WEBVTT - Everything’s Turning Up with Romy Rosemont

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what you Really miss podcast Today.

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<v Speaker 1>We have a very special friend.

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<v Speaker 2>Oh and we are gabbin. We can just talk all day.

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<v Speaker 2>You know, it's nice you basically listen to us.

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<v Speaker 1>Yah.

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<v Speaker 2>Yeah, I feel like this is people can get a

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<v Speaker 2>good sense of what our relationships are like with all

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<v Speaker 2>the people we have on and we're just kicking it

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<v Speaker 2>and talking, having a good time. And today is no

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<v Speaker 2>exception because Romy Rosemont Carol Hudson, Yes, Finn Hudson's mother,

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<v Speaker 2>who's a star, a sweet, sweet person and an excellent

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<v Speaker 2>baker and the an excellent crier, the most fun person

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<v Speaker 2>you'll ever have on a TV or film set. Correct,

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<v Speaker 2>So enjoy our conversation catching up with Romy Rosemont. Hi, Hi,

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<v Speaker 2>thanks for joining us.

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<v Speaker 1>Thank you. Let's go back to the beginning of Glee.

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<v Speaker 1>Romy tell us about how you got the show.

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<v Speaker 3>I was called I was called into audition for Jane's part,

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<v Speaker 3>and I absolutely knew that I was not going to

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<v Speaker 3>get it because I either had to look like I

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<v Speaker 3>was a cheerleader, right, you know, I either had to

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<v Speaker 3>look like Megan Hilty or I had to look like

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<v Speaker 3>Jane or dot right, you know, I mean in heights

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<v Speaker 3>of you know, of a.

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<v Speaker 2>Presence, they are towering figures.

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<v Speaker 3>Yes, yeah, and and and just such a presence. And

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<v Speaker 3>so you know, I did the best that I could,

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<v Speaker 3>And I mean I knew that wasn't going very far,

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<v Speaker 3>like neither because neither of them fit. Now I can

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<v Speaker 3>tumble with the best of them. But you know, and

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<v Speaker 3>I can. I could definitely do some comedy if someone

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<v Speaker 3>wanted to lift me up into a pyramid all down

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<v Speaker 3>on you.

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<v Speaker 1>Sure.

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<v Speaker 3>So, and then they called me in for for Finn's mom,

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<v Speaker 3>for Corey's mom. When I saw it, I was like,

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<v Speaker 3>there's no lines, and you know it was Ryan saying, yeah,

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<v Speaker 3>but this, uh you know, I had to throw the

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<v Speaker 3>milk carton and weep and yet whatever that was or

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<v Speaker 3>where the bikes.

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<v Speaker 4>Short in the level I mean, and and my hair.

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<v Speaker 3>Was so large and so and then it I think

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<v Speaker 3>when we were shooting the pilot, I think what I

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<v Speaker 3>worked like two days. Ryan was like, and then I'm

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<v Speaker 3>going to do this, and then I'm going to do this.

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<v Speaker 1>So you had you got inklings of things that were coming,

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<v Speaker 1>but and you knew you were a recursed and you

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<v Speaker 1>knew you were coming back.

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<v Speaker 3>Yeah, but I never believe that.

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<v Speaker 2>Right, right, You've been around to trust that.

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<v Speaker 3>So I didn't know. All he said was he was

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<v Speaker 3>interested in telling the story of the single mother with

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<v Speaker 3>the the high school quarterback who became Who's in gleek club?

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<v Speaker 2>You know.

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<v Speaker 3>It was never like I think we started where it

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<v Speaker 3>was supposed to be really poor and haggard or whatever.

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<v Speaker 3>And I was always always asking, so, what does Carol do?

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<v Speaker 3>What does she do? She worked in a bank? Does

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<v Speaker 3>she no one?

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<v Speaker 2>That's for you to figure out.

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<v Speaker 3>That's my backstory. But and then it really didn't matter

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<v Speaker 3>because you never saw Carol away from you know, which

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<v Speaker 3>is Fin Finn or or Burt or you know or

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<v Speaker 3>Kurt And so I mean that was our running joke

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<v Speaker 3>later in the season, Carol was in the basement when

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<v Speaker 3>she got married. Once furt happened, I literally was like,

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<v Speaker 3>I'm watching it. I'm like, uh, you're a prom you

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<v Speaker 3>I don't know Mom would be there. Oh, I'm in

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<v Speaker 3>the basement.

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<v Speaker 2>They're just doing some more laundry.

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<v Speaker 3>I mean. And that's what was so amazing was that

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<v Speaker 3>nobody even referenced to me like you didn't have to

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<v Speaker 3>even do that much. Was it was so hilarious. I

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<v Speaker 3>was like did I was literally at one time, I go,

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<v Speaker 3>did Burt kill me? Oh? My god, Burt murdered Carol?

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<v Speaker 3>And so we were you know, those were.

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<v Speaker 1>Good times, yes, but that basement was very cobwebby. I

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<v Speaker 1>have to say it dirty. I you know, I'm reading here,

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<v Speaker 1>there's this document that our wonderful producers made, and you're

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<v Speaker 1>in eighteen episodes. It felt like a hell of a

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<v Speaker 1>lot more than that.

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<v Speaker 3>That's what people say.

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<v Speaker 2>Eighteen episodes.

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<v Speaker 3>That's what I'm saying. And so it's like people are like, no,

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<v Speaker 3>I think that, because.

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<v Speaker 2>Yes, when I come with cigarette.

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<v Speaker 3>Exactly when I come on, there was a there was

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<v Speaker 3>a presence, and also I was I was still you.

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<v Speaker 1>I was still I was still his mom, right.

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<v Speaker 3>And so my treasure is those intimate scenes that Corey

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<v Speaker 3>and I had, I think did relate to that kids

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<v Speaker 3>could relate to, you know, so I think you know,

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<v Speaker 3>I mean, that's what I got was from any kind

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<v Speaker 3>of fans and at all didn't compare. Was I wish

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<v Speaker 3>you were my mom?

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<v Speaker 1>Oh?

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<v Speaker 2>I mean, Carol and Bert were the model parents for anyone.

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<v Speaker 2>I think the two the very situations, also the complicated

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<v Speaker 2>situations you were both in in your own right individually,

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<v Speaker 2>and how those characters navigated them so gracefully, eloquently trying

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<v Speaker 2>to say the right thing, but as human as it is,

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<v Speaker 2>like it's going to be a little imperfect, which makes

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<v Speaker 2>it even more relatable. And watching you and Michael Mallley

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<v Speaker 2>standing at the altar in Furt was just I Also

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<v Speaker 2>it's like you wear your heart on your sleeve, and

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<v Speaker 2>I feel like a good gusta wind and that you

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<v Speaker 2>might just tear up a little bit, and it makes

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<v Speaker 2>me tear up because you are the sweetest, like most giving,

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<v Speaker 2>caring person. And then watching you two are like, oh god,

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<v Speaker 2>I can't, I can't watch them. And then Mike Michael

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<v Speaker 2>Madley's about to cry during the receptions, like these two.

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<v Speaker 2>I've been told my whole life I'm a little cold

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<v Speaker 2>at all.

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<v Speaker 3>I'm going to say that right now.

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<v Speaker 2>I do not yes, because no one gets me like you.

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<v Speaker 2>I lose my shit, right And and I think you know,

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<v Speaker 2>it's a testament to yes, your ability as an actor,

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<v Speaker 2>and you're and like you just as a person, and

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<v Speaker 2>that's I think also why it feels like you were

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<v Speaker 2>in a lot more than eighteen episodes, because yes, Jane

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<v Speaker 2>and Dot have a presence.

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<v Speaker 3>But woo, I so do you thank you? You know,

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<v Speaker 3>I I was. I actually thought that there was a

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<v Speaker 3>place like I didn't. I never understood why Carol and

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<v Speaker 3>Kurt didn't have a more independent relationship because he lost

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<v Speaker 3>his mother and then and then his his his dad

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<v Speaker 3>marries the woman who's the mother of someone he has

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<v Speaker 3>a massive crush on. Like there was so there was

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<v Speaker 3>to me, there was opportunities to to you know, to

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<v Speaker 3>dive into those topics and discover it or just you know,

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<v Speaker 3>we did it with one scene, but like I know,

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<v Speaker 3>we're doing fort today. But like you know, in that

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<v Speaker 3>one in the scene where I think he's pregnant, you know,

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<v Speaker 3>I mean.

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<v Speaker 1>Right, and.

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<v Speaker 3>That it was it was like you kind of I

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<v Speaker 3>think that that's the difficult thing about telling stories about

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<v Speaker 3>recur with recurring characters, because no matter what, the recurring

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<v Speaker 3>character has to be there with whoever they're attached to. Right.

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<v Speaker 3>But I don't necessarily believe that, do you know what

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<v Speaker 3>I mean? Because you can find you could have you know,

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<v Speaker 3>you could find that that conversation that's just between Carol

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<v Speaker 3>and Burt. Of course, it's like for the parents. I mean,

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<v Speaker 3>you know, I have a step son. In the beginning,

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<v Speaker 3>it's hard, right because you don't have a voice. So

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<v Speaker 3>you know, it was kind of dramatic license that Bert

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<v Speaker 3>was so involved in Finn's life. It wouldn't have been

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<v Speaker 3>that embracing to someone taking you know what I mean.

