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Speaker 1: Yeah, what's up, y'all? What's going on? Brod Champs Radio.

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Speaker 1: He's a legendary queen's rapper. Hey Hanks agreed? Is your

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Speaker 1: boy in no I E? He's a Miami hip hop pioneer.

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Speaker 1: What is DJ e f N? Together?

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Speaker 2: They drink it up with some of the biggest players

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Speaker 2: in music and sports.

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Speaker 1: You know what I mean?

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Speaker 3: The most professional, unprofessional podcast and your number one source

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Speaker 3: for drum facts.

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Speaker 1: This is drinks Champ. Every d is New Year's Eve.

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Speaker 4: That's right, hey, exact you hope your south being an

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Speaker 4: instr boy in What up?

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Speaker 1: Is DJ e f N? That's the drink Champ a podcast,

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Speaker 1: and right now this is a very special edition. It's

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Speaker 1: like a mother It's like it's like.

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Speaker 4: Old school meets new school, New school meets old school.

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Speaker 4: It's like DJ's combined with two us, like three DJs

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Speaker 4: and two artists.

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Speaker 1: You're jumping us right now. It's about time. So right now,

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Speaker 1: without no other dude, we got.

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Speaker 4: Hands down international live DJ. He has this thing called

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Speaker 4: no Pennies Sunday. I kid you not, I don't want to.

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Speaker 4: My cleaning lady comes over. I put it on his

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Speaker 4: periscope and I just act.

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Speaker 1: Like it's the radio.

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Speaker 4: This guy has been doing it for years. I'm my

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Speaker 4: very first tour. I seen him on the tour. He

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Speaker 4: brought me to the room because he knew Ocamila didn't

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Speaker 4: smoke weed, and he said, little nigga, come to the room,

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Speaker 4: and it smokes of marijuana.

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Speaker 1: I got a different genesis, all right. Then we got

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Speaker 1: to the left of him, to right of him.

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Speaker 4: Excuse me, we got Harlem's own person that's been a

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Speaker 4: part of reshaping Harlem. Harlem has been known for Harlem World,

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Speaker 4: but this is not Harlem World. This is a new arrow,

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Speaker 4: the new millennium Harlem.

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Speaker 1: He's repping.

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Speaker 4: His father was a close friend of mine, which is

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Speaker 4: crazy that he's a star now because I wish his

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Speaker 4: father was alive to see his sort. We got a

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Speaker 4: sat Fergan, the motherfucking builder.

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Speaker 1: We ain't finished.

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Speaker 4: We missed a copy Cool himself, mister Tony Do, a

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Speaker 4: guy who's who. I've seen him in Dominican Republic and

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Speaker 4: we've had the wonderful nights.

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Speaker 1: That's all you gotta say. No, no, I mean, I

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Speaker 1: mean you know. His accolades is crazy.

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Speaker 4: He's been on Tommy Boy, he's been down since Crazy

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Speaker 4: legs and you know, old school to new school. He's

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Speaker 4: still out, still running. He's filthy mcs. I've been on

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Speaker 4: like three of them. God damn it makes a noise.

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Speaker 4: So Tony all right now, my Now, my intro wasn't

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Speaker 4: that good because I haven't had a drink.

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Speaker 1: Let me get a drink, one of my drinks to drinking.

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Speaker 1: You're drinking bell Air.

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Speaker 4: You got y'all get a brea. Let's get this out

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Speaker 4: the way. Now, are you signed to bell there or

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Speaker 4: no negative?

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Speaker 1: Negative drink that Pope shows.

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Speaker 5: You you want?

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Speaker 1: You want some Rose. I'm gonna taste to ron oh

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Speaker 1: so rock, Okay.

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Speaker 4: Gonna go Rose. I'm with the regular at let's get

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Speaker 4: it now. Just what just for y'all don't know. We

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Speaker 4: celebrate hip hop on this show, and we celebrate all legends,

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Speaker 4: you know what I'm saying, and we celebrate the culture

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Speaker 4: of hip hop.

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Speaker 1: So start with you Kickapri.

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Speaker 4: I remember back in the days, I was a kid

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Speaker 4: from Queens and you had something.

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Speaker 1: Called Kicking Prix Slow Jams or was the Slow Jams

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Speaker 1: kickingpri mixtape? The mixtape? Do you know?

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Speaker 4: Until I was twenty one, that's the only thing I

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Speaker 4: fucked too. Damn that's no word yo. For real, yo, kid,

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Speaker 4: you not now I said twenty one. I'm lying like

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Speaker 4: I think the first time I put on R and

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Speaker 4: B was with my wife, like and now I was

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Speaker 4: like thirty fucking five or thirty.

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Speaker 1: Yeah, like thirty one. But for real, that whole time

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Speaker 1: you fucked up my whole childhood. I boked the kid

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Speaker 1: slow jam tases. Did you know that? I mean, you

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Speaker 1: know that you gotta be other people like me.

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Speaker 6: Heard a lot, a lot, but you know how it

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Speaker 6: came from the start of the of the hip hop tapes,

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Speaker 6: the street tapes.

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Speaker 1: I was making.

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Speaker 6: You know, whenever I when I came out, I wanted

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Speaker 6: to have different colors of different joints. So Slow Slow

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Speaker 6: Tape was just one of those joints I was making.

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Speaker 6: It just popped off from them. Same thing like no

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Speaker 6: Pandy Sundays right now, Sundays past Sunday night.

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Speaker 4: Okay, Okay, here we go yeah so so so now kid,

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Speaker 4: So back in the days were you considered the first mixtape.

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Speaker 1: DJ no not at all?

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Speaker 6: Okay, who was Well, there was Hollywood before me, there

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Speaker 6: was Brucey Be, it was star Child, there was love

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Speaker 6: Bug Starsky, but When I came on the scene, I

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Speaker 6: made a national I made it big.

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Speaker 1: I did it different. I put aggression to it.

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Speaker 6: And I wanted to be looked at as an artist

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Speaker 6: and not somebody just playing records.

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Speaker 1: So that's why when I got.

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Speaker 6: Those stages, I heard when I got on the stages,

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Speaker 6: next to that Platinum Artists, I'm gonna leave that scar

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Speaker 6: in that coliseum, you know, just like that Platinum.

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Speaker 1: Artists is leaving, maybe even better. Because that's how I

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Speaker 1: wanted to be looked at.

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Speaker 6: I want to be looked at somebody was just playing records,

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Speaker 6: you know what I'm saying. And you know, and that's

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Speaker 6: how the that's how the money came up.

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Speaker 1: That's all.

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Speaker 6: You know, everything started getting bigger. You know, at first

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Speaker 6: the DJ became it became a business. Now I made

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Speaker 6: it a business. It wasn't no more you behind you

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Speaker 6: wasn't no more. You had to be behind the group

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Speaker 6: to be on to get paid. Now you get paid

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Speaker 6: on your own your own.

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Speaker 7: Man.

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Speaker 1: You know what I'm saying, that you lock out and

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Speaker 1: travel the world. That's what it was. Drink and who

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Speaker 1: was the first.

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Speaker 4: DJ to play at record? Who was the first DJ

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Speaker 4: to break a sat for m right there too.

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Speaker 8: I want to say self yourself right, I want to,

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Speaker 8: but I don't. It's so long ago.

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Speaker 1: I want to say self, I can name all the

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Speaker 1: early supporters about that.

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Speaker 8: I want to say self was definitely one advocate that

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Speaker 8: really represented for me. And then I want to say

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Speaker 8: DJ Enough always showed me love, called Mellow Definition definitely

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Speaker 8: showed me love.

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Speaker 1: Carl, you know what it is? All black people too.

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Speaker 1: I think it's a racist ship.

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Speaker 6: DJ Camelo showing love definitely, the spirit community.

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Speaker 1: Yeah, yeah, Flex, How can I forget Flex? Definitely?

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Speaker 8: So you know, shout to all of the DJs like

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Speaker 8: early on in babey Out then what is it Dallas smoke?

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Speaker 8: Yeah God? But I want to say like self was

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Speaker 8: definitely like one of them, the first one.

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Speaker 4: When you guys a sat rocky sat period. Excuse me,

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Speaker 4: you guys represent a new sound of New York, but

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Speaker 4: it's still New York. But how do you like face

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Speaker 4: the criticism when people say, oh, that's that don't sound

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Speaker 4: like the custom New York.

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Speaker 6: I think we do got certain songs that sound like

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Speaker 6: tradition New New York. But I think like once the

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Speaker 6: Internet came, it's almost like you get to hang out everywhere,

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Speaker 6: so it's like you you getting music from kids that

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Speaker 6: make beats in Japan or you get we started linking

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Speaker 6: up with kids that was in Texas and then you know,

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Speaker 6: we was traveling and Rocky went to school in Mississippi

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Speaker 6: and was linking up with different people. So our sounds

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Speaker 6: naturally progressed in that way.

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Speaker 8: And it's just like I said, like the Internet kind

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Speaker 8: of like integrated everything and it made it a melting

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Speaker 8: pot for.

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Speaker 1: Music, and your crew was everywhere. Y'll have people in

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Speaker 1: Miami too.

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Speaker 6: Yeah, Miami definitely shout out to Lotto East and shout

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Speaker 6: out to DJ.

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Speaker 1: Nah, but Denzel is definitely It's cool. He's the home.

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Speaker 4: Yeah, total touch early on, right, being a Puerto Rican

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Speaker 4: in the DJ DJ what's that? Did that face like

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Speaker 4: complications because the tradition DJ was black at that time.

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Speaker 9: Oh, I mean, you know, I think we was there

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Speaker 9: from the game.

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Speaker 1: No, No, there was.

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Speaker 10: There was a lot of Puerto Ricans on the scene

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Speaker 10: before me. You know, we were just talking about Little

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Speaker 10: Louis Vega before and you know he is one of

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Speaker 10: the first, you know, doing urban parties in the city

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Speaker 10: and Capri actually was doing studio fifty four with him

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Speaker 10: back in eighty seven.

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Speaker 1: Studio fifty four about that but took me back with that.

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Speaker 1: But you know, yeah, Louis, you know Charlie Chase, of course,

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Speaker 1: you know Charlie, we had Puerto Rican presence in there.

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Speaker 1: You know it wasn't a lot, but you know, yeah,

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Speaker 1: you know what I mean.

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Speaker 4: But do you do you do you feel like it

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Speaker 4: was harder being Puerto Rican?

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Speaker 1: Or was it like Noah?

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Speaker 10: Because you know I was playing I was playing dance

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Speaker 10: music too, and stuff like that, you know, the dance music.

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Speaker 10: It was like, you know, predominantly Spanish anyway. So I

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Speaker 10: was in that world as well. But as far as

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Speaker 10: in the hip hop, you know, not not really many feel.

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Speaker 1: No resistance or any type of way. It was. I

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Speaker 1: was born in eastern New York, so I was just around.

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Speaker 1: It was just part of you know that means you

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Speaker 1: got a body, let's make noise for people.

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Speaker 4: In the guards all got to money you so kick

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Speaker 4: a breed, right, I've been to your parties.

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Speaker 1: I've been there. I said, come on, open up that

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Speaker 1: bill there, man, you ain't gonna get away you mess

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Speaker 1: now now.

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Speaker 4: So I've been to your parties. Kick a breath and

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Speaker 4: you really interact with the crowd. You make sure they participating.

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Speaker 4: Is that important? Because do you get mad you see

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Speaker 4: a DJ to just play records, they don't talk to

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Speaker 4: the crowd, they don't hype it up.

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Speaker 1: I'm getting mad not to stay in my land and

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Speaker 1: do what I do. But do you do you judge them?

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Speaker 1: Come on now? Yeah?

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Speaker 6: Yeah, I mean, of course you're gonna judge anybody that

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Speaker 6: you're going pay, well, I will pay anyway.

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Speaker 1: When you go to see somebody on the stage.

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Speaker 6: Your whole idea is you want to feel better than

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Speaker 6: you did before you got there.

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Speaker 1: And that's the job of doing a lot of people.

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Speaker 1: Sometimes they get stuck and they stuff and they forget

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Speaker 1: that they think they need doing the crowd of favor.

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Speaker 6: Really, when them people stop paying them tickets, you're gonna

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Speaker 6: see who's really doing the favor. So my whole thing

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Speaker 6: is it's not just the out, it's the promoter.

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Speaker 1: You got to make sure the promoter's happy, such as

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Speaker 1: the saying when I do a show somewhere, the promoter

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Speaker 1: lives and does everything.

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Speaker 6: According to my rider, and something like rain happening in

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Speaker 6: the crowd, don't come, I tell him you go set

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Speaker 6: up another show. I'm but come and do it for

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Speaker 6: free for you, just so he can get his bread,

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Speaker 6: just so he can never feel like when I'm down,

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Speaker 6: he's gonna kick me further. And a lot of dudes

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Speaker 6: what they do is I got my bread, I'm here

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Speaker 6: and that ain't my problem and all that ship.

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Speaker 1: But see what happens, this dude happen me come back

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Speaker 1: six more times that year.

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Speaker 6: You see I'm saying, you see that I got his

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Speaker 6: back no matter what. So I come back six more

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Speaker 6: times that year. And I ain't got to worry about

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Speaker 6: making the record. I ain't got to worry about being

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Speaker 6: on TV, I ain't got to worry about being on

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Speaker 6: the radio.

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Speaker 1: I conquered all that, just the name alone, the brand alone.

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Speaker 6: Keep going because of those things, because of the respect

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Speaker 6: that you give these promoters in the.

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Speaker 1: Crowd that come and pay me. And that's just it, man,

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Speaker 1: That's why.

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Speaker 4: He keeps thanks kicking being a great nigga.

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Speaker 1: I give you, give you take shot about that.

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Speaker 6: I gotta I got a question around Okay, you death

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Speaker 6: Comedy Jam.

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Speaker 11: Where was you when they first gave you that call?

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Speaker 1: And what did you think? Because you were the first

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Speaker 1: DJ on Death Comedy Jam. Correct.

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Speaker 6: Yeah, I mean I was the one with them from

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Speaker 6: time to start, at the time ended and the tour.

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Speaker 6: I was doing the show after show for LL show.

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Speaker 1: He was doing the garden. They asked him to do

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Speaker 1: that after party.

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Speaker 6: I'm shaking this building on us anyway, shaking the building up.

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Speaker 6: Russell Simmons, walk up, your kid. You see the crowd,

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Speaker 6: you know, losing it? Okay, what you're thinking about doing

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Speaker 6: the comedy show? You know, I'm like comedy show from

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Speaker 6: comedy Well, I got to do DJ with the comedy

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Speaker 6: ship whatever.

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Speaker 1: I was like, wait minute, this is Russell's HBO by

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Speaker 1: the question this ship, let me just go do it.

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Speaker 1: So anyway, we end up doing it, and that shit

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Speaker 1: changed my life.

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Speaker 6: I mean, I was popping in the street, but I

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Speaker 6: thought I was popping in the street.

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Speaker 1: I wasn't ship when I got on that show.

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Speaker 6: I remember the first concert we did, not the television show, at.

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Speaker 1: The first.

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Speaker 6: First the first show we did, I'm behind stage. It

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Speaker 6: was about maybe nine thousand people in the crowd and

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Speaker 6: behind stage and the crowd the curtain is down and

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Speaker 6: I'm standing. I'm listening to people, you know, clapping on

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Speaker 6: But I ain't really thinking nothing of it, so as

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Speaker 6: the crowd. So it was the thing open. These people

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Speaker 6: were screaming like it was just like I ain't Michael

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Speaker 6: Jackson's sushi. I ain't know what was going on, just screaming.

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Speaker 6: But I'm standing.

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Speaker 1: I never got stage. This is a deaf comedy, but

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Speaker 1: just the tour.

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Speaker 6: And when that happened, I went to go grab the mic.

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Speaker 6: They screaming even more.

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Speaker 1: So.

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Speaker 6: Now what happened was I had a fifteen minutes set,

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Speaker 6: so I had to play records quick. And the more

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Speaker 6: records Ship I played is the more crazy these people got.

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Speaker 1: So I seen what I did in the cons sis.

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Speaker 6: And I applied to the parties and that's when the

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Speaker 6: DJ seen me doing it in the parties, playing the

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Speaker 6: ship quick and you know, freaking it out. And but

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Speaker 6: a lot of times a lot of DJs try to

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Speaker 6: do it, and they pissed people off because they don't

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Speaker 6: make sense of what they're doing.

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Speaker 1: They just trying to do the ship.

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Speaker 6: But when I started doing it, it was a story

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Speaker 6: I was trying to tell.

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Speaker 1: So it worked and I just took it.

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Speaker 6: And going to the parties and did what I did,

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Speaker 6: like a number of other things, we could get into

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Speaker 6: it talk about but we won't even go there.

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Speaker 1: After the shows, I went to the tour where they

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Speaker 1: came here. It was at the James O. Knight Center.

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Speaker 1: You gotta you gotta.

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Speaker 12: Ticket because I know you got to.

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Speaker 9: Show.

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Speaker 3: He came off the tables, went into the into the crowd.

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Speaker 6: That's what I was. Always getting crowd, always getting with

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Speaker 6: the crowd was the.

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Speaker 1: Definitely those are my people. Man.

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Speaker 6: To this day, I do too ony shows a year,

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Speaker 6: so to this day, you know what I'm saying.

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Speaker 1: My engagement is to be with the people. You know

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Speaker 1: what I'm saying, All.

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Speaker 4: Sixty five days of the years, this thing is out

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Speaker 4: here tour like you remember, remember I was the first

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Speaker 4: dude in hip hop to own the tour bus too.

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Speaker 1: I was get there. I remember that, Like, so I'm

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Speaker 1: talking with my favorite right now. I just straight owe them,

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Speaker 1: own them.

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Speaker 6: I owned my first my forty foot bird, my forty

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Speaker 6: foot bucks. My second album came out, I went on

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Speaker 6: my first bus and then I went and brought it

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Speaker 6: forty five foot The crazy shit.

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Speaker 1: When I went to go.

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Speaker 6: Buy my first bus, the people that owned the bus

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Speaker 6: to the company, they were laughing at me, like nobody

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Speaker 6: buy buses your i'ma come out and go win the

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Speaker 6: bus tours over and you send the bus back. I said, man,

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Speaker 6: get my bus. Man came back, brought another one. Get

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Speaker 6: the best drivers. Drivers just assimulate cash, money all that.

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Speaker 6: So it was happening, and even offered me a million

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Speaker 6: dollars for my company and.

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Speaker 1: Then take it.

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Speaker 6: But you know, but at the end of the day,

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Speaker 6: I was the first one to do that because it

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Speaker 6: was so many dates and I'm driving with fifteen crates

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Speaker 6: of records. I like my shit to look crazy and bulky,

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Speaker 6: so I was on stage smashing them like that. I

335
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Speaker 6: needed my bus.

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Speaker 1: To row and take me. So that's what I did.

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Speaker 1: Got that makes he had a question for us. Let

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Speaker 1: him ask this question.

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00:15:06,760 --> 00:15:08,160
Speaker 4: I had a question for you that I wanted you

340
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Speaker 4: to When was the moment you knew, because you know,

341
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Speaker 4: y'all was a crew probably to coming out, Yeah.

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Speaker 1: Facea gang, but that crew. But when was the moment.

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Speaker 4: That because I understand that Rocky was the first one

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Speaker 4: to jump off, when was the moment you said.

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Speaker 1: H, I'm here.

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Speaker 8: The moment that I knew that I got when when

347
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Speaker 8: he was doing his thing and I was playing passenger.

348
00:15:32,920 --> 00:15:35,640
Speaker 8: I was like I was just basically studying because before

349
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Speaker 8: I got into the game, I was scared of him.

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Speaker 1: You know, they always talk about like all the.

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Speaker 6: People taking advantage and the record execs and the devils

352
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Speaker 6: in the game and all of that, and shund to

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Speaker 6: his soul to the devil.

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Speaker 1: Who you think is going to take advantage? Who do

355
00:15:47,600 --> 00:15:50,120
Speaker 1: you think that's gonna come back? Who you thought back then?

356
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Speaker 1: Them people you weren't expected, like the people of talking

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Speaker 1: about the people that kind of talking about.

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Speaker 13: The college, the college college, them guys that had Yeah,

359
00:16:12,160 --> 00:16:16,160
Speaker 13: they guys that don't have no desire to hang out

360
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Speaker 13: with you and your friends, those guys.

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Speaker 6: And yeah, I just basically wanted to study the game.

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Speaker 6: And you know, we all just like it was good

363
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Speaker 6: because I was doing it with my friends.

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Speaker 8: But like I was just like all right, when he drops,

365
00:16:28,080 --> 00:16:29,960
Speaker 8: I gotta be like right behind him, you know what

366
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Speaker 8: I'm saying. It just to be that support, and I know, like,

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Speaker 8: you know, when things slow down for him, you know,

368
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Speaker 8: I gotta be the next one, just like how Meek

369
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Speaker 8: did for Raws. So like you know, Drake Diffa Wayne,

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Speaker 8: I got to be there to pick up the thing

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Speaker 8: and put it on my back.

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Speaker 6: And I had to figure out we was like really

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Speaker 6: pushing rockets like we was.

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Speaker 1: You know, we all wanted to do Vogue, we all

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Speaker 1: wanted to do GQ.

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Speaker 8: We all wanted but he did it first, and he

377
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Speaker 8: did it, you know, he opened those doors for us.

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00:16:56,880 --> 00:16:59,560
Speaker 8: But we was like basically putting him on a pedestal

379
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Speaker 8: to dodo those things.

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Speaker 1: So I was like, what can I do to do

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Speaker 1: do something different?

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Speaker 4: You know what I'm saying, Because because y'all started hanging

383
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Speaker 4: downtown wearing different.

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Speaker 1: Type of clothes.

385
00:17:08,160 --> 00:17:10,800
Speaker 6: Yeah, but we've been hanging downtown and doing a different clothes.

386
00:17:10,840 --> 00:17:13,440
Speaker 6: Like I was hanging out uptown, I wear different clothes,

387
00:17:13,600 --> 00:17:14,320
Speaker 6: were just different.

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Speaker 1: This is the village of Miami right now. I don't

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Speaker 1: think this is the village. Is the village of just

390
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Speaker 1: don't got style, don't got style.

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Speaker 6: Like the village the village got we have like the

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Speaker 6: art galleries gallery so twenty years ago, it's nothing like that.

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Speaker 1: I know what I was, what I was, what I

394
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Speaker 1: was getting to.

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Speaker 6: It's just like I just basically had to discover what

396
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Speaker 6: I was going to bring to the table, like my

397
00:17:39,200 --> 00:17:41,480
Speaker 6: sound and what a sat ferg is going to be

398
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Speaker 6: to the group and I knew that, like Asad wasn't

399
00:17:44,720 --> 00:17:46,720
Speaker 6: really in the clubs like that, you know what I'm saying,

400
00:17:46,760 --> 00:17:49,320
Speaker 6: because we was hanging out downtown and we went to

401
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Speaker 6: house parties and you know.

402
00:17:51,119 --> 00:17:53,160
Speaker 1: We was with a bunch of white hippies and Ship

403
00:17:53,880 --> 00:17:54,600
Speaker 1: invited me to.

404
00:17:54,560 --> 00:17:58,160
Speaker 8: The party, you know, fashion parties and like that. So

405
00:17:58,440 --> 00:18:00,560
Speaker 8: but I'm always the hype one. I'm bringing the energy

406
00:18:00,600 --> 00:18:02,840
Speaker 8: show like I'm the one. I was the invitation to

407
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Speaker 8: the club.

408
00:18:03,920 --> 00:18:04,640
Speaker 1: And that's when I.

409
00:18:04,640 --> 00:18:07,919
Speaker 6: Started doing work and shopping like this idea was that

410
00:18:08,000 --> 00:18:09,400
Speaker 6: the shopping ship the genius, But.

411
00:18:09,400 --> 00:18:12,119
Speaker 8: That was mine, Like listen, I didn't even know what

412
00:18:12,200 --> 00:18:13,800
Speaker 8: I was doing. It just kind of came to me.

413
00:18:14,040 --> 00:18:16,000
Speaker 8: And like I heard the beat, like he's like.

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Speaker 1: He got shop shop.

415
00:18:20,440 --> 00:18:30,159
Speaker 11: Come on, man, murders, I did not know what language

416
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Speaker 11: you're talking about.

417
00:18:30,680 --> 00:18:39,399
Speaker 1: You said, shot finished the ring, you got rings? No,

418
00:18:39,560 --> 00:18:42,879
Speaker 1: it was my go to get the actual shop. It

419
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Speaker 1: was mine.

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Speaker 4: Yeah, but how old are you? Because how old? How

421
00:18:47,320 --> 00:18:48,880
Speaker 4: do you appreciate shopping rings?

422
00:18:48,920 --> 00:18:51,240
Speaker 1: I mean I grew up on but the video was

423
00:18:51,280 --> 00:18:53,760
Speaker 1: spot on to first and you had the the jewelry

424
00:18:53,800 --> 00:18:55,320
Speaker 1: on like shot shopping ranks.

425
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Speaker 6: I had shopper in the video, like the whole the

426
00:18:58,800 --> 00:19:02,240
Speaker 6: whole treatment of the video was evolved around Shaba. It

427
00:19:02,359 --> 00:19:05,919
Speaker 6: was like we had people emulating him. I was emulating him.

428
00:19:05,760 --> 00:19:08,840
Speaker 6: I'm saying, like the famous and then like I had,

429
00:19:08,960 --> 00:19:12,560
Speaker 6: we was like basically loatering in his house, like you

430
00:19:12,600 --> 00:19:16,359
Speaker 6: knowing his house. He was like that's when he shows

431
00:19:16,440 --> 00:19:17,280
Speaker 6: up at the end of the video.

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00:19:17,400 --> 00:19:18,960
Speaker 1: He's like, yo, get out of my house. And but

433
00:19:19,040 --> 00:19:20,239
Speaker 1: he started partying with us.

434
00:19:20,800 --> 00:19:23,560
Speaker 6: But like I grew up seeing Shaba like on Rap City,

435
00:19:23,640 --> 00:19:26,840
Speaker 6: and I always remember him like having mad jury. I

436
00:19:26,840 --> 00:19:29,920
Speaker 6: always had mad chicks in the videos and I was like, Yo,

437
00:19:30,040 --> 00:19:30,720
Speaker 6: who was cool?

438
00:19:31,520 --> 00:19:34,160
Speaker 1: That was cool, man, He's always been cool.

439
00:19:34,320 --> 00:19:37,760
Speaker 6: But I always like paid homage to like those before me,

440
00:19:37,880 --> 00:19:39,120
Speaker 6: Like you know, I used to shout.

441
00:19:38,960 --> 00:19:41,720
Speaker 1: Out Selena like you know early in my.

442
00:19:41,720 --> 00:19:44,160
Speaker 8: Career one hundred of year roses, and then I put

443
00:19:44,200 --> 00:19:47,639
Speaker 8: like Alex and be Real on the same track on

444
00:19:47,720 --> 00:19:48,680
Speaker 8: my first album.

445
00:19:48,960 --> 00:19:50,560
Speaker 1: And then I turned around and put.

446
00:19:50,400 --> 00:19:53,000
Speaker 6: Bone Thumbs on the track called o Lord on my

447
00:19:53,080 --> 00:19:53,679
Speaker 6: first album.

448
00:19:53,720 --> 00:19:55,560
Speaker 1: So that was just always the thing I did.

449
00:19:55,680 --> 00:19:58,080
Speaker 6: It's like, if you want to make history, you gotta

450
00:19:58,640 --> 00:20:00,440
Speaker 6: literally make yourself a part history.

451
00:20:00,480 --> 00:20:03,000
Speaker 1: And that's what I was doing, linking myself with the history.

452
00:20:03,080 --> 00:20:05,680
Speaker 1: That's one thing I always respected about y'all is.

453
00:20:05,600 --> 00:20:07,560
Speaker 4: That, like from the beginning, y'all came out, y'all said,

454
00:20:07,600 --> 00:20:09,480
Speaker 4: y'all was raised on bum b. I said, y'all was

455
00:20:09,560 --> 00:20:12,640
Speaker 4: raised on master b, and y'all wasn't afraid to actually

456
00:20:12,640 --> 00:20:14,960
Speaker 4: big up y'all influences. That's one thing that I always

457
00:20:15,000 --> 00:20:16,760
Speaker 4: because it don't matter where your affluence come from.

458
00:20:16,840 --> 00:20:18,560
Speaker 1: I'm from New York City. I don't give a fuck.

459
00:20:18,960 --> 00:20:21,159
Speaker 1: But if my fucking influence came from n w A,

460
00:20:21,280 --> 00:20:22,800
Speaker 1: I gotta claim that. I gotta say it. If my

461
00:20:22,840 --> 00:20:24,920
Speaker 1: influence came from iced T, I gotta claim.

462
00:20:24,920 --> 00:20:25,040
Speaker 2: Man.

463
00:20:25,119 --> 00:20:28,320
Speaker 4: That's one thing that I always, you know, respected from y'all,

464
00:20:28,640 --> 00:20:31,200
Speaker 4: that y'all y'all stuck with that, Yo. Can I get

465
00:20:31,200 --> 00:20:37,760
Speaker 4: that Rose now Tony touch your mother fucking genius. You

466
00:20:37,840 --> 00:20:40,280
Speaker 4: sat back and you said, I'm gonna make something called

467
00:20:40,280 --> 00:20:41,160
Speaker 4: fifty mcs.

468
00:20:41,920 --> 00:20:44,560
Speaker 1: Why the change the game for the mix? He fucked

469
00:20:44,640 --> 00:20:44,879
Speaker 1: us up.

470
00:20:45,000 --> 00:20:48,520
Speaker 4: Yeah, you fucked us up. Every time you call me

471
00:20:48,560 --> 00:20:51,359
Speaker 4: for fifty MCS. I had to write for like a week.

472
00:20:52,520 --> 00:20:54,159
Speaker 4: I had to be like, because I know you might

473
00:20:54,520 --> 00:20:56,040
Speaker 4: my verse might come on and you might put it

474
00:20:56,040 --> 00:20:59,120
Speaker 4: on scar face right after me, then after scar Faces

475
00:20:59,160 --> 00:21:02,359
Speaker 4: a NAS you know ship like that, like, how did

476
00:21:02,400 --> 00:21:04,720
Speaker 4: you think of the fifty mcs? What was going through

477
00:21:04,720 --> 00:21:05,800
Speaker 4: your head?

478
00:21:05,040 --> 00:21:10,200
Speaker 1: What does it feels like PCP? And what was what

479
00:21:10,880 --> 00:21:13,240
Speaker 1: wants the equivalent to that? Was it? First of all,

480
00:21:13,600 --> 00:21:14,280
Speaker 1: that is what happened.

481
00:21:14,320 --> 00:21:17,320
Speaker 10: Dou I did a mixtape called ninety five Live. He

482
00:21:17,480 --> 00:21:20,280
Speaker 10: raised the ball, remember that, and he raised the ball

483
00:21:20,320 --> 00:21:22,960
Speaker 10: with the mixtape game with that ninety five lives you

484
00:21:23,000 --> 00:21:26,560
Speaker 10: know was found. It was called ninety five Lives the

485
00:21:26,640 --> 00:21:31,200
Speaker 10: mixtape that yeah, yeah, like maybe fifteen mcs on your

486
00:21:31,280 --> 00:21:34,520
Speaker 10: KRS and he did like this long intro and it

487
00:21:34,560 --> 00:21:35,880
Speaker 10: was it changed the game show.

488
00:21:35,920 --> 00:21:39,320
Speaker 1: It was crazy. So a year later it was my fiftieth.

489
00:21:38,880 --> 00:21:41,960
Speaker 10: Mixtape, and you know, I wanted to treat it like

490
00:21:42,000 --> 00:21:45,160
Speaker 10: an anniversary kind of thing, and so I fed off

491
00:21:45,160 --> 00:21:47,800
Speaker 10: of what like Wop did, and you know it's just

492
00:21:47,840 --> 00:21:48,800
Speaker 10: different influences.

493
00:21:48,800 --> 00:21:51,639
Speaker 1: Of course, kids set the whole thing off. Everybody, you

494
00:21:51,720 --> 00:21:56,679
Speaker 1: know what I mean, everything were products of this. For

495
00:21:56,800 --> 00:21:59,400
Speaker 1: not Capri, like I wouldn't even probably been doing mixtapes.

496
00:21:59,400 --> 00:22:05,080
Speaker 14: You know, I'm saying I want to have babies, so

497
00:22:05,240 --> 00:22:11,000
Speaker 14: you know, so, yeah, it is the fiftieth tape anniversary

498
00:22:11,800 --> 00:22:12,160
Speaker 14: out there.

499
00:22:12,400 --> 00:22:15,280
Speaker 1: I'm sorry, that's that's that's what it is.

500
00:22:15,160 --> 00:22:20,399
Speaker 4: You know what I mean, absolutely genius. At that time,

501
00:22:21,640 --> 00:22:24,000
Speaker 4: it was something that you had to sharpen your bars for.

502
00:22:24,160 --> 00:22:26,560
Speaker 1: Like right now, DJ calls an artist.

503
00:22:26,240 --> 00:22:27,840
Speaker 4: For a mixtape and all they want to do is

504
00:22:27,920 --> 00:22:31,440
Speaker 4: out fashion. But back then it was about bars. Now

505
00:22:31,480 --> 00:22:33,439
Speaker 4: right now, I just I don't mind it out fashion,

506
00:22:33,520 --> 00:22:34,760
Speaker 4: I don't mind whatever.

507
00:22:34,840 --> 00:22:36,920
Speaker 1: Like I'm into all this new ship? Are you into?

