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Speaker 1: Welcome to Friday's show more a studio morning. Well, but

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Speaker 1: I don't know a minute from now. Luke Combs we

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Speaker 1: recorded this interview. I want you to hear it. You

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Speaker 1: haven't heard it yet, so it's not something we've heard before.

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Speaker 1: But here is myself and Luke Combs and we recorded

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Speaker 1: this because today his brand new album is out. So

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Speaker 1: if you're a Luke Combs fan, enjoy and let's start

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Speaker 1: the show all right, big day today because the new

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Speaker 1: Luke Combs album is out. You know, people wait forever

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Speaker 1: for your yes. Here it is, yeah? And do you go?

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Speaker 1: And I mean, who's telling you if people are loving

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Speaker 1: it equally or more? And who do you trust? Oh man,

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Speaker 1: the fans for sure is who you listen to. But

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Speaker 1: what they say, we like this one less Yes, some

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Speaker 1: of my fans would yeah, they'd be like, I can't

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Speaker 1: believe this or you know it's it's and I think

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Speaker 1: that's you know, I mean, that's the best stuff you

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Speaker 1: can listen to. I mean you can't let it, you know,

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Speaker 1: really drive your decision making or your songwriting. But it's

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Speaker 1: good when people are honest with you about it, and

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Speaker 1: it gets you can get to a point where it's

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Speaker 1: hard to feel like, you know, it's like almost you

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Speaker 1: get to this point where it's like, let's let's say

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Speaker 1: I put this album out and it's out today, and

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Speaker 1: it's the best album I've ever put out. Right, let's

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Speaker 1: say it is. And let's say whoever on my team,

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Speaker 1: it doesn't matter if it's Cappy or whoever. They come

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Speaker 1: up and they go, god, dude, this album is great.

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Speaker 1: It's hard to be like it is great because like,

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Speaker 1: and not that I don't trust them, you know, implicitly,

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Speaker 1: because I do, But then you start to wonder. You're like, man,

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Speaker 1: or they just like pull my leg, you know, like

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Speaker 1: trying to make me feel good, you know, kind of thing,

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Speaker 1: because what if it's not good? You know, I don't know,

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Speaker 1: I think any. I feel like that's the curse of

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Speaker 1: being like a creative person. It's like your mind is

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Speaker 1: like way too overact, dude. You know, it's like the

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Speaker 1: best thing about what we do and the worst thing

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Speaker 1: about what we do, because you're so prone to like

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Speaker 1: second guess in yourself for like wondering if somebody's being

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Speaker 1: real with you or or not. You know, it's just

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Speaker 1: hard to like trust people's feedback sometimes you know. So

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Speaker 1: I find that all you can do is just love.

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Speaker 1: You know, you have to just love the songs and

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Speaker 1: just trust that you did you know that you did

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Speaker 1: your best. I think it is the only thing that

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Speaker 1: I put any stock in at this point. I had

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Speaker 1: a couple of people in my life, and in my

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Speaker 1: last book, I wrote about how I only trust people

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Speaker 1: to tell me I did good if they've told me

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Speaker 1: I haven't done good. Sure, it's a weird way to feel,

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Speaker 1: but I again, once you get to a certain point,

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Speaker 1: everybody just starts to be nice to you. Sure, even

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Speaker 1: if it sucks. And so I know that my wife

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Speaker 1: will tell me how exactly how she feels. And sometimes

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Speaker 1: it cuts when it urts, Yeah, because you think in

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Speaker 1: your head, you're like, man, I want people to be

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Speaker 1: honest with me, and then they are and you're like

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Speaker 1: that sucks. No more good, tell me it's good. But

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Speaker 1: then it's like you're doing yourself a service at that point,

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Speaker 1: you know what I mean. And so if you have

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Speaker 1: somebody that tells you you suck, you can you can

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Speaker 1: trust them to tell you that you don So any

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Speaker 1: of these songs on this record, were they the ones

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Speaker 1: that fell out? And you wrote in like fifteen minutes,

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Speaker 1: Going Going Gone was pretty fast. That one was pretty fast,

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Speaker 1: and probably middle somewhere that one went really fast too. Um,

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Speaker 1: but just fun, I mean just it's really like if

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Speaker 1: I mean, if it's just fun, you know, it's easy

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Speaker 1: to write, you know, or if you have a really

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Speaker 1: great like going Going Gone, it's such a great riff,

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Speaker 1: like a pronounced thing that we were writing to. Um.

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Speaker 1: I think that one was really great because you're not

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Speaker 1: really worried about anything. You're just like, you're just going

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Speaker 1: the new albums out today, growing up. Here we go

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Speaker 1: three big questions and then we're gonna let you go

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Speaker 1: about your married way because you have so much to do.

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Speaker 1: By the way, great album here we go. Question number one.

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Speaker 1: Do you ever go back and hear an old song

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Speaker 1: that you did and go, oh that, what was I thinking?

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Speaker 1: That is not a good song. I'm not even asking

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Speaker 1: you to say the song because there are other songwriters involved.

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Speaker 1: But do you ever listen back and go, oh, why

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Speaker 1: did I even record that? I don't think anything that's

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Speaker 1: made it on an album. I feel that way about

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Speaker 1: it doesn't have to be album. It can be just

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Speaker 1: something you can go back to an old dude. Definitely

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Speaker 1: all the time. Yeah, absolutely, like all the time. But

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Speaker 1: why would you if you say all the time, like,

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Speaker 1: how can you write a poor song? At this point,

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Speaker 1: I think it's just I don't And you're always like

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Speaker 1: the day you write it, you know this, it's like

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Speaker 1: the day you write it, you're so excited about it

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Speaker 1: because you're like, you're done with it. I never gauge

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Speaker 1: a song by how I feel about it when I'm

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Speaker 1: done writing it. It's the next day is the bar.

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Speaker 1: That's funny you do that because if I write something funny,

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Speaker 1: I'm won't do it for a month because I can't

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Speaker 1: because I'm so I'm so associated with being in it,

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Speaker 1: and then I lose it while i'm in it. You

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Speaker 1: ever lose it while you're in it because you spend

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Speaker 1: so much time inside of it. Yeah, you're like, I

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Speaker 1: don't even if this is good anymore? Yeah, and I

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Speaker 1: get like the next day for me is the thing.

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Speaker 1: Like I always text the people and I'm like, hey,

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Speaker 1: do you guys listen to that song? And then they'll

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Speaker 1: be like, yeah, does anyone always does anyone ever say

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Speaker 1: head it's not that good? Luke? Yeah? Oh yeah, yeah,

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Speaker 1: Like we'll be like, man, we just and sometimes that's

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Speaker 1: like we'll just go and rewrite that, you know, that thing,

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Speaker 1: or change what we don't like about it, or so

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Speaker 1: I think you have to be willing to do that too.

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Speaker 1: You know, you have to be willed it. But you

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Speaker 1: always have to. I've always heard that you just you

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Speaker 1: have to finish a song, even if it's bad, even

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Speaker 1: if you don't like it. The practice of getting it complete.

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Speaker 1: You know, like if your job was cutting down trees

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Speaker 1: and you got halfway through cutting the tree down, you

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Speaker 1: would never know how to fell a tree because you

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Speaker 1: had never done it before. You might be really good

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Speaker 1: at chopping the tree halfway down, and then you don't

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Speaker 1: know how to do the rest. So it's like all

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Speaker 1: your songwriters out there, even if you're writing bad songs,

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Speaker 1: you have to just finish them and then move on.

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Speaker 1: Question two is if someone said, hey, man, there's a

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Speaker 1: million bucks I need you to write me a radio hit.

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Speaker 1: You have thirty minutes. Do you think you could do it?

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Speaker 1: Thirty yes, write him my wallet? And what would you do?

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Speaker 1: Would you? Would you chase just a big melody without

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Speaker 1: a lot of like depth, and you know we're gonna

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Speaker 1: go whoo whoo, a lot of those. I think if

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Speaker 1: if it was in that in that sense and thirty minutes,

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Speaker 1: one million dollars, it's got to be a melodies melodies

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Speaker 1: the thing and claps and crows and yeah, melodies. Man,

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Speaker 1: sing Ability like something that people can sing back to,

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Speaker 1: I think is the biggest thing with any hit. Really,

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Speaker 1: final question you put out this album today. Do you

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Speaker 1: feel as good or better about this album than the

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Speaker 1: other albums that you've put out? Interesting question, Man, I

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Speaker 1: feel different about this one um in the sense of

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Speaker 1: it came together over the last two and a half

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Speaker 1: for three years, and it was like all the recording

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Speaker 1: sessions were so spread out and different. It was just

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Speaker 1: a completely different process than the other two, just because

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Speaker 1: of the circumstances of the world at the time that

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Speaker 1: it was made and all the different sessions that we did.

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Speaker 1: And then the tour came along, so that put the

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Speaker 1: brakes on it and I didn't do any work on

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Speaker 1: it for the whole tour because I just couldn't. I

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Speaker 1: just couldn't think about it because it was like I

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Speaker 1: wouldn't be able to focus on it. So I feel

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Speaker 1: really great about it, but it's just completely different, and

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Speaker 1: it's hard to even gauge it beside the other two

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Speaker 1: because it was just so completely different. The album's out

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Speaker 1: today in full transparency. We actually recorded this back in

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Speaker 1: April before Luke's wife and Luke had a baby. So

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Speaker 1: and we can air all this even as I'm about

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Speaker 1: to say as it is. But I'm just gonna say, hey, man,

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Speaker 1: how's the baby, and give me a few responses, sure,

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Speaker 1: and then we'll highlight the one whichever like tie. So, so,

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Speaker 1: how was it at the hospital? Oh it was great man?

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Speaker 1: You know stressful? Oh yes, yeah, yeah, of course, give

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Speaker 1: me a second answer case it's it's not stressful at all. Yeah,

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Speaker 1: Oh it was great man. It's easy peasy, wow. Good

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Speaker 1: look at that. Okay, cool? Easy? And how has it

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Speaker 1: been back at the house with the baby. It's good,

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Speaker 1: it's been good. It's not a lot of sleep, okay, cool, yeah,

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Speaker 1: not a lot of sleep. There's also a possibility that

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Speaker 1: we could not have a baby yet. By the way,

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Speaker 1: Oh okay, well that's a close. Hey Luke, where's the baby?

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Speaker 1: Who knows? Okay, there we go and then do uh

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Speaker 1: and this is all all playing for audience right here.

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Speaker 1: Do one where you go, I've got tons of sleep.

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Speaker 1: People are so wrong about how hard it is. Here

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Speaker 1: we go. Here's Lukes Man, I've been sleeping great, Okay,

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Speaker 1: Luke Combs albums out today. Um we obviously recorded this

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Speaker 1: back in April. So just man, love it, love what

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Speaker 1: you do, love to see just it's just a big, big,

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Speaker 1: honest conversation with you and I can always appreciate that night.

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Speaker 1: There he is, Luke Combs. Go go see him. Stream

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Speaker 1: the music at Luke Hombs on Instagram and we'll be back.

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Speaker 1: You know, people send us emails. They do write hellooooa, whoa.

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Speaker 1: I didn't just start that out of nowhere. I was

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Speaker 1: wondering about that was one or two and then people

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Speaker 1: write their emails like that. Some do, some don't, and

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Speaker 1: some are really long. It was like helloola, So just no,

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Speaker 1: that's on the email. Let's open up the mail back.

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Speaker 1: Get something. We call hello. Bobby Bones. My family and

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Speaker 1: I started a small business about five years ago. It's

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Speaker 1: a niche business. There aren't many of us around just yet.

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Speaker 1: We've worked from the ground up Blood Sweat Tears. We

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Speaker 1: have grown our business, which has just been named best

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Speaker 1: in the state for its class. Now I understand similar

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Speaker 1: businesses are going to pop up. We almost encourage it.

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Speaker 1: We love collaborating with similar companies growing in our industry.

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Speaker 1: But one of our previous employees is new now open

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Speaker 1: same kind of business in our old location, selling the

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Speaker 1: exact same stuff. Not only that they copy our social posts,

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Speaker 1: they host the same events. They told everyone quote they

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Speaker 1: are in the business to put us out of business. Now, now,

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Speaker 1: we were all getting along with them, but Hank, it's annoying.

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Speaker 1: How do we stand out them piggybacking off us? Do

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Speaker 1: we confront them, extend the olive branch. We're in a

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Speaker 1: small town. Rumor spread like wildfire, but we want to

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Speaker 1: remain cordial. How do we get the leg up? Help

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Speaker 1: ps listeners? Since day one, my listener loves it. My

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Speaker 1: daughter loves a new kid's book signed a small business

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Speaker 1: lady trying to put her stamp on the world. Well,

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Speaker 1: I appreciate that. Email. I'll tell you a story somewhat similar.

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Speaker 1: We started this radio show a long time ago. This

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Speaker 1: radio show is done a bit different than other radio shows,

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Speaker 1: not only from how we do it behind the scenes,

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Speaker 1: where I'm the only person that knows what we're gonna

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Speaker 1: talk about. On the show, to the group people that's

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Speaker 1: never been on the radio before, to the main host

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Speaker 1: that doesn't have a good radio voice too, that I

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Speaker 1: could just go down the line and how we did

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Speaker 1: everything so different, and we were told forever it's not

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Speaker 1: going to work. And then once it started working and

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Speaker 1: then really started working, everybody started copying it. They were like, oh, yeah,

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Speaker 1: we always knew that was blueprint for success. It's one

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Speaker 1: after the other. Little clones of this show would pop up,

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Speaker 1: even if it's not a straight clone of the show.

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Speaker 1: They'd still segments and change the name just a little bit,

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Speaker 1: but over and over. And I used to get so

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Speaker 1: upset about that. Now I just do me. I can't

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Speaker 1: control anybody else, can't control what they do, what they say,

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Speaker 1: can't control how they react to things, can't control their bosses.

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Speaker 1: I just do me. I do the best version of me.

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Speaker 1: I focus on me and us and what I can

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Speaker 1: do for me, us and our families. And that's it.

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Speaker 1: Because you don't have enough capacity to worry about this

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Speaker 1: other person. Now, if they're stealing something from you, if

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Speaker 1: they have some insine information there, you can sume. I

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Speaker 1: never suit anybody in my life, but I would if

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Speaker 1: it came to something like that, but I don't think

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Speaker 1: they are, and there's no law against a similar, very

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Speaker 1: similar business McDonald say hello, a Burger, king Apple say

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Speaker 1: hello to you can just do it. So here's the

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Speaker 1: advice I'm going to give you, and not just you

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Speaker 1: the emailer, but other people that are in a similar

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Speaker 1: situation professionally, personally. Just do you. It's the only thing

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Speaker 1: you can control. Control what they're doing, because they're going

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Speaker 1: to do it regardless of how you feel about it,

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Speaker 1: how much hurt your feelings, how sad you are, how

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Speaker 1: angry you are. That's it. You control you. You do

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Speaker 1: your best job, put out your most authentic version of

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Speaker 1: what you're doing, and you will come ahead, especially if

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Speaker 1: you're already good. It sounds like you're killing it right now.

