WEBVTT - Episode 464 | Kate Winslow

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<v Speaker 1>Ollian doctor h welcome back.

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<v Speaker 2>Yes, yes, we had to sage this entire office of

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<v Speaker 2>the impurities that happened yesterday.

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<v Speaker 3>Man, yeah, what the fun was going on? All I

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<v Speaker 3>saw was a clip I left early yesterday. I see

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<v Speaker 3>one clip and I'm like, these niggas hornt out.

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<v Speaker 4>Well, you know we had Fredo Bang was here yes

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<v Speaker 4>to bring most hated to available now your DSPs, yes

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<v Speaker 4>right now.

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<v Speaker 1>Uh yeah, a good good guy.

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<v Speaker 4>Afraida was here and Major was here yesterday and he

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<v Speaker 4>was just you know, explaining the Major some of his

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<v Speaker 4>you know, his utilities and his abilities. Yes, in the

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<v Speaker 4>in the bedroom, which that was all the art of

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<v Speaker 4>love makings, the art of love making, that's what.

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<v Speaker 1>That's all he was explaining.

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<v Speaker 5>Was the whole interview like that, or I mean we.

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<v Speaker 1>Talked about music.

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<v Speaker 2>Yeah, but anytime we got some music it somehow got

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<v Speaker 2>turned into an OnlyFans girl or porn Starred was letting

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<v Speaker 2>us know he's a content sore.

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<v Speaker 1>Yes, uh he he he.

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<v Speaker 4>He delves deep into the o f uh genre of

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<v Speaker 4>entertainment and the porn genre of entertainment. So he was

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<v Speaker 4>just letting us know, like some of his favorite uh

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<v Speaker 4>creators and innovators in those worlds, that's all.

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<v Speaker 2>Which I think in the content world is a perfect

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<v Speaker 2>lane for him.

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<v Speaker 1>He should be the stephen A of the porn and only.

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<v Speaker 2>Fans absolutely, absolutely, I know they leak a lot of

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<v Speaker 2>shit on Reddit. He could, he could stop, give the creators,

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<v Speaker 2>you know, more empowerment, and he could do his skip

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<v Speaker 2>stephen A type thing with with the only fans world.

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<v Speaker 4>Absolutely, but we know what we're to pay for. A

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<v Speaker 4>new not to pay for. Most importantly, most Hated to

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<v Speaker 4>is available now, baby, And when we want to talk

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<v Speaker 4>about that, we just went back. We're back sponsored by

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<v Speaker 4>boost more unlimited talk text and yes, so please please

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<v Speaker 4>watch that fredal Bang episode.

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<v Speaker 1>Maybe not in the morning.

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<v Speaker 2>We did post a clip in the morning and all

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<v Speaker 2>the comments were like, it's not even.

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<v Speaker 1>A better way to wake up and gets the lymphatic

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<v Speaker 1>you know going.

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<v Speaker 4>You know, I mean, time you wake up with morning,

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<v Speaker 4>you got to just get it, get it good things

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<v Speaker 4>more and make sure you're still alive.

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<v Speaker 1>Make you're still with us, you know, the natural part

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<v Speaker 1>of life exactly.

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<v Speaker 3>Sometimes Sometimes Yo, my homeboy Cobby yesterday're like, hey, I

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<v Speaker 3>just want to let you know I'm seeing everything you

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<v Speaker 3>guys are doing on Netflix is so cool, YadA YadA.

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<v Speaker 5>But why don't you guys.

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<v Speaker 3>Give peage a mike? I said, we wouldn't last the year.

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<v Speaker 3>Oh you know, we wouldn't last year.

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<v Speaker 1>It'd be a great year. I want to make that very.

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<v Speaker 5>It'll be a great a great final walkout for sure.

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<v Speaker 1>We went last year, go out with a bang.

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<v Speaker 2>Yeah, we find out if we have like a few

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<v Speaker 2>months to live. We're just gonna put a camera and

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<v Speaker 2>mic on Peach. That's it, and we're gonna give him

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<v Speaker 2>the topics.

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<v Speaker 1>Like we just go the.

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<v Speaker 4>Camera mic on Peach as we're packing up the studio.

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<v Speaker 4>We're gonna get to break down the set while he's talking,

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<v Speaker 4>because that'll be the last episode ever.

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<v Speaker 5>Absolutely not.

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<v Speaker 2>I would let Peach speak at my funeral. Oh he

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<v Speaker 2>has to, that would be great. He absolutely love that.

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<v Speaker 1>He has to speak.

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<v Speaker 4>He has to, like he has to be like, you know,

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<v Speaker 4>I have the MC at the funeral, Like, yeah, the

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<v Speaker 4>one that's doing the entire that's peg at mins bro.

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<v Speaker 4>Because it's gonna be real quick, real short, get right

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<v Speaker 4>to the party after that.

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<v Speaker 1>That's how I wanted to keep.

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<v Speaker 5>Y'all with this party ship.

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<v Speaker 3>Y'all do know that it's selfish to expect us to

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<v Speaker 3>party when you die, Like.

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<v Speaker 1>That's that's selfish too, when I die.

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<v Speaker 5>It's selfish either way.

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<v Speaker 2>Like you can't tell it, you can't tell how to breathe.

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<v Speaker 3>You're dead, motherfucker. Like it doesn't matter what you want,

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<v Speaker 3>you're dead.

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<v Speaker 2>No, no, no, I mean I agree that, Like there's

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<v Speaker 2>only so much you could you'll be dead. People are

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<v Speaker 2>gonna do whatever they want to do. But I'm trying

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<v Speaker 2>to make it easier for everybody.

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<v Speaker 3>That's not easier for everybody. That's an unnat, Like crying

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<v Speaker 3>and stuff is natural. You want us to instead party?

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<v Speaker 3>It's that's unnatural. You want us called the repairs. Yeah,

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<v Speaker 3>that's the repass. That's that you said party at the

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<v Speaker 3>FU said, I don't want a funeral.

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<v Speaker 2>I just want I've rest in peace to my good

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<v Speaker 2>good friend DJ Clark Kent.

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<v Speaker 1>I had a blast at his repass.

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<v Speaker 3>Yes, he also had a funeral for sure, And you

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<v Speaker 3>said that you don't want a funeral, you just want

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<v Speaker 3>the party. So there's a balance between the repass and

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<v Speaker 3>the people have cried their eyes out, now they can

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<v Speaker 3>go party.

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<v Speaker 5>You want us to just straight party.

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<v Speaker 2>I thought I would get some credit for that, like

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<v Speaker 2>thanks Forroy for not being selfish. Where we all have

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<v Speaker 2>to sit here and speak about you, we could just

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<v Speaker 2>go celebrate your life.

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<v Speaker 1>Yeah, okay, baby, don't worry. I'll cry at your funeral.

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<v Speaker 3>Oh no, I would never sit up there and say,

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<v Speaker 3>oh I want I don't want you to cry for me.

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<v Speaker 3>I want you to party, not you. Nigga's better be offended, knee.

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<v Speaker 3>You want me to act a fool.

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<v Speaker 5>O yourself in the casket if you really love me.

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<v Speaker 3>Nigga, get in there with you, Yeah, climbing there with me.

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<v Speaker 1>Get in there with you. I get in there with you,

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<v Speaker 1>baby Jento.

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<v Speaker 3>Because you know my head is just swing out of

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<v Speaker 3>my neck like it is.

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<v Speaker 1>Just taking your head? What's sowing on your neck?

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<v Speaker 5>Ain't then how they don't?

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<v Speaker 1>They got to perform like hold you that?

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<v Speaker 3>No, because after the thing where they cut you open

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<v Speaker 3>and like see what.

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<v Speaker 2>You died from you, then they cut your head off

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<v Speaker 2>your body. Yes, they do not do that. I've never performed.

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<v Speaker 2>I have no idea.

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<v Speaker 1>I'm not going to sit here. I know anything about.

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<v Speaker 5>The law in order.

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<v Speaker 1>They don't.

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<v Speaker 5>When they perform the.

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<v Speaker 1>Head off and they put it back on.

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<v Speaker 2>The marriage, they do not cut your head off if

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<v Speaker 2>you dive natural causes your autops They are not just

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<v Speaker 2>cutting your head off. I'm sure if you had some

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<v Speaker 2>type of like throat cancer or something, they would start

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<v Speaker 2>to check what's going on there. But I don't think

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<v Speaker 2>they they chase your head off and hold it up

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<v Speaker 2>like this is nothing to check for. If you die

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<v Speaker 2>from throat cancer, they know why you die. Cut your

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<v Speaker 2>head off, don't. Don't they have to like take out organs. Again,

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<v Speaker 2>I'm not going to.

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<v Speaker 4>Tell you, I know about cut your chest from like

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<v Speaker 4>your chest cavity and open up your chest and you're

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<v Speaker 4>abdominant abdomen.

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<v Speaker 3>But if anything happens, like brain wise, anything, they gotta

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<v Speaker 3>like cut your breath.

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<v Speaker 5>Well, they don't cut you at your neck. They probably

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<v Speaker 5>cutting the scalp off right to check out your brain.

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<v Speaker 4>Yeah, but if you die from something, well, if you

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<v Speaker 4>suddenly obviously God forbid, if you just drop dead, and yes,

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<v Speaker 4>they'll perform an op topic autopsic to see what happened.

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<v Speaker 1>But they don't cut your head off.

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<v Speaker 4>They can like cut your skull, like open up your

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<v Speaker 4>skull without cutting your detaching your head from your bodies.

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<v Speaker 1>Know what I'm saying, your head will.

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<v Speaker 4>Stay intact's modern technology. Yeah, we'll stay. You're not franking style,

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<v Speaker 4>like you not the bride or freaking stock. Maybe don't

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<v Speaker 4>they cut your head off? That's looking crazy.

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<v Speaker 2>I always said I want to be cremated, but I

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<v Speaker 2>strangely have one other request that could be kind of funny,

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<v Speaker 2>like donating my body to like n YU, so like

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<v Speaker 2>hungover doctorate students can just just fuck around with you.

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<v Speaker 1>It could be kind of funny. Yeah, no, I don't

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<v Speaker 1>want that. Don't touch me. You don't want to hungover students? No,

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<v Speaker 1>don't touch me. Learn to learn the science.

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<v Speaker 5>I'm donating my whole body to science.

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<v Speaker 1>Okay, real, what do you think they'll figure out? And whatever?

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<v Speaker 5>They don't want? Just creamate?

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<v Speaker 1>Do you are you an organ on you?

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<v Speaker 5>I am a I am an organ donor.

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<v Speaker 3>Black people have this theory that if you're an organ donor,

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<v Speaker 3>they don't work as hard in the hospital to save

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<v Speaker 3>your life.

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<v Speaker 1>So you still decided to check organ donor.

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<v Speaker 5>My best friend died from she needed a kidney transplant.

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<v Speaker 1>So yeah, would you give the marri kidney you got?

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<v Speaker 1>Match would not give me his kidney kidney? Good? I

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<v Speaker 1>don't know.

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<v Speaker 5>Wouldn't give me Drake tickets. You think he gonna give

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<v Speaker 5>me a kidney.

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<v Speaker 1>That's true, Nah, but it's different. Drake tickets is different.

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<v Speaker 5>You still have Instagram. I got them.

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<v Speaker 3>Somebody else boughtom for me. Every bad bitch on Instagram

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<v Speaker 3>got Drake tickets that year.

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<v Speaker 2>Well, that person should give you the kidney. Well they

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<v Speaker 2>got rid of the kidneys when they got a BBL.

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<v Speaker 1>So is that how it works? No, they can't get

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<v Speaker 1>rid of and your kidney.

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<v Speaker 2>I'm the kidney, I promise kidney. Just the whole stash

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<v Speaker 2>house of BdL. Kidney's just sitting in a warehouse somewhere.

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<v Speaker 4>Shout out to Bernie's Burgo. She says, she's a no, no, no.

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<v Speaker 4>She says she's getting rid of her bb She's getting reduction.

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<v Speaker 1>Yes, yeah, she's reducing her her BBL. She said.

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<v Speaker 4>You know, as she gets older, it's complications, I think,

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<v Speaker 4>and things like that.

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<v Speaker 3>But a great grandmother with all that ass she looks

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<v Speaker 3>great though, she still looks dropped that gorgeous.

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<v Speaker 1>She had great work done.

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<v Speaker 2>But I mean I did see a lot of girls

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<v Speaker 2>that went crazy with the bbls and like the twenty

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<v Speaker 2>eleven twelves, get reductions when it stopped being as popular. Yeah,

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<v Speaker 2>like they're just really trying to keep up. The way

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<v Speaker 2>we've changed from skating jeans to baggy is like the

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<v Speaker 2>way chicks are dealing with their butts right now. Crazy

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<v Speaker 2>vbl is not in fashion anymore.

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<v Speaker 1>Yeah, they don't even don't that no more.

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<v Speaker 4>It's the gym girlies now true, that's what's hot girls

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<v Speaker 4>that's in the gym shout out to Tiana.

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<v Speaker 1>Tianna started that wave though with her faded video. Was

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<v Speaker 1>that fa But.

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<v Speaker 2>Tiana has a I mean it's respectfully a one of

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<v Speaker 2>one body that I don't know can really be it.

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<v Speaker 4>I don't even think Tiana without Jesus Christy. Yeah, I

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<v Speaker 4>don't even think Tiana works out. That's the crazy part.

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<v Speaker 1>Tianna has had that shape since she was like sixteen

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<v Speaker 1>years old.

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<v Speaker 2>I just think that's something that's given to you by

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<v Speaker 2>by a higher power. Yeah, you can't work to get there, No,

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<v Speaker 2>I can't work, can't do that nothing.

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<v Speaker 1>After Michael B.

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<v Speaker 4>Jordan, he won Best Actor, right did he win at

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<v Speaker 4>the at the UH at the SAG Awards, I think

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<v Speaker 4>he won Actor of the Year.

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<v Speaker 2>Was this the same same one as the turettor towards. No,

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<v Speaker 2>he's awards.

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<v Speaker 1>Did that gentleman stay home at the SAG awards.

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<v Speaker 5>No, this is the act to sag after awards.

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<v Speaker 1>Sack after awards. Uh? He won? Was it? It was

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<v Speaker 1>it Actor of the Year.

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<v Speaker 4>Yes, Standing Performance by a male actor in a leading

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<v Speaker 4>role for his dual performance as twin Brothers and Centers.

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<v Speaker 4>So if he didn't win with like was he nominated twice?

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<v Speaker 4>Since it was two roles, he shouldn't, right, But no?

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<v Speaker 4>So oh, Mike, I see what she did. He ragged

0:09:41.840 --> 0:09:44.480
<v Speaker 4>the system. They had to nominate you twice like money

0:09:44.559 --> 0:09:47.720
<v Speaker 4>y'all was gonna win. Yeah, whether it was smoke was

0:09:47.720 --> 0:09:49.040
<v Speaker 4>a smoking stack, that.

0:09:49.080 --> 0:09:50.600
<v Speaker 5>Was the name, smoking stacks.

0:09:50.320 --> 0:09:53.600
<v Speaker 1>Smoking, Lindsay Lohan walks. So Michael B. Jordan, Yeah, man,

0:09:53.679 --> 0:09:55.520
<v Speaker 1>but shout out to Michael B. Jordan. I think he uh.

0:09:55.640 --> 0:09:58.920
<v Speaker 5>Playing Eddie Murphy face. You're right, thank you.

0:09:59.040 --> 0:10:00.240
<v Speaker 1>What comes to America.

0:10:00.840 --> 0:10:01.559
<v Speaker 5>Coming to America?

0:10:01.640 --> 0:10:04.880
<v Speaker 1>The Clumps, which were coming to America came.

0:10:04.760 --> 0:10:06.920
<v Speaker 2>Before the Clumps, I know, but I'm saying him and

0:10:07.000 --> 0:10:08.640
<v Speaker 2>Arsenio played every role in that movie.

0:10:08.720 --> 0:10:09.720
<v Speaker 5>Yeah, clumb.

0:10:10.160 --> 0:10:11.920
<v Speaker 3>What I'm saying is the Clumps is I think he

0:10:12.000 --> 0:10:14.440
<v Speaker 3>played the most characters he ever played. I think that

0:10:14.440 --> 0:10:16.320
<v Speaker 3>any actors ever played, because I think there was around

0:10:16.360 --> 0:10:18.120
<v Speaker 3>seven in the Clumps.

0:10:18.160 --> 0:10:21.440
<v Speaker 1>I've seen the whole play like six and Nutty Professor. Sorry,

0:10:21.679 --> 0:10:24.400
<v Speaker 1>I've seen the whole play like six in uh, I

0:10:24.440 --> 0:10:26.400
<v Speaker 1>think coming six or seven and coming to I think

0:10:26.440 --> 0:10:28.599
<v Speaker 1>he was every character in the barbershop.

0:10:28.240 --> 0:10:30.920
<v Speaker 4>I've seen at home. Yeah, no, he was. He was

0:10:31.000 --> 0:10:32.200
<v Speaker 4>one character in the barber shop.

0:10:32.640 --> 0:10:35.400
<v Speaker 1>He was the barber, and he was well not himself.

0:10:35.040 --> 0:10:37.360
<v Speaker 4>But no, Eddie Murphy was two characters in. He was

0:10:37.360 --> 0:10:40.000
<v Speaker 4>a Jewish guy in the barber I senior hole was

0:10:40.040 --> 0:10:40.600
<v Speaker 4>just the barber.

0:10:41.120 --> 0:10:43.760
<v Speaker 1>Okay, yeah, Eddie being the Jewish I was crazy.

0:10:44.320 --> 0:10:46.480
<v Speaker 4>I just saw a video and I said every morning

0:10:46.480 --> 0:10:48.360
<v Speaker 4>he had to city make up for like four hours.

0:10:48.600 --> 0:10:50.320
<v Speaker 1>I looked at the transform him to that.

0:10:50.400 --> 0:10:52.360
<v Speaker 4>But that was like iconic back then because you know,

0:10:52.400 --> 0:10:54.160
<v Speaker 4>a lot of people didn't know that was Eddie for years.

0:10:54.200 --> 0:10:54.440
<v Speaker 1>Yeah.

0:10:54.480 --> 0:10:54.880
<v Speaker 5>I didn't.

0:10:54.920 --> 0:10:55.720
<v Speaker 1>Oh no, I didn't.

0:10:56.320 --> 0:10:58.360
<v Speaker 2>I didn't know probably untill sort of recently, like within

0:10:58.360 --> 0:10:59.120
<v Speaker 2>the last ten years.

0:10:59.600 --> 0:11:00.920
<v Speaker 4>Like a lot of people didn't know for years if

0:11:00.920 --> 0:11:03.520
<v Speaker 4>that was Eddie Murphy. And that was in the Comes

0:11:03.600 --> 0:11:05.080
<v Speaker 4>Merca was the eighties, right, Yeah, that was in the

0:11:05.120 --> 0:11:09.480
<v Speaker 4>eighties eighties, So to have makeup done to where they

0:11:09.520 --> 0:11:12.600
<v Speaker 4>don't can't even tell it's you in the eighties incredible.

0:11:12.800 --> 0:11:14.640
<v Speaker 2>I mean now it would be considered anti semitic because

0:11:14.679 --> 0:11:17.600
<v Speaker 2>he looked like a propaganda poster exactly neither here nor there, right.

0:11:18.480 --> 0:11:21.120
<v Speaker 1>But the funniest story from coming to America BTS.

0:11:20.800 --> 0:11:23.160
<v Speaker 2>To me was that our Simeo and Eddie after they

0:11:23.360 --> 0:11:25.880
<v Speaker 2>would shoot would just go to the club still dressed

0:11:26.360 --> 0:11:30.240
<v Speaker 2>the same way, like they would show up as princess

0:11:30.280 --> 0:11:32.559
<v Speaker 2>in the club in New York City.

0:11:36.800 --> 0:11:38.640
<v Speaker 4>I would definitely do that, like you fuck it, I'm

0:11:38.640 --> 0:11:40.280
<v Speaker 4>out leaving the set whatever got.

0:11:40.160 --> 0:11:41.359
<v Speaker 1>On this big ass.

0:11:42.760 --> 0:11:45.000
<v Speaker 4>Going to the club. Absolutely, but shout out to Michael B.

0:11:45.080 --> 0:11:47.880
<v Speaker 4>Jordan definitely deserved that Centers was a great movie. Uh,

0:11:48.040 --> 0:11:50.240
<v Speaker 4>And I loved everything that they gearing Michaeil be Jordan.

0:11:50.320 --> 0:11:52.440
<v Speaker 4>He's definitely, like you could tell, gearing him up to

0:11:52.440 --> 0:11:56.680
<v Speaker 4>be the next one in Hollywood, the next best black

0:11:56.800 --> 0:11:58.199
<v Speaker 4>male actor in Hollywood.

0:11:58.559 --> 0:11:59.160
<v Speaker 1>Well deserved.

0:11:59.440 --> 0:12:01.280
<v Speaker 2>Before we get to New Music Friday, because there's a

0:12:01.280 --> 0:12:03.960
<v Speaker 2>lot coming out as you're hearing this, I do want

0:12:04.000 --> 0:12:06.320
<v Speaker 2>to press mall because Twitter told me so. I know

0:12:06.360 --> 0:12:08.719
<v Speaker 2>it's a fact Elon would never lie to me. There

0:12:08.760 --> 0:12:10.840
<v Speaker 2>wasn't it. There wasn't a community note. It's said that

0:12:10.920 --> 0:12:12.719
<v Speaker 2>jay Z is dropping an album on April third, m

0:12:13.640 --> 0:12:16.719
<v Speaker 2>featuring Beyonce, Travis Scott, and I think somebody else mm

0:12:16.760 --> 0:12:22.200
<v Speaker 2>hmm okay, right, no, like I don't know shit, all right,

0:12:22.400 --> 0:12:23.120
<v Speaker 2>blink blink twice.

0:12:23.200 --> 0:12:25.000
<v Speaker 3>No, no, no, no, no, this is how no mall lion.

0:12:25.240 --> 0:12:27.119
<v Speaker 3>You see what I'm saying because I keep up with niggas.

0:12:27.400 --> 0:12:30.080
<v Speaker 3>Any other time we've asked you anything about Jay, you'd

0:12:30.080 --> 0:12:32.199
<v Speaker 3>be like, man, Jay not rapping, Jay.

0:12:32.080 --> 0:12:35.480
<v Speaker 5>Not releasing the album. He'd he'd be throw So sure.

0:12:35.559 --> 0:12:36.079
<v Speaker 5>Now it's I.

0:12:36.000 --> 0:12:38.160
<v Speaker 3>Don't know nothing. I don't know nothing, you don't never

0:12:38.280 --> 0:12:39.640
<v Speaker 3>know ship, but still speak on it.

0:12:39.800 --> 0:12:41.360
<v Speaker 1>I'm just I'm speaking on it. I don't know. I

0:12:41.360 --> 0:12:43.160
<v Speaker 1>don't know if he's dropping an album on April third,

0:12:43.280 --> 0:12:43.640
<v Speaker 1>You don't know.

0:12:44.240 --> 0:12:46.040
<v Speaker 3>You don't know if he's dropping out my April third.

0:12:46.760 --> 0:12:48.360
<v Speaker 3>So is he dropping an album period?

0:12:48.640 --> 0:12:49.120
<v Speaker 1>I don't know?

0:12:50.240 --> 0:12:50.839
<v Speaker 5>Is there album?

0:12:51.120 --> 0:12:51.160
<v Speaker 1>Is?

0:12:51.320 --> 0:12:53.280
<v Speaker 4>He is the great, one of the greatest recording artists

0:12:53.280 --> 0:12:55.520
<v Speaker 4>that we've had, so I'm pretty sure he has access

0:12:55.559 --> 0:12:56.440
<v Speaker 4>to a studio.

0:12:56.120 --> 0:12:56.679
<v Speaker 1>At some point.

0:12:57.160 --> 0:12:58.640
<v Speaker 4>It does get you to speech, and if he finds

0:12:58.640 --> 0:13:01.079
<v Speaker 4>inspiration somewhere. Maybe, you know, maybe if it's a beat

0:13:01.160 --> 0:13:04.240
<v Speaker 4>laying around, he just laying Maybe. I'm sure he has

0:13:04.280 --> 0:13:06.760
<v Speaker 4>an email, right, he has, he has beat packs in

0:13:06.760 --> 0:13:09.360
<v Speaker 4>his email. Maybe he found some inspiration and decided to

0:13:09.360 --> 0:13:11.240
<v Speaker 4>record something. I don't I don't know for sure, but

0:13:11.720 --> 0:13:12.720
<v Speaker 4>it's not far fetched.

0:13:13.160 --> 0:13:14.880
<v Speaker 2>I feel like we need to like put an air

0:13:14.960 --> 0:13:18.080
<v Speaker 2>tag on on Guru's like laptop case or something and

0:13:18.200 --> 0:13:19.959
<v Speaker 2>just see if he's in around the studio.

0:13:20.080 --> 0:13:21.320
<v Speaker 1>Well, Google's always around here.

