1 00:00:00,480 --> 00:00:08,039 Speaker 1: Count out. My name is Michael Rapport. You are now 2 00:00:08,160 --> 00:00:10,440 Speaker 1: rocking with the best. This is the I Am Rapp 3 00:00:10,440 --> 00:00:15,440 Speaker 1: Reports Stereo Podcast. On today's podcast, the New York Knicks 4 00:00:15,840 --> 00:00:21,200 Speaker 1: have finally made a great decision hiring David Fizdale as 5 00:00:21,239 --> 00:00:25,800 Speaker 1: their coach. Donald Trump has called for a race summit 6 00:00:26,440 --> 00:00:31,320 Speaker 1: in the White House, and Drake never ever ever needs 7 00:00:31,360 --> 00:00:35,640 Speaker 1: to show up to another Toronto Raptors game. All that more, 8 00:00:36,400 --> 00:00:40,239 Speaker 1: as me and g Moody do our thing on a 9 00:00:40,280 --> 00:00:43,120 Speaker 1: brand new Hard Body episode of the I M Rapp 10 00:00:43,120 --> 00:00:48,320 Speaker 1: Reports Stereo podcast, Miles Jordan's let me get something real funky, 11 00:00:48,400 --> 00:00:52,159 Speaker 1: don't don't don't count down? All right, the weather is changing, 12 00:00:52,200 --> 00:00:54,680 Speaker 1: It's beautiful out. This is the time of year. You 13 00:00:54,800 --> 00:01:00,080 Speaker 1: need a butter Soft T shirt. All butter Soft I 14 00:01:00,120 --> 00:01:04,560 Speaker 1: Am Rappaport Stereo Podcast t shirts are available for twenty 15 00:01:04,640 --> 00:01:09,120 Speaker 1: percent off for everybody t All butter Soft Iron wrapp 16 00:01:09,120 --> 00:01:11,680 Speaker 1: Port T shirts. You got the Sucker Ship T shirt, 17 00:01:11,840 --> 00:01:14,320 Speaker 1: you got the Stickman collection, You've got the Hard Body 18 00:01:14,400 --> 00:01:18,919 Speaker 1: Karate T shirt. Plus how can you watch an NBA 19 00:01:19,000 --> 00:01:22,280 Speaker 1: playoff game and hate the Cleveland Cavaliers without wearing a 20 00:01:22,360 --> 00:01:27,240 Speaker 1: waist Land twenty three T shirts all Iron Wrap Ports 21 00:01:27,240 --> 00:01:30,560 Speaker 1: Stereo Podcast t shirts are available and on sale for 22 00:01:31,480 --> 00:01:35,800 Speaker 1: off using the promo code butter at district Lines dot 23 00:01:35,840 --> 00:01:40,360 Speaker 1: Com forward slash I am Wrappaport. That's district Lines dot 24 00:01:40,440 --> 00:02:02,560 Speaker 1: Com forward slash. I am Wrappaport. All right, Yes we're here. 25 00:02:04,040 --> 00:02:06,640 Speaker 1: My name is Michael Rapport. You are not rocking with 26 00:02:06,720 --> 00:02:09,880 Speaker 1: the best. Here with g Moody whose last name rhymes 27 00:02:09,880 --> 00:02:16,959 Speaker 1: with duty. Yeah. Three time podcast co host of the Year, 28 00:02:18,720 --> 00:02:21,520 Speaker 1: just like the soon to be Golden State Warriors are 29 00:02:21,520 --> 00:02:25,760 Speaker 1: going to be the three time NBA champions in a row. 30 00:02:26,320 --> 00:02:29,320 Speaker 1: I've called it all year. They are cooking under the 31 00:02:29,440 --> 00:02:32,920 Speaker 1: under the radar, have no fear of the Iron. Rapport 32 00:02:32,960 --> 00:02:40,640 Speaker 1: Stereo podcast is here. Mr Moody is in New York City. Yeah, hot, Bronx, 33 00:02:40,960 --> 00:02:45,360 Speaker 1: it's hot. Is it hot? It's muggy, it's humid, it's hot, 34 00:02:45,400 --> 00:02:53,560 Speaker 1: it's warm. People are barbecueing on the stoops. That's dope. Yeah. Man, 35 00:02:53,600 --> 00:02:55,839 Speaker 1: it's good. But when it gets too hot, it gets 36 00:02:55,880 --> 00:02:59,360 Speaker 1: sits too much. Yeah, but this is good because winter, 37 00:03:00,040 --> 00:03:03,160 Speaker 1: you know. So the first sign of anything cats is 38 00:03:03,200 --> 00:03:07,800 Speaker 1: outside with the with the grills out. Um. I feel fantastic. 39 00:03:08,000 --> 00:03:11,480 Speaker 1: I'm so fucking happy for this dude. The New York 40 00:03:11,600 --> 00:03:18,760 Speaker 1: Knicks have finally done it right. They hired David Fizdale, 41 00:03:19,000 --> 00:03:23,000 Speaker 1: friend of the I am wrapp Reports Stereo podcast. Listen 42 00:03:23,080 --> 00:03:27,600 Speaker 1: Knicks fans, Basketball fans, I am Rapports Stereo podcast fans. 43 00:03:27,639 --> 00:03:30,200 Speaker 1: If you want to get a sense of what the 44 00:03:30,200 --> 00:03:35,120 Speaker 1: New York Knicks coach David Fizdale is like, listen or 45 00:03:35,240 --> 00:03:39,960 Speaker 1: re listen to episode three nineties seven. It's one of 46 00:03:39,960 --> 00:03:45,120 Speaker 1: our best episodes. That' say, basketball lovers heaven. Even if 47 00:03:45,160 --> 00:03:49,800 Speaker 1: you don't love basketball, this guy is the thing about Fizzdale. Um, 48 00:03:49,880 --> 00:03:52,880 Speaker 1: and when he came on the podcast, he's so passionate 49 00:03:53,280 --> 00:03:56,480 Speaker 1: about basketball that even if you're not a fan, you'll 50 00:03:56,520 --> 00:04:03,120 Speaker 1: really appreciate episode three nineties Evan. Um, I'm so fucking 51 00:04:03,160 --> 00:04:05,480 Speaker 1: happy for this dude. Man. I like I was tripping 52 00:04:05,480 --> 00:04:07,600 Speaker 1: when I found out the Knicks hired him, because this 53 00:04:07,680 --> 00:04:10,080 Speaker 1: is a guy that I'm friendly with, Like I funk 54 00:04:10,160 --> 00:04:13,480 Speaker 1: with Fizdale, Like we we hit it off and we connected, 55 00:04:14,000 --> 00:04:17,480 Speaker 1: and um, you know, I don't like to be in 56 00:04:17,520 --> 00:04:20,760 Speaker 1: anybody's business or any of that ship. But you know, 57 00:04:20,839 --> 00:04:22,760 Speaker 1: once I heard that that that the Knicks were thinking 58 00:04:22,760 --> 00:04:25,240 Speaker 1: about him, I was like this is gonna happen, Like 59 00:04:25,320 --> 00:04:27,440 Speaker 1: I I just had a feeling it was gonna happen, 60 00:04:27,480 --> 00:04:31,240 Speaker 1: because being a New York Knicks basketball coach, it's like 61 00:04:31,279 --> 00:04:34,760 Speaker 1: a twofold job. Obviously, coaching is is the number one job, 62 00:04:35,279 --> 00:04:38,120 Speaker 1: but but dealing with the press and dealing with the 63 00:04:38,200 --> 00:04:41,480 Speaker 1: chaos and and the criticism and the scrutiny and everything 64 00:04:41,520 --> 00:04:45,239 Speaker 1: that comes with being a basketball coach. Uh in New York, 65 00:04:45,839 --> 00:04:48,480 Speaker 1: Um is a second part of the job. You're you're 66 00:04:48,560 --> 00:04:50,719 Speaker 1: You're not just getting paid for the xs and os 67 00:04:50,760 --> 00:04:54,360 Speaker 1: and the motivation and the scheming and the game planning. Um. 68 00:04:54,480 --> 00:04:57,120 Speaker 1: And New York and the New York press is going 69 00:04:57,160 --> 00:05:01,400 Speaker 1: to love Fizdale because he's one of us. Yeah, he said, 70 00:05:01,400 --> 00:05:05,080 Speaker 1: he's straight up. You can tell he's straight out honest. 71 00:05:06,040 --> 00:05:08,640 Speaker 1: And I think he'll do well with the media because 72 00:05:08,680 --> 00:05:13,400 Speaker 1: if not, your ass is grass. Oh yeah yeah. But 73 00:05:13,480 --> 00:05:15,200 Speaker 1: I think they're gonna love him. I think they're gonna 74 00:05:15,240 --> 00:05:18,960 Speaker 1: love his emotion. I think they're gonna love his honesty. Um, 75 00:05:19,040 --> 00:05:22,280 Speaker 1: he's a real dude. Uh, he wears his emotions on 76 00:05:22,320 --> 00:05:26,240 Speaker 1: his sleeve. I I'm I'm so fucking excited for him. Um. 77 00:05:26,279 --> 00:05:29,800 Speaker 1: And I'm and and and I'm all in because I 78 00:05:29,920 --> 00:05:33,839 Speaker 1: funk with Fizdale so hard. I'm I'm back with the Knicks. 79 00:05:34,760 --> 00:05:38,080 Speaker 1: I'm rooting for the Knicks. Um I I can't like. 80 00:05:38,120 --> 00:05:41,560 Speaker 1: I'm I'm I'm gonna be fair but firm in my criticism. 81 00:05:41,640 --> 00:05:43,440 Speaker 1: And listen, we got a long road ahead of us. 82 00:05:43,720 --> 00:05:50,000 Speaker 1: Are our best player, Chris stop Porzingis. I imagine he's 83 00:05:50,040 --> 00:05:53,080 Speaker 1: not playing at all next year. He won't be the same. 84 00:05:54,320 --> 00:05:57,640 Speaker 1: I don't think that he won't be the same, but 85 00:05:58,279 --> 00:06:02,839 Speaker 1: the injury itself, we'll keep him out till February. The 86 00:06:02,880 --> 00:06:10,880 Speaker 1: team is gonna be struggling because they're undermanned. Unless unless now, 87 00:06:11,600 --> 00:06:13,080 Speaker 1: and now, I don't know how much of this I 88 00:06:13,120 --> 00:06:17,280 Speaker 1: could take emotionally. I don't know how much of this 89 00:06:17,960 --> 00:06:20,440 Speaker 1: I would be be able to really process of it 90 00:06:20,680 --> 00:06:29,160 Speaker 1: if it happens, Unless somehow, some way, Fizzdale pulls the 91 00:06:29,160 --> 00:06:32,640 Speaker 1: biggest rabbit out of his ass ever and the biggest 92 00:06:32,760 --> 00:06:37,040 Speaker 1: rabbit out of New York Basketball's ass ever, and tells 93 00:06:37,120 --> 00:06:41,839 Speaker 1: Lebron James, finish your career in New York. Come to 94 00:06:41,920 --> 00:06:45,960 Speaker 1: New York. Fizdale was there with him through the entire 95 00:06:46,080 --> 00:06:50,000 Speaker 1: Miami heatles. He has a relationship with d Wade. He 96 00:06:50,080 --> 00:06:53,760 Speaker 1: has good relationship with Lebron James. We all know, one 97 00:06:53,800 --> 00:06:58,880 Speaker 1: way or another, Lebron James is leaving Cleveland if somehow, 98 00:06:59,480 --> 00:07:01,839 Speaker 1: what the fun what I do with me? I don't 99 00:07:01,839 --> 00:07:04,880 Speaker 1: know what I do with myself? Do you want that? 100 00:07:06,360 --> 00:07:08,880 Speaker 1: I'm not saying I I want it. I want nothing 101 00:07:08,920 --> 00:07:11,560 Speaker 1: but good things for the Knicks and and I want 102 00:07:11,600 --> 00:07:15,920 Speaker 1: Fizdale to kick ass. Okay, I want nothing but good 103 00:07:15,960 --> 00:07:18,520 Speaker 1: things for the Knicks, and I want Fizdale to kick ass. 104 00:07:18,520 --> 00:07:21,280 Speaker 1: So I'm not saying I don't want it. I don't 105 00:07:21,320 --> 00:07:24,600 Speaker 1: think it's gonna happen, because I just I feel like 106 00:07:24,680 --> 00:07:27,160 Speaker 1: Lebron James is coming to Los Angeles. Like I was 107 00:07:27,200 --> 00:07:29,320 Speaker 1: on set the other day talking to my man. He's 108 00:07:29,360 --> 00:07:33,440 Speaker 1: a director, directs a ton of TV shows, big time 109 00:07:33,480 --> 00:07:39,160 Speaker 1: television director. He's done work, uh with Lebron James. You know, 110 00:07:39,200 --> 00:07:42,360 Speaker 1: television and film production company. They're not fucking around with 111 00:07:42,400 --> 00:07:45,840 Speaker 1: this television and film production ship. As much as a 112 00:07:45,880 --> 00:07:49,160 Speaker 1: relationship as as Fizzdale has with Lebron, and as his 113 00:07:49,320 --> 