WEBVTT - Bedazzled with Laci Mosley

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<v Speaker 1>On the dol cast, The questions asked if movies have

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<v Speaker 1>woen inum, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy zef in best

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<v Speaker 1>start changing it with the beck Del cast. Most men

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<v Speaker 1>think they're gold. This one just happens to be right,

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<v Speaker 1>which is a quote from the movie Bedazzled and High.

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<v Speaker 1>That's today's movies and hide. She did it? What's your name?

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<v Speaker 1>Oh mommy, Yeah, no, I'm sticking with it. What's your name? Now?

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<v Speaker 1>It's aggressive. But if I was like, I'm the devil,

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<v Speaker 1>I was hoping you would say that, Okay, yes, I'm

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<v Speaker 1>the devil. What does she say? Like? BL's above? But

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<v Speaker 1>she says like five, she's she's basically singing Bohemian Rhapsody.

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<v Speaker 1>She Oh, it's so you're in for it today, because

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<v Speaker 1>I have no fucking clue what's going on in this movie?

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<v Speaker 1>There is This is a movie that I feel like

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<v Speaker 1>I could have only come out in two thousand and

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<v Speaker 1>I'm like, did it make sense then? Because I was really,

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<v Speaker 1>there's so much I'm not sure. Wait wait, wait, what's

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<v Speaker 1>your what's your name? Oh? Right, well, I'm Biel's abub

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<v Speaker 1>No I'm my name's Jamie. My name is Caitlin. We're

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<v Speaker 1>on a first name basis at this point. And this

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<v Speaker 1>is the backtel Cast. This is where we talk about

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<v Speaker 1>movies from an intersectional feminist lens, and we also talk

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<v Speaker 1>about Bedazzled, and that's what we're doing today backtel Cast

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<v Speaker 1>more like the Dazzle The why is this movie called Bedazzled?

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<v Speaker 1>We were talking about this before we got on. Mike.

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<v Speaker 1>I think it's because the devil Lucifer beazl bub Satan

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<v Speaker 1>has the ability to bedazzle you with all you know,

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<v Speaker 1>riches and respect and love and all that series of

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<v Speaker 1>law sketches in the middle of a movie. Yeah, I guess,

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<v Speaker 1>so I get. That's as close as I got. Anyways,

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<v Speaker 1>this is our podcast. We use the Bechtel test as

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<v Speaker 1>a jumping off point for discussion. That is a media

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<v Speaker 1>metric invented by queer cartoonist Alice in Bechtel that requires that,

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<v Speaker 1>for our purposes, two characters of a marginalized gender with

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<v Speaker 1>names speak to each other about something other than Brendan Fraser.

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<v Speaker 1>And that's how the test is going to work today,

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<v Speaker 1>and we'll just we'll just see what happens. We will indeed,

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<v Speaker 1>and I say, without much further ado, we introduce our guest,

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<v Speaker 1>a fan favorite. First of all, she's also a comedian actor.

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<v Speaker 1>You know her from ABC's The Con and she's the

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<v Speaker 1>host of Scam Goddess podcast. It's Lacy Mosley. Hi, Oh,

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<v Speaker 1>welcome Backack. I would like to be addressed that satan.

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<v Speaker 1>It's got an accent mark, so it's satan. Okay, we're

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<v Speaker 1>hitting the second syllable. It's funny that, y'all we're talking

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<v Speaker 1>about the title of this movie. I personally, I guess

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<v Speaker 1>because I was younger when it came out. I remember

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<v Speaker 1>talking to my friends about it. I'd be like, yeah,

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<v Speaker 1>you know, that's that movie bit, but there's what did

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<v Speaker 1>I call it? Bebazild. I was like, you know, maybe

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<v Speaker 1>I was illiterate, but I'm like, yeah, I know that

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<v Speaker 1>movie bevazled with with the British Javil. That's honestly enough

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<v Speaker 1>information to know what the movie is. Perfect. But I'm

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<v Speaker 1>so glad you brought us this movie because I had

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<v Speaker 1>no idea this movie existing. Oh really, wow, Yeah, I'd

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<v Speaker 1>never heard of it, and I thought that I like,

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<v Speaker 1>I'm not like, I'm not a I'm not like a

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<v Speaker 1>Brendan Fraser fan, but I find him interesting as a person,

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<v Speaker 1>I don't think so. And then I hate Brendon Frae.

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<v Speaker 1>It's just like I don't know what people are like,

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<v Speaker 1>Oh yeah, give it at Brandon, like ione have a

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<v Speaker 1>poster in their wall. I don't know, he's like interesting

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<v Speaker 1>because I just I don't know. Anytime there's someone who

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<v Speaker 1>was like I look like a movie star, but I'm

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<v Speaker 1>actually a character actor, I'm like, that's kind of interesting

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<v Speaker 1>to me. But I had no idea this movie existed.

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<v Speaker 1>What is this thing there? Uh? Lacy had what is

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<v Speaker 1>your history with Bedazzled? So my history with Bebizild is

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<v Speaker 1>I remember seeing it with my cousin as a kid,

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<v Speaker 1>and you know, we're pretty religious, but not like I

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<v Speaker 1>was like I want to church a lot. But like

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<v Speaker 1>as soon as my mom had full control over how

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<v Speaker 1>much we went to church, then we didn't go to

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<v Speaker 1>church as much. You know, we had we hit the bobs.

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<v Speaker 1>You know, we were there for the high holidays. We

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<v Speaker 1>were there for you know, the cute moments, the Easters,

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<v Speaker 1>the Christmas is, you know, whenever Jesus would come back,

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<v Speaker 1>we would come back as well. Basically, but so I

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<v Speaker 1>remember watching it kind of like we were like sneaking

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<v Speaker 1>and watching it um much as we did most of

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<v Speaker 1>the television that we watched. And I remember having fun

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<v Speaker 1>watching it, much like when I was here from What

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<v Speaker 1>Women Want, which was a dumpster fire, the one with

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<v Speaker 1>Mel Gibson. I was like, I remember being like, bitch,

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<v Speaker 1>this is good, like so so I'm I was ready

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<v Speaker 1>to love it. The early two thousand's what a what

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<v Speaker 1>a cursed It was really just a free for all

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<v Speaker 1>you could do all sorts of ship that was our eighties.

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<v Speaker 1>I mean like we were wearing skirts over leggings and

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<v Speaker 1>do outfits and and so for some reason, a flower

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<v Speaker 1>Indian hair anywhere, Like I wore flower in my hair

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<v Speaker 1>to my senior prom, please and thank you. I wore

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<v Speaker 1>one to the club there, poor decision. I remember like

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<v Speaker 1>being I don't know, I guess like at being a

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<v Speaker 1>kid around this time. I don't know why, but I

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<v Speaker 1>have like a really strong memory of being on the

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<v Speaker 1>school bus and having a T shirt that had like

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<v Speaker 1>as sass see a little phrase on it that said

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<v Speaker 1>like angel ten percent devil and thinking like there is

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<v Speaker 1>never gonna be a shirt cooler than this shirt, Like

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<v Speaker 1>I was so thoroughly convinced that early two thousand's child

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<v Speaker 1>fashion was going to be as good as we ever got.

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<v Speaker 1>It was limited to Girl Limited too. It was great

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<v Speaker 1>Angel ten percent Devil. It fits perfectly with the Dazzles.

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<v Speaker 1>Also feels like a little horny for kid apparel. I mean,

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<v Speaker 1>like maybe the Devil's like a little devil. But I

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<v Speaker 1>don't know did either of you wear weirdly horny kids shirts?

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<v Speaker 1>Because I definitely I had my fifth grade school picture.

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<v Speaker 1>I'm wearing a T shirt that says too young for Ashton,

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<v Speaker 1>which is like fucked up. But I snuck at to school.

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<v Speaker 1>My mom didn't want me to wear it, but my

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<v Speaker 1>aunt got it for me. My horny aunt was like,

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<v Speaker 1>this is funny, and then I brought home the school

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<v Speaker 1>pictures and now it's in your life forever. I love

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<v Speaker 1>that your aunt is hilarious. But that shirt is who

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<v Speaker 1>made that? Who was like put that on the screen.

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<v Speaker 1>They were just selling that at like I don't even

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<v Speaker 1>know where it would have been, like the Macy's clearance section.

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<v Speaker 1>They just had that shirt for Like the shirt basically

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<v Speaker 1>was like I'm horned for Ashton, but he can't be

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<v Speaker 1>horned back. What did we say, it's like, thanks for

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<v Speaker 1>letting us know ten year old. I hope Ashton made

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<v Speaker 1>some coin off of it, because they just said and

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<v Speaker 1>they say culture. So he probably out here and gets

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<v Speaker 1>smeared and he didn't even get a coin. Oh my goodness, Caitlyn,

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<v Speaker 1>what's your history of this movie? My history is literally

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<v Speaker 1>I didn't know it existed before before we started getting

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<v Speaker 1>ready for this episode. This came out when I was

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<v Speaker 1>in high school or I was like just about to

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<v Speaker 1>enter high school, so I was it was definitely on

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<v Speaker 1>my radar, and I thought I had seen this movie,

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<v Speaker 1>But when I went to watch it to prep for

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<v Speaker 1>this episode, I'm like, none of this is familiar to me,

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<v Speaker 1>except for one scene where he first wakes up as

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<v Speaker 1>a Colombian drug lord and he's figuring out that he

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<v Speaker 1>can speak Spanish, because this clip is featured as a

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<v Speaker 1>clip in the board game Seen It if anyone remembers

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<v Speaker 1>seen it, I do remember that. I don't remember that.

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<v Speaker 1>So that whole scene plays out and then you're supposed

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<v Speaker 1>to like answer like trivia questions about that clip or

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<v Speaker 1>whatever in the game anyway, so that I was like, Okay,

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<v Speaker 1>I've definitely seen that part. Of it. I think I

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<v Speaker 1>must have been on at a sleepover or something like that,

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<v Speaker 1>because I have like bits and pieces of it were

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<v Speaker 1>familiar to me, but I didn't. I don't think I

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<v Speaker 1>had seen the whole thing. Um, we're too busy pillow fighting.

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<v Speaker 1>I was too busy being angel Um. But yeah, so,

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<v Speaker 1>uh should we just get into the recap and then

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<v Speaker 1>I'm so excited to hear you recap this movie, Like

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<v Speaker 1>what is going to happen me about you? While I

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<v Speaker 1>was watching the movie, I was like, I just can't

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<v Speaker 1>wait for Caitlin to do this. Thank you. Okay, So

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<v Speaker 1>we meet Elliott. That is Brendan Fraser. He works at

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<v Speaker 1>a tech company, and he's a loser. He's a dork.

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<v Speaker 1>He's annoying, and nobody likes him. He's Brendan frasering out

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<v Speaker 1>at the beginning, like such a simple yeah, like he

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<v Speaker 1>this is Brendan Fraser. At the beginning of a lot

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<v Speaker 1>of movies. He's like really loudly not fitting in. I

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<v Speaker 1>just well, I kept thinking back to so we recorded

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<v Speaker 1>an episode on The Mummy a few years ago. Now, Um,

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<v Speaker 1>but our whole thing with that episode that he is

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<v Speaker 1>that he was like Ferrell from a lot of the

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<v Speaker 1>movie because he like surprised kisses Rachel Weiss, and he's

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<v Speaker 1>just like being this horny Farrell, like we love a

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<v Speaker 1>surprise kiss, we don't, and this movie he gets surprised

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<v Speaker 1>kissed by the devil. So I just kept thinking about

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<v Speaker 1>like Brendan Fraser being feral and it kept making me laugh. Anyways,

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<v Speaker 1>So one evening he sees some people that he knows

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<v Speaker 1>from work hanging out without him at a bar, and

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<v Speaker 1>then the woman that he has a huge crush on

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<v Speaker 1>who he also works with or like she works in

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<v Speaker 1>the same building or something, Alison Gardner. That's Francis O'Connor.

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<v Speaker 1>She comes in and his coworkers kind of like egg

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<v Speaker 1>him on to go talk to her because he's all like, yeah,

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<v Speaker 1>she and I are like good friends, and he goes

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<v Speaker 1>over to talk to her. She does not remember Elliott

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<v Speaker 1>at all, because it turns out they've only talked once

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<v Speaker 1>briefly four years ago, and then she walks away, but

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<v Speaker 1>just then Elliott comes upon a sexy woman in red.

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<v Speaker 1>Yeah it does happen that quickly, Wait really quick on, Allison.

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<v Speaker 1>I just I was waiting the whole movie to be like,

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<v Speaker 1>what is like one thing, What is one thing about

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<v Speaker 1>her other than she is She seems to reflexively, like

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<v Speaker 1>many people who are being aggressively hit on, be nice

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<v Speaker 1>to people instead of telling them to funk off. Like

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<v Speaker 1>that's I think the one thing I know about her. Yeah,

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<v Speaker 1>they didn't give us no information about her. She kind

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<v Speaker 1>of looked like Mariah Carey, which I was like, maybe that's, like,

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<v Speaker 1>you know, for the Times, like Maria. You know, Maria's

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<v Speaker 1>always popping, she owns Christmas, move over Jesus, but she's

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<v Speaker 1>long bodded Jesus off the manger. Um, it's just her

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<v Speaker 1>and heels. But she. I was like, oh, maybe that

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<v Speaker 1>was for the Times. But also I didn't like that,

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<v Speaker 1>like it gave such in cell vibes of like this woman,

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<v Speaker 1>we don't know nothing about her. It's like if you

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<v Speaker 1>just saw a girl on Instagram and was like, that's

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<v Speaker 1>my wife, and it's like you've never seen, never talked

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<v Speaker 1>to her. We didn't even Instagram will get more information.

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<v Speaker 1>At least she would have some cat she's we can

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<v Speaker 1>look at like this is like the sun, Okay, she

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<v Speaker 1>loves the beach all right, Like nothing, Yeah, we know

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<v Speaker 1>nothing about her. It's so weird, yeah, like slow mo

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<v Speaker 1>entrance shot, and then we never learned to the point

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<v Speaker 1>where like when she would show up in all these

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<v Speaker 1>like later like fantasy sequences, I would kind of sometimes

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<v Speaker 1>be like, wait, who is that? Oh, I guess it's

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<v Speaker 1>that lady Allison. Like I didn't recognize her because she

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<v Speaker 1>was in those weeks. She was just in a bunch

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<v Speaker 1>of wigs, and I was like, She's like, she was fun,

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<v Speaker 1>But I'm like, I don't who is this woman? What

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<v Speaker 1>is different about her? She's passionate about wigs, That's what

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<v Speaker 1>we know. She loves a good wig, so right, he

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<v Speaker 1>knows the way she likes to eat her bagels, and

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<v Speaker 1>that's all he knows about her, and that's all we

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<v Speaker 1>know about her. But anyway, so suddenly this very sexy

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<v Speaker 1>woman in Red is in the movie and she's played

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<v Speaker 1>by Elizabeth Hurley, and there's something very peculiar about her

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<v Speaker 1>because she's really good at pool and she seems to

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<v Speaker 1>be omniscient. And then she's like, by the way, Brendan Fraser,

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<v Speaker 1>I have the power to give you everything you've ever

0:13:03.520 --> 0:13:07.679
<v Speaker 1>dreamed of. And it's because I'm the devil t he

0:13:08.280 --> 0:13:14.559
<v Speaker 1>She's really fun, Like when it's fucked up, she's still

0:13:14.600 --> 0:13:17.959
<v Speaker 1>fun and she's like hot off of Austin Powers too.

0:13:18.040 --> 0:13:21.360
<v Speaker 1>It's like peak Elizabeth Hurly because I'm like, what if

0:13:21.880 --> 0:13:24.559
<v Speaker 1>I can't I can't tell you what Elizabeth Hurley did

0:13:24.600 --> 0:13:28.480
<v Speaker 1>after this. She's very naughty. I also think that like

0:13:28.559 --> 0:13:31.959
<v Speaker 1>having the Devil be British was just like just because

0:13:32.000 --> 0:13:34.720
<v Speaker 1>I just can't imagine American woman like, yeah, I'm the Devil,

0:13:35.360 --> 0:13:40.520
<v Speaker 1>so what's up? You want some wishes or not? It

0:13:40.559 --> 0:13:44.160
<v Speaker 1>just doesn't sound as sexy is her. Also the fact

0:13:44.240 --> 0:13:47.720
<v Speaker 1>that the Devil is a genie, Like, there's so many

0:13:47.840 --> 0:13:50.240
<v Speaker 1>leaps of logic where I'm like, okay, I guess the

0:13:50.280 --> 0:13:55.080
<v Speaker 1>Devil is a genie and she's obsessed with Brendan Fraser

0:13:55.200 --> 0:13:59.840
<v Speaker 1>because of a CD ROM computer program that she has

0:14:00.240 --> 0:14:03.800
<v Speaker 1>I don't know right, Well, okay, So this movie is

0:14:03.880 --> 0:14:10.800
<v Speaker 1>based on a nineteen sixty seven movie of the same

0:14:10.920 --> 0:14:14.559
<v Speaker 1>name the Peter Cook and Dudley Moore were in and

0:14:14.600 --> 0:14:17.240
<v Speaker 1>that who also co wrote that movie, which was also

0:14:17.320 --> 0:14:21.360
<v Speaker 1>an adaptation from the Faust Legend, which admittedly I don't

0:14:21.360 --> 0:14:24.960
<v Speaker 1>know anything about Faust. It definitely feels like something that's

0:14:25.000 --> 0:14:28.960
<v Speaker 1>been adapted from other stuff because some things. I'm like, huh, right,

0:14:29.080 --> 0:14:32.640
<v Speaker 1>what where did that come from? Like what triggered the devil? Like,

0:14:32.760 --> 0:14:35.480
<v Speaker 1>I don't I didn't see him go like, oh, devil,

0:14:35.520 --> 0:14:37.360
<v Speaker 1>I wish I could be with aliceon Like it was

0:14:37.440 --> 0:14:39.880
<v Speaker 1>nothing that, there's nothing that triggered the devil. He goes

0:14:40.520 --> 0:14:43.360
<v Speaker 1>He's like, Dear God, I would I would do anything

0:14:43.400 --> 0:14:47.320
<v Speaker 1>to be So he basically praised to God saying like

0:14:47.360 --> 0:14:49.000
<v Speaker 1>I would do anything to be with this woman, and

0:14:49.080 --> 0:14:51.920
<v Speaker 1>rather than God responding, so I don't say. Maybe this

0:14:51.960 --> 0:14:54.760
<v Speaker 1>movie is a commentary on like where's God when you

0:14:54.800 --> 0:15:00.520
<v Speaker 1>need him? Because who SUPs at the end of the movie, right, right, Yes,

0:15:01.320 --> 0:15:02.920
<v Speaker 1>God is in this movie. I can't wait to talk

0:15:02.960 --> 0:15:06.880
<v Speaker 1>about him. But um, so the devil is like, Hi,

0:15:06.960 --> 0:15:10.840
<v Speaker 1>I'm the devil and he's like what. So she has

0:15:10.880 --> 0:15:13.440
<v Speaker 1>to prove it to him because you know, Brendan Fraser

0:15:13.520 --> 0:15:18.080
<v Speaker 1>doesn't believe women or Devil's well she does like just

0:15:18.200 --> 0:15:21.440
<v Speaker 1>kind of start accosting. I don't know. All their scenes

0:15:21.480 --> 0:15:24.640
<v Speaker 1>together are like what is this dynamic? And then at

0:15:24.640 --> 0:15:26.600
<v Speaker 1>the end where he says like You're the best friend

0:15:26.600 --> 0:15:28.840
<v Speaker 1>I've ever had, Like that's the saddest thing I've ever

0:15:28.880 --> 0:15:35.640
<v Speaker 1>heard in my life and she hates you, man, she

0:15:35.720 --> 0:15:38.520
<v Speaker 1>hates you so much, she's just using you to get

0:15:38.560 --> 0:15:42.680
<v Speaker 1>your soul. Such a weird story. So I needed the

0:15:42.680 --> 0:15:45.360
<v Speaker 1>help of Wikipedia to understand what was happening at the beginning,

0:15:45.400 --> 0:15:48.560
<v Speaker 1>because the whole like intro is like we see people

0:15:48.600 --> 0:15:52.320
<v Speaker 1>being it's like a very early two thousands computer program

0:15:52.320 --> 0:15:54.240
<v Speaker 1>where I will like point at the person and then

0:15:54.280 --> 0:15:57.280
<v Speaker 1>say five adjectives like it's the next bus or something.