508
00:22:37,000 --> 00:22:38,760
Speaker 1: What's what's what's the new record you're into?

509
00:22:39,400 --> 00:22:41,240
Speaker 10: I mean, you know, I still got the radio show

510
00:22:41,760 --> 00:22:46,040
Speaker 10: on over there, only to guy is into.

511
00:22:46,720 --> 00:22:48,200
Speaker 1: I mean, I like all of this ship.

512
00:22:48,240 --> 00:22:51,080
Speaker 10: I like Asap Ferg ship. I like West Coast ship,

513
00:22:51,200 --> 00:22:56,600
Speaker 10: I like I like German ship. I likes you name one.

514
00:22:56,520 --> 00:22:58,280
Speaker 4: One you want to get in a car to and

515
00:22:58,359 --> 00:23:01,440
Speaker 4: ride out to right now, right now, walked out the door,

516
00:23:01,920 --> 00:23:04,680
Speaker 4: probably something like calmway right now.

517
00:23:04,720 --> 00:23:06,240
Speaker 1: It's like doing it for me, big.

518
00:23:06,119 --> 00:23:09,159
Speaker 10: Up calm with the artist outside of New York. You

519
00:23:09,240 --> 00:23:13,840
Speaker 10: know currency, you know stuff like that. You know what

520
00:23:14,040 --> 00:23:15,240
Speaker 10: kind of ship? West Coast ship?

521
00:23:15,280 --> 00:23:15,760
Speaker 5: How about you?

522
00:23:16,359 --> 00:23:18,000
Speaker 1: What's the joint right now? You want to you want

523
00:23:18,040 --> 00:23:20,040
Speaker 1: to be jump in the with I was listening to

524
00:23:20,200 --> 00:23:21,200
Speaker 1: Russ's album.

525
00:23:22,640 --> 00:23:26,800
Speaker 8: We Gotta get the Ross album and and and I

526
00:23:26,960 --> 00:23:30,120
Speaker 8: like Drake the Ship where he's talking his ship.

527
00:23:29,960 --> 00:23:33,320
Speaker 1: On on the songs like he's talking his ship. What

528
00:23:33,400 --> 00:23:33,560
Speaker 1: is it?

529
00:23:33,560 --> 00:23:36,960
Speaker 4: It's the first song called on the album that.

530
00:23:38,840 --> 00:23:49,480
Speaker 1: Pretty small selt them. And besides that, I just listened

531
00:23:49,520 --> 00:23:52,480
Speaker 1: to like I'm still stuck on like the old ship.

532
00:23:52,720 --> 00:23:55,639
Speaker 1: Like honestly, okay, okay, hold on, okay, what's the joint

533
00:23:55,720 --> 00:23:57,280
Speaker 1: right now? You're going to the car. You want to

534
00:23:57,280 --> 00:23:57,960
Speaker 1: hear right now?

535
00:23:58,320 --> 00:24:00,119
Speaker 6: It's kind of hard to ask me that because I

536
00:24:00,160 --> 00:24:02,760
Speaker 6: got so much music I'll be playing, got three different

537
00:24:02,760 --> 00:24:04,360
Speaker 6: shows going on right now, just one.

538
00:24:06,000 --> 00:24:06,360
Speaker 1: Right now?

539
00:24:06,400 --> 00:24:08,879
Speaker 6: What I mean right now? I guess this album is

540
00:24:08,880 --> 00:24:13,240
Speaker 6: bangy man. I'm saying that track track is crazy. That's all.

541
00:24:13,280 --> 00:24:14,919
Speaker 6: That ship is crazy on that album. I figure I

542
00:24:14,920 --> 00:24:16,879
Speaker 6: was just on the boat the other day. We're playing

543
00:24:16,880 --> 00:24:18,320
Speaker 6: that ship on that hay for the first time.

544
00:24:20,160 --> 00:24:23,680
Speaker 1: You know, shout out to me. They did a great job.

545
00:24:25,080 --> 00:24:26,800
Speaker 4: Come over here, come on, come on here, come over

546
00:24:27,520 --> 00:24:28,919
Speaker 4: because I want to tell you. I want to tell

547
00:24:28,960 --> 00:24:31,440
Speaker 4: you what song with some song. I want to get

548
00:24:31,440 --> 00:24:33,800
Speaker 4: in the car right now and listen to you are ready,

549
00:24:34,560 --> 00:24:35,119
Speaker 4: You're ready?

550
00:24:35,560 --> 00:24:36,119
Speaker 5: And then.

551
00:24:51,119 --> 00:25:02,480
Speaker 15: The promoter of that song, that man, yeah, yeah joint.

552
00:25:03,040 --> 00:25:09,320
Speaker 1: No, No, let's call that myself. Yos. Now, look now,

553
00:25:09,400 --> 00:25:12,440
Speaker 1: I don't want to blow the guy up, A legend,

554
00:25:12,560 --> 00:25:14,600
Speaker 1: super legend in the game.

555
00:25:14,880 --> 00:25:18,280
Speaker 4: I'm on the way here, so I'm talking to him

556
00:25:18,280 --> 00:25:20,520
Speaker 4: on the phone, talking to about you know, just a

557
00:25:20,560 --> 00:25:23,520
Speaker 4: regular shit, and the song comes on and I go,

558
00:25:24,080 --> 00:25:26,000
Speaker 4: I put the phone down, like, yo, this is the

559
00:25:26,040 --> 00:25:27,719
Speaker 4: hottest joint on the street.

560
00:25:28,040 --> 00:25:29,520
Speaker 1: So it was up. Put it back up. You're like,

561
00:25:30,040 --> 00:25:32,679
Speaker 1: I hate that joint, and I'm like, damn.

562
00:25:32,960 --> 00:25:36,720
Speaker 4: See the thing about me is I come from the night,

563
00:25:37,480 --> 00:25:39,679
Speaker 4: but I live in twenty seventeen.

564
00:25:40,640 --> 00:25:43,720
Speaker 1: I choose to appreciate what's happening now me too.

565
00:25:44,080 --> 00:25:46,560
Speaker 4: Like I could live off the old ship, that's cool,

566
00:25:46,600 --> 00:25:48,160
Speaker 4: but I actually lived in that era.

567
00:25:48,440 --> 00:25:50,399
Speaker 1: You know what I'm saying. I'm saying most people.

568
00:25:50,320 --> 00:25:54,240
Speaker 4: Who praise that era are people who who who didn't.

569
00:25:54,000 --> 00:25:56,240
Speaker 1: Live in that era. They're going down this pathicking right now.

570
00:25:56,480 --> 00:26:00,000
Speaker 4: Yeah. No, I'm saying what I'm saying because I actually

571
00:26:00,480 --> 00:26:02,840
Speaker 4: dig the ship, and people will be looking at me

572
00:26:02,920 --> 00:26:06,199
Speaker 4: because I'm like a quote unquote you know what is

573
00:26:06,240 --> 00:26:07,399
Speaker 4: it a gangster rap for?

574
00:26:07,520 --> 00:26:10,680
Speaker 1: From then? And like I can appreciate that ship though,

575
00:26:11,560 --> 00:26:13,800
Speaker 1: like I hear good things that you have more fun.

576
00:26:13,840 --> 00:26:15,360
Speaker 1: Back in the day, we definitely had.

577
00:26:18,400 --> 00:26:21,600
Speaker 8: I feel like it's like you really hardly could feel anything.

578
00:26:21,960 --> 00:26:24,520
Speaker 1: Nowadays, I can't not break that down. You're going to

579
00:26:24,560 --> 00:26:27,280
Speaker 1: drink some rose with me for I'm drinking. You want

580
00:26:27,320 --> 00:26:31,840
Speaker 1: to get it up right now? Rose rose. They told

581
00:26:31,840 --> 00:26:37,119
Speaker 1: me you want to shot on whatever you call Okay,

582
00:26:37,160 --> 00:26:38,879
Speaker 1: I'm in, don't do it. I'm in.

583
00:26:39,359 --> 00:26:44,320
Speaker 4: I'm not waking up tomorrow, wake up tonight, okay, coy

584
00:26:44,359 --> 00:26:48,159
Speaker 4: ocok offense. There's never been a quarter talk. You were

585
00:26:48,240 --> 00:26:49,520
Speaker 4: literally just don't remember you drunk.

586
00:26:51,600 --> 00:26:57,080
Speaker 1: That's like for you. Yeah, So basically I felt my.

587
00:26:57,040 --> 00:26:59,440
Speaker 4: First hold on home, my bad. I want you to finish.

588
00:26:59,720 --> 00:27:01,400
Speaker 4: But did you see how I opened that up? Did

589
00:27:01,400 --> 00:27:03,960
Speaker 4: you see a spell drop? You can tell that's a

590
00:27:04,080 --> 00:27:11,320
Speaker 4: real sham popper up champagne. He popped it and just

591
00:27:11,359 --> 00:27:12,760
Speaker 4: looked at my man and it didn't spell.

592
00:27:12,880 --> 00:27:15,000
Speaker 1: I'm sorry now.

593
00:27:15,119 --> 00:27:17,680
Speaker 6: Basically, it's just like I felt, like, you know, back

594
00:27:17,680 --> 00:27:21,600
Speaker 6: in the days, there was about discovery and like you know, people,

595
00:27:21,720 --> 00:27:25,440
Speaker 6: people interacting with people. Nowadays, I feel like everybody high

596
00:27:25,520 --> 00:27:28,639
Speaker 6: behind the computers and and everything like that, and I'm not.

597
00:27:28,800 --> 00:27:31,680
Speaker 6: I'm not crushing that because it's like, you know, they're

598
00:27:31,720 --> 00:27:33,800
Speaker 6: open a lot of doors for what's happening.

599
00:27:33,440 --> 00:27:35,280
Speaker 1: Now, but you know it's different.

600
00:27:35,359 --> 00:27:38,439
Speaker 6: I marveled at what like how y'all lived your lives

601
00:27:38,480 --> 00:27:40,159
Speaker 6: back in the days, Like hearing the stories from my

602
00:27:40,280 --> 00:27:43,399
Speaker 6: uncle and my my pops, and you know, watching the

603
00:27:43,480 --> 00:27:45,880
Speaker 6: old movies, like what's Gino, Geno.

604
00:27:48,280 --> 00:27:51,040
Speaker 1: Genos here? Get the fuck out of here. I think

605
00:27:51,040 --> 00:27:55,120
Speaker 1: he's still looking for parking. He better not be. I'll

606
00:27:55,119 --> 00:28:01,480
Speaker 1: tell you the crazy ship shot. Gino was an intern, right, Yeah?

607
00:28:01,480 --> 00:28:05,080
Speaker 4: I mean Gino was an intern, right, And we had

608
00:28:05,160 --> 00:28:07,480
Speaker 4: just released an album called The War Report right.

609
00:28:09,880 --> 00:28:11,960
Speaker 1: Off ship. We gotta drink. You don't have enough.

610
00:28:12,000 --> 00:28:15,760
Speaker 4: You can't listen. If you turned down the Cuban, listen,

611
00:28:15,880 --> 00:28:17,400
Speaker 4: I'm not listen for it. You gotta take a shot.

612
00:28:17,400 --> 00:28:19,200
Speaker 4: If you turn down the Cuban, it's twenty years of

613
00:28:19,280 --> 00:28:19,800
Speaker 4: bad sex.

614
00:28:19,880 --> 00:28:20,920
Speaker 1: I'm just throwing it out there.

615
00:28:21,400 --> 00:28:25,680
Speaker 4: You gotta take You're gonna you're gonna start getting badas

616
00:28:26,040 --> 00:28:27,760
Speaker 4: Hey take minds and then I'll take yours.

617
00:28:27,800 --> 00:28:30,200
Speaker 16: I'll drink after you. How about that? How about that

618
00:28:30,480 --> 00:28:38,640
Speaker 16: Solu solute drink? Don't drink, no problem, that I would

619
00:28:38,680 --> 00:28:39,600
Speaker 16: chase like trying.

620
00:28:39,400 --> 00:28:47,160
Speaker 1: To let's do it. Look at it. I'm like, I

621
00:28:47,160 --> 00:28:49,200
Speaker 1: want to run my nipples shot.

622
00:28:49,880 --> 00:28:53,000
Speaker 4: She was realized. I'm sorry that this movie get loose.

623
00:28:53,160 --> 00:28:56,960
Speaker 4: I haven't recorded a podcast. We haven't recorded a podcast

624
00:28:56,960 --> 00:28:58,760
Speaker 4: in a long time. We just want to let your

625
00:28:58,800 --> 00:28:59,200
Speaker 4: brothers know.

626
00:28:59,280 --> 00:29:03,360
Speaker 1: And we celebrate your anniversary one year anniversary.

627
00:29:03,840 --> 00:29:11,720
Speaker 4: What your dad is in my soul?

628
00:29:11,960 --> 00:29:13,960
Speaker 1: Man, I gotta do chest bye. So we're gonna drink

629
00:29:13,960 --> 00:29:16,240
Speaker 1: some rose. You you're not gonna mix that. I got

630
00:29:16,240 --> 00:29:17,960
Speaker 1: an extra cup for you. Look at that, Look at that,

631
00:29:18,120 --> 00:29:19,760
Speaker 1: Look at the drink chap. Look you got an extra

632
00:29:19,760 --> 00:29:23,240
Speaker 1: cup for you. Nigga a real name, bigga real and

633
00:29:23,280 --> 00:29:23,920
Speaker 1: I gotta miggle.

634
00:29:26,680 --> 00:29:30,960
Speaker 4: I gotta bigg a sad Rocky because we had an episode. Listen,

635
00:29:31,120 --> 00:29:33,080
Speaker 4: we had an episode with a side Rocky. Here you go,

636
00:29:34,080 --> 00:29:35,720
Speaker 4: Halo far, there you go see later?

637
00:29:38,680 --> 00:29:39,600
Speaker 1: What is that candle?

638
00:29:40,680 --> 00:29:43,120
Speaker 4: Because we had an episode with a sad Rocky, right,

639
00:29:43,600 --> 00:29:46,760
Speaker 4: and I gave French of five. I said, big up

640
00:29:46,800 --> 00:29:49,320
Speaker 4: French for sucking the Kardashian and a sad If you

641
00:29:49,360 --> 00:29:51,440
Speaker 4: look at the foot this, a sad Rocky is like this.

642
00:29:52,320 --> 00:29:54,320
Speaker 1: I don't get a five and I'm.

643
00:29:54,200 --> 00:29:56,360
Speaker 4: Like, oh, I want to came into the car, that ship,

644
00:29:56,400 --> 00:29:58,520
Speaker 4: that's what he pot the kardash This makes you look bigg.

645
00:30:01,280 --> 00:30:04,160
Speaker 1: I really like he came into that show like he

646
00:30:04,480 --> 00:30:06,640
Speaker 1: like he was like he was into drink chat. No, listen,

647
00:30:07,040 --> 00:30:09,560
Speaker 1: he's sad. Rock This is what happened. I'm gonna describe.

648
00:30:09,760 --> 00:30:12,040
Speaker 1: Seemed like he was excited, he was ready to go in.

649
00:30:12,280 --> 00:30:15,400
Speaker 1: What TI I, what happened? The lawyer for hip hop?

650
00:30:15,480 --> 00:30:18,280
Speaker 1: I blame you. I blame you. Why When I walked

651
00:30:18,320 --> 00:30:20,560
Speaker 1: into the room, he was already talking to t I.

652
00:30:20,640 --> 00:30:23,120
Speaker 1: It already looked and it was cool.

653
00:30:23,160 --> 00:30:24,800
Speaker 4: That's my that's the homie. You know what I'm saying.

654
00:30:24,800 --> 00:30:27,479
Speaker 4: But you know, we've been and he just wasn't having it.

655
00:30:27,560 --> 00:30:29,560
Speaker 4: Like he didn't want he didn't want to play games,

656
00:30:29,560 --> 00:30:31,000
Speaker 4: he didn't want to take shots, he didn't want to

657
00:30:31,000 --> 00:30:33,840
Speaker 4: do all that. So I, you know, but a sad

658
00:30:34,160 --> 00:30:37,800
Speaker 4: walked in there. So t I immediately became his lawyer.

659
00:30:37,840 --> 00:30:40,480
Speaker 4: But Rocky wanted to get why. No, he didn't wanted

660
00:30:40,480 --> 00:30:40,720
Speaker 4: to get.

661
00:30:40,840 --> 00:30:42,480
Speaker 1: I started asking me if he was drinking or not.

662
00:30:55,440 --> 00:30:55,960
Speaker 4: I don't.

663
00:30:57,720 --> 00:31:02,240
Speaker 1: You've been in this game for how long? I mean?

664
00:31:02,320 --> 00:31:04,120
Speaker 1: I started DJing in eighty six.

665
00:31:04,600 --> 00:31:09,280
Speaker 10: Yeah, so I started making money like in ninety In

666
00:31:09,400 --> 00:31:12,960
Speaker 10: ninety one ninety two is when I started making hating

667
00:31:12,960 --> 00:31:13,840
Speaker 10: the rent off of it.

668
00:31:14,080 --> 00:31:17,280
Speaker 1: You know, I was selling crack. He's been coming to

669
00:31:17,360 --> 00:31:20,480
Speaker 1: mindy forever too. It has spent, it spent a great run. Man,

670
00:31:20,560 --> 00:31:23,560
Speaker 1: God is good. Everything chilly chilling, and that's it. You

671
00:31:23,600 --> 00:31:27,560
Speaker 1: know what and what do you love most about this game?

672
00:31:30,040 --> 00:31:31,880
Speaker 1: The drink? The drink champs and.

673
00:31:36,560 --> 00:31:38,200
Speaker 17: So you know how I say, cheating at the yea

674
00:31:38,240 --> 00:31:39,800
Speaker 17: ye yourself a scarface.

675
00:31:40,680 --> 00:31:42,360
Speaker 1: So I was working Tolle for you know, I did

676
00:31:42,360 --> 00:31:45,480
Speaker 1: the marketing and we didn't anything with Tony touch and

677
00:31:45,480 --> 00:31:54,800
Speaker 1: he had the homie I had. Get that's angel, Angel Sala.

678
00:31:54,880 --> 00:31:59,920
Speaker 18: The community, right, you're the homie mane the officials.

679
00:31:59,760 --> 00:32:02,320
Speaker 1: Get the ya yo got that. Goddamn it, goddamn, let's

680
00:32:02,320 --> 00:32:03,400
Speaker 1: face some one, gy.

681
00:32:04,920 --> 00:32:06,320
Speaker 6: I just carry the war.

682
00:32:07,640 --> 00:32:12,360
Speaker 1: Get pred You've been all over the world. You you was,

683
00:32:12,440 --> 00:32:14,560
Speaker 1: you was signed a track Masters. Let's talk about that

684
00:32:14,600 --> 00:32:16,719
Speaker 1: time period. And I wasn't signing a track Masters.

685
00:32:16,760 --> 00:32:20,960
Speaker 6: I was signing Columbia for five years because.

686
00:32:20,600 --> 00:32:22,960
Speaker 1: They lost He said.

687
00:32:22,800 --> 00:32:24,840
Speaker 6: That, because what happened was, you know, at the time

688
00:32:24,880 --> 00:32:26,240
Speaker 6: of Sizzlings sitizens.

689
00:32:26,280 --> 00:32:28,040
Speaker 4: They lost free being rich for so long. You just

690
00:32:28,040 --> 00:32:31,000
Speaker 4: see how he did that. He was like, that was

691
00:32:31,000 --> 00:32:34,800
Speaker 4: a rich That was a rich nigga. Listen, certain people

692
00:32:34,800 --> 00:32:38,000
Speaker 4: don't speech rich nigger. Like every time home text me,

693
00:32:38,120 --> 00:32:40,800
Speaker 4: I always I always show it to somebody else that

694
00:32:40,800 --> 00:32:43,120
Speaker 4: I know is richer than me because I don't understand

695
00:32:43,120 --> 00:32:45,600
Speaker 4: what he'll be talking about. He'll say something that he'll

696
00:32:45,800 --> 00:32:47,760
Speaker 4: skip lines. I'm sorry, but that was a rich nigga.

697
00:32:47,920 --> 00:32:59,800
Speaker 19: Let were talking about, continued, let me talk about.

698
00:33:00,280 --> 00:33:02,800
Speaker 6: So I did my album and I gave it to

699
00:33:02,840 --> 00:33:04,360
Speaker 6: the head a and already lost the ship.

700
00:33:05,480 --> 00:33:09,200
Speaker 1: Yes, y'all told album.

701
00:33:09,200 --> 00:33:13,600
Speaker 6: I said, fuck y'all do listen, y'all doing nothing right.

702
00:33:13,920 --> 00:33:16,960
Speaker 6: Five years later they said they called me your kid

703
00:33:16,960 --> 00:33:17,840
Speaker 6: because they were trying for.

704
00:33:17,800 --> 00:33:19,600
Speaker 1: Oh five years, your kid, come on, do your now

705
00:33:19,680 --> 00:33:23,280
Speaker 1: you're doing nothing. So five years later they called me

706
00:33:23,480 --> 00:33:24,640
Speaker 1: beside track masters.

707
00:33:24,680 --> 00:33:26,240
Speaker 6: They come in and clumb me, they're gonna, you know,

708
00:33:26,880 --> 00:33:27,640
Speaker 6: straighten out ship.

709
00:33:28,440 --> 00:33:30,520
Speaker 1: I was like, all right, I know that. Maybe I'll

710
00:33:30,520 --> 00:33:32,160
Speaker 1: funck with them, but see what's gonna go on.

711
00:33:33,360 --> 00:33:35,040
Speaker 6: So as we started to start doing the album, I

712
00:33:35,040 --> 00:33:37,239
Speaker 6: produced though album and let I think track masters did

713
00:33:37,320 --> 00:33:38,320
Speaker 6: maybe two joints and now.

714
00:33:38,320 --> 00:33:41,320
Speaker 1: I did everything else. And you know, as we're going.

715
00:33:41,160 --> 00:33:44,320
Speaker 6: Along, I'm seeing certain things that I didn't think should

716
00:33:44,560 --> 00:33:45,280
Speaker 6: have happened.

717
00:33:45,640 --> 00:33:47,400
Speaker 1: But you know, I'm telling them like, let's just wait.

718
00:33:47,480 --> 00:33:48,680
Speaker 6: Let's you know, they wanted to put it out on

719
00:33:48,760 --> 00:33:52,200
Speaker 6: November seventeenth day of everybody coming out, they promoted six

720
00:33:52,240 --> 00:33:54,080
Speaker 6: and I'm like, yo, this is wait till next year,

721
00:33:54,160 --> 00:33:56,520
Speaker 6: turn around and then we put it out there. You know,

722
00:33:56,600 --> 00:33:58,560
Speaker 6: whatever happened happened. But the bottom line is the album

723
00:33:58,600 --> 00:34:00,440
Speaker 6: was a classic. The album was dope, you know what

724
00:34:00,440 --> 00:34:02,280
Speaker 6: I'm saying. So that's what happened. But as far as

725
00:34:02,320 --> 00:34:03,760
Speaker 6: it being seld the way it was supposed to be

726
00:34:03,840 --> 00:34:06,160
Speaker 6: sold and handled, it wasn't handled the way I wanted

727
00:34:06,240 --> 00:34:08,239
Speaker 6: to handle. So from that album and everybody was on that,

728
00:34:08,320 --> 00:34:10,000
Speaker 6: I want to grab me from now, from that joint

729
00:34:10,000 --> 00:34:11,600
Speaker 6: of it with jay Z on it, but you know,

730
00:34:11,640 --> 00:34:12,360
Speaker 6: I had everybody on.

731
00:34:12,360 --> 00:34:13,520
Speaker 1: That from that album.

732
00:34:13,719 --> 00:34:15,560
Speaker 6: You know, it was so much trouble doing it, even

733
00:34:15,600 --> 00:34:17,279
Speaker 6: though we was on it and Plumbers on it.

734
00:34:17,800 --> 00:34:19,359
Speaker 1: But it just made me feel like I didn't want

735
00:34:19,360 --> 00:34:20,560
Speaker 1: to do no more records. I didn't want to do

736
00:34:20,600 --> 00:34:22,080
Speaker 1: no more albums, you know what I'm saying. Because it

737
00:34:22,120 --> 00:34:23,839
Speaker 1: was just too much claimances, too much shit.

738
00:34:24,120 --> 00:34:26,359
Speaker 6: I'm gonna roll heavy. It was just too much shit

739
00:34:26,400 --> 00:34:28,000
Speaker 6: to do with. So I just say I'm gonna do it.

740
00:34:28,040 --> 00:34:30,800
Speaker 6: But now you know, I was with battle Rap for

741
00:34:30,800 --> 00:34:33,880
Speaker 6: the last eight nine years, like following them and you know,

742
00:34:33,960 --> 00:34:36,640
Speaker 6: being on them, and you know, just supporting the whole movement.

743
00:34:37,040 --> 00:34:38,680
Speaker 6: Me and Lux we had shot something. I was gonna

744
00:34:38,680 --> 00:34:40,400
Speaker 6: be in the HBO and didn't work out, but I

745
00:34:40,480 --> 00:34:41,080
Speaker 6: ended up starting.

746
00:34:41,280 --> 00:34:43,160
Speaker 1: I started an album on them called Top Tier.

747
00:34:43,560 --> 00:34:46,320
Speaker 6: Got tired of here and Battle Rappers couldn't make good records,

748
00:34:46,600 --> 00:34:48,040
Speaker 6: so I said, you know, I'm gonna take the top

749
00:34:48,080 --> 00:34:50,200
Speaker 6: battle Rappers or some new kids, put them all together

750
00:34:50,200 --> 00:34:52,239
Speaker 6: and make some hot shit and trying to prove the

751
00:34:52,280 --> 00:34:54,880
Speaker 6: world wrong. And don't use no mainstream artists on albums.

752
00:34:54,880 --> 00:34:56,680
Speaker 6: So I don't have not one main stream ardist on albums,

753
00:34:56,719 --> 00:34:57,400
Speaker 6: all Battle Rappers.

754
00:34:57,440 --> 00:35:00,920
Speaker 1: It's called top TiO. So it's gonna come. So the

755
00:35:02,200 --> 00:35:05,160
Speaker 1: White one is your coup for which one of who

756
00:35:05,200 --> 00:35:08,719
Speaker 1: covers that the white man mine? It's empty empty.

757
00:35:08,719 --> 00:35:15,520
Speaker 6: You want to gott my gott.

758
00:35:13,239 --> 00:35:14,719
Speaker 1: How they're doing in Paris? This is this cool?

759
00:35:15,440 --> 00:35:15,960
Speaker 5: He does.

760
00:35:19,000 --> 00:35:22,040
Speaker 1: That? You do it? Do it?

761
00:35:22,320 --> 00:35:26,359
Speaker 3: Shout out to mister Crean. Mister yeah, big of mister Crean.

762
00:35:26,400 --> 00:35:28,759
Speaker 3: Definite cream, Big up eight.

763
00:35:28,640 --> 00:35:31,080
Speaker 1: And nine as well. But we're mister cream right now.

764
00:35:31,080 --> 00:35:32,000
Speaker 1: Because the reason.

765
00:35:31,719 --> 00:35:35,680
Speaker 4: Why I say that decree is because the people will

766
00:35:35,680 --> 00:35:39,040
Speaker 4: help me shape. My only platinum album was the track

767
00:35:39,160 --> 00:35:40,680
Speaker 4: Mass System and.

768
00:35:42,120 --> 00:35:43,920
Speaker 1: Dad did an album called n O R E.

769
00:35:44,360 --> 00:35:48,320
Speaker 4: And I remember, damn it almost maybe sixty percent of

770
00:35:48,360 --> 00:35:50,920
Speaker 4: the sessions you were the next started.

771
00:35:51,080 --> 00:35:53,359
Speaker 1: Track, Bass is the Beast. Let's just get it straight.

772
00:35:53,440 --> 00:35:55,480
Speaker 1: You know what I'm saying, and it it definitely helped me.

773
00:35:55,480 --> 00:35:57,279
Speaker 6: Mold my album the way I wanted to mold it,

774
00:35:57,600 --> 00:36:00,120
Speaker 6: you know, saying that sonically and everything is it. You

775
00:36:00,160 --> 00:36:02,640
Speaker 6: listen to the soundtrack to the Street sound album was incredible,

776
00:36:02,800 --> 00:36:03,200
Speaker 6: and it was.

777
00:36:03,920 --> 00:36:05,759
Speaker 1: They did a lot of contributing. Did you come to

778
00:36:05,760 --> 00:36:09,440
Speaker 1: Bearsville Bearsveil? A lot of contributed to make sure I

779
00:36:09,440 --> 00:36:12,400
Speaker 1: say the right words. Did you come to Bearsveil? You

780
00:36:12,600 --> 00:36:16,040
Speaker 1: remember bells? No? I did every day in hip factory. Yeah, everything,

781
00:36:16,040 --> 00:36:18,520
Speaker 1: it was a hip factory. So you remember we used

782
00:36:18,520 --> 00:36:21,520
Speaker 1: to bowl bottles of crystal. You don't know that wasn't

783
00:36:21,520 --> 00:36:23,040
Speaker 1: around there, you know. Listen, listen.

784
00:36:23,200 --> 00:36:25,799
Speaker 4: We used to drink all the crystyle, right, and then

785
00:36:25,840 --> 00:36:28,680
Speaker 4: we used to be like yo, line them up, and

786
00:36:28,719 --> 00:36:29,719
Speaker 4: we would line them up.

787
00:36:30,360 --> 00:36:33,360
Speaker 1: K Factory kicked this out nothing. You don't remember. It

788
00:36:33,440 --> 00:36:34,400
Speaker 1: was two hid factories.

789
00:36:34,480 --> 00:36:37,200
Speaker 4: Yeah, it was the one up the block on fifty

790
00:36:37,200 --> 00:36:38,440
Speaker 4: four and one down there.

791
00:36:38,880 --> 00:36:41,879
Speaker 1: But the one down the block. I was banned for life, man,

792
00:36:42,600 --> 00:36:43,840
Speaker 1: one out here right Miami.

793
00:36:44,440 --> 00:36:47,400
Speaker 6: Well that's yes, right, and but that's joke that was

794
00:36:47,400 --> 00:36:47,680
Speaker 6: going on.

795
00:36:47,880 --> 00:36:51,400
Speaker 4: The Originally Criteria, it used to be called the.

796
00:36:51,880 --> 00:36:55,640
Speaker 1: Old school Criterias medals. Yeah, man, old school it was called.

797
00:36:55,440 --> 00:36:58,480
Speaker 4: Criteria, and then Hit Factory bought it. But remember fifty

798
00:36:58,520 --> 00:37:02,760
Speaker 4: fourth Street, it was Sony, then it was Hit Factory,

799
00:37:02,920 --> 00:37:05,600
Speaker 4: and then it was the older Hit Factory. I could

800
00:37:05,680 --> 00:37:08,960
Speaker 4: never get the new Head Factory because I had. We

801
00:37:09,040 --> 00:37:11,239
Speaker 4: used to We used to Christal was the ship back then.

802
00:37:11,239 --> 00:37:12,960
Speaker 4: So we used to drink so much bottles of crystal.

803
00:37:13,040 --> 00:37:15,440
Speaker 4: We used to line the bottles up and then whoever

804
00:37:15,520 --> 00:37:16,960
Speaker 4: was drinking the next bottle, we used to be like

805
00:37:17,000 --> 00:37:20,400
Speaker 4: book it, let's go my whole session, and you cannot

806
00:37:20,560 --> 00:37:23,440
Speaker 4: walk because everybody other sessions they to take their socks up,

807
00:37:23,760 --> 00:37:25,719
Speaker 4: their shoes off, and just walk around, you know what

808
00:37:25,760 --> 00:37:27,560
Speaker 4: I mean, you could never do that in my sessions

809
00:37:28,600 --> 00:37:33,520
Speaker 4: were bowling crystal. Shit is just crazy because them nigga said,

810
00:37:33,520 --> 00:37:37,400
Speaker 4: you were never allowed back, never you go up the block.

811
00:37:37,719 --> 00:37:39,280
Speaker 1: And then I had to go to the Hood Factory.

812
00:37:39,280 --> 00:37:41,200
Speaker 1: That's what they called the hood. Fact, it was.

813
00:37:41,200 --> 00:37:44,200
Speaker 4: Called the hood Factory, you remember, like because they had

814
00:37:44,200 --> 00:37:46,840
Speaker 4: built the new head factory up the block from Sony.

815
00:37:46,840 --> 00:37:48,080
Speaker 1: Remember Sony was right there.

816
00:37:48,760 --> 00:37:51,759
Speaker 4: But but you was basically in almost every session of

817
00:37:51,840 --> 00:37:53,360
Speaker 4: my most famous album.

818
00:37:53,600 --> 00:37:58,640
Speaker 6: And I got on your album, remember yes, but Yester no.

819
00:38:01,680 --> 00:38:04,200
Speaker 1: With you and we did my joint, came into the joint.

820
00:38:04,600 --> 00:38:12,000
Speaker 20: Remember it was me you fifty video that videos very

821
00:38:12,160 --> 00:38:15,560
Speaker 20: it's viral viral. That was your session, correct, my session,

822
00:38:15,680 --> 00:38:18,040
Speaker 20: that was your I gave. Matter of fact, I gave

823
00:38:18,080 --> 00:38:22,160
Speaker 20: fifty Rowley. I produced Rowdy Rowley maybe a week later

824
00:38:22,520 --> 00:38:22,920
Speaker 20: after that.

825
00:38:22,960 --> 00:38:25,479
Speaker 1: Because people don't know you're a producer. Come on, let's

826
00:38:25,520 --> 00:38:27,920
Speaker 1: just produce. Madonna produced the number.

