WEBVTT - Episode 291 w/ Alicia Keys

0:00:00.120 --> 0:00:02.520
<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

0:00:02.520 --> 0:00:18.480
<v Speaker 1>and I heart radio and his Drink chas motherfucking podcast.

0:00:18.680 --> 0:00:21.880
<v Speaker 1>He's a legendary queen's rappers, he said, that's your boy

0:00:21.960 --> 0:00:25.320
<v Speaker 1>in R. He's a Miami hippop and mioneer. Up is

0:00:25.440 --> 0:00:28.000
<v Speaker 1>d j e f N. Together they drinking up with

0:00:28.080 --> 0:00:32.520
<v Speaker 1>some of the biggest players in the most professional, unprofessional

0:00:32.680 --> 0:00:35.839
<v Speaker 1>podcast and yet number one sorts for drunk back drink

0:00:37.479 --> 0:00:41.680
<v Speaker 1>is New Year's Eve. That's time for Drink Champs. Trick up? Mother?

0:00:48.920 --> 0:00:50.920
<v Speaker 1>Would it good? Be hoping? What it should be? This?

0:00:51.120 --> 0:00:53.159
<v Speaker 1>This is your boy in o R? What up is

0:00:53.280 --> 0:00:56.520
<v Speaker 1>dj e FN? This militatate crazy wall? Yall be our

0:00:56.800 --> 0:01:01.120
<v Speaker 1>drink Chaps. Y'all be yaur now yeah, yappy happy. We're

0:01:01.160 --> 0:01:10.560
<v Speaker 1>are happy today. In case you don't know right now

0:01:11.000 --> 0:01:14.840
<v Speaker 1>right now, UM, I had so much joy Google in

0:01:14.959 --> 0:01:24.520
<v Speaker 1>this person ninety million records sold, fifteen Grammys. I've never

0:01:24.560 --> 0:01:27.400
<v Speaker 1>even been nominated for a Grammy, like so like I

0:01:27.520 --> 0:01:30.400
<v Speaker 1>got person to beef with the Grammy. But you cannot

0:01:30.440 --> 0:01:35.160
<v Speaker 1>have personally because you got fifteen and the mother um

0:01:35.840 --> 0:01:40.480
<v Speaker 1>countless movies, countless, staying relevant, making the best music and

0:01:40.600 --> 0:01:42.840
<v Speaker 1>continuing to make the best music. I'm gonna tell you what.

0:01:42.920 --> 0:01:45.200
<v Speaker 1>I listened to the new album twice. I'm gonna tell

0:01:45.200 --> 0:01:47.200
<v Speaker 1>you the joints that I really really loved. One just

0:01:47.600 --> 0:01:49.880
<v Speaker 1>hit me off top all of them. I mean, you

0:01:50.040 --> 0:01:54.360
<v Speaker 1>still are fine wine. You are fine wine. You are

0:01:54.400 --> 0:01:57.559
<v Speaker 1>getting better with time, You're getting better with subject matter.

0:01:57.640 --> 0:02:00.880
<v Speaker 1>Everything about this this is how did they say it

0:02:00.920 --> 0:02:10.040
<v Speaker 1>in Spanish? Blackuena Atlanta is whatever? This is the time

0:02:10.120 --> 0:02:13.359
<v Speaker 1>on the top. We can't go no further out of this,

0:02:14.360 --> 0:02:18.040
<v Speaker 1>and hopefully this makes us to be more female orientated

0:02:18.200 --> 0:02:20.959
<v Speaker 1>because we need more females. It's not the case. You

0:02:21.160 --> 0:02:23.560
<v Speaker 1>know who you're talking to about. We talked about the

0:02:23.600 --> 0:02:32.000
<v Speaker 1>impeccable Markable. By the way, just say you know, we've

0:02:32.040 --> 0:02:35.240
<v Speaker 1>been doing drink chats for six years. My friend Garcia

0:02:35.480 --> 0:02:40.840
<v Speaker 1>has only been hit three times where he walked in,

0:02:41.080 --> 0:02:43.120
<v Speaker 1>Paul said. Paul said, he didn't even come to my

0:02:43.240 --> 0:02:56.160
<v Speaker 1>son's birthday and my girl and so you so off, Tome.

0:02:56.240 --> 0:02:57.680
<v Speaker 1>I want to ask, I heard this is a rum

0:02:57.720 --> 0:03:06.200
<v Speaker 1>by that you okay drinks drinks a drink. We found out.

0:03:06.320 --> 0:03:10.200
<v Speaker 1>We found out that you like hallapeno to killer. That

0:03:10.360 --> 0:03:13.639
<v Speaker 1>means you are gangster. Are going to be honest. Okay,

0:03:13.919 --> 0:03:16.840
<v Speaker 1>just get her drink. Let's get her. But let me

0:03:16.919 --> 0:03:20.520
<v Speaker 1>ask you. There's a rumor that you and your home

0:03:20.639 --> 0:03:25.200
<v Speaker 1>girl to nasht y'all, no, no, not to not share

0:03:25.240 --> 0:03:27.440
<v Speaker 1>the artist. But it was in a group and y'all

0:03:27.680 --> 0:03:35.839
<v Speaker 1>was Nicia you know, my my, yes, you know, either

0:03:35.960 --> 0:03:39.920
<v Speaker 1>she was Ray and I was Ghost or she was

0:03:39.960 --> 0:03:41.920
<v Speaker 1>Ghost and I was ready. It really depends on the day.

0:03:42.080 --> 0:03:43.760
<v Speaker 1>So y'all was in a rap group and y'all was

0:03:43.840 --> 0:03:45.880
<v Speaker 1>calling yourself right and go. No, we was in a

0:03:45.960 --> 0:03:50.520
<v Speaker 1>singing group, but y'all were rapping on the wrap she rhymes. Okay,

0:03:50.880 --> 0:03:53.680
<v Speaker 1>you know I did a little that that that and

0:03:54.000 --> 0:03:58.440
<v Speaker 1>the point was we love Utan. So officially, that's hip

0:03:58.600 --> 0:04:02.600
<v Speaker 1>that Rain, that's she's Ray, I'm Ghost, I'm go, She's Ray.

0:04:02.680 --> 0:04:04.960
<v Speaker 1>Who's ever the loudest at the time, it was usually her,

0:04:05.800 --> 0:04:08.320
<v Speaker 1>It's Ray, And whoever is like the cooler one, which

0:04:08.360 --> 0:04:12.800
<v Speaker 1>is usually me, it's Ghosts And that's the vibe. Yeah,

0:04:13.200 --> 0:04:16.800
<v Speaker 1>and that would do show. You know. It was just

0:04:16.880 --> 0:04:19.800
<v Speaker 1>like a personal you know, like that farmer that you

0:04:19.920 --> 0:04:23.920
<v Speaker 1>put on when you need to just get your thing. Ghost. Notice.

0:04:24.560 --> 0:04:27.960
<v Speaker 1>I think Ray might know it because Swizze knows it.

0:04:28.120 --> 0:04:30.920
<v Speaker 1>And for one of my birthdays, he had Ray come

0:04:31.920 --> 0:04:34.000
<v Speaker 1>and I was like, big, I mean, I love love

0:04:34.160 --> 0:04:37.000
<v Speaker 1>love Ray and Ghost and woo and and so he

0:04:37.120 --> 0:04:38.840
<v Speaker 1>ended up coming, and so I was able to kind

0:04:38.880 --> 0:04:40.440
<v Speaker 1>of explain to him some of that so he might

0:04:40.560 --> 0:04:43.520
<v Speaker 1>know it. Okay, you know, did you make your purple tape?

0:04:44.880 --> 0:04:51.040
<v Speaker 1>Nobody can make the purpose there's only one. Hey, okay,

0:04:51.240 --> 0:04:53.840
<v Speaker 1>that's so let me ask you another question. Let me

0:04:53.880 --> 0:04:57.240
<v Speaker 1>ask you a question. Why is your microphone down? That's

0:04:58.080 --> 0:05:00.440
<v Speaker 1>to tell you gotta keep your because we just everybody

0:05:00.480 --> 0:05:06.000
<v Speaker 1>does supposed to come over and tell you to keep

0:05:06.000 --> 0:05:10.400
<v Speaker 1>it down. Came over and I said, wait, nervous. We're

0:05:10.400 --> 0:05:18.680
<v Speaker 1>all nervous at least making English now, So I gotta

0:05:18.720 --> 0:05:21.440
<v Speaker 1>ask you. How mad was you, a little mama when

0:05:21.480 --> 0:05:25.920
<v Speaker 1>she sunked up your performance? All right? The truth for

0:05:26.000 --> 0:05:28.440
<v Speaker 1>the truth first of all, you know, because I had

0:05:28.480 --> 0:05:30.279
<v Speaker 1>to watch it again, and let me just be honest

0:05:30.320 --> 0:05:33.280
<v Speaker 1>with you, as me watching it again this morning, it

0:05:33.440 --> 0:05:38.200
<v Speaker 1>seemed like you didn't even see her. The truth seem

0:05:38.240 --> 0:05:39.960
<v Speaker 1>that he was eating it was in his face. All

0:05:40.000 --> 0:05:44.440
<v Speaker 1>I know was on that stage, Jay was here, I

0:05:44.640 --> 0:05:48.040
<v Speaker 1>was here. In my head, I was such a gorilla

0:05:48.160 --> 0:05:50.320
<v Speaker 1>at the time. I was my eyes. I was like,

0:05:50.480 --> 0:05:52.560
<v Speaker 1>this is what's happening is I'm going to destroy this

0:05:52.720 --> 0:05:57.880
<v Speaker 1>record tonight. That's all I had in my head. Somehow, however,

0:05:58.000 --> 0:06:00.760
<v Speaker 1>she got over here. I didn't even bear witness to

0:06:00.880 --> 0:06:05.320
<v Speaker 1>the whole show. I was ice so focused on making

0:06:05.360 --> 0:06:09.000
<v Speaker 1>it amazing. I went backstage and Jay was like, so

0:06:09.400 --> 0:06:14.040
<v Speaker 1>you ain't You ain't see that, and he was like, no,

0:06:14.160 --> 0:06:17.080
<v Speaker 1>you ain't. Just see what just happened. And I was like, yeah,

0:06:17.120 --> 0:06:20.360
<v Speaker 1>we killed it, that's what and he was like, you

0:06:20.360 --> 0:06:22.239
<v Speaker 1>ain't see and I was like, what are you talking about?

0:06:23.279 --> 0:06:26.760
<v Speaker 1>The whole time my sister was standing right there, and

0:06:26.880 --> 0:06:29.480
<v Speaker 1>I had no idea that I had to watch the

0:06:29.560 --> 0:06:35.520
<v Speaker 1>playback myself. I had no idea. So so honestly, that's been.

0:06:35.680 --> 0:06:39.040
<v Speaker 1>That's been some time. She's super big. Love to her. No,

0:06:39.960 --> 0:06:44.080
<v Speaker 1>she's good. She's super good. She has you know, sent

0:06:44.200 --> 0:06:46.440
<v Speaker 1>her love, apologies the whole thing. I think she was

0:06:46.520 --> 0:06:57.160
<v Speaker 1>just inspired, inspirational. I got on the stage too, because

0:06:57.320 --> 0:06:59.279
<v Speaker 1>you know what, it's funny, because it's something real New

0:06:59.400 --> 0:07:01.600
<v Speaker 1>York kids like. She could have really started like a

0:07:01.720 --> 0:07:04.040
<v Speaker 1>trend like other people have been, Like yo, like maybe

0:07:04.080 --> 0:07:06.960
<v Speaker 1>a fat Joe jumped on or somebody because everyone is

0:07:07.000 --> 0:07:11.520
<v Speaker 1>filling the same New York spirit. Yeah yeah, but go

0:07:11.720 --> 0:07:16.760
<v Speaker 1>on like that because I looked at his face again

0:07:16.840 --> 0:07:21.200
<v Speaker 1>today and I said that man was he was not happy?

0:07:21.520 --> 0:07:24.160
<v Speaker 1>So so you go back home and didn't you don't

0:07:24.240 --> 0:07:28.680
<v Speaker 1>know to after? That's crazy. I was actually crying. I

0:07:28.880 --> 0:07:31.200
<v Speaker 1>was cracking to me. It was hysterical. I thought it

0:07:31.240 --> 0:07:34.440
<v Speaker 1>was the most funny. I just couldn't believe that I

0:07:34.520 --> 0:07:36.560
<v Speaker 1>was on that stage the entire time and I just

0:07:36.640 --> 0:07:38.920
<v Speaker 1>did not see that. Like that's how focused. Diane went

0:07:38.960 --> 0:07:41.240
<v Speaker 1>out performed. But like you've seen the meme, they put

0:07:41.280 --> 0:07:48.440
<v Speaker 1>her everywhere. Now they put her girl every single where?

0:07:48.560 --> 0:07:51.240
<v Speaker 1>Did this cup right here? She right there? She created

0:07:51.320 --> 0:07:54.080
<v Speaker 1>the memes like the first memes that was like it right,

0:07:54.800 --> 0:07:56.960
<v Speaker 1>you feel like she started at me. I think she

0:07:57.080 --> 0:08:00.760
<v Speaker 1>started this meme is the motherfucker thinks she gets I

0:08:00.840 --> 0:08:08.800
<v Speaker 1>think you right, I think little mama, I'm still okay,

0:08:08.840 --> 0:08:10.680
<v Speaker 1>get over the way and goes think I'm trying to

0:08:10.760 --> 0:08:12.760
<v Speaker 1>picture you as a way. But on the new album,

0:08:12.840 --> 0:08:17.120
<v Speaker 1>Let's start with only you? Is that is that? You know,

0:08:17.280 --> 0:08:19.000
<v Speaker 1>you know, the one that really got me. I wanted

0:08:19.000 --> 0:08:22.080
<v Speaker 1>to make love to my wife immedia, Okay, this is

0:08:22.120 --> 0:08:27.480
<v Speaker 1>what you need to do. But I love when you

0:08:27.600 --> 0:08:29.920
<v Speaker 1>called my name that that one was that I was

0:08:30.000 --> 0:08:33.559
<v Speaker 1>like the in the gamest of me left. I was like,

0:08:33.720 --> 0:08:38.160
<v Speaker 1>holy shit, you're going. First of all, I want to

0:08:38.200 --> 0:08:41.480
<v Speaker 1>tell you, I get my sage just to shot day right,

0:08:42.040 --> 0:08:44.640
<v Speaker 1>And I feel like this album that you got is

0:08:45.120 --> 0:08:47.559
<v Speaker 1>my first time getting shot out of my tape that

0:08:47.760 --> 0:08:50.920
<v Speaker 1>even though it's not a tape that you'll just starts

0:08:50.960 --> 0:08:58.959
<v Speaker 1>worthy every one. I love her so much for you

0:08:59.080 --> 0:09:02.160
<v Speaker 1>to just say hold on, that's a very big deal,

0:09:02.600 --> 0:09:06.480
<v Speaker 1>do you know, like you're the new version hold on

0:09:07.480 --> 0:09:10.280
<v Speaker 1>because that's my big sister in my head my head

0:09:10.320 --> 0:09:13.880
<v Speaker 1>shot it is my big sister, like for sure. And

0:09:14.280 --> 0:09:18.199
<v Speaker 1>have you ever Yeah, we met, We definitely, we met.

0:09:18.320 --> 0:09:21.600
<v Speaker 1>She actually performed on the show with me. That was crazy.

0:09:21.640 --> 0:09:23.240
<v Speaker 1>I had to you know, fix my mouth to ask

0:09:23.320 --> 0:09:25.080
<v Speaker 1>her to come out and perform, because you know, she's

0:09:25.080 --> 0:09:28.000
<v Speaker 1>like a she's like so ethereal she's she's like the

0:09:28.080 --> 0:09:30.400
<v Speaker 1>print she just disappeared and she's just like and then

0:09:30.480 --> 0:09:34.079
<v Speaker 1>she reappeared and it's like that. It's like that, so

0:09:34.720 --> 0:09:37.719
<v Speaker 1>so she uh. I met her in London and we

0:09:37.840 --> 0:09:40.440
<v Speaker 1>connected and at the time, I was doing my organization,

0:09:40.520 --> 0:09:42.040
<v Speaker 1>Keep It Out Alive, and we did something called the

0:09:42.080 --> 0:09:45.440
<v Speaker 1>Black Ball, and so every year we had really powerful performances,

0:09:45.480 --> 0:09:47.760
<v Speaker 1>and so I asked her to be a part of it,

0:09:48.200 --> 0:09:52.360
<v Speaker 1>and so she told me yes. And when I tell you,

0:09:52.480 --> 0:09:54.400
<v Speaker 1>I left the room. I was like, thank you, sister,

0:09:54.520 --> 0:09:56.920
<v Speaker 1>you know, big love and to see you soon. I

0:09:57.040 --> 0:10:00.360
<v Speaker 1>left the room. I went around the corner as fast

0:10:00.360 --> 0:10:01.920
<v Speaker 1>as I could get and then I jumped up and

0:10:02.000 --> 0:10:06.920
<v Speaker 1>down like like I was super And then her assistant

0:10:06.920 --> 0:10:11.920
<v Speaker 1>walked by, some acting crazy. That's like, good to see you.

0:10:13.120 --> 0:10:15.280
<v Speaker 1>So let me ask Let me ask you, because you've

0:10:15.320 --> 0:10:18.960
<v Speaker 1>also met Prince and Michael. Correct, how is it? How

0:10:19.080 --> 0:10:22.640
<v Speaker 1>is it? First of all, we love stories from both

0:10:22.679 --> 0:10:25.000
<v Speaker 1>of them, So whichever way you want to start prints

0:10:25.160 --> 0:10:32.360
<v Speaker 1>Michael Prince um Man, you know, he another one. He

0:10:32.559 --> 0:10:34.280
<v Speaker 1>called me a lot. He would check in on me

0:10:34.360 --> 0:10:36.040
<v Speaker 1>a lot. And I don't even know how he got

0:10:36.120 --> 0:10:38.880
<v Speaker 1>my number, Like he's I don't understand. Tell you how

0:10:38.920 --> 0:10:42.400
<v Speaker 1>the Prince got your number. He's another mysterious. He's another

0:10:42.440 --> 0:10:47.520
<v Speaker 1>one there he come back and and and by the way,

0:10:47.520 --> 0:10:49.120
<v Speaker 1>if you ever want to get him on the phone,

0:10:49.320 --> 0:10:52.559
<v Speaker 1>listen whole different situations. I feel like, Prince, what's a

0:10:52.640 --> 0:10:54.720
<v Speaker 1>gangster on the phone? Is that true? I'm just walking out.

0:10:54.800 --> 0:10:58.160
<v Speaker 1>This is just my imagination. He was definitely very directs,

0:10:58.400 --> 0:11:00.640
<v Speaker 1>very very direct, you know. So he would he would

0:11:00.679 --> 0:11:02.160
<v Speaker 1>call me on the phone like after you heard you

0:11:02.200 --> 0:11:04.280
<v Speaker 1>don't know my name? And he was like, you don't know,

0:11:08.559 --> 0:11:13.880
<v Speaker 1>you get checking it out of me? Called me it's

0:11:13.880 --> 0:11:15.920
<v Speaker 1>like I just heard your new record. And I was

0:11:16.000 --> 0:11:19.920
<v Speaker 1>like hello, and you know it's him because he's the

0:11:19.960 --> 0:11:21.880
<v Speaker 1>only one that sound like that, and so he so

0:11:22.000 --> 0:11:24.079
<v Speaker 1>he was like, I love what you're doing. I love

0:11:24.160 --> 0:11:26.080
<v Speaker 1>that sound that you're doing. I love how you're producing

0:11:26.120 --> 0:11:28.360
<v Speaker 1>all your records, Like this is powerful. Keep doing what

0:11:28.440 --> 0:11:30.000
<v Speaker 1>you're doing. So he would hit me like that and

0:11:30.040 --> 0:11:32.199
<v Speaker 1>I said, so, what did you say his name as

0:11:32.280 --> 0:11:36.640
<v Speaker 1>in your phone? He always called me from like some

0:11:36.840 --> 0:11:39.920
<v Speaker 1>old to call it back, you can't And I wasn't

0:11:39.920 --> 0:11:43.400
<v Speaker 1>trying to be so it wasn't really I don't. I

0:11:43.400 --> 0:11:45.240
<v Speaker 1>don't you know if I called him, I would, you know,

0:11:45.400 --> 0:11:51.720
<v Speaker 1>call through somebody Lake minnto, some weird crazy definitely somewhere crazy,

0:11:53.360 --> 0:11:58.199
<v Speaker 1>said scare. And then he would pop up on my

0:11:58.320 --> 0:12:01.880
<v Speaker 1>shows and and then you would just know that like

0:12:01.920 --> 0:12:11.719
<v Speaker 1>Princess here right and everything he turned purple purple. It

0:12:11.840 --> 0:12:14.199
<v Speaker 1>definitely had not. So you don't really want to know

0:12:14.360 --> 0:12:18.080
<v Speaker 1>that Princess at your show, because yeah, you don't want

0:12:18.120 --> 0:12:21.480
<v Speaker 1>to be performing when Prince is at your show. And

0:12:21.520 --> 0:12:23.400
<v Speaker 1>then Prince called you later and be like you didn't

0:12:23.440 --> 0:12:26.400
<v Speaker 1>hit the high note like he's the voice like that,

0:12:26.480 --> 0:12:29.040
<v Speaker 1>I'm sorry, he's wrong. He will he'd like, your sound

0:12:29.120 --> 0:12:31.079
<v Speaker 1>was sucked up this show, and I'd be like, he

0:12:31.240 --> 0:12:34.960
<v Speaker 1>never told you that you sound. Your sound wasn't right.

0:12:35.040 --> 0:12:37.439
<v Speaker 1>Your sound was sucked up. And I was like, so

0:12:38.040 --> 0:12:40.400
<v Speaker 1>you think it was? But he he tried to work

0:12:40.520 --> 0:12:42.319
<v Speaker 1>through with it. He was like, I think I think

0:12:42.360 --> 0:12:44.400
<v Speaker 1>it's a little bit between the speakers that have happened.

0:12:44.400 --> 0:12:46.280
<v Speaker 1>It's a little bit between how the mixer's treating it.

0:12:46.480 --> 0:12:50.400
<v Speaker 1>And he would actually like big brother Vicus, properly tell

0:12:50.480 --> 0:12:53.000
<v Speaker 1>me some truthful ship. But you really won't get from

0:12:53.040 --> 0:12:55.600
<v Speaker 1>most people, you know what I mean. So he's amazing.

0:12:55.640 --> 0:12:56.800
<v Speaker 1>A lot of people said that he was like an

0:12:56.960 --> 0:13:00.240
<v Speaker 1>artist artist, like like pro artist everything. Okay, But about

0:13:00.280 --> 0:13:04.480
<v Speaker 1>Michael Michael, I only met him one time. What's Bubbles

0:13:04.480 --> 0:13:08.480
<v Speaker 1>the Monkey? I didn't meet the book. I didn't meet

0:13:08.520 --> 0:13:11.680
<v Speaker 1>the monkey. I met his kids, so that was cool.

0:13:12.400 --> 0:13:15.400
<v Speaker 1>And then he was just cool as hell. Man. It

0:13:15.559 --> 0:13:18.120
<v Speaker 1>was so cool. I mean, always saw spoken, always that

0:13:18.840 --> 0:13:22.240
<v Speaker 1>you know, that energy, and always like so curious. I

0:13:22.320 --> 0:13:25.200
<v Speaker 1>remember it might have been March and there was still

0:13:25.240 --> 0:13:30.240
<v Speaker 1>a Christmas tree up, so I remember I was like, wait, yeah,

0:13:30.280 --> 0:13:35.400
<v Speaker 1>it was definitely not near Christmas. Course I like Christmas

0:13:35.440 --> 0:13:39.320
<v Speaker 1>tree too, so I get it. It's good. It's good.

0:13:39.400 --> 0:13:42.760
<v Speaker 1>So and he was a Reagan thing. You mean, other

0:13:42.800 --> 0:13:46.360
<v Speaker 1>people do this, see because you never take your I

0:13:46.400 --> 0:13:50.599
<v Speaker 1>don't never put it up. Holy, so Michael had this

0:13:50.679 --> 0:13:54.800
<v Speaker 1>Christmas tree in March, so they had like that, you know.

0:13:54.960 --> 0:13:57.160
<v Speaker 1>So anyway, everything is like kind of whimsical and kind

0:13:57.200 --> 0:13:59.880
<v Speaker 1>of just like dreaming and everything. And I remember he

0:14:00.080 --> 0:14:03.319
<v Speaker 1>was like giving all these this information about Thriller and

0:14:03.400 --> 0:14:05.800
<v Speaker 1>he was like I had all these memories, and that

0:14:06.000 --> 0:14:09.640
<v Speaker 1>big gass plaque that had like four hundred thousand times

0:14:09.720 --> 0:14:12.800
<v Speaker 1>platinum was on the floor. It was like on the

0:14:12.840 --> 0:14:16.160
<v Speaker 1>floor in the corner. So it was. It was so good.

0:14:16.200 --> 0:14:17.760
<v Speaker 1>He was just so full of love and he was

0:14:17.840 --> 0:14:20.160
<v Speaker 1>super sweet and so loving and who would have ever

0:14:20.240 --> 0:14:22.960
<v Speaker 1>thought that was the last I mean, you know, I

0:14:23.080 --> 0:14:25.920
<v Speaker 1>only met him one time. But he's amazing. I love him.

0:14:25.920 --> 0:14:28.000
<v Speaker 1>Who don't love Michael? Which is why you love love

0:14:28.040 --> 0:14:30.280
<v Speaker 1>when you call my name? Because I sound like like

0:14:30.400 --> 0:14:34.040
<v Speaker 1>a little Michael vibe. There was just one song on

0:14:34.160 --> 0:14:39.000
<v Speaker 1>the album that it didn't have a feature, four Umla

0:14:39.160 --> 0:14:44.200
<v Speaker 1>produced by Mike will that's crazy crazy Else is on

0:14:44.320 --> 0:14:52.240
<v Speaker 1>that record? The latest s? Oh yeah, I didn't. I

0:14:52.280 --> 0:14:54.880
<v Speaker 1>don't know what type of thing you. I feel like

0:14:56.360 --> 0:15:00.680
<v Speaker 1>like three records and that's good. The ain't trust me,

0:15:01.400 --> 0:15:02.920
<v Speaker 1>I ain't gonna lie. Let me just tell you something.

0:15:03.600 --> 0:15:05.920
<v Speaker 1>This is probably the most important. I felt as doing

0:15:05.960 --> 0:15:08.720
<v Speaker 1>an interview when they sent me the album early, because

0:15:09.080 --> 0:15:11.920
<v Speaker 1>you know, we're really not journalists, but we're journalists, right.

0:15:12.000 --> 0:15:15.480
<v Speaker 1>We have to take that that that meaning. But no

0:15:15.600 --> 0:15:17.720
<v Speaker 1>one's ever done that for us. No one's ever sent

0:15:17.920 --> 0:15:20.560
<v Speaker 1>us the album offered. No one of them offered it.

0:15:20.640 --> 0:15:26.000
<v Speaker 1>No one like you guys are really perfumptional because thank

0:15:26.040 --> 0:15:34.120
<v Speaker 1>you for he like the taking clan. It's like fifty

0:15:34.160 --> 0:15:37.120
<v Speaker 1>five of them right now. They just came out, everyone

0:15:37.200 --> 0:15:39.200
<v Speaker 1>masked professional who No one said nothing, just walked through.

0:15:39.640 --> 0:15:42.960
<v Speaker 1>Everything was focused. I like it. This is not rapping,

0:15:43.440 --> 0:15:48.040
<v Speaker 1>not rapists all over the place. Yeah, yeah, yeah, this

0:15:48.240 --> 0:15:52.120
<v Speaker 1>is not. So do you consider yourself a soul artist

0:15:52.360 --> 0:15:54.480
<v Speaker 1>because you're more than just R and B. I love

0:15:54.560 --> 0:15:57.360
<v Speaker 1>that question definitely. I mean I feel I feel like

0:15:57.440 --> 0:16:00.160
<v Speaker 1>i'm genre list. I don't feel like I'm undefined. Well,

0:16:00.200 --> 0:16:03.000
<v Speaker 1>I don't get defined what I do. But but if

0:16:03.080 --> 0:16:05.640
<v Speaker 1>there was ever a definition, I think it's so artist.

0:16:05.640 --> 0:16:08.240
<v Speaker 1>It's perfect because I think who was So? I think

0:16:08.320 --> 0:16:11.080
<v Speaker 1>Nirvana is soul. I feel like, you know, soul is

0:16:11.120 --> 0:16:12.840
<v Speaker 1>just something that hits you and moves you and you

0:16:13.040 --> 0:16:16.239
<v Speaker 1>feel it in a way that you know you can't describe.

0:16:16.360 --> 0:16:18.680
<v Speaker 1>So I like that. I'm gonna go for that. But

0:16:18.760 --> 0:16:20.760
<v Speaker 1>everything you do is still very hip hop no matter

0:16:20.800 --> 0:16:24.200
<v Speaker 1>what you do. Yeah, you mean it's just in me.

0:16:24.600 --> 0:16:27.600
<v Speaker 1>It's in me. Hip Hop is soul. Hip hop is soul.

0:16:27.720 --> 0:16:30.400
<v Speaker 1>I mean like it's in me. New York born and raised.

0:16:30.840 --> 0:16:34.480
<v Speaker 1>You can't get it out of me, No, don't try.

0:16:34.760 --> 0:16:37.280
<v Speaker 1>I've seen two during One say that you're from Harlem,

0:16:37.360 --> 0:16:40.120
<v Speaker 1>and one says he was born in Hell's Kitchen. Yeah, okay,

0:16:40.160 --> 0:16:42.920
<v Speaker 1>so Hell's Kitchen. One is true. So Hell's Kitchen, well,

0:16:42.960 --> 0:16:45.480
<v Speaker 1>I mean yeah, born in health kitchen is right, and

0:16:45.880 --> 0:16:49.680
<v Speaker 1>raising House kitchen and also Harlem Hell's Kitchen is downtown.

0:16:49.720 --> 0:16:51.520
<v Speaker 1>For people that don't he was Kitchen is like no

0:16:52.800 --> 0:16:55.920
<v Speaker 1>Elis is further down. At least it's like twenties. He

0:16:56.120 --> 0:17:00.520
<v Speaker 1>was kitchen. It is like midtown forties, so it's almost sixtees.

0:17:00.880 --> 0:17:04.960
<v Speaker 1>But west side like where it was crazy. I don't

0:17:05.000 --> 0:17:07.560
<v Speaker 1>know where you were more from Queen. You were more Queens,

0:17:07.600 --> 0:17:09.880
<v Speaker 1>so you probably did even come to forty second Street.

0:17:09.880 --> 0:17:13.280
<v Speaker 1>That M just have to get you got your I

0:17:13.359 --> 0:17:23.240
<v Speaker 1>used to go to peep shows there, how I was going, yeah, yeah, yeah,

0:17:23.760 --> 0:17:27.000
<v Speaker 1>that was up. Friends. I never said I had good friends.

0:17:32.480 --> 0:17:33.879
<v Speaker 1>At least we don't. We don't know if you know.

0:17:34.000 --> 0:17:36.320
<v Speaker 1>But our show is about giving flowers, you know. We

0:17:36.880 --> 0:17:39.840
<v Speaker 1>we see so many artists and they want to praise them,

0:17:39.960 --> 0:17:42.199
<v Speaker 1>you know, after they're gone. We wanted to change their narrative.

0:17:42.240 --> 0:17:44.919
<v Speaker 1>We want to give people, literally, they flowers while they alive.

0:17:45.280 --> 0:17:47.040
<v Speaker 1>So we didn't make that statement up, but we're making

0:17:47.080 --> 0:17:49.000
<v Speaker 1>it famous and we're keeping it famous. So we literally

0:17:49.200 --> 0:17:51.320
<v Speaker 1>wanted to give you your flowers so you can know that.

0:17:51.400 --> 0:18:00.320
<v Speaker 1>Let's make a noise. You give this to everybody coming.

0:18:00.400 --> 0:18:03.159
<v Speaker 1>Just but you're the first one of the purple all right,

0:18:03.200 --> 0:18:05.120
<v Speaker 1>this is the first one that's an exclusive one, right, Yeah,

0:18:06.600 --> 0:18:11.000
<v Speaker 1>this is golden. Yes, we got the beautiful They're gonna last.

0:18:11.359 --> 0:18:17.119
<v Speaker 1>And I don't know about that purple one. I don't know.

0:18:17.359 --> 0:18:19.040
<v Speaker 1>And the purple one. I didn't even a purple tape.

0:18:19.480 --> 0:18:21.439
<v Speaker 1>Purple tape, and you don't know that. I love purple.

0:18:21.840 --> 0:18:27.040
<v Speaker 1>I love the purple tape fire. I love this much.

