1 00:00:04,240 --> 00:00:12,960 Speaker 1: Get in touch with technology with tex stuff from dot com. 2 00:00:13,000 --> 00:00:16,400 Speaker 1: Hey there, and welcome to text stuff. I'm Jonathan Strickland, 3 00:00:16,400 --> 00:00:18,759 Speaker 1: and today we're gonna have a listener mail. Do you 4 00:00:18,800 --> 00:00:22,760 Speaker 1: believe because I've been receiving lots of mail from you guys, 5 00:00:22,800 --> 00:00:25,480 Speaker 1: and I wanted to thank you for that, first of all, 6 00:00:25,640 --> 00:00:29,600 Speaker 1: because I love hearing from my listeners and it gives 7 00:00:29,640 --> 00:00:32,480 Speaker 1: me some direction about where to go. Sometimes you guys 8 00:00:32,520 --> 00:00:35,400 Speaker 1: are asking for stuff that we've covered on previous episodes, 9 00:00:35,440 --> 00:00:38,200 Speaker 1: but that always gives me the chance to update those episodes. 10 00:00:38,440 --> 00:00:41,000 Speaker 1: And sometimes you ask for stuff that I honestly never 11 00:00:41,000 --> 00:00:43,960 Speaker 1: would have thought about on my own, and it really 12 00:00:44,080 --> 00:00:47,240 Speaker 1: helps when I'm putting the show together. Now, in this case, 13 00:00:47,320 --> 00:00:50,960 Speaker 1: we've got a few different listener mail messages, none of 14 00:00:50,960 --> 00:00:55,600 Speaker 1: which really warrant a full length episode all by themselves. 15 00:00:56,000 --> 00:00:58,480 Speaker 1: Some can be answered more quickly than others, so I 16 00:00:58,480 --> 00:01:01,120 Speaker 1: thought I would group them together as another listener male 17 00:01:01,240 --> 00:01:04,840 Speaker 1: grab bag and address them and thank the people who 18 00:01:04,840 --> 00:01:08,640 Speaker 1: wrote in. So first we have Chris I said this 19 00:01:08,720 --> 00:01:11,080 Speaker 1: was all about three D printing, and when they talked 20 00:01:11,080 --> 00:01:15,280 Speaker 1: about the possibility of of stores having three D printers 21 00:01:15,720 --> 00:01:19,200 Speaker 1: to produce on demand as opposed to having warehouses full 22 00:01:19,200 --> 00:01:22,200 Speaker 1: of inventory. Chris says there's a store that opened up 23 00:01:22,240 --> 00:01:24,280 Speaker 1: in my area that the guy wants to be the 24 00:01:24,319 --> 00:01:27,600 Speaker 1: first Kinko's like storefront for three D printing. He doesn't 25 00:01:27,600 --> 00:01:29,679 Speaker 1: plan on this being the primary role of the business 26 00:01:29,680 --> 00:01:33,479 Speaker 1: to start out, because the demand is not there right yet, 27 00:01:33,920 --> 00:01:37,199 Speaker 1: but he wants to work with inventors, designers, and mostly 28 00:01:37,240 --> 00:01:41,119 Speaker 1: work with people in schools to teach people about the technology. Now, 29 00:01:41,280 --> 00:01:45,320 Speaker 1: Chris did not mention, uh, the name of this particular business, 30 00:01:46,680 --> 00:01:49,200 Speaker 1: but I'm going to take a wild guess, and I 31 00:01:49,200 --> 00:01:52,280 Speaker 1: could be wrong. Chris, please right in and tell me 32 00:01:52,400 --> 00:01:57,720 Speaker 1: if I'm completely off track here, But I'm guessing that 33 00:01:57,880 --> 00:02:01,920 Speaker 1: it might be Things Smiths and in Arbor, Michigan, and 34 00:02:02,040 --> 00:02:06,440 Speaker 1: thinks Smith's is a pretty cool organization. I looked into 35 00:02:06,480 --> 00:02:10,000 Speaker 1: it online. I'm also hoping to to at some point 36 00:02:10,040 --> 00:02:12,960 Speaker 1: interview someone from Things Smith's to talk more about what 37 00:02:13,040 --> 00:02:16,560 Speaker 1: they do and how they conduct business, because I think 38 00:02:16,560 --> 00:02:19,160 Speaker 1: it'd be really interesting to look at something that is 39 00:02:19,560 --> 00:02:23,760 Speaker 1: often referred to as an incredibly disruptive technology, disruptive to 40 00:02:23,800 --> 00:02:27,760 Speaker 1: the manufacturing industry in particular. So Thinks Smith's is a 41 00:02:27,800 --> 00:02:30,560 Speaker 1: shop that offers up three D printing to customers for 42 00:02:30,720 --> 00:02:34,600 Speaker 1: a set price per cubic centimeter, And it depends upon 43 00:02:34,720 --> 00:02:37,960 Speaker 1: what type of material and which process you want to use. 44 00:02:38,320 --> 00:02:41,720 Speaker 1: So your choices are a bs P L, a p 45 00:02:41,880 --> 00:02:47,079 Speaker 1: ET nylon or UH and those are all using fused 46 00:02:47,160 --> 00:02:53,520 Speaker 1: deposition modeling or methacry late plastic through stereolithography. All right, 47 00:02:53,560 --> 00:02:56,000 Speaker 1: So now you're like, well, I don't know what that 48 00:02:56,080 --> 00:03:00,560 Speaker 1: means necessarily, so fused deposition modeling is what a typical 49 00:03:00,639 --> 00:03:04,320 Speaker 1: three D printer on the market does. So if you've 50 00:03:04,320 --> 00:03:07,080 Speaker 