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Speaker 1: Brought to you by the reinvented two thousand twelve camera.

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Speaker 1: It's ready. Are you welcome to you Stuff you Should

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Speaker 1: Know from House Stuff Works dot Com. Hey, welcome to

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Speaker 1: the podcast. I'm Josh Clark. There's Charles W. Chuck Bryant

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Speaker 1: with me as always, Um, which makes this stuff you

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Speaker 1: should know? The stuff you should Yeah, that's what thinks

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Speaker 1: on it. Nice Joff, Thank you. Um, what are you doing?

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Speaker 1: I'm doing great. I feel like we just do this.

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Speaker 1: I'm looking forward to the show, are you Yeah? Because

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Speaker 1: it touches on parts of Atlanta in their in its history,

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Speaker 1: which I always loved, and that's this Atlanta man all

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Speaker 1: over the States, all over the States, Chuck as Uh,

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Speaker 1: the immortal David Byrne put it, you may find yourself

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Speaker 1: living in a shotgun check, and you may find yourself

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Speaker 1: in another part of the world. Mm hmm. I think

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Speaker 1: even David Byrne didn't realize what he was saying when

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Speaker 1: he put those two lines together. I think he meant

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Speaker 1: them to contrast with one another. But really, if you

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Speaker 1: found yourself in a shotgun check and say the beginning

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Speaker 1: of the nineteenth century, you probably were experiencing both. Yeah, yeah,

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Speaker 1: but he doesn't tip so now he doesn't care what

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Speaker 1: he said. That's crazy. Um So Chuck. You remember Hurricane Katrina,

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Speaker 1: Um I killed I believe people. There is a lot

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Speaker 1: of people. Um. And one of the things in addition

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Speaker 1: to all the loss of life and property was a

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Speaker 1: real worry about loss of very um specific type of architecture,

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Speaker 1: the shotgun house. And the reason even though you can

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Speaker 1: find it everywhere from Key West to Chicago to San Francisco,

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Speaker 1: all over the place. You can find shotgun houses Atlanta, UM.

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Speaker 1: The reason why people were worried about losing it in

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Speaker 1: New Orleans because as far as the United States goes,

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Speaker 1: that is where it was born. That's right. And the

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Speaker 1: whole reason anybody would even worry about a shotgun house,

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Speaker 1: if you've ever seen one, you might think, why would

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Speaker 1: anyone care about losing old chalk gun houses is because

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Speaker 1: they are routinely cited as the great possibly greatest contribution

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Speaker 1: by African Americans to American specific architecture and design, and

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Speaker 1: not only that, responsible for the bringing together, in many

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Speaker 1: ways of the African American communities due to their things

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Speaker 1: that we're going to talk about, I was going to

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Speaker 1: ruin it. I thank you for saving it. That was

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Speaker 1: good man. Um, you've surely seen a shotgun house. Yeah,

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Speaker 1: let's talk about some of the features people. We should. Yeah,

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Speaker 1: because there's probably plenty of people out there and people

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Speaker 1: who have seen them and don't know what we're talking about.

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Speaker 1: You're about to go. Oh, if you haven't seen him,

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Speaker 1: then go onto how stuff works dot com and type

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Speaker 1: in what's the shotgun house and you will find some

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Speaker 1: images of shotgun houses in this article that I wrote.

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Speaker 1: That's true. You wrote this years and years ago. I

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Speaker 1: don't think I knew that. Nice job. Shotgun house is

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Speaker 1: long and narrow. A lot of times they won't have

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Speaker 1: windows on the side of the house, although in researching

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Speaker 1: this I saw plenty that do so that sometimes they don't. Yes,

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Speaker 1: And the reason why it's because they're often really close together,

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Speaker 1: like I mean, like a foot a couple of feet

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Speaker 1: you can maybe walk without turning between two houses. But

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Speaker 1: that's it exactly. Um. They well you just said they

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Speaker 1: were close to one another. Um, they have high ceilings.

