WEBVTT - Mountains and Marvels

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV in association with Wolf at the Door.

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<v Speaker 1>I wonder if you forgave me in the end. If

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<v Speaker 1>you did, I wish you would come back and teach

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<v Speaker 1>me how to forgive myself. This is asked. Have you

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<v Speaker 1>even go away? Not now? Are you you? Yeah? Yeah?

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<v Speaker 1>I had a night to sharpen this knife, Isaiah, So

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<v Speaker 1>I'll ask you again. Are you you? Yeah? Yeah? Thanks

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<v Speaker 1>so to have it. Yes, I'm fine physically anyway. I'm

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<v Speaker 1>gonna need some electro shock therapy to burn that out

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<v Speaker 1>of my brain. What did you see? What? I don't know.

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<v Speaker 1>You pushed me out of the room and then I

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<v Speaker 1>ran came back when the door stopped pounding. Waited another

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<v Speaker 1>hour before getting you out. I'm sorry. I'm so sorry. Yeah,

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<v Speaker 1>well now we know one thing. What's that? Whatever is

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<v Speaker 1>happening to you? It's real? Hey mom, morning bug. I'm

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<v Speaker 1>staying home today, so you'll need to take the bus.

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<v Speaker 1>What are you doing? Just a little housekeeping, packing up

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<v Speaker 1>some stuff for storage? Dad stuff? Yeah, he's dead, isn't me.

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<v Speaker 1>I'm here, Josh. I want to be honest with you.

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<v Speaker 1>We might never know what happened to Dad? Sometimes we

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<v Speaker 1>don't get answers no matter how much we want them.

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<v Speaker 1>But I do know one thing for sure. I know

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<v Speaker 1>that you and I we're gonna be okay and knowing

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<v Speaker 1>or not knowing, because we're gonna look out for each other.

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<v Speaker 1>And I think that's pretty special, two girls taking on

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<v Speaker 1>the world together. Do you need help? Okay, I'll grab

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<v Speaker 1>some of the things from the closet. You want to

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<v Speaker 1>get that top drawer. I'n't a junk in here, so

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<v Speaker 1>even get me started. Hey, I found a letter of something.

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<v Speaker 1>I promised to cook every meal and let you take

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<v Speaker 1>care of the spiders. We would never great with gender roles. Mom?

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<v Speaker 1>What is this? I promise not to shish you when

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<v Speaker 1>you ask questions and movies, and never again correct you

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<v Speaker 1>when you sang the wrong lyrics to have songs. These

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<v Speaker 1>are our wedding vowels. I promised the adventure, and I

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<v Speaker 1>promised surprises. I promised mountains, and next did he give

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<v Speaker 1>you all those things you tried? What's the stay here?

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<v Speaker 1>Damn it, Isaiah? That you asy scared me? Scared you?

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<v Speaker 1>Why are you sneaking around? And where have you been?

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<v Speaker 1>I just got off from Mark. We haven't seen or

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<v Speaker 1>heard from you in days and all the other hours

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<v Speaker 1>of the day, and we're living here and then you're

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<v Speaker 1>keeping tives on. It doesn't. But look my vorpal blade

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<v Speaker 1>went snicker snacked, Yeah, you kill a careful with that thing, Jocelyn.

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<v Speaker 1>Can you give me a sec with your uncle? It's

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<v Speaker 1>your line? Next he left it dead and with its

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<v Speaker 1>head he went glumphing back right, Jaberlwaukee. I borrow this

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<v Speaker 1>null this sort from the prop room, like it the

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<v Speaker 1>talent show from my drama class. You remember, right, dude,

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<v Speaker 1>you said you go on stage with me. Of course

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<v Speaker 1>you remembered. You have to come. I can't do this

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<v Speaker 1>dumb Jabberwaukee routine alone. Promise He'll be there, Isaiah. I promise,

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<v Speaker 1>of course. See now upstairs, bug shower, you will be there,

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<v Speaker 1>won't you sure? I just I really need to go.

