WEBVTT - Mystery Cults, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick, and we're back with part

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<v Speaker 3>two in our discussion of the mystery religions or mystery

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<v Speaker 3>cults of the Ancient Mediterranean. Mystery cult is a category

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<v Speaker 3>used by scholars to refer to worship systems in the

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<v Speaker 3>ancient Greco Roman world that were centered around powerful, intense

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<v Speaker 3>experiences of secretive mystic rights revealed only to the cult's initiates. Now,

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<v Speaker 3>in part one of the series, we talked mainly about

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<v Speaker 3>the historical context of these rights and some about how

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<v Speaker 3>they overlapped with and differed from the most common religious

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<v Speaker 3>practices of Greek and Roman polytheism. We also talked about

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<v Speaker 3>a book that is going to be one of our

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<v Speaker 3>major background sources in these episodes. That is a book

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<v Speaker 3>called Mystery Cults in the Ancient World by Hugh Bowden,

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<v Speaker 3>who is an ancient historian at King's College, London. This

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<v Speaker 3>book was published by Thamson Hudson. The edition both Rob

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<v Speaker 3>and I were reading is the one from twenty twenty three.

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<v Speaker 3>There was an older edition before that, and today we

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<v Speaker 3>wanted to come back and get a little bit deeper

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<v Speaker 3>into the mysteries by going beyond the general and looking

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<v Speaker 3>at a couple of specific examples.

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<v Speaker 2>Yeah, and I feel like one of the really interesting

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<v Speaker 2>things about these various mystery cults is that a lot

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<v Speaker 2>of the mysteries really do remain, in part because any

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<v Speaker 2>knowledge that we have of the ancient world is incomplete,

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<v Speaker 2>at least to some degree. But also these guys were

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<v Speaker 2>just really good at keeping their mysteries intact in some cases,

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<v Speaker 2>and what went on behind closed doors remained behind closed doors,

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<v Speaker 2>and we just have to speculate regarding that details of

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<v Speaker 2>what say, initiation rights consisted of and what they meant,

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<v Speaker 2>both in terms of like personal meaning to the initiate,

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<v Speaker 2>but also within like the sort of the larger like

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<v Speaker 2>worldview of the particular cult.

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<v Speaker 3>That's right, and we do know a lot of things,

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<v Speaker 3>especially about the more public aspects of the mystery religions,

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<v Speaker 3>because they often had a kind of you know, public

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<v Speaker 3>facing elements and then the hidden elements. And it's particularly

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<v Speaker 3>those those secretive hidden elements that you know they are.

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<v Speaker 3>There are many cases where we still don't really know

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<v Speaker 3>today what they were about We may have some claims

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<v Speaker 3>from the ancient world, we may have some pieces of evidence,

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<v Speaker 3>but yeah, a lot of mysteries remain.

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<v Speaker 4>Though.

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<v Speaker 3>One thing I do want to mention, it's something we

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<v Speaker 3>got into in the last episode, is a bit of

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<v Speaker 3>clarification on the role of mystery in mystery religion, because

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<v Speaker 3>that can be somewhat misleading and could maybe cause people

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<v Speaker 3>to think about the idea of a mystery cult as

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<v Speaker 3>a religion where the the main goal is to solve

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<v Speaker 3>a kind of information puzzle. It's like to get the

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<v Speaker 3>hidden answer to a question, and that really doesn't seem

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<v Speaker 3>to be what these mystery religions were primarily about. They

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<v Speaker 3>had very elements that we could absolutely call mysterious. There

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<v Speaker 3>were secret rights, there were secret sacred objects that were

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<v Speaker 3>hidden from view, and all you know, you could only

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<v Speaker 3>see what they were if you were initiated. But the

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<v Speaker 3>main goal of these religions was, especially as argued by

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<v Speaker 3>Bowden in this book, we've been talking about, not primarily

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<v Speaker 3>to solve an information puzzle and like learn the secret,

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<v Speaker 3>but instead it was to have a profound experience to

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<v Speaker 3>take part in these mystic rights, these secret rights that

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<v Speaker 3>would cause some kind of experience or encounter directly with

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<v Speaker 3>the power of the gods.

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<v Speaker 2>So mystery very much in the sense of the Beatles

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<v Speaker 2>album from sixty seven, The Magical Mystery Tour.

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<v Speaker 4>I don't know what sense that would be.

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<v Speaker 2>Well, I don't think it really revolves around the particular

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<v Speaker 2>puzzle or a particular mystery is there, But it's more,

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<v Speaker 2>you know, versed in psychedelic weirdness and yeah, yeah, and

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<v Speaker 2>perhaps cryptic meaning. I mean, I am the Walrus, right,

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<v Speaker 2>What are we to make of this song? What are

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<v Speaker 2>we to make of the imagery associated with it?

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<v Speaker 3>I remember way back when I first heard that, I

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<v Speaker 3>was much younger, and the line about the like yellow

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<v Speaker 3>custard dripping from a dead dog's eye seemed especially unbeatlesy

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<v Speaker 3>to me.

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<v Speaker 2>They get pretty weird, they get pretty weird. There's kind

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<v Speaker 2>of the Beatles that you think you know and associate with,

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<v Speaker 2>sort of the mainstream understanding of the Beatles, But then

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<v Speaker 2>you can really dig into.

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<v Speaker 3>Some weird stuff in there as well, no doubt.

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<v Speaker 2>But setting aside the mysteries of the Beatles, I would

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<v Speaker 2>like to turn our attention now to the mysteries of mithraism.

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<v Speaker 2>We mentioned, you know, in the last episode, we're talking

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<v Speaker 2>very much about the Greco Roman world, and this is

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<v Speaker 2>definitely one from the Roman world.

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<v Speaker 3>Right, this is one coming later on the scene than

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<v Speaker 3>most of the other examples will we'll end up talking.

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<v Speaker 2>About right, Right, we're talking the first through the fourth

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<v Speaker 2>century CE, so it's taking off alongside another brand new religion,

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<v Speaker 2>that of the way, centered around the teachings of Jesus Christ.

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<v Speaker 2>This would of course come to be known as Christianity

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<v Speaker 2>at least by like one hundred CE. But this is

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<v Speaker 2>where I should I should throw out that we have

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<v Speaker 2>of course mentioned Mithraism in passing or in a few

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<v Speaker 2>details on the show. In the past. We mentioned mithra

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<v Speaker 2>in our Hogs of Hell episode as well as in

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<v Speaker 2>our episodes on Whistling. As I mentioned then, fans of

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<v Speaker 2>the Ridley Scott produced sci fi series Raised by Wolves,

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<v Speaker 2>which ran twenty twenty through twenty twenty two, we'll also

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<v Speaker 2>remember the name as in the fictional future of this series,

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<v Speaker 2>it is the predominant religion that is practiced by one

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<v Speaker 2>of the key factions in that show. So sort of

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<v Speaker 2>like an alternate future where instead of perhaps Christianity taking

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<v Speaker 2>off as this influential human religion, what if Mithraism is

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<v Speaker 2>the religion that took off and ended up defining a civilization.

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<v Speaker 3>Rob, would it be fair to say, based on what

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<v Speaker 3>you've read that it's kind of shocking how little we

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<v Speaker 3>know about Mythraism with certainty, given how popular it was

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<v Speaker 3>during its heyday in the Roman Empire.

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<v Speaker 2>Yeah, that's that is something that impressed me as well,

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<v Speaker 2>because we're not talking about something that was just practiced

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<v Speaker 2>by say like a few elites, you know, in the

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<v Speaker 2>basement of a palace here and there, or something to

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<v Speaker 2>that effect, or a few deranged cultists to sort of

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<v Speaker 2>imagine the again the sort of Kolakuthulu dungeons and dragons

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<v Speaker 2>treatment of cults. Now, this was this was widely practiced

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<v Speaker 2>during this time period again, first through fourth century CE,

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<v Speaker 2>and it was wildly popular, especially in the Roman army.

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<v Speaker 2>H And wherever the Roman army went, so too traveled

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<v Speaker 2>the mystery cult of Mithra, with its temples popping up

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<v Speaker 2>just throughout the Roman Empire of the time, as far

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<v Speaker 2>north as the British Isles. And we have a surviving

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<v Speaker 2>archaeological evidence all these special temples, which we'll get back

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<v Speaker 2>to in a bit, and we can piece together some

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<v Speaker 2>of what went on. Now. One of the interesting things

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<v Speaker 2>here that we're going to dig into here is, of course,

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<v Speaker 2>the idea that we have a religion, a cult an

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<v Speaker 2>organization here, and its ideas are based on pre existing

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<v Speaker 2>religious ideas. And for a while, the way historians interpreted

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<v Speaker 2>it was to go back to some of the myths

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<v Speaker 2>that informed Roman mythraism and use that to try and

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<v Speaker 2>piece together what Roman mythraism was all about. So I

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<v Speaker 2>want you to keep that in mind as I read

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<v Speaker 2>a quote here from an older source. This is from

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<v Speaker 2>will Durant Caesar and Christ from nineteen forty four, in

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<v Speaker 2>which he writes that during the period of roughly thirty

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<v Speaker 2>CE through ninety six CE, one sees a great influx

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<v Speaker 2>of foreign faiths and to Rome and Roman life, and

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<v Speaker 2>these faiths, he writes, enter into Rome via returning soldiers,

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<v Speaker 2>war captives, and also merchants. A lot of people are

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<v Speaker 2>coming in and out of Rome. People brought their traditional

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<v Speaker 2>gods with them, and he writes that quote. The Roman

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<v Speaker 2>government treated these alien faiths for the most part with toleration.

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<v Speaker 2>Since it would not permit foreigners to its own worship,

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<v Speaker 2>it preferred that they should practice their imported rights rather

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<v Speaker 2>than have no religion at all. In return, it required

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<v Speaker 2>that each new faith should exercise a similar tolerance towards

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<v Speaker 2>other creeds, and should include in its ritual sum obsessence

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<v Speaker 2>to the Emperor's genius and the goddess Roma as an

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<v Speaker 2>expression of loyalty to the state. So we touched on

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<v Speaker 2>this before that. Generally the Romans were like, fine, you

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<v Speaker 2>practice whatever faith you already had or have or have

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<v Speaker 2>brought with you. Just make sure that it's you know,

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<v Speaker 2>checking off the right boxes and you know, not messing

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<v Speaker 2>up anything we have going on at the top.

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<v Speaker 3>Not questioning our authority. I don't think that the Roman

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<v Speaker 3>rule on this should be seen as generally merciful, because

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<v Speaker 3>the Roman Empire for the large part, was not very merciful.

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<v Speaker 4>It was more like they didn't really care about this.

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<v Speaker 3>Their idea of religion was not an evangelical one, and

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<v Speaker 3>they were not trying to convince other people to follow it. Instead,

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<v Speaker 3>it was just like, you need to obey us and

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<v Speaker 3>not cause problems otherwise, practice whatever you want.

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<v Speaker 2>Right, Yeah, I think that's a fair way of understanding it. Yeah,

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<v Speaker 2>And we don't need to lean into some idea that

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<v Speaker 2>the Roman the Roman authorities were just in general super tolerant.

