1 00:00:01,800 --> 00:00:04,559 Speaker 1: And That's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin An iHeartRadio podcast. 3 00:00:09,600 --> 00:00:11,920 Speaker 1: Welcome to and That's what you Really miss podcast Today. 4 00:00:11,960 --> 00:00:13,560 Speaker 1: We have a very special friend. 5 00:00:15,160 --> 00:00:17,919 Speaker 2: Oh and we are gabbin. We can just talk all day. 6 00:00:18,760 --> 00:00:21,520 Speaker 2: You know, it's nice you basically listen to us. 7 00:00:21,600 --> 00:00:22,000 Speaker 1: Yah. 8 00:00:22,120 --> 00:00:25,040 Speaker 2: Yeah, I feel like this is people can get a 9 00:00:25,040 --> 00:00:27,640 Speaker 2: good sense of what our relationships are like with all 10 00:00:27,640 --> 00:00:29,560 Speaker 2: the people we have on and we're just kicking it 11 00:00:29,640 --> 00:00:32,839 Speaker 2: and talking, having a good time. And today is no 12 00:00:32,960 --> 00:00:38,880 Speaker 2: exception because Romy Rosemont Carol Hudson, Yes, Finn Hudson's mother, 13 00:00:39,800 --> 00:00:44,120 Speaker 2: who's a star, a sweet, sweet person and an excellent 14 00:00:44,159 --> 00:00:47,960 Speaker 2: baker and the an excellent crier, the most fun person 15 00:00:48,000 --> 00:00:50,720 Speaker 2: you'll ever have on a TV or film set. Correct, 16 00:00:50,760 --> 00:00:56,520 Speaker 2: So enjoy our conversation catching up with Romy Rosemont. Hi, Hi, 17 00:00:57,760 --> 00:00:58,920 Speaker 2: thanks for joining us. 18 00:00:59,200 --> 00:01:02,880 Speaker 1: Thank you. Let's go back to the beginning of Glee. 19 00:01:03,360 --> 00:01:07,120 Speaker 1: Romy tell us about how you got the show. 20 00:01:07,800 --> 00:01:12,440 Speaker 3: I was called I was called into audition for Jane's part, 21 00:01:12,680 --> 00:01:15,920 Speaker 3: and I absolutely knew that I was not going to 22 00:01:15,959 --> 00:01:18,400 Speaker 3: get it because I either had to look like I 23 00:01:18,520 --> 00:01:21,240 Speaker 3: was a cheerleader, right, you know, I either had to 24 00:01:21,280 --> 00:01:25,440 Speaker 3: look like Megan Hilty or I had to look like 25 00:01:27,000 --> 00:01:30,759 Speaker 3: Jane or dot right, you know, I mean in heights 26 00:01:30,840 --> 00:01:33,360 Speaker 3: of you know, of a. 27 00:01:33,360 --> 00:01:35,720 Speaker 2: Presence, they are towering figures. 28 00:01:35,800 --> 00:01:38,760 Speaker 3: Yes, yeah, and and and just such a presence. And 29 00:01:38,800 --> 00:01:40,600 Speaker 3: so you know, I did the best that I could, 30 00:01:41,360 --> 00:01:43,440 Speaker 3: And I mean I knew that wasn't going very far, 31 00:01:44,080 --> 00:01:50,360 Speaker 3: like neither because neither of them fit. Now I can 32 00:01:50,400 --> 00:01:53,400 Speaker 3: tumble with the best of them. But you know, and 33 00:01:53,480 --> 00:01:56,680 Speaker 3: I can. I could definitely do some comedy if someone 34 00:01:56,720 --> 00:01:59,760 Speaker 3: wanted to lift me up into a pyramid all down 35 00:01:59,800 --> 00:02:00,200 Speaker 3: on you. 36 00:02:00,680 --> 00:02:00,920 Speaker 1: Sure. 37 00:02:02,560 --> 00:02:08,720 Speaker 3: So, and then they called me in for for Finn's mom, 38 00:02:08,760 --> 00:02:10,920 Speaker 3: for Corey's mom. When I saw it, I was like, 39 00:02:11,160 --> 00:02:14,360 Speaker 3: there's no lines, and you know it was Ryan saying, yeah, 40 00:02:14,360 --> 00:02:16,840 Speaker 3: but this, uh you know, I had to throw the 41 00:02:16,880 --> 00:02:19,320 Speaker 3: milk carton and weep and yet whatever that was or 42 00:02:19,440 --> 00:02:20,360 Speaker 3: where the bikes. 43 00:02:20,120 --> 00:02:26,920 Speaker 4: Short in the level I mean, and and my hair. 44 00:02:26,840 --> 00:02:32,800 Speaker 3: Was so large and so and then it I think 45 00:02:33,200 --> 00:02:35,080 Speaker 3: when we were shooting the pilot, I think what I 46 00:02:35,120 --> 00:02:37,000 Speaker 3: worked like two days. Ryan was like, and then I'm 47 00:02:37,040 --> 00:02:38,560 Speaker 3: going to do this, and then I'm going to do this. 48 00:02:38,720 --> 00:02:41,880 Speaker 1: So you had you got inklings of things that were coming, 49 00:02:42,040 --> 00:02:44,519 Speaker 1: but and you knew you were a recursed and you 50 00:02:44,600 --> 00:02:45,720 Speaker 1: knew you were coming back. 51 00:02:45,919 --> 00:02:47,320 Speaker 3: Yeah, but I never believe that. 52 00:02:47,560 --> 00:02:50,920 Speaker 2: Right, right, You've been around to trust that. 53 00:02:51,280 --> 00:02:53,000 Speaker 3: So I didn't know. All he said was he was 54 00:02:53,040 --> 00:02:56,880 Speaker 3: interested in telling the story of the single mother with 55 00:02:57,960 --> 00:03:01,560 Speaker 3: the the high school quarterback who became Who's in gleek club? 56 00:03:03,040 --> 00:03:03,240 Speaker 2: You know. 57 00:03:03,320 --> 00:03:05,120 Speaker 3: It was never like I think we started where it 58 00:03:05,120 --> 00:03:07,760 Speaker 3: was supposed to be really poor and haggard or whatever. 59 00:03:07,800 --> 00:03:10,919 Speaker 3: And I was always always asking, so, what does Carol do? 60 00:03:13,200 --> 00:03:15,320 Speaker 3: What does she do? She worked in a bank? Does 61 00:03:15,400 --> 00:03:17,200 Speaker 3: she no one? 62 00:03:18,720 --> 00:03:19,919 Speaker 2: That's for you to figure out. 63 00:03:20,520 --> 00:03:24,080 Speaker 3: That's my backstory. But and then it really didn't matter 64 00:03:24,120 --> 00:03:29,160 Speaker 3: because you never saw Carol away from you know, which 65 00:03:29,240 --> 00:03:33,840 Speaker 3: is Fin Finn or or Burt or you know or 66 00:03:33,919 --> 00:03:37,240 Speaker 3: Kurt And so I mean that was our running joke 67 00:03:37,840 --> 00:03:41,520 Speaker 3: later in the season, Carol was in the basement when 68 00:03:41,560 --> 00:03:45,920 Speaker 3: she got married. Once furt happened, I literally was like, 69 00:03:46,200 --> 00:03:49,880 Speaker 3: I'm watching it. I'm like, uh, you're a prom you 70 00:03:50,880 --> 00:03:53,320 Speaker 3: I don't know Mom would be there. Oh, I'm in 71 00:03:53,320 --> 00:03:53,760 Speaker 3: the basement. 72 00:03:55,080 --> 00:03:56,880 Speaker 2: They're just doing some more laundry. 73 00:03:56,640 --> 00:03:58,720 Speaker 3: I mean. And that's what was so amazing was that 74 00:03:58,880 --> 00:04:01,640 Speaker 3: nobody even referenced to me like you didn't have to 75 00:04:01,720 --> 00:04:05,360 Speaker 3: even do that much. Was it was so hilarious. I 76 00:04:05,400 --> 00:04:08,120 Speaker 3: was like did I was literally at one time, I go, 77 00:04:08,240 --> 00:04:13,320 Speaker 3: did Burt kill me? Oh? My god, Burt murdered Carol? 78 00:04:14,880 --> 00:04:16,520 Speaker 3: And so we were you know, those were. 79 00:04:16,360 --> 00:04:21,520 Speaker 1: Good times, yes, but that basement was very cobwebby. I 80 00:04:21,560 --> 00:04:25,760 Speaker 1: have to say it dirty. I you know, I'm reading here, 81 00:04:25,880 --> 00:04:28,479 Speaker 1: there's this document that our wonderful producers made, and you're 82 00:04:28,520 --> 00:04:30,440 Speaker 1: in eighteen episodes. It felt like a hell of a 83 00:04:30,440 --> 00:04:31,640 Speaker 1: lot more than that. 84 00:04:31,640 --> 00:04:33,040 Speaker 3: That's what people say. 85 00:04:34,360 --> 00:04:35,440 Speaker 2: Eighteen episodes. 86 00:04:35,520 --> 00:04:38,839 Speaker 3: That's what I'm saying. And so it's like people are like, no, 87 00:04:40,160 --> 00:04:42,680 Speaker 3: I think that, because. 88 00:04:43,800 --> 00:04:46,839 Speaker 2: Yes, when I come with cigarette. 89 00:04:46,400 --> 00:04:48,640 Speaker 3: Exactly when I come on, there was a there was 90 00:04:48,680 --> 00:04:51,159 Speaker 3: a presence, and also I was I was still you. 91 00:04:51,640 --> 00:04:54,960 Speaker 1: I was still I was still his mom, right. 92 00:04:55,080 --> 00:04:59,719 Speaker 3: And so my treasure is those intimate scenes that Corey 93 00:04:59,800 --> 00:05:05,679 Speaker 3: and I had, I think did relate to that kids 94 00:05:05,680 --> 00:05:08,320 Speaker 3: could relate to, you know, so I think you know, 95 00:05:08,400 --> 00:05:11,680 Speaker 3: I mean, that's what I got was from any kind 96 00:05:11,720 --> 00:05:16,080 Speaker 3: of fans and at all didn't compare. Was I wish 97 00:05:16,080 --> 00:05:16,719 Speaker 3: you were my mom? 98 00:05:16,839 --> 00:05:17,520 Speaker 1: Oh? 99 00:05:17,680 --> 00:05:23,240 Speaker 2: I mean, Carol and Bert were the model parents for anyone. 