WEBVTT - Mini Crush #42

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<v Speaker 1>Hey, everybody, welcome to Movie Crush. Many Crush edition is

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<v Speaker 1>a special edition? Is it? Like? Is it signed, a

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<v Speaker 1>numbered or something? What? Wait? What does an addition mean?

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<v Speaker 1>No is back and you're gonna be in trouble. Hey nah,

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<v Speaker 1>he enaugh blah blah blah blah. He's got a nose full.

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<v Speaker 1>It's not it's very true, but he's gonna podcast anyway. Hey,

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<v Speaker 1>na go nose full, it's not. Um. I had an

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<v Speaker 1>interesting weekend, Yeah, man, I want to hear about. Well,

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<v Speaker 1>first of all, let's just get going with the fact

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<v Speaker 1>that on last Friday, I did the saddest movie Crush ever.

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<v Speaker 1>No sitting in this goddamn room alone. Ramsy even left.

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<v Speaker 1>He just hit records, just like talking to the ether.

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<v Speaker 1>Just it's strange yelling into the abyss. It's like the

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<v Speaker 1>true definition of a podcast started, which is some sad, chubby,

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<v Speaker 1>middle aged, lonely guy by himself in a room talking

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<v Speaker 1>to nobody. Well, now you know the life of Jonathan Strickland,

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<v Speaker 1>only he's super jacked. Now. Uh so, yeah, we got

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<v Speaker 1>caught with her pants, don Old because you were away,

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<v Speaker 1>I didn't know that you were traveling. You went to

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<v Speaker 1>Los Angeles, would you go for a happy face. No,

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<v Speaker 1>it's this other thing. Um. I kind of think I

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<v Speaker 1>can talk about it after. It's it's sort of like

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<v Speaker 1>a startup entrepreneurial type show where we talked to different

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<v Speaker 1>like hot shit ceo s and like, you know, people

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<v Speaker 1>that have like come from nothing and made themselves into

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<v Speaker 1>these like obscenely rich luminaries. Basically like me, just like

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<v Speaker 1>Hugh Chuck. We'll have you on the show before you

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<v Speaker 1>know it. Um. But yeah, So it was all surrounding

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<v Speaker 1>this conference that was going on there called the Summit

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<v Speaker 1>l a eighteen conference. I saw Jaden Smith interview Al

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<v Speaker 1>Gore about climate change. That was good. Yeah, it was surreal.

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<v Speaker 1>It was a little bizarro world, but it was It

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<v Speaker 1>was cool. It was Jaden Sharp. Yeah, she did a

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<v Speaker 1>good job. He did do a good job, right. Al

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<v Speaker 1>Gore though, was funny. He's like, now, Jaden, I want

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<v Speaker 1>to tell I want to tell you. Jaden. He kept

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<v Speaker 1>he kept like putting his hand on him and saying

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<v Speaker 1>his name, which I thought was a little weirds like, dude,

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<v Speaker 1>I'm fucking twenty. Yeah, I don't even know U. But

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<v Speaker 1>it was interesting, and it was in all these old

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<v Speaker 1>beautiful theaters down in downtown l A on Broadway. Um,

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<v Speaker 1>so I got to go to the Orpheum. I went

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<v Speaker 1>to the the Palace. He pointed out to me on

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<v Speaker 1>the social that that was where the Thriller movie theater

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<v Speaker 1>scene is shot. Josh and I performed there, and I

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<v Speaker 1>learned that, yeah, and was like, man, this is pretty cool,

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<v Speaker 1>and he sent some nice screenshots and little A B comparisons.

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<v Speaker 1>I was stoked. And also I think I've I maybe

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<v Speaker 1>mentioned in that thread that Big Lebowski the scene where

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<v Speaker 1>the dude's landlord does his cycle remember cycle the Palace

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<v Speaker 1>as well, which is hysterical because by all accounts that

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<v Speaker 1>scene should have been in like a thirty theater and

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<v Speaker 1>they made it look like that. So I don't know

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<v Speaker 1>why they even Maybe they just had a deal on

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<v Speaker 1>the Palace that day or something. I mean, the Palace,

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<v Speaker 1>it's had to come back lately during the Big Lebowski days.

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<v Speaker 1>It was just like shuttered, really okay. So I went

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<v Speaker 1>to the Orpheum, the Palace, the Ace hotel, which was

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<v Speaker 1>really beautiful that show. That's right. Yeah, Casey was was

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<v Speaker 1>mentioning that that he stayed there as well as yeah,

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<v Speaker 1>staying downtown l A. Is weird because it's very much

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<v Speaker 1>feels like New York. But then you look up and

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<v Speaker 1>you're like, hea, hey, there's palm trees in the background,

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<v Speaker 1>and you know, you're it's it's Los Angeles, but it's

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<v Speaker 1>a very downtown New YORKI field. Well, the whole thing

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<v Speaker 1>about this event was it was like, you know, this

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<v Speaker 1>was a very exclusive event that I just happened to

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<v Speaker 1>look into getting a free pass too. And I felt like,

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<v Speaker 1>you know, the kid that from the slums, that that

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<v Speaker 1>got to go to Harvard, you know, because you're good

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<v Speaker 1>I was good will hunting. Yeah, and so it was

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<v Speaker 1>like but the thing was interesting was like, you know,

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<v Speaker 1>the people that were at these events had paid a

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<v Speaker 1>pretty penny to be there, and there was this interesting

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<v Speaker 1>juxtaposition of this like obscene wealth and opulence and these

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<v Speaker 1>bizarro events. Like I went from seeing you know, Eckhart

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<v Speaker 1>totally who's like this uh kind of like meditation guru guy,

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<v Speaker 1>to seeing Jaden Smith and um and al Gore uh

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<v Speaker 1>to hanging out in this weird pavilion with iced coffee

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<v Speaker 1>you know, on tap and stuff and the backdrop of

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<v Speaker 1>downtown l A. To this event was very stark and interesting.

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<v Speaker 1>Because it's very you know, it's a very gritty kind

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<v Speaker 1>of yeah, I mean dashy downtown. Downtown has come a

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<v Speaker 1>long way in some areas, but like skid Row is

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<v Speaker 1>still down there. I mean, there's still they've tried to

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<v Speaker 1>revitalize downtown. But it's interesting in all those old the

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<v Speaker 1>ors I worked. Um, I was working on a music

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<v Speaker 1>video downtown. I can't remember who it was for. I

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<v Speaker 1>want to say, like Michelle Branch if that name even

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<v Speaker 1>rings a bell, I don't even know. No listeners, you

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<v Speaker 1>know what I'm talking about. Um, And I was to

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<v Speaker 1>run an errand over to get something from an Aerosmith

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<v Speaker 1>shoot down the street, and I went to one of

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<v Speaker 1>those old theaters and that was when there was nothing

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<v Speaker 1>really going on downtown, like they've done a lot in

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<v Speaker 1>the past fifteen seventeen years, but there was nothing going on.

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<v Speaker 1>And I remember walking in this theater and seeing this

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<v Speaker 1>whole row of just these grand majestical theaters that were

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<v Speaker 1>now like uh Latino churches interestingly or just closed, and thinking,

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<v Speaker 1>oh my god, the opulence is off the charts. But

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<v Speaker 1>it's like a haunted mansion, you know, Yeah, I know,

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<v Speaker 1>I know. I mean, it's some of these the architecture,

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<v Speaker 1>I believe it was the Palace in particular. Wait, yeah,

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<v Speaker 1>that's right, that's where I card. Holy was. It looks

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<v Speaker 1>like it's so Gothic, and it's like it's like something

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<v Speaker 1>out of like a Tim Burton Batman. Like it's really

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<v Speaker 1>really it's got this textured look that almost makes it

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<v Speaker 1>look like organic like dead plant matter mixed with like

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<v Speaker 1>bones or something like some sort of hostuary. I'm serious.

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<v Speaker 1>It was gorgeous and really like nothing I've ever seen before.

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<v Speaker 1>So I was really glad I got to That was

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<v Speaker 1>my favorite part of the whole trip, which is seeing

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<v Speaker 1>those buildings inside and out and getting to kind of

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<v Speaker 1>hang out. Did you stay downtown too? No? No, I

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<v Speaker 1>stated I should have. I stayed at the Hollywood Roosevelt.

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<v Speaker 1>So I had I had a stayed there. I had

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<v Speaker 1>a very very broad l a experience. But I went

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<v Speaker 1>to a friend of the show, Kevin Pollock's house um

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<v Speaker 1>and helped him with some some podcast related stuff. To

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<v Speaker 1>Pollock's house, he got me in everything croissant, which is

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<v Speaker 1>apparently a thing now the bael but it's like the bagel,

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<v Speaker 1>but it's a croissant and it's filled with cream cheese.

