1 00:00:18,160 --> 00:00:21,080 Speaker 1: Hey, everyone, Welcome to part two of our interview with 2 00:00:21,160 --> 00:00:24,640 Speaker 1: Larry Blumenthal. We can't wait to hear more about Larry's 3 00:00:24,680 --> 00:00:28,280 Speaker 1: extensive career as a camera operator and director of photography 4 00:00:28,560 --> 00:00:31,520 Speaker 1: and a wonderful composer, plus all the memories he's carried 5 00:00:31,520 --> 00:00:32,840 Speaker 1: from full and Fuller House. 6 00:00:33,440 --> 00:00:37,200 Speaker 2: Here's Larry. One of the things that you are most 7 00:00:37,240 --> 00:00:39,680 Speaker 2: passionate about that you kind of touched on is music 8 00:00:39,880 --> 00:00:44,800 Speaker 2: and composing. And I know you did you minor in 9 00:00:45,159 --> 00:00:48,160 Speaker 2: like music composition in college where you did you kind 10 00:00:48,159 --> 00:00:51,920 Speaker 2: of do film and music and that was your I did. 11 00:00:51,960 --> 00:00:55,680 Speaker 3: I got my film degree of course Sandigo State. But 12 00:00:55,800 --> 00:00:59,960 Speaker 3: I and I was always playing music. And I'm self 13 00:01:00,120 --> 00:01:03,560 Speaker 3: taught really as as far as composition and music theory 14 00:01:03,600 --> 00:01:07,520 Speaker 3: and all that. I did go to college for a 15 00:01:07,600 --> 00:01:12,040 Speaker 3: year and a half under the music program and and 16 00:01:12,440 --> 00:01:19,760 Speaker 3: found myself quote failing basic theory because the the I 17 00:01:19,760 --> 00:01:21,680 Speaker 3: had to take the class three or four times before 18 00:01:21,680 --> 00:01:25,480 Speaker 3: I finally passed. And it was only because the the 19 00:01:25,520 --> 00:01:28,560 Speaker 3: gall that was teaching you know, music theory one A 20 00:01:28,680 --> 00:01:31,919 Speaker 3: whatever was actually it was fifty nine A. I remember, 21 00:01:32,440 --> 00:01:34,920 Speaker 3: was a real tight ass. I mean I saw I 22 00:01:34,959 --> 00:01:37,760 Speaker 3: saw her as being like a Catholic nun that was 23 00:01:37,760 --> 00:01:38,520 Speaker 3: in the wrong. 24 00:01:38,319 --> 00:01:40,520 Speaker 2: Calling right right here, like this is not right. 25 00:01:40,640 --> 00:01:42,640 Speaker 3: Ye, do you know what I mean? She was taking 26 00:01:42,680 --> 00:01:45,240 Speaker 3: notes on like whether you showed up and if you 27 00:01:45,280 --> 00:01:48,480 Speaker 3: were late, and all that crazy stuff and. 28 00:01:48,440 --> 00:01:50,600 Speaker 2: All of the worst things to do for any sort 29 00:01:50,600 --> 00:01:54,960 Speaker 2: of art class. Yeah, no one's going to feel creative 30 00:01:55,200 --> 00:01:56,440 Speaker 2: or beyond time or. 31 00:01:58,200 --> 00:02:00,520 Speaker 3: I suppose supposed to be the rules. These are the 32 00:02:00,600 --> 00:02:03,640 Speaker 3: so called rules music theory. Let's remember it's it is 33 00:02:03,680 --> 00:02:10,480 Speaker 3: called theory. Yeah, And I was bored with that because 34 00:02:10,480 --> 00:02:13,160 Speaker 3: I'd already blurted. I mean, I already knew the intervals. 35 00:02:13,160 --> 00:02:14,960 Speaker 3: I already with a circle of fifths was I already 36 00:02:15,000 --> 00:02:19,240 Speaker 3: knew all that stuff. So you know, it was frustrating 37 00:02:19,280 --> 00:02:22,280 Speaker 3: for me. But I did get through it, and I 38 00:02:22,320 --> 00:02:24,800 Speaker 3: got through the first couple of years. And I always 39 00:02:24,960 --> 00:02:29,880 Speaker 3: was always performing. I played wins, I played especially woodwinds, 40 00:02:29,919 --> 00:02:31,880 Speaker 3: and I still play on my sacks once in a while, 41 00:02:31,919 --> 00:02:35,560 Speaker 3: but you know, I was I played English horn, you know, 42 00:02:35,800 --> 00:02:39,400 Speaker 3: the obo, clarinet, flute, you know, all the woodwinds, and 43 00:02:39,440 --> 00:02:42,320 Speaker 3: then you know, I even fumfered my way through a 44 00:02:42,360 --> 00:02:46,200 Speaker 3: couple of you know, trombone and baritone and even tried 45 00:02:46,320 --> 00:02:48,560 Speaker 3: playing the French ront a little bit, and I never 46 00:02:48,600 --> 00:02:50,280 Speaker 3: could do the trump very well. My mouth is the 47 00:02:50,320 --> 00:02:54,560 Speaker 3: wrong shape or something for the ambishure. But you know what, 48 00:02:54,680 --> 00:02:59,120 Speaker 3: I didn't really focus on performance. I I did very well. 49 00:02:59,160 --> 00:03:03,639 Speaker 3: I was actually won a state scholarship in California back 50 00:03:03,639 --> 00:03:07,480 Speaker 3: in high school as the so called best male musician. 51 00:03:07,600 --> 00:03:11,040 Speaker 3: That's kind of weird, oh wow, you know. And so 52 00:03:11,200 --> 00:03:15,000 Speaker 3: that started my college career. And then I went out 53 00:03:15,040 --> 00:03:18,280 Speaker 3: for a recital. This is a true story. It was horrible. 54 00:03:19,440 --> 00:03:22,480 Speaker 3: I went out for a saxophone recital at the end 55 00:03:22,560 --> 00:03:26,160 Speaker 3: of the I think it was my second or third year, 56 00:03:27,160 --> 00:03:32,880 Speaker 3: and I got a transcription of a flute sonata and 57 00:03:32,960 --> 00:03:34,920 Speaker 3: transferred so I could play it on the saxophone and 58 00:03:35,040 --> 00:03:37,360 Speaker 3: had a companist in the whole thing. And it was 59 00:03:37,400 --> 00:03:41,400 Speaker 3: always really fast, very fasted. I could learn the pedagogy 60 00:03:41,440 --> 00:03:44,000 Speaker 3: for almost any instrument. I could learn to play something 61 00:03:44,000 --> 00:03:49,720 Speaker 3: almost immediately, and I did not do any real practicing. 62 00:03:50,240 --> 00:03:51,840 Speaker 3: And I went out there in front of about seven 63 00:03:51,920 --> 00:03:55,800 Speaker 3: hundred and fifty people in the recital hall, and everybody 64 00:03:55,840 --> 00:03:58,160 Speaker 3: was showing up because that this very guy is really good. 65 00:03:58,200 --> 00:04:01,760 Speaker 3: He plays legitimate music on a sack. If you can imagine. 66 00:04:01,920 --> 00:04:06,200 Speaker 3: And I went out there and I completely went white flash, 67 00:04:06,360 --> 00:04:08,720 Speaker 3: just like you were talking about just before we go 68 00:04:08,800 --> 00:04:13,480 Speaker 3: out to start the show, and I just I couldn't 69 00:04:13,480 --> 00:04:15,920 Speaker 3: do it. I couldn't. I couldn't pull it. I couldn't, 70 00:04:16,920 --> 00:04:19,359 Speaker 3: I couldn't hear it. And I began to start, you know, 71 00:04:19,440 --> 00:04:20,600 Speaker 3: you start cycling. 