WEBVTT - Was that Necessary (S3 E19 "Keg! Max!”)

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<v Speaker 1>I am all in. Oh that's just you more. I

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<v Speaker 1>am all in with Scott Patterson and i Hurt Radio podcast.

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<v Speaker 1>Hey everybody or Live from Halifax, Nova Scotia. Poem of

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<v Speaker 1>seafood Delectables of all stripe um takes Nova Scotia. For

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<v Speaker 1>some reason, I think I thought Nova Scotia was the city.

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<v Speaker 1>I just realized that that's not. No, it's it's it's

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<v Speaker 1>the province. And like, can you give me like, is

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<v Speaker 1>it like the size of Massachusetts, like the size of

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<v Speaker 1>Rhode Island. I think it's a couple hour drive about

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<v Speaker 1>astern if you got it? Got it? So it's no California.

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<v Speaker 1>It's not as like oh no no, no, no, no,

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<v Speaker 1>no no no no no, no no no, it's it's beautiful.

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<v Speaker 1>Have you discovered a favorite restaurant in Halifax, Nova Scotia.

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<v Speaker 1>You know there's a couple actually there's a couple. Yeah,

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<v Speaker 1>I don't want to name them, but there, because you know,

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<v Speaker 1>I like to go there. Everyone didn't know about it. Hey,

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<v Speaker 1>come on down, I'll buy cocktail. And I was like

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<v Speaker 1>hearing about something like that, Oh God, what was it?

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<v Speaker 1>And they're like, don't tell anybody, like because you don't

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<v Speaker 1>want everyone to know, like it's the best, right, and

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<v Speaker 1>then they'll they'll you know, people order so many and

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<v Speaker 1>then they'll have to get cheaper meat or something and

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<v Speaker 1>then loses its luster. Yeah. So, but there's a couple

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<v Speaker 1>of places and they're they're fantastic. But it's it's it's

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<v Speaker 1>it's a fun city and uh, you know, it's beautiful

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<v Speaker 1>on the outskirts of the city, it's like unbelievable places. Um,

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<v Speaker 1>you got to be into boating and fishing and all

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<v Speaker 1>that stuff because it's like it's heaven here. Water skiing,

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<v Speaker 1>it's it's great all morning. I was like Unice Singles

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<v Speaker 1>water skiing all over the day. I'm just kidding. I

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<v Speaker 1>would never do that. It's in my contract. I just

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<v Speaker 1>follow is about it there? Yeah, yeah, a little a

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<v Speaker 1>little bit. It's historic. Yeah, there's some historic sites. Sure. Yeah,

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<v Speaker 1>it's got its own history diner. There actually is, and

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<v Speaker 1>I did take a photo of it. Wait, it's actually

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<v Speaker 1>called Luke Steiner. There's it's not Luke Steiner. I think

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<v Speaker 1>it's more of a bakery, but it says Luke's on

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<v Speaker 1>the front. We were shooting down town one. You don't

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<v Speaker 1>you don't follow my Instagram, do you Cram's doing that

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<v Speaker 1>whack thing. We're not getting my you know. So, so

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<v Speaker 1>I took the picture in front of Luke's and I said,

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<v Speaker 1>you know, something like some stupid that I always say,

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<v Speaker 1>like Luke in front of Luke's. Oh mind blown or

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<v Speaker 1>something like that, and it got a headline here in

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<v Speaker 1>the Halifax Press. Yes, yes, yeah, I found it. Whack

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<v Speaker 1>thing is called an algorithm. I'm getting like, I'm getting

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<v Speaker 1>people that I've never seen in their things in five

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<v Speaker 1>meters and I'm not getting the ones that I usually see.

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<v Speaker 1>That's like, yeah, I'm really bitter that nobody responded to

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<v Speaker 1>my text outside of you Amy that you were going

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<v Speaker 1>to watch this episode. The second I saw this episode,

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<v Speaker 1>I blasted all of you guys and was like, I'm obsessed.

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<v Speaker 1>I know, but here's why I didn't respond. You didn't

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<v Speaker 1>like it? Well, I love all the episodes. No, no,

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<v Speaker 1>I love them all, but this was not my favorite.

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<v Speaker 1>You know what, you know what, you know what you

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<v Speaker 1>should have done. You know what you should have done.

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<v Speaker 1>You should have watched it a second time, because I

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<v Speaker 1>watched it last night and I was like, man, stinker

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<v Speaker 1>didn't like it, and hang on, hang on, and I

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<v Speaker 1>was just in a mood. Okay, I was lonely, I

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<v Speaker 1>was missing my family. I wasn't in the mood to

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<v Speaker 1>be watching any of this kitty stuff. Okay. And then

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<v Speaker 1>I watched it right before we came on, and I

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<v Speaker 1>laughed my ass off, and I really really enjoyed it.

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<v Speaker 1>I actually I really enjoyed the episode. Stop laughing, right, hilarious?

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<v Speaker 1>I thought so, I thought so. I mean, it's enjoyable.

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<v Speaker 1>But what parts made you guys laugh the most? Okay,

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<v Speaker 1>say the same things? Got go ahead? God, what are

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<v Speaker 1>you gonna say when talking? Yes, yes, he steals the episode.

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<v Speaker 1>He he was changes. It was changes. Everything he said.

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<v Speaker 1>I completely agree with you. Everything he said. Don't touch me, Dave,

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<v Speaker 1>I'm not gonna touch you young. I mean, everything was

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<v Speaker 1>perfect from this guy Sprouth. I have like five lines

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<v Speaker 1>from Dave Regowski. Yes, yes, he was masterful. Oh my god,

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<v Speaker 1>is I love Adam Brody. He did that same stuff

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<v Speaker 1>on the the delivery and that the cool laid back

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<v Speaker 1>and he's so smart and wait, yeah, yeah, it's like

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<v Speaker 1>there's nothing better. There's nothing better. And the great line

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<v Speaker 1>was when he said, and when the guys you're like

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<v Speaker 1>and and Regalsky says, uh unusually obsessed with that integer

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<v Speaker 1>My favorite when he told young Cheo to step away

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<v Speaker 1>from the cords because he electrocuted, and so good, it's

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<v Speaker 1>so good. It's so good, oh man, you know because

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<v Speaker 1>because because Yanny, I mean Michelle kind of he was

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<v Speaker 1>still great. But I like, I like angry Michelle more

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<v Speaker 1>than I like sort of like dogs, but the dogs

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<v Speaker 1>in the soft Michelle. That's funny too. And he had

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<v Speaker 1>he had one or two good lines, but it's it's

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<v Speaker 1>not the David Galsy came in and just hit it

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<v Speaker 1>out of the park. Like every time he showed up,

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<v Speaker 1>I was like, yeah, more, Dave more, Dave more day.

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<v Speaker 1>I mean even when he was just it was so great.

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<v Speaker 1>He's so different from everybody else. He's so distinctive and

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<v Speaker 1>he's just he's just really relaxed and great. I love

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<v Speaker 1>the guy. I love. You gotta get him on. I asked,

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<v Speaker 1>I know, you gotta get you gotta get him on, man,

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<v Speaker 1>because I'm pretty sure he's Adam Brodie's just playing Adam Brodie, right, No, No,

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<v Speaker 1>there's no question. He doesn't have to do characters. He

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<v Speaker 1>is a character. It's so confusing because Adam Brody in

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<v Speaker 1>real life is married to late mister. Yes, okay, so

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<v Speaker 1>he married the girl from Gossip Girl. Correct, and then

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<v Speaker 1>the girl from the o C married Rachel Bilson. She

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<v Speaker 1>married Darth Vader, but they got divorced or separated. They're

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<v Speaker 1>not something. She married Darth Vader. What's married at Hayden Christians? Yeah?

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<v Speaker 1>Oh yeah? Who confused? The heck? Can keep up with

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<v Speaker 1>all these kids and who they're marrying? And I just

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<v Speaker 1>bouncing around like Bunny Rabbits and Layton Mester and with Rachel.

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<v Speaker 1>I agree, Oh, come on, she's put her from Gossip Girl.

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<v Speaker 1>You can't really, she's iconic, Layton Mister her song good

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<v Speaker 1>Girls Go Bad? Yes, okay, let's should I give them

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<v Speaker 1>the synopsis so people know what we're talking about. Yeah,

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<v Speaker 1>let's do let's do that. So this is season three,

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<v Speaker 1>episode nineteen. The title is Keg Max Air date Apri three,

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<v Speaker 1>So this is literally in the synopsis. So much happened?

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<v Speaker 1>Lad La joins the Booster Club at Chiltern, where Max

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<v Speaker 1>is the faculty advisor and he tries to set boundaries

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<v Speaker 1>with her. Meanwhile, at the end, Michelle and Laura La

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<v Speaker 1>are picking up extra house keeping duties and she has

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<v Speaker 1>an awkward running with Luke and Nicole in their room.

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<v Speaker 1>Jess Laurence he's getting kicked out of school and he

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<v Speaker 1>doesn't tell Rory, all leading up to him being upset

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<v Speaker 1>at a party where Lane's band book their first gig

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<v Speaker 1>and ends up getting in a huge fight with Dean

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<v Speaker 1>and speaking of Lane, Dave is jealous about young Chew

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<v Speaker 1>and Lane started drinking and drunk dials her mom to

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<v Speaker 1>tell her the truth. Can I get my bone to pick? Yeah? Sure? Max?

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<v Speaker 1>Like what the hell was that? Like that scene? Sorry

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<v Speaker 1>to come off like start right and being caustic, but

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<v Speaker 1>like that scene was so donkey do do? Like what

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<v Speaker 1>but I'm you see I I actually agree with your

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<v Speaker 1>bone to pick because I am actually happy. Max was like, no, dude,

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<v Speaker 1>you had the ring. You ruined it, so I'm out

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<v Speaker 1>right that you can't have a cake and eat it too,

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<v Speaker 1>sorry right right moving around the classroom like state ten

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<v Speaker 1>feet for me, Like he's a dork. I was like, no, Max,

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<v Speaker 1>You're cool. He was. That was okay, So so that

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<v Speaker 1>was that was theater Okay, that was a theater interpretation

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<v Speaker 1>of that scene because they had the room to do

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<v Speaker 1>it because it was two people in a big space

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<v Speaker 1>right in a classroom. They had all that space to themselves.

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<v Speaker 1>How they going to fill it? So they decided to

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<v Speaker 1>do a theater interpretation and not a TV or a film. Yes,

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<v Speaker 1>I think your interpretation dory and that right, it's like

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<v Speaker 1>watching that was like watching an off Broadway play, a

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<v Speaker 1>bad off Broadway play. Well, not necessarily I thought, no.

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<v Speaker 1>I thought the acting was was good. It just it's

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<v Speaker 1>hard to digest it in a television format and a

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<v Speaker 1>television medium because that's theater what they Yeah, I think

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<v Speaker 1>you're right, because this is I think you're totally right,

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<v Speaker 1>because it's why I don't love people are gonna like

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<v Speaker 1>I want to yell at me, but I don't love

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<v Speaker 1>theater because it always seems fake. And so to me,

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<v Speaker 1>this show is real. Like for me, these people are real.

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<v Speaker 1>This is all real. And so when I see that

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<v Speaker 1>dorky miss dancing around hand been handy man, like it's

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<v Speaker 1>choreographed like someone, because then you're gonna go left and

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<v Speaker 1>you're gonna go right, and you're gonna run around the

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<v Speaker 1>desk right right, fool. And then like they almost won

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<v Speaker 1>me back when they bumped into each other in the hallway.

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<v Speaker 1>But still I was just like, she came, but she

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<v Speaker 1>came running out the door. Why was she running out

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<v Speaker 1>the door and like slammed into him with her shoulder.

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<v Speaker 1>It was like, what is going I didn't like that.

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<v Speaker 1>I wanted the last time he said by to be

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<v Speaker 1>the time he said by, right, I did too, just

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<v Speaker 1>be Max. Max is So I love Max because Max

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<v Speaker 1>is cool and Max would never that was not Max.

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<v Speaker 1>That was an impostor because by Max never, like he

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<v Speaker 1>would have gone in and kissed her and then been like, yeah,

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<v Speaker 1>goodbye forever. But I don't but but he but look

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<v Speaker 1>at what he went through. He didn't want to lose

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<v Speaker 1>his job, you know, because because how how many conversations

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<v Speaker 1>did we have prior in season one about the inappropriateness

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<v Speaker 1>of the relationship in the first place, Right, And then

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<v Speaker 1>you know he's he's gonna bend Rory's mind with this,

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<v Speaker 1>He's going to jeopardize his career with this one magnetic girl,

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<v Speaker 1>and you know, yeah, you can believe that, but it's like, what, so, yeah,

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<v Speaker 1>I kind of feel like he's justified in doing that.

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<v Speaker 1>I don't know, if you didn't like how it was blunted,

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<v Speaker 1>you didn't like how the scene was interpreted right, and

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<v Speaker 1>and it also made well it also made Laurela I

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<v Speaker 1>look a little dorky too. Yeah. Yeah, it looked like

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<v Speaker 1>she kept coming forward and was like, WHOA is this

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<v Speaker 1>Like it was a little yeah it was. It was

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<v Speaker 1>a little creepy, it was. It was kind of yeah,

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<v Speaker 1>I got I thought it was an odd choice when

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<v Speaker 1>I watched it, and then I watched it again and

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<v Speaker 1>I thought, yeah, it's still an odd choice. But they

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<v Speaker 1>made the choice, right. Yeah, I guess you have to.

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<v Speaker 1>They decided to try something, you know, and really physicalize

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<v Speaker 1>the scene, right, and you can defend that scene. Hit

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<v Speaker 1>me up because I thought anything it was over the top.

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<v Speaker 1>I will agree with you on that. But I did

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<v Speaker 1>like the scene. I did like the scene where Lorela

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<v Speaker 1>was trying to get get you know, get through to Max.

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<v Speaker 1>But he was like, you know what, No, you screwed

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<v Speaker 1>me over once. You're not going to do it again.

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<v Speaker 1>And I stand by it, Like I do love him

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<v Speaker 1>doing been that. I like that she came in and

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<v Speaker 1>called him out, so you're avoiding me and he's like yeah,

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<v Speaker 1>but all right, And all he needed to do to

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<v Speaker 1>make a really strong response is to stand up behind

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<v Speaker 1>his desk and use his voice and that's it, and

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<v Speaker 1>that's all it needed. And I think it killed what

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<v Speaker 1>I think you're objecting to. Is it kind of killed

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<v Speaker 1>the tension of the scene. Yes, because there was a

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<v Speaker 1>lot of tension and a lot of feelings in that

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<v Speaker 1>scene and it kind of got frittered away with all

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<v Speaker 1>that kind of weird staged you know, it was like

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<v Speaker 1>she wasn't trying to murder him, and he's throwing like

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<v Speaker 1>desks in front of her. You know, it's like it was.

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<v Speaker 1>It was, it was, it was, it was. And for me,

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<v Speaker 1>I'm sorry, but if you were engaged to somebody and

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<v Speaker 1>you slept with them and then they dare tell me, oh,

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<v Speaker 1>don't come within ten feet of me, I'm going to

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<v Speaker 1>do this weird. Hey, that's twenty bucks. I love this show,

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<v Speaker 1>and I think that scene I'm gonna go on limb

0:14:11.360 --> 0:14:13.080
<v Speaker 1>here and say, one of the worst scenes in the

0:14:13.240 --> 0:14:17.720
<v Speaker 1>entire run of the series. Oh no, not worst episode,

0:14:17.800 --> 0:14:20.760
<v Speaker 1>just scene that was it worse than Christopher coming in

0:14:20.840 --> 0:14:22.680
<v Speaker 1>and doing a whole I was about to say that

0:14:22.760 --> 0:14:26.320
<v Speaker 1>you would like that scene. I love that the whole

0:14:26.440 --> 0:14:29.840
<v Speaker 1>romance novel scene that was amazing I love that scene.

0:14:30.040 --> 0:14:33.320
<v Speaker 1>This scene was so fake because amazingly Bad is never

0:14:33.360 --> 0:14:35.800
<v Speaker 1>going to act like that, and lor Lie is never

0:14:35.840 --> 0:14:38.960
<v Speaker 1>gonna act like that. You're telling is some dude that

0:14:39.000 --> 0:14:41.200
<v Speaker 1>she was engaged to and slept with, like we all

0:14:41.240 --> 0:14:43.680
<v Speaker 1>know it, said to her, don't come in within ten

0:14:43.680 --> 0:14:45.760
<v Speaker 1>ft of me. Let me tell you what my lorre

0:14:45.840 --> 0:14:51.960
<v Speaker 1>Lie would do. Bye, She's not gonna do that dance

0:14:52.000 --> 0:14:54.560
<v Speaker 1>and try to Oh, let me come closer like a freak,

0:14:54.720 --> 0:15:06.680
<v Speaker 1>Like that's too cool for that. Dude says to her,

0:15:06.720 --> 0:15:09.400
<v Speaker 1>I can't come within ten feet of you, which, first

0:15:09.440 --> 0:15:12.000
<v Speaker 1>of all, I get it. He's saying, I'll kiss you.

0:15:12.240 --> 0:15:15.640
<v Speaker 1>But it's like, dude, you're a grown ass man. She's

0:15:15.720 --> 0:15:19.560
<v Speaker 1>the coolest chick on the planet. Okay, but he said

0:15:19.560 --> 0:15:21.800
<v Speaker 1>it himself, Laura is a creature that makes him do

0:15:21.880 --> 0:15:27.920
<v Speaker 1>weird things. A mythological creature. You're like a mythological creature.