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<v Speaker 1>Holy shit, it's very decorative. Um. But he's super sweet

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<v Speaker 1>guy Kevin Pollock really really cool and went from his

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<v Speaker 1>hood to Venice for the day and just took a

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<v Speaker 1>bird scooter and kind of just tootled around Venice. It

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<v Speaker 1>was a fun little solo trip. I did a lot

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<v Speaker 1>of soul searching, you know. Yeah, did you go by

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<v Speaker 1>one of those weed shops. I don't know what you're

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<v Speaker 1>talking about, Chuck, I don't know what you're talking about.

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<v Speaker 1>Jaden Smith is twenty by the way, nail, but total

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<v Speaker 1>guess he strikes me as a bit of a twenty. Um.

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<v Speaker 1>What's Pollock's house size? It's super cool, it's really nice.

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<v Speaker 1>It's it's it's it's just really everything in its right place.

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<v Speaker 1>He had this amazing like nudy uh stripped tease machine

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<v Speaker 1>from like the thirties where you can put in a

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<v Speaker 1>nickel and then you crank the crank uh and then

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<v Speaker 1>it's it's like a light and a little I piece. Yeah. Yeah,

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<v Speaker 1>but it was like you could see that it was

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<v Speaker 1>like a kind of a old, like very um worn

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<v Speaker 1>flipbook that has a low mechanism. It just flips through

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<v Speaker 1>and it's just this is the gal doing a little

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<v Speaker 1>strip tease. It's great. So he had some he had

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<v Speaker 1>a jar nickels up there, and he had he had

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<v Speaker 1>a cool, cool collection of weird stuff. Yeah, that's awesome.

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<v Speaker 1>I've never been to the Pollock House. He's invited me

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<v Speaker 1>over for he has his sort of famous poker and yeah, yeah,

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<v Speaker 1>I sat at the famous poker table. Yeah, and he's

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<v Speaker 1>all in every time in in l A. He's like, oh,

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<v Speaker 1>you come over for a pokram, Like, dude, I'll just

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<v Speaker 1>write you a check and go watch there you go.

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<v Speaker 1>So like, here's three hundred dollars, I'm just gonna watch

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<v Speaker 1>you and three d is going to get you in

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<v Speaker 1>and probably not. I can't lose more than that. I

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<v Speaker 1>can't even lose that. Um. All right, Well it's good

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<v Speaker 1>to have you back, buddy. I saw you posted about

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<v Speaker 1>Jumbo's clown Room this morning. Did you go No. I

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<v Speaker 1>just passed it and thought it was like quite The

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<v Speaker 1>first thought that I had was, is this a weird

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<v Speaker 1>children's place? From like children's place? I could second tell

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<v Speaker 1>when I looked a little closer at the side, it's there,

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<v Speaker 1>Claremont Lounge. It is. Yeah, okay, God, and that was

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<v Speaker 1>in kind of Lost Filas area where I can't remember

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<v Speaker 1>where I passed. Yeah, I mean we used to go

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<v Speaker 1>to Jumbos. It's it's a it's a It's like the

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<v Speaker 1>Clearemounts in l a institution. So I thought, oh, man,

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<v Speaker 1>Al's discovered the clown room. No, I mean I stayed

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<v Speaker 1>on Hollywood Boulevard and I ended up going I didn't

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<v Speaker 1>realize that Los Filas is like the other side of

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<v Speaker 1>Hollywood of our kind. You keep you keep going right there.

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<v Speaker 1>I got a tie massage that was pretty cool, just

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<v Speaker 1>the regular kind of standard. Um. It was awesome though, man,

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<v Speaker 1>it was Yeah. So I ended up in Thai Town,

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<v Speaker 1>which is like right on the edge of Los Filas,

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<v Speaker 1>I believe, and then kind of right where I live

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<v Speaker 1>the Dresden, which I'm always going on about how much

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<v Speaker 1>I love the Dresden. But it was during the day,

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<v Speaker 1>so I couldn't go and see. Uh was Marty in Elane? Yeah,

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<v Speaker 1>they wouldn't be there during the day. But it's funny,

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<v Speaker 1>um don't I'm sure you haven't listened. But the Shawn

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<v Speaker 1>Gunn episode, we had sort of the same favorite die

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<v Speaker 1>bar back in the day, which was what the drawing

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<v Speaker 1>room in Los VELAs, which um is a six am bar. Wow, okay,

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<v Speaker 1>and we sort of both um delighted in the six

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<v Speaker 1>am bar and just that whole notion and uh that

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<v Speaker 1>that it's kind of great. Meaning you can just walk

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<v Speaker 1>out and then the sun's up and you're like, no, no,

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<v Speaker 1>it opens at six Oh yes, I'm confused. Yeah it

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<v Speaker 1>opens at six am. So oh it just it just

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<v Speaker 1>stays open, stays open until uh what over two? I

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<v Speaker 1>got you? I think in l A is is it too?

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<v Speaker 1>I think so yeah, and then you can come right

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<v Speaker 1>back four hours later. I really like the frolic Room.

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<v Speaker 1>I always go to the Frolic Room. Yeah, that's a

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<v Speaker 1>good old dive. It's just a good old dive. It's

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<v Speaker 1>right next to the Pantageous Theater that's right there in

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<v Speaker 1>the middle of Hollida. I like the old school stuff.

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<v Speaker 1>I like that, like confidential. It really oh kind that

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<v Speaker 1>makes sense. I had a steak dinner at Musso and

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<v Speaker 1>Frank's by myself. Yeah, no, it was good. The other

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<v Speaker 1>thing that I think that everyone should know about Mousso

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<v Speaker 1>and Franks know is that everything is all a cart.

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<v Speaker 1>So you get the steak that's a charge. You get

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<v Speaker 1>some mashed potatoes, that's like ten. Every steak you get

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<v Speaker 1>like a gravy boat with some sauce in it, that's

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<v Speaker 1>five bucks every steak out back. Well, that's where I go, dude,

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<v Speaker 1>that's my that's my that's my my bar steak. No,

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<v Speaker 1>you gotta take you out for good. So I had

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<v Speaker 1>a good steak. It was great. It was really good.

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<v Speaker 1>Musso and Frank just top notch. He's already worked up

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<v Speaker 1>everyone way till we get to knowles holes. It's gonna

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<v Speaker 1>get it's gonna get ugly. Well, it's gonna have you back,

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<v Speaker 1>buddy back. If you listen to the first five minutes,

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<v Speaker 1>even in that solo podcast, you will hear me just

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<v Speaker 1>gushing over you. So oh man, let need a little

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<v Speaker 1>confidence booster. When when I do need one, I'll keep

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<v Speaker 1>that in my back pocket. Yeah, keep it in your

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<v Speaker 1>back pocket. Um right where you fart. M hmm, that's

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<v Speaker 1>what I say. Yeah, all right, So let me see

0:11:24.120 --> 0:11:25.880
<v Speaker 1>what can we do today. I put up some things

0:11:25.960 --> 0:11:28.679
<v Speaker 1>last night because last night was election night, and I

0:11:28.720 --> 0:11:30.959
<v Speaker 1>don't know what you did, but I flipped it over

0:11:31.000 --> 0:11:34.760
<v Speaker 1>to CNN with John King, and I literally felt like

0:11:34.800 --> 0:11:37.640
<v Speaker 1>I had PTSD, just seeing him in front of that

0:11:37.679 --> 0:11:40.720
<v Speaker 1>screen with his little magic fingers, and I'm like, I can't,

0:11:40.760 --> 0:11:43.319
<v Speaker 1>I can't, I can't. I can't do it again. Well,

0:11:43.600 --> 0:11:46.199
<v Speaker 1>in Georgia, I got the sense that the polls were

0:11:46.240 --> 0:11:50.560
<v Speaker 1>staying open really late because of Fucory with vote counting,

0:11:50.600 --> 0:11:53.720
<v Speaker 1>which let's get into that. Um oh wait, the secretary

0:11:53.760 --> 0:11:56.559
<v Speaker 1>of state ran for governor. Yeah, that's not no problem

0:11:56.720 --> 0:11:59.040
<v Speaker 1>at all. Okay, anyway, letsten this is in the political show.