0:18:29.119 --> 0:18:33.200
<v Speaker 1>So okay, so we didn't get only you. Let's let's

0:18:33.200 --> 0:18:35.359
<v Speaker 1>get to only you on a new album. Yeah, alright,

0:18:35.960 --> 0:18:39.080
<v Speaker 1>what made you go on? So, first of all, the

0:18:39.119 --> 0:18:43.200
<v Speaker 1>album is called Keys, right, and and it's the double album,

0:18:43.400 --> 0:18:46.320
<v Speaker 1>and it has two sides. The first is called Originals

0:18:47.000 --> 0:18:49.200
<v Speaker 1>and the other one is called a Lot. So Originals

0:18:49.400 --> 0:18:54.720
<v Speaker 1>is like that classic a K piano songwriter. Those vibes

0:18:54.800 --> 0:18:56.520
<v Speaker 1>was one you could sing at the type of your LANs.

0:18:56.880 --> 0:18:59.720
<v Speaker 1>And then Unlocked, which is the other side, is the

0:18:59.760 --> 0:19:02.440
<v Speaker 1>one me and Mike Will connected and we sampled the

0:19:02.560 --> 0:19:06.560
<v Speaker 1>originals and made a whole another record out of dolts.

0:19:07.200 --> 0:19:09.680
<v Speaker 1>So it's it's sick. So only You was one of

0:19:09.800 --> 0:19:11.679
<v Speaker 1>my favorite songs. But I'm trying to figure out if

0:19:11.720 --> 0:19:13.680
<v Speaker 1>you got both sides, because you just got you. I

0:19:13.760 --> 0:19:15.919
<v Speaker 1>got Scott got best at me I got La La,

0:19:16.400 --> 0:19:20.960
<v Speaker 1>I got nack King Cole, is it insane? Come from

0:19:21.040 --> 0:19:24.000
<v Speaker 1>me with khalil? Which was I forgot? How good khalil is?

0:19:24.040 --> 0:19:29.240
<v Speaker 1>You reminded me it's old memories love when you called

0:19:29.240 --> 0:19:39.200
<v Speaker 1>my name daffa dolls when daffodil you do think, I

0:19:39.280 --> 0:19:40.560
<v Speaker 1>was like, I don't want to google that. That's when

0:19:40.600 --> 0:19:46.600
<v Speaker 1>they ask you that you'll be like diagnosing yourself on Google.

0:19:48.640 --> 0:19:50.480
<v Speaker 1>I'll be messing up when I Google. I'll be getting

0:19:50.480 --> 0:19:53.679
<v Speaker 1>confused and just give up. A lot of daffodils are

0:19:53.720 --> 0:19:55.960
<v Speaker 1>Actually the firstest I just learned is recently it's the

0:19:56.040 --> 0:19:59.600
<v Speaker 1>first flower that booms after the winter. And so the

0:20:00.000 --> 0:20:03.200
<v Speaker 1>life is that you know you you you can come

0:20:03.280 --> 0:20:05.480
<v Speaker 1>back after a dark time, you know what I mean.

0:20:05.600 --> 0:20:09.520
<v Speaker 1>So that's what Dapford deals is. And it is a flower. Okay,

0:20:09.600 --> 0:20:11.200
<v Speaker 1>it is a flowers, y'all. I was you know you

0:20:11.320 --> 0:20:14.600
<v Speaker 1>got this? Yeah? Yeah, So I'm bouncing all over the place.

0:20:15.000 --> 0:20:17.520
<v Speaker 1>But one of my favorite joints is when you sample

0:20:17.600 --> 0:20:23.240
<v Speaker 1>O D B. That is my sample Brooklyn Zoo and

0:20:23.680 --> 0:20:26.840
<v Speaker 1>it was for girl girlfriend, yes exactly. So what made

0:20:26.880 --> 0:20:29.800
<v Speaker 1>you go into that zone and you actually like song?

0:20:30.040 --> 0:20:32.320
<v Speaker 1>Like you know what I mean? Like, what made you

0:20:32.440 --> 0:20:34.840
<v Speaker 1>just say you know what? Because that's like, you know,

0:20:34.920 --> 0:20:38.760
<v Speaker 1>it's so hard to recreate a classic record that's already classic,

0:20:38.960 --> 0:20:40.359
<v Speaker 1>and then so many people are going to judge it

0:20:40.359 --> 0:20:42.040
<v Speaker 1>because they're gonna say, well, it's not as good as

0:20:42.080 --> 0:20:44.240
<v Speaker 1>Brooklyn Zoo or this is good. What makes you take

0:20:44.320 --> 0:20:46.720
<v Speaker 1>on that task? I just had no idea at the time.

0:20:47.320 --> 0:20:49.359
<v Speaker 1>I didn't even know. I didn't even know people was

0:20:49.400 --> 0:20:52.080
<v Speaker 1>gonna give a funk or not to be honest, because

0:20:52.119 --> 0:20:54.600
<v Speaker 1>it was my very first record, Like I said, I

0:20:54.760 --> 0:20:58.639
<v Speaker 1>love you very much so that that piano was so dirty,

0:20:58.720 --> 0:21:01.159
<v Speaker 1>but it was the piano that I'm so heavy and

0:21:01.280 --> 0:21:03.879
<v Speaker 1>so hard, and for me, it just was ill as

0:21:03.920 --> 0:21:05.879
<v Speaker 1>a as a singer to be able to end who

0:21:05.960 --> 0:21:08.320
<v Speaker 1>play the piano, who take to take those two and

0:21:08.480 --> 0:21:10.159
<v Speaker 1>create a song around it. To me, that was just

0:21:10.280 --> 0:21:12.639
<v Speaker 1>like some brilliant ship. So the last thing I was

0:21:12.720 --> 0:21:15.520
<v Speaker 1>thinking about was was whether I was messing up with

0:21:15.560 --> 0:21:17.439
<v Speaker 1>a classic or anything. I just didn't even know how

0:21:17.520 --> 0:21:19.600
<v Speaker 1>that went yet. You know, it's like at a certain point,

0:21:19.640 --> 0:21:22.080
<v Speaker 1>you don't even have any limitations. There's nothing inside your

0:21:22.119 --> 0:21:24.560
<v Speaker 1>head that's telling you can't do it. You're just gonna try.

0:21:24.920 --> 0:21:27.320
<v Speaker 1>You know, yeah, you just tried, and I was like, whatever,

0:21:27.359 --> 0:21:30.320
<v Speaker 1>they're gonna tell me that's a classic. But how did

0:21:30.320 --> 0:21:33.600
<v Speaker 1>that get in your head? Because I hate it now,

0:21:33.680 --> 0:21:35.280
<v Speaker 1>Like when people do my record sover, I'll be like,

0:21:36.640 --> 0:21:39.480
<v Speaker 1>I'll be like, people will be sending me record. So

0:21:39.560 --> 0:21:41.240
<v Speaker 1>they were like, look, I think your record over Like

0:21:41.280 --> 0:21:46.159
<v Speaker 1>I didn't get men MC. It's gonna be different, as

0:21:46.200 --> 0:21:48.680
<v Speaker 1>different as an MC to tackle another MC's records. What

0:21:48.720 --> 0:21:51.880
<v Speaker 1>I'm saying, well, but did that's even that's even more hard.

0:21:52.800 --> 0:21:54.800
<v Speaker 1>There might be more creative liberty if you're singing over

0:21:54.840 --> 0:21:57.399
<v Speaker 1>the joint, Yeah I would. I wouldn't mind someone singing

0:21:57.440 --> 0:21:59.680
<v Speaker 1>over my joint as opposed to rapping and trying to wrap.

0:21:59.760 --> 0:22:01.920
<v Speaker 1>That's yeah, I think I think that's what it is.

0:22:02.040 --> 0:22:05.440
<v Speaker 1>It's easier for that. It's just different. So okay, but

0:22:05.680 --> 0:22:08.480
<v Speaker 1>we spoke on Empire State earlier, but we spoke about

0:22:08.480 --> 0:22:11.879
<v Speaker 1>the incidental performance. How is this record even put together?

0:22:12.320 --> 0:22:14.280
<v Speaker 1>Jay calls you and he goes, I got to pi

0:22:14.440 --> 0:22:18.320
<v Speaker 1>in tell us just like that. I don't know why

0:22:18.359 --> 0:22:20.240
<v Speaker 1>I keep caging these words. I'm doing all with job

0:22:20.280 --> 0:22:26.840
<v Speaker 1>by the way, but honestly kind of sounding like, so

0:22:27.560 --> 0:22:29.560
<v Speaker 1>does he have the record? Do you have the record?

0:22:30.160 --> 0:22:33.080
<v Speaker 1>Are y'all and Sony? What's going on? In this particular case,

0:22:33.160 --> 0:22:36.520
<v Speaker 1>he had the record. He um, he was reaching out

0:22:36.600 --> 0:22:38.159
<v Speaker 1>for me to do the record for a minute, and

0:22:38.240 --> 0:22:39.920
<v Speaker 1>he was going through you know, he was being respectful,

0:22:39.920 --> 0:22:42.200
<v Speaker 1>going through the proper channels at the time, and for

0:22:42.320 --> 0:22:45.040
<v Speaker 1>whatever reason, the people that represent me at the time

0:22:45.400 --> 0:22:48.240
<v Speaker 1>did not tell me about the record. I don't know why.

0:22:48.760 --> 0:22:51.560
<v Speaker 1>I don't know what if maybe they felt another thing

0:22:51.800 --> 0:22:54.440
<v Speaker 1>or I don't I really don't know. So finally he

0:22:54.560 --> 0:22:56.760
<v Speaker 1>called me and he was like, man, I've been trying

0:22:56.800 --> 0:22:59.440
<v Speaker 1>to get you this record, this record, this special, this

0:22:59.600 --> 0:23:01.680
<v Speaker 1>is it's called Empire State of Mind. I want you

0:23:01.760 --> 0:23:04.520
<v Speaker 1>to hear it. It's about New York and obviously nobody

0:23:04.600 --> 0:23:06.879
<v Speaker 1>can do it, but you know you were married, Like

0:23:07.000 --> 0:23:12.680
<v Speaker 1>there's the only two that could do it. I need yeah, yeah, yeah,

0:23:12.720 --> 0:23:16.800
<v Speaker 1>that's true. It wouldn't make sense, right, yeah, right exactly.

0:23:17.280 --> 0:23:20.760
<v Speaker 1>So um So, anyway, I was like, I couldn't believe

0:23:20.840 --> 0:23:23.080
<v Speaker 1>that it didn't get to me, and it definitely created

0:23:23.119 --> 0:23:25.359
<v Speaker 1>a whole new thing for me to make sure that

0:23:25.440 --> 0:23:27.840
<v Speaker 1>I was like in front of my ship because so

0:23:27.960 --> 0:23:30.040
<v Speaker 1>many people, you know, you trust them to handle your

0:23:30.040 --> 0:23:32.119
<v Speaker 1>stuff and do do you do their thing for you

0:23:32.280 --> 0:23:34.040
<v Speaker 1>and you don't know what's coming back to it was

0:23:34.119 --> 0:23:36.280
<v Speaker 1>not coming back to you. And sometimes that's crazy because

0:23:36.320 --> 0:23:40.000
<v Speaker 1>could you imagine that empire never got to me when

0:23:40.000 --> 0:23:42.240
<v Speaker 1>you heard the record? Did you know this was immediately

0:23:42.560 --> 0:23:45.359
<v Speaker 1>a monster? Or you was like because you know what

0:23:45.480 --> 0:23:48.560
<v Speaker 1>it is? Sometimes when we make regional records, and although

0:23:48.640 --> 0:23:51.520
<v Speaker 1>New York is is a big market, I'm sure when um,

0:23:52.560 --> 0:23:55.520
<v Speaker 1>people you know from gare making a I Love New

0:23:55.600 --> 0:23:58.480
<v Speaker 1>York record and a lot of people get critiqued of

0:23:58.680 --> 0:24:00.840
<v Speaker 1>us because they you know, they say that we're cocky.

0:24:01.080 --> 0:24:04.040
<v Speaker 1>New York is where cocky? So was there any time

0:24:04.080 --> 0:24:07.160
<v Speaker 1>when you thought like damn, because it is a regional record,

0:24:07.200 --> 0:24:10.520
<v Speaker 1>although it's a global record, but it's regional because if

0:24:10.560 --> 0:24:12.240
<v Speaker 1>you're really not from New York, you're not gonna have

0:24:12.320 --> 0:24:14.680
<v Speaker 1>that little mama spirit to jump on the stage. You

0:24:14.800 --> 0:24:17.840
<v Speaker 1>understand I'm saying she was correct because she felt the spirit.

0:24:18.160 --> 0:24:20.200
<v Speaker 1>You know what I'm saying, That's exactly what you wanted.

0:24:20.359 --> 0:24:22.200
<v Speaker 1>It's just not on the stage at that stage. But

0:24:22.320 --> 0:24:27.280
<v Speaker 1>you know what I'm saying. But that's what I'm saying.

0:24:27.320 --> 0:24:29.480
<v Speaker 1>When you first heard it, did you know that immediately

0:24:29.560 --> 0:24:31.600
<v Speaker 1>that this is gonna because I believe they change Frank

0:24:31.640 --> 0:24:33.520
<v Speaker 1>Sinatra record. They took it out, and this is the

0:24:33.600 --> 0:24:35.840
<v Speaker 1>new New York City. And did you know that when

0:24:35.880 --> 0:24:38.000
<v Speaker 1>you heard it? I don't think I knew all that.

0:24:40.359 --> 0:24:42.760
<v Speaker 1>I didn't know all that. I definitely felt it. You

0:24:42.840 --> 0:24:44.720
<v Speaker 1>could feel it. You could feel it had a spirit.

0:24:44.760 --> 0:24:46.879
<v Speaker 1>You could feel the way the chord has changed. You

0:24:46.920 --> 0:24:49.879
<v Speaker 1>could feel that that the beginning of that chorus was

0:24:50.280 --> 0:24:52.359
<v Speaker 1>already kind of in the space. You can start to

0:24:52.440 --> 0:24:55.080
<v Speaker 1>feel what it what it felt like. So I already

0:24:55.720 --> 0:24:58.120
<v Speaker 1>I only operate from an emotional space. I don't really

0:24:58.160 --> 0:24:59.840
<v Speaker 1>know how to go from a place where I'm like,

0:25:00.320 --> 0:25:02.520
<v Speaker 1>this is a smash just I don't I don't work

0:25:02.600 --> 0:25:04.440
<v Speaker 1>like that. I just don't even know how to think

0:25:04.560 --> 0:25:07.159
<v Speaker 1>like that. So it was emotional for me, and I

0:25:07.320 --> 0:25:09.760
<v Speaker 1>felt it. It's my city. I loved it, and I

0:25:10.160 --> 0:25:12.440
<v Speaker 1>just felt attracted to it, so so I went forward.

0:25:12.440 --> 0:25:13.880
<v Speaker 1>I actually had to record it a couple of times.

0:25:13.960 --> 0:25:16.440
<v Speaker 1>The first time I recorded it in l a and

0:25:17.080 --> 0:25:19.680
<v Speaker 1>the ship just didn't work. I thought it worked, I

0:25:19.760 --> 0:25:23.919
<v Speaker 1>thought it sounded good, but he called me. He was like, um,

0:25:25.080 --> 0:25:26.560
<v Speaker 1>you think he's gonna be able to do them vocals

0:25:26.560 --> 0:25:29.200
<v Speaker 1>again and I was like, what I put my vocus

0:25:29.240 --> 0:25:34.320
<v Speaker 1>my vocus a fresh? Yeah, I don't don't. I don't

0:25:34.359 --> 0:25:38.760
<v Speaker 1>know if I want to call you. I'm pretty sure

0:25:38.920 --> 0:25:42.600
<v Speaker 1>he didn't really want to go on. But to be

0:25:42.720 --> 0:25:45.600
<v Speaker 1>honest and to be fair, I was sick, and you know,

0:25:45.640 --> 0:25:47.320
<v Speaker 1>I was trying to turn the record around for him.

0:25:47.320 --> 0:25:48.920
<v Speaker 1>He asked me for it by a certain time. So

0:25:49.000 --> 0:25:51.000
<v Speaker 1>I was sick and I went in and I did it,

0:25:51.119 --> 0:25:55.639
<v Speaker 1>and you could he when he called me, I was like,

0:25:55.920 --> 0:25:57.359
<v Speaker 1>I was mad, and I was like, what you mean?

0:25:57.600 --> 0:26:00.959
<v Speaker 1>But then I agreed. I agreed, and he's like another thing.

0:26:01.240 --> 0:26:03.280
<v Speaker 1>You know how the record joys be like, oh yeah,

0:26:04.040 --> 0:26:05.680
<v Speaker 1>could you do that? Could you do that on there?

0:26:06.160 --> 0:26:08.520
<v Speaker 1>So he has requests. So I went back in. I

0:26:08.600 --> 0:26:12.760
<v Speaker 1>did it in New York. I was feeling better than right.

0:26:13.840 --> 0:26:15.440
<v Speaker 1>You can't do a New York record in l A.

0:26:15.600 --> 0:26:17.960
<v Speaker 1>That's just like, yeah, that's kind of crazy. This is

0:26:18.040 --> 0:26:20.440
<v Speaker 1>like you can't be at Circle House. And my Ami

0:26:20.480 --> 0:26:28.680
<v Speaker 1>even corded, no, you can't. I don't necord. So yeah,

0:26:28.680 --> 0:26:30.199
<v Speaker 1>now that was so that was the vibe and then

0:26:30.359 --> 0:26:32.119
<v Speaker 1>I flipped it did it again, and it was it

0:26:32.240 --> 0:26:34.120
<v Speaker 1>was what it was. It is what it is right now.

0:26:34.240 --> 0:26:37.680
<v Speaker 1>So but now that it is literally the not only

0:26:37.760 --> 0:26:40.280
<v Speaker 1>New York record. But I'll never forget the biggest moment

0:26:40.359 --> 0:26:42.320
<v Speaker 1>for me was I was in Paris and it was

0:26:42.359 --> 0:26:43.840
<v Speaker 1>the first time I was performing the record. Is the

0:26:43.880 --> 0:26:46.480
<v Speaker 1>first time that I performed the record by myself. And

0:26:46.600 --> 0:26:48.400
<v Speaker 1>if you remember, I did a version of the record

0:26:48.440 --> 0:26:50.200
<v Speaker 1>that was just me on piano because I was like,

0:26:50.280 --> 0:26:52.760
<v Speaker 1>I'm not gonna be able to do this jay thing

0:26:53.000 --> 0:26:55.440
<v Speaker 1>every time, Like I'm never gonna be able to perform it,

0:26:55.920 --> 0:26:57.800
<v Speaker 1>and so I did a broken down version of it.

0:26:57.880 --> 0:27:00.399
<v Speaker 1>And that's actually when we talked about ease, and we

0:27:00.480 --> 0:27:03.359
<v Speaker 1>talked about original and unlock. We would call the broken

0:27:03.440 --> 0:27:07.200
<v Speaker 1>down version of Empire my original, and we would call

0:27:07.280 --> 0:27:10.440
<v Speaker 1>the original version of Empire my unlocked version. That's kind

0:27:10.440 --> 0:27:13.440
<v Speaker 1>of the concept of what unlocked and keys come from.

0:27:13.880 --> 0:27:16.200
<v Speaker 1>And so anyway, when I when I did when I

0:27:16.280 --> 0:27:18.800
<v Speaker 1>did my version, I was in Paris and I was

0:27:18.840 --> 0:27:22.920
<v Speaker 1>about to perform, and I was like, I didn't know

0:27:23.000 --> 0:27:24.520
<v Speaker 1>how it was gonna go over. I'm like, first of all,

0:27:24.560 --> 0:27:28.040
<v Speaker 1>they speak another language, are they even gonna understand me?

0:27:28.280 --> 0:27:30.080
<v Speaker 1>And then I'm like New York, New York, and we're

0:27:30.119 --> 0:27:32.000
<v Speaker 1>in Paris. I'm like, I don't know what's gonna happen.

0:27:32.040 --> 0:27:35.399
<v Speaker 1>All I know I went out the entire audience top

0:27:35.560 --> 0:27:43.480
<v Speaker 1>of their loan every word, and I just that was

0:27:43.560 --> 0:27:46.360
<v Speaker 1>one of them records that came out and I knew

0:27:46.400 --> 0:27:49.160
<v Speaker 1>that all the words the same day, like I knew,

0:27:49.240 --> 0:27:51.119
<v Speaker 1>like I was, like I mean, because it was a problem,

0:27:51.200 --> 0:27:53.600
<v Speaker 1>Like I felt a little Mama spirit. Like I'm not

0:27:53.800 --> 0:27:56.560
<v Speaker 1>saying that like being funny. I'm actually like I was,

0:27:56.640 --> 0:28:02.040
<v Speaker 1>like I did too, Like I was like I wanted

0:28:02.119 --> 0:28:03.639
<v Speaker 1>I did in my mind, like I told you I

0:28:03.680 --> 0:28:08.399
<v Speaker 1>did in my mind. It's just one of those like

0:28:08.760 --> 0:28:13.520
<v Speaker 1>in fact every Winner. It's like my tradition. I go

0:28:14.040 --> 0:28:18.119
<v Speaker 1>back to New York, where I'm from, and I have

0:28:18.320 --> 0:28:19.879
<v Speaker 1>to hear that record. I have to hear that record

0:28:19.960 --> 0:28:24.760
<v Speaker 1>going down stret Like I cannot complete my winter without

0:28:25.080 --> 0:28:29.280
<v Speaker 1>riding down thirty four Street. For some reason, I'm pretty

0:28:29.359 --> 0:28:31.440
<v Speaker 1>much and when I'm in New York, I'm pretty much incognige.

0:28:31.480 --> 0:28:34.520
<v Speaker 1>Rob try the truck. I'm probably in the truck. Yeah,

0:28:34.880 --> 0:28:38.800
<v Speaker 1>But it reminds me of you know, home Alone and

0:28:38.920 --> 0:28:41.760
<v Speaker 1>these these Christmas spirits, you know, songs that you have

0:28:41.880 --> 0:28:45.640
<v Speaker 1>to hear it, like Christmas. Yeah, it does, it does.

0:28:45.720 --> 0:28:47.320
<v Speaker 1>Did it come out around christ I don't know, but

0:28:47.440 --> 0:28:50.600
<v Speaker 1>you know why, it's just that perfect snow record when

0:28:50.640 --> 0:28:53.680
<v Speaker 1>it's snowing. I just want to hear that. And you

0:28:53.720 --> 0:28:58.400
<v Speaker 1>know what I google to you today, um that all

0:28:58.520 --> 0:29:03.000
<v Speaker 1>of your albums like you're lea Google got OBEs of money,

0:29:03.800 --> 0:29:07.520
<v Speaker 1>but you're really a big dog. Like you know, when

0:29:07.600 --> 0:29:10.040
<v Speaker 1>I was making records, they would keep me in the

0:29:10.160 --> 0:29:13.320
<v Speaker 1>summer because it's easier to push the artist in the summer.

0:29:13.920 --> 0:29:19.040
<v Speaker 1>All of your album October I told you record point,

0:29:19.120 --> 0:29:27.480
<v Speaker 1>but you really only your albums came out within November.

0:29:27.520 --> 0:29:29.440
<v Speaker 1>It's only two of your albums that came out the

0:29:29.880 --> 0:29:32.920
<v Speaker 1>first ye And I'm gonna get each other one maybe

0:29:33.040 --> 0:29:37.880
<v Speaker 1>here and all of the other one. Fourth quarter was

0:29:37.920 --> 0:29:41.360
<v Speaker 1>fourth quarter. And what I used to the big, the big,

0:29:41.880 --> 0:29:44.280
<v Speaker 1>the big CEOs to tell me, you can't come out

0:29:44.400 --> 0:29:48.280
<v Speaker 1>fourth quarter? You do, You're gonna say you're asking the

0:29:48.320 --> 0:29:52.480
<v Speaker 1>summer time. I never got orfered and I'm looking at

0:29:52.520 --> 0:29:56.040
<v Speaker 1>I said, damn, oh, it was fourth quarter. Because you

0:29:56.080 --> 0:29:58.000
<v Speaker 1>know what that means that when they drop you a

0:29:58.040 --> 0:30:00.720
<v Speaker 1>fourth quarter, they means that you are the your shot

0:30:00.960 --> 0:30:03.840
<v Speaker 1>for them to make all their money back, so they

0:30:03.960 --> 0:30:07.880
<v Speaker 1>push you J D. M X and all of you

0:30:08.040 --> 0:30:11.200
<v Speaker 1>guys to the fourth quarter because y'all are short shot.

0:30:12.240 --> 0:30:16.240
<v Speaker 1>You know, I happen to be aware of that, of course,

0:30:16.280 --> 0:30:24.000
<v Speaker 1>you know. Yeah, man, that's a big deal now. But honestly,

0:30:24.960 --> 0:30:28.320
<v Speaker 1>it's kind of it's kind of wild and I putting

0:30:28.360 --> 0:30:30.200
<v Speaker 1>out putting out sounds that I'm a minor. That was

0:30:30.280 --> 0:30:33.320
<v Speaker 1>my first record in the summer. Man, it's something that

0:30:33.400 --> 0:30:36.640
<v Speaker 1>feels so good about the summer record. You got, the festivals,

0:30:36.680 --> 0:30:39.040
<v Speaker 1>you got, the parades, you got I remember being in

0:30:39.120 --> 0:30:45.000
<v Speaker 1>the Puerto Rican Day parade. You can go. You have

0:30:45.080 --> 0:30:49.360
<v Speaker 1>some claiming on time. My godmother, it's for the weekend.

0:30:49.480 --> 0:30:52.160
<v Speaker 1>So we rode him with that. That's just that's that's

0:30:52.200 --> 0:31:02.200
<v Speaker 1>all right. We got Leicia. Yeah, but you and I

0:31:02.360 --> 0:31:04.720
<v Speaker 1>loved it. There was something so good about the summer.

0:31:04.760 --> 0:31:07.160
<v Speaker 1>You could go. You know, there's a different energy in

0:31:07.200 --> 0:31:09.520
<v Speaker 1>the winter. You like trying to figure out where you're

0:31:09.520 --> 0:31:12.920
<v Speaker 1>gonna performing out freeze, it's just different. Everybody's kind of

0:31:13.000 --> 0:31:15.520
<v Speaker 1>rushing to be home. It's it's a different vibe. I

0:31:15.600 --> 0:31:18.400
<v Speaker 1>feel like the summer. So my point is, even though

0:31:18.480 --> 0:31:20.400
<v Speaker 1>maybe you wanted to be off in the fourth court,

0:31:20.400 --> 0:31:23.640
<v Speaker 1>I think the summer was like right, yeah, but you

0:31:23.760 --> 0:31:38.160
<v Speaker 1>was a short shot. I don't mind moving on. What

0:31:38.440 --> 0:31:43.600
<v Speaker 1>was your first acting movie, because like, you have so

0:31:43.760 --> 0:31:48.760
<v Speaker 1>much movies to like Holy Molimo. Yeah, so like and

0:31:48.960 --> 0:31:51.640
<v Speaker 1>they said you were signed at twelve. You was making

0:31:51.720 --> 0:31:54.000
<v Speaker 1>music at twelve, and I had a record at fifteen.

0:31:54.520 --> 0:31:58.120
<v Speaker 1>My first record deal was I guess it was right

0:31:58.200 --> 0:32:01.080
<v Speaker 1>out of right out of high school. Graduated high school early,

0:32:01.320 --> 0:32:04.240
<v Speaker 1>so I was about fifth. I was about sixteen. I

0:32:04.320 --> 0:32:06.680
<v Speaker 1>had a record deal, and I did I had a

0:32:06.720 --> 0:32:09.080
<v Speaker 1>record deal. I was. I was signed to Columbia Records,

0:32:09.120 --> 0:32:12.720
<v Speaker 1>and I was accepted to Columbia University. And I just

0:32:12.840 --> 0:32:16.640
<v Speaker 1>knew that was some ship. I was like, Columbia Record, Colby,

0:32:16.680 --> 0:32:31.520
<v Speaker 1>it's me. Somebody knew in me something you so in

0:32:31.560 --> 0:32:34.320
<v Speaker 1>my total when you was in Columbia at the time,

0:32:34.400 --> 0:32:37.080
<v Speaker 1>it was Donnie. I know, don I think Tommy had

0:32:37.120 --> 0:32:41.720
<v Speaker 1>already maybe not, something had transitioned with with Tommy was

0:32:41.760 --> 0:32:44.440
<v Speaker 1>going through it. You know. At the time, I ain't

0:32:44.440 --> 0:32:46.560
<v Speaker 1>know about that ship. I was like no, no, no,

0:32:47.280 --> 0:32:50.160
<v Speaker 1>you know, and then you got to work with Clive

0:32:50.320 --> 0:32:55.680
<v Speaker 1>Davis and then Columbia fucked it up, and and I

0:32:55.840 --> 0:32:59.400
<v Speaker 1>know that I know they're killing themselves to this day

0:33:00.000 --> 0:33:01.640
<v Speaker 1>because they did it with me, and they did it

0:33:01.680 --> 0:33:08.080
<v Speaker 1>with Aretha Franklin. F y damn. I'm sorry. I didn't

0:33:08.080 --> 0:33:09.280
<v Speaker 1>know what they did to Areta. What did they do

0:33:09.360 --> 0:33:10.800
<v Speaker 1>to her? They didn't know what to do with her.

0:33:11.320 --> 0:33:13.240
<v Speaker 1>They didn't know how to Like she didn't start having

0:33:13.280 --> 0:33:15.400
<v Speaker 1>her She's had her records that didn't really blow on

0:33:15.520 --> 0:33:19.760
<v Speaker 1>Columbia and then she you know, she went on and

0:33:19.800 --> 0:33:22.800
<v Speaker 1>then she started getting those big records. So so they

0:33:22.880 --> 0:33:24.240
<v Speaker 1>just didn't really know what to do with the real

0:33:24.360 --> 0:33:26.120
<v Speaker 1>artists and with an artist that was different. You know,

0:33:26.240 --> 0:33:28.680
<v Speaker 1>they so many of these places they just marketing and

0:33:28.760 --> 0:33:30.920
<v Speaker 1>they just commercialism, and they just don't know how to

0:33:31.320 --> 0:33:35.160
<v Speaker 1>think of nothing new. It was a blessing for them,

0:33:35.280 --> 0:33:40.520
<v Speaker 1>Like it was definitely. Did you see the can versus Auntie?

0:33:40.560 --> 0:33:48.880
<v Speaker 1>Got a little heard her? Auntie was right there. She

0:33:49.560 --> 0:33:54.640
<v Speaker 1>was drinking car. Yeah, I got I think it was.

0:33:55.320 --> 0:34:00.680
<v Speaker 1>I thought they called the Soroka Con. There was so

0:34:01.440 --> 0:34:04.240
<v Speaker 1>but she is a legend and the genius and her

0:34:04.440 --> 0:34:07.160
<v Speaker 1>parents with Stephanie Mills, was like one of the most

0:34:07.320 --> 0:34:11.239
<v Speaker 1>incredible parentings ever. And what I loved from seeing the playbacks,

0:34:11.440 --> 0:34:14.080
<v Speaker 1>I love the sisterhood, like you could see how you

0:34:14.160 --> 0:34:16.879
<v Speaker 1>know certain certain times, and I think sometimes artists don't

0:34:17.280 --> 0:34:21.719
<v Speaker 1>don't necessarily connect so so powerfully, although you do meet

0:34:21.760 --> 0:34:24.160
<v Speaker 1>people that you do connect with, but it's so separate.

0:34:24.280 --> 0:34:26.880
<v Speaker 1>But them, like you could see her like she was

0:34:27.000 --> 0:34:28.800
<v Speaker 1>there for her, you know, she was she was not

0:34:28.880 --> 0:34:30.960
<v Speaker 1>gonna leave her. She was gonna be with her the

0:34:31.000 --> 0:34:34.160
<v Speaker 1>whole time. She was gonna like make it the energy beautiful.

0:34:34.239 --> 0:34:36.680
<v Speaker 1>And I just thought that that sisterhood was really really

0:34:36.840 --> 0:34:38.839
<v Speaker 1>really beautiful. And you know what, that's a big show.

0:34:39.040 --> 0:34:41.400
<v Speaker 1>Like people you get nervous, you know what I mean,

0:34:41.480 --> 0:34:45.120
<v Speaker 1>and you definitely might need to try to feel like

0:34:45.200 --> 0:34:47.359
<v Speaker 1>you calm down, But that doesn't take away from her

0:34:47.560 --> 0:34:53.360
<v Speaker 1>legendary status. She's so crazy. I see. I was so

0:34:53.480 --> 0:34:55.120
<v Speaker 1>scared to get up and say hi to him right

0:34:55.160 --> 0:34:59.360
<v Speaker 1>because she's gonna she is gonna cut in l A A.

0:34:59.800 --> 0:35:01.200
<v Speaker 1>I'll forgot who I was what I was like, can

0:35:01.200 --> 0:35:03.560
<v Speaker 1>you see if I could see hot to us? By

0:35:03.640 --> 0:35:05.360
<v Speaker 1>the time they came back, she had already left, and

0:35:05.400 --> 0:35:08.040
<v Speaker 1>I was like, I just gonna take a loss. I

0:35:08.120 --> 0:35:09.960
<v Speaker 1>was just gonna take the loss with the hell, like

0:35:10.040 --> 0:35:14.920
<v Speaker 1>you know, I'm so you watch versus obviously, definitely obvious.

