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Speaker 1: Hey, welcome to Weird House Cinema. Rewind. This is Rob Lamb.

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Speaker 2: And this is Joe McCormick, and ooh, what horrors we

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Speaker 2: have in store for you. In fact, the horror is

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Speaker 2: rising from the tomb in this older episode of Weird

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Speaker 2: House Cinema. It originally published July fifteenth, twenty twenty two.

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Speaker 2: It's Paul Nashy time.

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Speaker 1: Yeah, this is one of my favorites. This is one

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Speaker 1: of those films that's like, I wish I could watch

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Speaker 1: it again for the first time and do it on

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Speaker 1: Weird House Cinema again for the first time. So at

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Speaker 1: any rate, it's a great movie to revisit and hope

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Speaker 1: you enjoy our discussion of it.

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Speaker 3: Welcome to Stuff to Blow your mind, A production of iHeartRadio.

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Speaker 2: Yeah, so I just finished rewatching it and made it

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Speaker 2: to the end where there's a really good stunt fall.

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Speaker 2: I don't know if you caught that, when the headless

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Speaker 2: body of the Warlock rolls down the steps and it's

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Speaker 2: obviously not a dum me, it's a stunt man. Oh yeah,

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Speaker 2: headless suit. He's getting the legs going all of this,

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Speaker 2: so we obviously can't see.

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Speaker 1: I think the effects in this movie are better than

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Speaker 1: they should have been in some regards, Like I like

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Speaker 1: the scenes where there's the lifting of the head. You know,

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Speaker 1: I'm something of a well I wouldn't say I'm a connoisewer,

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Speaker 1: but I pay a lot of attention whenever there's a

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Speaker 1: beheading and there's a head being handled in a film,

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Speaker 1: because I'm always curious, like, how good is it going

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Speaker 1: to look? How are they going to do it? Are

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Speaker 1: they gonna do the dummy head? Are they going to

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Speaker 1: do like, you know, shooting an actual head the right

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Speaker 1: way and making it look like it's detached. And they

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Speaker 1: did a mix here that mostly worked pretty well. I've

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Speaker 1: seen it look rougher in more expensive movies.

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Speaker 2: Well, it depends what you mean by well. I do agree, though,

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Speaker 2: I found I think literally every scene with the severed

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Speaker 2: head hilarious.

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Speaker 1: Well, it is inherent there's something inherently hilarious about it too,

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Speaker 1: especially given the seriousness with which it is approached.

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Speaker 2: Did we already start the episode?

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Speaker 4: Hey?

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Speaker 2: Hello, are you listening?

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Speaker 1: Oh hey, welcome to Weird House Cinema.

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Speaker 2: My name is Rob Lamb and I'm Joe McCormick.

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Speaker 1: Yeah. We were just talking a little about beheadings and

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Speaker 1: movies disembodied heads, the living head off the beheaded, because

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Speaker 1: that's what we have in today's film, in nineteen seventy

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Speaker 1: three's Horror Rises from the Tomb.

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Speaker 2: Rob, I feel like this is the third or fourth

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Speaker 2: early seventies Spanish horror movie you have picked. What's got

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Speaker 2: you going down this road? How'd you end up in

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Speaker 2: seventies Spain?

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Speaker 1: Oh, there's just something about this whole realm of horror filmmaking.

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Speaker 1: There's just some really there's some great stuff here, and

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Speaker 1: there's a lot of great stuff that I haven't seen.

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Speaker 1: So it's exciting to me. Because the film we're talking

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Speaker 1: about here to today, Horror Rises from the Tomb he

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Speaker 1: is considered a classic of seventy Spanish horror, Like this

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Speaker 1: is a this film is a big deal. So I

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Speaker 1: had not seen it previously, so it was it was,

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Speaker 1: it was one I was it was interested in. I

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Speaker 1: was reading the synopsis and I was like, all right,

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Speaker 1: as long as this one sort of stays within the parameters,

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Speaker 1: this could be the film for this week, and lo

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Speaker 1: and behold it was.

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Speaker 2: So I didn't know anything about this movie going in,

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Speaker 2: but I was I was certainly tempted when you when

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Speaker 2: you shared with me, I think a user review you

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Speaker 2: came across on some website that essentially made it seem

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Speaker 2: like this may in fact have also been an ego

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Speaker 2: trip for a particular writer slash actor.

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Speaker 1: Yeah, there are accounts of Paul Nashy the star and

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Speaker 1: writer here and in his his his ego. I have

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Speaker 1: I have seen that written about, and yeah, this is uh.

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Speaker 1: I ran across this, this particular write up on Letterboxed

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Speaker 1: letterboxed dot com. That's l E T T E R

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Speaker 1: b O x D. That's a great website to go

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Speaker 1: too if you want listings of films, lists of films,

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Speaker 1: and hey, we are on there. We have an account

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Speaker 1: under the user named weird House, and you can go

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Speaker 1: there and see all the films that we've talked about

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Speaker 1: in a nice visual display. And I also have links

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Speaker 1: to the podcast episodes on there. But anyway, this particular review, yeah,

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Speaker 1: a user by the name of their name is spelled

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Speaker 1: like Lou Lou, but then it says rhymes with Wao,

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Speaker 1: so I guess it's Lao. Lal writes when Paul Nashi

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Speaker 1: wrote this movie about medieval Paul Nashi getting decapitated because

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Speaker 1: of alleged Satanist practices. He knew it was really about

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Speaker 1: the executioners being jealous of medieval Paul Nashi's good looks

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Speaker 1: slash him being irresistible to women everywhere. When it came

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Speaker 1: time for Paul Nashi to write a hero into the

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Speaker 1: story to save everyone and their wives from the clutches

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Speaker 1: of medieval Paul Nashi, he conjured up dreamy, present day

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Speaker 1: hunk Paul Nashi. He knew that even if Dreamy Paul

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Speaker 1: Nashy wouldn't be able to defeat medieval Paul Nashi, he

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Speaker 1: would at least be recognized as they hear h Dreamy

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Speaker 1: Paul Nashi really is.

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Speaker 2: I'd say that's about right. So this movie was not

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Speaker 2: directed by Paul Nashi, but written by Paul Nashi and

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Speaker 2: starring Paul Nashi in at least three different roles.

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Speaker 1: That's right now. I think that I would critique this

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Speaker 1: this this this review is hilarious and I love it,

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Speaker 1: but it's not one accurate in terms of what we

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Speaker 1: get out of the Paul Nashi's and we'll get into

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Speaker 1: that the different Paul Nashi characters. There's really one dreamy

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Speaker 1: Paul Nashi character in this film, and he's pretty magical.

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Speaker 2: So I was watching this movie on a streaming service

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Speaker 2: that is supported by AD breaks, and I was deeply

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Speaker 2: intrigued by the fact that the movie has major themes

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Speaker 2: of a floating severed warlockhead dripping neck blood on things,

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Speaker 2: including like a painting in the process of being painted,

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Speaker 2: and so so we'd have the head, it would dribble

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Speaker 2: some neck blood, and then we would cut to commercial

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Speaker 2: and the commercials are all for paper towels and other

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Speaker 2: cleaning products. Is this a coincidence or has AD targeting

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Speaker 2: got this good, like they can detect the contents of

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Speaker 2: the film and adjust adds accordingly.

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Speaker 1: I don't know. I mean, you know, when stains are

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Speaker 1: at their worst, such as from dripping heads, you need

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Speaker 1: a quality paper towel.

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Speaker 2: The other thing about the streaming service that I thought

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Speaker 2: was funny was that it said this movie is rated

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Speaker 2: TV fourteen despite it being absolutely wall to wall severed heads,

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Speaker 2: gratuitous nudity and dripping blood all over the place.

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Speaker 1: That's right.

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Speaker 2: Maybe maybe that's like euro rating standards.

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Speaker 1: I don't know. Maybe, so, yeah, this is not a

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Speaker 1: film for the children, though I have read that there

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Speaker 1: is a quote unquote clothed cut of this, So they

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Speaker 1: might have shot some alternate scenes in which various characters

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Speaker 1: are clothed instead of in various states of nudy, but

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Speaker 1: it would be an entirely different film that way, So

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Speaker 1: I'm not sure I can recommend that even if you

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Speaker 1: can find that cut.

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Speaker 2: Another thing I will say about my experience of watching

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Speaker 2: The Horror Rises from the Tomb is that it had

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Speaker 2: two features which may seem at odds with each other,

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Speaker 2: but we're both simultaneously true. One is that the plot

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Speaker 2: is extremely simple. There are not a lot of like

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Speaker 2: twist and turns and machinations. And at the same time,

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Speaker 2: at least half of the scenes in this movie, I

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Speaker 2: had no idea what was going on. By that, I

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Speaker 2: mean I could not tell you who some at least

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Speaker 2: some of the characters on screen were, how they arrived at,

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Speaker 2: what they're doing, why they're doing it, or what it means.

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Speaker 1: Yeah, there were a few scenes in this where I

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Speaker 1: think I watched them three times and then consulted a

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Speaker 1: plot summary to figure out exactly what the characters were

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Speaker 1: attempting to do.

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Speaker 2: Uh huh, Yeah, I had really in the first half

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Speaker 2: had a hard time keeping the different characters and their

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Speaker 2: relationships straight. I did not know who was who until

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Speaker 2: the Warlock magic really starts happening in the second half.

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Speaker 2: Then I guess it gets easier to follow.

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Speaker 1: Yeah, I mean, ultimately, this is a movie about the

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Speaker 1: ultimate occult power couple coming back from the dead to

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Speaker 1: just tear it up. And so once they're back and

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Speaker 1: in action, you're one hundred percent on board. You can

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Speaker 1: you basically know where things are going and you can

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Speaker 1: follow the chaos, but you have to get up to

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Speaker 1: that point, and it can be a little confusing but

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Speaker 1: never boring.

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Speaker 2: Getting It's like the Sunny and Share of Satanism rise

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Speaker 2: from the grave in order to get revenge on the

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Speaker 2: what the descendants of the inquisitors who put them to

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Speaker 2: the sword?

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Speaker 1: Yes, but also I think they they just want to

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Speaker 1: consume human hearts, drink blood, worship Satan and so forth.

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Speaker 2: Yeah. But in the parts where I had no idea

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Speaker 2: what was going on, I think part of that is

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Speaker 2: dialogue and dubbing. Like this movie did have that quality

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Speaker 2: of I would literally be watching a scene with my

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Speaker 2: full attention. I'm not on my phone, I'm not distracted,

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Speaker 2: full attention, but then afterwards I could not summarize what

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Speaker 2: anybody said in the scene, so there's a bit of that.

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Speaker 2: But then another part I think that made it a

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Speaker 2: little hard to follow is that the cinematography drifts more

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Speaker 2: toward that dreamy style that you would see in like

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Speaker 2: a ful che movie, where I think often our brains

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Speaker 2: are trained, we pick up on certain cues of how

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Speaker 2: a scene looks and sounds, and like, ah, this feels

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Speaker 2: more like a dream sequence. I don't need to pay

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Speaker 2: close attention to the plot because it's you know, it's

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Speaker 2: dreamy mode. Except this actually is just the physical reality

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Speaker 2: of the narrative.

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Speaker 1: The world of the living is a dream of the dead,

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Speaker 1: which is probably not true, but that sounds like the

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Speaker 1: logic you would hear in a seventies horror trailer, right, yes, yes, yeah,

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Speaker 1: I think when it comes to this movie's very memorable,

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Speaker 1: I think, but there is in terms of like remembering lines.

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Speaker 1: The most memorable lines for me are some of the

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Speaker 1: dumb things that the painter character Maurice says are occult

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Speaker 1: power couple here, they have plenty of times where they

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Speaker 1: basically just say occult things, and while I don't recall

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Speaker 1: the detail the feel of it resonates, so I'd say

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Speaker 1: this is a movie that is more to be felt

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Speaker 1: than comprehended. And again I had I had to go

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Speaker 1: back and watch something several times just to make sure

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Speaker 1: I was understanding what they were doing. But to be clear,

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Speaker 1: this film rocks. You should see it if you want

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Speaker 1: to see it. If you're like, well, I want to

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Speaker 1: I want to see this from myself before we get

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Speaker 1: into the main episode, well let me tell you where

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Speaker 1: you can get it. First of all, as far as

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Speaker 1: physical media goes, Shout Factory has the Paul Nashy Collection

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Speaker 1: out on Blu Ray that has the films in it,

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Speaker 1: Horror rizes from The Tomb, Vengeance of the Zombies, Blue

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Speaker 1: Eyes of the Broken Doll, Night of the Werewolf, and

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Speaker 1: Human Beasts. You can also pick up horrorrizes from The

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Speaker 1: Tomb on DVD. I watched it on Prime, but it

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Speaker 1: was not great quality and it was formatted for television.

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Speaker 1: I think the the version you watched was on TB.

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Speaker 1: It was letterbox edition, but of course you're gonna have ads,

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Speaker 1: so you know, it depends how you want to play it.

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Speaker 1: I ended up going back on Twoby and watching some

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Speaker 1: of the scenes again that I needed to revisit.

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Speaker 2: I mean, I'd say it's worth it just for the

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Speaker 2: hilarious ad cutaways.

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Speaker 1: But who knows how the machine's working there. It may

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Speaker 1: pick up on something else with somebody else's experience, right, yeah, yeah,

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Speaker 1: all right, Well, the basic elevator pitch here is yeah,

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Speaker 1: I mean, Horror rises from the tomb. Don't worry if

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Speaker 1: you watch this film, Horror will rise from the tomb.

