1 00:00:00,200 --> 00:00:06,119 Speaker 1: Brand. All right, guys, we have we have several assignments 2 00:00:06,120 --> 00:00:10,200 Speaker 1: with Mica Lamart. First of all, you know, his new 3 00:00:10,200 --> 00:00:14,120 Speaker 1: album Ben is out tonight and all the music is embargoed. 4 00:00:14,520 --> 00:00:17,400 Speaker 1: They're not letting anyone play any music till eleven o'clock tonight. 5 00:00:18,160 --> 00:00:19,880 Speaker 1: So we have to talk him into letting us play 6 00:00:19,880 --> 00:00:22,599 Speaker 1: a song. Yeah, which is so illegal, but we're gonna do. 7 00:00:22,640 --> 00:00:24,960 Speaker 1: You know that in the past, when we've played songs 8 00:00:25,000 --> 00:00:28,280 Speaker 1: before they released, we got into we got into big trouble, right, yeah. 9 00:00:28,360 --> 00:00:30,640 Speaker 1: But if he gives us permission, then were exactly then 10 00:00:30,680 --> 00:00:32,639 Speaker 1: he'll be sued by the record company and we're out 11 00:00:32,640 --> 00:00:34,720 Speaker 1: of it. Okay. The other thing we've got to talk 12 00:00:34,800 --> 00:00:38,239 Speaker 1: him into is coming to MAJORCA with us. Okay, all right, Oh, 13 00:00:38,240 --> 00:00:41,080 Speaker 1: he's outside, Hopefully he's not listening to this. Is he 14 00:00:41,120 --> 00:00:43,640 Speaker 1: listening to what we're saying? He's not listening to what 15 00:00:43,680 --> 00:00:48,760 Speaker 1: we're saying? Is he? Is he listening to what we're saying? Okay, good, Okay, 16 00:00:49,080 --> 00:00:51,720 Speaker 1: bring him in. He'll find out a second Micha Lamar, 17 00:00:51,840 --> 00:00:55,959 Speaker 1: he's wearing a live leopard. Is I love? This is beautiful? 18 00:00:56,200 --> 00:00:58,960 Speaker 1: Come on in. It's so good to see you. Gosh, 19 00:00:59,120 --> 00:01:03,400 Speaker 1: look at you. You're get your grown up. Everybody good 20 00:01:03,440 --> 00:01:06,039 Speaker 1: to see you too. You know that kid. Michaelamore now 21 00:01:06,080 --> 00:01:10,160 Speaker 1: has a seven year old kid. Crazy crazy. I mean, 22 00:01:10,160 --> 00:01:11,960 Speaker 1: when she was born, we're like, oh my god, how 23 00:01:12,000 --> 00:01:15,160 Speaker 1: cool would be to have Michaelamore is a dad, and 24 00:01:15,240 --> 00:01:18,080 Speaker 1: now she wants to trade me in for somebody else. No, 25 00:01:18,319 --> 00:01:21,360 Speaker 1: Taylor Swift, definitely. Yeah, she's seven. She's supposed to be 26 00:01:21,400 --> 00:01:25,440 Speaker 1: a little trouble. That's true. You know, she's absolutely a gem. 27 00:01:25,920 --> 00:01:28,960 Speaker 1: And then treble twenty minutes later that she realized though, 28 00:01:28,959 --> 00:01:31,720 Speaker 1: what dad does. Because I know a lot of celebrities say, yeah, 29 00:01:32,000 --> 00:01:35,160 Speaker 1: she doesn't care that I'm Elsa from Frozen, you know, like, yeah, no, 30 00:01:35,319 --> 00:01:39,360 Speaker 1: she knows. She gets it now. It's taken about six years, 31 00:01:39,480 --> 00:01:42,520 Speaker 1: and finally I became cool the minute that she hit kindergarten. 32 00:01:42,600 --> 00:01:45,800 Speaker 1: She was like, oh, you're that guy. I learned that 33 00:01:45,840 --> 00:01:48,880 Speaker 1: at school today. Pretend I'm Sloane. Yeah I know I 34 00:01:48,920 --> 00:01:52,280 Speaker 1: look a little like her, but pretend I'm daddy. What 35 00:01:52,320 --> 00:01:55,880 Speaker 1: do you do? I rap? Okay, yeah, I don't know. 36 00:01:56,560 --> 00:01:58,000 Speaker 1: I have to work on that answer. I don't know. 37 00:01:58,080 --> 00:02:00,160 Speaker 1: We start working on that. Yeah, okay, Well, so this 38 00:02:00,200 --> 00:02:02,559 Speaker 1: is Gandhi I think we here. Last time mack Lamar 39 00:02:02,720 --> 00:02:04,559 Speaker 1: was here, I was not here. No, okay, so she's 40 00:02:04,560 --> 00:02:06,200 Speaker 1: been here for several years. I'm trying to put the 41 00:02:06,640 --> 00:02:08,400 Speaker 1: math together the figure last time you were here, and 42 00:02:08,440 --> 00:02:10,519 Speaker 1: it doesn't matter. There's are new studios by the way. Why, Yeah, 43 00:02:10,520 --> 00:02:13,440 Speaker 1: this is amazing. We walked in and sell the red. Yeah. 44 00:02:13,480 --> 00:02:19,040 Speaker 1: I know Shy every day. And here's Danielle Yes like furniture, 45 00:02:19,080 --> 00:02:21,960 Speaker 1: you know. And there's Dave Dyer over there. I love 46 00:02:22,080 --> 00:02:24,480 Speaker 1: Dave Dyer. He's the best. All right. So we're gonna 47 00:02:24,480 --> 00:02:27,040 Speaker 1: have full disclosure. Yeah, we're