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Speaker 1: They very few of them had indoor plumbing at first.

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Speaker 1: That was usually brought on later, um and tacked onto

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Speaker 1: the rear of the house. Sometimes crudely. Uh. Typically what

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Speaker 1: you have is living room, bedroom, bedroom, kitchen, all in

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Speaker 1: a row, all in a straight line, all the doors

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Speaker 1: lining up, interior doors lining up right. So when the

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Speaker 1: front and back doors open, you can see clear through

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Speaker 1: the house, which is one of the reasons why a

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Speaker 1: lot of people think it got its name. You could

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Speaker 1: shoot a gun or a shotgun through the front door

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Speaker 1: and it would exit out the back door without hitting

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Speaker 1: a single wall, and that would hit the house behind

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Speaker 1: it or some in And like you point out, Josh,

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Speaker 1: it's a cute story, and it's all over the place.

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Speaker 1: I bet you there are many many tours of New

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Speaker 1: Orleans that'd say that story is true. May or may

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Speaker 1: not be. It probably isn't. Um. What else is? What

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Speaker 1: else is specific about shotgun houses? Chuck? Uh? They aside

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Speaker 1: from being a modest homes, they have certain architectural flourishes

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Speaker 1: that make them distinctive. Um. I think the idea was

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Speaker 1: kind of like, you know, we may be or and

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Speaker 1: not have the biggest house, but we can certainly adorn

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Speaker 1: the the vent venting greats and what the the arbor

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Speaker 1: that held up the not the arbor brackets, brackets held

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Speaker 1: up the roof they would be intricately carved, usually in

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Speaker 1: a gingerbread design, um, which a lot of people kind

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Speaker 1: of criticize her pooh pooed that addition, um as uh

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Speaker 1: poor blacks or even before that slave's just trying to

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Speaker 1: emulate whites um, which is not the case because if

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Speaker 1: you trace so, the shotgun house finds its origins in

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Speaker 1: the US and New Orleans, but if you go even

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Speaker 1: further back, you'll find older ones on Haiti, and then

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Speaker 1: even further back you will find something that looks started

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Speaker 1: startlingly similar. Um. In West Africa and in the Yoruba tongue,

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Speaker 1: these houses are called to gun, which means house in Yoruba,

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Speaker 1: or showgun, which means God's house. So probably that's where

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Speaker 1: the name comes from. By ways, to gun or showgun

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Speaker 1: from the Oruba dialect, right, which I love. UM. But

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Speaker 1: in these houses they also had like intricate details, but

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Speaker 1: they were more of an African motif. Over time here

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Speaker 1: in the United States they adopted gingerbreadin or Um Victorian. Yeah,

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Speaker 1: different kinds of carvings, but it is very cool. It's

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Speaker 1: kind of like this is a very modest, straightforward house,

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Speaker 1: but there's also pretty neat little details we can still

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Speaker 1: have like great pride in it. Um. They were usually

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Speaker 1: New Orleans. They were typically if you feed off the

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Speaker 1: ground because of the obvious flooding problems there. Um. And

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Speaker 1: this I found and it seems believable to me, but

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Speaker 1: I didn't have time to triple check it um. At

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Speaker 1: the time, property taxes were based on frontage still are man,

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Speaker 1: are they in New Orleans? If you have a house,

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Speaker 1: you're paying by them. The frontage, which is the width

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Speaker 1: of your house. Yes, and if you are looking at

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Speaker 1: a shotgun house is very nar but it's long, right um.