00:07:53,240 Speaker 1: sexy and exciting and alluring ideas it is to come 114 00:07:53,280 --> 00:07:56,800 Speaker 1: to New York, and I'm sure, uh, he's never considered it. 115 00:07:56,840 --> 00:07:58,760 Speaker 1: But I'm sure it will be at least a cup 116 00:07:58,800 --> 00:08:02,920 Speaker 1: of coffee consideration and uh now, oh, I don't think 117 00:08:02,920 --> 00:08:06,840 Speaker 1: it will happen. You want your voice stop beating around 118 00:08:06,840 --> 00:08:12,480 Speaker 1: a fucking bush. You hear, I hear you like it's 119 00:08:12,480 --> 00:08:16,000 Speaker 1: a cup of coffee. You're like, you're like hoping, you're 120 00:08:16,040 --> 00:08:20,480 Speaker 1: wishing that comes there? You know it don't come, don't come. 121 00:08:20,880 --> 00:08:22,280 Speaker 1: I don't think i'd be able to take it, to 122 00:08:22,320 --> 00:08:24,720 Speaker 1: be honest with you, like, what would I do? What 123 00:08:24,800 --> 00:08:29,360 Speaker 1: would I do with myself? You're going to the Oh, 124 00:08:29,440 --> 00:08:33,680 Speaker 1: no doubt? What would you no doubt? If if if, 125 00:08:33,720 --> 00:08:37,320 Speaker 1: if Lebron James came to the Knicks, if Lebron James 126 00:08:37,360 --> 00:08:40,559 Speaker 1: went to the Orlando Magic, you automatically are a contender 127 00:08:41,160 --> 00:08:44,439 Speaker 1: and the garden is alive again. So don't alive, don't 128 00:08:44,679 --> 00:08:46,040 Speaker 1: we wantn't know what to do with it. It's not 129 00:08:46,080 --> 00:08:49,160 Speaker 1: gonna happen. It's not gonna happen. I know it's not 130 00:08:49,200 --> 00:08:52,439 Speaker 1: gonna happen. With this one fucking wishful thinking over here, 131 00:08:52,720 --> 00:08:55,760 Speaker 1: I'm not thinking anything. I'm just I'm just podcasting, man. 132 00:08:56,320 --> 00:08:58,480 Speaker 1: But I will say that he he does have a 133 00:08:58,480 --> 00:09:02,040 Speaker 1: strong relationship with Lebron James and I guarantee you that 134 00:09:02,280 --> 00:09:04,400 Speaker 1: it will be a consideration, but I do not think 135 00:09:04,440 --> 00:09:08,359 Speaker 1: it's happening. And that's my quote. That's my quote. Um, 136 00:09:08,559 --> 00:09:12,160 Speaker 1: Lebron James, if you didn't listen to the interview the 137 00:09:12,160 --> 00:09:17,400 Speaker 1: other day with NBA trainer extraordinaire Chris Brickley, Um that 138 00:09:17,480 --> 00:09:21,360 Speaker 1: air Tuesday, Um, I felt like Lebron James in Game 139 00:09:21,440 --> 00:09:25,520 Speaker 1: two was at a workout session with Chris Brickley and 140 00:09:25,800 --> 00:09:27,840 Speaker 1: he was like, you know what, today, we're gonna work 141 00:09:27,880 --> 00:09:32,440 Speaker 1: on fade away jump shots because I've never seen a 142 00:09:32,480 --> 00:09:36,640 Speaker 1: guy in a playoff game, let alone an NBA game 143 00:09:37,160 --> 00:09:42,120 Speaker 1: do a pot pourri of fade away jump shots. Like literally, 144 00:09:42,120 --> 00:09:44,319 Speaker 1: like it was like Yo, today at the gym, we're 145 00:09:44,320 --> 00:09:48,720 Speaker 1: gonna practice every version and every variation of the fade away. 146 00:09:48,840 --> 00:09:51,280 Speaker 1: It's just working on that. Basically, was showing his ass 147 00:09:51,280 --> 00:09:53,600 Speaker 1: out there and it's just like toy and with those 148 00:09:53,679 --> 00:09:56,080 Speaker 1: dudes letting him know it's a man among boys, these 149 00:09:56,400 --> 00:09:59,640 Speaker 1: cats saying high school dudes, you know he's he's hitting food. 150 00:09:59,679 --> 00:10:04,880 Speaker 1: He's like nothing, nothing, that's that's nothing. Game is a 151 00:10:04,920 --> 00:10:09,040 Speaker 1: career for a career. Game. It's got a crowning achievement routinely, 152 00:10:10,080 --> 00:10:12,560 Speaker 1: and um, he's just showing yo, like this is what 153 00:10:12,600 --> 00:10:16,360 Speaker 1: it is. This is this is like a prototype of 154 00:10:16,800 --> 00:10:20,199 Speaker 1: the next level of basketball. And that's the guy. Because 155 00:10:20,200 --> 00:10:22,400 Speaker 1: this dude is on some other ship. Man, Yeah, he's 156 00:10:22,400 --> 00:10:27,720 Speaker 1: on some other ship, yo. Toronto Raptors are down oh 157 00:10:27,880 --> 00:10:32,840 Speaker 1: two in the series. The first two games were in Toronto. Yeah, 158 00:10:33,360 --> 00:10:36,800 Speaker 1: I funk with Dmarda Rosen and I funk with Kyle Lowry. 159 00:10:38,040 --> 00:10:42,240 Speaker 1: I blame all this on Drake. Drake, do yourself favored. 160 00:10:42,480 --> 00:10:47,200 Speaker 1: Do do your city a favor. If Toronto makes it 161 00:10:47,280 --> 00:10:49,440 Speaker 1: to Game five, and I think they might. I think 162 00:10:49,520 --> 00:10:52,439 Speaker 1: Cleveland might give up a game in in in Cleveland 163 00:10:52,679 --> 00:10:54,640 Speaker 1: the games three and four, or they might not. They 164 00:10:54,679 --> 00:11:01,080 Speaker 1: might just sweep these dudes. Drake, stop working with the Raptors, please. Yeah. 165 00:11:01,160 --> 00:11:03,640 Speaker 1: You know, he amped this team up a lot, like 166 00:11:03,679 --> 00:11:06,800 Speaker 1: you know, and and you're you're like on the sideline. 167 00:11:07,320 --> 00:11:10,920 Speaker 1: It looks it looks ridiculous because you're getting beat again. 168 00:11:11,559 --> 00:11:15,319 Speaker 1: This is again, man, Yo, you're talking all that ship. 169 00:11:15,360 --> 00:11:18,440 Speaker 1: You're talking ship to Kendrick Perkins. You've been talking. You 170 00:11:18,440 --> 00:11:20,880 Speaker 1: you stand up when people are taking the ball out 171 00:11:20,880 --> 00:11:24,679 Speaker 1: of bounds. You're talking all that little slick auto tune 172 00:11:24,720 --> 00:11:28,199 Speaker 1: ship with your fucked up voice. Stop going to the games. 173 00:11:28,720 --> 00:11:31,760 Speaker 1: You're hurting them. Slide dude, You're not cool. I don't 174 00:11:31,800 --> 00:11:33,920 Speaker 1: care how much money you got and your little fucking 175 00:11:34,120 --> 00:11:36,600 Speaker 1: your little rings and all this cool shit. You're you're 176 00:11:36,720 --> 00:11:40,280 Speaker 1: quafft beard and all that ship. You're not dope. You're 177 00:11:40,320 --> 00:11:45,040 Speaker 1: never gonna make Toronto dope. Stop showing showing up to 178 00:11:45,040 --> 00:11:48,280 Speaker 1: the game sitting a booth, Dude, sit up, sit up 179 00:11:48,320 --> 00:11:51,800 Speaker 1: top because you you sitting on the sidelines. It's like 180 00:11:51,880 --> 00:11:56,560 Speaker 1: waving a red flag at a bull. You're you're making 181 00:11:56,600 --> 00:12:00,200 Speaker 1: your team lose. Yeah, you you're trying to build up 182 00:12:00,240 --> 00:12:04,439 Speaker 1: this team. He's on the cover of Slam magazine. Six gods. Yo, 183 00:12:04,559 --> 00:12:07,080 Speaker 1: you need part of the team and we don't know 184 00:12:07,160 --> 00:12:11,839 Speaker 1: anything about basketball. You can't play, you dick, ride and 185 00:12:11,960 --> 00:12:16,280 Speaker 1: face like every player in the league. Sit the fuck down, 186 00:12:17,440 --> 00:12:19,840 Speaker 1: don't show up to the games anymore, and shut the 187 00:12:19,880 --> 00:12:24,480 Speaker 1: funk up your distraction. You're a fucking distraction and the NBA. 188 00:12:24,640 --> 00:12:26,520 Speaker 1: I know what this is about. I talked about it. 189 00:12:26,880 --> 00:12:30,480 Speaker 1: If you listen to last week's Emergency podcast on the 190 00:12:30,520 --> 00:12:34,040 Speaker 1: i m Rappaport app for premium subscribers, which is only 191 00:12:34,120 --> 00:12:40,600 Speaker 1: two nine a month. It's nothing. You got fucking pennies 192 00:12:40,840 --> 00:12:43,960 Speaker 1: you could give out a month. I broke it down 193 00:12:44,000 --> 00:12:45,839 Speaker 1: and I'm not gonna break it down now because that's 194 00:12:45,880 --> 00:12:48,600 Speaker 1: why the premium podcasting is. But I know what it 195 00:12:48,760 --> 00:12:53,480 Speaker 1: is to have the NBA turn on you. He'll take 196 00:12:53,520 --> 00:12:57,520 Speaker 1: those fucking tickets away. Sit the funk down, Drake. I'm 197 00:12:57,559 --> 00:12:59,680 Speaker 1: sure they can't complaint from the from the fans or 198 00:13:00,000 --> 00:13:02,320 Speaker 1: he's a ticket Holder's like, yo, this guy is causing 199 00:13:02,320 --> 00:13:05,480 Speaker 1: the distraction out there and making us look bad because 200 00:13:05,640 --> 00:13:09,480 Speaker 1: we're not beating never You're not beating anybody. You never 201 00:13:09,559 --> 00:13:13,240 Speaker 1: won again, You never won nothing, Duwayne Casey, I don't 202 00:13:13,280 --> 00:13:15,560 Speaker 1: care about all. We won fifty five games for the 203 00:13:15,640 --> 00:13:18,240 Speaker 1: last three seasons, and the last three seasons you got 204 00:13:18,240 --> 00:13:20,720 Speaker 1: your ass kicked, Dave. Dwayne Casey ain't the coach of 205 00:13:20,760 --> 00:13:24,760 Speaker 1: the year. My man, Duke Snyder is for Utah. They 206 00:13:24,840 --> 00:13:27,600 Speaker 1: just got their asking. He's like, that's not us, Yes 207 00:13:27,640 --> 00:13:31,400 Speaker 1: it is, Yes it is. You'll talk about that's not us. 208 00:13:32,200 --> 00:13:34,840 Speaker 1: Why are you putting Kyle Lowry on Lebron James. Kyle 209 00:13:34,920 --> 00:13:38,160 Speaker 1: Lowry is shorter than me. You think he's gonna like, oh, 210 00:13:38,240 --> 00:13:40,800 Speaker 1: his footwork could stop it. You know, this dude wasn't 211 00:13:40,800 --> 00:13:45,360 Speaker 1: even going into the paint his game to highlights. Literally 212 00:13:45,400 --> 00:13:47,079 Speaker 1: like was like he was. He was in a gym 213 00:13:47,480 --> 00:13:51,720 Speaker 1: with with trainer extraordinary friend of the Iron Wrappers stereo podcast, 214 00:13:51,800 --> 00:13:54,920 Speaker 1: Chris Brickley, and like, you know, we're gonna do turnaround, uh, 215 00:13:55,000 --> 00:13:57,920 Speaker 1: turnaround jump shots going to the left, turnaround jump shots 216 00:13:58,000 --> 00:14:00,000 Speaker 1: going to the right, turnaround jump shots going to the 217 00:14:00,120 --> 00:14:03,240 Speaker 1: right with a step back. He did. It was literally 218 00:14:03,280 --> 00:14:05,840 Speaker 1: like a fucking It was like a poop poop platter 219 00:14:05,920 --> 00:14:10,160 Speaker 1: of turnaround jump shots, a display, a display of artistry 220 00:14:10,520 --> 00:14:15,080 Speaker 1: in Game two, a playoff series, and and these Toronto 221 00:14:15,200 --> 00:14:18,760 Speaker 1: dudes are like scrapping for their lives and he's playing around, 222 00:14:19,400 --> 00:14:23,400 Speaker 1: fucking around with them, disrespecting them. Yo, he made a 223 00:14:23,480 --> 00:14:27,280 Speaker 1: choice to shoot them turnaround