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<v Speaker 3>It's just I mean, that's the that kind of wouldn't happen,

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<v Speaker 3>you know, I mean, you honor the script that's been written,

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<v Speaker 3>but I appreciate that and thank you.

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<v Speaker 1>But I mean there's just there's also twenty five characters,

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<v Speaker 1>right exactly.

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<v Speaker 3>And there's also bright shiny objects that became important I'm

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<v Speaker 3>sure in selling it, you know, in the powers that

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<v Speaker 3>be deciding that and everybody, it was like, you're not

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<v Speaker 3>going to say if Sarah Jackson Parker, let's say, says

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<v Speaker 3>oh I want to do some You're not gonna As

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<v Speaker 3>a business person, you're not going to say no, right, So,

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<v Speaker 3>and that's you know what I mean, Like you guys

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<v Speaker 3>wearing you know, as many hats as you guys do

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<v Speaker 3>as business people, which is why you have a successful podcast.

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<v Speaker 3>There's certain decisions that that that you might not have

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<v Speaker 3>made as Jenna and Kevin right right.

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<v Speaker 2>Right, It's like, oh, we could instead of doing this

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<v Speaker 2>extra scene, we could throw in another song and then

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<v Speaker 2>put that on that soundtrack.

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<v Speaker 1>That sounds right exactly.

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<v Speaker 2>Do you ever feel comfortable, like do you ever raised

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<v Speaker 2>or would you ever raise those thoughts to the powers

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<v Speaker 2>that be? Or no, you just know there wasn't the room. Yeah,

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<v Speaker 2>I wasn't.

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<v Speaker 3>I wasn't invited to that room conversation. So my job

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<v Speaker 3>was to you know, I look at I always look

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<v Speaker 3>at at a job. That's it's it's it's been a success.

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<v Speaker 3>If I walk away with a friend, I mean like

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<v Speaker 3>like a really good experience and you know it was overflowing.

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<v Speaker 3>As far as with Glee and the.

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<v Speaker 2>People that you can't get rid of us.

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<v Speaker 3>It's like I've tried, but like I you know, I

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<v Speaker 3>could have literally given birth to everyone, maybe not Jane

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<v Speaker 3>and Dott but on the whole. But you know it's

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<v Speaker 3>there are people who would have I just in that way,

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<v Speaker 3>I kind of respect other I respect the positions.

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<v Speaker 1>I don't think I've asked you what was what was

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<v Speaker 1>your experience or like do you remember the first time

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<v Speaker 1>you worked with Corey Like the first scene you guys

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<v Speaker 1>shot together, and what was it like when you guys

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<v Speaker 1>shot scenes together.

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<v Speaker 3>I met Corey very very briefly during the pilot because

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<v Speaker 3>I didn't I didn't work with adult Corey.

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<v Speaker 2>I worked with chilet Corey, that's right.

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<v Speaker 3>So I didn't get to work with him until that

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<v Speaker 3>scene in where he hits the mailman, you know that

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<v Speaker 3>very very brief.

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<v Speaker 2>Very very briefing, but one of the best.

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<v Speaker 3>I was very taken with his manner, his he was,

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<v Speaker 3>you know, he was just such a sweet soul. And

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<v Speaker 3>then when we had to do the more the more

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<v Speaker 3>dramatic stuff, the more intense stuff, emotional, he was always like, I,

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<v Speaker 3>I mean, I can't cry. I just can't cry. And

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<v Speaker 3>I was like, well, you don't have I was just saying,

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<v Speaker 3>you don't have to, right, but you you definitely can't.

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<v Speaker 3>I think that he so much wanted to be to

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<v Speaker 3>be good, and I so respected that. And but I

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<v Speaker 3>remember even when we shot Furt and we were out

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<v Speaker 3>at that like weird churchy thing, and he was panicked

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<v Speaker 3>that that paparazzi someone was going to see so that

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<v Speaker 3>they would know the storyline, and even literally like like

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<v Speaker 3>have his coat up. And I was like we're good.

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<v Speaker 3>But he was. I mean it was because he believed

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<v Speaker 3>in the show and what and he wanted to protect

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<v Speaker 3>the surprise and all of that. And I mean, I

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<v Speaker 3>definitely consider myself very very lucky that we got paired

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<v Speaker 3>because let's we don't look alike at all, but.

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<v Speaker 1>You know, but like your chemistry together, yeah, really really good.

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<v Speaker 3>And it was just and and you know, I think

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<v Speaker 3>that I think he felt that too. I think he

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<v Speaker 3>felt like, I get to act today.

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<v Speaker 1>Yep, totally, And I am.

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<v Speaker 3>And I was, and I was flattered and honored to

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<v Speaker 3>be a part of that because a lot of stuff

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<v Speaker 3>was just the two of us until until they got

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<v Speaker 3>married in the second season.

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<v Speaker 2>Anytime there was sort of like we would say, like

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<v Speaker 2>an adult in the scene, like, oh god, we really

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<v Speaker 2>have to get our ship together to keep up. You know,

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<v Speaker 2>we gotta you know, we're used to like, you know,

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<v Speaker 2>being clowns in the choir room, singing a song making

0:13:24.559 --> 0:13:26.960
<v Speaker 2>them laugh or in the teen drama stuff is so

0:13:27.160 --> 0:13:27.960
<v Speaker 2>funny and fun.

0:13:29.000 --> 0:13:30.920
<v Speaker 1>But when the adults came out, you know.

0:13:31.640 --> 0:13:36.320
<v Speaker 3>But like I mean, hopefully what you learned from the adults,

0:13:36.360 --> 0:13:39.360
<v Speaker 3>because you can't, you cannot stop having fun.

0:13:39.440 --> 0:13:40.440
<v Speaker 2>And there was no.

0:13:40.880 --> 0:13:43.360
<v Speaker 3>You know, it always freaks me out when when people

0:13:43.400 --> 0:13:49.280
<v Speaker 3>are too serious. I'm like, dude, come on.

0:13:49.320 --> 0:13:53.200
<v Speaker 2>Like you're the ragning Champ. You're the most fun on set.

0:13:53.240 --> 0:13:57.080
<v Speaker 2>I mean we've talked about the alcohol escapades before.

0:13:57.800 --> 0:14:00.680
<v Speaker 3>Well it start. I mean it was this episode that.

0:14:00.960 --> 0:14:05.120
<v Speaker 4>It was he was done, everybody was done.

0:14:05.000 --> 0:14:08.080
<v Speaker 2>Yeah, we were just sitting there and.

0:14:08.440 --> 0:14:10.079
<v Speaker 3>Like a little bit of dance, a little bit whatever.

0:14:11.200 --> 0:14:12.760
<v Speaker 3>Pulled out I think a bottle.

0:14:12.480 --> 0:14:17.760
<v Speaker 1>Of Patron, a black like Duffel bag. I was like, what,

0:14:18.600 --> 0:14:21.080
<v Speaker 1>she comes into a wedding dress with a black Duffel

0:14:21.120 --> 0:14:23.800
<v Speaker 1>bag and pulls out Patron and was like, you know

0:14:24.120 --> 0:14:25.960
<v Speaker 1>here we were like real.

0:14:26.840 --> 0:14:28.880
<v Speaker 2>There's a reason why I don't remember doing that number

0:14:29.160 --> 0:14:31.280
<v Speaker 2>the recept Yeah, but.

0:14:31.320 --> 0:14:33.360
<v Speaker 3>It was and and I And that was the first

0:14:33.360 --> 0:14:35.200
<v Speaker 3>time I was like, oh my god, these kids can

0:14:35.320 --> 0:14:37.640
<v Speaker 3>drink holy crap.

0:14:37.840 --> 0:14:38.440
<v Speaker 2>And I was not.

0:14:38.600 --> 0:14:38.840
<v Speaker 1>I was.

0:14:38.960 --> 0:14:42.600
<v Speaker 3>I mean, I love Metequila, but I'm like one maybe too.

0:14:42.880 --> 0:14:49.440
<v Speaker 3>And it was kind of like, oh, like and I

0:14:49.480 --> 0:14:51.720
<v Speaker 3>don't know, I don't know if it was Leah or

0:14:52.040 --> 0:14:55.960
<v Speaker 3>or Heather might have you know, ended that bottle or two.

0:14:56.120 --> 0:14:58.440
<v Speaker 3>I don't remember if I brought to I really don't.

0:14:58.840 --> 0:15:01.520
<v Speaker 1>I can't remember, but I know that there was another day,

0:15:01.680 --> 0:15:04.080
<v Speaker 1>another wedding day that we were like, let's do it.

0:15:04.200 --> 0:15:05.080
<v Speaker 1>I guess.

0:15:06.760 --> 0:15:09.440
<v Speaker 3>That's when we did it with Glory. We took shots

0:15:09.480 --> 0:15:10.360
<v Speaker 3>with Gloria Estephon.

0:15:10.480 --> 0:15:14.240
<v Speaker 1>We did take shots at the ranch. That's right for

0:15:14.400 --> 0:15:16.920
<v Speaker 1>the Britanna wedding, that's right.

0:15:17.480 --> 0:15:19.320
<v Speaker 2>I was so excited. Do you think Roby's got the

0:15:19.320 --> 0:15:20.600
<v Speaker 2>booze today?