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<v Speaker 2>But in this respect, you know, you can make an

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<v Speaker 2>argument that, okay, they kind of were, but only because

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<v Speaker 2>they didn't care what you're doing, as long as you

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<v Speaker 2>didn't upset the order of things. And in this section

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<v Speaker 2>of the book by Durant, he does mention Mithra. In Mithraism,

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<v Speaker 2>he writes, from hostile Parthia came the cult of another

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<v Speaker 2>sudden god, Mithras. Its devotees were enlisted as soldiers in

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<v Speaker 2>the great cosmic war of light against darkness, of good

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<v Speaker 2>against evil. It was a virile faith that won men

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<v Speaker 2>rather than women, and pleased the Roman legions stationed on

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<v Speaker 2>distant frontiers where they could hardly hear the voices of

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<v Speaker 2>their native gods. So already that's a lot to unpack.

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<v Speaker 2>We have this again, this the nineteen forty four text.

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<v Speaker 2>But the interpretation that Durant here seems to be making

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<v Speaker 2>is that of a foreign mystery cult taken up almost

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<v Speaker 2>exclusively by male Roman soldiers, and worshiped in every far

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<v Speaker 2>flung corner of the Roman controlled territory. Perhaps some deity

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<v Speaker 2>and faith that cast the role of the enlisted not

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<v Speaker 2>as mere protectors of Rome, but perhaps his warriors and

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<v Speaker 2>some sort of epic struggle against the darkness. All right,

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<v Speaker 2>So that was nineteen forty four's interpretation. But where are

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<v Speaker 2>we at now, So into Hugh Bowden's mystery Cults in

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<v Speaker 2>the Ancient World, which we've been looking at here, the

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<v Speaker 2>author does have a lot to say about Mithraism, but

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<v Speaker 2>as is often the case with some of these mystery cults,

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<v Speaker 2>there's a lot we don't know and we'll never know

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<v Speaker 2>concerning the details of the faith. And it seems like

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<v Speaker 2>the trend he says, for a while was to try

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<v Speaker 2>and use information regarding ancient worship of Mithra in ancient

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<v Speaker 2>Iran in the interpretations of this Indo Iranian faith as

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<v Speaker 2>a way to try and figure out what Roman Mythraism

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<v Speaker 2>was about. Because, to be clear, there was worship of

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<v Speaker 2>a deity known as Mithra in ancient Iran and accounts

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<v Speaker 2>date back to at least fourteen hundred bcee. And then

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<v Speaker 2>eventually Mithra becomes the central figure of these Roman mystery

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<v Speaker 2>cults of Mithraism, the details of which again are not

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<v Speaker 2>all that forthcoming, but we do have some literary references,

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<v Speaker 2>we have archaeological evidence, some of it fairly recent, you know,

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<v Speaker 2>and we also have some artistic imagery that has survived,

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<v Speaker 2>and from this a fair number of conclusions can be drawn.

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<v Speaker 2>But the current predominant interpretation, according to Bowden, is that

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<v Speaker 2>the cult of Mithra in the Roman Empire was something

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<v Speaker 2>mostly new. It was for the most part for Romans

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<v Speaker 2>and by Romans, despite these Persian motifs that were applied

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<v Speaker 2>to it. So in previous decades, again, it was common

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<v Speaker 2>for historians to try and piece together the details of Mithraism,

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<v Speaker 2>based in part on aspects of the ancient Indo Iranian

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<v Speaker 2>religion centered around Mithra, but current trends tend to dismiss this.

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<v Speaker 2>So in Bowden's chapter on Mithraism, he doesn't mention anything

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<v Speaker 2>about soldiers of light against darkness. I'm to assume that

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<v Speaker 2>perhaps that's something that previously historians drug in from the

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<v Speaker 2>more ancient model of Mithra's worship.

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<v Speaker 3>You know, you can very much see the appeal of

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<v Speaker 3>that older interpretive lens, which tries to figure out what

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<v Speaker 3>a religion means by searching out the earliest versions of it.

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<v Speaker 3>Because we tend to think about the primacy of originals

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<v Speaker 3>like originals in time, you know, we've talked about this

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<v Speaker 3>coming up before on the podcast when we were talking

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<v Speaker 3>about Greek myths. We're trying to find, like, what's the

0:13:22.320 --> 0:13:25.480
<v Speaker 3>earliest written version of this so that we can know

0:13:25.520 --> 0:13:28.440
<v Speaker 3>what the real version of the myth is, you know,

0:13:28.559 --> 0:13:31.360
<v Speaker 3>but that's not actually the real version of the myth.

0:13:31.400 --> 0:13:34.880
<v Speaker 3>And finding maybe the earliest version that was written down

0:13:34.920 --> 0:13:38.040
<v Speaker 3>that we still have access to and does not tell

0:13:38.080 --> 0:13:40.960
<v Speaker 3>you how people hundreds of years later, in a different

0:13:40.960 --> 0:13:43.520
<v Speaker 3>time in place understood the story or what it meant.

0:13:43.880 --> 0:13:46.160
<v Speaker 3>It just you know that, I mean, it is worth

0:13:46.200 --> 0:13:48.520
<v Speaker 3>knowing that tells you one thing, but it doesn't necessarily

0:13:48.600 --> 0:13:51.720
<v Speaker 3>tell you that thing. And so searching out what myth,

0:13:52.480 --> 0:13:55.400
<v Speaker 3>what a god or a religious figure mint in one

0:13:55.480 --> 0:13:59.080
<v Speaker 3>time and place, even though it came earlier, that doesn't

0:13:59.120 --> 0:14:01.240
<v Speaker 3>necessarily tell you what it meant to people in a

0:14:01.280 --> 0:14:04.160
<v Speaker 3>different time in a different place. And I think this

0:14:04.200 --> 0:14:07.240
<v Speaker 3>is still true today. I think actually, say, if you

0:14:07.440 --> 0:14:11.560
<v Speaker 3>just went to the New Testament and read the Gospels

0:14:12.120 --> 0:14:15.400
<v Speaker 3>and then tried to read from those and predict what

0:14:15.600 --> 0:14:20.040
<v Speaker 3>form Christianity would take as practiced, say in the United

0:14:20.080 --> 0:14:23.480
<v Speaker 3>States in the twenty first century, you'd be so far off.

0:14:23.480 --> 0:14:25.720
<v Speaker 3>You have no idea what to predict from that.

0:14:26.560 --> 0:14:29.160
<v Speaker 2>Yeah, yeah, and I think we can point to examples

0:14:29.160 --> 0:14:32.600
<v Speaker 2>of this and other major religions as well, and also elsewhere.

0:14:32.840 --> 0:14:36.760
<v Speaker 2>I instantly thought to Dracula, perhaps because I had Dracula

0:14:36.800 --> 0:14:39.120
<v Speaker 2>on the mind a lot recently. But it's like, imagine

0:14:39.480 --> 0:14:43.560
<v Speaker 2>you were to examine the text known as Dracula three thousand.

0:14:44.160 --> 0:14:46.560
<v Speaker 2>Let's see what year did Dracula three thousand come out?

0:14:46.920 --> 0:14:48.520
<v Speaker 4>You think I know off the top of my head.

0:14:49.240 --> 0:14:50.840
<v Speaker 2>Yeah, I expect you to two thousand and four.

0:14:51.440 --> 0:14:53.000
<v Speaker 4>Okay, okay, okay, that sounds right.

0:14:53.560 --> 0:14:56.880
<v Speaker 2>So imagine you watch a Dracula three thousand and then

0:14:57.040 --> 0:14:59.280
<v Speaker 2>you were like, I wish to understand what this film

0:14:59.320 --> 0:15:02.280
<v Speaker 2>is trying to say. I am going to read this

0:15:02.400 --> 0:15:06.200
<v Speaker 2>book by brim Stoker Dracula, and that shall answer all

0:15:06.200 --> 0:15:08.480
<v Speaker 2>my questions. I can take everything is in that book

0:15:08.480 --> 0:15:11.240
<v Speaker 2>and apply it to this movie and me, Yeah, to

0:15:11.280 --> 0:15:13.680
<v Speaker 2>a certain extent, there might be some useful connections to

0:15:13.720 --> 0:15:17.840
<v Speaker 2>be made there, But Dracula. Dracula movies are all built

0:15:17.840 --> 0:15:20.840
<v Speaker 2>around the central figure of Dracula, but the textual Dracula

0:15:21.320 --> 0:15:24.160
<v Speaker 2>in brim Stoker's original novel might not prove all that

0:15:24.280 --> 0:15:28.239
<v Speaker 2>useful and understanding. Some depictions of Dracula in other media,

0:15:28.320 --> 0:15:31.160
<v Speaker 2>including Bella Lugosi's Dracula, which we discussed in Weird Hoalse

0:15:31.160 --> 0:15:34.920
<v Speaker 2>Cinema recently, or say Marvel Comics Dracula, The Dracula and

0:15:34.960 --> 0:15:41.160
<v Speaker 2>Dracula three thousand, or whatever Dracula update you're looking at. Sometimes,

0:15:41.280 --> 0:15:45.320
<v Speaker 2>you know, a Dracula movie may just take Dracula out

0:15:45.320 --> 0:15:49.200
<v Speaker 2>of it and they're just ignoring everything else thematically, plot wise,

0:15:49.360 --> 0:15:52.400
<v Speaker 2>time period and so forth. Like the Dracula in Monster

0:15:52.480 --> 0:15:57.200
<v Speaker 2>Squad is only loosely related to the original novel.

0:15:57.480 --> 0:15:57.920
<v Speaker 4>That's right.

0:15:58.000 --> 0:16:00.880
<v Speaker 3>So it may in fact be a very interest exercise

0:16:00.960 --> 0:16:04.120
<v Speaker 3>to see which elements from the older version are poured

0:16:04.200 --> 0:16:06.320
<v Speaker 3>it into the newer version and which are left behind.

0:16:06.400 --> 0:16:09.760
<v Speaker 3>So it's not like it is useless to compare the versions,

0:16:10.080 --> 0:16:13.520
<v Speaker 3>but it is not necessary. But understanding the earlier version

0:16:13.560 --> 0:16:16.800
<v Speaker 3>does not necessarily tell you what to expect in the

0:16:16.840 --> 0:16:20.320
<v Speaker 3>newer version. Say, if we had pages missing from the

0:16:20.440 --> 0:16:22.880
<v Speaker 3>you know, all we had was like an incomplete script

0:16:22.960 --> 0:16:25.680
<v Speaker 3>of Dracula three thousand. We didn't have the movie, and

0:16:25.680 --> 0:16:27.480
<v Speaker 3>we were trying to figure out what was still in there.

0:16:27.760 --> 0:16:31.040
<v Speaker 3>Going back to the novel Dracula would not tell us.