0:15:57.840 --> 0:16:01.120
<v Speaker 1>I'm like, what, But apparently that's the Devil computer program,

0:16:01.200 --> 0:16:04.680
<v Speaker 1>which I didn't understand right. I was like, I didn't

0:16:04.680 --> 0:16:07.160
<v Speaker 1>get that until the second viewing. I was like, so

0:16:07.360 --> 0:16:11.040
<v Speaker 1>the Devil has a cd ROM that tells her that

0:16:11.200 --> 0:16:15.520
<v Speaker 1>Brendan Frasier is lonely. Like it's just weird, Yeah, yeah,

0:16:15.560 --> 0:16:18.560
<v Speaker 1>because she's using it basically is like kind of like

0:16:18.600 --> 0:16:21.560
<v Speaker 1>an online dating site, but rather than to like find dates,

0:16:21.600 --> 0:16:26.200
<v Speaker 1>it's to like find candidates for souls she can snatch up.

0:16:26.640 --> 0:16:29.400
<v Speaker 1>And some of that language was just so early two thousands.

0:16:29.440 --> 0:16:30.720
<v Speaker 1>I was like, this is like the ship you can

0:16:30.760 --> 0:16:32.360
<v Speaker 1>get away with. Like they pointed out one woman and

0:16:32.360 --> 0:16:36.160
<v Speaker 1>it was like tease and it's like, yeah, I feel

0:16:36.200 --> 0:16:38.520
<v Speaker 1>like that's not that's the word made up bout me

0:16:38.600 --> 0:16:40.440
<v Speaker 1>and who wanted to have sex with somebody who did

0:16:40.440 --> 0:16:42.760
<v Speaker 1>not want to have sex with them. That's not a thing.

0:16:44.840 --> 0:16:48.760
<v Speaker 1>So some of the points I was like problematic, Yes, definitely,

0:16:48.840 --> 0:16:52.119
<v Speaker 1>this is a very two thousand software program, like it's

0:16:52.960 --> 0:16:59.360
<v Speaker 1>not updated, it's running on fucking Windows. I like. But

0:16:59.400 --> 0:17:03.200
<v Speaker 1>then when it points the Brandon Fraser, it's like doormatt, lonely, desperate, oblivious,

0:17:03.280 --> 0:17:06.760
<v Speaker 1>eager to please. And I was like, wow, feeling called out.

0:17:07.119 --> 0:17:10.159
<v Speaker 1>That's so brutal. And then a million he holds the

0:17:10.200 --> 0:17:14.560
<v Speaker 1>door and a million people go inside. I was like, Brendy,

0:17:14.560 --> 0:17:16.480
<v Speaker 1>you could have got in there. You stuck up in there.

0:17:17.320 --> 0:17:19.760
<v Speaker 1>Brendan have some self esteem. But then he does have

0:17:19.840 --> 0:17:22.359
<v Speaker 1>self esteem, but and it's really like aggressive at times,

0:17:22.440 --> 0:17:26.000
<v Speaker 1>it's he's it is a weird character, like he's either

0:17:26.359 --> 0:17:28.200
<v Speaker 1>I feel like he falls kind of into that nerd

0:17:28.280 --> 0:17:31.959
<v Speaker 1>stereotype of like I'm going to force people to like me,

0:17:32.000 --> 0:17:34.320
<v Speaker 1>which is like, no, that's also scary. That's not a

0:17:34.320 --> 0:17:38.520
<v Speaker 1>good approach. I felt bad for that. In his working group.

0:17:38.720 --> 0:17:42.960
<v Speaker 1>First of all, shoutout Orlando Jones, so funny. He's great,

0:17:43.240 --> 0:17:44.919
<v Speaker 1>even though it's like he should have had more to

0:17:45.040 --> 0:17:47.320
<v Speaker 1>do it, but like there, I was glad he was there.

0:17:47.359 --> 0:17:50.439
<v Speaker 1>And then there was also like token guy's Gal that

0:17:50.520 --> 0:17:54.000
<v Speaker 1>was with them, who was like, oh, like did you God?

0:17:54.080 --> 0:17:56.520
<v Speaker 1>It was just like such a stock character. But I'm like, oop,

0:17:56.640 --> 0:17:59.800
<v Speaker 1>I know who you are. You will never talk to

0:17:59.840 --> 0:18:01.880
<v Speaker 1>an other woman in this film. But she'll be there

0:18:01.920 --> 0:18:04.040
<v Speaker 1>with the guys. But not everywhere, because like, was she

0:18:04.080 --> 0:18:06.880
<v Speaker 1>ever in any of the cutaways? No, she was only

0:18:07.119 --> 0:18:11.760
<v Speaker 1>in like the non wish, like non fantasy. Why did

0:18:11.840 --> 0:18:17.480
<v Speaker 1>she come to the fantasy? She was just as she

0:18:17.640 --> 0:18:20.080
<v Speaker 1>was just as much of a bully to Brendan Fraser

0:18:20.080 --> 0:18:23.960
<v Speaker 1>as anyone else, and she wasn't invited. Rude, damn, I

0:18:24.000 --> 0:18:25.679
<v Speaker 1>didn't even that didn't even occur to me. I was

0:18:25.720 --> 0:18:27.560
<v Speaker 1>just like, wow, guys, Gal, they gave her like the

0:18:27.600 --> 0:18:31.399
<v Speaker 1>guy's gal Daria jacket and everything. Yeah, but she's not

0:18:31.440 --> 0:18:35.560
<v Speaker 1>allowed to participate in most of the movie. Okay, So anyway,

0:18:35.640 --> 0:18:39.359
<v Speaker 1>so um, he's like, I don't you You're not the devil.

0:18:39.760 --> 0:18:42.840
<v Speaker 1>So she proves it to him by granting his wish

0:18:42.920 --> 0:18:45.919
<v Speaker 1>of a big mac and a coke, But it doesn't

0:18:45.960 --> 0:18:49.320
<v Speaker 1>seem that impressive because she just takes him to McDonald's

0:18:49.359 --> 0:18:52.359
<v Speaker 1>and he has to pay for it, but then she

0:18:52.480 --> 0:18:55.760
<v Speaker 1>takes him to her nightclub where everyone seems to know

0:18:55.920 --> 0:18:58.239
<v Speaker 1>him and love him, and then she presents him with

0:18:58.280 --> 0:19:02.359
<v Speaker 1>this contract where she will grant him seven wishes because

0:19:02.400 --> 0:19:08.080
<v Speaker 1>she's also a genie in exchange for his soul, and

0:19:08.160 --> 0:19:12.040
<v Speaker 1>because he really really wants to be with this woman, Allison,

0:19:12.520 --> 0:19:16.120
<v Speaker 1>he signs the contract and then she's like, Okay, I'm

0:19:16.119 --> 0:19:18.960
<v Speaker 1>gonna give you this pager. If things aren't going the

0:19:18.960 --> 0:19:21.560
<v Speaker 1>way you'd hope, just you know, dial six six six,

0:19:22.080 --> 0:19:27.800
<v Speaker 1>and then we'll sort it out. Classic two thousand's Devil, Right,

0:19:29.119 --> 0:19:33.000
<v Speaker 1>So what follows next is a bunch of sequences that

0:19:33.040 --> 0:19:34.800
<v Speaker 1>I'm just going to kind of breeze through because I

0:19:34.880 --> 0:19:37.680
<v Speaker 1>feel like we will break them down one by one

0:19:37.840 --> 0:19:40.639
<v Speaker 1>in the discussion, so I don't want to spend too

0:19:40.720 --> 0:19:43.800
<v Speaker 1>much time. And but basically, there's all these sequences where

0:19:44.000 --> 0:19:47.520
<v Speaker 1>he makes a wish. Things seem great at first, but

0:19:47.560 --> 0:19:50.680
<v Speaker 1>then he discovers like a catch and then he has

0:19:50.720 --> 0:19:53.000
<v Speaker 1>to page the Devil and go back to normal until

0:19:53.040 --> 0:19:56.280
<v Speaker 1>he makes his next wish. So the first one is

0:19:56.320 --> 0:19:59.199
<v Speaker 1>that he wishes to be very rich and powerful and

0:19:59.280 --> 0:20:06.600
<v Speaker 1>married to liston cut to he is now Colombian. Okay,

0:20:07.240 --> 0:20:10.959
<v Speaker 1>he lives in a mansion with his wife Allison, and

0:20:11.000 --> 0:20:14.400
<v Speaker 1>he's rich and everything, but the catches. Allison hates him

0:20:14.480 --> 0:20:17.919
<v Speaker 1>and is cheating on him, and he got his wealth

0:20:17.920 --> 0:20:21.240
<v Speaker 1>and power by running a drug cartel. This is where

0:20:21.240 --> 0:20:26.000
<v Speaker 1>I was like, what huh there is? This movie quickly

0:20:26.040 --> 0:20:31.080
<v Speaker 1>becomes just a series of really long sketches where Brendan

0:20:31.119 --> 0:20:34.439
<v Speaker 1>Fraser is doing the absolute most a person can do,

0:20:35.600 --> 0:20:40.720
<v Speaker 1>like just like a pile of wigs and a bunch

0:20:40.760 --> 0:20:43.359
<v Speaker 1>of things happening, and it's all ten minutes long, and

0:20:43.359 --> 0:20:46.480
<v Speaker 1>at the end you're like, and then all of a sudden,

0:20:46.520 --> 0:20:48.359
<v Speaker 1>he's talking to the devil again, and why did he

0:20:48.400 --> 0:20:50.199
<v Speaker 1>have to have a proces that it knows to be

0:20:50.240 --> 0:20:53.560
<v Speaker 1>a Colombian dread lorre? Wow? I mean that's not all

0:20:53.600 --> 0:20:56.960
<v Speaker 1>they do. They put him in brown face, yeah they did,

0:20:57.320 --> 0:21:01.479
<v Speaker 1>Oh god, and that look get into him. But and

0:21:01.520 --> 0:21:04.760
<v Speaker 1>that's like God, they're all They're all like bad, but

0:21:04.880 --> 0:21:08.320
<v Speaker 1>all in like very distinct way. It's kind of like

0:21:08.359 --> 0:21:13.000
<v Speaker 1>a weird sampler plate of like problematic. They find a

0:21:13.040 --> 0:21:18.560
<v Speaker 1>new way to be extremely problematic with each new wish.

0:21:18.600 --> 0:21:22.360
<v Speaker 1>So the next one is after he finds out that

0:21:22.400 --> 0:21:25.960
<v Speaker 1>Alison wants a sensitive man. He wishes to be the

0:21:26.000 --> 0:21:29.600
<v Speaker 1>world's most sensitive man and for Allison to be in

0:21:29.640 --> 0:21:33.879
<v Speaker 1>love with him. So we cut to him being super sensitive.

0:21:33.880 --> 0:21:37.080
<v Speaker 1>But the catch is that he's too sensitive and overbearing

0:21:37.640 --> 0:21:43.200
<v Speaker 1>and she's turned off by it and it's disgusting. So

0:21:43.520 --> 0:21:48.320
<v Speaker 1>his next wish is to be tall and strong and athletic.

0:21:48.800 --> 0:21:52.000
<v Speaker 1>So the Devil turns him into a pro basketball player,

0:21:52.760 --> 0:21:58.159
<v Speaker 1>and Allison is now a sports reporter and she's really

0:21:58.320 --> 0:22:03.760
<v Speaker 1>horny for him, but the matches he has a very

0:22:03.800 --> 0:22:08.959
<v Speaker 1>small penis, which she sees because he starts to address

0:22:09.000 --> 0:22:11.640
<v Speaker 1>in front of her in the locker room as she's

0:22:11.640 --> 0:22:14.439
<v Speaker 1>like trying to interview him as a sports reporter. But

0:22:14.520 --> 0:22:20.200
<v Speaker 1>also she's like, yeah, like it's the the like gymnastics,

0:22:20.280 --> 0:22:22.439
<v Speaker 1>the logic gymnastics. The story goes to be like, no,

0:22:22.640 --> 0:22:26.159
<v Speaker 1>she is actually telling him that he has to strip

0:22:26.200 --> 0:22:29.400
<v Speaker 1>in front of her in the locker room because that's

0:22:29.440 --> 0:22:33.080
<v Speaker 1>what sports reporters do, and it's like it's oh boy,

0:22:33.080 --> 0:22:36.280
<v Speaker 1>it's a mind fuck. But so she sees his small

0:22:36.320 --> 0:22:39.440
<v Speaker 1>penis and now she is not interested in him. So

0:22:40.320 --> 0:22:43.879
<v Speaker 1>then his next wish is to be really smart and

0:22:44.080 --> 0:22:49.040
<v Speaker 1>educated and witty and sophisticated and for Alison to fall

0:22:49.080 --> 0:22:51.760
<v Speaker 1>in love with him, and that he has a big

0:22:51.800 --> 0:22:56.359
<v Speaker 1>penis so cut to him being a renowned writer who's

0:22:56.480 --> 0:22:59.679
<v Speaker 1>very charming and cool and everyone likes him. And then

0:22:59.720 --> 0:23:03.119
<v Speaker 1>he's Allison at some event and they hit it off.

0:23:03.200 --> 0:23:05.480
<v Speaker 1>But the catch here is that when they go back

0:23:05.520 --> 0:23:08.920
<v Speaker 1>to his place, it turns out that Elliott is gay

0:23:09.160 --> 0:23:13.800
<v Speaker 1>and has like a male partner and is not actually

0:23:13.800 --> 0:23:23.040
<v Speaker 1>interested in Allison. More gymnastics lay that one. Uh So,

0:23:23.119 --> 0:23:27.360
<v Speaker 1>the next wish is he wants to do something good

0:23:27.400 --> 0:23:30.199
<v Speaker 1>for mankind and to create a better world and do

0:23:30.280 --> 0:23:33.080
<v Speaker 1>something important. So he wishes to be the president of

0:23:33.080 --> 0:23:38.160
<v Speaker 1>the United States. So the devil makes him President Lincoln

0:23:38.400 --> 0:23:42.000
<v Speaker 1>right before he's about to be assassinated. Ah, he comes

0:23:42.000 --> 0:23:44.520
<v Speaker 1>out of that wish, and now he only has one

0:23:44.520 --> 0:23:47.800
<v Speaker 1>wish left because the devil is counting the big mac

0:23:47.840 --> 0:23:51.760
<v Speaker 1>and coke as one of his wishes, and he's like,

0:23:51.840 --> 0:23:55.439
<v Speaker 1>you know what, Devil, the deal is off. And he

0:23:55.600 --> 0:24:00.440
<v Speaker 1>goes to a church to talk to God. So yeah,

0:24:01.440 --> 0:24:06.639
<v Speaker 1>but there he gets arrested and in jail he meets God.

0:24:07.400 --> 0:24:19.119
<v Speaker 1>A black man in jail, right, he's just like talking

0:24:19.119 --> 0:24:22.439
<v Speaker 1>to Brendan Fraser about like his soul and his life

0:24:23.359 --> 0:24:26.080
<v Speaker 1>and stuff like that. But I've got we're one of us,

0:24:26.359 --> 0:24:31.240
<v Speaker 1>and you're just like interesting ta. I know. The only

0:24:31.240 --> 0:24:33.439
<v Speaker 1>thing more cliche could have been him on a bus.

0:24:37.560 --> 0:24:40.560
<v Speaker 1>Oh gosh. So then he gets out of jail and

0:24:40.640 --> 0:24:43.159
<v Speaker 1>he goes to the Devil's Club and he's like, you

0:24:43.200 --> 0:24:45.240
<v Speaker 1>know what, I don't want my last wish, but the

0:24:45.240 --> 0:24:48.399
<v Speaker 1>devil freaks out and sends him to Hell or something.

0:24:49.080 --> 0:24:53.080
<v Speaker 1>Oh my god, and then the hell has terrible special

0:24:53.080 --> 0:24:59.000
<v Speaker 1>effects and so brutal that when Elizabeth Hurley gets gigantic

0:24:59.160 --> 0:25:01.480
<v Speaker 1>but she still has the Austin Powers hair and she's like,

0:25:01.960 --> 0:25:06.119
<v Speaker 1>I'm gonna send you to Hell forever. You're like, oh,

0:25:06.160 --> 0:25:13.080
<v Speaker 1>I need a drink anything, yes, So then she like

0:25:13.200 --> 0:25:16.399
<v Speaker 1>basically forces him to make a wish, so he his

0:25:16.480 --> 0:25:20.919
<v Speaker 1>last wish is he wishes that Allison have a happy life.

0:25:21.359 --> 0:25:25.080
<v Speaker 1>And then suddenly he and the devil are like in

0:25:25.160 --> 0:25:30.359
<v Speaker 1>a courthouse and she explains that the contract that he

0:25:30.440 --> 0:25:34.600
<v Speaker 1>signed states that if a person commits a selfless act

0:25:34.640 --> 0:25:38.880
<v Speaker 1>of redemption like wishing for someone else's happiness, it avoids

0:25:38.960 --> 0:25:41.960
<v Speaker 1>the contract, which means the deal is off and he

0:25:42.000 --> 0:25:46.679
<v Speaker 1>gets to keep his soul so Elliott returns to his

0:25:46.760 --> 0:25:51.439
<v Speaker 1>normal life. He asks Allison out, which is just what

0:25:51.480 --> 0:25:54.520
<v Speaker 1>he should have done at the beginning of the movie, right,

0:25:56.960 --> 0:26:02.080
<v Speaker 1>But oh no, Allison seeing someone. But it's okay because

0:26:02.119 --> 0:26:05.600
<v Speaker 1>he goes home and his new neighbor is a lady

0:26:05.680 --> 0:26:12.240
<v Speaker 1>who looks exactly like Allison, except she's so quirky that

0:26:12.440 --> 0:26:18.080
<v Speaker 1>it's a miracle she's alive, Like, like, oh my god.

0:26:18.119 --> 0:26:20.520
<v Speaker 1>It's like if Zoe Deschanel in two thousand six were

0:26:20.560 --> 0:26:23.359
<v Speaker 1>at like a forty I was like she was just like,

0:26:23.640 --> 0:26:25.240
<v Speaker 1>my name is Nicole, but you can call me Nicky.

0:26:25.320 --> 0:26:28.800
<v Speaker 1>But and then he's like, wow, I'm in love with Hell.

0:26:29.440 --> 0:26:33.320
<v Speaker 1>She trips and she drops on her papers. Yeah, it's

0:26:33.400 --> 0:26:36.960
<v Speaker 1>like Hillary doves that like all of that in one

0:26:37.119 --> 0:26:39.240
<v Speaker 1>character that we meet for forty five seconds, and we're

0:26:39.240 --> 0:26:41.960
<v Speaker 1>supposed to be like, wow, I love this character. I'm

0:26:41.960 --> 0:26:45.119
<v Speaker 1>like this men wrote this character. And that's just a fact.

0:26:45.640 --> 0:26:48.919
<v Speaker 1>It just suggests that, like, it doesn't matter what a

0:26:48.960 --> 0:26:52.480
<v Speaker 1>woman's personality is, as long as she looks exactly like

0:26:52.600 --> 0:26:55.600
<v Speaker 1>that woman, Brendan Fraser will be in love with her.

0:26:55.880 --> 0:26:57.960
<v Speaker 1>But there's a lot of men who were like that.