0:15:22.200 --> 0:15:25.520
<v Speaker 3>I've had a picture. That's when I brought that stuggie.

0:15:26.240 --> 0:15:27.840
<v Speaker 2>Oh yeah, we got into it.

0:15:27.920 --> 0:15:30.360
<v Speaker 1>Kevin and I got into it, into it together. I

0:15:30.400 --> 0:15:36.240
<v Speaker 1>got scared and I got scared up. We did that

0:15:36.320 --> 0:15:41.040
<v Speaker 1>was a funny snug. Yeah, Gloria Estefan, Jennifer Coolidge.

0:15:41.920 --> 0:15:43.240
<v Speaker 3>What's happened to Jina Gersham?

0:15:43.360 --> 0:15:43.600
<v Speaker 4>Yeah?

0:15:43.880 --> 0:15:46.680
<v Speaker 2>Yeah, I'm being in craft and with Gina Gersh I'm like,

0:15:46.760 --> 0:15:49.960
<v Speaker 2>I don't know, I don't think I can. I have

0:15:50.040 --> 0:15:53.200
<v Speaker 2>to leave. I couldn't be alone with anyone. I was like,

0:15:53.240 --> 0:15:55.000
<v Speaker 2>I don't know how to operate like a normal humor.

0:15:55.080 --> 0:15:58.800
<v Speaker 1>It was an overwhelming wedding, that's right.

0:15:58.840 --> 0:16:01.520
<v Speaker 3>And I kind of felt like I was like old

0:16:01.560 --> 0:16:04.240
<v Speaker 3>hat like ladies following right.

0:16:04.440 --> 0:16:08.440
<v Speaker 1>Yes, the cash chairs were like all the way down

0:16:08.640 --> 0:16:10.880
<v Speaker 1>in like a really big trailer because there are so

0:16:11.000 --> 0:16:13.200
<v Speaker 1>many yeah.

0:16:13.000 --> 0:16:17.360
<v Speaker 3>In that white trailer. Yeah, it was freezing, so.

0:16:17.240 --> 0:16:19.840
<v Speaker 1>Cold every it was like we were in heels. There

0:16:19.920 --> 0:16:21.640
<v Speaker 1>was dirt everywhere.

0:16:22.040 --> 0:16:23.960
<v Speaker 2>It was like the mountains and now.

0:16:24.440 --> 0:16:30.200
<v Speaker 3>And then those that wardrobe that they put us in

0:16:30.600 --> 0:16:34.560
<v Speaker 3>the Moms was just something. They were something. It was

0:16:34.600 --> 0:16:37.000
<v Speaker 3>fan definitely definitely something.

0:16:37.480 --> 0:16:39.640
<v Speaker 2>But you know, we could have used more of more

0:16:39.920 --> 0:16:41.200
<v Speaker 2>Mom musical numbers.

0:16:41.240 --> 0:16:43.240
<v Speaker 1>Oh definitely, Oh my god, that would have been.

0:16:43.800 --> 0:16:46.680
<v Speaker 2>Because that was a treat.

0:16:47.520 --> 0:16:47.800
<v Speaker 3>It was.

0:16:48.040 --> 0:16:49.920
<v Speaker 2>I also by that point, I think I was so

0:16:50.440 --> 0:16:51.920
<v Speaker 2>I don't know what was happening. I don't know if

0:16:51.920 --> 0:16:53.960
<v Speaker 2>I didn't read the script, talk about being unprofessional.

0:16:54.040 --> 0:16:55.200
<v Speaker 1>Definitely didn't read the script.

0:16:55.440 --> 0:16:58.400
<v Speaker 2>But Moms started performing and we're in the scene. I'm

0:16:58.440 --> 0:16:58.800
<v Speaker 2>like wait.

0:17:02.080 --> 0:17:05.400
<v Speaker 3>There was also those moments of that was the first

0:17:05.400 --> 0:17:07.560
<v Speaker 3>time I really experienced CORD.

0:17:09.520 --> 0:17:12.520
<v Speaker 2>That was that was one of my favorite things is

0:17:12.560 --> 0:17:13.960
<v Speaker 2>for people to experience CORD.

0:17:14.000 --> 0:17:14.199
<v Speaker 1>For that.

0:17:14.359 --> 0:17:18.640
<v Speaker 3>I mean, that was I'm like, huh, all right.

0:17:19.160 --> 0:17:19.920
<v Speaker 1>Yeah, I like it.

0:17:20.440 --> 0:17:24.000
<v Speaker 3>It was definitely like, Okay, I can't believe that this

0:17:24.080 --> 0:17:25.080
<v Speaker 3>has taking me this long.

0:17:26.000 --> 0:17:28.520
<v Speaker 1>Yeah, I was like, just then a Brad Baker. It

0:17:28.560 --> 0:17:29.200
<v Speaker 1>was Brad Baker.

0:17:29.760 --> 0:17:32.560
<v Speaker 3>Yeah, yeah, I think I mean all those I mean

0:17:33.600 --> 0:17:36.920
<v Speaker 3>because I didn't have a wedding. I mean in real life,

0:17:37.080 --> 0:17:40.639
<v Speaker 3>I we eloped, like for my wedding that was a

0:17:40.800 --> 0:17:44.280
<v Speaker 3>full blown wedding. That was I mean, I've only worn

0:17:44.320 --> 0:17:48.560
<v Speaker 3>wedding dresses on film, like my own wedding dress I

0:17:48.600 --> 0:17:51.120
<v Speaker 3>got for sixty three dollars at Loments.

0:17:51.480 --> 0:17:53.160
<v Speaker 2>That's right, because.

0:17:53.160 --> 0:17:54.920
<v Speaker 3>Well, because I know I don't walk into the water

0:17:55.560 --> 0:17:58.120
<v Speaker 3>and I'm.

0:17:57.920 --> 0:18:00.879
<v Speaker 1>Not going to take a you know, also, like you

0:18:00.920 --> 0:18:03.160
<v Speaker 1>wear it once and then it goes in a box,

0:18:03.359 --> 0:18:06.800
<v Speaker 1>so like, I know, great, great.

0:18:07.720 --> 0:18:10.680
<v Speaker 3>You'll save it. I mean, yours was so gorgeous that.

0:18:10.800 --> 0:18:15.520
<v Speaker 1>No, thanks, I mean preserved it. And yeah, em Emma

0:18:15.520 --> 0:18:17.199
<v Speaker 1>will do what she wants with it. I hope she

0:18:17.760 --> 0:18:20.400
<v Speaker 1>breaks it up and takes the fabric and makes little purses.

0:18:20.440 --> 0:18:23.000
<v Speaker 1>Did you see that in mine? No, So there's this

0:18:23.040 --> 0:18:27.200
<v Speaker 1>woman who had this gorgeous Japanese fabric for her great

0:18:27.200 --> 0:18:30.480
<v Speaker 1>grandmother's wedding and she's like, I can't wait to take

0:18:30.560 --> 0:18:33.800
<v Speaker 1>this and make these in two purses for my bridesmaids.

0:18:33.800 --> 0:18:38.560
<v Speaker 1>It was like the most gorgeous dress and they came

0:18:38.600 --> 0:18:40.360
<v Speaker 1>at her. I mean, she can do whatever she wants

0:18:40.359 --> 0:18:44.480
<v Speaker 1>to it. But the people online came after her. They're like,

0:18:44.520 --> 0:18:47.000
<v Speaker 1>you're gonna make this end up, persons, You're gonna rip

0:18:47.040 --> 0:18:49.160
<v Speaker 1>this thing up. And it was so crazy. But em

0:18:49.160 --> 0:18:50.320
<v Speaker 1>I can do whatever she wants.

0:18:50.080 --> 0:18:51.359
<v Speaker 2>It mine, I mean, did she do it?

0:18:51.359 --> 0:18:54.800
<v Speaker 1>Though? I want I don't know. I want to know.

0:18:55.200 --> 0:18:57.280
<v Speaker 1>I'm sure she did. You're gonna do what you're gonna do,

0:18:57.440 --> 0:18:59.480
<v Speaker 1>you know, Yeah, and you should.

0:19:00.200 --> 0:19:01.400
<v Speaker 3>It's her dress.

0:19:01.440 --> 0:19:03.280
<v Speaker 1>Exactly, her grandma gave it to her.

0:19:03.560 --> 0:19:05.640
<v Speaker 3>People got to get out of other people's.

0:19:05.280 --> 0:19:09.959
<v Speaker 1>Buns, that's right, Well, everybody thinks they have liberty.

0:19:10.920 --> 0:19:14.000
<v Speaker 3>Yeah, it's always just like I'm sorry, what.

0:19:16.560 --> 0:19:20.159
<v Speaker 5>No, I've no, I mean, I've really you know, because

0:19:21.560 --> 0:19:26.760
<v Speaker 5>am I'm not a name, and B I'm always playing

0:19:26.800 --> 0:19:32.439
<v Speaker 5>sympathetic characters on the whole that I kind of I

0:19:32.520 --> 0:19:33.720
<v Speaker 5>kind of dodged.

0:19:33.320 --> 0:19:38.960
<v Speaker 3>The the the the hecklers, so to speak.