gonna talk. We're gonna try 48 00:02:27,040 --> 00:02:30,320 Speaker 1: to talk you into a few things. I don't say that. 49 00:02:31,800 --> 00:02:34,800 Speaker 1: First of all, your album Ben is out tonight at 50 00:02:34,800 --> 00:02:38,280 Speaker 1: eleven o'clock, so that means there's no music. I don't 51 00:02:38,280 --> 00:02:40,120 Speaker 1: have music to play from this album. I want to 52 00:02:40,160 --> 00:02:43,360 Speaker 1: talk you into allowing us to play a song. And 53 00:02:43,360 --> 00:02:47,400 Speaker 1: I know there are legalities, there's licensing issues, but I 54 00:02:47,440 --> 00:02:49,560 Speaker 1: want to play it with the feeling. I'm not going 55 00:02:49,600 --> 00:02:54,880 Speaker 1: to be sued. The feeling, the feeling about playing unreleased 56 00:02:55,240 --> 00:02:57,640 Speaker 1: before the album. Can we even do that? Can we 57 00:02:57,680 --> 00:03:01,399 Speaker 1: do that? Can we do that? Come on Dave Day, 58 00:03:02,240 --> 00:03:05,160 Speaker 1: We get to call it. Oh, let's do it. Let's 59 00:03:05,200 --> 00:03:09,760 Speaker 1: all right, let's do it exclusive, let's do it here. First, 60 00:03:09,960 --> 00:03:13,639 Speaker 1: we're gonna we're gonna screw the man. I mean, who 61 00:03:13,680 --> 00:03:16,640 Speaker 1: has it recently? Yeah? All right, so okay, so an 62 00:03:16,720 --> 00:03:19,880 Speaker 1: unreleased cut, we're gonna premiere the world the world premiere 63 00:03:20,240 --> 00:03:21,880 Speaker 1: of which cut are we playing? Do we know? No 64 00:03:22,000 --> 00:03:24,280 Speaker 1: bad days? Okay, let's do that one. All right, So 65 00:03:24,320 --> 00:03:27,400 Speaker 1: we're okay, So we talked to you into that. Yeah, 66 00:03:27,720 --> 00:03:29,200 Speaker 1: should I wait for the other one. We'll wait for 67 00:03:29,200 --> 00:03:30,640 Speaker 1: the other one. I would just hit him with everything 68 00:03:30,680 --> 00:03:34,160 Speaker 1: right now. Yeah, you know, want to go to someone's 69 00:03:34,160 --> 00:03:36,839 Speaker 1: party and they just started asking you for crap? I'm like, no, Well, 70 00:03:36,840 --> 00:03:40,560 Speaker 1: I'll save the other one for a moment. Okay, wow, uh, 71 00:03:40,800 --> 00:03:44,800 Speaker 1: text have been coming in already. Please let Maclamore know 72 00:03:44,840 --> 00:03:46,640 Speaker 1: how important his music was to me and helped save 73 00:03:46,720 --> 00:03:49,040 Speaker 1: my life in twenty sixteen, I was in rehab. It 74 00:03:49,080 --> 00:03:52,240 Speaker 1: was his music. They kept inspiring me every single day 75 00:03:52,280 --> 00:03:54,840 Speaker 1: to keep going and now thanks to him. March eleventh, 76 00:03:54,880 --> 00:03:58,080 Speaker 1: eight years clean, eight years sober. Let's give it up 77 00:03:58,120 --> 00:04:01,200 Speaker 1: for that? Can we give it out for eight years sober? 78 00:04:01,280 --> 00:04:05,600 Speaker 1: That's amazing? Absolutely? Yeah, absolutely, and and you're there were 79 00:04:05,640 --> 00:04:07,720 Speaker 1: some people who go through this process, in this journey 80 00:04:07,720 --> 00:04:09,600 Speaker 1: who would rather keep it private, keep it to themselves, 81 00:04:10,040 --> 00:04:11,960 Speaker 1: and if that's their journey, that's the way you want 82 00:04:12,000 --> 00:04:14,680 Speaker 1: to do it. Absolutely. Yeah, you've been very vocal about it. 83 00:04:14,760 --> 00:04:17,720 Speaker 1: I have, and what motivates you to be vocal about it. 84 00:04:18,279 --> 00:04:21,640 Speaker 1: I made a decision coming out of rehab and I was, 85 00:04:22,080 --> 00:04:25,479 Speaker 1: you know, twenty five years old, had no idea what 86 00:04:25,520 --> 00:04:27,560 Speaker 1: I was gonna do. I felt like my life was 87 00:04:27,560 --> 00:04:29,279 Speaker 1: over at twenty five. I was like, oh no, I've 88 00:04:29,320 --> 00:04:32,720 Speaker 1: missed the boat, like you know, it's gone. And I 89 00:04:32,800 --> 00:04:36,360 Speaker 1: came back home and I decided, you know what, I'm 90 00:04:36,360 --> 00:04:38,920 Speaker 1: gonna tell my truth. I didn't have very many fans. 91 00:04:38,960 --> 00:04:41,400 Speaker 1: It was just basically a local scene, and I was like, 92 00:04:41,480 --> 00:04:43,520 Speaker 1: I need to be honest about who I am and 93 00:04:43,560 --> 00:04:45,120 Speaker 1: what I'm going through. And at this time in two 94 00:04:45,160 --> 00:04:50,000 Speaker 1: thousand and eight, the idea of rehab, of mental health, 95 00:04:50,000 --> 00:04:53,960 Speaker 1: of actually seeking therapy like these weren't commonplace conversations that 96 00:04:54,000 --> 00:04:57,119 Speaker 1: we were having, and I wanted to tell the truth. 