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Speaker 1: Welcome back to Alchemy this. I'm your host, Kevin Pollock.

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Speaker 1: Where's that? Yes that Kevin Pally? No? No this time,

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Speaker 1: no means please help me get this cat out of

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Speaker 1: my car, good people of the world. By definition, alchemy

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Speaker 1: is quote when a person and or persons creates something

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Speaker 1: through a seeming wing magical process. Not too long ago,

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Speaker 1: I was having my gutters repaired. The idea struck me.

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Speaker 1: What have I brought together the right creative people, not

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Speaker 1: something to make stuff up based on my own twisted ideas,

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Speaker 1: and then offered a podcast of the seemingly magical process,

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Speaker 1: and I could call it alchemy. Stop that now, people

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Speaker 1: will never believe you're my kin if you're facing shirt

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Speaker 1: or stained by cheers, well, my bell, peppers and peppies.

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Speaker 1: After a bit of title tinkering, I'm so very proud

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Speaker 1: to resent to you another episode. Oh Alchemy this, let's

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Speaker 1: meet our alchemists, shall we? In no particular order? Uh?

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Speaker 1: It's Vanessa raglan Venete. If you could turn back time?

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Speaker 1: When is it? Yeah? Ninety nine? Yeah, myle mine, it's

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Speaker 1: Craig Atkowski. Craigor's your thoughts please on Mark Wahlberg, the

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Speaker 1: Burger Guy. Sure, that's the one. It gives me good vibrations.

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Speaker 1: Hold the possum. It's James Heeney sitting right here. Jamal

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Speaker 1: can I call you when the rain stops? Yeah? Please

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Speaker 1: do and like to come outside? Yeah, Chris Alvarado, Dr A,

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Speaker 1: what's the best cure for these walking blues? There it

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Speaker 1: is and U Joey Greer, ladies and gentlemen, Joey, all

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Speaker 1: my own come, he's here. He's here. Joey is in

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Speaker 1: fact not here, but that was the best impersonation of

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Speaker 1: his entire being, sitting in a guess thing with us today. Norman.

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Speaker 1: Dr Norman, Uh, when will you be home tonight? As

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Speaker 1: soon as what's left me is scraped together? All right,

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Speaker 1: let's get to your scene suggestions of boy your I mean,

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Speaker 1: he's come from listener mail right to us. That your

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Speaker 1: name here at alchemy this dot com. Subscribe to the podcast.

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Speaker 1: Tell everyone you've ever met, damn it. We would love

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Speaker 1: to hear from you any time, including us in your Instagram,

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Speaker 1: all your social media's and thank you for these following

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Speaker 1: three suggestions. This first one from Griffin Miller. Good afternoon, Alchemists.

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Speaker 1: I've been a huge fan of the show since the

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Speaker 1: first episode. You guys do an amazing job every week

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Speaker 1: and make the tedious drive to and from work that

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Speaker 1: much easier to get through. We're happy to be there

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Speaker 1: for you. Griffin Miller, when binging on episodes of Gordon

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Speaker 1: Ramsay's Kitchen Nightmares. I've out have an idea for a

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Speaker 1: scene you might like. A health inspector makes his unplanned

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Speaker 1: visit to the worst reviewed restaurant in the city. All

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Speaker 1: the employees at the restaurant scrambled to meet the needs

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Speaker 1: of the inspector and not fail the inspection, all while

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Speaker 1: trying to not alert any customers that they're currently eating

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Speaker 1: at a ship hole. Keep up Love from Atlanta, Griffin Miller.

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Speaker 1: We're taken out of that restaurant under scrutiny by the

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Speaker 1: health inspector. Get this out, Table seven. Let's go go

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Speaker 1: go Table seven. We never numbered at the tables. Come on,

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Speaker 1: excuse me, I'm looking for the manager of this establishment,

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Speaker 1: manager in his office. That's funny, not three times and

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Speaker 1: then kick the door down. He's probably doing drugs, don't you.

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Speaker 1: I'm jeered the health inspector from the city. Do you

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Speaker 1: have any proof that, sir, this is my patch and

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Speaker 1: this clipboard that i'm writing with. Huh, that's my weapon.

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Speaker 1: All right. Then you'll find Stevie in the back, and

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Speaker 1: that I said the managers usually in the back. Will

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Speaker 1: do you please walk me there? I'm not familiar with

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Speaker 1: this building, so I'm not going to cook all these

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Speaker 1: meals if i gotta walk. Thank you, Thank you. You're welcome, Tina.

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Speaker 1: I'm gonna right in your name on my clipboard really quick.

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Speaker 1: But what position do you hold? I am front of

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Speaker 1: the house also sometimes I'm back here, jack of all trades.

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Speaker 1: All right, I'm gonna need you to help me out

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Speaker 1: because either we're gonna lock this place down because not

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Speaker 1: another person is going to enter, or you will make

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Speaker 1: sure that everyone that is served from this point forward. Yes,

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Speaker 1: you're front of house, aren't you, Tina? Yeah? I didn't

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Speaker 1: know exactly. Yes, Tina, stay with This is a health inspection.

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Speaker 1: Do you have anything? Do you have any idea how

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Speaker 1: important my job is I keep people safe. You're so strong, Tina.

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Speaker 1: I don't want a single case of salmonil to happen

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Speaker 1: while I'm here. Jerry won't happen on my watch. I

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Speaker 1: swear to it's Jerry. It's show me to the boss's office.

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Speaker 1: It's just right down here. The Have you seen Raditui? Yes,

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Speaker 1: we're doing a theme day, a theme day. Rats, rats,

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Speaker 1: so many rats. Okay, don't joke, don't joke. Alright, alright, whoa.

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Speaker 1: My name is Jared. I'm from the city and I'm

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Speaker 1: the health inspector. You'll notice my badge. And what did

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Speaker 1: you say, Stevie? Stevie? Well, Stephen, I'm here to inspect Davie.

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Speaker 1: Please please, Steven is my dad, Stevie. I'm here to

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Speaker 1: inspect this building. There have been complaints of people getting ill,

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Speaker 1: and he put me in some sort of authority position.

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Speaker 1: I don't understand. I'm telling Tina, I told you either

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Speaker 1: we're going to lock these doors and not and not

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Speaker 1: let another person in, or you're personally gonna promise me

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Speaker 1: that no cases of salmonila will occur from this point. Dana,

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Speaker 1: Are you enjoying your salmon? It's a little dry and gray. Oh,

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Speaker 1: I'm sorry, baby, it's all right. I asked for more water.

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Speaker 1: The man said he had to go next door for it.

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Speaker 1: That's okay, okay, Hey, I want to tell you something.

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Speaker 1: These last four months have been spectacular, don't I know? It?

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Speaker 1: I mean, wow, I feel so close to you, and

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Speaker 1: everything I want to say sounds cliche, but I just

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Speaker 1: feel like I don't know we're connected somewhere. You just

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Speaker 1: spit it out, Ritchie. You know your any more water,

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Speaker 1: but off on the bucket of us. And if we

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Speaker 1: just give it some time, you will love sometimes just

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Speaker 1: leve in a moment. Thank you so much. Okay, go ahead,

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Speaker 1: go ahead, Richie, just say what you need to see. Well,

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Speaker 1: I uh, I wasn't on a work trip last week.

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Speaker 1: I actually flew to Alaska to meet your father. I

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Speaker 1: know you haven't spoken the name in a long time. Well, no,

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Speaker 1: he's a fur trapper. He doesn't have a phone. I

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Speaker 1: found him. How did you find him? I have my ways.

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Speaker 1: God gave you the hour. I really am your north star.

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Speaker 1: You are, and I asked your father if I could

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Speaker 1: have his blessing, really, and he spoke to you in

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Speaker 1: English speak. He didn't speak much, but you know with

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Speaker 1: hand signals, hand signals, and the way he he poured

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Speaker 1: the elks blood on my face. He poured elks blood

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Speaker 1: on I'm telling you I couldn't have asked for a

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Speaker 1: more perfect moment. I want to tell you a secret

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Speaker 1: right now, there have been six I count six men

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Speaker 1: who have tried this exact same thing and they have

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Speaker 1: never gotten the elks blood put all over them. I

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Speaker 1: feel lucky. I mean, that is my dad. I don't

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Speaker 1: want to alert you. But if anyone asks the delicious

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Speaker 1: and you have no cramps, thank you, sir. You understand

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Speaker 1: what I'm saying. Thank you. Think so her salmon was

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Speaker 1: gray and dent was perfectly bink. Stevie, I'm going to

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Speaker 1: give you two choices, Okay, I love it. Either I'm

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Speaker 1: going to go table to table and take a small

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Speaker 1: piece of everyone's meal, Okay, whatever the other choices because

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Speaker 1: I don't want that. I don't want to test it

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Speaker 1: with this salmonilla detector doorby, doorby, Or you are going

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Speaker 1: to be responsible for getting a selected piece of each

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Speaker 1: of those meals. Someone's going out there and I need

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Speaker 1: to get a sample of every meal on the floor. Stevie.

