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Speaker 1: Yeah, what's something y'all was going on Brother Radio. He's

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Speaker 1: a legendary Queen's rapper. Hey, has is your boy in

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Speaker 1: o E. He's a Miami hip hop pioneer. What Up

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Speaker 1: is dj e f N?

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Speaker 2: Together they drink it up with some of the biggest

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Speaker 2: players in music and sports. You know what I mean,

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Speaker 2: the most professional, unprofessional podcast and your number one source

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Speaker 2: for drum facts.

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Speaker 1: This is drinks every day is New Year's Eve.

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Speaker 3: That's right, Hey, Haint Sagrio, it's best your boy in

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Speaker 3: What Up a dj.

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Speaker 1: E f N? And the drinks has motherbo the podcast

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Speaker 1: the pensively boring of that man.

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Speaker 3: And I heard I heard the dcs A, uh, the

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Speaker 3: eminem is his favorite and I respected that favorite. Right now,

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Speaker 3: I have my two favorites favorite, I see what you're

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Speaker 3: going with in the building. First off, Steve LaBelle Means

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Speaker 3: Pictures would run DMC ram with them on Tall jam Master, J, DMC,

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Speaker 3: Lost Boys, Royal Flush t TVT. Steve Label been around.

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Speaker 3: I heard Russell Simmons say he's the only white guy.

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Speaker 3: Let him call me a nigga and its gangster. And

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Speaker 3: you know what, Russell, I agree with you. Then we

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Speaker 3: have my other guy, my brother Scott Lovedizabelbo.

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Speaker 1: He's been doing things before you. You could be.

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Speaker 3: Doing things and it's nothing. I seen him with a

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Speaker 3: seventeen million dollar boat. He picked me up and we

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Speaker 3: win got Chiles. That's the hardest shit in my life.

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Speaker 3: This nigger had a what's that sh called a captain,

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Speaker 3: that's what's.

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Speaker 1: The yacht in and we went to Chili's. It was

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Speaker 1: the flying ship I ever did in my life. This

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Speaker 1: is my god.

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Speaker 3: I've seen him construct albums like the Chronic you know,

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Speaker 3: I have a piece to do with the Firm.

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Speaker 4: Numerous hits, and she's going back to the roots, going

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Speaker 4: back to the roots, and he's a fantastic guy.

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Speaker 3: Right now, I'm introducing Steve LaBelle Scott Storch, my favorite

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Speaker 3: of the favorite.

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Speaker 1: Let's make.

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Speaker 3: Now, Scott, you fucked a lot of bitches, Scott, I'm

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Speaker 3: gonna keep it on.

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Speaker 1: Is that your girl?

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Speaker 3: Then?

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Speaker 1: Okay? So you're good? All right, So I'm an popping

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Speaker 1: from bottle champagne. Yeah, hell, but you fucked a lot

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Speaker 1: of bitches, Scott. I ain't gona front. I've seen you

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Speaker 1: at the height of the high. I see you coming

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Speaker 1: up too. That's a beautiful thing A lot of people

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Speaker 1: don't know. Yeah, And when I.

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Speaker 5: Left the roots as a keyboard player writer to become

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Speaker 5: a producer. My first week soliciting myself to be a producer,

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Speaker 5: I got two clients. My very first two clients was

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Speaker 5: you and Compone and Buster the Ryots.

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Speaker 3: Let's make some lerids for that goddamn opportunity. Yeah nah,

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Speaker 3: but Scott, let me just tell you something. I'll be

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Speaker 3: looking at the internet and I see it on the

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Speaker 3: internet when you be constructing these beats on these keyboards

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Speaker 3: and you be sitting there and it's like, I just

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Speaker 3: want to keep keep praising you.

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Speaker 6: Don't thank you, maam.

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Speaker 1: If that's a good word. Is that a good word?

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Speaker 1: Praising you? I want to keep praising you because you

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Speaker 1: deserve being praised. Look at that from the left fact

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Speaker 1: we don't spill the champagne. Look at that.

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Speaker 3: You know what I'm saying. What I'm saying you want

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Speaker 3: you want to show you don't spell champagne from second two, yo,

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Speaker 3: come on.

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Speaker 1: Heavy birthday, So having birthday Saturday, have your birthday sunny,

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Speaker 1: Happy birthday, revend run yo. So let's take it back

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Speaker 1: to the beginning. Sky.

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Speaker 3: Yeah, were you originated from Philadelphia.

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Speaker 5: You know, I was born in New York Long Island,

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Speaker 5: but I moved to Florida as an infant, and then

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Speaker 5: when I was fifteen, I moved. I followed my dad

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Speaker 5: to Philly and I was supposed to be going to school,

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Speaker 5: but I wasn't. I was cutting school and taking the

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Speaker 5: train into the city and met up with Quest Love

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Speaker 5: and Black Thought and all.

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Speaker 3: These guys described that situation because you started out with

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Speaker 3: the Roots, like what years ago two?

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Speaker 5: Like what this was nineteen ninety one, and yeah, man,

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Speaker 5: I just I was.

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Speaker 1: I was just jagging big up to the niggas df Y.

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Speaker 5: I was interning at this label rough House at the

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Speaker 5: same time.

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Speaker 1: Yeah, they had cyprisks, uh.

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Speaker 5: Yeah, and it was like get the chance to see

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Speaker 5: the actual music industry, you know, just being nobody. And

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Speaker 5: I got caught one day jamming on the piano in

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Speaker 5: the live room of their studio, and I thought I

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Speaker 5: was gonna get fired. And then I got called down

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Speaker 5: the hall to play keyboards on the killing Me Softly remixed.

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Speaker 1: Low Hill. Let's just start out, yeah, and.

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Speaker 5: You know, it just gradually, you know, I got a

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Speaker 5: record deal with the Roots, and from playing on the

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Speaker 5: streets with them. We used to set up borrow power

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Speaker 5: from stores on South Street and jam and we was

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Speaker 5: doing these like little jam sessions with leaders of the

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Speaker 5: New School and all kinds.

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Speaker 6: Of crazy craw.

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Speaker 1: The Roots like a street band at.

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Speaker 6: The It was actually before there was.

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Speaker 5: The Roots, and it was Square Roots, and we had

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Speaker 5: to change the name because it was some other band

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Speaker 5: that had the same name, and.

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Speaker 1: That was the whole band. Thing was new. But y'all

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Speaker 1: was playing on the streets.

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Speaker 5: Yeah, I was playing on the streets. And we actually

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Speaker 5: got discovered at a block party on C. Sille More

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Speaker 5: Avenue in the near Temple University.

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Speaker 3: That is Philadelphia. Yeah, Philadelphia, that's where the niggas get

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Speaker 3: killed that right there.

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Speaker 1: Yeah, I was there to kill you right there.

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Speaker 6: It teaches you to.

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Speaker 5: Be strong, and I think some of that strength and

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Speaker 5: perseverance I learned that Philly helped me, you know, get

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Speaker 5: through have success. You know.

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Speaker 3: So now you started off from the roots somewhere, it.

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Speaker 1: Doesn't it doesn't go right.

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Speaker 6: No, it was right.

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Speaker 1: Everything was right. As a matter of fact. When I

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Speaker 1: left wounded up in l A.

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Speaker 5: Yeah, when I left the Roots, I actually just you know,

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Speaker 5: I wanted to be more than.

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Speaker 6: A keyboard player. I wanted to be a producer.

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Speaker 5: So I was, you know, grinding and this and that,

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Speaker 5: and I went to New York.

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Speaker 1: I met you and actually the day the compone came home.

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Speaker 1: That's that's a fact.

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Speaker 5: Very like it's nothing, but that's a fact.

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Speaker 7: That's fat.

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Speaker 5: And I remember it was a good time. But and uh,

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Speaker 5: you know, flashing forward, I went to l A and

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Speaker 5: I ran into one of my homies from Philly, this

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Speaker 5: girl Eve, and she was like, yo, I just got

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Speaker 5: signed to Doctor Dre and like, that's how you got

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Speaker 5: That's how I got there. I'm foreverly grateful and that.

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Speaker 1: To Eve, Eve, pick you up.

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Speaker 7: Change.

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Speaker 5: She stuck her neck out, yo, for real. The next

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Speaker 5: day I was in the lab. I didn't have no

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Speaker 5: we used that tapes at that time.

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Speaker 1: We didn't have to see. I didn't have that situation though. Like,

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Speaker 1: so now Eve tells you to come to l A.

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Speaker 5: No, I wasn't there a jam already in l A. Yeah,

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Speaker 5: I was doing a jam session at the Martini Lounge.

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Speaker 1: Okay, you gotta jam session because we got dumb listeners.

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Speaker 1: So Eve was there's a jam set, all right. So

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Speaker 1: the roots I was still hanging with them.

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Speaker 5: They were still the homies and they would do like

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Speaker 5: these kind of like the you know, jam meets like music,

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Speaker 5: a lot of Eric about due type ship going on

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Speaker 5: and open mic.

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Speaker 6: Yeah, open like.

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Speaker 5: It was like a women in the music series called

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Speaker 5: The Black Lily, and it was dope. But and uh,

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Speaker 5: you know, it's a roots based event.

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Speaker 1: Came over here.

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Speaker 5: We were doing them in New York at the Wetlands

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Speaker 5: every Sunday, and we just decided, you know, to do

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Speaker 5: one out here. So luckily I ran in the eve

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Speaker 5: and the next day I didn't have nothing to play.

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Speaker 5: Dragg just sat at the piano and boom, they was like,

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Speaker 5: can you stay out here? I was like, hell, yeah,

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Speaker 5: wait that same So how was that meaning?

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Speaker 7: Yeah?

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Speaker 5: I met Dre'm in the studio with Dre and I

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Speaker 5: got nothing to play, so I just get on the

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Speaker 5: piano and I start jamming for one and he's you know,

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Speaker 5: about an hour later, I had like ten racks hotel room,

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Speaker 5: and I was my rent was made.

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Speaker 7: It was good to go.

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Speaker 1: And now your glasses his ten racks right kind of glasses,

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Speaker 1: those porsches, let's make the boys glasses got there up

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Speaker 1: front of the glasses you see the.

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Speaker 8: Glasses glasses, So all right, so you're in the studio

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Speaker 8: with Dray tells you to play the piano.

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Speaker 5: Or to beat, just to play piano. Because I had

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Speaker 5: no beach with me. I didn't always going to be

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Speaker 5: seeing doctor Dre. So yeah, and then the very next

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Speaker 5: day he had me work on this artist named slim Shady.

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Speaker 5: Was this new cat get that We did the song

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Speaker 5: just the two of us, you know, the very next

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Speaker 5: day Holy And then the day after that we did

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Speaker 5: Big Eagles that's on the Chronic two thousands and so

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Speaker 5: on and so on and then and then life progressed to.

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Speaker 3: I.

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Speaker 5: I you know, I just got to a place where

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Speaker 5: I didn't wanna feel like I have to ask. You know,

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Speaker 5: Dre Dra created his empire. I wanted to create mine.

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Speaker 5: So I went to a different city. I went to Miami,

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Speaker 5: and you know, I, I like got into my own

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Speaker 5: clients and it wasn't really the ta same type of

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Speaker 5: stuff I was working with Dre. And then I got

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Speaker 5: introduced to clubs and cocaine and all kinds of grade.

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Speaker 1: I'm ready, I'm ready. I'm ready for cocaine. I'm ready.

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Speaker 3: But cause Scott is my brother, I'm not just throw

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Speaker 3: this out there. I don't know if people know. I

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Speaker 3: know Scott just said it earlier. But Scott is really

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Speaker 3: my brother, and I really seemed every way, shape form

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Speaker 3: fashion he ever came and he's always been my brother

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Speaker 3: and I'm always gonna remain his brother.

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Speaker 6: Thank you. That's me who I am?

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Speaker 1: Steve LeBell, God damn it. You from Queens too? Yes, sir,

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Speaker 1: where are you froming queens?

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Speaker 7: From Jamaica Queens?

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Speaker 1: Damn Look at he's from Jamaica, queen.

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Speaker 9: Thanks.

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Speaker 3: This is the first white person you met from Jamaica Queens,

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Speaker 3: but that black. I'm black, and in both bars you

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Speaker 3: can put us both together. He's still blacking in both bars.

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Speaker 3: So it's described your coming is up in Jamaica.

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Speaker 7: When coming up was through the late great jam Master

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Speaker 7: Jay wrestling. He put you on the take it on

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Speaker 7: and the way. Wait, so how did this happen? You know,

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Speaker 7: I grew up with you know, Jay and run DMC

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Speaker 7: and Russell was my mentor. Basically, you know, I was

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Speaker 7: just carrying bags, doing shots, so I was doing whatever.

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Speaker 1: I mean, come on, come on.

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Speaker 7: But at the end of the day, you know, it

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Speaker 7: was like around eighty three eighty forty five. Next thing

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Speaker 7: you know him on my shot look shot too. I

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Speaker 7: want to talk for the leather tour in eighty eight talk.

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Speaker 1: EPMG public.

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Speaker 7: Those tours are like Jaz Jeff Fresh Prince And I

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Speaker 7: was around the rush management days and death jam days

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Speaker 7: and profile Profile Records days, you know, my homie Bell

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Speaker 7: of course, of course legend legends.

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Speaker 2: You know.

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Speaker 7: I didn't know what what I could do, so I

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Speaker 7: was just waits, look there you go. I was just

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Speaker 7: around and just doing whatever I need to do. I'm

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Speaker 7: an opportunist, you know. I'm from Queens, so you know.

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Speaker 7: But then I was like, you know, I traveled and

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Speaker 7: I was doing all the stuff and around these labels.

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Speaker 7: But I said, you know, so I opened up a

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Speaker 7: couple of bars, and then Saint John's University, and I

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Speaker 7: brought all the rappers, Dad, Chris Mullin, Mark Jackson, Onyx

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Speaker 7: JA that for the people that Saint John's un practice,

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Speaker 7: U Walliams, yeah, and Saint John's, you know, Redmond, Saint John's.

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Speaker 7: And then I got to car accidents. I sold everything

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Speaker 7: and then I got a job. Jay and Onyx wanted

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Speaker 7: to start a They wanted to find a white rapper

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Speaker 7: like a Markey walk. So we took it to Relativity.

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Speaker 3: So will still warm when you say single Nah, But

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Speaker 3: I woke.

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Speaker 7: Frederial Sticky one Py wanted to find someone like that,

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Speaker 7: so they used my ball to find you know, fraternity brothers.

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Speaker 7: So then we took the record to Sony Relativity and

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Speaker 7: the next thing you know, I got a job of

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Speaker 7: Relativity and I was like, I never had a job

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Speaker 7: for somebody else.

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Speaker 1: And it was like the.

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Speaker 7: Ninety three beating uts mo Op, Fat Joe eight ball

255
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Speaker 7: on m j G three six month Fia, Frankie Cutlass

256
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Speaker 7: was there and Easy rest in Peace had ruthless records there,

257
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Speaker 7: so I worked with all of them and I want

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Speaker 7: road with Fat Joe and big Punts just hype man resting.

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Speaker 3: But home on I got to stop you will fast

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Speaker 3: you said you was there, went ice Cube and n w.

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Speaker 1: A had to fight.

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Speaker 7: No Easy at ice Cube had a beef. If you

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Speaker 7: watched Straight out of Confidence, I was to say, at

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Speaker 7: the Tunnel.

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Speaker 1: Legendary Tunnels, big cap, Yeah.

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Speaker 7: We went Easy came in town with bone thugs and

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Speaker 7: that's not the movie. Yeah it's a movie.

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Speaker 1: Nobody.

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Speaker 7: If you went straight out of Comptain Easy and Ice

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Speaker 7: Kid running to each other. I thought that was the

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Speaker 7: road that I was in New York City, ya, But

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Speaker 7: they they did showed them.

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Speaker 1: Yeah, theydn't show beefing in the field, but you know,

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Speaker 1: that's when they ran to each.

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Speaker 7: Other and had a problem. But you know, I was Easy,

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Speaker 7: so whatever was gonna happen is gonna happen. But and

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Speaker 7: then Easy he said he wanted to go back to

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Speaker 7: the hotel, and he had a flat along. He walked

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Speaker 7: back to the hotel and I said, getting the limo

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Speaker 7: was freezing. He said, now I'm gonna walk because you know.

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Speaker 7: And then next thing, I've never seen him again. He

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Speaker 7: got caught age. They said he died. But and then

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Speaker 7: from there, you know, he introduced me to Bone Thugs.

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Speaker 7: I do with both dus long Flag.

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Speaker 1: I don't know, I don't spoke twenty three years, you know.

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Speaker 7: So we did the Bone and bigger than But someone

287
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Speaker 7: told me today twenty years ago today we did Ontario's Thugs.

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Speaker 1: So you know, I throw I throw throwbacks of that up.

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Speaker 7: And then we did riding during the Cha Millionaire through

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Speaker 7: level with Tupac, a whole bunch of collabs over twenty

291
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Speaker 7: three years they were doing Tupac and Big I'm mad

292
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Speaker 7: as the Outlows, Stoop, the Outlaws and the Bone m

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Speaker 7: J G and three six months, like I said, just

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Speaker 7: the whole long list, like I said, be and Fat

295
00:15:04,440 --> 00:15:06,960
Speaker 7: Joe Brothers introduced him to his wife and he's going.

296
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Speaker 1: To roll with Joe, going in and going and going

297
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Speaker 1: to a ball. Yeah, all right that Scott Mascott, did

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Speaker 1: you work with Big?

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Speaker 6: I know, I just did a remix.

300
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Speaker 1: Remix work on Pop.

301
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Speaker 7: No, what was the remix?

302
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Speaker 4: Man?

303
00:15:18,960 --> 00:15:19,240
Speaker 7: What was the.

304
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Speaker 1: Scott got too much more.

305
00:15:26,080 --> 00:15:30,440
Speaker 6: Too much eight hundred Tupac. I did the polling of

306
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Speaker 6: Blues Joint.

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Speaker 1: Mmm.

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00:15:33,800 --> 00:15:38,280
Speaker 3: So, Scott, you've worked with Little Wayne. I'm gonna I'm

309
00:15:38,280 --> 00:15:38,560
Speaker 3: gonna be.

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Speaker 1: Honest with you, Scott. One time I came to the

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Speaker 1: Hit Factory to see.

312
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Speaker 3: You, and it was a cheese line outside like it

313
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Speaker 3: was just mad art, but it was artist though it

314
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Speaker 3: wasn't like.

315
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Speaker 1: A cheese line because the cheese line in the hood,

316
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Speaker 1: it's like it's like the worst of the worst for

317
00:15:55,120 --> 00:15:57,920
Speaker 1: you that's sitting there, wait for the cheese line. But

318
00:15:58,040 --> 00:16:02,840
Speaker 1: you had like d M X Hory, Fat Joe, Little Wing.

319
00:16:04,560 --> 00:16:08,240
Speaker 3: Timberland, like outside of the hip factor were just waiting

320
00:16:08,320 --> 00:16:08,720
Speaker 3: to see you.

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Speaker 6: And it's a lot of work.

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00:16:10,720 --> 00:16:12,720
Speaker 3: We used to keep five six rooms going it one

323
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Speaker 3: time at one time.

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Speaker 1: Yeah yeah, man, Now is that where Molly came in?

325
00:16:20,280 --> 00:16:20,600
Speaker 7: Molly?

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Speaker 1: Because I heard in d m A that was very nice.

327
00:16:24,360 --> 00:16:25,240
Speaker 1: Yeah it was.

328
00:16:25,520 --> 00:16:27,360
Speaker 6: It came in actually from Amsterdam.

329
00:16:27,800 --> 00:16:30,440
Speaker 1: But explain.

330
00:16:32,000 --> 00:16:34,960
Speaker 5: Just before before, you know, when people were just having ecstasy.

331
00:16:35,560 --> 00:16:41,800
Speaker 5: You know, people introduce you to everything. But yeah, you know,

332
00:16:42,480 --> 00:16:45,080
Speaker 5: the real ship was coming out curious. It really wasn't

333
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Speaker 5: my thing.

334
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Speaker 6: I used to keep a lot of that, but it

335
00:16:47,360 --> 00:16:48,200
Speaker 6: was for the ladies.

336
00:16:48,520 --> 00:16:50,680
Speaker 1: It was, it was my thing. I liked it. Thank

337
00:16:50,720 --> 00:16:52,440
Speaker 1: you for definitely, thank you for.

338
00:16:58,720 --> 00:16:59,080
Speaker 6: I like it.

339
00:16:59,160 --> 00:17:02,520
Speaker 1: This guy liked it too, right, it's correct. Don't don't

340
00:17:02,560 --> 00:17:04,000
Speaker 1: give me their eyes because you're white.

341
00:17:05,520 --> 00:17:07,560
Speaker 3: Like the effected had on women because you was doing

342
00:17:07,680 --> 00:17:10,240
Speaker 3: like dams right, it was like just like dipping dad,

343
00:17:10,400 --> 00:17:10,920
Speaker 3: dipping dad.

344
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Speaker 1: You remember that, I do.

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Speaker 6: We just took it to a whole other level that

346
00:17:14,760 --> 00:17:15,560
Speaker 6: it's so bad.

347
00:17:15,720 --> 00:17:22,240
Speaker 3: It's fantastic. We just got to control it. Gonna listen, listen, listen,

348
00:17:22,320 --> 00:17:26,159
Speaker 3: I'm gonna throw this out there. I don't believe anybody

349
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Speaker 3: has a drug problem.

350
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Speaker 1: This is what I believe. I just believe you gotta

351
00:17:31,400 --> 00:17:32,400
Speaker 1: take care.

352
00:17:32,200 --> 00:17:34,680
Speaker 10: Of it, take care of your drug problem at a

353
00:17:34,760 --> 00:17:41,760
Speaker 10: certain and then that's what I believe, and then get

354
00:17:41,840 --> 00:17:45,160
Speaker 10: sober for two days and then get back this drunk.

355
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Speaker 1: I believe. I'm just saying this is my belief. This

356
00:17:49,320 --> 00:17:52,200
Speaker 1: is like I might be retarded. I'm sorry, I probably is.

357
00:17:52,480 --> 00:17:54,679
Speaker 1: Scott already know that, Steve.

358
00:17:54,520 --> 00:17:55,119
Speaker 7: Already know that.

359
00:17:55,480 --> 00:17:59,200
Speaker 1: But I believe the M D M A you have

360
00:17:59,400 --> 00:18:04,520
Speaker 1: is very fun. It's right, fantastic, fantastic.

361
00:18:05,720 --> 00:18:10,720
Speaker 3: So, Steve, you've been on the road with one DMC,

362
00:18:12,560 --> 00:18:15,960
Speaker 3: You've been in a Rover Bone Thugs harmony.

363
00:18:17,480 --> 00:18:18,800
Speaker 1: What's your wireless.

364
00:18:20,160 --> 00:18:24,040
Speaker 7: Road story? I man, crazy story. We're in North Carolina

365
00:18:24,760 --> 00:18:28,119
Speaker 7: and we got into a little problem in this club

366
00:18:28,280 --> 00:18:31,240
Speaker 7: and you wait, though, run DMC and in the year

367
00:18:31,359 --> 00:18:31,520
Speaker 7: is this?

368
00:18:31,760 --> 00:18:32,320
Speaker 1: Shoot man?

369
00:18:32,640 --> 00:18:35,480
Speaker 7: I got hit in the head in the Kanye birthday

370
00:18:35,720 --> 00:18:37,159
Speaker 7: party at the Louis Vuitton Star. I don't know if

371
00:18:37,200 --> 00:18:41,159
Speaker 7: you knew that. And we sig thirty years his thirtieth birthday,

372
00:18:41,200 --> 00:18:43,639
Speaker 7: so it's over seven Chell fellow head.

373
00:18:43,480 --> 00:18:44,960
Speaker 1: It was out thirty years ago. You know he was

374
00:18:45,040 --> 00:18:48,320
Speaker 1: thirty years old. Oh don't know, but I was.