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Speaker 1: The ultimate occult power couple won't let death stand in

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Speaker 1: their way.

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Speaker 2: It's a tender love story about a warlock and his head.

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Speaker 2: Boy meets girl, Boy loses head, Boy regains head, Boy

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Speaker 2: gets revenge, Boy loses his head.

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Speaker 1: Well, boy loses, Boy loses his head, Boy loses girl,

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Speaker 1: Boy regains head, Boy regains girl, Boy loses girl, Boy

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Speaker 1: loses his head. That's the full plots.

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Speaker 2: Dinosaurs eat boy, woman inherits the Earth.

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Speaker 1: Yeah.

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Speaker 4: From the dark and mysterious Middle Ages, full of mystery

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Speaker 4: and violence, there now comes to the screen. Fear rises

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Speaker 4: from the tomb, a curse which would bring these people

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Speaker 4: to the most terrifying situations. Fear rises from the tomb

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Speaker 4: with all the mystery and terror of medieval rights and witchcraft,

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Speaker 4: the infernal powers of evil persecuting these defenseless beings. Fear

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Speaker 4: Rises from the Tomb, a pro film's production, directed by

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Speaker 4: Carlos auded.

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Speaker 2: Seven moms have passed today. We shall take them. I

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Speaker 2: want when the Supreme day comes, that they are sufficiently

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Speaker 2: prepared for the sacrifice.

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Speaker 1: All right, Well, let's talk a bit about the humans

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Speaker 1: involved in this before we get back into the plot. So,

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Speaker 1: as we mentioned already, Paul Nancy did not direct this.

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Speaker 1: It was directed by Carlos Arid, who lived nineteen thirty

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Speaker 1: seven through two thousand and eight. He was a Spanish

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Speaker 1: director of various erotic dramas and Paul Nashy horror films,

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Speaker 1: including Curse of the Devil from seventy three, Blue Eyes

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Speaker 1: of the Broken Doll from seventy four, and The Mummies

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Speaker 1: Revenge from seventy five. As a producer, he helped bring

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Speaker 1: the films Alien Predator from eighty six into the look.

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Speaker 2: Not Alien versus Predator, but not just Alien Predator Alien Predator.

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Speaker 1: He also produced or was one of the producers on

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Speaker 1: Claudio Fragaso of Troll two themes nineteen eighty four film

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Speaker 1: Monster Dog starring Alice Cooper. What.

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Speaker 2: I don't think I knew about that, or if I.

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Speaker 1: Did it, I haven't seen it, but I've seen the

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Speaker 1: posters and some stills from it looks it looks wonderfully awful.

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Speaker 1: And as you might recall from our episode on trollto,

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Speaker 1: I mean, Claudio Fragaso took this very seriously, this filmmaking thing,

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Speaker 1: and so he's exactly the sort of director you want

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Speaker 1: directing a film called Monster Dog starring Alice Cooper.

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Speaker 2: So if troll two was a film about how he

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Speaker 2: believed that meat eaters were being persecuted by vegetarians, what

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Speaker 2: is the meaning of Monster Dog.

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Speaker 1: I'm not sure, but if the poster is any indication,

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Speaker 1: he pursues this topic, this subject matter via some sort

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Speaker 1: of like fleshless killer doberman.

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Speaker 2: Gross. Yeah, all right, so that's the director technically, but

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Speaker 2: I don't know. The vibe gives the pretty much top

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Speaker 2: to bottom. This is the Paul Nashi show.

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Speaker 1: That's right. So who is this guy? So Paul Nashi? Yeah,

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Speaker 1: who has story and screenplay credits on this. He plays

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Speaker 1: our warlock character, Alarecht Dimarnac. He also plays This is complicated,

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Speaker 1: but Alarach's traitor's brother Armand Demarac, and he also plays

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Speaker 1: Armand's descendant, Hugo Demarac in the present, So three different roles,

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Speaker 1: and all of them have a different feel to them. Though.

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Speaker 2: It's weird because his descendant character is not like the

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Speaker 2: inheritor of the Warlock throne. He in fact, he basically

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Speaker 2: just treats his own descendant as another enemy.

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Speaker 1: Yeah. Yeah, and you know, there's a total I feel

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Speaker 1: like there's a different energy to h I mean Hugo

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Speaker 1: the modern day Paul Nashy character in this Whitch, but

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Speaker 1: I mean I mean the nineteen seventies. You know, he's

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Speaker 1: still kind of a stylish dude. But he's also I mean,

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Speaker 1: he's doomed. He can't stand up to the Warlock. He's

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Speaker 1: not like, I am the descendant of Alaric, and therefore

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Speaker 1: I'm the one who can defeat him. No, No, it's

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Speaker 1: not going to go that way at all.

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Speaker 2: Now. In fact, he's a doomed skeptic and he's the

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Speaker 2: guy who like doesn't believe in the power of spirit mediums,

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Speaker 2: so you know, things are not going to end well

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Speaker 2: for him. Movies like this do not reward people who

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Speaker 2: don't believe in the supernatural and so Nash. But also

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Speaker 2: I would say about Nashi's character, this is not unique

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Speaker 2: to him, but he is. This movie has multiple contemporary

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Speaker 2: characters who are very much like turtleneck sweater tucked into

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Speaker 2: pants guys.

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Speaker 1: Yeah. Yeah, and yeah, they just sort of wander into

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Speaker 1: all this where they're like, Yeah, let's have a seance

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Speaker 1: that this old estate, let's call back. Let' seef we

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Speaker 1: can call the spirit of this dead warlock. That sounds

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Speaker 1: like a good time. We'll have some wine, we'll smoke

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Speaker 1: a little bit. What could possibly go wrong?

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Speaker 2: I would say Paul Nashi's energy as an actor is

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Speaker 2: a strange combination something I'm not really used to. In

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Speaker 2: one sense, he has very traditional, almost kind of like

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Speaker 2: boxy or rectangular masculine movie star energy. I'm trying to

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Speaker 2: think of who to compare, you know, like a like

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Speaker 2: a Ed Begley senior or something. But then on the

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Speaker 2: other half, kind of a weirdo word meanness that is

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Speaker 2: almost the likes of Peter Lorie.

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Speaker 1: Yeah, yeah, he has his His physicality is is interesting

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Speaker 1: to behold. Yeah, because because on one level, I mean,

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Speaker 1: he's he's clearly ripped as we'll discuss he was. He's

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Speaker 1: a former professional weightlifter, so so he's uh, you know,

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Speaker 1: he's quite a physical specimen and yes he he but

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Speaker 1: yet he can. He does have this kind of worm

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Speaker 1: equality to him. He is the natural energy for playing

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Speaker 1: this eternal outsider, this warlock that was beheaded in the

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Speaker 1: past and now has to uh murder his way into

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Speaker 1: being again in the present. So some of you might

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Speaker 1: be wondering, well, who is Paul Nashi We're talking about him.

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Speaker 1: He sounds pretty great. Well, he is, in many people's words,

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Speaker 1: the Lon Chaney junior of Spanish horror cinema. Wow. So

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Speaker 1: he was born uh Jaquinto Molino, but he assumed the

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Speaker 1: name Paul Nashi for for for acting and yeah, he

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Speaker 1: plays three separate characters in this film. Also wrote the screenplay.

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Speaker 1: And this is the guy. We can't really appreciate the

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Speaker 1: full richness of Paul Nashy in a single episode of

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Speaker 1: Weird House Cinema, but I feel like this is a

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Speaker 1: really fun film and a great introduction to him at least.

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Speaker 1: So this is a guy who was born into a

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Speaker 1: successful furrier's family during the Spanish Civil War, who then

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Speaker 1: began to pursue a serious adult life of professional weightlifting

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Speaker 1: and architecture. But deep down he only wanted one thing.

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Speaker 1: He wanted to be the wolf Man, The Wolfman, The

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Speaker 1: wolf Man. Yeah. I mean, from what I've read, he

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Speaker 1: grew up idolizing these old horror movies and especially the

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Speaker 1: wolfman roles, the Lion Cheney junior sort of roles, and

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Speaker 1: fate would deliver him in that direction. So he started

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Speaker 1: out in various uncredited and sometimes rumored roles in various

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Speaker 1: nineteen sixties Spanish production stuff like El Sid, an episode

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Speaker 1: of the TV show I Spy. Then in nineteen sixty eight,

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Speaker 1: he wrote and starred in a film that was originally

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Speaker 1: titled Mark of the Werewolf, but then on the American

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Speaker 1: groundhouse circuit it had the name Frankenstein's Bloody Terror, in

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Speaker 1: which he played werewolf of Valdemar Daninski for the first

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Speaker 1: of many many times.

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Speaker 2: So this was a franchise, Yeah, yeah, he did.

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Speaker 1: I think it's like a dozen of these, wow with

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Speaker 1: titles like Assignment Tear, The Werewolf Versus The Vampire Woman,

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Speaker 1: The Fury of the wolf Man, Doctor Jekyll Versus the Werewolf,

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Speaker 1: Curse of the Devil, Night of the Howling Beast, Night

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Speaker 1: of the Werewolf, The Beast and the Magic Sword, Howl

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Speaker 1: of the Devil, like Cantripus, The Moonlight Murders, and Tomb

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Speaker 1: of the Werewolf. Most of these films are from the

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Speaker 1: seventies and eighties, but they ultimately span five decades, and

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Speaker 1: they're not a continuous narrative by any means, with the

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Speaker 1: plots varying wildly, like There's somewhere he goes to Asia

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Speaker 1: and goes to Tibet and Japan to try and treat

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Speaker 1: his lacanthropy, but a number of them look phenomenal and

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Speaker 1: they're just total werewolf features.

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Speaker 2: Well, I feel like this sheds new light on a

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Speaker 2: major flub in the movie that really seems like it

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Speaker 2: should have been caught, which is that in the English dub,

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Speaker 2: at least, there's one part where they try to say

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Speaker 2: the word lichen thropes, but instead they say, I think

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Speaker 2: lincoln thropes, like President Lincoln.

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Speaker 1: Huh, yeah, yeah, I noticed that that was I actually

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Speaker 1: went back and looked at that on two B with

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Speaker 1: the captions on, and the captions for this one said

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Speaker 1: you have empires in Lincoln's robes instead of you are

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Speaker 1: vampires and Lincoln tropes lichen thropes, but they said lincoln thropes. Yeah,

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Speaker 1: Lincoln thropes, Yeah, Lincoln throat. The dubs has lincolnthropes. They mean,

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Speaker 1: like they're talking about lacanthropy. But yeah, but we'll come

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Speaker 1: back to the formal charges against Alaric in a bet.

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Speaker 1: But back to Nashi here. Mostly it was this werewolf

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Speaker 1: character that he returned to, but the warlock character in

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Speaker 1: this alric. He does come back in a later nineteen

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Speaker 1: eighty two film called Panic Beats apparently and plays the

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Speaker 1: character once more.

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Speaker 2: Is that about does he become a disco warlock? What's

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Speaker 2: the beats referred to?

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Speaker 1: I'm not sure comes back from the grave. But and

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Speaker 1: it may not even be connected because, like I say,

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Speaker 1: much of many of these werewolf films, it's not like

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Speaker 1: it's a concise narrative. It's like, let's bring let's bring

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Speaker 1: this guy back again, let's have another adventure. It doesn't

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Speaker 1: mean it has to actually make sense or be stitched

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Speaker 1: into the grand fabric of the thing.

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Speaker 2: Okay, I see, like you can have many Dracula movies,

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Speaker 2: but they're not like all direct sequels to each other

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Speaker 2: with continuous or plot continuity exactly.

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Speaker 1: Yeah.

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Speaker 2: Well, now, but I am thinking beats that because you

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Speaker 2: look at Nashi as the warlock in this movie, and

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Speaker 2: he does look like he could tear up the dance floor,

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Speaker 2: like he would get out there in the lights. I mean,

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Speaker 2: he'd be doing the whole what's the you know, the

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Speaker 2: pointing dance, the John Travolta one.

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Speaker 1: I know the one. I don't know what it's called. Okay,

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Speaker 1: So just a little more on Nashi here. I looked

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Speaker 1: into him a bit of reading an article, actually a

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Speaker 1: chapter in a book titled an Icon Rises from the

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Speaker 1: Grave The twenty first century Cult Stardom of Paul Nashi,

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Speaker 1: written by Andy Willis. Willis writes that Nashi was central

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Speaker 1: to quote the development, revival, and reinvention of horror cinema

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Speaker 1: in Spain. The paper mostly centers around the cult like

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Speaker 1: revival of appreciation for Nashi late in his life and career,

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Speaker 1: as film fans and filmmakers in Spain and beyond began

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Speaker 1: to reevaluate his films, but it does put point out that, yeah,

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Speaker 1: he was very much operating in a time when horror

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Speaker 1: was seen as very low brow in Spanish cinema, Like,

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Speaker 1: if you had any self respect, you'd be working in

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Speaker 1: serious cinema, and if you were doing horror then like

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Speaker 1: what are you doing?

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Speaker 2: But what was sirious cinema at the time, peplam movies

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Speaker 2: like The Sword and Sandal stuff.

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Speaker 1: Yeah, yeah, to serious dramas about history and so forth.

