1
00:00:00,760 --> 00:00:17,040
Speaker 1: I am all in. Oh that's just you more. I

2
00:00:17,120 --> 00:00:20,640
Speaker 1: am all in with Scott Patterson and i Hurt Radio podcast.

3
00:00:21,320 --> 00:00:28,240
Speaker 1: Hey everybody or Live from Halifax, Nova Scotia. Poem of

4
00:00:28,320 --> 00:00:33,760
Speaker 1: seafood Delectables of all stripe um takes Nova Scotia. For

5
00:00:33,800 --> 00:00:36,479
Speaker 1: some reason, I think I thought Nova Scotia was the city.

6
00:00:36,920 --> 00:00:39,320
Speaker 1: I just realized that that's not. No, it's it's it's

7
00:00:39,360 --> 00:00:41,960
Speaker 1: the province. And like, can you give me like, is

8
00:00:42,000 --> 00:00:45,839
Speaker 1: it like the size of Massachusetts, like the size of

9
00:00:46,159 --> 00:00:51,519
Speaker 1: Rhode Island. I think it's a couple hour drive about

10
00:00:51,640 --> 00:00:54,720
Speaker 1: astern if you got it? Got it? So it's no California.

11
00:00:54,760 --> 00:00:56,680
Speaker 1: It's not as like oh no no, no, no, no,

12
00:00:56,680 --> 00:01:01,760
Speaker 1: no no no no no, no no no, it's it's beautiful.

13
00:01:02,440 --> 00:01:06,360
Speaker 1: Have you discovered a favorite restaurant in Halifax, Nova Scotia.

14
00:01:06,760 --> 00:01:09,840
Speaker 1: You know there's a couple actually there's a couple. Yeah,

15
00:01:09,920 --> 00:01:12,640
Speaker 1: I don't want to name them, but there, because you know,

16
00:01:12,680 --> 00:01:18,199
Speaker 1: I like to go there. Everyone didn't know about it. Hey,

17
00:01:18,200 --> 00:01:22,319
Speaker 1: come on down, I'll buy cocktail. And I was like

18
00:01:22,480 --> 00:01:26,560
Speaker 1: hearing about something like that, Oh God, what was it?

19
00:01:26,680 --> 00:01:29,600
Speaker 1: And they're like, don't tell anybody, like because you don't

20
00:01:29,600 --> 00:01:34,560
Speaker 1: want everyone to know, like it's the best, right, and

21
00:01:34,600 --> 00:01:37,560
Speaker 1: then they'll they'll you know, people order so many and

22
00:01:37,560 --> 00:01:39,600
Speaker 1: then they'll have to get cheaper meat or something and

23
00:01:39,640 --> 00:01:43,920
Speaker 1: then loses its luster. Yeah. So, but there's a couple

24
00:01:43,920 --> 00:01:46,399
Speaker 1: of places and they're they're fantastic. But it's it's it's

25
00:01:46,959 --> 00:01:50,120
Speaker 1: it's a fun city and uh, you know, it's beautiful

26
00:01:50,200 --> 00:01:55,120
Speaker 1: on the outskirts of the city, it's like unbelievable places. Um,

27
00:01:55,440 --> 00:01:57,600
Speaker 1: you got to be into boating and fishing and all

28
00:01:57,640 --> 00:02:00,600
Speaker 1: that stuff because it's like it's heaven here. Water skiing,

29
00:02:00,680 --> 00:02:06,080
Speaker 1: it's it's great all morning. I was like Unice Singles

30
00:02:06,240 --> 00:02:10,359
Speaker 1: water skiing all over the day. I'm just kidding. I

31
00:02:10,400 --> 00:02:12,919
Speaker 1: would never do that. It's in my contract. I just

32
00:02:13,240 --> 00:02:21,959
Speaker 1: follow is about it there? Yeah, yeah, a little a

33
00:02:22,000 --> 00:02:27,080
Speaker 1: little bit. It's historic. Yeah, there's some historic sites. Sure. Yeah,

34
00:02:27,080 --> 00:02:30,440
Speaker 1: it's got its own history diner. There actually is, and

35
00:02:30,480 --> 00:02:32,640
Speaker 1: I did take a photo of it. Wait, it's actually

36
00:02:32,639 --> 00:02:35,120
Speaker 1: called Luke Steiner. There's it's not Luke Steiner. I think

37
00:02:35,120 --> 00:02:38,280
Speaker 1: it's more of a bakery, but it says Luke's on

38
00:02:38,320 --> 00:02:41,880
Speaker 1: the front. We were shooting down town one. You don't

39
00:02:41,880 --> 00:02:46,280
Speaker 1: you don't follow my Instagram, do you Cram's doing that

40
00:02:46,320 --> 00:02:50,680
Speaker 1: whack thing. We're not getting my you know. So, so

41
00:02:50,720 --> 00:02:53,160
Speaker 1: I took the picture in front of Luke's and I said,

42
00:02:53,480 --> 00:02:56,079
Speaker 1: you know, something like some stupid that I always say,

43
00:02:56,120 --> 00:02:58,079
Speaker 1: like Luke in front of Luke's. Oh mind blown or

44
00:02:58,120 --> 00:03:03,400
Speaker 1: something like that, and it got a headline here in

45
00:03:03,440 --> 00:03:08,959
Speaker 1: the Halifax Press. Yes, yes, yeah, I found it. Whack

46
00:03:09,080 --> 00:03:15,600
Speaker 1: thing is called an algorithm. I'm getting like, I'm getting

47
00:03:15,639 --> 00:03:19,040
Speaker 1: people that I've never seen in their things in five

48
00:03:19,120 --> 00:03:22,280
Speaker 1: meters and I'm not getting the ones that I usually see.

49
00:03:23,000 --> 00:03:29,280
Speaker 1: That's like, yeah, I'm really bitter that nobody responded to

50
00:03:29,280 --> 00:03:31,519
Speaker 1: my text outside of you Amy that you were going

51
00:03:31,560 --> 00:03:35,520
Speaker 1: to watch this episode. The second I saw this episode,

52
00:03:35,600 --> 00:03:39,400
Speaker 1: I blasted all of you guys and was like, I'm obsessed.

53
00:03:39,680 --> 00:03:42,600
Speaker 1: I know, but here's why I didn't respond. You didn't

54
00:03:42,600 --> 00:03:46,480
Speaker 1: like it? Well, I love all the episodes. No, no,

55
00:03:46,840 --> 00:03:49,280
Speaker 1: I love them all, but this was not my favorite.

56
00:03:50,400 --> 00:03:51,760
Speaker 1: You know what, you know what, you know what you

57
00:03:51,800 --> 00:03:54,240
Speaker 1: should have done. You know what you should have done.

58
00:03:54,240 --> 00:03:56,880
Speaker 1: You should have watched it a second time, because I

59
00:03:56,920 --> 00:03:59,840
Speaker 1: watched it last night and I was like, man, stinker

60
00:04:00,240 --> 00:04:03,920
Speaker 1: didn't like it, and hang on, hang on, and I

61
00:04:04,000 --> 00:04:05,960
Speaker 1: was just in a mood. Okay, I was lonely, I

62
00:04:06,000 --> 00:04:08,240
Speaker 1: was missing my family. I wasn't in the mood to

63
00:04:08,280 --> 00:04:12,520
Speaker 1: be watching any of this kitty stuff. Okay. And then

64
00:04:12,560 --> 00:04:14,680
Speaker 1: I watched it right before we came on, and I

65
00:04:14,800 --> 00:04:17,560
Speaker 1: laughed my ass off, and I really really enjoyed it.

66
00:04:17,760 --> 00:04:24,919
Speaker 1: I actually I really enjoyed the episode. Stop laughing, right, hilarious?

67
00:04:25,200 --> 00:04:29,239
Speaker 1: I thought so, I thought so. I mean, it's enjoyable.

68
00:04:29,279 --> 00:04:33,839
Speaker 1: But what parts made you guys laugh the most? Okay,

69
00:04:33,680 --> 00:04:36,839
Speaker 1: say the same things? Got go ahead? God, what are

70
00:04:36,839 --> 00:04:44,680
Speaker 1: you gonna say when talking? Yes, yes, he steals the episode.

71
00:04:45,080 --> 00:04:49,839
Speaker 1: He he was changes. It was changes. Everything he said.

72
00:04:51,080 --> 00:04:54,800
Speaker 1: I completely agree with you. Everything he said. Don't touch me, Dave,

73
00:04:55,120 --> 00:04:58,800
Speaker 1: I'm not gonna touch you young. I mean, everything was

74
00:04:58,920 --> 00:05:02,680
Speaker 1: perfect from this guy Sprouth. I have like five lines

75
00:05:02,720 --> 00:05:09,479
Speaker 1: from Dave Regowski. Yes, yes, he was masterful. Oh my god,

76
00:05:09,920 --> 00:05:14,680
Speaker 1: is I love Adam Brody. He did that same stuff

77
00:05:14,760 --> 00:05:20,880
Speaker 1: on the the delivery and that the cool laid back

78
00:05:20,920 --> 00:05:26,640
Speaker 1: and he's so smart and wait, yeah, yeah, it's like

79
00:05:26,680 --> 00:05:31,080
Speaker 1: there's nothing better. There's nothing better. And the great line

80
00:05:31,200 --> 00:05:33,880
Speaker 1: was when he said, and when the guys you're like

81
00:05:36,640 --> 00:05:41,240
Speaker 1: and and Regalsky says, uh unusually obsessed with that integer

82
00:05:43,760 --> 00:05:46,080
Speaker 1: My favorite when he told young Cheo to step away

83
00:05:46,080 --> 00:05:53,920
Speaker 1: from the cords because he electrocuted, and so good, it's

84
00:05:54,000 --> 00:05:58,599
Speaker 1: so good. It's so good, oh man, you know because

85
00:05:58,640 --> 00:06:02,440
Speaker 1: because because Yanny, I mean Michelle kind of he was

86
00:06:02,480 --> 00:06:06,640
Speaker 1: still great. But I like, I like angry Michelle more

87
00:06:06,680 --> 00:06:10,320
Speaker 1: than I like sort of like dogs, but the dogs

88
00:06:10,360 --> 00:06:12,880
Speaker 1: in the soft Michelle. That's funny too. And he had

89
00:06:13,080 --> 00:06:15,080
Speaker 1: he had one or two good lines, but it's it's

90
00:06:15,080 --> 00:06:17,680
Speaker 1: not the David Galsy came in and just hit it

91
00:06:17,680 --> 00:06:20,360
Speaker 1: out of the park. Like every time he showed up,

92
00:06:20,400 --> 00:06:22,520
Speaker 1: I was like, yeah, more, Dave more, Dave more day.

93
00:06:23,520 --> 00:06:26,239
Speaker 1: I mean even when he was just it was so great.

94
00:06:26,320 --> 00:06:30,200
Speaker 1: He's so different from everybody else. He's so distinctive and

95
00:06:30,279 --> 00:06:33,279
Speaker 1: he's just he's just really relaxed and great. I love

96
00:06:33,320 --> 00:06:36,520
Speaker 1: the guy. I love. You gotta get him on. I asked,

97
00:06:36,560 --> 00:06:40,000
Speaker 1: I know, you gotta get you gotta get him on, man,

98
00:06:40,240 --> 00:06:44,680
Speaker 1: because I'm pretty sure he's Adam Brodie's just playing Adam Brodie, right, No, No,

99
00:06:44,760 --> 00:06:48,479
Speaker 1: there's no question. He doesn't have to do characters. He

100
00:06:48,760 --> 00:06:52,320
Speaker 1: is a character. It's so confusing because Adam Brody in

101
00:06:52,360 --> 00:06:57,960
Speaker 1: real life is married to late mister. Yes, okay, so

102
00:06:58,000 --> 00:07:00,680
Speaker 1: he married the girl from Gossip Girl. Correct, and then

103
00:07:01,080 --> 00:07:05,080
Speaker 1: the girl from the o C married Rachel Bilson. She

104
00:07:05,240 --> 00:07:09,840
Speaker 1: married Darth Vader, but they got divorced or separated. They're

105
00:07:09,840 --> 00:07:16,160
Speaker 1: not something. She married Darth Vader. What's married at Hayden Christians? Yeah?

106
00:07:16,400 --> 00:07:21,600
Speaker 1: Oh yeah? Who confused? The heck? Can keep up with

107
00:07:21,640 --> 00:07:24,280
Speaker 1: all these kids and who they're marrying? And I just

108
00:07:24,360 --> 00:07:29,360
Speaker 1: bouncing around like Bunny Rabbits and Layton Mester and with Rachel.

109
00:07:29,400 --> 00:07:33,680
Speaker 1: I agree, Oh, come on, she's put her from Gossip Girl.

110
00:07:33,760 --> 00:07:39,360
Speaker 1: You can't really, she's iconic, Layton Mister her song good

111
00:07:39,360 --> 00:07:44,600
Speaker 1: Girls Go Bad? Yes, okay, let's should I give them

112
00:07:44,600 --> 00:07:47,560
Speaker 1: the synopsis so people know what we're talking about. Yeah,

113
00:07:47,640 --> 00:07:50,160
Speaker 1: let's do let's do that. So this is season three,

114
00:07:50,200 --> 00:07:55,800
Speaker 1: episode nineteen. The title is Keg Max Air date Apri three,

115
00:07:56,360 --> 00:07:59,320
Speaker 1: So this is literally in the synopsis. So much happened?

116
00:07:59,760 --> 00:08:02,200
Speaker 1: Lad La joins the Booster Club at Chiltern, where Max

117
00:08:02,280 --> 00:08:05,160
Speaker 1: is the faculty advisor and he tries to set boundaries

118
00:08:05,160 --> 00:08:08,080
Speaker 1: with her. Meanwhile, at the end, Michelle and Laura La

119
00:08:08,160 --> 00:08:11,080
Speaker 1: are picking up extra house keeping duties and she has

120
00:08:11,080 --> 00:08:13,440
Speaker 1: an awkward running with Luke and Nicole in their room.

121
00:08:13,960 --> 00:08:16,040
Speaker 1: Jess Laurence he's getting kicked out of school and he

122
00:08:16,080 --> 00:08:18,760
Speaker 1: doesn't tell Rory, all leading up to him being upset

123
00:08:18,800 --> 00:08:21,800
Speaker 1: at a party where Lane's band book their first gig

124
00:08:22,040 --> 00:08:24,200
Speaker 1: and ends up getting in a huge fight with Dean

125
00:08:25,120 --> 00:08:28,120
Speaker 1: and speaking of Lane, Dave is jealous about young Chew

126
00:08:28,320 --> 00:08:31,080
Speaker 1: and Lane started drinking and drunk dials her mom to

127
00:08:31,160 --> 00:08:38,000
Speaker 1: tell her the truth. Can I get my bone to pick? Yeah? Sure? Max?

128
00:08:38,720 --> 00:08:44,840
Speaker 1: Like what the hell was that? Like that scene? Sorry

129
00:08:44,840 --> 00:08:47,360
Speaker 1: to come off like start right and being caustic, but

130
00:08:47,480 --> 00:08:53,079
Speaker 1: like that scene was so donkey do do? Like what

131
00:08:53,720 --> 00:08:57,040
Speaker 1: but I'm you see I I actually agree with your

132
00:08:57,040 --> 00:09:02,559
Speaker 1: bone to pick because I am actually happy. Max was like, no, dude,

133
00:09:02,760 --> 00:09:06,400
Speaker 1: you had the ring. You ruined it, so I'm out

134
00:09:06,840 --> 00:09:09,319
Speaker 1: right that you can't have a cake and eat it too,

135
00:09:09,360 --> 00:09:17,480
Speaker 1: sorry right right moving around the classroom like state ten

136
00:09:17,600 --> 00:09:22,400
Speaker 1: feet for me, Like he's a dork. I was like, no, Max,

137
00:09:22,600 --> 00:09:27,240
Speaker 1: You're cool. He was. That was okay, So so that

138
00:09:27,320 --> 00:09:32,319
Speaker 1: was that was theater Okay, that was a theater interpretation

139
00:09:32,400 --> 00:09:34,080
Speaker 1: of that scene because they had the room to do

140
00:09:34,120 --> 00:09:35,920
Speaker 1: it because it was two people in a big space

141
00:09:36,000 --> 00:09:38,440
Speaker 1: right in a classroom. They had all that space to themselves.

142
00:09:38,640 --> 00:09:40,480
Speaker 1: How they going to fill it? So they decided to

143
00:09:40,520 --> 00:09:45,720
Speaker 1: do a theater interpretation and not a TV or a film. Yes,

144
00:09:45,840 --> 00:09:49,480
Speaker 1: I think your interpretation dory and that right, it's like

145
00:09:49,559 --> 00:09:52,920
Speaker 1: watching that was like watching an off Broadway play, a

146
00:09:53,000 --> 00:09:56,400
Speaker 1: bad off Broadway play. Well, not necessarily I thought, no.

147
00:09:56,640 --> 00:10:00,160
Speaker 1: I thought the acting was was good. It just it's

148
00:10:00,559 --> 00:10:05,280
Speaker 1: hard to digest it in a television format and a

149
00:10:05,320 --> 00:10:08,240
Speaker 1: television medium because that's theater what they Yeah, I think

150
00:10:08,240 --> 00:10:14,640
Speaker 1: you're right, because this is I think you're totally right,

151
00:10:14,679 --> 00:10:17,600
Speaker 1: because it's why I don't love people are gonna like

152
00:10:17,920 --> 00:10:20,280
Speaker 1: I want to yell at me, but I don't love

153
00:10:20,360 --> 00:10:24,000
Speaker 1: theater because it always seems fake. And so to me,

154
00:10:24,120 --> 00:10:27,840
Speaker 1: this show is real. Like for me, these people are real.

155
00:10:28,280 --> 00:10:31,200
Speaker 1: This is all real. And so when I see that

156
00:10:31,600 --> 00:10:37,080
Speaker 1: dorky miss dancing around hand been handy man, like it's

157
00:10:37,160 --> 00:10:39,880
Speaker 1: choreographed like someone, because then you're gonna go left and

158
00:10:39,880 --> 00:10:41,319
Speaker 1: you're gonna go right, and you're gonna run around the

159
00:10:41,360 --> 00:10:45,920
Speaker 1: desk right right, fool. And then like they almost won

160
00:10:46,000 --> 00:10:48,480
Speaker 1: me back when they bumped into each other in the hallway.

161
00:10:48,520 --> 00:10:51,040
Speaker 1: But still I was just like, she came, but she

162
00:10:51,080 --> 00:10:53,439
Speaker 1: came running out the door. Why was she running out

163
00:10:53,480 --> 00:10:56,600
Speaker 1: the door and like slammed into him with her shoulder.

164
00:10:56,640 --> 00:10:59,040
Speaker 1: It was like, what is going I didn't like that.