0:15:28.240 --> 0:15:33.600
<v Speaker 1>Refer creature. What I want to do somebody. I know

0:15:33.680 --> 0:15:36.800
<v Speaker 1>that I'm making producers lose their minds right now, But

0:15:36.840 --> 0:15:40.240
<v Speaker 1>can somebody transcribe that scene really quick so we can

0:15:40.320 --> 0:15:43.880
<v Speaker 1>read the words. The words were not my problem with it.

0:15:43.880 --> 0:15:48.080
<v Speaker 1>It was the buffoonery you want to do. Do you

0:15:48.120 --> 0:15:51.960
<v Speaker 1>want to do the scene with me? Yes? Do you want? Yes?

0:15:52.200 --> 0:15:59.080
<v Speaker 1>Because I'll be because let me tell you, Luke never

0:15:59.680 --> 0:16:04.080
<v Speaker 1>have been ever like that, ever, especially the lord, like

0:16:04.240 --> 0:16:07.600
<v Speaker 1>he would never do kill later because I love a

0:16:07.640 --> 0:16:11.920
<v Speaker 1>big door. Like it was just I feel like reading

0:16:12.240 --> 0:16:14.960
<v Speaker 1>like the scene is almost like gonna like I feel

0:16:15.000 --> 0:16:17.720
<v Speaker 1>like I feel like the words are actually going to

0:16:17.760 --> 0:16:21.680
<v Speaker 1>play off. Well, yes, that's what I'm saying they did.

0:16:21.280 --> 0:16:23.920
<v Speaker 1>We're going to do with justice. We're doing this as

0:16:23.960 --> 0:16:27.320
<v Speaker 1>an exercise to right the wrong internally. That's going on

0:16:27.440 --> 0:16:29.320
<v Speaker 1>side of Amy right now. We've got to write the

0:16:29.360 --> 0:16:32.920
<v Speaker 1>ship for her. It's like a rehab mission. Yes, I

0:16:32.920 --> 0:16:37.040
<v Speaker 1>don't think it was no words that and you can

0:16:37.120 --> 0:16:39.520
<v Speaker 1>say like I can't come within dense feet of you,

0:16:39.920 --> 0:16:43.040
<v Speaker 1>like you can say that. Cool. It's when great actors

0:16:43.160 --> 0:16:47.360
<v Speaker 1>make us questionable choices. And whose fault is that? Like

0:16:47.600 --> 0:16:53.680
<v Speaker 1>is that the director? The guys. I'm telling you they

0:16:53.720 --> 0:16:56.360
<v Speaker 1>did this in real time, like we didn't like pause

0:16:56.400 --> 0:16:59.680
<v Speaker 1>and edit like they just found that and I am ready, Well,

0:16:59.720 --> 0:17:03.640
<v Speaker 1>this scene is like miles long. All right, we can

0:17:03.680 --> 0:17:06.720
<v Speaker 1>just do the the part, Okay, all right, go ahead,

0:17:07.240 --> 0:17:15.840
<v Speaker 1>got you? You sure did kind of real busy. You're

0:17:15.880 --> 0:17:19.480
<v Speaker 1>avoiding me. No, I'm not. Then, what's with the I'm

0:17:19.560 --> 0:17:24.680
<v Speaker 1>busy things? I can't be busy. That's avoiding me saying

0:17:24.680 --> 0:17:27.840
<v Speaker 1>you're busy. No, it's descriptive of my current state. These

0:17:27.960 --> 0:17:30.639
<v Speaker 1>essays are due back tomorrow. I'm way behind my reading,

0:17:30.680 --> 0:17:33.639
<v Speaker 1>so I'm eating my Dale vending machine sandwich at my

0:17:33.680 --> 0:17:36.320
<v Speaker 1>desk in my feudal attempt to try and catch up

0:17:36.720 --> 0:17:40.880
<v Speaker 1>two rotations? What it's in the Booster Club? By laws

0:17:40.960 --> 0:17:43.679
<v Speaker 1>my friend and looked it up myself. Faculty advisors are

0:17:43.680 --> 0:17:46.399
<v Speaker 1>supposed to do a minimum of two consecutive rotations with

0:17:46.480 --> 0:17:48.960
<v Speaker 1>the Booster Club, and you did one. I did three?

0:17:49.440 --> 0:17:52.119
<v Speaker 1>What I did three? You wanted my third one? I

0:17:52.160 --> 0:17:57.680
<v Speaker 1>did the previous two. You weren't at You have documentation? Documentation? Well,

0:17:57.720 --> 0:18:00.560
<v Speaker 1>I'm sure I can scrounch up a witness. Why did

0:18:00.560 --> 0:18:02.600
<v Speaker 1>you treat me so weird at that last meeting? I

0:18:02.640 --> 0:18:05.560
<v Speaker 1>treated you with respecting kindness. That's why it was weird.

0:18:05.960 --> 0:18:08.400
<v Speaker 1>It's it's how you treated Terry and Joan too. I mean,

0:18:08.600 --> 0:18:11.040
<v Speaker 1>did you also kissed Terry and Joan? Yeah? I did,

0:18:11.080 --> 0:18:12.760
<v Speaker 1>and Doug and he was the best of all three.

0:18:14.320 --> 0:18:16.639
<v Speaker 1>I was playing it cool. You were too. I was

0:18:16.680 --> 0:18:19.720
<v Speaker 1>just following suit. No, I was playing it cool because

0:18:19.760 --> 0:18:21.600
<v Speaker 1>you were playing it cool, and I'm the treasure, and

0:18:21.640 --> 0:18:24.680
<v Speaker 1>the treasure has to be cooler. It looks suspicious. Wait wait, wait,

0:18:24.680 --> 0:18:28.640
<v Speaker 1>wait ten feet ten feet that's safe distance for us,

0:18:28.720 --> 0:18:30.879
<v Speaker 1>and the more furniture in between, the better. I'm not

0:18:30.880 --> 0:18:33.359
<v Speaker 1>going to attack you. I'm not worried about you. I'm

0:18:33.400 --> 0:18:36.760
<v Speaker 1>worried about me. I mean, there are people still walking

0:18:36.800 --> 0:18:39.440
<v Speaker 1>the halls, and this is my workplace, and I can't

0:18:39.440 --> 0:18:41.480
<v Speaker 1>be held responsible for what I do around you. I

0:18:41.520 --> 0:18:46.359
<v Speaker 1>mean you you are like a like a like a

0:18:46.800 --> 0:18:50.280
<v Speaker 1>mythological creature that casts some kind of I mean it

0:18:50.320 --> 0:18:55.760
<v Speaker 1>sounds like such an insult, some kind of monster, mythological

0:18:55.880 --> 0:18:58.000
<v Speaker 1>creature that cast some kind of spell on me and

0:18:58.040 --> 0:19:01.760
<v Speaker 1>makes me act stupid. I'm not stupid. I don't act

0:19:01.800 --> 0:19:06.359
<v Speaker 1>stupid with anyone else. Ah, we're too close again. Come on,

0:19:06.440 --> 0:19:08.720
<v Speaker 1>I didn't bring a freaking tape measure. I'm not good

0:19:08.720 --> 0:19:11.200
<v Speaker 1>at judging distances. To help me out with a ten

0:19:11.240 --> 0:19:13.240
<v Speaker 1>ft thing. Well, it's a little bit bigger than a

0:19:13.280 --> 0:19:16.639
<v Speaker 1>basketball player. Just keep a really big basketball player between us.

0:19:18.720 --> 0:19:21.840
<v Speaker 1>But there's a sentence. Okay, So now here's this is okay.

0:19:21.840 --> 0:19:24.880
<v Speaker 1>So okay, I'm gonna stop. Hang on, this is where

0:19:24.920 --> 0:19:28.600
<v Speaker 1>it goes awry. This is this is dot com Okay,

0:19:28.640 --> 0:19:30.960
<v Speaker 1>so this is where the interpretation goes awry. So let's go,

0:19:31.040 --> 0:19:34.600
<v Speaker 1>let's reinterpret it. Let's know, let's fix it, because I

0:19:34.640 --> 0:19:37.480
<v Speaker 1>don't mind not changing the words. It was their movements

0:19:37.560 --> 0:19:40.320
<v Speaker 1>that just right. I was gonna say, when you're reading

0:19:40.320 --> 0:19:42.240
<v Speaker 1>it, it it actually like listening back, I'm like, oh, this

0:19:42.280 --> 0:19:46.200
<v Speaker 1>is sound that bad. Okay. So here's the thing. So,

0:19:46.200 --> 0:19:49.080
<v Speaker 1>so if I'm standing up and you're standing over there,

0:19:49.480 --> 0:19:52.000
<v Speaker 1>I'm not worried and I'm just standing there talking. I'm

0:19:52.000 --> 0:19:54.000
<v Speaker 1>not worried about you. I'm worried about me. I mean,

0:19:54.040 --> 0:19:56.640
<v Speaker 1>there's still people walking the halls, and this is my workplace,

0:19:56.640 --> 0:19:58.359
<v Speaker 1>and I can't be held responsible for what I do

0:19:58.440 --> 0:20:00.800
<v Speaker 1>around you. Smile on my face. You mean you're like

0:20:01.480 --> 0:20:04.600
<v Speaker 1>you're like a mythological creature that casts some kind of

0:20:04.640 --> 0:20:07.240
<v Speaker 1>spell on me and makes me act stupid. I'm not stupid.

0:20:07.280 --> 0:20:12.240
<v Speaker 1>I don't act stupid with anyone else. Like, just underplay

0:20:12.240 --> 0:20:15.639
<v Speaker 1>it and play and play the attraction. Yes, if I

0:20:15.680 --> 0:20:18.560
<v Speaker 1>was lower lie, I would have kind of not the

0:20:18.680 --> 0:20:22.679
<v Speaker 1>fear exactly right movement. I would have sat on the desk.

0:20:23.400 --> 0:20:25.400
<v Speaker 1>That's good, kind of got up and sort of been

0:20:26.000 --> 0:20:28.520
<v Speaker 1>walking a little bit. What you're getting close? You know,

0:20:28.640 --> 0:20:33.200
<v Speaker 1>just this is a seduction This is a seduction scene. Yes, okay,

0:20:33.240 --> 0:20:34.800
<v Speaker 1>so do it? Do it like that? Okay, do it?

0:20:34.920 --> 0:20:37.879
<v Speaker 1>Do it sexy? Do it's sexy. I didn't bring it.

0:20:38.240 --> 0:20:41.240
<v Speaker 1>I'm doing it. I'm being sexy. Okay. I know it's

0:20:41.280 --> 0:20:44.240
<v Speaker 1>blown me away. I don't act stupid with anyone else.

0:20:45.400 --> 0:20:49.879
<v Speaker 1>You're too close again, I didn't bring a tape measure. Look,

0:20:50.680 --> 0:20:53.480
<v Speaker 1>I'm not good at judging distances. Maybe you can help

0:20:53.480 --> 0:20:55.680
<v Speaker 1>me out with a ten ft thing. Well, it's a

0:20:55.720 --> 0:20:58.160
<v Speaker 1>little bit bigger than a basketball player. Just keep really

0:20:58.200 --> 0:21:03.400
<v Speaker 1>big basketball between That's a sentence that's never been uttered before. Well,

0:21:03.440 --> 0:21:05.679
<v Speaker 1>there are the complications with this whole thing, you know.

0:21:05.840 --> 0:21:11.200
<v Speaker 1>Just thought i'd tell you what other complications. I've seen

0:21:11.240 --> 0:21:14.480
<v Speaker 1>somebody in California there, I said it, Oh, you mean

0:21:14.520 --> 0:21:17.560
<v Speaker 1>you weren't living like a Trappist monkel. You were in California.

0:21:17.720 --> 0:21:23.080
<v Speaker 1>So at this point, so at this point, they're embracing right, Well,

0:21:23.240 --> 0:21:25.960
<v Speaker 1>I think they're just I think, oh no, no, it's

0:21:26.000 --> 0:21:28.240
<v Speaker 1>getting sexy. And hot. I think they're just getting close.

0:21:32.080 --> 0:21:36.119
<v Speaker 1>Keep going. That doesn't bother you. Max, we weren't together.

0:21:37.840 --> 0:21:40.280
<v Speaker 1>Be sexy and cool, relax that was my sex and

0:21:40.320 --> 0:21:46.520
<v Speaker 1>cool relaxed. That doesn't bother you. Ah, that doesn't bother you.

0:21:47.640 --> 0:21:49.679
<v Speaker 1>Come on, we're holding we're holding each other. No, that

0:21:49.800 --> 0:21:57.800
<v Speaker 1>I wouldn't be I'm still I'm having trouble with this actress. Max,

0:21:58.480 --> 0:22:05.200
<v Speaker 1>we weren't together. I've been seeing someone too well. I

0:22:05.200 --> 0:22:07.400
<v Speaker 1>would probably still be seeing Diane if I hadn't moved

0:22:07.400 --> 0:22:10.040
<v Speaker 1>back there. That's something to think about. So you can't

0:22:10.080 --> 0:22:11.919
<v Speaker 1>date anyone for the rest of your life because you

0:22:11.960 --> 0:22:17.399
<v Speaker 1>stayed in California, you might still be dating Diane. Yes, No,

0:22:19.680 --> 0:22:24.480
<v Speaker 1>do it an aspirin. I'm probably a tic tac. Sorry.

0:22:24.560 --> 0:22:27.359
<v Speaker 1>I shouldn't have teased you with that aspirin thing. You know,

0:22:27.480 --> 0:22:29.560
<v Speaker 1>I thought we were both going to just pretend to

0:22:29.640 --> 0:22:34.040
<v Speaker 1>ignore the kiss. Wasn't that the deal? We had a deal.

0:22:34.480 --> 0:22:39.320
<v Speaker 1>I don't remember a deal. You had your shot, Okay, okay,

0:22:39.359 --> 0:22:43.000
<v Speaker 1>now at this point I would walk away. Oh okay, okay, okay.

0:22:43.000 --> 0:22:45.000
<v Speaker 1>Now we had a deal. I don't remember a deal,

0:22:45.040 --> 0:22:47.200
<v Speaker 1>and then he would That would be the moment where

0:22:47.240 --> 0:22:53.840
<v Speaker 1>I realized I'm can't do this. Okay, I just walk

0:22:53.920 --> 0:22:57.040
<v Speaker 1>away a little bit and I turned around and I

0:22:57.119 --> 0:23:02.159
<v Speaker 1>calmly say, you had your shot, okay, you had the

0:23:02.240 --> 0:23:06.639
<v Speaker 1>ring and you said no, yeah I did. And you

0:23:06.680 --> 0:23:09.000
<v Speaker 1>said that was right for you too. You went to Stanford,

0:23:09.080 --> 0:23:12.919
<v Speaker 1>you did a Diane, it was right for both of us. Well,

0:23:13.560 --> 0:23:17.920
<v Speaker 1>what is this now? Right here? It's us today? Well,

0:23:18.280 --> 0:23:21.040
<v Speaker 1>us needs to stay apart. Oh, Max. We had a

0:23:21.040 --> 0:23:23.320
<v Speaker 1>whole country between us for a year. It's like eleven

0:23:23.359 --> 0:23:26.600
<v Speaker 1>thousand basketball players laying end to end, and yet here

0:23:26.640 --> 0:23:28.800
<v Speaker 1>we are. I thought I was over you. I thought

0:23:28.800 --> 0:23:30.600
<v Speaker 1>I was safe to come back here. But no, not

0:23:30.760 --> 0:23:34.840
<v Speaker 1>the deal. I just I think we should stay apart

0:23:35.280 --> 0:23:39.920
<v Speaker 1>and never see each other again. That's impossible, No, it's not. Well,

0:23:39.960 --> 0:23:42.600
<v Speaker 1>I'll be at the children graduation, and so will you. Well,

0:23:42.640 --> 0:23:45.600
<v Speaker 1>I'll sit behind a tree. I can run into each

0:23:45.600 --> 0:23:48.560
<v Speaker 1>other at a drug store again. Well, I'm gonna run.

0:23:48.880 --> 0:23:51.280
<v Speaker 1>I'm gonna order all my drugs online. If my car

0:23:51.320 --> 0:23:54.000
<v Speaker 1>breaks down next year, will you stop? I will stop.

0:23:54.080 --> 0:23:56.360
<v Speaker 1>I'll keep my straight forward, call a garage and stay

0:23:56.400 --> 0:23:58.439
<v Speaker 1>in my car with a radio one really loud till

0:23:58.480 --> 0:24:01.000
<v Speaker 1>they come, and then I'm gone. And I say we

0:24:01.080 --> 0:24:04.440
<v Speaker 1>start being a part right now. Okay, whatever you want,

0:24:04.640 --> 0:24:07.200
<v Speaker 1>this is what I want when I walk out that door.

0:24:07.240 --> 0:24:09.160
<v Speaker 1>It could be very well the last time we see

0:24:09.160 --> 0:24:22.160
<v Speaker 1>each other. All right, allah, abide by your wishes. Goodbye,

0:24:22.200 --> 0:24:29.760
<v Speaker 1>lordly by Max. Okay, I think we did it better.

0:24:29.840 --> 0:24:32.000
<v Speaker 1>I'm not gonna lie. I think we did it better.

0:24:32.320 --> 0:24:34.639
<v Speaker 1>I do. I think you've got to play the attraction.

0:24:34.960 --> 0:24:39.359
<v Speaker 1>You've got to almost kiss. I still debate that, but

0:24:39.400 --> 0:24:47.960
<v Speaker 1>that's okay, you're the director, but not that Shenanigans. Good,

0:24:48.080 --> 0:24:54.000
<v Speaker 1>good episode, everybody bye. I'm still okay with the Shenanigans.

0:24:54.040 --> 0:24:56.600
<v Speaker 1>But I will say that I did like what you guys.