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Speaker 1: Oh man, oh man, that's a real Oh that's like

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Speaker 1: something out of Greek mythology. That was options. What are

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Speaker 1: you talking about? This is a health inspection or you're

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Speaker 1: not familiar, Stevie. I could up, but over here the

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Speaker 1: request from the health guy and we've got a bunch

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Speaker 1: of plates under the lights here before they go out.

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Speaker 1: Maybe he could sample something. Yeah, yeah, yeah, that's a

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Speaker 1: good compromisemise the intercom button with my butt, Tina, come on,

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Speaker 1: come on, wait a minute. If you're here, like, who's waiting?

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Speaker 1: Don't tell me burrows waiting on tables right all the tables. O, no, no,

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Speaker 1: birls doing better. Well. I will start with taking samples

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Speaker 1: from the plates that are under the light, but I

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Speaker 1: will not leave until I have a sample from every

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Speaker 1: plate on the floor. Dana, finish your meal, Richie. There's

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Speaker 1: a two things, just eight fast because almost almost almost

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Speaker 1: on a tim for the second time. I mean, you

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Speaker 1: do a lot of eight eight? Don't sall my airings

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Speaker 1: caught in my hair? Dana? There's a ring that salmon?

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Speaker 1: What that's what he was trying to help me with.

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Speaker 1: I assume absolutely. So they're to ring and a tooth

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Speaker 1: in my salmon. Can you get done out? Yes, of course,

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Speaker 1: don't worry about it. Just so nosily sweating. I am sweating.

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Speaker 1: It's a little bit of thinking. It's just feeling, you

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Speaker 1: know what it is. You're overwhelmed. You're overwhelmed. Look at me.

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Speaker 1: Look at me days you here. Oh, I have a

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Speaker 1: tooth as well. You have a tooth in your drink? Yeah,

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Speaker 1: indaise your hollandaistes So okay, Jared, if it tastes this

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Speaker 1: dish right here, this is our salmon Ella, named after

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Speaker 1: the famous jazz singer Elephants Gerald u s. It's served

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Speaker 1: on a bed of uncooked rice with a sprig of parsley. Stevie,

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Speaker 1: I don't think that you've ever had health inspection. I'm

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Speaker 1: not gonna put this into my mouth. I'm gonna place

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Speaker 1: it into this vial and now I'm going to add

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Speaker 1: this liquid. And if it turns blue, oh, you're like

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Speaker 1: an alchemist, and exactly like an alchemist, and then I

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Speaker 1: think it's just a scientist. You're right, you're right, You're right.

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Speaker 1: It is more like unless it turns into gold, it's

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Speaker 1: all right, all right, Maybe I don't know what alchemy is. Okay,

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Speaker 1: this is it turned blue. There's salmonilla in this. It is.

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Speaker 1: It's it's it's that's the name of the dish. Nothing

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Speaker 1: but out. That's that's one point one point off the ground.

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Speaker 1: You're laying down. Just just we're gonna listen. I felt

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Speaker 1: like this before sunglasses on, and keep your from your

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Speaker 1: listen to. My father wasn't into it. I had a

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Speaker 1: lot of old fish in my time, and when I

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Speaker 1: get sick from old fish, the only thing I can

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Speaker 1: do is what I've always done, and that's lay on

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Speaker 1: the ground and put my nace in the air and

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Speaker 1: just stop by. I just she just need to constantly

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Speaker 1: need to concentrate the wind. He's my boyfriend. The wind

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Speaker 1: is my boyfriend. Your fiance, Richie, Oh gosh, sorry if

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Speaker 1: we kind of regress there for a moment. Whenever I

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Speaker 1: feel this ill, I usually call them my own Innuit

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Speaker 1: spirit animal, and when it comes to me, it tells

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Speaker 1: me everything, right, This is this is why I love her, Richie.

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Speaker 1: I have a confession. Yes, I wasn't on a business

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Speaker 1: trip either. Last week. What I went to northern Florida

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Speaker 1: to meet your mother. God she. I wanted to know

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Speaker 1: the woman who made this man that sits before me

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Speaker 1: spitting out teeth and handing me rings, and and she

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Speaker 1: taught me so much about how to make you happy.

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Speaker 1: And I just wanted you to know that it's the

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Speaker 1: first time I've ever done that for me. That means

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Speaker 1: a lot to me. The fact that you would wait

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Speaker 1: all day to visit my mom in the penitentiary. I did,

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Speaker 1: and she asked me for a lot of illegal things.

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Speaker 1: She does that. Look, I feel like you're dying. I'm

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Speaker 1: probably walking about all right. Let's see what kind of

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Speaker 1: fancy colors are famous molten lava cake turns when he

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Speaker 1: goes in your little test too. This is the tenth

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Speaker 1: straight blue vial, Stevie Tina. Nothing but brown, straight up brown.

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Speaker 1: It's blue. It is blue. This place is getting shut down.

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Speaker 1: I need you to can't shut down the shed house.

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Speaker 1: I'm a health inspector. Look at dispatch. Look at this clipboard?

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Speaker 1: Am I supposed to be impressed? Well, I'll give you

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Speaker 1: two choices, Stevie Tina. Well, okay, then I'm going to

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Speaker 1: walk out there and kick all of your customers out.

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Speaker 1: Oh good, we don't have to do it. Well, that

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Speaker 1: was the first choice. I was gonna let you save

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Speaker 1: face and say whatever you want and see you have

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Speaker 1: to close early. If I go out there, I'm going

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Speaker 1: to tell them that it's your shitty food that's making

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Speaker 1: I've been just front of the house. This is Stevie's place.

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Speaker 1: I've been here for seven months. I don't have a

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Speaker 1: lot at stake the way to throw me under the bus, Tina,

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Speaker 1: excuse me, excuse me. I'm a health inspector looking at

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Speaker 1: the app on her phone. I couldn't have done that.

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Speaker 1: I couldn't have gotten into her phone without her coat.

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Speaker 1: Oh you have open wounds on your hands, sir. I'm

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Speaker 1: you gonna look at me. Yes, sister, I'm here. I

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Speaker 1: love you, I love you, I love you, Martha to

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Speaker 1: the northern night. I want you want here. Folks were

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Speaker 1: having a good time. Yeah, ke happening right here at

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Speaker 1: the Yeah happy, you know. Just promise me, and if

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Speaker 1: I survived this, that every year we'll come back and

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Speaker 1: sit at this very same table at the ship house

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Speaker 1: and have the same dinner. Inspector, can you make that?

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Speaker 1: Can you grant that wish? Can you keep this place

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Speaker 1: open at least every day on this every year, in

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Speaker 1: this day we love the well. I'm going to have

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Speaker 1: to leave that up to Stevie. Stevie, you have two choices.

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Speaker 1: Number two. Yes, we'll do it. He's gonna He's gonna

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Speaker 1: be accountable for every day she's gone. Dana's dad. Shoot,

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Speaker 1: um wait? Is that? What is that? Undo the deal?

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Speaker 1: I don't think it does. Actually it does. If somebody dies, Stevie,

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Speaker 1: come up dying wish, dying wish. Yeah, but I'm gonna

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Speaker 1: have to report this death on even more important than

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Speaker 1: a regular wish on a dying wish. Regular wishes happen

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Speaker 1: every day, officer. Jared called the officer. I'm not feeling

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Speaker 1: myself like I wish that a plus for the rest

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Speaker 1: of time. Wow, you got all that. I feel personally

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Speaker 1: responsible if I leave this open, But those are dying wishes, Jared,

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Speaker 1: can we go over at last report that you did

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Speaker 1: from the ship hole? Um, I don't know if I've

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Speaker 1: got time, it's pretty close to the end of the day.

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Speaker 1: Maybe you should get it, just be a couple of minutes.

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Speaker 1: It seems here the place is getting an A plus.

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Speaker 1: There's a lot of information about how things went poorly,

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Speaker 1: and at the bottom here it says dying wish. It

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Speaker 1: should get an A plus for all time. And yeah,

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Speaker 1: and I kind of felt like it's a bell curve anywheries,

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Speaker 1: like it's all in person. You wrote down dying wish, Well,

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Speaker 1: I wrote it down because it happened, sir, Then you

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Speaker 1: think we should in fact give this place an A plus,

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Speaker 1: even though there's been uh seventeen violations. I don't know

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Speaker 1: that we really have a choice because of the dying

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Speaker 1: wish I wish. I've been led to believe that a

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Speaker 1: dying wish is by You've been led to believe this

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Speaker 1: by was some sort of governing bond. Well it was.

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Speaker 1: Let's just say it's by somebody that respects the authority

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Speaker 1: of an officer. Is this report mocking me in this office?