165
00:10:59,160 --> 00:11:01,120
Speaker 1: I wanted the last time he said by to be

166
00:11:01,240 --> 00:11:04,360
Speaker 1: the time he said by, right, I did too, just

167
00:11:04,520 --> 00:11:08,600
Speaker 1: be Max. Max is So I love Max because Max

168
00:11:08,720 --> 00:11:12,360
Speaker 1: is cool and Max would never that was not Max.

169
00:11:12,520 --> 00:11:18,640
Speaker 1: That was an impostor because by Max never, like he

170
00:11:18,679 --> 00:11:23,160
Speaker 1: would have gone in and kissed her and then been like, yeah,

171
00:11:23,200 --> 00:11:26,079
Speaker 1: goodbye forever. But I don't but but he but look

172
00:11:26,120 --> 00:11:27,760
Speaker 1: at what he went through. He didn't want to lose

173
00:11:27,800 --> 00:11:31,960
Speaker 1: his job, you know, because because how how many conversations

174
00:11:31,960 --> 00:11:35,800
Speaker 1: did we have prior in season one about the inappropriateness

175
00:11:35,800 --> 00:11:38,880
Speaker 1: of the relationship in the first place, Right, And then

176
00:11:39,320 --> 00:11:43,280
Speaker 1: you know he's he's gonna bend Rory's mind with this,

177
00:11:43,360 --> 00:11:49,120
Speaker 1: He's going to jeopardize his career with this one magnetic girl,

178
00:11:49,240 --> 00:11:53,640
Speaker 1: and you know, yeah, you can believe that, but it's like, what, so, yeah,

179
00:11:53,679 --> 00:11:58,080
Speaker 1: I kind of feel like he's justified in doing that.

180
00:11:58,240 --> 00:12:00,680
Speaker 1: I don't know, if you didn't like how it was blunted,

181
00:12:01,120 --> 00:12:05,840
Speaker 1: you didn't like how the scene was interpreted right, and

182
00:12:05,840 --> 00:12:08,640
Speaker 1: and it also made well it also made Laurela I

183
00:12:08,720 --> 00:12:12,400
Speaker 1: look a little dorky too. Yeah. Yeah, it looked like

184
00:12:12,720 --> 00:12:15,320
Speaker 1: she kept coming forward and was like, WHOA is this

185
00:12:15,520 --> 00:12:18,440
Speaker 1: Like it was a little yeah it was. It was

186
00:12:18,480 --> 00:12:21,240
Speaker 1: a little creepy, it was. It was kind of yeah,

187
00:12:21,600 --> 00:12:24,960
Speaker 1: I got I thought it was an odd choice when

188
00:12:24,960 --> 00:12:27,160
Speaker 1: I watched it, and then I watched it again and

189
00:12:27,160 --> 00:12:29,160
Speaker 1: I thought, yeah, it's still an odd choice. But they

190
00:12:29,200 --> 00:12:31,880
Speaker 1: made the choice, right. Yeah, I guess you have to.

191
00:12:32,480 --> 00:12:36,360
Speaker 1: They decided to try something, you know, and really physicalize

192
00:12:36,400 --> 00:12:39,800
Speaker 1: the scene, right, and you can defend that scene. Hit

193
00:12:39,840 --> 00:12:46,120
Speaker 1: me up because I thought anything it was over the top.

194
00:12:46,320 --> 00:12:48,080
Speaker 1: I will agree with you on that. But I did

195
00:12:48,280 --> 00:12:51,080
Speaker 1: like the scene. I did like the scene where Lorela

196
00:12:51,240 --> 00:12:54,959
Speaker 1: was trying to get get you know, get through to Max.

197
00:12:55,040 --> 00:12:56,920
Speaker 1: But he was like, you know what, No, you screwed

198
00:12:56,960 --> 00:12:58,400
Speaker 1: me over once. You're not going to do it again.

199
00:12:58,480 --> 00:13:00,520
Speaker 1: And I stand by it, Like I do love him

200
00:13:00,559 --> 00:13:03,199
Speaker 1: doing been that. I like that she came in and

201
00:13:03,280 --> 00:13:05,880
Speaker 1: called him out, so you're avoiding me and he's like yeah,

202
00:13:06,360 --> 00:13:09,040
Speaker 1: but all right, And all he needed to do to

203
00:13:09,120 --> 00:13:14,200
Speaker 1: make a really strong response is to stand up behind

204
00:13:14,240 --> 00:13:17,880
Speaker 1: his desk and use his voice and that's it, and

205
00:13:17,960 --> 00:13:20,760
Speaker 1: that's all it needed. And I think it killed what

206
00:13:20,920 --> 00:13:23,640
Speaker 1: I think you're objecting to. Is it kind of killed

207
00:13:23,679 --> 00:13:26,680
Speaker 1: the tension of the scene. Yes, because there was a

208
00:13:26,679 --> 00:13:28,760
Speaker 1: lot of tension and a lot of feelings in that

209
00:13:28,800 --> 00:13:31,839
Speaker 1: scene and it kind of got frittered away with all

210
00:13:31,880 --> 00:13:34,679
Speaker 1: that kind of weird staged you know, it was like

211
00:13:34,720 --> 00:13:37,120
Speaker 1: she wasn't trying to murder him, and he's throwing like

212
00:13:37,280 --> 00:13:39,360
Speaker 1: desks in front of her. You know, it's like it was.

213
00:13:39,440 --> 00:13:43,080
Speaker 1: It was, it was, it was, it was. And for me,

214
00:13:44,200 --> 00:13:47,720
Speaker 1: I'm sorry, but if you were engaged to somebody and

215
00:13:47,840 --> 00:13:52,040
Speaker 1: you slept with them and then they dare tell me, oh,

216
00:13:52,320 --> 00:13:55,360
Speaker 1: don't come within ten feet of me, I'm going to

217
00:13:55,440 --> 00:14:07,680
Speaker 1: do this weird. Hey, that's twenty bucks. I love this show,

218
00:14:07,880 --> 00:14:11,319
Speaker 1: and I think that scene I'm gonna go on limb

219
00:14:11,360 --> 00:14:13,080
Speaker 1: here and say, one of the worst scenes in the

220
00:14:13,240 --> 00:14:17,720
Speaker 1: entire run of the series. Oh no, not worst episode,

221
00:14:17,800 --> 00:14:20,760
Speaker 1: just scene that was it worse than Christopher coming in

222
00:14:20,840 --> 00:14:22,680
Speaker 1: and doing a whole I was about to say that

223
00:14:22,760 --> 00:14:26,320
Speaker 1: you would like that scene. I love that the whole

224
00:14:26,440 --> 00:14:29,840
Speaker 1: romance novel scene that was amazing I love that scene.

225
00:14:30,040 --> 00:14:33,320
Speaker 1: This scene was so fake because amazingly Bad is never

226
00:14:33,360 --> 00:14:35,800
Speaker 1: going to act like that, and lor Lie is never

227
00:14:35,840 --> 00:14:38,960
Speaker 1: gonna act like that. You're telling is some dude that

228
00:14:39,000 --> 00:14:41,200
Speaker 1: she was engaged to and slept with, like we all

229
00:14:41,240 --> 00:14:43,680
Speaker 1: know it, said to her, don't come in within ten

230
00:14:43,680 --> 00:14:45,760
Speaker 1: ft of me. Let me tell you what my lorre

231
00:14:45,840 --> 00:14:51,960
Speaker 1: Lie would do. Bye, She's not gonna do that dance

232
00:14:52,000 --> 00:14:54,560
Speaker 1: and try to Oh, let me come closer like a freak,

233
00:14:54,720 --> 00:15:06,680
Speaker 1: Like that's too cool for that. Dude says to her,

234
00:15:06,720 --> 00:15:09,400
Speaker 1: I can't come within ten feet of you, which, first

235
00:15:09,440 --> 00:15:12,000
Speaker 1: of all, I get it. He's saying, I'll kiss you.

236
00:15:12,240 --> 00:15:15,640
Speaker 1: But it's like, dude, you're a grown ass man. She's

237
00:15:15,720 --> 00:15:19,560
Speaker 1: the coolest chick on the planet. Okay, but he said

238
00:15:19,560 --> 00:15:21,800
Speaker 1: it himself, Laura is a creature that makes him do

239
00:15:21,880 --> 00:15:27,920
Speaker 1: weird things. A mythological creature. You're like a mythological creature.

240
00:15:28,240 --> 00:15:33,600
Speaker 1: Refer creature. What I want to do somebody. I know

241
00:15:33,680 --> 00:15:36,800
Speaker 1: that I'm making producers lose their minds right now, But

242
00:15:36,840 --> 00:15:40,240
Speaker 1: can somebody transcribe that scene really quick so we can

243
00:15:40,320 --> 00:15:43,880
Speaker 1: read the words. The words were not my problem with it.

244
00:15:43,880 --> 00:15:48,080
Speaker 1: It was the buffoonery you want to do. Do you

245
00:15:48,120 --> 00:15:51,960
Speaker 1: want to do the scene with me? Yes? Do you want? Yes?

246
00:15:52,200 --> 00:15:59,080
Speaker 1: Because I'll be because let me tell you, Luke never

247
00:15:59,680 --> 00:16:04,080
Speaker 1: have been ever like that, ever, especially the lord, like

248
00:16:04,240 --> 00:16:07,600
Speaker 1: he would never do kill later because I love a

249
00:16:07,640 --> 00:16:11,920
Speaker 1: big door. Like it was just I feel like reading

250
00:16:12,240 --> 00:16:14,960
Speaker 1: like the scene is almost like gonna like I feel

251
00:16:15,000 --> 00:16:17,720
Speaker 1: like I feel like the words are actually going to

252
00:16:17,760 --> 00:16:21,680
Speaker 1: play off. Well, yes, that's what I'm saying they did.

253
00:16:21,280 --> 00:16:23,920
Speaker 1: We're going to do with justice. We're doing this as

254
00:16:23,960 --> 00:16:27,320
Speaker 1: an exercise to right the wrong internally. That's going on

255
00:16:27,440 --> 00:16:29,320
Speaker 1: side of Amy right now. We've got to write the

256
00:16:29,360 --> 00:16:32,920
Speaker 1: ship for her. It's like a rehab mission. Yes, I

257
00:16:32,920 --> 00:16:37,040
Speaker 1: don't think it was no words that and you can

258
00:16:37,120 --> 00:16:39,520
Speaker 1: say like I can't come within dense feet of you,

259
00:16:39,920 --> 00:16:43,040
Speaker 1: like you can say that. Cool. It's when great actors

260
00:16:43,160 --> 00:16:47,360
Speaker 1: make us questionable choices. And whose fault is that? Like

261
00:16:47,600 --> 00:16:53,680
Speaker 1: is that the director? The guys. I'm telling you they

262
00:16:53,720 --> 00:16:56,360
Speaker 1: did this in real time, like we didn't like pause

263
00:16:56,400 --> 00:16:59,680
Speaker 1: and edit like they just found that and I am ready, Well,

264
00:16:59,720 --> 00:17:03,640
Speaker 1: this scene is like miles long. All right, we can

265
00:17:03,680 --> 00:17:06,720
Speaker 1: just do the the part, Okay, all right, go ahead,

266
00:17:07,240 --> 00:17:15,840
Speaker 1: got you? You sure did kind of real busy. You're

267
00:17:15,880 --> 00:17:19,480
Speaker 1: avoiding me. No, I'm not. Then, what's with the I'm

268
00:17:19,560 --> 00:17:24,680
Speaker 1: busy things? I can't be busy. That's avoiding me saying

269
00:17:24,680 --> 00:17:27,840
Speaker 1: you're busy. No, it's descriptive of my current state. These

270
00:17:27,960 --> 00:17:30,639
Speaker 1: essays are due back tomorrow. I'm way behind my reading,

271
00:17:30,680 --> 00:17:33,639
Speaker 1: so I'm eating my Dale vending machine sandwich at my

272
00:17:33,680 --> 00:17:36,320
Speaker 1: desk in my feudal attempt to try and catch up

273
00:17:36,720 --> 00:17:40,880
Speaker 1: two rotations? What it's in the Booster Club? By laws

274
00:17:40,960 --> 00:17:43,679
Speaker 1: my friend and looked it up myself. Faculty advisors are

275
00:17:43,680 --> 00:17:46,399
Speaker 1: supposed to do a minimum of two consecutive rotations with

276
00:17:46,480 --> 00:17:48,960
Speaker 1: the Booster Club, and you did one. I did three?

277
00:17:49,440 --> 00:17:52,119
Speaker 1: What I did three? You wanted my third one? I

278
00:17:52,160 --> 00:17:57,680
Speaker 1: did the previous two. You weren't at You have documentation? Documentation? Well,

279
00:17:57,720 --> 00:18:00,560
Speaker 1: I'm sure I can scrounch up a witness. Why did

280
00:18:00,560 --> 00:18:02,600
Speaker 1: you treat me so weird at that last meeting? I

281
00:18:02,640 --> 00:18:05,560
Speaker 1: treated you with respecting kindness. That's why it was weird.

282
00:18:05,960 --> 00:18:08,400
Speaker 1: It's it's how you treated Terry and Joan too. I mean,

283
00:18:08,600 --> 00:18:11,040
Speaker 1: did you also kissed Terry and Joan? Yeah? I did,

284
00:18:11,080 --> 00:18:12,760
Speaker 1: and Doug and he was the best of all three.

285
00:18:14,320 --> 00:18:16,639
Speaker 1: I was playing it cool. You were too. I was

286
00:18:16,680 --> 00:18:19,720
Speaker 1: just following suit. No, I was playing it cool because

287
00:18:19,760 --> 00:18:21,600
Speaker 1: you were playing it cool, and I'm the treasure, and

288
00:18:21,640 --> 00:18:24,680
Speaker 1: the treasure has to be cooler. It looks suspicious. Wait wait, wait,

289
00:18:24,680 --> 00:18:28,640
Speaker 1: wait ten feet ten feet that's safe distance for us,

290
00:18:28,720 --> 00:18:30,879
Speaker 1: and the more furniture in between, the better. I'm not

291
00:18:30,880 --> 00:18:33,359
Speaker 1: going to attack you. I'm not worried about you. I'm

292
00:18:33,400 --> 00:18:36,760
Speaker 1: worried about me. I mean, there are people still walking

293
00:18:36,800 --> 00:18:39,440
Speaker 1: the halls, and this is my workplace, and I can't

294
00:18:39,440 --> 00:18:41,480
Speaker 1: be held responsible for what I do around you. I

295
00:18:41,520 --> 00:18:46,359
Speaker 1: mean you you are like a like a like a

296
00:18:46,800 --> 00:18:50,280
Speaker 1: mythological creature that casts some kind of I mean it

297
00:18:50,320 --> 00:18:55,760
Speaker 1: sounds like such an insult, some kind of monster, mythological

298
00:18:55,880 --> 00:18:58,000
Speaker 1: creature that cast some kind of spell on me and

299
00:18:58,040 --> 00:19:01,760
Speaker 1: makes me act stupid. I'm not stupid. I don't act

300
00:19:01,800 --> 00:19:06,359
Speaker 1: stupid with anyone else. Ah, we're too close again. Come on,

301
00:19:06,440 --> 00:19:08,720
Speaker 1: I didn't bring a freaking tape measure. I'm not good

302
00:19:08,720 --> 00:19:11,200
Speaker 1: at judging distances. To help me out with a ten

303
00:19:11,240 --> 00:19:13,240
Speaker 1: ft thing. Well, it's a little bit bigger than a

304
00:19:13,280 --> 00:19:16,639
Speaker 1: basketball player. Just keep a really big basketball player between us.

305
00:19:18,720 --> 00:19:21,840
Speaker 1: But there's a sentence. Okay, So now here's this is okay.

306
00:19:21,840 --> 00:19:24,880
Speaker 1: So okay, I'm gonna stop. Hang on, this is where

307
00:19:24,920 --> 00:19:28,600
Speaker 1: it goes awry. This is this is dot com Okay,

308
00:19:28,640 --> 00:19:30,960
Speaker 1: so this is where the interpretation goes awry. So let's go,

309
00:19:31,040 --> 00:19:34,600
Speaker 1: let's reinterpret it. Let's know, let's fix it, because I

310
00:19:34,640 --> 00:19:37,480
Speaker 1: don't mind not changing the words. It was their movements

311
00:19:37,560 --> 00:19:40,320
Speaker 1: that just right. I was gonna say, when you're reading

312
00:19:40,320 --> 00:19:42,240
Speaker 1: it, it it actually like listening back, I'm like, oh, this

313
00:19:42,280 --> 00:19:46,200
Speaker 1: is sound that bad. Okay. So here's the thing. So,

314
00:19:46,200 --> 00:19:49,080
Speaker 1: so if I'm standing up and you're standing over there,

315
00:19:49,480 --> 00:19:52,000
Speaker 1: I'm not worried and I'm just standing there talking. I'm

316
00:19:52,000 --> 00:19:54,000
Speaker 1: not worried about you. I'm worried about me. I mean,

317
00:19:54,040 --> 00:19:56,640
Speaker 1: there's still people walking the halls, and this is my workplace,

318
00:19:56,640 --> 00:19:58,359
Speaker 1: and I can't be held responsible for what I do

319
00:19:58,440 --> 00:20:00,800
Speaker 1: around you. Smile on my face. You mean you're like

320
00:20:01,480 --> 00:20:04,600
Speaker 1: you're like a mythological creature that casts some kind of

321
00:20:04,640 --> 00:20:07,240
Speaker 1: spell on me and makes me act stupid. I'm not stupid.

322
00:20:07,280 --> 00:20:12,240
Speaker 1: I don't act stupid with anyone else. Like, just underplay

323
00:20:12,240 --> 00:20:15,639
Speaker 1: it and play and play the attraction. Yes, if I

324
00:20:15,680 --> 00:20:18,560
Speaker 1: was lower lie, I would have kind of not the

325
00:20:18,680 --> 00:20:22,679
Speaker 1: fear exactly right movement. I would have sat on the desk.

326
00:20:23,400 --> 00:20:25,400
Speaker 1: That's good, kind of got up and sort of been

327
00:20:26,000 --> 00:20:28,520
Speaker 1: walking a little bit. What you're getting close? You know,

328
00:20:28,640 --> 00:20:33,200
Speaker 1: just this is a seduction This is a seduction scene. Yes, okay,

329
00:20:33,240 --> 00:20:34,800
Speaker 1: so do it? Do it like that? Okay, do it?

330
00:20:34,920 --> 00:20:37,879
Speaker 1: Do it sexy? Do it's sexy. I didn't bring it.

331
00:20:38,240 --> 00:20:41,240
Speaker 1: I'm doing it. I'm being sexy. Okay. I know it's

332
00:20:41,280 --> 00:20:44,240
Speaker 1: blown me away. I don't act stupid with anyone else.