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Speaker 1: So keep doing you as least as possible, as less

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Speaker 1: as possible, trying not to worry about that. I know

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Speaker 1: it's hard. You are a human being and be so

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Speaker 1: good at what you do that that is what drives

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Speaker 1: them to go. I don't want to do this anymore.

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Speaker 1: I can't. I can't compete against them, so and they'll quit,

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Speaker 1: They'll lose the end. Do you have any shows I've

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Speaker 1: had to stomp out from being I mean, I could

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Speaker 1: list them being like and I would get really competitive

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Speaker 1: and it didn't matter who was against me. They were

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Speaker 1: my mortal enemy. Some some salary. They don't even know it,

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Speaker 1: don't even read you anymore. I'm like, um, some of

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Speaker 1: that still gone it. Every once a while a little

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Speaker 1: head pops up. But just do you. That's it. Do

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Speaker 1: you focus on you do the best you the end,

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Speaker 1: because that's all you can do, other than mandalize in

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Speaker 1: the middle of the night. Oh, don't do that. Don't

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Speaker 1: do that. And that's it. Close up the mail bag.

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Speaker 1: We've got your I was found the cloth. That right,

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Speaker 1: my favorite segment. All right, here we go, number five,

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Speaker 1: number five. So similar to the rings in a tree,

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Speaker 1: your teeth carry a record of stressful times throughout your life.

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Speaker 1: I've been grinding the crap out of mine. I thought

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Speaker 1: of you when I saw this so hard. I don't

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Speaker 1: know why. I don't know what's up. Just recently, I

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Speaker 1: wonder if I grind because I'm happy. That thing has

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Speaker 1: ever been Like, Wow, you're so happy. I can tell

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Speaker 1: that by the rings in your teeth. Don't think no,

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Speaker 1: I've got a new mouth guard my jaws. When I

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Speaker 1: eat sometimes food, I can't help my mouth all the

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Speaker 1: way because my jaws are so tired, the muscles are

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Speaker 1: so if you look at my teeth, I'm probably Methuselah. Old.

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Speaker 1: That's a Bible reference for some of you. Hold this

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Speaker 1: guy you're talking about, shout out number four. Jim Carrey

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Speaker 1: was originally offered the role of Captain Jack Sparrow and

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Speaker 1: Pirates of the Caribbean. He'd have been great. He turned

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Speaker 1: it down to do Bruce Almighty. Also good, yeah, also good, good,

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Speaker 1: kind of crazy seeing him as I mean, because Johnny

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Speaker 1: Depp and I feel like Johnny Depp's doing a Jim

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Speaker 1: Carrey impression. Prior to the car He's like, Oh, I'm

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Speaker 1: dancing around doing Goofy. I feel like Johnny Depp so

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Speaker 1: goofy in that movie. Jim Jim Carrey could have easily

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Speaker 1: done that. I think it had been fine. And also,

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Speaker 1: like Jim Carrey in serious movies, better than goofy ones anyway, Yeah, okay,

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Speaker 1: and then we'd have just thought of it as a

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Speaker 1: Jim Carrey would have been like Joe. Johnny Depp was

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Speaker 1: up second for this movie. But I think I'm into it.

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Speaker 1: I'm reading this book right now by this guy Jim Quick.

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Speaker 1: And he said he worked with Jim Carrey on a

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Speaker 1: product project and he was speaking somewhere where Jim Carrey

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Speaker 1: was and he went up to him afterwards and was like, Hey,

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Speaker 1: I'd like to do some private work with you. He's like,

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Speaker 1: because to do a weird question is that to go

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Speaker 1: up somebody and like one on one, I want to

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Speaker 1: hire you as a coach to help me. He's like,

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Speaker 1: I'm about to do Dumb and Dummer and I need

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Speaker 1: to be so Jim Carrey asked him. Yes, he goes,

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Speaker 1: I need to be smarter to do my role in

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Speaker 1: Dumb and Dumber. Yeah, it's really hard to play dumb.

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Speaker 1: It's not it's easy to be dumb. It's hard to

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Speaker 1: play dumb because you can't put yourself there because it's

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Speaker 1: like trying to be short. If you're really tall, you

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Speaker 1: can't just make your unless you're like been, it's impossible.

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Speaker 1: So you gotta be really smart to be dumb. So

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Speaker 1: that being said, IQ of two hundred lunch blocks, it's

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Speaker 1: not a thing that's that's brilliant timing. The guy leaves

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Speaker 1: in a British accent and has all the degrees. But

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Speaker 1: in this room, guy's crushing it, all right. Next number three,

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Speaker 1: HBO passed on The Walking Dead because they thought it

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Speaker 1: was too violent. It's very violent, though, but HBO, HBO

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Speaker 1: has ods. That's a pretty they showed back in the day,

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Speaker 1: so they've always been violent. So that's weird that they

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Speaker 1: were shows like The Wire and then even now and

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Speaker 1: they ended up being super successful. So I bet they were, like,

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Speaker 1: dang it, it was my favorite show for thirty four years,

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Speaker 1: like my the favorite show. Same, but I have not.

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Speaker 1: I don't know what's been happening. Is it still no?

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Speaker 1: I think now it's current day and everybody's living a

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Speaker 1: happy life. Okay, I'm boring of a show. All the

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Speaker 1: zombies are dead, people eat all the food groups the end,

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Speaker 1: all right. Next number two, it would take a person

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Speaker 1: approximately fifteen to eighteen years to do all the training

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Speaker 1: you'd need to become Batman. Interesting. I just I guess

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Speaker 1: I don't think of the training. I think of how

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Speaker 1: rich he is and just think he can buy all

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Speaker 1: that stuff. Yeah, because he has a I guess he has, yes,

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Speaker 1: but he also can fight, okay, well in training, Yeah,

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Speaker 1: well he goes away, remembering that one of the Batman's

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Speaker 1: that's jail. They throw him in a hole. That ain't training,

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Speaker 1: that's life. Maybe it goes away, okay. I I had

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Speaker 1: this whole debate with my wife about Batman. We were

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Speaker 1: watching it and would turn it on and the new

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Speaker 1: The Batman and it's really long, and she's so analytical

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Speaker 1: about certain things, so emotional about others. And we're watching

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Speaker 1: it and she's like, what's this. What's this superhero power

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Speaker 1: or whatever? I was like, I didn't have one. He's

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Speaker 1: why they call him superhero. I was like, well, he

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Speaker 1: saves people. Okay, we'll call him a cop. I was like, well,

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Speaker 1: I was like, well, it's not really a cop, but

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Speaker 1: he's a superhero with like Iron Man. What's his power?

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Speaker 1: He's rich? Well, okay, call him a cop. And I

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Speaker 1: was like, well that's a good point, dang it. And

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Speaker 1: then she's like, why does he wear the stupid costume?

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Speaker 1: And I was like, what do you mean is this

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Speaker 1: he's this superop? I already say it's not superhero. Let's

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Speaker 1: move on from that. He said, but why, I like

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Speaker 1: the it looks like an adult go into a child's

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Speaker 1: birthday party, like, why does he have to do that? Like,

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Speaker 1: after all these years, can't they like make it. He's

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Speaker 1: like moren rubber and I was like, yeah, it's a movie.

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Speaker 1: She goes, well, it's creepy. They should not do that

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Speaker 1: because he looks like he's trying to get into it,

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Speaker 1: like a kid's birthday and it says. She said why

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Speaker 1: is he a bat? And I was like, I have

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Speaker 1: no idea. She's like, can you just wear like a

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Speaker 1: black headband or something? And I was like, because he

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Speaker 1: doesn't flap his arms out anymore, that's old school Batman.

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Speaker 1: So why does he still wear the ears? Oh my goodness,

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Speaker 1: this is the discussion as you guys have, yeah, a

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Speaker 1: positive for this. I was really dialed in and so

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Speaker 1: I said, uh, yeah, I don't know why he's a

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Speaker 1: bat sonar. She's like, does he use that a lot?

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Speaker 1: Like I don't think. So she goes, all right, so

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Speaker 1: he's not a superhero. You don't know why he's a

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Speaker 1: bat and he wears like a creepy adult costume out

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Speaker 1: solving crime. I was like yeah, yeah, yeah. She's like,

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Speaker 1: all right, get play. I was like, all right, cool.

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Speaker 1: We didn't watch Spiderman anything after that, but that was

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Speaker 1: kind of how that went down there, all right. Next

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Speaker 1: Number one, sour patch kids are from the same manufacturer

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Speaker 1: as Swedish fish, So the red sour Patch kids are

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Speaker 1: the same exact candy as Swedish fish. They just got

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Speaker 1: sugar on them. I don't know if there's a worse

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Speaker 1: candy than Sweetish fish though. That's like when they get

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Speaker 1: old people who want candy but don't can't really have

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Speaker 1: a real candy because it's not even sweet or not them.

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Speaker 1: Like I used to have a little wrestling men that

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Speaker 1: were rubber, same thing as sweetest fish, same factory I

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Speaker 1: had those, Yeah, the same same thing. Swedish fish are terrible.

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Speaker 1: I don't hate them, oh, but it's like not real candy.

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Speaker 1: But I also love Betto honey. I guess I'm not

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Speaker 1: hard to please. I don't. I don't like Beto honey,

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Speaker 1: but that's because I don't like Beto honey. Swedish fish

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Speaker 1: I have no feeling about whatsoever, because it's just stupid. Wow,

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Speaker 1: there you go. Yeah, but next time you're eating a

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Speaker 1: sour Patch kid, just know you're eating the red ones

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Speaker 1: that you're eating a Swedish fish dipped in sugar. Be

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Speaker 1: else with you as soon as this segments over, I

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Speaker 1: never remember this. All right night, Okay, there you go.

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Speaker 1: Fact the latest from Nashville in Tullywood Morgan number two

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Speaker 1: thirty second. Skinny Bobby's new TV show he's hosting called

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Speaker 1: Snake in the Grass will premiere on August first. It

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Speaker 1: will be on USA Network, airing at eleven ten Central Time.

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Speaker 1: The show will feature four players who are dropped in

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Speaker 1: the wild for thirty six hours with a chance to

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Speaker 1: win one hundred thousand dollars. Get More released a new

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Speaker 1: song called fire on Wheels Can Boom in two new

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Speaker 1: albums out today, Jimmy Allen's Tulip Drive and Luke Combs

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Speaker 1: Growing Up. I'm Morgan. That's your Skinny hall Kid's time

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Speaker 1: for the good news. Good all right, So I want

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Speaker 1: to tell you this story about a Kansas teenager that's

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Speaker 1: doing something pretty simple but making people feel super special.

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Speaker 1: So everyone around the country can take notes and try

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Speaker 1: to do this. Shout out to Caleb Kelly Jones, who

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Speaker 1: was looking for a way to just give back to

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Speaker 1: his community. He noticed the janitors at his school weren't

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Speaker 1: really getting the type of appreciation they deserve, and they

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Speaker 1: work so hard. So he rallied his family and friends

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Speaker 1: and they made a bunch of cookies and he straight

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Speaker 1: up showed up to the janitors with all the cookies,

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Speaker 1: and he had a card signed by every single student,

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Speaker 1: every teacher, every administrator at the school. The custodians were

422
00:20:38,359 --> 00:20:41,600
Speaker 1: completely blown away by the kind gesture and it totally

423
00:20:41,600 --> 00:20:44,080
Speaker 1: made their day. And I thought, this is such a doable,

424
00:20:44,160 --> 00:20:46,240
Speaker 1: simple thing as a way to say thank you to

425
00:20:46,280 --> 00:20:47,840
Speaker 1: people that work so hard well. And I would bet

426
00:20:47,880 --> 00:20:50,240
Speaker 1: you that's a pretty underappreciated job. The amount of work

427
00:20:50,280 --> 00:20:52,520
Speaker 1: that goes in, the amount of respect they probably don't

428
00:20:52,560 --> 00:20:54,600
Speaker 1: get because you don't see the amount of work that

429
00:20:54,640 --> 00:20:58,240
Speaker 1: goes in. So I like it. And again it's somebody

430
00:20:58,240 --> 00:21:01,639
Speaker 1: appreciating somebody probably doesn't feel the sha enough. If I

431
00:21:01,680 --> 00:21:03,680
Speaker 1: were to equate that to somebody on the show, I'd say,

432
00:21:03,680 --> 00:21:07,880
Speaker 1: probably like me, you guys should appreciate you wanties, Yeah,

433
00:21:08,119 --> 00:21:10,320
Speaker 1: I always want cookies in a car. Who doesn't want

434
00:21:10,359 --> 00:21:13,919
Speaker 1: cookies in a card? That's an awesome story. That is

435
00:21:13,960 --> 00:21:16,800
Speaker 1: what it's all about. That was tell me something good.

436
00:21:18,640 --> 00:21:21,320
Speaker 1: We got a new champion. Eddie's back here. I am.

437
00:21:21,440 --> 00:21:23,840
Speaker 1: By the way, there have been five champions total Eddie four,

438
00:21:23,880 --> 00:21:26,640
Speaker 1: Amy one d champion Tom Brady of Easy Trip are

439
00:21:28,040 --> 00:21:30,280
Speaker 1: all right, it's the easiest trivia game ever. A question

440
00:21:30,359 --> 00:21:33,920
Speaker 1: number one. The categories animals Amy, which animal is known

441
00:21:33,960 --> 00:21:38,719
Speaker 1: as man's best friend a dog? Correct? Lunchbox. Which desert

442
00:21:38,800 --> 00:21:43,480
Speaker 1: animal has a hump? Camel? Yeah, Eddie? Was a rhinoceros

443
00:21:43,560 --> 00:21:47,679
Speaker 1: have on its nose a horn? Yeah? Morgan? What animal

444
00:21:47,760 --> 00:21:51,480
Speaker 1: is covered in quills? Pork? Pine? Is right? Let's go.

445
00:21:51,560 --> 00:21:55,320
Speaker 1: Let's go. Okay, So now if you miss it, you're out.

446
00:21:55,880 --> 00:21:57,600
Speaker 1: And if you miss it, you're gonna hear this sound

447
00:21:58,800 --> 00:22:01,960
Speaker 1: you've been boo object to the game, be the last

448
00:22:02,000 --> 00:22:06,840
Speaker 1: one to be boned. Nice, Let's go. The category is

449
00:22:06,920 --> 00:22:11,640
Speaker 1: country music Amy, who is known as the King country music?

450
00:22:12,040 --> 00:22:17,000
Speaker 1: George Trait correct, Lunchbox, what country artist sings this kiss?

451
00:22:19,640 --> 00:22:26,679
Speaker 1: This kiss, this kiss? It's some tropical uh this kiss? Uh?

452
00:22:26,840 --> 00:22:30,880
Speaker 1: Faith Hill? Correct? Got there? Eddie? Who wrote the autobiographical

453
00:22:30,960 --> 00:22:37,760
Speaker 1: song cole Miner's daughter m Colemer's daughter, That is Lauretta Lynn. Correct.

