1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:16,840 --> 00:00:22,720 Speaker 1: I wonder if you forgave me in the end. If 4 00:00:22,720 --> 00:00:24,840 Speaker 1: you did, I wish you would come back and teach 5 00:00:24,920 --> 00:01:02,920 Speaker 1: me how to forgive myself. This is asked. Have you 6 00:01:03,080 --> 00:01:13,800 Speaker 1: even go away? Not now? Are you you? Yeah? Yeah? 7 00:01:14,080 --> 00:01:16,720 Speaker 1: I had a night to sharpen this knife, Isaiah, So 8 00:01:16,760 --> 00:01:21,720 Speaker 1: I'll ask you again. Are you you? Yeah? Yeah? Thanks 9 00:01:21,760 --> 00:01:30,399 Speaker 1: so to have it. Yes, I'm fine physically anyway. I'm 10 00:01:30,400 --> 00:01:32,479 Speaker 1: gonna need some electro shock therapy to burn that out 11 00:01:32,480 --> 00:01:36,240 Speaker 1: of my brain. What did you see? What? I don't know. 12 00:01:36,360 --> 00:01:37,920 Speaker 1: You pushed me out of the room and then I 13 00:01:38,000 --> 00:01:41,800 Speaker 1: ran came back when the door stopped pounding. Waited another 14 00:01:41,840 --> 00:01:46,560 Speaker 1: hour before getting you out. I'm sorry. I'm so sorry. Yeah, 15 00:01:46,800 --> 00:01:52,440 Speaker 1: well now we know one thing. What's that? Whatever is 16 00:01:52,440 --> 00:02:04,080 Speaker 1: happening to you? It's real? Hey mom, morning bug. I'm 17 00:02:04,080 --> 00:02:06,559 Speaker 1: staying home today, so you'll need to take the bus. 18 00:02:07,200 --> 00:02:11,520 Speaker 1: What are you doing? Just a little housekeeping, packing up 19 00:02:11,639 --> 00:02:19,320 Speaker 1: some stuff for storage? Dad stuff? Yeah, he's dead, isn't me. 20 00:02:21,840 --> 00:02:25,320 Speaker 1: I'm here, Josh. I want to be honest with you. 21 00:02:26,880 --> 00:02:30,560 Speaker 1: We might never know what happened to Dad? Sometimes we 22 00:02:30,600 --> 00:02:34,680 Speaker 1: don't get answers no matter how much we want them. 23 00:02:34,680 --> 00:02:37,720 Speaker 1: But I do know one thing for sure. I know 24 00:02:38,360 --> 00:02:42,320 Speaker 1: that you and I we're gonna be okay and knowing 25 00:02:42,440 --> 00:02:45,320 Speaker 1: or not knowing, because we're gonna look out for each other. 26 00:02:46,280 --> 00:02:49,800 Speaker 1: And I think that's pretty special, two girls taking on 27 00:02:49,840 --> 00:02:58,120 Speaker 1: the world together. Do you need help? Okay, I'll grab 28 00:02:58,200 --> 00:02:59,959 Speaker 1: some of the things from the closet. You want to 29 00:03:00,360 --> 00:03:06,760 Speaker 1: get that top drawer. I'n't a junk in here, so 30 00:03:07,080 --> 00:03:14,880 Speaker 1: even get me started. Hey, I found a letter of something. 31 00:03:16,320 --> 00:03:19,720 Speaker 1: I promised to cook every meal and let you take 32 00:03:19,760 --> 00:03:24,960 Speaker 1: care of the spiders. We would never great with gender roles. Mom? 33 00:03:25,000 --> 00:03:30,239 Speaker 1: What is this? I promise not to shish you when 34 00:03:30,280 --> 00:03:34,800 Speaker 1: you ask questions and movies, and never again correct you 35 00:03:34,920 --> 00:03:39,400 Speaker 1: when you sang the wrong lyrics to have songs. These 36 00:03:39,440 --> 00:03:43,240 Speaker 1: are our wedding vowels. I promised the adventure, and I 37 00:03:43,400 --> 00:03:54,080 Speaker 1: promised surprises. I promised mountains, and next did he give 38 00:03:54,160 --> 00:04:02,440 Speaker 1: you all those things you tried? What's the stay here? 39 00:04:07,360 --> 00:04:13,000 Speaker 1: Damn it, Isaiah? That you asy scared me? Scared you? 40 00:04:13,600 --> 00:04:15,839 Speaker 1: Why are you sneaking around? And where have you been? 41 00:04:16,480 --> 00:04:20,320 Speaker 1: I just got off from Mark. We haven't seen or 42 00:04:20,400 --> 00:04:24,039 Speaker 1: heard from you in days and all the other hours 43 00:04:24,040 --> 00:04:25,920 Speaker 1: of the day, and we're living here and then you're 44 00:04:25,960 --> 00:04:31,520 Speaker 1: keeping tives on. It doesn't. But look my vorpal blade 45 00:04:31,520 --> 00:04:36,880 Speaker 1: went snicker snacked, Yeah, you kill a careful with that thing, Jocelyn. 