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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legendary queens rapper.

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Speaker 3: He ain't a great as your boy in O R E.

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Speaker 2: He's a Miami hip hop pioneer. Put up as d

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Speaker 2: J E f N. Together they drink it up with

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Speaker 2: some of the biggest players you me and the most.

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Speaker 4: Professional unprofessional podcast and your.

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Speaker 3: Number one source for drunk drinks Moscavery Days New Years.

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Speaker 2: That's it's time for drink champions.

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Speaker 3: Drink up mother would good be? Please win your boy

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Speaker 3: and O R E?

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Speaker 2: What up is d J E f N.

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Speaker 3: And this is mindle tim crazy for all Yaha Yama

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Speaker 3: make some of the.

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Speaker 2: Let's go, Let's go.

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Speaker 3: And this is one of the best singers R and

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Speaker 3: B anything in a group, without a group. This guy

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Speaker 3: is as an intricate, he's a he's an icon.

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Speaker 2: He's a legend.

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Speaker 3: He can live with or without anybody around him. He

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Speaker 3: continues to make history and he continues to make legacy

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Speaker 3: a legacy. He is, without a doubt, one of the

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Speaker 3: best in the game.

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Speaker 2: And we're gonna give him his flowers today.

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Speaker 3: I'll kidd you not.

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Speaker 2: He deserves his flowers today. Today we're giving him his

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Speaker 2: flowers in front of the world.

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Speaker 3: In front of the people. We're gonna describe and make

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Speaker 3: sure that people know that he's a legend, an icon

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Speaker 3: and the person a tycoon that you cannot mess with.

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Speaker 3: So in case you don't know what we're talking about,

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Speaker 3: we're talking about the one the only.

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Speaker 2: I gotta take off my glass.

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Speaker 3: I'll thank you. I'm trying to make you drink.

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Speaker 2: We should just start off with the flowers.

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Speaker 3: Off off the we we got a flowers off. We

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Speaker 3: wanted to be flat.

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Speaker 2: Thank you, thank you, thank you, thank you.

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Speaker 3: Love better than Grammy because your people.

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Speaker 2: That's right, Yeah, yeah, that's right.

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Speaker 3: So I'm not gonna lie to this man. You are

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Speaker 3: one of the You are one of the gods. Jesus.

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Speaker 3: I great, sound really good, because somebody give me a beer,

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Speaker 3: give me I'll do some centam.

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Speaker 2: But I'm gonna be honest with you, brother. I look

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Speaker 2: up to you.

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Speaker 3: Which back and let me tell you why I look

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Speaker 3: up to you.

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Speaker 2: I was playing, but but I'm not. I'm gonna be

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Speaker 2: honest with you. Bro.

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Speaker 3: I watched you on the Breakfast Club, I watched you

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Speaker 3: on so many different interviews, and you really seem unbothered

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Speaker 3: by life. And I admire that in so many ways

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Speaker 3: because you sit there and I know you bothered by

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Speaker 3: the way listen, because I'm a human, that's what you

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Speaker 3: just said. But you never like seem bothered in the public.

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Speaker 3: And that is something that I'm not only admire, I

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Speaker 3: honor that. How do you develop that ship man like

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Speaker 3: because that's that's not that's not normal.

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Speaker 2: Got to be experienced.

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Speaker 5: Yes, well it is experienced, but it also is that

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Speaker 5: I'm just not partial and I don't subscribe maybe to

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Speaker 5: most of the perspectives that people ingest, you know what

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Speaker 5: I'm saying, Like to a degree, you want to feel

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Speaker 5: life's experience. So I guess being bothered is allowing yourself

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Speaker 5: to feel defeated. I guess it's allowing yourself to feel

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Speaker 5: maybe that you got taken advantage of.

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Speaker 2: I think that that is the art.

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Speaker 5: Of being unbothered is actually dealing with your emotions first.

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Speaker 5: So being unbothered dominic.

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Speaker 3: Over there, I'm sorry, yeah, yeah.

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Speaker 2: So I say all of that to say that.

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Speaker 5: Being unbothered is not shying away from your your your experience,

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Speaker 5: especially the things that make you uncomfortable. It's actually about

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Speaker 5: meeting it and facing it before the aftermath of those

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Speaker 5: emotions control you, and for me, I've just never been

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Speaker 5: a person that allows myself to be subjected to other

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Speaker 5: people's viewpoints without real fact or knowledge.

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Speaker 2: So which you're drinking this is why. Okay, I like, no,

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Speaker 2: I'm straight on the water. But that's what being unbothered is.

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Speaker 2: Long story short, honestly was to hide your phone number when.

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Speaker 3: Like just to talk to you because the fact that

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Speaker 3: you seem unphased yeah about anything that you was going through, right,

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Speaker 3: I admired that so much and I could look in

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Speaker 3: your face and tell that you were really unfased, like, yeah, me,

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Speaker 3: I would be lying about it like I was being

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Speaker 3: your same position, and I'm like, I'm not feeling that

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Speaker 3: you I felt like you wasn't feeling that, but you

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Speaker 3: were like actually not feeling that, and it was cool.

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Speaker 2: That shit is crazy to me.

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Speaker 3: No, No, that shit is crazy to me. Like is

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Speaker 3: that something that you How did you develop that?

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Speaker 5: I think you developed it in disappointment, you know, I

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Speaker 5: think you develop it, and you know, maybe you're not

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Speaker 5: completely being aligned with the universe and you kind of

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Speaker 5: like creating your own story of how you think things

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Speaker 5: should happen. You know what I'm saying, I think you

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Speaker 5: develop it and just understanding that the rhythm of life

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Speaker 5: is like a wave. You know what I'm saying. It's

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Speaker 5: like you got to catch the wave. You know what

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Speaker 5: I'm saying, Like you can't, you know, go ahead, you

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Speaker 5: get that, go ahead.

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Speaker 3: He'll kill man.

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Speaker 2: This Dominican crazytinue. I'm sorry, but yeah, yeah.

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Speaker 3: Because let's just be clear. I did love it hip hop.

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Speaker 3: I love loving hip hop. They kicked me out because

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Speaker 3: I didn't bring no drama. So when I didn't bring

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Speaker 3: no drama, they were like you normal. They tried to

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Speaker 3: start drama with my wife, a hood wife. Yeah, and

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Speaker 3: then ray J came to me and ray J was

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Speaker 3: like you gotta you gotta step it up and I

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Speaker 3: was like what what? J? Like this this is my nigga,

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Speaker 3: Like this is my nigga. But ray J didn't call

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Speaker 3: you out. He called every other R and B single out.

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Speaker 3: He was ready, he was ready. He wasn't ready for

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Speaker 3: you called every he he called Who the fuck did

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Speaker 3: he call out?

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Speaker 2: Uh?

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Speaker 3: Tank? Yeah, he called out, but he ain't say Marion,

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Speaker 3: what wow? You know you smokeing out?

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Speaker 2: I'm not now you know what? You know?

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Speaker 5: We were just on tour together with ra J, Yeah,

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Speaker 5: ray J and Pleasure and all the rest of the

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Speaker 5: guys we were on tour.

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Speaker 2: And plus the p Yeah, and out of everybody on the.

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Speaker 5: Tour, we would bump into each other the most, like

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Speaker 5: on the way to stage and stuff like that, because

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Speaker 5: you know, backstage, you know, everybody's kind of in their

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Speaker 5: own world, you know what I mean.

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Speaker 2: So I think it's a it's just a respect, you

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Speaker 2: know what I mean. I think.

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Speaker 3: Up.

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Speaker 2: No, No, I think it's a mutual respect. You know

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Speaker 2: what I'm saying.

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Speaker 5: It's a mutual respect us because I mean, if you

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Speaker 5: think about it, right, if I asked you about Jay,

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Speaker 5: you know what I'm saying. I'm sorry, but yeah, it's

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Speaker 5: just a mutual respect, that's all, you know what I'm saying.

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Speaker 2: And we both in the home team. We got love.

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Speaker 2: We got love for each other.

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Speaker 5: And him and my brother actually, uh did college Hill

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Speaker 5: and graduating together.

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Speaker 3: You supposed to do college, hell, I swear to god,

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Speaker 3: I was supposed to do college here and all I

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Speaker 3: did something else but college Hell, the second season, not

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Speaker 3: the first season. Yeah, so versus, Okay, would you want

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Speaker 3: to do verses again?

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Speaker 2: I'm not sure I'll tell you why.

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Speaker 5: I'm not sure because when we're talking about R and

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Speaker 5: B music, you know, this wonderful music, it's so many

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Speaker 5: R and B fans.

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Speaker 2: There's so many variations of R and B.

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Speaker 5: So I'm not the type of person that looks at

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Speaker 5: the scope and say, you know, I'm better than this

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Speaker 5: person or this person is better than me in this

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Speaker 5: specific category.

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Speaker 2: I don't know. I don't have those kind of conversations.

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Speaker 5: I feel like the space is big enough for everyone

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Speaker 5: to thrive, you know what I'm saying. That's just my perspective.

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Speaker 5: Now everybody else doesn't have that perspective. Everybody else is competing,

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Speaker 5: you know what I'm saying, Like it's a sport, and really,

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Speaker 5: you know, it is a sport in a in a

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Speaker 5: in a type of way, but in another way, it's not.

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Speaker 5: You know, it's literally some of our journeys, you know

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Speaker 5: what I'm saying, maybe not to you know, have the

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Speaker 5: same things that this person has, Like the difference between

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Speaker 5: Prince and Mike.

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Speaker 2: You know what I'm saying, Like you know.

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Speaker 3: A famous conversation on this show. Yeah, yes, go ahead,

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Speaker 3: let's have it.

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Speaker 5: Yeah, I'm saying that they're here for two different purposes

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Speaker 5: and they exist and coexist at the same time. So yeah,

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Speaker 5: both iconic in their own time because it's based off

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Speaker 5: of the work that they did.

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Speaker 2: You know what I mean.

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Speaker 5: We all have these like little pockets you know, where

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Speaker 5: we're peaking and then we're transitioning.

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Speaker 2: You know what I'm saying.

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Speaker 5: It's like who's staying on the longest is the real conversation,

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Speaker 5: who's doing the most?

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Speaker 2: Yeah?

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Speaker 5: And then also there's artists that have their own niche,

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Speaker 5: you know what I'm saying. So, and they're very successful

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Speaker 5: at that. I think Top of the Creator is one

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Speaker 5: of them. You know what I'm saying, Like.

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Speaker 2: The Creator is my man, who could really compete with

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Speaker 2: Tyler do? Creator?

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Speaker 5: You know, He's to compete with that exactly, and he

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Speaker 5: does what he wants to do. That's the true mark

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Speaker 5: of an artist, not someone to be compared to someone

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Speaker 5: else great, you know.

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Speaker 2: I think that people do that. So that's how I

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Speaker 2: feel about that.

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Speaker 3: You know what I'm saying.

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Speaker 2: You don't want to be if it's a celebration it

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Speaker 2: is should always be.

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Speaker 3: Let me big up to Timbolan and Swiss Beast because

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Speaker 3: they turned it into a celebration.

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Speaker 2: To me, they started it as a celebration.

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Speaker 3: Don't start as a battle.

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Speaker 2: No, it started as a celebration and it became about that.

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Speaker 2: That's the way.

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Speaker 3: People made it a battle.

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Speaker 5: Yeah, but Swiss and but Swiss and Teim encouraged that

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Speaker 5: too because they curate.

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Speaker 2: Yes, yes, you know what I'm saying.

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Speaker 5: But you know that's the only reason why I said

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Speaker 5: I would be a little bit hesitant towards it, because

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Speaker 5: I wouldn't want to ever put myself as an artist

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Speaker 5: and a compromise is in position, you know, and that

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Speaker 5: comes in a lot of different ways that people don't realize.

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Speaker 3: But there's only two people that can batther you.

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Speaker 5: Okay, I'm not done. I'll just say that I'm not done.

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Speaker 5: There's only two people who do you think the two people.

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Speaker 2: With in my opinion, yes, in my opinion, Uh, she

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Speaker 2: being an usher? Think she being an usher for sure?

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Speaker 2: You know what I'm saying.

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Speaker 3: So ray J, I'm you know, you're my friend, got

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Speaker 3: my phone number, But do not call out them? All right?

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Speaker 2: He's been going hard, you see him. Yeah, but he

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Speaker 2: loves it though. And see that's what I like about

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Speaker 2: ray J. Two.

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Speaker 5: You know, he's very serious, but he's like funny too,

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Speaker 5: you know he's so funny. Yeah, it's something serious could

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Speaker 5: see very seriously and turns it till after you know

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Speaker 5: what I'm saying.

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Speaker 2: So yeah, So let's talk love and hip hop? Okay?

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Speaker 3: And you like doing love and hip hop?

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Speaker 2: Yes?

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Speaker 5: And no, you know, for for for the reasons of

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Speaker 5: understanding how business work and visibility, you know what I mean.

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Speaker 5: Like I think that it worked in that sense for me,

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Speaker 5: you know what I'm saying. But as far as like

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Speaker 5: in real time and in real life, like you know,

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Speaker 5: you shooting February and then the show comes out next year,

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Speaker 5: and then you know, you're kind of revisiting a lot.

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Speaker 2: Of Oh yeah, you know what I'm saying.

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Speaker 5: But reality is bringing you back into a space that

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Speaker 5: you already you already live, yeah, and it's like, are

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Speaker 5: you really are you getting paid enough for that?

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Speaker 2: Are you really getting paid enough for that? You know

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Speaker 2: what I'm saying.

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Speaker 3: So I can relate to this so much. But I

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Speaker 3: know that people like I love doing love and hip

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Speaker 3: hop right when it's fun like it was, it was fun,

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Speaker 3: And the only thing is I didn't bring drama right

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Speaker 3: right right, So I knew there's gonna find me eventually,

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Speaker 3: like I was like, damn, nigga, like they're gonna they're

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Speaker 3: gonna let you go, right, But in that meantime, I

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Speaker 3: understood the fights. I understood the drum. I understood, and

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Speaker 3: I stood there and I watched it for you because

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Speaker 3: you did like five seasons.

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Speaker 2: Right, I did, like too soon? Oh yes, sir, I

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Speaker 2: mean you didn't three.

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Speaker 3: No, they gave me one and a half and they

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Speaker 3: booted me. I charged them too much.

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Speaker 5: But I will say I do want to say, because

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Speaker 5: I'm like like this in the platform or whatever, you know,

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Speaker 5: I was able to utilize it for what I needed

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Speaker 5: at that time, you know what I mean. So I

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Speaker 5: always yeah, always for me, because I'm intentional, you know

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Speaker 5: what I mean. Like, I'll never be mad at the

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Speaker 5: opportunity that I'm able to be more visible to my

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Speaker 5: audience and a new audience, because that's also the part

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Speaker 5: of being an artist is reintroducing yourself.

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Speaker 3: Now again, I want to tell you how much I

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Speaker 3: admire you. I admire your unfathous like you you seem unfathomed,

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Speaker 3: unphased about anything that happened, right one of your group members.

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Speaker 3: There's something that was unfathomable, right, and you just stood there, cool,

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Speaker 3: calm and collective. I admire that, bro. I admire the

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Speaker 3: fact that you stood there and it was like, that's

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Speaker 3: what you want to do. That's that describes who you are.

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Speaker 3: And we had him on the show. We had him

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Speaker 3: on the show and we let him speak, but we've

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Speaker 3: never heard your side of the story. So I would

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Speaker 3: like to hear your side of the story. What what

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Speaker 3: was it life like when you heard that? You know,

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Speaker 3: you know the question I'm asking, damn, because I want

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Speaker 3: to ask it in the most respectful way.

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Speaker 1: Okay, you get the call, uh huh, and you know,

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Speaker 1: all right, Fizz is running around way April right, what

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Speaker 1: was that call?

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Speaker 3: Like? What was that first call? Like, I'm just being

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Speaker 3: honest because I wish I had your phone number because

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Speaker 3: I ain't gonna lie to you. I wish you were

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Speaker 3: my therapist. I swear have gone. I feel like you're

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Speaker 3: a therapist. You're a therapist. But how was how was

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Speaker 3: that first phone call when you got it? Because I

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Speaker 3: get these phone calls. I mean, I go through the

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Speaker 3: same ship. We went through the same ship. Proble man,

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Speaker 3: it's not publicly yet you went through it publicly, Like

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Speaker 3: I really I really wish I had your phone as

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Speaker 3: a friend, bro, But you did that ship solid Yeah,

294
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Speaker 3: in front of the public. How was I'm sorry? I

295
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Speaker 3: really apologize.

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Speaker 5: Yeah, No, I mean I think to uh to touch

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Speaker 5: on this, you know, one more time, because I think

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Speaker 5: it's important to also say that within the scope.

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Speaker 2: Of that time, there has been a lot of.

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Speaker 5: Healing, you know what I'm saying, and self with myself

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Speaker 5: and also with Fiz and you know, to a degree,

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Speaker 5: with the mother of my children.

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Speaker 2: You know what I'm saying.

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Speaker 5: Like, like I said, being unbothered is not about avoiding situations.

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Speaker 5: You know, you do need time for things to settle,

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Speaker 5: you know what I'm saying. But if I could think

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Speaker 5: back to what that experience was, like I had already accepted,

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Speaker 5: did that you know, when I'm out of a type

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Speaker 5: of agreement with someone, you know, if if if we

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Speaker 5: have a relationship and let's just say we have a

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Speaker 5: silent agreement, you know, and that agreement is broken, I

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Speaker 5: kind of just removed myself, you know. I removed myself

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Speaker 5: in a way that is protective and that's also realistic,

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Speaker 5: you know. And for me being in this industry at

315
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Speaker 5: a very very young age, I've seen a lot of things.

