WEBVTT - What is a shotgun house?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to you Stuff you Should

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<v Speaker 1>Know from House Stuff Works dot Com. Hey, welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. There's Charles W. Chuck Bryant

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<v Speaker 1>with me as always, Um, which makes this stuff you

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<v Speaker 1>should know? The stuff you should Yeah, that's what thinks

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<v Speaker 1>on it. Nice Joff, Thank you. Um, what are you doing?

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<v Speaker 1>I'm doing great. I feel like we just do this.

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<v Speaker 1>I'm looking forward to the show, are you Yeah? Because

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<v Speaker 1>it touches on parts of Atlanta in their in its history,

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<v Speaker 1>which I always loved, and that's this Atlanta man all

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<v Speaker 1>over the States, all over the States, Chuck as Uh,

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<v Speaker 1>the immortal David Byrne put it, you may find yourself

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<v Speaker 1>living in a shotgun check, and you may find yourself

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<v Speaker 1>in another part of the world. Mm hmm. I think

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<v Speaker 1>even David Byrne didn't realize what he was saying when

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<v Speaker 1>he put those two lines together. I think he meant

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<v Speaker 1>them to contrast with one another. But really, if you

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<v Speaker 1>found yourself in a shotgun check and say the beginning

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<v Speaker 1>of the nineteenth century, you probably were experiencing both. Yeah, yeah,

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<v Speaker 1>but he doesn't tip so now he doesn't care what

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<v Speaker 1>he said. That's crazy. Um So Chuck. You remember Hurricane Katrina,

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<v Speaker 1>Um I killed I believe people. There is a lot

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<v Speaker 1>of people. Um. And one of the things in addition

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<v Speaker 1>to all the loss of life and property was a

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<v Speaker 1>real worry about loss of very um specific type of architecture,

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<v Speaker 1>the shotgun house. And the reason even though you can

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<v Speaker 1>find it everywhere from Key West to Chicago to San Francisco,

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<v Speaker 1>all over the place. You can find shotgun houses Atlanta, UM.

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<v Speaker 1>The reason why people were worried about losing it in

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<v Speaker 1>New Orleans because as far as the United States goes,

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<v Speaker 1>that is where it was born. That's right. And the

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<v Speaker 1>whole reason anybody would even worry about a shotgun house,

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<v Speaker 1>if you've ever seen one, you might think, why would

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<v Speaker 1>anyone care about losing old chalk gun houses is because

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<v Speaker 1>they are routinely cited as the great possibly greatest contribution

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<v Speaker 1>by African Americans to American specific architecture and design, and

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<v Speaker 1>not only that, responsible for the bringing together, in many

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<v Speaker 1>ways of the African American communities due to their things

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<v Speaker 1>that we're going to talk about, I was going to

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<v Speaker 1>ruin it. I thank you for saving it. That was

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<v Speaker 1>good man. Um, you've surely seen a shotgun house. Yeah,

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<v Speaker 1>let's talk about some of the features people. We should. Yeah,

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<v Speaker 1>because there's probably plenty of people out there and people

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<v Speaker 1>who have seen them and don't know what we're talking about.

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<v Speaker 1>You're about to go. Oh, if you haven't seen him,

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<v Speaker 1>then go onto how stuff works dot com and type

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<v Speaker 1>in what's the shotgun house and you will find some

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<v Speaker 1>images of shotgun houses in this article that I wrote.

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<v Speaker 1>That's true. You wrote this years and years ago. I

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<v Speaker 1>don't think I knew that. Nice job. Shotgun house is

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<v Speaker 1>long and narrow. A lot of times they won't have

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<v Speaker 1>windows on the side of the house, although in researching

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<v Speaker 1>this I saw plenty that do so that sometimes they don't. Yes,

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<v Speaker 1>And the reason why it's because they're often really close together,

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<v Speaker 1>like I mean, like a foot a couple of feet

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<v Speaker 1>you can maybe walk without turning between two houses. But

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<v Speaker 1>that's it exactly. Um. They well you just said they

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<v Speaker 1>were close to one another. Um, they have high ceilings.

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<v Speaker 1>They very few of them had indoor plumbing at first.

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<v Speaker 1>That was usually brought on later, um and tacked onto

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<v Speaker 1>the rear of the house. Sometimes crudely. Uh. Typically what

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<v Speaker 1>you have is living room, bedroom, bedroom, kitchen, all in

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<v Speaker 1>a row, all in a straight line, all the doors

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<v Speaker 1>lining up, interior doors lining up right. So when the

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<v Speaker 1>front and back doors open, you can see clear through

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<v Speaker 1>the house, which is one of the reasons why a

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<v Speaker 1>lot of people think it got its name. You could

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<v Speaker 1>shoot a gun or a shotgun through the front door

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<v Speaker 1>and it would exit out the back door without hitting

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<v Speaker 1>a single wall, and that would hit the house behind

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<v Speaker 1>it or some in And like you point out, Josh,

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<v Speaker 1>it's a cute story, and it's all over the place.