46 00:04:36,920 --> 00:04:39,320 Speaker 1: Can you give me a sec with your uncle? It's 47 00:04:39,360 --> 00:04:43,200 Speaker 1: your line? Next he left it dead and with its 48 00:04:43,200 --> 00:04:48,599 Speaker 1: head he went glumphing back right, Jaberlwaukee. I borrow this 49 00:04:48,839 --> 00:04:52,800 Speaker 1: null this sort from the prop room, like it the 50 00:04:52,960 --> 00:04:58,920 Speaker 1: talent show from my drama class. You remember, right, dude, 51 00:04:59,120 --> 00:05:01,279 Speaker 1: you said you go on stage with me. Of course 52 00:05:01,320 --> 00:05:04,600 Speaker 1: you remembered. You have to come. I can't do this 53 00:05:04,680 --> 00:05:12,159 Speaker 1: dumb Jabberwaukee routine alone. Promise He'll be there, Isaiah. I promise, 54 00:05:12,520 --> 00:05:20,600 Speaker 1: of course. See now upstairs, bug shower, you will be there, 55 00:05:20,640 --> 00:05:25,200 Speaker 1: won't you sure? I just I really need to go. 56 00:05:25,480 --> 00:05:28,880 Speaker 1: You don't live in a vacuum, Isaiah. Joscelyn, she picks 57 00:05:28,960 --> 00:05:32,360 Speaker 1: up on everything. She can feel your absence. She might 58 00:05:32,440 --> 00:05:34,360 Speaker 1: not want to show it, but this performance is really 59 00:05:34,400 --> 00:05:36,920 Speaker 1: important to her, and what's important to her is important 60 00:05:36,920 --> 00:05:39,640 Speaker 1: to me. I told you I'll be there. I say, 61 00:05:39,800 --> 00:05:43,239 Speaker 1: what's going on with you? I don't think you're fine, 62 00:05:44,000 --> 00:05:46,560 Speaker 1: and no one expects you to be, not after what 63 00:05:46,640 --> 00:05:50,680 Speaker 1: you went through. But I don't appreciate you taking off 64 00:05:50,720 --> 00:05:52,719 Speaker 1: for days at a time, not telling us where you 65 00:05:52,760 --> 00:05:56,719 Speaker 1: are or when we'll see you next. We're all dealing 66 00:05:56,760 --> 00:06:07,400 Speaker 1: with this in our idea, what I'm dealing with. I'm sorry. 67 00:06:06,240 --> 00:06:15,960 Speaker 1: I really have to go. Isaiah. You live in here. 68 00:06:17,080 --> 00:06:20,400 Speaker 1: It's been good for Joscelyn. But you're warm, welcome, cool 69 00:06:20,440 --> 00:06:22,440 Speaker 1: as a minute, it's not too I make myself clear, 70 00:06:22,800 --> 00:06:34,600 Speaker 1: I understand, I understand more, don't you know? All right, 71 00:06:34,680 --> 00:06:39,560 Speaker 1: y'all good, you're ready, Thank you all for coming. My 72 00:06:39,720 --> 00:06:43,320 Speaker 1: name is Detective Michelle Reid, and we're here to address 73 00:06:43,400 --> 00:06:47,000 Speaker 1: two missing person cases in the area, one of whom 74 00:06:47,000 --> 00:06:50,920 Speaker 1: is city councilman and Paul Doudlas. As of a four 75 00:06:51,080 --> 00:06:55,320 Speaker 1: last night, we recovered Mr douglass vehicle out of Sherwood 76 00:06:55,360 --> 00:06:58,680 Speaker 1: Lake of the tack we received from a local fisherman. 