827
00:38:27,680 --> 00:38:32,040
Speaker 3: Love the Heavy D's like Jay to me, that's a

828
00:38:32,160 --> 00:38:35,520
Speaker 3: borist state compree that he was the producer.

829
00:38:36,719 --> 00:38:41,680
Speaker 1: I said, And really, I'm gonna tell you all the years.

830
00:38:43,360 --> 00:38:46,240
Speaker 6: With all the accolades and everything I got from this ship,

831
00:38:46,400 --> 00:38:48,319
Speaker 6: like producing like as much as I love it. It

832
00:38:48,400 --> 00:38:50,160
Speaker 6: never been my bread and butter. My bread and butter

833
00:38:50,160 --> 00:38:52,040
Speaker 6: always been on them stages and doing what I do.

834
00:38:52,600 --> 00:38:54,440
Speaker 6: Now I'm taking it real serious, Like you know what

835
00:38:54,440 --> 00:38:56,640
Speaker 6: I'm saying. Even though I produced my first and second album,

836
00:38:57,040 --> 00:38:59,640
Speaker 6: it never really was one thing. I don't like doing it.

837
00:39:00,040 --> 00:39:01,640
Speaker 6: I can't go on MOP for the sessions yo. I

838
00:39:01,680 --> 00:39:03,799
Speaker 6: got beat, yo, Yo. Let me get on your eye.

839
00:39:03,800 --> 00:39:04,400
Speaker 6: I got beat yo.

840
00:39:04,640 --> 00:39:06,480
Speaker 1: I can't. I just can't do that shit.

841
00:39:06,480 --> 00:39:08,120
Speaker 6: It's like, so I felt like, if I do this

842
00:39:08,200 --> 00:39:10,880
Speaker 6: top ten album and the shit hot enough, everybody going

843
00:39:11,000 --> 00:39:11,920
Speaker 6: here to come to me and.

844
00:39:11,840 --> 00:39:12,879
Speaker 1: Say, okay, this is right.

845
00:39:12,960 --> 00:39:14,960
Speaker 6: So the people that I brought, the companies I brought

846
00:39:14,960 --> 00:39:16,400
Speaker 6: it to, I ain't let it go yet. But the

847
00:39:16,440 --> 00:39:19,120
Speaker 6: ones I brought it to they asking for the ship

848
00:39:19,200 --> 00:39:21,200
Speaker 6: that I have on there. So I know it's gonna work,

849
00:39:21,320 --> 00:39:22,600
Speaker 6: you know what I'm saying. But that's the way of

850
00:39:22,640 --> 00:39:24,399
Speaker 6: me doing it because I don't like I just don't

851
00:39:24,440 --> 00:39:26,839
Speaker 6: like bothering people. You know, you get that ship every day,

852
00:39:26,880 --> 00:39:28,560
Speaker 6: you know what I'm saying. You get it every day,

853
00:39:28,640 --> 00:39:30,440
Speaker 6: so it's like you don't need you know, I just

854
00:39:30,520 --> 00:39:32,319
Speaker 6: I just stabbed the way I do my lane that's it,

855
00:39:32,840 --> 00:39:35,520
Speaker 6: you know, but yeah, I'm taking it serious now though

856
00:39:35,840 --> 00:39:37,200
Speaker 6: this Se'm getting nigga's nerves.

857
00:39:37,760 --> 00:39:43,160
Speaker 1: Sure to show now, sure we gotta talk about my man.

858
00:39:45,320 --> 00:39:49,040
Speaker 1: God blessed it that, you know, you know what I'm

859
00:39:49,080 --> 00:39:57,800
Speaker 1: talking about. For years, Yams was my age in here.

860
00:39:59,239 --> 00:40:02,040
Speaker 4: And in here I never had a like, you know

861
00:40:02,080 --> 00:40:05,040
Speaker 4: how you could have a young homie, you have a

862
00:40:05,080 --> 00:40:08,359
Speaker 4: young nigga conversation with him. I never had a young

863
00:40:08,440 --> 00:40:12,200
Speaker 4: nigga conversation with Yams. Ever, he always talked about my arabi.

864
00:40:12,320 --> 00:40:14,680
Speaker 4: He would crack me on the phone and be like, yo,

865
00:40:15,360 --> 00:40:16,719
Speaker 4: so you know what I mean going to their own

866
00:40:16,800 --> 00:40:19,279
Speaker 4: you were fun and and then you and this, and

867
00:40:19,320 --> 00:40:21,680
Speaker 4: I'm like, I did even noticed. I couldn't be I

868
00:40:21,719 --> 00:40:24,080
Speaker 4: couldn't believe how smart Yams was.

869
00:40:24,480 --> 00:40:27,960
Speaker 1: And I can't what I'm saying about that.

870
00:40:28,000 --> 00:40:31,400
Speaker 4: I'm not even talking about business wise, that comes secondary.

871
00:40:31,440 --> 00:40:33,319
Speaker 1: I'm talking about just a culture wise.

872
00:40:34,280 --> 00:40:38,280
Speaker 4: Was that the person who helped shape the ASAP movement

873
00:40:38,320 --> 00:40:40,960
Speaker 4: and just said, yo, look, we gotta you know what

874
00:40:40,960 --> 00:40:41,759
Speaker 4: I'm saying, Like.

875
00:40:42,280 --> 00:40:44,320
Speaker 1: Am I correct? Is not of doubt? Okay?

876
00:40:44,560 --> 00:40:48,839
Speaker 6: Dams definitely was like uh, he orchestrated a lot.

877
00:40:48,960 --> 00:40:53,680
Speaker 1: He was like our Basically he was the yeah, sure

878
00:40:53,719 --> 00:40:54,960
Speaker 1: of your path with y'all.

879
00:40:55,239 --> 00:40:58,200
Speaker 8: Yeah, he was definitely that, and he weaved us together

880
00:40:58,239 --> 00:41:00,320
Speaker 8: because you got a lot of artists, you know what

881
00:41:00,360 --> 00:41:03,880
Speaker 8: I'm saying, on one label, and you know, we was

882
00:41:03,920 --> 00:41:05,239
Speaker 8: all crue before like.

883
00:41:05,239 --> 00:41:06,560
Speaker 1: We even got into the business.

884
00:41:06,560 --> 00:41:08,560
Speaker 6: So it's just like you know how everybody got their

885
00:41:08,560 --> 00:41:15,560
Speaker 6: own individual like attitudes, and you know, he basically found that,

886
00:41:15,840 --> 00:41:18,600
Speaker 6: he found a way to facilitate all of our ideas

887
00:41:18,719 --> 00:41:21,440
Speaker 6: and weave us all into each other to where as

888
00:41:21,480 --> 00:41:24,360
Speaker 6: the world can digest what we.

889
00:41:24,200 --> 00:41:25,959
Speaker 1: Was doing, you know what I'm saying.

890
00:41:25,960 --> 00:41:29,400
Speaker 8: And he made us the package, you know what I'm saying,

891
00:41:29,440 --> 00:41:31,759
Speaker 8: Like he was basically the Steve Jobs and he made

892
00:41:32,120 --> 00:41:34,160
Speaker 8: the iPhone that was easy to work.

893
00:41:34,560 --> 00:41:38,879
Speaker 4: But was it his idea to say everybody is gonna

894
00:41:38,880 --> 00:41:40,600
Speaker 4: be called Asap?

895
00:41:40,719 --> 00:41:43,440
Speaker 8: And I don't know if it was his idea, but

896
00:41:44,400 --> 00:41:46,759
Speaker 8: he was definitely like one of the superiors, one of

897
00:41:46,760 --> 00:41:47,520
Speaker 8: the originals.

898
00:41:47,920 --> 00:41:48,920
Speaker 1: It was him.

899
00:41:49,239 --> 00:41:52,879
Speaker 8: It was my boy, Asap Bari shout out to him.

900
00:41:53,120 --> 00:41:55,520
Speaker 8: He's doing like the whole v loan thing now clothing

901
00:41:55,600 --> 00:41:59,960
Speaker 8: line Asaps like those are the original guys. And Asap

902
00:42:00,120 --> 00:42:03,600
Speaker 8: Barri is younger than all of us, but he brought

903
00:42:03,600 --> 00:42:05,680
Speaker 8: me to the crew. He brought me like, you know,

904
00:42:05,840 --> 00:42:07,520
Speaker 8: Rocky came to the crew like, so it was a

905
00:42:07,600 --> 00:42:10,560
Speaker 8: crew first and then me and Rocky got introduced to

906
00:42:10,600 --> 00:42:12,880
Speaker 8: the crew. You know what I'm saying that we just

907
00:42:12,880 --> 00:42:15,520
Speaker 8: did like the rapping portion part of it.

908
00:42:16,800 --> 00:42:18,960
Speaker 1: That's great. He's joined like a yeah, a year and

909
00:42:19,000 --> 00:42:22,640
Speaker 1: a half later, Yeah, that's great. Let's make some noise

910
00:42:22,680 --> 00:42:28,719
Speaker 1: to that, right now, Tony tu.

911
00:42:31,080 --> 00:42:36,760
Speaker 4: Then you have a job seven that Pokemon at one point,

912
00:42:36,800 --> 00:42:38,360
Speaker 4: for a second, what happened, let's.

913
00:42:38,160 --> 00:42:42,320
Speaker 1: Talk about it. I was shout out to Mickey Benson.

914
00:42:44,760 --> 00:42:48,239
Speaker 1: That's Mickey Bencon, that's Iced Teas oh man, Yeah, Mickey Bence.

915
00:42:48,280 --> 00:42:51,439
Speaker 1: The old school Gangsters Pan and it was.

916
00:42:52,080 --> 00:42:55,120
Speaker 10: Mellie mel and them had had a radio show called

917
00:42:55,880 --> 00:42:59,080
Speaker 10: The mic Check Show. So I got lucky and pick

918
00:42:59,160 --> 00:43:02,120
Speaker 10: up and somehow Mickey you know what I mean, Mickey

919
00:43:02,120 --> 00:43:06,080
Speaker 10: hooked up. I don't remember how, but yeah, you know,

920
00:43:06,120 --> 00:43:09,799
Speaker 10: they asked me to provide, you know, beats for the

921
00:43:09,840 --> 00:43:11,200
Speaker 10: you know callers that would call.

922
00:43:11,160 --> 00:43:12,600
Speaker 1: Up to rap live on the show.

923
00:43:13,400 --> 00:43:15,000
Speaker 10: It's like an hour long show and you know they

924
00:43:15,040 --> 00:43:19,319
Speaker 10: would do their thing, you know, you know, the Furious five.

925
00:43:19,400 --> 00:43:22,160
Speaker 10: I think who else was there? Scorpio. I don't know

926
00:43:22,239 --> 00:43:23,960
Speaker 10: Scorpio was there, but you know it was the Melly

927
00:43:24,000 --> 00:43:27,279
Speaker 10: Mel Show definitely. And I think his brother was there

928
00:43:27,320 --> 00:43:30,080
Speaker 10: as well. What's his name kick Creole?

929
00:43:30,160 --> 00:43:33,120
Speaker 1: Yeah, Creole yeah, Creole. Yes, it was a hat nigga

930
00:43:33,160 --> 00:43:41,560
Speaker 1: back then. It's one of the that's what that was seven.

931
00:43:41,640 --> 00:43:44,880
Speaker 1: It was a quick living the mic Check Show. Melly

932
00:43:44,920 --> 00:43:45,760
Speaker 1: Mel Yeah.

933
00:43:45,760 --> 00:43:48,400
Speaker 10: I was like ship, I was like ninety I was

934
00:43:48,440 --> 00:43:51,319
Speaker 10: like ninety three or some ship ninety.

935
00:43:51,040 --> 00:43:53,280
Speaker 1: Four actually, you know what? And that was when Pun.

936
00:43:55,160 --> 00:43:56,399
Speaker 1: That's when we first heard the Pun.

937
00:43:56,600 --> 00:44:00,120
Speaker 10: So it was like ninety four because after the My

938
00:44:00,280 --> 00:44:04,160
Speaker 10: Check Show, they would do a lyrical showcase in the Bronx.

939
00:44:04,239 --> 00:44:07,160
Speaker 1: Make Melly used to hook up this lyrics.

940
00:44:06,840 --> 00:44:12,760
Speaker 10: Showcase up in the b X, and that's when for you, buddy,

941
00:44:14,239 --> 00:44:15,560
Speaker 10: and that's when they found Pun.

942
00:44:16,880 --> 00:44:18,279
Speaker 1: Wow. I was doing the radio show.

943
00:44:18,360 --> 00:44:21,120
Speaker 10: They had this MC showcase in the Bronx, and that's

944
00:44:21,120 --> 00:44:26,600
Speaker 10: when Mickey and them like connected with Pun and.

945
00:44:26,000 --> 00:44:28,520
Speaker 1: Everything else history. But that show lasted like eight months.

946
00:44:28,520 --> 00:44:31,720
Speaker 4: It was a quick little run shout out seven.

947
00:44:32,080 --> 00:44:34,399
Speaker 1: So now what happens when you get this phone call?

948
00:44:34,800 --> 00:44:38,080
Speaker 4: Serious sound like says they wont don't go Tuesdays.

949
00:44:38,480 --> 00:44:42,480
Speaker 1: No, they hit, but it wasn't a serious sound like

950
00:44:42,560 --> 00:44:48,719
Speaker 1: first know those guys. So this is Paul. He's got

951
00:44:48,719 --> 00:44:50,960
Speaker 1: a big part of Eminem's career too. Come on, let's

952
00:44:51,320 --> 00:44:55,960
Speaker 1: he was on the fifty MCS too. Let's down. Let's

953
00:44:56,000 --> 00:44:57,880
Speaker 1: break that down. Though. I was like, come on, you

954
00:44:58,000 --> 00:45:03,680
Speaker 1: being humble right now, give me the shot you want

955
00:45:04,360 --> 00:45:06,120
Speaker 1: you want to I'm doing rock.

956
00:45:06,360 --> 00:45:08,600
Speaker 4: I gotta I gotta keep it real because is the

957
00:45:08,640 --> 00:45:09,560
Speaker 4: best thing with the playing.

958
00:45:13,239 --> 00:45:16,720
Speaker 1: Its refreshing, firm shot.

959
00:45:17,800 --> 00:45:19,759
Speaker 21: Take a shout of the surround, take a shout of

960
00:45:20,640 --> 00:45:23,520
Speaker 21: real quick, refreshing the radio show.

961
00:45:24,080 --> 00:45:26,960
Speaker 1: That's okay, got you gotta do it now, so we

962
00:45:27,040 --> 00:45:30,560
Speaker 1: about it, guys, Sorry.

963
00:45:30,640 --> 00:45:33,120
Speaker 10: Real quick, the radio showed me running twelve years now

964
00:45:33,320 --> 00:45:36,080
Speaker 10: servio sex sim shout out, make some that God damn it.

965
00:45:38,640 --> 00:45:40,319
Speaker 1: Got Tuesdays on Save forty five.

966
00:45:40,400 --> 00:45:42,200
Speaker 10: And you know what's funny is that each and every

967
00:45:42,239 --> 00:45:44,520
Speaker 10: one of you guys has been to the show one another.

968
00:45:44,560 --> 00:45:47,239
Speaker 1: You always happy to see us all together one moment.

969
00:45:47,440 --> 00:45:49,520
Speaker 10: That's right, that's right, you're right the most of the

970
00:45:49,920 --> 00:45:53,040
Speaker 10: show at beginning, and Yo, salute to all you guys

971
00:45:53,120 --> 00:45:53,600
Speaker 10: here with here.

972
00:45:53,840 --> 00:45:57,520
Speaker 1: It feels like joking Tuesdays. It is over tuesdays.

973
00:45:57,840 --> 00:45:58,040
Speaker 5: Listen.

974
00:45:58,160 --> 00:46:00,960
Speaker 4: Let me just tell you something of the people from

975
00:46:01,000 --> 00:46:03,120
Speaker 4: the young generation. Ferg is one of the people that

976
00:46:03,239 --> 00:46:09,040
Speaker 4: we all got to support. Absolutely mad cool.

977
00:46:12,800 --> 00:46:17,319
Speaker 1: About that was mad because pops like yo, you still

978
00:46:17,480 --> 00:46:21,640
Speaker 1: come from the ever so y'all from Miami. So tell

979
00:46:21,719 --> 00:46:22,560
Speaker 1: us about this poss man.

980
00:46:22,560 --> 00:46:25,920
Speaker 6: I want to hear about that lot about it in Harlem,

981
00:46:26,120 --> 00:46:28,359
Speaker 6: in harmm right, first of all, me and start y'all

982
00:46:28,440 --> 00:46:31,120
Speaker 6: has the music starts, y'all. Douce, he had the music

983
00:46:31,200 --> 00:46:34,200
Speaker 6: seeing crazy right in home. We had that ship lit.

984
00:46:34,719 --> 00:46:36,319
Speaker 6: So at the end of the day, you.

985
00:46:36,360 --> 00:46:40,520
Speaker 1: Know, every day it's fashion, music, all go on together.

986
00:46:41,080 --> 00:46:43,919
Speaker 1: You had your at one time you had your Dapper Dan.

987
00:46:44,480 --> 00:46:48,799
Speaker 6: Dapper Dam was making ship saying that everybody was going I.

988
00:46:48,840 --> 00:46:50,799
Speaker 1: Couldn't afford it back then. You know what I'm saying.

989
00:46:51,360 --> 00:46:52,960
Speaker 1: What would do he would make?

990
00:46:53,440 --> 00:46:55,520
Speaker 6: He would make clothes for the street of a classy

991
00:46:56,719 --> 00:46:59,000
Speaker 6: or make something that he would make stuff that you want.

992
00:46:59,200 --> 00:47:01,440
Speaker 6: But if but when you've seen his clothes, you you

993
00:47:02,160 --> 00:47:04,719
Speaker 6: will feel flying and stuff. Like with Dap and Daddy

994
00:47:04,840 --> 00:47:05,080
Speaker 6: was more.

995
00:47:05,239 --> 00:47:07,719
Speaker 1: You was more hood flying, he was more you know

996
00:47:07,760 --> 00:47:08,200
Speaker 1: what I'm saying.

997
00:47:08,239 --> 00:47:09,640
Speaker 6: But with fur it was a little different. He had

998
00:47:09,680 --> 00:47:11,719
Speaker 6: little twisted his thing like him. It was shot, he had.

999
00:47:11,680 --> 00:47:18,200
Speaker 1: Little little shot. The fir was cool man. Where my shot.

1000
00:47:19,640 --> 00:47:25,600
Speaker 1: That's appreciated her, that's appreciate. I gotta go. You gotta

1001
00:47:25,600 --> 00:47:27,440
Speaker 1: go this drink, Champ, you gotta go. You gotta go.

1002
00:47:30,400 --> 00:47:33,960
Speaker 1: Damn God, damn you drink. That's big. Up to twin

1003
00:47:34,239 --> 00:47:42,879
Speaker 1: being back in And did you see yourself in the video?

1004
00:47:44,280 --> 00:47:50,759
Speaker 1: Got you got a good laugh. Recovery, you know what

1005
00:47:50,800 --> 00:47:52,839
Speaker 1: I'm saying. That's right, that's right, You're gonna recover.

1006
00:47:53,000 --> 00:48:01,000
Speaker 4: Motherfucker made gay bring what I don't know.

1007
00:48:01,400 --> 00:48:01,719
Speaker 1: I don't know.

1008
00:48:03,160 --> 00:48:08,400
Speaker 4: I got you can't escape your drinking. You know, I

1009
00:48:08,520 --> 00:48:10,760
Speaker 4: got the foulest part in the world. Did you notice

1010
00:48:10,760 --> 00:48:11,760
Speaker 4: everybody else shot.

1011
00:48:12,239 --> 00:48:14,960
Speaker 1: Was like something else else? Heavy handed. I'm not gonna lie,

1012
00:48:15,080 --> 00:48:17,640
Speaker 1: but my kid is just so dish. You're a drink.

1013
00:48:18,560 --> 00:48:20,000
Speaker 1: I want to say that. I think you can say

1014
00:48:20,080 --> 00:48:22,920
Speaker 1: that your brother. It's not lootle for CBS speaks.

1015
00:48:22,920 --> 00:48:31,160
Speaker 2: I'm releasing the matter. The absolutely we get the truth

1016
00:48:31,200 --> 00:48:34,399
Speaker 2: out of ourself. We probably say ship.

1017
00:48:35,320 --> 00:48:37,160
Speaker 1: It's very true. People think we.

1018
00:48:37,200 --> 00:48:40,919
Speaker 4: Start having a conversation to ourselves and it's terrible, all right, look,

1019
00:48:41,040 --> 00:48:44,120
Speaker 4: but look, I don't know. I'm gonna be honest. I

1020
00:48:44,160 --> 00:48:46,360
Speaker 4: don't know I'm gonna be honest. I want Gino to

1021
00:48:46,440 --> 00:48:46,719
Speaker 4: be here.

1022
00:48:48,000 --> 00:48:50,040
Speaker 1: Gino, tell me stories about you and your crew.

1023
00:48:50,080 --> 00:48:51,960
Speaker 4: All no, but I'm gonna tell you something about something

1024
00:48:51,960 --> 00:48:55,560
Speaker 4: about your pops, which is rare. We had an album

1025
00:48:55,640 --> 00:49:00,239
Speaker 4: called The Warriorport, the clinically acclaimed our first album, Ships

1026
00:49:00,239 --> 00:49:02,640
Speaker 4: through the Roof. We have a person that was an

1027
00:49:02,680 --> 00:49:06,640
Speaker 4: intern at the time called Geno. He was the person

1028
00:49:06,719 --> 00:49:10,600
Speaker 4: at the front. So the people who did our shirts

1029
00:49:10,640 --> 00:49:16,600
Speaker 4: in the beginning, for people from Canal Street, we thought

1030
00:49:16,640 --> 00:49:20,000
Speaker 4: that was a deal. Gino's in the front, you know,

1031
00:49:20,160 --> 00:49:25,080
Speaker 4: answering phone. Gino turns around and goes, oh, no, fuck

1032
00:49:25,160 --> 00:49:25,920
Speaker 4: Canal Street.

1033
00:49:26,120 --> 00:49:30,080
Speaker 1: We can go uptown and we're gonna get our ship.

1034
00:49:30,239 --> 00:49:30,399
Speaker 17: Right.

1035
00:49:32,440 --> 00:49:37,280
Speaker 1: So everybody's looking like that, but this is his first task.

1036
00:49:38,320 --> 00:49:39,000
Speaker 1: We take it on.

1037
00:49:40,960 --> 00:49:44,520
Speaker 4: It's your father, he refers us to. Your father made

1038
00:49:44,560 --> 00:49:50,160
Speaker 4: the n R E T S the original NR, the

1039
00:49:50,239 --> 00:49:51,680
Speaker 4: ship that Pun got on his head.

1040
00:49:52,000 --> 00:49:54,000
Speaker 1: If you look at it, it's a famous sh because

1041
00:49:54,000 --> 00:49:55,680
Speaker 1: because I gave Punt a T shirt and he said,

1042
00:49:55,760 --> 00:49:59,680
Speaker 1: the fuck I can't fit this, and I was like,

1043
00:50:00,160 --> 00:50:03,439
Speaker 1: it's very true. So he just put it on his head.

1044
00:50:04,719 --> 00:50:07,680
Speaker 4: But your father was the person was designed and now,

1045
00:50:07,760 --> 00:50:12,560
Speaker 4: first off, my people from the Bronx one five seven

1046
00:50:12,600 --> 00:50:14,520
Speaker 4: and Girard was the first people to prefer me.

1047
00:50:15,800 --> 00:50:17,520
Speaker 1: But when I brung it to the lab, the lady

1048
00:50:17,560 --> 00:50:17,960
Speaker 1: was said no.

1049
00:50:18,719 --> 00:50:22,120
Speaker 4: But Gino was the guy who actually pushed the whole

1050
00:50:22,239 --> 00:50:22,919
Speaker 4: envelope through.

1051
00:50:23,440 --> 00:50:25,799
Speaker 1: And the person he pushed it through. What's for your father?

1052
00:50:26,280 --> 00:50:33,480
Speaker 1: And that's your fucking manager and that's what you shot.

1053
00:50:36,440 --> 00:50:39,480
Speaker 1: Can I ask my question because I wouldn't until he

1054
00:50:39,520 --> 00:50:44,000
Speaker 1: takes that ship wears right? Now, let's go shot yo.

1055
00:50:44,320 --> 00:50:47,920
Speaker 1: I love Pun? What was pun like? He was the

1056
00:50:48,160 --> 00:50:55,480
Speaker 1: best friend February seventh, Yes, back up to the niggas

1057
00:50:55,520 --> 00:50:56,080
Speaker 1: in February.

1058
00:50:56,400 --> 00:50:58,239
Speaker 4: And also I want to say rest in peace to

1059
00:50:58,320 --> 00:51:01,560
Speaker 4: Capons Wipes of the passed away.

1060
00:51:02,280 --> 00:51:06,080
Speaker 1: Uh. Today I got a story about punk. Oh, let's

1061
00:51:06,080 --> 00:51:06,959
Speaker 1: go on the punch start.

1062
00:51:07,040 --> 00:51:10,840
Speaker 6: When we did my album soundtrack to the Streets, I

1063
00:51:10,880 --> 00:51:13,800
Speaker 6: remember the Lost Boys was in the booth right and

1064
00:51:13,960 --> 00:51:16,719
Speaker 6: Lost Boys came to the session shout out the lowest

1065
00:51:16,719 --> 00:51:17,840
Speaker 6: boy's cheese was my dudes.

1066
00:51:18,320 --> 00:51:22,200
Speaker 1: They came to the studio fucked up. It was drunk right,

1067
00:51:22,280 --> 00:51:23,719
Speaker 1: which was though it was cool we was having a

1068
00:51:23,719 --> 00:51:25,200
Speaker 1: good time, right, And it was in a.

1069
00:51:25,200 --> 00:51:27,680
Speaker 6: Booth for a while, and Punk came with his family,

1070
00:51:27,840 --> 00:51:31,400
Speaker 6: his whole family. So I stopped the Lost Boys. I

1071
00:51:31,440 --> 00:51:34,359
Speaker 6: made him come out and I made Punk getting the booth.

1072
00:51:35,160 --> 00:51:37,560
Speaker 6: Punk sat a chair, down, a couch.

1073
00:51:38,560 --> 00:51:39,400
Speaker 1: It was okay.

1074
00:51:39,520 --> 00:51:46,799
Speaker 6: Whoever we put the He had his family around him

1075
00:51:46,800 --> 00:51:50,000
Speaker 6: in the booth. He did one take one A was

1076
00:51:50,040 --> 00:51:52,560
Speaker 6: out the booth ten minutes the record was done. That's

1077
00:51:52,600 --> 00:51:59,279
Speaker 6: the record we did with you. I'm but that was

1078
00:51:59,360 --> 00:52:02,279
Speaker 6: punched out. Punch used to take whatever council was in

1079
00:52:02,480 --> 00:52:04,520
Speaker 6: like the main room. He was like, you have his

1080
00:52:04,640 --> 00:52:05,799
Speaker 6: niggas come and pick it up.

1081
00:52:06,080 --> 00:52:10,240
Speaker 1: Boom. That almost incredible. And then he pull the mic down.

1082
00:52:10,320 --> 00:52:14,160
Speaker 4: And he's he's sitting. That's how true was so incredible.

1083
00:52:14,239 --> 00:52:16,520
Speaker 4: Was crazy because he was sick, so he didn't He

1084
00:52:16,600 --> 00:52:17,279
Speaker 4: didn't do like.

1085
00:52:17,520 --> 00:52:19,439
Speaker 1: Not a lot of likea like I'm saying, he didn't

1086
00:52:19,480 --> 00:52:23,080
Speaker 1: do like four bars four board. No, I was that

1087
00:52:23,440 --> 00:52:29,800
Speaker 1: did the whole over. Ain't trapping back then, but reil noun.

1088
00:52:29,960 --> 00:52:33,239
Speaker 18: We're on the rail here on the rail, you know,

1089
00:52:33,400 --> 00:52:35,680
Speaker 18: the rail, but the ill ship.

1090
00:52:38,239 --> 00:52:41,080
Speaker 1: The ship than that, there was no punches other than that.

1091
00:52:41,360 --> 00:52:43,160
Speaker 1: You could punch on the rig, shuck it right head

1092
00:52:43,320 --> 00:52:45,520
Speaker 1: and you know how once you know, you know how

1093
00:52:45,680 --> 00:52:46,840
Speaker 1: it was. It was crazy.

1094
00:52:46,960 --> 00:52:49,719
Speaker 6: It was the punch like when he was yeah, when

1095
00:52:49,719 --> 00:52:51,920
Speaker 6: pump was right, you can't you can't pun you had said,

1096
00:52:53,080 --> 00:52:54,920
Speaker 6: all right. So that was one thing that was about

1097
00:52:54,960 --> 00:52:57,919
Speaker 6: my album. The second thing that was crazy was I'm

1098
00:52:57,920 --> 00:52:58,839
Speaker 6: in the studio with Jay.

1099
00:52:59,360 --> 00:53:06,879
Speaker 1: Alright, so I had so I'm in the studio with Jay.

1100
00:53:07,120 --> 00:53:08,239
Speaker 1: I had this beat for him. Right.

1101
00:53:08,320 --> 00:53:11,880
Speaker 6: Beat was crazy. So I'm playing beat in there, and

1102
00:53:12,000 --> 00:53:14,080
Speaker 6: I had this other beat that I bought in New Orleans.

1103
00:53:14,120 --> 00:53:15,800
Speaker 6: I couldn't get the ship to lock in the machine

1104
00:53:15,840 --> 00:53:17,440
Speaker 6: for some reason, but I had it looped up on

1105
00:53:17,480 --> 00:53:19,120
Speaker 6: the tape when I was in the studio just playing it.

1106
00:53:19,680 --> 00:53:22,279
Speaker 1: And Jay walked past the studio and he said, what's that.

1107
00:53:23,239 --> 00:53:25,000
Speaker 1: I said, some ship I had loosed up. I can't

1108
00:53:25,000 --> 00:53:26,480
Speaker 1: get it locked up. He was like, we need to

1109
00:53:26,560 --> 00:53:29,480
Speaker 1: do that ship. I had that ship fixed it five minutes. Yo.

1110
00:53:29,920 --> 00:53:30,719
Speaker 1: We did that ship.

1111
00:53:31,719 --> 00:53:33,120
Speaker 6: The record we were supposed to win't do it. We

1112
00:53:33,239 --> 00:53:35,960
Speaker 6: changed it to the boom boom boom. We did that ship.

1113
00:53:36,239 --> 00:53:44,600
Speaker 1: I want to Grammy, I want to hard knocked life

1114
00:53:44,600 --> 00:53:47,600
Speaker 1: because what happened was. We was all tour with the

1115
00:53:47,640 --> 00:53:50,080
Speaker 1: Puff Tour and forty.

1116
00:53:49,880 --> 00:53:52,080
Speaker 6: Five Kid gave me this plate and it had the

1117
00:53:52,160 --> 00:53:53,080
Speaker 6: hard Knocked Life.

1118
00:53:52,920 --> 00:53:53,360
Speaker 1: Beat on it.

1119
00:53:53,840 --> 00:53:55,560
Speaker 6: So I was doing my album at the time. I said,

1120
00:53:55,680 --> 00:53:57,839
Speaker 6: I might use this ship for my let me see

1121
00:53:57,840 --> 00:53:58,960
Speaker 6: how it sounded an arena.

1122
00:53:59,400 --> 00:54:00,000
Speaker 1: So I would playing.

1123
00:54:00,320 --> 00:54:02,160
Speaker 6: I would do my show, then when I come back

1124
00:54:02,200 --> 00:54:04,800
Speaker 6: out the second time, I would start with that. The

1125
00:54:04,920 --> 00:54:07,480
Speaker 6: third show I played it, Jane rolled up like, Yo,

1126
00:54:07,560 --> 00:54:10,200
Speaker 6: the fuck is that was that? I said, that's forty

1127
00:54:10,239 --> 00:54:11,839
Speaker 6: five can be some show on youse.

1128
00:54:12,239 --> 00:54:13,440
Speaker 1: I was like, you like it? And he's like, yeah,

1129
00:54:13,520 --> 00:54:16,080
Speaker 1: hell yeah. So I talked about the hard Knock Hard

1130
00:54:16,520 --> 00:54:18,160
Speaker 1: you just used it a little. The sample you had

1131
00:54:18,160 --> 00:54:19,000
Speaker 1: a beat at I had.

1132
00:54:19,120 --> 00:54:20,880
Speaker 6: He had the way the beat is on the record.

1133
00:54:21,200 --> 00:54:23,080
Speaker 6: That's how I had it on the On the ascid take,

1134
00:54:23,360 --> 00:54:25,320
Speaker 6: it was just the beats with the song. It's so

1135
00:54:25,400 --> 00:54:26,520
Speaker 6: hard now, like with the beat.

1136
00:54:26,440 --> 00:54:26,839
Speaker 1: Like a duck.

1137
00:54:26,880 --> 00:54:27,160
Speaker 9: That's it.

1138
00:54:27,760 --> 00:54:29,719
Speaker 6: White people were walking up to me while I'm playing

1139
00:54:29,719 --> 00:54:31,680
Speaker 6: and saying, okay, how you get them drums behind the

1140
00:54:31,760 --> 00:54:32,279
Speaker 6: anti beat?

1141
00:54:32,560 --> 00:54:32,959
Speaker 1: They didn't.