0:13:21.320 --> 0:13:24.559
<v Speaker 2>I know, but there are certain studios that'd be like, oh,

0:13:24.679 --> 0:13:25.560
<v Speaker 2>that's that's what Jay.

0:13:25.640 --> 0:13:26.280
<v Speaker 1>No, you got it wrong.

0:13:26.280 --> 0:13:29.840
<v Speaker 4>You gotta put an air tag in Jay's dreads. That's

0:13:29.840 --> 0:13:31.040
<v Speaker 4>how you know when he's in the studio.

0:13:31.200 --> 0:13:33.439
<v Speaker 2>When do you think I would have the time or

0:13:33.559 --> 0:13:35.080
<v Speaker 2>opportunity to put an air tag?

0:13:35.240 --> 0:13:39.480
<v Speaker 3>Opportunity, audacity, I don't know. Opportunity has that's a different

0:13:39.559 --> 0:13:41.120
<v Speaker 3>level of aud I guess.

0:13:41.160 --> 0:13:42.960
<v Speaker 2>Yes, I've had an opportunity to put an air tag

0:13:43.200 --> 0:13:44.320
<v Speaker 2>in jay Z's dreads.

0:13:45.400 --> 0:13:47.360
<v Speaker 1>Yes, I've had an opportunity.

0:13:46.840 --> 0:13:50.160
<v Speaker 2>To had an opportunity like I was in the same

0:13:50.600 --> 0:13:51.040
<v Speaker 2>I could have.

0:13:51.880 --> 0:13:54.080
<v Speaker 1>I would have then been met with hands and feet

0:13:56.200 --> 0:13:58.719
<v Speaker 1>and poss would knocked the AirTag out of.

0:13:58.640 --> 0:14:01.040
<v Speaker 5>You like a little bit.

0:14:01.080 --> 0:14:02.840
<v Speaker 1>They would have a barrel through me in the ocean.

0:14:03.280 --> 0:14:05.640
<v Speaker 4>You wouldn't even know you had an airtager side, Where

0:14:05.640 --> 0:14:09.439
<v Speaker 4>did that come from? Start knocking all the ship out

0:14:09.440 --> 0:14:10.640
<v Speaker 4>of you? Yeah?

0:14:10.760 --> 0:14:13.079
<v Speaker 2>But I mean this was Twitter, and no disrespect to

0:14:13.120 --> 0:14:15.240
<v Speaker 2>this account. I don't know how valid they are. I

0:14:15.240 --> 0:14:18.520
<v Speaker 2>think it's a Travis Scott like stand page. But I

0:14:18.520 --> 0:14:20.200
<v Speaker 2>did see a lot of people talking about a rumor,

0:14:20.600 --> 0:14:24.480
<v Speaker 2>not so much with a reasonable doubt anniversary shows or anything,

0:14:24.520 --> 0:14:27.680
<v Speaker 2>but also an album before June.

0:14:29.720 --> 0:14:31.120
<v Speaker 1>I'm on the side that I believe it.

0:14:31.960 --> 0:14:34.160
<v Speaker 3>If I get a J and J Cole album in

0:14:34.160 --> 0:14:36.720
<v Speaker 3>one year, I know that, like this might be the

0:14:36.800 --> 0:14:37.440
<v Speaker 3>year I'm forgeting.

0:14:39.480 --> 0:14:41.000
<v Speaker 5>Now if I knock his hat off his head.

0:14:40.840 --> 0:14:43.600
<v Speaker 2>I'm wrong, right, I did? I forgot? I forgot COVID album.

0:14:43.720 --> 0:14:45.880
<v Speaker 2>We get so much music every week, Like, I'm still

0:14:45.880 --> 0:14:49.400
<v Speaker 2>listening to this one pretty often. So what to J Cole?

0:14:49.400 --> 0:14:50.880
<v Speaker 2>The first dis pretty.

0:14:50.600 --> 0:14:52.920
<v Speaker 5>Often he won't give the second disc a chance.

0:14:52.920 --> 0:14:54.480
<v Speaker 2>I told him, you know, I've given it a few more.

0:14:54.520 --> 0:14:57.240
<v Speaker 2>It's uh again. I still have my same critiques. I

0:14:57.240 --> 0:14:58.880
<v Speaker 2>just don't like those certain hooks. But like I still

0:14:58.920 --> 0:15:01.200
<v Speaker 2>love Cole rapping over the illness, Like, I'm never mad

0:15:01.240 --> 0:15:01.480
<v Speaker 2>at that.

0:15:01.560 --> 0:15:03.040
<v Speaker 1>I just didn't like to so.

0:15:03.120 --> 0:15:04.880
<v Speaker 5>Hoax but and argue with you.

0:15:05.240 --> 0:15:06.480
<v Speaker 1>Even the letout is growing on me.

0:15:06.760 --> 0:15:08.760
<v Speaker 5>The letout has grown on me, the letouts grow.

0:15:08.840 --> 0:15:10.160
<v Speaker 1>I still laugh when I heard it. I just don't

0:15:10.160 --> 0:15:10.520
<v Speaker 1>skip it.

0:15:10.920 --> 0:15:11.840
<v Speaker 5>Has the letout grown on you?

0:15:11.840 --> 0:15:11.960
<v Speaker 1>Am?

0:15:12.160 --> 0:15:15.720
<v Speaker 2>No, not at all. I never want to sing what

0:15:15.840 --> 0:15:18.000
<v Speaker 2>I survived the letout? I don't want to chant.

0:15:18.000 --> 0:15:22.400
<v Speaker 4>Will I survived the letout on? Just never good raps?

0:15:22.440 --> 0:15:23.280
<v Speaker 4>But I hate the hook?

0:15:23.400 --> 0:15:23.880
<v Speaker 1>Do we think?

0:15:23.880 --> 0:15:26.720
<v Speaker 2>Because I agree with with Mal that it's going to

0:15:26.760 --> 0:15:30.480
<v Speaker 2>take something very specific to inspire Jay at this point

0:15:30.520 --> 0:15:32.400
<v Speaker 2>in his career rap because even four forty four was

0:15:32.400 --> 0:15:36.200
<v Speaker 2>what twenty sixteen definitely had a reason to rap with

0:15:36.280 --> 0:15:38.400
<v Speaker 2>Lemonade and everything that was going on in his personal life.

0:15:38.960 --> 0:15:41.960
<v Speaker 2>Then obviously inspired to do an album with your wife,

0:15:42.080 --> 0:15:45.280
<v Speaker 2>which is great, doing one with Ja Electronica, inspired to

0:15:45.280 --> 0:15:48.920
<v Speaker 2>be around him? What what would inspire him now to

0:15:48.960 --> 0:15:49.920
<v Speaker 2>do a solo project?

0:15:49.920 --> 0:15:52.040
<v Speaker 1>And how many even how many records would we get?

0:15:52.360 --> 0:15:53.400
<v Speaker 5>We might get seven.

0:15:55.080 --> 0:15:58.120
<v Speaker 2>I can't see anything past ten. I think it's even

0:15:58.120 --> 0:16:01.320
<v Speaker 2>crazy for ten. Yeah, I just don't know what I

0:16:01.320 --> 0:16:06.840
<v Speaker 2>think it is it. Is it maybe him getting to

0:16:06.840 --> 0:16:08.920
<v Speaker 2>the point in his career and this is just the Internet,

0:16:08.960 --> 0:16:09.800
<v Speaker 2>not the real world.

0:16:09.800 --> 0:16:11.560
<v Speaker 1>But the Internet has become somewhat the real world.

0:16:12.240 --> 0:16:16.640
<v Speaker 2>He's starting to get that Eminem shift that he doesn't deserve.

0:16:17.400 --> 0:16:20.120
<v Speaker 2>Everyone went from saying Eminem is the greatest, one of

0:16:20.120 --> 0:16:21.240
<v Speaker 2>the greatest rappers of all time.

0:16:21.280 --> 0:16:22.000
<v Speaker 1>His desography is.

0:16:22.000 --> 0:16:24.840
<v Speaker 2>Incredible, and there was a turn, and myself I was

0:16:25.720 --> 0:16:28.120
<v Speaker 2>included in that, but that was more so because m

0:16:28.280 --> 0:16:30.360
<v Speaker 2>was so active and kept putting out music that I

0:16:30.400 --> 0:16:33.760
<v Speaker 2>personally didn't like. Didn't take away from his ability or anything,

0:16:33.760 --> 0:16:36.760
<v Speaker 2>but he was putting out an album every year. Jay

0:16:36.760 --> 0:16:39.400
<v Speaker 2>has been inactive, and now all of a sudden, the

0:16:39.440 --> 0:16:41.520
<v Speaker 2>tides have turned where he's not as good as he's

0:16:41.560 --> 0:16:46.360
<v Speaker 2>ever been. His catalog's overrated, he's a scumbag.

0:16:46.040 --> 0:16:48.120
<v Speaker 1>Like all the shit that people are saying.

0:16:48.360 --> 0:16:50.960
<v Speaker 3>Hey, but none of that is coming from Jay fans,

0:16:51.040 --> 0:16:53.520
<v Speaker 3>Like with Eminem. Even Eminem's fans switched up on him

0:16:53.520 --> 0:16:54.600
<v Speaker 3>because his music did in the age.

0:16:54.640 --> 0:16:56.320
<v Speaker 1>Well, yeah, because I was an Eminem fan and then

0:16:56.360 --> 0:16:57.520
<v Speaker 1>I slowly.

0:16:57.320 --> 0:16:59.560
<v Speaker 3>That's not it's not jafans doing that, it's not New

0:16:59.680 --> 0:17:02.560
<v Speaker 3>York that it's because the people who are critique in music,

0:17:02.640 --> 0:17:07.000
<v Speaker 3>are young, and they're getting older and louder, and a

0:17:07.040 --> 0:17:09.360
<v Speaker 3>lot of them are young and not from New York

0:17:09.400 --> 0:17:11.880
<v Speaker 3>but from the South, and that has always been kind

0:17:11.920 --> 0:17:14.040
<v Speaker 3>of a pocket of the South thing where they say

0:17:14.040 --> 0:17:16.440
<v Speaker 3>that Jay Z's overrated. That's always been a thing ever since,

0:17:16.520 --> 0:17:18.640
<v Speaker 3>even when I was grown up. So I think that's

0:17:18.680 --> 0:17:21.080
<v Speaker 3>completely different. Eminem's music just has not aged well and

0:17:21.160 --> 0:17:23.320
<v Speaker 3>y'all turned on him. I think this is a completely

0:17:23.320 --> 0:17:24.080
<v Speaker 3>different crew.

0:17:24.440 --> 0:17:28.240
<v Speaker 2>But I think Jay in his latter part of his career,

0:17:28.520 --> 0:17:31.120
<v Speaker 2>a lot of what did inspire him was to talk

0:17:31.119 --> 0:17:33.080
<v Speaker 2>about what he was doing in business and what he

0:17:33.119 --> 0:17:35.560
<v Speaker 2>was doing outside of music, and I think he's been

0:17:35.800 --> 0:17:38.920
<v Speaker 2>heavily critiqued on that. Like the music thing is whatever,

0:17:38.920 --> 0:17:40.879
<v Speaker 2>I think that's the Internet thing. But there is still

0:17:41.280 --> 0:17:45.040
<v Speaker 2>jay Z fans that I feel have a different perspective

0:17:45.119 --> 0:17:47.160
<v Speaker 2>of how he's moved, whether it be with the super

0:17:47.160 --> 0:17:49.480
<v Speaker 2>Bowl stuff, what he's been doing with the casinos. Like

0:17:49.760 --> 0:17:52.280
<v Speaker 2>I do think Jay has a lot of stuff to address,

0:17:52.720 --> 0:17:55.400
<v Speaker 2>and I could see somebody that feels like they're doing

0:17:55.400 --> 0:17:57.520
<v Speaker 2>the right thing for the community, for everyone else and

0:17:57.560 --> 0:17:59.280
<v Speaker 2>for themselves to line their pockets.

0:17:59.280 --> 0:17:59.879
<v Speaker 1>Why the fuck not?

0:18:00.640 --> 0:18:02.080
<v Speaker 2>Yeah, I get pissed off, be like, you know what,

0:18:02.160 --> 0:18:04.720
<v Speaker 2>let me rap and explain myself because y'all are bugging

0:18:05.880 --> 0:18:08.040
<v Speaker 2>this new per sad on of me. I'm not saying

0:18:08.040 --> 0:18:10.480
<v Speaker 2>in a sensitive way. I'm saying in a flexing way,

0:18:10.520 --> 0:18:13.480
<v Speaker 2>the way Jay has always taken things that people may

0:18:13.520 --> 0:18:15.560
<v Speaker 2>not be sensitive about, and he privately could be sensitive

0:18:15.560 --> 0:18:18.800
<v Speaker 2>about them, but has a beautiful way of bragging about

0:18:18.800 --> 0:18:19.320
<v Speaker 2>them instead.

0:18:19.880 --> 0:18:22.640
<v Speaker 4>I just don't I don't know if Jay is then Kia,

0:18:23.119 --> 0:18:28.320
<v Speaker 4>he really doesn't care about that enough to want to

0:18:28.359 --> 0:18:31.520
<v Speaker 4>go and make music based on that, based on responding

0:18:31.560 --> 0:18:35.840
<v Speaker 4>to things that he's either seen or heard people say

0:18:35.880 --> 0:18:38.359
<v Speaker 4>about him, Like that's not like even look at it,

0:18:38.400 --> 0:18:40.960
<v Speaker 4>Like like four forty four, we know why that album happened, right,

0:18:41.880 --> 0:18:43.919
<v Speaker 4>the Jag album, We know why that album had. That's

0:18:43.960 --> 0:18:47.760
<v Speaker 4>one of his favorite rappers. Like he does things. It's

0:18:48.480 --> 0:18:53.439
<v Speaker 4>it's not to respond to you know, noise. That's not

0:18:53.480 --> 0:18:55.560
<v Speaker 4>what Jay. He doesn't create from that. So if Jay

0:18:55.680 --> 0:18:59.160
<v Speaker 4>is creating new music now and he's recording new music now,

0:19:00.520 --> 0:19:02.600
<v Speaker 4>it's it's attached to something.

0:19:03.520 --> 0:19:06.120
<v Speaker 1>It's not just it's not just oh.

0:19:06.080 --> 0:19:08.320
<v Speaker 4>Now they talking crazy about me online and they must

0:19:08.359 --> 0:19:10.480
<v Speaker 4>have forgot who I am, and it's that that's not

0:19:10.640 --> 0:19:12.840
<v Speaker 4>Jay is not, that's not his that doesn't that doesn't

0:19:12.880 --> 0:19:13.439
<v Speaker 4>motivate him.

0:19:13.440 --> 0:19:13.960
<v Speaker 1>He doesn't.

0:19:14.119 --> 0:19:17.040
<v Speaker 4>He's always been done a great job at, you know,

0:19:17.280 --> 0:19:21.480
<v Speaker 4>sidestepping bullshit and avoiding that type of thing. But you're right,

0:19:21.520 --> 0:19:25.760
<v Speaker 4>when he does decide to wrap, it's always you know,

0:19:25.880 --> 0:19:28.159
<v Speaker 4>those little nuances in the way he's reminded people like,

0:19:28.200 --> 0:19:30.600
<v Speaker 4>don't get it fucked up, Like y'all know where I

0:19:30.640 --> 0:19:32.000
<v Speaker 4>sit among all of this shit.

0:19:32.119 --> 0:19:36.120
<v Speaker 1>But today, now after almost when.

0:19:35.960 --> 0:19:40.320
<v Speaker 4>Did the Jay Lug album come out twenty twenty six years,

0:19:40.960 --> 0:19:43.840
<v Speaker 4>I just don't see that. But if he is creating music,

0:19:44.160 --> 0:19:51.439
<v Speaker 4>it's definitely attached to something personal, something bigger, something uh

0:19:51.480 --> 0:19:55.160
<v Speaker 4>you know, uh, that's a part of you know, the family,

0:19:55.359 --> 0:19:58.359
<v Speaker 4>it's something in that run. It's not because you know,

0:19:58.560 --> 0:20:02.439
<v Speaker 4>just uh online talk and with people a podcasts and

0:20:02.480 --> 0:20:05.479
<v Speaker 4>platforms are saying about him and it's none of that.

0:20:05.560 --> 0:20:07.199
<v Speaker 1>Like's not, that's not who he is.

0:20:07.240 --> 0:20:09.600
<v Speaker 4>He doesn't, he doesn't entertain that type of shit, and

0:20:09.600 --> 0:20:13.080
<v Speaker 4>he doesn't create from that energy.

0:20:13.359 --> 0:20:13.840
<v Speaker 1>I hear you.

0:20:13.920 --> 0:20:15.639
<v Speaker 2>I'm going to give some pushback there because I do

0:20:15.640 --> 0:20:18.320
<v Speaker 2>feel like on every album Jay has always kind of

0:20:18.840 --> 0:20:23.399
<v Speaker 2>replied instead of doing direct interviews and doing the whole

0:20:23.760 --> 0:20:25.639
<v Speaker 2>He'll sit with Angie, but he won't do a full

0:20:25.920 --> 0:20:28.000
<v Speaker 2>press runner. He'll do the breakfast club when it's at

0:20:28.000 --> 0:20:31.880
<v Speaker 2>its peak. And he's always replied to everything in his arms.

0:20:31.880 --> 0:20:36.480
<v Speaker 2>Even with the Jay Electronica written testimony on the album,

0:20:36.520 --> 0:20:39.840
<v Speaker 2>he replies to everything that was said about the NFL.

0:20:40.560 --> 0:20:42.160
<v Speaker 2>He said, I got more money than a whole NFL bench.

0:20:42.160 --> 0:20:44.399
<v Speaker 2>Why would I sell out? I would attack it if

0:20:44.400 --> 0:20:46.320
<v Speaker 2>they could handled the ships themselves. Like he has a

0:20:46.320 --> 0:20:49.879
<v Speaker 2>whole verse addressing everyone that was hating on him at

0:20:49.920 --> 0:20:52.840
<v Speaker 2>the beginning when that was announced. Now it's been six

0:20:52.920 --> 0:20:55.119
<v Speaker 2>seven years and it's gotten a lot of a flack

0:20:55.280 --> 0:20:58.600
<v Speaker 2>of what is really happening outside of end racism in

0:20:58.640 --> 0:21:02.720
<v Speaker 2>the end zone. Yeah, I can see Jay still having

0:21:02.800 --> 0:21:05.760
<v Speaker 2>that competitive like yo, what the fuck mentality, And I

0:21:05.760 --> 0:21:10.439
<v Speaker 2>think he's probably learned a lot with this casino bidding,

0:21:11.119 --> 0:21:16.320
<v Speaker 2>and that's a whole different monster outside of music, clothing, alcohol,

0:21:16.520 --> 0:21:20.359
<v Speaker 2>different world. It's a completely different word. Now we're getting

0:21:20.359 --> 0:21:24.920
<v Speaker 2>into politics. Now we're talking about he's already in for sure,

0:21:24.920 --> 0:21:28.760
<v Speaker 2>but like really greasing politicians behind the scenes that get

0:21:28.760 --> 0:21:31.399
<v Speaker 2>bids and like it's a different monster when you're dealing

0:21:31.400 --> 0:21:35.000
<v Speaker 2>with casinos in Times Square, right, I think that with

0:21:35.119 --> 0:21:37.720
<v Speaker 2>the brain that he has could inspire you to make

0:21:37.800 --> 0:21:39.600
<v Speaker 2>music and still have a chip on your shoulder of

0:21:39.680 --> 0:21:41.640
<v Speaker 2>like I gave y'all twenty years.

0:21:41.400 --> 0:21:43.720
<v Speaker 1>And this is this is how being treated right now. Yeah,

0:21:43.760 --> 0:21:44.520
<v Speaker 1>this is crazy.

0:21:44.640 --> 0:21:46.320
<v Speaker 4>I'm just you know what it is though, I just

0:21:46.400 --> 0:21:48.640
<v Speaker 4>obviously I kind of don't ever want Jay to put

0:21:48.720 --> 0:21:51.720
<v Speaker 4>music out again. You said that, and I'm always on

0:21:51.960 --> 0:21:54.240
<v Speaker 4>the other side because I just it's like, you know,

0:21:54.720 --> 0:21:57.359
<v Speaker 4>even though selfishly, like you know, I would love to

0:21:57.440 --> 0:22:00.159
<v Speaker 4>hear him still create and rap because I know he's

0:22:00.200 --> 0:22:03.600
<v Speaker 4>still in shape. But it's just like, you know, create

0:22:03.640 --> 0:22:06.400
<v Speaker 4>the album for what for? You know, this new generation

0:22:06.520 --> 0:22:09.120
<v Speaker 4>to be online within fifteen minutes of the album drop

0:22:09.160 --> 0:22:11.040
<v Speaker 4>and saying this is y'all, goat.

0:22:10.760 --> 0:22:12.760
<v Speaker 1>This shit is trash, you know what I mean.

0:22:12.840 --> 0:22:15.280
<v Speaker 4>Like it's like, but I just it's just that part

0:22:15.280 --> 0:22:17.560
<v Speaker 4>of it where I just don't care. I'm just like, no,

0:22:17.680 --> 0:22:21.199
<v Speaker 4>let's let his legacy stay where it is. Nobody, no

0:22:21.280 --> 0:22:25.240
<v Speaker 4>other rapper, just full MC rapper is touching what Jay

0:22:25.359 --> 0:22:25.840
<v Speaker 4>has done.

0:22:25.960 --> 0:22:29.919
<v Speaker 2>But we both know Jay actively actively, actively pays attention

0:22:30.040 --> 0:22:33.320
<v Speaker 2>to everything currently going on like like when everyone was

0:22:33.359 --> 0:22:36.679
<v Speaker 2>like when flex No Pun incident dropped the bomb that

0:22:36.760 --> 0:22:38.680
<v Speaker 2>jay Z has a secret burner, Like, is that that

0:22:38.800 --> 0:22:40.840
<v Speaker 2>crazy to think that jay Z has a Twitter and

0:22:40.920 --> 0:22:43.239
<v Speaker 2>Instagram right that no one knows about that, he just

0:22:43.359 --> 0:22:47.639
<v Speaker 2>scrolls on. He actively is signing young young artists at

0:22:47.680 --> 0:22:50.359
<v Speaker 2>rock Nation, being part of their projects, putting like he's active,

0:22:50.400 --> 0:22:53.000
<v Speaker 2>he knows what the fuck is going online. I can't

0:22:53.000 --> 0:22:55.520
<v Speaker 2>think with a jay Z brain, you wouldn't still have

0:22:55.560 --> 0:22:59.840
<v Speaker 2>a bunch to say as the elder statesman about everything

0:22:59.840 --> 0:23:02.720
<v Speaker 2>that currently going on. Because even down we even see

0:23:03.560 --> 0:23:07.880
<v Speaker 2>Professor Michael Eric Dyson said that jay called him about

0:23:07.920 --> 0:23:10.800
<v Speaker 2>his take between the Kendrick and Drake thing. Everyone thought

0:23:10.800 --> 0:23:13.680
<v Speaker 2>that was insane. I was like, I mean, I'm an outsider,

0:23:13.720 --> 0:23:15.760
<v Speaker 2>and even I know that Hove calls everyone not to

0:23:15.880 --> 0:23:20.199
<v Speaker 2>confront them or press like he's just as interested in

0:23:20.240 --> 0:23:23.439
<v Speaker 2>the ship the way weels ever, just the way we

0:23:23.560 --> 0:23:27.439
<v Speaker 2>debate about URL shit. Jay Z does the same thing.

0:23:27.680 --> 0:23:30.960
<v Speaker 2>Him and Emery talk about your like, Yeah, I don't

0:23:30.960 --> 0:23:32.720
<v Speaker 2>think it's that crazy. So I think he has a

0:23:32.720 --> 0:23:35.440
<v Speaker 2>lot of opinions of what is currently going on, which

0:23:35.480 --> 0:23:38.560
<v Speaker 2>could give you ten records. Oh no, for sure, plus

0:23:38.560 --> 0:23:42.720
<v Speaker 2>I got three kids, Blue is a teenager now, Like

0:23:42.760 --> 0:23:43.920
<v Speaker 2>there's a lot to talk about.

0:23:43.960 --> 0:23:45.600
<v Speaker 4>Oh no, it's definitely a lot to talk about. I

0:23:45.640 --> 0:23:51.280
<v Speaker 4>just don't know if you know he's creating seven to

0:23:51.320 --> 0:23:54.360
<v Speaker 4>ten to twelve tracks, Yeah, that's a lot.

0:23:54.520 --> 0:23:56.159
<v Speaker 1>Yeah, ten records.

0:23:55.760 --> 0:23:57.320
<v Speaker 2>When you have that much going on, is I think

0:23:57.359 --> 0:23:59.760
<v Speaker 2>harder than I think people could realize.