jump shots. That wasn't That wasn't. Uh. Oh, 224 00:14:27,360 --> 00:14:29,720 Speaker 1: they're forcing me to shoot turn around. He's like, yo, 225 00:14:29,800 --> 00:14:31,680 Speaker 1: I don't even need to go to the basket on 226 00:14:31,720 --> 00:14:34,280 Speaker 1: this this croup, Kevin Love was doing the ship to 227 00:14:34,440 --> 00:14:36,440 Speaker 1: Kevin Loved, dunker with the left hand, dunker with the 228 00:14:36,560 --> 00:14:40,320 Speaker 1: right hand. They they that's saying, if you if somebody's 229 00:14:40,320 --> 00:14:42,280 Speaker 1: doing that. That's saying to the other team, Yo, y'all 230 00:14:42,320 --> 00:14:46,640 Speaker 1: ain't shit. And we're talking about the playoffs and we're 231 00:14:46,680 --> 00:14:50,280 Speaker 1: showing you why you ain't ship. Yo, We're showing you 232 00:14:50,360 --> 00:14:55,160 Speaker 1: why you ain't ship. That was crazy man, That was 233 00:14:55,320 --> 00:14:59,400 Speaker 1: that was fucking nuts. That was crazy man. Good good 234 00:14:59,480 --> 00:15:06,200 Speaker 1: job guy, no resistance money, good fucking job. And Drake, 235 00:15:06,520 --> 00:15:09,600 Speaker 1: you know you your corny duke. Rihanna just came out 236 00:15:09,640 --> 00:15:11,840 Speaker 1: and said all that ship you did on stage when 237 00:15:11,840 --> 00:15:14,400 Speaker 1: you came on stage at the the Emmys are the 238 00:15:14,440 --> 00:15:18,239 Speaker 1: Grammys and the MTV Awards, and you you you quarantined 239 00:15:18,240 --> 00:15:19,840 Speaker 1: her up there and you you like tried to like 240 00:15:21,440 --> 00:15:23,360 Speaker 1: send her like oh, like, oh, I love you. I've 241 00:15:23,400 --> 00:15:29,040 Speaker 1: always loved you. She said that ship made me uncomfortable. Dude, 242 00:15:29,400 --> 00:15:34,400 Speaker 1: your corny man, you're up there catching feelings for Rihanna 243 00:15:34,480 --> 00:15:36,880 Speaker 1: like a fan. You you know, get an autograph of 244 00:15:36,960 --> 00:15:39,040 Speaker 1: keep it moving. You're telling Rihanna, Yo, I loved you, 245 00:15:39,120 --> 00:15:41,680 Speaker 1: always loved you. Like he's not with that ship man. 246 00:15:42,240 --> 00:15:44,840 Speaker 1: Doris Burke. Dorith Burke said that same ship. She ain't 247 00:15:44,880 --> 00:15:49,200 Speaker 1: with that ship either. He loved Doris Burke. Yeah, it's 248 00:15:49,240 --> 00:15:52,320 Speaker 1: just still trying it's playing himself. That's why they winning 249 00:15:52,360 --> 00:15:57,920 Speaker 1: a playoff game. I feel bad for Kyle Lowry and 250 00:15:58,000 --> 00:16:01,160 Speaker 1: Demartin Rosen because because this dude got too close to 251 00:16:01,200 --> 00:16:04,080 Speaker 1: these dudes and he got them amped up and they're 252 00:16:04,120 --> 00:16:09,520 Speaker 1: getting blown. Stop working with Doris Burke. Stop working with Rihanna. 253 00:16:09,600 --> 00:16:11,440 Speaker 1: She said it in an interview. She just said it 254 00:16:11,480 --> 00:16:13,720 Speaker 1: the other day. This motherfucker made me a comfortable. She's 255 00:16:13,800 --> 00:16:15,560 Speaker 1: up there trying to get her award. You up there 256 00:16:15,560 --> 00:16:19,440 Speaker 1: talking about I love you. Oh, this ain't about your feelings, 257 00:16:19,520 --> 00:16:23,200 Speaker 1: duke damn. But she was like, oh, this is on 258 00:16:23,320 --> 00:16:25,640 Speaker 1: some me to ship. Let me get away from this moment. Yeah, 259 00:16:25,680 --> 00:16:27,560 Speaker 1: you you you're sucking up my night. I'm out here 260 00:16:27,600 --> 00:16:30,200 Speaker 1: trying to get my award, a Lifetime Achievement Award or 261 00:16:30,200 --> 00:16:32,560 Speaker 1: someone something like that, and you're up to here. I 262 00:16:32,640 --> 00:16:35,400 Speaker 1: love you, I've always loved you. Your money, back up, 263 00:16:35,520 --> 00:16:38,960 Speaker 1: back up money, yo, yo. This this is not your night, dude. 264 00:16:39,000 --> 00:16:45,880 Speaker 1: This is not about you. Champ Um. I told you 265 00:16:45,920 --> 00:16:53,200 Speaker 1: guys the other day that we were going to uh review. Oh, 266 00:16:53,520 --> 00:16:58,640 Speaker 1: The Rachel Divide. That's the name of the documentary about 267 00:16:58,760 --> 00:17:06,919 Speaker 1: Rachel Dozel. The Rachel Divide. Um music by Curtis Mayfield. 268 00:17:10,480 --> 00:17:15,600 Speaker 1: I watched the documentary. Um, I'm gonna just jump into 269 00:17:15,600 --> 00:17:17,880 Speaker 1: it now. Is that okay, Moody, go man, I didn't 270 00:17:17,880 --> 00:17:20,159 Speaker 1: watch it. I need you to present it to me 271 00:17:20,200 --> 00:17:24,760 Speaker 1: so I could, uh comment. I'm actually glad you didn't 272 00:17:24,760 --> 00:17:29,560 Speaker 1: watch it. Go. But the Rachel Divide, that's the name 273 00:17:29,600 --> 00:17:32,080 Speaker 1: of it. It's so put on words like the racial 274 00:17:32,240 --> 00:17:37,800 Speaker 1: racial divide. I'm gonna say this directed by Laura Brownson, 275 00:17:38,400 --> 00:17:41,760 Speaker 1: and I know how hard it is to make any documentary. 276 00:17:43,560 --> 00:17:46,120 Speaker 1: I put out in the Zeitgeist the other day. One 277 00:17:46,160 --> 00:17:49,480 Speaker 1: of the things I put out in the Emergency podcast, um, 278 00:17:49,600 --> 00:17:53,800 Speaker 1: and and and again. I'll never fuck the fans. We 279 00:17:53,920 --> 00:17:57,240 Speaker 1: will never fuck the fans of the Iron Rapp Reports 280 00:17:57,280 --> 00:18:00,520 Speaker 1: stereo podcast. We will never fuck the premium subs, Gribbers. 281 00:18:01,320 --> 00:18:08,679 Speaker 1: What's on premium stays in fucking premium. Okay. But I 282 00:18:08,720 --> 00:18:11,440 Speaker 1: did mention the other day after going to see Eric 283 00:18:11,480 --> 00:18:18,040 Speaker 1: being Rock Kim Live in Los Angeles, that I am 284 00:18:18,080 --> 00:18:19,960 Speaker 1: I would like to I am putting it out in 285 00:18:20,000 --> 00:18:22,520 Speaker 1: the world that I would like to make an Eric 286 00:18:22,600 --> 00:18:27,800 Speaker 1: B and Rock Him documentary. I'm inspired, I'm excited. I 287 00:18:27,880 --> 00:18:31,200 Speaker 1: was that hyped up after seeing them. Uh you should 288 00:18:31,320 --> 00:18:35,040 Speaker 1: you should download the Iron Rapport app. And just so 289 00:18:35,160 --> 00:18:39,119 Speaker 1: far this month we put out I think three emergency 290 00:18:39,200 --> 00:18:44,160 Speaker 1: podcast maybe to a short film and videos. Okay, if 291 00:18:44,280 --> 00:18:47,320 Speaker 1: we haven't even been up a fucking week, hasn't even 292 00:18:47,359 --> 00:18:53,280 Speaker 1: been a week. Thirty six dollars a year for premium ship, 293 00:18:54,200 --> 00:18:59,159 Speaker 1: Premium official Ship, official dopeness. Not not fucking the fans. 294 00:18:59,280 --> 00:19:02,600 Speaker 1: I'll say to us again, we will never fuck the fans. Okay, 295 00:19:02,640 --> 00:19:05,760 Speaker 1: if you guys get together and you enjoy each other's 296 00:19:05,760 --> 00:19:08,000 Speaker 1: company and you want to suck each other, that's between you. 297 00:19:09,200 --> 00:19:12,560 Speaker 1: God bless you as consulting adults. But me, G Moody 298 00:19:12,600 --> 00:19:14,480 Speaker 1: and the Dust Brothers, we will never fun the fans. 299 00:19:14,640 --> 00:19:16,480 Speaker 1: But one of the things I did say in the 300 00:19:16,520 --> 00:19:19,760 Speaker 1: Iron Report emergency episode after going to see Eric being 301 00:19:19,880 --> 00:19:24,160 Speaker 1: rock Kim, is that I want to direct an Eric 302 00:19:24,240 --> 00:19:27,640 Speaker 1: B and Rock Him documentary Back to the Rachel Divide, 303 00:19:27,880 --> 00:19:34,159 Speaker 1: directed by Laura Brownson. If I was giving this stars, 304 00:19:34,520 --> 00:19:39,280 Speaker 1: I would give this four stars as a documentary. And 305 00:19:39,960 --> 00:19:45,720 Speaker 1: because it's it's well done, it's fair. Um, I'll say this. 306 00:19:46,200 --> 00:19:50,639 Speaker 1: It is uh. It's a serious documentary that has dark 307 00:19:50,800 --> 00:19:57,680 Speaker 1: comedy elements. There are literal dark comedy elements spit take moments. 308 00:19:58,560 --> 00:20:01,760 Speaker 1: So the director didn't come up and say, oh, I'm 309 00:20:01,760 --> 00:20:04,280 Speaker 1: gonna I want dark comedy in my and my documentary, 310 00:20:04,520 --> 00:20:07,600 Speaker 1: but the subject matter itself, there's no way you're not 311 00:20:07,640 --> 00:20:11,320 Speaker 1: gonna be like this. At some point, like I literally 312 00:20:11,600 --> 00:20:14,520 Speaker 1: was like, what the there's there's like three to four 313 00:20:14,720 --> 00:20:17,960 Speaker 1: what the fuck moments like if if you're watching uh 314 00:20:18,119 --> 00:20:23,280 Speaker 1: my man, uh Will Farrell or some ship, Yeah, jos 315 00:20:23,520 --> 00:20:27,040 Speaker 1: Al Jospon back in the days, Oh yeah, great comedic moments. 316 00:20:27,080 --> 00:20:31,560 Speaker 1: So the documentary I give it four stars. I highly 317 00:20:31,560 --> 00:20:36,480 Speaker 1: recommended on Netflix. It's fascinating. It's totally fucking bugged out. 318 00:20:36,520 --> 00:20:39,159 Speaker 1: And I will say this after watching the full documentary, 319 00:20:39,200 --> 00:20:45,120 Speaker 1: and it really humanizes Rachel Dozel. She's fucking nuts. There's 320 00:20:45,119 --> 00:20:47,600 Speaker 1: there's no way around, and I watched it objectively. The 321 00:20:47,680 --> 00:20:54,000 Speaker 1: film starts off. The opening credits of the film reminded 322 00:20:54,000 --> 00:20:57,200 Speaker 1: me of the of the film that I was in Bamboozled. 