0:24:56.960 --> 0:25:00.080
<v Speaker 1>I do like this your take on it, and a

0:25:00.119 --> 0:25:03.720
<v Speaker 1>sense of like there's more drama, there's more lust and

0:25:03.920 --> 0:25:07.520
<v Speaker 1>love and you know fire, that's the relation. That's the

0:25:08.280 --> 0:25:14.520
<v Speaker 1>you have to I think you play. There's a lot

0:25:14.520 --> 0:25:17.760
<v Speaker 1>of pain there, and there's a lot of pain there

0:25:17.800 --> 0:25:19.439
<v Speaker 1>and both of them, and I think you've got to

0:25:19.560 --> 0:25:23.959
<v Speaker 1>stand still and do it. Yes, let it resonate. The

0:25:24.000 --> 0:25:31.919
<v Speaker 1>goofy nous made it seem like like they kissed one time,

0:25:31.960 --> 0:25:34.520
<v Speaker 1>and a like in a high school dance. It's like

0:25:35.040 --> 0:25:38.680
<v Speaker 1>no like and the coatroom kiss. I felt way more

0:25:38.720 --> 0:25:41.080
<v Speaker 1>real to me because it was like it happened, it

0:25:41.200 --> 0:25:46.639
<v Speaker 1>was real. This just seemed it's it had to be.

0:25:47.000 --> 0:25:51.640
<v Speaker 1>It had to be internalized. Yeah, I had to be internalized,

0:25:51.640 --> 0:25:53.360
<v Speaker 1>and it had to be it had to be very

0:25:53.359 --> 0:25:57.080
<v Speaker 1>powerful and hard for them to deliver those Yes, it

0:25:57.200 --> 0:26:01.840
<v Speaker 1>wasn't hard. They were being dorks, I know, I said Dorty, like,

0:26:02.040 --> 0:26:05.919
<v Speaker 1>I don't know what the word isony. It would be

0:26:05.920 --> 0:26:09.520
<v Speaker 1>a very high school versus adult and it was just gooney.

0:26:09.600 --> 0:26:11.800
<v Speaker 1>It was like, these are the two coolest people. Why

0:26:11.800 --> 0:26:14.479
<v Speaker 1>would they act like that? All right, look, let's go

0:26:14.520 --> 0:26:18.760
<v Speaker 1>back to the beginning of this episode. So we start

0:26:18.800 --> 0:26:22.480
<v Speaker 1>off with no Friday night dinner. I forgot this happened

0:26:22.560 --> 0:26:26.359
<v Speaker 1>like that, They don't go anymore. I love that. Richard

0:26:26.400 --> 0:26:31.119
<v Speaker 1>and Emily were just raging. They're like, yeah, but a

0:26:31.240 --> 0:26:35.000
<v Speaker 1>party of sixty listen totally justified, right, I mean they

0:26:35.040 --> 0:26:39.200
<v Speaker 1>got disc before. They didn't get an opportunity to celebrate

0:26:39.240 --> 0:26:42.480
<v Speaker 1>the Harvard they didn't get Yale. I'm sorry they didn't

0:26:42.480 --> 0:26:44.639
<v Speaker 1>get involved in that. So it's like, all right, screw it,

0:26:44.680 --> 0:26:48.720
<v Speaker 1>no more Friday night dinners. Hey, hallelujah, popular, Let's have

0:26:48.760 --> 0:26:53.280
<v Speaker 1>a party. It's like popular, right, right, and they forgot that.

0:26:53.400 --> 0:26:56.840
<v Speaker 1>Richard and Emily were probably sort of putting aside their

0:26:56.880 --> 0:27:02.120
<v Speaker 1>social calendar some Friday nights to host then yeah, right,

0:27:02.320 --> 0:27:04.439
<v Speaker 1>so what were they sacrifice? And now they're not, they

0:27:04.480 --> 0:27:12.359
<v Speaker 1>don't have to sacrifice it anymore. So party on Gartha. Okay,

0:27:12.359 --> 0:27:14.919
<v Speaker 1>So I have a question. Yes, what's the question? What

0:27:15.160 --> 0:27:18.880
<v Speaker 1>is in that? Okay? On the table at the Gilmore's,

0:27:19.560 --> 0:27:24.720
<v Speaker 1>Marian Laurelies, what isn't that bowl? Was it walnuts? What

0:27:24.760 --> 0:27:26.840
<v Speaker 1>are you talking about? So this is just a weird,

0:27:26.920 --> 0:27:30.359
<v Speaker 1>quirky question I have. Can somebody look and we can

0:27:30.359 --> 0:27:33.080
<v Speaker 1>do it later? Do it on the Instagram? There's a

0:27:33.080 --> 0:27:35.560
<v Speaker 1>bowl on their coffee table and I'm like, what are

0:27:35.600 --> 0:27:38.120
<v Speaker 1>those things in there? Are they in Laurelized house? Yeah?

0:27:38.160 --> 0:27:41.840
<v Speaker 1>Do they have a bowl of like shelled walnuts? Yeah?

0:27:41.880 --> 0:27:43.919
<v Speaker 1>I'm sure. Well sure, that's an East Coast thing. We

0:27:43.960 --> 0:27:48.640
<v Speaker 1>always had a bowl. Yeah, yeah, that's common. It's an

0:27:48.640 --> 0:27:50.520
<v Speaker 1>East Coast thing because we don't do that here. So

0:27:50.560 --> 0:27:53.119
<v Speaker 1>I was like, no, what is that? No do you

0:27:53.160 --> 0:27:55.560
<v Speaker 1>do that's the hand thing around the waist thing. That's

0:27:55.560 --> 0:28:00.760
<v Speaker 1>a fall winter East Coast thing. We and the walnut

0:28:00.800 --> 0:28:05.439
<v Speaker 1>first scene the first scene on the coffee table. I

0:28:05.440 --> 0:28:07.280
<v Speaker 1>grew up in a house. It was always like shelled

0:28:07.320 --> 0:28:10.720
<v Speaker 1>walnuts everywhere, you know, bowls of shelled wals with a

0:28:10.880 --> 0:28:13.320
<v Speaker 1>nutcracker and then you sit down you have a little

0:28:13.400 --> 0:28:19.399
<v Speaker 1>nut snack. You know that's wonderful. Yeah, yeah, is that

0:28:19.480 --> 0:28:24.760
<v Speaker 1>a walnuts? Probably is. Yeah, that doesn't seem on brand

0:28:24.840 --> 0:28:29.440
<v Speaker 1>for that, like hot cheetahs or something. They don't. No, no, no,

0:28:29.440 --> 0:28:33.280
<v Speaker 1>no no, no walnuts. Walnuts because walnuts keep you know,

0:28:33.400 --> 0:28:36.000
<v Speaker 1>you can keep them there for months. Also, the new

0:28:36.040 --> 0:28:38.400
<v Speaker 1>hair kind of look in this episode. I loved it,

0:28:38.440 --> 0:28:40.360
<v Speaker 1>but I think she did. I couldn't do it. The

0:28:40.400 --> 0:28:49.080
<v Speaker 1>hat and the hat what that that? That newsboy? Yeah,

0:28:49.080 --> 0:28:53.880
<v Speaker 1>I don't know what the heck? That was brand another Yeah,

0:28:54.360 --> 0:28:56.720
<v Speaker 1>the hat was my bone to pick. I was, I was.

0:28:56.840 --> 0:28:58.880
<v Speaker 1>I was struggling in that scene. You know, there's a

0:28:58.920 --> 0:29:00.960
<v Speaker 1>lot of pink and a lot of and like, what's

0:29:00.960 --> 0:29:04.520
<v Speaker 1>going on? Okay, we're not there yet, all right? So

0:29:04.640 --> 0:29:12.600
<v Speaker 1>we go to ump around like camera digital camera in

0:29:12.600 --> 0:29:15.600
<v Speaker 1>the diner and got the digital camera and she's like,

0:29:15.880 --> 0:29:17.360
<v Speaker 1>let me take a picture of the menu and then

0:29:17.360 --> 0:29:19.920
<v Speaker 1>I'll look at it on my camera. That is so

0:29:20.040 --> 0:29:23.880
<v Speaker 1>two thousand three, everyone carrying a digital camera and like

0:29:24.000 --> 0:29:26.160
<v Speaker 1>thinking it's the coolest thing ever. It was like a

0:29:26.280 --> 0:29:28.840
<v Speaker 1>brick you throw in your purse. You just keep it

0:29:28.880 --> 0:29:35.680
<v Speaker 1>on your wrist. And that's when that's that's when apple

0:29:35.720 --> 0:29:39.560
<v Speaker 1>Stock was. You know, pennies should have bought more. They

0:29:39.600 --> 0:29:43.240
<v Speaker 1>came back a couple of years later. Crush it. Random

0:29:43.320 --> 0:29:46.240
<v Speaker 1>digital cameras do people have in there? Like junk drawer

0:29:46.560 --> 0:29:50.240
<v Speaker 1>that probably has like a thousand photos on some Oh yeah,

0:29:50.400 --> 0:29:55.080
<v Speaker 1>what were those things? Memory? Yeah, I have a whole

0:29:55.160 --> 0:29:58.880
<v Speaker 1>drawer too, drawers filled with old camerasound one of those

0:29:58.920 --> 0:30:02.200
<v Speaker 1>Remember those Kodak disposable I have to I had like

0:30:02.280 --> 0:30:05.600
<v Speaker 1>three of those undeveloped film. By the way, those are

0:30:05.600 --> 0:30:07.680
<v Speaker 1>like making a comeback, like people are buying them, Like

0:30:09.200 --> 0:30:11.640
<v Speaker 1>where do you take the thing to get the photos? Yeah?

0:30:11.640 --> 0:30:15.280
<v Speaker 1>Where would you do it? Like like the Colcanes, The

0:30:15.360 --> 0:30:18.280
<v Speaker 1>cool kids shoot on film. Now you guys like disposable

0:30:18.360 --> 0:30:21.400
<v Speaker 1>film and they make Instagram accounts. That's like like their

0:30:21.480 --> 0:30:24.240
<v Speaker 1>page on film and they post all their film on

0:30:24.400 --> 0:30:28.239
<v Speaker 1>Like I've seen that with Polaroids aren't a thing as

0:30:28.320 --> 0:30:32.320
<v Speaker 1>much anymore. So those are kind of yellow weird Kodak

0:30:32.480 --> 0:30:39.240
<v Speaker 1>the ones where you like like so, so it's like

0:30:39.320 --> 0:30:41.800
<v Speaker 1>now it's a bunch of Quentin Tarantinos running around out

0:30:41.800 --> 0:30:46.480
<v Speaker 1>there shooting everything on film. Remember he never he fought

0:30:46.520 --> 0:30:49.400
<v Speaker 1>the digital revolution hard and he still is. I think

0:30:50.680 --> 0:30:53.800
<v Speaker 1>God bless him. So absolutely. Now we go to band

0:30:53.840 --> 0:30:57.320
<v Speaker 1>practice and they're trying to come up their band names,

0:30:57.800 --> 0:31:00.320
<v Speaker 1>and we learned that young Chew is going to figure

0:31:00.360 --> 0:31:03.920
<v Speaker 1>out how to get Lane to the party. So it

0:31:04.080 --> 0:31:06.640
<v Speaker 1>was was young Chew. He wasn't at the rehearsal, was he?

0:31:07.360 --> 0:31:09.920
<v Speaker 1>He just he just showed up at the party. Correct.

0:31:09.960 --> 0:31:12.320
<v Speaker 1>They talked because they kind of acknowledge how are you

0:31:12.320 --> 0:31:15.240
<v Speaker 1>going to get to the party. So they wanted wanted

0:31:15.280 --> 0:31:20.440
<v Speaker 1>to double leg jump the windmill off the amplifier. Zach

0:31:20.560 --> 0:31:23.360
<v Speaker 1>wanted to do that, and Dave was like, you want

0:31:23.360 --> 0:31:26.520
<v Speaker 1>to think about that again, more great lines from Dave.

0:31:27.840 --> 0:31:29.800
<v Speaker 1>You probably you probably want to rethink that. You know.

0:31:30.600 --> 0:31:33.560
<v Speaker 1>This is where we learned that that Rory wants to

0:31:33.600 --> 0:31:38.440
<v Speaker 1>go to prom yes, yes, yes, the car is missing

0:31:38.560 --> 0:31:43.640
<v Speaker 1>still yeah, And they want to name their band, uh

0:31:44.280 --> 0:31:46.120
<v Speaker 1>mild walk in the Desert and the Edge of the

0:31:46.160 --> 0:31:51.719
<v Speaker 1>Dessert or something. Their acronym was so funny and like

0:31:52.440 --> 0:31:56.480
<v Speaker 1>I can I did like the Jess was the like

0:31:57.040 --> 0:31:58.720
<v Speaker 1>I felt like he was making an effort here, like

0:31:58.760 --> 0:32:02.840
<v Speaker 1>going to Lane's band prac right he is. Yeah, I

0:32:02.880 --> 0:32:05.520
<v Speaker 1>actually feel bad for just in this episode. Yeah, he's

0:32:05.600 --> 0:32:11.080
<v Speaker 1>really just a troubled Yeah he gosheel bad. I feel bad.

0:32:11.160 --> 0:32:14.240
<v Speaker 1>I feel bad for him, you do. My heart was

0:32:14.320 --> 0:32:18.840
<v Speaker 1>bleeding so bummed about like reality set in when he

0:32:18.880 --> 0:32:21.600
<v Speaker 1>had that meat we'll get there. Reality needed that, I

0:32:21.680 --> 0:32:23.479
<v Speaker 1>feel so I'm not. I don't feel bad for him

0:32:23.520 --> 0:32:25.960
<v Speaker 1>because I feel like he needed that. He need Yeah,

0:32:26.000 --> 0:32:27.920
<v Speaker 1>he needed to wake up, he needed to wake up. Call.

0:32:28.080 --> 0:32:32.120
<v Speaker 1>Yeah he did, he got it. Lawrence Hilton Jacobs delivered

0:32:32.120 --> 0:32:38.160
<v Speaker 1>the he dropped the hammer on him. You're out? That

0:32:38.280 --> 0:32:41.480
<v Speaker 1>was rough, baby, Yeah, like you gotta just repeat the year.

0:32:41.560 --> 0:32:44.080
<v Speaker 1>Nothing you can do, get out of my office, bye bye?

0:32:44.520 --> 0:32:52.960
<v Speaker 1>Yeah nice? Right now. A lot of people do think

0:32:53.000 --> 0:32:54.960
<v Speaker 1>there's a bit of a plot hole there in that,

0:32:55.120 --> 0:32:58.440
<v Speaker 1>like why didn't Luke get a call? Like if you're

0:32:58.720 --> 0:33:02.960
<v Speaker 1>that like in danger, were you here going to be

0:33:03.360 --> 0:33:07.400
<v Speaker 1>repeating senior year? You don't call the guardian or parents.

0:33:07.680 --> 0:33:09.760
<v Speaker 1>But we're talking about Jess here probably got home and

0:33:09.760 --> 0:33:12.600
<v Speaker 1>erase those messages. I was about to say he probably

0:33:12.680 --> 0:33:17.560
<v Speaker 1>raised their plan. Yeah, it wasn't like cell phones and

0:33:17.600 --> 0:33:23.400
<v Speaker 1>stuff like called the house, right, or like if there

0:33:23.400 --> 0:33:28.040
<v Speaker 1>was a letter, he intercepted the mail. Whatever your point. Alright,

0:33:28.120 --> 0:33:31.960
<v Speaker 1>so I don't Previously we're at the end and we realized,

0:33:32.000 --> 0:33:35.880
<v Speaker 1>like things are kind of rough, they're laying off people.

0:33:36.800 --> 0:33:42.680
<v Speaker 1>But seen, yeah, yeah, thank god, I like, really you

0:33:42.680 --> 0:33:45.560
<v Speaker 1>want to ask me how that feels? Okay? You know,

0:33:45.600 --> 0:33:48.400
<v Speaker 1>it's almost like today, I don't know that you could

0:33:48.440 --> 0:33:54.760
<v Speaker 1>do that scene because it was so like objectifying somebody's

0:33:55.120 --> 0:33:58.040
<v Speaker 1>body part. Yeah, that was disturbed, but I think I

0:33:58.040 --> 0:33:59.640
<v Speaker 1>think it would have been fine if it was just once,

0:33:59.640 --> 0:34:03.440
<v Speaker 1>but tenures and they just keep doing it to you too.

0:34:03.520 --> 0:34:06.560
<v Speaker 1>Like I realized that it wasn't okay, and it didn't

0:34:06.560 --> 0:34:08.479
<v Speaker 1>make me feel comfortable at all. It made me feel

0:34:08.520 --> 0:34:15.080
<v Speaker 1>really embarrassed. Actually, yeah, it's infuriating to be treated that way.