1: ever seen one of these, you you're pretty familiar. But 51 00:03:07,160 --> 00:03:10,600 Speaker 1: just in case you haven't, once you have is an 52 00:03:10,600 --> 00:03:15,080 Speaker 1: extruder which ends up heating up some sort of material, uh, 53 00:03:15,200 --> 00:03:18,840 Speaker 1: typically some kind of plastic to a level where it 54 00:03:18,960 --> 00:03:23,639 Speaker 1: is moldible and and you can actually extrude it. It's 55 00:03:23,720 --> 00:03:28,240 Speaker 1: there are extruders that print out tiny, thin layers of 56 00:03:28,280 --> 00:03:31,560 Speaker 1: this stuff, almost like a glue gun. If you've ever 57 00:03:31,680 --> 00:03:33,440 Speaker 1: used a glue gun, it's kind of like that, but 58 00:03:33,760 --> 00:03:37,560 Speaker 1: much smaller and more precise. Um. The level of precision 59 00:03:37,600 --> 00:03:40,280 Speaker 1: depends upon the type of three D printer you're using, 60 00:03:41,240 --> 00:03:43,920 Speaker 1: and what it does is it lays down layer after 61 00:03:44,080 --> 00:03:48,360 Speaker 1: layer of this stuff fusing each new layer to the 62 00:03:48,560 --> 00:03:52,640 Speaker 1: layers below it. And often there's some sort of chemical 63 00:03:52,760 --> 00:03:57,520 Speaker 1: within the plastic itself that allows you to do this fusing. Um. 64 00:03:57,560 --> 00:04:00,040 Speaker 1: Typically you want it to cool down so that it 65 00:04:00,400 --> 00:04:04,160 Speaker 1: really solidifies in the final shape that you had intended 66 00:04:04,880 --> 00:04:08,400 Speaker 1: and uh it you know, it's very important for this 67 00:04:08,440 --> 00:04:13,640 Speaker 1: fusing and hardening process to go smoothly, or else the material, 68 00:04:13,800 --> 00:04:16,040 Speaker 1: the object would collapse in on itself and you just 69 00:04:16,120 --> 00:04:19,320 Speaker 1: end up with a lumpy, gooey mess. Now, we've used 70 00:04:19,360 --> 00:04:21,880 Speaker 1: three D printers here at the office and they used 71 00:04:21,920 --> 00:04:26,920 Speaker 1: this particular method, the fust deposition modeling, and it's pretty 72 00:04:26,920 --> 00:04:28,719 Speaker 1: interesting stuff. I mean, you have to be a little 73 00:04:28,760 --> 00:04:30,240 Speaker 1: you know, depending on the model, you have to be 74 00:04:30,320 --> 00:04:34,480 Speaker 1: a little tricksy with it. We've had somewhere the plastic 75 00:04:34,600 --> 00:04:38,880 Speaker 1: was sticking to the platform, the printing platform, and that 76 00:04:38,960 --> 00:04:43,800 Speaker 1: was a problem because instead of it uh, flowing properly 77 00:04:43,920 --> 00:04:46,320 Speaker 1: when it would get to a point, it would start 78 00:04:46,360 --> 00:04:50,280 Speaker 1: to peel off for slide instead of sticking the right way, uh, 79 00:04:50,320 --> 00:04:52,960 Speaker 1: and you would end up with a deformed plastic monstrosity 80 00:04:53,000 --> 00:04:55,159 Speaker 1: as opposed to that nice whistle you we wanted to 81 00:04:55,200 --> 00:04:58,640 Speaker 1: print out. But that's one method. The other one, stereolithography, 82 00:04:58,839 --> 00:05:02,320 Speaker 1: is entirely print and it's super awesome. It's still additive 83 00:05:02,360 --> 00:05:06,359 Speaker 1: manufacturing additive meaning that you are building this thing piece 84 00:05:06,400 --> 00:05:09,599 Speaker 1: by piece, as opposed to carving away stuff to get 85 00:05:09,640 --> 00:05:12,400 Speaker 1: at what you want. That would be subtractive. So in 86 00:05:12,440 --> 00:05:16,800 Speaker 1: other words, sculpting is subtractive, but this is additive, where 87 00:05:16,800 --> 00:05:19,800 Speaker 1: you're you're adding material until you have built the thing 88 00:05:19,839 --> 00:05:23,440 Speaker 1: you want. Uh. Stereo lithography builds in a layer by 89 00:05:23,480 --> 00:05:27,320 Speaker 1: layer basis that uses a laser to change the nature 90 00:05:27,400 --> 00:05:31,040 Speaker 1: of material to make it hardened. So you have a 91 00:05:31,080 --> 00:05:35,360 Speaker 1: liquid material, some sort of liquid plastic for example, and 92 00:05:35,440 --> 00:05:37,680 Speaker 1: imagine that you've got it in a vat. So you've 93 00:05:37,680 --> 00:05:42,040 Speaker 1: got this vat of liquid material. Uh, you have submerged 94 00:05:42,440 --> 00:05:47,360 Speaker 1: just under the surface of this liquid plastic a porous 95 00:05:47,839 --> 00:05:50,680 Speaker 1: um platform. So I think of it like a like 96 00:05:50,720 --> 00:05:53,680 Speaker 1: a grill almost. It's it's like that, but very narrow 97 00:05:54,360 --> 00:05:58,760 Speaker 1: gaps between the bars and allows the plastic to come 98 00:05:58,880 --> 00:06:02,680 Speaker 1: up through the bars and it's just submerged just under 99 00:06:03,200 --> 00:06:07,040 Speaker 1: the surface of that liquid plastic. On top of this vat, 100 00:06:07,160 --> 00:06:10,200 Speaker 