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<v Speaker 1>I bet you there are many many tours of New

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<v Speaker 1>Orleans that'd say that story is true. May or may

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<v Speaker 1>not be. It probably isn't. Um. What else is? What

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<v Speaker 1>else is specific about shotgun houses? Chuck? Uh? They aside

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<v Speaker 1>from being a modest homes, they have certain architectural flourishes

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<v Speaker 1>that make them distinctive. Um. I think the idea was

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<v Speaker 1>kind of like, you know, we may be or and

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<v Speaker 1>not have the biggest house, but we can certainly adorn

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<v Speaker 1>the the vent venting greats and what the the arbor

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<v Speaker 1>that held up the not the arbor brackets, brackets held

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<v Speaker 1>up the roof they would be intricately carved, usually in

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<v Speaker 1>a gingerbread design, um, which a lot of people kind

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<v Speaker 1>of criticize her pooh pooed that addition, um as uh

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<v Speaker 1>poor blacks or even before that slave's just trying to

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<v Speaker 1>emulate whites um, which is not the case because if

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<v Speaker 1>you trace so, the shotgun house finds its origins in

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<v Speaker 1>the US and New Orleans, but if you go even

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<v Speaker 1>further back, you'll find older ones on Haiti, and then

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<v Speaker 1>even further back you will find something that looks started

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<v Speaker 1>startlingly similar. Um. In West Africa and in the Yoruba tongue,

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<v Speaker 1>these houses are called to gun, which means house in Yoruba,

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<v Speaker 1>or showgun, which means God's house. So probably that's where

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<v Speaker 1>the name comes from. By ways, to gun or showgun

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<v Speaker 1>from the Oruba dialect, right, which I love. UM. But

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<v Speaker 1>in these houses they also had like intricate details, but

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<v Speaker 1>they were more of an African motif. Over time here

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<v Speaker 1>in the United States they adopted gingerbreadin or Um Victorian. Yeah,

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<v Speaker 1>different kinds of carvings, but it is very cool. It's

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<v Speaker 1>kind of like this is a very modest, straightforward house,

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<v Speaker 1>but there's also pretty neat little details we can still

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<v Speaker 1>have like great pride in it. Um. They were usually

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<v Speaker 1>New Orleans. They were typically if you feed off the

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<v Speaker 1>ground because of the obvious flooding problems there. Um. And

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<v Speaker 1>this I found and it seems believable to me, but

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<v Speaker 1>I didn't have time to triple check it um. At

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<v Speaker 1>the time, property taxes were based on frontage still are man,

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<v Speaker 1>are they in New Orleans? If you have a house,

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<v Speaker 1>you're paying by them. The frontage, which is the width

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<v Speaker 1>of your house. Yes, and if you are looking at

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<v Speaker 1>a shotgun house is very nar but it's long, right um.

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<v Speaker 1>And the number of rooms and in New Orleans, I

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<v Speaker 1>thought they changed it to the number of rooms. They

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<v Speaker 1>added that on. Yeah, it's both okay uh. And in

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<v Speaker 1>New Orleans rooms include hallways and closets and you're not

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<v Speaker 1>going to find a hallway or a closet in a

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<v Speaker 1>shotgun house. So it's also another way to um, I

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<v Speaker 1>guess keep your property taxes low as well well. And

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<v Speaker 1>I found that they originally it was just frontage, and

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<v Speaker 1>then so they started building the camelbacks, which is a

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<v Speaker 1>shotgun house with the second story on the rear of

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<v Speaker 1>the house only. And then that's when the city said, oh, well,

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<v Speaker 1>we should tack rooms onto this as well, because these

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<v Speaker 1>smart people have found a way around paying, as you know,

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<v Speaker 1>property tax. Pretty smart. Yeah, it does, it makes it

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<v Speaker 1>makes sense. And I also found that the first mentioned

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<v Speaker 1>in print calling them shotgun houses was in our very

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<v Speaker 1>own Atlanta Journal Constitution in nineteen o three, a classified

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<v Speaker 1>ad may have been the first time that it was

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<v Speaker 1>actually named that in print, and it was like shotgun

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<v Speaker 1>house twelve dollars a month rent. Yeah, twelve bucks. That's

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<v Speaker 1>not too bad. But you could get a shotgun house

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<v Speaker 1>about that time a kit for a hundred bucks. Um.