1142
00:54:32,960 --> 00:54:36,319
Speaker 6: They was bugget So Jay rolled up, say your kid,

1143
00:54:37,360 --> 00:54:44,600
Speaker 6: what's that? I said, He's like, so, I said, yo,

1144
00:54:44,680 --> 00:54:46,319
Speaker 6: you want it. He was like, yeah, So I called

1145
00:54:46,360 --> 00:54:48,239
Speaker 6: forty five can't right there in the arena, put him

1146
00:54:48,239 --> 00:54:50,200
Speaker 6: on the phone for forty five can't talk to him.

1147
00:54:50,200 --> 00:54:52,399
Speaker 1: Two weeks later, Hard Life came out five million, selling

1148
00:54:52,719 --> 00:54:55,000
Speaker 1: six million cellar. Yeah, the biggest record of his correction.

1149
00:54:55,040 --> 00:54:57,440
Speaker 1: I need you wait, wait before I need to break

1150
00:54:57,480 --> 00:54:59,960
Speaker 1: down the start time. How was that resting credited though?

1151
00:55:00,080 --> 00:55:00,880
Speaker 1: How is the credit that.

1152
00:55:00,960 --> 00:55:04,600
Speaker 6: Forty five Kings produce? So chazy is the write up?

1153
00:55:04,960 --> 00:55:08,360
Speaker 6: Kiki PRIs the link? Cool you the plug?

1154
00:55:08,960 --> 00:55:15,680
Speaker 1: The plug? You know what I'm saying. That story that's

1155
00:55:15,760 --> 00:55:18,040
Speaker 1: not the That's not to say that all the other ship.

1156
00:55:18,160 --> 00:55:20,560
Speaker 1: Jay done dead. Come on, you already know where his

1157
00:55:20,680 --> 00:55:23,680
Speaker 1: career is. And me and Jay been cool, you know,

1158
00:55:23,800 --> 00:55:26,640
Speaker 1: for years, and what he's done is incredible. But I'm

1159
00:55:26,680 --> 00:55:28,720
Speaker 1: glad to say I was a part of that incredible record.

1160
00:55:29,000 --> 00:55:30,680
Speaker 1: Was a part. And then on that album, I did this.

1161
00:55:30,760 --> 00:55:31,200
Speaker 1: It's like that.

1162
00:55:31,800 --> 00:55:34,319
Speaker 6: So I wanted to grant me because the album went

1163
00:55:34,840 --> 00:55:36,800
Speaker 6: as far as it went. So I went twice and

1164
00:55:36,880 --> 00:55:37,600
Speaker 6: it was dope.

1165
00:55:38,160 --> 00:55:43,280
Speaker 1: Wants Oh yeah, please here. I just took this is terrible.

1166
00:55:44,160 --> 00:55:50,080
Speaker 1: When Madonna called me, that was crazy. Yeah, Madonna's right

1167
00:55:50,120 --> 00:55:53,400
Speaker 1: now let's go. We're ready to go to the Madonna

1168
00:55:53,440 --> 00:55:58,040
Speaker 1: story story too? Did you see the story? Noice?

1169
00:55:59,160 --> 00:56:01,640
Speaker 6: I feel like every nigga but dona work with me.

1170
00:56:03,760 --> 00:56:05,719
Speaker 6: I feel like I'm gonna be real with you, man.

1171
00:56:05,800 --> 00:56:09,279
Speaker 6: Like a lot of women in the industry, a lot

1172
00:56:09,320 --> 00:56:11,240
Speaker 6: of us have the scene shakes, a lot of rappers,

1173
00:56:11,239 --> 00:56:13,920
Speaker 6: a lot of actresses, a lot of models, A lot

1174
00:56:13,960 --> 00:56:14,319
Speaker 6: of them.

1175
00:56:14,280 --> 00:56:16,399
Speaker 1: Try to get at me, and I will never fuck

1176
00:56:16,480 --> 00:56:17,680
Speaker 1: with one in the street chick.

1177
00:56:17,760 --> 00:56:22,520
Speaker 6: Ever, why is that one? A lot of them talk

1178
00:56:22,800 --> 00:56:24,480
Speaker 6: a lot. I'm not saying all of them, but a

1179
00:56:24,520 --> 00:56:27,520
Speaker 6: lot of them talk a lot. And two a lot

1180
00:56:27,560 --> 00:56:29,520
Speaker 6: of them fuck with the same circle.

1181
00:56:30,600 --> 00:56:33,680
Speaker 1: Everybody, you fucking maund me and you be here, you

1182
00:56:33,920 --> 00:56:36,480
Speaker 1: mean the same ship like it become that you know

1183
00:56:36,480 --> 00:56:38,000
Speaker 1: what I'm saying. And at the end of the day,

1184
00:56:38,000 --> 00:56:39,759
Speaker 1: it's just I just felt like I ain't want nobody

1185
00:56:39,840 --> 00:56:41,480
Speaker 1: doing what I do. If I'm in this industry, I

1186
00:56:41,560 --> 00:56:42,200
Speaker 1: do what I do here.

1187
00:56:42,480 --> 00:56:45,279
Speaker 6: I already know how gritty she can get, So if

1188
00:56:45,320 --> 00:56:47,239
Speaker 6: you in it, I know how gritty could get for you.

1189
00:56:48,040 --> 00:56:50,560
Speaker 6: And you're gonna get offered way more than I'm gonna get.

1190
00:56:50,840 --> 00:56:51,439
Speaker 1: Just like a chicken.

1191
00:56:51,480 --> 00:56:53,799
Speaker 6: The strip Club she's gonna get offered way more than

1192
00:56:53,840 --> 00:56:56,439
Speaker 6: the regular chick gonna get. And ain't just the strip club.

1193
00:56:56,600 --> 00:56:58,719
Speaker 6: It's the ball over here that got ten thousand for

1194
00:56:58,800 --> 00:57:00,680
Speaker 6: a couple of hours. Come here when be showing to

1195
00:57:00,760 --> 00:57:02,680
Speaker 6: pay it up? And that's what's gonna be. It's gonna

1196
00:57:02,680 --> 00:57:03,200
Speaker 6: be more than.

1197
00:57:03,200 --> 00:57:04,080
Speaker 1: Just what it really is.

1198
00:57:04,440 --> 00:57:07,160
Speaker 6: So that's why I never really given sucked around. It's

1199
00:57:07,200 --> 00:57:10,279
Speaker 6: an industry strip club, Yeah, exactly, pretty much, so I

1200
00:57:10,360 --> 00:57:11,360
Speaker 6: still stay away from that.

1201
00:57:11,400 --> 00:57:14,000
Speaker 1: I just, you know, doing my little lane. I don't

1202
00:57:14,040 --> 00:57:18,840
Speaker 1: know what's going on with come done. She'll suffer when

1203
00:57:18,920 --> 00:57:24,960
Speaker 1: the first time you get your dick. So let's keep it.

1204
00:57:25,280 --> 00:57:28,120
Speaker 1: Let's throw it out there. I just say, let's keep

1205
00:57:28,160 --> 00:57:36,080
Speaker 1: it real. Throwing up. I was about about year. That's

1206
00:57:36,120 --> 00:57:38,840
Speaker 1: a good wonder question. I know, even ask that question,

1207
00:57:39,120 --> 00:57:43,920
Speaker 1: you're going to do it. I'm sure you appreciate. None

1208
00:57:43,960 --> 00:57:47,360
Speaker 1: of my chicks ever even a question you throwing out there.

1209
00:57:47,560 --> 00:57:48,200
Speaker 1: He dream.

1210
00:57:48,680 --> 00:57:53,800
Speaker 6: I hadn't been about like fourteen to fifteen, and shout

1211
00:57:53,840 --> 00:57:54,360
Speaker 6: out to her.

1212
00:57:54,440 --> 00:58:00,760
Speaker 1: For doing that. Shut out fly. She made it, but

1213
00:58:01,240 --> 00:58:03,200
Speaker 1: I feel like it was a close member of the family.

1214
00:58:04,480 --> 00:58:13,520
Speaker 1: It was that my friend, close close. We need to

1215
00:58:13,560 --> 00:58:16,520
Speaker 1: get into your I was gonna go with my first rap,

1216
00:58:16,800 --> 00:58:18,320
Speaker 1: So that's what I meant.

1217
00:58:18,200 --> 00:58:21,920
Speaker 4: Like like after I like you, you had that record,

1218
00:58:21,960 --> 00:58:23,800
Speaker 4: and then Bitess is coming to you and say I

1219
00:58:23,880 --> 00:58:25,920
Speaker 4: want to sell your dick. It's like that, that's like, oh,

1220
00:58:26,040 --> 00:58:29,280
Speaker 4: that's your first time, like like like not in the beginning,

1221
00:58:29,560 --> 00:58:32,680
Speaker 4: like after you became third and the bitch you say,

1222
00:58:32,760 --> 00:58:33,920
Speaker 4: I don't want to tell your dick like.

1223
00:58:34,240 --> 00:58:38,720
Speaker 1: You want to. You little was very said in the beginning,

1224
00:58:38,840 --> 00:58:43,560
Speaker 1: because I mean flashing for you, okay, first, and I

1225
00:58:43,640 --> 00:58:48,880
Speaker 1: got to question, I don't. I don't even remember, honestly,

1226
00:58:49,920 --> 00:58:56,360
Speaker 1: I don't know. He's that first a lot. I remember situation, mathematics.

1227
00:58:57,000 --> 00:58:59,800
Speaker 1: I got to remember your mathematics. I remember the situation

1228
00:59:00,120 --> 00:59:03,720
Speaker 1: is where I've been overseas and and and having.

1229
00:59:04,360 --> 00:59:10,160
Speaker 4: Sisters, white girl, sisters, white girls. I love your story,

1230
00:59:10,240 --> 00:59:10,840
Speaker 4: let's continue.

1231
00:59:12,520 --> 00:59:16,400
Speaker 8: And I remember having and I remember uh my first

1232
00:59:16,480 --> 00:59:18,000
Speaker 8: three some with two black girls.

1233
00:59:19,120 --> 00:59:22,400
Speaker 1: Yeah, and they they was having mad fun.

1234
00:59:22,920 --> 00:59:25,720
Speaker 6: And I remember like not even like because you know,

1235
00:59:25,840 --> 00:59:28,600
Speaker 6: black girls is real like different, like they're not they

1236
00:59:28,640 --> 00:59:31,320
Speaker 6: want nothing a finger if they don't like, they're not

1237
00:59:31,400 --> 00:59:33,640
Speaker 6: making you no sandwiches, they're not doing nothing nothing.

1238
00:59:34,000 --> 00:59:36,800
Speaker 1: But they were just catering to me crazy that night,

1239
00:59:37,040 --> 00:59:42,160
Speaker 1: and you made let's make some noise when you made.

1240
00:59:50,320 --> 00:59:52,880
Speaker 4: Talk about to let's make some lays, mister Lee buying

1241
00:59:52,960 --> 00:59:54,280
Speaker 4: the worst cigards ever.

1242
00:59:58,720 --> 01:00:00,640
Speaker 1: It's like mister Lee went to the story said I

1243
01:00:00,720 --> 01:00:02,600
Speaker 1: just want to buy some goard. It's gonna make nooy

1244
01:00:02,880 --> 01:00:11,360
Speaker 1: annoyed kick. He had a question for let's go. I

1245
01:00:11,440 --> 01:00:12,200
Speaker 1: want to go to your question.

1246
01:00:12,400 --> 01:00:16,440
Speaker 6: When's the first time you seen a point of Tape's definitely.

1247
01:00:21,040 --> 01:00:29,200
Speaker 1: Classic. This is a classic story. I'm on tour acanelly

1248
01:00:29,280 --> 01:00:29,560
Speaker 1: a right.

1249
01:00:30,640 --> 01:00:33,080
Speaker 4: I think we got like five or six or seven

1250
01:00:33,200 --> 01:00:37,600
Speaker 4: dates with kids, So it takes kids like one or

1251
01:00:37,640 --> 01:00:40,840
Speaker 4: two dates to look at me and say he's different,

1252
01:00:43,400 --> 01:00:44,000
Speaker 4: so good.

1253
01:00:44,120 --> 01:00:46,320
Speaker 1: It must have been like the second or the third day.

1254
01:00:46,800 --> 01:00:51,320
Speaker 4: Kid said, you know, because I'm all, you got to

1255
01:00:51,360 --> 01:00:54,040
Speaker 4: put it in your mouth. I just come home fresh

1256
01:00:54,120 --> 01:00:59,040
Speaker 4: out of jail. I listen to my rhymes when I

1257
01:00:59,200 --> 01:01:01,680
Speaker 4: was wack. I used to he's super whack, and be honest,

1258
01:01:01,840 --> 01:01:04,840
Speaker 4: I knew I was wack, like I knew I was racked.

1259
01:01:05,760 --> 01:01:08,880
Speaker 4: And I was called him like bitter shit up fuck that,

1260
01:01:11,480 --> 01:01:12,880
Speaker 4: And I kept telling me what.

1261
01:01:16,000 --> 01:01:18,720
Speaker 1: This is the man he the man on the street.

1262
01:01:18,760 --> 01:01:21,320
Speaker 1: I'm in jail. He's the man on the street. You

1263
01:01:21,360 --> 01:01:23,200
Speaker 1: got this ship called the bomb Baby.

1264
01:01:24,920 --> 01:01:27,640
Speaker 4: You know if no, no but and no mad but

1265
01:01:27,840 --> 01:01:32,040
Speaker 4: I know he's like, yo, this is like the young shooter,

1266
01:01:32,800 --> 01:01:36,880
Speaker 4: you know, idiot guy from my hood, and I'm calling

1267
01:01:36,960 --> 01:01:40,560
Speaker 4: him from jail. He answering, So what happened was I

1268
01:01:40,760 --> 01:01:46,640
Speaker 4: came home. We do a song called l A l A.

1269
01:01:47,040 --> 01:01:51,320
Speaker 4: I peak my nigga chat from my hood. I'm trying

1270
01:01:51,360 --> 01:01:51,640
Speaker 4: to make this.

1271
01:01:51,920 --> 01:01:54,440
Speaker 1: This is just super story. I know that you're doing

1272
01:01:54,640 --> 01:01:56,000
Speaker 1: L A l A. Does he know this? Does I

1273
01:01:56,200 --> 01:01:56,400
Speaker 1: know that?

1274
01:01:56,560 --> 01:01:56,600
Speaker 7: No?

1275
01:01:56,920 --> 01:02:00,240
Speaker 1: Absolutely nothing. Okay, I come home. I do my own

1276
01:02:00,280 --> 01:02:02,560
Speaker 1: thing is. I don't want to depend on right, So

1277
01:02:02,680 --> 01:02:06,640
Speaker 1: I come home. We do L A l A. It

1278
01:02:06,760 --> 01:02:09,920
Speaker 1: kind of pops. It kind of pops. It definitely pops.

1279
01:02:10,040 --> 01:02:10,880
Speaker 1: But we didn't want to.

1280
01:02:11,000 --> 01:02:13,320
Speaker 4: I didn't want to be a beef nigga type of artist,

1281
01:02:13,480 --> 01:02:16,840
Speaker 4: so I oh. We also six months later threw out

1282
01:02:16,880 --> 01:02:21,720
Speaker 4: a joint called t O n Y Classic hip Hop.

1283
01:02:22,440 --> 01:02:25,560
Speaker 4: But mind you, capone gets locked up, the album drops,

1284
01:02:25,920 --> 01:02:27,040
Speaker 4: the poone gets locked up.

1285
01:02:27,080 --> 01:02:28,560
Speaker 1: I don't know how to do a show. How do

1286
01:02:28,640 --> 01:02:31,360
Speaker 1: you do a show like I'm from the I'm a

1287
01:02:31,560 --> 01:02:33,880
Speaker 1: cracker seller.

1288
01:02:35,400 --> 01:02:39,280
Speaker 4: Like I'm then that I know every white person because

1289
01:02:39,360 --> 01:02:40,560
Speaker 4: I sell cracks of them.

1290
01:02:42,400 --> 01:02:45,840
Speaker 1: How do I do a show? The crazy ship is?

1291
01:02:46,000 --> 01:02:49,760
Speaker 4: I comes on my block, sees me pumping, he sees

1292
01:02:49,840 --> 01:02:51,840
Speaker 4: me making a cell put it in.

1293
01:02:54,680 --> 01:02:57,600
Speaker 1: So he sees me make a cell and he pulls

1294
01:02:57,640 --> 01:03:02,280
Speaker 1: over the car and he's like, yo, what are you

1295
01:03:02,640 --> 01:03:04,920
Speaker 1: doing right now? But mind you?

1296
01:03:05,160 --> 01:03:08,160
Speaker 4: My album's out, but I don't know because I don't

1297
01:03:08,240 --> 01:03:10,880
Speaker 4: know how to leave my hood, so I don't know

1298
01:03:10,920 --> 01:03:13,760
Speaker 4: what's popping. People are telling me that my hood is popping,

1299
01:03:13,800 --> 01:03:14,640
Speaker 4: but they've been telling.

1300
01:03:14,520 --> 01:03:14,720
Speaker 2: Me that.

1301
01:03:16,320 --> 01:03:20,120
Speaker 1: I start rapping. Oxees me make it sell.

1302
01:03:20,560 --> 01:03:24,880
Speaker 4: He drops, he comes up, what are you doing? And

1303
01:03:25,000 --> 01:03:26,560
Speaker 4: he says how much you have on you? I have

1304
01:03:26,680 --> 01:03:29,240
Speaker 4: five hundred dollars worth for me. So he gave me

1305
01:03:29,320 --> 01:03:32,200
Speaker 4: five hundred dollars. It was like give me the work,

1306
01:03:32,280 --> 01:03:34,720
Speaker 4: and I was like, it's cool. I thought he was smoking.

1307
01:03:34,760 --> 01:03:35,720
Speaker 4: I'n be honest.

1308
01:03:40,280 --> 01:03:43,560
Speaker 1: The way out. The nigga threw the ship in the

1309
01:03:43,680 --> 01:03:46,840
Speaker 1: sewer and I was this, it's like yo, but he

1310
01:03:46,920 --> 01:03:49,480
Speaker 1: paid me. But I was like, yo, what the fish?

1311
01:03:50,440 --> 01:03:54,000
Speaker 4: And he said you look watch this and he turned

1312
01:03:54,040 --> 01:03:56,840
Speaker 4: me around like he grabbed me, Like how I'm grabbing

1313
01:03:56,880 --> 01:03:57,320
Speaker 4: you right now.

1314
01:03:57,360 --> 01:04:01,080
Speaker 1: But he turned me around and every all that drove

1315
01:04:01,200 --> 01:04:05,360
Speaker 1: through was playing the War Report. And I still didn't

1316
01:04:05,400 --> 01:04:07,360
Speaker 1: know what that meant because I was so much of.

1317
01:04:07,400 --> 01:04:10,640
Speaker 4: A hood person. It was like I thought, I just

1318
01:04:10,760 --> 01:04:12,360
Speaker 4: made it for my hood. I was like, so what,

1319
01:04:13,160 --> 01:04:15,840
Speaker 4: I made it just for these niggas. These niggas are

1320
01:04:15,880 --> 01:04:18,200
Speaker 4: supposed to play it. But he was trying to show

1321
01:04:18,240 --> 01:04:21,560
Speaker 4: me that everybody that's driving through is not from left fright,

1322
01:04:22,520 --> 01:04:24,960
Speaker 4: is driving through the show that they're playing the War Report.

1323
01:04:25,040 --> 01:04:29,800
Speaker 4: But still I don't understand. But anyway, after that day

1324
01:04:29,840 --> 01:04:32,080
Speaker 4: he plays my package and he says, come me on tour.

1325
01:04:32,960 --> 01:04:38,840
Speaker 1: This is when I meet the legendary kicker. So right,

1326
01:04:40,280 --> 01:04:44,800
Speaker 1: my is on like a maybe like a twenty thirty

1327
01:04:44,880 --> 01:04:49,520
Speaker 1: day tour, but seven dates is what keep pretty mind you.

1328
01:04:51,320 --> 01:04:54,520
Speaker 4: I used to go up town to this wee spots,

1329
01:04:57,400 --> 01:05:00,520
Speaker 4: go on town to this spot or three y a minute.

1330
01:05:01,960 --> 01:05:05,200
Speaker 1: It's the hall. The best way that I ever smoked.

1331
01:05:06,120 --> 01:05:08,040
Speaker 4: I used to go up there and three wise men

1332
01:05:08,200 --> 01:05:13,480
Speaker 4: had let him up kickt pre tapers, so that was

1333
01:05:13,560 --> 01:05:16,280
Speaker 4: all ding like I can get pre tape. At this time,

1334
01:05:16,800 --> 01:05:20,560
Speaker 4: it was like being fly, like you ain't actually had

1335
01:05:20,600 --> 01:05:21,680
Speaker 4: to be fly if you had.

1336
01:05:21,640 --> 01:05:25,280
Speaker 1: To pre tape your except fly Saturday and Sunday, you go,

1337
01:05:26,320 --> 01:05:28,000
Speaker 1: real shit, this is real ship.

1338
01:05:28,760 --> 01:05:30,960
Speaker 4: You actually had to have a fresh man sneakers on

1339
01:05:31,360 --> 01:05:33,960
Speaker 4: if you were like, what you can pray sixty take three.

1340
01:05:33,880 --> 01:05:39,640
Speaker 22: Sixteen right, It's like, wow, what I only go on

1341
01:05:39,880 --> 01:05:44,800
Speaker 22: on twelve? But this is that type of fly shit right.

1342
01:05:46,520 --> 01:05:46,640
Speaker 17: Now.

1343
01:05:48,520 --> 01:05:53,760
Speaker 1: It takes me on talk kid. It's like three days

1344
01:05:53,840 --> 01:05:59,880
Speaker 1: in kids is normal. You gotta relax. He didn't say that,

1345
01:06:00,440 --> 01:06:03,800
Speaker 1: but in my mind he said that. He said, them.

1346
01:06:03,720 --> 01:06:07,800
Speaker 4: Niggas ain't smoking, you ain't having no funing though, and

1347
01:06:08,000 --> 01:06:12,160
Speaker 4: he was right. That's why I came in the kid room.

1348
01:06:13,160 --> 01:06:15,440
Speaker 4: We stopped playing Sega Genesis.

1349
01:06:17,960 --> 01:06:20,120
Speaker 1: Because that was his thing back then, Like it was

1350
01:06:20,200 --> 01:06:25,720
Speaker 1: like Nintendo seg I'm sitting there. I'm like, and he's

1351
01:06:25,760 --> 01:06:26,800
Speaker 1: smoking in his room.

1352
01:06:26,920 --> 01:06:32,200
Speaker 4: Though not only I can't smoke in ox man, I

1353
01:06:32,240 --> 01:06:35,480
Speaker 4: can't even smoke around bit because he's like a real

1354
01:06:35,640 --> 01:06:38,440
Speaker 4: like you know, don't smoke type of nina, Like that

1355
01:06:38,520 --> 01:06:40,000
Speaker 4: ship is wack type of nigga.

1356
01:06:40,400 --> 01:06:44,880
Speaker 1: So I'm like, now I I can't pray. I was

1357
01:06:44,960 --> 01:06:48,880
Speaker 1: a phrase niggas mixtapes. Sitting there playing video.

1358
01:06:48,760 --> 01:07:04,960
Speaker 7: Games with him, he said, he ships just the.

1359
01:07:07,600 --> 01:07:28,960
Speaker 1: Starry tell me you want this industry is very crazy.

1360
01:07:31,560 --> 01:07:33,440
Speaker 1: You use the worst.

1361
01:07:35,680 --> 01:07:37,840
Speaker 15: You know you want to shoe, you want to drive

1362
01:07:37,920 --> 01:07:39,760
Speaker 15: this show, show.

1363
01:07:44,800 --> 01:07:53,160
Speaker 1: The boys charity. Please, Yo, this is so beautiful, so

1364
01:07:53,240 --> 01:08:03,200
Speaker 1: I gotta kept no. Sorry, sorry, that's not cool. He

1365
01:08:03,440 --> 01:08:17,799
Speaker 1: walked around. Yeah, yeah, a little bit. Come on that already.

1366
01:08:18,040 --> 01:08:20,920
Speaker 1: I know your nigga ain't got shots. I definitely shot

1367
01:08:21,240 --> 01:08:24,960
Speaker 1: a good drink. Let me tell you something. Let me

1368
01:08:25,040 --> 01:08:28,639
Speaker 1: tell you something that's a hilarious. You know it was listen,

1369
01:08:30,360 --> 01:08:32,360
Speaker 1: he was man yo, he was yeoy. It was like

1370
01:08:33,680 --> 01:08:36,479
Speaker 1: man yum and but he he was. I was in

1371
01:08:36,520 --> 01:08:41,880
Speaker 1: the middle. Was just I was wildly man. I was living.

1372
01:08:42,280 --> 01:08:44,040
Speaker 6: I mean yeah, but you know I was like, you know,

1373
01:08:44,120 --> 01:08:48,840
Speaker 6: I'm buying no bullsh It happened like some niggas. Look,

1374
01:08:49,439 --> 01:08:52,479
Speaker 6: there was ship sending me keys of the crib. I

1375
01:08:52,600 --> 01:08:55,719
Speaker 6: wasn't even asking for it, send me keys to the crip.

1376
01:08:56,000 --> 01:08:57,840
Speaker 6: So I think I'm telling my niggas on the wall, like, yo,

1377
01:08:57,960 --> 01:08:59,360
Speaker 6: let me tell you something, your nigga, don't go no

1378
01:08:59,560 --> 01:09:02,360
Speaker 6: hicks want nobody's house because you never know the next

1379
01:09:02,439 --> 01:09:04,400
Speaker 6: nigga they sending the key to me up and then

1380
01:09:04,520 --> 01:09:08,559
Speaker 6: you know, so you know I'm saying that, I'll say

1381
01:09:08,680 --> 01:09:11,200
Speaker 6: it was. We can't really talk because it's not the

1382
01:09:11,240 --> 01:09:13,920
Speaker 6: show for that, but this show, I mean the ship

1383
01:09:13,960 --> 01:09:15,760
Speaker 6: that was going on at that time. It was like

1384
01:09:16,600 --> 01:09:18,960
Speaker 6: a nigga could have gotten a lot of ship, you

1385
01:09:19,040 --> 01:09:21,200
Speaker 6: know what I'm saying. So that's why I'm glad it

1386
01:09:21,240 --> 01:09:22,320
Speaker 6: worked out the way it worked out.

1387
01:09:22,320 --> 01:09:23,280
Speaker 1: Now I'm a whole different brother.

1388
01:09:25,280 --> 01:09:27,800
Speaker 6: But but you know now, you know, Hicks come to

1389
01:09:27,880 --> 01:09:31,720
Speaker 6: me now it's like whatever I know now, But you

1390
01:09:31,800 --> 01:09:33,559
Speaker 6: know what I had to talk with llll cool Jake.

1391
01:09:33,720 --> 01:09:40,080
Speaker 1: You was like the first point I said to ll

1392
01:09:40,120 --> 01:09:44,880
Speaker 1: I sail, I said, I said, on your wife. He

1393
01:09:44,960 --> 01:09:46,960
Speaker 1: put me on too. I gotta I said, you shi

1394
01:09:47,120 --> 01:09:49,840
Speaker 1: on your wife. He was like no, I was like,

1395
01:09:49,920 --> 01:09:56,360
Speaker 1: why not, he said?

1396
01:09:56,520 --> 01:10:01,920
Speaker 6: He said, because I can't get no money being pushed

1397
01:10:01,960 --> 01:10:03,280
Speaker 6: around from different women.

1398
01:10:03,360 --> 01:10:04,960
Speaker 1: You pulled this way, go this way.

1399
01:10:05,520 --> 01:10:08,360
Speaker 6: If you have one woman to satisfy, that's all you

1400
01:10:08,479 --> 01:10:09,120
Speaker 6: have to worry about.

1401
01:10:09,160 --> 01:10:11,760
Speaker 1: You can worry about everything else you gotta do, which

1402
01:10:11,880 --> 01:10:13,560
Speaker 1: is the truth. At the time I was doing I

1403
01:10:13,720 --> 01:10:14,680
Speaker 1: was doing Yo.

1404
01:10:14,800 --> 01:10:17,120
Speaker 6: I had one woman walk out one hour, another one

1405
01:10:17,200 --> 01:10:18,960
Speaker 6: walk out another hour, another one walk out in there

1406
01:10:19,040 --> 01:10:19,679
Speaker 6: my man.

1407
01:10:19,560 --> 01:10:21,639
Speaker 1: Sitting there looking at this shit, you know what I'm saying,

1408
01:10:21,680 --> 01:10:23,920
Speaker 1: So it like it's documented, like it could happen.

1409
01:10:24,240 --> 01:10:26,840
Speaker 6: But and when you're doing it and you think you

1410
01:10:27,360 --> 01:10:29,639
Speaker 6: it's a trophy, it's like you think you're doing something

1411
01:10:30,040 --> 01:10:32,719
Speaker 6: that shit ain't bullsh that's bullshit be you know what I'm.

1412
01:10:32,560 --> 01:10:35,320
Speaker 1: Saying, Like the real shit is. The real shit is

1413
01:10:36,200 --> 01:10:37,240
Speaker 1: create an opportunity for.

1414
01:10:37,240 --> 01:10:39,120
Speaker 6: Other niggas to get on. You know what I'm saying.

1415
01:10:39,240 --> 01:10:41,080
Speaker 6: Where you're gonna do that is focus on what you do.

1416
01:10:41,560 --> 01:10:46,960
Speaker 1: You know what I'm saying that, That's why I'm on

1417
01:10:47,160 --> 01:10:47,360
Speaker 1: right now.

1418
01:10:47,439 --> 01:10:49,160
Speaker 6: So that's why we started these shows were I got

1419
01:10:49,240 --> 01:10:50,680
Speaker 6: three different shows going on right now.

1420
01:10:50,760 --> 01:10:52,680
Speaker 1: They're all popping. You know what I'm saying. When I'm

1421
01:10:52,720 --> 01:10:52,880
Speaker 1: doing it.

1422
01:10:52,960 --> 01:10:56,120
Speaker 6: I started this this Gmail block quality action at gmail

1423
01:10:56,160 --> 01:10:58,400
Speaker 6: dot com, you know where I tell people around the

1424
01:10:58,400 --> 01:11:00,720
Speaker 6: country to send me their music and get any I

1425
01:11:00,760 --> 01:11:03,240
Speaker 6: played on my shows because I know what it's like

1426
01:11:03,520 --> 01:11:05,080
Speaker 6: to not get hurt. You ain't got no money for it,

1427
01:11:05,120 --> 01:11:07,080
Speaker 6: You ain't got noboy, let no machine, nobody know where

1428
01:11:07,080 --> 01:11:07,400
Speaker 6: you're at.

1429
01:11:07,560 --> 01:11:08,519
Speaker 1: Nobody's trying to help you.

1430
01:11:08,760 --> 01:11:10,439
Speaker 6: So this is the spot wherever it is hot or

1431
01:11:10,479 --> 01:11:12,240
Speaker 6: not I'm gonna let the fans decide that. I'm not

1432
01:11:12,280 --> 01:11:14,280
Speaker 6: gonna put my opinion into it, but I'm gonna give

1433
01:11:14,320 --> 01:11:16,720
Speaker 6: you an outlet. I gave them an outlet for them

1434
01:11:16,800 --> 01:11:18,599
Speaker 6: to be heard. So every week when I'm doing the joints,

1435
01:11:18,600 --> 01:11:20,120
Speaker 6: I play a few of the joints and let the

1436
01:11:20,160 --> 01:11:22,600
Speaker 6: people decide what's going on that means so much to

1437
01:11:22,680 --> 01:11:24,559
Speaker 6: that person, even if they don't go.

1438
01:11:24,640 --> 01:11:26,640
Speaker 1: Nowhere, it's just that they ain't know that they have

1439
01:11:26,720 --> 01:11:28,160
Speaker 1: a chance. You know what I'm saying. That's on to

1440
01:11:28,320 --> 01:11:38,000
Speaker 1: it people. Now, ex br you asked keep it rest.

1441
01:11:39,400 --> 01:11:42,479
Speaker 1: I feel like the good questions my mother, I feel

1442
01:11:42,520 --> 01:11:46,240
Speaker 1: like you asked. I feel like that. I just feel

1443
01:11:46,240 --> 01:11:53,200
Speaker 1: like all them niggas deep so they asked it's okay,

1444
01:11:53,600 --> 01:11:56,240
Speaker 1: it's okay in this show. On this show is okay.

1445
01:11:56,400 --> 01:11:58,559
Speaker 1: I'm gonna just say I'm a Libra and I get

1446
01:11:58,720 --> 01:12:08,240
Speaker 1: turned up. What's that? That's the tiger sign? An, what's

1447
01:12:08,240 --> 01:12:15,559
Speaker 1: the libor? What is that? Scales? Oh yeah, October yeah,

1448
01:12:15,720 --> 01:12:17,720
Speaker 1: oh yeah, yeah, you're ruthless.

1449
01:12:18,000 --> 01:12:23,519
Speaker 23: You're ruthless. That was the ruthless people. The kicker poun No,

1450
01:12:23,640 --> 01:12:26,360
Speaker 23: he's using that. We're about to do that too, right, here.

1451
01:12:26,920 --> 01:12:28,559
Speaker 23: Mm hmm, I'm out of here.

1452
01:12:29,240 --> 01:12:31,760
Speaker 1: I can go. Yeah, I'm staying. That's good for you.