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<v Speaker 1>You don't live in a vacuum, Isaiah. Joscelyn, she picks

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<v Speaker 1>up on everything. She can feel your absence. She might

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<v Speaker 1>not want to show it, but this performance is really

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<v Speaker 1>important to her, and what's important to her is important

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<v Speaker 1>to me. I told you I'll be there. I say,

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<v Speaker 1>what's going on with you? I don't think you're fine,

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<v Speaker 1>and no one expects you to be, not after what

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<v Speaker 1>you went through. But I don't appreciate you taking off

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<v Speaker 1>for days at a time, not telling us where you

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<v Speaker 1>are or when we'll see you next. We're all dealing

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<v Speaker 1>with this in our idea, what I'm dealing with. I'm sorry.

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<v Speaker 1>I really have to go. Isaiah. You live in here.

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<v Speaker 1>It's been good for Joscelyn. But you're warm, welcome, cool

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<v Speaker 1>as a minute, it's not too I make myself clear,

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<v Speaker 1>I understand, I understand more, don't you know? All right,

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<v Speaker 1>y'all good, you're ready, Thank you all for coming. My

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<v Speaker 1>name is Detective Michelle Reid, and we're here to address

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<v Speaker 1>two missing person cases in the area, one of whom

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<v Speaker 1>is city councilman and Paul Doudlas. As of a four

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<v Speaker 1>last night, we recovered Mr douglass vehicle out of Sherwood

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<v Speaker 1>Lake of the tack we received from a local fisherman.

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<v Speaker 1>In not of this new evidence, the e f p

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<v Speaker 1>D has reason to suspect that Paul Douglas's disappearance may

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<v Speaker 1>not be of his own volition. If anyone has any

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<v Speaker 1>information regarding Mr Douglas's last known whereabouts. Please call our

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<v Speaker 1>crime Stopper's tipline. Even the smallest detail may provide us

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<v Speaker 1>with much needed answers. In regards to the connection to

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<v Speaker 1>Gave William's recent disappearance, we have no reason to suspect

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<v Speaker 1>that two are connected at this time. However, we will

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<v Speaker 1>be reinvestigating any leads in this case to make sure

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<v Speaker 1>no stone is left unturned. On behalf of the entire

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<v Speaker 1>force and the Sheriff's office. We want to ensure the

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<v Speaker 1>members of this community that we are doing everything in

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<v Speaker 1>our power to keep you safe. Cat let me in.

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<v Speaker 1>What took you so long? Actually caught me sneaking out?

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<v Speaker 1>Had to side step a little look at this breaking news.

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<v Speaker 1>Last night, we recovered Mr Douglas as meta. We did

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<v Speaker 1>find it eventually, right but down the road eventually, not

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<v Speaker 1>this soon, not before we had any of this figured out.

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<v Speaker 1>It's a far cry from finding a body. We're in

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<v Speaker 1>the clear for now. You obviously don't know, Michelle really

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<v Speaker 1>like I do. We're playing with fire here and I'm

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<v Speaker 1>anna ticking time bomb. As it is, it's getting worse.

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<v Speaker 1>I don't qualify what happened in the archives as it

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<v Speaker 1>getting any better. I used to have more time. The

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<v Speaker 1>intervals are growing shorter. We need answers because books are

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<v Speaker 1>getting us nowhere. Settings of werewolves and sasquatch. These are

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<v Speaker 1>fairy tales. Kind of the problem. When I only leaves

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<v Speaker 1>our conspiracy theories and you told me everything about the woods,

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<v Speaker 1>you're not holding anything back, Isaiah, Yes, everything. Then I

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<v Speaker 1>think we only have one choice. We need to coax

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<v Speaker 1>it out of you. We have to see what we're

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<v Speaker 1>dealing with and what happens if I do something to

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<v Speaker 1>someone else. I have no control. Better the devil we

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<v Speaker 1>plan for than the one we don't. No better, no

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<v Speaker 1>devil at all. We don't really have that option doing Isaiah.