77 00:06:59,760 --> 00:07:02,800 Speaker 1: In not of this new evidence, the e f p 78 00:07:02,960 --> 00:07:06,960 Speaker 1: D has reason to suspect that Paul Douglas's disappearance may 79 00:07:07,000 --> 00:07:12,240 Speaker 1: not be of his own volition. If anyone has any 80 00:07:12,280 --> 00:07:16,800 Speaker 1: information regarding Mr Douglas's last known whereabouts. Please call our 81 00:07:16,840 --> 00:07:20,880 Speaker 1: crime Stopper's tipline. Even the smallest detail may provide us 82 00:07:20,920 --> 00:07:25,680 Speaker 1: with much needed answers. In regards to the connection to 83 00:07:25,760 --> 00:07:30,160 Speaker 1: Gave William's recent disappearance, we have no reason to suspect 84 00:07:30,160 --> 00:07:34,920 Speaker 1: that two are connected at this time. However, we will 85 00:07:35,000 --> 00:07:38,560 Speaker 1: be reinvestigating any leads in this case to make sure 86 00:07:38,680 --> 00:07:42,840 Speaker 1: no stone is left unturned. On behalf of the entire 87 00:07:42,880 --> 00:07:46,880 Speaker 1: force and the Sheriff's office. We want to ensure the 88 00:07:46,920 --> 00:07:50,680 Speaker 1: members of this community that we are doing everything in 89 00:07:50,720 --> 00:08:13,960 Speaker 1: our power to keep you safe. Cat let me in. 90 00:08:18,480 --> 00:08:20,920 Speaker 1: What took you so long? Actually caught me sneaking out? 91 00:08:21,000 --> 00:08:25,680 Speaker 1: Had to side step a little look at this breaking news. 92 00:08:26,680 --> 00:08:32,000 Speaker 1: Last night, we recovered Mr Douglas as meta. We did 93 00:08:32,120 --> 00:08:35,160 Speaker 1: find it eventually, right but down the road eventually, not 94 00:08:35,280 --> 00:08:38,400 Speaker 1: this soon, not before we had any of this figured out. 95 00:08:39,400 --> 00:08:41,520 Speaker 1: It's a far cry from finding a body. We're in 96 00:08:41,559 --> 00:08:45,199 Speaker 1: the clear for now. You obviously don't know, Michelle really 97 00:08:45,200 --> 00:08:47,560 Speaker 1: like I do. We're playing with fire here and I'm 98 00:08:47,600 --> 00:08:50,720 Speaker 1: anna ticking time bomb. As it is, it's getting worse. 99 00:08:51,160 --> 00:08:53,280 Speaker 1: I don't qualify what happened in the archives as it 100 00:08:53,360 --> 00:08:57,160 Speaker 1: getting any better. I used to have more time. The 101 00:08:57,160 --> 00:09:01,160 Speaker 1: intervals are growing shorter. We need answers because books are 102 00:09:01,200 --> 00:09:05,199 Speaker 1: getting us nowhere. Settings of werewolves and sasquatch. These are 103 00:09:05,200 --> 00:09:08,160 Speaker 1: fairy tales. Kind of the problem. When I only leaves 104 00:09:08,200 --> 00:09:12,600 Speaker 1: our conspiracy theories and you told me everything about the woods, 105 00:09:13,120 --> 00:09:22,000 Speaker 1: you're not holding anything back, Isaiah, Yes, everything. Then I 106 00:09:22,040 --> 00:09:24,800 Speaker 1: think we only have one choice. We need to coax 107 00:09:24,880 --> 00:09:26,959 Speaker 1: it out of you. We have to see what we're 108 00:09:26,960 --> 00:09:29,120 Speaker 1: dealing with and what happens if I do something to 109 00:09:29,160 --> 00:09:31,680 Speaker 1: someone else. I have no control. Better the devil we 110 00:09:31,760 --> 00:09:34,120 Speaker 1: plan for than the one we don't. No better, no 111 00:09:34,280 --> 00:09:38,480 Speaker 1: devil at all. We don't really have that option doing Isaiah. 112 00:09:38,480 --> 00:09:41,520 Speaker 1: You brought me here because you trusted me, right, so 113 00:09:42,240 --> 00:09:44,760 Speaker 1: trust me. I think I know how we can get 114 00:09:44,760 --> 00:10:03,480 Speaker 1: our answers and live to do something about it. Hold on, Ashley, 115 00:10:04,080 --> 00:10:06,840 Speaker 1: what are you doing here? Isn't it a school day? 116 00:10:07,240 --> 00:10:10,520 Speaker 1: I need your help, Ernesto. Is everything all right with Joscelyn? 117 00:10:10,880 --> 00:10:17,240 Speaker 1: It's not Joscelyn, it's Isaiah. Well, you said you wanted 118 00:10:17,280 --> 00:10:22,120 Speaker 1: to do better. This is how you can start. Come in. 119 00:10:25,320 --> 00:10:27,679 Speaker 1: If I'm being honest, I don't know how I'd be 120 00:10:27,720 --> 00:10:32,360 Speaker 1: able to help, you know, better than me. You've been 121 00:10:32,360 --> 00:10:37,920 Speaker 1: through this before. I think I think he's dealing again. 