72 00:04:20,360 --> 00:04:21,960 Speaker 2: Right then you're like, oh my god, what are you doing? 73 00:04:21,960 --> 00:04:23,039 Speaker 2: What are you And You're like, I can't be in 74 00:04:23,040 --> 00:04:24,320 Speaker 2: my head and you're like, but I can't not be 75 00:04:24,400 --> 00:04:26,720 Speaker 2: in my head and it's just you're like a a 76 00:04:26,880 --> 00:04:27,680 Speaker 2: horrible feeling. 77 00:04:28,120 --> 00:04:30,240 Speaker 3: Yeah, And I looked over at the pianist and I 78 00:04:30,279 --> 00:04:33,040 Speaker 3: looked out at them and I said, folks, I am 79 00:04:33,080 --> 00:04:35,360 Speaker 3: not prepared and I'm very sorry. And I walked it 80 00:04:35,440 --> 00:04:39,320 Speaker 3: to the stage and that was the last time that 81 00:04:39,400 --> 00:04:44,080 Speaker 3: I had played my instrument for almost twenty five thirty years. Wow, 82 00:04:44,120 --> 00:04:47,080 Speaker 3: I was so and I went I went full bore 83 00:04:47,200 --> 00:04:49,560 Speaker 3: into just working in the film business. I'm no good 84 00:04:49,560 --> 00:04:53,000 Speaker 3: as a musician. I'm a loser. I'm completely you know, 85 00:04:53,200 --> 00:04:55,280 Speaker 3: I mean, really, this is what I did to myself. 86 00:04:56,080 --> 00:05:00,159 Speaker 3: The most beautiful thing happened about thirty years later. My 87 00:05:00,240 --> 00:05:04,200 Speaker 3: son was in the thousand Ks high school band and 88 00:05:04,640 --> 00:05:10,320 Speaker 3: the the instructor for his musical groups. His name was 89 00:05:10,360 --> 00:05:17,279 Speaker 3: William Haney Junior, an extraordinary musician, studio musician, virtually deaf 90 00:05:18,680 --> 00:05:20,640 Speaker 3: but able to play with the best of them. Played 91 00:05:20,680 --> 00:05:23,120 Speaker 3: behind Sammy Davis, and you know, you know, I mean, 92 00:05:23,240 --> 00:05:30,080 Speaker 3: just unbelievable talent and just a really intelligent and kind musician. 93 00:05:31,120 --> 00:05:35,839 Speaker 3: He drives to my house and he knocks on the door. 94 00:05:36,680 --> 00:05:41,040 Speaker 3: He says, Larry, go get your horn. So what are 95 00:05:41,040 --> 00:05:44,280 Speaker 3: you talking about. You're coming with me, Go get your horn? 96 00:05:45,040 --> 00:05:47,559 Speaker 3: So I go out find it. You know, my sacks, 97 00:05:47,600 --> 00:05:49,880 Speaker 3: I haven't touched it in years. Didn't know I any 98 00:05:49,880 --> 00:05:52,360 Speaker 3: he reads for it or what got in the car 99 00:05:52,400 --> 00:05:54,920 Speaker 3: with him. He drove us to one of the very 100 00:05:55,000 --> 00:05:58,320 Speaker 3: first rehearsals of what was then called the Gold Coast 101 00:05:59,040 --> 00:06:02,560 Speaker 3: Wind Ensemble, which was a bunch of amateur and professional 102 00:06:02,600 --> 00:06:08,719 Speaker 3: adults that played in a wind orchestra. No string except 103 00:06:08,720 --> 00:06:12,599 Speaker 3: for the string days, but all these instruments, about fifty people. 104 00:06:13,760 --> 00:06:16,280 Speaker 3: And he says, I'm going to play the first part, 105 00:06:16,320 --> 00:06:20,359 Speaker 3: you're playing second. I couldn't believe it. I was like, 106 00:06:20,520 --> 00:06:23,280 Speaker 3: why are you doing this to me? I played in 107 00:06:23,279 --> 00:06:26,200 Speaker 3: that band for about two maybe three years and then 108 00:06:26,200 --> 00:06:28,400 Speaker 3: Bill couldn't do it anymore, and they bumped me up 109 00:06:29,160 --> 00:06:32,040 Speaker 3: to his spot. I'm playing all the solos, I'm doing 110 00:06:32,040 --> 00:06:33,880 Speaker 3: all this. I don't seen for like four or five years, 111 00:06:34,400 --> 00:06:36,440 Speaker 3: and I played in the group for probably seven or 112 00:06:36,480 --> 00:06:39,440 Speaker 3: eight years after that, and I saw him again. And 113 00:06:40,400 --> 00:06:43,279 Speaker 3: the great Frederick Fannell. I don't know if you know 114 00:06:43,320 --> 00:06:46,800 Speaker 3: the history of him, but he basically was the inventor, 115 00:06:46,839 --> 00:06:49,479 Speaker 3: if you will, or discover of the wind or the 116 00:06:49,480 --> 00:06:53,080 Speaker 3: wind orchestra, wind ensemble. He was at Eastman School of 117 00:06:53,120 --> 00:06:58,440 Speaker 3: Music and so forth, and a great arranger of all 118 00:06:58,440 --> 00:07:01,440 Speaker 3: of Suz's marches, clarifier of all of his music and 119 00:07:01,480 --> 00:07:05,120 Speaker 3: so forth. Anyway, Frederick Vanilla is a very very important name. 120 00:07:05,560 --> 00:07:06,720 Speaker 3: He was still a love at the time, and he 121 00:07:06,800 --> 00:07:09,400 Speaker 3: was coming as a guest conductor. And we were at 122 00:07:09,440 --> 00:07:12,560 Speaker 3: the Thousand Oaks whatever they call. 123 00:07:12,520 --> 00:07:16,080 Speaker 2: That, performing arts whatever. Yeah, yeah, and. 124 00:07:16,640 --> 00:07:21,280 Speaker 3: We're playing Lincolnshire Posey, which is by Percy Grainger. It's 125 00:07:21,280 --> 00:07:25,440 Speaker 3: a very important work and there's all these great solos 126 00:07:25,480 --> 00:07:27,760 Speaker 3: in it, you know, for Alto Sacks. And here I'm 127 00:07:27,760 --> 00:07:30,160 Speaker 3: playing and there were Frederick Vanelle and I'm playing this 128 00:07:30,320 --> 00:07:33,440 Speaker 3: and whatever. And it turns out Bill Hayney was there, 129 00:07:33,800 --> 00:07:37,600 Speaker 3: you know, and he comes out and to see me, goes, Larry, 130 00:07:38,720 --> 00:07:41,320 Speaker 3: I knew, I've always known you have the soul of 131 00:07:41,360 --> 00:07:45,840 Speaker 3: a musician, and look at what you did tonight. And 132 00:07:46,400 --> 00:07:48,160 Speaker 3: it was all because he did. He drove up to 133 00:07:48,240 --> 00:07:50,320 Speaker 3: my house and dragged me out and said do this. 134 00:07:59,120 --> 00:08:01,880 Speaker 3: Back at that time, George Bush was running for president, 135 00:08:03,320 --> 00:08:10,720 Speaker 3: not junior, but people, yeah, og the original and the 136 00:08:11,680 --> 00:08:13,960 Speaker 3: Iraq War is about to break out, the very first one. 137 00:08:14,840 --> 00:08:18,480 Speaker 3: So all of the musicians for the Marine band, air 138 00:08:18,560 --> 00:08:21,640 Speaker 3: Force band, or any of those that are official were gone. 139 00:08:21,800 --> 00:08:24,720 Speaker 3: They were deployed. They were on their way into war basically. 