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Speaker 1: And the number of rooms and in New Orleans, I

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Speaker 1: thought they changed it to the number of rooms. They

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Speaker 1: added that on. Yeah, it's both okay uh. And in

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Speaker 1: New Orleans rooms include hallways and closets and you're not

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Speaker 1: going to find a hallway or a closet in a

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Speaker 1: shotgun house. So it's also another way to um, I

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Speaker 1: guess keep your property taxes low as well well. And

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Speaker 1: I found that they originally it was just frontage, and

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Speaker 1: then so they started building the camelbacks, which is a

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Speaker 1: shotgun house with the second story on the rear of

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Speaker 1: the house only. And then that's when the city said, oh, well,

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Speaker 1: we should tack rooms onto this as well, because these

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Speaker 1: smart people have found a way around paying, as you know,

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Speaker 1: property tax. Pretty smart. Yeah, it does, it makes it

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Speaker 1: makes sense. And I also found that the first mentioned

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Speaker 1: in print calling them shotgun houses was in our very

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Speaker 1: own Atlanta Journal Constitution in nineteen o three, a classified

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Speaker 1: ad may have been the first time that it was

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Speaker 1: actually named that in print, and it was like shotgun

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Speaker 1: house twelve dollars a month rent. Yeah, twelve bucks. That's

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Speaker 1: not too bad. But you could get a shotgun house

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Speaker 1: about that time a kit for a hundred bucks. Um.

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Speaker 1: They also allowed for good air flow too, I want

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Speaker 1: to mention, yeah, because you can open up the front

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Speaker 1: and back doors and you got a straight shot. Well,

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Speaker 1: that's one of the reasons why they were adopted in Haiti.

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Speaker 1: Not everybody in Haiti was from West Africa, but that

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Speaker 1: became the predominant style, this West African design house, because

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Speaker 1: it fit in really well with the tropics, all right.

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Speaker 1: So well, it made its way from Haitia to New

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Speaker 1: Orleans because of the well in indirectly because of the

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Speaker 1: French Revolution. Right, So French Revolution takes place and you've

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Speaker 1: got um, liberty, legality, fraternity to all people. That put

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Speaker 1: French planners in Haiti in kind of a pickle because

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Speaker 1: they couldn't grant liberty to their slaves because wouldn't have

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Speaker 1: any profits any longer. So as they're figuring this out,

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Speaker 1: they're trying to figure out what to do, a guy

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Speaker 1: named Toussaint low Mature makes the decision for him and

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Speaker 1: leads a slave uprising that lasts for many years and

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Speaker 1: basically drives all of the white plantation owners from the

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Speaker 1: island of Haiti, one of the places that they went.

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Speaker 1: And then Haiti became the first UM recognized sovereign maroon

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Speaker 1: nation of freed slaves revolting slaves UM, which is pretty cool.

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Speaker 1: But that also led to, if you go back and

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Speaker 1: listen to our voodoo podcast, a deep and abiding suspicion

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Speaker 1: by whites of Haiti all things Haiti from that point

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Speaker 1: on UM. But so that this slave uprising that led

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Speaker 1: to the UM. The freeing of Haiti also led to

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Speaker 1: the white populating of New Orleans. So about that time,

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Speaker 1: if you went to New Orleans, there about twelve thousand people,

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Speaker 1: and the third of them were slaves. The third of

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Speaker 1: them were white, and then a third of them were

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Speaker 1: free blacks, so it's it's real melting pot UM and

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Speaker 1: one of the place one of the things that came

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Speaker 1: about from that was people fleeing Haiti bringing the shotgun

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Speaker 1: houses with them, and then it just kind of it

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Speaker 1: was always African American UM and it was always associated

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Speaker 1: with African Americans, and it just kind of spread from

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Speaker 1: there to where if you if you came across the

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Speaker 1: working class African American neighborhood like in Chicago or something

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Speaker 1: like that, you're going to see shotgun houses or Atlanta,

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Speaker 1: like I've mentioned many times. Uh, if if you are local,

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Speaker 1: then you can see these kinds of houses in like

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Speaker 1: the Sweet Auburn district, Cabbage Down and I think Cabbage

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Speaker 1: Town where they were houses for factory workers for the

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Speaker 1: nearby cotton mill offt and uh factories. Yeah, it changed hands. UM. Also,

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Speaker 1: you're gonna find them directly across the street from Martin

