1 00:00:03,520 --> 00:00:06,960 Speaker 1: Welcome to Jay dot M, a production of I Heart 2 00:00:07,080 --> 00:00:14,920 Speaker 1: Radio Microphone check one to what is this? Welcome to 3 00:00:15,040 --> 00:00:20,840 Speaker 1: Jay dot the Podcast. I'm here with Layah st Clair. Hello, people, 4 00:00:20,920 --> 00:00:24,960 Speaker 1: and agent great and dance. Yes, the five nine assassin 5 00:00:25,040 --> 00:00:28,320 Speaker 1: with the rough neck business. Wait, I'm like, I think 6 00:00:28,320 --> 00:00:30,920 Speaker 1: I cut lay off. What are you gonna say? Book? No, 7 00:00:31,040 --> 00:00:33,080 Speaker 1: I'm just saying, what's up? Book, that's all over you. Okay, 8 00:00:33,280 --> 00:00:36,600 Speaker 1: just just make it sure, work, just make it sure. 9 00:00:36,600 --> 00:00:39,720 Speaker 1: I don't want to cut you off lying. I want no, 10 00:00:39,880 --> 00:00:43,720 Speaker 1: I want no smoke with you. Well a little bit. 11 00:00:43,800 --> 00:00:54,240 Speaker 1: We haven't done it and so out. Sorry, it's crazy. 12 00:00:54,440 --> 00:00:56,520 Speaker 1: I really can't wait to see y'all in person, though, 13 00:00:56,560 --> 00:01:00,120 Speaker 1: I'm happy to see you right in this moment, but 14 00:01:00,160 --> 00:01:04,640 Speaker 1: I feel that it's time. Okay, we've been on the zoom. 15 00:01:04,760 --> 00:01:08,640 Speaker 1: It's time to see one another. I'm going to warn you. 16 00:01:08,800 --> 00:01:10,960 Speaker 1: I think I warned you before, but I'm warning you now. 17 00:01:11,120 --> 00:01:14,280 Speaker 1: I'm going to bite you. I'll take a bite. I'm 18 00:01:14,319 --> 00:01:19,759 Speaker 1: going to bruise. Yeah. It's too much love we have had. 19 00:01:20,200 --> 00:01:25,880 Speaker 1: We have shared too many thoughts and feelings together. Damn zoom. 20 00:01:26,400 --> 00:01:31,880 Speaker 1: That's right now, You're gonna get bit you, Finna get it. Okay, 21 00:01:31,959 --> 00:01:34,679 Speaker 1: you're about to get it. I'm mark because you know, 22 00:01:34,760 --> 00:01:36,160 Speaker 1: this thing is like it's gonna be there for the 23 00:01:36,200 --> 00:01:41,160 Speaker 1: next two weeks. It's gonna go for red to black 24 00:01:41,240 --> 00:01:45,600 Speaker 1: and purple. One. Oh my god, I got a new bruise. 25 00:01:46,160 --> 00:01:49,040 Speaker 1: Like it's fading now, but I got a new bruise. 26 00:01:49,080 --> 00:01:51,000 Speaker 1: I was like, what did I though, that's that light 27 00:01:51,040 --> 00:01:56,680 Speaker 1: skinned thing, that problem when you come from. When did 28 00:01:56,720 --> 00:01:59,880 Speaker 1: this happen? I don't even know. I don't understand y'all's 29 00:02:00,080 --> 00:02:03,800 Speaker 1: skin problems. But I know that because I'm looking at 30 00:02:03,800 --> 00:02:09,359 Speaker 1: this Zoe and I you're you're a fair carmely I'm 31 00:02:09,360 --> 00:02:11,640 Speaker 1: a carmely color. I just said. But I had a mother. 32 00:02:11,720 --> 00:02:14,600 Speaker 1: I had a mother who was was quite light, and 33 00:02:14,639 --> 00:02:17,360 Speaker 1: she had issues with that too. She would literally have 34 00:02:17,440 --> 00:02:20,200 Speaker 1: a bruise and we'd be like, mom, what did you do? 35 00:02:20,320 --> 00:02:23,000 Speaker 1: She's like, I just I get these bruises living. I 36 00:02:23,040 --> 00:02:27,760 Speaker 1: don't know what. I don't know why this happens to me. 37 00:02:28,280 --> 00:02:30,840 Speaker 1: But I'd be like, mone, that's terrible. That thing is perfect. 38 00:02:31,040 --> 00:02:34,040 Speaker 1: You hit something, she said, I did. I don't know what, 39 00:02:34,200 --> 00:02:37,959 Speaker 1: and I do not remember. But and of course, growing 40 00:02:38,040 --> 00:02:41,920 Speaker 1: up because I had like skinned mama as pf okay, 41 00:02:42,120 --> 00:02:44,760 Speaker 1: I was not one of those. Yes, we had we 42 00:02:44,840 --> 00:02:47,160 Speaker 1: put on something block. That's what my mother had to 43 00:02:47,200 --> 00:02:50,560 Speaker 1: have it on or she would peel so a lot 44 00:02:50,560 --> 00:02:56,120 Speaker 1: of it in the eighties and nineties, like yeah, yeah, 45 00:02:56,200 --> 00:03:00,240 Speaker 1: my mother, my mother did. My mother did. The first 46 00:03:00,240 --> 00:03:02,440 Speaker 1: time you saw a black person burn, that ship blew 47 00:03:02,480 --> 00:03:04,440 Speaker 1: my mind, Like I saw a black girl bubble and 48 00:03:04,480 --> 00:03:08,040 Speaker 1: I was like, I don't even know because the doc 49 00:03:08,200 --> 00:03:10,680 Speaker 1: a dumb chick baby or on to get a better 50 00:03:15,400 --> 00:03:18,560 Speaker 1: more than I was like yes, like sis, You're like, 51 00:03:18,639 --> 00:03:27,200 Speaker 1: sister Melanin is not like completely yes, it's not. It 52 00:03:27,240 --> 00:03:33,560 Speaker 1: does it, it's not. But I didn't know that. I 53 00:03:33,560 --> 00:03:36,280 Speaker 1: didn't know. I got sunburned on my chest one time 54 00:03:36,960 --> 00:03:40,240 Speaker 1: and it completely like it changed the color of my 55 00:03:40,360 --> 00:03:43,760 Speaker 1: chest like forever. I had no idea. I was like, 56 00:03:43,840 --> 00:03:50,120 Speaker 1: why is my chest hurting it? I had no idea. 57 00:03:50,320 --> 00:03:52,600 Speaker 1: I didn't know, not for nothing, but the increase of 58 00:03:52,680 --> 00:03:56,720 Speaker 1: the ozone layer become missing. Black people are more endangered 59 00:03:56,720 --> 00:04:00,640 Speaker 1: than ever and they have no idea that. Yeah, it's crazy. Yeah, Actually, 60 00:04:00,640 --> 00:04:02,280 Speaker 1: I will tell you that I didn't have my first 61 00:04:02,320 --> 00:04:05,960 Speaker 1: experience burning in the past five years where I had 62 00:04:06,080 --> 00:04:10,000 Speaker 1: my shoulders, and I was like, oh wait, this is painful. 63 00:04:10,040 --> 00:04:15,320 Speaker 1: What is this um that hurts? I know, White people 64 00:04:15,360 --> 00:04:17,480 Speaker 1: said somewhere laughing at us, like what the funk? How 65 00:04:18,160 --> 00:04:21,480 Speaker 1: Like how y'all didn't know that the sun burns because 66 00:04:21,480 --> 00:04:24,039 Speaker 1: it's whatever did before. And that's how you know that 67 00:04:24,080 --> 00:04:27,720 Speaker 1: the sun is getting stronger and the ozone layers getting weaker. 68 00:04:27,960 --> 00:04:31,320 Speaker 1: That's how you know because all these years, all these 69 00:04:31,400 --> 00:04:35,279 Speaker 1: years in the sun just turning different colors like crazy, 70 00:04:35,360 --> 00:04:39,599 Speaker 1: all some long. I remember some green one time because 71 00:04:39,760 --> 00:04:43,760 Speaker 1: like a like a army green, because they had so 72 00:04:43,839 --> 00:04:46,640 Speaker 1: much chlorine in the water. And we had gone to 73 00:04:46,720 --> 00:04:50,520 Speaker 1: a family reunion and I swim. I swear with my 74 00:04:50,560 --> 00:04:53,680 Speaker 1: cousins all day until the sun went down, and even 75 00:04:53,720 --> 00:04:55,840 Speaker 1: after that, sometimes to three o'clock in the morning, we 76 00:04:55,839 --> 00:04:58,599 Speaker 1: were swimming. I took that bathe in camp Off, Yes, 77 00:04:58,800 --> 00:05:02,480 Speaker 1: bathe and cap. I took my baby and I had 78 00:05:02,520 --> 00:05:06,839 Speaker 1: a line right here from being in the sun. Just 79 00:05:07,080 --> 00:05:09,560 Speaker 1: you remember that you got to do that. Well. I 80 00:05:09,680 --> 00:05:12,200 Speaker 1: never had a swim cap. My mother would just braid 81 00:05:12,240 --> 00:05:14,920 Speaker 1: our hair, but I always wanted to. I always thought 82 00:05:14,440 --> 00:05:18,960 Speaker 1: that any it ain't never worked. Caps. Moms loved them 83 00:05:18,960 --> 00:05:23,600 Speaker 1: a little bit more and when you put it on 84 00:05:23,680 --> 00:05:25,720 Speaker 1: a hurt. It hurt, and then you'd be mad because 85 00:05:25,720 --> 00:05:27,200 Speaker 1: you were to do all that pain to put it on, 86 00:05:27,400 --> 00:05:29,840 Speaker 1: and then your hair still wet. It's like still wet. 87 00:05:31,160 --> 00:05:35,240 Speaker 1: You ain't missed nothing. Changing colors like that, you know, 88 00:05:35,480 --> 00:05:39,440 Speaker 1: changing to some green person because of the chlorine in 89 00:05:39,480 --> 00:05:44,920 Speaker 1: the water, Like deep that's on the skin. Yeah, that's 90 00:05:44,960 --> 00:05:47,880 Speaker 1: so good. It was like a you know, Motel six, 91 00:05:47,960 --> 00:05:50,240 Speaker 1: one of them drinks, so they had that. They probably 92 00:05:50,240 --> 00:05:55,119 Speaker 1: had bleaching. What I feel like when we were little 93 00:05:55,560 --> 00:05:58,240 Speaker 1: and we grew up, you know, in the eighties, you 94 00:05:58,279 --> 00:06:01,960 Speaker 1: know what I'm saying. And I think about like black 95 00:06:02,000 --> 00:06:04,720 Speaker 1: women and what black folks period and how we talk 96 00:06:04,760 --> 00:06:07,640 Speaker 1: about color is the most interesting situation. It's like if 97 00:06:07,640 --> 00:06:10,200 Speaker 1: you talk to old people, they got certain ways of 98 00:06:10,279 --> 00:06:13,799 Speaker 1: saying things and talking about things, and talk to our generation. 99 00:06:14,600 --> 00:06:17,960 Speaker 1: I remember that. You know. My husband always says, I 100 00:06:17,960 --> 00:06:20,320 Speaker 1: don't know when the light skinned boys went out of style. 101 00:06:20,920 --> 00:06:23,280 Speaker 1: He was like, but when I was young, that used 102 00:06:23,320 --> 00:06:25,200 Speaker 1: to be like a cool thing, and now it is not. 103 00:06:25,360 --> 00:06:29,040 Speaker 1: And I think to myself, when we were little, we 104 00:06:29,120 --> 00:06:33,719 Speaker 1: had such a terrible view of our skin tone and color. 105 00:06:34,080 --> 00:06:37,960 Speaker 1: I mean, I mean it was just awful, And for 106 00:06:38,160 --> 00:06:40,880 Speaker 1: me and for everybody on this call, you know, and 107 00:06:41,160 --> 00:06:44,320 Speaker 1: having a conversation about colorism is really a deep thing 108 00:06:44,360 --> 00:06:47,800 Speaker 1: because it's like none of us really had to experience 109 00:06:47,880 --> 00:06:49,719 Speaker 1: what it was like on the other side of that 110 00:06:49,839 --> 00:06:52,720 Speaker 1: for real, for real, like to really be young in 111 00:06:52,760 --> 00:06:55,240 Speaker 1: the eighties and have to sit there and have people 112 00:06:55,760 --> 00:06:58,680 Speaker 1: talk about your skin color in such a negative and 113 00:06:58,720 --> 00:07:02,560 Speaker 1: derogatory way. Black people go through such ways that it's 114 00:07:02,600 --> 00:07:05,960 Speaker 1: not even just uh, it's not even exclusively to dark 115 00:07:05,960 --> 00:07:07,920 Speaker 1: skinned folks, and it's not even exclusively to life to 116 00:07:07,960 --> 00:07:10,440 Speaker 1: skinning folks. It depends on the decade. I feel like 117 00:07:12,840 --> 00:07:15,360 Speaker 1: it also depends on the way your family looks, because 118 00:07:15,680 --> 00:07:17,960 Speaker 1: because when I was growing up, I definitely thought I 119 00:07:18,040 --> 00:07:21,760 Speaker 1: was darker than I am because all my family member 120 00:07:21,800 --> 00:07:24,560 Speaker 1: they was lighter, and my dad was really dark. And 121 00:07:24,640 --> 00:07:27,280 Speaker 1: so for me, my grandmother said would say, you know, 122 00:07:27,360 --> 00:07:31,200 Speaker 1: your father's handsome, and he's so black, you know, so 123 00:07:31,360 --> 00:07:34,360 Speaker 1: these things that was normal for people to say, you know, 124 00:07:34,400 --> 00:07:37,080 Speaker 1: for and so in my mind, I'm thinking, oh, I'm 125 00:07:37,160 --> 00:07:40,680 Speaker 1: dark because I'm darker than all y'all, and that's my dad, 126 00:07:41,840 --> 00:07:43,800 Speaker 1: you know, and I'm closer to his color that I 127 00:07:43,840 --> 00:07:47,000 Speaker 1: thought than I was to my mom. It does depend 128 00:07:47,080 --> 00:07:49,680 Speaker 1: on the environment, what was said to you and what 129 00:07:49,800 --> 00:07:52,320 Speaker 1: were the thoughts around those things. Maybe even also to 130 00:07:52,480 --> 00:07:55,280 Speaker 1: like what part of the country you lived in that too, 131 00:07:55,560 --> 00:07:57,920 Speaker 1: But it also has to do with with the time, 132 00:07:58,040 --> 00:08:01,920 Speaker 1: Like like life said that, you know in the fifties, 133 00:08:03,200 --> 00:08:06,760 Speaker 1: Oh honey, you needed to be fried by died ladies 134 00:08:06,960 --> 00:08:10,200 Speaker 1: decide you need to have that that hair popping, you know, 135 00:08:10,280 --> 00:08:13,320 Speaker 1: you had to get pressed baby, and the lighter you were, 136 00:08:13,360 --> 00:08:17,000 Speaker 1: the prettier you were period, That's how That's how it was. 137 00:08:17,320 --> 00:08:19,920 Speaker 1: And if you were on television, you know, you had 138 00:08:19,960 --> 00:08:23,640 Speaker 1: to be a maide. There was really nothing else for 139 00:08:23,680 --> 00:08:27,880 Speaker 1: you to do. I made a mammy, you know, something 140 00:08:28,000 --> 00:08:30,400 Speaker 1: of along those lines, and nanny that was nothing else. 141 00:08:31,800 --> 00:08:34,320 Speaker 1: When was the first time you saw a brown skin person, 142 00:08:34,400 --> 00:08:38,880 Speaker 1: like truly brown on television? Do you remember that? Okay? 143 00:08:39,160 --> 00:08:40,880 Speaker 1: And then here is the night I'm sorry that just 144 00:08:41,080 --> 00:08:46,480 Speaker 1: popped in my head. Yeah yeah, well Sydney Portier was 145 00:08:46,640 --> 00:08:53,880 Speaker 1: it was brown. I for my earliest recollection of black 146 00:08:53,920 --> 00:08:58,760 Speaker 1: people on television would happy like cartoons? Oh god, the 147 00:08:58,920 --> 00:09:01,920 Speaker 1: Tom Jerry of it all. Yeah, I think I probably 148 00:09:02,320 --> 00:09:05,360 Speaker 1: my first I think black people that I oh no, no, 149 00:09:05,440 --> 00:09:11,120 Speaker 1: Sesame Street. That was the first black person. Gordon, Yes, Gordon, 150 00:09:11,320 --> 00:09:14,920 Speaker 1: who is dead still around, Yeah, Mr Gordon. I think 151 00:09:14,920 --> 00:09:20,440 Speaker 1: it was the late night television. Um, you know, trying 152 00:09:20,480 --> 00:09:25,160 Speaker 1: to think because you know TV used to go off. 153 00:09:25,520 --> 00:09:28,679 Speaker 1: TV used to go off. I will tell you with 154 00:09:28,720 --> 00:09:33,000 Speaker 1: something special about Woopy Goberg when on TV for sure, 155 00:09:33,520 --> 00:09:39,079 Speaker 1: for sure? Yeah. Yeah. And she was the lead a 156 00:09:39,320 --> 00:09:43,679 Speaker 1: Beauty Jumping Jack. She was the lead that that is, 157 00:09:44,120 --> 00:09:48,720 Speaker 1: you know, until Ghosts until but she rocked that. She 158 00:09:48,840 --> 00:09:53,440 Speaker 1: rocked that. Yeah. Yeah, she's the star of that movie. Yeah, 159 00:09:53,520 --> 00:09:55,240 Speaker 1: but she was the first of her I feel like 160 00:09:56,360 --> 00:10:00,400 Speaker 1: that had that look that it was okay, mixed the hair, 161 00:10:00,559 --> 00:10:02,360 Speaker 1: but I still don't even think it be. It's like, 162 00:10:02,400 --> 00:10:05,520 Speaker 1: it's interesting the representation part, right, people get we get 163 00:10:05,520 --> 00:10:08,480 Speaker 1: the representation, and that feels good. But on the playground, 164 00:10:09,520 --> 00:10:13,280 Speaker 1: it's still if you dark you African booty snatcher, it's 165 00:10:13,320 --> 00:10:17,760 Speaker 1: still if you light skin, it's still if you light skin, 166 00:10:17,960 --> 00:10:20,840 Speaker 1: you think you you think you better than everybody, or 167 00:10:20,880 --> 00:10:23,080 Speaker 1: you might end up getting beat up or something just 168 00:10:23,280 --> 00:10:26,360 Speaker 1: showing up light skin. I mean in real life, in 169 00:10:26,360 --> 00:10:29,520 Speaker 1: the way that we we interact with each other, you know, 170 00:10:29,800 --> 00:10:31,600 Speaker 1: or I want to marry this type of person so 171 00:10:31,640 --> 00:10:35,559 Speaker 1: I can have pretty babies, oh my god, or you 172 00:10:35,679 --> 00:10:38,880 Speaker 1: got that good hair? Or you know, are you real 173 00:10:38,960 --> 00:10:42,199 Speaker 1: pretty for a dark skinned girl? Or you know what 174 00:10:42,240 --> 00:10:44,400 Speaker 1: I mean like And these are things that really, in 175 00:10:44,440 --> 00:10:47,520 Speaker 1: my opinion, we still dog whistle these things to this day. 176 00:10:48,200 --> 00:10:51,680 Speaker 1: People may not say those exact words anymore, but it's like, 177 00:10:52,360 --> 00:10:54,920 Speaker 1: come on, we even down to like the natural hair 178 00:10:55,000 --> 00:10:57,080 Speaker 1: movement where it's like when you see a lot of 179 00:10:57,080 --> 00:10:59,120 Speaker 1: the models for natural hair, they got a certain kind 180 00:10:59,160 --> 00:11:01,640 Speaker 1: of natural hair. That curl pattern is the number one, 181 00:11:01,720 --> 00:11:04,719 Speaker 1: not the four right, that's the number one. It's not 182 00:11:04,760 --> 00:11:09,000 Speaker 1: a number four. It's a four y that needs me 183 00:11:09,040 --> 00:11:12,480 Speaker 1: a strong for seed. We're just start That's funny. I 184 00:11:12,480 --> 00:11:14,079 Speaker 1: think as of this year, we are just starting to 185 00:11:14,120 --> 00:11:16,520 Speaker 1: see women in commercials but a little bit of force, 186 00:11:17,400 --> 00:11:21,240 Speaker 1: a little bit, and typically those women are paired with 187 00:11:21,360 --> 00:11:25,520 Speaker 1: white men. God, come on with your truth, jail, and 188 00:11:25,600 --> 00:11:29,960 Speaker 1: nobody got time for listen. I to be to be 189 00:11:30,200 --> 00:11:32,240 Speaker 1: light skinned, and I'm telling you that this is that's 190 00:11:32,280 --> 00:11:34,960 Speaker 1: new for me. I just I didn't even believe it. 191 00:11:35,000 --> 00:11:39,040 Speaker 1: I didn't believe it. This is this is new to me. 192 00:11:39,720 --> 00:11:43,480 Speaker 1: I just found out I'm light skinned. Damn. Like even now, 193 00:11:43,520 --> 00:11:45,679 Speaker 1: to say it out loud, it's just like jagging me up, 194 00:11:45,720 --> 00:11:48,600 Speaker 1: because but what's wrong with this? Because there's I'm not 195 00:11:48,640 --> 00:11:50,920 Speaker 1: saying that there's anything wrong with it. I'm saying I 196 00:11:51,080 --> 00:11:54,880 Speaker 1: really didn't know. I don't know. How could you be 197 00:11:55,040 --> 00:11:57,400 Speaker 1: that delusional? I look at myself. I washed my face 198 00:11:57,440 --> 00:12:00,280 Speaker 1: every day, you know what I mean. I get in 199 00:12:00,280 --> 00:12:03,640 Speaker 1: the shower, I see myself. But I just never thunk 200 00:12:03,760 --> 00:12:07,080 Speaker 1: it just a little bit more diluted than you did before. 201 00:12:08,240 --> 00:12:12,679 Speaker 1: Something is missing, something that's missing. I just didn't know. 202 00:12:14,040 --> 00:12:16,800 Speaker 1: I don't know because all of my well i'll say 203 00:12:16,880 --> 00:12:20,560 Speaker 1: most of my really close girlfriends are brown. Yeah you know, 204 00:12:20,600 --> 00:12:23,360 Speaker 1: I got I got one light skinned homie. You know 205 00:12:23,480 --> 00:12:26,520 Speaker 1: that's been around for more than than ten fifteen years. 206 00:12:27,040 --> 00:12:29,400 Speaker 1: But don't you find color and black folks so interesting? 207 00:12:29,440 --> 00:12:32,320 Speaker 1: I think it's interesting when people see a person and 208 00:12:32,360 --> 00:12:34,200 Speaker 1: they see their parents and they're like, it's no way 209 00:12:34,240 --> 00:12:36,320 Speaker 1: that that child came from these two people, not knowing 210 00:12:36,360 --> 00:12:38,480 Speaker 1: that like this child, they may be dark and their 211 00:12:38,520 --> 00:12:40,880 Speaker 1: child may be light, but they had a like parent here, 212 00:12:40,880 --> 00:12:42,760 Speaker 1: and you know, just the way, yeah, the way the 213 00:12:42,800 --> 00:12:45,199 Speaker 1: whole thing works. Yeah, I've had a couple of friends 214 00:12:45,200 --> 00:12:47,160 Speaker 1: that have been accute, not accused, but you know you 215 00:12:47,240 --> 00:12:51,040 Speaker 1: must be mixed. Oh yeah, what are you mixed with? 216 00:12:51,240 --> 00:12:53,640 Speaker 1: What do you mixed with? Black and black? Black and black? 217 00:12:53,760 --> 00:12:56,680 Speaker 1: Black and black? But then also too, there's always this 218 00:12:56,720 --> 00:13:00,240 Speaker 1: assumption that light skin also means you know, like we 219 00:13:00,320 --> 00:13:02,679 Speaker 1: talked about the hair thing, were just like, I know, 220 00:13:03,000 --> 00:13:05,360 Speaker 1: light skinned people will foresee hair, you know what I'm saying. Like, 221 00:13:06,160 --> 00:13:09,600 Speaker 1: it's like black people have just as all these different 222 00:13:09,600 --> 00:13:12,960 Speaker 1: combinations of the ways that we look that and we 223 00:13:13,040 --> 00:13:16,280 Speaker 1: had to discuss it. But you know, we've been moved around, 224 00:13:16,600 --> 00:13:20,840 Speaker 1: We've been moved around, mixed, added all of these different things. 225 00:13:21,200 --> 00:13:23,800 Speaker 1: We have so much variety to the way that we look, 226 00:13:24,280 --> 00:13:27,840 Speaker 1: you know, what we consider to be black or look black, 227 00:13:28,000 --> 00:13:30,440 Speaker 1: or be black, all of the all those things start 228 00:13:30,480 --> 00:13:33,040 Speaker 1: to come into questions and really like, and we're talking 229 00:13:33,080 --> 00:13:35,000 Speaker 1: about the DNA tests. You know, I had a good 230 00:13:35,040 --> 00:13:41,040 Speaker 1: girlfriend who her test came back. She's like European mad 231 00:13:41,080 --> 00:13:44,360 Speaker 1: as hell, she's mad as hell, but she black black girl. 232 00:13:44,840 --> 00:13:48,800 Speaker 1: And you know, once you get into those type of percentages, 233 00:13:48,880 --> 00:13:50,840 Speaker 1: you could you can look at yourself as being quote 234 00:13:50,880 --> 00:13:55,240 Speaker 1: unquote bi racial. At that point, you feel me then 235 00:13:55,320 --> 00:13:58,840 Speaker 1: there's some people who just identifies black, you know, identify 236 00:13:59,000 --> 00:14:01,280 Speaker 1: or I'm black, and and that you might look at 237 00:14:01,320 --> 00:14:03,560 Speaker 1: them in their face and their face is so light 238 00:14:03,600 --> 00:14:08,760 Speaker 1: that you wouldn't necessarily immediately say, oh, that person is 239 00:14:08,440 --> 00:14:10,840 Speaker 1: is black. You know what I'm saying is so I 240 00:14:10,880 --> 00:14:14,400 Speaker 1: just think we we we have to be able to 241 00:14:14,440 --> 00:14:16,440 Speaker 1: get to this point where we really embrace all of 242 00:14:16,440 --> 00:14:18,559 Speaker 1: the ways that we can look at all the ways 243 00:14:18,600 --> 00:14:21,400 Speaker 1: that our beauty looks, because I don't think that we 244 00:14:21,600 --> 00:14:26,000 Speaker 1: even keyed into how much diversity there really really is. 245 00:14:26,080 --> 00:14:28,520 Speaker 1: It's not we still always talk in terms of light 246 00:14:28,560 --> 00:14:31,080 Speaker 1: skin and dark skin. You've got light skinned people, You've 247 00:14:31,080 --> 00:14:33,280 Speaker 1: got dark skinned people. Because really, Jill, I can see 248 00:14:33,280 --> 00:14:34,960 Speaker 1: how I mean, I'm gonna give you a little bit 249 00:14:34,960 --> 00:14:36,400 Speaker 1: of a break on this. I can see how you 250 00:14:36,440 --> 00:14:39,040 Speaker 1: could have been a little thrown by being called light 251 00:14:39,080 --> 00:14:43,280 Speaker 1: skinned because