0:34:15.160 --> 0:34:19.200
<v Speaker 1>It is infuriating because you're being treated like an object

0:34:20.040 --> 0:34:24.040
<v Speaker 1>and it's just it's disturbing and it's disgusting and and

0:34:24.320 --> 0:34:28.080
<v Speaker 1>I had to endure that through that entire scene and

0:34:28.160 --> 0:34:30.680
<v Speaker 1>many takes. It was all about the butt, the butt,

0:34:30.760 --> 0:34:33.600
<v Speaker 1>the butt, the butt. And then you know when when

0:34:34.120 --> 0:34:36.200
<v Speaker 1>you know we weren't filming. We were sitting down people

0:34:36.320 --> 0:34:39.200
<v Speaker 1>still talking about the butt, the butt, the butt. It

0:34:39.200 --> 0:34:42.320
<v Speaker 1>it was inappropriate. Like it was the most disturbing time

0:34:42.560 --> 0:34:45.320
<v Speaker 1>I have ever spent on that set, and I couldn't

0:34:45.400 --> 0:34:47.680
<v Speaker 1>I couldn't wait for that day to be over. Yeah,

0:34:47.760 --> 0:34:50.560
<v Speaker 1>that's where it crosses the line because for me, and

0:34:50.600 --> 0:34:55.000
<v Speaker 1>again I'm just giving like a random opinion, like I

0:34:55.080 --> 0:34:57.359
<v Speaker 1>definitely have had like a guy friend where I'm like,

0:34:58.320 --> 0:35:02.040
<v Speaker 1>you know, where you have that clothe close relationship like

0:35:02.239 --> 0:35:06.120
<v Speaker 1>Luke and like Luke and lore Lye, so that parts

0:35:07.040 --> 0:35:12.960
<v Speaker 1>was sort of less cringe e. But when they yelled

0:35:13.080 --> 0:35:16.319
<v Speaker 1>cut it needed to go back to like professionalism. Do

0:35:16.360 --> 0:35:19.960
<v Speaker 1>you know what I'm saying, Like, were you guys? Because

0:35:20.000 --> 0:35:24.359
<v Speaker 1>really they're complimenting him and flirting with him. Okay, let

0:35:24.360 --> 0:35:27.560
<v Speaker 1>me ask you this way. Fast forward a few seasons,

0:35:27.920 --> 0:35:30.799
<v Speaker 1>Luke and Loraaly are together and the exact scene have

0:35:31.080 --> 0:35:34.680
<v Speaker 1>same scene happens. Do we see it differently? Maybe I'm

0:35:34.680 --> 0:35:48.040
<v Speaker 1>seeing it differently because I know they're they get married eventually. Amy.

0:35:48.200 --> 0:35:50.160
<v Speaker 1>I don't want to speak for Scott, but I do

0:35:50.400 --> 0:35:52.879
<v Speaker 1>I do think it is a little bit different when

0:35:53.080 --> 0:35:56.120
<v Speaker 1>you have a relationship with your significant other that you're

0:35:56.360 --> 0:36:00.400
<v Speaker 1>that you're have sexual chemistry with. You can't you know,

0:36:00.600 --> 0:36:03.440
<v Speaker 1>see things like that. That may be okay if my

0:36:03.520 --> 0:36:05.840
<v Speaker 1>husband told me my but looked good, But I wouldn't

0:36:05.840 --> 0:36:10.120
<v Speaker 1>be okay if somebody at the office or somebody told

0:36:10.120 --> 0:36:12.080
<v Speaker 1>me that. So I think there's a little bit of

0:36:12.120 --> 0:36:14.399
<v Speaker 1>a difference there. And I think I'm looking at it

0:36:14.560 --> 0:36:17.439
<v Speaker 1>with the eyes knowing what these two are in love

0:36:17.520 --> 0:36:20.400
<v Speaker 1>and they're getting married, So I think I might not

0:36:20.560 --> 0:36:24.440
<v Speaker 1>be seeing it right because I'm do you know what

0:36:24.440 --> 0:36:27.160
<v Speaker 1>I mean? But stand there, I mean, just put yourself

0:36:27.200 --> 0:36:29.880
<v Speaker 1>in my place, stand there in front of all those people,

0:36:30.719 --> 0:36:35.480
<v Speaker 1>right And and this is how the creator of that

0:36:35.520 --> 0:36:39.640
<v Speaker 1>show sees that character that you can you can humiliate

0:36:39.800 --> 0:36:43.640
<v Speaker 1>him and take away his dignity that entire scene, and

0:36:43.760 --> 0:36:47.560
<v Speaker 1>that's okay. And it wasn't okay with me. And I

0:36:47.640 --> 0:36:50.680
<v Speaker 1>hated that scene. And that's it's the worst. That's the

0:36:50.719 --> 0:36:53.640
<v Speaker 1>one thing I hate about this episode is that scene

0:36:54.000 --> 0:36:56.360
<v Speaker 1>to put a point forward to like Luke during that

0:36:56.400 --> 0:36:59.680
<v Speaker 1>time was spoken for he was dating Nicole, So that

0:36:59.800 --> 0:37:03.719
<v Speaker 1>makes it did you say anything on set, by the way,

0:37:03.840 --> 0:37:09.720
<v Speaker 1>or no, no, no, how fascinating, just breaks it down

0:37:09.800 --> 0:37:12.640
<v Speaker 1>because you're right, Danielle, I'm looking at it as in

0:37:12.760 --> 0:37:17.280
<v Speaker 1>my view, lore lies saying it to her husband basically

0:37:17.320 --> 0:37:19.400
<v Speaker 1>like I can't help it. That's how I think I

0:37:19.440 --> 0:37:22.600
<v Speaker 1>looked at it. But you're right, like he's totally dating

0:37:22.680 --> 0:37:26.279
<v Speaker 1>someone else and there's like the whole kitchen staff could

0:37:26.280 --> 0:37:30.840
<v Speaker 1>have been around. Yeah. No, I'm sorry Scott that now that,

0:37:31.080 --> 0:37:33.759
<v Speaker 1>now that we kind of peeled the onion a little bit,

0:37:33.800 --> 0:37:36.840
<v Speaker 1>I can totally see how that that made you feel

0:37:36.840 --> 0:37:39.080
<v Speaker 1>that way. I had to go to work and shoot that.

0:37:39.600 --> 0:37:43.520
<v Speaker 1>I had to learn those lines. I had to rehearse

0:37:43.640 --> 0:37:47.200
<v Speaker 1>that scene. I had to shoot that scene many, many

0:37:47.239 --> 0:37:49.600
<v Speaker 1>many times. We had to do that scene in a

0:37:49.680 --> 0:37:54.240
<v Speaker 1>table read with the entire production present, the crew, the cast,

0:37:54.600 --> 0:37:58.239
<v Speaker 1>all the executives, and they're, oh, but but but oh

0:37:58.320 --> 0:38:01.719
<v Speaker 1>but he's got a nice but but but but And

0:38:01.840 --> 0:38:05.160
<v Speaker 1>I'm not going I'm not trying to make it too

0:38:05.960 --> 0:38:09.520
<v Speaker 1>too extreme. You know, you still want people to enjoy

0:38:10.040 --> 0:38:13.960
<v Speaker 1>flirtation in shows, so I do have that lens on

0:38:14.000 --> 0:38:17.440
<v Speaker 1>it too. But imagine if it was a woman fixing something,

0:38:17.520 --> 0:38:22.480
<v Speaker 1>leaning over and change boobs for But no, it's not okay.

0:38:23.640 --> 0:38:29.239
<v Speaker 1>Never It's as disgusting for women to objectify men as

0:38:29.280 --> 0:38:36.320
<v Speaker 1>it is for men to objectify women, and it's as harmful. Yeah, totally,

0:38:38.200 --> 0:38:41.279
<v Speaker 1>it was. It was just the most offensive day I've

0:38:41.280 --> 0:38:43.919
<v Speaker 1>ever spent on a set. And I don't I don't

0:38:43.920 --> 0:38:46.200
<v Speaker 1>want to be like Johnny bring down here, but that no, no,

0:38:46.760 --> 0:38:48.560
<v Speaker 1>I mean we do have to point things like that.

0:38:48.640 --> 0:38:50.279
<v Speaker 1>And it was just because it was two thousand and

0:38:50.320 --> 0:38:52.880
<v Speaker 1>three didn't mean it was okay. It's never okay, and

0:38:52.920 --> 0:38:56.000
<v Speaker 1>I didn't feel comfortable doing it, and it was piste

0:38:56.040 --> 0:38:58.680
<v Speaker 1>me off and I never said anything, so I was

0:38:58.719 --> 0:39:00.920
<v Speaker 1>angry at myself or never said anything. But you know,

0:39:00.960 --> 0:39:03.719
<v Speaker 1>I had this job and I didn't want to make

0:39:03.800 --> 0:39:05.880
<v Speaker 1>waves and all that, you know. And it makes me

0:39:06.000 --> 0:39:13.719
<v Speaker 1>feel horrible because even though I thought, oh, little hint

0:39:13.760 --> 0:39:19.000
<v Speaker 1>of cringe, I also laughed and thought that that. But

0:39:19.120 --> 0:39:25.600
<v Speaker 1>also I think I love them together, so for me,

0:39:25.760 --> 0:39:30.520
<v Speaker 1>they are the couple. So it was like me saying

0:39:30.560 --> 0:39:34.200
<v Speaker 1>to my boyfriend, nice but in those genes, do you

0:39:34.200 --> 0:39:37.080
<v Speaker 1>know what I mean? Like, which would be fine kind

0:39:37.120 --> 0:39:39.279
<v Speaker 1>of a compliment. I think you would like it, but

0:39:39.400 --> 0:39:42.760
<v Speaker 1>it's totally different when you're like, oh my god, that's

0:39:42.760 --> 0:39:46.239
<v Speaker 1>not the situation here. Yeah, Well we got I got

0:39:46.239 --> 0:39:50.880
<v Speaker 1>that off my chest. Oh I'm glad. Yeah, and I

0:39:51.000 --> 0:39:53.799
<v Speaker 1>wasn't you change, But for boobs, it's so offensive. I

0:39:53.840 --> 0:39:56.880
<v Speaker 1>wasn't experienced, and I honestly I wasn't really expecting to

0:39:57.080 --> 0:39:59.719
<v Speaker 1>even discuss this, but watching the episode, I was like,

0:40:00.200 --> 0:40:04.480
<v Speaker 1>that is well, it took me back, Like I remember

0:40:04.600 --> 0:40:07.239
<v Speaker 1>not enjoying that at all, and I didn't think it

0:40:07.280 --> 0:40:09.359
<v Speaker 1>was funny and I never said anything, So it's like

0:40:09.560 --> 0:40:12.279
<v Speaker 1>there's that level of shame too. Yes, we'll think about

0:40:12.280 --> 0:40:15.040
<v Speaker 1>how many things you don't remember, and you'll remember that

0:40:15.719 --> 0:40:20.640
<v Speaker 1>so glaring because it made you feel comfortable. Thank god,

0:40:21.560 --> 0:40:26.960
<v Speaker 1>Thank god for Dave. He saved me in this episode.

0:40:27.000 --> 0:40:30.880
<v Speaker 1>He saved me. It's so interesting and we can move on.

0:40:30.920 --> 0:40:37.320
<v Speaker 1>But I'm just thinking about my own experience with that scene,

0:40:37.680 --> 0:40:42.000
<v Speaker 1>because also the impetus is that the right thing was

0:40:42.080 --> 0:40:45.640
<v Speaker 1>that Suki accidentally touched your butt. She did not mean

0:40:45.719 --> 0:40:50.680
<v Speaker 1>to and she was horrified that she did it, and

0:40:50.760 --> 0:40:54.680
<v Speaker 1>that's all totally acceptable, Like she didn't mean to, you know,

0:40:54.840 --> 0:40:58.239
<v Speaker 1>she she was like embarrassed and horrified. And then Laura

0:40:58.320 --> 0:41:01.960
<v Speaker 1>like kind of it has fun with it and I

0:41:02.000 --> 0:41:06.319
<v Speaker 1>did giggle a little watching it. Did you guys at

0:41:06.320 --> 0:41:11.359
<v Speaker 1>all or were you guys just like, oh yeah, I did. Yeah,

0:41:11.440 --> 0:41:13.800
<v Speaker 1>it's it's it's set up where you're going to almost

0:41:13.800 --> 0:41:16.439
<v Speaker 1>half to giggle because you love these characters so much,

0:41:17.320 --> 0:41:20.160
<v Speaker 1>and you know everybody is doing their job within the

0:41:20.160 --> 0:41:22.640
<v Speaker 1>scene and performing it so well in the timings there

0:41:22.640 --> 0:41:25.080
<v Speaker 1>and all that, you can't help it laugh. But I'm

0:41:25.160 --> 0:41:30.000
<v Speaker 1>just pointing out how incredibly small it made me feel

0:41:31.200 --> 0:41:33.359
<v Speaker 1>doing it, and I think it really and I think

0:41:33.400 --> 0:41:35.720
<v Speaker 1>it really reduces the character, and I think it really

0:41:35.760 --> 0:41:38.840
<v Speaker 1>reduces their characters as well to be involved in something

0:41:38.880 --> 0:41:41.640
<v Speaker 1>like that. I mean, it's happened to me before in

0:41:41.680 --> 0:41:43.400
<v Speaker 1>my life. It wasn't the first time it happened that.

0:41:43.440 --> 0:41:47.200
<v Speaker 1>It always made me angry, um, because it just you know,

0:41:47.239 --> 0:41:50.319
<v Speaker 1>it does. It devalues people. You're just you know, if

0:41:50.320 --> 0:41:55.200
<v Speaker 1>you if you are just talking about somebody's body part,

0:41:55.480 --> 0:42:00.799
<v Speaker 1>it's it's you're taking away that person's human entity, and

0:42:00.840 --> 0:42:05.280
<v Speaker 1>it's it's inappropriate. Do you feel now that you're older

0:42:05.920 --> 0:42:10.719
<v Speaker 1>and and in a sort of higher position on these

0:42:10.760 --> 0:42:14.439
<v Speaker 1>sets that if if if that happened on the set

0:42:14.600 --> 0:42:16.839
<v Speaker 1>you're on, for example, that you would call it out

0:42:16.880 --> 0:42:21.160
<v Speaker 1>and say like, this isn't not doing this? Oh sure, yeah, No,

0:42:21.200 --> 0:42:23.879
<v Speaker 1>I wouldn't do it in a million years. Yeah, that's

0:42:23.920 --> 0:42:27.640
<v Speaker 1>what's interesting. You have more whatever the word is, confidence,

0:42:27.800 --> 0:42:30.000
<v Speaker 1>but this is it. But this is a different set,

0:42:30.160 --> 0:42:33.640
<v Speaker 1>you know, it's a whole different vibe. It's a very collaborative,

0:42:33.680 --> 0:42:38.080
<v Speaker 1>very open place. It's a wonderful I'm not saying Gilmour wasn't.

0:42:38.160 --> 0:42:39.560
<v Speaker 1>For the most part, it was great, but it was

0:42:39.600 --> 0:42:42.440
<v Speaker 1>a very rigid and you know, you you did not

0:42:43.400 --> 0:42:47.280
<v Speaker 1>diverge from the script ever. You know, you didn't add anything.

0:42:47.360 --> 0:42:50.480
<v Speaker 1>You didn't you didn't change lines. You said the lines

0:42:50.520 --> 0:42:52.600
<v Speaker 1>as they were written. And that's just all there was

0:42:52.680 --> 0:42:56.520
<v Speaker 1>to it. There was no discussion about it here. Um,

0:42:56.680 --> 0:43:01.000
<v Speaker 1>we're molding scenes, were improving, scenes, were adding things, we're

0:43:01.040 --> 0:43:05.240
<v Speaker 1>taking things away. It's a wonderful collaborative experience. And that's

0:43:05.239 --> 0:43:08.400
<v Speaker 1>why I think everybody is so really happy here because

0:43:08.400 --> 0:43:11.319
<v Speaker 1>they feel valued. You know, it's like everybody's got skin

0:43:11.400 --> 0:43:14.400
<v Speaker 1>in the game. They feel like there's a creative component

0:43:14.520 --> 0:43:17.719
<v Speaker 1>here that you know, they're being valued for. So it's

0:43:17.800 --> 0:43:21.319
<v Speaker 1>kind of all, you know, firing on all cylinders. So

0:43:21.360 --> 0:43:24.000
<v Speaker 1>it's it's really it wasn't like that at Gilmore. It

0:43:24.040 --> 0:43:26.319
<v Speaker 1>was just go in and go as fast as you

0:43:26.400 --> 0:43:30.480
<v Speaker 1>can and you know, hopefully you survive the day. Yeah,

0:43:31.640 --> 0:43:35.080
<v Speaker 1>different demands. Because of the way the writing was, you

0:43:35.200 --> 0:43:38.600
<v Speaker 1>sort of have no choice in it, right because if

0:43:38.640 --> 0:43:42.480
<v Speaker 1>you change it, it does throw it off. And I'm

0:43:42.480 --> 0:43:44.640
<v Speaker 1>not look, I'm not complaining about having the job. It

0:43:44.719 --> 0:43:48.000
<v Speaker 1>was a great job, um and it it means the

0:43:48.040 --> 0:43:50.239
<v Speaker 1>world to me. And you know, having one of those

0:43:50.320 --> 0:43:53.439
<v Speaker 1>jobs on even a smaller network means, you know, you're

0:43:53.440 --> 0:43:56.560
<v Speaker 1>treated like visiting royalty every day. I mean, really, these

0:43:56.640 --> 0:44:00.319
<v Speaker 1>jobs are rare and they're fantastic to get them. I

0:44:00.400 --> 0:44:02.920
<v Speaker 1>just thought that scene was that you know, if you

0:44:02.960 --> 0:44:06.200
<v Speaker 1>will indulge shocked and shocked me. Two things can be

0:44:06.239 --> 0:44:08.399
<v Speaker 1>true at the same time, And Scott and I talked

0:44:08.400 --> 0:44:11.480
<v Speaker 1>about this all the time, meaning the show can be

0:44:11.560 --> 0:44:15.279
<v Speaker 1>amazing and we love it, and you're still allowed to

0:44:15.360 --> 0:44:20.560
<v Speaker 1>have criticisms here and there of certain things or episodes.