100 00:05:23,560 --> 00:05:27,080 Speaker 2: I think the two the very situations, also the complicated 101 00:05:27,080 --> 00:05:30,120 Speaker 2: situations you were both in in your own right individually, 102 00:05:31,000 --> 00:05:37,920 Speaker 2: and how those characters navigated them so gracefully, eloquently trying 103 00:05:37,920 --> 00:05:40,720 Speaker 2: to say the right thing, but as human as it is, 104 00:05:40,720 --> 00:05:43,200 Speaker 2: like it's going to be a little imperfect, which makes 105 00:05:43,240 --> 00:05:47,800 Speaker 2: it even more relatable. And watching you and Michael Mallley 106 00:05:48,320 --> 00:05:54,200 Speaker 2: standing at the altar in Furt was just I Also 107 00:05:54,520 --> 00:05:56,880 Speaker 2: it's like you wear your heart on your sleeve, and 108 00:05:56,920 --> 00:05:59,160 Speaker 2: I feel like a good gusta wind and that you 109 00:05:59,240 --> 00:06:02,760 Speaker 2: might just tear up a little bit, and it makes 110 00:06:02,760 --> 00:06:06,159 Speaker 2: me tear up because you are the sweetest, like most giving, 111 00:06:06,240 --> 00:06:10,000 Speaker 2: caring person. And then watching you two are like, oh god, 112 00:06:10,400 --> 00:06:13,800 Speaker 2: I can't, I can't watch them. And then Mike Michael 113 00:06:13,839 --> 00:06:16,720 Speaker 2: Madley's about to cry during the receptions, like these two. 114 00:06:18,240 --> 00:06:21,719 Speaker 2: I've been told my whole life I'm a little cold 115 00:06:21,920 --> 00:06:22,120 Speaker 2: at all. 116 00:06:22,160 --> 00:06:23,080 Speaker 3: I'm going to say that right now. 117 00:06:23,120 --> 00:06:26,599 Speaker 2: I do not yes, because no one gets me like you. 118 00:06:27,200 --> 00:06:33,479 Speaker 2: I lose my shit, right And and I think you know, 119 00:06:33,520 --> 00:06:37,279 Speaker 2: it's a testament to yes, your ability as an actor, 120 00:06:38,160 --> 00:06:40,920 Speaker 2: and you're and like you just as a person, and 121 00:06:40,960 --> 00:06:42,680 Speaker 2: that's I think also why it feels like you were 122 00:06:42,680 --> 00:06:45,560 Speaker 2: in a lot more than eighteen episodes, because yes, Jane 123 00:06:45,600 --> 00:06:46,640 Speaker 2: and Dot have a presence. 124 00:06:46,640 --> 00:06:50,800 Speaker 3: But woo, I so do you thank you? You know, 125 00:06:50,960 --> 00:06:57,359 Speaker 3: I I was. I actually thought that there was a 126 00:06:57,440 --> 00:07:03,520 Speaker 3: place like I didn't. I never understood why Carol and 127 00:07:03,760 --> 00:07:08,119 Speaker 3: Kurt didn't have a more independent relationship because he lost 128 00:07:08,120 --> 00:07:13,840 Speaker 3: his mother and then and then his his his dad 129 00:07:13,920 --> 00:07:17,080 Speaker 3: marries the woman who's the mother of someone he has 130 00:07:17,120 --> 00:07:19,840 Speaker 3: a massive crush on. Like there was so there was 131 00:07:20,160 --> 00:07:24,840 Speaker 3: to me, there was opportunities to to you know, to 132 00:07:24,960 --> 00:07:28,680 Speaker 3: dive into those topics and discover it or just you know, 133 00:07:28,800 --> 00:07:31,600 Speaker 3: we did it with one scene, but like I know, 134 00:07:31,640 --> 00:07:33,520 Speaker 3: we're doing fort today. But like you know, in that 135 00:07:33,560 --> 00:07:36,800 Speaker 3: one in the scene where I think he's pregnant, you know, 136 00:07:36,880 --> 00:07:37,360 Speaker 3: I mean. 137 00:07:38,320 --> 00:07:38,720 Speaker 1: Right, and. 138 00:07:40,760 --> 00:07:46,240 Speaker 3: That it was it was like you kind of I 139 00:07:46,280 --> 00:07:48,400 Speaker 3: think that that's the difficult thing about telling stories about 140 00:07:48,360 --> 00:07:51,120 Speaker 3: recur with recurring characters, because no matter what, the recurring 141 00:07:51,200 --> 00:07:55,200 Speaker 3: character has to be there with whoever they're attached to. Right. 142 00:07:55,680 --> 00:07:59,280 Speaker 3: But I don't necessarily believe that, do you know what 143 00:07:59,320 --> 00:08:02,080 Speaker 3: I mean? Because you can find you could have you know, 144 00:08:02,120 --> 00:08:06,119 Speaker 3: you could find that that conversation that's just between Carol 145 00:08:06,160 --> 00:08:10,280 Speaker 3: and Burt. Of course, it's like for the parents. I mean, 146 00:08:10,320 --> 00:08:13,600 Speaker 3: you know, I have a step son. In the beginning, 147 00:08:13,880 --> 00:08:17,920 Speaker 3: it's hard, right because you don't have a voice. So 148 00:08:18,720 --> 00:08:21,840 Speaker 3: you know, it was kind of dramatic license that Bert 149 00:08:21,920 --> 00:08:24,880 Speaker 3: was so involved in Finn's life. It wouldn't have been 150 00:08:24,880 --> 00:08:28,120 Speaker 3: that embracing to someone taking you know what I mean. 151 00:08:28,120 --> 00:08:30,720 Speaker 3: It's just I mean, that's the that kind of wouldn't happen, 152 00:08:32,640 --> 00:08:36,920 Speaker 3: you know, I mean, you honor the script that's been written, 153 00:08:37,559 --> 00:08:41,120 Speaker 3: but I appreciate that and thank you. 154 00:08:42,040 --> 00:08:45,920 Speaker 1: But I mean there's just there's also twenty five characters, 155 00:08:46,200 --> 00:08:47,199 Speaker 1: right exactly. 156 00:08:46,880 --> 00:08:54,000 Speaker 3: And there's also bright shiny objects that became important I'm 157 00:08:54,000 --> 00:08:57,280 Speaker 3: sure in selling it, you know, in the powers that 158 00:08:57,360 --> 00:08:59,960 Speaker 3: be deciding that and everybody, it was like, you're not 159 00:09:00,080 --> 00:09:03,240 Speaker 3: going to say if Sarah Jackson Parker, let's say, says 160 00:09:03,280 --> 00:09:06,120 Speaker 3: oh I want to do some You're not gonna As 161 00:09:06,120 --> 00:09:09,640 Speaker 3: a business person, you're not going to say no, right, So, 162 00:09:09,840 --> 00:09:12,439 Speaker 3: and that's you know what I mean, Like you guys 163 00:09:12,520 --> 00:09:15,199 Speaker 3: wearing you know, as many hats as you guys do 164 00:09:15,320 --> 00:09:18,599 Speaker 3: as business people, which is why you have a successful podcast. 165 00:09:18,840 --> 00:09:21,560 Speaker 3: There's certain decisions that that that you might not have 166 00:09:21,720 --> 00:09:25,559 Speaker 3: made as Jenna and Kevin right right. 167 00:09:25,520 --> 00:09:29,680 Speaker 2: Right, It's like, oh, we could instead of doing this 168 00:09:29,880 --> 00:09:34,080 Speaker 2: extra scene, we could throw in another song and then 169 00:09:35,600 --> 00:09:36,760 Speaker 2: put that on that soundtrack. 170 00:09:36,840 --> 00:09:38,720 Speaker 1: That sounds right exactly. 171 00:09:39,280 --> 00:09:42,720 Speaker 2: Do you ever feel comfortable, like do you ever raised 172 00:09:42,840 --> 00:09:46,200 Speaker 2: or would you ever raise those thoughts to the powers 173 00:09:46,240 --> 00:09:51,520 Speaker 2: that be? Or no, you just know there wasn't the room. Yeah, 174 00:09:51,679 --> 00:09:52,120 Speaker 2: I wasn't. 175 00:09:52,440 --> 00:09:57,240 Speaker 3: I wasn't invited to that room conversation. So my job 176 00:09:57,440 --> 00:10:03,160 Speaker 3: was to you know, I look at I always look 177 00:10:03,200 --> 00:10:06,640 Speaker 3: at at a job. That's it's it's it's been a success. 178 00:10:06,640 --> 00:10:08,960 Speaker 3: If I walk away with a friend, I mean like 179 00:10:09,080 --> 00:10:14,359 Speaker 3: like a really good experience and you know it was overflowing. 180 00:10:14,400 --> 00:10:16,480 Speaker 3: As far as with Glee and the. 181 00:10:16,440 --> 00:10:18,240 Speaker 2: People that you can't get rid of us. 182 00:10:18,559 --> 00:10:23,400 Speaker 3: It's like I've tried, but like I you know, I 183 00:10:23,400 --> 00:10:27,760 Speaker 3: could have literally given birth to everyone, maybe not Jane 184 00:10:27,800 --> 00:10:36,280 Speaker 3: and Dott but on the whole. But you know it's 185 00:10:37,920 --> 00:10:44,200 Speaker 3: there are people who would have I just in that way, 186 00:10:44,320 --> 00:10:56,000 Speaker 3: I kind of respect other I respect the positions. 187 00:10:57,600 --> 00:11:00,960 Speaker 1: I don't think I've asked you what was what was 188 00:11:01,000 --> 00:11:03,079 Speaker 1: your experience or like do you remember the first time 189 00:11:03,080 --> 00:11:05,280 Speaker 1: you worked with Corey Like the first scene you guys 190 00:11:05,280 --> 00:11:08,960 Speaker 1: shot together, and what was it like when you guys 191 00:11:09,000 --> 00:11:10,040 Speaker 1: shot scenes together. 192 00:11:13,840 --> 00:11:18,000 Speaker 3: I met Corey very very briefly during the pilot because 193 00:11:18,160 --> 00:11:19,959 Speaker 3: I didn't I didn't work with adult Corey. 194 00:11:20,040 --> 00:11:22,000 Speaker 2: I worked with chilet Corey, that's right. 195 00:11:22,360 --> 00:11:25,240 Speaker 3: So I didn't get to work with him until that 196 00:11:25,640 --> 00:11:29,400 Speaker 3: scene in where he hits the mailman, you know that 197 00:11:30,040 --> 00:11:31,319 Speaker 3: very very brief. 