0:11:59.080 --> 0:12:01.600
<v Speaker 1>But no, I I made the very conscious choice to

0:12:01.640 --> 0:12:03.760
<v Speaker 1>pay no attention to it because I knew it wasn't

0:12:03.760 --> 0:12:06.839
<v Speaker 1>gonna come in till late, and it's just not worth

0:12:07.000 --> 0:12:09.000
<v Speaker 1>staying up and biting your nails. So I went to

0:12:09.040 --> 0:12:11.800
<v Speaker 1>bed and had a nice sleep, good and my friends

0:12:11.800 --> 0:12:14.600
<v Speaker 1>that were out checking out the counts and stuff texted

0:12:14.640 --> 0:12:16.960
<v Speaker 1>me middle of the night with you know, some good

0:12:16.960 --> 0:12:21.400
<v Speaker 1>news ish but modest games. That's what I'm saying, though, dude,

0:12:21.400 --> 0:12:24.200
<v Speaker 1>I woke up to two very mad feelings about because

0:12:24.200 --> 0:12:26.040
<v Speaker 1>I had the middle of the night text from somebody

0:12:26.200 --> 0:12:29.200
<v Speaker 1>was probably quite drunk, feeling optimistic and set me in

0:12:29.240 --> 0:12:31.280
<v Speaker 1>all caps like Dems take the house, And in my

0:12:31.320 --> 0:12:34.440
<v Speaker 1>mind I read that as Dems win everything right, that

0:12:34.559 --> 0:12:38.160
<v Speaker 1>was not the case. Yeah, I think for for liberal

0:12:38.240 --> 0:12:40.560
<v Speaker 1>hippies right now, just turn it off right now, and

0:12:41.080 --> 0:12:43.400
<v Speaker 1>or hey, listen, if you don't agree with what we're

0:12:43.400 --> 0:12:45.600
<v Speaker 1>about to say, just give it a pause or hit

0:12:45.640 --> 0:12:48.800
<v Speaker 1>the little fast forward button like seconds. Yeah, because we

0:12:48.800 --> 0:12:50.560
<v Speaker 1>don't want to piss anyone off. This will be a

0:12:50.559 --> 0:12:54.680
<v Speaker 1>short soapbox. But for liberal hippies like us, I think,

0:12:54.840 --> 0:12:58.560
<v Speaker 1>you know, my modest gains are gains like we want

0:12:58.640 --> 0:13:01.800
<v Speaker 1>everyone to win. We want Stacy Abrams to win and

0:13:02.200 --> 0:13:05.240
<v Speaker 1>uh A Rour to win and the Gilliam in Florida

0:13:05.280 --> 0:13:08.640
<v Speaker 1>to win and to take the house and all the things.

0:13:09.160 --> 0:13:11.840
<v Speaker 1>And you're just not gonna get all those. So we

0:13:11.920 --> 0:13:16.199
<v Speaker 1>took the house. That's great, Abrams. If I honestly believe

0:13:16.240 --> 0:13:19.040
<v Speaker 1>if it hadn't been for voter disenfranchisement, she would have

0:13:19.280 --> 0:13:21.040
<v Speaker 1>won well as all. There's also they're talking about like

0:13:21.080 --> 0:13:26.520
<v Speaker 1>they're being potentially a run off whenever that's that's the last.

0:13:26.640 --> 0:13:28.400
<v Speaker 1>Just I mean, she's so close, and that's a lot

0:13:28.400 --> 0:13:34.600
<v Speaker 1>about Georgia that a black woman is within spitting distance

0:13:34.679 --> 0:13:38.280
<v Speaker 1>of the governor seat. So I don't like moral victories,

0:13:38.360 --> 0:13:42.079
<v Speaker 1>but um it, you gotta take what you can get

0:13:42.120 --> 0:13:52.360
<v Speaker 1>these days, you know, how about you quiz me about

0:13:52.400 --> 0:13:54.480
<v Speaker 1>some sorry movies I haven't seen or something well that

0:13:54.480 --> 0:13:58.520
<v Speaker 1>that's coming up. That's all right everyone, if you're and

0:13:58.640 --> 0:14:02.920
<v Speaker 1>we're back, and then we're back. All right, here we go.

0:14:03.160 --> 0:14:05.240
<v Speaker 1>So here's what I did last night, and all I

0:14:05.320 --> 0:14:10.440
<v Speaker 1>worked on mini crush and sort of prepping everybody with

0:14:10.520 --> 0:14:15.200
<v Speaker 1>some good questions and polls, and watched TV that was

0:14:15.240 --> 0:14:17.560
<v Speaker 1>not the election, and then just sort of checked in

0:14:17.640 --> 0:14:19.120
<v Speaker 1>every now and then to see how things were going.

0:14:19.520 --> 0:14:21.760
<v Speaker 1>So here was my first question though, for social studies,

0:14:23.080 --> 0:14:29.160
<v Speaker 1>social movie crush. How about an election night distraction everyone

0:14:29.240 --> 0:14:32.720
<v Speaker 1>with some mini crushed stuff. Name your favorite political movie?

0:14:34.360 --> 0:14:37.240
<v Speaker 1>See what I did? I was cute. That was just

0:14:37.400 --> 0:14:41.080
<v Speaker 1>jerking everyone's chain. But political movies are some of my

0:14:41.200 --> 0:14:46.160
<v Speaker 1>favorite movies. Uh, like The Maltese Falcon and you know,

0:14:46.160 --> 0:14:48.560
<v Speaker 1>I talked about All the President's Men a lot, and

0:14:48.840 --> 0:14:52.160
<v Speaker 1>movies like Michael Clayton Love a good heavy political thriller

0:14:52.240 --> 0:14:56.160
<v Speaker 1>or political film, bulwarth movies like that, even Wag the Dog.

0:14:56.240 --> 0:14:58.960
<v Speaker 1>I'm into it. So we're gonna go over some of these.

0:14:59.040 --> 0:15:01.760
<v Speaker 1>I mean, remember really in joining Wag the Dog. Yeah,

0:15:01.800 --> 0:15:04.480
<v Speaker 1>I haven't seen it. A long time. It was fine. Uh.

0:15:04.560 --> 0:15:07.160
<v Speaker 1>Matthew Hanson says A contender agreed, dude, that was a

0:15:07.160 --> 0:15:10.480
<v Speaker 1>great movie right off the bat. Tony Bucko says, All

0:15:10.520 --> 0:15:14.120
<v Speaker 1>the President's Men. Kerry mcquit says, Dave, I never saw that,

0:15:14.160 --> 0:15:17.120
<v Speaker 1>did you? With Kevin Klein. That's the one where he's

0:15:17.120 --> 0:15:22.120
<v Speaker 1>the president, right, I think so, President Dave, I haven't seen. Uh,

0:15:22.240 --> 0:15:24.240
<v Speaker 1>let me see here. All the President's Men again from

0:15:24.240 --> 0:15:27.520
<v Speaker 1>Sally Mackenzie. Megan Nichole says, The American President, which I

0:15:27.560 --> 0:15:30.040
<v Speaker 1>did not see, but that is the love story. I

0:15:30.040 --> 0:15:32.080
<v Speaker 1>feel like I've asked this question before. I think I

0:15:32.160 --> 0:15:36.360
<v Speaker 1>might have said political thriller. So this is not necessarily that,

0:15:36.600 --> 0:15:40.960
<v Speaker 1>because certainly The American President is a romantic comedy wrapped

0:15:41.000 --> 0:15:45.720
<v Speaker 1>up in politics. Twelve angry men from Gracie Anne. Does

0:15:45.760 --> 0:15:51.320
<v Speaker 1>that count? Gracey says sure, I think so for sure. Boy.

0:15:51.360 --> 0:15:54.280
<v Speaker 1>A lot of people are saying American President Vanessa Lopez

0:15:54.280 --> 0:15:56.440
<v Speaker 1>our old friend. She's who sent that box of food.

0:15:56.640 --> 0:15:59.040
<v Speaker 1>By the way, no box of food. Yeah, there's a

0:15:59.040 --> 0:16:01.320
<v Speaker 1>box of food on your desk, which chips and popcorn,

0:16:01.360 --> 0:16:03.560
<v Speaker 1>and but I haven't been to my desk. I came

0:16:03.600 --> 0:16:06.320
<v Speaker 1>straight here. Chuck straight here. Vanessa Lopez say thank you, Thanks,

0:16:06.360 --> 0:16:11.080
<v Speaker 1>Vanessa Lopez. Karl Gaffney says thank you for smoking uh.

0:16:11.200 --> 0:16:15.840
<v Speaker 1>Richard Stokes suspect to the Future, Hm, just because the

0:16:15.840 --> 0:16:18.840
<v Speaker 1>Goldie Wilson thing. That's a bit of a stretch, my friend. Well,

0:16:18.880 --> 0:16:21.160
<v Speaker 1>back to the Future to predicted the rise of Trump.

