WEBVTT - We're All Awkward Creatures

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<v Speaker 1>My colleagues. We'll stop commenting on everything I get my

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<v Speaker 1>assistantes at people and meeting? Why does my coworker keep

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<v Speaker 1>taking credit for all my idea? Have any wisdom for me?

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<v Speaker 1>Hi'm Alison Green. Welcome to the Aska Manager podcast, where

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<v Speaker 1>I answer questions from listeners about life at work. Everything

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<v Speaker 1>from what to say if you're allergic to your coworkers

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<v Speaker 1>perfume to what to do if you drink too much

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<v Speaker 1>at the company party. Let's get started. I have to

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<v Speaker 1>confess I really love awkwardness. That might sound like a

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<v Speaker 1>weird thing to say, but I find awkward situations, including

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<v Speaker 1>my own, really funny and entertaining and in some way

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<v Speaker 1>kind of heartwarming. My favorite letters at the Aska Manager

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<v Speaker 1>website are the ones that involve awkwardness, like I once

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<v Speaker 1>published a letter from a woman who had accidentally hugged

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<v Speaker 1>her CEO on the elevator one morning. He was leaning

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<v Speaker 1>past her to hold the door open, and she thought

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<v Speaker 1>he was going in for a hug, so she just

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<v Speaker 1>went with it and embraced him. There was another letter

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<v Speaker 1>from a person who found out that her mom had

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<v Speaker 1>been emailing her boss to remind him that the daughter's

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<v Speaker 1>birthday was coming up soon. I love those stories, and really,

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<v Speaker 1>so much of Aska Manager is about here's this uncomfortable,

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<v Speaker 1>potentially awkward situation. How do I handle it? And that

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<v Speaker 1>is probably what has kept me happily doing the column

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<v Speaker 1>for what eleven years at this point. Awkward situations are

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<v Speaker 1>just really interesting and entertaining, and they're so universal. We

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<v Speaker 1>all do things that make us cringe. Even the most

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<v Speaker 1>confident among us have those moments that still make our

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<v Speaker 1>faces turn red when we think about them weeks later.

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<v Speaker 1>It happens to everyone, and it definitely happens at work. Today,

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<v Speaker 1>we have a special guest here to talk about awkwardness.

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<v Speaker 1>Melissa Doll is the author of the amazing book cringe Worthy,

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<v Speaker 1>A Theory of Awkwardness, and I think she loves awkwardness

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<v Speaker 1>as much as I do. Melissa, Welcome to the show. Hi, Hi,

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<v Speaker 1>Thanks Alison, Thanks for having me. I'm so excited to

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<v Speaker 1>have you here. You and I have talked about awkwardness before,

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<v Speaker 1>and I just absolutely love cringe Worthy. Can we talk

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<v Speaker 1>a bit about the book itself and then we'll just

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<v Speaker 1>talk all things awkward? Yeah that sounds great. Yeah, what

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<v Speaker 1>do you want to know? Well? I mean this is

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<v Speaker 1>basically the greatest idea for a book ever for people

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<v Speaker 1>who don't know it. Will you just describe it and

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<v Speaker 1>what made you want to write it? Yeah, so I

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<v Speaker 1>talk about awkward Actually, I feel like I don't know

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<v Speaker 1>if you are this way with your book. But sometimes,

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<v Speaker 1>like when people ask me to describe my book, it's

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<v Speaker 1>like it's like all words lead me and I'm like, um, um,

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<v Speaker 1>I don't remember, but but I will do my best. Um.

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<v Speaker 1>So it is. I am a writer for New York

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<v Speaker 1>magazine for The Cut, and I cover psychology primarily um

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<v Speaker 1>for The Cut, And I've written about psychology for the

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<v Speaker 1>last more than ten years. And one of the things

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<v Speaker 1>I've always really liked about the job is, you know,

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<v Speaker 1>I'll have some kind of question about human nature why

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<v Speaker 1>do we do the things we do? And I get

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<v Speaker 1>to you, you know, call up somebody who has been

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<v Speaker 1>studying this for you know, for the last decade of

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<v Speaker 1>their life or so, and who can explain it to

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<v Speaker 1>me in a thoughtful way. But I kind of couldn't

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<v Speaker 1>find anything that explained the feeling of of cringing, the

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<v Speaker 1>feeling of awkwardness, you know, that that like just that

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<v Speaker 1>tension that kind of like permeates the room when someone's

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<v Speaker 1>like makes a joke and it doesn't go over well,

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<v Speaker 1>or the thing where someone assumes someone else's expecting and

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<v Speaker 1>they're not. You know, I was just curious what could

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<v Speaker 1>explain the psychology behind that feeling. So this book is

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<v Speaker 1>kind of my attempt to do that. And let's actually

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<v Speaker 1>define awkwardness. How do you define it? I define it

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<v Speaker 1>as it's so it's embarrassment. It's it's like the self

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<v Speaker 1>conscious aspect of embarrassment. But I think what's different about

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<v Speaker 1>it and what sets it apart? Because it is it

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<v Speaker 1>is different, Like an awkward situation is not necessarily an

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<v Speaker 1>embarrassing situation. So I think it's the conscious aspect of embarrassment,

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<v Speaker 1>but with this stronger undercurrent of uncertainty, you know, like

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<v Speaker 1>there's this element of what do I say next? What

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<v Speaker 1>do I do next? Like the social norms are not

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<v Speaker 1>here to guide me. So that's how I defined it

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<v Speaker 1>for the book. You came up with an overall theory

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<v Speaker 1>of awkwardness, which you have called cringe theory. Will you

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<v Speaker 1>talk about what cringe theory is? Yeah? So I really

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<v Speaker 1>have come to believe that cringing kind of causes us

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<v Speaker 1>to to ask some pretty surprisingly profound questions about ourselves.