0:35:16.680 --> 0:35:21.520
<v Speaker 1>I was there at the inception. It's part of the family. Yes,

0:35:21.760 --> 0:35:23.520
<v Speaker 1>I was there. Okay, what was the inception of that.

0:35:24.080 --> 0:35:26.319
<v Speaker 1>Let's let's just go there. Well, this is my vision

0:35:26.360 --> 0:35:30.520
<v Speaker 1>of the okay, my virgin. The inception was. I went down.

0:35:30.760 --> 0:35:32.759
<v Speaker 1>I went down to the to the garage and I

0:35:32.880 --> 0:35:35.319
<v Speaker 1>walked in and and and you know, he's over there

0:35:35.320 --> 0:35:39.560
<v Speaker 1>on I. But I'm like, ship, if I walk over there,

0:35:39.800 --> 0:35:41.520
<v Speaker 1>he's gonna make me get on the camera. So I'm like,

0:35:42.040 --> 0:35:43.799
<v Speaker 1>I'm gonna stay were here. So I was watching him,

0:35:43.800 --> 0:35:46.719
<v Speaker 1>and he was like, I wonder they do it? Who's

0:35:46.760 --> 0:35:48.799
<v Speaker 1>he talking to? But if I go over there, he's

0:35:48.800 --> 0:35:50.480
<v Speaker 1>gonna make me get on the camera. Don't want to

0:35:50.480 --> 0:35:53.080
<v Speaker 1>be on the cameras late. So I went upstairs. Next

0:35:53.120 --> 0:35:56.960
<v Speaker 1>time I come back downstairs, Um, he's going And so

0:35:57.040 --> 0:35:59.719
<v Speaker 1>I was like when we went so I got to

0:35:59.719 --> 0:36:05.920
<v Speaker 1>sleep three in the morning. Bag never gonna believe what happened.

0:36:06.000 --> 0:36:10.000
<v Speaker 1>I'm like, what happened? I was just on I g

0:36:10.239 --> 0:36:12.759
<v Speaker 1>with Tim, me and Tim we went crazy and I

0:36:12.840 --> 0:36:14.440
<v Speaker 1>killed him. I killed them for sure. I'm telling you.

0:36:16.680 --> 0:36:18.800
<v Speaker 1>I said, what was happening. He was battling like he

0:36:18.880 --> 0:36:20.320
<v Speaker 1>was playing the record. I was playing the record, he

0:36:20.360 --> 0:36:22.920
<v Speaker 1>was playing why, and then everybody was just coming to

0:36:23.000 --> 0:36:25.000
<v Speaker 1>the spot. It was crazy. I started to lose you, suption,

0:36:25.040 --> 0:36:27.160
<v Speaker 1>so I had to go up the street finish in

0:36:27.200 --> 0:36:29.879
<v Speaker 1>the car because I'm like, you finished in the car? Yeah,

0:36:29.880 --> 0:36:31.440
<v Speaker 1>And I killed him in the car. I was like,

0:36:34.080 --> 0:36:36.719
<v Speaker 1>I was like, okay, all right, that's fired. That sounds sick.

0:36:36.800 --> 0:36:40.480
<v Speaker 1>I went to bed and that was literally the beginning

0:36:40.560 --> 0:36:48.080
<v Speaker 1>of versus. Like that transformed into all that you need

0:36:48.120 --> 0:36:52.560
<v Speaker 1>a versus? Are you okay? Because you do? So you

0:36:52.640 --> 0:36:56.560
<v Speaker 1>know where I'm going? You know what? The next question is, Google,

0:36:56.600 --> 0:37:00.440
<v Speaker 1>go ahead, would you do versus? He ain't go all that.

0:37:03.719 --> 0:37:06.320
<v Speaker 1>Oh yeah, but y'all was so friendly. I wanted you

0:37:06.400 --> 0:37:07.920
<v Speaker 1>to do. You need to be a little bit more.

0:37:08.520 --> 0:37:16.840
<v Speaker 1>I totally forgot it, though, Google. I do think that

0:37:17.160 --> 0:37:20.120
<v Speaker 1>I personally need another another verses. I think we gotta

0:37:20.160 --> 0:37:22.520
<v Speaker 1>do who I want you who? Who would you want

0:37:22.560 --> 0:37:27.759
<v Speaker 1>to battle? Who y'all think I should be with? He

0:37:27.800 --> 0:37:34.239
<v Speaker 1>said Elton John sucking John. He just said Elton John John.

0:37:35.120 --> 0:37:43.960
<v Speaker 1>H um mary on No, definitely, but el John has

0:37:44.040 --> 0:37:48.960
<v Speaker 1>like sixty years in music, Like sixty years. I got

0:37:49.000 --> 0:37:55.880
<v Speaker 1>a lot, But like that's a lot. Wow, But Eric

0:37:55.920 --> 0:37:58.440
<v Speaker 1>about did Joe Scott, which was one of my favorites

0:37:58.719 --> 0:38:17.680
<v Speaker 1>that was like one of my fast Mariah Beyonce Orihanna Orihanna.

0:38:17.960 --> 0:38:24.239
<v Speaker 1>That's hard. I like that me be a ready yeah,

0:38:30.040 --> 0:38:33.719
<v Speaker 1>so um uh we should leave. We had Carye on

0:38:33.840 --> 0:38:38.520
<v Speaker 1>here right and he uh, that's this Sunday Service. Have

0:38:38.640 --> 0:38:41.319
<v Speaker 1>you ever attend this Sunday Service. I have been one

0:38:41.440 --> 0:38:43.840
<v Speaker 1>Sunday Service and I also have watched Sunday Service, and

0:38:43.880 --> 0:38:46.880
<v Speaker 1>I really love I love his vibe with Sunday Service.

0:38:46.920 --> 0:38:49.520
<v Speaker 1>I think it's really really special and he's like the

0:38:49.600 --> 0:38:53.040
<v Speaker 1>only one that could do it, you know, just in

0:38:53.120 --> 0:38:54.920
<v Speaker 1>the way that he does it that makes it such

0:38:54.960 --> 0:38:58.000
<v Speaker 1>a visual experience and then kind of an emotional experience.

0:38:58.440 --> 0:39:03.719
<v Speaker 1>So yeah, okay, blood At, I'm gonna name your albums,

0:39:03.760 --> 0:39:05.719
<v Speaker 1>and I want you to say something about him as

0:39:05.800 --> 0:39:08.640
<v Speaker 1>I name them. Tell me where you was at when

0:39:08.680 --> 0:39:11.000
<v Speaker 1>you were making of what I was feeling, where I

0:39:11.200 --> 0:39:14.320
<v Speaker 1>was at, what was happening. You know, you jump around

0:39:14.360 --> 0:39:17.200
<v Speaker 1>a lot. I love that. Yes, I gotta keep I

0:39:17.239 --> 0:39:21.640
<v Speaker 1>gotta keep up with you. We ain't even a creeptime. Yeah,

0:39:21.760 --> 0:39:29.439
<v Speaker 1>it's gonna give me. Okay, songs in the minor. First

0:39:29.440 --> 0:39:31.719
<v Speaker 1>of all, it's a minor. My g oh, yes, I

0:39:31.719 --> 0:39:35.239
<v Speaker 1>don't know. I'm sorry. Dyslexic, that's okay, that's okay, don't worry.

0:39:37.920 --> 0:39:47.800
<v Speaker 1>He's gonna use dyslextive songs and a minor. A hundred

0:39:47.920 --> 0:39:52.000
<v Speaker 1>thirty five between Fifth and Lennox, one six ft walk up,

0:39:52.360 --> 0:39:57.759
<v Speaker 1>one bedroom apartment, no heat blazing, MMG cafe, what's the

0:39:57.840 --> 0:40:04.920
<v Speaker 1>cafe that sampans? Yes, in the closet with a blanket

0:40:05.000 --> 0:40:08.759
<v Speaker 1>over recording vocals, listening to the records for hours and hours,

0:40:08.760 --> 0:40:10.719
<v Speaker 1>trying to figure out how could I produce them? How

0:40:10.800 --> 0:40:13.440
<v Speaker 1>could I make them sound as good as Isaac Hayes

0:40:13.480 --> 0:40:17.160
<v Speaker 1>and Mary and and and and like you know, Smokey

0:40:17.320 --> 0:40:20.040
<v Speaker 1>Robinson and Marvin Gaye and like those joints that was

0:40:20.120 --> 0:40:23.120
<v Speaker 1>timeless forever and never went to sleep singing at the

0:40:23.160 --> 0:40:25.960
<v Speaker 1>top of my loans. Dude on the corner called me,

0:40:26.080 --> 0:40:28.400
<v Speaker 1>hit a high note every time I walked back to

0:40:28.560 --> 0:40:30.279
<v Speaker 1>the spot. Hit a high note. What I heard you

0:40:30.440 --> 0:40:38.080
<v Speaker 1>last night? That's songs and name the Diary of Alicia Keys,

0:40:39.200 --> 0:40:45.400
<v Speaker 1>The Diary of Alicia Keys. I had just moved to Jersey.

0:40:46.120 --> 0:40:49.160
<v Speaker 1>I thought I was thought I was big time, I

0:40:49.200 --> 0:40:51.759
<v Speaker 1>thought I could get me a little spot. I just

0:40:51.880 --> 0:40:53.880
<v Speaker 1>wanted a little spot of like a little house, like

0:40:53.920 --> 0:40:56.600
<v Speaker 1>a little thing. All of a sudden everything kind of

0:40:56.760 --> 0:40:59.120
<v Speaker 1>turned around. I didn't really have that much money that

0:40:59.160 --> 0:41:01.440
<v Speaker 1>I thought I couldn't make the rent anymore for the

0:41:01.520 --> 0:41:03.920
<v Speaker 1>spot that I was renting. And I got and I

0:41:04.040 --> 0:41:05.640
<v Speaker 1>was stressed out, but I knew that it was gonna

0:41:05.680 --> 0:41:07.800
<v Speaker 1>work out. And I promised I would never live in

0:41:07.920 --> 0:41:11.759
<v Speaker 1>Jersey ever again, because I was never gonna pay to

0:41:12.000 --> 0:41:15.680
<v Speaker 1>get anywhere. Don't charge me to leave or come back again.

0:41:16.280 --> 0:41:20.120
<v Speaker 1>And I never saw went okay, So I went somewhere

0:41:20.160 --> 0:41:22.480
<v Speaker 1>I could get a free bridge, and I ended up

0:41:22.480 --> 0:41:29.880
<v Speaker 1>in Queens Queen, Okay, Jersey. Do you remember the first time? Honestly,

0:41:30.040 --> 0:41:31.759
<v Speaker 1>it was such a blur. It was like such a

0:41:31.920 --> 0:41:35.239
<v Speaker 1>bad time. I just didn't even remember. You was at

0:41:35.239 --> 0:41:39.680
<v Speaker 1>in Queen's Rosedale, Rosdale. O, my first house, Queen's Rose

0:41:41.400 --> 0:41:45.280
<v Speaker 1>From Where are you from? From Left Fra City? Goddamn

0:41:45.320 --> 0:41:53.920
<v Speaker 1>it makes no noise of me? O, holy shit, soft

0:41:54.080 --> 0:42:00.280
<v Speaker 1>from Rosdale? From around there? He's from Roxdale, Rocksdale. Stuff

0:42:00.320 --> 0:42:05.040
<v Speaker 1>that don't add up? Yeah? Yeah, yeah, yeah, yeah, okay,

0:42:05.120 --> 0:42:08.240
<v Speaker 1>So let me finish to finished on the albums Okay,

0:42:08.400 --> 0:42:11.840
<v Speaker 1>Yeah you took me there. I was lost as I

0:42:12.000 --> 0:42:17.960
<v Speaker 1>am as I am. I had a major breakdown. I

0:42:18.040 --> 0:42:20.759
<v Speaker 1>didn't know how to handle all the things. I felt

0:42:20.800 --> 0:42:22.600
<v Speaker 1>like I was supposed to handle everything and I was

0:42:22.600 --> 0:42:25.000
<v Speaker 1>supposed to be perfect. I didn't know how to do it.

0:42:25.040 --> 0:42:26.319
<v Speaker 1>I didn't know how to be it, and I felt

0:42:26.360 --> 0:42:29.440
<v Speaker 1>like I was sinking and I had to leave. I

0:42:29.560 --> 0:42:32.600
<v Speaker 1>just like I couldn't take it anymore. And so I left.

0:42:32.719 --> 0:42:34.759
<v Speaker 1>And it's the first time that I went on like

0:42:34.840 --> 0:42:37.840
<v Speaker 1>a trip from ey Ey. That's when I went to Egypt.

0:42:37.880 --> 0:42:39.640
<v Speaker 1>I actually went to Egypt and Italy. You know, I'm

0:42:39.640 --> 0:42:43.160
<v Speaker 1>half black and half Italian, so I didn't even realize

0:42:43.200 --> 0:42:44.719
<v Speaker 1>when I picked those two there was like a home

0:42:44.800 --> 0:42:46.840
<v Speaker 1>coming in a way, like a you know, like a

0:42:47.600 --> 0:42:49.360
<v Speaker 1>like you know, like a trip for me that was

0:42:49.400 --> 0:42:52.279
<v Speaker 1>going to mean something. And so when I came back

0:42:52.360 --> 0:42:56.440
<v Speaker 1>from that, I started changing everything. I started. I had

0:42:56.480 --> 0:42:58.120
<v Speaker 1>a bunch of fake friends. I had people that I

0:42:58.239 --> 0:43:01.360
<v Speaker 1>just they weren't fake, but they just they just wanted

0:43:01.400 --> 0:43:03.279
<v Speaker 1>what they wanted and it wasn't in line. And I

0:43:03.360 --> 0:43:05.520
<v Speaker 1>had to kind of babysit everybody, and I just cut

0:43:05.680 --> 0:43:09.239
<v Speaker 1>off all the excess energy, and I remember, I just decided,

0:43:09.719 --> 0:43:11.880
<v Speaker 1>like I can create what I want to create. I

0:43:11.920 --> 0:43:13.800
<v Speaker 1>don't have to I don't have to do anything that

0:43:13.880 --> 0:43:16.080
<v Speaker 1>don't feel right for me. And it was the first

0:43:16.120 --> 0:43:19.880
<v Speaker 1>time that I really like expressed my own individuality and

0:43:20.000 --> 0:43:22.160
<v Speaker 1>I and I and I made major changes and it

0:43:22.320 --> 0:43:25.839
<v Speaker 1>changed everything's fire, business managers, lawyers, all these fake as

0:43:26.000 --> 0:43:31.120
<v Speaker 1>people steal from you. And it was finished. It was

0:43:31.160 --> 0:43:33.239
<v Speaker 1>a big, big shift that record, which is why I

0:43:33.320 --> 0:43:37.239
<v Speaker 1>sound like that okay, the Element of Freedom, which is

0:43:37.320 --> 0:43:39.520
<v Speaker 1>kind of ironic because you kind of like describing that

0:43:40.280 --> 0:43:42.960
<v Speaker 1>like leaving that album, so it makes sense that you

0:43:43.040 --> 0:43:45.080
<v Speaker 1>went to the element of freedom. But I want you

0:43:45.120 --> 0:43:47.439
<v Speaker 1>to say, to your word, the element of freedom. Yeah,

0:43:47.480 --> 0:43:49.360
<v Speaker 1>I know when I think about it, I felt so

0:43:49.480 --> 0:43:52.120
<v Speaker 1>empowered naming the album element of Freedom. It wasn't until

0:43:52.120 --> 0:43:54.359
<v Speaker 1>I looked back on it that I realized, what an

0:43:54.440 --> 0:43:56.760
<v Speaker 1>element don't make no damn sense. This is a tiny

0:43:56.880 --> 0:44:00.000
<v Speaker 1>little bit, like an element is a tiny bit of freedom.

0:44:00.040 --> 0:44:01.920
<v Speaker 1>Him Here I was thinking, I was like having all

0:44:02.000 --> 0:44:05.000
<v Speaker 1>this freedom, but the words I was choosing was small,

0:44:05.800 --> 0:44:07.920
<v Speaker 1>and so that's kind of at the time. I had

0:44:08.000 --> 0:44:10.719
<v Speaker 1>to break out of thinking small. I had to break out.

0:44:10.800 --> 0:44:15.000
<v Speaker 1>Although Element is where Empire was, Element is where I

0:44:15.120 --> 0:44:18.160
<v Speaker 1>try seeking with a broken heart was. Element was like

0:44:18.239 --> 0:44:20.799
<v Speaker 1>a big European record for me to like, Europe went

0:44:21.080 --> 0:44:24.279
<v Speaker 1>crazy over Element of Freedom, and um, it was like my.

0:44:24.440 --> 0:44:26.439
<v Speaker 1>It was like my. It was like my coming out

0:44:26.680 --> 0:44:29.600
<v Speaker 1>of my beginning, of coming out of anything that I

0:44:29.680 --> 0:44:32.760
<v Speaker 1>had maybe held onto before and like leaving it behind.

0:44:33.280 --> 0:44:35.239
<v Speaker 1>But I needed I still needed a lot. I still

0:44:35.280 --> 0:44:38.080
<v Speaker 1>needed a lot of transition. You know, he's gonna get

0:44:38.120 --> 0:44:40.560
<v Speaker 1>so deep drink Yeah yeah, yeah, So that brings me

0:44:40.920 --> 0:44:45.160
<v Speaker 1>Girl on Fire? Oh, girl on Fire. You couldn't tell

0:44:45.520 --> 0:44:51.080
<v Speaker 1>me ship. I remember people was like, you got a

0:44:51.160 --> 0:44:53.520
<v Speaker 1>little bit nervous that you're calling this album girl on fire.

0:44:53.640 --> 0:44:57.400
<v Speaker 1>I was like, why I'm a girl on fire? And

0:44:57.400 --> 0:44:59.200
<v Speaker 1>I didn't even get what they were talking about. They

0:44:59.239 --> 0:45:01.120
<v Speaker 1>were kind of saying, like I guess they were saying,

0:45:01.160 --> 0:45:03.040
<v Speaker 1>if you call, if you say a girl on fire,

0:45:03.160 --> 0:45:05.640
<v Speaker 1>but if it don't end up being that hot, what's

0:45:05.680 --> 0:45:07.600
<v Speaker 1>gonna happen to you? Oh? I thought they was talking

0:45:07.640 --> 0:45:10.760
<v Speaker 1>about like the Richard Prior type of fire. I didn't

0:45:10.800 --> 0:45:13.080
<v Speaker 1>know why didn't mean it like that. Yeah, I just

0:45:13.160 --> 0:45:17.560
<v Speaker 1>want that said, I thought you said. I thought you said,

0:45:18.480 --> 0:45:23.239
<v Speaker 1>you said, that's why people like you. Oh though I

0:45:23.320 --> 0:45:25.560
<v Speaker 1>did throw my brother like his I got a younger

0:45:25.600 --> 0:45:27.640
<v Speaker 1>brother and I threw him like his eighteen birthday and

0:45:28.040 --> 0:45:30.799
<v Speaker 1>and it was fresh. And we went to the um

0:45:31.000 --> 0:45:33.040
<v Speaker 1>the gold car spot, you know, the racing spot. We

0:45:33.080 --> 0:45:34.920
<v Speaker 1>were in the racist s and I surprised my brother,

0:45:34.960 --> 0:45:37.279
<v Speaker 1>like his friends from or wherever the family was there.

0:45:37.360 --> 0:45:38.799
<v Speaker 1>We rented it. How I felt like I was doing

0:45:38.840 --> 0:45:40.680
<v Speaker 1>it big. It was crazy. He was so happy, he

0:45:40.760 --> 0:45:43.160
<v Speaker 1>was so excited. We were in the back of cheers, brother,

0:45:43.239 --> 0:45:45.719
<v Speaker 1>I love you, boom and I went back like this

0:45:46.440 --> 0:45:50.319
<v Speaker 1>and there was a candle behind my hair and then

0:45:50.400 --> 0:45:52.320
<v Speaker 1>my ladies know when you put like the hair, spraying

0:45:52.400 --> 0:45:56.560
<v Speaker 1>all this stuff in. So you was a girl. And

0:45:56.640 --> 0:45:59.160
<v Speaker 1>all I know is that God Swizzy was with me.

0:46:00.160 --> 0:46:04.000
<v Speaker 1>He was like bab bab bab baby, and it was

0:46:04.160 --> 0:46:07.880
<v Speaker 1>on fire. So that was during that album. And to

0:46:08.120 --> 0:46:14.600
<v Speaker 1>your point you wrote that I should, oh my gosh,

0:46:14.680 --> 0:46:16.279
<v Speaker 1>the girl on fire was on fire. I had my

0:46:16.400 --> 0:46:19.080
<v Speaker 1>first baby. I got rid of a bunch of negative

0:46:19.160 --> 0:46:21.759
<v Speaker 1>motherfucker's that needed to be out of my life. It

0:46:21.880 --> 0:46:26.200
<v Speaker 1>was about removing a toxic bullshit. And I was on

0:46:26.560 --> 0:46:29.800
<v Speaker 1>fire for real. There was you know, I felt myself

0:46:29.920 --> 0:46:31.920
<v Speaker 1>and I was like, I had a space for myself,

0:46:32.040 --> 0:46:34.920
<v Speaker 1>and nobody could tell me some ship that wasn't right

0:46:34.920 --> 0:46:41.080
<v Speaker 1>because I knew for myself. You just said that title

0:46:41.320 --> 0:46:44.640
<v Speaker 1>was hard, but but this title is harder to me

0:46:44.920 --> 0:46:48.880
<v Speaker 1>here because it's just like to me, that's being cocky

0:46:48.960 --> 0:46:52.600
<v Speaker 1>without being cocky, because because you're saying here and most

0:46:52.600 --> 0:46:57.080
<v Speaker 1>people say I'm here forever. So I think camp with

0:46:57.160 --> 0:46:59.839
<v Speaker 1>those words in your mouth, what were you saying by saying,

0:47:00.360 --> 0:47:04.760
<v Speaker 1>I remember I was gonna name here king in New York. Okay,

0:47:05.320 --> 0:47:08.399
<v Speaker 1>I wanted I've said I'm the King of New York.

0:47:08.920 --> 0:47:11.279
<v Speaker 1>I respect that. I ain't gonna say. I deserve to

0:47:11.440 --> 0:47:16.040
<v Speaker 1>be considered the king, not the queen, not the princess,

0:47:17.480 --> 0:47:28.640
<v Speaker 1>the King of New York. I want to. So I

0:47:28.719 --> 0:47:30.759
<v Speaker 1>started to kind of bring some of the other kings

0:47:30.840 --> 0:47:32.880
<v Speaker 1>in New York, and I was, you know, building with

0:47:33.000 --> 0:47:39.560
<v Speaker 1>nas accuted jay and and I was just like, you know,

0:47:40.160 --> 0:47:42.600
<v Speaker 1>how do you feel about this? I want to call

0:47:42.680 --> 0:47:46.040
<v Speaker 1>it King of New York. People have such an adverse

0:47:46.160 --> 0:47:49.040
<v Speaker 1>reaction to it. It was so interesting how that rubbed

0:47:49.080 --> 0:47:53.080
<v Speaker 1>people in a certain way. The other kings of New

0:47:53.160 --> 0:47:57.120
<v Speaker 1>York though, and they didn't. I don't feel they It

0:47:57.200 --> 0:47:59.160
<v Speaker 1>was more like they were kind of considering it for me,

0:47:59.440 --> 0:48:01.879
<v Speaker 1>you know, like as a brother, like to their sister.

0:48:02.080 --> 0:48:03.880
<v Speaker 1>More like that, not like they was hating they was,

0:48:04.400 --> 0:48:07.520
<v Speaker 1>you know. Um anyway, So I decided to call it

0:48:07.680 --> 0:48:12.600
<v Speaker 1>here because I realized that that was even more powerful

0:48:12.960 --> 0:48:15.480
<v Speaker 1>to what I was feeling at the time. And that record,

0:48:15.560 --> 0:48:20.360
<v Speaker 1>to me, is one of my most undiscovered jewels. To me,

0:48:20.640 --> 0:48:24.680
<v Speaker 1>that record is my Purple Rain. Like that one is

0:48:24.760 --> 0:48:27.719
<v Speaker 1>one of my most special important records, and it was

0:48:27.960 --> 0:48:30.080
<v Speaker 1>a big transition for me. It's my love letter to

0:48:30.200 --> 0:48:31.880
<v Speaker 1>New York. You really hear it. You hear it in

0:48:31.960 --> 0:48:35.480
<v Speaker 1>every skit. My our brother Pick was on that record

0:48:35.800 --> 0:48:39.279
<v Speaker 1>before he passed. There is a whole energy that's in

0:48:39.360 --> 0:48:42.000
<v Speaker 1>there that's so real and um. And so I decided

0:48:42.000 --> 0:48:46.800
<v Speaker 1>to call it here because not because I'm here, but

0:48:46.960 --> 0:48:51.520
<v Speaker 1>because I'm present, Like I'm here and I'm experiencing myself

0:48:51.600 --> 0:48:54.480
<v Speaker 1>in this moment and I'm being honest with everything that

0:48:54.600 --> 0:48:57.000
<v Speaker 1>I'm going through and feeling, and so I'm here and

0:48:57.120 --> 0:48:58.560
<v Speaker 1>that and that's the way I looked at it, And

0:48:58.680 --> 0:49:00.719
<v Speaker 1>so I love that record. That's one of my favorite

0:49:00.920 --> 0:49:03.279
<v Speaker 1>that's like one of my favorite records, my baby. So

0:49:03.440 --> 0:49:07.799
<v Speaker 1>then you self titled the album Alicia Alicia? What made

0:49:07.800 --> 0:49:11.080
<v Speaker 1>you do that? Alicia came because I realized that I

0:49:11.160 --> 0:49:14.399
<v Speaker 1>started to really know who I was and who I am,

0:49:15.000 --> 0:49:19.239
<v Speaker 1>and Alicia is a very complicated individual. We're all complicated individuals.

0:49:19.360 --> 0:49:21.360
<v Speaker 1>We all got all these different sizes of us. And

0:49:21.440 --> 0:49:24.000
<v Speaker 1>I remember I was having a conversation with my husband

0:49:24.040 --> 0:49:27.080
<v Speaker 1>and he was like, you know, I haven't tell anybody

0:49:27.160 --> 0:49:30.880
<v Speaker 1>with Italian And I was like, what, why don't you

0:49:31.040 --> 0:49:35.759
<v Speaker 1>tell anybody that you're Italian? And I was like, people

0:49:35.840 --> 0:49:37.560
<v Speaker 1>know what I'm Italian? Were you talking about? He was like,

0:49:38.000 --> 0:49:40.480
<v Speaker 1>I asked anybody, but you don't know your Talian? And

0:49:40.560 --> 0:49:44.480
<v Speaker 1>I was like, huh, what is the point? He's like,

0:49:44.520 --> 0:49:49.320
<v Speaker 1>I just feel like you like not fully sharing everything,

0:49:49.400 --> 0:49:50.960
<v Speaker 1>that there's so many ill parts to you and you

0:49:51.000 --> 0:49:54.000
<v Speaker 1>don't share all of it. And that was the first

0:49:54.080 --> 0:49:56.000
<v Speaker 1>time that I really thought, well, maybe there is stuff

0:49:56.040 --> 0:49:57.800
<v Speaker 1>that I'm holding back that I didn't realize. And so

0:49:57.880 --> 0:50:01.560
<v Speaker 1>Alicia was really about uncovering, like who is Alicia? On

0:50:01.640 --> 0:50:04.000
<v Speaker 1>multiple levels? Who are we all on multiple levels? Like

0:50:04.200 --> 0:50:06.280
<v Speaker 1>we feel like we have to beat this one side

0:50:06.400 --> 0:50:08.840
<v Speaker 1>or this one type or it's one version, or this

0:50:08.960 --> 0:50:10.880
<v Speaker 1>person makes you happy, someone be like that, and this

0:50:10.960 --> 0:50:13.360
<v Speaker 1>person makes my girls happy. Someone be like that. But like,

0:50:13.480 --> 0:50:16.880
<v Speaker 1>who are you? And that to me, that's like that

0:50:17.000 --> 0:50:18.799
<v Speaker 1>was mine. Yeah, that was my steak in the ground,

0:50:18.840 --> 0:50:24.319
<v Speaker 1>like this is who I am? And then the last

0:50:24.400 --> 0:50:33.640
<v Speaker 1>one key and it's a double album. I've never got

0:50:33.680 --> 0:50:38.520
<v Speaker 1>that much thought process. It cut off after d I'm

0:50:38.560 --> 0:50:45.839
<v Speaker 1>fucked up, so Keys. It is really about, like, listen,

0:50:45.920 --> 0:50:47.839
<v Speaker 1>there's two sides of me. There's two sides of all

0:50:47.840 --> 0:50:49.960
<v Speaker 1>of this. There's many sides of all of us. I got.

0:50:50.080 --> 0:50:52.279
<v Speaker 1>I have my original me, I have the one that

0:50:52.400 --> 0:50:54.520
<v Speaker 1>you might expect me to be on behind the keys.

0:50:54.560 --> 0:50:56.920
<v Speaker 1>I got the music, I got the soulfulness, and I

0:50:57.000 --> 0:50:58.759
<v Speaker 1>also have a whole other side of me that you

0:50:59.120 --> 0:51:02.160
<v Speaker 1>probably not expect. And I want to blow your mind

0:51:02.520 --> 0:51:04.200
<v Speaker 1>with both of them. They're going to be all about

0:51:04.200 --> 0:51:06.120
<v Speaker 1>the piano, They're gonna be all about the ship. Only

0:51:06.239 --> 0:51:08.440
<v Speaker 1>I could do this is my world. You can't do

0:51:08.560 --> 0:51:10.920
<v Speaker 1>what I do, and you're gonna love it because it's

0:51:10.960 --> 0:51:14.680
<v Speaker 1>this experience that's just like pure and real and honest,

0:51:14.719 --> 0:51:21.440
<v Speaker 1>and you're gonna feel it right here. I want to

0:51:21.480 --> 0:51:28.600
<v Speaker 1>buy the album. Now yes, original a K unlocked a

0:51:28.800 --> 0:51:34.279
<v Speaker 1>K original nor unlocked. Holy ship you got me hype girl.

0:51:35.200 --> 0:51:37.200
<v Speaker 1>All right. So look now we were just time in

0:51:37.280 --> 0:51:40.800
<v Speaker 1>the game. We're playing quick time with slie. Where's the slie? Okay, no, no,

0:51:40.880 --> 0:51:45.200
<v Speaker 1>it's no, it's no slides Why because that's the word

0:51:45.200 --> 0:51:46.960
<v Speaker 1>I made it back in the day. Okay, Look, this

0:51:47.040 --> 0:51:49.040
<v Speaker 1>is what we do. So you can pick one of

0:51:49.120 --> 0:51:52.919
<v Speaker 1>the other one of the other, and it's it's nothing.

0:51:53.000 --> 0:51:55.359
<v Speaker 1>But if you pick both, or you pick you want

0:51:55.400 --> 0:51:57.319
<v Speaker 1>to be political. When you say neither, then you take

0:51:58.040 --> 0:52:00.320
<v Speaker 1>both of you. Okay, okay, well I pick one already.

0:52:00.360 --> 0:52:02.480
<v Speaker 1>Other if I want to be political, yeah, if you

0:52:02.520 --> 0:52:09.680
<v Speaker 1>want to be shot, okay, you can pour a shot

0:52:09.719 --> 0:52:12.640
<v Speaker 1>in there. Yeah yeah yeah, And I'm gonna drink Japanese whiskey.

0:52:13.000 --> 0:52:17.360
<v Speaker 1>Holy sh what's what's what's your drink? He's whiskey obviously.

0:52:17.800 --> 0:52:23.400
<v Speaker 1>Spaces Major. We love space. What do we like it?

0:52:23.600 --> 0:52:25.359
<v Speaker 1>This is one of the best champagne on the planet

0:52:25.360 --> 0:52:28.680
<v Speaker 1>of that space. And we also we also promote rock

0:52:29.080 --> 0:52:35.439
<v Speaker 1>like we all here. Don't drink that please, May Mama

0:52:35.440 --> 0:52:37.719
<v Speaker 1>Wanta Dominican Mama one. What is that? He's just likes

0:52:37.760 --> 0:52:43.000
<v Speaker 1>to be crazy yeah, they're gonna kill you. Yeah, you're

0:52:43.000 --> 0:52:47.520
<v Speaker 1>not gonna make any more your interviews. Yeah, yeah, that

0:52:47.640 --> 0:52:56.000
<v Speaker 1>doesn't be playing. It's no herbal okay, the herb shop.