97 00:04:57,680 --> 00:04:59,359 Speaker 1: I wanted to be myself. I wanted to say, you 98 00:04:59,360 --> 00:05:01,479 Speaker 1: know what, I'm trying to lessen the disease of addiction, 99 00:05:01,520 --> 00:05:03,760 Speaker 1: the stigma around it. I need to tell my truth 100 00:05:03,800 --> 00:05:07,000 Speaker 1: because if I'm a secret, then I'm sick. And isn't 101 00:05:07,040 --> 00:05:09,839 Speaker 1: there something in it for you as well? When you 102 00:05:09,880 --> 00:05:13,120 Speaker 1: tell your truth as far as rehabbing yourself. Yeah, I 103 00:05:13,279 --> 00:05:18,039 Speaker 1: get to watch the therapeutic value of one addict to 104 00:05:18,080 --> 00:05:20,919 Speaker 1: another and the frequency that happens when we're honest. And 105 00:05:21,000 --> 00:05:24,800 Speaker 1: there's something that you know that changes in the room 106 00:05:24,880 --> 00:05:29,039 Speaker 1: when someone lets other people in on who they really 107 00:05:29,040 --> 00:05:30,680 Speaker 1: are and what they're going through. And then people are like, 108 00:05:30,680 --> 00:05:33,279 Speaker 1: oh wow, they did it, They got vulnerable, they got real. 109 00:05:33,400 --> 00:05:36,720 Speaker 1: I can be myself too, and it's contiguous. And when 110 00:05:36,760 --> 00:05:40,240 Speaker 1: someone says to you, you're the reason why I am sober, 111 00:05:40,320 --> 00:05:42,880 Speaker 1: I'm clean, you got me through it. I mean that 112 00:05:42,960 --> 00:05:45,719 Speaker 1: must make you feel so amazing. It's the best. It really, 113 00:05:46,080 --> 00:05:49,520 Speaker 1: it is the best, because I know those people in 114 00:05:49,640 --> 00:05:53,960 Speaker 1: my life that got me clean, or those songs that resonated, 115 00:05:54,200 --> 00:05:56,680 Speaker 1: that spoke to my spirit and made me want to 116 00:05:56,760 --> 00:06:00,720 Speaker 1: change my life. Art music especially has the hour to heal, 117 00:06:00,800 --> 00:06:04,359 Speaker 1: to transform into change. Amen. I love that. Look, you know, 118 00:06:04,400 --> 00:06:06,080 Speaker 1: and if anyone ever came to me and said, you 119 00:06:06,120 --> 00:06:07,920 Speaker 1: know what, thank you for inspiring me to do this, 120 00:06:08,160 --> 00:06:10,479 Speaker 1: you were the reason I would alsay say, well, no, 121 00:06:11,000 --> 00:06:14,600 Speaker 1: you're actually the reason where you are today. It was 122 00:06:14,600 --> 00:06:16,720 Speaker 1: a partnership, if you want to call it. Absolutely. I mean, 123 00:06:16,800 --> 00:06:19,920 Speaker 1: to me, the music is much bigger than you. Try 124 00:06:19,960 --> 00:06:21,679 Speaker 1: to be a conduit and get out of the way 125 00:06:21,920 --> 00:06:24,400 Speaker 1: and let the pen be guided by something else. That's 126 00:06:24,400 --> 00:06:27,320 Speaker 1: the goal. I think the honesty part is so important 127 00:06:27,320 --> 00:06:29,560 Speaker 1: because like you obviously talk about your recovery journey, but 128 00:06:29,600 --> 00:06:31,880 Speaker 1: you talk about your slips too, and a lot of 129 00:06:31,880 --> 00:06:35,640 Speaker 1: people going through recovery aren't willing to talk about that, 130 00:06:35,680 --> 00:06:37,240 Speaker 1: and they feel like a failure, like if I slipped, 131 00:06:37,240 --> 00:06:38,440 Speaker 1: I'm not going to be able to do this again. 132 00:06:38,560 --> 00:06:41,400 Speaker 1: And you are very much proof that if you do slip, 133 00:06:41,400 --> 00:06:43,560 Speaker 1: you can do it again. And you actually made a 134 00:06:43,640 --> 00:06:46,040 Speaker 1: huge difference to a very personal friend of mine and 135 00:06:46,080 --> 00:06:48,680 Speaker 1: I love that. So starting over one of the greatest 136 00:06:48,680 --> 00:06:51,040 Speaker 1: songs that has ever existed. Thank you so much. I 137 00:06:51,120 --> 00:06:53,840 Speaker 1: appreciate that. I love these moments we're having. If we 138 00:06:53,880 --> 00:06:56,240 Speaker 1: could just dim the nights and turn this into it, 139 00:06:57,000 --> 00:06:59,440 Speaker 1: I want to turn this into a nude encounter gren 140 00:07:02,279 --> 00:07:06,520 Speaker 1: what iscamore is looking? Good? Man? My body had two children. 141 00:07:06,520 --> 00:07:08,440 Speaker 1: You don't want to turn the lights down, take your 142 00:07:08,480 --> 00:07:11,880 Speaker 1: clothes off, and then use flashlights. Anyway, we are celebrating 143 00:07:11,880 --> 00:07:14,360 Speaker 1: the fact that his album Ben is out tonight at eleven. 