I'm the inside of that's the outside,

442
00:22:23,560 --> 00:22:26,240
Speaker 3: that's an inside of the outsider. But I liked it

443
00:22:26,280 --> 00:22:30,040
Speaker 3: that So, what's that something that y'all planned out? Because

444
00:22:30,080 --> 00:22:32,240
Speaker 3: I remember it wasn't just me. I see everyone in

445
00:22:32,280 --> 00:22:33,480
Speaker 3: the and then it was like.

446
00:22:33,480 --> 00:22:36,000
Speaker 1: Yes, the niggas is together, like I seen it.

447
00:22:36,080 --> 00:22:37,560
Speaker 2: I seen everyone salute.

448
00:22:37,560 --> 00:22:39,720
Speaker 3: That was that something you planned or that was something

449
00:22:39,760 --> 00:22:41,320
Speaker 3: that was just now?

450
00:22:41,359 --> 00:22:44,160
Speaker 4: It was nothing that we actually planned. It was most

451
00:22:44,160 --> 00:22:47,920
Speaker 4: definitely something that just took place. You know what I'm saying.

452
00:22:48,280 --> 00:22:52,240
Speaker 4: The love between Rose Meek Miller as well as gunn

453
00:22:52,320 --> 00:22:56,679
Speaker 4: Play as well as that's genuine and it'll it'll remain

454
00:22:56,800 --> 00:22:57,679
Speaker 4: genuine forever.

455
00:22:58,000 --> 00:23:00,679
Speaker 3: That By the way, I want to look at you

456
00:23:00,720 --> 00:23:02,840
Speaker 3: face to face, man, and man, that's some g ship, Bro,

457
00:23:03,240 --> 00:23:07,760
Speaker 3: I really really appreciate because obviously you're the CEO, so

458
00:23:07,800 --> 00:23:09,680
Speaker 3: you have to be a little bit more in control.

459
00:23:09,920 --> 00:23:12,000
Speaker 3: So the fact that I don't know nothing, but the

460
00:23:12,040 --> 00:23:14,520
Speaker 3: fact that I looked from the outside looking in thinking

461
00:23:15,040 --> 00:23:17,440
Speaker 3: that you took control of that and made that rite

462
00:23:17,440 --> 00:23:19,879
Speaker 3: whatever it was or even if it wasn't, that's some

463
00:23:19,960 --> 00:23:23,280
Speaker 3: real ship, man, I'm telling you, Bro, I'm telling you.

464
00:23:25,640 --> 00:23:26,399
Speaker 2: I saluted that.

465
00:23:26,440 --> 00:23:29,320
Speaker 3: I remember, I remember, it's time to take another shot.

466
00:23:29,320 --> 00:23:31,359
Speaker 2: I mean, I mean, but give.

467
00:23:31,240 --> 00:23:34,960
Speaker 3: Me, give me the they yeah yeah, yeah, yeah, so.

468
00:23:36,640 --> 00:23:38,880
Speaker 1: Yeah man, because I love ship like that.

469
00:23:38,920 --> 00:23:43,000
Speaker 3: Man, I really do want people to to be like

470
00:23:43,040 --> 00:23:46,120
Speaker 3: that for you know what I mean. And it's beautiful.

471
00:23:46,119 --> 00:23:50,639
Speaker 3: Like I remember, I remember when was transitioning right before

472
00:23:50,640 --> 00:23:53,240
Speaker 3: he got with you, and I remember just speaking to

473
00:23:53,440 --> 00:23:59,359
Speaker 3: l A and and I remember after he got with you,

474
00:23:59,440 --> 00:24:01,919
Speaker 3: he was a whole new artist, like you made him

475
00:24:01,960 --> 00:24:06,520
Speaker 3: a whole new like a superstar, almost like he was

476
00:24:07,080 --> 00:24:09,240
Speaker 3: I don't want to say regular, but he was.

477
00:24:09,720 --> 00:24:10,560
Speaker 2: And then he got with you.

478
00:24:10,680 --> 00:24:13,679
Speaker 3: And then what Because a lot of people say that

479
00:24:13,840 --> 00:24:16,200
Speaker 3: artists can't be signed the artists, because artists don't want

480
00:24:16,200 --> 00:24:18,680
Speaker 3: the other artists to shine. What makes you step step

481
00:24:18,720 --> 00:24:20,360
Speaker 3: behind and let your artist shine?

482
00:24:21,000 --> 00:24:23,359
Speaker 4: You know that that's something that I really don't believe.

483
00:24:23,560 --> 00:24:26,280
Speaker 1: I don't believe if you just if you just in.

484
00:24:26,200 --> 00:24:29,200
Speaker 4: A room with small minded individuals, that's what it is

485
00:24:29,560 --> 00:24:31,760
Speaker 4: when we come sit at this table. I would love

486
00:24:31,800 --> 00:24:34,440
Speaker 4: for us to be on a level to where we

487
00:24:34,520 --> 00:24:38,000
Speaker 4: all grow to a point where you motherfuckers take off,

488
00:24:38,040 --> 00:24:41,320
Speaker 4: where you inspire me and I'm watching y'all from the back.

489
00:24:42,440 --> 00:24:44,879
Speaker 4: I really don't That ain't the type of party I

490
00:24:44,920 --> 00:24:47,000
Speaker 4: want to be at. If I'm the only one getting paper,

491
00:24:48,320 --> 00:24:52,240
Speaker 4: if we ain't all getting money in some form, shape

492
00:24:52,320 --> 00:24:56,760
Speaker 4: or capacity, let's explode. Let's make this shit so big

493
00:24:56,880 --> 00:25:00,600
Speaker 4: to where you motivate me. You're inspiring me. And when

494
00:25:00,640 --> 00:25:05,199
Speaker 4: I got with I knew he was a superstar. I

495
00:25:05,240 --> 00:25:08,200
Speaker 4: see the value. It ain't even about how much paper

496
00:25:08,240 --> 00:25:10,920
Speaker 4: you got right now, it's It's like me sitting at

497
00:25:10,920 --> 00:25:14,920
Speaker 4: the table with Brett. This is the he created a suspade,

498
00:25:15,000 --> 00:25:19,000
Speaker 4: he created dou say, I was in questioning what a

499
00:25:19,119 --> 00:25:20,159
Speaker 4: direction was?

500
00:25:21,240 --> 00:25:21,920
Speaker 3: You understand?

501
00:25:21,960 --> 00:25:24,119
Speaker 4: Once I sat down with him and I saw he

502
00:25:24,160 --> 00:25:26,359
Speaker 4: couldn't dress, and I knew.

503
00:25:26,960 --> 00:25:29,359
Speaker 3: And I knew this what it was. I was like,

504
00:25:29,520 --> 00:25:32,560
Speaker 3: you know what, real cool, mother fucking man.

505
00:25:33,240 --> 00:25:40,640
Speaker 4: Yeah, yeah, let's take a show.

506
00:25:40,920 --> 00:25:41,240
Speaker 7: Thank you?

507
00:25:42,359 --> 00:25:43,200
Speaker 2: You ready for quick Time?

508
00:25:43,200 --> 00:25:43,560
Speaker 1: It's love?

509
00:25:45,480 --> 00:25:46,600
Speaker 2: You want to explain him the game?

510
00:25:47,440 --> 00:25:48,320
Speaker 1: Yeah, we're giving you.

511
00:25:50,320 --> 00:25:52,119
Speaker 2: What's that called? What's this called the Deacon?

512
00:25:52,280 --> 00:25:52,680
Speaker 1: The Deacon?

513
00:25:53,760 --> 00:25:55,119
Speaker 3: The Deacon on?

514
00:25:55,200 --> 00:25:58,840
Speaker 2: I got something for you all right here, you ship.

515
00:25:59,040 --> 00:26:02,520
Speaker 6: The Deacon is a Scotch and the Deacon literally means

516
00:26:02,720 --> 00:26:07,640
Speaker 6: if you're the deacon in Scotland, it means no, okay,

517
00:26:07,680 --> 00:26:10,200
Speaker 6: but you're the best at what you do. If you're

518
00:26:10,240 --> 00:26:13,080
Speaker 6: the best radio DJ, if you're the best mechanic, if

519
00:26:13,119 --> 00:26:15,480
Speaker 6: you're the best barber, if you're the best economy. The

520
00:26:15,840 --> 00:26:18,480
Speaker 6: deacon it's a title given. So if you're the Deacon,

521
00:26:18,600 --> 00:26:19,120
Speaker 6: you get this.

522
00:26:19,880 --> 00:26:24,320
Speaker 4: Okay, go ahead and put those zone nor if you're

523
00:26:24,320 --> 00:26:27,160
Speaker 4: gonna drink, come on.

524
00:26:27,280 --> 00:26:33,040
Speaker 3: Yeah, I'm playing Quicktomes lying with the let's go.

525
00:26:39,440 --> 00:26:42,360
Speaker 1: I don't know if I got drunkard or hi, hold

526
00:26:42,400 --> 00:26:45,639
Speaker 1: on me, I'm gonna have to take ahead of the

527
00:26:45,680 --> 00:26:47,160
Speaker 1: hook or somewhere.

528
00:26:47,960 --> 00:26:50,760
Speaker 3: You feel me? There you go, all right, quick, Thomas Live.

529
00:26:51,760 --> 00:26:54,440
Speaker 1: You want to spain you guys, get two choices. Pick

530
00:26:54,520 --> 00:26:57,879
Speaker 1: one nobody drinks. Pick say both or neither? We drinking?

531
00:26:58,359 --> 00:26:58,840
Speaker 3: Mean, hold on?

532
00:26:58,960 --> 00:26:59,480
Speaker 7: Say that again?

533
00:26:59,560 --> 00:27:02,880
Speaker 3: Two choice, two choices. You know we say this or this? Okay,

534
00:27:03,080 --> 00:27:04,840
Speaker 3: you pick one of them. You answer it with one.

535
00:27:05,560 --> 00:27:08,720
Speaker 3: Nobody's drinking. You say both or neither.

536
00:27:09,480 --> 00:27:10,320
Speaker 1: We're drinking.

537
00:27:12,040 --> 00:27:12,840
Speaker 7: Both or neither.

538
00:27:12,920 --> 00:27:14,120
Speaker 2: Yeah, we're taking a shot.

539
00:27:14,080 --> 00:27:16,200
Speaker 7: Okay, whatever that means.

540
00:27:20,960 --> 00:27:21,840
Speaker 3: Let's go to the first one.

541
00:27:22,080 --> 00:27:24,120
Speaker 13: The first one.

542
00:27:24,640 --> 00:27:30,200
Speaker 3: I'm gonna ask this one, jay Z or nah jay z? Okay,

543
00:27:30,280 --> 00:27:31,800
Speaker 3: I know I kind of knew he was gonna say

544
00:27:31,800 --> 00:27:35,439
Speaker 3: that kiss or fab kiss.

545
00:27:35,920 --> 00:27:39,960
Speaker 1: Okay, I got it. Come on this Miami ghetto style

546
00:27:40,040 --> 00:27:45,119
Speaker 1: DJs or sugar Hill DJs. Take a shot. Look at

547
00:27:45,160 --> 00:27:45,639
Speaker 1: that pause?

548
00:27:46,560 --> 00:27:47,160
Speaker 7: Take a shot?

549
00:27:51,640 --> 00:27:52,040
Speaker 3: All right?

550
00:27:52,080 --> 00:27:56,840
Speaker 4: Pat When you say sugar Hill DJs, oh say all

551
00:27:56,880 --> 00:27:57,880
Speaker 4: repeat the DJ.

552
00:27:57,800 --> 00:28:00,439
Speaker 1: Uncle loud absolutely one time for it to me.

553
00:28:00,920 --> 00:28:03,720
Speaker 4: You know I'm talking about When you say ghetto style DJs,

554
00:28:04,119 --> 00:28:07,320
Speaker 4: that was me going into the pack jam loop Little

555
00:28:07,359 --> 00:28:11,680
Speaker 4: teenage Club Yeah, yeah, I actually want They actually gave

556
00:28:11,720 --> 00:28:14,440
Speaker 4: me one of the pack Jam Junkie shirts.

557
00:28:15,080 --> 00:28:18,800
Speaker 7: Yeah yeah, real ship. That's real ship.

558
00:28:18,920 --> 00:28:19,560
Speaker 3: Rose know that.

559
00:28:20,000 --> 00:28:21,840
Speaker 1: Okay, that's that's far us. It's too easy.

560
00:28:21,920 --> 00:28:22,240
Speaker 7: Let's go.

561
00:28:22,359 --> 00:28:24,560
Speaker 1: It's Pitbull or floor Rider.

562
00:28:26,560 --> 00:28:27,280
Speaker 7: Give me a shot.

563
00:28:31,200 --> 00:28:31,920
Speaker 1: We don't.

564
00:28:34,520 --> 00:28:41,320
Speaker 3: Stick together because I because I love them both. You

565
00:28:41,440 --> 00:28:42,080
Speaker 3: know what I'm saying.

566
00:28:42,240 --> 00:28:44,440
Speaker 4: You know what say if we was on the red

567
00:28:44,520 --> 00:28:48,600
Speaker 4: carpet and either one of them got into a a

568
00:28:48,720 --> 00:28:53,200
Speaker 4: misunderstanding with anybody, I would jump on somebody head for

569
00:28:53,320 --> 00:28:54,720
Speaker 4: him without a doubt.

570
00:28:55,680 --> 00:29:03,120
Speaker 3: I want to take this one. Rolex Coco changing Rolex. Yeah,

571
00:29:03,360 --> 00:29:05,440
Speaker 3: you put take one. It's Rolex, man, it's the.

572
00:29:05,440 --> 00:29:09,840
Speaker 1: O g one. Take one that was also okay by history.

573
00:29:10,360 --> 00:29:13,200
Speaker 4: Take Take one was most definitely, but Rolex you could

574
00:29:13,200 --> 00:29:13,800
Speaker 4: never question.

575
00:29:14,920 --> 00:29:16,080
Speaker 1: No, it's the original.

576
00:29:16,400 --> 00:29:19,200
Speaker 3: That's that's that's because you know, I've been living out

577
00:29:19,240 --> 00:29:21,360
Speaker 3: here sixteen years, but when I used to come out

578
00:29:21,400 --> 00:29:23,400
Speaker 3: here twenty years ago, that was the first time I

579
00:29:23,440 --> 00:29:25,200
Speaker 3: was like, holy shit, because we didn't we didn't go

580
00:29:25,240 --> 00:29:27,120
Speaker 3: to strip clubs in New York. So when we went

581
00:29:27,200 --> 00:29:27,880
Speaker 3: there and we seen.

582
00:29:28,120 --> 00:29:29,480
Speaker 2: So I was taking you the showgirls.

583
00:29:29,840 --> 00:29:35,440
Speaker 4: Rolex was the next level club. Rolex It wasn't even

584
00:29:35,760 --> 00:29:38,720
Speaker 4: it wasn't even about you know, the hustlers throwing money

585
00:29:38,720 --> 00:29:39,280
Speaker 4: in the club.

586
00:29:39,640 --> 00:29:41,680
Speaker 3: It was dope boys that just stood in the.

587
00:29:41,720 --> 00:29:45,200
Speaker 4: Parking lot in front of the chevies that cost two

588
00:29:45,240 --> 00:29:49,080
Speaker 4: hundred and fifty thousand tops down, letting them run music, beating,

589
00:29:49,360 --> 00:29:51,720
Speaker 4: and just stood out there. You ain't know what was

590
00:29:51,760 --> 00:29:56,080
Speaker 4: going on? Won your business? You just looked at the

591
00:29:56,160 --> 00:30:01,800
Speaker 4: rems and just said, damn donk, yeah your show girls?

592
00:30:02,200 --> 00:30:04,680
Speaker 1: That was not show girls? Was I love show girls?

593
00:30:04,680 --> 00:30:04,880
Speaker 14: Man?

594
00:30:05,280 --> 00:30:06,080
Speaker 7: What was show girl?

595
00:30:06,120 --> 00:30:06,320
Speaker 3: Down?

596
00:30:06,320 --> 00:30:13,760
Speaker 2: Southern Color the girls parties when everybody doing that?

597
00:30:14,000 --> 00:30:17,280
Speaker 4: Oh okay, okay, okay, you're talking Coconut bro basically, no, no, no, no.

598
00:30:17,480 --> 00:30:21,440
Speaker 1: The color Ridge, Color Ridge, South Ridge Area, Color Ridge.

599
00:30:22,720 --> 00:30:24,800
Speaker 1: We used to take them all the time, these chicks

600
00:30:24,800 --> 00:30:27,840
Speaker 1: being there, tough as hell. They got guns on too,

601
00:30:29,360 --> 00:30:34,320
Speaker 1: like work you stripping with a hammer. How does this work?

602
00:30:34,520 --> 00:30:37,440
Speaker 3: I'm playing, I'm playing, I'm playing, I'm playing.

603
00:30:38,680 --> 00:30:39,840
Speaker 2: Tupac at d m X.

604
00:30:42,080 --> 00:30:45,320
Speaker 7: Repeated, d m X repeating. You gotta understand.

605
00:30:45,560 --> 00:30:47,960
Speaker 4: And and when I say these names and decide who

606
00:30:47,960 --> 00:30:51,880
Speaker 4: I'm deciding, it's not about who the best I'm seeing.

607
00:30:52,600 --> 00:30:54,520
Speaker 7: It's just my personal impact.

608
00:30:54,520 --> 00:30:58,120
Speaker 3: That's what you want to say and would be.

609
00:30:58,400 --> 00:31:01,400
Speaker 4: You could be an artist that sold twenty million records,

610
00:31:01,560 --> 00:31:04,280
Speaker 4: but that impact ain't hit me like a motherfucker. That

611
00:31:04,400 --> 00:31:08,760
Speaker 4: was from Kissing Me Florida, that only sold seventy five thousand.

612
00:31:09,080 --> 00:31:11,600
Speaker 4: So when I choose what I choose, if you understand

613
00:31:11,920 --> 00:31:14,240
Speaker 4: me as an artist, Shore, you know, I'm just trying

614
00:31:14,280 --> 00:31:16,160
Speaker 4: to let y'all look peek into that window.

615
00:31:16,400 --> 00:31:18,840
Speaker 1: And we're giving these names and these people because we're

616
00:31:18,840 --> 00:31:21,000
Speaker 1: honoring all of them. We want to talk about it,

617
00:31:21,040 --> 00:31:21,920
Speaker 1: we want to bring them up.

618
00:31:22,160 --> 00:31:22,680
Speaker 7: I love it.

619
00:31:23,800 --> 00:31:31,520
Speaker 2: Trina or Eve, Yeah, what train?

620
00:31:31,640 --> 00:31:36,240
Speaker 3: That wasn't my vig what you already know?

621
00:31:36,360 --> 00:31:40,120
Speaker 4: Man, No train the most Definitely, she changed the game

622
00:31:40,920 --> 00:31:43,760
Speaker 4: when she said baddest bitch. She made a lot of

623
00:31:43,760 --> 00:31:46,920
Speaker 4: these young bitches hell they had up so one time

624
00:31:46,960 --> 00:31:47,440
Speaker 4: for training.

625
00:31:52,160 --> 00:31:55,200
Speaker 3: I think you should ask this one scarface of ice Cube,

626
00:31:57,040 --> 00:31:58,040
Speaker 3: I'm gonna take a shot.

627
00:31:58,520 --> 00:32:00,000
Speaker 7: That's difficult, I'm gonna take a shot.

628
00:32:00,040 --> 00:32:02,360
Speaker 4: I'm gonna take a shot because what Q did on

629
00:32:02,400 --> 00:32:08,120
Speaker 4: the West Coast to me, ice Cube was the West

630
00:32:08,160 --> 00:32:09,040
Speaker 4: Coast m v P.

631
00:32:10,960 --> 00:32:11,320
Speaker 6: M v P.

632
00:32:11,520 --> 00:32:15,560
Speaker 4: That's who was writing easy raps, That's who was a major.

633
00:32:15,360 --> 00:32:16,720
Speaker 7: Part of n w A.

634
00:32:16,880 --> 00:32:19,880
Speaker 4: And then when he went solo that ship was you

635
00:32:20,000 --> 00:32:22,720
Speaker 4: understand so what Q did.

636
00:32:23,200 --> 00:32:25,480
Speaker 1: And as an entrepreneur too, almost.

637
00:32:25,040 --> 00:32:28,360
Speaker 4: Definitely we already I ain't even speaking on We ain't

638
00:32:28,400 --> 00:32:29,320
Speaker 4: even talking about.

639
00:32:29,080 --> 00:32:32,440
Speaker 3: It, just like everything like that shot.

640
00:32:32,720 --> 00:32:35,880
Speaker 4: Give me another one and let him know what we're drinking. Now,

641
00:32:35,960 --> 00:32:36,600
Speaker 4: let's let him know.

642
00:32:36,640 --> 00:32:38,960
Speaker 2: Now you drinking that I'm drinking. I'm drinking.

643
00:32:39,360 --> 00:32:40,360
Speaker 3: You drinking the Deacon.

644
00:32:40,440 --> 00:32:41,360
Speaker 2: I'm digging with the bubble.

645
00:32:41,920 --> 00:32:44,480
Speaker 4: You drinking the Deacon, I'm drinking the mc queen with

646
00:32:44,600 --> 00:32:46,160
Speaker 4: the ultra violet, that purple.

647
00:32:47,680 --> 00:32:50,240
Speaker 2: Okay, damn creeping up on me.

648
00:32:50,840 --> 00:32:59,440
Speaker 15: Get ready, because you remember what happened last time one,

649
00:33:00,640 --> 00:33:02,640
Speaker 15: you know, like this I was.

650
00:33:03,440 --> 00:33:11,800
Speaker 1: You remember, remember it's funny that was drink chance history.

651
00:33:11,840 --> 00:33:12,200
Speaker 16: It's good.

652
00:33:14,360 --> 00:33:16,760
Speaker 1: Yeah.

653
00:33:16,520 --> 00:33:22,480
Speaker 3: And when I start waking, I funked up. He was

654
00:33:22,520 --> 00:33:25,520
Speaker 3: like he was looking at me like I was. And

655
00:33:25,520 --> 00:33:28,400
Speaker 3: then I came back. And then then you performed that

656
00:33:28,520 --> 00:33:30,800
Speaker 3: night and I came back and I came back, and

657
00:33:30,800 --> 00:33:33,160
Speaker 3: I was a man. I don't know how became a man.

658
00:33:33,840 --> 00:33:35,840
Speaker 3: Get all the way up, come right and come right

659
00:33:35,880 --> 00:33:37,040
Speaker 3: back and bounce right back. Man.

660
00:33:37,360 --> 00:33:40,040
Speaker 2: The business that is just be clear angle.

661
00:33:42,760 --> 00:33:58,760
Speaker 17: No what you think? No, I don't know man, I'm

662
00:33:58,760 --> 00:34:01,680
Speaker 17: gonna tell you what it was. I drink that whole day.

663
00:34:02,000 --> 00:34:05,600
Speaker 3: Then we this this, this is the rules sowed up

664
00:34:05,720 --> 00:34:07,320
Speaker 3: that we don't drink before the podcast.

665
00:34:07,640 --> 00:34:09,359
Speaker 2: That's why we Gunplay said that. Just now I thought

666
00:34:09,400 --> 00:34:10,400
Speaker 2: gun Bay was lining me up.

667
00:34:10,520 --> 00:34:15,400
Speaker 3: Gunplay said, do we take in cubimatory shot said this

668
00:34:15,640 --> 00:34:18,040
Speaker 3: a Gunplay is lining me up. So we don't drink

669
00:34:18,080 --> 00:34:21,320
Speaker 3: before the podcast. We drink right, so yeah, but ahead

670
00:34:21,320 --> 00:34:23,359
Speaker 3: go the next one. Oh up there that that's that's

671
00:34:23,360 --> 00:34:25,000
Speaker 3: your ship out cast.

672
00:34:29,239 --> 00:34:31,560
Speaker 4: Without a doubt. I'm gonna be happy to take a shot.

673
00:34:31,640 --> 00:34:36,440
Speaker 4: But you gotta understand when you say outcast, g K

674
00:34:37,560 --> 00:34:42,080
Speaker 4: U g K comes to my heart first. Okay, that's

675
00:34:42,120 --> 00:34:47,800
Speaker 4: without a question, you understand, So with me, naturally you

676
00:34:48,000 --> 00:34:52,000
Speaker 4: GK comes to my heart first. I repeated, Pimp Sea

677
00:34:52,080 --> 00:34:53,759
Speaker 4: bun beat one time for.

678
00:34:53,800 --> 00:34:55,320
Speaker 1: Trill Burgers, T Burgers.

679
00:34:55,400 --> 00:34:59,200
Speaker 4: If you never had a fucking trill cheese burger, stop

680
00:34:59,320 --> 00:35:00,400
Speaker 4: cheating your self.

681
00:35:00,920 --> 00:35:03,080
Speaker 2: We need Bummy to come here with Yeah.

682
00:35:03,000 --> 00:35:06,560
Speaker 4: Yeah, Bumby asked to O g the O Gill come

683
00:35:06,600 --> 00:35:08,840
Speaker 4: and set up the grill up there. But you know,

684
00:35:09,320 --> 00:35:11,759
Speaker 4: and you know what pimp pimp was when you go

685
00:35:11,840 --> 00:35:15,760
Speaker 4: to my I G page if it's not my very first,

686
00:35:15,960 --> 00:35:19,319
Speaker 4: it's my second picture. I ever posted a left posters

687
00:35:19,360 --> 00:35:23,480
Speaker 4: with me and Pimp see I understand, so you know

688
00:35:23,560 --> 00:35:27,520
Speaker 4: what that is and what Outcasts did for the South

689
00:35:27,640 --> 00:35:35,480
Speaker 4: creatively was never done before. You understand that, No I said,

690
00:35:35,520 --> 00:35:36,719
Speaker 4: I said both without a doubt.

691
00:35:36,800 --> 00:35:39,200
Speaker 7: Yeah, yeah, yeah yeah, I made it clear.

692
00:35:40,000 --> 00:35:44,480
Speaker 4: Not that Rose won't answer this ship herd Pimp you know,

693
00:35:44,560 --> 00:35:47,560
Speaker 4: but I'm gonna take a shot for the big homies.

694
00:35:47,880 --> 00:35:50,040
Speaker 1: You want to ask this one, Meek.

695
00:35:52,040 --> 00:35:52,200
Speaker 3: Yo?

696
00:35:52,400 --> 00:35:55,479
Speaker 4: Going on when you when you say when you say

697
00:35:55,560 --> 00:35:58,920
Speaker 4: meat Mill and wall A, it's not even that it's

698
00:35:58,960 --> 00:36:03,280
Speaker 4: a comparison. While they came right in. He was released first,

699
00:36:03,320 --> 00:36:07,640
Speaker 4: he released his album first. You understand Meek Mill, I saw,

700
00:36:07,840 --> 00:36:11,839
Speaker 4: I saw that they both was geniuses. They both while

701
00:36:11,880 --> 00:36:14,360
Speaker 4: they will come in and write a fucking song or

702
00:36:14,360 --> 00:36:17,960
Speaker 4: write a fucking hook about a passion and you ask

703
00:36:18,080 --> 00:36:20,719
Speaker 4: him what's going on and here to say it's my

704
00:36:20,880 --> 00:36:23,000
Speaker 4: girl right now, when then he comes back with a

705
00:36:23,080 --> 00:36:33,480
Speaker 4: fucking lotus flower bomb. Yeah, sing that again. You got

706
00:36:33,480 --> 00:36:44,840
Speaker 4: a future, yo, we might push you up at without

707
00:36:44,840 --> 00:36:47,279
Speaker 4: a doubt. They both you know, and and just see

708
00:36:47,320 --> 00:36:49,680
Speaker 4: them both grow. It's just for me to be a

709
00:36:49,719 --> 00:36:53,279
Speaker 4: young CEO of course already fucking with my brother's gonna play,

710
00:36:53,680 --> 00:36:57,120
Speaker 4: you know, And that was yeah, my niggas before we

711
00:36:57,200 --> 00:37:00,680
Speaker 4: even started. So it wasn't about even be and the CEO,

712
00:37:00,800 --> 00:37:04,239
Speaker 4: but going out and signing Walle and signing Meet and

713
00:37:04,320 --> 00:37:05,280
Speaker 4: watching what they.

714
00:37:05,200 --> 00:37:08,120
Speaker 7: Both blossomed into it.

715
00:37:07,640 --> 00:37:11,120
Speaker 4: It felt good because I just knew, you know, I

716
00:37:11,280 --> 00:37:13,000
Speaker 4: was correct on what I seen.

717
00:37:13,800 --> 00:37:15,040
Speaker 2: What did you see in both?

718
00:37:15,160 --> 00:37:17,480
Speaker 4: I saw that they both was geniuses, and I saw

719
00:37:17,480 --> 00:37:20,759
Speaker 4: that they both was dope as fuck. Fuck that when

720
00:37:20,760 --> 00:37:23,919
Speaker 4: you come into the studio with me. Fuck how good

721
00:37:24,000 --> 00:37:27,759
Speaker 4: your shoes are? Fuck all that bullshit. I want to

722
00:37:27,800 --> 00:37:29,360
Speaker 4: know if you dope. I want to know if you

723
00:37:29,520 --> 00:37:32,439
Speaker 4: really are awfum, I want to know if you could

724
00:37:32,480 --> 00:37:35,880
Speaker 4: see this picture and paint this fucking picture like a

725
00:37:35,960 --> 00:37:38,640
Speaker 4: Bosk yacht that we can hang on the wall forever.

726
00:37:40,520 --> 00:37:43,680
Speaker 2: What do you see? What's the What's what is Gunplay?

727
00:37:44,080 --> 00:37:45,200
Speaker 2: Wala Meet?

728
00:37:45,239 --> 00:37:46,400
Speaker 3: What do they all have in common?

729
00:37:46,800 --> 00:37:49,560
Speaker 4: Gunplay had what he seen what I was when he

730
00:37:49,719 --> 00:37:54,799
Speaker 4: was thirteen. He seen the vision right then? Whatever you with,

731
00:37:54,920 --> 00:37:57,879
Speaker 4: big Homie, I'm with I'm with you too, bro.

732
00:37:58,800 --> 00:38:06,520
Speaker 2: Thanks the noise for that man, the truth man. We love.

733
00:38:06,800 --> 00:38:08,719
Speaker 4: Yeah, yeah, it don't get it. Don't get no realer

734
00:38:08,760 --> 00:38:12,520
Speaker 4: than Coyeah. I wouldn't even expect nobody to give me

735
00:38:12,600 --> 00:38:17,120
Speaker 4: that feeling. And so me being an artist that became,

736
00:38:17,480 --> 00:38:20,879
Speaker 4: you know, the biggest artist that MTV named this, this

737
00:38:20,960 --> 00:38:26,799
Speaker 4: person named this two thousand and eleven, twenty twelve, I

738
00:38:26,880 --> 00:38:32,080
Speaker 4: had at one point a dozen booking dates on top

739
00:38:32,120 --> 00:38:34,360
Speaker 4: of dates that they couldn't even get, you know what

740
00:38:34,400 --> 00:38:39,640
Speaker 4: I mean? So just to see the vision that I

741
00:38:39,680 --> 00:38:42,240
Speaker 4: have for Walle and Meek, and you know, we painted

742
00:38:42,280 --> 00:38:45,560
Speaker 4: those pictures, and not only that, we went out and executed.

743
00:38:45,920 --> 00:38:48,680
Speaker 4: So to me, that's what meant the most, not just

744
00:38:48,960 --> 00:38:52,600
Speaker 4: fuck any whatever anything else. It was us being artists.

745
00:38:52,920 --> 00:38:55,799
Speaker 4: We had a vision. Let's go out and accomplish that.

746
00:38:56,120 --> 00:38:58,480
Speaker 4: Let's go out there and show these one fuckers we

747
00:38:59,120 --> 00:39:02,040
Speaker 4: dope and and the pictures that while they painted, they

748
00:39:02,120 --> 00:39:05,920
Speaker 4: know you can't you can't duplicate those, You can't photo

749
00:39:06,000 --> 00:39:11,320
Speaker 4: copy those energy that Meek create when he in those stadiums.

750
00:39:11,640 --> 00:39:14,160
Speaker 3: You can't photo copy there. You can't fake that ship.

751
00:39:14,239 --> 00:39:20,560
Speaker 3: Don't even waste your major or independent major. Look at

752
00:39:20,640 --> 00:39:29,719
Speaker 3: you you right now, all these.

753
00:39:27,920 --> 00:39:31,439
Speaker 4: Want to go straight to the big money.

754
00:39:32,080 --> 00:39:34,280
Speaker 3: Save all those deep words.

755
00:39:34,600 --> 00:39:38,640
Speaker 4: And all of that, all of that ship that we're

756
00:39:38,719 --> 00:39:44,439
Speaker 4: gonna through in nine years. Give it to me now,

757
00:39:53,400 --> 00:39:57,120
Speaker 4: don't waste your time, yo, Let's give a shot at

758
00:39:57,480 --> 00:39:58,399
Speaker 4: it's time to take a shot.