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Speaker 2: I've seen a lot of people switch up.

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Speaker 5: I've seen a lot of I'm like, not surprised, you know,

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Speaker 5: by what my experience has been through these eyes, you

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Speaker 5: know what I'm saying. So if I could go back

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Speaker 5: to that time, if I would say I was surprised.

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Speaker 2: I wasn't really surprised. I wasn't one of the greatest

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Speaker 2: people are so.

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Speaker 3: You know what I mean.

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Speaker 5: But but but again, like I said, there's been a

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Speaker 5: lot of healing, and you know, I got to have

326
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Speaker 5: a real you know, conversation with Fish, you know, and afterwards, Yeah, yeah,

327
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Speaker 5: I mean, you know, we're about to go on tour.

328
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Speaker 2: We're about to go and we went on tour after

329
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Speaker 2: after that.

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Speaker 5: No, it was it was kind of in the instrum

331
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Speaker 5: of it. It was still during it.

332
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Speaker 3: Yeah, rumor you like, like kicking them off toy, But

333
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Speaker 3: I ain't gonna I would have.

334
00:20:30,760 --> 00:20:34,720
Speaker 2: Yeah, I mean, come on, you you don't you know,

335
00:20:35,320 --> 00:20:38,040
Speaker 2: our thoughts are wild, you know what I'm saying. You know,

336
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Speaker 2: you don't think I'm just saying though, Like I don't

337
00:20:41,520 --> 00:20:44,639
Speaker 2: want to seem like I'm just this person that's you know,

338
00:20:44,760 --> 00:20:47,840
Speaker 2: without emotion. I feel and I think and I get

339
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Speaker 2: a great sense of everything. You don't think I wasn't

340
00:20:50,359 --> 00:20:52,600
Speaker 2: thinking like, oh, look at this, there goes in DS

341
00:20:52,680 --> 00:21:01,280
Speaker 2: right there, I could just shove them off. Job Joe.

342
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Speaker 3: Wow, when I saw it, I was, oh my god,

343
00:21:06,040 --> 00:21:08,520
Speaker 3: I didn't think you were human. Like, yeah, you know

344
00:21:08,640 --> 00:21:11,520
Speaker 3: you saying that sentiment right now? It makes me feel

345
00:21:11,560 --> 00:21:16,359
Speaker 3: good because because holy ship, Yeah, I just don't act

346
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Speaker 3: on it.

347
00:21:16,760 --> 00:21:17,640
Speaker 2: It's just I mean, like.

348
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Speaker 5: What's the end result of that, Like how does that

349
00:21:20,000 --> 00:21:24,119
Speaker 5: benefit me? And then also what's gonna happen after that?

350
00:21:24,320 --> 00:21:26,080
Speaker 5: You know what I'm saying. I am I ready to

351
00:21:26,119 --> 00:21:29,720
Speaker 5: deal with? Am I ready to deal with the consequences

352
00:21:29,720 --> 00:21:31,840
Speaker 5: of that? Because it's gonna be some consequences, you know

353
00:21:31,840 --> 00:21:34,199
Speaker 5: what I'm saying. And I just think like that. So

354
00:21:34,640 --> 00:21:36,600
Speaker 5: you know, I say that to say that, like, man,

355
00:21:36,440 --> 00:21:39,000
Speaker 5: I don't want nobody to think that I haven't thought.

356
00:21:39,560 --> 00:21:42,399
Speaker 5: You know, some of my thoughts, my wildest thoughts, you know,

357
00:21:42,440 --> 00:21:45,920
Speaker 5: I would be I couldn't express them to everybody, you

358
00:21:46,000 --> 00:21:49,600
Speaker 5: know what I'm saying. But I'm smart enough to recognize

359
00:21:50,119 --> 00:21:52,320
Speaker 5: what's best for me, and I always do that.

360
00:21:52,840 --> 00:21:53,679
Speaker 2: I always do that.

361
00:21:53,800 --> 00:21:58,200
Speaker 3: So let's Yeah, by the way, I'm getting your number.

362
00:21:58,200 --> 00:22:01,160
Speaker 3: You're gonna be my therapist. I'm sorry, but let's let's

363
00:22:01,160 --> 00:22:05,440
Speaker 3: get into O two. That's a new album, right, oh

364
00:22:05,560 --> 00:22:06,960
Speaker 3: two new album.

365
00:22:07,080 --> 00:22:08,560
Speaker 2: Yes, I'm so excited.

366
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Speaker 5: I just did my new collaboration with Create Music Group CMG.

367
00:22:16,000 --> 00:22:20,240
Speaker 5: The album is coming out late February. Bangers. We got

368
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Speaker 5: the single out for War. I believe we are like

369
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Speaker 5: top thirty right now.

370
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Speaker 2: You know what I'm saying. Yeah, and yeah, I mean

371
00:22:32,359 --> 00:22:34,399
Speaker 2: next year is going to be incredible. You know what

372
00:22:34,400 --> 00:22:37,680
Speaker 2: I'm saying. I can't wait to release these uh these records.

373
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Speaker 2: Is an independent project right yeah? Yeah?

374
00:22:40,800 --> 00:22:44,720
Speaker 3: Yeah, independent meaning no distribution.

375
00:22:44,320 --> 00:22:46,880
Speaker 2: Yeah, owner, owner meaning owner.

376
00:22:46,760 --> 00:22:52,160
Speaker 3: Yeah, I got distribution yeah, independent late Dominican Yeah, Dominican ice.

377
00:22:53,119 --> 00:22:54,080
Speaker 2: Yeah, definitely.

378
00:22:54,160 --> 00:22:56,000
Speaker 5: I mean, you know how long I've been in this game,

379
00:22:56,080 --> 00:22:57,800
Speaker 5: you know what I'm saying, So I have I have

380
00:22:57,880 --> 00:23:01,000
Speaker 5: earned the right to, you know, will continue to build

381
00:23:01,000 --> 00:23:03,959
Speaker 5: my legacy and also still be a part of you know,

382
00:23:04,200 --> 00:23:05,200
Speaker 5: the business.

383
00:23:06,320 --> 00:23:07,720
Speaker 3: Aspects your catalog.

384
00:23:07,800 --> 00:23:11,600
Speaker 5: I'm just saying that I P can I on the

385
00:23:11,600 --> 00:23:13,800
Speaker 5: I p y.

386
00:23:13,280 --> 00:23:22,680
Speaker 2: Yeah, your relationship. You know, I'm I'm curious you guys

387
00:23:22,800 --> 00:23:24,640
Speaker 2: never have Saki here, you don't.

388
00:23:24,440 --> 00:23:33,880
Speaker 3: Have we got you got some favorite sock in there?

389
00:23:34,119 --> 00:23:35,000
Speaker 3: What flavored?

390
00:23:35,200 --> 00:23:35,400
Speaker 2: Yeah?

391
00:23:35,640 --> 00:23:38,520
Speaker 3: You like flavored sake? Do you have we got o?

392
00:23:41,840 --> 00:23:48,719
Speaker 3: Come on, come on, I'm gonna be honest with you.

393
00:23:51,720 --> 00:23:54,080
Speaker 3: I don't think nobody can stand on that stage with you.

394
00:23:54,320 --> 00:23:57,240
Speaker 3: Thank you better, I don't think I don't think anybody

395
00:23:57,240 --> 00:23:58,639
Speaker 3: can stand on that stage with you.

396
00:23:59,200 --> 00:24:01,120
Speaker 2: And that's let's be clear.

397
00:24:03,920 --> 00:24:04,560
Speaker 3: Be two k.

398
00:24:05,320 --> 00:24:12,679
Speaker 2: Yeah, HiT's for sure, for sure beyond its mom.

399
00:24:13,600 --> 00:24:15,840
Speaker 3: So if you want to battle, like, let's make let's

400
00:24:15,880 --> 00:24:17,920
Speaker 3: let's say you want some battle.

401
00:24:19,520 --> 00:24:21,320
Speaker 2: If the battle, I.

402
00:24:21,240 --> 00:24:23,359
Speaker 3: Want you to battle, I want you to bat yeah yeah, yeah,

403
00:24:23,359 --> 00:24:26,120
Speaker 3: so let's wolves, let's wolves all testimony battle like, let's

404
00:24:26,240 --> 00:24:28,560
Speaker 3: let's just say ray J. Right, let's keep because ray

405
00:24:28,600 --> 00:24:32,959
Speaker 3: J is the subject of the topic, right right. Ray

406
00:24:33,000 --> 00:24:37,600
Speaker 3: J could probably bring out Brandy one joint, right right, That's.

407
00:24:37,480 --> 00:24:42,160
Speaker 2: Why it's mind And then she could either do.

408
00:24:43,760 --> 00:24:46,919
Speaker 5: Everybody loves Me honest, I mean Brandy, she doesn't have

409
00:24:47,000 --> 00:24:47,760
Speaker 5: to everybody.

410
00:24:47,800 --> 00:24:50,000
Speaker 2: She can do any songs she wants to do for real.

411
00:24:50,320 --> 00:24:54,119
Speaker 3: But then you bring out the boys be too okay?

412
00:24:58,040 --> 00:25:03,160
Speaker 2: Yeah, so wayman, what what's the battle? Exactly right?

413
00:25:06,040 --> 00:25:09,359
Speaker 5: You know what Brandy is like in my top five

414
00:25:09,800 --> 00:25:11,120
Speaker 5: favorite Brandy.

415
00:25:11,520 --> 00:25:13,280
Speaker 3: Start in trouble everywhere they're going.

416
00:25:13,680 --> 00:25:15,200
Speaker 2: I went to the show. Did you go to the shop?

417
00:25:17,000 --> 00:25:20,720
Speaker 3: I got to bring security's real. Niggas is getting snuffed.

418
00:25:20,320 --> 00:25:30,840
Speaker 6: And ailru is real. You're talking about she's getting numbed.

419
00:25:31,880 --> 00:25:36,440
Speaker 2: Oh you know it's no, Yeah, yeah.

420
00:25:36,440 --> 00:25:37,040
Speaker 3: It's serious.

421
00:25:37,680 --> 00:25:41,520
Speaker 2: Brandy, Brandy and Monica for what are you talking about?

422
00:25:41,840 --> 00:25:51,439
Speaker 3: Against this? Against this? You know they are, especially Brandy Brandon.

423
00:25:51,480 --> 00:25:52,960
Speaker 3: That's where ray J get it from.

424
00:25:55,800 --> 00:25:55,840
Speaker 2: Me.

425
00:25:55,960 --> 00:25:58,840
Speaker 3: This is y'all laughing. No, sure, I'm the only one

426
00:25:59,480 --> 00:26:03,320
Speaker 3: right now. Brand But because R and B is gangsters.

427
00:26:04,000 --> 00:26:09,400
Speaker 2: Yeah, like people didn't y'all soft, It's just finesse. It's finesse.

428
00:26:09,800 --> 00:26:15,359
Speaker 2: It's the hidden finesse. Yeah. Also the greatest guy there, Tars.

429
00:26:16,440 --> 00:26:18,640
Speaker 3: That's what you was like labeled as at one point,

430
00:26:18,880 --> 00:26:21,639
Speaker 3: like the Bobby Brown right, Okay, like you kind of

431
00:26:21,760 --> 00:26:34,160
Speaker 3: you did your prerogative what you did. You you went,

432
00:26:34,280 --> 00:26:39,919
Speaker 3: you went solo, and I believe that's where the discrepancies

433
00:26:40,520 --> 00:26:44,880
Speaker 3: from the group kind of because you're not only went solo,

434
00:26:44,960 --> 00:26:48,840
Speaker 3: you went solo, and you you did it like you went.

435
00:26:48,920 --> 00:26:53,280
Speaker 2: Up yep, yep. And it was still under that regime.

436
00:26:53,720 --> 00:26:55,760
Speaker 3: It was still under that regime. So a lot of

437
00:26:55,840 --> 00:26:58,639
Speaker 3: people don't know that. Can you explain that?

438
00:26:59,600 --> 00:27:03,680
Speaker 5: Yeah, I'm you know, when the separation happened, you know,

439
00:27:03,840 --> 00:27:07,959
Speaker 5: between us and BTK, that's pretty much where things stayed.

440
00:27:08,280 --> 00:27:11,040
Speaker 5: You know, the guys had other plans, and then we

441
00:27:11,240 --> 00:27:12,280
Speaker 5: kind of all separated.

442
00:27:12,320 --> 00:27:16,760
Speaker 2: From that point. Yeah, I was still there.

443
00:27:17,280 --> 00:27:19,000
Speaker 3: You were still there under the same gene.

444
00:27:19,200 --> 00:27:19,560
Speaker 2: I was.

445
00:27:19,840 --> 00:27:23,040
Speaker 3: Yeah, because outside of looking in, the inside of looking out, Yeah,

446
00:27:23,119 --> 00:27:25,240
Speaker 3: it looked like you did the Bobby Brown right like

447
00:27:25,480 --> 00:27:28,399
Speaker 3: like you I mean in a way. Yeah, I did

448
00:27:28,480 --> 00:27:32,920
Speaker 3: Brown too, Okay, Yeah, yeah, you know, I mean my

449
00:27:33,080 --> 00:27:36,040
Speaker 3: partner went to jail okay, so okay, and then I

450
00:27:36,160 --> 00:27:42,800
Speaker 3: was like Bobby Brown, I did the same ship.

451
00:27:46,280 --> 00:27:47,000
Speaker 2: How much did you.

452
00:27:47,080 --> 00:27:48,360
Speaker 3: Want to do that solo move?

453
00:27:49,240 --> 00:27:52,240
Speaker 2: Well, well, that actually wasn't a plan. I think that

454
00:27:52,359 --> 00:27:53,200
Speaker 2: we were all.

455
00:27:55,640 --> 00:27:58,879
Speaker 5: Lining up to do that because like our last Pandemonium album,

456
00:27:59,040 --> 00:28:02,479
Speaker 5: we all had separate it covers, so we were all

457
00:28:02,600 --> 00:28:04,480
Speaker 5: kind of and then I think was about to Yeah,

458
00:28:04,560 --> 00:28:06,240
Speaker 5: Fiz was about to do album, and it was just

459
00:28:06,320 --> 00:28:07,480
Speaker 5: like yeah, it was.

460
00:28:07,560 --> 00:28:08,680
Speaker 2: It was all very natural.

461
00:28:08,760 --> 00:28:11,960
Speaker 5: But the way we separated, didn't, you know, which I

462
00:28:12,080 --> 00:28:15,360
Speaker 5: think that, you know a big part of why the tour,

463
00:28:15,920 --> 00:28:18,359
Speaker 5: you know, is going to be so profound is because

464
00:28:19,119 --> 00:28:21,440
Speaker 5: we weren't well. First of all, we started as kids,

465
00:28:21,640 --> 00:28:24,080
Speaker 5: so we were already not in control to a degree

466
00:28:24,240 --> 00:28:26,399
Speaker 5: of our own like.

467
00:28:26,560 --> 00:28:30,520
Speaker 3: Boys like like the little Boys fast continued facts, So

468
00:28:31,920 --> 00:28:32,920
Speaker 3: you know almost.

469
00:28:33,880 --> 00:28:36,359
Speaker 5: Yeah, so you could just imagine, you know what I'm saying,

470
00:28:36,560 --> 00:28:42,080
Speaker 5: like after you know, you know, the guys kind of

471
00:28:42,320 --> 00:28:45,480
Speaker 5: you know, wanting to see a deeper look into the

472
00:28:45,560 --> 00:28:48,520
Speaker 5: business and then that being kind of shunned away for

473
00:28:48,640 --> 00:28:51,000
Speaker 5: the importance of control. Now as a kids, you don't

474
00:28:51,080 --> 00:28:53,920
Speaker 5: know that you don't know what certain moves me, you

475
00:28:53,960 --> 00:28:56,120
Speaker 5: know what I'm saying, But that that pretty much was

476
00:28:56,320 --> 00:28:58,040
Speaker 5: you know, that pretty much is what happened.

477
00:28:58,160 --> 00:29:00,200
Speaker 2: So, no, it was never a plan for me to

478
00:29:00,240 --> 00:29:02,000
Speaker 2: go solo. There was a plan for everybody to kind

479
00:29:02,000 --> 00:29:02,360
Speaker 2: of do their.

480
00:29:02,240 --> 00:29:05,080
Speaker 5: Own even though I started as a solo act before

481
00:29:05,080 --> 00:29:07,800
Speaker 5: I got into the group, and I've always been an

482
00:29:07,840 --> 00:29:12,600
Speaker 5: individual inside of you know, of our brotherhood so to speak.

483
00:29:12,600 --> 00:29:14,520
Speaker 2: The three members that were already in the group before,

484
00:29:14,840 --> 00:29:16,120
Speaker 2: you know what I mean. So I was like kind

485
00:29:16,120 --> 00:29:18,720
Speaker 2: of coming into a situation, you know what I'm saying.

486
00:29:18,760 --> 00:29:21,200
Speaker 2: So it felt more natural for you in that sense, yes,

487
00:29:21,760 --> 00:29:24,560
Speaker 2: and also for them because they were more thick of thieves.

488
00:29:24,640 --> 00:29:27,760
Speaker 2: You know what I'm saying. I didn't quite understand at

489
00:29:27,800 --> 00:29:29,880
Speaker 2: the time. You know what I'm saying, And.