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Speaker 1: You know nothing about I mean, this is about history though,

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Speaker 1: this is about an historic warlock. So I don't know.

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Speaker 1: I don't know why the industry was so down on

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Speaker 1: this film at the time. All right, well, we'll come back.

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Speaker 1: We'll discuss more about this wonderful performance as we continue.

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Speaker 1: But there are there are other human beings we need

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Speaker 1: to mention, at least in passing. Okay, we mentioned earlier.

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Speaker 1: This is a power couple. It's not just Alaric, it's

431
00:23:36,960 --> 00:23:41,720
Speaker 1: Alaric and Mobile. He has to bring Mobile back to life.

432
00:23:42,000 --> 00:23:46,240
Speaker 1: Mobile is played by Helga Lena. Helga is back. She

433
00:23:46,480 --> 00:23:51,040
Speaker 1: was the titular Laurele from The Laureles Grasp the you know,

434
00:23:51,080 --> 00:23:54,400
Speaker 1: the gorgeous redhead German born actor who made a name

435
00:23:54,400 --> 00:23:57,919
Speaker 1: for herself mostly in Spanish cinema. Both of these films

436
00:23:57,920 --> 00:24:00,919
Speaker 1: came out in seventy three, so if you want to

437
00:24:00,960 --> 00:24:03,080
Speaker 1: hear more about her, go back to that episode. But

438
00:24:03,119 --> 00:24:05,399
Speaker 1: she was born in nineteen thirty one. As of this

439
00:24:05,480 --> 00:24:10,960
Speaker 1: recording is still alive, and she worked from nineteen forty

440
00:24:10,960 --> 00:24:12,840
Speaker 1: one through two thousand and six and played a lot

441
00:24:12,840 --> 00:24:18,040
Speaker 1: of fimthatals characters in horror movies, various genre films, and yeah,

442
00:24:18,040 --> 00:24:20,840
Speaker 1: it was pretty big in Spanish cinema. And in this

443
00:24:21,200 --> 00:24:25,159
Speaker 1: she once more gets to absolutely slay multiple people and

444
00:24:25,320 --> 00:24:26,760
Speaker 1: also consume their hearts.

445
00:24:27,000 --> 00:24:31,600
Speaker 2: Yeah, I was noticing incredible amounts of overlap with the

446
00:24:31,640 --> 00:24:35,480
Speaker 2: Lorealized Grasp. I was not prepared for how much these

447
00:24:35,520 --> 00:24:38,440
Speaker 2: movies would have in common, even down to what looks

448
00:24:38,480 --> 00:24:41,399
Speaker 2: like it could be just a coincidence, but what looked

449
00:24:41,480 --> 00:24:44,240
Speaker 2: like the same shooting locations, talking.

450
00:24:44,080 --> 00:24:47,879
Speaker 1: About the coastline, that really dreary coastline.

451
00:24:47,320 --> 00:24:51,320
Speaker 2: The dreary lakeside, It looked exactly like the lake in

452
00:24:51,400 --> 00:24:54,399
Speaker 2: Lorealized Grasp, And I would almost be surprised if it

453
00:24:54,440 --> 00:24:56,879
Speaker 2: was not shot in the same place. But maybe I

454
00:24:56,880 --> 00:24:57,239
Speaker 2: don't know.

455
00:24:57,480 --> 00:24:59,840
Speaker 1: I think the actual I don't know about the about

456
00:24:59,880 --> 00:25:02,560
Speaker 1: the the lake, but the actual estate that we see

457
00:25:02,640 --> 00:25:06,960
Speaker 1: I believe was in Paul Nashy's family, like that that

458
00:25:07,080 --> 00:25:10,199
Speaker 1: was his family's estate there that they filmed on.

459
00:25:10,560 --> 00:25:14,800
Speaker 2: But it's not just that Okay, so both movies feature

460
00:25:14,960 --> 00:25:19,480
Speaker 2: Hellga Lena as a kind of I don't know, loosely

461
00:25:19,520 --> 00:25:22,760
Speaker 2: a vampyrus of sorts, some kind of you know, creature

462
00:25:22,800 --> 00:25:25,000
Speaker 2: that comes back from the grave or comes back through

463
00:25:25,040 --> 00:25:28,919
Speaker 2: history to slash people with fingernails, like in ways that

464
00:25:29,000 --> 00:25:31,760
Speaker 2: leave these like you know, parallel slashes on their bodies

465
00:25:31,800 --> 00:25:35,280
Speaker 2: and then extract their hearts and eat them. Both movies

466
00:25:35,320 --> 00:25:35,960
Speaker 2: are about this.

467
00:25:36,359 --> 00:25:39,520
Speaker 1: Right though. In the Laurla she changes into an actual

468
00:25:39,640 --> 00:25:42,800
Speaker 1: monster and in this movie she just gets more.

469
00:25:42,720 --> 00:25:45,560
Speaker 2: Naked, that's true, but she still does the fingernail slash.

470
00:25:45,640 --> 00:25:46,000
Speaker 1: She does.

471
00:25:47,080 --> 00:25:50,680
Speaker 2: This movie has has Wolverine style slashing.

472
00:25:50,480 --> 00:25:52,119
Speaker 1: But she's great and she really vamps it up.

473
00:25:52,359 --> 00:25:55,760
Speaker 2: Yes, there are great scenes where she and the Warlock

474
00:25:55,800 --> 00:25:58,240
Speaker 2: are arguing about, you know, when they're going to eat

475
00:25:58,240 --> 00:26:00,000
Speaker 2: hearts or we're gonna eat hearts now, or we're gonna

476
00:26:00,119 --> 00:26:00,960
Speaker 2: have to eat him later.

477
00:26:01,400 --> 00:26:05,439
Speaker 1: Yeah, what is the plan? When? When are we praising

478
00:26:05,480 --> 00:26:08,080
Speaker 1: Satan right now? No, we need to wait. There's so

479
00:26:08,080 --> 00:26:10,560
Speaker 1: many moons we need to wait. The exact details of

480
00:26:10,600 --> 00:26:14,680
Speaker 1: their plan are maybe a little vague, but she makes

481
00:26:14,720 --> 00:26:15,240
Speaker 1: a good point.

482
00:26:15,280 --> 00:26:17,600
Speaker 2: I mean he's like, no, we need to we'll do

483
00:26:17,680 --> 00:26:21,240
Speaker 2: the sacrifice to Satan later and then we'll eat hearts then.

484
00:26:21,920 --> 00:26:24,720
Speaker 2: And I think she makes the point that if we

485
00:26:24,720 --> 00:26:28,000
Speaker 2: were angry until then, we're going to be making bad decisions.

486
00:26:28,240 --> 00:26:30,320
Speaker 2: So we need to eat at least one heart now.

487
00:26:30,760 --> 00:26:32,919
Speaker 1: Yeah, And she's like, honey, we've been dead for a

488
00:26:32,960 --> 00:26:36,680
Speaker 1: long time. We've got to eat. Yeah. All right though.

489
00:26:36,680 --> 00:26:39,080
Speaker 1: So there these are the two most impressive actors in

490
00:26:39,119 --> 00:26:41,400
Speaker 1: the film, but we have some other roles worth mentioning.

491
00:26:42,080 --> 00:26:46,120
Speaker 1: Emma Cohen plays, who lived nineteen forty six through twenty sixteen,

492
00:26:46,520 --> 00:26:50,320
Speaker 1: plays the character el Vira, not to be confused with

493
00:26:50,800 --> 00:26:55,160
Speaker 1: Elvira the horror host So. Emma Cohen was a Spanish

494
00:26:55,200 --> 00:26:57,840
Speaker 1: actor as well as a writer and director. In fact,

495
00:26:58,200 --> 00:27:00,760
Speaker 1: in twenty eleven she apparently directed did a short film

496
00:27:00,800 --> 00:27:05,600
Speaker 1: adaptation of Jorge Luis Borges The Aliph. She was also

497
00:27:05,640 --> 00:27:10,960
Speaker 1: the longtime partner of Peruvian born Spanish director Fernando Fernan

498
00:27:11,080 --> 00:27:14,959
Speaker 1: Gomez till his death, but she before this, she did

499
00:27:15,000 --> 00:27:17,800
Speaker 1: a lot of B movies and horror films in the seventies,

500
00:27:17,840 --> 00:27:21,520
Speaker 1: including seventy five's Night of the Walking Dead, Jess Franco's

501
00:27:21,600 --> 00:27:25,320
Speaker 1: nineteen seventy five Count Dracula, that's one that starred Christopher

502
00:27:25,400 --> 00:27:29,480
Speaker 1: Lee as Dracula, Herbert Lom as Van Helsing, and Kloskinski

503
00:27:29,920 --> 00:27:33,840
Speaker 1: as a quote unquote wren Feared. I don't know why

504
00:27:34,080 --> 00:27:38,720
Speaker 1: Wrin feared in the IMDb credits, but he is. Cohen

505
00:27:38,760 --> 00:27:42,840
Speaker 1: also had an uncredited role in nineteen seventies Nicholas and Alexandria.

506
00:27:43,480 --> 00:27:49,239
Speaker 1: And yeah, in this she is she basically, she's our

507
00:27:49,240 --> 00:27:53,720
Speaker 1: final girl. She's the one of the two daughters of

508
00:27:53,720 --> 00:27:56,679
Speaker 1: one of the villagers in the place that they go to.

509
00:27:57,359 --> 00:28:01,520
Speaker 2: Yeah. Now, I'm gonna admit that I again had a

510
00:28:01,720 --> 00:28:05,320
Speaker 2: hard time keeping the different characters and the human characters

511
00:28:05,320 --> 00:28:08,760
Speaker 2: in their relationships straight. So if you're asking, like who's

512
00:28:08,840 --> 00:28:10,760
Speaker 2: married to who or whatever, I don't know.

513
00:28:11,160 --> 00:28:13,720
Speaker 1: Yeah, I had to go back and I like, at first,

514
00:28:13,720 --> 00:28:16,159
Speaker 1: I was like, I guess this was Hugo's wife, but

515
00:28:16,240 --> 00:28:18,320
Speaker 1: it's not. No, it's not. He goes why that's a

516
00:28:18,320 --> 00:28:21,880
Speaker 1: different character entirely. Well, we'll summarize all that in a bit.

517
00:28:22,240 --> 00:28:25,720
Speaker 2: Okay, there were a number of laugh out loud moments

518
00:28:26,760 --> 00:28:28,960
Speaker 2: for me in this movie, but I would say the

519
00:28:29,200 --> 00:28:32,080
Speaker 2: biggest one, the best one, is a scene where we

520
00:28:32,160 --> 00:28:36,160
Speaker 2: have a guy who's had been seeing visions of dark

521
00:28:36,200 --> 00:28:40,280
Speaker 2: eyes staring at him in the night, and he's and

522
00:28:40,320 --> 00:28:42,760
Speaker 2: he can't stop seeing them when he closes his eyes,

523
00:28:42,800 --> 00:28:45,120
Speaker 2: so he's got to paint. He's a painter, and he's

524
00:28:45,120 --> 00:28:47,920
Speaker 2: like painting on a canvas, and then suddenly above the

525
00:28:48,000 --> 00:28:54,360
Speaker 2: canvas appears a laughing, severed head that's just going oh

526
00:28:54,400 --> 00:28:57,479
Speaker 2: and it and dripping blood all over the painting. And

527
00:28:57,720 --> 00:29:02,400
Speaker 2: it's so good. But this paint, like his dopiness makes

528
00:29:02,440 --> 00:29:03,400
Speaker 2: it so much better.

529
00:29:04,160 --> 00:29:06,800
Speaker 1: Yes, he's haunted by the head of Aleric and he's like,

530
00:29:06,840 --> 00:29:08,400
Speaker 1: I don't know what it is. I keep seeing this head.

531
00:29:08,400 --> 00:29:10,160
Speaker 1: I gotta paint it. I gotta paint it. And he's

532
00:29:10,520 --> 00:29:14,120
Speaker 1: and he's painting this like sub night gallery quality painting,

533
00:29:14,240 --> 00:29:20,680
Speaker 1: you know, of this headless body holding not Alaric's head

534
00:29:20,720 --> 00:29:25,600
Speaker 1: but modern Paul Nashi's character's Hugo's head. It's pretty great.

535
00:29:25,600 --> 00:29:28,720
Speaker 1: But yeah, this is the This painter character, Maurice was

536
00:29:28,760 --> 00:29:32,080
Speaker 1: played by Victor Barrera. I couldn't find any dates for

537
00:29:32,480 --> 00:29:36,000
Speaker 1: this actor, but yeah, he's a wonderful, doomed idiot in

538
00:29:36,080 --> 00:29:42,280
Speaker 1: this The character is the actor. Barrera appeared in such

539
00:29:42,320 --> 00:29:46,000
Speaker 1: Spanish films as nineteen seventies in the Folds of the Flesh,

540
00:29:46,040 --> 00:29:49,600
Speaker 1: the seventy three Nashy film Count Dracula's Great Love, and

541
00:29:49,920 --> 00:29:52,920
Speaker 1: also the Nashy film Hunchback of the Morgue, as well

542
00:29:52,960 --> 00:29:55,320
Speaker 1: as the nineteen seventy three film Green Inferno.

543
00:29:55,680 --> 00:29:57,360
Speaker 2: Who was Count Dracula's Great Love.

544
00:29:57,720 --> 00:30:01,520
Speaker 1: I don't know, I haven't haven't seen it. I'm guessing.

