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Speaker 1: For nearly two decades, Shonda Rhymes has been one of

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Speaker 1: the most important people in television. She ran Thursday nights

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Speaker 1: at ABC, and her show Gray's Anatomy is still a

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Speaker 1: top performer sixteen years after its debut. Recently, Shanda brought

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Speaker 1: her considerable skills to Netflix, where her reign as a

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Speaker 1: hit maker continues. I first met Shanda when she joined

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Speaker 1: the board of trustees at the Kenny Center, where I

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Speaker 1: learned she's not just a creator, but a leader. When

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Speaker 1: this episode appeared, Appear, Shanda discusses her ambitions at Netflix

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Speaker 1: and the goal she set for her production company, Shonda Land. Shanda,

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Speaker 1: you shocked the entertainment world a few years ago when

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Speaker 1: you said that you were leaving ABC, even though you

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Speaker 1: were mostly their biggest profit source on the entertainment programs

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Speaker 1: in the evening. And we're moving to Netflix, which is

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Speaker 1: not a television production company but a streaming television company.

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Speaker 1: So why did you do that? You know, I really

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Speaker 1: had been looking at what was going on in the industry.

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Speaker 1: You know, television ratings had been sort of slowly lowering.

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Speaker 1: A lot of people were watching things like Netflix. I

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Speaker 1: knew what I was watching UM and I knew what

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Speaker 1: was exciting me and where it felt like the really

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Speaker 1: exciting programming was coming from. And I also was looking

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Speaker 1: for a certain kind of freedom. You know, I've been

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Speaker 1: making a very particular brand of television for ABC. You know,

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Speaker 1: Shonda Land on ABC was a certain brand of television

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Speaker 1: which I was very proud of. But I really wanted

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Speaker 1: to spread my wings and do more than that, and

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Speaker 1: this was a real opportunity to do so. So you

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Speaker 1: go over to Netflix. Now when everybody is when somebody

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Speaker 1: is famous and they move, let's saying a baseball player

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Speaker 1: or a football player they go to a different team,

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Speaker 1: or somebody tries something different, people are always saying this

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Speaker 1: person isn't really as good as they their reputation and

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Speaker 1: they're gonna flop. And there's a lot of um. I

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Speaker 1: would say, in Hollywood, maybe there's some people that don't

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Speaker 1: like people that are too successful, and so they're kind

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Speaker 1: of wishing secretly maybe they're gonna flop. But you didn't flop.

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Speaker 1: You had an incredible hit. Uh, Your first show Britain

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Speaker 1: was the big most successful opening show of any thing

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Speaker 1: on Netflix ever. All is Fair in Love and War.

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Speaker 1: So when they went on for the first time. Were

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Speaker 1: you worried that night whether it would actually be a

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Speaker 1: success or did you not panic? You know what's interesting,

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Speaker 1: I wasn't scared about the success of the show. That

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Speaker 1: that's not my job. I always say that I was

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Speaker 1: happy by then because Netflix was already happy. Everybody had

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Speaker 1: already really liked the show. Everybody was really pleased with it.

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Speaker 1: I wasn't worried about numbers or how it was going

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Speaker 1: to do. One of the things I liked about Netflix

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Speaker 1: was everybody told me I didn't have to worry about

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Speaker 1: the numbers. You know, ratings don't quote unquote matter on Netflix. Um,

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Speaker 1: of course they do, but you know, that was the

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Speaker 1: sort of thought that was had, so I wasn't worried

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Speaker 1: about that. I was much more nervous when we were

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Speaker 1: editing the show and we were seeing what the product

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Speaker 1: was like. I wanted to see what the shows turned

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Speaker 1: out as and how they felt. So once I knew

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Speaker 1: the shows were good and I wanted to watch them,

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Speaker 1: and I felt really good about them, and I felt

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Speaker 1: like they could be exciting and addictive. And then it

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Speaker 1: turned out that this they felt the same way, I

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Speaker 1: felt fine. I don't even think I paid attention that

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Speaker 1: very first day that they came out. You also started

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Speaker 1: another show that will be coming on Netflix called Inventing Anna,

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Speaker 1: which is about a woman who pretended she was a

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Speaker 1: wealthy German heiress. It turned out she was not. Why

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Speaker 1: didn't you think that was going to be attractive for

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Speaker 1: a series? I was fascinated by this story. One because

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Speaker 1: I'm fascinated by journalism, and I really loved the journalism

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Speaker 1: that went with uncovering this story. But two, Anna is

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Speaker 1: a really interesting character to me. She's a truly a genius.