759
00:39:59,600 --> 00:40:01,839
Speaker 2: Come on, God damn it, you got the next one?

760
00:40:01,880 --> 00:40:02,480
Speaker 3: What you're taking?

761
00:40:02,520 --> 00:40:03,680
Speaker 2: What were taking?

762
00:40:03,760 --> 00:40:05,000
Speaker 7: One time for crazy Hood for.

763
00:40:09,000 --> 00:40:12,719
Speaker 4: Hey and me, and let me say this and let

764
00:40:12,800 --> 00:40:14,800
Speaker 4: me let me say this and make it clip. Crazy

765
00:40:14,840 --> 00:40:18,560
Speaker 4: Hood is highly respected. My dog been reping this forever.

766
00:40:19,120 --> 00:40:23,680
Speaker 4: So crazy Hood Rose salute you. You did anybody else

767
00:40:23,719 --> 00:40:26,239
Speaker 4: that's coming into the city, make sure you when you

768
00:40:26,280 --> 00:40:29,160
Speaker 4: see that crazy Hood ship, you respect it because.

769
00:40:28,960 --> 00:40:31,360
Speaker 7: It ain't number love and it ain't number jeez.

770
00:40:32,440 --> 00:40:36,359
Speaker 2: What's the next one?

771
00:40:36,360 --> 00:40:41,640
Speaker 3: I'm eat? Okay, okay, yeah, he balling MJG. Or Goodie

772
00:40:41,680 --> 00:40:47,640
Speaker 3: Mob he balling MJG. Okay, Uncle Luke or Tony Draper.

773
00:40:50,440 --> 00:40:54,839
Speaker 4: You gotta realize what Uncle Luke did for me. As

774
00:40:54,920 --> 00:40:58,040
Speaker 4: I was in elementary school when I first saw Uncle Luke,

775
00:40:58,560 --> 00:41:00,640
Speaker 4: and I read the back of his because I went

776
00:41:00,680 --> 00:41:05,720
Speaker 4: and bought I saw that where he was manufacturing at.

777
00:41:05,840 --> 00:41:09,040
Speaker 4: I actually looked at the address that was on the

778
00:41:09,080 --> 00:41:12,320
Speaker 4: back of the vinyl. On the back of the vinyl

779
00:41:12,360 --> 00:41:14,040
Speaker 4: he was in the back of the pack gym with

780
00:41:14,920 --> 00:41:18,040
Speaker 4: said two live crews at the bottom of you know

781
00:41:18,080 --> 00:41:22,560
Speaker 4: if it's real or now Marquis missed the mix, R

782
00:41:22,680 --> 00:41:26,000
Speaker 4: repeated our brother, you already know who it is and

783
00:41:27,280 --> 00:41:30,080
Speaker 4: yeah fresh caet Ice and so I bought the vinyl

784
00:41:30,200 --> 00:41:31,760
Speaker 4: from Blue Note Records.

785
00:41:31,520 --> 00:41:37,400
Speaker 1: On the side. Yeah, yeah, that's what that's what we

786
00:41:37,440 --> 00:41:41,920
Speaker 1: all went to my record.

787
00:41:42,080 --> 00:41:48,760
Speaker 4: If somebody don't know this ship real, this was.

788
00:41:48,960 --> 00:41:50,239
Speaker 1: I didn't even think that he would have gone a

789
00:41:50,239 --> 00:41:51,719
Speaker 1: Blue Note record, that's real.

790
00:41:52,160 --> 00:41:53,760
Speaker 3: Yeah. Yeah, you catch eighty three.

791
00:41:53,840 --> 00:41:55,920
Speaker 1: Yeah, take you out and then you go to the mall,

792
00:41:55,960 --> 00:41:57,040
Speaker 1: hangout all day and get on.

793
00:41:57,440 --> 00:41:59,480
Speaker 4: Catch eighty three all the way there. You get off

794
00:41:59,520 --> 00:42:02,120
Speaker 4: at once third Street, then you go to Blue Note Records.

795
00:42:02,200 --> 00:42:05,000
Speaker 4: I bought it Luke Records right on the back and

796
00:42:05,120 --> 00:42:08,360
Speaker 4: let you know where they was manufacturing in Miami.

797
00:42:08,480 --> 00:42:12,120
Speaker 1: Yeah, you could drop there likeable.

798
00:42:12,160 --> 00:42:12,760
Speaker 2: You know what I'm saying.

799
00:42:12,840 --> 00:42:15,799
Speaker 4: Yeah, I didn't know that what so so at that

800
00:42:16,000 --> 00:42:18,239
Speaker 4: early age I was in the fifth grade going in

801
00:42:18,280 --> 00:42:21,680
Speaker 4: the middle school. That let me know right then that

802
00:42:22,200 --> 00:42:24,759
Speaker 4: I look what I'm looking at and love so much

803
00:42:24,800 --> 00:42:28,120
Speaker 4: and listen to so much, I could do this. Wow,

804
00:42:28,400 --> 00:42:30,760
Speaker 4: And not only that, this is coming from my city.

805
00:42:31,840 --> 00:42:33,960
Speaker 4: I didn't know where that address was at, but I

806
00:42:34,040 --> 00:42:37,280
Speaker 4: knew this was my city because it said second half

807
00:42:37,480 --> 00:42:38,320
Speaker 4: some shit.

808
00:42:38,680 --> 00:42:41,920
Speaker 3: Miami for heads. That's all I needed.

809
00:42:42,400 --> 00:42:45,080
Speaker 4: That's all I needed, and that gave me that inspiration

810
00:42:45,239 --> 00:42:48,720
Speaker 4: once again. I was somebody that may not learn the best.

811
00:42:48,840 --> 00:42:51,440
Speaker 4: If you're sitting in front of a green board telling

812
00:42:51,480 --> 00:43:00,200
Speaker 4: me A equals X, it's preousb I'm totally lost.

813
00:43:00,840 --> 00:43:02,919
Speaker 3: I have no understanding of what the fuck you're talking.

814
00:43:06,560 --> 00:43:08,719
Speaker 4: But if you give me something I could touch and

815
00:43:08,800 --> 00:43:13,040
Speaker 4: look at, yo, I felt it. So what Luke Records

816
00:43:13,040 --> 00:43:15,719
Speaker 4: did for me, nobody could really compete with.

817
00:43:15,880 --> 00:43:17,600
Speaker 2: Tony Draper had something to do with you, though, But

818
00:43:17,760 --> 00:43:20,000
Speaker 2: later on, Tony.

819
00:43:19,840 --> 00:43:22,120
Speaker 4: Draper was the first one that put a bag on

820
00:43:22,280 --> 00:43:26,960
Speaker 4: Rose Wow. Yeah, Swave House. I went to Atlanta one

821
00:43:27,000 --> 00:43:29,760
Speaker 4: time for Big Block, one time for DJ Gregg Street.

822
00:43:30,400 --> 00:43:34,160
Speaker 4: Always I always text Gregg Street talking shit because I

823
00:43:34,200 --> 00:43:37,040
Speaker 4: love him so Greg Street. I love your nigga, hey,

824
00:43:37,360 --> 00:43:39,600
Speaker 4: but I always talked ship to him because when I

825
00:43:39,640 --> 00:43:42,160
Speaker 4: went to Atlanta, I told him, Yo, nigga, I got

826
00:43:42,480 --> 00:43:46,359
Speaker 4: balls versus for days. I just need to link up

827
00:43:46,400 --> 00:43:49,480
Speaker 4: with Tony Draper. I want to fuck with swave house.

828
00:43:49,840 --> 00:43:53,959
Speaker 4: I love eight Ball, MJG. Majority of my family from

829
00:43:54,000 --> 00:43:57,160
Speaker 4: my mama's side of the family from Mississippi, Memphis right

830
00:43:57,200 --> 00:43:59,919
Speaker 4: there on my father's side from Florida. So I saw

831
00:44:00,040 --> 00:44:04,320
Speaker 4: with eight Ball, MJG and that sound, that soft melodic sound.

832
00:44:04,680 --> 00:44:08,840
Speaker 4: So when you hear Maybark music, you know, that was

833
00:44:08,920 --> 00:44:09,960
Speaker 4: a lot of motivation.

834
00:44:10,400 --> 00:44:11,880
Speaker 7: What what what?

835
00:44:11,880 --> 00:44:15,440
Speaker 4: What t mix the producer was doing for eight Ball

836
00:44:15,520 --> 00:44:17,480
Speaker 4: and m JG and so, so I shout out the

837
00:44:17,520 --> 00:44:20,840
Speaker 4: producers and this is something I heard over thirty years ago.

838
00:44:21,520 --> 00:44:24,000
Speaker 4: And these are names that I'll never forget. It's the

839
00:44:24,080 --> 00:44:27,960
Speaker 4: time that I spent in my little room listening to this.

840
00:44:28,480 --> 00:44:31,040
Speaker 4: I'll never forget these names.

841
00:44:32,680 --> 00:44:33,400
Speaker 3: I don't even know what.

842
00:44:35,040 --> 00:44:36,719
Speaker 1: I don't even know what you pick this?

843
00:44:38,080 --> 00:44:39,799
Speaker 7: No, no, let's take another shot.

844
00:44:41,800 --> 00:44:43,600
Speaker 3: You're not skipping records, You're not skipping rack.

845
00:44:43,680 --> 00:44:46,920
Speaker 4: Okay, it's at the end of the day, regardless of

846
00:44:47,000 --> 00:44:50,359
Speaker 4: what I got going on, I love being busy. I

847
00:44:50,400 --> 00:44:53,960
Speaker 4: love being busy, you know. But but hip hop and

848
00:44:54,120 --> 00:44:58,759
Speaker 4: music is my motivation. If it's any if it's anything

849
00:45:00,080 --> 00:45:04,440
Speaker 4: a circulates or orbits around.

850
00:45:04,160 --> 00:45:07,400
Speaker 7: Hip hop, I genuinely love it and fuck with it.

851
00:45:07,719 --> 00:45:08,000
Speaker 3: Yep.

852
00:45:08,640 --> 00:45:11,400
Speaker 7: So when I sip on bell Lad when.

853
00:45:11,160 --> 00:45:15,880
Speaker 4: I sip on mcqueens or if we taking Deacon shot.

854
00:45:16,000 --> 00:45:18,360
Speaker 3: Yes, that's genuine.

855
00:45:18,920 --> 00:45:23,640
Speaker 4: That's before I met Brett. That's before Luke Bellair. That's

856
00:45:23,719 --> 00:45:26,560
Speaker 4: me being a young motherfucker coming up in Cara City.

857
00:45:26,920 --> 00:45:32,400
Speaker 4: Then when we first began going on Washington half club

858
00:45:32,480 --> 00:45:34,799
Speaker 4: level before it was level.

859
00:45:34,560 --> 00:45:38,520
Speaker 1: With Prince Slam Slam.

860
00:45:39,160 --> 00:45:42,160
Speaker 4: For the motherfuckers that don't know he had the sign

861
00:45:42,200 --> 00:45:45,400
Speaker 4: on it was the sign on the fucking side.

862
00:45:45,560 --> 00:45:47,920
Speaker 3: I'm talking about the legend Prince.

863
00:45:48,320 --> 00:45:50,600
Speaker 4: We went out on the beach and it was fucking

864
00:45:50,760 --> 00:45:53,520
Speaker 4: Prince that owned it. And when we went to the

865
00:45:53,600 --> 00:45:57,120
Speaker 4: club and when I saw certain bottles coming in certain sections,

866
00:45:57,680 --> 00:46:00,200
Speaker 4: I'm just like, what is that man? And and I

867
00:46:00,320 --> 00:46:04,200
Speaker 4: just remember they was like that's Rose and I just

868
00:46:04,280 --> 00:46:14,799
Speaker 4: knew right then, bitch from Ricky Rose. And that's just

869
00:46:14,920 --> 00:46:17,560
Speaker 4: once again, you know me coming up in Miami, we

870
00:46:17,640 --> 00:46:21,160
Speaker 4: partied a little different. I wanted to go out every

871
00:46:21,239 --> 00:46:23,000
Speaker 4: night if I could.

872
00:46:22,520 --> 00:46:25,000
Speaker 2: And so when I was in school, I'm in high

873
00:46:25,040 --> 00:46:25,879
Speaker 2: school going to the.

874
00:46:25,840 --> 00:46:30,400
Speaker 4: Pack gym, going to the Carver Center, going to the Wash.

875
00:46:30,719 --> 00:46:33,480
Speaker 4: Now that these motherfuckers don't even know what the young

876
00:46:33,600 --> 00:46:37,920
Speaker 4: boys that was over there, you know, over there by Nororland.

877
00:46:38,480 --> 00:46:40,439
Speaker 4: By Norland, that was the wall, you know what I'm saying.

878
00:46:40,440 --> 00:46:42,680
Speaker 4: So we was in school. We began going out when

879
00:46:42,680 --> 00:46:45,560
Speaker 4: we was in the tenth and eleventh grade. So once,

880
00:46:45,640 --> 00:46:47,759
Speaker 4: you know, once we got a little paper, it was

881
00:46:47,800 --> 00:46:50,680
Speaker 4: on the poppet. We wanted to go where wherever it

882
00:46:50,800 --> 00:46:53,520
Speaker 4: was partying that. So this is something that was really

883
00:46:53,560 --> 00:46:57,360
Speaker 4: a part of my lifestyle. So me meeting Brett, it

884
00:46:57,480 --> 00:47:01,080
Speaker 4: was already going down before I met Brett. I sucked

885
00:47:01,120 --> 00:47:03,759
Speaker 4: with these black bottles. I had done start putting it in.

886
00:47:03,760 --> 00:47:05,520
Speaker 3: The raps before.

887
00:47:05,800 --> 00:47:07,719
Speaker 7: Yeah, just because.

888
00:47:07,440 --> 00:47:11,120
Speaker 4: They was different. Oh man, they black bottles. Oh this

889
00:47:11,120 --> 00:47:14,840
Speaker 4: ship is dope. I want this ship everywhere every and

890
00:47:14,920 --> 00:47:17,880
Speaker 4: I put it on my ride at my shows. Yo,

891
00:47:17,960 --> 00:47:20,680
Speaker 4: if you want me to do a show at your club,

892
00:47:21,560 --> 00:47:24,120
Speaker 4: at your venues, you gotta have black bottles.

893
00:47:24,800 --> 00:47:29,200
Speaker 3: Had black bottle boy jackets and everything. I got a jacket, yeah, yeah, yeah.

894
00:47:29,120 --> 00:47:30,600
Speaker 7: Yeah, it's time for you to wear your jacket.

895
00:47:33,800 --> 00:47:35,239
Speaker 3: By the way, he's been trying to recoup me the

896
00:47:35,239 --> 00:47:52,520
Speaker 3: whole night. He's doing some definitely back. I don't be honest.

897
00:47:52,640 --> 00:47:55,520
Speaker 4: Before I came, I was like, nor my guy, now

898
00:47:55,719 --> 00:48:04,359
Speaker 4: bringing this zide, man gonna wet inside man so much.

899
00:48:05,960 --> 00:48:09,080
Speaker 1: Next one, I guess you could ask this one Fat

900
00:48:09,120 --> 00:48:10,239
Speaker 1: Joe or friend Montana.

901
00:48:11,080 --> 00:48:16,080
Speaker 4: Oh man, I'm gonna take a shot. And the reason

902
00:48:16,120 --> 00:48:18,520
Speaker 4: I'm gonna take a shot is usually with me, it's

903
00:48:18,600 --> 00:48:21,600
Speaker 4: never a question. When I get money with you, that

904
00:48:21,719 --> 00:48:22,440
Speaker 4: come first.

905
00:48:23,200 --> 00:48:23,640
Speaker 3: You know what I mean.

906
00:48:23,760 --> 00:48:27,040
Speaker 4: French, You know I executive produced his first album. I

907
00:48:27,160 --> 00:48:29,680
Speaker 4: watched some hustle from when he was just coming from

908
00:48:29,680 --> 00:48:33,239
Speaker 4: the mud, when he was doing DVDs. I just saw

909
00:48:33,320 --> 00:48:37,279
Speaker 4: he had a passion and a drive. I take your

910
00:48:37,400 --> 00:48:42,560
Speaker 4: drive over your talent any day, because if you a

911
00:48:42,640 --> 00:48:47,799
Speaker 4: motherfucker talented, you could be a motherfucker that's lazy. So

912
00:48:47,920 --> 00:48:52,320
Speaker 4: if you got a drive, I take that over somebody

913
00:48:52,360 --> 00:48:57,440
Speaker 4: that's lazy, regardless. Understand So when I when I when

914
00:48:57,480 --> 00:48:59,920
Speaker 4: I met when I met French, I met Joe early.

915
00:49:00,080 --> 00:49:01,800
Speaker 7: Joe been coming to Miami.

916
00:49:01,400 --> 00:49:02,720
Speaker 1: For years forever.

917
00:49:02,920 --> 00:49:06,200
Speaker 4: Yeah yeah, yeah, be coming from Yeah yeah, you've been

918
00:49:06,200 --> 00:49:08,600
Speaker 4: coming to Miami for years. And he always been solid

919
00:49:08,640 --> 00:49:11,880
Speaker 4: with young niggas. Before he even knew my name. I

920
00:49:11,960 --> 00:49:15,760
Speaker 4: was running in the joke level crave all that ship,

921
00:49:15,760 --> 00:49:18,040
Speaker 4: you know what I'm saying. So, and he always kept

922
00:49:18,040 --> 00:49:22,080
Speaker 4: it solid. That's why Nigga is whatever for Joe and French.

923
00:49:22,120 --> 00:49:24,520
Speaker 4: When I met French, nigga was a young nigga just

924
00:49:24,600 --> 00:49:27,200
Speaker 4: in the mud, you know, before you had any records.

925
00:49:27,480 --> 00:49:30,360
Speaker 4: I just saw him moving around. And then for me,

926
00:49:30,719 --> 00:49:33,160
Speaker 4: if I see you city the city, I look at

927
00:49:33,160 --> 00:49:36,719
Speaker 4: you different. I know what you're capable of when you

928
00:49:36,880 --> 00:49:41,319
Speaker 4: really getting some paper, if you somebody I bump into

929
00:49:41,440 --> 00:49:45,080
Speaker 4: in different markets, I know what you're capable of doing

930
00:49:45,600 --> 00:49:51,319
Speaker 4: when you really getting some money. Take a shot to that. Yeah,

931
00:49:51,320 --> 00:49:53,400
Speaker 4: we're gonna take a shot. And what we're taking a

932
00:49:53,440 --> 00:50:02,759
Speaker 4: shot this is I'm doing your superstar. I want to

933
00:50:02,800 --> 00:50:05,279
Speaker 4: take a shot. My next shot to be deacon. But

934
00:50:05,440 --> 00:50:09,319
Speaker 4: this shot right here is what. This is the Queen Queen.

935
00:50:09,800 --> 00:50:16,600
Speaker 3: I just like to hear you saying, okay, well ship,

936
00:50:16,840 --> 00:50:17,920
Speaker 3: yeah you want that one.

937
00:50:18,719 --> 00:50:21,760
Speaker 2: Bell A Rose or bell a Blue, both of y'all.

938
00:50:27,719 --> 00:50:30,439
Speaker 4: I'm gonna say Beller Rose. I ain't not gonna stand

939
00:50:30,480 --> 00:50:33,440
Speaker 4: on I'm gonna stand on it. This is what I

940
00:50:33,560 --> 00:50:37,719
Speaker 4: was introduced to, and when I'm introduced to something, my

941
00:50:37,920 --> 00:50:43,560
Speaker 4: loyalty in my commitment is priceless. So even though I've

942
00:50:43,560 --> 00:50:46,480
Speaker 4: been in the Vibe for maybe the last six months,

943
00:50:47,040 --> 00:50:50,960
Speaker 4: with the Luxe the white ball. For the last months,

944
00:50:50,960 --> 00:50:55,760
Speaker 4: that's been my swaggen but nothing has never come before.

945
00:51:02,040 --> 00:51:04,160
Speaker 3: I want to take a shot, even though he picked it.

946
00:51:04,520 --> 00:51:08,720
Speaker 3: Hold on me the next one. Okay, I like this one,

947
00:51:09,760 --> 00:51:13,240
Speaker 3: Wayne or Drake obviously Lil Wayne.

948
00:51:13,920 --> 00:51:15,880
Speaker 4: Yeah, yeah, yeah, that's not even a question.

949
00:51:16,440 --> 00:51:19,000
Speaker 2: That's Lil Wayne Wyne because lou Wayne comes before you,

950
00:51:19,080 --> 00:51:19,719
Speaker 2: right right right.

951
00:51:19,800 --> 00:51:23,279
Speaker 4: That's that's that's wheezy. That was That's wheezy. And for

952
00:51:23,360 --> 00:51:26,040
Speaker 4: a lot of different reasons. You know what I'm saying.

953
00:51:26,080 --> 00:51:28,880
Speaker 4: What he did for the South, right, not just for myself.

954
00:51:28,920 --> 00:51:32,280
Speaker 4: The inspiration that he also gave Rose was next level.

955
00:51:32,560 --> 00:51:34,480
Speaker 4: But what he did for the game, what he did

956
00:51:34,520 --> 00:51:37,640
Speaker 4: for the South, he showed, you know, Southern artist how

957
00:51:37,640 --> 00:51:40,600
Speaker 4: to set a certain pace and how you could do things.

958
00:51:41,080 --> 00:51:45,200
Speaker 4: Fuck all that every three year ship. Wayne was one

959
00:51:45,200 --> 00:51:47,160
Speaker 4: of the first ones that really put that on a

960
00:51:47,239 --> 00:51:49,839
Speaker 4: plate and put that on the table right in front

961
00:51:49,840 --> 00:51:50,040
Speaker 4: of you.

962
00:51:50,960 --> 00:51:51,319
Speaker 1: Eat it.

963
00:51:51,480 --> 00:51:53,279
Speaker 7: You know what I'm saying straight up?

964
00:51:54,640 --> 00:51:58,920
Speaker 4: That's and me and Drizzy our relationship most definitely is

965
00:51:59,000 --> 00:51:59,520
Speaker 4: real close.

966
00:51:59,560 --> 00:52:01,080
Speaker 3: You know what I mean. I'm gonna be honest with you.

967
00:52:01,160 --> 00:52:03,400
Speaker 3: It's like you and Drake got an album together.

968
00:52:04,120 --> 00:52:07,000
Speaker 4: Got I'm gonna be honest, I don't know how much

969
00:52:07,160 --> 00:52:11,840
Speaker 4: music we got because it's so easy working with the homie.

970
00:52:12,480 --> 00:52:15,400
Speaker 4: It's not a lot. I'm gonna be honest. We in

971
00:52:15,440 --> 00:52:18,479
Speaker 4: the two percentile. When they come to write us and

972
00:52:18,520 --> 00:52:22,959
Speaker 4: create us. It's called a two percentile, the two percentile.

973
00:52:25,080 --> 00:52:27,680
Speaker 4: Listen if you if you're not ready for this.

974
00:52:27,600 --> 00:52:30,040
Speaker 1: That's the album. That's the album, Walk Out of the Boar.

975
00:52:34,600 --> 00:52:37,239
Speaker 4: But the two percentile is when you walk into the

976
00:52:37,320 --> 00:52:41,160
Speaker 4: room you hear something, a beat, a production that actually

977
00:52:41,160 --> 00:52:45,839
Speaker 4: you actually love it, can actually create it, think of it,

978
00:52:46,640 --> 00:52:49,200
Speaker 4: create it, write it and execute it right.

979
00:52:49,360 --> 00:52:50,400
Speaker 3: Thing right.

980
00:52:50,560 --> 00:52:53,480
Speaker 4: Then I can't say I've done that with many artists.

981
00:52:53,520 --> 00:52:55,440
Speaker 4: It's not even five artists.

982
00:52:55,440 --> 00:52:58,040
Speaker 1: Oh, he's saying, Drake and you that inspires y'all to

983
00:52:58,080 --> 00:52:58,719
Speaker 1: do it that way.

984
00:52:59,440 --> 00:53:00,680
Speaker 7: He's in the two percent.

985
00:53:01,960 --> 00:53:03,800
Speaker 2: He's in the two percent.

986
00:53:03,960 --> 00:53:05,280
Speaker 7: Oil Drake is in the two percent.

987
00:53:05,360 --> 00:53:08,560
Speaker 4: Jail and me being in the game over twenty years,

988
00:53:08,800 --> 00:53:09,600
Speaker 4: it may be.

989
00:53:16,160 --> 00:53:27,320
Speaker 18: Pull it down, pull it down, Yo, what time for drink?

990
00:53:28,600 --> 00:53:34,319
Speaker 3: Drink not but but and then we go get back

991
00:53:34,320 --> 00:53:35,200
Speaker 3: to quick Thomas slime.

992
00:53:35,960 --> 00:53:39,400
Speaker 4: But it's very few people that I mean, you know

993
00:53:39,440 --> 00:53:41,760
Speaker 4: the majority of the game and I'm gonna be honest.

994
00:53:41,840 --> 00:53:44,279
Speaker 4: I understand when you're working with Rose, you don't want

995
00:53:44,320 --> 00:53:46,719
Speaker 4: that type of pressure on you. You come to the

996
00:53:46,760 --> 00:53:49,680
Speaker 4: studio with me, it's very few people that's very that's

997
00:53:49,760 --> 00:53:54,440
Speaker 4: comfortable enough to listen to a beat, take my direction

998
00:53:54,640 --> 00:53:59,280
Speaker 4: from it, and create something together that moday in that moment,

999
00:53:59,600 --> 00:54:03,200
Speaker 4: that work caught it right then and stand on it.

1000
00:54:04,960 --> 00:54:08,319
Speaker 2: Wayne could do that to Wayne does that? Wayne could

1001
00:54:08,360 --> 00:54:11,400
Speaker 2: drinks that whose.

1002
00:54:10,800 --> 00:54:14,200
Speaker 4: Jay z y z jay z and and the reason

1003
00:54:14,239 --> 00:54:18,120
Speaker 4: I take my hat off the whole hole you see me,

1004
00:54:18,400 --> 00:54:19,120
Speaker 4: that's my guy.

1005
00:54:20,200 --> 00:54:21,359
Speaker 3: Hole.

1006
00:54:21,920 --> 00:54:24,080
Speaker 7: I felt you, nigga, you did it? I got it?

1007
00:54:24,280 --> 00:54:28,919
Speaker 4: Got it? No, no, no, no no. It was Freemason,

1008
00:54:30,680 --> 00:54:37,120
Speaker 4: free Mason. We was at what's the Knicks homegarden.

1009
00:54:37,280 --> 00:54:38,560
Speaker 3: Garden right.

1010
00:54:54,239 --> 00:55:00,879
Speaker 4: What's but uh Hole was on tour and I told her,

1011
00:55:01,160 --> 00:55:04,600
Speaker 4: I'm finna come to your your tour and I'm gonna

1012
00:55:04,640 --> 00:55:05,600
Speaker 4: just kick it with you.

1013
00:55:06,600 --> 00:55:07,840
Speaker 7: He ain't have no idea.

1014
00:55:08,080 --> 00:55:12,240
Speaker 4: I had the production to beat the record, the idea,

1015
00:55:13,960 --> 00:55:18,640
Speaker 4: and so I went to the tour. We backstage it

1016
00:55:18,719 --> 00:55:24,320
Speaker 4: maybe twenty minutes before he go on to perform. You know, no,

1017
00:55:24,480 --> 00:55:26,920
Speaker 4: this is the greatest nigga in the game. You know

1018
00:55:27,040 --> 00:55:30,080
Speaker 4: this yeah, I want to run this rose, this one.

1019
00:55:30,120 --> 00:55:33,640
Speaker 4: I'm you know, shit, I'm still nigga, halfway broke nigga.

1020
00:55:33,880 --> 00:55:37,600
Speaker 7: I want it, you know, you know, I want that motivation.

1021
00:55:38,360 --> 00:55:42,560
Speaker 4: So I went backstage right before he going on stage,

1022
00:55:43,840 --> 00:55:47,120
Speaker 4: big Hominge, let me play you this beat. I'm expecting

1023
00:55:47,200 --> 00:55:47,960
Speaker 4: him to tell me.

1024
00:55:48,000 --> 00:55:52,080
Speaker 1: Not right now, it's not the time right now.

1025
00:55:54,280 --> 00:55:57,600
Speaker 3: You know what the average motherfucker say. That's kind of disrespectful.

1026
00:55:59,120 --> 00:56:02,120
Speaker 3: Not right now the tour.

1027
00:56:03,280 --> 00:56:05,120
Speaker 2: I got something to do right now, right.

1028
00:56:05,000 --> 00:56:10,719
Speaker 3: I'm busy, and he did. I did.

1029
00:56:11,880 --> 00:56:13,440
Speaker 7: I tried him straight up and.

1030
00:56:15,960 --> 00:56:20,000
Speaker 3: Yeah, this rose. You gotta realize this Rose this right now.

1031
00:56:20,040 --> 00:56:22,480
Speaker 4: We we're the biggest in the game. You know what

1032
00:56:22,520 --> 00:56:27,160
Speaker 4: I'm saying. I'm backstage holding the gown stage at what's

1033
00:56:27,160 --> 00:56:29,839
Speaker 4: the name of the tour? Oh the tour.

1034
00:56:30,280 --> 00:56:31,040
Speaker 7: I'm the stadium.

1035
00:56:31,160 --> 00:56:33,360
Speaker 3: Oh you talk about Masive Square, God, the biggest sum

1036
00:56:33,360 --> 00:56:34,760
Speaker 3: the biggest arena in the world.

1037
00:56:35,520 --> 00:56:36,560
Speaker 1: Are we talking about that?

1038
00:56:37,760 --> 00:56:38,400
Speaker 3: Yeah?

1039
00:56:38,480 --> 00:56:41,879
Speaker 7: Yeah, yeah, this is y'all, knew, your.

1040
00:56:41,920 --> 00:56:45,160
Speaker 1: Biggest Calm down, gen El, calm down.

1041
00:56:47,160 --> 00:56:47,359
Speaker 3: Yeah.

1042
00:56:47,440 --> 00:56:52,439
Speaker 4: So yeah, So it's twenty minutes right before the homie gone.

1043
00:56:52,480 --> 00:56:52,719
Speaker 1: Sure.

1044
00:56:52,960 --> 00:56:57,880
Speaker 4: Wow, So I play my my my verse in the

1045
00:56:58,000 --> 00:57:02,880
Speaker 4: bait and then beat from Freemates mm hmm. He laying up,

1046
00:57:03,040 --> 00:57:06,240
Speaker 4: he leaning against the wall right before he finished on stage.

1047
00:57:06,920 --> 00:57:07,560
Speaker 7: I play it for.

1048
00:57:07,640 --> 00:57:12,080
Speaker 4: Him, m and he just was going rapping right.

1049
00:57:11,960 --> 00:57:15,799
Speaker 1: There soon because he does in his head.

1050
00:57:17,440 --> 00:57:21,600
Speaker 4: And what he's saying is pertaining directly to what we're

1051
00:57:21,680 --> 00:57:25,400
Speaker 4: talking about. So if you don't know what I'm talking about,

1052
00:57:25,640 --> 00:57:28,200
Speaker 4: you go to Google whatever, you listen to it, and

1053
00:57:28,240 --> 00:57:29,480
Speaker 4: it's called Freemason.

1054
00:57:30,560 --> 00:57:33,240
Speaker 7: Yeah, so Hope is most.

1055
00:57:32,960 --> 00:57:36,320
Speaker 4: Definitely two percent of But that's what we're speaking of,

1056
00:57:36,520 --> 00:57:40,120
Speaker 4: like people that could create right then. And I understand

1057
00:57:40,200 --> 00:57:43,600
Speaker 4: alltis that take the beat with him and vibe with it,

1058
00:57:43,680 --> 00:57:44,760
Speaker 4: and it's no problem.

1059
00:57:45,480 --> 00:57:48,400
Speaker 3: It's it's a business, it's a vibe.

1060
00:57:48,720 --> 00:57:51,040
Speaker 4: But when I say somebody that could come right then

1061
00:57:51,200 --> 00:57:54,360
Speaker 4: and we French Montana, he one of those motherfuckers.

1062
00:57:54,360 --> 00:57:55,840
Speaker 7: He a party motherfucker with me.

1063
00:57:56,360 --> 00:57:58,640
Speaker 4: I won't say what we call each other in certain

1064
00:57:58,760 --> 00:58:00,480
Speaker 4: kind of when we're in the zone.

1065
00:58:00,920 --> 00:58:01,560
Speaker 7: You know what I'm saying.

1066
00:58:01,640 --> 00:58:05,320
Speaker 4: But he's somebody that will create records all night if

1067
00:58:05,320 --> 00:58:06,800
Speaker 4: you went there with him. You know what I'm saying.

1068
00:58:06,880 --> 00:58:11,320
Speaker 4: On the gun play spot right then, I'm gonna play

1069
00:58:11,400 --> 00:58:11,720
Speaker 4: right then?

