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Speaker 1: On the dol cast, The questions asked if movies have

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Speaker 1: woen inum, are all their discussions just boyfriends and husbands,

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Speaker 1: or do they have individualism? The patriarchy zef in best

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Speaker 1: start changing it with the beck Del cast. Most men

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Speaker 1: think they're gold. This one just happens to be right,

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Speaker 1: which is a quote from the movie Bedazzled and High.

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Speaker 1: That's today's movies and hide. She did it? What's your name?

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Speaker 1: Oh mommy, Yeah, no, I'm sticking with it. What's your name? Now?

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Speaker 1: It's aggressive. But if I was like, I'm the devil,

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Speaker 1: I was hoping you would say that, Okay, yes, I'm

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Speaker 1: the devil. What does she say? Like? BL's above? But

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Speaker 1: she says like five, she's she's basically singing Bohemian Rhapsody.

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Speaker 1: She Oh, it's so you're in for it today, because

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Speaker 1: I have no fucking clue what's going on in this movie?

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Speaker 1: There is This is a movie that I feel like

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Speaker 1: I could have only come out in two thousand and

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Speaker 1: I'm like, did it make sense then? Because I was really,

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Speaker 1: there's so much I'm not sure. Wait wait, wait, what's

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Speaker 1: your what's your name? Oh? Right, well, I'm Biel's abub

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Speaker 1: No I'm my name's Jamie. My name is Caitlin. We're

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Speaker 1: on a first name basis at this point. And this

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Speaker 1: is the backtel Cast. This is where we talk about

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Speaker 1: movies from an intersectional feminist lens, and we also talk

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Speaker 1: about Bedazzled, and that's what we're doing today backtel Cast

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Speaker 1: more like the Dazzle The why is this movie called Bedazzled?

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Speaker 1: We were talking about this before we got on. Mike.

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Speaker 1: I think it's because the devil Lucifer beazl bub Satan

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Speaker 1: has the ability to bedazzle you with all you know,

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Speaker 1: riches and respect and love and all that series of

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Speaker 1: law sketches in the middle of a movie. Yeah, I guess,

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Speaker 1: so I get. That's as close as I got. Anyways,

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Speaker 1: this is our podcast. We use the Bechtel test as

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Speaker 1: a jumping off point for discussion. That is a media

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Speaker 1: metric invented by queer cartoonist Alice in Bechtel that requires that,

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Speaker 1: for our purposes, two characters of a marginalized gender with

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Speaker 1: names speak to each other about something other than Brendan Fraser.

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Speaker 1: And that's how the test is going to work today,

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Speaker 1: and we'll just we'll just see what happens. We will indeed,

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Speaker 1: and I say, without much further ado, we introduce our guest,

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Speaker 1: a fan favorite. First of all, she's also a comedian actor.

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Speaker 1: You know her from ABC's The Con and she's the

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Speaker 1: host of Scam Goddess podcast. It's Lacy Mosley. Hi, Oh,

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Speaker 1: welcome Backack. I would like to be addressed that satan.

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Speaker 1: It's got an accent mark, so it's satan. Okay, we're

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Speaker 1: hitting the second syllable. It's funny that, y'all we're talking

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Speaker 1: about the title of this movie. I personally, I guess

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Speaker 1: because I was younger when it came out. I remember

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Speaker 1: talking to my friends about it. I'd be like, yeah,

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Speaker 1: you know, that's that movie bit, but there's what did

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Speaker 1: I call it? Bebazild. I was like, you know, maybe

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Speaker 1: I was illiterate, but I'm like, yeah, I know that

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Speaker 1: movie bevazled with with the British Javil. That's honestly enough

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Speaker 1: information to know what the movie is. Perfect. But I'm

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Speaker 1: so glad you brought us this movie because I had

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Speaker 1: no idea this movie existing. Oh really, wow, Yeah, I'd

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Speaker 1: never heard of it, and I thought that I like,

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Speaker 1: I'm not like, I'm not a I'm not like a

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Speaker 1: Brendan Fraser fan, but I find him interesting as a person,

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Speaker 1: I don't think so. And then I hate Brendon Frae.

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Speaker 1: It's just like I don't know what people are like,

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Speaker 1: Oh yeah, give it at Brandon, like ione have a

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Speaker 1: poster in their wall. I don't know, he's like interesting

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Speaker 1: because I just I don't know. Anytime there's someone who

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Speaker 1: was like I look like a movie star, but I'm

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Speaker 1: actually a character actor, I'm like, that's kind of interesting

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Speaker 1: to me. But I had no idea this movie existed.

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Speaker 1: What is this thing there? Uh? Lacy had what is

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Speaker 1: your history with Bedazzled? So my history with Bebizild is

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Speaker 1: I remember seeing it with my cousin as a kid,

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Speaker 1: and you know, we're pretty religious, but not like I

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Speaker 1: was like I want to church a lot. But like

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Speaker 1: as soon as my mom had full control over how

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Speaker 1: much we went to church, then we didn't go to

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Speaker 1: church as much. You know, we had we hit the bobs.

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Speaker 1: You know, we were there for the high holidays. We

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Speaker 1: were there for you know, the cute moments, the Easters,

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Speaker 1: the Christmas is, you know, whenever Jesus would come back,

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Speaker 1: we would come back as well. Basically, but so I

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Speaker 1: remember watching it kind of like we were like sneaking

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Speaker 1: and watching it um much as we did most of

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Speaker 1: the television that we watched. And I remember having fun

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Speaker 1: watching it, much like when I was here from What

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Speaker 1: Women Want, which was a dumpster fire, the one with

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Speaker 1: Mel Gibson. I was like, I remember being like, bitch,

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Speaker 1: this is good, like so so I'm I was ready

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Speaker 1: to love it. The early two thousand's what a what

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Speaker 1: a cursed It was really just a free for all

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Speaker 1: you could do all sorts of ship that was our eighties.

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Speaker 1: I mean like we were wearing skirts over leggings and

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Speaker 1: do outfits and and so for some reason, a flower

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Speaker 1: Indian hair anywhere, Like I wore flower in my hair

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Speaker 1: to my senior prom, please and thank you. I wore

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Speaker 1: one to the club there, poor decision. I remember like

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Speaker 1: being I don't know, I guess like at being a

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Speaker 1: kid around this time. I don't know why, but I

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Speaker 1: have like a really strong memory of being on the

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Speaker 1: school bus and having a T shirt that had like

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Speaker 1: as sass see a little phrase on it that said

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Speaker 1: like angel ten percent devil and thinking like there is

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Speaker 1: never gonna be a shirt cooler than this shirt, Like

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Speaker 1: I was so thoroughly convinced that early two thousand's child

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Speaker 1: fashion was going to be as good as we ever got.

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Speaker 1: It was limited to Girl Limited too. It was great

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Speaker 1: Angel ten percent Devil. It fits perfectly with the Dazzles.

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Speaker 1: Also feels like a little horny for kid apparel. I mean,

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Speaker 1: like maybe the Devil's like a little devil. But I

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Speaker 1: don't know did either of you wear weirdly horny kids shirts?

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Speaker 1: Because I definitely I had my fifth grade school picture.

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Speaker 1: I'm wearing a T shirt that says too young for Ashton,

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Speaker 1: which is like fucked up. But I snuck at to school.

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Speaker 1: My mom didn't want me to wear it, but my

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Speaker 1: aunt got it for me. My horny aunt was like,

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Speaker 1: this is funny, and then I brought home the school

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Speaker 1: pictures and now it's in your life forever. I love

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Speaker 1: that your aunt is hilarious. But that shirt is who

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Speaker 1: made that? Who was like put that on the screen.

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Speaker 1: They were just selling that at like I don't even

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Speaker 1: know where it would have been, like the Macy's clearance section.

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Speaker 1: They just had that shirt for Like the shirt basically

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Speaker 1: was like I'm horned for Ashton, but he can't be

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Speaker 1: horned back. What did we say, it's like, thanks for

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Speaker 1: letting us know ten year old. I hope Ashton made

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Speaker 1: some coin off of it, because they just said and

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Speaker 1: they say culture. So he probably out here and gets

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Speaker 1: smeared and he didn't even get a coin. Oh my goodness, Caitlyn,

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Speaker 1: what's your history of this movie? My history is literally

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Speaker 1: I didn't know it existed before before we started getting

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Speaker 1: ready for this episode. This came out when I was

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Speaker 1: in high school or I was like just about to

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Speaker 1: enter high school, so I was it was definitely on

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Speaker 1: my radar, and I thought I had seen this movie,

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Speaker 1: But when I went to watch it to prep for

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Speaker 1: this episode, I'm like, none of this is familiar to me,

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Speaker 1: except for one scene where he first wakes up as

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Speaker 1: a Colombian drug lord and he's figuring out that he

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Speaker 1: can speak Spanish, because this clip is featured as a

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Speaker 1: clip in the board game Seen It if anyone remembers

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Speaker 1: seen it, I do remember that. I don't remember that.

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Speaker 1: So that whole scene plays out and then you're supposed

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Speaker 1: to like answer like trivia questions about that clip or

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Speaker 1: whatever in the game anyway, so that I was like, Okay,

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Speaker 1: I've definitely seen that part. Of it. I think I

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Speaker 1: must have been on at a sleepover or something like that,

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Speaker 1: because I have like bits and pieces of it were

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Speaker 1: familiar to me, but I didn't. I don't think I

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Speaker 1: had seen the whole thing. Um, we're too busy pillow fighting.

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Speaker 1: I was too busy being angel Um. But yeah, so,

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Speaker 1: uh should we just get into the recap and then

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Speaker 1: I'm so excited to hear you recap this movie, Like

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Speaker 1: what is going to happen me about you? While I

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Speaker 1: was watching the movie, I was like, I just can't

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Speaker 1: wait for Caitlin to do this. Thank you. Okay, So

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Speaker 1: we meet Elliott. That is Brendan Fraser. He works at

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Speaker 1: a tech company, and he's a loser. He's a dork.

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Speaker 1: He's annoying, and nobody likes him. He's Brendan frasering out

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Speaker 1: at the beginning, like such a simple yeah, like he

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Speaker 1: this is Brendan Fraser. At the beginning of a lot

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Speaker 1: of movies. He's like really loudly not fitting in. I

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Speaker 1: just well, I kept thinking back to so we recorded

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Speaker 1: an episode on The Mummy a few years ago. Now, Um,

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Speaker 1: but our whole thing with that episode that he is

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Speaker 1: that he was like Ferrell from a lot of the

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Speaker 1: movie because he like surprised kisses Rachel Weiss, and he's

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Speaker 1: just like being this horny Farrell, like we love a

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Speaker 1: surprise kiss, we don't, and this movie he gets surprised

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Speaker 1: kissed by the devil. So I just kept thinking about

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Speaker 1: like Brendan Fraser being feral and it kept making me laugh. Anyways,

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Speaker 1: So one evening he sees some people that he knows

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Speaker 1: from work hanging out without him at a bar, and

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Speaker 1: then the woman that he has a huge crush on

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Speaker 1: who he also works with or like she works in

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Speaker 1: the same building or something, Alison Gardner. That's Francis O'Connor.

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Speaker 1: She comes in and his coworkers kind of like egg

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Speaker 1: him on to go talk to her because he's all like, yeah,

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Speaker 1: she and I are like good friends, and he goes

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Speaker 1: over to talk to her. She does not remember Elliott

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Speaker 1: at all, because it turns out they've only talked once

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Speaker 1: briefly four years ago, and then she walks away, but

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Speaker 1: just then Elliott comes upon a sexy woman in red.

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Speaker 1: Yeah it does happen that quickly, Wait really quick on, Allison.

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Speaker 1: I just I was waiting the whole movie to be like,

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Speaker 1: what is like one thing, What is one thing about

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Speaker 1: her other than she is She seems to reflexively, like

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Speaker 1: many people who are being aggressively hit on, be nice

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Speaker 1: to people instead of telling them to funk off. Like

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Speaker 1: that's I think the one thing I know about her. Yeah,

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Speaker 1: they didn't give us no information about her. She kind

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Speaker 1: of looked like Mariah Carey, which I was like, maybe that's, like,

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Speaker 1: you know, for the Times, like Maria. You know, Maria's

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Speaker 1: always popping, she owns Christmas, move over Jesus, but she's

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Speaker 1: long bodded Jesus off the manger. Um, it's just her

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Speaker 1: and heels. But she. I was like, oh, maybe that

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Speaker 1: was for the Times. But also I didn't like that,

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Speaker 1: like it gave such in cell vibes of like this woman,

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Speaker 1: we don't know nothing about her. It's like if you

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Speaker 1: just saw a girl on Instagram and was like, that's

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Speaker 1: my wife, and it's like you've never seen, never talked

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Speaker 1: to her. We didn't even Instagram will get more information.

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Speaker 1: At least she would have some cat she's we can

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Speaker 1: look at like this is like the sun, Okay, she

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Speaker 1: loves the beach all right, Like nothing, Yeah, we know

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Speaker 1: nothing about her. It's so weird, yeah, like slow mo

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Speaker 1: entrance shot, and then we never learned to the point

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Speaker 1: where like when she would show up in all these

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Speaker 1: like later like fantasy sequences, I would kind of sometimes

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Speaker 1: be like, wait, who is that? Oh, I guess it's

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Speaker 1: that lady Allison. Like I didn't recognize her because she

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Speaker 1: was in those weeks. She was just in a bunch

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Speaker 1: of wigs, and I was like, She's like, she was fun,

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Speaker 1: But I'm like, I don't who is this woman? What

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Speaker 1: is different about her? She's passionate about wigs, That's what

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Speaker 1: we know. She loves a good wig, so right, he

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Speaker 1: knows the way she likes to eat her bagels, and

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Speaker 1: that's all he knows about her, and that's all we

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Speaker 1: know about her. But anyway, so suddenly this very sexy

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Speaker 1: woman in Red is in the movie and she's played

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Speaker 1: by Elizabeth Hurley, and there's something very peculiar about her

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Speaker 1: because she's really good at pool and she seems to

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Speaker 1: be omniscient. And then she's like, by the way, Brendan Fraser,

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Speaker 1: I have the power to give you everything you've ever

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Speaker 1: dreamed of. And it's because I'm the devil t he

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Speaker 1: She's really fun, Like when it's fucked up, she's still

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Speaker 1: fun and she's like hot off of Austin Powers too.

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Speaker 1: It's like peak Elizabeth Hurly because I'm like, what if

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Speaker 1: I can't I can't tell you what Elizabeth Hurley did

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Speaker 1: after this. She's very naughty. I also think that like

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Speaker 1: having the Devil be British was just like just because

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Speaker 1: I just can't imagine American woman like, yeah, I'm the Devil,

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Speaker 1: so what's up? You want some wishes or not? It

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Speaker 1: just doesn't sound as sexy is her. Also the fact

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Speaker 1: that the Devil is a genie, Like, there's so many

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Speaker 1: leaps of logic where I'm like, okay, I guess the

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Speaker 1: Devil is a genie and she's obsessed with Brendan Fraser

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Speaker 1: because of a CD ROM computer program that she has

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Speaker 1: I don't know right, Well, okay, So this movie is

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Speaker 1: based on a nineteen sixty seven movie of the same

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Speaker 1: name the Peter Cook and Dudley Moore were in and

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Speaker 1: that who also co wrote that movie, which was also

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Speaker 1: an adaptation from the Faust Legend, which admittedly I don't

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Speaker 1: know anything about Faust. It definitely feels like something that's

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Speaker 1: been adapted from other stuff because some things. I'm like, huh, right,

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Speaker 1: what where did that come from? Like what triggered the devil? Like,

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Speaker 1: I don't I didn't see him go like, oh, devil,

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Speaker 1: I wish I could be with aliceon Like it was

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Speaker 1: nothing that, there's nothing that triggered the devil. He goes

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Speaker 1: He's like, Dear God, I would I would do anything

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Speaker 1: to be So he basically praised to God saying like

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Speaker 1: I would do anything to be with this woman, and

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Speaker 1: rather than God responding, so I don't say. Maybe this

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Speaker 1: movie is a commentary on like where's God when you

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Speaker 1: need him? Because who SUPs at the end of the movie, right, right, Yes,

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Speaker 1: God is in this movie. I can't wait to talk

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Speaker 1: about him. But um, so the devil is like, Hi,

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Speaker 1: I'm the devil and he's like what. So she has

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Speaker 1: to prove it to him because you know, Brendan Fraser

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Speaker 1: doesn't believe women or Devil's well she does like just

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Speaker 1: kind of start accosting. I don't know. All their scenes

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Speaker 1: together are like what is this dynamic? And then at

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Speaker 1: the end where he says like You're the best friend

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Speaker 1: I've ever had, Like that's the saddest thing I've ever

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Speaker 1: heard in my life and she hates you, man, she

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Speaker 1: hates you so much, she's just using you to get

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Speaker 1: your soul. Such a weird story. So I needed the

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Speaker 1: help of Wikipedia to understand what was happening at the beginning,

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Speaker 1: because the whole like intro is like we see people

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Speaker 1: being it's like a very early two thousands computer program

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Speaker 1: where I will like point at the person and then

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Speaker 1: say five adjectives like it's the next bus or something.

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Speaker 1: I'm like, what, But apparently that's the Devil computer program,

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Speaker 1: which I didn't understand right. I was like, I didn't

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Speaker 1: get that until the second viewing. I was like, so

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Speaker 1: the Devil has a cd ROM that tells her that

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Speaker 1: Brendan Frasier is lonely. Like it's just weird, Yeah, yeah,

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Speaker 1: because she's using it basically is like kind of like

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Speaker 1: an online dating site, but rather than to like find dates,

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Speaker 1: it's to like find candidates for souls she can snatch up.

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Speaker 1: And some of that language was just so early two thousands.

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Speaker 1: I was like, this is like the ship you can

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Speaker 1: get away with. Like they pointed out one woman and

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Speaker 1: it was like tease and it's like, yeah, I feel

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Speaker 1: like that's not that's the word made up bout me

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Speaker 1: and who wanted to have sex with somebody who did

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Speaker 1: not want to have sex with them. That's not a thing.

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Speaker 1: So some of the points I was like problematic, Yes, definitely,

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Speaker 1: this is a very two thousand software program, like it's

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Speaker 1: not updated, it's running on fucking Windows. I like. But

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Speaker 1: then when it points the Brandon Fraser, it's like doormatt, lonely, desperate, oblivious,

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Speaker 1: eager to please. And I was like, wow, feeling called out.

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Speaker 1: That's so brutal. And then a million he holds the

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Speaker 1: door and a million people go inside. I was like, Brendy,

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Speaker 1: you could have got in there. You stuck up in there.

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Speaker 1: Brendan have some self esteem. But then he does have

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Speaker 1: self esteem, but and it's really like aggressive at times,

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Speaker 1: it's he's it is a weird character, like he's either

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Speaker 1: I feel like he falls kind of into that nerd

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Speaker 1: stereotype of like I'm going to force people to like me,

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Speaker 1: which is like, no, that's also scary. That's not a

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Speaker 1: good approach. I felt bad for that. In his working group.

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Speaker 1: First of all, shoutout Orlando Jones, so funny. He's great,

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Speaker 1: even though it's like he should have had more to

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Speaker 1: do it, but like there, I was glad he was there.

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Speaker 1: And then there was also like token guy's Gal that

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Speaker 1: was with them, who was like, oh, like did you God?