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<v Speaker 1>You brought me here because you trusted me, right, so

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<v Speaker 1>trust me. I think I know how we can get

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<v Speaker 1>our answers and live to do something about it. Hold on, Ashley,

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<v Speaker 1>what are you doing here? Isn't it a school day?

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<v Speaker 1>I need your help, Ernesto. Is everything all right with Joscelyn?

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<v Speaker 1>It's not Joscelyn, it's Isaiah. Well, you said you wanted

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<v Speaker 1>to do better. This is how you can start. Come in.

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<v Speaker 1>If I'm being honest, I don't know how I'd be

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<v Speaker 1>able to help, you know, better than me. You've been

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<v Speaker 1>through this before. I think I think he's dealing again.

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<v Speaker 1>What makes you think that he hasn't been coming home.

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<v Speaker 1>It started as a few late nights, but now we

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<v Speaker 1>don't see him for days at a time. He's a

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<v Speaker 1>radic temperamental. I've heard rumors of him coming and going

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<v Speaker 1>from Green Pine Montoe. He doesn't have access to anything.

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<v Speaker 1>I got rid of all g O prescription pads. It's

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<v Speaker 1>not pills this time. Maybe it's something worse. Actually, it

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<v Speaker 1>may be best I stay out of it. Me being

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<v Speaker 1>there may only make it worse. I think Isaiah could

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<v Speaker 1>be in real trouble. Last time I spoke to Michelle Read,

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<v Speaker 1>I felt like she was trying to intimidate something out

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<v Speaker 1>of me. Are you saying she threatened you? She said,

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<v Speaker 1>if she presumed Gabe dead based on the blood sample

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<v Speaker 1>from the backpack, it would mean that Gabe's case could

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<v Speaker 1>be considered a homicide, and that the primary suspect in

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<v Speaker 1>that homicide is Isaiah. No, you mustn't misunderstood. Now. Michelle

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<v Speaker 1>can be tough, sure, but she searched as hard for

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<v Speaker 1>Isaiah as she has for Gabe. I didn't misunderstand well.

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<v Speaker 1>Even so, she doesn't have any evidence and support any arrest.

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<v Speaker 1>She'll have evidence if she finds him dealing drugs. I

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<v Speaker 1>know she was your partner. I know that means you

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<v Speaker 1>put your life in her hands. But we're talking about

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<v Speaker 1>Michelle here, and she don't like to look. And if

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<v Speaker 1>that means using anything she can find against Isaiah as

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<v Speaker 1>an admission of something, she will not hesitate. And what

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<v Speaker 1>if he did do something? Do you really believe he

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<v Speaker 1>could her? Nast though, I came to you because if

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<v Speaker 1>it's between Isaiah and Joscelyn, I will choose my daughter.

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<v Speaker 1>And I know that, no matter how far he pushes

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<v Speaker 1>you away, you want to be there for your son.

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<v Speaker 1>This could be her chance to prove that to him,

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<v Speaker 1>Hell to everybody, Isaiah. When the tale gave ya, this

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<v Speaker 1>feels wrong. What's wrong is that they let me walk

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<v Speaker 1>out of there with half a dozen of these things

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<v Speaker 1>pets for it's my ass innocent animals. It's either the

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<v Speaker 1>cute little bunnies or a cute neighbor boy, Billy. I

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<v Speaker 1>think we can live with a few rabbits. Of course,

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<v Speaker 1>I'm not sure, but it's a theory. We think. It

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<v Speaker 1>feeds every time it comes out right, So this is

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<v Speaker 1>bait one oh one. We lure it out by its

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<v Speaker 1>stomach like blood in the water and jaws or a

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<v Speaker 1>taco bellm. You're a high school so I'm gonna have

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<v Speaker 1>to kill one of these first. As me. You're gonna

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<v Speaker 1>have to do more than kill it. They're gonna need

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<v Speaker 1>to like kill it. Okay, I kill it. I use

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<v Speaker 1>the rest to create a trail of little snaky snacks

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<v Speaker 1>as you make your way to the woods. My dad

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<v Speaker 1>and I used to use deer bait like this every

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<v Speaker 1>hunting season. I'll be a safe distance away, snap some

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<v Speaker 1>pictures in maybe we can get a clue as to

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<v Speaker 1>what we're dealing with. There's got to be a safe way.