0:16:31.000 --> 0:16:33.840
<v Speaker 2>Right, and that would be again assuming that all all

0:16:33.880 --> 0:16:37.320
<v Speaker 2>adaptations of Dracula and all Dracula media still holds the

0:16:37.360 --> 0:16:41.160
<v Speaker 2>original novel in some regard or looks to it in

0:16:41.200 --> 0:16:44.080
<v Speaker 2>some fashion. You know, you can look at all various

0:16:44.120 --> 0:16:47.400
<v Speaker 2>examples though, of religions where there is some sort of

0:16:47.480 --> 0:16:52.640
<v Speaker 2>old text that remains important and the particular like model

0:16:52.640 --> 0:16:55.520
<v Speaker 2>of that religion may still be unrecognizable across time even

0:16:55.560 --> 0:16:57.600
<v Speaker 2>though it's based on the book. And in the case

0:16:57.640 --> 0:17:01.400
<v Speaker 2>of Roman mythraism, I'm not it's my understanding that we're

0:17:01.440 --> 0:17:03.800
<v Speaker 2>not really dealing with any kind of like central texts

0:17:03.800 --> 0:17:07.640
<v Speaker 2>that would have been the authority. The main authority would

0:17:07.640 --> 0:17:12.560
<v Speaker 2>have been perhaps some collection of myths, but also a

0:17:12.640 --> 0:17:16.960
<v Speaker 2>modern understanding of astrology. And so it really sounds like

0:17:18.080 --> 0:17:23.960
<v Speaker 2>it takes mithra It takes this Indo Iranian deity and

0:17:24.000 --> 0:17:26.840
<v Speaker 2>then creates a new form out of it, you know,

0:17:26.960 --> 0:17:31.560
<v Speaker 2>almost kind of like propping up some astrological ideas with

0:17:32.119 --> 0:17:37.240
<v Speaker 2>the appeal of this foreign deity and again creating something

0:17:37.280 --> 0:17:40.479
<v Speaker 2>new that is by Romans for Romans, likely with its

0:17:40.520 --> 0:17:44.960
<v Speaker 2>origin according to Bowden, in Italy, if not in Rome itself,

0:17:45.119 --> 0:17:48.000
<v Speaker 2>rather than the frontiers. It was then carried out to

0:17:48.080 --> 0:17:50.680
<v Speaker 2>the frontiers by Roman soldiers.

0:17:50.920 --> 0:17:51.280
<v Speaker 3>Hmm.

0:17:51.520 --> 0:18:03.880
<v Speaker 2>Okay, So, based on what the evidence we do have

0:18:03.920 --> 0:18:10.520
<v Speaker 2>regarding Roman Mythriism, which again involves some texts, some archaeological evidence,

0:18:10.520 --> 0:18:14.840
<v Speaker 2>and also some artistic depictions, the cult would have met

0:18:14.960 --> 0:18:19.800
<v Speaker 2>in special cave like and sometimes partially cave based chambers.

0:18:21.040 --> 0:18:25.879
<v Speaker 2>These were called mithraeum. They were long, windowless rectangles with

0:18:26.040 --> 0:18:30.320
<v Speaker 2>chairs or seating down the long walls of the chamber

0:18:31.119 --> 0:18:33.240
<v Speaker 2>and so again no windows, so you just had to

0:18:33.240 --> 0:18:36.359
<v Speaker 2>depend on torches and or candles, and these would have

0:18:36.400 --> 0:18:42.360
<v Speaker 2>illuminated a strongly astrological decor so based on archaeological evidence,

0:18:43.240 --> 0:18:48.359
<v Speaker 2>the exclusively male devotees of Mithraism would often join together,

0:18:48.480 --> 0:18:52.800
<v Speaker 2>apparently in feasts that included a lot of meat, some wine.

0:18:53.760 --> 0:18:55.600
<v Speaker 2>And I have to note that I'm already getting like

0:18:55.600 --> 0:18:57.920
<v Speaker 2>a very strong Elks club vibe here. You know, it

0:18:58.000 --> 0:19:01.000
<v Speaker 2>sounds just like a men's club where they're all getting

0:19:01.000 --> 0:19:05.280
<v Speaker 2>together to drink and eat meat and maybe observe some rights.

0:19:05.840 --> 0:19:07.679
<v Speaker 3>I mean, if you can experience the power of the

0:19:07.680 --> 0:19:10.400
<v Speaker 3>gods and just drink with your bros at the same time,

0:19:11.200 --> 0:19:12.200
<v Speaker 3>that's a good two for one.

0:19:12.560 --> 0:19:17.680
<v Speaker 2>Yeah. Yeah, So the astrological decor here would have included

0:19:17.720 --> 0:19:22.040
<v Speaker 2>depictions of the Sun is vitally important because Mithra is

0:19:22.600 --> 0:19:27.120
<v Speaker 2>even in Roman mythrism, a solar deity or a solar figure.

0:19:27.800 --> 0:19:30.800
<v Speaker 2>You have the Moon, the planets all coming together in

0:19:30.840 --> 0:19:33.760
<v Speaker 2>what we might think of as an astrological model of

0:19:33.800 --> 0:19:36.960
<v Speaker 2>the universe. And Balden argues that in the absence of

0:19:37.000 --> 0:19:40.480
<v Speaker 2>any key surviving text and only a few myths of

0:19:40.560 --> 0:19:45.280
<v Speaker 2>Mithra and his adventures slash live slash mythic existence, modern

0:19:45.359 --> 0:19:48.880
<v Speaker 2>understanding of astrology again like this would have been first

0:19:48.880 --> 0:19:52.600
<v Speaker 2>through third century understanding of the stars and then the

0:19:52.960 --> 0:19:57.320
<v Speaker 2>astrological model of how these stars and planets are impacting

0:19:57.400 --> 0:20:00.760
<v Speaker 2>our lives. This would have likely served as the unifying

0:20:00.840 --> 0:20:03.840
<v Speaker 2>factor of the religion across you know, its various far

0:20:03.920 --> 0:20:06.920
<v Speaker 2>flung forms. You'd see some changes in the way things

0:20:06.920 --> 0:20:10.639
<v Speaker 2>were depicted, but in the absence of any kind of

0:20:10.680 --> 0:20:14.680
<v Speaker 2>like top down doctrine, this is what you had, And

0:20:14.720 --> 0:20:20.480
<v Speaker 2>so a mithraem Again the temple where the Mithra worshipers

0:20:21.680 --> 0:20:25.479
<v Speaker 2>held their ceremonies and their feasts. It likely the building

0:20:25.480 --> 0:20:29.720
<v Speaker 2>itself likely served as a model, perhaps for further indoctrinization

0:20:29.880 --> 0:20:33.840
<v Speaker 2>into the astrological secrets of Mithraism, but also as a

0:20:33.880 --> 0:20:37.080
<v Speaker 2>model of the universe and the initiates place in it,

0:20:37.640 --> 0:20:39.919
<v Speaker 2>which I think that alone is kind of interesting to

0:20:39.920 --> 0:20:43.440
<v Speaker 2>think of in terms of soldiers in the Roman army,

0:20:43.680 --> 0:20:47.080
<v Speaker 2>you know, perhaps very close, if not on the frontiers

0:20:47.560 --> 0:20:51.159
<v Speaker 2>of this, you know, this vast region, and perhaps feeling

0:20:51.200 --> 0:20:54.280
<v Speaker 2>far from home and having some you know, maybe more

0:20:54.840 --> 0:20:57.520
<v Speaker 2>specific thoughts and questions about where I am in time

0:20:57.560 --> 0:21:02.159
<v Speaker 2>and space, but perhaps those are echoing you greater questions,

0:21:02.240 --> 0:21:05.520
<v Speaker 2>and maybe that's where Mithraism comes into their lives with meaning.

0:21:06.000 --> 0:21:08.959
<v Speaker 2>Now again, we have a lot of evidence, archaeological evidence

0:21:08.960 --> 0:21:11.760
<v Speaker 2>about what may have gone on at some of the

0:21:11.760 --> 0:21:14.760
<v Speaker 2>feasts that they had. There's at least one side and

0:21:14.800 --> 0:21:17.800
<v Speaker 2>what is now Belgium from the third century that suggests

0:21:18.080 --> 0:21:22.320
<v Speaker 2>ritual destruction of wine vessels as well as feasting. I

0:21:22.320 --> 0:21:26.200
<v Speaker 2>think they said that perhaps feasting exclusively on male animals,

0:21:26.600 --> 0:21:29.560
<v Speaker 2>but also some eels. That Bouten points out they might

0:21:29.560 --> 0:21:31.840
<v Speaker 2>not have been able to sex the eels. Maybe they

0:21:31.880 --> 0:21:35.040
<v Speaker 2>meant it meat eat only male eels as well, but

0:21:35.080 --> 0:21:37.400
<v Speaker 2>at any rate, they ate a lot of meat, they

0:21:37.600 --> 0:21:42.080
<v Speaker 2>drank and or ritually destroyed wine vessels. And then he

0:21:42.160 --> 0:21:45.040
<v Speaker 2>also says that there's evidence at this one side and

0:21:45.160 --> 0:21:47.639
<v Speaker 2>no other side of a wine vessel with a snake

0:21:47.720 --> 0:21:50.920
<v Speaker 2>motif that, when heated, would have resulted in steam escaping

0:21:50.920 --> 0:21:55.440
<v Speaker 2>from the serpent's mouth. Oh cool, Yeah, pretty cool. But

0:21:55.720 --> 0:21:57.280
<v Speaker 2>we don't know what that may or may not mean.

0:21:57.880 --> 0:21:59.040
<v Speaker 2>Maybe it was just cool.

0:21:59.440 --> 0:21:59.640
<v Speaker 4>Well.

0:21:59.640 --> 0:22:03.600
<v Speaker 3>I don't want to comment on mythraism specifically, but with

0:22:03.680 --> 0:22:07.480
<v Speaker 3>respect to many of the mystery religions, I think cool

0:22:07.680 --> 0:22:08.880
<v Speaker 3>on its own may have.

0:22:08.800 --> 0:22:09.720
<v Speaker 4>Been reason enough.

0:22:09.760 --> 0:22:13.280
<v Speaker 3>Again, a lot of these cults I think you could

0:22:13.760 --> 0:22:20.320
<v Speaker 3>you could think of as being oriented towards producing profound, exciting,

0:22:21.040 --> 0:22:24.359
<v Speaker 3>dazzling sensory experiences.

0:22:24.400 --> 0:22:26.359
<v Speaker 4>And so I don't know, a.

0:22:26.240 --> 0:22:29.359
<v Speaker 3>Snake breathing out wine steam that seems like that. Could

0:22:29.440 --> 0:22:30.800
<v Speaker 3>that could be one of those things?

0:22:31.200 --> 0:22:33.879
<v Speaker 2>Yeah, yeah, definitely. I should also point out that I

0:22:33.880 --> 0:22:37.719
<v Speaker 2>believe the Belgium site indicates potentially potentially a large feast

0:22:37.800 --> 0:22:41.320
<v Speaker 2>like something like hundreds of individuals, But for the most part,

0:22:42.040 --> 0:22:45.560
<v Speaker 2>the mithraum were understood to be, you know, smaller places

0:22:45.600 --> 0:22:48.600
<v Speaker 2>where you would have a more intimate gathering. And if

0:22:48.640 --> 0:22:50.480
<v Speaker 2>there were, and you might have like more than one

0:22:50.560 --> 0:22:53.520
<v Speaker 2>mithraeum in a given area so that you could keep

0:22:53.520 --> 0:22:57.320
<v Speaker 2>the number small, so that that might also stack up

0:22:57.320 --> 0:23:01.000
<v Speaker 2>with some of how we're interpreting what the these spaces

0:23:01.040 --> 0:23:04.479
<v Speaker 2>and these meetings could have meant to these individuals. You know,

0:23:04.560 --> 0:23:08.959
<v Speaker 2>it would have perhaps been a smaller, comfortable meeting and

0:23:09.000 --> 0:23:13.680
<v Speaker 2>not necessarily like a grand feast, all right, so about see.