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Speaker 1: It was just like such a stock character. But I'm like, oop,

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Speaker 1: I know who you are. You will never talk to

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Speaker 1: an other woman in this film. But she'll be there

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Speaker 1: with the guys. But not everywhere, because like, was she

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Speaker 1: ever in any of the cutaways? No, she was only

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Speaker 1: in like the non wish, like non fantasy. Why did

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Speaker 1: she come to the fantasy? She was just as she

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Speaker 1: was just as much of a bully to Brendan Fraser

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Speaker 1: as anyone else, and she wasn't invited. Rude, damn, I

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Speaker 1: didn't even that didn't even occur to me. I was

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Speaker 1: just like, wow, guys, Gal, they gave her like the

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Speaker 1: guy's gal Daria jacket and everything. Yeah, but she's not

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Speaker 1: allowed to participate in most of the movie. Okay, So anyway,

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Speaker 1: so um, he's like, I don't you You're not the devil.

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Speaker 1: So she proves it to him by granting his wish

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Speaker 1: of a big mac and a coke, But it doesn't

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Speaker 1: seem that impressive because she just takes him to McDonald's

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Speaker 1: and he has to pay for it, but then she

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Speaker 1: takes him to her nightclub where everyone seems to know

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Speaker 1: him and love him, and then she presents him with

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Speaker 1: this contract where she will grant him seven wishes because

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Speaker 1: she's also a genie in exchange for his soul, and

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Speaker 1: because he really really wants to be with this woman, Allison,

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Speaker 1: he signs the contract and then she's like, Okay, I'm

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Speaker 1: gonna give you this pager. If things aren't going the

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Speaker 1: way you'd hope, just you know, dial six six six,

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Speaker 1: and then we'll sort it out. Classic two thousand's Devil, Right,

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Speaker 1: So what follows next is a bunch of sequences that

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Speaker 1: I'm just going to kind of breeze through because I

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00:19:34,880 --> 00:19:37,680
Speaker 1: feel like we will break them down one by one

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Speaker 1: in the discussion, so I don't want to spend too

335
00:19:40,720 --> 00:19:43,800
Speaker 1: much time. And but basically, there's all these sequences where

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Speaker 1: he makes a wish. Things seem great at first, but

337
00:19:47,560 --> 00:19:50,680
Speaker 1: then he discovers like a catch and then he has

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Speaker 1: to page the Devil and go back to normal until

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Speaker 1: he makes his next wish. So the first one is

340
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Speaker 1: that he wishes to be very rich and powerful and

341
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Speaker 1: married to liston cut to he is now Colombian. Okay,

342
00:20:07,240 --> 00:20:10,959
Speaker 1: he lives in a mansion with his wife Allison, and

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Speaker 1: he's rich and everything, but the catches. Allison hates him

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Speaker 1: and is cheating on him, and he got his wealth

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Speaker 1: and power by running a drug cartel. This is where

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00:20:21,240 --> 00:20:26,000
Speaker 1: I was like, what huh there is? This movie quickly

347
00:20:26,040 --> 00:20:31,080
Speaker 1: becomes just a series of really long sketches where Brendan

348
00:20:31,119 --> 00:20:34,439
Speaker 1: Fraser is doing the absolute most a person can do,

349
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Speaker 1: like just like a pile of wigs and a bunch

350
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Speaker 1: of things happening, and it's all ten minutes long, and

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Speaker 1: at the end you're like, and then all of a sudden,

352
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Speaker 1: he's talking to the devil again, and why did he

353
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Speaker 1: have to have a proces that it knows to be

354
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Speaker 1: a Colombian dread lorre? Wow? I mean that's not all

355
00:20:53,600 --> 00:20:56,960
Speaker 1: they do. They put him in brown face, yeah they did,

356
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Speaker 1: Oh god, and that look get into him. But and

357
00:21:01,520 --> 00:21:04,760
Speaker 1: that's like God, they're all They're all like bad, but

358
00:21:04,880 --> 00:21:08,320
Speaker 1: all in like very distinct way. It's kind of like

359
00:21:08,359 --> 00:21:13,000
Speaker 1: a weird sampler plate of like problematic. They find a

360
00:21:13,040 --> 00:21:18,560
Speaker 1: new way to be extremely problematic with each new wish.

361
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Speaker 1: So the next one is after he finds out that

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Speaker 1: Alison wants a sensitive man. He wishes to be the

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Speaker 1: world's most sensitive man and for Allison to be in

364
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Speaker 1: love with him. So we cut to him being super sensitive.

365
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Speaker 1: But the catch is that he's too sensitive and overbearing

366
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Speaker 1: and she's turned off by it and it's disgusting. So

367
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Speaker 1: his next wish is to be tall and strong and athletic.

368
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Speaker 1: So the Devil turns him into a pro basketball player,

369
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Speaker 1: and Allison is now a sports reporter and she's really

370
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Speaker 1: horny for him, but the matches he has a very

371
00:22:03,800 --> 00:22:08,959
Speaker 1: small penis, which she sees because he starts to address

372
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Speaker 1: in front of her in the locker room as she's

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Speaker 1: like trying to interview him as a sports reporter. But

374
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Speaker 1: also she's like, yeah, like it's the the like gymnastics,

375
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Speaker 1: the logic gymnastics. The story goes to be like, no,

376
00:22:22,640 --> 00:22:26,159
Speaker 1: she is actually telling him that he has to strip

377
00:22:26,200 --> 00:22:29,400
Speaker 1: in front of her in the locker room because that's

378
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Speaker 1: what sports reporters do, and it's like it's oh boy,

379
00:22:33,080 --> 00:22:36,280
Speaker 1: it's a mind fuck. But so she sees his small

380
00:22:36,320 --> 00:22:39,440
Speaker 1: penis and now she is not interested in him. So

381
00:22:40,320 --> 00:22:43,879
Speaker 1: then his next wish is to be really smart and

382
00:22:44,080 --> 00:22:49,040
Speaker 1: educated and witty and sophisticated and for Alison to fall

383
00:22:49,080 --> 00:22:51,760
Speaker 1: in love with him, and that he has a big

384
00:22:51,800 --> 00:22:56,359
Speaker 1: penis so cut to him being a renowned writer who's

385
00:22:56,480 --> 00:22:59,679
Speaker 1: very charming and cool and everyone likes him. And then

386
00:22:59,720 --> 00:23:03,119
Speaker 1: he's Allison at some event and they hit it off.

387
00:23:03,200 --> 00:23:05,480
Speaker 1: But the catch here is that when they go back

388
00:23:05,520 --> 00:23:08,920
Speaker 1: to his place, it turns out that Elliott is gay

389
00:23:09,160 --> 00:23:13,800
Speaker 1: and has like a male partner and is not actually

390
00:23:13,800 --> 00:23:23,040
Speaker 1: interested in Allison. More gymnastics lay that one. Uh So,

391
00:23:23,119 --> 00:23:27,360
Speaker 1: the next wish is he wants to do something good

392
00:23:27,400 --> 00:23:30,199
Speaker 1: for mankind and to create a better world and do

393
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Speaker 1: something important. So he wishes to be the president of

394
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Speaker 1: the United States. So the devil makes him President Lincoln

395
00:23:38,400 --> 00:23:42,000
Speaker 1: right before he's about to be assassinated. Ah, he comes

396
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Speaker 1: out of that wish, and now he only has one

397
00:23:44,520 --> 00:23:47,800
Speaker 1: wish left because the devil is counting the big mac

398
00:23:47,840 --> 00:23:51,760
Speaker 1: and coke as one of his wishes, and he's like,

399
00:23:51,840 --> 00:23:55,439
Speaker 1: you know what, Devil, the deal is off. And he

400
00:23:55,600 --> 00:24:00,440
Speaker 1: goes to a church to talk to God. So yeah,

401
00:24:01,440 --> 00:24:06,639
Speaker 1: but there he gets arrested and in jail he meets God.

402
00:24:07,400 --> 00:24:19,119
Speaker 1: A black man in jail, right, he's just like talking

403
00:24:19,119 --> 00:24:22,439
Speaker 1: to Brendan Fraser about like his soul and his life

404
00:24:23,359 --> 00:24:26,080
Speaker 1: and stuff like that. But I've got we're one of us,

405
00:24:26,359 --> 00:24:31,240
Speaker 1: and you're just like interesting ta. I know. The only

406
00:24:31,240 --> 00:24:33,439
Speaker 1: thing more cliche could have been him on a bus.

407
00:24:37,560 --> 00:24:40,560
Speaker 1: Oh gosh. So then he gets out of jail and

408
00:24:40,640 --> 00:24:43,159
Speaker 1: he goes to the Devil's Club and he's like, you

409
00:24:43,200 --> 00:24:45,240
Speaker 1: know what, I don't want my last wish, but the

410
00:24:45,240 --> 00:24:48,399
Speaker 1: devil freaks out and sends him to Hell or something.

411
00:24:49,080 --> 00:24:53,080
Speaker 1: Oh my god, and then the hell has terrible special

412
00:24:53,080 --> 00:24:59,000
Speaker 1: effects and so brutal that when Elizabeth Hurley gets gigantic

413
00:24:59,160 --> 00:25:01,480
Speaker 1: but she still has the Austin Powers hair and she's like,

414
00:25:01,960 --> 00:25:06,119
Speaker 1: I'm gonna send you to Hell forever. You're like, oh,

415
00:25:06,160 --> 00:25:13,080
Speaker 1: I need a drink anything, yes, So then she like

416
00:25:13,200 --> 00:25:16,399
Speaker 1: basically forces him to make a wish, so he his

417
00:25:16,480 --> 00:25:20,919
Speaker 1: last wish is he wishes that Allison have a happy life.

418
00:25:21,359 --> 00:25:25,080
Speaker 1: And then suddenly he and the devil are like in

419
00:25:25,160 --> 00:25:30,359
Speaker 1: a courthouse and she explains that the contract that he

420
00:25:30,440 --> 00:25:34,600
Speaker 1: signed states that if a person commits a selfless act

421
00:25:34,640 --> 00:25:38,880
Speaker 1: of redemption like wishing for someone else's happiness, it avoids

422
00:25:38,960 --> 00:25:41,960
Speaker 1: the contract, which means the deal is off and he

423
00:25:42,000 --> 00:25:46,679
Speaker 1: gets to keep his soul so Elliott returns to his

424
00:25:46,760 --> 00:25:51,439
Speaker 1: normal life. He asks Allison out, which is just what

425
00:25:51,480 --> 00:25:54,520
Speaker 1: he should have done at the beginning of the movie, right,

426
00:25:56,960 --> 00:26:02,080
Speaker 1: But oh no, Allison seeing someone. But it's okay because

427
00:26:02,119 --> 00:26:05,600
Speaker 1: he goes home and his new neighbor is a lady

428
00:26:05,680 --> 00:26:12,240
Speaker 1: who looks exactly like Allison, except she's so quirky that

429
00:26:12,440 --> 00:26:18,080
Speaker 1: it's a miracle she's alive, Like, like, oh my god.

430
00:26:18,119 --> 00:26:20,520
Speaker 1: It's like if Zoe Deschanel in two thousand six were

431
00:26:20,560 --> 00:26:23,359
Speaker 1: at like a forty I was like she was just like,

432
00:26:23,640 --> 00:26:25,240
Speaker 1: my name is Nicole, but you can call me Nicky.

433
00:26:25,320 --> 00:26:28,800
Speaker 1: But and then he's like, wow, I'm in love with Hell.

434
00:26:29,440 --> 00:26:33,320
Speaker 1: She trips and she drops on her papers. Yeah, it's

435
00:26:33,400 --> 00:26:36,960
Speaker 1: like Hillary doves that like all of that in one

436
00:26:37,119 --> 00:26:39,240
Speaker 1: character that we meet for forty five seconds, and we're

437
00:26:39,240 --> 00:26:41,960
Speaker 1: supposed to be like, wow, I love this character. I'm

438
00:26:41,960 --> 00:26:45,119
Speaker 1: like this men wrote this character. And that's just a fact.

439
00:26:45,640 --> 00:26:48,919
Speaker 1: It just suggests that, like, it doesn't matter what a

440
00:26:48,960 --> 00:26:52,480
Speaker 1: woman's personality is, as long as she looks exactly like

441
00:26:52,600 --> 00:26:55,600
Speaker 1: that woman, Brendan Fraser will be in love with her.

442
00:26:55,880 --> 00:26:57,960
Speaker 1: But there's a lot of men who were like that.

443
00:26:58,760 --> 00:27:04,679
Speaker 1: That's true. Yes, I know it was like, it's really

444
00:27:04,840 --> 00:27:12,439
Speaker 1: like I don't know that well that like this movie

445
00:27:12,520 --> 00:27:17,119
Speaker 1: really rewards Brendan Fraser's character for like not being violently

446
00:27:17,200 --> 00:27:21,560
Speaker 1: angry that he's rejected by Allison, and then they're like, alright, alright, alright,

447
00:27:21,560 --> 00:27:24,199
Speaker 1: he could be lonely for like ten more minutes, and

448
00:27:24,240 --> 00:27:26,400
Speaker 1: then we have to give him a girlfriend because he's

449
00:27:26,440 --> 00:27:30,880
Speaker 1: earned it. Just just like that whole like nerd narrative

450
00:27:31,000 --> 00:27:34,280
Speaker 1: that I don't know I feel. I'm like, that's why

451
00:27:34,359 --> 00:27:39,720
Speaker 1: Jeff Bezos exists, probably as like the full narrative. O gosh. Anyway,

452
00:27:39,720 --> 00:27:43,880
Speaker 1: so he falls in love with new Allison instead, and

453
00:27:44,160 --> 00:27:47,199
Speaker 1: then there's a shot of the Devil playing chess in

454
00:27:47,280 --> 00:27:54,879
Speaker 1: the park with God God. The movie ends. So let's

455
00:27:54,920 --> 00:28:06,720
Speaker 1: take a quick break and we'll come right back to discuss. Okay,

456
00:28:06,800 --> 00:28:13,160
Speaker 1: we're back, Lacy, would you like to start anywhere in particular?

457
00:28:13,280 --> 00:28:21,960
Speaker 1: I mean, okay, so things, I'm just these are gonna

458
00:28:21,960 --> 00:28:23,840
Speaker 1: be some random things and then we can get into

459
00:28:23,880 --> 00:28:28,800
Speaker 1: the things things. So the Devil's Club was called dev eight,

460
00:28:28,880 --> 00:28:35,280
Speaker 1: and it was like DV Yeah, I was watching when

461
00:28:35,320 --> 00:28:38,400
Speaker 1: they went in the club, like the screens because you know,

462
00:28:38,440 --> 00:28:40,800
Speaker 1: they had people in the pool people dance, and then

463
00:28:40,800 --> 00:28:42,920
Speaker 1: they had these screens of like, you know, like devil

464
00:28:42,960 --> 00:28:45,680
Speaker 1: ship and it was all just brown or black or

465
00:28:45,720 --> 00:28:52,160
Speaker 1: ethic people dancing. Wait a minute, yeah, they were like,

466
00:28:52,200 --> 00:28:54,400
Speaker 1: there's no there's no reason he should have all this rhythm.

467
00:28:54,480 --> 00:28:56,480
Speaker 1: It must be the devil. I'm like, why is this

468
00:28:56,560 --> 00:28:59,960
Speaker 1: in the back. It wasn't no white people like doing

469
00:29:00,040 --> 00:29:04,720
Speaker 1: the child or where the goddamn fox trot? None of that.

470
00:29:05,000 --> 00:29:08,560
Speaker 1: Just just black people and brown people, indigenous people dance.

471
00:29:08,600 --> 00:29:14,280
Speaker 1: And I was like, curious, Yeah, what are the random details?

472
00:29:14,520 --> 00:29:17,880
Speaker 1: Oh him the whole like him aggressively trying to be

473
00:29:17,920 --> 00:29:19,840
Speaker 1: friends with all these people who hate him. There was

474
00:29:19,840 --> 00:29:21,680
Speaker 1: a fun moment where he walks up to a guy

475
00:29:21,720 --> 00:29:23,600
Speaker 1: who was like, I don't know if offices have these anymore,

476
00:29:23,600 --> 00:29:25,440
Speaker 1: but he was at a coffee machine and when the

477
00:29:25,440 --> 00:29:27,880
Speaker 1: guy sees Brendon friends are walking up, he starts stabbing

478
00:29:27,880 --> 00:29:31,959
Speaker 1: the coffee machine real hard, like the coffee real pants.

479
00:29:32,160 --> 00:29:35,680
Speaker 1: He's like, I don't know he's coming, and everyone hates

480
00:29:35,720 --> 00:29:38,360
Speaker 1: this man this much at the office, like god damn,

481
00:29:38,840 --> 00:29:42,440
Speaker 1: I just like I want to know why not to

482
00:29:42,520 --> 00:29:46,680
Speaker 1: be like his coworkers are probably right, but like, did

483
00:29:46,680 --> 00:29:49,720
Speaker 1: they just hate him? For no reason, Like I would

484
00:29:49,760 --> 00:29:52,880
Speaker 1: like to know why they dislike him so much, because

485
00:29:52,880 --> 00:29:55,280
Speaker 1: maybe they have an amazing reason of why they don't

486
00:29:55,280 --> 00:29:57,560
Speaker 1: want to hang out with him. He's just one thing

487
00:29:58,040 --> 00:29:59,360
Speaker 1: I was gonna say. He did one thing that I

488
00:29:59,360 --> 00:30:02,680
Speaker 1: would be like, I hate you. Um the girl came

489
00:30:02,720 --> 00:30:05,080
Speaker 1: in and I think she was late, and he was like,

490
00:30:05,120 --> 00:30:07,320
Speaker 1: oh girl, you're late, Like he was like yelling in

491
00:30:08,520 --> 00:30:11,120
Speaker 1: if you I'm constantly seven minutes late everywhere I go.

492
00:30:11,280 --> 00:30:14,400
Speaker 1: I dare somebody to comment on it. The seven is

493
00:30:14,400 --> 00:30:16,760
Speaker 1: the perfect amount. No one can get mad about seven

494
00:30:16,760 --> 00:30:22,160
Speaker 1: minutes eight, yes, ten, angry five seven sweet spot. I

495
00:30:22,200 --> 00:30:25,560
Speaker 1: was reading that as he was imitating their boss, because

496
00:30:25,680 --> 00:30:29,480
Speaker 1: later on their boss says the same thing to him,

497
00:30:29,680 --> 00:30:31,680
Speaker 1: so I think he was like trying to be like,

498
00:30:31,680 --> 00:30:34,080
Speaker 1: ha ha, look how funny I am. I'm like saying

499
00:30:34,080 --> 00:30:36,240
Speaker 1: to you what our boss says to us, look at

500
00:30:36,320 --> 00:30:39,320
Speaker 1: us relating, and then she just flips him off. Something

501
00:30:39,360 --> 00:30:42,840
Speaker 1: else he did that was also like fuck you dude?