375
00:18:48,880 --> 00:18:52,280
Speaker 7: I was at Kanye's thirtieth birthday and No. Seven a

376
00:18:52,440 --> 00:18:54,480
Speaker 7: love biton store so Chell Fellow in my head, so

377
00:18:54,520 --> 00:18:57,719
Speaker 7: I sued Louis buiton, Oh but my memories in and out.

378
00:18:57,760 --> 00:19:01,159
Speaker 7: But we're in the club in North Carolina and there

379
00:19:01,240 --> 00:19:03,119
Speaker 7: was a problem. We couldn't leave the club because the

380
00:19:03,200 --> 00:19:05,000
Speaker 7: van was parked. We were in the van that time

381
00:19:05,080 --> 00:19:07,600
Speaker 7: in the garage of the promoter. So I stood on

382
00:19:07,720 --> 00:19:10,040
Speaker 7: this table and we'll take you.

383
00:19:10,280 --> 00:19:10,320
Speaker 2: No.

384
00:19:10,400 --> 00:19:12,159
Speaker 7: I just stood on the table with the concert in

385
00:19:12,240 --> 00:19:14,560
Speaker 7: North Carolina, like it was like a local club. And

386
00:19:14,680 --> 00:19:16,320
Speaker 7: I thought I was a kicking the karate kid because

387
00:19:16,320 --> 00:19:18,160
Speaker 7: I'm like, we ain't gonna get out of here. Show

388
00:19:18,200 --> 00:19:19,840
Speaker 7: me and my man the Stoff, who was running running

389
00:19:20,080 --> 00:19:21,520
Speaker 7: at the time. We stood on top of the table

390
00:19:21,640 --> 00:19:23,040
Speaker 7: like and maybe that like.

391
00:19:23,280 --> 00:19:23,920
Speaker 6: Some karate.

392
00:19:25,240 --> 00:19:29,720
Speaker 1: Out the club the last dragon, We little wells and nothing,

393
00:19:29,760 --> 00:19:30,800
Speaker 1: and they.

394
00:19:30,760 --> 00:19:32,960
Speaker 7: All just thought we were some fucking martial art experts

395
00:19:33,000 --> 00:19:34,399
Speaker 7: and they just we got out the club, got in

396
00:19:34,440 --> 00:19:35,239
Speaker 7: the van, got the fuck out.

397
00:19:35,240 --> 00:19:38,280
Speaker 1: That Jay said I was crazy, but who knows. God damn,

398
00:19:38,320 --> 00:19:40,080
Speaker 1: but let's make le's make some murder steel about that.

399
00:19:44,320 --> 00:19:50,280
Speaker 1: I'm sorry, I gotta go here, yo, You like you

400
00:19:50,400 --> 00:19:53,320
Speaker 1: got like you had like Paris hitting. Oh my god,

401
00:19:53,960 --> 00:19:57,200
Speaker 1: I heard this paras hit in the front first conversations.

402
00:19:57,240 --> 00:19:58,040
Speaker 1: What I say to my girl?

403
00:19:59,160 --> 00:19:59,280
Speaker 2: You know?

404
00:19:59,480 --> 00:20:05,600
Speaker 1: Yeah? You nice does Now I can say anything.

405
00:20:05,359 --> 00:20:07,359
Speaker 7: All right? So now what's Paris Hill too?

406
00:20:07,480 --> 00:20:08,840
Speaker 1: The first person to introduce you.

407
00:20:09,480 --> 00:20:10,879
Speaker 6: To at talking about that?

408
00:20:11,920 --> 00:20:12,040
Speaker 1: La?

409
00:20:12,119 --> 00:20:13,439
Speaker 6: What'll you say? L A introduced me.

410
00:20:15,280 --> 00:20:18,200
Speaker 1: All right at the end of the day, ain't nobody

411
00:20:18,320 --> 00:20:19,640
Speaker 1: hold that ship to my nose.

412
00:20:21,440 --> 00:20:21,880
Speaker 7: Long hand?

413
00:20:21,920 --> 00:20:24,040
Speaker 1: You got hot with that best niggas in the world.

414
00:20:24,520 --> 00:20:27,840
Speaker 1: Like that's like, that's hard. Legendary ship, that's legendary.

415
00:20:28,040 --> 00:20:30,360
Speaker 5: But I told you how you go to the Olympics

416
00:20:30,400 --> 00:20:33,919
Speaker 5: of drug use, like I love your baby one more

417
00:20:33,960 --> 00:20:34,479
Speaker 5: time for my girl.

418
00:20:34,680 --> 00:20:36,439
Speaker 1: But I literally used to buy some bolta.

419
00:20:36,600 --> 00:20:39,760
Speaker 5: I would line up in my bedroom on the island

420
00:20:40,640 --> 00:20:43,240
Speaker 5: like ten girls, and I introduced them what we called

421
00:20:43,240 --> 00:20:45,800
Speaker 5: the uh Miami frost bite.

422
00:20:46,480 --> 00:20:48,800
Speaker 1: We never heard of this, that's what we call the.

423
00:20:50,280 --> 00:20:51,240
Speaker 6: Miami frost bite.

424
00:20:51,359 --> 00:20:54,040
Speaker 1: Yo, Scott, you're still looking richest. Hell, tell us about

425
00:20:54,040 --> 00:20:56,160
Speaker 1: this Miami frost back. What did I say?

426
00:20:56,400 --> 00:20:57,680
Speaker 6: Well, let's just say this, Okay.

427
00:20:58,960 --> 00:21:01,480
Speaker 5: The only reason why I'm looking rich's hell, it's because

428
00:21:01,480 --> 00:21:02,800
Speaker 5: there's no more Miami frost bite.

429
00:21:02,800 --> 00:21:03,320
Speaker 6: Ship going on.

430
00:21:07,160 --> 00:21:10,560
Speaker 5: But you know, my man told me that this show,

431
00:21:10,640 --> 00:21:13,760
Speaker 5: you pretty much can just go to the depth of

432
00:21:14,840 --> 00:21:17,119
Speaker 5: fun about, fun about and you know what, if you

433
00:21:17,240 --> 00:21:20,000
Speaker 5: can't joke about the ship that you've been through, fuck it,

434
00:21:20,160 --> 00:21:22,399
Speaker 5: Like you know, you can't take your own life. I

435
00:21:22,480 --> 00:21:24,560
Speaker 5: know what the fuck I was doing was completely wrong,

436
00:21:25,359 --> 00:21:28,760
Speaker 5: and this was really wrong, but I basically used to

437
00:21:30,040 --> 00:21:31,879
Speaker 5: I learned. I'm just gonna say this, I learned the

438
00:21:32,240 --> 00:21:34,560
Speaker 5: California frost bite or the Miami frost bite.

439
00:21:34,800 --> 00:21:39,320
Speaker 1: I think you had every state frogm I'll just say this.

440
00:21:39,560 --> 00:21:42,240
Speaker 5: One of the biggest singers I'm not going to say

441
00:21:42,240 --> 00:21:45,280
Speaker 5: her name ever in the history of music was on

442
00:21:45,400 --> 00:21:47,400
Speaker 5: the back of a two hundred and fifty foot yacht.

443
00:21:47,480 --> 00:21:50,159
Speaker 1: Put me in a bunch of people, and I was

444
00:21:50,240 --> 00:21:50,960
Speaker 1: doing cocaine.

445
00:21:51,200 --> 00:21:53,399
Speaker 5: I was out of the normal way obviously where you snorted,

446
00:21:54,160 --> 00:21:56,720
Speaker 5: and this artist said, I want to do it, but

447
00:21:56,840 --> 00:21:58,040
Speaker 5: I don't do it the way you guys do.

448
00:21:58,880 --> 00:21:59,600
Speaker 1: They want to smoke.

449
00:21:59,680 --> 00:22:00,720
Speaker 6: They liked it.

450
00:22:01,640 --> 00:22:06,720
Speaker 1: Put up the kulo Oh ships King. I got a

451
00:22:06,800 --> 00:22:18,399
Speaker 1: guess cross No, No, they're not gonna tell me.

452
00:22:18,960 --> 00:22:19,000
Speaker 7: No.

453
00:22:19,680 --> 00:22:22,760
Speaker 1: I'm talking about big, big, big star Lady Houston.

454
00:22:22,800 --> 00:22:25,080
Speaker 7: Because of that level, all.

455
00:22:25,359 --> 00:22:27,240
Speaker 1: That level of that level don't even.

456
00:22:28,800 --> 00:22:31,480
Speaker 5: So I took that information and I learned that thing

457
00:22:31,760 --> 00:22:36,120
Speaker 5: in the same bars, and I would basically, I guess,

458
00:22:36,280 --> 00:22:39,800
Speaker 5: recruit like ten girls at the time and line them

459
00:22:39,880 --> 00:22:42,920
Speaker 5: up and you frostbite went down.

460
00:22:43,359 --> 00:22:45,960
Speaker 3: You was living some scarffee ship. I certainly was to

461
00:22:46,000 --> 00:22:49,000
Speaker 3: go front. You picked me up one time. I was

462
00:22:49,040 --> 00:22:51,960
Speaker 3: living on Northeast eighteenth.

463
00:22:51,520 --> 00:22:53,600
Speaker 1: Street and you was living on Palm.

464
00:22:55,440 --> 00:22:58,520
Speaker 6: Island Star. It was starr and when you guys.

465
00:22:58,359 --> 00:23:01,600
Speaker 1: Can pick me up. And I came downstairs and you know,

466
00:23:01,680 --> 00:23:04,120
Speaker 1: I'm fat at the time, and jump over the gate.

467
00:23:04,200 --> 00:23:09,119
Speaker 1: I'm like, it's not big boy. I'm like that, So

468
00:23:09,280 --> 00:23:11,119
Speaker 1: tell you you can't just jump over the gate when

469
00:23:11,119 --> 00:23:13,480
Speaker 1: you're a big nigga. You got it's like one step

470
00:23:13,920 --> 00:23:16,359
Speaker 1: and you got to be like, hold on, you gotta

471
00:23:16,600 --> 00:23:19,160
Speaker 1: adjust your nuts and then get your other leg right.

472
00:23:19,880 --> 00:23:21,760
Speaker 3: And then I jumped up and these niggas had the

473
00:23:21,840 --> 00:23:23,640
Speaker 3: captain and then they went to Chili's.

474
00:23:23,640 --> 00:23:26,960
Speaker 1: It was the most millionaire nigga ship I ever seen

475
00:23:27,000 --> 00:23:27,560
Speaker 1: in my life.

476
00:23:27,880 --> 00:23:31,960
Speaker 3: These niggas, it's bitch is what nagked Im just getting

477
00:23:31,960 --> 00:23:34,320
Speaker 3: divorced from my first marriage.

478
00:23:34,600 --> 00:23:36,680
Speaker 1: I'm like, I gotta cick up my life and say

479
00:23:36,880 --> 00:23:42,040
Speaker 1: I don't really know what I'm doing. Yes, and Scott

480
00:23:42,720 --> 00:23:43,880
Speaker 1: and Raoul is big.

481
00:23:43,880 --> 00:23:47,920
Speaker 3: Up Raoul ra and they had the I don't I

482
00:23:47,960 --> 00:23:50,920
Speaker 3: don't even know how many million dollars both your ship had.

483
00:23:51,480 --> 00:23:54,440
Speaker 3: But it was so beautiful and that was the first

484
00:23:54,520 --> 00:23:58,359
Speaker 3: time I ever experienced that, and it might be the

485
00:23:58,480 --> 00:24:00,560
Speaker 3: only time I've been on private jets a lot.

486
00:24:00,880 --> 00:24:03,800
Speaker 1: But so did you see the Miami frost Bike. I

487
00:24:03,880 --> 00:24:08,800
Speaker 1: actually don't know what what is the Miami frost Bike.

488
00:24:09,200 --> 00:24:11,919
Speaker 3: Of the people said, I'm kind of dirty, all right,

489
00:24:11,960 --> 00:24:14,159
Speaker 3: say it again, but still it don't make sense what

490
00:24:14,280 --> 00:24:14,480
Speaker 3: it is.

491
00:24:16,480 --> 00:24:16,879
Speaker 1: I get.

492
00:24:19,440 --> 00:24:24,600
Speaker 5: Literally, honestly, Raoul used to say the Miami frost Bike

493
00:24:24,760 --> 00:24:28,200
Speaker 5: was with Blow and that the California frost Bike was

494
00:24:28,280 --> 00:24:29,080
Speaker 5: with Molly.

495
00:24:30,320 --> 00:24:31,800
Speaker 7: And they crushed Molly.

496
00:24:31,800 --> 00:24:34,159
Speaker 1: I'm assuming not the fucking pill up that.

497
00:24:35,840 --> 00:24:38,240
Speaker 6: Crush the thing that goes into.

498
00:24:39,640 --> 00:24:41,280
Speaker 1: Steve. What kind of frost bite you as?

499
00:24:42,560 --> 00:24:45,560
Speaker 5: You just say something before we passed the Look, all

500
00:24:45,640 --> 00:24:50,439
Speaker 5: that ship was crazy, but you know what, I'm going

501
00:24:50,480 --> 00:24:53,520
Speaker 5: to have an addictive person outy, so all that drug ship.

502
00:24:53,680 --> 00:24:56,360
Speaker 5: I had to put that ship aside. And now I'm

503
00:24:56,400 --> 00:24:59,760
Speaker 5: addicted to the music again. You've always been handing heavily

504
00:24:59,880 --> 00:25:02,639
Speaker 5: the get into marijuana. I love him and that never

505
00:25:02,720 --> 00:25:03,520
Speaker 5: gets me in trouble.

506
00:25:04,240 --> 00:25:05,879
Speaker 1: Let's make some noise for that. Come on that.

507
00:25:10,000 --> 00:25:12,440
Speaker 3: Steven joke about all that ship and I've got to

508
00:25:12,520 --> 00:25:16,119
Speaker 3: joke about it. I just have a trophy, Scott. If

509
00:25:16,119 --> 00:25:18,119
Speaker 3: you don't, don't joke about it. You know what, some

510
00:25:18,560 --> 00:25:20,040
Speaker 3: of the scumbad is gonna joke about it.

511
00:25:20,320 --> 00:25:20,760
Speaker 1: I don't care.

512
00:25:21,440 --> 00:25:23,679
Speaker 3: No, no, no, we care because we may fuck him up,

513
00:25:24,680 --> 00:25:27,120
Speaker 3: but we joke about it with you. Because this guy.

514
00:25:27,200 --> 00:25:29,639
Speaker 3: We don't know this guy, and he talked about Scott.

515
00:25:29,920 --> 00:25:31,080
Speaker 3: We're gonna have to have one of him.

516
00:25:32,720 --> 00:25:36,800
Speaker 5: Like people, for whatever reason, there are people walking the

517
00:25:36,840 --> 00:25:41,600
Speaker 5: streets thinking that not like I usually live, I'm still living.

518
00:25:41,920 --> 00:25:44,520
Speaker 1: No, Scott, were living because we know you rich. You've

519
00:25:44,520 --> 00:25:45,480
Speaker 1: always been living good.

520
00:25:45,720 --> 00:25:47,200
Speaker 3: And let me just tell you some Scott, just in

521
00:25:47,280 --> 00:25:49,840
Speaker 3: case you don't know, the hip hop hip hop community

522
00:25:49,920 --> 00:25:53,000
Speaker 3: support you. We always supported you. We're always going to

523
00:25:53,040 --> 00:25:55,200
Speaker 3: have your back, just in case you didn't know that.

524
00:25:55,800 --> 00:25:57,000
Speaker 3: You know what I'm saying, because the way you just

525
00:25:57,040 --> 00:25:58,280
Speaker 3: said that, I just want to just say that.

526
00:25:58,680 --> 00:25:58,760
Speaker 2: And.

527
00:26:00,400 --> 00:26:02,040
Speaker 1: You went through and you know it ain't not a

528
00:26:02,119 --> 00:26:06,240
Speaker 1: man up to you for real we all have. That's

529
00:26:06,280 --> 00:26:06,639
Speaker 1: part of it.

530
00:26:07,200 --> 00:26:09,480
Speaker 5: I didn't think I wouldn't have been able to rebuild

531
00:26:09,520 --> 00:26:12,320
Speaker 5: my riches and my success in my career and everything

532
00:26:12,640 --> 00:26:15,800
Speaker 5: if I hadn't admitted that I actually fell. If you

533
00:26:16,000 --> 00:26:17,800
Speaker 5: just in de now, most people are just in de

534
00:26:17,880 --> 00:26:19,720
Speaker 5: now and they'll just sit in the corner and they're

535
00:26:19,920 --> 00:26:23,159
Speaker 5: too scared to come out and rebuild themselves because they

536
00:26:23,160 --> 00:26:25,040
Speaker 5: don't want to have to admit they did fall.

537
00:26:25,359 --> 00:26:27,480
Speaker 1: But that's like, yeah, I'm doing this show. At this show,

538
00:26:27,600 --> 00:26:30,240
Speaker 1: we have fun. At this show, we have fun. Scott.

539
00:26:30,359 --> 00:26:32,440
Speaker 1: Scott starts to eat ass. That's a fact, right, listen

540
00:26:32,440 --> 00:26:38,480
Speaker 1: to it. It's a fact. Yeah, it's Steve, Steve Belle.

541
00:26:39,520 --> 00:26:42,320
Speaker 7: I've seen the world, man, so just imagine everything and.

542
00:26:42,359 --> 00:26:46,480
Speaker 1: The Asian just like, I just feel like your preference

543
00:26:46,560 --> 00:26:47,240
Speaker 1: is a ass.

544
00:26:47,640 --> 00:26:51,960
Speaker 7: Feel like I just look at you and say, I've

545
00:26:51,960 --> 00:26:54,040
Speaker 7: been involved with a lot of tress with Terror Squad.

546
00:26:54,920 --> 00:26:56,840
Speaker 3: I can't, I can't, I can't. I can't talk about

547
00:26:56,880 --> 00:26:58,760
Speaker 3: that point neither. You got me on that one. I'm

548
00:26:58,960 --> 00:27:02,960
Speaker 3: changing subject because you know, because I might go down

549
00:27:03,000 --> 00:27:06,800
Speaker 3: with this somewhere with teams, I.

550
00:27:06,840 --> 00:27:10,480
Speaker 1: Might pop off in this. Yeah, he's there all the time,

551
00:27:10,520 --> 00:27:10,760
Speaker 1: let's go.

552
00:27:11,040 --> 00:27:16,280
Speaker 3: It's terrible. So now you worked with Tupac. I worked

553
00:27:16,280 --> 00:27:20,040
Speaker 3: with Tupac school the Outlaws, and you worked with Big.

554
00:27:20,119 --> 00:27:23,320
Speaker 3: I've seen pictures with you, Tupac and Big. Yeah it's correct.

555
00:27:23,440 --> 00:27:25,720
Speaker 7: Yeah, you know I did the Bone and Biggie with

556
00:27:26,119 --> 00:27:29,360
Speaker 7: Bone Thugs and then you know pop we did Doug

557
00:27:29,440 --> 00:27:32,280
Speaker 7: Love and like I said that, manage the Outlaws. I

558
00:27:32,359 --> 00:27:35,280
Speaker 7: worked with everybody you could imagine, and you discovered Nipsey

559
00:27:35,359 --> 00:27:38,439
Speaker 7: Hustle me my partner, Big U, Sean Kingston, Big Big

560
00:27:38,560 --> 00:27:41,560
Speaker 7: U follow Yeah you n l A. You better check

561
00:27:41,600 --> 00:27:45,320
Speaker 7: in with Big U. I got you know, I as

562
00:27:45,560 --> 00:27:49,080
Speaker 7: man Sean Kingston. Uh, I've seen the world with Sean Kingston.

563
00:27:49,080 --> 00:27:50,800
Speaker 7: A lot of people, you know, don't understand that pop

564
00:27:50,920 --> 00:27:51,960
Speaker 7: music gets you around the world.

565
00:27:52,240 --> 00:27:54,040
Speaker 1: Can say Sean Kingston and move on.

566
00:27:54,320 --> 00:27:57,840
Speaker 3: Yeah, right now, Sean Kingston is a very controversial.

567
00:27:58,200 --> 00:28:01,080
Speaker 7: Yeah, but me and Big you manage Sean Kingston now Big,

568
00:28:01,400 --> 00:28:02,919
Speaker 7: so there's no controversy.

569
00:28:03,000 --> 00:28:03,760
Speaker 4: Was not not.

570
00:28:04,480 --> 00:28:06,240
Speaker 7: I work with Seaun kings for seven years, but he

571
00:28:06,280 --> 00:28:06,920
Speaker 7: gets caught.

572
00:28:06,760 --> 00:28:11,880
Speaker 3: Up in a lot of jams. But okay, Steve, Yeah,

573
00:28:12,320 --> 00:28:14,840
Speaker 3: this incident is just happening. Did y'all have anything to

574
00:28:14,920 --> 00:28:17,920
Speaker 3: do with so now y'all have Sean was reckless? So

575
00:28:18,160 --> 00:28:22,320
Speaker 3: is that the reason why Meek or whatever they say,

576
00:28:23,200 --> 00:28:24,480
Speaker 3: told im?

577
00:28:25,520 --> 00:28:28,479
Speaker 7: You know I come from killing this shout out pistol.

578
00:28:29,760 --> 00:28:32,600
Speaker 7: We don't it's drink, we don't know. I don't snitch,

579
00:28:32,640 --> 00:28:34,320
Speaker 7: I don't talk. Whatever it was it was, you know,

580
00:28:35,200 --> 00:28:37,800
Speaker 7: all sides. Yeah, yeah, yeah, but anyway you don't need it.

581
00:28:38,000 --> 00:28:39,400
Speaker 7: And then I'm blessed.

582
00:28:39,480 --> 00:28:39,560
Speaker 8: Men.

583
00:28:39,600 --> 00:28:41,400
Speaker 7: I'm working with my man Scott, starting on him for

584
00:28:41,440 --> 00:28:43,320
Speaker 7: a long time and now managing Scott.

585
00:28:43,440 --> 00:28:47,120
Speaker 3: We're going in you know, fantastic God Scott starts now Scott.

586
00:28:47,640 --> 00:28:50,920
Speaker 3: I remember fact yo, well not only I remember he

587
00:28:51,000 --> 00:28:53,400
Speaker 3: set it on our podcasts about four or five times.

588
00:28:53,480 --> 00:28:56,000
Speaker 3: He said, if other there new, every time me and

589
00:28:56,160 --> 00:28:59,040
Speaker 3: Scott go in the studio, we're going to make a

590
00:28:59,160 --> 00:29:02,760
Speaker 3: number one. I would have never let Scott leave me

591
00:29:03,040 --> 00:29:03,520
Speaker 3: at all?

592
00:29:04,120 --> 00:29:04,320
Speaker 6: Ever?

593
00:29:06,040 --> 00:29:07,760
Speaker 1: Do you agree with him every time?

594
00:29:07,960 --> 00:29:08,480
Speaker 6: Every time?

595
00:29:08,760 --> 00:29:12,040
Speaker 5: It's crazy, it's miraculous and man, big up to Joe

596
00:29:12,160 --> 00:29:15,400
Speaker 5: with all the way up right now that that's cool

597
00:29:15,440 --> 00:29:17,720
Speaker 5: and dre and like man for real.

598
00:29:17,920 --> 00:29:22,640
Speaker 1: Cool to Dre make that beat though, no no cool

599
00:29:22,680 --> 00:29:29,200
Speaker 1: to dream school.

600
00:29:31,400 --> 00:29:33,400
Speaker 5: People have been telling me cool and Dre. But I

601
00:29:33,520 --> 00:29:39,160
Speaker 5: assume that, all right, but that's big, big, whatever reason.

602
00:29:39,760 --> 00:29:42,120
Speaker 5: God bless him because fat Joe deserves that man. He's

603
00:29:42,160 --> 00:29:42,840
Speaker 5: all of a dude.

604
00:29:49,080 --> 00:29:54,880
Speaker 3: So describe you leaving doctor Dre right, And there's so

605
00:29:55,000 --> 00:29:57,400
Speaker 3: many stories of these people.

606
00:29:57,680 --> 00:30:03,240
Speaker 1: That work with doctor Dre. Dre don't pay him or whatever,

607
00:30:03,360 --> 00:30:05,560
Speaker 1: Oh come on, let me just finish.