0:23:14.640 --> 0:23:16.920
<v Speaker 2>But obviously it can't all be cozy feasts, right because

0:23:16.920 --> 0:23:21.840
<v Speaker 2>as we've been discussing, mystery cults also involved at times

0:23:21.880 --> 0:23:29.199
<v Speaker 2>harrowing rights of initiation, sites and sounds that were unique

0:23:29.640 --> 0:23:33.240
<v Speaker 2>in life that gave you some insight into the inner

0:23:33.240 --> 0:23:36.480
<v Speaker 2>workings of the universe or the afterlife or what have you.

0:23:37.200 --> 0:23:40.920
<v Speaker 2>And as Bowden points out, there were apparently some rights

0:23:40.960 --> 0:23:43.680
<v Speaker 2>involved here. So there were like seven grades of mythraism,

0:23:43.720 --> 0:23:48.119
<v Speaker 2>and it's likely that each initiate that each grade of

0:23:48.160 --> 0:23:53.040
<v Speaker 2>mythraism involved a different ritual. But we do know a

0:23:53.119 --> 0:23:57.639
<v Speaker 2>little bit about the rituals that were involved, most notably

0:23:58.560 --> 0:24:02.280
<v Speaker 2>one that involves a sword and crown. For instance, Christian

0:24:02.320 --> 0:24:08.600
<v Speaker 2>writer Tertullian, who lived roughly one through two twenty ce

0:24:09.600 --> 0:24:13.480
<v Speaker 2>mentions a mithra in right by which the initiatet is

0:24:13.560 --> 0:24:17.960
<v Speaker 2>taken into a dark space. Obviously, the mithram and offered

0:24:17.960 --> 0:24:21.080
<v Speaker 2>a crown at sword point, and then he is expected

0:24:21.119 --> 0:24:24.320
<v Speaker 2>to strike the crown from their own head onto their

0:24:24.359 --> 0:24:29.040
<v Speaker 2>own shoulders and proclaim that no Mithra is my crown.

0:24:29.240 --> 0:24:32.439
<v Speaker 2>I do not need any other crown but Mithra. And

0:24:32.520 --> 0:24:36.240
<v Speaker 2>based on surviving frescoes and some evidence from some pottery,

0:24:36.480 --> 0:24:39.760
<v Speaker 2>we also have some vague ideas that the initiate would

0:24:39.800 --> 0:24:43.040
<v Speaker 2>have been brought into this ritual space bound and naked,

0:24:43.720 --> 0:24:47.080
<v Speaker 2>or at least blindfolded and naked, and then made kneel

0:24:47.560 --> 0:24:50.440
<v Speaker 2>for the placement of the crown, and then eventually made

0:24:50.520 --> 0:24:53.320
<v Speaker 2>to lay upon the ground or the floor of the mithram,

0:24:53.359 --> 0:24:57.479
<v Speaker 2>perhaps held down even And the general interpretation is indeed

0:24:57.480 --> 0:25:00.840
<v Speaker 2>that this, at least this grades initial would have been

0:25:00.920 --> 0:25:04.040
<v Speaker 2>rather terrifying. You know, you're at sword point, You're naked,

0:25:04.840 --> 0:25:07.960
<v Speaker 2>brought in blindfolded again, into a space that is either

0:25:08.440 --> 0:25:11.680
<v Speaker 2>a cave or partially a cave, or at least designed

0:25:11.720 --> 0:25:14.320
<v Speaker 2>to be as lightless as a cave and lit only

0:25:14.359 --> 0:25:18.439
<v Speaker 2>by torches, with also these added astrological signs around you.

0:25:19.080 --> 0:25:23.360
<v Speaker 3>It's funny, especially in this version, thinking about the comparisons

0:25:23.359 --> 0:25:26.320
<v Speaker 3>we have two more recent things in our own culture

0:25:26.400 --> 0:25:29.560
<v Speaker 3>like this strikes me as part religious ritual but also

0:25:29.800 --> 0:25:31.560
<v Speaker 3>just part fraternity initiation.

0:25:32.440 --> 0:25:34.600
<v Speaker 2>Yeah, it reminds me. I can't help but think of

0:25:34.640 --> 0:25:36.399
<v Speaker 2>the episode of The Simpsons with it. What are there

0:25:36.400 --> 0:25:41.000
<v Speaker 2>the stonecutters stonecutters skin? Yeah, yeah, with the very all

0:25:41.040 --> 0:25:44.080
<v Speaker 2>the different initiation rights that were all essentially just ritually

0:25:44.119 --> 0:25:44.960
<v Speaker 2>spanking each other.

0:25:45.280 --> 0:25:47.960
<v Speaker 3>I mean in our culture, when that is depicted in

0:25:48.640 --> 0:25:51.600
<v Speaker 3>media and storytelling, it's usually played for comedy. Now, it's

0:25:51.840 --> 0:25:55.520
<v Speaker 3>kind of mocking the silliness of this, but I think

0:25:55.560 --> 0:25:59.520
<v Speaker 3>there are some pretty profound psychological reasons why, you know,

0:26:00.040 --> 0:26:05.760
<v Speaker 3>why a lot of brotherhoods or groups that are encouraging

0:26:05.800 --> 0:26:08.840
<v Speaker 3>people to form a deep bond and commit to secrecy

0:26:08.920 --> 0:26:13.159
<v Speaker 3>and things like that, why they involve painful and confusing

0:26:13.160 --> 0:26:16.159
<v Speaker 3>initiation processes. And we'll talk about that more as we

0:26:16.200 --> 0:26:19.119
<v Speaker 3>go on and discuss some of these other mystery religions.

0:26:19.560 --> 0:26:22.080
<v Speaker 3>But it seems like not an accident to me, Like

0:26:22.119 --> 0:26:26.240
<v Speaker 3>there's a kind of psychological triggering mechanism involved where when

0:26:26.240 --> 0:26:31.040
<v Speaker 3>you've been through some kind of pain and suffering, it

0:26:31.240 --> 0:26:33.719
<v Speaker 3>for some reason triggers you to commit more deeply.

0:26:34.320 --> 0:26:36.920
<v Speaker 2>Yeah, it's like we just pretended to threaten to kill

0:26:36.960 --> 0:26:40.879
<v Speaker 2>you with the sword, but now we're all bros. And

0:26:40.920 --> 0:26:43.000
<v Speaker 2>we can have some wines and meat that sort of thing.

0:26:43.400 --> 0:26:46.679
<v Speaker 2>That's again oversimplification of what's going on here, but we

0:26:46.720 --> 0:26:50.359
<v Speaker 2>can't help withdraw those comparisons. So at the center of

0:26:50.400 --> 0:26:53.679
<v Speaker 2>all this we still have this solar deity of sorts,

0:26:53.720 --> 0:26:57.560
<v Speaker 2>this Mithra at once the Sun itself and also seemingly

0:26:57.600 --> 0:27:01.359
<v Speaker 2>a servant of a greater Sun god, perhaps born out

0:27:01.400 --> 0:27:04.040
<v Speaker 2>of an egg. I think a little unsure in some

0:27:04.080 --> 0:27:06.000
<v Speaker 2>of these depictions, like if Mithra is supposed to be

0:27:06.000 --> 0:27:09.080
<v Speaker 2>emerging from an egg or maybe it's the sun. And

0:27:09.119 --> 0:27:12.119
<v Speaker 2>then Mithra rises to chase the lunar bull with a

0:27:12.200 --> 0:27:15.480
<v Speaker 2>sword and eventually slay it, and that's where we get

0:27:15.480 --> 0:27:16.240
<v Speaker 2>to that symbol.

0:27:16.520 --> 0:27:18.560
<v Speaker 3>Yeah, this is one of the main motifs I was

0:27:18.600 --> 0:27:22.560
<v Speaker 3>familiar with, not really knowing that much about Mithraism, but

0:27:22.600 --> 0:27:26.359
<v Speaker 3>I knew that there were artistic motifs that involved a

0:27:26.440 --> 0:27:29.560
<v Speaker 3>sort of fight or struggle with a giant bull or

0:27:29.560 --> 0:27:32.240
<v Speaker 3>maybe being killed by a bull or killing the bull.

0:27:33.040 --> 0:27:39.159
<v Speaker 2>Yes, this is the Taroktini, and it is this recurring

0:27:39.480 --> 0:27:43.960
<v Speaker 2>visual motif of Mithraism. In it, we see the unconquered

0:27:44.000 --> 0:27:47.720
<v Speaker 2>sun god Mithra dressed in a cloak and what is described.

0:27:48.480 --> 0:27:51.240
<v Speaker 2>I don't think he's wearing this in every depiction, but

0:27:51.359 --> 0:27:55.000
<v Speaker 2>at least it's more prominent in some a Persian style hat,

0:27:55.359 --> 0:27:58.320
<v Speaker 2>and he is grappling a bull and stabbing it through

0:27:58.359 --> 0:28:01.720
<v Speaker 2>the neck with his sword. At the same time, a

0:28:01.760 --> 0:28:06.000
<v Speaker 2>scorpion is stinging the bulls testicles, and a dog and

0:28:06.000 --> 0:28:09.720
<v Speaker 2>a snake are drinking blood from the sword wound. Okay,

0:28:11.280 --> 0:28:14.520
<v Speaker 2>all while a sun watches on a moon watches on.

0:28:14.560 --> 0:28:17.960
<v Speaker 2>There are also two figures that are present that each

0:28:17.960 --> 0:28:20.000
<v Speaker 2>have a torch, and they're sometimes part of this is

0:28:20.000 --> 0:28:22.000
<v Speaker 2>two One is holding the torch high, one holding the

0:28:22.040 --> 0:28:28.480
<v Speaker 2>torch low. Everything is very astrologically charged here, with these

0:28:28.520 --> 0:28:35.800
<v Speaker 2>different symbols having zodiac references entailed. The central idea here, though,

0:28:35.880 --> 0:28:38.200
<v Speaker 2>which may not have been revealed or apparent to all

0:28:38.240 --> 0:28:41.440
<v Speaker 2>adherents to Mithraism, is that it has to do with

0:28:41.480 --> 0:28:44.960
<v Speaker 2>the position of the sun and the constellation Taurus during

0:28:44.960 --> 0:28:48.280
<v Speaker 2>the hottest months of the year late July till late August.