502
00:30:43,360 --> 00:30:46,640
Speaker 1: Is he I don't know his colleagues names. I did

503
00:30:46,640 --> 00:30:49,120
Speaker 1: not bother to write them down, and think the movie

504
00:30:49,160 --> 00:30:52,400
Speaker 1: really tells you. We got the black guy, we got

505
00:30:52,400 --> 00:30:55,200
Speaker 1: the skinny guy, we got the girl who only hangs

506
00:30:55,200 --> 00:30:59,440
Speaker 1: out with guys because girls are too much drama, but

507
00:30:59,520 --> 00:31:02,880
Speaker 1: one of um like he's the one who Brendan Fraser

508
00:31:02,960 --> 00:31:05,240
Speaker 1: is like, let's go to the brewery and check out

509
00:31:05,280 --> 00:31:08,400
Speaker 1: the ladies, and the guys like, dude, I'm married, and

510
00:31:08,400 --> 00:31:11,480
Speaker 1: then Brendon Fraser is like, oh, yeah, I see, you're

511
00:31:11,800 --> 00:31:15,080
Speaker 1: like taking a train to Whipville or whatever he says.

512
00:31:15,080 --> 00:31:17,200
Speaker 1: He's basically like, you're whipped. And then he and the

513
00:31:17,200 --> 00:31:20,880
Speaker 1: guys like you're not funny, please leave me alone, which

514
00:31:20,960 --> 00:31:23,880
Speaker 1: is like fair enough there. I don't know. It's so

515
00:31:23,960 --> 00:31:27,520
Speaker 1: weird because it's like, I don't know. Brendan Fraser plays

516
00:31:27,560 --> 00:31:31,480
Speaker 1: everything so broadly that you're kind of like, yeah, I

517
00:31:31,520 --> 00:31:35,240
Speaker 1: get why people don't like him, but also he's like

518
00:31:35,320 --> 00:31:37,720
Speaker 1: not specific enough for you to feel like, oh I

519
00:31:37,800 --> 00:31:41,600
Speaker 1: can relate to somebody being this annoying. It's like, I

520
00:31:41,640 --> 00:31:43,320
Speaker 1: don't know. It was hard to root for him. It

521
00:31:43,360 --> 00:31:45,800
Speaker 1: was also like, I guess I can root against you.

522
00:31:45,880 --> 00:31:47,920
Speaker 1: I don't, and I had no feel I was like

523
00:31:48,000 --> 00:31:51,400
Speaker 1: ambivalent the whole time about what he was doing. It

524
00:31:51,520 --> 00:31:55,000
Speaker 1: was like, yeah, it really is a movie that you're

525
00:31:55,080 --> 00:31:57,040
Speaker 1: kind of on no one's side and you're just kind

526
00:31:57,040 --> 00:32:00,280
Speaker 1: of hanging out to see what what the next is.

527
00:32:00,480 --> 00:32:04,840
Speaker 1: I wasn't really rooting for anybody. I don't know, yeah,

528
00:32:04,960 --> 00:32:08,400
Speaker 1: no one. I was kind of rooting for the devil.

529
00:32:08,560 --> 00:32:14,160
Speaker 1: But that's just me also representation, like Okay, we're going

530
00:32:14,200 --> 00:32:17,200
Speaker 1: to have a woman be the devil, but of course

531
00:32:17,320 --> 00:32:20,280
Speaker 1: God is a man, and it's like God is definitely

532
00:32:20,280 --> 00:32:24,800
Speaker 1: not a man, like men have done so much horrible

533
00:32:24,840 --> 00:32:27,320
Speaker 1: ship on this goddamn player, there's no way in helle.

534
00:32:27,760 --> 00:32:29,800
Speaker 1: So that kind of gave me that thing of like,

535
00:32:30,080 --> 00:32:32,680
Speaker 1: look at the devil being a temptuous being a woman.

536
00:32:33,000 --> 00:32:38,080
Speaker 1: The reason that men fall is because of hot women. Yeah,

537
00:32:38,120 --> 00:32:42,760
Speaker 1: I was like, yeah, I agree. I think that the

538
00:32:43,040 --> 00:32:46,880
Speaker 1: So this is a Harold Ramas movie. It's written by

539
00:32:47,040 --> 00:32:53,160
Speaker 1: three old white guys all at once, and I know, yeah,

540
00:32:53,280 --> 00:32:56,600
Speaker 1: you would never guess by how the characters are. But

541
00:32:56,760 --> 00:32:59,600
Speaker 1: it's like I think that they thought they were doing

542
00:32:59,680 --> 00:33:02,440
Speaker 1: something by having the devil be a woman. I think

543
00:33:02,440 --> 00:33:05,680
Speaker 1: that they thought they were doing something like subversive and

544
00:33:05,800 --> 00:33:09,560
Speaker 1: interesting when they were kind of just like not doing that,

545
00:33:09,800 --> 00:33:13,920
Speaker 1: like and it's it's not even anything against Elizabeth Hurley.

546
00:33:13,960 --> 00:33:16,040
Speaker 1: I think for like the part that she's given, she

547
00:33:16,160 --> 00:33:18,960
Speaker 1: does great. Yeah, like she's fun to watch. She plays

548
00:33:19,000 --> 00:33:22,640
Speaker 1: parts like these partically well, I also like kind of unrelated,

549
00:33:22,640 --> 00:33:26,560
Speaker 1: but I didn't realize how Elizabeth Hurley first became famous,

550
00:33:26,600 --> 00:33:28,800
Speaker 1: which is also kind of like this weird, kind of

551
00:33:28,920 --> 00:33:33,720
Speaker 1: misogynist story of she was. She was Hugh Grant's girlfriend

552
00:33:33,880 --> 00:33:38,000
Speaker 1: in the early nineties, and she wore a dress like

553
00:33:38,040 --> 00:33:40,160
Speaker 1: I guess I really like, I don't know, it was

554
00:33:40,200 --> 00:33:42,880
Speaker 1: made out to be like a scandalous dress to the

555
00:33:42,960 --> 00:33:45,719
Speaker 1: premiere of four Weddings in a funeral, and then all

556
00:33:45,800 --> 00:33:48,200
Speaker 1: of a sudden she was like famous. She like wore

557
00:33:48,240 --> 00:33:52,920
Speaker 1: addressed one time and they were like, oh, Hugh Grant's girlfriend,

558
00:33:53,000 --> 00:33:55,640
Speaker 1: Let's see what's going on with this like this woman,

559
00:33:55,720 --> 00:33:57,200
Speaker 1: and then all of a sudden she was kind of

560
00:33:57,240 --> 00:34:02,000
Speaker 1: like skyrocketed to fame. It was weird, like maybe I

561
00:34:02,040 --> 00:34:06,240
Speaker 1: need a day to celebrity. I'm working too hard. I

562
00:34:06,240 --> 00:34:08,319
Speaker 1: don't get out there. I put my I put my

563
00:34:08,360 --> 00:34:11,560
Speaker 1: titties out. These days, everybody's so naked all the time.

564
00:34:11,560 --> 00:34:13,040
Speaker 1: I don't even I think I would have to wear

565
00:34:13,120 --> 00:34:16,040
Speaker 1: like a full cocoon suit this something to get myself

566
00:34:16,120 --> 00:34:19,040
Speaker 1: seen because Cardi b out here just putting tape on

567
00:34:19,120 --> 00:34:22,719
Speaker 1: and was like, so that's not shocking anymore. Damn, what

568
00:34:22,719 --> 00:34:24,480
Speaker 1: I'm gonna do? I don't know, but this is this

569
00:34:24,520 --> 00:34:26,719
Speaker 1: is it's weird. It's like she she had been like

570
00:34:26,760 --> 00:34:29,360
Speaker 1: an actor before, like she had been acting and she

571
00:34:29,480 --> 00:34:31,960
Speaker 1: like been on TV, she's been in movies, but like,

572
00:34:32,040 --> 00:34:34,839
Speaker 1: how didn't nothing had really happened until people started being

573
00:34:34,840 --> 00:34:38,360
Speaker 1: like look at her body, look at Hugh Grant's girlfriend's body,

574
00:34:38,440 --> 00:34:41,120
Speaker 1: and then all of a sudden she was extremely famous,

575
00:34:41,120 --> 00:34:44,440
Speaker 1: which I was like, that doesn't she It's just I

576
00:34:44,480 --> 00:34:46,359
Speaker 1: don't know, it's a little defend And that was back

577
00:34:46,360 --> 00:34:49,160
Speaker 1: in the day when that worked. That doesn't work anymore

578
00:34:49,480 --> 00:34:52,480
Speaker 1: because um I remember even Mendez got famous kind of

579
00:34:52,520 --> 00:34:55,520
Speaker 1: like that. She was in Will Smith's video and then

580
00:34:55,600 --> 00:34:58,920
Speaker 1: they were like, who is that beautiful that Tina woman?

581
00:34:59,239 --> 00:35:01,800
Speaker 1: And then you even when they started getting her some jobs.

582
00:35:02,360 --> 00:35:09,640
Speaker 1: So man, I missed those days. No wrong misogyny. It

583
00:35:09,719 --> 00:35:13,520
Speaker 1: really worked out for some people, it did. It's like,

584
00:35:13,560 --> 00:35:15,440
Speaker 1: no hate to Elizabeth Hurley. I think she plays the

585
00:35:15,520 --> 00:35:19,279
Speaker 1: part like really funny and yeah, like she's but it's

586
00:35:19,480 --> 00:35:21,239
Speaker 1: like it is written to be like, wow, what if

587
00:35:21,280 --> 00:35:24,479
Speaker 1: the what if the devil wanted to have sex? With you,

588
00:35:24,960 --> 00:35:28,840
Speaker 1: you regular guy, and it's like is that likely? Is

589
00:35:28,840 --> 00:35:32,040
Speaker 1: that about? Why did she kiss him like unsolicited like that?

590
00:35:32,040 --> 00:35:33,880
Speaker 1: Because she didn't want to funk him. So I was like,

591
00:35:33,880 --> 00:35:36,120
Speaker 1: what is the point in why do you come? I

592
00:35:36,160 --> 00:35:38,880
Speaker 1: guess it was it comes back to the whole be

593
00:35:39,000 --> 00:35:43,160
Speaker 1: dazzling thing that was her way of like because she's like, yeah,

594
00:35:43,200 --> 00:35:46,240
Speaker 1: she's like she's a temptress, she's a succubust. She's trying

595
00:35:46,239 --> 00:35:49,520
Speaker 1: to lure him in. I think, yeah, the succubist thing

596
00:35:49,640 --> 00:35:53,560
Speaker 1: is like really at play there too, Like I don't know,

597
00:35:53,719 --> 00:35:57,640
Speaker 1: You're just like I don't I like that it's Elizabeth

598
00:35:57,719 --> 00:36:00,680
Speaker 1: Hurley and yet it is still pretty sexy, like and

599
00:36:00,719 --> 00:36:03,160
Speaker 1: then the way that she X two and like the

600
00:36:03,160 --> 00:36:06,040
Speaker 1: way that they write her dialogue, You're like, oh, she doesn't.

601
00:36:06,440 --> 00:36:10,360
Speaker 1: I wish she didn't have to say that. She didn't

602
00:36:11,000 --> 00:36:14,600
Speaker 1: say that awful. That reminds me of like if you

603
00:36:14,640 --> 00:36:16,920
Speaker 1: ever watched the end of the Bring It On series.

604
00:36:17,000 --> 00:36:19,200
Speaker 1: So there's like one of the you know, a movie

605
00:36:19,239 --> 00:36:20,960
Speaker 1: is like famous and then like they make some more

606
00:36:20,960 --> 00:36:25,080
Speaker 1: and they come like bees. There's one where there's like

607
00:36:25,160 --> 00:36:27,160
Speaker 1: a black girl on the scene where I was fully like,

608
00:36:27,239 --> 00:36:29,040
Speaker 1: oh my God, did she read this group that they

609
00:36:29,120 --> 00:36:31,399
Speaker 1: changed it before. The white girl was like, you don't

610
00:36:31,400 --> 00:36:35,640
Speaker 1: know her, she's very ghetto, she does drive bys and stuff,

611
00:36:37,640 --> 00:36:40,719
Speaker 1: or black girl in this scene. So I feel like

612
00:36:40,760 --> 00:36:42,960
Speaker 1: that same way about Elizabeth Hurley and this. But I

613
00:36:42,960 --> 00:36:45,520
Speaker 1: also want to say they missed a chance to actually

614
00:36:45,560 --> 00:36:48,880
Speaker 1: pass the Bechdel test when she was making out with

615
00:36:49,080 --> 00:36:51,240
Speaker 1: Brandon on the table and it was these two ladies

616
00:36:51,239 --> 00:36:54,640
Speaker 1: sitting at the table. If they had just been like, damn,

617
00:36:54,640 --> 00:36:57,160
Speaker 1: what's this lady doing? I don't know this. I guess

618
00:36:57,320 --> 00:36:59,920
Speaker 1: you want another vocatinic something, they were just like scraw,

619
00:37:00,000 --> 00:37:02,520
Speaker 1: I'm get out of here. Other women don't talk. Only

620
00:37:02,560 --> 00:37:05,600
Speaker 1: one woman in a scene at a time. That is

621
00:37:05,640 --> 00:37:10,880
Speaker 1: really the rule of the movie. Like it's really bleak.

622
00:37:11,120 --> 00:37:13,680
Speaker 1: I don't know, it's we don't have enough tampons for

623
00:37:13,719 --> 00:37:17,640
Speaker 1: two women in the scene at a time, only one.

624
00:37:18,960 --> 00:37:21,239
Speaker 1: And also like she I don't yeah like she I

625
00:37:21,560 --> 00:37:23,960
Speaker 1: get like she's also the devil. So it's not like

626
00:37:24,000 --> 00:37:26,640
Speaker 1: I'm like expecting her to be like very respectful to

627
00:37:26,680 --> 00:37:30,480
Speaker 1: other women, like she's the devil. I get it. But

628
00:37:30,600 --> 00:37:34,160
Speaker 1: the things that they like decide to be like oh,

629
00:37:34,160 --> 00:37:37,520
Speaker 1: like let's go, let's look at Alison while she's naked.

630
00:37:37,640 --> 00:37:40,360
Speaker 1: Let's do this, Let's do that. It's like the setups

631
00:37:40,360 --> 00:37:43,880
Speaker 1: are really like, let's exploit the only other women in

632
00:37:43,920 --> 00:37:46,800
Speaker 1: the woman in the movie who we don't know a

633
00:37:46,920 --> 00:37:49,440
Speaker 1: single thing that anything about. And I think they were like,

634
00:37:49,480 --> 00:37:52,480
Speaker 1: but it's okay. Because the devil, who is a woman,

635
00:37:53,080 --> 00:37:55,240
Speaker 1: told him to go peek at hood in the shower.

636
00:37:55,440 --> 00:37:57,400
Speaker 1: He didn't want to do it. He said no because

637
00:37:57,400 --> 00:38:01,160
Speaker 1: he respect bitches. But she said get in there and

638
00:38:01,239 --> 00:38:05,680
Speaker 1: look at them tower. Yeah, and he's like, well, another

639
00:38:05,719 --> 00:38:08,880
Speaker 1: woman said it was okay, so it must be alright.

640
00:38:11,160 --> 00:38:15,759
Speaker 1: Wait while we're there the peeping tom scene. Um, when

641
00:38:15,760 --> 00:38:19,120
Speaker 1: they read her diary, I really wanted to throw up

642
00:38:20,680 --> 00:38:25,400
Speaker 1: the most generic I have a journal I write and

643
00:38:25,480 --> 00:38:29,120
Speaker 1: it's never like dear diary. I just want a mayor

644
00:38:29,120 --> 00:38:32,440
Speaker 1: who sell cissy to you, you know, like I was

645
00:38:32,520 --> 00:38:35,080
Speaker 1: talking about me yesterday and the day before because I

646
00:38:35,160 --> 00:38:38,000
Speaker 1: just love me, and it's all I think about. Like

647
00:38:38,880 --> 00:38:42,120
Speaker 1: that's another scene where you're like, oh, three o white guys,

648
00:38:42,200 --> 00:38:45,040
Speaker 1: got it, got it, got it? Because this Alison is

649
00:38:45,040 --> 00:38:49,000
Speaker 1: supposed to be like in her thirties, like and she's

650
00:38:49,040 --> 00:38:52,680
Speaker 1: just like dear, Like that's that's the fictional diary of

651
00:38:52,680 --> 00:38:58,240
Speaker 1: an eleven year old so fucking weird, like as told

652
00:38:58,239 --> 00:39:02,000
Speaker 1: by Ginger, Like it's oh my gosh, I just wanted

653
00:39:02,000 --> 00:39:06,840
Speaker 1: to shout out the devil's license plate and bad one,

654
00:39:07,440 --> 00:39:11,600
Speaker 1: pretty good, very good good. Yeah. Um, should we just

655
00:39:11,760 --> 00:39:16,400
Speaker 1: go through each of these wishes and unpack them, because

656
00:39:16,440 --> 00:39:20,640
Speaker 1: there's some of them are like whatever, but like there's

657
00:39:20,760 --> 00:39:23,359
Speaker 1: quite a few that there's a lot to unpack. Yeah,

658
00:39:23,440 --> 00:39:28,520
Speaker 1: the ones that are bad or bad. Buckle up, everyone,

659
00:39:28,600 --> 00:39:32,800
Speaker 1: We're unpacking the wishes. Okay, So obviously the first the

660
00:39:32,840 --> 00:39:36,520
Speaker 1: big Mac and Coke, nothing really to say. They're fun

661
00:39:36,560 --> 00:39:41,160
Speaker 1: products except for McDonald's product place. Aggressive product placement though

662
00:39:41,520 --> 00:39:45,120
Speaker 1: not only was it. They walked in McDonald's, they made

663
00:39:45,160 --> 00:39:48,319
Speaker 1: the full order, they told us the prize. Then they

664
00:39:48,320 --> 00:39:51,200
Speaker 1: walked out of McDonald's and he had the McDonald's bag

665
00:39:51,239 --> 00:39:53,520
Speaker 1: and he opened the bag up and he said, I

666
00:39:53,520 --> 00:39:58,160
Speaker 1: didn't even get no French friends bath. I'm loving it though,

667
00:40:00,000 --> 00:40:04,479
Speaker 1: and then yeah, he literally is like it's delicious. It's

668
00:40:04,640 --> 00:40:09,960
Speaker 1: so I never think product placement isn't so funny because

669
00:40:10,000 --> 00:40:12,960
Speaker 1: it's like, do you really think I didn't know like that?

670
00:40:13,880 --> 00:40:16,759
Speaker 1: And and also I was like damn McDonald's cost like

671
00:40:17,080 --> 00:40:20,720
Speaker 1: three fifty for a whole meal twenty years ago. Wild

672
00:40:21,000 --> 00:40:23,440
Speaker 1: it was aggressive though. They were like, look, McDonald's like, yeah, no,

673
00:40:23,480 --> 00:40:26,440
Speaker 1: we don't want just to mention. We want a whole series.

674
00:40:26,960 --> 00:40:31,040
Speaker 1: We want George of the Jungle to say that his

675
00:40:31,239 --> 00:40:34,759
Speaker 1: Big Mac is the best meal he's ever had. Right,

676
00:40:34,920 --> 00:40:37,759
Speaker 1: it's great. And I guess that happens in different I

677
00:40:37,960 --> 00:40:40,480
Speaker 1: like read through the Wikipedia page of the original one,

678
00:40:40,560 --> 00:40:44,279
Speaker 1: and it seems like generally like I mean, I might

679
00:40:44,560 --> 00:40:47,080
Speaker 1: watch it and then take this back, but it seems

680
00:40:47,120 --> 00:40:51,080
Speaker 1: like the setups are less problematic than the nineties one. Um,

681
00:40:51,400 --> 00:40:53,319
Speaker 1: but it's the same deal. They like, go to get

682
00:40:53,400 --> 00:40:56,120
Speaker 1: some food or but it's he's at a he said it,

683
00:40:56,560 --> 00:41:00,360
Speaker 1: he wants a raspberry or something. It's all very British.