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<v Speaker 1>They also allowed for good air flow too, I want

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<v Speaker 1>to mention, yeah, because you can open up the front

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<v Speaker 1>and back doors and you got a straight shot. Well,

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<v Speaker 1>that's one of the reasons why they were adopted in Haiti.

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<v Speaker 1>Not everybody in Haiti was from West Africa, but that

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<v Speaker 1>became the predominant style, this West African design house, because

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<v Speaker 1>it fit in really well with the tropics, all right.

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<v Speaker 1>So well, it made its way from Haitia to New

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<v Speaker 1>Orleans because of the well in indirectly because of the

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<v Speaker 1>French Revolution. Right, So French Revolution takes place and you've

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<v Speaker 1>got um, liberty, legality, fraternity to all people. That put

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<v Speaker 1>French planners in Haiti in kind of a pickle because

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<v Speaker 1>they couldn't grant liberty to their slaves because wouldn't have

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<v Speaker 1>any profits any longer. So as they're figuring this out,

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<v Speaker 1>they're trying to figure out what to do, a guy

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<v Speaker 1>named Toussaint low Mature makes the decision for him and

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<v Speaker 1>leads a slave uprising that lasts for many years and

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<v Speaker 1>basically drives all of the white plantation owners from the

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<v Speaker 1>island of Haiti, one of the places that they went.

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<v Speaker 1>And then Haiti became the first UM recognized sovereign maroon

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<v Speaker 1>nation of freed slaves revolting slaves UM, which is pretty cool.

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<v Speaker 1>But that also led to, if you go back and

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<v Speaker 1>listen to our voodoo podcast, a deep and abiding suspicion

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<v Speaker 1>by whites of Haiti all things Haiti from that point

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<v Speaker 1>on UM. But so that this slave uprising that led

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<v Speaker 1>to the UM. The freeing of Haiti also led to

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<v Speaker 1>the white populating of New Orleans. So about that time,

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<v Speaker 1>if you went to New Orleans, there about twelve thousand people,

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<v Speaker 1>and the third of them were slaves. The third of

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<v Speaker 1>them were white, and then a third of them were

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<v Speaker 1>free blacks, so it's it's real melting pot UM and

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<v Speaker 1>one of the place one of the things that came

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<v Speaker 1>about from that was people fleeing Haiti bringing the shotgun

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<v Speaker 1>houses with them, and then it just kind of it

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<v Speaker 1>was always African American UM and it was always associated

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<v Speaker 1>with African Americans, and it just kind of spread from

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<v Speaker 1>there to where if you if you came across the

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<v Speaker 1>working class African American neighborhood like in Chicago or something

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<v Speaker 1>like that, you're going to see shotgun houses or Atlanta,

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<v Speaker 1>like I've mentioned many times. Uh, if if you are local,

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<v Speaker 1>then you can see these kinds of houses in like

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<v Speaker 1>the Sweet Auburn district, Cabbage Down and I think Cabbage

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<v Speaker 1>Town where they were houses for factory workers for the

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<v Speaker 1>nearby cotton mill offt and uh factories. Yeah, it changed hands. UM. Also,

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<v Speaker 1>you're gonna find them directly across the street from Martin

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<v Speaker 1>Luther King's birthplace UM in the King Memorial area. The

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<v Speaker 1>whole park is UM. There's still people that live in

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<v Speaker 1>them and they been pretty well preserved over there. Yeah,

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<v Speaker 1>it's very cool, but those were like late nineteenth century built,

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<v Speaker 1>but it did kind of transition from African American only

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<v Speaker 1>to working class of all colors. The shotgun house became

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<v Speaker 1>kind of an emblem of the working class as much

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<v Speaker 1>as African Americans now. Is a is a row house

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<v Speaker 1>the same thing? Or is a row house? Just know

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<v Speaker 1>those are side by side, like touching, sometimes all forming

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<v Speaker 1>one large building, but then maybe different gables differentiating them.

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<v Speaker 1>A shotgun a shotgun house could be a rowhouse, but

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<v Speaker 1>a rowhouse can't be a shotgun house, because then row

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<v Speaker 1>house indicate like the proximity to one another more than

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<v Speaker 1>the style of the house. Or no, I think it's both, yeah,

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<v Speaker 1>And then the shotgun house is not supposed to be

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<v Speaker 1>confused with the railroad house either, which is you enter

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<v Speaker 1>and there's a long hallway from front to back. In

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<v Speaker 1>the off of the hallway are rooms apart mints. My

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<v Speaker 1>friend Mereth in New York, in Brooklyn, lives in a

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<v Speaker 1>railroad department, which was always a little weird because like,

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<v Speaker 1>in order for like when I would stay there, I

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<v Speaker 1>would stay in the living room, and when someone had

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<v Speaker 1>to go to the bathroom, they would have to walk

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<v Speaker 1>through the living room to get to the bath It's

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<v Speaker 1>always awkward. Or she could go outside through the hallway

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<v Speaker 1>and then come back in because she had two doors

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<v Speaker 1>to her apartment. It still does. I So, Chuck, we

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<v Speaker 1>were talking about where else they spread. There's UM also

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<v Speaker 1>a lot of them in Oklahoma, especially southern Oklahoma. Yeah.