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<v Speaker 1>If you if you kind of pay attention to it,

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<v Speaker 1>I think it kind of makes us ask ourselves, who

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<v Speaker 1>are you? How how do other people perceive you? And

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<v Speaker 1>and who do you want to be? I think that

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<v Speaker 1>cringing are it's the moments that make us cringe. Are

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<v Speaker 1>these moments when we realize that the you that you

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<v Speaker 1>kind of carry in your own head, this perception of yourself,

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<v Speaker 1>is maybe not necessarily the way the world is seeing.

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<v Speaker 1>It's kind of the moment we realize there's a disconnect

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<v Speaker 1>between the person you're trying to present to the world

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<v Speaker 1>and what you actually look like to the people around you.

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<v Speaker 1>So the idea is awkwardness is what happens when this

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<v Speaker 1>polished version of ourselves that we hope we're showing to

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<v Speaker 1>the world slips and we're exposed, and we worry that

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<v Speaker 1>people are seeing maybe who we really are, but the

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<v Speaker 1>parts that we prefer to hide. Yeah, exactly, exactly, So

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<v Speaker 1>it's kind of like, yeah, I'll just leave it there, exactly.

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<v Speaker 1>You talk in the book about the spotlight effect that

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<v Speaker 1>we assume that other people are paying more attention to

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<v Speaker 1>us than they really are. This is I would imagine,

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<v Speaker 1>probably at its peak when we're teenagers, but it stays

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<v Speaker 1>with us, right it does. Yeah, I mean actually interestingly,

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<v Speaker 1>they do say that self consciousness kind of fades later

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<v Speaker 1>in adulthood, but certainly it's more of a human nature thing,

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<v Speaker 1>it's not just a teenage thing. Uh. The spotlight effect

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<v Speaker 1>is this idea that we think more people are paying

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<v Speaker 1>attention to us than actually are. And there's this classic

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<v Speaker 1>experiment where they tested this. They had somebody show up

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<v Speaker 1>to an experiment late. They kind of told them the

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<v Speaker 1>wrong time on purpose, and before they went in the room,

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<v Speaker 1>they they gave him this really silly T shirt with

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<v Speaker 1>Barry Manilow's face on it. And so the person is

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<v Speaker 1>already late and they show up and they're wearing this

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<v Speaker 1>really silly T shirt. It's kind of this embarrassing moment.

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<v Speaker 1>And then afterwards the experimenters interviewed, uh, all these folks

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<v Speaker 1>and they one of the things they asked them was

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<v Speaker 1>how many people do you think remembered your shirt? And

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<v Speaker 1>basically they thought, you know, maybe they thought ten people

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<v Speaker 1>would remember, um, but really only five people remembered. So

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<v Speaker 1>the kind of the moral of it is, it's interesting

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<v Speaker 1>a lot of times when people write and talk about

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<v Speaker 1>the spotlight effect, it's like the message that gets across

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<v Speaker 1>is like, oh, no one's paying attention to you, you know,

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<v Speaker 1>do whatever you want. It's it's not quite that. It's

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<v Speaker 1>it's just not as many people as we think are

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<v Speaker 1>are paying attention to our ridiculous mistakes. Yeah, I feel

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<v Speaker 1>like I see that and a lot of letters at

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<v Speaker 1>asking Manager that people are just really seized with worry

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<v Speaker 1>that everyone saw this relatively small, silly thing that they did.

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<v Speaker 1>That You're right, the message can't be or don't worry

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<v Speaker 1>no one is ever paying attention because certainly quite often

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<v Speaker 1>people are. We just really overestimate I think how often

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<v Speaker 1>that's the case we do. It's just kind of you know,

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<v Speaker 1>humans are kind of egocentric by nature, and all of

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<v Speaker 1>us have have that tendency to one degree or another.

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<v Speaker 1>But it's interesting, it's so interesting to me the kind

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<v Speaker 1>of like link between awkwardness and kind of feeling uncomfortable

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<v Speaker 1>in social situations and egocentrism, because it's like it's it's like,

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<v Speaker 1>you're worried what people think about you, but you know,

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<v Speaker 1>of course no one is thinking about you as much

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<v Speaker 1>as as much as you are, so, and I think

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<v Speaker 1>that's particularly can be true at work. Like you think,

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<v Speaker 1>oh my gosh, I made such an idiot out of

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<v Speaker 1>myself in that meeting. But no one's remembering what you said.