0:26:58.760 --> 0:27:04.679
<v Speaker 1>That's true. Yes, I know it was like, it's really

0:27:04.840 --> 0:27:12.439
<v Speaker 1>like I don't know that well that like this movie

0:27:12.520 --> 0:27:17.119
<v Speaker 1>really rewards Brendan Fraser's character for like not being violently

0:27:17.200 --> 0:27:21.560
<v Speaker 1>angry that he's rejected by Allison, and then they're like, alright, alright, alright,

0:27:21.560 --> 0:27:24.199
<v Speaker 1>he could be lonely for like ten more minutes, and

0:27:24.240 --> 0:27:26.400
<v Speaker 1>then we have to give him a girlfriend because he's

0:27:26.440 --> 0:27:30.880
<v Speaker 1>earned it. Just just like that whole like nerd narrative

0:27:31.000 --> 0:27:34.280
<v Speaker 1>that I don't know I feel. I'm like, that's why

0:27:34.359 --> 0:27:39.720
<v Speaker 1>Jeff Bezos exists, probably as like the full narrative. O gosh. Anyway,

0:27:39.720 --> 0:27:43.880
<v Speaker 1>so he falls in love with new Allison instead, and

0:27:44.160 --> 0:27:47.199
<v Speaker 1>then there's a shot of the Devil playing chess in

0:27:47.280 --> 0:27:54.879
<v Speaker 1>the park with God God. The movie ends. So let's

0:27:54.920 --> 0:28:06.720
<v Speaker 1>take a quick break and we'll come right back to discuss. Okay,

0:28:06.800 --> 0:28:13.160
<v Speaker 1>we're back, Lacy, would you like to start anywhere in particular?

0:28:13.280 --> 0:28:21.960
<v Speaker 1>I mean, okay, so things, I'm just these are gonna

0:28:21.960 --> 0:28:23.840
<v Speaker 1>be some random things and then we can get into

0:28:23.880 --> 0:28:28.800
<v Speaker 1>the things things. So the Devil's Club was called dev eight,

0:28:28.880 --> 0:28:35.280
<v Speaker 1>and it was like DV Yeah, I was watching when

0:28:35.320 --> 0:28:38.400
<v Speaker 1>they went in the club, like the screens because you know,

0:28:38.440 --> 0:28:40.800
<v Speaker 1>they had people in the pool people dance, and then

0:28:40.800 --> 0:28:42.920
<v Speaker 1>they had these screens of like, you know, like devil

0:28:42.960 --> 0:28:45.680
<v Speaker 1>ship and it was all just brown or black or

0:28:45.720 --> 0:28:52.160
<v Speaker 1>ethic people dancing. Wait a minute, yeah, they were like,

0:28:52.200 --> 0:28:54.400
<v Speaker 1>there's no there's no reason he should have all this rhythm.

0:28:54.480 --> 0:28:56.480
<v Speaker 1>It must be the devil. I'm like, why is this

0:28:56.560 --> 0:28:59.960
<v Speaker 1>in the back. It wasn't no white people like doing

0:29:00.040 --> 0:29:04.720
<v Speaker 1>the child or where the goddamn fox trot? None of that.

0:29:05.000 --> 0:29:08.560
<v Speaker 1>Just just black people and brown people, indigenous people dance.

0:29:08.600 --> 0:29:14.280
<v Speaker 1>And I was like, curious, Yeah, what are the random details?

0:29:14.520 --> 0:29:17.880
<v Speaker 1>Oh him the whole like him aggressively trying to be

0:29:17.920 --> 0:29:19.840
<v Speaker 1>friends with all these people who hate him. There was

0:29:19.840 --> 0:29:21.680
<v Speaker 1>a fun moment where he walks up to a guy

0:29:21.720 --> 0:29:23.600
<v Speaker 1>who was like, I don't know if offices have these anymore,

0:29:23.600 --> 0:29:25.440
<v Speaker 1>but he was at a coffee machine and when the

0:29:25.440 --> 0:29:27.880
<v Speaker 1>guy sees Brendon friends are walking up, he starts stabbing

0:29:27.880 --> 0:29:31.959
<v Speaker 1>the coffee machine real hard, like the coffee real pants.

0:29:32.160 --> 0:29:35.680
<v Speaker 1>He's like, I don't know he's coming, and everyone hates

0:29:35.720 --> 0:29:38.360
<v Speaker 1>this man this much at the office, like god damn,

0:29:38.840 --> 0:29:42.440
<v Speaker 1>I just like I want to know why not to

0:29:42.520 --> 0:29:46.680
<v Speaker 1>be like his coworkers are probably right, but like, did

0:29:46.680 --> 0:29:49.720
<v Speaker 1>they just hate him? For no reason, Like I would

0:29:49.760 --> 0:29:52.880
<v Speaker 1>like to know why they dislike him so much, because

0:29:52.880 --> 0:29:55.280
<v Speaker 1>maybe they have an amazing reason of why they don't

0:29:55.280 --> 0:29:57.560
<v Speaker 1>want to hang out with him. He's just one thing

0:29:58.040 --> 0:29:59.360
<v Speaker 1>I was gonna say. He did one thing that I

0:29:59.360 --> 0:30:02.680
<v Speaker 1>would be like, I hate you. Um the girl came

0:30:02.720 --> 0:30:05.080
<v Speaker 1>in and I think she was late, and he was like,

0:30:05.120 --> 0:30:07.320
<v Speaker 1>oh girl, you're late, Like he was like yelling in

0:30:08.520 --> 0:30:11.120
<v Speaker 1>if you I'm constantly seven minutes late everywhere I go.

0:30:11.280 --> 0:30:14.400
<v Speaker 1>I dare somebody to comment on it. The seven is

0:30:14.400 --> 0:30:16.760
<v Speaker 1>the perfect amount. No one can get mad about seven

0:30:16.760 --> 0:30:22.160
<v Speaker 1>minutes eight, yes, ten, angry five seven sweet spot. I

0:30:22.200 --> 0:30:25.560
<v Speaker 1>was reading that as he was imitating their boss, because

0:30:25.680 --> 0:30:29.480
<v Speaker 1>later on their boss says the same thing to him,

0:30:29.680 --> 0:30:31.680
<v Speaker 1>so I think he was like trying to be like,

0:30:31.680 --> 0:30:34.080
<v Speaker 1>ha ha, look how funny I am. I'm like saying

0:30:34.080 --> 0:30:36.240
<v Speaker 1>to you what our boss says to us, look at

0:30:36.320 --> 0:30:39.320
<v Speaker 1>us relating, and then she just flips him off. Something

0:30:39.360 --> 0:30:42.840
<v Speaker 1>else he did that was also like fuck you dude?

0:30:43.360 --> 0:30:46.640
<v Speaker 1>Is he I don't know his colleagues names. I did

0:30:46.640 --> 0:30:49.120
<v Speaker 1>not bother to write them down, and think the movie

0:30:49.160 --> 0:30:52.400
<v Speaker 1>really tells you. We got the black guy, we got

0:30:52.400 --> 0:30:55.200
<v Speaker 1>the skinny guy, we got the girl who only hangs

0:30:55.200 --> 0:30:59.440
<v Speaker 1>out with guys because girls are too much drama, but

0:30:59.520 --> 0:31:02.880
<v Speaker 1>one of um like he's the one who Brendan Fraser

0:31:02.960 --> 0:31:05.240
<v Speaker 1>is like, let's go to the brewery and check out

0:31:05.280 --> 0:31:08.400
<v Speaker 1>the ladies, and the guys like, dude, I'm married, and

0:31:08.400 --> 0:31:11.480
<v Speaker 1>then Brendon Fraser is like, oh, yeah, I see, you're

0:31:11.800 --> 0:31:15.080
<v Speaker 1>like taking a train to Whipville or whatever he says.

0:31:15.080 --> 0:31:17.200
<v Speaker 1>He's basically like, you're whipped. And then he and the

0:31:17.200 --> 0:31:20.880
<v Speaker 1>guys like you're not funny, please leave me alone, which

0:31:20.960 --> 0:31:23.880
<v Speaker 1>is like fair enough there. I don't know. It's so

0:31:23.960 --> 0:31:27.520
<v Speaker 1>weird because it's like, I don't know. Brendan Fraser plays

0:31:27.560 --> 0:31:31.480
<v Speaker 1>everything so broadly that you're kind of like, yeah, I

0:31:31.520 --> 0:31:35.240
<v Speaker 1>get why people don't like him, but also he's like

0:31:35.320 --> 0:31:37.720
<v Speaker 1>not specific enough for you to feel like, oh I

0:31:37.800 --> 0:31:41.600
<v Speaker 1>can relate to somebody being this annoying. It's like, I

0:31:41.640 --> 0:31:43.320
<v Speaker 1>don't know. It was hard to root for him. It

0:31:43.360 --> 0:31:45.800
<v Speaker 1>was also like, I guess I can root against you.

0:31:45.880 --> 0:31:47.920
<v Speaker 1>I don't, and I had no feel I was like

0:31:48.000 --> 0:31:51.400
<v Speaker 1>ambivalent the whole time about what he was doing. It

0:31:51.520 --> 0:31:55.000
<v Speaker 1>was like, yeah, it really is a movie that you're

0:31:55.080 --> 0:31:57.040
<v Speaker 1>kind of on no one's side and you're just kind

0:31:57.040 --> 0:32:00.280
<v Speaker 1>of hanging out to see what what the next is.

0:32:00.480 --> 0:32:04.840
<v Speaker 1>I wasn't really rooting for anybody. I don't know, yeah,

0:32:04.960 --> 0:32:08.400
<v Speaker 1>no one. I was kind of rooting for the devil.

0:32:08.560 --> 0:32:14.160
<v Speaker 1>But that's just me also representation, like Okay, we're going

0:32:14.200 --> 0:32:17.200
<v Speaker 1>to have a woman be the devil, but of course

0:32:17.320 --> 0:32:20.280
<v Speaker 1>God is a man, and it's like God is definitely

0:32:20.280 --> 0:32:24.800
<v Speaker 1>not a man, like men have done so much horrible

0:32:24.840 --> 0:32:27.320
<v Speaker 1>ship on this goddamn player, there's no way in helle.

0:32:27.760 --> 0:32:29.800
<v Speaker 1>So that kind of gave me that thing of like,

0:32:30.080 --> 0:32:32.680
<v Speaker 1>look at the devil being a temptuous being a woman.

0:32:33.000 --> 0:32:38.080
<v Speaker 1>The reason that men fall is because of hot women. Yeah,

0:32:38.120 --> 0:32:42.760
<v Speaker 1>I was like, yeah, I agree. I think that the

0:32:43.040 --> 0:32:46.880
<v Speaker 1>So this is a Harold Ramas movie. It's written by

0:32:47.040 --> 0:32:53.160
<v Speaker 1>three old white guys all at once, and I know, yeah,

0:32:53.280 --> 0:32:56.600
<v Speaker 1>you would never guess by how the characters are. But

0:32:56.760 --> 0:32:59.600
<v Speaker 1>it's like I think that they thought they were doing

0:32:59.680 --> 0:33:02.440
<v Speaker 1>something by having the devil be a woman. I think

0:33:02.440 --> 0:33:05.680
<v Speaker 1>that they thought they were doing something like subversive and

0:33:05.800 --> 0:33:09.560
<v Speaker 1>interesting when they were kind of just like not doing that,

0:33:09.800 --> 0:33:13.920
<v Speaker 1>like and it's it's not even anything against Elizabeth Hurley.

0:33:13.960 --> 0:33:16.040
<v Speaker 1>I think for like the part that she's given, she

0:33:16.160 --> 0:33:18.960
<v Speaker 1>does great. Yeah, like she's fun to watch. She plays

0:33:19.000 --> 0:33:22.640
<v Speaker 1>parts like these partically well, I also like kind of unrelated,

0:33:22.640 --> 0:33:26.560
<v Speaker 1>but I didn't realize how Elizabeth Hurley first became famous,

0:33:26.600 --> 0:33:28.800
<v Speaker 1>which is also kind of like this weird, kind of

0:33:28.920 --> 0:33:33.720
<v Speaker 1>misogynist story of she was. She was Hugh Grant's girlfriend

0:33:33.880 --> 0:33:38.000
<v Speaker 1>in the early nineties, and she wore a dress like

0:33:38.040 --> 0:33:40.160
<v Speaker 1>I guess I really like, I don't know, it was

0:33:40.200 --> 0:33:42.880
<v Speaker 1>made out to be like a scandalous dress to the

0:33:42.960 --> 0:33:45.719
<v Speaker 1>premiere of four Weddings in a funeral, and then all

0:33:45.800 --> 0:33:48.200
<v Speaker 1>of a sudden she was like famous. She like wore

0:33:48.240 --> 0:33:52.920
<v Speaker 1>addressed one time and they were like, oh, Hugh Grant's girlfriend,

0:33:53.000 --> 0:33:55.640
<v Speaker 1>Let's see what's going on with this like this woman,

0:33:55.720 --> 0:33:57.200
<v Speaker 1>and then all of a sudden she was kind of

0:33:57.240 --> 0:34:02.000
<v Speaker 1>like skyrocketed to fame. It was weird, like maybe I

0:34:02.040 --> 0:34:06.240
<v Speaker 1>need a day to celebrity. I'm working too hard. I

0:34:06.240 --> 0:34:08.319
<v Speaker 1>don't get out there. I put my I put my

0:34:08.360 --> 0:34:11.560
<v Speaker 1>titties out. These days, everybody's so naked all the time.

0:34:11.560 --> 0:34:13.040
<v Speaker 1>I don't even I think I would have to wear

0:34:13.120 --> 0:34:16.040
<v Speaker 1>like a full cocoon suit this something to get myself

0:34:16.120 --> 0:34:19.040
<v Speaker 1>seen because Cardi b out here just putting tape on

0:34:19.120 --> 0:34:22.719
<v Speaker 1>and was like, so that's not shocking anymore. Damn, what

0:34:22.719 --> 0:34:24.480
<v Speaker 1>I'm gonna do? I don't know, but this is this

0:34:24.520 --> 0:34:26.719
<v Speaker 1>is it's weird. It's like she she had been like

0:34:26.760 --> 0:34:29.360
<v Speaker 1>an actor before, like she had been acting and she

0:34:29.480 --> 0:34:31.960
<v Speaker 1>like been on TV, she's been in movies, but like,

0:34:32.040 --> 0:34:34.839
<v Speaker 1>how didn't nothing had really happened until people started being

0:34:34.840 --> 0:34:38.360
<v Speaker 1>like look at her body, look at Hugh Grant's girlfriend's body,

0:34:38.440 --> 0:34:41.120
<v Speaker 1>and then all of a sudden she was extremely famous,

0:34:41.120 --> 0:34:44.440
<v Speaker 1>which I was like, that doesn't she It's just I

0:34:44.480 --> 0:34:46.359
<v Speaker 1>don't know, it's a little defend And that was back

0:34:46.360 --> 0:34:49.160
<v Speaker 1>in the day when that worked. That doesn't work anymore

0:34:49.480 --> 0:34:52.480
<v Speaker 1>because um I remember even Mendez got famous kind of

0:34:52.520 --> 0:34:55.520
<v Speaker 1>like that. She was in Will Smith's video and then

0:34:55.600 --> 0:34:58.920
<v Speaker 1>they were like, who is that beautiful that Tina woman?

0:34:59.239 --> 0:35:01.800
<v Speaker 1>And then you even when they started getting her some jobs.

0:35:02.360 --> 0:35:09.640
<v Speaker 1>So man, I missed those days. No wrong misogyny. It

0:35:09.719 --> 0:35:13.520
<v Speaker 1>really worked out for some people, it did. It's like,

0:35:13.560 --> 0:35:15.440
<v Speaker 1>no hate to Elizabeth Hurley. I think she plays the

0:35:15.520 --> 0:35:19.279
<v Speaker 1>part like really funny and yeah, like she's but it's

0:35:19.480 --> 0:35:21.239
<v Speaker 1>like it is written to be like, wow, what if

0:35:21.280 --> 0:35:24.479
<v Speaker 1>the what if the devil wanted to have sex? With you,

0:35:24.960 --> 0:35:28.840
<v Speaker 1>you regular guy, and it's like is that likely? Is

0:35:28.840 --> 0:35:32.040
<v Speaker 1>that about? Why did she kiss him like unsolicited like that?

0:35:32.040 --> 0:35:33.880
<v Speaker 1>Because she didn't want to funk him. So I was like,

0:35:33.880 --> 0:35:36.120
<v Speaker 1>what is the point in why do you come? I

0:35:36.160 --> 0:35:38.880
<v Speaker 1>guess it was it comes back to the whole be

0:35:39.000 --> 0:35:43.160
<v Speaker 1>dazzling thing that was her way of like because she's like, yeah,

0:35:43.200 --> 0:35:46.240
<v Speaker 1>she's like she's a temptress, she's a succubust. She's trying

0:35:46.239 --> 0:35:49.520
<v Speaker 1>to lure him in. I think, yeah, the succubist thing

0:35:49.640 --> 0:35:53.560
<v Speaker 1>is like really at play there too, Like I don't know,

0:35:53.719 --> 0:35:57.640
<v Speaker 1>You're just like I don't I like that it's Elizabeth

0:35:57.719 --> 0:36:00.680
<v Speaker 1>Hurley and yet it is still pretty sexy, like and

0:36:00.719 --> 0:36:03.160
<v Speaker 1>then the way that she X two and like the

0:36:03.160 --> 0:36:06.040
<v Speaker 1>way that they write her dialogue, You're like, oh, she doesn't.

0:36:06.440 --> 0:36:10.360
<v Speaker 1>I wish she didn't have to say that. She didn't

0:36:11.000 --> 0:36:14.600
<v Speaker 1>say that awful. That reminds me of like if you

0:36:14.640 --> 0:36:16.920
<v Speaker 1>ever watched the end of the Bring It On series.

0:36:17.000 --> 0:36:19.200
<v Speaker 1>So there's like one of the you know, a movie

0:36:19.239 --> 0:36:20.960
<v Speaker 1>is like famous and then like they make some more

0:36:20.960 --> 0:36:25.080
<v Speaker 1>and they come like bees. There's one where there's like

0:36:25.160 --> 0:36:27.160
<v Speaker 1>a black girl on the scene where I was fully like,

0:36:27.239 --> 0:36:29.040
<v Speaker 1>oh my God, did she read this group that they

0:36:29.120 --> 0:36:31.399
<v Speaker 1>changed it before. The white girl was like, you don't

0:36:31.400 --> 0:36:35.640
<v Speaker 1>know her, she's very ghetto, she does drive bys and stuff,

0:36:37.640 --> 0:36:40.719
<v Speaker 1>or black girl in this scene. So I feel like

0:36:40.760 --> 0:36:42.960
<v Speaker 1>that same way about Elizabeth Hurley and this. But I

0:36:42.960 --> 0:36:45.520
<v Speaker 1>also want to say they missed a chance to actually

0:36:45.560 --> 0:36:48.880
<v Speaker 1>pass the Bechdel test when she was making out with

0:36:49.080 --> 0:36:51.240
<v Speaker 1>Brandon on the table and it was these two ladies

0:36:51.239 --> 0:36:54.640
<v Speaker 1>sitting at the table. If they had just been like, damn,

0:36:54.640 --> 0:36:57.160
<v Speaker 1>what's this lady doing? I don't know this. I guess

0:36:57.320 --> 0:36:59.920
<v Speaker 1>you want another vocatinic something, they were just like scraw,

0:37:00.000 --> 0:37:02.520
<v Speaker 1>I'm get out of here. Other women don't talk. Only

0:37:02.560 --> 0:37:05.600
<v Speaker 1>one woman in a scene at a time. That is

0:37:05.640 --> 0:37:10.880
<v Speaker 1>really the rule of the movie. Like it's really bleak.

0:37:11.120 --> 0:37:13.680
<v Speaker 1>I don't know, it's we don't have enough tampons for

0:37:13.719 --> 0:37:17.640
<v Speaker 1>two women in the scene at a time, only one.

0:37:18.960 --> 0:37:21.239
<v Speaker 1>And also like she I don't yeah like she I

0:37:21.560 --> 0:37:23.960
<v Speaker 1>get like she's also the devil. So it's not like

0:37:24.000 --> 0:37:26.640
<v Speaker 1>I'm like expecting her to be like very respectful to

0:37:26.680 --> 0:37:30.480
<v Speaker 1>other women, like she's the devil. I get it. But

0:37:30.600 --> 0:37:34.160
<v Speaker 1>the things that they like decide to be like oh,

0:37:34.160 --> 0:37:37.520
<v Speaker 1>like let's go, let's look at Alison while she's naked.

