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Speaker 1: Guys, I've never been to a drive in in my life.

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Speaker 1: Never have you guys been to drivings before? I love

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Speaker 1: driving movie. I've only been to a drive in when

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Speaker 1: I was making it was I was making a movie, right,

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Speaker 1: and there was no nothing on the screen at the

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Speaker 1: driven but we were in the drive in theater, so

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Speaker 1: we were in the spots. But we were pretending to

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Speaker 1: watch a movie. I see when there was almost the

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Speaker 1: same thing. That's that's the only real that's Hollywood. Yeah,

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Speaker 1: it was a It was a Hollywood Yes, it was

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Speaker 1: movie magic and and everything worked out in at the

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Speaker 1: drive in. What happened? It was a makeout scene. It

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Speaker 1: was aout makeout successfully. I made out successful. Well that's

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Speaker 1: what's synonymous with driving. This is making out. But we

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Speaker 1: won't be doing any making out today, are you sure?

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Speaker 1: Well we'll see what happened. Okay, Okay, but listen, I'm

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Speaker 1: very happy to be I want to thank the good

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Speaker 1: folks a Hunday for making this all happen. My driving

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Speaker 1: dreams come truey in the brand new Hounday Ionic five,

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Speaker 1: which is Donald's new car. What do you think I

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Speaker 1: love it? Listen, day ahead, I want to make a deal. Yeah,

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Speaker 1: you're a kind of deal they gave. Yeah, I would

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Speaker 1: like to make another deal. I would like to be

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Speaker 1: able this car, drive this car for pretty much the

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Speaker 1: rest of my life. No, Joe, so many great features.

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Speaker 1: It's beautiful. I have to tell you. I love the

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Speaker 1: double screens. What do you like the mood that I've

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Speaker 1: set in the car to Also, you can choose the

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Speaker 1: mood color and we have purple. Is purple your color?

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Speaker 1: Royalty baby. And there's a plug in the back, Dane,

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Speaker 1: which I appreciate. What didn't are you using it? Big

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Speaker 1: fan of the plug in the back? Using it to

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Speaker 1: power our zoom h six to record this whole session

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Speaker 1: right now. Like a legit plug. It's oh, it's real.

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Speaker 1: It's very legit. And there's two of them. Let me

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Speaker 1: tell you something I really like about the Hyndayonic five.

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Speaker 1: I had a competitive brand and it would not go

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Speaker 1: three hundred miles. This on full charge would go three

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Speaker 1: hundred and three miles. Donald, Yet it I pushed it

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Speaker 1: to the limit. Yes, I've charged you went three hundred

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Speaker 1: and four miles. I got all the way to three

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Speaker 1: hundred miles and then we charged this bad boy. Yeah,

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Speaker 1: and you know, and it gives you all the warnings

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Speaker 1: you need. It has, you know, very much like all

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Speaker 1: of the other Hounday cars that we've like when we

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Speaker 1: drove the Tucson and now it has the features on

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Speaker 1: the side. We could see from up above. You see

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Speaker 1: when you hit the signal, you can see what's in

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Speaker 1: your left lane. You could see what's you said. It

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Speaker 1: give you a little haptic sort of warning if you

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Speaker 1: drifted it from your lane and if you drift into

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Speaker 1: if you drift two. If you're a driver like Donald,

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Speaker 1: then you no, no, no, no no, it's because I got kids.

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Speaker 1: Well I do Tokyo drift h Calm down, everybody, but

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Speaker 1: I got kids and stuff, So sometimes my attention gets

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Speaker 1: taken away from the road. Well, thy five has a

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Speaker 1: little jiggle. Goodness, it ain't even a little jiggle that

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Speaker 1: you're fighting you You are off the road, Bro, get

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Speaker 1: back in the road. What does it say why you're

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Speaker 1: driving the Honday is like bro thens over here, Bro,

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Speaker 1: you'd have a little sound that goes bro, Bro. Well,

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Speaker 1: the cars right pretty. And here's the real thing that

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Speaker 1: I want to say is that Unde has made our

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Speaker 1: dreams come true and we are going to do something

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Speaker 1: we've never done on the podcast before for the start

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Speaker 1: of season seven, and that is we're going to watch

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Speaker 1: an episode live at this driving ye season seven. Yeah,

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Speaker 1: this is amazing. First of all, thank you freaking setting

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Speaker 1: up a driving and let us talk a lot in

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Speaker 1: beautiful downtown Glendale, Glendale. Love it. Here's the thing, guys,

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Speaker 1: what I want you to do, if you're if you're

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Speaker 1: willing and able, is I want you the listener to

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Speaker 1: start the episode when I hit play on the remote

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Speaker 1: control for this drive and A. That's how fancy we are.

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Speaker 1: I have a remote control to start the drive in movie.

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Speaker 1: That is that is very fancy. And if you's too bad,

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Speaker 1: no one else knows we're doing this because you could

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Speaker 1: literally be watching an episode live in Glendale with with

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Speaker 1: all of us. Charlie, Okay, let's just talk about how

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Speaker 1: this show opens up before we get there. Just sorry

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Speaker 1: about show we made about a bunch of nurses. Yeah,

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Speaker 1: m so fans, if you want to play along, this

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Speaker 1: will never happen again. Okay throughout the throughout the rest

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Speaker 1: of the run of Scrubs podcast, we can't promise that

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Speaker 1: this will happen again. I'm not gonna happen again because

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Speaker 1: if even if Honda sponsors another activity like we did

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Speaker 1: driving first, we're doing driving now we'll do something else.

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Speaker 1: So if you really want to make the most of this,

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Speaker 1: what you want to do is you're gonna hit play

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Speaker 1: and pause along with us. Okay, so I'm gonna hit

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Speaker 1: play to start it. We're gonna talk about it, We're

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Speaker 1: gonna laugh, We're gonna pause to talk about a moment. Donald,

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Speaker 1: anyone can call pause. Okay, that's a rule, no problem.

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Speaker 1: Sounds good. But you gotta play along at home, because

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Speaker 1: then you'll literally be watching it with us. We can't, obviously,

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Speaker 1: for legal reasons, play the episode out loud. We have

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Speaker 1: it playing in our ears. Yes, you can watch it

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Speaker 1: at home, and I'll say, on your marks, get set go,

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Speaker 1: We're gonna start it. Sound like a plan. I love it. Now,

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Speaker 1: what were you gonna say? We're looking at the frozen

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Speaker 1: image on the top, which is j D and Elliott

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Speaker 1: lying and a bed together. These two will not stop,

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Speaker 1: will they are? Won't they? They will they are? Won't they?