333
00:20:45,400 --> 00:20:49,879
Speaker 1: You're too close again, I didn't bring a tape measure. Look,

334
00:20:50,680 --> 00:20:53,480
Speaker 1: I'm not good at judging distances. Maybe you can help

335
00:20:53,480 --> 00:20:55,680
Speaker 1: me out with a ten ft thing. Well, it's a

336
00:20:55,720 --> 00:20:58,160
Speaker 1: little bit bigger than a basketball player. Just keep really

337
00:20:58,200 --> 00:21:03,400
Speaker 1: big basketball between That's a sentence that's never been uttered before. Well,

338
00:21:03,440 --> 00:21:05,679
Speaker 1: there are the complications with this whole thing, you know.

339
00:21:05,840 --> 00:21:11,200
Speaker 1: Just thought i'd tell you what other complications. I've seen

340
00:21:11,240 --> 00:21:14,480
Speaker 1: somebody in California there, I said it, Oh, you mean

341
00:21:14,520 --> 00:21:17,560
Speaker 1: you weren't living like a Trappist monkel. You were in California.

342
00:21:17,720 --> 00:21:23,080
Speaker 1: So at this point, so at this point, they're embracing right, Well,

343
00:21:23,240 --> 00:21:25,960
Speaker 1: I think they're just I think, oh no, no, it's

344
00:21:26,000 --> 00:21:28,240
Speaker 1: getting sexy. And hot. I think they're just getting close.

345
00:21:32,080 --> 00:21:36,119
Speaker 1: Keep going. That doesn't bother you. Max, we weren't together.

346
00:21:37,840 --> 00:21:40,280
Speaker 1: Be sexy and cool, relax that was my sex and

347
00:21:40,320 --> 00:21:46,520
Speaker 1: cool relaxed. That doesn't bother you. Ah, that doesn't bother you.

348
00:21:47,640 --> 00:21:49,679
Speaker 1: Come on, we're holding we're holding each other. No, that

349
00:21:49,800 --> 00:21:57,800
Speaker 1: I wouldn't be I'm still I'm having trouble with this actress. Max,

350
00:21:58,480 --> 00:22:05,200
Speaker 1: we weren't together. I've been seeing someone too well. I

351
00:22:05,200 --> 00:22:07,400
Speaker 1: would probably still be seeing Diane if I hadn't moved

352
00:22:07,400 --> 00:22:10,040
Speaker 1: back there. That's something to think about. So you can't

353
00:22:10,080 --> 00:22:11,919
Speaker 1: date anyone for the rest of your life because you

354
00:22:11,960 --> 00:22:17,399
Speaker 1: stayed in California, you might still be dating Diane. Yes, No,

355
00:22:19,680 --> 00:22:24,480
Speaker 1: do it an aspirin. I'm probably a tic tac. Sorry.

356
00:22:24,560 --> 00:22:27,359
Speaker 1: I shouldn't have teased you with that aspirin thing. You know,

357
00:22:27,480 --> 00:22:29,560
Speaker 1: I thought we were both going to just pretend to

358
00:22:29,640 --> 00:22:34,040
Speaker 1: ignore the kiss. Wasn't that the deal? We had a deal.

359
00:22:34,480 --> 00:22:39,320
Speaker 1: I don't remember a deal. You had your shot, Okay, okay,

360
00:22:39,359 --> 00:22:43,000
Speaker 1: now at this point I would walk away. Oh okay, okay, okay.

361
00:22:43,000 --> 00:22:45,000
Speaker 1: Now we had a deal. I don't remember a deal,

362
00:22:45,040 --> 00:22:47,200
Speaker 1: and then he would That would be the moment where

363
00:22:47,240 --> 00:22:53,840
Speaker 1: I realized I'm can't do this. Okay, I just walk

364
00:22:53,920 --> 00:22:57,040
Speaker 1: away a little bit and I turned around and I

365
00:22:57,119 --> 00:23:02,159
Speaker 1: calmly say, you had your shot, okay, you had the

366
00:23:02,240 --> 00:23:06,639
Speaker 1: ring and you said no, yeah I did. And you

367
00:23:06,680 --> 00:23:09,000
Speaker 1: said that was right for you too. You went to Stanford,

368
00:23:09,080 --> 00:23:12,919
Speaker 1: you did a Diane, it was right for both of us. Well,

369
00:23:13,560 --> 00:23:17,920
Speaker 1: what is this now? Right here? It's us today? Well,

370
00:23:18,280 --> 00:23:21,040
Speaker 1: us needs to stay apart. Oh, Max. We had a

371
00:23:21,040 --> 00:23:23,320
Speaker 1: whole country between us for a year. It's like eleven

372
00:23:23,359 --> 00:23:26,600
Speaker 1: thousand basketball players laying end to end, and yet here

373
00:23:26,640 --> 00:23:28,800
Speaker 1: we are. I thought I was over you. I thought

374
00:23:28,800 --> 00:23:30,600
Speaker 1: I was safe to come back here. But no, not

375
00:23:30,760 --> 00:23:34,840
Speaker 1: the deal. I just I think we should stay apart

376
00:23:35,280 --> 00:23:39,920
Speaker 1: and never see each other again. That's impossible, No, it's not. Well,

377
00:23:39,960 --> 00:23:42,600
Speaker 1: I'll be at the children graduation, and so will you. Well,

378
00:23:42,640 --> 00:23:45,600
Speaker 1: I'll sit behind a tree. I can run into each

379
00:23:45,600 --> 00:23:48,560
Speaker 1: other at a drug store again. Well, I'm gonna run.

380
00:23:48,880 --> 00:23:51,280
Speaker 1: I'm gonna order all my drugs online. If my car

381
00:23:51,320 --> 00:23:54,000
Speaker 1: breaks down next year, will you stop? I will stop.

382
00:23:54,080 --> 00:23:56,360
Speaker 1: I'll keep my straight forward, call a garage and stay

383
00:23:56,400 --> 00:23:58,439
Speaker 1: in my car with a radio one really loud till

384
00:23:58,480 --> 00:24:01,000
Speaker 1: they come, and then I'm gone. And I say we

385
00:24:01,080 --> 00:24:04,440
Speaker 1: start being a part right now. Okay, whatever you want,

386
00:24:04,640 --> 00:24:07,200
Speaker 1: this is what I want when I walk out that door.

387
00:24:07,240 --> 00:24:09,160
Speaker 1: It could be very well the last time we see

388
00:24:09,160 --> 00:24:22,160
Speaker 1: each other. All right, allah, abide by your wishes. Goodbye,

389
00:24:22,200 --> 00:24:29,760
Speaker 1: lordly by Max. Okay, I think we did it better.

390
00:24:29,840 --> 00:24:32,000
Speaker 1: I'm not gonna lie. I think we did it better.

391
00:24:32,320 --> 00:24:34,639
Speaker 1: I do. I think you've got to play the attraction.

392
00:24:34,960 --> 00:24:39,359
Speaker 1: You've got to almost kiss. I still debate that, but

393
00:24:39,400 --> 00:24:47,960
Speaker 1: that's okay, you're the director, but not that Shenanigans. Good,

394
00:24:48,080 --> 00:24:54,000
Speaker 1: good episode, everybody bye. I'm still okay with the Shenanigans.

395
00:24:54,040 --> 00:24:56,600
Speaker 1: But I will say that I did like what you guys.

396
00:24:56,960 --> 00:25:00,080
Speaker 1: I do like this your take on it, and a

397
00:25:00,119 --> 00:25:03,720
Speaker 1: sense of like there's more drama, there's more lust and

398
00:25:03,920 --> 00:25:07,520
Speaker 1: love and you know fire, that's the relation. That's the

399
00:25:08,280 --> 00:25:14,520
Speaker 1: you have to I think you play. There's a lot

400
00:25:14,520 --> 00:25:17,760
Speaker 1: of pain there, and there's a lot of pain there

401
00:25:17,800 --> 00:25:19,439
Speaker 1: and both of them, and I think you've got to

402
00:25:19,560 --> 00:25:23,959
Speaker 1: stand still and do it. Yes, let it resonate. The

403
00:25:24,000 --> 00:25:31,919
Speaker 1: goofy nous made it seem like like they kissed one time,

404
00:25:31,960 --> 00:25:34,520
Speaker 1: and a like in a high school dance. It's like

405
00:25:35,040 --> 00:25:38,680
Speaker 1: no like and the coatroom kiss. I felt way more

406
00:25:38,720 --> 00:25:41,080
Speaker 1: real to me because it was like it happened, it

407
00:25:41,200 --> 00:25:46,639
Speaker 1: was real. This just seemed it's it had to be.

408
00:25:47,000 --> 00:25:51,640
Speaker 1: It had to be internalized. Yeah, I had to be internalized,

409
00:25:51,640 --> 00:25:53,360
Speaker 1: and it had to be it had to be very

410
00:25:53,359 --> 00:25:57,080
Speaker 1: powerful and hard for them to deliver those Yes, it

411
00:25:57,200 --> 00:26:01,840
Speaker 1: wasn't hard. They were being dorks, I know, I said Dorty, like,

412
00:26:02,040 --> 00:26:05,919
Speaker 1: I don't know what the word isony. It would be

413
00:26:05,920 --> 00:26:09,520
Speaker 1: a very high school versus adult and it was just gooney.

414
00:26:09,600 --> 00:26:11,800
Speaker 1: It was like, these are the two coolest people. Why

415
00:26:11,800 --> 00:26:14,479
Speaker 1: would they act like that? All right, look, let's go

416
00:26:14,520 --> 00:26:18,760
Speaker 1: back to the beginning of this episode. So we start

417
00:26:18,800 --> 00:26:22,480
Speaker 1: off with no Friday night dinner. I forgot this happened

418
00:26:22,560 --> 00:26:26,359
Speaker 1: like that, They don't go anymore. I love that. Richard

419
00:26:26,400 --> 00:26:31,119
Speaker 1: and Emily were just raging. They're like, yeah, but a

420
00:26:31,240 --> 00:26:35,000
Speaker 1: party of sixty listen totally justified, right, I mean they

421
00:26:35,040 --> 00:26:39,200
Speaker 1: got disc before. They didn't get an opportunity to celebrate

422
00:26:39,240 --> 00:26:42,480
Speaker 1: the Harvard they didn't get Yale. I'm sorry they didn't

423
00:26:42,480 --> 00:26:44,639
Speaker 1: get involved in that. So it's like, all right, screw it,

424
00:26:44,680 --> 00:26:48,720
Speaker 1: no more Friday night dinners. Hey, hallelujah, popular, Let's have

425
00:26:48,760 --> 00:26:53,280
Speaker 1: a party. It's like popular, right, right, and they forgot that.

426
00:26:53,400 --> 00:26:56,840
Speaker 1: Richard and Emily were probably sort of putting aside their

427
00:26:56,880 --> 00:27:02,120
Speaker 1: social calendar some Friday nights to host then yeah, right,

428
00:27:02,320 --> 00:27:04,439
Speaker 1: so what were they sacrifice? And now they're not, they

429
00:27:04,480 --> 00:27:12,359
Speaker 1: don't have to sacrifice it anymore. So party on Gartha. Okay,

430
00:27:12,359 --> 00:27:14,919
Speaker 1: So I have a question. Yes, what's the question? What

431
00:27:15,160 --> 00:27:18,880
Speaker 1: is in that? Okay? On the table at the Gilmore's,

432
00:27:19,560 --> 00:27:24,720
Speaker 1: Marian Laurelies, what isn't that bowl? Was it walnuts? What

433
00:27:24,760 --> 00:27:26,840
Speaker 1: are you talking about? So this is just a weird,

434
00:27:26,920 --> 00:27:30,359
Speaker 1: quirky question I have. Can somebody look and we can

435
00:27:30,359 --> 00:27:33,080
Speaker 1: do it later? Do it on the Instagram? There's a

436
00:27:33,080 --> 00:27:35,560
Speaker 1: bowl on their coffee table and I'm like, what are

437
00:27:35,600 --> 00:27:38,120
Speaker 1: those things in there? Are they in Laurelized house? Yeah?

438
00:27:38,160 --> 00:27:41,840
Speaker 1: Do they have a bowl of like shelled walnuts? Yeah?

439
00:27:41,880 --> 00:27:43,919
Speaker 1: I'm sure. Well sure, that's an East Coast thing. We

440
00:27:43,960 --> 00:27:48,640
Speaker 1: always had a bowl. Yeah, yeah, that's common. It's an

441
00:27:48,640 --> 00:27:50,520
Speaker 1: East Coast thing because we don't do that here. So

442
00:27:50,560 --> 00:27:53,119
Speaker 1: I was like, no, what is that? No do you

443
00:27:53,160 --> 00:27:55,560
Speaker 1: do that's the hand thing around the waist thing. That's

444
00:27:55,560 --> 00:28:00,760
Speaker 1: a fall winter East Coast thing. We and the walnut

445
00:28:00,800 --> 00:28:05,439
Speaker 1: first scene the first scene on the coffee table. I

446
00:28:05,440 --> 00:28:07,280
Speaker 1: grew up in a house. It was always like shelled

447
00:28:07,320 --> 00:28:10,720
Speaker 1: walnuts everywhere, you know, bowls of shelled wals with a

448
00:28:10,880 --> 00:28:13,320
Speaker 1: nutcracker and then you sit down you have a little

449
00:28:13,400 --> 00:28:19,399
Speaker 1: nut snack. You know that's wonderful. Yeah, yeah, is that

450
00:28:19,480 --> 00:28:24,760
Speaker 1: a walnuts? Probably is. Yeah, that doesn't seem on brand

451
00:28:24,840 --> 00:28:29,440
Speaker 1: for that, like hot cheetahs or something. They don't. No, no, no,

452
00:28:29,440 --> 00:28:33,280
Speaker 1: no no, no walnuts. Walnuts because walnuts keep you know,

453
00:28:33,400 --> 00:28:36,000
Speaker 1: you can keep them there for months. Also, the new

454
00:28:36,040 --> 00:28:38,400
Speaker 1: hair kind of look in this episode. I loved it,

455
00:28:38,440 --> 00:28:40,360
Speaker 1: but I think she did. I couldn't do it. The

456
00:28:40,400 --> 00:28:49,080
Speaker 1: hat and the hat what that that? That newsboy? Yeah,

457
00:28:49,080 --> 00:28:53,880
Speaker 1: I don't know what the heck? That was brand another Yeah,

458
00:28:54,360 --> 00:28:56,720
Speaker 1: the hat was my bone to pick. I was, I was.

459
00:28:56,840 --> 00:28:58,880
Speaker 1: I was struggling in that scene. You know, there's a

460
00:28:58,920 --> 00:29:00,960
Speaker 1: lot of pink and a lot of and like, what's

461
00:29:00,960 --> 00:29:04,520
Speaker 1: going on? Okay, we're not there yet, all right? So

462
00:29:04,640 --> 00:29:12,600
Speaker 1: we go to ump around like camera digital camera in

463
00:29:12,600 --> 00:29:15,600
Speaker 1: the diner and got the digital camera and she's like,

464
00:29:15,880 --> 00:29:17,360
Speaker 1: let me take a picture of the menu and then

465
00:29:17,360 --> 00:29:19,920
Speaker 1: I'll look at it on my camera. That is so

466
00:29:20,040 --> 00:29:23,880
Speaker 1: two thousand three, everyone carrying a digital camera and like

467
00:29:24,000 --> 00:29:26,160
Speaker 1: thinking it's the coolest thing ever. It was like a

468
00:29:26,280 --> 00:29:28,840
Speaker 1: brick you throw in your purse. You just keep it

469
00:29:28,880 --> 00:29:35,680
Speaker 1: on your wrist. And that's when that's that's when apple

470
00:29:35,720 --> 00:29:39,560
Speaker 1: Stock was. You know, pennies should have bought more. They

471
00:29:39,600 --> 00:29:43,240
Speaker 1: came back a couple of years later. Crush it. Random

472
00:29:43,320 --> 00:29:46,240
Speaker 1: digital cameras do people have in there? Like junk drawer

473
00:29:46,560 --> 00:29:50,240
Speaker 1: that probably has like a thousand photos on some Oh yeah,

474
00:29:50,400 --> 00:29:55,080
Speaker 1: what were those things? Memory? Yeah, I have a whole

475
00:29:55,160 --> 00:29:58,880
Speaker 1: drawer too, drawers filled with old camerasound one of those

476
00:29:58,920 --> 00:30:02,200
Speaker 1: Remember those Kodak disposable I have to I had like

477
00:30:02,280 --> 00:30:05,600
Speaker 1: three of those undeveloped film. By the way, those are

478
00:30:05,600 --> 00:30:07,680
Speaker 1: like making a comeback, like people are buying them, Like

479
00:30:09,200 --> 00:30:11,640
Speaker 1: where do you take the thing to get the photos? Yeah?

480
00:30:11,640 --> 00:30:15,280
Speaker 1: Where would you do it? Like like the Colcanes, The

481
00:30:15,360 --> 00:30:18,280
Speaker 1: cool kids shoot on film. Now you guys like disposable

482
00:30:18,360 --> 00:30:21,400
Speaker 1: film and they make Instagram accounts. That's like like their

483
00:30:21,480 --> 00:30:24,240
Speaker 1: page on film and they post all their film on

484
00:30:24,400 --> 00:30:28,239
Speaker 1: Like I've seen that with Polaroids aren't a thing as

485
00:30:28,320 --> 00:30:32,320
Speaker 1: much anymore. So those are kind of yellow weird Kodak

486
00:30:32,480 --> 00:30:39,240
Speaker 1: the ones where you like like so, so it's like

487
00:30:39,320 --> 00:30:41,800
Speaker 1: now it's a bunch of Quentin Tarantinos running around out

488
00:30:41,800 --> 00:30:46,480
Speaker 1: there shooting everything on film. Remember he never he fought

489
00:30:46,520 --> 00:30:49,400
Speaker 1: the digital revolution hard and he still is. I think

490
00:30:50,680 --> 00:30:53,800
Speaker 1: God bless him. So absolutely. Now we go to band

491
00:30:53,840 --> 00:30:57,320
Speaker 1: practice and they're trying to come up their band names,

492
00:30:57,800 --> 00:31:00,320
Speaker 1: and we learned that young Chew is going to figure

493
00:31:00,360 --> 00:31:03,920
Speaker 1: out how to get Lane to the party. So it

494
00:31:04,080 --> 00:31:06,640
Speaker 1: was was young Chew. He wasn't at the rehearsal, was he?

495
00:31:07,360 --> 00:31:09,920
Speaker 1: He just he just showed up at the party. Correct.

496
00:31:09,960 --> 00:31:12,320
Speaker 1: They talked because they kind of acknowledge how are you

497
00:31:12,320 --> 00:31:15,240
Speaker 1: going to get to the party. So they wanted wanted

498
00:31:15,280 --> 00:31:20,440
Speaker 1: to double leg jump the windmill off the amplifier. Zach

499
00:31:20,560 --> 00:31:23,360
Speaker 1: wanted to do that, and Dave was like, you want

500
00:31:23,360 --> 00:31:26,520
Speaker 1: to think about that again, more great lines from Dave.

501
00:31:27,840 --> 00:31:29,800
Speaker 1: You probably you probably want to rethink that. You know.