122 00:10:38,400 --> 00:10:41,520 Speaker 1: What makes you think that he hasn't been coming home. 123 00:10:42,480 --> 00:10:44,960 Speaker 1: It started as a few late nights, but now we 124 00:10:45,000 --> 00:10:47,960 Speaker 1: don't see him for days at a time. He's a 125 00:10:48,080 --> 00:10:51,880 Speaker 1: radic temperamental. I've heard rumors of him coming and going 126 00:10:51,960 --> 00:10:56,240 Speaker 1: from Green Pine Montoe. He doesn't have access to anything. 127 00:10:56,880 --> 00:11:00,240 Speaker 1: I got rid of all g O prescription pads. It's 128 00:11:00,240 --> 00:11:04,360 Speaker 1: not pills this time. Maybe it's something worse. Actually, it 129 00:11:04,440 --> 00:11:07,200 Speaker 1: may be best I stay out of it. Me being 130 00:11:07,240 --> 00:11:11,000 Speaker 1: there may only make it worse. I think Isaiah could 131 00:11:11,040 --> 00:11:14,440 Speaker 1: be in real trouble. Last time I spoke to Michelle Read, 132 00:11:14,960 --> 00:11:17,760 Speaker 1: I felt like she was trying to intimidate something out 133 00:11:17,760 --> 00:11:21,640 Speaker 1: of me. Are you saying she threatened you? She said, 134 00:11:21,880 --> 00:11:25,080 Speaker 1: if she presumed Gabe dead based on the blood sample 135 00:11:25,120 --> 00:11:27,920 Speaker 1: from the backpack, it would mean that Gabe's case could 136 00:11:27,920 --> 00:11:31,400 Speaker 1: be considered a homicide, and that the primary suspect in 137 00:11:31,480 --> 00:11:38,640 Speaker 1: that homicide is Isaiah. No, you mustn't misunderstood. Now. Michelle 138 00:11:38,679 --> 00:11:42,040 Speaker 1: can be tough, sure, but she searched as hard for 139 00:11:42,080 --> 00:11:45,880 Speaker 1: Isaiah as she has for Gabe. I didn't misunderstand well. 140 00:11:45,920 --> 00:11:49,320 Speaker 1: Even so, she doesn't have any evidence and support any arrest. 141 00:11:49,760 --> 00:11:52,679 Speaker 1: She'll have evidence if she finds him dealing drugs. I 142 00:11:52,720 --> 00:11:55,360 Speaker 1: know she was your partner. I know that means you 143 00:11:55,440 --> 00:11:58,240 Speaker 1: put your life in her hands. But we're talking about 144 00:11:58,240 --> 00:12:01,160 Speaker 1: Michelle here, and she don't like to look. And if 145 00:12:01,200 --> 00:12:04,040 Speaker 1: that means using anything she can find against Isaiah as 146 00:12:04,080 --> 00:12:07,640 Speaker 1: an admission of something, she will not hesitate. And what 147 00:12:07,679 --> 00:12:12,160 Speaker 1: if he did do something? Do you really believe he 148 00:12:12,200 --> 00:12:17,040 Speaker 1: could her? Nast though, I came to you because if 149 00:12:17,040 --> 00:12:20,120 Speaker 1: it's between Isaiah and Joscelyn, I will choose my daughter. 150 00:12:20,920 --> 00:12:23,120 Speaker 1: And I know that, no matter how far he pushes 151 00:12:23,160 --> 00:12:25,280 Speaker 1: you away, you want to be there for your son. 152 00:12:26,800 --> 00:12:31,400 Speaker 1: This could be her chance to prove that to him, 153 00:12:31,480 --> 00:12:47,720 Speaker 1: Hell to everybody, Isaiah. When the tale gave ya, this 154 00:12:47,800 --> 00:12:50,560 Speaker 1: feels wrong. What's wrong is that they let me walk 155 00:12:50,559 --> 00:12:52,320 Speaker 1: out of there with half a dozen of these things 156 00:12:52,800 --> 00:12:57,160 Speaker 1: pets for it's my ass innocent animals. It's either the 157 00:12:57,240 --> 00:13:00,600 Speaker 1: cute little bunnies or a cute neighbor boy, Billy. I 158 00:13:00,640 --> 00:13:04,480 Speaker 1: think we can live with a few rabbits. Of course, 159 00:13:04,520 --> 00:13:08,320 Speaker 1: I'm not sure, but it's a theory. We think. It 160 00:13:08,360 --> 