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<v Speaker 1>Why not just trap me somewhere like what happened in

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<v Speaker 1>the archive. That door barely held you back, and I'd

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<v Speaker 1>rather have room to run instead of being cornered somewhere.

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<v Speaker 1>This is reckless. You're trying to control something completely out

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<v Speaker 1>of our death. We have no idea of this thinct

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<v Speaker 1>what I'm capable of. We can't run from this anymore.

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<v Speaker 1>We have to confront it head on, no matter how

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<v Speaker 1>terrifying it is. Take my gun, you shoot, and you

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<v Speaker 1>don't stop. If I come for you, you take me out.

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<v Speaker 1>That's in order. I don't need all the marine theatrics,

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<v Speaker 1>but thanks now. I feel like there's have a dick

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<v Speaker 1>for loading this one this morning. Now here, sit tight

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<v Speaker 1>with bugs, bunny. I'll let you know when the beats

0:14:34.040 --> 0:14:40.520
<v Speaker 1>say chinnap soldier. I think this will work. That makes

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<v Speaker 1>one of us m mhm. We put Isaiah down here

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<v Speaker 1>in the basement. I didn't really have a spare bedroom.

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<v Speaker 1>I'm hoping there's something we can use proof to approach him.

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<v Speaker 1>Barely looks like he's living here. He's been slowly taking

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<v Speaker 1>his things, probably so he can stay away longer periods

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<v Speaker 1>of time. Those boxes are his. I was surprised with

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<v Speaker 1>Gabe agreed to take him in. Where else would you

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<v Speaker 1>have gone? He could stay with me? We both know

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<v Speaker 1>that wouldn't have happened. I'm not over his dead body.

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<v Speaker 1>It was good to you to let him stay where

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<v Speaker 1>his family, and also I thought maybe he could because

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<v Speaker 1>what it's nothing. There's another box behind you. You know.

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<v Speaker 1>If I've learned anything from years or holding things in it,

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<v Speaker 1>it's that I wish I hadn't, especially when there's someone

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<v Speaker 1>they're willing to listen. Gabe and I we We're in

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<v Speaker 1>a weird place. Jocelyn was pulling away from us, started

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<v Speaker 1>slipping in school. I felt like I was failing, and

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<v Speaker 1>Isaiah coming back sounded like a way to feel like

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<v Speaker 1>I could do something right. He was a project test.

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<v Speaker 1>If I could get Isaiah and gave back together, maybe

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<v Speaker 1>I could keep my family from falling apart. There's no

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<v Speaker 1>shame in fighting for your family. Actually, crap, he's home. Quick,

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<v Speaker 1>close up the box, h mom, Boppy, what are you

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<v Speaker 1>doing down here? Josh? I thought you were staying at

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<v Speaker 1>school until the show. I forgot my sword. Are you

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<v Speaker 1>guys going through Uncle Isaiah's stuff or something? No, No,

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<v Speaker 1>of course not. I just some of my delicates got

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<v Speaker 1>mixed up in the wrong laundrobin. Mean your bras? Why

0:16:57.520 --> 0:17:00.920
<v Speaker 1>would probably be helping you look for your bras? Oh no,

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<v Speaker 1>I wasn't. We were talking. I followed it down here. Okay,

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<v Speaker 1>you before terrible liars, But I'm gonna be late. So

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<v Speaker 1>let's find your sword and I'll take you over school.