1: you have a device that is able to direct a 101 00:06:10,320 --> 00:06:15,000 Speaker 1: laser an ultra violet laser. Let's say, at this liquid 102 00:06:15,040 --> 00:06:18,880 Speaker 1: material which has this photoreactive nature to it, so that 103 00:06:18,960 --> 00:06:23,040 Speaker 1: when it's hit by this ultra violet laser, the liquid 104 00:06:23,040 --> 00:06:29,279 Speaker 1: plastic hardens into a solid. So by tracing the shape 105 00:06:29,520 --> 00:06:33,080 Speaker 1: that you want to print on this liquid plastic that's 106 00:06:33,080 --> 00:06:37,000 Speaker 1: on top of this platform, it turns that liquid into solid, 107 00:06:37,279 --> 00:06:41,000 Speaker 1: and you have your first layer of whatever it is 108 00:06:41,040 --> 00:06:46,239 Speaker 1: you're playing on. Building to build again, the platform goes 109 00:06:46,320 --> 00:06:50,560 Speaker 1: down just a little bit so that the hardened surface 110 00:06:50,720 --> 00:06:54,960 Speaker 1: is now submerged just under the surface of that liquid plastic, 111 00:06:55,400 --> 00:06:58,560 Speaker 1: and you do it again. The laser traces and the 112 00:06:59,120 --> 00:07:02,320 Speaker 1: liquid plastic on top of the hard plastic hardens and 113 00:07:02,520 --> 00:07:05,520 Speaker 1: fuses together with the layer below it, and you do 114 00:07:05,560 --> 00:07:09,360 Speaker 1: this over and over again, so that platform very slowly 115 00:07:09,480 --> 00:07:14,400 Speaker 1: descends as the laser traces and hardens this liquid plastic, 116 00:07:15,040 --> 00:07:18,560 Speaker 1: and it allows for much greater precision than the fuse 117 00:07:18,680 --> 00:07:24,280 Speaker 1: deposition modeling. You can get to um pretty decent resolution. 118 00:07:24,320 --> 00:07:27,160 Speaker 1: Now resolution and three D printers is will really what 119 00:07:27,200 --> 00:07:29,880 Speaker 1: we talk about when you want to avoid those jagged edges. 120 00:07:30,800 --> 00:07:35,520 Speaker 1: So it's pretty awesome and thinks Smith's uses both methods, 121 00:07:35,640 --> 00:07:38,480 Speaker 1: and depending upon which method you want the price is 122 00:07:38,480 --> 00:07:44,080 Speaker 1: gonna vary also depending on again which material you're using. Uh, 123 00:07:44,080 --> 00:07:49,160 Speaker 1: and it's price per cubic centimeter. So uh, that is 124 00:07:49,240 --> 00:07:52,200 Speaker 1: I think pretty awesome. The company also offers three D 125 00:07:52,360 --> 00:07:57,320 Speaker 1: scanning and design services, so you could bring something in 126 00:07:57,600 --> 00:08:00,320 Speaker 1: to scan and have them print a cop be of 127 00:08:00,400 --> 00:08:04,760 Speaker 1: that thing. Theoretically you could scan yourself and have a 128 00:08:04,880 --> 00:08:08,680 Speaker 1: figurine of yourself printed up. Or if you had an 129 00:08:08,760 --> 00:08:12,239 Speaker 1: idea for something but you didn't have anything to scan 130 00:08:12,360 --> 00:08:15,560 Speaker 1: and you didn't have the capability of designing it yourself, 131 00:08:16,000 --> 00:08:18,440 Speaker 1: you can hire them to do that for you, which 132 00:08:18,440 --> 00:08:20,760 Speaker 1: is pretty awesome. Now, Chris, why don't you write me 133 00:08:20,760 --> 00:08:23,880 Speaker 1: back let me know if I have the the same 134 00:08:23,960 --> 00:08:26,160 Speaker 1: business that you had in mind, or if there was 135 00:08:26,200 --> 00:08:29,280 Speaker 1: something else. Remember that address tech Stuff at how stuff 136 00:08:29,280 --> 00:08:33,120 Speaker 1: works dot com. I'd love to hear from you either way. 137 00:08:33,160 --> 00:08:35,360 Speaker 1: I really hope I can speak with someone from Things 138 00:08:35,360 --> 00:08:38,280 Speaker 1: Smith's in a future episode, just to kind of talk 139 00:08:38,520 --> 00:08:41,240 Speaker 1: more about the business model and and really what the 140 00:08:41,280 --> 00:08:45,280 Speaker 1: future is for three D printing in this kind of way. Alright, 141 00:08:45,320 --> 00:08:49,760 Speaker 1: our next message comes from Felonious. Now, Felonious says, dear 142 00:08:49,960 --> 00:08:54,280 Speaker 1: Mr Strickland, so formal, I have been a listener to 143 00:08:54,360 --> 00:08:57,560 Speaker 1: tech stuff and forward thinking for many years. I recently 144 00:08:57,600 --> 00:09:00,960 Speaker 1: downloaded an iPod full of back episode of those casts 145 00:09:01,000 --> 00:09:04,840 Speaker 1: to listen to an extended bus trip. But about the 146 00:09:04,920 --> 00:09:07,040 Speaker 1: fourth or fifth day something struck me that I want 147 00:09:07,080 --> 00:09:09,880 Speaker 1: to ask you about. Does it always have to be 148 00:09:10,080 --> 00:09:13,760 Speaker 1: a form factor and not just a form? And did 149 00:09:13,800 --> 00:09:16,400 Speaker 1: the word shape do something nasty to you as a 150 00:09:16,400 --> 00:09:23,280 