608
00:30:05,800 --> 00:30:09,760
Speaker 3: Oh whatever, whatever, whatever excuse they use, and they leave

609
00:30:09,920 --> 00:30:12,120
Speaker 3: doctor Dre and then they never.

610
00:30:12,160 --> 00:30:15,320
Speaker 1: Ever ever make it. Listen, everybody can play. You're one

611
00:30:15,360 --> 00:30:17,680
Speaker 1: of You're like one of the only I know a.

612
00:30:17,680 --> 00:30:20,640
Speaker 5: Lot of people that have a lot of money and

613
00:30:20,760 --> 00:30:23,680
Speaker 5: a lot of success just from knowing him. All right,

614
00:30:24,160 --> 00:30:27,880
Speaker 5: Doctor Dre gave me everything I ever deserved from everything

615
00:30:27,920 --> 00:30:31,480
Speaker 5: I've ever done with him, down to the percentage, Like

616
00:30:32,080 --> 00:30:37,920
Speaker 5: I think, for real, for real, doctor Dre provides opportunity

617
00:30:37,960 --> 00:30:38,360
Speaker 5: for people.

618
00:30:39,120 --> 00:30:40,840
Speaker 1: But you know, it's like if.

619
00:30:40,760 --> 00:30:43,320
Speaker 5: People don't succeed, and you can't expect that man to

620
00:30:43,480 --> 00:30:46,560
Speaker 5: just keep people in his doors in the studio if

621
00:30:46,600 --> 00:30:48,600
Speaker 5: they ain't doing shit, like you.

622
00:30:48,640 --> 00:30:51,000
Speaker 1: Know, and everything has its reasons, and every.

623
00:30:51,320 --> 00:30:55,000
Speaker 5: Business has its things where other business takes precedence.

624
00:30:54,560 --> 00:30:55,240
Speaker 6: Over that person.

625
00:30:55,360 --> 00:30:57,320
Speaker 5: So they may be salty if they had to wait

626
00:30:57,400 --> 00:30:59,680
Speaker 5: in line, but they weren't that high on the total

627
00:30:59,680 --> 00:31:03,360
Speaker 5: im pole. And you know, my whole relationship with Dre

628
00:31:03,560 --> 00:31:05,640
Speaker 5: is amazing. Right now, we actually got in the studio

629
00:31:05,640 --> 00:31:07,440
Speaker 5: a little bit. We're about to go in and do

630
00:31:07,520 --> 00:31:10,360
Speaker 5: a bunch of stuff. And I heard you working on

631
00:31:10,440 --> 00:31:11,440
Speaker 5: the card five.

632
00:31:11,760 --> 00:31:12,360
Speaker 1: Is this correct?

633
00:31:12,440 --> 00:31:13,840
Speaker 6: I was blessed man. The other day.

634
00:31:13,840 --> 00:31:15,840
Speaker 1: I was down in Miami and I got in with

635
00:31:15,960 --> 00:31:18,640
Speaker 1: with Wayne and I heard you the avateur mall. We

636
00:31:18,760 --> 00:31:19,560
Speaker 1: had to drop on you.

637
00:31:20,640 --> 00:31:24,280
Speaker 5: I'm like, he's thinking, wife, I worked every day I

638
00:31:24,440 --> 00:31:26,320
Speaker 5: was down there, so I had to take her somewhere.

639
00:31:26,400 --> 00:31:30,000
Speaker 1: Him big of your wife. Yeah, so you're working on

640
00:31:30,040 --> 00:31:30,720
Speaker 1: a car to five.

641
00:31:31,160 --> 00:31:34,840
Speaker 5: I'm working on that. I'm working on a bunch of stuff, man,

642
00:31:35,640 --> 00:31:38,160
Speaker 5: a bunch of new talent. I got a record coming out.

643
00:31:38,080 --> 00:31:40,040
Speaker 6: With this kid, P and b Rock from Philly, and

644
00:31:40,120 --> 00:31:41,720
Speaker 6: that's my god, bigger p and b Ro.

645
00:31:42,480 --> 00:31:47,720
Speaker 5: He's got to think of his own Orlando. Yeah, and

646
00:31:48,440 --> 00:31:50,680
Speaker 5: working on a bunch of stuff. I'm working with Murder Beats,

647
00:31:51,680 --> 00:31:54,320
Speaker 5: a bunch of stuff. Hopefully it makes a way to

648
00:31:54,600 --> 00:31:59,840
Speaker 5: Drake and the cattle, the Canadian But yeah, we're cooking,

649
00:32:01,160 --> 00:32:05,160
Speaker 5: got a bunch of stuff. Chris Brown, Chris Brown, because

650
00:32:05,160 --> 00:32:06,400
Speaker 5: you did run It, Run It right.

651
00:32:07,120 --> 00:32:12,240
Speaker 3: You did Chris Brown's original record. I was there, was

652
00:32:12,280 --> 00:32:15,320
Speaker 3: it running Run It? I was there, I was, I

653
00:32:15,440 --> 00:32:18,760
Speaker 3: was downstairs. Y'all was upstairs and you played me he was.

654
00:32:18,960 --> 00:32:21,800
Speaker 3: He was upstairs with Tina Davis, am I correct, and

655
00:32:21,920 --> 00:32:24,840
Speaker 3: Mark Pitch and Mark Pitch. And I didn't see Mark

656
00:32:24,880 --> 00:32:27,440
Speaker 3: Pitch that day. I just seen you and Tina Davis.

657
00:32:27,480 --> 00:32:29,440
Speaker 3: I came upstairs and I was downstairs.

658
00:32:29,480 --> 00:32:29,680
Speaker 2: I was.

659
00:32:29,760 --> 00:32:31,840
Speaker 3: I think I was trying to bust at something. It's

660
00:32:32,160 --> 00:32:34,400
Speaker 3: you know, I mean, it's back in the day. You

661
00:32:34,440 --> 00:32:39,040
Speaker 3: know what I'm saying, go it out there. And two

662
00:32:39,160 --> 00:32:42,920
Speaker 3: years later, this kid is Chris fucking fucking Brown. That

663
00:32:43,040 --> 00:32:46,440
Speaker 3: far back, No, I'm talking about not, I mean back

664
00:32:46,560 --> 00:32:50,040
Speaker 3: that's when, yeah, Scott is in there, and you know, Scott.

665
00:32:49,880 --> 00:32:50,320
Speaker 1: Is my man.

666
00:32:50,480 --> 00:32:53,680
Speaker 3: So I could come in Scott's studio and Scott he'll

667
00:32:53,720 --> 00:32:56,680
Speaker 3: look at me and be like, you shouldn't really be here, right,

668
00:32:57,360 --> 00:32:58,640
Speaker 3: but he'll still let me live.

669
00:33:00,120 --> 00:33:00,520
Speaker 7: Always.

670
00:33:02,040 --> 00:33:04,920
Speaker 3: And then I went that back downstairs, and two years

671
00:33:05,000 --> 00:33:07,960
Speaker 3: later the kid he was working on was Chris Brown.

672
00:33:08,200 --> 00:33:10,960
Speaker 3: I remember seeing that, and I feel like it was

673
00:33:11,040 --> 00:33:15,000
Speaker 3: suited than two years. No, I'm not, I'm not describing

674
00:33:15,080 --> 00:33:19,960
Speaker 3: now I'm saying anyway, I feel like we made the record,

675
00:33:20,000 --> 00:33:21,080
Speaker 3: and at least within a year.

676
00:33:21,800 --> 00:33:24,160
Speaker 5: It was a year, it was in a year. I

677
00:33:24,240 --> 00:33:27,520
Speaker 5: remember the day except the day I met Chris Brown.

678
00:33:27,520 --> 00:33:30,000
Speaker 5: I've told this story a hundred times, and I like

679
00:33:30,080 --> 00:33:30,960
Speaker 5: telling this story.

680
00:33:32,840 --> 00:33:35,600
Speaker 3: Telling motherfuckers over there, but quiet telling the day I

681
00:33:35,680 --> 00:33:36,440
Speaker 3: met Chris Brown.

682
00:33:37,000 --> 00:33:39,960
Speaker 5: He was a little kid man, came in and I

683
00:33:40,080 --> 00:33:42,520
Speaker 5: told him. I said, Yo, you're you're an awesome person.

684
00:33:43,440 --> 00:33:46,040
Speaker 5: Just stay humble and stayed just like you are.

685
00:33:46,160 --> 00:33:46,320
Speaker 1: Man.

686
00:33:46,440 --> 00:33:50,120
Speaker 5: He did, And I'm going to make you a number

687
00:33:50,160 --> 00:33:53,000
Speaker 5: one song today. And the song, whatever we make is

688
00:33:53,000 --> 00:33:55,400
Speaker 5: gonna go to number one. And a year later it

689
00:33:55,480 --> 00:33:56,120
Speaker 5: was number one.

690
00:33:56,560 --> 00:34:00,239
Speaker 1: Wow. So a year later I said, two years, one

691
00:34:00,320 --> 00:34:02,640
Speaker 1: year later, we took him the number one. He never

692
00:34:02,680 --> 00:34:04,920
Speaker 1: had a record ever in his life. But he deserves that.

693
00:34:04,960 --> 00:34:06,160
Speaker 1: I'm not gonna take all the credit for that.

694
00:34:06,440 --> 00:34:09,440
Speaker 5: He's a talented young man and still talented, and he

695
00:34:09,560 --> 00:34:12,319
Speaker 5: still blesses me every time. He's one of the loyal ones.

696
00:34:12,680 --> 00:34:15,560
Speaker 5: There's very few. The's Fat Joe, there's you, There's Chris

697
00:34:15,640 --> 00:34:19,399
Speaker 5: Brown and Rick Ross. But Chris on my darkest day,

698
00:34:19,520 --> 00:34:23,160
Speaker 5: Rick Chris Brown always make sure he puts the Scott

699
00:34:23,200 --> 00:34:26,400
Speaker 5: Storage record on his album with Rick Ross as well.

700
00:34:28,280 --> 00:34:32,200
Speaker 1: Now hop about Cali. Did you work with college Steve Caller?

701
00:34:32,400 --> 00:34:32,600
Speaker 6: Yeah?

702
00:34:32,800 --> 00:34:36,040
Speaker 7: Man, you know cald a long long time. Him and

703
00:34:36,120 --> 00:34:38,560
Speaker 7: DJ Nasty. You know, me and Joe used to go

704
00:34:38,560 --> 00:34:41,160
Speaker 7: to Orlando and always used to run into them because.

705
00:34:41,360 --> 00:34:44,520
Speaker 1: From Orlando, I've just seen New Orleans.

706
00:34:44,600 --> 00:34:49,000
Speaker 7: Yeah, from New Orleans exactly just up and you know

707
00:34:49,480 --> 00:34:51,640
Speaker 7: we go way back. Like someone just found some crazy

708
00:34:51,719 --> 00:34:54,399
Speaker 7: throwback of me him in the trench and I suit

709
00:34:54,440 --> 00:34:57,400
Speaker 7: from the Outlaws, like from ninety five. But you know,

710
00:34:57,719 --> 00:34:59,840
Speaker 7: you know, Callen knew how to master the game, and

711
00:35:00,040 --> 00:35:03,759
Speaker 7: they relevant and use his personality and God bless him then,

712
00:35:03,800 --> 00:35:07,239
Speaker 7: and God bless his new baby son and big You know.

713
00:35:08,520 --> 00:35:08,600
Speaker 1: I.

714
00:35:10,640 --> 00:35:10,759
Speaker 3: Try.

715
00:35:11,160 --> 00:35:13,359
Speaker 1: I try to tell people in this game that nothing

716
00:35:13,440 --> 00:35:14,839
Speaker 1: happens overnight, you know what I mean.

717
00:35:14,960 --> 00:35:18,080
Speaker 7: So it takes decades to you know, be successful when

718
00:35:18,080 --> 00:35:19,759
Speaker 7: you need a lot of patience, You got to sacrifice

719
00:35:19,760 --> 00:35:21,440
Speaker 7: a lot and persistent. You know, all of us at

720
00:35:21,480 --> 00:35:23,520
Speaker 7: this table got resumes and stripes and for the new

721
00:35:23,600 --> 00:35:26,080
Speaker 7: generation out there, like you got butt, you're working ship

722
00:35:26,120 --> 00:35:28,560
Speaker 7: does not happen overnight. But with Scott, we got that

723
00:35:28,640 --> 00:35:32,360
Speaker 7: game record out with Jeremiah All Eyes the Foreigner Rhythmic Charts,

724
00:35:32,400 --> 00:35:35,200
Speaker 7: and we got Shaggy record out and we're doing some

725
00:35:35,320 --> 00:35:37,000
Speaker 7: just different ship that got never did.

726
00:35:40,120 --> 00:35:41,320
Speaker 1: Shaggy grabbed my head.

727
00:35:43,520 --> 00:35:46,279
Speaker 7: Counter I was like, don't be managing that. You know,

728
00:35:46,360 --> 00:35:48,759
Speaker 7: Scott's Scott's going around the world playing the keys with

729
00:35:48,840 --> 00:35:51,520
Speaker 7: the DJ doing some innovative ship. We're doing a lot

730
00:35:51,560 --> 00:35:55,320
Speaker 7: of brand collapse and TV ship, movie ship and just

731
00:35:55,400 --> 00:35:58,279
Speaker 7: working with every like new artist from you know bb

732
00:35:58,360 --> 00:36:03,520
Speaker 7: Barelli on Deaf Jam to me and Rocks to every everything.

733
00:36:03,840 --> 00:36:06,200
Speaker 7: Give give Nipsey some ship French one to everybody.

734
00:36:06,239 --> 00:36:06,360
Speaker 2: You know.

735
00:36:06,880 --> 00:36:09,520
Speaker 7: You know, Scott's talent never left just because someone goes

736
00:36:09,560 --> 00:36:11,080
Speaker 7: through trials and tribulations that town.

737
00:36:11,920 --> 00:36:14,279
Speaker 3: I go through trials and tribulations every every day. And

738
00:36:14,400 --> 00:36:15,759
Speaker 3: the thing it's doubt me every day.

739
00:36:15,880 --> 00:36:18,719
Speaker 1: You know what I'm telling many day?

740
00:36:18,840 --> 00:36:23,280
Speaker 4: What was what was the situation with with Steve Gottlie

741
00:36:23,760 --> 00:36:26,279
Speaker 4: and and like the published TV T I've always heard

742
00:36:26,320 --> 00:36:29,680
Speaker 4: that story the beginning. What's what's the facts on that

743
00:36:29,800 --> 00:36:33,279
Speaker 4: story on the which story that that Steve Gottlie had.

744
00:36:33,160 --> 00:36:35,279
Speaker 7: A percentage of your publishing? No, I just had a

745
00:36:36,120 --> 00:36:37,040
Speaker 7: he had a poaching deal with.

746
00:36:37,200 --> 00:36:37,839
Speaker 1: A publishing deal.

747
00:36:38,360 --> 00:36:40,800
Speaker 5: I got my first million dollar check for him, but

748
00:36:40,960 --> 00:36:45,800
Speaker 5: I didn't see TV This is a real story that

749
00:36:46,160 --> 00:36:51,560
Speaker 5: you know teaches you about persistence. But you know, back

750
00:36:51,600 --> 00:36:54,560
Speaker 5: in the day my first publishing deal, I got a

751
00:36:54,640 --> 00:36:57,920
Speaker 5: million dollar deal with tv T Records. I got one

752
00:36:58,000 --> 00:37:01,360
Speaker 5: hundredand they all got fired. I got one hundred thousand

753
00:37:01,400 --> 00:37:05,440
Speaker 5: out of that million, respect make for real.

754
00:37:05,560 --> 00:37:06,960
Speaker 2: It was just on.

755
00:37:07,920 --> 00:37:11,080
Speaker 5: I got loud by people like between lawyers and this

756
00:37:11,239 --> 00:37:12,960
Speaker 5: and that, and then so I got that too.

757
00:37:13,160 --> 00:37:16,000
Speaker 1: I tried to sell the ship that was like corrupt

758
00:37:16,000 --> 00:37:18,040
Speaker 1: ship that you know, and it.

759
00:37:18,160 --> 00:37:20,080
Speaker 5: Was a million up front and you got one hundreds

760
00:37:20,120 --> 00:37:21,279
Speaker 5: one hundred thousand out of it.

761
00:37:22,360 --> 00:37:26,799
Speaker 1: Heartbreaking, but you know what, it's just inspiration to make more.

762
00:37:28,160 --> 00:37:28,480
Speaker 6: I did.

763
00:37:28,600 --> 00:37:30,840
Speaker 1: God damn, that's the part of the game. You know,

764
00:37:31,040 --> 00:37:33,120
Speaker 1: plenty of it now. No, I was a game. I

765
00:37:33,280 --> 00:37:37,120
Speaker 1: was Lindsey low Hand. Let's hell like.

766
00:37:37,480 --> 00:37:42,520
Speaker 11: Real than that because Lizzy, I seeing them around, I'll

767
00:37:42,560 --> 00:37:44,080
Speaker 11: be like, damn when I see it, I'm like that

768
00:37:44,200 --> 00:37:48,080
Speaker 11: I want to get out of Yeah, tell me no secrets.

769
00:37:48,760 --> 00:37:51,319
Speaker 5: In my day of doing my dirt and wound out

770
00:37:51,400 --> 00:37:55,239
Speaker 5: and Paris girls listen, I had all listen girls and

771
00:37:55,360 --> 00:37:56,920
Speaker 5: I would take them out, and I would walk the

772
00:37:57,000 --> 00:37:59,360
Speaker 5: correct carpets and know that no, let's please pay to

773
00:37:59,560 --> 00:38:02,719
Speaker 5: all right, I would mad, I would walk the red

774
00:38:02,760 --> 00:38:07,879
Speaker 5: carpet with them, but when I would leave, I would

775
00:38:07,920 --> 00:38:08,960
Speaker 5: call the porn star across.

776
00:38:09,320 --> 00:38:12,520
Speaker 1: But you you bus Kim Kardashian open.

777
00:38:16,640 --> 00:38:19,640
Speaker 3: Listening coming out in the movie like you, that was it,

778
00:38:20,000 --> 00:38:22,279
Speaker 3: like you were first hip hop boyfriend. Let's just keep

779
00:38:22,280 --> 00:38:24,520
Speaker 3: it right, gott claim it, claim it because somebody else

780
00:38:24,520 --> 00:38:26,480
Speaker 3: is gonna claim it and it's not gonna Do you

781
00:38:26,560 --> 00:38:29,720
Speaker 3: want to think I'll be telling the sticky chest out man, Scott.

782
00:38:29,800 --> 00:38:35,239
Speaker 3: I think right now as you're claiming, I've just got

783
00:38:35,960 --> 00:38:36,399
Speaker 3: I see.

784
00:38:36,560 --> 00:38:38,640
Speaker 1: I know the truth. He was the first hip hop

785
00:38:38,760 --> 00:38:42,719
Speaker 1: cool man. Listen, people are different places in their lives now.

786
00:38:42,719 --> 00:38:48,960
Speaker 1: I ain't trying to definitely, I got yeasy threes. That's

787
00:38:49,040 --> 00:38:49,440
Speaker 1: the way to.

788
00:38:54,320 --> 00:38:54,520
Speaker 7: White.

789
00:38:54,960 --> 00:38:56,080
Speaker 1: They send me the white jacket.

790
00:38:58,640 --> 00:39:00,279
Speaker 6: There's a price to pay for everything.

791
00:39:00,880 --> 00:39:01,160
Speaker 1: All right.

792
00:39:01,200 --> 00:39:06,880
Speaker 3: But Lindsay lohand how was that, Lindsay lohand how was that?

793
00:39:08,040 --> 00:39:12,000
Speaker 1: Go there? Yeah, please come on or Paris Hill team

794
00:39:12,080 --> 00:39:12,520
Speaker 1: either one.

795
00:39:14,400 --> 00:39:15,919
Speaker 6: Let's just say is dope.

796
00:39:16,200 --> 00:39:16,920
Speaker 1: Paris is dope.

797
00:39:16,960 --> 00:39:20,440
Speaker 3: Parents are But how by Lindsay that's now that I know,

798
00:39:20,480 --> 00:39:21,640
Speaker 3: you don't want to tell about Lindsey.

799
00:39:21,760 --> 00:39:24,399
Speaker 5: So she was more like a homie than anything else.

800
00:39:26,480 --> 00:39:28,400
Speaker 5: If I went there with her, I really don't remember

801
00:39:28,440 --> 00:39:30,440
Speaker 5: it so well, but.

802
00:39:30,600 --> 00:39:34,160
Speaker 1: She definitely got high. Oh yeah, let's make some noise

803
00:39:34,160 --> 00:39:40,680
Speaker 1: for that. Listen, listen. Let me tell you something.

804
00:39:41,080 --> 00:39:44,640
Speaker 3: A lot of niggas get high with with people named Jamal,

805
00:39:48,080 --> 00:39:53,160
Speaker 3: then they get high for people named Jamiica. This nigga

806
00:39:53,200 --> 00:39:57,040
Speaker 3: got high with Lindsay lohand parates helped him.

807
00:39:58,239 --> 00:40:01,520
Speaker 1: His first girl was Kim Card. Let's let's praise this

808
00:40:01,680 --> 00:40:10,200
Speaker 1: nigga's fucking nose and his niggas. You're my friend, Scott,

809
00:40:10,280 --> 00:40:11,960
Speaker 1: I gotta big you up. I don't know if you know.

810
00:40:12,480 --> 00:40:13,400
Speaker 1: This is a platform.

811
00:40:13,440 --> 00:40:15,759
Speaker 3: We were big up all legends and see a lot

812
00:40:15,840 --> 00:40:18,120
Speaker 3: of people don't give you the credit for busting it

813
00:40:18,239 --> 00:40:18,799
Speaker 3: wide open.

814
00:40:21,640 --> 00:40:22,480
Speaker 7: A lot of things.

815
00:40:23,840 --> 00:40:26,000
Speaker 1: Come on, Scott, you think about it, looks, think about

816
00:40:26,000 --> 00:40:28,279
Speaker 1: it together. I don't want to look Scott, and I

817
00:40:28,400 --> 00:40:30,879
Speaker 1: want to praise you for that. He was the first

818
00:40:30,960 --> 00:40:34,719
Speaker 1: nigga I ever seen was Star Island, Star alland was

819
00:40:34,880 --> 00:40:37,279
Speaker 1: very I did a lot of first a lot of

820
00:40:37,520 --> 00:40:39,480
Speaker 1: first Bugatti, first.

821
00:40:41,600 --> 00:40:48,759
Speaker 3: Thama time that is as the first book.

822
00:40:49,160 --> 00:40:51,440
Speaker 8: I didn't know what the fuck he was saying to me.

823
00:40:51,960 --> 00:40:54,319
Speaker 8: He said, you know, this is a Bugatti. I said,

824
00:40:54,520 --> 00:40:59,839
Speaker 8: that's a fact. I want to know what you're talking.

825
00:41:01,160 --> 00:41:02,040
Speaker 7: I don't know what is this.

826
00:41:03,840 --> 00:41:06,200
Speaker 1: Listen, this is the true story, true story.

827
00:41:06,680 --> 00:41:07,480
Speaker 7: The first thing I.

828
00:41:07,560 --> 00:41:09,800
Speaker 5: Did when I got that car delivered, I ripped the

829
00:41:09,840 --> 00:41:12,800
Speaker 5: plastic off the seats and I sparked a backwood in

830
00:41:12,840 --> 00:41:18,680
Speaker 5: the driver's seat in my driveway, just to drive them,

831
00:41:18,960 --> 00:41:20,759
Speaker 5: you know, sit there and just christened the car.

832
00:41:22,120 --> 00:41:24,959
Speaker 1: Yeah, disrespectful. Did you bust a nut as well?

833
00:41:26,280 --> 00:41:28,200
Speaker 6: There's probably some DNA of mine left in that.

834
00:41:31,440 --> 00:41:33,560
Speaker 1: DNA. God damn, Scott.

835
00:41:33,719 --> 00:41:35,680
Speaker 3: Let me tell you something, Scott, I'm gonna be honest.