198 00:11:31,200 --> 00:11:33,800 Speaker 2: Very very briefing, but one of the best. 199 00:11:34,360 --> 00:11:40,040 Speaker 3: I was very taken with his manner, his he was, 200 00:11:40,200 --> 00:11:43,560 Speaker 3: you know, he was just such a sweet soul. And 201 00:11:43,840 --> 00:11:46,520 Speaker 3: then when we had to do the more the more 202 00:11:46,600 --> 00:11:50,760 Speaker 3: dramatic stuff, the more intense stuff, emotional, he was always like, I, 203 00:11:51,080 --> 00:11:53,480 Speaker 3: I mean, I can't cry. I just can't cry. And 204 00:11:53,520 --> 00:11:55,760 Speaker 3: I was like, well, you don't have I was just saying, 205 00:11:55,960 --> 00:11:59,960 Speaker 3: you don't have to, right, but you you definitely can't. 206 00:12:00,800 --> 00:12:03,440 Speaker 3: I think that he so much wanted to be to 207 00:12:03,480 --> 00:12:06,400 Speaker 3: be good, and I so respected that. And but I 208 00:12:06,480 --> 00:12:08,640 Speaker 3: remember even when we shot Furt and we were out 209 00:12:08,679 --> 00:12:12,800 Speaker 3: at that like weird churchy thing, and he was panicked 210 00:12:13,559 --> 00:12:16,720 Speaker 3: that that paparazzi someone was going to see so that 211 00:12:16,720 --> 00:12:20,360 Speaker 3: they would know the storyline, and even literally like like 212 00:12:20,480 --> 00:12:22,839 Speaker 3: have his coat up. And I was like we're good. 213 00:12:23,160 --> 00:12:26,560 Speaker 3: But he was. I mean it was because he believed 214 00:12:26,559 --> 00:12:28,480 Speaker 3: in the show and what and he wanted to protect 215 00:12:29,640 --> 00:12:32,600 Speaker 3: the surprise and all of that. And I mean, I 216 00:12:32,640 --> 00:12:35,320 Speaker 3: definitely consider myself very very lucky that we got paired 217 00:12:35,320 --> 00:12:38,240 Speaker 3: because let's we don't look alike at all, but. 218 00:12:39,640 --> 00:12:44,280 Speaker 1: You know, but like your chemistry together, yeah, really really good. 219 00:12:45,080 --> 00:12:48,800 Speaker 3: And it was just and and you know, I think 220 00:12:48,880 --> 00:12:53,440 Speaker 3: that I think he felt that too. I think he 221 00:12:53,480 --> 00:12:56,680 Speaker 3: felt like, I get to act today. 222 00:12:57,200 --> 00:12:59,120 Speaker 1: Yep, totally, And I am. 223 00:12:59,280 --> 00:13:02,200 Speaker 3: And I was, and I was flattered and honored to 224 00:13:02,240 --> 00:13:04,240 Speaker 3: be a part of that because a lot of stuff 225 00:13:04,800 --> 00:13:07,719 Speaker 3: was just the two of us until until they got 226 00:13:07,720 --> 00:13:08,960 Speaker 3: married in the second season. 227 00:13:10,760 --> 00:13:12,319 Speaker 2: Anytime there was sort of like we would say, like 228 00:13:12,320 --> 00:13:14,760 Speaker 2: an adult in the scene, like, oh god, we really 229 00:13:14,760 --> 00:13:18,080 Speaker 2: have to get our ship together to keep up. You know, 230 00:13:18,120 --> 00:13:21,200 Speaker 2: we gotta you know, we're used to like, you know, 231 00:13:21,320 --> 00:13:24,520 Speaker 2: being clowns in the choir room, singing a song making 232 00:13:24,559 --> 00:13:26,960 Speaker 2: them laugh or in the teen drama stuff is so 233 00:13:27,160 --> 00:13:27,960 Speaker 2: funny and fun. 234 00:13:29,000 --> 00:13:30,920 Speaker 1: But when the adults came out, you know. 235 00:13:31,640 --> 00:13:36,320 Speaker 3: But like I mean, hopefully what you learned from the adults, 236 00:13:36,360 --> 00:13:39,360 Speaker 3: because you can't, you cannot stop having fun. 237 00:13:39,440 --> 00:13:40,440 Speaker 2: And there was no. 238 00:13:40,880 --> 00:13:43,360 Speaker 3: You know, it always freaks me out when when people 239 00:13:43,400 --> 00:13:49,280 Speaker 3: are too serious. I'm like, dude, come on. 240 00:13:49,320 --> 00:13:53,200 Speaker 2: Like you're the ragning Champ. You're the most fun on set. 241 00:13:53,240 --> 00:13:57,080 Speaker 2: I mean we've talked about the alcohol escapades before. 242 00:13:57,800 --> 00:14:00,680 Speaker 3: Well it start. I mean it was this episode that. 243 00:14:00,960 --> 00:14:05,120 Speaker 4: It was he was done, everybody was done. 244 00:14:05,000 --> 00:14:08,080 Speaker 2: Yeah, we were just sitting there and. 245 00:14:08,440 --> 00:14:10,079 Speaker 3: Like a little bit of dance, a little bit whatever. 246 00:14:11,200 --> 00:14:12,760 Speaker 3: Pulled out I think a bottle. 247 00:14:12,480 --> 00:14:17,760 Speaker 1: Of Patron, a black like Duffel bag. I was like, what, 248 00:14:18,600 --> 00:14:21,080 Speaker 1: she comes into a wedding dress with a black Duffel 249 00:14:21,120 --> 00:14:23,800 Speaker 1: bag and pulls out Patron and was like, you know 250 00:14:24,120 --> 00:14:25,960 Speaker 1: here we were like real. 251 00:14:26,840 --> 00:14:28,880 Speaker 2: There's a reason why I don't remember doing that number 252 00:14:29,160 --> 00:14:31,280 Speaker 2: the recept Yeah, but. 253 00:14:31,320 --> 00:14:33,360 Speaker 3: It was and and I And that was the first 254 00:14:33,360 --> 00:14:35,200 Speaker 3: time I was like, oh my god, these kids can 255 00:14:35,320 --> 00:14:37,640 Speaker 3: drink holy crap. 256 00:14:37,840 --> 00:14:38,440 Speaker 2: And I was not. 257 00:14:38,600 --> 00:14:38,840 Speaker 1: I was. 258 00:14:38,960 --> 00:14:42,600 Speaker 3: I mean, I love Metequila, but I'm like one maybe too. 259 00:14:42,880 --> 00:14:49,440 Speaker 3: And it was kind of like, oh, like and I 260 00:14:49,480 --> 00:14:51,720 Speaker 3: don't know, I don't know if it was Leah or 261 00:14:52,040 --> 00:14:55,960 Speaker 3: or Heather might have you know, ended that bottle or two. 262 00:14:56,120 --> 00:14:58,440 Speaker 3: I don't remember if I brought to I really don't. 263 00:14:58,840 --> 00:15:01,520 Speaker 1: I can't remember, but I know that there was another day, 264 00:15:01,680 --> 00:15:04,080 Speaker 1: another wedding day that we were like, let's do it. 265 00:15:04,200 --> 00:15:05,080 Speaker 1: I guess. 266 00:15:06,760 --> 00:15:09,440 Speaker 3: That's when we did it with Glory. We took shots 267 00:15:09,480 --> 00:15:10,360 Speaker 3: with Gloria Estephon. 268 00:15:10,480 --> 00:15:14,240 Speaker 1: We did take shots at the ranch. That's right for 269 00:15:14,400 --> 00:15:16,920 Speaker 1: the Britanna wedding, that's right. 270 00:15:17,480 --> 00:15:19,320 Speaker 2: I was so excited. Do you think Roby's got the 271 00:15:19,320 --> 00:15:20,600 Speaker 2: booze today? 272 00:15:22,200 --> 00:15:25,520 Speaker 3: I've had a picture. That's when I brought that stuggie. 273 00:15:26,240 --> 00:15:27,840 Speaker 2: Oh yeah, we got into it. 274 00:15:27,920 --> 00:15:30,360 Speaker 1: Kevin and I got into it, into it together. I 275 00:15:30,400 --> 00:15:36,240 Speaker 1: got scared and I got scared up. We did that 276 00:15:36,320 --> 00:15:41,040 Speaker 1: was a funny snug. Yeah, Gloria Estefan, Jennifer Coolidge. 277 00:15:41,920 --> 00:15:43,240 Speaker 3: What's happened to Jina Gersham? 278 00:15:43,360 --> 00:15:43,600 Speaker 4: Yeah? 279 00:15:43,880 --> 00:15:46,680 Speaker 2: Yeah, I'm being in craft and with Gina Gersh I'm like, 280 00:15:46,760 --> 00:15:49,960 Speaker 2: I don't know, I don't think I can. I have 281 00:15:50,040 --> 00:15:53,200 Speaker 2: to leave. I couldn't be alone with anyone. I was like, 282 00:15:53,240 --> 00:15:55,000 Speaker 2: I don't know how to operate like a normal humor. 283 00:15:55,080 --> 00:15:58,800 Speaker 1: It was an overwhelming wedding, that's right. 284 00:15:58,840 --> 00:16:01,520 Speaker 3: And I kind of felt like I was like old 285 00:16:01,560 --> 00:16:04,240 Speaker 3: hat like ladies following right. 286 00:16:04,440 --> 00:16:08,440 Speaker 1: Yes, the cash chairs were like all the way down 287 00:16:08,640 --> 00:16:10,880 Speaker 1: in like a really big trailer because there are so 288 00:16:11,000 --> 00:16:13,200 Speaker 1: many yeah. 289 00:16:13,000 --> 00:16:17,360 Speaker 3: In that white trailer. Yeah, it was freezing, so. 290 00:16:17,240 --> 00:16:19,840 Speaker 1: Cold every it was like we were in heels. There 291 00:16:19,920 --> 00:16:21,640 Speaker 1: was dirt everywhere. 292 00:16:22,040 --> 00:16:23,960 Speaker 2: It was like the mountains and now. 293 00:16:24,440 --> 00:16:30,200 Speaker 3: And then those that wardrobe that they put us in 294 00:16:30,600 --> 00:16:34,560 Speaker 3: the Moms was just something. They were something. It was 295 00:16:34,600 --> 00:16:37,000 Speaker 3: fan definitely definitely something. 296 00:16:37,480 --> 00:16:39,640 Speaker 2: But you know, we could have used more of more 297 00:16:39,920 --> 00:16:41,200 Speaker 2: Mom musical numbers. 