0:23:59.480 --> 0:24:01.920
<v Speaker 4>What I mean obviously as as you know, just somebody

0:24:01.960 --> 0:24:04.080
<v Speaker 4>that grew up in that era and then you know

0:24:05.040 --> 0:24:08.320
<v Speaker 4>it was was so close to that, to the music. Yeah,

0:24:08.359 --> 0:24:10.199
<v Speaker 4>I want to hear I want to hear him. You know,

0:24:10.520 --> 0:24:12.399
<v Speaker 4>it's just like watching you for your favorite you know,

0:24:13.400 --> 0:24:15.840
<v Speaker 4>artists just still like spar and just show you that

0:24:15.880 --> 0:24:17.200
<v Speaker 4>they still are shocked.

0:24:17.280 --> 0:24:19.800
<v Speaker 2>Yeah, just don't give please, just don't give me the

0:24:19.880 --> 0:24:23.600
<v Speaker 2>thirtieth anniversary. Don't give me reasonable doubted, Like like I

0:24:23.640 --> 0:24:25.800
<v Speaker 2>don't want I.

0:24:25.760 --> 0:24:29.159
<v Speaker 1>Don't want that. I don't reasonably doubted. I don't want that.

0:24:29.760 --> 0:24:31.800
<v Speaker 2>I wanted to be a whole separate thing that just

0:24:31.880 --> 0:24:35.400
<v Speaker 2>happens to fall on the thirtieth anniversary. Like I do

0:24:35.480 --> 0:24:38.600
<v Speaker 2>not want the part to I hate that that ship

0:24:38.760 --> 0:24:41.080
<v Speaker 2>so much so, But we'll see. How did you feel

0:24:41.119 --> 0:24:46.359
<v Speaker 2>about the uproar of Jay Z Collin, Michael Eric Dyson,

0:24:47.000 --> 0:24:47.639
<v Speaker 2>what was the uproar.

0:24:47.680 --> 0:24:50.399
<v Speaker 1>I didn't see that. Well, he was talking with Steven A.

0:24:50.480 --> 0:24:52.520
<v Speaker 2>Smith and we again, we don't have to fully get

0:24:52.520 --> 0:24:55.480
<v Speaker 2>into this bat he was talking to Stephen Uh, Michael

0:24:55.800 --> 0:24:56.320
<v Speaker 2>Dyson was.

0:24:56.280 --> 0:24:56.800
<v Speaker 1>Talking to him.

0:24:57.160 --> 0:25:00.199
<v Speaker 2>He's been very I would say pro Drake, but very

0:25:00.280 --> 0:25:05.680
<v Speaker 2>much on the side of questioning Drake's blackness is an

0:25:05.680 --> 0:25:08.720
<v Speaker 2>issue for the community overall. Calling him a culture vultures

0:25:08.800 --> 0:25:11.840
<v Speaker 2>is a problem for the community overall, doubting anything that

0:25:11.920 --> 0:25:15.000
<v Speaker 2>Drake has done. Also crossing the line with pedophile because

0:25:15.000 --> 0:25:18.080
<v Speaker 2>it's the Internet. Now. I understand rat battles, but with

0:25:18.200 --> 0:25:20.760
<v Speaker 2>social media, calling someone that in this era is a

0:25:20.800 --> 0:25:23.359
<v Speaker 2>little bit more dangerous than it was on mixtapes when

0:25:23.400 --> 0:25:26.320
<v Speaker 2>you were just rapping about whatever. So he said that

0:25:26.359 --> 0:25:30.040
<v Speaker 2>with Steven A. Smith then he was doing an interview Ryan,

0:25:30.040 --> 0:25:31.320
<v Speaker 2>if you could look it up. I forgot who he

0:25:31.359 --> 0:25:33.600
<v Speaker 2>was sitting with, but he had said that, you know,

0:25:33.680 --> 0:25:37.560
<v Speaker 2>Jay calls him often, and Jake gave him acallen and

0:25:37.760 --> 0:25:39.760
<v Speaker 2>said he was wrong more or less.

0:25:40.840 --> 0:25:43.560
<v Speaker 4>Yeah, Mike Wegg Dyson was wrong about his point of

0:25:43.640 --> 0:25:45.040
<v Speaker 4>view on the Drake Kendrick battle.

0:25:45.320 --> 0:25:47.280
<v Speaker 1>Okay, and he didn't give any details.

0:25:47.280 --> 0:25:50.280
<v Speaker 2>That's why this is a hard conversation to have because

0:25:50.320 --> 0:25:52.159
<v Speaker 2>you're completely speculating on what.

0:25:52.320 --> 0:25:53.880
<v Speaker 1>Jay said to him.

0:25:53.920 --> 0:25:55.880
<v Speaker 2>All he said was he disagreed with this point and

0:25:56.320 --> 0:26:00.840
<v Speaker 2>very respectfully and eloquently said his piece on the entire thing,

0:26:00.920 --> 0:26:03.200
<v Speaker 2>but didn't give any I don't even know what Jay said.

0:26:03.480 --> 0:26:05.520
<v Speaker 1>All I know is he did. He don't know the

0:26:05.520 --> 0:26:07.520
<v Speaker 1>little details he disagreed. I don't know anything.

0:26:07.640 --> 0:26:10.200
<v Speaker 2>But there was a huge uproar that he was doing

0:26:10.240 --> 0:26:13.040
<v Speaker 2>this to backdoor Drake, like Michael Eric Dyson is now

0:26:13.119 --> 0:26:17.000
<v Speaker 2>going to control the internet, was interneting. But I mean,

0:26:17.160 --> 0:26:21.840
<v Speaker 2>I'm curious what you think because you're part of both families. Mhm,

0:26:22.160 --> 0:26:24.359
<v Speaker 2>Like I feel like you're you're the fara con in

0:26:24.359 --> 0:26:30.120
<v Speaker 2>the situation, aware of who could solve these two, these

0:26:30.160 --> 0:26:31.200
<v Speaker 2>two two back and.

0:26:31.160 --> 0:26:34.639
<v Speaker 1>Forth between Eric Dyson and Jay, Jy and.

0:26:34.720 --> 0:26:38.800
<v Speaker 4>Drake between But there's no back and forth though, like

0:26:38.880 --> 0:26:40.680
<v Speaker 4>out of this, I don't know why people think there's

0:26:40.680 --> 0:26:43.520
<v Speaker 4>a back and forth between Jay and Drake, Like Drake

0:26:43.560 --> 0:26:48.360
<v Speaker 4>has never publicly said anything to Jay or directed at Jay,

0:26:48.480 --> 0:26:50.920
<v Speaker 4>or in the music said anything directed at Jay.

0:26:51.040 --> 0:26:53.120
<v Speaker 1>I've always thought so. Larry for thirty Freestyle was about.

0:26:53.119 --> 0:26:55.359
<v Speaker 2>They definitely had some some back and forth, even on

0:26:55.400 --> 0:26:59.479
<v Speaker 2>the Jay Leka jay Z either the Soldier Boy that

0:26:59.520 --> 0:27:01.600
<v Speaker 2>we made it beat, Sorry.

0:27:01.320 --> 0:27:03.280
<v Speaker 1>Miss Drizzy. I'm talking about paintings like that whole shit.

0:27:03.480 --> 0:27:05.600
<v Speaker 2>They've had their little shots back and forth, but they

0:27:05.600 --> 0:27:08.880
<v Speaker 2>made music that's not a shot though, Like call me Miss.

0:27:08.760 --> 0:27:12.119
<v Speaker 1>Drizzy is a little bit of a tiny shot, and

0:27:12.320 --> 0:27:13.560
<v Speaker 1>I think Drake deserved it.

0:27:13.760 --> 0:27:17.359
<v Speaker 2>I think it was I think people speak freely, and

0:27:17.400 --> 0:27:19.439
<v Speaker 2>when you print something that wasn't supposed to be printed

0:27:19.440 --> 0:27:23.440
<v Speaker 2>and you can't even hear the tone in it.

0:27:22.200 --> 0:27:22.960
<v Speaker 1>It's unfair.

0:27:23.640 --> 0:27:25.879
<v Speaker 2>But what was printed, Jay had every right to shoot

0:27:25.880 --> 0:27:26.320
<v Speaker 2>back at Drake.

0:27:27.880 --> 0:27:29.879
<v Speaker 1>Yeah, but I don't think that again.

0:27:30.119 --> 0:27:34.199
<v Speaker 4>I think that sometimes we miss we miss interpret lines

0:27:34.240 --> 0:27:37.080
<v Speaker 4>in bars from artists. We've actually seen that happen with

0:27:37.200 --> 0:27:39.960
<v Speaker 4>artists actually speak about the bars that they've written and

0:27:40.520 --> 0:27:43.480
<v Speaker 4>recorded when they say like people took it out of context.

0:27:44.040 --> 0:27:45.919
<v Speaker 4>And I think a lot of times because Jay is

0:27:46.000 --> 0:27:48.639
<v Speaker 4>Jay is very direct, if he's gonna go ask somebody, he.

0:27:49.000 --> 0:27:51.520
<v Speaker 2>Said, sorry Miss Drizzy for all the for so much

0:27:51.600 --> 0:27:53.200
<v Speaker 2>art talks selling me rap about all the shit that

0:27:53.240 --> 0:27:57.400
<v Speaker 2>I bought. I mean, it's not it wasn't like warranted

0:27:57.560 --> 0:27:59.960
<v Speaker 2>a disc record back. But they've been throwing a little

0:28:00.320 --> 0:28:02.320
<v Speaker 2>I think thirty for thirty free styles about him. We

0:28:02.800 --> 0:28:07.280
<v Speaker 2>we've always agreed to disagree about. But Jaye conspiring a

0:28:07.280 --> 0:28:08.520
<v Speaker 2>bit with Meek during that time.

0:28:08.600 --> 0:28:11.240
<v Speaker 4>Here's my thing. J wouldn't call Drake miss Drizzy. He

0:28:11.240 --> 0:28:12.400
<v Speaker 4>wouldn't refer to Drake as more.

0:28:12.800 --> 0:28:15.120
<v Speaker 1>That was that was always the debate, whether he said

0:28:15.160 --> 0:28:16.560
<v Speaker 1>mister Drizzy or mis Terrizzy.

0:28:16.600 --> 0:28:18.679
<v Speaker 2>If you listen to it very hard, let me let me,

0:28:18.800 --> 0:28:21.760
<v Speaker 2>let me, let me assure you something. Jay would never

0:28:22.119 --> 0:28:24.560
<v Speaker 2>refer to Drake as miss Drizzy. He would not do that.

0:28:25.119 --> 0:28:28.359
<v Speaker 2>He wouldn't do that. That's not that's not his. I

0:28:28.400 --> 0:28:30.480
<v Speaker 2>mean that quote was kind of nuts. Ryan people up

0:28:30.520 --> 0:28:33.680
<v Speaker 2>the quote of what Drake had said about Jay Again,

0:28:34.119 --> 0:28:36.680
<v Speaker 2>Drake had said, Yo, I never told anyone to print that,

0:28:36.760 --> 0:28:40.520
<v Speaker 2>Like that was completely taken. I think Drake was fucking around, joking,

0:28:40.720 --> 0:28:43.440
<v Speaker 2>But when you just read it, it sounds kind of nuts.

0:28:43.600 --> 0:28:45.640
<v Speaker 1>Yeah, but they've they've never again. That's I think that's

0:28:45.680 --> 0:28:47.520
<v Speaker 1>something at the end, and it made three songs after

0:28:47.520 --> 0:28:48.080
<v Speaker 1>that shit happened.

0:28:48.120 --> 0:28:49.680
<v Speaker 4>Yeah, Like that's what I'm saying. That's something that the

0:28:49.680 --> 0:28:53.560
<v Speaker 4>internet just created. Uh, and tried to put some some

0:28:53.720 --> 0:28:57.520
<v Speaker 4>you know, credence to but there's no there's no back

0:28:57.560 --> 0:29:04.280
<v Speaker 4>and forth between and Drake. Now whether privately they fell

0:29:04.320 --> 0:29:06.320
<v Speaker 4>away about each other, that's a whole different thing.

0:29:06.320 --> 0:29:09.440
<v Speaker 2>They probably have some whatever that is. We wouldn't, We

0:29:09.440 --> 0:29:10.120
<v Speaker 2>wouldn't we would.

0:29:10.160 --> 0:29:12.640
<v Speaker 4>We don't know that, But I'm just saying, like publicly,

0:29:12.680 --> 0:29:15.280
<v Speaker 4>there's no back and forth between Jay and Drake. If

0:29:15.360 --> 0:29:18.640
<v Speaker 4>Jay and Drake had an issue with each other, we

0:29:18.680 --> 0:29:20.720
<v Speaker 4>would it would be clear. We wouldn't have to speculate

0:29:20.760 --> 0:29:24.120
<v Speaker 4>and dissect you know, uh bars and think.

0:29:24.000 --> 0:29:24.840
<v Speaker 1>Oh who is he talking?

0:29:24.880 --> 0:29:27.840
<v Speaker 4>It would be very direct, very blatant from two of

0:29:27.840 --> 0:29:29.959
<v Speaker 4>the best rappers that we've ever had, Like they know

0:29:30.040 --> 0:29:33.800
<v Speaker 4>exactly how to direct lines and ship at each other.

0:29:33.840 --> 0:29:38.000
<v Speaker 1>But you do agree they've thrown small jabs at each other.

0:29:38.080 --> 0:29:41.920
<v Speaker 2>I would to get the jabs and rappers always That's

0:29:41.960 --> 0:29:43.440
<v Speaker 2>that's thirty thirty freestyle Again.

0:29:43.480 --> 0:29:45.840
<v Speaker 1>I think that first eight bars are all about Hope.

0:29:45.880 --> 0:29:49.040
<v Speaker 2>I don't think there about Meek, which I thought Drake

0:29:49.040 --> 0:29:50.680
<v Speaker 2>handled that very well, Like, Okay, I see what you'all

0:29:50.680 --> 0:29:52.800
<v Speaker 2>trying to do over here. Now I know there's a separation,

0:29:53.000 --> 0:29:53.840
<v Speaker 2>now I get it.

0:29:54.360 --> 0:29:56.560
<v Speaker 4>Yeah, But but but again I don't think that, you know,

0:29:56.680 --> 0:29:58.480
<v Speaker 4>we've got it's not much to that though. I think

0:29:58.480 --> 0:30:00.239
<v Speaker 4>that's more the Internet just trying to do with and

0:30:00.280 --> 0:30:00.920
<v Speaker 4>it does.

0:30:00.840 --> 0:30:03.480
<v Speaker 2>So we can get off anything Drake Kendri related. Can

0:30:03.520 --> 0:30:06.960
<v Speaker 2>you spec speculate quickly what you think j may have said.

0:30:08.120 --> 0:30:13.120
<v Speaker 4>About Mike greg Dyson's take on it. I think he

0:30:13.200 --> 0:30:16.400
<v Speaker 4>may have said that, uh, Mike greg Dyson probably looked

0:30:16.440 --> 0:30:18.600
<v Speaker 4>too deep into it. I don't think it was as

0:30:18.680 --> 0:30:20.440
<v Speaker 4>deep as he was probably trying to make it out

0:30:20.440 --> 0:30:23.800
<v Speaker 4>the scene. I think it was more similar surface more,

0:30:23.840 --> 0:30:25.600
<v Speaker 4>you know, it wasn't I think because Mike greg Dyson

0:30:25.680 --> 0:30:26.000
<v Speaker 4>is you know.

0:30:25.960 --> 0:30:28.280
<v Speaker 1>He's a he's a thinker, he's brilliant, you know what

0:30:28.320 --> 0:30:28.720
<v Speaker 1>I'm saying.

0:30:29.120 --> 0:30:31.440
<v Speaker 4>But I just don't it was probably that it was

0:30:31.440 --> 0:30:34.000
<v Speaker 4>probably like I don't think it was that deep of

0:30:34.160 --> 0:30:36.200
<v Speaker 4>a thought, but or it could be the opposite, or

0:30:36.200 --> 0:30:39.560
<v Speaker 4>he could just be like nah, you know, uh, whatever

0:30:39.640 --> 0:30:42.320
<v Speaker 4>Kendrick said wasn't wrong if he felt that way, like

0:30:42.920 --> 0:30:44.240
<v Speaker 4>you know, he's free to express that.

0:30:44.320 --> 0:30:45.479
<v Speaker 1>It could could have wentn't either way.

0:30:45.560 --> 0:30:48.960
<v Speaker 4>But I just thought it wasn't nothing malicious like oh nah,

0:30:49.040 --> 0:30:51.280
<v Speaker 4>like you know, like he was supposed to say that

0:30:51.320 --> 0:30:53.120
<v Speaker 4>about Drake, like it wasn't nothing like that.

0:30:53.240 --> 0:30:56.240
<v Speaker 2>He was debating the way we all call our friends

0:30:56.320 --> 0:31:00.440
<v Speaker 2>after battle. Personally, I really think he said there's no

0:31:00.520 --> 0:31:03.880
<v Speaker 2>real rules to wrap out of your overthinking that. Yeah,

0:31:03.960 --> 0:31:07.240
<v Speaker 2>Kendrick can say that's that's something along those lines, like,

0:31:08.000 --> 0:31:10.000
<v Speaker 2>I know you did a thousand word op ed about

0:31:10.000 --> 0:31:13.120
<v Speaker 2>the entire thing, but sometimes it ain't that and it's

0:31:13.120 --> 0:31:13.680
<v Speaker 2>just a wrap out.

0:31:14.040 --> 0:31:16.200
<v Speaker 4>Sometimes it's just not that. It's not as deep as

0:31:16.200 --> 0:31:21.000
<v Speaker 4>people think it is. Yeah, so yeah, I'm on that side.

0:31:22.320 --> 0:31:24.200
<v Speaker 1>Maul, what can you do with six hundred dollars?

0:31:24.400 --> 0:31:26.800
<v Speaker 2>Don't answer that because I know with some devious thoughts,

0:31:26.880 --> 0:31:30.280
<v Speaker 2>but that is boost Mobile proving that you don't have

0:31:30.320 --> 0:31:33.800
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0:31:39.320 --> 0:31:42.000
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0:31:42.040 --> 0:31:45.480
<v Speaker 2>can do with that six hundred dollars. Stop overpaying and

0:31:45.600 --> 0:31:49.480
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0:31:49.200 --> 0:31:51.960
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0:31:52.000 --> 0:31:54.520
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0:31:54.520 --> 0:31:57.160
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0:31:57.160 --> 0:32:00.560
<v Speaker 4>twenty six. For full off for details, visit boostmobile dot com.

0:32:06.760 --> 0:32:08.760
<v Speaker 2>All right, so while we're on Music New Music Friday,

0:32:08.840 --> 0:32:10.960
<v Speaker 2>all of this is out right now. We have not

0:32:11.040 --> 0:32:13.720
<v Speaker 2>heard it, obviously, because we're recording on a Thursday. There

0:32:13.720 --> 0:32:15.280
<v Speaker 2>is a rumor that we're getting a fifty ccent record.

0:32:15.360 --> 0:32:17.600
<v Speaker 2>I do not believe that. But that was on fifty.

0:32:17.960 --> 0:32:20.800
<v Speaker 2>That was on reputable DSP. He said, y'all wanted fifty

0:32:20.840 --> 0:32:22.240
<v Speaker 2>to rap right, Well, he said he was going to

0:32:22.280 --> 0:32:24.600
<v Speaker 2>do the doc and I don't think he can turn

0:32:24.960 --> 0:32:26.360
<v Speaker 2>that doc around that quickly.

0:32:26.480 --> 0:32:29.280
<v Speaker 3>But I don't think it's a dis If fifty cent

0:32:29.320 --> 0:32:31.200
<v Speaker 3>is dropping a song, it's just a fifty cent song.

0:32:31.640 --> 0:32:34.760
<v Speaker 2>Oh well, if fifty is dropping music and he's not

0:32:34.800 --> 0:32:35.760
<v Speaker 2>dis in tia, I don't want.

0:32:35.640 --> 0:32:35.920
<v Speaker 1>To hear it.

0:32:38.760 --> 0:32:40.200
<v Speaker 5>Oh, I thought, y'all said, when are we going to

0:32:40.240 --> 0:32:40.719
<v Speaker 5>be done with this?

0:32:40.800 --> 0:32:40.880
<v Speaker 1>Now?

0:32:41.000 --> 0:32:42.840
<v Speaker 5>Y'all want to hear it? If it's a this, I.

0:32:42.840 --> 0:32:44.120
<v Speaker 1>Don't want to hear it. I don't want to hear

0:32:44.200 --> 0:32:45.800
<v Speaker 1>them rap eddie. I don't. I don't.

0:32:45.840 --> 0:32:48.680
<v Speaker 2>Fifty was active and like constantly putting music out. All right, cool, whatever,

0:32:48.720 --> 0:32:50.440
<v Speaker 2>But now you decide to rap and it's not about Tia.

0:32:51.400 --> 0:32:53.200
<v Speaker 1>You can miss me on that should say anything the

0:32:53.240 --> 0:32:54.080
<v Speaker 1>documentary is coming?

0:32:54.520 --> 0:32:58.160
<v Speaker 2>Is that fifty straight up said that there's one containing

0:32:58.200 --> 0:33:01.840
<v Speaker 2>the allegations against Tiny and t I was with certain

0:33:02.880 --> 0:33:06.960
<v Speaker 2>sexual abuse, sexual misconducts alleged charges, which I mean has

0:33:07.000 --> 0:33:09.400
<v Speaker 2>been in the news for forever. It's not like he

0:33:09.720 --> 0:33:12.040
<v Speaker 2>exposed something that people didn't know about. But yes, he

0:33:12.040 --> 0:33:15.320
<v Speaker 2>claims he's doing a doc about that entire thing.

0:33:16.480 --> 0:33:19.360
<v Speaker 1>He gonna respond in his way, Aye, he's gonna be like.

0:33:19.320 --> 0:33:24.640
<v Speaker 4>Listen everything I was gonna say it was in this documentary.

0:33:24.400 --> 0:33:25.680
<v Speaker 1>Man, it just didn't ride.

0:33:26.400 --> 0:33:28.360
<v Speaker 4>You can't be listened. I know people like, oh, Fitty

0:33:28.400 --> 0:33:30.720
<v Speaker 4>gotta get in the booth. What if he don't wrap

0:33:30.800 --> 0:33:33.640
<v Speaker 4>no more? Like I'm not going like if somebody call

0:33:33.680 --> 0:33:35.640
<v Speaker 4>out Michael Jordan right now he's supposed to play them.

0:33:37.160 --> 0:33:38.480
<v Speaker 1>It's like, Nigga, I don't hoop no more.

0:33:38.520 --> 0:33:41.120
<v Speaker 4>Like I'm over here winning NASCAR circuits and shit like

0:33:41.520 --> 0:33:43.560
<v Speaker 4>I'm over here getting a billion dollars a year, sneak

0:33:43.600 --> 0:33:45.200
<v Speaker 4>of sales, like I'm not about to get on the

0:33:45.240 --> 0:33:47.520
<v Speaker 4>court with Lebron and play one on one.

0:33:47.400 --> 0:33:48.600
<v Speaker 1>Like I'm not doing that for what?

0:33:50.160 --> 0:33:52.280
<v Speaker 2>Well, to me, it makes sense I think when everyone

0:33:52.320 --> 0:33:56.440
<v Speaker 2>hears this, there's nothing from fifty that happens today. That's

0:33:56.480 --> 0:33:59.400
<v Speaker 2>just my prediction. I could be completely wrong, but my

0:33:59.480 --> 0:34:04.000
<v Speaker 2>guess is no, there will be nothing. Sahai did put

0:34:04.000 --> 0:34:07.360
<v Speaker 2>out a trailer of like some of the footage from

0:34:07.520 --> 0:34:08.520
<v Speaker 2>Mad Square Garden when.

0:34:08.400 --> 0:34:11.600
<v Speaker 1>Saint Pablo came out to tease the record the Good

0:34:11.640 --> 0:34:12.320
<v Speaker 1>Music breakup.

0:34:12.480 --> 0:34:16.720
<v Speaker 2>This is my side, and obviously the last two records

0:34:16.760 --> 0:34:20.160
<v Speaker 2>in high rhyming shape. So I'm curious to hear this

0:34:20.160 --> 0:34:24.720
<v Speaker 2>side of the entire thing. Because between a Drink Champs interviews,

0:34:24.800 --> 0:34:29.520
<v Speaker 2>Kanye like it was an unfair I felt how he

0:34:29.680 --> 0:34:31.520
<v Speaker 2>spoke about Big Sean was really unfair.

0:34:32.160 --> 0:34:33.520
<v Speaker 1>We got the.

0:34:36.160 --> 0:34:37.960
<v Speaker 2>I'm not going to diagnose anyone, but we got the

0:34:38.000 --> 0:34:41.600
<v Speaker 2>Asperger Kanye through that entire thing of the self awareness

0:34:42.040 --> 0:34:44.000
<v Speaker 2>was not all the way there. When he was talking

0:34:44.000 --> 0:34:45.439
<v Speaker 2>with Nori, he was having fun.

0:34:45.440 --> 0:34:47.919
<v Speaker 1>He was making jokes on Drink Champs. On Drink Champs

0:34:47.960 --> 0:34:48.400
<v Speaker 1>a few.