144 00:07:14,680 --> 00:07:16,960 Speaker 1: But we're gonna we're gonna blow the load in a 145 00:07:16,960 --> 00:07:18,560 Speaker 1: few minutes. We're gonna play some of it for you. 146 00:07:18,600 --> 00:07:20,480 Speaker 1: So I hang out. So what do you? What are 147 00:07:20,480 --> 00:07:22,920 Speaker 1: your two favorite Macalmore songs? Okay, starting Over, I just 148 00:07:22,960 --> 00:07:25,200 Speaker 1: told you why not funny? She didn't have to think 149 00:07:25,200 --> 00:07:27,800 Speaker 1: about it. No, I know, yeah, I'm ready starting Over 150 00:07:27,960 --> 00:07:30,480 Speaker 1: And good Old Days with Kesha. I love that song 151 00:07:30,560 --> 00:07:32,040 Speaker 1: so much, and I wish people would just listen to 152 00:07:32,040 --> 00:07:34,160 Speaker 1: the lyrics and really take that to heart, because you 153 00:07:34,200 --> 00:07:36,080 Speaker 1: know it happens. They just go right past you and 154 00:07:36,120 --> 00:07:37,680 Speaker 1: you don't realize you're in them. Does it piss you off? 155 00:07:37,720 --> 00:07:40,960 Speaker 1: And people say, oh thrift Shop all the way. I'm like, god, man, 156 00:07:41,000 --> 00:07:44,320 Speaker 1: we gotta go, we gotta go deeper. Come on. I 157 00:07:44,400 --> 00:07:47,880 Speaker 1: love thrift Shot. Come on, do you perform it? Oh? Yeah, okay, 158 00:07:48,040 --> 00:07:51,120 Speaker 1: I mean I love thirs Shot too. Thirs Shot changed 159 00:07:51,160 --> 00:07:52,880 Speaker 1: my life and I always love thirst Shot. It just 160 00:07:53,040 --> 00:07:56,600 Speaker 1: became really, really, really big, and at a certain point 161 00:07:56,640 --> 00:07:59,559 Speaker 1: it was like, you know, yeah, I got more records 162 00:07:59,560 --> 00:08:02,720 Speaker 1: than this guy. And luckily, uh you know, Can't Hold 163 00:08:02,800 --> 00:08:04,640 Speaker 1: Us came after that, so it was it was great. 164 00:08:04,680 --> 00:08:06,680 Speaker 1: I can tell you when we had Cia on one time. 165 00:08:07,000 --> 00:08:09,760 Speaker 1: One of my favorite stories about Cia. She had done 166 00:08:09,800 --> 00:08:16,400 Speaker 1: the demo for a plutanium titanium and she gave them. 167 00:08:16,440 --> 00:08:18,720 Speaker 1: It was at Ghetta. I don't know he gave. She 168 00:08:18,760 --> 00:08:21,720 Speaker 1: gave the producer here's here's the demo of me singing it. 169 00:08:22,560 --> 00:08:24,400 Speaker 1: You know, go go find you a sing or whatever, 170 00:08:24,480 --> 00:08:26,120 Speaker 1: and he used her instead. I said, well, did that 171 00:08:26,160 --> 00:08:28,120 Speaker 1: piss you off? She said, it bought me two houses. 172 00:08:29,400 --> 00:08:32,199 Speaker 1: Can be pissed off at that? So thrift shop has 173 00:08:32,200 --> 00:08:34,640 Speaker 1: bought you a couple of houses. As it is. So 174 00:08:34,679 --> 00:08:36,320 Speaker 1: you were at the New York Knicks game last night. 175 00:08:36,320 --> 00:08:38,040 Speaker 1: Your feet were on the wood. Oh they were there, 176 00:08:38,360 --> 00:08:42,720 Speaker 1: Spike Lee, Tracy Morgan, right, the whole thing. Now, you 177 00:08:42,760 --> 00:08:43,960 Speaker 1: know how it is when you when you go to 178 00:08:44,000 --> 00:08:45,800 Speaker 1: the any game and your feet are on the wood 179 00:08:45,880 --> 00:08:48,440 Speaker 1: and you're you're right there on whatever they call that, 180 00:08:49,080 --> 00:08:50,880 Speaker 1: of course, of course they call and then they called 181 00:08:50,880 --> 00:08:53,480 Speaker 1: it superstar row or one of those celebrity rows. So 182 00:08:53,480 --> 00:08:55,000 Speaker 1: you're sitting there just watching the game. Mine in your 183 00:08:55,000 --> 00:08:56,800 Speaker 1: business and then all of a sudden, there's a camera 184 00:08:56,840 --> 00:08:59,240 Speaker 1: in your face. Yes, and you're you're like, oh crap, 185 00:08:59,280 --> 00:09:01,600 Speaker 1: I'm about to be a on that screen. Yeah, Like deal, 186 00:09:02,520 --> 00:09:04,520 Speaker 1: what do you think? What's it like when there's a 187 00:09:04,520 --> 00:09:06,319 Speaker 1: camera up your nose and you're just there to watch 188 00:09:06,400 --> 00:09:11,240 Speaker 1: a game? You know, the Knicks were so hospitable last 189 00:09:11,320 --> 00:09:12,960 Speaker 1: night and they were on fire last night, and they 190 00:09:13,000 --> 00:09:15,559 Speaker 1: were on fire. The whole team at the Knicks was amazing. 