298 00:16:41,240 --> 00:16:43,240 Speaker 1: Oh definitely, Oh my god, that would have been. 299 00:16:43,800 --> 00:16:46,680 Speaker 2: Because that was a treat. 300 00:16:47,520 --> 00:16:47,800 Speaker 3: It was. 301 00:16:48,040 --> 00:16:49,920 Speaker 2: I also by that point, I think I was so 302 00:16:50,440 --> 00:16:51,920 Speaker 2: I don't know what was happening. I don't know if 303 00:16:51,920 --> 00:16:53,960 Speaker 2: I didn't read the script, talk about being unprofessional. 304 00:16:54,040 --> 00:16:55,200 Speaker 1: Definitely didn't read the script. 305 00:16:55,440 --> 00:16:58,400 Speaker 2: But Moms started performing and we're in the scene. I'm 306 00:16:58,440 --> 00:16:58,800 Speaker 2: like wait. 307 00:17:02,080 --> 00:17:05,400 Speaker 3: There was also those moments of that was the first 308 00:17:05,400 --> 00:17:07,560 Speaker 3: time I really experienced CORD. 309 00:17:09,520 --> 00:17:12,520 Speaker 2: That was that was one of my favorite things is 310 00:17:12,560 --> 00:17:13,960 Speaker 2: for people to experience CORD. 311 00:17:14,000 --> 00:17:14,199 Speaker 1: For that. 312 00:17:14,359 --> 00:17:18,640 Speaker 3: I mean, that was I'm like, huh, all right. 313 00:17:19,160 --> 00:17:19,920 Speaker 1: Yeah, I like it. 314 00:17:20,440 --> 00:17:24,000 Speaker 3: It was definitely like, Okay, I can't believe that this 315 00:17:24,080 --> 00:17:25,080 Speaker 3: has taking me this long. 316 00:17:26,000 --> 00:17:28,520 Speaker 1: Yeah, I was like, just then a Brad Baker. It 317 00:17:28,560 --> 00:17:29,200 Speaker 1: was Brad Baker. 318 00:17:29,760 --> 00:17:32,560 Speaker 3: Yeah, yeah, I think I mean all those I mean 319 00:17:33,600 --> 00:17:36,920 Speaker 3: because I didn't have a wedding. I mean in real life, 320 00:17:37,080 --> 00:17:40,639 Speaker 3: I we eloped, like for my wedding that was a 321 00:17:40,800 --> 00:17:44,280 Speaker 3: full blown wedding. That was I mean, I've only worn 322 00:17:44,320 --> 00:17:48,560 Speaker 3: wedding dresses on film, like my own wedding dress I 323 00:17:48,600 --> 00:17:51,120 Speaker 3: got for sixty three dollars at Loments. 324 00:17:51,480 --> 00:17:53,160 Speaker 2: That's right, because. 325 00:17:53,160 --> 00:17:54,920 Speaker 3: Well, because I know I don't walk into the water 326 00:17:55,560 --> 00:17:58,120 Speaker 3: and I'm. 327 00:17:57,920 --> 00:18:00,879 Speaker 1: Not going to take a you know, also, like you 328 00:18:00,920 --> 00:18:03,160 Speaker 1: wear it once and then it goes in a box, 329 00:18:03,359 --> 00:18:06,800 Speaker 1: so like, I know, great, great. 330 00:18:07,720 --> 00:18:10,680 Speaker 3: You'll save it. I mean, yours was so gorgeous that. 331 00:18:10,800 --> 00:18:15,520 Speaker 1: No, thanks, I mean preserved it. And yeah, em Emma 332 00:18:15,520 --> 00:18:17,199 Speaker 1: will do what she wants with it. I hope she 333 00:18:17,760 --> 00:18:20,400 Speaker 1: breaks it up and takes the fabric and makes little purses. 334 00:18:20,440 --> 00:18:23,000 Speaker 1: Did you see that in mine? No, So there's this 335 00:18:23,040 --> 00:18:27,200 Speaker 1: woman who had this gorgeous Japanese fabric for her great 336 00:18:27,200 --> 00:18:30,480 Speaker 1: grandmother's wedding and she's like, I can't wait to take 337 00:18:30,560 --> 00:18:33,800 Speaker 1: this and make these in two purses for my bridesmaids. 338 00:18:33,800 --> 00:18:38,560 Speaker 1: It was like the most gorgeous dress and they came 339 00:18:38,600 --> 00:18:40,360 Speaker 1: at her. I mean, she can do whatever she wants 340 00:18:40,359 --> 00:18:44,480 Speaker 1: to it. But the people online came after her. They're like, 341 00:18:44,520 --> 00:18:47,000 Speaker 1: you're gonna make this end up, persons, You're gonna rip 342 00:18:47,040 --> 00:18:49,160 Speaker 1: this thing up. And it was so crazy. But em 343 00:18:49,160 --> 00:18:50,320 Speaker 1: I can do whatever she wants. 344 00:18:50,080 --> 00:18:51,359 Speaker 2: It mine, I mean, did she do it? 345 00:18:51,359 --> 00:18:54,800 Speaker 1: Though? I want I don't know. I want to know. 346 00:18:55,200 --> 00:18:57,280 Speaker 1: I'm sure she did. You're gonna do what you're gonna do, 347 00:18:57,440 --> 00:18:59,480 Speaker 1: you know, Yeah, and you should. 348 00:19:00,200 --> 00:19:01,400 Speaker 3: It's her dress. 349 00:19:01,440 --> 00:19:03,280 Speaker 1: Exactly, her grandma gave it to her. 350 00:19:03,560 --> 00:19:05,640 Speaker 3: People got to get out of other people's. 351 00:19:05,280 --> 00:19:09,959 Speaker 1: Buns, that's right, Well, everybody thinks they have liberty. 352 00:19:10,920 --> 00:19:14,000 Speaker 3: Yeah, it's always just like I'm sorry, what. 353 00:19:16,560 --> 00:19:20,159 Speaker 5: No, I've no, I mean, I've really you know, because 354 00:19:21,560 --> 00:19:26,760 Speaker 5: am I'm not a name, and B I'm always playing 355 00:19:26,800 --> 00:19:32,439 Speaker 5: sympathetic characters on the whole that I kind of I 356 00:19:32,520 --> 00:19:33,720 Speaker 5: kind of dodged. 357 00:19:33,320 --> 00:19:38,960 Speaker 3: The the the the hecklers, so to speak. 358 00:19:40,760 --> 00:19:42,840 Speaker 2: Yeah. There. We've had a couple of people on and 359 00:19:42,840 --> 00:19:47,320 Speaker 2: they've talked about playing an unlikable character, and the stuff 360 00:19:47,480 --> 00:19:49,440 Speaker 2: they would get online was. 361 00:19:50,160 --> 00:19:54,560 Speaker 3: Oh, it's insane online. A friend of mine from high 362 00:19:54,600 --> 00:19:56,760 Speaker 3: school has been on Young and the Restless literally since 363 00:19:56,800 --> 00:20:02,000 Speaker 3: the Dinosaur age. That because that's rude and she's amazing 364 00:20:02,040 --> 00:20:04,919 Speaker 3: and she's built herself such an amazing career into whatever. 365 00:20:05,160 --> 00:20:09,440 Speaker 3: But you know, she used to get followed in her car. 366 00:20:09,960 --> 00:20:12,479 Speaker 3: People wanted, you know, because they were in their home. 367 00:20:12,520 --> 00:20:15,000 Speaker 3: You know, they're in people's homes in the middle of. 368 00:20:14,960 --> 00:20:17,320 Speaker 1: The day every day and. 369 00:20:17,320 --> 00:20:21,120 Speaker 3: So they're positive they know them, and she would get threats. 370 00:20:21,200 --> 00:20:22,280 Speaker 3: It was insane. 371 00:20:23,160 --> 00:20:26,320 Speaker 1: Yeah, those day tennis hopes are something people know. It's 372 00:20:26,359 --> 00:20:29,200 Speaker 1: a religious no, yes, absolutely absolutely. 373 00:20:29,720 --> 00:20:31,600 Speaker 2: I mean I grew up watching General Hospital every day 374 00:20:31,720 --> 00:20:33,880 Speaker 2: if I got it, and I. 375 00:20:34,920 --> 00:20:38,680 Speaker 3: The summer between my hold On freshman and sophomore year 376 00:20:38,840 --> 00:20:41,160 Speaker 3: and my sophomore and junior year in college, I worked 377 00:20:41,160 --> 00:20:45,119 Speaker 3: for Gennifal General Hospital. I worked in the front office 378 00:20:45,160 --> 00:20:48,600 Speaker 3: the first summer and the second summer was I worked 379 00:20:48,600 --> 00:20:50,560 Speaker 3: for the writers. The writers. 380 00:20:50,640 --> 00:20:53,880 Speaker 2: When did you decide, so you worked all these jobs 381 00:20:53,920 --> 00:20:56,920 Speaker 2: from the age of twelve, Well that was when my 382 00:20:57,000 --> 00:20:58,840 Speaker 2: dad was a producer, so that was right, you know, 383 00:20:59,520 --> 00:21:04,040 Speaker 2: but you clearly were in the entertainment business. Yeah, from childhood, 384 00:21:04,440 --> 00:21:07,040 Speaker 2: when did you start actually being like, I need to 385 00:21:07,200 --> 00:21:08,520 Speaker 2: be in front of the camera act. 386 00:21:08,880 --> 00:21:11,239 Speaker 3: I always wanted to. I just was insecure. I didn't know, 387 00:21:12,440 --> 00:21:14,960 Speaker 3: you know, it was like I was never pretty enough 388 00:21:15,000 --> 00:21:17,880 Speaker 3: and I was never character enough and so the confidence. 