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Speaker 1: Until the end of the show. Yes, Yeah, they're Rows

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Speaker 1: and Rachel. They are totally Ross and Rachel. But Ross

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Speaker 1: and even Ross and Rachel. It got to the point

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Speaker 1: where it was like, I don't care if they do

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Speaker 1: it or don't. I'm invested in this and because it's me,

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Speaker 1: I know, I am very invested in this relation. But

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Speaker 1: I'm also simultaneously very frustrated by them. Why how could well?

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Speaker 1: It's just oh my god, they're so they're both. I

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Speaker 1: love them as human beings and actors and characters, yes,

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Speaker 1: but I'm annoyed by them, like shit or get off

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Speaker 1: the pot. Well, you know, I'm gonna be honest with you.

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Speaker 1: I'm gonna be honest with you. It's mostly Elliott that

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Speaker 1: needs to too. Elliott needs to know jad is j Jerry.

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Speaker 1: He had he had the chance, and he's not gonna

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Speaker 1: make that. Listen, he's not gonna make that move because

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Speaker 1: he knows. If he makes that move, and if Elliott says,

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Speaker 1: you know what, I'm not feeling this, then he has

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Speaker 1: a turntail and walk back to Kim and explain to Kim, look,

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Speaker 1: all right, so look I know we're having a baby,

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Speaker 1: but made a mistake and hooked up with Elliott. I

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Speaker 1: thought it was something real, she said, no, I think

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Speaker 1: it well in this moment right now, Well, yeah, they're

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Speaker 1: line in a single bed together. J D is about

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Speaker 1: to go for it. Okay, where's her name tag at?

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Speaker 1: She doesn't wear a name tag anymore. She took it

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Speaker 1: off because she thought her movies were gonna get touched.

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Speaker 1: Can't have your tag on if you're getting have booby

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Speaker 1: grabbing moment. It's clear that JD went for the boobies too,

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Speaker 1: because when he stands up, he stands. Jad's first moves already,

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Speaker 1: it's always boobs. He goes kiss boobs. All right, so

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Speaker 1: we're gonna start on them when I see going. Sorry,

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Speaker 1: so that's what's what's gonna happen. We're gonna pause, play pause,

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Speaker 1: play all right, here's the first play. My first driving

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Speaker 1: experience begins. Play all right, we're going. We're off. Okay,

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Speaker 1: it's rolling. He's about to make out Donald. She looks beautiful.

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Speaker 1: I don't look that good that close, Sara. They all have.

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Speaker 1: The ladies have a lot of makeup on. She looks

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Speaker 1: you don't want to see. Oh yeah. Season seven, everyone

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Speaker 1: has a new look, hands out, ready to go fantasize.

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Speaker 1: She's got a lot of makeup on. So does Judy.

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Speaker 1: At some point. Okay, I have a very short haircut

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Speaker 1: this season, so far every season that starts, you want

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Speaker 1: to see everyone's new look. This is my look was

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Speaker 1: always the same. This year we great. This is Skiptok's

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Speaker 1: biggest line. That's broussy. By the way, Manly got good

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Speaker 1: at acting. Yeah, well you know, you give him enough

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Speaker 1: lines event, but what I mean he really got good?

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Speaker 1: Yeah Manly? Oh god, here comes Keith Keith Keith wait.

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Speaker 1: I was already surprised out loud. Okay, now there's a

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Speaker 1: weird voiceover technique in this episode where it feels like

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Speaker 1: everyone has a voiceover, but we're really what's called in

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Speaker 1: the business. Pre lapping the audio to the next scene

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Speaker 1: where she's confessing to Turk and Judy t carl you're

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Speaker 1: very thin. Look look, yeah, you know what else I

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Speaker 1: was noticing is that Turk and Carla is in her nightie.

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Speaker 1: What would they gonna get? They were gonna get? I

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Speaker 1: think it was supposed to get a mislead. Yes, he's

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Speaker 1: supposed to be a mislead. He supposed to think they're

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Speaker 1: gonna have sex. But the time about candy? All right, pause,

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Speaker 1: all right, So I want to talk about candy for

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Speaker 1: a second. And now you set up because you're a diabetic.

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Speaker 1: You're only allowed one candy bar every eight months or

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Speaker 1: something like that, or once a month or something like that.

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Speaker 1: Well I forgot what it is. I don't know, but anyway,

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Speaker 1: I want to know. Go around the car real quickly.

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Speaker 1: What is your You could only have one candy every

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Speaker 1: like like one thing. But that sounds really good me too.

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Speaker 1: I love that. Yeah, thats we love you us the

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Speaker 1: mother load. All right, let's go duel. What's your keen cup?

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Speaker 1: Would be perfect, but I'm probably gonna go Dove chocolate. Wow,

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Speaker 1: Dove chocolate straight up? Okay, room temperature milk dots. They

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Speaker 1: gotta be room temperatureough because if they're too cold, you

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Speaker 1: can't chill them. But when the room temperature you just

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Speaker 1: so that's your Is that your movie theater? Good? Hell? Yeah,

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Speaker 1: hell yeah? Because that thing gets us. That thing that

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Speaker 1: milk do get. You know what I really don't like.

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Speaker 1: That's people like that's polarizing one red vines. Oh not

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Speaker 1: not not about those liquoration generals are not for me. Terrible, Okay,

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Speaker 1: So Turk picks. Oh so, Turk goes on to say

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Speaker 1: that he wants to pick something that doesn't sound racist,

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Speaker 1: like dark chocolate or Juju bees. Now, who is racist?

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Speaker 1: Where is ju? Aw? You're saying juju right, and so

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Speaker 1: I get that. But somewhere in there he thinks black

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Speaker 1: people Juju like, that's bad Juju. No, he just means.

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Speaker 1: He just means um racist to any people. The dark

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Speaker 1: chocolate is racist to black people. Juju bees is anti Semitic.

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Speaker 1: It's what he's saying, chocolates black. I don't know that's

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Speaker 1: his serie. Actually, no dark chocolate. All right, play Please

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Speaker 1: think of the face Judy's making. He makes a little

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Speaker 1: he's crazy face. Here you go, I pass. You don't

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Speaker 1: like jingu mins, get out of here. I watch Much Money.