490
00:29:31,720 --> 00:29:34,760
Speaker 3: I relate to you a lot. You know, I'm part

491
00:29:34,760 --> 00:29:40,400
Speaker 3: of things and heat dances very well. I think that

492
00:29:41,160 --> 00:29:45,160
Speaker 3: opponent that's a part of a group. Uh. And I

493
00:29:45,280 --> 00:29:47,840
Speaker 3: was like the lead, the lead, and I had to

494
00:29:47,920 --> 00:29:51,480
Speaker 3: take the lead. My partner went to jail and you

495
00:29:51,600 --> 00:29:57,440
Speaker 3: took the lead. Was there ever a burden on you,

496
00:29:57,760 --> 00:30:02,880
Speaker 3: like when you when you like said, you know, I'm

497
00:30:02,880 --> 00:30:05,960
Speaker 3: gonna be a Mario artist, Yeah, not be took. Yeah,

498
00:30:06,720 --> 00:30:08,400
Speaker 3: and I had to do that same thing.

499
00:30:08,560 --> 00:30:10,920
Speaker 2: So yeah, No, it didn't feel like a burden.

500
00:30:11,040 --> 00:30:15,840
Speaker 5: It actually felt like I was becoming like transforming and

501
00:30:15,960 --> 00:30:21,360
Speaker 5: becoming more alive because because you know, at the time,

502
00:30:21,680 --> 00:30:24,160
Speaker 5: like the relationship with the boys, it wasn't cool. So

503
00:30:24,280 --> 00:30:26,520
Speaker 5: it was like it was more of a reason to

504
00:30:26,680 --> 00:30:28,520
Speaker 5: go hard. It was more of you know, so it

505
00:30:28,600 --> 00:30:30,680
Speaker 5: was like an inspiration in a way, you know, in

506
00:30:30,760 --> 00:30:33,520
Speaker 5: a way that I guess when you're challenged, you know

507
00:30:33,520 --> 00:30:36,000
Speaker 5: what I mean, you you want to rise to the occasion.

508
00:30:36,120 --> 00:30:39,480
Speaker 2: So yeah, so it definitely was fueling me, you know

509
00:30:39,520 --> 00:30:40,200
Speaker 2: what I'm saying.

510
00:30:45,360 --> 00:30:48,840
Speaker 3: Like I know everyone else here probably can't like like

511
00:30:49,280 --> 00:30:52,440
Speaker 3: as much as I am relating to you, right, just

512
00:30:52,520 --> 00:30:55,200
Speaker 3: because I was forced.

513
00:30:54,960 --> 00:30:58,400
Speaker 2: To be a solo artist, okay, and I feel like

514
00:30:58,440 --> 00:30:59,000
Speaker 2: you were too.

515
00:31:00,560 --> 00:31:02,840
Speaker 3: I feel like I was forced to be a solo

516
00:31:02,920 --> 00:31:05,200
Speaker 3: artist because he went to jail, and you was forced

517
00:31:05,240 --> 00:31:07,440
Speaker 3: to be a solo artist because it was just your

518
00:31:07,520 --> 00:31:10,320
Speaker 3: time and you you, you were the prince of the

519
00:31:10,400 --> 00:31:14,560
Speaker 3: Michael Jackson of that fucking generation and you had to

520
00:31:14,680 --> 00:31:17,640
Speaker 3: do that. So who was the decision was that to

521
00:31:17,760 --> 00:31:18,880
Speaker 3: take you go?

522
00:31:20,880 --> 00:31:22,720
Speaker 2: It was the management. Yep.

523
00:31:23,080 --> 00:31:25,320
Speaker 5: It pretty much was like just a conversation and it

524
00:31:25,440 --> 00:31:29,400
Speaker 5: was just like, yeah, well y'all do y'all thing were taking.

525
00:31:29,200 --> 00:31:34,320
Speaker 2: Oh and I was like, oh okay and taking hold. Yeah,

526
00:31:34,320 --> 00:31:35,680
Speaker 2: and this is and then we was out.

527
00:31:35,800 --> 00:31:39,360
Speaker 5: Then I remember that next week, you know, we was

528
00:31:39,480 --> 00:31:41,440
Speaker 5: just on a radio going back and forth, man, and

529
00:31:41,520 --> 00:31:42,920
Speaker 5: it's just so crazy our journey.

530
00:31:42,960 --> 00:31:43,920
Speaker 2: I can't wait to make up.

531
00:31:44,440 --> 00:31:47,880
Speaker 3: When you say back and forth, you're saying what the group, Yeah,

532
00:31:47,960 --> 00:31:50,160
Speaker 3: it was like the group didn't know you was going

533
00:31:50,200 --> 00:31:50,640
Speaker 3: on solo.

534
00:31:51,200 --> 00:31:53,520
Speaker 2: Well, no, I think that I think that.

535
00:31:55,280 --> 00:31:59,880
Speaker 5: Once that kind of that volcano, that volcanic moment kind

536
00:31:59,880 --> 00:32:02,040
Speaker 5: of came to a peak and it was like going

537
00:32:02,280 --> 00:32:02,960
Speaker 5: us versus you.

538
00:32:03,480 --> 00:32:06,080
Speaker 2: Then it was kind of like, you know, it's just

539
00:32:06,200 --> 00:32:07,400
Speaker 2: what it is. It is what it is.

540
00:32:09,480 --> 00:32:14,000
Speaker 3: Two against was crazy.

541
00:32:15,360 --> 00:32:19,000
Speaker 2: It was and I watched it all. I'm sorry, Yeah, no,

542
00:32:19,160 --> 00:32:21,160
Speaker 2: it was. It was crazy. We we we've been through

543
00:32:21,200 --> 00:32:26,360
Speaker 2: the through the fire and the wire, the Fact' tour together.

544
00:32:26,560 --> 00:32:28,080
Speaker 2: It's a big deal. It's a big.

545
00:32:29,600 --> 00:32:29,719
Speaker 3: Yo.

546
00:32:30,040 --> 00:32:31,720
Speaker 5: It's it's such a big deal. It's such a big

547
00:32:31,800 --> 00:32:33,840
Speaker 5: deal I think for us more than anything, you know

548
00:32:33,880 --> 00:32:37,960
Speaker 5: what I'm saying. And of course I don't expect people

549
00:32:38,040 --> 00:32:39,920
Speaker 5: to understand it, you know what I mean, because they were,

550
00:32:40,400 --> 00:32:42,280
Speaker 5: yeah there, they wasn't there for a lot of what

551
00:32:42,440 --> 00:32:44,520
Speaker 5: we all had to experience, you know what I'm saying.

552
00:32:44,600 --> 00:32:49,920
Speaker 5: So so yeah, this is like, this is like a completion.

553
00:32:50,360 --> 00:32:54,680
Speaker 5: This is like a moment of you know, because because

554
00:32:54,720 --> 00:32:57,479
Speaker 5: I always you know, tell the story and a lot

555
00:32:57,520 --> 00:32:59,959
Speaker 5: of the interviews I'm saying. The reason why Be Too

556
00:33:00,080 --> 00:33:02,360
Speaker 5: K was able to come back and put Nostalgia back

557
00:33:02,440 --> 00:33:06,200
Speaker 5: on the planet because that the record show after twenty

558
00:33:06,320 --> 00:33:09,720
Speaker 5: nineteen Millennium Tour, Nostalgia came back on the planet with

559
00:33:09,800 --> 00:33:13,840
Speaker 5: that tour, you know what I'm saying. So with that energy,

560
00:33:15,000 --> 00:33:18,479
Speaker 5: you know, I'm just being able to realize how everybody

561
00:33:18,520 --> 00:33:19,520
Speaker 5: doesn't have that power.

562
00:33:19,960 --> 00:33:21,480
Speaker 2: Everybody doesn't have that power.

563
00:33:21,280 --> 00:33:25,520
Speaker 5: To bring you, to take you back into your childhood

564
00:33:25,960 --> 00:33:28,760
Speaker 5: and in the present moment, you know what I'm saying,

565
00:33:29,240 --> 00:33:31,480
Speaker 5: So that that kind of magic, you know, it costs,

566
00:33:31,920 --> 00:33:34,920
Speaker 5: you know what I'm saying, And it was it was

567
00:33:35,040 --> 00:33:35,520
Speaker 5: up to us.

568
00:33:35,840 --> 00:33:37,760
Speaker 2: So it was up to us to be able to

569
00:33:38,040 --> 00:33:38,280
Speaker 2: you know.

570
00:33:39,080 --> 00:33:42,080
Speaker 5: Understand all of that time that we put into what

571
00:33:42,320 --> 00:33:46,680
Speaker 5: now we're seeing, you know, twenty years later, Jackson Boys

572
00:33:46,720 --> 00:33:47,000
Speaker 5: for like.

573
00:33:47,040 --> 00:33:57,400
Speaker 2: Tour addition to that Guys High Honors.

574
00:33:57,880 --> 00:34:01,880
Speaker 3: That's real shit, it really is. That's for new additions

575
00:34:02,040 --> 00:34:07,120
Speaker 3: and then be two. K man uh, I'm gonna give

576
00:34:07,160 --> 00:34:11,120
Speaker 3: it to New Audition because for everybody from New Audition

577
00:34:11,640 --> 00:34:18,359
Speaker 3: that circled out, they all went platinum out of here. Yeah,

578
00:34:19,320 --> 00:34:21,440
Speaker 3: k ya can't so fucking close.

579
00:34:23,320 --> 00:34:26,200
Speaker 5: To only have two albums and to still be able

580
00:34:26,239 --> 00:34:29,800
Speaker 5: to come back and our fans just like, we're so grateful.

581
00:34:29,920 --> 00:34:32,640
Speaker 2: We're so grateful. No no, no, no, I mean it

582
00:34:32,800 --> 00:34:35,440
Speaker 2: means something for real, you mean something beyond.

583
00:34:35,200 --> 00:34:42,160
Speaker 3: Mother Love two. I Love two. I just got to

584
00:34:42,200 --> 00:34:45,959
Speaker 3: be like I gotta still keep my gangster on and ship,

585
00:34:48,640 --> 00:34:50,799
Speaker 3: all right, so we're gonna get into its.

586
00:34:50,840 --> 00:34:52,000
Speaker 2: Let's go further back.

587
00:34:52,200 --> 00:34:53,400
Speaker 3: What got you?

588
00:34:54,280 --> 00:34:57,000
Speaker 2: What gave you the singing bug to start with? That's

589
00:34:57,040 --> 00:35:00,360
Speaker 2: a great question. Okay, So I was a rapper first. Actually,

590
00:35:00,440 --> 00:35:02,239
Speaker 2: how I got my name on Marion. I used to

591
00:35:02,280 --> 00:35:04,960
Speaker 2: be in this rap crew called the Wild Kingdom and

592
00:35:05,200 --> 00:35:09,239
Speaker 2: uh yeah, yeah yeah.

593
00:35:10,960 --> 00:35:13,120
Speaker 5: But the members was from all over the place, you

594
00:35:13,160 --> 00:35:16,200
Speaker 5: know what I'm saying. One of the founding members Ruckus.

595
00:35:16,680 --> 00:35:18,440
Speaker 5: He is who gave me the name of Marion.

596
00:35:18,600 --> 00:35:19,279
Speaker 2: You know what I'm saying.

597
00:35:19,840 --> 00:35:22,000
Speaker 5: But yeah, I was a rapper and my mom told me.

598
00:35:22,600 --> 00:35:27,880
Speaker 5: She said, she said, O, Mario, do you think you

599
00:35:27,920 --> 00:35:28,760
Speaker 5: want to be a singer?

600
00:35:29,400 --> 00:35:30,080
Speaker 2: I was like why.

601
00:35:30,600 --> 00:35:32,720
Speaker 5: She was like, because the singers get all the girls,

602
00:35:33,160 --> 00:35:43,440
Speaker 5: And I said, who is? That's exactly how I went down.

603
00:35:43,480 --> 00:35:48,400
Speaker 5: I was like, thanks, man, you're right, but yeah, I've always.

604
00:35:52,239 --> 00:35:52,439
Speaker 2: Yep.

605
00:35:52,520 --> 00:35:58,720
Speaker 5: And then at the time, my like my step Pops,

606
00:35:58,840 --> 00:36:01,120
Speaker 5: you know, he would have produced and stuff. So I

607
00:36:01,280 --> 00:36:03,840
Speaker 5: was like recording on that machines. I was like recording

608
00:36:03,920 --> 00:36:06,800
Speaker 5: way back. And yeah, so I was a rapper.

609
00:36:08,800 --> 00:36:10,560
Speaker 3: All right, we're ready for quick Thomas L Let's go,

610
00:36:11,040 --> 00:36:12,120
Speaker 3: let's go, let's get it.

611
00:36:12,520 --> 00:36:14,280
Speaker 2: Come on, Sonny, you go he's not drinking.

612
00:36:14,560 --> 00:36:18,080
Speaker 3: He's not drinking. So we're gonna let you designated drinker.

613
00:36:19,560 --> 00:36:25,719
Speaker 3: We go, you your honey, designated drinker. You don't look

614
00:36:25,760 --> 00:36:30,640
Speaker 3: you don't look prepared at all. You sure what you

615
00:36:30,680 --> 00:36:31,359
Speaker 3: want to? Pick him?

616
00:36:32,480 --> 00:36:32,800
Speaker 2: Sugar?

617
00:36:34,840 --> 00:36:37,080
Speaker 3: I picked you birthday?

618
00:36:38,200 --> 00:36:42,080
Speaker 2: What's your birthday? You get the funk out of here.

619
00:36:42,520 --> 00:36:42,640
Speaker 7: Up.

620
00:36:42,800 --> 00:36:43,600
Speaker 3: So everything you're.

621
00:36:43,520 --> 00:36:48,759
Speaker 2: Saying, I know it. Scorpio Shi, yes, sir, and I

622
00:36:48,880 --> 00:36:55,000
Speaker 2: know what I'm telling Glass give him a shot, glass shot,

623
00:36:55,440 --> 00:36:56,840
Speaker 2: go man, look at you, man, I got you.

624
00:36:58,000 --> 00:37:01,600
Speaker 3: I'm gonna he said, this is a little bot.

625
00:37:03,200 --> 00:37:03,840
Speaker 2: What you're drinking.

626
00:37:05,800 --> 00:37:09,360
Speaker 3: You're one of the best in the game than you.

627
00:37:09,520 --> 00:37:11,680
Speaker 3: I really, really, really really you.

628
00:37:13,800 --> 00:37:14,080
Speaker 4: Mean that.

629
00:37:14,560 --> 00:37:16,360
Speaker 2: Thank you say that?

630
00:37:17,080 --> 00:37:21,520
Speaker 3: Like I was so excited, like I was trapped in

631
00:37:21,560 --> 00:37:24,680
Speaker 3: Puerto Rico, like not trapped in Puerto.

632
00:37:24,480 --> 00:37:26,440
Speaker 2: Rico when I was because the flights were sucked up

633
00:37:28,120 --> 00:37:30,480
Speaker 2: t s ASA and they said.

634
00:37:30,360 --> 00:37:34,439
Speaker 3: We got a Mario and I said, I'm figure it out,

635
00:37:35,800 --> 00:37:39,319
Speaker 3: and I figured this motherfucker out to get all be ready,

636
00:37:39,360 --> 00:37:41,440
Speaker 3: all right, Jesus, this is.

637
00:37:41,440 --> 00:37:44,759
Speaker 8: Our drinking game. We're gonna give you two choices. If

638
00:37:44,800 --> 00:37:48,239
Speaker 8: you pick one, we do not drink. But if you

639
00:37:48,360 --> 00:37:51,120
Speaker 8: say both or neither like you really don't want to

640
00:37:51,120 --> 00:37:54,000
Speaker 8: answer it. Basically, okay, then we all drink, well, you

641
00:37:54,120 --> 00:37:55,279
Speaker 8: drink water, he drinks for you.

642
00:37:56,160 --> 00:37:58,640
Speaker 2: Take a shot. And really this is about bringing up

643
00:37:58,760 --> 00:38:01,720
Speaker 2: names for stories. Stuff is negative anything?

644
00:38:02,400 --> 00:38:04,480
Speaker 3: All right? Really trying to pain anybody against each other?

645
00:38:05,880 --> 00:38:08,160
Speaker 3: All right, Definitely I'm not saying this first one.

646
00:38:08,960 --> 00:38:11,480
Speaker 2: Definitely not saying this from I'm gonna let Sonny go

647
00:38:11,600 --> 00:38:15,520
Speaker 2: for it. Let's go Sonny.

648
00:38:17,600 --> 00:38:18,280
Speaker 3: Or Jabo.

649
00:38:19,920 --> 00:38:22,799
Speaker 2: I can't choose for my bros. Okay, let me go shout,

650
00:38:22,880 --> 00:38:26,759
Speaker 2: so we gotta man. You like your shot?

651
00:38:27,600 --> 00:38:34,080
Speaker 3: I just asked. She didn't think I was gonna drink? Oh,

652
00:38:35,760 --> 00:38:38,200
Speaker 3: I don't want to go against me. Two K. I'm

653
00:38:38,239 --> 00:38:42,920
Speaker 3: being honest. I was be too k like that I did.

654
00:38:42,960 --> 00:38:48,560
Speaker 2: That was huh. He's wait for a shot Marvin Gay

655
00:38:48,600 --> 00:38:49,759
Speaker 2: or Stephen wan Uh.

656
00:38:51,360 --> 00:38:56,640
Speaker 3: Saki, no fucking foul motherfuckers.

657
00:38:58,360 --> 00:39:01,319
Speaker 2: Mario wanted us to have SOCKI he bring it up,

658
00:39:04,600 --> 00:39:05,440
Speaker 2: So you said.

659
00:39:05,520 --> 00:39:09,480
Speaker 3: Marvin Gay or Stevie Wonder and can Stevie want to

660
00:39:09,520 --> 00:39:14,479
Speaker 3: see Stevie Wonder can see? And we're gonna choose Stevie Wonder.