140 00:08:26,440 --> 00:08:30,440 Speaker 3: So when he came into a thousand Ogs, the Secret 141 00:08:30,480 --> 00:08:33,120 Speaker 3: Service contacted the high school band there, which of course 142 00:08:33,360 --> 00:08:36,400 Speaker 3: Bill's banned one thousand excellancers. They were one of the 143 00:08:36,480 --> 00:08:39,400 Speaker 3: top high school bands in the in state by far. 144 00:08:40,840 --> 00:08:43,880 Speaker 3: And he says, Larry, I can't do it. I have 145 00:08:45,360 --> 00:08:48,480 Speaker 3: engagements that I hate, can't break. So I give them 146 00:08:48,520 --> 00:08:49,959 Speaker 3: your name and they're going to come talk to you. 147 00:08:50,480 --> 00:08:52,679 Speaker 3: Secret Service comes to my house. They talked to me. 148 00:08:53,480 --> 00:08:56,560 Speaker 3: So I took my sons one hundred and fifty piece 149 00:08:57,520 --> 00:09:03,400 Speaker 3: high school band two the assembly with Pete Wilson and 150 00:09:03,480 --> 00:09:06,680 Speaker 3: all this over at Calkel Africa, the named cal Lutheran 151 00:09:08,480 --> 00:09:13,760 Speaker 3: College in Thousand Oaks, and they played for the everybody 152 00:09:13,880 --> 00:09:17,920 Speaker 3: there just as performance. I was their conductor and then 153 00:09:18,040 --> 00:09:21,720 Speaker 3: we played Held to the Chief when of course the right. Wow, 154 00:09:22,960 --> 00:09:25,839 Speaker 3: this is a story, it's a true story. I'm sorry that. 155 00:09:28,920 --> 00:09:31,800 Speaker 2: What else do we know that's played, that's conducted of 156 00:09:31,880 --> 00:09:34,319 Speaker 2: the orchestra for the president. I don't know anybody. 157 00:09:34,679 --> 00:09:36,280 Speaker 3: They didn't know that was going to happen to me, 158 00:09:36,559 --> 00:09:40,640 Speaker 3: but it did happen. It was amazing. And so I'm 159 00:09:40,720 --> 00:09:43,880 Speaker 3: standing there after he comes in and I had an 160 00:09:43,920 --> 00:09:46,760 Speaker 3: earwork from the from a secret service gave me an 161 00:09:46,760 --> 00:09:52,080 Speaker 3: earwick and so I'm standing there in my suit. All 162 00:09:52,080 --> 00:09:55,599 Speaker 3: the kids are standing behind me in their uniforms, and 163 00:09:55,960 --> 00:10:00,439 Speaker 3: literally two armed stretches in front of me sits the 164 00:10:00,480 --> 00:10:04,880 Speaker 3: President in his chair. He's right in front of me. Wow. 165 00:10:06,280 --> 00:10:08,960 Speaker 3: And I'm supposed to be there. Pete Wilson and all 166 00:10:09,040 --> 00:10:13,439 Speaker 3: these other you know political you know cats are there 167 00:10:14,800 --> 00:10:17,360 Speaker 3: and I'm not part of their party, but you know, 168 00:10:17,440 --> 00:10:19,240 Speaker 3: it didn't matter that he was the president. It was 169 00:10:19,360 --> 00:10:24,000 Speaker 3: just exactly exciting. And it was at that particular rally 170 00:10:24,320 --> 00:10:27,840 Speaker 3: for Pete Wilson. I guess it was that the president 171 00:10:28,000 --> 00:10:33,480 Speaker 3: himself gave the the line in the Sand speech. That's 172 00:10:33,520 --> 00:10:34,800 Speaker 3: where it was, that's what's from there. 173 00:10:35,240 --> 00:10:35,480 Speaker 1: Wow. 174 00:10:36,280 --> 00:10:37,839 Speaker 3: And he gives a speech and then he comes and 175 00:10:37,880 --> 00:10:41,240 Speaker 3: sits back down because everyboy's clapping, and he's basically saying, 176 00:10:41,280 --> 00:10:44,240 Speaker 3: you know, he's telling him that Iam is saying at 177 00:10:44,280 --> 00:10:50,800 Speaker 3: the it's all going to be pretty bad. Well, he 178 00:10:50,920 --> 00:10:53,439 Speaker 3: sits down and you could tell he was kind of 179 00:10:53,559 --> 00:10:57,360 Speaker 3: like pumped from the speech himself, and he's getting bored 180 00:10:57,360 --> 00:11:02,200 Speaker 3: because Pete Wilson's not talking and he's kind of looking 181 00:11:02,240 --> 00:11:05,160 Speaker 3: around the room. And then he turns around and goes 182 00:11:05,240 --> 00:11:08,280 Speaker 3: like this, and he looks right at me. He's looking 183 00:11:08,360 --> 00:11:11,079 Speaker 3: at the band and my son's in the group, so 184 00:11:11,200 --> 00:11:13,880 Speaker 3: I was proud of that. And he looks at me 185 00:11:14,760 --> 00:11:17,719 Speaker 3: and he points his finger like come over here. And 186 00:11:17,840 --> 00:11:23,280 Speaker 3: I've been told, under no circumstances, do right stand there, 187 00:11:23,320 --> 00:11:25,559 Speaker 3: don't do a damn thing, and douce, we tell you to. 188 00:11:26,760 --> 00:11:28,439 Speaker 3: But he's a president of the United States. He's just 189 00:11:28,520 --> 00:11:34,000 Speaker 3: told me to come over there. So I go, I'm thinking, well, 190 00:11:34,040 --> 00:11:35,800 Speaker 3: what can they do? Put me in jail, I guess, 191 00:11:35,880 --> 00:11:38,559 Speaker 3: but he is the president, and out of respect for 192 00:11:38,600 --> 00:11:40,679 Speaker 3: who he is. He's the leader of my country, I 193 00:11:40,760 --> 00:11:44,240 Speaker 3: mean in the whole the you know, known western free world. 194 00:11:44,320 --> 00:11:51,559 Speaker 3: I'm not gonna right, I'm busy, So I walked over 195 00:11:51,720 --> 00:11:54,880 Speaker 3: up behind him. I hear, in my your record he's 196 00:11:54,920 --> 00:11:57,439 Speaker 3: going in. He's going in. It's in my ear right, 197 00:11:58,200 --> 00:12:01,439 Speaker 3: and I kind of lean over his left shoulder and 198 00:12:01,920 --> 00:12:08,679 Speaker 3: George he goes, what is this the college band? I said, no, no, sir, 199 00:12:08,840 --> 00:12:12,199 Speaker 3: this is a local high school band. He goes, what 200 00:12:13,360 --> 00:12:17,559 Speaker 3: are you serious? I said, yeah, they're very good, and 201 00:12:17,679 --> 00:12:21,040 Speaker 3: their normal instructor I'm just filling in he couldn't make 202 00:12:21,080 --> 00:12:25,439 Speaker 3: it today. But their instructor is really really great, and 203 00:12:25,559 --> 00:12:30,400 Speaker 3: they're an excellent band. He goes, well, you make me proud. 