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<v Speaker 1>They're remembering what what they said and whether it went

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<v Speaker 1>well or not. So yes, unless it was really egregious,

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<v Speaker 1>I think that's usually the case. Yeah, right, Yeah, you

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<v Speaker 1>can't just make a blakant statement and say no one

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<v Speaker 1>ever remembers. But yeah, but people definitely think it's happening

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<v Speaker 1>more than it is. Let's take a quick break here,

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<v Speaker 1>and when we come back, we're going to hear about

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<v Speaker 1>some real life awkward situations that Melissa put herself into

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<v Speaker 1>when she was writing the book, including a visit she

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<v Speaker 1>paid to a professional cuddler. One thing that is great

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<v Speaker 1>about the book is that not only do you really

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<v Speaker 1>delve into the science of awkwardness, but you also intentionally

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<v Speaker 1>went out and put yourself in really awkward situations so

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<v Speaker 1>that you could write about them. You did improv so

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<v Speaker 1>that you could write about it for the book, which

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<v Speaker 1>just makes you my hero. And you even set up

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<v Speaker 1>a session with a professional cuddler so that you could

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<v Speaker 1>write about it. I was laughing out loud when I

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<v Speaker 1>read that part of the book will you tell Us

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<v Speaker 1>about the Professional Cuddler? Because I just cringe thinking about it.

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<v Speaker 1>Oh my gosh. So that that part of the book

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<v Speaker 1>I had. I was almost done. I was almost done

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<v Speaker 1>writing the book, and I had like, as you say,

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<v Speaker 1>I had put myself into all these weird situations, and

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<v Speaker 1>it kind of did that just as an aside. That

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<v Speaker 1>was a later injection into the book. That's kind of

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<v Speaker 1>something people ask about a lot, like, oh, like, you know,

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<v Speaker 1>you did all these things, But the first draft of

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<v Speaker 1>the book wasn't like that at all. The first draft

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<v Speaker 1>was more, um sharing other people's stories. And I kind

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<v Speaker 1>of like pulled it all together and looked at what

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<v Speaker 1>I had and I was like, oh, this just feels

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<v Speaker 1>kind of cruel to like be writing about like this

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<v Speaker 1>uncomfortable feeling from a distance, you know, like just to

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<v Speaker 1>tell other people's embarrassing stories. It's just it's sort of

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<v Speaker 1>weirdly didn't feel fair. And also it didn't feel as

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<v Speaker 1>emotional reading it. Um, I think like having some distance

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<v Speaker 1>between that that discomfort. So I decided to dive right in.

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<v Speaker 1>But anyway, yeah, that the cuddler part came. I realized,

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<v Speaker 1>like the reason I wrote the book was, you know,

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<v Speaker 1>in part because this feeling has driven me nuts for

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<v Speaker 1>most of my life. You know, I just feel like

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<v Speaker 1>I'm I'm often I'm just really sensitive to moments of awkwardness.

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<v Speaker 1>But by the end of writing this book, and you know,

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<v Speaker 1>taking improv classes and doing all these crazy things, it's

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<v Speaker 1>like I just didn't feel it anymore. Like I would

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<v Speaker 1>I would just do things that people would be kind

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<v Speaker 1>of amazed at. You know, you talk a lot about

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<v Speaker 1>having uncomfortable conversations like work or or the kind of

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<v Speaker 1>wisdom of being direct at work, and that was something

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<v Speaker 1>I was always afraid of doing. But by the end

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<v Speaker 1>of writing this book, I just kind of would dive

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<v Speaker 1>right in. Sorry, I'm kind of I'm kind of digressing

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<v Speaker 1>away from the cuddler. But basically that was sort of

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<v Speaker 1>trying to get the feeling back in a way to

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<v Speaker 1>be like, you know, like, uh, what will work, Like

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<v Speaker 1>will anything make me feel awkward again? And that was

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<v Speaker 1>the thing that broke me. It was so weird. Oh

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<v Speaker 1>my god, it was just like, oh my god, it

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<v Speaker 1>was so weird. And now I'm embarrassed that, like I

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<v Speaker 1>wrote about it, in a book, it's like, oh my god,

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<v Speaker 1>what was It was the greatest moment in the book.

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<v Speaker 1>I loved it. So for people listening who are like,

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<v Speaker 1>what on earth as a professional cuddler? What on earth

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<v Speaker 1>is a professional cuddler? Well, so basically I think that

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<v Speaker 1>they say, you know, they are all about the power

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<v Speaker 1>of touch as kind of a you know, soothing, you know,

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<v Speaker 1>healing mechanism thing. So people go to them who are

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<v Speaker 1>maybe like feeling lonely or I don't know who, who

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<v Speaker 1>have maybe gone through a breakup or something like that.

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<v Speaker 1>It's just kind of like like the using the power

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<v Speaker 1>of human touch is kind of what they what they say.

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<v Speaker 1>But I came across some story where some journalists had

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<v Speaker 1>had done it, and you know, she talked a lot

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<v Speaker 1>about how awkward it was. I was like, oh, great,

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<v Speaker 1>that's great for my purposes, um, but yeah, it was

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<v Speaker 1>just it was just seriously weird. Like I just I

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<v Speaker 1>just like froze up and just like couldn't I couldn't

0:12:03.840 --> 0:12:05.800
<v Speaker 1>even go through with it. I had to like run

0:12:05.880 --> 0:12:08.480
<v Speaker 1>out of there. I was too uncomfortable. So that's my

0:12:08.520 --> 0:12:11.000
<v Speaker 1>favorite part is that you literally ran out and you

0:12:11.040 --> 0:12:14.040
<v Speaker 1>did it before any cuddling had happened, right, No, we

0:12:14.360 --> 0:12:16.840
<v Speaker 1>should she did not. We did not even touch each other.

0:12:16.960 --> 0:12:18.200
<v Speaker 1>I was just like, I'm sorry, I have to go

0:12:18.240 --> 0:12:21.640
<v Speaker 1>after it's too weird. So how is this supposed to work?