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Speaker 1: Is that what the inte? No? Absolutely not, I would

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Speaker 1: hear how long? This is my third year and I

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Speaker 1: have I don't see a dying wish on any of

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Speaker 1: your previous report. Well, how often do people make dying

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Speaker 1: wishes while you're health inspecting? Hopefully never? Never, exactly. Well,

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Speaker 1: now it's not never, alright, folks. If you look to

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Speaker 1: your right, you'll see our next stop on our Haunted

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Speaker 1: City tour. This used to be the Cincinnati ship House,

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Speaker 1: the most haunted restaurant in all of Cincinnati. Now you

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Speaker 1: can stop and take pictures here, and we're gonna take

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Speaker 1: a little walking tour on the way. And remember keep

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Speaker 1: your flashlights on and your headlights on, and make sure

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Speaker 1: you use the buddy system. Here we go step over

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Speaker 1: the ruble? Do we get the buddies? Just just you

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Speaker 1: should have brought a buddy with you, but if I'll

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Speaker 1: be your buddy. Perfect? Great, okay, you guys are now

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Speaker 1: if you step in here, please watch your step, watch

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Speaker 1: your step. There's a lot of rubble around. Please please

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Speaker 1: watch your step. Now. This is the scene where the

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Speaker 1: most people died ever from a single fish, one years ago.

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Speaker 1: Years ago, so that joke is actually okay, there's been

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Speaker 1: enough time passed between the horrible horrible day. I have

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Speaker 1: a question, Yes, sir, I was reading the brochure. Is

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Speaker 1: this true? It's still open? It opens its doors once

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Speaker 1: a year. It does open its doors once a year.

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Speaker 1: Everyone dies here. Yes, there is a haunted ball here

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Speaker 1: where your buddy. Your buddy is translucent. Why is my

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Speaker 1: buddy see through? Co defined you through? I think that's

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Speaker 1: Stephen Stevie. Please listen. You folks asked for a haunted

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Speaker 1: two or what did you expect? This is incredible? And

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Speaker 1: consider signing up for a frequent diners club. Well do

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Speaker 1: are you open one day? Are you alone? Or did

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Speaker 1: the did the patrons who did? Okay, well you know

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Speaker 1: you came alone, man, But are there other ghosts here.

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Speaker 1: The people who died here are Yeah. I mean we've

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Speaker 1: got front of house. We got back a house. You

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Speaker 1: know a lot of ghost rats. Oh here they come. Wow, Wow,

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Speaker 1: this is something special. You're welcome. You're welcome. Remember sign

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Speaker 1: up for our email list. Can we go to the

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Speaker 1: to the pizza joint that burned down? Absolutely, some comedian ghosts.

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Speaker 1: Some people say that in the old burned down pizza joint,

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Speaker 1: if you're really quiet, you can still hear the screen.

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Speaker 1: That'll be fun. Yeah, so make sure you take your

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Speaker 1: pictures here. No infrared cameras, and please don't ask any

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Speaker 1: of the dead people. He doesn't even show up on

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Speaker 1: the camera. No he doesn't. I'm gonna ask all this

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Speaker 1: ask you that you do not ask the ghosts any

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Speaker 1: questions about the metaphysical. Well, we don't want any answers.

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Speaker 1: My cheese. I ordered a cheese a medium. Dad. Come on,

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Speaker 1: that's Steven, Steven, your little ship. I only asked for

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Speaker 1: the cheese, but real stickler for for pink in the middle.

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Speaker 1: I would like it. Gray. Okay, Well I want to

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Speaker 1: go to the next place. Sure, absolutely, Just hap back

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Speaker 1: on the bus. I gotta get a new buddy. Oh yeah, yeah, yeah, yeah,

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Speaker 1: that's how you do that. You heard the man, that's

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Speaker 1: what's done. All right, we're gonna take you to m Yeah.

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Speaker 1: This is Uh, I'm not sure how to pronounce his name.

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Speaker 1: H e I l y heally highly Yeah, it's the

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Speaker 1: Ei that heally Okay, okay heally. Hey, guys love the podcast.

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Speaker 1: Can't tell you how wonderful my work days. Every Ones

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Speaker 1: are really happy that we're helping them through work and

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Speaker 1: uh work days of Ben. Y'all's amazing talent. I've seen

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Speaker 1: I haven't seen my sister and I came up with.

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Speaker 1: Frank and Jeffrey are the new ghost interns at Haunted House. Yeah,

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Speaker 1: at the Haunted House in Corporate, and have to be

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Speaker 1: trained by Will and Ben, who are showing up for

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Speaker 1: the ghost paycheck. At this point, they're just showing up

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Speaker 1: for the paycheck. They're not really hearts an in uh.

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Speaker 1: Will and Ben are the ghosts. Frank and Jeffrey are

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Speaker 1: the new ghost interns that are being shown around by

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Speaker 1: Will and Ben, who are just sort of phoning it in.

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Speaker 1: They're assigned a scarce sleepover of three kids playing with

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Speaker 1: a Weiji board whose parents are scientists and I thought

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Speaker 1: that skeptical despite the evidence where it depends to give

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Speaker 1: us too much information. Yeah, that's the same where they graduated.

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Speaker 1: That's good. Thanks to all the laughs, and I hope

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Speaker 1: the suggestion pans out. So we've got Frank and Jerry

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Speaker 1: our ghost Jeffrey, Frank, Jeffrey and Jeffrey I don't know

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Speaker 1: who Jerry is. Frank and Jeffrey are ghost in h

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Speaker 1: and Will and Ben are the ghost phoning and we're

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Speaker 1: giving them the tour and the training on how to

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Speaker 1: work at the Haunted House Incorporated. Take what you will?

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Speaker 1: Which one of these Ben? Which one's Will? I'm Ben?

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Speaker 1: Uh huh. I'm super excited to be a ghost intern.

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Speaker 1: And I was just hoping that you guys could show

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Speaker 1: to show us the ropes. But I have a few questions. Sure, yeah,

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Speaker 1: go ahead. Uh Well, first of all, I always thought

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Speaker 1: the ghost could go through buildings and the walls and things.

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Speaker 1: You know, we kind of do what we do, right,

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Speaker 1: So if I can't get through the wall, how do

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Speaker 1: I get into houses? Well? I usually go through the keyhole. Sure, well,

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Speaker 1: you need to have some sort of or you can

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Speaker 1: go underneath. If they don't have one of those, are

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Speaker 1: you can always to stand around and waiting from it

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Speaker 1: to open its window. That's realistically that most of the

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Speaker 1: time spent kind of time consuming. It's very you got

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Speaker 1: nothing but time now. Yeah, that's a good point. Yeah, Frank,

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Speaker 1: what do you think I'm still getting used to the

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Speaker 1: whole being dead thing? Yeah? Yeah, you gotta like that

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Speaker 1: you're not pooping, you're not eating. Yeah, yeah, I really

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Speaker 1: miss pooping, be honest with Yeah, we all do. But

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Speaker 1: that goes away. That goes away after time, remember you all?

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Speaker 1: You got his time now? So and why am I

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Speaker 1: hunting this particular place? Like I thought that i'd like

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Speaker 1: behind my wife or something. I mean, these kids are

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Speaker 1: just playing with the Wigi board. Why why don't we gonna? Okay,

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Speaker 1: so when kids play with Auiji board, it's kind of

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Speaker 1: like it's like you remember when you were kids, you

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Speaker 1: used to do prank calls, you know, So it's kind

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Speaker 1: of like that scenario, like they they kind they're kind

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Speaker 1: of just dial in numbers. Yeah, they don't really know

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Speaker 1: who they're calling or anything like that. But it's kind

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Speaker 1: of our job to, um, do we guide what what

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Speaker 1: do you say? We? No? No, no, we were like, yeah,

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Speaker 1: we could were good you're good. Usually they just guide

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Speaker 1: each other. Yeah. Usually they're just trying to show off.

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Speaker 1: And you know we put a little spoken to it.

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Speaker 1: Will I marry Brad Pitt? I can tell you that. No, Okay,

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Speaker 1: you ask a question. Um, okay, wait, lightly with your fingers.

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Speaker 1: If you push too hard, the ghosts aren't able to move.

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Speaker 1: It is true. Absolutely, that's true. Okay, Toya, We've got

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Speaker 1: to focus. Okay. If there are any spirits in this home,

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Speaker 1: that's scary. It's supposed to be scary. You don't want

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Speaker 1: to be scared, well, then let's not do this madness. No, no, no, no, no,

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Speaker 1: I want to be scared. Are you sure? Are you

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Speaker 1: a teenager or not? I'm a teenager. Are you sure

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Speaker 1: you're a teenager? Yes? Show Jessica. They're telling me to

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Speaker 1: show me. You're sorry, Toya, I just don't know what

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Speaker 1: you're up to. Okay, okay, let's scared. Want to be scared.

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Speaker 1: If there are any spirits and that's how how could

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Speaker 1: I have done that? You did that? That was over

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Speaker 1: that The diet coke is across the room. How could

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Speaker 1: I have done that? Okay? Show you okay, okay, okay,

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Speaker 1: all right, now a lot of new ghosts, new ghosts.

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Speaker 1: You see what I did there? Alright, I started small,

399
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Speaker 1: is what I did. Okay, you move, you move a

400
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Speaker 1: little something, you reach out, you move a little something

401
00:25:26,760 --> 00:25:29,240
Speaker 1: could be something could be explainable, you know, it could

402
00:25:29,640 --> 00:25:32,120
Speaker 1: do something at first that could be on the fence

403
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Speaker 1: skeptics from them. How is that explainable? Well, I mean,

404
00:25:36,280 --> 00:25:38,560
Speaker 1: you know, a skeptic. We'll try to talk them down,

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Speaker 1: you know, like someone will walk it. Oh my gosh,

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Speaker 1: you create a can't of coke moved and you know somebody?