204 00:12:30,480 --> 00:12:34,400 Speaker 3: They sound better than the Marine Corps band. He says, 205 00:12:34,440 --> 00:12:37,000 Speaker 3: you know what, I want to shake your hand, and 206 00:12:37,080 --> 00:12:39,719 Speaker 3: it turned it over and he grabs my hand and 207 00:12:40,559 --> 00:12:42,679 Speaker 3: I don't know if you can see this visually, but 208 00:12:43,280 --> 00:12:45,719 Speaker 3: the presidential hand. She goes like this. He puts his 209 00:12:45,880 --> 00:12:49,079 Speaker 3: hand around your wrist and then they shake like that. 210 00:12:49,320 --> 00:12:52,920 Speaker 3: I'm sure Secret Service teaches them that, so that should 211 00:12:53,040 --> 00:12:57,199 Speaker 3: should something happen, right, He's got control of a circumstance. 212 00:12:58,080 --> 00:13:00,880 Speaker 3: But you know, I went to shake his he did that, 213 00:13:01,200 --> 00:13:04,680 Speaker 3: and I shook his hand because you're doing a fine job. 214 00:13:04,840 --> 00:13:06,800 Speaker 3: Keep up the great work. This is what America really 215 00:13:06,880 --> 00:13:10,520 Speaker 3: is about. And my estimation of him went up like 216 00:13:10,679 --> 00:13:16,280 Speaker 3: three thousand percent just from his by being real, like 217 00:13:18,320 --> 00:13:21,959 Speaker 3: you know, and and even under all the pressure that 218 00:13:22,440 --> 00:13:24,559 Speaker 3: was going on in the world at the time, he 219 00:13:24,720 --> 00:13:26,520 Speaker 3: was able to look into some high school kids and 220 00:13:27,160 --> 00:13:30,160 Speaker 3: hear the music and or the death of Pete and 221 00:13:30,720 --> 00:13:34,400 Speaker 3: all other silliness, and and he had that connection to 222 00:13:34,559 --> 00:13:38,280 Speaker 3: his soul right that he was to recognize that. And 223 00:13:38,679 --> 00:13:42,160 Speaker 3: so this is the weirdest thing. Then what happened is 224 00:13:42,520 --> 00:13:45,560 Speaker 3: on CNN when the war broke out, because at storm started, 225 00:13:47,280 --> 00:13:53,600 Speaker 3: they were on CNN commonly cut to shots of Tarique 226 00:13:53,760 --> 00:13:59,000 Speaker 3: Disease kissing Santa Museain's ring right right in the one hand, 227 00:13:59,320 --> 00:14:03,280 Speaker 3: and then go to a file video of the president 228 00:14:03,880 --> 00:14:06,960 Speaker 3: from the speech that he took with me standing right 229 00:14:07,000 --> 00:14:09,360 Speaker 3: beside him. So I had my zelleg moment for about 230 00:14:09,400 --> 00:14:14,640 Speaker 3: six months. Wow, it was the freakiest damp thing. I mean, 231 00:14:14,679 --> 00:14:16,760 Speaker 3: the first time happened, I was almost half asleep taking 232 00:14:16,800 --> 00:14:21,600 Speaker 3: a hass I thought, that's me it's me and the 233 00:14:21,680 --> 00:14:25,920 Speaker 3: president two shot over there. You know, I'm over his shoulder, 234 00:14:25,960 --> 00:14:32,240 Speaker 3: and I'm like the weirdest. So it's a weird life. 235 00:14:32,360 --> 00:14:34,200 Speaker 2: It's a weird life in a redemption story. 236 00:14:34,440 --> 00:14:36,840 Speaker 1: From your stage fright in front of seven hundred and 237 00:14:36,920 --> 00:14:40,280 Speaker 1: fifty people in the early days, to standing next to 238 00:14:40,320 --> 00:14:45,000 Speaker 1: the President getting photographed before the chief because. 239 00:14:44,880 --> 00:14:47,760 Speaker 3: Bill Hayney decided to drive a buy one day and say, 240 00:14:47,800 --> 00:14:51,040 Speaker 3: you know what, get in the car well started. I'm sorry. 241 00:14:51,160 --> 00:14:53,400 Speaker 3: I to this day am thankful to him for that. 242 00:14:54,400 --> 00:14:56,560 Speaker 3: And he is the one that has given me probably 243 00:14:56,920 --> 00:15:02,480 Speaker 3: the best critique of all the classical compositions that I've done. 244 00:15:03,160 --> 00:15:06,120 Speaker 3: I did my third symphony, which is Slava Ukrainy, which 245 00:15:06,200 --> 00:15:11,920 Speaker 3: is you know about Ukraine, and he did a literally adossiate. 246 00:15:12,640 --> 00:15:16,240 Speaker 3: He broke down. He actually listened to it moment by moment, 247 00:15:16,320 --> 00:15:20,640 Speaker 3: explaining what the transitions were, and this is a csarah, 248 00:15:20,760 --> 00:15:24,320 Speaker 3: and this is a and you did an imperfect blah 249 00:15:24,360 --> 00:15:26,320 Speaker 3: blah blah. You know, you just all these things about 250 00:15:27,960 --> 00:15:30,480 Speaker 3: He just broke it down like some kind of a musicologist. 251 00:15:31,440 --> 00:15:33,200 Speaker 3: And then at the end he says, I'm just so 252 00:15:36,080 --> 00:15:40,360 Speaker 3: thankful you send your music to me because Larry, the 253 00:15:40,440 --> 00:15:43,240 Speaker 3: world doesn't know what you're doing, but I know and 254 00:15:43,400 --> 00:15:46,880 Speaker 3: the world will know eventually you're leaving something important behind. 255 00:15:47,520 --> 00:15:50,960 Speaker 3: And that to me, that's those are my Academy Awards 256 00:15:51,040 --> 00:15:53,680 Speaker 3: when I get that from people that I you know, 257 00:15:54,040 --> 00:15:56,880 Speaker 3: Jody's among them, She's known for years, and she's always 258 00:15:57,360 --> 00:16:03,240 Speaker 3: and I remember resident of really got space. Really you 259 00:16:03,360 --> 00:16:05,440 Speaker 3: got me going again. You do that. 260 00:16:07,960 --> 00:16:11,120 Speaker 2: I try and you I'm I like I always tell you, 261 00:16:11,240 --> 00:16:13,760 Speaker 2: I love when you send me your music, your symphonies, 262 00:16:13,800 --> 00:16:17,880 Speaker 2: your compositions. It's just you know, I I love art. 263 00:16:18,160 --> 00:16:21,400 Speaker 2: I love it. I love creating. And it's something that 264 00:16:22,000 --> 00:16:25,160 Speaker 2: you and I have connected over and andret but like 265 00:16:25,440 --> 00:16:29,360 Speaker 2: just the love of expressing yourself and creating and like 266 00:16:29,480 --> 00:16:32,600 Speaker 2: connecting with other humans through what we get to do. 267 00:16:32,920 --> 00:16:36,040 Speaker 2: And and you were one of those people who you 268 00:16:36,120 --> 00:16:37,720 Speaker 2: know and and