454
00:22:38,480 --> 00:22:41,439
Speaker 1: It's a pretty tough one for round. Good one for you.

455
00:22:41,920 --> 00:22:45,520
Speaker 1: Kenny Rodgers and Dolly Parton. Morgan famously do edit on

456
00:22:45,560 --> 00:22:48,160
Speaker 1: what country song it was also written by the BGS.

457
00:22:49,760 --> 00:22:52,040
Speaker 1: Islands in the song was Weirder Islands in the stream

458
00:22:52,200 --> 00:22:54,879
Speaker 1: was Dolly Parton and Kenny Rogers. Good job, Wow, Morgan,

459
00:22:55,440 --> 00:22:59,080
Speaker 1: good job? All right? The next one? Us city nicknames?

460
00:22:59,280 --> 00:23:01,720
Speaker 1: Oh my geography? Can we get mad at us? I

461
00:23:01,840 --> 00:23:06,640
Speaker 1: know what? Okay? US city nicknames? R us city knowledge?

462
00:23:06,840 --> 00:23:10,919
Speaker 1: Which city is the home of Finnway Park known as

463
00:23:10,960 --> 00:23:18,160
Speaker 1: bean Town? We've been there? We go, there, gone, we went.

464
00:23:18,760 --> 00:23:24,240
Speaker 1: Let's see the bean Fenway? Where were we? I know?

465
00:23:24,320 --> 00:23:29,720
Speaker 1: There's the bean in Chicago beantowneena park and then Finnway.

466
00:23:29,880 --> 00:23:33,440
Speaker 1: Is that where the Chicago Cubs are? Chicago? You've been

467
00:23:34,920 --> 00:23:38,280
Speaker 1: Benway for the Boston Red Sox plays. Where we went? Yeah,

468
00:23:38,400 --> 00:23:41,040
Speaker 1: Beantown of Boston. But there's a bean, but Boston doesn't

469
00:23:41,040 --> 00:23:43,760
Speaker 1: own every bean, and there are Boston beans by Boston.

470
00:23:48,520 --> 00:23:51,680
Speaker 1: I knew we went to that and it was in Boston, lunchbox.

471
00:23:51,720 --> 00:23:57,040
Speaker 1: What city is known as the birthplace of jazz? Uh

472
00:23:57,240 --> 00:24:01,000
Speaker 1: has to be New Orleans? Is that your answer? Yeah? Correct, Eddie.

473
00:24:01,000 --> 00:24:03,000
Speaker 1: What city is known as the city of Angels? That

474
00:24:03,119 --> 00:24:09,919
Speaker 1: is Los Angeles? Yeah, Morgan? What's motor City? Motor City?

475
00:24:11,840 --> 00:24:17,280
Speaker 1: I I don't know. I mean Nascar. I would imagine

476
00:24:17,640 --> 00:24:24,120
Speaker 1: is that Indiana? Is that Indianapolis? I have no idea Indianapolis.

477
00:24:25,600 --> 00:24:29,040
Speaker 1: That's incorrect. You've been motor city cars that make a

478
00:24:29,040 --> 00:24:35,320
Speaker 1: lot of cars. I got nothing. Detroit would have never

479
00:24:35,359 --> 00:24:39,560
Speaker 1: gotten that. Yeah, City and geography stuff takes us down.

480
00:24:39,640 --> 00:24:43,560
Speaker 1: All right, Lunchbox and Eddie are left. Let's go. There

481
00:24:43,560 --> 00:24:45,480
Speaker 1: are two questions for each of you in this category,

482
00:24:46,000 --> 00:24:55,720
Speaker 1: which is nineties movies. Easy, which box office hit about nuns?

483
00:24:55,720 --> 00:25:03,639
Speaker 1: Started Wolfe Goldberg? Correct? Yes, Eddie, this quote you're killing

484
00:25:03,680 --> 00:25:08,560
Speaker 1: me Smalls is from what nineties movie? That's the Sandlot? Correct? Lunchbox?

485
00:25:08,600 --> 00:25:13,840
Speaker 1: Who played missus doubt fire? Robin Williams? Who Robin Williams?

486
00:25:14,720 --> 00:25:17,240
Speaker 1: He said, Ronald Williams. I didn't. I know you didn't.

487
00:25:17,280 --> 00:25:20,240
Speaker 1: I was asking again? What color was Nickelodeon known for

488
00:25:20,359 --> 00:25:24,680
Speaker 1: making their VHS tapes? Eddie? What color was Nickelodeon known

489
00:25:24,680 --> 00:25:27,639
Speaker 1: for making their VHS tapes? Man, I never bought a

490
00:25:28,160 --> 00:25:31,959
Speaker 1: Nickelodeon VHS tape, but I'm assuming they were. I mean,

491
00:25:32,040 --> 00:25:36,760
Speaker 1: Nickelodeon's orange, so I'm assuming they would make it orange. Answer.

492
00:25:37,080 --> 00:25:41,280
Speaker 1: I mean, I have no other answer orange? Correct? Wow.

493
00:25:41,600 --> 00:25:45,639
Speaker 1: Category of celebrities yeah, so being my people, lunchbox, What

494
00:25:45,720 --> 00:25:53,639
Speaker 1: country was Ryan Reynolds born in Canada? Correct? Wow, you

495
00:25:53,760 --> 00:25:58,119
Speaker 1: know that? Wow? Which actor visits chick sick children in

496
00:25:58,160 --> 00:26:03,680
Speaker 1: the hospital in the Peter Quill star lord costumes? Excuse me,

497
00:26:04,960 --> 00:26:07,280
Speaker 1: he's done this a lot. Good. When the actor visits

498
00:26:07,280 --> 00:26:13,040
Speaker 1: six children in the hospital indee, Peter Quill star lord costume. Well,

499
00:26:14,480 --> 00:26:17,440
Speaker 1: I would assume that's who he played in a movie.

500
00:26:18,359 --> 00:26:19,960
Speaker 1: I don't know. I don't know who that is, but

501
00:26:20,040 --> 00:26:24,240
Speaker 1: I'm thinking it's um the Guardians of the Galaxy guy.

502
00:26:24,440 --> 00:26:28,000
Speaker 1: Kind of funny. He was in Parks and rec used

503
00:26:28,040 --> 00:26:31,600
Speaker 1: to be bigger. Now he's all fit. What is his name?

504
00:26:32,359 --> 00:26:40,400
Speaker 1: Five seconds? Oh my gosh, Chris Liam, Chris Hems, No,

505
00:26:40,720 --> 00:26:43,720
Speaker 1: Chris Fine, Chris Pratt, Chris Pratt, what hold on? Here're

506
00:26:43,720 --> 00:26:45,520
Speaker 1: Time's that? But what is your answer? Chris Pratt? Your

507
00:26:45,520 --> 00:26:47,720
Speaker 1: answer is Chris Pratt. Oh my gosh, it's not Chris.

508
00:26:47,760 --> 00:26:52,080
Speaker 1: The answer is Chris Pratt. Oh yeah, he got there, lunchbox,

509
00:26:52,160 --> 00:26:59,080
Speaker 1: Oh my gosh. Who is Surrey's mother Katie Holmes? Correct? Sorry, Chris,

510
00:26:59,080 --> 00:27:01,879
Speaker 1: that's really good. What two celebrities have a daughter together

511
00:27:01,960 --> 00:27:05,520
Speaker 1: named Apple Eddie? That's Gwyneth Paltrow and Chris Martin correct

512
00:27:06,119 --> 00:27:08,440
Speaker 1: the tough way to get here, but we're here, Lunchbox,

513
00:27:08,520 --> 00:27:12,760
Speaker 1: the category of science, what does a botanist study? Clients correct?

514
00:27:14,359 --> 00:27:16,800
Speaker 1: Eddie who discovered gravity and the three laws of motion?

515
00:27:17,320 --> 00:27:20,960
Speaker 1: Isaac Newton? Correct, Lunchbox, who discovered the theory of relativity?

516
00:27:22,080 --> 00:27:26,800
Speaker 1: What the theory of relativity? I thought we already did science?

517
00:27:27,600 --> 00:27:36,920
Speaker 1: Two questions in each? Well relativity? Um Newton? Well he

518
00:27:36,960 --> 00:27:38,640
Speaker 1: just said Newton. Well, that's all you can do. Back.

519
00:27:39,400 --> 00:27:45,480
Speaker 1: He could be really good, you've been Yeah, he equals inc.

520
00:27:46,440 --> 00:27:49,720
Speaker 1: I don't know what that means. There's famous Eddie for

521
00:27:49,800 --> 00:27:51,600
Speaker 1: the wind. Come on, come on, okay, what is a

522
00:27:51,680 --> 00:28:01,159
Speaker 1: paleontologist study? Come on? Uh? Fossils? Correct? Yes, yes, was

523
00:28:01,160 --> 00:28:10,400
Speaker 1: that Ross and Friends. First victory of the season was good,

524
00:28:10,720 --> 00:28:17,679
Speaker 1: Lynch d n buddy, you're so close? All right? All right,

525
00:28:17,760 --> 00:28:20,280
Speaker 1: Let's play a couple of voicemails here. This first one

526
00:28:21,119 --> 00:28:23,600
Speaker 1: is about a scam on our Facebook page. Right play

527
00:28:23,640 --> 00:28:27,680
Speaker 1: that one, please, Hi, I'm just calling because I almost

528
00:28:27,680 --> 00:28:32,840
Speaker 1: fell first. Damn that a Debrah Headley is posted on

529
00:28:32,840 --> 00:28:36,840
Speaker 1: Facebook with your show to give people fifteen hundred dollars

530
00:28:36,840 --> 00:28:39,000
Speaker 1: in cash app but you have to pay fifty dollars

531
00:28:39,040 --> 00:28:40,800
Speaker 1: first to get it. So I just wanted you to

532
00:28:40,800 --> 00:28:42,640
Speaker 1: be aware of the scam. So maybe you guys can

533
00:28:42,680 --> 00:28:45,640
Speaker 1: shut her down. I love your show. I love you guys,

534
00:28:45,640 --> 00:28:47,480
Speaker 1: thanks so much for being on the air. I enjoy

535
00:28:47,520 --> 00:28:50,160
Speaker 1: you every day. Hey, thanks, and thanks for the heads up.

536
00:28:50,280 --> 00:28:52,760
Speaker 1: Just as a heads up to everybody else, regardless if

537
00:28:52,760 --> 00:28:54,960
Speaker 1: it's our page or anywhere else on social media. Never

538
00:28:55,040 --> 00:28:57,479
Speaker 1: pay anybody anything to get something. If they're like, hey,

539
00:28:57,520 --> 00:28:59,120
Speaker 1: i'll give you this, we have to pay this. Never,

540
00:28:59,160 --> 00:29:01,320
Speaker 1: it's always a scam. The only time that you pay

541
00:29:01,360 --> 00:29:03,200
Speaker 1: somebody to get something that's not a scam is when

542
00:29:03,200 --> 00:29:07,040
Speaker 1: you're actually buying something from a reputable source like a store.

543
00:29:07,600 --> 00:29:10,080
Speaker 1: You know, so Morgan, did they put I assume because

544
00:29:10,080 --> 00:29:11,600
Speaker 1: we have a big following, there's a lot of this crap.

545
00:29:11,680 --> 00:29:13,560
Speaker 1: Oh my gosh, there's so many scams. I go through

546
00:29:13,560 --> 00:29:15,840
Speaker 1: our page like three times a day trying to ban

547
00:29:15,960 --> 00:29:17,920
Speaker 1: these people and shut them down. But of course there's

548
00:29:17,920 --> 00:29:19,640
Speaker 1: gonna be some that fall through the crack, so just

549
00:29:19,800 --> 00:29:22,320
Speaker 1: be vigilant to not fall for it. Don't pay for

550
00:29:22,360 --> 00:29:24,440
Speaker 1: anything on our page. Man, I saw an investment that

551
00:29:24,480 --> 00:29:26,000
Speaker 1: looked pretty good on that page. Oh yeah, it was

552
00:29:26,000 --> 00:29:28,840
Speaker 1: it five thousand dollars. And then there were some testimonies

553
00:29:28,880 --> 00:29:33,200
Speaker 1: like yeah I did that network Wow, yeah, that's crazy.

554
00:29:33,840 --> 00:29:36,440
Speaker 1: All right, Here is one more. This is Sandra that

555
00:29:36,520 --> 00:29:39,280
Speaker 1: would like for you to give a shout out to

556
00:29:39,400 --> 00:29:42,720
Speaker 1: the PoCA City Police Department because we had a near

557
00:29:42,800 --> 00:29:46,280
Speaker 1: drowndingma like my three year old granddaughter and they saved

558
00:29:46,320 --> 00:29:50,400
Speaker 1: her life. That's awesome. So pack City Police Department. It's like,

559
00:29:50,560 --> 00:29:54,280
Speaker 1: tell me something good. Here jumped in saved her. Pretty cool.

560
00:29:54,400 --> 00:29:56,400
Speaker 1: On Monday Show, Eddie's gonna try to be a lifeguard.

561
00:29:56,400 --> 00:29:57,520
Speaker 1: I don't know if I guess heard of yet. He's

562
00:29:57,520 --> 00:29:59,600
Speaker 1: gonna take the physical test. It's been a while since

563
00:29:59,600 --> 00:30:01,760
Speaker 1: I've done something like that. And Walson you said, if

564
00:30:01,800 --> 00:30:05,480
Speaker 1: you live yourself? Yes, how he saved you guy? Yeah,

565
00:30:05,520 --> 00:30:11,600
Speaker 1: come on, that's Monday Show. You Amy's pile of stories.