684
00:41:00,440 --> 00:41:05,200
Speaker 1: Who knows god? Um Okay, so that's the first technically

685
00:41:05,280 --> 00:41:08,840
Speaker 1: the first wish. The second one is him wanting to

686
00:41:08,960 --> 00:41:13,279
Speaker 1: be rich and powerful and to be married to Allison.

687
00:41:13,440 --> 00:41:16,440
Speaker 1: We already touched on this in the recap, But the

688
00:41:16,560 --> 00:41:19,920
Speaker 1: devil's like situation that she puts him in is that

689
00:41:20,080 --> 00:41:24,680
Speaker 1: he is a Colombian drug lord, which means that they

690
00:41:24,760 --> 00:41:28,160
Speaker 1: put Brendan Fraser in brown face. They put a prosthetic

691
00:41:28,239 --> 00:41:31,840
Speaker 1: nose on him, they visibly darken his skin, they darken

692
00:41:32,080 --> 00:41:36,680
Speaker 1: his hair. Uh, he's got brown eye contacts in and

693
00:41:37,280 --> 00:41:40,719
Speaker 1: he is fully in brown face because you know, there

694
00:41:40,760 --> 00:41:44,879
Speaker 1: aren't white Colombians. That's not a thing. They're not white Colombians.

695
00:41:45,880 --> 00:41:50,720
Speaker 1: Like there are, y'all, there are. It's it's so fucking

696
00:41:50,880 --> 00:41:53,320
Speaker 1: frustrating because it's like there are, because I feel like

697
00:41:53,360 --> 00:41:55,160
Speaker 1: there's a number of things that are going on, the

698
00:41:55,239 --> 00:41:58,680
Speaker 1: most egregious of which are the prosthetic in the brown face,

699
00:41:58,719 --> 00:42:02,640
Speaker 1: but also Brandon Freyerser's performance is like really pretty broadly

700
00:42:02,719 --> 00:42:04,840
Speaker 1: offensive in the way that he's planning it to, Like

701
00:42:05,239 --> 00:42:09,920
Speaker 1: there's just nothing about this setup that is not fucked up.

702
00:42:10,200 --> 00:42:12,680
Speaker 1: Like and it's and I'm sure in his eyes because

703
00:42:12,680 --> 00:42:15,319
Speaker 1: he's a character actor, you know how those types are.

704
00:42:15,600 --> 00:42:18,319
Speaker 1: It's like, oh, they made me over, they put up

705
00:42:18,440 --> 00:42:20,400
Speaker 1: nose on my face and I had to lay in

706
00:42:20,480 --> 00:42:23,920
Speaker 1: a tanning thing for hours as they painted my row skin.

707
00:42:24,120 --> 00:42:26,319
Speaker 1: And you know he's thinking, he's like really getting into

708
00:42:26,440 --> 00:42:30,480
Speaker 1: and it's like, like what you're talking about, right? And

709
00:42:30,640 --> 00:42:35,600
Speaker 1: like also the Allison Fantasy character is also playing a

710
00:42:35,719 --> 00:42:39,080
Speaker 1: Colombian woman and it it didn't seem like they altered

711
00:42:39,120 --> 00:42:41,719
Speaker 1: her appearance much beyond like putting her in a dark

712
00:42:41,760 --> 00:42:45,040
Speaker 1: haired wig, but her performance is also very over the

713
00:42:45,120 --> 00:42:48,279
Speaker 1: top and very rooted in a lot of stereotypes of

714
00:42:48,440 --> 00:42:51,920
Speaker 1: Latin X women. It's also like it, I mean, it

715
00:42:52,040 --> 00:42:55,640
Speaker 1: goes without saying I would be truly shocked if any

716
00:42:56,080 --> 00:42:59,719
Speaker 1: Colombian person was spoken to about this scene like or

717
00:43:00,239 --> 00:43:02,800
Speaker 1: they didn't anyway like they which I feel like almost

718
00:43:02,840 --> 00:43:06,440
Speaker 1: ties into like by the nineties. The kind of like

719
00:43:06,560 --> 00:43:08,840
Speaker 1: the Harold Ramas kind of sense of humor is like

720
00:43:09,120 --> 00:43:12,359
Speaker 1: it's showing the war like it's it looks dated even

721
00:43:12,440 --> 00:43:15,200
Speaker 1: in two thousand that they're doing this ship and that

722
00:43:15,360 --> 00:43:17,879
Speaker 1: it's like kind of especially with comedy directors, I feel

723
00:43:17,880 --> 00:43:21,879
Speaker 1: like once you reach a certain point in your career,

724
00:43:21,960 --> 00:43:24,840
Speaker 1: if it's obvious, if you're not like listening to the

725
00:43:24,920 --> 00:43:27,920
Speaker 1: fact that times are changing, because it was just so like,

726
00:43:29,320 --> 00:43:32,960
Speaker 1: it's nothing wrong with him being a Colombian drug lord

727
00:43:33,480 --> 00:43:35,920
Speaker 1: and there's nothing wrong with him speaking Spanish in the

728
00:43:36,080 --> 00:43:38,600
Speaker 1: scenes and even having the wig, because that's like how

729
00:43:39,000 --> 00:43:42,040
Speaker 1: you know, the stereotype is of like what people wear

730
00:43:42,120 --> 00:43:45,359
Speaker 1: their hair like they're it's just like because there are

731
00:43:45,400 --> 00:43:48,040
Speaker 1: white people in Colombia. There's black people in Colombia, you

732
00:43:48,080 --> 00:43:49,720
Speaker 1: know what I mean. So it's not like he couldn't

733
00:43:49,719 --> 00:43:51,839
Speaker 1: be white Brendan Frasier. That's why it was weird. They

734
00:43:52,000 --> 00:43:56,719
Speaker 1: painted him even fake. Now that was unnecessary. He could

735
00:43:56,760 --> 00:43:58,840
Speaker 1: have just been Colombian and that would we would have

736
00:43:58,920 --> 00:44:01,960
Speaker 1: been like, that's weird, Like there are white Colombians. So

737
00:44:02,040 --> 00:44:07,920
Speaker 1: I was just like, Lord Jesus, yes, it is so

738
00:44:08,239 --> 00:44:11,160
Speaker 1: like they didn't need to do it. And yet, but

739
00:44:11,320 --> 00:44:13,960
Speaker 1: Orlando Jones always makes me laugh. And I don't know

740
00:44:14,040 --> 00:44:16,160
Speaker 1: how I remember this scene from I was probably eight

741
00:44:16,239 --> 00:44:19,799
Speaker 1: the first time I saw this was um Orlando Jones

742
00:44:19,880 --> 00:44:21,600
Speaker 1: is behind him when they get to like the whole

743
00:44:21,680 --> 00:44:24,880
Speaker 1: drug lord scenario where like things are going south with

744
00:44:24,960 --> 00:44:28,319
Speaker 1: the Russians and the Orlando turns around at one point

745
00:44:28,360 --> 00:44:31,080
Speaker 1: in his under his nose is just like all white

746
00:44:31,239 --> 00:44:35,160
Speaker 1: from cocaine, but like so much cocaine that she would

747
00:44:35,200 --> 00:44:38,200
Speaker 1: probably die if you snorted that much. But he turns

748
00:44:38,200 --> 00:44:41,880
Speaker 1: around so casually, and like I could just tell that

749
00:44:42,000 --> 00:44:43,919
Speaker 1: Orlando didn't have a lot to work with. He was like, listen,

750
00:44:43,920 --> 00:44:47,759
Speaker 1: I'm be in this movie. Okay, I'm about to you know,

751
00:44:47,760 --> 00:44:50,200
Speaker 1: what I mean, like he was giving, he was giving

752
00:44:50,280 --> 00:44:52,959
Speaker 1: back there and I loved it. Yeah, this seems because

753
00:44:53,000 --> 00:44:55,480
Speaker 1: it was like it's clear that they're like parodying, like

754
00:44:56,160 --> 00:44:58,400
Speaker 1: like it seems like they're almost parodying like a soap opera,

755
00:44:58,520 --> 00:45:02,200
Speaker 1: like a hyper like intense I don't know, like are

756
00:45:02,200 --> 00:45:04,760
Speaker 1: all those movies you know about there's so many movies

757
00:45:04,800 --> 00:45:08,520
Speaker 1: about that Colombian drug lord and you know, so they

758
00:45:08,560 --> 00:45:11,800
Speaker 1: were doing that. Yeah, because all of these like cutaway

759
00:45:11,840 --> 00:45:14,920
Speaker 1: sketches are kind of like a parody or a reference

760
00:45:15,040 --> 00:45:17,400
Speaker 1: to something else. They were like, can we do not

761
00:45:17,520 --> 00:45:20,239
Speaker 1: another teen movie, but for other movies? But also it's

762
00:45:20,280 --> 00:45:24,359
Speaker 1: bedazzled all right, and you won't know why it's called,

763
00:45:24,400 --> 00:45:29,080
Speaker 1: but dazzled no matter how much time passes, it's just yeah,

764
00:45:29,800 --> 00:45:34,400
Speaker 1: the brown face and the prosthetics, like fucking what. So

765
00:45:34,600 --> 00:45:40,960
Speaker 1: yeah that uh, that's like that's our foray into these wishes.

766
00:45:41,200 --> 00:45:43,400
Speaker 1: So it's like and then you're like, oh, we've got

767
00:45:43,560 --> 00:45:48,759
Speaker 1: six more of these, let's see what happened. Oh yeah, um,

768
00:45:49,280 --> 00:45:51,239
Speaker 1: let's take a quick break and then we'll get into

769
00:45:51,280 --> 00:46:01,279
Speaker 1: the rest of them. And we're ac let's get into

770
00:46:01,280 --> 00:46:05,960
Speaker 1: the second one. Yes, So this one is Brendan Fraser

771
00:46:06,320 --> 00:46:09,600
Speaker 1: wishing to be the most sensitive man in the world.

772
00:46:09,719 --> 00:46:11,520
Speaker 1: And there's some lead up to this that we are

773
00:46:11,600 --> 00:46:15,000
Speaker 1: we also touched on, but like there's some important discussion

774
00:46:15,040 --> 00:46:19,040
Speaker 1: to be had here where. So in order to find

775
00:46:19,080 --> 00:46:24,000
Speaker 1: out that Alison wants a sensitive man, he is complicit

776
00:46:24,080 --> 00:46:28,120
Speaker 1: in stalking her, invading her privacy she was doing anyways, like,

777
00:46:28,239 --> 00:46:30,400
Speaker 1: which that's the other thing is like, it's frustrating that

778
00:46:30,480 --> 00:46:34,040
Speaker 1: the devil is like giving him permission to continue stalking

779
00:46:34,080 --> 00:46:35,399
Speaker 1: her because we know at the beginning of the movie

780
00:46:35,600 --> 00:46:38,040
Speaker 1: he already was. He's like, I know how she eats bagels,

781
00:46:38,080 --> 00:46:40,080
Speaker 1: even though I never spoken her. I'm like, okay, so

782
00:46:40,280 --> 00:46:42,600
Speaker 1: you've been stalking her. It's not like you're a nice

783
00:46:42,640 --> 00:46:44,839
Speaker 1: guy because you're like, should I stalk her now? It's

784
00:46:44,880 --> 00:46:48,200
Speaker 1: like you've been doing that, right, And it's like, oh,

785
00:46:48,320 --> 00:46:51,200
Speaker 1: she can't see you, so it's fine. So it's fine

786
00:46:51,600 --> 00:46:53,839
Speaker 1: if you peep at her in the shower and he's like, well,

787
00:46:53,920 --> 00:46:56,600
Speaker 1: you called me a desperate loser, so I might as

788
00:46:56,640 --> 00:46:59,480
Speaker 1: well live up to that. Okay. I don't think he's

789
00:46:59,560 --> 00:47:02,360
Speaker 1: success full of seeing her naked, but he definitely not

790
00:47:02,560 --> 00:47:07,320
Speaker 1: for lack of trying. He definitely tries. So then we

791
00:47:08,040 --> 00:47:12,640
Speaker 1: cut to the wish and he's super sensitive. Allison does

792
00:47:12,719 --> 00:47:16,319
Speaker 1: not like how sensitive he is, and she ends up

793
00:47:16,360 --> 00:47:20,239
Speaker 1: going off with this like tough, macho, oh jock guy

794
00:47:20,920 --> 00:47:25,759
Speaker 1: who doesn't care about her. You know how women are

795
00:47:25,800 --> 00:47:28,160
Speaker 1: if you care about them, they don't want that. Treat

796
00:47:28,239 --> 00:47:32,680
Speaker 1: him like puzzies. I'm just like, God, the writers are

797
00:47:32,719 --> 00:47:35,879
Speaker 1: telling on themselves so hard in this one. It's it's

798
00:47:35,920 --> 00:47:39,080
Speaker 1: like it's their bitterness for women. That's just like jumping

799
00:47:39,160 --> 00:47:41,400
Speaker 1: onto the page. It's like, women don't like when you

800
00:47:41,640 --> 00:47:43,800
Speaker 1: when you respect them. They like when you come and

801
00:47:43,840 --> 00:47:48,239
Speaker 1: you're like, hey, ho, bitch, get in my car, my van,

802
00:47:49,680 --> 00:47:53,120
Speaker 1: my fan. It was a a fan. It was like,

803
00:47:53,200 --> 00:47:55,520
Speaker 1: come drink beers in my band with my fort Freeze.

804
00:47:55,600 --> 00:47:59,239
Speaker 1: It's not weird. She's like, I love that kind I

805
00:47:59,360 --> 00:48:04,239
Speaker 1: love that for me, like that for me the whole

806
00:48:04,480 --> 00:48:07,840
Speaker 1: Like yeah, this whole I guess, this whole sketch relies

807
00:48:07,920 --> 00:48:11,600
Speaker 1: on the assumption that women hate when men are like

808
00:48:12,719 --> 00:48:17,160
Speaker 1: emotionally vulnerable. He also kind of looks like jug Head

809
00:48:17,239 --> 00:48:20,440
Speaker 1: from Riverdale in this seque. He's wearing like a little

810
00:48:20,480 --> 00:48:23,799
Speaker 1: red wig. Yeah, I guess, like a person with red

811
00:48:23,920 --> 00:48:29,040
Speaker 1: hair equals sensitive. I'm like, I love ginger, so the

812
00:48:29,120 --> 00:48:31,920
Speaker 1: ginger community should really rise up and be angry about this.

813
00:48:33,080 --> 00:48:35,000
Speaker 1: When is someone going to speak out about this scene

814
00:48:35,040 --> 00:48:38,879
Speaker 1: at the Dazzle? Yeah, it's just like, oh she first

815
00:48:38,880 --> 00:48:41,760
Speaker 1: of all. It especially in things like this, it really

816
00:48:42,160 --> 00:48:45,000
Speaker 1: you really feel how little you know about Allison because

817
00:48:45,000 --> 00:48:47,279
Speaker 1: you're like, is this how the real Alison feels? Like

818
00:48:48,600 --> 00:48:51,080
Speaker 1: because her diary said the opposite, So like, why is

819
00:48:51,120 --> 00:48:54,680
Speaker 1: this even happening that she's now acting the exact It's

820
00:48:54,760 --> 00:48:59,160
Speaker 1: so weird. It's her awful, Like before the Columbian drug scene,

821
00:48:59,200 --> 00:49:02,280
Speaker 1: she's like eating on him and like openly like rubbing

822
00:49:02,480 --> 00:49:05,600
Speaker 1: her Spanish or English teacher's booty hole like in front

823
00:49:05,640 --> 00:49:08,160
Speaker 1: of him. And then and then in this one, she's like,

824
00:49:08,400 --> 00:49:09,920
Speaker 1: get away from me. I'm going to hang out with

825
00:49:09,960 --> 00:49:12,239
Speaker 1: these creeps in their van. Like what he is this

826
00:49:12,400 --> 00:49:14,360
Speaker 1: woman a nice lady? Is she is this just a

827
00:49:14,480 --> 00:49:17,240
Speaker 1: dream scenario that's changing her person because it doesn't change

828
00:49:17,560 --> 00:49:22,600
Speaker 1: his personality, but it changes her personality and everyone right, Yeah,

829
00:49:22,800 --> 00:49:26,120
Speaker 1: in a way that like victimizes Brendan Fraser and makes

830
00:49:26,200 --> 00:49:29,439
Speaker 1: him a victim of her behavior when it's like that's

831
00:49:29,480 --> 00:49:33,040
Speaker 1: not even her. It's so weird, right, well, because he

832
00:49:33,160 --> 00:49:36,960
Speaker 1: doesn't know anything about her, he's just sort of like

833
00:49:37,280 --> 00:49:40,640
Speaker 1: projecting what he assumes she might be like into each

834
00:49:40,680 --> 00:49:43,480
Speaker 1: of these fantasies. I guess, because yeah, she's so wildly

835
00:49:43,560 --> 00:49:47,120
Speaker 1: inconsistent from like wish to wish. But then in her

836
00:49:47,200 --> 00:49:49,960
Speaker 1: diary she says like the opposite right before you see

837
00:49:50,000 --> 00:49:52,080
Speaker 1: this scene, so you're like, why why am I even

838
00:49:52,160 --> 00:49:54,160
Speaker 1: watching this scene? I know that's not what she thinks.

839
00:49:54,600 --> 00:49:57,319
Speaker 1: She thinks like she's an e loving year old girl

840
00:49:57,400 --> 00:50:00,960
Speaker 1: writing in a unicorn diary a out like wanting to

841
00:50:01,080 --> 00:50:06,440
Speaker 1: marry Daniel Radcliffe. Like that's right, because this this wish

842
00:50:06,960 --> 00:50:12,239
Speaker 1: basically suggests that, like, women don't actually know what they want.

843
00:50:12,880 --> 00:50:15,160
Speaker 1: She's thought she wanted a sensitive man, but as soon

844
00:50:15,239 --> 00:50:18,719
Speaker 1: as she finds one, she doesn't, and she just wants

845
00:50:18,760 --> 00:50:22,400
Speaker 1: to be with the same type of like aggro toxic

846
00:50:22,520 --> 00:50:26,239
Speaker 1: masculinity dude that she's probably been with before. And then

847
00:50:26,840 --> 00:50:29,560
Speaker 1: after they get out of that wish and Brendan and

848
00:50:29,640 --> 00:50:33,239
Speaker 1: the Devil are talking, he's like, I'm starting to think

849
00:50:33,320 --> 00:50:35,759
Speaker 1: that women don't really know what they want, and the

850
00:50:35,840 --> 00:50:38,920
Speaker 1: Devil's like bingo, and it's like a movie for that.