0:28:49.840 --> 0:28:53.200
<v Speaker 2>So Baldn contends that some elements of this faith may

0:28:53.360 --> 0:28:58.040
<v Speaker 2>have originally originated in Eastern Anatolia, but the cult of

0:28:58.120 --> 0:29:02.320
<v Speaker 2>Mithraism is again likely originated itself largely in Italy and

0:29:02.520 --> 0:29:05.520
<v Speaker 2>likely within Rome, and was then taken out to the

0:29:05.560 --> 0:29:10.440
<v Speaker 2>far flung frontiers by Roman soldiers. So and it's also

0:29:10.480 --> 0:29:14.400
<v Speaker 2>telling that apparently, despite its foreign elements and inspirations quite

0:29:14.440 --> 0:29:18.880
<v Speaker 2>clear inspirations, it was likely considered a very Roman thing

0:29:18.960 --> 0:29:24.680
<v Speaker 2>to do, and ultimately it backs up and acknowledges Roman ideals,

0:29:25.200 --> 0:29:28.840
<v Speaker 2>and so it likely attracted initiates who wanted to be

0:29:28.880 --> 0:29:33.200
<v Speaker 2>more Roman, including foreigners in Rome, which is interesting to

0:29:33.240 --> 0:29:36.000
<v Speaker 2>think of. It may have offered some degree of social

0:29:36.120 --> 0:29:39.400
<v Speaker 2>upward mobility, but it also doesn't seem to have offered

0:29:39.440 --> 0:29:43.640
<v Speaker 2>any notion of privileged status in the afterlife, but instead

0:29:43.880 --> 0:29:49.240
<v Speaker 2>likely leaned heavily on an astrology fueled understanding of where

0:29:49.280 --> 0:29:52.560
<v Speaker 2>one stood in the world and maybe in the universe

0:29:52.640 --> 0:29:55.920
<v Speaker 2>in the larger sense. I mean, but this is just

0:29:56.040 --> 0:29:58.280
<v Speaker 2>me spitballing here, but it does like all these elements

0:29:58.320 --> 0:30:02.160
<v Speaker 2>they do they do sound like the things that might

0:30:02.200 --> 0:30:07.160
<v Speaker 2>be created by people who are having a certain crisis

0:30:07.280 --> 0:30:09.920
<v Speaker 2>about like who they are and where they belong in

0:30:10.000 --> 0:30:14.080
<v Speaker 2>the world. That might you know, fit in in an

0:30:14.200 --> 0:30:18.440
<v Speaker 2>empire that is expanding at the same time absorbing different elements,

0:30:18.480 --> 0:30:23.560
<v Speaker 2>you know. And then this this structure of this cult

0:30:23.680 --> 0:30:27.600
<v Speaker 2>is built out to sort of give you some level

0:30:27.600 --> 0:30:29.960
<v Speaker 2>of assurance and say, no, no, no, don't worry. We know

0:30:30.040 --> 0:30:32.240
<v Speaker 2>a lot about the movements of the stars and the planets,

0:30:32.760 --> 0:30:35.720
<v Speaker 2>and no matter how you know crazy, everything else is

0:30:35.760 --> 0:30:38.440
<v Speaker 2>getting out there, like this can tell you exactly where

0:30:38.440 --> 0:30:40.560
<v Speaker 2>you are and who you are in the grand scheme

0:30:40.600 --> 0:30:41.000
<v Speaker 2>of things.

0:30:42.760 --> 0:30:44.600
<v Speaker 3>Yeah, the meaning is written in the sky.

0:30:45.440 --> 0:30:48.680
<v Speaker 2>Yeah. But at the same time, also like, hey, this

0:30:48.720 --> 0:30:51.960
<v Speaker 2>thing's pretty popular. I want to fit in. I should

0:30:51.960 --> 0:30:54.000
<v Speaker 2>probably go to this too. I hear they sometimes have

0:30:54.080 --> 0:30:56.800
<v Speaker 2>meat and wine, So you know, I think you have

0:30:56.880 --> 0:30:59.000
<v Speaker 2>to factor all these different ideas into it. But it

0:30:59.240 --> 0:31:03.120
<v Speaker 2>does sound like the initiation rituals could be very terrifying,

0:31:03.600 --> 0:31:06.280
<v Speaker 2>at least based on the way that I am interpreting it,

0:31:06.280 --> 0:31:09.480
<v Speaker 2>And it seems like Bowden and others have interpreted maybe

0:31:09.480 --> 0:31:11.640
<v Speaker 2>it was played just for giggles, but I doubt it

0:31:11.680 --> 0:31:14.520
<v Speaker 2>based on so based on the comparisons we have in

0:31:14.640 --> 0:31:25.200
<v Speaker 2>other mystery cults.

0:31:26.080 --> 0:31:28.960
<v Speaker 3>Well, speaking of other cults that would interface perfectly with

0:31:29.480 --> 0:31:32.640
<v Speaker 3>things that people in the ancient world wrote about. The

0:31:33.040 --> 0:31:35.520
<v Speaker 3>next example that I want to talk about. I don't

0:31:35.560 --> 0:31:38.440
<v Speaker 3>know if we'll have a chance to explore everything about

0:31:38.440 --> 0:31:41.000
<v Speaker 3>these in today's episode with the time we've got left,

0:31:41.000 --> 0:31:45.520
<v Speaker 3>but we can at least start talking about the Elusinian Mysteries,

0:31:45.640 --> 0:31:51.000
<v Speaker 3>probably the most famous mystery cult of the Greek world. Now,

0:31:51.040 --> 0:31:54.320
<v Speaker 3>we know about the Eleusinian Mysteries from a number of

0:31:54.720 --> 0:31:59.440
<v Speaker 3>sources of information, primarily from what ancient authors wrote about them,

0:32:00.200 --> 0:32:04.760
<v Speaker 3>including from literature that that attempts to describe things about

0:32:04.800 --> 0:32:08.080
<v Speaker 3>them directly, but then also from literature that makes oblique

0:32:08.160 --> 0:32:11.360
<v Speaker 3>or incidental reference to them. And it turns out there's

0:32:11.400 --> 0:32:13.040
<v Speaker 3>a lot of the latter. I mean, there will just

0:32:13.240 --> 0:32:16.680
<v Speaker 3>there will just be little dialogues of Plato where you know,

0:32:16.760 --> 0:32:22.240
<v Speaker 3>Socrates says something that implies a certain understanding of what

0:32:22.280 --> 0:32:25.520
<v Speaker 3>the Elusinian mysteries meant, but is not meaning to talk

0:32:25.520 --> 0:32:27.920
<v Speaker 3>about them directly, not like here, let's have a discourse

0:32:27.960 --> 0:32:29.400
<v Speaker 3>about them.

0:32:29.760 --> 0:32:33.000
<v Speaker 2>That's another thing. I guess it's interesting, too important to

0:32:33.120 --> 0:32:35.840
<v Speaker 2>realize and discussions. It's like, there's there's stuff that is

0:32:35.880 --> 0:32:40.240
<v Speaker 2>forgotten because it was secret, and there's also plenty of

0:32:40.240 --> 0:32:42.200
<v Speaker 2>things that were forgotten because it was just common knowledge.

0:32:42.200 --> 0:32:43.200
<v Speaker 2>Why would you write that down?

0:32:43.400 --> 0:32:44.120
<v Speaker 4>Yeah, exactly.

0:32:44.640 --> 0:32:48.280
<v Speaker 3>Also, apart from the ancient written sources, we have some physical,

0:32:48.440 --> 0:32:53.880
<v Speaker 3>archaeological remains, especially at eleusis the cult center, including artworks

0:32:53.960 --> 0:32:58.120
<v Speaker 3>that depict elements of the associated myth. One example of

0:32:58.160 --> 0:33:02.160
<v Speaker 3>the ladder is a marble fred from the sanctuary of

0:33:02.200 --> 0:33:06.000
<v Speaker 3>Demeter at el Usus, of which there are copies from

0:33:06.560 --> 0:33:09.360
<v Speaker 3>scattered about from the Roman period as well. But rob

0:33:09.400 --> 0:33:11.320
<v Speaker 3>I included an image in our outline for you to

0:33:11.360 --> 0:33:15.760
<v Speaker 3>look at this marble relief. It shows the goddess's Demeter

0:33:15.880 --> 0:33:19.840
<v Speaker 3>and Persephone standing on either side of a nude young man,

0:33:19.920 --> 0:33:23.520
<v Speaker 3>and they are just towering over the guy. They're much

0:33:23.560 --> 0:33:26.840
<v Speaker 3>bigger than he is. The youth is thought to probably

0:33:26.880 --> 0:33:31.160
<v Speaker 3>be a figure named Triptolemus, who is a figure in

0:33:31.200 --> 0:33:34.640
<v Speaker 3>mythology sent by Demeter to teach agriculture to the people,

0:33:34.920 --> 0:33:38.320
<v Speaker 3>sort of a kind of an intermediary Prometheus of grain

0:33:38.520 --> 0:33:41.840
<v Speaker 3>in a way. And one interesting thing about this marble

0:33:41.880 --> 0:33:44.480
<v Speaker 3>relief you're looking at, rob is that the Demeter and

0:33:44.560 --> 0:33:49.000
<v Speaker 3>Persephone here are they're like holding their hands out as

0:33:49.040 --> 0:33:51.960
<v Speaker 3>if they're each holding something out to this naked man,

0:33:52.800 --> 0:33:57.360
<v Speaker 3>and their marble fingers probably originally held some kind of object,

0:33:57.680 --> 0:34:00.240
<v Speaker 3>but that object or those objects are gone.

0:34:00.080 --> 0:34:01.280
<v Speaker 4>And we don't know what they were.

0:34:01.680 --> 0:34:05.520
<v Speaker 3>Oh hell, so some basic facts to ground us about

0:34:05.560 --> 0:34:09.920
<v Speaker 3>the Eleusinian mysteries. They were based out of a city

0:34:09.960 --> 0:34:13.560
<v Speaker 3>called Eleusis, which was located in the region of Attica,

0:34:13.640 --> 0:34:17.240
<v Speaker 3>only about twenty three kilometers west of the city of Athens,

0:34:17.280 --> 0:34:19.319
<v Speaker 3>so pretty close to the city of Athens and also

0:34:19.440 --> 0:34:24.160
<v Speaker 3>close to another important ancient city called Megara. The myth

0:34:24.360 --> 0:34:28.440
<v Speaker 3>associated with the mystic rights of Eleusis is a version

0:34:28.840 --> 0:34:32.960
<v Speaker 3>of the story of Demeter and Persephone. Now, as with

0:34:33.480 --> 0:34:36.800
<v Speaker 3>most of the big Greek myths, there are multiple versions

0:34:36.840 --> 0:34:39.560
<v Speaker 3>of this story in circulation, with lots of differences in

0:34:39.600 --> 0:34:42.640
<v Speaker 3>the narrative. So I am specifically going to be talking

0:34:42.640 --> 0:34:45.640
<v Speaker 3>about the version of the story found in the Greek

0:34:45.760 --> 0:34:49.440
<v Speaker 3>hymn or poem known as the Homeric Hymn to Demeter,

0:34:50.239 --> 0:34:54.279
<v Speaker 3>which was written in dactylic Hexameter, probably sometime between six

0:34:54.440 --> 0:34:57.879
<v Speaker 3>fifty and five fifty BCE, and this is the take

0:34:57.920 --> 0:35:00.600
<v Speaker 3>on the story that seems to directly implicate the city

0:35:00.719 --> 0:35:05.840
<v Speaker 3>of Eleusis. So in this myth, Demeter, the Greek goddess

0:35:05.840 --> 0:35:09.040
<v Speaker 3>of agriculture in the harvest, has a daughter with the

0:35:09.080 --> 0:35:11.960
<v Speaker 3>god Zeus, and in a lot of versions of the

0:35:12.000 --> 0:35:15.600
<v Speaker 3>story the daughter is named Persephone, but in the version

0:35:15.800 --> 0:35:19.040
<v Speaker 3>of the story told at Eleusis, the daughter is referred

0:35:19.080 --> 0:35:24.840
<v Speaker 3>to only as Corey, Corey or Corey Kri, meaning maiden.