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<v Speaker 1>And one of the reasons why is because southern Oklahoma,

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<v Speaker 1>the Oklahoma Territory Um before it became a state, was

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<v Speaker 1>a free black area and a lot of blacks traveled

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<v Speaker 1>to Oklahoma to moved to Oklahoma to be free, and

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<v Speaker 1>a lot of runaway slaves maroons is what they're called,

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<v Speaker 1>formed and integrated with um Native American tribes like the Seminoles.

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<v Speaker 1>And when these five civilized tribes and making air quotes

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<v Speaker 1>like furiously um were moved to the Oklahoma Territory Um,

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<v Speaker 1>a lot of blacks went with them, and shotgun houses

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<v Speaker 1>showed up alongside. The whole thing awesome, And there's like

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<v Speaker 1>all black towns are formerly all black towns in southern

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<v Speaker 1>Oklahoma where it's like shotgun houses everywhere. Yeah. So, Chuck,

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<v Speaker 1>if you ask me, I feel like, now we've reached

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<v Speaker 1>the point where this is the fact of the show.

0:13:28.040 --> 0:13:31.000
<v Speaker 1>And I know you're excited about this one. Well, it's

0:13:31.040 --> 0:13:33.960
<v Speaker 1>cool they um. It's one of the reasons I talked

0:13:33.960 --> 0:13:36.560
<v Speaker 1>about why the cultural legacy of the shotgun home had

0:13:36.559 --> 0:13:39.400
<v Speaker 1>a lot to do with bringing together the African American

0:13:39.440 --> 0:13:43.240
<v Speaker 1>community is because of a little something called the front porch. Yeah,

0:13:43.280 --> 0:13:46.120
<v Speaker 1>they didn't exist in the United States before the shotgun

0:13:46.160 --> 0:13:48.920
<v Speaker 1>house brought it along. So shotgun houses are typically I

0:13:48.960 --> 0:13:52.480
<v Speaker 1>mean a lot of them actually were so far forward

0:13:52.520 --> 0:13:54.920
<v Speaker 1>that they were on the sidewalk, But the ones that

0:13:54.960 --> 0:13:57.720
<v Speaker 1>weren't had a few feet of grass and then a

0:13:57.760 --> 0:14:01.640
<v Speaker 1>front porch to hang out on. And in a small house,

0:14:01.679 --> 0:14:03.360
<v Speaker 1>you're going to congregate on the front porch. And in

0:14:03.400 --> 0:14:06.600
<v Speaker 1>the evenings, if your neighbors on our front porch five

0:14:06.600 --> 0:14:09.600
<v Speaker 1>ft from you and there are five feet from another one,

0:14:09.880 --> 0:14:12.600
<v Speaker 1>then what you have is a big, old, friendly cultural

0:14:13.000 --> 0:14:16.560
<v Speaker 1>block party going on every evening, and the porch is

0:14:17.000 --> 0:14:21.720
<v Speaker 1>made it's a spandrel I guess of the overhanging roof.

0:14:22.560 --> 0:14:24.920
<v Speaker 1>And then if you add the fact that in New Orleans,

0:14:24.960 --> 0:14:26.800
<v Speaker 1>like you said, they were built off of the ground.

0:14:26.880 --> 0:14:29.080
<v Speaker 1>Some you have to build step to go up to it,

0:14:29.120 --> 0:14:31.960
<v Speaker 1>and then you have just buy you have a de

0:14:32.040 --> 0:14:33.960
<v Speaker 1>facto porch. And then yeah, you add a bunch of

0:14:33.960 --> 0:14:36.600
<v Speaker 1>them together and there you go. So we didn't have porchs.