Speaker 1: small child, just wondering felonious to shape? Felonious? Um, why 151 00:09:23,320 --> 00:09:27,360 Speaker 1: do I use the term form factor so much instead 152 00:09:27,400 --> 00:09:30,160 Speaker 1: of just form or shape. Well, for one thing, form 153 00:09:30,240 --> 00:09:33,840 Speaker 1: factor and computers means a little bit more than just 154 00:09:34,000 --> 00:09:37,360 Speaker 1: the physical form or shape. There's a little bit extra 155 00:09:37,800 --> 00:09:43,199 Speaker 1: implied with that particular term. Form factor refers to how 156 00:09:43,640 --> 00:09:47,959 Speaker 1: these things are shaped, plus how the shape effects and 157 00:09:48,080 --> 00:09:51,360 Speaker 1: are affected by the use of that device. So, in 158 00:09:51,400 --> 00:09:55,240 Speaker 1: other words, the form factor of a desktop is different 159 00:09:55,320 --> 00:09:58,080 Speaker 1: from a laptop, and the use of those two things 160 00:09:58,320 --> 00:10:02,160 Speaker 1: changes as a result. The form factor of a smartphone 161 00:10:02,880 --> 00:10:05,280 Speaker 1: is such that you have to build that in to 162 00:10:05,440 --> 00:10:08,720 Speaker 1: your design of apps for that smartphone. You know that 163 00:10:08,760 --> 00:10:10,679 Speaker 1: you have a limited amount of screen space that you 164 00:10:10,720 --> 00:10:13,920 Speaker 1: can use. You know that the inputs are limited, You 165 00:10:13,920 --> 00:10:16,800 Speaker 1: know that the battery life is limited because of the 166 00:10:16,840 --> 00:10:20,160 Speaker 1: form factor, the the all the things that go into 167 00:10:20,240 --> 00:10:24,640 Speaker 1: making that particular type of device work the way it does. 168 00:10:25,679 --> 00:10:29,360 Speaker 1: So it's a little bit more than just form or shape, 169 00:10:29,400 --> 00:10:32,440 Speaker 1: and it's an industry standard. That being said, I probably 170 00:10:32,480 --> 00:10:36,240 Speaker 1: could vary my vocabulary a little bit and not make 171 00:10:36,320 --> 00:10:39,160 Speaker 1: you guys go crazy and create the text stuff drinking 172 00:10:39,240 --> 00:10:44,400 Speaker 1: game where words like convergence and form factor and disruptive 173 00:10:44,520 --> 00:10:48,240 Speaker 1: all become means to you know, take a another shot 174 00:10:48,280 --> 00:10:52,960 Speaker 1: of your favorite frosty beverage um At any rate, thank 175 00:10:52,960 --> 00:10:55,640 Speaker 1: you very much. The loneous but yes, form factor is 176 00:10:55,679 --> 00:10:58,640 Speaker 1: a little more specific than either form or shape in 177 00:10:58,679 --> 00:11:02,679 Speaker 1: the in the text of computers and electronics, which is 178 00:11:02,720 --> 00:11:13,000 Speaker 1: why I use it so frequently. Let's take a quick 179 00:11:13,040 --> 00:11:17,160 Speaker 1: break to thank our sponsor. 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It's incredibly simple, 200 00:12:23,440 --> 00:12:25,360 Speaker 1: and I have a digital scale that I can just 201 00:12:25,360 --> 00:12:28,240 Speaker 1: plug into my computer. It tells me exactly how much 202 00:12:28,240 --> 00:12:30,679 Speaker 1: postage I need to use, so I don't have to 203 00:12:30,800 --> 00:12:33,600 Speaker 1: use any guesswork or put too much postage or not 204 00:12:33,720 --> 00:12:37,400 Speaker 1: enough postage on anything. I always know exactly what I need. 205 00:12:37,480 --> 00:12:40,840 Speaker 1: It's fantastic. Right now, you can use my promo code 206 00:12:40,880 --> 00:12:44,000 Speaker 1: text stuff for this special offer. It is a no 207 00:12:44,400 --> 00:12:47,720 Speaker 1: risk trial. You get a hundred and ten dollars in 208 00:12:47,840 --> 00:12:50,680 Speaker 1: bonuses that includes a digital scale like the one I 209 00:12:50,760 --> 00:12:54,720 Speaker 1: was talking about, and up to fifty dollars free postage. 210 00:12:55,080 --> 00:12:58,559 Speaker 1: Don't wait, go to stamps dot com and before you 211 00:12:58,640 --> 00:13:02,160 Speaker 1: do anything else, click on the microphone at the top 212 00:13:02,240 --> 00:13:12,760 Speaker 1: of the home page and type in tech stuff. Alright. 