0:34:48.280 --> 0:34:51.480
<v Speaker 2>Times he's talked about He's He's even dis sa Hi

0:34:51.640 --> 0:34:55.640
<v Speaker 2>on Donda Life of the Party, which the record never made,

0:34:55.640 --> 0:35:00.319
<v Speaker 2>but he dissed say Hi on that. I'm curious of

0:35:00.400 --> 0:35:03.479
<v Speaker 2>sa Hia's perspective this entire thing we got, we kind

0:35:03.480 --> 0:35:07.000
<v Speaker 2>of got Sean is just a classy person, so we

0:35:07.040 --> 0:35:10.120
<v Speaker 2>didn't get probably some of the mess that we could

0:35:10.120 --> 0:35:12.719
<v Speaker 2>have gotten. I don't think Sahai.

0:35:12.480 --> 0:35:15.400
<v Speaker 1>Really gives a fuck about Kanye.

0:35:15.800 --> 0:35:21.000
<v Speaker 2>No, not that keeping it uh, let's keep everything in

0:35:21.040 --> 0:35:25.000
<v Speaker 2>the family. I think think Sean. I've met Sean's mother,

0:35:25.080 --> 0:35:26.880
<v Speaker 2>She's a lovely woman. He was just I think he

0:35:26.960 --> 0:35:31.120
<v Speaker 2>was just raised to hold shit down. Even when he

0:35:31.200 --> 0:35:34.200
<v Speaker 2>was disrespected. He set his piece and kind of just

0:35:34.239 --> 0:35:36.280
<v Speaker 2>kept it moving and focused on his own self, focused

0:35:36.280 --> 0:35:38.480
<v Speaker 2>on his own piece. I think sa Hi is not

0:35:38.520 --> 0:35:40.879
<v Speaker 2>out of here for blood, But Sahai does not give

0:35:40.920 --> 0:35:44.120
<v Speaker 2>a fuck if the whole world knows the story. Yeah,

0:35:44.239 --> 0:35:47.240
<v Speaker 2>and I see I see both of those type of people.

0:35:48.320 --> 0:35:49.319
<v Speaker 1>I've been both of those people.

0:35:49.360 --> 0:35:51.000
<v Speaker 2>I've been on the peace side. I've also been on

0:35:51.000 --> 0:35:52.440
<v Speaker 2>I don't really give a fuck, But I want to

0:35:52.440 --> 0:35:54.360
<v Speaker 2>hear talk about this though, so do I.

0:35:54.440 --> 0:35:56.480
<v Speaker 4>Because he has a perspective that I don't think any

0:35:56.520 --> 0:36:00.239
<v Speaker 4>of us obviously have and probably even have any idea out.

0:36:01.040 --> 0:36:02.880
<v Speaker 4>And he has a way with words, right, so we

0:36:02.920 --> 0:36:05.239
<v Speaker 4>know he's the way, he's the way he's gonna say it. Yes,

0:36:05.560 --> 0:36:08.239
<v Speaker 4>it's going to be entertaining but also informative.

0:36:08.280 --> 0:36:09.640
<v Speaker 1>So yeah, I'm I'm.

0:36:09.480 --> 0:36:12.040
<v Speaker 4>Always down here Saha. I'm just happy that Sahai is rapping.

0:36:12.280 --> 0:36:15.879
<v Speaker 4>I'm happy that he's putting out music. I know y'all

0:36:15.920 --> 0:36:17.880
<v Speaker 4>feel away about the cold thing, but even that, I like,

0:36:17.920 --> 0:36:20.080
<v Speaker 4>it's just it was, like you said, it's just rat.

0:36:19.920 --> 0:36:20.319
<v Speaker 1>Like I'm not.

0:36:20.760 --> 0:36:23.239
<v Speaker 4>It's not a malicious thing or you know, nothing like that.

0:36:23.320 --> 0:36:27.200
<v Speaker 4>And obviously you know what Cole said on false Prophets.

0:36:27.560 --> 0:36:29.799
<v Speaker 4>You still you know, remember that and felt the way

0:36:29.840 --> 0:36:33.120
<v Speaker 4>about that. But it's just good that a rapper likes Saha.

0:36:33.120 --> 0:36:35.840
<v Speaker 4>Who again, we hate that he doesn't put out music

0:36:35.880 --> 0:36:38.680
<v Speaker 4>as much as he probably should or as much as

0:36:38.680 --> 0:36:41.440
<v Speaker 4>we would want him to, because he's a phenomenal MC

0:36:41.880 --> 0:36:42.760
<v Speaker 4>and a great artist.

0:36:43.000 --> 0:36:45.799
<v Speaker 1>But just to see him recording, putting music.

0:36:45.560 --> 0:36:48.960
<v Speaker 4>Out like in that, in that rhythm, I'm here for that.

0:36:49.160 --> 0:36:49.359
<v Speaker 1>Yeah.

0:36:49.360 --> 0:36:51.600
<v Speaker 2>And I mean, of course they while they're listening to this,

0:36:51.680 --> 0:36:54.520
<v Speaker 2>they probably already heard the Saha record at midnight. But

0:36:54.880 --> 0:36:57.120
<v Speaker 2>he is a different perspective than I think anyone at

0:36:57.120 --> 0:37:00.759
<v Speaker 2>Good Music. Of course, Sean is ripped Rodford Kanye common

0:37:00.800 --> 0:37:03.120
<v Speaker 2>as everyone has written for Kanye. That was on Good Music,

0:37:03.160 --> 0:37:05.359
<v Speaker 2>but I don't think anyone has written as much as

0:37:05.440 --> 0:37:08.920
<v Speaker 2>Sahi was like his right hand when it came. He's been,

0:37:09.120 --> 0:37:13.040
<v Speaker 2>he's locked in the studio like he's there every day.

0:37:13.080 --> 0:37:15.720
<v Speaker 1>He's seen every up and down, every personal thing, every.

0:37:16.360 --> 0:37:20.680
<v Speaker 2>Right hand, right hand, ain't it? I was because I

0:37:20.719 --> 0:37:23.640
<v Speaker 2>text right hand right That's why. That's why, that's why

0:37:23.640 --> 0:37:24.560
<v Speaker 2>you right Because I.

0:37:24.520 --> 0:37:27.239
<v Speaker 1>Write because I text, I was able to come up

0:37:27.280 --> 0:37:28.719
<v Speaker 1>with it.

0:37:28.800 --> 0:37:33.680
<v Speaker 2>Rubs off when you tell someone of that. Yeah, So yeah,

0:37:33.880 --> 0:37:36.040
<v Speaker 2>as much as Sean Yes, it has been in so

0:37:36.080 --> 0:37:38.000
<v Speaker 2>many sessions, written a lot of stuff.

0:37:38.360 --> 0:37:39.319
<v Speaker 1>I don't think anyone has.

0:37:39.239 --> 0:37:42.520
<v Speaker 2>Probably spent as much personal time locked in a studio

0:37:42.560 --> 0:37:44.120
<v Speaker 2>with Kanye the way.

0:37:43.800 --> 0:37:44.000
<v Speaker 1>Yeah.

0:37:44.440 --> 0:37:48.319
<v Speaker 2>Consequence maybe would be a close one as well, But

0:37:48.440 --> 0:37:50.719
<v Speaker 2>even cons wasn't fully signed to good music. He's been,

0:37:51.080 --> 0:37:53.640
<v Speaker 2>has been an artist signed to him and been his

0:37:53.640 --> 0:37:56.839
<v Speaker 2>his writer. So I think you get all the tea

0:37:56.960 --> 0:37:59.240
<v Speaker 2>for lack of a better term.

0:37:58.560 --> 0:37:59.200
<v Speaker 1>With this one.

0:37:59.320 --> 0:38:01.239
<v Speaker 4>I just hate that we record him before it come out,

0:38:01.239 --> 0:38:03.560
<v Speaker 4>because I know with some ship on there, I know.

0:38:03.560 --> 0:38:04.480
<v Speaker 1>He talking some ship.

0:38:04.560 --> 0:38:06.560
<v Speaker 3>But I like that we get to come in on

0:38:06.600 --> 0:38:10.319
<v Speaker 3>Monday and say we've had the whole weekend to listen.

0:38:10.440 --> 0:38:11.120
<v Speaker 1>Yeah, I don't I don't.

0:38:11.160 --> 0:38:12.960
<v Speaker 4>I don't mind not being the first to react. I

0:38:13.000 --> 0:38:14.640
<v Speaker 4>want to be I want to I want to react

0:38:15.239 --> 0:38:17.040
<v Speaker 4>to the to the truth as close to the truth

0:38:17.040 --> 0:38:19.480
<v Speaker 4>as possible. Yeah, So like if a song comes out

0:38:19.520 --> 0:38:21.319
<v Speaker 4>and you know what I'm saying, like, I'd rather us

0:38:21.360 --> 0:38:23.560
<v Speaker 4>have the weekend to live with it and kind of

0:38:23.680 --> 0:38:25.759
<v Speaker 4>just like you know, really you know, take it in

0:38:25.840 --> 0:38:28.200
<v Speaker 4>and and and and listen to it as opposed to

0:38:28.239 --> 0:38:31.600
<v Speaker 4>it dropping. And then an hour later were sitting on

0:38:31.640 --> 0:38:34.920
<v Speaker 4>the mic like that shit is trash. It's like, come on, everybody.

0:38:34.600 --> 0:38:37.279
<v Speaker 3>Just racist to be the first one to clip out

0:38:37.400 --> 0:38:39.760
<v Speaker 3>about something. And I get it, that's the contant world.

0:38:39.880 --> 0:38:42.200
<v Speaker 3>But you haven't even really had a chance to listen.

0:38:42.239 --> 0:38:44.440
<v Speaker 2>Yeah, with music is tough. I like a song, I

0:38:44.480 --> 0:38:46.520
<v Speaker 2>get it, Yeah, full I don't want to be first

0:38:46.560 --> 0:38:50.080
<v Speaker 2>on the projection, right. The side shot I think is

0:38:50.080 --> 0:38:52.080
<v Speaker 2>going to have a lot of gossip in there, And

0:38:52.200 --> 0:38:53.600
<v Speaker 2>I don't mean that in a bad way. So I

0:38:53.640 --> 0:38:56.400
<v Speaker 2>think that, Yeah, I think all the streamers at midnight

0:38:56.440 --> 0:38:58.160
<v Speaker 2>are going to be sitting there dissecting that entire thing

0:38:58.160 --> 0:38:59.719
<v Speaker 2>because it's gonna be a lot of go a lot

0:38:59.719 --> 0:39:02.520
<v Speaker 2>of guy UF. It's just one song. But like full projects. Now,

0:39:02.560 --> 0:39:05.080
<v Speaker 2>I like that we wait till money for that before

0:39:05.080 --> 0:39:07.239
<v Speaker 2>we get off music. I just want to highlight the

0:39:07.320 --> 0:39:11.040
<v Speaker 2>music that's out now what I'm personally Jimmy dropping a

0:39:11.080 --> 0:39:17.239
<v Speaker 2>song or Amy is dropping a project list, I'm just

0:39:17.280 --> 0:39:18.720
<v Speaker 2>a little sold.

0:39:18.880 --> 0:39:21.040
<v Speaker 1>Hold on, I'm so excited because.

0:39:21.800 --> 0:39:24.840
<v Speaker 4>Bro, between yeh and Pimmy, who has the better interludes

0:39:24.840 --> 0:39:30.320
<v Speaker 4>on Drake's albums? Ummy, you said that too fast. I

0:39:30.360 --> 0:39:31.400
<v Speaker 4>don't like the Pimmy joint.

0:39:31.400 --> 0:39:33.760
<v Speaker 2>Wasn't what it was called an interlud wasn't an interlude

0:39:33.760 --> 0:39:34.840
<v Speaker 2>with that was a full fucking record.

0:39:34.920 --> 0:39:37.480
<v Speaker 1>Yep, Yeba's Heartbreak is really an interlude.

0:39:37.760 --> 0:39:40.759
<v Speaker 2>Yeah, that's really an interet Pimmy song, that's a song,

0:39:40.960 --> 0:39:43.440
<v Speaker 2>but you got and I funk with. Pimmy's one of

0:39:43.520 --> 0:39:45.960
<v Speaker 2>the artists that I'm really excited for. Yeah, but to

0:39:46.000 --> 0:39:49.040
<v Speaker 2>me is like one of the best vocalists, Like is ye.

0:39:49.400 --> 0:39:50.320
<v Speaker 1>So she's been around?

0:39:50.320 --> 0:39:53.000
<v Speaker 2>Like these are albums, yes, these are projects, the ones

0:39:53.000 --> 0:39:56.720
<v Speaker 2>that being a lot of Now I am.

0:39:56.760 --> 0:39:58.399
<v Speaker 1>At the edge of my motherfucking seat.

0:39:58.440 --> 0:40:01.200
<v Speaker 2>I almost texted y'all at midnight when I saw that

0:40:01.239 --> 0:40:03.319
<v Speaker 2>they teased it, but I knew y'all would just clown me,

0:40:04.200 --> 0:40:07.680
<v Speaker 2>I cannot believe in Nawls Barkley album coming out at midnight,

0:40:08.000 --> 0:40:11.160
<v Speaker 2>Danger Mouse and see Low are putting how long has

0:40:11.160 --> 0:40:11.680
<v Speaker 2>it been.

0:40:13.120 --> 0:40:16.320
<v Speaker 4>Over fifth what maybe twenty years?

0:40:17.080 --> 0:40:19.520
<v Speaker 1>Yeah, I was in summer school when Crazy came out,

0:40:19.800 --> 0:40:21.279
<v Speaker 1>Fan Me and Biggs went to things.

0:40:21.320 --> 0:40:23.279
<v Speaker 4>That's when they was doing the concerts in Central Park,

0:40:23.320 --> 0:40:25.680
<v Speaker 4>the free concerts and Naws Barkley did one.

0:40:25.800 --> 0:40:27.640
<v Speaker 1>When I tell you, we was in Central.

0:40:27.280 --> 0:40:32.120
<v Speaker 4>Park high out of our minds move into Naws Barkley

0:40:32.400 --> 0:40:34.160
<v Speaker 4>in the middle of Central Park, Like, I will never

0:40:34.200 --> 0:40:34.680
<v Speaker 4>forget that.

0:40:34.719 --> 0:40:38.600
<v Speaker 1>So to know that we getting a new Naws Barkley album.

0:40:38.400 --> 0:40:41.360
<v Speaker 2>Yeah, I mean I can't even start to say, Like

0:40:41.440 --> 0:40:45.080
<v Speaker 2>what Saint Elsewhere like did to my life, Like it

0:40:45.200 --> 0:40:47.799
<v Speaker 2>shaped a lot of the way I talk about any

0:40:47.880 --> 0:40:50.600
<v Speaker 2>r D as well, How that shaped how I listened

0:40:50.680 --> 0:40:53.960
<v Speaker 2>to music. Saint Elsewhere was that for me in high

0:40:54.000 --> 0:40:56.200
<v Speaker 2>school as well? Like I'm not just boom bapping my

0:40:56.239 --> 0:40:59.280
<v Speaker 2>life away anymore. Yeah, Like, I cannot wait for Danger

0:40:59.360 --> 0:41:01.680
<v Speaker 2>Mouse Low to put a fucking project out.

0:41:01.920 --> 0:41:04.080
<v Speaker 1>And you know what, here's my bias, guys.

0:41:04.520 --> 0:41:06.880
<v Speaker 2>If it stinks, I'm coming in here and saying I

0:41:06.880 --> 0:41:10.960
<v Speaker 2>love it, I respect that.

0:41:11.400 --> 0:41:13.400
<v Speaker 1>I love and danger Mouse too much.

0:41:13.440 --> 0:41:16.080
<v Speaker 4>I respect that is, at least you saying it. At

0:41:16.200 --> 0:41:17.680
<v Speaker 4>least you're saying you're about to come in here and

0:41:17.680 --> 0:41:18.160
<v Speaker 4>be biased.

0:41:18.200 --> 0:41:21.160
<v Speaker 2>I respect that, and I'm going in with very high expectations,

0:41:21.200 --> 0:41:21.760
<v Speaker 2>which could.

0:41:21.719 --> 0:41:23.840
<v Speaker 1>Make it worse. Yeah. I know I have one hundred

0:41:24.640 --> 0:41:26.000
<v Speaker 1>respect that, Rory, but.

0:41:26.080 --> 0:41:27.799
<v Speaker 2>I am very much excited for for you able to

0:41:27.800 --> 0:41:29.520
<v Speaker 2>give us a full project. It's also been a while.

0:41:29.760 --> 0:41:31.720
<v Speaker 2>Pym Me again, one of one of my favorite new

0:41:31.800 --> 0:41:34.759
<v Speaker 2>j Skis and Ill Beats Yes, j Ski shout out

0:41:34.800 --> 0:41:35.880
<v Speaker 2>Jason Part.

0:41:36.040 --> 0:41:37.680
<v Speaker 1>Tone Beats the Good Part Volume one.

0:41:38.160 --> 0:41:39.640
<v Speaker 4>Uh So you know how I feel about skis one

0:41:39.680 --> 0:41:42.080
<v Speaker 4>of the dopest dopest MC's.

0:41:42.000 --> 0:41:45.040
<v Speaker 2>Everyone please look up Jay skis one of the best

0:41:45.080 --> 0:41:48.680
<v Speaker 2>lyricists out right now from buff We talked about him

0:41:48.719 --> 0:41:52.120
<v Speaker 2>during the on the Radar ship. Uh LUIZI is one

0:41:52.120 --> 0:41:54.840
<v Speaker 2>of my favorite new new rappers as well, from New Orleans.

0:41:55.280 --> 0:41:57.640
<v Speaker 2>Leader of the Youth EP comes out, and then we

0:41:57.760 --> 0:42:00.920
<v Speaker 2>have Todd Allis signed Girl Music Volume one. I love

0:42:00.960 --> 0:42:03.680
<v Speaker 2>the single There's You No Time on Me on There

0:42:03.719 --> 0:42:06.799
<v Speaker 2>Talking Crazy? I love the single and if You Got

0:42:06.800 --> 0:42:11.399
<v Speaker 2>ant and Leon also working on it. Yeah, Todd Owes

0:42:11.440 --> 0:42:14.560
<v Speaker 2>this one man for sure. The album he just owes

0:42:14.640 --> 0:42:18.680
<v Speaker 2>us one, the featuring Todd Aleis sign was a letdown

0:42:18.680 --> 0:42:24.680
<v Speaker 2>for me that the title was so great since free TC,

0:42:24.800 --> 0:42:27.440
<v Speaker 2>which I hate saying this about an artist that I'm

0:42:27.480 --> 0:42:30.880
<v Speaker 2>not gassing. I think tid Alisi is iconic, Like, I

0:42:30.960 --> 0:42:34.080
<v Speaker 2>really think he's one of the most important artists of

0:42:34.480 --> 0:42:35.759
<v Speaker 2>this generation by far.

0:42:35.880 --> 0:42:38.520
<v Speaker 1>Absolutely from the sounds right to talent level.

0:42:39.920 --> 0:42:42.160
<v Speaker 2>He's just gotta give us one. And I know this

0:42:42.239 --> 0:42:45.520
<v Speaker 2>is just an EP, yeah, but when it's time to

0:42:45.600 --> 0:42:48.240
<v Speaker 2>give us that album, Free TC to me is a classic,

0:42:48.320 --> 0:42:51.160
<v Speaker 2>my own personal classic. But after that, it's kind of

0:42:51.160 --> 0:42:54.040
<v Speaker 2>been a mixed bag with projects, even though he's delivered

0:42:54.080 --> 0:42:56.160
<v Speaker 2>some of the best music in the last fifteen years,

0:42:56.280 --> 0:43:00.399
<v Speaker 2>some of the best features with other songs like yeah shit,

0:43:00.480 --> 0:43:05.319
<v Speaker 2>even if the Vulture shit with Kanye is incredible, it

0:43:05.360 --> 0:43:07.319
<v Speaker 2>was just bad timing and it would pretended to hate

0:43:07.320 --> 0:43:10.120
<v Speaker 2>it because they had to, but there's great music on there.

0:43:10.200 --> 0:43:11.320
<v Speaker 1>Yeah, I just tie.

0:43:12.600 --> 0:43:14.399
<v Speaker 2>I just want that proper Tie album the same way

0:43:14.400 --> 0:43:17.240
<v Speaker 2>I wanted the proper Chris Brown album, the way people

0:43:17.280 --> 0:43:21.360
<v Speaker 2>want the proper Drake rap album. I want the proper

0:43:21.600 --> 0:43:24.399
<v Speaker 2>Tie Dollars sign R and BO and I hope him

0:43:24.400 --> 0:43:27.560
<v Speaker 2>doing an EP means he's gearing up to get back

0:43:27.560 --> 0:43:31.440
<v Speaker 2>in that bag and stop writing and giving everyone.

0:43:31.040 --> 0:43:32.879
<v Speaker 1>Else in the world all his amazing shit.

0:43:33.800 --> 0:43:35.479
<v Speaker 2>Because if you go through all the records that people

0:43:35.520 --> 0:43:37.279
<v Speaker 2>have from t Todd alas sign, they didn't ask TI

0:43:37.360 --> 0:43:38.759
<v Speaker 2>to get on it. Tod gave them that record and

0:43:38.800 --> 0:43:39.480
<v Speaker 2>then they got on it.

0:43:39.520 --> 0:43:41.759
<v Speaker 4>So he got Brandy on this project, Leon Thomas and

0:43:41.880 --> 0:43:42.520
<v Speaker 4>ron Eisley.

0:43:43.000 --> 0:43:45.480
<v Speaker 5>That right, I mean it probably is probably is a sample.

0:43:45.600 --> 0:43:48.799
<v Speaker 1>But what you mean sample? Nah, they get in the

0:43:48.840 --> 0:43:51.640
<v Speaker 1>Studioah No, for sure out here.

0:43:51.760 --> 0:43:53.960
<v Speaker 3>I don't want to get excited about it because it's

0:43:53.960 --> 0:43:56.560
<v Speaker 3>an AI overview. So it could the same way that

0:43:56.600 --> 0:43:59.399
<v Speaker 3>people thought Ganett was on Cardi B's album.

0:43:59.480 --> 0:44:00.719
<v Speaker 5>It could just he wasn't.

0:44:02.480 --> 0:44:07.719
<v Speaker 1>That wasn't Missus Jackson No, okay? Oh man? So yeah,

0:44:07.800 --> 0:44:09.480
<v Speaker 1>girl girl music value one.

0:44:09.640 --> 0:44:12.080
<v Speaker 2>Obviously this singles out with Leon Thomas now, and then

0:44:12.120 --> 0:44:14.760
<v Speaker 2>my guy, h Isaiah Falls has a record coming out Taboo,

0:44:14.800 --> 0:44:16.800
<v Speaker 2>which I'm looking forward to because I fun with anything

0:44:17.360 --> 0:44:18.320
<v Speaker 2>Isaiah Falls.

0:44:19.719 --> 0:44:21.160
<v Speaker 4>Oh yeah, it's gonna be it. It's gonna be one

0:44:21.160 --> 0:44:24.520
<v Speaker 4>of those weekends. Yeah, pimmy a lot of R and B. Yeah, man,

0:44:24.600 --> 0:44:27.360
<v Speaker 4>Girl music skis I don't know if I'm listening to

0:44:27.440 --> 0:44:28.320
<v Speaker 4>your project this weekend.

0:44:28.360 --> 0:44:29.800
<v Speaker 1>Ma, I ain't gonna lie, man, there's too much R

0:44:29.800 --> 0:44:29.960
<v Speaker 1>and B.

0:44:30.280 --> 0:44:32.400
<v Speaker 4>I went through Narls Barkley. I'm gonna have to skiz. I'

0:44:32.440 --> 0:44:34.040
<v Speaker 4>mnna have to check you during the week man, I

0:44:34.040 --> 0:44:34.680
<v Speaker 4>ain't gonna lie.

0:44:35.000 --> 0:44:35.960
<v Speaker 1>And I left this up here.

0:44:36.080 --> 0:44:37.520
<v Speaker 2>I don't know the gentleman's name, and I mean this

0:44:37.640 --> 0:44:40.120
<v Speaker 2>name disrespect, But I don't know if there's a tie here,

0:44:40.200 --> 0:44:40.759
<v Speaker 2>Young Mall.

0:44:41.719 --> 0:44:43.399
<v Speaker 4>It's putting out any want to let you know. I'll

0:44:43.440 --> 0:44:44.320
<v Speaker 4>kind of snuck mygic.

0:44:45.880 --> 0:44:48.680
<v Speaker 1>You wrote that, I kind of snuckigure. Maybe it was

0:44:48.680 --> 0:44:51.319
<v Speaker 1>your nephew recorded something.

0:44:51.440 --> 0:44:53.240
<v Speaker 4>Yeah, we made some joints there. I kind of snuck

0:44:53.280 --> 0:44:54.080
<v Speaker 4>my ep in there.

0:44:54.160 --> 0:44:58.400
<v Speaker 3>Man, Atlanta based rapper, singer, a songwriter who blends rapid

0:44:58.400 --> 0:45:00.440
<v Speaker 3>fire trap with street level ricks.