566
00:30:11,880 --> 00:30:15,560
Speaker 1: A new study found that women need more downtime on

567
00:30:15,600 --> 00:30:19,320
Speaker 1: weekends more than men do. The new study was done

568
00:30:19,320 --> 00:30:25,600
Speaker 1: by women, So in general's weekends is when you know,

569
00:30:25,640 --> 00:30:27,960
Speaker 1: we have the least amount of stress. Everybody deserves a

570
00:30:28,000 --> 00:30:31,040
Speaker 1: little bit of downtime, but there's a major dramatic shift

571
00:30:31,080 --> 00:30:34,000
Speaker 1: for women because women juggle more things throughout the week,

572
00:30:34,320 --> 00:30:37,120
Speaker 1: and they don't have as much downtime in general, So

573
00:30:37,320 --> 00:30:40,080
Speaker 1: it is important for you to kick back relax on

574
00:30:40,120 --> 00:30:42,800
Speaker 1: the weekends. They say it's essential here. Well, if the

575
00:30:42,880 --> 00:30:44,960
Speaker 1: story in the pile we know must live it, we

576
00:30:45,040 --> 00:30:46,720
Speaker 1: must live it in our lives. Take this home to

577
00:30:46,760 --> 00:30:49,120
Speaker 1: your men, all right? What else? If you've always been

578
00:30:49,160 --> 00:30:51,640
Speaker 1: a bad dancer, you can officially blame it on your parents,

579
00:30:51,720 --> 00:30:55,680
Speaker 1: because another study was done about this, and it's partly

580
00:30:55,720 --> 00:30:58,200
Speaker 1: down to your genetics. Whether or not you can move

581
00:30:58,240 --> 00:31:01,320
Speaker 1: on the dance for sure, it's rhythm, it's um hand

582
00:31:01,360 --> 00:31:03,800
Speaker 1: eye coordinate. I would say it's all genetics as far

583
00:31:03,880 --> 00:31:07,560
Speaker 1: as what you can do naturally. If you're a fast runner,

584
00:31:07,840 --> 00:31:11,120
Speaker 1: probably your parents were pretty fast runners. Anything we do physically, yeah,

585
00:31:11,120 --> 00:31:15,000
Speaker 1: the study even went into playing the drums or rhythm guitar,

586
00:31:15,360 --> 00:31:17,200
Speaker 1: like there's work that takes to get better, but just

587
00:31:17,240 --> 00:31:20,280
Speaker 1: being natural at something is almost all just coming from

588
00:31:20,280 --> 00:31:22,440
Speaker 1: your parents or your grandparents. We know. And what's a

589
00:31:22,480 --> 00:31:26,000
Speaker 1: bummer is that my sister is a really good dancer,

590
00:31:26,120 --> 00:31:28,840
Speaker 1: and then I'm not. You'll admit that, Oh I know

591
00:31:28,920 --> 00:31:31,880
Speaker 1: I'm not good. I've even tried sashira My daughter did

592
00:31:31,880 --> 00:31:33,400
Speaker 1: a dance camp the other day and I had to

593
00:31:33,400 --> 00:31:37,000
Speaker 1: help her with a dance and it was brutal, like brutal.

594
00:31:37,960 --> 00:31:40,720
Speaker 1: Did you see Justin Timberlake dance recently? He was dancing

595
00:31:40,720 --> 00:31:42,600
Speaker 1: on stage and he was like and I thought he

596
00:31:42,640 --> 00:31:45,440
Speaker 1: was kidding, but the internet was like, Oh, Timberlake's lost

597
00:31:45,440 --> 00:31:47,480
Speaker 1: it all. He's lost all swag. He was sexy back,

598
00:31:47,600 --> 00:31:49,600
Speaker 1: he was just he was dancing one of his songs.

599
00:31:49,840 --> 00:31:55,760
Speaker 1: How could he lose it? He saw it. That's tough.

600
00:31:56,120 --> 00:31:59,000
Speaker 1: I else, speaking of you being on TV, I saw

601
00:31:59,080 --> 00:32:01,120
Speaker 1: that Snake in the Grass. Yes, your TV show on

602
00:32:01,240 --> 00:32:05,960
Speaker 1: USA Network officially is premiering on Monday, August first, at

603
00:32:05,960 --> 00:32:11,800
Speaker 1: eleven Easter ten Central. Yeah, eleven Easter. It's a holidays um,

604
00:32:11,960 --> 00:32:13,920
Speaker 1: Snake in the Grass. I didn't know it was coming

605
00:32:13,920 --> 00:32:18,080
Speaker 1: on so late that night, Yeah, eleven tenth Central. Um. Yeah,

606
00:32:18,120 --> 00:32:20,920
Speaker 1: no idea, it's and it's after USA's biggest show, which

607
00:32:20,960 --> 00:32:23,600
Speaker 1: is wrestling, and then I think it goes on Peacock

608
00:32:24,000 --> 00:32:27,360
Speaker 1: immediately like in the next day, so USA. Because I'm

609
00:32:27,360 --> 00:32:28,800
Speaker 1: gonna be honest, I don't. I don't see it that late.

610
00:32:28,800 --> 00:32:31,320
Speaker 1: I don't set ten o'clock. But I'm glad it's on

611
00:32:31,320 --> 00:32:33,120
Speaker 1: a weeknight, so at least I can tell the audience, Hey,

612
00:32:33,160 --> 00:32:37,000
Speaker 1: tonight's the show. Yeah so, but August first, the show airs.

613
00:32:37,280 --> 00:32:39,320
Speaker 1: It's really it's a really cool show. Who had Who's

614
00:32:39,320 --> 00:32:42,560
Speaker 1: seen it? Not me? You haven't send me? One didn't

615
00:32:42,560 --> 00:32:44,920
Speaker 1: send it. It's a really cool show. It's like an

616
00:32:44,920 --> 00:32:47,080
Speaker 1: old like a who done? You gotta figure out who

617
00:32:47,320 --> 00:32:50,480
Speaker 1: who's the snake the whole time? But there's um I

618
00:32:50,480 --> 00:32:51,800
Speaker 1: don't want to run too much of But what did

619
00:32:51,800 --> 00:32:54,120
Speaker 1: it say in the press release? There? Okay, I can

620
00:32:54,160 --> 00:32:57,760
Speaker 1: say what it does? Okay, This action packed social experiment

621
00:32:57,800 --> 00:33:00,360
Speaker 1: is hosted by That's a social experiment, that's what it is.

622
00:33:00,400 --> 00:33:04,200
Speaker 1: You're like judging people and how they react to situation. Hey,

623
00:33:04,200 --> 00:33:05,800
Speaker 1: she was about to say who was? Yeah? Go ahead,

624
00:33:06,040 --> 00:33:09,680
Speaker 1: Yeah's to buy national radio and television personality Bobby Bones.

625
00:33:10,040 --> 00:33:13,240
Speaker 1: Each episode will feature four players who are dropped in

626
00:33:13,240 --> 00:33:15,320
Speaker 1: the wild for thirty six hours with a chance to

627
00:33:15,360 --> 00:33:18,560
Speaker 1: win one hundred thousand dollars. In order to win, the

628
00:33:18,600 --> 00:33:21,440
Speaker 1: four must figure out which one of them is the

629
00:33:21,480 --> 00:33:24,640
Speaker 1: snake and it's Each episode self contains you have to

630
00:33:24,680 --> 00:33:28,600
Speaker 1: follow along? Are these players celebrities? There are? Okay? Yes,

631
00:33:28,680 --> 00:33:31,959
Speaker 1: some are like I can say now old weighted one

632
00:33:32,000 --> 00:33:35,640
Speaker 1: with all old Survivor contestants. Oh cool, now questionazing races

633
00:33:35,680 --> 00:33:38,800
Speaker 1: from all over the country. Yeah, the one hundred thousand dollars.

634
00:33:38,960 --> 00:33:41,880
Speaker 1: If the snake, the snake gets it off, he tricks them. Okay,

635
00:33:41,920 --> 00:33:44,840
Speaker 1: but if they figure it out, said, if they figure

636
00:33:44,800 --> 00:33:47,240
Speaker 1: out how the snake is and the snake is none none.

637
00:33:47,640 --> 00:33:50,400
Speaker 1: Oh you like that? Yeah, I do like that. Yeah,

638
00:33:50,440 --> 00:33:52,880
Speaker 1: it's good because again it's just an episode. It's shot

639
00:33:52,960 --> 00:33:57,080
Speaker 1: really cool, it's different. It's I guess people will compare

640
00:33:57,080 --> 00:33:59,440
Speaker 1: it to Survivor just because we're in the jungle. There's

641
00:33:59,480 --> 00:34:04,080
Speaker 1: no survive you're in the remote and rugged Central American jungle. Yeah,

642
00:34:04,160 --> 00:34:07,080
Speaker 1: it sucked so that they call it the snake. But

643
00:34:07,120 --> 00:34:12,960
Speaker 1: you didn't compete. No, but I shoot, he had every challenge. Man. Listen,

644
00:34:13,120 --> 00:34:16,799
Speaker 1: there's Whoa, there's reality TV legends from Survivor, Big Brother,

645
00:34:16,920 --> 00:34:19,520
Speaker 1: Naked and Afraid. Yeah, I just said that's I mean,

646
00:34:21,160 --> 00:34:23,879
Speaker 1: you said Survivor, you didn't not sorry, he didn't Naked

647
00:34:23,880 --> 00:34:25,840
Speaker 1: and Afraid because guess what, we don't know who anybody

648
00:34:25,880 --> 00:34:28,480
Speaker 1: is from Naked and Fred. I don't know anybody that's crazy.

649
00:34:28,520 --> 00:34:31,680
Speaker 1: They did the whole show naked, though they didn't. Thank God.

650
00:34:32,000 --> 00:34:34,440
Speaker 1: All right, well, thank you August first. That show premieres

651
00:34:34,440 --> 00:34:36,160
Speaker 1: on USA. I hope you guys watch it. Yeah, and

652
00:34:36,320 --> 00:34:38,439
Speaker 1: that's all all right, Amy, I Amy, that's my pile.

653
00:34:39,360 --> 00:34:42,799
Speaker 1: That was Amy's pile of stories. It's time for the

654
00:34:42,840 --> 00:34:50,640
Speaker 1: good news lunchbox. Miles Copeland is twenty five years old.

655
00:34:50,800 --> 00:34:53,520
Speaker 1: His day job, he's a firefighter, so he fights fire,

656
00:34:53,680 --> 00:34:57,000
Speaker 1: saves lives. But he's also a semi pro basketball player,

657
00:34:57,040 --> 00:34:59,319
Speaker 1: so he fights fires, gets done. Oh, I got a

658
00:34:59,320 --> 00:35:01,799
Speaker 1: game today, goes to the game. He's playing, run up

659
00:35:01,800 --> 00:35:03,640
Speaker 1: down the court. All of a sudden, sixty one year

660
00:35:03,640 --> 00:35:08,960
Speaker 1: old referee boom passes out, falls face down onto the court. Well,

661
00:35:09,160 --> 00:35:11,879
Speaker 1: guess what Myles said. He I'm a firefighter, runs over there.

662
00:35:12,080 --> 00:35:17,279
Speaker 1: Who who dango chess compressions? Not for one minute, not

663
00:35:17,400 --> 00:35:20,920
Speaker 1: two minutes, not three, four, five, ten minutes he did

664
00:35:21,040 --> 00:35:28,040
Speaker 1: chess com and be honest with him, he's gonna do it. Yeah.

665
00:35:29,040 --> 00:35:32,160
Speaker 1: Ten minutes later brought him back to like, Wow, that's awesome.

666
00:35:32,400 --> 00:35:35,439
Speaker 1: Just hang into it, Like how long do you hang?

667
00:35:36,480 --> 00:35:38,280
Speaker 1: I mean, do you hang until some like a doctor

668
00:35:38,360 --> 00:35:40,800
Speaker 1: gets there and goes, yes, sir, I don't know, because

669
00:35:40,840 --> 00:35:42,520
Speaker 1: you hear like ten minutes, I'd be like, I mean

670
00:35:42,560 --> 00:35:44,560
Speaker 1: maybe one seconds. I'm tired and I don't know. Guy's

671
00:35:44,560 --> 00:35:47,520
Speaker 1: not gonna work lost him. Yeah, oh gosh, he's still

672
00:35:47,560 --> 00:35:50,200
Speaker 1: somewhat breathing in his eyes opening. Guys, he's done put

673
00:35:50,200 --> 00:35:53,400
Speaker 1: a tall over him. But that's to la to do

674
00:35:53,440 --> 00:35:55,120
Speaker 1: that for ten minutes and to have those skills and

675
00:35:55,120 --> 00:35:57,520
Speaker 1: to use them pretty awesome. And so the ref you know,

676
00:35:57,600 --> 00:36:01,279
Speaker 1: woke up and he was like, no technical, he said,

677
00:36:01,320 --> 00:36:02,799
Speaker 1: oh do I need to finish rep in the game.

678
00:36:02,840 --> 00:36:04,279
Speaker 1: But they took him to the hospital and he had

679
00:36:04,320 --> 00:36:07,359
Speaker 1: open heart surgery to wow, he did. Yeah, he had

680
00:36:07,400 --> 00:36:10,680
Speaker 1: a blockage, boom, but he's okay. Those blockages are crazy

681
00:36:10,680 --> 00:36:12,799
Speaker 1: because you can't see him. Right. We have somebody that's

682
00:36:12,800 --> 00:36:14,239
Speaker 1: close to us that had a blockage and all of

683
00:36:14,239 --> 00:36:16,920
Speaker 1: a sudden was feeling really sick smash cut in the

684
00:36:16,960 --> 00:36:20,200
Speaker 1: hospital having full hearts urger crazy. You can't see them.

685
00:36:21,520 --> 00:36:25,560
Speaker 1: I don't you wonder, And it's so it's wrong in

686
00:36:25,600 --> 00:36:27,040
Speaker 1: me right now. I feel like you can just go

687
00:36:27,120 --> 00:36:29,239
Speaker 1: pay to have it looked at. I mean, I guess

688
00:36:29,239 --> 00:36:31,440
Speaker 1: you could have to have a lot of money. There

689
00:36:31,560 --> 00:36:32,960
Speaker 1: are places you can go, but you have to pay

690
00:36:33,000 --> 00:36:35,080
Speaker 1: a lot of them. Yeah, I've only heard of these places.

691
00:36:35,280 --> 00:36:36,360
Speaker 1: I have a friend that's like, I want to go

692
00:36:36,360 --> 00:36:38,280
Speaker 1: to this place. I want to fly to San Diego

693
00:36:38,600 --> 00:36:41,080
Speaker 1: and they go over every inch of your body and

694
00:36:41,120 --> 00:36:43,360
Speaker 1: they tell you everything that's wrong with you that sounds

695
00:36:43,360 --> 00:36:46,600
Speaker 1: awesome or everything that's right with Yeah, I need something

696
00:36:46,640 --> 00:36:51,120
Speaker 1: in the middle, like for everything you find wrong, I

697
00:36:51,160 --> 00:36:56,480
Speaker 1: need something really great. Otherwise I'm really sad. Great story, Lunchbox,

698
00:36:56,600 --> 00:36:59,600
Speaker 1: that's what it's all about. That was tell me something

699
00:36:59,640 --> 00:37:04,239
Speaker 1: good coming up about twenty minutes, Luke Combs, we do

700
00:37:04,360 --> 00:37:06,640
Speaker 1: talk about the new baby. Do you guys hang out

701
00:37:06,680 --> 00:37:14,520
Speaker 1: for that right now? Amy's Morning Corny. Let's go Morning Corny.

702
00:37:14,560 --> 00:37:19,440
Speaker 1: A truckload of Vick's vapor rub overturned on the highway yesterday. Amazingly,

703
00:37:19,560 --> 00:37:23,319
Speaker 1: there was no congestion for eight hours. That's pretty fun.

704
00:37:23,680 --> 00:37:33,279
Speaker 1: That's a good one. That was the Morning Corny. Final day.