851
00:50:39,239 --> 00:50:44,480
Speaker 1: It's called What Women Want, where all the women in

852
00:50:44,520 --> 00:50:48,840
Speaker 1: the movie know what they want yes and loudly tell

853
00:50:49,880 --> 00:50:53,120
Speaker 1: mel Gibson, yeah, but I love that. They also tried

854
00:50:53,200 --> 00:50:56,319
Speaker 1: to honor the mistake they made with her leaving him

855
00:50:56,400 --> 00:50:59,160
Speaker 1: by being like, She's like, I love you, but you're

856
00:50:59,200 --> 00:51:01,480
Speaker 1: too sensitive, And it's like, what, so you love him

857
00:51:01,520 --> 00:51:03,000
Speaker 1: but you're not gonna be with him. I guess you

858
00:51:03,040 --> 00:51:07,879
Speaker 1: love some people. It just nothing makes sense. It's also

859
00:51:08,000 --> 00:51:12,839
Speaker 1: just like, granted, his emotional sensitivity is like turned up

860
00:51:12,920 --> 00:51:16,640
Speaker 1: to an eleven, and he's being a lot in a

861
00:51:16,719 --> 00:51:24,360
Speaker 1: way that would also annoy me away. But but even

862
00:51:24,440 --> 00:51:28,759
Speaker 1: so the movie, it makes an emotionally sensitive man just

863
00:51:28,960 --> 00:51:33,600
Speaker 1: seem like weird and pathetic and annoying and annoying. So

864
00:51:33,680 --> 00:51:36,600
Speaker 1: it's like toxic masculinity of like, buck up, nobody wants

865
00:51:36,600 --> 00:51:39,680
Speaker 1: to see you cry. Yeah, right, And it's like the

866
00:51:39,840 --> 00:51:42,440
Speaker 1: less you care about this girl, the more likely she

867
00:51:42,760 --> 00:51:46,719
Speaker 1: is to want to fuck you, because she says, I

868
00:51:46,880 --> 00:51:48,760
Speaker 1: just want to be with a man who will ignore

869
00:51:48,880 --> 00:51:51,280
Speaker 1: me and take me for granted, and who's only pretending

870
00:51:51,360 --> 00:51:53,000
Speaker 1: to be interested in who I am and what I

871
00:51:53,160 --> 00:51:55,520
Speaker 1: think so that he can get into my pants and

872
00:51:55,640 --> 00:51:59,360
Speaker 1: the guy's like, yep, that's me and nobody wants that,

873
00:52:00,239 --> 00:52:03,319
Speaker 1: Like you're those men are tricking women. Do you see

874
00:52:03,360 --> 00:52:05,759
Speaker 1: how you said like she pretends that he pretends to

875
00:52:05,840 --> 00:52:08,480
Speaker 1: be interested. No, woman, is that meta? That's just like

876
00:52:09,280 --> 00:52:13,200
Speaker 1: he pretended to be interested in me. My puss is

877
00:52:13,200 --> 00:52:18,640
Speaker 1: a wet now, Like what, they're being tricked, but they're

878
00:52:18,680 --> 00:52:20,680
Speaker 1: not in on it. Don't be trying to say women

879
00:52:20,719 --> 00:52:22,200
Speaker 1: are in on the trick. We're not in on it.

880
00:52:23,080 --> 00:52:27,080
Speaker 1: There's so much Yeah, there's like so much weird logic

881
00:52:27,200 --> 00:52:29,480
Speaker 1: going on. That's like if somebody robbed your house and

882
00:52:29,560 --> 00:52:31,399
Speaker 1: they were like, but you knew he was leaving, saying

883
00:52:31,400 --> 00:52:35,640
Speaker 1: that's like I rob you know. And then it's like, oh, well,

884
00:52:35,880 --> 00:52:38,480
Speaker 1: do you want guys to act like Brendan Fraser's acting

885
00:52:38,480 --> 00:52:40,600
Speaker 1: in this scene. You're like, no, I don't know what

886
00:52:40,760 --> 00:52:44,319
Speaker 1: he's doing it, Like I have no idea. I think

887
00:52:44,360 --> 00:52:48,279
Speaker 1: he's supposed to be like this caricature of like man emotions,

888
00:52:48,360 --> 00:52:52,160
Speaker 1: but like no, it So there's gotta be somewhere between.

889
00:52:54,239 --> 00:52:56,400
Speaker 1: Not a man who every time he sees the suset

890
00:52:56,600 --> 00:53:00,840
Speaker 1: is like ugly crying. Like that's a lot just like

891
00:53:01,239 --> 00:53:06,439
Speaker 1: a person that exists it's so so bizarre, just it's

892
00:53:06,520 --> 00:53:11,440
Speaker 1: a fucking weird one. Uh yeah, so that's that's that one.

893
00:53:12,800 --> 00:53:17,600
Speaker 1: Now it's time for Brendan Fraser as a pro basketball player.

894
00:53:17,880 --> 00:53:22,560
Speaker 1: Oh my god, alright, why did they make him albino?

895
00:53:22,960 --> 00:53:27,840
Speaker 1: Why does he have nappy? What is happening with his that?

896
00:53:28,520 --> 00:53:33,040
Speaker 1: I could not really understand what they were going for.

897
00:53:36,040 --> 00:53:39,520
Speaker 1: It was he supposed to be like still black face,

898
00:53:39,640 --> 00:53:46,239
Speaker 1: but with albino face. Dennis Rodman confusion, like the black

899
00:53:46,239 --> 00:53:50,840
Speaker 1: people saying that also there are good white basketball players.

900
00:53:50,840 --> 00:53:52,799
Speaker 1: He couldn't been Dirk and a whiskey and just had

901
00:53:52,840 --> 00:53:55,000
Speaker 1: like a lot of hand in face and been still

902
00:53:55,160 --> 00:53:57,880
Speaker 1: very celantic. Why do you have to have afro? I

903
00:53:58,120 --> 00:54:02,320
Speaker 1: was confused. Yeah, it's another thing that was like you

904
00:54:02,520 --> 00:54:05,279
Speaker 1: didn't need to do like you so easily could have

905
00:54:05,440 --> 00:54:09,960
Speaker 1: just not done something like we still known he was

906
00:54:10,000 --> 00:54:11,480
Speaker 1: the basketball player. I guess they were trying to say,

907
00:54:11,520 --> 00:54:14,480
Speaker 1: like he's a black basketball player because I guess they

908
00:54:14,640 --> 00:54:16,279
Speaker 1: get all the women. I don't know what they were

909
00:54:16,280 --> 00:54:18,200
Speaker 1: trying to say with that, all the basketball players get Chase.

910
00:54:18,440 --> 00:54:21,759
Speaker 1: It's almost like the filmmakers were like, Okay, well, even

911
00:54:21,800 --> 00:54:24,160
Speaker 1: though we did brown face, we can't do black face,

912
00:54:24,600 --> 00:54:26,960
Speaker 1: but let's get as close as we can get to

913
00:54:27,120 --> 00:54:34,360
Speaker 1: that without actually doing black face face. No one will know,

914
00:54:35,120 --> 00:54:37,799
Speaker 1: like we you know, black people got a bottle? People

915
00:54:37,800 --> 00:54:39,520
Speaker 1: in my family, wouldn't we know that we know what

916
00:54:39,600 --> 00:54:42,880
Speaker 1: you're doing? And then I think they had to. Now

917
00:54:42,880 --> 00:54:45,239
Speaker 1: I'm starting to realize why was Albido faces because the

918
00:54:45,320 --> 00:54:47,319
Speaker 1: whole dick joke was supposed to be like black eyes

919
00:54:47,360 --> 00:54:50,399
Speaker 1: have big dicks, so you would automatically think because he's

920
00:54:50,400 --> 00:54:52,360
Speaker 1: a huge basketball player, that he's going to just have

921
00:54:52,480 --> 00:54:55,719
Speaker 1: like the song, which like it was such a big

922
00:54:55,800 --> 00:54:58,919
Speaker 1: focus of a lot of these wishes, which I don't

923
00:54:59,040 --> 00:55:01,319
Speaker 1: think that's such a man thing because I'm like they

924
00:55:01,400 --> 00:55:03,359
Speaker 1: have like all women are like, oh yeah, we love

925
00:55:03,400 --> 00:55:06,680
Speaker 1: a huge penis. That is the assumption that this movie

926
00:55:06,800 --> 00:55:09,840
Speaker 1: is operating on. Um and Okay, so i have a

927
00:55:09,960 --> 00:55:13,839
Speaker 1: whole thing about penis size. Ready, I'm about to say

928
00:55:13,920 --> 00:55:19,320
Speaker 1: penis a thousand times Okay, okay, ready, okay. So in

929
00:55:19,440 --> 00:55:24,480
Speaker 1: this scene, because Alison assumes that he has a big penis, uh,

930
00:55:24,640 --> 00:55:27,919
Speaker 1: she's very interested in that and that alone because also

931
00:55:28,600 --> 00:55:31,720
Speaker 1: Brendan Fraser as this character can barely string a sentence

932
00:55:31,800 --> 00:55:35,120
Speaker 1: together and that's like part of the joke that he

933
00:55:35,760 --> 00:55:41,440
Speaker 1: just like can't really form thoughts. So, but she's super

934
00:55:41,520 --> 00:55:43,719
Speaker 1: interested in him because of this assumption that he because

935
00:55:43,760 --> 00:55:47,560
Speaker 1: he's so tall, I guess he has that hair and

936
00:55:47,680 --> 00:55:53,880
Speaker 1: he have hair black, that he that he must have

937
00:55:54,280 --> 00:55:57,920
Speaker 1: a large penis. And then as soon as she discovers

938
00:55:58,000 --> 00:56:00,400
Speaker 1: that he does not, that he see aims to have

939
00:56:00,680 --> 00:56:02,640
Speaker 1: what again, we don't see it on screen, but it

940
00:56:02,760 --> 00:56:05,120
Speaker 1: is heavily implied that it is a very small penis.

941
00:56:05,640 --> 00:56:11,000
Speaker 1: Um she becomes disinterested and runs away. So many So

942
00:56:11,120 --> 00:56:15,320
Speaker 1: here we go shaming of penis size, particularly how we

943
00:56:15,440 --> 00:56:19,600
Speaker 1: as a society shame small penises. This is something that

944
00:56:19,760 --> 00:56:23,799
Speaker 1: happens a lot today. Still, it happens in a lot

945
00:56:23,840 --> 00:56:26,480
Speaker 1: of circle like it just it seems to be something

946
00:56:26,520 --> 00:56:30,200
Speaker 1: that is still very just socially acceptable to do. And

947
00:56:30,239 --> 00:56:33,160
Speaker 1: I feel like not and it's and and it's not

948
00:56:33,360 --> 00:56:37,000
Speaker 1: enough people talk about why shaming small penises or micro

949
00:56:37,160 --> 00:56:41,960
Speaker 1: penises is very harmful and wrong and not feminist. So

950
00:56:42,160 --> 00:56:44,640
Speaker 1: I just want to go through a few things here

951
00:56:44,719 --> 00:56:49,200
Speaker 1: where Obviously, first of all, it's wrong to just simply

952
00:56:49,680 --> 00:56:53,719
Speaker 1: body shame someone for something that they have no control over. Um,

953
00:56:53,840 --> 00:56:56,120
Speaker 1: So that's like the core of it. But there's more

954
00:56:56,200 --> 00:57:00,200
Speaker 1: to it than that, which so shaming small penis is

955
00:57:00,920 --> 00:57:03,520
Speaker 1: in order to attack a person's manhood, which is like

956
00:57:03,800 --> 00:57:08,279
Speaker 1: usually why anyone does. That means that we use a

957
00:57:08,360 --> 00:57:13,920
Speaker 1: society value large penises, and because we we as a society,

958
00:57:13,960 --> 00:57:18,080
Speaker 1: associate penis size to be connected with a person's manliness

959
00:57:18,160 --> 00:57:22,080
Speaker 1: and masculinity, meaning like the bigger the penis, the more

960
00:57:22,200 --> 00:57:27,240
Speaker 1: masculine a person must be. And because characteristics like aggressiveness

961
00:57:27,280 --> 00:57:31,040
Speaker 1: are also associated with masculinity, it basically means that by

962
00:57:31,160 --> 00:57:37,560
Speaker 1: shaming small penises, we are inadvertently condoning and valuing toxic

963
00:57:37,920 --> 00:57:44,960
Speaker 1: standards of masculinity like aggression. So like our obsession with

964
00:57:45,120 --> 00:57:48,760
Speaker 1: large penises, and but and we I mean, like society

965
00:57:49,840 --> 00:57:56,160
Speaker 1: is basically akin to we also love toxic masculinity. So yeah,

966
00:57:56,160 --> 00:57:57,959
Speaker 1: I mean, and I think that there's like that goes

967
00:57:58,200 --> 00:58:00,960
Speaker 1: with like there's a number of body parts you can

968
00:58:01,000 --> 00:58:03,240
Speaker 1: apply that to. I mean, you can apply that to

969
00:58:03,440 --> 00:58:07,640
Speaker 1: like boobs as well, and like like valuing people on

970
00:58:07,760 --> 00:58:11,160
Speaker 1: the size of their boobs are like you know, deciding

971
00:58:11,240 --> 00:58:14,840
Speaker 1: how immediately interested someone would be based on your body

972
00:58:15,080 --> 00:58:17,439
Speaker 1: or like your boobs, your butt, like there's so many

973
00:58:17,880 --> 00:58:21,720
Speaker 1: physical characteristics that we have like associated with like desirability,

974
00:58:22,160 --> 00:58:25,920
Speaker 1: that is like, I mean, demonstrably untrue for most people.

975
00:58:27,120 --> 00:58:30,720
Speaker 1: And also I kind of it opened my eyes to

976
00:58:30,840 --> 00:58:32,880
Speaker 1: this a little bit more when I started to think

977
00:58:32,880 --> 00:58:35,120
Speaker 1: about the transmit in my life and they were like,

978
00:58:35,120 --> 00:58:36,880
Speaker 1: when you talk about people's penis sizes, it's like it's

979
00:58:36,920 --> 00:58:39,200
Speaker 1: really transphobic. And I was like, oh, I didn't even

980
00:58:39,480 --> 00:58:43,640
Speaker 1: think about that. So, like, there's just so many angles

981
00:58:43,720 --> 00:58:45,080
Speaker 1: to this. And also I do want to make one

982
00:58:45,120 --> 00:58:47,960
Speaker 1: clarification about the albumism I was talking about. Albumism can

983
00:58:48,000 --> 00:58:51,280
Speaker 1: occur across different races. I was specifically saying that this

984
00:58:51,520 --> 00:58:53,760
Speaker 1: albinism that they were doing was a black man because

985
00:58:53,800 --> 00:58:55,760
Speaker 1: if you look at the texture of his hair, it

986
00:58:55,920 --> 00:58:58,880
Speaker 1: is very typical of that of an African American, Like

987
00:58:58,920 --> 00:59:01,040
Speaker 1: they made they made him like have deep coils like

988
00:59:01,120 --> 00:59:03,000
Speaker 1: for sea hair. And that's why I was like, is

989
00:59:03,040 --> 00:59:04,920
Speaker 1: this an Albao black person? So I just wanted to

990
00:59:04,920 --> 00:59:07,360
Speaker 1: clarify that because it's not like albumism just belongs to

991
00:59:07,440 --> 00:59:09,360
Speaker 1: black people. But I was like, this is I know

992
00:59:09,440 --> 00:59:11,840
Speaker 1: what's happening here. I honestly didn't pick up on that

993
00:59:11,920 --> 00:59:13,400
Speaker 1: the first time. I saw it, and it was until

994
00:59:13,440 --> 00:59:16,920
Speaker 1: the second time that I'm like, no, fucking way, his

995
00:59:17,040 --> 00:59:19,600
Speaker 1: hair like that. Yeah, that's how a lot of people

996
00:59:19,720 --> 00:59:21,960
Speaker 1: with albumism who are black their hair looks. So I

997
00:59:22,080 --> 00:59:25,200
Speaker 1: was like, and then like the association with the big penis,

998
00:59:25,280 --> 00:59:26,880
Speaker 1: and yeah, it's because he's tall and stuff. It's also

999
00:59:26,880 --> 00:59:28,800
Speaker 1: because they tried to make you think like, oh, he's

1000
00:59:28,840 --> 00:59:33,240
Speaker 1: black but not in black face. So and then on

1001
00:59:33,320 --> 00:59:35,840
Speaker 1: top of that, I mean, you have like so many

1002
00:59:36,680 --> 00:59:40,640
Speaker 1: gendered stereotypes going on with Allison in this scene where

1003
00:59:40,720 --> 00:59:44,240
Speaker 1: it's like there's an assumption that she could not possibly

1004
00:59:44,320 --> 00:59:47,600
Speaker 1: want to be a sports reporter because she likes sports.

1005
00:59:47,680 --> 00:59:50,560
Speaker 1: It has to be because she's trying to fux somebody, right,

1006
00:59:50,960 --> 00:59:52,800
Speaker 1: And then on top of like that, she's like she

1007
00:59:53,000 --> 00:59:57,840
Speaker 1: is sexually harassing him in the locker room, like she's

1008
00:59:57,880 --> 01:00:01,520
Speaker 1: absolutely harassing him a pressuring him to get naked in

1009
01:00:01,600 --> 01:00:04,160
Speaker 1: front of her, and just like there's just so like

1010
01:00:04,440 --> 01:00:08,680
Speaker 1: it's just it's just zeros across the board. I feel

1011
01:00:08,720 --> 01:00:10,640
Speaker 1: like that happened because they were like, look, we can't

1012
01:00:10,640 --> 01:00:12,600
Speaker 1: do another scene where she sees the penis as small.

1013
01:00:12,600 --> 01:00:14,520
Speaker 1: We gotta get all out at the at this uh,

1014
01:00:15,000 --> 01:00:17,960
Speaker 1: at this venue, we got one location, and so they're like,

1015
01:00:18,080 --> 01:00:20,320
Speaker 1: we gotta she's got to see the penis somehow here.