0:45:01.520 --> 0:45:05.960
<v Speaker 1>Come from the label world. That Young Mall. Okay, I'm

0:45:06.160 --> 0:45:06.600
<v Speaker 1>check it out.

0:45:06.960 --> 0:45:07.800
<v Speaker 5>He's twenty six.

0:45:08.560 --> 0:45:10.359
<v Speaker 1>I'm gonna check it out. What are you talking about

0:45:10.360 --> 0:45:12.080
<v Speaker 1>on it? I mean that's when that's when Hod made

0:45:12.080 --> 0:45:12.720
<v Speaker 1>reasonable doubts.

0:45:12.719 --> 0:45:15.080
<v Speaker 2>So you gotta think, young Maul, twenty six, you know

0:45:15.560 --> 0:45:16.919
<v Speaker 2>this could be this could be the one.

0:45:18.200 --> 0:45:20.919
<v Speaker 3>I don't know if we ever shouted out Joyce Rice

0:45:20.920 --> 0:45:23.040
<v Speaker 3>for break me In. But that's gonna be like one

0:45:23.040 --> 0:45:24.480
<v Speaker 3>of my songs I thought we did already.

0:45:24.520 --> 0:45:26.479
<v Speaker 5>I can't. No, I don't remembers mentioning it. I can't.

0:45:26.800 --> 0:45:27.880
<v Speaker 1>That record is incredible.

0:45:27.920 --> 0:45:29.840
<v Speaker 5>I cannot stop playing. It's fucking amazing.

0:45:29.960 --> 0:45:31.600
<v Speaker 1>Yeah, she had posted more.

0:45:31.640 --> 0:45:33.840
<v Speaker 2>I'm not sure if you know like the context of

0:45:34.120 --> 0:45:35.600
<v Speaker 2>that record it went.

0:45:35.480 --> 0:45:38.400
<v Speaker 1>Me in what you can only imagine what Joyces what

0:45:38.600 --> 0:45:39.040
<v Speaker 1>she meant.

0:45:38.920 --> 0:45:43.360
<v Speaker 3>Byph I've been so wild lately. Baby, it needs you

0:45:43.400 --> 0:45:44.200
<v Speaker 3>to come and tame me.

0:45:44.680 --> 0:45:46.680
<v Speaker 1>Aha. Joyce doed her head.

0:45:46.719 --> 0:45:49.960
<v Speaker 4>She got like the strawberry, like the blong, going the honey.

0:45:50.239 --> 0:45:52.920
<v Speaker 4>I get some good mir jeorye, what you're doing in

0:45:53.040 --> 0:45:55.320
<v Speaker 4>l a, man, it's funny.

0:45:55.360 --> 0:45:57.359
<v Speaker 2>She posted because her pops came to the video set,

0:45:57.360 --> 0:46:00.600
<v Speaker 2>and you know, her dad is rightfully, so so supportive

0:46:00.600 --> 0:46:02.800
<v Speaker 2>of her career, which is beautiful to watch. She posted

0:46:02.800 --> 0:46:07.480
<v Speaker 2>a text message from him, Baby, I can't explain to

0:46:07.520 --> 0:46:08.880
<v Speaker 2>my friends what this song is about.

0:46:12.719 --> 0:46:15.480
<v Speaker 4>Nah, I can't let that. I can't let the homies no, Like, yeah,

0:46:15.520 --> 0:46:18.120
<v Speaker 4>my daughter just dropped this new joint. Like, nah, they

0:46:18.120 --> 0:46:18.839
<v Speaker 4>got to miss this.

0:46:18.840 --> 0:46:22.160
<v Speaker 2>One, but definitely check out Joyce Rice that that record

0:46:22.239 --> 0:46:24.440
<v Speaker 2>is really really good, and yeah, she's gearing up to

0:46:24.600 --> 0:46:27.360
<v Speaker 2>put a full project out. This is definite, definitely a

0:46:27.440 --> 0:46:28.919
<v Speaker 2>joy Stand podcast for sure.

0:46:31.040 --> 0:46:33.600
<v Speaker 1>Do we want to stay stay music mine as well.

0:46:33.920 --> 0:46:37.000
<v Speaker 2>I'm skipping over the TI names himself with Jay Kendrick,

0:46:37.040 --> 0:46:39.879
<v Speaker 2>Andre two thousand, Wayne Scarface, Eminem and Jay Electronica because

0:46:39.880 --> 0:46:43.200
<v Speaker 2>I agree with him and do what.

0:46:43.160 --> 0:46:43.440
<v Speaker 1>Do you mean?

0:46:43.480 --> 0:46:44.960
<v Speaker 5>I don't think any of those people should be named

0:46:45.000 --> 0:46:45.560
<v Speaker 5>next to Jay.

0:46:45.760 --> 0:46:49.440
<v Speaker 2>But other than that, if we're doing an overall goats,

0:46:49.440 --> 0:46:52.200
<v Speaker 2>I don't think there has to be one goat TI.

0:46:52.239 --> 0:46:56.000
<v Speaker 2>I was on Ebro in the morning with Laura Styles

0:46:56.040 --> 0:46:58.600
<v Speaker 2>and Rosenberg and you know, they were doing more of

0:46:58.640 --> 0:47:01.799
<v Speaker 2>the Top five conversation listen then and they started throwing

0:47:01.880 --> 0:47:04.799
<v Speaker 2>names around and Ti I was like, get me and

0:47:04.840 --> 0:47:05.480
<v Speaker 2>I feel him.

0:47:05.800 --> 0:47:08.440
<v Speaker 1>I do too. What are you supposed to? But it's

0:47:08.480 --> 0:47:11.720
<v Speaker 1>not I still think is there?

0:47:11.840 --> 0:47:14.759
<v Speaker 3>Do you agree with him? Not what he thinks? Do

0:47:14.800 --> 0:47:17.000
<v Speaker 3>you agree with his thoughts.

0:47:16.760 --> 0:47:19.799
<v Speaker 4>That TI is one of the best rappers we've ever had?

0:47:20.000 --> 0:47:20.280
<v Speaker 5>Yes?

0:47:20.760 --> 0:47:21.400
<v Speaker 1>Yeah, I agree?

0:47:21.600 --> 0:47:22.800
<v Speaker 5>Okay, that's all true.

0:47:23.440 --> 0:47:28.560
<v Speaker 2>Lyrics, singles, desography changed the entire sound like he checks

0:47:28.560 --> 0:47:31.799
<v Speaker 2>every box that you could think of. For sure, if

0:47:31.840 --> 0:47:35.320
<v Speaker 2>I'm t I probably a little mad that my name's

0:47:35.440 --> 0:47:37.120
<v Speaker 2>not brought up more in these types of coming. Yeah,

0:47:37.960 --> 0:47:40.080
<v Speaker 2>because he's there, checked every box.

0:47:41.719 --> 0:47:43.960
<v Speaker 4>I mean, listen, man, y'all y' know I love Andrews

0:47:43.960 --> 0:47:46.400
<v Speaker 4>two thousands, but he ain't got no solo project. At

0:47:46.440 --> 0:47:50.480
<v Speaker 4>least ti I got solo albums classical. Yeah, so at

0:47:50.560 --> 0:47:53.440
<v Speaker 4>least yeah, he's he's right there. Yes, absolutely.

0:47:54.360 --> 0:47:57.120
<v Speaker 2>I saw Raphael Sad had posted or somebody I assume

0:47:57.160 --> 0:47:59.640
<v Speaker 2>it with him. I don't know if someone on his team,

0:48:00.080 --> 0:48:04.520
<v Speaker 2>but on his ig account Sadik Moves he had posted.

0:48:05.960 --> 0:48:09.040
<v Speaker 2>Raphael Sad, di'angelo and Maxwell are not Neil Soul artists. Sorry,

0:48:09.040 --> 0:48:11.400
<v Speaker 2>but that's the truth. Neil Soul was a term created

0:48:11.440 --> 0:48:14.439
<v Speaker 2>by one black executive purely as a shorthand. It helped

0:48:14.480 --> 0:48:18.880
<v Speaker 2>labels internally identify which acts would not require crossover marketing budgets.

0:48:19.040 --> 0:48:21.919
<v Speaker 2>Those funds were reserved for pop boy bands. That word

0:48:21.920 --> 0:48:25.359
<v Speaker 2>Neil Soul signaled to executives in marketing meetings. These black

0:48:25.480 --> 0:48:27.439
<v Speaker 2>artists might sell one hundred and fifty to three hundred

0:48:27.440 --> 0:48:30.640
<v Speaker 2>and fifty K, maybe half a million if they're really good,

0:48:31.080 --> 0:48:32.759
<v Speaker 2>one million at best. That had nothing to do with

0:48:32.760 --> 0:48:34.840
<v Speaker 2>the sound of the music hip hop was created by

0:48:34.880 --> 0:48:40.840
<v Speaker 2>the people. I use that term often, but I feel

0:48:40.880 --> 0:48:46.800
<v Speaker 2>him he's he's definitely correct. I hear he's correct because

0:48:46.840 --> 0:48:51.120
<v Speaker 2>I mean, I've been at labels where urban became the

0:48:51.120 --> 0:48:54.279
<v Speaker 2>big word. I think now at labels, traditional R and

0:48:54.360 --> 0:48:58.919
<v Speaker 2>B is the new code word for we can only

0:48:58.960 --> 0:49:01.000
<v Speaker 2>give we can only alloc so much budget to this

0:49:01.080 --> 0:49:03.000
<v Speaker 2>artist because we know they're not going to sell as

0:49:03.080 --> 0:49:06.400
<v Speaker 2>much because traditional R and B is not selling the

0:49:06.400 --> 0:49:11.560
<v Speaker 2>way they used to sell. So I feel him it did,

0:49:11.880 --> 0:49:17.239
<v Speaker 2>but it did also coin a genre to me. I

0:49:17.280 --> 0:49:22.480
<v Speaker 2>can see from their perspective, but as a fan that

0:49:22.680 --> 0:49:25.000
<v Speaker 2>when I was younger did not care about who sold

0:49:25.000 --> 0:49:26.920
<v Speaker 2>what I was in this business that I honestly did

0:49:27.000 --> 0:49:30.120
<v Speaker 2>not give a fuck if D'Angelo sold one record or

0:49:30.520 --> 0:49:33.879
<v Speaker 2>two million record. It wasn't even in my brain at

0:49:33.920 --> 0:49:37.799
<v Speaker 2>that time. It did help me discover artists like him

0:49:37.880 --> 0:49:39.360
<v Speaker 2>and people within that genre.

0:49:39.880 --> 0:49:42.440
<v Speaker 1>So I feel Raphael Sadek.

0:49:42.920 --> 0:49:46.040
<v Speaker 2>But the other side of that coin is a twelve

0:49:46.120 --> 0:49:48.759
<v Speaker 2>thirteen year old kid that just likes soul quariums and

0:49:48.800 --> 0:49:51.719
<v Speaker 2>just wants to discover more music. Yeah, when I was

0:49:51.719 --> 0:49:55.400
<v Speaker 2>at any record store trying to buy CDs, like I

0:49:55.440 --> 0:49:58.920
<v Speaker 2>went to the neo soul section like it was helpful.

0:49:59.520 --> 0:50:02.799
<v Speaker 2>I know that I probably fucked them over, but it

0:50:02.880 --> 0:50:07.120
<v Speaker 2>helped me discover a whole genre. I mean, hip hop

0:50:07.160 --> 0:50:09.520
<v Speaker 2>had a lot to do with helping with neo so

0:50:09.920 --> 0:50:13.560
<v Speaker 2>a lot with the roots. Yeah, it's it's the same

0:50:13.600 --> 0:50:17.520
<v Speaker 2>genre in some degree, and even putting together something like

0:50:17.520 --> 0:50:19.920
<v Speaker 2>the Soaquarians and what the roots were doing at Geffing

0:50:19.960 --> 0:50:21.120
<v Speaker 2>of how they got to pop.

0:50:20.960 --> 0:50:22.000
<v Speaker 1>Was because they got loud.

0:50:22.000 --> 0:50:25.000
<v Speaker 2>They got a whole crew around them where you could

0:50:25.000 --> 0:50:27.640
<v Speaker 2>share fan bases and yeah, I hear them, but that

0:50:27.760 --> 0:50:29.880
<v Speaker 2>helped young fans discover music.

0:50:30.080 --> 0:50:31.960
<v Speaker 1>I'm gonna be honest, I don't know.

0:50:32.640 --> 0:50:34.520
<v Speaker 4>Maybe my time was a wrong, but I can't really

0:50:34.520 --> 0:50:39.879
<v Speaker 4>remember neo soul really becoming a thing until I think,

0:50:40.040 --> 0:50:43.760
<v Speaker 4>like Music Soul Child, the words right out like music

0:50:43.840 --> 0:50:45.759
<v Speaker 4>and h what's India Ari?

0:50:46.200 --> 0:50:49.799
<v Speaker 2>Yeah, like you know, like I was definitely the neo

0:50:49.920 --> 0:50:52.480
<v Speaker 2>soul's song that was on the ringio.

0:50:53.160 --> 0:50:55.600
<v Speaker 4>Like again, I could have my time, but I don't

0:50:55.640 --> 0:50:58.880
<v Speaker 4>remember really hearing people even say the word neo soul

0:50:59.320 --> 0:51:02.080
<v Speaker 4>until Music Soul Child, because obviously the success that he

0:51:02.160 --> 0:51:04.440
<v Speaker 4>had with his single, his first single, and you know,

0:51:04.520 --> 0:51:07.440
<v Speaker 4>his first album and things like that. But before that,

0:51:07.520 --> 0:51:09.360
<v Speaker 4>it was R and B. It was you know what

0:51:09.360 --> 0:51:11.600
<v Speaker 4>I mean, it was hip hop. It wasn't you know,

0:51:11.719 --> 0:51:15.280
<v Speaker 4>maybe jazz obviously jazz and soul, but it wasn't neo.

0:51:15.840 --> 0:51:18.080
<v Speaker 1>So I don't remember people even saying that. I mean,

0:51:18.120 --> 0:51:20.880
<v Speaker 1>I always when I was younger, I always put.

0:51:20.760 --> 0:51:24.000
<v Speaker 2>When the music Soul Child's first album come out, that

0:51:24.080 --> 0:51:24.839
<v Speaker 2>his first time my shirt.

0:51:24.880 --> 0:51:25.160
<v Speaker 1>But if you.

0:51:26.840 --> 0:51:31.400
<v Speaker 2>Like when he popped with best Friend with two thousand

0:51:31.360 --> 0:51:34.359
<v Speaker 2>and two, two thousand, two thousand.

0:51:34.239 --> 0:51:35.680
<v Speaker 1>Yeah, I just want to sing with two thousands.

0:51:35.680 --> 0:51:39.439
<v Speaker 4>So yeah, around that time, classic album, that's where see

0:51:39.719 --> 0:51:42.080
<v Speaker 4>a blend of R and B neo soul. Fun kid Like,

0:51:42.120 --> 0:51:45.400
<v Speaker 4>I didn't really start hearing the word neo soul until.

0:51:46.080 --> 0:51:47.000
<v Speaker 1>What's so funny about that?

0:51:47.080 --> 0:51:50.040
<v Speaker 2>I kind of remember Maxwell maybe maybe a little bit.

0:51:50.080 --> 0:51:52.320
<v Speaker 1>You heard the word Neil so Max maybe.

0:51:52.040 --> 0:51:55.319
<v Speaker 2>Urban Maxwee was I remember it being, and the second

0:51:55.360 --> 0:51:58.080
<v Speaker 2>album as well being neo soul.

0:51:58.280 --> 0:51:59.040
<v Speaker 1>I don't remember.

0:51:59.160 --> 0:52:02.920
<v Speaker 2>I remember music Soul Child was more of the crossover,

0:52:03.200 --> 0:52:04.879
<v Speaker 2>like he's crossing over from Neil Soul.

0:52:06.360 --> 0:52:07.040
<v Speaker 1>And that's how I think.

0:52:07.080 --> 0:52:08.719
<v Speaker 4>I think that's why that that became a thing because

0:52:09.080 --> 0:52:13.080
<v Speaker 4>these artists or maybe five hundred thousand, maybe a million,

0:52:13.120 --> 0:52:13.680
<v Speaker 4>you know what I'm saying.

0:52:13.680 --> 0:52:14.680
<v Speaker 1>But like I think.

0:52:15.400 --> 0:52:19.520
<v Speaker 4>Maxwell was still very much identified as an R and

0:52:19.560 --> 0:52:20.480
<v Speaker 4>B artist.

0:52:20.239 --> 0:52:23.360
<v Speaker 2>Right, look up a music soul child, don't change. I

0:52:23.400 --> 0:52:24.200
<v Speaker 2>want to say six.

0:52:25.840 --> 0:52:29.279
<v Speaker 3>And there was also an aesthetic that went along with

0:52:29.440 --> 0:52:30.600
<v Speaker 3>the neo soul.

0:52:30.800 --> 0:52:32.680
<v Speaker 1>That's just incense in the video, bigger.

0:52:32.600 --> 0:52:35.280
<v Speaker 5>Movement like there was that was a whole thing.

0:52:35.440 --> 0:52:38.040
<v Speaker 3>So like when he's I understand what he's saying, but like,

0:52:39.200 --> 0:52:42.520
<v Speaker 3>oh my god, everything originates from something and the meaning

0:52:42.600 --> 0:52:45.400
<v Speaker 3>of things changed. So yes, that may be how it originated,

0:52:45.440 --> 0:52:47.800
<v Speaker 3>but you can't say these artists are not neo soul

0:52:47.880 --> 0:52:49.800
<v Speaker 3>because for what neo soul became.

0:52:49.719 --> 0:52:50.319
<v Speaker 5>Yes they are.

0:52:50.640 --> 0:52:52.400
<v Speaker 3>And I can understand when it comes to things like

0:52:52.640 --> 0:52:55.120
<v Speaker 3>awards or budgets why you might not want to be

0:52:55.160 --> 0:52:58.000
<v Speaker 3>classified as certain things. But to the people, to the culture,

0:52:58.360 --> 0:53:00.279
<v Speaker 3>that is what you are, and I think that's something

0:53:00.280 --> 0:53:01.640
<v Speaker 3>that you should be proud of.

0:53:02.239 --> 0:53:06.080
<v Speaker 4>I mean, okay, you're saying it's still it was still

0:53:06.080 --> 0:53:07.799
<v Speaker 4>a way. It was like a cold word in the

0:53:07.840 --> 0:53:10.880
<v Speaker 4>marketing meanings of how much money to allocate to the

0:53:10.920 --> 0:53:14.719
<v Speaker 4>budget for this particular which in sound, which was like

0:53:16.080 --> 0:53:18.400
<v Speaker 4>it's kind of unfair because it's like, yo, why y'all

0:53:18.880 --> 0:53:21.880
<v Speaker 4>just trying to create smaller budgets for this sound.

0:53:21.920 --> 0:53:23.920
<v Speaker 3>But even if you were just soul, or even if

0:53:23.920 --> 0:53:26.280
<v Speaker 3>you were just R and B, you would have gotten

0:53:26.320 --> 0:53:29.120
<v Speaker 3>shorted either way. You would have gotten shortened either way.

0:53:29.719 --> 0:53:31.920
<v Speaker 3>Yeah it's a shorthand, but you would have got it shortened.

0:53:31.920 --> 0:53:33.880
<v Speaker 3>You would have got it shortened anyway either way.

0:53:34.120 --> 0:53:36.320
<v Speaker 2>But even like, do you guys feel like the untitled

0:53:36.360 --> 0:53:40.359
<v Speaker 2>video D'Angelo? To me, that is a pure R and

0:53:40.400 --> 0:53:43.839
<v Speaker 2>B video, Like there's nothing which one untitled. There's there's

0:53:43.960 --> 0:53:48.120
<v Speaker 2>nothing neo quote unquote neo's soul about d'angelo's v paulse

0:53:48.640 --> 0:53:52.080
<v Speaker 2>like that. That's an R and B greased up type

0:53:52.120 --> 0:53:52.520
<v Speaker 2>of video.

0:53:53.239 --> 0:53:54.319
<v Speaker 1>The video now that.

0:53:54.400 --> 0:53:56.719
<v Speaker 3>Long has a neo soul sound. It might have been

0:53:57.080 --> 0:53:59.640
<v Speaker 3>for a song, is Neil, So whatever you.

0:53:59.640 --> 0:54:03.279
<v Speaker 2>Wants talk about visuals like you think window all right,

0:54:03.280 --> 0:54:05.719
<v Speaker 2>windows sea, boombab drums, erkabad window seat.

0:54:06.560 --> 0:54:08.799
<v Speaker 1>She's walking around where JFK.

0:54:08.600 --> 0:54:11.759
<v Speaker 2>Was assassinated, but ass naked and then gets assassinated at

0:54:11.760 --> 0:54:15.720
<v Speaker 2>the end. I guess someone would put the conscious title

0:54:15.760 --> 0:54:18.480
<v Speaker 2>on Neil Soul there and it has boom bab drums.

0:54:18.880 --> 0:54:22.240
<v Speaker 2>To me, that would be considered a stereotypical neo soul video,

0:54:22.320 --> 0:54:24.919
<v Speaker 2>which I mean respectfully, because I'm sure miss Boddo does

0:54:24.920 --> 0:54:27.520
<v Speaker 2>not consider herself Neil Soul or in that Neil, so

0:54:27.600 --> 0:54:28.080
<v Speaker 2>I think.

0:54:28.040 --> 0:54:28.839
<v Speaker 1>That's just her art.

0:54:29.440 --> 0:54:32.239
<v Speaker 2>But to me, that would be categorized more by a

0:54:32.320 --> 0:54:34.759
<v Speaker 2>label as Neil's Soul than untitled.

0:54:35.680 --> 0:54:37.319
<v Speaker 1>That's a sexy ass R and B video.

0:54:37.520 --> 0:54:41.280
<v Speaker 3>Yeah, but I don't know it sounds. I'm a lot younger,

0:54:41.360 --> 0:54:44.000
<v Speaker 3>so when I whenever I would hear D'Angelo growing up,

0:54:44.040 --> 0:54:48.120
<v Speaker 3>I would automatically contribute it to Neo, so like instance,

0:54:48.160 --> 0:54:49.520
<v Speaker 3>should be burning when I'm playing.

0:54:49.320 --> 0:54:53.319
<v Speaker 2>It fifty cents. But to di Angelo, he determined not

0:54:53.360 --> 0:55:00.120
<v Speaker 2>to fail. He went but asked for this album to sell. Oh,

0:55:00.160 --> 0:55:02.879
<v Speaker 2>I missed the early two thousand Good Times, Great Time,

0:55:03.360 --> 0:55:06.319
<v Speaker 2>but I feel Raphael sadic in that that way.

0:55:06.760 --> 0:55:09.439
<v Speaker 3>And I also think when that was when neo soul

0:55:09.560 --> 0:55:12.160
<v Speaker 3>was even being talked about, I think it was such

0:55:12.200 --> 0:55:15.279
<v Speaker 3>a huge difference from the R and B that was

0:55:15.360 --> 0:55:17.600
<v Speaker 3>currently popular, because the R and B at the time,

0:55:17.640 --> 0:55:19.719
<v Speaker 3>in the early two thousands that was currently popular was

0:55:19.719 --> 0:55:21.120
<v Speaker 3>not regular soul R and B.

0:55:21.400 --> 0:55:23.200
<v Speaker 5>It was very much attached to hip hop.

0:55:23.239 --> 0:55:26.319
<v Speaker 2>It was it was attached to boombab because of course

0:55:26.320 --> 0:55:28.120
<v Speaker 2>I wasn't in the labels in the early two thousands,

0:55:28.160 --> 0:55:31.279
<v Speaker 2>but when things were starting to shift and it went

0:55:31.440 --> 0:55:33.680
<v Speaker 2>less of what boom Bab was and more to what

0:55:34.480 --> 0:55:38.440
<v Speaker 2>say Rough Riders, Rockefeller, Murder Inqui was do. R and

0:55:38.440 --> 0:55:41.000
<v Speaker 2>B was also shifting, but you still had the boombab

0:55:41.080 --> 0:55:43.680
<v Speaker 2>rappers that they were like, well, we can't if Blackstar

0:55:43.760 --> 0:55:45.120
<v Speaker 2>wants to do a major deal, We're only going to

0:55:45.200 --> 0:55:46.840
<v Speaker 2>give them this amount because we think they're going to

0:55:46.880 --> 0:55:49.600
<v Speaker 2>sell this based off that sound. And that was those

0:55:49.680 --> 0:55:52.799
<v Speaker 2>R and B artists too. But meanwhile Maxwell and Dan

0:55:52.800 --> 0:55:58.080
<v Speaker 2>Angelo so crazy, yeah shit, Eric Abadu did as well,

0:55:58.880 --> 0:56:01.560
<v Speaker 2>oh for sure, Like they sold more than half a

0:56:01.600 --> 0:56:04.880
<v Speaker 2>million on that time. So but I think that's what

0:56:04.920 --> 0:56:07.480
<v Speaker 2>they do with traditional R and by now. Yeah, like

0:56:07.520 --> 0:56:09.640
<v Speaker 2>they call Coco Jones traditional R and B, and I

0:56:09.640 --> 0:56:13.040
<v Speaker 2>think that's fucked up. Like I get why, but the

0:56:13.080 --> 0:56:15.640
<v Speaker 2>code words what Raefa El Sadika is talking about is

0:56:15.640 --> 0:56:17.840
<v Speaker 2>we think this type of music can only sell this

0:56:17.880 --> 0:56:21.160
<v Speaker 2>amount exactly. And Coco's I think surpassed.