502
00:31:30,600 --> 00:31:33,560
Speaker 1: This is where we learned that that Rory wants to

503
00:31:33,600 --> 00:31:38,440
Speaker 1: go to prom yes, yes, yes, the car is missing

504
00:31:38,560 --> 00:31:43,640
Speaker 1: still yeah, And they want to name their band, uh

505
00:31:44,280 --> 00:31:46,120
Speaker 1: mild walk in the Desert and the Edge of the

506
00:31:46,160 --> 00:31:51,719
Speaker 1: Dessert or something. Their acronym was so funny and like

507
00:31:52,440 --> 00:31:56,480
Speaker 1: I can I did like the Jess was the like

508
00:31:57,040 --> 00:31:58,720
Speaker 1: I felt like he was making an effort here, like

509
00:31:58,760 --> 00:32:02,840
Speaker 1: going to Lane's band prac right he is. Yeah, I

510
00:32:02,880 --> 00:32:05,520
Speaker 1: actually feel bad for just in this episode. Yeah, he's

511
00:32:05,600 --> 00:32:11,080
Speaker 1: really just a troubled Yeah he gosheel bad. I feel bad.

512
00:32:11,160 --> 00:32:14,240
Speaker 1: I feel bad for him, you do. My heart was

513
00:32:14,320 --> 00:32:18,840
Speaker 1: bleeding so bummed about like reality set in when he

514
00:32:18,880 --> 00:32:21,600
Speaker 1: had that meat we'll get there. Reality needed that, I

515
00:32:21,680 --> 00:32:23,479
Speaker 1: feel so I'm not. I don't feel bad for him

516
00:32:23,520 --> 00:32:25,960
Speaker 1: because I feel like he needed that. He need Yeah,

517
00:32:26,000 --> 00:32:27,920
Speaker 1: he needed to wake up, he needed to wake up. Call.

518
00:32:28,080 --> 00:32:32,120
Speaker 1: Yeah he did, he got it. Lawrence Hilton Jacobs delivered

519
00:32:32,120 --> 00:32:38,160
Speaker 1: the he dropped the hammer on him. You're out? That

520
00:32:38,280 --> 00:32:41,480
Speaker 1: was rough, baby, Yeah, like you gotta just repeat the year.

521
00:32:41,560 --> 00:32:44,080
Speaker 1: Nothing you can do, get out of my office, bye bye?

522
00:32:44,520 --> 00:32:52,960
Speaker 1: Yeah nice? Right now. A lot of people do think

523
00:32:53,000 --> 00:32:54,960
Speaker 1: there's a bit of a plot hole there in that,

524
00:32:55,120 --> 00:32:58,440
Speaker 1: like why didn't Luke get a call? Like if you're

525
00:32:58,720 --> 00:33:02,960
Speaker 1: that like in danger, were you here going to be

526
00:33:03,360 --> 00:33:07,400
Speaker 1: repeating senior year? You don't call the guardian or parents.

527
00:33:07,680 --> 00:33:09,760
Speaker 1: But we're talking about Jess here probably got home and

528
00:33:09,760 --> 00:33:12,600
Speaker 1: erase those messages. I was about to say he probably

529
00:33:12,680 --> 00:33:17,560
Speaker 1: raised their plan. Yeah, it wasn't like cell phones and

530
00:33:17,600 --> 00:33:23,400
Speaker 1: stuff like called the house, right, or like if there

531
00:33:23,400 --> 00:33:28,040
Speaker 1: was a letter, he intercepted the mail. Whatever your point. Alright,

532
00:33:28,120 --> 00:33:31,960
Speaker 1: so I don't Previously we're at the end and we realized,

533
00:33:32,000 --> 00:33:35,880
Speaker 1: like things are kind of rough, they're laying off people.

534
00:33:36,800 --> 00:33:42,680
Speaker 1: But seen, yeah, yeah, thank god, I like, really you

535
00:33:42,680 --> 00:33:45,560
Speaker 1: want to ask me how that feels? Okay? You know,

536
00:33:45,600 --> 00:33:48,400
Speaker 1: it's almost like today, I don't know that you could

537
00:33:48,440 --> 00:33:54,760
Speaker 1: do that scene because it was so like objectifying somebody's

538
00:33:55,120 --> 00:33:58,040
Speaker 1: body part. Yeah, that was disturbed, but I think I

539
00:33:58,040 --> 00:33:59,640
Speaker 1: think it would have been fine if it was just once,

540
00:33:59,640 --> 00:34:03,440
Speaker 1: but tenures and they just keep doing it to you too.

541
00:34:03,520 --> 00:34:06,560
Speaker 1: Like I realized that it wasn't okay, and it didn't

542
00:34:06,560 --> 00:34:08,479
Speaker 1: make me feel comfortable at all. It made me feel

543
00:34:08,520 --> 00:34:15,080
Speaker 1: really embarrassed. Actually, yeah, it's infuriating to be treated that way.

544
00:34:15,160 --> 00:34:19,200
Speaker 1: It is infuriating because you're being treated like an object

545
00:34:20,040 --> 00:34:24,040
Speaker 1: and it's just it's disturbing and it's disgusting and and

546
00:34:24,320 --> 00:34:28,080
Speaker 1: I had to endure that through that entire scene and

547
00:34:28,160 --> 00:34:30,680
Speaker 1: many takes. It was all about the butt, the butt,

548
00:34:30,760 --> 00:34:33,600
Speaker 1: the butt, the butt. And then you know when when

549
00:34:34,120 --> 00:34:36,200
Speaker 1: you know we weren't filming. We were sitting down people

550
00:34:36,320 --> 00:34:39,200
Speaker 1: still talking about the butt, the butt, the butt. It

551
00:34:39,200 --> 00:34:42,320
Speaker 1: it was inappropriate. Like it was the most disturbing time

552
00:34:42,560 --> 00:34:45,320
Speaker 1: I have ever spent on that set, and I couldn't

553
00:34:45,400 --> 00:34:47,680
Speaker 1: I couldn't wait for that day to be over. Yeah,

554
00:34:47,760 --> 00:34:50,560
Speaker 1: that's where it crosses the line because for me, and

555
00:34:50,600 --> 00:34:55,000
Speaker 1: again I'm just giving like a random opinion, like I

556
00:34:55,080 --> 00:34:57,359
Speaker 1: definitely have had like a guy friend where I'm like,

557
00:34:58,320 --> 00:35:02,040
Speaker 1: you know, where you have that clothe close relationship like

558
00:35:02,239 --> 00:35:06,120
Speaker 1: Luke and like Luke and lore Lye, so that parts

559
00:35:07,040 --> 00:35:12,960
Speaker 1: was sort of less cringe e. But when they yelled

560
00:35:13,080 --> 00:35:16,319
Speaker 1: cut it needed to go back to like professionalism. Do

561
00:35:16,360 --> 00:35:19,960
Speaker 1: you know what I'm saying, Like, were you guys? Because

562
00:35:20,000 --> 00:35:24,359
Speaker 1: really they're complimenting him and flirting with him. Okay, let

563
00:35:24,360 --> 00:35:27,560
Speaker 1: me ask you this way. Fast forward a few seasons,

564
00:35:27,920 --> 00:35:30,799
Speaker 1: Luke and Loraaly are together and the exact scene have

565
00:35:31,080 --> 00:35:34,680
Speaker 1: same scene happens. Do we see it differently? Maybe I'm

566
00:35:34,680 --> 00:35:48,040
Speaker 1: seeing it differently because I know they're they get married eventually. Amy.

567
00:35:48,200 --> 00:35:50,160
Speaker 1: I don't want to speak for Scott, but I do

568
00:35:50,400 --> 00:35:52,879
Speaker 1: I do think it is a little bit different when

569
00:35:53,080 --> 00:35:56,120
Speaker 1: you have a relationship with your significant other that you're

570
00:35:56,360 --> 00:36:00,400
Speaker 1: that you're have sexual chemistry with. You can't you know,

571
00:36:00,600 --> 00:36:03,440
Speaker 1: see things like that. That may be okay if my

572
00:36:03,520 --> 00:36:05,840
Speaker 1: husband told me my but looked good, But I wouldn't

573
00:36:05,840 --> 00:36:10,120
Speaker 1: be okay if somebody at the office or somebody told

574
00:36:10,120 --> 00:36:12,080
Speaker 1: me that. So I think there's a little bit of

575
00:36:12,120 --> 00:36:14,399
Speaker 1: a difference there. And I think I'm looking at it

576
00:36:14,560 --> 00:36:17,439
Speaker 1: with the eyes knowing what these two are in love

577
00:36:17,520 --> 00:36:20,400
Speaker 1: and they're getting married, So I think I might not

578
00:36:20,560 --> 00:36:24,440
Speaker 1: be seeing it right because I'm do you know what

579
00:36:24,440 --> 00:36:27,160
Speaker 1: I mean? But stand there, I mean, just put yourself

580
00:36:27,200 --> 00:36:29,880
Speaker 1: in my place, stand there in front of all those people,

581
00:36:30,719 --> 00:36:35,480
Speaker 1: right And and this is how the creator of that

582
00:36:35,520 --> 00:36:39,640
Speaker 1: show sees that character that you can you can humiliate

583
00:36:39,800 --> 00:36:43,640
Speaker 1: him and take away his dignity that entire scene, and

584
00:36:43,760 --> 00:36:47,560
Speaker 1: that's okay. And it wasn't okay with me. And I

585
00:36:47,640 --> 00:36:50,680
Speaker 1: hated that scene. And that's it's the worst. That's the

586
00:36:50,719 --> 00:36:53,640
Speaker 1: one thing I hate about this episode is that scene

587
00:36:54,000 --> 00:36:56,360
Speaker 1: to put a point forward to like Luke during that

588
00:36:56,400 --> 00:36:59,680
Speaker 1: time was spoken for he was dating Nicole, So that

589
00:36:59,800 --> 00:37:03,719
Speaker 1: makes it did you say anything on set, by the way,

590
00:37:03,840 --> 00:37:09,720
Speaker 1: or no, no, no, how fascinating, just breaks it down

591
00:37:09,800 --> 00:37:12,640
Speaker 1: because you're right, Danielle, I'm looking at it as in

592
00:37:12,760 --> 00:37:17,280
Speaker 1: my view, lore lies saying it to her husband basically

593
00:37:17,320 --> 00:37:19,400
Speaker 1: like I can't help it. That's how I think I

594
00:37:19,440 --> 00:37:22,600
Speaker 1: looked at it. But you're right, like he's totally dating

595
00:37:22,680 --> 00:37:26,279
Speaker 1: someone else and there's like the whole kitchen staff could

596
00:37:26,280 --> 00:37:30,840
Speaker 1: have been around. Yeah. No, I'm sorry Scott that now that,

597
00:37:31,080 --> 00:37:33,759
Speaker 1: now that we kind of peeled the onion a little bit,

598
00:37:33,800 --> 00:37:36,840
Speaker 1: I can totally see how that that made you feel

599
00:37:36,840 --> 00:37:39,080
Speaker 1: that way. I had to go to work and shoot that.

600
00:37:39,600 --> 00:37:43,520
Speaker 1: I had to learn those lines. I had to rehearse

601
00:37:43,640 --> 00:37:47,200
Speaker 1: that scene. I had to shoot that scene many, many

602
00:37:47,239 --> 00:37:49,600
Speaker 1: many times. We had to do that scene in a

603
00:37:49,680 --> 00:37:54,240
Speaker 1: table read with the entire production present, the crew, the cast,

604
00:37:54,600 --> 00:37:58,239
Speaker 1: all the executives, and they're, oh, but but but oh

605
00:37:58,320 --> 00:38:01,719
Speaker 1: but he's got a nice but but but but And

606
00:38:01,840 --> 00:38:05,160
Speaker 1: I'm not going I'm not trying to make it too

607
00:38:05,960 --> 00:38:09,520
Speaker 1: too extreme. You know, you still want people to enjoy

608
00:38:10,040 --> 00:38:13,960
Speaker 1: flirtation in shows, so I do have that lens on

609
00:38:14,000 --> 00:38:17,440
Speaker 1: it too. But imagine if it was a woman fixing something,

610
00:38:17,520 --> 00:38:22,480
Speaker 1: leaning over and change boobs for But no, it's not okay.

611
00:38:23,640 --> 00:38:29,239
Speaker 1: Never It's as disgusting for women to objectify men as

612
00:38:29,280 --> 00:38:36,320
Speaker 1: it is for men to objectify women, and it's as harmful. Yeah, totally,

613
00:38:38,200 --> 00:38:41,279
Speaker 1: it was. It was just the most offensive day I've

614
00:38:41,280 --> 00:38:43,919
Speaker 1: ever spent on a set. And I don't I don't

615
00:38:43,920 --> 00:38:46,200
Speaker 1: want to be like Johnny bring down here, but that no, no,

616
00:38:46,760 --> 00:38:48,560
Speaker 1: I mean we do have to point things like that.

617
00:38:48,640 --> 00:38:50,279
Speaker 1: And it was just because it was two thousand and

618
00:38:50,320 --> 00:38:52,880
Speaker 1: three didn't mean it was okay. It's never okay, and

619
00:38:52,920 --> 00:38:56,000
Speaker 1: I didn't feel comfortable doing it, and it was piste

620
00:38:56,040 --> 00:38:58,680
Speaker 1: me off and I never said anything, so I was

621
00:38:58,719 --> 00:39:00,920
Speaker 1: angry at myself or never said anything. But you know,

622
00:39:00,960 --> 00:39:03,719
Speaker 1: I had this job and I didn't want to make

623
00:39:03,800 --> 00:39:05,880
Speaker 1: waves and all that, you know. And it makes me

624
00:39:06,000 --> 00:39:13,719
Speaker 1: feel horrible because even though I thought, oh, little hint

625
00:39:13,760 --> 00:39:19,000
Speaker 1: of cringe, I also laughed and thought that that. But

626
00:39:19,120 --> 00:39:25,600
Speaker 1: also I think I love them together, so for me,

627
00:39:25,760 --> 00:39:30,520
Speaker 1: they are the couple. So it was like me saying

628
00:39:30,560 --> 00:39:34,200
Speaker 1: to my boyfriend, nice but in those genes, do you

629
00:39:34,200 --> 00:39:37,080
Speaker 1: know what I mean? Like, which would be fine kind

630
00:39:37,120 --> 00:39:39,279
Speaker 1: of a compliment. I think you would like it, but

631
00:39:39,400 --> 00:39:42,760
Speaker 1: it's totally different when you're like, oh my god, that's

632
00:39:42,760 --> 00:39:46,239
Speaker 1: not the situation here. Yeah, Well we got I got

633
00:39:46,239 --> 00:39:50,880
Speaker 1: that off my chest. Oh I'm glad. Yeah, and I

634
00:39:51,000 --> 00:39:53,799
Speaker 1: wasn't you change, But for boobs, it's so offensive. I

635
00:39:53,840 --> 00:39:56,880
Speaker 1: wasn't experienced, and I honestly I wasn't really expecting to

636
00:39:57,080 --> 00:39:59,719
Speaker 1: even discuss this, but watching the episode, I was like,

637
00:40:00,200 --> 00:40:04,480
Speaker 1: that is well, it took me back, Like I remember

638
00:40:04,600 --> 00:40:07,239
Speaker 1: not enjoying that at all, and I didn't think it

639
00:40:07,280 --> 00:40:09,359
Speaker 1: was funny and I never said anything, So it's like

640
00:40:09,560 --> 00:40:12,279
Speaker 1: there's that level of shame too. Yes, we'll think about

641
00:40:12,280 --> 00:40:15,040
Speaker 1: how many things you don't remember, and you'll remember that

642
00:40:15,719 --> 00:40:20,640
Speaker 1: so glaring because it made you feel comfortable. Thank god,

643
00:40:21,560 --> 00:40:26,960
Speaker 1: Thank god for Dave. He saved me in this episode.

644
00:40:27,000 --> 00:40:30,880
Speaker 1: He saved me. It's so interesting and we can move on.

645
00:40:30,920 --> 00:40:37,320
Speaker 1: But I'm just thinking about my own experience with that scene,

646
00:40:37,680 --> 00:40:42,000
Speaker 1: because also the impetus is that the right thing was

647
00:40:42,080 --> 00:40:45,640
Speaker 1: that Suki accidentally touched your butt. She did not mean

648
00:40:45,719 --> 00:40:50,680
Speaker 1: to and she was horrified that she did it, and

649
00:40:50,760 --> 00:40:54,680
Speaker 1: that's all totally acceptable, Like she didn't mean to, you know,

650
00:40:54,840 --> 00:40:58,239
Speaker 1: she she was like embarrassed and horrified. And then Laura

651
00:40:58,320 --> 00:41:01,960
Speaker 1: like kind of it has fun with it and I

652
00:41:02,000 --> 00:41:06,319
Speaker 1: did giggle a little watching it. Did you guys at

653
00:41:06,320 --> 00:41:11,359
Speaker 1: all or were you guys just like, oh yeah, I did. Yeah,

654
00:41:11,440 --> 00:41:13,800
Speaker 1: it's it's it's set up where you're going to almost

655
00:41:13,800 --> 00:41:16,439
Speaker 1: half to giggle because you love these characters so much,

656
00:41:17,320 --> 00:41:20,160
Speaker 1: and you know everybody is doing their job within the

657
00:41:20,160 --> 00:41:22,640
Speaker 1: scene and performing it so well in the timings there

658
00:41:22,640 --> 00:41:25,080
Speaker 1: and all that, you can't help it laugh. But I'm

659
00:41:25,160 --> 00:41:30,000
Speaker 1: just pointing out how incredibly small it made me feel

660
00:41:31,200 --> 00:41:33,359
Speaker 1: doing it, and I think it really and I think

661
00:41:33,400 --> 00:41:35,720
Speaker 1: it really reduces the character, and I think it really

662
00:41:35,760 --> 00:41:38,840
Speaker 1: reduces their characters as well to be involved in something

663
00:41:38,880 --> 00:41:41,640
Speaker 1: like that. I mean, it's happened to me before in

664
00:41:41,680 --> 00:41:43,400
Speaker 1: my life. It wasn't the first time it happened that.

665
00:41:43,440 --> 00:41:47,200
Speaker 1: It always made me angry, um, because it just you know,

666
00:41:47,239 --> 00:41:50,319
Speaker 1: it does. It devalues people. You're just you know, if

667
00:41:50,320 --> 00:41:55,200
Speaker 1: you if you are just talking about somebody's body part,

668
00:41:55,480 --> 00:42:00,799
Speaker 1: it's it's you're taking away that person's human entity, and

669
00:42:00,840 --> 00:42:05,280
Speaker 1: it's it's inappropriate. Do you feel now that you're older

670
00:42:05,920 --> 00:42:10,719
Speaker 1: and and in a sort of higher position on these

671
00:42:10,760 --> 00:42:14,439
Speaker 1: sets that if if if that happened on the set

672
00:42:14,600 --> 00:42:16,839
Speaker 1: you're on, for example, that you would call it out

673
00:42:16,880 --> 00:42:21,160
Speaker 1: and say like, this isn't not doing this? Oh sure, yeah, No,

674
00:42:21,200 --> 00:42:23,879
Speaker 1: I wouldn't do it in a million years. Yeah, that's

675
00:42:23,920 --> 00:42:27,640
Speaker 1: what's interesting. You have more whatever the word is, confidence,

676
00:42:27,800 --> 00:42:30,000
Speaker 1: but this is it. But this is a different set,

677
00:42:30,160 --> 00:42:33,640
Speaker 1: you know, it's a whole different vibe. It's a very collaborative,

678
00:42:33,680 --> 00:42:38,080
Speaker 1: very open place. It's a wonderful I'm not saying Gilmour wasn't.