545
00:30:01,960 --> 00:30:04,600
Speaker 1: I mean, it could be his career. You know, he

546
00:30:04,760 --> 00:30:09,080
Speaker 1: married to his work. But I imagine it's some woman

547
00:30:09,280 --> 00:30:10,960
Speaker 1: generally that's probably going to be nice.

548
00:30:10,960 --> 00:30:12,160
Speaker 2: I am married to the blood.

549
00:30:12,720 --> 00:30:17,520
Speaker 1: Yeah. Now, one more thing about Brera. He was also

550
00:30:17,600 --> 00:30:20,720
Speaker 1: in the seventy three Judy Geeson film A Candle for

551
00:30:20,760 --> 00:30:23,760
Speaker 1: the Devil, and as a director and writer, he did

552
00:30:23,760 --> 00:30:25,800
Speaker 1: the nineteen seventy eight film The Terrorist.

553
00:30:26,120 --> 00:30:28,800
Speaker 2: He also tucks his turtlenecks into his pants.

554
00:30:29,160 --> 00:30:32,000
Speaker 1: He does. Yes. Now we're going to skip on the

555
00:30:32,040 --> 00:30:34,120
Speaker 1: rest of the actors here, though there are some other

556
00:30:34,120 --> 00:30:39,160
Speaker 1: fun performances, but skip into the music. Carmelo A Bernala

557
00:30:39,400 --> 00:30:42,080
Speaker 1: did the music. He lived nineteen twenty nine through two

558
00:30:42,120 --> 00:30:44,840
Speaker 1: thousand and two. And all I have to say is

559
00:30:44,880 --> 00:30:48,680
Speaker 1: I hope you like creepy organ music and weird percussion sounds,

560
00:30:49,040 --> 00:30:50,800
Speaker 1: because this film is loaded with it.

561
00:30:51,160 --> 00:30:56,840
Speaker 2: Yeah, it's got this steady, slow, ascending organ melody that

562
00:30:57,040 --> 00:31:00,720
Speaker 2: just repeats and repeats and repeats. Honestly, it got a

563
00:31:00,720 --> 00:31:01,880
Speaker 2: little monotonous for me.

564
00:31:03,760 --> 00:31:07,120
Speaker 1: I thought it fit this film like a glove. I'm

565
00:31:07,160 --> 00:31:08,760
Speaker 1: not saying it would work in every film. I'm not

566
00:31:08,800 --> 00:31:10,960
Speaker 1: saying I need a copy of it or I'm looking

567
00:31:11,000 --> 00:31:14,880
Speaker 1: for a high grade vinyl release. But for this film,

568
00:31:15,760 --> 00:31:16,600
Speaker 1: I thought it worked.

569
00:31:16,840 --> 00:31:21,160
Speaker 2: Yeah, it's the appropriate vibe. But yeah, I mean you'll

570
00:31:21,200 --> 00:31:23,760
Speaker 2: hear it quite a few times now.

571
00:31:23,800 --> 00:31:27,120
Speaker 1: Bernlla here He was a longtime Spanish composer of many films,

572
00:31:27,120 --> 00:31:33,160
Speaker 1: including seventy four's Torment and seventy threes Count Dracula's Great Love. Oh.

573
00:31:33,280 --> 00:31:36,000
Speaker 2: He wrote the love theme from Count Dractula's Great Love.

574
00:31:36,640 --> 00:31:40,320
Speaker 1: One assumes one more note about a person in this

575
00:31:40,840 --> 00:31:44,080
Speaker 1: there's a special effects. The special effects were by Antonio

576
00:31:44,160 --> 00:31:47,120
Speaker 1: Molina and I don't have dates for him, but this

577
00:31:47,160 --> 00:31:49,120
Speaker 1: is a guy that apparently has been working in special

578
00:31:49,120 --> 00:31:52,800
Speaker 1: effects since the nineteen sixties, starting with nineteen sixty four's

579
00:31:53,400 --> 00:31:55,880
Speaker 1: This is actually the Barry Sullivan film Pyro the Thing

580
00:31:55,920 --> 00:32:00,240
Speaker 1: without a Face that we referenced in our Fiend About

581
00:32:00,240 --> 00:32:05,200
Speaker 1: a Face episode but Molina here is apparently still working

582
00:32:05,200 --> 00:32:08,640
Speaker 1: today in Spanish productions and even worked on six episodes

583
00:32:08,680 --> 00:32:11,680
Speaker 1: of Game of Thrones. I also served as an armor

584
00:32:11,560 --> 00:32:14,760
Speaker 1: or supervisor in the Spain unit for such big films

585
00:32:14,800 --> 00:32:18,320
Speaker 1: as Wonder Woman nineteen eighty four and Terminator Dark Fate,

586
00:32:18,560 --> 00:32:20,840
Speaker 1: So kind of a cool connection there. This is not

587
00:32:20,920 --> 00:32:23,160
Speaker 1: a film that you watch and you think, wow, I

588
00:32:23,200 --> 00:32:24,880
Speaker 1: guess they had just tons of money to spend on

589
00:32:24,880 --> 00:32:28,440
Speaker 1: special effects. No, so, again, as I kind of alluded

590
00:32:28,480 --> 00:32:31,680
Speaker 1: to earlier, I feel like the effects in this film,

591
00:32:31,720 --> 00:32:33,920
Speaker 1: such as they are, look pretty good.

592
00:32:34,160 --> 00:32:37,200
Speaker 2: Though it is that early seventies euro style of like

593
00:32:37,920 --> 00:32:40,680
Speaker 2: very bright red almost orange blood.

594
00:32:41,200 --> 00:32:44,080
Speaker 1: Yeah, yeah, it's alarming. Maybe that's why I got the

595
00:32:44,080 --> 00:32:48,640
Speaker 1: TV fourteen. That what you perhaps. Yeah, all right, well,

596
00:32:48,720 --> 00:32:51,160
Speaker 1: let's bust into the plot a little bit, Joe, take

597
00:32:51,240 --> 00:32:52,840
Speaker 1: us back to the mid fifteenth century.

598
00:32:53,200 --> 00:32:55,400
Speaker 2: Is that when it is mid fifteenth century, I think

599
00:32:55,440 --> 00:32:56,280
Speaker 2: they say.

600
00:32:56,360 --> 00:32:57,760
Speaker 1: I think that's what the narration says.

601
00:32:57,840 --> 00:33:01,320
Speaker 2: Yeah, this movie begins with the World's Most Pressing parade.

602
00:33:01,480 --> 00:33:06,120
Speaker 2: You're watching like some people kind of tromp through a

603
00:33:06,280 --> 00:33:09,120
Speaker 2: vast We see them like on a plane with mountains

604
00:33:09,120 --> 00:33:11,120
Speaker 2: in the background. So it's the kind of landscape that

605
00:33:11,280 --> 00:33:14,960
Speaker 2: maybe looks like if it had been the true colors,

606
00:33:15,120 --> 00:33:19,240
Speaker 2: it would have been beautiful, but instead it looks just profoundly,

607
00:33:20,240 --> 00:33:24,200
Speaker 2: deeply unhappy, And it kind of reminds me of some

608
00:33:24,240 --> 00:33:27,120
Speaker 2: of the landscapes in Monty Python and the Holy Grail

609
00:33:27,280 --> 00:33:29,719
Speaker 2: in that way. That like, something about the film style

610
00:33:29,800 --> 00:33:32,240
Speaker 2: and the way the colors come through just makes the

611
00:33:32,320 --> 00:33:34,760
Speaker 2: landscape very drab and unpleasant.

612
00:33:35,920 --> 00:33:38,760
Speaker 1: But it's fitting, especially when we find out what this

613
00:33:39,560 --> 00:33:45,520
Speaker 1: procession is about. It's about killing and tormenting people accused

614
00:33:45,640 --> 00:33:47,040
Speaker 1: of sorcery and witchcraft.

615
00:33:47,400 --> 00:33:50,480
Speaker 2: Right, we're here for the execution of a warlock in

616
00:33:50,520 --> 00:33:54,040
Speaker 2: a witch and there's some narration. You get a voiceover.

617
00:33:54,160 --> 00:33:57,680
Speaker 2: I think that's saying like I don't remember the exact words,

618
00:33:57,680 --> 00:34:00,920
Speaker 2: but it's basically like France, you know, before indoor plumbing. Wow,

619
00:34:00,960 --> 00:34:03,480
Speaker 2: do you you think war and disease are bad? How

620
00:34:03,520 --> 00:34:04,480
Speaker 2: about Satan?

621
00:34:06,800 --> 00:34:12,440
Speaker 1: Yeah? Superstition, ignorance, violence, They prepare you for all of it.

622
00:34:12,480 --> 00:34:16,680
Speaker 2: Here and the inquisitors' troops here looked to me like

623
00:34:16,800 --> 00:34:20,320
Speaker 2: two faces henchmen and batman forever. They've got these goofy

624
00:34:20,440 --> 00:34:25,040
Speaker 2: red sock masks over their heads. That was really kind

625
00:34:25,040 --> 00:34:26,919
Speaker 2: of Nice. And this is also where we get It's

626
00:34:27,239 --> 00:34:29,160
Speaker 2: so the you know, the warlock in the Witch are

627
00:34:29,200 --> 00:34:31,279
Speaker 2: taken to the place of execution. I don't know why

628
00:34:31,320 --> 00:34:32,960
Speaker 2: it needed to be in the middle of this vast

629
00:34:33,040 --> 00:34:37,480
Speaker 2: field with the mountains and the stream, but yeah, that's

630
00:34:37,520 --> 00:34:39,960
Speaker 2: where they take them. And then there's some kind of

631
00:34:40,200 --> 00:34:43,000
Speaker 2: you know, church official or something who reads out the

632
00:34:43,080 --> 00:34:44,000
Speaker 2: charges to them.

633
00:34:44,280 --> 00:34:47,359
Speaker 1: Yeah, and I think Maurice's ancestor is one of these

634
00:34:47,400 --> 00:34:50,640
Speaker 1: people as well, so he technically has a double roll. Also,

635
00:34:50,719 --> 00:34:54,640
Speaker 1: one of these people's is Alrich's brother, who's kind of

636
00:34:54,680 --> 00:34:57,319
Speaker 1: like this one eyed Paul Nashy character with like a

637
00:34:57,360 --> 00:35:00,719
Speaker 1: smug grin on his face and a scar. That is

638
00:35:01,200 --> 00:35:04,960
Speaker 1: Alaric's brother Armand who is It's implied here that he

639
00:35:05,040 --> 00:35:06,759
Speaker 1: kind of helped do his brother in here.

640
00:35:07,040 --> 00:35:09,600
Speaker 2: So yeah, they're but they're both played by Nashi, So

641
00:35:09,600 --> 00:35:11,160
Speaker 2: it's Nashy punishing Nashi.

642
00:35:11,760 --> 00:35:14,920
Speaker 1: Yeah, and they read out a full list of charges, which,

643
00:35:15,040 --> 00:35:18,680
Speaker 1: in addition to you, are vampires andcanthropes. There, you have

644
00:35:18,760 --> 00:35:21,680
Speaker 1: drunk human blood of both the living and the dead.

645
00:35:21,719 --> 00:35:25,080
Speaker 1: You have eaten flesh, you have celebrated the Black Mass

646
00:35:25,120 --> 00:35:28,320
Speaker 1: with bloody sacrifices of the newborn and of young girls

647
00:35:28,719 --> 00:35:33,160
Speaker 1: you have adored Satan and of followers of his Sabbath.

648
00:35:33,160 --> 00:35:34,920
Speaker 2: Yes, verbatim, I believe.

649
00:35:35,320 --> 00:35:35,400
Speaker 4: So.

650
00:35:35,480 --> 00:35:38,239
Speaker 2: Yeah, they put the sorcerers to death. Warlock gets his

651
00:35:38,280 --> 00:35:40,960
Speaker 2: head chopped off, and they like, I don't know how

652
00:35:40,960 --> 00:35:43,279
Speaker 2: they kill the witch. They like hang her upside down

653
00:35:43,400 --> 00:35:43,840
Speaker 2: or something.

654
00:35:44,440 --> 00:35:47,440
Speaker 1: Yeah, and they she screams. It seems like they're commencing

655
00:35:47,480 --> 00:35:50,719
Speaker 1: to flogger and then cut. Yeah, she's presumed dead.

656
00:35:51,200 --> 00:35:54,200
Speaker 2: Now here's the thing we discover later. I don't know why.

657
00:35:54,239 --> 00:35:57,040
Speaker 2: This is when we find their bodies later in the movie.

658
00:35:57,120 --> 00:35:59,080
Speaker 2: So this is going to be hundreds of years later.

659
00:36:00,040 --> 00:36:02,480
Speaker 2: Obviously they want to be resurrected from the dead. But

660
00:36:02,719 --> 00:36:06,759
Speaker 2: Paul Nashy's body, he's like an incorruptible saint, Like his

661
00:36:06,840 --> 00:36:09,200
Speaker 2: body is all there. It still looks like, you know,

662
00:36:09,320 --> 00:36:14,280
Speaker 2: totally fresh, and his head looks totally fresh. Meanwhile, Helga

663
00:36:14,320 --> 00:36:17,200
Speaker 2: Lina's body is a skeleton with a wig on it.

664
00:36:17,640 --> 00:36:21,239
Speaker 1: Yeah. Different, different, supernatural. Well, I guess here's the thing.