0:56:20.640 --> 0:56:22.440
<v Speaker 1>What people thought of traditional R and B in the

0:56:22.480 --> 0:56:23.080
<v Speaker 1>new era, but.

0:56:23.080 --> 0:56:24.920
<v Speaker 3>Even the fans would call her traditional R and B

0:56:25.000 --> 0:56:27.760
<v Speaker 3>and they have no idea about anything budget related.

0:56:28.400 --> 0:56:30.680
<v Speaker 5>She's traditional R and B because she is traditional R

0:56:30.719 --> 0:56:31.239
<v Speaker 5>and B for.

0:56:31.200 --> 0:56:34.560
<v Speaker 2>Sure, but it's become in the labels the way raefa

0:56:34.560 --> 0:56:37.080
<v Speaker 2>Elsadiccas saying I never viewed neo soul. I thought neil

0:56:37.120 --> 0:56:39.280
<v Speaker 2>soul was a stat I didn't know behind the scenes

0:56:39.360 --> 0:56:40.680
<v Speaker 2>it was a death threat.

0:56:40.920 --> 0:56:42.280
<v Speaker 1>Yeah, I think traditional.

0:56:42.360 --> 0:56:45.280
<v Speaker 2>When Coco Jones walks in knowing she makes real traditional

0:56:45.360 --> 0:56:47.319
<v Speaker 2>R and B music, I don't think she views the

0:56:47.400 --> 0:56:50.440
<v Speaker 2>marketing team going, well, your traditional R and B in

0:56:50.600 --> 0:56:51.439
<v Speaker 2>a positive way.

0:56:51.560 --> 0:56:52.360
<v Speaker 5>Yeah.

0:56:53.040 --> 0:56:57.920
<v Speaker 2>Shit, we watched Ari Lennox rightfully, so go on Twitter

0:56:58.080 --> 0:57:00.920
<v Speaker 2>with the Soul Train Awards and like, okay, you guys

0:57:00.920 --> 0:57:04.760
<v Speaker 2>put me under soul, but then don't even properly pitch me.

0:57:04.760 --> 0:57:07.920
<v Speaker 1>To the Soul Train of wars. Yeah, stop putting me

0:57:07.960 --> 0:57:11.319
<v Speaker 1>in these categories that you know are designed for me

0:57:11.440 --> 0:57:15.600
<v Speaker 1>to fail. Right, So I can't put us in a box.

0:57:16.320 --> 0:57:16.840
<v Speaker 1>I get it.

0:57:16.960 --> 0:57:20.040
<v Speaker 2>But I mean even D'Angelo, someone that retweeted an old

0:57:20.080 --> 0:57:23.440
<v Speaker 2>interview D'Angelo saying like he didn't particularly like the term

0:57:23.640 --> 0:57:24.000
<v Speaker 2>he is.

0:57:24.040 --> 0:57:24.959
<v Speaker 1>I make soul music.

0:57:25.640 --> 0:57:28.480
<v Speaker 2>I don't make neo soul music. What is It's a

0:57:28.480 --> 0:57:33.080
<v Speaker 2>matrix thing exactly. It's sounds back to the matrix. But

0:57:33.400 --> 0:57:34.600
<v Speaker 2>I don't know, do we nerd out too much?

0:57:34.640 --> 0:57:35.480
<v Speaker 1>Peage Ryan was.

0:57:35.920 --> 0:57:37.840
<v Speaker 5>Well, we're a music podcast. I look when we talk

0:57:37.880 --> 0:57:39.360
<v Speaker 5>about music and not you.

0:57:39.320 --> 0:57:40.960
<v Speaker 1>Know, now you box on the sin. That's how they

0:57:41.000 --> 0:57:41.200
<v Speaker 1>do the.

0:57:43.040 --> 0:57:45.360
<v Speaker 5>Ne We're entertainment podcast is what I was.

0:57:46.200 --> 0:57:49.800
<v Speaker 2>Netflix put us on under comedy Niggas is some joke.

0:57:49.880 --> 0:57:54.720
<v Speaker 1>He made a ke just my existence not oh yeah,

0:57:54.720 --> 0:57:58.400
<v Speaker 1>no were we were British obviously the Irish.

0:57:58.000 --> 0:58:02.040
<v Speaker 2>And we were conquered by Yeah, the pretty kind of

0:58:02.280 --> 0:58:03.160
<v Speaker 2>homage to your people.

0:58:03.520 --> 0:58:06.600
<v Speaker 1>Billy Idol said smoking crack helped him quit Heroin. Billy,

0:58:06.640 --> 0:58:08.720
<v Speaker 1>I feel you. I could dig it.

0:58:08.800 --> 0:58:10.000
<v Speaker 5>That should make perfect sense to me.

0:58:10.040 --> 0:58:10.640
<v Speaker 1>I could dig.

0:58:10.520 --> 0:58:13.040
<v Speaker 5>It what we confused about?

0:58:14.400 --> 0:58:17.120
<v Speaker 4>Listen to Billy Idol said it, He lived it. He

0:58:17.160 --> 0:58:18.400
<v Speaker 4>said it was his word for it.

0:58:18.480 --> 0:58:20.200
<v Speaker 1>Ship. I'm gonna take his word for it.

0:58:20.240 --> 0:58:22.720
<v Speaker 3>Now, how did he get off the crack? Did he

0:58:22.760 --> 0:58:23.520
<v Speaker 3>say that part?

0:58:24.000 --> 0:58:24.919
<v Speaker 1>No, he's still on the crack.

0:58:25.040 --> 0:58:27.680
<v Speaker 3>Oh, he's still on the cracky. Crack is not as

0:58:27.720 --> 0:58:29.880
<v Speaker 3>bad as Heroin, though hero win to kill you. I

0:58:29.880 --> 0:58:31.160
<v Speaker 3>ain't never seen a crackhead die.

0:58:31.640 --> 0:58:33.080
<v Speaker 4>Not crackheads do die. He ain't never been in a

0:58:33.080 --> 0:58:36.040
<v Speaker 4>crackhead funeral. You ain't never been in a funeral like

0:58:36.240 --> 0:58:36.840
<v Speaker 4>what happened to son?

0:58:36.880 --> 0:58:39.800
<v Speaker 1>Your old crack? Never, It's never happened. I've been a

0:58:39.840 --> 0:58:42.040
<v Speaker 1>funerals where I know people smoke cracked, but they didn't die.

0:58:41.920 --> 0:58:44.560
<v Speaker 4>Because of crack, because of died from old age. Yees,

0:58:45.040 --> 0:58:47.360
<v Speaker 4>heigas died from a cigarette before they died from crack.

0:58:47.600 --> 0:58:50.080
<v Speaker 4>Of course, that Assso what happened he was smoking?

0:58:50.080 --> 0:58:51.440
<v Speaker 1>What? Crack? No cigarettes?

0:58:51.480 --> 0:58:51.600
<v Speaker 2>Oh?

0:58:51.640 --> 0:58:55.000
<v Speaker 1>Okay, yeah, I guess. Of course you could probably overdose

0:58:55.040 --> 0:58:56.080
<v Speaker 1>from crack. We know that.

0:58:56.160 --> 0:58:58.280
<v Speaker 2>But I feel like when you smoke crack, you want

0:58:58.280 --> 0:58:59.840
<v Speaker 2>to go on to an adventure right away until the high,

0:59:00.240 --> 0:59:01.840
<v Speaker 2>Like you don't have time to o d because you're

0:59:01.880 --> 0:59:02.520
<v Speaker 2>it's adventure time.

0:59:02.760 --> 0:59:07.040
<v Speaker 1>Crack is only what the until Maybe something like that.

0:59:07.720 --> 0:59:08.240
<v Speaker 5>Just crazy.

0:59:08.600 --> 0:59:10.840
<v Speaker 1>It's a quick high. It's just a quick, quick joke.

0:59:11.440 --> 0:59:12.520
<v Speaker 1>It's like drinking the red Bull.

0:59:14.080 --> 0:59:16.880
<v Speaker 2>Okay, so I don't I've drank rebels. I just don't

0:59:16.920 --> 0:59:18.520
<v Speaker 2>think it's like swing Maybe.

0:59:18.600 --> 0:59:21.040
<v Speaker 3>Four four makes your skin crawl and doesn't crack do that?

0:59:21.320 --> 0:59:22.160
<v Speaker 3>Oh no, that's heroin?

0:59:22.640 --> 0:59:24.120
<v Speaker 1>Yeah no, don't put that on crack.

0:59:24.400 --> 0:59:29.280
<v Speaker 2>What were you huffing in? London and the ship that

0:59:29.400 --> 0:59:33.360
<v Speaker 2>Kanye was addicted whippets. He wouldn't whippets in London. The

0:59:33.480 --> 0:59:36.440
<v Speaker 2>nitrous oxide, Yeah, the nitrous page wasn't huffing that.

0:59:36.560 --> 0:59:36.920
<v Speaker 1>He found that.

0:59:37.320 --> 0:59:38.760
<v Speaker 4>He walked out the bar and it was just on

0:59:38.840 --> 0:59:41.120
<v Speaker 4>the street, right, somebody got out that ball went crazy,

0:59:41.640 --> 0:59:43.560
<v Speaker 4>went right to the nitrous is Wow.

0:59:44.160 --> 0:59:45.920
<v Speaker 5>Isn't that like laughing gas kind of yeah?

0:59:45.960 --> 0:59:46.240
<v Speaker 1>I think so.

0:59:47.920 --> 0:59:51.080
<v Speaker 4>You just saw that the FDA approved the new Johnson

0:59:51.080 --> 0:59:53.400
<v Speaker 4>and Johnson nasal spray that has ketamine in it. Jesse,

0:59:53.560 --> 0:59:56.880
<v Speaker 4>that were oh, the next generation, this new generation coming up.

0:59:56.880 --> 0:59:59.280
<v Speaker 4>They about to be all fucked in the head. That's

0:59:59.360 --> 1:00:01.479
<v Speaker 4>what you can go by at their CVS. But they're

1:00:01.480 --> 1:00:03.880
<v Speaker 4>gonna be huffing ketamine now, like well, I'm.

1:00:03.760 --> 1:00:06.200
<v Speaker 3>Sure it's like a small small amount. Just kind of

1:00:06.240 --> 1:00:08.560
<v Speaker 3>like how this means by the whole box cough syrup.

1:00:08.840 --> 1:00:13.120
<v Speaker 1>Yeah, that's all that means. By the box it spravado.

1:00:13.480 --> 1:00:14.480
<v Speaker 1>That's what Brittney needs to be.

1:00:14.520 --> 1:00:17.000
<v Speaker 5>On treatment resistant depression.

1:00:18.320 --> 1:00:22.040
<v Speaker 3>Oh tell, they about to go crazy on it. Just remember,

1:00:22.160 --> 1:00:24.480
<v Speaker 3>but that sounds like something I have to get prescribed.

1:00:25.480 --> 1:00:28.320
<v Speaker 2>Is that one of those over the predit that causes depression?

1:00:29.240 --> 1:00:32.120
<v Speaker 2>Of course, it's like because like Paxel treats depression, but

1:00:32.160 --> 1:00:33.480
<v Speaker 2>one of the side effects of suicide.

1:00:34.240 --> 1:00:36.320
<v Speaker 1>Yeah, like this is this is that's not a joke,

1:00:36.400 --> 1:00:40.320
<v Speaker 1>it's an actual thing. Yeah, Nah, this is I'm scared.

1:00:40.320 --> 1:00:41.600
<v Speaker 1>I'm scared for this pravado thing.

1:00:42.040 --> 1:00:42.960
<v Speaker 5>That's like carmacks.

1:00:43.120 --> 1:00:45.320
<v Speaker 3>Y'all think CARMX is fixing your lips, But if y'all

1:00:45.400 --> 1:00:48.520
<v Speaker 3>stop using Carmacks for two days, suddenly your lips are

1:00:48.560 --> 1:00:49.720
<v Speaker 3>the chat this they've ever been.

1:00:50.680 --> 1:00:51.480
<v Speaker 5>It's fucking you up.

1:00:51.640 --> 1:00:53.880
<v Speaker 1>Gotta know, just drink more water, just dehydrated.

1:00:54.280 --> 1:00:55.760
<v Speaker 5>No, not me, I don't have that problem.

1:00:55.920 --> 1:00:59.000
<v Speaker 3>But yeah, people who use carmacks, they lips after three

1:00:59.080 --> 1:00:59.960
<v Speaker 3>days be fucked up again.

1:01:01.520 --> 1:01:04.520
<v Speaker 5>There's glass in it. There's glass and karmics in turn

1:01:04.960 --> 1:01:06.040
<v Speaker 5>the glass and karmax.

1:01:06.960 --> 1:01:08.240
<v Speaker 1>This is a glass.

1:01:08.360 --> 1:01:11.840
<v Speaker 2>But even like blistacks, which I use, I'm more of

1:01:11.880 --> 1:01:12.920
<v Speaker 2>a Burt skuy, But even.

1:01:12.800 --> 1:01:16.400
<v Speaker 4>Bert Comics stopped using glass jars in nineteen ninety six.

1:01:17.400 --> 1:01:19.920
<v Speaker 4>The room of that Comax contains tiny glass yards is

1:01:19.960 --> 1:01:23.520
<v Speaker 4>a false, long standing urban legend design to explain sensations

1:01:23.560 --> 1:01:25.080
<v Speaker 4>of irritation or addictive views.

1:01:25.400 --> 1:01:28.120
<v Speaker 2>Well, in Ryan's defense, I don't know if the government

1:01:28.240 --> 1:01:30.640
<v Speaker 2>like double checked. They may have just said they stopped.

1:01:31.000 --> 1:01:33.200
<v Speaker 2>That was just like I'm not sure that they that

1:01:33.360 --> 1:01:35.200
<v Speaker 2>was really testing and lits?

1:01:35.280 --> 1:01:38.160
<v Speaker 4>Can we actually hey, how many people actually finish a

1:01:38.360 --> 1:01:40.520
<v Speaker 4>jaw of karmens or blistacks?

1:01:40.600 --> 1:01:40.640
<v Speaker 1>Like?

1:01:40.760 --> 1:01:42.520
<v Speaker 4>How many people actually finish it? Like get to the

1:01:42.560 --> 1:01:44.520
<v Speaker 4>bottom of that? No, it's impossible.

1:01:44.640 --> 1:01:47.480
<v Speaker 2>And the look the jars of anything lip bomb related,

1:01:47.560 --> 1:01:50.680
<v Speaker 2>like get a stick though, digging your dirty ass finger

1:01:50.800 --> 1:01:53.200
<v Speaker 2>in in that and then just rubbing your lip like,

1:01:53.800 --> 1:01:56.160
<v Speaker 2>I mean, but it's your finger, you know, mean things

1:01:56.200 --> 1:01:58.120
<v Speaker 2>I touch in New York City, it's still.

1:01:57.960 --> 1:02:00.200
<v Speaker 5>Your fing But you should be washing your hands before you.

1:02:00.240 --> 1:02:01.200
<v Speaker 1>Put I agree.

1:02:01.280 --> 1:02:03.760
<v Speaker 2>I'm saying everyone that i've watched open that little container,

1:02:03.840 --> 1:02:06.000
<v Speaker 2>I've never watched them wash their hands before they do it.

1:02:06.120 --> 1:02:07.400
<v Speaker 5>Oh yeah, no, people are dirty.

1:02:08.080 --> 1:02:10.320
<v Speaker 1>Just get a stick, chapstick.

1:02:10.320 --> 1:02:13.840
<v Speaker 4>It's considered a rare accomplishment, with some estimate suggestion as

1:02:13.840 --> 1:02:16.840
<v Speaker 4>many as ninety nine percent of people never actually finish

1:02:16.920 --> 1:02:17.640
<v Speaker 4>one before losing it.

1:02:18.240 --> 1:02:20.680
<v Speaker 1>That's Navy seal shit. That is only Navy seals finished.

1:02:20.720 --> 1:02:22.840
<v Speaker 4>If you see somebody pull a chapstick out their pocket

1:02:23.160 --> 1:02:27.800
<v Speaker 4>and it's almost empty, psycho, psycho, how do you still

1:02:27.840 --> 1:02:28.040
<v Speaker 4>have that?

1:02:28.200 --> 1:02:29.080
<v Speaker 1>How do you still have that.

1:02:30.840 --> 1:02:35.240
<v Speaker 2>Yet? Today's show is brought to you by our presenting sponsor,

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<v Speaker 2>Our prayers are with Britney Space. Of course, it is

1:04:00.880 --> 1:04:03.160
<v Speaker 2>not good to drink and drive, but we're glad everyone

1:04:03.360 --> 1:04:11.280
<v Speaker 2>is safe. Can we finally say, I apologize to her dad,

1:04:15.520 --> 1:04:16.800
<v Speaker 2>apologizing your dad too.

1:04:18.280 --> 1:04:20.440
<v Speaker 1>I beat the case. First of hold on, what is she?

1:04:20.560 --> 1:04:23.000
<v Speaker 1>What was she under the influence of? Was it alcohol?

1:04:23.160 --> 1:04:24.480
<v Speaker 1>Was it pills?

1:04:24.720 --> 1:04:25.080
<v Speaker 2>Was it like?

1:04:25.360 --> 1:04:28.320
<v Speaker 1>What was it? Because a DUI doesn't mean you were

1:04:28.440 --> 1:04:29.720
<v Speaker 1>drinking alcohol.

1:04:31.280 --> 1:04:33.080
<v Speaker 5>She was booked under a vehicle cold.

1:04:33.120 --> 1:04:35.400
<v Speaker 3>That says it's a legal or unlawful for a person

1:04:35.400 --> 1:04:37.960
<v Speaker 3>who was under the combined influence of any alcoholic beverage

1:04:38.000 --> 1:04:41.480
<v Speaker 3>and drunk to drive a vehicle. So these charges related

1:04:41.480 --> 1:04:43.680
<v Speaker 3>to drugs and alcohol will be sentive into her county

1:04:43.720 --> 1:04:45.840
<v Speaker 3>District Attorney's office. So she must have been on a

1:04:45.960 --> 1:04:48.880
<v Speaker 3>combination of both, which is actually easy to do even

1:04:48.920 --> 1:04:50.520
<v Speaker 3>if you're not an addict. Do you funk around and

1:04:50.600 --> 1:04:52.240
<v Speaker 3>have a drink and you had a xanax earlier?

1:04:52.360 --> 1:04:55.080
<v Speaker 5>And so we don't know. But they said she was

1:04:55.160 --> 1:04:56.760
<v Speaker 5>driving erratically, Well it had.

1:04:56.680 --> 1:04:59.120
<v Speaker 2>To be over I think the California limited is point

1:04:59.200 --> 1:05:01.800
<v Speaker 2>oh eight or whatever. That also had to be an

1:05:01.800 --> 1:05:02.880
<v Speaker 2>effect if you're also.

1:05:04.440 --> 1:05:06.760
<v Speaker 3>Yeah, but normal people drive over the limit all the time.

1:05:07.240 --> 1:05:08.800
<v Speaker 3>Like the limit is not high, No.

1:05:08.880 --> 1:05:10.800
<v Speaker 1>Of course not. It's like it's one beer if that

1:05:10.920 --> 1:05:11.200
<v Speaker 1>or something.

1:05:11.320 --> 1:05:15.080
<v Speaker 2>But either way, I'm not saying what her dad did

1:05:15.120 --> 1:05:17.520
<v Speaker 2>was right with her her estate and that entire thing,

1:05:17.640 --> 1:05:21.280
<v Speaker 2>but clearly there's been some things. Man, she's every day

1:05:21.320 --> 1:05:26.080
<v Speaker 2>with knives doing this shit. She's got ninja stars, Like is.

1:05:26.120 --> 1:05:30.360
<v Speaker 1>It she's in her house? Yeah, sheiktok series.

1:05:30.440 --> 1:05:33.440
<v Speaker 4>Yeah, she's not a crib No, but all just decide

1:05:33.440 --> 1:05:37.040
<v Speaker 4>to hopefully Britney Spears is okay, and you know this

1:05:37.240 --> 1:05:40.560
<v Speaker 4>is just a night out of partying at a French

1:05:40.600 --> 1:05:41.320
<v Speaker 4>house or something like that.

1:05:41.880 --> 1:05:44.280
<v Speaker 2>I mean outside of the obviously hoping she's okay, just

1:05:44.400 --> 1:05:47.920
<v Speaker 2>on a human level. I do like want Brittany to

1:05:47.960 --> 1:05:50.080
<v Speaker 2>get better so she could give us a tour as well.

1:05:50.720 --> 1:05:52.280
<v Speaker 2>That'd be on my bucket list to go see Britney

1:05:52.280 --> 1:05:54.640
<v Speaker 2>Spears a lot, Like if she's in like Britney shape

1:05:55.480 --> 1:05:57.480
<v Speaker 2>to do, like a residency in Vegas, you wouldn't want

1:05:57.480 --> 1:05:58.240
<v Speaker 2>to see Britny Spears.

1:05:58.320 --> 1:06:01.680
<v Speaker 1>Absolutely, she did that. She tendency. Yeah, she had residency

1:06:01.720 --> 1:06:03.760
<v Speaker 1>in Vegas. Is a reason I saw no footage.

1:06:05.320 --> 1:06:11.360
<v Speaker 4>She had a residency in Vegas. It got canceled for

1:06:11.480 --> 1:06:12.880
<v Speaker 4>a second, one oh second.

1:06:13.240 --> 1:06:18.000
<v Speaker 3>Twenty thirteen and twenty seventeen. That plenty Hollywood resort and casino. Okay,

1:06:18.680 --> 1:06:21.240
<v Speaker 3>one of the most successful Las Vegas rather than season history.

1:06:22.080 --> 1:06:23.360
<v Speaker 1>Yeah, okay, well I was twenty thirteen.

1:06:23.360 --> 1:06:25.760
<v Speaker 2>I'm saying, like in this this era, this area, Yeah,

1:06:25.840 --> 1:06:27.920
<v Speaker 2>that would be great to see seeing Brittany at the sphere.

1:06:28.240 --> 1:06:32.320
<v Speaker 1>What's toxic at the sphere? Time? I used to have

1:06:32.440 --> 1:06:34.240
<v Speaker 1>this crazy post to Britney Spears on my wall.

1:06:34.280 --> 1:06:38.400
<v Speaker 2>SAME's who she was dressing. Huh Nah, she hadn't like

1:06:38.720 --> 1:06:40.760
<v Speaker 2>she hadn't like this. I want to say, like this

1:06:40.920 --> 1:06:46.000
<v Speaker 2>silver skirt and a silver like top. I remember that

1:06:46.080 --> 1:06:47.840
<v Speaker 2>shit though, Like I know I had the first album

1:06:47.920 --> 1:06:50.360
<v Speaker 2>with the Flower Joint that that was definitely on my wall.

1:06:50.640 --> 1:06:54.000
<v Speaker 2>It's so crazy if you go back to the like

1:06:54.120 --> 1:06:56.800
<v Speaker 2>Christina Aguilera, Britney Spears videos that I used to watch

1:06:56.880 --> 1:07:00.560
<v Speaker 2>on TRL that like TMI like used to get me

1:07:01.000 --> 1:07:02.640
<v Speaker 2>like horny as a young kid, like when I was

1:07:02.680 --> 1:07:05.000
<v Speaker 2>going through puberty. If you go back and look at

1:07:05.000 --> 1:07:07.280
<v Speaker 2>those now and you see the amount of skin they're

1:07:07.360 --> 1:07:10.320
<v Speaker 2>not showing, they used to have me going crazy compared

1:07:10.360 --> 1:07:10.720
<v Speaker 2>to now.

1:07:12.120 --> 1:07:13.600
<v Speaker 1>And there's no respect to Meg or anything.

1:07:13.800 --> 1:07:15.880
<v Speaker 2>But if I was thirteen years old in two thousand

1:07:15.920 --> 1:07:18.440
<v Speaker 2>and three and Meg the Stallion came out on TRL,

1:07:18.520 --> 1:07:19.600
<v Speaker 2>I probably not in my pants.

1:07:20.880 --> 1:07:24.560
<v Speaker 5>Did you see her and Cardy on stage performing in Houston? Oh,

1:07:24.840 --> 1:07:25.680
<v Speaker 5>Meg looks great.

1:07:25.920 --> 1:07:26.760
<v Speaker 1>Meg is gorgeous.

1:07:27.520 --> 1:07:28.600
<v Speaker 5>I'm party looked great.