661
00:39:16,680 --> 00:39:19,120
Speaker 2: Yeah, come on, you got any stories with it with

662
00:39:19,160 --> 00:39:24,200
Speaker 2: Steve wonder, Yes I do. I do. It was like

663
00:39:24,320 --> 00:39:30,399
Speaker 2: Grammy Weekend and the guy that's always usually say what's

664
00:39:30,480 --> 00:39:33,040
Speaker 2: up to Steve, He's going, hey, what's going on? To Mario?

665
00:39:33,520 --> 00:39:35,719
Speaker 2: He was like, man, let me get your number. He

666
00:39:35,840 --> 00:39:38,800
Speaker 2: had a keyboard and then he just start typing on

667
00:39:38,880 --> 00:39:41,480
Speaker 2: the keyboard. I told him the number and then he

668
00:39:41,600 --> 00:39:43,880
Speaker 2: repeated me back, Steve got a keyboard. Yeah, he had

669
00:39:43,960 --> 00:39:45,600
Speaker 2: like a kid. He had like a little keyboard.

670
00:39:45,680 --> 00:39:45,839
Speaker 9: Yeah.

671
00:39:45,840 --> 00:39:48,040
Speaker 2: It was like it looked like a like a like

672
00:39:48,120 --> 00:39:51,000
Speaker 2: a small like a keyboard. Yeeah, yeah, like just a

673
00:39:51,040 --> 00:39:57,000
Speaker 2: little quick little I'm about to store this number. It

674
00:39:57,120 --> 00:39:59,840
Speaker 2: was some kind of device where he stored his numbers

675
00:40:00,360 --> 00:40:04,239
Speaker 2: and he stored my number. Yeah, we never heard that. Yeah,

676
00:40:04,440 --> 00:40:07,120
Speaker 2: straight up Steve music.

677
00:40:07,200 --> 00:40:07,600
Speaker 8: Even when.

678
00:40:09,239 --> 00:40:12,759
Speaker 2: Yeah he shout out to Stevie Stevie less Man, Yeah

679
00:40:12,840 --> 00:40:15,560
Speaker 2: yeah said that said the number is gonna snuff me

680
00:40:15,560 --> 00:40:17,759
Speaker 2: as soon as he I'm not.

681
00:40:17,800 --> 00:40:19,400
Speaker 3: Gonna lie to like like like.

682
00:40:20,960 --> 00:40:22,040
Speaker 2: We need Stevie on drinks.

683
00:40:22,480 --> 00:40:25,680
Speaker 3: That we were saying about Steve Isley brothers said that

684
00:40:25,800 --> 00:40:27,520
Speaker 3: they saw him across the highway.

685
00:40:27,800 --> 00:40:28,880
Speaker 2: No, man, that's a highway.

686
00:40:28,960 --> 00:40:30,880
Speaker 3: It was you always see highway.

687
00:40:32,040 --> 00:40:33,759
Speaker 2: I mean it's just as bad They said that he

688
00:40:33,840 --> 00:40:35,720
Speaker 2: crossed the busy street by himself.

689
00:40:36,280 --> 00:40:38,160
Speaker 3: Okay, that's a highway to me.

690
00:40:38,360 --> 00:40:41,800
Speaker 2: I heard I heard that that he would go driving

691
00:40:42,600 --> 00:40:52,040
Speaker 2: sometimes man, yeah, himself, that's a detail to hear that far.

692
00:40:55,800 --> 00:40:57,879
Speaker 2: But I heard here, you know, he's getting his whip

693
00:40:57,960 --> 00:40:59,640
Speaker 2: and then he just by himself with the person. Was like,

694
00:40:59,760 --> 00:41:03,799
Speaker 2: let right, right, I didn't think about that part.

695
00:41:04,000 --> 00:41:08,480
Speaker 3: But but but they said Oprah bought him off by Yeah, yeah,

696
00:41:08,760 --> 00:41:14,440
Speaker 3: why did he buy him a Bentley? He did FaceTime

697
00:41:14,800 --> 00:41:17,200
Speaker 3: snoop and he facetimes see you.

698
00:41:17,760 --> 00:41:17,960
Speaker 2: Yeah.

699
00:41:18,000 --> 00:41:20,480
Speaker 5: But his memory though, like we have to remember how

700
00:41:21,120 --> 00:41:24,839
Speaker 5: like his memory has sight, his memory has.

701
00:41:24,800 --> 00:41:28,960
Speaker 2: Something his senses. Yeah, we joke around, but that's what

702
00:41:29,080 --> 00:41:31,279
Speaker 2: happens that. Yeah, I mean if we walked in the

703
00:41:31,360 --> 00:41:34,520
Speaker 2: kitchen a hundred times blindly, maybe we could fill around too.

704
00:41:35,040 --> 00:41:37,880
Speaker 2: You know, maybe we could you know what I'm saying, like, no,

705
00:41:38,000 --> 00:41:44,360
Speaker 2: I'm just sens like that. But I feel like Stevie

706
00:41:44,640 --> 00:41:50,520
Speaker 2: is on the next left to let's forget that part.

707
00:41:50,560 --> 00:41:55,520
Speaker 2: That's what I'm saying. Sound though said smell y smell

708
00:41:55,600 --> 00:41:56,880
Speaker 2: people and know I'm trying to tell you.

709
00:41:57,280 --> 00:41:59,480
Speaker 3: Sack said he got an elevator. This is on this

710
00:41:59,560 --> 00:42:03,279
Speaker 3: show I'm not making this out. Shack said he got

711
00:42:03,400 --> 00:42:07,040
Speaker 3: an elevator, and Stevee got an elevated by himself. Yeah,

712
00:42:07,280 --> 00:42:08,839
Speaker 3: and he was like, what's up Diesel.

713
00:42:10,640 --> 00:42:15,040
Speaker 5: For sure, for sure, But I'm just saying like he's massive.

714
00:42:15,160 --> 00:42:18,680
Speaker 5: I don't know if he has a presence. Yeah, his

715
00:42:18,880 --> 00:42:20,880
Speaker 5: presence is you know what I'm saying. I just ran

716
00:42:20,920 --> 00:42:25,000
Speaker 5: into him at Ebony I did, and then he was

717
00:42:25,120 --> 00:42:27,160
Speaker 5: with Lisa Ray and then we took a picture and

718
00:42:27,200 --> 00:42:31,399
Speaker 5: I'm just like, damn, yeah, so he's with Lisa.

719
00:42:31,480 --> 00:42:33,480
Speaker 2: Way, No, I think they just.

720
00:42:36,320 --> 00:42:37,400
Speaker 3: I'm definitely taking it in.

721
00:42:38,280 --> 00:42:42,160
Speaker 2: No, they We just was all in that hallway Stevie,

722
00:42:42,239 --> 00:42:43,919
Speaker 2: Cafeel and ship at.

723
00:42:43,880 --> 00:42:49,040
Speaker 9: Least if he's talking about Sir Phoebe Oh with Lisa,

724
00:42:52,480 --> 00:42:55,440
Speaker 9: and then you took it to I know, I know

725
00:42:55,560 --> 00:42:57,920
Speaker 9: Stevie gonna snuff me when I see him, Stevee going

726
00:42:58,120 --> 00:43:04,520
Speaker 9: and when he see me, you went through far and

727
00:43:04,600 --> 00:43:05,640
Speaker 9: I'm gonna take the snow.

728
00:43:06,080 --> 00:43:09,279
Speaker 3: This is the best, this is the best punch in

729
00:43:09,320 --> 00:43:13,719
Speaker 3: the face. I'm gonna damn Stevee does snu me? This

730
00:43:13,840 --> 00:43:19,399
Speaker 3: is fire all right, m J. Prince, You're gonna take

731
00:43:19,400 --> 00:43:19,719
Speaker 3: a shot.

732
00:43:20,040 --> 00:43:23,080
Speaker 2: Yeah, I can't choose. I can't choose unk and unk.

733
00:43:26,600 --> 00:43:27,800
Speaker 2: You got any stories with anybody?

734
00:43:28,360 --> 00:43:32,440
Speaker 5: Yeah, I told, I told, I told h my Michael

735
00:43:32,520 --> 00:43:34,000
Speaker 5: story and my Prince story.

736
00:43:34,239 --> 00:43:34,680
Speaker 2: I'll tell you.

737
00:43:34,760 --> 00:43:39,160
Speaker 5: I'll shure you guys. Here I ran into I ran

738
00:43:39,239 --> 00:43:43,160
Speaker 5: into H Prince two times one at uh.

739
00:43:44,040 --> 00:43:47,879
Speaker 3: Toiler to you. Yeah, what size of y'all?

740
00:43:48,239 --> 00:43:55,959
Speaker 2: Yeah, I mean that's question.

741
00:43:56,120 --> 00:43:57,160
Speaker 3: You know what I'm saying. Lem.

742
00:43:57,280 --> 00:44:01,120
Speaker 2: I mean, I mean I think that everyone like knows

743
00:44:01,400 --> 00:44:05,040
Speaker 2: that princess like four nine. I don't know, is that

744
00:44:05,280 --> 00:44:05,919
Speaker 2: is that his hate?

745
00:44:06,000 --> 00:44:06,320
Speaker 3: I don't know?

746
00:44:07,360 --> 00:44:18,319
Speaker 2: Oh, okay man, yeah yeah, yeah.

747
00:44:18,400 --> 00:44:20,520
Speaker 5: So I was at the House of Blues. Yeah, I

748
00:44:21,040 --> 00:44:22,799
Speaker 5: ran into him at the rehearsal. I just seen him

749
00:44:22,800 --> 00:44:25,759
Speaker 5: and I picked my head in and then I ran

750
00:44:25,800 --> 00:44:26,839
Speaker 5: into him at the House of Blue.

751
00:44:27,560 --> 00:44:27,759
Speaker 3: Yeah.

752
00:44:28,040 --> 00:44:31,680
Speaker 5: And that one thing that they say about him as

753
00:44:31,760 --> 00:44:35,920
Speaker 5: far as like him appearing and reappearing, like I definitely

754
00:44:36,000 --> 00:44:36,360
Speaker 5: saw that.

755
00:44:36,360 --> 00:44:38,480
Speaker 2: Because he was like behind me for two seconds and

756
00:44:39,080 --> 00:44:41,200
Speaker 2: then you know, he was just gone. And the next

757
00:44:41,280 --> 00:44:45,560
Speaker 2: moment I was looking for him. That's crazy, like I

758
00:44:45,640 --> 00:44:49,040
Speaker 2: want to know, and he was like showing yeah he

759
00:44:49,120 --> 00:44:49,440
Speaker 2: gets up.

760
00:44:50,719 --> 00:44:51,640
Speaker 3: Yeah what did he say?

761
00:44:51,800 --> 00:44:51,920
Speaker 4: Hi?

762
00:44:52,440 --> 00:44:55,319
Speaker 2: No, No, he was he was definitely like, no, don't

763
00:44:55,640 --> 00:45:00,279
Speaker 2: talk to me. He had energy like right now, like

764
00:45:00,719 --> 00:45:01,480
Speaker 2: he didn't talk like that.

765
00:45:01,719 --> 00:45:04,080
Speaker 3: You know, you.

766
00:45:05,800 --> 00:45:08,400
Speaker 2: Don't talk to me right now. I'm chilling, you know

767
00:45:08,440 --> 00:45:10,440
Speaker 2: what I mean, like his glasses. But I'm pretty sure

768
00:45:10,480 --> 00:45:11,560
Speaker 2: that's not what he was.

769
00:45:11,760 --> 00:45:13,719
Speaker 3: It was just like yo, at that moment, was a

770
00:45:13,920 --> 00:45:15,040
Speaker 3: vibe he said that to you.

771
00:45:15,360 --> 00:45:17,000
Speaker 2: No, it was just this energy.

772
00:45:17,040 --> 00:45:19,759
Speaker 5: I think that I think and you guys might not

773
00:45:20,280 --> 00:45:22,080
Speaker 5: might not notice. But see how we just played with

774
00:45:22,200 --> 00:45:22,759
Speaker 5: his height like that.

775
00:45:22,960 --> 00:45:25,719
Speaker 2: Yeah, that would make a person very angry, you know

776
00:45:25,760 --> 00:45:28,239
Speaker 2: what I mean, very angry because you're playing with you

777
00:45:28,320 --> 00:45:30,799
Speaker 2: know what I'm saying. So it's like he didn't play.

778
00:45:30,840 --> 00:45:31,160
Speaker 3: He didn't.

779
00:45:31,280 --> 00:45:33,279
Speaker 2: Yeah, so I don't come over here playing with me,

780
00:45:33,520 --> 00:45:34,120
Speaker 2: you know what I'm saying.

781
00:45:34,160 --> 00:45:38,000
Speaker 5: So it was more like respect energy, big respect energy

782
00:45:38,560 --> 00:45:40,600
Speaker 5: rather than like like that.

783
00:45:42,200 --> 00:45:44,239
Speaker 2: That's crazy, man.

784
00:45:44,480 --> 00:45:50,719
Speaker 3: Yeah I think it is Napoleon Napoleon. Yeah, I don't

785
00:45:50,760 --> 00:45:51,399
Speaker 3: think I'm bad.

786
00:45:52,000 --> 00:45:56,600
Speaker 2: How about MJ? When when you make MJ incredible incredible experience?

787
00:45:56,680 --> 00:45:59,960
Speaker 3: We have a monkey? Did he have a monkey?

788
00:46:01,680 --> 00:46:04,040
Speaker 2: But you know he was walking around with the monkey?

789
00:46:04,080 --> 00:46:04,200
Speaker 3: Bro.

790
00:46:06,960 --> 00:46:13,839
Speaker 5: Yeah, So Rodney Jerkins invited me and yeah, yeah, Rodney

791
00:46:14,440 --> 00:46:16,880
Speaker 5: shout out to Rodney Jerkins. Uh, he was on the

792
00:46:17,239 --> 00:46:20,080
Speaker 5: backlode of Universal and they were shooting you Rocking My

793
00:46:20,160 --> 00:46:22,759
Speaker 5: World video and it was like three four am. It

794
00:46:22,920 --> 00:46:24,960
Speaker 5: was like, yo, y'all want to meet Michael. And we

795
00:46:25,120 --> 00:46:28,120
Speaker 5: was like yeah, yeah, let's go and me and Rash

796
00:46:28,400 --> 00:46:30,279
Speaker 5: we're the only one that woke up, you know what

797
00:46:30,280 --> 00:46:30,680
Speaker 5: I'm saying.

798
00:46:30,719 --> 00:46:33,600
Speaker 2: And then we yeah, yeah, and yeah.

799
00:46:33,640 --> 00:46:36,359
Speaker 5: I think we were like nineteen eighteen, you know, yeah,

800
00:46:36,400 --> 00:46:40,239
Speaker 5: we were young. Yeah, eighteen nineteen. And then we met him,

801
00:46:40,280 --> 00:46:41,680
Speaker 5: and that was the first person that ever.

802
00:46:41,600 --> 00:46:42,279
Speaker 3: Bowed to us.

803
00:46:42,520 --> 00:46:44,520
Speaker 2: You know what I'm saying. We ain't been to Japan. Yeah,

804
00:46:44,560 --> 00:46:48,040
Speaker 2: the first person to bounce was Michael Jackson. Wow, We're like,

805
00:46:48,200 --> 00:46:51,040
Speaker 2: oh shit, you know what I'm saying.

806
00:46:51,200 --> 00:46:57,400
Speaker 3: So it's in detail. So because Pharrell did that to

807
00:46:57,520 --> 00:47:03,320
Speaker 3: me and I was so uh, I did not like it?

808
00:47:05,800 --> 00:47:07,520
Speaker 2: Why didn't you like it in a good way?

809
00:47:07,560 --> 00:47:09,880
Speaker 3: He didn't understand. I didn't understand, like you No, But

810
00:47:10,000 --> 00:47:11,840
Speaker 3: this is not when we first met him, though, No,

811
00:47:12,000 --> 00:47:13,400
Speaker 3: that's not when I first met him, I know, But

812
00:47:13,520 --> 00:47:14,560
Speaker 3: this is what they first meet.

813
00:47:14,719 --> 00:47:20,600
Speaker 2: Okay, this is different context. Bro Okay, so far did

814
00:47:20,640 --> 00:47:23,200
Speaker 2: it when like, like you guys are already friends and

815
00:47:23,280 --> 00:47:24,000
Speaker 2: knew each other.

816
00:47:24,000 --> 00:47:32,319
Speaker 3: When he did that, and so Michael Jackson described that moment.

817
00:47:33,280 --> 00:47:35,680
Speaker 2: Yeah, so we was on the back line, we were

818
00:47:35,719 --> 00:47:36,200
Speaker 2: watching him.

819
00:47:36,239 --> 00:47:38,480
Speaker 5: Shoot, you know what I'm saying, and then it was

820
00:47:38,560 --> 00:47:41,239
Speaker 5: like a little break and then you know, he came

821
00:47:41,320 --> 00:47:43,760
Speaker 5: walking up, you know what I'm saying with the aura

822
00:47:44,200 --> 00:47:45,200
Speaker 5: you feel me came and just.