836
00:41:36,880 --> 00:41:39,080
Speaker 3: At one point you was like scar faced to me,

837
00:41:40,560 --> 00:41:41,680
Speaker 3: like is that respectful?

838
00:41:42,040 --> 00:41:43,040
Speaker 6: No, it's agree with it.

839
00:41:43,320 --> 00:41:48,320
Speaker 1: I've seen you in your crib one day and you

840
00:41:48,480 --> 00:41:53,960
Speaker 1: closed the drawer. It was like it was like when Lebron.

841
00:42:01,560 --> 00:42:05,840
Speaker 5: I said, listen like Jack Nicholson and departed.

842
00:42:08,920 --> 00:42:09,480
Speaker 6: Think about it.

843
00:42:10,360 --> 00:42:13,359
Speaker 3: I don't remember that part, but I definitely remember when

844
00:42:13,400 --> 00:42:17,000
Speaker 3: Lebron like that and I said, yo, Scott, you had

845
00:42:17,719 --> 00:42:21,640
Speaker 3: and it was the purror pirates of the peerror And

846
00:42:21,800 --> 00:42:24,879
Speaker 3: I Listen, let's make a noose. Scott starts being living.

847
00:42:25,160 --> 00:42:25,399
Speaker 1: Listen.

848
00:42:25,920 --> 00:42:28,400
Speaker 3: A lot of y'all niggas seen scar Face the movie.

849
00:42:29,719 --> 00:42:34,040
Speaker 3: Y'all never seen a scarface in real life. This makes

850
00:42:34,040 --> 00:42:35,160
Speaker 3: annoying scarf face.

851
00:42:35,000 --> 00:42:44,800
Speaker 1: In real life. I said, I said, Scott doing it,

852
00:42:45,680 --> 00:42:49,320
Speaker 1: Scott doing it. This is real shit, and I respect you. Scott.

853
00:42:49,520 --> 00:42:51,359
Speaker 1: Just want you to know that from the bottom.

854
00:42:51,040 --> 00:42:54,320
Speaker 3: Of my heart, You've always been a great guy and

855
00:42:54,360 --> 00:42:55,840
Speaker 3: I'm gonna always respect you like that.

856
00:42:56,560 --> 00:42:58,880
Speaker 1: And Steve LaBelle, we're gonna get back into you.

857
00:42:59,239 --> 00:42:59,839
Speaker 7: It's all good.

858
00:43:01,080 --> 00:43:03,439
Speaker 3: Last time we had you on the phone, we asked

859
00:43:03,480 --> 00:43:05,480
Speaker 3: you a jam Master Jay story.

860
00:43:06,000 --> 00:43:08,200
Speaker 1: You didn't really want to get into it because we

861
00:43:08,400 --> 00:43:09,160
Speaker 1: was on the phone.

862
00:43:09,320 --> 00:43:12,360
Speaker 3: Yeah, So now we need you to give us because

863
00:43:12,360 --> 00:43:14,880
Speaker 3: you know jam Master Jake real Queen's guy, exactly.

864
00:43:15,040 --> 00:43:18,600
Speaker 1: We have to pay tribute and respect to jam Master Jack.

865
00:43:18,440 --> 00:43:21,040
Speaker 7: Into the fucking bitch ass nigga who fucking shot him?

866
00:43:21,120 --> 00:43:23,640
Speaker 1: Man, you listen to the first white guy we allow

867
00:43:23,719 --> 00:43:28,759
Speaker 1: you to say, nigga can say that shot your Russell

868
00:43:28,840 --> 00:43:30,000
Speaker 1: City say you're.

869
00:43:29,719 --> 00:43:34,400
Speaker 3: Allowed to say, niggah override Rustle, I'm with you, nigga,

870
00:43:34,719 --> 00:43:37,560
Speaker 3: call that nigga nigga, dam what you got?

871
00:43:37,640 --> 00:43:38,359
Speaker 7: We killed him?

872
00:43:38,400 --> 00:43:38,759
Speaker 2: Man, you know.

873
00:43:39,719 --> 00:43:46,239
Speaker 1: Let me now look four B, well, hold on, by

874
00:43:46,280 --> 00:43:49,239
Speaker 1: the way, we're in the apartment four B. Yep, shut

875
00:43:49,320 --> 00:43:51,640
Speaker 1: up before you're looking out. Let me let me big

876
00:43:51,719 --> 00:43:54,040
Speaker 1: on my man again. Let me become my man.

877
00:43:54,160 --> 00:43:57,040
Speaker 3: Come over here, come over, come over here, Apartment four B.

878
00:43:57,239 --> 00:43:59,759
Speaker 7: Please shout out, shout the Graham and all that ball

879
00:44:00,080 --> 00:44:00,400
Speaker 7: for a B.

880
00:44:00,800 --> 00:44:05,400
Speaker 5: Follow us that apartment a p T dot for B Queens.

881
00:44:05,800 --> 00:44:08,799
Speaker 1: We in l a legend that you're going down right now.

882
00:44:09,400 --> 00:44:11,200
Speaker 1: You know Scott been dissing me all night. You see

883
00:44:11,280 --> 00:44:15,480
Speaker 1: his shots and see my shots. Shot No, no, like

884
00:44:15,600 --> 00:44:18,680
Speaker 1: I said that shot that shot. I feel like you

885
00:44:18,800 --> 00:44:23,000
Speaker 1: needed that jokes h m. I finished it.

886
00:44:23,160 --> 00:44:27,120
Speaker 7: Yeah, because like I said toever the motherfucking bitch ass

887
00:44:27,200 --> 00:44:32,080
Speaker 7: nigga out there, kill Jay? I did, I did. Maybe

888
00:44:32,320 --> 00:44:35,120
Speaker 7: you and your family rotten hell, Yeah, you don't kill

889
00:44:35,200 --> 00:44:37,719
Speaker 7: jam It's funny because you're from Queens. So every fourth

890
00:44:37,760 --> 00:44:40,560
Speaker 7: of July Jay called me. He was like, Steve, call

891
00:44:40,640 --> 00:44:42,480
Speaker 7: your Italian buddies and let's get some fireworks.

892
00:44:42,520 --> 00:44:44,680
Speaker 1: We go to spetty spaghetti War.

893
00:44:44,800 --> 00:44:47,359
Speaker 3: You know, you know the first time I've ever seen

894
00:44:47,480 --> 00:44:50,080
Speaker 3: John Gotti was Spaghetti Park when he.

895
00:44:50,120 --> 00:44:53,240
Speaker 1: Beat his case. I'm like maybe six seven.

896
00:44:53,120 --> 00:44:56,040
Speaker 3: Years old and I'm miss Spaghetti Park and John Gotti

897
00:44:56,080 --> 00:44:57,960
Speaker 3: beat his case. So when you said that on the

898
00:44:58,120 --> 00:45:00,759
Speaker 3: on the on the podcast, when you hung up, I

899
00:45:00,840 --> 00:45:03,560
Speaker 3: actually said that story right, And when you said that,

900
00:45:03,640 --> 00:45:04,960
Speaker 3: I knew you were official.

901
00:45:05,400 --> 00:45:07,480
Speaker 7: Let me icy k Lemon. I just took my dad

902
00:45:07,560 --> 00:45:09,080
Speaker 7: to Lemon King when I was and Queens. I'm going

903
00:45:09,080 --> 00:45:10,600
Speaker 7: back to Queens next week for my birthday will be

904
00:45:10,640 --> 00:45:15,520
Speaker 7: fifty one. Man gone birthday. No no, go to Vegas, please,

905
00:45:17,040 --> 00:45:17,960
Speaker 7: no one Vegas?

906
00:45:18,719 --> 00:45:20,200
Speaker 1: What are you? What are you calling up?

907
00:45:20,239 --> 00:45:20,359
Speaker 4: Man?

908
00:45:21,080 --> 00:45:24,960
Speaker 7: Frost bite frob let's know Las Vegas, frost bite you ass.

909
00:45:25,080 --> 00:45:25,360
Speaker 4: Let's know.

910
00:45:28,080 --> 00:45:30,160
Speaker 7: I'm going home to time my father O you ted.

911
00:45:30,239 --> 00:45:32,520
Speaker 7: But you know, Jay always want the fireworks to bring

912
00:45:32,640 --> 00:45:34,279
Speaker 7: back to two third and Hollars and blow up all

913
00:45:34,320 --> 00:45:36,480
Speaker 7: the fireworks for the kids. And we still always get

914
00:45:36,520 --> 00:45:38,719
Speaker 7: the fireworks and go over there and just you know,

915
00:45:38,760 --> 00:45:40,480
Speaker 7: I just got so many stories, man, from.

916
00:45:40,400 --> 00:45:42,759
Speaker 1: Easy to so much ship Man. Now, how we go

917
00:45:43,400 --> 00:45:46,880
Speaker 1: Western Peace? Jam Master Jay. But it's the first of

918
00:45:46,960 --> 00:45:49,120
Speaker 1: the month. You ain't managed them at that time.

919
00:45:49,680 --> 00:45:55,160
Speaker 7: You actually exactly he was still relatively all the time tamout.

920
00:45:55,800 --> 00:45:57,680
Speaker 1: It's the first thing you ask you yes, So look

921
00:45:59,000 --> 00:46:05,359
Speaker 1: listen nineteen ninety three, this is I said.

922
00:46:05,880 --> 00:46:10,640
Speaker 7: Ruthless Records was distributed by Relatively, So I worked at

923
00:46:10,719 --> 00:46:14,359
Speaker 7: Relativity Easy. We did his album, We did mc RN,

924
00:46:14,520 --> 00:46:16,400
Speaker 7: We did app band Clan, which is where I am

925
00:46:16,480 --> 00:46:19,120
Speaker 7: if from a map band clan, Bloods of Abraham. There

926
00:46:19,200 --> 00:46:21,960
Speaker 7: was a White Map group which was Jerry Heller's nephew,

927
00:46:22,080 --> 00:46:26,400
Speaker 7: Terry heller'sh Shit, there was so many all assigned to Ruth's.

928
00:46:26,440 --> 00:46:29,480
Speaker 7: You know, Easy was a you know, real businessman. So

929
00:46:30,640 --> 00:46:32,399
Speaker 7: I was A and R in there at the time.

930
00:46:32,640 --> 00:46:35,200
Speaker 7: So when Bone Thumps came in New York, Easy I died,

931
00:46:35,239 --> 00:46:36,800
Speaker 7: so I didn't really know anybody but me. So I

932
00:46:36,920 --> 00:46:39,320
Speaker 7: was the A and R. I did the solo projects,

933
00:46:39,320 --> 00:46:40,960
Speaker 7: I did the more Thug label that we had so

934
00:46:41,040 --> 00:46:43,440
Speaker 7: many hits and then I just started managing them. So

935
00:46:43,480 --> 00:46:45,120
Speaker 7: I was around the first of the months of Thugust

936
00:46:45,160 --> 00:46:46,360
Speaker 7: Ruggish love of Money.

937
00:46:46,200 --> 00:46:48,480
Speaker 1: As all, let's keep it right there. Yeah, it's the

938
00:46:48,600 --> 00:46:53,480
Speaker 1: first of the month. Yeah, this guy, you heard that

939
00:46:53,600 --> 00:46:54,719
Speaker 1: record and what did you say?

940
00:46:55,400 --> 00:46:58,480
Speaker 7: Shit, Wow, you knew you know, yeah, but you know,

941
00:46:58,640 --> 00:47:01,239
Speaker 7: Bone and very innovative create man, they singing rap man

942
00:47:01,719 --> 00:47:04,200
Speaker 7: and you know, Whiz salutes them. They said Rocky salutes

943
00:47:04,239 --> 00:47:06,719
Speaker 7: from Kendrick slut Rice in this blind does But I

944
00:47:06,800 --> 00:47:10,279
Speaker 7: feel like bone dogs don't get their dudes. And they

945
00:47:10,400 --> 00:47:12,799
Speaker 7: sold fifty million records, which is all for a rap

946
00:47:12,920 --> 00:47:16,800
Speaker 7: of fifty million. And they collaborated Wants fifty million, and

947
00:47:16,880 --> 00:47:24,000
Speaker 7: they collabed with and the murch Right fifty million. And

948
00:47:24,120 --> 00:47:27,400
Speaker 7: they they're always tarring. And at the end of the day,

949
00:47:27,440 --> 00:47:31,040
Speaker 7: the only rap group no MP MP three that did

950
00:47:31,120 --> 00:47:35,960
Speaker 7: songs with Easy Pop, Biggie j J mentor Damn after

951
00:47:36,000 --> 00:47:38,880
Speaker 7: Easy died to the record with pun to the records

952
00:47:38,880 --> 00:47:42,920
Speaker 7: of you KNOWJH. So many people Tupac Doug Love, but

953
00:47:43,080 --> 00:47:44,719
Speaker 7: you know, I'm still with them. It shows you the

954
00:47:44,760 --> 00:47:47,280
Speaker 7: integrity of myself because all I know is loyalty and integrity.

955
00:47:47,320 --> 00:47:51,600
Speaker 7: So twenty three years later and all of them, yeah, yeah,

956
00:47:51,600 --> 00:47:53,240
Speaker 7: they're crazy. Both the town.

957
00:47:56,640 --> 00:48:03,839
Speaker 3: Guy still a lot sh a k nigga, I need

958
00:48:04,200 --> 00:48:08,880
Speaker 3: I need the beginning. At the beginning, I wish we

959
00:48:08,920 --> 00:48:13,040
Speaker 3: had to keep having listen. We played keyboard, But you

960
00:48:13,160 --> 00:48:16,520
Speaker 3: know what, I figured, that's what every other interview is

961
00:48:16,600 --> 00:48:17,000
Speaker 3: going to try.

962
00:48:17,200 --> 00:48:17,920
Speaker 7: You're right, You're right.

963
00:48:18,800 --> 00:48:22,000
Speaker 1: And I said, you know what, this is my brother.

964
00:48:22,280 --> 00:48:25,480
Speaker 1: Queens guys would do, they don't follow you know why.

965
00:48:25,600 --> 00:48:28,040
Speaker 1: He ain't gonna fuck with them like he hate fuck

966
00:48:28,120 --> 00:48:31,040
Speaker 1: with me, So I said, I said. At first, I

967
00:48:31,200 --> 00:48:33,560
Speaker 1: was like, you know, finally keyboard and all.

968
00:48:33,440 --> 00:48:35,120
Speaker 3: That, And then I said, you know what, I looked

969
00:48:35,120 --> 00:48:37,080
Speaker 3: at him on the internet. See how he killed it,

970
00:48:37,400 --> 00:48:41,480
Speaker 3: See how he killed every I said, you know, I

971
00:48:41,600 --> 00:48:44,480
Speaker 3: just want to speak to my brother. But now for

972
00:48:44,719 --> 00:48:47,359
Speaker 3: our listeners, how did.

973
00:48:47,280 --> 00:48:50,880
Speaker 1: It's still drake d nigga? How that happened?

974
00:48:51,920 --> 00:48:53,960
Speaker 6: I'm gonna tell you right now. I remember, as clear

975
00:48:54,000 --> 00:48:55,839
Speaker 6: as a bell, Drake.

976
00:48:56,239 --> 00:48:56,759
Speaker 1: I'm getting it.

977
00:48:57,320 --> 00:49:00,600
Speaker 5: Ram some drums every day, like we were sitting there

978
00:49:00,600 --> 00:49:02,040
Speaker 5: and he would come up with a drum pattern.

979
00:49:02,480 --> 00:49:03,520
Speaker 6: In that particular day, it.

980
00:49:03,560 --> 00:49:09,560
Speaker 5: Was sandwich, sandwich, and then he went and ate a sandwich.

981
00:49:10,600 --> 00:49:13,719
Speaker 1: Sandwich and the kitchen at Encore Studios. What does he eat?

982
00:49:13,920 --> 00:49:15,400
Speaker 6: I don't know. He was having a sandwich.

983
00:49:15,840 --> 00:49:18,399
Speaker 1: Was it turkey and geese? It could have been quite likely,

984
00:49:18,800 --> 00:49:20,280
Speaker 1: definitely a sandwich.

985
00:49:21,160 --> 00:49:23,960
Speaker 5: And the kitchen is obviously within earshot of the control

986
00:49:24,080 --> 00:49:24,880
Speaker 5: room of the studio.

987
00:49:25,640 --> 00:49:29,080
Speaker 1: Good Dad, and he just left the pattern just.

988
00:49:29,120 --> 00:49:31,680
Speaker 5: Playing, and I got on that joint and I said, hang,

989
00:49:34,080 --> 00:49:36,000
Speaker 5: and he walked in with the sandwich in his hand

990
00:49:36,040 --> 00:49:36,680
Speaker 5: and he said.

991
00:49:37,320 --> 00:49:39,680
Speaker 1: That's it right there. Because we was down to the wire.

992
00:49:39,719 --> 00:49:42,360
Speaker 5: We had been making record after record, making one hundred records,

993
00:49:42,760 --> 00:49:44,359
Speaker 5: and we were looking for that single. And he said,

994
00:49:44,400 --> 00:49:47,719
Speaker 5: that's it right there, that's it. And by the end

995
00:49:47,719 --> 00:49:49,600
Speaker 5: of the day, and you did that on a piano,

996
00:49:50,600 --> 00:49:53,320
Speaker 5: I did that on a piano. Five minutes later. We

997
00:49:53,719 --> 00:49:55,880
Speaker 5: put everything around that ship. It was just a base

998
00:49:55,960 --> 00:49:57,880
Speaker 5: and a little string. We didn't do nothing to it.

999
00:49:57,960 --> 00:49:59,680
Speaker 5: It was just three elements.

1000
00:50:00,600 --> 00:50:04,239
Speaker 1: We sent it off to jay Z. Rum was that

1001
00:50:04,880 --> 00:50:07,239
Speaker 1: that was your idea to send it to jay Z. No,

1002
00:50:07,920 --> 00:50:08,320
Speaker 1: that was not.

1003
00:50:08,680 --> 00:50:10,759
Speaker 5: I mean, obviously it would be a great idea, but

1004
00:50:11,040 --> 00:50:13,600
Speaker 5: it was quite certain that came from doctor Dre.

1005
00:50:14,160 --> 00:50:15,239
Speaker 6: He's a visionary man.

1006
00:50:15,320 --> 00:50:17,040
Speaker 1: I learned so much from that dude.

1007
00:50:17,040 --> 00:50:18,640
Speaker 5: I'm not trying to be a dick rider or nothing,

1008
00:50:18,719 --> 00:50:20,480
Speaker 5: but for real, that was how I learned how to

1009
00:50:20,520 --> 00:50:23,279
Speaker 5: do what the funk I did his watching him bring

1010
00:50:23,400 --> 00:50:24,320
Speaker 5: the best out of artists.

1011
00:50:24,400 --> 00:50:26,919
Speaker 3: He said that to you, the beat is made, He said,

1012
00:50:27,200 --> 00:50:31,200
Speaker 3: IM send it to Slim. Yeah, yeah, it's big, a

1013
00:50:31,280 --> 00:50:33,640
Speaker 3: high standard. We respect you man as a beat maker.

1014
00:50:33,719 --> 00:50:35,239
Speaker 5: We like to have high standards and be like, nah,

1015
00:50:35,320 --> 00:50:37,480
Speaker 5: now we're going to scrap these joints and ship and

1016
00:50:37,560 --> 00:50:38,600
Speaker 5: look for that magic ship.

1017
00:50:39,080 --> 00:50:40,879
Speaker 1: But Dre takes that to a whole other level.

1018
00:50:41,280 --> 00:50:43,520
Speaker 5: I mean straight fire where we're all in the room

1019
00:50:43,640 --> 00:50:44,960
Speaker 5: like this ship is crazy.

1020
00:50:45,040 --> 00:50:49,879
Speaker 3: He's like, that's all right, let's keep going. Now that's

1021
00:50:49,960 --> 00:50:56,239
Speaker 3: that level levels of the ship and it's off city

1022
00:50:56,280 --> 00:50:56,560
Speaker 3: boy d.

1023
00:50:56,680 --> 00:50:57,239
Speaker 1: How you doing?

1024
00:50:57,360 --> 00:50:57,520
Speaker 7: Man?

1025
00:50:58,120 --> 00:50:58,719
Speaker 1: What's going on?

1026
00:50:58,960 --> 00:50:59,120
Speaker 12: Man?

1027
00:51:00,239 --> 00:51:05,960
Speaker 1: You text me back now? Ya wait? I'm going there?

1028
00:51:07,680 --> 00:51:11,440
Speaker 1: So do you do you think? Because now you came

1029
00:51:11,480 --> 00:51:15,680
Speaker 1: from the Roots. Now, the Roots is a musical bad

1030
00:51:17,200 --> 00:51:20,920
Speaker 1: That's like if you listen to the like try call

1031
00:51:21,000 --> 00:51:25,080
Speaker 1: crash album just came out. Love it. You could hear

1032
00:51:25,160 --> 00:51:28,319
Speaker 1: it loud, you could hear it and the speakers, but then.

1033
00:51:28,239 --> 00:51:30,719
Speaker 3: You can hear it on a little headphones and that's

1034
00:51:31,080 --> 00:51:33,760
Speaker 3: when I know your album is though, of course.

1035
00:51:37,120 --> 00:51:39,560
Speaker 1: So, but so is the Roots. The Roots is like

1036
00:51:39,640 --> 00:51:40,480
Speaker 1: a musical band.

1037
00:51:40,560 --> 00:51:42,920
Speaker 6: Funny you should say that because.

1038
00:51:44,360 --> 00:51:45,279
Speaker 1: The Roots.

1039
00:51:46,920 --> 00:51:49,800
Speaker 5: We got our tone center from an instrument called Defender Rhodes.

1040
00:51:49,920 --> 00:51:51,080
Speaker 5: This is an electric piano.

1041
00:51:51,600 --> 00:51:52,440
Speaker 1: But say it again, for.

1042
00:51:54,000 --> 00:51:58,000
Speaker 5: It's an electric piano used the most soulful music in

1043
00:51:58,040 --> 00:51:58,560
Speaker 5: the Seconday.

1044
00:51:58,640 --> 00:51:59,920
Speaker 1: We didn't even got set of roots.

1045
00:52:00,000 --> 00:52:02,080
Speaker 6: You know what I'm saying now, Tribe call quests.

1046
00:52:03,560 --> 00:52:06,880
Speaker 5: A lot of their samples with samples from old records

1047
00:52:06,960 --> 00:52:09,600
Speaker 5: like Herbie Hancock, Bob James, all these different people that

1048
00:52:09,800 --> 00:52:14,320
Speaker 5: played Defender Roads keyboard. So when everybody was sampling it,

1049
00:52:15,400 --> 00:52:18,320
Speaker 5: I was started playing before anybody.

1050
00:52:18,360 --> 00:52:19,719
Speaker 1: Everybody's on the Roads is.

1051
00:52:19,800 --> 00:52:22,759
Speaker 5: Dick for the past twenty years, but nobody was fucking

1052
00:52:22,800 --> 00:52:24,640
Speaker 5: with it. When when I got on it and I

1053
00:52:24,760 --> 00:52:26,920
Speaker 5: was like, Yo, this keyboard is that's what they sampling.

1054
00:52:28,120 --> 00:52:30,760
Speaker 5: So I said, I'm about one at the time, nobody

1055
00:52:30,800 --> 00:52:32,480
Speaker 5: wanted this keyboard. It was two hundred dollars. I got

1056
00:52:32,560 --> 00:52:35,560
Speaker 5: it from an old church. Yeah, it was giving them

1057
00:52:35,560 --> 00:52:39,279
Speaker 5: away in Philly. In Philly, so I had this road.