1:07:29.520 --> 1:07:32.800
<v Speaker 2>Britney Spears would show her knee and I would get

1:07:32.840 --> 1:07:36.560
<v Speaker 2>a thirteen year old direction like now, I cannot even

1:07:36.600 --> 1:07:37.840
<v Speaker 2>fathom what these kids are going through.

1:07:38.760 --> 1:07:40.920
<v Speaker 3>Yes, you know, it's crazy. I think they're used to it.

1:07:41.600 --> 1:07:43.520
<v Speaker 3>They've been so exposed to it.

1:07:43.600 --> 1:07:44.440
<v Speaker 5>I think they're used to it.

1:07:44.480 --> 1:07:47.520
<v Speaker 3>They probably that's why now with women, I don't know

1:07:47.520 --> 1:07:50.320
<v Speaker 3>if you guys have seen, but like the trad wife

1:07:50.480 --> 1:07:54.120
<v Speaker 3>like traditional like corset long flowy dresses are like coming

1:07:54.160 --> 1:07:57.640
<v Speaker 3>back and stop. Everything is becoming more conservative because we've

1:07:57.840 --> 1:08:00.760
<v Speaker 3>hoared ourselves out so badly that it's not even triggering anymore.

1:08:00.960 --> 1:08:02.880
<v Speaker 1>Like I missed sun dress season when it was poking.

1:08:03.880 --> 1:08:06.000
<v Speaker 1>The dress was down to normal.

1:08:06.120 --> 1:08:07.840
<v Speaker 5>Women still wear some dresses every time.

1:08:08.160 --> 1:08:10.440
<v Speaker 2>Of course, I'm just saying when it was like that

1:08:10.800 --> 1:08:14.600
<v Speaker 2>was the most sexualized in a healthy way. Yeah, because

1:08:15.880 --> 1:08:19.600
<v Speaker 2>I could just not imagine at this point in my

1:08:19.680 --> 1:08:21.760
<v Speaker 2>life how that would look as a kid going through people.

1:08:21.760 --> 1:08:23.439
<v Speaker 4>I almost got in trouble for having the little Kim

1:08:23.520 --> 1:08:25.519
<v Speaker 4>hardcore post in my in my school locker.

1:08:26.680 --> 1:08:29.599
<v Speaker 6>That was one of the most provocative. We talked about

1:08:29.640 --> 1:08:33.040
<v Speaker 6>it enviral with a she got that moose knuckle right there?

1:08:33.160 --> 1:08:37.280
<v Speaker 6>No she doesn't, Yes, she does that. That thing is fat.

1:08:37.400 --> 1:08:40.120
<v Speaker 4>Not that one, not not the album, the one that

1:08:40.280 --> 1:08:42.400
<v Speaker 4>was on the bus Stops the trains. Yeah, pull that

1:08:42.520 --> 1:08:45.599
<v Speaker 4>one up. Well, No, didn't it fold out that one

1:08:47.640 --> 1:08:52.960
<v Speaker 4>most knuckleware? No, I think it looks that's cheetah printing.

1:08:53.600 --> 1:08:55.639
<v Speaker 4>About the length of the cheata print.

1:08:55.680 --> 1:08:59.559
<v Speaker 1>There's nothing there, There's nothing crazy about this picture at all.

1:09:00.040 --> 1:09:02.559
<v Speaker 2>Oh no, Now, now, a girl with one hundred followers

1:09:02.600 --> 1:09:05.080
<v Speaker 2>that you've run into would post something like this, which

1:09:05.120 --> 1:09:05.840
<v Speaker 2>is fine.

1:09:06.360 --> 1:09:08.519
<v Speaker 4>It's just that Kim was you know, back then obviously

1:09:08.520 --> 1:09:11.360
<v Speaker 4>everybody was like, damn, she's she's pretty, and then seeing

1:09:11.400 --> 1:09:14.160
<v Speaker 4>her like that, we had never saw Kim like that.

1:09:14.720 --> 1:09:17.080
<v Speaker 2>Well, do you know in two thousand and two, when

1:09:17.200 --> 1:09:19.519
<v Speaker 2>Mariah Carey used to cut the top of her jean shorts,

1:09:19.560 --> 1:09:20.400
<v Speaker 2>what they used to do to me?

1:09:21.880 --> 1:09:23.560
<v Speaker 1>All she would do was, I don't even want to

1:09:23.560 --> 1:09:24.599
<v Speaker 1>know what they used to do with Ry.

1:09:25.080 --> 1:09:25.280
<v Speaker 5>Cool.

1:09:25.800 --> 1:09:31.040
<v Speaker 1>I'm cool on not knowing what it did to you. Roy. Actually, nowadays, oh.

1:09:31.000 --> 1:09:34.760
<v Speaker 3>My god, y'all so fucking old? Yah, y'all hear how

1:09:34.760 --> 1:09:35.320
<v Speaker 3>old Johnson?

1:09:35.320 --> 1:09:38.960
<v Speaker 5>All right? Nowadays these young girls.

1:09:39.280 --> 1:09:42.679
<v Speaker 2>That picture is what came out what ninety six, ninety seven?

1:09:42.720 --> 1:09:47.080
<v Speaker 2>I think, Yeah, that's almost thirty years old. Yeah, yeah,

1:09:47.080 --> 1:09:48.320
<v Speaker 2>the pictures older than right.

1:09:49.720 --> 1:09:52.679
<v Speaker 1>That your little Kim photo is older than Ryan.

1:09:53.040 --> 1:09:53.360
<v Speaker 5>You know what?

1:09:53.800 --> 1:09:58.760
<v Speaker 2>Like young puberty, Rory. I owed James Cameron a lot

1:09:58.840 --> 1:10:03.040
<v Speaker 2>of credit because it was shipped before puberty. Titanic was

1:10:03.200 --> 1:10:07.639
<v Speaker 2>not like marketed as some like raunchy movie that kids

1:10:07.680 --> 1:10:09.439
<v Speaker 2>couldn't go. So it was like really marketed as a

1:10:10.400 --> 1:10:11.120
<v Speaker 2>love story?

1:10:11.520 --> 1:10:13.439
<v Speaker 1>Was it rated R Titanic?

1:10:13.600 --> 1:10:15.639
<v Speaker 2>It was not pitched like that if I remember correctly

1:10:15.640 --> 1:10:17.519
<v Speaker 2>at that time, I was really young, but it was

1:10:17.680 --> 1:10:21.400
<v Speaker 2>but then three but everyone was the sex you got

1:10:21.479 --> 1:10:24.000
<v Speaker 2>Celine Dion it love like Pg.

1:10:24.120 --> 1:10:25.760
<v Speaker 1>Thirteen what.

1:10:27.720 --> 1:10:30.599
<v Speaker 2>So this is my memory. My memory could be wrong.

1:10:30.720 --> 1:10:32.920
<v Speaker 2>I was a kid, but it was something that you

1:10:32.960 --> 1:10:36.439
<v Speaker 2>would bring your kids to see. It's love, It's it's

1:10:37.080 --> 1:10:38.200
<v Speaker 2>come on, I will always.

1:10:38.600 --> 1:10:40.799
<v Speaker 3>I don't think they were bringing your kids to see Titanic.

1:10:40.880 --> 1:10:43.040
<v Speaker 3>It's very obviously adult, an adult movie.

1:10:43.840 --> 1:10:46.000
<v Speaker 1>It was history. Yeah.

1:10:46.000 --> 1:10:47.720
<v Speaker 2>I saw it with my parents and then I did

1:10:47.800 --> 1:10:50.000
<v Speaker 2>not know three quarters it was a lot of families

1:10:50.000 --> 1:10:50.360
<v Speaker 2>in the theater.

1:10:50.760 --> 1:10:52.640
<v Speaker 3>I'm sure, yeah, but I don't It was not advertised

1:10:52.680 --> 1:10:55.240
<v Speaker 3>as a family movie like you sure people might have

1:10:55.320 --> 1:10:56.960
<v Speaker 3>bought their kids not knowing exactly.

1:10:57.360 --> 1:10:59.920
<v Speaker 5>It was not advertised as I'm just saying kind of was.

1:11:00.040 --> 1:11:03.120
<v Speaker 2>I'm just saying it wasn't marketed the way Animal House was,

1:11:03.320 --> 1:11:06.120
<v Speaker 2>Like it was. I went to see it in theaters, man,

1:11:06.280 --> 1:11:08.479
<v Speaker 2>But it's also not that raunchy of a movie. Well,

1:11:08.520 --> 1:11:10.960
<v Speaker 2>I didn't know three fourths in when I'm eight years

1:11:10.960 --> 1:11:12.760
<v Speaker 2>old that I was going to see titties, Like, yeah,

1:11:12.800 --> 1:11:15.479
<v Speaker 2>that was crazy and like in a very beautiful slow motion,

1:11:15.560 --> 1:11:17.280
<v Speaker 2>like I got time to see the titties. It wasn't

1:11:17.280 --> 1:11:21.560
<v Speaker 2>like a flash that like we owed James Cameron a

1:11:21.680 --> 1:11:22.960
<v Speaker 2>lot for doing.

1:11:23.000 --> 1:11:25.560
<v Speaker 3>That was the first time I seen for sure. I

1:11:25.720 --> 1:11:31.000
<v Speaker 3>was seventeen. I was seven seeing titties on in TV, Like, yeah, didn't.

1:11:30.760 --> 1:11:32.200
<v Speaker 1>It go all the way down? Didn't you show a

1:11:32.240 --> 1:11:32.840
<v Speaker 1>little bush too?

1:11:33.200 --> 1:11:38.600
<v Speaker 5>No, there was no bush back like the bush you

1:11:38.600 --> 1:11:38.880
<v Speaker 5>saw her.

1:11:38.880 --> 1:11:41.519
<v Speaker 1>I feel like it was bush. She showed bush.

1:11:41.640 --> 1:11:44.880
<v Speaker 2>She didn't can we can we? She showed bush type

1:11:44.920 --> 1:11:48.320
<v Speaker 2>in Titanic. You know what I'm telling you? In that

1:11:48.400 --> 1:11:51.280
<v Speaker 2>that that long shot that showed bush. Yeah, I know,

1:11:51.360 --> 1:11:52.320
<v Speaker 2>I'm not tripping.

1:11:54.560 --> 1:11:56.880
<v Speaker 1>Like stressed at me. I was like a red bush.

1:11:57.840 --> 1:12:00.320
<v Speaker 3>Oh, the curtains matched the drapes. There was no bush.

1:12:00.360 --> 1:12:02.120
<v Speaker 3>I know, there wasn't no bush. It was blocked by

1:12:02.160 --> 1:12:04.120
<v Speaker 3>the photo. Go to the director's cut, y'all telling me

1:12:04.160 --> 1:12:05.280
<v Speaker 3>about my favorite movie.

1:12:05.439 --> 1:12:07.559
<v Speaker 1>I know there was no juice. There was two innings.

1:12:07.800 --> 1:12:08.920
<v Speaker 1>This is like the movie Juice.

1:12:08.960 --> 1:12:11.599
<v Speaker 2>This is the Mandela effect. When I was seven years old,

1:12:11.640 --> 1:12:12.519
<v Speaker 2>I remember seeing bush.

1:12:12.920 --> 1:12:13.360
<v Speaker 1>She showed me.

1:12:14.760 --> 1:12:16.519
<v Speaker 3>I mean it was the little bit top of that titty.

1:12:16.600 --> 1:12:18.360
<v Speaker 3>The rest was always covered by that drawing.

1:12:18.479 --> 1:12:20.679
<v Speaker 1>No, they did a whole long shot of her whole

1:12:20.760 --> 1:12:21.920
<v Speaker 1>naked bo showed bush.

1:12:22.040 --> 1:12:22.200
<v Speaker 2>Man.

1:12:23.120 --> 1:12:24.120
<v Speaker 1>That's that is it?

1:12:24.240 --> 1:12:26.760
<v Speaker 5>You niggas are too horny, man, We.

1:12:26.800 --> 1:12:31.040
<v Speaker 1>Saw a bush. This is that twenty twelve effect Burstine

1:12:31.080 --> 1:12:34.000
<v Speaker 1>bears fucking kazam all that ship?

1:12:34.080 --> 1:12:34.360
<v Speaker 6>This is that?

1:12:34.520 --> 1:12:40.160
<v Speaker 1>What's her name? Kate? What Kate Winslow? What's her name? Kate?

1:12:40.960 --> 1:12:45.360
<v Speaker 6>It starts with Winslow's daughter, Kate Winslet.

1:12:46.880 --> 1:12:53.479
<v Speaker 2>K Winslow was hilarious. Kate winsleows Eddie Winslow's daughter, his

1:12:53.520 --> 1:12:54.240
<v Speaker 2>adopted daughter.

1:12:54.320 --> 1:12:55.200
<v Speaker 1>You know you see on.

1:12:57.120 --> 1:12:59.200
<v Speaker 3>You can stop looking for the bush that doesn't exist. Ryan,

1:12:59.600 --> 1:13:02.120
<v Speaker 3>it was move on, Move on from the conversation.

1:13:03.960 --> 1:13:05.760
<v Speaker 4>Kate wins is fifty. That's another one to add to

1:13:05.800 --> 1:13:09.040
<v Speaker 4>the list. Knock her right down, knock her right off.

1:13:10.000 --> 1:13:12.360
<v Speaker 4>Mm hmmm mm hmmmmm.

1:13:13.520 --> 1:13:16.240
<v Speaker 1>The marriage. Do we have voicemails? You have got mail?

1:13:17.520 --> 1:13:18.960
<v Speaker 1>These are sponsored by.

1:13:19.120 --> 1:13:21.040
<v Speaker 5>Boost We do we actually have a follow up.

1:13:21.160 --> 1:13:22.120
<v Speaker 1>So, okay.

1:13:24.520 --> 1:13:28.200
<v Speaker 7>Yo, this Michican man from Atlanta, now, I just wanted

1:13:28.280 --> 1:13:30.679
<v Speaker 7>to I appreciate y'all taking my first less I didn't

1:13:30.680 --> 1:13:32.479
<v Speaker 7>even know it was gonna get through, but I just

1:13:32.560 --> 1:13:34.080
<v Speaker 7>wanted to add a little clarity to it.

1:13:35.920 --> 1:13:38.400
<v Speaker 1>Nah, man, we weren't. We did a lot. We did

1:13:38.439 --> 1:13:39.519
<v Speaker 1>a lot of fun things.

1:13:39.360 --> 1:13:42.280
<v Speaker 7>We weren't just like laying up every day dehydrated, drinking

1:13:42.320 --> 1:13:45.639
<v Speaker 7>alcohol and watching baddies. That was like a misconception because

1:13:45.960 --> 1:13:47.720
<v Speaker 7>I have enough time to get the whole ship off.

1:13:47.800 --> 1:13:50.760
<v Speaker 7>But the original point of me hitting y'all because I

1:13:50.840 --> 1:13:55.920
<v Speaker 7>fuck with y'all and with y'all opinions, like even after

1:13:56.040 --> 1:13:58.040
<v Speaker 7>she poured the piss in my face, like I think,

1:13:58.080 --> 1:14:01.880
<v Speaker 7>we took like a five month like no contact and

1:14:02.000 --> 1:14:06.200
<v Speaker 7>she facetied randomly one night, like crying type ship. I think,

1:14:06.479 --> 1:14:08.840
<v Speaker 7>like I ignored the first three calls she called again,

1:14:08.920 --> 1:14:12.160
<v Speaker 7>I answered, so with my big heart, hearing them tears

1:14:12.280 --> 1:14:14.880
<v Speaker 7>through the phone, I'll pull back up, heart and no,

1:14:15.000 --> 1:14:15.880
<v Speaker 7>we're not back together.

1:14:16.200 --> 1:14:17.320
<v Speaker 1>But you know I have.

1:14:17.920 --> 1:14:20.680
<v Speaker 7>I have been back around helping her move into the

1:14:20.760 --> 1:14:23.479
<v Speaker 7>new spot that you know, just all kinds of ship,

1:14:23.560 --> 1:14:27.040
<v Speaker 7>putting ship together real, just like the same boyfriend duties like.

1:14:28.640 --> 1:14:32.360
<v Speaker 7>But she will have me thinking that we're you know,

1:14:32.479 --> 1:14:34.360
<v Speaker 7>the effort that I'm putting in is getting us back

1:14:34.400 --> 1:14:38.439
<v Speaker 7>to the place. But it's not you know what I'm saying.

1:14:38.439 --> 1:14:39.920
<v Speaker 7>It's like she wants the freedom to do what she

1:14:40.000 --> 1:14:43.000
<v Speaker 7>want to do, but then she still want the convenience

1:14:43.360 --> 1:14:46.920
<v Speaker 7>of me. So it's like, why do we like accept breadcrumbs?

1:14:47.040 --> 1:14:49.080
<v Speaker 7>It ain't no insecurity and it ain't ship like that.

1:14:49.320 --> 1:14:51.840
<v Speaker 7>It's just like I love this person. By the way, Roy,

1:14:51.920 --> 1:14:52.760
<v Speaker 7>my clause is clean.

1:14:59.760 --> 1:15:01.599
<v Speaker 1>Can can you give the backstory?

1:15:01.640 --> 1:15:04.280
<v Speaker 2>Because it's a follow up voicemail of somebody called it already,

1:15:04.320 --> 1:15:07.080
<v Speaker 2>can you give the backstory to the original voice?

1:15:07.240 --> 1:15:10.320
<v Speaker 3>Some people who have not heard our rappers Delight episode

1:15:10.360 --> 1:15:12.400
<v Speaker 3>with Zip, there was a caller who called in and

1:15:12.520 --> 1:15:15.200
<v Speaker 3>said that he was in a toxic relationship. Well, he

1:15:15.400 --> 1:15:19.080
<v Speaker 3>had been in a toxic relationship with a girlfriend. They

1:15:19.200 --> 1:15:21.000
<v Speaker 3>drank a lot, they had a lot of fun together,

1:15:21.120 --> 1:15:22.719
<v Speaker 3>but at one point she found a pair of panties

1:15:22.760 --> 1:15:25.000
<v Speaker 3>in his closet that were old. He didn't know whose

1:15:25.040 --> 1:15:28.200
<v Speaker 3>they were, but she spass out through pissing his face.

1:15:28.240 --> 1:15:30.439
<v Speaker 3>They broke up, and now he was asking he's back

1:15:30.520 --> 1:15:32.360
<v Speaker 3>talking to her. He was asking us what we thought

1:15:32.360 --> 1:15:34.479
<v Speaker 3>about it. We told him that, well, I told him

1:15:34.479 --> 1:15:36.559
<v Speaker 3>that if somebody throws pissing your face and you stay

1:15:36.640 --> 1:15:38.720
<v Speaker 3>with them, y'all belong together because she crazy and you

1:15:38.760 --> 1:15:41.080
<v Speaker 3>it's crazy staying with her, and y'all told.

1:15:41.040 --> 1:15:42.720
<v Speaker 5>Him to leave her alone. Blah blah blah blah blah.

1:15:42.960 --> 1:15:44.280
<v Speaker 5>Zip said he pissed on the girl's bed.

1:15:44.560 --> 1:15:45.320
<v Speaker 1>So now we're here.

1:15:45.479 --> 1:15:47.960
<v Speaker 3>He calls with the follow up and he's telling y'all

1:15:48.640 --> 1:15:51.800
<v Speaker 3>that they not together. She called him crying. He fell

1:15:51.880 --> 1:15:54.559
<v Speaker 3>for the tears, and now you know, he's been helped.

1:15:54.600 --> 1:15:56.680
<v Speaker 3>She's been he's been helping her move and things like that,

1:15:56.840 --> 1:15:57.960
<v Speaker 3>but they aren't official.

1:15:58.600 --> 1:15:59.439
<v Speaker 1>What's his name, Mitch?

1:16:00.120 --> 1:16:02.240
<v Speaker 5>His name is Yes, I think that. I think that's

1:16:02.560 --> 1:16:03.160
<v Speaker 5>from Atlanta.

1:16:04.200 --> 1:16:07.160
<v Speaker 4>Don't be a sucker. Sucker is born every seventeen seconds

1:16:07.160 --> 1:16:11.080
<v Speaker 4>in America. Don't be one. You can't let a woman

1:16:11.160 --> 1:16:13.920
<v Speaker 4>throw pissing your face and then fill and then fall

1:16:14.000 --> 1:16:16.240
<v Speaker 4>for the fake tears and then go help her move

1:16:16.320 --> 1:16:17.200
<v Speaker 4>into her new spot.

1:16:17.240 --> 1:16:17.880
<v Speaker 5>Your friend zone.

1:16:17.960 --> 1:16:19.080
<v Speaker 1>Oh, don't do that.

1:16:19.520 --> 1:16:19.680
<v Speaker 2>Don't.

1:16:19.760 --> 1:16:21.920
<v Speaker 5>He doesn't trust him because she found panties in his house.

1:16:21.960 --> 1:16:23.880
<v Speaker 1>Wad she? Don't be that Mitch. Don't be that guy.

1:16:24.240 --> 1:16:26.360
<v Speaker 4>There's others better women out there's women that will never

1:16:26.400 --> 1:16:30.040
<v Speaker 4>even think about throwing pissing your face. Please don't don't

1:16:30.080 --> 1:16:32.240
<v Speaker 4>don't be a sucker. Should enough for those in America?

1:16:32.760 --> 1:16:34.920
<v Speaker 2>Should it be a death sentence for a misdemeanor? You

1:16:35.040 --> 1:16:37.080
<v Speaker 2>found panties with no explanation, there was context.

1:16:37.160 --> 1:16:37.639
<v Speaker 1>They were old.

1:16:37.680 --> 1:16:40.080
<v Speaker 2>You didn't want to hear that, and you threw piss

1:16:40.240 --> 1:16:44.280
<v Speaker 2>at him, and then he allows you back in his presence.

1:16:45.080 --> 1:16:47.080
<v Speaker 1>I see why you want to do that. He'll let

1:16:47.120 --> 1:16:49.639
<v Speaker 1>you do anything. Then, Yeah, don't be a sucker.

1:16:50.960 --> 1:16:52.679
<v Speaker 2>Don't I know why she I know why she's fake

1:16:52.720 --> 1:16:54.920
<v Speaker 2>on him. She knows if I throw piss at someone

1:16:55.000 --> 1:16:56.960
<v Speaker 2>and they answer the phone, that's called gas I can do.

1:16:57.240 --> 1:16:58.040
<v Speaker 1>It's not gaslighting.

1:16:58.120 --> 1:17:02.000
<v Speaker 2>When she cries no, that's just straight disrespect to I

1:17:02.120 --> 1:17:04.280
<v Speaker 2>know I could do anything to this person that's.

1:17:04.200 --> 1:17:06.920
<v Speaker 1>Past gas light. Mitch, don't be that guy. That's a bonfire.

1:17:07.040 --> 1:17:09.519
<v Speaker 1>We cared about you over here. Rory and Maul, don't

1:17:09.560 --> 1:17:10.040
<v Speaker 1>be that guy.

1:17:12.720 --> 1:17:12.960
<v Speaker 6>Girl.

1:17:13.080 --> 1:17:16.400
<v Speaker 5>Man stay with her because they both single and lonely.

1:17:16.800 --> 1:17:20.920
<v Speaker 1>Stand are you pissed? But think about mall. I ain't lonely.

1:17:21.000 --> 1:17:24.559
<v Speaker 1>Don't listen to you tell me every weekend you lonely?

1:17:24.640 --> 1:17:28.639
<v Speaker 4>So I never said I was lonely. I never shaid

1:17:28.640 --> 1:17:31.559
<v Speaker 4>I was lonely. I should I be alone? Being alone

1:17:31.600 --> 1:17:32.280
<v Speaker 4>and being lonely.

1:17:32.200 --> 1:17:32.800
<v Speaker 1>Is two different things.

1:17:32.840 --> 1:17:33.880
<v Speaker 5>Okay, so what's the difference?

1:17:34.000 --> 1:17:36.360
<v Speaker 1>Like choice, it's a difference.

1:17:37.240 --> 1:17:40.760
<v Speaker 5>You both of these niggas are alone and you you

1:17:40.880 --> 1:17:41.960
<v Speaker 5>know you laid up with something.

1:17:42.240 --> 1:17:42.720
<v Speaker 1>No, he's not.

1:17:43.040 --> 1:17:44.640
<v Speaker 3>If she she could just piss on the man, I

1:17:44.720 --> 1:17:45.960
<v Speaker 3>know she has scored her. If she could just piss

1:17:46.000 --> 1:17:47.000
<v Speaker 3>on the man and thought of your face.

1:17:47.040 --> 1:17:49.479
<v Speaker 1>I know there's other squirters out there that won't throw,

1:17:49.920 --> 1:17:52.400
<v Speaker 1>won't throw, won't well consentually with square in your face

1:17:52.400 --> 1:17:53.439
<v Speaker 1>if you want them, not only.

1:17:53.360 --> 1:17:55.400
<v Speaker 4>Will I throw pissing your face, that's the thought. Won't

1:17:55.439 --> 1:17:57.519
<v Speaker 4>even across their mind to throw pissing your face.