0:14:36.680 --> 0:14:40.880
<v Speaker 1>So like these huge wraparound porches on old like plantation

0:14:40.960 --> 0:14:44.680
<v Speaker 1>mansions stoops in New York, like all of this stuff

0:14:44.760 --> 0:14:47.640
<v Speaker 1>can be traced back to the shotgun house. Really, yeah,

0:14:47.680 --> 0:14:51.680
<v Speaker 1>that's crazy, And thank you for that, shotgun house builders,

0:14:52.520 --> 0:14:55.120
<v Speaker 1>because one of my favorite things is the front porch

0:14:55.280 --> 0:15:00.440
<v Speaker 1>or porch. Good good ports. It's very important. Yeah, you know,

0:15:00.720 --> 0:15:04.800
<v Speaker 1>shotgun houses started to wane in the twenties, and it

0:15:04.880 --> 0:15:08.560
<v Speaker 1>wasn't It wasn't until fairly recently that we knew the

0:15:08.640 --> 0:15:12.760
<v Speaker 1>history of shotgun houses. That architects um went back and

0:15:12.760 --> 0:15:16.200
<v Speaker 1>and art historians went back and figured out where this

0:15:16.280 --> 0:15:18.280
<v Speaker 1>all came from and traced it step by step. I

0:15:18.280 --> 0:15:20.880
<v Speaker 1>mean it was within the last like a couple of

0:15:20.920 --> 0:15:24.320
<v Speaker 1>decades um. And they were like, okay, we found some

0:15:24.360 --> 0:15:26.920
<v Speaker 1>shotgun houses and these are really old, and they date

0:15:27.000 --> 0:15:29.720
<v Speaker 1>them and they'd be like, okay, New Orleans is the birthplace.

0:15:29.760 --> 0:15:31.520
<v Speaker 1>And then somebody be like, have you been to Port

0:15:31.520 --> 0:15:33.760
<v Speaker 1>of Prince Like they got some they're really really old there,

0:15:33.760 --> 0:15:36.520
<v Speaker 1>and then they traced them back and then somebody figured

0:15:36.560 --> 0:15:39.880
<v Speaker 1>out that they were from West Africa. But the new

0:15:39.920 --> 0:15:43.680
<v Speaker 1>construction in the United States waned in the twenties, and

0:15:43.720 --> 0:15:45.720
<v Speaker 1>like I said about the turn of the last century,

0:15:46.080 --> 0:15:48.160
<v Speaker 1>you could get a kit for about a hundred bucks,

0:15:48.560 --> 0:15:51.960
<v Speaker 1>which also made them really good cheap housing for labor.

0:15:52.920 --> 0:15:55.160
<v Speaker 1>Um if you had like a work camp, you probably

0:15:55.560 --> 0:16:00.040
<v Speaker 1>shotgun house. Yeah, exactly. Um, And they were all a

0:16:00.160 --> 0:16:03.360
<v Speaker 1>really good for disaster release. Specifically, they made a big

0:16:03.400 --> 0:16:07.240
<v Speaker 1>appearance in the San Francisco earthquake of nineteen o six. Well, yeah,

0:16:07.320 --> 0:16:10.760
<v Speaker 1>they needed to put up displaced people. And when you

0:16:10.800 --> 0:16:13.320
<v Speaker 1>can build a house for a hundred bucks, then you

0:16:13.360 --> 0:16:16.640
<v Speaker 1>do so exactly. And when it can be pre fabricated

0:16:16.760 --> 0:16:21.600
<v Speaker 1>and then taking apart in like six large parts, put

0:16:21.640 --> 0:16:23.960
<v Speaker 1>on a train and sent somewhere and then put back

0:16:24.000 --> 0:16:26.400
<v Speaker 1>together within like a couple of hours, it's like a

0:16:26.400 --> 0:16:30.200
<v Speaker 1>waffle house. Yeah, it's exactly like a waffle house. As

0:16:30.200 --> 0:16:31.520
<v Speaker 1>a matter of fact, I think you can go out

0:16:31.520 --> 0:16:33.360
<v Speaker 1>on a limb and say, we wouldn't have the waffle

0:16:33.400 --> 0:16:36.560
<v Speaker 1>house without the shotgun house. I think you're right. Uh.

0:16:36.720 --> 0:16:41.400
<v Speaker 1>Little pop culture, Yeah, you already mentioned David Byrne uh Coogs.

0:16:41.560 --> 0:16:45.360
<v Speaker 1>John Mellencamp my boy Coogs. Pink Houses was about a

0:16:45.400 --> 0:16:48.480
<v Speaker 1>shotgun house. Apparently his legend has it. He was driving

0:16:49.200 --> 0:16:52.160
<v Speaker 1>on a busy main road and he saw this little

0:16:52.160 --> 0:16:53.840
<v Speaker 1>black guy sitting on the front porch of his little

0:16:53.840 --> 0:16:56.880
<v Speaker 1>pink shotgun house. Gave him, gave him a wave, and

0:16:56.920 --> 0:16:58.600
<v Speaker 1>he said he just looked like he was as happy

0:16:58.640 --> 0:17:01.200
<v Speaker 1>as could be sitting out on his porch. And uh,