I think people will hear it in 269 00:16:37,800 --> 00:16:43,040 Speaker 2: this interview who's so beautifully expressed what it means to 270 00:16:43,280 --> 00:16:46,640 Speaker 2: be a creative spirit in the world, in this in 271 00:16:46,760 --> 00:16:50,760 Speaker 2: this particular world and time. Beautiful And you do you 272 00:16:50,920 --> 00:16:53,280 Speaker 2: really like you are someone who I've always been able 273 00:16:53,320 --> 00:16:58,600 Speaker 2: to have really great, open, honest conversations about creating in 274 00:16:58,640 --> 00:17:01,240 Speaker 2: the world and that's that type of vulnerability. And and 275 00:17:02,200 --> 00:17:04,680 Speaker 2: and I and I never knew the story about you 276 00:17:06,280 --> 00:17:08,480 Speaker 2: walking off the stage and not playing for thirty years, 277 00:17:08,560 --> 00:17:14,120 Speaker 2: which is is incredible to me to hear because you're 278 00:17:14,240 --> 00:17:17,600 Speaker 2: so talented that it, you know. But I but I 279 00:17:17,720 --> 00:17:19,600 Speaker 2: also relate to that where you're like, oh, I suck, 280 00:17:19,680 --> 00:17:21,320 Speaker 2: that's it. I'm never doing that again. And you just 281 00:17:21,359 --> 00:17:23,879 Speaker 2: walk away from something and other people like, what are 282 00:17:23,920 --> 00:17:28,480 Speaker 2: you talking about? Yeah, yeah, we're our own worst critic. 283 00:17:28,600 --> 00:17:32,960 Speaker 2: But but you have always been a yeah, exactly, well 284 00:17:33,040 --> 00:17:37,840 Speaker 2: for then, yeah, but you have always been so complimentary 285 00:17:38,160 --> 00:17:41,760 Speaker 2: and kind and supportive of us, and it just yeah, 286 00:17:42,000 --> 00:17:44,119 Speaker 2: it was so great to always see you, you know, 287 00:17:44,280 --> 00:17:47,879 Speaker 2: out there on BCAM, knowing that we had like family 288 00:17:48,160 --> 00:17:51,200 Speaker 2: out there and and and deb and like these I 289 00:17:51,280 --> 00:17:55,560 Speaker 2: mean again people that have been around forever and ever 290 00:17:55,680 --> 00:17:59,960 Speaker 2: and ever and who were pivotal parts of our life 291 00:18:00,200 --> 00:18:03,560 Speaker 2: and of our you know, at least at least for me, 292 00:18:03,640 --> 00:18:09,200 Speaker 2: of of my sort of creative development, you know. So 293 00:18:09,880 --> 00:18:13,639 Speaker 2: that's those are things that are impossible to measure. 294 00:18:15,280 --> 00:18:16,920 Speaker 3: Well, we have so many things that go on in 295 00:18:17,000 --> 00:18:19,480 Speaker 3: our life, and there's so much pashi and trash and 296 00:18:19,560 --> 00:18:21,800 Speaker 3: background noise, and you know, all that stuff that goes 297 00:18:21,840 --> 00:18:24,800 Speaker 3: on that we wish we could forget. Generally we do. 298 00:18:26,160 --> 00:18:28,480 Speaker 3: But the nice thing is when you can look back 299 00:18:28,520 --> 00:18:32,720 Speaker 3: on your life and there's the color moments and and 300 00:18:33,200 --> 00:18:37,720 Speaker 3: Andrea and you you know, of course Bob bless his heart, 301 00:18:38,760 --> 00:18:43,320 Speaker 3: and Candice was the color moments was a part of 302 00:18:43,359 --> 00:18:47,840 Speaker 3: my color palette of the Larry life, which I can't 303 00:18:47,880 --> 00:18:52,240 Speaker 3: express or explain to anybody, you know what I mean. 304 00:18:52,680 --> 00:18:57,040 Speaker 3: And then there's the associated colors. Does the Patty pass Rellies, Yes, 305 00:18:57,720 --> 00:19:00,720 Speaker 3: you know, and you know, you just go through and 306 00:19:00,800 --> 00:19:03,879 Speaker 3: you can kind of tell who they are. And and 307 00:19:04,200 --> 00:19:06,119 Speaker 3: I always felt that way about Lynn Griffin. I know, 308 00:19:06,280 --> 00:19:12,280 Speaker 3: she's a incredible she's retired also and incredible art director. 309 00:19:12,400 --> 00:19:15,320 Speaker 3: She was amazing and just you know, just in of 310 00:19:15,400 --> 00:19:19,639 Speaker 3: course Greg. You know again, there's there's a sympatico and 311 00:19:19,720 --> 00:19:23,880 Speaker 3: that sympatico is really that is the correct word, sim 312 00:19:24,040 --> 00:19:31,000 Speaker 3: meaning with and pathos, the ability to feel right with 313 00:19:31,359 --> 00:19:36,440 Speaker 3: the same feeling. It's we're all aware that we can 314 00:19:36,520 --> 00:19:40,840 Speaker 3: all visually see slightly different shades with the same wavelength 315 00:19:41,000 --> 00:19:44,040 Speaker 3: coming into our eyes. So one person's blue and may 316 00:19:44,080 --> 00:19:47,119 Speaker 3: be more purple to than somebody else, depending on your 317 00:19:47,200 --> 00:19:51,280 Speaker 3: how your eyes are formed. But there's certain people that 318 00:19:51,480 --> 00:19:53,240 Speaker 3: all see that color that way. 319 00:19:55,040 --> 00:19:57,960 Speaker 2: Yeah, M. 320 00:19:59,440 --> 00:20:01,879 Speaker 3: So special. That's why you want to be on a 321 00:20:01,920 --> 00:20:04,840 Speaker 3: show like that. That's not going to work. That's getting 322 00:20:04,880 --> 00:20:07,480 Speaker 3: excited and going, Okay, I get five in the morning, 323 00:20:07,560 --> 00:20:10,160 Speaker 3: but I'll do it for this, right. 324 00:20:10,280 --> 00:20:12,359 Speaker 2: Yeah, You're like, oh, it's you know, a long day, 325 00:20:12,440 --> 00:20:14,199 Speaker 2: early morning this, and then but then you get there, 326 00:20:14,240 --> 00:20:16,800 Speaker 2: You're like, ah, this is great. This is what am 327 00:20:16,800 --> 00:20:17,080 Speaker 2: I doing? 328 00:20:17,520 --> 00:20:18,399 Speaker 3: Pot of coffee and. 329 00:20:20,040 --> 00:20:22,840 Speaker 2: Oh yes, I remember seeing you many a morning by 330 00:20:22,880 --> 00:20:26,840 Speaker 2: the buy the coffee machine. Absolutely yea. 331 00:20:27,800 --> 00:20:29,000 Speaker 3: But yeah, wow. 332 00:20:37,680 --> 00:20:39,800 Speaker 1: What were some of your favorite memories from Full House? 333 00:20:39,840 --> 00:20:41,720 Speaker 1: You know, Jodi and I were so young, and a 334 00:20:41,760 --> 00:20:44,680 Speaker 1: lot of our memories are coming back through this rewatch podcast. 335 00:20:45,359 --> 00:20:48,440 Speaker 3: The worst memory is that I wasn't on that show consistently. 