00:13:11,360 Speaker 1: feeds every time it comes out right, So this is 161 00:13:11,400 --> 00:13:13,360 Speaker 1: bait one oh one. We lure it out by its 162 00:13:13,360 --> 00:13:16,679 Speaker 1: stomach like blood in the water and jaws or a 163 00:13:16,720 --> 00:13:19,240 Speaker 1: taco bellm. You're a high school so I'm gonna have 164 00:13:19,240 --> 00:13:22,080 Speaker 1: to kill one of these first. As me. You're gonna 165 00:13:22,080 --> 00:13:24,200 Speaker 1: have to do more than kill it. They're gonna need 166 00:13:24,240 --> 00:13:30,679 Speaker 1: to like kill it. Okay, I kill it. I use 167 00:13:30,720 --> 00:13:32,760 Speaker 1: the rest to create a trail of little snaky snacks 168 00:13:32,800 --> 00:13:34,920 Speaker 1: as you make your way to the woods. My dad 169 00:13:34,960 --> 00:13:36,920 Speaker 1: and I used to use deer bait like this every 170 00:13:36,960 --> 00:13:40,400 Speaker 1: hunting season. I'll be a safe distance away, snap some 171 00:13:40,480 --> 00:13:42,920 Speaker 1: pictures in maybe we can get a clue as to 172 00:13:42,960 --> 00:13:46,479 Speaker 1: what we're dealing with. There's got to be a safe way. 173 00:13:46,760 --> 00:13:48,720 Speaker 1: Why not just trap me somewhere like what happened in 174 00:13:48,720 --> 00:13:52,160 Speaker 1: the archive. That door barely held you back, and I'd 175 00:13:52,280 --> 00:13:54,600 Speaker 1: rather have room to run instead of being cornered somewhere. 176 00:13:55,040 --> 00:13:58,559 Speaker 1: This is reckless. You're trying to control something completely out 177 00:13:58,559 --> 00:14:00,640 Speaker 1: of our death. We have no idea of this thinct 178 00:14:01,600 --> 00:14:05,199 Speaker 1: what I'm capable of. We can't run from this anymore. 179 00:14:06,000 --> 00:14:08,680 Speaker 1: We have to confront it head on, no matter how 180 00:14:08,760 --> 00:14:17,000 Speaker 1: terrifying it is. Take my gun, you shoot, and you 181 00:14:17,120 --> 00:14:19,480 Speaker 1: don't stop. If I come for you, you take me out. 182 00:14:19,520 --> 00:14:22,680 Speaker 1: That's in order. I don't need all the marine theatrics, 183 00:14:22,800 --> 00:14:26,600 Speaker 1: but thanks now. I feel like there's have a dick 184 00:14:26,640 --> 00:14:31,600 Speaker 1: for loading this one this morning. Now here, sit tight 185 00:14:31,640 --> 00:14:34,000 Speaker 1: with bugs, bunny. I'll let you know when the beats 186 00:14:34,040 --> 00:14:40,520 Speaker 1: say chinnap soldier. I think this will work. That makes 187 00:14:40,560 --> 00:14:55,040 Speaker 1: one of us m mhm. We put Isaiah down here 188 00:14:55,040 --> 00:14:58,240 Speaker 1: in the basement. I didn't really have a spare bedroom. 189 00:14:58,280 --> 00:15:01,920 Speaker 1: I'm hoping there's something we can use proof to approach him. 190 00:15:02,120 --> 00:15:04,920 Speaker 1: Barely looks like he's living here. He's been slowly taking 191 00:15:04,960 --> 00:15:07,200 Speaker 1: his things, probably so he can stay away longer periods 192 00:15:07,200 --> 00:15:14,640 Speaker 1: of time. Those boxes are his. I was surprised with 193 00:15:14,840 --> 00:15:17,600 Speaker 1: Gabe agreed to take him in. Where else would you 194 00:15:17,600 --> 00:15:20,600 Speaker 1: have gone? He could stay with me? We both know 195 00:15:20,680 --> 00:15:23,040 Speaker 1: that wouldn't have happened. I'm not over his dead body. 196 00:15:24,520 --> 00:15:27,120 Speaker 1: It was good to you to let him stay where 197 00:15:27,120 --> 00:15:32,280 Speaker 1: his family, and also I thought maybe he could because 198 00:15:32,320 --> 00:15:37,240 Speaker 1: what it's nothing. There's another box behind you. You know. 199 00:15:37,360 --> 00:15:41,680 Speaker 1: If I've learned anything from years or holding things in it, 200 00:15:41,680 --> 