0:12:21.720 --> 0:12:24.000
<v Speaker 1>You go and is it like an office or is

0:12:24.000 --> 0:12:27.400
<v Speaker 1>it their home? Well, I think it's like their home

0:12:27.920 --> 0:12:32.080
<v Speaker 1>or um or they can come to you, and I

0:12:32.080 --> 0:12:33.880
<v Speaker 1>guess it's supposed to just be you kind of just

0:12:33.960 --> 0:12:37.240
<v Speaker 1>like hugged for a while or something. I don't know

0:12:37.280 --> 0:12:39.680
<v Speaker 1>because I only lasted like ten minutes before I had

0:12:39.720 --> 0:12:40.960
<v Speaker 1>to get out of there because I thought it was

0:12:41.040 --> 0:12:45.600
<v Speaker 1>too uncomfortable. But I don't want to like dismiss I

0:12:45.679 --> 0:12:49.400
<v Speaker 1>think that it can be an important thing for, you know,

0:12:49.440 --> 0:12:51.080
<v Speaker 1>for people who are lonely or something. So I don't

0:12:51.080 --> 0:12:55.080
<v Speaker 1>want to dismiss the profession of professional cuddling. But it

0:12:55.120 --> 0:12:58.800
<v Speaker 1>wasn't for me for you, that makes sense. I want

0:12:58.800 --> 0:13:01.080
<v Speaker 1>to go back to something you or saying before that

0:13:01.360 --> 0:13:04.680
<v Speaker 1>as you started to do these things, you became sort

0:13:04.679 --> 0:13:08.880
<v Speaker 1>of immune to feeling awkwardness. Has that worn off or

0:13:09.000 --> 0:13:12.960
<v Speaker 1>are you still there? It's funny, it's like it wears

0:13:13.000 --> 0:13:16.480
<v Speaker 1>off when when I'm not thinking. It's like the power

0:13:16.520 --> 0:13:20.120
<v Speaker 1>of the book. It like when I'm immersed in it,

0:13:20.160 --> 0:13:22.200
<v Speaker 1>and when I'm doing lots of interviews for the book,

0:13:22.200 --> 0:13:25.000
<v Speaker 1>and when I'm thinking a lot about kind of what

0:13:25.120 --> 0:13:27.600
<v Speaker 1>I truly believe to be like the magic of awkwardness,

0:13:27.880 --> 0:13:30.400
<v Speaker 1>which is kind of like uncomfortable self awareness, but that

0:13:30.520 --> 0:13:33.000
<v Speaker 1>can be really useful when I'm immersed in that, when

0:13:33.000 --> 0:13:35.280
<v Speaker 1>I'm thinking a lot about it, I'm not afraid of

0:13:35.280 --> 0:13:37.480
<v Speaker 1>it anymore. Um. But there was a period where i

0:13:37.480 --> 0:13:39.200
<v Speaker 1>wasn't doing a lot of press for the book, and

0:13:39.320 --> 0:13:41.959
<v Speaker 1>it's like the feeling like came right back, and and

0:13:42.400 --> 0:13:46.240
<v Speaker 1>so I think it's like it like works temporarily. So um.

0:13:46.240 --> 0:13:48.360
<v Speaker 1>So anyone listening to this probably should read my book

0:13:48.360 --> 0:13:51.680
<v Speaker 1>again and again, um to give the effect that makes

0:13:52.000 --> 0:13:56.280
<v Speaker 1>sense definitely. Um. It almost seems like if you have

0:13:56.640 --> 0:13:59.839
<v Speaker 1>steeped yourself in the messages of the book, which are

0:14:00.120 --> 0:14:04.080
<v Speaker 1>this is so normal everyone experiences that, there's actually something

0:14:04.080 --> 0:14:06.440
<v Speaker 1>really useful and healthy about it. Like when you're really

0:14:07.120 --> 0:14:10.160
<v Speaker 1>steeped in that message, that is going to really raise

0:14:10.200 --> 0:14:12.920
<v Speaker 1>your immunity to feeling awkward. But yeah, I could see

0:14:12.920 --> 0:14:15.480
<v Speaker 1>how when that's not right in the forefront of your mind,

0:14:15.480 --> 0:14:17.920
<v Speaker 1>it would come right back. Yeah, because it's a I mean,

0:14:18.080 --> 0:14:21.880
<v Speaker 1>it's unpleasant, you know, it's tense, it's not fun um.

0:14:21.920 --> 0:14:25.480
<v Speaker 1>But when yeah, when I'm remembering the message of the book,

0:14:25.480 --> 0:14:28.760
<v Speaker 1>which is kind of just that these moments can the

0:14:28.800 --> 0:14:30.520
<v Speaker 1>moments that make you cringe can kind of show you

0:14:30.560 --> 0:14:33.040
<v Speaker 1>who you are and who you're who you expect yourself

0:14:33.080 --> 0:14:36.120
<v Speaker 1>to be. And then I get some use out of

0:14:36.120 --> 0:14:39.000
<v Speaker 1>the feeling. So we're gonna do one final break care

0:14:39.160 --> 0:14:51.000
<v Speaker 1>and come right back, and we're back. You know. As

0:14:51.040 --> 0:14:55.080
<v Speaker 1>funny as I find awkward situations, especially the ones that

0:14:55.120 --> 0:14:58.080
<v Speaker 1>you put yourself into in the book, I think the

0:14:58.120 --> 0:15:01.880
<v Speaker 1>book's overarching theme is a really beautiful one. And I

0:15:01.920 --> 0:15:04.320
<v Speaker 1>want to read a short paragraph from the introduction that

0:15:04.360 --> 0:15:06.680
<v Speaker 1>I think sums up the whole message of the book.