0:19:40.760 --> 0:19:42.840
<v Speaker 2>Yeah. There. We've had a couple of people on and

0:19:42.840 --> 0:19:47.320
<v Speaker 2>they've talked about playing an unlikable character, and the stuff

0:19:47.480 --> 0:19:49.440
<v Speaker 2>they would get online was.

0:19:50.160 --> 0:19:54.560
<v Speaker 3>Oh, it's insane online. A friend of mine from high

0:19:54.600 --> 0:19:56.760
<v Speaker 3>school has been on Young and the Restless literally since

0:19:56.800 --> 0:20:02.000
<v Speaker 3>the Dinosaur age. That because that's rude and she's amazing

0:20:02.040 --> 0:20:04.919
<v Speaker 3>and she's built herself such an amazing career into whatever.

0:20:05.160 --> 0:20:09.440
<v Speaker 3>But you know, she used to get followed in her car.

0:20:09.960 --> 0:20:12.479
<v Speaker 3>People wanted, you know, because they were in their home.

0:20:12.520 --> 0:20:15.000
<v Speaker 3>You know, they're in people's homes in the middle of.

0:20:14.960 --> 0:20:17.320
<v Speaker 1>The day every day and.

0:20:17.320 --> 0:20:21.120
<v Speaker 3>So they're positive they know them, and she would get threats.

0:20:21.200 --> 0:20:22.280
<v Speaker 3>It was insane.

0:20:23.160 --> 0:20:26.320
<v Speaker 1>Yeah, those day tennis hopes are something people know. It's

0:20:26.359 --> 0:20:29.200
<v Speaker 1>a religious no, yes, absolutely absolutely.

0:20:29.720 --> 0:20:31.600
<v Speaker 2>I mean I grew up watching General Hospital every day

0:20:31.720 --> 0:20:33.880
<v Speaker 2>if I got it, and I.

0:20:34.920 --> 0:20:38.680
<v Speaker 3>The summer between my hold On freshman and sophomore year

0:20:38.840 --> 0:20:41.160
<v Speaker 3>and my sophomore and junior year in college, I worked

0:20:41.160 --> 0:20:45.119
<v Speaker 3>for Gennifal General Hospital. I worked in the front office

0:20:45.160 --> 0:20:48.600
<v Speaker 3>the first summer and the second summer was I worked

0:20:48.600 --> 0:20:50.560
<v Speaker 3>for the writers. The writers.

0:20:50.640 --> 0:20:53.880
<v Speaker 2>When did you decide, so you worked all these jobs

0:20:53.920 --> 0:20:56.920
<v Speaker 2>from the age of twelve, Well that was when my

0:20:57.000 --> 0:20:58.840
<v Speaker 2>dad was a producer, so that was right, you know,

0:20:59.520 --> 0:21:04.040
<v Speaker 2>but you clearly were in the entertainment business. Yeah, from childhood,

0:21:04.440 --> 0:21:07.040
<v Speaker 2>when did you start actually being like, I need to

0:21:07.200 --> 0:21:08.520
<v Speaker 2>be in front of the camera act.

0:21:08.880 --> 0:21:11.239
<v Speaker 3>I always wanted to. I just was insecure. I didn't know,

0:21:12.440 --> 0:21:14.960
<v Speaker 3>you know, it was like I was never pretty enough

0:21:15.000 --> 0:21:17.880
<v Speaker 3>and I was never character enough and so the confidence.

0:21:18.240 --> 0:21:20.400
<v Speaker 3>But I was funny, do you mean? And I knew

0:21:20.440 --> 0:21:22.760
<v Speaker 3>that but I didn't, but there was no bells and

0:21:22.760 --> 0:21:25.199
<v Speaker 3>whistles to it. I didn't have a funny voice. I

0:21:25.359 --> 0:21:30.360
<v Speaker 3>wasn't really charactery. So it was like people just I mean,

0:21:30.400 --> 0:21:32.840
<v Speaker 3>it still happens, but people just didn't know what to

0:21:32.880 --> 0:21:36.280
<v Speaker 3>do with me. And so because I didn't know what,

0:21:38.000 --> 0:21:40.040
<v Speaker 3>you know, where I fit in And I knew like

0:21:40.080 --> 0:21:41.920
<v Speaker 3>I did a lot of improv in college and things

0:21:41.960 --> 0:21:45.840
<v Speaker 3>like that. But when I graduated college, I worked at

0:21:46.080 --> 0:21:48.000
<v Speaker 3>ICM and CAA for a year and a half.

0:21:48.600 --> 0:21:50.399
<v Speaker 2>Did you did you do acting in college? Did you

0:21:50.440 --> 0:21:51.119
<v Speaker 2>go to school for that?

0:21:51.359 --> 0:21:51.479
<v Speaker 4>Well?

0:21:51.600 --> 0:21:53.159
<v Speaker 3>Yeah, I was a theater major and then I switched

0:21:53.160 --> 0:21:57.240
<v Speaker 3>to radio TV film at Northwestern and then but that's

0:21:57.280 --> 0:22:01.719
<v Speaker 3>where I did. I discovered improv and I discovered that

0:22:01.840 --> 0:22:04.639
<v Speaker 3>my that my brain worked in that way.

0:22:05.960 --> 0:22:06.239
<v Speaker 2>It did.

0:22:06.320 --> 0:22:08.119
<v Speaker 3>It took me a long time. I used to push

0:22:08.320 --> 0:22:12.280
<v Speaker 3>like nobody's business in comedy, you know, and it's like

0:22:12.320 --> 0:22:14.520
<v Speaker 3>the worst thing obviously that you can do. And then

0:22:15.200 --> 0:22:17.200
<v Speaker 3>I really didn't even know that I could do drama.

0:22:17.600 --> 0:22:21.960
<v Speaker 3>And then I did an episode of Ali McBeal. It

0:22:22.040 --> 0:22:27.000
<v Speaker 3>was the one hundredth episode, and I mean I was like, oh, God,

0:22:27.160 --> 0:22:31.600
<v Speaker 3>crying comes easy, you know, you know, and so and

0:22:31.640 --> 0:22:35.080
<v Speaker 3>then from then on people were like, oh, you know,

0:22:35.560 --> 0:22:38.520
<v Speaker 3>it's like I can cry, And so I was always

0:22:38.560 --> 0:22:43.919
<v Speaker 3>the crying mother. I mean we used to joke around

0:22:43.920 --> 0:22:47.040
<v Speaker 3>that I should just have like a reel of crying

0:22:47.960 --> 0:22:53.560
<v Speaker 3>snot cry, choke cry, you know, like hysteria, you know

0:22:53.720 --> 0:22:57.359
<v Speaker 3>of all that, and you know, and it would be

0:22:57.480 --> 0:23:01.359
<v Speaker 3>it'd be like a menu, which did you like and

0:23:01.359 --> 0:23:02.760
<v Speaker 3>then just give me a minute to listen to a

0:23:02.800 --> 0:23:03.280
<v Speaker 3>sad song.

0:23:05.080 --> 0:23:07.520
<v Speaker 1>That's when I remember meeting you for the first time

0:23:07.600 --> 0:23:09.280
<v Speaker 1>you were on set. I can't remember. Maybe it was

0:23:09.320 --> 0:23:11.840
<v Speaker 1>when Finn was singing to the sonogram and you were

0:23:11.880 --> 0:23:16.159
<v Speaker 1>talking about being pregnant human being pregnant. Then you were

0:23:16.200 --> 0:23:19.920
<v Speaker 1>listening to your iPod. Then you had your wait do.

0:23:19.880 --> 0:23:22.159
<v Speaker 3>You remember this? So you and Leah came up to

0:23:22.200 --> 0:23:24.600
<v Speaker 3>me and you were saying, I think you'd seen something

0:23:25.400 --> 0:23:29.200
<v Speaker 3>and you're so sweet. And then I go and I

0:23:29.280 --> 0:23:33.040
<v Speaker 3>was aware, Jenna that you were not in the first

0:23:33.080 --> 0:23:37.879
<v Speaker 3>cast of of a Spring Awakening, and I was listening

0:23:37.960 --> 0:23:38.840
<v Speaker 3>to that.

0:23:38.840 --> 0:23:44.400
<v Speaker 1>That's right, was it? Known? No?

0:23:44.400 --> 0:23:46.160
<v Speaker 3>No, no, No.

0:23:46.720 --> 0:23:50.080
<v Speaker 1>Blue Wind Sowring and Summer. That one, yes, the.

0:23:50.359 --> 0:23:53.800
<v Speaker 3>One where she's basically saying that she was, you know, molestious.

0:23:54.359 --> 0:23:56.280
<v Speaker 3>So I was listening to that and I was just like,

0:23:56.480 --> 0:23:57.280
<v Speaker 3>what this is?

0:23:58.240 --> 0:24:02.280
<v Speaker 1>That's funny. I forgot I remember that. Yeah, that's right,

0:24:02.560 --> 0:24:04.440
<v Speaker 1>But that's where I got the music from. When they

0:24:04.480 --> 0:24:06.439
<v Speaker 1>decided Tina was going to cry all the time on

0:24:06.480 --> 0:24:07.080
<v Speaker 1>the show.

0:24:07.520 --> 0:24:12.840
<v Speaker 3>Now it literally says, I mean less crying list Oh yeah.