665
00:36:22,160 --> 00:36:25,200
Speaker 1: He is the Warlock. He is the one whose body

666
00:36:25,320 --> 00:36:31,560
Speaker 1: is flowing with unnatural energies. She is his great love

667
00:36:32,000 --> 00:36:34,879
Speaker 1: and therefore she benefits from this sorcery, but she and

668
00:36:34,960 --> 00:36:37,680
Speaker 1: She herself is a different type of entity, and later

669
00:36:37,719 --> 00:36:40,400
Speaker 1: on in the film we had spelled out directly that

670
00:36:40,480 --> 00:36:46,319
Speaker 1: they're slightly different rules for killing one versus the other. Oh,

671
00:36:46,320 --> 00:36:49,200
Speaker 1: by the way, that opening execution is carried out via

672
00:36:49,239 --> 00:36:53,680
Speaker 1: a decree from Carcassone, which was a French fortified city,

673
00:36:53,719 --> 00:36:55,720
Speaker 1: And of course is also the name of a great

674
00:36:55,719 --> 00:36:58,960
Speaker 1: German tile based board game which absolutely does not have

675
00:36:59,040 --> 00:37:02,520
Speaker 1: a Warlock execut Houston expansion, but I think clearly needs one.

676
00:37:02,800 --> 00:37:05,680
Speaker 2: Oh I never played it. What's a German style? Is

677
00:37:05,680 --> 00:37:07,880
Speaker 2: that like Settlers of Catan kind of stuff?

678
00:37:08,120 --> 00:37:11,680
Speaker 1: Yeah, yeah, this one is one. It's a very calm

679
00:37:11,760 --> 00:37:15,480
Speaker 1: and very relaxing board game. It's all about building walled

680
00:37:15,560 --> 00:37:20,680
Speaker 1: cities and connecting them with roads with tiles, so it

681
00:37:20,840 --> 00:37:22,520
Speaker 1: kind of you build it as you go and then

682
00:37:22,520 --> 00:37:25,000
Speaker 1: at the end you score everything. And yeah, it's it's

683
00:37:25,080 --> 00:37:25,560
Speaker 1: very cool.

684
00:37:25,840 --> 00:37:29,200
Speaker 2: Okay, cut to the present day, and then Robin, I'm

685
00:37:29,200 --> 00:37:33,440
Speaker 2: gonna need some help here. Who are the people our

686
00:37:33,520 --> 00:37:36,719
Speaker 2: main characters. We have the Paul Nashy guy, and we

687
00:37:36,840 --> 00:37:40,440
Speaker 2: have Maurice the painter, and then we have two women

688
00:37:40,600 --> 00:37:41,680
Speaker 2: and then some other people.

689
00:37:42,280 --> 00:37:43,880
Speaker 1: Yeah, this was the I had to go back and

690
00:37:43,920 --> 00:37:46,400
Speaker 1: put all this together again. But okay, we have we

691
00:37:46,480 --> 00:37:51,239
Speaker 1: have al Rex descendant and well technically Armand's descendant, but

692
00:37:51,239 --> 00:37:54,959
Speaker 1: also I guess Alerex descendant. This is modern day contemporary

693
00:37:55,560 --> 00:37:59,400
Speaker 1: Paul Nashi Hugo and his gal is Sylvia.

694
00:37:59,640 --> 00:38:00,200
Speaker 2: Okay.

695
00:38:00,360 --> 00:38:03,720
Speaker 1: Then we have Hugo's painter friend Maurice, who is also

696
00:38:03,880 --> 00:38:05,759
Speaker 1: he's a descendant of one of the witch hunters or

697
00:38:05,800 --> 00:38:09,440
Speaker 1: executors here and his gal is Paula.

698
00:38:09,520 --> 00:38:14,000
Speaker 2: Okay, is so is are Sylvia and Hugo the ones

699
00:38:14,040 --> 00:38:17,400
Speaker 2: where Sylvia is like, why don't we get married? And

700
00:38:17,600 --> 00:38:19,720
Speaker 2: Hugo's like, because I'm Paul Nashy.

701
00:38:19,520 --> 00:38:23,680
Speaker 1: Basically yeah, and I don't really remember what Maurice and

702
00:38:23,719 --> 00:38:25,839
Speaker 1: Paula's whole vibe is other than they love each other.

703
00:38:26,040 --> 00:38:27,600
Speaker 2: Yeah, And so.

704
00:38:27,719 --> 00:38:30,880
Speaker 1: Basically they're all like like, hey, we should I forget

705
00:38:30,880 --> 00:38:33,480
Speaker 1: exactly how they reach this point, maybe this little research

706
00:38:33,520 --> 00:38:35,719
Speaker 1: is going on, but they're like, we should go out

707
00:38:35,760 --> 00:38:41,400
Speaker 1: to the country to Hugo's chalet out there, and we

708
00:38:41,440 --> 00:38:43,440
Speaker 1: should have we should get this, we should hire somebody

709
00:38:43,480 --> 00:38:45,520
Speaker 1: to do a seance so we can get in touch

710
00:38:45,560 --> 00:38:49,280
Speaker 1: with his head, which, by the way, Maurice keeps seeing

711
00:38:49,360 --> 00:38:51,760
Speaker 1: in his dreams and in his visions as he's drawn

712
00:38:51,800 --> 00:38:53,960
Speaker 1: to paint grotesque scenes of decapitation.

713
00:38:54,320 --> 00:38:57,000
Speaker 2: Well, now, wait, I thought they did the seance before

714
00:38:57,080 --> 00:39:00,279
Speaker 2: they went to the chalet. Don't they do the while

715
00:39:00,280 --> 00:39:02,400
Speaker 2: they're still hanging out they're still in the city.

716
00:39:02,640 --> 00:39:04,919
Speaker 1: I think that's right. Okay, so they do the Yes,

717
00:39:04,960 --> 00:39:08,040
Speaker 1: they do the seance first, and that's the inspiration to

718
00:39:08,120 --> 00:39:11,360
Speaker 1: then go out into the country and try to find

719
00:39:12,000 --> 00:39:15,000
Speaker 1: the body and the head of Alric, which are which

720
00:39:15,000 --> 00:39:16,960
Speaker 1: are deposited in different places.

721
00:39:17,239 --> 00:39:19,880
Speaker 2: Yeah. So I think Maurice is like, I'm seeing this

722
00:39:20,040 --> 00:39:22,399
Speaker 2: head in my dreams and I'm painting it and I'm

723
00:39:22,400 --> 00:39:25,680
Speaker 2: not very smart, and Hugoes like, I don't believe in heads.

724
00:39:26,040 --> 00:39:28,440
Speaker 2: And then they're like, well, let's have a seance and

725
00:39:28,480 --> 00:39:31,680
Speaker 2: that'll tell us what to do. And then the medium

726
00:39:31,680 --> 00:39:33,960
Speaker 2: at the seance is like, there's a severed head that

727
00:39:34,040 --> 00:39:36,279
Speaker 2: you must dig up, and it's up at your up

728
00:39:36,280 --> 00:39:38,239
Speaker 2: in the village, at your chalet, and.

729
00:39:38,320 --> 00:39:40,920
Speaker 1: That body is buried in the cloisters. Head is in

730
00:39:40,960 --> 00:39:44,879
Speaker 1: the crypt of the monastery, and yeah, our our city

731
00:39:44,960 --> 00:39:46,799
Speaker 1: humans here are here, like, well, we got to get

732
00:39:46,800 --> 00:39:48,600
Speaker 1: these two back together again. Let's get this head in

733
00:39:48,640 --> 00:39:52,040
Speaker 1: his body back together, and so they set.

734
00:39:51,800 --> 00:39:56,160
Speaker 2: Out only good can come from it. Yeah, I remember

735
00:39:56,200 --> 00:39:58,280
Speaker 2: they argue about this is one of the scenes where

736
00:39:58,440 --> 00:40:01,960
Speaker 2: Hugo is skeptical because they're like, you must believe what

737
00:40:02,080 --> 00:40:06,200
Speaker 2: Madame Irina said, because you know, it's a spirit was

738
00:40:06,239 --> 00:40:10,239
Speaker 2: obviously choking her from beyond the grave. And Hugh Goo's like, oh,

739
00:40:10,239 --> 00:40:12,280
Speaker 2: it must have been. She must have put on makeup

740
00:40:12,320 --> 00:40:14,520
Speaker 2: to show those bruises. But then why are they trying

741
00:40:14,560 --> 00:40:19,680
Speaker 2: to resurrect a spirit that was choking somebody? That seems like,

742
00:40:19,719 --> 00:40:22,880
Speaker 2: I don't know that that's red flag number one that like,

743
00:40:22,960 --> 00:40:24,560
Speaker 2: you should not resurrect this spirit.

744
00:40:24,920 --> 00:40:27,279
Speaker 1: Yeah, I think so. But what did they do? They

745
00:40:27,360 --> 00:40:30,520
Speaker 1: jump in the car that they head out into the countryside,

746
00:40:30,880 --> 00:40:33,760
Speaker 1: and here we kind of get into the We initially

747
00:40:33,800 --> 00:40:36,320
Speaker 1: get into sort of the Texas chainsaw mask your territory

748
00:40:36,400 --> 00:40:39,400
Speaker 1: of the city folks have come out into the country

749
00:40:39,600 --> 00:40:44,240
Speaker 1: and now they're encountering country folk who are suspicious and dangerous.

750
00:40:44,400 --> 00:40:47,680
Speaker 2: Well, and yeah, and it was weirdly more, uh, I

751
00:40:47,680 --> 00:40:50,120
Speaker 2: don't know, there's politics within this village or something. So

752
00:40:50,200 --> 00:40:53,640
Speaker 2: like they get attacked on the road by bandits and

753
00:40:53,680 --> 00:40:56,319
Speaker 2: then some other guys show up too, and they're like, hey,

754
00:40:56,360 --> 00:40:58,759
Speaker 2: these are the bandits, and they catch the bandits and

755
00:40:58,920 --> 00:41:02,960
Speaker 2: just like vigil any Justice murder them. But then also

756
00:41:03,120 --> 00:41:06,680
Speaker 2: I think the Vigilanties then are essentially bandits also, and

757
00:41:06,760 --> 00:41:09,000
Speaker 2: they tried to extort money from from the.

758
00:41:08,960 --> 00:41:12,320
Speaker 1: Heroes yeah, and end up selling them a car because

759
00:41:12,360 --> 00:41:15,040
Speaker 1: they end up Yeah, when the bandits initially attacked, the

760
00:41:15,080 --> 00:41:16,960
Speaker 1: end up wrecking the car and they're like, well, we'll

761
00:41:17,000 --> 00:41:19,080
Speaker 1: sell you won for three thousand. And of course the

762
00:41:19,160 --> 00:41:23,359
Speaker 1: lead bandit is watching as a Hugo busts out this

763
00:41:23,360 --> 00:41:25,759
Speaker 1: big roll of money and you know, he's eyeball and

764
00:41:25,760 --> 00:41:29,200
Speaker 1: it like, ooh, I'm definitely going to rob these people later. Yeah,

765
00:41:29,239 --> 00:41:31,239
Speaker 1: and that is indeed what they are plotting to do later.

766
00:41:31,360 --> 00:41:31,879
Speaker 1: We'll come back.

767
00:41:31,920 --> 00:41:34,600
Speaker 2: So here I got I got really confused about how

768
00:41:34,640 --> 00:41:37,759
Speaker 2: this was happening. But do if I'm going to do

769
00:41:38,080 --> 00:41:41,680
Speaker 2: like Hugo and the rest of them hire the villagers

770
00:41:42,160 --> 00:41:45,440
Speaker 2: to just dig up all around this ancient church and

771
00:41:45,600 --> 00:41:48,760
Speaker 2: find they're looking for a box that has a warlockhead

772
00:41:48,760 --> 00:41:49,080
Speaker 2: in it.

773
00:41:49,760 --> 00:41:53,480
Speaker 1: Yeah, yeah, And I think the villagers are kind of

774
00:41:53,520 --> 00:41:56,480
Speaker 1: interested in it because there's also talk of there being

775
00:41:56,480 --> 00:41:58,160
Speaker 1: some sort of a treasure, so they're like, yeah, we'll

776
00:41:58,160 --> 00:42:00,200
Speaker 1: help you dig this up. He will even go to

777
00:42:00,239 --> 00:42:02,600
Speaker 1: that place where they say a demon stalks at night.

778
00:42:02,960 --> 00:42:06,760
Speaker 1: So there's this weird mix of very superstitious but also

779
00:42:07,320 --> 00:42:10,719
Speaker 1: you know, up for whatever. One of the villagers here

780
00:42:10,719 --> 00:42:15,080
Speaker 1: that we meet is this this this Alan character. Uh

781
00:42:15,120 --> 00:42:18,240
Speaker 1: and this is the he has twos. He has two daughters,

782
00:42:18,280 --> 00:42:21,239
Speaker 1: one is Chantal and the other is Elvira.