0:16:22.080 --> 0:16:25.920
<v Speaker 1>Let's not forget did it really? Man? Biff is like

0:16:25.920 --> 0:16:29.080
<v Speaker 1>a Trump character. Okay, that's just kidding. He doesn't really

0:16:29.080 --> 0:16:31.680
<v Speaker 1>become president, but he does. He does using this is

0:16:31.680 --> 0:16:33.760
<v Speaker 1>a spoiler for a movie that came out decades ago,

0:16:33.960 --> 0:16:36.840
<v Speaker 1>just putting it out there. Using the knowledge he gleaned

0:16:36.880 --> 0:16:42.080
<v Speaker 1>from that sports uh almanac, right, he elevated himself to

0:16:42.160 --> 0:16:46.560
<v Speaker 1>a position of of extreme power and practically dictatorship over

0:16:46.600 --> 0:16:49.280
<v Speaker 1>the weird Back to the Future to Future world. So

0:16:49.320 --> 0:16:51.360
<v Speaker 1>he was kind of a trumpy figure in my opinion. Dude,

0:16:51.360 --> 0:16:53.800
<v Speaker 1>I have not seen Back to the Future two and

0:16:53.840 --> 0:16:56.120
<v Speaker 1>three did not impact me much, so I don't know

0:16:56.160 --> 0:16:58.040
<v Speaker 1>if I've seen those movies since it came out. Two

0:16:58.080 --> 0:16:59.400
<v Speaker 1>is a lot of fun. Three there they're well, they're

0:16:59.440 --> 0:17:02.280
<v Speaker 1>all fine. Three. I remember seeing three in the theaters

0:17:02.640 --> 0:17:05.240
<v Speaker 1>because that had to have been like early nineties, maybe

0:17:05.320 --> 0:17:08.480
<v Speaker 1>late enough eighties that I was, you know, cognizant of

0:17:08.480 --> 0:17:11.680
<v Speaker 1>of movies and the Yeah, and I also remember that

0:17:11.800 --> 0:17:14.720
<v Speaker 1>Pizza Hut had that had like sunglasses you could get

0:17:14.800 --> 0:17:16.520
<v Speaker 1>that we're back to the future theme that were like

0:17:16.560 --> 0:17:22.800
<v Speaker 1>crazy you know, retro futuristic sunglasses or whatever. Yeah, right

0:17:22.800 --> 0:17:24.560
<v Speaker 1>on the cusp and Little Mermaid. I want to say

0:17:24.560 --> 0:17:26.200
<v Speaker 1>it was eighty nine. That's one of the first movies

0:17:26.240 --> 0:17:30.120
<v Speaker 1>I remember seeing in the theater. And also Home Alone. Yeah,

0:17:30.480 --> 0:17:33.760
<v Speaker 1>I was graduating high school. It was it was a

0:17:33.800 --> 0:17:40.479
<v Speaker 1>wild time for both of us. Uh. Lincoln, Megan Carol,

0:17:40.680 --> 0:17:42.840
<v Speaker 1>oh boy, you know what she said. The drama's tense

0:17:42.920 --> 0:17:45.720
<v Speaker 1>despite me knowing how it ended, and Daniel do Lewis

0:17:45.760 --> 0:17:47.960
<v Speaker 1>and Sally Field not get out of the park. The

0:17:47.960 --> 0:17:50.960
<v Speaker 1>acting was great, for sure, Megan. But I think I've

0:17:51.000 --> 0:17:53.000
<v Speaker 1>said so on the show. I thought Lincoln was a

0:17:53.000 --> 0:17:55.240
<v Speaker 1>bit of a snooze. I feel a little bad for

0:17:55.280 --> 0:17:57.920
<v Speaker 1>saying that, but it was a bit of a snooze. Yeah,

0:17:57.960 --> 0:17:59.920
<v Speaker 1>I mean, people seem to really dig it. I guess

0:18:00.160 --> 0:18:04.879
<v Speaker 1>you know, Daniel day Lewis really embodies Lincoln, but I didn't.

0:18:04.880 --> 0:18:07.720
<v Speaker 1>I never felt compelled to watch it. You did not.

0:18:07.960 --> 0:18:10.560
<v Speaker 1>I did not know I'm sure it's fine, but those

0:18:10.720 --> 0:18:15.680
<v Speaker 1>really hyper accurate or whatever trying to be political or whatever,

0:18:15.760 --> 0:18:19.280
<v Speaker 1>historical reenactment type movies, they typically don't grab me unless

0:18:19.280 --> 0:18:21.920
<v Speaker 1>there's some like fresh take on it or some weird

0:18:22.040 --> 0:18:25.640
<v Speaker 1>new angle. Yeah, I don't know. It's just Lincoln versus vampires,

0:18:25.680 --> 0:18:27.199
<v Speaker 1>that would be fun. I would go to that. They

0:18:27.240 --> 0:18:30.320
<v Speaker 1>did that, right, Abraham Lincoln vampire did? They kind of

0:18:30.320 --> 0:18:34.680
<v Speaker 1>came and went though, didn't it? Think? Uh? Kirsten Well

0:18:34.800 --> 0:18:39.200
<v Speaker 1>says The Iron Lady, even though I'm Canadian. Well, you're Canadian,

0:18:39.240 --> 0:18:44.120
<v Speaker 1>but there there probably some England in you if you're Canadian,

0:18:44.200 --> 0:18:46.920
<v Speaker 1>right or France? One would hope. I don't even know

0:18:46.960 --> 0:18:49.640
<v Speaker 1>what I'm talking about. I don't either. Hutch Allen says

0:18:49.680 --> 0:18:52.719
<v Speaker 1>The IDEs of the IDEs of March with Cluny and Gosling.

0:18:52.760 --> 0:18:54.520
<v Speaker 1>I still haven't seen that, man. I need to see that.

0:18:55.600 --> 0:18:58.600
<v Speaker 1>Oh that, But it's not about Caesar. It's just called

0:18:58.640 --> 0:19:03.680
<v Speaker 1>that they're like political operatives. Yeah. Yeah, um, ed buy

0:19:03.840 --> 0:19:08.679
<v Speaker 1>no says Herod's Law. A janitor becomes mayor in a

0:19:08.720 --> 0:19:12.679
<v Speaker 1>tiny town, desert town in Mexico quickly learns the ups

0:19:12.680 --> 0:19:15.040
<v Speaker 1>and downs of politics. If you don't mind Spanish dialogue

0:19:15.560 --> 0:19:18.480
<v Speaker 1>with English subtitles. This is a real treat. Wow. I

0:19:18.560 --> 0:19:21.119
<v Speaker 1>love that, Ed. I appreciate that. I like getting a

0:19:21.119 --> 0:19:26.400
<v Speaker 1>good foreign film. Wreck the Gooch David Gooch says election. Yeah,

0:19:26.680 --> 0:19:29.800
<v Speaker 1>it's high school politics, that's true. Yeah, but it's meant

0:19:29.840 --> 0:19:32.959
<v Speaker 1>to be like a like a satire, like a microcosmic

0:19:33.119 --> 0:19:36.160
<v Speaker 1>view of you know, politics at large. Yeah, that's true.

0:19:36.200 --> 0:19:37.919
<v Speaker 1>I guess I'll count it using like kind of like

0:19:37.960 --> 0:19:42.280
<v Speaker 1>the lens of a high school election. Good point. Um

0:19:42.320 --> 0:19:48.720
<v Speaker 1>Mark Villipondo says the campaign. Uh, Will Ferrell punching babies?

0:19:49.600 --> 0:19:52.280
<v Speaker 1>That was That's one of my guilty pleasures. That's a

0:19:52.280 --> 0:19:56.200
<v Speaker 1>funny movie. I'll take Will Ferrell any day. People. Alison

0:19:56.200 --> 0:20:02.439
<v Speaker 1>Gallagher are old friend, Allison says Argo or Ken, Yeah,

0:20:02.760 --> 0:20:05.280
<v Speaker 1>my buddy wrote that article that Argo was based on.

0:20:06.000 --> 0:20:09.160
<v Speaker 1>That's my claim to fame. Bob Roberts, many, Chuck, one

0:20:09.200 --> 0:20:14.560
<v Speaker 1>of many Bob Roberts comes from Trent More. Bob Roberts

0:20:14.600 --> 0:20:17.240
<v Speaker 1>is good, And he said, is is Bob Roberts as

0:20:17.280 --> 0:20:21.359
<v Speaker 1>good as I remember it being? Yes, Trent, it was

0:20:21.600 --> 0:20:25.800
<v Speaker 1>very good political satire. Bob Roberts. Yeah. Tim Robbins, Oh

0:20:25.840 --> 0:20:29.160
<v Speaker 1>I don't know this. Yeah, it's good. It's a political satire. Cool,

0:20:29.760 --> 0:20:32.400
<v Speaker 1>that's ultra. Yeah, you should. You should check it Out's good.

0:20:32.440 --> 0:20:35.359
<v Speaker 1>Jack Blacks in it too, I think. Um let me

0:20:35.400 --> 0:20:39.840
<v Speaker 1>see here, Let's go through a couple of more. Uh

0:20:40.000 --> 0:20:47.160
<v Speaker 1>the East Scott Rofs Fold. Excellent performance by Britt Marlings. Yeah.