823
00:47:45,200 --> 00:47:48,560
Speaker 2: Walking up like yeah. And then and then we was

824
00:47:48,640 --> 00:47:51,319
Speaker 2: like walking forward. Yeah, and then Rodney was like, yeah,

825
00:47:51,400 --> 00:47:52,560
Speaker 2: this is Mike this, you know what I'm saying. This

826
00:47:52,719 --> 00:47:54,560
Speaker 2: rather Martin ain't the group B two K you know

827
00:47:54,600 --> 00:47:56,319
Speaker 2: what I mean. And then he was like he bow

828
00:47:57,000 --> 00:48:00,279
Speaker 2: and then he smiled and then he said Rodney and

829
00:48:00,360 --> 00:48:05,719
Speaker 2: then he walked away. You know, it was like, oh, Mike,

830
00:48:05,760 --> 00:48:07,400
Speaker 2: I wanted to I guess.

831
00:48:08,800 --> 00:48:09,160
Speaker 3: I don't know.

832
00:48:13,120 --> 00:48:18,239
Speaker 5: It was Yeah, it was It's like the president for

833
00:48:18,360 --> 00:48:20,040
Speaker 5: the president in this moment, you know what I'm saying

834
00:48:20,320 --> 00:48:24,479
Speaker 5: to man. Yeah, yeah, So that was incredible, man being

835
00:48:24,800 --> 00:48:28,360
Speaker 5: you know, someone that you know, definitely fathered my skill

836
00:48:28,520 --> 00:48:31,200
Speaker 5: and my you know, everything that I do, you know,

837
00:48:31,320 --> 00:48:34,600
Speaker 5: as far as building out a show, you know, just

838
00:48:34,719 --> 00:48:37,880
Speaker 5: the minor details. I credit Michael Jackson, you know what

839
00:48:37,880 --> 00:48:41,080
Speaker 5: I'm saying, because he's just one on one truly inspired

840
00:48:41,120 --> 00:48:41,840
Speaker 5: my journey.

841
00:48:41,560 --> 00:48:48,840
Speaker 2: As an artist. Shout out Jackson Man, prolific family.

842
00:48:50,520 --> 00:48:56,720
Speaker 3: Where we're at here, Yeah, we got a million Christmas?

843
00:48:56,960 --> 00:48:59,880
Speaker 3: All right? James Brown or Jackie Wilson.

844
00:49:00,760 --> 00:49:04,120
Speaker 5: That's crazy James Brown, dall, but we love Jackie Wilson

845
00:49:04,480 --> 00:49:04,839
Speaker 5: for real.

846
00:49:05,400 --> 00:49:08,000
Speaker 2: He's one of them ones too. I can't never forget

847
00:49:08,080 --> 00:49:09,719
Speaker 2: Jackie Wilson. You know what I'm saying.

848
00:49:09,960 --> 00:49:10,600
Speaker 3: Gonna shot for that?

849
00:49:10,760 --> 00:49:15,080
Speaker 2: Yeah, for real, me too, by yourself.

850
00:49:17,040 --> 00:49:18,520
Speaker 3: He's some ship.

851
00:49:21,719 --> 00:49:29,160
Speaker 2: Ice box or oh oh damn, two different emotions, you

852
00:49:29,239 --> 00:49:29,759
Speaker 2: know what I'm saying.

853
00:49:29,880 --> 00:49:33,440
Speaker 3: Do you realize I'm sorry because I'm sucking up this

854
00:49:33,560 --> 00:49:39,040
Speaker 3: question right now looking up? Do you realize whenever a

855
00:49:39,239 --> 00:49:43,719
Speaker 3: nigga break up with a girl, that's exactly what they said,

856
00:49:43,920 --> 00:49:47,080
Speaker 3: I got a box where my heart used to be.

857
00:49:47,480 --> 00:49:58,359
Speaker 2: Empowerment, empowerment for every empowermentationship. I don't know it's empowerment,

858
00:49:59,000 --> 00:50:00,000
Speaker 2: it's empower.

859
00:50:00,120 --> 00:50:06,239
Speaker 3: Seventeen years old. It's not me. Niggas like him like

860
00:50:06,640 --> 00:50:09,239
Speaker 3: you've been fucking niggas relationship, but you know what you've

861
00:50:09,280 --> 00:50:15,920
Speaker 3: been doing. Come on, right, you you ain't realize that.

862
00:50:16,320 --> 00:50:18,600
Speaker 2: Hold on, man, Sometimes you gotta get cold to melt down.

863
00:50:19,840 --> 00:50:25,800
Speaker 2: You don't talk to heat up, Heat up. I'm just saying,

864
00:50:26,400 --> 00:50:28,200
Speaker 2: so let's let's just ask that.

865
00:50:28,360 --> 00:50:28,640
Speaker 3: All right.

866
00:50:31,040 --> 00:50:35,280
Speaker 2: You got an ice box, yeah, where my heart.

867
00:50:35,520 --> 00:50:36,279
Speaker 3: Used to be.

868
00:50:36,920 --> 00:50:42,600
Speaker 5: Right O, you done got me cold outside? I'm cold

869
00:50:42,680 --> 00:50:44,840
Speaker 5: out here. I can't believe you did that. What the

870
00:50:44,920 --> 00:50:45,800
Speaker 5: hell was you thinking?

871
00:50:46,320 --> 00:50:50,240
Speaker 2: You don't appreciate me, You don't understand who I am. Okay,

872
00:50:50,719 --> 00:50:54,560
Speaker 2: all right, I understand I'm not valued here, I'm cold.

873
00:50:55,440 --> 00:51:01,720
Speaker 2: M hmm. You feel he's gonna go in the mirror.

874
00:51:01,880 --> 00:51:06,520
Speaker 3: Come, my wife is here. I'm so glad. I'm so glad.

875
00:51:06,880 --> 00:51:07,600
Speaker 2: I gotta.

876
00:51:10,239 --> 00:51:12,320
Speaker 3: But I ain't gonna lie to you. I didn't have

877
00:51:12,400 --> 00:51:16,920
Speaker 3: a good woman other that for that, so I had

878
00:51:17,000 --> 00:51:21,040
Speaker 3: an ice box in my heart used to be period,

879
00:51:21,719 --> 00:51:25,840
Speaker 3: and damn I should have felt that. I should have

880
00:51:25,880 --> 00:51:27,840
Speaker 3: gave him you. I gotta.

881
00:51:29,680 --> 00:51:39,160
Speaker 2: My heart right here, he said, He said, say that.

882
00:51:40,120 --> 00:51:47,640
Speaker 3: Yeah, you realize you made the most break up record

883
00:51:47,840 --> 00:51:50,799
Speaker 3: in the world. Like when the niggag wants to leave,

884
00:51:52,360 --> 00:51:54,400
Speaker 3: that's when they go to their girl. They like, listen,

885
00:51:55,600 --> 00:51:56,360
Speaker 3: I gotta talk to you.

886
00:51:58,760 --> 00:51:59,680
Speaker 2: I gotta talk now you.

887
00:52:00,239 --> 00:52:00,600
Speaker 3: It's me.

888
00:52:02,360 --> 00:52:03,640
Speaker 2: I got an ice box.

889
00:52:07,280 --> 00:52:09,480
Speaker 3: Where my heart used to be. You don't know that, yeah,

890
00:52:09,800 --> 00:52:12,200
Speaker 3: because I feel like your friends ain't telling you. No, No,

891
00:52:12,560 --> 00:52:12,759
Speaker 3: I know.

892
00:52:14,360 --> 00:52:15,240
Speaker 2: You knows what that record.

893
00:52:16,080 --> 00:52:17,200
Speaker 3: You fucked up a lot of people.

894
00:52:17,680 --> 00:52:18,239
Speaker 2: I don't think so.

895
00:52:20,360 --> 00:52:20,879
Speaker 3: In a good way.

896
00:52:21,400 --> 00:52:22,520
Speaker 2: Okay, I get what you mean.

897
00:52:22,640 --> 00:52:25,920
Speaker 3: Ready over right, right? This was this was this was

898
00:52:26,000 --> 00:52:31,319
Speaker 3: the that was their motivational all you really because it's

899
00:52:31,360 --> 00:52:33,560
Speaker 3: like that's what every nigga.

900
00:52:33,360 --> 00:52:35,120
Speaker 2: Said, like he shut down.

901
00:52:35,480 --> 00:52:37,480
Speaker 3: Yeah, I don't want to. I don't want to say

902
00:52:37,719 --> 00:52:41,239
Speaker 3: limited to just black people. Because it was George Good

903
00:52:41,280 --> 00:52:44,959
Speaker 3: stands up. Uh, he's still there. He was like, girl,

904
00:52:47,680 --> 00:52:51,440
Speaker 3: we got an ice box. No way, that was unsern

905
00:52:51,560 --> 00:53:05,360
Speaker 3: so in my mind, Barbara the Yeah, but yeah, you

906
00:53:05,520 --> 00:53:10,000
Speaker 3: got the ultimate break up record, straight up powerful. Did

907
00:53:10,040 --> 00:53:11,560
Speaker 3: you try to do that or no?

908
00:53:12,200 --> 00:53:12,239
Speaker 2: No?

909
00:53:12,400 --> 00:53:15,520
Speaker 5: You know what, at that particular time when I was creating,

910
00:53:15,640 --> 00:53:19,720
Speaker 5: I was actually experiencing putting my own experience in music

911
00:53:20,000 --> 00:53:23,080
Speaker 5: and infusing that and seeing how that kind of permeated

912
00:53:23,120 --> 00:53:23,680
Speaker 5: on the planet.

913
00:53:23,800 --> 00:53:26,640
Speaker 2: So you got the ice box? Yeah, yeah, yeah, yeah.

914
00:53:26,760 --> 00:53:28,520
Speaker 5: I had broke up with one of my little shots

915
00:53:28,520 --> 00:53:32,640
Speaker 5: at the time, and yeah, oh yeah, oh yeah for sure,

916
00:53:33,120 --> 00:53:33,440
Speaker 5: for sure.

917
00:53:33,520 --> 00:53:36,160
Speaker 2: I think that's why it resonates. You know what I'm saying.

918
00:53:36,280 --> 00:53:39,040
Speaker 5: It's a certain type of authenticity that you can put

919
00:53:39,080 --> 00:53:42,279
Speaker 5: on a song via your voice through experience, you know

920
00:53:42,320 --> 00:53:45,600
Speaker 5: what I'm saying. So that's what I was exercising at

921
00:53:45,640 --> 00:53:48,360
Speaker 5: that time, you know what I mean. Like, Okay, now I.

922
00:53:48,480 --> 00:53:52,839
Speaker 2: Really feel like this. Wait a minute, icebox, some about

923
00:53:52,880 --> 00:53:56,680
Speaker 2: the ice box. I'm cold? Oh I like that? Like that?

924
00:53:57,320 --> 00:54:01,040
Speaker 2: So yeah, so yes, it's very intentional shout out to

925
00:54:01,080 --> 00:54:05,160
Speaker 2: the fellas. But just no, you know, love is greater.

926
00:54:05,760 --> 00:54:06,399
Speaker 2: Love is greater.

927
00:54:06,520 --> 00:54:09,520
Speaker 5: Love is the best experience being being cold is cool,

928
00:54:09,560 --> 00:54:11,959
Speaker 5: but it's it's temporary, you know what I'm saying.

929
00:54:12,080 --> 00:54:26,319
Speaker 2: So yeah, they're going through it, right man, that's true.

930
00:54:26,400 --> 00:54:27,520
Speaker 2: That's sure. Get through it.

931
00:54:27,840 --> 00:54:33,880
Speaker 3: Get through it, your b I, you got your answer

932
00:54:34,000 --> 00:54:34,200
Speaker 3: for you.

933
00:54:34,680 --> 00:54:37,000
Speaker 2: You'll be all right. Don't worry. You just continued with

934
00:54:37,480 --> 00:54:37,960
Speaker 2: quick time.

935
00:54:40,160 --> 00:54:45,799
Speaker 5: Oh my goodness. Hmmm, I can't choose and I'm gonna

936
00:54:45,800 --> 00:54:47,520
Speaker 5: break down. Why yeah, go ahead and take that shot.

937
00:54:48,200 --> 00:54:53,720
Speaker 2: Okay. First of all, they both got crazy drums, different

938
00:54:53,800 --> 00:55:00,040
Speaker 2: drump patterns though, totally different. Different yeah different, But and

939
00:55:00,400 --> 00:55:02,160
Speaker 2: Pharrell picked different chords.

940
00:55:02,800 --> 00:55:05,760
Speaker 5: You know, his songs is in certain keys and courts,

941
00:55:05,840 --> 00:55:09,280
Speaker 5: you know what I'm saying. So if I had to choose,

942
00:55:09,360 --> 00:55:12,080
Speaker 5: I would choose for rel Okay, Wait, you.

943
00:55:12,200 --> 00:55:16,279
Speaker 3: Just said both of them. Yeah, I just made y'all

944
00:55:16,320 --> 00:55:25,919
Speaker 3: take water. Man. I'm choosing. Yeah, I'm choosing for that's Yeah,

945
00:55:26,680 --> 00:55:30,520
Speaker 3: let's go. And I still don't get Louis every wee

946
00:55:30,600 --> 00:55:35,480
Speaker 3: thing slag, but I don't. I don't get no free Louis.

947
00:55:37,800 --> 00:55:38,359
Speaker 3: Yeah I haven't.

948
00:55:39,560 --> 00:55:42,440
Speaker 2: Yeah, you gotta pull up. You got a call to

949
00:55:42,800 --> 00:55:45,000
Speaker 2: the Horse Fashion Week. You need to pull up on that.

950
00:55:45,480 --> 00:55:49,840
Speaker 2: I don't know, why not take your lady. It'll be

951
00:55:49,880 --> 00:55:53,320
Speaker 2: an experience for Yeah, but I mean but maybe she

952
00:55:53,400 --> 00:55:54,200
Speaker 2: want to get dressed.

953
00:55:54,520 --> 00:56:00,799
Speaker 10: Yes me that I give him, well, at least one,

954
00:56:03,440 --> 00:56:06,839
Speaker 10: you know what I'm talking about, or Carrie.

955
00:56:08,320 --> 00:56:12,160
Speaker 2: Uh, definitely. I hate to choose the queens, but definitely

956
00:56:12,320 --> 00:56:18,080
Speaker 2: my sister, k you know what I mean? Yeah, Yeah,

957
00:56:18,680 --> 00:56:20,960
Speaker 2: why you're working together?

958
00:56:21,080 --> 00:56:22,200
Speaker 3: Experience anything like.

959
00:56:22,239 --> 00:56:26,640
Speaker 5: That fun fund j fact, my brother and her went

960
00:56:26,680 --> 00:56:28,000
Speaker 5: to elementary school together, so.

961
00:56:29,600 --> 00:56:32,879
Speaker 2: So yeah, so we're we're family, you know what I mean?

962
00:56:33,160 --> 00:56:34,880
Speaker 3: So I love that l A.

963
00:56:36,800 --> 00:56:39,800
Speaker 2: Yeah, wow, yeah, her and my brother went to elementary

964
00:56:40,920 --> 00:56:49,000
Speaker 2: before I was a star too. Yeah, straight up hills him.

965
00:56:50,440 --> 00:56:50,480
Speaker 3: That.

966
00:56:51,080 --> 00:56:54,120
Speaker 2: Of course, of course we was outside, come on, we

967
00:56:54,280 --> 00:56:56,640
Speaker 2: was up in there with the kids.

968
00:56:57,280 --> 00:56:59,440
Speaker 3: Kids, l A kids.

969
00:56:59,640 --> 00:57:02,080
Speaker 2: Yeah, I love Bowing Hills.

970
00:57:02,880 --> 00:57:05,759
Speaker 3: Yeah, because I felt comfortable, like as a black man, Yeah,

971
00:57:06,040 --> 00:57:08,719
Speaker 3: going to Bown Hills and I said that, you know,

972
00:57:08,800 --> 00:57:13,239
Speaker 3: you know it's crazy ship as uh. There was the

973
00:57:13,640 --> 00:57:22,800
Speaker 3: one year hmm everyone got robbed in that like scal work,

974
00:57:23,160 --> 00:57:26,640
Speaker 3: social ward. You know what was that I was in

975
00:57:26,680 --> 00:57:31,320
Speaker 3: Bording Hills. I was so safe, straight up. That's the

976
00:57:31,440 --> 00:57:33,840
Speaker 3: black there's the black community.

977
00:57:33,880 --> 00:57:35,920
Speaker 2: They called it the Black Beverly Hills with.

978
00:57:36,080 --> 00:57:37,080
Speaker 3: The Black Beverly Hill.

979
00:57:37,360 --> 00:57:37,520
Speaker 2: You know.

980
00:57:37,680 --> 00:57:40,440
Speaker 3: They was giving me death row t shirts and that

981
00:57:40,600 --> 00:57:42,080
Speaker 3: was I was.

982
00:57:42,280 --> 00:57:42,520
Speaker 11: I was.

983
00:57:42,720 --> 00:57:45,480
Speaker 3: I was so cool with that ship. And I went

984
00:57:45,720 --> 00:57:49,520
Speaker 3: and I can't tell you who got robbed, because that's terrible.

985
00:57:50,640 --> 00:57:52,920
Speaker 2: Somebody got rabbed, somebody got everybody that.

986
00:57:53,000 --> 00:57:53,959
Speaker 3: Year, everybody got robbed.

987
00:57:54,040 --> 00:57:54,400
Speaker 2: Give me that.

988
00:57:55,520 --> 00:57:58,360
Speaker 3: I went so safe, like yeah, I should have went

989
00:57:58,360 --> 00:58:00,600
Speaker 3: to the hood straight up, straight up, like yeah, I

990
00:58:00,600 --> 00:58:02,920
Speaker 3: should have went to should have went to ball with Hill.

991
00:58:03,040 --> 00:58:03,600
Speaker 2: Yeah yeah.