1070
00:58:12,800 --> 00:58:20,320
Speaker 3: Yeah, Yeah, t Paint or Acon, But the next four

1071
00:58:20,400 --> 00:58:24,160
Speaker 3: is you. That's all Florida, T Paint of Acon, T Pain.

1072
00:58:24,240 --> 00:58:27,680
Speaker 3: I'm gonna say T Paint, that's Florida. And we salute

1073
00:58:27,680 --> 00:58:32,320
Speaker 3: a Coon for putting T Pain and Nappy Boy platform

1074
00:58:32,880 --> 00:58:36,280
Speaker 3: to shine because because a lot of times, we know

1075
00:58:37,160 --> 00:58:38,760
Speaker 3: a lot of a lot of a lot of the

1076
00:58:38,840 --> 00:58:43,840
Speaker 3: youngsters may not remember the effect a Coon had.

1077
00:58:43,640 --> 00:58:45,960
Speaker 2: On the game, huge effects.

1078
00:58:46,040 --> 00:58:49,320
Speaker 4: That convict ship was in front of every song at

1079
00:58:49,360 --> 00:58:52,760
Speaker 4: one time. Yeah, And when I say convict ship, I'm

1080
00:58:52,800 --> 00:58:57,040
Speaker 4: just saying convict me. That ship at one time was

1081
00:58:57,080 --> 00:58:59,360
Speaker 4: in front of fucking and I remember me and T

1082
00:58:59,560 --> 00:59:01,400
Speaker 4: Paint being in the studio and he told me he

1083
00:59:01,480 --> 00:59:06,920
Speaker 4: had thirty records in rotation at one time, records. He

1084
00:59:06,960 --> 00:59:09,640
Speaker 4: would own the records that was his, the whole nine

1085
00:59:09,720 --> 00:59:10,720
Speaker 4: yards thirty.

1086
00:59:12,480 --> 00:59:13,280
Speaker 7: This ship was real.

1087
00:59:14,280 --> 00:59:15,600
Speaker 2: You're gonna hook that. You're gonna hit that.

1088
00:59:17,440 --> 00:59:19,880
Speaker 3: For me, You're gonna hit You're gonna hit it.

1089
00:59:20,280 --> 00:59:33,680
Speaker 1: Come on, yhn. I was not the T joint and

1090
00:59:33,880 --> 00:59:38,000
Speaker 1: that tea part out who gives you the T joint?

1091
00:59:38,400 --> 00:59:40,400
Speaker 2: They got you got some caffeine.

1092
00:59:40,400 --> 00:59:42,480
Speaker 3: T This is this is all you.

1093
00:59:45,360 --> 00:59:47,560
Speaker 1: Calendar drama. We know where this is going.

1094
00:59:48,240 --> 00:59:49,520
Speaker 7: Cale that's my brother.

1095
00:59:50,440 --> 00:59:52,680
Speaker 2: Yeah, I like, yeah, ciroal commercial together.

1096
00:59:54,360 --> 00:59:58,200
Speaker 3: Talking about their that was all the milk that was hilarious.

1097
00:59:58,840 --> 01:00:00,960
Speaker 3: I didn't even know there was I'm gonna be honest,

1098
01:00:01,080 --> 01:00:01,720
Speaker 3: it was real.

1099
01:00:02,320 --> 01:00:05,880
Speaker 4: When I said, uh, I was talking about the peanuts

1100
01:00:05,920 --> 01:00:08,240
Speaker 4: and almonds, I didn't know if.

1101
01:00:08,760 --> 01:00:12,600
Speaker 3: They squeezed the almond and the milk.

1102
01:00:12,720 --> 01:00:23,480
Speaker 19: Can listen listen, I'm from Chrosey.

1103
01:00:24,040 --> 01:00:25,040
Speaker 7: You ate cereal.

1104
01:00:25,640 --> 01:00:28,720
Speaker 3: You drank milk, dairy milk.

1105
01:00:29,480 --> 01:00:38,520
Speaker 4: You was happy, honey smacks, whatever it was, flakes, it was.

1106
01:00:39,160 --> 01:00:41,840
Speaker 4: You was never introduced to fucking almond milk.

1107
01:00:43,680 --> 01:00:47,840
Speaker 3: Yeah, it was. Is it gonna be Luke Bella or.

1108
01:00:47,840 --> 01:00:58,920
Speaker 10: Milk Cooling Dre or the Runners?

1109
01:01:00,760 --> 01:01:01,760
Speaker 7: That was cooling Drake.

1110
01:01:03,040 --> 01:01:06,200
Speaker 4: And when I say these names, listen and when I

1111
01:01:06,600 --> 01:01:09,160
Speaker 4: there's nobody that could come between me and Cooling Drake.

1112
01:01:10,400 --> 01:01:13,720
Speaker 7: Yeah, yeah, then my dogs. I remember when.

1113
01:01:13,640 --> 01:01:19,560
Speaker 4: Dre had the expedition with three Daytons on it.

1114
01:01:20,840 --> 01:01:22,800
Speaker 2: Yeah, there was an R and B group at one

1115
01:01:22,840 --> 01:01:23,680
Speaker 2: point it was.

1116
01:01:23,600 --> 01:01:26,480
Speaker 4: They had three Daytons on it. One of the motherfuckers

1117
01:01:26,520 --> 01:01:27,080
Speaker 4: went flat.

1118
01:01:27,120 --> 01:01:30,840
Speaker 3: My dog was hey, but guess what?

1119
01:01:31,040 --> 01:01:31,600
Speaker 18: But guess what?

1120
01:01:32,120 --> 01:01:36,200
Speaker 3: We loved my dog because he had d he had

1121
01:01:36,880 --> 01:01:37,280
Speaker 3: this shit.

1122
01:01:38,600 --> 01:01:41,520
Speaker 4: Oh no, no, heavyweight everywhere. And not only that, my

1123
01:01:41,600 --> 01:01:44,880
Speaker 4: dog seen my vision in Roseanne. He's seen the vision

1124
01:01:44,920 --> 01:01:47,400
Speaker 4: in call It. When called was a DJ saying I'm

1125
01:01:47,400 --> 01:01:49,640
Speaker 4: finna be an artist, you know what I'm saying. So

1126
01:01:49,720 --> 01:01:52,680
Speaker 4: when people see that vision in you early, you know

1127
01:01:52,760 --> 01:01:56,080
Speaker 4: you gotta genuinely fuck with them, you know what I'm saying.

1128
01:01:56,160 --> 01:01:58,320
Speaker 4: So when I sat there, like yo, when I sat

1129
01:01:58,360 --> 01:02:01,880
Speaker 4: there with Brett, Brett, this the idea I got, you

1130
01:02:01,920 --> 01:02:03,440
Speaker 4: know what I mean? And I remember it was a

1131
01:02:03,520 --> 01:02:06,400
Speaker 4: particular artist. Shit that was coming out then that was

1132
01:02:06,720 --> 01:02:10,880
Speaker 4: shit was flopping, shit was felling, And I'm like, yo,

1133
01:02:10,960 --> 01:02:13,080
Speaker 4: this is what I see for this and he was

1134
01:02:13,200 --> 01:02:16,240
Speaker 4: just like yo, straight up and down. Not only that,

1135
01:02:16,360 --> 01:02:21,440
Speaker 4: when I went through a health situation, I was unconscious

1136
01:02:21,440 --> 01:02:22,520
Speaker 4: for two or three days.

1137
01:02:22,520 --> 01:02:24,480
Speaker 3: When I came out, it.

1138
01:02:24,480 --> 01:02:28,320
Speaker 4: Was my mama right there. Brett was sitting right next

1139
01:02:28,320 --> 01:02:31,480
Speaker 4: to it. Straight. Guess what When I was in a

1140
01:02:31,560 --> 01:02:34,200
Speaker 4: trial situation, when I was out on bond, I was

1141
01:02:34,240 --> 01:02:37,480
Speaker 4: going through a criminal situation. I ain't say, homie, come

1142
01:02:37,560 --> 01:02:41,840
Speaker 4: to my trial. I got trial tomorrow. Come there. I

1143
01:02:41,880 --> 01:02:44,320
Speaker 4: looked up. I looked back. Guess who was sitting in

1144
01:02:44,400 --> 01:02:49,720
Speaker 4: there every day for my trial? Brett Perrish. So that's

1145
01:02:49,720 --> 01:02:52,560
Speaker 4: what I did today. Hey, do me a favor and

1146
01:02:52,560 --> 01:02:54,320
Speaker 4: give my dog show my homie bread.

1147
01:02:54,400 --> 01:02:54,480
Speaker 19: This.

1148
01:02:55,440 --> 01:02:58,800
Speaker 4: So when I was in the hospital, that right there.

1149
01:02:59,040 --> 01:03:02,840
Speaker 4: I was in the hospital. I was unconscious for two days.

1150
01:03:02,960 --> 01:03:06,960
Speaker 4: When I came back. On the third day I came out.

1151
01:03:07,120 --> 01:03:11,040
Speaker 4: This was the first day I was out. I was

1152
01:03:11,120 --> 01:03:18,200
Speaker 4: hitting a homie brook Yeah, yeah, I love. We actually

1153
01:03:18,360 --> 01:03:25,480
Speaker 4: was at we actually was at Circle House Studios. I

1154
01:03:25,560 --> 01:03:29,920
Speaker 4: woke up out of Wacoma on my third day. And

1155
01:03:29,960 --> 01:03:33,080
Speaker 4: when I left, I said, I woke up out of Tacoma.

1156
01:03:33,480 --> 01:03:36,720
Speaker 4: I said, it's so much unfinished business I got.

1157
01:03:36,960 --> 01:03:38,200
Speaker 7: I want to do it now.

1158
01:03:39,320 --> 01:03:41,440
Speaker 4: I popped half of that shit off me in the

1159
01:03:41,520 --> 01:03:45,920
Speaker 4: hospital and I told everybody that I wanted to see,

1160
01:03:46,240 --> 01:03:49,880
Speaker 4: which was very few, meet me at Circle House Studios.

1161
01:03:51,120 --> 01:03:54,200
Speaker 4: That was Brett, that was Sam Sneak, that was all

1162
01:03:54,240 --> 01:03:57,160
Speaker 4: my homies gunn Play, that was us. We're sitting right

1163
01:03:57,200 --> 01:03:59,840
Speaker 4: by the pool right there in that photo. And I

1164
01:04:00,120 --> 01:04:02,440
Speaker 4: was like, Yo, if I fucking died, I wouldn't been

1165
01:04:02,440 --> 01:04:06,800
Speaker 4: able to put my fucking album out. So one time

1166
01:04:06,880 --> 01:04:12,240
Speaker 4: for the team.

1167
01:04:13,480 --> 01:04:15,800
Speaker 2: I just want to say, Wow, that was that was ill.

1168
01:04:16,040 --> 01:04:21,320
Speaker 6: But that moment changed me because it made me realize

1169
01:04:21,400 --> 01:04:26,560
Speaker 6: when bad shit happens to people, who shows up, who's there?

1170
01:04:26,880 --> 01:04:27,920
Speaker 2: Who's there for you?

1171
01:04:28,240 --> 01:04:31,720
Speaker 4: Homie was there, But it made me. Look, I'm just

1172
01:04:31,800 --> 01:04:34,840
Speaker 4: keeping it real. You know my dogs one time for

1173
01:04:34,880 --> 01:04:38,280
Speaker 4: e class, time for call. You know what they told me.

1174
01:04:38,320 --> 01:04:40,560
Speaker 4: They was sitting down in there. They were sitting down

1175
01:04:40,600 --> 01:04:42,480
Speaker 4: in there. You know what I'm saying, just my mama,

1176
01:04:42,560 --> 01:04:44,480
Speaker 4: like they still down there. They've been down there for

1177
01:04:44,520 --> 01:04:46,240
Speaker 4: the last two days in break right there.

1178
01:04:46,640 --> 01:04:48,919
Speaker 7: You know what I'm saying. So and that's just that's

1179
01:04:48,960 --> 01:04:49,640
Speaker 7: the homie.

1180
01:04:49,760 --> 01:04:53,360
Speaker 6: You got to realize when bad ship happens, who's gonna

1181
01:04:53,360 --> 01:04:56,280
Speaker 6: show up. That's what life's about. That's what life's about.

1182
01:04:56,360 --> 01:05:04,400
Speaker 20: That's what you should keep some noise for that. That's

1183
01:05:05,200 --> 01:05:08,480
Speaker 20: you couldn't have couldn't go halftime all that.

1184
01:05:08,600 --> 01:05:11,440
Speaker 3: We're finna do the bumboo the Deacon. We're doing everything

1185
01:05:11,480 --> 01:05:15,040
Speaker 3: I'm doing, I'm doing everything, We do everything. But our

1186
01:05:15,080 --> 01:05:17,040
Speaker 3: show was about giving people. They flowers. We want to

1187
01:05:17,040 --> 01:05:20,040
Speaker 3: give your flowers to your face. You know what I'm

1188
01:05:20,040 --> 01:05:22,440
Speaker 3: saying right here, Come on, it's like bringing a Grammy,

1189
01:05:22,600 --> 01:05:23,280
Speaker 3: getting the Grammy.

1190
01:05:23,480 --> 01:05:25,240
Speaker 2: This is this is drink Champs giving.

1191
01:05:33,800 --> 01:05:36,080
Speaker 1: We couldn't alone yes.

1192
01:05:37,360 --> 01:05:41,320
Speaker 4: Okay, wait, I got a question for y'all though, Okay,

1193
01:05:41,960 --> 01:05:54,520
Speaker 4: whoever thought you too motherfuckers would make it this fall?

1194
01:05:54,960 --> 01:05:59,120
Speaker 2: Let we're gonna come back to that question. I think

1195
01:05:59,160 --> 01:05:59,880
Speaker 2: I'm on man.

1196
01:06:01,080 --> 01:06:04,280
Speaker 3: You know you know what's crazy? Me and finished relationship

1197
01:06:04,360 --> 01:06:05,919
Speaker 3: is just an organic thing like.

1198
01:06:06,200 --> 01:06:08,360
Speaker 4: Because you got to understand it ain't cutting you off.

1199
01:06:08,920 --> 01:06:11,600
Speaker 4: E FN, that's a that's a motherfucker name I've been

1200
01:06:11,640 --> 01:06:12,160
Speaker 4: hearing for.

1201
01:06:16,200 --> 01:06:27,600
Speaker 3: Thirty five. No, no, it's between thirty five Joe not

1202
01:06:27,840 --> 01:06:28,520
Speaker 3: being honest.

1203
01:06:29,320 --> 01:06:30,880
Speaker 7: No, you gotta realize.

1204
01:06:31,240 --> 01:06:35,560
Speaker 4: For the hip hop culture in Miami, he was a motherfucker.

1205
01:06:35,560 --> 01:06:38,120
Speaker 1: That's why I came out here and found you feel.

1206
01:06:37,840 --> 01:06:41,120
Speaker 4: Me I'm talking about because we had mixed tape, we

1207
01:06:41,160 --> 01:06:44,480
Speaker 4: had underground radio, we had and we know what it meant.

1208
01:06:45,080 --> 01:06:48,520
Speaker 3: But then just telling you for mixtapes and.

1209
01:06:48,640 --> 01:06:52,560
Speaker 4: What EFN did, it couldn't be matched with college some

1210
01:06:52,680 --> 01:06:53,480
Speaker 4: hip hop ship.

1211
01:06:53,520 --> 01:06:55,080
Speaker 3: You know what I'm saying? What was it the college

1212
01:06:55,200 --> 01:06:58,520
Speaker 3: radio that you'all had? You Colin had one, you hit

1213
01:06:58,560 --> 01:06:59,439
Speaker 3: me underground radio.

1214
01:06:59,480 --> 01:07:02,280
Speaker 1: I was on one one pirate radio station and Mix

1215
01:07:02,360 --> 01:07:04,400
Speaker 1: ninety six was the floor above us.

1216
01:07:04,640 --> 01:07:06,600
Speaker 3: I would fly down and just come straight to see

1217
01:07:06,680 --> 01:07:07,880
Speaker 3: him and just go do a freestyle.

1218
01:07:08,040 --> 01:07:10,360
Speaker 1: I just wanted to. I just want to store my story.

1219
01:07:10,840 --> 01:07:12,680
Speaker 2: Miami talk about the rest of the world.

1220
01:07:12,720 --> 01:07:15,680
Speaker 1: So it was just like, keep keep booking me in Miami.

1221
01:07:15,720 --> 01:07:16,800
Speaker 1: I want to keep going to take one.

1222
01:07:16,800 --> 01:07:19,120
Speaker 3: I want to keep going to stand.

1223
01:07:19,160 --> 01:07:22,400
Speaker 4: When I first heard the drink Champs, I was like,

1224
01:07:22,840 --> 01:07:26,840
Speaker 4: this was a it was a great move for one

1225
01:07:27,360 --> 01:07:27,880
Speaker 4: based in.

1226
01:07:28,160 --> 01:07:31,360
Speaker 1: Based in Miam.

1227
01:07:31,400 --> 01:07:39,760
Speaker 4: I'm boring raised no, no, no, born inemy. I mean no, no, no,

1228
01:07:40,080 --> 01:07:42,720
Speaker 4: just telling you when you, when you, when you you,

1229
01:07:43,000 --> 01:07:45,720
Speaker 4: wherever you at in the Miami and you hear about this,

1230
01:07:46,520 --> 01:07:48,920
Speaker 4: you hear about it, you see offend, you know you

1231
01:07:48,960 --> 01:07:50,040
Speaker 4: can't disrespect it.

1232
01:07:50,200 --> 01:07:52,680
Speaker 1: That's right, that's right, goddamn it, right, goddamn it.

1233
01:07:52,840 --> 01:07:56,680
Speaker 4: And when you hear Noor bringing a certain vibe and

1234
01:07:56,720 --> 01:07:59,080
Speaker 4: bringing the energy because you know e f n always

1235
01:07:59,080 --> 01:08:04,480
Speaker 4: been a chill bow. Yes, yes, it was a great combination.

1236
01:08:04,800 --> 01:08:07,040
Speaker 2: Thank you, brother, I'm proud of y'all. Thank you.

1237
01:08:07,160 --> 01:08:08,240
Speaker 7: I commend y'all.

1238
01:08:08,280 --> 01:08:09,000
Speaker 2: Thank you brother.

1239
01:08:09,360 --> 01:08:13,120
Speaker 3: You I'm gonna take I'm gonna take.

1240
01:08:13,240 --> 01:08:14,880
Speaker 2: I'm gonna take me in out of shot of de again.

1241
01:08:16,320 --> 01:08:18,760
Speaker 3: Mhmm. By the way ahead, the next one is you

1242
01:08:18,840 --> 01:08:22,639
Speaker 3: still now we're still gonna say take one. No no Miami,

1243
01:08:22,640 --> 01:08:25,240
Speaker 3: No no, no, we be little member. We took, we

1244
01:08:25,280 --> 01:08:28,000
Speaker 3: took Rolex non Poison Clan. Oh, I'm skipping.

1245
01:08:28,120 --> 01:08:29,280
Speaker 1: I mean this is easy.

1246
01:08:29,320 --> 01:08:30,920
Speaker 3: Ain't nobody go against Poison Clan.

1247
01:08:31,000 --> 01:08:35,880
Speaker 1: No, no, no, no, hold on, it don't even matter. Crew

1248
01:08:37,720 --> 01:08:38,839
Speaker 1: Poison Class, baby.

1249
01:08:39,080 --> 01:08:42,800
Speaker 4: Girl, No No, Poison Clan is baby too. Live Crew.

1250
01:08:43,840 --> 01:08:45,400
Speaker 4: Poison Clan is from Miami.

1251
01:08:46,200 --> 01:08:47,679
Speaker 7: J T. Money is from Miami.

1252
01:08:48,960 --> 01:08:49,200
Speaker 3: J T.

1253
01:08:49,360 --> 01:08:53,400
Speaker 7: Money is from Miami. What what Two Live Crew hit me? First?

1254
01:08:53,680 --> 01:08:57,520
Speaker 4: Two Live Crew is Luke Skywalker or the whole Luke Records.

1255
01:08:57,840 --> 01:09:00,200
Speaker 4: I respect it, but I'm gonna tell you the ooh

1256
01:09:00,280 --> 01:09:04,839
Speaker 4: you even said it. Nothing come between Rose and Poison.

1257
01:09:05,760 --> 01:09:09,840
Speaker 4: JT Money Poison Clan right there. I remember seeing them boys.

1258
01:09:09,880 --> 01:09:13,439
Speaker 4: I remember walking through the fleet barking when JT. Money

1259
01:09:13,520 --> 01:09:16,800
Speaker 4: was getting his Poison Clan piece made. When I was

1260
01:09:16,840 --> 01:09:18,920
Speaker 4: in the ninth tenth grade, I used to go there

1261
01:09:18,920 --> 01:09:21,559
Speaker 4: and just standing there looking through the glass for ten.

1262
01:09:21,439 --> 01:09:24,520
Speaker 1: Minutes like damn, yeah, poison was something.

1263
01:09:24,320 --> 01:09:25,720
Speaker 7: Poison Clan that touched me.

1264
01:09:26,040 --> 01:09:27,960
Speaker 1: I told you it was NWA in Miami.

1265
01:09:28,439 --> 01:09:30,479
Speaker 4: Yeah that's what I felt, Yeah, yeah, yeah, yeah yeah,

1266
01:09:30,640 --> 01:09:33,040
Speaker 4: And that's what you already know who the bosses is,

1267
01:09:33,080 --> 01:09:37,120
Speaker 4: you know who the executive Fuck them. Let's let's show

1268
01:09:37,120 --> 01:09:40,880
Speaker 4: that love to the artists. Let's go directly to them.

1269
01:09:40,960 --> 01:09:43,599
Speaker 4: And that was just me. The way I embraced JT.

1270
01:09:43,800 --> 01:09:44,080
Speaker 3: Money.

1271
01:09:44,080 --> 01:09:45,200
Speaker 7: It was nothing that could come.

1272
01:09:45,040 --> 01:09:48,639
Speaker 1: Between you had. It was amazing.

1273
01:09:48,760 --> 01:09:51,639
Speaker 3: Yeah, because he was also asking them about the album

1274
01:09:51,760 --> 01:09:53,280
Speaker 3: You JT Money trick Daddy.

1275
01:09:53,400 --> 01:09:56,479
Speaker 4: If that would ever happen, I'm gonna be honest, man,

1276
01:09:56,560 --> 01:09:59,679
Speaker 4: if it was something that we really said they wanted

1277
01:09:59,720 --> 01:10:01,720
Speaker 4: to do, Rose would do it.

1278
01:10:03,600 --> 01:10:04,320
Speaker 1: Let me tell you something.

1279
01:10:04,320 --> 01:10:07,080
Speaker 4: When it comes to Rose, you know, I just I'm

1280
01:10:07,120 --> 01:10:11,479
Speaker 4: gonna go Yeah, before I stop something, before I hit

1281
01:10:11,560 --> 01:10:14,000
Speaker 4: brakes on something, I'm gonna hit the gas on it.

1282
01:10:15,040 --> 01:10:16,800
Speaker 7: You know what I'm saying. That's just the way I go.

1283
01:10:17,280 --> 01:10:21,080
Speaker 4: I'd rather stay busy than us fucking chill for three months.

1284
01:10:21,720 --> 01:10:22,040
Speaker 3: I ain't.

1285
01:10:22,080 --> 01:10:22,800
Speaker 7: I ain't with that.

1286
01:10:22,960 --> 01:10:25,040
Speaker 4: If y'all want to take a break for three months,

1287
01:10:26,200 --> 01:10:31,200
Speaker 4: hey man, hit me when y'all gonna go man, Yeah, yeah, yeah, yeah,

1288
01:10:31,240 --> 01:10:33,920
Speaker 4: because we got I want to stay moving and not

1289
01:10:34,040 --> 01:10:36,320
Speaker 4: because it's it's because it's something we gotta do. It's

1290
01:10:36,360 --> 01:10:38,760
Speaker 4: something we want to do, it's something we love to do.

1291
01:10:39,000 --> 01:10:42,280
Speaker 4: Everything we're doing is because we love it. Yeah, we

1292
01:10:42,400 --> 01:10:43,920
Speaker 4: fuck with it. Yeah we love.

1293
01:10:43,800 --> 01:10:48,439
Speaker 1: This n w A o Wu Tang Klan n w A.

1294
01:10:49,520 --> 01:10:54,000
Speaker 4: Yeah, and you you gotta respect it what n w

1295
01:10:54,040 --> 01:10:58,639
Speaker 4: A did, the effect they had, And you gotta remember

1296
01:10:59,439 --> 01:11:01,479
Speaker 4: about the two when Wu Tang hit me.

1297
01:11:02,280 --> 01:11:06,160
Speaker 7: I was a senior in high school. Wow, that Wu.

1298
01:11:06,040 --> 01:11:09,480
Speaker 4: Tang niggas was putting Wu Tang lyrics.

1299
01:11:09,040 --> 01:11:09,639
Speaker 7: In my scenes.

1300
01:11:09,680 --> 01:11:10,880
Speaker 2: Did you go to the first show out here in

1301
01:11:11,000 --> 01:11:11,639
Speaker 2: Mahi Temple?

1302
01:11:11,760 --> 01:11:12,400
Speaker 7: Of course not.

1303
01:11:15,720 --> 01:11:16,120
Speaker 21: Was like he was.

1304
01:11:17,160 --> 01:11:20,320
Speaker 4: You know, I couldn't even afford that. I was too

1305
01:11:20,400 --> 01:11:24,920
Speaker 4: young for that shit. But but I'm just now, you know, yeah, yeah,

1306
01:11:25,040 --> 01:11:26,920
Speaker 4: but the effect.

1307
01:11:28,200 --> 01:11:28,439
Speaker 18: Had.

1308
01:11:29,320 --> 01:11:32,680
Speaker 4: Don't get it fucked up. Don't take me taking you know,

1309
01:11:32,760 --> 01:11:35,280
Speaker 4: the other homies over there. Don't get it fucked up

1310
01:11:35,520 --> 01:11:38,400
Speaker 4: when they kicked in that ninety three ninety four year

1311
01:11:39,000 --> 01:11:40,839
Speaker 4: Could nobody fuck with Wotan.

1312
01:11:41,160 --> 01:11:41,720
Speaker 1: Absolutely not.

1313
01:11:42,760 --> 01:11:46,599
Speaker 4: That's ninety three ninety four Rock Kim or Big Daddy

1314
01:11:46,640 --> 01:11:48,760
Speaker 4: King Rock Kim.

1315
01:11:49,040 --> 01:11:53,559
Speaker 3: Mmm, check us a wingstop. Oh, I'm gonna take a shot.

1316
01:11:57,320 --> 01:12:02,519
Speaker 4: I might have to create a living pap for Bungo.

1317
01:12:04,439 --> 01:12:06,640
Speaker 3: I drink the Queen.

1318
01:12:11,280 --> 01:12:13,360
Speaker 2: Dead Press, the public enemy.

1319
01:12:14,439 --> 01:12:17,200
Speaker 4: I'm gonna say public enemy, but don't get it fucked

1320
01:12:17,280 --> 01:12:19,880
Speaker 4: up there. Press spent a lot of time Florida.

1321
01:12:21,600 --> 01:12:22,320
Speaker 1: I'm trying to tell you.

1322
01:12:22,400 --> 01:12:24,360
Speaker 4: That's what I'm trying to tell you. They spent a

1323
01:12:24,360 --> 01:12:27,080
Speaker 4: lot of time in the hood in Florida. And not

1324
01:12:27,160 --> 01:12:31,720
Speaker 4: only that, they hip hop records. To me, was the

1325
01:12:31,840 --> 01:12:34,640
Speaker 4: closest you could get to a public enemy for that

1326
01:12:34,840 --> 01:12:39,080
Speaker 4: time frame. You know what I'm saying, So salute Dead Press.

1327
01:12:39,800 --> 01:12:44,240
Speaker 4: I love them boys. Uh. And with Chuck D and

1328
01:12:44,360 --> 01:12:49,080
Speaker 4: Public Enemy fight the power, can't don't don't ever play

1329
01:12:49,080 --> 01:12:53,920
Speaker 4: yourself going against that. You only playing yourself. Pay homage

1330
01:12:54,040 --> 01:12:57,679
Speaker 4: to them and be respected when somebody put you behind

1331
01:12:58,080 --> 01:13:03,960
Speaker 4: what Chuck D did. But the Enemy fight the power slaves.

1332
01:13:04,320 --> 01:13:06,920
Speaker 4: It's an icon. If you don't know and you just

1333
01:13:07,000 --> 01:13:10,240
Speaker 4: seen them on the hip hop shows, don't play yourself.

1334
01:13:10,560 --> 01:13:14,920
Speaker 3: That's flavor flave from Public Enemy stock.

1335
01:13:15,439 --> 01:13:17,799
Speaker 1: Professor Griffo came to Loop Records after.

1336
01:13:19,120 --> 01:13:21,240
Speaker 7: I bought Professor griff albums.

1337
01:13:21,920 --> 01:13:25,240
Speaker 3: Yeah, I came. What's what I'm trying to tell you.

1338
01:13:25,640 --> 01:13:28,360
Speaker 4: I fucked with Public Enemy that hard that he was

1339
01:13:28,439 --> 01:13:29,600
Speaker 4: one of the militants.

1340
01:13:35,600 --> 01:13:38,840
Speaker 3: Yo. If you was doing that, I would buy your ship.

1341
01:13:42,920 --> 01:13:46,960
Speaker 3: That's I wasn't even tell you straight up student of

1342
01:13:46,960 --> 01:13:50,040
Speaker 3: the game, go back to the producer one. But I

1343
01:13:50,080 --> 01:13:51,920
Speaker 3: want to ask you, because this is a two part question.

1344
01:13:52,000 --> 01:13:54,599
Speaker 3: Stop The question is Styles Peel or push your t right.

1345
01:13:54,960 --> 01:13:58,160
Speaker 3: But the rumor is fifth TV. I believe told me

1346
01:13:58,200 --> 01:14:03,840
Speaker 3: this that the record be a meth he sent the

1347
01:14:03,880 --> 01:14:04,960
Speaker 3: Styles by mistake.

1348
01:14:06,439 --> 01:14:10,439
Speaker 2: Yeah, I think they both said. I think said that

1349
01:14:10,640 --> 01:14:12,599
Speaker 2: I don't know inside information.

1350
01:14:13,040 --> 01:14:15,200
Speaker 3: I think I think Smith got to realize.

1351
01:14:17,160 --> 01:14:19,599
Speaker 4: You gotta understand when it comes to my record, Sam

1352
01:14:19,640 --> 01:14:22,880
Speaker 4: Sneak and Smith since I came in the game, was

1353
01:14:22,880 --> 01:14:25,040
Speaker 4: the only ones if you ever got a record from

1354
01:14:25,120 --> 01:14:29,800
Speaker 4: Rose would send it to you. Smith is most definitely

1355
01:14:29,880 --> 01:14:43,599
Speaker 4: somebody that will fuck up and sens. So you gotta

1356
01:14:43,800 --> 01:14:47,120
Speaker 4: you gotta know, like yo, it's just we in the studio.

1357
01:14:47,240 --> 01:14:50,840
Speaker 4: We're vibing, we catching vibes, you know what I'm saying.

1358
01:14:51,240 --> 01:14:54,360
Speaker 4: And you gotta realize. I love the hip hop game

1359
01:14:54,479 --> 01:14:57,400
Speaker 4: so much that when I knew I.

1360
01:14:57,320 --> 01:14:59,000
Speaker 3: Was gonna send fucking.

1361
01:15:00,600 --> 01:15:03,880
Speaker 4: B M F the jay Z and you know we

1362
01:15:04,000 --> 01:15:07,639
Speaker 4: send it to Styles Peek. Styles. No, No, it ain't

1363
01:15:07,680 --> 01:15:10,200
Speaker 4: even mistake. I just felt that's what it was.

1364
01:15:10,240 --> 01:15:13,720
Speaker 3: Meant to be. And when Styles sent that.

1365
01:15:13,880 --> 01:15:20,080
Speaker 4: Verse, let's let's fix it. Let's run it because you

1366
01:15:20,080 --> 01:15:21,200
Speaker 4: know this for the streets.

1367
01:15:21,200 --> 01:15:22,840
Speaker 3: You know what I'm saying, Sneak.

1368
01:15:22,600 --> 01:15:27,519
Speaker 1: You agree, yeah, yeah, whenever whenever I.

1369
01:15:27,600 --> 01:15:29,519
Speaker 3: Sent a record, I've never sent a record.

1370
01:15:29,560 --> 01:15:33,679
Speaker 4: I've never had an email. That's just for anybody watching.

1371
01:15:34,160 --> 01:15:42,000
Speaker 4: If you ever thought you sent me an email, stop TV.

1372
01:15:42,280 --> 01:15:46,880
Speaker 4: In the history of my life, Sam Sneak, spif TV,

1373
01:15:47,600 --> 01:15:49,000
Speaker 4: that was one of the people that you know what

1374
01:15:49,000 --> 01:15:50,240
Speaker 4: I'm saying, straight up.