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Speaker 1: Okay again, a could move whatever. You know, Like, it's

408
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Speaker 1: not like they're counting on them being related to stupid people,

409
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Speaker 1: right and children, So they're not probably going to be

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Speaker 1: believed by a lot of people. Always start small, is

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Speaker 1: my point. No, wait a minute, this girl is like

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Speaker 1: forty years younger than Brad Pitt. Like, that's not a

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Speaker 1: pro brit in any way. Right, it's not how we

414
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Speaker 1: supposed to make I'm still hung up on that it's

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Speaker 1: supposed to make that happen. No, you know we're not

416
00:26:08,040 --> 00:26:11,399
Speaker 1: genies were ghosts. Okay, alright, you're not buried in a

417
00:26:11,520 --> 00:26:16,399
Speaker 1: lamb there and wait, wait, wait, wait, what like Okay,

418
00:26:17,040 --> 00:26:18,720
Speaker 1: first like I guess you on the cheek, and then

419
00:26:18,760 --> 00:26:21,320
Speaker 1: you ask are you teenager? Are you not a teenager?

420
00:26:21,359 --> 00:26:28,959
Speaker 1: I'm a teenager. Accuse me on the cheek. I'm going

421
00:26:29,000 --> 00:26:34,960
Speaker 1: to do it. There he goes in this house. Make

422
00:26:35,119 --> 00:26:39,040
Speaker 1: your presence know right now, everybody take a floorboard, okay,

423
00:26:39,200 --> 00:26:41,560
Speaker 1: jump up and down on it. All right, all right,

424
00:26:41,680 --> 00:26:46,600
Speaker 1: I'm doing I'm not making any sound, all right, that

425
00:26:47,520 --> 00:26:49,080
Speaker 1: you did that? How could I have done that? How

426
00:26:49,160 --> 00:26:50,800
Speaker 1: can I move the floor? So what are you telling me?

427
00:26:51,280 --> 00:26:53,320
Speaker 1: What are you telling me? Oh my god? Oh my

428
00:26:53,600 --> 00:26:59,080
Speaker 1: ghost trail? Oh my god. Alright, alright, look, do not

429
00:26:59,200 --> 00:27:01,640
Speaker 1: appear well. Know what we got here is a classic

430
00:27:01,760 --> 00:27:04,520
Speaker 1: case of go stop, go okay. They're like, oh, we

431
00:27:04,640 --> 00:27:06,280
Speaker 1: want to see the ghosts, and then no, we don't

432
00:27:06,280 --> 00:27:07,480
Speaker 1: want to see the ghost. Oh we want to see

433
00:27:07,480 --> 00:27:11,680
Speaker 1: the ghost. Isn't that everyone's reaction? They do, and they don't. No,

434
00:27:11,840 --> 00:27:13,600
Speaker 1: we don't have to show ourselves to him right now.

435
00:27:13,760 --> 00:27:15,440
Speaker 1: We need to build up to that. And what I

436
00:27:15,480 --> 00:27:17,800
Speaker 1: would suggest, and this is not in the this is

437
00:27:17,840 --> 00:27:19,440
Speaker 1: not in the handle touch them, this is not in

438
00:27:19,480 --> 00:27:22,399
Speaker 1: the pamphlet. I go through some of this stuff and

439
00:27:22,480 --> 00:27:26,159
Speaker 1: find out their deepest fears. No, you want to go

440
00:27:26,280 --> 00:27:30,440
Speaker 1: for the deepest fears, the hearts blood, you know. Yeah,

441
00:27:30,680 --> 00:27:33,520
Speaker 1: just a teeny bit, just a teeny bill like here,

442
00:27:33,560 --> 00:27:36,600
Speaker 1: look at this look look at this diary. It says, all, MG,

443
00:27:37,920 --> 00:27:43,080
Speaker 1: do I love Puerto Rican men? Alright, alright, ready, so

444
00:27:43,200 --> 00:27:46,000
Speaker 1: this time I'm gonna ask completely. First, you have to

445
00:27:46,040 --> 00:27:50,600
Speaker 1: give me a town. Okay, I'm okay, Okay, I'm gonna

446
00:27:50,600 --> 00:27:53,879
Speaker 1: ask it a very specific question like I'm gonna like

447
00:27:54,200 --> 00:27:56,680
Speaker 1: ask to see if they actually know. We don't have

448
00:27:56,760 --> 00:28:00,040
Speaker 1: to tell me you're going. I'll hear what I hear it.

449
00:28:00,160 --> 00:28:02,160
Speaker 1: I don't want to be involve. Okay, but we started,

450
00:28:02,240 --> 00:28:06,639
Speaker 1: we did that thing. If there are like, let me

451
00:28:06,720 --> 00:28:08,000
Speaker 1: start it and then I'll point at you when at

452
00:28:08,000 --> 00:28:09,960
Speaker 1: your turn. Okay, I'm nod my head because my fingers

453
00:28:10,000 --> 00:28:13,040
Speaker 1: are on the Okay, is there a stare? It's in

454
00:28:13,119 --> 00:28:20,719
Speaker 1: this home? Let yourself be Now tell me who gravitas?

455
00:28:21,400 --> 00:28:25,840
Speaker 1: I want to know who I'm going to love forever?

456
00:28:28,640 --> 00:28:30,359
Speaker 1: Oh my god, it's movie. What's it smelling? Then you

457
00:28:30,400 --> 00:28:33,679
Speaker 1: want to take this one? All right? Hi? Got it? Okay?

458
00:28:34,800 --> 00:28:39,600
Speaker 1: What's spelling? Just spell free, spell free, It'll be funny

459
00:28:39,920 --> 00:28:51,960
Speaker 1: freak Okay, Oh my god, that's so sick. Oh yeah, yeah,

460
00:28:51,960 --> 00:29:03,680
Speaker 1: there it is. That's weird, se co je it just flipped.

461
00:29:03,720 --> 00:29:11,719
Speaker 1: Oh my gosh, a fritta fritage frita is fritae? Did

462
00:29:11,800 --> 00:29:13,360
Speaker 1: I move that? Do I look like I moved that?

463
00:29:16,640 --> 00:29:20,520
Speaker 1: I could never. I don't have to watch this, do No,

464
00:29:20,720 --> 00:29:23,000
Speaker 1: you don't have to watch it. But it's sort of

465
00:29:23,040 --> 00:29:26,320
Speaker 1: a character study. You need to know your your targets,

466
00:29:26,360 --> 00:29:28,240
Speaker 1: you need to know what you're up against. If I

467
00:29:28,280 --> 00:29:29,880
Speaker 1: could be honest, it just seems like they're in the

468
00:29:30,040 --> 00:29:32,320
Speaker 1: sex and they don't really care about the Well the

469
00:29:32,400 --> 00:29:37,120
Speaker 1: teenagers hormones are going bananas. But we're just what are

470
00:29:37,120 --> 00:29:39,080
Speaker 1: we doing? What are we doing here? Waiting for an

471
00:29:39,080 --> 00:29:43,400
Speaker 1: opportunity to strike, well, to strike deep within their anxiety

472
00:29:44,320 --> 00:29:46,959
Speaker 1: each other knowing that they're in the Puerto Rican man

473
00:29:47,080 --> 00:29:49,920
Speaker 1: doesn't help me scare them. Well, that was just an example.

474
00:29:50,480 --> 00:29:53,000
Speaker 1: This is my first training session. All right, let me

475
00:29:53,080 --> 00:29:54,960
Speaker 1: just say one thing. If we can just get one

476
00:29:55,000 --> 00:29:57,200
Speaker 1: of them to just have only one of their hands

477
00:29:57,280 --> 00:29:59,480
Speaker 1: on the thing at a time, then we can, you know,

478
00:29:59,640 --> 00:30:05,720
Speaker 1: pos see that person then murder the other murder teenagers.

479
00:30:06,840 --> 00:30:10,640
Speaker 1: That's what hold on. Ben's got a point here, listen

480
00:30:10,680 --> 00:30:12,360
Speaker 1: to a really quick way out of this. If you're

481
00:30:12,400 --> 00:30:14,360
Speaker 1: just getting bored, you can't take it anymore. As a

482
00:30:14,400 --> 00:30:17,959
Speaker 1: possession murders there, all right, you possessed one, you use

483
00:30:18,040 --> 00:30:22,480
Speaker 1: that one to murder the other? What is I think?

484
00:30:22,680 --> 00:30:30,240
Speaker 1: I think it's like it's like German for like, dude, Jesus,

485
00:30:30,280 --> 00:30:34,040
Speaker 1: they haven't got again, so lucky German things flip the last.