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Speaker 1: And I also think that if she were a guy

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Speaker 1: and she had pulled it off, people would have just

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Speaker 1: applauded her um. But I think because she was a

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Speaker 1: woman and she sort of had the audacity to believe

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Speaker 1: that she could do this, it felt a little bit

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Speaker 1: like in a front to a lot of people. She

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Speaker 1: was sort of labeled in a lot of ways that

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Speaker 1: I don't think we label men. And I liked this

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Speaker 1: idea of this woman with all of this ambition and

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Speaker 1: no place to put it. There is something about that

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Speaker 1: that felt really profound to me and felt very now

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Speaker 1: for where we are now. So when you're writing something,

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Speaker 1: it's a solitary kind of thing. How do you do

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Speaker 1: writing but also you're doing production and you're doing other things.

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Speaker 1: How do you concentrate and have the time alone to write? Well?

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Speaker 1: You know, there is an aspect of writing that is

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Speaker 1: um communal. You know, there is the writer's room where

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Speaker 1: it's you and sort of seven or right other writers,

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Speaker 1: and your job is to sort of help them through

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Speaker 1: writing their drafts of the show that you've created, which

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Speaker 1: is both amazing and fun and very difficult. What the

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Speaker 1: pandemic did, I think is sort of make that writer's

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Speaker 1: room process a lot harder. Um. But for me, you know,

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Speaker 1: writing is it's a very solitary experience, and I'm a

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Speaker 1: very fast writer when I have the space and the

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Speaker 1: time to do so, I feel like I'm much more

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Speaker 1: naturally an introvert, and so being you know, being the

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Speaker 1: person who writes and does that stuff is much easier

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Speaker 1: for me than the other parts of it, which are

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Speaker 1: the public parts or the the producing city in groups

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Speaker 1: and explaining to everybody what has to happen part. But

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Speaker 1: finding the balance has been um much easier than I thought.

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Speaker 1: During COVID, I assume you were working out of your

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Speaker 1: home more than your office. So is it easier to

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Speaker 1: write a show or create a show from home with

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Speaker 1: three young daughters running around? Um? I found, you know,

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Speaker 1: being at home to be both revelatory in the sense

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Speaker 1: that I had always felt like there was so much

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Speaker 1: there was so much work to be done that I

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Speaker 1: had to be standing right in front of everybody to

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Speaker 1: be doing and then I discovered that no, actually, a

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Speaker 1: a lot of people got a lot more freedom to

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Speaker 1: do things that I didn't need to be controlling and

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Speaker 1: be I got a lot more writing done just being

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Speaker 1: at home. Are you going to change the way you operate?

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Speaker 1: Will you spend more time at home now? Or you say, actually,

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Speaker 1: I can't wait to get back to my office. I

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Speaker 1: definitely I'm going to spend more time at home, mainly

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Speaker 1: because I get a lot more writing done here. Um,

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Speaker 1: there's not as many interruptions. I've discovered how little I

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Speaker 1: am needed on set. You know. I used to joke

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Speaker 1: that if I'm standing on a sound stage, I'm the

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Speaker 1: only person who's not working because I'm either writing or editing.