705
00:37:33,280 --> 00:37:35,399
Speaker 1: We're the number one may my list. I'm a Top

706
00:37:35,400 --> 00:37:38,480
Speaker 1: five and nineties country music videos. The artist had to

707
00:37:38,480 --> 00:37:41,120
Speaker 1: be elite, the song had to be elite, the music

708
00:37:41,239 --> 00:37:43,800
Speaker 1: video had to be memorable. At number five, it was

709
00:37:43,840 --> 00:37:50,560
Speaker 1: Alan Jackson Chattahoochee the Chat nineteen ninety two. Right there

710
00:37:50,560 --> 00:37:53,080
Speaker 1: at number four. From ninety one was Boots Scoot and

711
00:37:53,080 --> 00:37:58,919
Speaker 1: Boogie Brooks and Done for You from nineteen ninety three

712
00:37:58,960 --> 00:38:01,759
Speaker 1: at number three Propped Me Up Beside the Jewbox, Joe

713
00:38:01,760 --> 00:38:09,920
Speaker 1: Diffy Beside the jew Box by number two, Shania Twain. Man,

714
00:38:09,960 --> 00:38:13,720
Speaker 1: I feel like a woman. Man, I feel like a woman.

715
00:38:15,680 --> 00:38:18,560
Speaker 1: We are now to the number one song. When I

716
00:38:18,560 --> 00:38:21,120
Speaker 1: think back about great songs, a great artist and music videos,

717
00:38:21,120 --> 00:38:25,000
Speaker 1: and I'm like, dang, that was the one. The song

718
00:38:25,160 --> 00:38:29,240
Speaker 1: from nineteen ninety the very beginning of it all, nineteen ninety.

719
00:38:29,920 --> 00:38:32,960
Speaker 1: We're in the nineties. In nineteen nineties, Seinfeld premiered on

720
00:38:32,960 --> 00:38:36,960
Speaker 1: an NBC, The Simpsons debut on Fox. Home Alone was

721
00:38:36,960 --> 00:38:41,200
Speaker 1: the most popular movie, Jurassic Park was the best selling book,

722
00:38:41,760 --> 00:38:45,520
Speaker 1: and Cheers was the top TV show. Morgan hadn't been

723
00:38:45,560 --> 00:38:48,160
Speaker 1: born yet. Mike hadn't been born yet. That is weird.

724
00:38:50,160 --> 00:38:53,360
Speaker 1: The average household income was twenty eight thousand dollars. The

725
00:38:53,400 --> 00:38:54,880
Speaker 1: average price of a new house was one hundred and

726
00:38:54,920 --> 00:38:59,560
Speaker 1: twenty three thousand dollars. Some of the examples of nineteen

727
00:38:59,640 --> 00:39:05,080
Speaker 1: nineties lingo included Bling, Bling, Yeah, Hunt, nice jewelry. It's

728
00:39:05,120 --> 00:39:07,040
Speaker 1: not just bling. And even that's a little dated at

729
00:39:07,040 --> 00:39:10,440
Speaker 1: this point. To call someone a blood, you need to

730
00:39:10,480 --> 00:39:14,719
Speaker 1: call him a friend. Hey, blood, that's cool. Chill out

731
00:39:14,800 --> 00:39:21,040
Speaker 1: obviously for sure, get over it. Whacked like out of

732
00:39:21,040 --> 00:39:24,239
Speaker 1: their minds and YadA, YadA YadA, which is from Seinfelds.

733
00:39:24,239 --> 00:39:27,480
Speaker 1: Then that's from nineteen ninety. Okay, you keep stalling. No,

734
00:39:27,600 --> 00:39:31,040
Speaker 1: I'm giving context as a year nineteen ninety. So here's

735
00:39:31,040 --> 00:39:33,440
Speaker 1: a little fact about this song. This person was a

736
00:39:33,440 --> 00:39:38,400
Speaker 1: struggling songwriter and so he got together with a writer

737
00:39:38,719 --> 00:39:40,600
Speaker 1: that he admired wrote this song, and then got the

738
00:39:40,640 --> 00:39:43,480
Speaker 1: song and pitched it to another artist and she, she

739
00:39:43,680 --> 00:39:48,360
Speaker 1: Tanya Tucker, recorded it first. So she recorded it, but

740
00:39:48,400 --> 00:39:50,480
Speaker 1: she didn't put on her album. And so this guy,

741
00:39:50,480 --> 00:39:52,279
Speaker 1: who was established himself as an artist, he said, hey,

742
00:39:52,360 --> 00:39:54,040
Speaker 1: since she recorded it, can I have it back? He

743
00:39:54,080 --> 00:39:56,600
Speaker 1: didn't recorded it, and he put it on his second

744
00:39:56,600 --> 00:40:02,200
Speaker 1: album in nineteen ninety. That album was called No Fences Here. Yeah.

745
00:40:02,680 --> 00:40:06,360
Speaker 1: The artist is Garth Brooks and this song is the

746
00:40:06,480 --> 00:40:10,480
Speaker 1: thunder Roll Let's Go On October two, nineteen ninety one.

747
00:40:10,680 --> 00:40:13,560
Speaker 1: It was the CMA Video of the Year. It was

748
00:40:14,800 --> 00:40:16,239
Speaker 1: taken off the era, though it was pulled for a

749
00:40:16,280 --> 00:40:17,919
Speaker 1: long time because it was a a controversial for an hour

750
00:40:18,160 --> 00:40:21,480
Speaker 1: yep it says in the music video alludes to the

751
00:40:21,520 --> 00:40:24,520
Speaker 1: third Verse by including theme of domestic violence. Both TNN

752
00:40:24,560 --> 00:40:27,720
Speaker 1: and CMT banned the video, with a CMT representative commenting

753
00:40:27,719 --> 00:40:29,880
Speaker 1: that the network was quote in business to entertain, not

754
00:40:30,000 --> 00:40:33,879
Speaker 1: to promote or condone gratuitous violence or social issues. Because

755
00:40:33,880 --> 00:40:36,880
Speaker 1: they banded it was it made even bigger band now.

756
00:40:37,280 --> 00:40:40,759
Speaker 1: The Friday Morning Conversation with Jimmy Allen, Jimmy has got

757
00:40:40,800 --> 00:40:42,759
Speaker 1: a new album out today. It's crazy, it's only your

758
00:40:42,800 --> 00:40:45,319
Speaker 1: third album. I feel like you put out so much

759
00:40:45,360 --> 00:40:47,120
Speaker 1: good stuff, but I guess a lot of that stuff's

760
00:40:47,120 --> 00:40:49,640
Speaker 1: just not album. It's like this is for third full project,

761
00:40:49,760 --> 00:40:52,880
Speaker 1: yeah project. It's like I'll hear that there are sometimes

762
00:40:52,920 --> 00:40:54,680
Speaker 1: I hear like, well, you got three albums out already

763
00:40:54,719 --> 00:40:57,040
Speaker 1: on your fifth single because you figured there's some artists

764
00:40:57,040 --> 00:40:59,080
Speaker 1: that just now put out an EP on like their

765
00:40:59,120 --> 00:41:01,120
Speaker 1: third single. Yeah. But then he also got to play

766
00:41:01,160 --> 00:41:03,360
Speaker 1: covers their whole show. So it's kind of like you

767
00:41:03,480 --> 00:41:05,759
Speaker 1: always have a lot of really cool people because you

768
00:41:05,800 --> 00:41:07,640
Speaker 1: have great songs yourself, but you have the ability to

769
00:41:07,680 --> 00:41:09,839
Speaker 1: get really cool people to do songs with you and

770
00:41:09,880 --> 00:41:14,800
Speaker 1: to also share the message that you want shared. And

771
00:41:15,080 --> 00:41:17,400
Speaker 1: all of your collaborations, it's like you don't bring some

772
00:41:17,480 --> 00:41:18,920
Speaker 1: one on and they just are out of nowhere and

773
00:41:18,960 --> 00:41:21,080
Speaker 1: it doesn't make sense. It's like you bring on great

774
00:41:22,120 --> 00:41:25,080
Speaker 1: communicators of what the song actually means, and it's it's

775
00:41:25,160 --> 00:41:26,960
Speaker 1: it's a really cool thing that you do. And so

776
00:41:27,000 --> 00:41:28,880
Speaker 1: I'll talk about that for a second because on this record,

777
00:41:28,960 --> 00:41:30,359
Speaker 1: and I do want to talk about the Jennifer Lopes

778
00:41:30,440 --> 00:41:31,839
Speaker 1: thing because I saw that and it was like, holy crap,

779
00:41:32,320 --> 00:41:34,239
Speaker 1: how did you get j Loo to be on a song?

780
00:41:34,440 --> 00:41:37,400
Speaker 1: So she it's a remake of her song on My

781
00:41:37,520 --> 00:41:40,440
Speaker 1: Way from her movie Marrying Me, and like I know

782
00:41:40,560 --> 00:41:42,680
Speaker 1: somebody that works with her, and he reached out and

783
00:41:42,760 --> 00:41:44,799
Speaker 1: was like, hey, we want to do a remake of

784
00:41:44,840 --> 00:41:46,840
Speaker 1: this JLO song. Would you be down to do it?

785
00:41:46,880 --> 00:41:49,840
Speaker 1: I would say that's a dumb question, of course, Like

786
00:41:49,920 --> 00:41:51,799
Speaker 1: I don't care what the song is about. I didn't

787
00:41:51,800 --> 00:41:54,399
Speaker 1: even know what song is going to be. I said yes,

788
00:41:54,440 --> 00:41:56,319
Speaker 1: So he just sent it over. She'd already done her

789
00:41:56,400 --> 00:41:58,759
Speaker 1: vocals on so I just did mind and like I

790
00:41:58,880 --> 00:42:00,640
Speaker 1: just sent it back. That's cool. So it kind of

791
00:42:00,640 --> 00:42:03,279
Speaker 1: came to you, but then you got to also go

792
00:42:03,640 --> 00:42:05,879
Speaker 1: this is this is still a me thing. Yeah. So

793
00:42:05,920 --> 00:42:08,000
Speaker 1: then after we did it, it it was like, hey the

794
00:42:08,120 --> 00:42:10,720
Speaker 1: record can we put on the record now? The Celo

795
00:42:10,840 --> 00:42:13,040
Speaker 1: t Pain thing was different, Like I was in Miami

796
00:42:13,920 --> 00:42:15,680
Speaker 1: ghs himself with pit Bull, and then I went to

797
00:42:15,800 --> 00:42:19,880
Speaker 1: studio and my boy Venny that produced some Celo stuff,

798
00:42:19,920 --> 00:42:22,960
Speaker 1: say hey, Jimmy, Celo got this verse. He got a chorus,

799
00:42:23,080 --> 00:42:24,520
Speaker 1: but he wants to like change it. What do you

800
00:42:24,520 --> 00:42:26,799
Speaker 1: want to do? See if you can ride a course

801
00:42:26,840 --> 00:42:28,360
Speaker 1: to it? So I said, all right, play the track.

802
00:42:28,920 --> 00:42:31,440
Speaker 1: So I just hopped in the booth free stopped this chorus,

803
00:42:31,560 --> 00:42:34,040
Speaker 1: then went back and recorded it and I called te

804
00:42:34,160 --> 00:42:36,160
Speaker 1: Pain a couple days later that bro, I got this

805
00:42:36,160 --> 00:42:37,640
Speaker 1: song with Celo? You want to do it? You just

806
00:42:37,680 --> 00:42:44,600
Speaker 1: called him? Yeah, It's like hello, yeah. He was like,

807
00:42:44,640 --> 00:42:48,640
Speaker 1: can buy your drink? I'm good? So then he said yes,

808
00:42:48,719 --> 00:42:50,319
Speaker 1: so he did it. Now I was gonna there's a

809
00:42:50,400 --> 00:42:52,799
Speaker 1: hip hop artist. I was texting to do the third verse.

810
00:42:52,840 --> 00:42:55,040
Speaker 1: So I was like, oh wait, no, I want a verse.

811
00:42:55,239 --> 00:42:56,960
Speaker 1: I don't want to just sing the chorus on a

812
00:42:57,000 --> 00:43:00,160
Speaker 1: song on my record. And then Katio the other feature.

813
00:43:00,200 --> 00:43:02,680
Speaker 1: So every album, I want to have an artist that

814
00:43:02,760 --> 00:43:05,279
Speaker 1: doesn't have a record deal with the song. So it

815
00:43:05,360 --> 00:43:08,680
Speaker 1: started with Betty James Gold Edition with Neon Union, who

816
00:43:08,719 --> 00:43:10,319
Speaker 1: me and my buddy Aaron Ben would just signed, just

817
00:43:10,360 --> 00:43:13,440
Speaker 1: got them their first record deal. Now, Katio, she's an

818
00:43:13,520 --> 00:43:16,920
Speaker 1: artist in town that used to demo sing a lot

819
00:43:17,000 --> 00:43:20,120
Speaker 1: of songs that they would pitch to, like artists like Carrie, Mary,

820
00:43:20,320 --> 00:43:23,120
Speaker 1: Carly whoever. But the problem is Nashville sometimes if you

821
00:43:23,200 --> 00:43:25,440
Speaker 1: become a demo singer, you get pitch and hold. Is that.

822
00:43:25,760 --> 00:43:28,120
Speaker 1: So she's a great artist and we had her come

823
00:43:28,160 --> 00:43:30,040
Speaker 1: in because the song we did, Brooken Heart, is gonna

824
00:43:30,040 --> 00:43:32,560
Speaker 1: be to do it anyway. My boys like, hey, let's

825
00:43:32,560 --> 00:43:35,319
Speaker 1: have this girl Katio come demo. I was like cool,

826
00:43:35,520 --> 00:43:37,440
Speaker 1: So she came in. I was like wait, wait, no,

827
00:43:38,000 --> 00:43:40,360
Speaker 1: let's just keep her on the song that way. You know.

828
00:43:40,480 --> 00:43:43,600
Speaker 1: One it's I feel like I've been given a platform

829
00:43:43,600 --> 00:43:46,319
Speaker 1: and people have given me opportunities. I feel like it's

830
00:43:46,400 --> 00:43:49,239
Speaker 1: my job to do that for other people. So I'm

831
00:43:49,280 --> 00:43:52,120
Speaker 1: excited for the world to hit katiel. What's interesting about that?

832
00:43:52,160 --> 00:43:54,400
Speaker 1: What I hear when you tell that story is riba.

833
00:43:54,840 --> 00:43:57,520
Speaker 1: You know, does he love you? Linda Davis does he

834
00:43:57,640 --> 00:44:00,319
Speaker 1: love you when? So they do this, and she was

835
00:44:00,320 --> 00:44:02,759
Speaker 1: just singing the demo for the song because she was

836
00:44:02,800 --> 00:44:06,040
Speaker 1: with Reba's touring group and they were like, well, who

837
00:44:06,080 --> 00:44:07,080
Speaker 1: do you want to get on it? And they had

838
00:44:07,120 --> 00:44:09,840
Speaker 1: gone through according to urban legend. I think Reba actually

839
00:44:09,840 --> 00:44:11,280
Speaker 1: told me this, it's not that urban of a legend.

840
00:44:11,680 --> 00:44:13,279
Speaker 1: They had gone through people to do it. She was like, no,

841
00:44:13,440 --> 00:44:15,560
Speaker 1: let's just have Linda do it. She sounds great and

842
00:44:15,600 --> 00:44:17,720
Speaker 1: she's already on tour with us as a background singer.