783
00:42:21,560 --> 00:42:24,080
Speaker 2: Oh okay, okay, yeah, I didn't know where some of

784
00:42:24,080 --> 00:42:27,520
Speaker 2: these characters came from. But so some of the villagers

785
00:42:27,719 --> 00:42:30,480
Speaker 2: they find a box they like, dig it up, and

786
00:42:30,520 --> 00:42:33,319
Speaker 2: they again correct me if I'm wrong. I think they

787
00:42:33,360 --> 00:42:36,600
Speaker 2: think it's treasure. So they get real excited and they

788
00:42:36,600 --> 00:42:38,800
Speaker 2: open it up, like they blow torch the lock and

789
00:42:39,239 --> 00:42:41,560
Speaker 2: crack it open. But when they crack it open, it's

790
00:42:41,640 --> 00:42:45,040
Speaker 2: not treasure. It is a warlockhead. And then the warlockhead

791
00:42:45,120 --> 00:42:50,720
Speaker 2: hypnotizes them and turns them into like like murderers.

792
00:42:51,160 --> 00:42:56,960
Speaker 1: Yeah. Yeah, Alrich's head hypnotizes them and particularly hypnotizes Alan here,

793
00:42:57,320 --> 00:43:01,279
Speaker 1: the father of Elvira, and has him go around with

794
00:43:01,320 --> 00:43:07,800
Speaker 1: this huge scary scythe this this wonderful crooked cutting implement

795
00:43:08,320 --> 00:43:10,279
Speaker 1: that again, I think is quite scary and has him

796
00:43:10,320 --> 00:43:11,799
Speaker 1: going around butchering people with that.

797
00:43:12,239 --> 00:43:14,480
Speaker 2: Yeah, so for a while here there just seems to

798
00:43:14,520 --> 00:43:18,919
Speaker 2: be kind of like random roaming sickle guys and they

799
00:43:19,000 --> 00:43:22,040
Speaker 2: are there. Some people are just getting killed and other

800
00:43:22,040 --> 00:43:25,799
Speaker 2: people are getting hypnotized to go work for the warlock head.

801
00:43:25,960 --> 00:43:28,319
Speaker 2: The head right, because it's not a full warlock yet.

802
00:43:28,360 --> 00:43:32,960
Speaker 2: It's in fact, the most hilarious detail is that they

803
00:43:33,000 --> 00:43:35,319
Speaker 2: there's like a scene where they literally go down into

804
00:43:35,360 --> 00:43:38,160
Speaker 2: the crypt and they start taking orders from the warlock head.

805
00:43:38,480 --> 00:43:41,360
Speaker 2: He's like he can't move his head, so it's really funny,

806
00:43:41,440 --> 00:43:44,200
Speaker 2: like how far his eyes move back and forth when

807
00:43:44,239 --> 00:43:47,040
Speaker 2: he's looking at the different people, Like what's this?

808
00:43:47,160 --> 00:43:47,399
Speaker 1: Now?

809
00:43:47,440 --> 00:43:48,279
Speaker 2: You know you must do.

810
00:43:48,280 --> 00:43:51,719
Speaker 1: This very you know, templar esque in terms of, you know,

811
00:43:52,000 --> 00:43:55,400
Speaker 1: the charges that were leveled against the Templars about the

812
00:43:55,440 --> 00:43:59,479
Speaker 1: worship of decapitated heads. And it reminds me a little

813
00:43:59,480 --> 00:44:01,759
Speaker 1: bit of the treatment of this idea in C. S.

814
00:44:01,880 --> 00:44:14,719
Speaker 1: Lewis's that hideous strength as well. But but yeah, the

815
00:44:15,000 --> 00:44:17,040
Speaker 1: head needs the body, it needs people to help with

816
00:44:17,120 --> 00:44:19,279
Speaker 1: the body, and some blood needs to be spilled on

817
00:44:19,400 --> 00:44:22,240
Speaker 1: along the way, and so we do get a series

818
00:44:22,280 --> 00:44:25,919
Speaker 1: of sickle murders, including Alan killing his own daughter chan

819
00:44:26,239 --> 00:44:29,040
Speaker 1: Chantelle here in a pretty terrifying scene. This is a

820
00:44:29,040 --> 00:44:30,439
Speaker 1: scene I had to watch a couple of times because

821
00:44:30,440 --> 00:44:34,360
Speaker 1: I thought it ended up being you know blocked in,

822
00:44:34,760 --> 00:44:36,840
Speaker 1: you know in a way that and shot in a

823
00:44:36,880 --> 00:44:40,520
Speaker 1: way that that I found rather effective. Uh, there's there's

824
00:44:40,520 --> 00:44:43,480
Speaker 1: a certain art to having your your brutal you know,

825
00:44:43,680 --> 00:44:47,520
Speaker 1: Jallo style murders in a film, and they don't always work.

826
00:44:47,680 --> 00:44:51,279
Speaker 1: Sometimes they come off very fake, or they come off

827
00:44:51,600 --> 00:44:55,640
Speaker 1: more about showing the blood than sort of you know,

828
00:44:55,719 --> 00:44:58,120
Speaker 1: teasing the idea of the violence. So this is not

829
00:44:58,160 --> 00:44:59,680
Speaker 1: one of those scenes where we see a lot of

830
00:44:59,800 --> 00:45:02,839
Speaker 1: like hearting of flesh and see heart getting ripped out

831
00:45:02,880 --> 00:45:05,600
Speaker 1: and so forth. But there's just like this sudden attack

832
00:45:05,960 --> 00:45:08,760
Speaker 1: and then the sickle comes out and there's a sound effect.

833
00:45:09,360 --> 00:45:10,479
Speaker 1: I thought it worked really well.

834
00:45:10,840 --> 00:45:13,359
Speaker 2: Oh but there is the ladder in this movie. There's

835
00:45:13,400 --> 00:45:16,040
Speaker 2: plenty of that where there seems, but there's one where

836
00:45:16,120 --> 00:45:19,400
Speaker 2: Helga Line literally just like reaches into a guy's chest

837
00:45:19,440 --> 00:45:22,319
Speaker 2: cavity with her fingers and prize his chest apart to

838
00:45:22,360 --> 00:45:23,040
Speaker 2: get that heart.

839
00:45:23,680 --> 00:45:26,080
Speaker 1: Yeah, the chest cat. This is one of those films where, yeah,

840
00:45:26,200 --> 00:45:29,759
Speaker 1: human flesh is just like putty to the undead, and

841
00:45:29,800 --> 00:45:31,839
Speaker 1: they can just rip right in there and pull out

842
00:45:31,880 --> 00:45:33,080
Speaker 1: any organ they want.

843
00:45:33,440 --> 00:45:35,680
Speaker 2: This is another sequence though, where I was like, when

844
00:45:36,040 --> 00:45:38,640
Speaker 2: people were getting sickled, I did not know who was who,

845
00:45:38,800 --> 00:45:41,880
Speaker 2: and I was confused when somebody like it seems like

846
00:45:41,920 --> 00:45:44,680
Speaker 2: somebody turns up dead and then the next scene somebody goes, well,

847
00:45:44,719 --> 00:45:47,719
Speaker 2: she's sleeping now, and I was like, well, wasn't she dead?

848
00:45:47,880 --> 00:45:50,239
Speaker 2: Then I think maybe they're talking about another character who

849
00:45:50,320 --> 00:45:52,239
Speaker 2: was present, So I don't know.

850
00:45:52,560 --> 00:45:54,560
Speaker 1: Yeah, this is one of those films too, where on

851
00:45:54,560 --> 00:45:58,839
Speaker 1: one hand the script was allegedly written in like two days,

852
00:45:59,400 --> 00:46:01,440
Speaker 1: but on the other hand too, it's like we're dealing

853
00:46:01,480 --> 00:46:05,120
Speaker 1: with the Grindhouse era doubting, where it wasn't really about

854
00:46:06,040 --> 00:46:09,920
Speaker 1: necessarily making sure that all the intricacies of the original

855
00:46:09,960 --> 00:46:12,920
Speaker 1: dialogue are maintained. It's about getting that product out right.

856
00:46:13,280 --> 00:46:15,600
Speaker 2: So at some point after this, there's a scene where

857
00:46:15,920 --> 00:46:20,920
Speaker 2: both Sylvia and Maurice get hypnotized to go work for

858
00:46:21,000 --> 00:46:23,920
Speaker 2: the Warlock, right, So, like Maurice goes out walking and

859
00:46:23,960 --> 00:46:28,360
Speaker 2: then he gets hypnotized by hypnotized Sylvia and they all

860
00:46:28,440 --> 00:46:31,640
Speaker 2: end up going down into the crypt and that's where

861
00:46:31,640 --> 00:46:34,440
Speaker 2: the warlock head starts talking to them. This was another

862
00:46:34,520 --> 00:46:36,840
Speaker 2: laugh out loud scene for me. Again, anytime the head

863
00:46:36,920 --> 00:46:39,640
Speaker 2: is talking without the body, I found it very funny.

864
00:46:39,880 --> 00:46:43,839
Speaker 2: And he gives a full bond villain monologue, but as

865
00:46:43,960 --> 00:46:47,319
Speaker 2: a severed head sitting in a box talking and I

866
00:46:47,360 --> 00:46:49,640
Speaker 2: had to transcribe this, I thought it was great. So

867
00:46:50,120 --> 00:46:53,279
Speaker 2: it is like you, Maurice, he says the last name.

868
00:46:53,320 --> 00:46:55,120
Speaker 2: I don't remember what it is. You know, you, Maurice,

869
00:46:55,320 --> 00:46:57,960
Speaker 2: with the blood of my enemies running through your veins,

870
00:46:58,080 --> 00:47:02,160
Speaker 2: you will serve and help me accomplish my vengeance. Today

871
00:47:02,440 --> 00:47:07,560
Speaker 2: the faithful Companion Mobile de la Cree will return, and

872
00:47:07,600 --> 00:47:10,320
Speaker 2: in the space of seven moons, and when the heavens

873
00:47:10,360 --> 00:47:14,240
Speaker 2: are propitious, our power will be at its maximum strength,

874
00:47:14,640 --> 00:47:17,919
Speaker 2: so that we can exterminate all those who executed us,

875
00:47:18,280 --> 00:47:22,680
Speaker 2: and our unbounded hatred will make all mankind tremble, and

876
00:47:22,800 --> 00:47:27,400
Speaker 2: thereby we will thus be avenged. Right, it sounds like

877
00:47:27,400 --> 00:47:33,719
Speaker 2: a plan, and thereby we will thus be avenged. I

878
00:47:33,760 --> 00:47:36,400
Speaker 2: think this warlock in his day job, may have been

879
00:47:36,440 --> 00:47:41,360
Speaker 2: a lawyer. It's very contracty kind of language.

880
00:47:41,520 --> 00:47:44,040
Speaker 1: Well, you know, back, I mean, I think that's fair.

881
00:47:44,160 --> 00:47:46,239
Speaker 1: Back in the day like what was a warlock but

882
00:47:46,320 --> 00:47:50,920
Speaker 1: a lawyer who dealt mainly with one client, that being

883
00:47:51,040 --> 00:47:55,160
Speaker 1: the Lord of the pet himself, Lord Satan.

884
00:47:55,719 --> 00:47:58,120
Speaker 2: But also in the scene this is I think the

885
00:47:58,160 --> 00:48:01,640
Speaker 2: resurrection scene where the war lock and Mobile are sort

886
00:48:01,680 --> 00:48:03,919
Speaker 2: of brought back, so like they put the Warlock's head

887
00:48:04,000 --> 00:48:07,399
Speaker 2: back on his body and somehow they turn Mobile from

888
00:48:07,440 --> 00:48:11,240
Speaker 2: a skeleton with a wig on into hellgalln A, oh god.

889
00:48:11,200 --> 00:48:14,920
Speaker 1: This is seen is great. Yes, So the the resurrected

890
00:48:15,719 --> 00:48:20,279
Speaker 1: Alic here, he's one piece again. He places the unconscious

891
00:48:20,320 --> 00:48:24,319
Speaker 1: Sylvia upon the skeletal remains in the casket, slices open

892
00:48:24,360 --> 00:48:30,680
Speaker 1: her chest, and then he kind of necrophilatically resurrects Mabel.

893
00:48:31,080 --> 00:48:33,960
Speaker 1: Mabel he like kind of like lays on top of

894
00:48:34,040 --> 00:48:36,399
Speaker 1: these two bodies in the casket. And then the next

895
00:48:36,440 --> 00:48:41,279
Speaker 1: shot is Mabel is rising up out of the casket

896
00:48:41,320 --> 00:48:44,400
Speaker 1: like the bones of her old bones like spilling to

897
00:48:44,480 --> 00:48:48,920
Speaker 1: the side, and she's back baby. And then Alaric kills

898
00:48:50,360 --> 00:48:52,520
Speaker 1: Alan and cuts out his heart. So just a great

899
00:48:52,560 --> 00:48:56,680
Speaker 1: sequence of events here. I guess, like I say, they're

900
00:48:56,680 --> 00:48:59,160
Speaker 1: a power couple. You can't help you feel their energy

901
00:48:59,160 --> 00:49:00,000
Speaker 1: and get behind him here.

902
00:49:00,280 --> 00:49:03,600
Speaker 2: Yeah, and they're clearly happy to be reunited. They are

903
00:49:03,640 --> 00:49:07,440
Speaker 2: ready to go do copious evil together. Yes, so I

904
00:49:07,480 --> 00:49:11,120
Speaker 2: think there's like a scene where they're getting it was

905
00:49:11,160 --> 00:49:14,040
Speaker 2: not clear, but they're like getting revenge on the descendants

906
00:49:14,080 --> 00:49:16,799
Speaker 2: of the people who executed them. I think they're just

907
00:49:16,840 --> 00:49:19,759
Speaker 2: going and like attacking random villagers.