0:24:12.880 --> 0:24:16.680
<v Speaker 3>And then if the material is good, then then it's

0:24:17.200 --> 0:24:20.399
<v Speaker 3>noat but especially if you've got like a d D.

0:24:20.760 --> 0:24:24.399
<v Speaker 3>If you my ability to carry on many conversations at

0:24:24.440 --> 0:24:29.480
<v Speaker 3>once is high. Yeah, but if like I'm my job

0:24:29.560 --> 0:24:32.320
<v Speaker 3>is to do this, I was like, oh, I need,

0:24:32.440 --> 0:24:35.000
<v Speaker 3>I need, I need a way to stay in that

0:24:35.080 --> 0:24:38.119
<v Speaker 3>because I won't I'll engage in all of that same

0:24:38.359 --> 0:24:41.440
<v Speaker 3>so and that's why I will put on I'll put

0:24:41.480 --> 0:24:42.040
<v Speaker 3>on music.

0:24:42.680 --> 0:24:43.840
<v Speaker 1>Yeah, you know.

0:24:44.040 --> 0:24:48.080
<v Speaker 3>And then you get the people they see, because remember

0:24:48.119 --> 0:24:53.040
<v Speaker 3>they saw the headphones. They were coming out right like AirPods, wins.

0:24:53.560 --> 0:24:58.320
<v Speaker 3>And I would always be amazed when people would be like,

0:24:59.200 --> 0:24:59.959
<v Speaker 3>what are you listening?

0:25:00.560 --> 0:25:06.919
<v Speaker 1>Yeah, do you listen to Hello? Hey, hi, hi y?

0:25:07.560 --> 0:25:10.800
<v Speaker 3>So what did you something to make you cry?

0:25:11.280 --> 0:25:12.840
<v Speaker 1>What did you, what did you eat this morning?

0:25:15.600 --> 0:25:15.959
<v Speaker 3>Crying?

0:25:17.680 --> 0:25:20.000
<v Speaker 1>I know I know that.

0:25:19.920 --> 0:25:24.240
<v Speaker 3>But and and I have to say, like, actually, I

0:25:24.480 --> 0:25:27.040
<v Speaker 3>just finished something in which I play a very officious

0:25:27.080 --> 0:25:32.800
<v Speaker 3>person ins degree, and uh I literally got home. I

0:25:32.840 --> 0:25:35.080
<v Speaker 3>was like, I kind of I kind of miss crying.

0:25:37.160 --> 0:25:41.119
<v Speaker 3>I kind of want to cry. And I was like,

0:25:41.160 --> 0:25:45.320
<v Speaker 3>I literally, I mean and for uh pretend cry. It's

0:25:45.359 --> 0:25:47.680
<v Speaker 3>been you know, it's been a while.

0:25:48.840 --> 0:25:54.800
<v Speaker 1>That's where is my protect Yeah? Exactly, that's really really funny.

0:25:54.920 --> 0:25:57.239
<v Speaker 2>I needed that playlist trick. I could have used that.

0:25:57.320 --> 0:25:59.760
<v Speaker 1>Oh yeah, I needed to do that a lot, because

0:26:00.359 --> 0:26:04.440
<v Speaker 1>my crap wasn't about crying, or it wasn't about sad content.

0:26:04.640 --> 0:26:07.080
<v Speaker 1>That's the thing. It wasn't even like it came out

0:26:07.119 --> 0:26:10.199
<v Speaker 1>of nowhere. And it was like, she's crying about my

0:26:10.280 --> 0:26:13.160
<v Speaker 1>funny while singing my funny Valentine, And you're like, how

0:26:13.160 --> 0:26:15.879
<v Speaker 1>do you make that work? How do you even make that?

0:26:15.960 --> 0:26:17.720
<v Speaker 1>That's supposed to be funny but it still supposed to

0:26:17.760 --> 0:26:20.240
<v Speaker 1>be crying, So like, how do you make that work?

0:26:21.760 --> 0:26:23.960
<v Speaker 3>My hitchcock. There's a few times where I would get

0:26:23.960 --> 0:26:27.480
<v Speaker 3>the first draft and I'd be like, Carol's got some

0:26:27.520 --> 0:26:29.520
<v Speaker 3>really good stuff, and I'd get the second, I'd be like,

0:26:29.640 --> 0:26:33.439
<v Speaker 3>oh okay, and I could still make that work. And

0:26:33.480 --> 0:26:36.480
<v Speaker 3>then I'd get the shooting script and I'd get Hitchcock

0:26:36.480 --> 0:26:38.480
<v Speaker 3>coming up to me going, I'm so sorry, we've taken

0:26:38.520 --> 0:26:44.040
<v Speaker 3>out all the transitions, and that happened. That was the

0:26:44.040 --> 0:26:47.600
<v Speaker 3>one hold on, hold on when I tell the truth

0:26:47.640 --> 0:26:51.080
<v Speaker 3>about Finn's dad, when I tell them the truth, this

0:26:51.119 --> 0:26:56.200
<v Speaker 3>whole thing that would lead up to that. Wait, they'd

0:26:56.240 --> 0:26:59.119
<v Speaker 3>still get all the way. So I literally had to

0:26:59.119 --> 0:27:01.399
<v Speaker 3>go from zero six and you're like, everybody out of

0:27:01.440 --> 0:27:05.480
<v Speaker 3>my way. Okay, I got some start to make.

0:27:08.240 --> 0:27:15.159
<v Speaker 1>Yes, yes, yes, exactly, Yeah, she's exactly you know.

0:27:15.480 --> 0:27:19.560
<v Speaker 3>Oh yeah, there's a movie if you haven't seen it,

0:27:19.840 --> 0:27:24.320
<v Speaker 3>but be ready. It's very mushalled truly, madly deeply. It's

0:27:24.359 --> 0:27:27.879
<v Speaker 3>an independent movie with Juliette Stephenson. It was an English

0:27:27.960 --> 0:27:34.159
<v Speaker 3>movie and Alan Rickman. It's like kind kind of like

0:27:34.240 --> 0:27:39.560
<v Speaker 3>ghost you know, Patrick Swayzey, but she has a scene

0:27:39.920 --> 0:27:45.600
<v Speaker 3>and that was where she is full on like you

0:27:45.640 --> 0:27:48.080
<v Speaker 3>guys know that of those times where you were crying

0:27:48.119 --> 0:27:51.480
<v Speaker 3>so like you you choke you literally because it is

0:27:51.840 --> 0:27:55.359
<v Speaker 3>and it's coming out of it everywhere, and it was

0:27:55.480 --> 0:27:58.399
<v Speaker 3>it's like it was this independent film, and I was

0:27:59.160 --> 0:28:02.359
<v Speaker 3>nez Mari because I was just like it was so

0:28:02.600 --> 0:28:07.480
<v Speaker 3>real and it was like, you know, even you know,

0:28:07.600 --> 0:28:11.959
<v Speaker 3>it's hard. It's hard to make network stuff real because

0:28:12.000 --> 0:28:17.720
<v Speaker 3>there's a formula and you know, and and and people

0:28:17.760 --> 0:28:19.399
<v Speaker 3>have to be brave to try it and make it.

0:28:19.440 --> 0:28:24.760
<v Speaker 3>But you can't be brave unless you have like a stature.

0:28:24.840 --> 0:28:27.159
<v Speaker 2>Sometimes I was going to ask how you do it,

0:28:27.200 --> 0:28:30.480
<v Speaker 2>because I think network stuff is hard to make, and

0:28:30.480 --> 0:28:35.520
<v Speaker 2>network stuff, like making grounded network stuff, it's hard to make.

0:28:36.040 --> 0:28:38.880
<v Speaker 2>Glee wasn't necessarily the most grounded show on the planet,

0:28:39.960 --> 0:28:45.360
<v Speaker 2>but your stuff was always was. Did you how as

0:28:45.400 --> 0:28:50.800
<v Speaker 2>an actor are you conscious of sort of genre like

0:28:50.840 --> 0:28:53.400
<v Speaker 2>the type of show you're on, the type of or

0:28:53.480 --> 0:28:55.640
<v Speaker 2>is it sort of seen by seeing basis of these

0:28:55.640 --> 0:28:57.360
<v Speaker 2>are the scenes I'm in, and these how they read

0:28:57.400 --> 0:28:59.240
<v Speaker 2>to me? So this is what we're doing. Are you

0:28:59.320 --> 0:29:02.160
<v Speaker 2>thinking out as at a larger scale, macro level of

0:29:02.200 --> 0:29:04.160
<v Speaker 2>what the show is and then what network it's on?

0:29:04.240 --> 0:29:05.160
<v Speaker 2>How does that work for you?

0:29:05.320 --> 0:29:07.840
<v Speaker 3>Not the network, not, not any of that. I think

0:29:07.840 --> 0:29:09.840
<v Speaker 3>that you've got to get the tone of the show,

0:29:10.320 --> 0:29:13.960
<v Speaker 3>but in those moments, because I do believe that as

0:29:14.360 --> 0:29:21.600
<v Speaker 3>wild and crazy as as Glee was is you have

0:29:21.680 --> 0:29:24.800
<v Speaker 3>to have the other stuff or it's too much totally.