213 00:13:12,800 --> 00:13:18,280 Speaker 1: Our next one comes from Chase from Washington State, who says, Hello, 214 00:13:19,080 --> 00:13:22,760 Speaker 1: I was listening to your episode recently with listener mail. Hey, 215 00:13:22,800 --> 00:13:25,680 Speaker 1: it's another one of those I haven't listened to the 216 00:13:25,720 --> 00:13:28,840 Speaker 1: most recent episodes, so forgive me if you've already addressed this. 217 00:13:28,920 --> 00:13:31,680 Speaker 1: You were talking about the programming of a car as 218 00:13:31,679 --> 00:13:34,800 Speaker 1: to how it would choose to act in either going 219 00:13:34,840 --> 00:13:38,120 Speaker 1: on a sidewalk or bracing for impact. This is the 220 00:13:38,160 --> 00:13:42,320 Speaker 1: trolley problem we were talking about. If cars are able 221 00:13:42,320 --> 00:13:44,960 Speaker 1: to communicate with each other, wouldn't it be possible for 222 00:13:45,040 --> 00:13:48,240 Speaker 1: your car to basically warn other cars that it was 223 00:13:48,320 --> 00:13:50,600 Speaker 1: going to have to slam on its brakes and also 224 00:13:50,720 --> 00:13:53,560 Speaker 1: allow them to do the same as to avoid either 225 00:13:53,600 --> 00:13:56,880 Speaker 1: a hard impact or a crash altogether. Just a thought 226 00:13:56,960 --> 00:13:59,360 Speaker 1: I had and figured I would pose that idea to 227 00:13:59,480 --> 00:14:02,199 Speaker 1: the problem. Thanks for all the amazing episodes you guys 228 00:14:02,200 --> 00:14:05,320 Speaker 1: really make my long nights at work. More bearable. Well, 229 00:14:05,360 --> 00:14:10,559 Speaker 1: thank you, Chase. So what Chase proposes here is fantastic. 230 00:14:10,600 --> 00:14:12,400 Speaker 1: I mean, it is kind of a solution to the 231 00:14:12,400 --> 00:14:16,679 Speaker 1: trolley problem. In all but the most extreme cases, this 232 00:14:16,760 --> 00:14:21,760 Speaker 1: sort of communication would very often prevent these accidents from 233 00:14:21,760 --> 00:14:23,960 Speaker 1: ever happening. In fact, we might prevent them to the 234 00:14:23,960 --> 00:14:26,560 Speaker 1: point where you wouldn't even be aware that such an 235 00:14:26,560 --> 00:14:31,800 Speaker 1: accident was even possible. That's the ideal that, however, is 236 00:14:32,160 --> 00:14:35,320 Speaker 1: a few years away. In the meantime, we have a 237 00:14:35,360 --> 00:14:39,000 Speaker 1: world in which we've got a lot of manually driven cars. 238 00:14:39,840 --> 00:14:42,400 Speaker 1: In fact, nearly all of them are manually driven. There 239 00:14:42,400 --> 00:14:45,360 Speaker 1: are very few autonomous cars out there. But we have 240 00:14:45,480 --> 00:14:49,080 Speaker 1: all these manually driven cars, and many of them are different. 241 00:14:49,120 --> 00:14:51,400 Speaker 1: You know, We've got all these different years and models 242 00:14:51,400 --> 00:14:54,360 Speaker 1: and makes out there on the road. Some of them 243 00:14:54,520 --> 00:14:59,320 Speaker 1: predate all the cool systems that have been hitting you know, 244 00:14:59,400 --> 00:15:02,880 Speaker 1: standard ours for the last few years. So stuff that 245 00:15:03,120 --> 00:15:06,960 Speaker 1: you might find standard today, like things like lane assist 246 00:15:07,160 --> 00:15:10,000 Speaker 1: or or even um, you know, parking assists. That kind 247 00:15:10,000 --> 00:15:12,280 Speaker 1: of stuff that's starting to become more and more common 248 00:15:12,520 --> 00:15:16,360 Speaker 1: in cars just a few years ago was completely unheard 249 00:15:16,360 --> 00:15:21,479 Speaker 1: of or was only found in the most high luxury 250 00:15:21,600 --> 00:15:25,200 Speaker 1: vehicles out there. So with that in mind, we get 251 00:15:25,200 --> 00:15:28,320 Speaker 1: to a point where we have this autonomous car that 252 00:15:28,600 --> 00:15:31,920 Speaker 1: is going to encounter an oncoming car. That the scenario, 253 00:15:31,960 --> 00:15:34,320 Speaker 1: in case you forgot, was that, let's say you've got 254 00:15:34,360 --> 00:15:37,520 Speaker 1: an autonomous car. You are sitting in an autonomous car, 255 00:15:38,280 --> 00:15:41,560 Speaker 1: and there's an oncoming car that's veering into your lane, 256 00:15:42,000 --> 00:15:46,160 Speaker 1: and the autonomous car really only has two options. One 257 00:15:46,160 --> 00:15:49,360 Speaker 1: option will result in the autonomous car getting into an 258 00:15:49,400 --> 00:15:53,240 Speaker 1: accident where you could potentially be hurt, you the passenger. 259 00:15:53,960 --> 00:15:56,560 Speaker 1: The other option has the autonomous car behaving in such 260 00:15:56,560 --> 00:15:59,040 Speaker 1: a way that somebody else is going to be put 261 00:15:59,080 --> 00:16:02,000 Speaker 1: into danger, they're going to be injured. And those are 262 00:16:02,040 --> 00:16:05,160 Speaker 1: the only two options. What what do you or what 263 00:16:05,240 --> 00:16:07,640 Speaker 1: does the the designer of the autonomous car, what do 264 00:16:07,720 --> 00:16:11,920 Speaker 1: they build into the car to make that decision knowing 265 00:16:11,960 --> 00:16:14,000 Speaker 1: that one of the two options has to happen, there's 266 00:16:14,040 --> 00:16:18,720 Speaker 1: no third option, and that that's the philosophical problem that's 267 00:16:18,720 --> 00:16:21,320 Speaker 1: still going to be a problem for a while, simply 268 00:16:21,360 --> 00:16:24,560 Speaker 1: because we're not going to reach a point where spontaneously 269 00:16:24,800 --> 00:16:29,040 Speaker 1: everyone has a vehicle capable of communicating with other vehicles. 