1058
00:52:39,360 --> 00:52:41,800
Speaker 5: It's the size of a coffin. You imagine touring on

1059
00:52:41,880 --> 00:52:44,640
Speaker 5: the street with this big ass keyboard. It's like moving

1060
00:52:44,680 --> 00:52:48,440
Speaker 5: a fucking real piano. So whatever, you know that that

1061
00:52:48,600 --> 00:52:50,200
Speaker 5: was what I was able to do, and that's what

1062
00:52:50,320 --> 00:52:53,880
Speaker 5: I do now. I'm able to take whatever the vibe

1063
00:52:54,000 --> 00:52:57,200
Speaker 5: is and I do everything live. So I've you know,

1064
00:52:58,480 --> 00:53:00,840
Speaker 5: hip hop is going through periods where people were sampling

1065
00:53:01,239 --> 00:53:04,080
Speaker 5: and playing live. Ship I was able to persevere through

1066
00:53:04,120 --> 00:53:06,759
Speaker 5: all of that ship because I play it live, and

1067
00:53:06,880 --> 00:53:09,239
Speaker 5: then if samples are in, I play it live in

1068
00:53:09,280 --> 00:53:11,000
Speaker 5: such a way where I make it sound like samples.

1069
00:53:12,040 --> 00:53:12,800
Speaker 1: I had dirt to it.

1070
00:53:12,880 --> 00:53:14,439
Speaker 6: I had records crackling.

1071
00:53:14,239 --> 00:53:19,040
Speaker 1: Underneath everything, filter that ship and just manipulated. Now let's

1072
00:53:19,080 --> 00:53:22,239
Speaker 1: get into that. Lean back, baby, lean back. What the

1073
00:53:22,360 --> 00:53:23,200
Speaker 1: fuck happened there?

1074
00:53:23,719 --> 00:53:27,200
Speaker 5: Raoul, our mutual friend brought Fat Joe out.

1075
00:53:27,040 --> 00:53:28,640
Speaker 6: To my crib in Western Florida.

1076
00:53:29,320 --> 00:53:32,319
Speaker 3: Okay, let's describe the people where Western Florida is.

1077
00:53:32,440 --> 00:53:36,160
Speaker 6: In the middle of fucking nowhere, because I still don't

1078
00:53:36,160 --> 00:53:36,640
Speaker 6: know where.

1079
00:53:36,440 --> 00:53:38,279
Speaker 1: Western Florida I was.

1080
00:53:38,600 --> 00:53:42,319
Speaker 7: I was trying to take western Fort La.

1081
00:53:44,360 --> 00:53:47,160
Speaker 5: Fat and it used to be the swamps, but now

1082
00:53:47,239 --> 00:53:53,000
Speaker 5: it's nice everything out there, mosquitoes and three million dollar cribs.

1083
00:53:53,080 --> 00:53:55,879
Speaker 1: And then what happened so out there? So Joe comes

1084
00:53:55,920 --> 00:53:59,640
Speaker 1: out and he describes of what he was feeling because

1085
00:53:59,640 --> 00:54:01,239
Speaker 1: he told me he beatboxed this ship too.

1086
00:54:01,280 --> 00:54:03,320
Speaker 6: You he kind of that, you just know he I

1087
00:54:03,320 --> 00:54:04,279
Speaker 6: don't think he didn't know.

1088
00:54:05,400 --> 00:54:06,000
Speaker 1: But that's okay.

1089
00:54:06,280 --> 00:54:08,719
Speaker 5: But there's a whole other story about a girl named Beatbox.

1090
00:54:09,160 --> 00:54:11,840
Speaker 5: The girl has to do with a terror squad Trizzy.

1091
00:54:12,200 --> 00:54:13,920
Speaker 1: But that's a whole other thing. That's a whole other

1092
00:54:14,080 --> 00:54:16,080
Speaker 1: story from your I don't want to get into that,

1093
00:54:16,320 --> 00:54:19,520
Speaker 1: like let's let's go there, but around the corner from that, well,

1094
00:54:20,160 --> 00:54:21,080
Speaker 1: you know it's real.

1095
00:54:22,280 --> 00:54:25,160
Speaker 5: So he described what he wanted, and fifteen minutes later

1096
00:54:25,719 --> 00:54:30,960
Speaker 5: he had lean Back, and then he said, Scott, I

1097
00:54:31,080 --> 00:54:31,720
Speaker 5: need an intro.

1098
00:54:32,560 --> 00:54:34,000
Speaker 6: I need some real hard ship.

1099
00:54:34,360 --> 00:54:39,640
Speaker 5: So I said, don't know, and it just happened, and boom,

1100
00:54:39,719 --> 00:54:41,000
Speaker 5: they thought I was a musical genius.

1101
00:54:41,000 --> 00:54:42,680
Speaker 6: I just got lucky that day.

1102
00:54:42,719 --> 00:54:46,200
Speaker 1: It was like, definitely, you did say that again. Again,

1103
00:54:46,400 --> 00:54:48,920
Speaker 1: you did say that again. Your life, Scott's thought is

1104
00:54:49,000 --> 00:54:50,000
Speaker 1: a musical beloky.

1105
00:54:50,040 --> 00:54:50,319
Speaker 2: A lot of.

1106
00:54:53,320 --> 00:54:54,440
Speaker 1: I just remembered from.

1107
00:54:56,040 --> 00:55:00,760
Speaker 5: In two thousand and five that went the mt Music Awards,

1108
00:55:00,800 --> 00:55:02,960
Speaker 5: one of the Scott Storch moments that was just into

1109
00:55:03,000 --> 00:55:07,480
Speaker 5: the ship. In two thousand and five, the MTV Music

1110
00:55:07,560 --> 00:55:15,040
Speaker 5: Awards was in Miami, and I had very present McLaren slr.

1111
00:55:15,480 --> 00:55:18,440
Speaker 5: Join the wings that go up, and so ignorantly I

1112
00:55:18,560 --> 00:55:20,719
Speaker 5: left that ship on the red carpet like and I

1113
00:55:20,840 --> 00:55:23,760
Speaker 5: walked away with the doors open. I have Paris Hilton

1114
00:55:23,840 --> 00:55:28,040
Speaker 5: on my arm, and I went and performed leaned back

1115
00:55:29,320 --> 00:55:31,920
Speaker 5: and I remember we had I looked out into the

1116
00:55:32,000 --> 00:55:35,960
Speaker 5: audience and I seen Bruce Willis leaning back, and that

1117
00:55:36,120 --> 00:55:37,680
Speaker 5: was one of the coolest ship I ever seen in.

1118
00:55:37,680 --> 00:55:42,439
Speaker 1: My That's make and I know Joe. That's that Joe

1119
00:55:42,920 --> 00:55:46,000
Speaker 1: Bruce Willis and say lean back. But Paris, that's the

1120
00:55:46,080 --> 00:55:51,480
Speaker 1: first person to introduced the cocaine. Is that chasing Los Angeles?

1121
00:55:51,560 --> 00:55:55,440
Speaker 1: Didn't I heard the man I introduced myself. I'm like, man,

1122
00:55:55,520 --> 00:55:57,239
Speaker 1: people always point the finger at everybody else.

1123
00:55:57,440 --> 00:55:59,960
Speaker 6: I put that ship in my nose, girl putting them

1124
00:56:00,040 --> 00:56:01,040
Speaker 6: another girl out though.

1125
00:56:01,520 --> 00:56:04,279
Speaker 1: Listen, I'm gonna be honest. You had that gang of fun.

1126
00:56:04,360 --> 00:56:07,120
Speaker 1: Though I'm from the hood. I'm from the hood. Every

1127
00:56:07,680 --> 00:56:11,280
Speaker 1: person that ever went there, it's a girl.

1128
00:56:12,600 --> 00:56:12,880
Speaker 6: You know what.

1129
00:56:13,000 --> 00:56:15,960
Speaker 5: The combination of cocaine and pussy is a motherfucker.

1130
00:56:16,120 --> 00:56:18,839
Speaker 1: It's a futherfucker. That's the first one.

1131
00:56:18,960 --> 00:56:19,400
Speaker 6: This guy.

1132
00:56:22,080 --> 00:56:24,440
Speaker 1: Just want I think I remember that ship. No, I

1133
00:56:24,520 --> 00:56:30,759
Speaker 1: heard it was Lindsay. Wasn't Lindsay Style parents, Lindro This

1134
00:56:30,840 --> 00:56:31,480
Speaker 1: guy is my man.

1135
00:56:31,520 --> 00:56:36,000
Speaker 5: You don't give a you know, not to sound corny

1136
00:56:36,080 --> 00:56:38,560
Speaker 5: or square or nothing, but for real, I'm having more

1137
00:56:38,600 --> 00:56:39,239
Speaker 5: fun right now.

1138
00:56:39,960 --> 00:56:40,759
Speaker 6: And I smoked so.

1139
00:56:40,840 --> 00:56:43,520
Speaker 1: Much weed and make so much music, and I hang

1140
00:56:43,560 --> 00:56:44,480
Speaker 1: out with my girl every.

1141
00:56:44,400 --> 00:56:45,200
Speaker 6: Night and we bug out.

1142
00:56:45,280 --> 00:56:46,000
Speaker 1: Big up your girl.

1143
00:56:46,160 --> 00:56:47,840
Speaker 6: No, she's the ship. She got me off of the

1144
00:56:48,000 --> 00:56:49,479
Speaker 6: fucking bullshit that ship.

1145
00:56:49,560 --> 00:56:53,120
Speaker 1: Ship, But that's all the fun. That ship. Let's talk

1146
00:56:53,120 --> 00:56:56,239
Speaker 1: about using that's more fun. It's a little bit more fun.

1147
00:56:56,640 --> 00:57:01,160
Speaker 1: So But but but Lindsay hope before I heard that

1148
00:57:01,480 --> 00:57:07,040
Speaker 1: what I've read it in a magazine. Ship and listen,

1149
00:57:07,080 --> 00:57:10,200
Speaker 1: why do you bring up all these girls? They famous?

1150
00:57:10,360 --> 00:57:12,200
Speaker 6: No, but I'm saying they like, I don't.

1151
00:57:12,400 --> 00:57:15,239
Speaker 1: I know you've been with Jamika, But I ain't gonna

1152
00:57:15,239 --> 00:57:17,560
Speaker 1: bring that up because she, remember, Jamika is way more

1153
00:57:17,640 --> 00:57:22,400
Speaker 1: fun constantly, but not to any day, not to a listener,

1154
00:57:22,440 --> 00:57:26,959
Speaker 1: because Scott starting ship, you gonna not this picture.

1155
00:57:27,040 --> 00:57:28,920
Speaker 5: Let me ask a question, would you walk with all

1156
00:57:28,960 --> 00:57:31,720
Speaker 5: these anglist girls on your yacht or would you want

1157
00:57:31,920 --> 00:57:35,200
Speaker 5: ten bad South American mommies with fucking fat ass.

1158
00:57:35,400 --> 00:57:37,800
Speaker 1: Now I'm a boring nigga, Scott. I go to costcos

1159
00:57:39,920 --> 00:57:40,880
Speaker 1: I'm just painting a picture.

1160
00:57:42,160 --> 00:57:46,400
Speaker 3: You want to listen, I'm going to cost We'll keep

1161
00:57:46,440 --> 00:57:49,840
Speaker 3: it real costco ship though, like yo, you know what,

1162
00:57:50,120 --> 00:57:53,800
Speaker 3: it's crazy, I'm tak yo. Listen, Scott, you hang out

1163
00:57:53,840 --> 00:57:56,400
Speaker 3: with me, you never hang out with me again in Miami.

1164
00:57:56,560 --> 00:57:58,920
Speaker 3: Like listen, like like if I go with you the club,

1165
00:57:59,160 --> 00:58:00,760
Speaker 3: you'll be the figure of the almost awesome.

1166
00:58:00,760 --> 00:58:02,200
Speaker 5: I've been through a lot of ship with us, dude,

1167
00:58:02,240 --> 00:58:05,040
Speaker 5: right in the daytime, I can I ask you a question?

1168
00:58:05,520 --> 00:58:07,840
Speaker 1: Do you remember being a fugitive at my house? Yes?

1169
00:58:08,000 --> 00:58:15,240
Speaker 1: I do? Harve give me high, Scot give me yes.

1170
00:58:15,760 --> 00:58:17,000
Speaker 7: Yes. And you know what now?

1171
00:58:17,160 --> 00:58:21,520
Speaker 1: I go to Costcos every day? Yeahsco.

1172
00:58:21,720 --> 00:58:26,520
Speaker 3: If there's time consoles, I don't want to buy wine

1173
00:58:27,200 --> 00:58:28,520
Speaker 3: for one bottle.

1174
00:58:28,960 --> 00:58:32,240
Speaker 1: I want to buy eighteen? Did I say that alloud?

1175
00:58:32,480 --> 00:58:35,120
Speaker 1: Like maybe eight maybe take a couple of trips.

1176
00:58:35,360 --> 00:58:39,520
Speaker 3: Yeah, So I buy, I buy Mad bottles, I bouy

1177
00:58:39,600 --> 00:58:43,120
Speaker 3: Mad Bottles and I go to Costcos all day. So

1178
00:58:43,720 --> 00:58:49,120
Speaker 3: Steve LaBelle, yes, sir boom thought I'm boring. No no, no,

1179
00:58:49,200 --> 00:58:52,440
Speaker 3: no no no, he's not cocaine story too. That's why

1180
00:58:52,480 --> 00:58:55,120
Speaker 3: you stop getting never life, that's why you're start getting high.

1181
00:58:55,160 --> 00:58:57,080
Speaker 1: Let's keep it. Only God could judge, But can I

1182
00:58:57,120 --> 00:58:58,560
Speaker 1: say something about Steve Labell? Uh huh.

1183
00:58:59,320 --> 00:59:00,480
Speaker 6: I'm living rate right.

1184
00:59:00,440 --> 00:59:03,120
Speaker 5: Now because I got this motherfucking management and I'm just

1185
00:59:03,200 --> 00:59:04,800
Speaker 5: talking about financially and that's great.

1186
00:59:05,240 --> 00:59:07,160
Speaker 1: But I'm just saying like I'm living a good life.

1187
00:59:07,960 --> 00:59:10,000
Speaker 5: I look forward to every day I get a text like, Yo,

1188
00:59:10,080 --> 00:59:12,440
Speaker 5: this motherfucker is gonna show up and he put it

1189
00:59:12,480 --> 00:59:14,920
Speaker 5: out the woodwork for him from Queens, but we kill

1190
00:59:15,000 --> 00:59:16,360
Speaker 5: it every time we're.

1191
00:59:16,240 --> 00:59:19,680
Speaker 7: Working for real. He got to be doing I'm like,

1192
00:59:20,760 --> 00:59:22,760
Speaker 7: he's doing ship that he wouldn't do because the game

1193
00:59:22,800 --> 00:59:25,880
Speaker 7: has changed so much and it's different from back when

1194
00:59:25,920 --> 00:59:28,120
Speaker 7: he was doing a lot of stuff. So now we're

1195
00:59:28,120 --> 00:59:31,120
Speaker 7: living in a Spotify world, digital world. So we new

1196
00:59:31,240 --> 00:59:33,280
Speaker 7: artists getting signed. It's hard to keep up, but you

1197
00:59:33,360 --> 00:59:34,800
Speaker 7: got to go with your gut in your ear and

1198
00:59:35,280 --> 00:59:36,920
Speaker 7: you know, we lead as we're not followers, so we

1199
00:59:37,000 --> 00:59:39,120
Speaker 7: can go in with a lot of people. But sometimes

1200
00:59:39,120 --> 00:59:41,560
Speaker 7: it's good to break some new artists that are about

1201
00:59:41,600 --> 00:59:43,520
Speaker 7: to break. That kid pm B Rocks going in with

1202
00:59:43,600 --> 00:59:47,280
Speaker 7: a big PNB that's my nick. And then Thursday Scott's

1203
00:59:47,280 --> 00:59:50,400
Speaker 7: going to a boogie with the hoodie from the that's

1204
00:59:50,440 --> 00:59:51,960
Speaker 7: the throwing some stuff to Davies.

1205
00:59:52,080 --> 00:59:56,520
Speaker 1: We throw, Yeah, so we throwing stuff to new album.

1206
01:00:00,120 --> 01:00:01,640
Speaker 3: What are we getting in the studio and I try

1207
01:00:01,680 --> 01:00:04,920
Speaker 3: to that James working out, so Jay Scott want to

1208
01:00:04,920 --> 01:00:05,320
Speaker 3: work with you.

1209
01:00:05,400 --> 01:00:08,880
Speaker 1: Jay Z got to get this drum and we're gonna

1210
01:00:08,880 --> 01:00:11,640
Speaker 1: do a do something.

1211
01:00:12,160 --> 01:00:13,480
Speaker 7: Now, you know we're throwing things.

1212
01:00:13,320 --> 01:00:16,440
Speaker 1: Out You can't just say that you're very point. We're

1213
01:00:16,440 --> 01:00:17,480
Speaker 1: throwing a very point.

1214
01:00:17,680 --> 01:00:18,800
Speaker 7: We're throwing things out there.

1215
01:00:18,960 --> 01:00:19,760
Speaker 3: It's Eminem.

1216
01:00:20,280 --> 01:00:21,959
Speaker 1: Are we officially saying that on drinks?

1217
01:00:22,200 --> 01:00:24,680
Speaker 7: I'm just saying we think Eminem is back in the studio.

1218
01:00:24,760 --> 01:00:25,080
Speaker 1: I don't know.

1219
01:00:25,520 --> 01:00:27,200
Speaker 3: Let's make some noise for I spread in the room

1220
01:00:27,320 --> 01:00:31,000
Speaker 3: up everything when we start, we don't do.

1221
01:00:32,920 --> 01:00:33,480
Speaker 7: Is going to be there.

1222
01:00:35,360 --> 01:00:37,280
Speaker 1: Scott is making the be Let's make.

1223
01:00:40,280 --> 01:00:40,440
Speaker 8: Right.

1224
01:00:40,600 --> 01:00:42,520
Speaker 7: We're about to work with We're working with everybody and

1225
01:00:42,920 --> 01:00:43,320
Speaker 7: both of you.

1226
01:00:43,400 --> 01:00:46,040
Speaker 3: Guys, both of you guys and my family. I'm gonna

1227
01:00:46,040 --> 01:00:49,080
Speaker 3: just be honest and I'm I'm so happy that you

1228
01:00:49,160 --> 01:00:52,360
Speaker 3: guys came to let me bug out with you guys.

1229
01:00:52,880 --> 01:00:56,160
Speaker 3: But you got information about Eminem being back in the studio.

1230
01:00:56,480 --> 01:00:58,520
Speaker 7: Everybody's back in the studio. Jay Z is back in

1231
01:00:58,560 --> 01:01:02,120
Speaker 7: the studio. Everybody heard, and people want substance and people

1232
01:01:02,160 --> 01:01:02,920
Speaker 7: want real music.

1233
01:01:03,040 --> 01:01:06,200
Speaker 3: So did you hit the try because the try out?

1234
01:01:06,800 --> 01:01:08,680
Speaker 3: Did they hit number one? Because I know they the

1235
01:01:08,880 --> 01:01:13,840
Speaker 3: numbers is great. Hopefully Daylight Soul hit number one you

1236
01:01:13,920 --> 01:01:16,439
Speaker 3: know people that do you feel like it's coming back?

1237
01:01:17,960 --> 01:01:19,680
Speaker 1: It is? You think it is?

1238
01:01:19,720 --> 01:01:22,000
Speaker 5: Scout, Yeah, and you know what, I'm on their heels

1239
01:01:22,080 --> 01:01:23,240
Speaker 5: all these young producers.

1240
01:01:25,320 --> 01:01:27,479
Speaker 3: He's working with Metro Boom and he's working with Murder Beachs.

1241
01:01:27,560 --> 01:01:29,400
Speaker 3: We collab with a lot of people. Can't give us

1242
01:01:29,480 --> 01:01:30,800
Speaker 3: something on that Carter five.

1243
01:01:32,840 --> 01:01:33,800
Speaker 6: You're gonna see some ship.

1244
01:01:34,200 --> 01:01:37,000
Speaker 1: It's crazy. Yeah, I like this picture. I just looked

1245
01:01:37,040 --> 01:01:38,720
Speaker 1: at the I like that.

1246
01:01:39,760 --> 01:01:41,520
Speaker 6: I love working with people that are hungry too.

1247
01:01:42,080 --> 01:01:44,600
Speaker 1: Now you know you don't one thing about you, Scott is.

1248
01:01:46,880 --> 01:01:50,960
Speaker 3: I always tell people, I say, if the producers send

1249
01:01:51,000 --> 01:01:53,720
Speaker 3: you to beat, I don't think you're working with them.

1250
01:01:54,720 --> 01:01:57,760
Speaker 1: And you've always been the guy that come over here,

1251
01:01:59,240 --> 01:02:00,360
Speaker 1: come five with me.

1252
01:02:00,720 --> 01:02:01,919
Speaker 6: That's the only way it gets done.

1253
01:02:02,040 --> 01:02:02,200
Speaker 3: Man.

1254
01:02:02,520 --> 01:02:04,880
Speaker 1: You gotta vibe oal, you gotta make that's at the

1255
01:02:04,960 --> 01:02:07,240
Speaker 1: end of the day. It's really But can you agree

1256
01:02:07,240 --> 01:02:07,440
Speaker 1: with me.

1257
01:02:07,960 --> 01:02:11,600
Speaker 3: That's the reason why music died is because everybody got

1258
01:02:11,760 --> 01:02:15,080
Speaker 3: rich and everybody said i'll see you the JIT and

1259
01:02:15,160 --> 01:02:18,480
Speaker 3: you've seen this ship and nobody got back together. Like

1260
01:02:18,600 --> 01:02:20,960
Speaker 3: think about it and at a certain time and day

1261
01:02:21,000 --> 01:02:23,640
Speaker 3: and I don't want to put it, but when we

1262
01:02:23,760 --> 01:02:25,200
Speaker 3: all got to the studio together.

1263
01:02:25,360 --> 01:02:28,840
Speaker 1: There was no wack. There was no wack. Right, there's

1264
01:02:28,840 --> 01:02:30,200
Speaker 1: no but you were in the studio.

1265
01:02:30,200 --> 01:02:32,160
Speaker 7: It wasn't like, oh, send it to my email and

1266
01:02:32,240 --> 01:02:34,120
Speaker 7: you don't even know who you're collaborating with, just because

1267
01:02:34,160 --> 01:02:36,360
Speaker 7: someone's hid at the moment. That's what's sucking up the

1268
01:02:36,440 --> 01:02:39,640
Speaker 7: music industry. So on the business side, and the game

1269
01:02:39,760 --> 01:02:42,240
Speaker 7: is twisted, and I feel like nineties is back and

1270
01:02:42,320 --> 01:02:45,400
Speaker 7: people want substance and real music. You know, both dogs

1271
01:02:45,440 --> 01:02:47,080
Speaker 7: work on a new album. But the end of the day,

1272
01:02:47,640 --> 01:02:49,280
Speaker 7: you know, at the end of the day, like there's

1273
01:02:49,320 --> 01:02:51,320
Speaker 7: a lot of great talented alltists out here and the

1274
01:02:51,360 --> 01:02:53,440
Speaker 7: Internet is a gift and the curse, but we got

1275
01:02:53,560 --> 01:02:53,919
Speaker 7: to use.

1276
01:02:53,800 --> 01:02:54,760
Speaker 1: It for advantage.

1277
01:02:55,360 --> 01:02:57,720
Speaker 7: And I always say to the younger generation out there,

1278
01:02:57,800 --> 01:03:00,480
Speaker 7: learned the business side, like do you know about publishing?

1279
01:03:00,560 --> 01:03:02,960
Speaker 7: You know asscat being mind, you know by ancillary? Do

1280
01:03:03,000 --> 01:03:06,160
Speaker 7: you know about anything about tarring? But the new generation

1281
01:03:06,280 --> 01:03:08,320
Speaker 7: they want to do it to be cool, do it

1282
01:03:08,440 --> 01:03:10,720
Speaker 7: to like make history, you know, because money come and

1283
01:03:10,760 --> 01:03:13,400
Speaker 7: go with history stage. So I don't know, We're just

1284
01:03:13,600 --> 01:03:15,760
Speaker 7: working with everybody. And Scott trusted me to bring a

1285
01:03:15,800 --> 01:03:17,919
Speaker 7: new generation in to work with them and if Scott

1286
01:03:18,000 --> 01:03:20,919
Speaker 7: breaks the new generation, Scott Storch is still Scott Storch,

1287
01:03:21,000 --> 01:03:21,720
Speaker 7: which he never left.