0:15:06.880 --> 0:15:09.440
<v Speaker 1>You can tell me if you dispute that after after

0:15:10.440 --> 0:15:13.640
<v Speaker 1>so here it is, Melissa wrote, the things that make

0:15:13.680 --> 0:15:17.120
<v Speaker 1>you cringe are usually the things worth sharing because they

0:15:17.120 --> 0:15:20.800
<v Speaker 1>can help others feel less alone. It's an understandable reaction

0:15:20.920 --> 0:15:23.640
<v Speaker 1>to flee the situation that makes you cringe, But what

0:15:23.680 --> 0:15:26.760
<v Speaker 1>if you could teach yourself to tolerate it. You could

0:15:26.960 --> 0:15:30.000
<v Speaker 1>maybe learn to use the empathy as a portal to

0:15:30.160 --> 0:15:34.280
<v Speaker 1>compassion for other people, and for yourself. Looked at in

0:15:34.320 --> 0:15:37.840
<v Speaker 1>a certain light, cringing becomes a worthwhile feeling in emotion,

0:15:37.880 --> 0:15:42.640
<v Speaker 1>worth exploring, not avoiding. Little humiliations can bring people together

0:15:42.800 --> 0:15:46.200
<v Speaker 1>if we let them. The ridiculous in me honors the

0:15:46.320 --> 0:15:50.600
<v Speaker 1>ridiculous in you. I love that. I love that way

0:15:50.640 --> 0:15:52.680
<v Speaker 1>of looking at it, and I think it's part of

0:15:52.680 --> 0:15:55.640
<v Speaker 1>why I love awkwardness, because it's not about making fun

0:15:55.680 --> 0:16:00.760
<v Speaker 1>of anyone. It's about seeing our common humanity. Yeah. I agree.

0:16:00.800 --> 0:16:03.280
<v Speaker 1>I wasn't expecting to get this kind of common humanity

0:16:03.400 --> 0:16:06.800
<v Speaker 1>vibe out of something as as silly as awkwardness, but

0:16:06.840 --> 0:16:10.800
<v Speaker 1>I truly, truly did. Um. It's just like it's something

0:16:10.800 --> 0:16:14.320
<v Speaker 1>we all experience. It's something that can bring us together

0:16:14.360 --> 0:16:15.840
<v Speaker 1>if if you, if you look at it in the

0:16:15.960 --> 0:16:19.400
<v Speaker 1>right light. So now you have a whole chapter in

0:16:19.440 --> 0:16:22.800
<v Speaker 1>the book about awkwardness at work, which of course I loved.

0:16:23.400 --> 0:16:25.920
<v Speaker 1>And you opened that chapter by talking about an Ask

0:16:25.920 --> 0:16:28.720
<v Speaker 1>a Manager letter where someone had been working from home

0:16:28.840 --> 0:16:32.280
<v Speaker 1>because of a snowstorm and they're on a conference call

0:16:32.360 --> 0:16:36.640
<v Speaker 1>with their coworkers and suddenly their roommate, who was also

0:16:36.680 --> 0:16:39.880
<v Speaker 1>at home due to the weather, started having sex with

0:16:39.960 --> 0:16:43.840
<v Speaker 1>his girlfriend. In the next room loud sex and the

0:16:43.920 --> 0:16:46.880
<v Speaker 1>people on the work conference call could hear it. And

0:16:46.920 --> 0:16:49.320
<v Speaker 1>then after my letter writer got back to the office,

0:16:49.440 --> 0:16:53.000
<v Speaker 1>some coworkers were even avoiding them because they figured that

0:16:53.000 --> 0:16:55.800
<v Speaker 1>they had been openly watching porn on the call and

0:16:55.880 --> 0:16:59.160
<v Speaker 1>felt really uncomfortable. It doesn't get much more awkward than that.

0:16:59.240 --> 0:17:02.720
<v Speaker 1>So I love that you opened the work chapter with that. Yeah,

0:17:02.800 --> 0:17:06.199
<v Speaker 1>I mean, I think, especially there's so much awkwardness in

0:17:06.480 --> 0:17:11.840
<v Speaker 1>remote working situations. Um. Yeah, that that letter was so good.

0:17:11.880 --> 0:17:14.440
<v Speaker 1>It was so bad because it was like, what were

0:17:14.520 --> 0:17:17.080
<v Speaker 1>you supposed to tell that person? The letter writer like,

0:17:17.400 --> 0:17:21.120
<v Speaker 1>it's like if you usually the answer is to be direct,

0:17:21.200 --> 0:17:25.880
<v Speaker 1>but in this situation, like, would that have made it worse? Maybe? Right? Yeah,

0:17:25.920 --> 0:17:28.680
<v Speaker 1>because you have to be direct and sort of introduced

0:17:28.720 --> 0:17:31.840
<v Speaker 1>sex into the conversation, which were so trained to not

0:17:32.000 --> 0:17:34.720
<v Speaker 1>most of us are trained to not do at work. Yeah.