1453
01:12:31,760 --> 01:12:36,160
Speaker 1: You can do whatever you can do here. Yeah. Human, No,

1454
01:12:36,600 --> 01:12:40,240
Speaker 1: I am human, but I'm having fun right by. You

1455
01:12:40,320 --> 01:12:44,280
Speaker 1: were going, wow, my ships right, you got pink. No,

1456
01:12:44,360 --> 01:12:46,679
Speaker 1: I don't got pinky Okay, I never got pink out,

1457
01:12:46,760 --> 01:12:54,880
Speaker 1: go for it. I got pink taco. So listen, where

1458
01:12:55,160 --> 01:12:59,519
Speaker 1: was at? You know, he asked, you know, he asked,

1459
01:13:02,080 --> 01:13:03,240
Speaker 1: I think I admitted to it.

1460
01:13:04,080 --> 01:13:12,080
Speaker 4: I turn Yeah, listen, you gotta ass I know, Tony, Tony,

1461
01:13:12,280 --> 01:13:18,920
Speaker 4: give him. It's a part of you know, pussy is

1462
01:13:18,960 --> 01:13:21,720
Speaker 4: a part of Puerto Rican culture. Like I listen to me,

1463
01:13:22,320 --> 01:13:27,640
Speaker 4: my grandfather. The nigga never asked me like Puerto Rican exactly.

1464
01:13:27,840 --> 01:13:31,360
Speaker 4: Thank you, thank you for correcting me. My black grandfather

1465
01:13:31,680 --> 01:13:36,360
Speaker 4: didn't give my bartman grandfather. He never asked me like, yo,

1466
01:13:36,520 --> 01:13:39,000
Speaker 4: you okay, you know how to tie your shoelaces. The

1467
01:13:39,080 --> 01:13:44,519
Speaker 4: nigga just said, you ain't pussy. I'm like Jesus, like

1468
01:13:44,720 --> 01:13:49,719
Speaker 4: it's a part of just like I know, in Puertomrican culture.

1469
01:13:50,160 --> 01:13:52,680
Speaker 4: Your grandfather also gave your bed at five years old.

1470
01:13:52,760 --> 01:13:55,160
Speaker 4: Let's just keep it real. Let's just throw that out there. Yeah,

1471
01:13:55,560 --> 01:13:57,160
Speaker 4: let's keep it really like it's a part of Puerto

1472
01:13:57,200 --> 01:13:57,759
Speaker 4: Rican culture.

1473
01:13:58,320 --> 01:14:00,639
Speaker 1: Like drinking. They made you drinking like se years old.

1474
01:14:00,760 --> 01:14:02,240
Speaker 1: Like they don't make you.

1475
01:14:02,400 --> 01:14:05,160
Speaker 5: They just you know, they asked you and then you're good.

1476
01:14:05,960 --> 01:14:09,479
Speaker 1: You're good and the Cuban to go with it. No, no,

1477
01:14:09,640 --> 01:14:13,599
Speaker 1: I definitely spoke with Cuban at seven lax.

1478
01:14:15,400 --> 01:14:20,439
Speaker 6: No, No, that's what Who was my grandfather at sevens No.

1479
01:14:20,560 --> 01:14:23,439
Speaker 10: I'm saying I grew up around, you know, cigars smoke.

1480
01:14:24,960 --> 01:14:28,280
Speaker 10: He was a cigar smoke, So that here, some of

1481
01:14:28,320 --> 01:14:30,639
Speaker 10: this is a walk smoke that's about to go. Yeah,

1482
01:14:30,640 --> 01:14:33,559
Speaker 10: it's okay, you got more, We got more? All right,

1483
01:14:39,200 --> 01:14:43,880
Speaker 10: I'm sorry, we gotta go there care pree listen. We

1484
01:14:44,640 --> 01:14:49,640
Speaker 10: our show is based on ass heaters, right, we.

1485
01:14:49,760 --> 01:14:53,400
Speaker 1: Love people that the friends.

1486
01:14:54,120 --> 01:14:57,280
Speaker 4: He's big in the hood, he's very big and asked

1487
01:14:57,439 --> 01:15:00,240
Speaker 4: the big him up. So we got asked that agan

1488
01:15:00,280 --> 01:15:01,800
Speaker 4: off show by not show.

1489
01:15:02,760 --> 01:15:07,160
Speaker 1: No very intended. But I felt like in my youth,

1490
01:15:07,960 --> 01:15:11,520
Speaker 1: my youth, I saw you directing someone.

1491
01:15:15,479 --> 01:15:27,080
Speaker 5: Your crazy.

1492
01:15:30,840 --> 01:15:32,160
Speaker 1: Directed somebody.

1493
01:15:35,560 --> 01:15:41,720
Speaker 4: Show back back back.

1494
01:15:41,840 --> 01:15:47,000
Speaker 1: Man said it was real, said Chuck Marry you see

1495
01:15:47,120 --> 01:15:49,560
Speaker 1: Chuck Berry, Oh my god, you see Chuck Berry. He

1496
01:15:49,600 --> 01:15:58,240
Speaker 1: got some footage in his legs, and he said, my

1497
01:15:58,400 --> 01:16:01,559
Speaker 1: ladies in the on the left show a little bit.

1498
01:16:01,800 --> 01:16:03,880
Speaker 15: How was like, No, that happened?

1499
01:16:12,200 --> 01:16:14,920
Speaker 1: We going crazy? Did you rest?

1500
01:16:15,800 --> 01:16:20,240
Speaker 3: Oh shippen story on the show.

1501
01:16:21,960 --> 01:16:22,400
Speaker 17: It was you.

1502
01:16:23,320 --> 01:16:24,639
Speaker 1: It was on a fifty episode.

1503
01:16:24,880 --> 01:16:25,000
Speaker 2: Right.

1504
01:16:26,240 --> 01:16:33,679
Speaker 1: I'm sorry, I can't in my mind's rest that happened.

1505
01:16:35,280 --> 01:16:45,280
Speaker 1: There's no sick. It's very NICs that happened. It's very creation.

1506
01:16:46,040 --> 01:17:08,680
Speaker 1: I think it's happen knocking. I know it feels schears.

1507
01:17:15,320 --> 01:17:22,040
Speaker 1: You're making a pretty let me find out, he said,

1508
01:17:22,400 --> 01:17:26,760
Speaker 1: not hands in the air, legs in the air. This

1509
01:17:26,920 --> 01:17:33,519
Speaker 1: is a great episode. Oh my god, I'm trying. I was.

1510
01:17:33,720 --> 01:17:42,599
Speaker 1: I got a question first, It's just gonna seem crazy first, okay, man,

1511
01:17:42,680 --> 01:17:44,320
Speaker 1: Oh my god, you want you want me to try

1512
01:17:44,360 --> 01:17:50,360
Speaker 1: to act? She loves you? Got to got pepper spree.

1513
01:17:54,400 --> 01:17:58,280
Speaker 1: You're crazy? You keep coming man, Yeah, it's never coming back.

1514
01:18:00,520 --> 01:18:05,200
Speaker 1: You know I'm crazy. You know we have fun? Man,

1515
01:18:05,880 --> 01:18:09,880
Speaker 1: this is funny. Do we have your worst gino?

1516
01:18:10,040 --> 01:18:10,200
Speaker 17: Man?

1517
01:18:10,520 --> 01:18:10,680
Speaker 9: Yeah?

1518
01:18:11,720 --> 01:18:14,519
Speaker 1: Playing? Are we doing more shots? I'm just asking that

1519
01:18:14,640 --> 01:18:17,880
Speaker 1: I'm in. I'm in, I'm in. Look, I got a

1520
01:18:17,960 --> 01:18:20,400
Speaker 1: dug a donuts cup. That's horrible for you. I feel

1521
01:18:20,439 --> 01:18:23,120
Speaker 1: bad and this is mister Crean. Oh no, that's good.

1522
01:18:23,280 --> 01:18:28,759
Speaker 4: Twenty four hundred North, Miami, ad Yo, listen, hip hop.

1523
01:18:36,080 --> 01:18:48,840
Speaker 1: Yo. You know what's funny that he's mad stupid. It's

1524
01:18:48,880 --> 01:18:51,800
Speaker 1: like y'all don't see something y'all wasn't supposed to see. Again,

1525
01:18:53,040 --> 01:19:09,639
Speaker 1: I was laughing about it. Man, that's funny. It's funny.

1526
01:19:09,720 --> 01:19:10,360
Speaker 9: You made it out.

1527
01:19:12,920 --> 01:19:19,840
Speaker 1: Yeah, you made to say that, but it was funny.

1528
01:19:22,360 --> 01:19:22,759
Speaker 4: Alive.

1529
01:19:24,479 --> 01:19:44,760
Speaker 1: You're gonna cry like the just the onion. But let

1530
01:19:44,800 --> 01:19:48,680
Speaker 1: me hear this. Saightway kick a breeze had to be

1531
01:19:49,920 --> 01:20:01,599
Speaker 1: you had to be the thing. Okay, that's funny. Horrible man,

1532
01:20:01,960 --> 01:20:11,720
Speaker 1: I've gotta be celebrated. I swear I was, you know,

1533
01:20:14,600 --> 01:20:19,200
Speaker 1: I want to cush dance. I was going. I said,

1534
01:20:19,280 --> 01:20:22,479
Speaker 1: this is funny. It's alright, I'm gonna come back and

1535
01:20:22,560 --> 01:20:27,000
Speaker 1: talk about this ship. Oh ship, this is funny.

1536
01:20:27,520 --> 01:20:39,679
Speaker 4: Let's drink some more of this work a DVD swing.

1537
01:20:39,840 --> 01:20:43,439
Speaker 4: You gotta ask you to relax, looking, you gotta relax.

1538
01:20:43,520 --> 01:20:47,720
Speaker 1: And everybody here we did worse because we know you

1539
01:20:47,840 --> 01:20:53,720
Speaker 1: shopping the flea market. All right, yes, but listen, man,

1540
01:20:54,200 --> 01:20:56,040
Speaker 1: all right, we're gonna we're gonna try to get serious.

1541
01:20:56,200 --> 01:21:03,920
Speaker 6: Right now, Yo, what you're saying, I was gonna talk

1542
01:21:04,040 --> 01:21:07,880
Speaker 6: to her ferg about Hart's let's go in the hall.

1543
01:21:09,479 --> 01:21:14,360
Speaker 6: It's going on, so like herr forty fish Street right,

1544
01:21:15,880 --> 01:21:19,040
Speaker 6: It was this guy named Willie Old the dude he

1545
01:21:19,160 --> 01:21:20,280
Speaker 6: on the S Club.

1546
01:21:21,200 --> 01:21:24,000
Speaker 1: Were talking about Willi Burgers. Yeah, he on the club.

1547
01:21:24,280 --> 01:21:27,160
Speaker 1: I'll never go at him. And he owned the Zodiac

1548
01:21:27,400 --> 01:21:29,920
Speaker 1: and he owned Willie Burgers. I'm sure you heard of

1549
01:21:29,960 --> 01:21:33,439
Speaker 1: Willy Burgers. Of course, you know. Burgers was right under

1550
01:21:33,439 --> 01:21:37,280
Speaker 1: the Ess and S club S and S Club. It

1551
01:21:37,479 --> 01:21:40,920
Speaker 1: was Killers, Judge Deelers, the pic niggas.

1552
01:21:40,640 --> 01:21:42,720
Speaker 6: Like it was just it was just it was just

1553
01:21:44,000 --> 01:21:46,839
Speaker 6: if you was in there, you felt like you was somebody,

1554
01:21:47,040 --> 01:21:48,600
Speaker 6: but really you was nobody.

1555
01:21:48,800 --> 01:21:50,840
Speaker 1: Really. So when I was in there, I was just

1556
01:21:51,000 --> 01:21:53,000
Speaker 1: looking at this ship like it was like, wow, this

1557
01:21:53,240 --> 01:21:54,600
Speaker 1: is this is what goes on.

1558
01:21:55,280 --> 01:21:59,599
Speaker 6: But after the party was over, the whole forty fifth

1559
01:21:59,600 --> 01:22:04,120
Speaker 6: Street shit be flooded. You see the biggest dudes driving

1560
01:22:04,800 --> 01:22:09,519
Speaker 6: the craziest cars skinting around the street. The whole street

1561
01:22:09,600 --> 01:22:11,720
Speaker 6: flooded out. And then they'll all go on Wednesday night

1562
01:22:11,760 --> 01:22:13,439
Speaker 6: they'll leave from then we'll all go to the rink

1563
01:22:13,479 --> 01:22:16,120
Speaker 6: in New Jersey, and the rink that she used to

1564
01:22:16,160 --> 01:22:18,040
Speaker 6: be crazy. Leave the rink, come back to a hundred

1565
01:22:18,040 --> 01:22:19,640
Speaker 6: and forty fifth Street to eight five, and it was

1566
01:22:19,760 --> 01:22:21,920
Speaker 6: like that was like base, like it was just the

1567
01:22:22,000 --> 01:22:24,120
Speaker 6: place to be. Like Hall of Them at that time

1568
01:22:24,240 --> 01:22:25,719
Speaker 6: was just crazy. But it was a lot of killing

1569
01:22:25,800 --> 01:22:27,439
Speaker 6: going on, a lot of different shit going on. When

1570
01:22:27,560 --> 01:22:29,560
Speaker 6: niggas get killed in the broad day, like buggies was

1571
01:22:29,640 --> 01:22:30,639
Speaker 6: like a big deal out there.

1572
01:22:31,360 --> 01:22:34,000
Speaker 1: See niggas rolling up shot people and buggies and shit

1573
01:22:34,120 --> 01:22:34,280
Speaker 1: like that.

1574
01:22:34,520 --> 01:22:36,639
Speaker 6: But you came in up in the town where there

1575
01:22:36,720 --> 01:22:38,320
Speaker 6: was nothing that you came in a good time, you

1576
01:22:38,320 --> 01:22:38,800
Speaker 6: know what I'm saying.

1577
01:22:38,840 --> 01:22:41,320
Speaker 1: But at that time it was like it was rough.

1578
01:22:41,360 --> 01:22:43,200
Speaker 1: At that time. Poe used to buy our Poe used

1579
01:22:43,200 --> 01:22:44,719
Speaker 1: to buy a tape for me for five hundred dollars.

1580
01:22:45,560 --> 01:22:46,479
Speaker 1: Well a midstake.

1581
01:22:46,760 --> 01:22:49,920
Speaker 6: Let me get that tape. Kid, Nah Pole gonna get

1582
01:22:49,920 --> 01:22:54,160
Speaker 6: a hurt. Nah he two hundred, Nah Pole, he threw hundred.

1583
01:22:55,240 --> 01:22:57,160
Speaker 6: He fined all right, pol t.

1584
01:23:00,080 --> 01:23:02,040
Speaker 1: Yep. It was crazy at that time.

1585
01:23:02,120 --> 01:23:08,400
Speaker 4: Now, not back then, because you coming from Queens, right, Queens,

1586
01:23:08,960 --> 01:23:12,040
Speaker 4: you were you were like the first person bearing through

1587
01:23:12,120 --> 01:23:15,639
Speaker 4: from the Bronx hallm uptown, the Uptown area of bringing

1588
01:23:16,000 --> 01:23:22,439
Speaker 4: to then then it was the bounce Master, the DJ Duop. Yeah,

1589
01:23:22,439 --> 01:23:25,200
Speaker 4: I have beef. What happened I was with Queens, No, no, no,

1590
01:23:25,280 --> 01:23:27,240
Speaker 4: I'm saying, I'm telling you I'm coming. Oh you come

1591
01:23:27,280 --> 01:23:30,680
Speaker 4: from Queens. What happened with me and do Wop was, well,

1592
01:23:30,760 --> 01:23:33,240
Speaker 4: what was somebody I was going to school with.

1593
01:23:34,000 --> 01:23:36,200
Speaker 1: And now you know he was wild? Yeah, both of

1594
01:23:36,280 --> 01:23:37,479
Speaker 1: the yeah we go.

1595
01:23:37,800 --> 01:23:39,439
Speaker 6: We was being seach other in the morning and all

1596
01:23:39,520 --> 01:23:42,840
Speaker 6: that puff all that in the morning. So what happened

1597
01:23:43,000 --> 01:23:45,599
Speaker 6: was one day this kid, you know, I'm I'm rocking

1598
01:23:45,640 --> 01:23:47,840
Speaker 6: with the tape ship popping, everything going good. And this

1599
01:23:47,960 --> 01:23:49,640
Speaker 6: right when I was about to stop. What happened was

1600
01:23:49,640 --> 01:23:52,880
Speaker 6: I got signed to Columbia and I mean Warner Brothers

1601
01:23:53,280 --> 01:23:55,280
Speaker 6: and Star like the A and R.

1602
01:23:55,400 --> 01:23:58,080
Speaker 1: She showed me a bunch of magazines that said Kicking Pree.

1603
01:23:57,920 --> 01:23:59,680
Speaker 6: The only DJ in the world to sell means that

1604
01:24:00,080 --> 01:24:01,839
Speaker 6: make millions of dollars off of street mixtapes.

1605
01:24:02,320 --> 01:24:03,439
Speaker 1: And I knew that wasn't true.

1606
01:24:03,439 --> 01:24:05,120
Speaker 6: I knew people with some of my tapes, they were

1607
01:24:05,160 --> 01:24:07,479
Speaker 6: buying houses and cars off my joints from something. But

1608
01:24:07,560 --> 01:24:09,600
Speaker 6: I wasn't making that bread. I was making what I

1609
01:24:09,720 --> 01:24:11,600
Speaker 6: was making so that's when I decide, I see, you

1610
01:24:11,640 --> 01:24:13,479
Speaker 6: know what I'm gonna leave. It was the Michael Jordan

1611
01:24:13,600 --> 01:24:15,559
Speaker 6: this shit and go and take my career a different way.

1612
01:24:16,360 --> 01:24:19,000
Speaker 6: Right when I decided to do that, some kid that

1613
01:24:19,080 --> 01:24:20,880
Speaker 6: I ain't seen years rolling up on me with a

1614
01:24:20,960 --> 01:24:22,439
Speaker 6: little bit of a tape to say, Yo, this kid

1615
01:24:22,600 --> 01:24:24,000
Speaker 6: named do I was about to come at you.

1616
01:24:24,680 --> 01:24:26,360
Speaker 1: He gave a little bit to me on the tape,

1617
01:24:27,120 --> 01:24:27,920
Speaker 1: so he played.

1618
01:24:27,640 --> 01:24:27,920
Speaker 6: It for me.

1619
01:24:28,800 --> 01:24:30,600
Speaker 1: So I'm like, oh, ship, the fuck is that what

1620
01:24:30,760 --> 01:24:31,759
Speaker 1: was saying on the tape?

1621
01:24:32,600 --> 01:24:33,000
Speaker 4: Some shit?

1622
01:24:33,080 --> 01:24:34,600
Speaker 1: It was just it was whatever it was. It was

1623
01:24:34,680 --> 01:24:35,000
Speaker 1: some shit.

1624
01:24:35,120 --> 01:24:38,439
Speaker 6: It was dispectful right again, I didn't know it was wild.

1625
01:24:39,160 --> 01:24:42,240
Speaker 6: So right right away, I made the beat in a

1626
01:24:42,280 --> 01:24:45,200
Speaker 6: little four track, winning five joints, shopped up, wrote the

1627
01:24:45,280 --> 01:24:46,960
Speaker 6: round right there. Had to joint out the next day.

1628
01:24:47,720 --> 01:24:49,840
Speaker 6: Before he even got a chance to put his joint out,

1629
01:24:50,000 --> 01:24:52,639
Speaker 6: I had my shit out. So that was the last

1630
01:24:52,720 --> 01:24:54,640
Speaker 6: joint I put out, and that shit was monumental. So

1631
01:24:54,720 --> 01:24:57,000
Speaker 6: now he had came out with like fifty joints after me.

1632
01:24:57,080 --> 01:24:58,680
Speaker 6: I ain't gonna call it fifty, but he came out

1633
01:24:58,680 --> 01:25:00,920
Speaker 6: with a lot of joints after and that was my

1634
01:25:01,080 --> 01:25:03,720
Speaker 6: only joint, you know, And.

1635
01:25:03,760 --> 01:25:05,240
Speaker 1: That was the beginning of the men wipe beef.

1636
01:25:05,280 --> 01:25:08,400
Speaker 6: Where it got disrespectful is when why past says something

1637
01:25:08,439 --> 01:25:11,479
Speaker 6: about my moms and my girl. And that's when we

1638
01:25:11,640 --> 01:25:13,519
Speaker 6: had a show. I had a show in Virginia. He

1639
01:25:13,600 --> 01:25:15,760
Speaker 6: had a show in Virginia, and I took my tour

1640
01:25:15,840 --> 01:25:17,720
Speaker 6: bus down there, did my show, and I waited for

1641
01:25:17,800 --> 01:25:19,560
Speaker 6: him to have his show the next day. And I

1642
01:25:19,640 --> 01:25:21,760
Speaker 6: went to his show, and you know, I, you know,

1643
01:25:21,960 --> 01:25:23,560
Speaker 6: put to mock both me and you know, let's go

1644
01:25:23,640 --> 01:25:25,640
Speaker 6: around the corner of me and you leave our people here.

1645
01:25:25,720 --> 01:25:27,840
Speaker 6: We do what we do, and you know, it didn't

1646
01:25:27,920 --> 01:25:30,200
Speaker 6: work out like that, and I know it wasn't gonna

1647
01:25:30,200 --> 01:25:32,760
Speaker 6: be nothing. So later on he apologize for what he said.

1648
01:25:33,080 --> 01:25:34,800
Speaker 6: And that's all I really wanted, is no, it was

1649
01:25:34,880 --> 01:25:37,679
Speaker 6: no problem. Later on, me and wh made records together.

1650
01:25:38,080 --> 01:25:40,320
Speaker 6: We made two joints, two or three joints together where

1651
01:25:40,360 --> 01:25:42,120
Speaker 6: we work and right now that this day meen it

1652
01:25:42,200 --> 01:25:44,479
Speaker 6: was it's cool. At the time, it was little, it

1653
01:25:44,560 --> 01:25:46,200
Speaker 6: was a little tense, and we was gonna get it on.

1654
01:25:46,640 --> 01:25:50,360
Speaker 6: But later on we seen that it really wasn't nothing.

1655
01:25:50,439 --> 01:25:52,880
Speaker 6: It was kind of monumental for us because it brought

1656
01:25:53,240 --> 01:25:55,640
Speaker 6: a certain bar to the DJ, to the to the

1657
01:25:55,760 --> 01:25:58,120
Speaker 6: rat DJ. You know, you remember I got paused too.

1658
01:25:58,160 --> 01:25:59,559
Speaker 6: I can get on the mic and I do my thing.

1659
01:25:59,600 --> 01:26:01,640
Speaker 6: I do what do, So that's what it was. It

1660
01:26:01,760 --> 01:26:03,880
Speaker 6: just brought that level. And then it brought dudes like

1661
01:26:03,960 --> 01:26:06,960
Speaker 6: Tony touch Out and dudes that k Arhyme and producing

1662
01:26:07,120 --> 01:26:10,280
Speaker 6: DJ and all that ship. It just shows that you're

1663
01:26:10,360 --> 01:26:12,559
Speaker 6: just not stuck in one spot, you know what I'm saying.

1664
01:26:12,680 --> 01:26:15,920
Speaker 6: So shot the wier is talented, chalented dude. Like I

1665
01:26:15,960 --> 01:26:17,640
Speaker 6: almost I thought it was gonna take an L, but

1666
01:26:18,080 --> 01:26:20,680
Speaker 6: really nobody took a L. It was just a monumental

1667
01:26:20,760 --> 01:26:23,360
Speaker 6: thing that happened in the mixtape game, you know what

1668
01:26:23,360 --> 01:26:26,479
Speaker 6: I'm saying. But it was gonna turn nasty because of that,

1669
01:26:26,600 --> 01:26:28,519
Speaker 6: but it never really did. So it was all great.

1670
01:26:29,240 --> 01:26:30,479
Speaker 6: And I talked to Wiping today.

1671
01:26:30,520 --> 01:26:39,240
Speaker 1: It's all good. This makes some look shutting out. First off,

1672
01:26:39,720 --> 01:26:40,679
Speaker 1: you're doing your ding.

1673
01:26:42,960 --> 01:26:46,280
Speaker 4: You sit back, now, what is what is your plans

1674
01:26:46,439 --> 01:26:49,240
Speaker 4: when you're saying my first record pops off?

1675
01:26:49,720 --> 01:26:51,720
Speaker 1: What am I gonna do? What was your plans from

1676
01:26:51,760 --> 01:26:56,040
Speaker 1: the original beginning? Go and never stop? Yeah, go and

1677
01:26:56,120 --> 01:26:57,680
Speaker 1: never stop, never taking my foot off the.

1678
01:26:57,760 --> 01:27:01,320
Speaker 8: Gas because I always knew that I had a bunch

1679
01:27:01,360 --> 01:27:03,680
Speaker 8: of people I had to put on as well, like

1680
01:27:03,840 --> 01:27:07,360
Speaker 8: you know, me Rocky twelve feet Addy, like the whole

1681
01:27:07,439 --> 01:27:10,519
Speaker 8: eight SAP mobs, just the mob. But I got family

1682
01:27:10,560 --> 01:27:13,240
Speaker 8: outside of the mall as well, you know what I'm saying.

1683
01:27:13,280 --> 01:27:17,120
Speaker 8: So you know, I got people I grew up with kids,

1684
01:27:17,520 --> 01:27:20,479
Speaker 8: you know, Marty Baller, I got you know, my uncle

1685
01:27:20,560 --> 01:27:24,160
Speaker 8: t I got you know, different people that's in my family.

1686
01:27:24,360 --> 01:27:25,960
Speaker 8: You know, that's a part of my team now that

1687
01:27:26,560 --> 01:27:28,880
Speaker 8: I have to support or I wanted to support. So

1688
01:27:29,400 --> 01:27:32,280
Speaker 8: it's always been not about me. It's about, like, you know,

1689
01:27:32,720 --> 01:27:35,000
Speaker 8: getting this opportunity to put other people on.

1690
01:27:36,280 --> 01:27:38,960
Speaker 1: How old is you if you don't mind me asking

1691
01:27:39,000 --> 01:27:41,479
Speaker 1: when you passed away? I was It was three days

1692
01:27:41,479 --> 01:27:46,280
Speaker 1: before my seventeenth birthday. Yeah, and you did you know

1693
01:27:46,400 --> 01:27:49,640
Speaker 1: your pops is a legend though, Oh definitely, Okay. I

1694
01:27:49,680 --> 01:27:52,360
Speaker 1: always think about all the kids that like, you know,

1695
01:27:52,600 --> 01:27:52,920
Speaker 1: like I.

1696
01:27:52,920 --> 01:27:55,519
Speaker 8: Always just think about about Dame dash Son because he

1697
01:27:55,680 --> 01:27:58,720
Speaker 8: was pretty popping back then, you know, as far as

1698
01:27:58,800 --> 01:28:01,920
Speaker 8: like his pops being like somebody in the industry or

1699
01:28:02,040 --> 01:28:05,639
Speaker 8: like yeah, Boogie Shots a Buoget or like little Romeo

1700
01:28:05,920 --> 01:28:09,400
Speaker 8: or like you know these people whose sons like they

1701
01:28:09,640 --> 01:28:12,400
Speaker 8: they fathers with somebody, And I always thought like, damn, like,

1702
01:28:12,520 --> 01:28:14,920
Speaker 8: my pops is somebody because he knew all these people.

1703
01:28:14,960 --> 01:28:18,840
Speaker 8: He introduced me to pump. You know, it was a

1704
01:28:18,920 --> 01:28:21,120
Speaker 8: bunch of killers I met. You know, it was a

1705
01:28:21,200 --> 01:28:21,720
Speaker 8: bunch of like.

1706
01:28:21,840 --> 01:28:24,400
Speaker 1: Different people that that came to that store and on

1707
01:28:24,560 --> 01:28:25,440
Speaker 1: forty fifth.

1708
01:28:25,240 --> 01:28:28,439
Speaker 6: So you know it was I knew that my pops

1709
01:28:28,560 --> 01:28:32,120
Speaker 6: was powerful, and I knew that I was somebody special

1710
01:28:32,200 --> 01:28:32,760
Speaker 6: because of him.

1711
01:28:33,000 --> 01:28:37,760
Speaker 1: And you said, seventeen, Yeah, seventeen, So what age you thought?

1712
01:28:37,920 --> 01:28:42,719
Speaker 6: You like, acknowledge that your paps is from Always always

1713
01:28:42,760 --> 01:28:44,479
Speaker 6: knew that, always knew.

1714
01:28:44,360 --> 01:28:47,400
Speaker 1: That because he wasn't only powerful, but he was a

1715
01:28:47,520 --> 01:28:48,040
Speaker 1: good nick.

1716
01:28:48,439 --> 01:28:50,840
Speaker 4: It was incredible and that and you know, you know,

1717
01:28:51,240 --> 01:28:53,760
Speaker 4: that's the only thing that I like, the only thing

1718
01:28:53,800 --> 01:28:57,400
Speaker 4: that I hold on to and life is just being

1719
01:28:57,439 --> 01:28:59,200
Speaker 4: a good nick, right, Like I don't give a funk

1720
01:28:59,240 --> 01:28:59,960
Speaker 4: about anything else.

1721
01:29:01,000 --> 01:29:03,400
Speaker 1: That's what the nigga think think about me. I just

1722
01:29:04,040 --> 01:29:06,200
Speaker 1: want to be a good nigga, right, And that's what

1723
01:29:06,439 --> 01:29:13,240
Speaker 1: your pops right. Definitely, definitely a good nick. Was like

1724
01:29:13,320 --> 01:29:16,760
Speaker 1: a concert, like everybody was living. Everybody came by the

1725
01:29:17,080 --> 01:29:19,120
Speaker 1: puff moms and then everybody.

1726
01:29:19,240 --> 01:29:21,519
Speaker 8: My post was just like the bridge. I like to

1727
01:29:21,560 --> 01:29:23,920
Speaker 8: call him the bridge because, like I said, he was

1728
01:29:24,000 --> 01:29:26,920
Speaker 8: the bridge between the streets and mainstream, you know what

1729
01:29:26,960 --> 01:29:30,320
Speaker 8: I'm saying. He wasn't like one way, and you know,

1730
01:29:30,439 --> 01:29:34,120
Speaker 8: he always kept like a solid base in Harlem and

1731
01:29:34,400 --> 01:29:36,519
Speaker 8: he put on for his people. And I got a

1732
01:29:36,640 --> 01:29:39,280
Speaker 8: chance to meet all types of people from all walks

1733
01:29:39,280 --> 01:29:42,439
Speaker 8: of life, from like the superstars to to the.

1734
01:29:42,479 --> 01:29:45,400
Speaker 1: Hood, to like the hood dudes that ran things in

1735
01:29:45,479 --> 01:29:45,880
Speaker 1: the hood.

1736
01:29:46,400 --> 01:29:48,560
Speaker 8: You know that that knew how to talk to politics

1737
01:29:48,600 --> 01:29:50,760
Speaker 8: and then who you had to speak to if you

1738
01:29:50,840 --> 01:29:51,280
Speaker 8: had if you.

1739
01:29:51,320 --> 01:29:53,000
Speaker 1: Had to come around town, if you wanted to make

1740
01:29:53,040 --> 01:29:56,640
Speaker 1: some moves. He knew everybody. So when this rapp thing

1741
01:29:56,800 --> 01:29:59,799
Speaker 1: first came to you, was that something that you discussed

1742
01:29:59,840 --> 01:30:03,880
Speaker 1: with or nah? I was always shy about music with

1743
01:30:03,960 --> 01:30:06,040
Speaker 1: my pops because I was never like I feel I

1744
01:30:06,160 --> 01:30:08,639
Speaker 1: feel that way. I was never the music person.

1745
01:30:08,760 --> 01:30:10,760
Speaker 6: And he knew all the giants, Like you know, he

1746
01:30:10,880 --> 01:30:13,479
Speaker 6: introduced me to Puff and you know, what is my

1747
01:30:13,640 --> 01:30:15,120
Speaker 6: little raps gonna do for him?

1748
01:30:15,240 --> 01:30:17,400
Speaker 1: You know understand? So like you know, when it came

1749
01:30:17,439 --> 01:30:19,960
Speaker 1: to rap music, I was just I was batter under

1750
01:30:20,000 --> 01:30:20,439
Speaker 1: my hood.

1751
01:30:20,920 --> 01:30:23,719
Speaker 8: He didn't even know, you know, I was doing music

1752
01:30:23,840 --> 01:30:26,960
Speaker 8: or writing rhymes because I was I was also designed

1753
01:30:26,960 --> 01:30:28,960
Speaker 8: to close and drawing at the same time I was

1754
01:30:29,000 --> 01:30:31,040
Speaker 8: doing what he was doing. So it was just like,

1755
01:30:31,640 --> 01:30:33,479
Speaker 8: you know, my raps, I just kind of kept to

1756
01:30:33,520 --> 01:30:34,599
Speaker 8: myself with my friends.

1757
01:30:35,360 --> 01:30:40,240
Speaker 4: So as a person who and I apologize for getting

1758
01:30:40,240 --> 01:30:42,920
Speaker 4: a little deep, but as a person who I lost

1759
01:30:43,000 --> 01:30:46,840
Speaker 4: my father during the highlight of my career. While my

1760
01:30:47,000 --> 01:30:51,599
Speaker 4: father died July third, nineteen ninety eight, the best year

1761
01:30:51,600 --> 01:30:53,080
Speaker 4: of my life is nineteen ninety eight.

1762
01:30:53,360 --> 01:30:54,920
Speaker 1: Wow, sorry to hear that.