1016
01:00:20,440 --> 01:00:24,560
Speaker 1: So they decided to make her like so aggressively inappropriately

1017
01:00:24,640 --> 01:00:27,720
Speaker 1: horny that she's like basically like, show me your dick

1018
01:00:29,040 --> 01:00:33,360
Speaker 1: right now. It makes no sense, um, but yeah, like

1019
01:00:33,440 --> 01:00:37,000
Speaker 1: you were saying, lazy, Like, society's obsession with penis size

1020
01:00:37,160 --> 01:00:40,080
Speaker 1: ignores a lot of trans men because it assumes that

1021
01:00:40,320 --> 01:00:43,800
Speaker 1: all men have a penis, and it ignores a lot

1022
01:00:43,840 --> 01:00:46,920
Speaker 1: of trans women because it assumes that anyone with a

1023
01:00:47,040 --> 01:00:49,680
Speaker 1: penis is a man. This goes for a lot of

1024
01:00:49,760 --> 01:00:52,840
Speaker 1: non binary people as well, just a lot of people

1025
01:00:53,000 --> 01:00:58,520
Speaker 1: who are not a cis gender man. And it also

1026
01:00:58,920 --> 01:01:05,040
Speaker 1: again shaming small penises stigmatizes the bodies of intersex people

1027
01:01:05,800 --> 01:01:09,880
Speaker 1: because when an intersex baby is born with a micro penis,

1028
01:01:10,400 --> 01:01:15,920
Speaker 1: doctors will often remove it and surgically turn the genitals

1029
01:01:16,000 --> 01:01:19,680
Speaker 1: into a vagina and just basically try to make the

1030
01:01:19,880 --> 01:01:23,280
Speaker 1: baby a female baby because of society's obsession with like

1031
01:01:23,480 --> 01:01:27,040
Speaker 1: you know, the gender binary and the sex binary, um,

1032
01:01:27,160 --> 01:01:30,280
Speaker 1: and doctors will do this without anyone's consent and like

1033
01:01:30,480 --> 01:01:34,720
Speaker 1: before the baby could realize how they feel years before,

1034
01:01:35,760 --> 01:01:38,520
Speaker 1: and this of course leads to a lot of trauma

1035
01:01:38,720 --> 01:01:43,440
Speaker 1: for many intersex people. So again, this just like tendency

1036
01:01:43,680 --> 01:01:47,800
Speaker 1: to demonize or make fun of small penises ends up

1037
01:01:47,840 --> 01:01:51,240
Speaker 1: being really harmful to a lot of people directly, and

1038
01:01:51,640 --> 01:01:55,919
Speaker 1: or it contributes to a larger just like cultural toxicity,

1039
01:01:56,560 --> 01:02:00,280
Speaker 1: because like I've seen a lot of otherwise compare fashion

1040
01:02:00,360 --> 01:02:04,480
Speaker 1: it and progressive people be like, oh, this person sucks

1041
01:02:04,600 --> 01:02:08,240
Speaker 1: and he probably has a tarny dick, and like I've

1042
01:02:08,320 --> 01:02:12,240
Speaker 1: been guilty of it myself. I regret ever having done that,

1043
01:02:13,120 --> 01:02:15,200
Speaker 1: And so I just want people to know that like

1044
01:02:15,920 --> 01:02:19,200
Speaker 1: insulting or shaming someone by saying they have a small

1045
01:02:19,280 --> 01:02:24,160
Speaker 1: penis is something that's still happening a lot, and it

1046
01:02:24,560 --> 01:02:28,360
Speaker 1: is not okay. Yeah, So I just wanted to like

1047
01:02:28,600 --> 01:02:30,080
Speaker 1: lay that all out there because I don't think this

1048
01:02:30,160 --> 01:02:32,400
Speaker 1: is something we've talked about on the podcast. But no,

1049
01:02:32,640 --> 01:02:34,880
Speaker 1: I think that that's a really good thing to bring

1050
01:02:34,920 --> 01:02:37,520
Speaker 1: into the conversation because yeah, like we we try to

1051
01:02:37,600 --> 01:02:40,800
Speaker 1: talk about like the ways that hyper masculinity is like

1052
01:02:40,920 --> 01:02:45,080
Speaker 1: stylized and kind of forced into media, um, and that

1053
01:02:45,280 --> 01:02:48,040
Speaker 1: like if you don't fit a very specific i don't know,

1054
01:02:48,160 --> 01:02:51,560
Speaker 1: like yeah, very binary form of masculinity, that is based

1055
01:02:51,640 --> 01:02:54,440
Speaker 1: on really just ship that men have made up over

1056
01:02:54,520 --> 01:02:59,160
Speaker 1: the years, Uh, that that you are like lesser than

1057
01:02:59,200 --> 01:03:01,840
Speaker 1: and that you should feel inherent shame, and then all

1058
01:03:01,880 --> 01:03:03,760
Speaker 1: the ship that that leads to and all the problems

1059
01:03:03,800 --> 01:03:06,040
Speaker 1: that that leads to for for people and for the

1060
01:03:06,320 --> 01:03:09,720
Speaker 1: people in their lives. Like, yeah, yeah, I hate that.

1061
01:03:09,760 --> 01:03:11,600
Speaker 1: I hate that. It was Bedazzled that made us talk

1062
01:03:11,600 --> 01:03:14,000
Speaker 1: about it. From there we are. I am glad we're

1063
01:03:14,000 --> 01:03:20,360
Speaker 1: talking about um. I I pulled a lot of this

1064
01:03:20,480 --> 01:03:24,919
Speaker 1: information from um an article in Everyday Feminism dot com

1065
01:03:25,120 --> 01:03:27,040
Speaker 1: that we will link to in the show notes because

1066
01:03:27,120 --> 01:03:31,200
Speaker 1: it's worth reading more about. But um yeah, I just

1067
01:03:31,360 --> 01:03:35,160
Speaker 1: wanted to bring that up because as soon as like

1068
01:03:35,920 --> 01:03:39,840
Speaker 1: shaming of small penis size comes up in the movie Bedazzled,

1069
01:03:39,960 --> 01:03:43,040
Speaker 1: I was like, all right, here's the chance to talk

1070
01:03:43,080 --> 01:03:46,400
Speaker 1: about this. And then it immediately comes up again in

1071
01:03:46,520 --> 01:03:50,360
Speaker 1: the next scene where it's like whatever, Brandon Fraser's talking

1072
01:03:50,400 --> 01:03:53,439
Speaker 1: to Elizabeth Hurley again and he reacts defensively because he's

1073
01:03:53,440 --> 01:03:56,760
Speaker 1: feeling this like shame from this offensive sketch that he

1074
01:03:56,920 --> 01:04:04,280
Speaker 1: just appeared in, and it's like, leave people alone. Seriously,

1075
01:04:04,520 --> 01:04:09,120
Speaker 1: He's leave everybody alone. UM. So that brings us to

1076
01:04:09,320 --> 01:04:13,120
Speaker 1: the next wish, where he again like a lot of

1077
01:04:13,200 --> 01:04:16,040
Speaker 1: these wishes are like, you know, there's the catch that

1078
01:04:16,160 --> 01:04:18,680
Speaker 1: the devil. There's always some catch. So he has to

1079
01:04:18,800 --> 01:04:21,320
Speaker 1: like course correct and like make sure he's very careful

1080
01:04:21,400 --> 01:04:24,040
Speaker 1: with his language and like what he wishes for on

1081
01:04:24,160 --> 01:04:26,680
Speaker 1: the next wish. So this next one is like, Okay,

1082
01:04:26,920 --> 01:04:30,160
Speaker 1: I don't want to be this like bumbling basketball player.

1083
01:04:30,480 --> 01:04:33,760
Speaker 1: I want to be really articulate and sophisticated, and yeah,

1084
01:04:33,880 --> 01:04:37,400
Speaker 1: make sure I don't have like give me a big penis. Um.

1085
01:04:38,120 --> 01:04:40,840
Speaker 1: And then the catch for this one is that um,

1086
01:04:41,000 --> 01:04:45,600
Speaker 1: even though he is like talking to Allison and they

1087
01:04:45,640 --> 01:04:48,560
Speaker 1: seem to be hitting it off, he does not seem

1088
01:04:48,680 --> 01:04:52,920
Speaker 1: to know that he's gay until he goes home and

1089
01:04:53,600 --> 01:04:55,960
Speaker 1: sees his partner there, which is like one of the

1090
01:04:56,000 --> 01:04:59,880
Speaker 1: actors who's been recurring in all of these sketches, and he's,

1091
01:05:00,200 --> 01:05:04,760
Speaker 1: wait a minute, I'm gay. And then that's the that's

1092
01:05:04,800 --> 01:05:07,720
Speaker 1: the catch, that's the deal breaker, Like that's the thing

1093
01:05:08,200 --> 01:05:11,400
Speaker 1: that is presented as being just as unappealing as like

1094
01:05:11,760 --> 01:05:18,240
Speaker 1: being shot at because you're a drug lord. So we

1095
01:05:18,360 --> 01:05:21,440
Speaker 1: hated I think in a way they were, and I

1096
01:05:21,480 --> 01:05:23,600
Speaker 1: don't want to defend these girls guys. I think they

1097
01:05:23,640 --> 01:05:25,280
Speaker 1: were being like, we will never be with her because

1098
01:05:25,320 --> 01:05:29,400
Speaker 1: you don't want to. But it doesn't work because he's

1099
01:05:29,680 --> 01:05:33,720
Speaker 1: attracted to her, he talks to her, he likes her,

1100
01:05:33,800 --> 01:05:35,960
Speaker 1: he takes her home to bid her, and then they

1101
01:05:36,040 --> 01:05:37,920
Speaker 1: have this moment where it's like, we'll kiss me so

1102
01:05:38,000 --> 01:05:39,880
Speaker 1: I can see if I'm really gay, and it's like,

1103
01:05:40,040 --> 01:05:44,320
Speaker 1: that's not how sexuality works, Like no, what it also

1104
01:05:44,480 --> 01:05:48,360
Speaker 1: like eliminates the any any possibility that you could be

1105
01:05:48,520 --> 01:05:57,160
Speaker 1: by like world or like it's so aggressively binary. The

1106
01:05:57,720 --> 01:06:00,080
Speaker 1: partner that he's coming home too is also written in

1107
01:06:00,200 --> 01:06:06,680
Speaker 1: these really broad stereotyptereotype like what is happening? Why did

1108
01:06:06,680 --> 01:06:09,920
Speaker 1: they give him that week? Every gay man knows everything

1109
01:06:10,000 --> 01:06:13,000
Speaker 1: about theater and yeah, and then yeah, for him to

1110
01:06:13,040 --> 01:06:15,360
Speaker 1: know something about theater, it's like bingo, gotcha, you know

1111
01:06:15,520 --> 01:06:20,240
Speaker 1: theater sexual There are plenty of strange people who do theater.

1112
01:06:20,480 --> 01:06:23,120
Speaker 1: I know them, like, and even if they are gay

1113
01:06:23,200 --> 01:06:24,840
Speaker 1: or if they're on the spectrum, because we're all on

1114
01:06:24,960 --> 01:06:27,160
Speaker 1: some sexual spectrum. Look, there's somebody out there who would

1115
01:06:27,280 --> 01:06:29,600
Speaker 1: do it for you. You may just have never madam

1116
01:06:30,040 --> 01:06:33,600
Speaker 1: um so like to be like, oh, well, he knows

1117
01:06:33,760 --> 01:06:37,439
Speaker 1: musicals and he kissed her and his penis didn't get odd,

1118
01:06:37,640 --> 01:06:40,320
Speaker 1: like what the math that they did just was not

1119
01:06:40,520 --> 01:06:45,439
Speaker 1: math and none of the math was mathon at least

1120
01:06:45,480 --> 01:06:48,000
Speaker 1: I was like, at least that scene was like mercifully

1121
01:06:48,600 --> 01:06:51,920
Speaker 1: not extremely long, the way a lot of the scenes were,

1122
01:06:52,000 --> 01:06:54,960
Speaker 1: but it was like, God, we were building up to that,

1123
01:06:55,600 --> 01:06:59,640
Speaker 1: Like just every sketch in this movie is a different

1124
01:07:00,000 --> 01:07:05,240
Speaker 1: fiver of really dated offensive stereotypes, Like yeah, I think

1125
01:07:05,280 --> 01:07:08,160
Speaker 1: the only reason that one wasn't longer was because that's

1126
01:07:08,240 --> 01:07:10,800
Speaker 1: all that they probably knew about gay people. Even in

1127
01:07:10,840 --> 01:07:13,240
Speaker 1: the terms of stereotypes. They're like, Okay, we know they

1128
01:07:13,360 --> 01:07:16,960
Speaker 1: like show tunes, we know they don't have sex with women.

1129
01:07:18,000 --> 01:07:20,600
Speaker 1: What else should have nothing? Okay, we'll make this half

1130
01:07:20,640 --> 01:07:25,040
Speaker 1: a page, all right, next scene, they just didn't have

1131
01:07:25,080 --> 01:07:28,600
Speaker 1: any more stereotypes to write it. And a bob, give

1132
01:07:28,680 --> 01:07:35,920
Speaker 1: him a bob. Also, like Brendan Fisher should have just

1133
01:07:36,080 --> 01:07:39,040
Speaker 1: like stay that seems he seemed like he was having

1134
01:07:39,080 --> 01:07:42,800
Speaker 1: a pretty good life, like he like and if like again,

1135
01:07:42,960 --> 01:07:46,080
Speaker 1: it's this assumption that because he's gay, he could never

1136
01:07:46,200 --> 01:07:49,680
Speaker 1: be happy because he's gay, like like like you have

1137
01:07:49,800 --> 01:07:52,360
Speaker 1: a nice house like and and a boyfriend who was

1138
01:07:52,400 --> 01:07:54,760
Speaker 1: ready to forgive you for about to be cheating on him,

1139
01:07:55,000 --> 01:07:58,960
Speaker 1: like for some reason with the person in the bedroom, like,

1140
01:07:59,160 --> 01:08:02,960
Speaker 1: and he was like, guess it's fine. Also, like, that's

1141
01:08:03,000 --> 01:08:06,120
Speaker 1: a good observation, Caitlin, because if we take these lives

1142
01:08:06,200 --> 01:08:07,920
Speaker 1: and we compare them to the life that he was

1143
01:08:08,000 --> 01:08:12,480
Speaker 1: living working at some fucking cubical company with a bunch

1144
01:08:12,560 --> 01:08:15,200
Speaker 1: of people who fucking hate him, not having no love

1145
01:08:15,280 --> 01:08:18,519
Speaker 1: in his life. Now he gets to be an intelligent, cool,

1146
01:08:18,680 --> 01:08:22,479
Speaker 1: smart guy who people love and he's the life of

1147
01:08:22,560 --> 01:08:25,400
Speaker 1: the party. Everywhere he goes, everybody's on his you know, ask.

1148
01:08:25,720 --> 01:08:27,320
Speaker 1: And then he goes home he has a partner who

1149
01:08:28,040 --> 01:08:31,920
Speaker 1: fiercely loves him. That life is so much better than

1150
01:08:31,960 --> 01:08:35,880
Speaker 1: the life that Brandon has so much and just trying

1151
01:08:35,880 --> 01:08:40,920
Speaker 1: to be like but gay and it's like fuck like you.

1152
01:08:43,720 --> 01:08:45,640
Speaker 1: And then and then the second he gets out of

1153
01:08:45,880 --> 01:08:49,200
Speaker 1: that wish, he immediately starts saying a ton of homophobe

1154
01:08:49,200 --> 01:08:51,439
Speaker 1: accept Elizabeth Hurley, and she's kind of like t he

1155
01:08:51,640 --> 01:08:55,560
Speaker 1: he wasn't that a funny joke? And You're like, no, Elizabeth,

1156
01:08:55,760 --> 01:09:00,960
Speaker 1: wasn't it wasn't it wasn't. Yeah, so um, the next

1157
01:09:01,200 --> 01:09:05,599
Speaker 1: wish is the President Lincoln one, and I was kind

1158
01:09:05,600 --> 01:09:09,559
Speaker 1: of corny, like the only way it could have been

1159
01:09:09,560 --> 01:09:15,040
Speaker 1: worse is if they did JFK. Like I was like, yeah,

1160
01:09:15,120 --> 01:09:17,640
Speaker 1: I didn't. My main note with that scene as I

1161
01:09:17,840 --> 01:09:21,280
Speaker 1: was boring and I was glad it was short. It

1162
01:09:21,400 --> 01:09:24,639
Speaker 1: was short. And then his final wish is the wish

1163
01:09:24,760 --> 01:09:29,160
Speaker 1: for Allison to have a happy life, which we don't

1164
01:09:30,320 --> 01:09:32,479
Speaker 1: like to see play out even right, which I'm like,

1165
01:09:32,520 --> 01:09:35,040
Speaker 1: does that mean that her diary comes true? And she's like,

1166
01:09:35,600 --> 01:09:38,160
Speaker 1: I want to have a nice man and live in it,

1167
01:09:38,400 --> 01:09:41,479
Speaker 1: and and that's the end. That's also the fact that

1168
01:09:41,640 --> 01:09:43,760
Speaker 1: his last wish is for a girl who he hasn't

1169
01:09:43,760 --> 01:09:46,000
Speaker 1: spoke to him four years. Not your mama, not not

1170
01:09:46,439 --> 01:09:49,880
Speaker 1: you know, He's like that lady who I stalk. I

1171
01:09:49,960 --> 01:09:54,040
Speaker 1: hope she has a good life, which her having a

1172
01:09:54,080 --> 01:09:57,160
Speaker 1: good life would mean probably never coming in contact with

1173
01:09:57,320 --> 01:10:01,280
Speaker 1: you again. Brendan Fraser like to hell, which at least

1174
01:10:01,360 --> 01:10:04,720
Speaker 1: she is maybe granted, like at least, but it's like,

1175
01:10:04,880 --> 01:10:07,679
Speaker 1: so yeah, it's so bare minimum of like the way

1176
01:10:07,760 --> 01:10:11,000
Speaker 1: that his soul is liberated from hell is by vaguely

1177
01:10:11,080 --> 01:10:14,240
Speaker 1: wanting someone he has been stalking for four years to

1178
01:10:14,400 --> 01:10:19,000
Speaker 1: have a nice life like that, could you ask for less?

1179
01:10:19,640 --> 01:10:22,639
Speaker 1: But then Elizabeth Hurley is like, wow, what a king,

1180
01:10:22,840 --> 01:10:26,960
Speaker 1: Like what an amazing to have made this? Like the

1181
01:10:27,120 --> 01:10:30,679
Speaker 1: bar is on the floor, really the bar is in hell,

1182
01:10:36,920 --> 01:10:39,040
Speaker 1: and I mean speaking of bare minimum stuff. I guess

1183
01:10:39,080 --> 01:10:43,320
Speaker 1: I appreciated and wasn't expecting this to happen. Where Brendan

1184
01:10:43,360 --> 01:10:45,880
Speaker 1: Fraser when he again just goes and does what he

1185
01:10:46,000 --> 01:10:47,880
Speaker 1: should have done from the very beginning, which is just

1186
01:10:48,040 --> 01:10:51,600
Speaker 1: try to talk to her and like see if she

1187
01:10:51,720 --> 01:10:53,920
Speaker 1: might want to get some coffee with him sometime, and

1188
01:10:54,040 --> 01:10:57,040
Speaker 1: she's like, but he's like, you know, I don't. I

1189
01:10:57,120 --> 01:10:59,360
Speaker 1: don't know you at all, but I'd like to get

1190
01:10:59,400 --> 01:11:02,200
Speaker 1: to know you. So at least he's like acknowledging that

1191
01:11:02,320 --> 01:11:05,800
Speaker 1: he doesn't know her, and that I guess the reason

1192
01:11:05,880 --> 01:11:09,240
Speaker 1: that she's so inconsistent between from like wish to wish

1193
01:11:09,439 --> 01:11:13,160
Speaker 1: is that he doesn't. Those are just like those projections.

1194
01:11:13,439 --> 01:11:17,639
Speaker 1: We talked about this in our inception episode where yeah,

1195
01:11:18,040 --> 01:11:22,320
Speaker 1: well wild connection. Yeah, Like, the character of Mall was

1196
01:11:23,080 --> 01:11:26,560
Speaker 1: really weirdly characterized, but it's most it's because it was

1197
01:11:26,680 --> 01:11:31,120
Speaker 1: just like Leonardo DiCaprio's character's projection of her that rather

1198
01:11:31,160 --> 01:11:33,760
Speaker 1: than like a real person. I hate that writing hack

1199
01:11:33,920 --> 01:11:36,200
Speaker 1: of like, well, I don't need to write a female

1200
01:11:36,320 --> 01:11:39,720
Speaker 1: character if I write a man thinking about what he

1201
01:11:39,800 --> 01:11:43,960
Speaker 1: thinks of female character could be like and about women

1202
01:11:44,000 --> 01:11:46,640
Speaker 1: there at all. We're notout to ask questions because this

1203
01:11:46,800 --> 01:11:49,200
Speaker 1: is the idea that a man had about a woman.