191 00:09:16,000 --> 00:09:19,720 Speaker 1: M Liaison. Everyone killed it. But yeah, you get the 192 00:09:19,760 --> 00:09:21,560 Speaker 1: camera and you know it's coming here. It's not just 193 00:09:21,559 --> 00:09:23,880 Speaker 1: like it catches you. They're like, all right, we're gonna 194 00:09:23,920 --> 00:09:26,960 Speaker 1: set up and they're setting up an angle like that 195 00:09:27,000 --> 00:09:28,840 Speaker 1: and you're like, oh man, can you lower it? And 196 00:09:28,920 --> 00:09:32,679 Speaker 1: you raise that just one foot? I know my angle? Um. 197 00:09:33,559 --> 00:09:35,440 Speaker 1: But it's fun and that's part of it. You know 198 00:09:35,520 --> 00:09:37,480 Speaker 1: that you know you're gonna get taken care of it 199 00:09:37,520 --> 00:09:38,920 Speaker 1: the game, but they're also going to show you on 200 00:09:38,920 --> 00:09:41,440 Speaker 1: that screen, all right. I was at the Saint John's 201 00:09:41,480 --> 00:09:43,120 Speaker 1: game a couple of weeks ago, and I got to 202 00:09:43,160 --> 00:09:45,280 Speaker 1: sit down on the court side at the garden at 203 00:09:45,280 --> 00:09:47,400 Speaker 1: the Garden and one of the players on the other 204 00:09:47,440 --> 00:09:51,280 Speaker 1: team fell almost on my lap and the mom and 205 00:09:51,320 --> 00:09:53,959 Speaker 1: me I almost got up, was like, are you okay? 206 00:09:54,240 --> 00:09:55,679 Speaker 1: Like I really wanted to check on it. It's not 207 00:09:55,800 --> 00:09:57,360 Speaker 1: a lot for me to sit in my seat and 208 00:09:57,440 --> 00:10:01,080 Speaker 1: not do that because I knew exactly crazy know. When 209 00:10:01,080 --> 00:10:05,360 Speaker 1: they were gearing up to go live, I felt probably 210 00:10:05,520 --> 00:10:08,280 Speaker 1: more nervous than I have in the last like five 211 00:10:08,360 --> 00:10:10,760 Speaker 1: years performing. Isn't it? We're why is I don't know? 212 00:10:10,920 --> 00:10:12,240 Speaker 1: I don't know, But all of a sudden my feet 213 00:10:12,240 --> 00:10:13,920 Speaker 1: started to move a lot, and I'm like, why am 214 00:10:13,920 --> 00:10:17,120 Speaker 1: I moving? My feet? Are seeing my feet move? Is 215 00:10:17,200 --> 00:10:19,680 Speaker 1: this on the jumbo tron? Your leg was bouncing? Yes? 216 00:10:20,600 --> 00:10:23,000 Speaker 1: Isn't that funny? Yep? That's the thing you know when 217 00:10:23,040 --> 00:10:25,880 Speaker 1: you when you when you create wonderful art, you do 218 00:10:25,920 --> 00:10:29,320 Speaker 1: it for the art creation sake, but part of it's 219 00:10:29,360 --> 00:10:31,200 Speaker 1: having a camera up your nose at Yes it is 220 00:10:31,400 --> 00:10:33,800 Speaker 1: anyway again turning us on. This is mack Lamore. Ben 221 00:10:33,960 --> 00:10:35,599 Speaker 1: is out tonight his album and we are going to 222 00:10:35,640 --> 00:10:37,120 Speaker 1: play a song for you a second, now, is it okay? 223 00:10:37,120 --> 00:10:42,560 Speaker 1: If we use and abuse? So at the end of 224 00:10:42,679 --> 00:10:46,600 Speaker 1: April you can say, you know if you want okay 225 00:10:46,679 --> 00:10:49,720 Speaker 1: where Yes, at the end of April, we're all flying 226 00:10:49,760 --> 00:10:51,760 Speaker 1: to my Yorc of Spain. I don't know if you've been. No, 227 00:10:53,200 --> 00:10:56,600 Speaker 1: well let me just tell you anyway special we're going 228 00:10:56,640 --> 00:10:59,360 Speaker 1: to my York. It is very special. My honeymoon there. 229 00:10:59,400 --> 00:11:01,079 Speaker 1: Fell in love with Oh we're gonna stay. That's a 230 00:11:01,080 --> 00:11:04,520 Speaker 1: beautiful resort. Wow. And we're gonna and listeners can actually 231 00:11:04,559 --> 00:11:07,200 Speaker 1: buy trips and join us. Wow. And part of that 232 00:11:07,480 --> 00:11:10,760 Speaker 1: experience is well. Our friend Nile Horn was here yesterday 233 00:11:10,920 --> 00:11:13,240 Speaker 1: and I asked him if he would show up you 234 00:11:13,360 --> 00:11:15,520 Speaker 1: fly over from York Europe because he lives there. He 235 00:11:15,559 --> 00:11:19,400 Speaker 1: said yes, he's actually going to perform at our Mayorca trip. 236 00:11:19,520 --> 00:11:21,280 Speaker 1: And he said yes, very fast, just letting you know 237 00:11:21,360 --> 00:11:25,840 Speaker 1: that quick. It was a quick yes quick, So so nice, 238 00:11:25,960 --> 00:11:27,960 Speaker 1: Gan Gandhi's there something you want to ask? Mc lamore? 239 00:11:28,640 --> 00:11:30,800 Speaker 1: Will you come with us too? Will you join us 240 00:11:30,800 --> 00:11:34,680 Speaker 1: in my Orca? Are you serious? Please? Are you serious? 