0:44:21.080 --> 0:44:24.000
<v Speaker 1>Two things can be true, like I hate that I

0:44:24.040 --> 0:44:27.799
<v Speaker 1>don't love certain parts of this episode because I don't

0:44:27.840 --> 0:44:29.759
<v Speaker 1>want people to like come down on me or think

0:44:29.800 --> 0:44:32.960
<v Speaker 1>I don't love this show. I do, But at the

0:44:33.000 --> 0:44:35.320
<v Speaker 1>same time, it's like, can't I love it? But also

0:44:35.640 --> 0:44:38.400
<v Speaker 1>and I saw people on Instagram defending you Scott. I

0:44:38.400 --> 0:44:41.160
<v Speaker 1>thought there was such an interesting conversation on Instagram because

0:44:41.160 --> 0:44:43.319
<v Speaker 1>someone was like, oh, Scott doesn't like it, and they

0:44:43.320 --> 0:44:45.319
<v Speaker 1>were all irritated by that. And the other person's like,

0:44:45.480 --> 0:44:48.040
<v Speaker 1>he says a million times he loves his show more

0:44:48.040 --> 0:44:53.040
<v Speaker 1>than anything, but he's giving his opinion on certain things. Yeah,

0:44:53.080 --> 0:44:56.359
<v Speaker 1>we're in an environment today where if you give a

0:44:56.440 --> 0:45:03.200
<v Speaker 1>diverging view from an audience, the general consensus being that

0:45:03.400 --> 0:45:05.680
<v Speaker 1>it's a lovely show, everybody loves the show. If there's

0:45:05.719 --> 0:45:08.080
<v Speaker 1>any kind of criticism, and especially in this environment we're

0:45:08.120 --> 0:45:12.040
<v Speaker 1>in today, Uh, if you have some kind of divergent opinion,

0:45:12.320 --> 0:45:17.000
<v Speaker 1>you're going to get crushed. And and it's unfortunate that

0:45:17.040 --> 0:45:20.160
<v Speaker 1>we're in this place right now, in in in our country.

0:45:20.680 --> 0:45:24.280
<v Speaker 1>Um but that's just where we are. So I fully expected,

0:45:24.800 --> 0:45:26.879
<v Speaker 1>you know, and Amy and I've have had these conversations,

0:45:27.000 --> 0:45:29.799
<v Speaker 1>right It's like, you know, should I back off on

0:45:29.840 --> 0:45:33.080
<v Speaker 1>the criticism, And it's like she said, no, this is

0:45:33.120 --> 0:45:36.080
<v Speaker 1>how you feel give your opinion. And it's like, it's

0:45:36.080 --> 0:45:40.600
<v Speaker 1>the reason I'm doing this podcast because I'm I'm really

0:45:40.680 --> 0:45:43.439
<v Speaker 1>curious to dig into these episodes. And that's just how

0:45:43.480 --> 0:45:47.880
<v Speaker 1>my mind works, highly analytical. Um, I do feel that

0:45:47.920 --> 0:45:51.319
<v Speaker 1>I'm qualified to comment on the writing I've written. I've

0:45:51.360 --> 0:45:55.719
<v Speaker 1>I've written fifteen screenplays. I've read thousands of screenplays. You know,

0:45:55.800 --> 0:45:58.359
<v Speaker 1>I've I know writing. I've read all the books I've

0:45:58.600 --> 0:46:02.600
<v Speaker 1>I've gone through all the uh you know, the highs

0:46:02.640 --> 0:46:04.719
<v Speaker 1>and lows of writing a screenplay. I've done all the

0:46:04.920 --> 0:46:08.400
<v Speaker 1>I've written screenplays with a really good process. I've really

0:46:08.600 --> 0:46:11.880
<v Speaker 1>I've written screenplays with a horrible process, and so I

0:46:12.080 --> 0:46:14.280
<v Speaker 1>kind of learned how to do it. I'm not saying

0:46:14.320 --> 0:46:16.839
<v Speaker 1>there's the greatest thing since sliced bread, and I've never

0:46:16.920 --> 0:46:21.200
<v Speaker 1>had a movie produced, but you know, I know about

0:46:21.280 --> 0:46:24.439
<v Speaker 1>what makes writing really good and what makes it bad.

0:46:24.600 --> 0:46:28.279
<v Speaker 1>So I appreciate you sharing all that, but also what

0:46:28.320 --> 0:46:34.600
<v Speaker 1>you told us today, because I wouldn't have thought I

0:46:34.880 --> 0:46:36.840
<v Speaker 1>would have seen the scene differently, or I think I

0:46:36.840 --> 0:46:41.600
<v Speaker 1>would have had a different takeaway, and I need to

0:46:41.680 --> 0:46:44.920
<v Speaker 1>hear your experience. So just think about it. You know,

0:46:44.960 --> 0:46:47.239
<v Speaker 1>I'm in New York, I'm doing theater. I'm studying my

0:46:47.320 --> 0:46:51.200
<v Speaker 1>brains out, I'm making all of these strides. I'm encouraged

0:46:51.239 --> 0:46:53.799
<v Speaker 1>to go to l A. I I sit in l A.

0:46:53.880 --> 0:46:56.759
<v Speaker 1>I get this big break on this show right, and

0:46:56.800 --> 0:46:58.960
<v Speaker 1>you want to be you know, you want to rise

0:46:59.000 --> 0:47:00.879
<v Speaker 1>to the top of your fashion if you have any

0:47:00.920 --> 0:47:03.040
<v Speaker 1>kind of competitive drive, which I do and most people

0:47:03.040 --> 0:47:07.120
<v Speaker 1>in his business do you do, Danielle does Tarat everybody does, right.

0:47:07.200 --> 0:47:10.200
<v Speaker 1>They just want to rise up. They want to be respected,

0:47:10.239 --> 0:47:12.280
<v Speaker 1>they want to be fetted, they want to win awards,

0:47:12.320 --> 0:47:14.799
<v Speaker 1>they want to be recognized for their work. And I

0:47:14.880 --> 0:47:17.520
<v Speaker 1>end up doing a scene where people are talking about

0:47:17.520 --> 0:47:21.080
<v Speaker 1>my butt, right, And you want to be liked, And

0:47:21.160 --> 0:47:23.360
<v Speaker 1>so when you want to be liked, it's just you

0:47:23.360 --> 0:47:25.080
<v Speaker 1>don't want to be really you don't want to be

0:47:25.120 --> 0:47:28.600
<v Speaker 1>treated like you're some kind of you know, meat stick

0:47:28.760 --> 0:47:33.560
<v Speaker 1>or yeah it's right. Yeah, by saying I'm not doing

0:47:33.600 --> 0:47:35.279
<v Speaker 1>this because you don't know what's going to happen. If

0:47:35.320 --> 0:47:38.200
<v Speaker 1>they say, well, then you're out. We'll write you out

0:47:38.880 --> 0:47:40.880
<v Speaker 1>and what you know what what an Academy members going

0:47:40.920 --> 0:47:42.399
<v Speaker 1>to say when they see the scene, Oh, we've got

0:47:42.400 --> 0:47:45.400
<v Speaker 1>to nominate him. You know that butt scene was amazing best,

0:47:45.480 --> 0:47:48.680
<v Speaker 1>But you know, I mean, really, what am I involved

0:47:48.719 --> 0:47:50.920
<v Speaker 1>in here? They really questioned why I was doing the

0:47:50.920 --> 0:47:52.960
<v Speaker 1>show at the time. It's like, what am I involved

0:47:53.000 --> 0:47:55.520
<v Speaker 1>with here? So there you go. That's just how I

0:47:55.560 --> 0:47:58.160
<v Speaker 1>feel about it, you know, and I got over it.

0:47:58.680 --> 0:48:03.600
<v Speaker 1>I really apparently I haven't. No, I appreciate the perspective too,

0:48:03.680 --> 0:48:07.680
<v Speaker 1>because I don't know that it was the intention. I

0:48:07.760 --> 0:48:10.319
<v Speaker 1>don't know that the intention was that like, but it

0:48:10.360 --> 0:48:13.680
<v Speaker 1>doesn't matter what the intention was because of how you felt.

0:48:14.120 --> 0:48:17.959
<v Speaker 1>But at the same time, I feel guilty. I'm sorry,

0:48:18.000 --> 0:48:21.120
<v Speaker 1>I'm coming king it out because I feel guilty that

0:48:21.239 --> 0:48:23.840
<v Speaker 1>I giggled at the scene. And now I'm like, wait,

0:48:23.920 --> 0:48:25.960
<v Speaker 1>I have to be able to do both kind of

0:48:26.000 --> 0:48:29.400
<v Speaker 1>where I go. I'm learning and I see that, and

0:48:29.400 --> 0:48:33.520
<v Speaker 1>then also like, it is a funny little bit. There

0:48:33.600 --> 0:48:36.000
<v Speaker 1>is something funny about it, but it's at your expense.

0:48:36.040 --> 0:48:38.120
<v Speaker 1>But somebody had to pay a price for that. That's right,

0:48:38.120 --> 0:48:43.840
<v Speaker 1>it's at your expense, and I'm still paying exactly. Yeah,

0:48:47.440 --> 0:48:51.640
<v Speaker 1>thank god for Adam Brody. Yeah, well, I was about

0:48:51.640 --> 0:48:54.759
<v Speaker 1>to say, and that hat, that hat. We're coming right

0:48:54.800 --> 0:48:57.440
<v Speaker 1>to the hat next where we just get jarred by

0:48:57.480 --> 0:49:01.640
<v Speaker 1>that cute outfit with literally a terrible hat, and I

0:49:01.640 --> 0:49:04.880
<v Speaker 1>don't thin before we move on from this, we're missing

0:49:04.960 --> 0:49:08.120
<v Speaker 1>one weird thing from that From that scene is when

0:49:08.200 --> 0:49:12.360
<v Speaker 1>Loreaae offers Luke in the cooler room and she goes yeah,

0:49:12.520 --> 0:49:14.799
<v Speaker 1>and she goes, well, you can just stay at the end,

0:49:14.800 --> 0:49:17.920
<v Speaker 1>I'll comp your room, like you know, we'll take care

0:49:17.920 --> 0:49:21.520
<v Speaker 1>of you. She's being awkwardly sweet, but it's almost like

0:49:21.600 --> 0:49:25.719
<v Speaker 1>we're they weird because we both know, like we all

0:49:25.760 --> 0:49:28.719
<v Speaker 1>know deep down and these two like each other, and man,

0:49:28.840 --> 0:49:33.680
<v Speaker 1>nothing's ever been more clearer than the awkwardness of the scene.

0:49:33.880 --> 0:49:36.440
<v Speaker 1>I think maybe that's my criticism because Lorelei was so

0:49:37.360 --> 0:49:41.799
<v Speaker 1>une out of there. What are you doing? Why are

0:49:41.840 --> 0:49:47.040
<v Speaker 1>you staying? And why are you like just oh, I

0:49:47.120 --> 0:49:50.600
<v Speaker 1>literally I didn't. I did not like it. And are

0:49:50.600 --> 0:49:53.799
<v Speaker 1>we supposed to cringe? Like? That's my thing is like

0:49:53.920 --> 0:49:57.759
<v Speaker 1>I hated that scene too, but that one seemed intentional.

0:49:58.000 --> 0:50:03.960
<v Speaker 1>I'm supposed to be cringing. I was like this, yeah,

0:50:04.440 --> 0:50:08.600
<v Speaker 1>you're like, just go fire frank Like, Also, he looked

0:50:08.920 --> 0:50:13.560
<v Speaker 1>Luke looked so cute, and Nicole looked They looked so

0:50:13.719 --> 0:50:16.160
<v Speaker 1>cuppily that it made it worse. I was like, I

0:50:16.360 --> 0:50:20.160
<v Speaker 1>wanted part of me wanting to cool, to be like, hey,

0:50:20.320 --> 0:50:26.120
<v Speaker 1>you gotta go. I wanted her really badly to like,

0:50:26.120 --> 0:50:29.440
<v Speaker 1>like not mark her territory that's the wrong praise, but

0:50:29.800 --> 0:50:32.560
<v Speaker 1>for her to be like no, no, no, like you're

0:50:32.640 --> 0:50:36.720
<v Speaker 1>being inappropriate. Get out. We're good, And she did try,

0:50:37.080 --> 0:50:39.040
<v Speaker 1>like being like we're good, we don't need the towels,

0:50:39.080 --> 0:50:41.279
<v Speaker 1>we don't need this, we don't We're fine, but like

0:50:41.320 --> 0:50:43.120
<v Speaker 1>I wanted her to be like, you need to go.

0:50:44.080 --> 0:50:51.279
<v Speaker 1>Also realizes very bad at that job, very bad. Like,

0:50:52.880 --> 0:50:54.920
<v Speaker 1>but I think the writer saw it as an opportunity

0:50:54.960 --> 0:50:56.840
<v Speaker 1>to put Laurel in a situation where she could be

0:50:57.320 --> 0:51:02.279
<v Speaker 1>her comedy. She didn't have staff, and plus, you're right,

0:51:02.320 --> 0:51:04.319
<v Speaker 1>that's a good point. She she didn't have staff, so

0:51:04.360 --> 0:51:06.160
<v Speaker 1>she kind of had to do it right. But she

0:51:06.200 --> 0:51:08.319
<v Speaker 1>should have just got the heck out of Dodge when

0:51:08.360 --> 0:51:10.880
<v Speaker 1>it just got so weird and she can't light the fire.

0:51:12.400 --> 0:51:14.759
<v Speaker 1>She should have done all the rooms, and then once

0:51:14.800 --> 0:51:17.319
<v Speaker 1>she realized it was Luke in Nicole's room, she should

0:51:17.360 --> 0:51:18.759
<v Speaker 1>have gone down to Michelle and like, this is the

0:51:18.800 --> 0:51:22.239
<v Speaker 1>one room I can't do and run for it I've

0:51:22.280 --> 0:51:26.239
<v Speaker 1>been in. Also, imagine being in a hotel and like

0:51:26.400 --> 0:51:28.319
<v Speaker 1>the person just comes and starts chit chatting with you

0:51:28.360 --> 0:51:32.440
<v Speaker 1>in your room. Believe like I don't want you in

0:51:32.480 --> 0:51:36.400
<v Speaker 1>my room. Now. There's so many things about this episode,

0:51:37.120 --> 0:51:39.839
<v Speaker 1>but I feel like as a whole the episode was like,

0:51:39.880 --> 0:51:42.840
<v Speaker 1>as a whole of the episode was good, but listen,

0:51:42.920 --> 0:51:46.720
<v Speaker 1>I you know, Laurel, I occupies so many different worlds,

0:51:46.920 --> 0:51:49.960
<v Speaker 1>her work world, her mom and dad adult world, her

0:51:50.040 --> 0:51:54.160
<v Speaker 1>kids world, all these different worlds. Right, uh Rory does too.

0:51:54.280 --> 0:51:57.960
<v Speaker 1>She's occupying her grandparents world, a mom's world, the stars

0:51:58.000 --> 0:52:01.319
<v Speaker 1>Hollow world, even even even the stars hollow, high school world,

0:52:01.320 --> 0:52:05.319
<v Speaker 1>the chiltern world, all these worlds. We finally got to

0:52:05.400 --> 0:52:08.239
<v Speaker 1>see a bunch of kids at a party having a

0:52:08.280 --> 0:52:18.280
<v Speaker 1>good time, like high school kids. Do Mber remember the kegger? Yeah,

0:52:18.680 --> 0:52:21.400
<v Speaker 1>the first party ever your parents house. You're like, do

0:52:21.520 --> 0:52:30.920
<v Speaker 1>not use the nice towels, towel the party stripes totally.

0:52:31.200 --> 0:52:36.399
<v Speaker 1>The party was very perfectly done. Like whoever wrote that

0:52:36.480 --> 0:52:39.759
<v Speaker 1>scene literally just left a high school party because it

0:52:39.840 --> 0:52:43.839
<v Speaker 1>was just accurate and they can't figure out the keg.

0:52:44.320 --> 0:52:49.680
<v Speaker 1>Yeah I did. I threw a big party. My my

0:52:49.800 --> 0:52:53.759
<v Speaker 1>mom and my my stepdad went to the beach for

0:52:53.800 --> 0:52:56.719
<v Speaker 1>the weekend because it's only you know, forty five minute drive,

0:52:57.280 --> 0:52:59.080
<v Speaker 1>and so I had the house to myself and I

0:52:59.440 --> 0:53:02.799
<v Speaker 1>was in my junior your senior year, and I threw

0:53:02.920 --> 0:53:07.520
<v Speaker 1>I invited everybody in town. I mean, it was a

0:53:08.040 --> 0:53:11.080
<v Speaker 1>oh man, what a shin dig? That was good. God.

0:53:12.120 --> 0:53:16.319
<v Speaker 1>There were fights. Uh, I think they did. Yeah. I

0:53:16.400 --> 0:53:19.480
<v Speaker 1>was so gone by that point that I don't even

0:53:19.520 --> 0:53:23.279
<v Speaker 1>remember half the party. Uh, to be honest with you,

0:53:23.320 --> 0:53:25.560
<v Speaker 1>but yeah, it was. It was crowded and it's like

0:53:25.680 --> 0:53:27.719
<v Speaker 1>everybody in the high school was there. It was. It was.

0:53:28.400 --> 0:53:31.680
<v Speaker 1>It was quite the affair. Every teenager does it. We're

0:53:31.680 --> 0:53:34.640
<v Speaker 1>all so dumb. And even my stepbrother. My stepbrother got

0:53:34.640 --> 0:53:36.360
<v Speaker 1>in fight and it got in a fight with somebody

0:53:36.360 --> 0:53:41.440
<v Speaker 1>in the backyard. There was an actual fight. My stepbrother

0:53:41.960 --> 0:53:44.960
<v Speaker 1>got into a big fight with a guy named Tommy,

0:53:45.160 --> 0:53:48.719
<v Speaker 1>and Tommy was coming. Tommy was kind of the town

0:53:48.760 --> 0:53:51.440
<v Speaker 1>badass and he was good. He was a good dude.