0:37:37.640 --> 0:37:40.360
<v Speaker 1>Let's do this, Let's do that. It's like the setups

0:37:40.360 --> 0:37:43.880
<v Speaker 1>are really like, let's exploit the only other women in

0:37:43.920 --> 0:37:46.800
<v Speaker 1>the woman in the movie who we don't know a

0:37:46.920 --> 0:37:49.440
<v Speaker 1>single thing that anything about. And I think they were like,

0:37:49.480 --> 0:37:52.480
<v Speaker 1>but it's okay. Because the devil, who is a woman,

0:37:53.080 --> 0:37:55.240
<v Speaker 1>told him to go peek at hood in the shower.

0:37:55.440 --> 0:37:57.400
<v Speaker 1>He didn't want to do it. He said no because

0:37:57.400 --> 0:38:01.160
<v Speaker 1>he respect bitches. But she said get in there and

0:38:01.239 --> 0:38:05.680
<v Speaker 1>look at them tower. Yeah, and he's like, well, another

0:38:05.719 --> 0:38:08.880
<v Speaker 1>woman said it was okay, so it must be alright.

0:38:11.160 --> 0:38:15.759
<v Speaker 1>Wait while we're there the peeping tom scene. Um, when

0:38:15.760 --> 0:38:19.120
<v Speaker 1>they read her diary, I really wanted to throw up

0:38:20.680 --> 0:38:25.400
<v Speaker 1>the most generic I have a journal I write and

0:38:25.480 --> 0:38:29.120
<v Speaker 1>it's never like dear diary. I just want a mayor

0:38:29.120 --> 0:38:32.440
<v Speaker 1>who sell cissy to you, you know, like I was

0:38:32.520 --> 0:38:35.080
<v Speaker 1>talking about me yesterday and the day before because I

0:38:35.160 --> 0:38:38.000
<v Speaker 1>just love me, and it's all I think about. Like

0:38:38.880 --> 0:38:42.120
<v Speaker 1>that's another scene where you're like, oh, three o white guys,

0:38:42.200 --> 0:38:45.040
<v Speaker 1>got it, got it, got it? Because this Alison is

0:38:45.040 --> 0:38:49.000
<v Speaker 1>supposed to be like in her thirties, like and she's

0:38:49.040 --> 0:38:52.680
<v Speaker 1>just like dear, Like that's that's the fictional diary of

0:38:52.680 --> 0:38:58.240
<v Speaker 1>an eleven year old so fucking weird, like as told

0:38:58.239 --> 0:39:02.000
<v Speaker 1>by Ginger, Like it's oh my gosh, I just wanted

0:39:02.000 --> 0:39:06.840
<v Speaker 1>to shout out the devil's license plate and bad one,

0:39:07.440 --> 0:39:11.600
<v Speaker 1>pretty good, very good good. Yeah. Um, should we just

0:39:11.760 --> 0:39:16.400
<v Speaker 1>go through each of these wishes and unpack them, because

0:39:16.440 --> 0:39:20.640
<v Speaker 1>there's some of them are like whatever, but like there's

0:39:20.760 --> 0:39:23.359
<v Speaker 1>quite a few that there's a lot to unpack. Yeah,

0:39:23.440 --> 0:39:28.520
<v Speaker 1>the ones that are bad or bad. Buckle up, everyone,

0:39:28.600 --> 0:39:32.800
<v Speaker 1>We're unpacking the wishes. Okay, So obviously the first the

0:39:32.840 --> 0:39:36.520
<v Speaker 1>big Mac and Coke, nothing really to say. They're fun

0:39:36.560 --> 0:39:41.160
<v Speaker 1>products except for McDonald's product place. Aggressive product placement though

0:39:41.520 --> 0:39:45.120
<v Speaker 1>not only was it. They walked in McDonald's, they made

0:39:45.160 --> 0:39:48.319
<v Speaker 1>the full order, they told us the prize. Then they

0:39:48.320 --> 0:39:51.200
<v Speaker 1>walked out of McDonald's and he had the McDonald's bag

0:39:51.239 --> 0:39:53.520
<v Speaker 1>and he opened the bag up and he said, I

0:39:53.520 --> 0:39:58.160
<v Speaker 1>didn't even get no French friends bath. I'm loving it though,

0:40:00.000 --> 0:40:04.479
<v Speaker 1>and then yeah, he literally is like it's delicious. It's

0:40:04.640 --> 0:40:09.960
<v Speaker 1>so I never think product placement isn't so funny because

0:40:10.000 --> 0:40:12.960
<v Speaker 1>it's like, do you really think I didn't know like that?

0:40:13.880 --> 0:40:16.759
<v Speaker 1>And and also I was like damn McDonald's cost like

0:40:17.080 --> 0:40:20.720
<v Speaker 1>three fifty for a whole meal twenty years ago. Wild

0:40:21.000 --> 0:40:23.440
<v Speaker 1>it was aggressive though. They were like, look, McDonald's like, yeah, no,

0:40:23.480 --> 0:40:26.440
<v Speaker 1>we don't want just to mention. We want a whole series.

0:40:26.960 --> 0:40:31.040
<v Speaker 1>We want George of the Jungle to say that his

0:40:31.239 --> 0:40:34.759
<v Speaker 1>Big Mac is the best meal he's ever had. Right,

0:40:34.920 --> 0:40:37.759
<v Speaker 1>it's great. And I guess that happens in different I

0:40:37.960 --> 0:40:40.480
<v Speaker 1>like read through the Wikipedia page of the original one,

0:40:40.560 --> 0:40:44.279
<v Speaker 1>and it seems like generally like I mean, I might

0:40:44.560 --> 0:40:47.080
<v Speaker 1>watch it and then take this back, but it seems

0:40:47.120 --> 0:40:51.080
<v Speaker 1>like the setups are less problematic than the nineties one. Um,

0:40:51.400 --> 0:40:53.319
<v Speaker 1>but it's the same deal. They like, go to get

0:40:53.400 --> 0:40:56.120
<v Speaker 1>some food or but it's he's at a he said it,

0:40:56.560 --> 0:41:00.360
<v Speaker 1>he wants a raspberry or something. It's all very British.

0:41:00.440 --> 0:41:05.200
<v Speaker 1>Who knows god? Um Okay, so that's the first technically

0:41:05.280 --> 0:41:08.840
<v Speaker 1>the first wish. The second one is him wanting to

0:41:08.960 --> 0:41:13.279
<v Speaker 1>be rich and powerful and to be married to Allison.

0:41:13.440 --> 0:41:16.440
<v Speaker 1>We already touched on this in the recap, But the

0:41:16.560 --> 0:41:19.920
<v Speaker 1>devil's like situation that she puts him in is that

0:41:20.080 --> 0:41:24.680
<v Speaker 1>he is a Colombian drug lord, which means that they

0:41:24.760 --> 0:41:28.160
<v Speaker 1>put Brendan Fraser in brown face. They put a prosthetic

0:41:28.239 --> 0:41:31.840
<v Speaker 1>nose on him, they visibly darken his skin, they darken

0:41:32.080 --> 0:41:36.680
<v Speaker 1>his hair. Uh, he's got brown eye contacts in and

0:41:37.280 --> 0:41:40.719
<v Speaker 1>he is fully in brown face because you know, there

0:41:40.760 --> 0:41:44.879
<v Speaker 1>aren't white Colombians. That's not a thing. They're not white Colombians.

0:41:45.880 --> 0:41:50.720
<v Speaker 1>Like there are, y'all, there are. It's it's so fucking

0:41:50.880 --> 0:41:53.320
<v Speaker 1>frustrating because it's like there are, because I feel like

0:41:53.360 --> 0:41:55.160
<v Speaker 1>there's a number of things that are going on, the

0:41:55.239 --> 0:41:58.680
<v Speaker 1>most egregious of which are the prosthetic in the brown face,

0:41:58.719 --> 0:42:02.640
<v Speaker 1>but also Brandon Freyerser's performance is like really pretty broadly

0:42:02.719 --> 0:42:04.840
<v Speaker 1>offensive in the way that he's planning it to, Like

0:42:05.239 --> 0:42:09.920
<v Speaker 1>there's just nothing about this setup that is not fucked up.

0:42:10.200 --> 0:42:12.680
<v Speaker 1>Like and it's and I'm sure in his eyes because

0:42:12.680 --> 0:42:15.319
<v Speaker 1>he's a character actor, you know how those types are.

0:42:15.600 --> 0:42:18.319
<v Speaker 1>It's like, oh, they made me over, they put up

0:42:18.440 --> 0:42:20.400
<v Speaker 1>nose on my face and I had to lay in

0:42:20.480 --> 0:42:23.920
<v Speaker 1>a tanning thing for hours as they painted my row skin.

0:42:24.120 --> 0:42:26.319
<v Speaker 1>And you know he's thinking, he's like really getting into

0:42:26.440 --> 0:42:30.480
<v Speaker 1>and it's like, like what you're talking about, right? And

0:42:30.640 --> 0:42:35.600
<v Speaker 1>like also the Allison Fantasy character is also playing a

0:42:35.719 --> 0:42:39.080
<v Speaker 1>Colombian woman and it it didn't seem like they altered

0:42:39.120 --> 0:42:41.719
<v Speaker 1>her appearance much beyond like putting her in a dark

0:42:41.760 --> 0:42:45.040
<v Speaker 1>haired wig, but her performance is also very over the

0:42:45.120 --> 0:42:48.279
<v Speaker 1>top and very rooted in a lot of stereotypes of

0:42:48.440 --> 0:42:51.920
<v Speaker 1>Latin X women. It's also like it, I mean, it

0:42:52.040 --> 0:42:55.640
<v Speaker 1>goes without saying I would be truly shocked if any

0:42:56.080 --> 0:42:59.719
<v Speaker 1>Colombian person was spoken to about this scene like or

0:43:00.239 --> 0:43:02.800
<v Speaker 1>they didn't anyway like they which I feel like almost

0:43:02.840 --> 0:43:06.440
<v Speaker 1>ties into like by the nineties. The kind of like

0:43:06.560 --> 0:43:08.840
<v Speaker 1>the Harold Ramas kind of sense of humor is like

0:43:09.120 --> 0:43:12.359
<v Speaker 1>it's showing the war like it's it looks dated even

0:43:12.440 --> 0:43:15.200
<v Speaker 1>in two thousand that they're doing this ship and that

0:43:15.360 --> 0:43:17.879
<v Speaker 1>it's like kind of especially with comedy directors, I feel

0:43:17.880 --> 0:43:21.879
<v Speaker 1>like once you reach a certain point in your career,

0:43:21.960 --> 0:43:24.840
<v Speaker 1>if it's obvious, if you're not like listening to the

0:43:24.920 --> 0:43:27.920
<v Speaker 1>fact that times are changing, because it was just so like,

0:43:29.320 --> 0:43:32.960
<v Speaker 1>it's nothing wrong with him being a Colombian drug lord

0:43:33.480 --> 0:43:35.920
<v Speaker 1>and there's nothing wrong with him speaking Spanish in the

0:43:36.080 --> 0:43:38.600
<v Speaker 1>scenes and even having the wig, because that's like how

0:43:39.000 --> 0:43:42.040
<v Speaker 1>you know, the stereotype is of like what people wear

0:43:42.120 --> 0:43:45.359
<v Speaker 1>their hair like they're it's just like because there are

0:43:45.400 --> 0:43:48.040
<v Speaker 1>white people in Colombia. There's black people in Colombia, you

0:43:48.080 --> 0:43:49.720
<v Speaker 1>know what I mean. So it's not like he couldn't

0:43:49.719 --> 0:43:51.839
<v Speaker 1>be white Brendan Frasier. That's why it was weird. They

0:43:52.000 --> 0:43:56.719
<v Speaker 1>painted him even fake. Now that was unnecessary. He could

0:43:56.760 --> 0:43:58.840
<v Speaker 1>have just been Colombian and that would we would have

0:43:58.920 --> 0:44:01.960
<v Speaker 1>been like, that's weird, Like there are white Colombians. So

0:44:02.040 --> 0:44:07.920
<v Speaker 1>I was just like, Lord Jesus, yes, it is so

0:44:08.239 --> 0:44:11.160
<v Speaker 1>like they didn't need to do it. And yet, but

0:44:11.320 --> 0:44:13.960
<v Speaker 1>Orlando Jones always makes me laugh. And I don't know

0:44:14.040 --> 0:44:16.160
<v Speaker 1>how I remember this scene from I was probably eight

0:44:16.239 --> 0:44:19.799
<v Speaker 1>the first time I saw this was um Orlando Jones

0:44:19.880 --> 0:44:21.600
<v Speaker 1>is behind him when they get to like the whole

0:44:21.680 --> 0:44:24.880
<v Speaker 1>drug lord scenario where like things are going south with

0:44:24.960 --> 0:44:28.319
<v Speaker 1>the Russians and the Orlando turns around at one point

0:44:28.360 --> 0:44:31.080
<v Speaker 1>in his under his nose is just like all white

0:44:31.239 --> 0:44:35.160
<v Speaker 1>from cocaine, but like so much cocaine that she would

0:44:35.200 --> 0:44:38.200
<v Speaker 1>probably die if you snorted that much. But he turns

0:44:38.200 --> 0:44:41.880
<v Speaker 1>around so casually, and like I could just tell that

0:44:42.000 --> 0:44:43.919
<v Speaker 1>Orlando didn't have a lot to work with. He was like, listen,

0:44:43.920 --> 0:44:47.759
<v Speaker 1>I'm be in this movie. Okay, I'm about to you know,

0:44:47.760 --> 0:44:50.200
<v Speaker 1>what I mean, like he was giving, he was giving

0:44:50.280 --> 0:44:52.959
<v Speaker 1>back there and I loved it. Yeah, this seems because

0:44:53.000 --> 0:44:55.480
<v Speaker 1>it was like it's clear that they're like parodying, like

0:44:56.160 --> 0:44:58.400
<v Speaker 1>like it seems like they're almost parodying like a soap opera,

0:44:58.520 --> 0:45:02.200
<v Speaker 1>like a hyper like intense I don't know, like are

0:45:02.200 --> 0:45:04.760
<v Speaker 1>all those movies you know about there's so many movies

0:45:04.800 --> 0:45:08.520
<v Speaker 1>about that Colombian drug lord and you know, so they

0:45:08.560 --> 0:45:11.800
<v Speaker 1>were doing that. Yeah, because all of these like cutaway

0:45:11.840 --> 0:45:14.920
<v Speaker 1>sketches are kind of like a parody or a reference

0:45:15.040 --> 0:45:17.400
<v Speaker 1>to something else. They were like, can we do not

0:45:17.520 --> 0:45:20.239
<v Speaker 1>another teen movie, but for other movies? But also it's

0:45:20.280 --> 0:45:24.359
<v Speaker 1>bedazzled all right, and you won't know why it's called,

0:45:24.400 --> 0:45:29.080
<v Speaker 1>but dazzled no matter how much time passes, it's just yeah,

0:45:29.800 --> 0:45:34.400
<v Speaker 1>the brown face and the prosthetics, like fucking what. So

0:45:34.600 --> 0:45:40.960
<v Speaker 1>yeah that uh, that's like that's our foray into these wishes.

0:45:41.200 --> 0:45:43.400
<v Speaker 1>So it's like and then you're like, oh, we've got

0:45:43.560 --> 0:45:48.759
<v Speaker 1>six more of these, let's see what happened. Oh yeah, um,

0:45:49.280 --> 0:45:51.239
<v Speaker 1>let's take a quick break and then we'll get into

0:45:51.280 --> 0:46:01.279
<v Speaker 1>the rest of them. And we're ac let's get into

0:46:01.280 --> 0:46:05.960
<v Speaker 1>the second one. Yes, So this one is Brendan Fraser

0:46:06.320 --> 0:46:09.600
<v Speaker 1>wishing to be the most sensitive man in the world.

0:46:09.719 --> 0:46:11.520
<v Speaker 1>And there's some lead up to this that we are

0:46:11.600 --> 0:46:15.000
<v Speaker 1>we also touched on, but like there's some important discussion

0:46:15.040 --> 0:46:19.040
<v Speaker 1>to be had here where. So in order to find

0:46:19.080 --> 0:46:24.000
<v Speaker 1>out that Alison wants a sensitive man, he is complicit

0:46:24.080 --> 0:46:28.120
<v Speaker 1>in stalking her, invading her privacy she was doing anyways, like,

0:46:28.239 --> 0:46:30.400
<v Speaker 1>which that's the other thing is like, it's frustrating that

0:46:30.480 --> 0:46:34.040
<v Speaker 1>the devil is like giving him permission to continue stalking

0:46:34.080 --> 0:46:35.399
<v Speaker 1>her because we know at the beginning of the movie

0:46:35.600 --> 0:46:38.040
<v Speaker 1>he already was. He's like, I know how she eats bagels,

0:46:38.080 --> 0:46:40.080
<v Speaker 1>even though I never spoken her. I'm like, okay, so

0:46:40.280 --> 0:46:42.600
<v Speaker 1>you've been stalking her. It's not like you're a nice

0:46:42.640 --> 0:46:44.839
<v Speaker 1>guy because you're like, should I stalk her now? It's

0:46:44.880 --> 0:46:48.200
<v Speaker 1>like you've been doing that, right, And it's like, oh,

0:46:48.320 --> 0:46:51.200
<v Speaker 1>she can't see you, so it's fine. So it's fine

0:46:51.600 --> 0:46:53.839
<v Speaker 1>if you peep at her in the shower and he's like, well,

0:46:53.920 --> 0:46:56.600
<v Speaker 1>you called me a desperate loser, so I might as

0:46:56.640 --> 0:46:59.480
<v Speaker 1>well live up to that. Okay. I don't think he's

0:46:59.560 --> 0:47:02.360
<v Speaker 1>success full of seeing her naked, but he definitely not

0:47:02.560 --> 0:47:07.320
<v Speaker 1>for lack of trying. He definitely tries. So then we

0:47:08.040 --> 0:47:12.640
<v Speaker 1>cut to the wish and he's super sensitive. Allison does

0:47:12.719 --> 0:47:16.319
<v Speaker 1>not like how sensitive he is, and she ends up

0:47:16.360 --> 0:47:20.239
<v Speaker 1>going off with this like tough, macho, oh jock guy

0:47:20.920 --> 0:47:25.759
<v Speaker 1>who doesn't care about her. You know how women are

0:47:25.800 --> 0:47:28.160
<v Speaker 1>if you care about them, they don't want that. Treat

0:47:28.239 --> 0:47:32.680
<v Speaker 1>him like puzzies. I'm just like, God, the writers are

0:47:32.719 --> 0:47:35.879
<v Speaker 1>telling on themselves so hard in this one. It's it's

0:47:35.920 --> 0:47:39.080
<v Speaker 1>like it's their bitterness for women. That's just like jumping

0:47:39.160 --> 0:47:41.400
<v Speaker 1>onto the page. It's like, women don't like when you

0:47:41.640 --> 0:47:43.800
<v Speaker 1>when you respect them. They like when you come and

0:47:43.840 --> 0:47:48.239
<v Speaker 1>you're like, hey, ho, bitch, get in my car, my van,

0:47:49.680 --> 0:47:53.120
<v Speaker 1>my fan. It was a a fan. It was like,

0:47:53.200 --> 0:47:55.520
<v Speaker 1>come drink beers in my band with my fort Freeze.

0:47:55.600 --> 0:47:59.239
<v Speaker 1>It's not weird. She's like, I love that kind I

0:47:59.360 --> 0:48:04.239
<v Speaker 1>love that for me, like that for me the whole

0:48:04.480 --> 0:48:07.840
<v Speaker 1>Like yeah, this whole I guess, this whole sketch relies

0:48:07.920 --> 0:48:11.600
<v Speaker 1>on the assumption that women hate when men are like

0:48:12.719 --> 0:48:17.160
<v Speaker 1>emotionally vulnerable. He also kind of looks like jug Head

0:48:17.239 --> 0:48:20.440
<v Speaker 1>from Riverdale in this seque. He's wearing like a little

0:48:20.480 --> 0:48:23.799
<v Speaker 1>red wig. Yeah, I guess, like a person with red

0:48:23.920 --> 0:48:29.040
<v Speaker 1>hair equals sensitive. I'm like, I love ginger, so the

0:48:29.120 --> 0:48:31.920
<v Speaker 1>ginger community should really rise up and be angry about this.