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Speaker 1: Luther King's birthplace UM in the King Memorial area. The

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Speaker 1: whole park is UM. There's still people that live in

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Speaker 1: them and they been pretty well preserved over there. Yeah,

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Speaker 1: it's very cool, but those were like late nineteenth century built,

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Speaker 1: but it did kind of transition from African American only

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Speaker 1: to working class of all colors. The shotgun house became

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Speaker 1: kind of an emblem of the working class as much

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Speaker 1: as African Americans now. Is a is a row house

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Speaker 1: the same thing? Or is a row house? Just know

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Speaker 1: those are side by side, like touching, sometimes all forming

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Speaker 1: one large building, but then maybe different gables differentiating them.

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Speaker 1: A shotgun a shotgun house could be a rowhouse, but

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Speaker 1: a rowhouse can't be a shotgun house, because then row

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Speaker 1: house indicate like the proximity to one another more than

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Speaker 1: the style of the house. Or no, I think it's both, yeah,

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Speaker 1: And then the shotgun house is not supposed to be

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Speaker 1: confused with the railroad house either, which is you enter

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Speaker 1: and there's a long hallway from front to back. In

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Speaker 1: the off of the hallway are rooms apart mints. My

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Speaker 1: friend Mereth in New York, in Brooklyn, lives in a

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Speaker 1: railroad department, which was always a little weird because like,

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Speaker 1: in order for like when I would stay there, I

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Speaker 1: would stay in the living room, and when someone had

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Speaker 1: to go to the bathroom, they would have to walk

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Speaker 1: through the living room to get to the bath It's

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Speaker 1: always awkward. Or she could go outside through the hallway

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Speaker 1: and then come back in because she had two doors

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Speaker 1: to her apartment. It still does. I So, Chuck, we

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Speaker 1: were talking about where else they spread. There's UM also

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Speaker 1: a lot of them in Oklahoma, especially southern Oklahoma. Yeah.

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Speaker 1: And one of the reasons why is because southern Oklahoma,

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Speaker 1: the Oklahoma Territory Um before it became a state, was

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Speaker 1: a free black area and a lot of blacks traveled

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Speaker 1: to Oklahoma to moved to Oklahoma to be free, and

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Speaker 1: a lot of runaway slaves maroons is what they're called,

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Speaker 1: formed and integrated with um Native American tribes like the Seminoles.

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Speaker 1: And when these five civilized tribes and making air quotes

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Speaker 1: like furiously um were moved to the Oklahoma Territory Um,

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Speaker 1: a lot of blacks went with them, and shotgun houses

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Speaker 1: showed up alongside. The whole thing awesome, And there's like

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Speaker 1: all black towns are formerly all black towns in southern

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Speaker 1: Oklahoma where it's like shotgun houses everywhere. Yeah. So, Chuck,

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Speaker 1: if you ask me, I feel like, now we've reached

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Speaker 1: the point where this is the fact of the show.

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Speaker 1: And I know you're excited about this one. Well, it's

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Speaker 1: cool they um. It's one of the reasons I talked

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Speaker 1: about why the cultural legacy of the shotgun home had

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Speaker 1: a lot to do with bringing together the African American

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Speaker 1: community is because of a little something called the front porch. Yeah,

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Speaker 1: they didn't exist in the United States before the shotgun

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Speaker 1: house brought it along. So shotgun houses are typically I

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Speaker 1: mean a lot of them actually were so far forward

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Speaker 1: that they were on the sidewalk, But the ones that

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Speaker 1: weren't had a few feet of grass and then a

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Speaker 1: front porch to hang out on. And in a small house,

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Speaker 1: you're going to congregate on the front porch. And in

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Speaker 1: the evenings, if your neighbors on our front porch five

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Speaker 1: ft from you and there are five feet from another one,

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Speaker 1: then what you have is a big, old, friendly cultural

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Speaker 1: block party going on every evening, and the porch is

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Speaker 1: made it's a spandrel I guess of the overhanging roof.