0:53:51.719 --> 0:53:54.120
<v Speaker 1>And uh, they got in a fight. Yeah they got

0:53:54.280 --> 0:53:59.840
<v Speaker 1>anyone think the Jess Dean very choreographed fight. But in

0:54:00.200 --> 0:54:04.000
<v Speaker 1>attack no, no, no, no, no no no. It was great.

0:54:04.000 --> 0:54:06.240
<v Speaker 1>It was great. It was great. It I loved every

0:54:06.239 --> 0:54:10.240
<v Speaker 1>second coming. It wasn't believable because when you hit somebody

0:54:10.280 --> 0:54:12.440
<v Speaker 1>with the right cross right off the bat, that hard

0:54:12.480 --> 0:54:15.200
<v Speaker 1>and that square, so you're going you're going to knock

0:54:15.280 --> 0:54:19.480
<v Speaker 1>them out, they don't like go like this and then

0:54:19.600 --> 0:54:22.640
<v Speaker 1>deliver an even harder, not a scratch on their face.

0:54:22.840 --> 0:54:25.600
<v Speaker 1>But but then you don't get that great scene. I

0:54:25.640 --> 0:54:29.799
<v Speaker 1>love that. I love every moment of it. Dean has

0:54:29.840 --> 0:54:34.479
<v Speaker 1>been waiting to punch Jess for so long. You guys,

0:54:34.600 --> 0:54:37.040
<v Speaker 1>we need to rewind because I feel like there's a

0:54:37.040 --> 0:54:40.920
<v Speaker 1>lot leading up to this fight that literally there. I

0:54:40.960 --> 0:54:43.560
<v Speaker 1>feel like there's a lot of substance there. Okay, so

0:54:43.640 --> 0:54:46.080
<v Speaker 1>let's let's work. We're going to re First of all,

0:54:46.520 --> 0:54:50.080
<v Speaker 1>let's all acknowledge the worst hat in the history of

0:54:50.280 --> 0:54:55.239
<v Speaker 1>fashion we have to that was really just like she

0:54:55.360 --> 0:54:59.359
<v Speaker 1>did not like that exactly. Like she's like a beanie girl,

0:54:59.560 --> 0:55:02.759
<v Speaker 1>you know, she wears the Beanies. Maybe a baseball hat

0:55:02.800 --> 0:55:04.800
<v Speaker 1>would have been, like, made more sense than that. And

0:55:04.880 --> 0:55:09.360
<v Speaker 1>she had that cute blouse. Although that blouse. Here's what

0:55:09.360 --> 0:55:12.560
<v Speaker 1>I'm thinking happened with that fashion that day. The blouse

0:55:12.640 --> 0:55:15.840
<v Speaker 1>was the buttons were puckering a little bit, which happened.

0:55:16.080 --> 0:55:19.800
<v Speaker 1>So they put that cardigan on. It was really cute

0:55:19.840 --> 0:55:23.200
<v Speaker 1>and so it looked really good. I think they were like, oh, no,

0:55:23.239 --> 0:55:25.920
<v Speaker 1>this outfit isn't quite what we wanted. Let's it was

0:55:25.960 --> 0:55:29.279
<v Speaker 1>like the let's throw this on too. Then they give

0:55:29.320 --> 0:55:32.880
<v Speaker 1>her that it was it wasn't even a cardigan. It

0:55:32.960 --> 0:55:37.960
<v Speaker 1>was a zip up like juicy velord. But yeah, but

0:55:38.000 --> 0:55:40.080
<v Speaker 1>it had worked with the blouse, like you don't wear

0:55:40.120 --> 0:55:46.040
<v Speaker 1>a blouse under that. It's why, in your opinion, didn't

0:55:46.040 --> 0:55:49.319
<v Speaker 1>the hot work because I you know, it sort of

0:55:49.320 --> 0:55:51.239
<v Speaker 1>worked for me and it sort of didn't work for me,

0:55:51.320 --> 0:55:56.640
<v Speaker 1>and you know, everything was very pankas. I don't think

0:55:56.800 --> 0:55:58.920
<v Speaker 1>many women can pull off that hat. I think men

0:55:59.040 --> 0:56:04.200
<v Speaker 1>can going to wear that hat. In my opinion, you

0:56:04.239 --> 0:56:06.680
<v Speaker 1>can't have all the other things she happening on. You'd

0:56:06.680 --> 0:56:10.760
<v Speaker 1>have to like literally be in like ray sweat outfit

0:56:10.880 --> 0:56:14.320
<v Speaker 1>or a something so chill white T shirt and jeans,

0:56:14.719 --> 0:56:17.799
<v Speaker 1>white T shirt and jeans, Yes, exactly, she's got a

0:56:18.000 --> 0:56:23.000
<v Speaker 1>pink zip up Kashmir sweater vlore or something with a

0:56:23.120 --> 0:56:28.600
<v Speaker 1>flowery blouse that already was like cute, but like it

0:56:28.680 --> 0:56:33.560
<v Speaker 1>was like ten things too many. Yeah, it was we

0:56:33.600 --> 0:56:38.640
<v Speaker 1>need to have like a something for that. We should

0:56:38.680 --> 0:56:41.160
<v Speaker 1>do like top ten fashion fails, like at the end

0:56:41.600 --> 0:56:43.400
<v Speaker 1>on the Instagram or something that we need to have

0:56:43.480 --> 0:56:51.000
<v Speaker 1>some sort of like um funeral for that hat. It

0:56:51.080 --> 0:56:53.440
<v Speaker 1>was so bad. I think they all knew it. Okay,

0:56:53.520 --> 0:56:56.120
<v Speaker 1>So then we get to the party, So let's break

0:56:56.120 --> 0:56:58.560
<v Speaker 1>down the party left and right right out the gate

0:56:58.880 --> 0:57:00.960
<v Speaker 1>when that girl was so west there, they're kind of

0:57:00.960 --> 0:57:03.640
<v Speaker 1>like warming up and well they got there early with

0:57:03.680 --> 0:57:07.000
<v Speaker 1>the band and Jess was like, what are we here?

0:57:07.080 --> 0:57:09.359
<v Speaker 1>So really quick to go back. We also then found

0:57:09.400 --> 0:57:11.680
<v Speaker 1>out that he can't get tickets to prompts. That's where

0:57:13.239 --> 0:57:16.200
<v Speaker 1>he hasn't told her that he flunked out right and

0:57:16.200 --> 0:57:19.280
<v Speaker 1>that he can't go. And I was heartbreaking too. I

0:57:19.400 --> 0:57:22.600
<v Speaker 1>was so sad for him he didn't. I still stand

0:57:22.640 --> 0:57:25.240
<v Speaker 1>by that like I needed I needed that. Everyone's been

0:57:25.240 --> 0:57:27.760
<v Speaker 1>coddling Jess, like I needed somebody to be like also

0:57:27.800 --> 0:57:30.160
<v Speaker 1>if it was like you can't you can't miss thirty

0:57:30.200 --> 0:57:32.560
<v Speaker 1>one days, he's at thirty one days and you can't

0:57:32.560 --> 0:57:36.080
<v Speaker 1>miss twenty Like who's still letting him like show up?

0:57:36.360 --> 0:57:39.160
<v Speaker 1>Show up? Yeah? Like he showed up, but he wasn't

0:57:39.160 --> 0:57:41.640
<v Speaker 1>showing up, Yeah he wasn't. He was there, Like why

0:57:41.720 --> 0:57:43.880
<v Speaker 1>are they letting him go? Like you're out of here?

0:57:44.640 --> 0:57:48.000
<v Speaker 1>Well for his person walk back in the school is

0:57:48.080 --> 0:57:50.240
<v Speaker 1>right into that guy's office. I don't want to get that.

0:57:51.240 --> 0:57:53.240
<v Speaker 1>And the guy was like, I haven't seen you here

0:57:53.280 --> 0:57:57.200
<v Speaker 1>in thirty one days or whatever. You know, like that's true. Okay,

0:57:57.280 --> 0:57:59.320
<v Speaker 1>it's not how it goes down in the real world though,

0:58:00.000 --> 0:58:05.960
<v Speaker 1>parents thirty one days, you know, sure they do. But

0:58:06.000 --> 0:58:08.200
<v Speaker 1>like we said before, he totally could be like deleting

0:58:08.240 --> 0:58:11.960
<v Speaker 1>the voicemails, taking the letters out of the mail. But

0:58:12.040 --> 0:58:14.440
<v Speaker 1>then again, with being in a small town, couldn't this

0:58:14.600 --> 0:58:18.840
<v Speaker 1>just like across the street. Yeah, it's across We've seen

0:58:18.920 --> 0:58:22.440
<v Speaker 1>him walk to school. Yeah, the principle, the principle couldn't

0:58:22.440 --> 0:58:24.880
<v Speaker 1>go to Luke's Diner and say, listen, there's an issue.

0:58:25.240 --> 0:58:28.560
<v Speaker 1>There was an issue with Jess, Right, get a cup

0:58:28.600 --> 0:58:30.920
<v Speaker 1>of coffee. It's a small town, right, Why isn't he

0:58:31.440 --> 0:58:34.280
<v Speaker 1>coming over there? Hey, we got to talk about Jess.

0:58:34.320 --> 0:58:38.080
<v Speaker 1>If he's so concerned about him, it's supposed to be

0:58:38.080 --> 0:58:40.560
<v Speaker 1>concernous the principle, he wants to help him, right, guidance counselor.

0:58:40.600 --> 0:58:43.520
<v Speaker 1>Why did the guidance counselor go across street? Exactly right?

0:58:43.720 --> 0:58:46.720
<v Speaker 1>Not one teacher gets a donut in the morning, doesn't

0:58:46.800 --> 0:58:50.320
<v Speaker 1>It doesn't. It doesn't track. It's not tracking. The first

0:58:50.360 --> 0:58:55.080
<v Speaker 1>person that calls out Jess is poor Lindsay. She's like

0:58:56.360 --> 0:59:00.280
<v Speaker 1>seeing you at school. I didn't know, right, right, right?

0:59:05.520 --> 0:59:08.440
<v Speaker 1>Before we get into it, can we please just acknowledge

0:59:08.480 --> 0:59:12.880
<v Speaker 1>Jess's best line ever the girl crying and Jess walks,

0:59:12.880 --> 0:59:16.000
<v Speaker 1>Mine goes, it was a little early for that. You

0:59:16.120 --> 0:59:18.720
<v Speaker 1>guys know that was good that I was wondering what

0:59:18.880 --> 0:59:20.960
<v Speaker 1>that line was in reference to I thought it was

0:59:21.040 --> 0:59:23.480
<v Speaker 1>like in high school, there was so much to happen

0:59:23.560 --> 0:59:26.760
<v Speaker 1>before eight am, like it seemed normal, Like you know,

0:59:26.920 --> 0:59:31.480
<v Speaker 1>that was at the party party. But I think his

0:59:31.560 --> 0:59:35.280
<v Speaker 1>best line at the party was when Lindsay said, well,

0:59:35.320 --> 0:59:37.080
<v Speaker 1>what kind of you know? They asked Roy said, well,

0:59:37.120 --> 0:59:38.440
<v Speaker 1>what kind of music do you like? She goes, oh,

0:59:38.480 --> 0:59:44.280
<v Speaker 1>you know Michelle Brand's box cards, Matchbox twenty and Jess goes,

0:59:44.680 --> 0:59:47.120
<v Speaker 1>what what did he do? He was like, oh god,

0:59:48.280 --> 0:59:55.600
<v Speaker 1>that god match I love Rob Thomas, so Matchbox twenty

0:59:55.680 --> 0:59:57.000
<v Speaker 1>for me, Like, I already think I want to go

0:59:57.040 --> 1:00:03.680
<v Speaker 1>to that concert. And we're talking about Jess okay, talking

1:00:03.680 --> 1:00:06.920
<v Speaker 1>about Justice listening to the Who, He's listening to Zeppelin,

1:00:07.000 --> 1:00:09.360
<v Speaker 1>He's listened to the old stuff exactly. Come on, how

1:00:09.400 --> 1:00:11.160
<v Speaker 1>about the kids from the party and he goes, if

1:00:11.160 --> 1:00:18.120
<v Speaker 1>you drop a chip, pick it up. Yeah, the whole thing.

1:00:18.760 --> 1:00:22.160
<v Speaker 1>The party was good. I'm not gonna lie the party

1:00:22.200 --> 1:00:25.400
<v Speaker 1>was chip. If you drop a chip, put it, pick

1:00:25.440 --> 1:00:30.920
<v Speaker 1>it up and put it back, and what do you say?

1:00:29.080 --> 1:00:33.600
<v Speaker 1>Yea or something like that. His braces in his face

1:00:35.560 --> 1:00:38.320
<v Speaker 1>is twenty one and he can get the keg like

1:00:38.480 --> 1:00:42.000
<v Speaker 1>everybody's got like but then I got the line from

1:00:42.080 --> 1:00:44.520
<v Speaker 1>Kyle he goes, hey, you drop a chip, you pick

1:00:44.560 --> 1:00:49.800
<v Speaker 1>it up. It's common courtesy. And then how about the

1:00:49.800 --> 1:00:53.520
<v Speaker 1>fact that somebody said emo? Yeah, so emo. I didn't

1:00:53.520 --> 1:00:56.040
<v Speaker 1>even think emo was used back then. I thought that

1:00:56.200 --> 1:01:00.120
<v Speaker 1>was like it's like the Emo era. No. Yeah, So

1:01:01.120 --> 1:01:03.520
<v Speaker 1>if you have a rock band, and if you have

1:01:03.520 --> 1:01:06.520
<v Speaker 1>a rock band, you want to start your show with

1:01:06.720 --> 1:01:12.040
<v Speaker 1>four banging tunes, just like bam bam, bam bam before

1:01:12.120 --> 1:01:15.600
<v Speaker 1>you say anything into the microphone, like hey everybody, you know,

1:01:15.880 --> 1:01:18.840
<v Speaker 1>thanks and coming, it's great to be our next song boom.

1:01:19.320 --> 1:01:21.720
<v Speaker 1>You just you just go on stage and you hit

1:01:21.760 --> 1:01:24.360
<v Speaker 1>the you hit the audience in the face, four songs

1:01:24.360 --> 1:01:31.560
<v Speaker 1>in a row, and then you've got them right right right,

1:01:31.640 --> 1:01:35.600
<v Speaker 1>right right right. She's like, okay, um, all right, everyone,

1:01:35.720 --> 1:01:40.560
<v Speaker 1>here's what's your name? But that's but that was why

1:01:40.640 --> 1:01:44.120
<v Speaker 1>I said that gang was because they emoi thing came up,

1:01:44.160 --> 1:01:47.160
<v Speaker 1>because that's how they start concert with very slow song.

1:01:47.720 --> 1:01:49.960
<v Speaker 1>You don't start a show with a slow soul with

1:01:50.040 --> 1:01:52.240
<v Speaker 1>a bunch of high school game. No, no, no, well

1:01:52.520 --> 1:01:56.240
<v Speaker 1>like with anybody. I mean watching watching Narrowsmith concert, watching

1:01:56.280 --> 1:01:58.600
<v Speaker 1>a c D. They just come out of the gate roaring,

1:01:59.080 --> 1:02:03.640
<v Speaker 1>you know, and Lane just Lane just goes all out

1:02:03.640 --> 1:02:09.760
<v Speaker 1>this party. Oh my god, talk about liquid courage. Literally.

1:02:10.880 --> 1:02:14.240
<v Speaker 1>But first, just to refresh our memories. How good was

1:02:14.280 --> 1:02:17.520
<v Speaker 1>it when Lola said, don't put your hand in the

1:02:17.520 --> 1:02:21.400
<v Speaker 1>communal chip bowl. It's a toilet. You have to have chips,

1:02:21.480 --> 1:02:25.920
<v Speaker 1>be the one that refills it. Putting your hands in

1:02:25.960 --> 1:02:29.360
<v Speaker 1>a toilet. I wanted to be like girl I relate

1:02:30.640 --> 1:02:36.400
<v Speaker 1>gives that girl a kangaroo hat. Yeah, good for you. Okay.

1:02:36.440 --> 1:02:39.440
<v Speaker 1>So I just feel like there's so many storyline storylines

1:02:39.480 --> 1:02:43.840
<v Speaker 1>in this party that is so significant that it's like

1:02:45.000 --> 1:02:47.440
<v Speaker 1>so Justice upstairs trying to you know, he tries to

1:02:47.480 --> 1:02:52.120
<v Speaker 1>get some nookie. It ain't happening. He trying to. At

1:02:52.160 --> 1:02:54.680
<v Speaker 1>first I think he went for the belt. He went

1:02:54.720 --> 1:02:58.080
<v Speaker 1>went for the belt. No, no, no, but he went upstairs.

1:02:58.280 --> 1:03:00.560
<v Speaker 1>Oh no, he wanted the sulk, right, he wanted he

1:03:00.640 --> 1:03:04.360
<v Speaker 1>needed a minute because he knows but he but he

1:03:04.640 --> 1:03:07.480
<v Speaker 1>always needs a minute. You know, he was just a drip.