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Speaker 1: So from where they're shooting, I'm the only person not

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Speaker 1: doing a job. So to me, UM, I think there's

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Speaker 1: a lot more that can be done if I'm at

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Speaker 1: home now, which I never would have believed before. Um,

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Speaker 1: it's that feeling of you're so you're so necessary everywhere

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Speaker 1: and discovering that you're not that necessary everywhere, but that

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Speaker 1: the places where you can be necessary, you can really

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Speaker 1: make a difference if you focus on those. So let's

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Speaker 1: talk about your background. Um, you grew up in a

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Speaker 1: suburb of Chicago. You're the youngest of six children, is

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Speaker 1: that right correct? So when you're the youngest of six,

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Speaker 1: I guess you get a lot of hand me down

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Speaker 1: clothes and your parents really pay attention to the youngest

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Speaker 1: of six. By that time, they're kind of done, aren't

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Speaker 1: they gone. You know what's interesting is I didn't get

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Speaker 1: a lot of hand me down clothes, and my parents

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Speaker 1: were very focused on us, which was delightful for me. Um,

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Speaker 1: my parents are educators, so I think for them, they're

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Speaker 1: very They were very intensely focused on um, making sure

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Speaker 1: that we had what we needed. My mother I always said, like,

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Speaker 1: if we were poor, I did not know it because

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Speaker 1: my mother made all of our clothes and they were

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Speaker 1: all fantastic looking, and we there was a lot of

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Speaker 1: focus placed on us. My mother stayed home for a

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Speaker 1: long time for us, which I think it was a

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Speaker 1: big sacrifice for somebody as intelligent as she was and

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Speaker 1: as interested in being at work as she was. But

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Speaker 1: she really made sure that we were well placed in

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Speaker 1: the world and sort of ready to go out into

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Speaker 1: the world and be who we were supposed to be. Okay,

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Speaker 1: so you grew up and you went to college. How

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Speaker 1: did you happen to pick Dartmouth Because it's fairly isolated

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Speaker 1: and much different than Chicago. You know, it was interesting.

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Speaker 1: I went um on a college tour and Dartmouth was

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Speaker 1: one of the places that we visited, and honestly, I

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Speaker 1: fell in love with the place when I got there.

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Speaker 1: It was beautiful, It was in the middle of nowhere.

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Speaker 1: It felt very much to me like what college was

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Speaker 1: supposed to be. Every single person I met there had

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Speaker 1: been was really friendly and had something great to say

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Speaker 1: about it, and very different from a lot of the

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Speaker 1: other colleges I went to. It was surprisingly diverse at

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Speaker 1: the time. I think they had you know, what might

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Speaker 1: not seem like a big number now, but I think

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Speaker 1: like eighteen percent of the students were students of color

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Speaker 1: or something like that, and it felt very welcoming, and

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Speaker 1: I thought, well, this is a place for me, and

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Speaker 1: I absolutely loved my time there. So when you graduated,

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Speaker 1: you said, Okay, now I'm going to go into something

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Speaker 1: important like private equity or investment banking or not. You know,

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Speaker 1: I was really lost for a little while when I

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Speaker 1: got out of college because I really wanted to be

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Speaker 1: a writer. I wanted to be Tony Morrison when I

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Speaker 1: grew up, but I didn't know how to do that.

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Speaker 1: And I also, you know, my parents had sacrificed a

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Speaker 1: lot financially for me to go to this school, and

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Speaker 1: I didn't want to be a disappointment. So I got

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Speaker 1: a job in advertising for a little bit. And then

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Speaker 1: I read an article that said, um, it was harder

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Speaker 1: to get into USC Film School than it was to

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Speaker 1: get into Harvard Law School. And I thought, well, my

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Speaker 1: parents can't fall that because it's graduate school and it's

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Speaker 1: difficult to get into. And so I applied to USC

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Speaker 1: Film School. I got in and I went and I

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Speaker 1: told my parents, but I can teach, and as professors,

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Speaker 1: my parents thought, well, she's right, she can teach, and

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Speaker 1: so it felt like something real for them. So you

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Speaker 1: got a master's at USC and then you were sort

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Speaker 1: of writing on the side a bit during the daytime

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Speaker 1: or an evenings or how are you doing that? Yeah,

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Speaker 1: I got a job at a place that helped the

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Speaker 1: mentally ill homeless learned job skills and find places to live.