0:17:01.280 --> 0:17:03.400
<v Speaker 1>I wrote a song about it. That's nice, and and

0:17:03.480 --> 0:17:05.840
<v Speaker 1>that the album that I was on too, Yeah, I

0:17:05.840 --> 0:17:09.119
<v Speaker 1>think so great song. Elvis Presley was born in the

0:17:09.119 --> 0:17:13.480
<v Speaker 1>shotgun house, Oh yeah, in uh yeah, Mississippi, which is

0:17:13.520 --> 0:17:17.000
<v Speaker 1>where I have family actually, And Aaron Neville grew up

0:17:17.040 --> 0:17:22.760
<v Speaker 1>in a shotgun house, the incomparable and muscly Man and Moley.

0:17:26.320 --> 0:17:29.399
<v Speaker 1>But boy man that I can sing, yeah like a bird,

0:17:32.400 --> 0:17:36.960
<v Speaker 1>pretty good, Aaron Neville as me. Um, shotgun houses are

0:17:36.960 --> 0:17:39.600
<v Speaker 1>making a resurgence too, by the way, are they building

0:17:39.640 --> 0:17:42.159
<v Speaker 1>them again? Yes, there's this thing called the tiny house movement.

0:17:42.359 --> 0:17:44.919
<v Speaker 1>Oh yeah, that and the whole idea of living modestly

0:17:45.240 --> 0:17:48.600
<v Speaker 1>in the house you can afford that um grants a

0:17:48.720 --> 0:17:52.040
<v Speaker 1>very small carbon footprint. Ye, shotgun houses fit that. Bill.

0:17:52.320 --> 0:17:54.840
<v Speaker 1>I like the tiny house thing. I think I think

0:17:55.000 --> 0:17:57.439
<v Speaker 1>actually Emily might have written an article about that. Is

0:17:57.480 --> 0:17:59.520
<v Speaker 1>that right? If I'm not mistaken or maybe it was me.

0:18:00.480 --> 0:18:03.639
<v Speaker 1>Somebody did somebody in our family? Did I remember I

0:18:03.680 --> 0:18:06.320
<v Speaker 1>remember it happening? Was it Buckley a few years ago? Yeah?

0:18:06.320 --> 0:18:10.040
<v Speaker 1>Buckley wrote it. Um, you got anything else, no go,

0:18:10.560 --> 0:18:14.520
<v Speaker 1>you know, seek out local historic landmarks that might be

0:18:14.560 --> 0:18:17.960
<v Speaker 1>easily overlooked when you're angry in traffic. Yeah. And when

0:18:18.040 --> 0:18:20.320
<v Speaker 1>next time you pass the shotgun house, like, stop and

0:18:20.320 --> 0:18:22.160
<v Speaker 1>look at it, and you'll see some pretty cool little

0:18:22.160 --> 0:18:24.280
<v Speaker 1>details to it. Ask him to open the door so

0:18:24.320 --> 0:18:26.959
<v Speaker 1>you can shoot a gun through it. Let do that.

0:18:27.080 --> 0:18:30.760
<v Speaker 1>Don't do that, man, that was a reversal. I was like, no,

0:18:30.840 --> 0:18:34.600
<v Speaker 1>don't do it, Chuck said normally around Uh. And if

0:18:34.640 --> 0:18:37.440
<v Speaker 1>you're ever in Atlanta, Chuck and I always recommend going

0:18:37.520 --> 0:18:41.959
<v Speaker 1>to the King Memorial Center, the place where he's buried,

0:18:41.960 --> 0:18:44.679
<v Speaker 1>where the eternal flame is in all of the surrounding area.

0:18:45.119 --> 0:18:48.840
<v Speaker 1>Um is like a living museum. Preserved house is just awesome.

0:18:48.880 --> 0:18:51.639
<v Speaker 1>One of my favorite parts in Atlanta for sure. Um. So,

0:18:51.720 --> 0:18:53.520
<v Speaker 1>if you want to learn more about shotgun houses and

0:18:53.560 --> 0:18:56.600
<v Speaker 1>see pictures of shotgun houses, you can type the words

0:18:56.920 --> 0:19:00.359
<v Speaker 1>shotgun house two words into the sir to bar at

0:19:00.400 --> 0:19:02.399
<v Speaker 1>how stuff works dot com and that'll bring up this

0:19:02.560 --> 0:19:06.240
<v Speaker 1>article that I wrote, and I said search bar, which

0:19:06.280 --> 0:19:10.840
<v Speaker 1>means it's time for a listener mail. Josh, I'm gonna

0:19:10.920 --> 0:19:14.879
<v Speaker 1>call this beast email. Hey, guys, did you did you

0:19:14.920 --> 0:19:17.320
<v Speaker 1>read this one? Um? I just listened to the Music

0:19:17.359 --> 0:19:19.800
<v Speaker 1>Sampling Podcast. We got a lot of good feedback on that.