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Speaker 1: I remember when watch mccull its came out. So wait,

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Speaker 1: you want to pause? No? Oh no, here's why the pause,

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Speaker 1: pause pause. I thought you were going to ask for

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Speaker 1: a threesome. Wow, why didn't you Donald? No? I thought

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Speaker 1: I was asking her. I thought there was gonna be

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Speaker 1: I thought there was some sexual and something sexual. You

201
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Speaker 1: whisper in your ear. Judy's in a nighty, right. I

202
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Speaker 1: think it's supposed to be a mislead that you're like, hey,

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Speaker 1: do you want to get in on what you're trying

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Speaker 1: to get into? The issue is very great, especially after

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Speaker 1: having a conversation with his best friend. So he knows

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Speaker 1: that j D and Herd just almost looked up. So

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Speaker 1: he's trying to do a threesome. That turk is a dirty,

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Speaker 1: dirty game. But don't you think it's supposed to be

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Speaker 1: a time? Or maybe not? I don't know. Maybe don't

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Speaker 1: you look there, that's a great shot man. Maybe I've

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Speaker 1: been looking at your look like a little bit there.

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Speaker 1: This was over twenty years ago. I know, No it wasn't.

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Speaker 1: This isn't This is more like fifteen right news over

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Speaker 1: twenty years ago? No, Dani'll do the math. We started.

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Speaker 1: This is two thousand and six, thousand and six was

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Speaker 1: I'm sixteen years ago? Yeah? Are all right? Play please?

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Speaker 1: Like six? Yeah time, Daniel, because he's like a human calculator.

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Speaker 1: All I look, Judy's like, what do you ask you?

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Speaker 1: That's not true? See she's suspicious. Mars bar? Do they

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Speaker 1: not make Mars bars anymore? I never heard. I've never

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Speaker 1: even had a Mars barn. I never had a Mars bars.

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Speaker 1: You never had those little time coming up? Don't like

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Speaker 1: Mars bars, marlso don't like the candy you choose later

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Speaker 1: so as so she's gonna tell Elliot. Elliot's gonna tell

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Speaker 1: Keith that she's gonna damn Elliott. Yeah, last minute. Oh,

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Speaker 1: this is back to Stacy. Who's the water balloon girl? Oh,

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Speaker 1: driving in pleasure? We need the big brown but you look,

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Speaker 1: I hold up the buns, look bouncing. Wait a second.

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Speaker 1: First of all, this girl, Stacey is she haunts me.

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Speaker 1: Your whole life, your whole life, you trader and right,

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Speaker 1: and so you just asked me if he was gonna

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Speaker 1: do that again with Elliott, Right, there's no way. There's

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Speaker 1: no way. Well, but she must have some nice There's

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Speaker 1: no way. They wrote, there's no way, he wrote, bow,

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Speaker 1: it's you bouncing? You do that. I just want to say,

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Speaker 1: I don't know that I improm that, but I doubt

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Speaker 1: they wrote he holds up to hand. But there's cut

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Speaker 1: in half though you get fuddy. Okay, So here we're

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Speaker 1: about to um, I'm gonna play again. It's about to

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Speaker 1: go tell Keith that they're not gonna be together. She

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Speaker 1: wants to call the engagement and everyone in the hospitals watching,

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Speaker 1: okay play please? Oh god, can you imagine trying to

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Speaker 1: have this conversation in the parking the parking lot. Everybody. Oh,

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Speaker 1: and she's still getting digs about taking the last name.

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Speaker 1: Wow oh no, oh boy Keith. And so whenever somebody

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Speaker 1: says we need to talk, that's obviously a bad thing. Literally,

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Speaker 1: never a good sign. Yeah, um, he didn't notice that

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Speaker 1: everybody's watching because he's very he's his his fiance just

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Speaker 1: said we need to talk, which is not a good sign.

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Speaker 1: I feel like coming. But okay, well he didn't look

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Speaker 1: up if this shot is very funny, but all this

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Speaker 1: is everyone in the car with some with a few

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Speaker 1: background folks watching out through the window. It's really messed up. Okay,

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Speaker 1: play everyone, even the dudes on the roof. Everybody, Elliott,

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Speaker 1: come on, everyone's bummed out that no because Snoop Dogg

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Speaker 1: is finally tending telling that was the first jump ever,

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Speaker 1: by the ways, a writer on the show, very gentle, John, Oh,

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Speaker 1: I can't do this all great cold open. Bill Lawrence

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Speaker 1: directed this episode. I'm no superman, you know that Bill Lawrence. Guy. Okay,

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Speaker 1: there's Kim, she's very funny, the wonderful Elizabeth Banks a

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Speaker 1: smart yeah gosh really oh yeah, like a lot of

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Speaker 1: oh Daniel, it's just something Okay, so this is a

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Speaker 1: week Okay, now we're kind of a week earlier. By

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Speaker 1: the way, Oh flashback, so you look at the different

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Speaker 1: look at the difference between last year's No, No, I

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Speaker 1: think she gets the one week earlier within the show

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Speaker 1: he shot. I know, but look at the hair and

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Speaker 1: the lamb on the cause for a second. No, I'm saying, no,

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Speaker 1: I get that, But I'm saying this year on the

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Speaker 1: show right look at the glamba right now, everybody everyone

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Speaker 1: came back feeling themselves. Ye, like I'm trying to get

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Speaker 1: that next job is One's like, I don't know how

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Speaker 1: long this shit's gonna go. It's seven, and I mean

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Speaker 1: most shows don't go bout seven. That's crazy. I'm gonna

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Speaker 1: be honest with you. This episode, I had Benny Boom

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Speaker 1: and any Clements come down for this episode, and in

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Speaker 1: one of the shots this is how I got Next

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Speaker 1: Day Air. They came down to actually from this episode.

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Speaker 1: They came down to talk to me about it, and

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Speaker 1: they came to set and it's the scene where I'm

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Speaker 1: sweating and I smell like eggs and kelso goes am

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Speaker 1: I having a stroke of somebody cooking an almond that

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Speaker 1: that actual scene was the scene that Benny Boom and

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Speaker 1: any Clements, the producers of Next Day Air. They came,

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Speaker 1: we had our meeting, and then I went and shot

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Speaker 1: that scene and by the end of the scene, I

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Speaker 1: knew I had the job. That Wow, that's amazing. And

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Speaker 1: where does smelling do you do? You smell like eggs

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Speaker 1: when you sweat? Okay, someone in the writer's room must,

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Speaker 1: because I've never heard of anyone smelling like someone was

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Speaker 1: trying to tell somebody in the writer's room. By the way,

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Speaker 1: I would appreciate it if when you worked out and

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Speaker 1: you showered before you came to the riders, also being like,

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Speaker 1: what does he say? Am I having a stroke? Or

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Speaker 1: somebody and somebody cooking an ome the gym? All right,

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Speaker 1: we're back at it and play. Okay, oh baby. This

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Speaker 1: is where Turk reveals that the panda babies that Ming

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Speaker 1: Ming die Ming Ming. Didn't the panda just recently die

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Speaker 1: at the zoo? Didn't the panda just recently die at

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Speaker 1: the zoo? Like way? Sorry? JD closes with the flip phone.