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Speaker 1: And then if you add the fact that in New Orleans,

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Speaker 1: like you said, they were built off of the ground.

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Speaker 1: Some you have to build step to go up to it,

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Speaker 1: and then you have just buy you have a de

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Speaker 1: facto porch. And then yeah, you add a bunch of

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Speaker 1: them together and there you go. So we didn't have porchs.

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Speaker 1: So like these huge wraparound porches on old like plantation

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Speaker 1: mansions stoops in New York, like all of this stuff

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Speaker 1: can be traced back to the shotgun house. Really, yeah,

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Speaker 1: that's crazy, And thank you for that, shotgun house builders,

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Speaker 1: because one of my favorite things is the front porch

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Speaker 1: or porch. Good good ports. It's very important. Yeah, you know,

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Speaker 1: shotgun houses started to wane in the twenties, and it

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Speaker 1: wasn't It wasn't until fairly recently that we knew the

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Speaker 1: history of shotgun houses. That architects um went back and

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Speaker 1: and art historians went back and figured out where this

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Speaker 1: all came from and traced it step by step. I

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Speaker 1: mean it was within the last like a couple of

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Speaker 1: decades um. And they were like, okay, we found some

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Speaker 1: shotgun houses and these are really old, and they date

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Speaker 1: them and they'd be like, okay, New Orleans is the birthplace.

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Speaker 1: And then somebody be like, have you been to Port

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Speaker 1: of Prince Like they got some they're really really old there,

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Speaker 1: and then they traced them back and then somebody figured

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Speaker 1: out that they were from West Africa. But the new

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Speaker 1: construction in the United States waned in the twenties, and

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Speaker 1: like I said about the turn of the last century,

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Speaker 1: you could get a kit for about a hundred bucks,

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Speaker 1: which also made them really good cheap housing for labor.

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Speaker 1: Um if you had like a work camp, you probably

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Speaker 1: shotgun house. Yeah, exactly. Um, And they were all a

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Speaker 1: really good for disaster release. Specifically, they made a big

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Speaker 1: appearance in the San Francisco earthquake of nineteen o six. Well, yeah,

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Speaker 1: they needed to put up displaced people. And when you

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Speaker 1: can build a house for a hundred bucks, then you

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Speaker 1: do so exactly. And when it can be pre fabricated

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Speaker 1: and then taking apart in like six large parts, put

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Speaker 1: on a train and sent somewhere and then put back

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Speaker 1: together within like a couple of hours, it's like a

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Speaker 1: waffle house. Yeah, it's exactly like a waffle house. As

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Speaker 1: a matter of fact, I think you can go out

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Speaker 1: on a limb and say, we wouldn't have the waffle

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Speaker 1: house without the shotgun house. I think you're right. Uh.

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Speaker 1: Little pop culture, Yeah, you already mentioned David Byrne uh Coogs.

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Speaker 1: John Mellencamp my boy Coogs. Pink Houses was about a

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Speaker 1: shotgun house. Apparently his legend has it. He was driving

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Speaker 1: on a busy main road and he saw this little

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Speaker 1: black guy sitting on the front porch of his little

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Speaker 1: pink shotgun house. Gave him, gave him a wave, and

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Speaker 1: he said he just looked like he was as happy

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Speaker 1: as could be sitting out on his porch. And uh,

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Speaker 1: I wrote a song about it. That's nice, and and

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Speaker 1: that the album that I was on too, Yeah, I

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Speaker 1: think so great song. Elvis Presley was born in the

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Speaker 1: shotgun house, Oh yeah, in uh yeah, Mississippi, which is

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Speaker 1: where I have family actually, And Aaron Neville grew up

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Speaker 1: in a shotgun house, the incomparable and muscly Man and Moley.

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Speaker 1: But boy man that I can sing, yeah like a bird,

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Speaker 1: pretty good, Aaron Neville as me. Um, shotgun houses are

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Speaker 1: making a resurgence too, by the way, are they building

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Speaker 1: them again? Yes, there's this thing called the tiny house movement.