486
00:30:35,120 --> 00:30:39,000
Speaker 1: I just feel like, um, I just feel like you've

487
00:30:39,080 --> 00:30:40,680
Speaker 1: proven to me that you're kind of like a teenager

488
00:30:40,800 --> 00:30:46,160
Speaker 1: for sure. And I've kissed you and cheek, I've seen

489
00:30:46,200 --> 00:30:48,760
Speaker 1: your boobs and I saw your butthole. But I feel

490
00:30:48,840 --> 00:30:53,280
Speaker 1: like I don't I want to like see like your

491
00:30:53,480 --> 00:30:56,600
Speaker 1: spiritual side. So I like that you hear that. That's

492
00:30:56,640 --> 00:31:00,360
Speaker 1: our cute switching lights on and off real quick? Could

493
00:31:00,400 --> 00:31:03,760
Speaker 1: you do that? You do that? Did I do that? Yeah?

494
00:31:03,800 --> 00:31:07,920
Speaker 1: Look my hands were up myself. How could I have

495
00:31:08,080 --> 00:31:11,000
Speaker 1: done that? Okay? Okay, okay, okay. Then now put those

496
00:31:11,040 --> 00:31:13,760
Speaker 1: hands taken out of you, put him, put him on

497
00:31:13,960 --> 00:31:16,640
Speaker 1: the piece and ask a real question. So I guess

498
00:31:16,640 --> 00:31:25,960
Speaker 1: I really know you? Um okay, okay, in this house

499
00:31:28,600 --> 00:31:31,360
Speaker 1: all right now, what I'm gonna guys, try something really

500
00:31:31,480 --> 00:31:34,320
Speaker 1: easy out of the pamphlet, and it's called a vowel movement. Okay,

501
00:31:34,360 --> 00:31:37,680
Speaker 1: so you pick a vowel, a vowel, Yeah, you pick

502
00:31:37,720 --> 00:31:41,800
Speaker 1: a vowel right like an e I okay, I'm no.

503
00:31:41,960 --> 00:31:44,600
Speaker 1: You just let you You just kind of groan it out.

504
00:31:44,960 --> 00:31:47,040
Speaker 1: You just kind of grow Yeah. Yeah, it's like, how

505
00:31:47,040 --> 00:31:51,480
Speaker 1: I'll do one for you. Oh see, that's a vowel movement.

506
00:31:52,680 --> 00:31:55,040
Speaker 1: If my uncle Mike is here, please let him speak

507
00:31:55,040 --> 00:31:57,600
Speaker 1: to me through this board. This is your uncle, man?

508
00:31:58,520 --> 00:32:03,920
Speaker 1: What whoa? You threw in some confident an? Did you

509
00:32:04,120 --> 00:32:06,280
Speaker 1: know what I do that? How could I have even

510
00:32:06,480 --> 00:32:09,160
Speaker 1: done that? I don't know. That's too scary. I'm putting

511
00:32:09,160 --> 00:32:12,040
Speaker 1: my clothes back. This is your uncle. That is not

512
00:32:12,280 --> 00:32:14,160
Speaker 1: my uncle, Mike. You are not my uncle mine. You

513
00:32:14,400 --> 00:32:17,360
Speaker 1: make me a sandwich? Oh my god, he did love sandwiches.

514
00:32:17,640 --> 00:32:23,400
Speaker 1: Oh my god, you're getting that from the diary. How

515
00:32:23,440 --> 00:32:25,680
Speaker 1: did you get that? Look you're being a little specific.

516
00:32:25,760 --> 00:32:28,160
Speaker 1: You're gonna scare him off. Okay, I'd like to have

517
00:32:28,240 --> 00:32:29,760
Speaker 1: a story to tell, so keep him on the line

518
00:32:29,760 --> 00:32:32,719
Speaker 1: and let's real. Alright, alright, I'm out of here. If

519
00:32:32,760 --> 00:32:37,240
Speaker 1: this is Joya, If you leave, I swear to god, okay,

520
00:32:37,320 --> 00:32:41,960
Speaker 1: kiss my pip. Okay, okay, okay, Uncle Mike, if it's

521
00:32:42,080 --> 00:32:44,320
Speaker 1: really you, what what do you want to say to me?

522
00:32:44,960 --> 00:32:52,240
Speaker 1: I thought your clothes back on? Okay, run around the

523
00:32:52,320 --> 00:32:55,640
Speaker 1: circle three times? What is this leading to? I don't know.

524
00:32:55,840 --> 00:33:08,440
Speaker 1: Just run toy one and two, keep up three, Toya

525
00:33:09,320 --> 00:33:18,720
Speaker 1: and spelling your name backwards and jay either way? O?

526
00:33:19,520 --> 00:33:24,760
Speaker 1: What is this? And they really can't spell? They can't,

527
00:33:25,040 --> 00:33:27,000
Speaker 1: they can't. This is what I was afraid of. This

528
00:33:27,120 --> 00:33:28,920
Speaker 1: is what I was afraid of. You get too involved

529
00:33:28,960 --> 00:33:32,320
Speaker 1: in humans businesses and you realize that you just want

530
00:33:32,360 --> 00:33:35,320
Speaker 1: to be dead more. You know. You listen to people

531
00:33:35,440 --> 00:33:38,080
Speaker 1: talk about what they think they know? Am I right? Bend?

532
00:33:38,320 --> 00:33:41,560
Speaker 1: I don't know, shut up, and they just go on

533
00:33:41,720 --> 00:33:43,560
Speaker 1: and on. They don't want to hear what anybody else

534
00:33:43,600 --> 00:33:45,840
Speaker 1: has to say. They're listen to themselves. It's a teenagers,

535
00:33:45,920 --> 00:33:47,840
Speaker 1: I mean again, they just want to be with each other.

536
00:33:48,040 --> 00:33:50,280
Speaker 1: Why do we have to do this? Well, because that's

537
00:33:50,520 --> 00:33:54,920
Speaker 1: our job, right, Toya? Did you just think that sometimes

538
00:33:55,000 --> 00:33:59,360
Speaker 1: we do stupid stuff like momanness and we gi because

539
00:33:59,600 --> 00:34:02,600
Speaker 1: we want to have an excuse to bond without really

540
00:34:02,640 --> 00:34:07,200
Speaker 1: having to admit that there's no one we'd rather spend

541
00:34:07,320 --> 00:34:16,080
Speaker 1: our nights with my neck. I'm tryna on your neck.

542
00:34:16,400 --> 00:34:20,440
Speaker 1: I'm just near it. Yes, I like that, but I'm

543
00:34:20,480 --> 00:34:22,839
Speaker 1: also freaked out because I feel like your uncle Mike

544
00:34:23,960 --> 00:34:26,520
Speaker 1: is watching. Why don't we take out for clothes. You

545
00:34:26,640 --> 00:34:28,319
Speaker 1: land top of me, and we'll do light as a feather,

546
00:34:28,320 --> 00:34:31,319
Speaker 1: stiff as a board. Okay, that sounds normal. Okay, let's

547
00:34:31,360 --> 00:34:33,160
Speaker 1: do it, all right, everybody take a corner of this

548
00:34:33,239 --> 00:34:36,120
Speaker 1: bed and on three, okay, on three, I want to

549
00:34:36,200 --> 00:34:37,719
Speaker 1: lift this bad boy up and try to get it

550
00:34:37,840 --> 00:34:40,319
Speaker 1: up to your chest. Okay, and then when I say,

551
00:34:40,440 --> 00:34:42,640
Speaker 1: under ruse, we drop it on the ground. Are you ready?

552
00:34:53,320 --> 00:34:56,520
Speaker 1: If you even say, did I do that? I'm gonna

553
00:34:56,600 --> 00:34:58,960
Speaker 1: kiss you so hard your eyes trying to cross. Oh

554
00:34:59,120 --> 00:35:02,640
Speaker 1: my gosh, was that sex? This did not have the

555
00:35:02,840 --> 00:35:05,239
Speaker 1: expected effects that I thought it would. I think I

556
00:35:05,320 --> 00:35:08,279
Speaker 1: threw my back up. Is that possible? You walk it

557
00:35:08,360 --> 00:35:10,560
Speaker 1: off or floating off? Floating off? You'll be all right,

558
00:35:10,680 --> 00:35:12,719
Speaker 1: you'll be I think I'm gonna just to possess one

559
00:35:12,719 --> 00:35:14,960
Speaker 1: of these people and take the rest of their lives

560
00:35:15,080 --> 00:35:17,359
Speaker 1: for myself, all right. I think that's that's good, Ben,

561
00:35:17,440 --> 00:35:19,160
Speaker 1: I mean, that's a little advanced for a brand new

562
00:35:19,200 --> 00:35:21,000
Speaker 1: new bis here. But they should at least see it

563
00:35:21,080 --> 00:35:22,719
Speaker 1: so they see how it's done. I just can't be

564
00:35:22,840 --> 00:35:26,160
Speaker 1: a ghost anymore. You just want to be deep inside

565
00:35:26,200 --> 00:35:30,319
Speaker 1: one of these teenagers with the lack of any better

566
00:35:30,360 --> 00:35:33,440
Speaker 1: wave saying it. Yeah, yeah, if we're done here, I

567
00:35:33,480 --> 00:35:34,879
Speaker 1: was supposed to go to h R and get set

568
00:35:34,920 --> 00:35:37,200
Speaker 1: up with payrolls. Sure, sure, sure, yeah, we'll walk you

569
00:35:37,280 --> 00:35:39,840
Speaker 1: down there right after this. Go ahead, BENI but chance,

570
00:35:45,880 --> 00:35:49,800
Speaker 1: what was that? I just felt something go through me.