241 00:11:35,000 --> 00:11:37,839 Speaker 1: But yeah, you have to perform. I don't think I'm 242 00:11:37,840 --> 00:11:40,640 Speaker 1: just hitting a tan out there. Okay, I know the 243 00:11:40,679 --> 00:11:48,040 Speaker 1: whole flashlight thing in the dark we're getting at Uh. Yes, absolutely, 244 00:11:48,600 --> 00:11:52,400 Speaker 1: that would be amazing. When is it you obviously that's 245 00:11:52,440 --> 00:11:55,600 Speaker 1: one sentence, yes, absolutely, When is it period? I heard 246 00:11:55,640 --> 00:11:59,120 Speaker 1: the yes it doesn't matter what it is. Twenty six 247 00:11:59,160 --> 00:12:02,320 Speaker 1: to the thirtieth day? Is he opened twenty six? He's 248 00:12:02,320 --> 00:12:09,720 Speaker 1: open my arcas Spain. Let me tell the Spanish they 249 00:12:09,760 --> 00:12:13,360 Speaker 1: do it right, man. Everything's so beautiful to play. Okay, 250 00:12:13,880 --> 00:12:16,720 Speaker 1: did that really just happen? From now on, everyone who 251 00:12:16,760 --> 00:12:18,120 Speaker 1: walks with the door will be asked to come into 252 00:12:18,120 --> 00:12:22,400 Speaker 1: my arcre. If they say no, we'll blow a bowling 253 00:12:22,400 --> 00:12:27,120 Speaker 1: ball up their butts for Maclamore. Is I'm serious? Uh? Oh, 254 00:12:27,280 --> 00:12:30,000 Speaker 1: you're lucky you're not sitting in the in the cannon chair. 255 00:12:31,720 --> 00:12:35,960 Speaker 1: Here's this? This is Alex Hi Alex, Oh my god, 256 00:12:36,160 --> 00:12:39,839 Speaker 1: Oh my god. High how's everything in beautiful Lancaster, Pennsylvania? 257 00:12:41,160 --> 00:12:44,079 Speaker 1: Cloudy and overcast and growth? Okay, well, there's gotta be 258 00:12:44,120 --> 00:12:49,640 Speaker 1: something good about Lancaster. We got Amish. We love the Amish. 259 00:12:49,800 --> 00:12:54,160 Speaker 1: I mean they're drive by. Shootings are very slow. Now, Alex, 260 00:12:55,080 --> 00:12:59,280 Speaker 1: you you saw Maclamore on tour with Imagine Dragons at Hersheet? 261 00:12:59,360 --> 00:13:02,880 Speaker 1: How is that? Yes? Last summer it was so much fun. 262 00:13:03,080 --> 00:13:07,160 Speaker 1: Your set was too short. Guys don't like you. Guys 263 00:13:07,160 --> 00:13:14,520 Speaker 1: don't like it when women say that that was perfect. Okay, 264 00:13:14,760 --> 00:13:18,160 Speaker 1: So what they say in music wonder sometimes they say, 265 00:13:18,200 --> 00:13:22,439 Speaker 1: you know, leave him wanting more. But so it's okay 266 00:13:22,440 --> 00:13:26,079 Speaker 1: to lodger complaint, go ahead complain. No, it was. It 267 00:13:26,160 --> 00:13:29,120 Speaker 1: was so much fun and the crowd was so pumped 268 00:13:29,240 --> 00:13:31,920 Speaker 1: with with the hit after hit after hit after hit, 269 00:13:32,320 --> 00:13:34,840 Speaker 1: and then just that great speech you gave to everybody, 270 00:13:35,120 --> 00:13:38,680 Speaker 1: to the crowd and like we just wanted more. Thank you. 271 00:13:39,080 --> 00:13:42,160 Speaker 1: It was like hershey is a special place. I don't 272 00:13:42,160 --> 00:13:45,719 Speaker 1: know if it's just my affinity for chocolate, but her 273 00:13:47,160 --> 00:13:50,200 Speaker 1: TikTok watching you give the security guards a hard time. 274 00:13:50,280 --> 00:13:52,480 Speaker 1: Oh yeah, that was amazing. We had a good time. Well, 275 00:13:52,640 --> 00:13:54,600 Speaker 1: I'm glad that she liked it. Next time I come 276 00:13:54,640 --> 00:13:57,160 Speaker 1: back to her, she we're gonna add some minutes onto 277 00:13:57,200 --> 00:14:01,520 Speaker 1: the set. Yes, you a single tour? Wait, what was 278 00:14:01,600 --> 00:14:04,920 Speaker 1: the of course he does? Well, it's tomorrow. Well maybe 279 00:14:04,920 --> 00:14:08,520 Speaker 1: there's some news tomorrow. I don't know. Oh, I don't know. 280 00:14:08,679 --> 00:14:13,280 Speaker 1: Oh my god. Management just crack and panchion today today. Okay, 281 00:14:13,320 --> 00:14:15,719 Speaker 1: we're breaking all sorts of laws, Alex. Wait to say, 282 00:14:15,800 --> 00:14:17,280 Speaker 1: you said he gave a great speech. What was it 283 00:14:17,320 --> 00:14:21,800 Speaker 1: about and what was it about it that moved you? Well, 284 00:14:21,840 --> 00:14:24,600 Speaker 1: it's it was a lot about love, like this country 285 00:14:24,640 --> 00:14:27,720 Speaker 1: and this world. We just need love and to support 286 00:14:27,840 --> 00:14:31,000 Speaker 1: and give it to everybody. You never know what someone's 287 00:14:31,040 --> 00:14:34,400 