389 00:21:18,240 --> 00:21:20,400 Speaker 3: But I was funny, do you mean? And I knew 390 00:21:20,440 --> 00:21:22,760 Speaker 3: that but I didn't, but there was no bells and 391 00:21:22,760 --> 00:21:25,199 Speaker 3: whistles to it. I didn't have a funny voice. I 392 00:21:25,359 --> 00:21:30,360 Speaker 3: wasn't really charactery. So it was like people just I mean, 393 00:21:30,400 --> 00:21:32,840 Speaker 3: it still happens, but people just didn't know what to 394 00:21:32,880 --> 00:21:36,280 Speaker 3: do with me. And so because I didn't know what, 395 00:21:38,000 --> 00:21:40,040 Speaker 3: you know, where I fit in And I knew like 396 00:21:40,080 --> 00:21:41,920 Speaker 3: I did a lot of improv in college and things 397 00:21:41,960 --> 00:21:45,840 Speaker 3: like that. But when I graduated college, I worked at 398 00:21:46,080 --> 00:21:48,000 Speaker 3: ICM and CAA for a year and a half. 399 00:21:48,600 --> 00:21:50,399 Speaker 2: Did you did you do acting in college? Did you 400 00:21:50,440 --> 00:21:51,119 Speaker 2: go to school for that? 401 00:21:51,359 --> 00:21:51,479 Speaker 4: Well? 402 00:21:51,600 --> 00:21:53,159 Speaker 3: Yeah, I was a theater major and then I switched 403 00:21:53,160 --> 00:21:57,240 Speaker 3: to radio TV film at Northwestern and then but that's 404 00:21:57,280 --> 00:22:01,719 Speaker 3: where I did. I discovered improv and I discovered that 405 00:22:01,840 --> 00:22:04,639 Speaker 3: my that my brain worked in that way. 406 00:22:05,960 --> 00:22:06,239 Speaker 2: It did. 407 00:22:06,320 --> 00:22:08,119 Speaker 3: It took me a long time. I used to push 408 00:22:08,320 --> 00:22:12,280 Speaker 3: like nobody's business in comedy, you know, and it's like 409 00:22:12,320 --> 00:22:14,520 Speaker 3: the worst thing obviously that you can do. And then 410 00:22:15,200 --> 00:22:17,200 Speaker 3: I really didn't even know that I could do drama. 411 00:22:17,600 --> 00:22:21,960 Speaker 3: And then I did an episode of Ali McBeal. It 412 00:22:22,040 --> 00:22:27,000 Speaker 3: was the one hundredth episode, and I mean I was like, oh, God, 413 00:22:27,160 --> 00:22:31,600 Speaker 3: crying comes easy, you know, you know, and so and 414 00:22:31,640 --> 00:22:35,080 Speaker 3: then from then on people were like, oh, you know, 415 00:22:35,560 --> 00:22:38,520 Speaker 3: it's like I can cry, And so I was always 416 00:22:38,560 --> 00:22:43,919 Speaker 3: the crying mother. I mean we used to joke around 417 00:22:43,920 --> 00:22:47,040 Speaker 3: that I should just have like a reel of crying 418 00:22:47,960 --> 00:22:53,560 Speaker 3: snot cry, choke cry, you know, like hysteria, you know 419 00:22:53,720 --> 00:22:57,359 Speaker 3: of all that, and you know, and it would be 420 00:22:57,480 --> 00:23:01,359 Speaker 3: it'd be like a menu, which did you like and 421 00:23:01,359 --> 00:23:02,760 Speaker 3: then just give me a minute to listen to a 422 00:23:02,800 --> 00:23:03,280 Speaker 3: sad song. 423 00:23:05,080 --> 00:23:07,520 Speaker 1: That's when I remember meeting you for the first time 424 00:23:07,600 --> 00:23:09,280 Speaker 1: you were on set. I can't remember. Maybe it was 425 00:23:09,320 --> 00:23:11,840 Speaker 1: when Finn was singing to the sonogram and you were 426 00:23:11,880 --> 00:23:16,159 Speaker 1: talking about being pregnant human being pregnant. Then you were 427 00:23:16,200 --> 00:23:19,920 Speaker 1: listening to your iPod. Then you had your wait do. 428 00:23:19,880 --> 00:23:22,159 Speaker 3: You remember this? So you and Leah came up to 429 00:23:22,200 --> 00:23:24,600 Speaker 3: me and you were saying, I think you'd seen something 430 00:23:25,400 --> 00:23:29,200 Speaker 3: and you're so sweet. And then I go and I 431 00:23:29,280 --> 00:23:33,040 Speaker 3: was aware, Jenna that you were not in the first 432 00:23:33,080 --> 00:23:37,879 Speaker 3: cast of of a Spring Awakening, and I was listening 433 00:23:37,960 --> 00:23:38,840 Speaker 3: to that. 434 00:23:38,840 --> 00:23:44,400 Speaker 1: That's right, was it? Known? No? 435 00:23:44,400 --> 00:23:46,160 Speaker 3: No, no, No. 436 00:23:46,720 --> 00:23:50,080 Speaker 1: Blue Wind Sowring and Summer. That one, yes, the. 437 00:23:50,359 --> 00:23:53,800 Speaker 3: One where she's basically saying that she was, you know, molestious. 438 00:23:54,359 --> 00:23:56,280 Speaker 3: So I was listening to that and I was just like, 439 00:23:56,480 --> 00:23:57,280 Speaker 3: what this is? 440 00:23:58,240 --> 00:24:02,280 Speaker 1: That's funny. I forgot I remember that. Yeah, that's right, 441 00:24:02,560 --> 00:24:04,440 Speaker 1: But that's where I got the music from. When they 442 00:24:04,480 --> 00:24:06,439 Speaker 1: decided Tina was going to cry all the time on 443 00:24:06,480 --> 00:24:07,080 Speaker 1: the show. 444 00:24:07,520 --> 00:24:12,840 Speaker 3: Now it literally says, I mean less crying list Oh yeah. 445 00:24:12,880 --> 00:24:16,680 Speaker 3: And then if the material is good, then then it's 446 00:24:17,200 --> 00:24:20,399 Speaker 3: noat but especially if you've got like a d D. 447 00:24:20,760 --> 00:24:24,399 Speaker 3: If you my ability to carry on many conversations at 448 00:24:24,440 --> 00:24:29,480 Speaker 3: once is high. Yeah, but if like I'm my job 449 00:24:29,560 --> 00:24:32,320 Speaker 3: is to do this, I was like, oh, I need, 450 00:24:32,440 --> 00:24:35,000 Speaker 3: I need, I need a way to stay in that 451 00:24:35,080 --> 00:24:38,119 Speaker 3: because I won't I'll engage in all of that same 452 00:24:38,359 --> 00:24:41,440 Speaker 3: so and that's why I will put on I'll put 453 00:24:41,480 --> 00:24:42,040 Speaker 3: on music. 454 00:24:42,680 --> 00:24:43,840 Speaker 1: Yeah, you know. 455 00:24:44,040 --> 00:24:48,080 Speaker 3: And then you get the people they see, because remember 456 00:24:48,119 --> 00:24:53,040 Speaker 3: they saw the headphones. They were coming out right like AirPods, wins. 457 00:24:53,560 --> 00:24:58,320 Speaker 3: And I would always be amazed when people would be like, 458 00:24:59,200 --> 00:24:59,959 Speaker 3: what are you listening? 459 00:25:00,560 --> 00:25:06,919 Speaker 1: Yeah, do you listen to Hello? Hey, hi, hi y? 460 00:25:07,560 --> 00:25:10,800 Speaker 3: So what did you something to make you cry? 461 00:25:11,280 --> 00:25:12,840 Speaker 1: What did you, what did you eat this morning? 462 00:25:15,600 --> 00:25:15,959 Speaker 3: Crying? 463 00:25:17,680 --> 00:25:20,000 Speaker 1: I know I know that. 464 00:25:19,920 --> 00:25:24,240 Speaker 3: But and and I have to say, like, actually, I 465 00:25:24,480 --> 00:25:27,040 Speaker 3: just finished something in which I play a very officious 466 00:25:27,080 --> 00:25:32,800 Speaker 3: person ins degree, and uh I literally got home. I 467 00:25:32,840 --> 00:25:35,080 Speaker 3: was like, I kind of I kind of miss crying. 468 00:25:37,160 --> 00:25:41,119 Speaker 3: I kind of want to cry. And I was like, 469 00:25:41,160 --> 00:25:45,320 Speaker 3: I literally, I mean and for uh pretend cry. It's 470 00:25:45,359 --> 00:25:47,680 Speaker 3: been you know, it's been a while. 471 00:25:48,840 --> 00:25:54,800 Speaker 1: That's where is my protect Yeah? Exactly, that's really really funny. 472 00:25:54,920 --> 00:25:57,239 Speaker 2: I needed that playlist trick. I could have used that. 473 00:25:57,320 --> 00:25:59,760 Speaker 1: Oh yeah, I needed to do that a lot, because 474 00:26:00,359 --> 00:26:04,440 Speaker 1: my crap wasn't about crying, or it wasn't about sad content. 475 00:26:04,640 --> 00:26:07,080 Speaker 1: That's the thing. It wasn't even like it came out 476 00:26:07,119 --> 00:26:10,199 Speaker 1: of nowhere. And it was like, she's crying about my 477 00:26:10,280 --> 00:26:13,160 Speaker 1: funny while singing my funny Valentine, And you're like, how 478 00:26:13,160 --> 00:26:15,879 Speaker 1: do you make that work? How do you even make that? 479 00:26:15,960 --> 00:26:17,720 Speaker 1: That's supposed to be funny but it still supposed to 480 00:26:17,760 --> 00:26:20,240 Speaker 1: be crying, So like, how do you make that work? 481 00:26:21,760 --> 00:26:23,960 Speaker 3: My hitchcock. There's a few times where I would get 482 00:26:23,960 --> 00:26:27,480 Speaker 3: the first draft and I'd be like, Carol's got some 483 00:26:27,520 --> 00:26:29,520 Speaker 3: really good stuff, and I'd get the second, I'd be like, 484 00:26:29,640 --> 00:26:33,439 Speaker 3: oh okay, and I could still make that work. And 485 00:26:33,480 --> 00:26:36,480 Speaker 3: then I'd get the shooting script and I'd get Hitchcock 486 00:26:36,480 --> 00:26:38,480 Speaker 3: coming up to me going, I'm so sorry, we've taken 487 00:26:38,520 --> 00:26:44,040 Speaker 3: out all the transitions, and that happened. That was the 488 00:26:44,040 --> 00:26:47,600 Speaker 3: one hold on, hold on when I tell the truth 489 00:26:47,640 --> 00:26:51,080 Speaker 3: about Finn's dad, when I tell them the truth, this 490 00:26:51,119 --> 00:26:56,200 Speaker 3: whole thing that would lead up to that. Wait, they'd 491 00:26:56,240 --> 00:26:59,119 Speaker 3: still get all the way. So I literally had to 492 00:26:59,119 --> 00:27:01,399 Speaker 3: go from zero six and you're like, everybody out of 493 00:27:01,440 --> 00:27:05,480 Speaker 3: my way. Okay, I got some start to make. 494 00:27:08,240 --> 00:27:15,159 Speaker 1: Yes, yes, yes, exactly, Yeah, she's exactly you