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<v Speaker 1>M hey, k, the deed is done. What it's often,

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<v Speaker 1>I just sent you the pain start there and if

0:17:32.480 --> 0:17:35.639
<v Speaker 1>all goes according to plan, we'll have some very incriminating

0:17:35.680 --> 0:17:39.600
<v Speaker 1>photos of you by this time tomorrow. All right, Okay,

0:17:42.400 --> 0:17:45.480
<v Speaker 1>I'm sorry. I know how painful the transition is for you.

0:17:45.880 --> 0:17:50.520
<v Speaker 1>It's not that I just I want you to know

0:17:50.560 --> 0:17:56.640
<v Speaker 1>that I love you. You what not like I love you?

0:17:56.640 --> 0:18:00.440
<v Speaker 1>You're my best friend. And if I don't view, I

0:18:00.560 --> 0:18:02.000
<v Speaker 1>just drung up that rabbits in the middle of the

0:18:02.040 --> 0:18:04.840
<v Speaker 1>fourth ring. If that doesn't say I know you, tune

0:18:04.880 --> 0:18:10.320
<v Speaker 1>and I don't know what. Okay, stay safe, all right,

0:18:11.320 --> 0:18:29.040
<v Speaker 1>always do fuck you kidding me? I officer. This is

0:18:29.040 --> 0:18:30.879
<v Speaker 1>about that tail life. I have an appointment to get

0:18:30.920 --> 0:18:36.879
<v Speaker 1>that taken care of later this week. Not why I'm here, Michelle. Hello, Isaiah.

0:18:37.680 --> 0:18:40.040
<v Speaker 1>I'd like you to come down to the station. I

0:18:40.119 --> 0:18:46.119
<v Speaker 1>have a few questions i'd like to ask. I'm busy, Michelle. Listen.

0:18:46.920 --> 0:18:49.240
<v Speaker 1>We can do this the easy way or the long

0:18:49.320 --> 0:18:52.239
<v Speaker 1>and painful way, but both end up with you at

0:18:52.280 --> 0:18:56.000
<v Speaker 1>the station. So how about you just make things simple

0:18:56.560 --> 0:19:11.000
<v Speaker 1>and follow me in. Maybe we should go backstage. I'm

0:19:11.040 --> 0:19:15.040
<v Speaker 1>sure miss Cole was lining you up. I'm waiting here, Gosla.

0:19:15.760 --> 0:19:23.400
<v Speaker 1>Your mother's right. He'll be here, he promised. Where are

0:19:23.480 --> 0:19:33.600
<v Speaker 1>you as are here? You want some water. What am

0:19:33.600 --> 0:19:36.760
<v Speaker 1>I doing here, Michelle? In lot of recent advance, I'm

0:19:36.800 --> 0:19:40.320
<v Speaker 1>re interviewing witnesses in your brother's case. And as far

0:19:40.359 --> 0:19:42.679
<v Speaker 1>as witnesses go, you're pretty much the top of the

0:19:42.720 --> 0:19:45.159
<v Speaker 1>list for being a witness. This looks a lot like

0:19:45.200 --> 0:19:50.119
<v Speaker 1>an interrogation room. Let's go over your account of what

0:19:50.200 --> 0:19:54.320
<v Speaker 1>happened in the minonga Hella. I already told you everything. Now,

0:19:54.320 --> 0:19:58.520
<v Speaker 1>you got spooked by an animal, ran got separated, and

0:19:58.600 --> 0:20:02.040
<v Speaker 1>that's the last time you saw him. That's right, m

0:20:04.320 --> 0:20:09.439
<v Speaker 1>You know Paul Douglas. Yeah, neighbor guy, a little nosy.