323 00:20:58,680 --> 00:21:02,639 Speaker 1: The opening credits of a film or Rachel Dozel in 324 00:21:02,720 --> 00:21:09,840 Speaker 1: her small home in Spokane, Washington, braiding her hair and 325 00:21:09,880 --> 00:21:14,000 Speaker 1: putting on black face makeup. Not like black black black face, 326 00:21:14,119 --> 00:21:16,399 Speaker 1: but she's putting on the makeup to make her skin 327 00:21:16,800 --> 00:21:20,840 Speaker 1: a little darker than it appears. That's the opening credits 328 00:21:20,880 --> 00:21:23,280 Speaker 1: of the film. You're watching her braid her hair. And 329 00:21:23,320 --> 00:21:28,119 Speaker 1: I will say this about Rachel Dozel. She is a craftsman, 330 00:21:28,480 --> 00:21:33,399 Speaker 1: a master braider. She's braiding her own fucking hair. You know, 331 00:21:33,520 --> 00:21:36,800 Speaker 1: she's she's practiced. She's like motherfucking Dan Marley out there, 332 00:21:37,320 --> 00:21:41,600 Speaker 1: Matt mad practice. If you're if you're studying black culture 333 00:21:42,560 --> 00:21:45,000 Speaker 1: and it's all day and it's so persistent and you 334 00:21:45,160 --> 00:21:48,960 Speaker 1: just so involved in it. She is, of course gonna 335 00:21:49,000 --> 00:21:53,879 Speaker 1: be a master craftsman with with anything black. Oh, she's 336 00:21:53,920 --> 00:21:57,520 Speaker 1: an expert on all things black. And she's truly. Now 337 00:21:58,000 --> 00:22:00,200 Speaker 1: I'll say this because I'm gonna break her fucking balls, 338 00:22:00,240 --> 00:22:02,399 Speaker 1: and she deserves to have her balls broken. And I'm 339 00:22:02,400 --> 00:22:08,040 Speaker 1: gonna explain why she's a fantastic braid of hair. She 340 00:22:08,080 --> 00:22:10,359 Speaker 1: could hook you up with a wig. She could do, 341 00:22:10,440 --> 00:22:12,920 Speaker 1: she does, She's got the whole thing. But watching her 342 00:22:12,960 --> 00:22:15,280 Speaker 1: braid her own hair, and we're not talking about like 343 00:22:15,680 --> 00:22:20,040 Speaker 1: simple corals, like she's doing some extravagant like she and 344 00:22:20,080 --> 00:22:22,359 Speaker 1: she's doing it to herself. I mean, this must take 345 00:22:22,400 --> 00:22:26,359 Speaker 1: hours and the practice and the dedication, because that's a 346 00:22:26,440 --> 00:22:29,600 Speaker 1: craft she has. That's a craft, like she's doing these 347 00:22:29,600 --> 00:22:32,560 Speaker 1: tiny little she does it to herself. She's gonna how 348 00:22:32,560 --> 00:22:35,080 Speaker 1: to funk you do that? She has to be better 349 00:22:35,800 --> 00:22:39,520 Speaker 1: than the black person, right and and and as far 350 00:22:39,560 --> 00:22:43,919 Speaker 1: as braiding, she definitely is. She is an expert on 351 00:22:44,000 --> 00:22:49,720 Speaker 1: all things black. She has a degrees in African American studies. Amundo. 352 00:22:50,720 --> 00:22:55,160 Speaker 1: That's they go over that. I'll say this, She's not dumb. 353 00:22:55,240 --> 00:23:01,800 Speaker 1: She is educated. In the documentary Rachel Divide, her her son, 354 00:23:01,920 --> 00:23:04,840 Speaker 1: her teenage son is in the film, who is black. 355 00:23:05,119 --> 00:23:09,280 Speaker 1: He appears black. Um, black skin um. She has a 356 00:23:09,320 --> 00:23:12,000 Speaker 1: baby daddy who doesn't show up in the film. He's 357 00:23:12,040 --> 00:23:16,080 Speaker 1: not involved with her life. Who's black. They show pictures 358 00:23:16,080 --> 00:23:19,520 Speaker 1: too of him. She's got a thirteen thirteen or fourteen, 359 00:23:20,280 --> 00:23:23,080 Speaker 1: totally nice kids, sweet kids, sort of like a nerd, 360 00:23:23,240 --> 00:23:30,120 Speaker 1: very loving, loves his mom, totally normal, appears black. Um. 361 00:23:30,200 --> 00:23:33,960 Speaker 1: She also she also because they go through all of it, 362 00:23:33,960 --> 00:23:36,800 Speaker 1: and it's confusing at times because sometimes they show her 363 00:23:36,800 --> 00:23:40,720 Speaker 1: other son who's like nineteen, he's also black, but that's 364 00:23:40,720 --> 00:23:44,399 Speaker 1: her adopted son. She she got the rights uh to 365 00:23:44,480 --> 00:23:51,200 Speaker 1: adopt him after her white parents, her white parents, after 366 00:23:51,480 --> 00:23:54,240 Speaker 1: Rachel Dozel was born and came out of their vagina 367 00:23:55,440 --> 00:23:59,359 Speaker 1: in Whitehead Farms, Iowa. Yes, she was born in white 368 00:23:59,359 --> 00:24:03,520 Speaker 1: Head Farms, Iowa. Um. The son is fourteen. And then 369 00:24:03,560 --> 00:24:07,840 Speaker 1: she's got an adopted son who's who's eighteen. Um. Her 370 00:24:08,040 --> 00:24:12,600 Speaker 1: sister who is also black, um, and was adopted as 371 00:24:12,640 --> 00:24:16,359 Speaker 1: in the film, right, you gotta adopt the black people 372 00:24:16,359 --> 00:24:19,520 Speaker 1: because you an't no black people coming out you. No, no, no, 373 00:24:19,520 --> 00:24:21,640 Speaker 1: no no no. These are these are people that, these 374 00:24:21,680 --> 00:24:24,679 Speaker 1: are her sisters was adopted by her white parents. It 375 00:24:24,720 --> 00:24:27,359 Speaker 1: gets confused and it's like I need a fucking chart 376 00:24:27,440 --> 00:24:30,200 Speaker 1: to explain all this. It's but these are these are 377 00:24:30,280 --> 00:24:32,679 Speaker 1: there's are her adopted sister. But but she's a loving 378 00:24:33,280 --> 00:24:36,679 Speaker 1: The thing I'll say about Rachel, she's very loving, like 379 00:24:36,800 --> 00:24:41,679 Speaker 1: she loves her family. Okay, she still mentions that. And 380 00:24:41,680 --> 00:24:45,320 Speaker 1: they show pictures that a black man is her father. 381 00:24:45,640 --> 00:24:48,159 Speaker 1: And this is the problem. This is the problem with you, 382 00:24:48,280 --> 00:24:52,320 Speaker 1: Rachel Doze. It's not oh, he raised me like I 383 00:24:52,440 --> 00:24:56,240 Speaker 1: was his own he's a father figure. You're claiming this 384 00:24:56,320 --> 00:24:58,760 Speaker 1: guy to be your father. Now, whether or not you 385 00:24:58,800 --> 00:25:01,560 Speaker 1: have a breached relationship with your own father, who is 386 00:25:02,040 --> 00:25:05,840 Speaker 1: a hundred and fifty percent all white everything you're You're 387 00:25:05,880 --> 00:25:09,480 Speaker 1: fucking around with the wording. Like I could say, oh, gee, Moody, 388 00:25:09,720 --> 00:25:11,879 Speaker 1: he's he's my brother, and they'll be like, well, you 389 00:25:11,920 --> 00:25:14,000 Speaker 1: actually brothers. I go, no, you can see he's not 390 00:25:14,040 --> 00:25:16,960 Speaker 1: my actual fucking brother, but like we're brothers, were family. 391 00:25:18,359 --> 00:25:21,720 Speaker 1: If this black man who she's not speaking to, treated 392 00:25:21,720 --> 00:25:24,000 Speaker 1: you like your own and he's like a father figure, 393 00:25:24,160 --> 00:25:26,800 Speaker 1: then say that because that black man is not your 394 00:25:26,840 --> 00:25:30,960 Speaker 1: fucking The white guy who's also in the documentary, that's 395 00:25:31,000 --> 00:25:34,280 Speaker 1: your actual father, your fucking nut. And this is the 396 00:25:34,280 --> 00:25:37,320 Speaker 1: frustration of the film, you fucking cook. And this is 397 00:25:37,320 --> 00:25:40,880 Speaker 1: why I say it's a dark comedy documentary, very well 398 00:25:40,960 --> 00:25:43,439 Speaker 1: directed by Laura Brownson, who I want to get on 399 00:25:43,480 --> 00:25:45,280 Speaker 1: this fucking podcast because I know it had to be 400 00:25:45,320 --> 00:25:50,840 Speaker 1: frustrating for her. That is crazy, man, it's fucking nuts. 401 00:25:50,840 --> 00:25:54,520 Speaker 1: And to say that's my pops, it's not your pops 402 00:25:55,920 --> 00:25:58,680 Speaker 1: and you're not black. I want what the pops say. 403 00:25:58,800 --> 00:26:01,719 Speaker 1: The white dude, imagine if your daughter did that. Imagine 404 00:26:01,720 --> 00:26:04,760 Speaker 1: if your son did some bush, what would you hearents 405 00:26:04,800 --> 00:26:09,240 Speaker 1: to pieces of ship, her her paternal parents are pieces 406 00:26:09,240 --> 00:26:12,960 Speaker 1: of ship. Now the whole documentary, it sets up the 407 00:26:13,000 --> 00:26:16,119 Speaker 1: whole her whole story because a reporter, a local reporter 408 00:26:16,280 --> 00:26:19,199 Speaker 1: named Jeff Humphreys. He's in the documentary too. You know 409 00:26:19,240 --> 00:26:23,639 Speaker 1: that iconic clip of him asking Rachel Dolezel, are you black? 410 00:26:23,640 --> 00:26:26,719 Speaker 1: And she's like, I don't know what you mean. Remember, 411 00:26:26,800 --> 00:26:28,600 Speaker 1: you know that that's the whole thing that set the whole, 412 00:26:28,720 --> 00:26:31,800 Speaker 1: the whole scandal off. The reason why he was even 413 00:26:31,880 --> 00:26:34,320 Speaker 1: tracking her down is because at the time, she worked 414 00:26:34,320 --> 00:26:37,400 Speaker 1: for the N double A CP. Now, the reason why 415 00:26:37,400 --> 00:26:39,879 Speaker 1: it they started tracking her down was not because she 416 00:26:39,920 --> 00:26:42,080 Speaker 1: worked at the N double a c P. She was 417 00:26:42,200 --> 00:26:47,800 Speaker 1: reporting hate crimes that were coming towards her and people 418 00:26:47,840 --> 00:26:51,239 Speaker 1: started getting the feeling that something was shady, that they 419 00:26:51,320 --> 00:26:53,359 Speaker 1: might have been planted, that they might have been fake, 420 00:26:53,880 --> 00:26:59,359 Speaker 1: that that was the alarm, and that's what prompted the investigation. 421 00:26:59,640 --> 00:27:01,840 Speaker 1: And they interview the guy and he says, this wasn't 422 00:27:01,920 --> 00:27:04,640 Speaker 1: like a thing that we we had with Rachel Dozel. 423 00:27:04,880 --> 00:27:07,159 Speaker 1: It just was when when we when we started checking 424 00:27:07,160 --> 00:27:10,480 Speaker 1: her out and checking her background out, this is what 425 00:27:10,600 --> 00:27:12,639 Speaker 1: came up because when we found out her parents and 426 00:27:12,680 --> 00:27:14,680 Speaker 1: they were like, wait, she works for the N double 427 00:27:14,720 --> 00:27:17,480 Speaker 1: a CP, these are her actual parents. And then it 428 00:27:17,600 --> 00:27:20,200 Speaker 1: just turned into a whole bunch of different things. Now, 429 00:27:20,760 --> 00:27:24,480 Speaker 1: the documentary said, it shows this. She was very dedicated 430 00:27:24,960 --> 00:27:27,560 Speaker 1: and there are there are a lot of racial incidents 431 00:27:27,600 --> 00:27:30,760 Speaker 1: in this part of town that she lives, uh, Spokane, Washington, 432 00:27:31,080 --> 00:27:33,280 Speaker 1: and in the surrounding areas there is a lot of 433 00:27:33,320 --> 00:27:37,920 Speaker 1: white black uh divide. And she was in the streets, 434 00:27:38,320 --> 00:27:41,879 Speaker 1: hard body, totally you know, dedicated to working with the 435 00:27:42,000 --> 00:27:44,360 Speaker 1: Lennon N double a CP. And they articulate all that 436 00:27:44,400 --> 00:27:48,439 Speaker 1: ship so that they show that. But the ramifications of 437 00:27:48,440 --> 00:27:52,000 Speaker 1: everything that happened from Rachel Dozel is the N double 438 00:27:52,040 --> 00:27:54,719 Speaker 1: a CP now is looked upon as a joke. And 439 00:27:54,760 --> 00:27:57,200 Speaker 1: it's not because just because she said she was black. 440 00:27:57,520 --> 00:28:02,119 Speaker 1: It's because she's lying. She was lying and also saying 441 00:28:02,200 --> 00:28:05,119 Speaker 1: that there were hate crimes that they were sort of 442 00:28:05,160 --> 00:28:08,199 Speaker 1: being like, we think you planted these we think that 443 00:28:08,240 --> 00:28:12,240 Speaker 1: you wrote these letters. I'm sure, I'm sure of it. 444 00:28:13,440 --> 00:28:15,840 Speaker 1: Look at look look at who we're talking about. She's 445 00:28:15,880 --> 00:28:17,959 Speaker 1: a nut job. Yeah, come on, man, I mean at 446 00:28:18,000 --> 00:28:20,520 Speaker 1: some point you don't take this person serious. Man, You're 447 00:28:20,560 --> 00:28:24,439 Speaker 1: not black, you know what I'm saying, Like kill let noise. 