336 00:20:48,560 --> 00:20:51,280 Speaker 3: I was always a replacement cameraman and I hated that. 337 00:20:51,960 --> 00:20:54,760 Speaker 3: And then I also did the DP work on the 338 00:20:57,840 --> 00:21:01,800 Speaker 3: the titles, right, you know, I did your titles usually 339 00:21:02,119 --> 00:21:05,120 Speaker 3: that kind of thing. So my association with Full House 340 00:21:05,280 --> 00:21:07,560 Speaker 3: wasn't as deep as I would have liked it to be. 341 00:21:07,680 --> 00:21:09,960 Speaker 3: I probably shot at maybe a third of the episodes 342 00:21:10,440 --> 00:21:12,760 Speaker 3: for one reason or another. Somebody would leave, you know. 343 00:21:15,600 --> 00:21:17,560 Speaker 3: And I got along really well with Bruce. Bruce, by 344 00:21:17,600 --> 00:21:21,440 Speaker 3: the way, yes I remember, Yeah, he just passed away 345 00:21:21,520 --> 00:21:22,320 Speaker 3: a couple months ago. 346 00:21:22,600 --> 00:21:24,399 Speaker 2: Oh, I you know, it was funny. 347 00:21:24,400 --> 00:21:26,680 Speaker 3: It's just ninetieth birthday by about twenty days. 348 00:21:27,000 --> 00:21:30,639 Speaker 2: Really. I just was looking at that I have, uh, 349 00:21:31,080 --> 00:21:35,120 Speaker 2: you know, this photo collage thing from from the Full 350 00:21:35,160 --> 00:21:36,920 Speaker 2: House days. It was our I think ninety two or 351 00:21:37,000 --> 00:21:39,680 Speaker 2: ninety three season, and I look at it all the 352 00:21:39,760 --> 00:21:42,280 Speaker 2: time because there are so many faces in people. But 353 00:21:42,359 --> 00:21:45,520 Speaker 2: I saw I and I went, oh, what happened to Bruce? 354 00:21:45,640 --> 00:21:48,240 Speaker 2: Oh but wow, almost ninety that's incredible. 355 00:21:48,880 --> 00:21:52,240 Speaker 3: Oh yeah, life, My biggest memory are the things that 356 00:21:52,720 --> 00:21:55,719 Speaker 3: really mattered to me a lot was of course Patty Passarelli, 357 00:21:55,800 --> 00:21:59,800 Speaker 3: who was you know, a dear close friend supers Yep, yeah, she, 358 00:22:00,400 --> 00:22:06,600 Speaker 3: you know, the best always was. And and then you know, 359 00:22:06,680 --> 00:22:09,000 Speaker 3: I got along really well with Like I said, Bruce 360 00:22:09,160 --> 00:22:12,440 Speaker 3: is a great guy. Joe's Wick is probably my my brother. 361 00:22:12,520 --> 00:22:13,560 Speaker 3: He's my brother. Yeah. 362 00:22:14,000 --> 00:22:15,960 Speaker 2: Joel has been on the podcast. We had him on 363 00:22:16,200 --> 00:22:16,960 Speaker 2: a few weeks ago. 364 00:22:17,240 --> 00:22:20,439 Speaker 3: Ask you, I didn't know if you have definitely you. 365 00:22:20,840 --> 00:22:25,520 Speaker 2: We know, we definitely we had him on, and oh 366 00:22:25,600 --> 00:22:28,480 Speaker 2: he is I love Joel out of his mind still 367 00:22:29,000 --> 00:22:30,600 Speaker 2: in the best way. I love it. 368 00:22:30,680 --> 00:22:31,640 Speaker 1: It's exactly the same. 369 00:22:32,280 --> 00:22:33,600 Speaker 2: Yeah, Joel. 370 00:22:33,840 --> 00:22:39,439 Speaker 3: Joel is a very special He's He's the uber Regal, 371 00:22:40,760 --> 00:22:44,399 Speaker 3: Royal Blue, ultra violet, whatever you want to call it. 372 00:22:44,520 --> 00:22:47,840 Speaker 3: In my life, He's that part where your your your 373 00:22:48,240 --> 00:22:51,359 Speaker 3: top chakras trying to reach to the heavens and you 374 00:22:51,440 --> 00:22:53,120 Speaker 3: don't get there, but you got to go through Joel. 375 00:22:54,640 --> 00:22:56,040 Speaker 2: Yes, ye, yes, him. 376 00:22:56,480 --> 00:23:01,040 Speaker 3: I mean had moments believe me. Well I'm sure, yeah, 377 00:23:01,520 --> 00:23:03,240 Speaker 3: they were all good, believe me. Yeah. 378 00:23:03,760 --> 00:23:06,080 Speaker 2: Well, it's the best friends that can you know, kind 379 00:23:06,080 --> 00:23:07,639 Speaker 2: of that can butt heads like that and then be 380 00:23:07,720 --> 00:23:10,399 Speaker 2: like all right, I still love you. You know, I 381 00:23:10,560 --> 00:23:14,840 Speaker 2: just love him to death again. Another like doing his 382 00:23:15,119 --> 00:23:21,240 Speaker 2: when we did his interview. Another just incredible creative spirit 383 00:23:21,520 --> 00:23:28,040 Speaker 2: and career and talent, and you know, we just part 384 00:23:28,080 --> 00:23:30,399 Speaker 2: of the fun of this podcast has not only been 385 00:23:30,480 --> 00:23:33,320 Speaker 2: going back and watching the show because I never watched it, 386 00:23:33,480 --> 00:23:35,119 Speaker 2: Andrey and I didn't really watch it growing up, but 387 00:23:35,640 --> 00:23:41,160 Speaker 2: it really has been getting to interview these amazing people 388 00:23:41,240 --> 00:23:43,960 Speaker 2: that we've known our whole lives as like you know, 389 00:23:44,160 --> 00:23:48,240 Speaker 2: just Joel or Larry or you know, like Lenny Rips 390 00:23:48,320 --> 00:23:50,199 Speaker 2: or you know, but then being like, so tell us 391 00:23:50,280 --> 00:23:55,000 Speaker 2: how you got into this and hearing oh the incredible stories, 392 00:23:56,160 --> 00:23:59,800 Speaker 2: but all of you like this, we were, and I 393 00:24:00,119 --> 00:24:02,040 Speaker 2: just I can't get over it. We were like steeped 394 00:24:02,240 --> 00:24:10,639 Speaker 2: in some of the most amazing, incredible history and people 395 00:24:11,119 --> 00:24:15,200 Speaker 2: of the television business from the start of Full House 396 00:24:15,280 --> 00:24:19,280 Speaker 2: and we didn't even know it. We just were lucky 397 00:24:19,359 --> 00:24:20,400 Speaker 2: that we got to do it again. 398 00:24:20,520 --> 00:24:23,200 Speaker 3: First story, I remember I was working on the Hogan 399 00:24:23,280 --> 00:24:26,560 Speaker 3: Family or was originally Valerie or Valerie's Family or I 400 00:24:26,600 --> 00:24:28,440 Speaker 3: don't remember where they had so many different names. 401 00:24:28,600 --> 00:24:30,760 Speaker 2: Yeah, yeah, I think it was, yeah, Valerie, but started 402 00:24:30,800 --> 00:24:33,280 Speaker 2: as Valerie's Family, then Valerie, then Hogan. 