679
00:42:38,160 --> 00:42:39,560
Speaker 1: For the most part, it was great, but it was

680
00:42:39,600 --> 00:42:42,440
Speaker 1: a very rigid and you know, you you did not

681
00:42:43,400 --> 00:42:47,280
Speaker 1: diverge from the script ever. You know, you didn't add anything.

682
00:42:47,360 --> 00:42:50,480
Speaker 1: You didn't you didn't change lines. You said the lines

683
00:42:50,520 --> 00:42:52,600
Speaker 1: as they were written. And that's just all there was

684
00:42:52,680 --> 00:42:56,520
Speaker 1: to it. There was no discussion about it here. Um,

685
00:42:56,680 --> 00:43:01,000
Speaker 1: we're molding scenes, were improving, scenes, were adding things, we're

686
00:43:01,040 --> 00:43:05,240
Speaker 1: taking things away. It's a wonderful collaborative experience. And that's

687
00:43:05,239 --> 00:43:08,400
Speaker 1: why I think everybody is so really happy here because

688
00:43:08,400 --> 00:43:11,319
Speaker 1: they feel valued. You know, it's like everybody's got skin

689
00:43:11,400 --> 00:43:14,400
Speaker 1: in the game. They feel like there's a creative component

690
00:43:14,520 --> 00:43:17,719
Speaker 1: here that you know, they're being valued for. So it's

691
00:43:17,800 --> 00:43:21,319
Speaker 1: kind of all, you know, firing on all cylinders. So

692
00:43:21,360 --> 00:43:24,000
Speaker 1: it's it's really it wasn't like that at Gilmore. It

693
00:43:24,040 --> 00:43:26,319
Speaker 1: was just go in and go as fast as you

694
00:43:26,400 --> 00:43:30,480
Speaker 1: can and you know, hopefully you survive the day. Yeah,

695
00:43:31,640 --> 00:43:35,080
Speaker 1: different demands. Because of the way the writing was, you

696
00:43:35,200 --> 00:43:38,600
Speaker 1: sort of have no choice in it, right because if

697
00:43:38,640 --> 00:43:42,480
Speaker 1: you change it, it does throw it off. And I'm

698
00:43:42,480 --> 00:43:44,640
Speaker 1: not look, I'm not complaining about having the job. It

699
00:43:44,719 --> 00:43:48,000
Speaker 1: was a great job, um and it it means the

700
00:43:48,040 --> 00:43:50,239
Speaker 1: world to me. And you know, having one of those

701
00:43:50,320 --> 00:43:53,439
Speaker 1: jobs on even a smaller network means, you know, you're

702
00:43:53,440 --> 00:43:56,560
Speaker 1: treated like visiting royalty every day. I mean, really, these

703
00:43:56,640 --> 00:44:00,319
Speaker 1: jobs are rare and they're fantastic to get them. I

704
00:44:00,400 --> 00:44:02,920
Speaker 1: just thought that scene was that you know, if you

705
00:44:02,960 --> 00:44:06,200
Speaker 1: will indulge shocked and shocked me. Two things can be

706
00:44:06,239 --> 00:44:08,399
Speaker 1: true at the same time, And Scott and I talked

707
00:44:08,400 --> 00:44:11,480
Speaker 1: about this all the time, meaning the show can be

708
00:44:11,560 --> 00:44:15,279
Speaker 1: amazing and we love it, and you're still allowed to

709
00:44:15,360 --> 00:44:20,560
Speaker 1: have criticisms here and there of certain things or episodes.

710
00:44:21,080 --> 00:44:24,000
Speaker 1: Two things can be true, like I hate that I

711
00:44:24,040 --> 00:44:27,799
Speaker 1: don't love certain parts of this episode because I don't

712
00:44:27,840 --> 00:44:29,759
Speaker 1: want people to like come down on me or think

713
00:44:29,800 --> 00:44:32,960
Speaker 1: I don't love this show. I do, But at the

714
00:44:33,000 --> 00:44:35,320
Speaker 1: same time, it's like, can't I love it? But also

715
00:44:35,640 --> 00:44:38,400
Speaker 1: and I saw people on Instagram defending you Scott. I

716
00:44:38,400 --> 00:44:41,160
Speaker 1: thought there was such an interesting conversation on Instagram because

717
00:44:41,160 --> 00:44:43,319
Speaker 1: someone was like, oh, Scott doesn't like it, and they

718
00:44:43,320 --> 00:44:45,319
Speaker 1: were all irritated by that. And the other person's like,

719
00:44:45,480 --> 00:44:48,040
Speaker 1: he says a million times he loves his show more

720
00:44:48,040 --> 00:44:53,040
Speaker 1: than anything, but he's giving his opinion on certain things. Yeah,

721
00:44:53,080 --> 00:44:56,359
Speaker 1: we're in an environment today where if you give a

722
00:44:56,440 --> 00:45:03,200
Speaker 1: diverging view from an audience, the general consensus being that

723
00:45:03,400 --> 00:45:05,680
Speaker 1: it's a lovely show, everybody loves the show. If there's

724
00:45:05,719 --> 00:45:08,080
Speaker 1: any kind of criticism, and especially in this environment we're

725
00:45:08,120 --> 00:45:12,040
Speaker 1: in today, Uh, if you have some kind of divergent opinion,

726
00:45:12,320 --> 00:45:17,000
Speaker 1: you're going to get crushed. And and it's unfortunate that

727
00:45:17,040 --> 00:45:20,160
Speaker 1: we're in this place right now, in in in our country.

728
00:45:20,680 --> 00:45:24,280
Speaker 1: Um but that's just where we are. So I fully expected,

729
00:45:24,800 --> 00:45:26,879
Speaker 1: you know, and Amy and I've have had these conversations,

730
00:45:27,000 --> 00:45:29,799
Speaker 1: right It's like, you know, should I back off on

731
00:45:29,840 --> 00:45:33,080
Speaker 1: the criticism, And it's like she said, no, this is

732
00:45:33,120 --> 00:45:36,080
Speaker 1: how you feel give your opinion. And it's like, it's

733
00:45:36,080 --> 00:45:40,600
Speaker 1: the reason I'm doing this podcast because I'm I'm really

734
00:45:40,680 --> 00:45:43,439
Speaker 1: curious to dig into these episodes. And that's just how

735
00:45:43,480 --> 00:45:47,880
Speaker 1: my mind works, highly analytical. Um, I do feel that

736
00:45:47,920 --> 00:45:51,319
Speaker 1: I'm qualified to comment on the writing I've written. I've

737
00:45:51,360 --> 00:45:55,719
Speaker 1: I've written fifteen screenplays. I've read thousands of screenplays. You know,

738
00:45:55,800 --> 00:45:58,359
Speaker 1: I've I know writing. I've read all the books I've

739
00:45:58,600 --> 00:46:02,600
Speaker 1: I've gone through all the uh you know, the highs

740
00:46:02,640 --> 00:46:04,719
Speaker 1: and lows of writing a screenplay. I've done all the

741
00:46:04,920 --> 00:46:08,400
Speaker 1: I've written screenplays with a really good process. I've really

742
00:46:08,600 --> 00:46:11,880
Speaker 1: I've written screenplays with a horrible process, and so I

743
00:46:12,080 --> 00:46:14,280
Speaker 1: kind of learned how to do it. I'm not saying

744
00:46:14,320 --> 00:46:16,839
Speaker 1: there's the greatest thing since sliced bread, and I've never

745
00:46:16,920 --> 00:46:21,200
Speaker 1: had a movie produced, but you know, I know about

746
00:46:21,280 --> 00:46:24,439
Speaker 1: what makes writing really good and what makes it bad.

747
00:46:24,600 --> 00:46:28,279
Speaker 1: So I appreciate you sharing all that, but also what

748
00:46:28,320 --> 00:46:34,600
Speaker 1: you told us today, because I wouldn't have thought I

749
00:46:34,880 --> 00:46:36,840
Speaker 1: would have seen the scene differently, or I think I

750
00:46:36,840 --> 00:46:41,600
Speaker 1: would have had a different takeaway, and I need to

751
00:46:41,680 --> 00:46:44,920
Speaker 1: hear your experience. So just think about it. You know,

752
00:46:44,960 --> 00:46:47,239
Speaker 1: I'm in New York, I'm doing theater. I'm studying my

753
00:46:47,320 --> 00:46:51,200
Speaker 1: brains out, I'm making all of these strides. I'm encouraged

754
00:46:51,239 --> 00:46:53,799
Speaker 1: to go to l A. I I sit in l A.

755
00:46:53,880 --> 00:46:56,759
Speaker 1: I get this big break on this show right, and

756
00:46:56,800 --> 00:46:58,960
Speaker 1: you want to be you know, you want to rise

757
00:46:59,000 --> 00:47:00,879
Speaker 1: to the top of your fashion if you have any

758
00:47:00,920 --> 00:47:03,040
Speaker 1: kind of competitive drive, which I do and most people

759
00:47:03,040 --> 00:47:07,120
Speaker 1: in his business do you do, Danielle does Tarat everybody does, right.

760
00:47:07,200 --> 00:47:10,200
Speaker 1: They just want to rise up. They want to be respected,

761
00:47:10,239 --> 00:47:12,280
Speaker 1: they want to be fetted, they want to win awards,

762
00:47:12,320 --> 00:47:14,799
Speaker 1: they want to be recognized for their work. And I

763
00:47:14,880 --> 00:47:17,520
Speaker 1: end up doing a scene where people are talking about

764
00:47:17,520 --> 00:47:21,080
Speaker 1: my butt, right, And you want to be liked, And

765
00:47:21,160 --> 00:47:23,360
Speaker 1: so when you want to be liked, it's just you

766
00:47:23,360 --> 00:47:25,080
Speaker 1: don't want to be really you don't want to be

767
00:47:25,120 --> 00:47:28,600
Speaker 1: treated like you're some kind of you know, meat stick

768
00:47:28,760 --> 00:47:33,560
Speaker 1: or yeah it's right. Yeah, by saying I'm not doing

769
00:47:33,600 --> 00:47:35,279
Speaker 1: this because you don't know what's going to happen. If

770
00:47:35,320 --> 00:47:38,200
Speaker 1: they say, well, then you're out. We'll write you out

771
00:47:38,880 --> 00:47:40,880
Speaker 1: and what you know what what an Academy members going

772
00:47:40,920 --> 00:47:42,399
Speaker 1: to say when they see the scene, Oh, we've got

773
00:47:42,400 --> 00:47:45,400
Speaker 1: to nominate him. You know that butt scene was amazing best,

774
00:47:45,480 --> 00:47:48,680
Speaker 1: But you know, I mean, really, what am I involved

775
00:47:48,719 --> 00:47:50,920
Speaker 1: in here? They really questioned why I was doing the

776
00:47:50,920 --> 00:47:52,960
Speaker 1: show at the time. It's like, what am I involved

777
00:47:53,000 --> 00:47:55,520
Speaker 1: with here? So there you go. That's just how I

778
00:47:55,560 --> 00:47:58,160
Speaker 1: feel about it, you know, and I got over it.

779
00:47:58,680 --> 00:48:03,600
Speaker 1: I really apparently I haven't. No, I appreciate the perspective too,

780
00:48:03,680 --> 00:48:07,680
Speaker 1: because I don't know that it was the intention. I

781
00:48:07,760 --> 00:48:10,319
Speaker 1: don't know that the intention was that like, but it

782
00:48:10,360 --> 00:48:13,680
Speaker 1: doesn't matter what the intention was because of how you felt.

783
00:48:14,120 --> 00:48:17,959
Speaker 1: But at the same time, I feel guilty. I'm sorry,

784
00:48:18,000 --> 00:48:21,120
Speaker 1: I'm coming king it out because I feel guilty that

785
00:48:21,239 --> 00:48:23,840
Speaker 1: I giggled at the scene. And now I'm like, wait,

786
00:48:23,920 --> 00:48:25,960
Speaker 1: I have to be able to do both kind of

787
00:48:26,000 --> 00:48:29,400
Speaker 1: where I go. I'm learning and I see that, and

788
00:48:29,400 --> 00:48:33,520
Speaker 1: then also like, it is a funny little bit. There

789
00:48:33,600 --> 00:48:36,000
Speaker 1: is something funny about it, but it's at your expense.

790
00:48:36,040 --> 00:48:38,120
Speaker 1: But somebody had to pay a price for that. That's right,

791
00:48:38,120 --> 00:48:43,840
Speaker 1: it's at your expense, and I'm still paying exactly. Yeah,

792
00:48:47,440 --> 00:48:51,640
Speaker 1: thank god for Adam Brody. Yeah, well, I was about

793
00:48:51,640 --> 00:48:54,759
Speaker 1: to say, and that hat, that hat. We're coming right

794
00:48:54,800 --> 00:48:57,440
Speaker 1: to the hat next where we just get jarred by

795
00:48:57,480 --> 00:49:01,640
Speaker 1: that cute outfit with literally a terrible hat, and I

796
00:49:01,640 --> 00:49:04,880
Speaker 1: don't thin before we move on from this, we're missing

797
00:49:04,960 --> 00:49:08,120
Speaker 1: one weird thing from that From that scene is when

798
00:49:08,200 --> 00:49:12,360
Speaker 1: Loreaae offers Luke in the cooler room and she goes yeah,

799
00:49:12,520 --> 00:49:14,799
Speaker 1: and she goes, well, you can just stay at the end,

800
00:49:14,800 --> 00:49:17,920
Speaker 1: I'll comp your room, like you know, we'll take care

801
00:49:17,920 --> 00:49:21,520
Speaker 1: of you. She's being awkwardly sweet, but it's almost like

802
00:49:21,600 --> 00:49:25,719
Speaker 1: we're they weird because we both know, like we all

803
00:49:25,760 --> 00:49:28,719
Speaker 1: know deep down and these two like each other, and man,

804
00:49:28,840 --> 00:49:33,680
Speaker 1: nothing's ever been more clearer than the awkwardness of the scene.

805
00:49:33,880 --> 00:49:36,440
Speaker 1: I think maybe that's my criticism because Lorelei was so

806
00:49:37,360 --> 00:49:41,799
Speaker 1: une out of there. What are you doing? Why are

807
00:49:41,840 --> 00:49:47,040
Speaker 1: you staying? And why are you like just oh, I

808
00:49:47,120 --> 00:49:50,600
Speaker 1: literally I didn't. I did not like it. And are

809
00:49:50,600 --> 00:49:53,799
Speaker 1: we supposed to cringe? Like? That's my thing is like

810
00:49:53,920 --> 00:49:57,759
Speaker 1: I hated that scene too, but that one seemed intentional.

811
00:49:58,000 --> 00:50:03,960
Speaker 1: I'm supposed to be cringing. I was like this, yeah,

812
00:50:04,440 --> 00:50:08,600
Speaker 1: you're like, just go fire frank Like, Also, he looked

813
00:50:08,920 --> 00:50:13,560
Speaker 1: Luke looked so cute, and Nicole looked They looked so

814
00:50:13,719 --> 00:50:16,160
Speaker 1: cuppily that it made it worse. I was like, I

815
00:50:16,360 --> 00:50:20,160
Speaker 1: wanted part of me wanting to cool, to be like, hey,

816
00:50:20,320 --> 00:50:26,120
Speaker 1: you gotta go. I wanted her really badly to like,

817
00:50:26,120 --> 00:50:29,440
Speaker 1: like not mark her territory that's the wrong praise, but

818
00:50:29,800 --> 00:50:32,560
Speaker 1: for her to be like no, no, no, like you're

819
00:50:32,640 --> 00:50:36,720
Speaker 1: being inappropriate. Get out. We're good, And she did try,

820
00:50:37,080 --> 00:50:39,040
Speaker 1: like being like we're good, we don't need the towels,

821
00:50:39,080 --> 00:50:41,279
Speaker 1: we don't need this, we don't We're fine, but like

822
00:50:41,320 --> 00:50:43,120
Speaker 1: I wanted her to be like, you need to go.

823
00:50:44,080 --> 00:50:51,279
Speaker 1: Also realizes very bad at that job, very bad. Like,

824
00:50:52,880 --> 00:50:54,920
Speaker 1: but I think the writer saw it as an opportunity

825
00:50:54,960 --> 00:50:56,840
Speaker 1: to put Laurel in a situation where she could be

826
00:50:57,320 --> 00:51:02,279
Speaker 1: her comedy. She didn't have staff, and plus, you're right,

827
00:51:02,320 --> 00:51:04,319
Speaker 1: that's a good point. She she didn't have staff, so

828
00:51:04,360 --> 00:51:06,160
Speaker 1: she kind of had to do it right. But she

829
00:51:06,200 --> 00:51:08,319
Speaker 1: should have just got the heck out of Dodge when

830
00:51:08,360 --> 00:51:10,880
Speaker 1: it just got so weird and she can't light the fire.

831
00:51:12,400 --> 00:51:14,759
Speaker 1: She should have done all the rooms, and then once

832
00:51:14,800 --> 00:51:17,319
Speaker 1: she realized it was Luke in Nicole's room, she should

833
00:51:17,360 --> 00:51:18,759
Speaker 1: have gone down to Michelle and like, this is the

834
00:51:18,800 --> 00:51:22,239
Speaker 1: one room I can't do and run for it I've

835
00:51:22,280 --> 00:51:26,239
Speaker 1: been in. Also, imagine being in a hotel and like

836
00:51:26,400 --> 00:51:28,319
Speaker 1: the person just comes and starts chit chatting with you

837
00:51:28,360 --> 00:51:32,440
Speaker 1: in your room. Believe like I don't want you in

838
00:51:32,480 --> 00:51:36,400
Speaker 1: my room. Now. There's so many things about this episode,

839
00:51:37,120 --> 00:51:39,839
Speaker 1: but I feel like as a whole the episode was like,

840
00:51:39,880 --> 00:51:42,840
Speaker 1: as a whole of the episode was good, but listen,

841
00:51:42,920 --> 00:51:46,720
Speaker 1: I you know, Laurel, I occupies so many different worlds,

842
00:51:46,920 --> 00:51:49,960
Speaker 1: her work world, her mom and dad adult world, her

843
00:51:50,040 --> 00:51:54,160
Speaker 1: kids world, all these different worlds. Right, uh Rory does too.