0:35:25.400 --> 0:35:28.719
<v Speaker 3>So core and Persephone are basically the same character, but

0:35:28.800 --> 0:35:31.200
<v Speaker 3>I'm going to use core in my telling here because

0:35:31.200 --> 0:35:34.520
<v Speaker 3>of the Eleusinian connection. So the trouble begins in the

0:35:34.600 --> 0:35:39.279
<v Speaker 3>story when Zeus, without the consent of Demeter, allows his

0:35:39.400 --> 0:35:42.279
<v Speaker 3>brother Hades, the god of the underworld and the king

0:35:42.320 --> 0:35:46.279
<v Speaker 3>of the Dead, to kidnap Demeter's daughter, Corey while she

0:35:46.400 --> 0:35:50.279
<v Speaker 3>is out gathering flowers upon a plane, and Hades takes

0:35:50.320 --> 0:35:54.200
<v Speaker 3>her away to his subterranean kingdom of the Dead. When

0:35:54.239 --> 0:35:57.880
<v Speaker 3>Demeter finds out that her daughter is missing, she spends

0:35:58.080 --> 0:36:01.920
<v Speaker 3>nine days scouring the earth, scouring the face of the

0:36:01.960 --> 0:36:05.520
<v Speaker 3>earth in grief, searching for her daughter by torchlight. It's

0:36:05.560 --> 0:36:08.880
<v Speaker 3>mentioned that she carries a torch and eventually a couple

0:36:08.880 --> 0:36:13.400
<v Speaker 3>of other gods, Hecate and Helios, tell Demeter what happened,

0:36:13.880 --> 0:36:16.200
<v Speaker 3>and so here we get to the part involving the

0:36:16.200 --> 0:36:21.120
<v Speaker 3>city of Eleusis. Demeter, disgusted with Zeus and with the

0:36:21.160 --> 0:36:23.799
<v Speaker 3>gods for allowing this to happen to her daughter, she

0:36:23.920 --> 0:36:27.600
<v Speaker 3>leaves Mount Olympus disguises herself as a human and then

0:36:27.680 --> 0:36:30.839
<v Speaker 3>walks all over the world, and eventually she ends up

0:36:30.960 --> 0:36:33.720
<v Speaker 3>in the city of Eleusis, where she meets the family

0:36:33.800 --> 0:36:37.120
<v Speaker 3>of a king named King Celius, and she is hired

0:36:37.160 --> 0:36:41.399
<v Speaker 3>to work for the king's family as a nurse. Now,

0:36:41.440 --> 0:36:44.200
<v Speaker 3>in Bowden's retelling of this myth, there are a number

0:36:44.200 --> 0:36:46.960
<v Speaker 3>of great details here that are very cryptic to the

0:36:47.000 --> 0:36:50.040
<v Speaker 3>modern reader and sort of fascinating.

0:36:50.040 --> 0:36:50.760
<v Speaker 4>For this reason.

0:36:50.800 --> 0:36:53.200
<v Speaker 3>I love little details where it's like, why include that,

0:36:53.280 --> 0:36:56.839
<v Speaker 3>what does that mean? So it says that she is

0:36:56.880 --> 0:36:59.840
<v Speaker 3>invited into the house of the family of King Celius.

0:37:00.120 --> 0:37:02.960
<v Speaker 3>She has offered a chair to sit, but says no, no, no,

0:37:03.280 --> 0:37:06.680
<v Speaker 3>I'll just sit on this stool covered in a fleece instead.

0:37:07.239 --> 0:37:10.360
<v Speaker 3>M And then she has offered a cup of wine,

0:37:10.440 --> 0:37:13.959
<v Speaker 3>but she refuses the wine and instead accepts a type

0:37:13.960 --> 0:37:18.960
<v Speaker 3>of beverage. It's a beverage or perhaps a gruel, the

0:37:19.080 --> 0:37:21.799
<v Speaker 3>name of which in Greek is spelled k y k

0:37:22.239 --> 0:37:26.319
<v Speaker 3>e o n like kai kion, but I have heard

0:37:26.320 --> 0:37:31.319
<v Speaker 3>it pronounced as kukion, so I'm gonna say kukon. It

0:37:31.400 --> 0:37:35.520
<v Speaker 3>is made of water grain and herbs. Bowden specifies that

0:37:35.600 --> 0:37:38.600
<v Speaker 3>the grain is barley, and the herb is mint. So

0:37:39.040 --> 0:37:42.120
<v Speaker 3>think of a kind of beverage or gruel made with

0:37:42.120 --> 0:37:44.120
<v Speaker 3>with barley, water and mint.

0:37:44.560 --> 0:37:47.600
<v Speaker 2>Could be good, could be good, could be could be

0:37:47.680 --> 0:37:48.440
<v Speaker 2>rather refreshing.

0:37:48.800 --> 0:37:51.080
<v Speaker 3>Remember that drink. We may not It may not be

0:37:51.239 --> 0:37:53.000
<v Speaker 3>till the next episode that it comes back, but it

0:37:53.040 --> 0:37:57.080
<v Speaker 3>will factor in. At el usis also in here. It

0:37:57.080 --> 0:37:59.520
<v Speaker 3>says that Demeter smiles at a joke made by a

0:37:59.520 --> 0:38:03.560
<v Speaker 3>woman name I am Bi. Anyway, Demeter in disguise is

0:38:03.680 --> 0:38:08.040
<v Speaker 3>hired to nurse the newborn prince in this household. The

0:38:08.480 --> 0:38:13.640
<v Speaker 3>newborn prince is named Demophoon, but instead of feeding him

0:38:13.760 --> 0:38:17.640
<v Speaker 3>each night in secret, she anoints him with ambrosia and

0:38:17.680 --> 0:38:21.080
<v Speaker 3>then exposes him to the fire in the hearth. And

0:38:21.360 --> 0:38:24.480
<v Speaker 3>there's a reason for this. This is a process she's

0:38:24.520 --> 0:38:28.480
<v Speaker 3>doing to make the boy eventually immortal, so she's sort

0:38:28.520 --> 0:38:33.560
<v Speaker 3>of transforming this baby into a god. However, it doesn't

0:38:33.600 --> 0:38:37.719
<v Speaker 3>work because one night, Demeter in disguise gets caught. She

0:38:37.800 --> 0:38:40.400
<v Speaker 3>gets caught in the middle of doing this by medanaira

0:38:41.200 --> 0:38:46.400
<v Speaker 3>Demophoan's mother, who screams in terror, which you can understand

0:38:46.400 --> 0:38:50.120
<v Speaker 3>why that would happen, but Demeter, Demeter is not happy

0:38:50.160 --> 0:38:53.280
<v Speaker 3>about this, She explains what she was doing, and she says,

0:38:53.360 --> 0:38:55.160
<v Speaker 3>you know now that the spell is broken. Now that

0:38:55.160 --> 0:38:59.400
<v Speaker 3>you've caught me, Demophoon cannot become immortal. And Demeter is

0:38:59.520 --> 0:39:02.719
<v Speaker 3>very angry by this reversal, and she says, Okay, what

0:39:02.760 --> 0:39:05.760
<v Speaker 3>you've got to do now to appease me is build

0:39:05.800 --> 0:39:08.560
<v Speaker 3>me a temple. Build a temple to me in elyusis,

0:39:08.960 --> 0:39:11.520
<v Speaker 3>and I will teach you sacred rights that you need

0:39:11.560 --> 0:39:13.560
<v Speaker 3>to do in my honor in order to keep me

0:39:13.600 --> 0:39:17.200
<v Speaker 3>from getting really mad. Next, and I mentioned this in

0:39:17.280 --> 0:39:21.040
<v Speaker 3>the last episode, Demeter says, all grain on Earth is

0:39:21.080 --> 0:39:24.560
<v Speaker 3>going to stop growing right now. This is bad for

0:39:24.680 --> 0:39:27.480
<v Speaker 3>humans obviously because we need that to eat, but it's

0:39:27.520 --> 0:39:30.280
<v Speaker 3>also bad for the gods because they need to receive

0:39:30.400 --> 0:39:34.919
<v Speaker 3>grain as sacrifices from humans. So it seems like this

0:39:35.040 --> 0:39:37.759
<v Speaker 3>finally gets Zeus to do something about the problem that

0:39:37.840 --> 0:39:41.160
<v Speaker 3>he created. He's like, Demeter, what can I do to

0:39:41.200 --> 0:39:44.319
<v Speaker 3>make you happy? And Demeter says, give me my daughter back,

0:39:44.960 --> 0:39:48.520
<v Speaker 3>and so Zeus agrees. He sends the messenger god Hermes

0:39:48.880 --> 0:39:52.040
<v Speaker 3>to Hades to the underworld to tell him that Corey

0:39:52.120 --> 0:39:55.040
<v Speaker 3>the Maiden must be allowed to return to the world above.

0:39:55.560 --> 0:39:58.840
<v Speaker 3>But Hades has a trick up his sleeve. Before Corey leaves,

0:39:59.239 --> 0:40:03.600
<v Speaker 3>he gives her pomegranate seed, a pomegranate seed from the underworld,

0:40:04.040 --> 0:40:07.640
<v Speaker 3>and she eats it, and now having eaten the food

0:40:07.680 --> 0:40:12.280
<v Speaker 3>of the underworld, she is ensnared. She cannot permanently leave,

0:40:12.800 --> 0:40:15.160
<v Speaker 3>and while she's free to spend two thirds of the

0:40:15.239 --> 0:40:18.040
<v Speaker 3>year up above, she has to return to the land

0:40:18.080 --> 0:40:21.520
<v Speaker 3>of the dead for one third of each year. And

0:40:21.600 --> 0:40:26.120
<v Speaker 3>this myth is often linked to seasonal cycles of growth

0:40:26.160 --> 0:40:30.080
<v Speaker 3>in agriculture, though not necessarily with the seasons you're thinking of.

0:40:30.160 --> 0:40:33.040
<v Speaker 3>I think the natural way that most people would interpret

0:40:33.120 --> 0:40:36.600
<v Speaker 3>it is okay, so the you know, the daughter of

0:40:36.760 --> 0:40:39.440
<v Speaker 3>the grain goddess, she can come up to the upper

0:40:39.440 --> 0:40:41.960
<v Speaker 3>world during the you know, the spring, in the summer

0:40:42.040 --> 0:40:44.680
<v Speaker 3>the warm months, and then in the winter when the

0:40:44.840 --> 0:40:48.400
<v Speaker 3>when the plants die after the harvest, she disappears.

0:40:47.960 --> 0:40:48.840
<v Speaker 4>Into the underworld.