1204
01:11:49,680 --> 01:11:52,000
Speaker 1: But do you not want to speak to your wife

1205
01:11:52,160 --> 01:11:55,920
Speaker 1: or sister that bad? Like? What is going on? Like

1206
01:11:56,040 --> 01:12:05,599
Speaker 1: the the fucking loophole at turn on my sat brutal? Yeah,

1207
01:12:05,600 --> 01:12:07,800
Speaker 1: I did, I did. I was genuinely surprised that he

1208
01:12:07,920 --> 01:12:10,519
Speaker 1: doesn't end up with her at the end, but then

1209
01:12:10,600 --> 01:12:13,640
Speaker 1: I was, um, you know, immediately brought back to earth. Well,

1210
01:12:13,680 --> 01:12:16,840
Speaker 1: he just ends up with a different version, a different

1211
01:12:16,880 --> 01:12:19,280
Speaker 1: woman that we don't know anything about, which is also

1212
01:12:19,439 --> 01:12:22,439
Speaker 1: a message there basically like miss one bus next to

1213
01:12:22,600 --> 01:12:26,360
Speaker 1: fifteen one coming okay, just like the other one. You

1214
01:12:26,400 --> 01:12:28,519
Speaker 1: won't know nothing about it and she'll be just as

1215
01:12:28,600 --> 01:12:32,519
Speaker 1: hot man, don't worry. It was like five days of summary.

1216
01:12:32,840 --> 01:12:35,800
Speaker 1: Like the end, it's like, oh this band is I mean,

1217
01:12:35,920 --> 01:12:38,639
Speaker 1: even if he's not entitled to this woman, he's entitled

1218
01:12:38,720 --> 01:12:41,160
Speaker 1: to a woman, so we better get one in the mix.

1219
01:12:41,240 --> 01:12:44,120
Speaker 1: And you're just like, is he though, like doesn't he

1220
01:12:44,200 --> 01:12:47,519
Speaker 1: need to like work on himself, just go home and

1221
01:12:47,640 --> 01:12:50,240
Speaker 1: lay in the bed and then like be like what

1222
01:12:50,439 --> 01:12:52,840
Speaker 1: a day. So I was like, we don't need to

1223
01:12:52,880 --> 01:12:55,120
Speaker 1: see him with another one. He don't deserve no woman.

1224
01:12:55,400 --> 01:12:58,439
Speaker 1: What has he done to get nothing? He's like, I

1225
01:12:58,680 --> 01:13:00,599
Speaker 1: want the girl I stalk to have a nice life.

1226
01:13:00,640 --> 01:13:04,320
Speaker 1: But I'm just like, oh, he should have wished for

1227
01:13:04,920 --> 01:13:10,439
Speaker 1: a therapist. Should have wished for like just anything that

1228
01:13:10,439 --> 01:13:14,120
Speaker 1: would have allowed him to like reflect upon his life

1229
01:13:14,200 --> 01:13:16,880
Speaker 1: and his choices. Right if he ends on a therapy

1230
01:13:17,000 --> 01:13:18,519
Speaker 1: couch and he's like, yeah, I haven't stuck in a

1231
01:13:18,600 --> 01:13:21,240
Speaker 1: girl for four years, you know, Like that makes more

1232
01:13:21,320 --> 01:13:23,439
Speaker 1: sense to me. And even then he could fall in

1233
01:13:23,520 --> 01:13:25,160
Speaker 1: love with the therapist, that would I would be like, oh,

1234
01:13:25,240 --> 01:13:28,720
Speaker 1: that's a funny joke, but like it's better than like

1235
01:13:29,080 --> 01:13:33,320
Speaker 1: somebody get this man a woman. It's so like it's

1236
01:13:33,400 --> 01:13:37,680
Speaker 1: so annoying, and yeah, I don't know the whole Alison thing.

1237
01:13:38,000 --> 01:13:41,240
Speaker 1: It's just exhausting, like she you could and and it

1238
01:13:41,439 --> 01:13:44,280
Speaker 1: it made me like interested in like how was this

1239
01:13:44,400 --> 01:13:47,400
Speaker 1: movie marketed? And the way it was marketed was basically

1240
01:13:47,479 --> 01:13:50,519
Speaker 1: like the tagline was like how far will this man go?

1241
01:13:51,120 --> 01:13:53,559
Speaker 1: For the woman he loves and it's like he does

1242
01:13:53,840 --> 01:13:57,560
Speaker 1: love her, he doesn't know her. How far does he go?

1243
01:13:57,760 --> 01:13:59,920
Speaker 1: I don't know. The Devil's just fucking around with him

1244
01:14:00,040 --> 01:14:03,519
Speaker 1: for most of the movie. Like, but that was how

1245
01:14:03,560 --> 01:14:05,840
Speaker 1: it was presented, Like how far would you go for

1246
01:14:05,960 --> 01:14:08,680
Speaker 1: the person you love even though it's a stranger that

1247
01:14:09,640 --> 01:14:13,479
Speaker 1: barely met and never talked to. I wonder if an

1248
01:14:13,520 --> 01:14:16,320
Speaker 1: actress like how the job was for the woman who

1249
01:14:16,400 --> 01:14:19,280
Speaker 1: played Allison. Was she just like, Oh that's an easy

1250
01:14:19,400 --> 01:14:20,880
Speaker 1: check because I mean they showed up. She had to

1251
01:14:20,880 --> 01:14:24,800
Speaker 1: show up and basically do nothing, say that thing, have

1252
01:14:25,040 --> 01:14:30,240
Speaker 1: no emotions, have no choices, just right there, like just

1253
01:14:30,320 --> 01:14:32,800
Speaker 1: stay here, okay, put on this week. Okay, but on

1254
01:14:32,920 --> 01:14:41,639
Speaker 1: this week. I know it's so bleak. It's like god, ah, well,

1255
01:14:43,360 --> 01:14:48,720
Speaker 1: well they want to have any any other stuff to

1256
01:14:48,800 --> 01:14:53,240
Speaker 1: bring One quick thing in the beginning when Brendan Fraser

1257
01:14:53,680 --> 01:14:57,439
Speaker 1: doesn't believe this devil woman, and he was kind of

1258
01:14:57,479 --> 01:14:59,880
Speaker 1: like he was like, oh you must be a scientologist,

1259
01:15:00,520 --> 01:15:04,200
Speaker 1: Oh you must be. Basically there's like sex workers shaming

1260
01:15:04,720 --> 01:15:08,760
Speaker 1: um because she's like she brings up business. And then

1261
01:15:08,960 --> 01:15:12,040
Speaker 1: he thinks because she says that she's a sex worker,

1262
01:15:12,280 --> 01:15:14,400
Speaker 1: I only did that once and I didn't mean to. Yeah,

1263
01:15:14,439 --> 01:15:17,280
Speaker 1: and it was it was it was an accident and

1264
01:15:17,400 --> 01:15:20,360
Speaker 1: she's like, oh no, I'm not and then she uses

1265
01:15:20,400 --> 01:15:24,800
Speaker 1: the word hooker and it's just very much of the

1266
01:15:25,280 --> 01:15:29,439
Speaker 1: of the time. Yeah, it is always gonna just be

1267
01:15:29,600 --> 01:15:31,479
Speaker 1: gross to me because it's like, oh, a woman can

1268
01:15:31,520 --> 01:15:33,360
Speaker 1: have as much sex as she wants for free, but

1269
01:15:33,400 --> 01:15:35,800
Speaker 1: then she's like pulling money out a nice Then all

1270
01:15:35,840 --> 01:15:38,280
Speaker 1: of a sudden, she's nasty the funk out of here.

1271
01:15:38,320 --> 01:15:39,960
Speaker 1: That's just something mid made up because they don't want

1272
01:15:40,000 --> 01:15:41,519
Speaker 1: to pay mid hat pussy. It will be on the

1273
01:15:41,560 --> 01:15:45,800
Speaker 1: stock market. I'm sticking as ship. We'll be buying and

1274
01:15:45,880 --> 01:15:50,960
Speaker 1: selling it like game stop right now. God, I love

1275
01:15:51,040 --> 01:15:53,200
Speaker 1: sex workers. I just want to make that very fucking

1276
01:15:53,280 --> 01:15:57,559
Speaker 1: clear that she's fucking weird. Yes, but yeah, and then

1277
01:15:57,600 --> 01:15:59,560
Speaker 1: I love how they're doing the internalized misogyny because the

1278
01:15:59,600 --> 01:16:01,560
Speaker 1: woman is saying he's like, oh no, that's not what

1279
01:16:01,680 --> 01:16:03,920
Speaker 1: I want, miss Mann, which is like, that's girls, I

1280
01:16:03,960 --> 01:16:05,720
Speaker 1: would never be that kind of woman. I love me

1281
01:16:05,920 --> 01:16:09,040
Speaker 1: and I have sits for free. Yeah, that's another that's

1282
01:16:09,160 --> 01:16:11,280
Speaker 1: that's that is like one of the writing. I mean,

1283
01:16:11,439 --> 01:16:13,840
Speaker 1: there's every word that's a writing issue, right, but like

1284
01:16:14,360 --> 01:16:17,679
Speaker 1: how the writers of this movie very often like give

1285
01:16:18,040 --> 01:16:22,000
Speaker 1: the like really toxic protagonists permission to do stuff through

1286
01:16:22,120 --> 01:16:24,960
Speaker 1: a woman like I hate that ship so much it

1287
01:16:25,080 --> 01:16:27,000
Speaker 1: bothers me. And then I'm like, you think I don't

1288
01:16:27,080 --> 01:16:32,880
Speaker 1: notice Larry, Harold and Peter, but I do those. The

1289
01:16:33,000 --> 01:16:36,360
Speaker 1: fact that Larry Harold and Peter like that just brings

1290
01:16:36,400 --> 01:16:38,320
Speaker 1: it all into perspective. You're like, oh, from the guy

1291
01:16:38,400 --> 01:16:41,760
Speaker 1: that brought you fucking Caddyshack and attempts to write a

1292
01:16:41,840 --> 01:16:44,160
Speaker 1: female character, it's just not going to happen. I will

1293
01:16:44,200 --> 01:16:47,599
Speaker 1: say that Peter Tolin is a is a gay man.

1294
01:16:48,400 --> 01:16:52,439
Speaker 1: Uh so there was a gay writer on this movie,

1295
01:16:53,040 --> 01:16:56,400
Speaker 1: but he he probably got bullied. I'll feel bad for

1296
01:16:56,520 --> 01:17:01,280
Speaker 1: him now because that gaz see he They must have

1297
01:17:01,280 --> 01:17:03,200
Speaker 1: been like, yeah, Peter, this is your territory. You write this.

1298
01:17:03,320 --> 01:17:06,720
Speaker 1: You know how grossier people are. He's like okay, like

1299
01:17:06,840 --> 01:17:10,920
Speaker 1: I have been like awful or otherwise, he's very much

1300
01:17:10,960 --> 01:17:14,360
Speaker 1: internalizing still patriot people that we'll see. That's the thing.

1301
01:17:14,400 --> 01:17:18,800
Speaker 1: I I am not sure if Peter Tolin was out

1302
01:17:19,120 --> 01:17:22,080
Speaker 1: when this movie came out, because he was married to

1303
01:17:22,160 --> 01:17:25,080
Speaker 1: a woman for many years. Um had a couple of

1304
01:17:25,240 --> 01:17:29,519
Speaker 1: kids in a very straight marriage and then came out

1305
01:17:29,960 --> 01:17:32,960
Speaker 1: as gay later. I wasn't able to find like when

1306
01:17:33,120 --> 01:17:35,200
Speaker 1: that was I would I would assume he may not

1307
01:17:35,360 --> 01:17:39,880
Speaker 1: have been out when this movie was released. But uh,

1308
01:17:40,040 --> 01:17:42,240
Speaker 1: and if he wrote that part, it makes a little

1309
01:17:42,600 --> 01:17:50,760
Speaker 1: more sense, it doesn't make it. I don't. I don't

1310
01:17:50,800 --> 01:17:54,320
Speaker 1: get it. There's I mean, let's not forget too that,

1311
01:17:54,439 --> 01:17:59,040
Speaker 1: like even if he was out, there's still internalized homophobia,

1312
01:17:59,840 --> 01:18:04,719
Speaker 1: like the same way there's like, God, women have written

1313
01:18:04,800 --> 01:18:09,160
Speaker 1: some really fucked up movies about women. Yeah, yeah, I

1314
01:18:09,600 --> 01:18:13,880
Speaker 1: mean I'm still unlearning like internalized misogyny that like was

1315
01:18:14,280 --> 01:18:18,479
Speaker 1: very much what was ingrained into my brain as a

1316
01:18:18,600 --> 01:18:23,240
Speaker 1: person growing up with movies like Bedazzled. Look Beyonce maybe

1317
01:18:23,320 --> 01:18:26,280
Speaker 1: at Girls Run the World and all that now, but

1318
01:18:26,400 --> 01:18:28,880
Speaker 1: I remember there was a time when Beyonce had a

1319
01:18:29,000 --> 01:18:33,920
Speaker 1: song called Nasty put some clothes on. I told you,

1320
01:18:34,439 --> 01:18:37,920
Speaker 1: don't walk out your house without your clothes on. I

1321
01:18:38,120 --> 01:18:40,639
Speaker 1: told you, she said, they don't want a hot female

1322
01:18:40,720 --> 01:18:43,920
Speaker 1: that's been around the black female. You nasty girl. That

1323
01:18:44,080 --> 01:18:46,479
Speaker 1: was the original nasty Girl. And you'll never hear Beyonce

1324
01:18:46,680 --> 01:18:48,680
Speaker 1: sing it. And yes, I'm sorry to bring this up.

1325
01:18:48,720 --> 01:18:50,360
Speaker 1: Don't have the hive after me. I love you, queen.

1326
01:18:50,400 --> 01:18:55,960
Speaker 1: I'm just saying, we all grow all you all have

1327
01:18:56,040 --> 01:19:00,479
Speaker 1: internalized misogyny. So there's so it was, you know, co

1328
01:19:00,640 --> 01:19:02,519
Speaker 1: written by a gay man, and they're still a very

1329
01:19:02,600 --> 01:19:07,320
Speaker 1: homophobic scene scene. Two things can be true, especially because

1330
01:19:07,360 --> 01:19:10,400
Speaker 1: like that this was popular to do in two thousand

1331
01:19:10,520 --> 01:19:12,880
Speaker 1: This was popularly in two thousand ten. Like it's like

1332
01:19:13,400 --> 01:19:17,639
Speaker 1: it's only pretty recently that people the masses are getting

1333
01:19:17,880 --> 01:19:21,800
Speaker 1: more aware of, like how problematic jokes like this and

1334
01:19:22,000 --> 01:19:25,680
Speaker 1: and storylines like this, yeah fun anymore? And I'm like

1335
01:19:25,760 --> 01:19:28,160
Speaker 1: how many That's always the weird thing to me, especially

1336
01:19:28,240 --> 01:19:30,760
Speaker 1: like comedians and other older people being like, well all

1337
01:19:30,800 --> 01:19:32,639
Speaker 1: this cancel culture and all this stuff, we can't even

1338
01:19:32,640 --> 01:19:34,800
Speaker 1: have any fun anymore. I'm like, how many times you

1339
01:19:34,880 --> 01:19:38,400
Speaker 1: need to hear the same joke that's punchline Asian or

1340
01:19:38,479 --> 01:19:41,200
Speaker 1: punchline gay. But you've heard that joke a million times.

1341
01:19:41,200 --> 01:19:43,280
Speaker 1: You don't want to hear a new joke. A joke

1342
01:19:43,400 --> 01:19:45,840
Speaker 1: was slapping, even if you're like, oh, this racism is

1343
01:19:47,560 --> 01:19:50,320
Speaker 1: like you've already heard it, right, so you don't want

1344
01:19:50,360 --> 01:19:53,040
Speaker 1: a new joke and maybe it's not as terrible. I

1345
01:19:53,160 --> 01:19:57,679
Speaker 1: don't get that logic at all. It's so fucking weird.

1346
01:19:57,760 --> 01:20:01,840
Speaker 1: And it's like that this this team is very like that.

1347
01:20:02,040 --> 01:20:04,600
Speaker 1: I mean, and I don't. I mean, you know, commenters

1348
01:20:04,720 --> 01:20:07,160
Speaker 1: could correct me if I but like, this is the

1349
01:20:07,280 --> 01:20:11,439
Speaker 1: team that brought you, you know, Ghostbusters, Stripes, Caddyshack, National

1350
01:20:11,520 --> 01:20:15,080
Speaker 1: Lampoon's Vacation, groundhog Day, like a lot of very popular

1351
01:20:15,200 --> 01:20:20,479
Speaker 1: considered to be classic comedies that they're like they're not

1352
01:20:20,800 --> 01:20:23,439
Speaker 1: known for. So the fact that they're now, you know,

1353
01:20:23,640 --> 01:20:28,000
Speaker 1: in there like sixties and still trying to make this

1354
01:20:28,040 --> 01:20:32,320
Speaker 1: ship happen, it's just like it's such a bummer. It

1355
01:20:32,439 --> 01:20:35,960
Speaker 1: does not work. Yes, that's not a little context corner,

1356
01:20:37,160 --> 01:20:40,000
Speaker 1: Thank you so much. Um Yeah, does anyone have any

1357
01:20:40,040 --> 01:20:46,560
Speaker 1: other funnal thoughts about Bedazzled? Elizabeth Hurley was fun. She

1358
01:20:46,800 --> 01:20:49,800
Speaker 1: was fun. I always love a good Elizabeth Hurley performance.

1359
01:20:50,200 --> 01:20:56,120
Speaker 1: She's got cool outfits. She has her shirt where it's

1360
01:20:56,280 --> 01:21:00,599
Speaker 1: rhinestones and it says bad. That's fun. She also she um,

1361
01:21:00,880 --> 01:21:03,800
Speaker 1: she antagonizes a cat in that scene as well. She

1362
01:21:04,360 --> 01:21:07,639
Speaker 1: there's a because Allison has a cat and she goes

1363
01:21:08,520 --> 01:21:11,000
Speaker 1: to the cat and the cat's like she's the devil.

1364
01:21:11,200 --> 01:21:13,920
Speaker 1: Was my favorite part of the movie Red Leather Body Suit.

1365
01:21:14,160 --> 01:21:18,800
Speaker 1: Really enjoyed that one. UM really loved the Devi eight

1366
01:21:18,920 --> 01:21:22,040
Speaker 1: Hill Club. Besides the weird dancing videos in the back,

1367
01:21:22,120 --> 01:21:24,000
Speaker 1: I was like a club with a pool and then

1368
01:21:24,080 --> 01:21:27,880
Speaker 1: like I was like, oh, it was so like two

1369
01:21:27,960 --> 01:21:30,120
Speaker 1: thousand where you're like, I'm not even going to think

1370
01:21:30,160 --> 01:21:33,599
Speaker 1: about the germs right, Oh my god, can you imagine

1371
01:21:33,600 --> 01:21:40,639
Speaker 1: getting into lukewarm soupy water with strangers now phone parties?