992
00:58:04,560 --> 00:58:09,200
Speaker 3: Man. What I realized involved with health was it was

993
00:58:09,360 --> 00:58:14,240
Speaker 3: all black people. Yeah yeah, I didn't know. I didn't

994
00:58:14,280 --> 00:58:17,320
Speaker 3: realize that that was successful black people at that time.

995
00:58:18,000 --> 00:58:24,120
Speaker 3: What I did was I just what do they say now?

996
00:58:24,280 --> 00:58:25,000
Speaker 2: Algorithms?

997
00:58:25,400 --> 00:58:25,800
Speaker 7: Uh huh.

998
00:58:26,240 --> 00:58:31,360
Speaker 3: So I followed the algorithms back then back then you've.

999
00:58:31,200 --> 00:58:35,439
Speaker 2: Been a simply host. You ain't been a simply host. No, yeah,

1000
00:58:36,400 --> 00:58:39,760
Speaker 2: you gotta go. Yeah, yeah, that's involved with him. That's

1001
00:58:41,160 --> 00:58:44,120
Speaker 2: it's like a holistic story. You can get your you know,

1002
00:58:44,720 --> 00:58:47,080
Speaker 2: your smoothies, your dreams and you know what I mean,

1003
00:58:47,160 --> 00:58:50,880
Speaker 2: you can get whatever because you know what's the ship,

1004
00:58:51,400 --> 00:58:57,080
Speaker 2: the quarters. But I like what they're doing. I like

1005
00:58:57,160 --> 00:58:57,560
Speaker 2: what they do.

1006
00:58:58,360 --> 00:59:09,360
Speaker 3: It's like, yes, okay, go ahead, you Got Served or

1007
00:59:10,480 --> 00:59:11,400
Speaker 3: feel the Noise?

1008
00:59:13,760 --> 00:59:18,120
Speaker 5: Yeah, two different movies, you know what I'm saying, but definitely, uh,

1009
00:59:18,400 --> 00:59:21,080
Speaker 5: you got served. You got service as a cold classic,

1010
00:59:21,800 --> 00:59:23,840
Speaker 5: you know what I mean. Shout out to you know

1011
00:59:23,920 --> 00:59:26,160
Speaker 5: the class that came up with you got Served, because

1012
00:59:26,200 --> 00:59:30,760
Speaker 5: they know, they know the hype, they know the real dancing.

1013
00:59:34,160 --> 00:59:37,520
Speaker 5: That's kind of like my first big breakout. Yeah, that's

1014
00:59:37,840 --> 00:59:38,760
Speaker 5: big breakout one.

1015
00:59:39,080 --> 00:59:39,280
Speaker 2: Yep.

1016
00:59:39,320 --> 00:59:42,400
Speaker 5: And then I did Fat Albert. I actually got some.

1017
00:59:43,640 --> 00:59:47,840
Speaker 5: I produce my own TV show and I'm starring next year.

1018
00:59:48,360 --> 00:59:51,760
Speaker 5: It's gonna be it's called The Wild Rolls. I play

1019
00:59:51,800 --> 00:59:54,640
Speaker 5: a character named Roosevelt who is an assassin.

1020
00:59:54,800 --> 00:59:55,240
Speaker 3: So I'll be.

1021
00:59:56,840 --> 01:00:00,040
Speaker 2: Yeah, yep, so I'll be. I'll be. You know, I

1022
01:00:00,200 --> 01:00:00,840
Speaker 2: heard you got mad.

1023
01:00:00,880 --> 01:00:06,760
Speaker 3: I got bodies beating them up on film too, So

1024
01:00:07,560 --> 01:00:09,400
Speaker 3: I'm gonna be getting back to my acting.

1025
01:00:10,720 --> 01:00:13,400
Speaker 2: But yeah, you got you got served, you got serve

1026
01:00:14,120 --> 01:00:17,920
Speaker 2: all I respect, respect, thank you, thank you?

1027
01:00:17,960 --> 01:00:21,680
Speaker 3: All right? Mustard and hit Boy, Damn.

1028
01:00:23,400 --> 01:00:25,480
Speaker 5: That's a tough one because I got I got a

1029
01:00:25,520 --> 01:00:28,120
Speaker 5: smash with Mustard. You know what I'm saying, which is

1030
01:00:28,160 --> 01:00:30,680
Speaker 5: supposed to be you know what I mean, supposed to be? Yeah,

1031
01:00:31,720 --> 01:00:35,040
Speaker 5: but hip boy, like I heard a song the other

1032
01:00:35,160 --> 01:00:37,560
Speaker 5: day that that he did. I forget what this called,

1033
01:00:37,640 --> 01:00:39,560
Speaker 5: but it's incredible.

1034
01:00:41,480 --> 01:00:43,160
Speaker 2: Home Team. I ain't gonna choose, y'all, go ahead and

1035
01:00:43,160 --> 01:00:46,000
Speaker 2: take that shot. Home Team, don't choose, gonna take the shot.

1036
01:00:46,120 --> 01:00:49,360
Speaker 2: They both killed him. Shut up, say up, straight up.

1037
01:00:50,120 --> 01:00:51,680
Speaker 2: California's we staid they're incredible.

1038
01:00:51,720 --> 01:00:53,760
Speaker 3: Man Chris Brown or Usher?

1039
01:00:54,680 --> 01:00:57,560
Speaker 2: Damn, I can't pick. I can't pick man one most shot.

1040
01:00:57,680 --> 01:00:58,200
Speaker 2: Y'all go ahead.

1041
01:00:58,720 --> 01:00:59,240
Speaker 3: You know what I mean?

1042
01:00:59,360 --> 01:01:02,840
Speaker 2: See being shot? You feel me? Yeah?

1043
01:01:03,960 --> 01:01:07,520
Speaker 3: Yeah, you gotta give us an outrageous story about one

1044
01:01:07,560 --> 01:01:13,040
Speaker 3: of them, outrageous something we gotta drink shout it?

1045
01:01:13,400 --> 01:01:19,520
Speaker 2: Did you drink your I really have no crazy stories

1046
01:01:19,760 --> 01:01:28,919
Speaker 2: like that. Yeah, yeah, y'all gonna take this show. Yeah, yeah, okay, yeah, yeah,

1047
01:01:29,240 --> 01:01:34,280
Speaker 2: backstage antics. No, not really. I mean, you know me

1048
01:01:34,400 --> 01:01:38,280
Speaker 2: and C B. You know we we we grew up together.

1049
01:01:38,400 --> 01:01:39,040
Speaker 2: You know what I'm saying.

1050
01:01:39,720 --> 01:01:41,640
Speaker 3: So you never see them in the fight.

1051
01:01:42,400 --> 01:01:46,680
Speaker 2: No, I'm not saying that I ain't seen him in

1052
01:01:46,760 --> 01:01:49,760
Speaker 2: the fight, but but I know he could. He could

1053
01:01:49,760 --> 01:01:53,160
Speaker 2: defend himself. Got some hands.

1054
01:01:53,320 --> 01:01:56,440
Speaker 3: Question about R and B guys against R and B

1055
01:01:56,640 --> 01:01:58,400
Speaker 3: guys is way more against.

1056
01:02:00,080 --> 01:02:05,800
Speaker 2: You, you know you seething like anybody that can battle,

1057
01:02:05,880 --> 01:02:10,560
Speaker 2: if you want to think twice. Yeah, they got stamping. Yeah.

1058
01:02:12,000 --> 01:02:15,320
Speaker 3: R and B people are way more violent than hip hop.

1059
01:02:15,880 --> 01:02:20,439
Speaker 2: I'm about way more violin. You gotta said.

1060
01:02:23,000 --> 01:02:27,920
Speaker 3: I went backstage and I went you saw violence, so

1061
01:02:28,040 --> 01:02:29,320
Speaker 3: a bunch of violets he went back.

1062
01:02:30,480 --> 01:02:33,800
Speaker 2: I'm not saying that I was jealous of them, like, wow.

1063
01:02:33,960 --> 01:02:37,440
Speaker 3: They cut you? No, yeah, yeah, R and B niggas

1064
01:02:37,440 --> 01:02:39,800
Speaker 3: will cut you. Yeah.

1065
01:02:40,360 --> 01:02:43,160
Speaker 12: In Haiti, he was R and B saying, Haiti, let's go,

1066
01:02:44,520 --> 01:02:46,800
Speaker 12: let's go. He was Porter Prince's number one R and

1067
01:02:46,840 --> 01:02:50,880
Speaker 12: B star, let's go going down.

1068
01:02:53,760 --> 01:03:00,360
Speaker 3: Let's see where we are. Man, I keep losing this guy. Really,

1069
01:03:00,880 --> 01:03:04,680
Speaker 3: he said, all right, Tanker, genuine.

1070
01:03:04,920 --> 01:03:10,440
Speaker 2: Damn, I can't choose, man. You to the R and

1071
01:03:10,480 --> 01:03:13,000
Speaker 2: B cor right now. I'm just saying, like we're talking

1072
01:03:13,000 --> 01:03:16,320
Speaker 2: about Tank and Jane one. You know, the niggas can't

1073
01:03:16,400 --> 01:03:19,880
Speaker 2: choose and they come on man alumni right up right

1074
01:03:20,000 --> 01:03:22,919
Speaker 2: up to salute to gee the Tank.

1075
01:03:23,040 --> 01:03:30,600
Speaker 3: Yeah, just don't shiop on me. Yeah. It was like

1076
01:03:30,840 --> 01:03:42,640
Speaker 3: the niggas done and the high that was young. We watched, but.

1077
01:03:42,720 --> 01:03:45,480
Speaker 2: Takes a good dude. Man, that's my good dude.

1078
01:03:49,960 --> 01:03:54,480
Speaker 3: And then he bladed a joke. But he said, but

1079
01:03:54,600 --> 01:03:56,760
Speaker 3: they hired no, and I was like, damn.

1080
01:04:00,120 --> 01:04:01,320
Speaker 2: Me in I.

1081
01:04:02,840 --> 01:04:06,640
Speaker 3: I took it, man, I'm taking my shot.

1082
01:04:07,000 --> 01:04:10,440
Speaker 2: Shout after Rewinded shout.

1083
01:04:10,360 --> 01:04:14,080
Speaker 3: That we want Yeah, you you don't. You don't need that.

1084
01:04:15,040 --> 01:04:16,480
Speaker 3: You don't need that at all.

1085
01:04:16,960 --> 01:04:18,760
Speaker 2: So what is it. It's like it's just an extra

1086
01:04:18,800 --> 01:04:27,360
Speaker 2: little guy, you extra wait minute, nothing, you got to

1087
01:04:27,400 --> 01:04:31,000
Speaker 2: get a little, just a little, a little and then

1088
01:04:31,520 --> 01:04:34,680
Speaker 2: a little a little about it a little. You know,

1089
01:04:37,760 --> 01:04:40,479
Speaker 2: I'm not using obviously, I'm not using.

1090
01:04:41,600 --> 01:04:42,160
Speaker 13: You ain't using.

1091
01:04:42,280 --> 01:04:49,360
Speaker 2: I got forward time coming soon. It's coming soon, man, man, Yeah,

1092
01:04:49,720 --> 01:04:52,800
Speaker 2: straight up, that ain't nothing but wisdom all.

1093
01:04:52,760 --> 01:04:55,840
Speaker 3: Right fast Florida Rewinded waste.

1094
01:04:55,520 --> 01:05:02,240
Speaker 2: The man or Drew Hill, damn man. Both groups that's

1095
01:05:02,320 --> 01:05:10,040
Speaker 2: a hard one because say one more time you said damn.

1096
01:05:11,600 --> 01:05:13,680
Speaker 2: It's just like two different errors. You know what I'm

1097
01:05:13,680 --> 01:05:15,600
Speaker 2: saying of groups it is.

1098
01:05:15,680 --> 01:05:22,080
Speaker 3: It's fucked up, damn, based on any type of relationship

1099
01:05:22,240 --> 01:05:23,520
Speaker 3: you have fucked up.

1100
01:05:24,120 --> 01:05:26,080
Speaker 2: I think it's I think it's a his I want

1101
01:05:26,120 --> 01:05:28,040
Speaker 2: to try to make me, not keep it so personal.

1102
01:05:29,480 --> 01:05:31,560
Speaker 5: You know what I'm saying, the type of hiss right

1103
01:05:32,680 --> 01:05:36,320
Speaker 5: because end of the road. You know what I'm saying,

1104
01:05:36,520 --> 01:05:39,840
Speaker 5: into the road, like, yeah, I don't have to go

1105
01:05:39,960 --> 01:05:42,440
Speaker 5: boys man into the road, in the road.

1106
01:05:45,240 --> 01:05:47,240
Speaker 2: And then he also got that song where he said,

1107
01:05:47,880 --> 01:05:48,760
Speaker 2: you're gonna sing it for us.

1108
01:05:48,800 --> 01:05:50,640
Speaker 3: I know you cheated on me, but it's okay.

1109
01:05:50,720 --> 01:05:54,040
Speaker 2: It doesn't sounds like I'll take you back. That's the

1110
01:05:54,160 --> 01:06:02,360
Speaker 2: voice that's crazy. You can kick him. I'll take you

1111
01:06:02,520 --> 01:06:08,400
Speaker 2: back anytime. Word right now, because that ship made no sense.

1112
01:06:09,280 --> 01:06:11,440
Speaker 3: Anytime you want to kick him out, you can give him.

1113
01:06:11,480 --> 01:06:18,480
Speaker 12: They you ready an R and B starting Porter Prince,

1114
01:06:18,560 --> 01:06:19,200
Speaker 12: he's good man.

1115
01:06:21,080 --> 01:06:27,160
Speaker 2: Porter Prince is disgusted. Oh yeah, no worry about him.

1116
01:06:27,720 --> 01:06:28,720
Speaker 2: Shot to your maya.

1117
01:06:29,600 --> 01:06:36,880
Speaker 5: Oh that's a hard one's fool mm hmmm, two errors,

1118
01:06:36,920 --> 01:06:43,240
Speaker 5: two different errors. Dang, I don't want the queens to

1119
01:06:43,280 --> 01:06:46,120
Speaker 5: get mad at me, like why'd you pick her?

1120
01:06:46,920 --> 01:06:47,160
Speaker 3: Watch?

1121
01:06:47,840 --> 01:06:53,920
Speaker 2: And they do get mad. Damn, I don't. I don't

1122
01:06:53,960 --> 01:06:55,800
Speaker 2: think I'm gonna stay out of that one, y'all. Go ahead,

1123
01:06:55,840 --> 01:06:57,200
Speaker 2: and bottom was up.

1124
01:06:59,560 --> 01:07:08,800
Speaker 14: Yeah, say out of that one. We'll keep it moving

1125
01:07:08,840 --> 01:07:12,480
Speaker 14: in that direction though. Total WV oh oh.

1126
01:07:14,480 --> 01:07:15,000
Speaker 2: Okay, so.

1127
01:07:22,160 --> 01:07:26,880
Speaker 3: Oh man, I'm gonna want to say so that he

1128
01:07:27,040 --> 01:07:27,880
Speaker 3: was breaking it down.

1129
01:07:27,960 --> 01:07:32,320
Speaker 5: They have two different type of soul in my perspective,

1130
01:07:32,480 --> 01:07:34,640
Speaker 5: you know what I'm saying. You said s w V

1131
01:07:34,800 --> 01:07:38,400
Speaker 5: in Total and Total. Yeah, I feel like Total had

1132
01:07:38,560 --> 01:07:41,360
Speaker 5: more of like a hip hop R and B soul,

1133
01:07:41,560 --> 01:07:42,880
Speaker 5: you know what I mean, type of A lot of

1134
01:07:42,920 --> 01:07:47,080
Speaker 5: their hits were rhythmic, you know what I'm saying, can't

1135
01:07:47,120 --> 01:07:47,480
Speaker 5: you see?

1136
01:07:47,640 --> 01:07:47,840
Speaker 3: Yeah?

1137
01:07:47,960 --> 01:07:52,480
Speaker 2: But s w V week, oh my god, whatever, and

1138
01:07:52,560 --> 01:07:55,320
Speaker 2: then it's a bunch of them. It's a bunch of them.

1139
01:07:55,360 --> 01:07:56,280
Speaker 2: So I'm gonna have to go s.

1140
01:07:56,440 --> 01:08:02,280
Speaker 3: W V yeah, God legend s w V. Yeah, he's

1141
01:08:02,320 --> 01:08:07,040
Speaker 3: doing exactly what plus your p J.

1142
01:08:08,480 --> 01:08:15,640
Speaker 5: Damn, they're gonna make me picked between the bros. You're right,

1143
01:08:15,720 --> 01:08:18,720
Speaker 5: You're right. Yeah, I ain't gonna choose, y'all.

1144
01:08:18,760 --> 01:08:22,240
Speaker 3: Go ahead, man, I.

1145
01:08:23,920 --> 01:08:26,080
Speaker 2: Ain't gonna shoose. You need to stay out that ship.

1146
01:08:27,600 --> 01:08:33,680
Speaker 2: You're leading the witness, stay out that ship. He just

1147
01:08:33,720 --> 01:08:34,439
Speaker 2: want to drink man.

1148
01:08:34,640 --> 01:08:35,800
Speaker 3: No, no, no, that wasn't.

1149
01:08:36,520 --> 01:08:41,200
Speaker 2: I came to Dank independent of major.

1150
01:08:42,320 --> 01:08:46,080
Speaker 5: I think today, Uh, it depends on what you need,

1151
01:08:46,439 --> 01:08:48,160
Speaker 5: you know, what kind of support you need, you know

1152
01:08:48,200 --> 01:08:48,679
Speaker 5: what I'm saying.

1153
01:08:50,840 --> 01:08:53,040
Speaker 2: I think that for some people the major's work.