448 00:28:24,440 --> 00:28:27,880 Speaker 1: You're not black because not black? And I don't give 449 00:28:27,880 --> 00:28:31,000 Speaker 1: a funk that you identify as black. This would only happen. 450 00:28:31,320 --> 00:28:34,919 Speaker 1: This could only happen with a white woman saying she's black. 451 00:28:35,240 --> 00:28:38,720 Speaker 1: Imagine if if she said, oh, I identify as Asian 452 00:28:39,680 --> 00:28:42,280 Speaker 1: or I or like I've said it before. Imagine if 453 00:28:42,320 --> 00:28:44,640 Speaker 1: I said I came out and I said, me, Michael Rapport, 454 00:28:44,720 --> 00:28:48,480 Speaker 1: I identify as Puerto Rican, not I relate to the 455 00:28:48,480 --> 00:28:52,440 Speaker 1: Puerto Ricans, not I respect that culture. I feel like 456 00:28:52,480 --> 00:28:55,240 Speaker 1: I have things in common with Puerto Ricans. No, I'm 457 00:28:55,280 --> 00:28:58,880 Speaker 1: Puerto Rican. My last name is, my last name is Rodriguez. 458 00:28:58,880 --> 00:29:02,680 Speaker 1: And you and I manned you to fucking accept that. No, 459 00:29:02,720 --> 00:29:06,040 Speaker 1: I'm not gonna accept it. Rachel Dozel, you're fucking nuts. Man. 460 00:29:06,120 --> 00:29:09,400 Speaker 1: We dealt with this chick three years ago. She's sucking 461 00:29:09,520 --> 00:29:13,280 Speaker 1: nuts and um, just like these are race hustlers, I think, man, 462 00:29:13,760 --> 00:29:17,520 Speaker 1: race hustlers, trans racial ship. Come on, man, that's that's impossible. 463 00:29:17,840 --> 00:29:24,920 Speaker 1: And uh like that motherfucker Sean White that Malcolm X. Yeah, 464 00:29:25,280 --> 00:29:30,200 Speaker 1: now I now I will say this, Rachel Dozels paternal 465 00:29:30,280 --> 00:29:33,680 Speaker 1: parents or is that the right word? Paternal parents? They're 466 00:29:33,680 --> 00:29:37,560 Speaker 1: her actual white parents are fucking assholes. They're pieces of ship, 467 00:29:37,640 --> 00:29:42,400 Speaker 1: and they're crazy on there they're like, they're like heavily religious, 468 00:29:43,240 --> 00:29:48,760 Speaker 1: and on on her birth certificate, the parents said Jesus 469 00:29:48,880 --> 00:29:52,360 Speaker 1: Christ was the doctor on site that birthed her. These 470 00:29:52,440 --> 00:29:55,520 Speaker 1: kinds of nuts. Okay, okay, just a little little out there, 471 00:29:55,720 --> 00:29:57,840 Speaker 1: but that don't mean no, no, that sucked up. And 472 00:29:57,840 --> 00:30:01,320 Speaker 1: then they adopted four are kids who were all black, 473 00:30:01,640 --> 00:30:04,160 Speaker 1: and and the kids are in the documentary, and they 474 00:30:04,200 --> 00:30:09,760 Speaker 1: all talked about being heavily physically and emotionally abused, whipped 475 00:30:11,000 --> 00:30:14,440 Speaker 1: like like literally, you know, like whipped, like one of 476 00:30:14,440 --> 00:30:16,400 Speaker 1: the girls showed her scars like, yo, they used to 477 00:30:16,400 --> 00:30:19,719 Speaker 1: whip me. They all talk about it, they all confirm it. 478 00:30:20,160 --> 00:30:23,840 Speaker 1: And and Rachel Dozel talks about being abused too, and 479 00:30:23,840 --> 00:30:26,640 Speaker 1: and she talks about this is where like where like 480 00:30:26,760 --> 00:30:31,160 Speaker 1: the documentary filmmaking I really liked because she Rachel Dozel 481 00:30:31,240 --> 00:30:34,280 Speaker 1: is very honest. She goes like like I felt like 482 00:30:34,320 --> 00:30:37,760 Speaker 1: I needed to protect these kids, and and I did 483 00:30:37,800 --> 00:30:40,800 Speaker 1: protect these kids. And it was almost like an escape 484 00:30:40,960 --> 00:30:44,680 Speaker 1: like getting into like you know, like African American studies 485 00:30:44,680 --> 00:30:46,320 Speaker 1: and all that stuff. It was an escape for her 486 00:30:46,360 --> 00:30:49,440 Speaker 1: because she was abused. It was it was fucked up. 487 00:30:49,480 --> 00:30:52,240 Speaker 1: She was abused, and that was sort of her journey, 488 00:30:52,240 --> 00:30:54,959 Speaker 1: and like, the abuse is real and and what happens 489 00:30:55,000 --> 00:30:57,800 Speaker 1: is real, and I totally believe that that was real. 490 00:30:59,000 --> 00:31:02,960 Speaker 1: But that being at now, at forty years old, she 491 00:31:03,160 --> 00:31:05,960 Speaker 1: she's still and and and at one point, her thirteen 492 00:31:06,040 --> 00:31:08,720 Speaker 1: or fourteen year old son says, and it's in the trailer. 493 00:31:08,760 --> 00:31:12,160 Speaker 1: He goes, if she would just say she wasn't black, 494 00:31:12,480 --> 00:31:17,200 Speaker 1: all of our problems would go away. I like that 495 00:31:17,240 --> 00:31:20,160 Speaker 1: little boy right there, he's saying some good ship, and 496 00:31:20,240 --> 00:31:23,000 Speaker 1: she won't do it. She goes on all the talk shows. 497 00:31:23,040 --> 00:31:26,360 Speaker 1: Throughout the documentary, she puts out a book. One of 498 00:31:26,400 --> 00:31:29,600 Speaker 1: the great spit takes. One of the great comedic moments 499 00:31:29,600 --> 00:31:32,520 Speaker 1: of two thousand eighteen in film, and I'll say in 500 00:31:32,560 --> 00:31:35,440 Speaker 1: television is when she's sitting down with a black woman. 501 00:31:36,480 --> 00:31:39,200 Speaker 1: They both, of course, have on these extravagant head wraps. 502 00:31:39,640 --> 00:31:42,440 Speaker 1: I mean, the fucking head wraps that she wears are 503 00:31:42,560 --> 00:31:47,280 Speaker 1: so incredible. They're like art. She's like, I'm I'm in Ethiopia. 504 00:31:47,320 --> 00:31:50,840 Speaker 1: I I'm an Ethiopian queen. I gotta have that, Yes, 505 00:31:51,840 --> 00:31:54,720 Speaker 1: she says with a straight face. And I took notes 506 00:31:54,760 --> 00:31:56,720 Speaker 1: while I was watching this film because I was so 507 00:31:56,800 --> 00:31:59,480 Speaker 1: bugged out by it. I broke rule number one of 508 00:31:59,480 --> 00:32:02,360 Speaker 1: the Iron Stereo podcast, which is fact checking, because I 509 00:32:02,360 --> 00:32:06,080 Speaker 1: wanted to articulate it to the people. She says with 510 00:32:06,200 --> 00:32:11,760 Speaker 1: a straight face to another black woman, I quote, I 511 00:32:12,000 --> 00:32:14,680 Speaker 1: I fact checked, she said, and I quote, I'm never 512 00:32:15,040 --> 00:32:19,280 Speaker 1: going to be seen as black. And I have to 513 00:32:19,280 --> 00:32:23,880 Speaker 1: say that the woman in there with her, she's fucking nuts. 514 00:32:23,920 --> 00:32:27,440 Speaker 1: Also because she doesn't say to Rachel Dozel, that's because 515 00:32:27,480 --> 00:32:31,200 Speaker 1: you ain't black, cuckoo bird, you never were an asshole. 516 00:32:31,800 --> 00:32:36,800 Speaker 1: What the funk are you talking about? Somebody did this 517 00:32:36,920 --> 00:32:40,479 Speaker 1: whole like story. It really fucked her up. And everything 518 00:32:40,520 --> 00:32:43,360 Speaker 1: that's happened with her is fucked her up. And and 519 00:32:43,400 --> 00:32:47,000 Speaker 1: she does speaking towards she she is smart and and 520 00:32:47,080 --> 00:32:49,120 Speaker 1: she she's a painter, she's an artist, and some of 521 00:32:49,160 --> 00:32:52,160 Speaker 1: her her art is straight up dope because she she 522 00:32:52,280 --> 00:32:54,880 Speaker 1: talks about it being an escape like she's nuts. She's 523 00:32:54,880 --> 00:32:58,280 Speaker 1: like a crazy artist who's nuts. But throughout all the things, 524 00:32:58,320 --> 00:33:02,440 Speaker 1: all the scrutiny, she still won't say I'm not black. 525 00:33:02,840 --> 00:33:05,120 Speaker 1: At one point she says, I was born white, but 526 00:33:05,240 --> 00:33:08,480 Speaker 1: now I identify as it doesn't matter what you identify. 527 00:33:08,600 --> 00:33:11,720 Speaker 1: As one of the craziest the second craziest moment in 528 00:33:11,760 --> 00:33:14,840 Speaker 1: the documentary, and I'm just gonna say, I highly recommend it. 529 00:33:15,800 --> 00:33:18,520 Speaker 1: Watch it on Netflix, The Rachel Divide, because it is 530 00:33:18,600 --> 00:33:22,560 Speaker 1: bugged out. You're gonna laugh, but but it is. But 531 00:33:22,640 --> 00:33:24,760 Speaker 1: it is bugged out, and you do get a sense 532 00:33:24,880 --> 00:33:27,680 Speaker 1: of a crazy person in a way, and their story 533 00:33:27,880 --> 00:33:30,520 Speaker 1: and the media and how the media could find something 534 00:33:30,560 --> 00:33:33,680 Speaker 1: on you and change your life forever. But at one point, 535 00:33:33,720 --> 00:33:38,280 Speaker 1: she's in Cincinnati speaking on her story, speaking on race 536 00:33:38,320 --> 00:33:41,200 Speaker 1: and racial divide in the country, and she's very passionate 537 00:33:41,240 --> 00:33:47,680 Speaker 1: about Oh my god. She's there with a professor on 538 00:33:47,760 --> 00:33:51,440 Speaker 1: a stage. It's not the University of Cincinnati, the smaller 539 00:33:51,440 --> 00:33:55,240 Speaker 1: college in Cincinnati, and she's telling her story and there's 540 00:33:55,240 --> 00:33:58,400 Speaker 1: people in the crowd, um, and they're asking her questions 541 00:33:58,440 --> 00:34:00,400 Speaker 1: and this, that and the other, and you know, and like, 542 00:34:01,160 --> 00:34:03,160 Speaker 1: you know, like she gets into it, into it with 543 00:34:03,480 --> 00:34:05,480 Speaker 1: a black woman who's in the crowd. She goes, you know, 544 00:34:05,520 --> 00:34:07,880 Speaker 1: I understand that your intentions are good, and I understand 545 00:34:08,320 --> 00:34:10,120 Speaker 1: you want to speak up for black rights, but you're 546 00:34:10,120 --> 00:34:13,680 Speaker 1: not black. She's going at it with Rachel Dozell and 547 00:34:13,760 --> 00:34:18,399 Speaker 1: the professor. He says again, the professor is a black dude, 548 00:34:18,440 --> 00:34:22,279 Speaker 1: he says with a straight fucking face. While I understand 549 00:34:22,680 --> 00:34:25,640 Speaker 1: what Ms. Dozela is going through because I am a 550 00:34:25,719 --> 00:34:31,120 Speaker 1: black man who identifies as a white woman. This is 551 00:34:31,160 --> 00:34:34,920 Speaker 1: a professor in a college. Uh So that tells you 552 00:34:34,920 --> 00:34:37,719 Speaker 1: what kind of college it that is. This is some 553 00:34:37,840 --> 00:34:41,279 Speaker 1: local fucking nuthouse in Cincinnati. This is where we're going. 