1375
01:15:51,320 --> 01:15:53,160
Speaker 2: Your email is gonna be lit.

1376
01:15:55,439 --> 01:15:58,599
Speaker 7: Out Holy that's that's who you talk.

1377
01:15:59,040 --> 01:16:01,320
Speaker 4: And if you're sending an email right now, you're talking

1378
01:16:01,360 --> 01:16:05,479
Speaker 4: to Sam Sneak, I don't I don't know, no, no, no,

1379
01:16:06,040 --> 01:16:07,240
Speaker 4: I don't know if he told you.

1380
01:16:08,400 --> 01:16:11,080
Speaker 3: I don't know if he said it. But if you're

1381
01:16:11,120 --> 01:16:15,560
Speaker 3: talking right now, yeah, Sneak.

1382
01:16:15,280 --> 01:16:20,040
Speaker 2: You got they're gonna be stalking you for a rose verse.

1383
01:16:19,880 --> 01:16:27,360
Speaker 17: Right now you talk, you're talking to Sam's all this

1384
01:16:27,479 --> 01:16:28,400
Speaker 17: time I'm talking to you.

1385
01:16:36,720 --> 01:16:40,160
Speaker 1: I love it, But push your teeth.

1386
01:16:41,000 --> 01:16:43,679
Speaker 4: I tell you, I'm gonna take a shot, and okay,

1387
01:16:43,720 --> 01:16:46,479
Speaker 4: then I'm gonna take a shot. Is because when I'm

1388
01:16:46,520 --> 01:16:49,160
Speaker 4: looking for a certain feeling, they both give me the

1389
01:16:49,240 --> 01:16:54,200
Speaker 4: feeling on one that and and for me, I'm so

1390
01:16:54,400 --> 01:16:56,760
Speaker 4: deep into the hip hop game. It ain't any about

1391
01:16:56,800 --> 01:17:00,719
Speaker 4: your raps. It's the feeling I felt. When I was younger,

1392
01:17:00,800 --> 01:17:03,200
Speaker 4: it was about your wraps. Like if I sent you

1393
01:17:03,320 --> 01:17:05,840
Speaker 4: a feature and you send it back to me. Let

1394
01:17:05,880 --> 01:17:08,800
Speaker 4: me listen to what he said. You know now it's

1395
01:17:08,880 --> 01:17:12,400
Speaker 4: the feeling that I get. And when it comes to

1396
01:17:12,479 --> 01:17:15,560
Speaker 4: that feeling, styles P and push T both give me

1397
01:17:15,640 --> 01:17:17,200
Speaker 4: that feeling like that Solo.

1398
01:17:17,320 --> 01:17:20,519
Speaker 2: Solo got you you you got you know. I'm on,

1399
01:17:20,680 --> 01:17:26,000
Speaker 2: I'm on. I'm about to say, Boston, what do you

1400
01:17:26,120 --> 01:17:26,800
Speaker 2: what do you think of the.

1401
01:17:30,680 --> 01:17:33,040
Speaker 3: Steakking?

1402
01:17:34,040 --> 01:17:34,400
Speaker 1: Bombo?

1403
01:17:34,520 --> 01:17:36,080
Speaker 2: That's Bomble rights de.

1404
01:17:38,479 --> 01:17:41,679
Speaker 1: Solo Solo Solo to y'all, man to y'all.

1405
01:17:42,360 --> 01:17:42,720
Speaker 10: Mm hmm.

1406
01:17:43,360 --> 01:17:45,240
Speaker 3: Let's put it up this quick time. So we got

1407
01:17:45,280 --> 01:17:48,240
Speaker 3: because I got a couple of questions, DJ, clue up

1408
01:17:48,240 --> 01:17:50,960
Speaker 3: on Flex, you skipped a couple?

1409
01:17:51,439 --> 01:17:52,800
Speaker 7: Yeah, you can skip a couple.

1410
01:17:52,880 --> 01:17:53,479
Speaker 3: Ain't that wrong.

1411
01:17:55,680 --> 01:17:58,280
Speaker 7: I'm gonna say clue because me and Clue we on

1412
01:17:58,400 --> 01:17:59,439
Speaker 7: the phone all the time.

1413
01:18:00,040 --> 01:18:00,240
Speaker 5: Phone.

1414
01:18:00,320 --> 01:18:02,640
Speaker 4: Yeah, we're on the phone. Were on the phone, you know,

1415
01:18:02,760 --> 01:18:04,920
Speaker 4: early in the morning, late night, Me and Clude just

1416
01:18:05,040 --> 01:18:07,799
Speaker 4: on the phone. We understand what Let I mean Flex?

1417
01:18:08,360 --> 01:18:11,160
Speaker 4: What he what he meant to the coaching me coming

1418
01:18:11,240 --> 01:18:13,840
Speaker 4: into the game, it was all about getting a freestyle.

1419
01:18:14,000 --> 01:18:17,519
Speaker 4: On Flex show in New York, it was e f

1420
01:18:17,640 --> 01:18:21,840
Speaker 4: N it was Flex when you you know what I'm saying.

1421
01:18:21,880 --> 01:18:23,360
Speaker 4: And when you're a young nigga, you don't know a

1422
01:18:23,439 --> 01:18:24,000
Speaker 4: lot of nigga.

1423
01:18:24,040 --> 01:18:25,280
Speaker 7: You don't know d J.

1424
01:18:25,600 --> 01:18:28,240
Speaker 4: You don't really want a list of You just don't

1425
01:18:28,280 --> 01:18:30,760
Speaker 4: want to know who to go to God. And for

1426
01:18:30,920 --> 01:18:33,400
Speaker 4: New York Flex was to go to God so for

1427
01:18:33,560 --> 01:18:46,600
Speaker 4: Real or Kanye Who Forrell? Or Kanye Pharreller Kanye. I

1428
01:18:46,720 --> 01:18:52,400
Speaker 4: spent time with both of the homies mm hmm, and

1429
01:18:52,520 --> 01:18:57,080
Speaker 4: I feel we we we created greatness on both sides.

1430
01:18:59,479 --> 01:19:02,599
Speaker 4: M So, without a doubt, I'm gonna take a shot

1431
01:19:02,640 --> 01:19:10,679
Speaker 4: at Dulcam only.

1432
01:19:12,720 --> 01:19:14,080
Speaker 1: Let's take a pistol bamboo.

1433
01:19:14,200 --> 01:19:20,400
Speaker 3: Okay, Well, what's she at? Oh, she's at the bar? Gotcha?

1434
01:19:20,840 --> 01:19:21,479
Speaker 2: You got the next one?

1435
01:19:23,040 --> 01:19:24,960
Speaker 1: DJ Last, DJ Irie.

1436
01:19:30,479 --> 01:19:31,120
Speaker 3: Last been.

1437
01:19:31,920 --> 01:19:34,400
Speaker 4: You gotta understand, I've been hearing last name since the

1438
01:19:34,520 --> 01:19:36,440
Speaker 4: nigga may have been in third grade.

1439
01:19:38,200 --> 01:19:40,800
Speaker 1: All of us. The first time I saw DJ, I

1440
01:19:40,800 --> 01:19:44,519
Speaker 1: think it was hot wheels so so so.

1441
01:19:44,640 --> 01:19:48,880
Speaker 4: If Irie was here, he would say, DJ, I'm gonna

1442
01:19:48,960 --> 01:19:52,320
Speaker 4: just keep it real. That's one of those situations Last

1443
01:19:52,439 --> 01:19:54,080
Speaker 4: in one of those names that.

1444
01:19:54,240 --> 01:19:56,200
Speaker 2: Was on Powever.

1445
01:19:57,000 --> 01:20:01,839
Speaker 3: No, I was an elementary I was in elementary school.

1446
01:20:02,320 --> 01:20:04,519
Speaker 4: I'm just telling you. So he's a legend in me.

1447
01:20:05,200 --> 01:20:07,760
Speaker 4: So if I ran yeah, so, if I ran into

1448
01:20:07,840 --> 01:20:14,920
Speaker 4: DJ Last anywhere, he gets five star treatment for yeah, yeah,

1449
01:20:14,960 --> 01:20:18,240
Speaker 4: without a doubt. I remember when he had that Lexus

1450
01:20:18,320 --> 01:20:21,720
Speaker 4: two door two. Yeah, he had the Lexus Tudor what was.

1451
01:20:21,720 --> 01:20:25,000
Speaker 3: The name of that club off ninety five in Hollydaln Zimples.

1452
01:20:28,600 --> 01:20:32,040
Speaker 4: Yeah yeah, yeah, yeah, yeah, I went, I went, I

1453
01:20:32,120 --> 01:20:34,960
Speaker 4: went to Zimples and he was out there leaving on

1454
01:20:35,120 --> 01:20:36,160
Speaker 4: the Lexus.

1455
01:20:36,960 --> 01:20:40,000
Speaker 18: Yeah yeah, yeah, yeah, yeah, yeah.

1456
01:20:43,880 --> 01:20:45,240
Speaker 21: Yeah yeah yeah.

1457
01:20:45,520 --> 01:20:49,599
Speaker 4: Zippers, zippers and scarlets now, but it was it was zippers.

1458
01:20:50,120 --> 01:20:53,320
Speaker 4: He was in his Tudor coop and I was like, one,

1459
01:20:53,320 --> 01:20:56,600
Speaker 4: I'm proud of you, boy, God damn you getting to

1460
01:20:56,760 --> 01:20:59,080
Speaker 4: the money. And I'm gonna tell you if you didn't know,

1461
01:20:59,280 --> 01:21:01,800
Speaker 4: Last was money that.

1462
01:21:01,960 --> 01:21:04,120
Speaker 1: Mother as a cult following.

1463
01:21:04,000 --> 01:21:07,120
Speaker 4: That motherfucker was getting And I ain't know if anybody

1464
01:21:07,200 --> 01:21:08,760
Speaker 4: else knew, but Rose knew.

1465
01:21:08,960 --> 01:21:12,680
Speaker 1: No Last, like DJ Magic Mike out of Florida to

1466
01:21:12,840 --> 01:21:15,360
Speaker 1: like out, they got alt following.

1467
01:21:15,920 --> 01:21:18,600
Speaker 3: He was selling records. Last was getting money in the

1468
01:21:18,760 --> 01:21:22,840
Speaker 3: street and real. Yeah, y'all thought New York niggas is proud,

1469
01:21:22,920 --> 01:21:23,960
Speaker 3: y'all Miami niggas.

1470
01:21:24,360 --> 01:21:24,439
Speaker 19: Yo.

1471
01:21:24,600 --> 01:21:26,600
Speaker 16: You see how y'all just jumped because we end up

1472
01:21:33,200 --> 01:21:36,439
Speaker 16: you got, you got it, you got because you don't know.

1473
01:21:37,720 --> 01:21:53,680
Speaker 3: Queen that story telling niggas. Queen, I'll tell you one ding.

1474
01:21:53,760 --> 01:21:57,200
Speaker 3: Let me tell you something I think Miami every day

1475
01:21:57,280 --> 01:22:00,439
Speaker 3: Miami embraced me. They took me into the time where

1476
01:22:00,439 --> 01:22:02,439
Speaker 3: I needed to be taken in parts of Miami, to

1477
01:22:02,600 --> 01:22:07,120
Speaker 3: all parts I lived in avc Tera Kindle, that's every

1478
01:22:07,200 --> 01:22:08,040
Speaker 3: part downtown.

1479
01:22:08,520 --> 01:22:10,040
Speaker 2: That was the worst part of my life.

1480
01:22:10,200 --> 01:22:13,920
Speaker 3: And living downtown with Eddie, Gigs and spip TV, these

1481
01:22:14,040 --> 01:22:15,160
Speaker 3: niggas was out of control.

1482
01:22:16,760 --> 01:22:20,280
Speaker 2: It there was my roommates. I said, I was by myself.

1483
01:22:20,360 --> 01:22:21,800
Speaker 1: I just came down here.

1484
01:22:21,840 --> 01:22:24,200
Speaker 3: I was like I loved I had spept TV and

1485
01:22:24,280 --> 01:22:26,320
Speaker 3: a nigga named Eddie to asked either.

1486
01:22:29,200 --> 01:22:31,120
Speaker 21: You know you know what?

1487
01:22:33,560 --> 01:22:33,680
Speaker 18: Man?

1488
01:22:33,760 --> 01:22:33,920
Speaker 3: It was?

1489
01:22:34,120 --> 01:22:34,320
Speaker 1: It was.

1490
01:22:34,720 --> 01:22:36,719
Speaker 2: It was hands down the worst time of my life.

1491
01:22:37,400 --> 01:22:39,080
Speaker 1: I would go to what you know what? Club? I

1492
01:22:39,080 --> 01:22:49,240
Speaker 1: would go to club No, it was crazy.

1493
01:22:49,280 --> 01:22:50,120
Speaker 2: That's my next question.

1494
01:22:50,320 --> 01:22:51,120
Speaker 1: We made a lot of money.

1495
01:22:51,160 --> 01:23:03,160
Speaker 2: The next question is so be live or mansion? Pause

1496
01:23:04,120 --> 01:23:06,400
Speaker 2: That is a tough one. Actually, that's actually a tough.

1497
01:23:06,560 --> 01:23:08,160
Speaker 4: I'm gonna tell you why, and I'm gonna tell you

1498
01:23:08,280 --> 01:23:14,400
Speaker 4: why it's a tough one. So Be Live was the

1499
01:23:14,600 --> 01:23:19,000
Speaker 4: small personal parties. That was some no, no, no, I'm

1500
01:23:19,000 --> 01:23:21,479
Speaker 4: gonna tell you that's something no no, so Be Live.

1501
01:23:21,600 --> 01:23:25,960
Speaker 4: That's when it was small personal. It was some next level.

1502
01:23:26,080 --> 01:23:29,680
Speaker 4: That was that ship ship ship ship, you know what

1503
01:23:29,760 --> 01:23:34,960
Speaker 4: I'm saying. Mansion was where you would run into everybody,

1504
01:23:35,360 --> 01:23:38,760
Speaker 4: you know, That's where all the celebs, the heavyweights, the

1505
01:23:38,840 --> 01:23:43,800
Speaker 4: biggest artists in the game, the biggest actors as well actresses.

1506
01:23:43,400 --> 01:23:45,479
Speaker 1: Which Sam that was Prince's Club.

1507
01:23:45,360 --> 01:23:49,160
Speaker 4: That right, that was Lam Slam, that was Princess Club.

1508
01:23:49,400 --> 01:23:53,560
Speaker 4: Right yeah, yeah, yeah, right, right, you're right. You know

1509
01:23:53,640 --> 01:23:55,519
Speaker 4: what I'm saying. But that was the club that all

1510
01:23:55,560 --> 01:23:59,240
Speaker 4: the celebs came to automatically when they came to the city.

1511
01:23:59,479 --> 01:24:02,160
Speaker 4: But so Me Live gave you a different feeling if

1512
01:24:02,200 --> 01:24:04,520
Speaker 4: you were somebody that really partied.

1513
01:24:04,560 --> 01:24:08,120
Speaker 2: In the city child and so be Live only hosted Mansion.

1514
01:24:08,200 --> 01:24:09,800
Speaker 7: That's what I'm trying to tell you, So that so

1515
01:24:10,040 --> 01:24:11,479
Speaker 7: Be Live hit you a little different.

1516
01:24:11,520 --> 01:24:12,040
Speaker 3: You know what I'm saying.

1517
01:24:12,080 --> 01:24:13,000
Speaker 1: I love so Be Live.

1518
01:24:13,560 --> 01:24:15,000
Speaker 3: I tell you. I tell you what, I've got one

1519
01:24:15,040 --> 01:24:17,920
Speaker 3: more before you can't skip that, you can go back

1520
01:24:17,920 --> 01:24:20,200
Speaker 3: to it. No, no, but I tell you one. I

1521
01:24:20,360 --> 01:24:25,599
Speaker 3: remember when Hustling finally like hit right and you had

1522
01:24:26,280 --> 01:24:28,920
Speaker 3: you had you had a that line in the yeah

1523
01:24:28,960 --> 01:24:31,080
Speaker 3: no no no. But you had a show at Mansion,

1524
01:24:31,479 --> 01:24:34,080
Speaker 3: and I went to see you because I had always

1525
01:24:34,120 --> 01:24:37,720
Speaker 3: heard Cypher Sounds playing the record for one time. Yeah

1526
01:24:39,360 --> 01:24:45,479
Speaker 3: literally he literally first DJ in New York, something like Yo,

1527
01:24:45,800 --> 01:24:47,960
Speaker 3: that's the first time I heard you. And Ciper kept

1528
01:24:48,000 --> 01:24:49,880
Speaker 3: playing and I was like damn, And he was like,

1529
01:24:50,200 --> 01:24:52,120
Speaker 3: is he talking about you? I said, I actually think

1530
01:24:52,120 --> 01:24:52,720
Speaker 3: he talking about the.

1531
01:24:52,760 --> 01:24:56,280
Speaker 2: Real nord Yer. I was like, I was like, he said,

1532
01:24:57,240 --> 01:24:58,280
Speaker 2: he says the real norm.

1533
01:24:58,400 --> 01:24:59,800
Speaker 3: I was like, a S, I think that's an oxy

1534
01:24:59,840 --> 01:25:02,840
Speaker 3: more on, Like I think he's talking other the real

1535
01:25:03,040 --> 01:25:08,200
Speaker 3: But but I have, like I said, but I'm gonna

1536
01:25:08,200 --> 01:25:08,760
Speaker 3: tell you something, bro.

1537
01:25:09,160 --> 01:25:11,519
Speaker 2: Let me just tell you something. I went to see you.

1538
01:25:11,760 --> 01:25:14,000
Speaker 3: I went to see you in Club Mansion, and I

1539
01:25:14,160 --> 01:25:16,640
Speaker 3: remember this shit like it was yesterday because I had

1540
01:25:16,720 --> 01:25:19,559
Speaker 3: I didn't. I hadn't met you at the I didn't

1541
01:25:19,560 --> 01:25:22,200
Speaker 3: meet you before in the Low's Hotel with E Class

1542
01:25:22,600 --> 01:25:24,000
Speaker 3: I was I was doing reggae Throne.

1543
01:25:24,000 --> 01:25:25,120
Speaker 2: At the time, it was a light.

1544
01:25:25,200 --> 01:25:28,880
Speaker 3: Meeting, but this is this is you becoming who you're

1545
01:25:28,880 --> 01:25:31,400
Speaker 3: about to be the boss. And you walked in and

1546
01:25:31,479 --> 01:25:32,840
Speaker 3: this is what I feel like. I feel like this

1547
01:25:32,920 --> 01:25:34,800
Speaker 3: is when you became the boss. Like to me in

1548
01:25:34,920 --> 01:25:37,360
Speaker 3: my mind, in my mind, you walked through like.

1549
01:25:37,520 --> 01:25:41,799
Speaker 2: You walk through you you want you all the cameras

1550
01:25:41,840 --> 01:25:42,479
Speaker 2: that watching.

1551
01:25:42,600 --> 01:25:43,559
Speaker 3: I feel good.

1552
01:25:45,320 --> 01:25:47,400
Speaker 2: Man's story.

1553
01:25:47,479 --> 01:25:50,080
Speaker 3: I'mna be out it because I since trick, I didn't

1554
01:25:50,120 --> 01:25:53,040
Speaker 3: see Miami lit like I didn't see an artist represent

1555
01:25:53,200 --> 01:25:55,519
Speaker 3: Miami like that. And when you walked through, you walk

1556
01:25:55,600 --> 01:25:58,880
Speaker 3: through with forty dudes and I walked through and I

1557
01:25:58,960 --> 01:26:01,439
Speaker 3: was like, holy ship, and you said what's up og

1558
01:26:02,160 --> 01:26:04,400
Speaker 3: and we gave me five and we smacked up. But

1559
01:26:04,479 --> 01:26:08,040
Speaker 3: then you went on stage and the way the city

1560
01:26:08,160 --> 01:26:10,160
Speaker 3: had your back, I knew you was gone.

1561
01:26:10,760 --> 01:26:12,519
Speaker 2: I said, it's no, it's no coming back.

1562
01:26:13,080 --> 01:26:13,920
Speaker 1: This guy's.

1563
01:26:15,479 --> 01:26:19,920
Speaker 3: Because I seen it was like it was like Miami

1564
01:26:20,320 --> 01:26:22,800
Speaker 3: sat around and waited for you, like like like Rock

1565
01:26:22,880 --> 01:26:24,400
Speaker 3: can't raid it for New York.

1566
01:26:24,520 --> 01:26:26,120
Speaker 2: See I'm not bullshitting you, by the way.

1567
01:26:26,280 --> 01:26:26,960
Speaker 1: Like this is real.

1568
01:26:27,040 --> 01:26:29,160
Speaker 3: I saw this was outside of looking at this like

1569
01:26:29,240 --> 01:26:30,840
Speaker 3: I lived, like I said, I live out here for

1570
01:26:30,920 --> 01:26:32,960
Speaker 3: sixteen years now, so now I'm a Miami nigga too.

1571
01:26:33,360 --> 01:26:35,920
Speaker 1: So but when I saw that, I sent it and

1572
01:26:36,000 --> 01:26:38,439
Speaker 1: when I seen you hit the stage, I said, this

1573
01:26:38,680 --> 01:26:38,880
Speaker 1: is it.

1574
01:26:39,960 --> 01:26:40,720
Speaker 18: This is it?

1575
01:26:41,000 --> 01:26:43,960
Speaker 1: Like this is it and Miami has not been the

1576
01:26:44,000 --> 01:26:51,160
Speaker 1: same since you have changed my head. Now. Sorry, I

1577
01:26:51,240 --> 01:26:51,800
Speaker 1: got to see it.

1578
01:26:51,880 --> 01:26:53,920
Speaker 3: I don't know. I don't think it was your first show,

1579
01:26:54,439 --> 01:26:57,439
Speaker 3: but it was like your first show after hustling went

1580
01:26:57,560 --> 01:27:02,200
Speaker 3: crazy like which it was. Oh then I.

1581
01:27:03,920 --> 01:27:06,240
Speaker 2: Which was you know, this was this.

1582
01:27:09,439 --> 01:27:10,400
Speaker 7: And that's what it was.

1583
01:27:10,600 --> 01:27:13,800
Speaker 3: Man, You know, I shout out, no Diego, but I

1584
01:27:13,960 --> 01:27:15,840
Speaker 3: was talking of Manuel.

1585
01:27:16,360 --> 01:27:17,559
Speaker 2: Listen bred can I say something?

1586
01:27:17,720 --> 01:27:21,120
Speaker 1: He called me. He hit me up because he knows

1587
01:27:21,120 --> 01:27:24,320
Speaker 1: I'm in Miami. He knows Ross been on the mixtape. Yo,

1588
01:27:24,479 --> 01:27:27,559
Speaker 1: he is he this in me? I said, no, he's

1589
01:27:27,640 --> 01:27:31,800
Speaker 1: talking about man well at all.

1590
01:27:31,960 --> 01:27:33,200
Speaker 7: And it wasn't a dish.

1591
01:27:33,280 --> 01:27:36,800
Speaker 3: It wasn't Manuel Noriega had just got shipped to.

1592
01:27:36,880 --> 01:27:41,599
Speaker 1: The Can't.

1593
01:27:41,800 --> 01:27:45,879
Speaker 4: And I had homies that was locked up wing roseam

1594
01:27:46,040 --> 01:27:49,559
Speaker 4: with I know talking about that's how were people saying

1595
01:27:49,600 --> 01:27:49,800
Speaker 4: to you?

1596
01:27:50,000 --> 01:27:52,040
Speaker 3: And I mean at one point people was trying to

1597
01:27:52,240 --> 01:27:54,160
Speaker 3: paint that came. But like I said, the minute I

1598
01:27:54,280 --> 01:27:57,880
Speaker 3: met him. He you know, because New York, because that's

1599
01:27:57,880 --> 01:27:58,360
Speaker 3: what we think.

1600
01:27:58,400 --> 01:27:59,400
Speaker 2: Angry, We angry people.

1601
01:28:01,920 --> 01:28:06,560
Speaker 3: Sorry, man, And I just remember, like I said, I

1602
01:28:06,640 --> 01:28:08,920
Speaker 3: remember me seeing you, going to see you, and I

1603
01:28:09,000 --> 01:28:11,280
Speaker 3: remember the respect you showed me. And I was like, Damn,

1604
01:28:11,680 --> 01:28:14,559
Speaker 3: that's a real nigga right there, because to show respect,

1605
01:28:14,600 --> 01:28:15,880
Speaker 3: it's just to happen.

1606
01:28:16,800 --> 01:28:17,920
Speaker 7: That's just nigga.

1607
01:28:18,080 --> 01:28:20,519
Speaker 4: Was love and that's why I said it the way

1608
01:28:20,600 --> 01:28:21,720
Speaker 4: I said it, and.

1609
01:28:22,000 --> 01:28:23,439
Speaker 1: I heard it that way too to.

1610
01:28:24,520 --> 01:28:27,280
Speaker 4: Yeah, and the homie had just came down there and

1611
01:28:27,439 --> 01:28:30,400
Speaker 4: I had homies that was doing fed time that was

1612
01:28:30,520 --> 01:28:33,559
Speaker 4: on the floor. It was only two cells between them

1613
01:28:34,040 --> 01:28:37,080
Speaker 4: and North Diego, and that was my way of showing

1614
01:28:37,160 --> 01:28:40,280
Speaker 4: them love to because they knew who I was speaking.

1615
01:28:40,640 --> 01:28:42,720
Speaker 2: But that's how specific. Nobody else would know that.

1616
01:28:43,280 --> 01:28:46,600
Speaker 4: They thought I was just rapping bars and people know

1617
01:28:46,680 --> 01:28:49,480
Speaker 4: how they say bars bars.

1618
01:28:51,160 --> 01:28:52,559
Speaker 3: I don't even like that ship.

1619
01:28:53,560 --> 01:28:55,400
Speaker 18: We all knew what the was like.

1620
01:28:57,479 --> 01:28:59,679
Speaker 2: Yeah, he knew, he knew.

1621
01:29:00,080 --> 01:29:01,840
Speaker 1: He called me just to confront. I said, no, I

1622
01:29:01,880 --> 01:29:02,960
Speaker 1: know exactly what he's doing.

1623
01:29:03,160 --> 01:29:06,000
Speaker 3: But I did second guests for two seconds because when

1624
01:29:06,120 --> 01:29:08,439
Speaker 3: when people put it in your head, it's just you

1625
01:29:08,439 --> 01:29:09,160
Speaker 3: gotta think about it.

1626
01:29:09,280 --> 01:29:10,960
Speaker 2: But you gotta let it go. You know what I'm saying.

1627
01:29:11,520 --> 01:29:14,960
Speaker 3: If it's just bars, it's just like I said, me,

1628
01:29:15,160 --> 01:29:17,200
Speaker 3: me and me and him, Me, me and gun Player

1629
01:29:17,360 --> 01:29:20,360
Speaker 3: always accepted me. You always fucked with me. Sam Snigg

1630
01:29:20,479 --> 01:29:22,320
Speaker 3: is my nigga. Like I used to go to the clubs.

1631
01:29:22,600 --> 01:29:24,519
Speaker 3: He used to dj A and he used to not

1632
01:29:24,600 --> 01:29:26,720
Speaker 3: even know because I didn't want the people to shot

1633
01:29:26,800 --> 01:29:28,120
Speaker 3: me out because I didn't want.

1634
01:29:27,960 --> 01:29:28,519
Speaker 2: To throw the money.

1635
01:29:31,000 --> 01:29:33,679
Speaker 3: You know that ship in Miami. You woke in Miami

1636
01:29:33,760 --> 01:29:35,800
Speaker 3: Strip Club. You gotta throw some money.

1637
01:29:36,880 --> 01:29:37,599
Speaker 2: Do you want some money?

1638
01:29:37,640 --> 01:29:38,840
Speaker 1: So shot me out?

1639
01:29:39,120 --> 01:29:39,559
Speaker 3: You know what I mean?

1640
01:29:39,800 --> 01:29:41,800
Speaker 2: Has he changed? Nah?

1641
01:29:42,360 --> 01:29:42,720
Speaker 18: Not to me?

1642
01:29:43,640 --> 01:29:46,200
Speaker 3: Not to I mean, that's that's the same way I

1643
01:29:46,240 --> 01:29:49,280
Speaker 3: say about the same people. That's what's the most beautiful

1644
01:29:49,360 --> 01:29:54,040
Speaker 3: about you is your loyalty. It's me to sit here.

1645
01:29:54,479 --> 01:29:56,479
Speaker 3: And as soon as we came here, I got a

1646
01:29:56,520 --> 01:29:59,160
Speaker 3: haircut and the first person they said that gun plays

1647
01:29:59,200 --> 01:29:59,439
Speaker 3: out there.

1648
01:29:59,640 --> 01:30:00,240
Speaker 1: Hold on, you.

1649
01:30:01,880 --> 01:30:05,080
Speaker 2: Got trying you need to give.

1650
01:30:07,560 --> 01:30:11,080
Speaker 3: But the first thing I said, I'm sitting there, I'm

1651
01:30:11,080 --> 01:30:13,040
Speaker 3: getting a hair cut, about to get a haircut, and

1652
01:30:13,120 --> 01:30:18,599
Speaker 3: they're like, your gum come play out there. Heard damn

1653
01:30:18,960 --> 01:30:21,760
Speaker 3: they still got gun play. And they said gun play

1654
01:30:21,760 --> 01:30:22,519
Speaker 3: out there with his kid.

1655
01:30:22,560 --> 01:30:27,559
Speaker 2: I said, that's even iller, that's even he got.

1656
01:30:27,840 --> 01:30:32,639
Speaker 3: He got Okay, then Boom saying seek and I'm looking

1657
01:30:32,640 --> 01:30:34,599
Speaker 3: and I'm like, this is the same Cruise's the same

1658
01:30:34,640 --> 01:30:38,240
Speaker 3: people he's been with gun play. That's why my nigga like.

1659
01:30:38,320 --> 01:30:40,840
Speaker 2: Just the same people I've been with you. But there's

1660
01:30:40,840 --> 01:30:41,960
Speaker 2: not a lot of people that do that.

1661
01:30:42,120 --> 01:30:42,320
Speaker 3: Rose.

1662
01:30:42,439 --> 01:30:43,680
Speaker 1: I'm just let me, let me, let me, let.

1663
01:30:43,600 --> 01:30:45,320
Speaker 4: Me, let me tell you only d J I ever

1664
01:30:45,439 --> 01:30:46,519
Speaker 4: had my whole career.

1665
01:30:47,520 --> 01:30:48,240
Speaker 2: That's a real one.

1666
01:30:48,439 --> 01:30:51,080
Speaker 4: I'm talking about since my first time saying a rap

1667
01:30:51,200 --> 01:30:51,839
Speaker 4: on the stage.

1668
01:30:52,479 --> 01:31:02,080
Speaker 1: Goddamn to me.

1669
01:31:02,520 --> 01:31:04,479
Speaker 3: To me, that's the best thing about you, man, is

1670
01:31:04,600 --> 01:31:07,479
Speaker 3: you keeping your loyalty. You're keeping the same people with you,

1671
01:31:07,800 --> 01:31:09,840
Speaker 3: and you're keeping that tight knit circle. You know what

1672
01:31:09,840 --> 01:31:12,200
Speaker 3: I'm saying, because you know me, I've been in this

1673
01:31:12,320 --> 01:31:14,840
Speaker 3: game twenty five years. How many people I've seen come

1674
01:31:14,960 --> 01:31:16,439
Speaker 3: go get high.

1675
01:31:16,479 --> 01:31:22,120
Speaker 2: I think they was hell by a motherfucking Corvette chicken

1676
01:31:22,200 --> 01:31:25,120
Speaker 2: beep o, you.

1677
01:31:25,160 --> 01:31:26,680
Speaker 3: Know what I mean. They thought they were led at

1678
01:31:26,720 --> 01:31:28,879
Speaker 3: me like, Okay, nigga, you got you had a Corvette,

1679
01:31:28,880 --> 01:31:30,240
Speaker 3: you better sign, you know what I mean.

1680
01:31:30,280 --> 01:31:33,240
Speaker 2: Calming down, Okay, and yeah, you know what I'm saying.

1681
01:31:33,280 --> 01:31:35,720
Speaker 3: You see people come and go, and then when even

1682
01:31:35,840 --> 01:31:38,559
Speaker 3: that you don't get to see people with a tight night.

1683
01:31:38,560 --> 01:31:40,560
Speaker 3: That's why I love Hutang like I really do. Like

1684
01:31:40,680 --> 01:31:43,000
Speaker 3: I love seeing them, I love seeing them together.

1685
01:31:43,479 --> 01:31:46,400
Speaker 4: I love what they represent. And that goes for any

1686
01:31:46,720 --> 01:31:51,719
Speaker 4: any any any any brothers that come together with a train.