0:20:47.280 --> 0:20:49.320
<v Speaker 1>Remember Britt Marling, she did that show he didn't like

0:20:49.359 --> 0:20:52.360
<v Speaker 1>with the dancing. The I liked that show. You liked it, Okay,

0:20:52.400 --> 0:20:54.920
<v Speaker 1>you said you didn't like the dancing, the the er,

0:20:55.240 --> 0:21:02.440
<v Speaker 1>the er, the Oh I'd like to see a mashup

0:21:02.480 --> 0:21:06.400
<v Speaker 1>of that one. Now. I did like that. I just yeah,

0:21:06.400 --> 0:21:08.280
<v Speaker 1>I didn't like the interpreted d speaking of what I

0:21:08.280 --> 0:21:09.920
<v Speaker 1>don't want to derail as too much. But right across

0:21:09.920 --> 0:21:12.159
<v Speaker 1>from the hotel was staying out in Hollywood. There's this

0:21:12.200 --> 0:21:14.760
<v Speaker 1>story called La La Land that's like just you know,

0:21:14.840 --> 0:21:17.720
<v Speaker 1>trashy kitch, you know, souvenirs and stuff. But on a

0:21:17.800 --> 0:21:21.560
<v Speaker 1>loop they have that that Phantom Planet song with the

0:21:21.560 --> 0:21:25.880
<v Speaker 1>theme for the o C playing like California. Every time

0:21:25.920 --> 0:21:31.200
<v Speaker 1>I walk out of my hotel is here California. It's like, dude, cliche,

0:21:31.280 --> 0:21:34.040
<v Speaker 1>can you be killed me? It was pretty funny, But

0:21:34.040 --> 0:21:36.000
<v Speaker 1>it's funny because a lot of people probably go home

0:21:36.680 --> 0:21:40.879
<v Speaker 1>and with their little imitation Academy award and or like

0:21:41.160 --> 0:21:44.840
<v Speaker 1>that shop was the best. It is large. It is large.

0:21:44.840 --> 0:21:49.000
<v Speaker 1>Oh yeah, I love it. Charlie Wilson's War. It's from

0:21:49.080 --> 0:21:51.760
<v Speaker 1>Christie Boyd. I have not seen that. I need to

0:21:51.840 --> 0:21:55.760
<v Speaker 1>check it out. All right, that feels good. Oh no,

0:21:55.840 --> 0:21:58.720
<v Speaker 1>here's another good one. Eric Keith says Michael Keaton and

0:21:58.760 --> 0:22:03.560
<v Speaker 1>Gina Davison Speechless. It was about speechwriters. If I'm not mistaken,

0:22:03.640 --> 0:22:09.040
<v Speaker 1>that sounds romantic, like a rollicking good time. I'm you know,

0:22:09.080 --> 0:22:10.800
<v Speaker 1>that's that is. I gotta give them credit for that,

0:22:10.880 --> 0:22:13.879
<v Speaker 1>for making like something that seemingly on paper would be

0:22:13.920 --> 0:22:18.560
<v Speaker 1>such a snooze, be a nice, delightful romantic comedy. And speechless.

0:22:18.840 --> 0:22:21.720
<v Speaker 1>It's like these people who were paid to talk or

0:22:21.880 --> 0:22:24.440
<v Speaker 1>right words for people to speak, they're so in love

0:22:24.520 --> 0:22:29.600
<v Speaker 1>that they're fucking speechless. The titles is pretty terrible. This

0:22:29.680 --> 0:22:31.880
<v Speaker 1>is the New York like the producer guy that I'm

0:22:32.040 --> 0:22:34.720
<v Speaker 1>channeling here. You know. Another one good one is Network.

0:22:34.760 --> 0:22:38.000
<v Speaker 1>I would count that as a political film just because

0:22:38.000 --> 0:22:43.080
<v Speaker 1>it's all about like, you know, laws surrounding television news.

0:22:43.240 --> 0:22:44.679
<v Speaker 1>And I don't know, I think that's a good one.

0:22:45.400 --> 0:22:47.919
<v Speaker 1>That's a great movie too, man that I'm mad as

0:22:47.960 --> 0:22:49.879
<v Speaker 1>hell and I'm not gonna take it anywhere. Yeah, one

0:22:49.920 --> 0:22:53.240
<v Speaker 1>of the classic, classic classic films. A lot of people

0:22:53.280 --> 0:22:57.239
<v Speaker 1>are saying Napoleon Dynamite. I didn't even I saw it,

0:22:57.280 --> 0:23:00.520
<v Speaker 1>but not even like most people saw it, Like I

0:23:00.600 --> 0:23:03.240
<v Speaker 1>barely remember it. I guess it was a no vote

0:23:03.240 --> 0:23:06.320
<v Speaker 1>Pedro so there was some sort of election. Was no.

0:23:06.640 --> 0:23:08.920
<v Speaker 1>That not a political movie, not at all, know that that.

0:23:08.920 --> 0:23:10.960
<v Speaker 1>That was the message at the heart of that movie

0:23:11.000 --> 0:23:13.800
<v Speaker 1>was not one of any politics. It was just about

0:23:13.840 --> 0:23:16.800
<v Speaker 1>being a being yourself, dancing like no one's looking, you know.

0:23:16.840 --> 0:23:19.360
<v Speaker 1>That's what that movie is about. Napouline Dynamite. Somebody. I'm

0:23:19.359 --> 0:23:22.080
<v Speaker 1>so mad at you, guys, so mad. I like that

0:23:22.119 --> 0:23:24.080
<v Speaker 1>movie a lot, and I saw it in the theaters

0:23:24.080 --> 0:23:27.480
<v Speaker 1>not knowing what to expect, and I was purely um

0:23:27.560 --> 0:23:30.520
<v Speaker 1>charmed by. Yeah. Yeah, I was way late on that

0:23:30.600 --> 0:23:35.880
<v Speaker 1>because it uh, I didn't see it initially, and then

0:23:35.920 --> 0:23:38.639
<v Speaker 1>it became such a big thing. It was one of

0:23:38.680 --> 0:23:40.920
<v Speaker 1>those deals sometimes, you know, and something such a big thing,

0:23:40.920 --> 0:23:43.200
<v Speaker 1>you're kind of like fun that I'm not gonna like

0:23:43.240 --> 0:23:49.639
<v Speaker 1>the Beatles guy, right, Oh no, it's good to have

0:23:49.680 --> 0:23:54.400
<v Speaker 1>you back? So, uh did you know Buddy that? Um?

0:23:54.480 --> 0:23:56.960
<v Speaker 1>This past weekend was our one year anniversary for the ship.

0:23:57.600 --> 0:24:01.000
<v Speaker 1>Happy Anniversary, Chuck Cappy Anniversary. I brought you this T

0:24:01.160 --> 0:24:05.639
<v Speaker 1>shirt that's very nice. John Roderick's band, The Long Winters.

0:24:06.080 --> 0:24:08.080
<v Speaker 1>Where did that come from? I got at at a

0:24:08.160 --> 0:24:12.040
<v Speaker 1>good will and in the heart of Hollywood. Yeah, that

0:24:12.080 --> 0:24:14.960
<v Speaker 1>was for a chandler because he produces the show. John

0:24:15.040 --> 0:24:18.240
<v Speaker 1>Roderick is on the Omnibus with Ken Jennings and I

0:24:18.280 --> 0:24:20.080
<v Speaker 1>wanted to bring him a little something back. But I

0:24:20.160 --> 0:24:22.000
<v Speaker 1>got a smattering of shirts. They were all dollar I

0:24:22.040 --> 0:24:25.520
<v Speaker 1>got like a West l A Dialysis Center shirt, which

0:24:25.560 --> 0:24:28.080
<v Speaker 1>was a prime find the w l A d C

0:24:28.760 --> 0:24:32.880
<v Speaker 1>Premier Dialysis Center Lodic. Of course, that's when you say

0:24:33.000 --> 0:24:34.920
<v Speaker 1>like that, it sounds like some sort of Russian bathhouse

0:24:35.240 --> 0:24:39.760
<v Speaker 1>going to the lod Vodka. When we got next, Chuck,

0:24:39.960 --> 0:24:43.639
<v Speaker 1>all right, we're going to Uh. I think since we

0:24:43.720 --> 0:24:47.440
<v Speaker 1>mentioned the one year anniversary, I did ask people yesterday. Uh,

0:24:47.680 --> 0:24:49.520
<v Speaker 1>here at the one year anniversary, let's hear what your

0:24:49.560 --> 0:24:54.040
<v Speaker 1>favorite movie Crush Interview edition has been. So far we

0:24:54.119 --> 0:24:58.600
<v Speaker 1>get a hundred and four people. Um, and I'm kind

0:24:58.600 --> 0:25:02.320
<v Speaker 1>of curious and this is not a popular contest. Everyone. Um,

0:25:02.359 --> 0:25:04.080
<v Speaker 1>I say that mainly for you know, because you were

0:25:04.080 --> 0:25:08.000
<v Speaker 1>a guest, so it's not like I'm looking you know,

0:25:09.080 --> 0:25:11.240
<v Speaker 1>you say I wasn't the number one choice? Is that

0:25:11.240 --> 0:25:19.280
<v Speaker 1>what you're preparing? Frederick Gimseer says the Big Trouble and

0:25:19.280 --> 0:25:22.040
<v Speaker 1>Little China pisode that was a Kyle Knane uh, Ran

0:25:22.119 --> 0:25:24.800
<v Speaker 1>Dixon says Casey Wilson and Eric Slick I like that,

0:25:25.520 --> 0:25:30.240
<v Speaker 1>Brandon uh Sara Guio says Ross markand On die Hard.