maybe you felt I'm just brown. I'm just 252 00:14:43,480 --> 00:14:46,240 Speaker 1: like you know, I'm I'm the brown girl trying to 253 00:14:46,240 --> 00:14:48,240 Speaker 1: look at her. I'm looking at her skin. To me, 254 00:14:48,280 --> 00:14:50,880 Speaker 1: I'm just trying to get You're a good friend. That's 255 00:14:50,880 --> 00:14:53,760 Speaker 1: what you're doing being a good friend. I'm telling you, 256 00:14:53,800 --> 00:14:56,320 Speaker 1: how could I how could I not know that sounds 257 00:14:56,400 --> 00:14:59,800 Speaker 1: so nuts even to me, But I just never really 258 00:15:00,000 --> 00:15:02,440 Speaker 1: I thought about it. I didn't, I didn't think about it. 259 00:15:02,480 --> 00:15:04,880 Speaker 1: I was just brown. What was the illest thing somebody 260 00:15:04,880 --> 00:15:07,040 Speaker 1: said to you about your skin tone or about skin 261 00:15:07,120 --> 00:15:09,760 Speaker 1: tone to you that sticks out to your mind? Well, 262 00:15:10,000 --> 00:15:12,280 Speaker 1: as of late, my family is busting on me for 263 00:15:12,360 --> 00:15:19,240 Speaker 1: being light skinned, you know, with with this newfound and 264 00:15:19,280 --> 00:15:22,560 Speaker 1: I'll say new because you know, the television hasn't been 265 00:15:22,560 --> 00:15:28,560 Speaker 1: representing properly in my opinion, in every sitcom, you know, 266 00:15:28,720 --> 00:15:31,440 Speaker 1: the husband is is some kind of brown skin and 267 00:15:31,480 --> 00:15:34,000 Speaker 1: the wife is some kind of light skinned with one 268 00:15:34,040 --> 00:15:39,960 Speaker 1: seed curls, you know, like seriously, no, right, like every 269 00:15:40,240 --> 00:15:43,160 Speaker 1: think of them. Let's go. It was. It's interesting, they're 270 00:15:43,160 --> 00:15:45,080 Speaker 1: trying to make a little change. You just made me 271 00:15:45,120 --> 00:15:49,840 Speaker 1: think of what, Yeah, of the new Gossip Girl with 272 00:15:49,840 --> 00:15:54,120 Speaker 1: with like with Kevin Hart and that beautiful woman I 273 00:15:54,160 --> 00:15:57,800 Speaker 1: don't know her name who was also in them. You know, 274 00:15:57,960 --> 00:16:02,400 Speaker 1: it's having lapide and young girl as a lead. You know, 275 00:16:02,600 --> 00:16:07,200 Speaker 1: seeing brown skinned women being loved is it's like a 276 00:16:07,240 --> 00:16:13,320 Speaker 1: whole new concept, you know. And when when the new 277 00:16:13,400 --> 00:16:18,080 Speaker 1: I'm Viv came, I was mad, right, how dare you? 278 00:16:18,760 --> 00:16:21,560 Speaker 1: How could you do that. She can't even be brown, 279 00:16:21,680 --> 00:16:24,760 Speaker 1: like I'm viv We loved mass well read, but it 280 00:16:25,920 --> 00:16:27,880 Speaker 1: was all hot. We was all a little bit filth, 281 00:16:28,080 --> 00:16:31,720 Speaker 1: a little betrayed by that boment, Like, yeah, crazy, because 282 00:16:31,800 --> 00:16:35,120 Speaker 1: we know vivis brown. She made them brown babies. You 283 00:16:35,160 --> 00:16:37,680 Speaker 1: know she got one light skinned daughter, but her stand 284 00:16:38,200 --> 00:16:41,120 Speaker 1: is brown and her daughter is brown. So how are 285 00:16:41,120 --> 00:16:44,920 Speaker 1: you gonna were all the way in fantasy? I love it, 286 00:16:45,240 --> 00:16:50,400 Speaker 1: But no, she's only saying, she only saying will all 287 00:16:50,440 --> 00:16:55,440 Speaker 1: of us thinking, even everything, None of us understood where 288 00:16:55,520 --> 00:16:59,040 Speaker 1: Denise and Sandra came from. None, we all wonder why 289 00:16:59,040 --> 00:17:03,000 Speaker 1: they were so light. I'm telling about what you didn't wanted. Yes, 290 00:17:03,640 --> 00:17:06,399 Speaker 1: did y'all not come on? No? No, no, no, no, 291 00:17:06,440 --> 00:17:11,600 Speaker 1: no no never the grandfather or grandmother, the grandfather mother? Yes? 292 00:17:12,160 --> 00:17:17,240 Speaker 1: And and um yes, the Huxtable. What's his name? I 293 00:17:17,320 --> 00:17:19,240 Speaker 1: keep wanting to say Bill, But Joe it was Joe 294 00:17:19,280 --> 00:17:23,959 Speaker 1: Williams was Claire's daddy, And um no, that and close 295 00:17:24,080 --> 00:17:27,719 Speaker 1: father was Brad. I was light, Yes, yes, Russell, Russell 296 00:17:28,040 --> 00:17:32,720 Speaker 1: Russell wasn't as a light as he was. Like we 297 00:17:32,880 --> 00:17:37,160 Speaker 1: let that go. It's okay, y'all, We let because all 298 00:17:37,160 --> 00:17:39,119 Speaker 1: the way down to Rudy and it was like, Okay, 299 00:17:39,119 --> 00:17:42,000 Speaker 1: you're doing a color for Sindough, right, we do that. 300 00:17:42,880 --> 00:17:46,159 Speaker 1: We have a color spectrum in our family. Yeah, you 301 00:17:46,320 --> 00:17:49,000 Speaker 1: have a friend who's who's twin sisters. One is light, 302 00:17:49,160 --> 00:17:52,959 Speaker 1: one is dark, Pierre for nothing. My father is one 303 00:17:53,000 --> 00:17:55,119 Speaker 1: of nine and my grandmother was as dark as his 304 00:17:55,200 --> 00:17:57,400 Speaker 1: background we're looking at. But he is lighter than jail, 305 00:17:57,600 --> 00:17:59,399 Speaker 1: you know. So it's kind of like that's why I 306 00:17:59,440 --> 00:18:02,560 Speaker 1: was saying earlier about the beauty and black and what 307 00:18:02,600 --> 00:18:04,960 Speaker 1: we can make. And people are so even we get 308 00:18:04,960 --> 00:18:11,040 Speaker 1: confused as to what we can do. Right, you gotta 309 00:18:11,040 --> 00:18:12,800 Speaker 1: give it to the one who do it, you know 310 00:18:12,880 --> 00:18:17,719 Speaker 1: what I'm meaning, like so many flowers in the garden. 311 00:18:19,040 --> 00:18:22,120 Speaker 1: So I think even when you talk about TV, right, 312 00:18:22,440 --> 00:18:25,520 Speaker 1: And we had this conversation with my daughter was talking 313 00:18:25,560 --> 00:18:28,199 Speaker 1: about movies that she was looking forward to, and like 314 00:18:28,320 --> 00:18:31,200 Speaker 1: people who are casting for these movies that she's looking 315 00:18:31,240 --> 00:18:33,960 Speaker 1: forward to. So there are several movies that are coming 316 00:18:33,960 --> 00:18:35,480 Speaker 1: out that are in the works and she's just like, 317 00:18:35,520 --> 00:18:39,200 Speaker 1: if they cast that person and who with light skinning 318 00:18:39,240 --> 00:18:42,119 Speaker 1: curly here, I'm gonna lose my mind. And so it 319 00:18:42,200 --> 00:18:45,520 Speaker 1: caused this conversation in my household about colorism. And it's 320 00:18:45,560 --> 00:18:47,960 Speaker 1: my thirteen year old who was talking about it, and 321 00:18:48,040 --> 00:18:49,800 Speaker 1: she tried to explain to my husband. She was like, 322 00:18:49,840 --> 00:18:53,679 Speaker 1: you know, Dad, the problem is that, you know, not 323 00:18:53,840 --> 00:18:56,679 Speaker 1: that people don't see beauty, she said, but there's so 324 00:18:56,720 --> 00:19:00,320 Speaker 1: many dog whistles. Basically, when they do cast our skinned 325 00:19:00,320 --> 00:19:03,960 Speaker 1: women's people, they cast him in these ways that make 326 00:19:04,000 --> 00:19:07,560 Speaker 1: them look aggressive, angry or you know. And it's gotten 327 00:19:07,560 --> 00:19:11,160 Speaker 1: better over the years, but it's like and he he laughed, 328 00:19:11,160 --> 00:19:14,000 Speaker 1: and he said, you know what, it's funny because they 329 00:19:14,040 --> 00:19:17,080 Speaker 1: talk negatively to men about being quote unquote light skin. 330 00:19:17,320 --> 00:19:20,320 Speaker 1: They're not looked at as manly. He was like, whereas 331 00:19:20,520 --> 00:19:23,920 Speaker 1: when people talk a dark skinned man is always presented 332 00:19:23,960 --> 00:19:30,080 Speaker 1: as a really strong character. And the game in the Jam, 333 00:19:30,119 --> 00:19:34,920 Speaker 1: remember that it was like light skins out right, or 334 00:19:35,119 --> 00:19:38,200 Speaker 1: or even New Jack City, because I always tease Christopher Woden, 335 00:19:38,280 --> 00:19:40,679 Speaker 1: you know, and about that whole you know, the the 336 00:19:40,760 --> 00:19:45,399 Speaker 1: juxtaposition between him and him and Snipes and so you know, 337 00:19:45,480 --> 00:19:48,160 Speaker 1: and we were talking about that and see my daughter, right, 338 00:19:48,640 --> 00:19:51,000 Speaker 1: and my daughter broke it down. She said, the reason 339 00:19:51,040 --> 00:19:54,080 Speaker 1: why that is, dad, is because it all goes back 340 00:19:54,080 --> 00:19:57,320 Speaker 1: to black women. She's like, light skinned black women are 341 00:19:57,359 --> 00:20:02,360 Speaker 1: considered more feminine, more so off, more beautiful, she was like, 342 00:20:02,480 --> 00:20:04,639 Speaker 1: and you know, in the world of television and media, 343 00:20:05,040 --> 00:20:07,640 Speaker 1: she was like, and so when you have a light 344 00:20:07,680 --> 00:20:15,040 Speaker 1: skinned man, his features are considered softer, more feminine. So 345 00:20:15,119 --> 00:20:17,480 Speaker 1: she was like, so this is why this happens, and 346 00:20:17,520 --> 00:20:21,480 Speaker 1: how how light skinned men get um, you know, portrayed 347 00:20:21,520 --> 00:20:25,040 Speaker 1: as being softer and being not as strong, she said. 348 00:20:25,040 --> 00:20:27,680 Speaker 1: But think about how that looks for women, she says, 349 00:20:27,720 --> 00:20:32,159 Speaker 1: So when dark skinned women are presented in media, and 350 00:20:32,160 --> 00:20:36,359 Speaker 1: she then they're they're presented as more masculine, less feminine, 351 00:20:36,560 --> 00:20:39,000 Speaker 1: she said, And this plays itself out in the real 352 00:20:39,040 --> 00:20:41,640 Speaker 1: world in a very real way. So you get dark 353 00:20:41,680 --> 00:20:44,440 Speaker 1: skinned girls who are punished more in school, you get 354 00:20:44,520 --> 00:20:47,360 Speaker 1: dark skinned girls who are considered more aggressive, you get 355 00:20:47,640 --> 00:20:50,959 Speaker 1: she said. So this is really important why we have 356 00:20:51,119 --> 00:20:53,760 Speaker 1: to be clear on the way these messages are sent 357 00:20:53,800 --> 00:20:56,320 Speaker 1: to us about our skin color. And she was like, 358 00:20:56,359 --> 00:20:58,680 Speaker 1: in media, and my husband's mind was blown. He was 359 00:20:58,760 --> 00:21:06,600 Speaker 1: just like, Oh, won't they do it those I know 360 00:21:06,640 --> 00:21:08,600 Speaker 1: one of the actresses, and she's probably excited about that. 361 00:21:08,680 --> 00:21:10,800 Speaker 1: I know, I was excited about to see her, was 362 00:21:11,200 --> 00:21:16,440 Speaker 1: Dominique fishback seeing her and uh Judas and the the 363 00:21:16,480 --> 00:21:21,359 Speaker 1: black Besidah, and that they had the love and the 364 00:21:21,480 --> 00:21:26,760 Speaker 1: respect and the banter, the intelligence. That was a really 365 00:21:27,400 --> 00:21:29,960 Speaker 1: lovely way. I mean. And and that's a girl who 366 00:21:29,960 --> 00:21:35,920 Speaker 1: looks like your girl. She looks like you and she myself, 367 00:21:35,920 --> 00:21:39,399 Speaker 1: she's beautiful. Yeah, yeah, I love that. That was that 368 00:21:39,440 --> 00:21:42,160 Speaker 1: was on point. That was the point when he was talking. 369 00:21:42,200 --> 00:21:44,600 Speaker 1: I was like, okay, yeah, I feel like she beat 370 00:21:45,040 --> 00:21:47,320 Speaker 1: but no, this is only the one of the twins. 