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Speaker 1: I was like an administrative assistant, and at night I

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Speaker 1: would write my scripts and I had a I had

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Speaker 1: an agent or a lawyer at the time. You know

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Speaker 1: that everybody got one out of film school kind of

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Speaker 1: hoping that something would happen for them. And I end

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Speaker 1: up selling a script and that script basically changed my life.

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Speaker 1: And I had that script not sold, you might be

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Speaker 1: still in advertising or what would you think you'd be doing.

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Speaker 1: I remember when, like a month before that script sold,

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Speaker 1: I had applied for the post baccalaureate year that prepared

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Speaker 1: you for medical school at Brent Mahr and I was

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Speaker 1: going to go and do that. And then I was

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Speaker 1: going to go to medical school because I thought, I

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Speaker 1: can't I can't start this way anymore, like this is

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Speaker 1: not this is not for me. I'm going to go

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Speaker 1: be a doctor. And luckily I did not do that.

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Speaker 1: So the medical professions loss is the creative writing communities

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Speaker 1: gain right because you're not a doctor, but it worked

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Speaker 1: out okay, And I hope that, you know, maybe the

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Speaker 1: writing about doctors inspired a lot of young women to

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Speaker 1: be doctors, So hopefully it was also the medical professions games,

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Speaker 1: as I like to think of it. Most people who

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Speaker 1: have been successful in Hollywood as producers where writers have

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Speaker 1: been white men. Um Norman Lear Aaron Spelling are two

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Speaker 1: classic examples. When you came along, you were not a

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Speaker 1: man and you were not white. So was there a

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Speaker 1: lot of discrimination against you that you felt pompably at

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Speaker 1: the time or was it very subtle? I was tind

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Speaker 1: of have to be a difficult question to answer. And

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Speaker 1: I say that because, um, I don't know what it

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Speaker 1: feels like to be a white man, So I don't

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Speaker 1: know how people were treating the white men at the time.

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Speaker 1: I only know how I've always been treated. And I was,

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Speaker 1: you know, raised very clearly by my parents to be

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Speaker 1: a person who did not look at things as obstacles.

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Speaker 1: I looked at things as hilst to climb. And when

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Speaker 1: anybody treated me in a way that was not respectful,

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Speaker 1: I was taught that that was always their problem and

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Speaker 1: that they needed to be put in their place. And

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Speaker 1: then I should move forward. And so I'm sure that

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Speaker 1: I experienced a lot of things that were not probably

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Speaker 1: what other people experienced. I just chose not to be

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Speaker 1: defeated by them or or even bothered. Some of them.

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Speaker 1: I probably didn't even bother to notice. So today, given

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Speaker 1: how prominent you are in the entertainment world, do you

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Speaker 1: feel discrimination at any point now? Or you don't feel

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Speaker 1: any discrimination? Um? No, I mean, I'm there's an there's

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Speaker 1: an in celerity that comes with, you know, being in

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Speaker 1: a certain position in Hollywood, But that doesn't change the

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Speaker 1: fact that, you know, if somebody doesn't know who you are,

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Speaker 1: they still see you as, you know, just another person

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Speaker 1: of a person of color. The racism in this country

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Speaker 1: is the racism in this country, unfortunately. So the events

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Speaker 1: that led to the murder of George Floyd obviously affected

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Speaker 1: our country dramatically, and certainly the African American community particularly. Um,

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Speaker 1: how did you respond to that you're a prominent African

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Speaker 1: American figure in the country. Um, did you feel you

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Speaker 1: had some obligation to speak out or do more or

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Speaker 1: how did it change your life? Would you say? I mean,

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Speaker 1: I still I think that I think the events well,

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Speaker 1: I think that the entire George Floyd situation. I did

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Speaker 1: a couple of things. One, obviously, like anybody else, I

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Speaker 1: felt nothing but rage and frustration. But I also felt

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Speaker 1: real dismay that a lot of people use that event

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Speaker 1: to finally discover that racism existence. Um. That was. That

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Speaker 1: was disturbing to me. That it took that something that

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Speaker 1: horrific for people to go like, oh wait, there's inequality.