270 00:16:29,920 --> 00:16:33,480 Speaker 1: One day, hopefully we will reach that, whether the car 271 00:16:33,560 --> 00:16:37,840 Speaker 1: is autonomously controlled or manually controlled, so that there is 272 00:16:37,880 --> 00:16:41,360 Speaker 1: a better understanding on an electronic level of what is 273 00:16:41,400 --> 00:16:45,200 Speaker 1: going on, so that we can have safety features built 274 00:16:45,240 --> 00:16:47,920 Speaker 1: in to prevent these kind of accidents from happening. And 275 00:16:47,960 --> 00:16:50,360 Speaker 1: while this is all kind of a thought exercise in 276 00:16:50,400 --> 00:16:54,720 Speaker 1: the short term, it does have actual real world implications. 277 00:16:54,760 --> 00:16:58,760 Speaker 1: There are real world engineers working on this kind of 278 00:16:58,760 --> 00:17:01,120 Speaker 1: problem and trying to determine and what's the best way 279 00:17:01,600 --> 00:17:05,800 Speaker 1: to cause the least amount of harm in these extreme circumstances, 280 00:17:06,680 --> 00:17:10,960 Speaker 1: knowing that under regular operating and conditions, an autonomous car 281 00:17:11,640 --> 00:17:15,600 Speaker 1: is likely always going to be more safe than a 282 00:17:15,760 --> 00:17:19,120 Speaker 1: manually driven car. Keeping in mind things like the Google 283 00:17:19,359 --> 00:17:23,199 Speaker 1: car story about how uh, in the entire history of 284 00:17:23,240 --> 00:17:25,480 Speaker 1: the autonomous cars that Google has been running, there have 285 00:17:25,520 --> 00:17:27,560 Speaker 1: only been a couple of accidents, and they've all been 286 00:17:27,640 --> 00:17:32,160 Speaker 1: due to human drivers, not the autonomous driver. So maybe 287 00:17:32,240 --> 00:17:34,679 Speaker 1: Chase in the future will get to a point where cars, 288 00:17:34,680 --> 00:17:38,960 Speaker 1: whether they're autonomously controlled or manually controlled, are communicating with 289 00:17:39,040 --> 00:17:43,119 Speaker 1: one another well in advance, so that these kinds of 290 00:17:43,160 --> 00:17:48,760 Speaker 1: situations can be headed off before they become dangerous. That 291 00:17:48,760 --> 00:17:51,359 Speaker 1: would be wonderful. I hope that that's the future that 292 00:17:51,400 --> 00:17:54,760 Speaker 1: we see. I expect that we will get there. I 293 00:17:54,800 --> 00:17:57,120 Speaker 1: just don't know what the timeline is yet, but I'm 294 00:17:57,119 --> 00:18:00,000 Speaker 1: hoping sooner rather than later. And of course it will 295 00:18:00,080 --> 00:18:05,560 Speaker 1: all depend upon the rate at which older cars are 296 00:18:06,240 --> 00:18:10,120 Speaker 1: removed from the roads and newer cars are replacing them. 297 00:18:10,160 --> 00:18:12,639 Speaker 1: Even if that never reaches a point where you know, 298 00:18:12,800 --> 00:18:14,600 Speaker 1: we don't have a mandate. Let's say, let's say that 299 00:18:14,640 --> 00:18:17,560 Speaker 1: we never pass a law that says you have to 300 00:18:17,560 --> 00:18:21,280 Speaker 1: have a car from X year or later, or you 301 00:18:21,320 --> 00:18:23,879 Speaker 1: have to convert your vehicle to have these systems in it, 302 00:18:24,000 --> 00:18:26,120 Speaker 1: or else you can't drive it. Let's say that never happens. 303 00:18:26,840 --> 00:18:28,840 Speaker 1: Even if that never happens, we just have to have 304 00:18:29,080 --> 00:18:33,800 Speaker 1: enough cars with these systems to really make a huge 305 00:18:33,920 --> 00:18:38,639 Speaker 1: difference in in passenger and pedestrian safety. We've seen some 306 00:18:38,640 --> 00:18:42,880 Speaker 1: studies have suggested that as few as twenty of vehicles 307 00:18:42,880 --> 00:18:46,280 Speaker 1: would need these in order to make massive changes to 308 00:18:46,560 --> 00:18:51,600 Speaker 1: everything from traffic jams to again passenger of pedestrian safety. 309 00:18:51,680 --> 00:18:54,959 Speaker 1: So that's really encouraging to know that we don't have 310 00:18:55,040 --> 00:18:57,600 Speaker 1: to have a world where everybody's in one of these vehicles. 311 00:18:57,600 --> 00:18:59,600 Speaker 1: We just have to have enough of them to make 312 00:18:59,640 --> 00:19:03,959 Speaker 1: it different. It's moving on. This next request came from Twitter. 313 00:19:04,600 --> 00:19:08,440 Speaker 1: This is from Jerry who says, uh podcast episode Idea 314 00:19:08,520 --> 00:19:10,600 Speaker 1: was wondering if you could explain what goes on during 315 00:19:10,600 --> 00:19:15,560 Speaker 1: the sound of a dial up modem. Yes, that well, Jerry. 