Speaker 1: going through. And I mean, that's what I took from it. Yeah, 288 00:14:34,440 --> 00:14:36,920 Speaker 1: that was last summer. That's a lot elvis I got. 289 00:14:37,920 --> 00:14:39,840 Speaker 1: I don't know what I said yesterday, but that was good. 290 00:14:40,080 --> 00:14:42,480 Speaker 1: That was a good recap. Take that one and that 291 00:14:42,600 --> 00:14:45,240 Speaker 1: and that is what it's about. So that's great. I'm 292 00:14:45,280 --> 00:14:47,960 Speaker 1: glad that you were I'm glad that you were moved 293 00:14:48,600 --> 00:14:51,560 Speaker 1: in a certain capacity enough to call into it to 294 00:14:51,760 --> 00:14:55,240 Speaker 1: Z one hundred. That's amazing. Thank you, Alex. Oh my gosh, 295 00:14:55,280 --> 00:14:58,000 Speaker 1: I'm I love you guys. Can I just say how 296 00:14:58,080 --> 00:15:00,000 Speaker 1: great her phone connection? Yeah, you have a great phone 297 00:15:00,000 --> 00:15:03,960 Speaker 1: connect from a tech geeky thing. Anyway, thank you, Alex 298 00:15:04,600 --> 00:15:09,080 Speaker 1: told me to do I thought my ear. Yeah all right, Alex, 299 00:15:09,120 --> 00:15:10,880 Speaker 1: thank you very much. You know what it's it's gotta 300 00:15:10,920 --> 00:15:13,600 Speaker 1: it's gonna be great to get feedback, uh saying, hey, 301 00:15:13,600 --> 00:15:15,640 Speaker 1: you really move me and you know, I don't know 302 00:15:15,680 --> 00:15:17,920 Speaker 1: what I said that night, but obviously you trust yourself 303 00:15:18,040 --> 00:15:20,160 Speaker 1: enough to know you said something or right. Yeah, and 304 00:15:20,240 --> 00:15:22,080 Speaker 1: really cool. Yeah, I mean you try to be in 305 00:15:22,120 --> 00:15:25,640 Speaker 1: the moment and connect with the crowd. That's that's that's 306 00:15:25,680 --> 00:15:27,840 Speaker 1: the best part of the job. So with Ben coming 307 00:15:27,840 --> 00:15:31,440 Speaker 1: out tonight, Yeah, what what journey are you on with 308 00:15:31,520 --> 00:15:34,400 Speaker 1: this with this album? If? If there is an answer 309 00:15:34,440 --> 00:15:36,880 Speaker 1: to that. Each album is different, Each album is different. 310 00:15:36,920 --> 00:15:39,320 Speaker 1: Each album is a chapter and era of life, and 311 00:15:39,480 --> 00:15:42,280 Speaker 1: you accumulate experiences and you put that into the art. 312 00:15:42,480 --> 00:15:45,680 Speaker 1: And this one was different because we had extra time 313 00:15:46,000 --> 00:15:48,080 Speaker 1: with COVID. I didn't want to put out anything into 314 00:15:48,080 --> 00:15:49,680 Speaker 1: the world that I wasn't able to then go and 315 00:15:49,720 --> 00:15:53,640 Speaker 1: get in front of the people tour connect and so 316 00:15:53,680 --> 00:15:56,280 Speaker 1: we made a lot of songs, a lot of songs, 317 00:15:56,600 --> 00:15:59,880 Speaker 1: and hopefully COVID in the rearview mirror mostly at this point. 318 00:16:00,080 --> 00:16:04,240 Speaker 1: But what good came out of COVID in your opinion 319 00:16:04,240 --> 00:16:08,160 Speaker 1: as far as being an artist and a creator of art? Wow? 320 00:16:08,200 --> 00:16:11,480 Speaker 1: Other than time you already said that, yeah, time, I 321 00:16:11,520 --> 00:16:14,360 Speaker 1: can't use that again. I will say this. I think 322 00:16:14,360 --> 00:16:21,280 Speaker 1: that it forced us all to slow down and kind 323 00:16:21,280 --> 00:16:25,720 Speaker 1: of readjust to what really matters in life. And I 324 00:16:25,760 --> 00:16:28,600 Speaker 1: got back with my family and this is and this 325 00:16:28,720 --> 00:16:31,560 Speaker 1: does have to do with art. I got back with 326 00:16:31,600 --> 00:16:34,720 Speaker 1: my family and was you know, wow, I get to 327 00:16:34,760 --> 00:16:37,040 Speaker 1: actually be with my kids in this time period where 328 00:16:37,040 --> 00:16:39,160 Speaker 1: I would have, you know, intermittently been in and out. 329 00:16:39,200 --> 00:16:42,280 Speaker 1: I got to really know my my youngest daughter, Colette 330 00:16:42,360 --> 00:16:44,960 Speaker 1: in a different way than I would have. That all 331 00:16:45,080 --> 00:16:49,160 Speaker 1: turned into art, that connection there turned into songs, and 332 00:16:49,200 --> 00:16:52,240 Speaker 1: I think that that was a big blessing. Wow. Of 333 00:16:52,280 --> 00:16:58,000 Speaker 1: course No Bad Days featuring Colette another favorite song, right, yeah, yeah, 334 00:16:58,080 --> 00:17:02,800 Speaker 1: look at that? Isn't your video or something so Cooled 335 00:17:02,960 --> 