0:25:31.000 --> 0:25:33.160
<v Speaker 1>I loved his story the impressions in the movie discussion.

0:25:33.200 --> 0:25:35.399
<v Speaker 1>I agree, man, that was a great one. Our buddy

0:25:35.440 --> 0:25:39.480
<v Speaker 1>Don Morris's Raymond car Dax in the My Favorite Murder,

0:25:39.560 --> 0:25:42.159
<v Speaker 1>Ladies and The Stranger Things. Guys, No, you want to

0:25:42.160 --> 0:25:45.679
<v Speaker 1>hear something that's gonna make you soups jelly. Uh. My

0:25:45.720 --> 0:25:49.160
<v Speaker 1>Favorite Murder is doing Alive podcast at the Fox Theater

0:25:49.240 --> 0:25:52.600
<v Speaker 1>on Friday night, and I am going on stage to

0:25:52.800 --> 0:25:56.640
<v Speaker 1>tell a local murder story with the ladies in front

0:25:56.680 --> 0:26:00.680
<v Speaker 1>of five thousand people at the very venue where I

0:26:00.680 --> 0:26:03.760
<v Speaker 1>saw my very first concert when I was twelve years old. Well,

0:26:03.840 --> 0:26:05.920
<v Speaker 1>pretty neat, Huh, that's pretty neat, Chuck. You don't have

0:26:06.000 --> 0:26:07.680
<v Speaker 1>to rub it in my face like that though, Hey,

0:26:07.720 --> 0:26:10.560
<v Speaker 1>you were just hob nobbing with fucking Al Gore. That

0:26:10.640 --> 0:26:12.440
<v Speaker 1>wasn't hobbed outing. I was in the crowd. Jaden Smith

0:26:12.520 --> 0:26:16.159
<v Speaker 1>knocking back flaming Dr Pepper shot. No, he has. He

0:26:16.240 --> 0:26:20.720
<v Speaker 1>has a boxed water company called Just Water. I was

0:26:20.800 --> 0:26:24.520
<v Speaker 1>knocking those back. It's not called just Jaden Nope, that's

0:26:24.520 --> 0:26:26.320
<v Speaker 1>the name of his clothing line. The water is made

0:26:26.320 --> 0:26:29.960
<v Speaker 1>from Jaden Smith's tears, which is, as we all know,

0:26:30.040 --> 0:26:34.080
<v Speaker 1>the purest water. It really is. Um let me see

0:26:34.119 --> 0:26:36.200
<v Speaker 1>here the gooch again. He said, this is really hard.

0:26:36.680 --> 0:26:39.440
<v Speaker 1>My favorites of no order are my Mark band on

0:26:39.520 --> 0:26:43.800
<v Speaker 1>die Hard, Mark Hand, Mark wand Raymond Carl Labyrinth, and

0:26:43.840 --> 0:26:47.520
<v Speaker 1>Casey Wilson on Clue. That's very nice. Um let me

0:26:47.520 --> 0:26:51.240
<v Speaker 1>see here. Christine Fordham said, really difficult. But I really

0:26:51.240 --> 0:26:54.880
<v Speaker 1>liked Boots Riley on Mishima, even though it's a movie

0:26:54.880 --> 0:26:57.879
<v Speaker 1>I had never watched. That's great. Paul Sheeran Beverly Hills

0:26:57.880 --> 0:27:01.960
<v Speaker 1>cop Um Chris Whimpany really enjoyed Aaron Manki on the

0:27:02.040 --> 0:27:04.359
<v Speaker 1>Village and the Silence of the Lamb Special with the

0:27:04.440 --> 0:27:08.880
<v Speaker 1>Ladies from MFM. Gabe David says I can't choose. They've

0:27:08.920 --> 0:27:12.639
<v Speaker 1>all just been great, fun conversations about solid movies. Uh,

0:27:12.680 --> 0:27:15.639
<v Speaker 1>that is really nice, Gabe. I appreciate that, it really is.

0:27:16.240 --> 0:27:17.320
<v Speaker 1>It was funny. I was like when I was at

0:27:17.359 --> 0:27:19.480
<v Speaker 1>Kevin Pollock's house, he was talking about how he had

0:27:19.520 --> 0:27:21.000
<v Speaker 1>listened to some of the minis with with the two

0:27:21.040 --> 0:27:22.720
<v Speaker 1>of us, and I was saying, hell, yeah, it's super

0:27:22.720 --> 0:27:24.280
<v Speaker 1>fun and we don't even really have to prep or anything.

0:27:24.400 --> 0:27:25.880
<v Speaker 1>We just kind of like hang out and talk about

0:27:25.960 --> 0:27:28.600
<v Speaker 1>movies and read the social media stuff. He's like, it's

0:27:28.600 --> 0:27:33.200
<v Speaker 1>so only slightly apparent that you don't prep. Oh Pollock,

0:27:34.080 --> 0:27:35.800
<v Speaker 1>that's I could hear him saying that, And that's funny.

0:27:36.400 --> 0:27:40.560
<v Speaker 1>Um Celeste Edwards Uh, Kenna Guiter says Dack Shepherd by

0:27:40.720 --> 0:27:46.000
<v Speaker 1>far Big Deck Shepherds fans. Edward Force Glenn says Schalub.

0:27:46.280 --> 0:27:48.879
<v Speaker 1>I like getting to know him better. He's great. I

0:27:49.000 --> 0:27:53.880
<v Speaker 1>just like saying that last name, Chalub, Chalub. Yeah. John Mills,

0:27:54.320 --> 0:27:58.399
<v Speaker 1>our old friend, says Griffin McIlroy about Groundhog Day was spectacular.

0:27:58.920 --> 0:28:02.520
<v Speaker 1>Another vote for Griffin and Aaron Mankey from Caroline Gaston.

0:28:03.240 --> 0:28:06.159
<v Speaker 1>Raymond Carr gets some more love. Roman mars On Jaws

0:28:06.160 --> 0:28:10.119
<v Speaker 1>from Mickey McGee Morgan Wheat from My Favorite Murder, I

0:28:10.200 --> 0:28:13.879
<v Speaker 1>got some some straight up regular listeners because of those ladies,

0:28:14.600 --> 0:28:16.399
<v Speaker 1>my favorite Murder fans who came over and didn't know

0:28:16.560 --> 0:28:18.840
<v Speaker 1>what was going on going on here and said, hey,

0:28:19.080 --> 0:28:21.320
<v Speaker 1>I listened to the show now, like on the reg

0:28:21.440 --> 0:28:24.159
<v Speaker 1>That's good, that's very nice. That's what you want people. Uh.

0:28:24.200 --> 0:28:27.240
<v Speaker 1>Sam Herring gave some love to our old friend Janet

0:28:27.240 --> 0:28:31.440
<v Speaker 1>Barney episode number one. I love it, Andrew Anderson says

0:28:31.480 --> 0:28:34.840
<v Speaker 1>my favorite Murder our buddy, Zack Pointer says Aaron Mankey.

0:28:35.000 --> 0:28:36.720
<v Speaker 1>He made me want to watch the Village again. In

0:28:36.760 --> 0:28:40.080
<v Speaker 1>Casey Wilson on Clue, Tom Evans says Janet Barney again,

0:28:40.520 --> 0:28:48.560
<v Speaker 1>Casey Wilson. Another vote from Laura B. Yorkland. Great name um, Nikki,

0:28:48.960 --> 0:28:52.040
<v Speaker 1>all right, Nicky gives some constructive criticism. Nicky, Dennis, you

0:28:52.080 --> 0:28:54.520
<v Speaker 1>didn't ask, But my least favorite ones are the ones

0:28:54.560 --> 0:28:57.280
<v Speaker 1>with the groups of people. One is great, two is fine,

0:28:57.280 --> 0:29:01.360
<v Speaker 1>but more than two is too many in my Sorry,

0:29:01.840 --> 0:29:04.640
<v Speaker 1>don't apologize, Nikki. I get it, those those can be

0:29:04.680 --> 0:29:07.680
<v Speaker 1>a little unwieldy, but there's only been like two of them. Yeah,

0:29:07.720 --> 0:29:10.760
<v Speaker 1>it just depends. I mean, I guess when it's sort

0:29:10.760 --> 0:29:13.080
<v Speaker 1>of a more of a personal thing like a movie,

0:29:13.160 --> 0:29:15.640
<v Speaker 1>it might be a little harder than to get everyone's

0:29:15.680 --> 0:29:17.800
<v Speaker 1>kind of personal perspective if everyone's talking over each other.

