WEBVTT - Black Power vs. Black Excellence

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<v Speaker 1>I gotta be honest, babe. Sometimes I struggle with pushing

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<v Speaker 1>black excellence because I don't want to push in a

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<v Speaker 1>way that seems like I'm trying to assimilate to whiteness.

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<v Speaker 2>M you see what I'm saying.

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<v Speaker 3>You might have to elaborate on that with me. When

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<v Speaker 3>I think about black excellence and black power, I just

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<v Speaker 3>feel like we need to keep creating more spaces and

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<v Speaker 3>arenas to celebrate ourselves so we don't have to feel

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<v Speaker 3>like we need to assimilate.

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<v Speaker 1>Dead Ass. It all started with real talk, unfiltered, honest,

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<v Speaker 1>and straight from the heart. Since then, we've gone on

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<v Speaker 1>to become Webby Award winning podcasters in New York Times

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<v Speaker 1>bestselling authors.

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<v Speaker 3>Dead Ass was more than a podcast for us. It

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<v Speaker 3>was about our growth, a place where we could be vulnerable, be.

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<v Speaker 1>Raw, orse, but most apportantly be us.

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<v Speaker 3>But as we know, life keeps evolving and so do we,

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<v Speaker 3>and through it all, one thing has never changed.

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<v Speaker 4>This is.

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<v Speaker 3>Because we got a lot to talk about.

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<v Speaker 1>Story time. The funny thing is Tripple was just like, YO,

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<v Speaker 1>tell us a story about the time you realize the

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<v Speaker 1>difference between black power and black excellence, And I knew

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<v Speaker 1>exactly where to go. I was coaching at Aviator at

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<v Speaker 1>the time, and we had a couple of athletes who

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<v Speaker 1>were part of the group. It was about forty guys

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<v Speaker 1>in our college group, and we had two guys who

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<v Speaker 1>were not black. And one time the dude came. I

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<v Speaker 1>don't want to say his name because people go back

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<v Speaker 1>and look. He came to workout, was late, and I'm

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<v Speaker 1>screaming and balking and I'm just like, yo, like you

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<v Speaker 1>got to be on time. He's not saying nothing because

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<v Speaker 1>they know that I don't deal with the excuses. Right

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<v Speaker 1>The next day, the whole group was late, and I

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<v Speaker 1>got pessed at what the fuck is going on? All

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<v Speaker 1>thirty of them kids, the black kids, right well, almost

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<v Speaker 1>forty went to pick the one white kid up from

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<v Speaker 1>the bus stop because he had issues with the bust

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<v Speaker 1>at the bus stop the day before, which is why

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<v Speaker 1>he was late. All of my college kids, all of

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<v Speaker 1>them black kids, went to go pick that white kid up,

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<v Speaker 1>and they pressed whoever was at the bus stop, and

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<v Speaker 1>then they came and they were all late, and they

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<v Speaker 1>all ran together because they knew they was late. So

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<v Speaker 1>and part of the reason why I love them kids too,

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<v Speaker 1>My prototype kids y'all know who y'all are. I love

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<v Speaker 1>y'all to death. Part of the reason why I said

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<v Speaker 1>black power versus Black excellence is because although it was

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<v Speaker 1>excellent that those guys all stayed together to help this

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<v Speaker 1>one white kid, right, what bothered me is that it

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<v Speaker 1>was a group of black kids that was giving the

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<v Speaker 1>white kid a problem to begin And that's what showed

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<v Speaker 1>the power of all of these black men going to

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<v Speaker 1>stand up and say, yo, like, in this moment, he

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<v Speaker 1>one of us. He and this is the funny part.

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<v Speaker 1>This is the funny part. I'll never forget this. I'm

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<v Speaker 1>gonna say this one kid name, his name is Rogers.

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<v Speaker 3>Everybody knows, you know, Roger.

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<v Speaker 1>And Roger kept saying, we don't give a fuck if

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<v Speaker 1>he's white. If he late, we all got to run.

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<v Speaker 1>So since we all got a run, we fucking y'all

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<v Speaker 1>up and he late, and I was like, y'all was

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<v Speaker 1>really it was like, yo, we're not running because he late.

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<v Speaker 1>And they all banded together. But the problem, the reason

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<v Speaker 1>why I said it wasn't black excellence because they was

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<v Speaker 1>giving the white boar problem just for being white, and

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<v Speaker 1>that part of Brooklyn to get to where his workout was.

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<v Speaker 1>I wouldn't call that black excellence, because that's the things

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<v Speaker 1>we fought against in this country, not feeling accepted or

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<v Speaker 1>not feeling like we can go anywhere, and here we

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<v Speaker 1>made someone else feel that way. And it took thirty

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<v Speaker 1>to forty young black brothers in college to go there

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<v Speaker 1>and be like, yo, we're not doing this right.

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<v Speaker 3>I think there's an excellence in that they were able

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<v Speaker 3>to band together said listen, we're not doing that and

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<v Speaker 3>collectively either we're all gonna run or we're all not

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<v Speaker 3>gonna run, because I think you did you make him run?

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<v Speaker 3>If they were they coming back with him going to

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<v Speaker 3>defend him.

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<v Speaker 1>I didn't. And now here's the funny part. I didn't

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<v Speaker 1>know why they were all late when they came back.

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<v Speaker 1>So when they all came in late, I said, nobody,

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<v Speaker 1>say nothing to me. Get on the fucking line.

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<v Speaker 3>The lines they were prepared.

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<v Speaker 5>They were prepared them.

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<v Speaker 1>Yes. And the funny thing is I didn't call it

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<v Speaker 1>black excellence, even though it is excellence, because it came

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<v Speaker 1>from a bad spot, from a bunch of young blackies.

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<v Speaker 1>But it also showed the power of numbers and the

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<v Speaker 1>fact that they were able to go back into their

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<v Speaker 1>own community and be like, yo, we're not doing this.

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<v Speaker 1>But there was powering that not just excellence, but also power.

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<v Speaker 1>There's power and telling other people to stand down. So

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<v Speaker 1>that's why I chose black.

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<v Speaker 3>But how to treat you?

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<v Speaker 1>Absolutely, karaoke time, karaoke time. I couldn't pick a song.

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<v Speaker 3>It's several. I feel like that comes to mind when

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<v Speaker 3>you think about black power.

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<v Speaker 1>So I decided to kind of mix too. Okay, one

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<v Speaker 1>of course, shout out to Hove and it's just the beginning.

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<v Speaker 1>Everybody knows it's black excellency, black legacy, legacy, legacy, black excellency.

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<v Speaker 1>But I'm gonna go right into a fight power.

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<v Speaker 3>That's I see you dressed for the occasion to come.

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<v Speaker 3>I missed the today, I missed the look at me

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<v Speaker 3>looking like a I don't know what I look like

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<v Speaker 3>right now.

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<v Speaker 1>I'm have to say this ain't nothing to do with

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<v Speaker 1>black excellency of black power. But you've been losing weight

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<v Speaker 1>and working out and you're looking great.

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<v Speaker 3>Thank you.

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<v Speaker 2>This thing is like like it's just one thing.

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<v Speaker 3>It's one thing, and it's swallowing me up right now.

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<v Speaker 3>It's given me a little bit of comfort as I'm

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<v Speaker 3>still trying to get well from me and sick. But yeah,

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<v Speaker 3>I needed warm and fuzzy. It's giving warm and fuzzy,

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<v Speaker 3>isn't it. Do I look warm and fuzzy?

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<v Speaker 2>It's one thing. And when you walk by me, that

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<v Speaker 2>thing in the back was.

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<v Speaker 3>Still going like this, Well she ain't lost that.

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<v Speaker 2>Let's take a break and we'll be back with the

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<v Speaker 2>whole gang.

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<v Speaker 3>Indeed, all right, y'all were back. One thing I'm gonna

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<v Speaker 3>do is cut up in between breaks. We over here

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<v Speaker 3>paying bills and they're over here making fun of me.

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<v Speaker 3>So josh, what I look like today?

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<v Speaker 1>Goog go?

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<v Speaker 3>As long as they're gluten free, thanks, then, oh my god,

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<v Speaker 3>truth will take me out of my miserbel who we

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<v Speaker 3>got for today? Uh?

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<v Speaker 6>Firstdeen look like she.

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<v Speaker 7>Was like, no, i'mnna leave you alone.

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<v Speaker 3>Listen underneath this, Okay, this this garment, this frock. I'm

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<v Speaker 3>coming for all the BBO allegations this summer, y'all. I've

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<v Speaker 3>been in the gym. I'm coming for the allegations period.

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<v Speaker 3>That's the fact I'm getting it together, y'all.

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<v Speaker 7>Right, I'm right.

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<v Speaker 6>I don't know if I want to sabotage or not,

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<v Speaker 6>because people be asking could.

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<v Speaker 7>Get a b bl Oh my god.

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<v Speaker 6>But this summer, I might be like, I don't know, girl.

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<v Speaker 3>It's been around me the longest and most consistently. I

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<v Speaker 3>say you well other than you, But people will probably

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<v Speaker 3>automatically assume that my husband would like keep my dark secrets. Matt,

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<v Speaker 3>I feel like sees me the most. Have you ever

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<v Speaker 3>seen me in recovery from anything other than the It

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<v Speaker 3>was that one day.

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<v Speaker 6>I've been seeing you working out. When I go to

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<v Speaker 6>the gym, I think Kadeen. When I get tired, I'll

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<v Speaker 6>be like, Kadean.

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<v Speaker 7>Do you really do?

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<v Speaker 6>I love that because every time I look in the mirror,

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<v Speaker 6>I don't see Kadeen.

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<v Speaker 1>That's triple.

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<v Speaker 4>Every day everything she does, what is kadem She.

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<v Speaker 1>Will like, you ain't bodied up over there? You gonna

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<v Speaker 1>do is twenty minutes? If you walk twenty minutes every day,

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<v Speaker 1>be straight, I'm gonna do that.

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<v Speaker 4>You give me three.

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<v Speaker 1>You don't work out every day?

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<v Speaker 3>No?

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<v Speaker 7>I work out like three times a week.

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<v Speaker 3>I tried to mean, that's not bad.

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<v Speaker 1>Average American does not work out. Ever, Yeah, the average American,

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<v Speaker 1>I believe it does not.

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<v Speaker 3>That's what America looks like the way they look.

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<v Speaker 1>Matter of fact, This has nothing to do with this,

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<v Speaker 1>but I do want to say this, right. A study

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<v Speaker 1>show that the average American child can't do one pull

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<v Speaker 1>up right. The average American child does not sweat enough

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<v Speaker 1>to rid itself of any of the purities in its

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<v Speaker 1>body for it to be a normal child. So think

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<v Speaker 1>about where children will be twenty years from now, living

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<v Speaker 1>the way Americans live. Think about it, Brook eating all

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<v Speaker 1>of the process, Cookie, I'm probably gonna be obese to.

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<v Speaker 6>Then, all right, but I did see something really exciting

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<v Speaker 6>that I can wait to talk to you about. The

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<v Speaker 6>varn Nell Hill spin off series, Let's Go Yo, Man Can.

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<v Speaker 1>Hollywood Swinging is my favorite episode that finally went to Hollywood.

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<v Speaker 3>God Man Can Boy.

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<v Speaker 4>It was a two part episode too, so that made

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<v Speaker 4>a great too. Is he playing it?

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<v Speaker 6>Tommy Davidson is starring in it, And it sounds like

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<v Speaker 6>it's gonna be like thirty Rock, So it's gonna be

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<v Speaker 6>focusing on the behind the scenes of the Varndale Hills

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<v Speaker 6>show and how he's trying to stay relevant after so

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<v Speaker 6>many years on the air.

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<v Speaker 1>It sounds like it's gonna be really good and it's

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<v Speaker 1>kind of documentary, is right.

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<v Speaker 6>It sounds like it might be either documentary or like

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<v Speaker 6>thirty Rock wasn't documentary, but it did have like since

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<v Speaker 6>it was behind the scenes, it kind of gave like

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<v Speaker 6>real life field.

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<v Speaker 1>My opinion, I'm tired of reboots. I'm gonna be honest

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<v Speaker 1>to reboots. I feel like Tommy Davison was such a

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<v Speaker 1>force in the nineties. I wish they would have given

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<v Speaker 1>him his time when he was at like the peak,

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<v Speaker 1>like Tommy Davison during that time and did Booty Call

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<v Speaker 1>with Jamie Fox was great, and that he was on Martin.

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<v Speaker 1>I just wish that they would have gave it his

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<v Speaker 1>time twenty years ago.

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<v Speaker 2>That's all I wish.

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<v Speaker 1>I mean, I'm probably gonna tune in because I love,

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<v Speaker 1>you know, Tommy Davison. Yeah, but I just wish it

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<v Speaker 1>twenty five years ago.

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<v Speaker 3>I hear, I got no app today.

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<v Speaker 4>No, I like the Fresh Prince.

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<v Speaker 7>Sorry, y'all.

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<v Speaker 4>Well, I for when I'm looking forward to it. I

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<v Speaker 4>do like that character, Varnel Hill character. I think it

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<v Speaker 4>was great, and I'm looking forward to see who he

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<v Speaker 4>has coming on the show, because if it's if it's

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<v Speaker 4>a spin off of his character, his actual character being

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<v Speaker 4>a TV host or that daytime or night time.

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<v Speaker 1>He's a nighttime TV host.

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<v Speaker 4>He has to have guests, and hopefully they're incorporating that

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<v Speaker 4>into the show. I'm looking forward to the possibilities of it.

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<v Speaker 4>Tommy Davison is always a good time pause.

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<v Speaker 1>Jimmy Davison is a legend. Bro.

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<v Speaker 2>Yeah, for sure, hope you have jobs on the show.

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<v Speaker 1>And Martin comes down this.

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<v Speaker 4>I want Martin to be on the show. That's one

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<v Speaker 4>of the.

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<v Speaker 1>Most classic TV moments, Bro. I feel you though, Gosh,

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<v Speaker 1>that would actually be dope because the nostalgia of the

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<v Speaker 1>guests and stuff will be Yeah, triple what you got

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<v Speaker 1>ready now, I'm ready for it.

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<v Speaker 6>I like that it's an extension of the Martin universe.

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<v Speaker 6>I think it's going to be different, not really a reboot,

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<v Speaker 6>because it's not. He wasn't a regular character. He was

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<v Speaker 6>on two episodes, so this is like an extension that

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<v Speaker 6>really has nothing to do with the show so much.

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<v Speaker 7>And then I want him to do that. The one

0:11:22.040 --> 0:11:22.840
<v Speaker 7>thing I do want.

0:11:22.720 --> 0:11:26.080
<v Speaker 6>Him to do from the Martin Show is say take

0:11:26.360 --> 0:11:51.600
<v Speaker 6>the children.

0:11:44.600 --> 0:11:50.400
<v Speaker 3>Is man, yo, let us wrong with us.

0:11:51.200 --> 0:11:54.439
<v Speaker 1>With Tommy Davis him. Did y'all seeing Martin break character?

0:11:55.440 --> 0:11:58.120
<v Speaker 3>Absolutely was that even on the sides I just want

0:11:58.160 --> 0:12:02.000
<v Speaker 3>to know now, don't know. There was no script. I'm

0:12:02.040 --> 0:12:05.240
<v Speaker 3>sure all was improvsh.

0:12:04.240 --> 0:12:07.360
<v Speaker 1>Is delicious, Martin lost Tom Davis.

0:12:07.679 --> 0:12:09.760
<v Speaker 4>That was the goal, though, I saw in a recent interview.

0:12:09.800 --> 0:12:12.400
<v Speaker 4>The goal was to break the Martin on that show,

0:12:12.840 --> 0:12:15.319
<v Speaker 4>like anybody we had, whether it was the cast or

0:12:15.679 --> 0:12:18.040
<v Speaker 4>they wanted to break him. Yeah, because he was a

0:12:18.120 --> 0:12:21.200
<v Speaker 4>kid at that point. Yeah, so I get it. Specifically

0:12:21.240 --> 0:12:24.319
<v Speaker 4>Martin or not or other they want to break.

0:12:24.360 --> 0:12:27.120
<v Speaker 6>They want to break because he would always break that.

0:12:27.360 --> 0:12:29.120
<v Speaker 6>He was always funny and they had to kind of

0:12:29.200 --> 0:12:31.839
<v Speaker 6>learn how to be funny. You can tell like Tacha Campbell, No,

0:12:34.080 --> 0:12:36.040
<v Speaker 6>she didn't get funny to like season three.

0:12:36.160 --> 0:12:38.360
<v Speaker 4>Yea, yeah, she admits to it.

0:12:38.480 --> 0:12:38.760
<v Speaker 1>She did.

0:12:38.880 --> 0:12:40.160
<v Speaker 4>She was like sort of passive.

0:12:40.480 --> 0:12:42.400
<v Speaker 1>Yeah. She would have let Martin say stuff to her

0:12:42.960 --> 0:12:45.160
<v Speaker 1>until it was like YO, say something back and she

0:12:45.160 --> 0:12:46.200
<v Speaker 1>would come back with us.

0:12:46.280 --> 0:12:48.160
<v Speaker 3>Right, and then I feel like she evolved into kind

0:12:48.160 --> 0:12:50.480
<v Speaker 3>of yeah, definitely, and that's what I kind of was, like,

0:12:51.120 --> 0:12:53.640
<v Speaker 3>I don't know, girl over the top after Yeah, it

0:12:53.720 --> 0:12:56.240
<v Speaker 3>was a little bit too to Martin. Like Martin.

0:12:58.160 --> 0:12:59.560
<v Speaker 1>That's another one of my favorite episodes.

0:12:59.800 --> 0:13:01.240
<v Speaker 3>We got the kids saying it that time. We took

0:13:01.280 --> 0:13:01.960
<v Speaker 3>them to Arizona.

0:13:02.920 --> 0:13:03.880
<v Speaker 7>It was such a thing.

0:13:04.920 --> 0:13:10.080
<v Speaker 4>It's the Martin Reunion episode, right, Well, Martin, it was

0:13:10.160 --> 0:13:12.320
<v Speaker 4>black excellence and he was black power.

0:13:12.960 --> 0:13:15.120
<v Speaker 1>That was a fact. That is a fact.

0:13:15.400 --> 0:13:17.800
<v Speaker 3>Oh my goodness, think about all this. It comes back

0:13:17.840 --> 0:13:20.760
<v Speaker 3>in the day. I think they all were exhibiting a

0:13:20.840 --> 0:13:22.720
<v Speaker 3>level of black excellence and power.

0:13:23.080 --> 0:13:25.640
<v Speaker 1>If you go back to those times, watch how so

0:13:25.720 --> 0:13:33.600
<v Speaker 1>many of those artists at the time wore black college.

0:13:30.840 --> 0:13:33.080
<v Speaker 3>Yeah, a different world.

0:13:35.040 --> 0:13:36.040
<v Speaker 1>It was part of the movement.

0:13:36.200 --> 0:13:40.080
<v Speaker 6>Martin always had like negro league jersey, which I thought

0:13:40.080 --> 0:13:42.240
<v Speaker 6>it was really bring in.

0:13:42.200 --> 0:13:44.240
<v Speaker 4>Black college and university sweaters.

0:13:43.800 --> 0:13:44.120
<v Speaker 1>And all that.

0:13:44.720 --> 0:13:46.400
<v Speaker 3>It's the stuff that you realize when you watched this

0:13:46.440 --> 0:13:48.680
<v Speaker 3>stuff years later. You weren't really thinking about that in

0:13:48.720 --> 0:13:50.880
<v Speaker 3>that moment as kids. He was just like, you know,

0:13:51.440 --> 0:13:53.000
<v Speaker 3>but yeah, pretty dope, we'll.

0:13:52.800 --> 0:13:55.680
<v Speaker 1>Be I next, I got an opera? Was that real quick?

0:13:55.679 --> 0:13:58.679
<v Speaker 4>And goes to the topic what's that is Bill Cosby

0:13:58.720 --> 0:14:00.760
<v Speaker 4>black power and black excellence as well?

0:14:02.640 --> 0:14:06.040
<v Speaker 6>I think at a certain time he was black excellence

0:14:06.200 --> 0:14:10.240
<v Speaker 6>and he used his he created black power because of

0:14:10.280 --> 0:14:16.000
<v Speaker 6>his stature. I think it's unfortunate that he's also a perverb.

0:14:15.520 --> 0:14:16.760
<v Speaker 7>But can be true.

0:14:17.000 --> 0:14:20.000
<v Speaker 4>Yeah, and not even talking about that but he also

0:14:21.880 --> 0:14:23.880
<v Speaker 4>there were other people who were coming up during that time,

0:14:24.040 --> 0:14:27.119
<v Speaker 4>artists like rap artists and all that. He was opposed

0:14:27.120 --> 0:14:30.200
<v Speaker 4>to a lot of those vernacular their speech, with how

0:14:30.240 --> 0:14:31.240
<v Speaker 4>they how they spoke.

0:14:31.320 --> 0:14:33.640
<v Speaker 1>So did you see his arguments, Well, they just showed

0:14:33.640 --> 0:14:36.720
<v Speaker 1>an interview with him talking about how purposeful he was

0:14:36.840 --> 0:14:41.760
<v Speaker 1>with NBC. But he used to have a psychologist on set,

0:14:41.920 --> 0:14:44.480
<v Speaker 1>and they would say he told them he never wanted

0:14:44.520 --> 0:14:46.560
<v Speaker 1>black people to be in a negative light on his

0:14:46.600 --> 0:14:49.040
<v Speaker 1>TV show, So when they wrote things and they scripted

0:14:49.080 --> 0:14:52.200
<v Speaker 1>things out, they had a psychologist on set to say

0:14:52.240 --> 0:14:55.000
<v Speaker 1>whether or not this would be perceived by black people

0:14:55.000 --> 0:14:58.080
<v Speaker 1>in a negative light. Really, yes, he was that deliberate.

0:14:58.160 --> 0:15:00.960
<v Speaker 1>Bill Cosby was about making sure that people were seen

0:15:01.400 --> 0:15:03.160
<v Speaker 1>in the way that they had never been seen before.

0:15:03.200 --> 0:15:05.600
<v Speaker 1>And this goes to what Trouble was saying the last time.

0:15:06.000 --> 0:15:10.400
<v Speaker 1>He wanted black people to see themselves as attorneys and doctors,

0:15:10.840 --> 0:15:13.600
<v Speaker 1>but not as black attorneys and doctors. He made it

0:15:13.760 --> 0:15:15.880
<v Speaker 1>very clear that I don't want to be known as

0:15:15.880 --> 0:15:18.600
<v Speaker 1>a black comedian as the black sitcom. He's like, I

0:15:18.600 --> 0:15:21.600
<v Speaker 1>want to be known as the standard for sitcoms that

0:15:21.680 --> 0:15:22.920
<v Speaker 1>happens to be black.

0:15:22.840 --> 0:15:25.400
<v Speaker 3>Which then in turn had people thinking that this was

0:15:25.480 --> 0:15:27.000
<v Speaker 3>like not realistic, right.

0:15:27.000 --> 0:15:29.640
<v Speaker 4>But that's what life and that's the thing that's his life.

0:15:29.760 --> 0:15:33.320
<v Speaker 4>If you're living at a certain level of affluence and

0:15:33.640 --> 0:15:36.040
<v Speaker 4>you are used to having a finer things in life

0:15:36.120 --> 0:15:39.480
<v Speaker 4>as a black man, no matter what environment you're in,

0:15:39.840 --> 0:15:42.120
<v Speaker 4>and then now you have people talk to you about like, well,

0:15:42.120 --> 0:15:44.760
<v Speaker 4>you're just a good black actor. Yeah, he's just good.

0:15:45.200 --> 0:15:48.240
<v Speaker 4>I'm going to want to create something that represents what

0:15:48.320 --> 0:15:50.720
<v Speaker 4>I am and as opposed to what the world says

0:15:50.720 --> 0:15:52.360
<v Speaker 4>I should be. That makes sense.

0:15:52.440 --> 0:15:54.640
<v Speaker 1>Well, did you also know that the Cosby Show wasn't

0:15:54.640 --> 0:15:57.840
<v Speaker 1>his first sitcom? He had a sitcom before that called

0:15:57.840 --> 0:15:59.720
<v Speaker 1>Cosby that Fait Miserable.

0:16:00.080 --> 0:16:01.960
<v Speaker 3>Talked about it.

0:16:03.200 --> 0:16:08.520
<v Speaker 4>Too, Cosby, which came after on CBS or something like

0:16:08.560 --> 0:16:11.400
<v Speaker 4>that Cosby Show.

0:16:11.440 --> 0:16:12.800
<v Speaker 1>And then what was when you said the one before

0:16:12.840 --> 0:16:15.520
<v Speaker 1>that was just called Cosby? Okay, that was just called

0:16:15.520 --> 0:16:18.240
<v Speaker 1>Cosby and it was it failed miserably and he said

0:16:18.240 --> 0:16:21.280
<v Speaker 1>it was because he allowed the studios to tell him

0:16:21.280 --> 0:16:23.640
<v Speaker 1>how he was going to be received on TV, and

0:16:23.680 --> 0:16:25.760
<v Speaker 1>when it failed, he was just like, I'm never listening

0:16:25.800 --> 0:16:28.200
<v Speaker 1>to them again. And then he started to promote his

0:16:28.240 --> 0:16:30.480
<v Speaker 1>own I mean, he had little Bill it wasn't just

0:16:30.520 --> 0:16:32.920
<v Speaker 1>a Cosby show. He had a bunch of which is

0:16:34.240 --> 0:16:36.720
<v Speaker 1>I hate saying this because people always equate one with

0:16:36.760 --> 0:16:38.680
<v Speaker 1>the other. But when I look at what I want

0:16:38.720 --> 0:16:41.560
<v Speaker 1>to do as a creator, I often look at Bill Cosby. Right.

0:16:41.960 --> 0:16:43.600
<v Speaker 1>Not only did he have a TV show, he was

0:16:43.640 --> 0:16:46.600
<v Speaker 1>also doing films like Ghost Dad. He also had Little Bill.

0:16:46.760 --> 0:16:49.880
<v Speaker 1>He had so many different mediums and projects that wasn't

0:16:49.880 --> 0:16:52.280
<v Speaker 1>around the Cosby show that showed black people in a

0:16:52.320 --> 0:16:55.640
<v Speaker 1>positive light but also talked about black history. I want

0:16:55.640 --> 0:16:57.280
<v Speaker 1>to do the same thing with us and the yellisis

0:16:57.880 --> 0:16:59.280
<v Speaker 1>a lot of times when you say you want to

0:16:59.320 --> 0:17:01.320
<v Speaker 1>do something like people would be like what you want

0:17:01.320 --> 0:17:03.160
<v Speaker 1>to and I'm like, why does it have to go there? Right?

0:17:03.440 --> 0:17:05.679
<v Speaker 1>When we're talking about content and what he did for

0:17:05.840 --> 0:17:06.560
<v Speaker 1>that aspect.

0:17:08.400 --> 0:17:10.320
<v Speaker 3>I even think about the way they spoke on the show,

0:17:10.400 --> 0:17:12.119
<v Speaker 3>like did you ever notice like the way they were

0:17:12.160 --> 0:17:15.840
<v Speaker 3>pronounced certain words like mature and you know there were

0:17:15.840 --> 0:17:18.480
<v Speaker 3>certain words that they wouldn't just they were very It

0:17:18.520 --> 0:17:22.360
<v Speaker 3>was almost like they studied voice addiction when they were speaking.

0:17:21.920 --> 0:17:24.840
<v Speaker 1>On the show, and he was sence I know you're

0:17:24.840 --> 0:17:25.960
<v Speaker 1>talking about and play.

0:17:26.240 --> 0:17:29.680
<v Speaker 3>And even just and even Felicia rashat like the way

0:17:29.760 --> 0:17:32.280
<v Speaker 3>they spoke was very very so you think we had

0:17:32.280 --> 0:17:35.200
<v Speaker 3>the episode on code switching and like how to speak properly,

0:17:35.800 --> 0:17:38.120
<v Speaker 3>And I feel like I even think I remember hearing

0:17:38.160 --> 0:17:40.160
<v Speaker 3>at one point that he was also very invested in

0:17:40.720 --> 0:17:43.879
<v Speaker 3>the other actors, like the children, so people who played

0:17:43.960 --> 0:17:45.200
<v Speaker 3>Vanessa and Theo.

0:17:45.040 --> 0:17:48.720
<v Speaker 1>And Rudy and her. She was like, yo, I'm not

0:17:48.760 --> 0:17:52.359
<v Speaker 1>trying to beat this version of me right exactly.

0:17:52.480 --> 0:17:54.680
<v Speaker 3>So I can see when he got pushed back, she's

0:17:54.720 --> 0:17:56.960
<v Speaker 3>not doing it right. She wasn't signing up to that.

0:17:57.200 --> 0:17:59.560
<v Speaker 3>But I did see. I can see how in creating

0:17:59.600 --> 0:18:03.040
<v Speaker 3>this stand of excellence that he saw for his show

0:18:03.240 --> 0:18:05.880
<v Speaker 3>and for the people involved in his show, how probably

0:18:05.920 --> 0:18:08.480
<v Speaker 3>those things like a psychologist or maybe somebody even for

0:18:08.520 --> 0:18:10.560
<v Speaker 3>speech was involved in the process.

0:18:10.800 --> 0:18:11.639
<v Speaker 1>Yeah.

0:18:11.720 --> 0:18:12.560
<v Speaker 7>Yeah, I feel like.

0:18:14.040 --> 0:18:17.560
<v Speaker 6>It was a powerful show to see the Huxtable family

0:18:17.600 --> 0:18:20.560
<v Speaker 6>and the light that they were in. But however, like

0:18:20.600 --> 0:18:22.960
<v Speaker 6>you said, black people are not a monolith, and so

0:18:23.080 --> 0:18:26.880
<v Speaker 6>black people who didn't have that experience because that type

0:18:26.880 --> 0:18:29.120
<v Speaker 6>of family, that type of black family does exist where

0:18:29.160 --> 0:18:33.720
<v Speaker 6>there's generations of successful, college educated black people who speak

0:18:33.760 --> 0:18:37.040
<v Speaker 6>properly and have professional jobs and you know, have money

0:18:37.080 --> 0:18:39.640
<v Speaker 6>and can afford to have five kids. But then there's

0:18:39.680 --> 0:18:42.800
<v Speaker 6>also black people who are poor and they live in

0:18:42.840 --> 0:18:44.760
<v Speaker 6>the hood and they talk a different way, and so

0:18:45.280 --> 0:18:49.439
<v Speaker 6>they growing up, Yeah, they think it's married. Even to

0:18:49.520 --> 0:18:52.600
<v Speaker 6>see a married black couple like I have. My mom

0:18:52.680 --> 0:18:57.240
<v Speaker 6>has nine sisters, two brothers, and one of my mom's sisters,

0:18:57.280 --> 0:18:59.560
<v Speaker 6>my aunt be. She was married to Uncle Phil and

0:18:59.600 --> 0:19:02.520
<v Speaker 6>we used to call them the Huxtables because he did

0:19:02.560 --> 0:19:05.119
<v Speaker 6>wear sweaters, he was a teacher, they had a house,

0:19:05.440 --> 0:19:09.040
<v Speaker 6>and it was not something that was like normal in

0:19:09.119 --> 0:19:13.040
<v Speaker 6>our family, right right, right, And so still even though

0:19:13.119 --> 0:19:16.560
<v Speaker 6>you want, you know this, this certain type of blackness

0:19:16.640 --> 0:19:19.000
<v Speaker 6>to be seen in a certain light for black people

0:19:19.080 --> 0:19:22.320
<v Speaker 6>to aspire to, sometimes it can make black people feel othered.

0:19:22.640 --> 0:19:25.760
<v Speaker 6>And I think that is kind of what the idea

0:19:25.840 --> 0:19:27.560
<v Speaker 6>of black excellence can do.

0:19:29.160 --> 0:19:31.160
<v Speaker 7>Instead of empowering people.

0:19:31.040 --> 0:19:33.679
<v Speaker 3>Makes them feel powerless. Yes, yeah, that's insane. I think

0:19:33.720 --> 0:19:36.280
<v Speaker 3>about how that's a really good point triple. And I

0:19:36.320 --> 0:19:38.280
<v Speaker 3>think about people make the correlation with Divalanna all the

0:19:38.280 --> 0:19:40.359
<v Speaker 3>time and say we're like the new age Huxtables or

0:19:40.400 --> 0:19:42.840
<v Speaker 3>like our families like the cause we show because I

0:19:42.840 --> 0:19:46.040
<v Speaker 3>guess we're what we portray, which is just how real

0:19:46.080 --> 0:19:48.920
<v Speaker 3>life to people is essentially something that a lot of

0:19:48.960 --> 0:19:52.080
<v Speaker 3>people aren't accustomed to, maybe not accustomed to seeing someone

0:19:52.200 --> 0:19:54.320
<v Speaker 3>be together, or two people be together from a young

0:19:54.359 --> 0:19:57.680
<v Speaker 3>age to develop into who we are today, or you know,

0:19:57.720 --> 0:19:59.920
<v Speaker 3>still being madly in love with each other, or having

0:20:00.080 --> 0:20:02.480
<v Speaker 3>parents on both sides who are still married. Like those

0:20:02.480 --> 0:20:05.120
<v Speaker 3>are anominly situations to some people. Were to us, it's

0:20:05.119 --> 0:20:07.280
<v Speaker 3>our norm. But I never thought about that idea of

0:20:07.320 --> 0:20:09.639
<v Speaker 3>excellence making others feel powerless.

0:20:09.840 --> 0:20:14.040
<v Speaker 1>In all honesty, my brother's second baby mother did tell

0:20:14.119 --> 0:20:16.960
<v Speaker 1>my brother like, y'all the fucking Ellis, y'all the fucking huxtables,

0:20:17.800 --> 0:20:21.040
<v Speaker 1>Your brother married, your parents married, her parents married, And

0:20:21.080 --> 0:20:23.919
<v Speaker 1>I was like, just the fact that we were married

0:20:23.960 --> 0:20:28.040
<v Speaker 1>and still married in his second baby's mother's eyes, that

0:20:28.280 --> 0:20:30.320
<v Speaker 1>was like I never seen that, Like that shit ain't real.

0:20:30.920 --> 0:20:33.280
<v Speaker 1>And I had to start taking into account how serious

0:20:33.320 --> 0:20:36.520
<v Speaker 1>that is too. Because I mentored over four hundred, over

0:20:36.560 --> 0:20:39.560
<v Speaker 1>four hundred athletes over ten years, seventy five percent of

0:20:39.560 --> 0:20:42.440
<v Speaker 1>those athletes came from single parent homes. That is a fact.

0:20:42.520 --> 0:20:45.400
<v Speaker 1>That's not something I can like, I'm making up over

0:20:45.440 --> 0:20:48.440
<v Speaker 1>four hundred athletes, over three hundred of them were only moms.

0:20:48.760 --> 0:20:52.720
<v Speaker 4>I just want to say this. Don't ever feel any

0:20:52.760 --> 0:20:57.199
<v Speaker 4>sort of way because it's different. The fact that you

0:20:57.200 --> 0:21:00.240
<v Speaker 4>guys are not the norm doesn't mean that whatever is

0:21:00.240 --> 0:21:04.720
<v Speaker 4>happening outside of your family it should be expected, right

0:21:04.840 --> 0:21:09.840
<v Speaker 4>like because of whatever happened to prison, industrial conpplexy and

0:21:09.920 --> 0:21:13.399
<v Speaker 4>drugs and you know, on education and all that. Because

0:21:13.440 --> 0:21:16.080
<v Speaker 4>people are not haven't been together for so long, or

0:21:16.119 --> 0:21:20.520
<v Speaker 4>our community doesn't have two parent households. And because she

0:21:20.880 --> 0:21:25.080
<v Speaker 4>pointed out to you doesn't necessarily make that abnormal. You

0:21:25.119 --> 0:21:25.479
<v Speaker 4>know what I mean.

0:21:25.600 --> 0:21:27.320
<v Speaker 1>I know what you mean. Because they haven't seen it

0:21:27.320 --> 0:21:28.560
<v Speaker 1>doesn't mean this abnormal.

0:21:29.080 --> 0:21:33.320
<v Speaker 4>It's a weird thing to hear that that you found

0:21:33.320 --> 0:21:35.480
<v Speaker 4>it surprising because it's just the world.

0:21:35.520 --> 0:21:38.640
<v Speaker 1>I think. No, I said, I found it surprising because

0:21:39.280 --> 0:21:41.280
<v Speaker 1>think about it, we come from where we come from.

0:21:41.840 --> 0:21:44.520
<v Speaker 1>I only saw my mom and dad. Then I only

0:21:44.560 --> 0:21:48.280
<v Speaker 1>saw my grandparents. The only broken family I saw was

0:21:48.320 --> 0:21:52.879
<v Speaker 1>my mom's mom, who ended up getting remarried. So in

0:21:52.960 --> 0:21:56.960
<v Speaker 1>my normal, everybody got married. Yeah, the aspiration was and

0:21:57.000 --> 0:21:59.119
<v Speaker 1>that was for me. And then I had to step

0:21:59.119 --> 0:22:00.600
<v Speaker 1>out of that and get in the real world and

0:22:00.680 --> 0:22:02.720
<v Speaker 1>realized that seventy five percent of the kids that I

0:22:02.760 --> 0:22:06.320
<v Speaker 1>trained had a different lifestyle. So then I had to say, oh,

0:22:07.000 --> 0:22:10.480
<v Speaker 1>I in my demographic with these kids, I'm the anomaly.

0:22:11.080 --> 0:22:13.880
<v Speaker 1>So I can't make my lifestyle like, for example, your

0:22:13.920 --> 0:22:16.960
<v Speaker 1>lifestyle can't be considered black excellence. Yeah, if most of

0:22:16.960 --> 0:22:19.560
<v Speaker 1>the people in that same demographic are doing something difference,

0:22:19.640 --> 0:22:22.359
<v Speaker 1>now they feel slighted, like shit, I didn't get Like,

0:22:22.400 --> 0:22:24.159
<v Speaker 1>for example, if you're a woman, no one wanted to

0:22:24.160 --> 0:22:26.480
<v Speaker 1>marry me, am I not excellent. If you're a man,

0:22:26.560 --> 0:22:28.760
<v Speaker 1>if you couldn't find a woman too married him, I'm

0:22:28.760 --> 0:22:30.960
<v Speaker 1>not excellent. If you a child, if my kids, I

0:22:30.960 --> 0:22:33.840
<v Speaker 1>can understand where Tripp's coming from, but I understand it's exposure.

0:22:33.880 --> 0:22:37.840
<v Speaker 4>Bro. I just think it's exposure. Like my parents married

0:22:37.840 --> 0:22:42.040
<v Speaker 4>for forty something years forty three years next month, and

0:22:42.080 --> 0:22:45.240
<v Speaker 4>then their friends have also been married. I don't think

0:22:45.240 --> 0:22:49.680
<v Speaker 4>my parents really have divorced friends, like all of their

0:22:49.720 --> 0:22:50.719
<v Speaker 4>friends are married.

0:22:51.040 --> 0:22:55.639
<v Speaker 6>That's what you're saying, married parents, Your parents are not

0:22:55.680 --> 0:22:57.840
<v Speaker 6>going to have married friends, like I grew up with.

0:22:58.359 --> 0:23:01.160
<v Speaker 6>My dad didn't get married until I was fourteen, so

0:23:01.240 --> 0:23:05.119
<v Speaker 6>my mom had friends who were working mothers who didn't

0:23:05.160 --> 0:23:07.960
<v Speaker 6>have husbands. And so it's not about it being normal

0:23:08.040 --> 0:23:11.640
<v Speaker 6>or abnormal. It's about you having the perspective that other

0:23:11.800 --> 0:23:15.679
<v Speaker 6>things exist. You're putting for something, it doesn't mean that

0:23:15.720 --> 0:23:17.560
<v Speaker 6>somebody is going to receive it in the same way

0:23:17.560 --> 0:23:20.280
<v Speaker 6>that you think that it will be received. Even if

0:23:20.320 --> 0:23:24.000
<v Speaker 6>my mom did have a married couple that she brought around,

0:23:24.040 --> 0:23:26.160
<v Speaker 6>it would still be like that is crazy.

0:23:26.560 --> 0:23:28.240
<v Speaker 7>It wouldn't be like you know what I mean, It

0:23:28.240 --> 0:23:28.639
<v Speaker 7>would be like.

0:23:28.640 --> 0:23:29.760
<v Speaker 1>Okay, that's possible.

0:23:30.040 --> 0:23:32.960
<v Speaker 6>Yeah, it wouldn't be like that's now normal. It's just

0:23:33.040 --> 0:23:33.960
<v Speaker 6>a different perspective.

0:23:34.040 --> 0:23:36.240
<v Speaker 3>Yeah, I mean, And ultimately, all that glitters is not gold,

0:23:36.320 --> 0:23:38.600
<v Speaker 3>right because you have the standard of excellence that we say, oh,

0:23:38.600 --> 0:23:40.880
<v Speaker 3>it's these married couples, and we know several of them

0:23:41.000 --> 0:23:44.000
<v Speaker 3>who are all fucking miserable, who are all miserable and

0:23:44.040 --> 0:23:46.680
<v Speaker 3>within their own marriage that we deem excellent. They're all

0:23:46.680 --> 0:23:49.120
<v Speaker 3>feeling powerless because they can't get out of a situation

0:23:49.160 --> 0:23:51.400
<v Speaker 3>that they're ultimately wanted to be. But then I see

0:23:51.440 --> 0:23:54.480
<v Speaker 3>people who are single moms who are thriving, doing well,

0:23:54.600 --> 0:23:58.879
<v Speaker 3>children successful. That's black excellence in itself too. That's the

0:23:58.920 --> 0:24:02.399
<v Speaker 3>power that these single have given their their their sons.

0:24:02.480 --> 0:24:04.480
<v Speaker 3>You know, for example, a couple couple of mothers who

0:24:04.480 --> 0:24:06.840
<v Speaker 3>we know who are doing really amazing things with their children,

0:24:07.280 --> 0:24:10.120
<v Speaker 3>you know, and single dads too. There's excellence in that

0:24:10.240 --> 0:24:11.000
<v Speaker 3>and power in that.

0:24:11.080 --> 0:24:12.840
<v Speaker 1>So let me ask a question, do y'all do y'all?

0:24:13.320 --> 0:24:17.800
<v Speaker 1>How we define black excellence pretty much is problematic because

0:24:17.800 --> 0:24:20.280
<v Speaker 1>it's not monolithic. We have to change what black excellence

0:24:20.280 --> 0:24:22.840
<v Speaker 1>looks like. What about how we define black power though?

0:24:23.320 --> 0:24:23.399
<v Speaker 7>Like?

0:24:23.440 --> 0:24:26.040
<v Speaker 1>What is what is the difference between black excellence and

0:24:26.040 --> 0:24:29.800
<v Speaker 1>black power? I know what my example of black and

0:24:31.160 --> 0:24:34.560
<v Speaker 1>in my mind when I think about black power, Well,

0:24:34.640 --> 0:24:37.640
<v Speaker 1>let me start with black excellence. Black excellence is a representation, right,

0:24:37.960 --> 0:24:40.560
<v Speaker 1>this is what black excellence is supposed to be. Everybody

0:24:40.600 --> 0:24:43.399
<v Speaker 1>looks at it and says, boom, that's black excellence. Black power

0:24:43.600 --> 0:24:47.320
<v Speaker 1>is more of an action word, like what are we

0:24:47.480 --> 0:24:50.399
<v Speaker 1>doing to move a market? For example? Just an easy example,

0:24:50.440 --> 0:24:53.920
<v Speaker 1>the Montgomery the Montgomery bus boycott. That to me was

0:24:53.960 --> 0:24:56.919
<v Speaker 1>an example of black power. Now, I also feel that

0:24:57.000 --> 0:24:59.920
<v Speaker 1>black power is black excellence. But I also don't feel

0:24:59.920 --> 0:25:01.800
<v Speaker 1>like black excellence is always black power.

0:25:02.240 --> 0:25:04.600
<v Speaker 3>You don't always feel like excellent, Okay, And.

0:25:04.560 --> 0:25:07.800
<v Speaker 1>I'll give you why. Black excellence to me is an image, right.

0:25:08.240 --> 0:25:13.840
<v Speaker 1>For example, example, that image is Barack and Michelle Obama,

0:25:13.960 --> 0:25:16.800
<v Speaker 1>black men, black women, both marry, both attorneys, two beautiful

0:25:16.880 --> 0:25:18.960
<v Speaker 1>daughters president of the United States. But if we go

0:25:19.080 --> 0:25:21.480
<v Speaker 1>back to what Trible said, right, what if you're a

0:25:21.480 --> 0:25:24.600
<v Speaker 1>single mom and you can't relate to that vision of

0:25:24.640 --> 0:25:28.760
<v Speaker 1>black excellence and you feel powerwerless? Right, So that vision

0:25:28.880 --> 0:25:32.679
<v Speaker 1>of black excellence doesn't relate to someone. Black power, regardless,

0:25:33.240 --> 0:25:37.159
<v Speaker 1>relates to everybody. Every black person looks at the Montgomery

0:25:37.200 --> 0:25:40.679
<v Speaker 1>bus boycott and feels powerful. No one looks at that

0:25:40.800 --> 0:25:44.240
<v Speaker 1>and says I feel powerless because I can't relate to that.

0:25:44.240 --> 0:25:46.280
<v Speaker 1>That to me is the difference between black power and

0:25:46.320 --> 0:25:49.560
<v Speaker 1>Black excellence. Black excellence is more like an adjective, It

0:25:49.680 --> 0:25:52.639
<v Speaker 1>describes something. Black power is more like a verb, like

0:25:52.720 --> 0:25:56.240
<v Speaker 1>a movement, a movement. That's how I see.

0:25:56.320 --> 0:25:59.600
<v Speaker 6>I'm glad you brought up the Montgomery boycott specifically because

0:25:59.600 --> 0:26:02.600
<v Speaker 6>that's a really great, great, great example about what is

0:26:02.720 --> 0:26:06.000
<v Speaker 6>problematic about black excellence in terms of black power.

0:26:06.119 --> 0:26:07.600
<v Speaker 7>So I do agree.

0:26:07.640 --> 0:26:10.800
<v Speaker 6>Black excellence is more individual focused and black power is

0:26:10.880 --> 0:26:11.760
<v Speaker 6>about the collective.

0:26:12.320 --> 0:26:13.200
<v Speaker 7>Now, the way that.

0:26:13.119 --> 0:26:17.840
<v Speaker 6>The Montgomery Boycott's bus boycott started is because a fifteen

0:26:17.920 --> 0:26:21.199
<v Speaker 6>year old pregnant girl named claudeke Covin sat down on

0:26:21.240 --> 0:26:25.399
<v Speaker 6>the bus, but because she was fifteen and pregnant and unmarried.

0:26:25.040 --> 0:26:25.560
<v Speaker 1>She couldn't be.

0:26:25.560 --> 0:26:31.600
<v Speaker 6>They made Rosa Parks the face of that situation, which

0:26:32.680 --> 0:26:35.040
<v Speaker 6>Rosa Parks could be seen as black and excellent because

0:26:35.040 --> 0:26:38.639
<v Speaker 6>she's light skinned, she's an adult, she's married, and claudiak

0:26:38.720 --> 0:26:43.960
<v Speaker 6>Covin could not, even though it shouldn't matter because the

0:26:44.160 --> 0:26:46.320
<v Speaker 6>message of the boycott would be the same.

0:26:46.760 --> 0:26:48.000
<v Speaker 7>We are not going to sit in the back of

0:26:48.040 --> 0:26:48.320
<v Speaker 7>the bus.

0:26:48.359 --> 0:26:51.600
<v Speaker 6>Are they saying that because she had she she's unmarried

0:26:51.640 --> 0:26:55.400
<v Speaker 6>and pregnant, she's not excellent and therefore she's not good

0:26:55.480 --> 0:26:57.000
<v Speaker 6>enough to protect it.

0:26:57.240 --> 0:26:59.080
<v Speaker 7>Yeah, she can sen her ass on.

0:26:59.040 --> 0:27:01.800
<v Speaker 1>The back of the bus because she had a baby

0:27:01.800 --> 0:27:02.640
<v Speaker 1>out she.

0:27:02.600 --> 0:27:04.439
<v Speaker 3>Was finding exactly according to whose standards?

0:27:04.600 --> 0:27:07.160
<v Speaker 7>Those were our standards exactly. So I feel like.

0:27:09.160 --> 0:27:12.400
<v Speaker 6>That's that is the problem, because black power is about

0:27:12.400 --> 0:27:15.560
<v Speaker 6>the collective. Like during the Black Lives Matter movement when

0:27:15.600 --> 0:27:18.600
<v Speaker 6>George Floyd was murdered, and we we all now we

0:27:18.640 --> 0:27:21.000
<v Speaker 6>get upset when people bring up the fact that George

0:27:21.000 --> 0:27:23.720
<v Speaker 6>Floyd was a criminal or he was on drugs. He

0:27:23.760 --> 0:27:27.879
<v Speaker 6>didn't deserve to be strangled, And that is black power.

0:27:27.960 --> 0:27:30.280
<v Speaker 6>That is every black person, no matter what your stature

0:27:30.440 --> 0:27:33.440
<v Speaker 6>is in life, saying that no matter what his stature

0:27:33.480 --> 0:27:35.359
<v Speaker 6>is in life, he doesn't deserve to be murdered.

0:27:35.440 --> 0:27:39.399
<v Speaker 1>Let me explain something to you. I want wholeheartedly to

0:27:39.600 --> 0:27:42.960
<v Speaker 1>argue with you right now.

0:27:48.240 --> 0:27:48.880
<v Speaker 3>He came out with.

0:27:53.440 --> 0:27:54.400
<v Speaker 1>For everybody today.

0:27:54.440 --> 0:27:58.280
<v Speaker 4>I said, Wade, the spirit of areas wants to come out.

0:27:58.440 --> 0:28:01.919
<v Speaker 1>Yo. It's so bad. But nah, I feel you like

0:28:02.000 --> 0:28:05.560
<v Speaker 1>that's that is the perfect definition. Black excellence speaks to

0:28:05.600 --> 0:28:09.919
<v Speaker 1>a personal preference. It's very idealistic, and it's very like picturesque. Yes,

0:28:09.960 --> 0:28:13.320
<v Speaker 1>black power don't hold no bars. We don't give a

0:28:13.320 --> 0:28:15.920
<v Speaker 1>fuck who the person is. We gotta defend. We don't

0:28:15.960 --> 0:28:21.080
<v Speaker 1>care how flawed they are. Black power is defending what's right, what's.

0:28:21.119 --> 0:28:22.399
<v Speaker 7>Just so not.

0:28:22.560 --> 0:28:26.119
<v Speaker 3>My question is are there any spaces where black excellence

0:28:26.160 --> 0:28:28.000
<v Speaker 3>and black power can coexist?

0:28:28.880 --> 0:28:31.680
<v Speaker 4>So they need to exist? Can you name?

0:28:31.720 --> 0:28:32.880
<v Speaker 7>Can you name an example?

0:28:32.920 --> 0:28:36.960
<v Speaker 6>Because I can name examples where they can, but they

0:28:37.040 --> 0:28:37.399
<v Speaker 6>have not.

0:28:37.840 --> 0:28:38.960
<v Speaker 4>Because I think.

0:28:38.760 --> 0:28:43.720
<v Speaker 6>That being black excellence is black exceptionalism. And we were

0:28:43.720 --> 0:28:46.280
<v Speaker 6>talking about code switching, and I feel like those people,

0:28:47.120 --> 0:28:51.160
<v Speaker 6>those people who are considering themselves black and excellent, they've

0:28:51.200 --> 0:28:55.040
<v Speaker 6>had to do things to distance themselves from blackness in

0:28:55.080 --> 0:28:57.480
<v Speaker 6>a way that is not excellent.

0:28:57.680 --> 0:28:58.120
<v Speaker 1>I agree.

0:28:58.240 --> 0:29:02.080
<v Speaker 6>So therefore they can't really standing with the collective because

0:29:02.080 --> 0:29:04.720
<v Speaker 6>they're distancing themselves from these other black people. They think

0:29:04.880 --> 0:29:07.720
<v Speaker 6>if these black people would just be excellent, then we

0:29:07.760 --> 0:29:09.960
<v Speaker 6>could all. Instead of saying it doesn't matter where you

0:29:10.000 --> 0:29:11.880
<v Speaker 6>are in life, we can all still. So I haven't

0:29:11.880 --> 0:29:14.120
<v Speaker 6>seen it happen. I think that it could, but I

0:29:14.120 --> 0:29:14.880
<v Speaker 6>don't see.

0:29:15.200 --> 0:29:16.120
<v Speaker 1>The theory it should.

0:29:16.240 --> 0:29:17.840
<v Speaker 4>It should should be a.

0:29:17.680 --> 0:29:20.680
<v Speaker 2>A perfect example, right, we've just seen it.

0:29:22.160 --> 0:29:27.360
<v Speaker 1>There are certain entertainers and actors who only do pr

0:29:27.440 --> 0:29:32.320
<v Speaker 1>and marketing with white outlets. I'm not gonna out them

0:29:32.640 --> 0:29:37.160
<v Speaker 1>or give them any credence, but we know who they are.

0:29:37.200 --> 0:29:37.880
<v Speaker 1>It's certain people.

0:29:37.920 --> 0:29:40.080
<v Speaker 2>You only see them on certain platforms.

0:29:40.600 --> 0:29:43.160
<v Speaker 1>Right. Athletes too, just certain athletes who just do that.

0:29:43.800 --> 0:29:47.640
<v Speaker 1>When we watched Michael b and Ryan Coogler do every

0:29:47.720 --> 0:29:51.920
<v Speaker 1>podcast from the smallest black podcast to the largest USA

0:29:52.000 --> 0:29:55.000
<v Speaker 1>Today to variety, that's an example of black power and

0:29:55.040 --> 0:29:59.040
<v Speaker 1>black excellence. We watched Ryan Coogler stand up there in

0:29:59.080 --> 0:30:03.840
<v Speaker 1>his normal set and speak excellently about the frames of

0:30:03.880 --> 0:30:07.720
<v Speaker 1>the different millimeter cameras. That's black power and that's black excellence.

0:30:07.960 --> 0:30:10.040
<v Speaker 1>Because he never tried to change who he was. I

0:30:10.120 --> 0:30:13.760
<v Speaker 1>am exactly authentically myself, and I'm doing it at a

0:30:13.840 --> 0:30:17.000
<v Speaker 1>high level. That's excellence and power because no one, no

0:30:17.120 --> 0:30:20.400
<v Speaker 1>black person in that moment didn't feel seen, you know

0:30:20.440 --> 0:30:23.680
<v Speaker 1>what I'm saying, which not for nothing. Remember when the

0:30:23.760 --> 0:30:28.680
<v Speaker 1>after show Josh said Deval will admit when he figured something.

0:30:28.960 --> 0:30:32.440
<v Speaker 1>I went upstairs, right, and I was thinking about our debate.

0:30:33.520 --> 0:30:35.200
<v Speaker 1>I'm gonna tell you why I think Tripple was right.

0:30:36.600 --> 0:30:38.680
<v Speaker 1>When you have a black person that stands up there

0:30:38.720 --> 0:30:42.920
<v Speaker 1>in their blackness right and speaks excellently about anything, it

0:30:43.080 --> 0:30:46.479
<v Speaker 1>then changes the perspective of what excellence is. And that's

0:30:46.520 --> 0:30:48.640
<v Speaker 1>what you were saying. Yeah, And the fact that he

0:30:48.640 --> 0:30:51.840
<v Speaker 1>doesn't have to change his vernacular at all, and people

0:30:51.840 --> 0:30:54.680
<v Speaker 1>could just be like, man, that man is smart, even

0:30:54.720 --> 0:30:57.440
<v Speaker 1>though he sounded like he from Oakland, is black excellence

0:30:57.520 --> 0:30:59.920
<v Speaker 1>and black power. And I feel like Ryan stood in

0:31:00.160 --> 0:31:03.160
<v Speaker 1>that because even in hearing him speak, you can tell

0:31:03.200 --> 0:31:05.240
<v Speaker 1>he's not as comfortable speaking in front of people, but

0:31:05.320 --> 0:31:07.560
<v Speaker 1>he chose to still do that the same way him

0:31:07.560 --> 0:31:11.600
<v Speaker 1>and Michael Be chose to do every outlet from.

0:31:10.960 --> 0:31:14.480
<v Speaker 2>Variety to this, Like he's on podcasts of people that have.

0:31:14.400 --> 0:31:17.000
<v Speaker 1>One hundred and fifty follows. That to me is black

0:31:17.000 --> 0:31:19.000
<v Speaker 1>pound black excellence, Like I got to shout them them

0:31:19.040 --> 0:31:22.440
<v Speaker 1>brothers out, and they're not the first to do that

0:31:22.520 --> 0:31:25.440
<v Speaker 1>at all. To be honest, Easter Ray, if I'm being honest,

0:31:26.920 --> 0:31:29.840
<v Speaker 1>is the one who coined that I am going to

0:31:29.880 --> 0:31:32.840
<v Speaker 1>speak to she said it.

0:31:33.560 --> 0:31:34.760
<v Speaker 3>You know what I'm saying.

0:31:35.240 --> 0:31:37.800
<v Speaker 1>That's black pound want black excellence. Is the crazy part

0:31:38.400 --> 0:31:40.560
<v Speaker 1>black people killing Easter Ray on the internet right now

0:31:40.600 --> 0:31:42.200
<v Speaker 1>talking about her Black Mirror episode.

0:31:42.600 --> 0:31:44.120
<v Speaker 3>Oh, I didn't see the Black Man? What was about?

0:31:44.360 --> 0:31:45.080
<v Speaker 3>Did you see it?

0:31:45.080 --> 0:31:46.719
<v Speaker 1>You have to watch it. I don't want to ruin

0:31:46.760 --> 0:31:47.200
<v Speaker 1>it for people.

0:31:47.240 --> 0:31:50.480
<v Speaker 7>I love to watch it, and I I actually.

0:31:52.080 --> 0:31:56.840
<v Speaker 6>Predicted that it was going to happen and my gay self, No,

0:31:57.080 --> 0:31:58.840
<v Speaker 6>I just predicted that she was gonna be doing some

0:31:58.920 --> 0:31:59.520
<v Speaker 6>gay ship.

0:32:02.680 --> 0:32:04.000
<v Speaker 4>Gar. I didn't even see.

0:32:03.840 --> 0:32:09.000
<v Speaker 1>That episode she was gay. I thought the episode was brilliant.

0:32:09.680 --> 0:32:12.560
<v Speaker 1>I watched it with Tristan Okay, I can understand why

0:32:12.600 --> 0:32:18.160
<v Speaker 1>people are confused in the episode, she's not she becomes

0:32:18.200 --> 0:32:21.880
<v Speaker 1>someone else and she's not supposed to know anything that's

0:32:21.920 --> 0:32:24.600
<v Speaker 1>going on in the fucking episode, So it seems like

0:32:24.640 --> 0:32:27.280
<v Speaker 1>she's underware and awkward, and all people kept saying online

0:32:27.400 --> 0:32:29.240
<v Speaker 1>was like, she's so awkward and unaware, she has no

0:32:29.280 --> 0:32:30.040
<v Speaker 1>idea what's going on.

0:32:30.280 --> 0:32:33.560
<v Speaker 3>That was the point the people that don't watch Her

0:32:33.640 --> 0:32:36.400
<v Speaker 3>mirror making comments like, you watch Black Mirror, you understand

0:32:36.520 --> 0:32:39.320
<v Speaker 3>those worlds are not the worlds that we currently live in. Yes,

0:32:39.640 --> 0:32:42.280
<v Speaker 3>and she also her YouTube was an awkward black girl,

0:32:42.320 --> 0:32:44.600
<v Speaker 3>wasn't it? Like that's I think. I think I've seen

0:32:44.600 --> 0:32:46.040
<v Speaker 3>her in every film and I think she's awkward.

0:32:46.120 --> 0:32:48.240
<v Speaker 1>A lot of people like to know her exactly where

0:32:48.240 --> 0:32:52.080
<v Speaker 1>they saw her first. She's evolved as a creator, and

0:32:52.120 --> 0:32:54.479
<v Speaker 1>I think sometimes when people don't get the concept of art,

0:32:54.560 --> 0:32:56.560
<v Speaker 1>they try to keep them back to where they was.

0:32:56.840 --> 0:32:59.120
<v Speaker 1>This is Black Mirror. This ain't insecure. She's not being

0:32:59.160 --> 0:33:01.720
<v Speaker 1>Eastern race. She's a whole another character. Like it's a

0:33:01.760 --> 0:33:02.760
<v Speaker 1>different thing, but that.

0:33:04.280 --> 0:33:06.440
<v Speaker 4>Intelligence, Yes, that is right.

0:33:06.760 --> 0:33:10.120
<v Speaker 1>No, seriously, it is because like Josha, there's people who

0:33:10.120 --> 0:33:14.600
<v Speaker 1>don't watch Black Mirror who are commenting, creating whole opinion pieces,

0:33:14.680 --> 0:33:16.320
<v Speaker 1>and it's like, you don't even watch the show to

0:33:16.400 --> 0:33:17.040
<v Speaker 1>know what it is.

0:33:17.640 --> 0:33:21.800
<v Speaker 6>Do you also think that maybe like subconsciously, because Eaterray

0:33:21.880 --> 0:33:25.000
<v Speaker 6>was the only black person in that episode, I feel

0:33:25.000 --> 0:33:28.479
<v Speaker 6>like subconsciously, sometimes black people have a problem with something

0:33:28.480 --> 0:33:31.040
<v Speaker 6>and they don't know what it is or they don't

0:33:31.080 --> 0:33:32.560
<v Speaker 6>know how to express it, so they kind of lash

0:33:32.600 --> 0:33:35.120
<v Speaker 6>out because I'm like, maybe they felt uncomfortable with her

0:33:35.600 --> 0:33:38.560
<v Speaker 6>doing some gay shit, Maybe they felt uncomfortable with the

0:33:38.640 --> 0:33:40.720
<v Speaker 6>character she was playing, or that like there was no

0:33:40.800 --> 0:33:43.560
<v Speaker 6>other black people in there she was kissing a white lady.

0:33:43.560 --> 0:33:46.080
<v Speaker 7>That could make them feel weird. They don't know that.

0:33:46.200 --> 0:33:48.840
<v Speaker 1>I think so, and I do think that sometimes people

0:33:49.040 --> 0:33:51.160
<v Speaker 1>feel uncomfortable and they don't know what to do or say,

0:33:51.160 --> 0:33:52.680
<v Speaker 1>so the first thing they do is do what they

0:33:52.680 --> 0:33:55.280
<v Speaker 1>have control over, So they go online and they leave

0:33:55.320 --> 0:33:57.600
<v Speaker 1>opinions hoping for someone else to agree with them.

0:33:57.800 --> 0:34:00.560
<v Speaker 3>That's how we have y'all, because you don't have to

0:34:00.560 --> 0:34:03.239
<v Speaker 3>have an opinion, especially when you haven't watched. Like if

0:34:03.240 --> 0:34:05.560
<v Speaker 3>there's a universe of a show that you don't typically

0:34:05.600 --> 0:34:07.480
<v Speaker 3>watch and then you watch one episode, it was like,

0:34:07.520 --> 0:34:09.319
<v Speaker 3>I didn't get it. You probably weren't supposed to get

0:34:09.320 --> 0:34:11.600
<v Speaker 3>it because you don't even know what the show is about.

0:34:12.200 --> 0:34:14.879
<v Speaker 6>I think too, it is true that niggas just don't

0:34:14.960 --> 0:34:17.600
<v Speaker 6>be knowing what y'all talking about. That too, because they

0:34:17.600 --> 0:34:20.480
<v Speaker 6>were talking about Ray in terms of the movie One

0:34:20.480 --> 0:34:22.080
<v Speaker 6>of Them Days, which I just watched.

0:34:22.120 --> 0:34:24.520
<v Speaker 7>It is so good. I loved it. But they're talking

0:34:24.520 --> 0:34:25.719
<v Speaker 7>about as if she.

0:34:25.680 --> 0:34:28.279
<v Speaker 6>Wrote the movie. She did not write it. She produced it.

0:34:28.320 --> 0:34:30.360
<v Speaker 6>That means she paid for it to get made. Somebody

0:34:30.400 --> 0:34:32.279
<v Speaker 6>else wrote it. But they were saying, like, what is

0:34:32.320 --> 0:34:37.799
<v Speaker 6>isano about struggling and have to having to pay Her

0:34:37.840 --> 0:34:39.800
<v Speaker 6>parents are rich. I don't mean that she had money,

0:34:39.840 --> 0:34:42.000
<v Speaker 6>but she also talks about when she came up as

0:34:42.000 --> 0:34:44.800
<v Speaker 6>a filmmaker having to like having no money to make films.

0:34:44.840 --> 0:34:47.279
<v Speaker 6>It is a very expensive thing to do, and having

0:34:47.280 --> 0:34:48.960
<v Speaker 6>to ask her friends to work for free. If you

0:34:49.080 --> 0:34:51.360
<v Speaker 6>watch the original Awkward Black Girl, you could tell that

0:34:51.400 --> 0:34:52.200
<v Speaker 6>it's low budget.

0:34:52.200 --> 0:34:54.359
<v Speaker 7>They had what they had, so she worked to get

0:34:54.360 --> 0:34:54.640
<v Speaker 7>it done.

0:34:55.239 --> 0:34:58.719
<v Speaker 1>Just because her parents have money, don't mean parents could

0:34:58.760 --> 0:35:01.360
<v Speaker 1>have easily said, yo, you got to figure this out.

0:35:03.760 --> 0:35:04.920
<v Speaker 1>I was about to say that.

0:35:05.200 --> 0:35:08.840
<v Speaker 3>This is a moment we have money, you.

0:35:08.640 --> 0:35:14.279
<v Speaker 1>Know, But I'm glad you brought that up. Trouble, because

0:35:14.320 --> 0:35:15.840
<v Speaker 1>that also is the thing that bothers me as we

0:35:15.880 --> 0:35:19.359
<v Speaker 1>talk about black excellence and black power, right, it's this

0:35:19.440 --> 0:35:23.120
<v Speaker 1>idea that black excellence is only associated with struggle.

0:35:23.840 --> 0:35:25.040
<v Speaker 7>Well, I think it's the opposite.

0:35:25.120 --> 0:35:27.520
<v Speaker 6>I feel like, like I was saying, people that feel

0:35:27.600 --> 0:35:31.040
<v Speaker 6>left out of that black excellence conversation, is black excellence.

0:35:31.080 --> 0:35:32.560
<v Speaker 7>I don't think anybody can argue with that.

0:35:33.000 --> 0:35:35.319
<v Speaker 6>But then people are thinking, well, she's black excellence because

0:35:35.360 --> 0:35:38.120
<v Speaker 6>her parents had money and she had more opportunity. That's

0:35:38.160 --> 0:35:40.120
<v Speaker 6>why she's able to get it, when I shouldn't be

0:35:40.120 --> 0:35:42.320
<v Speaker 6>talking about my experience.

0:35:41.840 --> 0:35:43.960
<v Speaker 1>And that's what I'm saying. I feel like that's unfair

0:35:44.000 --> 0:35:46.680
<v Speaker 1>to say that this person has to go through this

0:35:46.800 --> 0:35:50.040
<v Speaker 1>struggle to have a black tag, to say this is.

0:35:50.040 --> 0:35:54.279
<v Speaker 6>Black, to just be able to understand black people in

0:35:54.320 --> 0:35:56.920
<v Speaker 6>black life. I don't think that you have to necessarily

0:35:56.960 --> 0:35:59.399
<v Speaker 6>go through the same things. And then she didn't write

0:35:59.440 --> 0:35:59.800
<v Speaker 6>the movie.

0:36:00.080 --> 0:36:02.200
<v Speaker 1>That's that's the big The biggest thing is she didn't

0:36:02.200 --> 0:36:04.319
<v Speaker 1>write the movie. The same way people was asking me, like,

0:36:04.320 --> 0:36:05.919
<v Speaker 1>why you make the tickets for a fell a little

0:36:05.960 --> 0:36:09.439
<v Speaker 1>so expensive question?

0:36:11.000 --> 0:36:15.000
<v Speaker 3>Blown argument with somebody that he knows about that, and

0:36:15.040 --> 0:36:17.880
<v Speaker 3>it went completely left and I was like that I

0:36:17.960 --> 0:36:20.719
<v Speaker 3>did not set the ticket prices. We had nothing to

0:36:20.800 --> 0:36:24.200
<v Speaker 3>do with the ticket prices, y'all. We don't set that

0:36:24.280 --> 0:36:25.040
<v Speaker 3>as producer.

0:36:25.920 --> 0:36:27.920
<v Speaker 1>But but but that's the point that you niggas don't

0:36:27.920 --> 0:36:29.800
<v Speaker 1>be knowing, they don't know how to just go online

0:36:29.840 --> 0:36:31.480
<v Speaker 1>and say things. And there's a whole bunch of other

0:36:31.520 --> 0:36:32.400
<v Speaker 1>niggas who don't.

0:36:32.239 --> 0:36:34.200
<v Speaker 3>Know ship will pull a piggyback on it.

0:36:34.280 --> 0:36:36.160
<v Speaker 1>And before I say, niggas to do that, like only

0:36:36.200 --> 0:36:38.480
<v Speaker 1>black people do that. No, if you if you only

0:36:38.520 --> 0:36:40.560
<v Speaker 1>follow the shade room, you only hear black news.

0:36:40.560 --> 0:36:40.919
<v Speaker 3>That's true.

0:36:41.080 --> 0:36:43.680
<v Speaker 1>Go to other rooms, go to the Indian shade room

0:36:43.719 --> 0:36:45.640
<v Speaker 1>or the Asian shade room. They be in there getting

0:36:45.640 --> 0:36:48.440
<v Speaker 1>on each other too. Right, this is gonna be funny, right,

0:36:49.440 --> 0:36:50.360
<v Speaker 1>Okay funny?

0:36:51.120 --> 0:36:52.719
<v Speaker 3>Is it really gonna be funny to vout somebody gonna

0:36:52.719 --> 0:36:53.120
<v Speaker 3>be offended?

0:36:53.800 --> 0:36:58.359
<v Speaker 1>No, it's actually gonna be fun things somebody somebody might

0:36:58.560 --> 0:36:59.880
<v Speaker 1>be somebody might be a fan.

0:37:00.120 --> 0:37:01.200
<v Speaker 2>But I don't give a fuck. I'm gonna say what

0:37:01.239 --> 0:37:01.720
<v Speaker 2>I say anyway.

0:37:01.800 --> 0:37:03.960
<v Speaker 1>Right in my group chats, Right, there's a bunch of

0:37:04.000 --> 0:37:06.879
<v Speaker 1>young black dudes who are all like in their late

0:37:06.880 --> 0:37:09.640
<v Speaker 1>twenties or thirties, all my prototype kids, right, and they

0:37:09.760 --> 0:37:12.400
<v Speaker 1>constantly kept saying to me, like black people are the

0:37:12.440 --> 0:37:14.160
<v Speaker 1>only people that do this. Black people are the only

0:37:14.200 --> 0:37:16.320
<v Speaker 1>people that do this, right, And then we had gotten

0:37:16.320 --> 0:37:19.719
<v Speaker 1>to the argument about black women and black men, and

0:37:19.760 --> 0:37:21.759
<v Speaker 1>they were like, black women are the only women on

0:37:21.800 --> 0:37:24.280
<v Speaker 1>the internet talking about black men. So at that point

0:37:24.320 --> 0:37:28.080
<v Speaker 1>I chose to introduce them to different parts of the

0:37:28.160 --> 0:37:31.760
<v Speaker 1>digital space. You only follow neighborhood Talk, you only follow

0:37:31.800 --> 0:37:34.440
<v Speaker 1>the Shade Room, so you only hear black women's opinions.

0:37:34.680 --> 0:37:37.280
<v Speaker 1>So I started sharing with them all these different opinions

0:37:37.280 --> 0:37:40.160
<v Speaker 1>from all these different women from different cultures, and it

0:37:40.280 --> 0:37:43.240
<v Speaker 1>sounded exactly the same. And I said, this is the point, y'all.

0:37:43.840 --> 0:37:46.520
<v Speaker 1>What you read, what you listen to, your algorithm is

0:37:46.520 --> 0:37:49.200
<v Speaker 1>going to keep sending that to you. So your algorithm

0:37:49.239 --> 0:37:51.080
<v Speaker 1>is only sending you stuff like the Shade Room and

0:37:51.120 --> 0:37:55.120
<v Speaker 1>neighborhood Talk, so you feel that only black people are

0:37:55.160 --> 0:37:58.560
<v Speaker 1>speaking about these things, when in reality, the whole world

0:37:58.719 --> 0:38:01.640
<v Speaker 1>is having the same converse. And you're upset at black

0:38:01.640 --> 0:38:03.759
<v Speaker 1>women because those are the women you frequent, same thing

0:38:03.800 --> 0:38:06.680
<v Speaker 1>with black women. You upset a black men because black

0:38:06.719 --> 0:38:08.600
<v Speaker 1>men are the only ones saying this. No no, no, no no.

0:38:09.160 --> 0:38:12.080
<v Speaker 1>Go to them. Go to the Asian Shade Room and

0:38:12.120 --> 0:38:13.560
<v Speaker 1>watch how they talk about Asian man.

0:38:13.680 --> 0:38:16.640
<v Speaker 3>Is the Asian Shade Room is I don't know.

0:38:16.800 --> 0:38:19.360
<v Speaker 4>I'm gonna keep my mouth.

0:38:19.200 --> 0:38:21.000
<v Speaker 1>Shut but but you understand what I'm saying.

0:38:21.000 --> 0:38:21.680
<v Speaker 3>I get what you're saying.

0:38:22.200 --> 0:38:24.640
<v Speaker 1>What you're saying like we we also as black people,

0:38:24.640 --> 0:38:26.600
<v Speaker 1>if we want to talk about what black excellence is

0:38:26.640 --> 0:38:29.440
<v Speaker 1>and what black power is, we have to expand our perspective, right,

0:38:29.520 --> 0:38:30.480
<v Speaker 1>That's what Josh.

0:38:30.280 --> 0:38:36.960
<v Speaker 5>Was saying into saying, Yeah, like you can't own you

0:38:37.000 --> 0:38:39.160
<v Speaker 5>can't only watch the Shade Room and then say to

0:38:39.160 --> 0:38:40.360
<v Speaker 5>me all black women anything.

0:38:40.600 --> 0:38:42.839
<v Speaker 1>I don't know your opinion doesn't matter to me at

0:38:42.840 --> 0:38:44.960
<v Speaker 1>all at this point. Like if you look at someone's

0:38:44.960 --> 0:38:48.200
<v Speaker 1>homepage on the Instagram, that tells you where their mind

0:38:48.280 --> 0:38:49.040
<v Speaker 1>is most of the time.

0:38:49.520 --> 0:38:51.839
<v Speaker 3>So I was as the conversation is going, I even

0:38:51.880 --> 0:38:54.400
<v Speaker 3>thought about the conversation that we had on the Code

0:38:54.440 --> 0:38:57.359
<v Speaker 3>Switching episode where we talked about the oscars, right, and

0:38:57.400 --> 0:38:59.760
<v Speaker 3>we said that they're just out here, you know, voting

0:38:59.760 --> 0:39:03.279
<v Speaker 3>off vibes. And we have always aspired to I think

0:39:03.280 --> 0:39:06.280
<v Speaker 3>in generalist people, if the standard of excellence within film

0:39:06.560 --> 0:39:10.360
<v Speaker 3>is to get an Oscar, we all black people included

0:39:10.440 --> 0:39:14.239
<v Speaker 3>aspire to that as actors. Right, So when talking about

0:39:14.280 --> 0:39:17.480
<v Speaker 3>black excellence and Black power and spaces and arenas that

0:39:17.520 --> 0:39:21.080
<v Speaker 3>we have now curated for ourself to celebrate each other.

0:39:22.760 --> 0:39:24.640
<v Speaker 3>Where are those spaces and what do they look like? So,

0:39:24.680 --> 0:39:27.440
<v Speaker 3>for example, what came to mind for me was essence

0:39:27.480 --> 0:39:30.880
<v Speaker 3>Black Women in Hollywood. That's a space that I've been

0:39:30.880 --> 0:39:35.239
<v Speaker 3>invited to where I go because sometimes you need to

0:39:35.360 --> 0:39:38.520
<v Speaker 3>be in a space where you feel celebrated amongst your peers.

0:39:39.080 --> 0:39:42.560
<v Speaker 3>You can aspire and be inspired, you can kind of

0:39:42.600 --> 0:39:45.239
<v Speaker 3>get a recharge and a reset in a forum that

0:39:45.280 --> 0:39:49.440
<v Speaker 3>you know has been specifically designed to celebrate the excellence

0:39:49.520 --> 0:39:53.320
<v Speaker 3>but also the power behind being in numbers of women

0:39:53.360 --> 0:39:55.560
<v Speaker 3>who are like minded and doing the things that you

0:39:55.680 --> 0:39:58.000
<v Speaker 3>want to do or have done, or aspire to do.

0:39:58.680 --> 0:40:01.160
<v Speaker 3>So we have like the Black and since Black Women

0:40:01.160 --> 0:40:04.120
<v Speaker 3>in Hollywood, I was just at to accelerate her conference

0:40:04.160 --> 0:40:06.719
<v Speaker 3>in Miami. So what are other spaces that you think

0:40:06.760 --> 0:40:09.480
<v Speaker 3>that we are now saying? You know what, we need

0:40:09.520 --> 0:40:12.160
<v Speaker 3>to now create these spaces for ourselves because we can't

0:40:12.200 --> 0:40:16.719
<v Speaker 3>always rely on other folks to celebrate us and how

0:40:16.719 --> 0:40:19.560
<v Speaker 3>that ties into excellence in power We've.

0:40:19.160 --> 0:40:21.560
<v Speaker 4>Been doing go ahead, no, no, good God, I think we've

0:40:21.560 --> 0:40:24.680
<v Speaker 4>been doing it for since since the establishment of us

0:40:24.719 --> 0:40:25.240
<v Speaker 4>in this country.

0:40:25.280 --> 0:40:26.239
<v Speaker 1>I was want to say the same thing.

0:40:26.560 --> 0:40:30.799
<v Speaker 4>We got the Divine nine, we got Black organizations that

0:40:31.000 --> 0:40:34.759
<v Speaker 4>celebrate us Jack and Jill, Jack and jail, Right, So,

0:40:34.800 --> 0:40:39.160
<v Speaker 4>I think I think there's always been us making space

0:40:39.200 --> 0:40:41.160
<v Speaker 4>for ourselves. That's why we got a black college and

0:40:41.239 --> 0:40:45.240
<v Speaker 4>universities like we we've recognized that we need space to

0:40:45.640 --> 0:40:48.799
<v Speaker 4>empower ourselves and become excellent at the same time.

0:40:49.120 --> 0:40:49.239
<v Speaker 3>Right.

0:40:49.239 --> 0:40:52.879
<v Speaker 4>I think things like these, these organizations, are these these

0:40:53.239 --> 0:40:57.239
<v Speaker 4>exposed or yeah, conferences, conferences that you are just a

0:40:57.320 --> 0:41:00.839
<v Speaker 4>microcosm of that shared Black experience that we you know,

0:41:00.880 --> 0:41:03.440
<v Speaker 4>are subsectors. But I think we've always been doing it.

0:41:03.560 --> 0:41:07.120
<v Speaker 1>Yeah, I would agree with Josh. If you think about reconstruction.

0:41:07.520 --> 0:41:09.719
<v Speaker 1>There are so many black cities in black towns who

0:41:09.760 --> 0:41:12.080
<v Speaker 1>were built off of black excellence and black power. The

0:41:12.120 --> 0:41:14.800
<v Speaker 1>problem is history has shown us that when you build

0:41:14.800 --> 0:41:17.200
<v Speaker 1>something off black excellence and black power, they're gonna take it,

0:41:17.880 --> 0:41:21.120
<v Speaker 1>or they gonna drown it, or they gonna and burn it.

0:41:21.160 --> 0:41:22.680
<v Speaker 1>You see what I'm saying. Like you talk about Tols,

0:41:22.680 --> 0:41:25.239
<v Speaker 1>you think about Seneca Falls, There's so many examples of

0:41:25.280 --> 0:41:28.200
<v Speaker 1>black excellence and black power that has just been disintegrated

0:41:28.760 --> 0:41:32.680
<v Speaker 1>by white superiority. So I feel like in these last

0:41:32.719 --> 0:41:35.920
<v Speaker 1>fifty years, black people have decided to find their excellence

0:41:35.920 --> 0:41:38.240
<v Speaker 1>and their power and keep it quiet and keep it private.

0:41:38.640 --> 0:41:41.480
<v Speaker 1>For example, I work at Tyler Perry Studios. Right, this

0:41:41.560 --> 0:41:43.520
<v Speaker 1>is not a humble brag. I make more money than

0:41:43.560 --> 0:41:46.240
<v Speaker 1>ninety percent of the people working on Hollywood and they're white.

0:41:46.800 --> 0:41:50.480
<v Speaker 1>Because my employer is a black owner. He owns the land,

0:41:50.760 --> 0:41:54.960
<v Speaker 1>he owns the studios, he owns the content, He decides

0:41:55.239 --> 0:41:58.160
<v Speaker 1>who makes what money. I think we're finally reaching a

0:41:58.200 --> 0:42:01.080
<v Speaker 1>point where I no longer have to run to another

0:42:01.200 --> 0:42:04.319
<v Speaker 1>version of what I want to do right to be celebrated, and.

0:42:04.280 --> 0:42:06.560
<v Speaker 3>I think those are spaces where we then celebrate like

0:42:07.040 --> 0:42:09.480
<v Speaker 3>this is a group of black affluent people, this is

0:42:09.480 --> 0:42:12.279
<v Speaker 3>a group of black students. So when you talked about

0:42:12.360 --> 0:42:14.319
<v Speaker 3>in the code switching episode, sometimes you don't want to

0:42:14.360 --> 0:42:16.960
<v Speaker 3>be known as the first black actor to do this,

0:42:17.120 --> 0:42:19.000
<v Speaker 3>or I am a black actor who did that, or

0:42:19.040 --> 0:42:21.359
<v Speaker 3>I'm a black father. It's like, how do we tow

0:42:21.400 --> 0:42:23.720
<v Speaker 3>the line between wanting to celebrate that in the excellence

0:42:23.760 --> 0:42:26.000
<v Speaker 3>and power that stands with it, but then how do

0:42:26.080 --> 0:42:27.840
<v Speaker 3>we also say, you know what, I want to be

0:42:27.880 --> 0:42:31.480
<v Speaker 3>seen as just a great man, just a great woman,

0:42:31.800 --> 0:42:33.680
<v Speaker 3>just a great father, just a great mother.

0:42:33.800 --> 0:42:35.120
<v Speaker 2>So you' just gonna come here today and put your

0:42:35.200 --> 0:42:36.439
<v Speaker 2>journalism degree to work.

0:42:36.400 --> 0:42:37.800
<v Speaker 1>Because that's a good question, because.

0:42:37.640 --> 0:42:39.600
<v Speaker 3>Yeah, because like how do we coexist in that space?

0:42:39.719 --> 0:42:41.480
<v Speaker 1>That's a good point. You know, I'm not gonna lie.

0:42:41.480 --> 0:42:46.200
<v Speaker 1>I struggle with that, like Trible, I told Go told Jackson.

0:42:46.239 --> 0:42:48.399
<v Speaker 1>I was like, yo. He was like, Dad, you're gonna

0:42:48.400 --> 0:42:50.160
<v Speaker 1>win in Oscar. You're gonna do all this other stuff.

0:42:50.160 --> 0:42:52.000
<v Speaker 1>And I was like, man, when I do win in Oscar,

0:42:52.320 --> 0:42:54.120
<v Speaker 1>I don't want them to be like he's the third

0:42:54.160 --> 0:42:56.040
<v Speaker 1>black person to win and that. And then I was like, nah,

0:42:56.040 --> 0:42:58.080
<v Speaker 1>I do want them to do that because other black

0:42:58.160 --> 0:43:01.600
<v Speaker 1>kids need to see that this is excellence. And then

0:43:01.640 --> 0:43:04.160
<v Speaker 1>I was struggling, like do I want them to announce

0:43:04.200 --> 0:43:07.600
<v Speaker 1>it that way to marginalize it, or do I want

0:43:07.680 --> 0:43:10.560
<v Speaker 1>them to say this is the first Oscar for Deval

0:43:10.719 --> 0:43:13.000
<v Speaker 1>he beat out so and so. And then it's just yeah,

0:43:13.040 --> 0:43:15.240
<v Speaker 1>you know, I'm struggling. I don't have the answer.

0:43:15.400 --> 0:43:17.160
<v Speaker 3>Think about what number one on the call sheet? Did

0:43:17.160 --> 0:43:18.400
<v Speaker 3>you guys watch that on Netflix?

0:43:18.480 --> 0:43:19.440
<v Speaker 7>Yeah?

0:43:19.440 --> 0:43:21.560
<v Speaker 3>So it's great and it's two parts. They have a

0:43:21.600 --> 0:43:23.560
<v Speaker 3>couple gentlemen and then they have the women who spoke

0:43:23.560 --> 0:43:26.279
<v Speaker 3>about it. But particularly the episode with the women where

0:43:26.320 --> 0:43:28.960
<v Speaker 3>They were talking about Whoopy Goldberg and her being one

0:43:29.000 --> 0:43:31.800
<v Speaker 3>of the first and only, you know of her time

0:43:31.960 --> 0:43:34.239
<v Speaker 3>to win an oscar and there were only like three

0:43:34.360 --> 0:43:37.360
<v Speaker 3>or four black women in a span of decades.

0:43:37.520 --> 0:43:41.560
<v Speaker 1>The first thing is Whoopy Goldberg was so talented, right,

0:43:41.640 --> 0:43:44.240
<v Speaker 1>she could do stand up, she could sing, she could write,

0:43:44.239 --> 0:43:47.000
<v Speaker 1>and she could act. She was so gifted they didn't

0:43:47.040 --> 0:43:49.120
<v Speaker 1>even know what to do with her. Right. Now, here's

0:43:49.120 --> 0:43:51.719
<v Speaker 1>the crazy part. All of the movies that Whoopy's done,

0:43:51.920 --> 0:43:56.239
<v Speaker 1>critically acclaimed and box office success were all roles written by,

0:43:56.400 --> 0:43:59.840
<v Speaker 1>written for and by white men, but either white women

0:44:00.040 --> 0:44:01.920
<v Speaker 1>on white men, and they didn't want to do it.

0:44:02.200 --> 0:44:03.759
<v Speaker 1>So Whoopy said, I'll do it, and.

0:44:03.719 --> 0:44:05.520
<v Speaker 3>We people didn't want.

0:44:05.840 --> 0:44:06.359
<v Speaker 1>Eddie was.

0:44:07.960 --> 0:44:09.960
<v Speaker 3>Well, she said that Patrick Swayze was the one who

0:44:10.000 --> 0:44:14.239
<v Speaker 3>wanted her. I love Patrick, you know me and Dirty Dancing, y'all.

0:44:14.280 --> 0:44:19.080
<v Speaker 1>So yeah, your favorite, that's a good that's a good

0:44:19.080 --> 0:44:23.040
<v Speaker 1>movie to Eddie. I'm not Eddie Wesley Snie, that's my guy.

0:44:23.239 --> 0:44:26.600
<v Speaker 1>But she she talked about how even being excellent in

0:44:26.640 --> 0:44:29.960
<v Speaker 1>Hollywood during that time, there was no such thing as

0:44:30.040 --> 0:44:33.600
<v Speaker 1>black excellence. She was just excellent, and because there was

0:44:33.680 --> 0:44:35.719
<v Speaker 1>no space for black people, they didn't even know what

0:44:35.800 --> 0:44:38.200
<v Speaker 1>to do with her. And when I watched that, I

0:44:38.239 --> 0:44:41.840
<v Speaker 1>was just like wow. Like, but that's also the challenge

0:44:41.960 --> 0:44:44.600
<v Speaker 1>when you say black excellence, those people don't know what

0:44:44.680 --> 0:44:47.600
<v Speaker 1>to do with black excellent even when you say excellence,

0:44:47.600 --> 0:44:50.440
<v Speaker 1>because Whoopy was never celebrated as a black excellent person.

0:44:50.520 --> 0:44:53.359
<v Speaker 1>She was just excellent and they still didn't though. So

0:44:53.400 --> 0:44:56.200
<v Speaker 1>that's what leaves me kind of confused, Like how do

0:44:56.239 --> 0:44:58.520
<v Speaker 1>you exactly navigate it? Because I don't want them to

0:44:58.600 --> 0:45:01.360
<v Speaker 1>make all of my accomplish Smith's about black, but I

0:45:01.400 --> 0:45:03.839
<v Speaker 1>need all these black boys and black girls to be like, yo,

0:45:04.480 --> 0:45:06.760
<v Speaker 1>yeah he did that. You know what I'm saying. It's hard.

0:45:06.880 --> 0:45:09.520
<v Speaker 4>It sort of talks to a point about when you

0:45:09.520 --> 0:45:12.239
<v Speaker 4>brought up Tyler Perry and your earnings based off of

0:45:13.320 --> 0:45:17.360
<v Speaker 4>him seeing you. I think it talks to black excellence

0:45:17.880 --> 0:45:22.080
<v Speaker 4>having to move hand in hand with black power, right

0:45:22.160 --> 0:45:24.560
<v Speaker 4>like I think I think we shouldn't separate the two.

0:45:25.200 --> 0:45:29.279
<v Speaker 4>I think, all right, being good at your craft and

0:45:29.360 --> 0:45:34.760
<v Speaker 4>being excellent at your craft needs to move with power,

0:45:35.000 --> 0:45:39.279
<v Speaker 4>like you need that power to be able to It

0:45:39.320 --> 0:45:42.920
<v Speaker 4>can't be ideology, yes, it can be ideology, exactly right.

0:45:43.320 --> 0:45:46.160
<v Speaker 4>It has to show its strength yea, and it has

0:45:46.200 --> 0:45:49.520
<v Speaker 4>to be able to move right. We're talking money talks, right,

0:45:49.560 --> 0:45:50.280
<v Speaker 4>Money's power.

0:45:50.480 --> 0:45:50.680
<v Speaker 1>Right.

0:45:51.239 --> 0:45:55.040
<v Speaker 4>We live in a capitalist country. Right, politics on mean

0:45:55.120 --> 0:45:57.880
<v Speaker 4>nothing here. Fact right, the only thing that meat that

0:45:57.960 --> 0:46:01.120
<v Speaker 4>moves anything or anyone is the money money. Right, And

0:46:01.160 --> 0:46:04.320
<v Speaker 4>you can't be excellent without the money, because once you're excellent,

0:46:04.360 --> 0:46:08.480
<v Speaker 4>you're giving room for people to say, nah, we're gonna

0:46:08.520 --> 0:46:10.880
<v Speaker 4>go with somebody else. Forget that they're good. We can

0:46:10.920 --> 0:46:12.879
<v Speaker 4>get somebody else that's white, that's good. We can get

0:46:12.920 --> 0:46:16.040
<v Speaker 4>somebody else that does this in a in a completely

0:46:16.040 --> 0:46:17.799
<v Speaker 4>different way. Or we don't have to fund it. The

0:46:17.840 --> 0:46:21.160
<v Speaker 4>government doesn't have to fund what we do. But when

0:46:21.160 --> 0:46:26.560
<v Speaker 4>we move with power, we can more or less break barriers,

0:46:27.040 --> 0:46:28.960
<v Speaker 4>or we can we don't have to.

0:46:29.160 --> 0:46:31.680
<v Speaker 1>Get what you're saying. No, no, no, I get what you're saying,

0:46:31.680 --> 0:46:35.239
<v Speaker 1>and you articulated it perfectly. Like black excellence is an ideology.

0:46:35.600 --> 0:46:38.799
<v Speaker 1>Black power is an actual action item, like what are

0:46:38.800 --> 0:46:42.080
<v Speaker 1>we doing to move us forward? Black excellence is this idea? Right,

0:46:42.120 --> 0:46:44.680
<v Speaker 1>the idea is Barack Obama and Michelle.

0:46:44.440 --> 0:46:46.880
<v Speaker 3>Or it comes after attaining some sort of power.

0:46:47.160 --> 0:46:51.560
<v Speaker 1>Move right, No, well, no, well, the excellence, you're right,

0:46:51.680 --> 0:46:53.560
<v Speaker 1>Excellence typically does come after, like.

0:46:53.520 --> 0:46:57.080
<v Speaker 3>What deems excellent, what's deemed something excellent after going through

0:46:57.120 --> 0:46:59.120
<v Speaker 3>something process.

0:47:00.040 --> 0:47:03.840
<v Speaker 4>Just give our listeners like some actual tangible examples.

0:47:04.239 --> 0:47:07.000
<v Speaker 6>I'll say I'll say this about I'll stick with the

0:47:07.040 --> 0:47:12.279
<v Speaker 6>Tyler Perry example, because again, black excellence is based on

0:47:12.400 --> 0:47:14.880
<v Speaker 6>your individual accomplishments.

0:47:15.040 --> 0:47:20.480
<v Speaker 7>Black power is based on the collective. So, okay, Tyler Perry.

0:47:20.280 --> 0:47:22.880
<v Speaker 6>It's not the money that makes him powerful. It's the

0:47:23.040 --> 0:47:28.839
<v Speaker 6>fact that he makes black content for Black people, by

0:47:29.040 --> 0:47:31.600
<v Speaker 6>black people. He continues to do that and he doesn't

0:47:31.680 --> 0:47:34.720
<v Speaker 6>have to answer to anybody else about what he makes.

0:47:34.840 --> 0:47:36.239
<v Speaker 7>Yes, that's the power.

0:47:36.360 --> 0:47:37.960
<v Speaker 3>And then he's deemed excellent because of that.

0:47:38.120 --> 0:47:40.960
<v Speaker 6>Exactly, he's deemed excellent because he makes a bunch of

0:47:41.000 --> 0:47:44.520
<v Speaker 6>money he's able to do. You know, he built his

0:47:44.600 --> 0:47:47.839
<v Speaker 6>empire off making these black plays and black people going

0:47:47.880 --> 0:47:50.680
<v Speaker 6>to see him. That's his excellence. He makes good content

0:47:50.760 --> 0:47:52.560
<v Speaker 6>for the people that he makes it for. And now

0:47:52.600 --> 0:47:57.400
<v Speaker 6>he's empowered other black people, black artists, even black consumers

0:47:57.880 --> 0:48:04.600
<v Speaker 6>that there is space for them in the world of art, TV, movies, theater. Now,

0:48:04.800 --> 0:48:07.080
<v Speaker 6>one thing that I don't the one thing that I

0:48:07.120 --> 0:48:10.600
<v Speaker 6>hate about Beyonce is that she will go to the

0:48:10.600 --> 0:48:13.680
<v Speaker 6>Grammys every year sit in that audience and watch them

0:48:13.680 --> 0:48:16.120
<v Speaker 6>play in her face and not give her Artists of

0:48:16.160 --> 0:48:17.880
<v Speaker 6>the Year. And it's not And we always say, we

0:48:17.920 --> 0:48:22.600
<v Speaker 6>say every year that she has been nominated, they are

0:48:22.680 --> 0:48:26.879
<v Speaker 6>not giving it to her because she's black. Because as

0:48:26.920 --> 0:48:32.600
<v Speaker 6>a musician, regardless of you know, color, her art is

0:48:32.600 --> 0:48:34.960
<v Speaker 6>better than everybody else on the dock, especially the winner.

0:48:35.600 --> 0:48:38.640
<v Speaker 6>But she doesn't show up at the Soul Train Awards

0:48:38.760 --> 0:48:42.720
<v Speaker 6>or the BET Awards. And Beyonce has the power behind

0:48:42.719 --> 0:48:45.200
<v Speaker 6>the collective because she has made the art that we

0:48:45.320 --> 0:48:47.360
<v Speaker 6>enjoy and she has stayed true to her blackness that

0:48:47.440 --> 0:48:51.080
<v Speaker 6>black black Beyonce fans are dedicated to her. She has

0:48:51.160 --> 0:48:54.000
<v Speaker 6>and just fans overall are so dedicated to her that

0:48:54.080 --> 0:48:56.719
<v Speaker 6>she has the power to draw away viewership from the

0:48:56.719 --> 0:48:58.560
<v Speaker 6>Grammys if she were to show up at the Soul

0:48:58.600 --> 0:49:01.240
<v Speaker 6>Train Awards to say this is the that I care about,

0:49:01.760 --> 0:49:04.000
<v Speaker 6>and so that I feel like that she is not

0:49:04.239 --> 0:49:07.120
<v Speaker 6>using the power that she has, or black power or

0:49:07.160 --> 0:49:11.080
<v Speaker 6>empowering black spaces with the powers exactly.

0:49:12.040 --> 0:49:14.480
<v Speaker 1>I agree that I agree with you. I want to

0:49:14.600 --> 0:49:17.120
<v Speaker 1>add something so that you understand a little perspective of

0:49:17.120 --> 0:49:19.520
<v Speaker 1>what artists go through because me and Kadeen go through this, right,

0:49:19.800 --> 0:49:25.160
<v Speaker 1>and I'm not outing any black publications, right, but when

0:49:25.200 --> 0:49:29.040
<v Speaker 1>Kadeen and I have looked at numbers and everything, Kadeen

0:49:29.080 --> 0:49:33.360
<v Speaker 1>and I aren't celebrated amongst black publications at all. We

0:49:33.480 --> 0:49:38.160
<v Speaker 1>aren't celebrated. But let a white publication then celebrate us.

0:49:38.840 --> 0:49:42.000
<v Speaker 1>Then the black want to come back. Can Kadeen and

0:49:42.040 --> 0:49:43.560
<v Speaker 1>de Val come here? And it's like, wait a minute,

0:49:43.719 --> 0:49:45.440
<v Speaker 1>all those years when we were doing this just for

0:49:45.520 --> 0:49:47.759
<v Speaker 1>our people, you never cared enough about us. We've been

0:49:47.760 --> 0:49:48.680
<v Speaker 1>doing this podcast for.

0:49:49.600 --> 0:49:52.560
<v Speaker 3>Seventy six years, seven.

0:49:51.800 --> 0:49:54.640
<v Speaker 1>Years, sixteen seasons, won to Webbe Award, never been nominated

0:49:54.640 --> 0:49:58.120
<v Speaker 1>for an NAACP Image Award, right, never been talked about

0:49:58.120 --> 0:50:00.680
<v Speaker 1>by essence And this is It's not a play for

0:50:00.719 --> 0:50:01.560
<v Speaker 1>me to get nominated.

0:50:01.600 --> 0:50:03.120
<v Speaker 2>I'm not asking for that because we don't do this

0:50:03.200 --> 0:50:03.440
<v Speaker 2>for that.

0:50:03.719 --> 0:50:06.560
<v Speaker 1>But what I'm saying is is that numbers wise, we've

0:50:06.560 --> 0:50:08.359
<v Speaker 1>been better than a bunch of podcasts that they've had

0:50:08.360 --> 0:50:10.680
<v Speaker 1>nominated and win. When you look at metrics and the

0:50:10.719 --> 0:50:12.400
<v Speaker 1>things that we've talked about have been better, and we

0:50:12.480 --> 0:50:17.520
<v Speaker 1>haven't been recognized by those black publications. Let emmy come

0:50:17.560 --> 0:50:19.600
<v Speaker 1>and say, hey, we want to honor the Valenkadeen at

0:50:19.600 --> 0:50:22.479
<v Speaker 1>the Emmy Awards, right, and then we go those same

0:50:22.520 --> 0:50:23.920
<v Speaker 1>black people will be like, oh, they're gonna go to

0:50:23.920 --> 0:50:25.920
<v Speaker 1>the Emmys, but they don't go to the Soul Train Awards.

0:50:26.000 --> 0:50:28.320
<v Speaker 2>Well, y'all haven't celebrated us the whole grind.

0:50:28.640 --> 0:50:31.920
<v Speaker 1>Y'all wait intil white people celebrated us, and now you

0:50:31.960 --> 0:50:34.000
<v Speaker 1>want us to come back. So in the beginning it

0:50:34.080 --> 0:50:37.120
<v Speaker 1>was fuck me and my little podcast, but now white

0:50:37.120 --> 0:50:39.920
<v Speaker 1>people said, hey, we like this, and now I feel

0:50:39.960 --> 0:50:42.759
<v Speaker 1>like that I'm not gonna lie and I'm a part

0:50:42.760 --> 0:50:46.560
<v Speaker 1>of the BT family and I'm a part of all

0:50:46.600 --> 0:50:50.239
<v Speaker 1>of this stuff. But fuck them too, because we bet

0:50:50.280 --> 0:50:53.280
<v Speaker 1>we've had the number one show on television for seven years.

0:50:53.640 --> 0:50:56.319
<v Speaker 1>You've never seen any one of them women a show

0:50:56.400 --> 0:50:59.239
<v Speaker 1>led by five black women. None of them women ever

0:50:59.239 --> 0:51:00.960
<v Speaker 1>went up there to get in a war by Soul training,

0:51:01.440 --> 0:51:02.959
<v Speaker 1>none of them ever went to get an n Double

0:51:03.000 --> 0:51:05.480
<v Speaker 1>ACP Image Award. But let one of them women go

0:51:05.560 --> 0:51:07.359
<v Speaker 1>up there to go get a Grammy or go get

0:51:07.360 --> 0:51:09.080
<v Speaker 1>an Emmy. All of them same people are gonna be

0:51:09.080 --> 0:51:11.080
<v Speaker 1>being like, she didn't come down here with us, y'all

0:51:11.080 --> 0:51:13.759
<v Speaker 1>didn't y'all didn't recognize it. So when it comes to

0:51:13.800 --> 0:51:17.319
<v Speaker 1>Beyonce and them, I understand people's thought process, and you're

0:51:17.360 --> 0:51:20.920
<v Speaker 1>absolutely right. I just wonder what happened to that point

0:51:21.000 --> 0:51:23.319
<v Speaker 1>and if there was a point like that we felt

0:51:23.360 --> 0:51:24.520
<v Speaker 1>like because.

0:51:24.280 --> 0:51:27.279
<v Speaker 6>I felt like that, I think Beyonce doesn't It's not

0:51:27.360 --> 0:51:28.840
<v Speaker 6>just the Black Awards that she doesn't go to. I

0:51:28.880 --> 0:51:30.880
<v Speaker 6>don't think she goes to like the A m As anymore.

0:51:31.120 --> 0:51:33.279
<v Speaker 6>Like I think the only award she really goes to

0:51:33.800 --> 0:51:34.799
<v Speaker 6>is the Grammys, Right.

0:51:34.840 --> 0:51:36.440
<v Speaker 3>I don't wonder if they're voting off the vibes too,

0:51:36.520 --> 0:51:42.960
<v Speaker 3>or if it's just all of these This was crazy.

0:51:43.080 --> 0:51:45.279
<v Speaker 1>I think the Sole Train Awards and the nuble A

0:51:45.360 --> 0:51:48.560
<v Speaker 1>CP Image Awards vote so vibes too, because there's no

0:51:48.640 --> 0:51:52.640
<v Speaker 1>way you gave other people awards and didn't think about us, Like,

0:51:52.680 --> 0:51:54.960
<v Speaker 1>are you fucking kidding me? I'm starting to get pissed.

0:51:55.719 --> 0:51:57.200
<v Speaker 7>I wonder how it was.

0:51:57.480 --> 0:51:59.480
<v Speaker 3>We don't.

0:52:00.320 --> 0:52:00.920
<v Speaker 4>Tell what it is.

0:52:01.520 --> 0:52:04.560
<v Speaker 1>Yeah, I'm just being honest, right, I hear for the

0:52:04.640 --> 0:52:07.240
<v Speaker 1>last six years, there has been nobody who's done anything

0:52:07.280 --> 0:52:09.080
<v Speaker 1>as far as has done as much work when it

0:52:09.120 --> 0:52:12.239
<v Speaker 1>comes to fatherhood and representing a family man in a

0:52:12.239 --> 0:52:14.600
<v Speaker 1>black space on social media as much as I have

0:52:14.920 --> 0:52:17.320
<v Speaker 1>an inclusion started friends and my family.

0:52:17.400 --> 0:52:17.920
<v Speaker 3>You started it.

0:52:17.960 --> 0:52:20.560
<v Speaker 1>Not once have I been nominated for Social Media Person

0:52:20.600 --> 0:52:23.479
<v Speaker 1>of the Year by the NAACP imas you was. Now,

0:52:24.120 --> 0:52:26.680
<v Speaker 1>I plan on continuing to go and do stuff when

0:52:26.719 --> 0:52:28.759
<v Speaker 1>I go get nominated by something else and then soul

0:52:28.800 --> 0:52:30.640
<v Speaker 1>train you want to come back? No, am I wrong

0:52:31.040 --> 0:52:33.120
<v Speaker 1>for saying y'all ignored me for all these years? But

0:52:33.200 --> 0:52:36.319
<v Speaker 1>finally the white publications said I was good, but now

0:52:36.320 --> 0:52:38.000
<v Speaker 1>you're am I wrong for that? At that point was.

0:52:41.120 --> 0:52:41.960
<v Speaker 7>Me and my friends.

0:52:42.000 --> 0:52:45.960
<v Speaker 6>We have this phrase that we use and it phrases

0:52:46.000 --> 0:52:51.520
<v Speaker 6>black Nigga Productions and I love black people. I love

0:52:51.560 --> 0:52:53.240
<v Speaker 6>black businesses.

0:52:52.800 --> 0:52:56.359
<v Speaker 7>B MP, but BEMP black people.

0:52:56.160 --> 0:52:59.279
<v Speaker 6>Sometimes they run businesses in a way that you're like,

0:53:00.040 --> 0:53:03.560
<v Speaker 6>fuck and BT, I feel like dust stuff like that,

0:53:03.640 --> 0:53:08.239
<v Speaker 6>Like they will like nominate the same people every year

0:53:08.960 --> 0:53:12.799
<v Speaker 6>instead of recognizing people who actually coming up in the

0:53:12.800 --> 0:53:14.879
<v Speaker 6>space I feel. So it feels to me like Black

0:53:14.960 --> 0:53:17.560
<v Speaker 6>Nika Productions, like who y'all got started two weeks.

0:53:17.400 --> 0:53:20.319
<v Speaker 7>Ago on this Like you know what I'm saying, It

0:53:20.360 --> 0:53:20.920
<v Speaker 7>feels like.

0:53:20.880 --> 0:53:24.680
<v Speaker 3>That to be sometimes Yeah, you know, it ain't.

0:53:24.480 --> 0:53:30.239
<v Speaker 1>Just uses wasn't celebrated by the NAACP. Image awards and

0:53:30.280 --> 0:53:32.480
<v Speaker 1>by b Et when she had her YouTube series, And

0:53:32.800 --> 0:53:36.360
<v Speaker 1>it wasn't until Insecure became mainstream and white people started

0:53:36.360 --> 0:53:39.680
<v Speaker 1>pointing at east Ray did anyone in the black space

0:53:39.719 --> 0:53:41.719
<v Speaker 1>start to pay attention to east Ray? So I'm not

0:53:41.760 --> 0:53:44.200
<v Speaker 1>saying this as if it's a slight on me. This

0:53:44.239 --> 0:53:47.319
<v Speaker 1>has been happening to us by our own people for years.

0:53:47.920 --> 0:53:49.680
<v Speaker 3>I think, you know what, I think it's ultimately for

0:53:49.680 --> 0:53:52.919
<v Speaker 3>you Bae, for example, winning something like social Media Person

0:53:52.960 --> 0:53:54.680
<v Speaker 3>of the Year or whatever. You're just not a social

0:53:54.719 --> 0:53:56.759
<v Speaker 3>media person. There's just so much more to you. You're

0:53:56.960 --> 0:53:59.399
<v Speaker 3>a legitimate actor. That's what you want to do, that's

0:53:59.440 --> 0:54:01.359
<v Speaker 3>what you want to be. So when those things haven't

0:54:01.360 --> 0:54:02.839
<v Speaker 3>come your way, I was just like, you know what,

0:54:03.040 --> 0:54:04.800
<v Speaker 3>that's just maybe putting you in that box of the

0:54:04.840 --> 0:54:07.320
<v Speaker 3>social media influencer, which is something that you don't necessarily

0:54:07.360 --> 0:54:09.080
<v Speaker 3>want to be. It's what we do as a means

0:54:09.080 --> 0:54:11.600
<v Speaker 3>to an end to get art in our work out there,

0:54:11.640 --> 0:54:14.000
<v Speaker 3>to be hired as actors. But you don't want that

0:54:14.080 --> 0:54:16.839
<v Speaker 3>to be you know, what you're defined as. So maybe

0:54:16.840 --> 0:54:17.719
<v Speaker 3>we can look at it that way.

0:54:17.760 --> 0:54:19.960
<v Speaker 1>That's fair, and that's why I don't think that much

0:54:19.960 --> 0:54:23.120
<v Speaker 1>about it. But let's be honest. In the last six years,

0:54:23.920 --> 0:54:27.680
<v Speaker 1>New York Times bestselling author, over four million followers on

0:54:27.719 --> 0:54:32.480
<v Speaker 1>all platforms, two number one shows, web be award winning podcasts.

0:54:32.840 --> 0:54:36.120
<v Speaker 1>I think what else we've done? And when they do

0:54:36.239 --> 0:54:39.839
<v Speaker 1>social Media Person of the Year, they've gone from Kevin Hart, right,

0:54:40.280 --> 0:54:44.279
<v Speaker 1>all the way down to Kevin Lee, right, Keith Lee,

0:54:44.400 --> 0:54:46.160
<v Speaker 1>Keith Lee, and Keith Lee at the time when they

0:54:46.400 --> 0:54:49.239
<v Speaker 1>nominate him had half as many as I did.

0:54:49.280 --> 0:54:50.719
<v Speaker 2>And then so my thing is.

0:54:51.120 --> 0:54:52.160
<v Speaker 1>What's the criteria?

0:54:52.640 --> 0:54:52.920
<v Speaker 3>Right?

0:54:53.040 --> 0:54:55.399
<v Speaker 1>What is the criteria? If you went from Kevin Hart

0:54:55.440 --> 0:55:00.080
<v Speaker 1>to Keith Lee, you went from Entertainer of the Year.

0:55:00.000 --> 0:55:02.600
<v Speaker 2>From Kicky Palmer, Kekey Palmer.

0:55:02.280 --> 0:55:04.680
<v Speaker 1>All the way to Tyler Perry entertainer of the year. Right,

0:55:04.719 --> 0:55:07.399
<v Speaker 1>this is the but you've never mentioned other people who

0:55:07.400 --> 0:55:10.719
<v Speaker 1>have only been celebrated in black spaces. Do you play

0:55:10.719 --> 0:55:11.360
<v Speaker 1>the game? People?

0:55:11.880 --> 0:55:12.640
<v Speaker 4>Do you play the game?

0:55:13.280 --> 0:55:14.160
<v Speaker 1>Do I play what game?

0:55:14.640 --> 0:55:15.520
<v Speaker 4>The politics game?

0:55:15.560 --> 0:55:17.600
<v Speaker 1>Do you play the game? Name a time in the

0:55:17.680 --> 0:55:20.719
<v Speaker 1>last six years that I've said no to any publication.

0:55:20.360 --> 0:55:21.800
<v Speaker 3>That's going to be runner.

0:55:22.440 --> 0:55:24.720
<v Speaker 1>That's why I be so tired. I've gone to essence

0:55:24.719 --> 0:55:26.959
<v Speaker 1>and done stuff for free. I've gone to the Soul

0:55:27.000 --> 0:55:30.000
<v Speaker 1>Train Awards, I've been to ABFF and worked as a correspondent.

0:55:30.400 --> 0:55:32.520
<v Speaker 1>My point is, I'm not going to give them any passes.

0:55:32.520 --> 0:55:34.640
<v Speaker 1>The same way I call out white publications, I'm gonna

0:55:34.640 --> 0:55:37.359
<v Speaker 1>call them out to a lot of Black publications don't

0:55:37.360 --> 0:55:39.720
<v Speaker 1>big up their black creatives when they're on the rise.

0:55:40.000 --> 0:55:42.600
<v Speaker 1>They only big up the black creatives once white people

0:55:42.640 --> 0:55:45.319
<v Speaker 1>have finally said this is the person. And then when

0:55:45.320 --> 0:55:47.920
<v Speaker 1>that person goes to the enemy's then the black publications

0:55:47.920 --> 0:55:50.359
<v Speaker 1>want to point out that they don't go to them.

0:55:50.360 --> 0:55:53.000
<v Speaker 1>But it was like y'all shot on me for years

0:55:53.000 --> 0:55:55.440
<v Speaker 1>while I was building. And that's just a fact, and

0:55:56.040 --> 0:55:57.680
<v Speaker 1>not for nothing. A lot of it does have to

0:55:57.680 --> 0:56:00.120
<v Speaker 1>do with the fact that black publications don't have the

0:56:00.160 --> 0:56:02.960
<v Speaker 1>same resources. They can't celebrate us the way they want

0:56:03.000 --> 0:56:04.920
<v Speaker 1>to celebrate us. So what they try to do is

0:56:04.960 --> 0:56:07.040
<v Speaker 1>reach out to the A list stars that have already

0:56:07.080 --> 0:56:10.480
<v Speaker 1>got celebrated to come to these events to get more sponsors.

0:56:10.520 --> 0:56:14.440
<v Speaker 1>Like I understand, if you're your bet, it's like, we

0:56:14.480 --> 0:56:17.399
<v Speaker 1>gotta get Kevin Hart, we gotta get we gotta get

0:56:17.440 --> 0:56:19.799
<v Speaker 1>this person. But but this creators right now in this

0:56:19.880 --> 0:56:21.759
<v Speaker 1>space that y'all don't know who are going to be

0:56:21.800 --> 0:56:25.360
<v Speaker 1>those people, y'all ignoring them right now, and when.

0:56:25.160 --> 0:56:28.279
<v Speaker 2>Those people become those people don't go back to them.

0:56:28.360 --> 0:56:31.640
<v Speaker 1>Then one one publication told us we couldn't be on

0:56:31.640 --> 0:56:34.200
<v Speaker 1>the cover because Kate wasn't black enough, Josh, you know,

0:56:34.680 --> 0:56:37.200
<v Speaker 1>because you was out photographer. This is not lies, this

0:56:37.280 --> 0:56:39.360
<v Speaker 1>is facts.

0:56:39.600 --> 0:56:41.000
<v Speaker 4>I know he's black? Is she black?

0:56:41.480 --> 0:56:41.719
<v Speaker 3>You know?

0:56:42.040 --> 0:56:43.480
<v Speaker 4>You know till it's day when I bring it up

0:56:43.480 --> 0:56:45.000
<v Speaker 4>to them, and they'd be like, we said, we said.

0:56:48.239 --> 0:56:50.279
<v Speaker 1>I remember when you called me. He was like, d man,

0:56:50.320 --> 0:56:53.560
<v Speaker 1>like I pissed him for this, but and I was like,

0:56:53.600 --> 0:56:56.000
<v Speaker 1>are you fucking kidding me? He was like, bro this

0:56:58.280 --> 0:57:00.680
<v Speaker 1>and I was. I was pissed. I was pissed for

0:57:00.719 --> 0:57:04.080
<v Speaker 1>my wife more than anything, because here's another example where

0:57:04.320 --> 0:57:07.560
<v Speaker 1>blackness is only defined by what you say blackness.

0:57:07.120 --> 0:57:09.880
<v Speaker 3>Is amongst our own black folks, right yeah.

0:57:10.040 --> 0:57:14.120
<v Speaker 4>And now now that same publication it posts mixed racial,

0:57:14.200 --> 0:57:17.680
<v Speaker 4>mixed racial couples black and white, like it does what

0:57:17.760 --> 0:57:18.320
<v Speaker 4>I'm saying it.

0:57:19.040 --> 0:57:20.680
<v Speaker 1>And the only reason why they're doing it now is

0:57:20.680 --> 0:57:23.040
<v Speaker 1>because post and mixed race couples probably got them a

0:57:23.040 --> 0:57:30.480
<v Speaker 1>bigger except this absolutely proximity. They use artists for proximity

0:57:31.080 --> 0:57:34.320
<v Speaker 1>the same way people use it for proximity publications do

0:57:34.440 --> 0:57:35.880
<v Speaker 1>to That is a fact.

0:57:35.920 --> 0:57:37.479
<v Speaker 3>Put y'all on Game Today on how it works.

0:57:37.560 --> 0:57:40.600
<v Speaker 6>Huh yeah, I mean this has happened. I mean this

0:57:40.640 --> 0:57:42.880
<v Speaker 6>has happened to me. I did a short film and

0:57:43.080 --> 0:57:48.600
<v Speaker 6>like a brand shoot for a haircare a very very

0:57:48.640 --> 0:57:53.040
<v Speaker 6>popular black haircare line back in the day, like twenty seventeen,

0:57:53.280 --> 0:57:56.920
<v Speaker 6>and they scrap the whole thing because the short film,

0:57:56.960 --> 0:57:59.880
<v Speaker 6>which somebody else wrote, was about two women getting married,

0:58:00.040 --> 0:58:02.439
<v Speaker 6>and they were like, no gay shit over here. Wow

0:58:02.800 --> 0:58:06.600
<v Speaker 6>when yeah, never put it out, never use the pictures.

0:58:06.720 --> 0:58:09.440
<v Speaker 6>I got paid, but I would have liked to see myself.

0:58:09.720 --> 0:58:10.320
<v Speaker 6>You know what I'm saying.

0:58:11.360 --> 0:58:14.840
<v Speaker 3>Relax, I guarantee you this.

0:58:16.000 --> 0:58:19.200
<v Speaker 1>If you did the same project and a white publication

0:58:19.320 --> 0:58:21.480
<v Speaker 1>picked it up, that black publication would have called you

0:58:21.480 --> 0:58:21.840
<v Speaker 1>an asker.

0:58:21.880 --> 0:58:22.840
<v Speaker 2>They can run it as well.

0:58:22.920 --> 0:58:26.120
<v Speaker 1>Yeah, it's and as unfair as it is. I understand

0:58:26.200 --> 0:58:29.960
<v Speaker 1>why they're fighting for This is just an example. But

0:58:30.120 --> 0:58:32.400
<v Speaker 1>Tyler has spoken about this well. Tyler Perry is the

0:58:32.480 --> 0:58:35.880
<v Speaker 1>highest grossing producer in Hollywood. No one ever talks about it,

0:58:36.560 --> 0:58:39.160
<v Speaker 1>like producer, director, actor, No one has gross more money

0:58:39.280 --> 0:58:42.120
<v Speaker 1>than him box office wise. It is a fact. Largest

0:58:42.280 --> 0:58:45.360
<v Speaker 1>studio all the same words number on everything when it

0:58:45.400 --> 0:58:49.480
<v Speaker 1>comes down to get money for projects, Right, Yellowstone gets

0:58:49.520 --> 0:58:52.520
<v Speaker 1>something like twenty four to twenty six million per episode

0:58:52.520 --> 0:58:54.400
<v Speaker 1>to do their episode. You know how much Tyler gets

0:58:54.440 --> 0:58:57.520
<v Speaker 1>per episode? Seven hundred and fifty thousand dollars.

0:58:57.600 --> 0:58:59.680
<v Speaker 7>Oh my god, a fraction.

0:58:59.840 --> 0:59:02.480
<v Speaker 1>Now. The reason why this is important is because this

0:59:02.520 --> 0:59:04.440
<v Speaker 1>is why I don't get so upset. I do get

0:59:04.480 --> 0:59:07.600
<v Speaker 1>upset talking about it. But if you're a publication, you're

0:59:07.600 --> 0:59:11.200
<v Speaker 1>fighting for resources that you don't have access to. So

0:59:11.240 --> 0:59:13.080
<v Speaker 1>it's like, what's the best way can I get this?

0:59:13.200 --> 0:59:14.360
<v Speaker 3>How can I get it done quickly?

0:59:14.680 --> 0:59:18.200
<v Speaker 1>We're gonna go to somebody deval or we're gonna nominate

0:59:18.280 --> 0:59:23.760
<v Speaker 1>Kevin Hart. Sorry Kevin. You know, yeah, the same thing

0:59:24.160 --> 0:59:26.880
<v Speaker 1>the NBA. In the nl Man, I didn't get drafted.

0:59:27.200 --> 0:59:30.680
<v Speaker 1>Marcus Colston got drafted right when my senior year. I

0:59:30.760 --> 0:59:32.880
<v Speaker 1>was a number one receiver. Marcus had just came back

0:59:32.920 --> 0:59:35.560
<v Speaker 1>off of injury. I was leading and receiving yards and

0:59:35.600 --> 0:59:38.000
<v Speaker 1>touchdowns up to the last two games. Got hurt when

0:59:38.040 --> 0:59:40.440
<v Speaker 1>it came down to the draft. Pick. Right the draft,

0:59:40.520 --> 0:59:42.840
<v Speaker 1>are you going to draft a five to ten, one

0:59:42.960 --> 0:59:46.280
<v Speaker 1>hundred and seventy pound receiver or you're gonna draft six

0:59:46.360 --> 0:59:49.720
<v Speaker 1>y five, two hundred and forty. I would draft Marcus

0:59:49.720 --> 0:59:52.640
<v Speaker 1>Coaston ten times out of ten. So I'm not upset.

0:59:52.960 --> 0:59:55.160
<v Speaker 1>I just understand what it is. I just want the

0:59:55.200 --> 0:59:58.360
<v Speaker 1>people to understand too. When you see your favorite celebrities

0:59:58.400 --> 1:00:00.960
<v Speaker 1>sometimes say I'm not going back to be ET, it's

1:00:01.000 --> 1:00:02.960
<v Speaker 1>probably because they feel like they got shitted on by

1:00:02.960 --> 1:00:05.400
<v Speaker 1>BT for mad years and being that I'm in here

1:00:05.520 --> 1:00:07.680
<v Speaker 1>in BT right now, I hear it all the time.

1:00:08.160 --> 1:00:10.120
<v Speaker 1>I hear and then I hear from the BT exactly

1:00:10.240 --> 1:00:13.040
<v Speaker 1>like the villa. We're fighting with resources. We can't pay y'all.

1:00:13.480 --> 1:00:15.680
<v Speaker 1>Like I did a project for Netflix and they sent

1:00:15.760 --> 1:00:20.800
<v Speaker 1>me on tour press ye pay for everything because it's Netflix.

1:00:21.280 --> 1:00:22.680
<v Speaker 1>BT hit me like, ll.

1:00:23.200 --> 1:00:25.240
<v Speaker 2>You want to tour, we don't have money for Graham.

1:00:25.320 --> 1:00:27.000
<v Speaker 1>And I'm like, okay, I got it. This is for

1:00:27.120 --> 1:00:31.120
<v Speaker 1>me anyway, So I'll pay to promote to promote my show,

1:00:31.240 --> 1:00:33.000
<v Speaker 1>so I'll pay for myself and I'll write it off

1:00:33.040 --> 1:00:35.920
<v Speaker 1>on taxes. But some celebrities after a while just be like, man,

1:00:35.920 --> 1:00:38.240
<v Speaker 1>I'm not doing that for BT no more. And that's

1:00:38.280 --> 1:00:40.040
<v Speaker 1>the fucked up part. I'm gonna do this for BET

1:00:40.200 --> 1:00:42.600
<v Speaker 1>till I die, because I want those kids to see me.

1:00:43.040 --> 1:00:45.800
<v Speaker 1>I think me and Matt talked about this. I want

1:00:45.800 --> 1:00:48.760
<v Speaker 1>to be the celebrity that does a movie like Independence

1:00:48.880 --> 1:00:51.000
<v Speaker 1>Day and they're like, y'all want to go see the

1:00:51.080 --> 1:00:53.560
<v Speaker 1>Vow And the thing is, sit was crazy, But on

1:00:53.600 --> 1:00:57.840
<v Speaker 1>Wednesday he was Zach m Because there's some family somewhere

1:00:57.880 --> 1:00:59.960
<v Speaker 1>in Brooklyn who don't have the money to pay for

1:01:00.160 --> 1:01:03.080
<v Speaker 1>a thirty dollars Imax ticket to go see Daval, but

1:01:03.200 --> 1:01:06.000
<v Speaker 1>on Wednesday they could see Daval. Bzach Like, that's what

1:01:06.040 --> 1:01:07.720
<v Speaker 1>I want to do. So I'm always gonna be there

1:01:07.720 --> 1:01:10.200
<v Speaker 1>for BG. Most of wonna be there for the big ones,

1:01:10.200 --> 1:01:12.240
<v Speaker 1>but I'm gonna let them motherfuckers know along the way,

1:01:12.360 --> 1:01:14.439
<v Speaker 1>like this is this shit ain't right, Like y'all gotta

1:01:14.440 --> 1:01:15.880
<v Speaker 1>figure this out, you know what I'm saying.

1:01:16.120 --> 1:01:17.240
<v Speaker 3>Yeah, I love that.

1:01:17.240 --> 1:01:17.680
<v Speaker 7>Figure it out.

1:01:17.760 --> 1:01:20.720
<v Speaker 3>Let's figure out how to pay these bills, because that's

1:01:20.760 --> 1:01:22.760
<v Speaker 3>one thing that's always gonna keep coming, all right. So

1:01:22.760 --> 1:01:24.640
<v Speaker 3>we're gonna do that, and we're gonna move into listening letters.

1:01:24.720 --> 1:01:39.640
<v Speaker 3>Stick around, y'all. All right, we're back and let's dive

1:01:39.680 --> 1:01:42.080
<v Speaker 3>into this Sinstener letter for today. Hello, I am a

1:01:42.080 --> 1:01:45.720
<v Speaker 3>thirty one year old j American woman and if you

1:01:45.720 --> 1:01:48.520
<v Speaker 3>don't know, that's Jamaican American woman. And I'm engaged to

1:01:48.560 --> 1:01:51.960
<v Speaker 3>my fiance, thirty two years old black man. We've been

1:01:52.040 --> 1:01:54.480
<v Speaker 3>dating for about five years, engaged for six months, and

1:01:54.520 --> 1:01:58.360
<v Speaker 3>our wedding is in twenty twenty five. I recently I

1:01:58.440 --> 1:02:00.800
<v Speaker 3>recently was out running errands and I noticed my engagement

1:02:00.880 --> 1:02:02.040
<v Speaker 3>ring slipped off my finger.

1:02:02.360 --> 1:02:02.720
<v Speaker 1>Oh.

1:02:02.800 --> 1:02:04.800
<v Speaker 3>I retraced my steps, looked all over my car, but

1:02:04.880 --> 1:02:07.920
<v Speaker 3>I couldn't find it, and believe it was stolen. I'm devastated.

1:02:08.000 --> 1:02:10.240
<v Speaker 3>I found the police report and plan to continue going

1:02:10.480 --> 1:02:13.200
<v Speaker 3>to local pondshots to see if I can find my ring.

1:02:13.720 --> 1:02:16.800
<v Speaker 3>My fiance, unfortunately did not have the ring in shore

1:02:16.880 --> 1:02:19.640
<v Speaker 3>yet he has been pretty chill about the whole situation.

1:02:20.680 --> 1:02:22.800
<v Speaker 3>The ring cost him thirty five hundred dollars and we

1:02:22.880 --> 1:02:25.680
<v Speaker 3>both don't make much money. We got into a little

1:02:25.760 --> 1:02:27.600
<v Speaker 3>argument because I told him I will buy the same

1:02:27.680 --> 1:02:30.160
<v Speaker 3>ring with the wedding fund. But he made a good

1:02:30.240 --> 1:02:32.600
<v Speaker 3>point that although I'm paying for majority of the wedding,

1:02:32.920 --> 1:02:35.240
<v Speaker 3>I can't afford to spend an extra three grand on

1:02:35.320 --> 1:02:39.520
<v Speaker 3>another ring. Plus, I'm more upset that the sentimental value

1:02:39.520 --> 1:02:41.560
<v Speaker 3>of my engagement ring is gone, and all we have

1:02:41.680 --> 1:02:44.080
<v Speaker 3>now are the memories of the proposal, which was simple

1:02:44.440 --> 1:02:47.600
<v Speaker 3>and intimate, like I had asked. So as of now,

1:02:47.600 --> 1:02:49.880
<v Speaker 3>we both agreed that I will just wear a nice

1:02:49.880 --> 1:02:51.640
<v Speaker 3>fake ring so I have something to wear for our

1:02:51.680 --> 1:02:54.840
<v Speaker 3>engagement photos, my bridal shower, and our wedding, and then

1:02:54.880 --> 1:02:57.040
<v Speaker 3>three years down the road, he'll buy me another ring.

1:02:57.520 --> 1:02:59.960
<v Speaker 3>I admire you both, Kadeinia de Val and y'all's marriage.

1:03:00.080 --> 1:03:02.600
<v Speaker 3>I want to get both of y'all's advice on this

1:03:03.000 --> 1:03:05.200
<v Speaker 3>and what you guys would do if you were in

1:03:05.280 --> 1:03:07.160
<v Speaker 3>our shoes. Thanks so much.

1:03:07.920 --> 1:03:11.240
<v Speaker 1>This is easy for me because the diamond industry is

1:03:11.240 --> 1:03:14.240
<v Speaker 1>in shambles. Do not buy another fucking diamond ring. What

1:03:14.280 --> 1:03:16.280
<v Speaker 1>you do is you go get a lab grown dom.

1:03:16.280 --> 1:03:19.000
<v Speaker 1>He is going to cost you ten percent of the

1:03:19.040 --> 1:03:20.960
<v Speaker 1>price and it's going to look exactly the same, no

1:03:21.160 --> 1:03:25.440
<v Speaker 1>matter why. Because seeking admiration from people outside of your

1:03:25.480 --> 1:03:28.960
<v Speaker 1>relationship is going to do nothing for your relationship. Go

1:03:29.040 --> 1:03:31.080
<v Speaker 1>get that fake ring, put on your finger, take your pictures,

1:03:31.120 --> 1:03:33.800
<v Speaker 1>you and your fiance plan a perfect wedding for y'allself

1:03:33.800 --> 1:03:36.000
<v Speaker 1>that y'all want, and to go on y'all merried way.

1:03:36.320 --> 1:03:39.160
<v Speaker 3>Mike Drop, that's really it and the fact that you

1:03:39.200 --> 1:03:40.800
<v Speaker 3>guys are I mean, and they have a plan to

1:03:41.000 --> 1:03:42.960
<v Speaker 3>put the fake ring on, get married, and then maybe

1:03:42.800 --> 1:03:46.000
<v Speaker 3>three years down the line, you want to get another ring,

1:03:46.040 --> 1:03:48.840
<v Speaker 3>get another ring. We've learned over time that literally these

1:03:49.000 --> 1:03:52.320
<v Speaker 3>like these things are material. I understand the sentimental value.

1:03:52.360 --> 1:03:55.680
<v Speaker 3>But Deval proposed with proposed to me with the ring

1:03:55.760 --> 1:03:59.960
<v Speaker 3>that he had custom made. It was beautiful, roundstone, had

1:04:00.240 --> 1:04:03.040
<v Speaker 3>a K and a dee on it. It was beautiful

1:04:03.040 --> 1:04:04.720
<v Speaker 3>and it was made by our jeweler Aria at the

1:04:04.760 --> 1:04:10.480
<v Speaker 3>time recipes to Ari he died for after Yeah, yeah,

1:04:10.680 --> 1:04:13.000
<v Speaker 3>And that for me was super sentimental because I'm like

1:04:13.000 --> 1:04:15.600
<v Speaker 3>Ari made the ring, he made my ring, he made

1:04:16.040 --> 1:04:19.040
<v Speaker 3>original wedding band. It was just very sentimental. And then

1:04:19.080 --> 1:04:22.080
<v Speaker 3>as the years go on, you live in the memory

1:04:22.120 --> 1:04:24.760
<v Speaker 3>of it, but the material thing doesn't necessarily have the

1:04:24.800 --> 1:04:27.400
<v Speaker 3>connection that you think it has to that memory because

1:04:27.440 --> 1:04:28.880
<v Speaker 3>I've had my ring, this is the third ring I've

1:04:28.880 --> 1:04:31.240
<v Speaker 3>had now because of out has changed and upgraded just

1:04:31.320 --> 1:04:34.000
<v Speaker 3>with the time and how my style has changed. So yeah,

1:04:34.080 --> 1:04:36.480
<v Speaker 3>I think between the lab grown diamond, that's the that's

1:04:36.480 --> 1:04:38.880
<v Speaker 3>the hack now because we have someone that we know

1:04:38.880 --> 1:04:40.880
<v Speaker 3>who's getting a divorce and tried to sell her ring.

1:04:41.200 --> 1:04:43.560
<v Speaker 3>Ring was valued at seventy five thousand dollars when her

1:04:43.640 --> 1:04:45.720
<v Speaker 3>husband bought it for her. We took it to a

1:04:45.760 --> 1:04:47.600
<v Speaker 3>local Julia to try to see she can turn it in.

1:04:47.680 --> 1:04:51.080
<v Speaker 3>They weren't giving her more than fifteen thousand dollars. He

1:04:51.120 --> 1:04:54.200
<v Speaker 3>paid seventy five thousand dollars for this ring.

1:04:54.200 --> 1:04:56.240
<v Speaker 1>Guys, I said, the market has changed so much because

1:04:56.320 --> 1:04:59.240
<v Speaker 1>lab grown diamonds pretty much take the same This is

1:04:59.240 --> 1:05:00.680
<v Speaker 1>how much science has changed.

1:05:01.480 --> 1:05:04.280
<v Speaker 2>It goes through the same process of coaling.

1:05:03.880 --> 1:05:06.960
<v Speaker 1>The diamond into a diamond that it does underground, so

1:05:07.000 --> 1:05:10.200
<v Speaker 1>when they test it, it passes all the same test does.

1:05:10.280 --> 1:05:12.120
<v Speaker 1>So now you can get the same exact diamond as

1:05:12.160 --> 1:05:14.160
<v Speaker 1>you had before with no flaws, and it's going to

1:05:14.240 --> 1:05:16.000
<v Speaker 1>pass all of the diamond laser tests.

1:05:16.080 --> 1:05:16.280
<v Speaker 3>Right.

1:05:16.680 --> 1:05:19.680
<v Speaker 1>I am not going to spend three thousand dollars when

1:05:19.680 --> 1:05:21.640
<v Speaker 1>I can spend three fifty. That's I'm just not going

1:05:21.680 --> 1:05:23.200
<v Speaker 1>to do it. I'm going to invest that money in

1:05:23.240 --> 1:05:26.160
<v Speaker 1>and creating a greater future. There's some days I walk

1:05:26.200 --> 1:05:28.400
<v Speaker 1>around and Kate don't got her ring on. K lost

1:05:28.400 --> 1:05:31.160
<v Speaker 1>to tennants bracelet that I bought her, and she was

1:05:31.200 --> 1:05:34.160
<v Speaker 1>so devastrated, crying and I said, it's a thing, and

1:05:34.280 --> 1:05:36.439
<v Speaker 1>it's a thing like we have each other, like these

1:05:36.440 --> 1:05:38.080
<v Speaker 1>things are going to come and go. Yeah.

1:05:38.120 --> 1:05:40.960
<v Speaker 3>Absolutely, good luck to y'all with the wedding planning and

1:05:40.960 --> 1:05:42.760
<v Speaker 3>starting your life together. That's awesome.

1:05:43.000 --> 1:05:43.480
<v Speaker 7>All right, y'all.

1:05:43.520 --> 1:05:44.800
<v Speaker 3>If you want to be featured as one of our

1:05:44.800 --> 1:05:48.920
<v Speaker 3>listener letters, email us at the Ellis's Advice. Well, the

1:05:49.040 --> 1:05:51.479
<v Speaker 3>Ellis Advice at gmail dot com. Spell that out.

1:05:51.680 --> 1:05:54.840
<v Speaker 1>T H E L L wait t H E E

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<v Speaker 1>L L I S A d V I C E

1:05:57.480 --> 1:05:59.360
<v Speaker 1>at gmail dot com.

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<v Speaker 3>All right, let's go in to a moment of truth time.

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<v Speaker 3>We're talking about black excellence and black power, black excellence

1:06:05.680 --> 1:06:08.720
<v Speaker 3>versus black power. What is our final round out with

1:06:08.800 --> 1:06:10.360
<v Speaker 3>this conversation? Take us away, trip.

1:06:11.200 --> 1:06:17.400
<v Speaker 6>I think the four election is a great example about

1:06:17.440 --> 1:06:22.840
<v Speaker 6>how what matters black excellence or black power because other

1:06:22.960 --> 1:06:25.280
<v Speaker 6>people that you might be trying to be like in

1:06:25.320 --> 1:06:27.840
<v Speaker 6>the name of excellence, they don't even want the life

1:06:27.960 --> 1:06:28.520
<v Speaker 6>that you want.

1:06:28.560 --> 1:06:29.600
<v Speaker 7>They don't want none of the shit.

1:06:30.320 --> 1:06:34.000
<v Speaker 6>So do everything that you do excellently and for the collective,

1:06:34.720 --> 1:06:37.240
<v Speaker 6>for your people so we can all make it to

1:06:37.280 --> 1:06:38.919
<v Speaker 6>the other side unscathed.

1:06:39.320 --> 1:06:39.760
<v Speaker 7>Amen.

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<v Speaker 3>Amen, Mommy, I don't think we need no more moments

1:06:43.080 --> 1:06:46.360
<v Speaker 3>of truth. Child. That was a blank it statement for everybody.

1:06:46.400 --> 1:06:47.600
<v Speaker 3>If but go ahead and they let me speak for

1:06:47.640 --> 1:06:48.200
<v Speaker 3>you for.

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<v Speaker 4>Me, simple, let your light shine.

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<v Speaker 1>That's the only way black excellents happen.

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<v Speaker 4>Love that, but you got, Josh, I think black excellence

1:06:57.240 --> 1:07:00.400
<v Speaker 4>cannot exist without black power.

1:07:04.920 --> 1:07:09.080
<v Speaker 3>Love that for you. Just always remember the black power

1:07:09.240 --> 1:07:13.560
<v Speaker 3>portion of it is a verb. It's a movement, and

1:07:13.600 --> 1:07:17.280
<v Speaker 3>by way of movement, we attain something that, like Triple

1:07:17.360 --> 1:07:20.320
<v Speaker 3>told us, with black excellence is something that we as

1:07:20.360 --> 1:07:24.439
<v Speaker 3>individuals can feel. So know that one has to work

1:07:24.480 --> 1:07:26.080
<v Speaker 3>with the other simultaneously.

1:07:26.360 --> 1:07:29.800
<v Speaker 1>Your mine is easy. Black excellences in ideology, black powers

1:07:29.800 --> 1:07:32.040
<v Speaker 1>an action item. Get out there and do stuff. Be powerful.

1:07:32.320 --> 1:07:35.360
<v Speaker 3>That's it, all right, y'all Be powerful and be excellent.

1:07:35.440 --> 1:07:37.600
<v Speaker 3>And join us on Patreon if you have not yet,

1:07:37.680 --> 1:07:40.480
<v Speaker 3>because that's that's the best way to be with the Eliss.

1:07:40.560 --> 1:07:43.000
<v Speaker 3>We have our after show on there for Ellis ever After.

1:07:43.080 --> 1:07:46.720
<v Speaker 3>We also have exclusive family content. You can find us there,

1:07:46.720 --> 1:07:49.200
<v Speaker 3>So if you haven't joined Patreon yet, do so, and

1:07:49.240 --> 1:07:51.960
<v Speaker 3>you can find us on social media at Ellis ever After.

1:07:52.440 --> 1:07:53.920
<v Speaker 3>I'm at Skagene, I am.

1:07:53.840 --> 1:07:58.520
<v Speaker 4>And i am deval A Matt on the score, Ellis,

1:07:58.800 --> 1:08:01.520
<v Speaker 4>excuse me, I said that wrong. I have a terrible

1:08:01.600 --> 1:08:03.840
<v Speaker 4>name and I want to change it. If y'all can

1:08:03.880 --> 1:08:05.680
<v Speaker 4>help me get a new Instagram name, please, But it's

1:08:05.720 --> 1:08:08.160
<v Speaker 4>on the score Matt dot Elis. We confuse these people

1:08:08.240 --> 1:08:09.240
<v Speaker 4>every single every weekday.

1:08:09.280 --> 1:08:10.280
<v Speaker 1>It's a new one every time.

1:08:10.520 --> 1:08:13.520
<v Speaker 4>And you can double click on my face at Joshua Underscore, Dwayne,

1:08:13.960 --> 1:08:14.600
<v Speaker 4>I'm at.

1:08:14.480 --> 1:08:17.479
<v Speaker 7>Trips the Cool t ri ibb Z the Cool on

1:08:17.600 --> 1:08:18.559
<v Speaker 7>Everything That's Right.

1:08:18.600 --> 1:08:20.880
<v Speaker 1>And if you're listening on Apple Podcasts, be sure to rate,

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<v Speaker 1>review and subscribe please do.

1:08:25.240 --> 1:08:30.439
<v Speaker 6>Cot Ellis ever After is an iHeartMedia podcast. It's hosted

1:08:30.479 --> 1:08:35.080
<v Speaker 6>by Kadeen and daval Ellis. It's produced by Triple Video,

1:08:35.200 --> 1:08:39.720
<v Speaker 6>Production by Joshua Dwyane and Matthew Ellis, video editing by

1:08:39.800 --> 1:09:13.960
<v Speaker 6>Leshan Roem

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<v Speaker 7>Sadgonagonad Dogona