1687
01:31:52,640 --> 01:31:56,120
Speaker 4: That's what I love the lones. Yeah, regardless of who

1688
01:31:56,200 --> 01:31:58,280
Speaker 4: you is, where you're from, I love to see it.

1689
01:31:58,760 --> 01:32:01,360
Speaker 4: That's what I want to see. It's nothing more valuable

1690
01:32:01,439 --> 01:32:05,360
Speaker 4: than that glory, straight up and down. So it's nothing

1691
01:32:05,439 --> 01:32:06,320
Speaker 4: more valuable than that.

1692
01:32:06,439 --> 01:32:11,519
Speaker 3: I love that. Yeah, that's a that's the last one.

1693
01:32:11,960 --> 01:32:14,080
Speaker 3: I wanted EFN to have that one. This is this

1694
01:32:14,240 --> 01:32:15,519
Speaker 3: is the one that we say that is not a

1695
01:32:15,560 --> 01:32:19,720
Speaker 3: trick question. Every other these questions somewhat trick question. This

1696
01:32:19,800 --> 01:32:22,439
Speaker 3: is the last one to me, it's not a trick

1697
01:32:22,520 --> 01:32:27,040
Speaker 3: question loyalty or respect mm hmm. So I'm gonna go

1698
01:32:27,040 --> 01:32:31,320
Speaker 3: ahead take a shot off top, you know, me being

1699
01:32:31,400 --> 01:32:33,960
Speaker 3: a boss. I'm gonna asks what's the difference.

1700
01:32:35,479 --> 01:32:39,599
Speaker 4: Me being a boss and asks what's the difference because

1701
01:32:39,600 --> 01:32:42,080
Speaker 4: I'm a demand both, I want both.

1702
01:32:42,160 --> 01:32:42,760
Speaker 7: I'm a boss.

1703
01:32:44,160 --> 01:32:46,360
Speaker 3: I don't have to pick a choose.

1704
01:32:47,680 --> 01:32:51,720
Speaker 4: That's for a certain that's that's for a certain category

1705
01:32:51,880 --> 01:32:56,240
Speaker 4: of demographic. When you talking to Rose, I don't have

1706
01:32:56,400 --> 01:33:00,719
Speaker 4: to choose. When you're sitting at the table with a boss.

1707
01:33:01,560 --> 01:33:03,560
Speaker 4: It is what it is, and it's gonna be what

1708
01:33:03,680 --> 01:33:06,320
Speaker 4: it's gonna be, and it's gonna go the way I

1709
01:33:06,439 --> 01:33:09,639
Speaker 4: feel it should go, and which is best for us all.

1710
01:33:10,360 --> 01:33:12,519
Speaker 3: What's a boss?

1711
01:33:14,320 --> 01:33:16,360
Speaker 4: Somebody that wanted to make sure we all in the

1712
01:33:16,439 --> 01:33:18,240
Speaker 4: best position we all could ever be.

1713
01:33:25,439 --> 01:33:27,840
Speaker 2: I'm taking a shot that I don't even know if

1714
01:33:27,840 --> 01:33:32,439
Speaker 2: you picked what you drinking. I'm just I'm just as.

1715
01:33:34,320 --> 01:33:34,760
Speaker 3: I want to.

1716
01:33:35,160 --> 01:33:39,519
Speaker 4: I think I've drank the DC, I've drank the Queen.

1717
01:33:39,680 --> 01:33:41,280
Speaker 4: I want to take one of the bumble.

1718
01:33:47,720 --> 01:33:51,240
Speaker 1: This is the person. It was amazing?

1719
01:33:52,200 --> 01:33:52,920
Speaker 3: Can I get one?

1720
01:33:54,160 --> 01:33:56,679
Speaker 2: This is This is the number one rum and premium.

1721
01:33:57,520 --> 01:34:01,720
Speaker 1: Is it Coca Room? Because it takes that character? Yo,

1722
01:34:01,840 --> 01:34:04,200
Speaker 1: it's the number one, you know, That's what's dope about it.

1723
01:34:04,680 --> 01:34:10,400
Speaker 12: If it's not cocing Room, it's not has that none none?

1724
01:34:10,800 --> 01:34:12,840
Speaker 1: Wow? Number one.

1725
01:34:13,520 --> 01:34:15,960
Speaker 7: We're on from in the world, guys, I want to

1726
01:34:16,000 --> 01:34:17,280
Speaker 7: ask you what's her name?

1727
01:34:18,479 --> 01:34:18,839
Speaker 3: Jamie?

1728
01:34:19,479 --> 01:34:20,240
Speaker 7: Let's give around.

1729
01:34:25,439 --> 01:34:30,439
Speaker 3: He's the only one female staff we have no female staff.

1730
01:34:31,040 --> 01:34:31,720
Speaker 2: We was glad that.

1731
01:34:34,640 --> 01:34:36,400
Speaker 3: I want to use the restaurant.

1732
01:34:37,960 --> 01:34:47,160
Speaker 21: And no, I'm not gonna walk off from that. I

1733
01:34:47,320 --> 01:34:48,280
Speaker 21: promise that got.

1734
01:34:50,000 --> 01:34:58,240
Speaker 22: Told because I definitely had to use it the second

1735
01:34:58,720 --> 01:35:03,600
Speaker 22: straight back there. Yep, yeah, yeah yeah, Bret, Yeah, we

1736
01:35:03,640 --> 01:35:04,679
Speaker 22: can keep talking, Brett.

1737
01:35:05,400 --> 01:35:07,479
Speaker 1: No, what you doing? Man? Okay?

1738
01:35:09,280 --> 01:35:10,240
Speaker 7: So are you?

1739
01:35:10,680 --> 01:35:11,439
Speaker 2: Are you having fun?

1740
01:35:11,760 --> 01:35:12,560
Speaker 3: And I love it?

1741
01:35:12,840 --> 01:35:15,080
Speaker 1: I have a question for you guys. Okay, please let's go.

1742
01:35:15,160 --> 01:35:15,559
Speaker 1: I'm ready.

1743
01:35:16,000 --> 01:35:18,439
Speaker 2: Would Drink Champs would have worked in New York?

1744
01:35:20,240 --> 01:35:22,000
Speaker 1: No, I mean I can't.

1745
01:35:22,439 --> 01:35:24,400
Speaker 2: Would it would have worked in New York.

1746
01:35:24,439 --> 01:35:27,400
Speaker 3: But it's easier to work with people in Miami because

1747
01:35:27,479 --> 01:35:30,400
Speaker 3: you're off, you take your guard down in Miami. Why

1748
01:35:30,720 --> 01:35:32,559
Speaker 3: because Palm Treese beautiful woman.

1749
01:35:33,000 --> 01:35:37,200
Speaker 1: Just well, I think for me is that since it

1750
01:35:37,360 --> 01:35:39,880
Speaker 1: was born here in Miami, I don't I don't have

1751
01:35:39,960 --> 01:35:41,639
Speaker 1: any idea of it being anywhere else.

1752
01:35:42,080 --> 01:35:47,000
Speaker 3: I mean, we've recorded them, no, tons of episodes in

1753
01:35:47,080 --> 01:35:49,799
Speaker 3: New York, but the birthplace of it was here because

1754
01:35:50,600 --> 01:35:53,280
Speaker 3: I mean I learned something about that doing albums out here.

1755
01:35:53,439 --> 01:35:56,080
Speaker 3: Like when I was out here doing albums, it would

1756
01:35:56,120 --> 01:35:57,880
Speaker 3: be so easier for me to get an artist to

1757
01:35:57,920 --> 01:36:00,360
Speaker 3: come to the studio out here as a it was the.

1758
01:36:00,360 --> 01:36:01,040
Speaker 2: New York, New York.

1759
01:36:01,080 --> 01:36:03,880
Speaker 3: We're all busy, but out here it's like, okay, cool,

1760
01:36:03,920 --> 01:36:05,759
Speaker 3: I got I got, I got weed at the studio,

1761
01:36:05,920 --> 01:36:08,120
Speaker 3: I got such and such studio. You got this come

1762
01:36:08,160 --> 01:36:11,599
Speaker 3: through and it's an artist. They tend to be easier

1763
01:36:11,640 --> 01:36:14,559
Speaker 3: to work with because they want to be in Miami anyway.

1764
01:36:14,600 --> 01:36:16,400
Speaker 3: It's the same reason why I was saying, let loose,

1765
01:36:16,600 --> 01:36:20,360
Speaker 3: let it go. Yeah, Miami's it's the place where you're

1766
01:36:20,360 --> 01:36:21,760
Speaker 3: going to take your hair down. You can take your

1767
01:36:21,760 --> 01:36:22,599
Speaker 3: hat off, you know what I mean?

1768
01:36:23,040 --> 01:36:25,479
Speaker 2: When did you when did you? When did you feel

1769
01:36:25,560 --> 01:36:26,479
Speaker 2: like this is something?

1770
01:36:27,400 --> 01:36:31,400
Speaker 1: This is first episode, first episode, first first promo on

1771
01:36:31,439 --> 01:36:34,320
Speaker 1: the episode, Yeah, Fat Joe was the first one we released,

1772
01:36:34,320 --> 01:36:37,120
Speaker 1: second one we recorded. We put out a video clip

1773
01:36:37,960 --> 01:36:40,760
Speaker 1: of the podcast, which was at that time you didn't

1774
01:36:40,800 --> 01:36:47,640
Speaker 1: put video of podcasting out. Podcasting was strictly audio audio twenty.

1775
01:36:46,640 --> 01:36:48,800
Speaker 2: Sixteen, smart of twenty six seven years.

1776
01:36:48,800 --> 01:36:49,920
Speaker 1: We're celebrating seven years.

1777
01:36:50,280 --> 01:36:52,280
Speaker 2: You're you're way before podcasts.

1778
01:36:52,439 --> 01:36:54,960
Speaker 1: Well, no, no, to be fair, there was podcasting, but

1779
01:36:55,080 --> 01:36:58,479
Speaker 1: in the hip hop space, it wasn't a thing. There

1780
01:36:58,560 --> 01:37:01,639
Speaker 1: was Elliott Wilson, there was I'm Bad Jack, I see

1781
01:37:01,640 --> 01:37:05,200
Speaker 1: you had done internet radio and none podcasting. Who else

1782
01:37:05,240 --> 01:37:08,320
Speaker 1: had done it? Joe Budden had been doing stuff, and

1783
01:37:08,680 --> 01:37:12,080
Speaker 1: maybe there might have been somebody else, but I feel

1784
01:37:12,080 --> 01:37:13,519
Speaker 1: like we took it to a different level. And then

1785
01:37:13,720 --> 01:37:15,760
Speaker 1: I remember I went to south By Southwest when we

1786
01:37:15,840 --> 01:37:19,240
Speaker 1: had just put out a clip of the first episode,

1787
01:37:20,000 --> 01:37:23,280
Speaker 1: and there was already a buzz of that clip, and

1788
01:37:23,360 --> 01:37:25,000
Speaker 1: I said, oh, I think we on did something here.

1789
01:37:25,560 --> 01:37:28,320
Speaker 1: And then that first we were CBS Radio is our distributor,

1790
01:37:28,479 --> 01:37:32,559
Speaker 1: just for the audio, and that first episode came.

1791
01:37:32,479 --> 01:37:37,040
Speaker 2: Out and it just it went crazy to this day.

1792
01:37:37,120 --> 01:37:38,200
Speaker 2: Do you know why it works?

1793
01:37:39,439 --> 01:37:39,479
Speaker 6: No?

1794
01:37:41,439 --> 01:37:42,000
Speaker 3: Do you care?

1795
01:37:42,560 --> 01:37:42,600
Speaker 6: No?

1796
01:37:43,800 --> 01:37:47,800
Speaker 3: I think we caught lightning in a bottle. I mean,

1797
01:37:47,920 --> 01:37:49,519
Speaker 3: you know what I'd say the truth? You know why

1798
01:37:49,520 --> 01:37:51,519
Speaker 3: it works is because our hearts is in the right place.

1799
01:37:51,720 --> 01:37:53,720
Speaker 3: And the thing about it is, in this game, if

1800
01:37:53,720 --> 01:37:55,400
Speaker 3: you have ten years, people want to.

1801
01:37:55,439 --> 01:37:55,840
Speaker 2: Kick you out.

1802
01:37:55,840 --> 01:37:57,519
Speaker 3: People want to tell you you old, people want to

1803
01:37:57,560 --> 01:38:00,080
Speaker 3: tell you you washed up. And that doesn't exist in

1804
01:38:00,200 --> 01:38:02,439
Speaker 3: rock and roller, that doesn't exist in jazz, doesn't exist

1805
01:38:02,479 --> 01:38:04,840
Speaker 3: in any other genre of music. So we wanted to,

1806
01:38:05,720 --> 01:38:08,920
Speaker 3: you know, change that. Like yo, man, the more that

1807
01:38:09,080 --> 01:38:11,400
Speaker 3: you are here and you survived, that should be that

1808
01:38:11,439 --> 01:38:14,440
Speaker 3: should be flower, that should be something that you celebrated.

1809
01:38:14,600 --> 01:38:17,920
Speaker 3: That's something that you look down upon and look frown upon.

1810
01:38:18,280 --> 01:38:20,439
Speaker 3: So we want to change that. And now we changed

1811
01:38:20,479 --> 01:38:22,240
Speaker 3: it like we had data Soul yesterday.

1812
01:38:22,040 --> 01:38:24,200
Speaker 2: Was and it's from it's from insiders.

1813
01:38:24,560 --> 01:38:27,679
Speaker 1: Yeah, you know, an artist has had success, a DJ

1814
01:38:27,920 --> 01:38:30,200
Speaker 1: and I've been behind the scenes doing marketing and promotion

1815
01:38:30,320 --> 01:38:32,519
Speaker 1: for the labels. So we're not coming from it from

1816
01:38:32,640 --> 01:38:36,360
Speaker 1: just like this like journalistic standpoint. That's not at all. Actually,

1817
01:38:36,520 --> 01:38:39,519
Speaker 1: I debated. I said, no, we're not journalists. We're having

1818
01:38:39,880 --> 01:38:43,720
Speaker 1: conversations with our peers about what we're in involved in.

1819
01:38:44,040 --> 01:38:46,000
Speaker 2: I got that bad boo. That's that bam boom right here,

1820
01:38:46,080 --> 01:38:51,080
Speaker 2: right of course. Yes, yeah, let's go.

1821
01:38:51,960 --> 01:38:54,320
Speaker 3: I'm gonna start with you, Nori. Okay, you're gonna have

1822
01:38:54,360 --> 01:39:04,000
Speaker 3: that bamboo ace here.

1823
01:39:04,040 --> 01:39:07,599
Speaker 1: Here you go drink. This is how he's starting.

1824
01:39:07,680 --> 01:39:08,599
Speaker 2: Hey, he's starting.

1825
01:39:08,960 --> 01:39:12,320
Speaker 18: Yeah, yeah, I feel we gotta ask you bet.

1826
01:39:12,200 --> 01:39:12,680
Speaker 2: Out he.

1827
01:39:19,320 --> 01:39:25,360
Speaker 1: That's go, that's not dy Ross, that's not look.

1828
01:39:26,720 --> 01:39:31,640
Speaker 4: Nobody ever come before eh fin, don't ever play yourself in,

1829
01:39:33,240 --> 01:39:36,559
Speaker 4: don't ever play yourself my good.

1830
01:39:38,720 --> 01:39:39,599
Speaker 3: Take your shot.

1831
01:39:39,640 --> 01:39:44,120
Speaker 2: Shot that's you took the bumble bumble. I said it wrong.

1832
01:39:44,479 --> 01:39:44,920
Speaker 3: He did.

1833
01:39:46,360 --> 01:39:48,080
Speaker 2: Take you shot, take you shot.

1834
01:39:51,080 --> 01:39:54,439
Speaker 3: Your business. We're drinking drink jams.

1835
01:39:54,880 --> 01:39:59,760
Speaker 1: It's drink chipying.

1836
01:40:01,600 --> 01:40:05,800
Speaker 4: So look, I've been drinking the MC queen, Yes right,

1837
01:40:05,880 --> 01:40:09,200
Speaker 4: you know. I've been on the Ultra Violet, the New Vibe,

1838
01:40:09,280 --> 01:40:12,040
Speaker 4: the Purple. You gotta try his palm. I've been drinking

1839
01:40:12,120 --> 01:40:14,600
Speaker 4: that majority of the night. Then I started taking some

1840
01:40:14,720 --> 01:40:17,120
Speaker 4: of the Deacon with you born and now this is the.

1841
01:40:17,200 --> 01:40:19,120
Speaker 1: What Bomboo, Bamboo Boo.

1842
01:40:20,040 --> 01:40:21,240
Speaker 2: I'm being honest to Bomboo.

1843
01:40:21,280 --> 01:40:25,680
Speaker 3: That's the smoothest one of you. And by the way,

1844
01:40:25,680 --> 01:40:27,760
Speaker 3: I'm not a mixer, so I'm gonna stick to one

1845
01:40:27,880 --> 01:40:29,439
Speaker 3: like Wiki.

1846
01:40:29,479 --> 01:40:33,400
Speaker 1: But I just took bo It's delicious, delicious.

1847
01:40:34,720 --> 01:40:38,519
Speaker 2: Hold on, I got a question, Yes, no problem. What's

1848
01:40:38,640 --> 01:40:40,760
Speaker 2: ross like the interview versus anybody else?

1849
01:40:42,439 --> 01:40:45,479
Speaker 1: The best? Why question, the biggest in the game. Why

1850
01:40:46,240 --> 01:40:47,960
Speaker 1: because that's got.

1851
01:40:52,120 --> 01:40:52,880
Speaker 2: What he wanted to know?

1852
01:40:53,040 --> 01:40:53,240
Speaker 1: Why?

1853
01:40:54,000 --> 01:41:02,840
Speaker 3: Why? Because he's a did you're not hear none of this?

1854
01:41:02,960 --> 01:41:08,559
Speaker 3: Didn't even say wiful by the way, like I mean

1855
01:41:09,120 --> 01:41:11,479
Speaker 3: to tell you the truth. Were flowers, man, people want

1856
01:41:11,479 --> 01:41:13,360
Speaker 3: to give people their flowers. We people who want people

1857
01:41:13,400 --> 01:41:16,080
Speaker 3: to know that, you know what I mean? In our game,

1858
01:41:16,120 --> 01:41:18,200
Speaker 3: we so much in competition with each other. We always

1859
01:41:18,400 --> 01:41:21,080
Speaker 3: were always saying, Yo, this niggas that and this nigga's

1860
01:41:21,120 --> 01:41:23,320
Speaker 3: not this, and no one bigging up each other. Like

1861
01:41:23,479 --> 01:41:25,840
Speaker 3: we we bring flowers to the game.

1862
01:41:25,920 --> 01:41:26,640
Speaker 2: We bring it now.

1863
01:41:26,680 --> 01:41:29,000
Speaker 3: Everybody want to get flowers. These guys want to get flowered.

1864
01:41:29,000 --> 01:41:33,960
Speaker 3: We did that, shot us five. We did that because

1865
01:41:34,200 --> 01:41:37,559
Speaker 3: it takes nothing listen, no, no, no, it's my family,

1866
01:41:37,720 --> 01:41:39,720
Speaker 3: but it takes nothing away from me to big up

1867
01:41:39,760 --> 01:41:42,000
Speaker 3: to the next man. And so many people in this

1868
01:41:42,160 --> 01:41:45,040
Speaker 3: game won't do that. They won't sit there and say, Yo,

1869
01:41:45,160 --> 01:41:48,400
Speaker 3: you know what, you great. I enjoy you being great.

1870
01:41:48,439 --> 01:41:49,320
Speaker 3: Continue to be great.

1871
01:41:49,400 --> 01:41:50,479
Speaker 2: It's a celebritary show.

1872
01:41:50,760 --> 01:41:51,400
Speaker 3: But don't shoot.

1873
01:41:52,160 --> 01:41:55,120
Speaker 6: Just me sitting back. As as as I'm listening to

1874
01:41:55,200 --> 01:42:00,520
Speaker 6: this conversation, you're getting pure honesty.

1875
01:42:00,920 --> 01:42:03,880
Speaker 1: You feel it like just but you know, you know,

1876
01:42:03,880 --> 01:42:07,519
Speaker 1: I'm gonna tell you what's incredible about these conversations. These

1877
01:42:07,560 --> 01:42:15,200
Speaker 1: are amongst people since But he's still saying he's been

1878
01:42:15,280 --> 01:42:17,160
Speaker 1: the same, that's he's been the same. But that's what

1879
01:42:17,320 --> 01:42:20,200
Speaker 1: I think is special. We've all seen each other from

1880
01:42:20,320 --> 01:42:25,040
Speaker 1: early on. Everybody's rising on different levels. But we're all

1881
01:42:25,200 --> 01:42:29,879
Speaker 1: here today to speak on success, to celebrate the culture,

1882
01:42:30,280 --> 01:42:33,680
Speaker 1: celebrate each other. That's what's important about this. Yes, and.

1883
01:42:35,400 --> 01:42:38,960
Speaker 4: And speak on the times that was very important to us.

1884
01:42:39,880 --> 01:42:42,439
Speaker 4: It's a lot of times when people watch your story

1885
01:42:42,520 --> 01:42:45,960
Speaker 4: and don't understand the value of the small things that

1886
01:42:46,080 --> 01:42:50,800
Speaker 4: were to you. So me my days coming up in

1887
01:42:50,920 --> 01:42:55,719
Speaker 4: Miami and and putting in work with the mixtape DJs.

1888
01:42:55,240 --> 01:42:56,400
Speaker 3: One time, could you be.

1889
01:42:58,040 --> 01:42:59,599
Speaker 2: Mega mix?

1890
01:43:00,560 --> 01:43:01,439
Speaker 3: Yeah yeah yeah.

1891
01:43:04,000 --> 01:43:05,040
Speaker 21: Yeah yeah yeah yeah.

1892
01:43:05,240 --> 01:43:08,919
Speaker 4: So when I'm when I'm speaking of when I'm speaking

1893
01:43:09,000 --> 01:43:11,960
Speaker 4: of e f X, I'm speaking of all my cheekos

1894
01:43:13,920 --> 01:43:18,200
Speaker 4: a DJ yeah yea yeah no yeah yeah yeah no, No,

1895
01:43:18,320 --> 01:43:19,519
Speaker 4: I'm just talking about.

1896
01:43:19,560 --> 01:43:20,679
Speaker 7: The entire movement.

1897
01:43:20,800 --> 01:43:22,000
Speaker 3: We know what e f N was.

1898
01:43:22,240 --> 01:43:24,320
Speaker 7: You know, he was ahead of that ship, you know

1899
01:43:24,360 --> 01:43:24,760
Speaker 7: what I'm saying.

1900
01:43:25,000 --> 01:43:27,360
Speaker 4: But for everybody else that was putting in work and

1901
01:43:27,479 --> 01:43:29,920
Speaker 4: showing love, the niggas that was in the street, we

1902
01:43:30,120 --> 01:43:32,200
Speaker 4: saluted them still twenty years later.

1903
01:43:33,360 --> 01:43:36,320
Speaker 7: So when you when you were solid, that's priceless.

1904
01:43:37,160 --> 01:43:40,040
Speaker 4: Their name will never die in these streets because it's

1905
01:43:40,120 --> 01:43:43,280
Speaker 4: real niggas that's gonna always recognize you. It don't matter

1906
01:43:43,760 --> 01:43:45,760
Speaker 4: how big and how many follows you got.

1907
01:43:45,880 --> 01:43:47,920
Speaker 2: We don't forget that loyal t got.

1908
01:43:48,080 --> 01:43:50,680
Speaker 7: Yeah, that bumboo.

1909
01:43:53,680 --> 01:44:01,760
Speaker 4: Bumboo is right here for Tesla. I no, no, Let's

1910
01:44:01,880 --> 01:44:05,639
Speaker 4: make it clear. I've never had beef for Tesla. I've

1911
01:44:05,760 --> 01:44:09,760
Speaker 4: just been afraid to fly and riding cars that was

1912
01:44:10,200 --> 01:44:13,000
Speaker 4: you know, controlled by other devices.

1913
01:44:14,160 --> 01:44:14,479
Speaker 7: That's it.

1914
01:44:15,200 --> 01:44:18,280
Speaker 4: I've never had beef for Tesla. Maybe you need a

1915
01:44:19,240 --> 01:44:22,080
Speaker 4: so y'all, let my big homie know Rose sent his love.

1916
01:44:25,240 --> 01:44:28,800
Speaker 4: That's the funny ship Rose, get it Tesla. If Eli

1917
01:44:28,880 --> 01:44:30,160
Speaker 4: gave you a Tesla, would you driving?

1918
01:44:31,840 --> 01:44:32,800
Speaker 7: If he rode with me?

1919
01:44:33,000 --> 01:44:43,840
Speaker 4: It's only if he rolle if he if he just

1920
01:44:44,439 --> 01:44:46,680
Speaker 4: if I just got it and.

1921
01:44:46,800 --> 01:44:47,799
Speaker 3: Got into Tesla.

1922
01:44:48,479 --> 01:44:49,240
Speaker 7: What I just know?

1923
01:44:50,360 --> 01:44:54,120
Speaker 4: If he, you know, drove a Tesla with me in

1924
01:44:54,200 --> 01:44:55,240
Speaker 4: the Tesla.

1925
01:44:54,920 --> 01:44:55,479
Speaker 2: I would ride.

1926
01:44:55,520 --> 01:44:56,040
Speaker 3: Will you will?

1927
01:44:56,040 --> 01:44:56,640
Speaker 2: You ask him?

1928
01:44:56,720 --> 01:44:57,120
Speaker 3: Right now?

1929
01:44:57,640 --> 01:45:00,439
Speaker 2: We want to go to space? I want you space

1930
01:45:00,560 --> 01:45:03,640
Speaker 2: or space? Space, elon Musk.

1931
01:45:03,600 --> 01:45:04,400
Speaker 3: Wherever you at?

1932
01:45:05,040 --> 01:45:07,920
Speaker 4: This the biggest Boston the game, Ricky Rose. I want

1933
01:45:07,960 --> 01:45:14,799
Speaker 4: to go to space. I want to get in the rocket.

1934
01:45:15,439 --> 01:45:16,880
Speaker 1: So wait, you want to do a test, but you

1935
01:45:16,960 --> 01:45:17,759
Speaker 1: want to go to space?

1936
01:45:18,920 --> 01:45:21,240
Speaker 3: You Belarius, Belarius.

1937
01:45:20,720 --> 01:45:22,519
Speaker 1: You you shifting gears right now?

1938
01:45:24,479 --> 01:45:27,600
Speaker 4: I would go to space before. If you say you

1939
01:45:27,760 --> 01:45:30,200
Speaker 4: want to go to space, I will go to space.

1940
01:45:34,960 --> 01:45:37,560
Speaker 1: Let's let's let's discuss this.

1941
01:45:38,520 --> 01:45:41,920
Speaker 3: Let's discuss this over bel air. No, no, no, it's me,

1942
01:45:42,320 --> 01:45:49,800
Speaker 3: it's you, it's Calid, it's Wizz Champions. Of course, we're

1943
01:45:49,840 --> 01:45:52,080
Speaker 3: gonna get the rocket that got at Lista.

1944
01:45:54,200 --> 01:45:54,519
Speaker 1: A Bar.

1945
01:45:56,120 --> 01:46:03,400
Speaker 4: Jamie's coming in at the bar. If we're going to space,

1946
01:46:04,240 --> 01:46:07,439
Speaker 4: that's going to rocket. Yeah, if we're going to mall,

1947
01:46:08,000 --> 01:46:09,240
Speaker 4: let's going to Rose RoCE.

1948
01:46:14,080 --> 01:46:15,800
Speaker 2: I don't know where we're going with this, but we're

1949
01:46:15,840 --> 01:46:16,479
Speaker 2: going somewhere.

1950
01:46:18,080 --> 01:46:18,960
Speaker 1: We're going somewhere.

1951
01:46:19,560 --> 01:46:28,559
Speaker 3: I need it. Does how the bad bulls gotta get

1952
01:46:28,600 --> 01:46:29,000
Speaker 3: away with this?

1953
01:46:29,520 --> 01:46:29,800
Speaker 1: Come on.

1954
01:46:36,920 --> 01:46:41,679
Speaker 3: There, you got me boo that she got me on fire.

1955
01:46:41,760 --> 01:46:46,160
Speaker 3: Right now, I'm mixing whiskey with rum champagne. This is

1956
01:46:46,360 --> 01:46:49,400
Speaker 3: crazy sparks spoppling everything.

1957
01:46:49,720 --> 01:46:54,599
Speaker 4: But but you know that session that probably I'm gonna

1958
01:46:54,600 --> 01:46:58,080
Speaker 4: be honest on my new my new vibe for this year.

1959
01:46:59,080 --> 01:46:59,880
Speaker 7: It's bubbles.

1960
01:47:00,479 --> 01:47:00,919
Speaker 1: Bubbles.

1961
01:47:01,120 --> 01:47:07,080
Speaker 4: It's bubbles. If anybody that's smoking, it's flowers, let's boss

1962
01:47:07,200 --> 01:47:11,879
Speaker 4: up and change your lingo a little bit. Bubbles, flowers.

1963
01:47:11,920 --> 01:47:13,360
Speaker 1: Bubbles is what the rose?

1964
01:47:13,600 --> 01:47:16,519
Speaker 4: Oh without it, doubt the bubbles right now, right now,

1965
01:47:16,600 --> 01:47:18,400
Speaker 4: it's everything that you see on the table.

1966
01:47:19,800 --> 01:47:23,599
Speaker 3: It's everything you see and the flowers. Of course, that's

1967
01:47:23,640 --> 01:47:24,519
Speaker 3: the hot tolerance.

1968
01:47:25,960 --> 01:47:29,360
Speaker 2: And what's the name of you you got, Yeah, we're rocking.

1969
01:47:29,200 --> 01:47:30,000
Speaker 3: With hot tolerance.

1970
01:47:30,040 --> 01:47:35,479
Speaker 4: It's Colins a the name of my smoking. And when

1971
01:47:35,560 --> 01:47:38,559
Speaker 4: I when I say Collins ab once again to play

1972
01:47:39,080 --> 01:47:43,000
Speaker 4: only about just being the finest when I smoke whenever,

1973
01:47:43,160 --> 01:47:46,600
Speaker 4: that is, it's only the finest. When I'm sipping the

1974
01:47:46,800 --> 01:47:49,280
Speaker 4: finest bubbles, they are only the finest.

1975
01:47:52,000 --> 01:47:54,360
Speaker 7: So just back, just for the record.

1976
01:47:54,760 --> 01:47:58,719
Speaker 3: On the drink Champs, for the record, when we ask them.

1977
01:47:58,680 --> 01:48:02,720
Speaker 21: Luke beer or a suspade, the response was, what.

1978
01:48:06,640 --> 01:48:12,839
Speaker 2: What I'm gonna drect some bomboo?

1979
01:48:15,360 --> 01:48:19,519
Speaker 5: We can we can be even you say a spade, bomboo,

1980
01:48:22,360 --> 01:48:22,720
Speaker 5: leave it on.

1981
01:48:25,960 --> 01:48:29,280
Speaker 2: I gotta reptate County Baby, I gotta ask you.

1982
01:48:29,400 --> 01:48:32,360
Speaker 3: I gotta ask you because I can't wait. We we

1983
01:48:32,520 --> 01:48:35,799
Speaker 3: hear God did right, and we hear.

1984
01:48:38,080 --> 01:48:38,960
Speaker 1: You Wayne?

1985
01:48:40,240 --> 01:48:43,439
Speaker 2: Then we hit hole. What eight minute verse?

1986
01:48:43,840 --> 01:48:48,160
Speaker 3: Right? Did you know he was gonna go eight minutes?

1987
01:48:48,240 --> 01:48:48,280
Speaker 11: No?

1988
01:48:50,880 --> 01:48:51,479
Speaker 1: Quick? Did you like?

1989
01:48:51,880 --> 01:48:55,240
Speaker 4: You? Gotta realize whenever it whenever it comes something between

1990
01:48:55,320 --> 01:48:58,200
Speaker 4: me and cal it, I never know who's on the

1991
01:48:58,280 --> 01:49:02,360
Speaker 4: record because on the first one my brother goes to when.

1992
01:49:02,320 --> 01:49:08,040
Speaker 3: Cali, yeah, dare yo hold on hold up, holdld up,

1993
01:49:08,560 --> 01:49:10,559
Speaker 3: I really like that. Let's do it one more time

1994
01:49:12,360 --> 01:49:13,400
Speaker 3: on two.

1995
01:49:21,560 --> 01:49:21,840
Speaker 14: Nice.