371 00:21:51,240 --> 00:22:03,200 Speaker 1: We'll be back after the break. Let's think about this. 372 00:22:03,960 --> 00:22:10,720 Speaker 1: Most of the successful black men that you know, oh 373 00:22:10,800 --> 00:22:15,320 Speaker 1: here we go, their wives are typically light skin Yeah. 374 00:22:15,800 --> 00:22:18,359 Speaker 1: Only Denzel, Thank you, Denzel, thank you, saying well, sam 375 00:22:18,400 --> 00:22:22,440 Speaker 1: thank you, saying well, thank you, thank you, Samuel. Look, 376 00:22:22,520 --> 00:22:25,159 Speaker 1: I mean, I feel like I'm I'm a trader on 377 00:22:25,240 --> 00:22:29,800 Speaker 1: my team because I have I do. I feel like 378 00:22:29,840 --> 00:22:32,280 Speaker 1: I'm a trader on my team. I'm finding out I'm 379 00:22:32,359 --> 00:22:35,920 Speaker 1: light skinning, and I'm like, oh man, wow, I've always 380 00:22:36,040 --> 00:22:40,399 Speaker 1: had an affinity to brown skinned women. Those are the 381 00:22:40,400 --> 00:22:42,440 Speaker 1: ones that I seek out at at the party. Those 382 00:22:42,480 --> 00:22:44,119 Speaker 1: are the ones that I ended up hanging out with 383 00:22:48,640 --> 00:22:53,359 Speaker 1: that realize because I wanted to be that. So I 384 00:22:53,440 --> 00:22:56,840 Speaker 1: was you know, you know, attracted to those kinds of 385 00:22:56,880 --> 00:22:59,840 Speaker 1: friends because they were they were brown. I never considered 386 00:22:59,840 --> 00:23:03,320 Speaker 1: it until I looked at my best friend, you know, uh, 387 00:23:03,359 --> 00:23:05,280 Speaker 1: And I looked at you know, the girls that I 388 00:23:05,320 --> 00:23:08,600 Speaker 1: will hang out in high school or whatever, and I'm like, oh, snap, 389 00:23:09,280 --> 00:23:12,240 Speaker 1: you know it has been well. I mean, like I said, man, 390 00:23:12,480 --> 00:23:15,800 Speaker 1: my girlfriends, my cousins will be like, you know, they 391 00:23:15,880 --> 00:23:17,720 Speaker 1: walk in the room, ain't nobody said a word to 392 00:23:17,760 --> 00:23:19,760 Speaker 1: him like, oh, she's stuck up. So this is the 393 00:23:19,760 --> 00:23:22,359 Speaker 1: eighties and nineties when we're growing up, so you you 394 00:23:22,480 --> 00:23:26,240 Speaker 1: probably definitely internalized some of that, thinking I have a 395 00:23:26,240 --> 00:23:28,200 Speaker 1: better chance of making a friend with a girl who's 396 00:23:28,240 --> 00:23:30,280 Speaker 1: not light skinned because she's gonna think she better than me, 397 00:23:30,400 --> 00:23:33,040 Speaker 1: or she's gonna be stuck up, or she's people were 398 00:23:33,040 --> 00:23:34,920 Speaker 1: thinking Jill was thinking that she was better than them 399 00:23:34,960 --> 00:23:37,720 Speaker 1: because she was a shot sitting around like why y'all 400 00:23:37,760 --> 00:23:41,800 Speaker 1: don't like me? Exactly? I don't understand what's happening here. 401 00:23:42,080 --> 00:23:45,399 Speaker 1: I don't like and you think you belt tea what 402 00:23:45,520 --> 00:23:51,280 Speaker 1: you mean? Yeah, I don't understand this. And and the 403 00:23:51,560 --> 00:23:54,040 Speaker 1: conversations that grown up has had about babies. How about 404 00:23:54,080 --> 00:23:59,720 Speaker 1: that look at the ears they don't know how doctor, 405 00:24:00,000 --> 00:24:04,360 Speaker 1: they're gonna how it donna get Yeah, but that wasn't 406 00:24:04,400 --> 00:24:09,160 Speaker 1: necessarily like yeah, not like that. It's a bad thing. 407 00:24:09,200 --> 00:24:10,800 Speaker 1: It's just like you you can see how dark you know. 408 00:24:11,000 --> 00:24:14,040 Speaker 1: Not We're not bad, it's just our obsession with it 409 00:24:14,080 --> 00:24:19,119 Speaker 1: with color. Why why is this even a conversation. Let 410 00:24:19,200 --> 00:24:22,200 Speaker 1: me tell you something. You give me a fat five 411 00:24:22,280 --> 00:24:25,760 Speaker 1: brown skinned baby, I'm done. I'm in for the day. 412 00:24:26,440 --> 00:24:31,359 Speaker 1: Allow you, sweet wonderful thing. I don't know, I haven't 413 00:24:31,359 --> 00:24:36,760 Speaker 1: offinate fix Listen. It's real, it's real. I have an 414 00:24:36,800 --> 00:24:40,240 Speaker 1: affinity to to brown skinned babies and brown skinned people. 415 00:24:40,359 --> 00:24:43,119 Speaker 1: I just do. I don't want to tell you. And 416 00:24:43,240 --> 00:24:48,920 Speaker 1: my my dude is light skinned with freckles, is he? 417 00:24:50,320 --> 00:24:53,720 Speaker 1: I know it's a shock to me too, and some 418 00:24:53,840 --> 00:24:56,720 Speaker 1: of the most I hate to say this, but you 419 00:24:56,720 --> 00:24:58,800 Speaker 1: know what about the other the other theory too, about 420 00:24:58,800 --> 00:25:00,760 Speaker 1: how light skin folks sometimes how the biggest mouth, which 421 00:25:00,760 --> 00:25:03,520 Speaker 1: is why sometimes some of our biggest I need to 422 00:25:03,520 --> 00:25:06,640 Speaker 1: throw the questionnaires in the game. Do y'all think it's 423 00:25:06,640 --> 00:25:09,280 Speaker 1: a little bit of survivor's guilt? I hate to say, 424 00:25:09,280 --> 00:25:12,080 Speaker 1: this is a little bit of the house privilege, where 425 00:25:12,119 --> 00:25:14,520 Speaker 1: you feel like you cane a little bit more empowered 426 00:25:14,560 --> 00:25:18,920 Speaker 1: than the thing. I just never thought about it, and 427 00:25:19,000 --> 00:25:23,560 Speaker 1: I never thought about my skin color. I didn't think 428 00:25:23,560 --> 00:25:25,840 Speaker 1: about it. But you've definitely seeing other people. I mean, 429 00:25:25,840 --> 00:25:28,359 Speaker 1: you're looking at the people around you thinking, I mean, 430 00:25:28,400 --> 00:25:31,679 Speaker 1: you gotta I mean, haven't thoughts about that though, like 431 00:25:31,760 --> 00:25:34,360 Speaker 1: how it played out in front of you? Though, yeah, 432 00:25:34,560 --> 00:25:37,879 Speaker 1: you know what I mean, Yes, for sure. Mostly I 433 00:25:37,960 --> 00:25:41,960 Speaker 1: thought about who was pretty and why, you know, who 434 00:25:42,080 --> 00:25:46,879 Speaker 1: was handsome and why, because even it was to me, 435 00:25:47,560 --> 00:25:49,679 Speaker 1: I wasn't. Look. I was in North Philly, and I'm like, 436 00:25:49,680 --> 00:25:53,840 Speaker 1: we all broke, we all here, we're all trying to survive. 437 00:25:53,920 --> 00:25:56,720 Speaker 1: I ain't worried about color because we're all black open here, 438 00:25:57,200 --> 00:25:58,760 Speaker 1: you know what I mean. I just didn't. It didn't 439 00:25:58,880 --> 00:26:02,200 Speaker 1: occur to me when you got in the world about 440 00:26:02,359 --> 00:26:07,240 Speaker 1: color like it is either we're black, we're black, we're 441 00:26:07,240 --> 00:26:12,240 Speaker 1: everybody here black. But I'm telling you, I noticed when 442 00:26:12,280 --> 00:26:15,480 Speaker 1: my mother worked. My mother works the secretarial pool for 443 00:26:15,560 --> 00:26:18,879 Speaker 1: many many years, like an administrative assistant. She worked in 444 00:26:18,920 --> 00:26:21,320 Speaker 1: a several law firms, and back in the eighties, y'all 445 00:26:21,400 --> 00:26:25,000 Speaker 1: remember how you know, cubicle situation and everybody big area 446 00:26:25,040 --> 00:26:27,760 Speaker 1: where the cubicles are and you know the offices are 447 00:26:27,800 --> 00:26:31,520 Speaker 1: behind it, and real a d story. You walk in 448 00:26:32,080 --> 00:26:36,439 Speaker 1: the receptionists is light skin, right first person. All of 449 00:26:36,440 --> 00:26:41,720 Speaker 1: the people whose cubicles are closest to the front, light skin, 450 00:26:42,560 --> 00:26:46,600 Speaker 1: you walk further to the back, dark skin. It's like 451 00:26:46,800 --> 00:26:49,679 Speaker 1: everywhere I turned as a kid, I saw colorism, and 452 00:26:49,760 --> 00:26:52,840 Speaker 1: even now DC it couldn't have no choice because it 453 00:26:52,880 --> 00:26:55,920 Speaker 1: was a class thing too at some point, a class thing, 454 00:26:56,119 --> 00:26:59,480 Speaker 1: a color thing. And even still you gotta figure as well, 455 00:26:59,640 --> 00:27:03,840 Speaker 1: like I'm gonna earlier, like instances of education for us 456 00:27:03,880 --> 00:27:06,960 Speaker 1: as black folks happened to the kids who were the 457 00:27:07,680 --> 00:27:10,720 Speaker 1: black children of slave masters. They were the ones that 458 00:27:10,760 --> 00:27:12,879 Speaker 1: were taught to read those they were the ones that 459 00:27:12,920 --> 00:27:14,960 Speaker 1: had that went back to what I was saying whispering 460 00:27:14,960 --> 00:27:16,919 Speaker 1: to you that I didn't never a little comfortable, I 461 00:27:16,960 --> 00:27:21,199 Speaker 1: was gonna say when we talked about revolutionaries and activists 462 00:27:21,200 --> 00:27:22,920 Speaker 1: and things of that nature, especially we talked about the 463 00:27:22,960 --> 00:27:28,120 Speaker 1: past and a lot of them, see, you know, from education, Alice, 464 00:27:28,520 --> 00:27:30,840 Speaker 1: you know you know what I'm saying. Just it seems 465 00:27:30,880 --> 00:27:34,080 Speaker 1: like would that be one of the reasons that you know, 466 00:27:35,040 --> 00:27:36,560 Speaker 1: I feel a little bit more empowered, a little bit 467 00:27:36,560 --> 00:27:40,560 Speaker 1: more free and maybe because more generational education and wealth 468 00:27:40,640 --> 00:27:45,680 Speaker 1: to access. Yeah, access, because I mean if you look 469 00:27:45,680 --> 00:27:48,159 Speaker 1: at the early colleges and stuff like that, obviously you 470 00:27:48,160 --> 00:27:51,919 Speaker 1: know there's the infamous paperbag test. There's all those different 471 00:27:51,920 --> 00:27:56,280 Speaker 1: things that happened, you know amongst the educated elite blacks. 472 00:27:56,880 --> 00:27:59,159 Speaker 1: W WE DWO boys talked about it a lot. He's like, 473 00:27:59,240 --> 00:28:01,960 Speaker 1: you know, yes, around black folks it matters that I'm 474 00:28:02,080 --> 00:28:05,399 Speaker 1: light skinned, but around white folks, I'm just black, don't matter, 475 00:28:05,560 --> 00:28:09,640 Speaker 1: you know, always dealing with that, you know, that situation 476 00:28:10,200 --> 00:28:13,199 Speaker 1: in terms of y'all just started like this, this this 477 00:28:13,359 --> 00:28:16,280 Speaker 1: growing headache in my head from thinking about how hard 478 00:28:16,400 --> 00:28:21,360 Speaker 1: others have fought to keep us separated and hate ourselves. 479 00:28:21,400 --> 00:28:25,040 Speaker 1: Like this ship is ill and it's and it's it's 480 00:28:25,080 --> 00:28:28,280 Speaker 1: so contagious that it's gotten to the continent and they 481 00:28:28,280 --> 00:28:35,400 Speaker 1: are like bleaching, there's cad. I am. It is very serious. 482 00:28:36,440 --> 00:28:38,600 Speaker 1: Even sometimes when I see, like I follow a lot 483 00:28:38,640 --> 00:28:41,040 Speaker 1: of makeup pages, even though I don't do makeup. I'm 484 00:28:41,080 --> 00:28:45,040 Speaker 1: terrible at it, but I follow the pages. And eventually, 485 00:28:45,040 --> 00:28:46,840 Speaker 1: when you follow a lot of makeup pages, you'll get 486 00:28:46,880 --> 00:28:49,400 Speaker 1: to some pages where it's a lot of where women 487 00:28:49,400 --> 00:28:51,880 Speaker 1: on the continent, and what you notice in terms of 488 00:28:51,880 --> 00:28:55,600 Speaker 1: the makeup style is a lot of heavy foundation. A 489 00:28:55,600 --> 00:28:59,720 Speaker 1: lot of times it's very light. Yes, it's like it's 490 00:28:59,720 --> 00:29:04,440 Speaker 1: a little which is the the whole ashy song? You know, 491 00:29:04,680 --> 00:29:08,640 Speaker 1: you can't be classy if you make up ashy. You 492 00:29:08,680 --> 00:29:16,440 Speaker 1: know that's a that's a thing. I'm come getting under 493 00:29:16,440 --> 00:29:18,680 Speaker 1: the I'm I'm on my way under the table. It's 494 00:29:18,720 --> 00:29:21,480 Speaker 1: it's a whole song. It's like big on take top, 495 00:29:22,080 --> 00:29:25,400 Speaker 1: you know what I mean. I'm sorry to choke poof 496 00:29:25,560 --> 00:29:32,080 Speaker 1: be Gone. You make them too strong? That's the lyrics 497 00:29:32,080 --> 00:29:36,520 Speaker 1: to song, Yes, be Gone make them too strong? You 498 00:29:36,680 --> 00:29:39,160 Speaker 1: make them too strong. That's the those of the lyrics. 