0:20:09.480 --> 0:20:12.960
<v Speaker 1>But who isn't around there? I've been asking around. It

0:20:13.000 --> 0:20:15.159
<v Speaker 1>seems like you may have been the last one to

0:20:15.200 --> 0:20:20.960
<v Speaker 1>see him. Klin's hardware. I don't remember. You're not looking

0:20:20.960 --> 0:20:27.320
<v Speaker 1>too good, Isaiah. Something the matter a little up. Let

0:20:27.320 --> 0:20:31.159
<v Speaker 1>me tell you what's happening here, Isaiah. Three people have

0:20:31.280 --> 0:20:35.679
<v Speaker 1>gone missing under my watch. Only one came back, only

0:20:35.720 --> 0:20:39.800
<v Speaker 1>you came back, and somehow you've been the last person

0:20:39.840 --> 0:20:43.080
<v Speaker 1>to see the other two. Now, call me crazy, but

0:20:43.160 --> 0:20:46.000
<v Speaker 1>I'd like to know why that is. So we're going

0:20:46.040 --> 0:20:48.959
<v Speaker 1>to start from the beginning, and this time you're not

0:20:49.040 --> 0:20:59.720
<v Speaker 1>going to leave anything out. I can't go out there.

0:21:00.480 --> 0:21:03.440
<v Speaker 1>I'm gonna look like an idiot acting out the Jabberwaukee

0:21:03.520 --> 0:21:07.399
<v Speaker 1>inn No jabberwaoukee, Josh. The point of the poem is

0:21:07.440 --> 0:21:11.720
<v Speaker 1>that nobody knows what it means. The jabberwaoukee is whatever

0:21:11.760 --> 0:21:17.160
<v Speaker 1>we imagine it is. So go out there and imagine it,

0:21:17.520 --> 0:21:20.920
<v Speaker 1>and you'll make the audience imagine it too. Now, Gold

0:21:21.440 --> 0:21:36.280
<v Speaker 1>Malcolm to head, h we'st brilliant? Uh? And the slither

0:21:36.520 --> 0:21:49.160
<v Speaker 1>tones tis did greet? And where the Jabblwaukee? My son?

0:21:50.280 --> 0:21:57.080
<v Speaker 1>The jaws that bite the cloths that catch this show

0:21:57.119 --> 0:22:16.359
<v Speaker 1>is fucking stupid. Hmm. Jocelyne, anything now, Isaiah? What's that?

0:22:20.119 --> 0:22:28.000
<v Speaker 1>Oh God? This is it? All right? Isaiah? Now and

0:22:28.119 --> 0:22:51.240
<v Speaker 1>give Cad a big smile. Taste christ don go please, No,

0:22:57.720 --> 0:23:19.800
<v Speaker 1>that's impossible. They are sounds like Joslys finally cocked down?

0:23:21.080 --> 0:23:25.520
<v Speaker 1>What you doing? Pack andiza a ship? I thought, which'n

0:23:25.560 --> 0:23:28.479
<v Speaker 1>to help him? I made it very clear as long

0:23:28.560 --> 0:23:30.840
<v Speaker 1>as it was good for Jocelyn, I'd be on his side.

0:23:31.680 --> 0:23:36.159
<v Speaker 1>He promised me he wouldn't hurt her. You're upset with

0:23:36.359 --> 0:23:40.800
<v Speaker 1>her for her? I get it, but no, you don't

0:23:40.840 --> 0:23:45.320
<v Speaker 1>get it. You don't get it. It was my idea.

0:23:46.200 --> 0:23:50.760
<v Speaker 1>Everything was my idea. I say, you're moving here the

0:23:51.040 --> 0:23:56.359
<v Speaker 1>fucking camping trip. I told him to go. It was

0:23:56.520 --> 0:24:03.040
<v Speaker 1>my fault. It's still muff off. I keep feeling them.

0:24:03.920 --> 0:24:10.680
<v Speaker 1>I can't. I can't keep feeling them. What is that?

0:24:14.320 --> 0:24:18.040
<v Speaker 1>It's a wedding ring? What would I say? Have wedding ring?

0:24:19.280 --> 0:24:25.560
<v Speaker 1>Mountains and marvels. That's the inscription. What does that mean?