843
00:44:17,920 --> 00:44:19,960
Speaker 1: And so she was like, and she's a great artist

844
00:44:19,960 --> 00:44:22,520
Speaker 1: that no one had actually let beat and so that

845
00:44:22,640 --> 00:44:25,960
Speaker 1: song does he think me? And so that's that similar

846
00:44:26,080 --> 00:44:28,439
Speaker 1: to what you just told her. Because Katie's a nurse,

847
00:44:28,480 --> 00:44:30,759
Speaker 1: so she'll go work her nurse shifts and still write.

848
00:44:30,760 --> 00:44:33,239
Speaker 1: So like you know, nurses work twelve hours, so she'll

849
00:44:33,239 --> 00:44:35,840
Speaker 1: go work twelve hours still then still go write songs

850
00:44:35,880 --> 00:44:38,239
Speaker 1: and still go recording music. So I just you know,

851
00:44:38,239 --> 00:44:40,520
Speaker 1: I had so much respect for her in the Hustle.

852
00:44:40,560 --> 00:44:43,399
Speaker 1: You know, we really appreciate people to guy hustle bro

853
00:44:43,480 --> 00:44:45,760
Speaker 1: because we try to appreciate It's like a time machine

854
00:44:46,400 --> 00:44:48,480
Speaker 1: and I'll speak and you can agree or disagree, but

855
00:44:48,520 --> 00:44:51,040
Speaker 1: you say that and it resonates with me because I go, man,

856
00:44:51,080 --> 00:44:53,160
Speaker 1: somebody's just killing themselves. I think that's why I was

857
00:44:53,239 --> 00:44:55,160
Speaker 1: drawn to you early because I would see you just

858
00:44:55,680 --> 00:44:57,680
Speaker 1: going so hard for what you wanted and I admired

859
00:44:57,680 --> 00:44:59,440
Speaker 1: that because nothing was given to you. And I'm like,

860
00:44:59,440 --> 00:45:00,960
Speaker 1: I like it, want to help them, but in reality,

861
00:45:00,960 --> 00:45:02,400
Speaker 1: I just wanted to help me and that's what I did,

862
00:45:02,400 --> 00:45:04,480
Speaker 1: and I wanted somebody to help me. Sure, So when

863
00:45:04,520 --> 00:45:06,480
Speaker 1: you that's how I feel because you talk about her

864
00:45:06,480 --> 00:45:08,200
Speaker 1: and I'm like, yes, I should help her. Yeah, man,

865
00:45:08,239 --> 00:45:09,840
Speaker 1: but I think we're actually trying to help ourselves in

866
00:45:09,840 --> 00:45:11,600
Speaker 1: the past. Oh yeah, And it's kind of like, it's

867
00:45:12,000 --> 00:45:14,680
Speaker 1: that's what could next us because me the one my

868
00:45:14,680 --> 00:45:17,719
Speaker 1: biggest pet peeve for lazy people. People say I want this,

869
00:45:17,760 --> 00:45:19,960
Speaker 1: I want that, but have it. They've never taken one

870
00:45:20,000 --> 00:45:23,719
Speaker 1: step in the direction to achieve said career they want,

871
00:45:24,120 --> 00:45:26,640
Speaker 1: you know. But when I see someone like exhausting every

872
00:45:26,640 --> 00:45:29,560
Speaker 1: option to make it happen, I'm like, that's when you

873
00:45:29,600 --> 00:45:31,520
Speaker 1: step in. Because that's what someone did for us. We

874
00:45:31,600 --> 00:45:34,040
Speaker 1: got to a point where we worked our butt off

875
00:45:34,360 --> 00:45:36,239
Speaker 1: when we got good at what we were doing, a

876
00:45:36,239 --> 00:45:38,440
Speaker 1: little bit enough to get someone's attention. And people say,

877
00:45:38,480 --> 00:45:41,200
Speaker 1: you know what, they're investing in themselves, so I'm gonna

878
00:45:41,320 --> 00:45:43,640
Speaker 1: invest in them. Yeah, they just kicked the door and

879
00:45:43,760 --> 00:45:45,920
Speaker 1: cracked it a little bit. Crack a little bit and

880
00:45:46,000 --> 00:45:47,480
Speaker 1: let us have a shot to get enter the room.

881
00:45:47,560 --> 00:45:49,040
Speaker 1: Hold the door, give us some more time to get

882
00:45:49,719 --> 00:45:51,480
Speaker 1: through it. Just hold it for him for a second.

883
00:45:51,760 --> 00:45:54,319
Speaker 1: Jimmy Allen us here records out today called Tulip Drive.

884
00:45:55,080 --> 00:45:57,239
Speaker 1: What I want to mention too, and we were talking

885
00:45:57,239 --> 00:45:58,960
Speaker 1: about this before you came on, But Jimmy took a

886
00:45:59,000 --> 00:46:01,080
Speaker 1: red eye to get here to do the show today, Amy,

887
00:46:01,520 --> 00:46:03,239
Speaker 1: what's the red eye to you? A red eye A

888
00:46:03,280 --> 00:46:05,879
Speaker 1: picture yourself like in LA trying to get to New

889
00:46:05,960 --> 00:46:09,000
Speaker 1: York and you do it overnight or something, and you

890
00:46:09,239 --> 00:46:11,120
Speaker 1: maybe catch the flight at midnight at La Lah you

891
00:46:11,120 --> 00:46:12,880
Speaker 1: wake up in New York. So a red eye because

892
00:46:12,960 --> 00:46:15,120
Speaker 1: I'm assuming you you're tired in your eyes are red,

893
00:46:15,120 --> 00:46:17,239
Speaker 1: but it's an overnight flight. They're they're difficult because it

894
00:46:17,239 --> 00:46:19,759
Speaker 1: throws you off. And yeah, you're obviously, like you said,

895
00:46:19,800 --> 00:46:21,600
Speaker 1: you hustle and you got here and I appreciate that,

896
00:46:21,880 --> 00:46:24,360
Speaker 1: but why you were confused as a red eye to

897
00:46:24,440 --> 00:46:27,520
Speaker 1: you is the same thing. Yeah, so this wasn't that.

898
00:46:27,520 --> 00:46:30,560
Speaker 1: It's not a stop. I went from one ratches city

899
00:46:30,600 --> 00:46:33,840
Speaker 1: to another one. I went from Oakland to the Troit

900
00:46:34,600 --> 00:46:38,840
Speaker 1: Like at my credit score dropped one hundred points. Okay,

901
00:46:38,960 --> 00:46:41,400
Speaker 1: you can't if you're gonna take me from Oakland to Detroit,

902
00:46:41,440 --> 00:46:45,239
Speaker 1: can we at least stop and Scottsdale in between? Even

903
00:46:45,400 --> 00:46:48,040
Speaker 1: u Tall, you know, maybe Salt Lake City, you know,

904
00:46:48,040 --> 00:46:49,560
Speaker 1: they could pray for me out there to get my

905
00:46:49,600 --> 00:46:51,920
Speaker 1: credit score back up. And then I came to Nashville.

906
00:46:52,000 --> 00:46:54,000
Speaker 1: But uh, that's what three. I didn't realize it had

907
00:46:54,000 --> 00:46:55,759
Speaker 1: a stop until I got on the plane. I was like, wait,

908
00:46:56,200 --> 00:46:58,360
Speaker 1: what Yeah, that's just two connectors at night. That's not

909
00:46:58,400 --> 00:47:00,160
Speaker 1: a red eye. He hung out for like two was

910
00:47:00,200 --> 00:47:02,239
Speaker 1: in an airport. Let's fly you here, say yeah, you

911
00:47:02,280 --> 00:47:05,520
Speaker 1: know ten fifty year time. You know, we'll take you

912
00:47:05,520 --> 00:47:07,960
Speaker 1: to Detroit at six am and you'll stay there for

913
00:47:08,000 --> 00:47:09,759
Speaker 1: two hours and you gotta stay away because you want

914
00:47:09,760 --> 00:47:12,080
Speaker 1: to fall asleep mission flight. And then you get on

915
00:47:12,120 --> 00:47:14,839
Speaker 1: another flight and come in here. Oh yeah, so here

916
00:47:14,880 --> 00:47:16,880
Speaker 1: it is. You look good. You know. I try to

917
00:47:16,880 --> 00:47:21,560
Speaker 1: put a little piece together what you have quite but

918
00:47:21,640 --> 00:47:24,719
Speaker 1: you have five or six brothers and sisters. I have

919
00:47:26,120 --> 00:47:27,520
Speaker 1: you got his fingers out, by the way for them

920
00:47:28,120 --> 00:47:31,360
Speaker 1: four sisters, two, three brothers. And what is that dynamic

921
00:47:31,440 --> 00:47:33,800
Speaker 1: like with you doing what you do because this is

922
00:47:33,840 --> 00:47:35,719
Speaker 1: a weird job. You're really good at it. This is

923
00:47:35,719 --> 00:47:37,600
Speaker 1: a weird job that you're a performer and you do.

924
00:47:38,080 --> 00:47:40,680
Speaker 1: What do they think? And what's like generally, what's the

925
00:47:40,719 --> 00:47:44,320
Speaker 1: family do? They don't really care. They still just treat

926
00:47:44,360 --> 00:47:47,080
Speaker 1: me like Jimmy, so like it's an inside joke of

927
00:47:47,200 --> 00:47:49,319
Speaker 1: my friends and families know me forever. They still treat

928
00:47:49,360 --> 00:47:52,680
Speaker 1: me like Jimmy with a Why So I switched Jimmy

929
00:47:52,719 --> 00:47:54,920
Speaker 1: to an Ie a year before I got my record

930
00:47:54,960 --> 00:47:58,000
Speaker 1: deal out of honor my grandma because she spelled Betty

931
00:47:58,160 --> 00:48:01,400
Speaker 1: i E. So everybody knew me with a Y. I

932
00:48:01,440 --> 00:48:03,399
Speaker 1: was like the Delaware day. So my family still treat

933
00:48:03,440 --> 00:48:05,680
Speaker 1: me like Jimmy and the Hi. My brother is a

934
00:48:05,840 --> 00:48:09,680
Speaker 1: construction He's one of the top governors at the Mooselage.

935
00:48:09,719 --> 00:48:11,560
Speaker 1: You know that we all hang out in Delibacy takes

936
00:48:11,600 --> 00:48:15,040
Speaker 1: that very sious shout out to the Mooselage. By the way. Uh,

937
00:48:15,120 --> 00:48:18,960
Speaker 1: my one sister used to work at the Constorium like

938
00:48:19,000 --> 00:48:22,680
Speaker 1: a lot of special in these people. Um My one brother,

939
00:48:23,920 --> 00:48:25,600
Speaker 1: I don't know what he does. All I know is

940
00:48:25,640 --> 00:48:27,799
Speaker 1: he always has money, but I never see him working.

941
00:48:28,000 --> 00:48:31,719
Speaker 1: So I leave that. I wouldn't even say that. He

942
00:48:31,800 --> 00:48:34,279
Speaker 1: don't like that at all. He doesn't like that at all.

943
00:48:34,360 --> 00:48:36,319
Speaker 1: It is what it is, Okay. I don't know what

944
00:48:36,360 --> 00:48:39,080
Speaker 1: he does. He says he's always working. I never see

945
00:48:39,160 --> 00:48:43,839
Speaker 1: him work, but he has money. Now my issue. Uh

946
00:48:44,000 --> 00:48:48,239
Speaker 1: My one sister works from home. Uh she's in Nashville. Uh,

947
00:48:48,520 --> 00:48:51,440
Speaker 1: she works with some insurance company I don't remember. And

948
00:48:51,560 --> 00:48:55,160
Speaker 1: my other sister, dan Yale, is in Texas. I don't

949
00:48:55,200 --> 00:48:57,000
Speaker 1: know what she does either, but she works, so I

950
00:48:57,080 --> 00:48:59,000
Speaker 1: know she goes to work. I was like, I need

951
00:48:59,040 --> 00:49:02,799
Speaker 1: a little more connection. Yeah. Yeah, but it's like we

952
00:49:02,800 --> 00:49:04,520
Speaker 1: don't really talk. Like we don't ever talk about my

953
00:49:04,600 --> 00:49:06,399
Speaker 1: job either, so I don't, you know, we just talk.

954
00:49:06,520 --> 00:49:09,200
Speaker 1: We hang out, we do family stuff. We play games.

955
00:49:09,200 --> 00:49:11,120
Speaker 1: The last thing. That's the one thing I love about

956
00:49:11,120 --> 00:49:14,440
Speaker 1: my siblings. We keep work on the outside. Like my

957
00:49:14,480 --> 00:49:16,560
Speaker 1: sister didn't even know I was having an album out

958
00:49:16,800 --> 00:49:18,880
Speaker 1: until like a couple of days ago. She's like, you

959
00:49:18,880 --> 00:49:21,040
Speaker 1: gotta write coming up. You didn't tell me it's oh yeah,

960
00:49:21,280 --> 00:49:24,480
Speaker 1: she's garrets whatever out here eventually, So it's like we

961
00:49:24,560 --> 00:49:26,440
Speaker 1: kind of don't. That's the one thing we do on purpose.

962
00:49:26,480 --> 00:49:29,040
Speaker 1: We don't talk about work. The album is out today.

963
00:49:29,080 --> 00:49:33,319
Speaker 1: It's called Tulip Drive. I'm gonna play down Home. So

964
00:49:33,800 --> 00:49:35,759
Speaker 1: it came out a few months ago, but really starting

965
00:49:35,800 --> 00:49:37,839
Speaker 1: to gain some steam here. So I'm gonna play this,

966
00:49:37,880 --> 00:49:39,600
Speaker 1: but give me like twenty seconds a set up of

967
00:49:39,640 --> 00:49:41,239
Speaker 1: the song so people can have an understanding what they're

968
00:49:41,239 --> 00:49:43,799
Speaker 1: about to hear. Down Home. It's a song I wrote

969
00:49:43,800 --> 00:49:46,160
Speaker 1: with my bass player to tell you how Ryan Ball Camberdell.

970
00:49:46,400 --> 00:49:48,360
Speaker 1: It's a letter to my father, kind of like a

971
00:49:48,520 --> 00:49:50,040
Speaker 1: check in. I didn't want to make it a sad song,

972
00:49:50,120 --> 00:49:52,440
Speaker 1: just you know, check it in saying hopefully everything's good

973
00:49:52,520 --> 00:49:54,919
Speaker 1: up there because everything you taught us, we're still using

974
00:49:54,920 --> 00:49:57,520
Speaker 1: it today and everything's good. Down Home albums out today.

975
00:49:57,520 --> 00:49:59,480
Speaker 1: This is down Home. We're gonna come back with Jimmy Allen,

976
00:50:00,000 --> 00:50:01,640
Speaker 1: gonna talk about how Kane Brown thought I was you.