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Speaker 1: Oh yeah, that and the whole idea of living modestly

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Speaker 1: in the house you can afford that um grants a

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Speaker 1: very small carbon footprint. Ye, shotgun houses fit that. Bill.

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Speaker 1: I like the tiny house thing. I think I think

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Speaker 1: actually Emily might have written an article about that. Is

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Speaker 1: that right? If I'm not mistaken or maybe it was me.

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Speaker 1: Somebody did somebody in our family? Did I remember I

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Speaker 1: remember it happening? Was it Buckley a few years ago? Yeah?

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Speaker 1: Buckley wrote it. Um, you got anything else, no go,

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Speaker 1: you know, seek out local historic landmarks that might be

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Speaker 1: easily overlooked when you're angry in traffic. Yeah. And when

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Speaker 1: next time you pass the shotgun house, like, stop and

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Speaker 1: look at it, and you'll see some pretty cool little

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Speaker 1: details to it. Ask him to open the door so

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Speaker 1: you can shoot a gun through it. Let do that.

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Speaker 1: Don't do that, man, that was a reversal. I was like, no,

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Speaker 1: don't do it, Chuck said normally around Uh. And if

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Speaker 1: you're ever in Atlanta, Chuck and I always recommend going

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Speaker 1: to the King Memorial Center, the place where he's buried,

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Speaker 1: where the eternal flame is in all of the surrounding area.

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Speaker 1: Um is like a living museum. Preserved house is just awesome.

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Speaker 1: One of my favorite parts in Atlanta for sure. Um. So,

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Speaker 1: if you want to learn more about shotgun houses and

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Speaker 1: see pictures of shotgun houses, you can type the words

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Speaker 1: shotgun house two words into the sir to bar at

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00:19:00,400 --> 00:19:02,399
Speaker 1: how stuff works dot com and that'll bring up this

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Speaker 1: article that I wrote, and I said search bar, which

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Speaker 1: means it's time for a listener mail. Josh, I'm gonna

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Speaker 1: call this beast email. Hey, guys, did you did you

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Speaker 1: read this one? Um? I just listened to the Music

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Speaker 1: Sampling Podcast. We got a lot of good feedback on that.

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Speaker 1: But man, everybody loved that. It was a good and

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Speaker 1: a lot of people offered up like people that know

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Speaker 1: way more than us offered up a lot of cool insight. Yeah,

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Speaker 1: we get getting called out for not mentioning girl talk.

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Speaker 1: I've never heard girl talk, so I don't feel bad.

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Speaker 1: But everyone we know about girl talk. Now, Okay, guys

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Speaker 1: that just listened to the Music Sampling Podcast wanted to

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Speaker 1: say how great it was that you featured the Beastie

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Speaker 1: Boys so prominently in the show. But I share a

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Speaker 1: little story when I met them during your nineteen seven

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Speaker 1: Licensed Build tour in Las Vegas when I was fifteen.

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Speaker 1: So this girl must be my age because I saw

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Speaker 1: that tour and I was about to wow. All right.

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Speaker 1: They performed in a concert hall on the un l

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Speaker 1: V campus, so it was easy to get to the

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Speaker 1: area where their tour bus was because I lived in

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Speaker 1: the bleachers. They were inviting every female they saw back

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Speaker 1: to their hotel for a party, including fifteen year olds.

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Speaker 1: Well they were only like eighteen nineteen. Still, well, I know,

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Speaker 1: but you get to be forty and you're like, what's

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Speaker 1: the big difference of five years? Man, that's back then.