know. 495 00:27:15,480 --> 00:27:19,560 Speaker 3: Oh yeah, there's a movie if you haven't seen it, 496 00:27:19,840 --> 00:27:24,320 Speaker 3: but be ready. It's very mushalled truly, madly deeply. It's 497 00:27:24,359 --> 00:27:27,879 Speaker 3: an independent movie with Juliette Stephenson. It was an English 498 00:27:27,960 --> 00:27:34,159 Speaker 3: movie and Alan Rickman. It's like kind kind of like 499 00:27:34,240 --> 00:27:39,560 Speaker 3: ghost you know, Patrick Swayzey, but she has a scene 500 00:27:39,920 --> 00:27:45,600 Speaker 3: and that was where she is full on like you 501 00:27:45,640 --> 00:27:48,080 Speaker 3: guys know that of those times where you were crying 502 00:27:48,119 --> 00:27:51,480 Speaker 3: so like you you choke you literally because it is 503 00:27:51,840 --> 00:27:55,359 Speaker 3: and it's coming out of it everywhere, and it was 504 00:27:55,480 --> 00:27:58,399 Speaker 3: it's like it was this independent film, and I was 505 00:27:59,160 --> 00:28:02,359 Speaker 3: nez Mari because I was just like it was so 506 00:28:02,600 --> 00:28:07,480 Speaker 3: real and it was like, you know, even you know, 507 00:28:07,600 --> 00:28:11,959 Speaker 3: it's hard. It's hard to make network stuff real because 508 00:28:12,000 --> 00:28:17,720 Speaker 3: there's a formula and you know, and and and people 509 00:28:17,760 --> 00:28:19,399 Speaker 3: have to be brave to try it and make it. 510 00:28:19,440 --> 00:28:24,760 Speaker 3: But you can't be brave unless you have like a stature. 511 00:28:24,840 --> 00:28:27,159 Speaker 2: Sometimes I was going to ask how you do it, 512 00:28:27,200 --> 00:28:30,480 Speaker 2: because I think network stuff is hard to make, and 513 00:28:30,480 --> 00:28:35,520 Speaker 2: network stuff, like making grounded network stuff, it's hard to make. 514 00:28:36,040 --> 00:28:38,880 Speaker 2: Glee wasn't necessarily the most grounded show on the planet, 515 00:28:39,960 --> 00:28:45,360 Speaker 2: but your stuff was always was. Did you how as 516 00:28:45,400 --> 00:28:50,800 Speaker 2: an actor are you conscious of sort of genre like 517 00:28:50,840 --> 00:28:53,400 Speaker 2: the type of show you're on, the type of or 518 00:28:53,480 --> 00:28:55,640 Speaker 2: is it sort of seen by seeing basis of these 519 00:28:55,640 --> 00:28:57,360 Speaker 2: are the scenes I'm in, and these how they read 520 00:28:57,400 --> 00:28:59,240 Speaker 2: to me? So this is what we're doing. Are you 521 00:28:59,320 --> 00:29:02,160 Speaker 2: thinking out as at a larger scale, macro level of 522 00:29:02,200 --> 00:29:04,160 Speaker 2: what the show is and then what network it's on? 523 00:29:04,240 --> 00:29:05,160 Speaker 2: How does that work for you? 524 00:29:05,320 --> 00:29:07,840 Speaker 3: Not the network, not, not any of that. I think 525 00:29:07,840 --> 00:29:09,840 Speaker 3: that you've got to get the tone of the show, 526 00:29:10,320 --> 00:29:13,960 Speaker 3: but in those moments, because I do believe that as 527 00:29:14,360 --> 00:29:21,600 Speaker 3: wild and crazy as as Glee was is you have 528 00:29:21,680 --> 00:29:24,800 Speaker 3: to have the other stuff or it's too much totally. 529 00:29:25,040 --> 00:29:29,840 Speaker 3: So you literally had to have that quiet moment of 530 00:29:31,200 --> 00:29:37,480 Speaker 3: because it went from Finn singing to a sonogram Yeah bonkers, right, 531 00:29:38,680 --> 00:29:42,000 Speaker 3: his mom coming in and being like what and then realizing, 532 00:29:43,000 --> 00:29:48,560 Speaker 3: oh shit, he's gotten someone pregnant. So the only I 533 00:29:48,600 --> 00:29:50,680 Speaker 3: mean to me, the only way to do that is 534 00:29:50,720 --> 00:29:52,600 Speaker 3: to play it real. 535 00:29:53,520 --> 00:29:54,640 Speaker 2: Yeah, I and. 536 00:29:56,200 --> 00:30:01,280 Speaker 3: My tricks if it's not, if they're no transitions is 537 00:30:01,320 --> 00:30:04,760 Speaker 3: you know you you you do you talk like a 538 00:30:04,840 --> 00:30:10,520 Speaker 3: human you you know, people don't talk everything out like 539 00:30:10,560 --> 00:30:15,880 Speaker 3: it's a script, and so we do pause or mumble 540 00:30:16,200 --> 00:30:20,520 Speaker 3: or repeat ourselves or whatever. And so that's what I 541 00:30:20,560 --> 00:30:23,000 Speaker 3: try to do. I really really try. I try not 542 00:30:23,080 --> 00:30:29,200 Speaker 3: to rehearse it, even in my head as much because 543 00:30:29,200 --> 00:30:33,800 Speaker 3: I really trust to me, if it's in something where 544 00:30:33,800 --> 00:30:36,320 Speaker 3: you're you've got another partner, I really do try to 545 00:30:37,600 --> 00:30:40,200 Speaker 3: find a common ground between the partner, you know, whatever 546 00:30:40,240 --> 00:30:44,720 Speaker 3: that is, and therefore there's a chemistry, right, because I 547 00:30:45,400 --> 00:30:49,680 Speaker 3: think that you can we can all pretend for sure 548 00:30:50,640 --> 00:30:54,120 Speaker 3: that there's chemistry with someone, but if there's really but 549 00:30:54,320 --> 00:30:57,720 Speaker 3: you can't replace the real stuff. And that's what was 550 00:30:57,800 --> 00:31:00,520 Speaker 3: unique about all you guys, is all all of you 551 00:31:00,680 --> 00:31:03,800 Speaker 3: had chemistry together, and that was rare. I mean, it 552 00:31:03,880 --> 00:31:10,040 Speaker 3: was definitely a unicorn, and I wouldn't have if, you know, 553 00:31:10,160 --> 00:31:12,120 Speaker 3: if it was just you were watching separate. 554 00:31:11,840 --> 00:31:15,280 Speaker 2: Things, right, And you can feel that as a viewer. 555 00:31:15,480 --> 00:31:18,160 Speaker 2: You you may not be conscious of that's what you're feeling, 556 00:31:18,640 --> 00:31:23,240 Speaker 2: but you know it's not exactly right or as magical, 557 00:31:23,640 --> 00:31:24,960 Speaker 2: you know, magnetic as it could be. 558 00:31:25,560 --> 00:31:28,760 Speaker 3: Right, Yeah, and so you know, and and and it's 559 00:31:29,600 --> 00:31:31,240 Speaker 3: and it's part of the job. So I always think 560 00:31:31,240 --> 00:31:37,160 Speaker 3: that when I do get something really mad and I 561 00:31:37,200 --> 00:31:39,080 Speaker 3: have to do it, you know, I just. 562 00:31:40,880 --> 00:31:43,360 Speaker 1: I just do it right. 563 00:31:43,440 --> 00:31:45,719 Speaker 2: Yeah, I mean I feel like too, if it's particularly 564 00:31:45,720 --> 00:31:48,880 Speaker 2: something you don't think is of quality, then it can 565 00:31:48,920 --> 00:31:51,160 Speaker 2: also be another challenge of Okay, how do I make 566 00:31:51,240 --> 00:31:53,959 Speaker 2: how do I make this work? Yeah? 567 00:31:54,080 --> 00:31:55,040 Speaker 1: Totally yep. 568 00:31:55,400 --> 00:32:01,200 Speaker 3: Oh my god, I did two seasons of something. I'm 569 00:32:01,200 --> 00:32:06,600 Speaker 3: just gonna say. But but it's just like you, You're like, 570 00:32:07,400 --> 00:32:10,400 Speaker 3: it's I just I could just let me know. You're 571 00:32:10,400 --> 00:32:13,040 Speaker 3: not gonna let me ret because I think that when 572 00:32:13,240 --> 00:32:15,560 Speaker 3: when on a television show, if you have a bunch 573 00:32:15,600 --> 00:32:17,760 Speaker 3: of different characters of different ages and stuff, like that. 574 00:32:17,880 --> 00:32:18,400 Speaker 3: You have to. 575 00:32:18,720 --> 00:32:22,400 Speaker 2: It's got to be represented, right, Yes, people talk differently. 576 00:32:22,600 --> 00:32:27,080 Speaker 3: You know, and and having a young single person, right, 577 00:32:28,000 --> 00:32:31,560 Speaker 3: mom dialogue, it's gonna be mom dialogue. 