499 00:29:39,440 --> 00:29:43,280 Speaker 1: You can't be classy if you make up ashy. Like listen, 500 00:29:43,320 --> 00:29:48,080 Speaker 1: shout out to Rihanna right now for creating colors that 501 00:29:48,280 --> 00:29:54,240 Speaker 1: actually worked with all of our skin tones. Yeah, for long, 502 00:29:55,520 --> 00:29:59,200 Speaker 1: you know, there would be that ashy color, particularly with 503 00:29:59,400 --> 00:30:02,120 Speaker 1: brown skin women. And now at this point it's like 504 00:30:02,160 --> 00:30:05,920 Speaker 1: it's a choice. You're you're you know, trying to be lighter. 505 00:30:06,040 --> 00:30:08,760 Speaker 1: I noticed when some people do my makeup that they'll 506 00:30:08,800 --> 00:30:11,760 Speaker 1: make me lighter. And I'm like no, no, no, no, no, no, 507 00:30:11,800 --> 00:30:15,480 Speaker 1: that's not what I want. Don't do that to me. 508 00:30:16,240 --> 00:30:20,160 Speaker 1: I'm not Let's talk about Instagram filters and I'm just 509 00:30:20,360 --> 00:30:23,560 Speaker 1: here to be a black woman in the ball. Okay, 510 00:30:23,760 --> 00:30:26,960 Speaker 1: I'm here for that. I didn't I don't this the 511 00:30:27,040 --> 00:30:30,200 Speaker 1: other stuff. Listen, they'll shoot me just like they shoot you. 512 00:30:30,880 --> 00:30:34,360 Speaker 1: Please believe it. But yeah, let's I've told let's talk 513 00:30:34,400 --> 00:30:38,360 Speaker 1: about filters on social media. That's a big deal. Girls, 514 00:30:38,560 --> 00:30:41,800 Speaker 1: all across black, white, whatever, they will use a filter, 515 00:30:42,760 --> 00:30:45,440 Speaker 1: do you know. I'm guilty, but we all have used 516 00:30:45,440 --> 00:30:48,880 Speaker 1: a filter. But let's discuss how that filter immediately makes 517 00:30:48,920 --> 00:30:51,440 Speaker 1: you lighter. You're about to make me open my ship. 518 00:30:51,480 --> 00:30:57,120 Speaker 1: I'm like those filters. Yes, those filters make you lighter. 519 00:30:57,400 --> 00:30:59,200 Speaker 1: I don't want to be lighter. I don't know what 520 00:30:59,280 --> 00:31:02,800 Speaker 1: she's talking about. Hold on, lord, I gotta. I don't 521 00:31:02,920 --> 00:31:04,880 Speaker 1: mean you just to teach me about the filters on 522 00:31:04,960 --> 00:31:08,280 Speaker 1: the things. Okay, Well, maybe it just it provides a 523 00:31:08,320 --> 00:31:11,440 Speaker 1: glow on the cheekbones and the t zone, you know, 524 00:31:11,600 --> 00:31:17,840 Speaker 1: So that with me, filters on Instagram, Instagram, on Snapchat 525 00:31:17,880 --> 00:31:20,640 Speaker 1: and all that, when they put on you can feel, 526 00:31:21,080 --> 00:31:24,960 Speaker 1: you can feel right here, and you can feelter a 527 00:31:25,000 --> 00:31:27,680 Speaker 1: picture on your regular phone. That's that's an option. If 528 00:31:27,720 --> 00:31:29,680 Speaker 1: you take a photo, you can alter the phone me 529 00:31:30,080 --> 00:31:34,280 Speaker 1: after you take a photo. Yeah, like video, and I 530 00:31:34,320 --> 00:31:38,040 Speaker 1: don't here, I don't know how well. I'm not trying to. 531 00:31:38,120 --> 00:31:41,440 Speaker 1: I'm just I'm not trying to look lighter. Listen. I 532 00:31:41,560 --> 00:31:45,400 Speaker 1: had such appreciation, such an appreciation for my grandmother in 533 00:31:45,440 --> 00:31:47,760 Speaker 1: her skin tone. I thought that was the prettiest thing 534 00:31:47,800 --> 00:31:51,320 Speaker 1: I ever saw in my life every day, every day, 535 00:31:51,400 --> 00:31:53,520 Speaker 1: and I didn't want to. I didn't think outside that 536 00:31:53,560 --> 00:31:56,600 Speaker 1: I could be anything other than what she was period. 537 00:31:57,480 --> 00:32:01,160 Speaker 1: And then you know, I knew for me to like 538 00:32:01,200 --> 00:32:05,320 Speaker 1: it irked me when somebody at school, like when I 539 00:32:05,400 --> 00:32:07,840 Speaker 1: was a kids, when somebody in school did not see 540 00:32:08,200 --> 00:32:11,040 Speaker 1: the brown skin beautiful girl, when they didn't see her, 541 00:32:11,640 --> 00:32:15,760 Speaker 1: that irked me. I'm like that that's pretty, but automatically, 542 00:32:15,800 --> 00:32:17,760 Speaker 1: if you were light skinned with long hair, you were 543 00:32:17,800 --> 00:32:21,080 Speaker 1: already you know, you were beautiful, just automatically. And I 544 00:32:21,080 --> 00:32:26,040 Speaker 1: was like, not so much, yeah much, not so much. 545 00:32:26,520 --> 00:32:29,760 Speaker 1: You know, I don't see it, but that I could see. 546 00:32:29,960 --> 00:32:32,600 Speaker 1: I could always see brown. So you never played with 547 00:32:32,640 --> 00:32:36,080 Speaker 1: the towel on your head. You know, it was a shirt. 548 00:32:36,680 --> 00:32:42,200 Speaker 1: It's a shirt, mom, was a shirt, yeah, mom, shirt, Mom, yeah, 549 00:32:42,840 --> 00:32:45,760 Speaker 1: cross in the fan, Yeah I was. I was Susie 550 00:32:45,800 --> 00:32:48,960 Speaker 1: from Soul trained um with her, the lady with the 551 00:32:49,000 --> 00:32:53,000 Speaker 1: long long hair, Yeah, the Asian lady with Sometimes I 552 00:32:53,000 --> 00:32:55,040 Speaker 1: would put like a little a little scrunch you on 553 00:32:55,080 --> 00:33:02,440 Speaker 1: it too, fancy scrunchy design, because being a black girl 554 00:33:02,680 --> 00:33:07,000 Speaker 1: is vicious. It is a hard situation to be a 555 00:33:07,040 --> 00:33:10,080 Speaker 1: black girl and to look at your skin and your 556 00:33:10,120 --> 00:33:13,840 Speaker 1: hair and actually in your gut and your conscious and 557 00:33:13,880 --> 00:33:16,840 Speaker 1: your subconscious feel that it is beautiful and it is 558 00:33:16,880 --> 00:33:20,120 Speaker 1: the most beautiful and and I just can't sit here 559 00:33:20,160 --> 00:33:22,840 Speaker 1: and pretend that, even though things have gotten better, that 560 00:33:22,840 --> 00:33:24,880 Speaker 1: that wasn't a huge part of my growing up. It 561 00:33:25,000 --> 00:33:29,080 Speaker 1: just was. My mother said, I don't know, did you 562 00:33:29,120 --> 00:33:31,200 Speaker 1: get the I ain't buying you know, white dolls. Oh no, 563 00:33:31,320 --> 00:33:33,160 Speaker 1: we weren't allowed to have like we were not allowed. 564 00:33:33,160 --> 00:33:37,520 Speaker 1: I was not allowed to have white dogs. Yeah we know. 565 00:33:37,680 --> 00:33:40,920 Speaker 1: My barbie wasn't black. I had a Barbie. Oh no, 566 00:33:41,000 --> 00:33:43,120 Speaker 1: the my child, my cabbage passed dolls. I mean I 567 00:33:43,120 --> 00:33:46,760 Speaker 1: had dark skin, and cabbage passed dogs to me too. 568 00:33:46,880 --> 00:33:53,840 Speaker 1: My mother was bad. What I told you. I borrowed 569 00:33:53,840 --> 00:33:57,680 Speaker 1: my girlfriend's cabbage friends down all the babysit and take 570 00:33:57,760 --> 00:34:02,560 Speaker 1: it back. She had a carriage and everything. It was great, 571 00:34:02,880 --> 00:34:06,720 Speaker 1: it was it was enough for me. I didn't have 572 00:34:06,800 --> 00:34:10,520 Speaker 1: the cabbage patch am. I just had. I just had 573 00:34:11,040 --> 00:34:13,839 Speaker 1: and some clothes, clothes, you know, I needed. I needed 574 00:34:13,880 --> 00:34:21,000 Speaker 1: clothes for me. It's why what? And I enjoyed my 575 00:34:21,120 --> 00:34:23,760 Speaker 1: life And now you can buy the Cabbage Patch Company 576 00:34:23,880 --> 00:34:26,279 Speaker 1: if I want to, if I want to, if I 577 00:34:26,320 --> 00:34:29,319 Speaker 1: want to. Growing in the guard and sorry, I just 578 00:34:29,360 --> 00:34:35,520 Speaker 1: thought about the sock. It was rough. I strove, if 579 00:34:35,560 --> 00:34:38,799 Speaker 1: that's the right word. I just never wanted to be 580 00:34:39,120 --> 00:34:44,440 Speaker 1: one of those girls. They urged my soul were getting 581 00:34:44,480 --> 00:34:47,080 Speaker 1: to it. They I never wanted to beat that. They 582 00:34:47,160 --> 00:34:52,360 Speaker 1: bothered me so round, thinking that you're so cute because 583 00:34:52,360 --> 00:34:56,080 Speaker 1: you light skinned with hair. That just urged me, like 584 00:34:56,800 --> 00:35:00,000 Speaker 1: are you funny? Are you cool? Do you have a personality? 585 00:35:00,040 --> 00:35:03,160 Speaker 1: The do you know? What are you into? You know, 586 00:35:03,239 --> 00:35:05,480 Speaker 1: all of a sudden, you know, this girl walks in 587 00:35:05,520 --> 00:35:11,200 Speaker 1: and everybody's like, oh she she So the anxiety being 588 00:35:11,320 --> 00:35:15,479 Speaker 1: viewed that way, yes, the anxiety you felt from being 589 00:35:15,560 --> 00:35:18,640 Speaker 1: viewed as a light skam girl and how people thought 590 00:35:18,680 --> 00:35:21,720 Speaker 1: that that what that meant made you go so hard 591 00:35:21,880 --> 00:35:27,080 Speaker 1: in the opposite direction that girl. But wait, so I 592 00:35:27,080 --> 00:35:29,120 Speaker 1: gotta even deeper question because I know Jill. A lot 593 00:35:29,120 --> 00:35:31,920 Speaker 1: of times people confuse this video girl for you, and 594 00:35:32,080 --> 00:35:34,120 Speaker 1: she that's who she is, That is the perception of her. 595 00:35:34,160 --> 00:35:35,920 Speaker 1: Is that why you get mad when people ask are 596 00:35:35,960 --> 00:35:38,200 Speaker 1: you the girl in the Glamorous Life video? Because the 597 00:35:38,719 --> 00:35:40,560 Speaker 1: way that she's prose in the video, she is the 598 00:35:40,640 --> 00:35:42,480 Speaker 1: light skinned girl that don't want to talk to nobody, 599 00:35:42,480 --> 00:35:45,000 Speaker 1: and she stuck up into I'm sorry, I just went 600 00:35:45,040 --> 00:35:46,919 Speaker 1: real deep, but I was just cious, well that that's 601 00:35:46,920 --> 00:35:51,120 Speaker 1: a character that you know, I don't I don't care for. Yeah, okay, 602 00:35:51,239 --> 00:35:54,239 Speaker 1: I'm gonna get it. I know I asked, But I've 603 00:35:54,280 --> 00:35:57,319 Speaker 1: always been in that, you know what I mean. So 604 00:35:57,400 --> 00:36:01,120 Speaker 1: there's times when like even Hazel Rochelle is I don't 605 00:36:01,120 --> 00:36:03,919 Speaker 1: know if it's because she's life, you know, because she's 606 00:36:03,960 --> 00:36:07,920 Speaker 1: you know, a singer or successful or whatever. You know, 607 00:36:08,000 --> 00:36:11,839 Speaker 1: she's got an air about her that irks me. But nonetheless, 608 00:36:11,960 --> 00:36:15,120 Speaker 1: that's that's not my job played your character. It's my 609 00:36:15,200 --> 00:36:18,719 Speaker 1: job to play the character, you know. So yeah, even that, 610 00:36:18,960 --> 00:36:22,680 Speaker 1: like I just never on a new platform. I'm just 611 00:36:22,680 --> 00:36:25,400 Speaker 1: saying I just wanted to shout that out was another platform, 612 00:36:25,600 --> 00:36:28,120 Speaker 1: you very much, and we just got picked up for 613 00:36:28,120 --> 00:36:35,839 Speaker 1: a third season. Yes, I mean yeah on two TV shows. 614 00:36:35,560 --> 00:36:41,640 Speaker 1: That a time girl that way. She works hard for 615 00:36:41,760 --> 00:36:44,000 Speaker 1: her money, so you've got to treat her right. Come 616 00:36:44,000 --> 00:36:48,520 Speaker 1: more on, somebody, Lord, let me manifest multiple streams of income. Listen, 617 00:36:48,920 --> 00:36:52,560 Speaker 1: come on, come on, Lord. We come to you as 618 00:36:52,640 --> 00:36:56,080 Speaker 1: humbly as we know how, and we asked that you 619 00:36:56,239 --> 00:36:59,279 Speaker 1: put multiple streams of income into the pockets. So these 620 00:36:59,320 --> 00:37:02,400 Speaker 1: here black in man, just because we like skin, not 621 00:37:02,560 --> 00:37:06,080 Speaker 1: just because not just because we like skin? Can we 622 00:37:06,120 --> 00:37:10,920 Speaker 1: get it for the brown and the browner and the brown? 