1288
01:03:23,040 --> 01:03:24,800
Speaker 1: I looked at that, man, I don't know if you

1289
01:03:25,320 --> 01:03:27,480
Speaker 1: I'm a lust joy with that. Yeah, but that's all

1290
01:03:27,520 --> 01:03:29,640
Speaker 1: you can do, is you know?

1291
01:03:30,320 --> 01:03:34,360
Speaker 7: I feel like loyalty and the integrity and principles of

1292
01:03:34,440 --> 01:03:38,200
Speaker 7: Marls are throwing out the game right now, and yeah,

1293
01:03:38,200 --> 01:03:40,440
Speaker 7: I don't know how to do it's.

1294
01:03:41,440 --> 01:03:43,160
Speaker 1: It's come over there. You ain't got nothing to do

1295
01:03:43,200 --> 01:03:46,440
Speaker 1: with d ship. Come on the side podcast, by the way,

1296
01:03:50,840 --> 01:03:51,400
Speaker 1: let me get some of that.

1297
01:03:51,480 --> 01:03:53,680
Speaker 7: Let's make it toast my man, Reverend Run's birthday today,

1298
01:03:54,160 --> 01:03:55,720
Speaker 7: birthday coming up, Scott's birthday.

1299
01:03:56,720 --> 01:03:58,920
Speaker 1: This is how you know, been in France for a

1300
01:03:59,000 --> 01:03:59,880
Speaker 1: long time. Look at that.

1301
01:04:00,480 --> 01:04:01,080
Speaker 7: Uh huh's good.

1302
01:04:01,280 --> 01:04:04,480
Speaker 1: Just look Lott, love the little nig a little more

1303
01:04:04,520 --> 01:04:06,840
Speaker 1: mouse severing my nigga. Is that nigga still ain't gonna drink?

1304
01:04:06,880 --> 01:04:09,640
Speaker 7: No cheers to all the real ones out there to

1305
01:04:09,760 --> 01:04:10,600
Speaker 7: help the goppiness.

1306
01:04:11,080 --> 01:04:16,120
Speaker 3: Scott. Listen, you is a hard core drinker. I'm gonna

1307
01:04:16,240 --> 01:04:18,200
Speaker 3: quit on chicking another shot with you.

1308
01:04:20,960 --> 01:04:23,280
Speaker 1: No, I'm not, I'm in. I'm in. I'm like a kid.

1309
01:04:23,320 --> 01:04:25,040
Speaker 1: I can't even do it. I'm just sipping.

1310
01:04:25,320 --> 01:04:34,920
Speaker 13: I look at the size of this, so tell us

1311
01:04:34,960 --> 01:04:36,720
Speaker 13: that I want to some big punt story.

1312
01:04:36,800 --> 01:04:39,800
Speaker 7: Steve label Man rest in peace to big pun Like

1313
01:04:40,480 --> 01:04:43,760
Speaker 7: it's just crazy because he was Joe's brother, but.

1314
01:04:43,800 --> 01:04:44,280
Speaker 1: He was Joe.

1315
01:04:44,440 --> 01:04:46,160
Speaker 7: He was Joe hype Man when I met him, right

1316
01:04:46,880 --> 01:04:48,760
Speaker 7: and we would get in the van. You remember fantastic

1317
01:04:48,800 --> 01:04:50,120
Speaker 7: back in the days in Massapeka.

1318
01:04:51,760 --> 01:04:52,960
Speaker 1: What you did? Told to me like that?

1319
01:04:53,360 --> 01:04:57,600
Speaker 3: Why because I've been speaking about fantastic for the first podcast.

1320
01:04:57,720 --> 01:05:01,440
Speaker 1: Wow, yes, fantastic. Yes, that's a long out. I don't

1321
01:05:01,440 --> 01:05:03,640
Speaker 1: know what you said. You said, Max peakless people, that's

1322
01:05:03,680 --> 01:05:04,200
Speaker 1: long island.

1323
01:05:04,280 --> 01:05:06,480
Speaker 7: Yes, okay, my back and we used to go out

1324
01:05:06,520 --> 01:05:08,280
Speaker 7: there in red vans and every label used to do

1325
01:05:08,360 --> 01:05:11,400
Speaker 7: it right, and we get to Nelly.

1326
01:05:11,200 --> 01:05:11,600
Speaker 1: Put me on.

1327
01:05:11,760 --> 01:05:13,520
Speaker 3: So I wasn't even on the label because you're talking

1328
01:05:13,520 --> 01:05:16,080
Speaker 3: about ninety six. Man, that ever you're talking about right

1329
01:05:16,080 --> 01:05:17,320
Speaker 3: now is ninety six and ninety seven.

1330
01:05:17,360 --> 01:05:19,720
Speaker 7: I didn't even tea about earlier than that. Ninety three. Yeah,

1331
01:05:19,720 --> 01:05:24,040
Speaker 7: I was in jail, but shout by locked up, you know,

1332
01:05:24,400 --> 01:05:27,880
Speaker 7: no Frank is out and all that you know, and

1333
01:05:27,920 --> 01:05:32,120
Speaker 7: shout out at Connelly the show he's doing. It's crazy.

1334
01:05:32,200 --> 01:05:34,760
Speaker 7: But you know, we would go get the van, right,

1335
01:05:35,160 --> 01:05:38,160
Speaker 7: and it was me Raoul, Me and Raoul go back

1336
01:05:38,240 --> 01:05:43,680
Speaker 7: up twenty five years me Raoul flex for Flex, resting Peace, blessed,

1337
01:05:44,040 --> 01:05:46,840
Speaker 7: crazy thing but a great man, canting rat it all.

1338
01:05:46,840 --> 01:05:48,800
Speaker 7: I know you're gonna rat it all. And then Joe

1339
01:05:48,880 --> 01:05:50,880
Speaker 7: and Pun and we were getting that fantastic van and

1340
01:05:51,000 --> 01:05:54,520
Speaker 7: Joe would not fly back then he would not fly.

1341
01:05:54,720 --> 01:05:55,760
Speaker 1: The one was the flyer.

1342
01:05:55,920 --> 01:05:57,959
Speaker 7: Yeah, but Pun was just a hype man. He wasn't

1343
01:05:58,000 --> 01:06:00,640
Speaker 7: Pun at the time. Once Pun up, he was first

1344
01:06:00,680 --> 01:06:03,880
Speaker 7: class every day. Joe still vanning it. Two first classes.

1345
01:06:03,920 --> 01:06:05,880
Speaker 7: And we went to do Mixo Powell Summit rest in

1346
01:06:05,880 --> 01:06:08,280
Speaker 7: Peace to Justo and Bahamas and there's a picture of

1347
01:06:08,320 --> 01:06:10,360
Speaker 7: me and Cam and Pun. I threw up the other

1348
01:06:10,440 --> 01:06:13,680
Speaker 7: day and Joe took a boat there and we flew there.

1349
01:06:14,080 --> 01:06:16,400
Speaker 7: But anyway, so Pun used to be Joe's hypeman with

1350
01:06:16,480 --> 01:06:17,600
Speaker 7: a drive around because.

1351
01:06:21,080 --> 01:06:21,400
Speaker 1: Call it.

1352
01:06:22,160 --> 01:06:26,480
Speaker 7: You would drive to Chicago, Cleveland, Detroit when retail stores existed,

1353
01:06:26,520 --> 01:06:29,280
Speaker 7: like George's Music Room and all that stuff and radio

1354
01:06:29,800 --> 01:06:33,360
Speaker 7: and Mick George Chicago. Yeah, but we just go to Chicago, Detroit,

1355
01:06:33,480 --> 01:06:40,800
Speaker 7: Cleveland exactly. So many facts, there's so many independent retail stores.

1356
01:06:40,840 --> 01:06:42,720
Speaker 7: Back then you go and put up pop and bree

1357
01:06:42,800 --> 01:06:49,000
Speaker 7: shirts and doing stores give cassette samplers nothing and do raided.

1358
01:06:49,080 --> 01:06:50,840
Speaker 7: And we had Vinyl to go in the stations, and

1359
01:06:50,960 --> 01:06:53,200
Speaker 7: Joe and Pun with Joe's hype man and I used

1360
01:06:53,240 --> 01:06:55,800
Speaker 7: to have the old Motorolla flip right from the label.

1361
01:06:55,840 --> 01:06:57,280
Speaker 7: But they didn't want us to spend no money and

1362
01:06:57,320 --> 01:07:00,720
Speaker 7: have forty dollars a day per diem and for us, Yeah,

1363
01:07:00,800 --> 01:07:03,600
Speaker 7: two fat guys. And I had those hit phones, remember

1364
01:07:03,640 --> 01:07:04,960
Speaker 7: back in the days when the dudes used to stand

1365
01:07:04,960 --> 01:07:06,760
Speaker 7: on that long expresswake take numbers.

1366
01:07:06,560 --> 01:07:07,160
Speaker 1: And hit the phones.

1367
01:07:07,560 --> 01:07:09,919
Speaker 7: So I had to throw away phone and on the road.

1368
01:07:10,320 --> 01:07:12,520
Speaker 7: And punk Man, he used to always want to use

1369
01:07:12,560 --> 01:07:14,080
Speaker 7: my phone, and we would all get him like, punt,

1370
01:07:14,080 --> 01:07:15,880
Speaker 7: I gotta call radio, I gotta call retail, I got

1371
01:07:15,960 --> 01:07:17,640
Speaker 7: to do all this stuff. He's like, still, I just

1372
01:07:17,680 --> 01:07:19,160
Speaker 7: want to call my family and my kids. So I

1373
01:07:19,240 --> 01:07:22,320
Speaker 7: love to use my phone. And he would just always

1374
01:07:22,400 --> 01:07:24,600
Speaker 7: call his kids and sit on that phone and say

1375
01:07:24,640 --> 01:07:26,400
Speaker 7: how much he loved him. And that's why when he

1376
01:07:26,480 --> 01:07:28,000
Speaker 7: passed and all that stuff in the media said he

1377
01:07:28,000 --> 01:07:31,240
Speaker 7: didn't take care of his family. Yeah, So anyway, at

1378
01:07:31,240 --> 01:07:33,280
Speaker 7: the end, of the day. You know, he was Joe's

1379
01:07:33,320 --> 01:07:35,880
Speaker 7: hype man and next thing, you know, blew up and

1380
01:07:35,960 --> 01:07:37,680
Speaker 7: then he was just off to the races man and

1381
01:07:38,200 --> 01:07:40,200
Speaker 7: one of the biggest Latino artists ever. And rest in

1382
01:07:40,240 --> 01:07:40,959
Speaker 7: peace to my brother.

1383
01:07:41,640 --> 01:07:45,560
Speaker 1: And I don't know, I just at Cuba Link Triple Sace.

1384
01:07:45,360 --> 01:07:50,920
Speaker 7: Onmageddon back in those days, you know came then you know,

1385
01:07:51,480 --> 01:07:53,200
Speaker 7: like I said, man, I've been around a lot of

1386
01:07:53,280 --> 01:07:54,280
Speaker 7: dudes in this game and I.

1387
01:07:56,400 --> 01:08:01,680
Speaker 1: And I'm from the original Terror score to let me

1388
01:08:01,800 --> 01:08:04,240
Speaker 1: just give you a story. It's my nigga twin.

1389
01:08:05,600 --> 01:08:07,080
Speaker 7: He went to Vegas with twenty and lost.

1390
01:08:07,280 --> 01:08:11,440
Speaker 3: He went to Vegas with eighty dollars and came back

1391
01:08:11,520 --> 01:08:14,120
Speaker 3: with twenty. Right, you like that story?

1392
01:08:14,200 --> 01:08:14,320
Speaker 6: Right?

1393
01:08:14,440 --> 01:08:15,160
Speaker 1: Just say you like this?

1394
01:08:15,240 --> 01:08:19,240
Speaker 12: Sorry, say yeah, I love it. We have a better

1395
01:08:19,360 --> 01:08:26,040
Speaker 12: story tonight, tonight. Twin is Twin is my little guy.

1396
01:08:26,160 --> 01:08:28,240
Speaker 3: Right, He's the reason why I want to get to heaven,

1397
01:08:29,439 --> 01:08:32,439
Speaker 3: because they said, in order to get to heaven, you

1398
01:08:32,560 --> 01:08:35,360
Speaker 3: gotta do things for people that can never do things

1399
01:08:35,400 --> 01:08:36,000
Speaker 3: for you back.

1400
01:08:37,360 --> 01:08:39,519
Speaker 1: And that's my God I love.

1401
01:08:40,000 --> 01:08:41,920
Speaker 3: Even if he can be able to do something for

1402
01:08:42,080 --> 01:08:45,120
Speaker 3: me back, I'm never going to take it, because that's

1403
01:08:45,240 --> 01:08:45,679
Speaker 3: my guy.

1404
01:08:45,920 --> 01:08:46,800
Speaker 1: That's my little guy.

1405
01:08:46,920 --> 01:08:48,000
Speaker 7: Like I love at a lot of that.

1406
01:08:48,080 --> 01:08:51,320
Speaker 1: That's what real ones do, though, you know. So Twin

1407
01:08:53,040 --> 01:08:58,439
Speaker 1: goes to the airport this morning, shape bear. He hit me,

1408
01:08:58,640 --> 01:09:01,920
Speaker 1: I am early because I'm early because you know I

1409
01:09:05,560 --> 01:09:06,800
Speaker 1: I used to be in jail.

1410
01:09:08,439 --> 01:09:11,760
Speaker 3: And I got kids. With that combination together, I can't

1411
01:09:11,840 --> 01:09:15,200
Speaker 3: wake up after six thirty, right, so I wake up.

1412
01:09:15,240 --> 01:09:18,599
Speaker 3: I just hit my little nigga, nigga Sonny. Sonny never

1413
01:09:18,680 --> 01:09:20,840
Speaker 3: been in calleen his life.

1414
01:09:21,000 --> 01:09:23,719
Speaker 1: So Sonny, Sonny hit me four thirty in the morning.

1415
01:09:23,840 --> 01:09:29,240
Speaker 1: What's up, Nigga'm gonna come down. We're talking about flags eleven. Relax.

1416
01:09:32,520 --> 01:09:39,479
Speaker 1: So I hate my nigga. Sonny says he's coming over Earlier.

1417
01:09:39,520 --> 01:09:43,679
Speaker 1: I said, yo, listen, Twin is coming Sonny. Here's Twin.

1418
01:09:43,880 --> 01:09:48,840
Speaker 1: I've gotta go upstairs and shower. Sonny is Twin, he says, Man, Twin,

1419
01:09:48,880 --> 01:09:49,479
Speaker 1: where you at?

1420
01:09:52,439 --> 01:09:59,479
Speaker 3: Barny said, what are you talking about?

1421
01:10:00,160 --> 01:10:07,599
Speaker 1: He's like my sister counsel, my fight? Is this true?

1422
01:10:07,720 --> 01:10:08,120
Speaker 7: Whatever?

1423
01:10:10,560 --> 01:10:11,519
Speaker 1: Come on? Come on?

1424
01:10:16,320 --> 01:10:16,760
Speaker 6: You want to?

1425
01:10:17,040 --> 01:10:23,479
Speaker 1: You want to? Your sister was keep it back because

1426
01:10:23,520 --> 01:10:25,479
Speaker 1: you know, I tell I give it all out flight.

1427
01:10:26,000 --> 01:10:30,639
Speaker 1: She bought it. You canceled your sister was my sister.

1428
01:10:30,720 --> 01:10:32,720
Speaker 9: My pause, Look, I bought the flight. You know what

1429
01:10:32,760 --> 01:10:35,320
Speaker 9: I'm saying, I'm negative in the bank. So I gave

1430
01:10:35,400 --> 01:10:37,200
Speaker 9: her the money, so to the car.

1431
01:10:37,960 --> 01:10:38,280
Speaker 1: Pause.

1432
01:10:38,960 --> 01:10:41,200
Speaker 9: But then she can't somewhere. I went to the you know,

1433
01:10:41,280 --> 01:10:43,360
Speaker 9: the common to get my little check in. I'm happy

1434
01:10:43,360 --> 01:10:44,160
Speaker 9: as I'm going to.

1435
01:10:44,479 --> 01:10:47,960
Speaker 1: You told us your sisters fucking niggas. And then you know,

1436
01:10:48,080 --> 01:10:49,519
Speaker 1: the lady told me I don't have a flight. I

1437
01:10:49,600 --> 01:10:50,360
Speaker 1: was like, what you mean him?

1438
01:10:50,360 --> 01:10:51,840
Speaker 9: I have a flight and she's like, oh yeah, your

1439
01:10:51,880 --> 01:10:55,439
Speaker 9: mom called and canceled your flight. It's like, oh, I

1440
01:10:55,600 --> 01:10:57,360
Speaker 9: text my sister and I was like, oh you had

1441
01:10:57,400 --> 01:11:01,600
Speaker 9: a good laugh. She she said to call one of

1442
01:11:01,680 --> 01:11:03,040
Speaker 9: my rich reds to book one fight.

1443
01:11:03,200 --> 01:11:04,960
Speaker 1: And I was like, bitch, you better give your money.

1444
01:11:05,040 --> 01:11:09,040
Speaker 1: Asks me. Nor got just like, listen, this is what happened.

1445
01:11:10,120 --> 01:11:11,679
Speaker 1: So this is booking FLA.

1446
01:11:13,360 --> 01:11:16,719
Speaker 3: Twen is my little man. But the sister's sucking the homies.

1447
01:11:17,800 --> 01:11:23,160
Speaker 3: It's okay, we understand it happens. Big of your sister

1448
01:11:23,240 --> 01:11:23,880
Speaker 3: fucking the homies.

1449
01:11:24,080 --> 01:11:35,160
Speaker 1: Listen, boyle, hope for text me to beef on my

1450
01:11:35,280 --> 01:11:36,960
Speaker 1: homies because she's beefing with them.

1451
01:11:37,240 --> 01:11:39,600
Speaker 9: I told her I'm a sexual leadership with him, and

1452
01:11:39,720 --> 01:11:40,280
Speaker 9: these are my and.

1453
01:11:40,439 --> 01:11:41,400
Speaker 1: Have a brother that you.

1454
01:11:44,600 --> 01:11:51,720
Speaker 14: Yes, my friends saying like was like she want want

1455
01:11:51,720 --> 01:11:54,320
Speaker 14: to snitch all my friends. Like I'm gonna snitching on

1456
01:11:54,400 --> 01:11:55,120
Speaker 14: my nigga.

1457
01:11:54,920 --> 01:11:58,479
Speaker 1: Couse, you're breaking the ga code, right, you're breaking Americ code. Alright,

1458
01:11:58,600 --> 01:12:02,120
Speaker 1: snitching brother. You know what I'm saying, don't stairs smash it.

1459
01:12:04,360 --> 01:12:09,000
Speaker 1: I don't know, I say, but I got never really

1460
01:12:09,200 --> 01:12:13,360
Speaker 1: doing that ship. So she catching my flight. So he

1461
01:12:13,560 --> 01:12:17,040
Speaker 1: go to the airport and he check in. You know,

1462
01:12:17,200 --> 01:12:19,080
Speaker 1: you check in, you put your put your ship on

1463
01:12:19,160 --> 01:12:23,840
Speaker 1: the day and they be weighing your ship. I don't

1464
01:12:23,920 --> 01:12:26,720
Speaker 1: check they weighing ship. They weighing ship.

1465
01:12:28,960 --> 01:12:30,240
Speaker 7: Was it over forty seven pounds?

1466
01:12:30,320 --> 01:12:32,960
Speaker 3: So I don't know, but I know it was over

1467
01:12:33,360 --> 01:12:37,280
Speaker 3: none to seven pounds and they sent them out of

1468
01:12:37,360 --> 01:12:38,160
Speaker 3: the yacht the mean.

1469
01:12:41,680 --> 01:12:43,240
Speaker 1: So now I'm oot, stay showering.

1470
01:12:43,479 --> 01:12:47,120
Speaker 3: Sonny calling me like seven times, I see two miscalls

1471
01:12:47,160 --> 01:12:47,559
Speaker 3: from twin.

1472
01:12:48,000 --> 01:12:50,720
Speaker 1: I said, damn shi it real downstairs. I don't know.

1473
01:12:51,960 --> 01:12:54,080
Speaker 3: I don't really know what I'm gonna do, but I'm

1474
01:12:54,080 --> 01:12:55,400
Speaker 3: gonna make sure I smell good.

1475
01:12:56,680 --> 01:12:59,639
Speaker 1: Grab my card. Yeah, Tom Floyd, you know what I'm saying.

1476
01:13:00,040 --> 01:13:00,719
Speaker 1: Ain't sure.

1477
01:13:02,320 --> 01:13:06,080
Speaker 3: I came downstairs and Sonny he was trying to like

1478
01:13:06,280 --> 01:13:08,960
Speaker 3: he was trying to serenade you, like in a good way.

1479
01:13:10,280 --> 01:13:13,080
Speaker 1: I don't know if serenade was the right word, but.

1480
01:13:14,880 --> 01:13:15,479
Speaker 7: In a good way.

1481
01:13:17,320 --> 01:13:21,880
Speaker 3: Wait, relax, Twins, we're going so. Bottom line is, twin

1482
01:13:22,120 --> 01:13:29,280
Speaker 3: sister told him you dad, nigga, you ain't getting or

1483
01:13:29,360 --> 01:13:32,720
Speaker 3: no flight. All I heard was when Sonny opened the door,

1484
01:13:32,800 --> 01:13:41,960
Speaker 3: he said, she's trying to my dreams. Talk about it. Man,

1485
01:13:42,360 --> 01:13:44,160
Speaker 3: don't this your sister though, we didn't want to do that.

1486
01:13:44,520 --> 01:13:48,679
Speaker 3: We don't dis women, but voice your opinion. What happened today.

1487
01:13:49,160 --> 01:13:51,800
Speaker 1: What happened was my sister cancling my flat on me

1488
01:13:51,800 --> 01:13:53,000
Speaker 1: because we had we were beefing.

1489
01:13:53,040 --> 01:13:53,639
Speaker 6: You know what I'm saying.

1490
01:13:54,280 --> 01:13:56,800
Speaker 1: This was you know this happened. We started beefing after

1491
01:13:57,000 --> 01:13:59,439
Speaker 1: the flight was moving. So she wanted to get me

1492
01:13:59,520 --> 01:14:00,519
Speaker 1: back your homies.

1493
01:14:00,760 --> 01:14:09,200
Speaker 3: Yeah, man, Scott Stout Miami blizzard, everything in Miami many

1494
01:14:09,280 --> 01:14:09,720
Speaker 3: years ago.

1495
01:14:10,320 --> 01:14:11,639
Speaker 1: She probably did.

1496
01:14:11,720 --> 01:14:18,760
Speaker 7: I don't know. I don't recall, man, you don't.

1497
01:14:18,840 --> 01:14:20,120
Speaker 6: You don't interfere with my flight.

1498
01:14:20,240 --> 01:14:26,720
Speaker 1: Man, Come on, man, you talking on the homies though, Yeah,

1499
01:14:26,920 --> 01:14:27,639
Speaker 1: that's not right.

1500
01:14:28,080 --> 01:14:30,080
Speaker 7: That's not right, because she says, I'm not Louising.

1501
01:14:30,160 --> 01:14:31,240
Speaker 1: I'm like, you're not loyal.

1502
01:14:31,360 --> 01:14:32,080
Speaker 3: What you need.

1503
01:14:34,640 --> 01:14:35,599
Speaker 1: Making me look bad?

1504
01:14:35,720 --> 01:14:35,880
Speaker 8: Man?

1505
01:14:36,080 --> 01:14:38,360
Speaker 1: What you need you're making you know.

1506
01:14:38,360 --> 01:14:42,559
Speaker 3: What I'm saying, Yo, Scott Steve, Yes, sorry, yes sir,

1507
01:14:42,920 --> 01:14:45,080
Speaker 3: it went laugh, Yes, sir, it went.

1508
01:14:45,080 --> 01:14:46,080
Speaker 7: Laugh it off.