00:15:45,160 Speaker 1: it's that I wish I hadn't, especially when there's someone 201 00:15:45,200 --> 00:15:51,600 Speaker 1: they're willing to listen. Gabe and I we We're in 202 00:15:51,640 --> 00:15:55,840 Speaker 1: a weird place. Jocelyn was pulling away from us, started 203 00:15:56,040 --> 00:16:02,480 Speaker 1: slipping in school. I felt like I was failing, and 204 00:16:02,520 --> 00:16:04,960 Speaker 1: Isaiah coming back sounded like a way to feel like 205 00:16:05,000 --> 00:16:09,320 Speaker 1: I could do something right. He was a project test. 206 00:16:09,680 --> 00:16:12,800 Speaker 1: If I could get Isaiah and gave back together, maybe 207 00:16:12,840 --> 00:16:16,080 Speaker 1: I could keep my family from falling apart. There's no 208 00:16:16,160 --> 00:16:23,880 Speaker 1: shame in fighting for your family. Actually, crap, he's home. Quick, 209 00:16:24,000 --> 00:16:35,760 Speaker 1: close up the box, h mom, Boppy, what are you 210 00:16:35,880 --> 00:16:40,440 Speaker 1: doing down here? Josh? I thought you were staying at 211 00:16:40,440 --> 00:16:44,560 Speaker 1: school until the show. I forgot my sword. Are you 212 00:16:44,600 --> 00:16:49,000 Speaker 1: guys going through Uncle Isaiah's stuff or something? No, No, 213 00:16:49,560 --> 00:16:53,000 Speaker 1: of course not. I just some of my delicates got 214 00:16:53,000 --> 00:16:57,480 Speaker 1: mixed up in the wrong laundrobin. Mean your bras? Why 215 00:16:57,520 --> 00:17:00,920 Speaker 1: would probably be helping you look for your bras? Oh no, 216 00:17:01,480 --> 00:17:08,240 Speaker 1: I wasn't. We were talking. I followed it down here. Okay, 217 00:17:08,480 --> 00:17:12,560 Speaker 1: you before terrible liars, But I'm gonna be late. So 218 00:17:13,720 --> 00:17:16,800 Speaker 1: let's find your sword and I'll take you over school. 219 00:17:22,280 --> 00:17:29,280 Speaker 1: M hey, k, the deed is done. What it's often, 220 00:17:30,200 --> 00:17:32,439 Speaker 1: I just sent you the pain start there and if 221 00:17:32,480 --> 00:17:35,639 Speaker 1: all goes according to plan, we'll have some very incriminating 222 00:17:35,680 --> 00:17:39,600 Speaker 1: photos of you by this time tomorrow. All right, Okay, 223 00:17:42,400 --> 00:17:45,480 Speaker 1: I'm sorry. I know how painful the transition is for you. 224 00:17:45,880 --> 00:17:50,520 Speaker 1: It's not that I just I want you to know 225 00:17:50,560 --> 00:17:56,640 Speaker 1: that I love you. You what not like I love you? 226 00:17:56,640 --> 00:18:00,440 Speaker 1: You're my best friend. And if I don't view, I 227 00:18:00,560 --> 00:18:02,000 Speaker 1: just drung up that rabbits in the middle of the 228 00:18:02,040 --> 00:18:04,840 Speaker 1: fourth ring. If that doesn't say I know you, tune 229 00:18:04,880 --> 00:18:10,320 Speaker 1: and I don't know what. Okay, stay safe, all right, 230 00:18:11,320 --> 00:18:29,040 Speaker 1: always do fuck you kidding me? I officer. This is 231 00:18:29,040 --> 00:18:30,879 Speaker 1: about that tail life. I have an appointment to get 232 00:18:30,920 --> 00:18:36,879 Speaker 1: that taken care of later this week. Not why I'm here, Michelle. Hello, Isaiah. 233 00:18:37,680 --> 00:18:40,040 Speaker 1: I'd like you to come down to the station. I 234 00:18:40,119 --> 00:18:46,119 Speaker 1: have a few questions i'd like to ask. I'm busy, Michelle. Listen. 235 00:18:46,920 --> 00:18:49,240 Speaker 1: We can do this the easy way or the long 236 00:18:49,320 --> 00:18:52,239 Speaker 1: and painful way, but both end up with you at 237 00:18:52,280 --> 00:18:56,000 Speaker 1: the station. So how about you just make things simple 238 00:18:56,560 --> 00:19:11,000 Speaker 1: and follow me in. Maybe we should go backstage. I'm 239 00:19:11,040 --> 00:19:15,040 Speaker 1: sure miss Cole was lining you up. I'm waiting here, Gosla. 