403 00:24:33,480 --> 00:24:38,080 Speaker 3: Yeah yeah. And and then you and Jason Jason doing 404 00:24:38,160 --> 00:24:43,040 Speaker 3: that tea party and Jody's four and a half. Oh 405 00:24:43,119 --> 00:24:46,280 Speaker 3: my gosh, look at this cute little blonde. Oh my god, 406 00:24:46,440 --> 00:24:49,240 Speaker 3: she's so adorable. I'm like, I'm like, you know, it's 407 00:24:49,240 --> 00:24:53,560 Speaker 3: such a kid person anyway, I love kids completely, And 408 00:24:55,359 --> 00:24:59,080 Speaker 3: just watching how how Jason was working with you and Jason. 409 00:24:59,320 --> 00:25:02,480 Speaker 2: Jason our listener, Jason Bateman, who was the oldest son 410 00:25:02,680 --> 00:25:07,240 Speaker 2: on Valerie, and he was the first, one of the 411 00:25:07,280 --> 00:25:10,000 Speaker 2: first people that I really ever worked with on television and. 412 00:25:10,080 --> 00:25:13,040 Speaker 3: What a great guy. I mean, I've worked with him 413 00:25:13,080 --> 00:25:15,159 Speaker 3: for years. Me means he's one of those people that 414 00:25:15,200 --> 00:25:16,919 Speaker 3: grew up in front of my eyes between a director 415 00:25:17,000 --> 00:25:20,479 Speaker 3: at eighteen or seventeen and what he's done since then, 416 00:25:20,520 --> 00:25:22,280 Speaker 3: it's extraordinary. Oh my gosh. 417 00:25:22,440 --> 00:25:24,639 Speaker 2: It's my goal is to work with him again. Like 418 00:25:24,720 --> 00:25:26,440 Speaker 2: I keep putting it out there, So I'm putting it 419 00:25:26,480 --> 00:25:29,639 Speaker 2: out here on the podcast right now. Jason Bateman want 420 00:25:29,680 --> 00:25:33,360 Speaker 2: to work Welcome to me? So incredible. 421 00:25:34,000 --> 00:25:36,520 Speaker 3: Yeah, and i'd seen and he goes, okay, are you're 422 00:25:36,520 --> 00:25:39,240 Speaker 3: on this show? Yeah? He goes, okay, if this show goes, 423 00:25:39,760 --> 00:25:44,280 Speaker 3: you're directing soon. Just told you know, because every I've 424 00:25:44,320 --> 00:25:47,840 Speaker 3: kind of just said to me so many times. You know, Larry, 425 00:25:47,880 --> 00:25:49,879 Speaker 3: you'd be so good. You know visually what to do, 426 00:25:50,040 --> 00:25:54,359 Speaker 3: You understand actors, your your your quickness of thought, just everything. 427 00:25:54,920 --> 00:25:58,639 Speaker 3: You have a sense about it. And I've directed small stuff, 428 00:25:58,640 --> 00:26:00,480 Speaker 3: but I never never, it never happen. And it's just 429 00:26:00,560 --> 00:26:02,440 Speaker 3: not one of those things that I ever pushed for. 430 00:26:03,520 --> 00:26:07,400 Speaker 3: And I have a big ego, but not it's not egotistical. 431 00:26:07,480 --> 00:26:13,359 Speaker 3: I'm egoistic. There's a difference. And and so I mean, 432 00:26:13,359 --> 00:26:15,639 Speaker 3: if I was egotistic. God would never left that stage 433 00:26:15,680 --> 00:26:16,200 Speaker 3: with the sacks. 434 00:26:17,800 --> 00:26:21,280 Speaker 4: Yes, you're all going to sit here while I get here. 435 00:26:22,640 --> 00:26:24,680 Speaker 4: You would have been terrible and been like I was 436 00:26:24,760 --> 00:26:30,480 Speaker 4: so good, right, Yeah, yeah, you. 437 00:26:30,560 --> 00:26:30,960 Speaker 3: Saw on it. 438 00:26:31,920 --> 00:26:34,199 Speaker 1: You're a confident realist. That's what you are. 439 00:26:34,640 --> 00:26:35,280 Speaker 4: You know that. 440 00:26:35,560 --> 00:26:38,200 Speaker 2: I think I find that to be the best type 441 00:26:38,440 --> 00:26:40,359 Speaker 2: is when you're like, yeah, I can do some things, 442 00:26:40,640 --> 00:26:44,080 Speaker 2: but I also know I can suck sometimes too. I'm 443 00:26:44,119 --> 00:26:46,240 Speaker 2: not so good that I can't be shitty, you know. 444 00:26:48,480 --> 00:26:50,840 Speaker 2: So that's a very important skill to know as an artist, 445 00:26:50,880 --> 00:26:52,760 Speaker 2: because otherwise you just Yeah. 446 00:26:53,920 --> 00:26:56,440 Speaker 3: It's like when Rich Carell you're doing a big, big, 447 00:26:56,640 --> 00:27:01,640 Speaker 3: complex shot and something happens and Rich goes, Larry, what's 448 00:27:01,720 --> 00:27:02,000 Speaker 3: going on? 449 00:27:02,240 --> 00:27:12,200 Speaker 2: I said, yeah, okay, never mind, okay, just checking. 450 00:27:13,320 --> 00:27:14,840 Speaker 3: Yeah, I love that guy so much. 451 00:27:15,080 --> 00:27:21,120 Speaker 2: Yeah, this has been such an incredible journey with you, Larry. 452 00:27:21,160 --> 00:27:24,400 Speaker 2: You know, I can talk to you for hours, but yeah, 453 00:27:25,200 --> 00:27:27,040 Speaker 2: oh my god. Yeah. Well, with the way our brain's 454 00:27:27,080 --> 00:27:29,280 Speaker 2: work going off on random tangents, and you. 455 00:27:29,320 --> 00:27:32,840 Speaker 3: Know they're not random, actually it makes sense. 456 00:27:33,280 --> 00:27:34,879 Speaker 2: I can't tell you how many times Larry and I 457 00:27:34,960 --> 00:27:40,120 Speaker 2: would be having some in depth, heated political conversation right 458 00:27:40,280 --> 00:27:42,920 Speaker 2: before we're talking about the election or this or that 459 00:27:43,560 --> 00:27:46,280 Speaker 2: very much single and we would be like he did 460 00:27:46,359 --> 00:27:48,760 Speaker 2: this and that, and then jump into a scene and 461 00:27:48,840 --> 00:27:54,320 Speaker 2: be like hey, and then go back and then did 462 00:27:54,400 --> 00:28:01,720 Speaker 2: you hear that? The wildest sort of compartmentalization, And you know, 463 00:28:01,880 --> 00:28:04,879 Speaker 2: but that's what we do. And I just I love you. 464 00:28:05,359 --> 00:28:12,000 Speaker 2: You are family and a dear incredible You're just so talented. 465 00:28:12,040 --> 00:28:14,960 Speaker 2: I hope I hope that you know that. And I'm 466 00:28:15,040 --> 00:28:18,600 Speaker 2: glad that I'm glad that you found that horn thirty 467 00:28:18,680 --> 00:28:19,320 Speaker 2: years later and. 468 00:28:19,600 --> 00:28:21,960 Speaker 3: You know, Yeah, and now I'm glad that I'm really 469 00:28:22,119 --> 00:28:25,160 Speaker 3: sitting down and putting these thoughts on the paper. That's yeah, 470 00:28:26,000 --> 00:28:28,680 Speaker 3: been a thing that's important to me. Before you know, 471 00:28:28,760 --> 00:28:31,479 Speaker 3: the grim reaver goes up. I'm trying to make up 472 00:28:31,480 --> 00:28:33,440 Speaker 3: for those forty years I spent doing other things. 