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Speaker 1: How great was it to be able to close tactile sensation? Yeah?

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Speaker 1: It really was? Like over well, I was just saying that,

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Speaker 1: when's the last time you actually saw somebody on the

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Speaker 1: phone walking around with it like this? Yeah, but I

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Speaker 1: did love ending a call with a flip cloth. Oh yeah,

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Speaker 1: word a word, here's beard for sad and we say,

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Speaker 1: really had a chance to act. Now, this patient is

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Speaker 1: supposed to be so charming, he's like a he's like

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Speaker 1: a young um Robert Redford. Yeah, damn you he called

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Speaker 1: her pigure. Trip to HR? For sure? Jesus, Well is

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Speaker 1: it a trip to HR? Okay, that's for sure. Okay,

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Speaker 1: here's where it gets. Here's where lines get crossed. Though

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Speaker 1: you went to They had to go to HR to

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Speaker 1: establish the fact that they're dating at work, right, So

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Speaker 1: you go to HR and you say we're dating. Now.

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Speaker 1: I think it's some more of a modern concept than

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Speaker 1: when we shot this in two thousand and six. But

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Speaker 1: there has to be some type of thing, like, okay,

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Speaker 1: they just broke up. There needs to be a healing process,

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Speaker 1: because if you break up and it's not amicable and

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Speaker 1: it's one sided, somebody's gonna come into work talking like

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Speaker 1: that called no one's coming, no one's coming in, calling

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Speaker 1: anyone peg whore at work? I don't know, man, if

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Speaker 1: we just well, sure, hr is gonna be like, well

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Speaker 1: now we have to separate. Yes, he gets worse later

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Speaker 1: because he's her in turn too. It's very not good

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Speaker 1: entire She can't mind. This is a flashback, right, So

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Speaker 1: so this is gonna earlier because at the end of

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Speaker 1: season six, she she broke it off. She started to

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Speaker 1: break it off, but she didn't tell him it was

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Speaker 1: over over until this episode. So we're now seeing what

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Speaker 1: Keith is behaving like before the parking lot. Yeah, okay,

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Speaker 1: let's play please. Wow, Carlo's rationalizing this is funny. Kelsea's

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Speaker 1: trying to steal a cappuccino maker from her. He totally

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Speaker 1: lies that he gave it the cheermaker. Well, I mean

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Speaker 1: everybody else gave it everything. Well, you know there's a

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Speaker 1: cappuccino maker. Yeah, there's that. There's gonna be dishes. But

338
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Speaker 1: it's kind of messed up that he tries to steal it.

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Speaker 1: Bill Lawrence out Bill look at that. Oh see, I say,

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Speaker 1: that's why that's not even true. Do you talk to

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Speaker 1: Carlino episode man, I wonder how it was always great

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Speaker 1: when Bill directed You know why, because it's all you're

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Speaker 1: gonna get more jokes because he's there all the time,

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Speaker 1: and he's just picture. He doesn't really like directing as

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Speaker 1: much as he likes coming up with jokes, so you know,

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Speaker 1: you get so many extra jokes. Oh that's sad. But okay, pause, pause, Please,

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Speaker 1: let's talk about that really quick. Okay, So, if you're

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Speaker 1: in a situation, the right thing to do is never

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Speaker 1: is the right thing to do. Sometimes isn't the right

350
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Speaker 1: thing to do, It's the wrong thing to do. I

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Speaker 1: feel like Jad's about to learn this lesson. That's what

352
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Speaker 1: he learns in the episode. Yeah, you know, the right

353
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Speaker 1: thing to do is to stick it out with Kim

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Speaker 1: and raise this kid, but that's also the wrong thing

355
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Speaker 1: to do because that's not where his heart is. Well,

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Speaker 1: i'll meet you half way. I think the right thing

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Speaker 1: to do is to give it a try, because he

358
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Speaker 1: really did like her. Okay, they had an oops, and

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Speaker 1: she got pregnant, but don't and and well there's the

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Speaker 1: big thing that she lied, which is so but let's

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Speaker 1: just just describe that for just just to make it

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Speaker 1: more accessible to the average listener. Let's say that it

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Speaker 1: was just you know, they they got pregnant when they

364
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Speaker 1: were just started dating. Okay, he really liked her, so

365
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Speaker 1: why not give it a chance, which is what he's

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Speaker 1: trying to do now. But if it's if they don't

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Speaker 1: have a connection, he can't matter. That connection's gone. That

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Speaker 1: connection went out the window. And and he's having a

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Speaker 1: hard time understanding this connection. Yeah, when it went out

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Speaker 1: the window. In a minute, he saw Elliott say I

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Speaker 1: don't want to I don't want to do this with

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Speaker 1: Keith any right, And he's not feelings right, yeah, Well

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Speaker 1: he's always had the feelings. He's just been burying that. Gosh. Yeah,

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Speaker 1: and uh, and you know he's really he's so torn

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Speaker 1: because he's trying to do what he thinks is the

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Speaker 1: right thing. But then in the midst of it, Elliot's

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Speaker 1: getting single, and he's like, oh, actually too. Timing is

378
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Speaker 1: always off. Timing is always off. All right, play please,

379
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Speaker 1: but rumple fugy Okay, who's mobutt? She's mobut? Right, Yeah,

380
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Speaker 1: she's mobut. Yeah, she's mobut. Yeah. None of those girls

381
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Speaker 1: were good for you except for Mobut. Okay, Okay, So

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Speaker 1: let's not forget the story that Cox is trying to

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Speaker 1: solve this handsome Robert Redford type guy's problem. He initially

384
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Speaker 1: thinks it's lime disease. He's very proud of himself. This

385
00:23:48,560 --> 00:23:51,040
Speaker 1: guy has some magical look. They give him a very

386
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Speaker 1: special eyelight. It looks like an old school movie star. Yeah.

387
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Speaker 1: I remember when we when we shot this. When we

388
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Speaker 1: were shooting this, I remember Elizabeth being I really like

389
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Speaker 1: this actor. He's really funny. He's really he has a

390
00:24:03,400 --> 00:24:10,959
Speaker 1: great presence, and everyone, everyone, all the men are oh hey,

391
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Speaker 1: this is when you turk his sweating and he smells

392
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Speaker 1: like eggs. This is how I got the part. Would

393
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Speaker 1: you come to the ice like this? I don't know.