0:48:33.080 --> 0:48:35.000
<v Speaker 1>When is someone going to speak out about this scene

0:48:35.040 --> 0:48:38.879
<v Speaker 1>at the Dazzle? Yeah, it's just like, oh she first

0:48:38.880 --> 0:48:41.760
<v Speaker 1>of all. It especially in things like this, it really

0:48:42.160 --> 0:48:45.000
<v Speaker 1>you really feel how little you know about Allison because

0:48:45.000 --> 0:48:47.279
<v Speaker 1>you're like, is this how the real Alison feels? Like

0:48:48.600 --> 0:48:51.080
<v Speaker 1>because her diary said the opposite, So like, why is

0:48:51.120 --> 0:48:54.680
<v Speaker 1>this even happening that she's now acting the exact It's

0:48:54.760 --> 0:48:59.160
<v Speaker 1>so weird. It's her awful, Like before the Columbian drug scene,

0:48:59.200 --> 0:49:02.280
<v Speaker 1>she's like eating on him and like openly like rubbing

0:49:02.480 --> 0:49:05.600
<v Speaker 1>her Spanish or English teacher's booty hole like in front

0:49:05.640 --> 0:49:08.160
<v Speaker 1>of him. And then and then in this one, she's like,

0:49:08.400 --> 0:49:09.920
<v Speaker 1>get away from me. I'm going to hang out with

0:49:09.960 --> 0:49:12.239
<v Speaker 1>these creeps in their van. Like what he is this

0:49:12.400 --> 0:49:14.360
<v Speaker 1>woman a nice lady? Is she is this just a

0:49:14.480 --> 0:49:17.240
<v Speaker 1>dream scenario that's changing her person because it doesn't change

0:49:17.560 --> 0:49:22.600
<v Speaker 1>his personality, but it changes her personality and everyone right, Yeah,

0:49:22.800 --> 0:49:26.120
<v Speaker 1>in a way that like victimizes Brendan Fraser and makes

0:49:26.200 --> 0:49:29.439
<v Speaker 1>him a victim of her behavior when it's like that's

0:49:29.480 --> 0:49:33.040
<v Speaker 1>not even her. It's so weird, right, well, because he

0:49:33.160 --> 0:49:36.960
<v Speaker 1>doesn't know anything about her, he's just sort of like

0:49:37.280 --> 0:49:40.640
<v Speaker 1>projecting what he assumes she might be like into each

0:49:40.680 --> 0:49:43.480
<v Speaker 1>of these fantasies. I guess, because yeah, she's so wildly

0:49:43.560 --> 0:49:47.120
<v Speaker 1>inconsistent from like wish to wish. But then in her

0:49:47.200 --> 0:49:49.960
<v Speaker 1>diary she says like the opposite right before you see

0:49:50.000 --> 0:49:52.080
<v Speaker 1>this scene, so you're like, why why am I even

0:49:52.160 --> 0:49:54.160
<v Speaker 1>watching this scene? I know that's not what she thinks.

0:49:54.600 --> 0:49:57.319
<v Speaker 1>She thinks like she's an e loving year old girl

0:49:57.400 --> 0:50:00.960
<v Speaker 1>writing in a unicorn diary a out like wanting to

0:50:01.080 --> 0:50:06.440
<v Speaker 1>marry Daniel Radcliffe. Like that's right, because this this wish

0:50:06.960 --> 0:50:12.239
<v Speaker 1>basically suggests that, like, women don't actually know what they want.

0:50:12.880 --> 0:50:15.160
<v Speaker 1>She's thought she wanted a sensitive man, but as soon

0:50:15.239 --> 0:50:18.719
<v Speaker 1>as she finds one, she doesn't, and she just wants

0:50:18.760 --> 0:50:22.400
<v Speaker 1>to be with the same type of like aggro toxic

0:50:22.520 --> 0:50:26.239
<v Speaker 1>masculinity dude that she's probably been with before. And then

0:50:26.840 --> 0:50:29.560
<v Speaker 1>after they get out of that wish and Brendan and

0:50:29.640 --> 0:50:33.239
<v Speaker 1>the Devil are talking, he's like, I'm starting to think

0:50:33.320 --> 0:50:35.759
<v Speaker 1>that women don't really know what they want, and the

0:50:35.840 --> 0:50:38.920
<v Speaker 1>Devil's like bingo, and it's like a movie for that.

0:50:39.239 --> 0:50:44.480
<v Speaker 1>It's called What Women Want, where all the women in

0:50:44.520 --> 0:50:48.840
<v Speaker 1>the movie know what they want yes and loudly tell

0:50:49.880 --> 0:50:53.120
<v Speaker 1>mel Gibson, yeah, but I love that. They also tried

0:50:53.200 --> 0:50:56.319
<v Speaker 1>to honor the mistake they made with her leaving him

0:50:56.400 --> 0:50:59.160
<v Speaker 1>by being like, She's like, I love you, but you're

0:50:59.200 --> 0:51:01.480
<v Speaker 1>too sensitive, And it's like, what, so you love him

0:51:01.520 --> 0:51:03.000
<v Speaker 1>but you're not gonna be with him. I guess you

0:51:03.040 --> 0:51:07.879
<v Speaker 1>love some people. It just nothing makes sense. It's also

0:51:08.000 --> 0:51:12.839
<v Speaker 1>just like, granted, his emotional sensitivity is like turned up

0:51:12.920 --> 0:51:16.640
<v Speaker 1>to an eleven, and he's being a lot in a

0:51:16.719 --> 0:51:24.360
<v Speaker 1>way that would also annoy me away. But but even

0:51:24.440 --> 0:51:28.759
<v Speaker 1>so the movie, it makes an emotionally sensitive man just

0:51:28.960 --> 0:51:33.600
<v Speaker 1>seem like weird and pathetic and annoying and annoying. So

0:51:33.680 --> 0:51:36.600
<v Speaker 1>it's like toxic masculinity of like, buck up, nobody wants

0:51:36.600 --> 0:51:39.680
<v Speaker 1>to see you cry. Yeah, right, And it's like the

0:51:39.840 --> 0:51:42.440
<v Speaker 1>less you care about this girl, the more likely she

0:51:42.760 --> 0:51:46.719
<v Speaker 1>is to want to fuck you, because she says, I

0:51:46.880 --> 0:51:48.760
<v Speaker 1>just want to be with a man who will ignore

0:51:48.880 --> 0:51:51.280
<v Speaker 1>me and take me for granted, and who's only pretending

0:51:51.360 --> 0:51:53.000
<v Speaker 1>to be interested in who I am and what I

0:51:53.160 --> 0:51:55.520
<v Speaker 1>think so that he can get into my pants and

0:51:55.640 --> 0:51:59.360
<v Speaker 1>the guy's like, yep, that's me and nobody wants that,

0:52:00.239 --> 0:52:03.319
<v Speaker 1>Like you're those men are tricking women. Do you see

0:52:03.360 --> 0:52:05.759
<v Speaker 1>how you said like she pretends that he pretends to

0:52:05.840 --> 0:52:08.480
<v Speaker 1>be interested. No, woman, is that meta? That's just like

0:52:09.280 --> 0:52:13.200
<v Speaker 1>he pretended to be interested in me. My puss is

0:52:13.200 --> 0:52:18.640
<v Speaker 1>a wet now, Like what, they're being tricked, but they're

0:52:18.680 --> 0:52:20.680
<v Speaker 1>not in on it. Don't be trying to say women

0:52:20.719 --> 0:52:22.200
<v Speaker 1>are in on the trick. We're not in on it.

0:52:23.080 --> 0:52:27.080
<v Speaker 1>There's so much Yeah, there's like so much weird logic

0:52:27.200 --> 0:52:29.480
<v Speaker 1>going on. That's like if somebody robbed your house and

0:52:29.560 --> 0:52:31.399
<v Speaker 1>they were like, but you knew he was leaving, saying

0:52:31.400 --> 0:52:35.640
<v Speaker 1>that's like I rob you know. And then it's like, oh, well,

0:52:35.880 --> 0:52:38.480
<v Speaker 1>do you want guys to act like Brendan Fraser's acting

0:52:38.480 --> 0:52:40.600
<v Speaker 1>in this scene. You're like, no, I don't know what

0:52:40.760 --> 0:52:44.319
<v Speaker 1>he's doing it, Like I have no idea. I think

0:52:44.360 --> 0:52:48.279
<v Speaker 1>he's supposed to be like this caricature of like man emotions,

0:52:48.360 --> 0:52:52.160
<v Speaker 1>but like no, it So there's gotta be somewhere between.

0:52:54.239 --> 0:52:56.400
<v Speaker 1>Not a man who every time he sees the suset

0:52:56.600 --> 0:53:00.840
<v Speaker 1>is like ugly crying. Like that's a lot just like

0:53:01.239 --> 0:53:06.439
<v Speaker 1>a person that exists it's so so bizarre, just it's

0:53:06.520 --> 0:53:11.440
<v Speaker 1>a fucking weird one. Uh yeah, so that's that's that one.

0:53:12.800 --> 0:53:17.600
<v Speaker 1>Now it's time for Brendan Fraser as a pro basketball player.

0:53:17.880 --> 0:53:22.560
<v Speaker 1>Oh my god, alright, why did they make him albino?

0:53:22.960 --> 0:53:27.840
<v Speaker 1>Why does he have nappy? What is happening with his that?

0:53:28.520 --> 0:53:33.040
<v Speaker 1>I could not really understand what they were going for.

0:53:36.040 --> 0:53:39.520
<v Speaker 1>It was he supposed to be like still black face,

0:53:39.640 --> 0:53:46.239
<v Speaker 1>but with albino face. Dennis Rodman confusion, like the black

0:53:46.239 --> 0:53:50.840
<v Speaker 1>people saying that also there are good white basketball players.

0:53:50.840 --> 0:53:52.799
<v Speaker 1>He couldn't been Dirk and a whiskey and just had

0:53:52.840 --> 0:53:55.000
<v Speaker 1>like a lot of hand in face and been still

0:53:55.160 --> 0:53:57.880
<v Speaker 1>very celantic. Why do you have to have afro? I

0:53:58.120 --> 0:54:02.320
<v Speaker 1>was confused. Yeah, it's another thing that was like you

0:54:02.520 --> 0:54:05.279
<v Speaker 1>didn't need to do like you so easily could have

0:54:05.440 --> 0:54:09.960
<v Speaker 1>just not done something like we still known he was

0:54:10.000 --> 0:54:11.480
<v Speaker 1>the basketball player. I guess they were trying to say,

0:54:11.520 --> 0:54:14.480
<v Speaker 1>like he's a black basketball player because I guess they

0:54:14.640 --> 0:54:16.279
<v Speaker 1>get all the women. I don't know what they were

0:54:16.280 --> 0:54:18.200
<v Speaker 1>trying to say with that, all the basketball players get Chase.

0:54:18.440 --> 0:54:21.759
<v Speaker 1>It's almost like the filmmakers were like, Okay, well, even

0:54:21.800 --> 0:54:24.160
<v Speaker 1>though we did brown face, we can't do black face,

0:54:24.600 --> 0:54:26.960
<v Speaker 1>but let's get as close as we can get to

0:54:27.120 --> 0:54:34.360
<v Speaker 1>that without actually doing black face face. No one will know,

0:54:35.120 --> 0:54:37.799
<v Speaker 1>like we you know, black people got a bottle? People

0:54:37.800 --> 0:54:39.520
<v Speaker 1>in my family, wouldn't we know that we know what

0:54:39.600 --> 0:54:42.880
<v Speaker 1>you're doing? And then I think they had to. Now

0:54:42.880 --> 0:54:45.239
<v Speaker 1>I'm starting to realize why was Albido faces because the

0:54:45.320 --> 0:54:47.319
<v Speaker 1>whole dick joke was supposed to be like black eyes

0:54:47.360 --> 0:54:50.399
<v Speaker 1>have big dicks, so you would automatically think because he's

0:54:50.400 --> 0:54:52.360
<v Speaker 1>a huge basketball player, that he's going to just have

0:54:52.480 --> 0:54:55.719
<v Speaker 1>like the song, which like it was such a big

0:54:55.800 --> 0:54:58.919
<v Speaker 1>focus of a lot of these wishes, which I don't

0:54:59.040 --> 0:55:01.319
<v Speaker 1>think that's such a man thing because I'm like they

0:55:01.400 --> 0:55:03.359
<v Speaker 1>have like all women are like, oh yeah, we love

0:55:03.400 --> 0:55:06.680
<v Speaker 1>a huge penis. That is the assumption that this movie

0:55:06.800 --> 0:55:09.840
<v Speaker 1>is operating on. Um and Okay, so i have a

0:55:09.960 --> 0:55:13.839
<v Speaker 1>whole thing about penis size. Ready, I'm about to say

0:55:13.920 --> 0:55:19.320
<v Speaker 1>penis a thousand times Okay, okay, ready, okay. So in

0:55:19.440 --> 0:55:24.480
<v Speaker 1>this scene, because Alison assumes that he has a big penis, uh,

0:55:24.640 --> 0:55:27.919
<v Speaker 1>she's very interested in that and that alone because also

0:55:28.600 --> 0:55:31.720
<v Speaker 1>Brendan Fraser as this character can barely string a sentence

0:55:31.800 --> 0:55:35.120
<v Speaker 1>together and that's like part of the joke that he

0:55:35.760 --> 0:55:41.440
<v Speaker 1>just like can't really form thoughts. So, but she's super

0:55:41.520 --> 0:55:43.719
<v Speaker 1>interested in him because of this assumption that he because

0:55:43.760 --> 0:55:47.560
<v Speaker 1>he's so tall, I guess he has that hair and

0:55:47.680 --> 0:55:53.880
<v Speaker 1>he have hair black, that he that he must have

0:55:54.280 --> 0:55:57.920
<v Speaker 1>a large penis. And then as soon as she discovers

0:55:58.000 --> 0:56:00.400
<v Speaker 1>that he does not, that he see aims to have

0:56:00.680 --> 0:56:02.640
<v Speaker 1>what again, we don't see it on screen, but it

0:56:02.760 --> 0:56:05.120
<v Speaker 1>is heavily implied that it is a very small penis.

0:56:05.640 --> 0:56:11.000
<v Speaker 1>Um she becomes disinterested and runs away. So many So

0:56:11.120 --> 0:56:15.320
<v Speaker 1>here we go shaming of penis size, particularly how we

0:56:15.440 --> 0:56:19.600
<v Speaker 1>as a society shame small penises. This is something that

0:56:19.760 --> 0:56:23.799
<v Speaker 1>happens a lot today. Still, it happens in a lot

0:56:23.840 --> 0:56:26.480
<v Speaker 1>of circle like it just it seems to be something

0:56:26.520 --> 0:56:30.200
<v Speaker 1>that is still very just socially acceptable to do. And

0:56:30.239 --> 0:56:33.160
<v Speaker 1>I feel like not and it's and and it's not

0:56:33.360 --> 0:56:37.000
<v Speaker 1>enough people talk about why shaming small penises or micro

0:56:37.160 --> 0:56:41.960
<v Speaker 1>penises is very harmful and wrong and not feminist. So

0:56:42.160 --> 0:56:44.640
<v Speaker 1>I just want to go through a few things here

0:56:44.719 --> 0:56:49.200
<v Speaker 1>where Obviously, first of all, it's wrong to just simply

0:56:49.680 --> 0:56:53.719
<v Speaker 1>body shame someone for something that they have no control over. Um,

0:56:53.840 --> 0:56:56.120
<v Speaker 1>So that's like the core of it. But there's more

0:56:56.200 --> 0:57:00.200
<v Speaker 1>to it than that, which so shaming small penis is

0:57:00.920 --> 0:57:03.520
<v Speaker 1>in order to attack a person's manhood, which is like

0:57:03.800 --> 0:57:08.279
<v Speaker 1>usually why anyone does. That means that we use a

0:57:08.360 --> 0:57:13.920
<v Speaker 1>society value large penises, and because we we as a society,

0:57:13.960 --> 0:57:18.080
<v Speaker 1>associate penis size to be connected with a person's manliness

0:57:18.160 --> 0:57:22.080
<v Speaker 1>and masculinity, meaning like the bigger the penis, the more

0:57:22.200 --> 0:57:27.240
<v Speaker 1>masculine a person must be. And because characteristics like aggressiveness

0:57:27.280 --> 0:57:31.040
<v Speaker 1>are also associated with masculinity, it basically means that by

0:57:31.160 --> 0:57:37.560
<v Speaker 1>shaming small penises, we are inadvertently condoning and valuing toxic

0:57:37.920 --> 0:57:44.960
<v Speaker 1>standards of masculinity like aggression. So like our obsession with

0:57:45.120 --> 0:57:48.760
<v Speaker 1>large penises, and but and we I mean, like society

0:57:49.840 --> 0:57:56.160
<v Speaker 1>is basically akin to we also love toxic masculinity. So yeah,

0:57:56.160 --> 0:57:57.959
<v Speaker 1>I mean, and I think that there's like that goes

0:57:58.200 --> 0:58:00.960
<v Speaker 1>with like there's a number of body parts you can

0:58:01.000 --> 0:58:03.240
<v Speaker 1>apply that to. I mean, you can apply that to

0:58:03.440 --> 0:58:07.640
<v Speaker 1>like boobs as well, and like like valuing people on

0:58:07.760 --> 0:58:11.160
<v Speaker 1>the size of their boobs are like you know, deciding

0:58:11.240 --> 0:58:14.840
<v Speaker 1>how immediately interested someone would be based on your body

0:58:15.080 --> 0:58:17.439
<v Speaker 1>or like your boobs, your butt, like there's so many

0:58:17.880 --> 0:58:21.720
<v Speaker 1>physical characteristics that we have like associated with like desirability,

0:58:22.160 --> 0:58:25.920
<v Speaker 1>that is like, I mean, demonstrably untrue for most people.

0:58:27.120 --> 0:58:30.720
<v Speaker 1>And also I kind of it opened my eyes to

0:58:30.840 --> 0:58:32.880
<v Speaker 1>this a little bit more when I started to think

0:58:32.880 --> 0:58:35.120
<v Speaker 1>about the transmit in my life and they were like,

0:58:35.120 --> 0:58:36.880
<v Speaker 1>when you talk about people's penis sizes, it's like it's

0:58:36.920 --> 0:58:39.200
<v Speaker 1>really transphobic. And I was like, oh, I didn't even

0:58:39.480 --> 0:58:43.640
<v Speaker 1>think about that. So, like, there's just so many angles

0:58:43.720 --> 0:58:45.080
<v Speaker 1>to this. And also I do want to make one

0:58:45.120 --> 0:58:47.960
<v Speaker 1>clarification about the albumism I was talking about. Albumism can

0:58:48.000 --> 0:58:51.280
<v Speaker 1>occur across different races. I was specifically saying that this

0:58:51.520 --> 0:58:53.760
<v Speaker 1>albinism that they were doing was a black man because

0:58:53.800 --> 0:58:55.760
<v Speaker 1>if you look at the texture of his hair, it

0:58:55.920 --> 0:58:58.880
<v Speaker 1>is very typical of that of an African American, Like

0:58:58.920 --> 0:59:01.040
<v Speaker 1>they made they made him like have deep coils like

0:59:01.120 --> 0:59:03.000
<v Speaker 1>for sea hair. And that's why I was like, is

0:59:03.040 --> 0:59:04.920
<v Speaker 1>this an Albao black person? So I just wanted to

0:59:04.920 --> 0:59:07.360
<v Speaker 1>clarify that because it's not like albumism just belongs to

0:59:07.440 --> 0:59:09.360
<v Speaker 1>black people. But I was like, this is I know

0:59:09.440 --> 0:59:11.840
<v Speaker 1>what's happening here. I honestly didn't pick up on that

0:59:11.920 --> 0:59:13.400
<v Speaker 1>the first time. I saw it, and it was until

0:59:13.440 --> 0:59:16.920
<v Speaker 1>the second time that I'm like, no, fucking way, his

0:59:17.040 --> 0:59:19.600
<v Speaker 1>hair like that. Yeah, that's how a lot of people

0:59:19.720 --> 0:59:21.960
<v Speaker 1>with albumism who are black their hair looks. So I

0:59:22.080 --> 0:59:25.200
<v Speaker 1>was like, and then like the association with the big penis,

0:59:25.280 --> 0:59:26.880
<v Speaker 1>and yeah, it's because he's tall and stuff. It's also

0:59:26.880 --> 0:59:28.800
<v Speaker 1>because they tried to make you think like, oh, he's

0:59:28.840 --> 0:59:33.240
<v Speaker 1>black but not in black face. So and then on

0:59:33.320 --> 0:59:35.840
<v Speaker 1>top of that, I mean, you have like so many

0:59:36.680 --> 0:59:40.640
<v Speaker 1>gendered stereotypes going on with Allison in this scene where

0:59:40.720 --> 0:59:44.240
<v Speaker 1>it's like there's an assumption that she could not possibly

0:59:44.320 --> 0:59:47.600
<v Speaker 1>want to be a sports reporter because she likes sports.