1509
01:14:46,760 --> 01:14:48,280
Speaker 1: But you know what, that's the beautiful thing.

1510
01:14:48,840 --> 01:14:49,240
Speaker 7: I made it.

1511
01:14:49,400 --> 01:14:50,560
Speaker 6: I made it, he made it.

1512
01:14:50,920 --> 01:14:54,960
Speaker 1: This is all that's our guy. Listen. Sometimes you got

1513
01:14:55,080 --> 01:14:55,920
Speaker 1: to take care of people.

1514
01:14:56,640 --> 01:14:57,360
Speaker 7: Gotta get back.

1515
01:14:57,600 --> 01:15:02,160
Speaker 15: That's what you gotta do. Talks about that's what you got. Yeah,

1516
01:15:02,680 --> 01:15:05,519
Speaker 15: you show a little the world your first time over there.

1517
01:15:05,800 --> 01:15:11,880
Speaker 15: That's the second though, last time the story. Okay, changed life.

1518
01:15:13,040 --> 01:15:16,160
Speaker 1: You gotta change people like that. So what's so? What's

1519
01:15:17,080 --> 01:15:23,080
Speaker 1: so Scott Stories? What is next? What's going on? That's

1520
01:15:23,160 --> 01:15:23,559
Speaker 1: your artist?

1521
01:15:23,640 --> 01:15:27,080
Speaker 3: It looks like he's an artist right there with the dreads.

1522
01:15:27,160 --> 01:15:29,760
Speaker 3: For some reason, artists have to throw back fat. You

1523
01:15:29,800 --> 01:15:31,760
Speaker 3: look like your name is lul Wuzzi Bell.

1524
01:15:39,240 --> 01:15:39,800
Speaker 6: What's next?

1525
01:15:40,080 --> 01:15:41,120
Speaker 1: Yeah, what's the next with Scott?

1526
01:15:43,160 --> 01:15:45,080
Speaker 6: You know what? I have an artist? This girl Tyson

1527
01:15:45,600 --> 01:15:46,400
Speaker 6: eighteen years old.

1528
01:15:46,479 --> 01:15:49,080
Speaker 1: He's getting singer, sing.

1529
01:15:49,800 --> 01:15:50,400
Speaker 6: She's a singer.

1530
01:15:50,720 --> 01:15:54,599
Speaker 5: She's dope, working on a whole bunch of different ship

1531
01:15:54,680 --> 01:15:59,920
Speaker 5: right now. Man being a freelance producer. You know, you

1532
01:16:00,120 --> 01:16:02,519
Speaker 5: want to work on the top projects that's out, and

1533
01:16:02,560 --> 01:16:05,040
Speaker 5: you want to work on the newest ship that's out,

1534
01:16:05,120 --> 01:16:09,000
Speaker 5: and you know touch the you know the culture. And

1535
01:16:10,280 --> 01:16:13,479
Speaker 5: I guess I'm trying to like do everything right now

1536
01:16:13,720 --> 01:16:16,479
Speaker 5: and just be you know, versatile, and.

1537
01:16:16,600 --> 01:16:17,280
Speaker 6: Just be everywhere.

1538
01:16:17,520 --> 01:16:19,960
Speaker 5: Now, we heard you in Russia and all that, everywhere

1539
01:16:21,120 --> 01:16:25,120
Speaker 5: doing a movie, doing the TV show. I'm doing sound

1540
01:16:25,200 --> 01:16:27,960
Speaker 5: packs for Akai right now. I'm doing all kinds of

1541
01:16:28,680 --> 01:16:31,600
Speaker 5: doing performing live. I'm just doing stuff that you know,

1542
01:16:31,640 --> 01:16:34,560
Speaker 5: I'm hungry again, just you know, not in terms of

1543
01:16:35,240 --> 01:16:37,599
Speaker 5: the money part of it, but I just I'm feeding

1544
01:16:37,680 --> 01:16:42,680
Speaker 5: for that spot right now. And you know, like I

1545
01:16:42,800 --> 01:16:44,880
Speaker 5: only know what it is to be a number one

1546
01:16:44,960 --> 01:16:47,280
Speaker 5: on the Charge. So I'm gonna stay there. That's where

1547
01:16:47,280 --> 01:16:47,599
Speaker 5: I live.

1548
01:16:50,080 --> 01:16:51,200
Speaker 1: That was the next state.

1549
01:16:52,200 --> 01:16:55,240
Speaker 7: Shit, I'm just living life, man, you know what I mean.

1550
01:16:55,280 --> 01:16:57,080
Speaker 7: You get caught up in this game thirty years and

1551
01:16:58,120 --> 01:17:00,600
Speaker 7: you do it for the love and the passion, and

1552
01:17:00,800 --> 01:17:03,000
Speaker 7: time goes by and you see a lot of things.

1553
01:17:03,400 --> 01:17:05,240
Speaker 7: But I never got to enjoy myself when life. So

1554
01:17:05,280 --> 01:17:08,760
Speaker 7: I'm just enjoying myself. Don't what to do, and you know,

1555
01:17:08,880 --> 01:17:10,800
Speaker 7: going hard with Scott. You know, we're gonna win some

1556
01:17:10,880 --> 01:17:13,880
Speaker 7: Grammys together, and we're just gonna keep doing innovative and

1557
01:17:13,960 --> 01:17:17,920
Speaker 7: creative stuff that he's not never did you know he

1558
01:17:17,960 --> 01:17:20,560
Speaker 7: said we got a reality show going on? You know,

1559
01:17:20,800 --> 01:17:22,639
Speaker 7: just I got a bunch of stuff going on old times.

1560
01:17:22,640 --> 01:17:24,160
Speaker 7: You know, I got a consulting business. Dee a little

1561
01:17:24,160 --> 01:17:27,080
Speaker 7: about consulting. I'm doing a bunch of TV stuff, reality

1562
01:17:27,160 --> 01:17:30,519
Speaker 7: TV stuff, working on new Bone Thugs out and we're

1563
01:17:30,520 --> 01:17:32,479
Speaker 7: about to go on the Snoop Dogg Tall Puff Puff

1564
01:17:32,560 --> 01:17:35,479
Speaker 7: past two Tall, whole month of December always turning, Yeah

1565
01:17:35,520 --> 01:17:38,120
Speaker 7: with bunk Thugs. Yep, we got a booking and see

1566
01:17:39,080 --> 01:17:41,280
Speaker 7: you know the Sean Kingston stuff. Just just doing a

1567
01:17:41,320 --> 01:17:44,120
Speaker 7: bunch of stuff. Man. Like, honestly my Instagram is we

1568
01:17:44,240 --> 01:17:47,040
Speaker 7: working because all I do is work? You know you do?

1569
01:17:47,160 --> 01:17:48,840
Speaker 7: And then I got a merch line called hip hop.

1570
01:17:48,920 --> 01:17:49,360
Speaker 1: Don't know you.

1571
01:17:49,840 --> 01:17:52,440
Speaker 7: I just feel like, for like, I'm not gonna stereotype.

1572
01:17:52,680 --> 01:17:55,160
Speaker 7: I'll stereotype this situation right now. You know, you meet

1573
01:17:55,200 --> 01:17:57,080
Speaker 7: a lot of young white kids, right and I am white,

1574
01:17:58,080 --> 01:18:00,720
Speaker 7: and you know there's sixteen seventeen got their pants up

1575
01:18:00,760 --> 01:18:03,120
Speaker 7: there ass faetane half backwards saying they love hip hop

1576
01:18:03,600 --> 01:18:05,080
Speaker 7: and doing it to be cool. But they don't know

1577
01:18:05,080 --> 01:18:07,720
Speaker 7: who the Beastie boys are at third base. So hip

1578
01:18:07,720 --> 01:18:09,720
Speaker 7: hop don't know you. So you can't even conversate with

1579
01:18:09,840 --> 01:18:11,880
Speaker 7: me like learning and big shout out the MC search.

1580
01:18:11,880 --> 01:18:14,160
Speaker 1: He's in La right now. We're trying to get up practis.

1581
01:18:14,240 --> 01:18:17,800
Speaker 1: But if you're in the Midwestern, you.

1582
01:18:17,800 --> 01:18:19,880
Speaker 7: Don't know the Dayton family is or proof more twelve

1583
01:18:19,920 --> 01:18:21,120
Speaker 7: rest in piece of MC breed.

1584
01:18:21,520 --> 01:18:22,439
Speaker 1: Hip hop don't know you.

1585
01:18:22,600 --> 01:18:26,160
Speaker 7: So I learned to learn the business, learn the forefathers.

1586
01:18:26,600 --> 01:18:28,880
Speaker 7: Just learn about the culture and the lifestyles deepen and

1587
01:18:29,040 --> 01:18:32,240
Speaker 7: just Instagram and social media look cool. So I'm the

1588
01:18:32,320 --> 01:18:34,160
Speaker 7: guy that preached out. I do a lot of motivations

1589
01:18:34,240 --> 01:18:38,800
Speaker 7: speaking in jew and our hall, drug rehabs and uh

1590
01:18:39,200 --> 01:18:41,400
Speaker 7: high schools and colleges about the music business and the

1591
01:18:41,479 --> 01:18:43,120
Speaker 7: music industry. So I do a lot of stuff like that.

1592
01:18:43,360 --> 01:18:44,240
Speaker 7: I go on tour and do that.

1593
01:18:45,160 --> 01:18:46,560
Speaker 1: I don't know. I just I don't know.

1594
01:18:46,640 --> 01:18:48,160
Speaker 7: God is great man man.

1595
01:18:48,080 --> 01:18:50,200
Speaker 1: Thank you so much, Steve. But before we get up

1596
01:18:50,240 --> 01:19:02,360
Speaker 1: out of head for that was as go home relaxed

1597
01:19:03,360 --> 01:19:08,280
Speaker 1: you always do, and I.

1598
01:19:08,320 --> 01:19:11,960
Speaker 16: Thought, bogie at him now, Master Snori right right, He says,

1599
01:19:12,080 --> 01:19:14,840
Speaker 16: jam Master j story, we need, we need a jam

1600
01:19:14,920 --> 01:19:22,160
Speaker 16: Master Jason's that's my nephew, my nephew, queens let's jams

1601
01:19:22,240 --> 01:19:24,439
Speaker 16: J was the realist you know in include to run

1602
01:19:24,479 --> 01:19:25,479
Speaker 16: DMC the swag.

1603
01:19:26,000 --> 01:19:28,479
Speaker 7: One of the best DJs ever and it comes from

1604
01:19:28,520 --> 01:19:30,080
Speaker 7: one used to bring creates and stuff and a lot

1605
01:19:30,120 --> 01:19:32,599
Speaker 7: of people look up to him. But like I said, man,

1606
01:19:33,280 --> 01:19:35,320
Speaker 7: me and j did so much. Another story used to

1607
01:19:35,360 --> 01:19:37,120
Speaker 7: go to you know, the Giants games and just watch

1608
01:19:37,160 --> 01:19:40,120
Speaker 7: Pepel Johnson in front of us hours and watch the

1609
01:19:40,160 --> 01:19:42,240
Speaker 7: Giants game. Go to the next game, watch the Mark

1610
01:19:42,320 --> 01:19:45,120
Speaker 7: Jackson play, just like just cool stuff. Man, J was

1611
01:19:45,160 --> 01:19:45,920
Speaker 7: just the coolest man.

1612
01:19:45,920 --> 01:19:46,280
Speaker 1: I wish that.

1613
01:19:46,280 --> 01:19:48,639
Speaker 7: Everybody got to see him, meet him and whoever did

1614
01:19:49,560 --> 01:19:51,120
Speaker 7: you know, then they understand who is But you know,

1615
01:19:51,240 --> 01:19:53,360
Speaker 7: I don't forget where I come from. So every time

1616
01:19:53,439 --> 01:19:55,760
Speaker 7: I talk about the industry, I talk about jam Master

1617
01:19:55,880 --> 01:19:58,200
Speaker 7: Jay and Jason Mazel And that said. I know we

1618
01:19:58,200 --> 01:20:00,599
Speaker 7: ain't trying to go positive or negative, whatever you want

1619
01:20:00,640 --> 01:20:03,360
Speaker 7: to say, but I always salute jams J because he

1620
01:20:03,560 --> 01:20:05,479
Speaker 7: was the realist. To me, he is my friend.

1621
01:20:05,520 --> 01:20:07,559
Speaker 1: I think the police did a terrible job.

1622
01:20:07,520 --> 01:20:09,880
Speaker 7: Terrible job. And like I said, whoever killed him, you know,

1623
01:20:09,960 --> 01:20:12,240
Speaker 7: and there's people who do know, and they rotten hell

1624
01:20:12,280 --> 01:20:14,639
Speaker 7: and their family get fucking raped and all types of shit,

1625
01:20:14,840 --> 01:20:19,479
Speaker 7: just cremated and stabbed, just every nasty thing you can imagine,

1626
01:20:19,520 --> 01:20:23,360
Speaker 7: because man, Jay is hip hop and it's sad, you know,

1627
01:20:23,479 --> 01:20:25,960
Speaker 7: like other other accidents and other people got killed in

1628
01:20:26,000 --> 01:20:28,800
Speaker 7: the industry, you know, it was different things for that reason.

1629
01:20:28,880 --> 01:20:31,160
Speaker 7: But for j come on getting killed playing the PlayStation.

1630
01:20:31,680 --> 01:20:33,519
Speaker 7: You know, Jay was one of the realers. So I

1631
01:20:33,640 --> 01:20:37,479
Speaker 7: take it personal, and that's it. I've just been blessed

1632
01:20:37,479 --> 01:20:39,360
Speaker 7: to work with Jay and Pawn and Biggie and Pop

1633
01:20:39,760 --> 01:20:41,840
Speaker 7: and Easy, and not a lot of people could say that.

1634
01:20:41,920 --> 01:20:46,040
Speaker 7: A lot of rappers ever, Yeah, Bone squab Easy before

1635
01:20:46,280 --> 01:20:52,639
Speaker 7: forget about it, marketing businessman, crip, real one feared nobody

1636
01:20:53,200 --> 01:20:55,120
Speaker 7: and just you know, if you go, I shure that

1637
01:20:55,240 --> 01:20:58,160
Speaker 7: movie was inaccurate, you no, ninety percent, that movie was real,

1638
01:20:58,360 --> 01:21:00,759
Speaker 7: like you know, and everybody was waiting when like Sugar

1639
01:21:00,800 --> 01:21:03,280
Speaker 7: care from what I heard, Sugar never got at him

1640
01:21:03,360 --> 01:21:05,120
Speaker 7: like that. And at the end of the day, like

1641
01:21:05,200 --> 01:21:07,000
Speaker 7: come on, you asked you, you asked Cube, no matter

1642
01:21:07,080 --> 01:21:09,519
Speaker 7: what you know, Easy he put the money up. Easy

1643
01:21:09,680 --> 01:21:12,360
Speaker 7: was the marketing guy. Easy was the businessman in California

1644
01:21:12,439 --> 01:21:15,040
Speaker 7: right now. He signed Boone Thugs in Harmony, signed at

1645
01:21:15,080 --> 01:21:19,200
Speaker 7: band Clan, which was where I am against the rap

1646
01:21:19,400 --> 01:21:22,160
Speaker 7: and anybody who's real from the world that knows the

1647
01:21:22,680 --> 01:21:26,120
Speaker 7: Easy Listen. His wife owns, you know, one of the

1648
01:21:26,160 --> 01:21:29,479
Speaker 7: biggest catalogs in the game. So that was Easy Ruthless Records.

1649
01:21:29,520 --> 01:21:35,400
Speaker 7: So you know he was innovative, a brand ambassador, creative

1650
01:21:35,520 --> 01:21:36,280
Speaker 7: marketing genius.

1651
01:21:36,320 --> 01:21:36,800
Speaker 1: Come on, man.

1652
01:21:36,880 --> 01:21:38,479
Speaker 7: So at the end of the day, you know we,

1653
01:21:39,000 --> 01:21:40,600
Speaker 7: like I said, I feel like Easy don't get what

1654
01:21:40,720 --> 01:21:44,040
Speaker 7: he deserved. I don't think Boom Thugs get what they deserve.

1655
01:21:44,080 --> 01:21:45,439
Speaker 7: A lot of some all de side, they don't get

1656
01:21:45,439 --> 01:21:47,840
Speaker 7: what they deserve. But you know, I've been blessed to

1657
01:21:47,880 --> 01:21:49,599
Speaker 7: work with just you know, a lot of legendary groups

1658
01:21:49,640 --> 01:21:51,400
Speaker 7: three six, my faith on MG, like I said, the

1659
01:21:51,439 --> 01:21:52,320
Speaker 7: Outlaws and Bone.

1660
01:21:52,439 --> 01:21:55,760
Speaker 1: But you know, we need we just need to keep

1661
01:21:55,800 --> 01:21:57,519
Speaker 1: the culture alive. Man, that's what we're doing.

1662
01:22:00,280 --> 01:22:03,360
Speaker 3: Yeah, City boy D. But listen, before we get up

1663
01:22:03,400 --> 01:22:09,040
Speaker 3: out of here. Your relationship with sug Knight, Scott, want

1664
01:22:09,080 --> 01:22:09,559
Speaker 3: to start.

1665
01:22:09,400 --> 01:22:13,439
Speaker 5: With you first with sug Knight. Sug Knight, you know

1666
01:22:13,520 --> 01:22:17,360
Speaker 5: what he was somebody I had met a couple of

1667
01:22:17,439 --> 01:22:25,679
Speaker 5: times and in Hollywood, and then years later I moved

1668
01:22:25,720 --> 01:22:29,800
Speaker 5: into a very exclusive neighborhood in Beverly Hills and he

1669
01:22:30,000 --> 01:22:35,400
Speaker 5: was my neighbor. And you know, he was struggling with

1670
01:22:35,479 --> 01:22:39,880
Speaker 5: a lot of things his personal life as well as

1671
01:22:39,960 --> 01:22:43,680
Speaker 5: I was. And you know, he never did anything to

1672
01:22:43,840 --> 01:22:46,240
Speaker 5: me other than show love. And you know, I got

1673
01:22:46,280 --> 01:22:48,360
Speaker 5: nothing bad to say about the guy. And I know

1674
01:22:48,520 --> 01:22:52,400
Speaker 5: he was there for Tupac when nobody was and he

1675
01:22:52,760 --> 01:22:57,360
Speaker 5: you know, we all, you know, life is a crazy journey.

1676
01:22:57,479 --> 01:23:00,240
Speaker 1: So you know whatever he's been through and is going through,

1677
01:23:00,520 --> 01:23:01,880
Speaker 1: and you know, big up to him.

1678
01:23:01,960 --> 01:23:05,479
Speaker 7: And you know, yeah, I mean I call him Simon.

1679
01:23:06,160 --> 01:23:10,280
Speaker 7: You know, I know Simon a long time, and I

1680
01:23:10,439 --> 01:23:13,200
Speaker 7: judge people off the way they treat me and I

1681
01:23:13,280 --> 01:23:16,320
Speaker 7: live off respect, and Shook has always been cool with me,

1682
01:23:17,120 --> 01:23:18,960
Speaker 7: you know. And I don't get involved with all the

1683
01:23:19,040 --> 01:23:21,519
Speaker 7: other stuff he says, she say. But the end of

1684
01:23:21,560 --> 01:23:24,040
Speaker 7: the day, whenever he saw me, show me love. And

1685
01:23:24,560 --> 01:23:26,080
Speaker 7: you know, he's in the county jail right now. And

1686
01:23:26,120 --> 01:23:28,920
Speaker 7: I feel like a lot of people should step up

1687
01:23:28,960 --> 01:23:31,080
Speaker 7: and put some money on his books. I know one

1688
01:23:31,160 --> 01:23:33,599
Speaker 7: person that does Alan grumblack for me. One entertainment, does

1689
01:23:34,960 --> 01:23:36,360
Speaker 7: queen you expect that?

1690
01:23:36,560 --> 01:23:37,719
Speaker 1: And at the end of the day, like, come.

1691
01:23:37,640 --> 01:23:40,960
Speaker 3: On here, Queen's got as a queen's answer.

1692
01:23:40,960 --> 01:23:43,519
Speaker 7: And you know, the biggest catalog in hip hop history

1693
01:23:43,600 --> 01:23:46,960
Speaker 7: is death Row, which E One owns. And but you

1694
01:23:47,040 --> 01:23:49,840
Speaker 7: know what, people need to go put some money on

1695
01:23:49,920 --> 01:23:53,080
Speaker 7: his books because the end of the day, like there's

1696
01:23:53,120 --> 01:23:56,000
Speaker 7: always three sides to a story, and that man helped

1697
01:23:56,000 --> 01:23:57,840
Speaker 7: a lot of people change a lot of people's life.

1698
01:24:00,000 --> 01:24:02,000
Speaker 7: If you wasn't dead, you really can't, you know, say

1699
01:24:02,080 --> 01:24:04,160
Speaker 7: something about them, man. But like I said, I judge

1700
01:24:04,160 --> 01:24:06,960
Speaker 7: people off the way they treat me. Like ninety percent

1701
01:24:07,040 --> 01:24:09,400
Speaker 7: of music industry is a lot of fake ones, and

1702
01:24:09,840 --> 01:24:14,320
Speaker 7: they scared and they hide behind stuff and they call man,

1703
01:24:14,320 --> 01:24:15,680
Speaker 7: there's a lot of rappers to get robbed and they

1704
01:24:15,680 --> 01:24:18,280
Speaker 7: call the white Jewish guy Queen's in La. But at

1705
01:24:18,280 --> 01:24:20,280
Speaker 7: the end of the day, like, don't put a facade on,

1706
01:24:20,439 --> 01:24:22,000
Speaker 7: be real, don't be fake. And there's a lot of

1707
01:24:22,000 --> 01:24:25,040
Speaker 7: fake people, but you know they all smile on your face.

1708
01:24:25,040 --> 01:24:27,120
Speaker 7: They have you in your back. So everybody there who

1709
01:24:27,160 --> 01:24:29,679
Speaker 7: should have made rich and you know, discovered and help

1710
01:24:29,800 --> 01:24:31,920
Speaker 7: go put just scho put fifty dollars on his books.

1711
01:24:31,960 --> 01:24:33,599
Speaker 7: You've been in jail, so you know how much that means.

1712
01:24:33,920 --> 01:24:35,920
Speaker 7: But no one's even giving the fuck that man's going.

1713
01:24:36,400 --> 01:24:38,320
Speaker 7: An easy son just came out the county. He said

1714
01:24:38,320 --> 01:24:40,120
Speaker 7: he saw them and he say look bad, you know.

1715
01:24:40,240 --> 01:24:41,680
Speaker 7: And if I had the opportunity to go visit, I

1716
01:24:41,800 --> 01:24:43,960
Speaker 7: go visit him either. The other Leasy was in the

1717
01:24:44,040 --> 01:24:47,599
Speaker 7: county and he saw should but and they're like, yo,

1718
01:24:47,680 --> 01:24:49,080
Speaker 7: if you don't even know him, go put some money

1719
01:24:49,080 --> 01:24:50,519
Speaker 7: on the man's books, because he did a lot for

1720
01:24:50,600 --> 01:24:53,160
Speaker 7: his culture. That's true, And that's that's what I'm just saying, Like,

1721
01:24:53,200 --> 01:24:55,000
Speaker 7: if he disrespected me, I would say, you know, film,

1722
01:24:55,000 --> 01:24:56,800
Speaker 7: but he never disrespected them. You know, he showed me love.

1723
01:24:56,840 --> 01:24:58,160
Speaker 7: And I know him for a long time.

1724
01:24:59,439 --> 01:25:01,320
Speaker 1: So on that know that big up shig night.

1725
01:25:01,479 --> 01:25:03,879
Speaker 7: Yeah, I mean teach his home. Then only God could judge.

1726
01:25:04,120 --> 01:25:06,800
Speaker 1: Right, motherfucking right. I don't know.

1727
01:25:06,920 --> 01:25:08,880
Speaker 7: But he makes a noise. I love this ship, keep going,

1728
01:25:09,000 --> 01:25:12,400
Speaker 7: that's question though I love this ship makes I got

1729
01:25:12,520 --> 01:25:13,960
Speaker 7: no filter, So I'm gonna tell you the truth.