554 00:34:41,360 --> 00:34:46,719 Speaker 1: That's education that This is hocus pocus foolishness. Man. The 555 00:34:46,719 --> 00:34:51,279 Speaker 1: most dramatic slash comedic moment of the film is when 556 00:34:51,360 --> 00:34:56,120 Speaker 1: Rachel Dozel is cutting off all of her braids right 557 00:34:56,200 --> 00:34:59,440 Speaker 1: down to like she she has like an inch of hair. God. No, 558 00:35:00,080 --> 00:35:02,080 Speaker 1: And at one point you think, oh, she's cutting her 559 00:35:02,080 --> 00:35:03,799 Speaker 1: braids off and she's gonna sort of like this is 560 00:35:03,840 --> 00:35:07,520 Speaker 1: the real me. No, she doesn't do that. She doesn't 561 00:35:07,600 --> 00:35:10,279 Speaker 1: do that. You watch her cut her braids down to 562 00:35:10,360 --> 00:35:12,399 Speaker 1: like a half an inch, like she's got a half 563 00:35:12,440 --> 00:35:16,600 Speaker 1: an inch of hair, and she applies a whoopie Goldberg 564 00:35:16,760 --> 00:35:20,759 Speaker 1: wig and doubles down on her blackness. Listen, I don't 565 00:35:20,800 --> 00:35:24,040 Speaker 1: want to give everything away. Oh I thought cutting her 566 00:35:24,080 --> 00:35:27,279 Speaker 1: hair would make her lose her black powers. No, No, 567 00:35:27,440 --> 00:35:31,080 Speaker 1: she doubled down. She put a fucking WHOOPI Goldberg wig 568 00:35:31,120 --> 00:35:33,880 Speaker 1: on and she sows it into her fucking head. It's wild. 569 00:35:34,280 --> 00:35:38,200 Speaker 1: I mean, her technique is incredible, it's impeccable. Yeah, she 570 00:35:38,200 --> 00:35:42,080 Speaker 1: she studied. She's blacker. It's like a superhero she has. 571 00:35:42,200 --> 00:35:45,200 Speaker 1: She has to be blacker than the black Americans. So 572 00:35:45,600 --> 00:35:53,760 Speaker 1: all aspects of our culture gets gets overcompensated and crazy. Man. Um, 573 00:35:53,800 --> 00:35:56,920 Speaker 1: but that's my a full review on The Rachel Rachel Divide, 574 00:35:56,920 --> 00:35:59,640 Speaker 1: which you could see on Netflix, and I recommend watching it. 575 00:35:59,440 --> 00:36:03,160 Speaker 1: It bug you out. She say it again? She do 576 00:36:03,280 --> 00:36:06,640 Speaker 1: hair now? Right, Yeah, she does hair? And she she 577 00:36:06,719 --> 00:36:09,280 Speaker 1: she wrote a book. She sold like fucking seven hundred 578 00:36:09,320 --> 00:36:13,000 Speaker 1: copies because the paper says she do hair. Now she 579 00:36:13,000 --> 00:36:18,439 Speaker 1: should do fucking hair. She's great. Um. Speaking of race, 580 00:36:20,040 --> 00:36:27,080 Speaker 1: President Donald Trump has approved a White House summit. They're 581 00:36:27,080 --> 00:36:29,759 Speaker 1: gonna have a White House summit to discuss race. And 582 00:36:29,800 --> 00:36:35,600 Speaker 1: they have invited Colin Kaepernick. Oh oh, that's a setup, 583 00:36:37,080 --> 00:36:45,080 Speaker 1: Kanye West, Jim Brown, and Mike Tyson. Now now Mike 584 00:36:45,200 --> 00:36:48,239 Speaker 1: is my guy. With Mike, I don't know how Mike 585 00:36:48,280 --> 00:36:50,719 Speaker 1: got poor, Like, how did he get the invite? Look, 586 00:36:50,719 --> 00:36:53,279 Speaker 1: but think about this. Think about this. They have a 587 00:36:53,400 --> 00:36:59,919 Speaker 1: race summit and they bring all entertainers. Yeah, like think 588 00:37:00,120 --> 00:37:06,880 Speaker 1: just think of that. That is absolutely bananas. Yeah, it's true, 589 00:37:08,320 --> 00:37:11,880 Speaker 1: it's true. And a pastor, pastor Darryl Scott, of course, 590 00:37:12,440 --> 00:37:17,279 Speaker 1: of course that's the fucking code. The church guy and 591 00:37:17,320 --> 00:37:20,560 Speaker 1: the athletes, those are the minds, that's what they I 592 00:37:20,560 --> 00:37:23,000 Speaker 1: don't know, man, a race summit and you bring this, 593 00:37:23,000 --> 00:37:25,040 Speaker 1: this is the lineup. This is the best you could do. 594 00:37:26,520 --> 00:37:28,800 Speaker 1: That's what I'm saying. Like it should be scholars, it 595 00:37:28,840 --> 00:37:35,560 Speaker 1: should be social scientists. I agree, good point, Moody, good point. 596 00:37:35,640 --> 00:37:37,839 Speaker 1: And Mike Tyson is one of my favorite people, one 597 00:37:37,880 --> 00:37:40,439 Speaker 1: of my favorite athletes. What the fund is Mike gonna 598 00:37:40,480 --> 00:37:43,799 Speaker 1: be doing? Come on, man, come on, man, it could 599 00:37:43,880 --> 00:37:46,240 Speaker 1: That's what I'm saying. It could have been a better 600 00:37:46,320 --> 00:37:49,120 Speaker 1: meeting of the minds, just just like people who are 601 00:37:49,280 --> 00:37:53,120 Speaker 1: are social scientists and and you know, understand, if you're 602 00:37:53,120 --> 00:37:57,600 Speaker 1: going to have a race summit, uh, what else is 603 00:37:57,640 --> 00:38:01,080 Speaker 1: going on? Yo? I I've been on the front lines 604 00:38:01,600 --> 00:38:04,319 Speaker 1: with with with with this, and I've had my own 605 00:38:04,360 --> 00:38:07,959 Speaker 1: struggles with coyotes um and a man who is far 606 00:38:08,080 --> 00:38:12,359 Speaker 1: more brave than I could ever be, and who's got 607 00:38:12,760 --> 00:38:15,600 Speaker 1: a way bigger balls than I could ever have because 608 00:38:15,600 --> 00:38:19,200 Speaker 1: I've talked about my my fear of uh wild animals. 609 00:38:19,480 --> 00:38:23,759 Speaker 1: I actually was coming home UH the other night from 610 00:38:23,840 --> 00:38:27,560 Speaker 1: the final day of A Typical We wrapped A Typical 611 00:38:27,640 --> 00:38:29,960 Speaker 1: season two and it was later than I normally do 612 00:38:30,640 --> 00:38:34,520 Speaker 1: UH and later than I normally come home, and there 613 00:38:34,560 --> 00:38:37,840 Speaker 1: were fucking all the feral cats were outside my house. 614 00:38:37,920 --> 00:38:41,560 Speaker 1: I'm in my car, you know, I almost ran one 615 00:38:41,560 --> 00:38:43,520 Speaker 1: of those little bastards over there, Like out there, it's 616 00:38:43,520 --> 00:38:46,439 Speaker 1: like a playland out there for him. Um. I don't 617 00:38:46,560 --> 00:38:50,120 Speaker 1: like I don't like feral animals. I don't like coyotes. 618 00:38:50,400 --> 00:38:55,080 Speaker 1: I don't like cats. I don't like them. But in Westchester, now, 619 00:38:55,400 --> 00:38:57,320 Speaker 1: this might have been the cat that we taught the 620 00:38:57,520 --> 00:39:00,400 Speaker 1: coyote that we talked about because we had been boarding 621 00:39:01,320 --> 00:39:06,720 Speaker 1: in west Chester that there were there were rabid wild 622 00:39:06,920 --> 00:39:12,319 Speaker 1: coyotes on the loose. Okay, west Chester if you're if 623 00:39:12,360 --> 00:39:13,879 Speaker 1: you're not from New York in the New York City 624 00:39:13,920 --> 00:39:17,040 Speaker 1: area is a suburb of the city. It's about forty 625 00:39:17,080 --> 00:39:20,719 Speaker 1: five minutes out of New York City. Well, family was 626 00:39:20,760 --> 00:39:23,600 Speaker 1: out there at a park in UH in west Chester 627 00:39:24,040 --> 00:39:30,120 Speaker 1: playing mine in their business. UH coyote attacked a little kid, 628 00:39:30,120 --> 00:39:36,240 Speaker 1: a four year old and an officer, a police officer somehow, 629 00:39:36,360 --> 00:39:40,560 Speaker 1: some way had the courage and the balls and apparently 630 00:39:40,560 --> 00:39:44,920 Speaker 1: he's a trained in jiu jitsu, jumped on the coyote, 631 00:39:46,160 --> 00:39:49,120 Speaker 1: slammed it to the ground and choked the fucking thing out. 632 00:39:49,640 --> 00:39:54,200 Speaker 1: This is a fucking hero This is a fun imagine 633 00:39:54,239 --> 00:39:56,879 Speaker 1: You're at a park and a coyote is like going 634 00:39:56,920 --> 00:40:00,279 Speaker 1: to attack somebody, and and you don't just shoot away. 635 00:40:00,320 --> 00:40:02,759 Speaker 1: This guy beat the fucking ship out of the coyote, 636 00:40:03,040 --> 00:40:05,319 Speaker 1: choked it out with some jiu jitsu. I mean this 637 00:40:05,400 --> 00:40:07,759 Speaker 1: is a a off duty police officer, by the way. 638 00:40:07,920 --> 00:40:11,439 Speaker 1: This is a talk about a heroic act of course. Man. 639 00:40:12,040 --> 00:40:15,840 Speaker 1: Hell yeah, that's good. I mean, you can't have the 640 00:40:15,880 --> 00:40:17,840 Speaker 1: animals take over at some point. You gotta put the 641 00:40:17,880 --> 00:40:22,120 Speaker 1: hammer down and let them know what time it is. Um. 642 00:40:22,239 --> 00:40:24,560 Speaker 1: We should have discussed this when we were all into 643 00:40:24,600 --> 00:40:31,400 Speaker 1: our basketball uh Drake lebron stuff. Um, because it is 644 00:40:31,440 --> 00:40:36,279 Speaker 1: going down, Moody, I just wanted to uh do our 645 00:40:36,480 --> 00:40:44,919 Speaker 1: final air Monetti Air Moody pregame. Yeah, Dunk Talk Um, 646 00:40:45,000 --> 00:40:48,520 Speaker 1: which you are going to be going live with on 647 00:40:48,560 --> 00:40:56,400 Speaker 1: Sunday May six, absolutely seven pm seven pm Eastern and 648 00:40:56,719 --> 00:41:01,680 Speaker 1: four pm Pacific. And uh, it will be a good thing. 649 00:41:02,120 --> 00:41:04,640 Speaker 1: It's gonna be fun. I'm gonna make it funny and 650 00:41:04,760 --> 00:41:07,279 Speaker 1: live and it's gonna be good. That's all I'm gonna say. 651 00:41:07,360 --> 00:41:10,040 Speaker 1: And if you miss it live, we will have all 652 00:41:10,080 --> 00:41:13,479 Speaker 1: the footage on the I M wrapping port app for 653 00:41:13,480 --> 00:41:17,680 Speaker 1: for everybody, for everybody. Everybody gets to see, uh, Gerald 654 00:41:18,040 --> 00:41:20,759 Speaker 1: dunk attempts. Can I just ask you a few questions? 655 00:41:21,239 --> 00:41:25,279 Speaker 1: Go ahead, yeah, gladly, let's do it, because endurance is 656 00:41:25,280 --> 00:41:28,359 Speaker 1: a problem. Um. You know, as you know, even when 657 00:41:28,360 --> 00:41:32,640 Speaker 1: you're younger. Uh, and you're not young anymore. Um, but 658 00:41:32,719 --> 00:41:35,000 Speaker 1: even when you're younger, when you when you attempt dunks, 659 00:41:35,160 --> 00:41:36,920 Speaker 1: the more you do it, even like the dunkers in 660 00:41:36,920 --> 00:41:39,640 Speaker 1: the dunk contest, the more you do it, um um, 661 00:41:39,840 --> 00:41:43,720 Speaker 1: the lower the jumping gets. I understand. I'm full aware 662 00:41:43,719 --> 00:41:48,160 Speaker 1: of that, bro, But check it. Um. It's three attempts. 