1763
01:30:55,160 --> 01:30:59,000
Speaker 4: So as a person, and my father used to look

1764
01:30:59,040 --> 01:31:01,720
Speaker 4: at me like this gone because like yo, I shoed

1765
01:31:01,760 --> 01:31:03,839
Speaker 4: to tell my possible you know, I'm rapping. My father'll

1766
01:31:03,840 --> 01:31:11,840
Speaker 4: be like, yeah, rapping, but Spanish with a tail, seventy tattoos,

1767
01:31:12,479 --> 01:31:14,280
Speaker 4: air rings in his here like you know what I'm saying,

1768
01:31:14,320 --> 01:31:16,760
Speaker 4: Like he's one of them. He looked like Tony touch

1769
01:31:17,680 --> 01:31:20,400
Speaker 4: like like like like what like like with green eyes

1770
01:31:20,520 --> 01:31:22,280
Speaker 4: his nigga got green eyes in my box?

1771
01:31:22,400 --> 01:31:24,360
Speaker 1: Right, So I told him I'm rapping. He used to

1772
01:31:24,400 --> 01:31:28,840
Speaker 1: be like, yeah, we rapping, and I'm like, no.

1773
01:31:29,040 --> 01:31:34,000
Speaker 4: I'm really rapping box. But like what I'm the point

1774
01:31:34,040 --> 01:31:38,439
Speaker 4: I'm trying to make is hmm, you spoke to yes,

1775
01:31:38,640 --> 01:31:41,400
Speaker 4: you just told me no. Yeah, but now yes, let's go.

1776
01:31:42,400 --> 01:31:47,519
Speaker 4: We got more right on the point I'm trying to

1777
01:31:47,560 --> 01:31:56,040
Speaker 4: make is like you see, you see who your pops is.

1778
01:31:56,160 --> 01:32:03,000
Speaker 4: You've seen it and now you're becoming yourself. Are you

1779
01:32:03,080 --> 01:32:05,960
Speaker 4: feeling like you have to fulfill his legacy or you're

1780
01:32:05,960 --> 01:32:08,519
Speaker 4: feeling like you can keep it going on yourself.

1781
01:32:09,880 --> 01:32:11,040
Speaker 1: I definitely gotta.

1782
01:32:11,520 --> 01:32:13,800
Speaker 8: I'm an extension of him, how I like you or not,

1783
01:32:14,080 --> 01:32:15,760
Speaker 8: Like you know, I came out of it looked just

1784
01:32:15,880 --> 01:32:19,240
Speaker 8: like but yeah exactly, so you know, definitely gotta keep

1785
01:32:19,240 --> 01:32:22,880
Speaker 8: the name alive and well he established, But I'm definitely

1786
01:32:22,960 --> 01:32:26,280
Speaker 8: myself as well, like I got my own ideas of

1787
01:32:27,040 --> 01:32:27,719
Speaker 8: how I want.

1788
01:32:27,520 --> 01:32:29,880
Speaker 1: To live the rest of my life or you know,

1789
01:32:31,160 --> 01:32:33,360
Speaker 1: mistakes that he made that I I could learn from

1790
01:32:33,400 --> 01:32:33,760
Speaker 1: as well.

1791
01:32:33,920 --> 01:32:37,400
Speaker 8: So yes, you know, definitely continue with his legacy through

1792
01:32:37,479 --> 01:32:38,320
Speaker 8: doing what I wanna do.

1793
01:32:39,400 --> 01:32:41,960
Speaker 1: Yeah, like like you think about me is.

1794
01:32:45,640 --> 01:32:48,840
Speaker 4: But he was my father was the only Puerto Rican

1795
01:32:48,960 --> 01:32:55,040
Speaker 4: nigga and the whole six clocks radius, right, But every

1796
01:32:55,160 --> 01:32:59,559
Speaker 4: black my hood is a black hood, every black nigga love.

1797
01:32:59,640 --> 01:33:06,080
Speaker 1: My fuck, so me my whole goal is.

1798
01:33:08,439 --> 01:33:12,519
Speaker 4: Me. I'll give you a occupation that you could love

1799
01:33:12,600 --> 01:33:15,599
Speaker 4: me for for you to get to your next level.

1800
01:33:17,880 --> 01:33:19,640
Speaker 1: And that's what I'm doing right now. I fix a

1801
01:33:19,720 --> 01:33:20,160
Speaker 1: Nois for me.

1802
01:33:24,040 --> 01:33:24,240
Speaker 5: Week.

1803
01:33:24,600 --> 01:33:28,840
Speaker 1: My gad, hold on, let me tell you my nationality.

1804
01:33:29,360 --> 01:33:32,760
Speaker 1: I feel like you're like fifty two. I'm gonna get

1805
01:33:35,760 --> 01:33:39,080
Speaker 1: I'm half black and half Sicilian. Everybody thought was.

1806
01:33:42,479 --> 01:33:45,639
Speaker 6: My dad was the first soul singer with a Latin band,

1807
01:33:46,800 --> 01:33:49,160
Speaker 6: a very known Latin band called the Lebron Brothers.

1808
01:33:49,360 --> 01:33:50,519
Speaker 1: In sixty eight. He made it.

1809
01:33:50,600 --> 01:33:53,000
Speaker 6: He was singing soul records with them. They would play

1810
01:33:53,000 --> 01:33:56,120
Speaker 6: the Latin music he was singing, and you know, Sol said.

1811
01:33:56,160 --> 01:33:59,320
Speaker 6: Then he left them and he became his own artist.

1812
01:33:59,400 --> 01:34:02,639
Speaker 6: But before him, his father, my grandfather used to play

1813
01:34:02,680 --> 01:34:05,920
Speaker 6: trumpet for Disney, Gilespie County, Miles, David City with all

1814
01:34:05,960 --> 01:34:09,519
Speaker 6: them dudes. So the music always been around. Yeah, the

1815
01:34:09,560 --> 01:34:11,599
Speaker 6: music always been around. But he was the first one

1816
01:34:11,640 --> 01:34:13,560
Speaker 6: with a Latin band. That was crazy back then. I

1817
01:34:13,600 --> 01:34:15,200
Speaker 6: played that music right now for certain people.

1818
01:34:16,960 --> 01:34:20,800
Speaker 1: Bathroom it happens on Drenk Champs.

1819
01:34:22,439 --> 01:34:24,960
Speaker 3: Your Sicilian father was in the Latin My dad is black,

1820
01:34:25,560 --> 01:34:27,160
Speaker 3: so where's Sicilians?

1821
01:34:27,200 --> 01:34:31,479
Speaker 1: My moms your mom. You can't understand where kick greet

1822
01:34:31,560 --> 01:34:33,680
Speaker 1: come from. You just gotta respect it.

1823
01:34:35,280 --> 01:34:38,680
Speaker 4: The question I understood just telling you I think you're

1824
01:34:38,840 --> 01:34:44,720
Speaker 4: following for years. I knew this Nigga seventeen country. And

1825
01:34:44,840 --> 01:34:46,120
Speaker 4: see another thing I want to be.

1826
01:34:46,200 --> 01:34:48,400
Speaker 6: I want to make sure you want to clars that

1827
01:34:48,520 --> 01:34:49,960
Speaker 6: you know, like I said, you know, we do a

1828
01:34:50,000 --> 01:34:51,840
Speaker 6: lot of days around the country and we played for

1829
01:34:51,960 --> 01:34:53,519
Speaker 6: the young and the whole. I want nobody to see

1830
01:34:53,560 --> 01:34:56,320
Speaker 6: him on here and watch and think that you know,

1831
01:34:56,400 --> 01:34:58,200
Speaker 6: you look at me and then I don't know what

1832
01:34:58,479 --> 01:35:01,600
Speaker 6: all the trap joints is joints and everything like we

1833
01:35:01,720 --> 01:35:04,120
Speaker 6: do this every year every week, like we're.

1834
01:35:04,000 --> 01:35:05,880
Speaker 1: On the road every week for the young and old,

1835
01:35:05,960 --> 01:35:07,320
Speaker 1: smashing everywhere we go.

1836
01:35:07,720 --> 01:35:09,720
Speaker 6: But a lot of young is made hear the name

1837
01:35:09,880 --> 01:35:12,800
Speaker 6: kicka Prix and may not know the Kickapri experience, never

1838
01:35:12,920 --> 01:35:14,800
Speaker 6: been through it, never know what it is until they

1839
01:35:14,880 --> 01:35:16,840
Speaker 6: see it. And when they see it, they know it's

1840
01:35:16,880 --> 01:35:19,240
Speaker 6: a whole other level into what they probably been used to.

1841
01:35:19,760 --> 01:35:22,120
Speaker 6: But for the ones that didn't see it, that's what

1842
01:35:22,200 --> 01:35:24,920
Speaker 6: it's about. And you know, and that goes into saying

1843
01:35:25,000 --> 01:35:28,360
Speaker 6: like not everybody that comes from ever, which I consider

1844
01:35:28,439 --> 01:35:32,040
Speaker 6: myself mister, every ever, but not everybody that comes from

1845
01:35:32,080 --> 01:35:34,840
Speaker 6: mynever is stuck in an old school way of thinking.

1846
01:35:34,960 --> 01:35:39,719
Speaker 24: Okay, that's you know what I'm saying. Every era, Yeah, absolutely,

1847
01:35:46,040 --> 01:35:49,400
Speaker 24: every mister, every era.

1848
01:35:53,560 --> 01:35:55,800
Speaker 6: So what I'm saying is is that a lot of

1849
01:35:55,840 --> 01:35:58,280
Speaker 6: the dudes that come from ever back then they get

1850
01:35:58,320 --> 01:36:00,320
Speaker 6: stuck in the old school way of think. Anywhere happens

1851
01:36:00,320 --> 01:36:02,439
Speaker 6: that they don't understand what the seventeen year old, the

1852
01:36:02,520 --> 01:36:05,559
Speaker 6: eighteen old is doing. But you were seventeen and atl

1853
01:36:06,040 --> 01:36:09,000
Speaker 6: one time and your parents is questioning you. So it's

1854
01:36:09,080 --> 01:36:11,400
Speaker 6: not when I'm seventeen olds and them at olds and

1855
01:36:11,439 --> 01:36:13,720
Speaker 6: them twenty one year olds make that music. They're not

1856
01:36:13,880 --> 01:36:15,800
Speaker 6: making it for the grown person. They're look at it

1857
01:36:15,840 --> 01:36:17,560
Speaker 6: for the person that understand what they're doing. If you

1858
01:36:17,680 --> 01:36:19,680
Speaker 6: happen to be grown and like it, then you like

1859
01:36:19,760 --> 01:36:21,960
Speaker 6: it now. I watch fifty year olds dance to trap

1860
01:36:22,040 --> 01:36:23,479
Speaker 6: music every you know what I'm saying.

1861
01:36:23,479 --> 01:36:25,240
Speaker 1: All the time, at the end of the day, I

1862
01:36:25,320 --> 01:36:27,120
Speaker 1: hear it. It doesn't matter what the page is.

1863
01:36:27,400 --> 01:36:29,120
Speaker 6: And this is why I started to Kick and Poe

1864
01:36:29,160 --> 01:36:29,800
Speaker 6: Block Party on.

1865
01:36:29,880 --> 01:36:30,880
Speaker 1: Syria, Sex and Fly.

1866
01:36:31,560 --> 01:36:34,360
Speaker 6: I play you hear younger, may like I told you

1867
01:36:34,520 --> 01:36:37,920
Speaker 6: hear younger May you'll hear Al Green, You'll hear You'll

1868
01:36:37,960 --> 01:36:43,320
Speaker 6: hear dram After that, you'll hear KRS one.

1869
01:36:44,000 --> 01:36:45,720
Speaker 1: It becomes that, it becomes.

1870
01:36:45,640 --> 01:36:49,000
Speaker 6: Putting everything together, bridging the gap, instead of saying the

1871
01:36:49,160 --> 01:36:52,280
Speaker 6: oldest over here, the youngest over here, and nobody because

1872
01:36:52,520 --> 01:36:54,000
Speaker 6: it is good goods.

1873
01:36:54,800 --> 01:36:55,639
Speaker 1: That's good, my black.

1874
01:36:55,640 --> 01:36:56,920
Speaker 6: Because at the end of the day, when you like

1875
01:36:57,000 --> 01:36:58,800
Speaker 6: I said, that fifty year old going to that party,

1876
01:36:58,840 --> 01:36:59,760
Speaker 6: when that DJ play that.

1877
01:36:59,760 --> 01:37:02,679
Speaker 1: Trap, like your ass is on that dance floor dancing

1878
01:37:02,720 --> 01:37:02,920
Speaker 1: to it.

1879
01:37:03,200 --> 01:37:05,400
Speaker 6: But then you're gonna talk about the talk bad about

1880
01:37:05,400 --> 01:37:07,840
Speaker 6: the young is about what they're doing again, Let them

1881
01:37:07,920 --> 01:37:08,639
Speaker 6: do what they doing.

1882
01:37:08,920 --> 01:37:12,000
Speaker 1: They doing nothing. If they was tearing shit up in

1883
01:37:12,080 --> 01:37:13,799
Speaker 1: the street, then that would be a problem.

1884
01:37:13,840 --> 01:37:18,439
Speaker 6: They're making music that people understand, like their generation understand.

1885
01:37:18,520 --> 01:37:19,280
Speaker 1: Let them do what they do.

1886
01:37:19,360 --> 01:37:21,680
Speaker 6: Why are you talking bad about it? You don't like it,

1887
01:37:21,760 --> 01:37:23,760
Speaker 6: don't listen to it. You gotta like it, but don't

1888
01:37:23,800 --> 01:37:25,960
Speaker 6: talk bad about it. If anything, you get a chance

1889
01:37:26,000 --> 01:37:28,479
Speaker 6: to help them out, tell them the right way. Tell them,

1890
01:37:28,560 --> 01:37:30,960
Speaker 6: you know, like you doing this now, Try to sue,

1891
01:37:31,439 --> 01:37:33,040
Speaker 6: try to see it, put it together and make an

1892
01:37:33,040 --> 01:37:34,840
Speaker 6: album that got colored to it. Don't just put something

1893
01:37:34,840 --> 01:37:36,559
Speaker 6: out there where it's just one thing, because I get

1894
01:37:36,600 --> 01:37:37,360
Speaker 6: a little fitter with that.

1895
01:37:37,560 --> 01:37:39,720
Speaker 1: Year one album is all the same beats, all the

1896
01:37:39,800 --> 01:37:41,200
Speaker 1: way through the same speed.

1897
01:37:41,360 --> 01:37:43,479
Speaker 6: Saying this same I mean, okay, yeah, you want to

1898
01:37:43,520 --> 01:37:45,680
Speaker 6: hear a little bit of variety and shit, and.

1899
01:37:45,760 --> 01:37:47,280
Speaker 1: I don't want to hear an album of.

1900
01:37:47,439 --> 01:37:49,720
Speaker 6: All features like I want to hear you, you know

1901
01:37:49,760 --> 01:37:52,360
Speaker 6: what I'm saying. So everybody got there what they like.

1902
01:37:52,520 --> 01:37:54,880
Speaker 6: But at the same time, nobody has the right to

1903
01:37:55,439 --> 01:37:57,479
Speaker 6: tell you what to make. You make what you want

1904
01:37:57,520 --> 01:37:57,800
Speaker 6: to make it.

1905
01:37:57,880 --> 01:37:59,320
Speaker 1: If they like it, they like it. Who are you

1906
01:37:59,400 --> 01:38:00,920
Speaker 1: to judge it? You know what I'm saying.

1907
01:38:01,240 --> 01:38:03,400
Speaker 25: You know that's real ship, it's real shake to lose

1908
01:38:03,439 --> 01:38:16,519
Speaker 25: for that, you know what I'm saying. No, Tony Doka,

1909
01:38:17,840 --> 01:38:19,840
Speaker 25: what are we doing next? For Tony Doka?

1910
01:38:20,680 --> 01:38:26,960
Speaker 1: Of course? One hundred and fifty mcs. Do you want

1911
01:38:27,000 --> 01:38:28,400
Speaker 1: to have a shot? I feel like you want to

1912
01:38:28,479 --> 01:38:32,040
Speaker 1: say shot for now? Maybe that you know you want,

1913
01:38:32,120 --> 01:38:34,000
Speaker 1: let's do a shot? Come on. Yeah, I was checking out.

1914
01:38:34,040 --> 01:38:35,960
Speaker 10: I was checking out the little things. Yeah, I was

1915
01:38:36,080 --> 01:38:39,240
Speaker 10: figuring out you know what you want to go? No, no, no, no,

1916
01:38:39,439 --> 01:38:40,960
Speaker 10: I was just gonna see if I could score one

1917
01:38:41,000 --> 01:38:41,839
Speaker 10: of these guys.

1918
01:38:41,720 --> 01:38:43,600
Speaker 1: Up there, Oh what is that?

1919
01:38:43,800 --> 01:38:44,200
Speaker 15: What's up?

1920
01:38:44,439 --> 01:38:46,760
Speaker 1: The collection they got going on up here with? You

1921
01:38:47,400 --> 01:38:53,839
Speaker 1: got the next decoration?

1922
01:38:54,160 --> 01:38:54,439
Speaker 9: I don't know.

1923
01:38:55,439 --> 01:38:59,280
Speaker 1: You smoke, you know you look at these decorations. Yeah,

1924
01:39:01,240 --> 01:39:07,000
Speaker 1: you can't take the decoration you got well, so in

1925
01:39:07,040 --> 01:39:11,560
Speaker 1: any event, yeah, no, no, I'm just admiring that. So

1926
01:39:11,600 --> 01:39:13,360
Speaker 1: we're not going to have one hundred and fifty mcs?

1927
01:39:17,200 --> 01:39:19,960
Speaker 1: Are we upgraded from fifty to one hundred and fifty?

1928
01:39:20,080 --> 01:39:20,120
Speaker 7: No?

1929
01:39:20,320 --> 01:39:25,880
Speaker 10: I mean actually we've already recorded it, like over one

1930
01:39:25,960 --> 01:39:26,679
Speaker 10: hundred and fifty.

1931
01:39:26,920 --> 01:39:28,560
Speaker 1: I believe it, you know.

1932
01:39:29,080 --> 01:39:32,439
Speaker 10: So, But like like I said, it's a lot of

1933
01:39:32,520 --> 01:39:36,000
Speaker 10: work man, like getting people to record and paperwork.

1934
01:39:35,520 --> 01:39:37,760
Speaker 1: And this and that, and but how annoying. It's a

1935
01:39:37,800 --> 01:39:39,960
Speaker 1: lot of how annoying is it? Doka?

1936
01:39:40,600 --> 01:39:44,040
Speaker 4: Like when you when you want to finish something and

1937
01:39:44,120 --> 01:39:48,120
Speaker 4: you depending on all artists, it's artists really annoying.

1938
01:39:48,240 --> 01:39:50,640
Speaker 1: Let's just throw it out there because I'm not an artist. Normal, yes,

1939
01:39:51,560 --> 01:39:53,759
Speaker 1: throw us under the bus, and I'm going to actually

1940
01:39:54,040 --> 01:39:57,479
Speaker 1: cheer it on. No, not at all. It's all Yes,

1941
01:39:58,000 --> 01:40:01,280
Speaker 1: it's all timing, man, you know that's it. It's just.

1942
01:40:03,640 --> 01:40:08,040
Speaker 10: It's all timing, Like everything lined up, paper record, this

1943
01:40:08,400 --> 01:40:09,519
Speaker 10: that it just goes.

1944
01:40:09,640 --> 01:40:09,840
Speaker 7: You know.

1945
01:40:10,960 --> 01:40:14,680
Speaker 1: I feel sometimes artists a piece of shit say that

1946
01:40:15,600 --> 01:40:16,639
Speaker 1: some time.

1947
01:40:16,760 --> 01:40:20,720
Speaker 6: Sometimes I think sometimes depending on who you are, and

1948
01:40:20,760 --> 01:40:21,880
Speaker 6: they're not speaking about myself.

1949
01:40:21,880 --> 01:40:24,200
Speaker 1: I'm taking myself to the left. But depending on who

1950
01:40:24,240 --> 01:40:27,400
Speaker 1: you are, you get a call faster when you're doing something.

1951
01:40:27,880 --> 01:40:31,000
Speaker 4: You know what I'm saying, break out, We don't. We

1952
01:40:31,040 --> 01:40:33,320
Speaker 4: don't understand anything you just said, break it down.

1953
01:40:33,360 --> 01:40:37,280
Speaker 1: Okay. What I'm saying is it's like, if you a certain.

1954
01:40:37,080 --> 01:40:39,800
Speaker 6: Caliber here, you ain't gonna get the call as fast

1955
01:40:39,800 --> 01:40:43,559
Speaker 6: as this mogul out here or this dude that selves

1956
01:40:43,600 --> 01:40:44,599
Speaker 6: and some amount of records.

1957
01:40:45,360 --> 01:40:46,000
Speaker 1: You know what I'm saying.

1958
01:40:46,120 --> 01:40:47,960
Speaker 6: And like again, I'm not speaking for myself because I

1959
01:40:48,040 --> 01:40:51,040
Speaker 6: hardly ask anybody for anything, but but I'm speaking in

1960
01:40:51,120 --> 01:40:54,680
Speaker 6: a general term. You know, sometimes the dude that's down here.

1961
01:40:55,080 --> 01:40:58,840
Speaker 6: I remember one time Eminem said something to me. He said,

1962
01:41:00,040 --> 01:41:03,120
Speaker 6: when them said something, he said, don't go and spend

1963
01:41:03,160 --> 01:41:05,720
Speaker 6: a whole bunch of money on the artists that you

1964
01:41:05,800 --> 01:41:08,000
Speaker 6: think is going to give you a hit record, Because

1965
01:41:08,040 --> 01:41:09,680
Speaker 6: you can go and spend all that money on that

1966
01:41:09,880 --> 01:41:11,360
Speaker 6: artist and he won't give you ship.

1967
01:41:11,479 --> 01:41:12,559
Speaker 1: Your record won't go nowhere.

1968
01:41:12,600 --> 01:41:14,240
Speaker 6: Now you have spent all that money on this artist

1969
01:41:14,280 --> 01:41:16,080
Speaker 6: that you think is gonna give you somewhere because he's poppling.

1970
01:41:16,240 --> 01:41:18,040
Speaker 1: And that's the truth. Redman said.

1971
01:41:18,120 --> 01:41:20,880
Speaker 6: It's about the producer in your hood that give you

1972
01:41:21,000 --> 01:41:23,799
Speaker 6: that sound that makes you be who you be, instead

1973
01:41:23,800 --> 01:41:26,160
Speaker 6: of you run it to the dude that is popular.

1974
01:41:26,520 --> 01:41:27,120
Speaker 1: You know what I'm saying.

1975
01:41:27,200 --> 01:41:29,879
Speaker 6: Everybody gets caught and what's popular and not what's authentic.

1976
01:41:30,320 --> 01:41:31,960
Speaker 6: You know what I'm saying, And that's what happens a

1977
01:41:32,000 --> 01:41:35,840
Speaker 6: lot of time. Authentic is what's the most important because

1978
01:41:35,920 --> 01:41:39,960
Speaker 6: authenticity is going to give you the business they're gonna

1979
01:41:40,000 --> 01:41:42,120
Speaker 6: give you. They're going to give you what you pay

1980
01:41:42,280 --> 01:41:46,479
Speaker 6: for when you give what you deal with popularity. Okay, yeah,

1981
01:41:46,560 --> 01:41:48,360
Speaker 6: we won't want to deal with things as popular. But

1982
01:41:48,640 --> 01:41:53,599
Speaker 6: is the popular person giving you authenticity? Are they giving

1983
01:41:53,640 --> 01:41:54,639
Speaker 6: you your money's work?

1984
01:41:54,920 --> 01:41:57,000
Speaker 1: Are they are you? Do you feel good at the

1985
01:41:57,080 --> 01:41:58,200
Speaker 1: end of the night paying them?

1986
01:41:59,240 --> 01:42:01,639
Speaker 6: You see I'm saying, did they bring a whole bunch

1987
01:42:01,720 --> 01:42:03,880
Speaker 6: of people on stage and that's their show?

1988
01:42:05,240 --> 01:42:07,200
Speaker 1: You know what I'm saying, Like, what are you paying for?

1989
01:42:07,360 --> 01:42:07,640
Speaker 1: What are you?

1990
01:42:07,720 --> 01:42:10,240
Speaker 6: What are you looking for? You looking for poppularvidy? Are

1991
01:42:10,240 --> 01:42:12,200
Speaker 6: you looking for somebody that's gonna get the job done.

1992
01:42:12,560 --> 01:42:14,360
Speaker 1: Job done, you know what I'm saying. So, I don't know.

1993
01:42:14,479 --> 01:42:17,400
Speaker 6: My way of thinking is a little different, maybe a

1994
01:42:17,479 --> 01:42:20,240
Speaker 6: little different than a lot of people. But the business

1995
01:42:20,320 --> 01:42:21,360
Speaker 6: is the business, and people.

1996
01:42:21,280 --> 01:42:21,840
Speaker 1: Like what they like.

1997
01:42:21,960 --> 01:42:24,360
Speaker 6: But I just think that the smart thing is is

1998
01:42:24,400 --> 01:42:27,479
Speaker 6: that you cater to the people that follows what is

1999
01:42:27,560 --> 01:42:30,360
Speaker 6: the real ship. The real ship is paying the people

2000
01:42:30,400 --> 01:42:34,439
Speaker 6: that pay. Satisfy them. Satisfy them. Don't get so caught

2001
01:42:34,520 --> 01:42:36,960
Speaker 6: up in popularity, get caught up in what's gonna get

2002
01:42:36,960 --> 01:42:37,599
Speaker 6: the job done?

2003
01:42:38,120 --> 01:42:40,120
Speaker 1: People we make noise. You know what I'm saying.

2004
01:42:42,000 --> 01:42:44,400
Speaker 6: I want to saund to appreciate what I mean. I know, y'all,

2005
01:42:46,080 --> 01:42:48,240
Speaker 6: So I'm able to be real about it. You know,

2006
01:42:48,360 --> 01:42:49,680
Speaker 6: that's just the way I see it. If I was

2007
01:42:49,760 --> 01:42:52,040
Speaker 6: a promoter or something like that, I want to promote

2008
01:42:52,040 --> 01:42:54,320
Speaker 6: on the on the short thing that's gonna bring me

2009
01:42:54,360 --> 01:42:56,680
Speaker 6: money later on, you know what I'm saying, Not just

2010
01:42:56,760 --> 01:42:57,240
Speaker 6: for the moment.

2011
01:42:57,280 --> 01:42:59,400
Speaker 1: I want you know, I want to go on with it,

2012
01:42:59,439 --> 01:43:01,840
Speaker 1: you know what I'm saying. So that's what's up. Don't

2013
01:43:02,160 --> 01:43:12,759
Speaker 1: you felt about that? I'm in Miami. You got relax already. Also, listen,

2014
01:43:13,680 --> 01:43:17,640
Speaker 1: got you go relax, It's okay, your family alright, love it.

2015
01:43:17,840 --> 01:43:20,439
Speaker 1: And we had mister Kris and Winwood, mister.

2016
01:43:20,320 --> 01:43:25,320
Speaker 21: Chris to and they said ice cream, ice cream, yeah yeah,

2017
01:43:25,400 --> 01:43:33,519
Speaker 21: yeah yeah, hot coco, hot coco, yeah yeah both.

2018
01:43:33,920 --> 01:43:35,679
Speaker 4: Let's how I know of your own niggas your both

2019
01:43:35,760 --> 01:43:39,360
Speaker 4: had hot. I'm my old nigga too.

2020
01:43:39,680 --> 01:43:43,559
Speaker 1: Yeah, well we know in my mind I had.

2021
01:43:45,120 --> 01:43:46,920
Speaker 4: When they when they had it, I was like, I

2022
01:43:47,080 --> 01:43:56,200
Speaker 4: got hot, y'all that too. Okay, who's the guy who

2023
01:43:56,320 --> 01:43:57,599
Speaker 4: is is not coming back?

2024
01:43:58,240 --> 01:44:02,840
Speaker 1: Not going back? Relax? We gotta relax, relaxed first coming back?

2025
01:44:04,400 --> 01:44:12,400
Speaker 1: What is he doing? He's having a shot relaxing. What

2026
01:44:12,640 --> 01:44:12,800
Speaker 1: is it?

2027
01:44:15,640 --> 01:44:19,120
Speaker 4: You got ice cream? I want ice cream to yo, yo,

2028
01:44:19,360 --> 01:44:25,760
Speaker 4: can get non what's that ship name? Non dairy ice that?

2029
01:44:30,080 --> 01:44:33,960
Speaker 1: Come on? I got so cad.

2030
01:44:34,240 --> 01:44:34,439
Speaker 17: Yeah.

2031
01:44:34,880 --> 01:44:39,639
Speaker 26: At the end of the day, we have to please

2032
01:44:39,720 --> 01:44:46,519
Speaker 26: our women. Absolutely a happy woman. Man, make it happy boy.

2033
01:44:46,760 --> 01:44:48,640
Speaker 26: M hm, you'd be all right, trust me.

2034
01:44:48,840 --> 01:44:50,760
Speaker 1: You get money with us, that's what that's what. That's

2035
01:44:50,840 --> 01:44:52,320
Speaker 1: what I'm on. He didn't get money. What are you

2036
01:44:52,320 --> 01:44:53,960
Speaker 1: can do a lot of things? Man, your first you

2037
01:44:54,040 --> 01:44:55,760
Speaker 1: gotta hit warm sugar, turn to.

2038
01:44:57,400 --> 01:44:57,559
Speaker 17: Man.

2039
01:44:59,800 --> 01:45:04,000
Speaker 1: Just one here for your fans. It's for your fans.

2040
01:45:06,439 --> 01:45:09,240
Speaker 1: Ain't nothing nothing to do with me. Shout my fans,

2041
01:45:09,960 --> 01:45:14,800
Speaker 1: pick them up and hit one head. This passes to

2042
01:45:15,760 --> 01:45:24,840
Speaker 1: and sme. Please your kid, your kid. You've been getting

2043
01:45:24,840 --> 01:45:28,479
Speaker 1: a lot of money for a long time, all right,

2044
01:45:30,520 --> 01:45:35,360
Speaker 1: Like listen, listen. At one point, jay Z has to

2045
01:45:35,479 --> 01:45:39,320
Speaker 1: say he's the greatest god all the time. My dude,

2046
01:45:40,120 --> 01:45:42,720
Speaker 1: do you not feel like you're the greatest DJ? Won time?

2047
01:45:42,960 --> 01:45:45,920
Speaker 6: I mean, everybody gonna feel like the greatest bow line

2048
01:45:46,160 --> 01:45:51,240
Speaker 6: say feeling. I'll tell you what what I've done to

2049
01:45:51,400 --> 01:45:53,880
Speaker 6: earn the name the world's greatest DJ, which I didn't

2050
01:45:53,880 --> 01:45:54,559
Speaker 6: give myself.

2051
01:45:55,320 --> 01:45:57,879
Speaker 1: But what I've what I've done, I think.

2052
01:45:59,200 --> 01:46:01,519
Speaker 6: Pretty great because I was the one that set the

2053
01:46:01,640 --> 01:46:04,800
Speaker 6: bar to let DJs become a business. Now, if I

2054
01:46:04,880 --> 01:46:08,120
Speaker 6: didn't do what I did, wherever that had went. You

2055
01:46:08,400 --> 01:46:10,479
Speaker 6: rock on the mic the way you do because Kiki

2056
01:46:10,560 --> 01:46:13,400
Speaker 6: Pri did it the way he did it. You play

2057
01:46:13,479 --> 01:46:15,719
Speaker 6: the records you played the way you play it because

2058
01:46:15,800 --> 01:46:17,440
Speaker 6: Kick Capri set that format.

2059
01:46:18,880 --> 01:46:21,600
Speaker 1: You. You became a hot party.

2060
01:46:21,439 --> 01:46:24,720
Speaker 6: DJ because Kikipri gave me the blue how to be.

2061
01:46:24,840 --> 01:46:27,799
Speaker 1: A hot party DJ. Let's not get this twisted.

2062
01:46:28,160 --> 01:46:30,200
Speaker 6: You see, I'm saying a lot of DJ's doing what

2063
01:46:30,360 --> 01:46:32,160
Speaker 6: I do and don't even know they.

2064
01:46:32,120 --> 01:46:34,240
Speaker 1: Got it from me, And I'm happy for that.

2065
01:46:34,520 --> 01:46:36,800
Speaker 6: I'm happy to sit back and say I rocked the

2066
01:46:36,880 --> 01:46:38,920
Speaker 6: whole nation and let a whole nation be.

2067
01:46:39,000 --> 01:46:40,680
Speaker 1: Able to take care of their family. I remember one

2068
01:46:40,760 --> 01:46:42,120
Speaker 1: dude walked with me and the mall.

2069
01:46:42,479 --> 01:46:45,479
Speaker 6: Your kids because you I'm not killing somebody's because if you.

2070
01:46:45,520 --> 01:46:48,519
Speaker 1: I'm not robbing somebody's house. I did what you did.

2071
01:46:48,680 --> 01:46:51,000
Speaker 6: I followed you, and I'm taking care of my family now.