0:17:34.920 --> 0:17:37.640
<v Speaker 1>My advice to the person ultimately was, I think, yeah,

0:17:37.680 --> 0:17:40.440
<v Speaker 1>if if they were assuming that you were watching porn,

0:17:40.520 --> 0:17:43.119
<v Speaker 1>it's better to to speak up and correct that than

0:17:43.160 --> 0:17:45.240
<v Speaker 1>to let them go on thinking that. And actually the

0:17:45.280 --> 0:17:48.560
<v Speaker 1>person set in an update later took the advice, did

0:17:48.600 --> 0:17:50.760
<v Speaker 1>tell people what was going on, and everyone had a

0:17:50.760 --> 0:17:54.080
<v Speaker 1>good laugh about it, admitted that yes, indeed, they had

0:17:54.119 --> 0:17:56.680
<v Speaker 1>thought the person was watching porn openly on a work

0:17:56.760 --> 0:17:59.520
<v Speaker 1>conference call. I felt much better once they knew it

0:17:59.520 --> 0:18:01.040
<v Speaker 1>was really going on, and then it just turned into

0:18:01.040 --> 0:18:04.440
<v Speaker 1>an office joke. Yeah, that was such a good one.

0:18:04.480 --> 0:18:08.040
<v Speaker 1>But it's so funny how many of people who write

0:18:08.080 --> 0:18:10.840
<v Speaker 1>into Ask a Manager are are dealing with some kind

0:18:10.840 --> 0:18:14.640
<v Speaker 1>of like fear of awkwardness, some kind of like it's

0:18:14.680 --> 0:18:16.760
<v Speaker 1>such a running theme, and I think that's why I

0:18:16.800 --> 0:18:19.360
<v Speaker 1>love your side so much. That's why I love doing it.

0:18:20.440 --> 0:18:23.560
<v Speaker 1>I think work is especially prone to awkwardness in some ways.

0:18:23.600 --> 0:18:26.000
<v Speaker 1>And part of it goes back to what you're saying

0:18:26.040 --> 0:18:29.600
<v Speaker 1>about awkwardness being what happens when the face that you

0:18:29.640 --> 0:18:32.720
<v Speaker 1>want to show to the world slips. Because work is

0:18:32.760 --> 0:18:35.320
<v Speaker 1>generally a place where we're really trying to have a

0:18:35.359 --> 0:18:39.399
<v Speaker 1>professional persona on, so there's a lot of room for

0:18:39.440 --> 0:18:42.080
<v Speaker 1>it to slip, Like there's further to fall then there

0:18:42.160 --> 0:18:45.360
<v Speaker 1>might be in a non work situation, if that makes sense, right.

0:18:45.440 --> 0:18:49.800
<v Speaker 1>And it's like there are rules, like there are rules

0:18:49.840 --> 0:18:54.119
<v Speaker 1>that govern how you behave but there's not, but in

0:18:54.160 --> 0:18:58.040
<v Speaker 1>some situations there aren't, and so there are these gray areas.

0:18:58.080 --> 0:19:01.920
<v Speaker 1>But then it's a place that like, yeah, I think

0:19:01.960 --> 0:19:06.359
<v Speaker 1>I think the workplace is particularly prone to awkwardness. And

0:19:06.400 --> 0:19:09.840
<v Speaker 1>I think you're right. There's all these unwritten rules about

0:19:09.840 --> 0:19:12.800
<v Speaker 1>how to conduct yourself, and it's people don't always know

0:19:12.920 --> 0:19:15.840
<v Speaker 1>exactly what they are or exactly what the nuance of

0:19:15.880 --> 0:19:18.879
<v Speaker 1>those rules are, and it's so easy to run a

0:19:19.000 --> 0:19:21.520
<v Speaker 1>foul of them if you even know what they are

0:19:21.560 --> 0:19:25.080
<v Speaker 1>in the first place, which not everyone does. And you're

0:19:25.119 --> 0:19:27.320
<v Speaker 1>thrown together with people you might not be the most

0:19:27.400 --> 0:19:30.840
<v Speaker 1>comfortable social fit with, which is another element I think

0:19:30.840 --> 0:19:34.040
<v Speaker 1>that ups the chances of awkward encounters. I don't know.

0:19:34.119 --> 0:19:37.120
<v Speaker 1>Work is really awkward in so many different ways. Yeah,

0:19:37.200 --> 0:19:40.359
<v Speaker 1>it's a it's a weird place. And it does really

0:19:40.440 --> 0:19:43.080
<v Speaker 1>matter in this situation what people think of you and

0:19:43.840 --> 0:19:47.320
<v Speaker 1>what people's opinion of you is. So it's like you

0:19:47.320 --> 0:19:49.560
<v Speaker 1>can tell yourself in other situations like, oh, like it

0:19:49.560 --> 0:19:52.280
<v Speaker 1>doesn't it doesn't matter what what are the people think

0:19:52.280 --> 0:19:54.439
<v Speaker 1>of me? But it does matter at work and a

0:19:54.480 --> 0:19:58.639
<v Speaker 1>lot of situations. So yeah, this mistakes are really high. Yeah,

0:19:58.840 --> 0:20:01.240
<v Speaker 1>you can't just decide oh well, maybe my co workers

0:20:01.280 --> 0:20:03.840
<v Speaker 1>did think I was openly listening to watching or watching

0:20:03.840 --> 0:20:06.680
<v Speaker 1>porn on the conference call, so be it. I mean

0:20:06.720 --> 0:20:09.080
<v Speaker 1>that you have to address it. But then how no