844
00:51:54,280 --> 00:51:57,960
Speaker 1: She's occupying her grandparents world, a mom's world, the stars

845
00:51:58,000 --> 00:52:01,319
Speaker 1: Hollow world, even even even the stars hollow, high school world,

846
00:52:01,320 --> 00:52:05,319
Speaker 1: the chiltern world, all these worlds. We finally got to

847
00:52:05,400 --> 00:52:08,239
Speaker 1: see a bunch of kids at a party having a

848
00:52:08,280 --> 00:52:18,280
Speaker 1: good time, like high school kids. Do Mber remember the kegger? Yeah,

849
00:52:18,680 --> 00:52:21,400
Speaker 1: the first party ever your parents house. You're like, do

850
00:52:21,520 --> 00:52:30,920
Speaker 1: not use the nice towels, towel the party stripes totally.

851
00:52:31,200 --> 00:52:36,399
Speaker 1: The party was very perfectly done. Like whoever wrote that

852
00:52:36,480 --> 00:52:39,759
Speaker 1: scene literally just left a high school party because it

853
00:52:39,840 --> 00:52:43,839
Speaker 1: was just accurate and they can't figure out the keg.

854
00:52:44,320 --> 00:52:49,680
Speaker 1: Yeah I did. I threw a big party. My my

855
00:52:49,800 --> 00:52:53,759
Speaker 1: mom and my my stepdad went to the beach for

856
00:52:53,800 --> 00:52:56,719
Speaker 1: the weekend because it's only you know, forty five minute drive,

857
00:52:57,280 --> 00:52:59,080
Speaker 1: and so I had the house to myself and I

858
00:52:59,440 --> 00:53:02,799
Speaker 1: was in my junior your senior year, and I threw

859
00:53:02,920 --> 00:53:07,520
Speaker 1: I invited everybody in town. I mean, it was a

860
00:53:08,040 --> 00:53:11,080
Speaker 1: oh man, what a shin dig? That was good. God.

861
00:53:12,120 --> 00:53:16,319
Speaker 1: There were fights. Uh, I think they did. Yeah. I

862
00:53:16,400 --> 00:53:19,480
Speaker 1: was so gone by that point that I don't even

863
00:53:19,520 --> 00:53:23,279
Speaker 1: remember half the party. Uh, to be honest with you,

864
00:53:23,320 --> 00:53:25,560
Speaker 1: but yeah, it was. It was crowded and it's like

865
00:53:25,680 --> 00:53:27,719
Speaker 1: everybody in the high school was there. It was. It was.

866
00:53:28,400 --> 00:53:31,680
Speaker 1: It was quite the affair. Every teenager does it. We're

867
00:53:31,680 --> 00:53:34,640
Speaker 1: all so dumb. And even my stepbrother. My stepbrother got

868
00:53:34,640 --> 00:53:36,360
Speaker 1: in fight and it got in a fight with somebody

869
00:53:36,360 --> 00:53:41,440
Speaker 1: in the backyard. There was an actual fight. My stepbrother

870
00:53:41,960 --> 00:53:44,960
Speaker 1: got into a big fight with a guy named Tommy,

871
00:53:45,160 --> 00:53:48,719
Speaker 1: and Tommy was coming. Tommy was kind of the town

872
00:53:48,760 --> 00:53:51,440
Speaker 1: badass and he was good. He was a good dude.

873
00:53:51,719 --> 00:53:54,120
Speaker 1: And uh, they got in a fight. Yeah they got

874
00:53:54,280 --> 00:53:59,840
Speaker 1: anyone think the Jess Dean very choreographed fight. But in

875
00:54:00,200 --> 00:54:04,000
Speaker 1: attack no, no, no, no, no no no. It was great.

876
00:54:04,000 --> 00:54:06,240
Speaker 1: It was great. It was great. It I loved every

877
00:54:06,239 --> 00:54:10,240
Speaker 1: second coming. It wasn't believable because when you hit somebody

878
00:54:10,280 --> 00:54:12,440
Speaker 1: with the right cross right off the bat, that hard

879
00:54:12,480 --> 00:54:15,200
Speaker 1: and that square, so you're going you're going to knock

880
00:54:15,280 --> 00:54:19,480
Speaker 1: them out, they don't like go like this and then

881
00:54:19,600 --> 00:54:22,640
Speaker 1: deliver an even harder, not a scratch on their face.

882
00:54:22,840 --> 00:54:25,600
Speaker 1: But but then you don't get that great scene. I

883
00:54:25,640 --> 00:54:29,799
Speaker 1: love that. I love every moment of it. Dean has

884
00:54:29,840 --> 00:54:34,479
Speaker 1: been waiting to punch Jess for so long. You guys,

885
00:54:34,600 --> 00:54:37,040
Speaker 1: we need to rewind because I feel like there's a

886
00:54:37,040 --> 00:54:40,920
Speaker 1: lot leading up to this fight that literally there. I

887
00:54:40,960 --> 00:54:43,560
Speaker 1: feel like there's a lot of substance there. Okay, so

888
00:54:43,640 --> 00:54:46,080
Speaker 1: let's let's work. We're going to re First of all,

889
00:54:46,520 --> 00:54:50,080
Speaker 1: let's all acknowledge the worst hat in the history of

890
00:54:50,280 --> 00:54:55,239
Speaker 1: fashion we have to that was really just like she

891
00:54:55,360 --> 00:54:59,359
Speaker 1: did not like that exactly. Like she's like a beanie girl,

892
00:54:59,560 --> 00:55:02,759
Speaker 1: you know, she wears the Beanies. Maybe a baseball hat

893
00:55:02,800 --> 00:55:04,800
Speaker 1: would have been, like, made more sense than that. And

894
00:55:04,880 --> 00:55:09,360
Speaker 1: she had that cute blouse. Although that blouse. Here's what

895
00:55:09,360 --> 00:55:12,560
Speaker 1: I'm thinking happened with that fashion that day. The blouse

896
00:55:12,640 --> 00:55:15,840
Speaker 1: was the buttons were puckering a little bit, which happened.

897
00:55:16,080 --> 00:55:19,800
Speaker 1: So they put that cardigan on. It was really cute

898
00:55:19,840 --> 00:55:23,200
Speaker 1: and so it looked really good. I think they were like, oh, no,

899
00:55:23,239 --> 00:55:25,920
Speaker 1: this outfit isn't quite what we wanted. Let's it was

900
00:55:25,960 --> 00:55:29,279
Speaker 1: like the let's throw this on too. Then they give

901
00:55:29,320 --> 00:55:32,880
Speaker 1: her that it was it wasn't even a cardigan. It

902
00:55:32,960 --> 00:55:37,960
Speaker 1: was a zip up like juicy velord. But yeah, but

903
00:55:38,000 --> 00:55:40,080
Speaker 1: it had worked with the blouse, like you don't wear

904
00:55:40,120 --> 00:55:46,040
Speaker 1: a blouse under that. It's why, in your opinion, didn't

905
00:55:46,040 --> 00:55:49,319
Speaker 1: the hot work because I you know, it sort of

906
00:55:49,320 --> 00:55:51,239
Speaker 1: worked for me and it sort of didn't work for me,

907
00:55:51,320 --> 00:55:56,640
Speaker 1: and you know, everything was very pankas. I don't think

908
00:55:56,800 --> 00:55:58,920
Speaker 1: many women can pull off that hat. I think men

909
00:55:59,040 --> 00:56:04,200
Speaker 1: can going to wear that hat. In my opinion, you

910
00:56:04,239 --> 00:56:06,680
Speaker 1: can't have all the other things she happening on. You'd

911
00:56:06,680 --> 00:56:10,760
Speaker 1: have to like literally be in like ray sweat outfit

912
00:56:10,880 --> 00:56:14,320
Speaker 1: or a something so chill white T shirt and jeans,

913
00:56:14,719 --> 00:56:17,799
Speaker 1: white T shirt and jeans, Yes, exactly, she's got a

914
00:56:18,000 --> 00:56:23,000
Speaker 1: pink zip up Kashmir sweater vlore or something with a

915
00:56:23,120 --> 00:56:28,600
Speaker 1: flowery blouse that already was like cute, but like it

916
00:56:28,680 --> 00:56:33,560
Speaker 1: was like ten things too many. Yeah, it was we

917
00:56:33,600 --> 00:56:38,640
Speaker 1: need to have like a something for that. We should

918
00:56:38,680 --> 00:56:41,160
Speaker 1: do like top ten fashion fails, like at the end

919
00:56:41,600 --> 00:56:43,400
Speaker 1: on the Instagram or something that we need to have

920
00:56:43,480 --> 00:56:51,000
Speaker 1: some sort of like um funeral for that hat. It

921
00:56:51,080 --> 00:56:53,440
Speaker 1: was so bad. I think they all knew it. Okay,

922
00:56:53,520 --> 00:56:56,120
Speaker 1: So then we get to the party, So let's break

923
00:56:56,120 --> 00:56:58,560
Speaker 1: down the party left and right right out the gate

924
00:56:58,880 --> 00:57:00,960
Speaker 1: when that girl was so west there, they're kind of

925
00:57:00,960 --> 00:57:03,640
Speaker 1: like warming up and well they got there early with

926
00:57:03,680 --> 00:57:07,000
Speaker 1: the band and Jess was like, what are we here?

927
00:57:07,080 --> 00:57:09,359
Speaker 1: So really quick to go back. We also then found

928
00:57:09,400 --> 00:57:11,680
Speaker 1: out that he can't get tickets to prompts. That's where

929
00:57:13,239 --> 00:57:16,200
Speaker 1: he hasn't told her that he flunked out right and

930
00:57:16,200 --> 00:57:19,280
Speaker 1: that he can't go. And I was heartbreaking too. I

931
00:57:19,400 --> 00:57:22,600
Speaker 1: was so sad for him he didn't. I still stand

932
00:57:22,640 --> 00:57:25,240
Speaker 1: by that like I needed I needed that. Everyone's been

933
00:57:25,240 --> 00:57:27,760
Speaker 1: coddling Jess, like I needed somebody to be like also

934
00:57:27,800 --> 00:57:30,160
Speaker 1: if it was like you can't you can't miss thirty

935
00:57:30,200 --> 00:57:32,560
Speaker 1: one days, he's at thirty one days and you can't

936
00:57:32,560 --> 00:57:36,080
Speaker 1: miss twenty Like who's still letting him like show up?

937
00:57:36,360 --> 00:57:39,160
Speaker 1: Show up? Yeah? Like he showed up, but he wasn't

938
00:57:39,160 --> 00:57:41,640
Speaker 1: showing up, Yeah he wasn't. He was there, Like why

939
00:57:41,720 --> 00:57:43,880
Speaker 1: are they letting him go? Like you're out of here?

940
00:57:44,640 --> 00:57:48,000
Speaker 1: Well for his person walk back in the school is

941
00:57:48,080 --> 00:57:50,240
Speaker 1: right into that guy's office. I don't want to get that.

942
00:57:51,240 --> 00:57:53,240
Speaker 1: And the guy was like, I haven't seen you here

943
00:57:53,280 --> 00:57:57,200
Speaker 1: in thirty one days or whatever. You know, like that's true. Okay,

944
00:57:57,280 --> 00:57:59,320
Speaker 1: it's not how it goes down in the real world though,

945
00:58:00,000 --> 00:58:05,960
Speaker 1: parents thirty one days, you know, sure they do. But

946
00:58:06,000 --> 00:58:08,200
Speaker 1: like we said before, he totally could be like deleting

947
00:58:08,240 --> 00:58:11,960
Speaker 1: the voicemails, taking the letters out of the mail. But

948
00:58:12,040 --> 00:58:14,440
Speaker 1: then again, with being in a small town, couldn't this

949
00:58:14,600 --> 00:58:18,840
Speaker 1: just like across the street. Yeah, it's across We've seen

950
00:58:18,920 --> 00:58:22,440
Speaker 1: him walk to school. Yeah, the principle, the principle couldn't

951
00:58:22,440 --> 00:58:24,880
Speaker 1: go to Luke's Diner and say, listen, there's an issue.

952
00:58:25,240 --> 00:58:28,560
Speaker 1: There was an issue with Jess, Right, get a cup

953
00:58:28,600 --> 00:58:30,920
Speaker 1: of coffee. It's a small town, right, Why isn't he

954
00:58:31,440 --> 00:58:34,280
Speaker 1: coming over there? Hey, we got to talk about Jess.

955
00:58:34,320 --> 00:58:38,080
Speaker 1: If he's so concerned about him, it's supposed to be

956
00:58:38,080 --> 00:58:40,560
Speaker 1: concernous the principle, he wants to help him, right, guidance counselor.

957
00:58:40,600 --> 00:58:43,520
Speaker 1: Why did the guidance counselor go across street? Exactly right?

958
00:58:43,720 --> 00:58:46,720
Speaker 1: Not one teacher gets a donut in the morning, doesn't

959
00:58:46,800 --> 00:58:50,320
Speaker 1: It doesn't. It doesn't track. It's not tracking. The first

960
00:58:50,360 --> 00:58:55,080
Speaker 1: person that calls out Jess is poor Lindsay. She's like

961
00:58:56,360 --> 00:59:00,280
Speaker 1: seeing you at school. I didn't know, right, right, right?

962
00:59:05,520 --> 00:59:08,440
Speaker 1: Before we get into it, can we please just acknowledge

963
00:59:08,480 --> 00:59:12,880
Speaker 1: Jess's best line ever the girl crying and Jess walks,

964
00:59:12,880 --> 00:59:16,000
Speaker 1: Mine goes, it was a little early for that. You

965
00:59:16,120 --> 00:59:18,720
Speaker 1: guys know that was good that I was wondering what

966
00:59:18,880 --> 00:59:20,960
Speaker 1: that line was in reference to I thought it was

967
00:59:21,040 --> 00:59:23,480
Speaker 1: like in high school, there was so much to happen

968
00:59:23,560 --> 00:59:26,760
Speaker 1: before eight am, like it seemed normal, Like you know,

969
00:59:26,920 --> 00:59:31,480
Speaker 1: that was at the party party. But I think his

970
00:59:31,560 --> 00:59:35,280
Speaker 1: best line at the party was when Lindsay said, well,

971
00:59:35,320 --> 00:59:37,080
Speaker 1: what kind of you know? They asked Roy said, well,

972
00:59:37,120 --> 00:59:38,440
Speaker 1: what kind of music do you like? She goes, oh,

973
00:59:38,480 --> 00:59:44,280
Speaker 1: you know Michelle Brand's box cards, Matchbox twenty and Jess goes,

974
00:59:44,680 --> 00:59:47,120
Speaker 1: what what did he do? He was like, oh god,

975
00:59:48,280 --> 00:59:55,600
Speaker 1: that god match I love Rob Thomas, so Matchbox twenty

976
00:59:55,680 --> 00:59:57,000
Speaker 1: for me, Like, I already think I want to go

977
00:59:57,040 --> 01:00:03,680
Speaker 1: to that concert. And we're talking about Jess okay, talking

978
01:00:03,680 --> 01:00:06,920
Speaker 1: about Justice listening to the Who, He's listening to Zeppelin,

979
01:00:07,000 --> 01:00:09,360
Speaker 1: He's listened to the old stuff exactly. Come on, how

980
01:00:09,400 --> 01:00:11,160
Speaker 1: about the kids from the party and he goes, if

981
01:00:11,160 --> 01:00:18,120
Speaker 1: you drop a chip, pick it up. Yeah, the whole thing.

982
01:00:18,760 --> 01:00:22,160
Speaker 1: The party was good. I'm not gonna lie the party

983
01:00:22,200 --> 01:00:25,400
Speaker 1: was chip. If you drop a chip, put it, pick

984
01:00:25,440 --> 01:00:30,920
Speaker 1: it up and put it back, and what do you say?

985
01:00:29,080 --> 01:00:33,600
Speaker 1: Yea or something like that. His braces in his face

986
01:00:35,560 --> 01:00:38,320
Speaker 1: is twenty one and he can get the keg like

987
01:00:38,480 --> 01:00:42,000
Speaker 1: everybody's got like but then I got the line from

988
01:00:42,080 --> 01:00:44,520
Speaker 1: Kyle he goes, hey, you drop a chip, you pick

989
01:00:44,560 --> 01:00:49,800
Speaker 1: it up. It's common courtesy. And then how about the

990
01:00:49,800 --> 01:00:53,520
Speaker 1: fact that somebody said emo? Yeah, so emo. I didn't

991
01:00:53,520 --> 01:00:56,040
Speaker 1: even think emo was used back then. I thought that

992
01:00:56,200 --> 01:01:00,120
Speaker 1: was like it's like the Emo era. No. Yeah, So

993
01:01:01,120 --> 01:01:03,520
Speaker 1: if you have a rock band, and if you have

994
01:01:03,520 --> 01:01:06,520
Speaker 1: a rock band, you want to start your show with

995
01:01:06,720 --> 01:01:12,040
Speaker 1: four banging tunes, just like bam bam, bam bam before

996
01:01:12,120 --> 01:01:15,600
Speaker 1: you say anything into the microphone, like hey everybody, you know,

997
01:01:15,880 --> 01:01:18,840
Speaker 1: thanks and coming, it's great to be our next song boom.

998
01:01:19,320 --> 01:01:21,720
Speaker 1: You just you just go on stage and you hit

999
01:01:21,760 --> 01:01:24,360
Speaker 1: the you hit the audience in the face, four songs

1000
01:01:24,360 --> 01:01:31,560
Speaker 1: in a row, and then you've got them right right right,

1001
01:01:31,640 --> 01:01:35,600
Speaker 1: right right right. She's like, okay, um, all right, everyone,

1002
01:01:35,720 --> 01:01:40,560
Speaker 1: here's what's your name? But that's but that was why

1003
01:01:40,640 --> 01:01:44,120
Speaker 1: I said that gang was because they emoi thing came up,

1004
01:01:44,160 --> 01:01:47,160
Speaker 1: because that's how they start concert with very slow song.

1005
01:01:47,720 --> 01:01:49,960
Speaker 1: You don't start a show with a slow soul with

1006
01:01:50,040 --> 01:01:52,240
Speaker 1: a bunch of high school game. No, no, no, well

1007
01:01:52,520 --> 01:01:56,240
Speaker 1: like with anybody. I mean watching watching Narrowsmith concert, watching

1008
01:01:56,280 --> 01:01:58,600
Speaker 1: a c D. They just come out of the gate roaring,

1009
01:01:59,080 --> 01:02:03,640
Speaker 1: you know, and Lane just Lane just goes all out

1010
01:02:03,640 --> 01:02:09,760
Speaker 1: this party. Oh my god, talk about liquid courage. Literally.