1:17:58.680 --> 1:18:00.640
<v Speaker 1>Like she's a dog. She's a dogs. I don't want

1:18:00.680 --> 1:18:02.439
<v Speaker 1>to know what cups she picked. She needs to be,

1:18:02.680 --> 1:18:04.719
<v Speaker 1>she needs to be by herself.

1:18:04.880 --> 1:18:06.320
<v Speaker 5>I know it was a plastic cut one of them

1:18:06.360 --> 1:18:07.080
<v Speaker 5>dollar tree cups.

1:18:07.240 --> 1:18:09.160
<v Speaker 1>She's a dog. That's what you call a day. It's

1:18:09.240 --> 1:18:12.720
<v Speaker 1>clear so to see that she was dehydrated. He tried to.

1:18:13.160 --> 1:18:15.080
<v Speaker 1>I could tell by his guilty conscience when he's like, nah,

1:18:15.080 --> 1:18:17.160
<v Speaker 1>we don't be drinking, like he's trying to say it was.

1:18:19.080 --> 1:18:19.240
<v Speaker 5>Him.

1:18:19.600 --> 1:18:23.200
<v Speaker 3>If you if listen, man, listen, she's a terrible person, right,

1:18:23.560 --> 1:18:26.519
<v Speaker 3>but apparently you love her and you like the fact

1:18:26.520 --> 1:18:28.840
<v Speaker 3>that she's a terrible person. So if you want our

1:18:28.880 --> 1:18:30.360
<v Speaker 3>permission for you to stay with her, because that's what

1:18:30.360 --> 1:18:31.600
<v Speaker 3>you're gonna do regardless, then do it.

1:18:31.880 --> 1:18:33.760
<v Speaker 5>Do I think you deserve better? Nah?

1:18:33.880 --> 1:18:35.439
<v Speaker 3>Not really, because if you're willing to stay with that,

1:18:35.560 --> 1:18:37.320
<v Speaker 3>I don't think you deserve better. You don't think you

1:18:37.360 --> 1:18:39.280
<v Speaker 3>deserve better. How I'm think more highly of you than

1:18:39.320 --> 1:18:39.439
<v Speaker 3>you do.

1:18:39.560 --> 1:18:41.439
<v Speaker 1>You see how they think you? See how anything about you? Mitch?

1:18:41.800 --> 1:18:43.559
<v Speaker 4>Once you make that decision, now, old woman like, oh,

1:18:43.600 --> 1:18:46.479
<v Speaker 4>he don't respect herself enough, He don't love herself enough.

1:18:46.600 --> 1:18:49.360
<v Speaker 1>He don't think he deserved better. You don't fall into

1:18:49.439 --> 1:18:50.160
<v Speaker 1>that category.

1:18:50.320 --> 1:18:53.200
<v Speaker 5>King stand tall, Mitch, Did you have toxic parents?

1:18:53.520 --> 1:18:55.679
<v Speaker 3>Because there's no way you grew up in a healthy,

1:18:55.720 --> 1:18:58.519
<v Speaker 3>happy household and a woman through pissing your face and

1:18:58.640 --> 1:18:59.280
<v Speaker 3>you think that that's it.

1:18:59.479 --> 1:19:01.160
<v Speaker 4>Yes, she stick, I was meaning she still had not

1:19:01.200 --> 1:19:03.559
<v Speaker 4>only is she still her face, she still has access

1:19:03.680 --> 1:19:03.840
<v Speaker 4>to you.

1:19:04.240 --> 1:19:05.840
<v Speaker 5>She called your phone crying.

1:19:07.200 --> 1:19:09.160
<v Speaker 1>Like where you at? My big cousin over there to

1:19:09.200 --> 1:19:10.479
<v Speaker 1>wool Pass and by the.

1:19:10.520 --> 1:19:13.880
<v Speaker 3>Way, by the way, she don't want to be in

1:19:13.920 --> 1:19:15.800
<v Speaker 3>a relationship with you because she got something on her

1:19:15.880 --> 1:19:17.640
<v Speaker 3>line right now. Let me tell you some baby, she

1:19:17.760 --> 1:19:19.920
<v Speaker 3>got something on her line right now that would never

1:19:20.000 --> 1:19:21.840
<v Speaker 3>let her throw, pissing her pissing his face.

1:19:22.600 --> 1:19:26.400
<v Speaker 4>See, he's not gonna help her move. He would throw

1:19:26.400 --> 1:19:27.680
<v Speaker 4>pissing her face and not help her.

1:19:27.760 --> 1:19:33.439
<v Speaker 2>Okay, yeah, manic thing is though, like, even if you

1:19:33.479 --> 1:19:35.880
<v Speaker 2>want to entertain a woman that through pissing your face,

1:19:36.040 --> 1:19:38.240
<v Speaker 2>she should be at your crib helping you move.

1:19:38.600 --> 1:19:39.120
<v Speaker 1>The fuck are you?

1:19:40.720 --> 1:19:44.479
<v Speaker 4>She should be at my crib being my pet. You

1:19:44.479 --> 1:19:46.519
<v Speaker 4>gotta do everything I say around this motherfucker.

1:19:46.600 --> 1:19:48.960
<v Speaker 1>You put peepads just around the whole. You gotta do

1:19:49.080 --> 1:19:51.200
<v Speaker 1>everything I say and dog.

1:19:51.360 --> 1:19:52.000
<v Speaker 5>She home trade.

1:19:52.280 --> 1:19:54.760
<v Speaker 3>I actually had a Snapchat person I used to follow

1:19:54.800 --> 1:19:57.679
<v Speaker 3>on Snapchat who used to have two women in cages

1:19:58.120 --> 1:19:59.559
<v Speaker 3>eating out of dog food bowls.

1:20:00.080 --> 1:20:04.400
<v Speaker 2>Essentially, Yes, that's what that's what she ain't go get.

1:20:04.400 --> 1:20:07.400
<v Speaker 2>It's the biggest big Go get the biggest dog k kg.

1:20:07.479 --> 1:20:09.960
<v Speaker 4>You can find it, pet smart, put it in your

1:20:10.000 --> 1:20:11.400
<v Speaker 4>living room and tell her to come over. You got

1:20:11.439 --> 1:20:14.360
<v Speaker 4>a new bed for her, tell her to get in

1:20:14.400 --> 1:20:17.280
<v Speaker 4>the cage. That's what you do to her, That's that's

1:20:17.320 --> 1:20:18.720
<v Speaker 4>what you treat her. So you want to throw piss

1:20:18.760 --> 1:20:20.559
<v Speaker 4>on somebody's face, treat her like the dog.

1:20:20.960 --> 1:20:23.160
<v Speaker 1>He wants to be the one in the cage. Yeah,

1:20:23.200 --> 1:20:24.200
<v Speaker 1>he know, that's what I'm saying.

1:20:24.479 --> 1:20:26.760
<v Speaker 5>She might have a Yeah, he might be a missive.

1:20:26.800 --> 1:20:27.680
<v Speaker 1>Listen if that might be.

1:20:27.960 --> 1:20:30.479
<v Speaker 2>If that's pissing his face and he's helping her move,

1:20:30.600 --> 1:20:34.120
<v Speaker 2>he stuck his tongue out, If that's their thing, I'm

1:20:34.120 --> 1:20:35.840
<v Speaker 2>not going to judge in that way. It sounded like

1:20:35.960 --> 1:20:38.200
<v Speaker 2>it was out of anger, in a disrespectful way to

1:20:38.240 --> 1:20:40.800
<v Speaker 2>throw piss at you. That's different than liking piss on

1:20:40.920 --> 1:20:42.360
<v Speaker 2>you and someone throws pists on you.

1:20:42.840 --> 1:20:43.639
<v Speaker 1>Yeah, it's a difference.

1:20:44.080 --> 1:20:47.200
<v Speaker 5>I still gotta know if he was cheating or not,

1:20:47.280 --> 1:20:49.360
<v Speaker 5>because he might be lying us. Because if you.

1:20:49.439 --> 1:20:53.719
<v Speaker 2>Were cheating, it's still don't that's that don't matter. Understand,

1:20:54.000 --> 1:20:55.519
<v Speaker 2>I'm gonna do it. I don't understand.

1:20:56.120 --> 1:20:58.400
<v Speaker 1>No, you don't. You want to cut up his clothes?

1:20:58.600 --> 1:20:58.840
<v Speaker 5>Cool?

1:20:58.880 --> 1:21:02.280
<v Speaker 1>Whatever? That tweet that he's a piece of shit. This

1:21:02.360 --> 1:21:05.160
<v Speaker 1>is throwing pissing someone's face.

1:21:05.240 --> 1:21:07.200
<v Speaker 3>Yeah, y'all don't get to play, and this is mission

1:21:07.240 --> 1:21:10.720
<v Speaker 3>design you. We're now moving the conversation to a hypothetical

1:21:10.800 --> 1:21:12.240
<v Speaker 3>because we're not saying that you did cheat.

1:21:12.520 --> 1:21:12.720
<v Speaker 1>Y'all.

1:21:12.720 --> 1:21:13.280
<v Speaker 5>Don't get to.

1:21:13.400 --> 1:21:16.960
<v Speaker 3>Hurt people and put people's safety at risk and then

1:21:17.080 --> 1:21:18.519
<v Speaker 3>decide how they get to react.

1:21:18.840 --> 1:21:21.200
<v Speaker 1>Judge does that's that's exactly where you'll be at.

1:21:21.320 --> 1:21:21.679
<v Speaker 5>That's fine.

1:21:21.720 --> 1:21:23.200
<v Speaker 1>You throw a pissing my face right in front of

1:21:23.240 --> 1:21:24.439
<v Speaker 1>the judge with a broke nose.

1:21:25.320 --> 1:21:29.719
<v Speaker 2>Okay, well fair, Yes, you can't control someone sneak attacking

1:21:29.800 --> 1:21:31.840
<v Speaker 2>you by pissing in the bathroom with a cup and

1:21:31.920 --> 1:21:34.120
<v Speaker 2>then throwing at you when you had no idea it's

1:21:34.160 --> 1:21:36.240
<v Speaker 2>coming cool, I agree, But you also have the choice

1:21:36.280 --> 1:21:37.639
<v Speaker 2>to not deal with that person ever again.

1:21:38.040 --> 1:21:39.800
<v Speaker 1>For sure, two things can be true with you.

1:21:40.320 --> 1:21:44.559
<v Speaker 4>Good job, lock her up cold the cops, Mitch put

1:21:44.600 --> 1:21:45.920
<v Speaker 4>her in jail when she belonged with the rest of

1:21:45.960 --> 1:21:46.320
<v Speaker 4>them dogs.

1:21:46.320 --> 1:21:48.200
<v Speaker 5>I wonder what the statute of limitation is. I'm throwing

1:21:48.240 --> 1:21:48.920
<v Speaker 5>piss on somebody.

1:21:49.560 --> 1:21:50.120
<v Speaker 1>Is it a law?

1:21:50.680 --> 1:21:50.880
<v Speaker 2>Yeah?

1:21:50.960 --> 1:21:54.000
<v Speaker 1>That's a salt? No, I agree, should be. I just

1:21:54.080 --> 1:21:58.400
<v Speaker 1>don't know. It's definitely a sor like coughing. You be

1:21:58.600 --> 1:22:00.720
<v Speaker 1>biotary locked up in going to throw pitch on the

1:22:00.720 --> 1:22:03.280
<v Speaker 1>seat and see what happens to you. I'm sure that

1:22:03.320 --> 1:22:05.720
<v Speaker 1>wouldn't go over well. I just didn't know if the

1:22:05.800 --> 1:22:06.599
<v Speaker 1>Rikers lost it's.

1:22:06.479 --> 1:22:10.360
<v Speaker 4>A serious criminal act genery classified as battery or salt.

1:22:11.080 --> 1:22:13.639
<v Speaker 4>Because this involves the throwing of bodily fluids, is awfully

1:22:13.680 --> 1:22:16.479
<v Speaker 4>treated as a bio has it related offense, statue of

1:22:16.479 --> 1:22:19.600
<v Speaker 4>limited limitations of time limits to charge someone with this

1:22:19.680 --> 1:22:21.879
<v Speaker 4>offense depends on whether it is prosecuted as a mistermean

1:22:21.920 --> 1:22:24.320
<v Speaker 4>or a felony, and most your addiction simple batteries a

1:22:24.360 --> 1:22:26.280
<v Speaker 4>mister meaning with a statute a limitation of one to

1:22:26.360 --> 1:22:26.880
<v Speaker 4>two years.

1:22:27.160 --> 1:22:29.280
<v Speaker 5>But how are you gonna prove? How can you prove that?

1:22:29.479 --> 1:22:30.800
<v Speaker 5>Through piss on you? You can prove that.

1:22:30.920 --> 1:22:33.479
<v Speaker 2>I remember when I was young, like the really degenerate

1:22:33.560 --> 1:22:36.559
<v Speaker 2>kids used to piss in condoms time and throw my cars.

1:22:37.520 --> 1:22:41.040
<v Speaker 4>Oh my god, Yeah, y'all was too bored over. There

1:22:41.200 --> 1:22:43.160
<v Speaker 4>were from Queens. Yeah, that was too bored over.

1:22:43.200 --> 1:22:44.880
<v Speaker 1>There a lot of a lot of traffic.

1:22:46.840 --> 1:22:52.040
<v Speaker 2>Get off the belts and I remember uh ship on

1:22:52.160 --> 1:22:55.360
<v Speaker 2>the decide where the woods were over, like they would

1:22:55.360 --> 1:22:56.639
<v Speaker 2>throw it back cop cars sometimes.

1:22:57.880 --> 1:23:01.640
<v Speaker 1>Nah, see y'all tripping Halloween maybe, but on a random.

1:23:01.360 --> 1:23:04.400
<v Speaker 5>Wednesday Halloween if it's the holiday, makes sense, Halloween.

1:23:04.400 --> 1:23:05.759
<v Speaker 1>You know, we was doing whatever outside.

1:23:06.600 --> 1:23:09.720
<v Speaker 2>But that was just mean, silly teenage shit. Yeah, but

1:23:11.160 --> 1:23:12.519
<v Speaker 2>I just think it's funny to hold a piss. So

1:23:12.560 --> 1:23:14.200
<v Speaker 2>you could piss in a condom. That was just always

1:23:14.240 --> 1:23:16.719
<v Speaker 2>kind of funny to me. And then tie in the condom,

1:23:16.760 --> 1:23:18.160
<v Speaker 2>I know, you getting pissed on ans and like was

1:23:18.200 --> 1:23:19.920
<v Speaker 2>they putting the condom on and peeing in it?

1:23:20.160 --> 1:23:23.080
<v Speaker 1>I didn't like. I wasn't staring. I wasn't like watching

1:23:23.120 --> 1:23:25.000
<v Speaker 1>them turn around.

1:23:25.360 --> 1:23:27.160
<v Speaker 5>When you hang the water balloon from this fountain.

1:23:27.240 --> 1:23:29.280
<v Speaker 1>Yeah, he gotta put it on the on the fosi right,

1:23:31.400 --> 1:23:32.320
<v Speaker 1>getting some head.

1:23:33.840 --> 1:23:36.360
<v Speaker 2>Was just like put the Yeah, I suppose I never

1:23:36.479 --> 1:23:39.800
<v Speaker 2>participated in. I did stand and watch and laugh, but

1:23:39.920 --> 1:23:42.920
<v Speaker 2>I never threw a pissed condom at anyone.

1:23:44.080 --> 1:23:48.760
<v Speaker 1>I was. I wasn't cool. That's what cool kids were doing. Ironically,

1:23:49.080 --> 1:23:49.640
<v Speaker 1>Yeah I was. So.

1:23:49.760 --> 1:23:51.280
<v Speaker 3>I was watching EU four al last night and it

1:23:51.400 --> 1:23:53.200
<v Speaker 3>was the scene where I don't know if y'all remember

1:23:53.280 --> 1:23:55.519
<v Speaker 3>the chubby girl she fucked the dude from high school

1:23:55.520 --> 1:23:59.400
<v Speaker 3>that used to be like lit. Remember, why are the

1:23:59.479 --> 1:24:01.679
<v Speaker 3>kids that from high school that were lit in high school?

1:24:01.880 --> 1:24:05.240
<v Speaker 3>I've never seen one continue the littless like they always

1:24:06.920 --> 1:24:09.680
<v Speaker 3>the most popular kids always fall off like I've never

1:24:09.800 --> 1:24:10.960
<v Speaker 3>seen one continue on.

1:24:11.280 --> 1:24:13.760
<v Speaker 1>Yeah, I mean ever, damn holy in high school, he

1:24:13.880 --> 1:24:17.320
<v Speaker 1>was the man homie. That's not true. Lebron was in

1:24:17.640 --> 1:24:19.960
<v Speaker 1>high school. Well, I mean when you could have went

1:24:19.960 --> 1:24:22.400
<v Speaker 1>to the NBA at thirteen, you're just yeah, Lebron was

1:24:22.439 --> 1:24:24.320
<v Speaker 1>the man in high school. Savannah knew that.

1:24:26.200 --> 1:24:28.960
<v Speaker 6>Don't don't do that to his soulf that's see that,

1:24:29.120 --> 1:24:30.960
<v Speaker 6>that's love, that's you didn't have to say that.

1:24:31.320 --> 1:24:33.560
<v Speaker 1>She would have still because.

1:24:32.840 --> 1:24:36.960
<v Speaker 3>Everybody knew that. McDonald's knew that. Everybody is, including Savannah.

1:24:37.200 --> 1:24:39.120
<v Speaker 3>What's wrong with saying his wife they went to high

1:24:39.120 --> 1:24:40.599
<v Speaker 3>school together, I know, which.

1:24:40.400 --> 1:24:42.960
<v Speaker 5>I think is the thing right where you just you

1:24:43.120 --> 1:24:44.120
<v Speaker 5>named the obvious, like I'm.

1:24:44.040 --> 1:24:46.599
<v Speaker 2>Saying in Savannah's uh, in case he could have blown

1:24:46.640 --> 1:24:49.320
<v Speaker 2>his knee out his senior year, could he loved him?

1:24:49.560 --> 1:24:52.080
<v Speaker 1>Yeah? He just so happened to become one of the

1:24:52.120 --> 1:24:52.559
<v Speaker 1>greatest parts.

1:24:52.680 --> 1:24:54.360
<v Speaker 5>I was my eyes like that. When I was younger,

1:24:54.400 --> 1:24:55.920
<v Speaker 5>I didn't have eyes like you were.

1:24:56.320 --> 1:24:59.800
<v Speaker 1>You were born in Akron, Ohio in nineteen eighty four. Na.

1:25:00.040 --> 1:25:02.439
<v Speaker 4>Yeah, but niggas up there and and Q's they they

1:25:02.479 --> 1:25:04.040
<v Speaker 4>were just some niggas that you knew was going to

1:25:04.560 --> 1:25:07.879
<v Speaker 4>to Syracuse University, knew.

1:25:07.760 --> 1:25:09.560
<v Speaker 5>You knew who was but none of them niggas is

1:25:09.600 --> 1:25:10.320
<v Speaker 5>it to this day.

1:25:11.360 --> 1:25:12.000
<v Speaker 1>Yeah, that's true.

1:25:12.720 --> 1:25:15.720
<v Speaker 2>But a lot of like why people are cool in

1:25:15.800 --> 1:25:19.160
<v Speaker 2>high schools for sometimes like immature reasons. So if you're

1:25:19.160 --> 1:25:22.760
<v Speaker 2>looking at it at that scope as a girl, that's

1:25:22.800 --> 1:25:25.519
<v Speaker 2>not going to last very long for junior or senior year,

1:25:25.600 --> 1:25:26.160
<v Speaker 2>it'll be fun.

1:25:26.439 --> 1:25:28.320
<v Speaker 1>Also, that's doesn't have longevity.

1:25:28.400 --> 1:25:30.720
<v Speaker 3>I think it limits you. I think when you are

1:25:30.840 --> 1:25:35.560
<v Speaker 3>that popular, that young, it fucks up your idea of

1:25:35.720 --> 1:25:38.920
<v Speaker 3>like the real world you can you know what I'm saying, Like,

1:25:38.960 --> 1:25:41.800
<v Speaker 3>I think that literally like fucks you up. I don't

1:25:41.800 --> 1:25:44.080
<v Speaker 3>think it was gonna happen regardless. I think that you

1:25:44.320 --> 1:25:46.360
<v Speaker 3>might not have it. You don't know what you're chasing

1:25:46.439 --> 1:25:48.160
<v Speaker 3>because you think you've hit it, you've hit that peak,

1:25:48.160 --> 1:25:49.720
<v Speaker 3>and then you go out into the real world and

1:25:49.760 --> 1:25:52.320
<v Speaker 3>you're nobody and you're not used to being nobody. Think

1:25:52.320 --> 1:25:54.280
<v Speaker 3>if you're used to being nobody in high school, when

1:25:54.320 --> 1:25:56.719
<v Speaker 3>you get to college, just like another chance to reinvent yourself.

1:25:56.960 --> 1:26:00.280
<v Speaker 3>But people leave high school going to college and to

1:26:00.320 --> 1:26:02.240
<v Speaker 3>still be that nigga and it's just like nah.

1:26:02.720 --> 1:26:06.120
<v Speaker 2>And teenage impulse is like should be studies because there's

1:26:06.280 --> 1:26:09.200
<v Speaker 2>there were people far smarter than me, way more athletic

1:26:09.320 --> 1:26:12.880
<v Speaker 2>than me, that just were impulsive to bullshit that was

1:26:12.920 --> 1:26:15.320
<v Speaker 2>happening in high school and that hindered the rest of

1:26:15.400 --> 1:26:20.000
<v Speaker 2>their future. Like impulse should really be studied with teenage kids,

1:26:20.439 --> 1:26:22.000
<v Speaker 2>I think the kids that have the least amount of

1:26:22.040 --> 1:26:25.280
<v Speaker 2>impulse in high school are typically the people that have

1:26:25.439 --> 1:26:28.639
<v Speaker 2>a longer career, if you will, Because there was kids

1:26:28.720 --> 1:26:30.640
<v Speaker 2>way smarter than me just never did shit because they

1:26:30.640 --> 1:26:35.080
<v Speaker 2>were impulsive to bullshit, far smarter than me, and probably

1:26:35.320 --> 1:26:37.679
<v Speaker 2>had a different scope of longevity. But no, we're gonna

1:26:37.720 --> 1:26:39.080
<v Speaker 2>fuck around for these four years.

1:26:39.880 --> 1:26:40.599
<v Speaker 1>We're gonna get.

1:26:40.439 --> 1:26:42.800
<v Speaker 2>Lit because I think I've known one person that ever

1:26:42.840 --> 1:26:45.120
<v Speaker 2>made it to a brick, that never made it to

1:26:45.240 --> 1:26:49.640
<v Speaker 2>what that made it to a brick. I think I

1:26:49.760 --> 1:26:51.840
<v Speaker 2>know one person from high school that actually made it

1:26:51.880 --> 1:26:55.080
<v Speaker 2>to one brick, just one, just one.

1:26:58.400 --> 1:27:01.040
<v Speaker 1>Nobody from have made it to a break, not even one.

1:27:02.240 --> 1:27:04.439
<v Speaker 2>Well, I mean, I'm sure you've known people that have

1:27:04.520 --> 1:27:07.360
<v Speaker 2>made it far past one brick, Oh for sure, I'm

1:27:07.360 --> 1:27:09.240
<v Speaker 2>saying me personally, I think I know one person that

1:27:09.360 --> 1:27:10.559
<v Speaker 2>made it to a brick from school.

1:27:11.000 --> 1:27:13.639
<v Speaker 1>Well everyone else, not balls.

1:27:14.400 --> 1:27:17.720
<v Speaker 4>Not the laying you stay in your lane, all right, well,

1:27:18.840 --> 1:27:20.000
<v Speaker 4>what's some major majors here?

1:27:20.120 --> 1:27:20.920
<v Speaker 1>Zip? Zip you here?

1:27:22.520 --> 1:27:23.040
<v Speaker 5>Can we pray?

1:27:23.120 --> 1:27:23.400
<v Speaker 1>All right?

1:27:23.439 --> 1:27:25.759
<v Speaker 4>Man, we're gonna get into some patrions praying before Patreon.

1:27:25.960 --> 1:27:28.080
<v Speaker 4>For what pray for Patreon our father who.

1:27:28.000 --> 1:27:30.720
<v Speaker 1>Are in heaven. It will be that name Catholic, that

1:27:30.840 --> 1:27:33.160
<v Speaker 1>will be done as earth and is in heaven. No,

1:27:33.320 --> 1:27:36.160
<v Speaker 1>are you leading the prayer? No? Who's leading the preyer you.

1:27:38.200 --> 1:27:39.400
<v Speaker 5>Anytime you pray right now?

1:27:39.560 --> 1:27:46.640
<v Speaker 1>No? Who told you that? Because that way already? No, No,

1:27:46.800 --> 1:27:48.960
<v Speaker 1>I don't know what the marriage do it? Yo? We

1:27:49.200 --> 1:27:51.960
<v Speaker 1>talk to y'all soon. Be safe, be blessed. I'm that nigga.

1:27:52.000 --> 1:27:53.759
<v Speaker 1>He's just Jinga. We're on the Patreon