977
00:50:01,680 --> 00:50:04,200
Speaker 1: Have you heard the story? Yeah? Exactly, I know. We

978
00:50:04,239 --> 00:50:08,440
Speaker 1: love a lot of likes it said, yes the Friday

979
00:50:08,480 --> 00:50:12,799
Speaker 1: Morning Conversation. All right, Jimmy's here. The album's out. It's

980
00:50:12,800 --> 00:50:15,799
Speaker 1: called Tulip Drive. I hope you guys check it out. Um,

981
00:50:15,920 --> 00:50:18,359
Speaker 1: I want to talk about Kane Brown Reachee because Kane

982
00:50:18,360 --> 00:50:22,200
Speaker 1: and I talk. I love Kane, yeah and so, and

983
00:50:22,320 --> 00:50:25,560
Speaker 1: Kane's always extremely real and I can appreciate that from him,

984
00:50:25,600 --> 00:50:28,040
Speaker 1: and so I get a message from him and I

985
00:50:28,160 --> 00:50:31,040
Speaker 1: posted a video back at I Heart Country Festival. I

986
00:50:31,080 --> 00:50:33,719
Speaker 1: guess that was what month? Was that? What month? Are

987
00:50:33,719 --> 00:50:37,520
Speaker 1: we now? May? Okay? Yeah, I say so. There's a

988
00:50:37,520 --> 00:50:40,440
Speaker 1: picture of all of us standing together, and it's everybody

989
00:50:40,480 --> 00:50:42,960
Speaker 1: who performed and myself since I hosted, And just so

990
00:50:43,040 --> 00:50:45,680
Speaker 1: you have an idea here, like it's video, it's like scrolling.

991
00:50:45,760 --> 00:50:47,040
Speaker 1: That's the one where I didn't get the memo that

992
00:50:47,040 --> 00:50:48,960
Speaker 1: everybody's gonna have this show clothes on. I'm sitting there

993
00:50:49,000 --> 00:50:51,120
Speaker 1: with basketball shorts on. That's it. And so that's where

994
00:50:51,120 --> 00:50:53,600
Speaker 1: this comes from. So this video is all of us,

995
00:50:54,200 --> 00:50:57,480
Speaker 1: and Kane reaches out and goes to me, Hey, he said,

996
00:50:57,480 --> 00:50:59,919
Speaker 1: how come you're like me? All these mfs always dressed

997
00:51:00,040 --> 00:51:01,160
Speaker 1: up in their show gear and I look like I'm

998
00:51:01,200 --> 00:51:03,080
Speaker 1: ready to hoop. And so he says this to me,

999
00:51:03,120 --> 00:51:05,080
Speaker 1: and I'm offended because I thought I was looking pretty good.

1000
00:51:05,200 --> 00:51:06,960
Speaker 1: I had a like, I had a nice's outfit on,

1001
00:51:07,680 --> 00:51:09,800
Speaker 1: and I don't know what to say because I gotta respond,

1002
00:51:11,000 --> 00:51:15,440
Speaker 1: and I go and it's weird, so I go, uh

1003
00:51:15,520 --> 00:51:19,319
Speaker 1: hah um, Yeah, it looks like Jimmy and I ready

1004
00:51:19,360 --> 00:51:21,319
Speaker 1: to chill on the couch and watch a game. Meaning

1005
00:51:21,320 --> 00:51:22,759
Speaker 1: I'm just trying to bring you into this because you

1006
00:51:22,800 --> 00:51:24,839
Speaker 1: look like you're in But I don't know why it's

1007
00:51:24,880 --> 00:51:26,279
Speaker 1: saying that to me, because I was like proud of

1008
00:51:26,320 --> 00:51:29,239
Speaker 1: my clothes, and so I told the show. I was like,

1009
00:51:29,280 --> 00:51:32,680
Speaker 1: I Kane just said I'd dressed fire. So then he

1010
00:51:32,719 --> 00:51:35,680
Speaker 1: sends me a laughing emoji, goes, I'm meant to send

1011
00:51:35,680 --> 00:51:37,600
Speaker 1: that to Jimmy. I thought I was watching his account.

1012
00:51:40,760 --> 00:51:42,480
Speaker 1: He said. I tried to hit the unsend button, but

1013
00:51:42,520 --> 00:51:44,759
Speaker 1: I guess that doesn't worry hahaha, you gotta hold it.

1014
00:51:44,840 --> 00:51:47,719
Speaker 1: So he was talking about you. He said, how come

1015
00:51:47,800 --> 00:51:50,799
Speaker 1: you're like him? Everybody dressed up? But yeah, because I

1016
00:51:51,000 --> 00:51:54,240
Speaker 1: chill in. My sweats are shorts to the last minute

1017
00:51:54,480 --> 00:51:56,320
Speaker 1: because I know what I'm about to put on stage.

1018
00:51:56,320 --> 00:51:59,160
Speaker 1: It is about to be small, tight and sweaty, you

1019
00:51:59,200 --> 00:52:01,640
Speaker 1: know what I mean. I'm in this leather kick right now. Well,

1020
00:52:01,680 --> 00:52:03,880
Speaker 1: I was offended with my feelings were heard up, was like,

1021
00:52:04,000 --> 00:52:05,320
Speaker 1: is that a cane down? Thinks I'm ugly and I

1022
00:52:05,400 --> 00:52:08,480
Speaker 1: dressed stupid. I was like, I'm trying a basketball trying

1023
00:52:08,480 --> 00:52:11,000
Speaker 1: to go host a show here. You have a bowling

1024
00:52:11,280 --> 00:52:12,760
Speaker 1: I know you bowl and you're a really good bowler,

1025
00:52:12,760 --> 00:52:14,840
Speaker 1: but you have a team. Yeah, I know there was

1026
00:52:14,840 --> 00:52:18,200
Speaker 1: a team. Yeah. So I'm in a three leagues here

1027
00:52:18,280 --> 00:52:20,880
Speaker 1: and then I'm in this traveling team and then actually

1028
00:52:20,920 --> 00:52:23,040
Speaker 1: in Vegas, will be in Vegas next week? Were league

1029
00:52:23,320 --> 00:52:28,560
Speaker 1: traveling traveling? Yeah? We traveled d tournaments, um, and then

1030
00:52:28,960 --> 00:52:32,200
Speaker 1: uh I got a USBC tournament in Vegas next week,

1031
00:52:32,280 --> 00:52:36,120
Speaker 1: the TAT tournament, and then some PBA stuff coming because

1032
00:52:36,160 --> 00:52:40,160
Speaker 1: I am U pretty much almost an official PBA tour.

1033
00:52:40,280 --> 00:52:42,200
Speaker 1: So you got to have a hold of two hundred

1034
00:52:42,200 --> 00:52:45,960
Speaker 1: average for an entire season? Could you be a pro bowler? Yeah,

1035
00:52:46,000 --> 00:52:48,279
Speaker 1: I'm actually taking off to a month in January to

1036
00:52:48,360 --> 00:52:50,319
Speaker 1: do that. Next year, you're taking off what do you

1037
00:52:50,320 --> 00:52:53,440
Speaker 1: mean to do that? Like traveling bowl player do PBA tournaments?

1038
00:52:53,440 --> 00:52:56,040
Speaker 1: That's so cool. I mean it's it's weird because I

1039
00:52:56,040 --> 00:52:57,879
Speaker 1: don't know I but it does that. Yeah, that's so cool.

1040
00:52:58,040 --> 00:52:59,600
Speaker 1: I think the only other person that does it a

1041
00:52:59,640 --> 00:53:03,000
Speaker 1: lot is me that I knows me Chuck Wicks and

1042
00:53:03,040 --> 00:53:06,560
Speaker 1: Mookie Bets. Like when Mookie Bets is off from baseball,

1043
00:53:06,719 --> 00:53:09,959
Speaker 1: he travels just just bowling tournaments and they paid too. Yeah, okay,

1044
00:53:10,040 --> 00:53:13,880
Speaker 1: can you make money? Yea. For those who don't know,

1045
00:53:13,960 --> 00:53:20,000
Speaker 1: he's gotta very violent aggressive Okay, oh yeah, you can

1046
00:53:20,080 --> 00:53:22,080
Speaker 1: get paid. I tell people bowl It's like, it's to

1047
00:53:22,080 --> 00:53:24,160
Speaker 1: the point where I've become a snob now with bowling.

1048
00:53:24,160 --> 00:53:26,880
Speaker 1: I'll ask for like their house pattern, what's the shot,

1049
00:53:26,920 --> 00:53:28,640
Speaker 1: what's the oil length? And then when I go to

1050
00:53:28,719 --> 00:53:30,440
Speaker 1: the bowling now and I see people next to me

1051
00:53:30,480 --> 00:53:32,279
Speaker 1: bowling with house shoes on in the house ball, I'm like,

1052
00:53:34,239 --> 00:53:37,560
Speaker 1: he's like, what are you doing? Having fun? No? Better

1053
00:53:40,440 --> 00:53:42,600
Speaker 1: at Jimmy Allen if you're to follow him again, I

1054
00:53:42,680 --> 00:53:45,440
Speaker 1: e which is a great story, was well on your birthday?

1055
00:53:45,640 --> 00:53:48,560
Speaker 1: Gets Jimmy with the why it's James, James is my

1056
00:53:48,640 --> 00:53:50,919
Speaker 1: legal name. You got the point where I'm saying Jimmy, Yeah, yeah,

1057
00:53:51,000 --> 00:53:53,080
Speaker 1: but you was Jimmy. People call you Jimmy. Be a

1058
00:53:53,200 --> 00:53:54,759
Speaker 1: change it for you, grandma. Yeah, I changed for my ground.

1059
00:53:54,760 --> 00:53:56,640
Speaker 1: That's why I started wearing these bandannas, like that's my

1060
00:53:56,680 --> 00:53:59,000
Speaker 1: look now because my grandmama always wear bandanna. I'm like

1061
00:53:59,040 --> 00:54:01,719
Speaker 1: super sentimentals everything I do, no matter how weird he

1062
00:54:01,800 --> 00:54:05,480
Speaker 1: might see him, there's a reason. So Tulip drives out.

1063
00:54:05,520 --> 00:54:07,640
Speaker 1: And and speaking of weird, let's just this is the

1064
00:54:07,680 --> 00:54:09,239
Speaker 1: last thing we're gonna talk about, because if it is

1065
00:54:09,239 --> 00:54:11,120
Speaker 1: weird and we get into a fist fight, the segment

1066
00:54:11,200 --> 00:54:12,600
Speaker 1: ends here. Right, we have nothing else to do. We've

1067
00:54:12,600 --> 00:54:15,960
Speaker 1: already talked about everything. Yeah, okay, you guys prepare yourself

1068
00:54:15,960 --> 00:54:19,240
Speaker 1: bringing the referees. So, um, what I like about Jimmy

1069
00:54:19,400 --> 00:54:21,759
Speaker 1: is he will go to people that he admires and

1070
00:54:21,800 --> 00:54:23,560
Speaker 1: respects and says, hey, hop on this song with me.

1071
00:54:23,800 --> 00:54:26,120
Speaker 1: And so I had this whole song. I reached out Jimmy.

1072
00:54:26,120 --> 00:54:27,759
Speaker 1: I said, hey, Jimmy, get on the song with me.

1073
00:54:30,800 --> 00:54:38,680
Speaker 1: All right, already laughing, laughing, and lean, I'm so like

1074
00:54:38,800 --> 00:54:41,279
Speaker 1: I love Jimmy, like not just in here we do this,

1075
00:54:41,360 --> 00:54:44,600
Speaker 1: but as it like a dude. And so I never

1076
00:54:44,640 --> 00:54:47,440
Speaker 1: want to ask anybody to do anything with me or

1077
00:54:47,680 --> 00:54:50,919
Speaker 1: us unless I'm like close. And you know, Party John

1078
00:54:50,960 --> 00:54:53,040
Speaker 1: Party did this song a comedy song we wrote last

1079
00:54:53,040 --> 00:54:54,080
Speaker 1: time and I said, you know it would be good

1080
00:54:54,080 --> 00:54:56,600
Speaker 1: on this, it'd be Jimmy. And so I don't want

1081
00:54:56,600 --> 00:54:58,040
Speaker 1: to say the name of the song because somebody else

1082
00:54:58,120 --> 00:55:00,120
Speaker 1: is going to do it. Once Jimmy rejected us. But anyway,

1083
00:55:00,280 --> 00:55:02,960
Speaker 1: so I sent the song to Jimmy and I feel awkward.

1084
00:55:02,960 --> 00:55:04,200
Speaker 1: I'm like, oh, I don't want to ask somebody to

1085
00:55:04,239 --> 00:55:05,880
Speaker 1: do this song. So I send the track with the

1086
00:55:05,920 --> 00:55:07,759
Speaker 1: empty verse. I say, hey, Jimmy, we're doing this song.

1087
00:55:08,520 --> 00:55:10,319
Speaker 1: Is this something you want to do? Like hop on it?

1088
00:55:10,360 --> 00:55:13,200
Speaker 1: You can say no, just just let me know. It's

1089
00:55:13,200 --> 00:55:16,120
Speaker 1: an awkward thing to ask somebody. And I didn't hear anything.

1090
00:55:16,239 --> 00:55:19,399
Speaker 1: Day went by, not even a text back. Two days

1091
00:55:19,480 --> 00:55:23,000
Speaker 1: went by, nothing, and I'm like, that's weird. He must

1092
00:55:23,040 --> 00:55:26,600
Speaker 1: be scared to say no. And so I get somebody

1093
00:55:26,600 --> 00:55:29,440
Speaker 1: that works with me, talk to your person and they're like, oh, yeah,

1094
00:55:29,520 --> 00:55:31,840
Speaker 1: Jimmy doesn't have a phone. And I'm like, that's bullcrap.

1095
00:55:31,920 --> 00:55:35,040
Speaker 1: That's what people say. I'm dead serious. So what is?

1096
00:55:35,080 --> 00:55:38,040
Speaker 1: So here's what. So I don't update my iPhones ever

1097
00:55:38,400 --> 00:55:40,799
Speaker 1: because it freaks me up, Like I just think they

1098
00:55:40,840 --> 00:55:43,239
Speaker 1: just want me to keep updating, updating, So stuff are

1099
00:55:43,239 --> 00:55:45,719
Speaker 1: going to phone? So I remember forgot where we had

1100
00:55:45,760 --> 00:55:47,640
Speaker 1: I was right before the show. I plugged it in

1101
00:55:48,360 --> 00:55:50,920
Speaker 1: on my phone and I came back out, and then

1102
00:55:51,120 --> 00:55:54,319
Speaker 1: my phone is just doing the circle thing like it's loading, right,

1103
00:55:54,640 --> 00:55:57,200
Speaker 1: and then the apple thing comes on. I'll go to

1104
00:55:57,320 --> 00:55:59,520
Speaker 1: hit it my screen say it pops up with my

1105
00:56:00,080 --> 00:56:02,640
Speaker 1: artist face on that every time I put my pascort in, poom,

1106
00:56:02,719 --> 00:56:05,560
Speaker 1: phone shuts off. I didn't have a phone for like

1107
00:56:05,680 --> 00:56:07,680
Speaker 1: two days, and it happened to be the only time

1108
00:56:07,719 --> 00:56:11,080
Speaker 1: I sent you ay and then and I was freaking

1109
00:56:11,120 --> 00:56:14,399
Speaker 1: out anyway, right, so excuse me. So we we fly

1110
00:56:14,520 --> 00:56:17,000
Speaker 1: to Philly that next day, go to Philly, you know,

1111
00:56:17,120 --> 00:56:19,720
Speaker 1: hit to hit the casino, you know, uh, go to Philly.