623 00:37:11,640 --> 00:37:16,680 Speaker 1: I will play an angel or devil. Lord, thank you 624 00:37:17,840 --> 00:37:23,960 Speaker 1: to the table. I quit you all day. You can't 625 00:37:24,120 --> 00:37:32,880 Speaker 1: quick you can you can't quit me. I'm I'm in here. 626 00:37:33,960 --> 00:37:36,879 Speaker 1: Yeah yeah, we're twenty years and a't ain't nobody going nowhere. 627 00:37:36,880 --> 00:37:43,719 Speaker 1: Were twenty nowhere. I ain't going nowhere. We're gonna take 628 00:37:43,719 --> 00:37:56,200 Speaker 1: a quick break and then we'll be right back. Oh 629 00:37:56,239 --> 00:37:58,640 Speaker 1: my god, I really feel like you just figured me out. 630 00:37:59,440 --> 00:38:02,239 Speaker 1: Do you figured that I never really put together like 631 00:38:02,520 --> 00:38:07,240 Speaker 1: your business animosity? Because I don't. I never wanted somebody 632 00:38:07,280 --> 00:38:10,920 Speaker 1: to judge me based on what they thought you know, 633 00:38:11,080 --> 00:38:14,920 Speaker 1: I don't like that. I don't like boxes. I hate them. 634 00:38:14,960 --> 00:38:19,000 Speaker 1: I hate them. See if you want to sometimes a 635 00:38:19,120 --> 00:38:21,799 Speaker 1: motherfucker if I have to be you know what I'm saying, Like, 636 00:38:21,880 --> 00:38:25,200 Speaker 1: there's differ I think that's all three of us, don't 637 00:38:25,200 --> 00:38:28,160 Speaker 1: We don't want to like like that box. Because that's the 638 00:38:28,320 --> 00:38:34,240 Speaker 1: thing that's the problem with colorism. It's boxes. You're automatically 639 00:38:34,320 --> 00:38:36,680 Speaker 1: this or that. If you're if you have if you're 640 00:38:36,840 --> 00:38:40,080 Speaker 1: a brown skin girl with natural hair, you automatically smell 641 00:38:40,200 --> 00:38:43,239 Speaker 1: like shade butter. You might not use that. You might 642 00:38:43,360 --> 00:38:49,600 Speaker 1: use something completely different, you might not. Yeah, but let 643 00:38:49,600 --> 00:38:52,400 Speaker 1: me just say that all being a sister who was 644 00:38:52,440 --> 00:38:54,560 Speaker 1: a little in the middle a cormel if you will, 645 00:38:55,960 --> 00:38:58,400 Speaker 1: that's when it all boils down to. That's what all 646 00:38:58,480 --> 00:39:00,759 Speaker 1: boils down to. The hair. See, that's what you can't 647 00:39:00,760 --> 00:39:02,920 Speaker 1: talk about colorism. What iout talking about the hair because 648 00:39:02,920 --> 00:39:05,960 Speaker 1: you said something right there. Because for me, if I 649 00:39:06,000 --> 00:39:11,560 Speaker 1: wear my hair natural, it's hay queen. You know what 650 00:39:11,640 --> 00:39:14,399 Speaker 1: I mean. You wear your hair straight. You don't get that. 651 00:39:14,960 --> 00:39:18,080 Speaker 1: But let me say this, and and and the conversation 652 00:39:18,120 --> 00:39:19,920 Speaker 1: of the day, A lot of conversation of the day 653 00:39:20,040 --> 00:39:25,040 Speaker 1: is about respectability and we're talking about colorism. But like 654 00:39:25,080 --> 00:39:28,600 Speaker 1: I said, if we extended into stuff like hair in aesthetics, right, 655 00:39:29,080 --> 00:39:31,960 Speaker 1: you started talking about that, that whole idea of you know, 656 00:39:32,000 --> 00:39:35,160 Speaker 1: what is professional, what looks a certain way? And if 657 00:39:35,200 --> 00:39:38,680 Speaker 1: you associate straight curly hair with light skin right at 658 00:39:38,719 --> 00:39:42,480 Speaker 1: some point, but now anybody can have that look, so 659 00:39:42,800 --> 00:39:45,520 Speaker 1: it may not be light skin, but it comes from 660 00:39:45,560 --> 00:39:47,719 Speaker 1: those thinking that thinking of what is you know, what 661 00:39:47,880 --> 00:39:50,720 Speaker 1: is adjacent to white and what that and that being 662 00:39:51,280 --> 00:39:54,120 Speaker 1: you know, more acceptable, that being more beautiful, that being 663 00:39:54,920 --> 00:39:57,840 Speaker 1: beautiful natural wig even though you have your own natural 664 00:39:57,880 --> 00:40:00,680 Speaker 1: foresty going on under here, but you like, I don't 665 00:40:00,680 --> 00:40:08,839 Speaker 1: know if that's gonna be acceptable to see you, right, 666 00:40:09,239 --> 00:40:11,040 Speaker 1: to make it a little bit more acceptable, a little 667 00:40:11,080 --> 00:40:17,200 Speaker 1: bit more quote unquote approachable, more beautiful, and just it 668 00:40:17,960 --> 00:40:21,200 Speaker 1: the hair situation, I think we can't fairly talk about 669 00:40:21,200 --> 00:40:23,360 Speaker 1: this and unless we talk about the hair part too, 670 00:40:23,840 --> 00:40:27,279 Speaker 1: And like I said, the respectability aspect and what is 671 00:40:27,320 --> 00:40:31,000 Speaker 1: the more palatable version of the black woman that people 672 00:40:31,080 --> 00:40:35,840 Speaker 1: can you know, that they feel is representing and doing 673 00:40:35,880 --> 00:40:37,759 Speaker 1: the right thing and being the type of black women 674 00:40:37,840 --> 00:40:40,759 Speaker 1: that we want other people to perceive black women as. 675 00:40:41,200 --> 00:40:43,239 Speaker 1: Because that's where it comes that's where the colorism thing 676 00:40:43,280 --> 00:40:45,480 Speaker 1: came in with my mom's job. It's like, oh, the 677 00:40:45,520 --> 00:40:48,600 Speaker 1: most palatable black woman for us is this light skin 678 00:40:48,640 --> 00:40:51,399 Speaker 1: when we're gonna put her in the front, so it'll 679 00:40:51,440 --> 00:40:54,240 Speaker 1: be really careful about that. It may not be known, 680 00:40:54,760 --> 00:40:59,600 Speaker 1: but at Jet Magazine, Ebony and Jet, there were no 681 00:41:00,040 --> 00:41:03,920 Speaker 1: brown skinned women in the building. Well his wife and 682 00:41:05,080 --> 00:41:08,080 Speaker 1: in the building the well, if they were there, they 683 00:41:08,080 --> 00:41:10,400 Speaker 1: were cooking. No, I wasn't saying. I was saying that 684 00:41:10,440 --> 00:41:19,080 Speaker 1: he when I visited Ebony and Jet that the headquarters 685 00:41:19,120 --> 00:41:21,160 Speaker 1: in Chicago, I think it's gone and they are dark 686 00:41:21,200 --> 00:41:23,120 Speaker 1: in the kitchen. No, Jill, you find it's it's interesting 687 00:41:23,160 --> 00:41:24,719 Speaker 1: that you said, because I visited too, and they are 688 00:41:25,080 --> 00:41:27,359 Speaker 1: it was. It was no brown skinned women at all. 689 00:41:27,640 --> 00:41:30,799 Speaker 1: And I remember saying that to Mr Johnson, like, you know, 690 00:41:31,040 --> 00:41:34,080 Speaker 1: it's it's so nice to be here. Is there. We 691 00:41:34,080 --> 00:41:36,799 Speaker 1: we took the whole tour of the entire building. I 692 00:41:36,880 --> 00:41:40,560 Speaker 1: was like, there, it's beautiful brown skin women. You say that, 693 00:41:40,880 --> 00:41:45,120 Speaker 1: I did what he saying. He was like, yeah, but 694 00:41:45,280 --> 00:41:47,880 Speaker 1: I didn't see them in the fashion fare room. And 695 00:41:47,880 --> 00:41:50,480 Speaker 1: then I asked the sister and I was like, are 696 00:41:50,520 --> 00:41:54,560 Speaker 1: there any brown scanned women? She said, no, oh, they 697 00:41:54,160 --> 00:41:59,200 Speaker 1: that white supremacy show. I just man, it is a 698 00:41:59,239 --> 00:42:03,879 Speaker 1: powerful dry I mean, and can I say Angel that 699 00:42:03,880 --> 00:42:05,960 Speaker 1: that term has been used a lot more lately. I 700 00:42:06,000 --> 00:42:09,160 Speaker 1: mean in our news, in my real house, Real Housewives 701 00:42:09,160 --> 00:42:12,200 Speaker 1: of Beverly. No, I'm sorry of New York. Shout out 702 00:42:12,239 --> 00:42:18,040 Speaker 1: to Ebony Kay Williams. We're starting to understand the granddaddy 703 00:42:18,040 --> 00:42:20,719 Speaker 1: of it all. But think about it when we get 704 00:42:20,800 --> 00:42:25,360 Speaker 1: dressed up to go somewhere, and I am absolutely wholeheartedly 705 00:42:25,360 --> 00:42:28,640 Speaker 1: guilty of this. There is a wig involved, you know, 706 00:42:28,680 --> 00:42:31,440 Speaker 1: there is some kind of hair involved, whether it is 707 00:42:31,760 --> 00:42:37,000 Speaker 1: you know, I prefer to have some braids or you know, 708 00:42:37,160 --> 00:42:40,359 Speaker 1: some some bolocks or not even those, but you know, 709 00:42:40,920 --> 00:42:43,200 Speaker 1: there's so many different kinds of braids. I prefer that 710 00:42:43,360 --> 00:42:46,840 Speaker 1: to have that. But I also enjoy, you know, wearing 711 00:42:46,880 --> 00:42:52,239 Speaker 1: my wigs too. Now the gag that I cannot do 712 00:42:52,280 --> 00:42:55,560 Speaker 1: a straight wig, I can't do. I can't. It has 713 00:42:55,600 --> 00:42:59,120 Speaker 1: to look like black girl hair. Now, I've seen that 714 00:42:59,120 --> 00:43:00,480 Speaker 1: that's not saying in the nation, and why I wanted 715 00:43:00,480 --> 00:43:02,359 Speaker 1: to appreciate it. It It was like a nice little kink 716 00:43:02,360 --> 00:43:05,000 Speaker 1: in the curl. It has to be, you know, whether 717 00:43:05,160 --> 00:43:08,399 Speaker 1: and I got a lot of flak for that. They 718 00:43:08,400 --> 00:43:11,160 Speaker 1: were like, why you got up? Oh yeah, why she 719 00:43:11,280 --> 00:43:13,520 Speaker 1: got on that hat, you know, which is what I 720 00:43:13,560 --> 00:43:16,920 Speaker 1: call wigs anyway, hairts because it ain't my hair. It's 721 00:43:16,960 --> 00:43:20,920 Speaker 1: a hat for my purpose, you know. In The Winner, 722 00:43:21,040 --> 00:43:24,720 Speaker 1: I wear a scullet. You know what I'm saying. Decision 723 00:43:24,760 --> 00:43:27,080 Speaker 1: What was the decision process though, Jill and wearing the 724 00:43:27,120 --> 00:43:29,719 Speaker 1: wig versus your real hair, like your hair, and like, 725 00:43:29,760 --> 00:43:33,640 Speaker 1: what was the why? I'm just curious. Up number one, 726 00:43:34,440 --> 00:43:37,120 Speaker 1: I got a lot of damage in my hair from 727 00:43:37,400 --> 00:43:39,399 Speaker 1: the other TV show that I was shooting. We did 728 00:43:39,400 --> 00:43:42,440 Speaker 1: a lot of cooling back, a lot of pulling back 729 00:43:42,960 --> 00:43:45,000 Speaker 1: because I didn't want heat in my hair, so we 730 00:43:45,080 --> 00:43:48,480 Speaker 1: pulled her. And by the time I got to Nationwide, 731 00:43:48,560 --> 00:43:51,319 Speaker 1: I was like, I don't know, I don't, I don't, 732 00:43:51,440 --> 00:43:53,920 Speaker 1: I don't, can't pull nothing else back. I'm trying to 733 00:43:53,920 --> 00:43:57,960 Speaker 1: hold on the Mommy said just right, yeah, yeah, we're not. 734 00:43:58,000 --> 00:44:01,799 Speaker 1: We're not gonna do this. In site, I probably would 735 00:44:01,800 --> 00:44:05,200 Speaker 1: award different one, but you know, it was what it 736 00:44:05,280 --> 00:44:08,400 Speaker 1: was at the time, and I liked it, and honestly, 737 00:44:08,440 --> 00:44:11,400 Speaker 1: it kind of reminded me. Damn, it reminded me of 738 00:44:12,000 --> 00:44:20,799 Speaker 1: Blair from that's what Blair actually didn't have some good 739 00:44:21,360 --> 00:44:28,120 Speaker 1: reminded me of, you know, I mean, like a good style, 740 00:44:28,239 --> 00:44:31,120 Speaker 1: like she had that bouncy that thing was. It was 741 00:44:32,719 --> 00:44:35,799 Speaker 1: a lot of hair, you know, and that's all the 742 00:44:35,800 --> 00:44:37,839 Speaker 1: Facts of Life girls. Yeah, she was the one. Yeah, 743 00:44:37,880 --> 00:44:40,560 Speaker 1: she had you know, I could easily say, oh no, 744 00:44:40,719 --> 00:44:43,600 Speaker 1: Natalie's hair was always popping to please believe it, y'all 745 00:44:43,600 --> 00:44:49,480 Speaker 1: just did. We didn't talk about it. Natalie always whoever 746 00:44:49,560 --> 00:44:52,399 Speaker 1: was the stylist on that show. Actually, let's just talk 747 00:44:52,440 --> 00:44:56,799 Speaker 1: about it because even to whose hair was always looking good. 748 00:44:57,120 --> 00:44:59,800 Speaker 1: But yeah, whoever was doing hair on the Facts of 749 00:45:00,239 --> 00:45:03,480 Speaker 1: really had their life together. The garret ship was always tight. 