1:03:07.480 --> 1:03:09.440
<v Speaker 1>He should have just gone home. He was a drip

1:03:09.480 --> 1:03:11.920
<v Speaker 1>the whole time. But I think I think he normally

1:03:11.960 --> 1:03:14.000
<v Speaker 1>would have gone home, but it was so important to

1:03:14.080 --> 1:03:16.720
<v Speaker 1>Rory that he stayed. So he was like, I need

1:03:16.800 --> 1:03:18.680
<v Speaker 1>a minute, and was like I got to get away

1:03:18.680 --> 1:03:24.920
<v Speaker 1>from all these hooligans. Goes upstairs because like he's older

1:03:24.960 --> 1:03:30.240
<v Speaker 1>than them. That he like, I'm smarter than them. I'm older,

1:03:30.600 --> 1:03:34.000
<v Speaker 1>you know who needs Yeah, I've been to New York City,

1:03:34.040 --> 1:03:39.600
<v Speaker 1>I've lived there, I've used the keg before, I've tapped

1:03:39.600 --> 1:03:41.920
<v Speaker 1>a keg. Give me a break. And I thought it

1:03:41.960 --> 1:03:44.800
<v Speaker 1>was sweet, like that was their biggest makeout sash we've

1:03:44.800 --> 1:03:48.840
<v Speaker 1>ever seen. And then it did take it a little

1:03:48.920 --> 1:03:53.120
<v Speaker 1>too far, and I thought she was right saying like absolutely,

1:03:53.400 --> 1:03:56.720
<v Speaker 1>she's obviously considering like doing it. Do you think this

1:03:56.840 --> 1:03:59.840
<v Speaker 1>is how it should happen. Somebody could walk in, you know,

1:04:00.120 --> 1:04:02.480
<v Speaker 1>soon closes come down the chimney. Yeah, she wanted it

1:04:02.520 --> 1:04:07.760
<v Speaker 1>to be special, and but then I did. Obviously they

1:04:07.840 --> 1:04:12.040
<v Speaker 1>like had like it this heated argument and he raised

1:04:12.040 --> 1:04:14.880
<v Speaker 1>his voice, you know, but then he was like, I

1:04:14.960 --> 1:04:18.160
<v Speaker 1>know it's not you, Rory, you know, like and I

1:04:18.200 --> 1:04:21.120
<v Speaker 1>feel like if Dean was at the bottom of the stairs,

1:04:21.160 --> 1:04:24.040
<v Speaker 1>like I think maybe Rory and Jess could have had

1:04:24.080 --> 1:04:26.600
<v Speaker 1>a really sweet moment. I agree with you. I think

1:04:26.640 --> 1:04:30.160
<v Speaker 1>he would have said, no, this is I'm stressed right now,

1:04:30.280 --> 1:04:32.600
<v Speaker 1>like all these things are happening to me and and

1:04:32.640 --> 1:04:34.920
<v Speaker 1>I'm just I feel like I'm disappointing you. And she

1:04:34.960 --> 1:04:37.040
<v Speaker 1>could have been like, I don't know. They could have

1:04:37.040 --> 1:04:40.600
<v Speaker 1>had agree with they needed a minute, like to separate,

1:04:40.840 --> 1:04:42.840
<v Speaker 1>she gets herself together, and they could have talked about

1:04:42.880 --> 1:04:44.600
<v Speaker 1>Dean was at the end of the stairs. Oh em bloy,

1:04:44.680 --> 1:04:46.160
<v Speaker 1>did I love that Dean was at the end of

1:04:46.200 --> 1:04:50.880
<v Speaker 1>the stairs. She came crying, and he was like, it

1:04:51.000 --> 1:04:56.000
<v Speaker 1>hasn't yeah, and then Jess just comes downstairs and it doesn't.

1:04:56.040 --> 1:05:00.640
<v Speaker 1>Dean say are you okay? Yeah, has come down and

1:05:00.640 --> 1:05:04.120
<v Speaker 1>he just clocks him. No, he know, he went after

1:05:04.200 --> 1:05:09.120
<v Speaker 1>Jess because Jess made a comment about that figures that

1:05:09.240 --> 1:05:12.520
<v Speaker 1>you two would end up together, and just like he

1:05:12.640 --> 1:05:17.000
<v Speaker 1>just had figures, you know, figures. You're right. I took

1:05:17.000 --> 1:05:18.880
<v Speaker 1>it as figures like, oh, you would be at the

1:05:18.880 --> 1:05:21.480
<v Speaker 1>bottom of the stairs like waiting or something. No, no, no,

1:05:21.600 --> 1:05:24.640
<v Speaker 1>he said, figures because they're together and He's consoled, Okay,

1:05:24.800 --> 1:05:29.400
<v Speaker 1>like of course she's gonna right right right, yeah, yeah,

1:05:29.440 --> 1:05:33.919
<v Speaker 1>yeah right. So that's it. That was the That was yeah,

1:05:35.080 --> 1:05:37.600
<v Speaker 1>good fight and who was what was the best thing

1:05:37.640 --> 1:05:41.160
<v Speaker 1>about the fight that Dave Regalski wanted to talk to

1:05:41.240 --> 1:05:43.840
<v Speaker 1>Young Chew. I'm not going to touch you. I just

1:05:43.840 --> 1:05:46.200
<v Speaker 1>just talk about this Lane thing. I just want Then

1:05:46.320 --> 1:05:50.600
<v Speaker 1>boom they get clouded, you know? Then? Then how great

1:05:50.680 --> 1:05:52.880
<v Speaker 1>was that moment? That was the best moment in the

1:05:52.880 --> 1:05:59.920
<v Speaker 1>whole of them. I laughed. Second, two different boy arguments, Tina,

1:06:01.600 --> 1:06:05.640
<v Speaker 1>and that was that was a three Stooges moment. That

1:06:05.720 --> 1:06:10.480
<v Speaker 1>was good. That was great physical comedy, that was perfectly timed.

1:06:10.880 --> 1:06:13.600
<v Speaker 1>That was an intense he went right on top of

1:06:13.760 --> 1:06:18.120
<v Speaker 1>Young Chee. I mean it was just beautiful. Then I

1:06:18.120 --> 1:06:22.560
<v Speaker 1>did think the ending could not have been more perfect

1:06:23.920 --> 1:06:28.040
<v Speaker 1>because the cops says, folks, drop your cups. Parties over,

1:06:28.120 --> 1:06:35.200
<v Speaker 1>everybody go home, which cups? And Lane is, yeah, like

1:06:36.800 --> 1:06:43.480
<v Speaker 1>what about that phone call to her mom? Wow, it's

1:06:43.520 --> 1:06:46.280
<v Speaker 1>going to be a few U is the word repercussions

1:06:46.320 --> 1:06:49.320
<v Speaker 1>after this episode? And I really wanted to see the

1:06:49.320 --> 1:06:52.200
<v Speaker 1>other the other side of that phone call, Lane is,

1:06:52.280 --> 1:06:55.360
<v Speaker 1>really did you want to see the others. Didn't you

1:06:55.400 --> 1:06:57.760
<v Speaker 1>want to see Emily Coroda? Didn't you want to see

1:06:57.840 --> 1:06:59.880
<v Speaker 1>Mrs Kim on you like just cut to her, Like

1:07:00.840 --> 1:07:02.520
<v Speaker 1>I do think we're going to get the Mrs kim

1:07:02.600 --> 1:07:04.840
<v Speaker 1>pay off the next episode. We're going to get it.

1:07:04.920 --> 1:07:09.800
<v Speaker 1>Oh yeah, there's no doubt about it. Yeah. Oh my god,

1:07:09.880 --> 1:07:13.439
<v Speaker 1>what a phone call. Oh man, the phone call heard

1:07:13.600 --> 1:07:17.680
<v Speaker 1>round the world. Let me tell you long time coming

1:07:17.720 --> 1:07:21.280
<v Speaker 1>for that phone call. This is what happens when they

1:07:21.280 --> 1:07:25.760
<v Speaker 1>don't go to Friday night party fridnight dinner. I think,

1:07:26.360 --> 1:07:28.840
<v Speaker 1>but I thought, but I also thought that I thought

1:07:28.880 --> 1:07:34.680
<v Speaker 1>that Dave Regowski was justified and with the entire situation,

1:07:35.520 --> 1:07:39.000
<v Speaker 1>I liked how he wasn't hostile. He was just like

1:07:39.080 --> 1:07:41.520
<v Speaker 1>I'm done. You know. It's like it's like when are

1:07:41.560 --> 1:07:43.800
<v Speaker 1>you gonna like what is this in some in the

1:07:43.840 --> 1:07:47.960
<v Speaker 1>middle of some circus? Is like, Lane, I really need

1:07:48.040 --> 1:07:51.560
<v Speaker 1>you just to whatever. If you want to fake this

1:07:51.640 --> 1:07:56.440
<v Speaker 1>relationship and like have young Chew like for your mom, whatever,

1:07:56.680 --> 1:07:59.120
<v Speaker 1>do what you gotta do, but like freaking go make

1:07:59.160 --> 1:08:02.560
<v Speaker 1>out with David Key Yeah yeah, I mean party and

1:08:02.600 --> 1:08:05.640
<v Speaker 1>had Young Chew there, but like make out with him?

1:08:05.800 --> 1:08:09.960
<v Speaker 1>That is shot true, Like she should have fully been

1:08:09.960 --> 1:08:15.400
<v Speaker 1>making out with Dave. That was their agreement. So like,

1:08:15.640 --> 1:08:19.120
<v Speaker 1>it's not like she's betraying their agreement. Sucks for Young

1:08:19.200 --> 1:08:23.120
<v Speaker 1>Chew that he fell in love with her, not Lane's fault.

1:08:23.200 --> 1:08:26.840
<v Speaker 1>Lane does talk to him. I think you're right. You're right,

1:08:26.840 --> 1:08:30.160
<v Speaker 1>God blurred because they are becoming such good friends. And

1:08:29.920 --> 1:08:33.559
<v Speaker 1>why First of all, so what was the deal? The

1:08:33.640 --> 1:08:36.360
<v Speaker 1>only way that Lane could be at the party drumming

1:08:36.439 --> 1:08:38.320
<v Speaker 1>was if Young Chew came to pick her up to

1:08:38.320 --> 1:08:40.880
<v Speaker 1>take her out on a day. So the ruse in general, right,

1:08:40.920 --> 1:08:43.360
<v Speaker 1>that's the use. So they were Lan was fake dating

1:08:43.400 --> 1:08:45.560
<v Speaker 1>Young Chew and Young Yeah, I know that I know

1:08:45.760 --> 1:08:48.760
<v Speaker 1>the girlfriend. But then he broke up with Okay, so

1:08:48.840 --> 1:08:50.519
<v Speaker 1>he just came and got her. They went on a date,

1:08:50.600 --> 1:08:52.920
<v Speaker 1>Mrs Kim approves, and they end up at the party. Yeah,

1:08:53.160 --> 1:08:56.760
<v Speaker 1>and what's his face? Young Choo doesn't know what the

1:08:56.800 --> 1:08:59.880
<v Speaker 1>shot is. He doesn't know the drama he's involved in.

1:08:59.920 --> 1:09:02.840
<v Speaker 1>He must because he knows, he knows about he knows

1:09:02.840 --> 1:09:05.439
<v Speaker 1>about Dave Dkowski. Right, It's almost like he just changed

1:09:05.520 --> 1:09:07.600
<v Speaker 1>his mind because he broke up with So what is

1:09:07.600 --> 1:09:10.160
<v Speaker 1>he still doing hanging around when he knows that he

1:09:10.280 --> 1:09:13.240
<v Speaker 1>Because Lane needs him, He's like the decoy. He's the

1:09:13.320 --> 1:09:18.240
<v Speaker 1>decoy Scots, right though, because if Young Chew wasn't in

1:09:18.280 --> 1:09:20.479
<v Speaker 1>love with Lane, Young Cheo would have gone and been

1:09:20.560 --> 1:09:23.120
<v Speaker 1>off at the party, either chatting with other girls, or

1:09:23.120 --> 1:09:24.600
<v Speaker 1>he would have left and been like, I'll meet you

1:09:24.640 --> 1:09:26.400
<v Speaker 1>back here at ten. I'm gonna go do my own things.

1:09:26.439 --> 1:09:28.240
<v Speaker 1>But if he's but even if he is in love

1:09:28.280 --> 1:09:30.439
<v Speaker 1>with her, what's he doing sitting around Pine and for

1:09:30.720 --> 1:09:33.839
<v Speaker 1>in such a public way when he knows that she's

1:09:33.920 --> 1:09:37.880
<v Speaker 1>with Dave Dkowski? Right? He knows, I think because at

1:09:37.920 --> 1:09:39.639
<v Speaker 1>the end of the day, he knows that Mrs Kim

1:09:39.720 --> 1:09:41.800
<v Speaker 1>is not going to let that relationship happen, so he's

1:09:41.920 --> 1:09:45.599
<v Speaker 1>waiting on the sidelines. That is a good point you make, though, Scott,

1:09:45.640 --> 1:09:47.599
<v Speaker 1>because it's not like Young Choo's not in on it.

1:09:47.680 --> 1:09:50.240
<v Speaker 1>He's in on it. He is exactly what's happening. So

1:09:50.600 --> 1:09:52.439
<v Speaker 1>it is a little weird that all of a sudden

1:09:52.479 --> 1:09:55.080
<v Speaker 1>he's so like, I'm waiting for Lane, I'm saving this

1:09:55.160 --> 1:09:57.240
<v Speaker 1>chair for Lane, when we're all like, Lane's not coming

1:09:57.280 --> 1:10:00.519
<v Speaker 1>because you know this, well, she did. She did mentioned

1:10:00.560 --> 1:10:03.840
<v Speaker 1>that he she felt that Young Chew was delusional, well,

1:10:03.920 --> 1:10:07.280
<v Speaker 1>and she did refer to him as delusional. I also

1:10:07.320 --> 1:10:10.080
<v Speaker 1>feel like they've been talking a lot on the phone

1:10:10.280 --> 1:10:13.120
<v Speaker 1>and yeah, yeah, so maybe he thinks, maybe, you know,

1:10:13.520 --> 1:10:17.439
<v Speaker 1>maybe I got a shot with her. The young The

1:10:17.560 --> 1:10:22.840
<v Speaker 1>young boy is confused. He loves that's what he is.

1:10:23.880 --> 1:10:27.080
<v Speaker 1>Not for the party. I don't know if this would

1:10:27.080 --> 1:10:29.760
<v Speaker 1>have been that good of an episode. Oh my god.

1:10:29.760 --> 1:10:33.000
<v Speaker 1>I still love this episode and I still stand by that. Listen,

1:10:33.120 --> 1:10:35.320
<v Speaker 1>that was a great party. I mean, if you're gonna

1:10:35.320 --> 1:10:37.640
<v Speaker 1>do if you're gonna spend time with the kiddies, do

1:10:37.800 --> 1:10:40.640
<v Speaker 1>it at the party. I realized I really thought that

1:10:40.760 --> 1:10:43.040
<v Speaker 1>was fun. That was a lot of fun. See, but

1:10:43.160 --> 1:10:45.840
<v Speaker 1>they're hard to shoot, all those extras. Those things take

1:10:45.880 --> 1:10:49.880
<v Speaker 1>forever to shoot. The fight scene must have taken days

1:10:49.920 --> 1:10:52.160
<v Speaker 1>and days and days. No days and days and do

1:10:52.160 --> 1:10:54.080
<v Speaker 1>you don't have days? And they did it that night.

1:10:54.320 --> 1:10:57.000
<v Speaker 1>Oh my god, that looks so complicated. Nobody has days

1:10:57.000 --> 1:10:58.640
<v Speaker 1>and days and days to shoot a fight scene on

1:10:58.680 --> 1:11:01.800
<v Speaker 1>a TV show. Trust me, it took a couple hours.

1:11:01.880 --> 1:11:04.479
<v Speaker 1>And also like, correct me if I'm wrong, Scott, but

1:11:04.560 --> 1:11:09.240
<v Speaker 1>like it with something that with that many steps and

1:11:09.400 --> 1:11:11.680
<v Speaker 1>choreographed and stuff, it's kind of like you gotta get

1:11:11.680 --> 1:11:15.600
<v Speaker 1>it in one shot. No no, because it's hard to redo,

1:11:15.960 --> 1:11:19.559
<v Speaker 1>and it not really, it's not hard to redo, but

1:11:19.840 --> 1:11:22.559
<v Speaker 1>all the energy is in the first take shore And

1:11:22.600 --> 1:11:26.320
<v Speaker 1>they obviously had stunt doubles, but I think Jared and

1:11:26.600 --> 1:11:29.680
<v Speaker 1>Milo did a lot of their own stunts look like

1:11:29.880 --> 1:11:32.439
<v Speaker 1>and it did, it did look like it because usually

1:11:32.479 --> 1:11:34.360
<v Speaker 1>you can tell if it's stunt doubles or not. I

1:11:34.439 --> 1:11:38.519
<v Speaker 1>really could only tell it was stunt doubles maybe once

1:11:38.600 --> 1:11:41.839
<v Speaker 1>when Dean threw him over the counter at the beginning

1:11:41.840 --> 1:11:43.760
<v Speaker 1>of the fight and he came spilling over. I don't

1:11:43.800 --> 1:11:47.000
<v Speaker 1>think that they would have Milo do that, you know,

1:11:47.960 --> 1:11:51.400
<v Speaker 1>because yeah, because that was that was really violent. Yeah,

1:11:51.400 --> 1:11:53.840
<v Speaker 1>that was that was violent. It looked like the stunt

1:11:53.840 --> 1:11:55.880
<v Speaker 1>double hit his back against the counter and it was.