578 00:32:33,200 --> 00:32:34,280 Speaker 2: So you know. 579 00:32:34,440 --> 00:32:41,480 Speaker 3: So my job is to throw in the uh oh right, the. 580 00:32:41,400 --> 00:32:48,800 Speaker 2: Noises acting school of Romie. Yeah, that's what I need. 581 00:32:49,040 --> 00:32:50,720 Speaker 1: That's what I need. I need. 582 00:32:51,000 --> 00:32:52,840 Speaker 2: This is great. We're just doing this selfishly. We're just 583 00:32:52,840 --> 00:32:54,760 Speaker 2: taking okay, and then what do you do? 584 00:32:54,960 --> 00:32:57,680 Speaker 3: Yeah, that's but I mean I just finished something and 585 00:32:58,000 --> 00:33:01,040 Speaker 3: Pete do you know who Pete Holmes is? Yeah? Okay, 586 00:33:01,160 --> 00:33:04,160 Speaker 3: he was my counterpart. So he's I'm five to four, 587 00:33:04,440 --> 00:33:07,680 Speaker 3: he's six six, and I was and I was his 588 00:33:08,440 --> 00:33:16,280 Speaker 3: I'm his superior in this agents interrogation agents, and we 589 00:33:16,280 --> 00:33:17,760 Speaker 3: we were it was like some of the stuff we 590 00:33:17,920 --> 00:33:21,440 Speaker 3: just had to keep repeating and like it just would 591 00:33:21,480 --> 00:33:23,320 Speaker 3: be a different line or different scene, but it was 592 00:33:23,360 --> 00:33:25,600 Speaker 3: kind of the same stuff. And a lot of my 593 00:33:25,680 --> 00:33:27,960 Speaker 3: stuff was looks. And I was like at some point, 594 00:33:28,000 --> 00:33:32,360 Speaker 3: I'm like, I'm fresh out of I don't have can't 595 00:33:33,160 --> 00:33:39,400 Speaker 3: mouth the gate, can't you know? There there was I 596 00:33:39,440 --> 00:33:41,840 Speaker 3: mean to totally out myself, but there was because I 597 00:33:41,880 --> 00:33:43,400 Speaker 3: was back and forth and I was like, you know, 598 00:33:43,520 --> 00:33:45,800 Speaker 3: I I think I need a little bobo right up 599 00:33:45,800 --> 00:33:53,320 Speaker 3: here botox for those and uh, not too much. 600 00:33:53,440 --> 00:33:58,240 Speaker 6: But then it hit and I I was in makeup 601 00:33:58,280 --> 00:34:01,760 Speaker 6: and and uh, I'm like I could There was no surprise, 602 00:34:03,400 --> 00:34:04,520 Speaker 6: like like it was. 603 00:34:04,560 --> 00:34:06,840 Speaker 3: Literally I'll never do that again. There was literally a 604 00:34:06,840 --> 00:34:07,360 Speaker 3: lot of like. 605 00:34:09,320 --> 00:34:09,680 Speaker 1: A lot of. 606 00:34:11,160 --> 00:34:12,920 Speaker 2: Big guys, big guys. 607 00:34:12,719 --> 00:34:16,480 Speaker 4: Or you know, a lot of like when I it 608 00:34:16,600 --> 00:34:23,880 Speaker 4: was like, oh dear, that is not gonna but why. 609 00:34:24,160 --> 00:34:27,560 Speaker 3: I don't know. I can't remember why I was bringing 610 00:34:27,600 --> 00:34:29,960 Speaker 3: that up. But it didn't matter because I mean, that 611 00:34:30,120 --> 00:34:36,759 Speaker 3: was it was super fun and god, yeah, you know 612 00:34:36,800 --> 00:34:37,600 Speaker 3: it is funny. 613 00:34:38,239 --> 00:34:41,720 Speaker 1: Wow, it was funny people. Yeah. 614 00:34:41,800 --> 00:34:44,239 Speaker 3: Yeah. But and we were always sitting and so I 615 00:34:44,280 --> 00:34:46,920 Speaker 3: think there was there was a scene where I was 616 00:34:46,960 --> 00:34:51,400 Speaker 3: standing and all of a sudden, he goes, you're tiny. 617 00:34:52,040 --> 00:34:53,200 Speaker 3: That's ye. 618 00:34:53,560 --> 00:34:55,040 Speaker 1: I said, just figure this out. 619 00:34:55,080 --> 00:34:57,640 Speaker 3: Now you are just six six, He goes, We're always sitting. 620 00:34:58,840 --> 00:35:02,279 Speaker 3: It's one of those. And thinking about it, Corey was 621 00:35:02,320 --> 00:35:05,040 Speaker 3: six three, I'm all with super tall people. 622 00:35:05,640 --> 00:35:08,960 Speaker 1: Yeah, we were really we were in a van. We 623 00:35:08,960 --> 00:35:11,799 Speaker 1: were in like four different cars going from like one 624 00:35:11,880 --> 00:35:14,319 Speaker 1: city to the other. On this on the Hot Topic tour, 625 00:35:14,440 --> 00:35:18,799 Speaker 1: very early on in our in the Glee life and 626 00:35:18,880 --> 00:35:21,400 Speaker 1: we stopped at a gas station to get some peeing, 627 00:35:21,440 --> 00:35:23,759 Speaker 1: to get some snacks, and Corey gets out and all 628 00:35:23,760 --> 00:35:25,839 Speaker 1: the girls had finally taken their heels off. We've been 629 00:35:25,840 --> 00:35:29,279 Speaker 1: doing press, you know, with our four inch you know, lubatons. 630 00:35:31,800 --> 00:35:33,719 Speaker 1: And he looks at us in the girl in the 631 00:35:33,719 --> 00:35:36,320 Speaker 1: gas station. I'll never forget. He goes like, I'm tall. 632 00:35:37,560 --> 00:35:40,680 Speaker 1: I remember, and he's like, you guys are so short. 633 00:35:40,760 --> 00:35:43,560 Speaker 1: We were like, we know it was Emmer and Leah 634 00:35:43,600 --> 00:35:45,319 Speaker 1: all next to each other. We were like, and we're like, 635 00:35:45,719 --> 00:35:51,200 Speaker 1: I mean average five to two. Maybe he's like, God. 636 00:35:52,000 --> 00:35:54,480 Speaker 2: I for completely forgot about that. I was in the 637 00:35:54,520 --> 00:35:55,080 Speaker 2: aisle over. 638 00:35:56,120 --> 00:36:02,360 Speaker 3: That's hilarious. 639 00:36:06,239 --> 00:36:11,399 Speaker 1: So you came back even after Corey passed away? Did 640 00:36:11,400 --> 00:36:15,000 Speaker 1: you I know, obviously that's not what we were thinking about, 641 00:36:15,040 --> 00:36:18,040 Speaker 1: but like, did you think like, oh, that's it for 642 00:36:18,160 --> 00:36:21,000 Speaker 1: my character? Did you think there was like stuff because 643 00:36:21,000 --> 00:36:23,920 Speaker 1: of Bert and Kurt and everything. 644 00:36:24,400 --> 00:36:27,000 Speaker 3: No, I didn't think that I'd be back. M m. 645 00:36:28,719 --> 00:36:29,040 Speaker 2: M hm. 646 00:36:29,760 --> 00:36:32,239 Speaker 3: I mean to be honest, when when I found out 647 00:36:32,320 --> 00:36:36,600 Speaker 3: they weren't doing that, they were doing it that. We 648 00:36:36,640 --> 00:36:40,719 Speaker 3: don't know how Finn passed Like, none of that I 649 00:36:40,880 --> 00:36:42,920 Speaker 3: hope that I would have been part of that. But 650 00:36:43,719 --> 00:36:46,799 Speaker 3: the stuff later when I think, gentlemen, you and I 651 00:36:46,880 --> 00:36:50,360 Speaker 3: had a scene when it was like whatever it was, reaching. 652 00:36:50,160 --> 00:36:53,280 Speaker 1: Whatever it was, it was a hotel room, right, hotel room, 653 00:36:53,760 --> 00:36:54,239 Speaker 1: like I was. 654 00:36:54,880 --> 00:36:58,040 Speaker 3: I never thought that that I'd be back. 655 00:36:58,400 --> 00:37:03,320 Speaker 1: Wow, that makes sense, but which. 656 00:37:03,160 --> 00:37:07,520 Speaker 3: You know, which I you know, because Chris wasn't even 657 00:37:08,200 --> 00:37:09,480 Speaker 3: there because that was later on. 658 00:37:09,560 --> 00:37:13,520 Speaker 1: Right exactly, he was off a New York that's right, 659 00:37:14,520 --> 00:37:14,960 Speaker 1: that's right. 660 00:37:16,400 --> 00:37:19,280 Speaker 3: Yeah, it was very I was very very It was very. 661 00:37:19,120 --> 00:37:24,080 Speaker 1: Surprised, right, I didn't even think about that. Yeah, But I. 662 00:37:24,000 --> 00:37:26,239 Speaker 3: Mean, and that's what it is. I mean, even like 663 00:37:26,280 --> 00:37:29,839 Speaker 3: I was in the last season of a Million Little 664 00:37:29,840 --> 00:37:32,879 Speaker 3: Things that they only did a half season, and even 665 00:37:32,880 --> 00:37:35,920 Speaker 3: in that people are often like because I only de 666 00:37:36,040 --> 00:37:38,480 Speaker 3: nine of those and people are like you only Denine. 667 00:37:39,360 --> 00:37:39,640 Speaker 1: Wow. 668 00:37:40,440 --> 00:37:42,919 Speaker 3: But it's like when you're dealing with an ensemble cast, 669 00:37:42,960 --> 00:37:46,759 Speaker 3: there are so many stories to tell totally that that 670 00:37:46,760 --> 00:37:50,320 Speaker 3: that's like that's the kid death for like a recurring 671 00:37:50,400 --> 00:37:52,799 Speaker 3: unless the arc is about that person. 672 00:37:52,440 --> 00:37:55,280 Speaker 1: You know, totally like that season. 673 00:37:57,239 --> 00:38:00,160 Speaker 2: Yeah, no, I was really surprised done. 674 00:38:00,520 --> 00:38:04,120 Speaker 1: And then the last one obviously where everybody came back. 675 00:38:04,200 --> 00:38:07,000 Speaker 3: Yeah, exactly. Yeah, there's a I mean there's a lot 676 00:38:07,040 --> 00:38:10,319 Speaker 3: of like you you have those isolated fun moments like 677 00:38:10,440 --> 00:38:15,600 Speaker 3: in Fort. I remember remember Carol Carol directed that, Carol Banker, 678 00:38:15,840 --> 00:38:19,919 Speaker 3: and I just remember everybody walks down and then I'm 679 00:38:19,960 --> 00:38:27,600 Speaker 3: walking down and cut just you're mouthing mouthing the words 680 00:38:28,120 --> 00:38:31,359 Speaker 3: but don't need to sing, and I go, yes, oh 681 00:38:31,400 --> 00:38:35,400 Speaker 3: my god, seriously, and I mean time and time and 682 00:38:35,440 --> 00:38:42,640 Speaker 3: time again. Just got so into the Merrit song that 683 00:38:42,680 --> 00:38:44,719 Speaker 3: I was like, what do you know? I didn't know not. 684 00:38:44,920 --> 00:38:46,000 Speaker 3: She's like, I have it on film. 685 00:38:46,000 --> 00:38:50,640 Speaker 2: I'm like, I'm gonna trust that now literal fil. 686 00:38:50,840 --> 00:38:52,640 Speaker 1: You don't need to show me. I just trust yes, 687 00:38:52,880 --> 00:38:53,719 Speaker 1: now I'm touch you. 688 00:38:53,840 --> 00:38:56,200 Speaker 3: But I remember, I do remember, like it was crazy 689 00:38:56,239 --> 00:38:59,719 Speaker 3: for everybody else, like you think about production, but that 690 00:38:59,800 --> 00:39:00,759 Speaker 3: was super. 