0:59:47.680 --> 0:59:50.560
<v Speaker 1>It has to be because she's trying to fux somebody, right,

0:59:50.960 --> 0:59:52.800
<v Speaker 1>And then on top of like that, she's like she

0:59:53.000 --> 0:59:57.840
<v Speaker 1>is sexually harassing him in the locker room, like she's

0:59:57.880 --> 1:00:01.520
<v Speaker 1>absolutely harassing him a pressuring him to get naked in

1:00:01.600 --> 1:00:04.160
<v Speaker 1>front of her, and just like there's just so like

1:00:04.440 --> 1:00:08.680
<v Speaker 1>it's just it's just zeros across the board. I feel

1:00:08.720 --> 1:00:10.640
<v Speaker 1>like that happened because they were like, look, we can't

1:00:10.640 --> 1:00:12.600
<v Speaker 1>do another scene where she sees the penis as small.

1:00:12.600 --> 1:00:14.520
<v Speaker 1>We gotta get all out at the at this uh,

1:00:15.000 --> 1:00:17.960
<v Speaker 1>at this venue, we got one location, and so they're like,

1:00:18.080 --> 1:00:20.320
<v Speaker 1>we gotta she's got to see the penis somehow here.

1:00:20.440 --> 1:00:24.560
<v Speaker 1>So they decided to make her like so aggressively inappropriately

1:00:24.640 --> 1:00:27.720
<v Speaker 1>horny that she's like basically like, show me your dick

1:00:29.040 --> 1:00:33.360
<v Speaker 1>right now. It makes no sense, um, but yeah, like

1:00:33.440 --> 1:00:37.000
<v Speaker 1>you were saying, lazy, Like, society's obsession with penis size

1:00:37.160 --> 1:00:40.080
<v Speaker 1>ignores a lot of trans men because it assumes that

1:00:40.320 --> 1:00:43.800
<v Speaker 1>all men have a penis, and it ignores a lot

1:00:43.840 --> 1:00:46.920
<v Speaker 1>of trans women because it assumes that anyone with a

1:00:47.040 --> 1:00:49.680
<v Speaker 1>penis is a man. This goes for a lot of

1:00:49.760 --> 1:00:52.840
<v Speaker 1>non binary people as well, just a lot of people

1:00:53.000 --> 1:00:58.520
<v Speaker 1>who are not a cis gender man. And it also

1:00:58.920 --> 1:01:05.040
<v Speaker 1>again shaming small penises stigmatizes the bodies of intersex people

1:01:05.800 --> 1:01:09.880
<v Speaker 1>because when an intersex baby is born with a micro penis,

1:01:10.400 --> 1:01:15.920
<v Speaker 1>doctors will often remove it and surgically turn the genitals

1:01:16.000 --> 1:01:19.680
<v Speaker 1>into a vagina and just basically try to make the

1:01:19.880 --> 1:01:23.280
<v Speaker 1>baby a female baby because of society's obsession with like

1:01:23.480 --> 1:01:27.040
<v Speaker 1>you know, the gender binary and the sex binary, um,

1:01:27.160 --> 1:01:30.280
<v Speaker 1>and doctors will do this without anyone's consent and like

1:01:30.480 --> 1:01:34.720
<v Speaker 1>before the baby could realize how they feel years before,

1:01:35.760 --> 1:01:38.520
<v Speaker 1>and this of course leads to a lot of trauma

1:01:38.720 --> 1:01:43.440
<v Speaker 1>for many intersex people. So again, this just like tendency

1:01:43.680 --> 1:01:47.800
<v Speaker 1>to demonize or make fun of small penises ends up

1:01:47.840 --> 1:01:51.240
<v Speaker 1>being really harmful to a lot of people directly, and

1:01:51.640 --> 1:01:55.919
<v Speaker 1>or it contributes to a larger just like cultural toxicity,

1:01:56.560 --> 1:02:00.280
<v Speaker 1>because like I've seen a lot of otherwise compare fashion

1:02:00.360 --> 1:02:04.480
<v Speaker 1>it and progressive people be like, oh, this person sucks

1:02:04.600 --> 1:02:08.240
<v Speaker 1>and he probably has a tarny dick, and like I've

1:02:08.320 --> 1:02:12.240
<v Speaker 1>been guilty of it myself. I regret ever having done that,

1:02:13.120 --> 1:02:15.200
<v Speaker 1>And so I just want people to know that like

1:02:15.920 --> 1:02:19.200
<v Speaker 1>insulting or shaming someone by saying they have a small

1:02:19.280 --> 1:02:24.160
<v Speaker 1>penis is something that's still happening a lot, and it

1:02:24.560 --> 1:02:28.360
<v Speaker 1>is not okay. Yeah, So I just wanted to like

1:02:28.600 --> 1:02:30.080
<v Speaker 1>lay that all out there because I don't think this

1:02:30.160 --> 1:02:32.400
<v Speaker 1>is something we've talked about on the podcast. But no,

1:02:32.640 --> 1:02:34.880
<v Speaker 1>I think that that's a really good thing to bring

1:02:34.920 --> 1:02:37.520
<v Speaker 1>into the conversation because yeah, like we we try to

1:02:37.600 --> 1:02:40.800
<v Speaker 1>talk about like the ways that hyper masculinity is like

1:02:40.920 --> 1:02:45.080
<v Speaker 1>stylized and kind of forced into media, um, and that

1:02:45.280 --> 1:02:48.040
<v Speaker 1>like if you don't fit a very specific i don't know,

1:02:48.160 --> 1:02:51.560
<v Speaker 1>like yeah, very binary form of masculinity, that is based

1:02:51.640 --> 1:02:54.440
<v Speaker 1>on really just ship that men have made up over

1:02:54.520 --> 1:02:59.160
<v Speaker 1>the years, Uh, that that you are like lesser than

1:02:59.200 --> 1:03:01.840
<v Speaker 1>and that you should feel inherent shame, and then all

1:03:01.880 --> 1:03:03.760
<v Speaker 1>the ship that that leads to and all the problems

1:03:03.800 --> 1:03:06.040
<v Speaker 1>that that leads to for for people and for the

1:03:06.320 --> 1:03:09.720
<v Speaker 1>people in their lives. Like, yeah, yeah, I hate that.

1:03:09.760 --> 1:03:11.600
<v Speaker 1>I hate that. It was Bedazzled that made us talk

1:03:11.600 --> 1:03:14.000
<v Speaker 1>about it. From there we are. I am glad we're

1:03:14.000 --> 1:03:20.360
<v Speaker 1>talking about um. I I pulled a lot of this

1:03:20.480 --> 1:03:24.919
<v Speaker 1>information from um an article in Everyday Feminism dot com

1:03:25.120 --> 1:03:27.040
<v Speaker 1>that we will link to in the show notes because

1:03:27.120 --> 1:03:31.200
<v Speaker 1>it's worth reading more about. But um yeah, I just

1:03:31.360 --> 1:03:35.160
<v Speaker 1>wanted to bring that up because as soon as like

1:03:35.920 --> 1:03:39.840
<v Speaker 1>shaming of small penis size comes up in the movie Bedazzled,

1:03:39.960 --> 1:03:43.040
<v Speaker 1>I was like, all right, here's the chance to talk

1:03:43.080 --> 1:03:46.400
<v Speaker 1>about this. And then it immediately comes up again in

1:03:46.520 --> 1:03:50.360
<v Speaker 1>the next scene where it's like whatever, Brandon Fraser's talking

1:03:50.400 --> 1:03:53.439
<v Speaker 1>to Elizabeth Hurley again and he reacts defensively because he's

1:03:53.440 --> 1:03:56.760
<v Speaker 1>feeling this like shame from this offensive sketch that he

1:03:56.920 --> 1:04:04.280
<v Speaker 1>just appeared in, and it's like, leave people alone. Seriously,

1:04:04.520 --> 1:04:09.120
<v Speaker 1>He's leave everybody alone. UM. So that brings us to

1:04:09.320 --> 1:04:13.120
<v Speaker 1>the next wish, where he again like a lot of

1:04:13.200 --> 1:04:16.040
<v Speaker 1>these wishes are like, you know, there's the catch that

1:04:16.160 --> 1:04:18.680
<v Speaker 1>the devil. There's always some catch. So he has to

1:04:18.800 --> 1:04:21.320
<v Speaker 1>like course correct and like make sure he's very careful

1:04:21.400 --> 1:04:24.040
<v Speaker 1>with his language and like what he wishes for on

1:04:24.160 --> 1:04:26.680
<v Speaker 1>the next wish. So this next one is like, Okay,

1:04:26.920 --> 1:04:30.160
<v Speaker 1>I don't want to be this like bumbling basketball player.

1:04:30.480 --> 1:04:33.760
<v Speaker 1>I want to be really articulate and sophisticated, and yeah,

1:04:33.880 --> 1:04:37.400
<v Speaker 1>make sure I don't have like give me a big penis. Um.

1:04:38.120 --> 1:04:40.840
<v Speaker 1>And then the catch for this one is that um,

1:04:41.000 --> 1:04:45.600
<v Speaker 1>even though he is like talking to Allison and they

1:04:45.640 --> 1:04:48.560
<v Speaker 1>seem to be hitting it off, he does not seem

1:04:48.680 --> 1:04:52.920
<v Speaker 1>to know that he's gay until he goes home and

1:04:53.600 --> 1:04:55.960
<v Speaker 1>sees his partner there, which is like one of the

1:04:56.000 --> 1:04:59.880
<v Speaker 1>actors who's been recurring in all of these sketches, and he's,

1:05:00.200 --> 1:05:04.760
<v Speaker 1>wait a minute, I'm gay. And then that's the that's

1:05:04.800 --> 1:05:07.720
<v Speaker 1>the catch, that's the deal breaker, Like that's the thing

1:05:08.200 --> 1:05:11.400
<v Speaker 1>that is presented as being just as unappealing as like

1:05:11.760 --> 1:05:18.240
<v Speaker 1>being shot at because you're a drug lord. So we

1:05:18.360 --> 1:05:21.440
<v Speaker 1>hated I think in a way they were, and I

1:05:21.480 --> 1:05:23.600
<v Speaker 1>don't want to defend these girls guys. I think they

1:05:23.640 --> 1:05:25.280
<v Speaker 1>were being like, we will never be with her because

1:05:25.320 --> 1:05:29.400
<v Speaker 1>you don't want to. But it doesn't work because he's

1:05:29.680 --> 1:05:33.720
<v Speaker 1>attracted to her, he talks to her, he likes her,

1:05:33.800 --> 1:05:35.960
<v Speaker 1>he takes her home to bid her, and then they

1:05:36.040 --> 1:05:37.920
<v Speaker 1>have this moment where it's like, we'll kiss me so

1:05:38.000 --> 1:05:39.880
<v Speaker 1>I can see if I'm really gay, and it's like,

1:05:40.040 --> 1:05:44.320
<v Speaker 1>that's not how sexuality works, Like no, what it also

1:05:44.480 --> 1:05:48.360
<v Speaker 1>like eliminates the any any possibility that you could be

1:05:48.520 --> 1:05:57.160
<v Speaker 1>by like world or like it's so aggressively binary. The

1:05:57.720 --> 1:06:00.080
<v Speaker 1>partner that he's coming home too is also written in

1:06:00.200 --> 1:06:06.680
<v Speaker 1>these really broad stereotyptereotype like what is happening? Why did

1:06:06.680 --> 1:06:09.920
<v Speaker 1>they give him that week? Every gay man knows everything

1:06:10.000 --> 1:06:13.000
<v Speaker 1>about theater and yeah, and then yeah, for him to

1:06:13.040 --> 1:06:15.360
<v Speaker 1>know something about theater, it's like bingo, gotcha, you know

1:06:15.520 --> 1:06:20.240
<v Speaker 1>theater sexual There are plenty of strange people who do theater.

1:06:20.480 --> 1:06:23.120
<v Speaker 1>I know them, like, and even if they are gay

1:06:23.200 --> 1:06:24.840
<v Speaker 1>or if they're on the spectrum, because we're all on

1:06:24.960 --> 1:06:27.160
<v Speaker 1>some sexual spectrum. Look, there's somebody out there who would

1:06:27.280 --> 1:06:29.600
<v Speaker 1>do it for you. You may just have never madam

1:06:30.040 --> 1:06:33.600
<v Speaker 1>um so like to be like, oh, well, he knows

1:06:33.760 --> 1:06:37.439
<v Speaker 1>musicals and he kissed her and his penis didn't get odd,

1:06:37.640 --> 1:06:40.320
<v Speaker 1>like what the math that they did just was not

1:06:40.520 --> 1:06:45.439
<v Speaker 1>math and none of the math was mathon at least

1:06:45.480 --> 1:06:48.000
<v Speaker 1>I was like, at least that scene was like mercifully

1:06:48.600 --> 1:06:51.920
<v Speaker 1>not extremely long, the way a lot of the scenes were,

1:06:52.000 --> 1:06:54.960
<v Speaker 1>but it was like, God, we were building up to that,

1:06:55.600 --> 1:06:59.640
<v Speaker 1>Like just every sketch in this movie is a different

1:07:00.000 --> 1:07:05.240
<v Speaker 1>fiver of really dated offensive stereotypes, Like yeah, I think

1:07:05.280 --> 1:07:08.160
<v Speaker 1>the only reason that one wasn't longer was because that's

1:07:08.240 --> 1:07:10.800
<v Speaker 1>all that they probably knew about gay people. Even in

1:07:10.840 --> 1:07:13.240
<v Speaker 1>the terms of stereotypes. They're like, Okay, we know they

1:07:13.360 --> 1:07:16.960
<v Speaker 1>like show tunes, we know they don't have sex with women.

1:07:18.000 --> 1:07:20.600
<v Speaker 1>What else should have nothing? Okay, we'll make this half

1:07:20.640 --> 1:07:25.040
<v Speaker 1>a page, all right, next scene, they just didn't have

1:07:25.080 --> 1:07:28.600
<v Speaker 1>any more stereotypes to write it. And a bob, give

1:07:28.680 --> 1:07:35.920
<v Speaker 1>him a bob. Also, like Brendan Fisher should have just

1:07:36.080 --> 1:07:39.040
<v Speaker 1>like stay that seems he seemed like he was having

1:07:39.080 --> 1:07:42.800
<v Speaker 1>a pretty good life, like he like and if like again,

1:07:42.960 --> 1:07:46.080
<v Speaker 1>it's this assumption that because he's gay, he could never

1:07:46.200 --> 1:07:49.680
<v Speaker 1>be happy because he's gay, like like like you have

1:07:49.800 --> 1:07:52.360
<v Speaker 1>a nice house like and and a boyfriend who was

1:07:52.400 --> 1:07:54.760
<v Speaker 1>ready to forgive you for about to be cheating on him,

1:07:55.000 --> 1:07:58.960
<v Speaker 1>like for some reason with the person in the bedroom, like,

1:07:59.160 --> 1:08:02.960
<v Speaker 1>and he was like, guess it's fine. Also, like, that's

1:08:03.000 --> 1:08:06.120
<v Speaker 1>a good observation, Caitlin, because if we take these lives

1:08:06.200 --> 1:08:07.920
<v Speaker 1>and we compare them to the life that he was

1:08:08.000 --> 1:08:12.480
<v Speaker 1>living working at some fucking cubical company with a bunch

1:08:12.560 --> 1:08:15.200
<v Speaker 1>of people who fucking hate him, not having no love

1:08:15.280 --> 1:08:18.519
<v Speaker 1>in his life. Now he gets to be an intelligent, cool,

1:08:18.680 --> 1:08:22.479
<v Speaker 1>smart guy who people love and he's the life of

1:08:22.560 --> 1:08:25.400
<v Speaker 1>the party. Everywhere he goes, everybody's on his you know, ask.

1:08:25.720 --> 1:08:27.320
<v Speaker 1>And then he goes home he has a partner who

1:08:28.040 --> 1:08:31.920
<v Speaker 1>fiercely loves him. That life is so much better than

1:08:31.960 --> 1:08:35.880
<v Speaker 1>the life that Brandon has so much and just trying

1:08:35.880 --> 1:08:40.920
<v Speaker 1>to be like but gay and it's like fuck like you.

1:08:43.720 --> 1:08:45.640
<v Speaker 1>And then and then the second he gets out of

1:08:45.880 --> 1:08:49.200
<v Speaker 1>that wish, he immediately starts saying a ton of homophobe

1:08:49.200 --> 1:08:51.439
<v Speaker 1>accept Elizabeth Hurley, and she's kind of like t he

1:08:51.640 --> 1:08:55.560
<v Speaker 1>he wasn't that a funny joke? And You're like, no, Elizabeth,

1:08:55.760 --> 1:09:00.960
<v Speaker 1>wasn't it wasn't it wasn't. Yeah, so um, the next

1:09:01.200 --> 1:09:05.599
<v Speaker 1>wish is the President Lincoln one, and I was kind

1:09:05.600 --> 1:09:09.559
<v Speaker 1>of corny, like the only way it could have been

1:09:09.560 --> 1:09:15.040
<v Speaker 1>worse is if they did JFK. Like I was like, yeah,

1:09:15.120 --> 1:09:17.640
<v Speaker 1>I didn't. My main note with that scene as I

1:09:17.840 --> 1:09:21.280
<v Speaker 1>was boring and I was glad it was short. It

1:09:21.400 --> 1:09:24.639
<v Speaker 1>was short. And then his final wish is the wish

1:09:24.760 --> 1:09:29.160
<v Speaker 1>for Allison to have a happy life, which we don't

1:09:30.320 --> 1:09:32.479
<v Speaker 1>like to see play out even right, which I'm like,

1:09:32.520 --> 1:09:35.040
<v Speaker 1>does that mean that her diary comes true? And she's like,

1:09:35.600 --> 1:09:38.160
<v Speaker 1>I want to have a nice man and live in it,

1:09:38.400 --> 1:09:41.479
<v Speaker 1>and and that's the end. That's also the fact that

1:09:41.640 --> 1:09:43.760
<v Speaker 1>his last wish is for a girl who he hasn't

1:09:43.760 --> 1:09:46.000
<v Speaker 1>spoke to him four years. Not your mama, not not

1:09:46.439 --> 1:09:49.880
<v Speaker 1>you know, He's like that lady who I stalk. I

1:09:49.960 --> 1:09:54.040
<v Speaker 1>hope she has a good life, which her having a

1:09:54.080 --> 1:09:57.160
<v Speaker 1>good life would mean probably never coming in contact with

1:09:57.320 --> 1:10:01.280
<v Speaker 1>you again. Brendan Fraser like to hell, which at least

1:10:01.360 --> 1:10:04.720
<v Speaker 1>she is maybe granted, like at least, but it's like,

1:10:04.880 --> 1:10:07.679
<v Speaker 1>so yeah, it's so bare minimum of like the way

1:10:07.760 --> 1:10:11.000
<v Speaker 1>that his soul is liberated from hell is by vaguely

1:10:11.080 --> 1:10:14.240
<v Speaker 1>wanting someone he has been stalking for four years to

1:10:14.400 --> 1:10:19.000
<v Speaker 1>have a nice life like that, could you ask for less?