1011
01:02:10,880 --> 01:02:14,240
Speaker 1: But first, just to refresh our memories. How good was

1012
01:02:14,280 --> 01:02:17,520
Speaker 1: it when Lola said, don't put your hand in the

1013
01:02:17,520 --> 01:02:21,400
Speaker 1: communal chip bowl. It's a toilet. You have to have chips,

1014
01:02:21,480 --> 01:02:25,920
Speaker 1: be the one that refills it. Putting your hands in

1015
01:02:25,960 --> 01:02:29,360
Speaker 1: a toilet. I wanted to be like girl I relate

1016
01:02:30,640 --> 01:02:36,400
Speaker 1: gives that girl a kangaroo hat. Yeah, good for you. Okay.

1017
01:02:36,440 --> 01:02:39,440
Speaker 1: So I just feel like there's so many storyline storylines

1018
01:02:39,480 --> 01:02:43,840
Speaker 1: in this party that is so significant that it's like

1019
01:02:45,000 --> 01:02:47,440
Speaker 1: so Justice upstairs trying to you know, he tries to

1020
01:02:47,480 --> 01:02:52,120
Speaker 1: get some nookie. It ain't happening. He trying to. At

1021
01:02:52,160 --> 01:02:54,680
Speaker 1: first I think he went for the belt. He went

1022
01:02:54,720 --> 01:02:58,080
Speaker 1: went for the belt. No, no, no, but he went upstairs.

1023
01:02:58,280 --> 01:03:00,560
Speaker 1: Oh no, he wanted the sulk, right, he wanted he

1024
01:03:00,640 --> 01:03:04,360
Speaker 1: needed a minute because he knows but he but he

1025
01:03:04,640 --> 01:03:07,480
Speaker 1: always needs a minute. You know, he was just a drip.

1026
01:03:07,480 --> 01:03:09,440
Speaker 1: He should have just gone home. He was a drip

1027
01:03:09,480 --> 01:03:11,920
Speaker 1: the whole time. But I think I think he normally

1028
01:03:11,960 --> 01:03:14,000
Speaker 1: would have gone home, but it was so important to

1029
01:03:14,080 --> 01:03:16,720
Speaker 1: Rory that he stayed. So he was like, I need

1030
01:03:16,800 --> 01:03:18,680
Speaker 1: a minute, and was like I got to get away

1031
01:03:18,680 --> 01:03:24,920
Speaker 1: from all these hooligans. Goes upstairs because like he's older

1032
01:03:24,960 --> 01:03:30,240
Speaker 1: than them. That he like, I'm smarter than them. I'm older,

1033
01:03:30,600 --> 01:03:34,000
Speaker 1: you know who needs Yeah, I've been to New York City,

1034
01:03:34,040 --> 01:03:39,600
Speaker 1: I've lived there, I've used the keg before, I've tapped

1035
01:03:39,600 --> 01:03:41,920
Speaker 1: a keg. Give me a break. And I thought it

1036
01:03:41,960 --> 01:03:44,800
Speaker 1: was sweet, like that was their biggest makeout sash we've

1037
01:03:44,800 --> 01:03:48,840
Speaker 1: ever seen. And then it did take it a little

1038
01:03:48,920 --> 01:03:53,120
Speaker 1: too far, and I thought she was right saying like absolutely,

1039
01:03:53,400 --> 01:03:56,720
Speaker 1: she's obviously considering like doing it. Do you think this

1040
01:03:56,840 --> 01:03:59,840
Speaker 1: is how it should happen. Somebody could walk in, you know,

1041
01:04:00,120 --> 01:04:02,480
Speaker 1: soon closes come down the chimney. Yeah, she wanted it

1042
01:04:02,520 --> 01:04:07,760
Speaker 1: to be special, and but then I did. Obviously they

1043
01:04:07,840 --> 01:04:12,040
Speaker 1: like had like it this heated argument and he raised

1044
01:04:12,040 --> 01:04:14,880
Speaker 1: his voice, you know, but then he was like, I

1045
01:04:14,960 --> 01:04:18,160
Speaker 1: know it's not you, Rory, you know, like and I

1046
01:04:18,200 --> 01:04:21,120
Speaker 1: feel like if Dean was at the bottom of the stairs,

1047
01:04:21,160 --> 01:04:24,040
Speaker 1: like I think maybe Rory and Jess could have had

1048
01:04:24,080 --> 01:04:26,600
Speaker 1: a really sweet moment. I agree with you. I think

1049
01:04:26,640 --> 01:04:30,160
Speaker 1: he would have said, no, this is I'm stressed right now,

1050
01:04:30,280 --> 01:04:32,600
Speaker 1: like all these things are happening to me and and

1051
01:04:32,640 --> 01:04:34,920
Speaker 1: I'm just I feel like I'm disappointing you. And she

1052
01:04:34,960 --> 01:04:37,040
Speaker 1: could have been like, I don't know. They could have

1053
01:04:37,040 --> 01:04:40,600
Speaker 1: had agree with they needed a minute, like to separate,

1054
01:04:40,840 --> 01:04:42,840
Speaker 1: she gets herself together, and they could have talked about

1055
01:04:42,880 --> 01:04:44,600
Speaker 1: Dean was at the end of the stairs. Oh em bloy,

1056
01:04:44,680 --> 01:04:46,160
Speaker 1: did I love that Dean was at the end of

1057
01:04:46,200 --> 01:04:50,880
Speaker 1: the stairs. She came crying, and he was like, it

1058
01:04:51,000 --> 01:04:56,000
Speaker 1: hasn't yeah, and then Jess just comes downstairs and it doesn't.

1059
01:04:56,040 --> 01:05:00,640
Speaker 1: Dean say are you okay? Yeah, has come down and

1060
01:05:00,640 --> 01:05:04,120
Speaker 1: he just clocks him. No, he know, he went after

1061
01:05:04,200 --> 01:05:09,120
Speaker 1: Jess because Jess made a comment about that figures that

1062
01:05:09,240 --> 01:05:12,520
Speaker 1: you two would end up together, and just like he

1063
01:05:12,640 --> 01:05:17,000
Speaker 1: just had figures, you know, figures. You're right. I took

1064
01:05:17,000 --> 01:05:18,880
Speaker 1: it as figures like, oh, you would be at the

1065
01:05:18,880 --> 01:05:21,480
Speaker 1: bottom of the stairs like waiting or something. No, no, no,

1066
01:05:21,600 --> 01:05:24,640
Speaker 1: he said, figures because they're together and He's consoled, Okay,

1067
01:05:24,800 --> 01:05:29,400
Speaker 1: like of course she's gonna right right right, yeah, yeah,

1068
01:05:29,440 --> 01:05:33,919
Speaker 1: yeah right. So that's it. That was the That was yeah,

1069
01:05:35,080 --> 01:05:37,600
Speaker 1: good fight and who was what was the best thing

1070
01:05:37,640 --> 01:05:41,160
Speaker 1: about the fight that Dave Regalski wanted to talk to

1071
01:05:41,240 --> 01:05:43,840
Speaker 1: Young Chew. I'm not going to touch you. I just

1072
01:05:43,840 --> 01:05:46,200
Speaker 1: just talk about this Lane thing. I just want Then

1073
01:05:46,320 --> 01:05:50,600
Speaker 1: boom they get clouded, you know? Then? Then how great

1074
01:05:50,680 --> 01:05:52,880
Speaker 1: was that moment? That was the best moment in the

1075
01:05:52,880 --> 01:05:59,920
Speaker 1: whole of them. I laughed. Second, two different boy arguments, Tina,

1076
01:06:01,600 --> 01:06:05,640
Speaker 1: and that was that was a three Stooges moment. That

1077
01:06:05,720 --> 01:06:10,480
Speaker 1: was good. That was great physical comedy, that was perfectly timed.

1078
01:06:10,880 --> 01:06:13,600
Speaker 1: That was an intense he went right on top of

1079
01:06:13,760 --> 01:06:18,120
Speaker 1: Young Chee. I mean it was just beautiful. Then I

1080
01:06:18,120 --> 01:06:22,560
Speaker 1: did think the ending could not have been more perfect

1081
01:06:23,920 --> 01:06:28,040
Speaker 1: because the cops says, folks, drop your cups. Parties over,

1082
01:06:28,120 --> 01:06:35,200
Speaker 1: everybody go home, which cups? And Lane is, yeah, like

1083
01:06:36,800 --> 01:06:43,480
Speaker 1: what about that phone call to her mom? Wow, it's

1084
01:06:43,520 --> 01:06:46,280
Speaker 1: going to be a few U is the word repercussions

1085
01:06:46,320 --> 01:06:49,320
Speaker 1: after this episode? And I really wanted to see the

1086
01:06:49,320 --> 01:06:52,200
Speaker 1: other the other side of that phone call, Lane is,

1087
01:06:52,280 --> 01:06:55,360
Speaker 1: really did you want to see the others. Didn't you

1088
01:06:55,400 --> 01:06:57,760
Speaker 1: want to see Emily Coroda? Didn't you want to see

1089
01:06:57,840 --> 01:06:59,880
Speaker 1: Mrs Kim on you like just cut to her, Like

1090
01:07:00,840 --> 01:07:02,520
Speaker 1: I do think we're going to get the Mrs kim

1091
01:07:02,600 --> 01:07:04,840
Speaker 1: pay off the next episode. We're going to get it.

1092
01:07:04,920 --> 01:07:09,800
Speaker 1: Oh yeah, there's no doubt about it. Yeah. Oh my god,

1093
01:07:09,880 --> 01:07:13,439
Speaker 1: what a phone call. Oh man, the phone call heard

1094
01:07:13,600 --> 01:07:17,680
Speaker 1: round the world. Let me tell you long time coming

1095
01:07:17,720 --> 01:07:21,280
Speaker 1: for that phone call. This is what happens when they

1096
01:07:21,280 --> 01:07:25,760
Speaker 1: don't go to Friday night party fridnight dinner. I think,

1097
01:07:26,360 --> 01:07:28,840
Speaker 1: but I thought, but I also thought that I thought

1098
01:07:28,880 --> 01:07:34,680
Speaker 1: that Dave Regowski was justified and with the entire situation,

1099
01:07:35,520 --> 01:07:39,000
Speaker 1: I liked how he wasn't hostile. He was just like

1100
01:07:39,080 --> 01:07:41,520
Speaker 1: I'm done. You know. It's like it's like when are

1101
01:07:41,560 --> 01:07:43,800
Speaker 1: you gonna like what is this in some in the

1102
01:07:43,840 --> 01:07:47,960
Speaker 1: middle of some circus? Is like, Lane, I really need

1103
01:07:48,040 --> 01:07:51,560
Speaker 1: you just to whatever. If you want to fake this

1104
01:07:51,640 --> 01:07:56,440
Speaker 1: relationship and like have young Chew like for your mom, whatever,

1105
01:07:56,680 --> 01:07:59,120
Speaker 1: do what you gotta do, but like freaking go make

1106
01:07:59,160 --> 01:08:02,560
Speaker 1: out with David Key Yeah yeah, I mean party and

1107
01:08:02,600 --> 01:08:05,640
Speaker 1: had Young Chew there, but like make out with him?

1108
01:08:05,800 --> 01:08:09,960
Speaker 1: That is shot true, Like she should have fully been

1109
01:08:09,960 --> 01:08:15,400
Speaker 1: making out with Dave. That was their agreement. So like,

1110
01:08:15,640 --> 01:08:19,120
Speaker 1: it's not like she's betraying their agreement. Sucks for Young

1111
01:08:19,200 --> 01:08:23,120
Speaker 1: Chew that he fell in love with her, not Lane's fault.

1112
01:08:23,200 --> 01:08:26,840
Speaker 1: Lane does talk to him. I think you're right. You're right,

1113
01:08:26,840 --> 01:08:30,160
Speaker 1: God blurred because they are becoming such good friends. And

1114
01:08:29,920 --> 01:08:33,559
Speaker 1: why First of all, so what was the deal? The

1115
01:08:33,640 --> 01:08:36,360
Speaker 1: only way that Lane could be at the party drumming

1116
01:08:36,439 --> 01:08:38,320
Speaker 1: was if Young Chew came to pick her up to

1117
01:08:38,320 --> 01:08:40,880
Speaker 1: take her out on a day. So the ruse in general, right,

1118
01:08:40,920 --> 01:08:43,360
Speaker 1: that's the use. So they were Lan was fake dating

1119
01:08:43,400 --> 01:08:45,560
Speaker 1: Young Chew and Young Yeah, I know that I know

1120
01:08:45,760 --> 01:08:48,760
Speaker 1: the girlfriend. But then he broke up with Okay, so

1121
01:08:48,840 --> 01:08:50,519
Speaker 1: he just came and got her. They went on a date,

1122
01:08:50,600 --> 01:08:52,920
Speaker 1: Mrs Kim approves, and they end up at the party. Yeah,

1123
01:08:53,160 --> 01:08:56,760
Speaker 1: and what's his face? Young Choo doesn't know what the

1124
01:08:56,800 --> 01:08:59,880
Speaker 1: shot is. He doesn't know the drama he's involved in.

1125
01:08:59,920 --> 01:09:02,840
Speaker 1: He must because he knows, he knows about he knows

1126
01:09:02,840 --> 01:09:05,439
Speaker 1: about Dave Dkowski. Right, It's almost like he just changed

1127
01:09:05,520 --> 01:09:07,600
Speaker 1: his mind because he broke up with So what is

1128
01:09:07,600 --> 01:09:10,160
Speaker 1: he still doing hanging around when he knows that he

1129
01:09:10,280 --> 01:09:13,240
Speaker 1: Because Lane needs him, He's like the decoy. He's the

1130
01:09:13,320 --> 01:09:18,240
Speaker 1: decoy Scots, right though, because if Young Chew wasn't in

1131
01:09:18,280 --> 01:09:20,479
Speaker 1: love with Lane, Young Cheo would have gone and been

1132
01:09:20,560 --> 01:09:23,120
Speaker 1: off at the party, either chatting with other girls, or

1133
01:09:23,120 --> 01:09:24,600
Speaker 1: he would have left and been like, I'll meet you

1134
01:09:24,640 --> 01:09:26,400
Speaker 1: back here at ten. I'm gonna go do my own things.

1135
01:09:26,439 --> 01:09:28,240
Speaker 1: But if he's but even if he is in love

1136
01:09:28,280 --> 01:09:30,439
Speaker 1: with her, what's he doing sitting around Pine and for

1137
01:09:30,720 --> 01:09:33,839
Speaker 1: in such a public way when he knows that she's

1138
01:09:33,920 --> 01:09:37,880
Speaker 1: with Dave Dkowski? Right? He knows, I think because at

1139
01:09:37,920 --> 01:09:39,639
Speaker 1: the end of the day, he knows that Mrs Kim

1140
01:09:39,720 --> 01:09:41,800
Speaker 1: is not going to let that relationship happen, so he's

1141
01:09:41,920 --> 01:09:45,599
Speaker 1: waiting on the sidelines. That is a good point you make, though, Scott,

1142
01:09:45,640 --> 01:09:47,599
Speaker 1: because it's not like Young Choo's not in on it.

1143
01:09:47,680 --> 01:09:50,240
Speaker 1: He's in on it. He is exactly what's happening. So

1144
01:09:50,600 --> 01:09:52,439
Speaker 1: it is a little weird that all of a sudden

1145
01:09:52,479 --> 01:09:55,080
Speaker 1: he's so like, I'm waiting for Lane, I'm saving this

1146
01:09:55,160 --> 01:09:57,240
Speaker 1: chair for Lane, when we're all like, Lane's not coming

1147
01:09:57,280 --> 01:10:00,519
Speaker 1: because you know this, well, she did. She did mentioned

1148
01:10:00,560 --> 01:10:03,840
Speaker 1: that he she felt that Young Chew was delusional, well,

1149
01:10:03,920 --> 01:10:07,280
Speaker 1: and she did refer to him as delusional. I also

1150
01:10:07,320 --> 01:10:10,080
Speaker 1: feel like they've been talking a lot on the phone

1151
01:10:10,280 --> 01:10:13,120
Speaker 1: and yeah, yeah, so maybe he thinks, maybe, you know,

1152
01:10:13,520 --> 01:10:17,439
Speaker 1: maybe I got a shot with her. The young The

1153
01:10:17,560 --> 01:10:22,840
Speaker 1: young boy is confused. He loves that's what he is.

1154
01:10:23,880 --> 01:10:27,080
Speaker 1: Not for the party. I don't know if this would

1155
01:10:27,080 --> 01:10:29,760
Speaker 1: have been that good of an episode. Oh my god.

1156
01:10:29,760 --> 01:10:33,000
Speaker 1: I still love this episode and I still stand by that. Listen,

1157
01:10:33,120 --> 01:10:35,320
Speaker 1: that was a great party. I mean, if you're gonna

1158
01:10:35,320 --> 01:10:37,640
Speaker 1: do if you're gonna spend time with the kiddies, do

1159
01:10:37,800 --> 01:10:40,640
Speaker 1: it at the party. I realized I really thought that

1160
01:10:40,760 --> 01:10:43,040
Speaker 1: was fun. That was a lot of fun. See, but

1161
01:10:43,160 --> 01:10:45,840
Speaker 1: they're hard to shoot, all those extras. Those things take

1162
01:10:45,880 --> 01:10:49,880
Speaker 1: forever to shoot. The fight scene must have taken days

1163
01:10:49,920 --> 01:10:52,160
Speaker 1: and days and days. No days and days and do

1164
01:10:52,160 --> 01:10:54,080
Speaker 1: you don't have days? And they did it that night.

1165
01:10:54,320 --> 01:10:57,000
Speaker 1: Oh my god, that looks so complicated. Nobody has days

1166
01:10:57,000 --> 01:10:58,640
Speaker 1: and days and days to shoot a fight scene on

1167
01:10:58,680 --> 01:11:01,800
Speaker 1: a TV show. Trust me, it took a couple hours.

1168
01:11:01,880 --> 01:11:04,479
Speaker 1: And also like, correct me if I'm wrong, Scott, but

1169
01:11:04,560 --> 01:11:09,240
Speaker 1: like it with something that with that many steps and

1170
01:11:09,400 --> 01:11:11,680
Speaker 1: choreographed and stuff, it's kind of like you gotta get

1171
01:11:11,680 --> 01:11:15,600
Speaker 1: it in one shot. No no, because it's hard to redo,

1172
01:11:15,960 --> 01:11:19,559
Speaker 1: and it not really, it's not hard to redo, but

1173
01:11:19,840 --> 01:11:22,559
Speaker 1: all the energy is in the first take shore And

1174
01:11:22,600 --> 01:11:26,320
Speaker 1: they obviously had stunt doubles, but I think Jared and

1175
01:11:26,600 --> 01:11:29,680
Speaker 1: Milo did a lot of their own stunts look like

1176
01:11:29,880 --> 01:11:32,439
Speaker 1: and it did, it did look like it because usually

1177
01:11:32,479 --> 01:11:34,360
Speaker 1: you can tell if it's stunt doubles or not. I

1178
01:11:34,439 --> 01:11:38,519
Speaker 1: really could only tell it was stunt doubles maybe once

1179
01:11:38,600 --> 01:11:41,839
Speaker 1: when Dean threw him over the counter at the beginning

1180
01:11:41,840 --> 01:11:43,760
Speaker 1: of the fight and he came spilling over. I don't

1181
01:11:43,800 --> 01:11:47,000
Speaker 1: think that they would have Milo do that, you know,

1182
01:11:47,960 --> 01:11:51,400
Speaker 1: because yeah, because that was that was really violent. Yeah,

1183
01:11:51,400 --> 01:11:53,840
Speaker 1: that was that was violent. It looked like the stunt

1184
01:11:53,840 --> 01:11:55,880
Speaker 1: double hit his back against the counter and it was.