691 00:39:00,480 --> 00:39:01,719 Speaker 2: Fun so much. 692 00:39:02,960 --> 00:39:05,239 Speaker 1: I remember that one. There are some episodes that kind 693 00:39:05,280 --> 00:39:06,759 Speaker 1: of go by the wayside, and then there are some 694 00:39:06,840 --> 00:39:10,640 Speaker 1: episodes like Fort where it's very vivid, the whole episode 695 00:39:10,680 --> 00:39:11,920 Speaker 1: is very whole episode. 696 00:39:12,320 --> 00:39:15,360 Speaker 2: Yeah, also can connect it. I think it helps connecting 697 00:39:15,360 --> 00:39:16,960 Speaker 2: it to a place that is different from what we 698 00:39:16,960 --> 00:39:21,680 Speaker 2: were used to every single day. And Tequila that was memorable, you. 699 00:39:21,640 --> 00:39:25,880 Speaker 1: Know, of course, brings people together. 700 00:39:26,520 --> 00:39:29,520 Speaker 2: Oh it did? You were never like when that happened, like, 701 00:39:29,719 --> 00:39:32,120 Speaker 2: she's amazing, Can. 702 00:39:32,000 --> 00:39:34,399 Speaker 1: We have can we Carol come back all the time? 703 00:39:36,080 --> 00:39:36,319 Speaker 3: Bank? 704 00:39:36,480 --> 00:39:37,839 Speaker 1: You here just all the time? 705 00:39:39,040 --> 00:39:40,759 Speaker 3: She might know? 706 00:39:41,880 --> 00:39:48,120 Speaker 1: What is the feeling that Glee leaves you with? Now? 707 00:39:50,880 --> 00:39:54,359 Speaker 3: I mean I take away I do I take away 708 00:39:54,480 --> 00:39:57,640 Speaker 3: all the positive stuff, which was friends, I mean it 709 00:39:57,680 --> 00:40:00,719 Speaker 3: was it was definitely an opportunity for me. There was 710 00:40:00,760 --> 00:40:02,680 Speaker 3: the negative parts of it, which is like I never 711 00:40:02,719 --> 00:40:06,520 Speaker 3: got to audition for anything on Fox at Allies in 712 00:40:06,560 --> 00:40:09,080 Speaker 3: six years, but I only did eighteen episodes. 713 00:40:09,560 --> 00:40:10,280 Speaker 1: That's crazy. 714 00:40:10,320 --> 00:40:12,640 Speaker 3: When I found that out, I'm like, wait, this is 715 00:40:12,719 --> 00:40:17,160 Speaker 3: keeping me from potentially working, right. That was very upsetting 716 00:40:17,320 --> 00:40:22,680 Speaker 3: on a different level, which yeah, I mean just like 717 00:40:22,719 --> 00:40:25,120 Speaker 3: also what is fair level? 718 00:40:25,800 --> 00:40:25,960 Speaker 5: Right? 719 00:40:26,520 --> 00:40:28,640 Speaker 3: You know, it just didn't seem very fair. But I 720 00:40:28,719 --> 00:40:32,680 Speaker 3: always it's like, I always get so excited to see 721 00:40:32,719 --> 00:40:35,279 Speaker 3: you guys in real life, and that wouldn't happen if 722 00:40:35,280 --> 00:40:38,279 Speaker 3: we didn't have that, you know, and I didn't have 723 00:40:40,320 --> 00:40:45,400 Speaker 3: I might have gotten disappointed in the lack of stuff sometimes, 724 00:40:46,480 --> 00:40:52,040 Speaker 3: but the experience for me was only positive. The on 725 00:40:52,120 --> 00:40:54,440 Speaker 3: screen you know, again, I wish that I'd had more 726 00:40:55,000 --> 00:41:01,080 Speaker 3: or you know, a stronger storyline or more or more 727 00:41:01,239 --> 00:41:05,680 Speaker 3: a more challenging one. M h. But when I was there, 728 00:41:05,800 --> 00:41:10,400 Speaker 3: I always had a blast, always blast. 729 00:41:11,320 --> 00:41:12,879 Speaker 2: Yeah, you made it a blast for everyone else. 730 00:41:13,200 --> 00:41:16,399 Speaker 1: Also brought us a lot of bake goods, so many 731 00:41:16,440 --> 00:41:16,960 Speaker 1: bake goods. 732 00:41:17,120 --> 00:41:20,840 Speaker 3: Yeah, you guys actually helped me kind of think about 733 00:41:20,880 --> 00:41:23,360 Speaker 3: tiny bites even though the never turn into something because 734 00:41:23,360 --> 00:41:26,080 Speaker 3: I brought I brought muffins and everybody would eat like 735 00:41:26,120 --> 00:41:27,799 Speaker 3: a half, and then I would seem and be like, no, 736 00:41:27,920 --> 00:41:30,640 Speaker 3: that's not gonna work. And then I did remember I 737 00:41:30,680 --> 00:41:32,160 Speaker 3: did them in balls. 738 00:41:32,320 --> 00:41:35,840 Speaker 2: Yes, I remember them. 739 00:41:35,280 --> 00:41:40,279 Speaker 1: And then and then the yeah, we love tiny bites. 740 00:41:40,280 --> 00:41:41,359 Speaker 1: I think about tiny bites a lot. 741 00:41:41,480 --> 00:41:42,000 Speaker 2: Delicious. 742 00:41:42,320 --> 00:41:44,520 Speaker 3: You know you can total double fist. 743 00:41:45,440 --> 00:41:46,960 Speaker 2: Yeah, I wouldn't have left half of muffin. 744 00:41:47,600 --> 00:41:49,359 Speaker 1: That would have never left half. 745 00:41:49,440 --> 00:41:54,920 Speaker 3: No, I might have, honey, because you had to put in. No, 746 00:41:55,080 --> 00:41:56,759 Speaker 3: you had to get in those costumes. 747 00:41:56,760 --> 00:41:59,640 Speaker 2: They weren't exactly, they weren't for everyone is so tiny, 748 00:42:01,000 --> 00:42:05,280 Speaker 2: watching like everyone is so little and like skinny. Yeah, 749 00:42:05,320 --> 00:42:07,520 Speaker 2: and just you guys were young. 750 00:42:07,960 --> 00:42:12,280 Speaker 1: Exactly hey day. I mean Chris was thought we were fat. 751 00:42:12,080 --> 00:42:14,719 Speaker 3: But we were so Chris was eighteen. Were you the 752 00:42:14,719 --> 00:42:15,720 Speaker 3: next youngest Kevin. 753 00:42:16,560 --> 00:42:21,200 Speaker 2: Yes, until Cord came around. And Cord was the youngest. 754 00:42:22,280 --> 00:42:23,760 Speaker 3: Yeah, he was younger than Chris. 755 00:42:24,400 --> 00:42:27,360 Speaker 2: No, no, he was in between me and Chrish. 756 00:42:27,520 --> 00:42:31,520 Speaker 1: Yeah yeah right, yes, yeah, what a time, What a time? 757 00:42:31,600 --> 00:42:33,880 Speaker 1: And children, truly children. 758 00:42:33,600 --> 00:42:37,640 Speaker 3: And now you have your own. Yeah, that is bonkers. 759 00:42:38,239 --> 00:42:39,360 Speaker 1: It is such bonkers. 760 00:42:40,440 --> 00:42:40,640 Speaker 5: Yeah. 761 00:42:40,760 --> 00:42:44,680 Speaker 1: Last night we were watching another episode and David looked 762 00:42:44,680 --> 00:42:46,960 Speaker 1: at me, and because I have he makes I make 763 00:42:47,000 --> 00:42:51,920 Speaker 1: him watch them all day and he's like, that's on 764 00:42:52,120 --> 00:42:53,359 Speaker 1: his mom And I was like. 765 00:42:53,600 --> 00:42:55,600 Speaker 3: That's really so sweet. 766 00:42:55,800 --> 00:42:58,279 Speaker 1: You don't think about it that way. Yeah, But then 767 00:42:58,320 --> 00:43:00,359 Speaker 1: I was like, oh god, she'll never watch it show. 768 00:43:00,400 --> 00:43:01,040 Speaker 1: I'm just kidding. 769 00:43:02,080 --> 00:43:07,319 Speaker 3: Oh when she starts, you know, she starts dancing and 770 00:43:07,320 --> 00:43:07,960 Speaker 3: stuff like that. 771 00:43:08,200 --> 00:43:11,319 Speaker 1: Yes, yeah, yeah, my niece started watching it when I 772 00:43:11,400 --> 00:43:14,000 Speaker 1: was when they were little, but just the musical numbers, 773 00:43:14,000 --> 00:43:16,759 Speaker 1: so my brother just playing the musical members except for 774 00:43:16,920 --> 00:43:22,640 Speaker 1: push It anyway, we love you and we're just so 775 00:43:22,719 --> 00:43:26,279 Speaker 1: grateful that we have you as a friend and thank you. 776 00:43:26,920 --> 00:43:28,920 Speaker 2: Thank you for spending this much time with us today. 777 00:43:28,920 --> 00:43:31,120 Speaker 3: Oh my god, I will you know, I would I 778 00:43:31,120 --> 00:43:32,200 Speaker 3: wish that it was in person. 779 00:43:32,320 --> 00:43:34,600 Speaker 2: I really do love you, Romie. 780 00:43:34,480 --> 00:43:36,960 Speaker 3: Love you, bye bye. 781 00:43:37,600 --> 00:43:38,680 Speaker 1: Well we warned, you. 782 00:43:40,480 --> 00:43:40,920 Speaker 3: Warned you. 783 00:43:41,320 --> 00:43:43,719 Speaker 2: We could talk for days. 784 00:43:43,160 --> 00:43:44,720 Speaker 1: Just just gabbing. 785 00:43:44,960 --> 00:43:49,160 Speaker 2: Gabbin way anything. We just talked. We just talked. 786 00:43:49,719 --> 00:43:52,279 Speaker 1: I know, got a lover. Well, Ronie, thanks for coming 787 00:43:52,320 --> 00:43:54,560 Speaker 1: on and I hope you guys enjoyed the episode and 788 00:43:54,680 --> 00:43:55,439 Speaker 1: come back next week. 789 00:43:55,480 --> 00:43:59,040 Speaker 2: That's what you really missed. Thanks for listening and follow 790 00:43:59,120 --> 00:44:01,919 Speaker 2: us on Instagram and that's what you really miss pod. 791 00:44:02,239 --> 00:44:04,080 Speaker 2: Make sure to write us a review and leave us 792 00:44:04,080 --> 00:44:05,600 Speaker 2: five stars. See you next time.