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Speaker 1: That was That was a little upsetting for me. I

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Speaker 1: don't necessarily know that I felt like I had a

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Speaker 1: particular obligation to do anything, um, more than any other person.

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Speaker 1: Did you know a lot of people were marching, a

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Speaker 1: lot of people were protesting. I think the beauty of

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Speaker 1: what happened with George Floyd was how many average citizens

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Speaker 1: stood up and did something. Um. I think that's that's

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Speaker 1: the power of that moment, and hopefully will continue to

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Speaker 1: be the power of that moment. But I also feel like,

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Speaker 1: whatever I'm asked this question, I never quite know how

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Speaker 1: to walk the line between saying like, well, here's what

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Speaker 1: I did, and here's what I think is important, and

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Speaker 1: because I feel like it might let people off the

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Speaker 1: hook a little bit, because it also suggests that racism

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Speaker 1: is the problem of people of color. And really, I

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Speaker 1: feel like I always want to say, well, it's not

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Speaker 1: what I did to work on the George Floyd problem.

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Speaker 1: It's not what I did to work on racism. You know,

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Speaker 1: race is m is a white people's problem, and what

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Speaker 1: are white people doing to solve it? So, to me,

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Speaker 1: like that's the big question that should be asked. Public

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Speaker 1: companies often focus on shareholders now increasing they're worried about

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Speaker 1: other stakeholders, employees, communities, and so forth. Your own company,

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Speaker 1: do you focus it on having some social responsibility as well?

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Speaker 1: You know, it's interesting we've been struggling with that concept

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Speaker 1: right now because we don't sell activism. We sell entertainment.

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Speaker 1: And you know, if we wake somebody up to the

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Speaker 1: idea that they have a severarate responsibility or that there's

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Speaker 1: a social justice issue that they could be involved in,

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Speaker 1: or that there's a feminist issue that they can be

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Speaker 1: involved in, that's a wonderful side effect. But I also

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Speaker 1: know that given just who we are as a company

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Speaker 1: and the kind of stories we tell and the kind

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Speaker 1: of work that we do, there's other aspects of us

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Speaker 1: that feel important to how we as a company engaged

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Speaker 1: with the with the area around us. So I feel

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Speaker 1: like it's important, for instance, to create worlds in which

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Speaker 1: we're making pathways for other people cloud have opportunity in

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Speaker 1: this industry UM and figuring out other philanthropic ways that

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Speaker 1: makes sense for us as a company UM that feel

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Speaker 1: right for who we are. So you're thinking companies should

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Speaker 1: perhaps have a role in commenting on climate change or

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Speaker 1: rightel discriminations and assessing that works for us. But I

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Speaker 1: do feel like I spend my energy and my money

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Speaker 1: and my time on companies that are that share the

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Speaker 1: values that I share. And I'm not interested in spending

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Speaker 1: my money and time and company and companies that don't

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Speaker 1: share those values. And I mean I actively don't share

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Speaker 1: those values. I don't necessarily know how I feel about

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Speaker 1: companies that remain neutral at this point. I've been really

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Speaker 1: thinking about that because I do think people have the

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Speaker 1: right to remain politically neutral. It's the ones that sort

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Speaker 1: of are going in opposite directions, actively destroying the climate

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Speaker 1: or actively working against women's right to choose things that

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Speaker 1: things that I find worrisome that I that I'm concerned about.