0:29:17.800 --> 0:29:19.640
<v Speaker 1>But I thought the ones that you've done have been successful,

0:29:19.880 --> 0:29:23.400
<v Speaker 1>considering that that's kind of a pitfall of those types

0:29:23.440 --> 0:29:25.520
<v Speaker 1>of interviews in general. But I think they're okay. I

0:29:25.520 --> 0:29:27.960
<v Speaker 1>thought the Stranger Things, It's Stranger Things one was great,

0:29:28.000 --> 0:29:29.600
<v Speaker 1>The Broken Lizard one. Those guys are just so like

0:29:29.640 --> 0:29:31.640
<v Speaker 1>bombastic and all over the place. Well, and we only

0:29:31.680 --> 0:29:33.600
<v Speaker 1>have like thirty minutes with those guys. That one might

0:29:33.600 --> 0:29:35.880
<v Speaker 1>have been that sort of crazy, a little kind of

0:29:35.960 --> 0:29:38.720
<v Speaker 1>gasping for air and that right. Yeah, I had fun though.

0:29:46.720 --> 0:29:48.840
<v Speaker 1>Chris bob It says Eric's look on Big Lebowski is

0:29:48.880 --> 0:29:51.200
<v Speaker 1>one of my favorite drummers. And your joy and his

0:29:51.280 --> 0:29:54.440
<v Speaker 1>joy for the movie was delightful. Um, Mike Baron Holts

0:29:54.480 --> 0:29:58.160
<v Speaker 1>on Good Fellows. That's from Jody Nevile. Um, it's all

0:29:58.160 --> 0:30:02.400
<v Speaker 1>over the map man, everyone, it is really nice. Paul Schneider,

0:30:02.440 --> 0:30:04.280
<v Speaker 1>I'm back to the future. Brett Giles said that one

0:30:05.360 --> 0:30:09.160
<v Speaker 1>even got a John Hodgeman fan here. Everyone. Kevin Craig, Uh,

0:30:09.200 --> 0:30:13.840
<v Speaker 1>that's great. John is the best. The time you disc

0:30:14.320 --> 0:30:17.760
<v Speaker 1>Quentin Tarantino in front of Broken Lizard, as from Allan

0:30:17.800 --> 0:30:21.560
<v Speaker 1>SMITHI yeah, I kind of did, dude, What did you say? Oh,

0:30:21.840 --> 0:30:24.840
<v Speaker 1>just sort of my usual Tarantino rant, which is that

0:30:25.520 --> 0:30:28.680
<v Speaker 1>like he's just being a little too indulgent these days,

0:30:28.800 --> 0:30:32.600
<v Speaker 1>and uh, movies are too long. Don't put yourself in them.

0:30:33.160 --> 0:30:34.680
<v Speaker 1>Get it. Get someone to get in there and tell

0:30:34.720 --> 0:30:37.800
<v Speaker 1>you know. Occasionally he hasn't really hasn't been in the

0:30:37.920 --> 0:30:41.440
<v Speaker 1>last few has he. He wasn't in Django or he

0:30:41.480 --> 0:30:48.800
<v Speaker 1>was in Django. He played a that's right, Australian bad accent.

0:30:49.000 --> 0:30:51.560
<v Speaker 1>He was a racist Australian too, I believe, Yes, of

0:30:51.560 --> 0:30:53.240
<v Speaker 1>course he was. But he got blowed up. He did

0:30:53.240 --> 0:30:55.120
<v Speaker 1>get blowed up, which is kind of great fun. Was

0:30:55.120 --> 0:31:01.000
<v Speaker 1>he in the one in the Snow? Uh? I don't

0:31:01.720 --> 0:31:05.040
<v Speaker 1>think so, I don't recall. Surely he'll be in the

0:31:05.040 --> 0:31:07.880
<v Speaker 1>Manson one. Yeah, I am looking forward to that one.

0:31:07.920 --> 0:31:09.640
<v Speaker 1>Looks a lot of fun. And they were, they were

0:31:09.640 --> 0:31:12.040
<v Speaker 1>shooting it all over when I was really like some

0:31:12.080 --> 0:31:13.680
<v Speaker 1>people that I know who had just moved there not

0:31:13.720 --> 0:31:15.840
<v Speaker 1>too long ago said that it was like all over

0:31:15.880 --> 0:31:20.320
<v Speaker 1>the place. That's awesome and I've said it before to like,

0:31:20.440 --> 0:31:24.320
<v Speaker 1>I will still go see all the Tarantinos everyone, So

0:31:24.720 --> 0:31:29.520
<v Speaker 1>you know, maybe I'm the chump at the end of

0:31:29.560 --> 0:31:31.720
<v Speaker 1>the day. All right now, I feel like that's a

0:31:31.720 --> 0:31:34.120
<v Speaker 1>pretty robust episode. So because we got to catch up

0:31:34.160 --> 0:31:36.640
<v Speaker 1>and everything, So let's finish with a couple of comment

0:31:36.720 --> 0:31:39.640
<v Speaker 1>card questions and we'll save some of this other goodness

0:31:39.640 --> 0:31:47.680
<v Speaker 1>for subsequent shows. Um, Teresa Baker, I'm sorry, Barker says,

0:31:47.760 --> 0:31:49.320
<v Speaker 1>is there a movie that moved you so deeply that

0:31:49.360 --> 0:31:51.120
<v Speaker 1>you couldn't get it off your mind days, weeks or

0:31:51.120 --> 0:31:58.720
<v Speaker 1>even months later. Um. Yeah, sure, there's a lot of

0:31:58.720 --> 0:32:00.920
<v Speaker 1>There are a lot of movies that stay with me. Um.

0:32:00.960 --> 0:32:02.600
<v Speaker 1>The first one that just popped into my head it

0:32:02.680 --> 0:32:06.960
<v Speaker 1>was the more recent ilk, which was Room. Um. I

0:32:07.000 --> 0:32:09.200
<v Speaker 1>read that book and saw that movie. That one kind

0:32:09.200 --> 0:32:11.240
<v Speaker 1>of hung with me. And that was before he even

0:32:11.240 --> 0:32:14.480
<v Speaker 1>had a kid, So I imagine that would destroy me

0:32:14.520 --> 0:32:17.320
<v Speaker 1>now and actually now that I'm thinking about it, Um,

0:32:17.360 --> 0:32:19.760
<v Speaker 1>I was just thinking Bree Larson because of Room. Short

0:32:19.880 --> 0:32:23.160
<v Speaker 1>Term twelve was another movie that really stuck with me.

0:32:23.640 --> 0:32:26.600
<v Speaker 1>Great great film. If you guys haven't seen Short Term twelve,

0:32:26.800 --> 0:32:30.600
<v Speaker 1>check it out. I'm not aware, I just I think

0:32:30.600 --> 0:32:34.040
<v Speaker 1>Bree Larson is the best. She's wonderful. And I saw

0:32:34.080 --> 0:32:39.120
<v Speaker 1>the first teaser trailer for Captain Marvel. Have you seen it?

0:32:39.280 --> 0:32:41.880
<v Speaker 1>Looks pretty cool. Yeah, it looks rad. It's gonna be awesome.

0:32:42.440 --> 0:32:44.000
<v Speaker 1>I saw that. I think it Halloween. Did you see

0:32:44.000 --> 0:32:46.920
<v Speaker 1>Halloween yet? No? Not yet? Okay, well it's probably too

0:32:47.000 --> 0:32:48.680
<v Speaker 1>late now. You didn't want to see it in Thanksgiving?

0:32:48.800 --> 0:32:50.400
<v Speaker 1>I don't know why I did. I do what. I'm

0:32:50.400 --> 0:32:53.400
<v Speaker 1>interested to see what a Danny McBride horror movie looks like.

0:32:53.680 --> 0:32:56.960
<v Speaker 1>It's pretty traditional throwback slasher film. You did see it? Oh? Yeah,

0:32:56.960 --> 0:32:59.280
<v Speaker 1>Oh that's right. You said you saw it and Phoenix

0:32:59.280 --> 0:33:03.600
<v Speaker 1>and Phoenix's that's right. Alright, great question though. That was good.

0:33:04.480 --> 0:33:08.600
<v Speaker 1>Let's just move on to another one. Robbie Styles go

0:33:08.720 --> 0:33:11.800
<v Speaker 1>straight up fight Club. If you could fight anyone from history,

0:33:12.400 --> 0:33:16.440
<v Speaker 1>who would it be? Um? I would fight Donald Trump?