1:10:19.640 --> 1:10:22.639
<v Speaker 1>But then Elizabeth Hurley is like, wow, what a king,

1:10:22.840 --> 1:10:26.960
<v Speaker 1>Like what an amazing to have made this? Like the

1:10:27.120 --> 1:10:30.679
<v Speaker 1>bar is on the floor, really the bar is in hell,

1:10:36.920 --> 1:10:39.040
<v Speaker 1>and I mean speaking of bare minimum stuff. I guess

1:10:39.080 --> 1:10:43.320
<v Speaker 1>I appreciated and wasn't expecting this to happen. Where Brendan

1:10:43.360 --> 1:10:45.880
<v Speaker 1>Fraser when he again just goes and does what he

1:10:46.000 --> 1:10:47.880
<v Speaker 1>should have done from the very beginning, which is just

1:10:48.040 --> 1:10:51.600
<v Speaker 1>try to talk to her and like see if she

1:10:51.720 --> 1:10:53.920
<v Speaker 1>might want to get some coffee with him sometime, and

1:10:54.040 --> 1:10:57.040
<v Speaker 1>she's like, but he's like, you know, I don't. I

1:10:57.120 --> 1:10:59.360
<v Speaker 1>don't know you at all, but I'd like to get

1:10:59.400 --> 1:11:02.200
<v Speaker 1>to know you. So at least he's like acknowledging that

1:11:02.320 --> 1:11:05.800
<v Speaker 1>he doesn't know her, and that I guess the reason

1:11:05.880 --> 1:11:09.240
<v Speaker 1>that she's so inconsistent between from like wish to wish

1:11:09.439 --> 1:11:13.160
<v Speaker 1>is that he doesn't. Those are just like those projections.

1:11:13.439 --> 1:11:17.639
<v Speaker 1>We talked about this in our inception episode where yeah,

1:11:18.040 --> 1:11:22.320
<v Speaker 1>well wild connection. Yeah, Like, the character of Mall was

1:11:23.080 --> 1:11:26.560
<v Speaker 1>really weirdly characterized, but it's most it's because it was

1:11:26.680 --> 1:11:31.120
<v Speaker 1>just like Leonardo DiCaprio's character's projection of her that rather

1:11:31.160 --> 1:11:33.760
<v Speaker 1>than like a real person. I hate that writing hack

1:11:33.920 --> 1:11:36.200
<v Speaker 1>of like, well, I don't need to write a female

1:11:36.320 --> 1:11:39.720
<v Speaker 1>character if I write a man thinking about what he

1:11:39.800 --> 1:11:43.960
<v Speaker 1>thinks of female character could be like and about women

1:11:44.000 --> 1:11:46.640
<v Speaker 1>there at all. We're notout to ask questions because this

1:11:46.800 --> 1:11:49.200
<v Speaker 1>is the idea that a man had about a woman.

1:11:49.680 --> 1:11:52.000
<v Speaker 1>But do you not want to speak to your wife

1:11:52.160 --> 1:11:55.920
<v Speaker 1>or sister that bad? Like? What is going on? Like

1:11:56.040 --> 1:12:05.599
<v Speaker 1>the the fucking loophole at turn on my sat brutal? Yeah,

1:12:05.600 --> 1:12:07.800
<v Speaker 1>I did, I did. I was genuinely surprised that he

1:12:07.920 --> 1:12:10.519
<v Speaker 1>doesn't end up with her at the end, but then

1:12:10.600 --> 1:12:13.640
<v Speaker 1>I was, um, you know, immediately brought back to earth. Well,

1:12:13.680 --> 1:12:16.840
<v Speaker 1>he just ends up with a different version, a different

1:12:16.880 --> 1:12:19.280
<v Speaker 1>woman that we don't know anything about, which is also

1:12:19.439 --> 1:12:22.439
<v Speaker 1>a message there basically like miss one bus next to

1:12:22.600 --> 1:12:26.360
<v Speaker 1>fifteen one coming okay, just like the other one. You

1:12:26.400 --> 1:12:28.519
<v Speaker 1>won't know nothing about it and she'll be just as

1:12:28.600 --> 1:12:32.519
<v Speaker 1>hot man, don't worry. It was like five days of summary.

1:12:32.840 --> 1:12:35.800
<v Speaker 1>Like the end, it's like, oh this band is I mean,

1:12:35.920 --> 1:12:38.639
<v Speaker 1>even if he's not entitled to this woman, he's entitled

1:12:38.720 --> 1:12:41.160
<v Speaker 1>to a woman, so we better get one in the mix.

1:12:41.240 --> 1:12:44.120
<v Speaker 1>And you're just like, is he though, like doesn't he

1:12:44.200 --> 1:12:47.519
<v Speaker 1>need to like work on himself, just go home and

1:12:47.640 --> 1:12:50.240
<v Speaker 1>lay in the bed and then like be like what

1:12:50.439 --> 1:12:52.840
<v Speaker 1>a day. So I was like, we don't need to

1:12:52.880 --> 1:12:55.120
<v Speaker 1>see him with another one. He don't deserve no woman.

1:12:55.400 --> 1:12:58.439
<v Speaker 1>What has he done to get nothing? He's like, I

1:12:58.680 --> 1:13:00.599
<v Speaker 1>want the girl I stalk to have a nice life.

1:13:00.640 --> 1:13:04.320
<v Speaker 1>But I'm just like, oh, he should have wished for

1:13:04.920 --> 1:13:10.439
<v Speaker 1>a therapist. Should have wished for like just anything that

1:13:10.439 --> 1:13:14.120
<v Speaker 1>would have allowed him to like reflect upon his life

1:13:14.200 --> 1:13:16.880
<v Speaker 1>and his choices. Right if he ends on a therapy

1:13:17.000 --> 1:13:18.519
<v Speaker 1>couch and he's like, yeah, I haven't stuck in a

1:13:18.600 --> 1:13:21.240
<v Speaker 1>girl for four years, you know, Like that makes more

1:13:21.320 --> 1:13:23.439
<v Speaker 1>sense to me. And even then he could fall in

1:13:23.520 --> 1:13:25.160
<v Speaker 1>love with the therapist, that would I would be like, oh,

1:13:25.240 --> 1:13:28.720
<v Speaker 1>that's a funny joke, but like it's better than like

1:13:29.080 --> 1:13:33.320
<v Speaker 1>somebody get this man a woman. It's so like it's

1:13:33.400 --> 1:13:37.680
<v Speaker 1>so annoying, and yeah, I don't know the whole Alison thing.

1:13:38.000 --> 1:13:41.240
<v Speaker 1>It's just exhausting, like she you could and and it

1:13:41.439 --> 1:13:44.280
<v Speaker 1>it made me like interested in like how was this

1:13:44.400 --> 1:13:47.400
<v Speaker 1>movie marketed? And the way it was marketed was basically

1:13:47.479 --> 1:13:50.519
<v Speaker 1>like the tagline was like how far will this man go?

1:13:51.120 --> 1:13:53.559
<v Speaker 1>For the woman he loves and it's like he does

1:13:53.840 --> 1:13:57.560
<v Speaker 1>love her, he doesn't know her. How far does he go?

1:13:57.760 --> 1:13:59.920
<v Speaker 1>I don't know. The Devil's just fucking around with him

1:14:00.040 --> 1:14:03.519
<v Speaker 1>for most of the movie. Like, but that was how

1:14:03.560 --> 1:14:05.840
<v Speaker 1>it was presented, Like how far would you go for

1:14:05.960 --> 1:14:08.680
<v Speaker 1>the person you love even though it's a stranger that

1:14:09.640 --> 1:14:13.479
<v Speaker 1>barely met and never talked to. I wonder if an

1:14:13.520 --> 1:14:16.320
<v Speaker 1>actress like how the job was for the woman who

1:14:16.400 --> 1:14:19.280
<v Speaker 1>played Allison. Was she just like, Oh that's an easy

1:14:19.400 --> 1:14:20.880
<v Speaker 1>check because I mean they showed up. She had to

1:14:20.880 --> 1:14:24.800
<v Speaker 1>show up and basically do nothing, say that thing, have

1:14:25.040 --> 1:14:30.240
<v Speaker 1>no emotions, have no choices, just right there, like just

1:14:30.320 --> 1:14:32.800
<v Speaker 1>stay here, okay, put on this week. Okay, but on

1:14:32.920 --> 1:14:41.639
<v Speaker 1>this week. I know it's so bleak. It's like god, ah, well,

1:14:43.360 --> 1:14:48.720
<v Speaker 1>well they want to have any any other stuff to

1:14:48.800 --> 1:14:53.240
<v Speaker 1>bring One quick thing in the beginning when Brendan Fraser

1:14:53.680 --> 1:14:57.439
<v Speaker 1>doesn't believe this devil woman, and he was kind of

1:14:57.479 --> 1:14:59.880
<v Speaker 1>like he was like, oh you must be a scientologist,

1:15:00.520 --> 1:15:04.200
<v Speaker 1>Oh you must be. Basically there's like sex workers shaming

1:15:04.720 --> 1:15:08.760
<v Speaker 1>um because she's like she brings up business. And then

1:15:08.960 --> 1:15:12.040
<v Speaker 1>he thinks because she says that she's a sex worker,

1:15:12.280 --> 1:15:14.400
<v Speaker 1>I only did that once and I didn't mean to. Yeah,

1:15:14.439 --> 1:15:17.280
<v Speaker 1>and it was it was it was an accident and

1:15:17.400 --> 1:15:20.360
<v Speaker 1>she's like, oh no, I'm not and then she uses

1:15:20.400 --> 1:15:24.800
<v Speaker 1>the word hooker and it's just very much of the

1:15:25.280 --> 1:15:29.439
<v Speaker 1>of the time. Yeah, it is always gonna just be

1:15:29.600 --> 1:15:31.479
<v Speaker 1>gross to me because it's like, oh, a woman can

1:15:31.520 --> 1:15:33.360
<v Speaker 1>have as much sex as she wants for free, but

1:15:33.400 --> 1:15:35.800
<v Speaker 1>then she's like pulling money out a nice Then all

1:15:35.840 --> 1:15:38.280
<v Speaker 1>of a sudden, she's nasty the funk out of here.

1:15:38.320 --> 1:15:39.960
<v Speaker 1>That's just something mid made up because they don't want

1:15:40.000 --> 1:15:41.519
<v Speaker 1>to pay mid hat pussy. It will be on the

1:15:41.560 --> 1:15:45.800
<v Speaker 1>stock market. I'm sticking as ship. We'll be buying and

1:15:45.880 --> 1:15:50.960
<v Speaker 1>selling it like game stop right now. God, I love

1:15:51.040 --> 1:15:53.200
<v Speaker 1>sex workers. I just want to make that very fucking

1:15:53.280 --> 1:15:57.559
<v Speaker 1>clear that she's fucking weird. Yes, but yeah, and then

1:15:57.600 --> 1:15:59.560
<v Speaker 1>I love how they're doing the internalized misogyny because the

1:15:59.600 --> 1:16:01.560
<v Speaker 1>woman is saying he's like, oh no, that's not what

1:16:01.680 --> 1:16:03.920
<v Speaker 1>I want, miss Mann, which is like, that's girls, I

1:16:03.960 --> 1:16:05.720
<v Speaker 1>would never be that kind of woman. I love me

1:16:05.920 --> 1:16:09.040
<v Speaker 1>and I have sits for free. Yeah, that's another that's

1:16:09.160 --> 1:16:11.280
<v Speaker 1>that's that is like one of the writing. I mean,

1:16:11.439 --> 1:16:13.840
<v Speaker 1>there's every word that's a writing issue, right, but like

1:16:14.360 --> 1:16:17.679
<v Speaker 1>how the writers of this movie very often like give

1:16:18.040 --> 1:16:22.000
<v Speaker 1>the like really toxic protagonists permission to do stuff through

1:16:22.120 --> 1:16:24.960
<v Speaker 1>a woman like I hate that ship so much it

1:16:25.080 --> 1:16:27.000
<v Speaker 1>bothers me. And then I'm like, you think I don't

1:16:27.080 --> 1:16:32.880
<v Speaker 1>notice Larry, Harold and Peter, but I do those. The

1:16:33.000 --> 1:16:36.360
<v Speaker 1>fact that Larry Harold and Peter like that just brings

1:16:36.400 --> 1:16:38.320
<v Speaker 1>it all into perspective. You're like, oh, from the guy

1:16:38.400 --> 1:16:41.760
<v Speaker 1>that brought you fucking Caddyshack and attempts to write a

1:16:41.840 --> 1:16:44.160
<v Speaker 1>female character, it's just not going to happen. I will

1:16:44.200 --> 1:16:47.599
<v Speaker 1>say that Peter Tolin is a is a gay man.

1:16:48.400 --> 1:16:52.439
<v Speaker 1>Uh so there was a gay writer on this movie,

1:16:53.040 --> 1:16:56.400
<v Speaker 1>but he he probably got bullied. I'll feel bad for

1:16:56.520 --> 1:17:01.280
<v Speaker 1>him now because that gaz see he They must have

1:17:01.280 --> 1:17:03.200
<v Speaker 1>been like, yeah, Peter, this is your territory. You write this.

1:17:03.320 --> 1:17:06.720
<v Speaker 1>You know how grossier people are. He's like okay, like

1:17:06.840 --> 1:17:10.920
<v Speaker 1>I have been like awful or otherwise, he's very much

1:17:10.960 --> 1:17:14.360
<v Speaker 1>internalizing still patriot people that we'll see. That's the thing.

1:17:14.400 --> 1:17:18.800
<v Speaker 1>I I am not sure if Peter Tolin was out

1:17:19.120 --> 1:17:22.080
<v Speaker 1>when this movie came out, because he was married to

1:17:22.160 --> 1:17:25.080
<v Speaker 1>a woman for many years. Um had a couple of

1:17:25.240 --> 1:17:29.519
<v Speaker 1>kids in a very straight marriage and then came out

1:17:29.960 --> 1:17:32.960
<v Speaker 1>as gay later. I wasn't able to find like when

1:17:33.120 --> 1:17:35.200
<v Speaker 1>that was I would I would assume he may not

1:17:35.360 --> 1:17:39.880
<v Speaker 1>have been out when this movie was released. But uh,

1:17:40.040 --> 1:17:42.240
<v Speaker 1>and if he wrote that part, it makes a little

1:17:42.600 --> 1:17:50.760
<v Speaker 1>more sense, it doesn't make it. I don't. I don't

1:17:50.800 --> 1:17:54.320
<v Speaker 1>get it. There's I mean, let's not forget too that,

1:17:54.439 --> 1:17:59.040
<v Speaker 1>like even if he was out, there's still internalized homophobia,

1:17:59.840 --> 1:18:04.719
<v Speaker 1>like the same way there's like, God, women have written

1:18:04.800 --> 1:18:09.160
<v Speaker 1>some really fucked up movies about women. Yeah, yeah, I

1:18:09.600 --> 1:18:13.880
<v Speaker 1>mean I'm still unlearning like internalized misogyny that like was

1:18:14.280 --> 1:18:18.479
<v Speaker 1>very much what was ingrained into my brain as a

1:18:18.600 --> 1:18:23.240
<v Speaker 1>person growing up with movies like Bedazzled. Look Beyonce maybe

1:18:23.320 --> 1:18:26.280
<v Speaker 1>at Girls Run the World and all that now, but

1:18:26.400 --> 1:18:28.880
<v Speaker 1>I remember there was a time when Beyonce had a

1:18:29.000 --> 1:18:33.920
<v Speaker 1>song called Nasty put some clothes on. I told you,

1:18:34.439 --> 1:18:37.920
<v Speaker 1>don't walk out your house without your clothes on. I

1:18:38.120 --> 1:18:40.639
<v Speaker 1>told you, she said, they don't want a hot female

1:18:40.720 --> 1:18:43.920
<v Speaker 1>that's been around the black female. You nasty girl. That

1:18:44.080 --> 1:18:46.479
<v Speaker 1>was the original nasty Girl. And you'll never hear Beyonce

1:18:46.680 --> 1:18:48.680
<v Speaker 1>sing it. And yes, I'm sorry to bring this up.

1:18:48.720 --> 1:18:50.360
<v Speaker 1>Don't have the hive after me. I love you, queen.

1:18:50.400 --> 1:18:55.960
<v Speaker 1>I'm just saying, we all grow all you all have

1:18:56.040 --> 1:19:00.479
<v Speaker 1>internalized misogyny. So there's so it was, you know, co

1:19:00.640 --> 1:19:02.519
<v Speaker 1>written by a gay man, and they're still a very

1:19:02.600 --> 1:19:07.320
<v Speaker 1>homophobic scene scene. Two things can be true, especially because

1:19:07.360 --> 1:19:10.400
<v Speaker 1>like that this was popular to do in two thousand

1:19:10.520 --> 1:19:12.880
<v Speaker 1>This was popularly in two thousand ten. Like it's like

1:19:13.400 --> 1:19:17.639
<v Speaker 1>it's only pretty recently that people the masses are getting

1:19:17.880 --> 1:19:21.800
<v Speaker 1>more aware of, like how problematic jokes like this and

1:19:22.000 --> 1:19:25.680
<v Speaker 1>and storylines like this, yeah fun anymore? And I'm like

1:19:25.760 --> 1:19:28.160
<v Speaker 1>how many That's always the weird thing to me, especially

1:19:28.240 --> 1:19:30.760
<v Speaker 1>like comedians and other older people being like, well all

1:19:30.800 --> 1:19:32.639
<v Speaker 1>this cancel culture and all this stuff, we can't even

1:19:32.640 --> 1:19:34.800
<v Speaker 1>have any fun anymore. I'm like, how many times you

1:19:34.880 --> 1:19:38.400
<v Speaker 1>need to hear the same joke that's punchline Asian or

1:19:38.479 --> 1:19:41.200
<v Speaker 1>punchline gay. But you've heard that joke a million times.

1:19:41.200 --> 1:19:43.280
<v Speaker 1>You don't want to hear a new joke. A joke

1:19:43.400 --> 1:19:45.840
<v Speaker 1>was slapping, even if you're like, oh, this racism is

1:19:47.560 --> 1:19:50.320
<v Speaker 1>like you've already heard it, right, so you don't want

1:19:50.360 --> 1:19:53.040
<v Speaker 1>a new joke and maybe it's not as terrible. I

1:19:53.160 --> 1:19:57.679
<v Speaker 1>don't get that logic at all. It's so fucking weird.

1:19:57.760 --> 1:20:01.840
<v Speaker 1>And it's like that this this team is very like that.

1:20:02.040 --> 1:20:04.600
<v Speaker 1>I mean, and I don't. I mean, you know, commenters

1:20:04.720 --> 1:20:07.160
<v Speaker 1>could correct me if I but like, this is the

1:20:07.280 --> 1:20:11.439
<v Speaker 1>team that brought you, you know, Ghostbusters, Stripes, Caddyshack, National

1:20:11.520 --> 1:20:15.080
<v Speaker 1>Lampoon's Vacation, groundhog Day, like a lot of very popular

1:20:15.200 --> 1:20:20.479
<v Speaker 1>considered to be classic comedies that they're like they're not

1:20:20.800 --> 1:20:23.439
<v Speaker 1>known for. So the fact that they're now, you know,

1:20:23.640 --> 1:20:28.000
<v Speaker 1>in there like sixties and still trying to make this

1:20:28.040 --> 1:20:32.320
<v Speaker 1>ship happen, it's just like it's such a bummer. It

1:20:32.439 --> 1:20:35.960
<v Speaker 1>does not work. Yes, that's not a little context corner,

1:20:37.160 --> 1:20:40.000
<v Speaker 1>Thank you so much. Um Yeah, does anyone have any

1:20:40.040 --> 1:20:46.560
<v Speaker 1>other funnal thoughts about Bedazzled? Elizabeth Hurley was fun. She

1:20:46.800 --> 1:20:49.800
<v Speaker 1>was fun. I always love a good Elizabeth Hurley performance.

1:20:50.200 --> 1:20:56.120
<v Speaker 1>She's got cool outfits. She has her shirt where it's

1:20:56.280 --> 1:21:00.599
<v Speaker 1>rhinestones and it says bad. That's fun. She also she um,

1:21:00.880 --> 1:21:03.800
<v Speaker 1>she antagonizes a cat in that scene as well. She

1:21:04.360 --> 1:21:07.639
<v Speaker 1>there's a because Allison has a cat and she goes

1:21:08.520 --> 1:21:11.000
<v Speaker 1>to the cat and the cat's like she's the devil.

1:21:11.200 --> 1:21:13.920
<v Speaker 1>Was my favorite part of the movie Red Leather Body Suit.