394
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Speaker 1: It smells like eggs. This is the scene I was

395
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Speaker 1: talking about next day air Here I come after this.

396
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Speaker 1: I don't understand. I don't know much about I have

397
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Speaker 1: to tell you that again. I'm a fake doctor, but

398
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Speaker 1: I don't think you're supposed to go in the ice.

399
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Speaker 1: You looking like that? All right? Now? Okay, so please,

400
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Speaker 1: this has happened to me. You gotta look, you gotta

401
00:24:56,160 --> 00:24:58,680
Speaker 1: look the person. Look, this has happened to me before

402
00:24:59,200 --> 00:25:03,439
Speaker 1: where I thought person was gone and I showed up

403
00:25:03,480 --> 00:25:07,800
Speaker 1: to the house and they were still packing, right, and

404
00:25:07,800 --> 00:25:09,560
Speaker 1: he had to have an awkward conversation. We had to

405
00:25:09,560 --> 00:25:12,440
Speaker 1: have an awkward conversation, but he at least says to her,

406
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Speaker 1: can you please leave? I don't want to do this

407
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Speaker 1: with you're standing here, and she says no. She tries

408
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Speaker 1: to start making him laugh, which is the funniest, most

409
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Speaker 1: awkward thing ever that's coming up. Yeah, um, look, I'm

410
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Speaker 1: all for I'm all for certain things when you break

411
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Speaker 1: up with somebody, when it's like fresh off the breakup

412
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Speaker 1: and nobody's really you know what i mean. Like, so

413
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Speaker 1: the things that they're about to get into, like the

414
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Speaker 1: sex and all of that stuff, I'm all good with that.

415
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Speaker 1: What I'm not good with is torturing, which what she's

416
00:25:41,480 --> 00:25:45,399
Speaker 1: really doing this torture. I'm not into the torture. She's like,

417
00:25:45,480 --> 00:25:51,840
Speaker 1: she's literally yeah, completely this whole episode, this whole episode.

418
00:25:51,960 --> 00:26:06,680
Speaker 1: That's she's so mean, Elliott, Oh no, no, this whole

419
00:26:06,680 --> 00:26:10,320
Speaker 1: sequence here she she tries to make him laugh. It's

420
00:26:10,320 --> 00:26:16,120
Speaker 1: so cringey, and he starts crying. Do you see his eyes?

421
00:26:16,960 --> 00:26:20,800
Speaker 1: Good job, yeah, traps is a great job. What a bitch,

422
00:26:23,720 --> 00:26:25,800
Speaker 1: And she's trying to fake laugh that he's not breaking.

423
00:26:25,800 --> 00:26:34,920
Speaker 1: It's so cruel. That's a horrible, horrible person, right, turns

424
00:26:35,000 --> 00:26:41,560
Speaker 1: evil so like so in this episode. I don't know

425
00:26:41,600 --> 00:26:44,280
Speaker 1: if you've noticed, but there's a lot of our favorite

426
00:26:44,280 --> 00:26:50,480
Speaker 1: background artists in the background. Comes the scene with her voice.

427
00:26:51,400 --> 00:26:59,760
Speaker 1: Oh that voice, that's not her real voice. It's not

428
00:27:00,040 --> 00:27:01,679
Speaker 1: a members a writer on the show. And he's very

429
00:27:01,760 --> 00:27:07,200
Speaker 1: funny a scene but snoops in love with her. So

430
00:27:07,400 --> 00:27:11,400
Speaker 1: let's story wise the um Oh, here's the chanitor's girlfriend,

431
00:27:12,520 --> 00:27:15,840
Speaker 1: whose name is Lady who he winds up marrying. Is

432
00:27:16,160 --> 00:27:22,080
Speaker 1: spoilers Donald the season finale of our wonderful show, the

433
00:27:22,240 --> 00:27:25,840
Speaker 1: series finale. No, yeah, I love you more than I

434
00:27:25,920 --> 00:27:28,760
Speaker 1: love you more than turt Oh, that's the Bahamas episode

435
00:27:28,760 --> 00:27:33,159
Speaker 1: though you should watch the show. It's really good. All right,

436
00:27:33,200 --> 00:27:39,639
Speaker 1: So this is very hey lady, she looks, she waves like,

437
00:27:39,760 --> 00:27:45,440
Speaker 1: I don't know you. Stag's wife. Yeah, sorry, that's Stag's wife,

438
00:27:45,600 --> 00:27:54,680
Speaker 1: kit Po Jettie. Okay, now here's Turkey. So he's trying

439
00:27:54,680 --> 00:27:56,199
Speaker 1: to figure out what canny to get and we do

440
00:27:56,240 --> 00:28:01,120
Speaker 1: another pre lauded voice over here. They're gonna go with God,

441
00:28:04,480 --> 00:28:07,040
Speaker 1: that's a big mistake. There's so much in there you

442
00:28:07,040 --> 00:28:11,159
Speaker 1: don't want. That is no way you would ever do that. Oh, No,

443
00:28:11,200 --> 00:28:13,280
Speaker 1: one wants a bit of honey. Did the men still

444
00:28:13,320 --> 00:28:24,000
Speaker 1: make bit of honey. Bit of honey is trained. Can

445
00:28:24,040 --> 00:28:27,160
Speaker 1: you even tried a bit of honey on a spoon?

446
00:28:29,760 --> 00:28:34,760
Speaker 1: What do you think going to spoon? All right? So,

447
00:28:34,760 --> 00:28:40,080
Speaker 1: so the surgical consomate Joe Turk is charmed by him.

448
00:28:40,160 --> 00:28:48,280
Speaker 1: Oh I do like Joe? Yeah? What is everyone's all

449
00:28:48,320 --> 00:28:51,680
Speaker 1: these men are in love with Joe. He's got charmed

450
00:28:51,760 --> 00:28:56,719
Speaker 1: gumbo if you all right? So here's the lead up

451
00:28:56,760 --> 00:28:59,680
Speaker 1: to the end of the act. So get the hell

452
00:28:59,720 --> 00:29:06,320
Speaker 1: out he here, Xander says, So why is Keith trying

453
00:29:06,320 --> 00:29:11,440
Speaker 1: to put the lamp in the box. I don't feel

454
00:29:11,440 --> 00:29:17,720
Speaker 1: bad for I don't feel bad for supposed to voice.