2072
01:46:51,240 --> 01:46:53,000
Speaker 6: I ain't got to do that crazy shit no more,

2073
01:46:53,280 --> 01:46:55,559
Speaker 6: you know what I'm saying. So knowing all the things

2074
01:46:55,600 --> 01:46:57,160
Speaker 6: that I've done, we can sit here and talk about

2075
01:46:57,200 --> 01:46:58,920
Speaker 6: it all day. We ain't even got enough time. But

2076
01:46:59,520 --> 01:47:02,000
Speaker 6: knowing all the things I got, I'm sitting back, sitting

2077
01:47:02,080 --> 01:47:04,840
Speaker 6: back and just realizing when I see somebody on the

2078
01:47:04,960 --> 01:47:07,479
Speaker 6: mic DJing and they got to set up like me,

2079
01:47:07,600 --> 01:47:10,160
Speaker 6: and they all that, and they doing saying things I

2080
01:47:10,280 --> 01:47:12,360
Speaker 6: might have said, or you know, saying it the way

2081
01:47:12,400 --> 01:47:14,320
Speaker 6: I might say it, it just makes me feel like, Yo,

2082
01:47:14,400 --> 01:47:16,599
Speaker 6: you did your thing, kid, You did your thing.

2083
01:47:16,720 --> 01:47:19,160
Speaker 1: You didn't just waste your time, You ain't bullshit. You

2084
01:47:19,280 --> 01:47:22,080
Speaker 1: did something that really moved culture. You know what I'm saying, well,

2085
01:47:22,160 --> 01:47:23,400
Speaker 1: you also went on tour with a.

2086
01:47:23,479 --> 01:47:26,599
Speaker 6: Lot, right, I'm gonna told everybody I've been on twenty

2087
01:47:26,680 --> 01:47:30,400
Speaker 6: five tours. If you want to talk about deaf comedy jam,

2088
01:47:30,439 --> 01:47:30,760
Speaker 6: I've been.

2089
01:47:30,720 --> 01:47:33,240
Speaker 1: On that tour for nine years. Sixteen years, I'm sorry,

2090
01:47:33,280 --> 01:47:33,880
Speaker 1: sixteen years.

2091
01:47:33,960 --> 01:47:36,800
Speaker 12: And then and then you ain't gonna call jay z

2092
01:47:37,000 --> 01:47:47,880
Speaker 12: R Kelly jay Z, puff Buster, Usher through hill Shenuine Leah, Ship, Boom.

2093
01:47:47,720 --> 01:47:48,440
Speaker 1: Thugs.

2094
01:47:50,439 --> 01:47:50,639
Speaker 17: Care.

2095
01:47:52,000 --> 01:47:54,120
Speaker 1: We go on and on and on. Man didn't go

2096
01:47:54,240 --> 01:47:56,360
Speaker 1: on and on and on, but mostly you know, I'd

2097
01:47:56,360 --> 01:47:58,519
Speaker 1: be on the road on my own doing what I do.

2098
01:47:58,600 --> 01:47:59,040
Speaker 1: I've been doing.

2099
01:47:59,080 --> 01:48:01,120
Speaker 6: I've been doing twenty show those was nineteen ninety one,

2100
01:48:01,840 --> 01:48:04,800
Speaker 6: you know what I'm saying. So it's like, that's why

2101
01:48:04,840 --> 01:48:06,920
Speaker 6: I'm like even in New York, Like I love New

2102
01:48:07,000 --> 01:48:09,200
Speaker 6: York or from New York, but I don't like how

2103
01:48:09,360 --> 01:48:12,160
Speaker 6: New York is moving a little bit, especially when the

2104
01:48:12,240 --> 01:48:15,040
Speaker 6: promoters acting like they the stars and shit like you

2105
01:48:15,160 --> 01:48:16,760
Speaker 6: it's just so big on the fly and you got

2106
01:48:16,800 --> 01:48:18,960
Speaker 6: the DJ down here, come on, cut it out.

2107
01:48:18,920 --> 01:48:19,960
Speaker 1: Beat at the end of the day.

2108
01:48:20,160 --> 01:48:22,120
Speaker 6: And you know, when you come to one of my shows,

2109
01:48:22,160 --> 01:48:24,479
Speaker 6: I got my opening is me. You ain't gonna hear

2110
01:48:24,560 --> 01:48:26,960
Speaker 6: one record five times at my party. You know what

2111
01:48:27,000 --> 01:48:28,800
Speaker 6: I'm saying, You're gonna hear it one time. You're gonna

2112
01:48:28,800 --> 01:48:30,720
Speaker 6: hear the whole party smashing from the.

2113
01:48:30,800 --> 01:48:32,120
Speaker 1: Beginning to the end.

2114
01:48:32,400 --> 01:48:34,960
Speaker 6: Doesn't matter who it is when I step on that stage.

2115
01:48:35,360 --> 01:48:39,120
Speaker 6: It's pandemoium period from the beginning to the end.

2116
01:48:39,160 --> 01:48:40,439
Speaker 1: It ain't no down period.

2117
01:48:40,760 --> 01:48:43,800
Speaker 6: It ain't no standing around, it ain't nobody thinking they chute,

2118
01:48:43,920 --> 01:48:44,880
Speaker 6: it ain't none of that shit.

2119
01:48:44,960 --> 01:48:47,000
Speaker 1: It's real business and that's what I do.

2120
01:48:47,400 --> 01:48:47,960
Speaker 5: So I don't know.

2121
01:48:48,040 --> 01:48:49,800
Speaker 6: I don't know how everybody else doing that. I shout

2122
01:48:49,880 --> 01:48:51,720
Speaker 6: to everybody, you get your bread dough y, you do it,

2123
01:48:52,040 --> 01:48:54,120
Speaker 6: come to kick and pre event, You're gonna get your

2124
01:48:54,160 --> 01:48:56,840
Speaker 6: business done. And that goes for promoters, that goes for

2125
01:48:57,000 --> 01:48:59,360
Speaker 6: anybody that paid for a ticket. I think about the

2126
01:48:59,400 --> 01:49:03,120
Speaker 6: people first. For years, I took an artist a DJ,

2127
01:49:03,760 --> 01:49:05,760
Speaker 6: and this is another thing I'm gonna speak about. You know,

2128
01:49:06,000 --> 01:49:08,000
Speaker 6: some of the people might not understand what's the reason

2129
01:49:08,080 --> 01:49:10,800
Speaker 6: of bringing a DJ with me instead of just having

2130
01:49:10,920 --> 01:49:11,680
Speaker 6: DJs just going.

2131
01:49:12,040 --> 01:49:14,200
Speaker 1: I don't like people not getting their money's worth.

2132
01:49:14,479 --> 01:49:16,719
Speaker 6: So when I bring somebody with me, I rather spend

2133
01:49:16,760 --> 01:49:19,479
Speaker 6: the money for that person to come out and make

2134
01:49:19,640 --> 01:49:22,040
Speaker 6: sure that we're not bumping hands so that people that

2135
01:49:22,160 --> 01:49:24,280
Speaker 6: pay their money is getting a full shower they have

2136
01:49:24,800 --> 01:49:26,760
Speaker 6: the DJ don't want to come in there before me and.

2137
01:49:26,840 --> 01:49:29,000
Speaker 1: Do what you paid me to do. You don't need that,

2138
01:49:29,120 --> 01:49:29,880
Speaker 1: You don't need me there.

2139
01:49:30,160 --> 01:49:31,519
Speaker 6: If you want to come in there and do that,

2140
01:49:31,880 --> 01:49:33,680
Speaker 6: then you ain't the type of dude that could a

2141
01:49:33,760 --> 01:49:35,120
Speaker 6: party with singing d records.

2142
01:49:35,400 --> 01:49:37,360
Speaker 1: You will do that depends on the record to be hot.

2143
01:49:37,640 --> 01:49:39,280
Speaker 6: I play those hot records at the end of the

2144
01:49:39,400 --> 01:49:41,559
Speaker 6: night like I don't even need them, because need about

2145
01:49:41,600 --> 01:49:42,200
Speaker 6: those records.

2146
01:49:42,320 --> 01:49:43,719
Speaker 1: Anybody could play those records.

2147
01:49:43,880 --> 01:49:46,760
Speaker 6: It's about you instead of saying if you can't sell you,

2148
01:49:47,400 --> 01:49:50,679
Speaker 6: then you're just like everybody else and there's nothing different,

2149
01:49:51,000 --> 01:49:51,599
Speaker 6: you know what I'm saying.

2150
01:49:51,840 --> 01:49:53,000
Speaker 1: That's the difference when you.

2151
01:49:53,120 --> 01:49:56,280
Speaker 6: Coming there, It's about making sure the people that pay

2152
01:49:56,360 --> 01:49:59,559
Speaker 6: their money feel better than they did before they walked

2153
01:49:59,600 --> 01:50:02,439
Speaker 6: in there. And when you leave that scar there that

2154
01:50:02,600 --> 01:50:04,760
Speaker 6: promoter nose. I don't give a shit who you get

2155
01:50:04,920 --> 01:50:07,599
Speaker 6: Kid Kapri. He shook this shit. Let's go get him again.

2156
01:50:07,920 --> 01:50:10,320
Speaker 6: Let's go take him into another city. Yo, my man,

2157
01:50:10,439 --> 01:50:12,840
Speaker 6: that you promote, Let's go get kid. You wanna get some.

2158
01:50:12,920 --> 01:50:14,280
Speaker 1: Bread, Let's go get kidd.

2159
01:50:14,640 --> 01:50:17,920
Speaker 6: Every show I do swollen everywhere, and it's not because

2160
01:50:17,960 --> 01:50:20,040
Speaker 6: of me DJ, It's because everything else.

2161
01:50:19,880 --> 01:50:20,479
Speaker 1: That comes with it.

2162
01:50:20,720 --> 01:50:23,560
Speaker 6: It's professionally on time. The people that work with me

2163
01:50:23,680 --> 01:50:25,800
Speaker 6: make sure your shit's gonna be right. We're gonna make

2164
01:50:25,800 --> 01:50:28,040
Speaker 6: sure everything is together. You ain't gonna throw me in

2165
01:50:28,120 --> 01:50:30,680
Speaker 6: a corner like I'm some neighborhood DJ. You're gonna put

2166
01:50:30,720 --> 01:50:33,240
Speaker 6: me on stage like I was supposed to be, saying way,

2167
01:50:33,240 --> 01:50:35,720
Speaker 6: you're gonna put jay Z on stage, saying way, you're

2168
01:50:35,720 --> 01:50:37,639
Speaker 6: gonna put the dude with the hit record on stage,

2169
01:50:37,840 --> 01:50:40,000
Speaker 6: And I'm gonna sell this shit out the same way

2170
01:50:40,120 --> 01:50:42,920
Speaker 6: he did, and you're gonna treat me like you treated him.

2171
01:50:43,080 --> 01:50:45,080
Speaker 1: If you ain't gonna treat me like that, go get

2172
01:50:45,120 --> 01:50:46,720
Speaker 1: the next dude to do your show, because I don't

2173
01:50:46,720 --> 01:50:48,040
Speaker 1: need it. I do two on the shows a year.

2174
01:50:48,880 --> 01:50:50,960
Speaker 6: So this is where this is the attitude I've been

2175
01:50:51,040 --> 01:50:54,160
Speaker 6: having for years and people may not understand it, but

2176
01:50:54,720 --> 01:50:56,360
Speaker 6: I don't want to be looked at as a DJ

2177
01:50:56,520 --> 01:50:58,360
Speaker 6: to just play records. You're gonna look at me as

2178
01:50:58,400 --> 01:51:00,400
Speaker 6: a force to be reckoned with. And if you don't,

2179
01:51:00,800 --> 01:51:03,679
Speaker 6: I don't need you, simple as that I do a show,

2180
01:51:03,720 --> 01:51:07,439
Speaker 6: A third fir come on his record drop, They gonna

2181
01:51:07,479 --> 01:51:10,519
Speaker 6: go crazy. What I'm gonna do after fur get off stage,

2182
01:51:10,640 --> 01:51:12,840
Speaker 6: I'm gonna do something that's gonna make niggas go crazy.

2183
01:51:12,880 --> 01:51:15,200
Speaker 6: You're gonna say, Yo, that niggair rip ripped it, Kid

2184
01:51:15,280 --> 01:51:16,840
Speaker 6: ripped it, whoever came out that.

2185
01:51:16,960 --> 01:51:19,599
Speaker 1: You better be good. You feel what I'm saying, because

2186
01:51:19,720 --> 01:51:20,599
Speaker 1: that's what it's about.

2187
01:51:20,640 --> 01:51:22,719
Speaker 6: I'm gonna dj. I'm not the dude that make the record.

2188
01:51:22,760 --> 01:51:24,680
Speaker 6: I'm not that I'm gonna do that.

2189
01:51:24,720 --> 01:51:27,200
Speaker 1: I'm gonna play your record better than you perform it.

2190
01:51:27,520 --> 01:51:29,920
Speaker 1: Don't play yourself. You see what I'm saying. And that's

2191
01:51:29,960 --> 01:51:30,759
Speaker 1: how I'm going.

2192
01:51:32,760 --> 01:51:33,080
Speaker 9: This is.

2193
01:51:37,000 --> 01:51:39,720
Speaker 1: This is what It's fine. I'm just saying real shit,

2194
01:51:39,760 --> 01:51:41,759
Speaker 1: you know. Like again, like I mean my first album,

2195
01:51:42,040 --> 01:51:43,160
Speaker 1: I wrapped on the whole album.

2196
01:51:43,600 --> 01:51:45,080
Speaker 6: Warner Brothers came back to me. I was hot in

2197
01:51:45,120 --> 01:51:47,120
Speaker 6: the street with the mixtapes. Yo, we need you to

2198
01:51:47,200 --> 01:51:48,840
Speaker 6: rap on the joint, said the rhymes that you're sitting

2199
01:51:48,840 --> 01:51:51,040
Speaker 6: on your mixtapes, And I'm I'm in there making the

2200
01:51:51,080 --> 01:51:53,080
Speaker 6: beats in the studio, right in the rhymes right there.

2201
01:51:53,280 --> 01:51:55,560
Speaker 6: And I was trying to be no rapper, you know,

2202
01:51:55,960 --> 01:51:57,120
Speaker 6: but all right, this is what they want.

2203
01:51:57,200 --> 01:51:59,160
Speaker 1: I couldn't do. I couldn't make here records being the DJ,

2204
01:51:59,320 --> 01:52:00,479
Speaker 1: so I had to do it that way. So I

2205
01:52:00,520 --> 01:52:01,800
Speaker 1: did it that way. When I got a chance to

2206
01:52:01,840 --> 01:52:03,080
Speaker 1: make my second album.

2207
01:52:03,040 --> 01:52:04,759
Speaker 6: Then I got a chance to just show the production

2208
01:52:04,960 --> 01:52:07,280
Speaker 6: side and get everybody else.

2209
01:52:07,320 --> 01:52:09,759
Speaker 1: I got Jay Buster, Laws, Boys, pun.

2210
01:52:09,760 --> 01:52:12,960
Speaker 6: NOII, everybody, put them all together, made soundtrack to the streets.

2211
01:52:13,360 --> 01:52:15,559
Speaker 1: Now I got topped tier. This is gonna be another thing.

2212
01:52:15,680 --> 01:52:18,200
Speaker 6: And remember everything I do, no matter how big, my

2213
01:52:18,320 --> 01:52:20,640
Speaker 6: name has always been ground from the ground up.

2214
01:52:20,880 --> 01:52:22,200
Speaker 1: I sat on that street corner.

2215
01:52:23,080 --> 01:52:24,559
Speaker 6: I sat in the middle of one hundred and forty

2216
01:52:24,560 --> 01:52:27,240
Speaker 6: fifth Street, in the Favenue where it was killing, shootings,

2217
01:52:27,439 --> 01:52:29,880
Speaker 6: niggas get robbed, all that I sat in the middle

2218
01:52:29,880 --> 01:52:31,080
Speaker 6: of it. I didn't know if I was gonna get

2219
01:52:31,120 --> 01:52:33,600
Speaker 6: robbed or killed by sitting there, By sitting sitting there

2220
01:52:33,680 --> 01:52:36,080
Speaker 6: to sell the mixtation. Ships was driving by laughing like

2221
01:52:36,160 --> 01:52:37,920
Speaker 6: I was doing bad. I used to have to put

2222
01:52:37,960 --> 01:52:40,640
Speaker 6: fourteen gold chains on my neck just to look like

2223
01:52:40,720 --> 01:52:43,479
Speaker 6: I was doing good, sitting there in the middle of

2224
01:52:43,560 --> 01:52:47,040
Speaker 6: the street selling the shit. And the shit took me

2225
01:52:47,160 --> 01:52:48,560
Speaker 6: the way it took me. Now, at the end of

2226
01:52:48,600 --> 01:52:50,800
Speaker 6: the day, you know, I didn't know what was gonna happen.

2227
01:52:50,800 --> 01:52:52,080
Speaker 6: I know she was gonna blow up the way it

2228
01:52:52,080 --> 01:52:55,280
Speaker 6: blew up, but shit blew up. Once it did, I made.

2229
01:52:55,400 --> 01:52:56,240
Speaker 6: I made sense of it.

2230
01:52:56,360 --> 01:52:57,439
Speaker 1: I made I made it happen.

2231
01:52:57,720 --> 01:52:59,439
Speaker 6: You know what I'm saying, And that's it. That just

2232
01:52:59,520 --> 01:53:01,600
Speaker 6: goes as sho anybody, It doesn't matter who it is.

2233
01:53:02,160 --> 01:53:04,760
Speaker 6: You put yourself in and look at y'all. You've been

2234
01:53:04,800 --> 01:53:05,679
Speaker 6: making records forever.

2235
01:53:06,800 --> 01:53:08,280
Speaker 1: You know what I'm saying. You've been making Look.

2236
01:53:08,160 --> 01:53:11,680
Speaker 6: Where you're at now, whole different lane, whole different name

2237
01:53:12,000 --> 01:53:14,320
Speaker 6: right now, right now. You can sit here right now,

2238
01:53:14,360 --> 01:53:17,120
Speaker 6: the way I'm doing on Periscope and on ig live,

2239
01:53:17,360 --> 01:53:19,080
Speaker 6: I sit there. It's not just about the music in

2240
01:53:19,120 --> 01:53:21,120
Speaker 6: the way, the freaky way I play it. It's the

2241
01:53:21,200 --> 01:53:23,679
Speaker 6: life styles everything I say to you, and you're gonna

2242
01:53:23,760 --> 01:53:26,000
Speaker 6: believe it. And the reason why you're gonna believe it

2243
01:53:26,160 --> 01:53:27,600
Speaker 6: because I don't have a credibility of.

2244
01:53:27,680 --> 01:53:30,400
Speaker 1: Kicking pre being a shitty nigga. Cain't never shoot it

2245
01:53:30,439 --> 01:53:31,160
Speaker 1: on nobody, kid.

2246
01:53:31,080 --> 01:53:31,639
Speaker 5: They never did.

2247
01:53:31,800 --> 01:53:34,280
Speaker 6: You don't see nothing on the internet with kids doing

2248
01:53:34,400 --> 01:53:37,240
Speaker 6: foul shit or playing itself or talking crazy.

2249
01:53:37,520 --> 01:53:39,920
Speaker 1: Everything is authentic. So you're gonna believe what I tell you.

2250
01:53:40,080 --> 01:53:42,880
Speaker 1: If I say something foul about you, they're gonna believe it.

2251
01:53:43,000 --> 01:53:45,160
Speaker 1: They're gonna believe it because they know I don't say nothing.

2252
01:53:45,320 --> 01:53:47,600
Speaker 1: Same thing. You have a lane, now, is that that

2253
01:53:47,760 --> 01:53:51,120
Speaker 1: you can? You could tell people you know, believe me,

2254
01:53:51,280 --> 01:53:53,080
Speaker 1: believe what I say. This is the truth, this is

2255
01:53:53,120 --> 01:53:53,920
Speaker 1: what's going on, and.

2256
01:53:53,920 --> 01:53:55,599
Speaker 6: As long as you stay like that, people are gonna

2257
01:53:55,640 --> 01:53:58,880
Speaker 6: follow you. You drink chances the ship. Let's get it straight.

2258
01:54:00,520 --> 01:54:01,120
Speaker 1: That's what I'm here.

2259
01:54:01,160 --> 01:54:02,280
Speaker 4: I don't that's what.

2260
01:54:02,800 --> 01:54:03,360
Speaker 1: Let's just say.

2261
01:54:03,600 --> 01:54:06,840
Speaker 6: I want vacation. I took a vacation because I've been

2262
01:54:07,880 --> 01:54:10,920
Speaker 6: hands I want to. I've been offered to do shows

2263
01:54:10,960 --> 01:54:13,760
Speaker 6: and parties and all that ship, but he offered me.

2264
01:54:15,600 --> 01:54:18,880
Speaker 1: Nothing. The only thing I took was drink Champs. The

2265
01:54:19,080 --> 01:54:20,760
Speaker 1: only thing I took because this.

2266
01:54:23,680 --> 01:54:24,200
Speaker 6: Is my wife.

2267
01:54:24,320 --> 01:54:31,960
Speaker 1: Tell me when I do something good. Everybody, no, thank you,

2268
01:54:32,600 --> 01:54:33,200
Speaker 1: no doubt.

2269
01:54:36,800 --> 01:54:42,120
Speaker 4: No, but you say yes yes right up for saying

2270
01:54:42,160 --> 01:54:46,480
Speaker 4: here like damn classic listen for it's a classic episode.

2271
01:54:47,440 --> 01:54:52,920
Speaker 1: I'm happy to be a fun of you. Classic here bro, Now,

2272
01:54:52,960 --> 01:54:54,120
Speaker 1: what are your niggas gonna do?

2273
01:54:54,640 --> 01:54:57,720
Speaker 4: And and and and come on, come on in the

2274
01:54:57,800 --> 01:55:01,880
Speaker 4: ASAC can can't control over New York. We we we

2275
01:55:02,840 --> 01:55:09,480
Speaker 4: depending on you, Rocky and all y'all to take go

2276
01:55:09,680 --> 01:55:11,520
Speaker 4: far us because I don't want to rap no more.

2277
01:55:14,000 --> 01:55:15,320
Speaker 4: I'm okay, I'm ready.

2278
01:55:16,960 --> 01:55:19,240
Speaker 1: I think it's bigger than rap, though, man, I think

2279
01:55:19,280 --> 01:55:21,000
Speaker 1: it's when we need your niggas to take it.

2280
01:55:21,200 --> 01:55:23,440
Speaker 6: We're gonna rap, We're gonna take over. But I think

2281
01:55:23,480 --> 01:55:25,240
Speaker 6: it's bigger than rap because the last thing, we can

2282
01:55:25,360 --> 01:55:27,320
Speaker 6: break it down a little bit more so soon. Look,

2283
01:55:27,880 --> 01:55:32,480
Speaker 6: because you know why, we're from New York. We're all

2284
01:55:32,520 --> 01:55:35,760
Speaker 6: from New York, all of us. You know you're from

2285
01:55:35,800 --> 01:55:40,680
Speaker 6: New York in your fucking mind from New York.

2286
01:55:45,960 --> 01:55:46,960
Speaker 1: Don't put on New York.

2287
01:55:47,520 --> 01:55:47,640
Speaker 17: Right.

2288
01:55:48,720 --> 01:55:53,960
Speaker 1: We need y'all to step off right. Some people look

2289
01:55:54,200 --> 01:55:56,680
Speaker 1: at your sounds. Some people look at the movement and

2290
01:55:56,760 --> 01:56:01,880
Speaker 1: they say, oh, it's different. I'm not one of those guys.

2291
01:56:02,040 --> 01:56:03,000
Speaker 1: I'm one of those guys.

2292
01:56:03,480 --> 01:56:06,880
Speaker 6: I think different is good. That's what I they different.

2293
01:56:06,960 --> 01:56:12,680
Speaker 6: Open up more doors absolutely now. Now the torch is

2294
01:56:12,960 --> 01:56:17,120
Speaker 6: really in you guys hand, right, like I mean, for real,

2295
01:56:17,240 --> 01:56:20,320
Speaker 6: corral right, like I mean, it doesn't.

2296
01:56:20,080 --> 01:56:23,280
Speaker 4: Matter how many records Fat Joe will make and bust

2297
01:56:23,320 --> 01:56:26,919
Speaker 4: a rounds to make nor we would make job rulemake

2298
01:56:27,080 --> 01:56:30,840
Speaker 4: DMX to make fifty cent make right now, y'all the.

2299
01:56:30,920 --> 01:56:36,280
Speaker 1: New generation, it's actually really in y'all hand, right, I'm

2300
01:56:36,280 --> 01:56:40,280
Speaker 1: gonna slimer beating them. Yeah, we know what can't be

2301
01:56:40,400 --> 01:56:43,680
Speaker 1: heavy too. I can't wait. I'm heavy. But we're just

2302
01:56:43,800 --> 01:56:46,480
Speaker 1: gonna keep were just gonna keep being that and keep

2303
01:56:46,880 --> 01:56:53,800
Speaker 1: continue to innovate and push culture forward. I think, you know,

2304
01:56:53,920 --> 01:56:54,160
Speaker 1: I don't.

2305
01:56:54,200 --> 01:56:56,000
Speaker 8: I don't like to talk with myself or what we

2306
01:56:56,240 --> 01:56:59,000
Speaker 8: do is as far as the group, but I think

2307
01:56:59,160 --> 01:57:03,560
Speaker 8: that like we did a lot for the youth, the

2308
01:57:03,720 --> 01:57:07,720
Speaker 8: underground internet scene that was trying to break through. And

2309
01:57:08,760 --> 01:57:11,480
Speaker 8: you know, Harlem didn't have or New York didn't have

2310
01:57:11,840 --> 01:57:14,240
Speaker 8: a voice in a long time. So you know, we

2311
01:57:14,360 --> 01:57:16,120
Speaker 8: don't only just speak for New York. We speak for

2312
01:57:16,160 --> 01:57:19,400
Speaker 8: the culture period now for New York. I have like

2313
01:57:19,520 --> 01:57:23,520
Speaker 8: a whole crazy love about New York, like you know

2314
01:57:23,560 --> 01:57:25,800
Speaker 8: what I'm saying, Like I love Harlem and Death, I

2315
01:57:25,840 --> 01:57:30,680
Speaker 8: love Brooklyn, I love Queens and Bronx, stat Island, Long Island.

2316
01:57:31,240 --> 01:57:34,280
Speaker 8: So it's just like most of my videos have shot

2317
01:57:34,320 --> 01:57:36,600
Speaker 8: in New York and when I do that. When I

2318
01:57:36,680 --> 01:57:39,920
Speaker 8: bring them cameras around, I'm giving kids an opportunity to

2319
01:57:40,000 --> 01:57:41,880
Speaker 8: jump in front of that camera and do what you do.

2320
01:57:42,600 --> 01:57:44,640
Speaker 8: Show them, show them your talent, show them what you do,

2321
01:57:44,720 --> 01:57:46,560
Speaker 8: because that's what I was doing when them cameras is

2322
01:57:46,600 --> 01:57:47,160
Speaker 8: coming around.

2323
01:57:49,560 --> 01:57:50,080
Speaker 1: God damn.

2324
01:57:52,200 --> 01:57:56,760
Speaker 8: And also and also I love being in the city.

2325
01:57:57,000 --> 01:58:00,320
Speaker 8: I love being in the city because I I love

2326
01:58:00,400 --> 01:58:02,320
Speaker 8: when I seen you in the neighborhood, or when I

2327
01:58:02,400 --> 01:58:05,600
Speaker 8: seen Cam in the neighborhood, or Jim Jones or you

2328
01:58:05,720 --> 01:58:08,680
Speaker 8: know these guys, it was like something to look up to.

2329
01:58:08,800 --> 01:58:11,120
Speaker 1: It it's try to be so you know, I just

2330
01:58:11,240 --> 01:58:12,480
Speaker 1: gotta ask that because.

2331
01:58:16,480 --> 01:58:20,800
Speaker 4: The legends from y'all heard is Jim Jones, Cameron, But

2332
01:58:20,960 --> 01:58:25,520
Speaker 4: it feels like Cam is coach signing, y'all, but a

2333
01:58:25,720 --> 01:58:27,040
Speaker 4: certain energy that.

2334
01:58:27,160 --> 01:58:30,080
Speaker 1: Comes and I bugging, what do you mean?

2335
01:58:30,840 --> 01:58:34,760
Speaker 4: Like it feels like Cameron is signing a sad but

2336
01:58:35,040 --> 01:58:37,760
Speaker 4: maybe every time when Jim Jones comes up, it's a

2337
01:58:37,840 --> 01:58:39,320
Speaker 4: certain energy that's not good.

2338
01:58:39,760 --> 01:58:42,040
Speaker 1: My bugging, people tell me I'm about it. Nah, I

2339
01:58:42,160 --> 01:58:43,920
Speaker 1: just shot a video or I mean, I didn't just

2340
01:58:44,000 --> 01:58:46,680
Speaker 1: shoot a video with Jim Jones. But you know, Jim

2341
01:58:46,840 --> 01:58:48,040
Speaker 1: showed love from jump.

2342
01:58:48,200 --> 01:58:50,760
Speaker 6: He knew my pops and knew my know my family,

2343
01:58:51,360 --> 01:58:53,920
Speaker 6: and he is he that I knew Jim actually before

2344
01:58:53,920 --> 01:58:56,360
Speaker 6: I knew Cam Wow. And Jim came in and this

2345
01:58:56,480 --> 01:58:59,160
Speaker 6: is when I was designed and he was actually like

2346
01:58:59,320 --> 01:59:01,839
Speaker 6: doing like the b he simon adults and he introduced

2347
01:59:01,880 --> 01:59:04,560
Speaker 6: me to Bbie and you know, this guy is like

2348
01:59:04,720 --> 01:59:07,280
Speaker 6: meeting up with stan Lee to designer, a.

2349
01:59:07,440 --> 01:59:09,080
Speaker 1: Vegan man and all of that.

2350
01:59:09,280 --> 01:59:13,680
Speaker 8: Yeah, and yeah, like he just put me in places

2351
01:59:13,760 --> 01:59:16,560
Speaker 8: I wouldn't have been myself. So shout out to Gym

2352
01:59:16,640 --> 01:59:19,840
Speaker 8: for that. You know, some people are just I don't know.

2353
01:59:20,000 --> 01:59:22,200
Speaker 1: Like some people are just more outspoken than others. And

2354
01:59:22,840 --> 01:59:25,400
Speaker 1: you know, Jim is just Jim helped me. Shout outs

2355
01:59:25,400 --> 01:59:29,760
Speaker 1: to Jim. That's something we need to hear that. You

2356
01:59:29,880 --> 01:59:30,360
Speaker 1: need to hear that.

2357
01:59:30,560 --> 01:59:33,480
Speaker 6: Yeah, shout outs to Gym, and shout outs of camp

2358
01:59:33,640 --> 01:59:36,200
Speaker 6: as well, like you know and Jel.

2359
01:59:36,000 --> 01:59:40,040
Speaker 4: St Joel and everybody from Dip, the Masks, goddamn everybody

2360
01:59:40,760 --> 01:59:41,240
Speaker 4: in New York.

2361
01:59:46,000 --> 01:59:47,839
Speaker 1: You know, everybody smoking. He's smoking.

2362
01:59:47,880 --> 01:59:50,400
Speaker 4: Man, you gotta take a more more shot and then listen,

2363
01:59:51,280 --> 01:59:54,160
Speaker 4: all right, let's take him more shot.

2364
01:59:54,960 --> 01:59:57,040
Speaker 1: By how many bless you had?

2365
01:59:57,120 --> 02:00:00,600
Speaker 8: Nori, I don't count, but he had about like nine

2366
02:00:00,840 --> 02:00:05,480
Speaker 8: ten Johnny, but you know the beauty you got smoke.

2367
02:00:05,200 --> 02:00:13,120
Speaker 1: Whiz Khaliff, he got a relax. He's my friend. I

2368
02:00:13,400 --> 02:00:15,520
Speaker 1: like him. We didn't have a good show with with

2369
02:00:15,680 --> 02:00:18,560
Speaker 1: Snoop and you guys. You guys did good. Yeah, Snoop

2370
02:00:18,680 --> 02:00:24,120
Speaker 1: had to relax as well. No No, Snoop and Snoop

2371
02:00:24,160 --> 02:00:28,760
Speaker 1: we got the same birthday. It's big, it's big, it's big, Snoop.

2372
02:00:28,840 --> 02:00:33,240
Speaker 1: This mee, but listen, oh wow, Snoop, this me right.

2373
02:00:34,240 --> 02:00:36,920
Speaker 6: I was doing the record with Snoop and slick Rick,

2374
02:00:38,000 --> 02:00:41,920
Speaker 6: his record D Dre wanted to do for a long time,

2375
02:00:42,000 --> 02:00:43,080
Speaker 6: but slick Rick was.

2376
02:00:43,120 --> 02:00:45,680
Speaker 1: Locked up, so when he got out, I was doing

2377
02:00:45,720 --> 02:00:46,400
Speaker 1: my album.

2378
02:00:46,440 --> 02:00:48,200
Speaker 6: And it ended up getting new. So I did slick

2379
02:00:48,280 --> 02:00:50,880
Speaker 6: Ricking in the box and then I went to l

2380
02:00:50,960 --> 02:00:54,960
Speaker 6: A to go do Snoop back. So, being Snoop in

2381
02:00:55,000 --> 02:00:58,120
Speaker 6: the studio, I said, I'm gonna bring Sweed Snoop.

2382
02:00:58,440 --> 02:01:01,680
Speaker 1: It's gonna be screened, heavy ship, make him comfortable, everything's

2383
02:01:01,680 --> 02:01:05,800
Speaker 1: gonna be all right. Pulled the bag out confident yo smoke.

2384
02:01:07,120 --> 02:01:08,760
Speaker 1: He said, get that bulls.