0:29:25.040 --> 0:29:29.840
<v Speaker 3>So you literally had to have that quiet moment of

0:29:31.200 --> 0:29:37.480
<v Speaker 3>because it went from Finn singing to a sonogram Yeah bonkers, right,

0:29:38.680 --> 0:29:42.000
<v Speaker 3>his mom coming in and being like what and then realizing,

0:29:43.000 --> 0:29:48.560
<v Speaker 3>oh shit, he's gotten someone pregnant. So the only I

0:29:48.600 --> 0:29:50.680
<v Speaker 3>mean to me, the only way to do that is

0:29:50.720 --> 0:29:52.600
<v Speaker 3>to play it real.

0:29:53.520 --> 0:29:54.640
<v Speaker 2>Yeah, I and.

0:29:56.200 --> 0:30:01.280
<v Speaker 3>My tricks if it's not, if they're no transitions is

0:30:01.320 --> 0:30:04.760
<v Speaker 3>you know you you you do you talk like a

0:30:04.840 --> 0:30:10.520
<v Speaker 3>human you you know, people don't talk everything out like

0:30:10.560 --> 0:30:15.880
<v Speaker 3>it's a script, and so we do pause or mumble

0:30:16.200 --> 0:30:20.520
<v Speaker 3>or repeat ourselves or whatever. And so that's what I

0:30:20.560 --> 0:30:23.000
<v Speaker 3>try to do. I really really try. I try not

0:30:23.080 --> 0:30:29.200
<v Speaker 3>to rehearse it, even in my head as much because

0:30:29.200 --> 0:30:33.800
<v Speaker 3>I really trust to me, if it's in something where

0:30:33.800 --> 0:30:36.320
<v Speaker 3>you're you've got another partner, I really do try to

0:30:37.600 --> 0:30:40.200
<v Speaker 3>find a common ground between the partner, you know, whatever

0:30:40.240 --> 0:30:44.720
<v Speaker 3>that is, and therefore there's a chemistry, right, because I

0:30:45.400 --> 0:30:49.680
<v Speaker 3>think that you can we can all pretend for sure

0:30:50.640 --> 0:30:54.120
<v Speaker 3>that there's chemistry with someone, but if there's really but

0:30:54.320 --> 0:30:57.720
<v Speaker 3>you can't replace the real stuff. And that's what was

0:30:57.800 --> 0:31:00.520
<v Speaker 3>unique about all you guys, is all all of you

0:31:00.680 --> 0:31:03.800
<v Speaker 3>had chemistry together, and that was rare. I mean, it

0:31:03.880 --> 0:31:10.040
<v Speaker 3>was definitely a unicorn, and I wouldn't have if, you know,

0:31:10.160 --> 0:31:12.120
<v Speaker 3>if it was just you were watching separate.

0:31:11.840 --> 0:31:15.280
<v Speaker 2>Things, right, And you can feel that as a viewer.

0:31:15.480 --> 0:31:18.160
<v Speaker 2>You you may not be conscious of that's what you're feeling,

0:31:18.640 --> 0:31:23.240
<v Speaker 2>but you know it's not exactly right or as magical,

0:31:23.640 --> 0:31:24.960
<v Speaker 2>you know, magnetic as it could be.

0:31:25.560 --> 0:31:28.760
<v Speaker 3>Right, Yeah, and so you know, and and and it's

0:31:29.600 --> 0:31:31.240
<v Speaker 3>and it's part of the job. So I always think

0:31:31.240 --> 0:31:37.160
<v Speaker 3>that when I do get something really mad and I

0:31:37.200 --> 0:31:39.080
<v Speaker 3>have to do it, you know, I just.

0:31:40.880 --> 0:31:43.360
<v Speaker 1>I just do it right.

0:31:43.440 --> 0:31:45.719
<v Speaker 2>Yeah, I mean I feel like too, if it's particularly

0:31:45.720 --> 0:31:48.880
<v Speaker 2>something you don't think is of quality, then it can

0:31:48.920 --> 0:31:51.160
<v Speaker 2>also be another challenge of Okay, how do I make

0:31:51.240 --> 0:31:53.959
<v Speaker 2>how do I make this work? Yeah?

0:31:54.080 --> 0:31:55.040
<v Speaker 1>Totally yep.

0:31:55.400 --> 0:32:01.200
<v Speaker 3>Oh my god, I did two seasons of something. I'm

0:32:01.200 --> 0:32:06.600
<v Speaker 3>just gonna say. But but it's just like you, You're like,

0:32:07.400 --> 0:32:10.400
<v Speaker 3>it's I just I could just let me know. You're

0:32:10.400 --> 0:32:13.040
<v Speaker 3>not gonna let me ret because I think that when

0:32:13.240 --> 0:32:15.560
<v Speaker 3>when on a television show, if you have a bunch

0:32:15.600 --> 0:32:17.760
<v Speaker 3>of different characters of different ages and stuff, like that.

0:32:17.880 --> 0:32:18.400
<v Speaker 3>You have to.

0:32:18.720 --> 0:32:22.400
<v Speaker 2>It's got to be represented, right, Yes, people talk differently.

0:32:22.600 --> 0:32:27.080
<v Speaker 3>You know, and and having a young single person, right,

0:32:28.000 --> 0:32:31.560
<v Speaker 3>mom dialogue, it's gonna be mom dialogue.

0:32:33.200 --> 0:32:34.280
<v Speaker 2>So you know.

0:32:34.440 --> 0:32:41.480
<v Speaker 3>So my job is to throw in the uh oh right, the.

0:32:41.400 --> 0:32:48.800
<v Speaker 2>Noises acting school of Romie. Yeah, that's what I need.

0:32:49.040 --> 0:32:50.720
<v Speaker 1>That's what I need. I need.

0:32:51.000 --> 0:32:52.840
<v Speaker 2>This is great. We're just doing this selfishly. We're just

0:32:52.840 --> 0:32:54.760
<v Speaker 2>taking okay, and then what do you do?

0:32:54.960 --> 0:32:57.680
<v Speaker 3>Yeah, that's but I mean I just finished something and

0:32:58.000 --> 0:33:01.040
<v Speaker 3>Pete do you know who Pete Holmes is? Yeah? Okay,

0:33:01.160 --> 0:33:04.160
<v Speaker 3>he was my counterpart. So he's I'm five to four,

0:33:04.440 --> 0:33:07.680
<v Speaker 3>he's six six, and I was and I was his

0:33:08.440 --> 0:33:16.280
<v Speaker 3>I'm his superior in this agents interrogation agents, and we

0:33:16.280 --> 0:33:17.760
<v Speaker 3>we were it was like some of the stuff we

0:33:17.920 --> 0:33:21.440
<v Speaker 3>just had to keep repeating and like it just would

0:33:21.480 --> 0:33:23.320
<v Speaker 3>be a different line or different scene, but it was

0:33:23.360 --> 0:33:25.600
<v Speaker 3>kind of the same stuff. And a lot of my

0:33:25.680 --> 0:33:27.960
<v Speaker 3>stuff was looks. And I was like at some point,

0:33:28.000 --> 0:33:32.360
<v Speaker 3>I'm like, I'm fresh out of I don't have can't

0:33:33.160 --> 0:33:39.400
<v Speaker 3>mouth the gate, can't you know? There there was I

0:33:39.440 --> 0:33:41.840
<v Speaker 3>mean to totally out myself, but there was because I

0:33:41.880 --> 0:33:43.400
<v Speaker 3>was back and forth and I was like, you know,

0:33:43.520 --> 0:33:45.800
<v Speaker 3>I I think I need a little bobo right up

0:33:45.800 --> 0:33:53.320
<v Speaker 3>here botox for those and uh, not too much.

0:33:53.440 --> 0:33:58.240
<v Speaker 6>But then it hit and I I was in makeup

0:33:58.280 --> 0:34:01.760
<v Speaker 6>and and uh, I'm like I could There was no surprise,

0:34:03.400 --> 0:34:04.520
<v Speaker 6>like like it was.

0:34:04.560 --> 0:34:06.840
<v Speaker 3>Literally I'll never do that again. There was literally a

0:34:06.840 --> 0:34:07.360
<v Speaker 3>lot of like.

0:34:09.320 --> 0:34:09.680
<v Speaker 1>A lot of.

0:34:11.160 --> 0:34:12.920
<v Speaker 2>Big guys, big guys.

0:34:12.719 --> 0:34:16.480
<v Speaker 4>Or you know, a lot of like when I it

0:34:16.600 --> 0:34:23.880
<v Speaker 4>was like, oh dear, that is not gonna but why.

0:34:24.160 --> 0:34:27.560
<v Speaker 3>I don't know. I can't remember why I was bringing

0:34:27.600 --> 0:34:29.960
<v Speaker 3>that up. But it didn't matter because I mean, that

0:34:30.120 --> 0:34:36.759
<v Speaker 3>was it was super fun and god, yeah, you know

0:34:36.800 --> 0:34:37.600
<v Speaker 3>it is funny.

0:34:38.239 --> 0:34:41.720
<v Speaker 1>Wow, it was funny people. Yeah.

0:34:41.800 --> 0:34:44.239
<v Speaker 3>Yeah. But and we were always sitting and so I

0:34:44.280 --> 0:34:46.920
<v Speaker 3>think there was there was a scene where I was

0:34:46.960 --> 0:34:51.400
<v Speaker 3>standing and all of a sudden, he goes, you're tiny.