0:40:49.160 --> 0:40:52.000
<v Speaker 3>That may be it, but actually Bowden says it could

0:40:52.000 --> 0:40:55.560
<v Speaker 3>be the other way around, because in Greece, the hottest

0:40:55.600 --> 0:40:58.640
<v Speaker 3>part of the summer was sort of often the least

0:40:58.680 --> 0:41:01.640
<v Speaker 3>productive agricultural seeds because things would be very dry, and

0:41:01.680 --> 0:41:03.880
<v Speaker 3>the winter was actually used as a It was a

0:41:03.960 --> 0:41:08.000
<v Speaker 3>very productive agricultural season, and so maybe sort of that

0:41:08.080 --> 0:41:11.200
<v Speaker 3>way around instead of the way we naturally think. But

0:41:11.280 --> 0:41:13.759
<v Speaker 3>however it actually lines up with the seasonal timeline. It's

0:41:13.800 --> 0:41:19.000
<v Speaker 3>clear to understand why this myth has agricultural significance.

0:41:19.680 --> 0:41:20.120
<v Speaker 4>Anyway.

0:41:20.160 --> 0:41:23.040
<v Speaker 3>At the end of the myth, after being comforted by

0:41:23.080 --> 0:41:26.400
<v Speaker 3>her own mother Raya, who is one of the Titans,

0:41:26.960 --> 0:41:30.400
<v Speaker 3>Demeter allows the grain to grow again. And then Demeter,

0:41:30.600 --> 0:41:33.279
<v Speaker 3>as she promised, comes back to the people of Eleusis

0:41:33.400 --> 0:41:37.840
<v Speaker 3>to teach them the mysteries. She teaches them special rights

0:41:37.920 --> 0:41:40.920
<v Speaker 3>that they would have to do in her honor. And

0:41:40.960 --> 0:41:43.759
<v Speaker 3>then I want to read from What follows is a

0:41:43.800 --> 0:41:47.320
<v Speaker 3>translation of a passage in the Homeric Hymn to Demeter,

0:41:47.760 --> 0:41:49.720
<v Speaker 3>the version that appears in Bowden's book.

0:41:51.000 --> 0:41:52.960
<v Speaker 4>So it goes, so.

0:41:53.000 --> 0:41:56.240
<v Speaker 3>The whole broad earth grew heavy with leafage and bloom,

0:41:56.680 --> 0:42:01.080
<v Speaker 3>and she went to the lawgiver kings Triptolemus and horse Goading, Diocles,

0:42:01.560 --> 0:42:06.520
<v Speaker 3>strong Eumolpus, and Celius, leader of hosts, and showed them

0:42:06.560 --> 0:42:10.480
<v Speaker 3>the conduct of her sacred matters, and taught her solemn rights,

0:42:10.840 --> 0:42:15.680
<v Speaker 3>which one cannot depart from or inquire about, or broadcast

0:42:16.200 --> 0:42:19.680
<v Speaker 3>for great awe of the gods restrains us from speaking.

0:42:20.239 --> 0:42:23.080
<v Speaker 3>Blessed is he of men on earth who has beheld them,

0:42:23.400 --> 0:42:26.879
<v Speaker 3>whereas he that is uninitiated in the rights, or he

0:42:27.000 --> 0:42:30.280
<v Speaker 3>that has no part in them, never enjoys a similar

0:42:30.320 --> 0:42:32.960
<v Speaker 3>lot down in the musty dark when he is dead.

0:42:33.560 --> 0:42:35.520
<v Speaker 2>Oh wow. So first of all, I love that this

0:42:35.640 --> 0:42:36.640
<v Speaker 2>is not for broadcast.

0:42:37.200 --> 0:42:37.439
<v Speaker 4>Yeah.

0:42:37.440 --> 0:42:41.200
<v Speaker 2>And then but then also, unlike seemingly with our example

0:42:41.200 --> 0:42:45.480
<v Speaker 2>of mythraism, this mystery cult does seem to impart some

0:42:45.520 --> 0:42:51.680
<v Speaker 2>sort of privileged knowledge of and or destination in the afterlife.

0:42:52.120 --> 0:42:54.560
<v Speaker 3>It does, but I want to complicate that with something

0:42:54.600 --> 0:42:56.960
<v Speaker 3>in just a minute here. So yeah, so many interesting

0:42:57.000 --> 0:43:00.640
<v Speaker 3>things going on here. The goddess teaches the people of

0:43:00.680 --> 0:43:05.360
<v Speaker 3>eleusis the secret rituals, says, you cannot depart from these rituals,

0:43:05.440 --> 0:43:07.920
<v Speaker 3>so don't change them, don't give them up. You cannot

0:43:07.960 --> 0:43:12.640
<v Speaker 3>ask questions about them, no talking, no questioning, and you

0:43:12.680 --> 0:43:15.840
<v Speaker 3>cannot talk about them with the uninitiated. You've got to

0:43:15.920 --> 0:43:18.000
<v Speaker 3>keep them a secret only to the people who have

0:43:18.200 --> 0:43:19.840
<v Speaker 3>been initiated.

0:43:19.200 --> 0:43:19.800
<v Speaker 4>To the cult.

0:43:20.560 --> 0:43:24.439
<v Speaker 3>And of course, if you are initiated and you get

0:43:24.480 --> 0:43:28.160
<v Speaker 3>to witness these rights, you are blessed. If you are

0:43:28.239 --> 0:43:31.319
<v Speaker 3>not initiated and know nothing of the mysteries, then you

0:43:31.360 --> 0:43:34.080
<v Speaker 3>are not blessed, and you will apparently have a worse

0:43:34.160 --> 0:43:37.359
<v Speaker 3>fate in Hades, down in the musty dark. And if

0:43:37.400 --> 0:43:39.919
<v Speaker 3>I'm interpreting this right, it does not say that those

0:43:39.920 --> 0:43:42.680
<v Speaker 3>who have been blessed by witnessing the rights will not

0:43:42.880 --> 0:43:47.719
<v Speaker 3>go to Hades. Instead, it just seems like something is

0:43:47.760 --> 0:43:49.839
<v Speaker 3>going to be different from them. You know, it's going

0:43:49.880 --> 0:44:01.360
<v Speaker 3>to be better for you. Now to explore that a

0:44:01.400 --> 0:44:04.960
<v Speaker 3>little more, this last part about the effect of initiation

0:44:05.120 --> 0:44:09.680
<v Speaker 3>to the mystic rights on a person's lot in the afterlife.

0:44:09.760 --> 0:44:12.640
<v Speaker 3>That is a major part of how mystery cults have

0:44:12.760 --> 0:44:18.040
<v Speaker 3>been understood by later scholars. Was, I think once widely

0:44:18.160 --> 0:44:21.160
<v Speaker 3>held that the mystery cults of the reco Roman world

0:44:21.200 --> 0:44:25.920
<v Speaker 3>were mainly about improving a person's lot in the afterlife.

0:44:26.320 --> 0:44:29.319
<v Speaker 3>But Bowden argues that, at least in some cases, the

0:44:29.360 --> 0:44:33.280
<v Speaker 3>evidence is this was not a major focus of the rights,

0:44:33.440 --> 0:44:36.200
<v Speaker 3>and that any belief that you would have a better

0:44:36.360 --> 0:44:40.160
<v Speaker 3>afterlife by having been initiated was more of a side

0:44:40.160 --> 0:44:44.800
<v Speaker 3>effect of having achieved a special closeness or direct encounter

0:44:44.880 --> 0:44:47.640
<v Speaker 3>with the gods through the mysteries. It was not the

0:44:47.640 --> 0:44:51.759
<v Speaker 3>primary goal or function of the mysteries, so we don't

0:44:51.760 --> 0:44:54.640
<v Speaker 3>have evidence that the goal was like to go to

0:44:54.800 --> 0:44:57.920
<v Speaker 3>heaven by doing these rituals. It was just kind of

0:44:57.960 --> 0:45:01.640
<v Speaker 3>like there were blessings and good things about having this

0:45:01.760 --> 0:45:04.839
<v Speaker 3>mystic encounter, about going through the rights, and one of

0:45:04.880 --> 0:45:07.920
<v Speaker 3>the things that came with it in some cases was

0:45:08.239 --> 0:45:10.840
<v Speaker 3>that it's said that something is better for you after

0:45:10.880 --> 0:45:11.279
<v Speaker 3>you die.

0:45:12.440 --> 0:45:14.359
<v Speaker 2>Okay, so again, it's not that you're going to get

0:45:14.480 --> 0:45:17.480
<v Speaker 2>a better treatment in the afterlife. It's something maybe a

0:45:17.520 --> 0:45:22.200
<v Speaker 2>little more sublime. Hear me out. I don't know if

0:45:22.200 --> 0:45:24.319
<v Speaker 2>this is a good a good idea, a good one.

0:45:24.480 --> 0:45:26.400
<v Speaker 2>It may not be a good idea. Maybe it's not

0:45:26.400 --> 0:45:29.280
<v Speaker 2>a good analogy. But imagine you're going to go see

0:45:29.400 --> 0:45:34.960
<v Speaker 2>the Android Lloyd Weber musical Cats, and beforehand, someone who

0:45:35.000 --> 0:45:37.480
<v Speaker 2>is wise and knowledgeable comes to you and says, before

0:45:37.520 --> 0:45:41.239
<v Speaker 2>you go, read this nineteen thirty nine poetry collection Old

0:45:41.239 --> 0:45:43.960
<v Speaker 2>Possum's Book of Practical Cats by T. S. Elliott. Just

0:45:44.120 --> 0:45:46.360
<v Speaker 2>of course, these are the poems that the musical is

0:45:46.400 --> 0:45:49.759
<v Speaker 2>based upon. And you might then ask, oh, if I

0:45:49.800 --> 0:45:52.319
<v Speaker 2>read this, will I have better seats? No, you will

0:45:52.320 --> 0:45:54.960
<v Speaker 2>not have better seats. Based on reading this, but perhaps

0:45:54.960 --> 0:45:58.160
<v Speaker 2>you'll understand the musical more or you'll have some deeper

0:45:58.160 --> 0:46:02.000
<v Speaker 2>connection with the musical, and that will enhance the experience

0:46:02.080 --> 0:46:05.000
<v Speaker 2>of it. Something to that effect, as opposed to like,

0:46:05.160 --> 0:46:07.960
<v Speaker 2>will this secret knowledge actually get me closer to the

0:46:07.960 --> 0:46:08.879
<v Speaker 2>front or give me more.

0:46:08.840 --> 0:46:12.279
<v Speaker 3>Legrom Yeah, that may well be a good analogy, except again,

0:46:12.320 --> 0:46:15.480
<v Speaker 3>it would not be about reading anything in particular here.

0:46:15.520 --> 0:46:18.200
<v Speaker 3>It would be like about having the experience. Maybe instead

0:46:18.239 --> 0:46:21.239
<v Speaker 3>it's like should you go to see the play? Like

0:46:21.320 --> 0:46:23.560
<v Speaker 3>that's really the thing that it's more like, isn't it.