908
00:49:20,440 --> 00:49:22,440
Speaker 1: I guess. I guess this was part of the vengeance,

909
00:49:22,520 --> 00:49:24,960
Speaker 1: or it might have just been a situation with like

910
00:49:24,960 --> 00:49:27,520
Speaker 1: we got to power up and eat more hearts. But yeah,

911
00:49:27,800 --> 00:49:30,920
Speaker 1: there are these wonderful scenes where Alaric and Mabel go

912
00:49:31,040 --> 00:49:34,200
Speaker 1: off to love up and kill other characters. I'm not

913
00:49:34,239 --> 00:49:36,920
Speaker 1: sure these are necessarily characters that we had met before.

914
00:49:37,719 --> 00:49:41,160
Speaker 1: Mabel finds a young villager dude, she strips nude and

915
00:49:41,200 --> 00:49:44,920
Speaker 1: he gets nude, and then she backscratches him to death yep.

916
00:49:45,120 --> 00:49:48,719
Speaker 1: And then Alaric's occult charisma causes a villager woman to

917
00:49:48,719 --> 00:49:51,239
Speaker 1: strip nude, so he strips nude, and this is when

918
00:49:51,280 --> 00:49:54,359
Speaker 1: we get to see physique by Nashi here, and then

919
00:49:54,400 --> 00:49:57,640
Speaker 1: they climb into bed together. Cut to villager dude with

920
00:49:57,680 --> 00:50:01,399
Speaker 1: his backslashed, cut to nude woman dad with her heart

921
00:50:01,400 --> 00:50:01,759
Speaker 1: cut out.

922
00:50:02,080 --> 00:50:05,240
Speaker 2: I think this is a John Saxon situation, though, where

923
00:50:05,280 --> 00:50:07,880
Speaker 2: like Nashy, clearly he's like, I got to show my

924
00:50:07,960 --> 00:50:11,680
Speaker 2: chest in this movie. People need to see these muscles. Yeah,

925
00:50:11,719 --> 00:50:13,359
Speaker 2: so he found ways to work it in.

926
00:50:13,880 --> 00:50:15,840
Speaker 1: I had. It also made me look up as with

927
00:50:15,920 --> 00:50:19,279
Speaker 1: John Saxon, I had to look up old bodybuilding photographs

928
00:50:19,280 --> 00:50:21,319
Speaker 1: and yeah, you see some. I found some old Paul

929
00:50:21,400 --> 00:50:25,439
Speaker 1: Nashi shots of him in like full bodybuilder mode and yeah,

930
00:50:25,480 --> 00:50:26,240
Speaker 1: pretty impressive.

931
00:50:26,480 --> 00:50:30,640
Speaker 2: Okay, Now there's some like Magic Dynamics where there's like

932
00:50:30,880 --> 00:50:34,360
Speaker 2: a magical amulet that pops up sometime around here in

933
00:50:34,400 --> 00:50:37,080
Speaker 2: the movie, and I was trying my hardest to figure

934
00:50:37,120 --> 00:50:39,200
Speaker 2: out did we already know something about this or is

935
00:50:39,239 --> 00:50:41,719
Speaker 2: this just out of nowhere? Like, oh, yeah, there is

936
00:50:41,880 --> 00:50:44,560
Speaker 2: an amulet that will defeat the warlock.

937
00:50:45,080 --> 00:50:46,759
Speaker 1: Yeah, this kind of comes out of nowhere. As I

938
00:50:46,800 --> 00:50:50,520
Speaker 1: recall Elvira, the local girl and ultimately she's going to

939
00:50:50,560 --> 00:50:53,200
Speaker 1: be our final girl here, she's like, oh, by the way,

940
00:50:53,200 --> 00:50:57,160
Speaker 1: I just remembered something. There's this Thor's Hammer amulet and

941
00:50:57,200 --> 00:50:59,280
Speaker 1: it can destroy powerful undead creatures.

942
00:50:59,560 --> 00:51:00,360
Speaker 2: Oh.

943
00:51:00,800 --> 00:51:05,600
Speaker 1: So useful information to suddenly have. And also we later

944
00:51:05,719 --> 00:51:08,040
Speaker 1: learn and I don't remember how we learn this, but

945
00:51:08,120 --> 00:51:12,200
Speaker 1: we learned that Thor's Hammer will not outright destroy a

946
00:51:12,320 --> 00:51:16,160
Speaker 1: female undead a female resurrected being. No, for that, you

947
00:51:16,239 --> 00:51:17,880
Speaker 1: need a long silver needle.

948
00:51:18,280 --> 00:51:21,480
Speaker 2: Right, So, yeah, the hammer only works on Paul Nashi,

949
00:51:21,600 --> 00:51:26,040
Speaker 2: the warlock Paul Nashi. I remember how they find this out.

950
00:51:26,600 --> 00:51:28,759
Speaker 2: They open up a book and they're reading the book

951
00:51:28,840 --> 00:51:31,200
Speaker 2: and I'm like, what is this book. I don't know

952
00:51:31,880 --> 00:51:33,800
Speaker 2: if they ever explain what the book is. They just

953
00:51:33,960 --> 00:51:36,120
Speaker 2: have a book that tells you how to kill the warlock.

954
00:51:36,400 --> 00:51:38,640
Speaker 1: This was the research portion of the movie. I forgot

955
00:51:38,640 --> 00:51:39,040
Speaker 1: about this.

956
00:51:39,480 --> 00:51:42,080
Speaker 2: But so there is a scene where after this, like,

957
00:51:42,200 --> 00:51:48,040
Speaker 2: the remaining humans include Hugo, who is unhypnotized at this point.

958
00:51:48,120 --> 00:51:54,440
Speaker 2: That's normal, that's regular, Paul Nashi, and Elvira, and I

959
00:51:54,440 --> 00:51:57,320
Speaker 2: think maybe somebody else I don't know. So zombies attack

960
00:51:57,400 --> 00:52:01,640
Speaker 2: the house and it's really This was also very funny

961
00:52:01,680 --> 00:52:04,919
Speaker 2: because I think we get Alan or Elaine, the guy

962
00:52:04,960 --> 00:52:08,360
Speaker 2: from the village, talking to Elvira and he's like, el Vira,

963
00:52:08,680 --> 00:52:13,279
Speaker 2: my daughter opened the door and he sounds like Dracula,

964
00:52:13,360 --> 00:52:19,160
Speaker 2: but she's like, oh dad. But when the zombies get

965
00:52:19,200 --> 00:52:22,279
Speaker 2: into the house, they are vocal fry zombies. They are

966
00:52:22,320 --> 00:52:29,040
Speaker 2: just wandering the halls, going non stop until there's a

967
00:52:29,080 --> 00:52:32,239
Speaker 2: torch stand off. Paul Nashy lights up a torch and

968
00:52:32,320 --> 00:52:35,200
Speaker 2: waves it at them. He does an awful lot of

969
00:52:35,239 --> 00:52:38,080
Speaker 2: waving that torch that goes on for a while, and

970
00:52:38,239 --> 00:52:40,760
Speaker 2: eventually he gets him out of the house. He's like shoo, shoo,

971
00:52:40,800 --> 00:52:43,160
Speaker 2: and you know, they get out of the door, and

972
00:52:43,239 --> 00:52:46,279
Speaker 2: then he I think, tries to burn them, but I

973
00:52:46,320 --> 00:52:48,840
Speaker 2: don't know if it exactly works, because later he's like

974
00:52:48,920 --> 00:52:52,520
Speaker 2: looking for their bodies in the lake or something he kept.

975
00:52:52,640 --> 00:52:56,400
Speaker 1: There's a there's a brief burning man stunt here where

976
00:52:56,560 --> 00:53:00,560
Speaker 1: he catches one of the one of the zombies on fire,

977
00:53:00,719 --> 00:53:02,880
Speaker 1: or at least catches the pants and the back on fire.

978
00:53:03,400 --> 00:53:04,160
Speaker 2: Uh huh.

979
00:53:04,200 --> 00:53:07,560
Speaker 1: So yeah, basically Night of a Living Dead scenario here

980
00:53:07,600 --> 00:53:11,560
Speaker 1: with dead villagers. They're able to successfully successfully fight them

981
00:53:11,560 --> 00:53:12,359
Speaker 1: off until Don.

982
00:53:12,760 --> 00:53:16,919
Speaker 2: After this, Maurice comes back the painter guy, and he's like, well,

983
00:53:16,960 --> 00:53:21,480
Speaker 2: I'm not hypnotized by the warlock anymore. And Hugh goes like,

984
00:53:21,480 --> 00:53:23,839
Speaker 2: oh great, well then I need you to go help

985
00:53:23,880 --> 00:53:25,960
Speaker 2: me do something. We're going to need an axe and

986
00:53:26,040 --> 00:53:29,040
Speaker 2: some wood, and then he says to Elvira. So they're

987
00:53:29,080 --> 00:53:31,359
Speaker 2: leaving the house and he's like, you stay here. It's

988
00:53:31,440 --> 00:53:34,680
Speaker 2: going This is a direct quote. It's going to be disagreeable.

989
00:53:34,920 --> 00:53:38,320
Speaker 2: You'll be in no danger even if you're alone. What's

990
00:53:38,360 --> 00:53:39,160
Speaker 2: the basis for that?

991
00:53:39,480 --> 00:53:44,240
Speaker 1: I guess it's because it's daytime. The sun is Oh yeah,

992
00:53:44,239 --> 00:53:46,399
Speaker 1: that could be it, and she shouldn't see what they're

993
00:53:46,440 --> 00:53:49,239
Speaker 1: going to do. What they are going to do. This

994
00:53:49,320 --> 00:53:52,360
Speaker 1: is the same the following sequence. I think I watched

995
00:53:52,360 --> 00:53:56,919
Speaker 1: three different times and finally consulted a summary to really

996
00:53:57,040 --> 00:53:59,320
Speaker 1: nail down what they were trying to do in this sequence.

997
00:54:00,040 --> 00:54:01,520
Speaker 2: Well, what are they trying to do this? So they

998
00:54:01,520 --> 00:54:04,080
Speaker 2: go to the lake and the lake is making bubbling

999
00:54:04,080 --> 00:54:06,400
Speaker 2: tar pit sounds, and I don't know why, but.

1000
00:54:06,560 --> 00:54:09,640
Speaker 1: They have to live an axe and they have firewood,

1001
00:54:09,680 --> 00:54:12,279
Speaker 1: and they have like a big long pole with a

1002
00:54:12,280 --> 00:54:14,440
Speaker 1: hook on it, like they're going to drag the lake.

1003
00:54:14,760 --> 00:54:18,160
Speaker 1: Apparently they have come out here to find the bodies

1004
00:54:18,160 --> 00:54:21,480
Speaker 1: of the zombies from last night, any remaining bodies, and

1005
00:54:21,560 --> 00:54:22,120
Speaker 1: burn them.

1006
00:54:22,360 --> 00:54:26,120
Speaker 2: But they don't quite get to do that because Maurice

1007
00:54:26,320 --> 00:54:29,160
Speaker 2: was not so unpossessed after all. Looks like this was

1008
00:54:29,200 --> 00:54:30,200
Speaker 2: all a trap.

1009
00:54:30,120 --> 00:54:35,320
Speaker 1: That's right, a brutal betrayal in which Maurice possessed Maurice

1010
00:54:35,640 --> 00:54:37,120
Speaker 1: kills Hugo with a shotgun.

1011
00:54:37,360 --> 00:54:40,480
Speaker 2: So this is regular Paul Nashi is dead. Now only

1012
00:54:40,800 --> 00:54:42,720
Speaker 2: warlock Pole Nashi remains.

1013
00:54:42,800 --> 00:54:44,719
Speaker 1: Right, And again I was kind of surprised by this

1014
00:54:44,719 --> 00:54:46,800
Speaker 1: because I thought it was going to ultimately be Nashi

1015
00:54:46,880 --> 00:54:49,800
Speaker 1: versus Nashi, but instead no, only Aleric remains.

1016
00:54:50,239 --> 00:54:55,000
Speaker 2: But however, I think Maurice is genuinely awakened from his

1017
00:54:56,160 --> 00:54:59,680
Speaker 2: hypnotized state by the Thor's hammer amulet, like I think,

1018
00:55:00,760 --> 00:55:05,120
Speaker 2: what's her name? Alvira presses that against him and then

1019
00:55:05,160 --> 00:55:08,480
Speaker 2: he's like, oh, I'm good now. Yeah. Then that's when

1020
00:55:08,520 --> 00:55:11,280
Speaker 2: they read the book they find. They just start reading

1021
00:55:11,280 --> 00:55:13,400
Speaker 2: a book and it tells them how to kill warlocks

1022
00:55:13,400 --> 00:55:17,200
Speaker 2: and zombies and the silver Needle and all that. Meanwhile,

1023
00:55:17,239 --> 00:55:19,480
Speaker 2: this is when we get the argument between the warlock

1024
00:55:19,560 --> 00:55:22,719
Speaker 2: and hell Gallina about when they should eat hearts. You know,

1025
00:55:22,840 --> 00:55:25,120
Speaker 2: I will eat hearts later, but I'm hungry now. And

1026
00:55:25,160 --> 00:55:29,320
Speaker 2: they settle this by going out to find the bandits

1027
00:55:29,360 --> 00:55:32,279
Speaker 2: or the vigilantes from earlier who were camped out with

1028
00:55:32,320 --> 00:55:35,200
Speaker 2: a fire by the riverbank, and they just say, Hi,

1029
00:55:35,239 --> 00:55:37,279
Speaker 2: We're gonna eat your hearts now, and they do. This

1030
00:55:37,320 --> 00:55:40,440
Speaker 2: is where Mabile like rips the dude's chest open with

1031
00:55:40,480 --> 00:55:41,040
Speaker 2: her hands.