0:19:19.840 --> 0:19:22.639
<v Speaker 1>But man, everybody loved that. It was a good and

0:19:22.680 --> 0:19:25.320
<v Speaker 1>a lot of people offered up like people that know

0:19:25.359 --> 0:19:27.880
<v Speaker 1>way more than us offered up a lot of cool insight. Yeah,

0:19:27.920 --> 0:19:30.320
<v Speaker 1>we get getting called out for not mentioning girl talk.

0:19:30.359 --> 0:19:32.600
<v Speaker 1>I've never heard girl talk, so I don't feel bad.

0:19:33.040 --> 0:19:36.920
<v Speaker 1>But everyone we know about girl talk. Now, Okay, guys

0:19:37.000 --> 0:19:39.159
<v Speaker 1>that just listened to the Music Sampling Podcast wanted to

0:19:39.160 --> 0:19:41.600
<v Speaker 1>say how great it was that you featured the Beastie

0:19:41.640 --> 0:19:43.960
<v Speaker 1>Boys so prominently in the show. But I share a

0:19:43.960 --> 0:19:46.640
<v Speaker 1>little story when I met them during your nineteen seven

0:19:46.680 --> 0:19:49.600
<v Speaker 1>Licensed Build tour in Las Vegas when I was fifteen.

0:19:50.119 --> 0:19:51.680
<v Speaker 1>So this girl must be my age because I saw

0:19:51.680 --> 0:19:55.119
<v Speaker 1>that tour and I was about to wow. All right.

0:19:56.040 --> 0:19:58.040
<v Speaker 1>They performed in a concert hall on the un l

0:19:58.119 --> 0:20:00.320
<v Speaker 1>V campus, so it was easy to get to the

0:20:00.359 --> 0:20:02.480
<v Speaker 1>area where their tour bus was because I lived in

0:20:02.520 --> 0:20:05.400
<v Speaker 1>the bleachers. They were inviting every female they saw back

0:20:05.440 --> 0:20:09.440
<v Speaker 1>to their hotel for a party, including fifteen year olds.

0:20:09.560 --> 0:20:13.800
<v Speaker 1>Well they were only like eighteen nineteen. Still, well, I know,

0:20:13.960 --> 0:20:17.000
<v Speaker 1>but you get to be forty and you're like, what's

0:20:17.040 --> 0:20:20.200
<v Speaker 1>the big difference of five years? Man, that's back then.

0:20:22.320 --> 0:20:25.480
<v Speaker 1>I'm just saying, it's not like they were like years older,

0:20:26.400 --> 0:20:32.200
<v Speaker 1>all right, I'm defending their pedophilia. Uh. By the time

0:20:32.240 --> 0:20:34.120
<v Speaker 1>we got there, the party had taken over the ninth

0:20:34.160 --> 0:20:36.520
<v Speaker 1>floor and had already been shut down. We got to

0:20:36.560 --> 0:20:39.120
<v Speaker 1>say hi to m c A before being escorted away

0:20:39.119 --> 0:20:42.560
<v Speaker 1>by security for curfew violation. But I was determined. I

0:20:42.640 --> 0:20:44.679
<v Speaker 1>skipped school the next day went back to the hotel,

0:20:45.000 --> 0:20:47.720
<v Speaker 1>basically casing the joint. I ended up finding m c A,

0:20:47.760 --> 0:20:49.800
<v Speaker 1>who remembered me from the night before. I said, how

0:20:49.840 --> 0:20:54.600
<v Speaker 1>did he said? Hi? Very nice? What you heard waiting

0:20:54.640 --> 0:20:57.280
<v Speaker 1>on that one? I ended up spending the whole day

0:20:57.320 --> 0:21:00.320
<v Speaker 1>with the guys, chatting, playing arcade games, while king over

0:21:00.359 --> 0:21:02.600
<v Speaker 1>to a seven eleven with a very hungover ad Rock,

0:21:03.040 --> 0:21:05.359
<v Speaker 1>and even helping load their bags onto the tour bus.