240 00:19:15,760 --> 00:19:23,400 Speaker 1: Your mother's right. He'll be here, he promised. Where are 241 00:19:23,480 --> 00:19:33,600 Speaker 1: you as are here? You want some water. What am 242 00:19:33,600 --> 00:19:36,760 Speaker 1: I doing here, Michelle? In lot of recent advance, I'm 243 00:19:36,800 --> 00:19:40,320 Speaker 1: re interviewing witnesses in your brother's case. And as far 244 00:19:40,359 --> 00:19:42,679 Speaker 1: as witnesses go, you're pretty much the top of the 245 00:19:42,720 --> 00:19:45,159 Speaker 1: list for being a witness. This looks a lot like 246 00:19:45,200 --> 00:19:50,119 Speaker 1: an interrogation room. Let's go over your account of what 247 00:19:50,200 --> 00:19:54,320 Speaker 1: happened in the minonga Hella. I already told you everything. Now, 248 00:19:54,320 --> 00:19:58,520 Speaker 1: you got spooked by an animal, ran got separated, and 249 00:19:58,600 --> 00:20:02,040 Speaker 1: that's the last time you saw him. That's right, m 250 00:20:04,320 --> 00:20:09,439 Speaker 1: You know Paul Douglas. Yeah, neighbor guy, a little nosy. 251 00:20:09,480 --> 00:20:12,960 Speaker 1: But who isn't around there? I've been asking around. It 252 00:20:13,000 --> 00:20:15,159 Speaker 1: seems like you may have been the last one to 253 00:20:15,200 --> 00:20:20,960 Speaker 1: see him. Klin's hardware. I don't remember. You're not looking 254 00:20:20,960 --> 00:20:27,320 Speaker 1: too good, Isaiah. Something the matter a little up. Let 255 00:20:27,320 --> 00:20:31,159 Speaker 1: me tell you what's happening here, Isaiah. Three people have 256 00:20:31,280 --> 00:20:35,679 Speaker 1: gone missing under my watch. Only one came back, only 257 00:20:35,720 --> 00:20:39,800 Speaker 1: you came back, and somehow you've been the last person 258 00:20:39,840 --> 00:20:43,080 Speaker 1: to see the other two. Now, call me crazy, but 259 00:20:43,160 --> 00:20:46,000 Speaker 1: I'd like to know why that is. So we're going 260 00:20:46,040 --> 00:20:48,959 Speaker 1: to start from the beginning, and this time you're not 261 00:20:49,040 --> 00:20:59,720 Speaker 1: going to leave anything out. I can't go out there. 262 00:21:00,480 --> 00:21:03,440 Speaker 1: I'm gonna look like an idiot acting out the Jabberwaukee 263 00:21:03,520 --> 00:21:07,399 Speaker 1: inn No jabberwaoukee, Josh. The point of the poem is 264 00:21:07,440 --> 00:21:11,720 Speaker 1: that nobody knows what it means. The jabberwaoukee is whatever 265 00:21:11,760 --> 00:21:17,160 Speaker 1: we imagine it is. So go out there and imagine it, 266 00:21:17,520 --> 00:21:20,920 Speaker 1: and you'll make the audience imagine it too. Now, Gold 267 00:21:21,440 --> 00:21:36,280 Speaker 1: Malcolm to head, h we'st brilliant? Uh? And the slither 268 00:21:36,520 --> 00:21:49,160 Speaker 1: tones tis did greet? And where the Jabblwaukee? My son? 269 00:21:50,280 --> 00:21:57,080 Speaker 1: The jaws that bite the cloths that catch this show 270 00:21:57,119 --> 00:22:16,359 Speaker 1: is fucking stupid. Hmm. Jocelyne, anything now, Isaiah? What's that? 271 00:22:20,119 --> 00:22:28,000 Speaker 1: Oh God? This is it? All right? Isaiah? Now and 272 00:22:28,119 --> 00:22:51,240 Speaker 1: give Cad a big smile. Taste christ don go please, No, 273 00:22:57,720 --> 00:23:19,800 Speaker 1: that's impossible. They are sounds like Joslys finally cocked down? 274 00:23:21,080 --> 00:23:25,520 Speaker 1: What you doing? Pack andiza a ship? I thought, which'n 275 00:23:25,560 --> 00:23:28,479 Speaker 1: to help him? I made it very clear as long 276 00:23:28,560 --> 00:23:30,840 Speaker 1: as it was good for Jocelyn, I'd be on his side. 277 00:23:31,680 --> 00:23:36,159 Speaker 1: He promised me he wouldn't hurt her. You're upset with 278 00:23:36,359 --> 00:23:40,800 