1154
01:08:53,240 --> 01:08:55,280
Speaker 5: You know, some people want a big look, some people

1155
01:08:55,360 --> 01:08:58,439
Speaker 5: want to be some people just don't know what that means,

1156
01:08:58,560 --> 01:08:59,200
Speaker 5: you know what I'm saying.

1157
01:08:59,360 --> 01:09:02,120
Speaker 2: So I think that it was fitting for us, you

1158
01:09:02,200 --> 01:09:04,240
Speaker 2: know what I mean. When I first came in the game.

1159
01:09:05,080 --> 01:09:07,040
Speaker 5: You know, they didn't allow us to leave the room

1160
01:09:07,120 --> 01:09:09,200
Speaker 5: without you know, getting on the phone with our lawyers.

1161
01:09:09,240 --> 01:09:11,600
Speaker 5: So when you feel that excitement, when you feel that

1162
01:09:12,400 --> 01:09:15,920
Speaker 5: you know intention behind you, you know, it does makes

1163
01:09:15,960 --> 01:09:18,080
Speaker 5: you confident, you know what I'm saying, And it works,

1164
01:09:18,520 --> 01:09:22,519
Speaker 5: you know, major, Yes, the major idea and concept, because

1165
01:09:22,640 --> 01:09:26,800
Speaker 5: majors today is like it's wild, it's not even it's

1166
01:09:27,040 --> 01:09:30,880
Speaker 5: it's not even major, not even major.

1167
01:09:30,960 --> 01:09:37,479
Speaker 2: Actually yeah, it's yeah, That's all I'll say. But I

1168
01:09:37,520 --> 01:09:39,759
Speaker 2: would say I say independence always.

1169
01:09:39,840 --> 01:09:44,040
Speaker 5: I think that that as as artists, uh start and grow,

1170
01:09:44,640 --> 01:09:48,439
Speaker 5: you have to take responsibility for your art man period.

1171
01:09:48,880 --> 01:09:51,679
Speaker 5: And I mean all this aspects what you're singing about

1172
01:09:52,160 --> 01:09:54,240
Speaker 5: the producers you work with. I think artists should always

1173
01:09:54,280 --> 01:09:55,920
Speaker 5: be involved in the things that they create.

1174
01:09:57,479 --> 01:10:07,719
Speaker 2: So ownership, that's right, Yeah, Lionel Richie or Smokey Robinson Oie,

1175
01:10:09,240 --> 01:10:12,320
Speaker 2: I'm gonna have to go with Smokey. I'm gonna tell

1176
01:10:12,320 --> 01:10:17,880
Speaker 2: you why smoke Smoky. I want to look back.

1177
01:10:24,840 --> 01:10:28,679
Speaker 5: So so B t K did a Doctor Pepper commercial

1178
01:10:28,720 --> 01:10:32,720
Speaker 5: with Smokey Robinson. And also he is the model of

1179
01:10:32,880 --> 01:10:36,280
Speaker 5: being able to really live out your gift. Like I said,

1180
01:10:36,400 --> 01:10:40,759
Speaker 5: it's about who's here the longest, who's here the longest,

1181
01:10:40,800 --> 01:10:42,040
Speaker 5: Who could put in more work?

1182
01:10:42,240 --> 01:10:42,680
Speaker 2: You know what I mean?

1183
01:10:42,680 --> 01:10:45,720
Speaker 5: Who can become an elder? Who can become gray at this?

1184
01:10:45,880 --> 01:10:49,240
Speaker 5: Who could you know, recreate themselves over and over again.

1185
01:10:49,360 --> 01:10:52,200
Speaker 5: That's my version of what who the best is? You

1186
01:10:52,240 --> 01:10:54,280
Speaker 5: know what I'm saying? Who dies last?

1187
01:10:54,760 --> 01:10:55,439
Speaker 2: You know what I'm saying.

1188
01:10:57,080 --> 01:11:01,040
Speaker 5: So Smokey Robinson is like and and and you know

1189
01:11:01,320 --> 01:11:03,200
Speaker 5: he obviously take care of himself.

1190
01:11:03,560 --> 01:11:06,599
Speaker 2: He's taking care of his human experience. And I think

1191
01:11:06,680 --> 01:11:06,880
Speaker 2: that we.

1192
01:11:06,920 --> 01:11:09,760
Speaker 5: Should all like kind of just aspire in the latter

1193
01:11:09,840 --> 01:11:12,280
Speaker 5: part of our lives because you know, young people, they

1194
01:11:12,360 --> 01:11:13,519
Speaker 5: seem to think that they're just.

1195
01:11:14,080 --> 01:11:15,160
Speaker 3: Never gonna immortal.

1196
01:11:15,439 --> 01:11:19,559
Speaker 2: Yeah, you know what I'm saying. So I will say

1197
01:11:19,720 --> 01:11:22,240
Speaker 2: he's still.

1198
01:11:22,840 --> 01:11:32,000
Speaker 11: Hey, he still got ladies at the cribs Montana man.

1199
01:11:32,200 --> 01:11:35,840
Speaker 5: I mean two dynamic personalities, you know what I mean,

1200
01:11:36,640 --> 01:11:38,520
Speaker 5: both equally hilarious.

1201
01:11:39,040 --> 01:11:46,479
Speaker 2: You know what I'm saying. Hilarious, hilarious, hilarious. Damn, I

1202
01:11:46,560 --> 01:11:48,080
Speaker 2: don't think I could. I don't think I could choose.

1203
01:11:48,200 --> 01:11:49,040
Speaker 3: We didn't take the shot.

1204
01:11:50,040 --> 01:11:51,960
Speaker 2: That's what we've been doing. Yeah, I don't think I

1205
01:11:51,960 --> 01:12:00,559
Speaker 2: could choose. I can't choose. Drink. I can't you drink again? Yeah?

1206
01:12:01,280 --> 01:12:08,120
Speaker 3: I like your peace. A little things came Warner Brothers

1207
01:12:08,160 --> 01:12:11,560
Speaker 3: an epic before you answer some facts? Yeah me and

1208
01:12:12,640 --> 01:12:14,840
Speaker 3: raise your hand. You used to work at Warner n

1209
01:12:15,000 --> 01:12:15,840
Speaker 3: I was the street team.

1210
01:12:15,920 --> 01:12:20,599
Speaker 2: My hand for epic. Come on all of the beat. Yeah,

1211
01:12:22,520 --> 01:12:24,400
Speaker 2: right there. He was a young street team in the street.

1212
01:12:26,880 --> 01:12:29,240
Speaker 2: Shout out to the street team. They made us high, yo,

1213
01:12:29,320 --> 01:12:31,360
Speaker 2: the street teams. The street team made us hot out

1214
01:12:31,400 --> 01:12:34,160
Speaker 2: in these streets. That's called hand in hand combat.

1215
01:12:34,920 --> 01:12:35,400
Speaker 3: Don't even do.

1216
01:12:36,880 --> 01:12:39,400
Speaker 2: You know what I'm saying. That's why they call it

1217
01:12:39,479 --> 01:12:43,040
Speaker 2: outside Right now, that right there, that's a lost art.

1218
01:12:43,600 --> 01:12:46,400
Speaker 5: So which of those labels? Warner Brothers are definitely epic,

1219
01:12:46,680 --> 01:12:49,240
Speaker 5: you know, definitely epic. I think, uh, you know, Warner

1220
01:12:49,439 --> 01:12:51,800
Speaker 5: was expansive and you know, I think they have some

1221
01:12:51,920 --> 01:12:55,360
Speaker 5: great runs, but epic. Look at the name. You know

1222
01:12:55,400 --> 01:12:58,320
Speaker 5: what I'm saying. I remember going to that Sony building

1223
01:12:58,439 --> 01:13:01,040
Speaker 5: for the first time. I five fifty New York. You

1224
01:13:01,080 --> 01:13:03,599
Speaker 5: know what I mean to perform in order to get

1225
01:13:03,640 --> 01:13:07,600
Speaker 5: our deal and yeah, to beat Oka beat you k

1226
01:13:07,920 --> 01:13:11,120
Speaker 5: is a person? Yeah, that first deal. Yeah, I jumped

1227
01:13:11,160 --> 01:13:15,519
Speaker 5: on that table. Okay o, Marian jumped on.

1228
01:13:15,760 --> 01:13:17,920
Speaker 2: Oh yeah, yeah, we been did that. We been did

1229
01:13:18,040 --> 01:13:21,320
Speaker 2: that the beach. Okay, we ben did that. We was

1230
01:13:21,400 --> 01:13:24,720
Speaker 2: notorious for that. You got asked anybody. We We was

1231
01:13:24,760 --> 01:13:27,320
Speaker 2: in the five by nine and we was performing.

1232
01:13:27,720 --> 01:13:28,680
Speaker 3: Everybody is.

1233
01:13:31,680 --> 01:13:33,479
Speaker 2: Right, come on, let's clear.

1234
01:13:34,600 --> 01:13:35,280
Speaker 3: Let's be clear.

1235
01:13:36,200 --> 01:13:38,120
Speaker 2: I can't speak for my guys when my guys is

1236
01:13:38,200 --> 01:13:39,559
Speaker 2: not here, I can't speak fun.

1237
01:13:40,280 --> 01:13:42,960
Speaker 3: But everybody, you everybody.

1238
01:13:45,320 --> 01:13:48,040
Speaker 2: Get a contact buzz right now, you get the contact

1239
01:13:49,479 --> 01:13:51,960
Speaker 2: Epic or one of brothers.

1240
01:13:54,360 --> 01:14:06,519
Speaker 3: He was speaking apart. Everything's right. What you're outside like that?

1241
01:14:10,240 --> 01:14:13,519
Speaker 2: We were, but everybody thinks that but don't know I

1242
01:14:13,640 --> 01:14:17,919
Speaker 2: think that to a degree, you can't kill your audience

1243
01:14:18,080 --> 01:14:21,240
Speaker 2: is fantasy, you know what I'm saying. Like, you know

1244
01:14:21,280 --> 01:14:24,040
Speaker 2: what I mean, you can't all right, guy.

1245
01:14:29,160 --> 01:14:31,920
Speaker 3: Drinking because you know what I'm saying.

1246
01:14:33,720 --> 01:14:35,960
Speaker 2: Why you want another spirit?

1247
01:14:36,479 --> 01:14:43,599
Speaker 3: I want to. I want to spirit to God, it's there,

1248
01:14:43,720 --> 01:14:44,120
Speaker 3: it's there.

1249
01:14:44,400 --> 01:14:48,479
Speaker 2: Yeah, yeah, because you lived that life.

1250
01:14:50,840 --> 01:14:57,960
Speaker 3: I know that life. No fat joke. No, what's it

1251
01:14:58,160 --> 01:15:03,800
Speaker 3: called caps there's no cat to fly God?

1252
01:15:06,120 --> 01:15:12,280
Speaker 2: It's my brother. You're fucking crazy. But yeah, you you

1253
01:15:12,600 --> 01:15:23,560
Speaker 2: live that life. One one. You know the life. But

1254
01:15:23,720 --> 01:15:25,559
Speaker 2: that was an error though, that was an error.

1255
01:15:25,720 --> 01:15:27,599
Speaker 3: That was an error for you. Yeah.

1256
01:15:27,680 --> 01:15:31,720
Speaker 2: No, I mean I don't turn down the right love.

1257
01:15:32,560 --> 01:15:34,840
Speaker 2: You know what I'm saying. I want love all the time.

1258
01:15:34,960 --> 01:15:37,320
Speaker 2: When I'm gonna be like, no, I want to, I

1259
01:15:37,360 --> 01:15:39,120
Speaker 2: want to. I want to genuine love. I want the

1260
01:15:39,200 --> 01:15:40,840
Speaker 2: real life. I accept the love.

1261
01:15:41,080 --> 01:15:46,960
Speaker 13: You're not going to Columbia, of course, I'm about there.

1262
01:15:47,040 --> 01:15:51,719
Speaker 13: I got love everywhere everywhere. He think it's in Colombia today.

1263
01:15:55,840 --> 01:15:57,639
Speaker 13: You know it's a different love in Colombia.

1264
01:15:57,680 --> 01:15:58,400
Speaker 2: Oh no, what's that?

1265
01:15:58,760 --> 01:16:05,040
Speaker 3: I can't go? No loves normal there the club and

1266
01:16:05,080 --> 01:16:06,080
Speaker 3: they going to the whorehouse.

1267
01:16:06,560 --> 01:16:06,760
Speaker 12: Man.

1268
01:16:08,240 --> 01:16:10,439
Speaker 2: Oh yeah, yeah, No, they got normal people.

1269
01:16:12,640 --> 01:16:17,080
Speaker 3: I can't go to Columbia all, Okay. I feel I'm loyal.

1270
01:16:17,080 --> 01:16:19,040
Speaker 3: I'm a loyal man. Yeah, I feel that.

1271
01:16:19,280 --> 01:16:24,040
Speaker 2: I feel that you ain't missed another man missing. No,

1272
01:16:24,160 --> 01:16:29,240
Speaker 2: I don't think so. But when you are when you

1273
01:16:29,680 --> 01:16:33,280
Speaker 2: I've never been, You've never been. I've never you can

1274
01:16:34,400 --> 01:16:38,320
Speaker 2: I know a lot been from Columbia, but been there.

1275
01:16:39,280 --> 01:16:42,479
Speaker 3: What they're going to the Philippines, They're going to be

1276
01:16:43,080 --> 01:16:44,240
Speaker 3: the man.

1277
01:16:44,479 --> 01:16:54,560
Speaker 2: Who is who are you talking about? Dominica? Be Themnican public, Dominica,

1278
01:16:54,920 --> 01:16:56,439
Speaker 2: Dominican Republic.

1279
01:16:56,640 --> 01:17:01,560
Speaker 3: Dominican Republic, or there's students, Dominican Republic.

1280
01:17:01,320 --> 01:17:06,160
Speaker 2: Dominican Republic. Yeah, I need to go to Dominica, Dominica, Dominica.

1281
01:17:06,200 --> 01:17:09,000
Speaker 2: That is different, okay, okay, yeah.

1282
01:17:09,160 --> 01:17:11,679
Speaker 3: So let's do you well? Do you well?

1283
01:17:12,040 --> 01:17:17,920
Speaker 2: Yes? Many, we're not finished. Ahead, I'm do you well,

1284
01:17:19,760 --> 01:17:20,720
Speaker 2: but you can say do you well?

1285
01:17:21,080 --> 01:17:23,599
Speaker 3: Go ahead? I want to do York do you well?

1286
01:17:24,120 --> 01:17:24,320
Speaker 2: Yeah?

1287
01:17:24,400 --> 01:17:26,559
Speaker 3: Well, let's just so about that do you well?

1288
01:17:27,479 --> 01:17:30,639
Speaker 5: That came from that song. There's a song I put

1289
01:17:30,680 --> 01:17:36,639
Speaker 5: out I believe like two years ago. Yeah, that came

1290
01:17:36,760 --> 01:17:39,360
Speaker 5: on was that the Connection album?

1291
01:17:39,760 --> 01:17:39,960
Speaker 9: Yeah?

1292
01:17:40,080 --> 01:17:40,640
Speaker 2: So I.

1293
01:17:42,640 --> 01:17:47,439
Speaker 5: I ended up shooting a documentary and I used a

1294
01:17:47,479 --> 01:17:50,000
Speaker 5: lot of that music. I pretty much did like a

1295
01:17:50,439 --> 01:17:56,360
Speaker 5: soundtrack to that documentary of the twenty nineteen Millennium Tour.

1296
01:17:56,640 --> 01:17:58,439
Speaker 2: So yeah, that's where that song came from. Do you

1297
01:17:58,560 --> 01:18:01,799
Speaker 2: well that was like some of my last solo releases

1298
01:18:01,880 --> 01:18:03,639
Speaker 2: before this this release coming out?

1299
01:18:04,240 --> 01:18:05,000
Speaker 3: Yeah, do you well?

1300
01:18:05,600 --> 01:18:07,760
Speaker 2: All right, let's wrap a quick time almost done.

1301
01:18:08,600 --> 01:18:16,360
Speaker 3: Jeremiah or Trey songs. Damn, all ready to drink? All right,

1302
01:18:16,360 --> 01:18:18,280
Speaker 3: go ahead, ready to drink?

1303
01:18:20,560 --> 01:18:24,439
Speaker 2: All right, go ahead, salute to the kings Man, all.

1304
01:18:24,400 --> 01:18:26,160
Speaker 3: Right, Josy or Jacket.

1305
01:18:25,880 --> 01:18:31,840
Speaker 2: Edge, Oh my lord, come dawn to me, but come

1306
01:18:31,880 --> 01:18:41,599
Speaker 2: on Mary Jodasy for show influenced Jacket Edge of course,

1307
01:18:41,720 --> 01:18:44,920
Speaker 2: of course, of course. And also the like I said,

1308
01:18:45,400 --> 01:18:47,760
Speaker 2: the brother thing, you know what I mean, because I

1309
01:18:47,920 --> 01:18:51,240
Speaker 2: have my brother with me everywhere I went and go,

1310
01:18:51,479 --> 01:18:54,240
Speaker 2: you know what I mean. So Casey and Joe so yeah, yeah,

1311
01:18:54,280 --> 01:18:55,439
Speaker 2: my b brother all ran.

1312
01:18:55,880 --> 01:18:56,080
Speaker 3: Yeah.

1313
01:18:57,439 --> 01:19:00,120
Speaker 2: And then Jacket Edge had that too, the twins. You

1314
01:19:00,160 --> 01:19:03,920
Speaker 2: know what I'm saying, I can relate. That's what I'm saying.