1:21:14.160 --> 1:21:18.800
<v Speaker 1>Really enjoyed that one. UM really loved the Devi eight

1:21:18.920 --> 1:21:22.040
<v Speaker 1>Hill Club. Besides the weird dancing videos in the back,

1:21:22.120 --> 1:21:24.000
<v Speaker 1>I was like a club with a pool and then

1:21:24.080 --> 1:21:27.880
<v Speaker 1>like I was like, oh, it was so like two

1:21:27.960 --> 1:21:30.120
<v Speaker 1>thousand where you're like, I'm not even going to think

1:21:30.160 --> 1:21:33.599
<v Speaker 1>about the germs right, Oh my god, can you imagine

1:21:33.600 --> 1:21:40.639
<v Speaker 1>getting into lukewarm soupy water with strangers now phone parties?

1:21:41.000 --> 1:21:43.679
<v Speaker 1>How close I was to everyone at Coachella. I tried

1:21:43.760 --> 1:21:46.360
<v Speaker 1>to watch Homecoming and it was giving me anxiety because

1:21:46.400 --> 1:21:51.479
<v Speaker 1>everyone's so close, and I was like, oh God, as

1:21:51.520 --> 1:22:01.840
<v Speaker 1>a Mr Kraft, well does this movie pass the back tests. No,

1:22:02.800 --> 1:22:05.760
<v Speaker 1>I honestly forgot to pay close enough attention. But I

1:22:05.920 --> 1:22:08.840
<v Speaker 1>do not think it Like the first two scenes and

1:22:08.880 --> 1:22:11.600
<v Speaker 1>I'm like, no, there were never enough women in the

1:22:11.760 --> 1:22:14.680
<v Speaker 1>scene to pass it, except when he made out with

1:22:14.720 --> 1:22:16.640
<v Speaker 1>Elizabeth or she made out with him, and there was

1:22:16.680 --> 1:22:18.880
<v Speaker 1>those two women and then they were like one woman

1:22:18.960 --> 1:22:21.360
<v Speaker 1>got to speak. She she probably got bumped up from

1:22:21.439 --> 1:22:25.360
<v Speaker 1>background to featured playing any and she got one line

1:22:25.960 --> 1:22:31.080
<v Speaker 1>and then and there get out of here. Women. Yeah. Yeah,

1:22:31.080 --> 1:22:34.400
<v Speaker 1>the scenes where there's women together, it's that were Elizabeth

1:22:34.439 --> 1:22:38.639
<v Speaker 1>Hurley evicts two nameless women from the scene, and then

1:22:38.720 --> 1:22:42.160
<v Speaker 1>there's the scene where Allison and Elizabeth Hurley are technically

1:22:42.200 --> 1:22:44.960
<v Speaker 1>in the same room, but Alison can't see her right,

1:22:45.280 --> 1:22:48.600
<v Speaker 1>so it does. There's another scene where two women are

1:22:48.680 --> 1:22:51.720
<v Speaker 1>fighting over Brendan Fraser at Club dev eight, but they

1:22:51.800 --> 1:22:57.640
<v Speaker 1>are unnamed and talking and also talking to him for

1:22:57.720 --> 1:22:59.640
<v Speaker 1>the most part, I want to dance with you. No,

1:22:59.800 --> 1:23:01.599
<v Speaker 1>I want to dance with you, right, They're not even

1:23:01.760 --> 1:23:04.839
<v Speaker 1>talking with each other. Yeah, those are the only scenes

1:23:05.200 --> 1:23:09.760
<v Speaker 1>that I can recall where women are even interacting. Oh.

1:23:09.920 --> 1:23:12.400
<v Speaker 1>I did want to bring up really quick with Brendan Fraser.

1:23:12.880 --> 1:23:15.880
<v Speaker 1>He has a very he's had, I mean, his career

1:23:15.960 --> 1:23:17.519
<v Speaker 1>has been very up and down over the years. But

1:23:17.560 --> 1:23:19.280
<v Speaker 1>I did want to shout him out because he was

1:23:19.360 --> 1:23:21.760
<v Speaker 1>one of the UM one of the few men in

1:23:21.880 --> 1:23:25.800
<v Speaker 1>Hollywood who spoke out about being sexually harassed. UM in

1:23:26.000 --> 1:23:28.880
<v Speaker 1>the nineties. He was sexually harassed by a very famous

1:23:28.960 --> 1:23:31.600
<v Speaker 1>executive and like felt a lot of shame about it

1:23:31.680 --> 1:23:34.360
<v Speaker 1>for many years, and then UM kind of came forward

1:23:34.439 --> 1:23:37.160
<v Speaker 1>with it in the last couple of years, which I

1:23:37.280 --> 1:23:40.120
<v Speaker 1>feel like it's it's like it's hard for everyone but

1:23:40.240 --> 1:23:43.400
<v Speaker 1>I feel like, on top of the like you know,

1:23:43.720 --> 1:23:48.240
<v Speaker 1>stigmatization of being abused, the like hyper masculine expectations, on

1:23:48.400 --> 1:23:50.800
<v Speaker 1>top of that, like, I think it's really cool and

1:23:50.920 --> 1:23:53.680
<v Speaker 1>admirable that he came forward with it so and then

1:23:53.760 --> 1:23:55.840
<v Speaker 1>did it the right way because when Terry Crews did

1:23:55.880 --> 1:24:00.559
<v Speaker 1>that ship Terry fucking cruise titty Dancer number one. Um,

1:24:01.600 --> 1:24:03.040
<v Speaker 1>and by then, I mean like he moves his pecks

1:24:03.080 --> 1:24:08.840
<v Speaker 1>up and down. Guys. Uh, every movie is like and

1:24:09.040 --> 1:24:12.479
<v Speaker 1>there's a scene for to dance. No yet we added

1:24:12.560 --> 1:24:18.479
<v Speaker 1>in like he came out and remember and he talked

1:24:18.479 --> 1:24:21.920
<v Speaker 1>about a producer, you know, grabbing him inappropriately. And then

1:24:22.240 --> 1:24:25.280
<v Speaker 1>as soon as black women swelled the ground swell of

1:24:25.360 --> 1:24:27.920
<v Speaker 1>support for him, black men were being kind of toxic

1:24:28.040 --> 1:24:30.240
<v Speaker 1>and like kind of mean, very um, and he kind

1:24:30.280 --> 1:24:32.519
<v Speaker 1>of backtracked. He was like, I'm sorry black man, Yeah,

1:24:32.560 --> 1:24:37.800
<v Speaker 1>we're right, We're like and so he couldn't even he

1:24:37.920 --> 1:24:39.960
<v Speaker 1>stood in it for a little while and then he compute,

1:24:40.320 --> 1:24:43.360
<v Speaker 1>Terry's a nightmare human. Um. He threw us under the

1:24:43.400 --> 1:24:45.560
<v Speaker 1>bus so quick. He's up there with Omarosa. For me,

1:24:45.680 --> 1:24:47.720
<v Speaker 1>I'm just like, wow, so you're just not You're gonna

1:24:47.760 --> 1:24:52.240
<v Speaker 1>sell us out this hard. Alright, bro, God, that's so

1:24:53.040 --> 1:24:58.160
<v Speaker 1>as Brendan has you know, maintained his truth and also

1:24:58.320 --> 1:25:00.280
<v Speaker 1>like talked about hot with all this, you know, all

1:25:00.360 --> 1:25:02.240
<v Speaker 1>the shame that came with it and how he felt

1:25:02.280 --> 1:25:05.400
<v Speaker 1>like it affected his career because he said something at

1:25:05.439 --> 1:25:09.559
<v Speaker 1>the time internal we did had to play the game

1:25:09.800 --> 1:25:11.560
<v Speaker 1>because he really was I mean, he was like in

1:25:11.680 --> 1:25:15.479
<v Speaker 1>two thousand, he was a fucking huge movie star and

1:25:15.560 --> 1:25:17.760
<v Speaker 1>then he fell off, and it was, you know, all

1:25:17.840 --> 1:25:19.479
<v Speaker 1>kind of lined up with the time he was speaking

1:25:19.520 --> 1:25:22.880
<v Speaker 1>out about it to like his you know, inner team,

1:25:23.040 --> 1:25:25.960
<v Speaker 1>or like he sent a letter to I'll link in

1:25:26.000 --> 1:25:29.439
<v Speaker 1>the description, like his full description, but it sounded like

1:25:29.560 --> 1:25:32.320
<v Speaker 1>a nightmare. And I'm glad you said something. As someone

1:25:32.720 --> 1:25:35.599
<v Speaker 1>who works in Hollywood, I'm not famous enough to speak

1:25:35.640 --> 1:25:37.840
<v Speaker 1>out about the bad things that happened to me. So

1:25:38.000 --> 1:25:39.720
<v Speaker 1>there are tons of bad things that happened to me.

1:25:39.760 --> 1:25:43.040
<v Speaker 1>And I'm just like, well, bad things are gonna keep

1:25:43.080 --> 1:25:45.439
<v Speaker 1>having it for a little bit. You gotta be really fun.

1:25:45.600 --> 1:25:49.040
<v Speaker 1>You gotta be like fucking Tom Cruise or like our

1:25:49.120 --> 1:25:51.840
<v Speaker 1>favorite white man Tom Hanks, who somehow had the most

1:25:52.240 --> 1:25:54.680
<v Speaker 1>wild ass son Chet Hanks. How did that happen? How

1:25:54.720 --> 1:26:00.240
<v Speaker 1>did you Lloyd spring Forth, Chet Hanks will never know. Um, yeah,

1:26:00.240 --> 1:26:02.519
<v Speaker 1>you have to be really powerful or you can't say ship.

1:26:02.720 --> 1:26:04.640
<v Speaker 1>And it's still true to this day because I can

1:26:04.720 --> 1:26:06.720
<v Speaker 1>say something that would have a career no more any

1:26:06.800 --> 1:26:11.479
<v Speaker 1>I need these chipegs. So you shout out to him. Yeah,

1:26:13.520 --> 1:26:18.679
<v Speaker 1>damn well, which is a bad movie? High note. Yeah,

1:26:21.040 --> 1:26:23.759
<v Speaker 1>shall we rate Yeah, let's rate it on our nipple

1:26:23.840 --> 1:26:28.479
<v Speaker 1>scale zero to five nipples based on an examination of

1:26:28.640 --> 1:26:37.560
<v Speaker 1>intersectional feminism. You know what with bedazzled. Um, I just

1:26:37.920 --> 1:26:42.200
<v Speaker 1>think it probably has to him. I would give it

1:26:42.320 --> 1:26:49.639
<v Speaker 1>maybe like a half nipple, because at least the devil,

1:26:49.920 --> 1:26:53.760
<v Speaker 1>who is played by a woman is highly motivated and

1:26:54.000 --> 1:26:57.640
<v Speaker 1>has agency and like does some stuff in the in

1:26:57.720 --> 1:27:03.880
<v Speaker 1>the movie. Kind of it's true. And again we said

1:27:03.880 --> 1:27:06.160
<v Speaker 1>it before, we'll say it again. Elizabeth Hurley was fun

1:27:06.280 --> 1:27:09.639
<v Speaker 1>to watch in that role. She's always fun. But other

1:27:09.720 --> 1:27:13.920
<v Speaker 1>than that, it's a mess in every regard, just one

1:27:14.040 --> 1:27:18.439
<v Speaker 1>problematic joke or wish or sketch or whatever after another.

1:27:19.520 --> 1:27:21.960
<v Speaker 1>So one half nipple. And I'm going to give it

1:27:22.040 --> 1:27:26.400
<v Speaker 1>to Orlando Jones because I think he's very funny and

1:27:26.720 --> 1:27:30.439
<v Speaker 1>I loved him in Office Space. Yeah, it's gonna be

1:27:30.560 --> 1:27:36.560
<v Speaker 1>a zero from me. I know there. I like. I

1:27:36.760 --> 1:27:42.000
<v Speaker 1>like Elizabeth Hurley's performance. Uh she's I love her outfits.

1:27:42.120 --> 1:27:46.880
<v Speaker 1>She's a fashion icon. Um. And the movie is just

1:27:47.160 --> 1:27:52.200
<v Speaker 1>it's so weird. It's such a strain. I just, yeah,

1:27:52.320 --> 1:27:56.280
<v Speaker 1>it's gonna be zero there. I feel like they really

1:27:56.360 --> 1:27:58.960
<v Speaker 1>thought they did something by making the Devil a woman,

1:27:59.040 --> 1:28:01.960
<v Speaker 1>and I don't want to reward or that behavior. Uh,

1:28:02.479 --> 1:28:04.560
<v Speaker 1>so it's just going to be a zero. I have

1:28:04.640 --> 1:28:08.760
<v Speaker 1>no nipples to give. Yeah, this is the first time

1:28:08.760 --> 1:28:10.800
<v Speaker 1>I've ever done this on this show. But it's also

1:28:10.880 --> 1:28:15.559
<v Speaker 1>going to be a zero for me. Yeah. I honestly

1:28:15.720 --> 1:28:18.080
<v Speaker 1>would have gave it half a nip if they had

1:28:18.160 --> 1:28:21.920
<v Speaker 1>made God a woman too. Oh, and that would have

1:28:21.960 --> 1:28:24.479
<v Speaker 1>passed the Bechdel tests probably because they Yeah, they do

1:28:24.640 --> 1:28:27.760
<v Speaker 1>talk at the end kind of because man being God

1:28:27.880 --> 1:28:30.720
<v Speaker 1>and woman being the devil. Like Elizabeth, you did your thing.

1:28:30.960 --> 1:28:33.880
<v Speaker 1>You were very British. She was so British. It was

1:28:34.040 --> 1:28:38.439
<v Speaker 1>delicious how British were, um, and I loved that for you.

1:28:38.720 --> 1:28:40.400
<v Speaker 1>And I love that leather jump suit that you with,

1:28:40.520 --> 1:28:43.160
<v Speaker 1>the red one. It was popping your body was fire

1:28:43.960 --> 1:28:47.040
<v Speaker 1>like hell, go ahead, girl, But I can't give it

1:28:47.160 --> 1:28:51.200
<v Speaker 1>no stars for nipples because it's just goddamn. It's so

1:28:51.479 --> 1:28:55.560
<v Speaker 1>bad on so many levels, Like the message is just garbage,

1:28:55.640 --> 1:28:59.120
<v Speaker 1>and it's very Instell pro in Cell and pro like

1:29:00.000 --> 1:29:02.519
<v Speaker 1>rend In. Fraser's character was an asshole. It wasn't just

1:29:02.640 --> 1:29:05.360
<v Speaker 1>that he was nerdy. He was a dick. I'm friends

1:29:05.400 --> 1:29:07.920
<v Speaker 1>with mad nerds. I think that a lot of times

1:29:08.200 --> 1:29:10.840
<v Speaker 1>people who are nerds feel like it's the nerdy side

1:29:10.880 --> 1:29:12.519
<v Speaker 1>of them that people don't like. And a lot of

1:29:12.600 --> 1:29:15.320
<v Speaker 1>times sometimes it is like sometimes you're just genuinely being

1:29:15.360 --> 1:29:17.519
<v Speaker 1>bullied by people, and that's not right. But I find

1:29:17.560 --> 1:29:19.840
<v Speaker 1>the people who never find their tribe, the people who

1:29:19.960 --> 1:29:22.240
<v Speaker 1>never find people that can they can funk with, it's

1:29:22.240 --> 1:29:24.800
<v Speaker 1>because you're an asshole. Because I got nerds who rolled

1:29:24.920 --> 1:29:27.320
<v Speaker 1>deep who they got the homies, they got nerd events,

1:29:27.360 --> 1:29:30.320
<v Speaker 1>they're doing all types of nerdy ship all around town, okay,

1:29:30.720 --> 1:29:32.720
<v Speaker 1>And so if you can never find your tribe, it

1:29:32.800 --> 1:29:34.320
<v Speaker 1>probably has more to do with like you being an

1:29:34.360 --> 1:29:36.479
<v Speaker 1>asshole like this guy was. He was a dick and

1:29:36.560 --> 1:29:39.400
<v Speaker 1>a nerd and a creep and a weirdo and a stalker.

1:29:39.880 --> 1:29:41.519
<v Speaker 1>And then at the end he gets rewarded with a

1:29:41.600 --> 1:29:51.400
<v Speaker 1>Babbage neighbor. No thanks, Hey, I'm gonna drop my nipple rating. No, no, no, no,

1:29:51.840 --> 1:29:55.160
<v Speaker 1>I should have just done that from the beginning. I

1:29:55.280 --> 1:29:58.840
<v Speaker 1>see why you gave her a little nil. She was

1:29:59.400 --> 1:30:03.360
<v Speaker 1>she was it, but it doesn't the movie doesn't deserve

1:30:03.400 --> 1:30:09.160
<v Speaker 1>any nippleage. So yeah, well, Lacy, thank you so much.

1:30:09.320 --> 1:30:13.360
<v Speaker 1>It's it's always a pleasure to have you. Always happy

1:30:13.400 --> 1:30:18.479
<v Speaker 1>to be here. Where can people check out your stuff,

1:30:18.840 --> 1:30:22.600
<v Speaker 1>follow you online, et cetera. Yes, so if you like

1:30:22.760 --> 1:30:25.240
<v Speaker 1>comedy and robbery, you can listen to my podcast scam

1:30:25.360 --> 1:30:28.400
<v Speaker 1>God this podcast and that's wherever you get your podcast. Um,

1:30:28.439 --> 1:30:29.960
<v Speaker 1>and if you want to follow me in my nonsense

1:30:30.040 --> 1:30:31.760
<v Speaker 1>as D I V A l A C I D

1:30:31.880 --> 1:30:35.320
<v Speaker 1>but Lacey on all platforms including Clubhouse. I'm trying to

1:30:35.400 --> 1:30:40.519
<v Speaker 1>get missy. Wait, I don't even know what that is.

1:30:40.680 --> 1:30:46.320
<v Speaker 1>I'm so behind. Yeah to the Clubhouse because you gotta.

1:30:46.360 --> 1:30:48.280
<v Speaker 1>I'm gonna bvite to the Clubhouse as I'm gonna send

1:30:48.320 --> 1:30:49.479
<v Speaker 1>to see you. I have a numb right, I'm gonna

1:30:49.479 --> 1:30:51.920
<v Speaker 1>sen se you. Um because it's like just an app

1:30:52.000 --> 1:30:54.080
<v Speaker 1>for people. It's almost like a podcast, but like a

1:30:54.160 --> 1:30:58.040
<v Speaker 1>ton of people just get to talk and it's fun.

1:30:58.240 --> 1:31:00.680
<v Speaker 1>Celebrities get on there, they ruin their lives. It's just

1:31:01.000 --> 1:31:06.200
<v Speaker 1>such a good time. The rooms are fun. Okay, well, um, yes,

1:31:06.320 --> 1:31:08.760
<v Speaker 1>thank you so much for being here. To come back anytime.

1:31:09.720 --> 1:31:14.120
<v Speaker 1>You can follow us on Twitter and Instagram. Not clubhouse

1:31:14.240 --> 1:31:21.240
<v Speaker 1>but maybe that'll change, but Twitter, Instagram, at Bechtel Cast.

1:31:21.479 --> 1:31:25.879
<v Speaker 1>You can check out our Patreon ak Matreon at patreon

1:31:26.000 --> 1:31:28.880
<v Speaker 1>dot com slash Bechtel Cast. It gets you two bonus

1:31:28.960 --> 1:31:32.800
<v Speaker 1>episodes every single month, plus the whole back catalog of bonuses.

1:31:33.200 --> 1:31:37.519
<v Speaker 1>It's five dollars a month? What more could you ask for? Um,

1:31:37.680 --> 1:31:41.000
<v Speaker 1>and I guess in conclusion, we wouldn't recommend watching this movie.

1:31:43.960 --> 1:31:46.439
<v Speaker 1>There's I kind of missed the version of me that

1:31:46.520 --> 1:31:53.599
<v Speaker 1>didn't know it existed personally. She was so young. I mean,

1:31:53.800 --> 1:31:56.320
<v Speaker 1>we got this episode out of it, and that it's

1:31:57.080 --> 1:32:02.800
<v Speaker 1>we're so happy here here all right. Bye everyone. By