750 00:45:03,840 --> 00:45:07,279 Speaker 1: Everybody was tight. Everybody was tight on that show, everybody. 751 00:45:07,560 --> 00:45:09,560 Speaker 1: I think the thing about wigs is wigs don't bother 752 00:45:09,600 --> 00:45:11,480 Speaker 1: me in terms of Black women, Like, whatever we decide 753 00:45:11,520 --> 00:45:13,759 Speaker 1: to do with our hair, I'm just talking about our 754 00:45:13,760 --> 00:45:17,080 Speaker 1: politics about hair, like just you know, obviously black women 755 00:45:17,120 --> 00:45:19,960 Speaker 1: can do whatever they want. But it's like, even down 756 00:45:19,960 --> 00:45:22,920 Speaker 1: to the edges conversation, it's just like taming your edges 757 00:45:23,239 --> 00:45:25,920 Speaker 1: because that even that has come up recently. It's like, 758 00:45:26,120 --> 00:45:30,520 Speaker 1: why does everybody's edges have to be tamed. Tell you 759 00:45:30,560 --> 00:45:32,680 Speaker 1: don't understand my way to have it. My edges are 760 00:45:32,760 --> 00:45:38,960 Speaker 1: not tamed wild because a black, a black woman angel 761 00:45:39,000 --> 00:45:42,960 Speaker 1: should not have tamed edges, and he doesn't. My life, 762 00:45:43,080 --> 00:45:45,239 Speaker 1: it's been a it's been a struggle from having boyfriends 763 00:45:45,239 --> 00:45:47,719 Speaker 1: to suggest, like you you're gonna wy, don't you just 764 00:45:47,760 --> 00:45:49,759 Speaker 1: carry a brush, which I've had. I've had at least 765 00:45:49,800 --> 00:45:52,400 Speaker 1: two boyfriends suggest that I carry a brush with me, 766 00:45:53,080 --> 00:45:56,600 Speaker 1: and but so yeah, and so for us who can't, 767 00:45:56,600 --> 00:46:01,040 Speaker 1: because yeah, because I can do, that's jail and that's cool. 768 00:46:01,040 --> 00:46:04,120 Speaker 1: But if you sweat should change. And so sometimes I 769 00:46:04,160 --> 00:46:05,680 Speaker 1: just don't feel like going through the motion. That's an 770 00:46:05,680 --> 00:46:11,680 Speaker 1: extra ten minutes or you're getting ready, and I just 771 00:46:11,719 --> 00:46:14,680 Speaker 1: got a full on headache from that memory. I'm sorry. 772 00:46:14,920 --> 00:46:17,960 Speaker 1: It's no, No, it's okay, because somebody is getting the 773 00:46:18,080 --> 00:46:22,960 Speaker 1: as swift retrospectively. And but it's a big The edge 774 00:46:23,000 --> 00:46:25,200 Speaker 1: thing is a big deal, and especially now that girls 775 00:46:25,239 --> 00:46:27,600 Speaker 1: can really play it down like there's some edge and 776 00:46:27,719 --> 00:46:30,920 Speaker 1: B and I say this to the stylist that I 777 00:46:31,040 --> 00:46:34,080 Speaker 1: work with, hair stylists that I work with for for film, 778 00:46:34,320 --> 00:46:39,000 Speaker 1: like I I don't want baby here. There ain't no 779 00:46:39,080 --> 00:46:42,880 Speaker 1: baby here on my whole body. I'm a grown ass woman. 780 00:46:44,520 --> 00:46:47,880 Speaker 1: I got grown here. I don't have baby here, and 781 00:46:47,880 --> 00:46:50,040 Speaker 1: I'll be trying to make those curls. It's so hard. 782 00:46:50,080 --> 00:46:55,239 Speaker 1: It's a squirrels. Is a fight, it still is a 783 00:46:55,320 --> 00:47:03,560 Speaker 1: fight for all of us to be our authentic selves. Now, 784 00:47:03,640 --> 00:47:08,160 Speaker 1: mind you, everybody adds some akoul tramon to their beauty 785 00:47:08,360 --> 00:47:13,280 Speaker 1: because the beauty is still defined by what men like. Still, 786 00:47:14,280 --> 00:47:17,200 Speaker 1: but what white men like, particularly because black men don't 787 00:47:17,200 --> 00:47:20,120 Speaker 1: even know that they are. Your eyes are white men's eyes. 788 00:47:20,600 --> 00:47:23,120 Speaker 1: Like that's the partner sucked me up. It's like, carry 789 00:47:23,160 --> 00:47:25,839 Speaker 1: a brush. I'll beat you with this brush. I'll beat 790 00:47:25,880 --> 00:47:28,600 Speaker 1: you with the brush. How about I'll carry the brush 791 00:47:28,680 --> 00:47:31,279 Speaker 1: to beat you with it? How about that? How about? 792 00:47:31,320 --> 00:47:34,600 Speaker 1: Do you like me or not? Do you like me? 793 00:47:35,080 --> 00:47:37,920 Speaker 1: Do you like your mama? Is the question? Do you like? 794 00:47:38,680 --> 00:47:42,040 Speaker 1: Maybe maybe their mama was, you know, permed and you know, 795 00:47:42,680 --> 00:47:46,960 Speaker 1: getting her hair fried every Sunday. You know, it's just 796 00:47:47,080 --> 00:47:54,200 Speaker 1: about the rest of your We're carrying the stuff from 797 00:47:54,520 --> 00:47:58,680 Speaker 1: the fifties and the forties and the sixties and the seventies. 798 00:47:59,360 --> 00:48:02,000 Speaker 1: We're still we're still carrying this stuff and that we 799 00:48:02,120 --> 00:48:06,200 Speaker 1: didn't start really wearing our hair until the seventies. That's 800 00:48:06,320 --> 00:48:09,760 Speaker 1: that's something, you know, that's somebody's lifetime. And then everything 801 00:48:09,840 --> 00:48:14,879 Speaker 1: about they were scorned. You know, these rebels, these these 802 00:48:15,000 --> 00:48:18,360 Speaker 1: revolutionary saying it in such a negative way. You know, 803 00:48:18,480 --> 00:48:22,480 Speaker 1: we're still we're still fighting to wear our hair to 804 00:48:22,560 --> 00:48:27,759 Speaker 1: work girl. And then there's clearly there's the internal fight. 805 00:48:28,840 --> 00:48:32,960 Speaker 1: That's the fight because I'm I've just been in therapy. 806 00:48:33,160 --> 00:48:35,799 Speaker 1: My god, I don't think it's not about myself. Thank 807 00:48:35,840 --> 00:48:37,960 Speaker 1: you so much. Friends. I just had to tell my 808 00:48:38,040 --> 00:48:39,520 Speaker 1: girlfriend the other day who was scared to take her 809 00:48:39,560 --> 00:48:41,160 Speaker 1: braids out because she got to be seen on her 810 00:48:41,239 --> 00:48:43,880 Speaker 1: zoom and like her real I was like, what do 811 00:48:43,920 --> 00:48:45,440 Speaker 1: you We can't do. We can't be thinking about them 812 00:48:45,520 --> 00:48:48,400 Speaker 1: like that. No more. Like I think about it sometimes 813 00:48:48,440 --> 00:48:51,040 Speaker 1: when I'm watching the makeup tutorials and I see girls 814 00:48:51,160 --> 00:48:58,120 Speaker 1: contour so hard that nose down, that comment is just 815 00:48:58,320 --> 00:49:03,120 Speaker 1: like wow, it's just so many little things that we 816 00:49:03,239 --> 00:49:10,080 Speaker 1: do that kind of keep driving home you're not. Your 817 00:49:10,120 --> 00:49:12,840 Speaker 1: beauty is not. Everybody else is trying to be like 818 00:49:13,040 --> 00:49:15,759 Speaker 1: us all the while. It's crazy. It's like we're trying 819 00:49:15,800 --> 00:49:17,000 Speaker 1: not to be like us, and they're trying to be 820 00:49:17,120 --> 00:49:21,320 Speaker 1: like us, what, Yeah, it's it's a rough one. I 821 00:49:21,440 --> 00:49:24,320 Speaker 1: didn't really give myself a bridge because I don't have 822 00:49:24,480 --> 00:49:26,360 Speaker 1: no bridge. I just got a little I don't know 823 00:49:26,480 --> 00:49:30,480 Speaker 1: what this thing is on my face. You know. They 824 00:49:30,600 --> 00:49:34,160 Speaker 1: used to ask me in elementary school. They used to 825 00:49:34,280 --> 00:49:38,799 Speaker 1: ask me how did I breathe? Because it's that flat 826 00:49:38,920 --> 00:49:42,960 Speaker 1: right here between your little so they'd be like, how 827 00:49:43,120 --> 00:49:49,080 Speaker 1: you how you breathe? As I said, I'm congested right now. Yah, Well, 828 00:49:49,160 --> 00:49:51,360 Speaker 1: I got the opposite. I got my daddy's nose. I 829 00:49:51,400 --> 00:49:55,160 Speaker 1: have a giant nose, and my nostrils are always flaring, 830 00:49:55,320 --> 00:50:00,320 Speaker 1: and so I've always been so for me, the giant 831 00:50:01,120 --> 00:50:03,400 Speaker 1: you're talking, I don't see that. I'm seeing the flare. 832 00:50:03,480 --> 00:50:05,279 Speaker 1: Before that she said that, I was like, I might 833 00:50:05,320 --> 00:50:08,200 Speaker 1: have seen the flare, but that's okay. We must accept 834 00:50:08,239 --> 00:50:11,240 Speaker 1: from your nose to caress one's nose. It's all beautiful. 835 00:50:11,280 --> 00:50:15,239 Speaker 1: It's beautiful, I mean, but we just don't, like I said, 836 00:50:15,280 --> 00:50:17,439 Speaker 1: it's just a little ways. I used to the internalized 837 00:50:17,480 --> 00:50:20,600 Speaker 1: fight about the way, about the way that we look 838 00:50:20,640 --> 00:50:24,840 Speaker 1: at our obsession with that, about our complexions, about our features, 839 00:50:24,960 --> 00:50:29,240 Speaker 1: about our hair, and it's there's a constant fight with everything. 840 00:50:29,360 --> 00:50:32,839 Speaker 1: And so to me, again, if we don't really look 841 00:50:32,920 --> 00:50:34,960 Speaker 1: at that and pay attention to it, then we don't 842 00:50:34,960 --> 00:50:37,759 Speaker 1: realize is how much we heavily police ourselves as black women. 843 00:50:37,800 --> 00:50:40,000 Speaker 1: Before you even think about how we're thinking or what 844 00:50:40,160 --> 00:50:44,600 Speaker 1: we do. We're policing the way we look. We're policing eggs, 845 00:50:44,960 --> 00:50:48,080 Speaker 1: you know, just just how we present in the room, 846 00:50:48,680 --> 00:50:51,279 Speaker 1: from the from the hair to the features to want 847 00:50:51,320 --> 00:50:53,560 Speaker 1: to make sure we're heard and not just looked at. 848 00:50:53,600 --> 00:50:55,520 Speaker 1: That's right, It's like we're trying to be heard. I 849 00:50:55,560 --> 00:50:57,960 Speaker 1: don't want to be distracted because you don't know what 850 00:50:58,080 --> 00:51:00,359 Speaker 1: this is and you want to touch this, and uh, 851 00:51:01,400 --> 00:51:06,040 Speaker 1: it's just like the it amazes me what, you know, 852 00:51:07,040 --> 00:51:11,839 Speaker 1: how much we have to think about every single thing 853 00:51:12,360 --> 00:51:15,880 Speaker 1: and how we're being watched all of the time, critiqued 854 00:51:16,360 --> 00:51:19,360 Speaker 1: all of the time. There is this little meme on 855 00:51:19,480 --> 00:51:24,120 Speaker 1: TikTok that was going around and the sound said black 856 00:51:24,200 --> 00:51:28,000 Speaker 1: people are never lonely because there's always a white person 857 00:51:28,040 --> 00:51:31,040 Speaker 1: all up in our business. And it's like and what 858 00:51:31,200 --> 00:51:34,200 Speaker 1: it did was show black people chilling doing nothing and 859 00:51:34,360 --> 00:51:37,280 Speaker 1: then focusing on a white person somewhere in the background 860 00:51:37,480 --> 00:51:42,319 Speaker 1: staring at them. And it's the funniest thing. But it's 861 00:51:42,440 --> 00:51:47,279 Speaker 1: like profound because that it makes you think about that 862 00:51:47,480 --> 00:51:52,279 Speaker 1: term the white gaze and how we are obsessed with 863 00:51:52,400 --> 00:52:02,200 Speaker 1: the white gaze, Honie, that white gaze, baby, baby, and 864 00:52:02,280 --> 00:52:04,120 Speaker 1: you got to be pushing back at that on a 865 00:52:04,239 --> 00:52:09,960 Speaker 1: consistent basis, on a consistent basis. It's one thing we 866 00:52:10,080 --> 00:52:14,920 Speaker 1: did not always go win. You're always you're not. You're not. 867 00:52:15,520 --> 00:52:19,479 Speaker 1: You're not you're not because you've been You've been living 868 00:52:19,560 --> 00:52:23,439 Speaker 1: with it and perpetuating it longer than you've been pushing back. Yeah, 869 00:52:24,320 --> 00:52:28,160 Speaker 1: you know, so you're better at perpetuating it than you 870 00:52:28,280 --> 00:52:32,719 Speaker 1: are at not so