1996
01:49:21,960 --> 01:49:24,920
Speaker 4: That's like, so you got to understand the relationship me

1997
01:49:25,000 --> 01:49:27,160
Speaker 4: and cal It got when he catched that zone. When

1998
01:49:27,200 --> 01:49:29,920
Speaker 4: he catched that vibe, he sent it to Rose first,

1999
01:49:30,240 --> 01:49:33,240
Speaker 4: and I don't wait. So when call It sent me

2000
01:49:33,320 --> 01:49:37,479
Speaker 4: the record, yeah, that's once again, it's two percent, and shit,

2001
01:49:37,560 --> 01:49:39,280
Speaker 4: I don't need to know who's on the record and

2002
01:49:39,360 --> 01:49:41,640
Speaker 4: give me that motivation to turn send it to me,

2003
01:49:41,760 --> 01:49:45,160
Speaker 4: my brother. And that's what Calli did when he caught

2004
01:49:45,240 --> 01:49:48,479
Speaker 4: that vibe. He sent it directly to me. I had

2005
01:49:48,520 --> 01:49:50,559
Speaker 4: the verse back to him. It had to be under

2006
01:49:50,640 --> 01:49:55,080
Speaker 4: thirty minutes. So actually, yeah, and me, me and call

2007
01:49:55,200 --> 01:49:58,800
Speaker 4: It play those type of games. Whoever you're gonna go

2008
01:49:58,960 --> 01:50:01,360
Speaker 4: put on it. You could go put fucking Sting on it.

2009
01:50:02,280 --> 01:50:06,160
Speaker 4: You could go fucking Luke Beethoven on it. Whatever it's

2010
01:50:06,240 --> 01:50:09,160
Speaker 4: gonna be, let's keep it, you know, let's keep did.

2011
01:50:09,080 --> 01:50:11,800
Speaker 2: You know who else was gonna be honest? No, he

2012
01:50:11,840 --> 01:50:12,439
Speaker 2: didn't need to know.

2013
01:50:12,600 --> 01:50:13,720
Speaker 3: I didn't. I don't want to know.

2014
01:50:14,760 --> 01:50:16,439
Speaker 4: I don't need to know. You know what I'm saying,

2015
01:50:17,320 --> 01:50:20,679
Speaker 4: it was, that's my brother, you send it to me. Boom,

2016
01:50:20,760 --> 01:50:23,680
Speaker 4: and that's what we did, beautiful man. He just let

2017
01:50:23,760 --> 01:50:25,840
Speaker 4: me know when he was gonna drop it. They called me,

2018
01:50:25,880 --> 01:50:28,519
Speaker 4: I'm finishing, I'm ready to drop it. I'm ready. Let

2019
01:50:28,600 --> 01:50:31,640
Speaker 4: me know when I'm gonna post it. When you post it,

2020
01:50:31,720 --> 01:50:33,600
Speaker 4: I'm gonna listen to it when you drop it.

2021
01:50:33,960 --> 01:50:34,920
Speaker 3: Is that when it happened?

2022
01:50:35,120 --> 01:50:37,320
Speaker 2: Yeah, you didn't hear the final.

2023
01:50:37,080 --> 01:50:40,160
Speaker 3: And I don't want to hear, my brother, I trust.

2024
01:50:39,960 --> 01:50:43,120
Speaker 1: You, I trust you become the trust thing at that point.

2025
01:50:44,200 --> 01:50:46,280
Speaker 2: Yeah, so respect your loyalty.

2026
01:50:47,320 --> 01:51:00,840
Speaker 1: Both know that was our question, not you, Oh you

2027
01:51:00,880 --> 01:51:06,080
Speaker 1: Sai ask all bre Okay, what what happens onny?

2028
01:51:06,280 --> 01:51:06,320
Speaker 4: So?

2029
01:51:06,439 --> 01:51:08,920
Speaker 3: But let me ask though, hold hold on, hold onld

2030
01:51:08,960 --> 01:51:11,240
Speaker 3: on sony. But let me ask though, when you did

2031
01:51:11,520 --> 01:51:14,400
Speaker 3: finally hear that final final product, was that something like

2032
01:51:14,479 --> 01:51:17,600
Speaker 3: you wanted to say, you know what, you know, I

2033
01:51:17,680 --> 01:51:20,280
Speaker 3: wish I had a chance to have a longer verse

2034
01:51:20,479 --> 01:51:21,920
Speaker 3: or it was just like, you know what, is this

2035
01:51:22,000 --> 01:51:22,599
Speaker 3: a masterpiece?

2036
01:51:22,680 --> 01:51:22,720
Speaker 19: No?

2037
01:51:22,880 --> 01:51:24,960
Speaker 4: No, no no. When you're a boss and you're a

2038
01:51:25,040 --> 01:51:27,559
Speaker 4: real shooter, you gotta know you only get one time

2039
01:51:27,640 --> 01:51:31,960
Speaker 4: to be a king. You don't get three times to

2040
01:51:32,080 --> 01:51:35,240
Speaker 4: be a king. You need to decide right now if

2041
01:51:35,280 --> 01:51:36,160
Speaker 4: you are you are.

2042
01:51:37,920 --> 01:51:38,400
Speaker 3: So soon?

2043
01:51:38,640 --> 01:51:40,599
Speaker 7: When he sent it to me, I laced it right

2044
01:51:40,680 --> 01:51:41,960
Speaker 7: there and send it back to him.

2045
01:51:43,800 --> 01:51:44,679
Speaker 3: That was the vibe.

2046
01:51:45,800 --> 01:51:48,120
Speaker 2: That was what you decided to do, most definitely.

2047
01:51:48,640 --> 01:51:51,320
Speaker 4: Yeah, And so when I heard Wayne, when I heard

2048
01:51:52,000 --> 01:51:55,120
Speaker 4: Hole and we would performing it at the Grammar.

2049
01:51:54,960 --> 01:51:55,800
Speaker 1: Grammy, that's feel.

2050
01:51:56,720 --> 01:51:57,200
Speaker 18: Oh man?

2051
01:51:57,520 --> 01:51:58,840
Speaker 2: Was that real food on the table?

2052
01:51:59,040 --> 01:51:59,439
Speaker 7: Oh man?

2053
01:51:59,520 --> 01:52:02,120
Speaker 3: It was real food. It was was real fool.

2054
01:52:02,960 --> 01:52:05,080
Speaker 2: It was trying to smell it through to the TV.

2055
01:52:05,360 --> 01:52:09,680
Speaker 21: I just more, but it was.

2056
01:52:09,960 --> 01:52:12,200
Speaker 7: It was most definitely one of those five.

2057
01:52:12,960 --> 01:52:16,200
Speaker 4: I didn't wear chide, wore h button up all the

2058
01:52:16,280 --> 01:52:20,800
Speaker 4: way to the throat, but it was most definitely it

2059
01:52:20,920 --> 01:52:21,600
Speaker 4: was something that was.

2060
01:52:22,880 --> 01:52:24,599
Speaker 3: That was the I'm gonna take a something shot.

2061
01:52:24,840 --> 01:52:29,880
Speaker 4: Boomboo, bomboo, bomboom. I got it, baby, what I'm sitting.

2062
01:52:32,120 --> 01:52:32,240
Speaker 1: Hear?

2063
01:52:32,280 --> 01:52:34,479
Speaker 2: You know, I started thinking of that.

2064
01:52:35,160 --> 01:52:35,719
Speaker 1: Bam boom.

2065
01:52:37,240 --> 01:52:39,040
Speaker 3: You just finished it.

2066
01:52:39,160 --> 01:52:39,800
Speaker 1: You just missed it.

2067
01:52:40,240 --> 01:52:43,879
Speaker 3: You finished Okay, we go boomboo.

2068
01:52:44,600 --> 01:52:45,840
Speaker 2: It is your first time.

2069
01:52:46,000 --> 01:52:52,400
Speaker 3: I'm yeah, like I got Johnson you every else. It's

2070
01:52:52,439 --> 01:52:55,320
Speaker 3: not direct, you know what I mean? But yeah, I mean, look,

2071
01:52:55,760 --> 01:52:58,240
Speaker 3: so look we're coming out with me being the boss,

2072
01:52:58,760 --> 01:52:59,840
Speaker 3: me being Ricky Rose.

2073
01:53:00,200 --> 01:53:03,200
Speaker 4: I just want to know I see you have a

2074
01:53:03,320 --> 01:53:07,360
Speaker 4: spade on this you keep going. I just I just

2075
01:53:07,520 --> 01:53:11,800
Speaker 4: want to know, is it is it business? Do you

2076
01:53:11,960 --> 01:53:17,519
Speaker 4: have an ace a su spade business still? Or are

2077
01:53:17,600 --> 01:53:22,840
Speaker 4: you saying or are you are you afraid to ask?

2078
01:53:26,160 --> 01:53:37,960
Speaker 3: Okay, I'm not that praise already told us he's afraid.

2079
01:53:39,800 --> 01:53:42,639
Speaker 1: I just have a question. He's not afraid. He's not afraid.

2080
01:53:43,200 --> 01:53:47,599
Speaker 4: Yeah, Christ, we know you're afraid. So we know it's

2081
01:53:47,640 --> 01:53:50,080
Speaker 4: going to put on the table because up your friendship.

2082
01:53:50,960 --> 01:53:51,240
Speaker 2: Damn.

2083
01:53:51,640 --> 01:53:58,040
Speaker 3: So it is a friend ship as my brother man,

2084
01:53:58,120 --> 01:54:00,439
Speaker 3: you know that's my brother Tom. Just accent.

2085
01:54:00,760 --> 01:54:01,160
Speaker 14: Yes, and.

2086
01:54:04,320 --> 01:54:07,439
Speaker 2: It's a great product, by the way, it's.

2087
01:54:07,320 --> 01:54:08,439
Speaker 3: A beautiful product.

2088
01:54:08,960 --> 01:54:11,840
Speaker 4: But I noticed you haven't drank any What are you

2089
01:54:11,880 --> 01:54:13,800
Speaker 4: talking about the entire day?

2090
01:54:14,840 --> 01:54:15,800
Speaker 2: I'm drinking looks because you.

2091
01:54:17,400 --> 01:54:26,000
Speaker 3: Read them this accent. Do you do you really enjoy

2092
01:54:26,080 --> 01:54:26,920
Speaker 3: the Ace? Yes?

2093
01:54:27,240 --> 01:54:28,320
Speaker 2: I enjoyed Bell are too?

2094
01:54:28,680 --> 01:54:30,720
Speaker 7: Okay, I can't.

2095
01:54:30,760 --> 01:54:32,600
Speaker 2: I can't. I don't got to make a choice.

2096
01:54:36,040 --> 01:54:40,120
Speaker 1: I gotta make a choice.

2097
01:54:40,720 --> 01:54:41,440
Speaker 3: I can sit.

2098
01:54:43,200 --> 01:54:44,360
Speaker 1: Because I'm a bum.

2099
01:54:47,000 --> 01:54:56,360
Speaker 2: Like I'm saying, you're not drinking. Yeah, I'm drinking everything everything.

2100
01:54:58,200 --> 01:54:59,360
Speaker 3: He's not drinking Ace.

2101
01:55:00,000 --> 01:55:01,040
Speaker 7: He's drinking Bell out.

2102
01:55:00,960 --> 01:55:01,280
Speaker 1: There you go.

2103
01:55:01,560 --> 01:55:05,320
Speaker 2: But but that was a great I don't think, he

2104
01:55:05,440 --> 01:55:07,640
Speaker 2: say because of his friendship.

2105
01:55:08,240 --> 01:55:11,440
Speaker 3: It's breaking up beautiful friendship, my friendship with you to no.

2106
01:55:11,560 --> 01:55:13,560
Speaker 7: No, no, he's also a friend of mine.

2107
01:55:13,840 --> 01:55:17,800
Speaker 2: But sorry, sweating.

2108
01:55:19,320 --> 01:55:27,520
Speaker 3: Sweat McQueen, listen, listen, we support everything. Sweat. I don't

2109
01:55:27,520 --> 01:55:30,880
Speaker 3: sweat when I Holy Moly, welcome, but I'm having fun.

2110
01:55:30,960 --> 01:55:31,600
Speaker 1: Wait what are these?

2111
01:55:32,040 --> 01:55:34,400
Speaker 2: Just for the record, what are these different bomboo bottles?

2112
01:55:34,440 --> 01:55:34,720
Speaker 3: Right here?

2113
01:55:35,360 --> 01:55:37,880
Speaker 2: You're drinking, well, we've been drinking the original, so what

2114
01:55:38,040 --> 01:55:38,160
Speaker 2: is that?

2115
01:55:38,400 --> 01:55:38,720
Speaker 3: What is that?

2116
01:55:38,840 --> 01:55:38,960
Speaker 7: This is?

2117
01:55:39,040 --> 01:55:41,520
Speaker 2: Because this is good already, So the is that that?

2118
01:55:41,760 --> 01:55:46,640
Speaker 1: That's just cream c like, like, is there like anything there?

2119
01:55:47,680 --> 01:55:49,560
Speaker 3: Have you ever had Bailey's or mallet?

2120
01:55:49,640 --> 01:55:51,280
Speaker 1: So that's that's all ship.

2121
01:55:52,800 --> 01:55:54,440
Speaker 2: This is this is no milking.

2122
01:55:54,520 --> 01:55:56,880
Speaker 1: There no milking exactly all right.

2123
01:55:57,000 --> 01:55:59,640
Speaker 2: So this is how this means. This means don't have

2124
01:56:00,120 --> 01:56:01,960
Speaker 2: or don't have lunch, just drink. That's it.

2125
01:56:02,800 --> 01:56:07,280
Speaker 11: That's all your proteins. It's got everything in it. Your

2126
01:56:07,400 --> 01:56:10,320
Speaker 11: vitamins are there in it. And that one this is

2127
01:56:10,480 --> 01:56:15,920
Speaker 11: like if you like cigars, like dark chocolate, this is

2128
01:56:16,160 --> 01:56:17,240
Speaker 11: this is bumboo xo.

2129
01:56:18,160 --> 01:56:20,720
Speaker 4: Like and just for the record, in the way I

2130
01:56:21,120 --> 01:56:26,880
Speaker 4: love to explain, the original is much smoother. Yeah, because

2131
01:56:27,000 --> 01:56:29,880
Speaker 4: me coming up as a youngster, I didn't rock with

2132
01:56:30,000 --> 01:56:34,680
Speaker 4: Hennessy when it was popular. I was sweat ship make

2133
01:56:34,760 --> 01:56:35,920
Speaker 4: me damn that want to fight?

2134
01:56:36,240 --> 01:56:36,400
Speaker 1: You know?

2135
01:56:40,520 --> 01:56:42,080
Speaker 3: No, no, no no, I'm just saying.

2136
01:56:42,800 --> 01:56:45,680
Speaker 4: So I knew then I wasn't rocking with Hennessy. So

2137
01:56:45,800 --> 01:56:49,280
Speaker 4: I would drink the rum. I would rum, and so

2138
01:56:49,480 --> 01:56:52,240
Speaker 4: the black bottle is more like the O G. So

2139
01:56:52,360 --> 01:56:55,040
Speaker 4: if you want that shot, if you really want that kick,

2140
01:56:55,520 --> 01:56:58,440
Speaker 4: that's that black bottle. That that's that gangster. You know

2141
01:56:58,520 --> 01:56:58,960
Speaker 4: what I'm saying.

2142
01:56:58,960 --> 01:57:01,400
Speaker 3: That's the but you would drinking. You've been drinking the original,

2143
01:57:01,480 --> 01:57:02,160
Speaker 3: which is you.

2144
01:57:03,320 --> 01:57:07,000
Speaker 15: I love the original, like the original brought it.

2145
01:57:07,200 --> 01:57:09,880
Speaker 1: I was like this, hands down is off the It's easy.

2146
01:57:10,920 --> 01:57:12,400
Speaker 3: I had to mix it a certain part of my

2147
01:57:12,480 --> 01:57:14,600
Speaker 3: life in Puerto Rico because I'm having Puerto Rican and

2148
01:57:15,320 --> 01:57:17,560
Speaker 3: so every time I sip that, I go to Puerto Rico, I'm.

2149
01:57:17,440 --> 01:57:20,200
Speaker 2: In a hamm in Puerto Rican. Buy I mean buy them.

2150
01:57:20,080 --> 01:57:20,840
Speaker 7: All going like that?

2151
01:57:21,160 --> 01:57:22,520
Speaker 2: Did I kill that? I feel like I killed that.

2152
01:57:23,960 --> 01:57:25,600
Speaker 3: I'm an a hammock like this like that. Every time

2153
01:57:25,640 --> 01:57:27,040
Speaker 3: I sip one, so I want another one.

2154
01:57:27,520 --> 01:57:29,240
Speaker 1: I get another other time I sip I'm in Kendle

2155
01:57:29,360 --> 01:57:30,760
Speaker 1: bumboo bamboo.

2156
01:57:30,960 --> 01:57:31,200
Speaker 3: Thank you?

2157
01:57:31,280 --> 01:57:32,200
Speaker 2: We do cream too?

2158
01:57:32,440 --> 01:57:33,480
Speaker 3: Could I could? I?

2159
01:57:33,720 --> 01:57:35,840
Speaker 1: But do you have a wine? You don't have a wine.

2160
01:57:35,920 --> 01:57:36,640
Speaker 1: I do it.

2161
01:57:36,720 --> 01:57:41,440
Speaker 3: I'm a wine Bino Grisio. I'm a Pino Greasio type

2162
01:57:41,480 --> 01:57:45,960
Speaker 3: of guy. How'd you end up that she could give

2163
01:57:46,000 --> 01:57:49,000
Speaker 3: me some? Yeah? She got We can try to cream,

2164
01:57:49,920 --> 01:57:52,800
Speaker 3: try to cream, don't take did you say? How did

2165
01:57:52,840 --> 01:57:55,520
Speaker 3: I end up being a pan Because I like I

2166
01:57:55,640 --> 01:57:57,280
Speaker 3: like chicken and fish, So I guess when I.

2167
01:57:57,320 --> 01:58:01,040
Speaker 12: Go out to eat that is that mass the you know,

2168
01:58:01,840 --> 01:58:04,800
Speaker 12: my lobster. We have something new with your love then?

2169
01:58:05,080 --> 01:58:08,400
Speaker 12: Which is a cabernet? A can of a red wine?

2170
01:58:08,600 --> 01:58:09,520
Speaker 12: Cabinet is a red one?

2171
01:58:09,560 --> 01:58:09,760
Speaker 1: Yeah?

2172
01:58:09,840 --> 01:58:10,120
Speaker 2: Okay?

2173
01:58:10,200 --> 01:58:10,400
Speaker 1: Cool?

2174
01:58:10,480 --> 01:58:13,000
Speaker 3: So after that will come out with short Nay, you'll see.

2175
01:58:13,200 --> 01:58:15,200
Speaker 3: I don't I don't like Charltonnage. I like Pino Grizio.

2176
01:58:15,440 --> 01:58:17,680
Speaker 3: You gotta I can't stand by a product.

2177
01:58:17,920 --> 01:58:20,840
Speaker 2: I gotta love it. You gotta love it. You have

2178
01:58:21,040 --> 01:58:23,120
Speaker 2: to stay loyal, stay loyal.

2179
01:58:23,880 --> 01:58:26,040
Speaker 1: I gotta love it. So you don't have a wine.

2180
01:58:26,080 --> 01:58:27,600
Speaker 1: You have a cabernet. That's cool.

2181
01:58:28,320 --> 01:58:29,160
Speaker 2: It's not out yet.

2182
01:58:29,280 --> 01:58:30,040
Speaker 3: It's not out yet?

2183
01:58:30,360 --> 01:58:30,640
Speaker 7: Okay?

2184
01:58:30,720 --> 01:58:30,920
Speaker 3: Wow?

2185
01:58:31,320 --> 01:58:36,360
Speaker 1: Is it from Naple Valley, Yes, yes, very important.

2186
01:58:38,360 --> 01:58:39,120
Speaker 2: Is it important?

2187
01:58:39,720 --> 01:58:40,080
Speaker 3: Like I like?

2188
01:58:40,160 --> 01:58:43,600
Speaker 1: I like American maid wine more because I got more

2189
01:58:43,680 --> 01:58:44,320
Speaker 1: access to it.

2190
01:58:45,320 --> 01:58:48,560
Speaker 2: You know, it's fresh. Yeah, I like an open one

2191
01:58:48,600 --> 01:58:52,120
Speaker 2: because it's from Napa Valley. You got expensive taste as

2192
01:58:52,160 --> 01:58:52,720
Speaker 2: opposed to.

2193
01:58:53,560 --> 01:58:55,760
Speaker 3: A red that's from France. I can only get two

2194
01:58:55,800 --> 01:58:58,640
Speaker 3: bottles of it. They ain't gonna gonna sell me all that.

2195
01:58:58,800 --> 01:59:01,680
Speaker 3: So that's why I like American. Like I Golden Lappa

2196
01:59:01,720 --> 01:59:04,000
Speaker 3: Valley twice a year. Good for you, yes, I do,

2197
01:59:04,200 --> 01:59:09,200
Speaker 3: come on, good for you. Damn it ain't gonna be

2198
01:59:09,200 --> 01:59:09,760
Speaker 3: no noise for me.

2199
01:59:14,880 --> 01:59:15,000
Speaker 19: Now.

2200
01:59:15,080 --> 01:59:17,120
Speaker 2: I love this ship, man, I love this ship. Rose Man.

2201
01:59:17,160 --> 01:59:18,960
Speaker 1: Thank you so for gun play that was come play

2202
01:59:19,000 --> 01:59:20,360
Speaker 1: you want to come in for come on?

2203
01:59:20,480 --> 01:59:26,280
Speaker 17: That's what many my dog man, Man.

2204
01:59:26,320 --> 01:59:28,840
Speaker 3: That's my that's my brother. I wanted that gun play.

2205
01:59:28,960 --> 01:59:31,720
Speaker 2: I'm just we're gonna we're gonna put some chance for

2206
01:59:31,800 --> 01:59:32,600
Speaker 2: you guys. Stay away.

2207
01:59:35,400 --> 01:59:36,040
Speaker 8: We're gonna.

2208
01:59:38,040 --> 01:59:40,120
Speaker 2: Man said that the person.

2209
01:59:41,680 --> 01:59:44,480
Speaker 3: Don't play right here. Come on yeah yeah man, Grace

2210
01:59:44,600 --> 01:59:49,280
Speaker 3: got to get hell yeah the field.

2211
01:59:49,280 --> 01:59:51,240
Speaker 1: Hell yeah yo.

2212
01:59:51,440 --> 01:59:53,080
Speaker 2: Gun playings family Listen.

2213
01:59:53,560 --> 01:59:55,760
Speaker 3: I think gun play was on our fifth episode gun

2214
01:59:55,800 --> 01:59:56,839
Speaker 3: Play is Family.

2215
01:59:57,200 --> 02:00:00,440
Speaker 1: He was like top like under under like when we

2216
02:00:00,560 --> 02:00:03,720
Speaker 1: first started. Oh, we had the infamous cocaine episodes.

2217
02:00:04,240 --> 02:00:15,560
Speaker 3: Man, it was a w hotel. We had no facility.

2218
02:00:15,880 --> 02:00:19,560
Speaker 3: We know, y'all just had a dream.

2219
02:00:19,760 --> 02:00:25,120
Speaker 2: Yes, play been a part of everything, man.

2220
02:00:25,840 --> 02:00:26,880
Speaker 3: So how how is it?

2221
02:00:27,120 --> 02:00:27,600
Speaker 18: You know what I mean?

2222
02:00:28,120 --> 02:00:28,840
Speaker 1: If you can hear them?

2223
02:00:29,280 --> 02:00:30,760
Speaker 2: Yeah, I can head phones, you can hear them?

2224
02:00:31,640 --> 02:00:32,520
Speaker 3: Can you hear the boss?

2225
02:00:34,520 --> 02:00:34,560
Speaker 18: So?

2226
02:00:34,760 --> 02:00:35,160
Speaker 21: How is it?

2227
02:00:35,160 --> 02:00:37,640
Speaker 3: Because we heard him say earlier, you know that you

2228
02:00:37,680 --> 02:00:39,160
Speaker 3: guys knew each other since I was thirteen.

2229
02:00:39,200 --> 02:00:41,440
Speaker 2: I believe that was the age. Yeah, man, seeing the

2230
02:00:41,480 --> 02:00:44,040
Speaker 2: transition from you know, seeing you know, you guys from.

2231
02:00:43,920 --> 02:00:49,440
Speaker 3: Little little boys. Man, every day I'm still in shock.

2232
02:00:49,560 --> 02:00:54,480
Speaker 23: Man, make some noise for his microv y'all.

2233
02:00:54,520 --> 02:00:56,600
Speaker 3: Y'all, y'all, I don't know if.

2234
02:00:58,160 --> 02:01:02,240
Speaker 23: He's so humble about it, like you know what I'm saying, So,

2235
02:01:02,520 --> 02:01:05,840
Speaker 23: you know, just seeing just seeing the heights that he's

2236
02:01:05,920 --> 02:01:09,160
Speaker 23: reached and and knowing that, you know what I'm saying,

2237
02:01:09,280 --> 02:01:13,640
Speaker 23: Like like I I had to, I had to passenger side.

2238
02:01:13,480 --> 02:01:13,960
Speaker 3: Seat to that.

2239
02:01:14,920 --> 02:01:19,720
Speaker 23: It's you know, it's I don't know, man, it's overwhelming,

2240
02:01:19,760 --> 02:01:20,480
Speaker 23: you know what I'm saying?

2241
02:01:21,560 --> 02:01:22,320
Speaker 3: What can you say?

2242
02:01:22,400 --> 02:01:22,560
Speaker 18: Man?

2243
02:01:22,640 --> 02:01:25,080
Speaker 23: It's it's it's a dream that that that that he

2244
02:01:25,240 --> 02:01:27,200
Speaker 23: came you know what I mean. I mean that came

2245
02:01:27,280 --> 02:01:31,400
Speaker 23: to fruition from you know, my career. Sam sneaks everybody

2246
02:01:31,480 --> 02:01:32,000
Speaker 23: around him.

2247
02:01:32,000 --> 02:01:32,600
Speaker 3: You know what I'm saying.

2248
02:01:32,640 --> 02:01:34,600
Speaker 23: All the artists he signed, all the deals he did,

2249
02:01:34,680 --> 02:01:38,040
Speaker 23: that's that's that's you know, it's it's it's definitely big

2250
02:01:38,200 --> 02:01:42,320
Speaker 23: dreaming man. And uh, anybody that's that's seeing this, man,

2251
02:01:42,360 --> 02:01:44,400
Speaker 23: it could happen, you know what I'm saying, Like for real,

2252
02:01:44,480 --> 02:01:45,040
Speaker 23: it could happen.

2253
02:01:45,680 --> 02:01:47,560
Speaker 3: You know, Just stay down, man, just stay down.

2254
02:01:47,840 --> 02:01:49,520
Speaker 1: Let me let me say something about artists out of

2255
02:01:49,560 --> 02:01:52,320
Speaker 1: coming out of Miami, like like Ross going on.

2256
02:01:52,440 --> 02:01:55,920
Speaker 2: One of these artists was the Cream. They set me up. Okay,

2257
02:01:55,960 --> 02:01:57,200
Speaker 2: this is where Rose coming.

2258
02:02:00,200 --> 02:02:00,800
Speaker 3: Cream too.

2259
02:02:02,080 --> 02:02:05,880
Speaker 1: I'm telling you right now, hold on, hold on, don't

2260
02:02:06,160 --> 02:02:06,800
Speaker 1: laugh too hard.

2261
02:02:09,320 --> 02:02:09,520
Speaker 2: Ross.

2262
02:02:09,640 --> 02:02:14,040
Speaker 1: One of those artists, gun Play, Like we we we

2263
02:02:14,920 --> 02:02:17,760
Speaker 1: hip hop community in Miami wanted these artists to to

2264
02:02:17,960 --> 02:02:22,960
Speaker 1: just like embody Miami and come out swinging. And Ross

2265
02:02:23,120 --> 02:02:25,480
Speaker 1: did it, and gun Play was doing it and gun

2266
02:02:25,560 --> 02:02:27,360
Speaker 1: Play is still doing it. And I'm telling you right now,

2267
02:02:27,400 --> 02:02:30,280
Speaker 1: I think he's underrated and he's still got so much

2268
02:02:30,400 --> 02:02:33,400
Speaker 1: more to do and he's gonna come out. He's still

2269
02:02:33,520 --> 02:02:37,480
Speaker 1: got so much, so much more to do gun play,

2270
02:02:37,560 --> 02:02:38,120
Speaker 1: is that guy?

2271
02:02:38,440 --> 02:02:45,800
Speaker 3: Yes, I agree. I'm taking a shot of that bumble

2272
02:02:46,520 --> 02:02:47,400
Speaker 3: and I'm gonna hit the cream.

2273
02:02:47,960 --> 02:02:48,720
Speaker 1: It's a cream joint.

2274
02:02:49,120 --> 02:02:50,160
Speaker 2: This is the first.

2275
02:02:51,600 --> 02:02:53,200
Speaker 23: That was the first time I heard my song on

2276
02:02:53,280 --> 02:02:55,080
Speaker 23: the mixtape walking through one Eddy third and to go

2277
02:02:55,200 --> 02:02:55,920
Speaker 23: buy me some cut.

2278
02:02:56,360 --> 02:02:57,080
Speaker 3: You know what I'm saying.

2279
02:02:57,880 --> 02:03:05,440
Speaker 23: Come on, come on, don't care, take them, take them,

2280
02:03:05,480 --> 02:03:08,040
Speaker 23: take them on a high speed, take them, sake them,

2281
02:03:08,080 --> 02:03:09,200
Speaker 23: shake them down the back street.

2282
02:03:09,240 --> 02:03:12,280
Speaker 2: It was old so on that the next day I

2283
02:03:12,360 --> 02:03:13,120
Speaker 2: went to tripping.

2284
02:03:15,200 --> 02:03:18,520
Speaker 1: Yeah, yeah, damn it, She's gonna get events like.

2285
02:03:21,720 --> 02:03:22,280
Speaker 7: That's motive.

2286
02:03:23,280 --> 02:03:25,400
Speaker 1: All I want is I just want to rep for

2287
02:03:25,480 --> 02:03:28,360
Speaker 1: the for the crib. That's all I ever cared.

2288
02:03:28,400 --> 02:03:30,800
Speaker 2: I think it's dumb. I'm ready for the crib.

2289
02:03:30,880 --> 02:03:31,400
Speaker 4: I'm like, what the what?

2290
02:03:31,640 --> 02:03:33,480
Speaker 2: Then Queen she went.

2291
02:03:37,240 --> 02:03:40,760
Speaker 5: Broyes for Queens, went from Miami with for everybody.

2292
02:03:41,240 --> 02:03:43,680
Speaker 3: Now you gotta be drinking. This is not milk, right, No,

2293
02:03:43,920 --> 02:03:48,640
Speaker 3: I'm black topic. This looked like it's not good.

2294
02:03:52,280 --> 02:03:53,480
Speaker 21: At This is just.

2295
02:03:58,120 --> 02:04:01,640
Speaker 2: Follow you were in top forming a great relationship.

2296
02:04:02,120 --> 02:04:05,960
Speaker 1: Please don't know, doller. I feel like this is what's

2297
02:04:06,000 --> 02:04:07,000
Speaker 1: the Puerto Rican joint.

2298
02:04:06,800 --> 02:04:07,879
Speaker 3: That we drink on a whole.

2299
02:04:10,120 --> 02:04:12,160
Speaker 2: This coquito. Yeah, it's so good.

2300
02:04:12,280 --> 02:04:15,680
Speaker 3: What did I say about the other coqu This is

2301
02:04:16,400 --> 02:04:19,040
Speaker 3: you gotta you gotta do it is Taste a little cinnamon.

2302
02:04:19,080 --> 02:04:21,200
Speaker 2: You gotta taste a little cinnamon in there.

2303
02:04:21,480 --> 02:04:23,400
Speaker 1: You're done to the night. Just keep drinking now you

2304
02:04:23,480 --> 02:04:23,720
Speaker 1: need to.

2305
02:04:23,720 --> 02:04:26,200
Speaker 2: Do cokeet with with Noori right now. Taste a little cinnamon.

2306
02:04:26,280 --> 02:04:28,560
Speaker 2: It is. It's a little coquet is I like it?

2307
02:04:30,400 --> 02:04:31,760
Speaker 1: Ain't you more by the back?

2308
02:04:31,840 --> 02:04:31,880
Speaker 6: Like?

2309
02:04:31,960 --> 02:04:35,240
Speaker 1: You don't let us just stand here?

2310
02:04:35,280 --> 02:04:37,800
Speaker 21: You got to claim how the cheeko.

2311
02:04:40,880 --> 02:04:41,120
Speaker 3: Stak?

2312
02:04:43,800 --> 02:04:46,240
Speaker 1: I want you to keep going play?

2313
02:04:46,520 --> 02:04:49,920
Speaker 2: I got one little with me. I got a little here,

2314
02:04:50,000 --> 02:04:51,600
Speaker 2: I got you got you me?

2315
02:04:51,680 --> 02:04:53,760
Speaker 1: Come on, No, you hold it yours?

2316
02:04:53,800 --> 02:05:02,480
Speaker 3: I got it, he st I gotta take one to

2317
02:05:02,720 --> 02:05:06,200
Speaker 3: come on sound yo, bring another one. But yeah, but

2318
02:05:06,360 --> 02:05:08,480
Speaker 3: let me let me ask Sam because you know, you

2319
02:05:08,560 --> 02:05:11,720
Speaker 3: guys like what he said earlier. You guys been down forever.