571
00:35:51,960 --> 00:36:05,600
Speaker 1: Come here, come here, kiss me? Yeah yeah, yeah, thank

572
00:36:05,680 --> 00:36:10,840
Speaker 1: you for sex. Welcome back, Ben. We missed you for

573
00:36:10,960 --> 00:36:14,800
Speaker 1: like nine seconds. That really badly. Yeah. I didn't expect

574
00:36:14,840 --> 00:36:18,359
Speaker 1: the possessed one would be the way killed. Goody, good eye,

575
00:36:18,560 --> 00:36:21,719
Speaker 1: that was actually not what was planned. Goody, you're not

576
00:36:21,840 --> 00:36:25,239
Speaker 1: really great. This terrible. But the point is is that

577
00:36:25,440 --> 00:36:29,000
Speaker 1: you knwbies have learned to be objectively critical of the situation.

578
00:36:29,239 --> 00:36:31,640
Speaker 1: You know what's right and what's wrong. Our job is done,

579
00:36:31,719 --> 00:36:33,640
Speaker 1: even though if we're being objective, it is not just

580
00:36:33,880 --> 00:36:37,759
Speaker 1: we're just observing, right right? Yeah, well that's that's about

581
00:36:38,440 --> 00:36:41,759
Speaker 1: of a ghost job. Yeah, girls, how did you sleep

582
00:36:41,800 --> 00:36:48,640
Speaker 1: overgoing gay? Great? You know what this is actually just

583
00:36:48,800 --> 00:36:53,320
Speaker 1: gotten more interesting. I want to see what this teenage

584
00:36:53,400 --> 00:36:56,680
Speaker 1: girl does with the body of a friend. And good

585
00:36:56,760 --> 00:36:59,520
Speaker 1: news he's going to be a ghost in about five minutes.

586
00:37:01,160 --> 00:37:06,040
Speaker 1: Do you need anything, No, we're all good. I want

587
00:37:06,080 --> 00:37:10,640
Speaker 1: some pizza rolls to always with the pizza rolls. That's me.

588
00:37:10,880 --> 00:37:16,759
Speaker 1: I'm Toya. Yes, um yeah, the doctor called, so we're

589
00:37:16,800 --> 00:37:19,759
Speaker 1: moving your appointing to two pm tomorrow. Okay, no worries. Oh,

590
00:37:19,880 --> 00:37:22,440
Speaker 1: you always have to go to the doctor. Shut up, Toya.

591
00:37:23,000 --> 00:37:25,680
Speaker 1: She's not even modulating her voice at all to change

592
00:37:25,719 --> 00:37:29,440
Speaker 1: the character. No teenagers, you know she's finding want to

593
00:37:29,520 --> 00:37:32,040
Speaker 1: give you guys your space. But I'll be right back

594
00:37:32,040 --> 00:37:33,560
Speaker 1: to the pizzros. But I have to come inside because

595
00:37:33,560 --> 00:37:36,719
Speaker 1: I need to go to the safe joyous hiding under

596
00:37:36,800 --> 00:37:41,600
Speaker 1: the bed. Find me? You can't find me? Can hear

597
00:37:41,680 --> 00:37:43,799
Speaker 1: you to? Okay, I'm gonna get pizza rolls up right back.

598
00:37:45,680 --> 00:37:47,359
Speaker 1: I'm gonna have to turn you into a puppet. I'm

599
00:37:47,440 --> 00:37:55,080
Speaker 1: so sorry. I think she's gonna weekend. Make your mouth move,

600
00:37:56,120 --> 00:37:58,080
Speaker 1: get the body on the bed. How do I make

601
00:37:58,120 --> 00:38:05,879
Speaker 1: her Toya kids instinct, just do this. Maybe we can

602
00:38:05,960 --> 00:38:09,520
Speaker 1: help her out and her body heard that from you

603
00:38:09,600 --> 00:38:12,720
Speaker 1: mean possessed the dead. We'll just move her, move her lips,

604
00:38:12,800 --> 00:38:14,560
Speaker 1: kind of like we did with the magic. Oh that's

605
00:38:14,600 --> 00:38:17,520
Speaker 1: a good idea. Never work. It doesn't look like a

606
00:38:17,600 --> 00:38:22,120
Speaker 1: puppet at all. Toy looks totally dead. Sit me up straight,

607
00:38:25,239 --> 00:38:31,080
Speaker 1: all right, movie, I'll help you out. You got this, Jeff,

608
00:38:31,120 --> 00:38:36,440
Speaker 1: where you got this? Got Toya? I'm cracking a beer

609
00:38:36,520 --> 00:38:39,040
Speaker 1: for this. This is fantastic. Okay, you don't sound like Toya.

610
00:38:39,120 --> 00:38:40,719
Speaker 1: Listen when my mom comes in, you just do the

611
00:38:40,880 --> 00:38:43,520
Speaker 1: moving of the mouth alpha in the words. Believe me.

612
00:38:43,560 --> 00:38:46,200
Speaker 1: I would have been triloquiz camp last year, the talk

613
00:38:46,239 --> 00:38:49,880
Speaker 1: and I did you got it? Okay, Pizza, I'm coming in.

614
00:38:51,480 --> 00:38:57,720
Speaker 1: Pizzas are so good. I don't get it. Tommy a Toya.

615
00:38:58,360 --> 00:39:03,879
Speaker 1: I'm into Borto Rican. I know you are. Who isn't? Thanks? Mom?

616
00:39:04,040 --> 00:39:05,960
Speaker 1: Now we want to have some girl time. Okay, wait,

617
00:39:05,960 --> 00:39:07,200
Speaker 1: I have to go to the safe. That's why I'm

618
00:39:07,239 --> 00:39:10,600
Speaker 1: in here. Oh, go to the safe in front of Toya.

619
00:39:11,000 --> 00:39:13,279
Speaker 1: You can't trust me as far as you're can throw me. Oh,

620
00:39:13,400 --> 00:39:14,759
Speaker 1: if you can say that, then I know I can

621
00:39:14,880 --> 00:39:19,239
Speaker 1: trust you. Take my wife, take my wife. I don't know,

622
00:39:19,520 --> 00:39:22,320
Speaker 1: I don't know. I don't know is she doing a

623
00:39:22,360 --> 00:39:28,560
Speaker 1: hammer glass route? Momum, I see what's going on here.

624
00:39:29,640 --> 00:39:34,680
Speaker 1: You two are young girls who are experimenting. Yeah, that's

625
00:39:34,719 --> 00:39:37,200
Speaker 1: all it is. Yeah, that's all it is, like science

626
00:39:37,280 --> 00:39:43,600
Speaker 1: experimency that this old timey voice toy has been doing

627
00:39:43,760 --> 00:39:50,600
Speaker 1: because she learned it. Event what's going on? You're just

628
00:39:50,680 --> 00:39:55,560
Speaker 1: being a teenager being a teenager? Are you both teenagers? Absolutely? Okay,

629
00:39:55,640 --> 00:39:59,040
Speaker 1: I'm going to the safe really quickly. One like, all pickle,

630
00:39:59,680 --> 00:40:04,839
Speaker 1: what I haven't heard. I'm legitimately uncomfortable for her. Yeah.

631
00:40:04,880 --> 00:40:07,680
Speaker 1: I was just about to say, pop quiz, pop quiz nobies.

632
00:40:08,960 --> 00:40:12,160
Speaker 1: So we got a dead teenager, stabbed by another teenager

633
00:40:12,480 --> 00:40:14,160
Speaker 1: and a mom in the room to get to the safe.

634
00:40:14,840 --> 00:40:18,040
Speaker 1: What do you do? How do you scare him? I

635
00:40:18,120 --> 00:40:24,239
Speaker 1: don't know, slap a teenager? Alright? Good good? Hey you too,

636
00:40:24,320 --> 00:40:29,279
Speaker 1: No rough housing, I'll tell that. Okay. I'm telling you

637
00:40:29,440 --> 00:40:33,040
Speaker 1: to both of you. Don't worry about it. We're gonna

638
00:40:33,040 --> 00:40:36,919
Speaker 1: be super good. Okay, and only this much experimentation, okay,

639
00:40:37,000 --> 00:40:42,560
Speaker 1: only little kisses, that's it, lady, okay too. Do I

640
00:40:42,600 --> 00:40:49,600
Speaker 1: have to call your parents? Call them? Come, mom's gotta

641
00:40:49,680 --> 00:40:52,919
Speaker 1: notice this dead something I don't know. Let him ride,

642
00:40:53,120 --> 00:40:55,400
Speaker 1: let it ride. I think we're gonna go straight to

643
00:40:55,480 --> 00:40:57,880
Speaker 1: debor for this, so I'm gonna have to ask you

644
00:40:58,000 --> 00:40:59,719
Speaker 1: to go home. I'm gonna call your parents unless you

645
00:40:59,800 --> 00:41:03,120
Speaker 1: can and straighten up and and just act normal for

646
00:41:03,200 --> 00:41:17,920
Speaker 1: a second, please, okay mm hmm. All right, now, does

647
00:41:17,960 --> 00:41:21,560
Speaker 1: everybody all these ghosts see you, guys? You guys feel

648
00:41:21,600 --> 00:41:25,200
Speaker 1: the electricity in the air, the apprehension, the anxiety, fear.