0:46:23.640 --> 0:46:26.640
<v Speaker 3>It's like going to take part in and witness something

0:46:26.719 --> 0:46:30.759
<v Speaker 3>kind of be part of a collaborative theatrical experience. But yeah,

0:46:30.800 --> 0:46:32.920
<v Speaker 3>I think that's a good way of thinking about it,

0:46:32.960 --> 0:46:36.120
<v Speaker 3>because I want to read another thing that an ancient

0:46:36.200 --> 0:46:39.680
<v Speaker 3>source that abouten mentions in the book. So you know,

0:46:39.760 --> 0:46:42.000
<v Speaker 3>many ancient authors, as we talked about last time, are

0:46:42.120 --> 0:46:45.920
<v Speaker 3>unable or unwilling to profane the cult of the Lusinian

0:46:45.960 --> 0:46:48.359
<v Speaker 3>Mysteries by sharing the secrets of its hidden rights. So

0:46:48.800 --> 0:46:51.680
<v Speaker 3>we don't get you know, many ancient sources where people

0:46:51.680 --> 0:46:54.400
<v Speaker 3>are like trying to tell us what happened inside the

0:46:54.800 --> 0:46:59.680
<v Speaker 3>inside the secret chamber, but multiple writers attest to the

0:46:59.760 --> 0:47:03.600
<v Speaker 3>power of the mysteries and the positive effect they had

0:47:03.719 --> 0:47:07.880
<v Speaker 3>on those initiated. One of those passages cited in Bowden

0:47:08.120 --> 0:47:13.000
<v Speaker 3>is from the Greek anthology by Crnagoras published that was

0:47:13.040 --> 0:47:16.640
<v Speaker 3>written in the first century BCE, and what Krnagoras says

0:47:16.800 --> 0:47:20.520
<v Speaker 3>is quote, even if yours has always been a sedentary life,

0:47:20.880 --> 0:47:23.319
<v Speaker 3>and you have never sailed the sea nor walked the

0:47:23.400 --> 0:47:26.760
<v Speaker 3>roads of the land, you should nevertheless go to Attica

0:47:27.120 --> 0:47:29.719
<v Speaker 3>so that you may witness those nights of the festival

0:47:29.760 --> 0:47:32.720
<v Speaker 3>of Great Demeter. For then your heart may be free

0:47:32.719 --> 0:47:35.600
<v Speaker 3>of care while you live, and lighter when you go

0:47:35.719 --> 0:47:38.680
<v Speaker 3>to the land of the dead. Oh wow, yeah, So

0:47:38.920 --> 0:47:42.560
<v Speaker 3>whatever happens, it is said by many to be a

0:47:42.719 --> 0:47:46.520
<v Speaker 3>powerful experience that is perceived as life altering in a

0:47:46.560 --> 0:47:50.239
<v Speaker 3>good way. For a modern comparison, when you read some

0:47:50.280 --> 0:47:53.239
<v Speaker 3>of these ancient passages where people talk like this, it's

0:47:53.320 --> 0:47:56.480
<v Speaker 3>kind of like how some psychedelic evangelists talk about taking

0:47:56.640 --> 0:47:59.560
<v Speaker 3>LSD for the first time you realize your cares and

0:47:59.600 --> 0:48:02.960
<v Speaker 3>anxiety are meaningless, you lose your fear of death. Maybe

0:48:03.160 --> 0:48:06.960
<v Speaker 3>things like that. It's also kind of the way sometimes

0:48:06.960 --> 0:48:11.280
<v Speaker 3>people talk about contemplative practices or experiences that they believe

0:48:11.320 --> 0:48:15.440
<v Speaker 3>are spiritually important, like meditation, though the way the mysteries

0:48:15.440 --> 0:48:19.959
<v Speaker 3>are described it is a much less regular and more

0:48:20.040 --> 0:48:23.560
<v Speaker 3>high intensity experience than meditation usually is, I guess, but

0:48:24.160 --> 0:48:26.800
<v Speaker 3>similar kind of descriptions of like a way of opening

0:48:26.880 --> 0:48:30.480
<v Speaker 3>the mind, of changing your relationship to life. Your heart

0:48:30.560 --> 0:48:33.279
<v Speaker 3>is lighter, and you can be lighter when you go

0:48:33.360 --> 0:48:34.360
<v Speaker 3>to the land of the dead.

0:48:35.280 --> 0:48:38.120
<v Speaker 2>Yeah, I mean, in some ways, I'm reminded of going

0:48:38.160 --> 0:48:40.960
<v Speaker 2>to a haunted attraction here in our modern world. You know,

0:48:41.000 --> 0:48:44.440
<v Speaker 2>go to a haunted house around Halloween, where the various

0:48:45.040 --> 0:48:48.160
<v Speaker 2>actors and various tricks will be utilized to scare you

0:48:48.400 --> 0:48:50.400
<v Speaker 2>and give you a good laugh. I mean, it is

0:48:50.600 --> 0:48:55.600
<v Speaker 2>like a sensory overload experience. And granted it it has

0:48:55.680 --> 0:48:58.080
<v Speaker 2>no religious agenda. Well I take that back. Sometimes it

0:48:58.080 --> 0:48:59.600
<v Speaker 2>does have a religious agenda.

0:48:59.400 --> 0:49:01.719
<v Speaker 4>But yeah, there are those, Yeah, but.

0:49:01.760 --> 0:49:03.920
<v Speaker 2>In general it does. The idea of just scaring you

0:49:03.960 --> 0:49:07.200
<v Speaker 2>doesn't have a religious agenda. But now that I've accidentally

0:49:07.200 --> 0:49:09.879
<v Speaker 2>mentioned it, I am reminded, Yeah, maybe there's a case

0:49:09.920 --> 0:49:14.720
<v Speaker 2>to be made that like church themed or orchestrated haunted

0:49:14.719 --> 0:49:20.280
<v Speaker 2>attractions like small town affairs are kind of in keeping

0:49:20.320 --> 0:49:23.640
<v Speaker 2>with mystery cults to some degree, I guess based on

0:49:23.719 --> 0:49:29.960
<v Speaker 2>my experience of those Christian haunted house haunted attractions, there

0:49:30.040 --> 0:49:34.080
<v Speaker 2>tended to be very little in terms of like supernatural

0:49:34.120 --> 0:49:36.719
<v Speaker 2>content in them. Generally they were depicting like real life

0:49:36.719 --> 0:49:41.359
<v Speaker 2>ours and not so much like here now you are

0:49:41.400 --> 0:49:45.080
<v Speaker 2>witnessing angels, maybe you're witnessing demons, but you know you're

0:49:45.120 --> 0:49:48.200
<v Speaker 2>not going to see you glory from the other side.

0:49:48.920 --> 0:49:51.040
<v Speaker 3>I think the common recipe is you get to see

0:49:51.040 --> 0:49:53.920
<v Speaker 3>people go into hell, yeah, and that the point of

0:49:53.960 --> 0:49:56.799
<v Speaker 3>the hell house also is a persuasive one, like it's

0:49:56.840 --> 0:50:00.320
<v Speaker 3>supposed to make you afraid that, oh, I'm to go

0:50:00.360 --> 0:50:02.080
<v Speaker 3>to hell like the people in the play here, and

0:50:02.120 --> 0:50:04.319
<v Speaker 3>it's going to be scary if I don't say the

0:50:04.320 --> 0:50:07.279
<v Speaker 3>Sinner's prayer and get saved or go to this church here,

0:50:07.800 --> 0:50:09.680
<v Speaker 3>And so it's like a way, it's like a foot

0:50:09.719 --> 0:50:12.640
<v Speaker 3>in the door. It's trying to get you into the

0:50:12.920 --> 0:50:17.840
<v Speaker 3>actually the doctrinal religion, the regular, more low intensity experience

0:50:17.880 --> 0:50:21.080
<v Speaker 3>of going to this church, whereas with the mysteries, it

0:50:21.160 --> 0:50:24.440
<v Speaker 3>seems like the point of the mysteries was the experience

0:50:24.480 --> 0:50:27.680
<v Speaker 3>of the mysteries is like that was what it was about.

0:50:28.320 --> 0:50:30.799
<v Speaker 3>At least in the case of the Elusinian Mysteries. It

0:50:30.840 --> 0:50:33.680
<v Speaker 3>wasn't like a persuasive event to try to get you

0:50:33.800 --> 0:50:37.799
<v Speaker 3>into to show up every week. Instead, it was like,

0:50:37.960 --> 0:50:40.160
<v Speaker 3>this is why you're here, this is what it's all about.

0:50:40.880 --> 0:50:42.960
<v Speaker 2>There there's often the sense that it's not something you

0:50:42.960 --> 0:50:45.560
<v Speaker 2>could even put into words exactly like it was that

0:50:45.680 --> 0:50:50.160
<v Speaker 2>level of an experience, not I'm keeping again, not dissimilar

0:50:50.200 --> 0:50:56.120
<v Speaker 2>from some of the accounts of psychedelic experiences and paranormal experiences.

0:50:57.800 --> 0:51:01.920
<v Speaker 2>Rather different from in that regard compared to a haunted attraction,

0:51:01.960 --> 0:51:05.640
<v Speaker 2>where generally you can describe everything quite well once you

0:51:05.760 --> 0:51:06.799
<v Speaker 2>leave the facilities.

0:51:07.400 --> 0:51:09.839
<v Speaker 3>All right, So we've talked about a written version of

0:51:09.880 --> 0:51:13.160
<v Speaker 3>the myth associating the goddess Demeter with the city of

0:51:13.280 --> 0:51:15.320
<v Speaker 3>l Jusis, and we've talked about how people in the

0:51:15.320 --> 0:51:19.759
<v Speaker 3>ancient world wrote about the personal effect of being initiated

0:51:19.840 --> 0:51:24.160
<v Speaker 3>or attending the mysteries. But what's beyond this, of course,

0:51:24.239 --> 0:51:27.640
<v Speaker 3>is to describe the rituals themselves. I think we do

0:51:27.719 --> 0:51:29.759
<v Speaker 3>not have time left to do that today, so I

0:51:29.760 --> 0:51:31.200
<v Speaker 3>think that should be where we pick up in the

0:51:31.200 --> 0:51:32.160
<v Speaker 3>next episode.

0:51:32.400 --> 0:51:34.800
<v Speaker 2>All right, So we'll meet you back here on Thursday

0:51:34.960 --> 0:51:38.279
<v Speaker 2>for our continued look at the ancient mystery cults of

0:51:38.360 --> 0:51:41.719
<v Speaker 2>the Greco Roman world. In the meantime, we'll remind you

0:51:41.760 --> 0:51:43.760
<v Speaker 2>that Stuff to Blow Your Mind is primarily a science

0:51:43.760 --> 0:51:46.919
<v Speaker 2>and culture podcast, with core episodes on Tuesdays and Thursdays,

0:51:47.080 --> 0:51:49.839
<v Speaker 2>short form episodes on Wednesdays and on Fridays. We set

0:51:49.840 --> 0:51:51.960
<v Speaker 2>aside most serious concerns to just talk about a weird

0:51:52.040 --> 0:51:53.440
<v Speaker 2>film on Weird House Cinema.

0:51:53.760 --> 0:51:57.320
<v Speaker 3>Huge Things, as always to our excellent audio producer JJ Posway.

0:51:57.640 --> 0:51:59.080
<v Speaker 3>If you would like to get in touch with us

0:51:59.080 --> 0:52:01.560
<v Speaker 3>with feedback on this episode or any other, to suggest

0:52:01.600 --> 0:52:03.640
<v Speaker 3>a topic for the future, or just to say hello,

0:52:03.960 --> 0:52:06.680
<v Speaker 3>you can email us at contact, stuff to Blow your

0:52:06.719 --> 0:52:15.560
<v Speaker 3>Mind dot com.

0:52:15.680 --> 0:52:18.600
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:52:18.680 --> 0:52:21.479
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0:52:21.640 --> 0:52:37.960
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