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Speaker 1: So let's talk about Shanda Land. You've built a quite

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Speaker 1: a I would say entertainment company back. So let's go

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Speaker 1: through some of the things and how you're able to

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Speaker 1: do all that. So let's talk about, for example, UM,

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Speaker 1: you have a podcast as well. Now you're doing with

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Speaker 1: I Heart Media. Is that right? We have a podcast division, yeah,

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Speaker 1: called Shonda Land Audio. The great thing is is that

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Speaker 1: you know, I am really lucky that I have amazing

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Speaker 1: people who work with me at Shonda Land. So UM,

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Speaker 1: Sandy Bailey, who runs our digital division, came to me

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Speaker 1: and said, I really think that we could have a

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Speaker 1: podcast division and it could be really powerful. And she's

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Speaker 1: been overseeing it and has come up with some really

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Speaker 1: great shows. And part of the beauty of it is

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Speaker 1: we can take somebody like Katie Lows, who start on

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Speaker 1: Scandal and who was in inventing Anna, and showcase her

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Speaker 1: with a podcast called Katie's Crib, which is about parenting,

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Speaker 1: which has become one of the most popular podcasts on

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Speaker 1: Apple iTunes and on my Heart and those things to

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Speaker 1: listen to. We can do a podcast with someone like

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Speaker 1: Laverne Cox who's also in inventing Anna. We can take

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Speaker 1: a show like Bridgetain create a podcast about it, UM

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Speaker 1: that's doing really well. Also do behind the scenes video footage.

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Speaker 1: Take that video footage, put it on our website, UM

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Speaker 1: shondlan dot com and sort of have a nice synergy going.

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Speaker 1: And that's been really important to me to really create

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Speaker 1: a world in which all of the aspects of our

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Speaker 1: shows and all the aspects of UM are are people

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Speaker 1: I call them the people in our Shawonda Land family

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Speaker 1: can find a place to be creative and exist in

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Speaker 1: one spot. Now you have a partnership as well with Dove,

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Speaker 1: and that is designed to, I think, among other things,

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Speaker 1: let people UM know more about the way their hair

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Speaker 1: might be UM worn. Can you explain your views on hair,

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Speaker 1: particularly for African American women and children. Well, you know,

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Speaker 1: the partnership with Dove has been long standing, and one

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Speaker 1: of the things that I always have loved about Dove

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Speaker 1: is that they have been really UM positive and really

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Speaker 1: assertive about the idea that real beauty is defined in

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Speaker 1: all forms. You know, every skin and everybody, every kind

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Speaker 1: of woman is their own definition of beauty. And they

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Speaker 1: have been, you know, instrumental in working on Crown Act,

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Speaker 1: which is um a law that's been passed and I

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Speaker 1: can't remember how many states by this point UM that

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Speaker 1: says that you can't be discriminated against because of the

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Speaker 1: way you wear your hair, and that has been a

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Speaker 1: real issue for a lot of people of color. You know,

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Speaker 1: you hear the stories of the basketball kid who gets

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Speaker 1: his dreads cut off before he's allowed to play, or

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Speaker 1: somebody who's fired because of the way they're wearing their hair.

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Speaker 1: At work. We try really hard to sort of umu

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Speaker 1: police the way people look, because it doesn't look like,

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Speaker 1: you know, the way somebody feels that they should look,

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Speaker 1: and that is a real bias in this country. And

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Speaker 1: so the idea that we could create something called the

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Speaker 1: Crown Act allows people to you know, sort of embrace

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Speaker 1: who they are culturally and wear their hair the way

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Speaker 1: they need to wear their hair, or be who they

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Speaker 1: need to be, versus trying to achieve some standard that's

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Speaker 1: based on sort of a white, you know, European centric

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Speaker 1: idea of what people are supposed to look like. So

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Speaker 1: you wrote a book as well, You're Yes, and that

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Speaker 1: was reflecting the fact that you're one of your sisters

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Speaker 1: had told you you always said no. So you decided

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Speaker 1: that one year you would say yes to speaking engagements,

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Speaker 1: graduation commencement speech, and so forth, So, what made you

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Speaker 1: decide to say yes that one year? And are you

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Speaker 1: happy you did? So? You know she did, she said, UM,

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Speaker 1: one Thanksgiving, she just said, you never say yes to anything,

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Speaker 1: you know. I've been detailing all of these these invitations