649
00:41:25,800 --> 00:41:28,160
Speaker 1: That's what gives us energy, all right, That's what gives

650
00:41:28,280 --> 00:41:30,719
Speaker 1: us ghost energy. It's just like the movie Monsters, inc.

651
00:41:31,400 --> 00:41:33,440
Speaker 1: That's how the ghost thing works. I understand. But the

652
00:41:33,560 --> 00:41:35,920
Speaker 1: kid is just being super creative and whatnot, and I

653
00:41:36,000 --> 00:41:38,799
Speaker 1: don't know that that's given me anything but anxiety. Well

654
00:41:39,000 --> 00:41:42,880
Speaker 1: you know what anxiety is power in our case, you know,

655
00:41:43,040 --> 00:41:45,959
Speaker 1: So just kind of use that to coalesce and stay

656
00:41:46,200 --> 00:41:49,879
Speaker 1: in one spot for yourself, you know. And uh, we'll

657
00:41:49,920 --> 00:41:53,680
Speaker 1: see how how this little kid figures this ship out,

658
00:41:54,640 --> 00:41:57,640
Speaker 1: because honestly, I gotta tell you all the kids I

659
00:41:57,760 --> 00:42:01,000
Speaker 1: scared of my three years, I've never seen a kid

660
00:42:01,040 --> 00:42:06,440
Speaker 1: that's a bigger asshole. All right, Well, I'm leaving you

661
00:42:06,520 --> 00:42:10,239
Speaker 1: too alone. Now. Finally I got what I needed to

662
00:42:10,320 --> 00:42:15,760
Speaker 1: keep my hands off. Now we're friends from the nineteen thirties.

663
00:42:16,239 --> 00:42:18,719
Speaker 1: Did you hear that I got what I needed? That

664
00:42:18,800 --> 00:42:21,480
Speaker 1: it is safe. Yes it's your father's gun. Yes it

665
00:42:21,600 --> 00:42:26,320
Speaker 1: is loaded, and yes there is no safety that shouldn't

666
00:42:26,320 --> 00:42:29,400
Speaker 1: concern either of you. There's just I heard some noises

667
00:42:29,440 --> 00:42:31,920
Speaker 1: in the house. I like the house was moving and

668
00:42:31,960 --> 00:42:35,720
Speaker 1: go a little scared. This is for our protection. Okay, okay, toyo,

669
00:42:35,760 --> 00:42:38,920
Speaker 1: do you know how to hold a gun? Hold? Just

670
00:42:40,640 --> 00:42:44,520
Speaker 1: very funny. Okay, I'm leaving into alone now, you know what.

671
00:42:44,880 --> 00:42:50,680
Speaker 1: I'll leave the gun right here because if somebody breaks in,

672
00:42:51,200 --> 00:42:52,560
Speaker 1: I don't care to kill me, but I want you

673
00:42:52,640 --> 00:43:09,680
Speaker 1: to be safe. Thanks. Okay, take the gun, the gun,

674
00:43:09,960 --> 00:43:16,799
Speaker 1: I shoot out the window. Get me the funk out

675
00:43:16,800 --> 00:43:22,200
Speaker 1: of here, alright, folks. The next stop on our Haunted

676
00:43:22,280 --> 00:43:27,120
Speaker 1: Mystery to Our is a photo recreation of Toya's Room. Now,

677
00:43:27,160 --> 00:43:29,239
Speaker 1: if any of you have ever seen the film Toya's

678
00:43:29,320 --> 00:43:34,200
Speaker 1: Room So Scary, you know how this thing ended. And

679
00:43:34,239 --> 00:43:37,080
Speaker 1: you can see here. Actually we have we have the

680
00:43:37,200 --> 00:43:40,880
Speaker 1: actual glass from the actual window reconstructed with the bullet

681
00:43:40,920 --> 00:43:44,200
Speaker 1: hole in it. Yeah. Yeah, some say you can still

682
00:43:44,280 --> 00:43:47,799
Speaker 1: hear the screams. I know, I say that about every

683
00:43:47,840 --> 00:43:50,640
Speaker 1: place on the tour. But I I do, I do.

684
00:43:50,880 --> 00:43:55,200
Speaker 1: But you know, thinking about scream, I haven't heard the

685
00:43:55,280 --> 00:44:01,279
Speaker 1: person with no partner keeps screaming. Lot of people listen.

686
00:44:01,320 --> 00:44:04,120
Speaker 1: I I bought. I brought verified psychics into this room

687
00:44:04,200 --> 00:44:06,239
Speaker 1: on tour before, and they can feel an energy here,

688
00:44:06,360 --> 00:44:10,640
Speaker 1: they really can. It's uh, it's malevolent, that's what they

689
00:44:10,680 --> 00:44:12,719
Speaker 1: tell me. So go ahead and take your pictures and

690
00:44:13,680 --> 00:44:15,880
Speaker 1: make sure that get me by the bed can get

691
00:44:16,320 --> 00:44:19,520
Speaker 1: me by the men, yeah, they said. And on the

692
00:44:19,640 --> 00:44:22,000
Speaker 1: day that this bed raised three feet off the ground

693
00:44:22,080 --> 00:44:24,120
Speaker 1: and dropped it right to the ground, they were just kids.

694
00:44:24,160 --> 00:44:26,680
Speaker 1: I'm sure that didn't happen. Well, it was in the movie.

695
00:44:27,520 --> 00:44:31,080
Speaker 1: It was in the movie. It was very sexual, very

696
00:44:31,360 --> 00:44:35,160
Speaker 1: very sexual, way out in front of stuff up the butts. Yeah,

697
00:44:35,160 --> 00:44:38,760
Speaker 1: a lot of a lot of a lot of hands themselves. True.

698
00:44:39,840 --> 00:44:42,439
Speaker 1: You know they say that before she died she could

699
00:44:42,480 --> 00:44:48,920
Speaker 1: put her hands up herself. Yeah, before she died, she died.

700
00:44:49,400 --> 00:44:51,680
Speaker 1: Let's get into that. I'm ready to go to the

701
00:44:51,760 --> 00:44:55,959
Speaker 1: next place. Sure, yeah, yeah, let's just make this shot

702
00:44:57,480 --> 00:44:59,600
Speaker 1: real quick before we move on to the next place. Though,

703
00:44:59,640 --> 00:45:02,279
Speaker 1: I just just to keep the spirits at rest. I

704
00:45:02,320 --> 00:45:04,960
Speaker 1: want to do a quick wage aboard session. Yes, of course,

705
00:45:06,280 --> 00:45:09,600
Speaker 1: fridge right like in the movie. Right Fridge it spells

706
00:45:09,680 --> 00:45:12,440
Speaker 1: fridge like in the movie. Okay, well we got this

707
00:45:12,560 --> 00:45:14,880
Speaker 1: one right. Yeah, we can do Oh yeah we can.

708
00:45:15,000 --> 00:45:17,040
Speaker 1: We can do this. This is just a tour group.

709
00:45:17,520 --> 00:45:20,080
Speaker 1: We can scare the ship out of them that they're

710
00:45:20,080 --> 00:45:23,360
Speaker 1: predisposed already believe in. Right, it's been worth waiting around

711
00:45:23,440 --> 00:45:26,960
Speaker 1: for this. He's right. Okay, So what is it that

712
00:45:27,000 --> 00:45:30,200
Speaker 1: we're asking the spirits? Well, uh, any question at all?

713
00:45:30,360 --> 00:45:32,920
Speaker 1: Does anybody have a question in mine for the spirits? Remember,

714
00:45:32,960 --> 00:45:37,360
Speaker 1: these are murderous spirits. Murderous spirit Well, that's should we

715
00:45:37,440 --> 00:45:39,080
Speaker 1: do it? Should we say that chance that they said

716
00:45:39,120 --> 00:45:52,279
Speaker 1: in the movie if spirits make themselves know, kill my

717
00:45:52,400 --> 00:45:56,920
Speaker 1: aunt your No. I hate my aunt Harriet, and I

718
00:45:56,960 --> 00:45:59,520
Speaker 1: would love if one of these evil spirits would kill it. Benjamin,

719
00:45:59,560 --> 00:46:04,040
Speaker 1: I do not speak about me like that group. He

720
00:46:04,200 --> 00:46:06,840
Speaker 1: Oh my gosh. Did an'tbody hear that sound like? It

721
00:46:06,960 --> 00:46:17,200
Speaker 1: sounded like a phone movement? A way? There it is,

722
00:46:17,800 --> 00:46:22,200
Speaker 1: that's what we've been training for. There it is, Cliff,

723
00:46:22,280 --> 00:46:25,720
Speaker 1: that's sounded kind of Hawaiian. That was all five vowels.