00:17:04,840 Speaker 1: is also the name of my daughter, but it's also 336 00:17:04,880 --> 00:17:08,000 Speaker 1: the name of the singer on the song. Coincidentally, but 337 00:17:08,200 --> 00:17:12,480 Speaker 1: Sloan is Alan is directing the video. Yes, it comes 338 00:17:12,480 --> 00:17:16,119 Speaker 1: out tomorrow. It's um. I had no idea what to 339 00:17:16,160 --> 00:17:18,359 Speaker 1: do with the with the video. I've always I've made 340 00:17:18,359 --> 00:17:21,280 Speaker 1: songs like we're making Downtown. We're immediately like, yo, what 341 00:17:21,359 --> 00:17:23,399 Speaker 1: if we did this? Or we're making thrift Shop, and 342 00:17:23,400 --> 00:17:26,920 Speaker 1: I'm thinking of spots to shoot. I see videos right away. 343 00:17:27,000 --> 00:17:28,680 Speaker 1: With No Bad Days, I was like, I just don't 344 00:17:28,720 --> 00:17:31,160 Speaker 1: see a video. I kept seeing Good Old Days video 345 00:17:31,280 --> 00:17:33,440 Speaker 1: in my head as the song was playing, and I'm like, 346 00:17:33,440 --> 00:17:36,000 Speaker 1: I don't want to do that again. And then finally 347 00:17:36,240 --> 00:17:38,320 Speaker 1: I procrastinated a long enough to be like, you know 348 00:17:38,359 --> 00:17:41,600 Speaker 1: what two weeks out Sloan would you direct a video 349 00:17:41,640 --> 00:17:45,800 Speaker 1: for me and she cried. I didn't know. I had 350 00:17:45,880 --> 00:17:48,000 Speaker 1: no idea. She cried, and then she was like, wait, 351 00:17:48,000 --> 00:17:51,359 Speaker 1: what does the director do again? But we had so 352 00:17:51,440 --> 00:17:52,679 Speaker 1: much fun. I mean, just to be able to have 353 00:17:52,720 --> 00:17:55,280 Speaker 1: it experience with my seven year old super special. She 354 00:17:55,440 --> 00:17:57,879 Speaker 1: killed it and it comes out tomorrow, excited for the 355 00:17:57,880 --> 00:17:59,600 Speaker 1: world to see it. So there's moments with your family 356 00:17:59,680 --> 00:18:02,879 Speaker 1: during COVID. It's it's great to kind of hang on 357 00:18:02,880 --> 00:18:04,600 Speaker 1: to that. We learned a lot from that. You know, 358 00:18:04,720 --> 00:18:06,639 Speaker 1: a lot of the good stuff. Mac Lamore. I cannot 359 00:18:06,680 --> 00:18:09,280 Speaker 1: thank you enough for coming in and giving into all 360 00:18:09,320 --> 00:18:12,760 Speaker 1: of our wants and needs every time. Whatever you guys. 361 00:18:15,200 --> 00:18:22,639 Speaker 1: Two dollars literally, the sunglasses are nice. Yeah, I see Google, 362 00:18:22,720 --> 00:18:25,760 Speaker 1: I see some goods. Two dollars and we'll play your 363 00:18:25,760 --> 00:18:30,920 Speaker 1: song just say I want to be in quarters ben uh. 364 00:18:30,960 --> 00:18:32,879 Speaker 1: And by the way, we were breaking the song world 365 00:18:32,880 --> 00:18:37,680 Speaker 1: preming the song fourteen hours prematurely. Yeah, damn and laws 366 00:18:37,720 --> 00:18:40,280 Speaker 1: are being broken on your behalf because we love you 367 00:18:40,400 --> 00:18:42,760 Speaker 1: listening to us. Mac Lamore, thank you, and I want 368 00:18:42,760 --> 00:18:44,600 Speaker 1: to hear the entire album. We're gonna play the whole 369 00:18:44,640 --> 00:18:47,800 Speaker 1: album now, probably no, we'll just play one and we'll 370 00:18:47,800 --> 00:18:50,520 Speaker 1: see and when we hang up, we'll actually have to 371 00:18:50,520 --> 00:18:52,360 Speaker 1: talk about my York or whether that's a real thing 372 00:18:52,440 --> 00:18:55,800 Speaker 1: or not. If it is that, I'm in, Yes, i 373 00:18:55,840 --> 00:18:59,040 Speaker 1: am in. You hear it, I'm in. Let's do it. 374 00:18:59,200 --> 00:19:04,879 Speaker 1: We're getting heart burst, uh and Ben out tonight and 375 00:19:05,000 --> 00:19:08,720 Speaker 1: congratulations on on everything. And you know what, it's just 376 00:19:08,760 --> 00:19:10,399 Speaker 1: you just feel good in the room, and thank you 377 00:19:10,480 --> 00:19:12,080 Speaker 1: very much for guys are the best. That's a gift, 378 00:19:12,280 --> 00:19:14,360 Speaker 1: all right. We gotta play no bad days. No one, 379 00:19:15,040 --> 00:19:16,840 Speaker 1: no one anywhere has ever heard this except for those 380 00:19:16,880 --> 00:19:23,040 Speaker 1: who created it. This is Maca Lamarre. You guys are awesome. 381 00:19:23,080 --> 00:19:26,720 Speaker 1: You just keep me saying you guys are great. Love 382 00:19:26,800 --> 00:19:36,240 Speaker 1: you guys every single day. Elvis Duran in the Morning 383 00:19:36,240 --> 00:19:36,560 Speaker 1: Show