1032
00:55:41,520 --> 00:55:44,040
Speaker 1: Nice. So many chests get ripped open in this film,

1033
00:55:44,440 --> 00:55:47,239
Speaker 1: and this all leads up to our final showdown. So

1034
00:55:47,400 --> 00:55:51,040
Speaker 1: on one hand, we have we have Maurice, and we

1035
00:55:51,120 --> 00:55:56,239
Speaker 1: have Alvira, and then we also have Alrich and Mabel

1036
00:55:56,760 --> 00:56:00,400
Speaker 1: and Alvira and Maurice. They have the weapons now they

1037
00:56:00,440 --> 00:56:02,160
Speaker 1: feel like they know what they need to do. They

1038
00:56:02,200 --> 00:56:05,160
Speaker 1: have the amulet, they have the needle, and so the

1039
00:56:05,200 --> 00:56:08,719
Speaker 1: battle begins basically the way this is. I thought thought

1040
00:56:08,760 --> 00:56:11,520
Speaker 1: this was a nice final showdown, but ultimately Maurice and

1041
00:56:11,600 --> 00:56:14,960
Speaker 1: Alaric both throw items at each other at the same time.

1042
00:56:15,400 --> 00:56:19,320
Speaker 1: Maurice is throwing the thor amulet and Alaric is throwing

1043
00:56:19,360 --> 00:56:23,360
Speaker 1: an axe, so Maurice is killed by the axe. Meanwhile,

1044
00:56:23,360 --> 00:56:27,360
Speaker 1: the amulet hits Alaric and wounds him. Alvira is fighting

1045
00:56:27,440 --> 00:56:30,600
Speaker 1: Mabel and stabs her with a silver needle, which just

1046
00:56:30,920 --> 00:56:34,920
Speaker 1: destroys her. And then Elvira picks up the amulet and

1047
00:56:35,040 --> 00:56:39,280
Speaker 1: presses it to the wounded Alaric's head, and this results

1048
00:56:39,360 --> 00:56:43,800
Speaker 1: in a nice dramatic death sequence for Paul Nashy's Alaric.

1049
00:56:43,760 --> 00:56:46,520
Speaker 2: So Elviras survives The Warlock Horror.

1050
00:56:46,280 --> 00:56:49,799
Speaker 1: That's right, Alaric. He falls to his knees, his head

1051
00:56:49,840 --> 00:56:52,239
Speaker 1: falls off his body, and his head tumble down some

1052
00:56:52,360 --> 00:56:55,160
Speaker 1: stairs and then just burned to a crisp.

1053
00:56:55,360 --> 00:56:56,840
Speaker 2: They end up looking at they're kind of like a

1054
00:56:57,000 --> 00:57:00,319
Speaker 2: smoldering orange newspapers. It looks lake.

1055
00:57:00,440 --> 00:57:04,640
Speaker 1: Yeah. And then and then Elvirah, in kind of a daze,

1056
00:57:04,680 --> 00:57:07,520
Speaker 1: she wanders back down to the lake and she throws

1057
00:57:07,960 --> 00:57:10,960
Speaker 1: the thor amulet into the water, and that's the end

1058
00:57:11,000 --> 00:57:11,480
Speaker 1: of the movie.

1059
00:57:11,880 --> 00:57:14,560
Speaker 2: Now that's the I was confused by that. Why did

1060
00:57:14,600 --> 00:57:17,680
Speaker 2: she throw the amulet in the water. The amulet wasn't bad,

1061
00:57:17,760 --> 00:57:20,600
Speaker 2: The amulet protected them from evil. How does she know

1062
00:57:21,120 --> 00:57:23,600
Speaker 2: that there isn't that she's not gonna need that again?

1063
00:57:24,080 --> 00:57:26,000
Speaker 1: I don't know. I mean, she seemed to think it

1064
00:57:26,040 --> 00:57:28,160
Speaker 1: belonged there. I don't know if she was like, I've

1065
00:57:28,200 --> 00:57:30,400
Speaker 1: had enough of this, I'm throwing this into the water.

1066
00:57:30,920 --> 00:57:33,840
Speaker 1: If this is like throwing Goose's dog tags into the

1067
00:57:33,840 --> 00:57:37,040
Speaker 1: ocean and top gun, I don't know, if this is

1068
00:57:37,120 --> 00:57:39,840
Speaker 1: like ex Caliber needs to be returned to the lake

1069
00:57:39,920 --> 00:57:42,160
Speaker 1: and so she's throwing those thrown into the lake. I'm

1070
00:57:42,200 --> 00:57:45,160
Speaker 1: not sure exactly what the rationale was here, other than

1071
00:57:45,200 --> 00:57:48,360
Speaker 1: to have a kind of haunting, ambiguous ending to the

1072
00:57:48,360 --> 00:57:52,280
Speaker 1: whole affair. M yeah, which is sort of what we

1073
00:57:52,400 --> 00:57:56,320
Speaker 1: had in the Loralai Scrasp. We had a haunting, ambiguous

1074
00:57:56,400 --> 00:57:58,200
Speaker 1: ending by the lake shore.

1075
00:57:58,640 --> 00:58:02,520
Speaker 2: That's right. Yeah, Except this movie, unlike Lorealized Grasp, does

1076
00:58:02,560 --> 00:58:05,680
Speaker 2: not have a doomed monster romance component. It does not

1077
00:58:05,760 --> 00:58:08,680
Speaker 2: have like the human falls in love with a monster.

1078
00:58:09,160 --> 00:58:11,240
Speaker 2: If there is a love story, it's the love story

1079
00:58:11,280 --> 00:58:15,320
Speaker 2: between two evil monsters and uh and unfortunately they are

1080
00:58:15,360 --> 00:58:19,240
Speaker 2: both they are both thwarted by by bumbling humans in

1081
00:58:19,280 --> 00:58:19,640
Speaker 2: the end.

1082
00:58:20,040 --> 00:58:23,840
Speaker 1: Well, Aleric is clearly upset when his loved one dies again,

1083
00:58:23,920 --> 00:58:25,800
Speaker 1: like we do get a moment of him reacting to that,

1084
00:58:26,080 --> 00:58:27,760
Speaker 1: and I felt bad for him because again I was

1085
00:58:27,800 --> 00:58:31,480
Speaker 1: one percent behind this power couple. I'm not sure what

1086
00:58:31,520 --> 00:58:35,560
Speaker 1: their their their modern power couple name would be combining

1087
00:58:35,640 --> 00:58:43,000
Speaker 1: Alaric and Mabel. I'll leave met for Maloric Malaric, team Malarek. Yeah,

1088
00:58:43,120 --> 00:58:45,120
Speaker 1: I was one hundred percent on team Malrek. So yeah,

1089
00:58:45,120 --> 00:58:47,520
Speaker 1: I was a little a little sad when when when

1090
00:58:47,560 --> 00:58:49,400
Speaker 1: when things went down the way they did.

1091
00:58:49,800 --> 00:58:53,160
Speaker 2: I think Nashi's look as the warlock is far superior

1092
00:58:53,240 --> 00:58:57,360
Speaker 2: to his look as a modern day man, So yeah, definitely. Yeah.

1093
00:58:57,600 --> 00:59:00,200
Speaker 2: On one day, he's wearing this gross, pale make up

1094
00:59:00,200 --> 00:59:02,280
Speaker 2: and he always looks sweaty, and he's got this fake

1095
00:59:02,440 --> 00:59:05,960
Speaker 2: beard and he's got the cool cape and everything, and

1096
00:59:05,960 --> 00:59:08,880
Speaker 2: that all just gels. That works, and the other words.

1097
00:59:08,680 --> 00:59:12,000
Speaker 1: There's an actual gel too, there's that red gel or

1098
00:59:12,040 --> 00:59:15,040
Speaker 1: purple gel. So he has this demonic light to him

1099
00:59:15,080 --> 00:59:17,040
Speaker 1: and yeah, he's just the got this sardonic look on

1100
00:59:17,080 --> 00:59:19,240
Speaker 1: his face. Absolutely love this look.

1101
00:59:19,640 --> 00:59:22,080
Speaker 2: That look. That look works. And when you compare that

1102
00:59:22,160 --> 00:59:24,800
Speaker 2: to his look as the modern man who tucks his

1103
00:59:24,840 --> 00:59:27,160
Speaker 2: turtleneck in, it's just it's not the same.

1104
00:59:27,520 --> 00:59:32,040
Speaker 1: Right. Oh, one before we close out, one more Maurice

1105
00:59:32,080 --> 00:59:34,240
Speaker 1: moment that I love. There's a part earlier in the

1106
00:59:34,240 --> 00:59:36,360
Speaker 1: film where they've gone out into the country and he

1107
00:59:36,400 --> 00:59:38,280
Speaker 1: comes back from town. I'm not sure what he was

1108
00:59:38,280 --> 00:59:41,080
Speaker 1: doing in town, but he's talking to Hugo and he's like, yeah,

1109
00:59:41,080 --> 00:59:42,960
Speaker 1: this place sucks. Like I went into town and the

1110
00:59:43,400 --> 00:59:45,000
Speaker 1: kids were throwing rocks at me.

1111
00:59:46,480 --> 00:59:49,120
Speaker 2: Yeah, I loved it. I did not know what that meant,

1112
00:59:49,120 --> 00:59:50,200
Speaker 2: but it was funny.

1113
00:59:51,720 --> 00:59:56,280
Speaker 1: All right. The movie is Horror Rises from the Tomb. Yeah,

1114
00:59:56,320 --> 00:59:58,600
Speaker 1: it's a lot of fun. At some point in the future,

1115
00:59:58,600 --> 01:00:00,640
Speaker 1: I may have to come back and look around at

1116
01:00:00,640 --> 01:00:03,400
Speaker 1: some of these Paul Nashi werewolf films and figure out

1117
01:00:03,760 --> 01:00:07,840
Speaker 1: what might be the Paul Nashi werewolf film to watch.

1118
01:00:07,960 --> 01:00:11,000
Speaker 1: I'm not sure, but if anyone out there has any ideas,

1119
01:00:11,440 --> 01:00:14,080
Speaker 1: feel free to write in and let us know. All right.

1120
01:00:14,120 --> 01:00:15,640
Speaker 1: In the meantime, if you want to listen to other

1121
01:00:15,680 --> 01:00:18,120
Speaker 1: Weird House Cinema episodes, you'll find them in the Stuff

1122
01:00:18,120 --> 01:00:21,240
Speaker 1: to Blow your Mind podcast feed every Friday. We're mainly

1123
01:00:21,280 --> 01:00:24,080
Speaker 1: a science podcast, but once a week we like to

1124
01:00:24,080 --> 01:00:26,720
Speaker 1: set aside everything that's serious and just talk about a

1125
01:00:26,720 --> 01:00:30,720
Speaker 1: weird film. So yeah, get that wherever you get your podcasts.

1126
01:00:30,800 --> 01:00:33,120
Speaker 1: If you want a full list of the movies we've covered,

1127
01:00:33,440 --> 01:00:35,320
Speaker 1: there are two places you can go for that, aside

1128
01:00:35,320 --> 01:00:38,800
Speaker 1: from the episode feed. You can go to letterbox that's

1129
01:00:39,000 --> 01:00:41,640
Speaker 1: l E T T E R bo x D, and

1130
01:00:41,680 --> 01:00:44,680
Speaker 1: if you look up the account Weird House, you'll find

1131
01:00:44,680 --> 01:00:46,520
Speaker 1: a list there with all the movies in there. So

1132
01:00:46,520 --> 01:00:49,080
Speaker 1: you can give this nice visual of everything that we've

1133
01:00:49,080 --> 01:00:51,640
Speaker 1: covered and sometimes a glimpse at what we're going to cover.

1134
01:00:51,960 --> 01:00:55,280
Speaker 1: I also blog about these at a personal blog titled

1135
01:00:55,320 --> 01:00:58,000
Speaker 1: Summuta Music, so you can go there as well.

1136
01:00:58,240 --> 01:01:01,200
Speaker 2: Huge thanks as always to our excellent audio producer Seth

1137
01:01:01,280 --> 01:01:03,760
Speaker 2: Nicholas Johnson. If you would like to get in touch

1138
01:01:03,800 --> 01:01:06,200
Speaker 2: with us with feedback on this episode or any other,

1139
01:01:06,320 --> 01:01:09,200
Speaker 2: to suggest a topic for the future, or just to

1140
01:01:09,200 --> 01:01:12,160
Speaker 2: say hello, you can email us at contact at stuff

1141
01:01:12,200 --> 01:01:20,720
Speaker 2: to Blow your Mind dot com.

1142
01:01:20,880 --> 01:01:23,840
Speaker 3: Stuff to Blow Your Mind is production of iHeartRadio. For

1143
01:01:23,920 --> 01:01:26,720
Speaker 3: more podcasts from my heart Radio, visit the iHeartRadio app,

1144
01:01:26,840 --> 01:01:29,600
Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows.