1
00:00:00,160 --> 00:00:36,000
Speaker 1: Ollian doctor h welcome back.

2
00:00:36,200 --> 00:00:40,239
Speaker 2: Yes, yes, we had to sage this entire office of

3
00:00:40,320 --> 00:00:42,279
Speaker 2: the impurities that happened yesterday.

4
00:00:42,600 --> 00:00:44,720
Speaker 3: Man, yeah, what the fun was going on? All I

5
00:00:44,760 --> 00:00:46,840
Speaker 3: saw was a clip I left early yesterday. I see

6
00:00:46,840 --> 00:00:48,640
Speaker 3: one clip and I'm like, these niggas hornt out.

7
00:00:49,120 --> 00:00:51,440
Speaker 4: Well, you know we had Fredo Bang was here yes

8
00:00:52,520 --> 00:00:55,120
Speaker 4: to bring most hated to available now your DSPs, yes

9
00:00:55,240 --> 00:00:55,640
Speaker 4: right now.

10
00:00:55,920 --> 00:00:57,760
Speaker 1: Uh yeah, a good good guy.

11
00:00:57,880 --> 00:01:01,000
Speaker 4: Afraida was here and Major was here yesterday and he

12
00:01:01,120 --> 00:01:04,000
Speaker 4: was just you know, explaining the Major some of his

13
00:01:05,040 --> 00:01:08,959
Speaker 4: you know, his utilities and his abilities. Yes, in the

14
00:01:09,080 --> 00:01:11,880
Speaker 4: in the bedroom, which that was all the art of

15
00:01:11,920 --> 00:01:14,039
Speaker 4: love makings, the art of love making, that's what.

16
00:01:14,160 --> 00:01:15,080
Speaker 1: That's all he was explaining.

17
00:01:15,280 --> 00:01:19,000
Speaker 5: Was the whole interview like that, or I mean we.

18
00:01:18,959 --> 00:01:20,080
Speaker 1: Talked about music.

19
00:01:21,120 --> 00:01:24,000
Speaker 2: Yeah, but anytime we got some music it somehow got

20
00:01:24,040 --> 00:01:27,800
Speaker 2: turned into an OnlyFans girl or porn Starred was letting

21
00:01:27,880 --> 00:01:29,119
Speaker 2: us know he's a content sore.

22
00:01:29,440 --> 00:01:30,959
Speaker 1: Yes, uh he he he.

23
00:01:30,959 --> 00:01:36,240
Speaker 4: He delves deep into the o f uh genre of

24
00:01:36,440 --> 00:01:41,039
Speaker 4: entertainment and the porn genre of entertainment. So he was

25
00:01:41,040 --> 00:01:43,600
Speaker 4: just letting us know, like some of his favorite uh

26
00:01:43,760 --> 00:01:46,800
Speaker 4: creators and innovators in those worlds, that's all.

27
00:01:47,360 --> 00:01:49,920
Speaker 2: Which I think in the content world is a perfect

28
00:01:50,000 --> 00:01:51,200
Speaker 2: lane for him.

29
00:01:51,600 --> 00:01:54,000
Speaker 1: He should be the stephen A of the porn and only.

30
00:01:53,880 --> 00:01:56,480
Speaker 2: Fans absolutely, absolutely, I know they leak a lot of

31
00:01:56,480 --> 00:02:00,120
Speaker 2: shit on Reddit. He could, he could stop, give the creators,

32
00:02:01,040 --> 00:02:04,320
Speaker 2: you know, more empowerment, and he could do his skip

33
00:02:04,360 --> 00:02:06,559
Speaker 2: stephen A type thing with with the only fans world.

34
00:02:06,560 --> 00:02:08,240
Speaker 4: Absolutely, but we know what we're to pay for. A

35
00:02:08,280 --> 00:02:10,239
Speaker 4: new not to pay for. Most importantly, most Hated to

36
00:02:10,400 --> 00:02:12,560
Speaker 4: is available now, baby, And when we want to talk

37
00:02:12,560 --> 00:02:16,240
Speaker 4: about that, we just went back. We're back sponsored by

38
00:02:16,280 --> 00:02:21,000
Speaker 4: boost more unlimited talk text and yes, so please please

39
00:02:21,040 --> 00:02:22,680
Speaker 4: watch that fredal Bang episode.

40
00:02:22,680 --> 00:02:23,359
Speaker 1: Maybe not in the morning.

41
00:02:23,440 --> 00:02:25,320
Speaker 2: We did post a clip in the morning and all

42
00:02:25,360 --> 00:02:26,680
Speaker 2: the comments were like, it's not even.

43
00:02:26,760 --> 00:02:28,360
Speaker 1: A better way to wake up and gets the lymphatic

44
00:02:28,440 --> 00:02:30,519
Speaker 1: you know going.

45
00:02:30,600 --> 00:02:32,880
Speaker 4: You know, I mean, time you wake up with morning,

46
00:02:33,080 --> 00:02:34,679
Speaker 4: you got to just get it, get it good things

47
00:02:34,680 --> 00:02:35,840
Speaker 4: more and make sure you're still alive.

48
00:02:36,040 --> 00:02:37,560
Speaker 1: Make you're still with us, you know, the natural part

49
00:02:37,600 --> 00:02:38,399
Speaker 1: of life exactly.

50
00:02:39,160 --> 00:02:43,280
Speaker 3: Sometimes Sometimes Yo, my homeboy Cobby yesterday're like, hey, I

51
00:02:43,280 --> 00:02:44,600
Speaker 3: just want to let you know I'm seeing everything you

52
00:02:44,639 --> 00:02:46,600
Speaker 3: guys are doing on Netflix is so cool, YadA YadA.

53
00:02:46,600 --> 00:02:48,200
Speaker 5: But why don't you guys.

54
00:02:47,919 --> 00:02:49,800
Speaker 3: Give peage a mike? I said, we wouldn't last the year.

55
00:02:49,840 --> 00:02:51,680
Speaker 3: Oh you know, we wouldn't last year.

56
00:02:52,280 --> 00:02:54,160
Speaker 1: It'd be a great year. I want to make that very.

57
00:02:54,120 --> 00:02:57,040
Speaker 5: It'll be a great a great final walkout for sure.

58
00:02:57,080 --> 00:02:59,320
Speaker 1: We went last year, go out with a bang.

59
00:02:59,440 --> 00:03:01,320
Speaker 2: Yeah, we find out if we have like a few

60
00:03:01,360 --> 00:03:04,280
Speaker 2: months to live. We're just gonna put a camera and

61
00:03:04,360 --> 00:03:06,280
Speaker 2: mic on Peach. That's it, and we're gonna give him

62
00:03:06,280 --> 00:03:06,680
Speaker 2: the topics.

63
00:03:06,760 --> 00:03:07,560
Speaker 1: Like we just go the.

64
00:03:07,480 --> 00:03:10,280
Speaker 4: Camera mic on Peach as we're packing up the studio.

65
00:03:10,760 --> 00:03:13,920
Speaker 4: We're gonna get to break down the set while he's talking,

66
00:03:14,120 --> 00:03:15,919
Speaker 4: because that'll be the last episode ever.

67
00:03:16,080 --> 00:03:16,760
Speaker 5: Absolutely not.

68
00:03:16,919 --> 00:03:19,360
Speaker 2: I would let Peach speak at my funeral. Oh he

69
00:03:19,440 --> 00:03:21,960
Speaker 2: has to, that would be great. He absolutely love that.

70
00:03:21,960 --> 00:03:22,560
Speaker 1: He has to speak.

71
00:03:22,600 --> 00:03:24,120
Speaker 4: He has to, like he has to be like, you know,

72
00:03:24,160 --> 00:03:25,840
Speaker 4: I have the MC at the funeral, Like, yeah, the

73
00:03:25,880 --> 00:03:28,200
Speaker 4: one that's doing the entire that's peg at mins bro.

74
00:03:28,240 --> 00:03:30,600
Speaker 4: Because it's gonna be real quick, real short, get right

75
00:03:30,639 --> 00:03:31,799
Speaker 4: to the party after that.

76
00:03:31,800 --> 00:03:33,359
Speaker 1: That's how I wanted to keep.

77
00:03:33,280 --> 00:03:34,280
Speaker 5: Y'all with this party ship.

78
00:03:34,360 --> 00:03:36,440
Speaker 3: Y'all do know that it's selfish to expect us to

79
00:03:36,480 --> 00:03:38,240
Speaker 3: party when you die, Like.

80
00:03:38,520 --> 00:03:40,760
Speaker 1: That's that's selfish too, when I die.

81
00:03:40,960 --> 00:03:42,040
Speaker 5: It's selfish either way.

82
00:03:43,240 --> 00:03:46,480
Speaker 2: Like you can't tell it, you can't tell how to breathe.

83
00:03:46,480 --> 00:03:49,640
Speaker 3: You're dead, motherfucker. Like it doesn't matter what you want,

84
00:03:49,760 --> 00:03:50,280
Speaker 3: you're dead.

85
00:03:50,400 --> 00:03:53,280
Speaker 2: No, no, no, I mean I agree that, Like there's

86
00:03:53,280 --> 00:03:55,080
Speaker 2: only so much you could you'll be dead. People are

87
00:03:55,080 --> 00:03:56,800
Speaker 2: gonna do whatever they want to do. But I'm trying

88
00:03:56,840 --> 00:03:57,880
Speaker 2: to make it easier for everybody.

89
00:03:57,920 --> 00:04:01,560
Speaker 3: That's not easier for everybody. That's an unnat, Like crying

90
00:04:01,600 --> 00:04:04,960
Speaker 3: and stuff is natural. You want us to instead party?

91
00:04:05,040 --> 00:04:08,200
Speaker 3: It's that's unnatural. You want us called the repairs. Yeah,

92
00:04:08,240 --> 00:04:09,880
Speaker 3: that's the repass. That's that you said party at the

93
00:04:09,920 --> 00:04:11,000
Speaker 3: FU said, I don't want a funeral.

94
00:04:11,040 --> 00:04:14,839
Speaker 2: I just want I've rest in peace to my good

95
00:04:14,840 --> 00:04:16,280
Speaker 2: good friend DJ Clark Kent.

96
00:04:16,440 --> 00:04:18,000
Speaker 1: I had a blast at his repass.

97
00:04:18,160 --> 00:04:22,080
Speaker 3: Yes, he also had a funeral for sure, And you

98
00:04:22,160 --> 00:04:24,240
Speaker 3: said that you don't want a funeral, you just want

99
00:04:24,279 --> 00:04:27,479
Speaker 3: the party. So there's a balance between the repass and

100
00:04:27,520 --> 00:04:29,360
Speaker 3: the people have cried their eyes out, now they can

101
00:04:29,400 --> 00:04:29,799
Speaker 3: go party.

102
00:04:29,800 --> 00:04:31,239
Speaker 5: You want us to just straight party.

103
00:04:31,360 --> 00:04:33,719
Speaker 2: I thought I would get some credit for that, like

104
00:04:33,760 --> 00:04:35,719
Speaker 2: thanks Forroy for not being selfish. Where we all have

105
00:04:35,760 --> 00:04:37,200
Speaker 2: to sit here and speak about you, we could just

106
00:04:37,240 --> 00:04:38,599
Speaker 2: go celebrate your life.

107
00:04:38,800 --> 00:04:42,400
Speaker 1: Yeah, okay, baby, don't worry. I'll cry at your funeral.

108
00:04:42,839 --> 00:04:44,840
Speaker 3: Oh no, I would never sit up there and say,

109
00:04:44,880 --> 00:04:46,160
Speaker 3: oh I want I don't want you to cry for me.

110
00:04:46,160 --> 00:04:48,560
Speaker 3: I want you to party, not you. Nigga's better be offended, knee.

111
00:04:48,600 --> 00:04:49,599
Speaker 3: You want me to act a fool.

112
00:04:49,480 --> 00:04:51,200
Speaker 5: O yourself in the casket if you really love me.

113
00:04:51,240 --> 00:04:55,039
Speaker 3: Nigga, get in there with you, Yeah, climbing there with me.

114
00:04:55,080 --> 00:04:56,880
Speaker 1: Get in there with you. I get in there with you,

115
00:04:56,920 --> 00:04:58,080
Speaker 1: baby Jento.

116
00:04:58,040 --> 00:04:59,680
Speaker 3: Because you know my head is just swing out of

117
00:04:59,680 --> 00:05:00,760
Speaker 3: my neck like it is.

118
00:05:00,720 --> 00:05:02,760
Speaker 1: Just taking your head? What's sowing on your neck?

119
00:05:03,360 --> 00:05:04,320
Speaker 5: Ain't then how they don't?

120
00:05:04,320 --> 00:05:05,800
Speaker 1: They got to perform like hold you that?

121
00:05:06,040 --> 00:05:08,640
Speaker 3: No, because after the thing where they cut you open

122
00:05:08,720 --> 00:05:09,360
Speaker 3: and like see what.

123
00:05:09,360 --> 00:05:11,160
Speaker 2: You died from you, then they cut your head off

124
00:05:11,200 --> 00:05:15,040
Speaker 2: your body. Yes, they do not do that. I've never performed.

125
00:05:15,800 --> 00:05:16,280
Speaker 2: I have no idea.

126
00:05:16,440 --> 00:05:20,560
Speaker 1: I'm not going to sit here. I know anything about.

127
00:05:19,480 --> 00:05:20,400
Speaker 5: The law in order.

128
00:05:20,960 --> 00:05:21,279
Speaker 1: They don't.

129
00:05:21,279 --> 00:05:22,919
Speaker 5: When they perform the.

130
00:05:22,920 --> 00:05:25,800
Speaker 1: Head off and they put it back on.

131
00:05:28,120 --> 00:05:30,480
Speaker 2: The marriage, they do not cut your head off if

132
00:05:30,520 --> 00:05:33,359
Speaker 2: you dive natural causes your autops They are not just

133
00:05:33,400 --> 00:05:35,040
Speaker 2: cutting your head off. I'm sure if you had some

134
00:05:35,080 --> 00:05:37,560
Speaker 2: type of like throat cancer or something, they would start

135
00:05:37,600 --> 00:05:39,360
Speaker 2: to check what's going on there. But I don't think

136
00:05:39,400 --> 00:05:41,840
Speaker 2: they they chase your head off and hold it up

137
00:05:41,920 --> 00:05:43,600
Speaker 2: like this is nothing to check for. If you die

138
00:05:43,640 --> 00:05:46,000
Speaker 2: from throat cancer, they know why you die. Cut your

139
00:05:46,040 --> 00:05:49,320
Speaker 2: head off, don't. Don't they have to like take out organs. Again,

140
00:05:49,320 --> 00:05:49,760
Speaker 2: I'm not going to.

141
00:05:49,760 --> 00:05:51,919
Speaker 4: Tell you, I know about cut your chest from like

142
00:05:51,960 --> 00:05:54,919
Speaker 4: your chest cavity and open up your chest and you're

143
00:05:55,279 --> 00:05:57,240
Speaker 4: abdominant abdomen.

144
00:05:57,360 --> 00:06:00,760
Speaker 3: But if anything happens, like brain wise, anything, they gotta

145
00:06:00,839 --> 00:06:01,520
Speaker 3: like cut your breath.

146
00:06:01,680 --> 00:06:03,040
Speaker 5: Well, they don't cut you at your neck. They probably

147
00:06:03,040 --> 00:06:05,799
Speaker 5: cutting the scalp off right to check out your brain.

148
00:06:06,120 --> 00:06:08,320
Speaker 4: Yeah, but if you die from something, well, if you

149
00:06:08,520 --> 00:06:11,120
Speaker 4: suddenly obviously God forbid, if you just drop dead, and yes,

150
00:06:11,120 --> 00:06:13,520
Speaker 4: they'll perform an op topic autopsic to see what happened.

151
00:06:13,600 --> 00:06:15,240
Speaker 1: But they don't cut your head off.

152
00:06:15,760 --> 00:06:18,240
Speaker 4: They can like cut your skull, like open up your

153
00:06:18,240 --> 00:06:21,119
Speaker 4: skull without cutting your detaching your head from your bodies.

154
00:06:21,160 --> 00:06:23,159
Speaker 1: Know what I'm saying, your head will.

155
00:06:23,040 --> 00:06:27,280
Speaker 4: Stay intact's modern technology. Yeah, we'll stay. You're not franking style,

156
00:06:27,360 --> 00:06:31,000
Speaker 4: like you not the bride or freaking stock. Maybe don't

157
00:06:31,040 --> 00:06:32,839
Speaker 4: they cut your head off? That's looking crazy.

158
00:06:32,880 --> 00:06:35,279
Speaker 2: I always said I want to be cremated, but I

159
00:06:35,360 --> 00:06:38,320
Speaker 2: strangely have one other request that could be kind of funny,

160
00:06:38,320 --> 00:06:41,640
Speaker 2: like donating my body to like n YU, so like

161
00:06:41,720 --> 00:06:45,120
Speaker 2: hungover doctorate students can just just fuck around with you.

162
00:06:45,400 --> 00:06:47,440
Speaker 1: It could be kind of funny. Yeah, no, I don't

163
00:06:47,440 --> 00:06:50,320
Speaker 1: want that. Don't touch me. You don't want to hungover students? No,

164
00:06:50,480 --> 00:06:52,800
Speaker 1: don't touch me. Learn to learn the science.

165
00:06:52,880 --> 00:06:54,800
Speaker 5: I'm donating my whole body to science.

166
00:06:55,560 --> 00:06:57,359
Speaker 1: Okay, real, what do you think they'll figure out? And whatever?

167
00:06:57,400 --> 00:06:58,479
Speaker 5: They don't want? Just creamate?

168
00:06:58,640 --> 00:07:00,240
Speaker 1: Do you are you an organ on you?

169
00:07:00,360 --> 00:07:01,920
Speaker 5: I am a I am an organ donor.

170
00:07:02,600 --> 00:07:04,960
Speaker 3: Black people have this theory that if you're an organ donor,

171
00:07:05,279 --> 00:07:07,000
Speaker 3: they don't work as hard in the hospital to save

172
00:07:07,040 --> 00:07:07,360
Speaker 3: your life.

173
00:07:09,520 --> 00:07:11,360
Speaker 1: So you still decided to check organ donor.

174
00:07:11,480 --> 00:07:14,640
Speaker 5: My best friend died from she needed a kidney transplant.

175
00:07:14,160 --> 00:07:16,240
Speaker 1: So yeah, would you give the marri kidney you got?

176
00:07:16,440 --> 00:07:19,440
Speaker 1: Match would not give me his kidney kidney? Good? I

177
00:07:19,440 --> 00:07:19,680
Speaker 1: don't know.

178
00:07:19,800 --> 00:07:21,640
Speaker 5: Wouldn't give me Drake tickets. You think he gonna give

179
00:07:21,640 --> 00:07:22,040
Speaker 5: me a kidney.

180
00:07:22,040 --> 00:07:24,560
Speaker 1: That's true, Nah, but it's different. Drake tickets is different.

181
00:07:26,560 --> 00:07:29,800
Speaker 5: You still have Instagram. I got them.

182
00:07:29,840 --> 00:07:32,320
Speaker 3: Somebody else boughtom for me. Every bad bitch on Instagram

183
00:07:32,360 --> 00:07:33,440
Speaker 3: got Drake tickets that year.

184
00:07:33,480 --> 00:07:36,080
Speaker 2: Well, that person should give you the kidney. Well they

185
00:07:36,080 --> 00:07:37,720
Speaker 2: got rid of the kidneys when they got a BBL.

186
00:07:37,800 --> 00:07:40,200
Speaker 1: So is that how it works? No, they can't get

187
00:07:40,240 --> 00:07:41,040
Speaker 1: rid of and your kidney.

188
00:07:41,040 --> 00:07:47,880
Speaker 2: I'm the kidney, I promise kidney. Just the whole stash

189
00:07:47,960 --> 00:07:51,240
Speaker 2: house of BdL. Kidney's just sitting in a warehouse somewhere.

190
00:07:51,560 --> 00:07:55,120
Speaker 4: Shout out to Bernie's Burgo. She says, she's a no, no, no.

191
00:07:55,160 --> 00:07:58,640
Speaker 4: She says she's getting rid of her bb She's getting reduction.

192
00:07:58,720 --> 00:08:01,840
Speaker 1: Yes, yeah, she's reducing her her BBL. She said.

193
00:08:01,840 --> 00:08:04,680
Speaker 4: You know, as she gets older, it's complications, I think,

194
00:08:04,720 --> 00:08:05,320
Speaker 4: and things like that.

195
00:08:05,480 --> 00:08:07,720
Speaker 3: But a great grandmother with all that ass she looks

196
00:08:07,720 --> 00:08:10,440
Speaker 3: great though, she still looks dropped that gorgeous.

197
00:08:10,440 --> 00:08:11,680
Speaker 1: She had great work done.

198
00:08:11,840 --> 00:08:14,040
Speaker 2: But I mean I did see a lot of girls

199
00:08:14,080 --> 00:08:17,440
Speaker 2: that went crazy with the bbls and like the twenty

200
00:08:17,560 --> 00:08:21,360
Speaker 2: eleven twelves, get reductions when it stopped being as popular. Yeah,

201
00:08:21,440 --> 00:08:23,160
Speaker 2: like they're just really trying to keep up. The way

202
00:08:23,200 --> 00:08:25,360
Speaker 2: we've changed from skating jeans to baggy is like the

203
00:08:25,360 --> 00:08:28,280
Speaker 2: way chicks are dealing with their butts right now. Crazy

204
00:08:28,320 --> 00:08:29,920
Speaker 2: vbl is not in fashion anymore.

205
00:08:29,960 --> 00:08:31,640
Speaker 1: Yeah, they don't even don't that no more.

206
00:08:32,000 --> 00:08:35,079
Speaker 4: It's the gym girlies now true, that's what's hot girls

207
00:08:35,080 --> 00:08:36,560
Speaker 4: that's in the gym shout out to Tiana.

208
00:08:36,600 --> 00:08:39,719
Speaker 1: Tianna started that wave though with her faded video. Was

209
00:08:39,760 --> 00:08:40,240
Speaker 1: that fa But.

210
00:08:40,200 --> 00:08:42,320
Speaker 2: Tiana has a I mean it's respectfully a one of

211
00:08:42,360 --> 00:08:44,360
Speaker 2: one body that I don't know can really be it.

212
00:08:44,440 --> 00:08:46,839
Speaker 4: I don't even think Tiana without Jesus Christy. Yeah, I

213
00:08:46,840 --> 00:08:48,680
Speaker 4: don't even think Tiana works out. That's the crazy part.

214
00:08:48,880 --> 00:08:51,880
Speaker 1: Tianna has had that shape since she was like sixteen

215
00:08:51,920 --> 00:08:52,240
Speaker 1: years old.

216
00:08:52,320 --> 00:08:54,120
Speaker 2: I just think that's something that's given to you by

217
00:08:54,240 --> 00:08:57,559
Speaker 2: by a higher power. Yeah, you can't work to get there, No,

218
00:08:57,840 --> 00:08:59,680
Speaker 2: I can't work, can't do that nothing.

219
00:09:00,040 --> 00:09:00,559
Speaker 1: After Michael B.

220
00:09:00,679 --> 00:09:03,400
Speaker 4: Jordan, he won Best Actor, right did he win at

221
00:09:03,400 --> 00:09:06,120
Speaker 4: the at the UH at the SAG Awards, I think

222
00:09:06,120 --> 00:09:07,160
Speaker 4: he won Actor of the Year.

223
00:09:07,480 --> 00:09:11,079
Speaker 2: Was this the same same one as the turettor towards. No,

224
00:09:11,160 --> 00:09:12,760
Speaker 2: he's awards.

225
00:09:13,920 --> 00:09:16,080
Speaker 1: Did that gentleman stay home at the SAG awards.

226
00:09:16,520 --> 00:09:19,679
Speaker 5: No, this is the act to sag after awards.

227
00:09:19,720 --> 00:09:23,280
Speaker 1: Sack after awards. Uh? He won? Was it? It was

228
00:09:23,280 --> 00:09:24,079
Speaker 1: it Actor of the Year.

229
00:09:24,840 --> 00:09:28,560
Speaker 4: Yes, Standing Performance by a male actor in a leading

230
00:09:28,679 --> 00:09:32,800
Speaker 4: role for his dual performance as twin Brothers and Centers.

231
00:09:33,000 --> 00:09:36,720
Speaker 4: So if he didn't win with like was he nominated twice?

232
00:09:36,760 --> 00:09:39,520
Speaker 4: Since it was two roles, he shouldn't, right, But no?

233
00:09:40,000 --> 00:09:41,840
Speaker 4: So oh, Mike, I see what she did. He ragged

234
00:09:41,840 --> 00:09:44,480
Speaker 4: the system. They had to nominate you twice like money

235
00:09:44,559 --> 00:09:47,720
Speaker 4: y'all was gonna win. Yeah, whether it was smoke was

236
00:09:47,720 --> 00:09:49,040
Speaker 4: a smoking stack, that.

237
00:09:49,080 --> 00:09:50,600
Speaker 5: Was the name, smoking stacks.

238
00:09:50,320 --> 00:09:53,600
Speaker 1: Smoking, Lindsay Lohan walks. So Michael B. Jordan, Yeah, man,

239
00:09:53,679 --> 00:09:55,520
Speaker 1: but shout out to Michael B. Jordan. I think he uh.

240
00:09:55,640 --> 00:09:58,920
Speaker 5: Playing Eddie Murphy face. You're right, thank you.

241
00:09:59,040 --> 00:10:00,240
Speaker 1: What comes to America.

242
00:10:00,840 --> 00:10:01,559
Speaker 5: Coming to America?

243
00:10:01,640 --> 00:10:04,880
Speaker 1: The Clumps, which were coming to America came.

244
00:10:04,760 --> 00:10:06,920
Speaker 2: Before the Clumps, I know, but I'm saying him and

245
00:10:07,000 --> 00:10:08,640
Speaker 2: Arsenio played every role in that movie.

246
00:10:08,720 --> 00:10:09,720
Speaker 5: Yeah, clumb.

247
00:10:10,160 --> 00:10:11,920
Speaker 3: What I'm saying is the Clumps is I think he

248
00:10:12,000 --> 00:10:14,440
Speaker 3: played the most characters he ever played. I think that

249
00:10:14,440 --> 00:10:16,320
Speaker 3: any actors ever played, because I think there was around

250
00:10:16,360 --> 00:10:18,120
Speaker 3: seven in the Clumps.

251
00:10:18,160 --> 00:10:21,440
Speaker 1: I've seen the whole play like six and Nutty Professor. Sorry,

252
00:10:21,679 --> 00:10:24,400
Speaker 1: I've seen the whole play like six in uh, I

253
00:10:24,440 --> 00:10:26,400
Speaker 1: think coming six or seven and coming to I think

254
00:10:26,440 --> 00:10:28,599
Speaker 1: he was every character in the barbershop.

255
00:10:28,240 --> 00:10:30,920
Speaker 4: I've seen at home. Yeah, no, he was. He was

256
00:10:31,000 --> 00:10:32,200
Speaker 4: one character in the barber shop.

257
00:10:32,640 --> 00:10:35,400
Speaker 1: He was the barber, and he was well not himself.

258
00:10:35,040 --> 00:10:37,360
Speaker 4: But no, Eddie Murphy was two characters in. He was

259
00:10:37,360 --> 00:10:40,000
Speaker 4: a Jewish guy in the barber I senior hole was

260
00:10:40,040 --> 00:10:40,600
Speaker 4: just the barber.

261
00:10:41,120 --> 00:10:43,760
Speaker 1: Okay, yeah, Eddie being the Jewish I was crazy.

262
00:10:44,320 --> 00:10:46,480
Speaker 4: I just saw a video and I said every morning

263
00:10:46,480 --> 00:10:48,360
Speaker 4: he had to city make up for like four hours.

264
00:10:48,600 --> 00:10:50,320
Speaker 1: I looked at the transform him to that.

265
00:10:50,400 --> 00:10:52,360
Speaker 4: But that was like iconic back then because you know,

266
00:10:52,400 --> 00:10:54,160
Speaker 4: a lot of people didn't know that was Eddie for years.

267
00:10:54,200 --> 00:10:54,440
Speaker 1: Yeah.

268
00:10:54,480 --> 00:10:54,880
Speaker 5: I didn't.

269
00:10:54,920 --> 00:10:55,720
Speaker 1: Oh no, I didn't.

270
00:10:56,320 --> 00:10:58,360
Speaker 2: I didn't know probably untill sort of recently, like within

271
00:10:58,360 --> 00:10:59,120
Speaker 2: the last ten years.

272
00:10:59,600 --> 00:11:00,920
Speaker 4: Like a lot of people didn't know for years if

273
00:11:00,920 --> 00:11:03,520
Speaker 4: that was Eddie Murphy. And that was in the Comes

274
00:11:03,600 --> 00:11:05,080
Speaker 4: Merca was the eighties, right, Yeah, that was in the

275
00:11:05,120 --> 00:11:09,480
Speaker 4: eighties eighties, So to have makeup done to where they

276
00:11:09,520 --> 00:11:12,600
Speaker 4: don't can't even tell it's you in the eighties incredible.

277
00:11:12,800 --> 00:11:14,640
Speaker 2: I mean now it would be considered anti semitic because

278
00:11:14,679 --> 00:11:17,600
Speaker 2: he looked like a propaganda poster exactly neither here nor there, right.

279
00:11:18,480 --> 00:11:21,120
Speaker 1: But the funniest story from coming to America BTS.

280
00:11:20,800 --> 00:11:23,160
Speaker 2: To me was that our Simeo and Eddie after they

281
00:11:23,360 --> 00:11:25,880
Speaker 2: would shoot would just go to the club still dressed

282
00:11:26,360 --> 00:11:30,240
Speaker 2: the same way, like they would show up as princess

283
00:11:30,280 --> 00:11:32,559
Speaker 2: in the club in New York City.

284
00:11:36,800 --> 00:11:38,640
Speaker 4: I would definitely do that, like you fuck it, I'm

285
00:11:38,640 --> 00:11:40,280
Speaker 4: out leaving the set whatever got.

286
00:11:40,160 --> 00:11:41,359
Speaker 1: On this big ass.

287
00:11:42,760 --> 00:11:45,000
Speaker 4: Going to the club. Absolutely, but shout out to Michael B.

288
00:11:45,080 --> 00:11:47,880
Speaker 4: Jordan definitely deserved that Centers was a great movie. Uh,

289
00:11:48,040 --> 00:11:50,240
Speaker 4: And I loved everything that they gearing Michaeil be Jordan.

290
00:11:50,320 --> 00:11:52,440
Speaker 4: He's definitely, like you could tell, gearing him up to

291
00:11:52,440 --> 00:11:56,680
Speaker 4: be the next one in Hollywood, the next best black

292
00:11:56,800 --> 00:11:58,199
Speaker 4: male actor in Hollywood.

293
00:11:58,559 --> 00:11:59,160
Speaker 1: Well deserved.

294
00:11:59,440 --> 00:12:01,280
Speaker 2: Before we get to New Music Friday, because there's a

295
00:12:01,280 --> 00:12:03,960
Speaker 2: lot coming out as you're hearing this, I do want

296
00:12:04,000 --> 00:12:06,320
Speaker 2: to press mall because Twitter told me so. I know

297
00:12:06,360 --> 00:12:08,719
Speaker 2: it's a fact Elon would never lie to me. There

298
00:12:08,760 --> 00:12:10,840
Speaker 2: wasn't it. There wasn't a community note. It's said that

299
00:12:10,920 --> 00:12:12,719
Speaker 2: jay Z is dropping an album on April third, m

300
00:12:13,640 --> 00:12:16,719
Speaker 2: featuring Beyonce, Travis Scott, and I think somebody else mm

301
00:12:16,760 --> 00:12:22,200
Speaker 2: hmm okay, right, no, like I don't know shit, all right,

302
00:12:22,400 --> 00:12:23,120
Speaker 2: blink blink twice.

303
00:12:23,200 --> 00:12:25,000
Speaker 3: No, no, no, no, no, this is how no mall lion.

304
00:12:25,240 --> 00:12:27,119
Speaker 3: You see what I'm saying because I keep up with niggas.

305
00:12:27,400 --> 00:12:30,080
Speaker 3: Any other time we've asked you anything about Jay, you'd

306
00:12:30,080 --> 00:12:32,199
Speaker 3: be like, man, Jay not rapping, Jay.

307
00:12:32,080 --> 00:12:35,480
Speaker 5: Not releasing the album. He'd he'd be throw So sure.

308
00:12:35,559 --> 00:12:36,079
Speaker 5: Now it's I.

309
00:12:36,000 --> 00:12:38,160
Speaker 3: Don't know nothing. I don't know nothing, you don't never

310
00:12:38,280 --> 00:12:39,640
Speaker 3: know ship, but still speak on it.

311
00:12:39,800 --> 00:12:41,360
Speaker 1: I'm just I'm speaking on it. I don't know. I

312
00:12:41,360 --> 00:12:43,160
Speaker 1: don't know if he's dropping an album on April third,

313
00:12:43,280 --> 00:12:43,640
Speaker 1: You don't know.

314
00:12:44,240 --> 00:12:46,040
Speaker 3: You don't know if he's dropping out my April third.

315
00:12:46,760 --> 00:12:48,360
Speaker 3: So is he dropping an album period?

316
00:12:48,640 --> 00:12:49,120
Speaker 1: I don't know?

317
00:12:50,240 --> 00:12:50,839
Speaker 5: Is there album?

318
00:12:51,120 --> 00:12:51,160
Speaker 1: Is?

319
00:12:51,320 --> 00:12:53,280
Speaker 4: He is the great, one of the greatest recording artists

320
00:12:53,280 --> 00:12:55,520
Speaker 4: that we've had, so I'm pretty sure he has access

321
00:12:55,559 --> 00:12:56,440
Speaker 4: to a studio.

322
00:12:56,120 --> 00:12:56,679
Speaker 1: At some point.

323
00:12:57,160 --> 00:12:58,640
Speaker 4: It does get you to speech, and if he finds

324
00:12:58,640 --> 00:13:01,079
Speaker 4: inspiration somewhere. Maybe, you know, maybe if it's a beat

325
00:13:01,160 --> 00:13:04,240
Speaker 4: laying around, he just laying Maybe. I'm sure he has

326
00:13:04,280 --> 00:13:06,760
Speaker 4: an email, right, he has, he has beat packs in

327
00:13:06,760 --> 00:13:09,360
Speaker 4: his email. Maybe he found some inspiration and decided to

328
00:13:09,360 --> 00:13:11,240
Speaker 4: record something. I don't I don't know for sure, but

329
00:13:11,720 --> 00:13:12,720
Speaker 4: it's not far fetched.

330
00:13:13,160 --> 00:13:14,880
Speaker 2: I feel like we need to like put an air

331
00:13:14,960 --> 00:13:18,080
Speaker 2: tag on on Guru's like laptop case or something and

332
00:13:18,200 --> 00:13:19,959
Speaker 2: just see if he's in around the studio.

333
00:13:20,080 --> 00:13:21,320
Speaker 1: Well, Google's always around here.

334
00:13:21,320 --> 00:13:24,559
Speaker 2: I know, but there are certain studios that'd be like, oh,

335
00:13:24,679 --> 00:13:25,560
Speaker 2: that's that's what Jay.

336
00:13:25,640 --> 00:13:26,280
Speaker 1: No, you got it wrong.

337
00:13:26,280 --> 00:13:29,840
Speaker 4: You gotta put an air tag in Jay's dreads. That's

338
00:13:29,840 --> 00:13:31,040
Speaker 4: how you know when he's in the studio.

339
00:13:31,200 --> 00:13:33,439
Speaker 2: When do you think I would have the time or

340
00:13:33,559 --> 00:13:35,080
Speaker 2: opportunity to put an air tag?

341
00:13:35,240 --> 00:13:39,480
Speaker 3: Opportunity, audacity, I don't know. Opportunity has that's a different

342
00:13:39,559 --> 00:13:41,120
Speaker 3: level of aud I guess.

343
00:13:41,160 --> 00:13:42,960
Speaker 2: Yes, I've had an opportunity to put an air tag

344
00:13:43,200 --> 00:13:44,320
Speaker 2: in jay Z's dreads.

345
00:13:45,400 --> 00:13:47,360
Speaker 1: Yes, I've had an opportunity.

346
00:13:46,840 --> 00:13:50,160
Speaker 2: To had an opportunity like I was in the same

347
00:13:50,600 --> 00:13:51,040
Speaker 2: I could have.

348
00:13:51,880 --> 00:13:54,080
Speaker 1: I would have then been met with hands and feet

349
00:13:56,200 --> 00:13:58,719
Speaker 1: and poss would knocked the AirTag out of.

350
00:13:58,640 --> 00:14:01,040
Speaker 5: You like a little bit.

351
00:14:01,080 --> 00:14:02,840
Speaker 1: They would have a barrel through me in the ocean.

352
00:14:03,280 --> 00:14:05,640
Speaker 4: You wouldn't even know you had an airtager side, Where

353
00:14:05,640 --> 00:14:09,439
Speaker 4: did that come from? Start knocking all the ship out

354
00:14:09,440 --> 00:14:10,640
Speaker 4: of you? Yeah?

355
00:14:10,760 --> 00:14:13,079
Speaker 2: But I mean this was Twitter, and no disrespect to

356
00:14:13,120 --> 00:14:15,240
Speaker 2: this account. I don't know how valid they are. I

357
00:14:15,240 --> 00:14:18,520
Speaker 2: think it's a Travis Scott like stand page. But I

358
00:14:18,520 --> 00:14:20,200
Speaker 2: did see a lot of people talking about a rumor,

359
00:14:20,600 --> 00:14:24,480
Speaker 2: not so much with a reasonable doubt anniversary shows or anything,

360
00:14:24,520 --> 00:14:27,680
Speaker 2: but also an album before June.

361
00:14:29,720 --> 00:14:31,120
Speaker 1: I'm on the side that I believe it.

362
00:14:31,960 --> 00:14:34,160
Speaker 3: If I get a J and J Cole album in

363
00:14:34,160 --> 00:14:36,720
Speaker 3: one year, I know that, like this might be the

364
00:14:36,800 --> 00:14:37,440
Speaker 3: year I'm forgeting.

365
00:14:39,480 --> 00:14:41,000
Speaker 5: Now if I knock his hat off his head.

366
00:14:40,840 --> 00:14:43,600
Speaker 2: I'm wrong, right, I did? I forgot? I forgot COVID album.

367
00:14:43,720 --> 00:14:45,880
Speaker 2: We get so much music every week, Like, I'm still

368
00:14:45,880 --> 00:14:49,400
Speaker 2: listening to this one pretty often. So what to J Cole?

369
00:14:49,400 --> 00:14:50,880
Speaker 2: The first dis pretty.

370
00:14:50,600 --> 00:14:52,920
Speaker 5: Often he won't give the second disc a chance.

371
00:14:52,920 --> 00:14:54,480
Speaker 2: I told him, you know, I've given it a few more.

372
00:14:54,520 --> 00:14:57,240
Speaker 2: It's uh again. I still have my same critiques. I

373
00:14:57,240 --> 00:14:58,880
Speaker 2: just don't like those certain hooks. But like I still

374
00:14:58,920 --> 00:15:01,200
Speaker 2: love Cole rapping over the illness, Like, I'm never mad

375
00:15:01,240 --> 00:15:01,480
Speaker 2: at that.

376
00:15:01,560 --> 00:15:03,040
Speaker 1: I just didn't like to so.

377
00:15:03,120 --> 00:15:04,880
Speaker 5: Hoax but and argue with you.

378
00:15:05,240 --> 00:15:06,480
Speaker 1: Even the letout is growing on me.

379
00:15:06,760 --> 00:15:08,760
Speaker 5: The letout has grown on me, the letouts grow.

380
00:15:08,840 --> 00:15:10,160
Speaker 1: I still laugh when I heard it. I just don't

381
00:15:10,160 --> 00:15:10,520
Speaker 1: skip it.

382
00:15:10,920 --> 00:15:11,840
Speaker 5: Has the letout grown on you?

383
00:15:11,840 --> 00:15:11,960
Speaker 1: Am?

384
00:15:12,160 --> 00:15:15,720
Speaker 2: No, not at all. I never want to sing what

385
00:15:15,840 --> 00:15:18,000
Speaker 2: I survived the letout? I don't want to chant.

386
00:15:18,000 --> 00:15:22,400
Speaker 4: Will I survived the letout on? Just never good raps?

387
00:15:22,440 --> 00:15:23,280
Speaker 4: But I hate the hook?

388
00:15:23,400 --> 00:15:23,880
Speaker 1: Do we think?

389
00:15:23,880 --> 00:15:26,720
Speaker 2: Because I agree with with Mal that it's going to

390
00:15:26,760 --> 00:15:30,480
Speaker 2: take something very specific to inspire Jay at this point

391
00:15:30,520 --> 00:15:32,400
Speaker 2: in his career rap because even four forty four was

392
00:15:32,400 --> 00:15:36,200
Speaker 2: what twenty sixteen definitely had a reason to rap with

393
00:15:36,280 --> 00:15:38,400
Speaker 2: Lemonade and everything that was going on in his personal life.

394
00:15:38,960 --> 00:15:41,960
Speaker 2: Then obviously inspired to do an album with your wife,

395
00:15:42,080 --> 00:15:45,280
Speaker 2: which is great, doing one with Ja Electronica, inspired to

396
00:15:45,280 --> 00:15:48,920
Speaker 2: be around him? What what would inspire him now to

397
00:15:48,960 --> 00:15:49,920
Speaker 2: do a solo project?

398
00:15:49,920 --> 00:15:52,040
Speaker 1: And how many even how many records would we get?

399
00:15:52,360 --> 00:15:53,400
Speaker 5: We might get seven.

400
00:15:55,080 --> 00:15:58,120
Speaker 2: I can't see anything past ten. I think it's even

401
00:15:58,120 --> 00:16:01,320
Speaker 2: crazy for ten. Yeah, I just don't know what I

402
00:16:01,320 --> 00:16:06,840
Speaker 2: think it is it. Is it maybe him getting to

403
00:16:06,840 --> 00:16:08,920
Speaker 2: the point in his career and this is just the Internet,

404
00:16:08,960 --> 00:16:09,800
Speaker 2: not the real world.

405
00:16:09,800 --> 00:16:11,560
Speaker 1: But the Internet has become somewhat the real world.

406
00:16:12,240 --> 00:16:16,640
Speaker 2: He's starting to get that Eminem shift that he doesn't deserve.

407
00:16:17,400 --> 00:16:20,120
Speaker 2: Everyone went from saying Eminem is the greatest, one of

408
00:16:20,120 --> 00:16:21,240
Speaker 2: the greatest rappers of all time.

409
00:16:21,280 --> 00:16:22,000
Speaker 1: His desography is.

410
00:16:22,000 --> 00:16:24,840
Speaker 2: Incredible, and there was a turn, and myself I was

411
00:16:25,720 --> 00:16:28,120
Speaker 2: included in that, but that was more so because m

412
00:16:28,280 --> 00:16:30,360
Speaker 2: was so active and kept putting out music that I

413
00:16:30,400 --> 00:16:33,760
Speaker 2: personally didn't like. Didn't take away from his ability or anything,

414
00:16:33,760 --> 00:16:36,760
Speaker 2: but he was putting out an album every year. Jay

415
00:16:36,760 --> 00:16:39,400
Speaker 2: has been inactive, and now all of a sudden, the

416
00:16:39,440 --> 00:16:41,520
Speaker 2: tides have turned where he's not as good as he's

417
00:16:41,560 --> 00:16:46,360
Speaker 2: ever been. His catalog's overrated, he's a scumbag.

418
00:16:46,040 --> 00:16:48,120
Speaker 1: Like all the shit that people are saying.

419
00:16:48,360 --> 00:16:50,960
Speaker 3: Hey, but none of that is coming from Jay fans,

420
00:16:51,040 --> 00:16:53,520
Speaker 3: Like with Eminem. Even Eminem's fans switched up on him

421
00:16:53,520 --> 00:16:54,600
Speaker 3: because his music did in the age.

422
00:16:54,640 --> 00:16:56,320
Speaker 1: Well, yeah, because I was an Eminem fan and then

423
00:16:56,360 --> 00:16:57,520
Speaker 1: I slowly.

424
00:16:57,320 --> 00:16:59,560
Speaker 3: That's not it's not jafans doing that, it's not New

425
00:16:59,680 --> 00:17:02,560
Speaker 3: York that it's because the people who are critique in music,

426
00:17:02,640 --> 00:17:07,000
Speaker 3: are young, and they're getting older and louder, and a

427
00:17:07,040 --> 00:17:09,360
Speaker 3: lot of them are young and not from New York

428
00:17:09,400 --> 00:17:11,880
Speaker 3: but from the South, and that has always been kind

429
00:17:11,920 --> 00:17:14,040
Speaker 3: of a pocket of the South thing where they say

430
00:17:14,040 --> 00:17:16,440
Speaker 3: that Jay Z's overrated. That's always been a thing ever since,

431
00:17:16,520 --> 00:17:18,640
Speaker 3: even when I was grown up. So I think that's

432
00:17:18,680 --> 00:17:21,080
Speaker 3: completely different. Eminem's music just has not aged well and

433
00:17:21,160 --> 00:17:23,320
Speaker 3: y'all turned on him. I think this is a completely

434
00:17:23,320 --> 00:17:24,080
Speaker 3: different crew.

435
00:17:24,440 --> 00:17:28,240
Speaker 2: But I think Jay in his latter part of his career,

436
00:17:28,520 --> 00:17:31,120
Speaker 2: a lot of what did inspire him was to talk

437
00:17:31,119 --> 00:17:33,080
Speaker 2: about what he was doing in business and what he

438
00:17:33,119 --> 00:17:35,560
Speaker 2: was doing outside of music, and I think he's been

439
00:17:35,800 --> 00:17:38,920
Speaker 2: heavily critiqued on that. Like the music thing is whatever,

440
00:17:38,920 --> 00:17:40,879
Speaker 2: I think that's the Internet thing. But there is still

441
00:17:41,280 --> 00:17:45,040
Speaker 2: jay Z fans that I feel have a different perspective

442
00:17:45,119 --> 00:17:47,160
Speaker 2: of how he's moved, whether it be with the super

443
00:17:47,160 --> 00:17:49,480
Speaker 2: Bowl stuff, what he's been doing with the casinos. Like

444
00:17:49,760 --> 00:17:52,280
Speaker 2: I do think Jay has a lot of stuff to address,

445
00:17:52,720 --> 00:17:55,400
Speaker 2: and I could see somebody that feels like they're doing

446
00:17:55,400 --> 00:17:57,520
Speaker 2: the right thing for the community, for everyone else and

447
00:17:57,560 --> 00:17:59,280
Speaker 2: for themselves to line their pockets.

448
00:17:59,280 --> 00:17:59,879
Speaker 1: Why the fuck not?

449
00:18:00,640 --> 00:18:02,080
Speaker 2: Yeah, I get pissed off, be like, you know what,

450
00:18:02,160 --> 00:18:04,720
Speaker 2: let me rap and explain myself because y'all are bugging

451
00:18:05,880 --> 00:18:08,040
Speaker 2: this new per sad on of me. I'm not saying

452
00:18:08,040 --> 00:18:10,480
Speaker 2: in a sensitive way. I'm saying in a flexing way,

453
00:18:10,520 --> 00:18:13,480
Speaker 2: the way Jay has always taken things that people may

454
00:18:13,520 --> 00:18:15,560
Speaker 2: not be sensitive about, and he privately could be sensitive

455
00:18:15,560 --> 00:18:18,800
Speaker 2: about them, but has a beautiful way of bragging about

456
00:18:18,800 --> 00:18:19,320
Speaker 2: them instead.

457
00:18:19,880 --> 00:18:22,640
Speaker 4: I just don't I don't know if Jay is then Kia,

458
00:18:23,119 --> 00:18:28,320
Speaker 4: he really doesn't care about that enough to want to

459
00:18:28,359 --> 00:18:31,520
Speaker 4: go and make music based on that, based on responding

460
00:18:31,560 --> 00:18:35,840
Speaker 4: to things that he's either seen or heard people say

461
00:18:35,880 --> 00:18:38,359
Speaker 4: about him, Like that's not like even look at it,

462
00:18:38,400 --> 00:18:40,960
Speaker 4: Like like four forty four, we know why that album happened, right,

463
00:18:41,880 --> 00:18:43,919
Speaker 4: the Jag album, We know why that album had. That's

464
00:18:43,960 --> 00:18:47,760
Speaker 4: one of his favorite rappers. Like he does things. It's

465
00:18:48,480 --> 00:18:53,439
Speaker 4: it's not to respond to you know, noise. That's not

466
00:18:53,480 --> 00:18:55,560
Speaker 4: what Jay. He doesn't create from that. So if Jay

467
00:18:55,680 --> 00:18:59,160
Speaker 4: is creating new music now and he's recording new music now,

468
00:19:00,520 --> 00:19:02,600
Speaker 4: it's it's attached to something.

469
00:19:03,520 --> 00:19:06,120
Speaker 1: It's not just it's not just oh.

470
00:19:06,080 --> 00:19:08,320
Speaker 4: Now they talking crazy about me online and they must

471
00:19:08,359 --> 00:19:10,480
Speaker 4: have forgot who I am, and it's that that's not

472
00:19:10,640 --> 00:19:12,840
Speaker 4: Jay is not, that's not his that doesn't that doesn't

473
00:19:12,880 --> 00:19:13,439
Speaker 4: motivate him.

474
00:19:13,440 --> 00:19:13,960
Speaker 1: He doesn't.

475
00:19:14,119 --> 00:19:17,040
Speaker 4: He's always been done a great job at, you know,

476
00:19:17,280 --> 00:19:21,480
Speaker 4: sidestepping bullshit and avoiding that type of thing. But you're right,

477
00:19:21,520 --> 00:19:25,760
Speaker 4: when he does decide to wrap, it's always you know,

478
00:19:25,880 --> 00:19:28,159
Speaker 4: those little nuances in the way he's reminded people like,

479
00:19:28,200 --> 00:19:30,600
Speaker 4: don't get it fucked up, Like y'all know where I

480
00:19:30,640 --> 00:19:32,000
Speaker 4: sit among all of this shit.

481
00:19:32,119 --> 00:19:36,120
Speaker 1: But today, now after almost when.

482
00:19:35,960 --> 00:19:40,320
Speaker 4: Did the Jay Lug album come out twenty twenty six years,

483
00:19:40,960 --> 00:19:43,840
Speaker 4: I just don't see that. But if he is creating music,

484
00:19:44,160 --> 00:19:51,439
Speaker 4: it's definitely attached to something personal, something bigger, something uh

485
00:19:51,480 --> 00:19:55,160
Speaker 4: you know, uh, that's a part of you know, the family,

486
00:19:55,359 --> 00:19:58,359
Speaker 4: it's something in that run. It's not because you know,

487
00:19:58,560 --> 00:20:02,439
Speaker 4: just uh online talk and with people a podcasts and

488
00:20:02,480 --> 00:20:05,479
Speaker 4: platforms are saying about him and it's none of that.

489
00:20:05,560 --> 00:20:07,199
Speaker 1: Like's not, that's not who he is.

490
00:20:07,240 --> 00:20:09,600
Speaker 4: He doesn't, he doesn't entertain that type of shit, and

491
00:20:09,600 --> 00:20:13,080
Speaker 4: he doesn't create from that energy.

492
00:20:13,359 --> 00:20:13,840
Speaker 1: I hear you.

493
00:20:13,920 --> 00:20:15,639
Speaker 2: I'm going to give some pushback there because I do

494
00:20:15,640 --> 00:20:18,320
Speaker 2: feel like on every album Jay has always kind of

495
00:20:18,840 --> 00:20:23,399
Speaker 2: replied instead of doing direct interviews and doing the whole

496
00:20:23,760 --> 00:20:25,639
Speaker 2: He'll sit with Angie, but he won't do a full

497
00:20:25,920 --> 00:20:28,000
Speaker 2: press runner. He'll do the breakfast club when it's at

498
00:20:28,000 --> 00:20:31,880
Speaker 2: its peak. And he's always replied to everything in his arms.

499
00:20:31,880 --> 00:20:36,480
Speaker 2: Even with the Jay Electronica written testimony on the album,

500
00:20:36,520 --> 00:20:39,840
Speaker 2: he replies to everything that was said about the NFL.

501
00:20:40,560 --> 00:20:42,160
Speaker 2: He said, I got more money than a whole NFL bench.

502
00:20:42,160 --> 00:20:44,399
Speaker 2: Why would I sell out? I would attack it if

503
00:20:44,400 --> 00:20:46,320
Speaker 2: they could handled the ships themselves. Like he has a

504
00:20:46,320 --> 00:20:49,879
Speaker 2: whole verse addressing everyone that was hating on him at

505
00:20:49,920 --> 00:20:52,840
Speaker 2: the beginning when that was announced. Now it's been six

506
00:20:52,920 --> 00:20:55,119
Speaker 2: seven years and it's gotten a lot of a flack

507
00:20:55,280 --> 00:20:58,600
Speaker 2: of what is really happening outside of end racism in

508
00:20:58,640 --> 00:21:02,720
Speaker 2: the end zone. Yeah, I can see Jay still having

509
00:21:02,800 --> 00:21:05,760
Speaker 2: that competitive like yo, what the fuck mentality, And I

510
00:21:05,760 --> 00:21:10,439
Speaker 2: think he's probably learned a lot with this casino bidding,

511
00:21:11,119 --> 00:21:16,320
Speaker 2: and that's a whole different monster outside of music, clothing, alcohol,

512
00:21:16,520 --> 00:21:20,359
Speaker 2: different world. It's a completely different word. Now we're getting

513
00:21:20,359 --> 00:21:24,920
Speaker 2: into politics. Now we're talking about he's already in for sure,

514
00:21:24,920 --> 00:21:28,760
Speaker 2: but like really greasing politicians behind the scenes that get

515
00:21:28,760 --> 00:21:31,399
Speaker 2: bids and like it's a different monster when you're dealing

516
00:21:31,400 --> 00:21:35,000
Speaker 2: with casinos in Times Square, right, I think that with

517
00:21:35,119 --> 00:21:37,720
Speaker 2: the brain that he has could inspire you to make

518
00:21:37,800 --> 00:21:39,600
Speaker 2: music and still have a chip on your shoulder of

519
00:21:39,680 --> 00:21:41,640
Speaker 2: like I gave y'all twenty years.

520
00:21:41,400 --> 00:21:43,720
Speaker 1: And this is this is how being treated right now. Yeah,

521
00:21:43,760 --> 00:21:44,520
Speaker 1: this is crazy.

522
00:21:44,640 --> 00:21:46,320
Speaker 4: I'm just you know what it is though, I just

523
00:21:46,400 --> 00:21:48,640
Speaker 4: obviously I kind of don't ever want Jay to put

524
00:21:48,720 --> 00:21:51,720
Speaker 4: music out again. You said that, and I'm always on

525
00:21:51,960 --> 00:21:54,240
Speaker 4: the other side because I just it's like, you know,

526
00:21:54,720 --> 00:21:57,359
Speaker 4: even though selfishly, like you know, I would love to

527
00:21:57,440 --> 00:22:00,159
Speaker 4: hear him still create and rap because I know he's

528
00:22:00,200 --> 00:22:03,600
Speaker 4: still in shape. But it's just like, you know, create

529
00:22:03,640 --> 00:22:06,400
Speaker 4: the album for what for? You know, this new generation

530
00:22:06,520 --> 00:22:09,120
Speaker 4: to be online within fifteen minutes of the album drop

531
00:22:09,160 --> 00:22:11,040
Speaker 4: and saying this is y'all, goat.

532
00:22:10,760 --> 00:22:12,760
Speaker 1: This shit is trash, you know what I mean.

533
00:22:12,840 --> 00:22:15,280
Speaker 4: Like it's like, but I just it's just that part

534
00:22:15,280 --> 00:22:17,560
Speaker 4: of it where I just don't care. I'm just like, no,

535
00:22:17,680 --> 00:22:21,199
Speaker 4: let's let his legacy stay where it is. Nobody, no

536
00:22:21,280 --> 00:22:25,240
Speaker 4: other rapper, just full MC rapper is touching what Jay

537
00:22:25,359 --> 00:22:25,840
Speaker 4: has done.

538
00:22:25,960 --> 00:22:29,919
Speaker 2: But we both know Jay actively actively, actively pays attention

539
00:22:30,040 --> 00:22:33,320
Speaker 2: to everything currently going on like like when everyone was

540
00:22:33,359 --> 00:22:36,679
Speaker 2: like when flex No Pun incident dropped the bomb that

541
00:22:36,760 --> 00:22:38,680
Speaker 2: jay Z has a secret burner, Like, is that that

542
00:22:38,800 --> 00:22:40,840
Speaker 2: crazy to think that jay Z has a Twitter and

543
00:22:40,920 --> 00:22:43,239
Speaker 2: Instagram right that no one knows about that, he just

544
00:22:43,359 --> 00:22:47,639
Speaker 2: scrolls on. He actively is signing young young artists at

545
00:22:47,680 --> 00:22:50,359
Speaker 2: rock Nation, being part of their projects, putting like he's active,

546
00:22:50,400 --> 00:22:53,000
Speaker 2: he knows what the fuck is going online. I can't

547
00:22:53,000 --> 00:22:55,520
Speaker 2: think with a jay Z brain, you wouldn't still have

548
00:22:55,560 --> 00:22:59,840
Speaker 2: a bunch to say as the elder statesman about everything

549
00:22:59,840 --> 00:23:02,720
Speaker 2: that currently going on. Because even down we even see

550
00:23:03,560 --> 00:23:07,880
Speaker 2: Professor Michael Eric Dyson said that jay called him about

551
00:23:07,920 --> 00:23:10,800
Speaker 2: his take between the Kendrick and Drake thing. Everyone thought

552
00:23:10,800 --> 00:23:13,680
Speaker 2: that was insane. I was like, I mean, I'm an outsider,

553
00:23:13,720 --> 00:23:15,760
Speaker 2: and even I know that Hove calls everyone not to

554
00:23:15,880 --> 00:23:20,199
Speaker 2: confront them or press like he's just as interested in

555
00:23:20,240 --> 00:23:23,439
Speaker 2: the ship the way weels ever, just the way we

556
00:23:23,560 --> 00:23:27,439
Speaker 2: debate about URL shit. Jay Z does the same thing.

557
00:23:27,680 --> 00:23:30,960
Speaker 2: Him and Emery talk about your like, Yeah, I don't

558
00:23:30,960 --> 00:23:32,720
Speaker 2: think it's that crazy. So I think he has a

559
00:23:32,720 --> 00:23:35,440
Speaker 2: lot of opinions of what is currently going on, which

560
00:23:35,480 --> 00:23:38,560
Speaker 2: could give you ten records. Oh no, for sure, plus

561
00:23:38,560 --> 00:23:42,720
Speaker 2: I got three kids, Blue is a teenager now, Like

562
00:23:42,760 --> 00:23:43,920
Speaker 2: there's a lot to talk about.

563
00:23:43,960 --> 00:23:45,600
Speaker 4: Oh no, it's definitely a lot to talk about. I

564
00:23:45,640 --> 00:23:51,280
Speaker 4: just don't know if you know he's creating seven to

565
00:23:51,320 --> 00:23:54,360
Speaker 4: ten to twelve tracks, Yeah, that's a lot.

566
00:23:54,520 --> 00:23:56,159
Speaker 1: Yeah, ten records.

567
00:23:55,760 --> 00:23:57,320
Speaker 2: When you have that much going on, is I think

568
00:23:57,359 --> 00:23:59,760
Speaker 2: harder than I think people could realize.

569
00:23:59,480 --> 00:24:01,920
Speaker 4: What I mean obviously as as you know, just somebody

570
00:24:01,960 --> 00:24:04,080
Speaker 4: that grew up in that era and then you know

571
00:24:05,040 --> 00:24:08,320
Speaker 4: it was was so close to that, to the music. Yeah,

572
00:24:08,359 --> 00:24:10,199
Speaker 4: I want to hear I want to hear him. You know,

573
00:24:10,520 --> 00:24:12,399
Speaker 4: it's just like watching you for your favorite you know,

574
00:24:13,400 --> 00:24:15,840
Speaker 4: artists just still like spar and just show you that

575
00:24:15,880 --> 00:24:17,200
Speaker 4: they still are shocked.

576
00:24:17,280 --> 00:24:19,800
Speaker 2: Yeah, just don't give please, just don't give me the

577
00:24:19,880 --> 00:24:23,600
Speaker 2: thirtieth anniversary. Don't give me reasonable doubted, Like like I

578
00:24:23,640 --> 00:24:25,800
Speaker 2: don't want I.

579
00:24:25,760 --> 00:24:29,159
Speaker 1: Don't want that. I don't reasonably doubted. I don't want that.

580
00:24:29,760 --> 00:24:31,800
Speaker 2: I wanted to be a whole separate thing that just

581
00:24:31,880 --> 00:24:35,400
Speaker 2: happens to fall on the thirtieth anniversary. Like I do

582
00:24:35,480 --> 00:24:38,600
Speaker 2: not want the part to I hate that that ship

583
00:24:38,760 --> 00:24:41,080
Speaker 2: so much so, But we'll see. How did you feel

584
00:24:41,119 --> 00:24:46,359
Speaker 2: about the uproar of Jay Z Collin, Michael Eric Dyson,

585
00:24:47,000 --> 00:24:47,639
Speaker 2: what was the uproar.

586
00:24:47,680 --> 00:24:50,399
Speaker 1: I didn't see that. Well, he was talking with Steven A.

587
00:24:50,480 --> 00:24:52,520
Speaker 2: Smith and we again, we don't have to fully get

588
00:24:52,520 --> 00:24:55,480
Speaker 2: into this bat he was talking to Stephen Uh, Michael

589
00:24:55,800 --> 00:24:56,320
Speaker 2: Dyson was.

590
00:24:56,280 --> 00:24:56,800
Speaker 1: Talking to him.

591
00:24:57,160 --> 00:25:00,199
Speaker 2: He's been very I would say pro Drake, but very

592
00:25:00,280 --> 00:25:05,680
Speaker 2: much on the side of questioning Drake's blackness is an

593
00:25:05,680 --> 00:25:08,720
Speaker 2: issue for the community overall. Calling him a culture vultures

594
00:25:08,800 --> 00:25:11,840
Speaker 2: is a problem for the community overall, doubting anything that

595
00:25:11,920 --> 00:25:15,000
Speaker 2: Drake has done. Also crossing the line with pedophile because

596
00:25:15,000 --> 00:25:18,080
Speaker 2: it's the Internet. Now. I understand rat battles, but with

597
00:25:18,200 --> 00:25:20,760
Speaker 2: social media, calling someone that in this era is a

598
00:25:20,800 --> 00:25:23,359
Speaker 2: little bit more dangerous than it was on mixtapes when

599
00:25:23,400 --> 00:25:26,320
Speaker 2: you were just rapping about whatever. So he said that

600
00:25:26,359 --> 00:25:30,040
Speaker 2: with Steven A. Smith then he was doing an interview Ryan,

601
00:25:30,040 --> 00:25:31,320
Speaker 2: if you could look it up. I forgot who he

602
00:25:31,359 --> 00:25:33,600
Speaker 2: was sitting with, but he had said that, you know,

603
00:25:33,680 --> 00:25:37,560
Speaker 2: Jay calls him often, and Jake gave him acallen and

604
00:25:37,760 --> 00:25:39,760
Speaker 2: said he was wrong more or less.

605
00:25:40,840 --> 00:25:43,560
Speaker 4: Yeah, Mike Wegg Dyson was wrong about his point of

606
00:25:43,640 --> 00:25:45,040
Speaker 4: view on the Drake Kendrick battle.

607
00:25:45,320 --> 00:25:47,280
Speaker 1: Okay, and he didn't give any details.

608
00:25:47,280 --> 00:25:50,280
Speaker 2: That's why this is a hard conversation to have because

609
00:25:50,320 --> 00:25:52,159
Speaker 2: you're completely speculating on what.

610
00:25:52,320 --> 00:25:53,880
Speaker 1: Jay said to him.

611
00:25:53,920 --> 00:25:55,880
Speaker 2: All he said was he disagreed with this point and

612
00:25:56,320 --> 00:26:00,840
Speaker 2: very respectfully and eloquently said his piece on the entire thing,

613
00:26:00,920 --> 00:26:03,200
Speaker 2: but didn't give any I don't even know what Jay said.

614
00:26:03,480 --> 00:26:05,520
Speaker 1: All I know is he did. He don't know the

615
00:26:05,520 --> 00:26:07,520
Speaker 1: little details he disagreed. I don't know anything.

616
00:26:07,640 --> 00:26:10,200
Speaker 2: But there was a huge uproar that he was doing

617
00:26:10,240 --> 00:26:13,040
Speaker 2: this to backdoor Drake, like Michael Eric Dyson is now

618
00:26:13,119 --> 00:26:17,000
Speaker 2: going to control the internet, was interneting. But I mean,

619
00:26:17,160 --> 00:26:21,840
Speaker 2: I'm curious what you think because you're part of both families. Mhm,

620
00:26:22,160 --> 00:26:24,359
Speaker 2: Like I feel like you're you're the fara con in

621
00:26:24,359 --> 00:26:30,120
Speaker 2: the situation, aware of who could solve these two, these

622
00:26:30,160 --> 00:26:31,200
Speaker 2: two two back and.

623
00:26:31,160 --> 00:26:34,639
Speaker 1: Forth between Eric Dyson and Jay, Jy and.

624
00:26:34,720 --> 00:26:38,800
Speaker 4: Drake between But there's no back and forth though, like

625
00:26:38,880 --> 00:26:40,680
Speaker 4: out of this, I don't know why people think there's

626
00:26:40,680 --> 00:26:43,520
Speaker 4: a back and forth between Jay and Drake, Like Drake

627
00:26:43,560 --> 00:26:48,360
Speaker 4: has never publicly said anything to Jay or directed at Jay,

628
00:26:48,480 --> 00:26:50,920
Speaker 4: or in the music said anything directed at Jay.

629
00:26:51,040 --> 00:26:53,120
Speaker 1: I've always thought so. Larry for thirty Freestyle was about.

630
00:26:53,119 --> 00:26:55,359
Speaker 2: They definitely had some some back and forth, even on

631
00:26:55,400 --> 00:26:59,479
Speaker 2: the Jay Leka jay Z either the Soldier Boy that

632
00:26:59,520 --> 00:27:01,600
Speaker 2: we made it beat, Sorry.

633
00:27:01,320 --> 00:27:03,280
Speaker 1: Miss Drizzy. I'm talking about paintings like that whole shit.

634
00:27:03,480 --> 00:27:05,600
Speaker 2: They've had their little shots back and forth, but they

635
00:27:05,600 --> 00:27:08,880
Speaker 2: made music that's not a shot though, Like call me Miss.

636
00:27:08,760 --> 00:27:12,119
Speaker 1: Drizzy is a little bit of a tiny shot, and

637
00:27:12,320 --> 00:27:13,560
Speaker 1: I think Drake deserved it.

638
00:27:13,760 --> 00:27:17,359
Speaker 2: I think it was I think people speak freely, and

639
00:27:17,400 --> 00:27:19,439
Speaker 2: when you print something that wasn't supposed to be printed

640
00:27:19,440 --> 00:27:23,440
Speaker 2: and you can't even hear the tone in it.

641
00:27:22,200 --> 00:27:22,960
Speaker 1: It's unfair.

642
00:27:23,640 --> 00:27:25,879
Speaker 2: But what was printed, Jay had every right to shoot

643
00:27:25,880 --> 00:27:26,320
Speaker 2: back at Drake.

644
00:27:27,880 --> 00:27:29,879
Speaker 1: Yeah, but I don't think that again.

645
00:27:30,119 --> 00:27:34,199
Speaker 4: I think that sometimes we miss we miss interpret lines

646
00:27:34,240 --> 00:27:37,080
Speaker 4: in bars from artists. We've actually seen that happen with

647
00:27:37,200 --> 00:27:39,960
Speaker 4: artists actually speak about the bars that they've written and

648
00:27:40,520 --> 00:27:43,480
Speaker 4: recorded when they say like people took it out of context.

649
00:27:44,040 --> 00:27:45,919
Speaker 4: And I think a lot of times because Jay is

650
00:27:46,000 --> 00:27:48,639
Speaker 4: Jay is very direct, if he's gonna go ask somebody, he.

651
00:27:49,000 --> 00:27:51,520
Speaker 2: Said, sorry Miss Drizzy for all the for so much

652
00:27:51,600 --> 00:27:53,200
Speaker 2: art talks selling me rap about all the shit that

653
00:27:53,240 --> 00:27:57,400
Speaker 2: I bought. I mean, it's not it wasn't like warranted

654
00:27:57,560 --> 00:27:59,960
Speaker 2: a disc record back. But they've been throwing a little

655
00:28:00,320 --> 00:28:02,320
Speaker 2: I think thirty for thirty free styles about him. We

656
00:28:02,800 --> 00:28:07,280
Speaker 2: we've always agreed to disagree about. But Jaye conspiring a

657
00:28:07,280 --> 00:28:08,520
Speaker 2: bit with Meek during that time.

658
00:28:08,600 --> 00:28:11,240
Speaker 4: Here's my thing. J wouldn't call Drake miss Drizzy. He

659
00:28:11,240 --> 00:28:12,400
Speaker 4: wouldn't refer to Drake as more.

660
00:28:12,800 --> 00:28:15,120
Speaker 1: That was that was always the debate, whether he said

661
00:28:15,160 --> 00:28:16,560
Speaker 1: mister Drizzy or mis Terrizzy.

662
00:28:16,600 --> 00:28:18,679
Speaker 2: If you listen to it very hard, let me let me,

663
00:28:18,800 --> 00:28:21,760
Speaker 2: let me, let me assure you something. Jay would never

664
00:28:22,119 --> 00:28:24,560
Speaker 2: refer to Drake as miss Drizzy. He would not do that.

665
00:28:25,119 --> 00:28:28,359
Speaker 2: He wouldn't do that. That's not that's not his. I

666
00:28:28,400 --> 00:28:30,480
Speaker 2: mean that quote was kind of nuts. Ryan people up

667
00:28:30,520 --> 00:28:33,680
Speaker 2: the quote of what Drake had said about Jay Again,

668
00:28:34,119 --> 00:28:36,680
Speaker 2: Drake had said, Yo, I never told anyone to print that,

669
00:28:36,760 --> 00:28:40,520
Speaker 2: Like that was completely taken. I think Drake was fucking around, joking,

670
00:28:40,720 --> 00:28:43,440
Speaker 2: But when you just read it, it sounds kind of nuts.

671
00:28:43,600 --> 00:28:45,640
Speaker 1: Yeah, but they've they've never again. That's I think that's

672
00:28:45,680 --> 00:28:47,520
Speaker 1: something at the end, and it made three songs after

673
00:28:47,520 --> 00:28:48,080
Speaker 1: that shit happened.

674
00:28:48,120 --> 00:28:49,680
Speaker 4: Yeah, Like that's what I'm saying. That's something that the

675
00:28:49,680 --> 00:28:53,560
Speaker 4: internet just created. Uh, and tried to put some some

676
00:28:53,720 --> 00:28:57,520
Speaker 4: you know, credence to but there's no there's no back

677
00:28:57,560 --> 00:29:04,280
Speaker 4: and forth between and Drake. Now whether privately they fell

678
00:29:04,320 --> 00:29:06,320
Speaker 4: away about each other, that's a whole different thing.

679
00:29:06,320 --> 00:29:09,440
Speaker 2: They probably have some whatever that is. We wouldn't, We

680
00:29:09,440 --> 00:29:10,120
Speaker 2: wouldn't we would.

681
00:29:10,160 --> 00:29:12,640
Speaker 4: We don't know that, But I'm just saying, like publicly,

682
00:29:12,680 --> 00:29:15,280
Speaker 4: there's no back and forth between Jay and Drake. If

683
00:29:15,360 --> 00:29:18,640
Speaker 4: Jay and Drake had an issue with each other, we

684
00:29:18,680 --> 00:29:20,720
Speaker 4: would it would be clear. We wouldn't have to speculate

685
00:29:20,760 --> 00:29:24,120
Speaker 4: and dissect you know, uh bars and think.

686
00:29:24,000 --> 00:29:24,840
Speaker 1: Oh who is he talking?

687
00:29:24,880 --> 00:29:27,840
Speaker 4: It would be very direct, very blatant from two of

688
00:29:27,840 --> 00:29:29,959
Speaker 4: the best rappers that we've ever had, Like they know

689
00:29:30,040 --> 00:29:33,800
Speaker 4: exactly how to direct lines and ship at each other.

690
00:29:33,840 --> 00:29:38,000
Speaker 1: But you do agree they've thrown small jabs at each other.

691
00:29:38,080 --> 00:29:41,920
Speaker 2: I would to get the jabs and rappers always That's

692
00:29:41,960 --> 00:29:43,440
Speaker 2: that's thirty thirty freestyle Again.

693
00:29:43,480 --> 00:29:45,840
Speaker 1: I think that first eight bars are all about Hope.

694
00:29:45,880 --> 00:29:49,040
Speaker 2: I don't think there about Meek, which I thought Drake

695
00:29:49,040 --> 00:29:50,680
Speaker 2: handled that very well, Like, Okay, I see what you'all

696
00:29:50,680 --> 00:29:52,800
Speaker 2: trying to do over here. Now I know there's a separation,

697
00:29:53,000 --> 00:29:53,840
Speaker 2: now I get it.

698
00:29:54,360 --> 00:29:56,560
Speaker 4: Yeah, But but but again I don't think that, you know,

699
00:29:56,680 --> 00:29:58,480
Speaker 4: we've got it's not much to that though. I think

700
00:29:58,480 --> 00:30:00,239
Speaker 4: that's more the Internet just trying to do with and

701
00:30:00,280 --> 00:30:00,920
Speaker 4: it does.

702
00:30:00,840 --> 00:30:03,480
Speaker 2: So we can get off anything Drake Kendri related. Can

703
00:30:03,520 --> 00:30:06,960
Speaker 2: you spec speculate quickly what you think j may have said.

704
00:30:08,120 --> 00:30:13,120
Speaker 4: About Mike greg Dyson's take on it. I think he

705
00:30:13,200 --> 00:30:16,400
Speaker 4: may have said that, uh, Mike greg Dyson probably looked

706
00:30:16,440 --> 00:30:18,600
Speaker 4: too deep into it. I don't think it was as

707
00:30:18,680 --> 00:30:20,440
Speaker 4: deep as he was probably trying to make it out

708
00:30:20,440 --> 00:30:23,800
Speaker 4: the scene. I think it was more similar surface more,

709
00:30:23,840 --> 00:30:25,600
Speaker 4: you know, it wasn't I think because Mike greg Dyson

710
00:30:25,680 --> 00:30:26,000
Speaker 4: is you know.

711
00:30:25,960 --> 00:30:28,280
Speaker 1: He's a he's a thinker, he's brilliant, you know what

712
00:30:28,320 --> 00:30:28,720
Speaker 1: I'm saying.

713
00:30:29,120 --> 00:30:31,440
Speaker 4: But I just don't it was probably that it was

714
00:30:31,440 --> 00:30:34,000
Speaker 4: probably like I don't think it was that deep of

715
00:30:34,160 --> 00:30:36,200
Speaker 4: a thought, but or it could be the opposite, or

716
00:30:36,200 --> 00:30:39,560
Speaker 4: he could just be like nah, you know, uh, whatever

717
00:30:39,640 --> 00:30:42,320
Speaker 4: Kendrick said wasn't wrong if he felt that way, like

718
00:30:42,920 --> 00:30:44,240
Speaker 4: you know, he's free to express that.

719
00:30:44,320 --> 00:30:45,479
Speaker 1: It could could have wentn't either way.

720
00:30:45,560 --> 00:30:48,960
Speaker 4: But I just thought it wasn't nothing malicious like oh nah,

721
00:30:49,040 --> 00:30:51,280
Speaker 4: like you know, like he was supposed to say that

722
00:30:51,320 --> 00:30:53,120
Speaker 4: about Drake, like it wasn't nothing like that.

723
00:30:53,240 --> 00:30:56,240
Speaker 2: He was debating the way we all call our friends

724
00:30:56,320 --> 00:31:00,440
Speaker 2: after battle. Personally, I really think he said there's no

725
00:31:00,520 --> 00:31:03,880
Speaker 2: real rules to wrap out of your overthinking that. Yeah,

726
00:31:03,960 --> 00:31:07,240
Speaker 2: Kendrick can say that's that's something along those lines, like,

727
00:31:08,000 --> 00:31:10,000
Speaker 2: I know you did a thousand word op ed about

728
00:31:10,000 --> 00:31:13,120
Speaker 2: the entire thing, but sometimes it ain't that and it's

729
00:31:13,120 --> 00:31:13,680
Speaker 2: just a wrap out.

730
00:31:14,040 --> 00:31:16,200
Speaker 4: Sometimes it's just not that. It's not as deep as

731
00:31:16,200 --> 00:31:21,000
Speaker 4: people think it is. Yeah, so yeah, I'm on that side.

732
00:31:22,320 --> 00:31:24,200
Speaker 1: Maul, what can you do with six hundred dollars?

733
00:31:24,400 --> 00:31:26,800
Speaker 2: Don't answer that because I know with some devious thoughts,

734
00:31:26,880 --> 00:31:30,280
Speaker 2: but that is boost Mobile proving that you don't have

735
00:31:30,320 --> 00:31:33,800
Speaker 2: to overpay with the major carriers. You can only pay

736
00:31:33,800 --> 00:31:39,120
Speaker 2: twenty five dollars a month forever with their unlimited plan.

737
00:31:39,320 --> 00:31:42,000
Speaker 2: You're saving six hundred dollars. Think of the things you

738
00:31:42,040 --> 00:31:45,480
Speaker 2: can do with that six hundred dollars. Stop overpaying and

739
00:31:45,600 --> 00:31:49,480
Speaker 2: switch to a fair price at boost mobile dot com today.

740
00:31:49,200 --> 00:31:51,960
Speaker 4: More based on average annual single line payment of AT

741
00:31:52,000 --> 00:31:54,520
Speaker 4: and T verieity T mobile customers compared to twelve months

742
00:31:54,520 --> 00:31:57,160
Speaker 4: on the boost Mobile ulimited plan as of January twenty

743
00:31:57,160 --> 00:32:00,560
Speaker 4: twenty six. For full off for details, visit boostmobile dot com.

744
00:32:06,760 --> 00:32:08,760
Speaker 2: All right, so while we're on Music New Music Friday,

745
00:32:08,840 --> 00:32:10,960
Speaker 2: all of this is out right now. We have not

746
00:32:11,040 --> 00:32:13,720
Speaker 2: heard it, obviously, because we're recording on a Thursday. There

747
00:32:13,720 --> 00:32:15,280
Speaker 2: is a rumor that we're getting a fifty ccent record.

748
00:32:15,360 --> 00:32:17,600
Speaker 2: I do not believe that. But that was on fifty.

749
00:32:17,960 --> 00:32:20,800
Speaker 2: That was on reputable DSP. He said, y'all wanted fifty

750
00:32:20,840 --> 00:32:22,240
Speaker 2: to rap right, Well, he said he was going to

751
00:32:22,280 --> 00:32:24,600
Speaker 2: do the doc and I don't think he can turn

752
00:32:24,960 --> 00:32:26,360
Speaker 2: that doc around that quickly.

753
00:32:26,480 --> 00:32:29,280
Speaker 3: But I don't think it's a dis If fifty cent

754
00:32:29,320 --> 00:32:31,200
Speaker 3: is dropping a song, it's just a fifty cent song.

755
00:32:31,640 --> 00:32:34,760
Speaker 2: Oh well, if fifty is dropping music and he's not

756
00:32:34,800 --> 00:32:35,760
Speaker 2: dis in tia, I don't want.

757
00:32:35,640 --> 00:32:35,920
Speaker 1: To hear it.

758
00:32:38,760 --> 00:32:40,200
Speaker 5: Oh, I thought, y'all said, when are we going to

759
00:32:40,240 --> 00:32:40,719
Speaker 5: be done with this?

760
00:32:40,800 --> 00:32:40,880
Speaker 1: Now?

761
00:32:41,000 --> 00:32:42,840
Speaker 5: Y'all want to hear it? If it's a this, I.

762
00:32:42,840 --> 00:32:44,120
Speaker 1: Don't want to hear it. I don't want to hear

763
00:32:44,200 --> 00:32:45,800
Speaker 1: them rap eddie. I don't. I don't.

764
00:32:45,840 --> 00:32:48,680
Speaker 2: Fifty was active and like constantly putting music out. All right, cool, whatever,

765
00:32:48,720 --> 00:32:50,440
Speaker 2: But now you decide to rap and it's not about Tia.

766
00:32:51,400 --> 00:32:53,200
Speaker 1: You can miss me on that should say anything the

767
00:32:53,240 --> 00:32:54,080
Speaker 1: documentary is coming?

768
00:32:54,520 --> 00:32:58,160
Speaker 2: Is that fifty straight up said that there's one containing

769
00:32:58,200 --> 00:33:01,840
Speaker 2: the allegations against Tiny and t I was with certain

770
00:33:02,880 --> 00:33:06,960
Speaker 2: sexual abuse, sexual misconducts alleged charges, which I mean has

771
00:33:07,000 --> 00:33:09,400
Speaker 2: been in the news for forever. It's not like he

772
00:33:09,720 --> 00:33:12,040
Speaker 2: exposed something that people didn't know about. But yes, he

773
00:33:12,040 --> 00:33:15,320
Speaker 2: claims he's doing a doc about that entire thing.

774
00:33:16,480 --> 00:33:19,360
Speaker 1: He gonna respond in his way, Aye, he's gonna be like.

775
00:33:19,320 --> 00:33:24,640
Speaker 4: Listen everything I was gonna say it was in this documentary.

776
00:33:24,400 --> 00:33:25,680
Speaker 1: Man, it just didn't ride.

777
00:33:26,400 --> 00:33:28,360
Speaker 4: You can't be listened. I know people like, oh, Fitty

778
00:33:28,400 --> 00:33:30,720
Speaker 4: gotta get in the booth. What if he don't wrap

779
00:33:30,800 --> 00:33:33,640
Speaker 4: no more? Like I'm not going like if somebody call

780
00:33:33,680 --> 00:33:35,640
Speaker 4: out Michael Jordan right now he's supposed to play them.

781
00:33:37,160 --> 00:33:38,480
Speaker 1: It's like, Nigga, I don't hoop no more.

782
00:33:38,520 --> 00:33:41,120
Speaker 4: Like I'm over here winning NASCAR circuits and shit like

783
00:33:41,520 --> 00:33:43,560
Speaker 4: I'm over here getting a billion dollars a year, sneak

784
00:33:43,600 --> 00:33:45,200
Speaker 4: of sales, like I'm not about to get on the

785
00:33:45,240 --> 00:33:47,520
Speaker 4: court with Lebron and play one on one.

786
00:33:47,400 --> 00:33:48,600
Speaker 1: Like I'm not doing that for what?

787
00:33:50,160 --> 00:33:52,280
Speaker 2: Well, to me, it makes sense I think when everyone

788
00:33:52,320 --> 00:33:56,440
Speaker 2: hears this, there's nothing from fifty that happens today. That's

789
00:33:56,480 --> 00:33:59,400
Speaker 2: just my prediction. I could be completely wrong, but my

790
00:33:59,480 --> 00:34:04,000
Speaker 2: guess is no, there will be nothing. Sahai did put

791
00:34:04,000 --> 00:34:07,360
Speaker 2: out a trailer of like some of the footage from

792
00:34:07,520 --> 00:34:08,520
Speaker 2: Mad Square Garden when.

793
00:34:08,400 --> 00:34:11,600
Speaker 1: Saint Pablo came out to tease the record the Good

794
00:34:11,640 --> 00:34:12,320
Speaker 1: Music breakup.

795
00:34:12,480 --> 00:34:16,720
Speaker 2: This is my side, and obviously the last two records

796
00:34:16,760 --> 00:34:20,160
Speaker 2: in high rhyming shape. So I'm curious to hear this

797
00:34:20,160 --> 00:34:24,720
Speaker 2: side of the entire thing. Because between a Drink Champs interviews,

798
00:34:24,800 --> 00:34:29,520
Speaker 2: Kanye like it was an unfair I felt how he

799
00:34:29,680 --> 00:34:31,520
Speaker 2: spoke about Big Sean was really unfair.

800
00:34:32,160 --> 00:34:33,520
Speaker 1: We got the.

801
00:34:36,160 --> 00:34:37,960
Speaker 2: I'm not going to diagnose anyone, but we got the

802
00:34:38,000 --> 00:34:41,600
Speaker 2: Asperger Kanye through that entire thing of the self awareness

803
00:34:42,040 --> 00:34:44,000
Speaker 2: was not all the way there. When he was talking

804
00:34:44,000 --> 00:34:45,439
Speaker 2: with Nori, he was having fun.

805
00:34:45,440 --> 00:34:47,919
Speaker 1: He was making jokes on Drink Champs. On Drink Champs

806
00:34:47,960 --> 00:34:48,400
Speaker 1: a few.

807
00:34:48,280 --> 00:34:51,480
Speaker 2: Times he's talked about He's He's even dis sa Hi

808
00:34:51,640 --> 00:34:55,640
Speaker 2: on Donda Life of the Party, which the record never made,

809
00:34:55,640 --> 00:35:00,319
Speaker 2: but he dissed say Hi on that. I'm curious of

810
00:35:00,400 --> 00:35:03,479
Speaker 2: sa Hia's perspective this entire thing we got, we kind

811
00:35:03,480 --> 00:35:07,000
Speaker 2: of got Sean is just a classy person, so we

812
00:35:07,040 --> 00:35:10,120
Speaker 2: didn't get probably some of the mess that we could

813
00:35:10,120 --> 00:35:12,719
Speaker 2: have gotten. I don't think Sahai.

814
00:35:12,480 --> 00:35:15,400
Speaker 1: Really gives a fuck about Kanye.

815
00:35:15,800 --> 00:35:21,000
Speaker 2: No, not that keeping it uh, let's keep everything in

816
00:35:21,040 --> 00:35:25,000
Speaker 2: the family. I think think Sean. I've met Sean's mother,

817
00:35:25,080 --> 00:35:26,880
Speaker 2: She's a lovely woman. He was just I think he

818
00:35:26,960 --> 00:35:31,120
Speaker 2: was just raised to hold shit down. Even when he

819
00:35:31,200 --> 00:35:34,200
Speaker 2: was disrespected. He set his piece and kind of just

820
00:35:34,239 --> 00:35:36,280
Speaker 2: kept it moving and focused on his own self, focused

821
00:35:36,280 --> 00:35:38,480
Speaker 2: on his own piece. I think sa Hi is not

822
00:35:38,520 --> 00:35:40,879
Speaker 2: out of here for blood, But Sahai does not give

823
00:35:40,920 --> 00:35:44,120
Speaker 2: a fuck if the whole world knows the story. Yeah,

824
00:35:44,239 --> 00:35:47,240
Speaker 2: and I see I see both of those type of people.

825
00:35:48,320 --> 00:35:49,319
Speaker 1: I've been both of those people.

826
00:35:49,360 --> 00:35:51,000
Speaker 2: I've been on the peace side. I've also been on

827
00:35:51,000 --> 00:35:52,440
Speaker 2: I don't really give a fuck, But I want to

828
00:35:52,440 --> 00:35:54,360
Speaker 2: hear talk about this though, so do I.

829
00:35:54,440 --> 00:35:56,480
Speaker 4: Because he has a perspective that I don't think any

830
00:35:56,520 --> 00:36:00,239
Speaker 4: of us obviously have and probably even have any idea out.

831
00:36:01,040 --> 00:36:02,880
Speaker 4: And he has a way with words, right, so we

832
00:36:02,920 --> 00:36:05,239
Speaker 4: know he's the way, he's the way he's gonna say it. Yes,

833
00:36:05,560 --> 00:36:08,239
Speaker 4: it's going to be entertaining but also informative.

834
00:36:08,280 --> 00:36:09,640
Speaker 1: So yeah, I'm I'm.

835
00:36:09,480 --> 00:36:12,040
Speaker 4: Always down here Saha. I'm just happy that Sahai is rapping.

836
00:36:12,280 --> 00:36:15,879
Speaker 4: I'm happy that he's putting out music. I know y'all

837
00:36:15,920 --> 00:36:17,880
Speaker 4: feel away about the cold thing, but even that, I like,

838
00:36:17,920 --> 00:36:20,080
Speaker 4: it's just it was, like you said, it's just rat.

839
00:36:19,920 --> 00:36:20,319
Speaker 1: Like I'm not.

840
00:36:20,760 --> 00:36:23,239
Speaker 4: It's not a malicious thing or you know, nothing like that.

841
00:36:23,320 --> 00:36:27,200
Speaker 4: And obviously you know what Cole said on false Prophets.

842
00:36:27,560 --> 00:36:29,799
Speaker 4: You still you know, remember that and felt the way

843
00:36:29,840 --> 00:36:33,120
Speaker 4: about that. But it's just good that a rapper likes Saha.

844
00:36:33,120 --> 00:36:35,840
Speaker 4: Who again, we hate that he doesn't put out music

845
00:36:35,880 --> 00:36:38,680
Speaker 4: as much as he probably should or as much as

846
00:36:38,680 --> 00:36:41,440
Speaker 4: we would want him to, because he's a phenomenal MC

847
00:36:41,880 --> 00:36:42,760
Speaker 4: and a great artist.

848
00:36:43,000 --> 00:36:45,799
Speaker 1: But just to see him recording, putting music.

849
00:36:45,560 --> 00:36:48,960
Speaker 4: Out like in that, in that rhythm, I'm here for that.

850
00:36:49,160 --> 00:36:49,359
Speaker 1: Yeah.

851
00:36:49,360 --> 00:36:51,600
Speaker 2: And I mean, of course they while they're listening to this,

852
00:36:51,680 --> 00:36:54,520
Speaker 2: they probably already heard the Saha record at midnight. But

853
00:36:54,880 --> 00:36:57,120
Speaker 2: he is a different perspective than I think anyone at

854
00:36:57,120 --> 00:37:00,759
Speaker 2: Good Music. Of course, Sean is ripped Rodford Kanye common

855
00:37:00,800 --> 00:37:03,120
Speaker 2: as everyone has written for Kanye. That was on Good Music,

856
00:37:03,160 --> 00:37:05,359
Speaker 2: but I don't think anyone has written as much as

857
00:37:05,440 --> 00:37:08,920
Speaker 2: Sahi was like his right hand when it came. He's been,

858
00:37:09,120 --> 00:37:13,040
Speaker 2: he's locked in the studio like he's there every day.

859
00:37:13,080 --> 00:37:15,720
Speaker 1: He's seen every up and down, every personal thing, every.

860
00:37:16,360 --> 00:37:20,680
Speaker 2: Right hand, right hand, ain't it? I was because I

861
00:37:20,719 --> 00:37:23,640
Speaker 2: text right hand right That's why. That's why, that's why

862
00:37:23,640 --> 00:37:24,560
Speaker 2: you right Because I.

863
00:37:24,520 --> 00:37:27,239
Speaker 1: Write because I text, I was able to come up

864
00:37:27,280 --> 00:37:28,719
Speaker 1: with it.

865
00:37:28,800 --> 00:37:33,680
Speaker 2: Rubs off when you tell someone of that. Yeah, So yeah,

866
00:37:33,880 --> 00:37:36,040
Speaker 2: as much as Sean Yes, it has been in so

867
00:37:36,080 --> 00:37:38,000
Speaker 2: many sessions, written a lot of stuff.

868
00:37:38,360 --> 00:37:39,319
Speaker 1: I don't think anyone has.

869
00:37:39,239 --> 00:37:42,520
Speaker 2: Probably spent as much personal time locked in a studio

870
00:37:42,560 --> 00:37:44,120
Speaker 2: with Kanye the way.

871
00:37:43,800 --> 00:37:44,000
Speaker 1: Yeah.

872
00:37:44,440 --> 00:37:48,319
Speaker 2: Consequence maybe would be a close one as well, But

873
00:37:48,440 --> 00:37:50,719
Speaker 2: even cons wasn't fully signed to good music. He's been,

874
00:37:51,080 --> 00:37:53,640
Speaker 2: has been an artist signed to him and been his

875
00:37:53,640 --> 00:37:56,839
Speaker 2: his writer. So I think you get all the tea

876
00:37:56,960 --> 00:37:59,240
Speaker 2: for lack of a better term.

877
00:37:58,560 --> 00:37:59,200
Speaker 1: With this one.

878
00:37:59,320 --> 00:38:01,239
Speaker 4: I just hate that we record him before it come out,

879
00:38:01,239 --> 00:38:03,560
Speaker 4: because I know with some ship on there, I know.

880
00:38:03,560 --> 00:38:04,480
Speaker 1: He talking some ship.

881
00:38:04,560 --> 00:38:06,560
Speaker 3: But I like that we get to come in on

882
00:38:06,600 --> 00:38:10,319
Speaker 3: Monday and say we've had the whole weekend to listen.

883
00:38:10,440 --> 00:38:11,120
Speaker 1: Yeah, I don't I don't.

884
00:38:11,160 --> 00:38:12,960
Speaker 4: I don't mind not being the first to react. I

885
00:38:13,000 --> 00:38:14,640
Speaker 4: want to be I want to I want to react

886
00:38:15,239 --> 00:38:17,040
Speaker 4: to the to the truth as close to the truth

887
00:38:17,040 --> 00:38:19,480
Speaker 4: as possible. Yeah, So like if a song comes out

888
00:38:19,520 --> 00:38:21,319
Speaker 4: and you know what I'm saying, like, I'd rather us

889
00:38:21,360 --> 00:38:23,560
Speaker 4: have the weekend to live with it and kind of

890
00:38:23,680 --> 00:38:25,759
Speaker 4: just like you know, really you know, take it in

891
00:38:25,840 --> 00:38:28,200
Speaker 4: and and and and listen to it as opposed to

892
00:38:28,239 --> 00:38:31,600
Speaker 4: it dropping. And then an hour later were sitting on

893
00:38:31,640 --> 00:38:34,920
Speaker 4: the mic like that shit is trash. It's like, come on, everybody.

894
00:38:34,600 --> 00:38:37,279
Speaker 3: Just racist to be the first one to clip out

895
00:38:37,400 --> 00:38:39,760
Speaker 3: about something. And I get it, that's the contant world.

896
00:38:39,880 --> 00:38:42,200
Speaker 3: But you haven't even really had a chance to listen.

897
00:38:42,239 --> 00:38:44,440
Speaker 2: Yeah, with music is tough. I like a song, I

898
00:38:44,480 --> 00:38:46,520
Speaker 2: get it, Yeah, full I don't want to be first

899
00:38:46,560 --> 00:38:50,080
Speaker 2: on the projection, right. The side shot I think is

900
00:38:50,080 --> 00:38:52,080
Speaker 2: going to have a lot of gossip in there, And

901
00:38:52,200 --> 00:38:53,600
Speaker 2: I don't mean that in a bad way. So I

902
00:38:53,640 --> 00:38:56,400
Speaker 2: think that, Yeah, I think all the streamers at midnight

903
00:38:56,440 --> 00:38:58,160
Speaker 2: are going to be sitting there dissecting that entire thing

904
00:38:58,160 --> 00:38:59,719
Speaker 2: because it's gonna be a lot of go a lot

905
00:38:59,719 --> 00:39:02,520
Speaker 2: of guy UF. It's just one song. But like full projects. Now,

906
00:39:02,560 --> 00:39:05,080
Speaker 2: I like that we wait till money for that before

907
00:39:05,080 --> 00:39:07,239
Speaker 2: we get off music. I just want to highlight the

908
00:39:07,320 --> 00:39:11,040
Speaker 2: music that's out now what I'm personally Jimmy dropping a

909
00:39:11,080 --> 00:39:17,239
Speaker 2: song or Amy is dropping a project list, I'm just

910
00:39:17,280 --> 00:39:18,720
Speaker 2: a little sold.

911
00:39:18,880 --> 00:39:21,040
Speaker 1: Hold on, I'm so excited because.

912
00:39:21,800 --> 00:39:24,840
Speaker 4: Bro, between yeh and Pimmy, who has the better interludes

913
00:39:24,840 --> 00:39:30,320
Speaker 4: on Drake's albums? Ummy, you said that too fast. I

914
00:39:30,360 --> 00:39:31,400
Speaker 4: don't like the Pimmy joint.

915
00:39:31,400 --> 00:39:33,760
Speaker 2: Wasn't what it was called an interlud wasn't an interlude

916
00:39:33,760 --> 00:39:34,840
Speaker 2: with that was a full fucking record.

917
00:39:34,920 --> 00:39:37,480
Speaker 1: Yep, Yeba's Heartbreak is really an interlude.

918
00:39:37,760 --> 00:39:40,759
Speaker 2: Yeah, that's really an interet Pimmy song, that's a song,

919
00:39:40,960 --> 00:39:43,440
Speaker 2: but you got and I funk with. Pimmy's one of

920
00:39:43,520 --> 00:39:45,960
Speaker 2: the artists that I'm really excited for. Yeah, but to

921
00:39:46,000 --> 00:39:49,040
Speaker 2: me is like one of the best vocalists, Like is ye.

922
00:39:49,400 --> 00:39:50,320
Speaker 1: So she's been around?

923
00:39:50,320 --> 00:39:53,000
Speaker 2: Like these are albums, yes, these are projects, the ones

924
00:39:53,000 --> 00:39:56,720
Speaker 2: that being a lot of Now I am.

925
00:39:56,760 --> 00:39:58,399
Speaker 1: At the edge of my motherfucking seat.

926
00:39:58,440 --> 00:40:01,200
Speaker 2: I almost texted y'all at midnight when I saw that

927
00:40:01,239 --> 00:40:03,319
Speaker 2: they teased it, but I knew y'all would just clown me,

928
00:40:04,200 --> 00:40:07,680
Speaker 2: I cannot believe in Nawls Barkley album coming out at midnight,

929
00:40:08,000 --> 00:40:11,160
Speaker 2: Danger Mouse and see Low are putting how long has

930
00:40:11,160 --> 00:40:11,680
Speaker 2: it been.

931
00:40:13,120 --> 00:40:16,320
Speaker 4: Over fifth what maybe twenty years?

932
00:40:17,080 --> 00:40:19,520
Speaker 1: Yeah, I was in summer school when Crazy came out,

933
00:40:19,800 --> 00:40:21,279
Speaker 1: Fan Me and Biggs went to things.

934
00:40:21,320 --> 00:40:23,279
Speaker 4: That's when they was doing the concerts in Central Park,

935
00:40:23,320 --> 00:40:25,680
Speaker 4: the free concerts and Naws Barkley did one.

936
00:40:25,800 --> 00:40:27,640
Speaker 1: When I tell you, we was in Central.

937
00:40:27,280 --> 00:40:32,120
Speaker 4: Park high out of our minds move into Naws Barkley

938
00:40:32,400 --> 00:40:34,160
Speaker 4: in the middle of Central Park, Like, I will never

939
00:40:34,200 --> 00:40:34,680
Speaker 4: forget that.

940
00:40:34,719 --> 00:40:38,600
Speaker 1: So to know that we getting a new Naws Barkley album.

941
00:40:38,400 --> 00:40:41,360
Speaker 2: Yeah, I mean I can't even start to say, Like

942
00:40:41,440 --> 00:40:45,080
Speaker 2: what Saint Elsewhere like did to my life, Like it

943
00:40:45,200 --> 00:40:47,799
Speaker 2: shaped a lot of the way I talk about any

944
00:40:47,880 --> 00:40:50,600
Speaker 2: r D as well, How that shaped how I listened

945
00:40:50,680 --> 00:40:53,960
Speaker 2: to music. Saint Elsewhere was that for me in high

946
00:40:54,000 --> 00:40:56,200
Speaker 2: school as well? Like I'm not just boom bapping my

947
00:40:56,239 --> 00:40:59,280
Speaker 2: life away anymore. Yeah, Like, I cannot wait for Danger

948
00:40:59,360 --> 00:41:01,680
Speaker 2: Mouse Low to put a fucking project out.

949
00:41:01,920 --> 00:41:04,080
Speaker 1: And you know what, here's my bias, guys.

950
00:41:04,520 --> 00:41:06,880
Speaker 2: If it stinks, I'm coming in here and saying I

951
00:41:06,880 --> 00:41:10,960
Speaker 2: love it, I respect that.

952
00:41:11,400 --> 00:41:13,400
Speaker 1: I love and danger Mouse too much.

953
00:41:13,440 --> 00:41:16,080
Speaker 4: I respect that is, at least you saying it. At

954
00:41:16,200 --> 00:41:17,680
Speaker 4: least you're saying you're about to come in here and

955
00:41:17,680 --> 00:41:18,160
Speaker 4: be biased.

956
00:41:18,200 --> 00:41:21,160
Speaker 2: I respect that, and I'm going in with very high expectations,

957
00:41:21,200 --> 00:41:21,760
Speaker 2: which could.

958
00:41:21,719 --> 00:41:23,840
Speaker 1: Make it worse. Yeah. I know I have one hundred

959
00:41:24,640 --> 00:41:26,000
Speaker 1: respect that, Rory, but.

960
00:41:26,080 --> 00:41:27,799
Speaker 2: I am very much excited for for you able to

961
00:41:27,800 --> 00:41:29,520
Speaker 2: give us a full project. It's also been a while.

962
00:41:29,760 --> 00:41:31,720
Speaker 2: Pym Me again, one of one of my favorite new

963
00:41:31,800 --> 00:41:34,759
Speaker 2: j Skis and Ill Beats Yes, j Ski shout out

964
00:41:34,800 --> 00:41:35,880
Speaker 2: Jason Part.

965
00:41:36,040 --> 00:41:37,680
Speaker 1: Tone Beats the Good Part Volume one.

966
00:41:38,160 --> 00:41:39,640
Speaker 4: Uh So you know how I feel about skis one

967
00:41:39,680 --> 00:41:42,080
Speaker 4: of the dopest dopest MC's.

968
00:41:42,000 --> 00:41:45,040
Speaker 2: Everyone please look up Jay skis one of the best

969
00:41:45,080 --> 00:41:48,680
Speaker 2: lyricists out right now from buff We talked about him

970
00:41:48,719 --> 00:41:52,120
Speaker 2: during the on the Radar ship. Uh LUIZI is one

971
00:41:52,120 --> 00:41:54,840
Speaker 2: of my favorite new new rappers as well, from New Orleans.

972
00:41:55,280 --> 00:41:57,640
Speaker 2: Leader of the Youth EP comes out, and then we

973
00:41:57,760 --> 00:42:00,920
Speaker 2: have Todd Allis signed Girl Music Volume one. I love

974
00:42:00,960 --> 00:42:03,680
Speaker 2: the single There's You No Time on Me on There

975
00:42:03,719 --> 00:42:06,799
Speaker 2: Talking Crazy? I love the single and if You Got

976
00:42:06,800 --> 00:42:11,399
Speaker 2: ant and Leon also working on it. Yeah, Todd Owes

977
00:42:11,440 --> 00:42:14,560
Speaker 2: this one man for sure. The album he just owes

978
00:42:14,640 --> 00:42:18,680
Speaker 2: us one, the featuring Todd Aleis sign was a letdown

979
00:42:18,680 --> 00:42:24,680
Speaker 2: for me that the title was so great since free TC,

980
00:42:24,800 --> 00:42:27,440
Speaker 2: which I hate saying this about an artist that I'm

981
00:42:27,480 --> 00:42:30,880
Speaker 2: not gassing. I think tid Alisi is iconic, Like, I

982
00:42:30,960 --> 00:42:34,080
Speaker 2: really think he's one of the most important artists of

983
00:42:34,480 --> 00:42:35,759
Speaker 2: this generation by far.

984
00:42:35,880 --> 00:42:38,520
Speaker 1: Absolutely from the sounds right to talent level.

985
00:42:39,920 --> 00:42:42,160
Speaker 2: He's just gotta give us one. And I know this

986
00:42:42,239 --> 00:42:45,520
Speaker 2: is just an EP, yeah, but when it's time to

987
00:42:45,600 --> 00:42:48,240
Speaker 2: give us that album, Free TC to me is a classic,

988
00:42:48,320 --> 00:42:51,160
Speaker 2: my own personal classic. But after that, it's kind of

989
00:42:51,160 --> 00:42:54,040
Speaker 2: been a mixed bag with projects, even though he's delivered

990
00:42:54,080 --> 00:42:56,160
Speaker 2: some of the best music in the last fifteen years,

991
00:42:56,280 --> 00:43:00,399
Speaker 2: some of the best features with other songs like yeah shit,

992
00:43:00,480 --> 00:43:05,319
Speaker 2: even if the Vulture shit with Kanye is incredible, it

993
00:43:05,360 --> 00:43:07,319
Speaker 2: was just bad timing and it would pretended to hate

994
00:43:07,320 --> 00:43:10,120
Speaker 2: it because they had to, but there's great music on there.

995
00:43:10,200 --> 00:43:11,320
Speaker 1: Yeah, I just tie.

996
00:43:12,600 --> 00:43:14,399
Speaker 2: I just want that proper Tie album the same way

997
00:43:14,400 --> 00:43:17,240
Speaker 2: I wanted the proper Chris Brown album, the way people

998
00:43:17,280 --> 00:43:21,360
Speaker 2: want the proper Drake rap album. I want the proper

999
00:43:21,600 --> 00:43:24,399
Speaker 2: Tie Dollars sign R and BO and I hope him

1000
00:43:24,400 --> 00:43:27,560
Speaker 2: doing an EP means he's gearing up to get back

1001
00:43:27,560 --> 00:43:31,440
Speaker 2: in that bag and stop writing and giving everyone.

1002
00:43:31,040 --> 00:43:32,879
Speaker 1: Else in the world all his amazing shit.

1003
00:43:33,800 --> 00:43:35,479
Speaker 2: Because if you go through all the records that people

1004
00:43:35,520 --> 00:43:37,279
Speaker 2: have from t Todd alas sign, they didn't ask TI

1005
00:43:37,360 --> 00:43:38,759
Speaker 2: to get on it. Tod gave them that record and

1006
00:43:38,800 --> 00:43:39,480
Speaker 2: then they got on it.

1007
00:43:39,520 --> 00:43:41,759
Speaker 4: So he got Brandy on this project, Leon Thomas and

1008
00:43:41,880 --> 00:43:42,520
Speaker 4: ron Eisley.

1009
00:43:43,000 --> 00:43:45,480
Speaker 5: That right, I mean it probably is probably is a sample.

1010
00:43:45,600 --> 00:43:48,799
Speaker 1: But what you mean sample? Nah, they get in the

1011
00:43:48,840 --> 00:43:51,640
Speaker 1: Studioah No, for sure out here.

1012
00:43:51,760 --> 00:43:53,960
Speaker 3: I don't want to get excited about it because it's

1013
00:43:53,960 --> 00:43:56,560
Speaker 3: an AI overview. So it could the same way that

1014
00:43:56,600 --> 00:43:59,399
Speaker 3: people thought Ganett was on Cardi B's album.

1015
00:43:59,480 --> 00:44:00,719
Speaker 5: It could just he wasn't.

1016
00:44:02,480 --> 00:44:07,719
Speaker 1: That wasn't Missus Jackson No, okay? Oh man? So yeah,

1017
00:44:07,800 --> 00:44:09,480
Speaker 1: girl girl music value one.

1018
00:44:09,640 --> 00:44:12,080
Speaker 2: Obviously this singles out with Leon Thomas now, and then

1019
00:44:12,120 --> 00:44:14,760
Speaker 2: my guy, h Isaiah Falls has a record coming out Taboo,

1020
00:44:14,800 --> 00:44:16,800
Speaker 2: which I'm looking forward to because I fun with anything

1021
00:44:17,360 --> 00:44:18,320
Speaker 2: Isaiah Falls.

1022
00:44:19,719 --> 00:44:21,160
Speaker 4: Oh yeah, it's gonna be it. It's gonna be one

1023
00:44:21,160 --> 00:44:24,520
Speaker 4: of those weekends. Yeah, pimmy a lot of R and B. Yeah, man,

1024
00:44:24,600 --> 00:44:27,360
Speaker 4: Girl music skis I don't know if I'm listening to

1025
00:44:27,440 --> 00:44:28,320
Speaker 4: your project this weekend.

1026
00:44:28,360 --> 00:44:29,800
Speaker 1: Ma, I ain't gonna lie, man, there's too much R

1027
00:44:29,800 --> 00:44:29,960
Speaker 1: and B.

1028
00:44:30,280 --> 00:44:32,400
Speaker 4: I went through Narls Barkley. I'm gonna have to skiz. I'

1029
00:44:32,440 --> 00:44:34,040
Speaker 4: mnna have to check you during the week man, I

1030
00:44:34,040 --> 00:44:34,680
Speaker 4: ain't gonna lie.

1031
00:44:35,000 --> 00:44:35,960
Speaker 1: And I left this up here.

1032
00:44:36,080 --> 00:44:37,520
Speaker 2: I don't know the gentleman's name, and I mean this

1033
00:44:37,640 --> 00:44:40,120
Speaker 2: name disrespect, But I don't know if there's a tie here,

1034
00:44:40,200 --> 00:44:40,759
Speaker 2: Young Mall.

1035
00:44:41,719 --> 00:44:43,399
Speaker 4: It's putting out any want to let you know. I'll

1036
00:44:43,440 --> 00:44:44,320
Speaker 4: kind of snuck mygic.

1037
00:44:45,880 --> 00:44:48,680
Speaker 1: You wrote that, I kind of snuckigure. Maybe it was

1038
00:44:48,680 --> 00:44:51,319
Speaker 1: your nephew recorded something.

1039
00:44:51,440 --> 00:44:53,240
Speaker 4: Yeah, we made some joints there. I kind of snuck

1040
00:44:53,280 --> 00:44:54,080
Speaker 4: my ep in there.

1041
00:44:54,160 --> 00:44:58,400
Speaker 3: Man, Atlanta based rapper, singer, a songwriter who blends rapid

1042
00:44:58,400 --> 00:45:00,440
Speaker 3: fire trap with street level ricks.

1043
00:45:01,520 --> 00:45:05,960
Speaker 1: Come from the label world. That Young Mall. Okay, I'm

1044
00:45:06,160 --> 00:45:06,600
Speaker 1: check it out.

1045
00:45:06,960 --> 00:45:07,800
Speaker 5: He's twenty six.

1046
00:45:08,560 --> 00:45:10,359
Speaker 1: I'm gonna check it out. What are you talking about

1047
00:45:10,360 --> 00:45:12,080
Speaker 1: on it? I mean that's when that's when Hod made

1048
00:45:12,080 --> 00:45:12,720
Speaker 1: reasonable doubts.

1049
00:45:12,719 --> 00:45:15,080
Speaker 2: So you gotta think, young Maul, twenty six, you know

1050
00:45:15,560 --> 00:45:16,919
Speaker 2: this could be this could be the one.

1051
00:45:18,200 --> 00:45:20,919
Speaker 3: I don't know if we ever shouted out Joyce Rice

1052
00:45:20,920 --> 00:45:23,040
Speaker 3: for break me In. But that's gonna be like one

1053
00:45:23,040 --> 00:45:24,480
Speaker 3: of my songs I thought we did already.

1054
00:45:24,520 --> 00:45:26,479
Speaker 5: I can't. No, I don't remembers mentioning it. I can't.

1055
00:45:26,800 --> 00:45:27,880
Speaker 1: That record is incredible.

1056
00:45:27,920 --> 00:45:29,840
Speaker 5: I cannot stop playing. It's fucking amazing.

1057
00:45:29,960 --> 00:45:31,600
Speaker 1: Yeah, she had posted more.

1058
00:45:31,640 --> 00:45:33,840
Speaker 2: I'm not sure if you know like the context of

1059
00:45:34,120 --> 00:45:35,600
Speaker 2: that record it went.

1060
00:45:35,480 --> 00:45:38,400
Speaker 1: Me in what you can only imagine what Joyces what

1061
00:45:38,600 --> 00:45:39,040
Speaker 1: she meant.

1062
00:45:38,920 --> 00:45:43,360
Speaker 3: Byph I've been so wild lately. Baby, it needs you

1063
00:45:43,400 --> 00:45:44,200
Speaker 3: to come and tame me.

1064
00:45:44,680 --> 00:45:46,680
Speaker 1: Aha. Joyce doed her head.

1065
00:45:46,719 --> 00:45:49,960
Speaker 4: She got like the strawberry, like the blong, going the honey.

1066
00:45:50,239 --> 00:45:52,920
Speaker 4: I get some good mir jeorye, what you're doing in

1067
00:45:53,040 --> 00:45:55,320
Speaker 4: l a, man, it's funny.

1068
00:45:55,360 --> 00:45:57,359
Speaker 2: She posted because her pops came to the video set,

1069
00:45:57,360 --> 00:46:00,600
Speaker 2: and you know, her dad is rightfully, so so supportive

1070
00:46:00,600 --> 00:46:02,800
Speaker 2: of her career, which is beautiful to watch. She posted

1071
00:46:02,800 --> 00:46:07,480
Speaker 2: a text message from him, Baby, I can't explain to

1072
00:46:07,520 --> 00:46:08,880
Speaker 2: my friends what this song is about.

1073
00:46:12,719 --> 00:46:15,480
Speaker 4: Nah, I can't let that. I can't let the homies no, Like, yeah,

1074
00:46:15,520 --> 00:46:18,120
Speaker 4: my daughter just dropped this new joint. Like, nah, they

1075
00:46:18,120 --> 00:46:18,839
Speaker 4: got to miss this.

1076
00:46:18,840 --> 00:46:22,160
Speaker 2: One, but definitely check out Joyce Rice that that record

1077
00:46:22,239 --> 00:46:24,440
Speaker 2: is really really good, and yeah, she's gearing up to

1078
00:46:24,600 --> 00:46:27,360
Speaker 2: put a full project out. This is definite, definitely a

1079
00:46:27,440 --> 00:46:28,919
Speaker 2: joy Stand podcast for sure.

1080
00:46:31,040 --> 00:46:33,600
Speaker 1: Do we want to stay stay music mine as well.

1081
00:46:33,920 --> 00:46:37,000
Speaker 2: I'm skipping over the TI names himself with Jay Kendrick,

1082
00:46:37,040 --> 00:46:39,879
Speaker 2: Andre two thousand, Wayne Scarface, Eminem and Jay Electronica because

1083
00:46:39,880 --> 00:46:43,200
Speaker 2: I agree with him and do what.

1084
00:46:43,160 --> 00:46:43,440
Speaker 1: Do you mean?

1085
00:46:43,480 --> 00:46:44,960
Speaker 5: I don't think any of those people should be named

1086
00:46:45,000 --> 00:46:45,560
Speaker 5: next to Jay.

1087
00:46:45,760 --> 00:46:49,440
Speaker 2: But other than that, if we're doing an overall goats,

1088
00:46:49,440 --> 00:46:52,200
Speaker 2: I don't think there has to be one goat TI.

1089
00:46:52,239 --> 00:46:56,000
Speaker 2: I was on Ebro in the morning with Laura Styles

1090
00:46:56,040 --> 00:46:58,600
Speaker 2: and Rosenberg and you know, they were doing more of

1091
00:46:58,640 --> 00:47:01,799
Speaker 2: the Top five conversation listen then and they started throwing

1092
00:47:01,880 --> 00:47:04,799
Speaker 2: names around and Ti I was like, get me and

1093
00:47:04,840 --> 00:47:05,480
Speaker 2: I feel him.

1094
00:47:05,800 --> 00:47:08,440
Speaker 1: I do too. What are you supposed to? But it's

1095
00:47:08,480 --> 00:47:11,720
Speaker 1: not I still think is there?

1096
00:47:11,840 --> 00:47:14,759
Speaker 3: Do you agree with him? Not what he thinks? Do

1097
00:47:14,800 --> 00:47:17,000
Speaker 3: you agree with his thoughts.

1098
00:47:16,760 --> 00:47:19,799
Speaker 4: That TI is one of the best rappers we've ever had?

1099
00:47:20,000 --> 00:47:20,280
Speaker 5: Yes?

1100
00:47:20,760 --> 00:47:21,400
Speaker 1: Yeah, I agree?

1101
00:47:21,600 --> 00:47:22,800
Speaker 5: Okay, that's all true.

1102
00:47:23,440 --> 00:47:28,560
Speaker 2: Lyrics, singles, desography changed the entire sound like he checks

1103
00:47:28,560 --> 00:47:31,799
Speaker 2: every box that you could think of. For sure, if

1104
00:47:31,840 --> 00:47:35,320
Speaker 2: I'm t I probably a little mad that my name's

1105
00:47:35,440 --> 00:47:37,120
Speaker 2: not brought up more in these types of coming. Yeah,

1106
00:47:37,960 --> 00:47:40,080
Speaker 2: because he's there, checked every box.

1107
00:47:41,719 --> 00:47:43,960
Speaker 4: I mean, listen, man, y'all y' know I love Andrews

1108
00:47:43,960 --> 00:47:46,400
Speaker 4: two thousands, but he ain't got no solo project. At

1109
00:47:46,440 --> 00:47:50,480
Speaker 4: least ti I got solo albums classical. Yeah, so at

1110
00:47:50,560 --> 00:47:53,440
Speaker 4: least yeah, he's he's right there. Yes, absolutely.

1111
00:47:54,360 --> 00:47:57,120
Speaker 2: I saw Raphael Sad had posted or somebody I assume

1112
00:47:57,160 --> 00:47:59,640
Speaker 2: it with him. I don't know if someone on his team,

1113
00:48:00,080 --> 00:48:04,520
Speaker 2: but on his ig account Sadik Moves he had posted.

1114
00:48:05,960 --> 00:48:09,040
Speaker 2: Raphael Sad, di'angelo and Maxwell are not Neil Soul artists. Sorry,

1115
00:48:09,040 --> 00:48:11,400
Speaker 2: but that's the truth. Neil Soul was a term created

1116
00:48:11,440 --> 00:48:14,439
Speaker 2: by one black executive purely as a shorthand. It helped

1117
00:48:14,480 --> 00:48:18,880
Speaker 2: labels internally identify which acts would not require crossover marketing budgets.

1118
00:48:19,040 --> 00:48:21,919
Speaker 2: Those funds were reserved for pop boy bands. That word

1119
00:48:21,920 --> 00:48:25,359
Speaker 2: Neil Soul signaled to executives in marketing meetings. These black

1120
00:48:25,480 --> 00:48:27,439
Speaker 2: artists might sell one hundred and fifty to three hundred

1121
00:48:27,440 --> 00:48:30,640
Speaker 2: and fifty K, maybe half a million if they're really good,

1122
00:48:31,080 --> 00:48:32,759
Speaker 2: one million at best. That had nothing to do with

1123
00:48:32,760 --> 00:48:34,840
Speaker 2: the sound of the music hip hop was created by

1124
00:48:34,880 --> 00:48:40,840
Speaker 2: the people. I use that term often, but I feel

1125
00:48:40,880 --> 00:48:46,800
Speaker 2: him he's he's definitely correct. I hear he's correct because

1126
00:48:46,840 --> 00:48:51,120
Speaker 2: I mean, I've been at labels where urban became the

1127
00:48:51,120 --> 00:48:54,279
Speaker 2: big word. I think now at labels, traditional R and

1128
00:48:54,360 --> 00:48:58,919
Speaker 2: B is the new code word for we can only

1129
00:48:58,960 --> 00:49:01,000
Speaker 2: give we can only alloc so much budget to this

1130
00:49:01,080 --> 00:49:03,000
Speaker 2: artist because we know they're not going to sell as

1131
00:49:03,080 --> 00:49:06,400
Speaker 2: much because traditional R and B is not selling the

1132
00:49:06,400 --> 00:49:11,560
Speaker 2: way they used to sell. So I feel him it did,

1133
00:49:11,880 --> 00:49:17,239
Speaker 2: but it did also coin a genre to me. I

1134
00:49:17,280 --> 00:49:22,480
Speaker 2: can see from their perspective, but as a fan that

1135
00:49:22,680 --> 00:49:25,000
Speaker 2: when I was younger did not care about who sold

1136
00:49:25,000 --> 00:49:26,920
Speaker 2: what I was in this business that I honestly did

1137
00:49:27,000 --> 00:49:30,120
Speaker 2: not give a fuck if D'Angelo sold one record or

1138
00:49:30,520 --> 00:49:33,879
Speaker 2: two million record. It wasn't even in my brain at

1139
00:49:33,920 --> 00:49:37,799
Speaker 2: that time. It did help me discover artists like him

1140
00:49:37,880 --> 00:49:39,360
Speaker 2: and people within that genre.

1141
00:49:39,880 --> 00:49:42,440
Speaker 1: So I feel Raphael Sadek.

1142
00:49:42,920 --> 00:49:46,040
Speaker 2: But the other side of that coin is a twelve

1143
00:49:46,120 --> 00:49:48,759
Speaker 2: thirteen year old kid that just likes soul quariums and

1144
00:49:48,800 --> 00:49:51,719
Speaker 2: just wants to discover more music. Yeah, when I was

1145
00:49:51,719 --> 00:49:55,400
Speaker 2: at any record store trying to buy CDs, like I

1146
00:49:55,440 --> 00:49:58,920
Speaker 2: went to the neo soul section like it was helpful.

1147
00:49:59,520 --> 00:50:02,799
Speaker 2: I know that I probably fucked them over, but it

1148
00:50:02,880 --> 00:50:07,120
Speaker 2: helped me discover a whole genre. I mean, hip hop

1149
00:50:07,160 --> 00:50:09,520
Speaker 2: had a lot to do with helping with neo so

1150
00:50:09,920 --> 00:50:13,560
Speaker 2: a lot with the roots. Yeah, it's it's the same

1151
00:50:13,600 --> 00:50:17,520
Speaker 2: genre in some degree, and even putting together something like

1152
00:50:17,520 --> 00:50:19,920
Speaker 2: the Soaquarians and what the roots were doing at Geffing

1153
00:50:19,960 --> 00:50:21,120
Speaker 2: of how they got to pop.

1154
00:50:20,960 --> 00:50:22,000
Speaker 1: Was because they got loud.

1155
00:50:22,000 --> 00:50:25,000
Speaker 2: They got a whole crew around them where you could

1156
00:50:25,000 --> 00:50:27,640
Speaker 2: share fan bases and yeah, I hear them, but that

1157
00:50:27,760 --> 00:50:29,880
Speaker 2: helped young fans discover music.

1158
00:50:30,080 --> 00:50:31,960
Speaker 1: I'm gonna be honest, I don't know.

1159
00:50:32,640 --> 00:50:34,520
Speaker 4: Maybe my time was a wrong, but I can't really

1160
00:50:34,520 --> 00:50:39,879
Speaker 4: remember neo soul really becoming a thing until I think,

1161
00:50:40,040 --> 00:50:43,760
Speaker 4: like Music Soul Child, the words right out like music

1162
00:50:43,840 --> 00:50:45,759
Speaker 4: and h what's India Ari?

1163
00:50:46,200 --> 00:50:49,799
Speaker 2: Yeah, like you know, like I was definitely the neo

1164
00:50:49,920 --> 00:50:52,480
Speaker 2: soul's song that was on the ringio.

1165
00:50:53,160 --> 00:50:55,600
Speaker 4: Like again, I could have my time, but I don't

1166
00:50:55,640 --> 00:50:58,880
Speaker 4: remember really hearing people even say the word neo soul

1167
00:50:59,320 --> 00:51:02,080
Speaker 4: until Music Soul Child, because obviously the success that he

1168
00:51:02,160 --> 00:51:04,440
Speaker 4: had with his single, his first single, and you know,

1169
00:51:04,520 --> 00:51:07,440
Speaker 4: his first album and things like that. But before that,

1170
00:51:07,520 --> 00:51:09,360
Speaker 4: it was R and B. It was you know what

1171
00:51:09,360 --> 00:51:11,600
Speaker 4: I mean, it was hip hop. It wasn't you know,

1172
00:51:11,719 --> 00:51:15,280
Speaker 4: maybe jazz obviously jazz and soul, but it wasn't neo.

1173
00:51:15,840 --> 00:51:18,080
Speaker 1: So I don't remember people even saying that. I mean,

1174
00:51:18,120 --> 00:51:20,880
Speaker 1: I always when I was younger, I always put.

1175
00:51:20,760 --> 00:51:24,000
Speaker 2: When the music Soul Child's first album come out, that

1176
00:51:24,080 --> 00:51:24,839
Speaker 2: his first time my shirt.

1177
00:51:24,880 --> 00:51:25,160
Speaker 1: But if you.

1178
00:51:26,840 --> 00:51:31,400
Speaker 2: Like when he popped with best Friend with two thousand

1179
00:51:31,360 --> 00:51:34,359
Speaker 2: and two, two thousand, two thousand.

1180
00:51:34,239 --> 00:51:35,680
Speaker 1: Yeah, I just want to sing with two thousands.

1181
00:51:35,680 --> 00:51:39,439
Speaker 4: So yeah, around that time, classic album, that's where see

1182
00:51:39,719 --> 00:51:42,080
Speaker 4: a blend of R and B neo soul. Fun kid Like,

1183
00:51:42,120 --> 00:51:45,400
Speaker 4: I didn't really start hearing the word neo soul until.

1184
00:51:46,080 --> 00:51:47,000
Speaker 1: What's so funny about that?

1185
00:51:47,080 --> 00:51:50,040
Speaker 2: I kind of remember Maxwell maybe maybe a little bit.

1186
00:51:50,080 --> 00:51:52,320
Speaker 1: You heard the word Neil so Max maybe.

1187
00:51:52,040 --> 00:51:55,319
Speaker 2: Urban Maxwee was I remember it being, and the second

1188
00:51:55,360 --> 00:51:58,080
Speaker 2: album as well being neo soul.

1189
00:51:58,280 --> 00:51:59,040
Speaker 1: I don't remember.

1190
00:51:59,160 --> 00:52:02,920
Speaker 2: I remember music Soul Child was more of the crossover,

1191
00:52:03,200 --> 00:52:04,879
Speaker 2: like he's crossing over from Neil Soul.

1192
00:52:06,360 --> 00:52:07,040
Speaker 1: And that's how I think.

1193
00:52:07,080 --> 00:52:08,719
Speaker 4: I think that's why that that became a thing because

1194
00:52:09,080 --> 00:52:13,080
Speaker 4: these artists or maybe five hundred thousand, maybe a million,

1195
00:52:13,120 --> 00:52:13,680
Speaker 4: you know what I'm saying.

1196
00:52:13,680 --> 00:52:14,680
Speaker 1: But like I think.

1197
00:52:15,400 --> 00:52:19,520
Speaker 4: Maxwell was still very much identified as an R and

1198
00:52:19,560 --> 00:52:20,480
Speaker 4: B artist.

1199
00:52:20,239 --> 00:52:23,360
Speaker 2: Right, look up a music soul child, don't change. I

1200
00:52:23,400 --> 00:52:24,200
Speaker 2: want to say six.

1201
00:52:25,840 --> 00:52:29,279
Speaker 3: And there was also an aesthetic that went along with

1202
00:52:29,440 --> 00:52:30,600
Speaker 3: the neo soul.

1203
00:52:30,800 --> 00:52:32,680
Speaker 1: That's just incense in the video, bigger.

1204
00:52:32,600 --> 00:52:35,280
Speaker 5: Movement like there was that was a whole thing.

1205
00:52:35,440 --> 00:52:38,040
Speaker 3: So like when he's I understand what he's saying, but like,

1206
00:52:39,200 --> 00:52:42,520
Speaker 3: oh my god, everything originates from something and the meaning

1207
00:52:42,600 --> 00:52:45,400
Speaker 3: of things changed. So yes, that may be how it originated,

1208
00:52:45,440 --> 00:52:47,800
Speaker 3: but you can't say these artists are not neo soul

1209
00:52:47,880 --> 00:52:49,800
Speaker 3: because for what neo soul became.

1210
00:52:49,719 --> 00:52:50,319
Speaker 5: Yes they are.

1211
00:52:50,640 --> 00:52:52,400
Speaker 3: And I can understand when it comes to things like

1212
00:52:52,640 --> 00:52:55,120
Speaker 3: awards or budgets why you might not want to be

1213
00:52:55,160 --> 00:52:58,000
Speaker 3: classified as certain things. But to the people, to the culture,

1214
00:52:58,360 --> 00:53:00,279
Speaker 3: that is what you are, and I think that's something

1215
00:53:00,280 --> 00:53:01,640
Speaker 3: that you should be proud of.

1216
00:53:02,239 --> 00:53:06,080
Speaker 4: I mean, okay, you're saying it's still it was still

1217
00:53:06,080 --> 00:53:07,799
Speaker 4: a way. It was like a cold word in the

1218
00:53:07,840 --> 00:53:10,880
Speaker 4: marketing meanings of how much money to allocate to the

1219
00:53:10,920 --> 00:53:14,719
Speaker 4: budget for this particular which in sound, which was like

1220
00:53:16,080 --> 00:53:18,400
Speaker 4: it's kind of unfair because it's like, yo, why y'all

1221
00:53:18,880 --> 00:53:21,880
Speaker 4: just trying to create smaller budgets for this sound.

1222
00:53:21,920 --> 00:53:23,920
Speaker 3: But even if you were just soul, or even if

1223
00:53:23,920 --> 00:53:26,280
Speaker 3: you were just R and B, you would have gotten

1224
00:53:26,320 --> 00:53:29,120
Speaker 3: shorted either way. You would have gotten shortened either way.

1225
00:53:29,719 --> 00:53:31,920
Speaker 3: Yeah it's a shorthand, but you would have got it shortened.

1226
00:53:31,920 --> 00:53:33,880
Speaker 3: You would have got it shortened anyway either way.

1227
00:53:34,120 --> 00:53:36,320
Speaker 2: But even like, do you guys feel like the untitled

1228
00:53:36,360 --> 00:53:40,359
Speaker 2: video D'Angelo? To me, that is a pure R and

1229
00:53:40,400 --> 00:53:43,839
Speaker 2: B video, Like there's nothing which one untitled. There's there's

1230
00:53:43,960 --> 00:53:48,120
Speaker 2: nothing neo quote unquote neo's soul about d'angelo's v paulse

1231
00:53:48,640 --> 00:53:52,080
Speaker 2: like that. That's an R and B greased up type

1232
00:53:52,120 --> 00:53:52,520
Speaker 2: of video.

1233
00:53:53,239 --> 00:53:54,319
Speaker 1: The video now that.

1234
00:53:54,400 --> 00:53:56,719
Speaker 3: Long has a neo soul sound. It might have been

1235
00:53:57,080 --> 00:53:59,640
Speaker 3: for a song, is Neil, So whatever you.

1236
00:53:59,640 --> 00:54:03,279
Speaker 2: Wants talk about visuals like you think window all right,

1237
00:54:03,280 --> 00:54:05,719
Speaker 2: windows sea, boombab drums, erkabad window seat.

1238
00:54:06,560 --> 00:54:08,799
Speaker 1: She's walking around where JFK.

1239
00:54:08,600 --> 00:54:11,759
Speaker 2: Was assassinated, but ass naked and then gets assassinated at

1240
00:54:11,760 --> 00:54:15,720
Speaker 2: the end. I guess someone would put the conscious title

1241
00:54:15,760 --> 00:54:18,480
Speaker 2: on Neil Soul there and it has boom bab drums.

1242
00:54:18,880 --> 00:54:22,240
Speaker 2: To me, that would be considered a stereotypical neo soul video,

1243
00:54:22,320 --> 00:54:24,919
Speaker 2: which I mean respectfully, because I'm sure miss Boddo does

1244
00:54:24,920 --> 00:54:27,520
Speaker 2: not consider herself Neil Soul or in that Neil, so

1245
00:54:27,600 --> 00:54:28,080
Speaker 2: I think.

1246
00:54:28,040 --> 00:54:28,839
Speaker 1: That's just her art.

1247
00:54:29,440 --> 00:54:32,239
Speaker 2: But to me, that would be categorized more by a

1248
00:54:32,320 --> 00:54:34,759
Speaker 2: label as Neil's Soul than untitled.

1249
00:54:35,680 --> 00:54:37,319
Speaker 1: That's a sexy ass R and B video.

1250
00:54:37,520 --> 00:54:41,280
Speaker 3: Yeah, but I don't know it sounds. I'm a lot younger,

1251
00:54:41,360 --> 00:54:44,000
Speaker 3: so when I whenever I would hear D'Angelo growing up,

1252
00:54:44,040 --> 00:54:48,120
Speaker 3: I would automatically contribute it to Neo, so like instance,

1253
00:54:48,160 --> 00:54:49,520
Speaker 3: should be burning when I'm playing.

1254
00:54:49,320 --> 00:54:53,319
Speaker 2: It fifty cents. But to di Angelo, he determined not

1255
00:54:53,360 --> 00:55:00,120
Speaker 2: to fail. He went but asked for this album to sell. Oh,

1256
00:55:00,160 --> 00:55:02,879
Speaker 2: I missed the early two thousand Good Times, Great Time,

1257
00:55:03,360 --> 00:55:06,319
Speaker 2: but I feel Raphael sadic in that that way.

1258
00:55:06,760 --> 00:55:09,439
Speaker 3: And I also think when that was when neo soul

1259
00:55:09,560 --> 00:55:12,160
Speaker 3: was even being talked about, I think it was such

1260
00:55:12,200 --> 00:55:15,279
Speaker 3: a huge difference from the R and B that was

1261
00:55:15,360 --> 00:55:17,600
Speaker 3: currently popular, because the R and B at the time,

1262
00:55:17,640 --> 00:55:19,719
Speaker 3: in the early two thousands that was currently popular was

1263
00:55:19,719 --> 00:55:21,120
Speaker 3: not regular soul R and B.

1264
00:55:21,400 --> 00:55:23,200
Speaker 5: It was very much attached to hip hop.

1265
00:55:23,239 --> 00:55:26,319
Speaker 2: It was it was attached to boombab because of course

1266
00:55:26,320 --> 00:55:28,120
Speaker 2: I wasn't in the labels in the early two thousands,

1267
00:55:28,160 --> 00:55:31,279
Speaker 2: but when things were starting to shift and it went

1268
00:55:31,440 --> 00:55:33,680
Speaker 2: less of what boom Bab was and more to what

1269
00:55:34,480 --> 00:55:38,440
Speaker 2: say Rough Riders, Rockefeller, Murder Inqui was do. R and

1270
00:55:38,440 --> 00:55:41,000
Speaker 2: B was also shifting, but you still had the boombab

1271
00:55:41,080 --> 00:55:43,680
Speaker 2: rappers that they were like, well, we can't if Blackstar

1272
00:55:43,760 --> 00:55:45,120
Speaker 2: wants to do a major deal, We're only going to

1273
00:55:45,200 --> 00:55:46,840
Speaker 2: give them this amount because we think they're going to

1274
00:55:46,880 --> 00:55:49,600
Speaker 2: sell this based off that sound. And that was those

1275
00:55:49,680 --> 00:55:52,799
Speaker 2: R and B artists too. But meanwhile Maxwell and Dan

1276
00:55:52,800 --> 00:55:58,080
Speaker 2: Angelo so crazy, yeah shit, Eric Abadu did as well,

1277
00:55:58,880 --> 00:56:01,560
Speaker 2: oh for sure, Like they sold more than half a

1278
00:56:01,600 --> 00:56:04,880
Speaker 2: million on that time. So but I think that's what

1279
00:56:04,920 --> 00:56:07,480
Speaker 2: they do with traditional R and by now. Yeah, like

1280
00:56:07,520 --> 00:56:09,640
Speaker 2: they call Coco Jones traditional R and B, and I

1281
00:56:09,640 --> 00:56:13,040
Speaker 2: think that's fucked up. Like I get why, but the

1282
00:56:13,080 --> 00:56:15,640
Speaker 2: code words what Raefa El Sadika is talking about is

1283
00:56:15,640 --> 00:56:17,840
Speaker 2: we think this type of music can only sell this

1284
00:56:17,880 --> 00:56:21,160
Speaker 2: amount exactly. And Coco's I think surpassed.

1285
00:56:20,640 --> 00:56:22,440
Speaker 1: What people thought of traditional R and B in the

1286
00:56:22,480 --> 00:56:23,080
Speaker 1: new era, but.

1287
00:56:23,080 --> 00:56:24,920
Speaker 3: Even the fans would call her traditional R and B

1288
00:56:25,000 --> 00:56:27,760
Speaker 3: and they have no idea about anything budget related.

1289
00:56:28,400 --> 00:56:30,680
Speaker 5: She's traditional R and B because she is traditional R

1290
00:56:30,719 --> 00:56:31,239
Speaker 5: and B for.

1291
00:56:31,200 --> 00:56:34,560
Speaker 2: Sure, but it's become in the labels the way raefa

1292
00:56:34,560 --> 00:56:37,080
Speaker 2: Elsadiccas saying I never viewed neo soul. I thought neil

1293
00:56:37,120 --> 00:56:39,280
Speaker 2: soul was a stat I didn't know behind the scenes

1294
00:56:39,360 --> 00:56:40,680
Speaker 2: it was a death threat.

1295
00:56:40,920 --> 00:56:42,280
Speaker 1: Yeah, I think traditional.

1296
00:56:42,360 --> 00:56:45,280
Speaker 2: When Coco Jones walks in knowing she makes real traditional

1297
00:56:45,360 --> 00:56:47,319
Speaker 2: R and B music, I don't think she views the

1298
00:56:47,400 --> 00:56:50,440
Speaker 2: marketing team going, well, your traditional R and B in

1299
00:56:50,600 --> 00:56:51,439
Speaker 2: a positive way.

1300
00:56:51,560 --> 00:56:52,360
Speaker 5: Yeah.

1301
00:56:53,040 --> 00:56:57,920
Speaker 2: Shit, we watched Ari Lennox rightfully, so go on Twitter

1302
00:56:58,080 --> 00:57:00,920
Speaker 2: with the Soul Train Awards and like, okay, you guys

1303
00:57:00,920 --> 00:57:04,760
Speaker 2: put me under soul, but then don't even properly pitch me.

1304
00:57:04,760 --> 00:57:07,920
Speaker 1: To the Soul Train of wars. Yeah, stop putting me

1305
00:57:07,960 --> 00:57:11,319
Speaker 1: in these categories that you know are designed for me

1306
00:57:11,440 --> 00:57:15,600
Speaker 1: to fail. Right, So I can't put us in a box.

1307
00:57:16,320 --> 00:57:16,840
Speaker 1: I get it.

1308
00:57:16,960 --> 00:57:20,040
Speaker 2: But I mean even D'Angelo, someone that retweeted an old

1309
00:57:20,080 --> 00:57:23,440
Speaker 2: interview D'Angelo saying like he didn't particularly like the term

1310
00:57:23,640 --> 00:57:24,000
Speaker 2: he is.

1311
00:57:24,040 --> 00:57:24,959
Speaker 1: I make soul music.

1312
00:57:25,640 --> 00:57:28,480
Speaker 2: I don't make neo soul music. What is It's a

1313
00:57:28,480 --> 00:57:33,080
Speaker 2: matrix thing exactly. It's sounds back to the matrix. But

1314
00:57:33,400 --> 00:57:34,600
Speaker 2: I don't know, do we nerd out too much?

1315
00:57:34,640 --> 00:57:35,480
Speaker 1: Peage Ryan was.

1316
00:57:35,920 --> 00:57:37,840
Speaker 5: Well, we're a music podcast. I look when we talk

1317
00:57:37,880 --> 00:57:39,360
Speaker 5: about music and not you.

1318
00:57:39,320 --> 00:57:40,960
Speaker 1: Know, now you box on the sin. That's how they

1319
00:57:41,000 --> 00:57:41,200
Speaker 1: do the.

1320
00:57:43,040 --> 00:57:45,360
Speaker 5: Ne We're entertainment podcast is what I was.

1321
00:57:46,200 --> 00:57:49,800
Speaker 2: Netflix put us on under comedy Niggas is some joke.

1322
00:57:49,880 --> 00:57:54,720
Speaker 1: He made a ke just my existence not oh yeah,

1323
00:57:54,720 --> 00:57:58,400
Speaker 1: no were we were British obviously the Irish.

1324
00:57:58,000 --> 00:58:02,040
Speaker 2: And we were conquered by Yeah, the pretty kind of

1325
00:58:02,280 --> 00:58:03,160
Speaker 2: homage to your people.

1326
00:58:03,520 --> 00:58:06,600
Speaker 1: Billy Idol said smoking crack helped him quit Heroin. Billy,

1327
00:58:06,640 --> 00:58:08,720
Speaker 1: I feel you. I could dig it.

1328
00:58:08,800 --> 00:58:10,000
Speaker 5: That should make perfect sense to me.

1329
00:58:10,040 --> 00:58:10,640
Speaker 1: I could dig.

1330
00:58:10,520 --> 00:58:13,040
Speaker 5: It what we confused about?

1331
00:58:14,400 --> 00:58:17,120
Speaker 4: Listen to Billy Idol said it, He lived it. He

1332
00:58:17,160 --> 00:58:18,400
Speaker 4: said it was his word for it.

1333
00:58:18,480 --> 00:58:20,200
Speaker 1: Ship. I'm gonna take his word for it.

1334
00:58:20,240 --> 00:58:22,720
Speaker 3: Now, how did he get off the crack? Did he

1335
00:58:22,760 --> 00:58:23,520
Speaker 3: say that part?

1336
00:58:24,000 --> 00:58:24,919
Speaker 1: No, he's still on the crack.

1337
00:58:25,040 --> 00:58:27,680
Speaker 3: Oh, he's still on the cracky. Crack is not as

1338
00:58:27,720 --> 00:58:29,880
Speaker 3: bad as Heroin, though hero win to kill you. I

1339
00:58:29,880 --> 00:58:31,160
Speaker 3: ain't never seen a crackhead die.

1340
00:58:31,640 --> 00:58:33,080
Speaker 4: Not crackheads do die. He ain't never been in a

1341
00:58:33,080 --> 00:58:36,040
Speaker 4: crackhead funeral. You ain't never been in a funeral like

1342
00:58:36,240 --> 00:58:36,840
Speaker 4: what happened to son?

1343
00:58:36,880 --> 00:58:39,800
Speaker 1: Your old crack? Never, It's never happened. I've been a

1344
00:58:39,840 --> 00:58:42,040
Speaker 1: funerals where I know people smoke cracked, but they didn't die.

1345
00:58:41,920 --> 00:58:44,560
Speaker 4: Because of crack, because of died from old age. Yees,

1346
00:58:45,040 --> 00:58:47,360
Speaker 4: heigas died from a cigarette before they died from crack.

1347
00:58:47,600 --> 00:58:50,080
Speaker 4: Of course, that Assso what happened he was smoking?

1348
00:58:50,080 --> 00:58:51,440
Speaker 1: What? Crack? No cigarettes?

1349
00:58:51,480 --> 00:58:51,600
Speaker 2: Oh?

1350
00:58:51,640 --> 00:58:55,000
Speaker 1: Okay, yeah, I guess. Of course you could probably overdose

1351
00:58:55,040 --> 00:58:56,080
Speaker 1: from crack. We know that.

1352
00:58:56,160 --> 00:58:58,280
Speaker 2: But I feel like when you smoke crack, you want

1353
00:58:58,280 --> 00:58:59,840
Speaker 2: to go on to an adventure right away until the high,

1354
00:59:00,240 --> 00:59:01,840
Speaker 2: Like you don't have time to o d because you're

1355
00:59:01,880 --> 00:59:02,520
Speaker 2: it's adventure time.

1356
00:59:02,760 --> 00:59:07,040
Speaker 1: Crack is only what the until Maybe something like that.

1357
00:59:07,720 --> 00:59:08,240
Speaker 5: Just crazy.

1358
00:59:08,600 --> 00:59:10,840
Speaker 1: It's a quick high. It's just a quick, quick joke.

1359
00:59:11,440 --> 00:59:12,520
Speaker 1: It's like drinking the red Bull.

1360
00:59:14,080 --> 00:59:16,880
Speaker 2: Okay, so I don't I've drank rebels. I just don't

1361
00:59:16,920 --> 00:59:18,520
Speaker 2: think it's like swing Maybe.

1362
00:59:18,600 --> 00:59:21,040
Speaker 3: Four four makes your skin crawl and doesn't crack do that?

1363
00:59:21,320 --> 00:59:22,160
Speaker 3: Oh no, that's heroin?

1364
00:59:22,640 --> 00:59:24,120
Speaker 1: Yeah no, don't put that on crack.

1365
00:59:24,400 --> 00:59:29,280
Speaker 2: What were you huffing in? London and the ship that

1366
00:59:29,400 --> 00:59:33,360
Speaker 2: Kanye was addicted whippets. He wouldn't whippets in London. The

1367
00:59:33,480 --> 00:59:36,440
Speaker 2: nitrous oxide, Yeah, the nitrous page wasn't huffing that.

1368
00:59:36,560 --> 00:59:36,920
Speaker 1: He found that.

1369
00:59:37,320 --> 00:59:38,760
Speaker 4: He walked out the bar and it was just on

1370
00:59:38,840 --> 00:59:41,120
Speaker 4: the street, right, somebody got out that ball went crazy,

1371
00:59:41,640 --> 00:59:43,560
Speaker 4: went right to the nitrous is Wow.

1372
00:59:44,160 --> 00:59:45,920
Speaker 5: Isn't that like laughing gas kind of yeah?

1373
00:59:45,960 --> 00:59:46,240
Speaker 1: I think so.

1374
00:59:47,920 --> 00:59:51,080
Speaker 4: You just saw that the FDA approved the new Johnson

1375
00:59:51,080 --> 00:59:53,400
Speaker 4: and Johnson nasal spray that has ketamine in it. Jesse,

1376
00:59:53,560 --> 00:59:56,880
Speaker 4: that were oh, the next generation, this new generation coming up.

1377
00:59:56,880 --> 00:59:59,280
Speaker 4: They about to be all fucked in the head. That's

1378
00:59:59,360 --> 01:00:01,479
Speaker 4: what you can go by at their CVS. But they're

1379
01:00:01,480 --> 01:00:03,880
Speaker 4: gonna be huffing ketamine now, like well, I'm.

1380
01:00:03,760 --> 01:00:06,200
Speaker 3: Sure it's like a small small amount. Just kind of

1381
01:00:06,240 --> 01:00:08,560
Speaker 3: like how this means by the whole box cough syrup.

1382
01:00:08,840 --> 01:00:13,120
Speaker 1: Yeah, that's all that means. By the box it spravado.

1383
01:00:13,480 --> 01:00:14,480
Speaker 1: That's what Brittney needs to be.

1384
01:00:14,520 --> 01:00:17,000
Speaker 5: On treatment resistant depression.

1385
01:00:18,320 --> 01:00:22,040
Speaker 3: Oh tell, they about to go crazy on it. Just remember,

1386
01:00:22,160 --> 01:00:24,480
Speaker 3: but that sounds like something I have to get prescribed.

1387
01:00:25,480 --> 01:00:28,320
Speaker 2: Is that one of those over the predit that causes depression?

1388
01:00:29,240 --> 01:00:32,120
Speaker 2: Of course, it's like because like Paxel treats depression, but

1389
01:00:32,160 --> 01:00:33,480
Speaker 2: one of the side effects of suicide.

1390
01:00:34,240 --> 01:00:36,320
Speaker 1: Yeah, like this is this is that's not a joke,

1391
01:00:36,400 --> 01:00:40,320
Speaker 1: it's an actual thing. Yeah, Nah, this is I'm scared.

1392
01:00:40,320 --> 01:00:41,600
Speaker 1: I'm scared for this pravado thing.

1393
01:00:42,040 --> 01:00:42,960
Speaker 5: That's like carmacks.

1394
01:00:43,120 --> 01:00:45,320
Speaker 3: Y'all think CARMX is fixing your lips, But if y'all

1395
01:00:45,400 --> 01:00:48,520
Speaker 3: stop using Carmacks for two days, suddenly your lips are

1396
01:00:48,560 --> 01:00:49,720
Speaker 3: the chat this they've ever been.

1397
01:00:50,680 --> 01:00:51,480
Speaker 5: It's fucking you up.

1398
01:00:51,640 --> 01:00:53,880
Speaker 1: Gotta know, just drink more water, just dehydrated.

1399
01:00:54,280 --> 01:00:55,760
Speaker 5: No, not me, I don't have that problem.

1400
01:00:55,920 --> 01:00:59,000
Speaker 3: But yeah, people who use carmacks, they lips after three

1401
01:00:59,080 --> 01:00:59,960
Speaker 3: days be fucked up again.

1402
01:01:01,520 --> 01:01:04,520
Speaker 5: There's glass in it. There's glass and karmics in turn

1403
01:01:04,960 --> 01:01:06,040
Speaker 5: the glass and karmax.

1404
01:01:06,960 --> 01:01:08,240
Speaker 1: This is a glass.

1405
01:01:08,360 --> 01:01:11,840
Speaker 2: But even like blistacks, which I use, I'm more of

1406
01:01:11,880 --> 01:01:12,920
Speaker 2: a Burt skuy, But even.

1407
01:01:12,800 --> 01:01:16,400
Speaker 4: Bert Comics stopped using glass jars in nineteen ninety six.

1408
01:01:17,400 --> 01:01:19,920
Speaker 4: The room of that Comax contains tiny glass yards is

1409
01:01:19,960 --> 01:01:23,520
Speaker 4: a false, long standing urban legend design to explain sensations

1410
01:01:23,560 --> 01:01:25,080
Speaker 4: of irritation or addictive views.

1411
01:01:25,400 --> 01:01:28,120
Speaker 2: Well, in Ryan's defense, I don't know if the government

1412
01:01:28,240 --> 01:01:30,640
Speaker 2: like double checked. They may have just said they stopped.

1413
01:01:31,000 --> 01:01:33,200
Speaker 2: That was just like I'm not sure that they that

1414
01:01:33,360 --> 01:01:35,200
Speaker 2: was really testing and lits?

1415
01:01:35,280 --> 01:01:38,160
Speaker 4: Can we actually hey, how many people actually finish a

1416
01:01:38,360 --> 01:01:40,520
Speaker 4: jaw of karmens or blistacks?

1417
01:01:40,600 --> 01:01:40,640
Speaker 1: Like?

1418
01:01:40,760 --> 01:01:42,520
Speaker 4: How many people actually finish it? Like get to the

1419
01:01:42,560 --> 01:01:44,520
Speaker 4: bottom of that? No, it's impossible.

1420
01:01:44,640 --> 01:01:47,480
Speaker 2: And the look the jars of anything lip bomb related,

1421
01:01:47,560 --> 01:01:50,680
Speaker 2: like get a stick though, digging your dirty ass finger

1422
01:01:50,800 --> 01:01:53,200
Speaker 2: in in that and then just rubbing your lip like,

1423
01:01:53,800 --> 01:01:56,160
Speaker 2: I mean, but it's your finger, you know, mean things

1424
01:01:56,200 --> 01:01:58,120
Speaker 2: I touch in New York City, it's still.

1425
01:01:57,960 --> 01:02:00,200
Speaker 5: Your fing But you should be washing your hands before you.

1426
01:02:00,240 --> 01:02:01,200
Speaker 1: Put I agree.

1427
01:02:01,280 --> 01:02:03,760
Speaker 2: I'm saying everyone that i've watched open that little container,

1428
01:02:03,840 --> 01:02:06,000
Speaker 2: I've never watched them wash their hands before they do it.

1429
01:02:06,120 --> 01:02:07,400
Speaker 5: Oh yeah, no, people are dirty.

1430
01:02:08,080 --> 01:02:10,320
Speaker 1: Just get a stick, chapstick.

1431
01:02:10,320 --> 01:02:13,840
Speaker 4: It's considered a rare accomplishment, with some estimate suggestion as

1432
01:02:13,840 --> 01:02:16,840
Speaker 4: many as ninety nine percent of people never actually finish

1433
01:02:16,920 --> 01:02:17,640
Speaker 4: one before losing it.

1434
01:02:18,240 --> 01:02:20,680
Speaker 1: That's Navy seal shit. That is only Navy seals finished.

1435
01:02:20,720 --> 01:02:22,840
Speaker 4: If you see somebody pull a chapstick out their pocket

1436
01:02:23,160 --> 01:02:27,800
Speaker 4: and it's almost empty, psycho, psycho, how do you still

1437
01:02:27,840 --> 01:02:28,040
Speaker 4: have that?

1438
01:02:28,200 --> 01:02:29,080
Speaker 1: How do you still have that.

1439
01:02:30,840 --> 01:02:35,240
Speaker 2: Yet? Today's show is brought to you by our presenting sponsor,

1440
01:02:35,440 --> 01:02:36,320
Speaker 2: hard Rock Bet.

1441
01:02:36,480 --> 01:02:40,480
Speaker 1: Maul. You know that's Florida's sports book. Absolutely and like

1442
01:02:40,680 --> 01:02:44,640
Speaker 1: the Great Future said March, is full of madness. It

1443
01:02:44,760 --> 01:02:47,640
Speaker 1: is finally here that means college basketball. That's exactly what

1444
01:02:47,720 --> 01:02:50,520
Speaker 1: Future was talking about. It is at center stage. The

1445
01:02:50,600 --> 01:02:54,000
Speaker 1: stakes are rising, athletes are being paid, so we know

1446
01:02:54,200 --> 01:02:56,800
Speaker 1: we can trust it. And now it's time to hit

1447
01:02:56,840 --> 01:02:59,720
Speaker 1: the hardwood with hard Rock Bet with hoops every night.

1448
01:02:59,800 --> 01:03:02,480
Speaker 1: Every night is a shot to build a same game

1449
01:03:02,600 --> 01:03:05,520
Speaker 1: parlay and score a major bucket. And even if you

1450
01:03:05,560 --> 01:03:07,400
Speaker 1: miss tip off on the big game, don't worry.

1451
01:03:07,480 --> 01:03:11,280
Speaker 2: Hard Rock Bet let you live bet all game long,

1452
01:03:11,360 --> 01:03:13,400
Speaker 2: from the first bucket to the final buzzer.

1453
01:03:13,640 --> 01:03:16,040
Speaker 4: Plus, har Rock Bet offers new promos daily, so whenever

1454
01:03:16,120 --> 01:03:18,200
Speaker 4: you're listening, just open the app and check out what

1455
01:03:18,360 --> 01:03:19,920
Speaker 4: you've got. Any day of the week, download the hard

1456
01:03:19,960 --> 01:03:22,160
Speaker 4: Rock Bet app and make your first deposit. Hey on

1457
01:03:22,320 --> 01:03:24,600
Speaker 4: bonus bets not a cash offer offered by the Seminal

1458
01:03:24,640 --> 01:03:28,439
Speaker 4: Tribe of Florida and Florida offered by Seminal hard Rock Digital, LLC.

1459
01:03:28,600 --> 01:03:30,640
Speaker 4: In all of the States, must be twenty one plus

1460
01:03:30,720 --> 01:03:34,760
Speaker 4: and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1461
01:03:34,800 --> 01:03:37,400
Speaker 4: New Jersey, Ohio, Tennessee, or Virginia to play terms and

1462
01:03:37,440 --> 01:03:40,440
Speaker 4: conditions applied. Concerned about gambling in Florida, you call one

1463
01:03:40,480 --> 01:03:42,440
Speaker 4: eight three to three play wise. In Indiana, if you

1464
01:03:42,520 --> 01:03:44,560
Speaker 4: are someone you know has a gambler problem wants helped,

1465
01:03:44,840 --> 01:03:46,840
Speaker 4: call one eight hundred and nine with it gambling problem

1466
01:03:46,920 --> 01:03:51,280
Speaker 4: called one eight hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee,

1467
01:03:51,360 --> 01:03:51,920
Speaker 4: and Virginia.

1468
01:03:58,320 --> 01:04:00,760
Speaker 2: Our prayers are with Britney Space. Of course, it is

1469
01:04:00,880 --> 01:04:03,160
Speaker 2: not good to drink and drive, but we're glad everyone

1470
01:04:03,360 --> 01:04:11,280
Speaker 2: is safe. Can we finally say, I apologize to her dad,

1471
01:04:15,520 --> 01:04:16,800
Speaker 2: apologizing your dad too.

1472
01:04:18,280 --> 01:04:20,440
Speaker 1: I beat the case. First of hold on, what is she?

1473
01:04:20,560 --> 01:04:23,000
Speaker 1: What was she under the influence of? Was it alcohol?

1474
01:04:23,160 --> 01:04:24,480
Speaker 1: Was it pills?

1475
01:04:24,720 --> 01:04:25,080
Speaker 2: Was it like?

1476
01:04:25,360 --> 01:04:28,320
Speaker 1: What was it? Because a DUI doesn't mean you were

1477
01:04:28,440 --> 01:04:29,720
Speaker 1: drinking alcohol.

1478
01:04:31,280 --> 01:04:33,080
Speaker 5: She was booked under a vehicle cold.

1479
01:04:33,120 --> 01:04:35,400
Speaker 3: That says it's a legal or unlawful for a person

1480
01:04:35,400 --> 01:04:37,960
Speaker 3: who was under the combined influence of any alcoholic beverage

1481
01:04:38,000 --> 01:04:41,480
Speaker 3: and drunk to drive a vehicle. So these charges related

1482
01:04:41,480 --> 01:04:43,680
Speaker 3: to drugs and alcohol will be sentive into her county

1483
01:04:43,720 --> 01:04:45,840
Speaker 3: District Attorney's office. So she must have been on a

1484
01:04:45,960 --> 01:04:48,880
Speaker 3: combination of both, which is actually easy to do even

1485
01:04:48,920 --> 01:04:50,520
Speaker 3: if you're not an addict. Do you funk around and

1486
01:04:50,600 --> 01:04:52,240
Speaker 3: have a drink and you had a xanax earlier?

1487
01:04:52,360 --> 01:04:55,080
Speaker 5: And so we don't know. But they said she was

1488
01:04:55,160 --> 01:04:56,760
Speaker 5: driving erratically, Well it had.

1489
01:04:56,680 --> 01:04:59,120
Speaker 2: To be over I think the California limited is point

1490
01:04:59,200 --> 01:05:01,800
Speaker 2: oh eight or whatever. That also had to be an

1491
01:05:01,800 --> 01:05:02,880
Speaker 2: effect if you're also.

1492
01:05:04,440 --> 01:05:06,760
Speaker 3: Yeah, but normal people drive over the limit all the time.

1493
01:05:07,240 --> 01:05:08,800
Speaker 3: Like the limit is not high, No.

1494
01:05:08,880 --> 01:05:10,800
Speaker 1: Of course not. It's like it's one beer if that

1495
01:05:10,920 --> 01:05:11,200
Speaker 1: or something.

1496
01:05:11,320 --> 01:05:15,080
Speaker 2: But either way, I'm not saying what her dad did

1497
01:05:15,120 --> 01:05:17,520
Speaker 2: was right with her her estate and that entire thing,

1498
01:05:17,640 --> 01:05:21,280
Speaker 2: but clearly there's been some things. Man, she's every day

1499
01:05:21,320 --> 01:05:26,080
Speaker 2: with knives doing this shit. She's got ninja stars, Like is.

1500
01:05:26,120 --> 01:05:30,360
Speaker 1: It she's in her house? Yeah, sheiktok series.

1501
01:05:30,440 --> 01:05:33,440
Speaker 4: Yeah, she's not a crib No, but all just decide

1502
01:05:33,440 --> 01:05:37,040
Speaker 4: to hopefully Britney Spears is okay, and you know this

1503
01:05:37,240 --> 01:05:40,560
Speaker 4: is just a night out of partying at a French

1504
01:05:40,600 --> 01:05:41,320
Speaker 4: house or something like that.

1505
01:05:41,880 --> 01:05:44,280
Speaker 2: I mean outside of the obviously hoping she's okay, just

1506
01:05:44,400 --> 01:05:47,920
Speaker 2: on a human level. I do like want Brittany to

1507
01:05:47,960 --> 01:05:50,080
Speaker 2: get better so she could give us a tour as well.

1508
01:05:50,720 --> 01:05:52,280
Speaker 2: That'd be on my bucket list to go see Britney

1509
01:05:52,280 --> 01:05:54,640
Speaker 2: Spears a lot, Like if she's in like Britney shape

1510
01:05:55,480 --> 01:05:57,480
Speaker 2: to do, like a residency in Vegas, you wouldn't want

1511
01:05:57,480 --> 01:05:58,240
Speaker 2: to see Britny Spears.

1512
01:05:58,320 --> 01:06:01,680
Speaker 1: Absolutely, she did that. She tendency. Yeah, she had residency

1513
01:06:01,720 --> 01:06:03,760
Speaker 1: in Vegas. Is a reason I saw no footage.

1514
01:06:05,320 --> 01:06:11,360
Speaker 4: She had a residency in Vegas. It got canceled for

1515
01:06:11,480 --> 01:06:12,880
Speaker 4: a second, one oh second.

1516
01:06:13,240 --> 01:06:18,000
Speaker 3: Twenty thirteen and twenty seventeen. That plenty Hollywood resort and casino. Okay,

1517
01:06:18,680 --> 01:06:21,240
Speaker 3: one of the most successful Las Vegas rather than season history.

1518
01:06:22,080 --> 01:06:23,360
Speaker 1: Yeah, okay, well I was twenty thirteen.

1519
01:06:23,360 --> 01:06:25,760
Speaker 2: I'm saying, like in this this era, this area, Yeah,

1520
01:06:25,840 --> 01:06:27,920
Speaker 2: that would be great to see seeing Brittany at the sphere.

1521
01:06:28,240 --> 01:06:32,320
Speaker 1: What's toxic at the sphere? Time? I used to have

1522
01:06:32,440 --> 01:06:34,240
Speaker 1: this crazy post to Britney Spears on my wall.

1523
01:06:34,280 --> 01:06:38,400
Speaker 2: SAME's who she was dressing. Huh Nah, she hadn't like

1524
01:06:38,720 --> 01:06:40,760
Speaker 2: she hadn't like this. I want to say, like this

1525
01:06:40,920 --> 01:06:46,000
Speaker 2: silver skirt and a silver like top. I remember that

1526
01:06:46,080 --> 01:06:47,840
Speaker 2: shit though, Like I know I had the first album

1527
01:06:47,920 --> 01:06:50,360
Speaker 2: with the Flower Joint that that was definitely on my wall.

1528
01:06:50,640 --> 01:06:54,000
Speaker 2: It's so crazy if you go back to the like

1529
01:06:54,120 --> 01:06:56,800
Speaker 2: Christina Aguilera, Britney Spears videos that I used to watch

1530
01:06:56,880 --> 01:07:00,560
Speaker 2: on TRL that like TMI like used to get me

1531
01:07:01,000 --> 01:07:02,640
Speaker 2: like horny as a young kid, like when I was

1532
01:07:02,680 --> 01:07:05,000
Speaker 2: going through puberty. If you go back and look at

1533
01:07:05,000 --> 01:07:07,280
Speaker 2: those now and you see the amount of skin they're

1534
01:07:07,360 --> 01:07:10,320
Speaker 2: not showing, they used to have me going crazy compared

1535
01:07:10,360 --> 01:07:10,720
Speaker 2: to now.

1536
01:07:12,120 --> 01:07:13,600
Speaker 1: And there's no respect to Meg or anything.

1537
01:07:13,800 --> 01:07:15,880
Speaker 2: But if I was thirteen years old in two thousand

1538
01:07:15,920 --> 01:07:18,440
Speaker 2: and three and Meg the Stallion came out on TRL,

1539
01:07:18,520 --> 01:07:19,600
Speaker 2: I probably not in my pants.

1540
01:07:20,880 --> 01:07:24,560
Speaker 5: Did you see her and Cardy on stage performing in Houston? Oh,

1541
01:07:24,840 --> 01:07:25,680
Speaker 5: Meg looks great.

1542
01:07:25,920 --> 01:07:26,760
Speaker 1: Meg is gorgeous.

1543
01:07:27,520 --> 01:07:28,600
Speaker 5: I'm party looked great.

1544
01:07:29,520 --> 01:07:32,800
Speaker 2: Britney Spears would show her knee and I would get

1545
01:07:32,840 --> 01:07:36,560
Speaker 2: a thirteen year old direction like now, I cannot even

1546
01:07:36,600 --> 01:07:37,840
Speaker 2: fathom what these kids are going through.

1547
01:07:38,760 --> 01:07:40,920
Speaker 3: Yes, you know, it's crazy. I think they're used to it.

1548
01:07:41,600 --> 01:07:43,520
Speaker 3: They've been so exposed to it.

1549
01:07:43,600 --> 01:07:44,440
Speaker 5: I think they're used to it.

1550
01:07:44,480 --> 01:07:47,520
Speaker 3: They probably that's why now with women, I don't know

1551
01:07:47,520 --> 01:07:50,320
Speaker 3: if you guys have seen, but like the trad wife

1552
01:07:50,480 --> 01:07:54,120
Speaker 3: like traditional like corset long flowy dresses are like coming

1553
01:07:54,160 --> 01:07:57,640
Speaker 3: back and stop. Everything is becoming more conservative because we've

1554
01:07:57,840 --> 01:08:00,760
Speaker 3: hoared ourselves out so badly that it's not even triggering anymore.

1555
01:08:00,960 --> 01:08:02,880
Speaker 1: Like I missed sun dress season when it was poking.

1556
01:08:03,880 --> 01:08:06,000
Speaker 1: The dress was down to normal.

1557
01:08:06,120 --> 01:08:07,840
Speaker 5: Women still wear some dresses every time.

1558
01:08:08,160 --> 01:08:10,440
Speaker 2: Of course, I'm just saying when it was like that

1559
01:08:10,800 --> 01:08:14,600
Speaker 2: was the most sexualized in a healthy way. Yeah, because

1560
01:08:15,880 --> 01:08:19,600
Speaker 2: I could just not imagine at this point in my

1561
01:08:19,680 --> 01:08:21,760
Speaker 2: life how that would look as a kid going through people.

1562
01:08:21,760 --> 01:08:23,439
Speaker 4: I almost got in trouble for having the little Kim

1563
01:08:23,520 --> 01:08:25,519
Speaker 4: hardcore post in my in my school locker.

1564
01:08:26,680 --> 01:08:29,599
Speaker 6: That was one of the most provocative. We talked about

1565
01:08:29,640 --> 01:08:33,040
Speaker 6: it enviral with a she got that moose knuckle right there?

1566
01:08:33,160 --> 01:08:37,280
Speaker 6: No she doesn't, Yes, she does that. That thing is fat.

1567
01:08:37,400 --> 01:08:40,120
Speaker 4: Not that one, not not the album, the one that

1568
01:08:40,280 --> 01:08:42,400
Speaker 4: was on the bus Stops the trains. Yeah, pull that

1569
01:08:42,520 --> 01:08:45,599
Speaker 4: one up. Well, No, didn't it fold out that one

1570
01:08:47,640 --> 01:08:52,960
Speaker 4: most knuckleware? No, I think it looks that's cheetah printing.

1571
01:08:53,600 --> 01:08:55,639
Speaker 4: About the length of the cheata print.

1572
01:08:55,680 --> 01:08:59,559
Speaker 1: There's nothing there, There's nothing crazy about this picture at all.

1573
01:09:00,040 --> 01:09:02,559
Speaker 2: Oh no, Now, now, a girl with one hundred followers

1574
01:09:02,600 --> 01:09:05,080
Speaker 2: that you've run into would post something like this, which

1575
01:09:05,120 --> 01:09:05,840
Speaker 2: is fine.

1576
01:09:06,360 --> 01:09:08,519
Speaker 4: It's just that Kim was you know, back then obviously

1577
01:09:08,520 --> 01:09:11,360
Speaker 4: everybody was like, damn, she's she's pretty, and then seeing

1578
01:09:11,400 --> 01:09:14,160
Speaker 4: her like that, we had never saw Kim like that.

1579
01:09:14,720 --> 01:09:17,080
Speaker 2: Well, do you know in two thousand and two, when

1580
01:09:17,200 --> 01:09:19,519
Speaker 2: Mariah Carey used to cut the top of her jean shorts,

1581
01:09:19,560 --> 01:09:20,400
Speaker 2: what they used to do to me?

1582
01:09:21,880 --> 01:09:23,560
Speaker 1: All she would do was, I don't even want to

1583
01:09:23,560 --> 01:09:24,599
Speaker 1: know what they used to do with Ry.

1584
01:09:25,080 --> 01:09:25,280
Speaker 5: Cool.

1585
01:09:25,800 --> 01:09:31,040
Speaker 1: I'm cool on not knowing what it did to you. Roy. Actually, nowadays, oh.

1586
01:09:31,000 --> 01:09:34,760
Speaker 3: My god, y'all so fucking old? Yah, y'all hear how

1587
01:09:34,760 --> 01:09:35,320
Speaker 3: old Johnson?

1588
01:09:35,320 --> 01:09:38,960
Speaker 5: All right? Nowadays these young girls.

1589
01:09:39,280 --> 01:09:42,679
Speaker 2: That picture is what came out what ninety six, ninety seven?

1590
01:09:42,720 --> 01:09:47,080
Speaker 2: I think, Yeah, that's almost thirty years old. Yeah, yeah,

1591
01:09:47,080 --> 01:09:48,320
Speaker 2: the pictures older than right.

1592
01:09:49,720 --> 01:09:52,679
Speaker 1: That your little Kim photo is older than Ryan.

1593
01:09:53,040 --> 01:09:53,360
Speaker 5: You know what?

1594
01:09:53,800 --> 01:09:58,760
Speaker 2: Like young puberty, Rory. I owed James Cameron a lot

1595
01:09:58,840 --> 01:10:03,040
Speaker 2: of credit because it was shipped before puberty. Titanic was

1596
01:10:03,200 --> 01:10:07,639
Speaker 2: not like marketed as some like raunchy movie that kids

1597
01:10:07,680 --> 01:10:09,439
Speaker 2: couldn't go. So it was like really marketed as a

1598
01:10:10,400 --> 01:10:11,120
Speaker 2: love story?

1599
01:10:11,520 --> 01:10:13,439
Speaker 1: Was it rated R Titanic?

1600
01:10:13,600 --> 01:10:15,639
Speaker 2: It was not pitched like that if I remember correctly

1601
01:10:15,640 --> 01:10:17,519
Speaker 2: at that time, I was really young, but it was

1602
01:10:17,680 --> 01:10:21,400
Speaker 2: but then three but everyone was the sex you got

1603
01:10:21,479 --> 01:10:24,000
Speaker 2: Celine Dion it love like Pg.

1604
01:10:24,120 --> 01:10:25,760
Speaker 1: Thirteen what.

1605
01:10:27,720 --> 01:10:30,599
Speaker 2: So this is my memory. My memory could be wrong.

1606
01:10:30,720 --> 01:10:32,920
Speaker 2: I was a kid, but it was something that you

1607
01:10:32,960 --> 01:10:36,439
Speaker 2: would bring your kids to see. It's love, It's it's

1608
01:10:37,080 --> 01:10:38,200
Speaker 2: come on, I will always.

1609
01:10:38,600 --> 01:10:40,799
Speaker 3: I don't think they were bringing your kids to see Titanic.

1610
01:10:40,880 --> 01:10:43,040
Speaker 3: It's very obviously adult, an adult movie.

1611
01:10:43,840 --> 01:10:46,000
Speaker 1: It was history. Yeah.

1612
01:10:46,000 --> 01:10:47,720
Speaker 2: I saw it with my parents and then I did

1613
01:10:47,800 --> 01:10:50,000
Speaker 2: not know three quarters it was a lot of families

1614
01:10:50,000 --> 01:10:50,360
Speaker 2: in the theater.

1615
01:10:50,760 --> 01:10:52,640
Speaker 3: I'm sure, yeah, but I don't It was not advertised

1616
01:10:52,680 --> 01:10:55,240
Speaker 3: as a family movie like you sure people might have

1617
01:10:55,320 --> 01:10:56,960
Speaker 3: bought their kids not knowing exactly.

1618
01:10:57,360 --> 01:10:59,920
Speaker 5: It was not advertised as I'm just saying kind of was.

1619
01:11:00,040 --> 01:11:03,120
Speaker 2: I'm just saying it wasn't marketed the way Animal House was,

1620
01:11:03,320 --> 01:11:06,120
Speaker 2: Like it was. I went to see it in theaters, man,

1621
01:11:06,280 --> 01:11:08,479
Speaker 2: But it's also not that raunchy of a movie. Well,

1622
01:11:08,520 --> 01:11:10,960
Speaker 2: I didn't know three fourths in when I'm eight years

1623
01:11:10,960 --> 01:11:12,760
Speaker 2: old that I was going to see titties, Like, yeah,

1624
01:11:12,800 --> 01:11:15,479
Speaker 2: that was crazy and like in a very beautiful slow motion,

1625
01:11:15,560 --> 01:11:17,280
Speaker 2: like I got time to see the titties. It wasn't

1626
01:11:17,280 --> 01:11:21,560
Speaker 2: like a flash that like we owed James Cameron a

1627
01:11:21,680 --> 01:11:22,960
Speaker 2: lot for doing.

1628
01:11:23,000 --> 01:11:25,560
Speaker 3: That was the first time I seen for sure. I

1629
01:11:25,720 --> 01:11:31,000
Speaker 3: was seventeen. I was seven seeing titties on in TV, Like, yeah, didn't.

1630
01:11:30,760 --> 01:11:32,200
Speaker 1: It go all the way down? Didn't you show a

1631
01:11:32,240 --> 01:11:32,840
Speaker 1: little bush too?

1632
01:11:33,200 --> 01:11:38,600
Speaker 5: No, there was no bush back like the bush you

1633
01:11:38,600 --> 01:11:38,880
Speaker 5: saw her.

1634
01:11:38,880 --> 01:11:41,519
Speaker 1: I feel like it was bush. She showed bush.

1635
01:11:41,640 --> 01:11:44,880
Speaker 2: She didn't can we can we? She showed bush type

1636
01:11:44,920 --> 01:11:48,320
Speaker 2: in Titanic. You know what I'm telling you? In that

1637
01:11:48,400 --> 01:11:51,280
Speaker 2: that that long shot that showed bush. Yeah, I know,

1638
01:11:51,360 --> 01:11:52,320
Speaker 2: I'm not tripping.

1639
01:11:54,560 --> 01:11:56,880
Speaker 1: Like stressed at me. I was like a red bush.

1640
01:11:57,840 --> 01:12:00,320
Speaker 3: Oh, the curtains matched the drapes. There was no bush.

1641
01:12:00,360 --> 01:12:02,120
Speaker 3: I know, there wasn't no bush. It was blocked by

1642
01:12:02,160 --> 01:12:04,120
Speaker 3: the photo. Go to the director's cut, y'all telling me

1643
01:12:04,160 --> 01:12:05,280
Speaker 3: about my favorite movie.

1644
01:12:05,439 --> 01:12:07,559
Speaker 1: I know there was no juice. There was two innings.

1645
01:12:07,800 --> 01:12:08,920
Speaker 1: This is like the movie Juice.

1646
01:12:08,960 --> 01:12:11,599
Speaker 2: This is the Mandela effect. When I was seven years old,

1647
01:12:11,640 --> 01:12:12,519
Speaker 2: I remember seeing bush.

1648
01:12:12,920 --> 01:12:13,360
Speaker 1: She showed me.

1649
01:12:14,760 --> 01:12:16,519
Speaker 3: I mean it was the little bit top of that titty.

1650
01:12:16,600 --> 01:12:18,360
Speaker 3: The rest was always covered by that drawing.

1651
01:12:18,479 --> 01:12:20,679
Speaker 1: No, they did a whole long shot of her whole

1652
01:12:20,760 --> 01:12:21,920
Speaker 1: naked bo showed bush.

1653
01:12:22,040 --> 01:12:22,200
Speaker 2: Man.

1654
01:12:23,120 --> 01:12:24,120
Speaker 1: That's that is it?

1655
01:12:24,240 --> 01:12:26,760
Speaker 5: You niggas are too horny, man, We.

1656
01:12:26,800 --> 01:12:31,040
Speaker 1: Saw a bush. This is that twenty twelve effect Burstine

1657
01:12:31,080 --> 01:12:34,000
Speaker 1: bears fucking kazam all that ship?

1658
01:12:34,080 --> 01:12:34,360
Speaker 6: This is that?

1659
01:12:34,520 --> 01:12:40,160
Speaker 1: What's her name? Kate? What Kate Winslow? What's her name? Kate?

1660
01:12:40,960 --> 01:12:45,360
Speaker 6: It starts with Winslow's daughter, Kate Winslet.

1661
01:12:46,880 --> 01:12:53,479
Speaker 2: K Winslow was hilarious. Kate winsleows Eddie Winslow's daughter, his

1662
01:12:53,520 --> 01:12:54,240
Speaker 2: adopted daughter.

1663
01:12:54,320 --> 01:12:55,200
Speaker 1: You know you see on.

1664
01:12:57,120 --> 01:12:59,200
Speaker 3: You can stop looking for the bush that doesn't exist. Ryan,

1665
01:12:59,600 --> 01:13:02,120
Speaker 3: it was move on, Move on from the conversation.

1666
01:13:03,960 --> 01:13:05,760
Speaker 4: Kate wins is fifty. That's another one to add to

1667
01:13:05,800 --> 01:13:09,040
Speaker 4: the list. Knock her right down, knock her right off.

1668
01:13:10,000 --> 01:13:12,360
Speaker 4: Mm hmmm mm hmmmmm.

1669
01:13:13,520 --> 01:13:16,240
Speaker 1: The marriage. Do we have voicemails? You have got mail?

1670
01:13:17,520 --> 01:13:18,960
Speaker 1: These are sponsored by.

1671
01:13:19,120 --> 01:13:21,040
Speaker 5: Boost We do we actually have a follow up.

1672
01:13:21,160 --> 01:13:22,120
Speaker 1: So, okay.

1673
01:13:24,520 --> 01:13:28,200
Speaker 7: Yo, this Michican man from Atlanta, now, I just wanted

1674
01:13:28,280 --> 01:13:30,679
Speaker 7: to I appreciate y'all taking my first less I didn't

1675
01:13:30,680 --> 01:13:32,479
Speaker 7: even know it was gonna get through, but I just

1676
01:13:32,560 --> 01:13:34,080
Speaker 7: wanted to add a little clarity to it.

1677
01:13:35,920 --> 01:13:38,400
Speaker 1: Nah, man, we weren't. We did a lot. We did

1678
01:13:38,439 --> 01:13:39,519
Speaker 1: a lot of fun things.

1679
01:13:39,360 --> 01:13:42,280
Speaker 7: We weren't just like laying up every day dehydrated, drinking

1680
01:13:42,320 --> 01:13:45,639
Speaker 7: alcohol and watching baddies. That was like a misconception because

1681
01:13:45,960 --> 01:13:47,720
Speaker 7: I have enough time to get the whole ship off.

1682
01:13:47,800 --> 01:13:50,760
Speaker 7: But the original point of me hitting y'all because I

1683
01:13:50,840 --> 01:13:55,920
Speaker 7: fuck with y'all and with y'all opinions, like even after

1684
01:13:56,040 --> 01:13:58,040
Speaker 7: she poured the piss in my face, like I think,

1685
01:13:58,080 --> 01:14:01,880
Speaker 7: we took like a five month like no contact and

1686
01:14:02,000 --> 01:14:06,200
Speaker 7: she facetied randomly one night, like crying type ship. I think,

1687
01:14:06,479 --> 01:14:08,840
Speaker 7: like I ignored the first three calls she called again,

1688
01:14:08,920 --> 01:14:12,160
Speaker 7: I answered, so with my big heart, hearing them tears

1689
01:14:12,280 --> 01:14:14,880
Speaker 7: through the phone, I'll pull back up, heart and no,

1690
01:14:15,000 --> 01:14:15,880
Speaker 7: we're not back together.

1691
01:14:16,200 --> 01:14:17,320
Speaker 1: But you know I have.

1692
01:14:17,920 --> 01:14:20,680
Speaker 7: I have been back around helping her move into the

1693
01:14:20,760 --> 01:14:23,479
Speaker 7: new spot that you know, just all kinds of ship,

1694
01:14:23,560 --> 01:14:27,040
Speaker 7: putting ship together real, just like the same boyfriend duties like.

1695
01:14:28,640 --> 01:14:32,360
Speaker 7: But she will have me thinking that we're you know,

1696
01:14:32,479 --> 01:14:34,360
Speaker 7: the effort that I'm putting in is getting us back

1697
01:14:34,400 --> 01:14:38,439
Speaker 7: to the place. But it's not you know what I'm saying.

1698
01:14:38,439 --> 01:14:39,920
Speaker 7: It's like she wants the freedom to do what she

1699
01:14:40,000 --> 01:14:43,000
Speaker 7: want to do, but then she still want the convenience

1700
01:14:43,360 --> 01:14:46,920
Speaker 7: of me. So it's like, why do we like accept breadcrumbs?

1701
01:14:47,040 --> 01:14:49,080
Speaker 7: It ain't no insecurity and it ain't ship like that.

1702
01:14:49,320 --> 01:14:51,840
Speaker 7: It's just like I love this person. By the way, Roy,

1703
01:14:51,920 --> 01:14:52,760
Speaker 7: my clause is clean.

1704
01:14:59,760 --> 01:15:01,599
Speaker 1: Can can you give the backstory?

1705
01:15:01,640 --> 01:15:04,280
Speaker 2: Because it's a follow up voicemail of somebody called it already,

1706
01:15:04,320 --> 01:15:07,080
Speaker 2: can you give the backstory to the original voice?

1707
01:15:07,240 --> 01:15:10,320
Speaker 3: Some people who have not heard our rappers Delight episode

1708
01:15:10,360 --> 01:15:12,400
Speaker 3: with Zip, there was a caller who called in and

1709
01:15:12,520 --> 01:15:15,200
Speaker 3: said that he was in a toxic relationship. Well, he

1710
01:15:15,400 --> 01:15:19,080
Speaker 3: had been in a toxic relationship with a girlfriend. They

1711
01:15:19,200 --> 01:15:21,000
Speaker 3: drank a lot, they had a lot of fun together,

1712
01:15:21,120 --> 01:15:22,719
Speaker 3: but at one point she found a pair of panties

1713
01:15:22,760 --> 01:15:25,000
Speaker 3: in his closet that were old. He didn't know whose

1714
01:15:25,040 --> 01:15:28,200
Speaker 3: they were, but she spass out through pissing his face.

1715
01:15:28,240 --> 01:15:30,439
Speaker 3: They broke up, and now he was asking he's back

1716
01:15:30,520 --> 01:15:32,360
Speaker 3: talking to her. He was asking us what we thought

1717
01:15:32,360 --> 01:15:34,479
Speaker 3: about it. We told him that, well, I told him

1718
01:15:34,479 --> 01:15:36,559
Speaker 3: that if somebody throws pissing your face and you stay

1719
01:15:36,640 --> 01:15:38,720
Speaker 3: with them, y'all belong together because she crazy and you

1720
01:15:38,760 --> 01:15:41,080
Speaker 3: it's crazy staying with her, and y'all told.

1721
01:15:41,040 --> 01:15:42,720
Speaker 5: Him to leave her alone. Blah blah blah blah blah.

1722
01:15:42,960 --> 01:15:44,280
Speaker 5: Zip said he pissed on the girl's bed.

1723
01:15:44,560 --> 01:15:45,320
Speaker 1: So now we're here.

1724
01:15:45,479 --> 01:15:47,960
Speaker 3: He calls with the follow up and he's telling y'all

1725
01:15:48,640 --> 01:15:51,800
Speaker 3: that they not together. She called him crying. He fell

1726
01:15:51,880 --> 01:15:54,559
Speaker 3: for the tears, and now you know, he's been helped.

1727
01:15:54,600 --> 01:15:56,680
Speaker 3: She's been he's been helping her move and things like that,

1728
01:15:56,840 --> 01:15:57,960
Speaker 3: but they aren't official.

1729
01:15:58,600 --> 01:15:59,439
Speaker 1: What's his name, Mitch?

1730
01:16:00,120 --> 01:16:02,240
Speaker 5: His name is Yes, I think that. I think that's

1731
01:16:02,560 --> 01:16:03,160
Speaker 5: from Atlanta.

1732
01:16:04,200 --> 01:16:07,160
Speaker 4: Don't be a sucker. Sucker is born every seventeen seconds

1733
01:16:07,160 --> 01:16:11,080
Speaker 4: in America. Don't be one. You can't let a woman

1734
01:16:11,160 --> 01:16:13,920
Speaker 4: throw pissing your face and then fill and then fall

1735
01:16:14,000 --> 01:16:16,240
Speaker 4: for the fake tears and then go help her move

1736
01:16:16,320 --> 01:16:17,200
Speaker 4: into her new spot.

1737
01:16:17,240 --> 01:16:17,880
Speaker 5: Your friend zone.

1738
01:16:17,960 --> 01:16:19,080
Speaker 1: Oh, don't do that.

1739
01:16:19,520 --> 01:16:19,680
Speaker 2: Don't.

1740
01:16:19,760 --> 01:16:21,920
Speaker 5: He doesn't trust him because she found panties in his house.

1741
01:16:21,960 --> 01:16:23,880
Speaker 1: Wad she? Don't be that Mitch. Don't be that guy.

1742
01:16:24,240 --> 01:16:26,360
Speaker 4: There's others better women out there's women that will never

1743
01:16:26,400 --> 01:16:30,040
Speaker 4: even think about throwing pissing your face. Please don't don't

1744
01:16:30,080 --> 01:16:32,240
Speaker 4: don't be a sucker. Should enough for those in America?

1745
01:16:32,760 --> 01:16:34,920
Speaker 2: Should it be a death sentence for a misdemeanor? You

1746
01:16:35,040 --> 01:16:37,080
Speaker 2: found panties with no explanation, there was context.

1747
01:16:37,160 --> 01:16:37,639
Speaker 1: They were old.

1748
01:16:37,680 --> 01:16:40,080
Speaker 2: You didn't want to hear that, and you threw piss

1749
01:16:40,240 --> 01:16:44,280
Speaker 2: at him, and then he allows you back in his presence.

1750
01:16:45,080 --> 01:16:47,080
Speaker 1: I see why you want to do that. He'll let

1751
01:16:47,120 --> 01:16:49,639
Speaker 1: you do anything. Then, Yeah, don't be a sucker.

1752
01:16:50,960 --> 01:16:52,679
Speaker 2: Don't I know why she I know why she's fake

1753
01:16:52,720 --> 01:16:54,920
Speaker 2: on him. She knows if I throw piss at someone

1754
01:16:55,000 --> 01:16:56,960
Speaker 2: and they answer the phone, that's called gas I can do.

1755
01:16:57,240 --> 01:16:58,040
Speaker 1: It's not gaslighting.

1756
01:16:58,120 --> 01:17:02,000
Speaker 2: When she cries no, that's just straight disrespect to I

1757
01:17:02,120 --> 01:17:04,280
Speaker 2: know I could do anything to this person that's.

1758
01:17:04,200 --> 01:17:06,920
Speaker 1: Past gas light. Mitch, don't be that guy. That's a bonfire.

1759
01:17:07,040 --> 01:17:09,519
Speaker 1: We cared about you over here. Rory and Maul, don't

1760
01:17:09,560 --> 01:17:10,040
Speaker 1: be that guy.

1761
01:17:12,720 --> 01:17:12,960
Speaker 6: Girl.

1762
01:17:13,080 --> 01:17:16,400
Speaker 5: Man stay with her because they both single and lonely.

1763
01:17:16,800 --> 01:17:20,920
Speaker 1: Stand are you pissed? But think about mall. I ain't lonely.

1764
01:17:21,000 --> 01:17:24,559
Speaker 1: Don't listen to you tell me every weekend you lonely?

1765
01:17:24,640 --> 01:17:28,639
Speaker 4: So I never said I was lonely. I never shaid

1766
01:17:28,640 --> 01:17:31,559
Speaker 4: I was lonely. I should I be alone? Being alone

1767
01:17:31,600 --> 01:17:32,280
Speaker 4: and being lonely.

1768
01:17:32,200 --> 01:17:32,800
Speaker 1: Is two different things.

1769
01:17:32,840 --> 01:17:33,880
Speaker 5: Okay, so what's the difference?

1770
01:17:34,000 --> 01:17:36,360
Speaker 1: Like choice, it's a difference.

1771
01:17:37,240 --> 01:17:40,760
Speaker 5: You both of these niggas are alone and you you

1772
01:17:40,880 --> 01:17:41,960
Speaker 5: know you laid up with something.

1773
01:17:42,240 --> 01:17:42,720
Speaker 1: No, he's not.

1774
01:17:43,040 --> 01:17:44,640
Speaker 3: If she she could just piss on the man, I

1775
01:17:44,720 --> 01:17:45,960
Speaker 3: know she has scored her. If she could just piss

1776
01:17:46,000 --> 01:17:47,000
Speaker 3: on the man and thought of your face.

1777
01:17:47,040 --> 01:17:49,479
Speaker 1: I know there's other squirters out there that won't throw,

1778
01:17:49,920 --> 01:17:52,400
Speaker 1: won't throw, won't well consentually with square in your face

1779
01:17:52,400 --> 01:17:53,439
Speaker 1: if you want them, not only.

1780
01:17:53,360 --> 01:17:55,400
Speaker 4: Will I throw pissing your face, that's the thought. Won't

1781
01:17:55,439 --> 01:17:57,519
Speaker 4: even across their mind to throw pissing your face.

1782
01:17:58,680 --> 01:18:00,640
Speaker 1: Like she's a dog. She's a dogs. I don't want

1783
01:18:00,680 --> 01:18:02,439
Speaker 1: to know what cups she picked. She needs to be,

1784
01:18:02,680 --> 01:18:04,719
Speaker 1: she needs to be by herself.

1785
01:18:04,880 --> 01:18:06,320
Speaker 5: I know it was a plastic cut one of them

1786
01:18:06,360 --> 01:18:07,080
Speaker 5: dollar tree cups.

1787
01:18:07,240 --> 01:18:09,160
Speaker 1: She's a dog. That's what you call a day. It's

1788
01:18:09,240 --> 01:18:12,720
Speaker 1: clear so to see that she was dehydrated. He tried to.

1789
01:18:13,160 --> 01:18:15,080
Speaker 1: I could tell by his guilty conscience when he's like, nah,

1790
01:18:15,080 --> 01:18:17,160
Speaker 1: we don't be drinking, like he's trying to say it was.

1791
01:18:19,080 --> 01:18:19,240
Speaker 5: Him.

1792
01:18:19,600 --> 01:18:23,200
Speaker 3: If you if listen, man, listen, she's a terrible person, right,

1793
01:18:23,560 --> 01:18:26,519
Speaker 3: but apparently you love her and you like the fact

1794
01:18:26,520 --> 01:18:28,840
Speaker 3: that she's a terrible person. So if you want our

1795
01:18:28,880 --> 01:18:30,360
Speaker 3: permission for you to stay with her, because that's what

1796
01:18:30,360 --> 01:18:31,600
Speaker 3: you're gonna do regardless, then do it.

1797
01:18:31,880 --> 01:18:33,760
Speaker 5: Do I think you deserve better? Nah?

1798
01:18:33,880 --> 01:18:35,439
Speaker 3: Not really, because if you're willing to stay with that,

1799
01:18:35,560 --> 01:18:37,320
Speaker 3: I don't think you deserve better. You don't think you

1800
01:18:37,360 --> 01:18:39,280
Speaker 3: deserve better. How I'm think more highly of you than

1801
01:18:39,320 --> 01:18:39,439
Speaker 3: you do.

1802
01:18:39,560 --> 01:18:41,439
Speaker 1: You see how they think you? See how anything about you? Mitch?

1803
01:18:41,800 --> 01:18:43,559
Speaker 4: Once you make that decision, now, old woman like, oh,

1804
01:18:43,600 --> 01:18:46,479
Speaker 4: he don't respect herself enough, He don't love herself enough.

1805
01:18:46,600 --> 01:18:49,360
Speaker 1: He don't think he deserved better. You don't fall into

1806
01:18:49,439 --> 01:18:50,160
Speaker 1: that category.

1807
01:18:50,320 --> 01:18:53,200
Speaker 5: King stand tall, Mitch, Did you have toxic parents?

1808
01:18:53,520 --> 01:18:55,679
Speaker 3: Because there's no way you grew up in a healthy,

1809
01:18:55,720 --> 01:18:58,519
Speaker 3: happy household and a woman through pissing your face and

1810
01:18:58,640 --> 01:18:59,280
Speaker 3: you think that that's it.

1811
01:18:59,479 --> 01:19:01,160
Speaker 4: Yes, she stick, I was meaning she still had not

1812
01:19:01,200 --> 01:19:03,559
Speaker 4: only is she still her face, she still has access

1813
01:19:03,680 --> 01:19:03,840
Speaker 4: to you.

1814
01:19:04,240 --> 01:19:05,840
Speaker 5: She called your phone crying.

1815
01:19:07,200 --> 01:19:09,160
Speaker 1: Like where you at? My big cousin over there to

1816
01:19:09,200 --> 01:19:10,479
Speaker 1: wool Pass and by the.

1817
01:19:10,520 --> 01:19:13,880
Speaker 3: Way, by the way, she don't want to be in

1818
01:19:13,920 --> 01:19:15,800
Speaker 3: a relationship with you because she got something on her

1819
01:19:15,880 --> 01:19:17,640
Speaker 3: line right now. Let me tell you some baby, she

1820
01:19:17,760 --> 01:19:19,920
Speaker 3: got something on her line right now that would never

1821
01:19:20,000 --> 01:19:21,840
Speaker 3: let her throw, pissing her pissing his face.

1822
01:19:22,600 --> 01:19:26,400
Speaker 4: See, he's not gonna help her move. He would throw

1823
01:19:26,400 --> 01:19:27,680
Speaker 4: pissing her face and not help her.

1824
01:19:27,760 --> 01:19:33,439
Speaker 2: Okay, yeah, manic thing is though, like, even if you

1825
01:19:33,479 --> 01:19:35,880
Speaker 2: want to entertain a woman that through pissing your face,

1826
01:19:36,040 --> 01:19:38,240
Speaker 2: she should be at your crib helping you move.

1827
01:19:38,600 --> 01:19:39,120
Speaker 1: The fuck are you?

1828
01:19:40,720 --> 01:19:44,479
Speaker 4: She should be at my crib being my pet. You

1829
01:19:44,479 --> 01:19:46,519
Speaker 4: gotta do everything I say around this motherfucker.

1830
01:19:46,600 --> 01:19:48,960
Speaker 1: You put peepads just around the whole. You gotta do

1831
01:19:49,080 --> 01:19:51,200
Speaker 1: everything I say and dog.

1832
01:19:51,360 --> 01:19:52,000
Speaker 5: She home trade.

1833
01:19:52,280 --> 01:19:54,760
Speaker 3: I actually had a Snapchat person I used to follow

1834
01:19:54,800 --> 01:19:57,679
Speaker 3: on Snapchat who used to have two women in cages

1835
01:19:58,120 --> 01:19:59,559
Speaker 3: eating out of dog food bowls.

1836
01:20:00,080 --> 01:20:04,400
Speaker 2: Essentially, Yes, that's what that's what she ain't go get.

1837
01:20:04,400 --> 01:20:07,400
Speaker 2: It's the biggest big Go get the biggest dog k kg.

1838
01:20:07,479 --> 01:20:09,960
Speaker 4: You can find it, pet smart, put it in your

1839
01:20:10,000 --> 01:20:11,400
Speaker 4: living room and tell her to come over. You got

1840
01:20:11,439 --> 01:20:14,360
Speaker 4: a new bed for her, tell her to get in

1841
01:20:14,400 --> 01:20:17,280
Speaker 4: the cage. That's what you do to her, That's that's

1842
01:20:17,320 --> 01:20:18,720
Speaker 4: what you treat her. So you want to throw piss

1843
01:20:18,760 --> 01:20:20,559
Speaker 4: on somebody's face, treat her like the dog.

1844
01:20:20,960 --> 01:20:23,160
Speaker 1: He wants to be the one in the cage. Yeah,

1845
01:20:23,200 --> 01:20:24,200
Speaker 1: he know, that's what I'm saying.

1846
01:20:24,479 --> 01:20:26,760
Speaker 5: She might have a Yeah, he might be a missive.

1847
01:20:26,800 --> 01:20:27,680
Speaker 1: Listen if that might be.

1848
01:20:27,960 --> 01:20:30,479
Speaker 2: If that's pissing his face and he's helping her move,

1849
01:20:30,600 --> 01:20:34,120
Speaker 2: he stuck his tongue out, If that's their thing, I'm

1850
01:20:34,120 --> 01:20:35,840
Speaker 2: not going to judge in that way. It sounded like

1851
01:20:35,960 --> 01:20:38,200
Speaker 2: it was out of anger, in a disrespectful way to

1852
01:20:38,240 --> 01:20:40,800
Speaker 2: throw piss at you. That's different than liking piss on

1853
01:20:40,920 --> 01:20:42,360
Speaker 2: you and someone throws pists on you.

1854
01:20:42,840 --> 01:20:43,639
Speaker 1: Yeah, it's a difference.

1855
01:20:44,080 --> 01:20:47,200
Speaker 5: I still gotta know if he was cheating or not,

1856
01:20:47,280 --> 01:20:49,360
Speaker 5: because he might be lying us. Because if you.

1857
01:20:49,439 --> 01:20:53,719
Speaker 2: Were cheating, it's still don't that's that don't matter. Understand,

1858
01:20:54,000 --> 01:20:55,519
Speaker 2: I'm gonna do it. I don't understand.

1859
01:20:56,120 --> 01:20:58,400
Speaker 1: No, you don't. You want to cut up his clothes?

1860
01:20:58,600 --> 01:20:58,840
Speaker 5: Cool?

1861
01:20:58,880 --> 01:21:02,280
Speaker 1: Whatever? That tweet that he's a piece of shit. This

1862
01:21:02,360 --> 01:21:05,160
Speaker 1: is throwing pissing someone's face.

1863
01:21:05,240 --> 01:21:07,200
Speaker 3: Yeah, y'all don't get to play, and this is mission

1864
01:21:07,240 --> 01:21:10,720
Speaker 3: design you. We're now moving the conversation to a hypothetical

1865
01:21:10,800 --> 01:21:12,240
Speaker 3: because we're not saying that you did cheat.

1866
01:21:12,520 --> 01:21:12,720
Speaker 1: Y'all.

1867
01:21:12,720 --> 01:21:13,280
Speaker 5: Don't get to.

1868
01:21:13,400 --> 01:21:16,960
Speaker 3: Hurt people and put people's safety at risk and then

1869
01:21:17,080 --> 01:21:18,519
Speaker 3: decide how they get to react.

1870
01:21:18,840 --> 01:21:21,200
Speaker 1: Judge does that's that's exactly where you'll be at.

1871
01:21:21,320 --> 01:21:21,679
Speaker 5: That's fine.

1872
01:21:21,720 --> 01:21:23,200
Speaker 1: You throw a pissing my face right in front of

1873
01:21:23,240 --> 01:21:24,439
Speaker 1: the judge with a broke nose.

1874
01:21:25,320 --> 01:21:29,719
Speaker 2: Okay, well fair, Yes, you can't control someone sneak attacking

1875
01:21:29,800 --> 01:21:31,840
Speaker 2: you by pissing in the bathroom with a cup and

1876
01:21:31,920 --> 01:21:34,120
Speaker 2: then throwing at you when you had no idea it's

1877
01:21:34,160 --> 01:21:36,240
Speaker 2: coming cool, I agree, But you also have the choice

1878
01:21:36,280 --> 01:21:37,639
Speaker 2: to not deal with that person ever again.

1879
01:21:38,040 --> 01:21:39,800
Speaker 1: For sure, two things can be true with you.

1880
01:21:40,320 --> 01:21:44,559
Speaker 4: Good job, lock her up cold the cops, Mitch put

1881
01:21:44,600 --> 01:21:45,920
Speaker 4: her in jail when she belonged with the rest of

1882
01:21:45,960 --> 01:21:46,320
Speaker 4: them dogs.

1883
01:21:46,320 --> 01:21:48,200
Speaker 5: I wonder what the statute of limitation is. I'm throwing

1884
01:21:48,240 --> 01:21:48,920
Speaker 5: piss on somebody.

1885
01:21:49,560 --> 01:21:50,120
Speaker 1: Is it a law?

1886
01:21:50,680 --> 01:21:50,880
Speaker 2: Yeah?

1887
01:21:50,960 --> 01:21:54,000
Speaker 1: That's a salt? No, I agree, should be. I just

1888
01:21:54,080 --> 01:21:58,400
Speaker 1: don't know. It's definitely a sor like coughing. You be

1889
01:21:58,600 --> 01:22:00,720
Speaker 1: biotary locked up in going to throw pitch on the

1890
01:22:00,720 --> 01:22:03,280
Speaker 1: seat and see what happens to you. I'm sure that

1891
01:22:03,320 --> 01:22:05,720
Speaker 1: wouldn't go over well. I just didn't know if the

1892
01:22:05,800 --> 01:22:06,599
Speaker 1: Rikers lost it's.

1893
01:22:06,479 --> 01:22:10,360
Speaker 4: A serious criminal act genery classified as battery or salt.

1894
01:22:11,080 --> 01:22:13,639
Speaker 4: Because this involves the throwing of bodily fluids, is awfully

1895
01:22:13,680 --> 01:22:16,479
Speaker 4: treated as a bio has it related offense, statue of

1896
01:22:16,479 --> 01:22:19,600
Speaker 4: limited limitations of time limits to charge someone with this

1897
01:22:19,680 --> 01:22:21,879
Speaker 4: offense depends on whether it is prosecuted as a mistermean

1898
01:22:21,920 --> 01:22:24,320
Speaker 4: or a felony, and most your addiction simple batteries a

1899
01:22:24,360 --> 01:22:26,280
Speaker 4: mister meaning with a statute a limitation of one to

1900
01:22:26,360 --> 01:22:26,880
Speaker 4: two years.

1901
01:22:27,160 --> 01:22:29,280
Speaker 5: But how are you gonna prove? How can you prove that?

1902
01:22:29,479 --> 01:22:30,800
Speaker 5: Through piss on you? You can prove that.

1903
01:22:30,920 --> 01:22:33,479
Speaker 2: I remember when I was young, like the really degenerate

1904
01:22:33,560 --> 01:22:36,559
Speaker 2: kids used to piss in condoms time and throw my cars.

1905
01:22:37,520 --> 01:22:41,040
Speaker 4: Oh my god, Yeah, y'all was too bored over. There

1906
01:22:41,200 --> 01:22:43,160
Speaker 4: were from Queens. Yeah, that was too bored over.

1907
01:22:43,200 --> 01:22:44,880
Speaker 1: There a lot of a lot of traffic.

1908
01:22:46,840 --> 01:22:52,040
Speaker 2: Get off the belts and I remember uh ship on

1909
01:22:52,160 --> 01:22:55,360
Speaker 2: the decide where the woods were over, like they would

1910
01:22:55,360 --> 01:22:56,639
Speaker 2: throw it back cop cars sometimes.

1911
01:22:57,880 --> 01:23:01,640
Speaker 1: Nah, see y'all tripping Halloween maybe, but on a random.

1912
01:23:01,360 --> 01:23:04,400
Speaker 5: Wednesday Halloween if it's the holiday, makes sense, Halloween.

1913
01:23:04,400 --> 01:23:05,759
Speaker 1: You know, we was doing whatever outside.

1914
01:23:06,600 --> 01:23:09,720
Speaker 2: But that was just mean, silly teenage shit. Yeah, but

1915
01:23:11,160 --> 01:23:12,519
Speaker 2: I just think it's funny to hold a piss. So

1916
01:23:12,560 --> 01:23:14,200
Speaker 2: you could piss in a condom. That was just always

1917
01:23:14,240 --> 01:23:16,719
Speaker 2: kind of funny to me. And then tie in the condom,

1918
01:23:16,760 --> 01:23:18,160
Speaker 2: I know, you getting pissed on ans and like was

1919
01:23:18,200 --> 01:23:19,920
Speaker 2: they putting the condom on and peeing in it?

1920
01:23:20,160 --> 01:23:23,080
Speaker 1: I didn't like. I wasn't staring. I wasn't like watching

1921
01:23:23,120 --> 01:23:25,000
Speaker 1: them turn around.

1922
01:23:25,360 --> 01:23:27,160
Speaker 5: When you hang the water balloon from this fountain.

1923
01:23:27,240 --> 01:23:29,280
Speaker 1: Yeah, he gotta put it on the on the fosi right,

1924
01:23:31,400 --> 01:23:32,320
Speaker 1: getting some head.

1925
01:23:33,840 --> 01:23:36,360
Speaker 2: Was just like put the Yeah, I suppose I never

1926
01:23:36,479 --> 01:23:39,800
Speaker 2: participated in. I did stand and watch and laugh, but

1927
01:23:39,920 --> 01:23:42,920
Speaker 2: I never threw a pissed condom at anyone.

1928
01:23:44,080 --> 01:23:48,760
Speaker 1: I was. I wasn't cool. That's what cool kids were doing. Ironically,

1929
01:23:49,080 --> 01:23:49,640
Speaker 1: Yeah I was. So.

1930
01:23:49,760 --> 01:23:51,280
Speaker 3: I was watching EU four al last night and it

1931
01:23:51,400 --> 01:23:53,200
Speaker 3: was the scene where I don't know if y'all remember

1932
01:23:53,280 --> 01:23:55,519
Speaker 3: the chubby girl she fucked the dude from high school

1933
01:23:55,520 --> 01:23:59,400
Speaker 3: that used to be like lit. Remember, why are the

1934
01:23:59,479 --> 01:24:01,679
Speaker 3: kids that from high school that were lit in high school?

1935
01:24:01,880 --> 01:24:05,240
Speaker 3: I've never seen one continue the littless like they always

1936
01:24:06,920 --> 01:24:09,680
Speaker 3: the most popular kids always fall off like I've never

1937
01:24:09,800 --> 01:24:10,960
Speaker 3: seen one continue on.

1938
01:24:11,280 --> 01:24:13,760
Speaker 1: Yeah, I mean ever, damn holy in high school, he

1939
01:24:13,880 --> 01:24:17,320
Speaker 1: was the man homie. That's not true. Lebron was in

1940
01:24:17,640 --> 01:24:19,960
Speaker 1: high school. Well, I mean when you could have went

1941
01:24:19,960 --> 01:24:22,400
Speaker 1: to the NBA at thirteen, you're just yeah, Lebron was

1942
01:24:22,439 --> 01:24:24,320
Speaker 1: the man in high school. Savannah knew that.

1943
01:24:26,200 --> 01:24:28,960
Speaker 6: Don't don't do that to his soulf that's see that,

1944
01:24:29,120 --> 01:24:30,960
Speaker 6: that's love, that's you didn't have to say that.

1945
01:24:31,320 --> 01:24:33,560
Speaker 1: She would have still because.

1946
01:24:32,840 --> 01:24:36,960
Speaker 3: Everybody knew that. McDonald's knew that. Everybody is, including Savannah.

1947
01:24:37,200 --> 01:24:39,120
Speaker 3: What's wrong with saying his wife they went to high

1948
01:24:39,120 --> 01:24:40,599
Speaker 3: school together, I know, which.

1949
01:24:40,400 --> 01:24:42,960
Speaker 5: I think is the thing right where you just you

1950
01:24:43,120 --> 01:24:44,120
Speaker 5: named the obvious, like I'm.

1951
01:24:44,040 --> 01:24:46,599
Speaker 2: Saying in Savannah's uh, in case he could have blown

1952
01:24:46,640 --> 01:24:49,320
Speaker 2: his knee out his senior year, could he loved him?

1953
01:24:49,560 --> 01:24:52,080
Speaker 1: Yeah? He just so happened to become one of the

1954
01:24:52,120 --> 01:24:52,559
Speaker 1: greatest parts.

1955
01:24:52,680 --> 01:24:54,360
Speaker 5: I was my eyes like that. When I was younger,

1956
01:24:54,400 --> 01:24:55,920
Speaker 5: I didn't have eyes like you were.

1957
01:24:56,320 --> 01:24:59,800
Speaker 1: You were born in Akron, Ohio in nineteen eighty four. Na.

1958
01:25:00,040 --> 01:25:02,439
Speaker 4: Yeah, but niggas up there and and Q's they they

1959
01:25:02,479 --> 01:25:04,040
Speaker 4: were just some niggas that you knew was going to

1960
01:25:04,560 --> 01:25:07,879
Speaker 4: to Syracuse University, knew.

1961
01:25:07,760 --> 01:25:09,560
Speaker 5: You knew who was but none of them niggas is

1962
01:25:09,600 --> 01:25:10,320
Speaker 5: it to this day.

1963
01:25:11,360 --> 01:25:12,000
Speaker 1: Yeah, that's true.

1964
01:25:12,720 --> 01:25:15,720
Speaker 2: But a lot of like why people are cool in

1965
01:25:15,800 --> 01:25:19,160
Speaker 2: high schools for sometimes like immature reasons. So if you're

1966
01:25:19,160 --> 01:25:22,760
Speaker 2: looking at it at that scope as a girl, that's

1967
01:25:22,800 --> 01:25:25,519
Speaker 2: not going to last very long for junior or senior year,

1968
01:25:25,600 --> 01:25:26,160
Speaker 2: it'll be fun.

1969
01:25:26,439 --> 01:25:28,320
Speaker 1: Also, that's doesn't have longevity.

1970
01:25:28,400 --> 01:25:30,720
Speaker 3: I think it limits you. I think when you are

1971
01:25:30,840 --> 01:25:35,560
Speaker 3: that popular, that young, it fucks up your idea of

1972
01:25:35,720 --> 01:25:38,920
Speaker 3: like the real world you can you know what I'm saying, Like,

1973
01:25:38,960 --> 01:25:41,800
Speaker 3: I think that literally like fucks you up. I don't

1974
01:25:41,800 --> 01:25:44,080
Speaker 3: think it was gonna happen regardless. I think that you

1975
01:25:44,320 --> 01:25:46,360
Speaker 3: might not have it. You don't know what you're chasing

1976
01:25:46,439 --> 01:25:48,160
Speaker 3: because you think you've hit it, you've hit that peak,

1977
01:25:48,160 --> 01:25:49,720
Speaker 3: and then you go out into the real world and

1978
01:25:49,760 --> 01:25:52,320
Speaker 3: you're nobody and you're not used to being nobody. Think

1979
01:25:52,320 --> 01:25:54,280
Speaker 3: if you're used to being nobody in high school, when

1980
01:25:54,320 --> 01:25:56,719
Speaker 3: you get to college, just like another chance to reinvent yourself.

1981
01:25:56,960 --> 01:26:00,280
Speaker 3: But people leave high school going to college and to

1982
01:26:00,320 --> 01:26:02,240
Speaker 3: still be that nigga and it's just like nah.

1983
01:26:02,720 --> 01:26:06,120
Speaker 2: And teenage impulse is like should be studies because there's

1984
01:26:06,280 --> 01:26:09,200
Speaker 2: there were people far smarter than me, way more athletic

1985
01:26:09,320 --> 01:26:12,880
Speaker 2: than me, that just were impulsive to bullshit that was

1986
01:26:12,920 --> 01:26:15,320
Speaker 2: happening in high school and that hindered the rest of

1987
01:26:15,400 --> 01:26:20,000
Speaker 2: their future. Like impulse should really be studied with teenage kids,

1988
01:26:20,439 --> 01:26:22,000
Speaker 2: I think the kids that have the least amount of

1989
01:26:22,040 --> 01:26:25,280
Speaker 2: impulse in high school are typically the people that have

1990
01:26:25,439 --> 01:26:28,639
Speaker 2: a longer career, if you will, Because there was kids

1991
01:26:28,720 --> 01:26:30,640
Speaker 2: way smarter than me just never did shit because they

1992
01:26:30,640 --> 01:26:35,080
Speaker 2: were impulsive to bullshit, far smarter than me, and probably

1993
01:26:35,320 --> 01:26:37,679
Speaker 2: had a different scope of longevity. But no, we're gonna

1994
01:26:37,720 --> 01:26:39,080
Speaker 2: fuck around for these four years.

1995
01:26:39,880 --> 01:26:40,599
Speaker 1: We're gonna get.

1996
01:26:40,439 --> 01:26:42,800
Speaker 2: Lit because I think I've known one person that ever

1997
01:26:42,840 --> 01:26:45,120
Speaker 2: made it to a brick, that never made it to

1998
01:26:45,240 --> 01:26:49,640
Speaker 2: what that made it to a brick. I think I

1999
01:26:49,760 --> 01:26:51,840
Speaker 2: know one person from high school that actually made it

2000
01:26:51,880 --> 01:26:55,080
Speaker 2: to one brick, just one, just one.

2001
01:26:58,400 --> 01:27:01,040
Speaker 1: Nobody from have made it to a break, not even one.

2002
01:27:02,240 --> 01:27:04,439
Speaker 2: Well, I mean, I'm sure you've known people that have

2003
01:27:04,520 --> 01:27:07,360
Speaker 2: made it far past one brick, Oh for sure, I'm

2004
01:27:07,360 --> 01:27:09,240
Speaker 2: saying me personally, I think I know one person that

2005
01:27:09,360 --> 01:27:10,559
Speaker 2: made it to a brick from school.

2006
01:27:11,000 --> 01:27:13,639
Speaker 1: Well everyone else, not balls.

2007
01:27:14,400 --> 01:27:17,720
Speaker 4: Not the laying you stay in your lane, all right, well,

2008
01:27:18,840 --> 01:27:20,000
Speaker 4: what's some major majors here?

2009
01:27:20,120 --> 01:27:20,920
Speaker 1: Zip? Zip you here?

2010
01:27:22,520 --> 01:27:23,040
Speaker 5: Can we pray?

2011
01:27:23,120 --> 01:27:23,400
Speaker 1: All right?

2012
01:27:23,439 --> 01:27:25,759
Speaker 4: Man, we're gonna get into some patrions praying before Patreon.

2013
01:27:25,960 --> 01:27:28,080
Speaker 4: For what pray for Patreon our father who.

2014
01:27:28,000 --> 01:27:30,720
Speaker 1: Are in heaven. It will be that name Catholic, that

2015
01:27:30,840 --> 01:27:33,160
Speaker 1: will be done as earth and is in heaven. No,

2016
01:27:33,320 --> 01:27:36,160
Speaker 1: are you leading the prayer? No? Who's leading the preyer you.

2017
01:27:38,200 --> 01:27:39,400
Speaker 5: Anytime you pray right now?

2018
01:27:39,560 --> 01:27:46,640
Speaker 1: No? Who told you that? Because that way already? No, No,

2019
01:27:46,800 --> 01:27:48,960
Speaker 1: I don't know what the marriage do it? Yo? We

2020
01:27:49,200 --> 01:27:51,960
Speaker 1: talk to y'all soon. Be safe, be blessed. I'm that nigga.

2021
01:27:52,000 --> 01:27:53,759
Speaker 1: He's just Jinga. We're on the Patreon