473 00:28:33,960 --> 00:28:37,200 Speaker 1: Yeah, you are so special to us, and we love 474 00:28:37,280 --> 00:28:39,040 Speaker 1: you and think of you all the time and talk 475 00:28:39,120 --> 00:28:40,080 Speaker 1: about you all the time. 476 00:28:40,680 --> 00:28:44,320 Speaker 3: Yeah, Andrea, Yeah, well, I mean talk about slices of 477 00:28:44,400 --> 00:28:48,040 Speaker 3: cake that you just can't eat enough of both of you. 478 00:28:48,240 --> 00:28:50,720 Speaker 2: Really, it's true. Well, we love you, Larry. Thank you 479 00:28:50,880 --> 00:28:52,760 Speaker 2: so much for coming on the show today. This was 480 00:28:53,400 --> 00:28:58,880 Speaker 2: just a wonderful wonderful interview. We really really honored, truly, Yes, 481 00:28:59,120 --> 00:29:01,120 Speaker 2: thank you. Well, I will be talking too soon and 482 00:29:01,240 --> 00:29:03,800 Speaker 2: I love you and thank you so much for joining 483 00:29:03,880 --> 00:29:08,200 Speaker 2: us today. We love you, Larry, Love you, Larry. Thank 484 00:29:08,320 --> 00:29:13,120 Speaker 2: you bye. Do you know how to sign out? 485 00:29:13,200 --> 00:29:18,480 Speaker 3: Larry, I'm still on the stage. What do I do now? 486 00:29:19,960 --> 00:29:21,320 Speaker 2: Well, get your horn? Here we go. 487 00:29:24,800 --> 00:29:25,400 Speaker 3: Okay, thank you. 488 00:29:26,240 --> 00:29:29,680 Speaker 2: I just love it. He's just the best man. He's 489 00:29:29,840 --> 00:29:32,960 Speaker 2: just such an interesting creator, like truly one of those 490 00:29:33,080 --> 00:29:36,320 Speaker 2: like creative artist spirits that just in his soul, in 491 00:29:36,400 --> 00:29:36,920 Speaker 2: his blood. 492 00:29:37,200 --> 00:29:41,320 Speaker 1: What a wonderful special man that he's also just a 493 00:29:41,400 --> 00:29:45,080 Speaker 1: big teddy bear, wears his heart on his sleeve and yep, 494 00:29:45,400 --> 00:29:47,240 Speaker 1: never hesitates to tell you how much he loves you. 495 00:29:48,000 --> 00:29:50,840 Speaker 2: He's one, he's you know, he's yeah, one of one 496 00:29:50,880 --> 00:29:53,400 Speaker 2: of my very very special ones. Anyway, that was what 497 00:29:53,520 --> 00:29:55,160 Speaker 2: a great interview. Isn't it weird when you. 498 00:29:55,200 --> 00:29:57,560 Speaker 1: Go on other sets and like you don't ever really 499 00:29:57,640 --> 00:30:01,320 Speaker 1: meet the camera people, and this isn't normal for us 500 00:30:01,440 --> 00:30:04,240 Speaker 1: to be so close yes to god, no a camera operator, 501 00:30:04,280 --> 00:30:08,080 Speaker 1: you know, it's like not to on other sets. There's 502 00:30:08,120 --> 00:30:10,920 Speaker 1: a there's a separation between cast and crew, and that 503 00:30:11,120 --> 00:30:11,960 Speaker 1: was never the case. 504 00:30:12,080 --> 00:30:15,920 Speaker 2: On full House. Yeah, like we were always what I'm saying, Yeah, 505 00:30:16,400 --> 00:30:18,360 Speaker 2: they're always one of the same. I always try to 506 00:30:18,680 --> 00:30:21,640 Speaker 2: just be that person anyway, even if it's like not 507 00:30:21,840 --> 00:30:23,720 Speaker 2: my set, I'm like, well, hell, I'm going to be friendly, 508 00:30:23,920 --> 00:30:25,320 Speaker 2: like you know what I mean. I don't know about 509 00:30:25,360 --> 00:30:26,520 Speaker 2: the rest of you people, but I'm going to go 510 00:30:26,560 --> 00:30:29,920 Speaker 2: introduce myself and talk and and it's just makes for 511 00:30:30,000 --> 00:30:32,960 Speaker 2: such a great experience. But yeah, it really you don't 512 00:30:33,000 --> 00:30:35,280 Speaker 2: get to know. You don't go to brunch with your 513 00:30:35,360 --> 00:30:38,280 Speaker 2: camera operators in oh Hi, and you know, you don't 514 00:30:38,360 --> 00:30:40,120 Speaker 2: stay connected with them and tell you them that you 515 00:30:40,240 --> 00:30:42,880 Speaker 2: love them and text them and you know, right, just 516 00:30:42,960 --> 00:30:48,320 Speaker 2: doesn't happen. It really doesn't. It's a very special relationship. Yes, yes, yes, yes. 517 00:30:48,920 --> 00:30:51,240 Speaker 2: So thank you Larry, and thank you everyone for listening 518 00:30:51,280 --> 00:30:54,040 Speaker 2: to the show today. We love that you're tuning in 519 00:30:54,280 --> 00:30:56,240 Speaker 2: and enjoying the show. We're having so much fun doing it. 520 00:30:56,360 --> 00:30:59,800 Speaker 2: So make sure that you're also following us on Instagram 521 00:31:00,000 --> 00:31:02,320 Speaker 2: at how podcast. You can also send us an email 522 00:31:02,360 --> 00:31:05,720 Speaker 2: at Howard podcast at gmail dot com and make sure 523 00:31:05,760 --> 00:31:08,080 Speaker 2: that you're liking and subscribing to the podcast wherever you're 524 00:31:08,120 --> 00:31:09,880 Speaker 2: listening to it. So that you can make sure and 525 00:31:09,960 --> 00:31:12,000 Speaker 2: get all of the newest episodes as soon as they 526 00:31:12,080 --> 00:31:15,600 Speaker 2: come out. Uh and also, you know, make sure you're 527 00:31:15,960 --> 00:31:19,320 Speaker 2: liking rating. We you know, we always could use a 528 00:31:19,320 --> 00:31:21,600 Speaker 2: little ego boost, right, so it's gonna say that we're 529 00:31:21,640 --> 00:31:21,960 Speaker 2: doing good. 530 00:31:22,440 --> 00:31:22,560 Speaker 1: Uh. 531 00:31:22,720 --> 00:31:25,440 Speaker 2: Anyway, we love you fan of Rito's. You are the best. 532 00:31:25,520 --> 00:31:29,240 Speaker 2: So thank you for listening. And uh remember in the meantime, 533 00:31:30,280 --> 00:31:33,800 Speaker 2: the world is small, but the house is full. Still 534 00:31:33,840 --> 00:31:35,240 Speaker 2: doesn't sound right? It sounds a little better. 535 00:31:35,320 --> 00:31:36,160 Speaker 1: That sounds a little better. 536 00:31:36,200 --> 00:31:38,000 Speaker 2: That sounded a little better. That sound ends. What did 537 00:31:38,080 --> 00:31:38,560 Speaker 2: sound weird? 538 00:31:38,640 --> 00:31:40,080 Speaker 1: The Yeah the last time you said it? 539 00:31:40,520 --> 00:31:41,480 Speaker 2: Did I say it weird? 540 00:31:42,000 --> 00:31:42,200 Speaker 1: Yeah? 541 00:31:42,400 --> 00:31:44,040 Speaker 2: I mean, I mean I screwed it up the first time. 542 00:31:44,080 --> 00:31:46,480 Speaker 2: But I know that's just so strange, Like when you 543 00:31:46,520 --> 00:31:47,960 Speaker 2: say a word too many times and you're like, that's 544 00:31:48,000 --> 00:31:51,240 Speaker 2: not a word, it starts to sound very strange.