663 00:41:48,200 --> 00:41:51,839 Speaker 1: If I don't get it after three or maybe four, 664 00:41:52,360 --> 00:41:54,680 Speaker 1: then then I can't do it. I'm not gonna be 665 00:41:54,760 --> 00:41:58,120 Speaker 1: up there fucking thirty times clapping boards when I'm trying 666 00:41:58,160 --> 00:42:00,360 Speaker 1: to get up. So I'm full aware that. Man, I 667 00:42:00,400 --> 00:42:04,160 Speaker 1: play ball, man, you know that, Okay. But May six, 668 00:42:04,200 --> 00:42:07,200 Speaker 1: seven pm Live and then we will put everything up 669 00:42:07,280 --> 00:42:10,240 Speaker 1: seven pm Live Eastern, and then we will put everything 670 00:42:10,320 --> 00:42:13,160 Speaker 1: up on the iron wrap port app And uh are 671 00:42:13,200 --> 00:42:15,560 Speaker 1: you going to because you know I wanted to ask 672 00:42:15,600 --> 00:42:18,800 Speaker 1: you this, Are you gonna be wearing shorts? I was 673 00:42:18,840 --> 00:42:20,440 Speaker 1: gonna try to funk with you and just do it 674 00:42:20,480 --> 00:42:23,200 Speaker 1: in jeans to kind of rub it in your fucking face. 675 00:42:23,600 --> 00:42:25,120 Speaker 1: But I said, I'm gonna putting on some shorts and 676 00:42:25,160 --> 00:42:26,960 Speaker 1: ship and just do it regularly, all right. Now, as 677 00:42:27,000 --> 00:42:28,759 Speaker 1: a friend, I just want to remind you put some 678 00:42:28,840 --> 00:42:31,239 Speaker 1: lotion on your legs because nobody wants to see you 679 00:42:31,280 --> 00:42:34,480 Speaker 1: out there trying to dunk and your ship is all ashy, 680 00:42:34,600 --> 00:42:37,640 Speaker 1: all right, because that's gonna add insult to injury when 681 00:42:37,640 --> 00:42:39,640 Speaker 1: you fucking bust your fucking like when you go up 682 00:42:39,680 --> 00:42:41,839 Speaker 1: there and you hit the fucking if you even hit 683 00:42:41,880 --> 00:42:43,279 Speaker 1: the rim, I don't even know if you're gonna hit 684 00:42:43,280 --> 00:42:47,080 Speaker 1: the fucking rim. Yo. I got tub oh butter on 685 00:42:47,200 --> 00:42:50,000 Speaker 1: deck for the lotion. So everything is good man. All right, 686 00:42:50,040 --> 00:42:52,280 Speaker 1: We'll say you're welcome because you weren't thinking about wearing 687 00:42:52,280 --> 00:42:56,520 Speaker 1: the lotion. Say you're fucking welcome. Good looking man, good 688 00:42:56,520 --> 00:43:00,320 Speaker 1: looking um? All right, it's about that time. It's about 689 00:43:00,320 --> 00:43:02,799 Speaker 1: that time. You know what time it is. It's the 690 00:43:02,880 --> 00:43:07,319 Speaker 1: sick Funck of the Week segment. Miles Jordan's c the 691 00:43:07,320 --> 00:43:11,920 Speaker 1: goddamn music. This award is earned, not given. It's called 692 00:43:12,000 --> 00:43:15,400 Speaker 1: the sick fucking a Week. This guy is really sick. 693 00:43:15,840 --> 00:43:18,839 Speaker 1: Lock him up? How could you do it? Don't let 694 00:43:18,920 --> 00:43:22,360 Speaker 1: him out? Damn? Who fucked the door? You want? You 695 00:43:22,520 --> 00:43:25,399 Speaker 1: fuck the door? Why would you fuck the dog? Why 696 00:43:25,400 --> 00:43:29,800 Speaker 1: would you fuck your girlfriend's dog? Sick fuck the sick 697 00:43:29,920 --> 00:43:33,879 Speaker 1: funck of the week. It's earned and not giving. You 698 00:43:33,920 --> 00:43:46,279 Speaker 1: did what? No? No, no, yes, yes, yes yes. This 699 00:43:46,360 --> 00:43:50,520 Speaker 1: is a sick fuck of the Week segment, the award 700 00:43:50,600 --> 00:43:54,279 Speaker 1: winning sick funck of the Week. Uh and and next 701 00:43:54,360 --> 00:43:57,960 Speaker 1: week we are going to be doing a all sick 702 00:43:58,320 --> 00:44:02,520 Speaker 1: fuck of the Week. I am Wrapp Reports stereo podcast. 703 00:44:02,840 --> 00:44:05,520 Speaker 1: I am calling it an emergency podcast because I am 704 00:44:05,640 --> 00:44:12,120 Speaker 1: being inundated, literally infested with sick fox of the week, 705 00:44:12,800 --> 00:44:17,000 Speaker 1: I mean, the sick funk of the week, whisper my guy, Mike. 706 00:44:17,680 --> 00:44:20,160 Speaker 1: I mean he's it's like this guy's like it's like 707 00:44:20,200 --> 00:44:24,239 Speaker 1: a flurry, Like I'll be at work and I'll get 708 00:44:24,239 --> 00:44:26,719 Speaker 1: like an email or a text or a d M 709 00:44:26,880 --> 00:44:29,319 Speaker 1: from from the Sick Funk of the Week whisper it'll 710 00:44:29,360 --> 00:44:31,040 Speaker 1: be ten of them. I'm like, I don't know where 711 00:44:31,080 --> 00:44:34,279 Speaker 1: this guy finds them. It's like I can only take 712 00:44:34,360 --> 00:44:38,759 Speaker 1: so much. We gotta process them. And it's not just yeah, 713 00:44:38,800 --> 00:44:41,920 Speaker 1: we gotta vetom too. It's not just Mike. All the 714 00:44:42,000 --> 00:44:44,800 Speaker 1: other fans that are d m in me. Keep it coming. 715 00:44:45,680 --> 00:44:49,960 Speaker 1: The Instagram people um Rex Chapman, friend of the Iron 716 00:44:50,040 --> 00:44:53,239 Speaker 1: Rapports Stereo podcast. He posted a sick Funk of the 717 00:44:53,280 --> 00:44:57,000 Speaker 1: Week people on Twitter, posting six Fox of the Week 718 00:44:57,239 --> 00:45:00,160 Speaker 1: but next week to sort of before it gets out 719 00:45:00,160 --> 00:45:02,640 Speaker 1: of hand, because I need to sort of you know, 720 00:45:02,680 --> 00:45:06,160 Speaker 1: we need to keep them organized. But I mean I'll 721 00:45:06,200 --> 00:45:09,799 Speaker 1: say this, we're gonna do twenty for twenty. We're next 722 00:45:09,800 --> 00:45:12,279 Speaker 1: week we're gonna do That's how many I have. It 723 00:45:12,320 --> 00:45:15,239 Speaker 1: may even be twenty five, but right now, I'll just 724 00:45:15,280 --> 00:45:17,799 Speaker 1: say next week we're gonna do an emergency podcast with 725 00:45:17,840 --> 00:45:21,440 Speaker 1: twenty for sickest. I mean, maybe it's the month of 726 00:45:21,480 --> 00:45:25,120 Speaker 1: April and May uh that is bringing them out in droves. 727 00:45:25,200 --> 00:45:30,120 Speaker 1: It's it's it's the season changes. Everybody's on it. I mean, 728 00:45:30,239 --> 00:45:33,160 Speaker 1: holy sh it, man, I can't keep up. I can't 729 00:45:33,200 --> 00:45:35,840 Speaker 1: keep track. Back in the days, it was just me 730 00:45:35,880 --> 00:45:37,799 Speaker 1: and you trying to look for ship and and you 731 00:45:37,840 --> 00:45:40,080 Speaker 1: know you'd find one or two. But I mean, we 732 00:45:40,160 --> 00:45:43,879 Speaker 1: have people in the streets, millions. They're fine, it's sick 733 00:45:44,080 --> 00:45:47,360 Speaker 1: and and they're not even getting a lot of international stuff. 734 00:45:47,400 --> 00:45:48,799 Speaker 1: I mean, every now and then we get a great 735 00:45:48,800 --> 00:45:52,760 Speaker 1: sick funking the week international, but I mean working at 736 00:45:52,760 --> 00:45:57,120 Speaker 1: home grown United States of American, United States of America, 737 00:45:57,200 --> 00:46:00,040 Speaker 1: sick Fox of the Week. Um So to set this 738 00:46:00,080 --> 00:46:06,759 Speaker 1: episode off, Nicole Blevins, not Bivens, like my man Mike 739 00:46:06,760 --> 00:46:10,880 Speaker 1: Bivens from a new edition Nicole Blevins. Have you ever 740 00:46:10,920 --> 00:46:14,480 Speaker 1: seen a picture of Nicole Blevins? G hell no? Oh 741 00:46:14,520 --> 00:46:17,840 Speaker 1: well if you look up Nicole Blevins lo and behold, 742 00:46:18,400 --> 00:46:25,200 Speaker 1: she looks like a true blue sick fuck. Nicole Blevins 743 00:46:26,480 --> 00:46:29,680 Speaker 1: was arrested. She was she's uh works in a school, 744 00:46:30,080 --> 00:46:34,000 Speaker 1: uh you know, like a school for toddler's nursery right 745 00:46:35,360 --> 00:46:38,840 Speaker 1: in Wichita Falls, Kansas. Was arrested last week after a 746 00:46:38,920 --> 00:46:45,400 Speaker 1: nine year old boy told her parents and told his 747 00:46:45,480 --> 00:46:50,000 Speaker 1: parents that Nicole Blevins, this sick fuck, lifted this little 748 00:46:50,080 --> 00:46:52,279 Speaker 1: nine year old by the ears and hit him with 749 00:46:52,320 --> 00:46:58,440 Speaker 1: a belt after he tried to hug her affectionately. This 750 00:46:58,640 --> 00:47:00,760 Speaker 1: is a person that works in his school. The little 751 00:47:00,760 --> 00:47:03,120 Speaker 1: boy wants to hug you. Why. I don't know why, 752 00:47:03,680 --> 00:47:05,520 Speaker 1: because if you look in the cold Levin, she's a 753 00:47:05,640 --> 00:47:09,959 Speaker 1: fat dumpling. She's a sloppy animal. She picked this little 754 00:47:10,000 --> 00:47:12,680 Speaker 1: boy up by the ears and beat him with a belt. 755 00:47:12,960 --> 00:47:15,240 Speaker 1: And and then uh, the kid went home to school 756 00:47:15,200 --> 00:47:18,440 Speaker 1: and he said, Nikki, uh, you know, pulled me by 757 00:47:18,480 --> 00:47:20,759 Speaker 1: the ears and put the belt to my ass. And 758 00:47:20,800 --> 00:47:23,520 Speaker 1: then the parents got involved, and the cops arrested this 759 00:47:23,600 --> 00:47:30,680 Speaker 1: sick fuck as they should. Fucking nuts man, I mean 760 00:47:30,800 --> 00:47:33,239 Speaker 1: a little boys giving you a hug, and and that's 761 00:47:33,239 --> 00:47:40,160 Speaker 1: how you respond, you sick fuck you. A man in 762 00:47:40,160 --> 00:47:46,399 Speaker 1: Indiana who apparently killed somebody because there was a dead 763 00:47:46,440 --> 00:47:50,640 Speaker 1: body in his own bathroom, in his bathtub that he 764 00:47:50,640 --> 00:47:53,359 Speaker 1: he knew was there, he was aware that it was there, 765 00:47:54,680 --> 00:48:01,120 Speaker 1: got so uh overwhelmed by the smell. And he didn't say, oh, 766 00:48:01,160 --> 00:48:04,520 Speaker 1: I killed somebody. He said, there's a dead body in 767 00:48:04,920 --> 00:48:09,800 Speaker 1: my bathtub and it stinks. Please come and get him. 768 00:48:09,880 --> 00:48:14,000 Speaker 1: When the cops came, obviously they put two and two together. 769 00:48:14,960 --> 00:48:17,759 Speaker 1: They said, uh, you sick fuck, did you kill the guy? 770 00:48:17,880 --> 00:48:23,239 Speaker 1: And he said simply, yes, I killed him. Uh. But 771 00:48:24,040 --> 00:48:26,040 Speaker 1: he didn't confess out of the goodness at the heart 772 00:48:26,120 --> 00:48:29,839 Speaker 1: of his heart. He confessed because he was offended by 773 00:48:29,840 --> 00:48:32,360 Speaker 1: the smell. This is this is why we have the 774 00:48:32,400 --> 00:48:35,400 Speaker 1: award winning six Funk of the Week segment. This is 775 00:48:35,440 --> 00:48:38,360 Speaker 1: why I'm overwhelmed with him, because they just they're coming 776 00:48:38,560 --> 00:48:41,399 Speaker 1: and coming and coming. Um. This is a follow up 777 00:48:41,400 --> 00:48:44,120 Speaker 1: on a sick funk of the Week in Ohio. A 778 00:48:44,200 --> 00:48:48,400 Speaker 1: four hundred pound man, four hundred pound man, a fifty 779 00:48:48,440 --> 00:48:51,200 Speaker 1: eight year old guy named Donald Martin Jr. Have you 780 00:48:51,200 --> 00:48:54,920 Speaker 1: ever seen Donald Martin Jr? No? Have it? Oh? Well, 781 00:48:54,960 --> 00:48:57,120 Speaker 1: if you look him up low and behold, he looks 782 00:48:57,160 --> 00:49:00,279 Speaker 1: like a real sick fuck. I mean he he's the 783 00:49:00,360 --> 00:49:04,960 Speaker 1: poster boy for six Fox. He looks fucking batshit crazy. 