pushing. So so that thing. You've 871 00:52:32,719 --> 00:52:34,440 Speaker 1: been living with that thing a long time, and it's 872 00:52:34,480 --> 00:52:39,840 Speaker 1: generational in the past. Now listen, I remember perming my 873 00:52:40,000 --> 00:52:43,239 Speaker 1: hair because I had I had purmed my hair for 874 00:52:43,360 --> 00:52:45,480 Speaker 1: the most part of my life because my hair my 875 00:52:45,560 --> 00:52:49,320 Speaker 1: cousin was a hairstylist, and you know, when she was 876 00:52:49,760 --> 00:52:52,680 Speaker 1: in school, I was a guinea pig, so I had 877 00:52:52,719 --> 00:52:54,719 Speaker 1: all the styles. I had to jerry girl, I had 878 00:52:54,760 --> 00:52:59,759 Speaker 1: to snap back, I had, I had the lop sided diagonal, 879 00:53:00,280 --> 00:53:02,480 Speaker 1: I had it all. She she she hooked me up 880 00:53:02,520 --> 00:53:05,319 Speaker 1: on a constant basis, shout out to day. But when 881 00:53:05,960 --> 00:53:09,320 Speaker 1: after I shaved my head in college because I was like, 882 00:53:10,239 --> 00:53:15,120 Speaker 1: I don't want this, I don't I don't want this. 883 00:53:17,719 --> 00:53:20,040 Speaker 1: And that's when my grandmother came in the house with 884 00:53:20,160 --> 00:53:23,200 Speaker 1: my hair cropped, and my grandmother told me to get 885 00:53:23,239 --> 00:53:26,640 Speaker 1: out of her sight. I was not ready for that. 886 00:53:28,080 --> 00:53:30,279 Speaker 1: I was not ready for that. And I also was 887 00:53:30,360 --> 00:53:32,920 Speaker 1: not ready years later when I purned my hair because 888 00:53:32,960 --> 00:53:34,920 Speaker 1: I felt like and I just felt like and all 889 00:53:34,960 --> 00:53:39,400 Speaker 1: of a sudden, I was so fine, Oh she we 890 00:53:39,440 --> 00:53:44,000 Speaker 1: gotta allow space for and for that either that bothered me, 891 00:53:44,160 --> 00:53:48,600 Speaker 1: it made me feelable. Yeah, but that's when grandmother's I mean, yeah, 892 00:53:48,600 --> 00:53:53,400 Speaker 1: I understand that that, but now you understand, like our 893 00:53:53,440 --> 00:53:55,759 Speaker 1: grandmother's a whole human beings from a certain time, and 894 00:53:55,800 --> 00:53:59,279 Speaker 1: we're told about their beauty as well. Oh yeah, I 895 00:53:59,320 --> 00:54:01,520 Speaker 1: mean think But but it's the feeling how it makes 896 00:54:01,560 --> 00:54:04,279 Speaker 1: you feel in that moment when you when you're when 897 00:54:04,320 --> 00:54:06,719 Speaker 1: you're getting in touch with your authentic self at that 898 00:54:06,800 --> 00:54:10,480 Speaker 1: time in your life, and and your elder is rejecting 899 00:54:10,560 --> 00:54:13,239 Speaker 1: that even even though you know you know why, you 900 00:54:13,320 --> 00:54:17,399 Speaker 1: know why, but this is a feeling. But it makes 901 00:54:17,440 --> 00:54:19,480 Speaker 1: me sad, honestly when I see it happening now in 902 00:54:19,560 --> 00:54:21,520 Speaker 1: the world to our to our girls and our women 903 00:54:22,040 --> 00:54:24,520 Speaker 1: when they are just trying to get in touch with 904 00:54:24,600 --> 00:54:28,759 Speaker 1: whoever their authentic self is and they get told, no, 905 00:54:29,040 --> 00:54:32,600 Speaker 1: that's not professional, No that's not this. No you're not 906 00:54:32,719 --> 00:54:35,000 Speaker 1: a queen if you look like that. No you're not 907 00:54:35,120 --> 00:54:38,120 Speaker 1: so and so. No you don't look neat, No you 908 00:54:38,160 --> 00:54:41,360 Speaker 1: don't look you know. It's like I get really that 909 00:54:41,480 --> 00:54:44,560 Speaker 1: hurts me because, like I said, as black women were 910 00:54:44,600 --> 00:54:48,520 Speaker 1: being watched and judged and critiqued so much, if you 911 00:54:48,680 --> 00:54:52,360 Speaker 1: can find that moment where you say I don't want this, 912 00:54:52,840 --> 00:54:54,400 Speaker 1: and then you get in touch with something that you 913 00:54:54,520 --> 00:54:57,560 Speaker 1: do want, you can look and you can look at 914 00:54:57,600 --> 00:55:01,879 Speaker 1: yourself and say yes, so you know what I mean, Yeah, 915 00:55:01,920 --> 00:55:03,640 Speaker 1: I think I think I think you should be able 916 00:55:03,680 --> 00:55:05,440 Speaker 1: to do that. I think you're able to do that 917 00:55:05,560 --> 00:55:09,360 Speaker 1: and go with that, go with that feeling it. You 918 00:55:09,440 --> 00:55:12,880 Speaker 1: can't change your skin tones. It is. And I tell you, 919 00:55:13,120 --> 00:55:16,239 Speaker 1: if you feel like you can't be appreciated, or if 920 00:55:16,280 --> 00:55:19,239 Speaker 1: you choose to wear your hair the way you wear it, 921 00:55:19,600 --> 00:55:22,839 Speaker 1: if you choose to appreciate your skin, and I hope 922 00:55:22,880 --> 00:55:26,640 Speaker 1: you do. You know, whatever uh complexion you are brown 923 00:55:26,760 --> 00:55:30,799 Speaker 1: skin sister, and you feel like, you know, you say 924 00:55:30,880 --> 00:55:35,640 Speaker 1: whatever complexion and go brown skin, sister, I'm brown, I know. 925 00:55:36,080 --> 00:55:41,480 Speaker 1: But just and if you if you black, you brown somehow, baby, Okay, 926 00:55:41,560 --> 00:55:43,160 Speaker 1: I got you, all right. So you're saying a general 927 00:55:43,239 --> 00:55:47,960 Speaker 1: browns I'm talking about brown skin girl, no matter how girl, 928 00:55:48,400 --> 00:55:50,840 Speaker 1: I'm talking about brown skinned women. And I mean and 929 00:55:50,920 --> 00:55:54,000 Speaker 1: I don't mean specifically brown, I mean black women of 930 00:55:54,600 --> 00:55:59,520 Speaker 1: all different shades. Real rap, that's what I mean. If 931 00:55:59,600 --> 00:56:02,160 Speaker 1: you feel like you can't be appreciated for all your 932 00:56:02,320 --> 00:56:08,680 Speaker 1: shine and glory, Honeycota Italy. Okay, this girl, just now. 933 00:56:09,520 --> 00:56:11,520 Speaker 1: Look then, my mama was in a sin. I see 934 00:56:11,560 --> 00:56:13,520 Speaker 1: your white women and they didn't see them, watch women. 935 00:56:13,560 --> 00:56:16,000 Speaker 1: All they saw was but listen, but listen more, but listen. 936 00:56:16,400 --> 00:56:20,000 Speaker 1: Listen where am I also in Jamaica? Also in Jamaica, 937 00:56:20,360 --> 00:56:25,080 Speaker 1: Got sore? Where you're appreciated, got darn it? Yes, come 938 00:56:25,120 --> 00:56:36,200 Speaker 1: on and shake her shimmy, yeah yeah yeah. Just this 939 00:56:36,440 --> 00:56:38,960 Speaker 1: for your ego boost to know that this is this 940 00:56:39,120 --> 00:56:42,719 Speaker 1: is a clouded vision of you, and even maybe your 941 00:56:42,800 --> 00:56:46,440 Speaker 1: vision is clouded too. Show to those women that are 942 00:56:46,480 --> 00:56:48,680 Speaker 1: brought it to lightlight. I mean, I know it's controversial, 943 00:56:48,719 --> 00:56:50,600 Speaker 1: but even Tessa Thompson, who was like, I am so 944 00:56:50,760 --> 00:56:53,919 Speaker 1: conscious of my life skating privilege in this situation. Wow, 945 00:56:54,680 --> 00:56:57,359 Speaker 1: it's a thing. Yeah, I haven't reached that place yet. 946 00:56:57,400 --> 00:56:59,239 Speaker 1: I just found out. I was like skinning, I'm sorry 947 00:57:00,000 --> 00:57:03,200 Speaker 1: a few months for me and I'm I'm like, well, 948 00:57:03,200 --> 00:57:05,000 Speaker 1: you're a different kind because you're still in light scan 949 00:57:05,080 --> 00:57:11,759 Speaker 1: but you're still nappy too. So sometimes it's a little 950 00:57:11,840 --> 00:57:16,520 Speaker 1: different in my life. It's it's really interesting to be 951 00:57:16,640 --> 00:57:20,440 Speaker 1: in Tennessee with with natural hair out here. Yeah, the 952 00:57:20,560 --> 00:57:27,160 Speaker 1: response is different. I get called girl often. I hit 953 00:57:27,240 --> 00:57:30,520 Speaker 1: him on when I was in Nashville, white man. I 954 00:57:30,680 --> 00:57:35,240 Speaker 1: was like, wait, white man, I never had I been 955 00:57:35,280 --> 00:57:37,120 Speaker 1: a girl in a very, very long time. But I 956 00:57:37,200 --> 00:57:41,880 Speaker 1: appreciate your compliment. Now get me whatever I'm asking for. 957 00:57:42,080 --> 00:57:44,040 Speaker 1: Thank you so much. Good one. You ain't here them. 958 00:57:44,040 --> 00:57:48,240 Speaker 1: I don't know he's talking, Tom, but I'm doing don't 959 00:57:48,240 --> 00:57:52,120 Speaker 1: do things differently. I'm not trying to. I'm trying to 960 00:57:52,240 --> 00:57:54,400 Speaker 1: not trying to fight you. I'm trying to educate you. Baby, 961 00:57:54,440 --> 00:57:59,480 Speaker 1: I'm I'm not a girl. On that note, thank you 962 00:57:59,600 --> 00:58:06,959 Speaker 1: so much for listening to Jay dot L today. Thank 963 00:58:07,000 --> 00:58:12,400 Speaker 1: you so much. We enjoy having these conversations. We're always 964 00:58:12,840 --> 00:58:20,160 Speaker 1: like laughing and crying and uplifted and changed, changed just 965 00:58:20,360 --> 00:58:29,560 Speaker 1: a little bit. I like that. I appreciate that. How 966 00:58:29,720 --> 00:58:39,840 Speaker 1: do you eat an elephant? One by it time? Hey? 967 00:58:39,880 --> 00:58:43,280 Speaker 1: Hey everyone, it's producer Eaves here again at the end 968 00:58:43,320 --> 00:58:46,600 Speaker 1: of the episode. And what Asia mentioned about the social 969 00:58:46,640 --> 00:58:50,160 Speaker 1: media filters making skin look lighter. That is an issue 970 00:58:50,240 --> 00:58:52,960 Speaker 1: that people have raised. Of course, there are the overall 971 00:58:53,040 --> 00:58:57,240 Speaker 1: problems of how filters affect self image, confidence, esteem, and 972 00:58:57,440 --> 00:59:01,040 Speaker 1: our perception of beauty standards. But skin tone is one 973 00:59:01,080 --> 00:59:04,560 Speaker 1: thing that is still super relevant and a problem, and 974 00:59:04,640 --> 00:59:07,880 Speaker 1: it goes way back with light skin biases embedded and 975 00:59:07,960 --> 00:59:12,160 Speaker 1: photography and filters since their early days, and it goes 976 00:59:12,280 --> 00:59:17,560 Speaker 1: even beyond skin tone and into Eurocentric beauty standards in general. Yep, 977 00:59:17,800 --> 00:59:20,880 Speaker 1: the trance of white supremacy is strong. I'll drop a 978 00:59:20,960 --> 00:59:42,200 Speaker 1: few lengths about it and about colorism in the episode description. Hi, 979 00:59:42,680 --> 00:59:45,040 Speaker 1: if you have comments on something you said in this 980 00:59:45,200 --> 00:59:49,560 Speaker 1: episode called eight six six, Hey Jill, if you want 981 00:59:49,560 --> 00:59:52,680 Speaker 1: to add to this conversation, that's eight six six four 982 00:59:52,800 --> 00:59:56,080 Speaker 1: three nine five four five five. Don't forget to tell 983 00:59:56,160 --> 00:59:58,960 Speaker 1: us your name and the episode you're referring to you 984 00:59:59,160 --> 01:00:03,320 Speaker 1: might yeah hear your message on a future episode. Thank 985 01:00:03,360 --> 01:00:06,560 Speaker 1: you for listening to Jill Scott presents j dot il 986 01:00:06,760 --> 01:00:10,560 Speaker 1: the Podcast. This podcast is hosted by Jill Scott, Laia 987 01:00:10,680 --> 01:00:15,040 Speaker 1: st Clair and Aga Graden Danceler. It's executive producers are 988 01:00:15,120 --> 01:00:19,000 Speaker 1: Jill Scott, Shawn g and Brian Calhoun's produced by Laya 989 01:00:19,120 --> 01:00:22,520 Speaker 1: st Clair and me Eves Jeff Cope. The editing and 990 01:00:22,600 --> 01:00:25,960 Speaker 1: sound design for this episode we're done by Christina Larenger. 991 01:00:31,000 --> 01:00:34,400 Speaker 1: J dot Ill is a production of I heart Radio. 992 01:00:34,840 --> 01:00:38,080 Speaker 1: For more podcast from I heart Radio, visit the I 993 01:00:38,280 --> 01:00:42,600 Speaker 1: heart Radio app, Apple podcast, or wherever you listen to 994 01:00:42,720 --> 01:00:43,800 Speaker 1: your favorite shows