0:52:56.040 --> 0:52:59.320
<v Speaker 1>Get you do crazy? You could do ceremonies. You have

0:52:59.400 --> 0:53:04.400
<v Speaker 1>a teck Google, don't choose. Oh yeah, we retired, we

0:53:04.560 --> 0:53:11.040
<v Speaker 1>retired Tiger up. That that's the latest. No, we ain't

0:53:11.080 --> 0:53:13.879
<v Speaker 1>been getting the Middle Garden bogy since on COVID because

0:53:13.920 --> 0:53:17.479
<v Speaker 1>it came from China. So they they shot of ship down. Yeah,

0:53:17.800 --> 0:53:19.880
<v Speaker 1>and then we just never conneftence. He was got a

0:53:19.920 --> 0:53:23.080
<v Speaker 1>little scared, like, wait, but what do you do? You

0:53:23.239 --> 0:53:25.480
<v Speaker 1>get a shot. I'm doing what we all dream were drink.

0:53:25.680 --> 0:53:29.000
<v Speaker 1>If I choose the middle ground, if you're really correct,

0:53:29.360 --> 0:53:32.960
<v Speaker 1>then we're drinking. Okay, and I feel like you're gonna

0:53:32.960 --> 0:53:37.759
<v Speaker 1>be this is unlocked, ak unlock Okay. Cool. I have

0:53:37.840 --> 0:53:40.120
<v Speaker 1>a lot of friends. I don't have a lot of friends.

0:53:40.160 --> 0:53:43.000
<v Speaker 1>I love everybody. This is what it is. Okay, we're

0:53:43.000 --> 0:53:45.359
<v Speaker 1>still friends. We're gonna start out. We're gonna start out.

0:53:45.360 --> 0:53:48.920
<v Speaker 1>I don't know what. You have a drink everybody, you

0:53:48.960 --> 0:53:56.080
<v Speaker 1>can do, it's gonna be you can you can start

0:53:56.160 --> 0:53:57.680
<v Speaker 1>shot in the poor shot in the poor. You can

0:53:57.719 --> 0:54:04.280
<v Speaker 1>shot in the poor, okay, Drake, Oh Wayne, Wayne scared

0:54:04.280 --> 0:54:12.000
<v Speaker 1>face ice cube face out cast them off, deep o cast.

0:54:16.760 --> 0:54:19.440
<v Speaker 1>I know you just work with car hard one I

0:54:19.560 --> 0:54:24.920
<v Speaker 1>just spoke to was working with Car in New York. Kane.

0:54:27.640 --> 0:54:29.920
<v Speaker 1>You're asking, he's pretty easy. She's not drinking it all right,

0:54:32.160 --> 0:54:35.799
<v Speaker 1>push your teeth. I got the wrong one. Oh Ship,

0:54:35.960 --> 0:54:45.719
<v Speaker 1>I'm so sorry. Well great, great who answered that one? Yeah? There?

0:54:45.920 --> 0:54:51.640
<v Speaker 1>Question is thank you? I'm so sorry. There's the questions.

0:54:54.080 --> 0:54:59.239
<v Speaker 1>That was okay? Okay? Was that hard crafted just for you?

0:54:59.719 --> 0:55:04.600
<v Speaker 1>Needs guys? Come on and a Dominican. Those two guys, Okay,

0:55:05.120 --> 0:55:08.840
<v Speaker 1>this this is more like Queen Latte or empty like

0:55:10.280 --> 0:55:15.960
<v Speaker 1>la But I love them both, but laugh I said

0:55:16.000 --> 0:55:25.200
<v Speaker 1>that second. Okay, Foxy a little Kim Kim. This one.

0:55:25.239 --> 0:55:29.960
<v Speaker 1>You're taking a shot. Are you ready? Okay, evil Missy

0:55:32.640 --> 0:55:44.360
<v Speaker 1>take a shot. I want to shoes. That was too big. Okay,

0:55:44.719 --> 0:55:49.160
<v Speaker 1>I'm gonna smaller next like that, No problem, cam or

0:55:49.280 --> 0:55:56.080
<v Speaker 1>Mace all taking a shot now. I just want to

0:55:56.120 --> 0:55:59.000
<v Speaker 1>think about it for two seconds. All I'm love you

0:55:59.080 --> 0:56:06.920
<v Speaker 1>too much for big. I'm gonna say camp Okay, it's funny.

0:56:08.200 --> 0:56:15.080
<v Speaker 1>What Swerland, The fact that even put that you know,

0:56:16.280 --> 0:56:26.880
<v Speaker 1>next we should drink it for that. Okay, that's w

0:56:27.080 --> 0:56:33.279
<v Speaker 1>B or skate us as the devil to the V

0:56:34.000 --> 0:56:36.800
<v Speaker 1>I was just talking about Coco, okay, O, d B

0:56:37.160 --> 0:56:47.040
<v Speaker 1>or Biz Markey shot. That is a hard one. You

0:56:47.160 --> 0:56:51.640
<v Speaker 1>go poke in your shot. I need a major BOTHO.

0:56:53.280 --> 0:56:57.520
<v Speaker 1>I'm gonna say Biz because he's classic and he's that

0:56:57.680 --> 0:57:01.480
<v Speaker 1>it is hard classic to take a shot take alright,

0:57:01.560 --> 0:57:05.439
<v Speaker 1>this one were taking a shot? Yes, I'm I'm sorry.

0:57:07.160 --> 0:57:09.759
<v Speaker 1>That's big you. This one right here, I don't know

0:57:09.800 --> 0:57:11.560
<v Speaker 1>where you're gonna go with it because it's girl power

0:57:12.160 --> 0:57:14.640
<v Speaker 1>and these are two of the most irrelevant female rap

0:57:14.760 --> 0:57:20.000
<v Speaker 1>artists right now, Cardi B or Nicki Minaj. They both

0:57:20.000 --> 0:57:36.880
<v Speaker 1>got your bone right there. How long this game going,

0:57:37.800 --> 0:57:40.680
<v Speaker 1>don't worry gets easier. I'm not to come with it

0:57:43.000 --> 0:57:45.760
<v Speaker 1>this one. I don't know where you're going with n

0:57:45.960 --> 0:57:50.360
<v Speaker 1>Wa or you wo Tank. It's gonna be because I

0:57:50.480 --> 0:57:54.200
<v Speaker 1>told you, it's like my mom. I respect that. Brandy

0:57:54.360 --> 0:58:05.280
<v Speaker 1>or Monica, I'm cold. I'm gonna go for Monica. Okay,

0:58:06.520 --> 0:58:17.520
<v Speaker 1>Whitney or Janet. You have a question, is that drinking?

0:58:20.400 --> 0:58:23.880
<v Speaker 1>I'm going for Whitney. Okay, I'm going for Whitney Okay,

0:58:24.280 --> 0:58:36.520
<v Speaker 1>rest in peace? Yes, what Biggie or big Al? I'm

0:58:36.520 --> 0:58:40.200
<v Speaker 1>gonna just love with my child off. That was hard.

0:58:46.200 --> 0:58:48.640
<v Speaker 1>There's no choosing between big and big Al. No, I

0:58:48.640 --> 0:58:52.520
<v Speaker 1>don't think you should period. That is the right correct answer.

0:58:54.720 --> 0:59:04.200
<v Speaker 1>Mariah or Mary Jane Mary Okay, Okay, I think I

0:59:04.280 --> 0:59:06.040
<v Speaker 1>know what you're gonna pick on this one at a

0:59:06.320 --> 0:59:13.000
<v Speaker 1>Miami even though we're in Miami right now. That's hard

0:59:14.040 --> 0:59:21.360
<v Speaker 1>New York. I'm taking the shop of that that should

0:59:21.400 --> 0:59:26.720
<v Speaker 1>be think I'm taking this. Listen, how much do you draw?

0:59:28.080 --> 0:59:30.040
<v Speaker 1>How many days for a week? Is this show? This

0:59:30.120 --> 0:59:38.080
<v Speaker 1>is the second time that they're worried about us. You

0:59:45.080 --> 0:59:52.920
<v Speaker 1>got him? Got you? Chris Brown or Usha Ure that

0:59:53.080 --> 1:00:01.920
<v Speaker 1>was Deep Trey Songs or Jeremiah Tray Okay, this one

1:00:02.640 --> 1:00:07.680
<v Speaker 1>it's very tricky, meant to be tricky, DMX or tupap.

1:00:15.040 --> 1:00:21.240
<v Speaker 1>There's no choosing. Yeah, I agree with you and agree. Yes,

1:00:24.640 --> 1:00:26.200
<v Speaker 1>I definitely don't know what we're gonna go with this one.

1:00:26.960 --> 1:00:31.160
<v Speaker 1>Jordan or Lebron Okay, I don't know where you're gonna

1:00:31.160 --> 1:00:36.240
<v Speaker 1>go with this one, neither. This is pretty funny. Salt

1:00:36.320 --> 1:00:40.160
<v Speaker 1>and Pepper or The City Girls. It's pretty uny. I

1:00:40.240 --> 1:00:47.040
<v Speaker 1>like this one. You gotta go Pepper, you got I

1:00:47.080 --> 1:00:49.800
<v Speaker 1>feel like you went to Halloween that salt Pepper. Once

1:00:50.600 --> 1:00:52.760
<v Speaker 1>as the whole group went to what like Halloween, you

1:00:52.840 --> 1:00:56.880
<v Speaker 1>dressed up. I think next year, I feel like, yeah,

1:00:57.040 --> 1:00:58.720
<v Speaker 1>I need that. Yeah, I never did that. I never

1:00:58.760 --> 1:01:01.920
<v Speaker 1>got into Halloween like that. First I dressed up, but

1:01:01.960 --> 1:01:04.760
<v Speaker 1>I don't go crazy. Not everybody going bananas. I'm like,

1:01:05.000 --> 1:01:09.920
<v Speaker 1>Jesus is like a major thing. That's a scarface. I was, Yeah,

1:01:09.960 --> 1:01:12.479
<v Speaker 1>he went to scarface. I went as a dodgeball guy once.

1:01:14.560 --> 1:01:18.360
<v Speaker 1>Feel like that was believable that I could play dodgeball. Yeah,

1:01:22.280 --> 1:01:24.920
<v Speaker 1>that's what I said. One show wasn't one video, No,

1:01:25.680 --> 1:01:28.040
<v Speaker 1>I went, I wanted it for thirty minutes and I said,

1:01:28.120 --> 1:01:32.120
<v Speaker 1>let's get it. I took it off. So I did

1:01:32.280 --> 1:01:33.880
<v Speaker 1>dress up one year. I'm gonna try to get into

1:01:33.920 --> 1:01:36.919
<v Speaker 1>it because even jay Z and then I see fabulous dress.

1:01:36.920 --> 1:01:40.440
<v Speaker 1>I said, it's really every the only bows yea, I

1:01:40.520 --> 1:01:43.640
<v Speaker 1>gotta get into get into it. And I'm gonna get Halloween.

1:01:43.840 --> 1:01:45.840
<v Speaker 1>You know what it is. And nobody dresses up as

1:01:45.920 --> 1:01:50.080
<v Speaker 1>Norrie for Halloween. I don't like it. I've been looking

1:01:50.120 --> 1:01:55.640
<v Speaker 1>at your pictures. Nobody wants to be me dressed, Like,

1:01:55.720 --> 1:01:58.280
<v Speaker 1>how could they be when they hold this habiki in

1:01:58.360 --> 1:02:10.080
<v Speaker 1>their head and say they're just let me google. I

1:02:10.200 --> 1:02:11.800
<v Speaker 1>know what you're gonna say for this one, but I

1:02:11.880 --> 1:02:14.080
<v Speaker 1>gotta actual You don't know the locks of the me Goes.

1:02:18.920 --> 1:02:21.360
<v Speaker 1>I mean, Jada is one of the greatest of all

1:02:21.680 --> 1:02:27.960
<v Speaker 1>time period and the story so is chic. Okay, even

1:02:28.000 --> 1:02:30.280
<v Speaker 1>though I actually this earlier, I'm gonna reiterator just make

1:02:30.320 --> 1:02:33.000
<v Speaker 1>sure you still um with the same decision for Brello.

1:02:33.120 --> 1:02:38.200
<v Speaker 1>Kanye Ya you said that earlier. Yeah, Okay, what do

1:02:38.280 --> 1:02:41.120
<v Speaker 1>you think I'm going for? You know, I love Kanye

1:02:41.160 --> 1:02:42.800
<v Speaker 1>as a person, and I'm about to be down with

1:02:42.920 --> 1:02:45.320
<v Speaker 1>don dust media. I'm about to be with that. But

1:02:45.440 --> 1:02:50.960
<v Speaker 1>I can't erase my history. You know what I'm saying? Okay,

1:02:51.320 --> 1:03:00.520
<v Speaker 1>Friday or house party Friday? I love my love did

1:03:00.640 --> 1:03:04.480
<v Speaker 1>throw me a house party, but that was after I

1:03:04.640 --> 1:03:07.680
<v Speaker 1>threw him to come into America. Party. Who won coming

1:03:07.720 --> 1:03:10.440
<v Speaker 1>to America? Or house party? You know? You know I

1:03:10.520 --> 1:03:16.919
<v Speaker 1>got your back? Okay, all right? This is getting great

1:03:17.760 --> 1:03:20.720
<v Speaker 1>nineties or two thousand any criteria of hip hop. You

1:03:20.760 --> 1:03:26.000
<v Speaker 1>want two thousands music in general nineties or two thousands

1:03:26.120 --> 1:03:31.360
<v Speaker 1>nineties or two thousands, nineties, I think nineties. Okay, coming

1:03:31.400 --> 1:03:37.560
<v Speaker 1>to America or Hall of Nights, that's hard. I'm gonna

1:03:37.560 --> 1:03:41.160
<v Speaker 1>going for Hall of Nights. Yeah, thank you, coming to America.

1:03:41.400 --> 1:03:43.560
<v Speaker 1>I'm gonna go home nights. I actually, now that I

1:03:43.640 --> 1:03:45.560
<v Speaker 1>think about it, I was gonna come into America. You

1:03:45.640 --> 1:03:47.520
<v Speaker 1>said that, but because you know why everybody's in Harlem,

1:03:47.800 --> 1:03:54.120
<v Speaker 1>everybody that is crazy. Yeah, I actually agree with you. Okay,

1:03:55.080 --> 1:04:02.640
<v Speaker 1>ye ill Matic or Ready to Die. Didn't we ask

1:04:02.680 --> 1:04:05.880
<v Speaker 1>you that in a different way? Yeah? No, didn't you know?

1:04:06.000 --> 1:04:10.160
<v Speaker 1>We didn't say bigger n Nope. Let me just think

1:04:10.200 --> 1:04:13.760
<v Speaker 1>about this. Illmatic already to stay both first two albums.

1:04:13.880 --> 1:04:21.760
<v Speaker 1>It's too classic to pick. Yeah, classics, the classics. You're

1:04:21.840 --> 1:04:25.640
<v Speaker 1>really trying to do me. We're joining you were Now.

1:04:26.240 --> 1:04:28.600
<v Speaker 1>I'm just gonna sound like the same question, but it isn't. Now,

1:04:28.640 --> 1:04:31.840
<v Speaker 1>don't ask me some backwards question. It's gonna it's gonna

1:04:31.880 --> 1:04:35.360
<v Speaker 1>actually sound the same question, but it's not. Nas or Jay.

1:04:47.760 --> 1:04:54.600
<v Speaker 1>You just got you got ready, just like they both

1:04:54.640 --> 1:04:56.520
<v Speaker 1>got your number. You've got to people, literally correct, you

1:04:56.600 --> 1:05:05.480
<v Speaker 1>have to who's so hot? Ok? This must be over soon? Yeah?

1:05:06.080 --> 1:05:09.240
<v Speaker 1>You three? You three crasses left on only three more pages.

1:05:19.400 --> 1:05:27.000
<v Speaker 1>Kiss or push your teeth. I didn't expect that reaction.

1:05:32.080 --> 1:05:35.400
<v Speaker 1>I am not drinking again currently, so I'm going for

1:05:35.520 --> 1:05:40.800
<v Speaker 1>push your teeth. Okay, well over kiss. This is different flowers. Okay,

1:05:40.920 --> 1:05:46.680
<v Speaker 1>that's true. She's balanced podcasts or radio podcast I mean,

1:05:46.880 --> 1:05:58.360
<v Speaker 1>we're using that for a drop, giving me that against

1:05:58.800 --> 1:06:01.320
<v Speaker 1>somewhat a trick question, but it's a very simple way

1:06:01.400 --> 1:06:07.120
<v Speaker 1>to answer this. Loyalty or respect. I love this question.

1:06:08.040 --> 1:06:17.040
<v Speaker 1>It's a highly debated question here. Technically you can't have

1:06:17.320 --> 1:06:21.240
<v Speaker 1>loyalty without respect, so then that means it would have

1:06:21.440 --> 1:06:28.600
<v Speaker 1>to be respect. Okay, yes we should. Yeah, we're gonna

1:06:28.640 --> 1:06:32.960
<v Speaker 1>drink this everything, yes, yes, yes, yeah. So let me

1:06:33.000 --> 1:06:36.080
<v Speaker 1>ask you. I love that game. I see the slime

1:06:39.560 --> 1:06:44.360
<v Speaker 1>when the camera, we got it up in the camera.

1:06:45.440 --> 1:06:51.440
<v Speaker 1>Tell me who quick time? It was just it. You

1:06:51.480 --> 1:06:55.880
<v Speaker 1>want to bro they deserved they did it in they

1:06:55.920 --> 1:07:03.640
<v Speaker 1>were about dot X them all owed them like this.

1:07:03.840 --> 1:07:06.280
<v Speaker 1>We called Lamar after the show. He was throwing up

1:07:06.360 --> 1:07:08.080
<v Speaker 1>so much that we didn't even use it. But he

1:07:09.000 --> 1:07:11.480
<v Speaker 1>did talk on the show. No, he finished the show.

1:07:11.560 --> 1:07:14.000
<v Speaker 1>He could believe it was such a g he threw

1:07:14.120 --> 1:07:16.920
<v Speaker 1>up and then continued the interview. Now, I do think

1:07:16.960 --> 1:07:23.800
<v Speaker 1>that you want to missing some buckets like yeah, yeah,

1:07:23.800 --> 1:07:32.320
<v Speaker 1>we know, but I really, I really just I want

1:07:32.360 --> 1:07:34.040
<v Speaker 1>to let you know, like Swiss is my brother, Like

1:07:35.280 --> 1:07:38.000
<v Speaker 1>me and Swiss, I've been down with Sin. I was

1:07:38.040 --> 1:07:41.800
<v Speaker 1>the first record outside of Rough Riders, you know that

1:07:42.080 --> 1:07:43.920
<v Speaker 1>that he worked with. It was, you know, because all

1:07:43.960 --> 1:07:46.360
<v Speaker 1>of his first early music was just with Rough Riders.

1:07:46.720 --> 1:07:49.480
<v Speaker 1>And I was down with Swiss so long that they

1:07:49.560 --> 1:07:52.640
<v Speaker 1>used to call Swiss Dee's nephews, like he technology didn't

1:07:52.680 --> 1:07:57.360
<v Speaker 1>even have a name, and um, like that's how you

1:07:57.440 --> 1:08:00.000
<v Speaker 1>knew him? Yeah, I knew him. That's that's what they said.

1:08:00.000 --> 1:08:03.160
<v Speaker 1>They said, the nephew. And I remember Swiss coming to

1:08:03.240 --> 1:08:08.280
<v Speaker 1>the studio and him playing band from TV and I

1:08:08.480 --> 1:08:11.360
<v Speaker 1>never let the beat drop. The beat has you know,

1:08:12.320 --> 1:08:15.440
<v Speaker 1>so it's a loop. And we were too thirsty, like

1:08:15.520 --> 1:08:19.599
<v Speaker 1>we were starving m sees. And it was crazy because

1:08:19.680 --> 1:08:24.000
<v Speaker 1>Nature came, he laid the verse, Cameron came, No, Pun came.

1:08:25.040 --> 1:08:28.720
<v Speaker 1>Pun came and laid the verse, and I went downstairs

1:08:28.760 --> 1:08:31.680
<v Speaker 1>to smoke a cigarette and Pun just laid a verse

1:08:31.840 --> 1:08:33.519
<v Speaker 1>and I was just mad at point. I was just like, yeah,

1:08:33.560 --> 1:08:36.240
<v Speaker 1>I'm erasing that. He's like, you're gonna erase that and

1:08:36.439 --> 1:08:42.280
<v Speaker 1>then this is the classic cam. And then I always

1:08:42.320 --> 1:08:46.160
<v Speaker 1>say this to people and I say, Swiss me and

1:08:46.200 --> 1:08:49.800
<v Speaker 1>Swiss made that. Swiss is still mad at me to

1:08:49.960 --> 1:08:54.439
<v Speaker 1>to this day. Nothing that everything men. And he was like,

1:08:54.720 --> 1:08:56.720
<v Speaker 1>you know, we live. Let the beat drop because what

1:08:56.840 --> 1:08:59.840
<v Speaker 1>I rhyme knowing was the loop that to live from.

1:09:00.160 --> 1:09:03.400
<v Speaker 1>He never drops. So whenever I put somebody on or

1:09:03.439 --> 1:09:06.000
<v Speaker 1>wherever I try to, like you know, uh, you know,

1:09:06.120 --> 1:09:08.599
<v Speaker 1>put somebody onto game, I say, I go, look at

1:09:08.640 --> 1:09:11.479
<v Speaker 1>Swiss and I showed him. I say, look, this is

1:09:11.560 --> 1:09:17.040
<v Speaker 1>my friend. We're really friends. And he's still mad at me. Look,

1:09:17.720 --> 1:09:22.120
<v Speaker 1>never dropped, never really dropped. Never, he said, the engineer looped.

1:09:25.120 --> 1:09:27.880
<v Speaker 1>So the beat never dropped to the beat, never dropped.

1:09:28.960 --> 1:09:32.120
<v Speaker 1>He's never forgetting. Don't get it twisted. We're friends, but

1:09:32.680 --> 1:09:40.599
<v Speaker 1>never never never. That's yeah, it's just a loop. Yeah

1:09:41.439 --> 1:09:50.360
<v Speaker 1>all that. Yeah, I keep on my card. This is

1:09:50.880 --> 1:10:13.880
<v Speaker 1>your right. I say that to say, how passionate he is, like,

1:10:14.560 --> 1:10:16.320
<v Speaker 1>you know, me and him, we moved on. We have

1:10:16.400 --> 1:10:19.559
<v Speaker 1>successful careers. We had, you know, so much beautiful thing

1:10:19.680 --> 1:10:21.880
<v Speaker 1>happened in our lives in our career, and he'll still

1:10:22.000 --> 1:10:26.000
<v Speaker 1>tell me, you know, I didn't like it. Imagine how

1:10:26.040 --> 1:10:28.400
<v Speaker 1>that felt for him as a producer early on too,

1:10:28.479 --> 1:10:32.360
<v Speaker 1>that you didn't even run to the beat, like when

1:10:32.400 --> 1:10:35.000
<v Speaker 1>you just moved your face. It's just like so so sorry.

1:10:35.360 --> 1:10:37.479
<v Speaker 1>And I was just like, get him, why did you

1:10:37.960 --> 1:10:41.160
<v Speaker 1>like the face you made? Just that was like only ship.

1:10:41.640 --> 1:10:46.160
<v Speaker 1>I just felt fucked up, Like imagine earlier was his career.

1:10:46.200 --> 1:10:47.680
<v Speaker 1>And He's like, I'm gonna give my il beat. I

1:10:47.760 --> 1:10:49.760
<v Speaker 1>think you didn't even do Really, do we have a

1:10:49.920 --> 1:10:52.240
<v Speaker 1>version with the beat? Because the beat is I got

1:10:52.320 --> 1:10:56.599
<v Speaker 1>it some rais, I got it somewhere. Listen. I also

1:10:56.680 --> 1:11:00.400
<v Speaker 1>have all right. By the way, this was from TV

1:11:00.560 --> 1:11:02.519
<v Speaker 1>was a record because I made on the firm album.

1:11:02.560 --> 1:11:05.000
<v Speaker 1>I made I'm leaving on the Firm album and that

1:11:05.120 --> 1:11:08.040
<v Speaker 1>was Nature session. So I wanted to repay Nature back

1:11:08.080 --> 1:11:10.679
<v Speaker 1>but put him on my record. So he kept coming

1:11:10.960 --> 1:11:12.840
<v Speaker 1>to the studio Swiss and I knew it was. I

1:11:12.880 --> 1:11:14.799
<v Speaker 1>knew Swiss was the guy wanted to make this record.

1:11:15.160 --> 1:11:17.400
<v Speaker 1>So Swiss would play a beat and Nature would just

1:11:17.520 --> 1:11:20.519
<v Speaker 1>standing there, and you know, Swiss cells to ship out of.

1:11:21.360 --> 1:11:25.280
<v Speaker 1>Swiss can play you mouse's screen and you will buy

1:11:25.360 --> 1:11:30.760
<v Speaker 1>the record. Like the little guy Swiss me look at it,

1:11:30.800 --> 1:11:33.040
<v Speaker 1>and he won't make eye contact. He just looked at you.

1:11:33.800 --> 1:11:40.800
<v Speaker 1>You like this, he wills it and listen. I've done

1:11:41.680 --> 1:11:45.240
<v Speaker 1>I've took beat tapes home. I knew beat was it mine?

1:11:45.520 --> 1:11:51.720
<v Speaker 1>But he just like that, Normy, you need this and

1:11:51.880 --> 1:11:57.400
<v Speaker 1>that's what I can't rb bow you got me. He's like,

1:11:57.600 --> 1:11:59.200
<v Speaker 1>you didn't like you liked it at the studio. I

1:11:59.280 --> 1:12:05.080
<v Speaker 1>said the way you popped your head. Disagree. So now

1:12:05.160 --> 1:12:09.120
<v Speaker 1>he says that he's the most passionate person. He's persuasive. Yes,

1:12:09.479 --> 1:12:17.320
<v Speaker 1>that's what virgo, y'all, Virgo is a virgo virgos of fight.

1:12:17.840 --> 1:12:20.639
<v Speaker 1>I loved how he was proud. That's how Virgo. That's

1:12:20.680 --> 1:12:27.760
<v Speaker 1>pretty proud. Sweet, one day you'll connected, what's your son?

1:12:27.920 --> 1:12:33.840
<v Speaker 1>A query is the best song? A curious your what's

1:12:33.840 --> 1:12:37.840
<v Speaker 1>the clarious? She's your wife? Your wife is in a

1:12:37.880 --> 1:12:50.200
<v Speaker 1>cy She's a Gemini the Gemini, Yeah, criminal, criminal, Penny

1:12:50.280 --> 1:12:55.759
<v Speaker 1>has anybody even on a Gemini? Kanye West, it's it's Kanye,

1:12:56.920 --> 1:13:01.320
<v Speaker 1>he made it known andres and Gemina. Ken drink is

1:13:01.320 --> 1:13:08.280
<v Speaker 1>a Gemini. Biggie's a Germinie, not a Germinie. No, just fectary.

1:13:08.320 --> 1:13:21.680
<v Speaker 1>But there's a difference between jun and major. I'm a

1:13:21.760 --> 1:13:24.479
<v Speaker 1>major and I'm biggie, I'm big, okay, amazing, a little different,

1:13:24.560 --> 1:13:27.040
<v Speaker 1>like a little little gentler around the edges. We didn't

1:13:27.080 --> 1:13:33.240
<v Speaker 1>respond to go crazy, so let me ask right because um,

1:13:33.680 --> 1:13:35.080
<v Speaker 1>and this is I just want to just keep it

1:13:35.160 --> 1:13:38.000
<v Speaker 1>on you and Swiss beautiful relationship, Like you have a

1:13:38.120 --> 1:13:41.719
<v Speaker 1>beautiful relationship. I admire that. And you're live in Tony

1:13:41.760 --> 1:13:46.400
<v Speaker 1>Stark's house is sucking fantastic, not to big confusied ghost face,

1:13:47.280 --> 1:13:51.640
<v Speaker 1>not to confusing like this, just take it from that

1:13:51.840 --> 1:13:55.040
<v Speaker 1>because we've see like white living. Oh that was called

1:13:55.160 --> 1:14:04.720
<v Speaker 1>architectural excuse me, that's okay, so and so, because this

1:14:04.920 --> 1:14:07.880
<v Speaker 1>is a really like a dream come true, like like

1:14:08.439 --> 1:14:10.720
<v Speaker 1>like I heard Swiss tell the story I forget where

1:14:10.760 --> 1:14:13.120
<v Speaker 1>interview he said, he said that he wanted this house

1:14:13.439 --> 1:14:16.479
<v Speaker 1>became available, and this is like his dream house. This

1:14:16.600 --> 1:14:19.639
<v Speaker 1>is your dream house as a family, and y'all live

1:14:19.760 --> 1:14:22.800
<v Speaker 1>on the beach and it's Tony stuff. This is iron man.

1:14:23.640 --> 1:14:27.080
<v Speaker 1>The kids always asked me, is Tony Starks suit in

1:14:27.200 --> 1:14:43.519
<v Speaker 1>the house. I was, yes, beautiful house. Listen, listen. I

1:14:43.640 --> 1:14:49.680
<v Speaker 1>grew up with my single mother, who raised me, who

1:14:50.080 --> 1:14:53.680
<v Speaker 1>prayed for my survival, who hoped that I wouldn't get

1:14:53.680 --> 1:14:58.639
<v Speaker 1>trapped in the streets, and like we all did. Yes,

1:14:58.920 --> 1:15:03.280
<v Speaker 1>And here we are today. You're giving me flowers, we

1:15:03.400 --> 1:15:10.639
<v Speaker 1>have a toast, we drinking Dominican herbal excellence. We are

1:15:11.080 --> 1:15:14.960
<v Speaker 1>celebrating the greatness that we've created. We have been able

1:15:15.040 --> 1:15:18.360
<v Speaker 1>to make it out of the mouth of the harshest jungle.

1:15:19.520 --> 1:15:23.639
<v Speaker 1>And so when when I'm able to and my husband

1:15:23.680 --> 1:15:25.519
<v Speaker 1>and I are able to be in a home that

1:15:25.640 --> 1:15:31.400
<v Speaker 1>really represents our wildest dreams, to me, this represents our beautiful,

1:15:31.439 --> 1:15:37.560
<v Speaker 1>our blackness, our excellence, and what we all have. We

1:15:37.680 --> 1:15:42.200
<v Speaker 1>all have this endless ability to create anything that we

1:15:42.280 --> 1:15:45.400
<v Speaker 1>can imagine, and so and so that's what I believe,

1:15:45.520 --> 1:15:47.439
<v Speaker 1>and that's what that represents to me. It represents to me,

1:15:47.560 --> 1:15:50.599
<v Speaker 1>this this possibility that all of us have. And there's

1:15:50.680 --> 1:15:53.479
<v Speaker 1>nobody that can't tell if they try, they try to

1:15:53.520 --> 1:15:55.640
<v Speaker 1>make us think we can't, we won't, we shouldn't, we

1:15:55.800 --> 1:15:58.639
<v Speaker 1>don't deserve whatever this bullshit is. That narrative is old,

1:15:58.760 --> 1:16:02.519
<v Speaker 1>is fake, it's not even whatever. We can imagine, whatever

1:16:02.600 --> 1:16:06.000
<v Speaker 1>we dream, we have the capacity to create, and I

1:16:06.080 --> 1:16:16.080
<v Speaker 1>feel blessed that we get to represent that. Let let's

1:16:16.080 --> 1:16:19.200
<v Speaker 1>be let's be honest here you seen the picture of

1:16:19.320 --> 1:16:21.280
<v Speaker 1>you when you were young in your room with all

1:16:21.320 --> 1:16:25.840
<v Speaker 1>these with my headphones on, and like the works for it,

1:16:26.000 --> 1:16:29.120
<v Speaker 1>like you worked for it. You were how young you?

1:16:29.240 --> 1:16:30.360
<v Speaker 1>How old were you in that picture? Do you know

1:16:30.400 --> 1:16:35.679
<v Speaker 1>the one with SP behind her SP SP twelve hundred

1:16:35.720 --> 1:16:39.800
<v Speaker 1>which I program personally. Wow, So you were learning how

1:16:39.840 --> 1:16:44.040
<v Speaker 1>to make beats on all those machines a machine and

1:16:44.240 --> 1:16:47.640
<v Speaker 1>had an a SR. We had the aid that. Then

1:16:47.680 --> 1:16:51.320
<v Speaker 1>I transferred to the MP and then I got to

1:16:51.439 --> 1:16:54.680
<v Speaker 1>the three thousand. I'm still one more than envision it.

1:16:54.960 --> 1:16:58.439
<v Speaker 1>Just to think about it. You applied yourself my ask.

1:16:58.760 --> 1:17:01.280
<v Speaker 1>There's a there's a big different that. You're right, you

1:17:01.439 --> 1:17:04.160
<v Speaker 1>definitely have to work for it. For sure. There's nothing

1:17:04.200 --> 1:17:06.120
<v Speaker 1>that's gonna come easy for nobody. You know that. You

1:17:06.200 --> 1:17:08.400
<v Speaker 1>know that, y'all all know that. You know what I mean.

1:17:08.720 --> 1:17:11.080
<v Speaker 1>But that doesn't mean that we don't have a tenacity,

1:17:11.160 --> 1:17:14.519
<v Speaker 1>the genius, to brilliance, the possibility, to the potential to

1:17:14.920 --> 1:17:16.840
<v Speaker 1>work for what we want. And I love what you're

1:17:16.840 --> 1:17:18.960
<v Speaker 1>saying because that's true because people do think, well, it's

1:17:19.000 --> 1:17:22.160
<v Speaker 1>supposed to fall in my lap, because why, you know

1:17:22.200 --> 1:17:24.800
<v Speaker 1>what I mean. So we definitely do have to work

1:17:24.840 --> 1:17:27.760
<v Speaker 1>for our ship, and we work hard to this day.

1:17:28.439 --> 1:17:31.360
<v Speaker 1>I work my ass off and I but I believe

1:17:31.400 --> 1:17:33.080
<v Speaker 1>in what I do, and I love what I do,

1:17:33.160 --> 1:17:35.880
<v Speaker 1>and I love connecting with my people, and I love

1:17:36.000 --> 1:17:37.760
<v Speaker 1>being able to share, and I love being able to

1:17:37.840 --> 1:17:41.080
<v Speaker 1>write songs that means something to somebody in fifty years

1:17:41.120 --> 1:17:44.120
<v Speaker 1>down the line, that means something to somebody. That's what

1:17:44.280 --> 1:17:46.160
<v Speaker 1>I'm here to do. And I'm and I'm never going

1:17:46.240 --> 1:17:48.479
<v Speaker 1>to jump out my lane. This is my lane, and

1:17:48.520 --> 1:17:51.240
<v Speaker 1>I'm gonna always, you know, bring more to it because

1:17:51.240 --> 1:17:52.920
<v Speaker 1>that's how I believe in it, you know what I mean.

1:17:53.000 --> 1:17:59.120
<v Speaker 1>So I love what you're saying with Little Wane. The

1:17:59.240 --> 1:18:02.800
<v Speaker 1>song is so why did you wanted to name it

1:18:02.960 --> 1:18:05.880
<v Speaker 1>Na King? So? Na King Cole? Can you explain to

1:18:05.920 --> 1:18:08.599
<v Speaker 1>people who don't know Naing? Which is so fire because

1:18:08.640 --> 1:18:11.920
<v Speaker 1>like even my kids they they mommy, who's Na King Cole?

1:18:12.000 --> 1:18:13.519
<v Speaker 1>And a lot of people won't know who that can

1:18:13.600 --> 1:18:16.959
<v Speaker 1>call this And obviously he's one of the greatest singers,

1:18:17.360 --> 1:18:23.799
<v Speaker 1>you know, black amazing singers that ever existed. Rivals Frank Sinatra,

1:18:24.000 --> 1:18:25.600
<v Speaker 1>you know what I mean, if there was a if

1:18:25.640 --> 1:18:27.280
<v Speaker 1>there was a rival to Frank Sinatra, to me, it

1:18:27.280 --> 1:18:30.720
<v Speaker 1>would be Nacking Cole and his song is called Unforgettable,

1:18:30.760 --> 1:18:32.959
<v Speaker 1>one of his big, big song you hear that Christmas.

1:18:33.080 --> 1:18:34.880
<v Speaker 1>It's like one of your favorite songs. You might not

1:18:34.960 --> 1:18:37.760
<v Speaker 1>know you love it, but you love it. And Unforgettable

1:18:37.800 --> 1:18:43.960
<v Speaker 1>it's such a sophisticated, elegant song. And unforgettable is the

1:18:44.360 --> 1:18:47.320
<v Speaker 1>is the title of it. And this the concept of keys,

1:18:47.840 --> 1:18:52.519
<v Speaker 1>is that we get to be almost majestic, magnificent version

1:18:52.600 --> 1:18:56.640
<v Speaker 1>of ourselves. Nobody can make us be small, nobody can

1:18:56.720 --> 1:19:00.040
<v Speaker 1>make us not be incredible. And so this side of

1:19:00.240 --> 1:19:04.439
<v Speaker 1>being unforgettable, we are unforgettable. We're amazing. Look what we create,

1:19:04.840 --> 1:19:06.800
<v Speaker 1>Look what we do, Look what we have been through,

1:19:06.920 --> 1:19:12.240
<v Speaker 1>Look what we've come through. We are unforgettable. And so

1:19:12.400 --> 1:19:17.559
<v Speaker 1>that the hook is be unforgettable like that, King Cole.

1:19:17.920 --> 1:19:23.960
<v Speaker 1>And that's why I called it that King Come. Yeah,

1:19:24.640 --> 1:19:27.080
<v Speaker 1>it's a beautiful thing to learn about who you might

1:19:27.160 --> 1:19:29.400
<v Speaker 1>not know, or who you might forgot or you know,

1:19:29.439 --> 1:19:32.080
<v Speaker 1>because time passes and people forget. But you gotta remember

1:19:32.439 --> 1:19:34.000
<v Speaker 1>that's part of why we do drink champs, to be

1:19:34.040 --> 1:19:36.439
<v Speaker 1>honest with That's that's a really important thing, you know

1:19:36.479 --> 1:19:39.280
<v Speaker 1>what I mean. So you've got records a little way nah,

1:19:39.800 --> 1:19:43.920
<v Speaker 1>jay Z, is there ever somebody you tried to work

1:19:44.000 --> 1:19:47.720
<v Speaker 1>with and said told you know, well, I'm pissed that

1:19:47.840 --> 1:19:49.799
<v Speaker 1>I ain't get to that I didn't get to perform

1:19:49.880 --> 1:19:53.040
<v Speaker 1>with with Prince. I'm pissed, you know what I mean.

1:19:53.160 --> 1:19:55.240
<v Speaker 1>I just I just feel like we was meant to

1:19:55.360 --> 1:19:58.680
<v Speaker 1>perform together. He came on my shows, he loved me,

1:19:58.760 --> 1:20:01.120
<v Speaker 1>supported me, and I'm you think it's your fault to

1:20:01.160 --> 1:20:04.400
<v Speaker 1>not invite him on stage. Maybe I think maybe I

1:20:04.560 --> 1:20:06.240
<v Speaker 1>was shy. You know a lot of times you feel

1:20:06.240 --> 1:20:09.479
<v Speaker 1>like you don't deserve because he's infamous for impromptu stuff

1:20:10.000 --> 1:20:12.080
<v Speaker 1>and he called me to his his Okay, in that case,

1:20:12.160 --> 1:20:14.719
<v Speaker 1>you're right, because we did have one where he asked

1:20:14.760 --> 1:20:15.840
<v Speaker 1>me to be at one of his kind of after

1:20:15.920 --> 1:20:18.360
<v Speaker 1>party things. But I wanted us to have like a Grammys.

1:20:18.400 --> 1:20:21.840
<v Speaker 1>I want us to have like a moment we deserve,

1:20:22.080 --> 1:20:24.720
<v Speaker 1>the moment in history, you know what I mean. But

1:20:25.120 --> 1:20:28.080
<v Speaker 1>I gotta say we had we had an unforgettable time

1:20:28.120 --> 1:20:30.599
<v Speaker 1>and when his kind of like secret joint switches, which

1:20:30.720 --> 1:20:33.400
<v Speaker 1>was mine, but I have pictures from it. It's crazy, um,

1:20:33.760 --> 1:20:37.320
<v Speaker 1>but but that one, I still feel like me and

1:20:37.479 --> 1:20:44.240
<v Speaker 1>Lauren are meant to know what I mean, yes, why

1:20:44.360 --> 1:20:47.080
<v Speaker 1>has Lauren not come up in this comment? Because she

1:20:47.400 --> 1:20:52.080
<v Speaker 1>is greatness personify, So me and her, there's something that

1:20:52.200 --> 1:20:55.560
<v Speaker 1>there's just such an emotional energy as she brings, and

1:20:55.680 --> 1:20:58.759
<v Speaker 1>I feel like we could have something really really crazy.

1:20:59.080 --> 1:21:06.680
<v Speaker 1>Has anybody told me, no, no, fantastic because we had

1:21:06.880 --> 1:21:10.040
<v Speaker 1>had the same teeople and the only person he said

1:21:10.080 --> 1:21:12.519
<v Speaker 1>that did front on him was friends, and he said

1:21:12.680 --> 1:21:14.400
<v Speaker 1>it wasn't because he didn't want to do the record

1:21:14.439 --> 1:21:17.400
<v Speaker 1>with him master because didn't own his masters, and he

1:21:17.920 --> 1:21:22.640
<v Speaker 1>he was real like that. No. He I had the

1:21:22.760 --> 1:21:25.320
<v Speaker 1>song that I had called like You've Never Seen Me Again,

1:21:25.400 --> 1:21:28.320
<v Speaker 1>which is one of my favorite songs. It does have

1:21:28.439 --> 1:21:32.120
<v Speaker 1>a progression very close to Purple Rain, and I had

1:21:32.160 --> 1:21:35.320
<v Speaker 1>to go see him. I flew out to London. He

1:21:35.479 --> 1:21:37.560
<v Speaker 1>was in like this hotel and had to find it.

1:21:37.760 --> 1:21:40.320
<v Speaker 1>Like this is never an easy thing when you look

1:21:40.360 --> 1:21:41.840
<v Speaker 1>at for friends, So I had to find him. I

1:21:41.880 --> 1:21:44.120
<v Speaker 1>had to sit with him and I said to him, like,

1:21:44.200 --> 1:21:47.320
<v Speaker 1>I love this record. It's so powerful. I wrote it

1:21:47.360 --> 1:21:50.599
<v Speaker 1>for my grandmother. It's about like taking seizing the moment

1:21:51.160 --> 1:21:53.479
<v Speaker 1>and not letting it go and loving the person like

1:21:53.560 --> 1:21:55.240
<v Speaker 1>you might never see them again, because you know how

1:21:55.280 --> 1:21:59.280
<v Speaker 1>the short life is and so he felt it. He

1:21:59.479 --> 1:22:03.040
<v Speaker 1>was good and he was like, Alicia, I'm not sending

1:22:03.120 --> 1:22:08.920
<v Speaker 1>these people's children to college. All my ship, it ship

1:22:09.080 --> 1:22:12.160
<v Speaker 1>is deep. And he said that to me, it was like,

1:22:12.640 --> 1:22:14.840
<v Speaker 1>how could I argue? You know what I mean? Like,

1:22:14.920 --> 1:22:18.760
<v Speaker 1>how could you? I was like, And so he was like,

1:22:18.800 --> 1:22:20.479
<v Speaker 1>I don't know what you need to do. Flip the

1:22:20.560 --> 1:22:23.400
<v Speaker 1>cords up, change them around, make him like close but

1:22:23.520 --> 1:22:26.040
<v Speaker 1>not quite. And I promise you I will be fine

1:22:26.080 --> 1:22:29.320
<v Speaker 1>with it, but but I can't. I can't. We have

1:22:29.439 --> 1:22:32.240
<v Speaker 1>to we have to own our ship. He was he

1:22:32.360 --> 1:22:34.880
<v Speaker 1>was way ahead of his time. He was way ahead

1:22:34.920 --> 1:22:36.479
<v Speaker 1>of his time, Like I feel like he would have

1:22:36.560 --> 1:22:40.560
<v Speaker 1>flourished now now it's now, it's his time, you know

1:22:40.600 --> 1:22:42.560
<v Speaker 1>what I mean? You know what I mean? Because he

1:22:42.680 --> 1:22:46.760
<v Speaker 1>was about this forever we're finally getting around. He'd been there.

1:22:47.800 --> 1:22:49.720
<v Speaker 1>I mean, I kind of I feel I feel like

1:22:49.760 --> 1:22:51.840
<v Speaker 1>it kind of started with Jay with like you know,

1:22:52.000 --> 1:22:55.439
<v Speaker 1>claiming its ownership thing, and it made us like, you know,

1:22:55.560 --> 1:22:58.439
<v Speaker 1>even with us with drink chaps, like we love being

1:22:58.479 --> 1:23:00.840
<v Speaker 1>a revote because vote allowed us to be who we

1:23:00.920 --> 1:23:03.640
<v Speaker 1>want to be. You understand what I'm saying. And they

1:23:03.720 --> 1:23:07.160
<v Speaker 1>do it so um, was that something that changed you? Here?

1:23:07.200 --> 1:23:09.840
<v Speaker 1>And Prince say that like you know it was big. No,

1:23:10.040 --> 1:23:13.280
<v Speaker 1>I definitely think, you know, as a young artist, because

1:23:13.360 --> 1:23:16.360
<v Speaker 1>Michael wasn't as vocal as that. Michael owned the Masters,

1:23:16.400 --> 1:23:19.720
<v Speaker 1>Like I heard, Michael's buying other people's published. He was

1:23:19.800 --> 1:23:27.200
<v Speaker 1>like catalogs of different type of publish type, like some

1:23:27.320 --> 1:23:31.720
<v Speaker 1>type of grazing ship. But even Michael was passive aggressive.

1:23:32.120 --> 1:23:36.439
<v Speaker 1>I would say he didn't want to rattle to the boat,

1:23:36.680 --> 1:23:39.439
<v Speaker 1>but Prince was not. Prince was asked out and everything

1:23:39.560 --> 1:23:43.479
<v Speaker 1>was like maybe Michael didn't care about that portion of

1:23:43.520 --> 1:23:45.640
<v Speaker 1>the business. He's like, all right, whatever the record, but

1:23:45.760 --> 1:23:48.080
<v Speaker 1>he was buying up Michael, he was buying up other

1:23:48.120 --> 1:23:51.240
<v Speaker 1>people's publishing. So in his don't owned like Elvis publish.

1:23:51.560 --> 1:23:55.240
<v Speaker 1>I think he about the Beatles. Yeah, yeah, in his

1:23:55.400 --> 1:23:58.400
<v Speaker 1>mind he's like, that's the way I'm gonna take back. Yeah, exactly.

1:23:58.479 --> 1:24:00.680
<v Speaker 1>He was a silent act of it, you know what

1:24:00.720 --> 1:24:02.760
<v Speaker 1>I mean, like a sign activist where he just move.

1:24:03.400 --> 1:24:07.000
<v Speaker 1>So let me ask you something, where do you put

1:24:07.040 --> 1:24:12.360
<v Speaker 1>your Grammys at? Like? Why was that not without expect him?

1:24:13.439 --> 1:24:16.200
<v Speaker 1>So for the for the longest time, I didn't even

1:24:16.439 --> 1:24:20.559
<v Speaker 1>want them. I just I just I just the way

1:24:20.640 --> 1:24:23.840
<v Speaker 1>that I am. I'm such a real person. I don't

1:24:23.880 --> 1:24:27.559
<v Speaker 1>want a bunch of fake statues to represent some something

1:24:27.640 --> 1:24:31.360
<v Speaker 1>that's not real. What's real is you know your passion.

1:24:31.560 --> 1:24:34.800
<v Speaker 1>What's real is how much you put into what you do.

1:24:35.520 --> 1:24:37.719
<v Speaker 1>You yourself said you haven't got a Grammy. You deserve

1:24:37.760 --> 1:24:42.439
<v Speaker 1>a grammytminated. There's so many people who deserve a Grammy.

1:24:43.000 --> 1:24:44.920
<v Speaker 1>I'm so good of good in life because other than that,

1:24:44.960 --> 1:24:47.320
<v Speaker 1>I would be a hater, like I would be hate

1:24:48.479 --> 1:24:51.880
<v Speaker 1>does And so for me, I didn't even want them

1:24:51.960 --> 1:24:55.880
<v Speaker 1>to to to to be a value of value, you know,

1:24:56.040 --> 1:24:58.280
<v Speaker 1>a sense of value for me. So I didn't happen.

1:24:58.320 --> 1:25:00.560
<v Speaker 1>For the longest time. My manager had them all in

1:25:00.640 --> 1:25:04.120
<v Speaker 1>his house. And finally my engineer, who's amazing, she's as

1:25:04.200 --> 1:25:06.880
<v Speaker 1>bad as woman who's a who's just like she runs

1:25:06.960 --> 1:25:10.200
<v Speaker 1>the whole world. She's incredible, she said, where's your Grammys?

1:25:10.479 --> 1:25:13.200
<v Speaker 1>And I was like, oh, I guess they're over at

1:25:13.240 --> 1:25:14.599
<v Speaker 1>that person's. She was like, I need you to get

1:25:14.640 --> 1:25:17.280
<v Speaker 1>your Grammys. Okay, I'm saying you forgot what your grammys

1:25:17.360 --> 1:25:19.519
<v Speaker 1>is that. I just love that floor, So I just

1:25:19.640 --> 1:25:23.599
<v Speaker 1>love that. I love you can see them over pill

1:25:23.760 --> 1:25:28.320
<v Speaker 1>right back there, because I've seen Jay one time he

1:25:28.400 --> 1:25:32.040
<v Speaker 1>posted his Grammys on the floor. Okay, do you ever

1:25:32.160 --> 1:25:34.120
<v Speaker 1>have those type of moments where you're just like, I'm

1:25:34.120 --> 1:25:36.000
<v Speaker 1>gonna I'm gonna just use my ship as an ass tray.

1:25:36.479 --> 1:25:38.639
<v Speaker 1>I mean, Swizzy did the dude things where he liked

1:25:40.479 --> 1:25:42.920
<v Speaker 1>I was there. Kanye said he pissed on this. He

1:25:43.000 --> 1:25:47.320
<v Speaker 1>went to Good Luck I did. He say, you want

1:25:47.360 --> 1:25:56.240
<v Speaker 1>to crazy as that boy ship? So what were you

1:25:56.439 --> 1:25:58.439
<v Speaker 1>call working on in New York? Oh man, we was

1:25:58.479 --> 1:26:01.439
<v Speaker 1>working on a zone okay, whole You know, I work

1:26:01.520 --> 1:26:03.479
<v Speaker 1>all the time. I worked to the last minute. I

1:26:03.600 --> 1:26:07.439
<v Speaker 1>keep writing records. Regardless the record drops December tenth, It's

1:26:07.439 --> 1:26:10.240
<v Speaker 1>going to be so crazy. And even after that, you know,

1:26:10.400 --> 1:26:12.880
<v Speaker 1>there's more songs that come. I just I just love music.

1:26:12.960 --> 1:26:14.760
<v Speaker 1>So we were working on a vibe that may or

1:26:14.840 --> 1:26:17.120
<v Speaker 1>may not make the record. We don't know because I'm

1:26:17.160 --> 1:26:20.439
<v Speaker 1>that spontaneous. But he came through. He loved the record.

1:26:20.479 --> 1:26:23.559
<v Speaker 1>Actually that only you record it, really, it really takes

1:26:23.640 --> 1:26:28.320
<v Speaker 1>him to that. He had to rubber boots. I couldn't

1:26:28.400 --> 1:26:31.400
<v Speaker 1>tell if they were rubber or leather. Are the rubber

1:26:31.479 --> 1:26:49.360
<v Speaker 1>or leather? But they were high. I'm gonna drink to that, so, Alicia,

1:26:50.400 --> 1:26:55.000
<v Speaker 1>because I mean, honestly, this is probably the only question

1:26:55.080 --> 1:26:57.439
<v Speaker 1>I can ask you or bust the rhymes like in

1:26:57.520 --> 1:27:00.599
<v Speaker 1>a real in a way, what are you love more

1:27:00.800 --> 1:27:06.280
<v Speaker 1>making them? I gotta say bust up? First of all, Yo,

1:27:06.880 --> 1:27:10.439
<v Speaker 1>can we please give him his flower? I mean, okay,

1:27:10.520 --> 1:27:14.519
<v Speaker 1>but I just want to get the way that he

1:27:14.840 --> 1:27:18.800
<v Speaker 1>cultivates energy is out of this world. Out of this world.

1:27:19.120 --> 1:27:22.200
<v Speaker 1>So what's my my favorite? Is making the record or

1:27:22.240 --> 1:27:25.200
<v Speaker 1>performing the record? D That's such a good question. I

1:27:25.280 --> 1:27:29.080
<v Speaker 1>feel like making it, you have this personal experience with

1:27:29.240 --> 1:27:33.479
<v Speaker 1>it that really feels magical because it's like you're by yourself,

1:27:33.560 --> 1:27:35.719
<v Speaker 1>where you're with three or four people, and there's something

1:27:35.800 --> 1:27:38.560
<v Speaker 1>about it that you're like, I really feel something in this.

1:27:38.720 --> 1:27:40.439
<v Speaker 1>You don't know, you don't know if you're gonna like it,

1:27:40.479 --> 1:27:42.320
<v Speaker 1>and you're gonna like it, you like, you have no idea,

1:27:42.600 --> 1:27:45.040
<v Speaker 1>but there's something magical that exists that you feel like,

1:27:45.120 --> 1:27:48.240
<v Speaker 1>I feel like there's something special with here. When you

1:27:48.360 --> 1:27:50.439
<v Speaker 1>perform it and you get a chance to see how

1:27:50.600 --> 1:27:55.120
<v Speaker 1>people actually connect with it, it's it's mind blowing you.

1:27:55.200 --> 1:28:00.160
<v Speaker 1>Like this thing was invisible six months almost like sen

1:28:00.240 --> 1:28:02.200
<v Speaker 1>the gun that you bought because you don't really know,

1:28:03.680 --> 1:28:07.320
<v Speaker 1>is that? Yeah? I kind of like, I'm sorry. I mean,

1:28:07.880 --> 1:28:10.040
<v Speaker 1>because you know some people, you know, you buy a gun,

1:28:10.200 --> 1:28:12.880
<v Speaker 1>How did you really know if this work? Like shoes,

1:28:15.280 --> 1:28:20.519
<v Speaker 1>shoes and the shot and then shoot? You like that feeling?

1:28:20.640 --> 1:28:23.840
<v Speaker 1>Like that feeling, because that's always I always felt. I mean,

1:28:24.080 --> 1:28:27.280
<v Speaker 1>that's the best anality of her in my life. I'm sorry.

1:28:27.360 --> 1:28:33.720
<v Speaker 1>I was always trying like a motherfucker no that I

1:28:33.760 --> 1:28:37.760
<v Speaker 1>got it, because you know, you're excellent performer, thank you.

1:28:37.920 --> 1:28:41.519
<v Speaker 1>Like I've always watched your performance at these shows. When

1:28:41.560 --> 1:28:44.160
<v Speaker 1>you come out, you got the piano on, I said,

1:28:44.160 --> 1:28:50.519
<v Speaker 1>piano on you. But like you've never had a lame performance.

1:28:50.520 --> 1:28:53.360
<v Speaker 1>That's why I hear you like the Buster rhyn I've

1:28:53.439 --> 1:28:57.320
<v Speaker 1>never seen Buster have friends. He just performed for Dave

1:28:57.439 --> 1:28:59.800
<v Speaker 1>Chappelle and he just he just did for twelve minutes

1:28:59.800 --> 1:29:04.280
<v Speaker 1>and I don't know what he did. Yeah, gone, holy ship.

1:29:06.160 --> 1:29:09.080
<v Speaker 1>He said that he never headlined a tour, you know,

1:29:09.320 --> 1:29:14.160
<v Speaker 1>And he told me he never rehearsed. Did you believe that?

1:29:15.520 --> 1:29:19.120
<v Speaker 1>I was like a legend. He literally is the best,

1:29:19.560 --> 1:29:23.680
<v Speaker 1>potentially one of the best mcs that ever ever ever,

1:29:23.840 --> 1:29:27.320
<v Speaker 1>And the fact that he's still could spit just like

1:29:27.560 --> 1:29:31.080
<v Speaker 1>that right now, because you know why motherfucker is scared

1:29:31.120 --> 1:29:33.000
<v Speaker 1>to go after Boston. Oh and you can't go you

1:29:33.080 --> 1:29:35.680
<v Speaker 1>know what. That's it, that's the reasons exactly. That's what

1:29:35.760 --> 1:29:38.840
<v Speaker 1>he should headlined the tour. Yeah, but then anybody never

1:29:39.880 --> 1:29:46.240
<v Speaker 1>come back on Tuesday. He carries on Tuesday. Everybody gonna listen.

1:29:46.280 --> 1:29:48.880
<v Speaker 1>Let me tell you something. I did a show. I'm

1:29:48.880 --> 1:29:52.040
<v Speaker 1>gonna I'm gonna ship. I did a show. This is

1:29:52.080 --> 1:29:55.280
<v Speaker 1>real talk, This is real, real talk. In San Francisco,

1:29:55.840 --> 1:29:58.880
<v Speaker 1>Don o'mar came to the promoter and said, if I

1:29:59.040 --> 1:30:03.040
<v Speaker 1>go after North, I'm giving them money back. What what

1:30:03.200 --> 1:30:05.640
<v Speaker 1>he didn't know at the time, Donald War was he

1:30:05.880 --> 1:30:10.679
<v Speaker 1>was bigger than me in this Latino market. But people

1:30:10.720 --> 1:30:17.880
<v Speaker 1>were so scared of that ship. Was smashing ship, he told.

1:30:18.040 --> 1:30:22.320
<v Speaker 1>So he made the promotera make me go, so you

1:30:22.400 --> 1:30:25.800
<v Speaker 1>had to go after him. I had to go after him,

1:30:26.080 --> 1:30:29.599
<v Speaker 1>and so I couldn't come after dollar was that ship

1:30:29.640 --> 1:30:36.599
<v Speaker 1>he had? What the funk? I didn't want to perform.

1:30:36.640 --> 1:30:42.280
<v Speaker 1>It's the whole fantasy he did. He got me, He

1:30:43.080 --> 1:30:48.559
<v Speaker 1>got got me. It's okay, but okay, I realized, how

1:30:48.640 --> 1:30:51.400
<v Speaker 1>crazy is there anybody who was scared to perform after

1:30:51.479 --> 1:30:59.880
<v Speaker 1>you every everybody love at least it's going in how

1:31:02.720 --> 1:31:06.120
<v Speaker 1>your live. Like. One of the things that the Locks

1:31:06.200 --> 1:31:09.360
<v Speaker 1>pointed out when they their Bottle with Dip set was

1:31:09.880 --> 1:31:12.240
<v Speaker 1>that there were certain records that they were they were

1:31:12.280 --> 1:31:16.519
<v Speaker 1>going over. You never you never lip sync. Mm hmmm.

1:31:17.120 --> 1:31:21.800
<v Speaker 1>That is a disrespect to your craft, I feel, you know. Also,

1:31:22.120 --> 1:31:24.320
<v Speaker 1>you know, I'm very very serious about auto tune too,

1:31:24.560 --> 1:31:26.600
<v Speaker 1>Like I'm like, I feel that a lot of I

1:31:26.760 --> 1:31:29.720
<v Speaker 1>just personally me, I'm gonna sing the record and I'm

1:31:29.760 --> 1:31:32.080
<v Speaker 1>gonna sing it until it's right, and if it's not right,

1:31:32.160 --> 1:31:34.160
<v Speaker 1>I'm gonna keep singing it. I'm gonna practice it, I'm

1:31:34.160 --> 1:31:35.720
<v Speaker 1>gonna fix it, and I'm gonna come back and sing it.

1:31:36.120 --> 1:31:38.240
<v Speaker 1>But the but to me, I feel like a lot

1:31:38.280 --> 1:31:41.800
<v Speaker 1>of people who use auto tune are actually thinking of

1:31:42.400 --> 1:31:45.600
<v Speaker 1>an instrument called the vote colder, which is which is

1:31:45.720 --> 1:31:47.920
<v Speaker 1>which is where it's an instrument that you play and

1:31:48.000 --> 1:31:52.120
<v Speaker 1>you sing into the microphone for it. And um, I

1:31:52.160 --> 1:31:54.680
<v Speaker 1>think Confunction used to use it a lot Like Confunction

1:31:54.760 --> 1:32:00.120
<v Speaker 1>was the way it goes on love Chain. Okay, then

1:32:00.120 --> 1:32:04.680
<v Speaker 1>all the West Coast joints period in the story what

1:32:04.800 --> 1:32:08.439
<v Speaker 1>a what a what a jew when you play there

1:32:08.600 --> 1:32:12.400
<v Speaker 1>all scared to come on? Mr Leading could come in.

1:32:13.200 --> 1:32:17.040
<v Speaker 1>You're the producer, come anybody. I don't even know why

1:32:17.080 --> 1:32:23.760
<v Speaker 1>I was up, so now you're gonna. But but the

1:32:23.880 --> 1:32:26.280
<v Speaker 1>vote quota is like a son a sonic, it's a sound.

1:32:26.320 --> 1:32:27.439
<v Speaker 1>So I feel like a lot of people that I

1:32:27.560 --> 1:32:31.880
<v Speaker 1>use them. Um, I want to try to the exaggerated version,

1:32:31.920 --> 1:32:34.640
<v Speaker 1>which would like to clear we're trying to say that

1:32:34.720 --> 1:32:37.000
<v Speaker 1>people that use oral tone really can't sing. I'm just

1:32:37.200 --> 1:32:40.160
<v Speaker 1>I'm asking that's what you're saying. That's definitely what I

1:32:40.280 --> 1:32:42.519
<v Speaker 1>actually am saying, is that I think that people want

1:32:42.560 --> 1:32:46.880
<v Speaker 1>to use it's like a sonic. And so now there's

1:32:46.880 --> 1:32:49.439
<v Speaker 1>a certain sonic that is created and it actually is

1:32:49.600 --> 1:32:53.639
<v Speaker 1>mimicking an instrument called the vote quota, and I think

1:32:53.720 --> 1:32:57.960
<v Speaker 1>that's what's actually fresh. People are discovering what the original,

1:32:59.040 --> 1:33:01.679
<v Speaker 1>which is like making a completely different instrument of your voice.

1:33:01.720 --> 1:33:03.320
<v Speaker 1>Exactly what you're saying is and this is what it is,

1:33:03.400 --> 1:33:06.679
<v Speaker 1>the original auto tunes. You never you never heard auto

1:33:06.760 --> 1:33:10.599
<v Speaker 1>tunes being used. It just it made Yeah, it helped

1:33:10.640 --> 1:33:14.360
<v Speaker 1>their vocals like match the beat or what you would better,

1:33:14.680 --> 1:33:17.479
<v Speaker 1>you would just make you more on pitch. But I

1:33:17.600 --> 1:33:19.720
<v Speaker 1>actually don't think people are trying to be Yes, they're

1:33:19.720 --> 1:33:21.120
<v Speaker 1>trying to be on pitch to a degree, but more

1:33:21.160 --> 1:33:23.519
<v Speaker 1>it's like a sonic. It's a sound. It's part of

1:33:23.840 --> 1:33:28.439
<v Speaker 1>how it's used. Now nobody heard it at all exactly

1:33:28.520 --> 1:33:30.600
<v Speaker 1>and now it's like intentional, you know, because it's a

1:33:30.640 --> 1:33:33.080
<v Speaker 1>sonic at this point. But it really made the vocoder,

1:33:33.080 --> 1:33:35.920
<v Speaker 1>which is the Roger trout like sonic. Which is fine.

1:33:36.120 --> 1:33:38.240
<v Speaker 1>So let me ask you. We had tricked Daddy here

1:33:39.479 --> 1:33:45.360
<v Speaker 1>and tried dad that he thinks Beyonce is a great performer,

1:33:46.120 --> 1:33:50.759
<v Speaker 1>but she can't sang. I disagreed with him, and totally

1:33:50.880 --> 1:33:52.960
<v Speaker 1>I think he said a little differently though what he

1:33:53.040 --> 1:33:56.880
<v Speaker 1>actually said, I think I disagree. No, he didn't say

1:33:56.920 --> 1:34:00.760
<v Speaker 1>it that way. He said in comparison to the great

1:34:03.320 --> 1:34:05.400
<v Speaker 1>But what do you hear when you hear things like

1:34:05.560 --> 1:34:08.960
<v Speaker 1>that and then people compare you to the greats? People say,

1:34:09.160 --> 1:34:12.560
<v Speaker 1>Alicia Kasan San You know, first of all, there's a

1:34:12.600 --> 1:34:14.160
<v Speaker 1>lot of we were talking about some of the singing

1:34:14.240 --> 1:34:17.760
<v Speaker 1>singing singers. We were talking about Whitney obviously as a

1:34:18.560 --> 1:34:23.000
<v Speaker 1>destructive beast monster I did. She was a friend. She

1:34:23.160 --> 1:34:25.320
<v Speaker 1>was a friend, and I really really really loved her,

1:34:25.400 --> 1:34:27.640
<v Speaker 1>and she really came to see me and check on

1:34:27.720 --> 1:34:30.160
<v Speaker 1>me and make sure I was good and visit me

1:34:30.400 --> 1:34:33.479
<v Speaker 1>and like real ship, which is rare. Um. So she's

1:34:33.479 --> 1:34:36.799
<v Speaker 1>definitely a singing sing before. We're talking about SWV Coco

1:34:37.520 --> 1:34:39.639
<v Speaker 1>Coco with I mean, I feel like Coco was singing

1:34:39.760 --> 1:34:43.519
<v Speaker 1>so many people to the day under the table quick fast.

1:34:43.640 --> 1:34:47.360
<v Speaker 1>She's amazing. We're talking about Jasmine Sullivan. I think she's

1:34:47.400 --> 1:34:53.680
<v Speaker 1>like she had those vogos out are so crazy, Fantasia ridiculous,

1:34:54.479 --> 1:34:56.799
<v Speaker 1>you know. So there's a lot of amazing singers. I actually,

1:34:57.479 --> 1:35:00.599
<v Speaker 1>I actually do feel that b is one of those singers.

1:35:01.000 --> 1:35:03.000
<v Speaker 1>If she shipped it all. But she happens to be

1:35:03.080 --> 1:35:05.600
<v Speaker 1>a show woman as well as showman, you know, so

1:35:05.720 --> 1:35:09.000
<v Speaker 1>she does show. You know, she she's visual, so she

1:35:09.120 --> 1:35:12.040
<v Speaker 1>likes to really show how she's expressing. But if she

1:35:12.240 --> 1:35:15.880
<v Speaker 1>sat or sat next to a piano and you and

1:35:15.960 --> 1:35:19.160
<v Speaker 1>I played and she just sang, sing, sing, I do

1:35:19.360 --> 1:35:21.960
<v Speaker 1>believe that she can absolutely hang with the greats. Like

1:35:22.040 --> 1:35:25.880
<v Speaker 1>she has a voice that backs up everything. Like really,

1:35:25.920 --> 1:35:27.920
<v Speaker 1>if she stripped it all back, you would you would

1:35:28.080 --> 1:35:30.599
<v Speaker 1>really hear it, you know what I mean. So, um,

1:35:30.960 --> 1:35:33.720
<v Speaker 1>I think She's one of the greats for sure, Big Love.

1:35:34.120 --> 1:35:37.960
<v Speaker 1>But is it funny when they compare you to the

1:35:38.800 --> 1:35:41.720
<v Speaker 1>to the singer of singers like like and I can

1:35:41.960 --> 1:35:45.719
<v Speaker 1>read the like you know, like like the like classic.

1:35:46.760 --> 1:35:51.599
<v Speaker 1>I just feel so grateful to continue on that legacy,

1:35:51.880 --> 1:35:55.560
<v Speaker 1>you know, that legacy of that songwriter, that that individual.

1:35:55.760 --> 1:35:58.320
<v Speaker 1>Unique artists, you know, like a Nina Simone, you know,

1:35:58.840 --> 1:36:01.639
<v Speaker 1>like these these artist that really they had something to say,

1:36:01.760 --> 1:36:05.040
<v Speaker 1>They had a perspective that they operated from. There wasn't

1:36:05.120 --> 1:36:08.960
<v Speaker 1>backing down for nobody like they wasn't fitting in anybody's box.

1:36:09.040 --> 1:36:11.400
<v Speaker 1>It wasn't trying to be commercial. It wasn't about that.

1:36:11.520 --> 1:36:13.760
<v Speaker 1>It was about like what do you want to say?

1:36:13.880 --> 1:36:16.400
<v Speaker 1>Who are you? And how do you express? And so

1:36:16.560 --> 1:36:18.880
<v Speaker 1>for me to be compared to artists like that, he's

1:36:18.920 --> 1:36:21.400
<v Speaker 1>a lot like means a lot. And I don't take

1:36:21.439 --> 1:36:24.120
<v Speaker 1>that for granted. That's a that's a that's something I appreciated.

1:36:25.600 --> 1:36:31.240
<v Speaker 1>But let me ask, are you so bad? I know

1:36:31.360 --> 1:36:33.960
<v Speaker 1>how you started with the scratch? You know, yeah, because

1:36:34.080 --> 1:36:41.360
<v Speaker 1>it's about the because you Swiss and Drake got this

1:36:41.720 --> 1:36:47.240
<v Speaker 1>kind of awkward kindly relationship Swiss Drake and her. Yes,

1:36:50.720 --> 1:36:56.880
<v Speaker 1>you didn't recerenspection. You didn't red Drake. One thing that's

1:36:56.920 --> 1:37:00.600
<v Speaker 1>missing on the tables. Water Yeah, drink your water. We

1:37:00.640 --> 1:37:03.679
<v Speaker 1>got a drink chance water. It's water. It's like it's okay,

1:37:03.760 --> 1:37:09.160
<v Speaker 1>thank you, with a shoutut Tequilas, just like so yeah,

1:37:09.240 --> 1:37:14.920
<v Speaker 1>because you guys did a record three of us. No,

1:37:15.040 --> 1:37:17.559
<v Speaker 1>I'm talking about you and you, you and Drake right

1:37:18.040 --> 1:37:21.040
<v Speaker 1>the record we did unthinkable, okay, and then Swiss and

1:37:21.320 --> 1:37:24.960
<v Speaker 1>Drake did a record they did which was out of

1:37:25.000 --> 1:37:27.040
<v Speaker 1>this world. Both of those was out of both of

1:37:27.120 --> 1:37:30.360
<v Speaker 1>those was out of this world. But we have Swiss

1:37:30.439 --> 1:37:34.160
<v Speaker 1>on here. And this was when we was in New

1:37:34.240 --> 1:37:39.320
<v Speaker 1>York and he said something about Drake. We edited it out,

1:37:39.880 --> 1:37:45.080
<v Speaker 1>we didn't use it. But I was supposed to say

1:37:45.120 --> 1:37:49.719
<v Speaker 1>that I don't know we're gonna back. No, it's because

1:37:49.880 --> 1:37:52.360
<v Speaker 1>and this is when I was learning how to be

1:37:52.479 --> 1:37:56.200
<v Speaker 1>a journalist. I was learning how So when Swiss asked me,

1:37:56.280 --> 1:37:59.000
<v Speaker 1>I said, no problem. But I knew that when you

1:37:59.120 --> 1:38:02.760
<v Speaker 1>put energy that get that into this world, it comes back.

1:38:03.520 --> 1:38:07.240
<v Speaker 1>So what happened was he had put this energy out

1:38:07.400 --> 1:38:11.920
<v Speaker 1>and I guess he expected Drake toler back and say

1:38:12.000 --> 1:38:15.439
<v Speaker 1>something back. That never happened because we edited it, and

1:38:15.520 --> 1:38:17.519
<v Speaker 1>I told you, as I said, your listen, I would

1:38:17.600 --> 1:38:20.840
<v Speaker 1>never put you in the predicament where I would get

1:38:20.880 --> 1:38:22.560
<v Speaker 1>you in trouble. So I wanted to use it. But

1:38:23.040 --> 1:38:25.000
<v Speaker 1>it wasn't crazy. But it wasn't crazy when he said

1:38:25.000 --> 1:38:29.680
<v Speaker 1>he was put together. Then two months later because he

1:38:29.800 --> 1:38:32.479
<v Speaker 1>put the same energy out, he didn't and then he

1:38:32.600 --> 1:38:35.920
<v Speaker 1>was on Live with Bust the bus and it was

1:38:36.040 --> 1:38:38.519
<v Speaker 1>like I called him immediately. I was like, I told you,

1:38:38.640 --> 1:38:41.160
<v Speaker 1>let me use this ship. You would have never said

1:38:41.280 --> 1:38:44.760
<v Speaker 1>what you said on the bus to live if you

1:38:44.800 --> 1:38:47.519
<v Speaker 1>want to, just let us because because we were literally

1:38:47.720 --> 1:38:50.599
<v Speaker 1>had Drake signed up for like the next two weeks

1:38:50.720 --> 1:38:52.920
<v Speaker 1>or something like that on the next two months. So

1:38:53.040 --> 1:38:55.360
<v Speaker 1>we was we didn't that's go crazy one because that's

1:38:55.400 --> 1:38:57.760
<v Speaker 1>my brother and to like, we're protecting our old prayer.

1:38:58.520 --> 1:39:01.080
<v Speaker 1>So then that's that's that's this comes out. I see,

1:39:01.280 --> 1:39:04.160
<v Speaker 1>I'll see Swiss. I call him. I say, yo, bro,

1:39:04.920 --> 1:39:10.200
<v Speaker 1>this was a little weird energy. It's because you're happy

1:39:10.320 --> 1:39:12.880
<v Speaker 1>at it. He agree with me. It's me and him.

1:39:13.360 --> 1:39:16.519
<v Speaker 1>But what I'm saying is it's sent a relationship in

1:39:16.600 --> 1:39:21.200
<v Speaker 1>a bad sort of sort of energy. You're in his relationship. No,

1:39:21.280 --> 1:39:25.080
<v Speaker 1>I'm talking okay, okay, Swiss and drinks. You know, I'm

1:39:25.120 --> 1:39:31.760
<v Speaker 1>saying Swissen and dricks because because it's sent where it

1:39:31.960 --> 1:39:35.400
<v Speaker 1>made almost look like Swiss was attacking him, and they

1:39:35.439 --> 1:39:39.479
<v Speaker 1>didn't have the backstory of what happened with Fancy or

1:39:39.520 --> 1:39:41.719
<v Speaker 1>what happened you felt was more explained on drink chairs.

1:39:46.479 --> 1:39:52.360
<v Speaker 1>You basically salty. How he feeling about it didn't get

1:39:52.360 --> 1:40:00.439
<v Speaker 1>me back. I was sent there. I I said that,

1:40:00.720 --> 1:40:03.240
<v Speaker 1>but you know, I don't know if you could ask

1:40:03.320 --> 1:40:06.599
<v Speaker 1>with it was that morning that came out and I said, Swiss,

1:40:06.760 --> 1:40:09.240
<v Speaker 1>this is what I told him. He said, no, us right,

1:40:09.240 --> 1:40:10.600
<v Speaker 1>I should have just left it. And I said that

1:40:10.760 --> 1:40:14.960
<v Speaker 1>you do not want you to do because the next

1:40:15.040 --> 1:40:19.040
<v Speaker 1>morning after the Bosster thing, what a lot of people

1:40:19.120 --> 1:40:24.000
<v Speaker 1>were saying was, oh, Swiss is hating. You can't hate.

1:40:26.160 --> 1:40:32.280
<v Speaker 1>You can't hate if you up. There's not a up hater.

1:40:33.040 --> 1:40:37.479
<v Speaker 1>It's not really so on losers, there's not really so winners.

1:40:37.800 --> 1:40:41.719
<v Speaker 1>Excuse me, there's not that word. Thank you. You understand

1:40:41.720 --> 1:40:45.519
<v Speaker 1>about dylexia. You are you are connected with me, but

1:40:45.640 --> 1:40:47.960
<v Speaker 1>they can't be really so when it's so, you know

1:40:48.080 --> 1:40:50.880
<v Speaker 1>that said Swiss, can you to be a favor and

1:40:51.000 --> 1:40:54.320
<v Speaker 1>he goes, what's up. I said, post your beautiful wife,

1:40:54.840 --> 1:40:58.080
<v Speaker 1>post your beautiful cause, and post your beautiful house. And

1:40:58.120 --> 1:41:02.439
<v Speaker 1>they don't even a dress it. And I think he

1:41:02.520 --> 1:41:05.320
<v Speaker 1>actually listened to me. But the thing was it sent

1:41:05.520 --> 1:41:08.920
<v Speaker 1>this relationship because all of your three very famous people.

1:41:11.120 --> 1:41:15.719
<v Speaker 1>What is your take on the direct situation? My sake

1:41:16.080 --> 1:41:21.400
<v Speaker 1>on Swiss is that he is the most real human

1:41:21.840 --> 1:41:27.840
<v Speaker 1>on the planet. Ask anybody, there's not he's on the

1:41:28.000 --> 1:41:32.240
<v Speaker 1>phone with people that he loves at three in the morning,

1:41:34.280 --> 1:41:37.160
<v Speaker 1>come to bed. But he's on the phone with people

1:41:37.200 --> 1:41:40.400
<v Speaker 1>because they need him, because they're going through something and

1:41:40.439 --> 1:41:48.240
<v Speaker 1>they need somebody to listen. I probably definitely name of

1:41:48.439 --> 1:41:52.639
<v Speaker 1>name name. He shows up for everybody times a million.

1:41:53.000 --> 1:41:56.679
<v Speaker 1>I've never seen a loyalty or respects being a loyalty

1:41:56.720 --> 1:42:02.560
<v Speaker 1>to respect like him that people people love him in

1:42:02.640 --> 1:42:07.200
<v Speaker 1>a way that I never experienced before. There's a real connection.

1:42:07.479 --> 1:42:10.160
<v Speaker 1>He can call you tomorrow, he can call anybody and

1:42:10.280 --> 1:42:12.920
<v Speaker 1>say my brother blah blah blah blah blah, and it's

1:42:12.960 --> 1:42:17.080
<v Speaker 1>a real thing. There's some fake industry bullshit because it

1:42:17.120 --> 1:42:20.200
<v Speaker 1>serves you at the moment. He's one of the v

1:42:20.880 --> 1:42:24.160
<v Speaker 1>realist person I've ever met. So so my perspective on

1:42:24.400 --> 1:42:27.880
<v Speaker 1>him is that he's always going to speak his truth

1:42:28.080 --> 1:42:32.120
<v Speaker 1>because whatever he's saying, there's their validity behind it and

1:42:32.280 --> 1:42:36.240
<v Speaker 1>beside it. He is absolutely the most genuine person and

1:42:36.360 --> 1:42:39.240
<v Speaker 1>he's he's thorough. You know, he's the realist of the

1:42:39.320 --> 1:42:42.400
<v Speaker 1>real He tells me, the realists of the real can

1:42:42.479 --> 1:42:45.880
<v Speaker 1>go out without a dollar in a pocket and be good.

1:42:46.479 --> 1:42:57.120
<v Speaker 1>And that's who he is. That's that's so um. Hold on,

1:42:57.160 --> 1:42:58.720
<v Speaker 1>when do we get to go to the back? I'm

1:42:58.760 --> 1:43:01.559
<v Speaker 1>going right now, like should we should we be rapping

1:43:01.760 --> 1:43:04.240
<v Speaker 1>up so I can go three? You can take a

1:43:06.680 --> 1:43:09.680
<v Speaker 1>little bit, a little bit, a few more, I got

1:43:09.760 --> 1:43:15.040
<v Speaker 1>more ready. You're really trying to get me chose up

1:43:15.040 --> 1:43:17.640
<v Speaker 1>a little late. I was just be clear, and you

1:43:17.680 --> 1:43:21.280
<v Speaker 1>know what I bet. Let me just say so we

1:43:21.479 --> 1:43:24.439
<v Speaker 1>all let me. That's gonna be honest with you. We

1:43:24.680 --> 1:43:28.120
<v Speaker 1>all said we do this for heavy artists, and we said,

1:43:28.600 --> 1:43:32.520
<v Speaker 1>is Alicia gonna be late? Every one of us said

1:43:32.640 --> 1:43:34.559
<v Speaker 1>she was gonna be on time except for one person

1:43:35.040 --> 1:43:39.120
<v Speaker 1>him right there, boris right, he said she's gonna be

1:43:39.840 --> 1:43:41.800
<v Speaker 1>I was a little late. So he's the only one

1:43:41.880 --> 1:43:47.880
<v Speaker 1>that the only everybody's believing me, thank you, especially me.

1:43:48.120 --> 1:43:54.599
<v Speaker 1>I was like she she's going on time here two

1:43:54.680 --> 1:43:56.880
<v Speaker 1>hours earlier. You can go to the bathroom. Yes you can't. Please,

1:43:57.920 --> 1:44:00.600
<v Speaker 1>let's make sure you're good. Get back. Gonna fill up

1:44:00.600 --> 1:44:02.840
<v Speaker 1>you because you we we realized your drinking is do

1:44:03.320 --> 1:44:05.479
<v Speaker 1>so we're gonna fill you up. Get you got some

1:44:05.920 --> 1:44:09.240
<v Speaker 1>some hallo pegos. You're gonna get you some hollee feneos

1:44:09.320 --> 1:44:45.000
<v Speaker 1>and we're gonna m h. And now for my next number,

1:44:45.920 --> 1:45:13.000
<v Speaker 1>I'd like to return to the class. You want to

1:45:13.000 --> 1:45:15.000
<v Speaker 1>give people they flower. So when you hear people saying

1:45:15.040 --> 1:45:17.519
<v Speaker 1>giving their flowers, and we made that, you made up

1:45:17.560 --> 1:45:20.600
<v Speaker 1>a statement. We made up making that face because we

1:45:20.680 --> 1:45:23.360
<v Speaker 1>wanted to look at in their faces, tell them how

1:45:23.479 --> 1:45:35.360
<v Speaker 1>great they are and not be ashamed. Flower. I love this,

1:45:35.640 --> 1:45:37.760
<v Speaker 1>by the way. I love that this is your house.

1:45:37.880 --> 1:45:41.000
<v Speaker 1>Any time you want to promote, anytime you want, you

1:45:41.040 --> 1:45:46.439
<v Speaker 1>wouldn't do anything. But um, was this intentional for the video?

1:45:47.880 --> 1:45:50.240
<v Speaker 1>You don't know my name when you was the way

1:45:50.360 --> 1:45:54.760
<v Speaker 1>the waitress and you didn't have the name Tad You see?

1:45:55.600 --> 1:45:58.400
<v Speaker 1>Is that very simple? Really? Yeah, because we got to

1:45:58.400 --> 1:46:01.400
<v Speaker 1>picture of it, I just didn't have a name. Because

1:46:01.560 --> 1:46:03.040
<v Speaker 1>is that the reason why I didn't know your name?

1:46:03.520 --> 1:46:09.200
<v Speaker 1>That you know what Chris Robinson direction video. It works. Well,

1:46:09.479 --> 1:46:12.280
<v Speaker 1>I'm gonna say that that's why they hit it. My

1:46:12.360 --> 1:46:24.960
<v Speaker 1>name Name done. You're right, you got something miss let's

1:46:25.200 --> 1:46:33.559
<v Speaker 1>up to. But again, when I'm listening to the new album,

1:46:35.000 --> 1:46:37.760
<v Speaker 1>I'm as a person that's a veteran, as a person

1:46:37.840 --> 1:46:41.000
<v Speaker 1>that's seasoned in this game, I sit back and I

1:46:41.360 --> 1:46:44.840
<v Speaker 1>want to find ross. Sometimes with people that's been in

1:46:44.920 --> 1:46:48.400
<v Speaker 1>this game, what did you say? Ross? Like? I want

1:46:48.439 --> 1:46:50.600
<v Speaker 1>to find something like Sometimes when I look at a

1:46:50.640 --> 1:46:54.040
<v Speaker 1>person that's done incredible albums back to back to back

1:46:54.080 --> 1:46:56.280
<v Speaker 1>to back, I want to say, all right, cool, well

1:46:56.720 --> 1:46:58.280
<v Speaker 1>let me listen to this and let me see where

1:46:58.280 --> 1:47:01.599
<v Speaker 1>you're starting to fall long where and don't have that? How?

1:47:02.680 --> 1:47:06.000
<v Speaker 1>How how do you develop that type of like, I'm

1:47:06.000 --> 1:47:09.760
<v Speaker 1>going to make the most incredible product again after all

1:47:09.840 --> 1:47:14.760
<v Speaker 1>these years you've been fifteen, you know, Grammys, ninety million records, soul,

1:47:15.200 --> 1:47:17.240
<v Speaker 1>How do you still have that hunger? How do you

1:47:17.320 --> 1:47:22.840
<v Speaker 1>still have this? You know? Um, this this this this

1:47:23.000 --> 1:47:27.120
<v Speaker 1>classic material with meat and potatoes where it's like it's

1:47:27.240 --> 1:47:29.760
<v Speaker 1>it's exactly what's needed to be heard right now? How

1:47:29.920 --> 1:47:32.200
<v Speaker 1>how do you maintain that? First of all, thank you,

1:47:32.560 --> 1:47:36.040
<v Speaker 1>thank you for recognizing that, because that takes effort, you know,

1:47:36.360 --> 1:47:40.559
<v Speaker 1>and care, and so I really appreciate you recognizing that. Um,

1:47:42.080 --> 1:47:45.519
<v Speaker 1>you know, I feel like I feel like I've always

1:47:45.640 --> 1:47:50.800
<v Speaker 1>cared about the art. You know, I've never even really

1:47:50.920 --> 1:47:57.160
<v Speaker 1>been here to be It's never been. I don't want

1:47:57.200 --> 1:48:01.920
<v Speaker 1>to be famous, you know. I mean, I don't want

1:48:01.960 --> 1:48:07.400
<v Speaker 1>to be like you know. I don't want you to

1:48:07.600 --> 1:48:10.200
<v Speaker 1>know me, just because you can't even realize the reason

1:48:10.240 --> 1:48:22.679
<v Speaker 1>why you know me. I really want what's good. I'm

1:48:22.800 --> 1:48:36.200
<v Speaker 1>so glad look at you. We got big vibes. Nothing

1:48:36.240 --> 1:48:44.439
<v Speaker 1>but real love, nothing but real love. Nothing but thank you, brother,

1:48:44.680 --> 1:48:46.920
<v Speaker 1>Thank you so much. I'm so happy to see your face.

1:48:47.000 --> 1:48:50.120
<v Speaker 1>That made me smile from real like that was a

1:48:50.240 --> 1:48:53.240
<v Speaker 1>real smile. I didn't expect that. That was a sweet surprise.

1:48:53.360 --> 1:48:55.759
<v Speaker 1>I love it. And they're trying to get me twisted

1:48:55.800 --> 1:49:02.519
<v Speaker 1>over here. But but I'm a champion. They don't know,

1:49:02.920 --> 1:49:08.720
<v Speaker 1>they don't even know. I love you, brother. I'm so

1:49:08.800 --> 1:49:19.760
<v Speaker 1>happy to see that's fired. That's fired, you know, to

1:49:19.800 --> 1:49:23.400
<v Speaker 1>piggyback off of what he's asking you right now. Yes,

1:49:23.479 --> 1:49:27.400
<v Speaker 1>I knew I was being a parent. Now how do

1:49:27.479 --> 1:49:31.400
<v Speaker 1>you balance creativity being a parent? Now, you know, I

1:49:34.040 --> 1:49:37.519
<v Speaker 1>probably during the pandemic is when I really learned that

1:49:37.760 --> 1:49:41.280
<v Speaker 1>like I needed, I needed to have to carve out

1:49:41.360 --> 1:49:44.400
<v Speaker 1>time for myself. And you know, you get so worried

1:49:44.400 --> 1:49:46.600
<v Speaker 1>about everybody else and you want everybody be good, and

1:49:46.920 --> 1:49:49.400
<v Speaker 1>the world is so strange and we don't even know

1:49:49.560 --> 1:49:52.439
<v Speaker 1>what's exactly what and what's tough from bottom or what's

1:49:52.439 --> 1:49:55.680
<v Speaker 1>gonna happen tomorrow or whatever and so um, and so

1:49:55.760 --> 1:49:59.320
<v Speaker 1>I just realized that it's just that's important for me

1:49:59.439 --> 1:50:02.479
<v Speaker 1>to make sure that they're good is as important it

1:50:02.600 --> 1:50:04.920
<v Speaker 1>is for me to make sure that I'm good, because

1:50:04.920 --> 1:50:07.240
<v Speaker 1>if I'm good, then they can be great, you know

1:50:07.280 --> 1:50:10.080
<v Speaker 1>what I mean. So that's something that I think for

1:50:10.280 --> 1:50:13.120
<v Speaker 1>us as women, especially because we offer all the caretakers

1:50:13.200 --> 1:50:15.719
<v Speaker 1>and we're the ones that's really putting the most time

1:50:15.800 --> 1:50:19.360
<v Speaker 1>in and everybody, you know, creates the energy around the family.

1:50:19.960 --> 1:50:21.600
<v Speaker 1>But I think that it's important for us to know

1:50:21.720 --> 1:50:25.160
<v Speaker 1>that we have to make sure that we're good too,

1:50:25.760 --> 1:50:27.920
<v Speaker 1>you know what I mean. So that's something that I

1:50:28.080 --> 1:50:31.599
<v Speaker 1>learned recently and just was reminded of, especially with the pandemic,

1:50:31.680 --> 1:50:33.640
<v Speaker 1>and especially when kids was out of school and you

1:50:33.760 --> 1:50:35.280
<v Speaker 1>was trying to be the teacher and the mama and

1:50:35.920 --> 1:50:37.479
<v Speaker 1>my kids were so mad at me. That's like, you're

1:50:37.680 --> 1:50:40.880
<v Speaker 1>so mean, you know. It's like, I'm not me. You

1:50:41.080 --> 1:50:42.840
<v Speaker 1>are trying to play me, and I need you to

1:50:42.920 --> 1:50:47.000
<v Speaker 1>get good done to the pandemic and the way was

1:50:47.200 --> 1:50:49.400
<v Speaker 1>a blessing in disguise for a lot of people. I

1:50:49.479 --> 1:50:51.960
<v Speaker 1>think so. I think so for sure, regards to time,

1:50:52.000 --> 1:50:54.800
<v Speaker 1>in regards to appreciation, and regards to really recognize in

1:50:54.880 --> 1:50:57.240
<v Speaker 1>the real you know, we get so lost, we get

1:50:57.320 --> 1:51:00.800
<v Speaker 1>so lost, and the fakes ship ever, it is fake,

1:51:01.160 --> 1:51:04.679
<v Speaker 1>it really is. There's nothing about it that's actually real

1:51:05.080 --> 1:51:08.640
<v Speaker 1>until you realize that people that actually love you and

1:51:08.720 --> 1:51:11.320
<v Speaker 1>will actually they don't have any profit that they're gonna

1:51:11.360 --> 1:51:14.439
<v Speaker 1>gain from you. They don't have any you know, anything

1:51:14.520 --> 1:51:18.080
<v Speaker 1>that they're going to get from you being good, you know,

1:51:18.240 --> 1:51:21.080
<v Speaker 1>except that you're good. Like that's the most precious thing.

1:51:21.240 --> 1:51:24.280
<v Speaker 1>So with the kids and with the family and balancing that,

1:51:24.840 --> 1:51:26.600
<v Speaker 1>you know, it's hard. I leave and I feel like

1:51:26.720 --> 1:51:28.519
<v Speaker 1>and they're like, mommybody have to leave, and I'm like

1:51:29.360 --> 1:51:31.320
<v Speaker 1>I'm trying to make sure it's worth it because me

1:51:31.439 --> 1:51:35.760
<v Speaker 1>being without them, you know, it's hard, you know for

1:51:35.840 --> 1:51:38.120
<v Speaker 1>any parents to leave their kids and you go to work,

1:51:38.160 --> 1:51:40.080
<v Speaker 1>you going to school, you're trying to put your extra

1:51:40.160 --> 1:51:42.840
<v Speaker 1>work in. It's it's hard, but if it's worth it

1:51:43.360 --> 1:51:45.360
<v Speaker 1>because you you have something to say, and you've got

1:51:45.479 --> 1:51:47.640
<v Speaker 1>something that you represent, and you've got something that you

1:51:47.800 --> 1:51:50.800
<v Speaker 1>want them to learn and see, then you know, then

1:51:50.840 --> 1:51:52.559
<v Speaker 1>it then it feels good. And that's what I can

1:51:52.600 --> 1:51:54.960
<v Speaker 1>tell them. I can tell them going to bring like

1:51:55.200 --> 1:51:57.840
<v Speaker 1>this energy, you know what I mean, so people can

1:51:57.960 --> 1:52:00.320
<v Speaker 1>feel it, so that so that we could keep rowing,

1:52:00.520 --> 1:52:02.800
<v Speaker 1>you know, all of us. Did you find any any

1:52:03.240 --> 1:52:09.040
<v Speaker 1>writer's block moments? Yeah, I couldn't write shit. I was like,

1:52:11.120 --> 1:52:15.040
<v Speaker 1>oh my gosh, no, the same so much. I mean

1:52:15.040 --> 1:52:16.559
<v Speaker 1>I would be on these because you know, I put

1:52:16.600 --> 1:52:19.880
<v Speaker 1>out the Alicia albums during the pandemic, and at first

1:52:19.920 --> 1:52:21.559
<v Speaker 1>I was like is this right? Is it's not put

1:52:21.600 --> 1:52:23.840
<v Speaker 1>out a book too? And I was like is this right?

1:52:23.920 --> 1:52:25.640
<v Speaker 1>I mean, people can't even pay the rent, Like what

1:52:26.000 --> 1:52:27.640
<v Speaker 1>am I doing? Am I going to ask him to

1:52:27.680 --> 1:52:29.680
<v Speaker 1>buy a book? But I believed in the book, and

1:52:29.720 --> 1:52:32.519
<v Speaker 1>I believe that it was about finding who you are

1:52:32.880 --> 1:52:35.600
<v Speaker 1>and choosing who you are, especially now we got to

1:52:35.680 --> 1:52:39.000
<v Speaker 1>choose who we want to be. So anyway, I'd be

1:52:39.080 --> 1:52:41.120
<v Speaker 1>on these interviews and maybe like, so aren't you just

1:52:41.240 --> 1:52:43.400
<v Speaker 1>so creative Alicia? I mean, my gosh, You're like, yeah,

1:52:43.400 --> 1:52:45.320
<v Speaker 1>all this time at home, you must be writing a song,

1:52:50.479 --> 1:52:52.840
<v Speaker 1>and I'm like, hell no, I can't write now one song.

1:52:52.880 --> 1:52:55.640
<v Speaker 1>I don't know what to say. I'm stressed out. I

1:52:55.720 --> 1:52:57.600
<v Speaker 1>don't know what I feel. That ship is crazy. I

1:52:57.680 --> 1:53:00.760
<v Speaker 1>don't know what's happening. I was not only creative, no,

1:53:01.320 --> 1:53:03.360
<v Speaker 1>like not even in the littlest bit. I was grateful

1:53:03.400 --> 1:53:06.120
<v Speaker 1>that I finished the record because I actually just had

1:53:06.200 --> 1:53:08.320
<v Speaker 1>the records already that I could, you know, connect with.

1:53:08.880 --> 1:53:10.799
<v Speaker 1>But like if I was supposed to write new records,

1:53:10.840 --> 1:53:12.600
<v Speaker 1>I was like, I couldn't can remix and say this

1:53:12.720 --> 1:53:20.360
<v Speaker 1>diapers on fire and that wouldn't work. That's not gonna work.

1:53:21.479 --> 1:53:25.120
<v Speaker 1>So now, But I definitely felt like confused about how

1:53:25.200 --> 1:53:27.080
<v Speaker 1>I was supposed to be creative and how I supposed

1:53:27.080 --> 1:53:28.920
<v Speaker 1>to find time for myself and that type of thing.

1:53:29.160 --> 1:53:30.880
<v Speaker 1>Do you still feel like that or you feeling like

1:53:30.960 --> 1:53:34.320
<v Speaker 1>you're kind of getting a one year old and a

1:53:34.400 --> 1:53:38.880
<v Speaker 1>three year old. That's just the majors. What's hard of

1:53:38.960 --> 1:53:42.240
<v Speaker 1>being an artist or being a mommy, being a mother

1:53:42.360 --> 1:53:47.160
<v Speaker 1>and be a mother? Yeah, why I think that you know,

1:53:47.320 --> 1:53:54.920
<v Speaker 1>like you know, like you are creating and raising a mind,

1:53:56.160 --> 1:53:59.559
<v Speaker 1>a spirit of being a person. Multiple people who need

1:53:59.600 --> 1:54:02.680
<v Speaker 1>who have from ways of experiencing life. They you know,

1:54:02.760 --> 1:54:06.600
<v Speaker 1>they depend on you to help them equip themselves with

1:54:06.760 --> 1:54:08.800
<v Speaker 1>what it's gonna take for them to survive, you know

1:54:08.840 --> 1:54:10.840
<v Speaker 1>what I mean. And and and that's a real thing,

1:54:11.080 --> 1:54:13.200
<v Speaker 1>you know, you know what I mean. That's a it's

1:54:13.200 --> 1:54:15.040
<v Speaker 1>a real thing not to be taken lightly. And I

1:54:15.120 --> 1:54:19.320
<v Speaker 1>feel like, you know, it's everything I say I'm reconsidering.

1:54:19.320 --> 1:54:20.800
<v Speaker 1>I'm like, should I should have talked to him like that?

1:54:21.760 --> 1:54:23.240
<v Speaker 1>I was too hard on him. I should have like

1:54:23.600 --> 1:54:26.920
<v Speaker 1>explained more. Dang, why am I? Why am I so upset?

1:54:27.000 --> 1:54:29.679
<v Speaker 1>When he's laughing, you know, and I'm and I'm piste

1:54:29.720 --> 1:54:32.000
<v Speaker 1>off because he's talking about like this nasty ship because

1:54:32.000 --> 1:54:34.240
<v Speaker 1>he's a six year old boy and they talking about

1:54:34.240 --> 1:54:36.480
<v Speaker 1>all types of crazy ship and I'm mad. But I

1:54:36.520 --> 1:54:38.360
<v Speaker 1>shouldn't have been mad. I should just laugh with him,

1:54:38.480 --> 1:54:40.920
<v Speaker 1>like I should just laugh who cared? You know? And

1:54:41.040 --> 1:54:43.800
<v Speaker 1>sometimes there's so much that you're thinking of, like, yeah,

1:54:43.880 --> 1:54:45.560
<v Speaker 1>like am I doing it right? And my giving them

1:54:45.640 --> 1:54:48.040
<v Speaker 1>what they need? You know, is it right? And I

1:54:48.120 --> 1:54:50.040
<v Speaker 1>think we're doing our best and doing our best. We

1:54:50.080 --> 1:54:52.800
<v Speaker 1>don't know everything. We boys don't clean their wrong Let's

1:54:52.840 --> 1:54:56.880
<v Speaker 1>be clear, they're gonna clean that wrong clean. You're not

1:54:56.920 --> 1:54:59.880
<v Speaker 1>gonna be some sloppy as boys not having it you

1:55:00.000 --> 1:55:04.400
<v Speaker 1>you'll be check because it's one year old. Side. He

1:55:04.440 --> 1:55:13.920
<v Speaker 1>still don't well he did that, that's his fault. We

1:55:14.000 --> 1:55:32.400
<v Speaker 1>got someone one to three over here. It's so good.

1:55:32.440 --> 1:55:35.440
<v Speaker 1>We haven't such a good time. It's amazing, you know

1:55:35.440 --> 1:55:37.080
<v Speaker 1>what I mean. I'm loving it. They're really trying to

1:55:37.160 --> 1:55:40.840
<v Speaker 1>get me to do all these toasts and drinks. He knows,

1:55:41.200 --> 1:55:43.480
<v Speaker 1>he knows, he's been three, he said. I look a

1:55:43.600 --> 1:55:48.680
<v Speaker 1>little bit. He does know me, but you know what,

1:55:48.800 --> 1:55:56.040
<v Speaker 1>I'm still elegant queens, so it doesn't even know. He's

1:55:56.080 --> 1:56:00.560
<v Speaker 1>so sweet to call he over here? Have people called you?

1:56:00.960 --> 1:56:04.960
<v Speaker 1>You're all happy? You know happy? How did they drink

1:56:05.040 --> 1:56:09.800
<v Speaker 1>like this every day? This is a live Should we

1:56:09.840 --> 1:56:15.040
<v Speaker 1>send him to the spa? I'm going whatever he said,

1:56:15.720 --> 1:56:19.640
<v Speaker 1>whatever were going to He's going, how are you doing?

1:56:19.720 --> 1:56:26.520
<v Speaker 1>You're so brilliant, You're so genius, making me about to cry? Good?

1:56:26.680 --> 1:56:32.800
<v Speaker 1>Everything great, We're definitely having fun. My favorite part was

1:56:32.880 --> 1:56:34.720
<v Speaker 1>all the questions he asked me. I think he caught

1:56:34.800 --> 1:56:39.360
<v Speaker 1>me out there with outcasts and mob deep. That was

1:56:39.440 --> 1:56:46.080
<v Speaker 1>a really hard one. Somehow women don't casts. I don't

1:56:46.080 --> 1:56:49.280
<v Speaker 1>feel like I heard him the same mob deep until

1:56:49.400 --> 1:56:56.080
<v Speaker 1>after I said outcasts, which is fine? Are they both great? Yeah?

1:56:58.280 --> 1:57:02.120
<v Speaker 1>Hold on, Swiss, I'm telling I'm telling something. She pushed,

1:57:02.320 --> 1:57:09.880
<v Speaker 1>she picked, push her t over kiss though kids earlier.

1:57:10.000 --> 1:57:19.240
<v Speaker 1>So you're gonna get some phone calls. Get what you said,

1:57:23.080 --> 1:57:29.800
<v Speaker 1>push your well, she's a fat This is dope. Thank

1:57:29.840 --> 1:57:31.280
<v Speaker 1>you so much for my brother. You know I love

1:57:31.360 --> 1:57:33.760
<v Speaker 1>you man. I'm told the story how long we know

1:57:33.920 --> 1:57:37.320
<v Speaker 1>each other, how you've always be my brother. But I

1:57:37.440 --> 1:57:40.400
<v Speaker 1>also told the story that you never forgave me for

1:57:40.560 --> 1:57:46.160
<v Speaker 1>not loving to be drop? Do you have the virgin

1:57:46.240 --> 1:57:52.120
<v Speaker 1>where the be drops? Can we find that? Yeah? I

1:57:52.160 --> 1:57:54.200
<v Speaker 1>got it somewhere. You have to I got it somewhere,

1:57:54.200 --> 1:57:58.080
<v Speaker 1>Indi or someone. The greatest thing is I'm great old.

1:57:58.720 --> 1:58:07.400
<v Speaker 1>I never even realized I'm great with all perfectly, perfectly crazy.

1:58:07.440 --> 1:58:09.360
<v Speaker 1>So I want him to find the version with the

1:58:09.400 --> 1:58:19.720
<v Speaker 1>bee dropping. I'll sing you you better find him. I'm

1:58:19.720 --> 1:58:27.800
<v Speaker 1>gonna make it up, make it recreate. He don't let

1:58:27.840 --> 1:58:34.720
<v Speaker 1>the drink. I'm gonna go back in the studio. Thank

1:58:34.760 --> 1:58:36.840
<v Speaker 1>you for everything, my brother, thank you so much. Man.

1:58:36.960 --> 1:58:38.320
<v Speaker 1>You're gonna get me back in the studio for real,

1:58:38.360 --> 1:58:44.160
<v Speaker 1>because I wanted rather I can't the next album that's

1:58:44.200 --> 1:58:47.120
<v Speaker 1>my and I know has and SCRAMs here and I

1:58:47.240 --> 1:58:50.440
<v Speaker 1>love y'all want of my like not last album that

1:58:50.520 --> 1:58:54.280
<v Speaker 1>people do um swiss and p. Yeah, I wanted my last.

1:58:54.360 --> 1:58:56.640
<v Speaker 1>I don't know I'm gonna do it. The two of

1:58:56.720 --> 1:59:00.840
<v Speaker 1>my my, my two producers who curated me. I used

1:59:00.880 --> 1:59:08.760
<v Speaker 1>to work here. I just learned that work by the way, Yeah, yeah, yeah.

1:59:09.480 --> 1:59:11.560
<v Speaker 1>I was about to ask her about the no commission?

1:59:12.040 --> 1:59:15.440
<v Speaker 1>Is a no commission coming to art Basil? Not this year?

1:59:15.800 --> 1:59:19.840
<v Speaker 1>Not this year? Why? Because like I didn't really know that.

1:59:20.440 --> 1:59:23.200
<v Speaker 1>You know, you gotta plan ahead, you gotta you gotta

1:59:23.240 --> 1:59:25.120
<v Speaker 1>plan a head. So I didn't know how COVID would

1:59:25.200 --> 1:59:27.320
<v Speaker 1>would act, you know what I'm saying, and like to

1:59:27.400 --> 1:59:29.320
<v Speaker 1>put all that working for them to shut it down.

1:59:30.240 --> 1:59:33.440
<v Speaker 1>I definitely got Oh, like I'm in Saudi, man, putting

1:59:33.520 --> 1:59:35.960
<v Speaker 1>up all of the um all of the artwork for

1:59:36.040 --> 1:59:37.960
<v Speaker 1>the different artists, you know, on on the F one

1:59:38.000 --> 1:59:41.560
<v Speaker 1>track and stuff like that. So that's pretty big. So like,

1:59:41.720 --> 1:59:44.160
<v Speaker 1>you know, let me give it a break for this year.

1:59:44.600 --> 1:59:46.720
<v Speaker 1>Let's see how the COVID play out and make sure

1:59:46.720 --> 1:59:49.280
<v Speaker 1>you're gonna come back strong. All right, Well, well, thank

1:59:49.320 --> 1:59:50.960
<v Speaker 1>you so much for calling this Swiss. We know I

1:59:51.040 --> 1:59:53.920
<v Speaker 1>love you, my brother thinking so much. Oh my god,

1:59:54.040 --> 1:59:56.880
<v Speaker 1>the queen is doing the queen head and she's gangster,

2:00:00.120 --> 2:00:10.400
<v Speaker 1>my brother, thank you so much. Really, let me just

2:00:10.520 --> 2:00:13.120
<v Speaker 1>tell you, I don't want to give you your flowers please.

2:00:13.360 --> 2:00:16.160
<v Speaker 1>I like them, I really do. I don't have a

2:00:16.240 --> 2:00:20.560
<v Speaker 1>box made, but I just want to tell you, but

2:00:20.760 --> 2:00:22.840
<v Speaker 1>I want to tell you that I'm super super proud

2:00:22.880 --> 2:00:25.800
<v Speaker 1>of you, like thank you. I know you, and I've

2:00:26.120 --> 2:00:29.040
<v Speaker 1>watched you and I've racked to your music. I've turned

2:00:29.080 --> 2:00:31.600
<v Speaker 1>it up in my six to six on me like

2:00:31.720 --> 2:00:34.160
<v Speaker 1>it's a real thing. The first time the super thunk

2:00:34.240 --> 2:00:39.400
<v Speaker 1>drop and I was in the the damn gas station

2:00:40.000 --> 2:00:43.560
<v Speaker 1>and I'll never forget, I was like, what what? What? What?

2:00:43.840 --> 2:00:50.440
<v Speaker 1>What was this? And that's how I felt? What what?

2:00:51.120 --> 2:00:53.240
<v Speaker 1>And anyway, I just want to tell you I'm super

2:00:53.280 --> 2:00:56.000
<v Speaker 1>super proud of you, and I'm grateful for you. And

2:00:56.080 --> 2:01:02.280
<v Speaker 1>I see a trajectory and it's unlimited to super powerful.

2:01:02.520 --> 2:01:05.640
<v Speaker 1>You are incredible. I see what you're doing. You're consistent

2:01:06.240 --> 2:01:08.400
<v Speaker 1>and you and I love what you're saying about giving

2:01:08.440 --> 2:01:11.160
<v Speaker 1>people their flowers, why they're here. It's supposed to thank

2:01:11.200 --> 2:01:13.560
<v Speaker 1>you so the way, thank you so much. And um,

2:01:14.080 --> 2:01:16.520
<v Speaker 1>let me just be clear. You know, we just looked

2:01:16.560 --> 2:01:20.360
<v Speaker 1>at this game as it's terrible that people have this

2:01:20.480 --> 2:01:23.240
<v Speaker 1>word washed up. Like ten years in this game, people

2:01:23.240 --> 2:01:26.320
<v Speaker 1>will say you're washed stuff like there's no word like

2:01:26.440 --> 2:01:29.400
<v Speaker 1>that in Rock and Rolled up. There's no word like

2:01:29.560 --> 2:01:33.880
<v Speaker 1>that in Jet Jazz, Like like what you're gonna say.

2:01:33.960 --> 2:01:38.560
<v Speaker 1>You're gonna say Sam Cook is washed up? How can

2:01:38.640 --> 2:01:41.040
<v Speaker 1>Sam Cook be washed up? So we wanted to change it.

2:01:41.600 --> 2:01:45.080
<v Speaker 1>And you know, the more that you've done in this game,

2:01:45.160 --> 2:01:46.800
<v Speaker 1>we want to praise it, we want to salute it,

2:01:46.840 --> 2:01:48.320
<v Speaker 1>we want to do that to your face. We don't

2:01:48.360 --> 2:01:51.320
<v Speaker 1>want to do that when a person that's passed away

2:01:51.920 --> 2:01:57.680
<v Speaker 1>and you're hands down the biggest artists female artists that's

2:01:57.800 --> 2:02:02.800
<v Speaker 1>ever stepped here. And let me just tell you something.

2:02:02.880 --> 2:02:06.360
<v Speaker 1>Although we're friends, I love your husband all that this

2:02:06.560 --> 2:02:09.720
<v Speaker 1>does not go without warranted. This does not mean that.

2:02:09.840 --> 2:02:13.240
<v Speaker 1>It doesn't it means less because we're friends and were

2:02:13.320 --> 2:02:16.760
<v Speaker 1>family and where were This means more because you really

2:02:16.840 --> 2:02:20.080
<v Speaker 1>could have did Oprah like I'm going to your husband earlier,

2:02:20.160 --> 2:02:22.160
<v Speaker 1>and he was like, you listen, you know my wife

2:02:22.200 --> 2:02:23.680
<v Speaker 1>could have did Oprah. And I was like, I got

2:02:23.800 --> 2:02:26.760
<v Speaker 1>to hang up right now because I was like that

2:02:26.920 --> 2:02:30.960
<v Speaker 1>it's actually true. I might have picked open over to y'alla,

2:02:31.080 --> 2:02:32.880
<v Speaker 1>Like you know what I'm saying, Like when you would

2:02:32.920 --> 2:02:36.640
<v Speaker 1>have picked up over you, I said me, Oprah, Nori

2:02:36.800 --> 2:02:38.880
<v Speaker 1>maan fuck Nori mean And I come back to them later.

2:02:39.200 --> 2:02:41.560
<v Speaker 1>You know what I'm saying, I might have been and

2:02:41.960 --> 2:02:45.240
<v Speaker 1>and this is crazy because I have to thank artists

2:02:45.320 --> 2:02:48.840
<v Speaker 1>like you, Karanye, you know the naz Is, and you

2:02:48.920 --> 2:02:52.160
<v Speaker 1>know who's sitting around and says, you know what, I'm

2:02:52.200 --> 2:02:54.240
<v Speaker 1>gonna go to the hip hop media and I'm gonna

2:02:54.600 --> 2:02:57.320
<v Speaker 1>visit that because you know, in the honestest and the

2:02:57.440 --> 2:03:01.480
<v Speaker 1>honest way, when the video, when the interview was so great,

2:03:01.600 --> 2:03:04.520
<v Speaker 1>they take our bits and pieces of the interview anywhere.

2:03:04.840 --> 2:03:07.760
<v Speaker 1>So you don't have to kind of do fifteen different outlets.

2:03:08.000 --> 2:03:11.320
<v Speaker 1>You could do one powerful, great interview and it brings

2:03:11.360 --> 2:03:14.440
<v Speaker 1>the power to I don't want to say black Latino.

2:03:14.520 --> 2:03:16.960
<v Speaker 1>I want to say hip hop because it's bigger than

2:03:17.000 --> 2:03:19.000
<v Speaker 1>a race. To me, It's like it's bigger than just

2:03:19.120 --> 2:03:22.680
<v Speaker 1>claiming to be black or Latino or even white or

2:03:22.920 --> 2:03:27.120
<v Speaker 1>whatever whatever. Remember it's wherever hip hop conversation, a conversation

2:03:28.720 --> 2:03:32.000
<v Speaker 1>one of completely thank you and and and it's so

2:03:32.120 --> 2:03:34.240
<v Speaker 1>professional you did it because, like I said, this is

2:03:34.320 --> 2:03:36.400
<v Speaker 1>one of my best friends. And you could have just

2:03:36.680 --> 2:03:39.120
<v Speaker 1>just hit swears, but you did a professional You had

2:03:39.600 --> 2:03:42.640
<v Speaker 1>management the public. I felt so special. I was like,

2:03:42.720 --> 2:03:47.120
<v Speaker 1>they sent me now. And by the way it took

2:03:47.200 --> 2:03:49.640
<v Speaker 1>me twenty five minutes to download this ship that she

2:03:49.760 --> 2:03:54.840
<v Speaker 1>was the most complicated, by the way I could not

2:03:54.960 --> 2:03:57.720
<v Speaker 1>fold it to nobody to say welcome Nori, I said, oh,

2:04:00.040 --> 2:04:04.839
<v Speaker 1>this is mad, but I appreciate your team. I appreciate

2:04:05.080 --> 2:04:08.880
<v Speaker 1>I really, you know, thank you. You know what I'm saying, because, um,

2:04:10.080 --> 2:04:14.200
<v Speaker 1>the one thing about us is we have a great platform,

2:04:14.480 --> 2:04:17.240
<v Speaker 1>but it kind of seems like a boys club. And

2:04:17.360 --> 2:04:19.800
<v Speaker 1>this is not a boys club. This is as much

2:04:19.960 --> 2:04:23.320
<v Speaker 1>as your show as anybody. I mean, I mean, this

2:04:23.440 --> 2:04:28.360
<v Speaker 1>is yours working. This is a club. And I'm so

2:04:28.600 --> 2:04:32.240
<v Speaker 1>glad that you chose, Like I really, like, I was

2:04:32.320 --> 2:04:36.760
<v Speaker 1>so happy, Uma. I studied you so much, like I

2:04:37.200 --> 2:04:39.080
<v Speaker 1>can't lie to you, like I'm you right now, Like

2:04:39.120 --> 2:04:42.840
<v Speaker 1>it's gonna take me. Yeah, it's yeah, yeah, it's like

2:04:42.920 --> 2:04:46.879
<v Speaker 1>two days. Like I'm just like I was calling Swiss.

2:04:47.040 --> 2:04:49.000
<v Speaker 1>This was just like what kind of christis? We were

2:04:49.080 --> 2:04:50.640
<v Speaker 1>plotting on you And that's why I knew. Like I

2:04:50.720 --> 2:04:56.160
<v Speaker 1>was like really in, I was like, he's plotting with me, said,

2:04:56.160 --> 2:04:59.640
<v Speaker 1>she's bringing the ice out today, normal and SI, you

2:04:59.760 --> 2:05:08.960
<v Speaker 1>can't ice down, You're ready to go, so let me

2:05:09.040 --> 2:05:11.760
<v Speaker 1>let me just say something. So we got the new album, Yes,

2:05:12.240 --> 2:05:16.280
<v Speaker 1>what's next? After we conquered movies? Um. I had a

2:05:16.360 --> 2:05:18.120
<v Speaker 1>friend say to me the other day, he said, Yo,

2:05:18.240 --> 2:05:24.040
<v Speaker 1>I conquered or my bucket listen, And it sucked me

2:05:24.120 --> 2:05:26.760
<v Speaker 1>up because if you conquer your bucket, Liss, where did

2:05:26.800 --> 2:05:30.640
<v Speaker 1>you go from? I'm gonna actually that did you conquer everything?

2:05:30.680 --> 2:05:34.200
<v Speaker 1>When your bucket listen? You know, I always feel like

2:05:34.560 --> 2:05:37.280
<v Speaker 1>there's more to learn. I always feel like a student.

2:05:37.880 --> 2:05:41.080
<v Speaker 1>I always feel excited about what I could bring, what

2:05:41.360 --> 2:05:45.680
<v Speaker 1>new I can experience as well. Um, there's a lot

2:05:45.880 --> 2:05:47.800
<v Speaker 1>of things up my sleeve, for sure. I got a

2:05:47.880 --> 2:05:51.840
<v Speaker 1>lot coming and a lot of amazing ideas coming. I

2:05:51.960 --> 2:05:55.800
<v Speaker 1>definitely every day I'm learning more about myself and who

2:05:55.880 --> 2:05:57.360
<v Speaker 1>I want to be in the world. You know, and

2:05:57.480 --> 2:05:59.520
<v Speaker 1>it and it shifts and it evolves and it changes.

2:05:59.840 --> 2:06:02.560
<v Speaker 1>So I'm definitely having conquered my bucket list. There's like

2:06:02.640 --> 2:06:04.840
<v Speaker 1>a lot of dream and left. So what's on your

2:06:05.160 --> 2:06:07.960
<v Speaker 1>list that you have a cocket? I want to do

2:06:08.760 --> 2:06:15.160
<v Speaker 1>a really incredible Broadway play like writeing and performance perform

2:06:15.560 --> 2:06:21.640
<v Speaker 1>right create called Alicia. I'm gonna tell you the name. Actually,

2:06:21.920 --> 2:06:23.600
<v Speaker 1>I'm gonna tell you the name. You're the only person

2:06:23.720 --> 2:06:28.440
<v Speaker 1>that knows it. Yeah, I don't worry about these people here,

2:06:28.640 --> 2:06:30.200
<v Speaker 1>I know you will. But it's such a good name.

2:06:30.920 --> 2:06:36.520
<v Speaker 1>It's called Hell's Kitchen. Killed that killed that. Nobody will

2:06:36.560 --> 2:06:42.520
<v Speaker 1>ever know that. Yeah, yeah, yeah, way play. I really

2:06:42.640 --> 2:06:47.640
<v Speaker 1>want to focus on generational wealth. I feel like that

2:06:47.760 --> 2:06:49.960
<v Speaker 1>there's a lot to learn for all of us. You know,

2:06:50.080 --> 2:06:52.400
<v Speaker 1>a lot of the times we don't have the tools

2:06:52.520 --> 2:06:55.560
<v Speaker 1>or the information that allows us to really get ahead.

2:06:56.000 --> 2:06:58.280
<v Speaker 1>And I really want to focus on that, like in

2:06:58.400 --> 2:07:02.520
<v Speaker 1>a in a major way, so crafting and creating ways

2:07:02.600 --> 2:07:06.400
<v Speaker 1>that that happens and everything I do, but in everything

2:07:06.560 --> 2:07:08.640
<v Speaker 1>that the people that I partner with, in the ways

2:07:08.680 --> 2:07:10.600
<v Speaker 1>that I think a lot of people are open to

2:07:10.760 --> 2:07:15.840
<v Speaker 1>really equalizing the scales and and that we understand that

2:07:16.440 --> 2:07:20.680
<v Speaker 1>that there's been years of of incorrectly done ship and

2:07:20.880 --> 2:07:22.760
<v Speaker 1>inside of fixing, you know what I mean. So I'm

2:07:22.800 --> 2:07:24.920
<v Speaker 1>really into that. So I really I'm learning about that

2:07:25.000 --> 2:07:26.800
<v Speaker 1>and I'm figuring out how to crack that code and

2:07:26.840 --> 2:07:29.800
<v Speaker 1>really make that a real thing. So that's deep. Um,

2:07:30.160 --> 2:07:32.320
<v Speaker 1>you know, I feel like there's so much to don't

2:07:32.320 --> 2:07:33.880
<v Speaker 1>want to have a lot of fun too. I just

2:07:33.960 --> 2:07:35.480
<v Speaker 1>want to I want to live and I want to

2:07:35.560 --> 2:07:37.960
<v Speaker 1>be president. I want to be president my kid's life.

2:07:38.000 --> 2:07:40.080
<v Speaker 1>I want them to know me, you know what I mean.

2:07:40.080 --> 2:07:41.640
<v Speaker 1>I want them to be like, oh yeah, her who

2:07:41.720 --> 2:07:44.000
<v Speaker 1>was always going you know what I mean. I really

2:07:44.080 --> 2:07:46.600
<v Speaker 1>want them to know me, and they do. I'm good

2:07:46.680 --> 2:07:48.400
<v Speaker 1>at it. I'm really good. I see you doing a

2:07:48.440 --> 2:07:53.080
<v Speaker 1>great job. Crypto are you? Are you in the crypto?

2:07:53.320 --> 2:07:55.280
<v Speaker 1>I am. I'm just getting my wallet, that's what you

2:07:55.400 --> 2:08:00.120
<v Speaker 1>call because they told me get my wallet. I'm meant it.

2:08:00.240 --> 2:08:01.920
<v Speaker 1>I think that I think we just have to diversify.

2:08:01.920 --> 2:08:07.720
<v Speaker 1>I think we have to understand everything. You know, we're

2:08:07.720 --> 2:08:16.160
<v Speaker 1>about to release our cards Culture Fire, So that's like

2:08:16.320 --> 2:08:19.920
<v Speaker 1>the like the Amex that like's it's gonna be like

2:08:20.080 --> 2:08:23.120
<v Speaker 1>trading cards, like n f T trading cards, and you

2:08:23.200 --> 2:08:25.840
<v Speaker 1>can create your virtual record label, shout out to culture

2:08:25.880 --> 2:08:28.640
<v Speaker 1>cards and we're part of that. It was definitely we

2:08:28.720 --> 2:08:30.720
<v Speaker 1>were talking about the meta and all this virtual ship

2:08:30.800 --> 2:08:33.920
<v Speaker 1>that's happening. It's major, it's major, But how do you

2:08:34.000 --> 2:08:35.800
<v Speaker 1>feel about it? Like does it freak you out? Because

2:08:35.840 --> 2:08:38.000
<v Speaker 1>it's kind of freaks me out a little bit. I

2:08:38.120 --> 2:08:40.040
<v Speaker 1>need to understand what freaks you out? I think what

2:08:40.240 --> 2:08:43.240
<v Speaker 1>freaks and maybe it's just I just want to make

2:08:43.320 --> 2:08:45.720
<v Speaker 1>sure that we keep being actually in touch with each other.

2:08:45.800 --> 2:08:47.640
<v Speaker 1>You have to be freaked out, you know what I

2:08:47.800 --> 2:08:50.680
<v Speaker 1>have to know. What I'm saying is that ship actually exists?

2:08:50.840 --> 2:09:03.120
<v Speaker 1>Huh whatta you gotta relax you And and the n

2:09:03.200 --> 2:09:07.920
<v Speaker 1>f T is Netflix. Yeah, yeah, I don't get it. Dude,

2:09:07.920 --> 2:09:12.120
<v Speaker 1>that was Dominican. Here's a question. Can I please taste

2:09:12.160 --> 2:09:19.160
<v Speaker 1>that dag on you to? Oh, I'm gonna take another

2:09:19.200 --> 2:09:21.560
<v Speaker 1>shot in another you just take a show. I'm gonna

2:09:21.560 --> 2:09:25.960
<v Speaker 1>have a with that. Wait, why why aren't you frecking in?

2:09:26.120 --> 2:09:28.360
<v Speaker 1>And I'll tell you why. I'm concerned about the metaverts.

2:09:31.560 --> 2:09:35.200
<v Speaker 1>I don't think do you remember when everyone was dying

2:09:35.400 --> 2:09:43.960
<v Speaker 1>and Dominica listen to these guys in my cheer But

2:09:44.000 --> 2:09:48.240
<v Speaker 1>I was in the medic with the head Dominican, wasn't

2:09:48.280 --> 2:09:50.800
<v Speaker 1>we in the Medica where everyone was dying? It's what

2:09:50.920 --> 2:09:55.440
<v Speaker 1>you describe with the tiger bone. No, it is not sweet.

2:09:56.840 --> 2:09:58.920
<v Speaker 1>It's not it is. It's very sweet. I can tell

2:09:58.920 --> 2:10:02.800
<v Speaker 1>you drinking. Do you drink Jaine's whiskey? Sometimes? I like whiskey.

2:10:03.440 --> 2:10:07.400
<v Speaker 1>I like whiskey, like McCallen. McCallen, that's American whiskey. Oh

2:10:07.440 --> 2:10:10.920
<v Speaker 1>that's Irish whisky. All right, that's what I likes. Very

2:10:12.280 --> 2:10:17.400
<v Speaker 1>that's very the best pussy come from. I I like, yes,

2:10:17.480 --> 2:10:22.320
<v Speaker 1>we could tell thank you don't cheap ship. Don't gonna

2:10:22.320 --> 2:10:24.080
<v Speaker 1>be no cheap ship when I get there. But you

2:10:24.240 --> 2:10:34.120
<v Speaker 1>also you also like Delion too. Ye, He's like, are

2:10:34.200 --> 2:10:51.120
<v Speaker 1>we doing this? You are Swiss? Lusk Swiss. Y'all are

2:10:51.280 --> 2:10:57.560
<v Speaker 1>too cute? You like, you're so scared that Kanye smoke

2:10:57.880 --> 2:10:59.760
<v Speaker 1>you run off some dreams. I mean, I don't know

2:11:00.000 --> 2:11:02.440
<v Speaker 1>the question that I'm wondering. They told me you big

2:11:03.400 --> 2:11:16.240
<v Speaker 1>who WHOA Like? I opened it and there's morning. I

2:11:16.280 --> 2:11:17.880
<v Speaker 1>don't know. We don't worry. I got your back. I

2:11:17.960 --> 2:11:19.040
<v Speaker 1>got your back. You don't got to do all that

2:11:21.200 --> 2:11:23.160
<v Speaker 1>to get the weather, all right, So here's the question,

2:11:25.240 --> 2:11:28.959
<v Speaker 1>what is this part? It's called would that be tobacco?

2:11:29.080 --> 2:11:32.840
<v Speaker 1>It's called your back on because it's fake tobacco. That's

2:11:32.840 --> 2:11:37.360
<v Speaker 1>a vegan tobacco. Tobacco. I don't know what I'm saying,

2:11:37.400 --> 2:11:39.920
<v Speaker 1>but I think it's true. And then and then what

2:11:40.280 --> 2:11:44.600
<v Speaker 1>great or strange right there? It's a great smoke Champs strain.

2:11:44.960 --> 2:11:49.440
<v Speaker 1>It is called grown in the Mountains of Austria. I

2:11:49.480 --> 2:11:55.080
<v Speaker 1>would prefer the Medican Republic road Roadman Republic next to

2:11:55.120 --> 2:11:58.760
<v Speaker 1>the Mama Hauna Brandon. Now, I do appreciate the wooden filter. Yes,

2:11:58.840 --> 2:12:00.680
<v Speaker 1>we would like for you to a spar that. Because

2:12:00.760 --> 2:12:03.520
<v Speaker 1>Kanye smoked the prototype. This is the actual one, that's

2:12:03.520 --> 2:12:05.560
<v Speaker 1>the real ship. So you will be the first one

2:12:05.600 --> 2:12:09.000
<v Speaker 1>that ever smoked that on smoke chairs. So I'm not

2:12:09.080 --> 2:12:11.000
<v Speaker 1>going to be called finishing. I don't even be calling.

2:12:11.280 --> 2:12:17.760
<v Speaker 1>I don't want to whatever. Whatever. Whatever, Yeah, my god,

2:12:17.920 --> 2:12:27.760
<v Speaker 1>is it going on? Can we play? Yeah, let's make

2:12:27.880 --> 2:12:32.120
<v Speaker 1>sure I'm not gonna cough. No, you ain't gonna We're

2:12:32.120 --> 2:12:35.520
<v Speaker 1>gonna we edited that. We have a don't worry me

2:12:35.600 --> 2:12:38.120
<v Speaker 1>and Swiss is edited in this episode. Anyway, don't worry

2:12:38.120 --> 2:12:45.640
<v Speaker 1>about it. We got your back I heard, I heard,

2:12:46.600 --> 2:12:48.880
<v Speaker 1>I heard you're a big time smoker. That's what they

2:12:48.920 --> 2:12:55.040
<v Speaker 1>said on the low. So this is actually the awkward question.

2:12:55.080 --> 2:12:56.960
<v Speaker 1>Do you tell me if it's awkward? Would you ever

2:12:57.000 --> 2:13:00.400
<v Speaker 1>think about making a reggae album? Oh my gosh, I love.

2:13:00.600 --> 2:13:03.160
<v Speaker 1>I feel like I have a lot of reggae records

2:13:03.200 --> 2:13:05.880
<v Speaker 1>that I've made that it's natural for me. This back

2:13:05.960 --> 2:13:09.280
<v Speaker 1>to the soul vibe that we were talking about. It's

2:13:09.320 --> 2:13:11.640
<v Speaker 1>such a soul that it's such an energy there. No

2:13:11.800 --> 2:13:13.880
<v Speaker 1>one had a crazy reggae remix. You don't know my

2:13:14.040 --> 2:13:17.200
<v Speaker 1>name at a crazy roots remix. There's so many songs

2:13:17.240 --> 2:13:18.920
<v Speaker 1>that I have that I feel like that's natural. I

2:13:19.320 --> 2:13:22.920
<v Speaker 1>actually think a reggae record would be like a zone

2:13:23.000 --> 2:13:24.800
<v Speaker 1>for me. So are you going to change your name

2:13:24.840 --> 2:13:34.040
<v Speaker 1>like Snoop Lion? What would be? What Tiger? It would

2:13:34.040 --> 2:13:42.400
<v Speaker 1>be Alicia Panther's. Yeah, for sure, I'm buying the album already, Panther.

2:13:42.560 --> 2:13:46.120
<v Speaker 1>Let what's pretty smooth? What is your ultimate thank you?

2:13:46.240 --> 2:13:50.839
<v Speaker 1>We ourselves? If we canna work with anybody dead or alive,

2:13:51.160 --> 2:13:55.360
<v Speaker 1>who work with anybody? Who would it be? Let's pick three?

2:13:55.680 --> 2:13:58.880
<v Speaker 1>All right? If it was anybody that are alive, I

2:13:58.960 --> 2:14:05.440
<v Speaker 1>feel like it would be Kurt Cobain, I can see that.

2:14:06.360 --> 2:14:13.040
<v Speaker 1>Nina Simone, Marvin Gays what an amazing wait wait I

2:14:13.160 --> 2:14:17.800
<v Speaker 1>changed it. You go five, okay, Nina Simone, We're gonna

2:14:17.800 --> 2:14:23.560
<v Speaker 1>go high five Marvin Gaye, big Gil. I feel like

2:14:23.600 --> 2:14:35.360
<v Speaker 1>that would be so crazy. And Nipsy she's going Boba beyond,

2:14:35.920 --> 2:14:39.800
<v Speaker 1>she's killing it. That's because I was late. That's fine,

2:14:39.880 --> 2:14:42.800
<v Speaker 1>You've got me so coldly ship. That is a great

2:14:44.280 --> 2:14:47.760
<v Speaker 1>that's a good list. That's all. And you know I

2:14:47.880 --> 2:14:49.560
<v Speaker 1>was gonna say, but I felt like it was obvious.

2:14:52.640 --> 2:14:56.720
<v Speaker 1>But I feel like Bob, Bob is so special, Like

2:14:57.440 --> 2:15:00.400
<v Speaker 1>how can how can one person be so pro thinking,

2:15:00.480 --> 2:15:04.760
<v Speaker 1>like so willing to share the truth? You know what

2:15:04.840 --> 2:15:06.560
<v Speaker 1>I mean? And and and the thing about this is

2:15:07.120 --> 2:15:10.760
<v Speaker 1>related to you because like it's certain records that you

2:15:10.840 --> 2:15:14.160
<v Speaker 1>can drop at any moment, like you don't know, my

2:15:14.320 --> 2:15:18.120
<v Speaker 1>name can drop right now and they'll be saying real

2:15:18.640 --> 2:15:21.720
<v Speaker 1>like you make timeless like transcend yeah, like like like

2:15:22.280 --> 2:15:24.280
<v Speaker 1>like when I listened to you, and I really did

2:15:24.360 --> 2:15:27.280
<v Speaker 1>a study because, like I said, Jimmy ko Swiss is

2:15:27.720 --> 2:15:29.760
<v Speaker 1>your husband and he's my friend. I didn't want to

2:15:29.840 --> 2:15:31.520
<v Speaker 1>do my I wanted to do my due diligence, and

2:15:31.600 --> 2:15:34.000
<v Speaker 1>I wanted to go, and I'm asking them questions, is

2:15:34.000 --> 2:15:37.280
<v Speaker 1>how I got the the the you would rate kwon

2:15:37.560 --> 2:15:42.040
<v Speaker 1>being that I'm going in, I'm going in and I'm

2:15:42.080 --> 2:15:48.600
<v Speaker 1>going in. But it's like, um, like you really make

2:15:48.840 --> 2:15:51.640
<v Speaker 1>timeless music. So as I'm going through, because we had

2:15:51.680 --> 2:15:53.880
<v Speaker 1>the at least the keys are centrals. This is the

2:15:54.000 --> 2:15:58.640
<v Speaker 1>list of just your hits, and it's like when we

2:15:58.800 --> 2:16:01.240
<v Speaker 1>listen to it, because that's what we do before artists

2:16:01.280 --> 2:16:03.880
<v Speaker 1>walk in and we sit there and we're sitting here

2:16:04.120 --> 2:16:06.280
<v Speaker 1>and we're all listening to it because we've all set

2:16:06.360 --> 2:16:09.560
<v Speaker 1>up at three o'clock, so we all set over here three. Yeah,

2:16:09.560 --> 2:16:14.800
<v Speaker 1>we're here at three. But it was like, damn, your

2:16:14.920 --> 2:16:18.520
<v Speaker 1>music is really timeless, like you could have there's certain

2:16:18.560 --> 2:16:20.800
<v Speaker 1>of your albums you could drop right now and it's

2:16:20.800 --> 2:16:23.720
<v Speaker 1>still relevant, Like how the fund did you do that?

2:16:24.040 --> 2:16:26.600
<v Speaker 1>And now are you doing it on purpose? Or I

2:16:26.720 --> 2:16:28.680
<v Speaker 1>just like kind of what we kind of left off

2:16:28.760 --> 2:16:31.880
<v Speaker 1>on it what you asked me. And I think you know,

2:16:31.880 --> 2:16:35.200
<v Speaker 1>I'm not chasing anything. I'm not chasing a trend, I'm

2:16:35.200 --> 2:16:37.920
<v Speaker 1>not tracing a sound, I'm not tracing anything. I'm I'm

2:16:38.040 --> 2:16:40.440
<v Speaker 1>chasing the truth. You know, I'm chasing my truth, I'm

2:16:40.520 --> 2:16:44.640
<v Speaker 1>chasing my honesty and just following that. So I think

2:16:44.680 --> 2:16:48.959
<v Speaker 1>that that's what allows it to just be honest. When

2:16:49.080 --> 2:16:51.760
<v Speaker 1>someone's honest, you can feel it forever. You know, it's

2:16:51.800 --> 2:16:53.400
<v Speaker 1>like it don't matter. It's just like that was that

2:16:53.560 --> 2:16:56.760
<v Speaker 1>person's feelings in that moment. So I feel like that's

2:16:56.760 --> 2:16:58.480
<v Speaker 1>what it is. But I appreciate you saying that because

2:16:58.520 --> 2:17:02.400
<v Speaker 1>that's actually a really big accomplishment. I didn't know that then.

2:17:03.200 --> 2:17:05.840
<v Speaker 1>I realized that now, like when people can actually be

2:17:06.360 --> 2:17:10.760
<v Speaker 1>six years old, twenty years old, thirty five years old,

2:17:11.040 --> 2:17:13.680
<v Speaker 1>sixty five years old, and they can all relate to

2:17:13.840 --> 2:17:17.640
<v Speaker 1>the same music, that's like, that's something. So I don't

2:17:17.680 --> 2:17:19.800
<v Speaker 1>take that for granted. And let me just tell you something.

2:17:20.000 --> 2:17:29.480
<v Speaker 1>Your fans are very nice people. Yes, yes, yes, but

2:17:30.400 --> 2:17:36.119
<v Speaker 1>I you know, I was so open when on Twitter. Yes,

2:17:36.200 --> 2:17:40.880
<v Speaker 1>I was open on Twitter, and um, Twitter is the

2:17:40.920 --> 2:17:45.080
<v Speaker 1>most evilest people in the world. So I go on

2:17:45.200 --> 2:17:51.720
<v Speaker 1>Twitter and I say, we got Alicia. You know, you're

2:17:51.760 --> 2:17:54.720
<v Speaker 1>the only person. That's why I said your fans, you're

2:17:54.720 --> 2:17:57.760
<v Speaker 1>the only person with no negative comments for people were

2:17:57.840 --> 2:17:59.400
<v Speaker 1>first off telling me I was lying, like you ain't

2:17:59.440 --> 2:18:04.400
<v Speaker 1>got ever, and there was a leak there was you

2:18:04.440 --> 2:18:07.440
<v Speaker 1>have a fan page on Twitter, it's like Alicia fans.

2:18:07.520 --> 2:18:09.640
<v Speaker 1>And then they said it's rumored that she's gonna be

2:18:09.680 --> 2:18:14.120
<v Speaker 1>on Drink Chams and everyone's like, yeah, you're fans this

2:18:14.240 --> 2:18:20.200
<v Speaker 1>I know. No they real listen, I'm gonna tell you

2:18:20.280 --> 2:18:24.360
<v Speaker 1>who else. It's Kanye and Little Wayne. Little Wayne has

2:18:24.480 --> 2:18:30.720
<v Speaker 1>nice fans too. Yeah, they asked for permission, like they asked.

2:18:30.760 --> 2:18:34.680
<v Speaker 1>They like, when's the next part of it? Dropping like, okay,

2:18:36.680 --> 2:18:41.520
<v Speaker 1>you're fans, Like, no, no, you're fans. When I put

2:18:41.959 --> 2:18:43.760
<v Speaker 1>and I popped the bottle of Asia Spaine and I said,

2:18:43.800 --> 2:18:46.320
<v Speaker 1>we gotta be prepping for Alicia and I'm playing your

2:18:46.400 --> 2:18:48.880
<v Speaker 1>music in the background, and they just hit me on

2:18:48.959 --> 2:18:53.600
<v Speaker 1>the d M, like, yo, y'all her fans. Yes, they

2:18:56.560 --> 2:18:58.440
<v Speaker 1>I mean in my mind, just let me ride my story.

2:19:00.400 --> 2:19:04.720
<v Speaker 1>They were just like, yo, that's crazy that you got.

2:19:05.440 --> 2:19:10.360
<v Speaker 1>And again, it's just like, I want to reiterate what

2:19:10.480 --> 2:19:13.879
<v Speaker 1>your husband said. It's just like you're really that status

2:19:13.959 --> 2:19:17.240
<v Speaker 1>where you can go do Gail King, you can go

2:19:17.520 --> 2:19:21.640
<v Speaker 1>do Ellen Degeneral, you know, you can go do whoever

2:19:21.800 --> 2:19:34.760
<v Speaker 1>the hell you want, but you picked drink Chick. I believe.

2:19:34.840 --> 2:19:36.600
<v Speaker 1>Let me tell you something. I'm gonna say something this is.

2:19:36.720 --> 2:19:38.960
<v Speaker 1>This is gonna sound weird, but just robbing me for

2:19:39.080 --> 2:19:42.640
<v Speaker 1>the story because my mom's my mom's had never asked

2:19:42.680 --> 2:19:45.520
<v Speaker 1>me to ever meet anybody in this game. And my

2:19:45.640 --> 2:19:47.840
<v Speaker 1>mom's asked me to meet Big Pun and I told her,

2:19:47.879 --> 2:19:50.800
<v Speaker 1>I said, mom, that will always be around. And I

2:19:50.920 --> 2:19:53.840
<v Speaker 1>never did it. And I never got a chance to

2:19:53.879 --> 2:19:56.720
<v Speaker 1>beat my mom's the Big Pun for this. It's another thing.

2:19:56.840 --> 2:20:00.560
<v Speaker 1>My wife never asked me to be any artists, and

2:20:00.680 --> 2:20:04.120
<v Speaker 1>she asked me to be Alicia and I like that,

2:20:04.200 --> 2:20:07.040
<v Speaker 1>and I never got a chance. Look she's blushing over there.

2:20:07.280 --> 2:20:09.600
<v Speaker 1>I never got a chance. I went to um there

2:20:09.640 --> 2:20:11.920
<v Speaker 1>was an art basil show. I know, I pronounced our

2:20:11.959 --> 2:20:17.120
<v Speaker 1>basil and you had just performed and he was in

2:20:17.200 --> 2:20:19.120
<v Speaker 1>the back and I didn't get a chance to to

2:20:19.600 --> 2:20:22.840
<v Speaker 1>do that. So today is my day of my wife

2:20:22.920 --> 2:20:26.400
<v Speaker 1>and my girl came to and she if a girl

2:20:27.160 --> 2:20:30.840
<v Speaker 1>come out for nothing. She was here and she wanted

2:20:31.720 --> 2:20:36.560
<v Speaker 1>time to roster. Girl came out all the females because

2:20:36.920 --> 2:20:47.440
<v Speaker 1>we really this is really daughter. Yeah. Randy AKA came

2:20:47.480 --> 2:20:51.480
<v Speaker 1>out and he was managing and by the way, he

2:20:51.600 --> 2:20:53.640
<v Speaker 1>was made a little mama. At that time, he was

2:20:53.720 --> 2:20:56.520
<v Speaker 1>managing a little mama. I called him so much, y'all,

2:20:59.480 --> 2:21:05.280
<v Speaker 1>what's going? But I called hippify million times, like with

2:21:05.480 --> 2:21:08.480
<v Speaker 1>mad jokes I had sent to every men that ever

2:21:08.680 --> 2:21:12.520
<v Speaker 1>was sent to me. I was like, not, this is

2:21:12.600 --> 2:21:15.600
<v Speaker 1>the look this like, honestly, I'm gonna be honest. Yes, please,

2:21:16.800 --> 2:21:22.280
<v Speaker 1>I have done those shows multiple times. I just have

2:21:22.440 --> 2:21:24.800
<v Speaker 1>to say this is like, this is the vibe. Is

2:21:25.800 --> 2:21:32.080
<v Speaker 1>this it's a real thing. I'm gonna take a shot

2:21:32.120 --> 2:21:38.600
<v Speaker 1>to that. Yes, but Atlicia, let us just say something

2:21:38.720 --> 2:21:43.800
<v Speaker 1>one more time. I really appreciate you showing us this

2:21:43.959 --> 2:21:51.480
<v Speaker 1>love because again, it's bigger than a race thing or

2:21:51.600 --> 2:21:53.920
<v Speaker 1>something like that. It's hip hop. Hip hop is to

2:21:54.040 --> 2:21:58.520
<v Speaker 1>me its own race. I actually want to I actually

2:21:58.560 --> 2:22:00.560
<v Speaker 1>want to get a job, Like I don't. I don't

2:22:00.600 --> 2:22:02.200
<v Speaker 1>need a job, but I want to get a job.

2:22:02.240 --> 2:22:06.520
<v Speaker 1>And they'd be like, what race, Chill, relax, it's my career, Relax.

2:22:06.720 --> 2:22:10.120
<v Speaker 1>I'm gonna get a job. And when they asked for

2:22:10.200 --> 2:22:14.640
<v Speaker 1>the box to check, I want to check hip hop, like,

2:22:18.920 --> 2:22:22.000
<v Speaker 1>because there's certain people we should started just doing that,

2:22:22.840 --> 2:22:25.760
<v Speaker 1>started to push that that that's maybe white, there's certain

2:22:25.760 --> 2:22:28.600
<v Speaker 1>people that that but then just as hip hop as me.

2:22:28.959 --> 2:22:31.320
<v Speaker 1>But you know when when Michael Mex would say so called,

2:22:31.959 --> 2:22:34.960
<v Speaker 1>so called, so called white man, so called black man,

2:22:35.080 --> 2:22:38.320
<v Speaker 1>so called, I really that means something to me because

2:22:38.360 --> 2:22:40.440
<v Speaker 1>it is a so called that's a name, that's names

2:22:40.480 --> 2:22:43.920
<v Speaker 1>we've been given by whoever didn't care anything about us,

2:22:44.000 --> 2:22:48.400
<v Speaker 1>any of us, whichever so called we became. So that's

2:22:48.400 --> 2:22:51.040
<v Speaker 1>not so called human. Let's come on, let's just go

2:22:51.160 --> 2:22:53.960
<v Speaker 1>back to the basics. That's for sure. I love that.

2:22:54.120 --> 2:22:58.080
<v Speaker 1>Let's go, cheers, Let's go. What is that is that?

2:23:00.440 --> 2:23:02.720
<v Speaker 1>I actually went back to this one just for safety.

2:23:03.720 --> 2:23:05.400
<v Speaker 1>Mama wanna will take care of you. Trust Now, I

2:23:05.480 --> 2:23:08.520
<v Speaker 1>gotta taste delicious. I just wanted to sake. The mixing

2:23:08.680 --> 2:23:14.000
<v Speaker 1>is because I gotta act. I can't drink tequilla. I

2:23:14.200 --> 2:23:18.080
<v Speaker 1>love tequiller. It's just so smooth, especially with the right

2:23:18.600 --> 2:23:22.840
<v Speaker 1>good tequilla tequila that you need to stop. Okay, tell me,

2:23:23.400 --> 2:23:26.800
<v Speaker 1>tell me example of a wrong tequilla. Julio. No, no

2:23:27.680 --> 2:23:31.160
<v Speaker 1>Julio is great. I like Don Julio, I likes I

2:23:31.280 --> 2:23:35.640
<v Speaker 1>like Causto meges and I like I'm getting a little nervous.

2:23:35.680 --> 2:23:38.280
<v Speaker 1>A cast of me goes because every hoody person. I know.

2:23:38.600 --> 2:23:42.160
<v Speaker 1>They're not. You're a mega at a bottle. The worst

2:23:42.240 --> 2:23:45.440
<v Speaker 1>people in the world I know is broken around with

2:23:45.560 --> 2:23:47.880
<v Speaker 1>a bottle of cast of meges. It immediately makes me

2:23:48.000 --> 2:23:55.240
<v Speaker 1>not want to drink back. This one definitely has. You know,

2:23:55.400 --> 2:23:59.480
<v Speaker 1>it's it's it's become universal. Yes, yes, so and look

2:23:59.480 --> 2:24:02.680
<v Speaker 1>congratulate to them. Yes, because a lot of people getting

2:24:02.720 --> 2:24:09.480
<v Speaker 1>money and so you recommend no Cassams, No, that's not

2:24:09.560 --> 2:24:14.800
<v Speaker 1>what I said that you did. This is what we're doing.

2:24:16.680 --> 2:24:19.000
<v Speaker 1>I'm not sure what he's doing, but nonetheless, that's the

2:24:19.040 --> 2:24:21.040
<v Speaker 1>tequila that I like it when it's you know, when

2:24:21.080 --> 2:24:23.400
<v Speaker 1>it's high quality, is smooth, and it doesn't it can't

2:24:23.440 --> 2:24:25.040
<v Speaker 1>feel like it burns you and hurt you. If it

2:24:25.120 --> 2:24:27.240
<v Speaker 1>hurts you and burns you is the wrong kind. Okay,

2:24:27.600 --> 2:24:32.480
<v Speaker 1>And have you ever mixed your tequila. I'll do soda,

2:24:33.440 --> 2:24:34.760
<v Speaker 1>but I don't like to mix it with like a

2:24:34.840 --> 2:24:37.920
<v Speaker 1>bunch of fruity juices and ship We noticed you put

2:24:38.080 --> 2:24:42.440
<v Speaker 1>halapeeno like a spice margarita. Margarita has too much sugar

2:24:42.480 --> 2:24:47.520
<v Speaker 1>for me. But the halapenios you need to try it.

2:24:48.560 --> 2:24:52.240
<v Speaker 1>You should try it's slowly I'm going to take a

2:24:52.280 --> 2:24:54.240
<v Speaker 1>little bit more vegan. But but it doesn't take a

2:24:54.280 --> 2:24:57.360
<v Speaker 1>little bit before you end the show. Yes, I wait

2:24:57.400 --> 2:25:00.280
<v Speaker 1>for you and when you come back. He he just

2:25:00.360 --> 2:25:03.440
<v Speaker 1>takes random bees. He just does He just does it.

2:25:04.160 --> 2:25:07.280
<v Speaker 1>He just he loves it. He drinks, he drinks blonde ale.

2:25:08.480 --> 2:25:13.120
<v Speaker 1>That's the thing about guys. Yes, yes, yes, it is.

2:25:13.879 --> 2:25:16.320
<v Speaker 1>But I like that you invited the ladies into the zone.

2:25:16.480 --> 2:25:19.520
<v Speaker 1>I like that I'm able to represent ladies in his zone.

2:25:19.560 --> 2:25:21.680
<v Speaker 1>I love that we can talk about different space. You see,

2:25:21.680 --> 2:25:24.520
<v Speaker 1>it's like a protect this safe space. You're treating me

2:25:25.040 --> 2:25:27.440
<v Speaker 1>super queenly, kingly and you know, let me just tell

2:25:27.480 --> 2:25:32.960
<v Speaker 1>you something. I was going to have two females throw

2:25:33.320 --> 2:25:38.520
<v Speaker 1>roses at your feet. You walked out, and I was

2:25:38.600 --> 2:25:41.840
<v Speaker 1>trying to do to come into America right right right,

2:25:42.680 --> 2:25:45.039
<v Speaker 1>And at the last end, they was like, but that's

2:25:45.200 --> 2:25:53.320
<v Speaker 1>might be too much showing favoritism to the Yes, okay, okay,

2:25:53.360 --> 2:25:55.640
<v Speaker 1>I was wooded. I was going. I was going with it.

2:25:55.959 --> 2:25:58.280
<v Speaker 1>But then it was like, all right, they wage tones down.

2:25:58.360 --> 2:26:00.840
<v Speaker 1>But how I see it, it's never too that's never

2:26:00.959 --> 2:26:05.760
<v Speaker 1>too one. Live boldly, bravely and share shower people shower

2:26:06.080 --> 2:26:13.160
<v Speaker 1>bold bravely, b B. I appreciate the thought no, I

2:26:13.280 --> 2:26:16.680
<v Speaker 1>swear to God, you can not to do it. No.

2:26:22.440 --> 2:26:24.720
<v Speaker 1>By the way Kanye gave his glasses to hed been

2:26:24.800 --> 2:26:38.040
<v Speaker 1>the same sense it shower, don't want to know. Go ahead,

2:26:38.080 --> 2:26:41.040
<v Speaker 1>it's okay, it's okay. No one told me not to

2:26:41.120 --> 2:26:44.000
<v Speaker 1>do it yourself doubting. No. I just was like, yo,

2:26:44.120 --> 2:26:45.760
<v Speaker 1>you're sure. And then people was like, you know what,

2:26:46.640 --> 2:26:51.080
<v Speaker 1>maybe don't make it too much because yeah, and that's

2:26:51.120 --> 2:26:54.480
<v Speaker 1>the reason why I sold. But it's okay, you know why,

2:26:54.720 --> 2:26:57.800
<v Speaker 1>because we really and you really said the president. I

2:26:57.879 --> 2:27:01.120
<v Speaker 1>know I said that word a little wrong that you

2:27:01.160 --> 2:27:12.680
<v Speaker 1>said that President. Yes, but you said want we want

2:27:12.800 --> 2:27:16.119
<v Speaker 1>more female orientation. We understand that we have a lot

2:27:16.160 --> 2:27:19.160
<v Speaker 1>of men. It's because you know, I'm gonna layal man

2:27:19.240 --> 2:27:22.520
<v Speaker 1>and I don't have female numbers. It's just that that's

2:27:22.560 --> 2:27:25.720
<v Speaker 1>a nationally thing. But it doesn't mean we don't want

2:27:25.879 --> 2:27:28.600
<v Speaker 1>females to participate. You understand what I'm saying, that we

2:27:28.680 --> 2:27:31.800
<v Speaker 1>want females to participate. And you you set, you set

2:27:31.879 --> 2:27:37.480
<v Speaker 1>the motherfucking want. Let me be the example. Yes, you

2:27:39.440 --> 2:27:43.960
<v Speaker 1>was so open. I'm still open. I'm still excited. Um.

2:27:44.360 --> 2:27:46.920
<v Speaker 1>Like I said, we have people that's our family that

2:27:47.160 --> 2:27:49.720
<v Speaker 1>never come out and they came out. That's for you

2:27:49.879 --> 2:27:52.520
<v Speaker 1>in here today. I feel like the rest you are

2:27:52.720 --> 2:27:56.080
<v Speaker 1>really feel do you take it on the shot you

2:27:56.160 --> 2:28:01.240
<v Speaker 1>got Wanda left over? Alright, It's just this is this

2:28:01.400 --> 2:28:06.400
<v Speaker 1>our cheers to this is the classic show because you

2:28:06.520 --> 2:28:09.760
<v Speaker 1>gave us everything we needed. We definitely take pictures and

2:28:09.879 --> 2:28:13.840
<v Speaker 1>promo because I don't have people do when they drunk.

2:28:14.360 --> 2:28:20.560
<v Speaker 1>That's the show. By the way, you're I'm not yeah,

2:28:21.160 --> 2:28:22.760
<v Speaker 1>I'm actually okay. I'm gonna go out and get some

2:28:22.800 --> 2:28:31.000
<v Speaker 1>dinner or some ship. But Alicia, I'm so thankful. I'm

2:28:31.080 --> 2:28:35.840
<v Speaker 1>so grateful. Um you know, I'm thinking of this jay

2:28:35.920 --> 2:28:38.600
<v Speaker 1>Z Biggie Small skit where he said you could have

2:28:38.680 --> 2:28:43.520
<v Speaker 1>been anywhere in the world chose to be here tonight.

2:28:54.160 --> 2:28:57.160
<v Speaker 1>We'll never forget this moment. Like I said, my wife

2:28:57.400 --> 2:29:04.920
<v Speaker 1>is so you know, she's so not industry, so the opposite,

2:29:05.480 --> 2:29:07.920
<v Speaker 1>so much about you. She's so not industry and like

2:29:08.400 --> 2:29:10.800
<v Speaker 1>you're literally the only person said I would gotta meet

2:29:10.879 --> 2:29:14.959
<v Speaker 1>to me, and it's like, I remember what I messed

2:29:15.040 --> 2:29:18.360
<v Speaker 1>up with my mother. My mother asked to meet Big Pump,

2:29:18.720 --> 2:29:20.960
<v Speaker 1>and I would never make that mistake again. I love it,

2:29:21.120 --> 2:29:22.960
<v Speaker 1>you know what I'm saying just because I'm close to

2:29:23.080 --> 2:29:26.280
<v Speaker 1>someone doesn't mean I shouldn't, you know, answer to the

2:29:26.400 --> 2:29:31.240
<v Speaker 1>duties of the duties being done. And tonight I would

2:29:31.280 --> 2:29:33.560
<v Speaker 1>like to introduce you to my wife. Let's go, I would,

2:29:36.400 --> 2:29:39.240
<v Speaker 1>but before that, I would like to thank you face

2:29:39.360 --> 2:29:42.600
<v Speaker 1>to face. I know how important you are, I know

2:29:42.720 --> 2:29:46.040
<v Speaker 1>how big you are in this industry. I know how

2:29:47.040 --> 2:29:51.280
<v Speaker 1>you can change a person's life. And you sitting down

2:29:51.400 --> 2:29:57.720
<v Speaker 1>with us, and we had to be worthy to a

2:29:57.840 --> 2:30:02.000
<v Speaker 1>certain extent. But the fact that you chose us and

2:30:02.200 --> 2:30:05.200
<v Speaker 1>we really respect that, We really love that. I want

2:30:05.240 --> 2:30:08.000
<v Speaker 1>to tell you to your face and you're making us

2:30:08.040 --> 2:30:10.920
<v Speaker 1>worthy because, like I said, at any time you ever

2:30:11.040 --> 2:30:13.400
<v Speaker 1>want to promote anything, if you want to promote your

2:30:13.520 --> 2:30:17.840
<v Speaker 1>your little toe pink you want to promote that, paint

2:30:17.840 --> 2:30:19.640
<v Speaker 1>it for you. Don't worry about it. We're paying it

2:30:19.760 --> 2:30:22.440
<v Speaker 1>for you. And we're promoting the ship out of this motherfucker.

2:30:22.760 --> 2:30:27.360
<v Speaker 1>We're gonna sell a little pink toe nails, n n

2:30:28.600 --> 2:30:34.240
<v Speaker 1>that motherfucker. We really thank you, We really because you're

2:30:34.320 --> 2:30:36.880
<v Speaker 1>empowering us and that's what the culture needs to do.

2:30:37.200 --> 2:30:39.160
<v Speaker 1>Is you know, we're part of the culture. This is

2:30:39.200 --> 2:30:42.800
<v Speaker 1>a DJ, this is not um. You know a lot

2:30:42.840 --> 2:30:44.920
<v Speaker 1>of people who don't understand that his name is DJ

2:30:45.160 --> 2:30:50.040
<v Speaker 1>e Fn, and people misunderstand the DJ park. This is

2:30:50.120 --> 2:30:53.800
<v Speaker 1>a real DJ. This motherfucker will take He doesn't DJ

2:30:53.920 --> 2:30:57.800
<v Speaker 1>because he loves Vinyl. He's really like he's stuck in

2:30:57.840 --> 2:31:03.640
<v Speaker 1>the ways, and that's a beautiful way because that's real

2:31:03.840 --> 2:31:07.240
<v Speaker 1>hip hop. Like I know for a fact that if

2:31:07.320 --> 2:31:10.080
<v Speaker 1>I asked him the DJ my birthday party, he's coming

2:31:10.160 --> 2:31:15.520
<v Speaker 1>with Vinyl, you know. And I love that. I love

2:31:15.640 --> 2:31:19.080
<v Speaker 1>his integrity and it's we're really the new Arab B

2:31:19.240 --> 2:31:24.040
<v Speaker 1>and rock him and we're trying. Yeah, yes, yes you

2:31:24.080 --> 2:31:38.320
<v Speaker 1>want to Yeah. So so I really want to thank you.

2:31:38.440 --> 2:31:40.120
<v Speaker 1>I really want you to know how much you mean

2:31:40.240 --> 2:31:43.200
<v Speaker 1>to us. And like like we said, we're learning on

2:31:43.320 --> 2:31:46.480
<v Speaker 1>the job where we're not journalists. It's a DJ. We

2:31:46.600 --> 2:31:48.440
<v Speaker 1>have no idea what we're doing. We have no idea,

2:31:48.480 --> 2:31:50.760
<v Speaker 1>but but we know what we're doing. We have no idea,

2:31:50.840 --> 2:31:53.240
<v Speaker 1>but we know what we're doing. And when we have

2:31:53.400 --> 2:31:57.599
<v Speaker 1>opportunities like this, we ain't never gonna go this unguarded, unloved,

2:31:57.720 --> 2:31:59.480
<v Speaker 1>and you know what I mean. We wanted you to

2:31:59.600 --> 2:32:03.240
<v Speaker 1>know that we really appreciate appreciate it, right and We're

2:32:03.240 --> 2:32:06.480
<v Speaker 1>gonna go hard. Come on, Wenna. That's why I hate

2:32:06.520 --> 2:32:08.920
<v Speaker 1>the chairman, you know, I hate puff Daddy. And I said,

2:32:09.480 --> 2:32:12.440
<v Speaker 1>and I said, Yo, listen, this is the biggest female

2:32:12.520 --> 2:32:14.840
<v Speaker 1>artist we ever had. This is the one of the

2:32:14.879 --> 2:32:18.200
<v Speaker 1>biggest artists. We have artists, not just female. This is

2:32:18.240 --> 2:32:21.000
<v Speaker 1>one of the biggest artists I've had. He said that.

2:32:21.120 --> 2:32:23.200
<v Speaker 1>He faced time me immediately he said, do you know

2:32:23.400 --> 2:32:28.920
<v Speaker 1>that's my system? You know, like he turned it about,

2:32:29.640 --> 2:32:32.400
<v Speaker 1>he turned into it. He was like, your motherfucker, I

2:32:32.600 --> 2:32:34.160
<v Speaker 1>write the way you just told to me. And I

2:32:34.280 --> 2:32:44.800
<v Speaker 1>was like, don't think, said Jesus Louisa. But that's how

2:32:44.840 --> 2:32:48.440
<v Speaker 1>important you are to the country, to the culture, I said,

2:32:48.480 --> 2:32:52.720
<v Speaker 1>to the country, but the country in the world, because

2:32:52.760 --> 2:32:55.680
<v Speaker 1>you did get political one time. You would like hillaries

2:32:56.280 --> 2:33:01.800
<v Speaker 1>man a little bit in the Cuban goodbye. That was

2:33:01.840 --> 2:33:03.440
<v Speaker 1>a tabit of a stretch. But you know what, I'm

2:33:03.480 --> 2:33:10.240
<v Speaker 1>the people sit manou. That was real. That was real.

2:33:10.400 --> 2:33:14.760
<v Speaker 1>So that's all. I really thank you, thank you, We

2:33:14.920 --> 2:33:18.640
<v Speaker 1>really appreciate it. You made my whole. You my whole.

2:33:22.160 --> 2:33:24.480
<v Speaker 1>We've been doing this for whole six years. I've never

2:33:24.560 --> 2:33:31.000
<v Speaker 1>seen this this cool smile. It's only positive smiling, everyone's

2:33:31.000 --> 2:33:33.080
<v Speaker 1>smelling good. I got the good perfume more on today.

2:33:33.800 --> 2:33:41.640
<v Speaker 1>You know what I'm saying. Anybody got the air done? Yes, yes, yes, yes,

2:33:41.840 --> 2:33:46.200
<v Speaker 1>anybody so we gotta. I'm gonna take a one more show.

2:33:46.280 --> 2:33:50.600
<v Speaker 1>I'm sorry you don't work. We're gonna take it for you.

2:33:51.520 --> 2:33:53.400
<v Speaker 1>We're gonna take it for you. Over your cub goodbye,

2:33:53.400 --> 2:33:56.000
<v Speaker 1>but let's do it. That was a very very beautiful

2:33:56.040 --> 2:34:03.080
<v Speaker 1>about Congratulate right here, f Congratulations, I love you too,

2:34:03.200 --> 2:34:17.240
<v Speaker 1>dog delivering the biggest d you got a government on. Hello.

2:34:28.440 --> 2:34:30.840
<v Speaker 1>Thanks for joining us for another episode of Drink Champs,

2:34:30.920 --> 2:34:33.280
<v Speaker 1>hosted by Yours truly, d J e f N and

2:34:33.480 --> 2:34:35.520
<v Speaker 1>n O r E. Please make sure to follow us

2:34:35.560 --> 2:34:38.160
<v Speaker 1>on all our socials. Let's at Drink Champs across all

2:34:38.200 --> 2:34:42.800
<v Speaker 1>platforms at the Real Noriega, I g at Noriega on Twitter,

2:34:43.240 --> 2:34:46.200
<v Speaker 1>mine is at Who's Crazy on I g at d

2:34:46.360 --> 2:34:48.920
<v Speaker 1>J e f N on Twitter, and most importantly, stay

2:34:49.000 --> 2:34:51.959
<v Speaker 1>up to date with the latest releases, news and merch

2:34:52.160 --> 2:35:00.520
<v Speaker 1>by going to drink Champs dot com For more. Podcast

2:35:00.640 --> 2:35:04.840
<v Speaker 1>from my Heart Radio, visit the iHeart Radio app, Apple podcast,

2:35:05.080 --> 2:35:09.000
<v Speaker 1>or wherever you listen to your favorite shows. H