1:11:56.120 --> 1:11:58.600
<v Speaker 1>It was kind of brutal. So does anybody else just

1:11:58.640 --> 1:12:03.040
<v Speaker 1>so worried about that dude's house was like a guy

1:12:03.360 --> 1:12:06.519
<v Speaker 1>stairs the chips, like so much for the chips. But

1:12:06.600 --> 1:12:09.040
<v Speaker 1>that was that was a really violent fight. That was

1:12:09.160 --> 1:12:14.400
<v Speaker 1>really that was a super brutal violence. Those other dudes

1:12:14.400 --> 1:12:16.760
<v Speaker 1>could have pulled them off each other and kept them

1:12:16.760 --> 1:12:20.600
<v Speaker 1>off each other, but they kept but no, no, no, no, no, no, no.

1:12:20.760 --> 1:12:24.320
<v Speaker 1>Dean is a big kid. You know he's over he's

1:12:24.360 --> 1:12:26.800
<v Speaker 1>six three whatever, he is six four. That's a big,

1:12:26.840 --> 1:12:30.760
<v Speaker 1>strong kid. Have a question, you guys think one in

1:12:30.760 --> 1:12:34.840
<v Speaker 1>that situation, Dean or nobody wins the fight. I think

1:12:34.840 --> 1:12:40.400
<v Speaker 1>they're all wrong. Nobody wins a fight, Danielle, everybody, everybody.

1:12:41.520 --> 1:12:44.320
<v Speaker 1>I thought Dean one that day, No, because Lindsay is

1:12:44.360 --> 1:12:48.080
<v Speaker 1>going to be so irritated too, Yeah, and he's going

1:12:48.120 --> 1:12:50.200
<v Speaker 1>to be like everybody's going to be like this. But

1:12:50.200 --> 1:12:52.439
<v Speaker 1>I feel like Rory would be upset to that, like

1:12:52.560 --> 1:12:56.160
<v Speaker 1>because it's not like she wanted Dean to punch him either. Like,

1:12:56.280 --> 1:12:58.560
<v Speaker 1>Rory's not a violent person. So I think Rory is

1:12:58.600 --> 1:13:01.679
<v Speaker 1>gonna be upset with Dean as well. I'm gonna say,

1:13:01.720 --> 1:13:05.559
<v Speaker 1>if I'm forced to choose, I think I agree with you,

1:13:05.640 --> 1:13:08.240
<v Speaker 1>daniel I think Dean won the fight. Yeah, because Jess left,

1:13:08.640 --> 1:13:12.160
<v Speaker 1>just left, and Dean was still stayed. I know that

1:13:12.200 --> 1:13:15.680
<v Speaker 1>they were leaving, but he stayed with Rory. And he

1:13:15.840 --> 1:13:18.320
<v Speaker 1>is the one that saw her in distress and was

1:13:18.400 --> 1:13:22.160
<v Speaker 1>like that I'm not standing for that. Well, he you know,

1:13:22.360 --> 1:13:25.920
<v Speaker 1>Jess had that coming. He planted the seeds for that.

1:13:26.439 --> 1:13:31.160
<v Speaker 1>He mistreated Dean throughout. You know that entire his entire

1:13:31.280 --> 1:13:35.040
<v Speaker 1>dating situation. He tried, he broke them up. Yeah, you know,

1:13:35.200 --> 1:13:37.840
<v Speaker 1>he actually broke those two up. He intentionally tried to

1:13:37.880 --> 1:13:41.320
<v Speaker 1>break them up, and he did so he had a coming. Yeah.

1:13:41.400 --> 1:13:44.600
<v Speaker 1>I don't know what happens moving forward, But where I

1:13:44.640 --> 1:13:46.600
<v Speaker 1>stand right now is I want Rory to break up

1:13:46.600 --> 1:13:49.320
<v Speaker 1>with Jess and get back together with Dean. That's where

1:13:49.360 --> 1:13:54.479
<v Speaker 1>I'm at right now. I don't know I'm even remotely happening.

1:13:55.000 --> 1:13:58.240
<v Speaker 1>It's so odd that, I mean, I think it's kind

1:13:58.240 --> 1:14:02.439
<v Speaker 1>of perfect in TV world and drama world that Rory

1:14:02.800 --> 1:14:07.120
<v Speaker 1>having living her best life, going off to Yale for

1:14:07.160 --> 1:14:09.720
<v Speaker 1>God's sake, and her just such a future, and then

1:14:09.760 --> 1:14:13.840
<v Speaker 1>she's with this guy that she loves, and his situation

1:14:13.920 --> 1:14:18.000
<v Speaker 1>couldn't be worse. I mean, he's just emotionally just gone.

1:14:18.200 --> 1:14:23.599
<v Speaker 1>He's so troubled, this kid, you know, he he really does.

1:14:24.160 --> 1:14:27.840
<v Speaker 1>He's really really struggling. He's really struggling. It's hard to watch.

1:14:27.920 --> 1:14:31.439
<v Speaker 1>I can't. I don't want her to abandon him now.

1:14:31.560 --> 1:14:34.120
<v Speaker 1>I think she has more character than that. She's going

1:14:34.160 --> 1:14:36.280
<v Speaker 1>to hang in there and she's going to try to

1:14:36.320 --> 1:14:40.519
<v Speaker 1>help him out. Agree interesting little trivia, if I may

1:14:40.680 --> 1:14:42.960
<v Speaker 1>give it I don't want to ruin anything for what's coming,

1:14:43.160 --> 1:14:47.639
<v Speaker 1>but it was well known at this point that there

1:14:47.760 --> 1:14:54.120
<v Speaker 1>was a potential spinoff coming with Milow's character Jess. We're

1:14:54.160 --> 1:14:59.880
<v Speaker 1>going to see that. I think a lot of that

1:15:00.080 --> 1:15:05.479
<v Speaker 1>is also building. It didn't happen, though, right they filmed

1:15:05.520 --> 1:15:09.040
<v Speaker 1>the pilot. Yeah, so what happened was I just didn't

1:15:09.040 --> 1:15:11.879
<v Speaker 1>get it didn't get picked up, So so I don't

1:15:11.960 --> 1:15:15.800
<v Speaker 1>I don't know that he was available for shooting more

1:15:15.800 --> 1:15:18.519
<v Speaker 1>Gilmore episodes. I would imagine he was while they're waiting

1:15:18.560 --> 1:15:22.000
<v Speaker 1>for a pickup, because you've gotten months in between that

1:15:22.000 --> 1:15:25.800
<v Speaker 1>that Milo knew the idea would be to spin off

1:15:25.840 --> 1:15:29.240
<v Speaker 1>his character throughout season three. He knew like, okay, they

1:15:29.280 --> 1:15:33.759
<v Speaker 1>were going to create a spinoff for Jess and Daniel.

1:15:33.800 --> 1:15:35.960
<v Speaker 1>I won't ruin it, but you'll see what's coming and

1:15:36.040 --> 1:15:39.439
<v Speaker 1>how they do it. And they work it into two

1:15:39.479 --> 1:15:42.559
<v Speaker 1>episodes of Gilmore Girls that are coming up fairly soon,

1:15:43.720 --> 1:15:46.720
<v Speaker 1>and they shot the pilot I think, and then it

1:15:46.760 --> 1:15:49.360
<v Speaker 1>didn't get a pick up, and so he comes back

1:15:49.360 --> 1:15:53.280
<v Speaker 1>to Gilmore Girls essentially, and you'll see a lot of

1:15:53.280 --> 1:15:58.160
<v Speaker 1>it and soon I mean imminently. M hmm. Yeah, I'm

1:15:58.160 --> 1:16:00.280
<v Speaker 1>assuming this is during this is the time I'm that

1:16:00.600 --> 1:16:05.000
<v Speaker 1>Dean and Rory kind of reconcile for a second. No,

1:16:05.120 --> 1:16:08.320
<v Speaker 1>I'm not gonna answer. Yeah, we can't. You can't talk

1:16:08.040 --> 1:16:14.320
<v Speaker 1>a moving on. So what do we all take away? So, okay,

1:16:14.400 --> 1:16:18.599
<v Speaker 1>let's give this one out of ten fist fights, ten

1:16:18.720 --> 1:16:22.720
<v Speaker 1>being the biggest fist fight ever, best one being just

1:16:22.720 --> 1:16:28.160
<v Speaker 1>a little. Yeah. I think for TV, you know, with

1:16:28.240 --> 1:16:30.719
<v Speaker 1>a limited amount of time you have to do these things.

1:16:30.760 --> 1:16:33.880
<v Speaker 1>I think that's a ten fists out of ten. I'm

1:16:33.920 --> 1:16:36.559
<v Speaker 1>getting whole episode though. This is my pizza scale for this.

1:16:36.720 --> 1:16:39.360
<v Speaker 1>Oh I thought you just said for the fight. Well,

1:16:39.400 --> 1:16:40.960
<v Speaker 1>I was trying to be clever because it was like

1:16:41.000 --> 1:16:43.160
<v Speaker 1>one out of ten. The pizza were one out of

1:16:43.200 --> 1:16:45.800
<v Speaker 1>ten fist fights. Does anyone have a better one out

1:16:45.800 --> 1:16:47.760
<v Speaker 1>of ten? Kegs, let's do that one out of ten?

1:16:48.720 --> 1:16:51.000
<v Speaker 1>There you go, there you go. It was like an

1:16:51.000 --> 1:16:57.120
<v Speaker 1>eight for me, eight CAGs. I liked it. I did.

1:16:58.000 --> 1:17:01.280
<v Speaker 1>But now that we've really dissected it it, I can

1:17:01.360 --> 1:17:03.880
<v Speaker 1>kind of see I kind of see different sides of it.

1:17:04.000 --> 1:17:06.479
<v Speaker 1>So I was coming into this ten out of ten,

1:17:08.000 --> 1:17:10.599
<v Speaker 1>but I will say now I'm going to I'll give

1:17:10.600 --> 1:17:13.519
<v Speaker 1>it an eight. Oh, I'll knock off two kigs from that. Yeah,

1:17:13.560 --> 1:17:15.560
<v Speaker 1>I came into it six kigs and I'm down to

1:17:15.640 --> 1:17:19.400
<v Speaker 1>four kigs because I'm sort of like, I'm really grappling

1:17:19.439 --> 1:17:23.719
<v Speaker 1>with different things from this. So what we know is

1:17:23.800 --> 1:17:27.920
<v Speaker 1>that we've pointed out some awkward scenes, like there's the

1:17:28.040 --> 1:17:32.439
<v Speaker 1>Luke butt thing. We've discussed that a nauseam we have,

1:17:33.840 --> 1:17:38.679
<v Speaker 1>which it deserves turned down service probably, um and uh,

1:17:38.840 --> 1:17:44.120
<v Speaker 1>the your mythological the myth that you're a mythological creature. Ten.

1:17:44.800 --> 1:17:49.240
<v Speaker 1>So that's three scenes three, not three three. That's three

1:17:49.240 --> 1:17:52.960
<v Speaker 1>scenes the hat four four but that but that wasn't

1:17:52.960 --> 1:17:58.040
<v Speaker 1>a bad scene, Okay, but I couldn't even watch the scene.

1:17:58.439 --> 1:18:00.280
<v Speaker 1>You want to you want to feel like we want

1:18:00.280 --> 1:18:02.519
<v Speaker 1>to throw a flag. You want to throw a wardrobe flag.

1:18:03.000 --> 1:18:05.479
<v Speaker 1>That's what you want to do, all right? Um So

1:18:05.640 --> 1:18:11.800
<v Speaker 1>given all that, right, UM, I'm gonna I would have

1:18:11.880 --> 1:18:16.519
<v Speaker 1>given it a god for four scenes, No, three scenes

1:18:16.520 --> 1:18:19.200
<v Speaker 1>in a wardrobe flag. I think we're talking I think

1:18:19.200 --> 1:18:22.000
<v Speaker 1>we're talking about I think we're talking about a seven

1:18:22.080 --> 1:18:28.080
<v Speaker 1>or eight. But that's that's seven or eight kegs. I'm

1:18:28.080 --> 1:18:31.360
<v Speaker 1>gonna say maybe seven point five, seven point to five.

1:18:31.720 --> 1:18:36.960
<v Speaker 1>You know, I like to be exact um, Dave Regowski.

1:18:38.160 --> 1:18:42.920
<v Speaker 1>Trust he's adding some kegs for me. He's he's a

1:18:43.040 --> 1:18:46.519
<v Speaker 1>keg Adden kind of dude for me. So I'm gonna

1:18:46.600 --> 1:18:51.960
<v Speaker 1>give it a nine point three kegs. Yeah. Yeah, he

1:18:53.600 --> 1:18:56.120
<v Speaker 1>brought me back so many times, and I was just

1:18:56.200 --> 1:18:59.680
<v Speaker 1>so pleased with a lot of this episode. So I'm

1:18:59.680 --> 1:19:02.320
<v Speaker 1>gonna of at nine point three kigs. I'm gonna stay

1:19:02.360 --> 1:19:06.680
<v Speaker 1>on five, but with with sadness. With sadness, I give

1:19:06.680 --> 1:19:09.280
<v Speaker 1>it five kicks. Because I don't want to give it

1:19:09.320 --> 1:19:12.440
<v Speaker 1>five kicks. I just have to write, right you begrudgingly

1:19:12.560 --> 1:19:15.479
<v Speaker 1>give it five ks. I don't feel good about it,

1:19:15.800 --> 1:19:18.200
<v Speaker 1>but I have to know. I don't know, I know

1:19:18.840 --> 1:19:25.320
<v Speaker 1>sometimes you just have to vote. Move on, Gracie. Say

1:19:25.360 --> 1:19:30.839
<v Speaker 1>good night Gracie. Every time someone says that title that episode,

1:19:30.960 --> 1:19:37.640
<v Speaker 1>say goodnight Gracie, good night Gracie. All right, So, uh,

1:19:37.840 --> 1:19:39.040
<v Speaker 1>I just you know, at the end of the day,

1:19:39.160 --> 1:19:42.000
<v Speaker 1>love this episode. I mean, sure it has some it

1:19:42.080 --> 1:19:45.200
<v Speaker 1>has some pock marks on it. Let's let's just be real.

1:19:45.360 --> 1:19:50.400
<v Speaker 1>But the second viewing was very, very enjoyable. I need

1:19:50.439 --> 1:19:52.559
<v Speaker 1>to do that. Yeah, you should see you should watch it.

1:19:53.320 --> 1:19:56.840
<v Speaker 1>Just get lost in kid world. It's a fun place

1:19:56.880 --> 1:20:00.760
<v Speaker 1>to be. I mean, it is it. It'll take you

1:20:00.840 --> 1:20:03.240
<v Speaker 1>back to your high school days when you're sitting around

1:20:03.280 --> 1:20:05.800
<v Speaker 1>at Kegger's. Man, it's it's just great. It's just great.

1:20:06.360 --> 1:20:09.639
<v Speaker 1>This is the best beer ever. I don't know any

1:20:09.640 --> 1:20:15.840
<v Speaker 1>other type of beer. Oh God, just fantastic. And back

1:20:15.880 --> 1:20:18.360
<v Speaker 1>then we didn't have did we have solo We didn't

1:20:18.360 --> 1:20:20.479
<v Speaker 1>have solo cups back then? When we drink I think

1:20:20.520 --> 1:20:22.439
<v Speaker 1>we did, I mean we did we hear not that

1:20:22.520 --> 1:20:25.320
<v Speaker 1>much older than me, Well, this is the mid seventies. Yeah,

1:20:25.360 --> 1:20:28.479
<v Speaker 1>I was like in the nineties. I guess a little bit,

1:20:28.920 --> 1:20:33.479
<v Speaker 1>a little bit my mind. We drink out of We

1:20:33.560 --> 1:20:35.840
<v Speaker 1>drank out of plastic cups and st Yeah they had

1:20:35.920 --> 1:20:40.479
<v Speaker 1>plastic cups, good stone cups, but they were styrefying a

1:20:40.520 --> 1:20:47.800
<v Speaker 1>lot of styrofiled poor environment. Literally, does styrofum even exist anymore?

1:20:48.280 --> 1:20:51.800
<v Speaker 1>For like coffee only in packaging materials, Like sometimes I

1:20:51.800 --> 1:20:53.760
<v Speaker 1>get a box and I feel like if there's like

1:20:53.800 --> 1:20:57.280
<v Speaker 1>something soeramic, But who cares anyway? By guys, that's I digress.

1:20:58.280 --> 1:21:02.479
<v Speaker 1>All right, everybody, great a discussion, I think, Um, yeah,

1:21:02.479 --> 1:21:05.920
<v Speaker 1>this one's gonna like hang with me for a bit. Yeah, same,

1:21:07.640 --> 1:21:13.679
<v Speaker 1>I'm not moving on from it back quit. Yeah. Uh,

1:21:13.960 --> 1:21:16.960
<v Speaker 1>spirited discussion. I think we went we went pretty deep

1:21:16.960 --> 1:21:20.559
<v Speaker 1>on this one, um, But I think an overall great

1:21:20.560 --> 1:21:24.639
<v Speaker 1>episode for sure. All Right, kids, see you next week,

1:21:24.760 --> 1:21:57.000
<v Speaker 1>See you next week. Gang. Hey everybody, and don't forget

1:21:57.040 --> 1:22:01.120
<v Speaker 1>follow us on Instagram at I Am All In podcast

1:22:01.200 --> 1:22:06.120
<v Speaker 1>and email us at Gilmore at I heart radio dot com.

1:22:06.120 --> 1:22:07.720
<v Speaker 1>Oh you, gil More fans. If you're looking for the

1:22:07.720 --> 1:22:09.760
<v Speaker 1>best cup of coffee in the world, go to my

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<v Speaker 1>website for my company, scott EP dot com s C

1:22:13.520 --> 1:22:16.000
<v Speaker 1>O T T y P dot com, scott ep dot

1:22:16.000 --> 1:22:28.479
<v Speaker 1>com Grade one Specialty Coffee. Yeah.