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Speaker 1: I've gotten, and that year, UM we were I was

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Speaker 1: on the board of the Kennedy Center, and UM I

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Speaker 1: had gone to I went to the Kennedy Center Honors

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Speaker 1: and I was told, not asked, told that I was

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Speaker 1: going to sit in the box with President Obama and

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Speaker 1: Mrs Obama UM for the honors. And I did, and

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Speaker 1: I had a wonderful time. And I didn't know them

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Speaker 1: at the time, and I had a wonderful time, and

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Speaker 1: it was a lovely evening. But I realized on the

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Speaker 1: way home that if somebody had asked me if I

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Speaker 1: wanted to sit in the box with them, I would

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Speaker 1: have said no. And I would have said no because

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Speaker 1: I would have been too nervous. I would have been

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Speaker 1: too afraid. I would have thought, why would they want

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Speaker 1: to say with me? Well, you know, it was that

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Speaker 1: thing of not having any of the confidence or the

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Speaker 1: nerves to do so. I would have absolutely turned it

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Speaker 1: down because it would have been too stressful to have

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Speaker 1: come up with the notion that I could possibly say yes.

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Speaker 1: And that really sort of stunned me that I would

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Speaker 1: have missed such an amazing experience and amazing opportunity, um,

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Speaker 1: just because I was too nervous to do something. And

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Speaker 1: so I decided, Yeah, I was going to try to

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Speaker 1: spend a year saying yes to everything that scared me.

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Speaker 1: And the very first thing I was asked to do

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Speaker 1: after that was to give a commencement speech at Dartmouth

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Speaker 1: in front of ten thousand people. As a very successful woman,

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Speaker 1: a single mother of three who constantly gets asked the question,

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Speaker 1: how do you do it all? For once, I'm going

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Speaker 1: to answer that question with honesty here for you now,

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Speaker 1: because somebody has to tell you the truth, Shonda, how

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Speaker 1: do you do it all? The answer is this, I

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Speaker 1: don't you point out your book you've alshow adopted three

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Speaker 1: young girls? Is that more challenging than writing scripts or

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Speaker 1: producing shows? Or is a much easier I always used

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Speaker 1: to say, like, I say, three daughters and forty seven

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Speaker 1: actors or something like that when I had three shows. Um,

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Speaker 1: but no, I mean I feel like having children is

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Speaker 1: far more difficult and far more fulfilling than any script,

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Speaker 1: any job, any show. It's also far more fun. But

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Speaker 1: I also think that the older you get and the

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Speaker 1: more practice you get at it, the more fulfilling and

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Speaker 1: easy it becomes. You know, with your first child, you're

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Speaker 1: always afraid, um, as my mother always said, your first child,

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00:21:34,119 --> 00:21:35,560
Speaker 1: joy is afraid you're going to kill the baby. With

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00:21:35,600 --> 00:21:37,840
Speaker 1: your last child, you can toss the baby downstairs and think,

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00:21:37,880 --> 00:21:39,879
Speaker 1: like she just bounces, She'll be fine, you know that

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00:21:39,920 --> 00:21:41,840
Speaker 1: in that way that my mother always used to say.

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Speaker 1: But really, like children are such um doors to reality.

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00:21:48,280 --> 00:21:51,520
Speaker 1: They keep you grounded, and they really keep you focused

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00:21:51,520 --> 00:21:54,200
Speaker 1: on the present, and that's the best thing ever. So

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Speaker 1: when you're raising children in Hollywood, which I haven't done,

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00:21:57,440 --> 00:21:59,280
Speaker 1: but I know when you're raising children and you were

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00:21:59,400 --> 00:22:02,679
Speaker 1: wealthy and you're famous, it can be challenged. How do

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Speaker 1: you keep your children grounded because they just could go

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00:22:05,600 --> 00:22:07,520
Speaker 1: out and say, my mother is this famous person? Or

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Speaker 1: how do you avoid that? Um? Well, for the longest time,