2320
02:05:12,280 --> 02:05:12,800
Speaker 1: You know what I mean?

2321
02:05:13,000 --> 02:05:17,080
Speaker 3: Uh that loyalty is unpresidented in hip hop. Sometimes a

2322
02:05:17,160 --> 02:05:20,200
Speaker 3: lot of people, you know, their cruise ain't the same

2323
02:05:20,280 --> 02:05:22,680
Speaker 3: like I was, Like I said, like when I came today,

2324
02:05:22,720 --> 02:05:25,080
Speaker 3: I was expecting the Roy's voice to pull up and

2325
02:05:25,160 --> 02:05:27,360
Speaker 3: I was expecting y'all to pull up, and he didn't

2326
02:05:27,360 --> 02:05:28,240
Speaker 3: disappoint me at all.

2327
02:05:28,600 --> 02:05:33,120
Speaker 2: Everything that I wanted to see from him, he produced.

2328
02:05:33,160 --> 02:05:36,360
Speaker 3: But how is that, you know, being a DJ and

2329
02:05:37,800 --> 02:05:41,400
Speaker 3: staying down that long, like everyone being down like because

2330
02:05:41,760 --> 02:05:42,760
Speaker 3: it's not a lot of it's not a.

2331
02:05:42,800 --> 02:05:44,080
Speaker 2: Lot of that that happens like that.

2332
02:05:44,400 --> 02:05:47,520
Speaker 24: Oh, now, you know when I first when I first

2333
02:05:47,640 --> 02:05:50,760
Speaker 24: met him and he came, so my mom housed him

2334
02:05:50,800 --> 02:05:51,440
Speaker 24: and gun play.

2335
02:05:52,200 --> 02:05:54,960
Speaker 2: He went into the room, hold on, hold on your

2336
02:05:55,040 --> 02:05:55,640
Speaker 2: mom's house.

2337
02:05:55,920 --> 02:05:56,360
Speaker 3: Yeah, I was.

2338
02:05:56,640 --> 02:06:00,720
Speaker 24: I was young, about like seventeen maybe fifteen to the age.

2339
02:06:00,840 --> 02:06:03,880
Speaker 24: And he came, which is crazy. Is normally be a

2340
02:06:03,920 --> 02:06:05,920
Speaker 24: lot of people in the neighborhood to be in front

2341
02:06:05,920 --> 02:06:07,520
Speaker 24: of my house, but for some reason that they didn't

2342
02:06:07,520 --> 02:06:10,240
Speaker 24: want nobody to when he came on Saturday, and he

2343
02:06:10,360 --> 02:06:11,880
Speaker 24: came and the gumplay.

2344
02:06:11,840 --> 02:06:13,880
Speaker 2: Pull up in the bends from all let me bo

2345
02:06:13,960 --> 02:06:14,480
Speaker 2: and walk.

2346
02:06:14,320 --> 02:06:16,640
Speaker 3: In the room. I got, where is this at? When

2347
02:06:16,640 --> 02:06:19,280
Speaker 3: they know Miami? Okay, don't find Miami.

2348
02:06:19,360 --> 02:06:19,520
Speaker 18: Yeah.

2349
02:06:19,560 --> 02:06:29,680
Speaker 14: Yeah, it's the first time I ever got on social media.

2350
02:06:30,400 --> 02:06:30,680
Speaker 2: M m.

2351
02:06:30,920 --> 02:06:33,440
Speaker 3: This is the first person I ever supported.

2352
02:06:33,960 --> 02:06:36,840
Speaker 2: Give him the mic, please get point the mic at him.

2353
02:06:37,480 --> 02:06:38,320
Speaker 3: When I when I.

2354
02:06:39,840 --> 02:06:42,520
Speaker 4: This is my first social media, first time I ever

2355
02:06:42,680 --> 02:06:45,920
Speaker 4: had anybody support my mixtapes, first time I ever.

2356
02:06:46,480 --> 02:06:48,800
Speaker 3: This was like some MySpace type ship.

2357
02:06:50,560 --> 02:06:50,720
Speaker 2: You know.

2358
02:06:51,040 --> 02:06:54,280
Speaker 4: Yeah, yeah, it's like some ship I never even They

2359
02:06:54,440 --> 02:06:58,680
Speaker 4: telling me like, yo, it's this young kid Sam Sneaker.

2360
02:06:59,440 --> 02:07:04,040
Speaker 4: He says me music and sneakers. This this like I

2361
02:07:04,120 --> 02:07:07,760
Speaker 4: didn't know, but guess what. This went on for so long.

2362
02:07:08,000 --> 02:07:11,120
Speaker 4: I finally said, give me his address. They say he's

2363
02:07:11,160 --> 02:07:15,800
Speaker 4: in Miami, give me his address. I drove to his

2364
02:07:16,080 --> 02:07:16,880
Speaker 4: mom's house.

2365
02:07:17,080 --> 02:07:17,600
Speaker 3: That's us.

2366
02:07:18,800 --> 02:07:21,960
Speaker 4: I walked into his mom's house, into his back room.

2367
02:07:22,520 --> 02:07:25,200
Speaker 4: Only thing that was in his room was a bed.

2368
02:07:25,640 --> 02:07:27,520
Speaker 3: And Nike boxes of shoes.

2369
02:07:27,840 --> 02:07:33,760
Speaker 24: That and I was saying he had the mixtape and

2370
02:07:33,880 --> 02:07:35,720
Speaker 24: I was like, I can put this on the internet

2371
02:07:35,800 --> 02:07:37,200
Speaker 24: for he was like, look at me for real.

2372
02:07:37,280 --> 02:07:37,960
Speaker 3: I'm like, ye, hold on.

2373
02:07:40,120 --> 02:07:40,960
Speaker 2: And then he saw.

2374
02:07:40,920 --> 02:07:44,200
Speaker 4: Anything about that, and he just I didn't have as

2375
02:07:44,400 --> 02:07:47,760
Speaker 4: Space page and he finding itself been on my Space.

2376
02:07:48,520 --> 02:07:50,200
Speaker 7: They fucked and.

2377
02:07:51,480 --> 02:07:53,520
Speaker 2: He you know, he was like he looked at me

2378
02:07:53,560 --> 02:07:56,320
Speaker 2: and he was like, you my DJ.

2379
02:07:57,280 --> 02:07:59,600
Speaker 4: I'm like, I told him, like, then you're my DJ.

2380
02:08:00,200 --> 02:08:03,280
Speaker 4: I didn't have a DJ, and I'm like I was

2381
02:08:04,440 --> 02:08:08,040
Speaker 4: I didn't have a DJ, but this before d wait,

2382
02:08:08,200 --> 02:08:12,080
Speaker 4: before hustling. I just told him because he been online

2383
02:08:12,120 --> 02:08:15,440
Speaker 4: and everybody been telling me for the last two months,

2384
02:08:15,800 --> 02:08:19,760
Speaker 4: this dude every day been doing something for you and.

2385
02:08:19,920 --> 02:08:21,480
Speaker 3: Been breaking that ship and take one.

2386
02:08:22,160 --> 02:08:32,040
Speaker 24: Yeah, I got that, like Rolex a little more looked

2387
02:08:32,160 --> 02:08:34,720
Speaker 24: before I got to take one. I was at Diamonds okay,

2388
02:08:34,800 --> 02:08:37,120
Speaker 24: and Diamonds was the ship it was before It's King

2389
02:08:37,160 --> 02:08:37,640
Speaker 24: of Diamonds.

2390
02:08:37,880 --> 02:08:38,920
Speaker 21: No, this is g.

2391
02:08:41,840 --> 02:08:44,440
Speaker 2: Yeah, I don't go that freestyle. Steve come in one

2392
02:08:44,520 --> 02:08:47,400
Speaker 2: night the club packed, like boy, this Ross record that

2393
02:08:47,600 --> 02:08:48,040
Speaker 2: I'm glad.

2394
02:08:48,080 --> 02:08:51,200
Speaker 24: I'm like Ross, like Rick Ross, and like, yeah, I

2395
02:08:51,240 --> 02:08:53,760
Speaker 24: ain't talking to him for like a few months. I'm like, oh, ship,

2396
02:08:53,920 --> 02:08:56,240
Speaker 24: get get to me off the top. I'm playing it.

2397
02:08:56,520 --> 02:08:58,800
Speaker 24: But at the time, Lenny, who was running the club,

2398
02:08:58,920 --> 02:09:01,960
Speaker 24: had this rule where like you couldn't play play records

2399
02:09:02,080 --> 02:09:02,800
Speaker 24: back to back.

2400
02:09:03,320 --> 02:09:04,960
Speaker 2: You know what I'm saying. You couldn't do the funk

2401
02:09:05,000 --> 02:09:06,560
Speaker 2: fla ship, yeah, because.

2402
02:09:07,720 --> 02:09:11,160
Speaker 3: Be like be like, it's the difference the same songs

2403
02:09:11,400 --> 02:09:12,400
Speaker 3: argument security.

2404
02:09:12,480 --> 02:09:13,120
Speaker 1: So he ain't like that.

2405
02:09:13,240 --> 02:09:15,720
Speaker 2: He was like, just play one song. They played two

2406
02:09:15,800 --> 02:09:16,800
Speaker 2: songs later, but I'm.

2407
02:09:16,720 --> 02:09:18,520
Speaker 1: Like, it's my nigga Ross.

2408
02:09:19,760 --> 02:09:22,280
Speaker 2: I burned that bitch a time in a road back

2409
02:09:22,320 --> 02:09:26,280
Speaker 2: to back every night. It was it was it, you know,

2410
02:09:26,440 --> 02:09:28,800
Speaker 2: it was I disrespected the whole role. This is before

2411
02:09:28,840 --> 02:09:31,560
Speaker 2: you met Ron. I had already met him, but I

2412
02:09:31,640 --> 02:09:32,960
Speaker 2: had heard him at mark on.

2413
02:09:33,120 --> 02:09:37,040
Speaker 3: One, like we met through everybody on association. You know,

2414
02:09:37,440 --> 02:09:39,320
Speaker 3: it was on my Space. But they was like, yo,

2415
02:09:39,480 --> 02:09:42,680
Speaker 3: this is a young kid in Miami who posted your ship,

2416
02:09:42,960 --> 02:09:44,440
Speaker 3: like you know, like one.

2417
02:09:44,400 --> 02:09:45,560
Speaker 7: Of us, what year was this?

2418
02:09:46,120 --> 02:09:49,360
Speaker 2: This is about spaces, Like.

2419
02:09:49,760 --> 02:09:51,200
Speaker 3: I can't even remember this ship.

2420
02:09:51,560 --> 02:09:54,120
Speaker 1: He was a young kid crazy.

2421
02:09:55,040 --> 02:09:58,440
Speaker 3: So I pulled up. I pulled up to a small mouse.

2422
02:10:00,280 --> 02:10:01,520
Speaker 2: Did you know he was showing up?

2423
02:10:02,840 --> 02:10:15,560
Speaker 24: Everybody asked before what I'm saying? Free stylefore Google free Diamonds,

2424
02:10:16,160 --> 02:10:18,320
Speaker 24: and I'm like, oh ship and.

2425
02:10:18,360 --> 02:10:21,240
Speaker 1: Shout out free style steeve. I just want to say legends.

2426
02:10:21,760 --> 02:10:24,720
Speaker 2: I'm like, Ship, you ain't got to tell me twice

2427
02:10:24,800 --> 02:10:25,440
Speaker 2: as raw.

2428
02:10:27,080 --> 02:10:27,960
Speaker 1: So I played it.

2429
02:10:28,200 --> 02:10:29,920
Speaker 2: I'm like, oh Ship, this is it?

2430
02:10:30,280 --> 02:10:30,320
Speaker 19: This?

2431
02:10:31,120 --> 02:10:33,040
Speaker 2: So I'm burning in the club like.

2432
02:10:33,160 --> 02:10:34,560
Speaker 3: He's playing the funk out of me.

2433
02:10:34,720 --> 02:10:38,320
Speaker 4: Mind you like my homie shout out the KD, shout ken,

2434
02:10:38,520 --> 02:10:39,400
Speaker 4: I love the KD.

2435
02:10:39,920 --> 02:10:40,360
Speaker 19: I let you.

2436
02:10:40,920 --> 02:10:43,440
Speaker 4: He keep telling me he come back. He go to

2437
02:10:43,560 --> 02:10:49,360
Speaker 4: the Strip Club five times a week. So Yong, it's DJ,

2438
02:10:49,600 --> 02:10:51,880
Speaker 4: play your Ship every time I'm in there.

2439
02:10:52,920 --> 02:10:53,720
Speaker 3: What's his name?

2440
02:10:53,760 --> 02:10:58,160
Speaker 4: Because this before anybody in my records, So to me,

2441
02:10:58,400 --> 02:11:00,760
Speaker 4: whoever this is, this will mean the most.

2442
02:11:02,800 --> 02:11:05,760
Speaker 3: So he didn't tell me. Then maybe a.

2443
02:11:05,880 --> 02:11:09,440
Speaker 7: Month later they say his name Sam Sneaker.

2444
02:11:10,640 --> 02:11:13,640
Speaker 4: They was calling him Sam Sneaker because they said he

2445
02:11:13,840 --> 02:11:16,800
Speaker 4: was more known than his young age for shooting.

2446
02:11:18,560 --> 02:11:21,280
Speaker 3: I say, Sam, I know that young motherfucker.

2447
02:11:22,000 --> 02:11:24,800
Speaker 4: That's my homie. I'm gonna come to the Strip club

2448
02:11:25,360 --> 02:11:29,400
Speaker 4: and see him. But Ship by the time I was coming,

2449
02:11:30,040 --> 02:11:32,080
Speaker 4: he had done got fired for playing.

2450
02:11:36,920 --> 02:11:40,120
Speaker 1: It was a little bit, Yeah, that's why you was

2451
02:11:40,200 --> 02:11:40,640
Speaker 1: at the one.

2452
02:11:41,800 --> 02:11:43,560
Speaker 2: That's why you went to take one.

2453
02:11:45,360 --> 02:11:47,520
Speaker 3: That's why we're going to take one.

2454
02:11:48,240 --> 02:11:50,879
Speaker 7: And that's why I was like, boy, you my DJ.

2455
02:11:51,160 --> 02:11:52,520
Speaker 2: Really you got fired for that.

2456
02:11:54,480 --> 02:11:56,080
Speaker 1: It was like you gotta understand.

2457
02:11:56,560 --> 02:11:59,000
Speaker 7: They didn't have now the same song.

2458
02:12:01,320 --> 02:12:04,600
Speaker 4: And I respect the manager now because I understand what

2459
02:12:04,800 --> 02:12:05,480
Speaker 4: he got money.

2460
02:12:06,120 --> 02:12:09,040
Speaker 3: He broke it down to me, he like, I didn't

2461
02:12:09,360 --> 02:12:12,640
Speaker 3: hate on you, but damn we had that. You couldn't

2462
02:12:12,720 --> 02:12:15,160
Speaker 3: do that And he wouldn't listen.

2463
02:12:17,080 --> 02:12:17,800
Speaker 21: What thing is?

2464
02:12:18,160 --> 02:12:21,760
Speaker 2: It was like Ross like, oh you my DJ? I'm like,

2465
02:12:21,760 --> 02:12:22,800
Speaker 2: all right, cool, fuck it.

2466
02:12:22,880 --> 02:12:24,520
Speaker 3: I told him I feel me out for DJ.

2467
02:12:24,720 --> 02:12:27,000
Speaker 2: So now I ain't have to talk to them. I

2468
02:12:27,120 --> 02:12:29,480
Speaker 2: got the record. I'm like, I'm gonna burn it to

2469
02:12:29,600 --> 02:12:31,520
Speaker 2: the ground. You feel what I'm saying.

2470
02:12:31,840 --> 02:12:34,080
Speaker 1: What Ross was in the same time you're doing the

2471
02:12:34,120 --> 02:12:35,240
Speaker 1: mixtapes of Mega Mix.

2472
02:12:36,280 --> 02:12:41,400
Speaker 4: This is Ship even before then, before then, this when

2473
02:12:41,440 --> 02:12:46,680
Speaker 4: I'm first putting music to get period CD. Period. Yeah,

2474
02:12:47,440 --> 02:12:51,200
Speaker 4: this is the first person in Miami that I'm ever

2475
02:12:51,360 --> 02:12:53,600
Speaker 4: hearing playing my ship.

2476
02:12:53,720 --> 02:12:56,080
Speaker 2: So been there from zero?

2477
02:12:57,040 --> 02:12:59,480
Speaker 3: Yeah, So I noticed you said you pulled up to

2478
02:12:59,800 --> 02:13:02,320
Speaker 3: his mom's house with the Bens. Yeah.

2479
02:13:03,400 --> 02:13:08,440
Speaker 4: Rose was living in a different life when he first

2480
02:13:10,880 --> 02:13:12,880
Speaker 4: It may have not been the six son and but

2481
02:13:13,000 --> 02:13:13,200
Speaker 4: it was.

2482
02:13:18,000 --> 02:13:24,240
Speaker 1: You'record I.

2483
02:13:27,040 --> 02:13:29,760
Speaker 2: Always one I've always won. Did your mom know who

2484
02:13:29,800 --> 02:13:30,160
Speaker 2: he was?

2485
02:13:30,720 --> 02:13:30,760
Speaker 21: No?

2486
02:13:31,480 --> 02:13:34,600
Speaker 24: Nobody nobody know who I was. I would always tell

2487
02:13:34,680 --> 02:13:38,520
Speaker 24: everybody that nobody knew. They'd be like, all right, I'm

2488
02:13:38,520 --> 02:13:40,960
Speaker 24: gonna tell you something. I'm gonna tell you something, and

2489
02:13:41,120 --> 02:13:42,160
Speaker 24: don't take this no.

2490
02:13:42,320 --> 02:13:47,520
Speaker 3: Type of way. Sam is a very advanced type of individual.

2491
02:13:48,720 --> 02:13:51,760
Speaker 4: He was He somebody that somebody else would have said

2492
02:13:51,960 --> 02:13:53,160
Speaker 4: was a nerd or something.

2493
02:13:54,000 --> 02:13:56,280
Speaker 7: Because I've never met nobody.

2494
02:13:55,920 --> 02:13:59,200
Speaker 2: That knew which he knew at that time. At that time,

2495
02:13:59,600 --> 02:13:59,920
Speaker 2: I don't.

2496
02:14:00,040 --> 02:14:00,440
Speaker 3: I didn't know.

2497
02:14:00,960 --> 02:14:03,440
Speaker 4: I didn't know nobody else that knew what he knew

2498
02:14:03,800 --> 02:14:06,200
Speaker 4: and what he was telling me. I was a street

2499
02:14:06,320 --> 02:14:09,800
Speaker 4: nigga just playing making music and he was telling me

2500
02:14:09,960 --> 02:14:10,920
Speaker 4: about Yo.

2501
02:14:11,720 --> 02:14:13,000
Speaker 2: He gave you the advantage.

2502
02:14:13,080 --> 02:14:14,120
Speaker 7: You should get a page.

2503
02:14:14,320 --> 02:14:16,960
Speaker 3: She gave do this. You should.

2504
02:14:17,120 --> 02:14:20,400
Speaker 1: I'm like, yo, man, fuck that ship. He's like, I'm

2505
02:14:20,440 --> 02:14:23,400
Speaker 1: telling you. He wasn't rushing back then.

2506
02:14:23,480 --> 02:14:27,280
Speaker 2: It's back then when MRK and Box then and I

2507
02:14:27,440 --> 02:14:28,240
Speaker 2: c Q and.

2508
02:14:31,600 --> 02:14:34,560
Speaker 7: He was the first person really and afterwards I met,

2509
02:14:34,800 --> 02:14:35,960
Speaker 7: you know, a Mecca.

2510
02:14:35,800 --> 02:14:39,840
Speaker 2: Mix and all the homies they cared as well about.

2511
02:14:39,640 --> 02:14:43,920
Speaker 7: You, And without a doubt they most definitely.

2512
02:14:43,560 --> 02:14:44,400
Speaker 1: Because they came to me.

2513
02:14:44,920 --> 02:14:48,520
Speaker 2: They mixed Mecca mix it and you being he came

2514
02:14:48,560 --> 02:14:48,960
Speaker 2: to me like.

2515
02:14:49,120 --> 02:14:51,280
Speaker 4: Sam Sneak was a young nigga that was damn there

2516
02:14:51,280 --> 02:14:52,120
Speaker 4: in middle school.

2517
02:14:53,640 --> 02:14:58,640
Speaker 3: I want Mecca mix. So I was giving him music

2518
02:14:58,800 --> 02:15:00,320
Speaker 3: before anybody else and he one.

2519
02:15:00,680 --> 02:15:03,400
Speaker 2: J Wow, dog, that's crazy.

2520
02:15:03,480 --> 02:15:07,040
Speaker 24: I used to drink fucking Cranberry juice and Red Bull.

2521
02:15:07,200 --> 02:15:10,000
Speaker 1: As you should have been as you should have been

2522
02:15:11,160 --> 02:15:12,320
Speaker 1: fired because of Ross.

2523
02:15:13,360 --> 02:15:15,680
Speaker 2: I was fired because I love Ross music.

2524
02:15:16,720 --> 02:15:21,840
Speaker 1: That's dope. That's fucking dope. That is that's a crazy story.

2525
02:15:21,920 --> 02:15:23,920
Speaker 24: I always felt like he was go I would be

2526
02:15:23,960 --> 02:15:26,240
Speaker 24: sending him ship. I'm like, hey, do a freestyle of this,

2527
02:15:27,040 --> 02:15:27,920
Speaker 24: Do a freestyle of this?

2528
02:15:28,200 --> 02:15:29,240
Speaker 3: What freestyle?

2529
02:15:31,640 --> 02:15:34,360
Speaker 2: So he became your an R in a sense. What

2530
02:15:34,480 --> 02:15:35,520
Speaker 2: did you see in ron?

2531
02:15:35,680 --> 02:15:35,720
Speaker 21: So?

2532
02:15:35,920 --> 02:15:38,280
Speaker 24: No one else saw at the time the way he

2533
02:15:38,320 --> 02:15:42,040
Speaker 24: could pay yo see like right now, like right now,

2534
02:15:42,080 --> 02:15:44,120
Speaker 24: he'll tell you. I always like, yo, why you don't

2535
02:15:44,200 --> 02:15:46,840
Speaker 24: go back the story? Would you be writing like you

2536
02:15:46,960 --> 02:15:49,880
Speaker 24: know the stories and all that, because you know how

2537
02:15:49,920 --> 02:15:53,240
Speaker 24: to whole pictures real well, But like if he would

2538
02:15:53,360 --> 02:15:57,360
Speaker 24: go to the storytelling mode, oh yeah, like we got

2539
02:15:57,400 --> 02:15:59,080
Speaker 24: He has a song called We Came to Raw.

2540
02:15:59,360 --> 02:16:01,600
Speaker 2: It's one of my favorite record, storytelling records.

2541
02:16:01,640 --> 02:16:02,480
Speaker 3: Never put it out.

2542
02:16:03,320 --> 02:16:06,040
Speaker 1: It is nice. It was like gonna, you're about to

2543
02:16:06,080 --> 02:16:06,720
Speaker 1: put it out right.

2544
02:16:06,680 --> 02:16:12,280
Speaker 7: Now, shelf sleep. You know five albums were for music.

2545
02:16:12,400 --> 02:16:15,040
Speaker 6: That was when when you when you heard the interview today,

2546
02:16:15,120 --> 02:16:17,880
Speaker 6: when you hear all the do you hear the storytelling?

2547
02:16:21,040 --> 02:16:21,240
Speaker 2: Yeah?

2548
02:16:21,360 --> 02:16:23,400
Speaker 24: But if you would with pin it down on the

2549
02:16:23,520 --> 02:16:26,800
Speaker 24: back shore behind a beat and it amazing, yeah, because

2550
02:16:27,000 --> 02:16:29,680
Speaker 24: he ended, You'll be like, yo, damn, I never even

2551
02:16:30,120 --> 02:16:31,240
Speaker 24: thought we just will would.

2552
02:16:31,040 --> 02:16:32,720
Speaker 2: Be by the end of this verse or end of

2553
02:16:32,760 --> 02:16:36,720
Speaker 2: this record type. Ship, I sent it to you listen

2554
02:16:36,760 --> 02:16:37,720
Speaker 2: to please.

2555
02:16:38,120 --> 02:16:40,040
Speaker 1: Oh yeah, but what was that?

2556
02:16:40,120 --> 02:16:42,560
Speaker 7: At one point it was like record when he could

2557
02:16:42,600 --> 02:16:43,640
Speaker 7: never release.

2558
02:16:44,360 --> 02:16:48,200
Speaker 1: Make a show to us though he's just you know,

2559
02:16:48,400 --> 02:16:49,040
Speaker 1: you know, let me.

2560
02:16:49,520 --> 02:16:51,760
Speaker 4: You know, when you got your little homies with your music,

2561
02:16:51,840 --> 02:16:54,360
Speaker 4: you expect them to play for their closest So yeah,

2562
02:16:55,560 --> 02:16:57,000
Speaker 4: but you know he can't give it to you.

2563
02:17:02,800 --> 02:17:03,320
Speaker 1: Yo, cool on.

2564
02:17:03,440 --> 02:17:14,080
Speaker 25: You got to be about three four cent man, rely, man,

2565
02:17:14,120 --> 02:17:14,800
Speaker 25: hold on, ship, I.

2566
02:17:14,920 --> 02:17:17,520
Speaker 2: Was going to the notes. No one tells you.

2567
02:17:18,480 --> 02:17:22,320
Speaker 26: Yeah, like this we thing. I got one more time

2568
02:17:22,400 --> 02:17:29,920
Speaker 26: for bomb get hold on, I need at let me

2569
02:17:30,000 --> 02:17:30,320
Speaker 26: get one.

2570
02:17:31,680 --> 02:17:35,680
Speaker 1: She took my Jamie stopped taking my boom boo. Man,

2571
02:17:35,840 --> 02:17:40,279
Speaker 1: you're taking your own bumboo. I think let's jacket my bumble.

2572
02:17:40,720 --> 02:17:42,440
Speaker 27: Let me hear some of that you making talk man,

2573
02:17:42,520 --> 02:17:56,800
Speaker 27: he bumbue Man, Thank you.

2574
02:18:03,800 --> 02:18:04,119
Speaker 21: Stuff.

2575
02:18:06,200 --> 02:18:11,280
Speaker 1: Yeah, you got cream, that's he's I'm gonna go.

2576
02:18:11,440 --> 02:18:14,640
Speaker 2: Just my ball I got. There's how many shots I took?

2577
02:18:17,280 --> 02:18:18,680
Speaker 3: And I stand up If.

2578
02:18:18,640 --> 02:18:21,600
Speaker 4: Y'all got any one personal question y'all want to get from.

2579
02:18:21,840 --> 02:18:25,080
Speaker 1: We're going, We're going, We're gonna were using risk.

2580
02:18:25,240 --> 02:18:25,440
Speaker 19: Good.

2581
02:18:25,640 --> 02:18:25,959
Speaker 1: Yeah you.

2582
02:18:27,959 --> 02:18:31,800
Speaker 3: Me the fake well yeah yeah, yeah, yeah, we're good.

2583
02:18:31,959 --> 02:18:32,160
Speaker 1: Lad.

2584
02:18:33,520 --> 02:18:37,080
Speaker 2: Yeah, that cream actually really good. I never had to

2585
02:18:37,160 --> 02:18:41,520
Speaker 2: get in nice the cream ship. I like the original.

2586
02:18:41,600 --> 02:18:42,680
Speaker 3: The original is my Maine.

2587
02:18:42,760 --> 02:18:46,480
Speaker 2: It's so it's so good. There's many cases of it

2588
02:18:46,600 --> 02:18:48,320
Speaker 2: I have. I never take the.

2589
02:18:48,360 --> 02:18:51,840
Speaker 3: Original the cream cream the cream, Okay, the original. I'm

2590
02:18:51,840 --> 02:18:53,240
Speaker 3: a little scared of the cream which it looks like

2591
02:18:53,280 --> 02:18:56,160
Speaker 3: it's milk in there. I'm gonna gasp myself up to

2592
02:18:56,280 --> 02:18:58,600
Speaker 3: funk myself. You're good, I'll be good good.

2593
02:19:00,160 --> 02:19:04,840
Speaker 2: Yeah, r was born here, the hated Yeah, so you're

2594
02:19:04,879 --> 02:19:11,040
Speaker 2: the first. Yeah, yeah, yeah, all right, we hear it.

2595
02:19:11,800 --> 02:19:18,080
Speaker 24: No ship, you gotta understand when we go, that's that's

2596
02:19:18,120 --> 02:19:18,879
Speaker 24: what Haitian's doing.

2597
02:19:19,640 --> 02:19:24,600
Speaker 2: You gotta know, brother, Yeah, we'll be back here.

2598
02:19:24,800 --> 02:19:27,480
Speaker 24: When you had when you had what his name is

2599
02:19:28,080 --> 02:19:31,120
Speaker 24: big with Gary be Friz, Gary faced Gary, when you

2600
02:19:31,200 --> 02:19:33,080
Speaker 24: had them all here, you know, something like dog hate.

2601
02:19:33,160 --> 02:19:35,560
Speaker 24: I washed the whole because I never had met like,

2602
02:19:35,920 --> 02:19:38,400
Speaker 24: I never hate you. But for the fact that when

2603
02:19:38,440 --> 02:19:39,840
Speaker 24: you mentioned I was like, oh ship.

2604
02:19:39,800 --> 02:19:41,880
Speaker 2: That's what I'm so. I'm then, But that's just what

2605
02:19:42,040 --> 02:19:45,400
Speaker 2: we do. That's real, that's real. I respect it. I

2606
02:19:45,560 --> 02:19:46,200
Speaker 2: just fun with him.

2607
02:19:47,640 --> 02:19:51,200
Speaker 3: We are and we all want and we understand the.

2608
02:19:51,400 --> 02:19:55,480
Speaker 2: First you know, yeah, eighteen o four we.

2609
02:19:55,800 --> 02:20:03,160
Speaker 18: Moved different than God from they you that you was raised.

2610
02:20:03,959 --> 02:20:07,000
Speaker 3: But that's all we got is that little bit right there,

2611
02:20:07,440 --> 02:20:07,920
Speaker 3: and so we.

2612
02:20:11,200 --> 02:20:14,560
Speaker 24: August twenty second, seventeen ninety one was the first revote

2613
02:20:15,520 --> 02:20:16,279
Speaker 24: was actually.

2614
02:20:16,000 --> 02:20:18,240
Speaker 2: By Jamaican slave by the name of Bookman.

2615
02:20:18,720 --> 02:20:18,959
Speaker 3: Wow.

2616
02:20:19,520 --> 02:20:21,240
Speaker 2: It was called the Book Rebellion.

2617
02:20:24,120 --> 02:20:33,160
Speaker 3: Yeah, yeah, you know look in the loyalty love it. Yeah, yeah, saying.

2618
02:20:33,560 --> 02:20:36,960
Speaker 24: I'm saying, yeah, yeah, it's all love man. You know,

2619
02:20:37,080 --> 02:20:42,360
Speaker 24: you know that Puerto Rican joor you know, yeah, you're

2620
02:20:42,440 --> 02:20:45,320
Speaker 24: just excited. You know, you're in the United States real like, oh.

2621
02:20:45,320 --> 02:20:50,039
Speaker 3: Should you family the Yeah, yeah, yep, he said, yeah,

2622
02:20:50,080 --> 02:20:51,000
Speaker 3: We're just gonna do it one more.

2623
02:20:51,040 --> 02:20:51,560
Speaker 2: When did you meet it?

2624
02:20:51,600 --> 02:20:52,040
Speaker 7: One question?

2625
02:20:53,360 --> 02:20:54,920
Speaker 2: What's you want to know something?

2626
02:20:55,440 --> 02:20:58,720
Speaker 24: Lexus who actually called me to the Diamonds because they

2627
02:20:58,800 --> 02:21:01,039
Speaker 24: needed a DJ, He's like, what you're doing?

2628
02:21:01,080 --> 02:21:03,199
Speaker 2: I'm like, shit, I just can't eat in some burger

2629
02:21:03,280 --> 02:21:03,960
Speaker 2: king what's happening?

2630
02:21:04,320 --> 02:21:07,240
Speaker 24: He's like, hey, uh, you want to come make some

2631
02:21:07,320 --> 02:21:10,199
Speaker 24: money real quick? Any of djo at the strict club.