455
00:29:23,120 --> 00:29:26,000
Speaker 1: That just is horrible. So the kelcil says, get him

456
00:29:26,000 --> 00:29:28,560
Speaker 1: the hell out of here. He's got no symptoms. That's

457
00:29:28,840 --> 00:29:32,000
Speaker 1: getting the hell out of here. M not Joe. I

458
00:29:32,080 --> 00:29:36,080
Speaker 1: want to save Joe, all right. That Joe waves, that's

459
00:29:36,120 --> 00:29:47,480
Speaker 1: save Joe. All right. I'm a commercial back and we're back.

460
00:29:48,160 --> 00:29:51,360
Speaker 1: By the way. He still made. So they like Joe

461
00:29:51,400 --> 00:29:53,280
Speaker 1: so much, they're so charmed by him, they're gonna they're

462
00:29:53,280 --> 00:29:58,400
Speaker 1: gonna turf him to dermatology and they draw Turk draws

463
00:29:58,400 --> 00:30:01,080
Speaker 1: a mole on his face. Buy them Sometimes so they

464
00:30:01,080 --> 00:30:05,000
Speaker 1: can figure out what's wrong with them. Why you leave

465
00:30:05,040 --> 00:30:10,200
Speaker 1: him alone because you dropped down. You just broke his heart.

466
00:30:13,680 --> 00:30:20,720
Speaker 1: Oh yes, Oh Damn calls her pig horror so neat

467
00:30:22,160 --> 00:30:27,960
Speaker 1: and that turns her on. Elliot's a freak. Elliot look

468
00:30:27,960 --> 00:30:37,520
Speaker 1: at her hair. Oh my god, he's got an airplane.

469
00:30:39,640 --> 00:30:49,520
Speaker 1: Oh this is funny. Sport is fair. I like last

470
00:30:49,640 --> 00:30:54,280
Speaker 1: Night and I like sports. Season seven is starting off

471
00:30:54,280 --> 00:31:10,200
Speaker 1: with the very funny season that improv Yeah, I think so,

472
00:31:10,440 --> 00:31:12,800
Speaker 1: I know you're want to start the rumor about like

473
00:31:14,640 --> 00:31:19,480
Speaker 1: look at t shirt. Oh, this is funny. So do

474
00:31:19,560 --> 00:31:23,320
Speaker 1: a whole spoof of award shows and how we're up

475
00:31:23,360 --> 00:31:27,160
Speaker 1: for Cox is a war we little. I think Jenny

476
00:31:27,200 --> 00:31:47,280
Speaker 1: goes into fantasy. First comes Barbie Read Barbie read Turk

477
00:31:50,200 --> 00:31:52,840
Speaker 1: cod Is wearing a shirt that says strong sleeping with

478
00:31:52,880 --> 00:31:57,480
Speaker 1: an Alep. He's funny. We do the awkward thing where

479
00:31:57,520 --> 00:32:00,200
Speaker 1: somebody else wins and you have to act like you

480
00:32:00,200 --> 00:32:05,360
Speaker 1: you're happy for them. Donald used to look pis I

481
00:32:05,480 --> 00:32:09,520
Speaker 1: was trying to do the Denzel lost someone who didn't

482
00:32:09,560 --> 00:32:12,320
Speaker 1: Deel lose to He lost to somebody. Den Deel lost

483
00:32:12,360 --> 00:32:15,360
Speaker 1: to somebody. It was a year La La Land one

484
00:32:15,600 --> 00:32:18,400
Speaker 1: and he lost to somebody. And joke was at the

485
00:32:18,560 --> 00:32:21,360
Speaker 1: end when La La Land lost and it was really

486
00:32:21,400 --> 00:32:26,440
Speaker 1: going to Moonlighting that the audience didn't that was going

487
00:32:27,120 --> 00:32:40,360
Speaker 1: about his award counted again, counted again. That was the

488
00:32:40,560 --> 00:32:43,120
Speaker 1: year that actually ended up going to Moonlight. Yeah yeah, yeah, yeah,

489
00:32:43,320 --> 00:32:48,080
Speaker 1: moon counted again. Who did he lose to? Though? That

490
00:32:48,520 --> 00:32:58,840
Speaker 1: was best It was for best act. Now, by the way,

491
00:32:58,880 --> 00:33:02,000
Speaker 1: we did a little joke count it again and he

492
00:33:02,000 --> 00:33:07,840
Speaker 1: should have Beaty. I wanted to say that whenever I

493
00:33:07,880 --> 00:33:10,520
Speaker 1: was up for award for Scrubs, whenever I was up

494
00:33:10,520 --> 00:33:12,520
Speaker 1: for an award for Scrubs, I would always lose to

495
00:33:12,520 --> 00:33:15,680
Speaker 1: Tony Shalouph was on monk So within the show here

496
00:33:15,720 --> 00:33:17,480
Speaker 1: when I lose, when I win the award, I go

497
00:33:17,600 --> 00:33:24,720
Speaker 1: suck on that Tony shaloup. I can't see the TV

498
00:33:24,840 --> 00:33:32,000
Speaker 1: passed on my awards? Could give something? Can awards go

499
00:33:32,040 --> 00:33:35,360
Speaker 1: on in a cabinet? Just see the TV? Anyway? It's

500
00:33:35,520 --> 00:33:38,560
Speaker 1: n The Managinin is blocking everything. Now I have we

501
00:33:38,600 --> 00:33:45,560
Speaker 1: have too many awards. Okay, play please, okay. Kelso has

502
00:33:45,640 --> 00:33:50,160
Speaker 1: yet to be charmed by by Joe. He's gonna go

503
00:33:50,160 --> 00:33:59,880
Speaker 1: in and try. Okay, here he goes okay, mister Hudi

504
00:34:00,080 --> 00:34:06,160
Speaker 1: light they put in his eyes, yeah, and Kelsa comes

505
00:34:06,160 --> 00:34:14,640
Speaker 1: to help. There are a lot of episodes that you remember, right.

506
00:34:14,640 --> 00:34:18,319
Speaker 1: I remember this episode very well. Actually, this is one

507
00:34:18,320 --> 00:34:21,279
Speaker 1: of those episodes that I remembered very very well. I

508
00:34:21,360 --> 00:34:24,200
Speaker 1: remember and I don't remember. I don't remember watching it.

509
00:34:24,239 --> 00:34:27,719
Speaker 1: I remember shooting it. I remember the days when we

510
00:34:27,800 --> 00:34:33,040
Speaker 1: made this, and I remember, I remember the storyline and everything.