316 00:19:16,080 --> 00:19:19,720 Speaker 1: Just in case our younger listeners have not experienced this 317 00:19:20,200 --> 00:19:22,199 Speaker 1: or have heard it and not known what it is. 318 00:19:22,800 --> 00:19:35,560 Speaker 1: Let's first hear the sound of a dial up modem connecting. Beautiful, 319 00:19:35,640 --> 00:19:38,080 Speaker 1: isn't It Just really brings a tear to your eye. 320 00:19:38,440 --> 00:19:41,480 Speaker 1: So that sound, if you are not familiar with it, 321 00:19:41,480 --> 00:19:44,760 Speaker 1: it probably sounds horrific. But for most of us that 322 00:19:44,920 --> 00:19:47,159 Speaker 1: was the sound. Not for most of us, for the 323 00:19:47,200 --> 00:19:50,639 Speaker 1: older set of us, that was the sound of connecting 324 00:19:50,640 --> 00:19:53,359 Speaker 1: to the Internet specifically, not even just the Internet. That 325 00:19:53,400 --> 00:19:56,000 Speaker 1: was the sound of one computer connecting to another computer 326 00:19:56,119 --> 00:19:59,679 Speaker 1: using dial up modems. So dial up modems use the 327 00:19:59,680 --> 00:20:02,520 Speaker 1: tele own lines in order to make data connections. So 328 00:20:02,640 --> 00:20:05,960 Speaker 1: we were making we were making use of the existing 329 00:20:06,000 --> 00:20:10,480 Speaker 1: infrastructure to do something new. Instead of it being voice communication, 330 00:20:10,520 --> 00:20:14,239 Speaker 1: now it's specifically computer data communication. And that sound is 331 00:20:14,480 --> 00:20:17,680 Speaker 1: essentially a handshake. It's just not the type you would 332 00:20:17,680 --> 00:20:21,360 Speaker 1: do with your hands. It's a modem handshake between two modems, 333 00:20:22,000 --> 00:20:25,280 Speaker 1: and that's what facilitated the communication between one computer and 334 00:20:25,320 --> 00:20:29,280 Speaker 1: another computer. So here's what's going on. If you listen 335 00:20:29,400 --> 00:20:33,280 Speaker 1: to that noise, you're going to hear a series of sounds. 336 00:20:33,560 --> 00:20:37,120 Speaker 1: And this is the order of those sounds and what 337 00:20:37,200 --> 00:20:40,280 Speaker 1: they mean. So the first early tones, once you get 338 00:20:40,320 --> 00:20:43,120 Speaker 1: past the dial tone and the dialing, which is typical 339 00:20:43,240 --> 00:20:47,480 Speaker 1: for any telephone call, not just dial up modems. Uh, 340 00:20:47,560 --> 00:20:50,879 Speaker 1: the earliest tones established the modem speeds of the two 341 00:20:50,960 --> 00:20:55,359 Speaker 1: modems in question. So modems come at different speeds. Um, 342 00:20:55,400 --> 00:20:58,320 Speaker 1: dial up modems come at different speeds, and you can 343 00:20:58,359 --> 00:21:01,040 Speaker 1: only really transmit data as quickly as the slowest modem. 344 00:21:01,119 --> 00:21:03,520 Speaker 1: You can't go any faster than the slowest one. Kind 345 00:21:03,520 --> 00:21:06,919 Speaker 1: of like, uh, if you've got a slow car moving 346 00:21:06,960 --> 00:21:09,600 Speaker 1: down a one lane road, it doesn't matter how fast 347 00:21:09,640 --> 00:21:12,000 Speaker 1: the vehicle is behind it, it's limited by the car 348 00:21:12,080 --> 00:21:15,120 Speaker 1: that's in front of it. So let's say that you're 349 00:21:15,200 --> 00:21:17,960 Speaker 1: using a you know, you're you're you're a bleeding edge 350 00:21:17,960 --> 00:21:20,000 Speaker 1: adopter back in the day, and you've got a nice 351 00:21:20,080 --> 00:21:23,160 Speaker 1: six D BOWD modem and most folks are still using 352 00:21:24,119 --> 00:21:27,000 Speaker 1: BOD modem. You would be stuck at a slower speed. 353 00:21:27,040 --> 00:21:32,639 Speaker 1: Whenever acting, you know, communicating with a slower modem. By 354 00:21:32,680 --> 00:21:36,080 Speaker 1: the way, in case you're wondering, modem would transmit a 355 00:21:36,160 --> 00:21:40,480 Speaker 1: blistering two point four a kilobits per second would be 356 00:21:40,680 --> 00:21:44,040 Speaker 1: nine point six kilobits per second. So that's uh, that's 357 00:21:44,640 --> 00:21:49,920 Speaker 1: incredibly low data transfer speeds compared to what we see today. 358 00:21:50,240 --> 00:21:53,080 Speaker 1: That's why whenever you hear people talk about the old 359 00:21:53,080 --> 00:21:54,919 Speaker 1: dial up modem days, you would, you know, try and 360 00:21:55,240 --> 00:21:58,480 Speaker 1: view a picture that someone had pasted online, and you 361 00:21:58,520 --> 00:22:03,080 Speaker 1: would just start that the process of getting the picture, 362 00:22:03,200 --> 00:22:05,520 Speaker 1: and then you would walk away from your computer for 363 00:22:05,600 --> 00:22:08,520 Speaker 1: like forty five minutes and come back to see if 364 00:22:08,560 --> 00:22:11,600 Speaker 1: it was done yet. It's because we're talking about super 365 00:22:11,640 --> 00:22:14,800 Speaker 1: slow data transmission speeds or data rate transfers. I guess 366 00:22:14,800 --> 00:22:17,919 Speaker 1: you should I should say. Now, the next series of 367 00:22:18,000 --> 00:22:22,600 Speaker 1: tones you would hear represents the sin act handshake, which 368 00:22:22,640 --> 00:22:25,760 Speaker 1: sets up other parameters that guide the interaction, like parody. 