2632
02:21:10,320 --> 02:21:12,440
Speaker 24: But I was never a strict club nigga I never

2633
02:21:12,560 --> 02:21:14,240
Speaker 24: had to go to the strict club. All my brother's

2634
02:21:14,320 --> 02:21:17,160
Speaker 24: in there side to Skizy and Poll. That's who like

2635
02:21:17,360 --> 02:21:19,600
Speaker 24: go to strict club. It was going to Angels back

2636
02:21:19,640 --> 02:21:24,280
Speaker 24: in the days. Back yeah, they saying on Miami back then. Yeah,

2637
02:21:24,320 --> 02:21:26,800
Speaker 24: my own boy Stroke when it was Glasshouse. My own

2638
02:21:26,840 --> 02:21:31,000
Speaker 24: boy Stroke actually had control of it when it was Glasshouse.

2639
02:21:31,760 --> 02:21:35,320
Speaker 24: So I'm like, all right, cool, I'm good at playing music,

2640
02:21:35,400 --> 02:21:37,200
Speaker 24: but I ain't with the strict club shit. So I

2641
02:21:37,280 --> 02:21:39,720
Speaker 24: don't really know how to talk. So when I got there,

2642
02:21:40,560 --> 02:21:43,000
Speaker 24: I'll never forget the Disco Rick shot of Disco Rick.

2643
02:21:43,080 --> 02:21:44,880
Speaker 24: He was like he was going to go get ready

2644
02:21:44,879 --> 02:21:46,480
Speaker 24: to go to Iguana's. That's when they used to do

2645
02:21:46,840 --> 02:21:49,280
Speaker 24: the Monday nights there. He's like, all right, man, just

2646
02:21:49,760 --> 02:21:52,120
Speaker 24: play music called three songs.

2647
02:21:52,400 --> 02:21:54,279
Speaker 2: The third song, make sure it's a slow song.

2648
02:21:54,520 --> 02:21:55,080
Speaker 3: And then.

2649
02:21:56,520 --> 02:21:58,959
Speaker 24: After that, call the next girl on stage boom boom,

2650
02:21:59,200 --> 02:22:01,440
Speaker 24: Like shit, alright, I'm nervous as fuck because I know

2651
02:22:01,600 --> 02:22:03,240
Speaker 24: nothing on what you just told me. I'm not even

2652
02:22:03,800 --> 02:22:07,240
Speaker 24: familiar with the strict club shit. So I'm like, all right, cool,

2653
02:22:07,280 --> 02:22:09,800
Speaker 24: I'm gonna try to figure it out. But before, back then,

2654
02:22:10,320 --> 02:22:13,480
Speaker 24: how they would play music was like two up tempo

2655
02:22:13,600 --> 02:22:16,080
Speaker 24: records and the third record would be like a slow

2656
02:22:16,760 --> 02:22:19,480
Speaker 24: like a slow record like the last record usually be slow,

2657
02:22:19,959 --> 02:22:21,800
Speaker 24: and I'm like, man, this is too slow for my tempo.

2658
02:22:21,920 --> 02:22:25,160
Speaker 24: So I'll be I play more like t I Hey,

2659
02:22:25,320 --> 02:22:28,600
Speaker 24: let's get away joints, and like more like you know,

2660
02:22:28,879 --> 02:22:30,240
Speaker 24: hip hop smooth joints.

2661
02:22:30,240 --> 02:22:32,199
Speaker 2: You know what I'm saying, like Lost Boys or Nade.

2662
02:22:32,360 --> 02:22:35,400
Speaker 24: I play like shit like that for the third record,

2663
02:22:35,440 --> 02:22:37,480
Speaker 24: you feel what I'm saying. I did a little different.

2664
02:22:37,959 --> 02:22:40,360
Speaker 24: So the girls started liking my music selection. But I

2665
02:22:40,440 --> 02:22:43,120
Speaker 24: was terrible calling I ain't talk on the mic. I

2666
02:22:43,160 --> 02:22:45,160
Speaker 24: ain't do that shit. I ain't never MC. Even when

2667
02:22:45,200 --> 02:22:48,360
Speaker 24: I was djaing in the streets and the other ship,

2668
02:22:48,480 --> 02:22:50,400
Speaker 24: I'd always had like a mic man like I'm finn

2669
02:22:50,440 --> 02:22:52,560
Speaker 24: play this. It's what I was doing, Like I play

2670
02:22:52,680 --> 02:22:55,120
Speaker 24: music the mic shit, I was like, I was never

2671
02:22:55,200 --> 02:22:58,000
Speaker 24: with that. The strict clubs shit made me talk on

2672
02:22:58,080 --> 02:23:01,240
Speaker 24: the mic. I couldn't have somebody like called this girl.

2673
02:23:01,480 --> 02:23:02,360
Speaker 2: Yeah yeah, of course.

2674
02:23:02,720 --> 02:23:05,320
Speaker 24: Yeah. So but Rick helped me out though, because he

2675
02:23:05,360 --> 02:23:07,960
Speaker 24: would host, but over time he got tired of it

2676
02:23:07,959 --> 02:23:10,480
Speaker 24: because he wanted the gold places and I was holding him.

2677
02:23:11,280 --> 02:23:12,720
Speaker 2: You know, I got a hang of it and then

2678
02:23:12,879 --> 02:23:14,280
Speaker 2: you know, but.

2679
02:23:14,440 --> 02:23:17,920
Speaker 24: Take one is what took me to like because diamonds

2680
02:23:17,959 --> 02:23:20,480
Speaker 24: they didn't want, like the too much hood ship.

2681
02:23:21,800 --> 02:23:24,800
Speaker 2: So it was like, you know, yeah, but then when

2682
02:23:24,840 --> 02:23:27,280
Speaker 2: I got to take one, it was a I could

2683
02:23:27,320 --> 02:23:31,840
Speaker 2: play whatever and do whatever. Talk however, and that was.

2684
02:23:31,879 --> 02:23:39,320
Speaker 3: Your studio was bo take one? Uhuh yeah, your old studio.

2685
02:23:42,120 --> 02:23:44,400
Speaker 3: It wasn't taking I'm bugging.

2686
02:23:44,400 --> 02:23:47,480
Speaker 1: I'm bugging, yeah, yeah, yeah, take twenty years.

2687
02:23:49,400 --> 02:23:57,520
Speaker 2: Pick one, yeah right, yeah. What do you drink?

2688
02:23:57,560 --> 02:23:57,960
Speaker 19: What is that?

2689
02:23:58,200 --> 02:23:59,920
Speaker 2: We drink the whole bamboo mohun.

2690
02:24:00,959 --> 02:24:02,440
Speaker 1: Try it and we make one.

2691
02:24:02,560 --> 02:24:05,680
Speaker 2: We need to make one with my dog, with my dog,

2692
02:24:05,840 --> 02:24:07,560
Speaker 2: with my dog from kindle.

2693
02:24:07,840 --> 02:24:08,160
Speaker 1: Try it.

2694
02:24:09,240 --> 02:24:11,120
Speaker 2: Oh, that's the ship they make in the bathtub of you.

2695
02:24:17,200 --> 02:24:20,080
Speaker 1: Like you know, that's a Dominican.

2696
02:24:20,280 --> 02:24:22,480
Speaker 2: A Dominican drink with you got know.

2697
02:24:23,560 --> 02:24:27,680
Speaker 1: We need to make that. We made listen, pit shot

2698
02:24:27,800 --> 02:24:30,520
Speaker 1: the pit he got candela which is dope, which is

2699
02:24:30,640 --> 02:24:31,080
Speaker 1: the bread.

2700
02:24:31,160 --> 02:24:33,480
Speaker 2: We gotta make this. I keep seeing you drink this.

2701
02:24:33,680 --> 02:24:34,560
Speaker 3: I know what it is.

2702
02:24:34,959 --> 02:24:36,840
Speaker 1: I love it's It's a rum based drink, but it

2703
02:24:36,840 --> 02:24:39,680
Speaker 1: could be made with anything, but it's rum based with herbs.

2704
02:24:40,280 --> 02:24:41,000
Speaker 1: Try it. Try it.

2705
02:24:42,800 --> 02:24:46,480
Speaker 3: Roots and culture, roots and culture.

2706
02:24:47,240 --> 02:24:48,280
Speaker 1: But give it back.

2707
02:24:53,680 --> 02:24:55,120
Speaker 2: There's another bathroom, targe.

2708
02:24:56,800 --> 02:25:01,240
Speaker 1: Well, let you out here, County.

2709
02:25:02,760 --> 02:25:04,760
Speaker 2: Can't boast us, nigga, you don't get Let's do it.

2710
02:25:08,520 --> 02:25:10,120
Speaker 3: Because I just got one more question than you can

2711
02:25:10,160 --> 02:25:11,520
Speaker 3: get about of here, because I know, I know you

2712
02:25:11,600 --> 02:25:11,920
Speaker 3: gotta go.

2713
02:25:13,280 --> 02:25:13,680
Speaker 7: I got to.

2714
02:25:20,080 --> 02:25:20,520
Speaker 4: The bottle.

2715
02:25:22,240 --> 02:25:22,680
Speaker 1: You took that.

2716
02:25:23,160 --> 02:25:26,480
Speaker 3: Two more. Let me get the roy, Let me get it.

2717
02:25:27,440 --> 02:25:27,720
Speaker 1: Thank you.

2718
02:25:30,600 --> 02:25:37,080
Speaker 3: Come into America, Come into America. Holy mouakam, did Eddie

2719
02:25:37,120 --> 02:25:38,959
Speaker 3: Murphy call you direct? How did this happen?

2720
02:25:39,360 --> 02:25:39,800
Speaker 4: Going on on?

2721
02:25:39,920 --> 02:25:40,240
Speaker 3: Screw that?

2722
02:25:40,280 --> 02:25:41,160
Speaker 2: How much money did you get?

2723
02:25:41,800 --> 02:25:41,959
Speaker 3: Hey?

2724
02:25:42,280 --> 02:25:46,160
Speaker 2: Whoa a better question?

2725
02:25:46,360 --> 02:25:48,000
Speaker 3: It was a better question. It was.

2726
02:25:48,200 --> 02:25:50,760
Speaker 4: It was a seventh figure play, all right, without a doubt.

2727
02:25:50,840 --> 02:25:52,760
Speaker 4: That was a big movie. That was a big film,

2728
02:25:52,840 --> 02:25:55,160
Speaker 4: and they spent a lot of time at the Promised Lamp.

2729
02:25:55,680 --> 02:25:56,320
Speaker 3: Without a doubt.

2730
02:25:56,400 --> 02:25:58,440
Speaker 4: Shout out to Eddie Murphy, shout out to the whole

2731
02:25:58,520 --> 02:26:01,360
Speaker 4: team coming to America because one of my favorite top

2732
02:26:01,440 --> 02:26:04,879
Speaker 4: three films of all time, the first one. The first

2733
02:26:04,959 --> 02:26:07,640
Speaker 4: one was one of my favorite films of all time.

2734
02:26:07,800 --> 02:26:11,160
Speaker 4: So when they reached out and was like yo, Eddie Murphy, Yeah,

2735
02:26:11,160 --> 02:26:13,560
Speaker 4: and I'm just like yo, Eddie Murphy, come in his self.

2736
02:26:13,920 --> 02:26:17,280
Speaker 4: Make this clip they like, Yo, Eddie Murphy will come

2737
02:26:17,360 --> 02:26:19,600
Speaker 4: tomorrow to the prom.

2738
02:26:22,000 --> 02:26:22,920
Speaker 2: That's the type of ship.

2739
02:26:24,520 --> 02:26:26,480
Speaker 4: I'm like, Yo, this is crazy, you know what I'm saying.

2740
02:26:26,560 --> 02:26:29,360
Speaker 4: So if you if you go to my Instagram page

2741
02:26:29,480 --> 02:26:33,200
Speaker 4: Average Forever and you see Eddie Murphy holding my book up,

2742
02:26:33,720 --> 02:26:36,080
Speaker 4: that was because my book was just released and I

2743
02:26:36,240 --> 02:26:38,160
Speaker 4: was just kicking it with him while he was walking

2744
02:26:38,240 --> 02:26:38,920
Speaker 4: around the crib.

2745
02:26:41,480 --> 02:26:43,000
Speaker 3: Is that that's a hard ship.

2746
02:26:43,560 --> 02:26:45,039
Speaker 1: That's a hard ship, man. It makes no.

2747
02:26:49,480 --> 02:26:53,480
Speaker 3: Did he get in the bathtub? I don't know if

2748
02:26:53,520 --> 02:26:55,160
Speaker 3: you go bathtub?

2749
02:26:55,320 --> 02:26:59,200
Speaker 2: Is the size of this place. It's literally the whole place.

2750
02:27:00,320 --> 02:27:01,200
Speaker 2: You can make a lot of that.

2751
02:27:01,320 --> 02:27:06,400
Speaker 4: And without a doubt in the master bad room, the

2752
02:27:07,920 --> 02:27:11,720
Speaker 4: that your cousi is most definitely huge. And I don't

2753
02:27:11,800 --> 02:27:17,160
Speaker 4: remember and uh coming to America too, they actually used

2754
02:27:18,280 --> 02:27:21,959
Speaker 4: I don't know, I just know when we was negotiating

2755
02:27:22,040 --> 02:27:25,480
Speaker 4: what part, I was just like, fuck the small talk,

2756
02:27:25,760 --> 02:27:30,640
Speaker 4: just pay for the whole estate. M So, if you

2757
02:27:30,760 --> 02:27:34,520
Speaker 4: want to do tai chi in the backyard, you could do.

2758
02:27:36,760 --> 02:27:42,280
Speaker 4: And they actually ended up doing doing some martialized you

2759
02:27:42,360 --> 02:27:43,560
Speaker 4: know in the film.

2760
02:27:43,760 --> 02:27:43,920
Speaker 6: You know.

2761
02:27:44,160 --> 02:27:48,400
Speaker 3: So yeah, let me ask you, have you ever a band?

2762
02:27:48,480 --> 02:27:49,800
Speaker 3: The Holy Yes?

2763
02:27:50,280 --> 02:27:50,480
Speaker 11: You have?

2764
02:27:50,760 --> 02:27:50,920
Speaker 3: Yes?

2765
02:27:51,360 --> 02:27:51,879
Speaker 2: You're cool.

2766
02:27:52,120 --> 02:27:54,440
Speaker 3: Yes, of course, I'm like he with me because of you.

2767
02:27:54,840 --> 02:27:56,720
Speaker 1: No why why.

2768
02:28:01,959 --> 02:28:03,920
Speaker 3: He was cool when he thought I was a podcast

2769
02:28:04,080 --> 02:28:07,040
Speaker 3: Nigga said, that's a rapper. He ain't fucking me since

2770
02:28:07,560 --> 02:28:14,920
Speaker 3: and I said that I think this is rose. Yeah,

2771
02:28:15,400 --> 02:28:17,840
Speaker 3: we don't, we don't, We don't know.

2772
02:28:17,959 --> 02:28:20,360
Speaker 4: We donet been in the same spot now a few

2773
02:28:20,480 --> 02:28:24,840
Speaker 4: times and it's always been positive energy. And actually when

2774
02:28:24,879 --> 02:28:27,879
Speaker 4: you see him on my page holding up the book,

2775
02:28:28,959 --> 02:28:32,360
Speaker 4: that's him at the Promised Land. He actually came over

2776
02:28:32,879 --> 02:28:36,600
Speaker 4: to the Promised Land. Why Eddie Murphy was filming Coming

2777
02:28:36,640 --> 02:28:39,480
Speaker 4: to America two and kicked it with them one day

2778
02:28:39,560 --> 02:28:42,960
Speaker 4: on set and when so when you see him sitting

2779
02:28:43,000 --> 02:28:45,040
Speaker 4: in the chair holding the book up, that's him in

2780
02:28:45,160 --> 02:28:45,600
Speaker 4: the crib.

2781
02:28:46,080 --> 02:28:49,920
Speaker 3: But people don't know the small house was the original house.

2782
02:28:50,560 --> 02:28:54,440
Speaker 4: Yeah, right, it was a small crib that was on

2783
02:28:54,560 --> 02:28:57,800
Speaker 4: the Promised Land first and then and then evander Bilt

2784
02:28:58,959 --> 02:29:04,920
Speaker 4: the estate fifty five thousand square feet, hunting rooms, that

2785
02:29:05,080 --> 02:29:05,879
Speaker 4: type of vib.

2786
02:29:06,160 --> 02:29:07,440
Speaker 3: Now, before we get up out of here, you and

2787
02:29:07,520 --> 02:29:09,480
Speaker 3: Gilly had a little back and forth at one point.

2788
02:29:09,680 --> 02:29:11,440
Speaker 2: Right, everything's fixed.

2789
02:29:11,760 --> 02:29:13,560
Speaker 4: I'm gonna be honest, I don't know if we had

2790
02:29:13,600 --> 02:29:15,080
Speaker 4: a back and forth. I just know I had to

2791
02:29:15,200 --> 02:29:19,039
Speaker 4: clarify educate him on a few things. What exactly happened,

2792
02:29:19,959 --> 02:29:22,760
Speaker 4: I really don't even remember at this point, Rose getting

2793
02:29:22,840 --> 02:29:27,120
Speaker 4: so much money. I don't even remember. If he was smart,

2794
02:29:27,200 --> 02:29:29,960
Speaker 4: he would he would hold up some bel Air bottles

2795
02:29:30,000 --> 02:29:33,160
Speaker 4: and post him and tag bel Air, Tag Rose.

2796
02:29:33,480 --> 02:29:34,360
Speaker 3: And it's all good.

2797
02:29:34,520 --> 02:29:37,920
Speaker 4: You know what I mean. You gotta be See, that's

2798
02:29:37,959 --> 02:29:41,440
Speaker 4: one thing about the game and really lasting out here.

2799
02:29:41,480 --> 02:29:46,360
Speaker 4: You gotta be smart. Be smart, be smart. That's one

2800
02:29:46,440 --> 02:29:50,160
Speaker 4: thing I'm glad to be. And I consider myself and

2801
02:29:50,280 --> 02:29:53,720
Speaker 4: I'm always willing to learn. I'm always quick to learn.

2802
02:29:54,160 --> 02:29:54,600
Speaker 3: Teach me.

2803
02:29:55,560 --> 02:29:57,880
Speaker 4: You don't gotta have I don't you know you can

2804
02:29:58,000 --> 02:30:02,280
Speaker 4: have a thousand followers, And I learned from you. That's

2805
02:30:02,320 --> 02:30:06,640
Speaker 4: what the game about. It's not about your status, your wealth.

2806
02:30:08,040 --> 02:30:11,160
Speaker 4: It's really the direction where you're going. And if it's

2807
02:30:11,200 --> 02:30:14,520
Speaker 4: something that's most definitely gonna put me and my homies

2808
02:30:14,560 --> 02:30:18,560
Speaker 4: in a better situation. Rose, gonna appreciate that and acknowledge.

2809
02:30:18,000 --> 02:30:18,320
Speaker 7: You for that.

2810
02:30:18,480 --> 02:30:23,000
Speaker 6: But what I'm amazed by just listening to him is

2811
02:30:23,160 --> 02:30:27,600
Speaker 6: every it's it's all truth. It's not bs, it's not preaching,

2812
02:30:27,800 --> 02:30:32,400
Speaker 6: it's all truth. Everything he says comes true. He'll support

2813
02:30:32,480 --> 02:30:35,959
Speaker 6: anybody who supports He'll get behind anybody.

2814
02:30:35,600 --> 02:30:38,120
Speaker 2: Who's who's who's doing it.

2815
02:30:38,360 --> 02:30:42,760
Speaker 3: He'll he'll It's constantly about I want to learn what?

2816
02:30:43,000 --> 02:30:44,000
Speaker 3: What can I learn from this?

2817
02:30:44,400 --> 02:30:45,200
Speaker 1: How can I do better?

2818
02:30:45,320 --> 02:30:46,720
Speaker 2: What? What's more out there for me?

2819
02:30:47,000 --> 02:30:50,120
Speaker 4: But but but just for but just for the record,

2820
02:30:51,320 --> 02:30:54,320
Speaker 4: it's not nobody. Really that could go back and forth

2821
02:30:54,400 --> 02:30:59,160
Speaker 4: with Rose. It's not nobody. Don't even waste your time.

2822
02:30:59,760 --> 02:31:07,480
Speaker 4: Don't don't play yourself, don't embarrass your mother, don't do that.

2823
02:31:09,120 --> 02:31:11,560
Speaker 3: Be smart.

2824
02:31:12,879 --> 02:31:15,360
Speaker 2: I tell you, I tell you, I be honest with you.

2825
02:31:15,520 --> 02:31:15,600
Speaker 4: Bro.

2826
02:31:16,160 --> 02:31:17,720
Speaker 1: You helped me down one day. I don't know if

2827
02:31:17,720 --> 02:31:18,240
Speaker 1: you remember this.

2828
02:31:18,520 --> 02:31:19,280
Speaker 7: I don't remember.

2829
02:31:25,080 --> 02:31:25,960
Speaker 2: DJ must to Be.

2830
02:31:26,160 --> 02:31:27,240
Speaker 3: I'm like, I want to.

2831
02:31:27,360 --> 02:31:29,000
Speaker 2: I want to call this rap purgatory.

2832
02:31:29,120 --> 02:31:30,960
Speaker 1: Now if people don't know what purgatory is, it's in

2833
02:31:31,000 --> 02:31:31,959
Speaker 1: between heaven and hell.

2834
02:31:32,400 --> 02:31:35,400
Speaker 3: So I'm in between. Like you know, I'm in mixed

2835
02:31:35,440 --> 02:31:39,000
Speaker 3: careers and I get this DJ Must to Be. Todd

2836
02:31:39,080 --> 02:31:41,800
Speaker 3: Dollars sends me a DJ must Be. I'm like, wow,

2837
02:31:41,879 --> 02:31:46,720
Speaker 3: this is one of the biggest deuces out at the time. Uh,

2838
02:31:46,920 --> 02:31:49,840
Speaker 3: and I got Todd Dollars signs on the hook. One

2839
02:31:49,879 --> 02:31:52,280
Speaker 3: of the biggest singers out at the time, and I'm like,

2840
02:31:52,360 --> 02:31:54,680
Speaker 3: how can I make it more movie? And I hit

2841
02:31:54,800 --> 02:31:57,640
Speaker 3: you up and I said, Rose, can I get a bars?

2842
02:31:58,280 --> 02:32:00,400
Speaker 3: And you gave me a bars and I did not

2843
02:32:00,680 --> 02:32:03,480
Speaker 3: have it to pay you, but I said, how much

2844
02:32:03,520 --> 02:32:06,240
Speaker 3: you how much you want? My bro? You said you

2845
02:32:06,360 --> 02:32:13,760
Speaker 3: good old g I will never forget that because that

2846
02:32:13,840 --> 02:32:16,280
Speaker 3: shit cuts to me because I'm like, you know, most

2847
02:32:16,320 --> 02:32:18,520
Speaker 3: of the most of the most most young people ain't

2848
02:32:18,800 --> 02:32:21,360
Speaker 3: looking out for the old elders. So when I'm saying

2849
02:32:21,680 --> 02:32:23,520
Speaker 3: and I'm like, I said, I'm in between, you don't know.

2850
02:32:23,640 --> 02:32:25,800
Speaker 3: You probably don't know what I was going through, but

2851
02:32:26,640 --> 02:32:28,680
Speaker 3: you mustard Todd Dollar signs.

2852
02:32:29,160 --> 02:32:31,560
Speaker 2: I will never forget that that record. That shit really

2853
02:32:31,640 --> 02:32:33,680
Speaker 2: meant a lot to me. That shit really meant like

2854
02:32:33,720 --> 02:32:36,440
Speaker 2: you would have hot. It was hot, that's on the planet.

2855
02:32:36,440 --> 02:32:38,600
Speaker 3: You could have easily said, give me a hundred thousand,

2856
02:32:38,600 --> 02:32:40,600
Speaker 3: I'm good, and I would.

2857
02:32:40,400 --> 02:32:41,480
Speaker 2: Have had to find that hunting.

2858
02:32:42,640 --> 02:32:43,760
Speaker 3: I'm gonna be honest on me.

2859
02:32:44,480 --> 02:32:47,440
Speaker 4: At the end of the day, the game that I

2860
02:32:47,640 --> 02:32:50,520
Speaker 4: came to the music industry with was what I learned

2861
02:32:51,800 --> 02:32:55,960
Speaker 4: from coming from the streets with. It's a lot more

2862
02:32:56,120 --> 02:33:00,560
Speaker 4: valuable when you develop a relationship with people's ship, then

2863
02:33:00,680 --> 02:33:03,880
Speaker 4: getting the twenty five thousand and four verse, the fifty

2864
02:33:04,000 --> 02:33:04,640
Speaker 4: four verse.

2865
02:33:05,280 --> 02:33:05,960
Speaker 3: You know what I'm saying.

2866
02:33:06,040 --> 02:33:10,400
Speaker 4: So when you talk about beefs and man, I did

2867
02:33:10,520 --> 02:33:13,640
Speaker 4: my best to try to fix so many different situations

2868
02:33:14,320 --> 02:33:15,320
Speaker 4: between homies.

2869
02:33:16,600 --> 02:33:18,879
Speaker 3: I really had love for you know what I'm saying.

2870
02:33:19,680 --> 02:33:22,480
Speaker 4: I remember getting my homies on the phone different times

2871
02:33:23,240 --> 02:33:25,720
Speaker 4: just to see, you know, the homies winning because the

2872
02:33:25,840 --> 02:33:26,800
Speaker 4: love is genuine.

2873
02:33:27,480 --> 02:33:29,560
Speaker 3: You know what I mean? So well, let me just

2874
02:33:29,640 --> 02:33:32,880
Speaker 3: thank you again because I know you don't even remember

2875
02:33:32,920 --> 02:33:35,320
Speaker 3: that you're getting so much money. But be honest, I

2876
02:33:35,400 --> 02:33:36,160
Speaker 3: don't recall them.

2877
02:33:40,520 --> 02:33:41,800
Speaker 1: I e remember my.

2878
02:33:41,840 --> 02:33:42,360
Speaker 2: Mother in the back.

2879
02:33:43,200 --> 02:33:46,080
Speaker 3: I don't even recall it. But listen, you know how

2880
02:33:46,160 --> 02:33:48,480
Speaker 3: real you are is that? That's how genuine you are.

2881
02:33:48,600 --> 02:33:51,280
Speaker 3: You ain't you know what's part of me? Probably you

2882
02:33:51,280 --> 02:33:53,160
Speaker 3: ain't supposed to remember it that you did it out

2883
02:33:53,160 --> 02:33:55,119
Speaker 3: of love. You did that love with me, and that's

2884
02:33:55,240 --> 02:33:55,840
Speaker 3: and I love that.

2885
02:33:55,959 --> 02:33:57,040
Speaker 1: And I just want to thank you.

2886
02:33:57,120 --> 02:33:58,840
Speaker 3: You know what I'm saying to face to face man,

2887
02:33:58,920 --> 02:34:00,360
Speaker 3: and man, you know I want to make old of

2888
02:34:00,400 --> 02:34:00,800
Speaker 3: you brothers.

2889
02:34:00,840 --> 02:34:03,320
Speaker 2: Man, this was so dope. I laughed so much and

2890
02:34:03,440 --> 02:34:04,440
Speaker 2: I knew this was gonna be and.

2891
02:34:04,520 --> 02:34:05,960
Speaker 3: I want one more thank you man.

2892
02:34:06,560 --> 02:34:09,480
Speaker 23: My daughter was born with a rare heart defect and

2893
02:34:10,480 --> 02:34:14,240
Speaker 23: and and everything went smooth after that ngression And Rose,

2894
02:34:14,440 --> 02:34:17,160
Speaker 23: I want to thank you. You gave you know, a

2895
02:34:17,440 --> 02:34:21,960
Speaker 23: very you know, generous contribution my nigga to my situation. Dog,

2896
02:34:22,480 --> 02:34:25,520
Speaker 23: my family, thanks you. You know what I'm saying. My family,

2897
02:34:25,640 --> 02:34:27,080
Speaker 23: thanks you. You know what I'm saying, thank you.

2898
02:34:27,640 --> 02:34:29,879
Speaker 4: I don't be honest. You my brother for life. Brother,

2899
02:34:29,959 --> 02:34:32,840
Speaker 4: I don't even got to mention it. That was no

2900
02:34:33,160 --> 02:34:36,560
Speaker 4: family is my family and that's how we go. Thank

2901
02:34:36,560 --> 02:34:37,280
Speaker 4: you know what I'm saying.

2902
02:34:37,640 --> 02:34:39,000
Speaker 3: Ship, you know what I mean.

2903
02:34:39,320 --> 02:34:41,480
Speaker 7: I'm here for you, Here we are.

2904
02:34:41,640 --> 02:34:42,600
Speaker 3: God is great, brother.

2905
02:34:46,360 --> 02:34:48,560
Speaker 1: I don't see that.

2906
02:34:50,320 --> 02:34:51,560
Speaker 2: And that's it because.

2907
02:34:55,240 --> 02:35:01,400
Speaker 3: In that show that because she's amazing. I want to think.

2908
02:35:01,480 --> 02:35:04,320
Speaker 3: I want to thank my brother, Brett Barrish, you know

2909
02:35:04,360 --> 02:35:04,720
Speaker 3: what I mean.

2910
02:35:04,920 --> 02:35:07,560
Speaker 4: And if once again y'all don't know this the genius

2911
02:35:07,760 --> 02:35:12,760
Speaker 4: behind creating a suspade, creation, creating duce and once again

2912
02:35:12,959 --> 02:35:14,720
Speaker 4: just letting us sit at the table and have a

2913
02:35:14,800 --> 02:35:18,200
Speaker 4: good time. Yes, because Rose, I'm a party person, been

2914
02:35:18,240 --> 02:35:21,040
Speaker 4: a party person. Brett, let me sit at the table

2915
02:35:21,120 --> 02:35:24,360
Speaker 4: and enjoy the party. So once again, we saluit you, Brett,

2916
02:35:26,680 --> 02:35:29,240
Speaker 4: And what I want to say is June third, it's

2917
02:35:29,280 --> 02:35:33,840
Speaker 4: the biggest car, car and bike show of the year.

2918
02:35:34,920 --> 02:35:40,600
Speaker 4: And uh dj Envy that was the homie was trying

2919
02:35:40,640 --> 02:35:41,800
Speaker 4: to shit on you right there.

2920
02:35:44,520 --> 02:35:45,960
Speaker 18: He was shying to ship out here.

2921
02:35:46,080 --> 02:35:49,280
Speaker 3: Yes said under said, June third is going down.

2922
02:35:49,440 --> 02:35:51,520
Speaker 4: It's gonna be a lot of big boys, heavyweights in

2923
02:35:51,600 --> 02:35:55,360
Speaker 4: the game. One time for Freddy, Freddy in the building.

2924
02:35:55,480 --> 02:35:58,480
Speaker 4: One time for fifty seven Freddy in the building. We're

2925
02:35:58,520 --> 02:36:01,040
Speaker 4: gonna take a few pictures, were finish, do what we do?

2926
02:36:02,640 --> 02:36:06,640
Speaker 4: That's fifty seven Freddy. Yeah, yeah, yeah, leg seven Nori.

2927
02:36:07,800 --> 02:36:10,280
Speaker 3: Oh that's dope. Y'all got to get the picture. Yeah, yeah.

2928
02:36:10,800 --> 02:36:12,400
Speaker 7: So just one time for the whole team.

2929
02:36:12,480 --> 02:36:15,199
Speaker 4: Man, everybody that's seeing how much like everybody that's watching

2930
02:36:15,280 --> 02:36:15,920
Speaker 4: much love bro.

2931
02:36:17,080 --> 02:36:23,360
Speaker 3: Baby shot shot.

2932
02:36:26,959 --> 02:36:30,760
Speaker 1: Drink Champs is a Drink Champs LLC production and association

2933
02:36:30,920 --> 02:36:35,240
Speaker 1: with Interval Presents. Hosts and executive producers n O r

2934
02:36:35,320 --> 02:36:40,279
Speaker 1: E and dj e FN from Interval Presents executive producers

2935
02:36:40,360 --> 02:36:44,120
Speaker 1: Alan Coy and Jake Kleinberg. Listen to Drink Champs on

2936
02:36:44,200 --> 02:36:49,320
Speaker 1: Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever you get

2937
02:36:49,400 --> 02:36:53,040
Speaker 1: your podcasts. Thanks for joining us for another episode of

2938
02:36:53,120 --> 02:36:55,800
Speaker 1: Drink Champs, hosted by Yours truly, dj E f N

2939
02:36:56,080 --> 02:36:58,199
Speaker 1: and n O r E. Please make sure to follow

2940
02:36:58,280 --> 02:37:00,800
Speaker 1: us on all our socials That's at drink Champs across

2941
02:37:00,840 --> 02:37:05,119
Speaker 1: all platforms at the Real norriegon I g at NORIEG

2942
02:37:05,240 --> 02:37:07,960
Speaker 1: on Twitter, Mine is at Who's Crazy on I g

2943
02:37:08,720 --> 02:37:11,560
Speaker 1: at dj E f N on Twitter, and most importantly,

2944
02:37:11,600 --> 02:37:14,400
Speaker 1: stay up to date with the latest releases, news and

2945
02:37:14,560 --> 02:37:16,879
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