1112
00:56:19,760 --> 00:56:21,640
Speaker 1: I get a new phone, right, and then when I

1113
00:56:21,680 --> 00:56:25,000
Speaker 1: back it up, I have too many pictures and stuff,

1114
00:56:25,040 --> 00:56:27,880
Speaker 1: so the phone's not loading again, so it freaks out again.

1115
00:56:28,080 --> 00:56:29,759
Speaker 1: So then I got to get another phone two days

1116
00:56:29,800 --> 00:56:31,880
Speaker 1: later in Nashville. I didn't have a phone almost for

1117
00:56:31,920 --> 00:56:34,000
Speaker 1: like four days. So then when I finally get my

1118
00:56:34,040 --> 00:56:36,680
Speaker 1: phone back up and running, the last time I updated

1119
00:56:36,719 --> 00:56:40,200
Speaker 1: my phone was March. So I got text messages from March, right,

1120
00:56:40,880 --> 00:56:43,239
Speaker 1: So my manager asked text was said, hey, did you

1121
00:56:43,680 --> 00:56:45,440
Speaker 1: did you not want to do the song with Bobby?

1122
00:56:45,560 --> 00:56:46,879
Speaker 1: You know, you could have just told her I said,

1123
00:56:47,000 --> 00:56:49,399
Speaker 1: I ain't get no song. He said yeah. He said,

1124
00:56:49,440 --> 00:56:51,880
Speaker 1: well they sent the song over. He said yeah. He

1125
00:56:51,920 --> 00:56:53,640
Speaker 1: said I figured it was weird, but he said, I

1126
00:56:53,680 --> 00:56:54,960
Speaker 1: just told him you didn't have a You didn't have

1127
00:56:54,960 --> 00:56:56,880
Speaker 1: a phone because I didn't have a phone, Because you know,

1128
00:56:56,880 --> 00:56:58,719
Speaker 1: I'd have respond to there and i'd have done this song.

1129
00:56:58,760 --> 00:57:00,759
Speaker 1: So let's can we do another one? Sounds us that's

1130
00:57:00,760 --> 00:57:03,560
Speaker 1: almost saying I'm not letting you commit to it. He

1131
00:57:03,800 --> 00:57:05,560
Speaker 1: this is a new phone. I'm not letting it look

1132
00:57:05,600 --> 00:57:09,120
Speaker 1: like today like I know he's gonna bring this up,

1133
00:57:09,120 --> 00:57:10,960
Speaker 1: so give me got two new phones because this phone

1134
00:57:11,040 --> 00:57:13,120
Speaker 1: is mirrored to this phone. So if this phone ever

1135
00:57:13,200 --> 00:57:16,240
Speaker 1: goes away, have another one. All I know is I

1136
00:57:16,320 --> 00:57:20,640
Speaker 1: send him this heartfelt matter, got no response, and here

1137
00:57:20,680 --> 00:57:23,400
Speaker 1: we are now not doing a song. It's pretty funny song.

1138
00:57:23,440 --> 00:57:25,040
Speaker 1: I tell you, it's pretty good. One day, probably could

1139
00:57:25,040 --> 00:57:26,160
Speaker 1: be the thing that really breaks your career and get

1140
00:57:26,160 --> 00:57:28,200
Speaker 1: your first man. You know, I say, how about we

1141
00:57:28,240 --> 00:57:30,480
Speaker 1: do this? I don't like it. Whatever it is, the

1142
00:57:30,520 --> 00:57:33,880
Speaker 1: person that's on it, let me join. We're already done.

1143
00:57:33,960 --> 00:57:36,000
Speaker 1: It's done. It's easy. I can go to studio and

1144
00:57:36,040 --> 00:57:39,280
Speaker 1: just do it. It's technology. Man, let's do another one. Yeah,

1145
00:57:39,320 --> 00:57:41,320
Speaker 1: I don't know. We'll see how your career is going

1146
00:57:41,320 --> 00:57:45,400
Speaker 1: a couple of years and readdresses to be Yeah, I'll

1147
00:57:45,440 --> 00:57:48,240
Speaker 1: probably be a movie star, but tire from music. No,

1148
00:57:48,280 --> 00:57:49,760
Speaker 1: I probably won't to be doing me What kind of

1149
00:57:49,800 --> 00:57:53,200
Speaker 1: movie do you want to do? Oh? Bunch? Like I'm

1150
00:57:53,240 --> 00:57:57,080
Speaker 1: seriously taking the transition into television and film, Like I'm

1151
00:57:57,080 --> 00:57:59,120
Speaker 1: not leaving music. Like I always put out singles, I

1152
00:57:59,160 --> 00:58:02,960
Speaker 1: always do records. But the whole idea of touring one

1153
00:58:03,000 --> 00:58:06,560
Speaker 1: hundred plus shows a year, No, I think I want

1154
00:58:06,560 --> 00:58:08,360
Speaker 1: to get to a point where I'm doing maybe ten

1155
00:58:08,400 --> 00:58:11,760
Speaker 1: shows a year in the US, twenty outside of a a year,

1156
00:58:11,800 --> 00:58:15,280
Speaker 1: maybe thirty shows a year, and then just doing TV movies,

1157
00:58:15,360 --> 00:58:20,360
Speaker 1: you know, spending time with my kids, developing music education

1158
00:58:20,440 --> 00:58:24,360
Speaker 1: courses in different schools. But not just music, but the

1159
00:58:24,400 --> 00:58:26,280
Speaker 1: business side of it, you know what I mean, Because

1160
00:58:26,280 --> 00:58:28,760
Speaker 1: so many people don't understand the business as an artists.

1161
00:58:28,760 --> 00:58:30,920
Speaker 1: And then it shows other people that love music that

1162
00:58:31,040 --> 00:58:33,000
Speaker 1: might not be at the level of talent to be

1163
00:58:33,040 --> 00:58:35,400
Speaker 1: a musician, they could still be involved in a career

1164
00:58:35,480 --> 00:58:38,880
Speaker 1: to management publishing pro. So that's really what I really

1165
00:58:38,880 --> 00:58:41,720
Speaker 1: want to what I really want to do after this

1166
00:58:41,840 --> 00:58:43,920
Speaker 1: little debac. All this song You'll never work in this

1167
00:58:43,920 --> 00:58:48,840
Speaker 1: town again. I heard it here first, Jimmy is our album,

1168
00:58:49,120 --> 00:58:54,760
Speaker 1: Tulip Drive is. It's out today. It's so it's so

1169
00:58:54,920 --> 00:58:57,080
Speaker 1: great and it's so different. You got a lot of

1170
00:58:57,080 --> 00:58:59,000
Speaker 1: great voices, but the most important voice is his own,

1171
00:58:59,320 --> 00:59:01,960
Speaker 1: and it's just a wonderful story. The voice you don't

1172
00:59:02,000 --> 00:59:04,720
Speaker 1: want to put on, a voice that didn't respond, and

1173
00:59:04,840 --> 00:59:06,880
Speaker 1: that's so crazy. At the time, I do not have

1174
00:59:07,080 --> 00:59:09,200
Speaker 1: exactly It is so crazy that Jimmy, you said it.

1175
00:59:09,200 --> 00:59:13,520
Speaker 1: It's so crazy. It's a little too so crazy, isn't it. Yeah? Huh,

1176
00:59:13,600 --> 00:59:16,080
Speaker 1: all right, that's enough of this interview. Ray, I think

1177
00:59:16,120 --> 00:59:18,760
Speaker 1: we're done you guys. Check out Tulip Drive, check out Jimmy,

1178
00:59:18,840 --> 00:59:21,880
Speaker 1: Jimmy Allen at Jimmy Allen following on all the socials

1179
00:59:21,960 --> 00:59:24,120
Speaker 1: and that is it. Thanks for my friend for coming out.

1180
00:59:24,120 --> 00:59:27,720
Speaker 1: Oh man, thanks, all right, there is Jimmy Allen. Everybody. Hey,

1181
00:59:28,240 --> 00:59:30,920
Speaker 1: what you guys have an awesome weekend. I'm gonna go

1182
00:59:30,960 --> 00:59:34,600
Speaker 1: watch Ben Rector tomorrow night cool which you're gonna go

1183
00:59:34,600 --> 00:59:37,560
Speaker 1: to a lot of shows, either traveling or a live

1184
00:59:37,600 --> 00:59:40,240
Speaker 1: in music. So I man, I'm super excited about going

1185
00:59:40,240 --> 00:59:42,800
Speaker 1: to see Ben rector Kaitl. I'm not gonna make a

1186
00:59:42,840 --> 00:59:45,479
Speaker 1: little date to night and sing every song, so that'd

1187
00:59:45,520 --> 00:59:47,400
Speaker 1: be fun for us. And I'd like to go see

1188
00:59:47,400 --> 00:59:51,080
Speaker 1: this Elvis movie, but I'm just I don't like going

1189
00:59:51,120 --> 00:59:53,840
Speaker 1: to theaters. So I wish I could just like close

1190
00:59:53,920 --> 00:59:55,480
Speaker 1: my eyes on the back of my eyelids watch it.

1191
00:59:56,400 --> 00:59:59,040
Speaker 1: That's that'd be awesome, Like you just down, you put

1192
00:59:59,040 --> 01:00:01,240
Speaker 1: in your ear and you watch it back your eyelids.

1193
01:00:01,240 --> 01:00:03,120
Speaker 1: I'm sure we'll get there at some point, like hopefully

1194
01:00:03,160 --> 01:00:05,600
Speaker 1: the next week or so. This movie looks really good.

1195
01:00:05,880 --> 01:00:07,720
Speaker 1: Eddie saw it right. It's really good, dude. If you're

1196
01:00:07,720 --> 01:00:10,720
Speaker 1: an Elvis fan, you're gonna love it. Elvis directed by

1197
01:00:10,720 --> 01:00:13,200
Speaker 1: Basis Luhrman. It's got Austin Butler or Tom Hanks. It's

1198
01:00:13,200 --> 01:00:17,880
Speaker 1: in theaters now. The soundtracks out today. Movie Mike's Movie

1199
01:00:17,880 --> 01:00:21,080
Speaker 1: podcast has bas Lerman on it, which is bas Lherman.

1200
01:00:21,520 --> 01:00:25,440
Speaker 1: He did Hulu Jaco lajah Lah, Move on, rouge, Mike,

1201
01:00:25,440 --> 01:00:27,479
Speaker 1: what's the cliff I'm gonna play here? I'm talking about

1202
01:00:27,480 --> 01:00:30,320
Speaker 1: whenever Tom Hanks got COVID, Like, that's shut down. The

1203
01:00:30,480 --> 01:00:32,600
Speaker 1: entire world shut down their production for six months they

1204
01:00:32,600 --> 01:00:34,760
Speaker 1: were doing that production. Then, yeah, that looks long ago.

1205
01:00:34,920 --> 01:00:37,320
Speaker 1: Yeah wow. This so this Elvis movie with Austin Butler,

1206
01:00:37,480 --> 01:00:40,120
Speaker 1: Eddie says, is really good, really good. And Basi Lerman's

1207
01:00:40,120 --> 01:00:42,120
Speaker 1: a director, and here's a clip of bas Lerman. We

1208
01:00:42,240 --> 01:00:45,320
Speaker 1: lost the movie. There was the COVID, there was not

1209
01:00:45,400 --> 01:00:47,600
Speaker 1: being out to hold the cast together. I used the

1210
01:00:47,640 --> 01:00:49,920
Speaker 1: time to reconstruct the beginning of the film. I rang

1211
01:00:50,040 --> 01:00:52,120
Speaker 1: Tom and I said, Tom, you know, I don't think

1212
01:00:52,120 --> 01:00:54,320
Speaker 1: if we wait the movie will come back because there's

1213
01:00:54,360 --> 01:00:57,360
Speaker 1: too many elements falling apart. And very bravely, he said, well,

1214
01:00:57,400 --> 01:00:58,920
Speaker 1: look if I come back, do you think you can

1215
01:00:58,960 --> 01:01:00,920
Speaker 1: get it done by Christmas? So I said yes, and

1216
01:01:01,000 --> 01:01:02,800
Speaker 1: he came back. It was the smoothest shooting we have

1217
01:01:02,840 --> 01:01:05,360
Speaker 1: a I mean, I came in on time, under budget.

1218
01:01:05,480 --> 01:01:07,320
Speaker 1: So check it out. It's an awesome get for your

1219
01:01:07,360 --> 01:01:10,919
Speaker 1: movie podcast. Check about anything else other than the Elvis movie.

1220
01:01:11,280 --> 01:01:14,280
Speaker 1: Now that was it? Never mind is okay? I didn't

1221
01:01:14,280 --> 01:01:16,600
Speaker 1: get sad on. I was like, yeah, that's pretty cool.

1222
01:01:17,000 --> 01:01:18,840
Speaker 1: Also on the show today, we guys talk about my

1223
01:01:18,880 --> 01:01:22,160
Speaker 1: show Snake in the Grass, which is now premiering Monday,

1224
01:01:22,240 --> 01:01:25,680
Speaker 1: August first on the television side of it on USA

1225
01:01:25,760 --> 01:01:30,600
Speaker 1: Network at eleven Eastern, tenth Central after Rassling, so after

1226
01:01:30,680 --> 01:01:33,720
Speaker 1: a Monday Night Raw, which is USA's biggest show, which

1227
01:01:33,720 --> 01:01:37,040
Speaker 1: I didn't realize USA and the Cable Game was as

1228
01:01:37,080 --> 01:01:38,440
Speaker 1: big of a channel as it is. It's one of,

1229
01:01:38,480 --> 01:01:41,280
Speaker 1: I think the number two cable channel. Wow and Wrestling

1230
01:01:41,400 --> 01:01:43,720
Speaker 1: is really one of the biggest shows on cable television.

1231
01:01:43,920 --> 01:01:45,760
Speaker 1: So my show, Snake in the Grass comes out then

1232
01:01:46,040 --> 01:01:49,000
Speaker 1: and then it goes on to Peacock basically the next day,

1233
01:01:49,000 --> 01:01:50,760
Speaker 1: which is like midnight, so it's like an hour later.

1234
01:01:51,080 --> 01:01:53,200
Speaker 1: I think that's how that works. But so we'll get

1235
01:01:53,200 --> 01:01:56,360
Speaker 1: to announce. That's pretty cool situation and very excited that

1236
01:01:56,440 --> 01:01:59,760
Speaker 1: finally he's getting on the air all right by everybody,