1315
01:19:04,200 --> 01:19:06,599
Speaker 2: You know what I mean. The bro energy is next level.

1316
01:19:08,080 --> 01:19:10,800
Speaker 2: So damn if I had this shoes, oh my god,

1317
01:19:11,280 --> 01:19:12,599
Speaker 2: shoes all right?

1318
01:19:12,640 --> 01:19:12,840
Speaker 3: Thanks?

1319
01:19:14,320 --> 01:19:20,320
Speaker 2: Yeah, But I said Jonas. He said, Jodasy damn his

1320
01:19:20,479 --> 01:19:22,639
Speaker 2: mindset Jodasy it did, it did.

1321
01:19:24,160 --> 01:19:24,800
Speaker 3: That's what I think.

1322
01:19:25,120 --> 01:19:28,599
Speaker 2: That's what I told you. I told you. Oh, that's

1323
01:19:28,640 --> 01:19:39,320
Speaker 2: a younger version of you. That's before her marathon before Hey,

1324
01:19:39,960 --> 01:19:43,000
Speaker 2: you can tell this this guy right here, it was

1325
01:19:43,040 --> 01:19:48,439
Speaker 2: a different that. Yeah, you're looking like, hold up, I'm

1326
01:19:48,680 --> 01:19:50,840
Speaker 2: gonna get it. A lot of fun, still has a

1327
01:19:50,880 --> 01:19:53,560
Speaker 2: lot of fun. All Right, we almost done, Marcus. You

1328
01:19:53,680 --> 01:20:04,439
Speaker 2: said about wow, definitely bout wow, definitely bow I love Yeah, Okay,

1329
01:20:04,520 --> 01:20:09,840
Speaker 2: actually two more acting or singing. I can't choose. It

1330
01:20:09,960 --> 01:20:12,559
Speaker 2: kind of goes hand in hand. It goes hand in hand.

1331
01:20:12,680 --> 01:20:16,120
Speaker 2: You know, the voice, you know what I mean, the creation.

1332
01:20:16,200 --> 01:20:19,519
Speaker 3: Ever would have that, but you got a movie that

1333
01:20:19,680 --> 01:20:20,720
Speaker 3: more forever you.

1334
01:20:20,840 --> 01:20:23,080
Speaker 2: Got Yeah, I'm with yeah.

1335
01:20:23,160 --> 01:20:26,360
Speaker 5: I mean, if you think about going on stage right

1336
01:20:27,040 --> 01:20:30,599
Speaker 5: and you know your first song is telling a story,

1337
01:20:31,320 --> 01:20:33,360
Speaker 5: you don't just come out and be like singing the

1338
01:20:33,439 --> 01:20:38,840
Speaker 5: song like now at the table. Yes, it's an act,

1339
01:20:39,680 --> 01:20:40,160
Speaker 5: you know what I mean.

1340
01:20:40,640 --> 01:20:48,880
Speaker 3: So he wants to be your posit, your music music.

1341
01:20:49,800 --> 01:20:53,640
Speaker 3: But then he also has like like I know, for

1342
01:20:53,640 --> 01:20:55,799
Speaker 3: the fact one movie that a lot.

1343
01:20:55,680 --> 01:21:02,920
Speaker 15: Of straight up but he's all right, last one the

1344
01:21:03,000 --> 01:21:06,360
Speaker 15: last one of the quick time loyalty or respect?

1345
01:21:07,880 --> 01:21:11,640
Speaker 2: Respect? Respect. You know what I'm saying, I think that

1346
01:21:15,080 --> 01:21:19,120
Speaker 2: respect is more important. I can help them, but you

1347
01:21:19,160 --> 01:21:22,200
Speaker 2: can help them with that one. But but but break

1348
01:21:22,280 --> 01:21:24,920
Speaker 2: that down. I mean, what do y'all think? I was

1349
01:21:25,000 --> 01:21:27,120
Speaker 2: like you, I really want to see where this guy's

1350
01:21:27,120 --> 01:21:31,680
Speaker 2: gonna try to I will say, yeah, I was. To me,

1351
01:21:32,000 --> 01:21:36,519
Speaker 2: I was, I would say respect. I would say that they're.

1352
01:21:37,920 --> 01:21:41,439
Speaker 5: It's not only important for a man to have respect,

1353
01:21:42,720 --> 01:21:45,400
Speaker 5: it's important for a person to respect themselves as well,

1354
01:21:45,840 --> 01:21:50,720
Speaker 5: you know what I'm saying. And also, I believe respect

1355
01:21:51,000 --> 01:21:57,400
Speaker 5: is the gateway to gratitude, to actually being thankful for things.

1356
01:21:57,520 --> 01:22:00,280
Speaker 5: You know what I'm saying. When you respect something, you're

1357
01:22:00,439 --> 01:22:04,759
Speaker 5: you appreciate it, you know what I'm saying. Versus loyalty

1358
01:22:04,920 --> 01:22:09,400
Speaker 5: is more of a of an observant test, you know

1359
01:22:09,400 --> 01:22:13,040
Speaker 5: what I'm saying, Like your your loyalty has to get tested,

1360
01:22:13,120 --> 01:22:17,439
Speaker 5: you know what I'm saying. But you know, I think

1361
01:22:17,439 --> 01:22:21,000
Speaker 5: I think that that's like a pre uh that's it's

1362
01:22:21,080 --> 01:22:24,240
Speaker 5: it's a predisposed position. You know that you can maybe

1363
01:22:24,320 --> 01:22:27,960
Speaker 5: find yourself in. But respect, it's all around, you know

1364
01:22:27,960 --> 01:22:32,120
Speaker 5: what I'm saying. When you go outside, when you walk,

1365
01:22:32,439 --> 01:22:35,120
Speaker 5: whatever you do, if you carry respect with you, you

1366
01:22:36,200 --> 01:22:37,000
Speaker 5: carry a great thing.

1367
01:22:37,439 --> 01:22:39,720
Speaker 2: So I would say, respect, what was.

1368
01:22:39,720 --> 01:22:49,439
Speaker 3: It gonna be? What was It's not delusional thinking?

1369
01:22:49,640 --> 01:22:55,479
Speaker 4: Is real, scientific fact scientific yes, scientific fact might be

1370
01:22:55,640 --> 01:22:56,839
Speaker 4: old laboratory testing.

1371
01:22:58,880 --> 01:23:01,440
Speaker 3: And especially that we have the same birthday.

1372
01:23:02,040 --> 01:23:06,640
Speaker 2: That's it, big loyal.

1373
01:23:08,000 --> 01:23:08,559
Speaker 3: You already know.

1374
01:23:10,320 --> 01:23:15,200
Speaker 4: He was starting saying, he said, I just started with this,

1375
01:23:16,200 --> 01:23:20,840
Speaker 4: so the respect wise, and that's part of a slime.

1376
01:23:20,960 --> 01:23:24,240
Speaker 3: The interview started off when he was like, how do

1377
01:23:24,479 --> 01:23:29,479
Speaker 3: you get these things? Don't let it bother you. He's

1378
01:23:29,680 --> 01:23:33,200
Speaker 3: not really, that's meaning your respect. You don't care. He's

1379
01:23:33,240 --> 01:23:36,839
Speaker 3: holding the principles. But what I'm saying is the loyalty

1380
01:23:36,960 --> 01:23:42,439
Speaker 3: part is like number one for us the period.

1381
01:23:42,680 --> 01:23:44,400
Speaker 2: Yeah, yeah, yeah, and then.

1382
01:23:45,600 --> 01:23:46,639
Speaker 3: We'll deal with the rest.

1383
01:23:47,280 --> 01:23:50,880
Speaker 4: So I didn't know if he said both yeah, I

1384
01:23:50,960 --> 01:23:54,240
Speaker 4: mean yeah, but when he picked one and he picked respect.

1385
01:23:56,200 --> 01:23:57,479
Speaker 2: Not the same birthday, we don't know.

1386
01:23:57,600 --> 01:24:10,679
Speaker 3: No, no, it's not birthday. I'm sorry. I'm just saying

1387
01:24:11,479 --> 01:24:18,599
Speaker 3: I know fault. Yeah, of course more than anything.

1388
01:24:18,840 --> 01:24:19,320
Speaker 2: Of course, of.

1389
01:24:19,360 --> 01:24:21,280
Speaker 3: Course, I am getting ready to Grandma.

1390
01:24:24,840 --> 01:24:25,479
Speaker 1: No, I feel you.

1391
01:24:30,680 --> 01:24:34,599
Speaker 2: I appreciate I appreciate that perspective. Of loyalty. He drink

1392
01:24:34,640 --> 01:24:36,360
Speaker 2: the whole bottle. That is important to us.

1393
01:24:36,560 --> 01:24:40,080
Speaker 5: I think that should be important to anyone that cultivates relationships,

1394
01:24:40,080 --> 01:24:42,240
Speaker 5: you know what I'm saying. But I just know that

1395
01:24:43,200 --> 01:24:47,519
Speaker 5: you can't always hold your version of loyalty test to

1396
01:24:47,600 --> 01:24:50,639
Speaker 5: everybody else because everybody else is not going to really

1397
01:24:50,680 --> 01:24:53,120
Speaker 5: be tested in some other ways that may be closer

1398
01:24:53,280 --> 01:24:55,120
Speaker 5: people that are closer to you will be tested.

1399
01:24:55,560 --> 01:24:57,760
Speaker 2: So it's like, do I expect the world to be

1400
01:24:57,960 --> 01:25:01,920
Speaker 2: loyal Not really? You know what I mean. You can't

1401
01:25:01,960 --> 01:25:04,439
Speaker 2: expect loyalty. No, that's what I'm saying.

1402
01:25:04,640 --> 01:25:09,920
Speaker 8: You can demand or represent yourself with respect, yeah, yeah,

1403
01:25:10,040 --> 01:25:11,639
Speaker 8: but you can't expect loyalty.

1404
01:25:11,720 --> 01:25:14,639
Speaker 5: You can, It's something you have to witness. It's like, damn,

1405
01:25:14,680 --> 01:25:17,080
Speaker 5: why that person hote me down like that? And it's like,

1406
01:25:17,200 --> 01:25:19,280
Speaker 5: because I know I'm.

1407
01:25:19,200 --> 01:25:22,360
Speaker 2: With you, But in the context that we lay it out, yeah,

1408
01:25:22,520 --> 01:25:25,800
Speaker 2: we say which one one or both? You're always going

1409
01:25:25,880 --> 01:25:26,960
Speaker 2: to say I just give you both?

1410
01:25:27,200 --> 01:25:27,360
Speaker 3: Yeah?

1411
01:25:27,439 --> 01:25:32,000
Speaker 2: Yeah choice, Yeah, No, for sure, for sure. I wanted to.

1412
01:25:32,160 --> 01:25:34,240
Speaker 2: I mean, I've been making y'all take a lot of shots,

1413
01:25:34,240 --> 01:25:36,280
Speaker 2: so I was trying to. I was trying to be

1414
01:25:36,400 --> 01:25:42,960
Speaker 2: considerate on that one. You know, like, all right, let's

1415
01:25:42,960 --> 01:25:45,200
Speaker 2: talk about the tour. Okay, okay, So so you guys

1416
01:25:45,240 --> 01:25:49,280
Speaker 2: the reunion tour. When is the launch? Yep? So yeah,

1417
01:25:49,360 --> 01:25:49,920
Speaker 2: thank you, thank you.

1418
01:25:50,120 --> 01:25:53,360
Speaker 5: Yeah, y'all could definitely check that trailer out. Shout out

1419
01:25:53,400 --> 01:25:54,200
Speaker 5: to Chris Robinson.

1420
01:25:54,320 --> 01:25:54,960
Speaker 3: Yeah. B two K.

1421
01:25:55,120 --> 01:25:57,840
Speaker 5: We made the announcement a couple of weeks back that

1422
01:25:57,960 --> 01:26:00,719
Speaker 5: we are going on tour. Tickets are on the BPC

1423
01:26:00,920 --> 01:26:08,559
Speaker 5: dot com myself, bow Wow, walk a Floka Crime Mob.

1424
01:26:08,600 --> 01:26:10,000
Speaker 5: It's gonna be a real party, you.

1425
01:26:10,040 --> 01:26:10,439
Speaker 3: Know what I mean.

1426
01:26:11,120 --> 01:26:14,280
Speaker 2: And forgive me if I'm forgetting anyone else, but yeah,

1427
01:26:14,439 --> 01:26:17,080
Speaker 2: tickets is on sale, y'all. The Boys for Life tour.

1428
01:26:17,560 --> 01:26:19,000
Speaker 2: It's gonna be special, y'all.

1429
01:26:19,040 --> 01:26:19,800
Speaker 3: Pop on out and.

1430
01:26:22,560 --> 01:26:25,599
Speaker 11: Yep for now, yep, got to do it internet for sure,

1431
01:26:25,760 --> 01:26:31,000
Speaker 11: for sure, for sure. Gotta make my way, yes sir, yep.

1432
01:26:31,240 --> 01:26:33,040
Speaker 11: And then uh and then the album.

1433
01:26:33,080 --> 01:26:39,679
Speaker 5: Yes oh two yep. You see the demands. We got music,

1434
01:26:39,840 --> 01:26:42,960
Speaker 5: we got music, we got tours, we got TV. Yeah,

1435
01:26:43,040 --> 01:26:45,840
Speaker 5: so y'all just be on the lookout for all of

1436
01:26:46,120 --> 01:26:47,679
Speaker 5: you know, the good things that are coming.

1437
01:26:49,000 --> 01:26:49,200
Speaker 3: Yep.

1438
01:26:49,280 --> 01:26:53,360
Speaker 2: O two in February, uh B two K tour in February.

1439
01:26:54,200 --> 01:26:58,479
Speaker 2: Uh New music, O Marion New Music, B two K

1440
01:26:59,160 --> 01:27:01,479
Speaker 2: expect to see a lot of men in twenty twenty six.

1441
01:27:01,520 --> 01:27:03,960
Speaker 8: And hold on and you alluded to you wish you

1442
01:27:04,040 --> 01:27:05,840
Speaker 8: could make a document But would there ever be a

1443
01:27:05,960 --> 01:27:09,439
Speaker 8: documentary about B two K and that whole experience?

1444
01:27:09,439 --> 01:27:12,160
Speaker 5: I think a biopic, you know, at a certain point

1445
01:27:12,160 --> 01:27:16,200
Speaker 5: in time. I think we're still you know, curating our story, you.

1446
01:27:16,200 --> 01:27:18,160
Speaker 2: Know what I mean, because that can help a lot

1447
01:27:18,200 --> 01:27:21,080
Speaker 2: of upcoming artists. Yeah, for sure, that experience. Sure, Yeah,

1448
01:27:21,479 --> 01:27:23,559
Speaker 2: we definitely at some point want to do a movie.

1449
01:27:23,600 --> 01:27:26,120
Speaker 5: I mean, it's so many intricate parts, you know, especially

1450
01:27:26,200 --> 01:27:28,000
Speaker 5: when we all separating and had to go on our

1451
01:27:28,040 --> 01:27:31,680
Speaker 5: own journeys, you know, to manhood, you know what I mean.

1452
01:27:31,840 --> 01:27:33,840
Speaker 2: So yeah, I think it would be a great movie,

1453
01:27:35,479 --> 01:27:39,439
Speaker 2: actually coming age movie. Yeah, facts facts, So yeah, be

1454
01:27:39,600 --> 01:27:42,519
Speaker 2: expecting great things. Hey man, I appreciate you got it.

1455
01:27:43,240 --> 01:27:50,120
Speaker 3: Okay, here is that him?

1456
01:27:50,280 --> 01:27:53,800
Speaker 2: I think it is? You know I've seen it and

1457
01:27:53,920 --> 01:27:58,800
Speaker 2: no I didn't, No I didn't, but he was he was.

1458
01:27:59,200 --> 01:28:02,920
Speaker 2: He was right in there are like goals, swag, yes,

1459
01:28:03,000 --> 01:28:16,960
Speaker 2: sir as, the Yeah, hell y'all drink Sam, Let's take

1460
01:28:17,000 --> 01:28:18,560
Speaker 2: them flicks, Nice boy.

1461
01:28:20,000 --> 01:28:23,439
Speaker 8: Drink Champs is a Drink Champs LLC production hosts and

1462
01:28:23,560 --> 01:28:26,960
Speaker 8: executive producers n O r E and dj e f N.

1463
01:28:28,120 --> 01:28:29,200
Speaker 2: Listen to Drink Champs on.

1464
01:28:29,280 --> 01:28:34,200
Speaker 7: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

1465
01:28:35,320 --> 01:28:37,719
Speaker 7: Thanks for joining us for another episode of Drink Champs

1466
01:28:37,800 --> 01:28:40,400
Speaker 7: hosted by Yours Truly, dj e f N and n

1467
01:28:40,400 --> 01:28:42,519
Speaker 7: O r E. Please make sure to follow us on

1468
01:28:42,560 --> 01:28:45,680
Speaker 7: all our socials That's at drink Champs across all platforms,

1469
01:28:46,240 --> 01:28:49,719
Speaker 7: at the Real Norriagon, I g at noriag on Twitter,

1470
01:28:50,120 --> 01:28:53,280
Speaker 7: mine is at Who's Crazy on I g at dj

1471
01:28:53,479 --> 01:28:56,000
Speaker 7: e f N on Twitter, and most importantly, stay up

1472
01:28:56,040 --> 01:28:59,200
Speaker 7: to date with the latest releases, news and merch by

1473
01:28:59,240 --> 01:29:00,960
Speaker 7: going to drink cham Ans dot com.

1474
01:29:04,640 --> 01:29:05,000
Speaker 2: Mm hmm