369 00:22:26,760 --> 00:22:30,480 Speaker 1: So parody is meant to make sure that communication is 370 00:22:30,520 --> 00:22:34,679 Speaker 1: proceeding without errors. This parity P A R I T 371 00:22:35,080 --> 00:22:40,960 Speaker 1: Y not parody, which is hilarious. So essentially parody helps 372 00:22:41,000 --> 00:22:43,959 Speaker 1: modems guarantee that they are actually sending and receiving the 373 00:22:44,000 --> 00:22:47,520 Speaker 1: information properly. It's it's a means of making certain that 374 00:22:47,600 --> 00:22:52,639 Speaker 1: communication is not being dropped in any way, because otherwise 375 00:22:52,640 --> 00:22:55,080 Speaker 1: you would just be getting lots of corrupt files and 376 00:22:55,160 --> 00:22:58,879 Speaker 1: errors and problems like that. The next series of sounds 377 00:22:58,880 --> 00:23:01,400 Speaker 1: you would hear is when the modems would go through 378 00:23:01,480 --> 00:23:05,080 Speaker 1: what was called rate negotiation, which is the actual speed 379 00:23:05,440 --> 00:23:08,479 Speaker 1: of communication that will take place, as opposed to whatever 380 00:23:08,520 --> 00:23:11,159 Speaker 1: the maximum possible speed is between the two modems. This 381 00:23:11,200 --> 00:23:15,280 Speaker 1: would be the actual communication speed. The next series of 382 00:23:15,320 --> 00:23:18,560 Speaker 1: sounds is a point in which the modems are preparing 383 00:23:18,600 --> 00:23:21,720 Speaker 1: for simultaneous communication with each other, so we're finally getting 384 00:23:21,720 --> 00:23:25,560 Speaker 1: to the point where they can really have this exchange 385 00:23:25,560 --> 00:23:28,960 Speaker 1: of information going on at the same time. After that, 386 00:23:29,359 --> 00:23:32,120 Speaker 1: the sound indicates that there is a connection that has 387 00:23:32,160 --> 00:23:35,080 Speaker 1: been accepted and the two modems are in communication. And 388 00:23:35,119 --> 00:23:38,199 Speaker 1: the final little noise that you hear before the modem 389 00:23:38,280 --> 00:23:43,240 Speaker 1: goes to silent represents data actually moving between those two modems. 390 00:23:43,800 --> 00:23:48,560 Speaker 1: So there you go. There's the demystification of that modem 391 00:23:48,640 --> 00:23:51,359 Speaker 1: dial up sound. It's really just the establishment of a 392 00:23:51,400 --> 00:23:56,080 Speaker 1: connection and the you know, making sure that everything is 393 00:23:56,080 --> 00:24:00,119 Speaker 1: working properly before you start trying to send files or 394 00:24:00,280 --> 00:24:03,560 Speaker 1: or uh ask for files or any other kind of 395 00:24:03,560 --> 00:24:08,600 Speaker 1: computer computer communication through a dial up access point. So 396 00:24:08,680 --> 00:24:11,760 Speaker 1: there you go. I hope that that answers your question. 397 00:24:12,160 --> 00:24:14,520 Speaker 1: It was fun to look at, and that wraps up 398 00:24:14,800 --> 00:24:18,399 Speaker 1: our listener mail Jubilee. I want to thank all the 399 00:24:18,440 --> 00:24:21,880 Speaker 1: listeners who sent in listener mail. There's tons more where 400 00:24:21,880 --> 00:24:23,879 Speaker 1: that came from, so I'm sure I will do more 401 00:24:23,920 --> 00:24:27,200 Speaker 1: episodes like this. If you have any questions or comments 402 00:24:27,280 --> 00:24:30,600 Speaker 1: or suggestions, please send them to me. Whether it's something 403 00:24:30,640 --> 00:24:32,840 Speaker 1: that could be a full episode all in its own, 404 00:24:33,440 --> 00:24:35,880 Speaker 1: or something like this where I take a few different 405 00:24:36,040 --> 00:24:39,000 Speaker 1: questions and then just kind of make a grab bag episode. 406 00:24:39,040 --> 00:24:41,159 Speaker 1: I like doing both, so let me know what you 407 00:24:41,200 --> 00:24:44,679 Speaker 1: want and I will make episodes. Send me that email, 408 00:24:44,680 --> 00:24:47,480 Speaker 1: though I need to know what you think first, so 409 00:24:47,640 --> 00:24:49,880 Speaker 1: it could be a full episode. Maybe it's an interview, 410 00:24:50,240 --> 00:24:52,560 Speaker 1: maybe there's a guest host that you really want to 411 00:24:52,600 --> 00:24:55,760 Speaker 1: have back on the show. Send me that message. The 412 00:24:55,840 --> 00:24:59,240 Speaker 1: email is tech Stuff at how stuffworks dot com, or 413 00:24:59,320 --> 00:25:02,679 Speaker 1: drop me a line on Facebook, Twitter, or Tumblr. The 414 00:25:02,720 --> 00:25:06,040 Speaker 1: handle at all three of those is tech Stuff h 415 00:25:06,160 --> 00:25:14,720 Speaker 1: s W and I'll talk to you again for more 416 00:25:14,760 --> 00:25:17,080 Speaker 1: on This and thousands of other topics is a how 417 00:25:17,119 --> 00:25:27,440 Speaker 1: stuff Works dot Com