511
00:34:33,040 --> 00:34:34,440
Speaker 1: When we put it on, I was like, I know

512
00:34:34,560 --> 00:34:37,480
Speaker 1: exactly what episode this is. I got a job from

513
00:34:37,520 --> 00:34:41,240
Speaker 1: this episode, and so this is I may remember because

514
00:34:41,239 --> 00:34:43,600
Speaker 1: it's um the beginning of a season. It's like it's

515
00:34:44,000 --> 00:34:45,759
Speaker 1: you remember this was a big I mean this was

516
00:34:45,760 --> 00:34:47,719
Speaker 1: a big deal. Season seven. I think we were off

517
00:34:47,760 --> 00:34:50,120
Speaker 1: for like two years in between or something like that.

518
00:34:50,400 --> 00:34:52,320
Speaker 1: We were off for a really long time in between

519
00:34:52,360 --> 00:34:54,800
Speaker 1: six and seven. I remember that was it the writers?

520
00:34:54,840 --> 00:34:56,920
Speaker 1: It couldn't have been the writer's trike. No, But aren't

521
00:34:56,920 --> 00:34:59,280
Speaker 1: we on our way to Disney at some point too?

522
00:34:59,320 --> 00:35:01,560
Speaker 1: Like at one point we didn't know if we were

523
00:35:01,600 --> 00:35:05,120
Speaker 1: coming back, Like didn't we do two seasons on Disney? Oh?

524
00:35:05,160 --> 00:35:08,120
Speaker 1: So maybe this was the move from ABC here? I

525
00:35:08,200 --> 00:35:10,719
Speaker 1: think so. If it's season seven I believe when you

526
00:35:10,719 --> 00:35:13,440
Speaker 1: look that up, she was actually, yeah, maybe maybe this

527
00:35:13,520 --> 00:35:16,279
Speaker 1: was the move to ABC here we wouldn't We're not

528
00:35:16,320 --> 00:35:19,920
Speaker 1: gonna see Rob's dong anymore. No, well we never. We're

529
00:35:19,920 --> 00:35:21,560
Speaker 1: not going to see his pack and what and what

530
00:35:21,640 --> 00:35:24,160
Speaker 1: a loss that was. I'm gonna tell you something, ABC,

531
00:35:24,239 --> 00:35:27,640
Speaker 1: You've made You've never made something wrong decision more wrong

532
00:35:27,880 --> 00:35:31,280
Speaker 1: than excluding Rob's dong from the show. We like everything

533
00:35:31,320 --> 00:35:33,839
Speaker 1: that you're doing right now, Disney. Plus, the one thing

534
00:35:33,880 --> 00:35:36,600
Speaker 1: that we don't like is the lack of lack of

535
00:35:38,360 --> 00:35:42,760
Speaker 1: seven is actually the final season that aired on NBC. Guys,

536
00:35:43,280 --> 00:35:45,880
Speaker 1: So the jd JD is about to really he's like

537
00:35:45,920 --> 00:35:48,080
Speaker 1: he's made it a whole day without stepping in it,

538
00:35:48,520 --> 00:35:52,279
Speaker 1: and he's feeling cocky and now he's gonna decide a

539
00:35:52,400 --> 00:36:02,920
Speaker 1: genius idea with the janitor. Okay, play oh boy, Oh

540
00:36:03,040 --> 00:36:06,520
Speaker 1: he's doing the yellow on his hand. It's the truth

541
00:36:06,560 --> 00:36:19,840
Speaker 1: calling wants to know what, Ladies, I love the janitor

542
00:36:19,960 --> 00:36:26,319
Speaker 1: found love? Whoa? She smacks her ass and say he's

543
00:36:26,320 --> 00:36:42,040
Speaker 1: gonna get something. Yeah, she's got a brother named him.

544
00:36:42,280 --> 00:36:45,719
Speaker 1: Is this Ladies first episode? Yes? Okay, so we have

545
00:36:45,760 --> 00:36:49,160
Speaker 1: a we have a we have a musical coming up soon,

546
00:36:51,239 --> 00:36:54,359
Speaker 1: A musical number coming up, because I know, lady, we've

547
00:36:54,400 --> 00:36:56,720
Speaker 1: already done the musical episode, but we have a musical

548
00:36:56,840 --> 00:36:59,960
Speaker 1: number coming up because I have appeared in another episode.

549
00:37:00,080 --> 00:37:03,359
Speaker 1: Not his lady. Okay, I think she's saying in that

550
00:37:04,000 --> 00:37:16,200
Speaker 1: come crushing down, down down, Look how beautiful? Saying in

551
00:37:16,280 --> 00:37:28,480
Speaker 1: the same thing either WHOA caees her licking her lips

552
00:37:28,520 --> 00:37:42,640
Speaker 1: and then says, I have a feeling she's gonna say

553
00:37:42,680 --> 00:37:45,200
Speaker 1: that again in two weeks the rest of the season,

554
00:37:46,160 --> 00:37:48,920
Speaker 1: rest of the series. Look at you looking off hands,

555
00:37:49,080 --> 00:37:51,640
Speaker 1: You know, all right, the guys, we're up all night

556
00:37:51,680 --> 00:37:53,520
Speaker 1: trying to find out what could possibly be wrong with

557
00:37:53,600 --> 00:38:01,680
Speaker 1: Joe Kelse's asleep on Cox's lap. Cut there it comes

558
00:38:01,719 --> 00:38:15,200
Speaker 1: beer for say again, say Seymour Seemore, you know the matter?

559
00:38:15,280 --> 00:38:22,400
Speaker 1: You got a sneeze, pause and play ohms razor this

560
00:38:22,560 --> 00:38:25,560
Speaker 1: I didn't know what okams, Yeah, we did this episode.

561
00:38:25,920 --> 00:38:27,840
Speaker 1: Matter of fact, I think about Okam's raiser all the

562
00:38:27,880 --> 00:38:32,080
Speaker 1: time from this episode. It's always what you thought it

563
00:38:32,160 --> 00:38:35,080
Speaker 1: was the first time. Simplest answer is often the right

564
00:38:35,080 --> 00:38:40,719
Speaker 1: one or the most obvious answers. Oh, here she goes

565
00:38:40,719 --> 00:38:51,400
Speaker 1: again in the parking lot. No you don't cheating. Actually,

566
00:38:51,520 --> 00:38:59,600
Speaker 1: never really care for Keith. She's so adorable, she's so cute.

567
00:38:59,640 --> 00:39:07,239
Speaker 1: Lists right of slow motion. Oh, how they do that?