0:20:09.119 --> 0:20:11.280
<v Speaker 1>one teaches you how to address something like that. What

0:20:11.320 --> 0:20:13.959
<v Speaker 1>do you think, like, because it's one thing to just say,

0:20:14.119 --> 0:20:16.720
<v Speaker 1>you know, just just have the awkward conversation. But do

0:20:16.760 --> 0:20:19.200
<v Speaker 1>you do you think that like there are ways people

0:20:19.960 --> 0:20:21.880
<v Speaker 1>can learn how to get better at it, or can

0:20:22.160 --> 0:20:25.320
<v Speaker 1>can learn how to address uncomfortable things, or do you

0:20:25.320 --> 0:20:27.840
<v Speaker 1>think it's just a matter of just doing it. This

0:20:27.880 --> 0:20:29.960
<v Speaker 1>is just the perfect setup for me to pitch my book,

0:20:31.000 --> 0:20:34.160
<v Speaker 1>which is all about how to have uncomfortable conversations at work.

0:20:34.240 --> 0:20:39.520
<v Speaker 1>But I think a lot of it is finding a

0:20:39.560 --> 0:20:41.679
<v Speaker 1>way to be really matter of fact, like one of

0:20:41.720 --> 0:20:44.439
<v Speaker 1>the things that feels so uncomfortable. But the prospect of

0:20:44.480 --> 0:20:49.199
<v Speaker 1>these conversations is they feel so emotionally fraught. And the

0:20:49.320 --> 0:20:52.280
<v Speaker 1>more you can talk about it, whatever it is, in

0:20:52.320 --> 0:20:55.879
<v Speaker 1>a very matter of fact way, using the same tone

0:20:56.080 --> 0:20:59.120
<v Speaker 1>that you would use to say, hey, I can't get

0:20:59.160 --> 0:21:02.880
<v Speaker 1>this printer cartridge to work, the closer you can get

0:21:02.920 --> 0:21:06.199
<v Speaker 1>to that, probably the less awkward it's going to be.

0:21:06.280 --> 0:21:08.720
<v Speaker 1>Not always, I mean, some things are just going to

0:21:08.720 --> 0:21:11.400
<v Speaker 1>be awkward and there's no way around that. And all

0:21:11.440 --> 0:21:13.360
<v Speaker 1>you can do is just plunge in and get through it.

0:21:13.840 --> 0:21:16.639
<v Speaker 1>But a lot you can minimize a lot of awkwardness,

0:21:16.680 --> 0:21:18.359
<v Speaker 1>I think by being a matter of fact, and people

0:21:18.400 --> 0:21:21.439
<v Speaker 1>will take their cues from you. If you approach a

0:21:21.480 --> 0:21:25.080
<v Speaker 1>conversation and you seem really tense and really worried, you know,

0:21:25.119 --> 0:21:27.480
<v Speaker 1>you've been up for two nights dreading this conversation, and

0:21:27.560 --> 0:21:31.520
<v Speaker 1>it shows people are going to feel really awkward because

0:21:31.680 --> 0:21:35.159
<v Speaker 1>you're signaling to them that this is worthy of a

0:21:35.160 --> 0:21:39.280
<v Speaker 1>lot of stress intention But if you're pretty calm about it,

0:21:39.280 --> 0:21:42.199
<v Speaker 1>it will usually go better. Not always, um, But I

0:21:42.240 --> 0:21:46.840
<v Speaker 1>also think there's real value I think in accepting you

0:21:46.840 --> 0:21:49.600
<v Speaker 1>know what, Sometimes it's just going to be awkward, and

0:21:49.680 --> 0:21:53.160
<v Speaker 1>that's not a reason to not have the conversation. That's

0:21:53.160 --> 0:21:54.960
<v Speaker 1>a reason to maybe feel weird about it and to

0:21:55.040 --> 0:21:57.240
<v Speaker 1>feel you might feel a little anxious about it, but

0:21:57.320 --> 0:21:59.159
<v Speaker 1>it's not a reason to not do it. And I

0:21:59.160 --> 0:22:02.960
<v Speaker 1>think so often and people interpret that feeling as awkwardness

0:22:03.000 --> 0:22:05.199
<v Speaker 1>as being a flag that they shouldn't even be in

0:22:05.200 --> 0:22:09.400
<v Speaker 1>that conversation. And sometimes that's true, but not always. Yeah,

0:22:09.560 --> 0:22:12.320
<v Speaker 1>just to me, it's it's a signal that this is

0:22:12.359 --> 0:22:15.240
<v Speaker 1>something we probably need need to pay more attention to,

0:22:15.400 --> 0:22:19.840
<v Speaker 1>not less attention. Too often, not always been, but often yes, Yeah,

0:22:19.880 --> 0:22:21.560
<v Speaker 1>I mean times when I think that wouldn't be true

0:22:21.600 --> 0:22:23.800
<v Speaker 1>would be like if you were overstepping your boundaries and

0:22:23.880 --> 0:22:26.760
<v Speaker 1>having an awkward conversation with someone about like their reproductive

0:22:26.760 --> 0:22:30.960
<v Speaker 1>plans and another doctor. But but in a lot of cases,

0:22:31.000 --> 0:22:33.800
<v Speaker 1>I think you're right. The fact that you are having

0:22:33.800 --> 0:22:36.240
<v Speaker 1>these emotions about it means there's something there that you've