0:34:52.040 --> 0:34:53.200
<v Speaker 3>That's ye.

0:34:53.560 --> 0:34:55.040
<v Speaker 1>I said, just figure this out.

0:34:55.080 --> 0:34:57.640
<v Speaker 3>Now you are just six six, He goes, We're always sitting.

0:34:58.840 --> 0:35:02.279
<v Speaker 3>It's one of those. And thinking about it, Corey was

0:35:02.320 --> 0:35:05.040
<v Speaker 3>six three, I'm all with super tall people.

0:35:05.640 --> 0:35:08.960
<v Speaker 1>Yeah, we were really we were in a van. We

0:35:08.960 --> 0:35:11.799
<v Speaker 1>were in like four different cars going from like one

0:35:11.880 --> 0:35:14.319
<v Speaker 1>city to the other. On this on the Hot Topic tour,

0:35:14.440 --> 0:35:18.799
<v Speaker 1>very early on in our in the Glee life and

0:35:18.880 --> 0:35:21.400
<v Speaker 1>we stopped at a gas station to get some peeing,

0:35:21.440 --> 0:35:23.759
<v Speaker 1>to get some snacks, and Corey gets out and all

0:35:23.760 --> 0:35:25.839
<v Speaker 1>the girls had finally taken their heels off. We've been

0:35:25.840 --> 0:35:29.279
<v Speaker 1>doing press, you know, with our four inch you know, lubatons.

0:35:31.800 --> 0:35:33.719
<v Speaker 1>And he looks at us in the girl in the

0:35:33.719 --> 0:35:36.320
<v Speaker 1>gas station. I'll never forget. He goes like, I'm tall.

0:35:37.560 --> 0:35:40.680
<v Speaker 1>I remember, and he's like, you guys are so short.

0:35:40.760 --> 0:35:43.560
<v Speaker 1>We were like, we know it was Emmer and Leah

0:35:43.600 --> 0:35:45.319
<v Speaker 1>all next to each other. We were like, and we're like,

0:35:45.719 --> 0:35:51.200
<v Speaker 1>I mean average five to two. Maybe he's like, God.

0:35:52.000 --> 0:35:54.480
<v Speaker 2>I for completely forgot about that. I was in the

0:35:54.520 --> 0:35:55.080
<v Speaker 2>aisle over.

0:35:56.120 --> 0:36:02.360
<v Speaker 3>That's hilarious.

0:36:06.239 --> 0:36:11.399
<v Speaker 1>So you came back even after Corey passed away? Did

0:36:11.400 --> 0:36:15.000
<v Speaker 1>you I know, obviously that's not what we were thinking about,

0:36:15.040 --> 0:36:18.040
<v Speaker 1>but like, did you think like, oh, that's it for

0:36:18.160 --> 0:36:21.000
<v Speaker 1>my character? Did you think there was like stuff because

0:36:21.000 --> 0:36:23.920
<v Speaker 1>of Bert and Kurt and everything.

0:36:24.400 --> 0:36:27.000
<v Speaker 3>No, I didn't think that I'd be back. M m.

0:36:28.719 --> 0:36:29.040
<v Speaker 2>M hm.

0:36:29.760 --> 0:36:32.239
<v Speaker 3>I mean to be honest, when when I found out

0:36:32.320 --> 0:36:36.600
<v Speaker 3>they weren't doing that, they were doing it that. We

0:36:36.640 --> 0:36:40.719
<v Speaker 3>don't know how Finn passed Like, none of that I

0:36:40.880 --> 0:36:42.920
<v Speaker 3>hope that I would have been part of that. But

0:36:43.719 --> 0:36:46.799
<v Speaker 3>the stuff later when I think, gentlemen, you and I

0:36:46.880 --> 0:36:50.360
<v Speaker 3>had a scene when it was like whatever it was, reaching.

0:36:50.160 --> 0:36:53.280
<v Speaker 1>Whatever it was, it was a hotel room, right, hotel room,

0:36:53.760 --> 0:36:54.239
<v Speaker 1>like I was.

0:36:54.880 --> 0:36:58.040
<v Speaker 3>I never thought that that I'd be back.

0:36:58.400 --> 0:37:03.320
<v Speaker 1>Wow, that makes sense, but which.

0:37:03.160 --> 0:37:07.520
<v Speaker 3>You know, which I you know, because Chris wasn't even

0:37:08.200 --> 0:37:09.480
<v Speaker 3>there because that was later on.

0:37:09.560 --> 0:37:13.520
<v Speaker 1>Right exactly, he was off a New York that's right,

0:37:14.520 --> 0:37:14.960
<v Speaker 1>that's right.

0:37:16.400 --> 0:37:19.280
<v Speaker 3>Yeah, it was very I was very very It was very.

0:37:19.120 --> 0:37:24.080
<v Speaker 1>Surprised, right, I didn't even think about that. Yeah, But I.

0:37:24.000 --> 0:37:26.239
<v Speaker 3>Mean, and that's what it is. I mean, even like

0:37:26.280 --> 0:37:29.839
<v Speaker 3>I was in the last season of a Million Little

0:37:29.840 --> 0:37:32.879
<v Speaker 3>Things that they only did a half season, and even

0:37:32.880 --> 0:37:35.920
<v Speaker 3>in that people are often like because I only de

0:37:36.040 --> 0:37:38.480
<v Speaker 3>nine of those and people are like you only Denine.

0:37:39.360 --> 0:37:39.640
<v Speaker 1>Wow.

0:37:40.440 --> 0:37:42.919
<v Speaker 3>But it's like when you're dealing with an ensemble cast,

0:37:42.960 --> 0:37:46.759
<v Speaker 3>there are so many stories to tell totally that that

0:37:46.760 --> 0:37:50.320
<v Speaker 3>that's like that's the kid death for like a recurring

0:37:50.400 --> 0:37:52.799
<v Speaker 3>unless the arc is about that person.

0:37:52.440 --> 0:37:55.280
<v Speaker 1>You know, totally like that season.

0:37:57.239 --> 0:38:00.160
<v Speaker 2>Yeah, no, I was really surprised done.

0:38:00.520 --> 0:38:04.120
<v Speaker 1>And then the last one obviously where everybody came back.

0:38:04.200 --> 0:38:07.000
<v Speaker 3>Yeah, exactly. Yeah, there's a I mean there's a lot

0:38:07.040 --> 0:38:10.319
<v Speaker 3>of like you you have those isolated fun moments like

0:38:10.440 --> 0:38:15.600
<v Speaker 3>in Fort. I remember remember Carol Carol directed that, Carol Banker,

0:38:15.840 --> 0:38:19.919
<v Speaker 3>and I just remember everybody walks down and then I'm

0:38:19.960 --> 0:38:27.600
<v Speaker 3>walking down and cut just you're mouthing mouthing the words

0:38:28.120 --> 0:38:31.359
<v Speaker 3>but don't need to sing, and I go, yes, oh

0:38:31.400 --> 0:38:35.400
<v Speaker 3>my god, seriously, and I mean time and time and

0:38:35.440 --> 0:38:42.640
<v Speaker 3>time again. Just got so into the Merrit song that

0:38:42.680 --> 0:38:44.719
<v Speaker 3>I was like, what do you know? I didn't know not.

0:38:44.920 --> 0:38:46.000
<v Speaker 3>She's like, I have it on film.

0:38:46.000 --> 0:38:50.640
<v Speaker 2>I'm like, I'm gonna trust that now literal fil.

0:38:50.840 --> 0:38:52.640
<v Speaker 1>You don't need to show me. I just trust yes,

0:38:52.880 --> 0:38:53.719
<v Speaker 1>now I'm touch you.

0:38:53.840 --> 0:38:56.200
<v Speaker 3>But I remember, I do remember, like it was crazy

0:38:56.239 --> 0:38:59.719
<v Speaker 3>for everybody else, like you think about production, but that

0:38:59.800 --> 0:39:00.759
<v Speaker 3>was super.

0:39:00.480 --> 0:39:01.719
<v Speaker 2>Fun so much.

0:39:02.960 --> 0:39:05.239
<v Speaker 1>I remember that one. There are some episodes that kind

0:39:05.280 --> 0:39:06.759
<v Speaker 1>of go by the wayside, and then there are some

0:39:06.840 --> 0:39:10.640
<v Speaker 1>episodes like Fort where it's very vivid, the whole episode

0:39:10.680 --> 0:39:11.920
<v Speaker 1>is very whole episode.

0:39:12.320 --> 0:39:15.360
<v Speaker 2>Yeah, also can connect it. I think it helps connecting

0:39:15.360 --> 0:39:16.960
<v Speaker 2>it to a place that is different from what we

0:39:16.960 --> 0:39:21.680
<v Speaker 2>were used to every single day. And Tequila that was memorable, you.

0:39:21.640 --> 0:39:25.880
<v Speaker 1>Know, of course, brings people together.

0:39:26.520 --> 0:39:29.520
<v Speaker 2>Oh it did? You were never like when that happened, like,

0:39:29.719 --> 0:39:32.120
<v Speaker 2>she's amazing, Can.

0:39:32.000 --> 0:39:34.399
<v Speaker 1>We have can we Carol come back all the time?

0:39:36.080 --> 0:39:36.319
<v Speaker 3>Bank?