724
00:46:25,760 --> 00:46:31,040
Speaker 1: And also sometimes why I was there too. Yeah, my

725
00:46:31,120 --> 00:46:35,000
Speaker 1: name is Frank by the way. Frank, by the way,

726
00:46:35,120 --> 00:46:41,680
Speaker 1: is that Italian? Okay, all right, let's take our alcabus

727
00:46:41,760 --> 00:46:44,600
Speaker 1: for another fine day's work. First, so quick shoutout to

728
00:46:44,760 --> 00:46:50,480
Speaker 1: Ropire help. We're doing the sound design and God bless him.

729
00:46:51,239 --> 00:46:54,000
Speaker 1: Remember the days when he was in the room with us. Time,

730
00:46:54,560 --> 00:46:56,720
Speaker 1: really good times. Now he's a ghost. Now is the ghost?

731
00:46:57,239 --> 00:47:01,240
Speaker 1: Speaking of which, Joey Greer not here? Still here? Alright,

732
00:47:01,280 --> 00:47:03,160
Speaker 1: we'll go around James any Thank you so much for

733
00:47:03,480 --> 00:47:06,640
Speaker 1: participating in Thanks for activity, Thanks for letting me And

734
00:47:06,680 --> 00:47:09,239
Speaker 1: if anybody's interested, and they could check out Brief News

735
00:47:09,280 --> 00:47:11,640
Speaker 1: brief dot com. That's where you're gonna find twice a

736
00:47:11,719 --> 00:47:15,520
Speaker 1: week some comedy news. Beautiful and I should announce that

737
00:47:15,600 --> 00:47:18,359
Speaker 1: if anyone's in the greater Los Angeles area and wants

738
00:47:18,400 --> 00:47:21,680
Speaker 1: to see Alchemy. This performed live on stage the West

739
00:47:21,719 --> 00:47:25,120
Speaker 1: Side Comedy Theater has given a ten o'clock slot on

740
00:47:25,320 --> 00:47:30,359
Speaker 1: Wednesday March. Wednesday, March then ten pm the first live

741
00:47:30,480 --> 00:47:34,520
Speaker 1: on stage performance of the podcast of Alchemy. This. Yeah,

742
00:47:34,760 --> 00:47:37,960
Speaker 1: very excited about that. Vanessa Riving, what's going on? How

743
00:47:38,000 --> 00:47:41,440
Speaker 1: are you wait for Wednesday March sounds good? West Side

744
00:47:41,520 --> 00:47:44,399
Speaker 1: Comedy Theater. Other than that, life is just so good,

745
00:47:44,680 --> 00:47:49,600
Speaker 1: excellently We're all blessed and super blessed. Chris Alvarado. Life

746
00:47:49,680 --> 00:47:52,719
Speaker 1: isn't as good for me as it is for finness, right, Okay,

747
00:47:52,800 --> 00:47:54,719
Speaker 1: waking with this feeling and dread every morning. But I'm

748
00:47:54,800 --> 00:47:57,920
Speaker 1: working on that. But yeah, I'm really excited about this,

749
00:47:58,040 --> 00:48:00,720
Speaker 1: this live show. If you are in in Los Angeles,

750
00:48:00,760 --> 00:48:03,120
Speaker 1: it's in Santa Monica West Comedy Theater. Also always thinking,

751
00:48:03,120 --> 00:48:06,200
Speaker 1: because I'm always thinking about the police. One word that

752
00:48:06,239 --> 00:48:07,840
Speaker 1: keeps coming up every time they write us is the

753
00:48:07,840 --> 00:48:10,960
Speaker 1: word tedious. Uh they listen to us on their tedious

754
00:48:11,040 --> 00:48:13,840
Speaker 1: drive tedious. I don't know. I don't know. I'm just

755
00:48:13,880 --> 00:48:15,800
Speaker 1: throwing this out there. Even if one person does that,

756
00:48:15,880 --> 00:48:18,480
Speaker 1: this thing would be fun to maybe see a photo

757
00:48:18,719 --> 00:48:22,560
Speaker 1: of your tedious goings on with the hashtag tedious tedious

758
00:48:22,640 --> 00:48:25,399
Speaker 1: this out there, I don't know, figure it out. Yeah,

759
00:48:25,440 --> 00:48:27,200
Speaker 1: I'm just curious. I want to see you with these

760
00:48:27,280 --> 00:48:30,719
Speaker 1: What it means? Where are you listen, where it's landing,

761
00:48:30,840 --> 00:48:39,520
Speaker 1: and where it shows sitting in today? Mr Brad Norman, Hi, everybody,

762
00:48:39,680 --> 00:48:41,719
Speaker 1: Thanks for having me. You can hear me as the

763
00:48:41,760 --> 00:48:44,320
Speaker 1: voice of Bowlinkol Moose on the Adventures of Rock and

764
00:48:44,360 --> 00:48:46,759
Speaker 1: bowl Linkol on Amazon Prime. I'm also on Twitter at

765
00:48:46,800 --> 00:48:52,200
Speaker 1: Brad and Action Brand ad Action, Brad and Action and

766
00:48:52,560 --> 00:48:56,520
Speaker 1: as a Norman y Brad Norman arguably the two worst

767
00:48:56,600 --> 00:49:01,600
Speaker 1: names for a white person, just to put it further

768
00:49:01,719 --> 00:49:06,399
Speaker 1: out there that you're white. Yes, yeah, okay, I'm Kevin

769
00:49:06,520 --> 00:49:09,439
Speaker 1: Pollock and uh, I want to thank our injury also

770
00:49:09,480 --> 00:49:13,080
Speaker 1: had a great time. We didn't have time to get

771
00:49:13,120 --> 00:49:15,680
Speaker 1: to here, Craig. I think you know how we feel

772
00:49:15,719 --> 00:49:18,280
Speaker 1: about you and that we don't need to hear anything

773
00:49:18,320 --> 00:49:19,920
Speaker 1: from you. But if we did, what would it be?

774
00:49:20,560 --> 00:49:22,960
Speaker 1: Well if you want to see me playing such characters

775
00:49:23,000 --> 00:49:28,600
Speaker 1: as Arnold Rothstein, Richard M. Nixon and Adam West. Season

776
00:49:28,680 --> 00:49:32,440
Speaker 1: six of Drunk History is currently here. Fantastic and congratulations

777
00:49:32,480 --> 00:49:37,080
Speaker 1: on an amazing show. Not today, but that show. That

778
00:49:37,160 --> 00:49:40,160
Speaker 1: show Drunk History really doesn't bring it home for everyone. Uh,

779
00:49:40,320 --> 00:49:47,640
Speaker 1: Doug Bam engineer, so If Lichtman, our superstar producer, and

780
00:49:47,760 --> 00:49:50,960
Speaker 1: the I heart radio folks for allowing us, as always

781
00:49:51,040 --> 00:49:54,560
Speaker 1: these auspices and um again right to us your name

782
00:49:54,600 --> 00:49:57,920
Speaker 1: here this dot com. Tell everyone you've ever met please

783
00:49:58,000 --> 00:50:01,359
Speaker 1: to subscribe to the show. We're still only maybe three

784
00:50:01,440 --> 00:50:04,319
Speaker 1: months into this thing as a launching new podcast within

785
00:50:04,400 --> 00:50:07,279
Speaker 1: an ocean of over three thousand podcasts. And if you

786
00:50:07,400 --> 00:50:10,480
Speaker 1: like the show, we really really appreciate your support and

787
00:50:10,560 --> 00:50:13,319
Speaker 1: every which way that you can do that. So your

788
00:50:13,400 --> 00:50:16,320
Speaker 1: name here, Alchemy this dot com righte a review, subscribe,

789
00:50:16,480 --> 00:50:20,480
Speaker 1: Tell everyone you know if they enjoy improvised comedy that

790
00:50:20,560 --> 00:50:24,279
Speaker 1: Alchemy this is your personal favorite. I want to thank

791
00:50:24,320 --> 00:50:26,759
Speaker 1: you all very much here in the room. Thank you

792
00:50:26,840 --> 00:50:28,919
Speaker 1: each and every one of you. Thank you. We'll see

793
00:50:28,920 --> 00:50:32,439
Speaker 1: you next week. And uh, I don't know this felt

794
00:50:32,480 --> 00:50:39,080
Speaker 1: good without joy? Am I the only one? If we're

795
00:50:39,080 --> 00:50:43,600
Speaker 1: an agreement. He does drink his own? Is that true?

796
00:50:46,160 --> 00:50:50,000
Speaker 1: Let's see we've never seen it, but man, oh man,

797
00:50:50,200 --> 00:50:55,400
Speaker 1: we heard sorry. That is his catchphrase for some reason.

798
00:50:56,520 --> 00:50:59,160
Speaker 1: And please, we'd love to see some fan art of that.

799
00:51:00,760 --> 00:51:06,680
Speaker 1: I don't show me your tedious, show us your tedium

800
00:51:06,800 --> 00:51:08,680
Speaker 1: and move come up with a T shirt about Joey.

801
00:51:10,360 --> 00:51:13,279
Speaker 1: Thank you again on behalf of everyone until next time.

802
00:51:13,280 --> 00:52:00,200
Speaker 1: As always, welcome me. B