1185
01:11:56,120 --> 01:11:58,600
Speaker 1: It was kind of brutal. So does anybody else just

1186
01:11:58,640 --> 01:12:03,040
Speaker 1: so worried about that dude's house was like a guy

1187
01:12:03,360 --> 01:12:06,519
Speaker 1: stairs the chips, like so much for the chips. But

1188
01:12:06,600 --> 01:12:09,040
Speaker 1: that was that was a really violent fight. That was

1189
01:12:09,160 --> 01:12:14,400
Speaker 1: really that was a super brutal violence. Those other dudes

1190
01:12:14,400 --> 01:12:16,760
Speaker 1: could have pulled them off each other and kept them

1191
01:12:16,760 --> 01:12:20,600
Speaker 1: off each other, but they kept but no, no, no, no, no, no, no.

1192
01:12:20,760 --> 01:12:24,320
Speaker 1: Dean is a big kid. You know he's over he's

1193
01:12:24,360 --> 01:12:26,800
Speaker 1: six three whatever, he is six four. That's a big,

1194
01:12:26,840 --> 01:12:30,760
Speaker 1: strong kid. Have a question, you guys think one in

1195
01:12:30,760 --> 01:12:34,840
Speaker 1: that situation, Dean or nobody wins the fight. I think

1196
01:12:34,840 --> 01:12:40,400
Speaker 1: they're all wrong. Nobody wins a fight, Danielle, everybody, everybody.

1197
01:12:41,520 --> 01:12:44,320
Speaker 1: I thought Dean one that day, No, because Lindsay is

1198
01:12:44,360 --> 01:12:48,080
Speaker 1: going to be so irritated too, Yeah, and he's going

1199
01:12:48,120 --> 01:12:50,200
Speaker 1: to be like everybody's going to be like this. But

1200
01:12:50,200 --> 01:12:52,439
Speaker 1: I feel like Rory would be upset to that, like

1201
01:12:52,560 --> 01:12:56,160
Speaker 1: because it's not like she wanted Dean to punch him either. Like,

1202
01:12:56,280 --> 01:12:58,560
Speaker 1: Rory's not a violent person. So I think Rory is

1203
01:12:58,600 --> 01:13:01,679
Speaker 1: gonna be upset with Dean as well. I'm gonna say,

1204
01:13:01,720 --> 01:13:05,559
Speaker 1: if I'm forced to choose, I think I agree with you,

1205
01:13:05,640 --> 01:13:08,240
Speaker 1: daniel I think Dean won the fight. Yeah, because Jess left,

1206
01:13:08,640 --> 01:13:12,160
Speaker 1: just left, and Dean was still stayed. I know that

1207
01:13:12,200 --> 01:13:15,680
Speaker 1: they were leaving, but he stayed with Rory. And he

1208
01:13:15,840 --> 01:13:18,320
Speaker 1: is the one that saw her in distress and was

1209
01:13:18,400 --> 01:13:22,160
Speaker 1: like that I'm not standing for that. Well, he you know,

1210
01:13:22,360 --> 01:13:25,920
Speaker 1: Jess had that coming. He planted the seeds for that.

1211
01:13:26,439 --> 01:13:31,160
Speaker 1: He mistreated Dean throughout. You know that entire his entire

1212
01:13:31,280 --> 01:13:35,040
Speaker 1: dating situation. He tried, he broke them up. Yeah, you know,

1213
01:13:35,200 --> 01:13:37,840
Speaker 1: he actually broke those two up. He intentionally tried to

1214
01:13:37,880 --> 01:13:41,320
Speaker 1: break them up, and he did so he had a coming. Yeah.

1215
01:13:41,400 --> 01:13:44,600
Speaker 1: I don't know what happens moving forward, But where I

1216
01:13:44,640 --> 01:13:46,600
Speaker 1: stand right now is I want Rory to break up

1217
01:13:46,600 --> 01:13:49,320
Speaker 1: with Jess and get back together with Dean. That's where

1218
01:13:49,360 --> 01:13:54,479
Speaker 1: I'm at right now. I don't know I'm even remotely happening.

1219
01:13:55,000 --> 01:13:58,240
Speaker 1: It's so odd that, I mean, I think it's kind

1220
01:13:58,240 --> 01:14:02,439
Speaker 1: of perfect in TV world and drama world that Rory

1221
01:14:02,800 --> 01:14:07,120
Speaker 1: having living her best life, going off to Yale for

1222
01:14:07,160 --> 01:14:09,720
Speaker 1: God's sake, and her just such a future, and then

1223
01:14:09,760 --> 01:14:13,840
Speaker 1: she's with this guy that she loves, and his situation

1224
01:14:13,920 --> 01:14:18,000
Speaker 1: couldn't be worse. I mean, he's just emotionally just gone.

1225
01:14:18,200 --> 01:14:23,599
Speaker 1: He's so troubled, this kid, you know, he he really does.

1226
01:14:24,160 --> 01:14:27,840
Speaker 1: He's really really struggling. He's really struggling. It's hard to watch.

1227
01:14:27,920 --> 01:14:31,439
Speaker 1: I can't. I don't want her to abandon him now.

1228
01:14:31,560 --> 01:14:34,120
Speaker 1: I think she has more character than that. She's going

1229
01:14:34,160 --> 01:14:36,280
Speaker 1: to hang in there and she's going to try to

1230
01:14:36,320 --> 01:14:40,519
Speaker 1: help him out. Agree interesting little trivia, if I may

1231
01:14:40,680 --> 01:14:42,960
Speaker 1: give it I don't want to ruin anything for what's coming,

1232
01:14:43,160 --> 01:14:47,639
Speaker 1: but it was well known at this point that there

1233
01:14:47,760 --> 01:14:54,120
Speaker 1: was a potential spinoff coming with Milow's character Jess. We're

1234
01:14:54,160 --> 01:14:59,880
Speaker 1: going to see that. I think a lot of that

1235
01:15:00,080 --> 01:15:05,479
Speaker 1: is also building. It didn't happen, though, right they filmed

1236
01:15:05,520 --> 01:15:09,040
Speaker 1: the pilot. Yeah, so what happened was I just didn't

1237
01:15:09,040 --> 01:15:11,879
Speaker 1: get it didn't get picked up, So so I don't

1238
01:15:11,960 --> 01:15:15,800
Speaker 1: I don't know that he was available for shooting more

1239
01:15:15,800 --> 01:15:18,519
Speaker 1: Gilmore episodes. I would imagine he was while they're waiting

1240
01:15:18,560 --> 01:15:22,000
Speaker 1: for a pickup, because you've gotten months in between that

1241
01:15:22,000 --> 01:15:25,800
Speaker 1: that Milo knew the idea would be to spin off

1242
01:15:25,840 --> 01:15:29,240
Speaker 1: his character throughout season three. He knew like, okay, they

1243
01:15:29,280 --> 01:15:33,759
Speaker 1: were going to create a spinoff for Jess and Daniel.

1244
01:15:33,800 --> 01:15:35,960
Speaker 1: I won't ruin it, but you'll see what's coming and

1245
01:15:36,040 --> 01:15:39,439
Speaker 1: how they do it. And they work it into two

1246
01:15:39,479 --> 01:15:42,559
Speaker 1: episodes of Gilmore Girls that are coming up fairly soon,

1247
01:15:43,720 --> 01:15:46,720
Speaker 1: and they shot the pilot I think, and then it

1248
01:15:46,760 --> 01:15:49,360
Speaker 1: didn't get a pick up, and so he comes back

1249
01:15:49,360 --> 01:15:53,280
Speaker 1: to Gilmore Girls essentially, and you'll see a lot of

1250
01:15:53,280 --> 01:15:58,160
Speaker 1: it and soon I mean imminently. M hmm. Yeah, I'm

1251
01:15:58,160 --> 01:16:00,280
Speaker 1: assuming this is during this is the time I'm that

1252
01:16:00,600 --> 01:16:05,000
Speaker 1: Dean and Rory kind of reconcile for a second. No,

1253
01:16:05,120 --> 01:16:08,320
Speaker 1: I'm not gonna answer. Yeah, we can't. You can't talk

1254
01:16:08,040 --> 01:16:14,320
Speaker 1: a moving on. So what do we all take away? So, okay,

1255
01:16:14,400 --> 01:16:18,599
Speaker 1: let's give this one out of ten fist fights, ten

1256
01:16:18,720 --> 01:16:22,720
Speaker 1: being the biggest fist fight ever, best one being just

1257
01:16:22,720 --> 01:16:28,160
Speaker 1: a little. Yeah. I think for TV, you know, with

1258
01:16:28,240 --> 01:16:30,719
Speaker 1: a limited amount of time you have to do these things.

1259
01:16:30,760 --> 01:16:33,880
Speaker 1: I think that's a ten fists out of ten. I'm

1260
01:16:33,920 --> 01:16:36,559
Speaker 1: getting whole episode though. This is my pizza scale for this.

1261
01:16:36,720 --> 01:16:39,360
Speaker 1: Oh I thought you just said for the fight. Well,

1262
01:16:39,400 --> 01:16:40,960
Speaker 1: I was trying to be clever because it was like

1263
01:16:41,000 --> 01:16:43,160
Speaker 1: one out of ten. The pizza were one out of

1264
01:16:43,200 --> 01:16:45,800
Speaker 1: ten fist fights. Does anyone have a better one out

1265
01:16:45,800 --> 01:16:47,760
Speaker 1: of ten? Kegs, let's do that one out of ten?

1266
01:16:48,720 --> 01:16:51,000
Speaker 1: There you go, there you go. It was like an

1267
01:16:51,000 --> 01:16:57,120
Speaker 1: eight for me, eight CAGs. I liked it. I did.

1268
01:16:58,000 --> 01:17:01,280
Speaker 1: But now that we've really dissected it it, I can

1269
01:17:01,360 --> 01:17:03,880
Speaker 1: kind of see I kind of see different sides of it.

1270
01:17:04,000 --> 01:17:06,479
Speaker 1: So I was coming into this ten out of ten,

1271
01:17:08,000 --> 01:17:10,599
Speaker 1: but I will say now I'm going to I'll give

1272
01:17:10,600 --> 01:17:13,519
Speaker 1: it an eight. Oh, I'll knock off two kigs from that. Yeah,

1273
01:17:13,560 --> 01:17:15,560
Speaker 1: I came into it six kigs and I'm down to

1274
01:17:15,640 --> 01:17:19,400
Speaker 1: four kigs because I'm sort of like, I'm really grappling

1275
01:17:19,439 --> 01:17:23,719
Speaker 1: with different things from this. So what we know is

1276
01:17:23,800 --> 01:17:27,920
Speaker 1: that we've pointed out some awkward scenes, like there's the

1277
01:17:28,040 --> 01:17:32,439
Speaker 1: Luke butt thing. We've discussed that a nauseam we have,

1278
01:17:33,840 --> 01:17:38,679
Speaker 1: which it deserves turned down service probably, um and uh,

1279
01:17:38,840 --> 01:17:44,120
Speaker 1: the your mythological the myth that you're a mythological creature. Ten.

1280
01:17:44,800 --> 01:17:49,240
Speaker 1: So that's three scenes three, not three three. That's three

1281
01:17:49,240 --> 01:17:52,960
Speaker 1: scenes the hat four four but that but that wasn't

1282
01:17:52,960 --> 01:17:58,040
Speaker 1: a bad scene, Okay, but I couldn't even watch the scene.

1283
01:17:58,439 --> 01:18:00,280
Speaker 1: You want to you want to feel like we want

1284
01:18:00,280 --> 01:18:02,519
Speaker 1: to throw a flag. You want to throw a wardrobe flag.

1285
01:18:03,000 --> 01:18:05,479
Speaker 1: That's what you want to do, all right? Um So

1286
01:18:05,640 --> 01:18:11,800
Speaker 1: given all that, right, UM, I'm gonna I would have

1287
01:18:11,880 --> 01:18:16,519
Speaker 1: given it a god for four scenes, No, three scenes

1288
01:18:16,520 --> 01:18:19,200
Speaker 1: in a wardrobe flag. I think we're talking I think

1289
01:18:19,200 --> 01:18:22,000
Speaker 1: we're talking about I think we're talking about a seven

1290
01:18:22,080 --> 01:18:28,080
Speaker 1: or eight. But that's that's seven or eight kegs. I'm

1291
01:18:28,080 --> 01:18:31,360
Speaker 1: gonna say maybe seven point five, seven point to five.

1292
01:18:31,720 --> 01:18:36,960
Speaker 1: You know, I like to be exact um, Dave Regowski.

1293
01:18:38,160 --> 01:18:42,920
Speaker 1: Trust he's adding some kegs for me. He's he's a

1294
01:18:43,040 --> 01:18:46,519
Speaker 1: keg Adden kind of dude for me. So I'm gonna

1295
01:18:46,600 --> 01:18:51,960
Speaker 1: give it a nine point three kegs. Yeah. Yeah, he

1296
01:18:53,600 --> 01:18:56,120
Speaker 1: brought me back so many times, and I was just

1297
01:18:56,200 --> 01:18:59,680
Speaker 1: so pleased with a lot of this episode. So I'm

1298
01:18:59,680 --> 01:19:02,320
Speaker 1: gonna of at nine point three kigs. I'm gonna stay

1299
01:19:02,360 --> 01:19:06,680
Speaker 1: on five, but with with sadness. With sadness, I give

1300
01:19:06,680 --> 01:19:09,280
Speaker 1: it five kicks. Because I don't want to give it

1301
01:19:09,320 --> 01:19:12,440
Speaker 1: five kicks. I just have to write, right you begrudgingly

1302
01:19:12,560 --> 01:19:15,479
Speaker 1: give it five ks. I don't feel good about it,

1303
01:19:15,800 --> 01:19:18,200
Speaker 1: but I have to know. I don't know, I know

1304
01:19:18,840 --> 01:19:25,320
Speaker 1: sometimes you just have to vote. Move on, Gracie. Say

1305
01:19:25,360 --> 01:19:30,839
Speaker 1: good night Gracie. Every time someone says that title that episode,

1306
01:19:30,960 --> 01:19:37,640
Speaker 1: say goodnight Gracie, good night Gracie. All right, So, uh,

1307
01:19:37,840 --> 01:19:39,040
Speaker 1: I just you know, at the end of the day,

1308
01:19:39,160 --> 01:19:42,000
Speaker 1: love this episode. I mean, sure it has some it

1309
01:19:42,080 --> 01:19:45,200
Speaker 1: has some pock marks on it. Let's let's just be real.

1310
01:19:45,360 --> 01:19:50,400
Speaker 1: But the second viewing was very, very enjoyable. I need

1311
01:19:50,439 --> 01:19:52,559
Speaker 1: to do that. Yeah, you should see you should watch it.

1312
01:19:53,320 --> 01:19:56,840
Speaker 1: Just get lost in kid world. It's a fun place

1313
01:19:56,880 --> 01:20:00,760
Speaker 1: to be. I mean, it is it. It'll take you

1314
01:20:00,840 --> 01:20:03,240
Speaker 1: back to your high school days when you're sitting around

1315
01:20:03,280 --> 01:20:05,800
Speaker 1: at Kegger's. Man, it's it's just great. It's just great.

1316
01:20:06,360 --> 01:20:09,639
Speaker 1: This is the best beer ever. I don't know any

1317
01:20:09,640 --> 01:20:15,840
Speaker 1: other type of beer. Oh God, just fantastic. And back

1318
01:20:15,880 --> 01:20:18,360
Speaker 1: then we didn't have did we have solo We didn't

1319
01:20:18,360 --> 01:20:20,479
Speaker 1: have solo cups back then? When we drink I think

1320
01:20:20,520 --> 01:20:22,439
Speaker 1: we did, I mean we did we hear not that

1321
01:20:22,520 --> 01:20:25,320
Speaker 1: much older than me, Well, this is the mid seventies. Yeah,

1322
01:20:25,360 --> 01:20:28,479
Speaker 1: I was like in the nineties. I guess a little bit,

1323
01:20:28,920 --> 01:20:33,479
Speaker 1: a little bit my mind. We drink out of We

1324
01:20:33,560 --> 01:20:35,840
Speaker 1: drank out of plastic cups and st Yeah they had

1325
01:20:35,920 --> 01:20:40,479
Speaker 1: plastic cups, good stone cups, but they were styrefying a

1326
01:20:40,520 --> 01:20:47,800
Speaker 1: lot of styrofiled poor environment. Literally, does styrofum even exist anymore?

1327
01:20:48,280 --> 01:20:51,800
Speaker 1: For like coffee only in packaging materials, Like sometimes I

1328
01:20:51,800 --> 01:20:53,760
Speaker 1: get a box and I feel like if there's like

1329
01:20:53,800 --> 01:20:57,280
Speaker 1: something soeramic, But who cares anyway? By guys, that's I digress.

1330
01:20:58,280 --> 01:21:02,479
Speaker 1: All right, everybody, great a discussion, I think, Um, yeah,

1331
01:21:02,479 --> 01:21:05,920
Speaker 1: this one's gonna like hang with me for a bit. Yeah, same,

1332
01:21:07,640 --> 01:21:13,679
Speaker 1: I'm not moving on from it back quit. Yeah. Uh,

1333
01:21:13,960 --> 01:21:16,960
Speaker 1: spirited discussion. I think we went we went pretty deep

1334
01:21:16,960 --> 01:21:20,559
Speaker 1: on this one, um, But I think an overall great

1335
01:21:20,560 --> 01:21:24,639
Speaker 1: episode for sure. All Right, kids, see you next week,

1336
01:21:24,760 --> 01:21:57,000
Speaker 1: See you next week. Gang. Hey everybody, and don't forget

1337
01:21:57,040 --> 01:22:01,120
Speaker 1: follow us on Instagram at I Am All In podcast

1338
01:22:01,200 --> 01:22:06,120
Speaker 1: and email us at Gilmore at I heart radio dot com.

1339
01:22:06,120 --> 01:22:07,720
Speaker 1: Oh you, gil More fans. If you're looking for the

1340
01:22:07,720 --> 01:22:09,760
Speaker 1: best cup of coffee in the world, go to my

1341
01:22:10,240 --> 01:22:13,400
Speaker 1: website for my company, scott EP dot com s C

1342
01:22:13,520 --> 01:22:16,000
Speaker 1: O T T y P dot com, scott ep dot

1343
01:22:16,000 --> 01:22:28,479
Speaker 1: com Grade one Specialty Coffee. Yeah.