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00:22:12,040 --> 00:22:14,480
Speaker 1: my oldest daughter thought I ran a hospital. I mean

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00:22:14,520 --> 00:22:16,720
Speaker 1: she really did, Like I sort of kept her insulated

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Speaker 1: from the idea that I had any job that anybody

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Speaker 1: knew about it at all. Um And my youngest daughters. Now,

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00:22:22,560 --> 00:22:25,479
Speaker 1: you know, it's it's a little bit harder at this point,

451
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Speaker 1: but I tried really hard to just raise my kids

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Speaker 1: the same way I was raised, with the same values

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Speaker 1: that I was raised with. You know, I'm from the Midwest.

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Speaker 1: I still believe that you put poopons and you don't

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Speaker 1: throw things away. So you know, this is a town

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00:22:39,480 --> 00:22:41,919
Speaker 1: in which that's not really a thing that's valued. But

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Speaker 1: I try to stick to the way I grew up,

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Speaker 1: and I feel kind of lucky that I'm surrounded by

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Speaker 1: some people who also feel that way. What do you

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Speaker 1: do for rest and relaxation? I assume you must get

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00:22:51,359 --> 00:22:53,719
Speaker 1: a little bit of it even though you're so busy. Okay,

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Speaker 1: So I recently bought a cello um, probably because I

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Speaker 1: saw Yo Yo Mom play the cello um and got

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Speaker 1: really inspired by his his whole Box series that he's

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Speaker 1: traveling around and I've been obsessed with him for a

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Speaker 1: long time. But and for years I've been saying I'm

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Speaker 1: gonna learn how to play the cello. I'm gonna learn

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00:23:09,320 --> 00:23:10,639
Speaker 1: how to play the cello, and I mean for like

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Speaker 1: fifteen years. So I finally went out and got myself

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Speaker 1: a really nice cello, and I've started taking cello lessons.

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Speaker 1: So that's my new way of relaxing. And it is

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Speaker 1: wildly I mean, I'm terrible at it right now, but

473
00:23:22,560 --> 00:23:25,800
Speaker 1: it is wildly relaxing to try something new in that

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Speaker 1: way and to spend that sort of concentrated time doing

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00:23:29,119 --> 00:23:32,280
Speaker 1: something different. Um, why don't you come to the Kenny

476
00:23:32,280 --> 00:23:34,400
Speaker 1: Center play a duet with yo Yo Ma? He can

477
00:23:34,480 --> 00:23:38,439
Speaker 1: arrange that. UM. I think that poor Yoyo would he

478
00:23:38,520 --> 00:23:41,840
Speaker 1: would be very um horrified by by what was coming

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00:23:41,840 --> 00:23:44,560
Speaker 1: out of my cello. Now, what new worlds are there

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Speaker 1: for you to conquer in the entertainment world. You're you're

481
00:23:46,760 --> 00:23:49,000
Speaker 1: at the top of the profession. I can't imagine how

482
00:23:49,040 --> 00:23:50,960
Speaker 1: you could be more successful. Is there something else that

483
00:23:51,000 --> 00:23:54,680
Speaker 1: you are inspired to do that you haven't done yet? No,

484
00:23:54,880 --> 00:23:57,679
Speaker 1: I'm really enjoying my life at Netflix right now. You know,

485
00:23:57,760 --> 00:24:00,679
Speaker 1: we've just I feel we've just gotten started there, and

486
00:24:01,280 --> 00:24:03,520
Speaker 1: you know, I can't wait to keep building on that

487
00:24:03,680 --> 00:24:06,479
Speaker 1: and and enjoy that and making new shows. They're working,

488
00:24:06,520 --> 00:24:10,800
Speaker 1: you know, building on our podcast world. UM, enjoying those

489
00:24:10,800 --> 00:24:14,560
Speaker 1: worlds is exciting to me. Thanks for listening to hear

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Speaker 1: more of my interviews. You can subscribe and download my

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00:24:17,280 --> 00:24:20,639
Speaker 1: podcast on Spotify, Apple, or wherever you listen