Speaker 1: her for her? I get it, but no, you don't 279 00:23:40,840 --> 00:23:45,320 Speaker 1: get it. You don't get it. It was my idea. 280 00:23:46,200 --> 00:23:50,760 Speaker 1: Everything was my idea. I say, you're moving here the 281 00:23:51,040 --> 00:23:56,359 Speaker 1: fucking camping trip. I told him to go. It was 282 00:23:56,520 --> 00:24:03,040 Speaker 1: my fault. It's still muff off. I keep feeling them. 283 00:24:03,920 --> 00:24:10,680 Speaker 1: I can't. I can't keep feeling them. What is that? 284 00:24:14,320 --> 00:24:18,040 Speaker 1: It's a wedding ring? What would I say? Have wedding ring? 285 00:24:19,280 --> 00:24:25,560 Speaker 1: Mountains and marvels. That's the inscription. What does that mean? 286 00:24:26,720 --> 00:24:31,960 Speaker 1: It's a promise for this life and the next. I 287 00:24:32,080 --> 00:24:35,760 Speaker 1: know because we had it inscribed on both of our rings, 288 00:24:37,480 --> 00:24:51,440 Speaker 1: mine and Gabes. All I wanted to say is that 289 00:24:52,400 --> 00:24:57,399 Speaker 1: I'm sorry all this time. I thought I was to 290 00:24:57,480 --> 00:25:03,080 Speaker 1: blame for you even out that door, for you not 291 00:25:03,240 --> 00:25:08,400 Speaker 1: walking back through it. But maybe I'm not the one 292 00:25:08,520 --> 00:25:14,480 Speaker 1: to blame, am I maybe I've been wrong about everything 293 00:25:15,400 --> 00:25:34,960 Speaker 1: from the start. Next time onward day? Sure? Just what 294 00:25:35,200 --> 00:25:40,480 Speaker 1: happened in the woods? Isaiah? Hey? Hey, what do you 295 00:25:40,600 --> 00:25:47,520 Speaker 1: have my knife? This is what I am. This is 296 00:25:47,560 --> 00:25:58,520 Speaker 1: what I would call? Who is this? I Heart Radio, 297 00:25:59,200 --> 00:26:04,960 Speaker 1: Blomhouse to Television and Crypt TV and association with Wolfe 298 00:26:05,040 --> 00:26:10,679 Speaker 1: at the Door Present Mordo Executive produced by Jack Davis, 299 00:26:11,240 --> 00:26:17,520 Speaker 1: Kate Krantz, Darren Brandel, Jason Blum, Chris Dickey, Matt Frederick, 300 00:26:17,960 --> 00:26:24,480 Speaker 1: and Alex Williams. Written by Caitlin Crabb, directed by Alex Kemp, 301 00:26:25,600 --> 00:26:32,240 Speaker 1: Produced by Toby Lawless, Winnie Kemp, Daniel Parsons, Co producers 302 00:26:32,440 --> 00:26:40,600 Speaker 1: ben So Tack, Anthony Magnolo, Associate producer Federico Torrado. Starring 303 00:26:41,040 --> 00:26:46,360 Speaker 1: j L. Fahns, Nicholson as Isaiah, Ashley Platts as Ashley, 304 00:26:47,240 --> 00:26:55,360 Speaker 1: Olivia Lott as Jocelyn Vane as Michelle, with performances by 305 00:26:56,160 --> 00:27:04,560 Speaker 1: Real Michael Scott, Tacy Adams, Ariella, Amar kim Estes, Patty Wilkins, 306 00:27:05,560 --> 00:27:11,119 Speaker 1: Tracy Rooney. Sound designed by Dean Hovey. Original score by 307 00:27:11,200 --> 00:27:17,640 Speaker 1: Christopher Kemp, Mixing by Mark Scarce, Edited by Fernando Diaz. 308 00:27:18,760 --> 00:27:23,919 Speaker 1: Assistant engineer Noah Sour Recorded at Wolf at the Doors Studio, 309 00:27:23,960 --> 00:27:31,560 Speaker 1: House casting consultant Michelle LeWitt, Production assistants Hayley mckegney and 310 00:27:31,640 --> 00:27:38,760 Speaker 1: Sophia Gilberto, studio teacher Pearl Hika, Writing assistant Bill Hands. 311 00:27:40,440 --> 00:27:45,080 Speaker 1: This podcast was recorded under a SAD after collective bargaining agreement. 312 00:27:46,440 --> 00:27:50,520 Speaker 1: Mordeo is a production of I Heart Radio Blumhouse Television 313 00:27:50,920 --> 00:27:55,640 Speaker 1: Crypt TV. For more podcasts from I Heart Radio, visit 314 00:27:55,720 --> 00:28:00,200 Speaker 1: the i heart radio, app, Apple podcasts, or where ever 315 00:28:00,280 --> 00:28:01,919 Speaker 1: you listen to your favorite shows.