0:33:18.200 --> 0:33:23.400
<v Speaker 1>What about you know Gandhi? That was a first from

0:33:23.480 --> 0:33:26.640
<v Speaker 1>fight Club? Yeah, he just ripped off fight Club? Was it?

0:33:26.680 --> 0:33:28.920
<v Speaker 1>What was it? Homage? It was a ref who would

0:33:28.920 --> 0:33:31.440
<v Speaker 1>you fight? We're not fighters, but I feel like I

0:33:32.360 --> 0:33:35.480
<v Speaker 1>get rage up enough to kick the ship out of Donald. Yeah, yeah,

0:33:35.520 --> 0:33:42.560
<v Speaker 1>that'd be fine. Um, maybe maybe Ted Cruise. He has

0:33:42.600 --> 0:33:46.640
<v Speaker 1>a pretty punchable face, man, the most punishable face. He

0:33:46.680 --> 0:33:49.400
<v Speaker 1>looks like Eddie Munster. You ever thought about that. It's

0:33:49.480 --> 0:33:56.040
<v Speaker 1>the most punchable face of the world. Eddie Munster. Yeah,

0:33:56.080 --> 0:33:59.760
<v Speaker 1>he's not punchable, though, he's huggable. Um let me see here.

0:34:00.920 --> 0:34:04.080
<v Speaker 1>Dan Maynard says, when a studio decides to green light

0:34:04.160 --> 0:34:07.240
<v Speaker 1>of film, what gets taken into consideration to build the

0:34:07.240 --> 0:34:10.360
<v Speaker 1>budget to the final number? Does a director or whoever

0:34:10.440 --> 0:34:15.920
<v Speaker 1>go forward with an estimate or idea? Wow, Dan, that's

0:34:15.920 --> 0:34:21.879
<v Speaker 1>a great question. Um, well, the director doesn't budget the film.

0:34:22.360 --> 0:34:25.120
<v Speaker 1>The director is told what the budget of the film is.

0:34:26.280 --> 0:34:28.759
<v Speaker 1>I mean, unless it's like a super duper indie, the

0:34:28.840 --> 0:34:31.239
<v Speaker 1>director might have their their fingers in that pie a

0:34:31.280 --> 0:34:36.360
<v Speaker 1>little bit more. But the line producers who sort of

0:34:36.400 --> 0:34:39.800
<v Speaker 1>gets all the numbers together and probably presents the final

0:34:39.840 --> 0:34:43.360
<v Speaker 1>budget too. In the case of a studio, I guess

0:34:43.400 --> 0:34:46.600
<v Speaker 1>just a you know, not the studio head. Well, maybe

0:34:46.640 --> 0:34:49.759
<v Speaker 1>if it's a big enough movie. But um, I think

0:34:49.760 --> 0:34:52.440
<v Speaker 1>when it's when it's a studio to these days, a

0:34:52.520 --> 0:34:55.080
<v Speaker 1>lot of times it's just a math problem, like they

0:34:55.080 --> 0:34:58.480
<v Speaker 1>have a It's as uncreative as it sounds. They know

0:34:58.960 --> 0:35:02.920
<v Speaker 1>basically how much of movie will likely do after the

0:35:02.920 --> 0:35:05.240
<v Speaker 1>first couple of weeks, and that really paints a picture

0:35:05.239 --> 0:35:07.600
<v Speaker 1>of how the movie is going to do overall. And

0:35:07.640 --> 0:35:10.120
<v Speaker 1>they say, if you put this star in this movie,

0:35:10.520 --> 0:35:13.960
<v Speaker 1>pair them with this person as a co star, and

0:35:14.000 --> 0:35:17.919
<v Speaker 1>if it's this genre of film, then historically it will

0:35:17.960 --> 0:35:20.560
<v Speaker 1>make this kind of money. And it really is a

0:35:20.760 --> 0:35:24.000
<v Speaker 1>bit of a buzz kill for like, what you feel

0:35:24.000 --> 0:35:26.799
<v Speaker 1>like is the creative process, but budgeting a film is

0:35:26.840 --> 0:35:30.480
<v Speaker 1>the least fun part of anything. Really, leave it to

0:35:30.480 --> 0:35:33.040
<v Speaker 1>the bean countess, Chuck, leave it to the bean countess.

0:35:35.200 --> 0:35:38.600
<v Speaker 1>Good of a noll Um. All right, let's do one

0:35:38.640 --> 0:35:40.719
<v Speaker 1>more here and then let's get out of here, go

0:35:40.760 --> 0:35:44.120
<v Speaker 1>to that stupid HR meeting and then we'll record some more.

0:35:44.120 --> 0:35:49.480
<v Speaker 1>How about that? Um this is from Kristen glenn Kister.

0:35:50.400 --> 0:35:53.600
<v Speaker 1>What movies are your holiday traditions? In my house, it's

0:35:53.640 --> 0:35:58.600
<v Speaker 1>the color purple while making pies for Thanksgiving. I gotta

0:35:58.800 --> 0:36:02.440
<v Speaker 1>stop there and just say that is awesome, such a

0:36:02.480 --> 0:36:06.160
<v Speaker 1>specific tradition to make pies and watch the color purple.

0:36:06.280 --> 0:36:08.560
<v Speaker 1>I love that. And then die Hard and Christmas Eve,

0:36:09.080 --> 0:36:13.400
<v Speaker 1>just to name a couple. Um. Well, one of the

0:36:13.480 --> 0:36:15.279
<v Speaker 1>things that we do in our family is when the

0:36:15.360 --> 0:36:19.000
<v Speaker 1>Christmas Story a Christmas Story is on the loop on TBS,

0:36:19.040 --> 0:36:20.360
<v Speaker 1>A lot of times we will just keep it on

0:36:20.400 --> 0:36:24.440
<v Speaker 1>in the background and catch bits of it. Women can um.

0:36:25.080 --> 0:36:26.840
<v Speaker 1>Now that I have a daughter, I'm gonna start the

0:36:26.880 --> 0:36:29.839
<v Speaker 1>tradition of Emma Dater's jug band Christmas. And I think

0:36:29.880 --> 0:36:33.280
<v Speaker 1>they just reissued that and some sort of new soundtrack

0:36:33.360 --> 0:36:36.719
<v Speaker 1>that soundtrack. Man, speaking of Christmas Story, I told you

0:36:36.800 --> 0:36:38.600
<v Speaker 1>that's the only way I've ever experienced that movie. I

0:36:38.640 --> 0:36:40.560
<v Speaker 1>don't think i've ever seen it linearly, like in the

0:36:40.640 --> 0:36:42.719
<v Speaker 1>right order. I think I've just seen little snips of

0:36:42.719 --> 0:36:45.600
<v Speaker 1>it because of the loop, you know. And he kind

0:36:45.600 --> 0:36:47.160
<v Speaker 1>of pops on. I'm like, oh, he's getting his eyes

0:36:47.200 --> 0:36:49.239
<v Speaker 1>shot out here. Wait wait, wait, wait this this come

0:36:49.320 --> 0:36:53.480
<v Speaker 1>before after he wears the bunny suit, Like, I'm confused. Uh,

0:36:53.640 --> 0:36:55.640
<v Speaker 1>and then one else like I try to watch plane

0:36:55.640 --> 0:37:00.200
<v Speaker 1>strains and automobiles um around Thanksgiving Hope, he's just frustrating eating.

0:37:00.280 --> 0:37:02.960
<v Speaker 1>I just feel bad for those characters. There's nothing good

0:37:03.000 --> 0:37:07.000
<v Speaker 1>happens to them. You know. It's an exercising futility. Yeah,

0:37:07.080 --> 0:37:09.880
<v Speaker 1>I mean, for sure, but it's such a sweet story

0:37:09.880 --> 0:37:14.560
<v Speaker 1>in the end, sad story. Yeah, punishing, not for you.

0:37:16.000 --> 0:37:18.920
<v Speaker 1>Those aren't pillows, no, all right, So that's it for

0:37:18.960 --> 0:37:22.000
<v Speaker 1>this week. Everyone. Glad you're back. Buddy. We're gonna record

0:37:22.040 --> 0:37:23.279
<v Speaker 1>a couple of more of these in a couple of

0:37:23.280 --> 0:37:25.719
<v Speaker 1>hours because we got a beef up for the holidays, bro,

0:37:26.960 --> 0:37:31.560
<v Speaker 1>and uh yeah you down. You know I'm down, Chuck,

0:37:31.719 --> 0:37:34.799
<v Speaker 1>all right, So thanks for tuning in everybody, and see

0:37:34.800 --> 0:37:45.480
<v Speaker 1>you next Monday. Goodbye.