1730
01:25:15,040 --> 01:25:17,439
Speaker 1: Keep the questions going. No, I ain't like, I ain't

1731
01:25:17,520 --> 01:25:20,479
Speaker 1: like Shoke. Make some noise. Let's make some noise for Shoke. Forgot.

1732
01:25:24,960 --> 01:25:26,719
Speaker 7: It's funny me you Scott had a number of positive

1733
01:25:26,760 --> 01:25:29,759
Speaker 7: things that saying we's at a different times and that's beautiful.

1734
01:25:29,840 --> 01:25:32,840
Speaker 1: Ain't ain't Ain't nobody gonna challenge you or judge you

1735
01:25:32,960 --> 01:25:36,000
Speaker 1: or feel no God, So we got a problem like

1736
01:25:36,080 --> 01:25:36,680
Speaker 1: it is what it is.

1737
01:25:37,200 --> 01:25:39,200
Speaker 3: So I always just want to thank both of you

1738
01:25:39,320 --> 01:25:44,320
Speaker 3: brothers for being here in the drink Champs militia. We're

1739
01:25:44,360 --> 01:25:45,960
Speaker 3: doing what we gotta do, like we just got to

1740
01:25:46,000 --> 01:25:48,000
Speaker 3: do around the corner from the percolator, keep the percolator,

1741
01:25:48,000 --> 01:25:48,600
Speaker 3: percolator on.

1742
01:25:48,600 --> 01:25:51,439
Speaker 1: The fire and its water mean highest house.

1743
01:25:51,520 --> 01:25:59,040
Speaker 15: Got your figure smelling saying backwards, I diddy.

1744
01:26:00,240 --> 01:26:03,120
Speaker 1: First the first time it was ya gotta meeting been

1745
01:26:03,200 --> 01:26:06,600
Speaker 1: thinking about she sang out the languages that.

1746
01:26:08,200 --> 01:26:13,000
Speaker 3: Follow it broken, So I want I can't thank y'all enough, diego,

1747
01:26:13,160 --> 01:26:14,400
Speaker 3: thank you for putting it together.

1748
01:26:14,880 --> 01:26:16,320
Speaker 1: Thank you for having Steve the bell.

1749
01:26:16,800 --> 01:26:20,040
Speaker 3: Scott starts coming in here and just sitting here talking,

1750
01:26:20,120 --> 01:26:21,919
Speaker 3: and you know what I seen.

1751
01:26:22,520 --> 01:26:25,639
Speaker 1: You know every other interview, and they want to have Scott.

1752
01:26:26,320 --> 01:26:28,320
Speaker 7: You know, we already know Scott.

1753
01:26:29,120 --> 01:26:32,600
Speaker 1: God still dope, we know Scott every time we do it.

1754
01:26:32,960 --> 01:26:35,760
Speaker 7: You guys welcome invited over to Scott's house and watching

1755
01:26:35,880 --> 01:26:37,040
Speaker 7: play grand piano when he's living.

1756
01:26:37,720 --> 01:26:41,440
Speaker 1: We're gonna do that. We're gonna do that. That's another episode. Appreciated,

1757
01:26:41,560 --> 01:26:44,640
Speaker 1: but that's another episode. Right now is holiday season, so

1758
01:26:44,760 --> 01:26:48,519
Speaker 1: we got to thank l A without coming over.

1759
01:26:49,000 --> 01:26:53,080
Speaker 7: No no, no, no, no, no holiday thanks coming.

1760
01:26:53,160 --> 01:26:55,760
Speaker 1: We're coming back to all birthdays coming up. Yeah, yeah,

1761
01:26:56,160 --> 01:26:57,680
Speaker 1: and you live in l A. I live in l A,

1762
01:26:57,800 --> 01:27:01,360
Speaker 1: New York. I've seen father's swimming.

1763
01:27:01,840 --> 01:27:05,439
Speaker 7: Man shout out my daughters a queen. Yeah, he'll side that.

1764
01:27:06,800 --> 01:27:07,240
Speaker 2: My dad.

1765
01:27:07,479 --> 01:27:10,559
Speaker 7: My dad is eighty three years old and he swims

1766
01:27:10,640 --> 01:27:14,639
Speaker 7: thirty laps literally real swimming at eighty three years old.

1767
01:27:14,760 --> 01:27:17,920
Speaker 7: Man Solis around were gangsterf from Queens and you know,

1768
01:27:18,040 --> 01:27:21,280
Speaker 7: he knew Jay, he knew Joe, he knows everybody. But

1769
01:27:21,280 --> 01:27:22,360
Speaker 7: at the end of the day, you know, I go

1770
01:27:22,479 --> 01:27:24,080
Speaker 7: back to see my dad, man, because you know, I

1771
01:27:24,120 --> 01:27:27,240
Speaker 7: lost my mom a few years ago, and I regretted

1772
01:27:27,240 --> 01:27:29,120
Speaker 7: it because I've traveled so much in this game and

1773
01:27:29,200 --> 01:27:32,120
Speaker 7: chasing my dreams and chasing you know, the history and

1774
01:27:32,600 --> 01:27:35,679
Speaker 7: and the passion of this industry. So sometimes you forget

1775
01:27:35,760 --> 01:27:38,040
Speaker 7: to visit home and go home. So now I go home,

1776
01:27:38,120 --> 01:27:40,840
Speaker 7: take my dad to the Mets games, Yankee games, Jets, Giants, Knicks,

1777
01:27:40,880 --> 01:27:42,680
Speaker 7: and that's all that, and just spend time in the

1778
01:27:42,800 --> 01:27:46,360
Speaker 7: lemon Ice King Corona. Just different shit, man, Yeah, because

1779
01:27:46,360 --> 01:27:49,360
Speaker 7: you know, like we don't appreciate sometimes what we really

1780
01:27:49,439 --> 01:27:51,680
Speaker 7: have until it's too late. And you know, so many

1781
01:27:51,680 --> 01:27:55,200
Speaker 7: people don't even appreciate a dollar bill or a toothbrush,

1782
01:27:55,280 --> 01:27:57,160
Speaker 7: you know, and there's people over the world starving and

1783
01:27:57,320 --> 01:28:00,320
Speaker 7: fucked up. So appreciate life. So I just go back

1784
01:28:00,360 --> 01:28:02,080
Speaker 7: home see my dad a lot. Man. We stayed, we

1785
01:28:02,200 --> 01:28:05,080
Speaker 7: straight right where we grew up in Queens, and I'm

1786
01:28:05,160 --> 01:28:07,200
Speaker 7: going back next week for Thanksgiving. So you know, I

1787
01:28:07,200 --> 01:28:09,000
Speaker 7: don't forget where I come from. Nord you already know that.

1788
01:28:09,160 --> 01:28:09,320
Speaker 1: Man.

1789
01:28:09,680 --> 01:28:12,160
Speaker 3: Definitely not going back for Thanksgiving. But go ahead, Scott

1790
01:28:13,040 --> 01:28:16,760
Speaker 3: staying in Miami. I'm sorry, I'm here. Got ahead this

1791
01:28:16,880 --> 01:28:18,160
Speaker 3: for something to leave.

1792
01:28:20,080 --> 01:28:21,240
Speaker 7: Pressure, Uh.

1793
01:28:23,920 --> 01:28:26,160
Speaker 6: No, just this is It's a pleasure to be here.

1794
01:28:26,240 --> 01:28:26,360
Speaker 1: Man.

1795
01:28:26,439 --> 01:28:29,880
Speaker 6: I'm just so grateful that you put this amazing show together. Man,

1796
01:28:30,479 --> 01:28:31,280
Speaker 6: I'm so proud of you.

1797
01:28:31,400 --> 01:28:31,559
Speaker 7: Man.

1798
01:28:31,680 --> 01:28:34,439
Speaker 3: God blessed, thank you, God, bless us, good people, God,

1799
01:28:34,560 --> 01:28:36,000
Speaker 3: thank God, damn, God, damn.

1800
01:28:36,160 --> 01:28:41,640
Speaker 1: Because it is being there another one podcast. Motherfucker, No,

1801
01:28:41,880 --> 01:28:42,679
Speaker 1: let me tell you something.

1802
01:28:42,880 --> 01:28:44,639
Speaker 7: You know what they always say, they say, oh, this one,

1803
01:28:44,760 --> 01:28:46,920
Speaker 7: this one that, But you know what, you can never

1804
01:28:47,040 --> 01:28:50,920
Speaker 7: count knowing out and and everything is dad man, because

1805
01:28:51,520 --> 01:28:53,200
Speaker 7: I want them to count me out. Will fuck them

1806
01:28:53,200 --> 01:28:55,240
Speaker 7: because everybody counts a lot of people out. But you

1807
01:28:55,320 --> 01:28:57,639
Speaker 7: got the hottest podcast in the world, and you doing

1808
01:28:57,680 --> 01:28:59,599
Speaker 7: you're shitting on a lot of people stuff, a lot

1809
01:28:59,640 --> 01:29:02,760
Speaker 7: of you real with an innovative creative in them. People

1810
01:29:02,800 --> 01:29:03,240
Speaker 7: don't like that.

1811
01:29:03,479 --> 01:29:05,040
Speaker 1: They like the bullshit, they don't like it.

1812
01:29:05,080 --> 01:29:08,559
Speaker 7: So you know, anybody, if anybody deserves success, guys like yourself,

1813
01:29:08,600 --> 01:29:10,840
Speaker 7: who has a resume in stripes, who put in a

1814
01:29:10,960 --> 01:29:16,160
Speaker 7: lot of forget of course DJ my man James is

1815
01:29:16,200 --> 01:29:17,400
Speaker 7: the work of is all back in the days he

1816
01:29:17,439 --> 01:29:19,720
Speaker 7: runs a why Cliff Now? But you know James, but

1817
01:29:20,200 --> 01:29:21,559
Speaker 7: you know at the end of the day, that's.

1818
01:29:21,400 --> 01:29:22,479
Speaker 1: A street team history.

1819
01:29:22,800 --> 01:29:24,920
Speaker 3: Yeah yeah, yeah, I don't even know what it was,

1820
01:29:25,120 --> 01:29:26,000
Speaker 3: but it sounded flat.

1821
01:29:26,200 --> 01:29:28,160
Speaker 7: But you know, you guys are innovative, you're creative. It's

1822
01:29:28,200 --> 01:29:30,000
Speaker 7: real And Nancy, can you put you know this with

1823
01:29:30,160 --> 01:29:34,160
Speaker 7: uswhere man, everybody wants to skip to work and you

1824
01:29:34,360 --> 01:29:36,240
Speaker 7: deserve it because you put the work in. You got

1825
01:29:36,280 --> 01:29:38,640
Speaker 7: the strikes man you're not skipping, like you know what

1826
01:29:38,720 --> 01:29:40,640
Speaker 7: it is to go to fantastic, but then you know

1827
01:29:40,680 --> 01:29:41,400
Speaker 7: what it is to get on the.

1828
01:29:41,400 --> 01:29:43,120
Speaker 1: Private jet and it's spread out.

1829
01:29:43,240 --> 01:29:47,800
Speaker 7: Yeah, and exactly a tall bus and a call. Whatever

1830
01:29:47,880 --> 01:29:49,639
Speaker 7: needed to get done, you were able to get it done,

1831
01:29:49,960 --> 01:29:52,559
Speaker 7: and you're still relevant. I tell people I'm a dinosaur

1832
01:29:52,600 --> 01:29:55,360
Speaker 7: but on fossil field because I stay relevant. So as

1833
01:29:55,400 --> 01:29:56,559
Speaker 7: long as you have a good call that one.

1834
01:29:56,880 --> 01:29:59,679
Speaker 1: I'm a dinosaur but on fossil fuel because I stay relevant.

1835
01:30:00,120 --> 01:30:02,360
Speaker 7: Hall and if you know, and I always try to

1836
01:30:02,360 --> 01:30:04,599
Speaker 7: tell people men on a business side, less, it's more,

1837
01:30:05,360 --> 01:30:08,280
Speaker 7: Less is more, and quality over quantity. And to the

1838
01:30:08,360 --> 01:30:11,639
Speaker 7: younger generation that's listening to this, money comes and goes,

1839
01:30:11,680 --> 01:30:13,680
Speaker 7: but history stays. As long as you make history, you're

1840
01:30:13,680 --> 01:30:17,599
Speaker 7: gonna make money. Rolics don't define us, Benzes don't define us.

1841
01:30:17,640 --> 01:30:20,519
Speaker 7: Money don't define real ones. So just you know, just

1842
01:30:20,720 --> 01:30:23,040
Speaker 7: work hard manhard works will really pay off. And this

1843
01:30:23,200 --> 01:30:25,840
Speaker 7: is proved, This is proven right here. This is hard

1844
01:30:25,920 --> 01:30:28,439
Speaker 7: work right here, through child and tribulation and still going.

1845
01:30:29,200 --> 01:30:31,599
Speaker 7: But respected. That's what the key to everything is. That's

1846
01:30:31,600 --> 01:30:32,519
Speaker 7: the real key to success.

1847
01:30:32,600 --> 01:30:32,960
Speaker 1: Respect.

1848
01:30:33,960 --> 01:30:42,559
Speaker 3: God damn yet, no, I know I was gonna seze early.

1849
01:30:43,040 --> 01:30:44,240
Speaker 1: I know it was gonna steze earlier.

1850
01:30:44,720 --> 01:30:50,840
Speaker 3: But Scott Steve, thank y'all for hanging out with the

1851
01:30:50,920 --> 01:30:54,600
Speaker 3: drink camps. Think apartment for b just big them up,

1852
01:30:55,040 --> 01:30:58,160
Speaker 3: my fellow, Queen's Nate as it sounds hazard, it sounds

1853
01:30:58,200 --> 01:31:03,840
Speaker 3: of course, Queen's ship. My nigga that just dropped the

1854
01:31:03,880 --> 01:31:07,519
Speaker 3: colon Colon Jones, DJ and t d Ty and you

1855
01:31:07,640 --> 01:31:11,640
Speaker 3: got your button on like we think you Chicano. We

1856
01:31:11,720 --> 01:31:15,639
Speaker 3: don't think you Chicano at all. I'm just my friend,

1857
01:31:15,800 --> 01:31:18,240
Speaker 3: not talking about Tito. My friend just looked at my

1858
01:31:18,360 --> 01:31:23,080
Speaker 3: left joints on. See my man shirt right there, shout

1859
01:31:23,120 --> 01:31:25,519
Speaker 3: out public flavor.

1860
01:31:26,520 --> 01:31:30,439
Speaker 1: I'm looking, But you're my nigga. But you're from Fairfax, right,

1861
01:31:33,040 --> 01:31:37,280
Speaker 1: I knew, I knew you wasn't from at all. He's

1862
01:31:37,280 --> 01:31:39,439
Speaker 1: the one that connected before originally, I know.

1863
01:31:39,600 --> 01:31:42,120
Speaker 8: But you got you got the button up like like,

1864
01:31:42,840 --> 01:31:49,000
Speaker 8: don't look at me little puppets in here.

1865
01:31:50,280 --> 01:31:54,040
Speaker 1: Yeah, So listen, Scott Steve, Yeah, listen.

1866
01:31:54,280 --> 01:31:57,120
Speaker 3: The thing about our ship is we want to pick

1867
01:31:57,240 --> 01:31:59,280
Speaker 3: up our people, the people that have been in this

1868
01:31:59,479 --> 01:32:05,920
Speaker 3: industry and continue staying in this industry, and we want

1869
01:32:06,000 --> 01:32:08,400
Speaker 3: them to feel great every time they step in here.

1870
01:32:09,240 --> 01:32:13,600
Speaker 3: You know, we have quote unquote a million listeners. I

1871
01:32:13,640 --> 01:32:16,559
Speaker 3: don't even give a fuck, but we got them every

1872
01:32:16,600 --> 01:32:19,160
Speaker 3: week and they tune in, and we want the big

1873
01:32:19,280 --> 01:32:22,360
Speaker 3: up our legends. Because in our generation, when you have

1874
01:32:22,479 --> 01:32:25,800
Speaker 3: ten years or better, people say it's over for you,

1875
01:32:26,360 --> 01:32:29,080
Speaker 3: they say fuck you, you old fucker.

1876
01:32:30,560 --> 01:32:31,920
Speaker 1: Let they say shit like that.

1877
01:32:32,080 --> 01:32:36,200
Speaker 3: But in rock and roll, in jazz, they praise these

1878
01:32:36,280 --> 01:32:39,000
Speaker 3: people the more years you have. And I want to

1879
01:32:39,080 --> 01:32:41,800
Speaker 3: change it. So I single handedly didn't want to say,

1880
01:32:42,160 --> 01:32:48,360
Speaker 3: you know what, look at what they do. I wanted

1881
01:32:48,400 --> 01:32:53,559
Speaker 3: to show what we do. So eventually, you know, Drink Camps,

1882
01:32:53,600 --> 01:32:55,960
Speaker 3: we want to have our own version, a Hall of fame.

1883
01:32:56,520 --> 01:32:58,320
Speaker 3: Actions speak loud in words, and that's what you're doing,

1884
01:32:58,400 --> 01:33:01,360
Speaker 3: you know what I'm saying, And this is what we

1885
01:33:01,479 --> 01:33:05,200
Speaker 3: want to do. So Drink Champs, a lot of people

1886
01:33:05,320 --> 01:33:08,640
Speaker 3: ask us why you are interview.

1887
01:33:08,439 --> 01:33:13,120
Speaker 1: Such and such and such, And we love the new

1888
01:33:13,400 --> 01:33:14,519
Speaker 1: generation as well.

1889
01:33:15,240 --> 01:33:17,879
Speaker 3: We're not thising them in no way, shape, form or fashion,

1890
01:33:19,080 --> 01:33:23,320
Speaker 3: but they got the radio stations. How about the people

1891
01:33:23,360 --> 01:33:26,880
Speaker 3: who've been around forever and nobody patted.

1892
01:33:26,600 --> 01:33:27,479
Speaker 1: Them on their back.

1893
01:33:28,760 --> 01:33:34,800
Speaker 3: That's what this is about. And it's just like you know,

1894
01:33:35,320 --> 01:33:40,680
Speaker 3: Scott been one of the richest people ever and he

1895
01:33:40,800 --> 01:33:48,720
Speaker 3: still is. But he's the background guy. Where's the guy that.

1896
01:33:48,840 --> 01:33:53,760
Speaker 1: Continued to pat Scott on his back? That's who we

1897
01:33:54,040 --> 01:34:02,360
Speaker 1: are to drink Champs, Steve, You've been in the game,

1898
01:34:02,520 --> 01:34:07,320
Speaker 1: you ran with everybody you may and I've never got

1899
01:34:07,439 --> 01:34:11,679
Speaker 1: a pat on your back, honestly, sh.

1900
01:34:15,760 --> 01:34:24,760
Speaker 3: That's who we are. We the people to say we

1901
01:34:25,000 --> 01:34:30,040
Speaker 3: appreciate you. That's why the Champs is important. Drinks is

1902
01:34:30,200 --> 01:34:32,800
Speaker 3: one part of it, the Champ.

1903
01:34:32,680 --> 01:34:36,400
Speaker 1: Part of it. It's the real importance.

1904
01:34:37,920 --> 01:34:42,639
Speaker 3: We respect our legends and we want us to continue

1905
01:34:42,760 --> 01:34:44,200
Speaker 3: to keep doing what we're doing.

1906
01:34:44,600 --> 01:34:45,080
Speaker 7: Like it does.

1907
01:34:45,400 --> 01:34:47,440
Speaker 3: You gotta do it around the corner from the percolator,

1908
01:34:47,560 --> 01:34:49,720
Speaker 3: keeping the percolator percolator and.

1909
01:34:49,880 --> 01:34:54,120
Speaker 1: On the fire and that equals wal though now it's.

1910
01:34:54,000 --> 01:34:56,840
Speaker 7: Real ship, you know what it is. We just we

1911
01:34:57,000 --> 01:34:59,360
Speaker 7: just do it behind the scenes, so to speak, being humble,

1912
01:35:00,120 --> 01:35:02,840
Speaker 7: being humble, and that's really what it is is being humble.

1913
01:35:02,920 --> 01:35:05,840
Speaker 7: Never forget where you come from. Never bed just be confident.

1914
01:35:06,479 --> 01:35:08,519
Speaker 7: And we don't need the credit. Man, I really don't

1915
01:35:08,680 --> 01:35:10,360
Speaker 7: like I'm a behind the scenes type of dude. Man,

1916
01:35:11,720 --> 01:35:14,679
Speaker 7: I appreciate that this is what we do at drink Camps.

1917
01:35:15,040 --> 01:35:17,800
Speaker 7: We give our legends. Scott.

1918
01:35:17,880 --> 01:35:20,760
Speaker 3: Don't you ever think we don't know how much money

1919
01:35:20,840 --> 01:35:23,080
Speaker 3: you made and you was coming out there. You picked

1920
01:35:23,120 --> 01:35:25,240
Speaker 3: me up in a sixty million dollar boat and we

1921
01:35:25,360 --> 01:35:31,519
Speaker 3: got a sixteen dollars meal. It's just that that was

1922
01:35:31,560 --> 01:35:32,880
Speaker 3: the hardest thing of life.

1923
01:35:35,160 --> 01:35:39,280
Speaker 1: Eric, Eric, that ass right. And this is all I'm

1924
01:35:39,280 --> 01:35:42,400
Speaker 1: trying to say, a lot of people listen.

1925
01:35:42,479 --> 01:35:44,799
Speaker 3: For the rest of my life, I will always respect

1926
01:35:45,920 --> 01:35:47,120
Speaker 3: the vote for you brothers.

1927
01:35:47,400 --> 01:35:47,960
Speaker 6: Thank you man.

1928
01:35:48,120 --> 01:35:50,479
Speaker 1: Likewise, the vote for you brothers.

1929
01:35:50,520 --> 01:35:51,440
Speaker 7: I will always.

1930
01:35:52,960 --> 01:35:59,719
Speaker 1: Drinking. I don't like it the drink Jamps car you said,

1931
01:35:59,880 --> 01:36:03,320
Speaker 1: just hit it from the head now. Now you gotta

1932
01:36:03,320 --> 01:36:07,040
Speaker 1: put some book artier there, but it doesn't matter.

1933
01:36:07,680 --> 01:36:10,240
Speaker 3: I really appreciate you brothers coming hang in our apartment

1934
01:36:10,320 --> 01:36:10,640
Speaker 3: for it be.

1935
01:36:11,160 --> 01:36:14,400
Speaker 1: We appreciate you for letting us, you know what I'm.

1936
01:36:14,280 --> 01:36:18,240
Speaker 3: Saying, set up, Scott Starrs, Steve LaBelle, you guys are

1937
01:36:18,360 --> 01:36:21,400
Speaker 3: wonderful people. Thank you for letting us bug out with

1938
01:36:21,520 --> 01:36:23,760
Speaker 3: y'all having fun, because that's what drink Champs says. We

1939
01:36:23,840 --> 01:36:26,240
Speaker 3: bug out high form of our legends, but we never

1940
01:36:26,360 --> 01:36:30,040
Speaker 3: forget to big up our legends. We never forget to

1941
01:36:30,200 --> 01:36:33,599
Speaker 3: make sure our legends walk away and saying, these niggas

1942
01:36:33,680 --> 01:36:37,720
Speaker 3: understand what I did in life, what I did in

1943
01:36:37,880 --> 01:36:41,240
Speaker 3: this industry, and what I did and that's what that's

1944
01:36:41,280 --> 01:36:43,680
Speaker 3: what our whole ship is about. So we want to

1945
01:36:43,720 --> 01:36:46,920
Speaker 3: say thank y'all, thank you, and we still get y'all drunk,

1946
01:36:47,000 --> 01:36:49,920
Speaker 3: and what we're about to do, we still I'm still

1947
01:36:49,920 --> 01:36:51,120
Speaker 3: going to get you drunk, Scott.

1948
01:36:53,240 --> 01:36:56,639
Speaker 1: Let's take the flick, all right, Thank you so much.

1949
01:37:03,520 --> 01:37:04,040
Speaker 1: Carry