784 00:49:05,200 --> 00:49:10,080 Speaker 1: He pleaded guilty to killing his eleven year old grandson, 785 00:49:11,040 --> 00:49:15,000 Speaker 1: whom he laid down on a couch and smothered with 786 00:49:15,080 --> 00:49:19,719 Speaker 1: his four hundred pounds sick fuck of the weak body. 787 00:49:19,760 --> 00:49:27,919 Speaker 1: Oh it never ends. Never. This is in uh Yo. 788 00:49:29,120 --> 00:49:30,920 Speaker 1: Sometimes I don't have words with ship man. This is 789 00:49:30,920 --> 00:49:33,960 Speaker 1: one of those times. Man, we've we've this is the 790 00:49:34,040 --> 00:49:36,360 Speaker 1: third time we've talked about Uber in the last month. 791 00:49:37,320 --> 00:49:42,520 Speaker 1: Me and Gerald talked about them, uh, the annoying banter 792 00:49:43,400 --> 00:49:47,759 Speaker 1: from the nosy ass Uber driver, and then I talked 793 00:49:47,800 --> 00:49:50,160 Speaker 1: about almost getting into an accident with an Uber driver 794 00:49:50,400 --> 00:49:52,720 Speaker 1: halfway up the street from my home when I told 795 00:49:52,760 --> 00:49:57,640 Speaker 1: him please watch that street, please watch yourself crossing stumb 796 00:49:57,680 --> 00:50:01,000 Speaker 1: fucked and listen, well, listen the problem with an Uber 797 00:50:01,080 --> 00:50:04,279 Speaker 1: driver And congratulations you've made it as a sick Funk 798 00:50:04,320 --> 00:50:08,960 Speaker 1: of the Week. In Tampa Bay, Florida, an Uber driver 799 00:50:09,440 --> 00:50:15,080 Speaker 1: Michael de Pesso, Michael Paz de Pesso couldn't keep his 800 00:50:15,200 --> 00:50:20,120 Speaker 1: personal porn to himself. Sick fuck was showing porn to 801 00:50:20,360 --> 00:50:25,279 Speaker 1: underage passengers as he drove them around. Arrested. Obviously he's 802 00:50:25,320 --> 00:50:28,520 Speaker 1: been fired. And congratulations you made it to the I 803 00:50:28,680 --> 00:50:31,800 Speaker 1: m wrap Port sick Funk of the Week. Second you 804 00:50:31,960 --> 00:50:38,600 Speaker 1: animal you Yeah he was uber horny. Ah ha ha man, 805 00:50:39,400 --> 00:50:43,799 Speaker 1: that's so damn good. Listen, what can I say? We 806 00:50:43,920 --> 00:50:47,319 Speaker 1: we we've given it all. Um, who knows what the 807 00:50:47,360 --> 00:50:52,000 Speaker 1: weekend uh will inspire? Um, you should get yourself the 808 00:50:52,040 --> 00:50:55,279 Speaker 1: Iron Rappaport app. You should become a premium subscriber. To 809 00:50:55,280 --> 00:50:58,439 Speaker 1: tone a month because this is the time of year 810 00:50:58,600 --> 00:51:04,359 Speaker 1: where emergency episodes we're just rattling them off. Absolutely and um, absolutely, 811 00:51:04,400 --> 00:51:06,520 Speaker 1: go ahead, wrap, I have something to do. I want 812 00:51:06,520 --> 00:51:08,520 Speaker 1: to go ahead. I finished. No, I just want to 813 00:51:08,600 --> 00:51:12,360 Speaker 1: say g Moody again, will be live on the seventh 814 00:51:12,800 --> 00:51:16,160 Speaker 1: I'm sorry, the sixth UM, and then we'll be putting 815 00:51:16,239 --> 00:51:19,640 Speaker 1: up all the footage UM on the app for everybody 816 00:51:19,640 --> 00:51:24,680 Speaker 1: to watch. UM. I am going to say this right now, Gerald, right, 817 00:51:25,200 --> 00:51:27,560 Speaker 1: and I want you to be safe with your dunk attempt. 818 00:51:27,640 --> 00:51:31,000 Speaker 1: But if you hurt yourself an emergency Iron Rapports stereo 819 00:51:31,280 --> 00:51:35,480 Speaker 1: podcast becoming just letting everybody know that that that will 820 00:51:35,560 --> 00:51:38,840 Speaker 1: that will definitely be coming. Listen. I'll already hurt myself, 821 00:51:39,320 --> 00:51:43,160 Speaker 1: so you fuck So I already did that, so I 822 00:51:43,200 --> 00:51:46,760 Speaker 1: couldn't um exacerbate the injury, So I just let the injury. 823 00:51:47,520 --> 00:51:51,279 Speaker 1: Uh hell so, so now I'm just gonna go and 824 00:51:51,320 --> 00:51:57,120 Speaker 1: do it. I'm saying, oh, this was a collective effort, um. 825 00:51:57,160 --> 00:51:59,640 Speaker 1: And there's a reason why I didn't put this in 826 00:51:59,680 --> 00:52:01,400 Speaker 1: the six Fox of the Week because I think this 827 00:52:01,440 --> 00:52:05,600 Speaker 1: guy might have what I have. I got about nine requests, 828 00:52:06,760 --> 00:52:10,200 Speaker 1: nine people from Twitter, Instagram, and I even think I 829 00:52:10,239 --> 00:52:13,040 Speaker 1: got one on Snapchat said this is your sick funck 830 00:52:13,080 --> 00:52:15,200 Speaker 1: of the week rap. This is your sick funk of 831 00:52:15,239 --> 00:52:17,880 Speaker 1: the week rap. And I am I am debunking this. 832 00:52:18,760 --> 00:52:23,560 Speaker 1: I am not accepting it. In New Jersey, Dirty Jersey, 833 00:52:24,640 --> 00:52:31,600 Speaker 1: New Jerus, human feces was being found and I quote, 834 00:52:31,800 --> 00:52:36,480 Speaker 1: on a daily basis, on a high school track. They 835 00:52:36,520 --> 00:52:43,279 Speaker 1: caught the culprit. The culprit is the school superintendent. My man, 836 00:52:43,600 --> 00:52:48,719 Speaker 1: you probably have alserti collidis. You fucking lunatic, Okay, but 837 00:52:48,840 --> 00:52:52,120 Speaker 1: you ship your ship. A matter of fact, I'm sorry 838 00:52:52,600 --> 00:52:54,680 Speaker 1: now that I'm looking at all the details of this 839 00:52:54,960 --> 00:53:01,840 Speaker 1: from the fans. This guy is a sick funck. Every 840 00:53:01,880 --> 00:53:05,480 Speaker 1: single day you're shipping on the track. Yeah, at the 841 00:53:05,560 --> 00:53:08,479 Speaker 1: same time, so they set up a camera and saw 842 00:53:08,600 --> 00:53:11,520 Speaker 1: money defecating on on on the fifty yard line. So 843 00:53:11,640 --> 00:53:14,120 Speaker 1: first of all, you're not even using the three point 844 00:53:14,320 --> 00:53:17,880 Speaker 1: position system that I have I've made public for free. 845 00:53:18,840 --> 00:53:21,280 Speaker 1: This is something I pattent for years and years after 846 00:53:21,360 --> 00:53:24,960 Speaker 1: of suffering vultutive collinies. You're shipping on a track out 847 00:53:24,960 --> 00:53:28,920 Speaker 1: and broad daylight. You sick fuck. You are a sick fuck. Yeah, 848 00:53:29,000 --> 00:53:34,520 Speaker 1: he has a fetish a fetish for crap Thomas Thomas 849 00:53:34,560 --> 00:53:38,560 Speaker 1: Tramigliani in New Jersey. You sick fuck Thank you for 850 00:53:38,600 --> 00:53:42,160 Speaker 1: all the fans. I changed my mind impromptude changing. This 851 00:53:42,239 --> 00:53:44,920 Speaker 1: is a bonus sick funk of the week. You're shitting 852 00:53:44,960 --> 00:53:49,640 Speaker 1: on a track and not not every now and then daily. Yes, 853 00:53:51,200 --> 00:53:54,240 Speaker 1: that's purpose. That's not a disease. It's like a fetish. 854 00:53:54,520 --> 00:53:56,080 Speaker 1: This is a This is a guy that has a 855 00:53:56,080 --> 00:53:59,520 Speaker 1: fetish for crapping on a fucking track. Nutjob, man, you're 856 00:53:59,560 --> 00:54:02,120 Speaker 1: making for like me who You're making people like me 857 00:54:02,160 --> 00:54:04,880 Speaker 1: who do it against my own will. I'm not proud 858 00:54:04,920 --> 00:54:07,920 Speaker 1: of it. Yeah, you got a problem. I'm not proud 859 00:54:07,960 --> 00:54:10,800 Speaker 1: of using the four oh five as my own personal 860 00:54:10,920 --> 00:54:15,920 Speaker 1: public bathroom. I'm not proud of that. I'm ashamed of it. 861 00:54:16,520 --> 00:54:21,320 Speaker 1: Now I'm gonna embrace it. For this guy's making people 862 00:54:21,360 --> 00:54:25,000 Speaker 1: like myself with auld startar collitis look bad. And that's 863 00:54:25,040 --> 00:54:28,920 Speaker 1: harder than a motherfucker too. Every day at the same time, 864 00:54:29,000 --> 00:54:31,560 Speaker 1: like clockwork, you're out there shooting on a high school 865 00:54:31,600 --> 00:54:35,720 Speaker 1: track and this guy was a teacher. Oh you animal, 866 00:54:37,440 --> 00:54:39,840 Speaker 1: but rat I want to say this last thing. We 867 00:54:39,920 --> 00:54:44,600 Speaker 1: have a great stick man from Brooklyn that's turning ninety 868 00:54:44,680 --> 00:54:49,239 Speaker 1: years old. This guy looks as though he's forty, graceful, 869 00:54:49,760 --> 00:54:52,560 Speaker 1: always did things with class. I want I want to 870 00:54:52,600 --> 00:54:56,160 Speaker 1: give a shout out to happy birthday to uh Mr Hynes, 871 00:54:56,640 --> 00:55:00,480 Speaker 1: my man, Dave's father. Yo, this dude, this dude can 872 00:55:00,520 --> 00:55:02,920 Speaker 1: scoop your girl at nineties. He's that is that type 873 00:55:02,920 --> 00:55:05,920 Speaker 1: of Aura, And I just want to say that suave 874 00:55:06,040 --> 00:55:10,160 Speaker 1: stickman Aura. Yep, Suaves pops a matter of facts, a friend. 875 00:55:10,640 --> 00:55:12,800 Speaker 1: So I just want to say he's ninety, looks about 876 00:55:12,840 --> 00:55:16,480 Speaker 1: fifty and just say happy birthday to world classy birthday, 877 00:55:16,480 --> 00:55:19,839 Speaker 1: Happy birthday, Happy ninety God bless um. It's the Iron 878 00:55:19,840 --> 00:55:24,320 Speaker 1: Wrap pors Stereo Podcast. Listen. We're putting everything on sale 879 00:55:24,840 --> 00:55:31,040 Speaker 1: on the Premium map for premium subscribers. Off everything all 880 00:55:31,120 --> 00:55:35,240 Speaker 1: butter soft, Iron Wrap pors Stereo podcast of the new stuff, 881 00:55:35,239 --> 00:55:39,480 Speaker 1: the old stuff, the waist land T shirt Listen. You 882 00:55:39,520 --> 00:55:42,320 Speaker 1: don't want to go through the rest of these playoffs 883 00:55:42,400 --> 00:55:47,399 Speaker 1: without rocking your waist land T shirt. Okay, all kinds 884 00:55:47,440 --> 00:55:49,040 Speaker 1: of suckers ship is going on in the world. We 885 00:55:49,080 --> 00:55:51,840 Speaker 1: have the Buttersaft suckersh T shirts. We have the Me 886 00:55:52,000 --> 00:55:56,560 Speaker 1: and G Moody Championship podcasting T shirt, which is crafted 887 00:55:56,760 --> 00:56:00,719 Speaker 1: by our friend Adam Bollinger. All forty sent off on 888 00:56:00,760 --> 00:56:04,720 Speaker 1: the im wrapper port app G Moody last name rhymes 889 00:56:04,719 --> 00:56:08,560 Speaker 1: of duty. They call us the disco to smash mouth podcasting, 890 00:56:08,600 --> 00:56:12,040 Speaker 1: the best in the business, the best in the business. 891 00:56:12,280 --> 00:56:16,120 Speaker 1: Miles Jordan's take us out of here with something something 892 00:56:16,320 --> 00:56:19,360 Speaker 1: nasty and let it rock a little bit, something nasty, 893 00:56:19,440 --> 00:56:22,000 Speaker 1: something like that, something that's gonna make your face like 894 00:56:22,000 --> 00:57:00,720 Speaker 1: like get distorted. Five