0:24:26.720 --> 0:24:31.960
<v Speaker 1>It's a promise for this life and the next. I

0:24:32.080 --> 0:24:35.760
<v Speaker 1>know because we had it inscribed on both of our rings,

0:24:37.480 --> 0:24:51.440
<v Speaker 1>mine and Gabes. All I wanted to say is that

0:24:52.400 --> 0:24:57.399
<v Speaker 1>I'm sorry all this time. I thought I was to

0:24:57.480 --> 0:25:03.080
<v Speaker 1>blame for you even out that door, for you not

0:25:03.240 --> 0:25:08.400
<v Speaker 1>walking back through it. But maybe I'm not the one

0:25:08.520 --> 0:25:14.480
<v Speaker 1>to blame, am I maybe I've been wrong about everything

0:25:15.400 --> 0:25:34.960
<v Speaker 1>from the start. Next time onward day? Sure? Just what

0:25:35.200 --> 0:25:40.480
<v Speaker 1>happened in the woods? Isaiah? Hey? Hey, what do you

0:25:40.600 --> 0:25:47.520
<v Speaker 1>have my knife? This is what I am. This is

0:25:47.560 --> 0:25:58.520
<v Speaker 1>what I would call? Who is this? I Heart Radio,

0:25:59.200 --> 0:26:04.960
<v Speaker 1>Blomhouse to Television and Crypt TV and association with Wolfe

0:26:05.040 --> 0:26:10.679
<v Speaker 1>at the Door Present Mordo Executive produced by Jack Davis,

0:26:11.240 --> 0:26:17.520
<v Speaker 1>Kate Krantz, Darren Brandel, Jason Blum, Chris Dickey, Matt Frederick,

0:26:17.960 --> 0:26:24.480
<v Speaker 1>and Alex Williams. Written by Caitlin Crabb, directed by Alex Kemp,

0:26:25.600 --> 0:26:32.240
<v Speaker 1>Produced by Toby Lawless, Winnie Kemp, Daniel Parsons, Co producers

0:26:32.440 --> 0:26:40.600
<v Speaker 1>ben So Tack, Anthony Magnolo, Associate producer Federico Torrado. Starring

0:26:41.040 --> 0:26:46.360
<v Speaker 1>j L. Fahns, Nicholson as Isaiah, Ashley Platts as Ashley,

0:26:47.240 --> 0:26:55.360
<v Speaker 1>Olivia Lott as Jocelyn Vane as Michelle, with performances by

0:26:56.160 --> 0:27:04.560
<v Speaker 1>Real Michael Scott, Tacy Adams, Ariella, Amar kim Estes, Patty Wilkins,

0:27:05.560 --> 0:27:11.119
<v Speaker 1>Tracy Rooney. Sound designed by Dean Hovey. Original score by

0:27:11.200 --> 0:27:17.640
<v Speaker 1>Christopher Kemp, Mixing by Mark Scarce, Edited by Fernando Diaz.

0:27:18.760 --> 0:27:23.919
<v Speaker 1>Assistant engineer Noah Sour Recorded at Wolf at the Doors Studio,

0:27:23.960 --> 0:27:31.560
<v Speaker 1>House casting consultant Michelle LeWitt, Production assistants Hayley mckegney and

0:27:31.640 --> 0:27:38.760
<v Speaker 1>Sophia Gilberto, studio teacher Pearl Hika, Writing assistant Bill Hands.

0:27:40.440 --> 0:27:45.080
<v Speaker 1>This podcast was recorded under a SAD after collective bargaining agreement.

0:27:46.440 --> 0:27:50.520
<v Speaker 1>Mordeo is a production of I Heart Radio Blumhouse Television

0:27:50.920 --> 0:27:55.640
<v Speaker 1>Crypt TV. For more podcasts from I Heart Radio, visit

0:27:55.720 --> 0:28:00.200
<v Speaker 1>the i heart radio, app, Apple podcasts, or where ever

0:28:00.280 --> 0:28:01.919
<v Speaker 1>you listen to your favorite shows.