0:39:36.480 --> 0:39:37.839
<v Speaker 1>You here just all the time?

0:39:39.040 --> 0:39:40.759
<v Speaker 3>She might know?

0:39:41.880 --> 0:39:48.120
<v Speaker 1>What is the feeling that Glee leaves you with? Now?

0:39:50.880 --> 0:39:54.359
<v Speaker 3>I mean I take away I do I take away

0:39:54.480 --> 0:39:57.640
<v Speaker 3>all the positive stuff, which was friends, I mean it

0:39:57.680 --> 0:40:00.719
<v Speaker 3>was it was definitely an opportunity for me. There was

0:40:00.760 --> 0:40:02.680
<v Speaker 3>the negative parts of it, which is like I never

0:40:02.719 --> 0:40:06.520
<v Speaker 3>got to audition for anything on Fox at Allies in

0:40:06.560 --> 0:40:09.080
<v Speaker 3>six years, but I only did eighteen episodes.

0:40:09.560 --> 0:40:10.280
<v Speaker 1>That's crazy.

0:40:10.320 --> 0:40:12.640
<v Speaker 3>When I found that out, I'm like, wait, this is

0:40:12.719 --> 0:40:17.160
<v Speaker 3>keeping me from potentially working, right. That was very upsetting

0:40:17.320 --> 0:40:22.680
<v Speaker 3>on a different level, which yeah, I mean just like

0:40:22.719 --> 0:40:25.120
<v Speaker 3>also what is fair level?

0:40:25.800 --> 0:40:25.960
<v Speaker 5>Right?

0:40:26.520 --> 0:40:28.640
<v Speaker 3>You know, it just didn't seem very fair. But I

0:40:28.719 --> 0:40:32.680
<v Speaker 3>always it's like, I always get so excited to see

0:40:32.719 --> 0:40:35.279
<v Speaker 3>you guys in real life, and that wouldn't happen if

0:40:35.280 --> 0:40:38.279
<v Speaker 3>we didn't have that, you know, and I didn't have

0:40:40.320 --> 0:40:45.400
<v Speaker 3>I might have gotten disappointed in the lack of stuff sometimes,

0:40:46.480 --> 0:40:52.040
<v Speaker 3>but the experience for me was only positive. The on

0:40:52.120 --> 0:40:54.440
<v Speaker 3>screen you know, again, I wish that I'd had more

0:40:55.000 --> 0:41:01.080
<v Speaker 3>or you know, a stronger storyline or more or more

0:41:01.239 --> 0:41:05.680
<v Speaker 3>a more challenging one. M h. But when I was there,

0:41:05.800 --> 0:41:10.400
<v Speaker 3>I always had a blast, always blast.

0:41:11.320 --> 0:41:12.879
<v Speaker 2>Yeah, you made it a blast for everyone else.

0:41:13.200 --> 0:41:16.399
<v Speaker 1>Also brought us a lot of bake goods, so many

0:41:16.440 --> 0:41:16.960
<v Speaker 1>bake goods.

0:41:17.120 --> 0:41:20.840
<v Speaker 3>Yeah, you guys actually helped me kind of think about

0:41:20.880 --> 0:41:23.360
<v Speaker 3>tiny bites even though the never turn into something because

0:41:23.360 --> 0:41:26.080
<v Speaker 3>I brought I brought muffins and everybody would eat like

0:41:26.120 --> 0:41:27.799
<v Speaker 3>a half, and then I would seem and be like, no,

0:41:27.920 --> 0:41:30.640
<v Speaker 3>that's not gonna work. And then I did remember I

0:41:30.680 --> 0:41:32.160
<v Speaker 3>did them in balls.

0:41:32.320 --> 0:41:35.840
<v Speaker 2>Yes, I remember them.

0:41:35.280 --> 0:41:40.279
<v Speaker 1>And then and then the yeah, we love tiny bites.

0:41:40.280 --> 0:41:41.359
<v Speaker 1>I think about tiny bites a lot.

0:41:41.480 --> 0:41:42.000
<v Speaker 2>Delicious.

0:41:42.320 --> 0:41:44.520
<v Speaker 3>You know you can total double fist.

0:41:45.440 --> 0:41:46.960
<v Speaker 2>Yeah, I wouldn't have left half of muffin.

0:41:47.600 --> 0:41:49.359
<v Speaker 1>That would have never left half.

0:41:49.440 --> 0:41:54.920
<v Speaker 3>No, I might have, honey, because you had to put in. No,

0:41:55.080 --> 0:41:56.759
<v Speaker 3>you had to get in those costumes.

0:41:56.760 --> 0:41:59.640
<v Speaker 2>They weren't exactly, they weren't for everyone is so tiny,

0:42:01.000 --> 0:42:05.280
<v Speaker 2>watching like everyone is so little and like skinny. Yeah,

0:42:05.320 --> 0:42:07.520
<v Speaker 2>and just you guys were young.

0:42:07.960 --> 0:42:12.280
<v Speaker 1>Exactly hey day. I mean Chris was thought we were fat.

0:42:12.080 --> 0:42:14.719
<v Speaker 3>But we were so Chris was eighteen. Were you the

0:42:14.719 --> 0:42:15.720
<v Speaker 3>next youngest Kevin.

0:42:16.560 --> 0:42:21.200
<v Speaker 2>Yes, until Cord came around. And Cord was the youngest.

0:42:22.280 --> 0:42:23.760
<v Speaker 3>Yeah, he was younger than Chris.

0:42:24.400 --> 0:42:27.360
<v Speaker 2>No, no, he was in between me and Chrish.

0:42:27.520 --> 0:42:31.520
<v Speaker 1>Yeah yeah right, yes, yeah, what a time, What a time?

0:42:31.600 --> 0:42:33.880
<v Speaker 1>And children, truly children.

0:42:33.600 --> 0:42:37.640
<v Speaker 3>And now you have your own. Yeah, that is bonkers.

0:42:38.239 --> 0:42:39.360
<v Speaker 1>It is such bonkers.

0:42:40.440 --> 0:42:40.640
<v Speaker 5>Yeah.

0:42:40.760 --> 0:42:44.680
<v Speaker 1>Last night we were watching another episode and David looked

0:42:44.680 --> 0:42:46.960
<v Speaker 1>at me, and because I have he makes I make

0:42:47.000 --> 0:42:51.920
<v Speaker 1>him watch them all day and he's like, that's on

0:42:52.120 --> 0:42:53.359
<v Speaker 1>his mom And I was like.

0:42:53.600 --> 0:42:55.600
<v Speaker 3>That's really so sweet.

0:42:55.800 --> 0:42:58.279
<v Speaker 1>You don't think about it that way. Yeah, But then

0:42:58.320 --> 0:43:00.359
<v Speaker 1>I was like, oh god, she'll never watch it show.

0:43:00.400 --> 0:43:01.040
<v Speaker 1>I'm just kidding.

0:43:02.080 --> 0:43:07.319
<v Speaker 3>Oh when she starts, you know, she starts dancing and

0:43:07.320 --> 0:43:07.960
<v Speaker 3>stuff like that.

0:43:08.200 --> 0:43:11.319
<v Speaker 1>Yes, yeah, yeah, my niece started watching it when I

0:43:11.400 --> 0:43:14.000
<v Speaker 1>was when they were little, but just the musical numbers,

0:43:14.000 --> 0:43:16.759
<v Speaker 1>so my brother just playing the musical members except for

0:43:16.920 --> 0:43:22.640
<v Speaker 1>push It anyway, we love you and we're just so

0:43:22.719 --> 0:43:26.279
<v Speaker 1>grateful that we have you as a friend and thank you.

0:43:26.920 --> 0:43:28.920
<v Speaker 2>Thank you for spending this much time with us today.

0:43:28.920 --> 0:43:31.120
<v Speaker 3>Oh my god, I will you know, I would I

0:43:31.120 --> 0:43:32.200
<v Speaker 3>wish that it was in person.

0:43:32.320 --> 0:43:34.600
<v Speaker 2>I really do love you, Romie.

0:43:34.480 --> 0:43:36.960
<v Speaker 3>Love you, bye bye.

0:43:37.600 --> 0:43:38.680
<v Speaker 1>Well we warned, you.

0:43:40.480 --> 0:43:40.920
<v Speaker 3>Warned you.

0:43:41.320 --> 0:43:43.719
<v Speaker 2>We could talk for days.

0:43:43.160 --> 0:43:44.720
<v Speaker 1>Just just gabbing.

0:43:44.960 --> 0:43:49.160
<v Speaker 2>Gabbin way anything. We just talked. We just talked.

0:43:49.719 --> 0:43:52.279
<v Speaker 1>I know, got a lover. Well, Ronie, thanks for coming

0:43:52.320 --> 0:43:54.560
<v Speaker 1>on and I hope you guys enjoyed the episode and

0:43:54.680 --> 0:43:55.439
<v Speaker 1>come back next week.

0:43:55.480 --> 0:43:59.040
<v Speaker 2>That's what you really missed. Thanks for listening and follow

0:43:59.120 --> 0:44:01.919
<v Speaker 2>us on Instagram and that's what you really miss pod.

0:44:02.239 --> 0:44:04.080
<v Speaker 2>Make sure to write us a review and leave us

0:44:04.080 --> 0:44:05.600
<v Speaker 2>five stars. See you next time.