568
00:39:08,400 --> 00:39:15,400
Speaker 1: That's a great what's called a speed ramp. It's a

569
00:39:15,440 --> 00:39:18,279
Speaker 1: speed ramp into a light thing that does that's that's

570
00:39:18,280 --> 00:39:21,080
Speaker 1: probably a post effect. So they had his first things

571
00:39:21,160 --> 00:39:23,479
Speaker 1: was right? It is line disease. He has a tick

572
00:39:24,040 --> 00:39:31,759
Speaker 1: under his hair. Yeah, yeah, we saved Joe. Oh they

573
00:39:31,840 --> 00:39:35,960
Speaker 1: all they're also enamored. Means a handsome guy, a lot

574
00:39:36,000 --> 00:39:42,560
Speaker 1: of charisma. Okay, skanky straw Wow. I think he gets

575
00:39:42,560 --> 00:39:44,719
Speaker 1: fired for that. I think I think he gets his

576
00:39:44,760 --> 00:39:48,000
Speaker 1: ass kicked for that. And Judy the only thing says

577
00:39:48,280 --> 00:39:51,200
Speaker 1: you don't have straw hair. But she is skanky, I

578
00:39:51,239 --> 00:39:59,839
Speaker 1: guess I mean and a bit of a pickhorn. All right,

579
00:40:00,120 --> 00:40:04,279
Speaker 1: now we're caught up. Now, we're all caught up. Now

580
00:40:04,360 --> 00:40:11,000
Speaker 1: where we are and time for an epiphany? And look

581
00:40:11,000 --> 00:40:21,040
Speaker 1: at my face? Rock row it doomed. Oh, paying into

582
00:40:21,040 --> 00:40:25,160
Speaker 1: a corner where you can't here's the thing. Now, you

583
00:40:25,200 --> 00:40:29,080
Speaker 1: can't be Elliott and get out of it. You can't

584
00:40:29,080 --> 00:40:32,640
Speaker 1: be Elliott. JD. Can't be Elliott and break it off

585
00:40:32,680 --> 00:40:36,200
Speaker 1: the way she broke it off. Her reasoning for breaking

586
00:40:36,239 --> 00:40:40,080
Speaker 1: it off was because she doesn't love him anymore. Right,

587
00:40:42,200 --> 00:40:46,240
Speaker 1: it can't be you got into the relationship without being

588
00:40:46,480 --> 00:40:49,839
Speaker 1: in love, JD. Got into the relationship without being in love.

589
00:40:50,239 --> 00:40:52,919
Speaker 1: So how do you break off the relationship? You say,

590
00:40:52,960 --> 00:40:54,680
Speaker 1: all of a sudden, you know what, I thought I

591
00:40:54,719 --> 00:40:56,960
Speaker 1: could go through with this knowing that we didn't have

592
00:40:57,000 --> 00:41:02,000
Speaker 1: feelings for each other anymore. But I can't and do it. Yeah, well,

593
00:41:02,000 --> 00:41:03,400
Speaker 1: I think they're trying. You are in a lot of

594
00:41:03,400 --> 00:41:06,080
Speaker 1: trouble when you if you do that, that's they're trying

595
00:41:06,080 --> 00:41:10,239
Speaker 1: to do it. Um, they're not like back together as

596
00:41:10,239 --> 00:41:11,759
Speaker 1: a couple yet, right, they're trying to do it like

597
00:41:11,800 --> 00:41:14,240
Speaker 1: as friends that are gonna do this. Right, they seem

598
00:41:14,320 --> 00:41:16,719
Speaker 1: pretty together. I mean he didn't they didn't kiss when

599
00:41:16,760 --> 00:41:19,399
Speaker 1: he kiss her, right, he kiss her belly and everything. Yeah,

600
00:41:19,520 --> 00:41:23,840
Speaker 1: that's that's a dangerous dame. Excuse me for excuse me

601
00:41:23,880 --> 00:41:28,440
Speaker 1: for someone who you know has uh children and stuff

602
00:41:28,480 --> 00:41:29,960
Speaker 1: like that. That is not the way to get into

603
00:41:29,960 --> 00:41:32,560
Speaker 1: a relationship. Well, it's a very good start to season

604
00:41:32,560 --> 00:41:38,800
Speaker 1: seven straight and thank you for letting us watch it

605
00:41:38,880 --> 00:41:44,839
Speaker 1: at a driving for Glendale and beautiful downtown Glendale, And

606
00:41:44,960 --> 00:41:47,640
Speaker 1: thank you all for for watching. This was really fun

607
00:41:47,760 --> 00:41:49,959
Speaker 1: and uh, we love Maybe we should do this again.

608
00:41:50,040 --> 00:41:53,200
Speaker 1: I mean, I know Hande isn't gonna pay for this

609
00:41:53,320 --> 00:41:56,319
Speaker 1: to happen again, but there's something special about watching the

610
00:41:56,400 --> 00:41:59,800
Speaker 1: show live with cameras in our face and then sending

611
00:41:59,800 --> 00:42:02,160
Speaker 1: it out to all of you out there. So if

612
00:42:02,200 --> 00:42:06,280
Speaker 1: we get this opportunity again, please please get on board

613
00:42:06,320 --> 00:42:08,800
Speaker 1: because it's rare, right and I know if you weren't,

614
00:42:08,840 --> 00:42:10,920
Speaker 1: if you didn't watch it while listening, there might have

615
00:42:10,920 --> 00:42:13,960
Speaker 1: been some boring parts because we were watching the show.

616
00:42:14,040 --> 00:42:15,879
Speaker 1: But so if you're not, we'll be back to our

617
00:42:15,960 --> 00:42:20,200
Speaker 1: normal way of doing it. I wanted to try a

618
00:42:20,200 --> 00:42:21,680
Speaker 1: bunch of people out there right now. They were like,

619
00:42:21,760 --> 00:42:25,640
Speaker 1: I'm not talking right, but I'm telling you I think

620
00:42:25,640 --> 00:42:27,480
Speaker 1: it's a fun exercise. If you want to take the

621
00:42:27,560 --> 00:42:29,960
Speaker 1: time to watch it with we'll watch it with us. Ye,

622
00:42:30,880 --> 00:42:32,799
Speaker 1: So thank you, We love you, Donald, count us out

623
00:42:32,719 --> 00:42:38,640
Speaker 1: in the Boxeven eight stories about show we made about

624
00:42:38,640 --> 00:42:48,880
Speaker 1: a bunch of dots and nurses and stories yet around

625
00:42:49,200 --> 00:42:52,920
Speaker 1: here are yeah, around here for you