2385
02:01:10,120 --> 02:01:14,440
Speaker 18: You gonna pull out some orange ship from Humble County.

2386
02:01:14,520 --> 02:01:17,000
Speaker 18: I was like, what the is that this ship like

2387
02:01:18,280 --> 02:01:21,880
Speaker 18: this ship like this is part Yo. Nigga was laughing

2388
02:01:21,920 --> 02:01:23,080
Speaker 18: at me. I smoked too.

2389
02:01:23,600 --> 02:01:26,520
Speaker 1: I pulled two blunks too, poked that ship. I ain't

2390
02:01:26,520 --> 02:01:32,000
Speaker 1: smoked no more. That night, this ship was poisoned. She

2391
02:01:32,200 --> 02:01:38,320
Speaker 1: was poison some more. This night we got we gotta

2392
02:01:38,360 --> 02:01:48,360
Speaker 1: a demon raymon. I'm straight a good. Yeah. So yeah,

2393
02:01:48,440 --> 02:01:50,920
Speaker 1: that's that's it. You know, we got the pair pressure

2394
02:01:51,960 --> 02:01:56,120
Speaker 1: the worst. I'm gonna tell you something. I'm gonna tell

2395
02:01:56,120 --> 02:02:00,840
Speaker 1: you something. It might seem like I'm saucy. I might

2396
02:02:00,920 --> 02:02:03,720
Speaker 1: seem like I'm drunk, but let me just tell us something.

2397
02:02:04,960 --> 02:02:07,080
Speaker 4: Hip hop is the best thing that we should ever

2398
02:02:07,240 --> 02:02:12,000
Speaker 4: celebrate because it's something that we created as.

2399
02:02:12,040 --> 02:02:16,160
Speaker 1: Black, the young Latinos blacks.

2400
02:02:16,800 --> 02:02:21,480
Speaker 4: Whatever is in my nationalities doesn't even matter. It's what

2401
02:02:21,680 --> 02:02:25,440
Speaker 4: we created as people. We sat back, we were poor,

2402
02:02:26,120 --> 02:02:32,680
Speaker 4: and we created something. And the crazy shit is the

2403
02:02:33,160 --> 02:02:40,400
Speaker 4: biggest thing I've ever learned from Leo Colmes was when

2404
02:02:42,120 --> 02:02:44,040
Speaker 4: I'm at the Polar Lounge.

2405
02:02:43,680 --> 02:02:47,960
Speaker 1: With this guy, He's like, I want drink Champs. I said,

2406
02:02:48,000 --> 02:02:52,160
Speaker 1: we lacks, what do you want to do with the

2407
02:02:52,240 --> 02:02:52,880
Speaker 1: drink Champs?

2408
02:02:54,680 --> 02:02:58,160
Speaker 27: Let me finish, And he's like, I want it and

2409
02:02:58,320 --> 02:03:04,960
Speaker 27: I said blacks, And he doesn't know why he wants it.

2410
02:03:05,480 --> 02:03:08,600
Speaker 4: But the thing about it is what he did tell

2411
02:03:08,680 --> 02:03:13,400
Speaker 4: me why is He's like, I can't believe hip hop

2412
02:03:13,600 --> 02:03:22,840
Speaker 4: celebrates hip hop. He's been down since run DMC was

2413
02:03:23,000 --> 02:03:28,840
Speaker 4: sniffing coke Angel does hip hop don't celebrate hip hop?

2414
02:03:29,760 --> 02:03:34,440
Speaker 4: The reason why these guys are they're running around because

2415
02:03:34,520 --> 02:03:38,200
Speaker 4: they back then, these niggas really had beef back then.

2416
02:03:40,120 --> 02:03:43,280
Speaker 1: Back then they would do three shows because they had

2417
02:03:43,360 --> 02:03:43,760
Speaker 1: to move.

2418
02:03:45,840 --> 02:03:49,120
Speaker 4: So when he sees this and he says, you guys

2419
02:03:49,200 --> 02:03:51,320
Speaker 4: are celebrating hip hop.

2420
02:03:52,880 --> 02:04:00,440
Speaker 1: And winning, it's crazy to him, just like aadan you.

2421
02:04:02,920 --> 02:04:05,400
Speaker 17: Let me tell you something though. I just came back

2422
02:04:05,440 --> 02:04:12,320
Speaker 17: from south By Southwest and the range of people, the

2423
02:04:12,560 --> 02:04:15,600
Speaker 17: range of people that was fans of Dream Champs. It

2424
02:04:15,760 --> 02:04:18,080
Speaker 17: was like eighteen year old to forty year olds.

2425
02:04:18,320 --> 02:04:23,320
Speaker 28: Yeah, and the young kids that all the young kids

2426
02:04:23,480 --> 02:04:28,360
Speaker 28: was like, thank you for teaching us about your generation.

2427
02:04:29,760 --> 02:04:31,840
Speaker 1: South By Southwest was crazy. Me and Boston did the

2428
02:04:31,920 --> 02:04:35,480
Speaker 1: show their Monday that she was so laud Can you

2429
02:04:35,560 --> 02:04:42,520
Speaker 1: Rea stout lost? I'm always always hit that what is that?

2430
02:04:42,760 --> 02:04:50,560
Speaker 1: What you what is that twig? What is that twig? Anyway?

2431
02:04:51,000 --> 02:04:51,120
Speaker 28: You know?

2432
02:04:51,280 --> 02:04:55,760
Speaker 1: Even from Nicolodeon at one point. Nickelodeon, you know you

2433
02:04:55,920 --> 02:05:00,000
Speaker 1: did maybe I saw I did a lot of stuff.

2434
02:05:01,960 --> 02:05:06,560
Speaker 1: No nothing Nickelodeon. No, No, you've been clean for a

2435
02:05:06,640 --> 02:05:09,600
Speaker 1: long time. It's a great thing. Yeah, I'm stay clean

2436
02:05:10,440 --> 02:05:12,080
Speaker 1: prop of the Boy and I still I'm still clean.

2437
02:05:12,200 --> 02:05:17,440
Speaker 1: Like you know, you won man, so to grab that mic?

2438
02:05:21,240 --> 02:05:26,400
Speaker 1: Grab that one. How was it being on Timing Boy?

2439
02:05:26,520 --> 02:05:28,360
Speaker 1: Did you love being on Timing Voice?

2440
02:05:32,400 --> 02:05:34,640
Speaker 10: I mean they you know first, and I mean they

2441
02:05:34,720 --> 02:05:36,760
Speaker 10: got a history, you know what I mean, like the

2442
02:05:36,800 --> 02:05:37,840
Speaker 10: stuff that they put out.

2443
02:05:37,920 --> 02:05:40,560
Speaker 1: But as far as me being happy with them, I

2444
02:05:40,600 --> 02:05:43,680
Speaker 1: mean I did one album with them, you know, and uh,

2445
02:05:45,720 --> 02:05:48,520
Speaker 1: I mean I had no issues. There's only one album.

2446
02:05:48,880 --> 02:05:51,920
Speaker 1: There was no Peacemaker too. No, it wasn't Peacemaker too,

2447
02:05:52,000 --> 02:05:52,760
Speaker 1: but that I'm telling you.

2448
02:05:52,920 --> 02:05:55,440
Speaker 6: I was on your Peacemaker that was independent peace Maker

2449
02:05:55,720 --> 02:05:56,760
Speaker 6: was on the peace Maker one.

2450
02:05:56,720 --> 02:05:59,240
Speaker 1: With the D I T C record. Yeah, crazy, that

2451
02:05:59,600 --> 02:06:01,920
Speaker 1: was crazy. So we'll put up Peacemaker too. We gotta

2452
02:06:01,960 --> 02:06:06,040
Speaker 1: hit it one time, came for the camera, she got

2453
02:06:06,200 --> 02:06:10,360
Speaker 1: hit it one time, passed it to the touch each

2454
02:06:10,560 --> 02:06:17,560
Speaker 1: it's this heroine, mad heroin, man heroin, mad heroin. That's

2455
02:06:17,600 --> 02:06:20,040
Speaker 1: the that's the reason why we popping. He's still Heroin

2456
02:06:20,960 --> 02:06:26,200
Speaker 1: we d. Yeah, nobody that ship. Let me call on

2457
02:06:27,000 --> 02:06:35,280
Speaker 1: thank you, this heroin in that blood, this heroin everywhere everywhere. Yeah,

2458
02:06:35,400 --> 02:06:38,240
Speaker 1: we gotta relax. Let me find out we're sponsored by Heroin.

2459
02:06:40,360 --> 02:06:44,960
Speaker 1: We've been sponsored by HEROD for the first show. What

2460
02:06:45,160 --> 02:06:49,640
Speaker 1: show is this? Since you won't seventy one? We don't.

2461
02:06:50,360 --> 02:06:53,200
Speaker 1: We've been we've been herowing out for a long time.

2462
02:06:55,160 --> 02:07:03,280
Speaker 1: This relax itself. Let me find out you work the camera?

2463
02:07:04,600 --> 02:07:07,960
Speaker 1: Oh ship, I get the more like this.

2464
02:07:09,640 --> 02:07:14,920
Speaker 29: You sure be called though, Yeah, because started because a couple.

2465
02:07:16,360 --> 02:07:19,840
Speaker 29: You know, you're short, look that put your legs but

2466
02:07:22,080 --> 02:07:23,680
Speaker 29: not that hey, but you put your like that.

2467
02:07:23,920 --> 02:07:28,040
Speaker 1: But it's a different type of hold on you got Okay,

2468
02:07:28,360 --> 02:07:32,560
Speaker 1: you got that. Okay, you're coming out. I'm coming out,

2469
02:07:32,680 --> 02:07:34,240
Speaker 1: coming out of what we're going out.

2470
02:07:36,320 --> 02:07:42,480
Speaker 4: In Miami in my heavy in Miami, Miami, because k

2471
02:07:42,680 --> 02:07:45,000
Speaker 4: you just celebrated like your birthday, like you're like fifty.

2472
02:07:45,120 --> 02:07:47,960
Speaker 1: Now my ship was crazy to my party. Man, you

2473
02:07:48,040 --> 02:07:50,960
Speaker 1: finshed you up fifty one. Let's keep it at fifty.

2474
02:07:51,480 --> 02:08:01,120
Speaker 1: Makes you know, okay, we hit that real real fifty

2475
02:08:01,840 --> 02:08:08,120
Speaker 1: one of the real straight This is one straight I

2476
02:08:08,160 --> 02:08:09,320
Speaker 1: don't want to cut you off.

2477
02:08:09,400 --> 02:08:10,880
Speaker 15: Bro about to cut you off?

2478
02:08:13,200 --> 02:08:21,160
Speaker 1: And one boy one boo, come on on, boo, I'm

2479
02:08:21,200 --> 02:08:23,160
Speaker 1: gonna end the show right now. You got react. I'm

2480
02:08:23,160 --> 02:08:23,840
Speaker 1: gonna end the show.

2481
02:08:24,400 --> 02:08:25,960
Speaker 15: Know you gotta react.

2482
02:08:26,320 --> 02:08:30,120
Speaker 3: Your getting two parts the hardest blooding water because it's smarter.

2483
02:08:30,920 --> 02:08:36,000
Speaker 1: You gotta go start the next part. All just take

2484
02:08:36,040 --> 02:08:42,080
Speaker 1: a shot me and you this ship, no, yes, that ship,

2485
02:08:42,480 --> 02:08:44,480
Speaker 1: that ship. You do this? I do this all right?

2486
02:08:44,800 --> 02:08:48,000
Speaker 1: I mean, oh, first, look at first for what you are.

2487
02:08:48,640 --> 02:08:51,600
Speaker 1: Come you want to rock for you? Okay? That was

2488
02:08:51,640 --> 02:08:55,160
Speaker 1: the charge I found that was use you know I'm

2489
02:08:55,240 --> 02:08:55,920
Speaker 1: jamming with us.

2490
02:08:56,160 --> 02:08:56,360
Speaker 11: You're not.

2491
02:08:56,440 --> 02:09:03,640
Speaker 1: You're not jamming with us. Was jamming. Take my head,

2492
02:09:05,520 --> 02:09:09,520
Speaker 1: take him a head? And you got a party tomorrow?

2493
02:09:09,720 --> 02:09:09,840
Speaker 17: Right?

2494
02:09:10,080 --> 02:09:14,920
Speaker 1: Oh? Definitely? You a little Wayne? Yeah? And this is

2495
02:09:15,080 --> 02:09:18,640
Speaker 1: and what is it called chicken bars? Come on, I

2496
02:09:18,680 --> 02:09:21,680
Speaker 1: don't know what I'm drinking. You got the rock I

2497
02:09:21,720 --> 02:09:24,520
Speaker 1: got called you wife. I don't believe you, but I'm

2498
02:09:24,640 --> 02:09:35,880
Speaker 1: still in rocking. Yo. I ain't gonna lie. I know

2499
02:09:36,000 --> 02:09:38,480
Speaker 1: two parts of this keep a hundred percent. I had

2500
02:09:38,520 --> 02:09:41,920
Speaker 1: to pee for like two hours, so rocking from I've

2501
02:09:41,920 --> 02:09:44,800
Speaker 1: been holding my ship. I'm gonna vo you're not you're

2502
02:09:44,840 --> 02:09:55,240
Speaker 1: not your i'mami, but all take a shot. Take a shot,

2503
02:09:55,680 --> 02:09:58,840
Speaker 1: not playing playing, take a shot. Take a shot. My

2504
02:09:59,000 --> 02:10:03,440
Speaker 1: kid give it with the first thing that ever showed

2505
02:10:03,440 --> 02:10:06,200
Speaker 1: me a pornal flick in my life. He sounds man

2506
02:10:06,480 --> 02:10:12,880
Speaker 1: crazy video just way before a j klled dashians O Kelly.

2507
02:10:14,520 --> 02:10:21,920
Speaker 1: It was just just came before rage.

2508
02:10:24,400 --> 02:10:27,920
Speaker 5: You know, like you gotta la.

2509
02:10:28,200 --> 02:10:36,840
Speaker 1: I got it if I have bank, Mom, thank you.

2510
02:10:39,480 --> 02:10:42,640
Speaker 1: This is a slow train crash. Told me I'm sorry

2511
02:10:42,680 --> 02:10:46,120
Speaker 1: about this. Guy kid told me say, you gotta relax.

2512
02:10:47,160 --> 02:10:47,840
Speaker 15: He told you that.

2513
02:10:48,520 --> 02:10:50,800
Speaker 1: He told me he said, young nigga, you gotta relax.

2514
02:10:51,440 --> 02:10:53,160
Speaker 1: I think he was talking to you in the future

2515
02:10:53,240 --> 02:10:58,320
Speaker 1: to now you've gotta relax. That's very true. Yes, he

2516
02:10:58,520 --> 02:11:01,600
Speaker 1: told me that. Then he said, now what you're saying,

2517
02:11:01,720 --> 02:11:08,800
Speaker 1: sau Now I gotta relax. I'm just relaxed. I just relaxed. Cheers.

2518
02:11:09,120 --> 02:11:11,520
Speaker 1: You got to relax. Cheers your blood or whatever. The

2519
02:11:11,840 --> 02:11:12,800
Speaker 1: hero when you got.

2520
02:11:17,120 --> 02:11:22,640
Speaker 4: Yo, that's chairs to people waving with that feet when

2521
02:11:22,680 --> 02:11:25,880
Speaker 4: one feet what language you just.

2522
02:11:27,880 --> 02:11:28,400
Speaker 1: Feet said?

2523
02:11:28,440 --> 02:11:32,880
Speaker 4: The people wave with that feed the mad feet up

2524
02:11:32,920 --> 02:11:39,120
Speaker 4: in the air the match, right, you tell your mad business.

2525
02:11:39,320 --> 02:11:42,800
Speaker 4: I'm going I'm going buddy, you gotta relax.

2526
02:11:44,120 --> 02:11:47,400
Speaker 1: I'm sorry, but it's still a win far. That's when

2527
02:11:47,600 --> 02:11:49,640
Speaker 1: it's ast win. I don't know what you're drinking. What

2528
02:11:49,800 --> 02:11:53,720
Speaker 1: is that card? You want some card? You gotta relax,

2529
02:11:53,800 --> 02:11:57,600
Speaker 1: you gotta can't you want to shin up card? No,

2530
02:12:00,640 --> 02:12:04,800
Speaker 1: go on, tell them people when we can catch you

2531
02:12:05,080 --> 02:12:11,120
Speaker 1: every night. Tell them people don't say you talk to them.

2532
02:12:11,160 --> 02:12:14,640
Speaker 1: Go on Talk on Tuesdays, ship man, that's right.

2533
02:12:15,280 --> 02:12:20,720
Speaker 10: Talk on Tuesdays, New York City, save forty five, that's right,

2534
02:12:20,840 --> 02:12:23,680
Speaker 10: that's the radio show. And then we got the we

2535
02:12:23,800 --> 02:12:27,440
Speaker 10: got the party on Tuesday nights, which you know Capri

2536
02:12:27,600 --> 02:12:32,080
Speaker 10: has been involved and played at our party a few times.

2537
02:12:32,160 --> 02:12:34,600
Speaker 10: You know what I'm saying, and and you know like

2538
02:12:34,760 --> 02:12:36,440
Speaker 10: it's family affair. You know what I'm saying.

2539
02:12:36,840 --> 02:12:41,640
Speaker 1: Talk on Tuesdays right now, it's a clubs yellow. The

2540
02:12:41,800 --> 02:12:44,640
Speaker 1: radio show is serious.

2541
02:12:44,280 --> 02:12:49,160
Speaker 10: Sex m shave forty five by the being twelve years everybody,

2542
02:12:49,240 --> 02:12:52,320
Speaker 10: you know, all of us, you know that's always work,

2543
02:12:52,400 --> 02:12:52,840
Speaker 10: all of us.

2544
02:12:52,960 --> 02:12:57,960
Speaker 1: That's what that's how hard. Talk on Tuesdays. Go ahead

2545
02:12:58,280 --> 02:13:00,720
Speaker 1: for talk to them people, please a man. You can

2546
02:13:00,760 --> 02:13:04,280
Speaker 1: follow me on Instagram where we keep going. I need

2547
02:13:04,320 --> 02:13:08,200
Speaker 1: to know what kind of sweatsuit. Is that Oh that

2548
02:13:08,320 --> 02:13:14,560
Speaker 1: sounds expensive, but you gotta relax. Hold on, I gotta

2549
02:13:14,600 --> 02:13:18,840
Speaker 1: relacted sounds expense. You gotta relax to relax me.

2550
02:13:34,480 --> 02:13:35,040
Speaker 7: The time.

2551
02:13:40,440 --> 02:13:45,480
Speaker 6: Negotia Sergio sweatsuit and you can find me on Twitter, Instagram,

2552
02:13:46,000 --> 02:13:47,880
Speaker 6: sat for a s A p F E r G.

2553
02:13:49,080 --> 02:13:52,800
Speaker 6: I got an album coming out, so driving it should

2554
02:13:52,800 --> 02:13:55,080
Speaker 6: be out pretty showing and uh it should be out

2555
02:13:55,120 --> 02:13:55,560
Speaker 6: a sap.

2556
02:13:55,680 --> 02:14:01,520
Speaker 1: Put it like that, right the all pun intendent, make

2557
02:14:01,760 --> 02:14:11,040
Speaker 1: Loise care what's happening. You gotta tell these people. You

2558
02:14:11,160 --> 02:14:17,320
Speaker 1: gotta eat these bitches asses throwing out anyway as good

2559
02:14:17,920 --> 02:14:27,440
Speaker 1: on give me well anyway. You gotta know you throw

2560
02:14:27,480 --> 02:14:29,280
Speaker 1: that out there for the youngs.

2561
02:14:31,000 --> 02:14:48,560
Speaker 5: Raised right the mod you eight.

2562
02:14:42,040 --> 02:14:42,960
Speaker 1: My information.

2563
02:14:44,240 --> 02:14:44,880
Speaker 5: Whatever you want.

2564
02:14:45,280 --> 02:14:45,880
Speaker 1: This is your show.

2565
02:14:47,120 --> 02:14:52,160
Speaker 6: First of all, Block Party Live, make sake on Pepiscope

2566
02:14:52,240 --> 02:14:55,000
Speaker 6: and the and the i G Live. That's Wednesday, eight

2567
02:14:55,000 --> 02:14:59,120
Speaker 6: o'clock Easter time. That ship rings off and that I

2568
02:14:59,200 --> 02:15:01,840
Speaker 6: had so many I been watching that made me create

2569
02:15:01,880 --> 02:15:04,280
Speaker 6: a show called No Penny Sundays Ladies.

2570
02:15:05,280 --> 02:15:07,240
Speaker 1: Yeah, I play a lot of cool hour slow music.

2571
02:15:07,440 --> 02:15:10,920
Speaker 6: I'd be having little flowers and ship little it you

2572
02:15:11,000 --> 02:15:14,080
Speaker 6: fly man, I have little problems and all that right there,

2573
02:15:14,480 --> 02:15:17,720
Speaker 6: and it got so popular that my man Ron Mills

2574
02:15:18,000 --> 02:15:23,120
Speaker 6: from Syria and Sex Center Dionxamp Silly SEXI Fly asked

2575
02:15:23,160 --> 02:15:25,360
Speaker 6: me to come and do my thing because I didn't

2576
02:15:25,400 --> 02:15:27,160
Speaker 6: want to go on the radio and be told what

2577
02:15:27,360 --> 02:15:27,560
Speaker 6: to do.

2578
02:15:28,240 --> 02:15:29,800
Speaker 1: You know, that's why I'm on the radio.

2579
02:15:29,880 --> 02:15:31,800
Speaker 6: You know, I come and doing a guest appearances or

2580
02:15:31,800 --> 02:15:34,440
Speaker 6: wherever whatever station. But I didn't want to be locked

2581
02:15:34,440 --> 02:15:36,240
Speaker 6: in those stationss I ain't want nobody telling me how

2582
02:15:36,360 --> 02:15:39,600
Speaker 6: radio should go. So I started showing syvia sex symbers.

2583
02:15:39,640 --> 02:15:40,920
Speaker 6: They came to me and said, ky, you know what

2584
02:15:41,000 --> 02:15:43,000
Speaker 6: you're doing, this is gonna make it happen. So I

2585
02:15:43,080 --> 02:15:45,360
Speaker 6: got a six hour show. I'll be a personality from

2586
02:15:45,400 --> 02:15:47,520
Speaker 6: forty eight and then from eight o'clock to ten o'clock,

2587
02:15:47,760 --> 02:15:49,880
Speaker 6: I play that ship. And what I do is I

2588
02:15:50,000 --> 02:15:52,560
Speaker 6: put new and old together and I make it so fly.

2589
02:15:52,720 --> 02:15:54,560
Speaker 6: Y'all got to listen to it. Trust what I'm telling y'all.

2590
02:15:54,720 --> 02:15:56,520
Speaker 6: If y'all ain't got the app, go get the app.

2591
02:15:58,720 --> 02:16:00,760
Speaker 1: Ship. And now only that I was from this album

2592
02:16:00,840 --> 02:16:01,560
Speaker 1: called Top ten.

2593
02:16:03,120 --> 02:16:06,000
Speaker 6: Took all the battle rappers and made them put something together,

2594
02:16:06,120 --> 02:16:08,560
Speaker 6: made some hot produced the album for them and also

2595
02:16:08,920 --> 02:16:11,000
Speaker 6: you can see me in your show and your city

2596
02:16:11,120 --> 02:16:12,960
Speaker 6: doing my thing and smashing it Dan. So if you

2597
02:16:13,040 --> 02:16:15,880
Speaker 6: ever't heard me coming to your city saying come see

2598
02:16:15,920 --> 02:16:16,800
Speaker 6: the kid do what I do.

2599
02:16:19,200 --> 02:16:21,400
Speaker 1: Hold on on Kit Capri one on one on the

2600
02:16:21,480 --> 02:16:24,320
Speaker 1: Twitter and Instagram and the real Kicking Prey on Facebook. Hogh,

2601
02:16:24,360 --> 02:16:30,040
Speaker 1: that's your boy. Let me say a show real quick.

2602
02:16:30,240 --> 02:16:33,039
Speaker 17: As a young well I'm not young now, but when

2603
02:16:33,080 --> 02:16:34,320
Speaker 17: I was a young Miami.

2604
02:16:34,160 --> 02:16:40,200
Speaker 9: DJ, aspiring DJ, the blueprint was right here. Kickapri was

2605
02:16:40,320 --> 02:16:45,240
Speaker 9: inspiring as a mixtape. DJ Tony Touch was the blueprint.

2606
02:16:46,040 --> 02:16:47,760
Speaker 9: So I just want to say thank you brothers for everything.

2607
02:16:47,879 --> 02:16:48,000
Speaker 17: Man.

2608
02:16:55,160 --> 02:16:58,200
Speaker 1: We don't usually have young brothers here. And when I

2609
02:16:58,280 --> 02:17:01,000
Speaker 1: was in South my Southwest, I saw Fresher and he

2610
02:17:01,160 --> 02:17:02,920
Speaker 1: and that was what we had him on the show.

2611
02:17:03,080 --> 02:17:06,160
Speaker 1: We rarely have like young you know, new artists on

2612
02:17:06,200 --> 02:17:07,440
Speaker 1: the show. And he's a good dude.

2613
02:17:08,600 --> 02:17:10,760
Speaker 17: And I really like your music, brother, and I'm saying

2614
02:17:10,879 --> 02:17:12,360
Speaker 17: I'm glad you're on the show as well. Man.

2615
02:17:18,000 --> 02:17:25,240
Speaker 4: Difference between like every young new artist, his father actually

2616
02:17:25,520 --> 02:17:27,960
Speaker 4: branded him to be who he is.

2617
02:17:29,320 --> 02:17:33,240
Speaker 1: So as much as I want to celebrate who he is,

2618
02:17:34,200 --> 02:17:41,160
Speaker 1: I acknowledge who the upbringing was before him, so I

2619
02:17:41,240 --> 02:17:42,880
Speaker 1: knew he was supposed to be. He was supposed to be.

2620
02:17:43,120 --> 02:17:45,160
Speaker 4: I know it's kind of like cocky in like a

2621
02:17:45,240 --> 02:17:50,360
Speaker 4: certain way, but it's also like it's supposed to be

2622
02:17:50,480 --> 02:17:51,240
Speaker 4: what it's supposed to be.

2623
02:17:52,879 --> 02:17:53,680
Speaker 7: It is what it is.

2624
02:17:54,680 --> 02:17:55,080
Speaker 10: You got to.

2625
02:17:59,360 --> 02:18:04,160
Speaker 1: Come over this nigga to three hundred dollars. You got

2626
02:18:04,280 --> 02:18:09,320
Speaker 1: to relax. Went to the Jordan, Yo, listen, moving to

2627
02:18:09,400 --> 02:18:15,520
Speaker 1: the Jordan spot. Excuse your ship. They have on the rack. No,

2628
02:18:15,840 --> 02:18:19,360
Speaker 1: they did not have it on the rack. Rock the rack.

2629
02:18:19,920 --> 02:18:23,680
Speaker 1: You think about the flea market, not the flea market.

2630
02:18:23,760 --> 02:18:26,760
Speaker 1: They always have it on the racket market. You don't

2631
02:18:26,840 --> 02:18:30,000
Speaker 1: understand in Miami is a flea market. You know, this's

2632
02:18:30,040 --> 02:18:33,000
Speaker 1: play in fleet markets, and that's what he thinks is

2633
02:18:33,040 --> 02:18:36,280
Speaker 1: a little flea market. He goes what you go to?

2634
02:18:36,560 --> 02:18:36,600
Speaker 4: You?

2635
02:18:37,720 --> 02:18:41,120
Speaker 1: I don't want to. I don't want to go. He

2636
02:18:41,240 --> 02:18:44,920
Speaker 1: gotta relax. Tell him you got to relax. People got

2637
02:18:45,200 --> 02:18:47,280
Speaker 1: a fleet marker. I think he goes to the homesteads.

2638
02:18:47,720 --> 02:18:51,040
Speaker 1: He got to relax. You wan break. Are you telling

2639
02:18:51,080 --> 02:18:52,200
Speaker 1: me you gotta relax? Please?

2640
02:18:52,640 --> 02:18:52,800
Speaker 17: Hey?

2641
02:18:55,240 --> 02:18:56,360
Speaker 1: You got it?

2642
02:18:56,800 --> 02:18:57,080
Speaker 17: You know what.

2643
02:18:59,320 --> 02:18:59,760
Speaker 1: Are you telling me?

2644
02:18:59,760 --> 02:19:00,360
Speaker 5: I got relax?

2645
02:19:00,600 --> 02:19:00,960
Speaker 1: Relax?

2646
02:19:03,959 --> 02:19:04,280
Speaker 17: Don't go.

2647
02:19:10,440 --> 02:19:12,120
Speaker 1: You're let's take the picture. Let's get out of it.

2648
02:19:13,560 --> 02:19:15,680
Speaker 1: I'm not gonna lie. You're not gonna lie.

2649
02:19:16,120 --> 02:19:20,440
Speaker 4: I've been holding my pist falk lots.

2650
02:19:22,680 --> 02:19:24,960
Speaker 1: We gotta take a picture. I say good bye to

2651
02:19:25,040 --> 02:19:27,640
Speaker 1: the people. Know we're gonna take a picture. No, you

2652
02:19:27,720 --> 02:19:29,680
Speaker 1: got the microphone? Take him up. Oh, I gotta said.

2653
02:19:29,720 --> 02:19:41,760
Speaker 4: Oh listen, I'm gonna be you to be honest, cheer. Yeah, listen,

2654
02:19:42,080 --> 02:19:45,040
Speaker 4: I've been on it to share the stage right now.

2655
02:19:45,879 --> 02:19:49,280
Speaker 4: Puff Daddy said something very crazy to us. He said

2656
02:19:49,320 --> 02:19:52,400
Speaker 4: he wants to go from being on the stage to

2657
02:19:52,520 --> 02:19:57,880
Speaker 4: be in the stage and drink chance. We have to

2658
02:19:58,000 --> 02:20:02,560
Speaker 4: take that same responsibility, meaning that we're saying we have

2659
02:20:03,080 --> 02:20:05,680
Speaker 4: we have been on the stage, but now we are

2660
02:20:05,840 --> 02:20:09,760
Speaker 4: the stage. So anybody comes and talks to us. And

2661
02:20:09,920 --> 02:20:14,040
Speaker 4: even though in our minds we think like it's between us,

2662
02:20:15,240 --> 02:20:21,160
Speaker 4: it's really not. There's a lot of people listening. Let's

2663
02:20:21,240 --> 02:20:22,080
Speaker 4: let them listening.

2664
02:20:23,480 --> 02:20:24,160
Speaker 1: Let's let them.

2665
02:20:26,360 --> 02:20:33,840
Speaker 4: Alas two people too, and people point their friends, and

2666
02:20:33,959 --> 02:20:35,320
Speaker 4: this is what we should be doing.

2667
02:20:35,480 --> 02:20:38,360
Speaker 1: We should be just hanging out because this is what

2668
02:20:38,520 --> 02:20:43,000
Speaker 1: hip hop is. We have to keep hip hop alive,

2669
02:20:43,640 --> 02:20:46,080
Speaker 1: and how do we keep up hip hop alive? And

2670
02:20:46,280 --> 02:20:46,680
Speaker 1: half hop?

2671
02:20:53,200 --> 02:20:58,440
Speaker 3: You should be the leader of half Ho's a certain

2672
02:20:58,480 --> 02:20:59,080
Speaker 3: new record.

2673
02:21:01,480 --> 02:21:08,760
Speaker 1: Sorry, I thought that was happening right now. I think

2674
02:21:08,840 --> 02:21:12,600
Speaker 1: I got an excuse you got that. I don't even

2675
02:21:12,640 --> 02:21:16,800
Speaker 1: know what you're saying, but the point I'm trying to

2676
02:21:16,879 --> 02:21:22,160
Speaker 1: make it happen. Let's have fucking fun, absolo.

2677
02:21:24,640 --> 02:21:28,600
Speaker 4: If you living your life having fun and it's fake fun,

2678
02:21:29,400 --> 02:21:30,879
Speaker 4: don't live your life no more?

2679
02:21:31,879 --> 02:21:32,360
Speaker 1: Could die?

2680
02:21:36,440 --> 02:21:37,000
Speaker 15: All right man?

2681
02:21:37,680 --> 02:21:37,920
Speaker 2: For that?

2682
02:21:40,560 --> 02:21:43,120
Speaker 1: I have fun every day I wake up. I have

2683
02:21:43,440 --> 02:21:48,320
Speaker 1: fun too, and you should have fun every day. I

2684
02:21:48,400 --> 02:21:51,520
Speaker 1: have fun of my own day. So every day you

2685
02:21:51,640 --> 02:21:57,080
Speaker 1: wake up, you say, what up? Cool? Listen, it's funcked

2686
02:21:57,160 --> 02:21:59,320
Speaker 1: up ship that happens. You know what I'm saying. Look,

2687
02:21:59,360 --> 02:22:02,040
Speaker 1: look you wake up boom, and then you and then

2688
02:22:03,480 --> 02:22:03,920
Speaker 1: and then.

2689
02:22:03,920 --> 02:22:07,680
Speaker 4: By ever tell you here, some fun ship happened because

2690
02:22:07,760 --> 02:22:10,280
Speaker 4: the fuck you just got elbowed in.

2691
02:22:11,200 --> 02:22:20,360
Speaker 1: Okay, what even being bombs? Let's go, let's go. Anybody

2692
02:22:20,440 --> 02:22:26,800
Speaker 1: drives like everybody, take up the later m