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Speaker 1: I'm just saying, it's not like they were like years older,

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Speaker 1: all right, I'm defending their pedophilia. Uh. By the time

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Speaker 1: we got there, the party had taken over the ninth

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Speaker 1: floor and had already been shut down. We got to

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Speaker 1: say hi to m c A before being escorted away

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Speaker 1: by security for curfew violation. But I was determined. I

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Speaker 1: skipped school the next day went back to the hotel,

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Speaker 1: basically casing the joint. I ended up finding m c A,

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Speaker 1: who remembered me from the night before. I said, how

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Speaker 1: did he said? Hi? Very nice? What you heard waiting

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Speaker 1: on that one? I ended up spending the whole day

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Speaker 1: with the guys, chatting, playing arcade games, while king over

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Speaker 1: to a seven eleven with a very hungover ad Rock,

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Speaker 1: and even helping load their bags onto the tour bus.

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Speaker 1: They were only nineteen twenty and twenty one at the time,

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Speaker 1: very unassuming, so they weren't getting much attention. I felt

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Speaker 1: like a little sister tagging along with their super cool

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Speaker 1: older brothers. That is very cool. At one point m

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Speaker 1: c A offered me a tour of the bus. We

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Speaker 1: got on and he closed the door and said, now

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Speaker 1: we cannot do all sorts of things that you're going

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Speaker 1: to tell all your friends. We did anyway, he was

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Speaker 1: really hysterical, so he was like he was still a gentleman, unfortunately,

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Speaker 1: and he's like a Buddhist now and he unfortunately I

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Speaker 1: had not thought to bring a camera with me, so

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Speaker 1: I have no picks. I did get her auto document

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Speaker 1: any of this happened. Now she does um. I did

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Speaker 1: get their autographs, but the only paper I had in

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Speaker 1: my jacket was old school snoopy Valentines. I had thought

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Speaker 1: could give up friends. I still treasured my three snoopy Valentines,

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Speaker 1: each one with their autographs, and she sent pictures of them.

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Speaker 1: That's cool. I stayed until they left around six at night.

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Speaker 1: I naively asked m c A if he would write

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Speaker 1: to me. He answered with an honest no, and gave

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Speaker 1: me a very sweet kiss on the cheek. I loved

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00:22:07,160 --> 00:22:09,239
Speaker 1: it that they have continued to rise on popularity and

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Speaker 1: her given the respect of being true innovators in the

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Speaker 1: field first year, that is Ali Smith and she got

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Speaker 1: kissed on the cheek by a very sweet sounding m

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Speaker 1: C And all your fifteen year olds out there, you

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Speaker 1: better be at home sleeping. Yeah, don't be hanging out

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Speaker 1: with twenty one year old dudes, especially not the girl

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Speaker 1: talk people. Those guys are girls. I think girl talks

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Speaker 1: a guy's dear clear that girl talked to um. Let's see,

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Speaker 1: what do you want to call out for? Mm hmm.

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Speaker 1: Do you live in a shotgun house? No? I guess yeah,

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Speaker 1: if you have like a house with an interesting history,

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00:22:45,280 --> 00:22:49,560
Speaker 1: we did that one, but let's do it again that boy. Um,

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00:22:49,600 --> 00:22:52,000
Speaker 1: if you live in a house with an interesting history,

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00:22:52,160 --> 00:22:54,320
Speaker 1: or you flung out with the beastie boys, we want

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00:22:54,320 --> 00:22:58,000
Speaker 1: to hear those. You can write to us at uh

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00:22:58,200 --> 00:23:00,359
Speaker 1: let's see. You can tweet to us at s y

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00:23:00,480 --> 00:23:03,600
Speaker 1: s K podcast. That's our handled Facebook dot com. Slash

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00:23:03,640 --> 00:23:05,919
Speaker 1: Stuff you should Know is us on Facebook and you

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00:23:06,000 --> 00:23:09,760
Speaker 1: can send us an email at Stuff Podcast at Discovery

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Speaker 1: dot com for more on this and thousands of other topics.

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Speaker 1: Is it how stuff works dot com h Brought to

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Speaker 1: you by the reinvented two thousand twelve camera, it's ready.

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Speaker 1: Are you