1372
01:21:41,000 --> 01:21:43,679
Speaker 1: How close I was to everyone at Coachella. I tried

1373
01:21:43,760 --> 01:21:46,360
Speaker 1: to watch Homecoming and it was giving me anxiety because

1374
01:21:46,400 --> 01:21:51,479
Speaker 1: everyone's so close, and I was like, oh God, as

1375
01:21:51,520 --> 01:22:01,840
Speaker 1: a Mr Kraft, well does this movie pass the back tests. No,

1376
01:22:02,800 --> 01:22:05,760
Speaker 1: I honestly forgot to pay close enough attention. But I

1377
01:22:05,920 --> 01:22:08,840
Speaker 1: do not think it Like the first two scenes and

1378
01:22:08,880 --> 01:22:11,600
Speaker 1: I'm like, no, there were never enough women in the

1379
01:22:11,760 --> 01:22:14,680
Speaker 1: scene to pass it, except when he made out with

1380
01:22:14,720 --> 01:22:16,640
Speaker 1: Elizabeth or she made out with him, and there was

1381
01:22:16,680 --> 01:22:18,880
Speaker 1: those two women and then they were like one woman

1382
01:22:18,960 --> 01:22:21,360
Speaker 1: got to speak. She she probably got bumped up from

1383
01:22:21,439 --> 01:22:25,360
Speaker 1: background to featured playing any and she got one line

1384
01:22:25,960 --> 01:22:31,080
Speaker 1: and then and there get out of here. Women. Yeah. Yeah,

1385
01:22:31,080 --> 01:22:34,400
Speaker 1: the scenes where there's women together, it's that were Elizabeth

1386
01:22:34,439 --> 01:22:38,639
Speaker 1: Hurley evicts two nameless women from the scene, and then

1387
01:22:38,720 --> 01:22:42,160
Speaker 1: there's the scene where Allison and Elizabeth Hurley are technically

1388
01:22:42,200 --> 01:22:44,960
Speaker 1: in the same room, but Alison can't see her right,

1389
01:22:45,280 --> 01:22:48,600
Speaker 1: so it does. There's another scene where two women are

1390
01:22:48,680 --> 01:22:51,720
Speaker 1: fighting over Brendan Fraser at Club dev eight, but they

1391
01:22:51,800 --> 01:22:57,640
Speaker 1: are unnamed and talking and also talking to him for

1392
01:22:57,720 --> 01:22:59,640
Speaker 1: the most part, I want to dance with you. No,

1393
01:22:59,800 --> 01:23:01,599
Speaker 1: I want to dance with you, right, They're not even

1394
01:23:01,760 --> 01:23:04,839
Speaker 1: talking with each other. Yeah, those are the only scenes

1395
01:23:05,200 --> 01:23:09,760
Speaker 1: that I can recall where women are even interacting. Oh.

1396
01:23:09,920 --> 01:23:12,400
Speaker 1: I did want to bring up really quick with Brendan Fraser.

1397
01:23:12,880 --> 01:23:15,880
Speaker 1: He has a very he's had, I mean, his career

1398
01:23:15,960 --> 01:23:17,519
Speaker 1: has been very up and down over the years. But

1399
01:23:17,560 --> 01:23:19,280
Speaker 1: I did want to shout him out because he was

1400
01:23:19,360 --> 01:23:21,760
Speaker 1: one of the UM one of the few men in

1401
01:23:21,880 --> 01:23:25,800
Speaker 1: Hollywood who spoke out about being sexually harassed. UM in

1402
01:23:26,000 --> 01:23:28,880
Speaker 1: the nineties. He was sexually harassed by a very famous

1403
01:23:28,960 --> 01:23:31,600
Speaker 1: executive and like felt a lot of shame about it

1404
01:23:31,680 --> 01:23:34,360
Speaker 1: for many years, and then UM kind of came forward

1405
01:23:34,439 --> 01:23:37,160
Speaker 1: with it in the last couple of years, which I

1406
01:23:37,280 --> 01:23:40,120
Speaker 1: feel like it's it's like it's hard for everyone but

1407
01:23:40,240 --> 01:23:43,400
Speaker 1: I feel like, on top of the like you know,

1408
01:23:43,720 --> 01:23:48,240
Speaker 1: stigmatization of being abused, the like hyper masculine expectations, on

1409
01:23:48,400 --> 01:23:50,800
Speaker 1: top of that, like, I think it's really cool and

1410
01:23:50,920 --> 01:23:53,680
Speaker 1: admirable that he came forward with it so and then

1411
01:23:53,760 --> 01:23:55,840
Speaker 1: did it the right way because when Terry Crews did

1412
01:23:55,880 --> 01:24:00,559
Speaker 1: that ship Terry fucking cruise titty Dancer number one. Um,

1413
01:24:01,600 --> 01:24:03,040
Speaker 1: and by then, I mean like he moves his pecks

1414
01:24:03,080 --> 01:24:08,840
Speaker 1: up and down. Guys. Uh, every movie is like and

1415
01:24:09,040 --> 01:24:12,479
Speaker 1: there's a scene for to dance. No yet we added

1416
01:24:12,560 --> 01:24:18,479
Speaker 1: in like he came out and remember and he talked

1417
01:24:18,479 --> 01:24:21,920
Speaker 1: about a producer, you know, grabbing him inappropriately. And then

1418
01:24:22,240 --> 01:24:25,280
Speaker 1: as soon as black women swelled the ground swell of

1419
01:24:25,360 --> 01:24:27,920
Speaker 1: support for him, black men were being kind of toxic

1420
01:24:28,040 --> 01:24:30,240
Speaker 1: and like kind of mean, very um, and he kind

1421
01:24:30,280 --> 01:24:32,519
Speaker 1: of backtracked. He was like, I'm sorry black man, Yeah,

1422
01:24:32,560 --> 01:24:37,800
Speaker 1: we're right, We're like and so he couldn't even he

1423
01:24:37,920 --> 01:24:39,960
Speaker 1: stood in it for a little while and then he compute,

1424
01:24:40,320 --> 01:24:43,360
Speaker 1: Terry's a nightmare human. Um. He threw us under the

1425
01:24:43,400 --> 01:24:45,560
Speaker 1: bus so quick. He's up there with Omarosa. For me,

1426
01:24:45,680 --> 01:24:47,720
Speaker 1: I'm just like, wow, so you're just not You're gonna

1427
01:24:47,760 --> 01:24:52,240
Speaker 1: sell us out this hard. Alright, bro, God, that's so

1428
01:24:53,040 --> 01:24:58,160
Speaker 1: as Brendan has you know, maintained his truth and also

1429
01:24:58,320 --> 01:25:00,280
Speaker 1: like talked about hot with all this, you know, all

1430
01:25:00,360 --> 01:25:02,240
Speaker 1: the shame that came with it and how he felt

1431
01:25:02,280 --> 01:25:05,400
Speaker 1: like it affected his career because he said something at

1432
01:25:05,439 --> 01:25:09,559
Speaker 1: the time internal we did had to play the game

1433
01:25:09,800 --> 01:25:11,560
Speaker 1: because he really was I mean, he was like in

1434
01:25:11,680 --> 01:25:15,479
Speaker 1: two thousand, he was a fucking huge movie star and

1435
01:25:15,560 --> 01:25:17,760
Speaker 1: then he fell off, and it was, you know, all

1436
01:25:17,840 --> 01:25:19,479
Speaker 1: kind of lined up with the time he was speaking

1437
01:25:19,520 --> 01:25:22,880
Speaker 1: out about it to like his you know, inner team,

1438
01:25:23,040 --> 01:25:25,960
Speaker 1: or like he sent a letter to I'll link in

1439
01:25:26,000 --> 01:25:29,439
Speaker 1: the description, like his full description, but it sounded like

1440
01:25:29,560 --> 01:25:32,320
Speaker 1: a nightmare. And I'm glad you said something. As someone

1441
01:25:32,720 --> 01:25:35,599
Speaker 1: who works in Hollywood, I'm not famous enough to speak

1442
01:25:35,640 --> 01:25:37,840
Speaker 1: out about the bad things that happened to me. So

1443
01:25:38,000 --> 01:25:39,720
Speaker 1: there are tons of bad things that happened to me.

1444
01:25:39,760 --> 01:25:43,040
Speaker 1: And I'm just like, well, bad things are gonna keep

1445
01:25:43,080 --> 01:25:45,439
Speaker 1: having it for a little bit. You gotta be really fun.

1446
01:25:45,600 --> 01:25:49,040
Speaker 1: You gotta be like fucking Tom Cruise or like our

1447
01:25:49,120 --> 01:25:51,840
Speaker 1: favorite white man Tom Hanks, who somehow had the most

1448
01:25:52,240 --> 01:25:54,680
Speaker 1: wild ass son Chet Hanks. How did that happen? How

1449
01:25:54,720 --> 01:26:00,240
Speaker 1: did you Lloyd spring Forth, Chet Hanks will never know. Um, yeah,

1450
01:26:00,240 --> 01:26:02,519
Speaker 1: you have to be really powerful or you can't say ship.

1451
01:26:02,720 --> 01:26:04,640
Speaker 1: And it's still true to this day because I can

1452
01:26:04,720 --> 01:26:06,720
Speaker 1: say something that would have a career no more any

1453
01:26:06,800 --> 01:26:11,479
Speaker 1: I need these chipegs. So you shout out to him. Yeah,

1454
01:26:13,520 --> 01:26:18,679
Speaker 1: damn well, which is a bad movie? High note. Yeah,

1455
01:26:21,040 --> 01:26:23,759
Speaker 1: shall we rate Yeah, let's rate it on our nipple

1456
01:26:23,840 --> 01:26:28,479
Speaker 1: scale zero to five nipples based on an examination of

1457
01:26:28,640 --> 01:26:37,560
Speaker 1: intersectional feminism. You know what with bedazzled. Um, I just

1458
01:26:37,920 --> 01:26:42,200
Speaker 1: think it probably has to him. I would give it

1459
01:26:42,320 --> 01:26:49,639
Speaker 1: maybe like a half nipple, because at least the devil,

1460
01:26:49,920 --> 01:26:53,760
Speaker 1: who is played by a woman is highly motivated and

1461
01:26:54,000 --> 01:26:57,640
Speaker 1: has agency and like does some stuff in the in

1462
01:26:57,720 --> 01:27:03,880
Speaker 1: the movie. Kind of it's true. And again we said

1463
01:27:03,880 --> 01:27:06,160
Speaker 1: it before, we'll say it again. Elizabeth Hurley was fun

1464
01:27:06,280 --> 01:27:09,639
Speaker 1: to watch in that role. She's always fun. But other

1465
01:27:09,720 --> 01:27:13,920
Speaker 1: than that, it's a mess in every regard, just one

1466
01:27:14,040 --> 01:27:18,439
Speaker 1: problematic joke or wish or sketch or whatever after another.

1467
01:27:19,520 --> 01:27:21,960
Speaker 1: So one half nipple. And I'm going to give it

1468
01:27:22,040 --> 01:27:26,400
Speaker 1: to Orlando Jones because I think he's very funny and

1469
01:27:26,720 --> 01:27:30,439
Speaker 1: I loved him in Office Space. Yeah, it's gonna be

1470
01:27:30,560 --> 01:27:36,560
Speaker 1: a zero from me. I know there. I like. I

1471
01:27:36,760 --> 01:27:42,000
Speaker 1: like Elizabeth Hurley's performance. Uh she's I love her outfits.

1472
01:27:42,120 --> 01:27:46,880
Speaker 1: She's a fashion icon. Um. And the movie is just

1473
01:27:47,160 --> 01:27:52,200
Speaker 1: it's so weird. It's such a strain. I just, yeah,

1474
01:27:52,320 --> 01:27:56,280
Speaker 1: it's gonna be zero there. I feel like they really

1475
01:27:56,360 --> 01:27:58,960
Speaker 1: thought they did something by making the Devil a woman,

1476
01:27:59,040 --> 01:28:01,960
Speaker 1: and I don't want to reward or that behavior. Uh,

1477
01:28:02,479 --> 01:28:04,560
Speaker 1: so it's just going to be a zero. I have

1478
01:28:04,640 --> 01:28:08,760
Speaker 1: no nipples to give. Yeah, this is the first time

1479
01:28:08,760 --> 01:28:10,800
Speaker 1: I've ever done this on this show. But it's also

1480
01:28:10,880 --> 01:28:15,559
Speaker 1: going to be a zero for me. Yeah. I honestly

1481
01:28:15,720 --> 01:28:18,080
Speaker 1: would have gave it half a nip if they had

1482
01:28:18,160 --> 01:28:21,920
Speaker 1: made God a woman too. Oh, and that would have

1483
01:28:21,960 --> 01:28:24,479
Speaker 1: passed the Bechdel tests probably because they Yeah, they do

1484
01:28:24,640 --> 01:28:27,760
Speaker 1: talk at the end kind of because man being God

1485
01:28:27,880 --> 01:28:30,720
Speaker 1: and woman being the devil. Like Elizabeth, you did your thing.

1486
01:28:30,960 --> 01:28:33,880
Speaker 1: You were very British. She was so British. It was

1487
01:28:34,040 --> 01:28:38,439
Speaker 1: delicious how British were, um, and I loved that for you.

1488
01:28:38,720 --> 01:28:40,400
Speaker 1: And I love that leather jump suit that you with,

1489
01:28:40,520 --> 01:28:43,160
Speaker 1: the red one. It was popping your body was fire

1490
01:28:43,960 --> 01:28:47,040
Speaker 1: like hell, go ahead, girl, But I can't give it

1491
01:28:47,160 --> 01:28:51,200
Speaker 1: no stars for nipples because it's just goddamn. It's so

1492
01:28:51,479 --> 01:28:55,560
Speaker 1: bad on so many levels, Like the message is just garbage,

1493
01:28:55,640 --> 01:28:59,120
Speaker 1: and it's very Instell pro in Cell and pro like

1494
01:29:00,000 --> 01:29:02,519
Speaker 1: rend In. Fraser's character was an asshole. It wasn't just

1495
01:29:02,640 --> 01:29:05,360
Speaker 1: that he was nerdy. He was a dick. I'm friends

1496
01:29:05,400 --> 01:29:07,920
Speaker 1: with mad nerds. I think that a lot of times

1497
01:29:08,200 --> 01:29:10,840
Speaker 1: people who are nerds feel like it's the nerdy side

1498
01:29:10,880 --> 01:29:12,519
Speaker 1: of them that people don't like. And a lot of

1499
01:29:12,600 --> 01:29:15,320
Speaker 1: times sometimes it is like sometimes you're just genuinely being

1500
01:29:15,360 --> 01:29:17,519
Speaker 1: bullied by people, and that's not right. But I find

1501
01:29:17,560 --> 01:29:19,840
Speaker 1: the people who never find their tribe, the people who

1502
01:29:19,960 --> 01:29:22,240
Speaker 1: never find people that can they can funk with, it's

1503
01:29:22,240 --> 01:29:24,800
Speaker 1: because you're an asshole. Because I got nerds who rolled

1504
01:29:24,920 --> 01:29:27,320
Speaker 1: deep who they got the homies, they got nerd events,

1505
01:29:27,360 --> 01:29:30,320
Speaker 1: they're doing all types of nerdy ship all around town, okay,

1506
01:29:30,720 --> 01:29:32,720
Speaker 1: And so if you can never find your tribe, it

1507
01:29:32,800 --> 01:29:34,320
Speaker 1: probably has more to do with like you being an

1508
01:29:34,360 --> 01:29:36,479
Speaker 1: asshole like this guy was. He was a dick and

1509
01:29:36,560 --> 01:29:39,400
Speaker 1: a nerd and a creep and a weirdo and a stalker.

1510
01:29:39,880 --> 01:29:41,519
Speaker 1: And then at the end he gets rewarded with a

1511
01:29:41,600 --> 01:29:51,400
Speaker 1: Babbage neighbor. No thanks, Hey, I'm gonna drop my nipple rating. No, no, no, no,

1512
01:29:51,840 --> 01:29:55,160
Speaker 1: I should have just done that from the beginning. I

1513
01:29:55,280 --> 01:29:58,840
Speaker 1: see why you gave her a little nil. She was

1514
01:29:59,400 --> 01:30:03,360
Speaker 1: she was it, but it doesn't the movie doesn't deserve

1515
01:30:03,400 --> 01:30:09,160
Speaker 1: any nippleage. So yeah, well, Lacy, thank you so much.

1516
01:30:09,320 --> 01:30:13,360
Speaker 1: It's it's always a pleasure to have you. Always happy

1517
01:30:13,400 --> 01:30:18,479
Speaker 1: to be here. Where can people check out your stuff,

1518
01:30:18,840 --> 01:30:22,600
Speaker 1: follow you online, et cetera. Yes, so if you like

1519
01:30:22,760 --> 01:30:25,240
Speaker 1: comedy and robbery, you can listen to my podcast scam

1520
01:30:25,360 --> 01:30:28,400
Speaker 1: God this podcast and that's wherever you get your podcast. Um,

1521
01:30:28,439 --> 01:30:29,960
Speaker 1: and if you want to follow me in my nonsense

1522
01:30:30,040 --> 01:30:31,760
Speaker 1: as D I V A l A C I D

1523
01:30:31,880 --> 01:30:35,320
Speaker 1: but Lacey on all platforms including Clubhouse. I'm trying to

1524
01:30:35,400 --> 01:30:40,519
Speaker 1: get missy. Wait, I don't even know what that is.

1525
01:30:40,680 --> 01:30:46,320
Speaker 1: I'm so behind. Yeah to the Clubhouse because you gotta.

1526
01:30:46,360 --> 01:30:48,280
Speaker 1: I'm gonna bvite to the Clubhouse as I'm gonna send

1527
01:30:48,320 --> 01:30:49,479
Speaker 1: to see you. I have a numb right, I'm gonna

1528
01:30:49,479 --> 01:30:51,920
Speaker 1: sen se you. Um because it's like just an app

1529
01:30:52,000 --> 01:30:54,080
Speaker 1: for people. It's almost like a podcast, but like a

1530
01:30:54,160 --> 01:30:58,040
Speaker 1: ton of people just get to talk and it's fun.

1531
01:30:58,240 --> 01:31:00,680
Speaker 1: Celebrities get on there, they ruin their lives. It's just

1532
01:31:01,000 --> 01:31:06,200
Speaker 1: such a good time. The rooms are fun. Okay, well, um, yes,

1533
01:31:06,320 --> 01:31:08,760
Speaker 1: thank you so much for being here. To come back anytime.

1534
01:31:09,720 --> 01:31:14,120
Speaker 1: You can follow us on Twitter and Instagram. Not clubhouse

1535
01:31:14,240 --> 01:31:21,240
Speaker 1: but maybe that'll change, but Twitter, Instagram, at Bechtel Cast.

1536
01:31:21,479 --> 01:31:25,879
Speaker 1: You can check out our Patreon ak Matreon at patreon

1537
01:31:26,000 --> 01:31:28,880
Speaker 1: dot com slash Bechtel Cast. It gets you two bonus

1538
01:31:28,960 --> 01:31:32,800
Speaker 1: episodes every single month, plus the whole back catalog of bonuses.

1539
01:31:33,200 --> 01:31:37,519
Speaker 1: It's five dollars a month? What more could you ask for? Um,

1540
01:31:37,680 --> 01:31:41,000
Speaker 1: and I guess in conclusion, we wouldn't recommend watching this movie.

1541
01:31:43,960 --> 01:31:46,439
Speaker 1: There's I kind of missed the version of me that

1542
01:31:46,520 --> 01:31:53,599
Speaker 1: didn't know it existed personally. She was so young. I mean,

1543
01:31:53,800 --> 01:31:56,320
Speaker 1: we got this episode out of it, and that it's

1544
01:31:57,080 --> 01:32:02,800
Speaker 1: we're so happy here here all right. Bye everyone. By