0:21:05.880 --> 0:21:08.080
<v Speaker 1>They were only nineteen twenty and twenty one at the time,

0:21:08.480 --> 0:21:11.800
<v Speaker 1>very unassuming, so they weren't getting much attention. I felt

0:21:11.800 --> 0:21:14.240
<v Speaker 1>like a little sister tagging along with their super cool

0:21:14.280 --> 0:21:17.159
<v Speaker 1>older brothers. That is very cool. At one point m

0:21:17.160 --> 0:21:19.040
<v Speaker 1>c A offered me a tour of the bus. We

0:21:19.119 --> 0:21:21.880
<v Speaker 1>got on and he closed the door and said, now

0:21:21.920 --> 0:21:24.159
<v Speaker 1>we cannot do all sorts of things that you're going

0:21:24.200 --> 0:21:26.639
<v Speaker 1>to tell all your friends. We did anyway, he was

0:21:26.680 --> 0:21:31.600
<v Speaker 1>really hysterical, so he was like he was still a gentleman, unfortunately,

0:21:31.640 --> 0:21:34.879
<v Speaker 1>and he's like a Buddhist now and he unfortunately I

0:21:34.880 --> 0:21:36.800
<v Speaker 1>had not thought to bring a camera with me, so

0:21:36.880 --> 0:21:40.040
<v Speaker 1>I have no picks. I did get her auto document

0:21:40.080 --> 0:21:42.960
<v Speaker 1>any of this happened. Now she does um. I did

0:21:42.960 --> 0:21:44.919
<v Speaker 1>get their autographs, but the only paper I had in

0:21:44.960 --> 0:21:48.720
<v Speaker 1>my jacket was old school snoopy Valentines. I had thought

0:21:48.800 --> 0:21:52.439
<v Speaker 1>could give up friends. I still treasured my three snoopy Valentines,

0:21:52.760 --> 0:21:55.199
<v Speaker 1>each one with their autographs, and she sent pictures of them.

0:21:55.320 --> 0:21:58.760
<v Speaker 1>That's cool. I stayed until they left around six at night.

0:21:59.200 --> 0:22:01.360
<v Speaker 1>I naively asked m c A if he would write

0:22:01.359 --> 0:22:04.120
<v Speaker 1>to me. He answered with an honest no, and gave

0:22:04.119 --> 0:22:07.160
<v Speaker 1>me a very sweet kiss on the cheek. I loved

0:22:07.160 --> 0:22:09.239
<v Speaker 1>it that they have continued to rise on popularity and

0:22:09.240 --> 0:22:11.399
<v Speaker 1>her given the respect of being true innovators in the

0:22:11.400 --> 0:22:15.480
<v Speaker 1>field first year, that is Ali Smith and she got

0:22:15.520 --> 0:22:17.760
<v Speaker 1>kissed on the cheek by a very sweet sounding m

0:22:17.800 --> 0:22:20.800
<v Speaker 1>C And all your fifteen year olds out there, you

0:22:20.960 --> 0:22:24.240
<v Speaker 1>better be at home sleeping. Yeah, don't be hanging out

0:22:24.240 --> 0:22:26.920
<v Speaker 1>with twenty one year old dudes, especially not the girl

0:22:27.040 --> 0:22:31.399
<v Speaker 1>talk people. Those guys are girls. I think girl talks

0:22:31.400 --> 0:22:36.119
<v Speaker 1>a guy's dear clear that girl talked to um. Let's see,

0:22:36.320 --> 0:22:38.600
<v Speaker 1>what do you want to call out for? Mm hmm.

0:22:39.400 --> 0:22:43.000
<v Speaker 1>Do you live in a shotgun house? No? I guess yeah,

0:22:43.040 --> 0:22:45.199
<v Speaker 1>if you have like a house with an interesting history,

0:22:45.280 --> 0:22:49.560
<v Speaker 1>we did that one, but let's do it again that boy. Um,

0:22:49.600 --> 0:22:52.000
<v Speaker 1>if you live in a house with an interesting history,

0:22:52.160 --> 0:22:54.320
<v Speaker 1>or you flung out with the beastie boys, we want

0:22:54.320 --> 0:22:58.000
<v Speaker 1>to hear those. You can write to us at uh

0:22:58.200 --> 0:23:00.359
<v Speaker 1>let's see. You can tweet to us at s y

0:23:00.480 --> 0:23:03.600
<v Speaker 1>s K podcast. That's our handled Facebook dot com. Slash

0:23:03.640 --> 0:23:05.919
<v Speaker 1>Stuff you should Know is us on Facebook and you

0:23:06.000 --> 0:23:09.760
<v Speaker 1>can send us an email at Stuff Podcast at Discovery

0:23:09.880 --> 0:23:17.920
<v Speaker 1>dot com for more on this and thousands of other topics.

0:23:18.160 --> 0:23:27.439
<v Speaker 1>Is it how stuff works dot com h Brought to

0:23:27.440 --> 0:23:30.560
<v Speaker 1>you by the reinvented two thousand twelve camera, it's ready.

0:23:30.720 --> 0:23:31.119
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