0:22:36.280 --> 0:22:39.439
<v Speaker 1>got to dig into and sort out exactly exactly, And

0:22:39.520 --> 0:22:41.520
<v Speaker 1>it's kind of it's kind of like a it's like

0:22:41.560 --> 0:22:44.919
<v Speaker 1>a painful self consciousness or self awareness. I think the

0:22:44.960 --> 0:22:48.840
<v Speaker 1>feeling of awkwardness is. But it's it's yeah to me,

0:22:48.920 --> 0:22:52.240
<v Speaker 1>I really, I really think it's so important to you

0:22:52.280 --> 0:22:54.160
<v Speaker 1>have to dig into it and listen to it and

0:22:54.320 --> 0:22:57.080
<v Speaker 1>what is it trying to tell? You? Yeah. I always

0:22:57.119 --> 0:22:58.880
<v Speaker 1>feel like one of the best things that people can

0:22:58.920 --> 0:23:01.240
<v Speaker 1>do for their quality of life at work but also

0:23:01.359 --> 0:23:04.119
<v Speaker 1>just in life in general, is to just make a

0:23:04.160 --> 0:23:08.639
<v Speaker 1>conscious decision to embrace the awkward. Because we all have

0:23:08.760 --> 0:23:12.560
<v Speaker 1>horribly awkward moments that we then cringe over later on,

0:23:12.600 --> 0:23:14.840
<v Speaker 1>and I don't think that's going to stop. But there

0:23:14.960 --> 0:23:19.560
<v Speaker 1>is real joy and real liberation and just embracing how

0:23:19.560 --> 0:23:22.280
<v Speaker 1>awkward we all are and and finding it funny. And

0:23:22.320 --> 0:23:23.879
<v Speaker 1>I it can be hard to do that, but I

0:23:23.920 --> 0:23:28.080
<v Speaker 1>think when you find your way there, it's such a relief. Yeah,

0:23:28.200 --> 0:23:30.880
<v Speaker 1>that's that's another thing I read about in the book.

0:23:30.920 --> 0:23:32.760
<v Speaker 1>I really believe that too, Like if you can kind

0:23:32.760 --> 0:23:35.800
<v Speaker 1>of I mean, I feel like I'm a lesson I'm

0:23:35.840 --> 0:23:37.800
<v Speaker 1>having to learn over and over again in life, is

0:23:37.840 --> 0:23:40.880
<v Speaker 1>to just lighten up and nothing take things so seriously,

0:23:40.960 --> 0:23:44.000
<v Speaker 1>including myself. But um, but that really is part of

0:23:44.000 --> 0:23:48.040
<v Speaker 1>the key to dealing with self consciousness and awkward moments

0:23:48.119 --> 0:23:53.200
<v Speaker 1>is just to somehow lighten up and try to try

0:23:53.240 --> 0:23:57.920
<v Speaker 1>to just like take some joy in just the absurdity

0:23:57.960 --> 0:24:00.960
<v Speaker 1>of being human. Yeah, that was something I kind of

0:24:01.400 --> 0:24:04.879
<v Speaker 1>ended up learning through writing the book for sure. I

0:24:04.920 --> 0:24:07.720
<v Speaker 1>love that. Well, that is the show. Thank you for

0:24:07.760 --> 0:24:10.159
<v Speaker 1>coming on and talking with us. Yeah, thank you so

0:24:10.240 --> 0:24:13.520
<v Speaker 1>much for having me. Melissa's book is called Cringe Worthy,

0:24:13.640 --> 0:24:16.280
<v Speaker 1>A Theory of Awkwardness, and you can order it on

0:24:16.320 --> 0:24:19.320
<v Speaker 1>Amazon or wherever books are sold, and you can read

0:24:19.359 --> 0:24:21.520
<v Speaker 1>more of her work at New York Magazine, where she

0:24:21.560 --> 0:24:24.879
<v Speaker 1>writes the Science of Us column. For The Cut, it

0:24:24.960 --> 0:24:27.399
<v Speaker 1>was such a pleasure to have you. Thank you so much,

0:24:27.480 --> 0:24:30.159
<v Speaker 1>Thank you for having me. Thanks for listening to the

0:24:30.200 --> 0:24:32.080
<v Speaker 1>Ask a Manager Podcast. If you'd like to come on

0:24:32.119 --> 0:24:34.040
<v Speaker 1>the show to talk through your own question, email it

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<v Speaker 1>to podcast at Asking manager dot org, or you can

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<v Speaker 1>five six work. That's eight five ft six nine seven five.

0:24:44.560 --> 0:24:46.359
<v Speaker 1>You can get more ask a Manager at ask a

0:24:46.359 --> 0:24:48.800
<v Speaker 1>Manager dot org or in my book Ask a Manager

0:24:48.880 --> 0:24:51.760
<v Speaker 1>How to Navigate clueless colleagues, lunch stealing bosses, and the

0:24:51.800 --> 0:24:53.919
<v Speaker 1>rest of your life at work. The Ask a Manager

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<v Speaker 1>Show is a partnership with how Stuff Works and is

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<v Speaker 1>produced by Paul Deckett. If you liked what you heard,

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<v Speaker 1>please take a minute to subscribe and review the show

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<v Speaker 1>on Apple Podcasts, Spotify or Google Play. I'm Alison Green

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<v Speaker 1>and I'll be back next week with another one of

0:25:06.359 --> 0:25:07.520
<v Speaker 1>your questions. M