1 00:00:00,560 --> 00:00:02,240 Speaker 1: They wanted to share this episode of the Bobby Cast 2 00:00:02,279 --> 00:00:03,800 Speaker 1: you may have missed from a couple of years ago, 3 00:00:03,840 --> 00:00:05,640 Speaker 1: because well, it was just really good and real cool. 4 00:00:05,920 --> 00:00:07,840 Speaker 1: Sat down with Reba for an hour at my house 5 00:00:08,480 --> 00:00:10,600 Speaker 1: and it was just like some legendary Reba stories. And 6 00:00:10,640 --> 00:00:12,959 Speaker 1: I guess the reason that kind of came to mind 7 00:00:12,960 --> 00:00:15,120 Speaker 1: that we had this was I was in Oklahoma and 8 00:00:15,120 --> 00:00:17,000 Speaker 1: she just opened up that restaurant there and then know 9 00:00:17,320 --> 00:00:20,000 Speaker 1: she was live streaming a show from there and somebody 10 00:00:20,000 --> 00:00:21,200 Speaker 1: was talking about it. I was like, day, I got 11 00:00:21,239 --> 00:00:23,360 Speaker 1: a really good interview with Reba that maybe if people 12 00:00:23,480 --> 00:00:25,720 Speaker 1: just started following the Bobby Cast, they haven't heard yet. 13 00:00:25,760 --> 00:00:29,040 Speaker 1: So Reba's are been legends. The corn dog deal, the 14 00:00:29,080 --> 00:00:32,040 Speaker 1: grocery shopping, the Starbucks, all this stuff with Reba. It's 15 00:00:32,080 --> 00:00:34,120 Speaker 1: really cool. So here we go. In case you missed it, 16 00:00:34,120 --> 00:00:38,800 Speaker 1: it's Reba on the Bobby Cast in studio with Reba. 17 00:00:39,400 --> 00:00:42,960 Speaker 1: At what point did it just turn into just Reba Gosh? 18 00:00:43,000 --> 00:00:46,920 Speaker 1: I think in um Nanny four, was that a conscious 19 00:00:46,960 --> 00:00:49,840 Speaker 1: decision by you and your team to go, I want 20 00:00:49,840 --> 00:00:52,600 Speaker 1: to be an icon, so let's just go with Reba 21 00:00:52,720 --> 00:00:56,120 Speaker 1: or it was as idea, Yeah, and I liked it 22 00:00:56,160 --> 00:00:58,160 Speaker 1: because only when I saw him an autograph, I only 23 00:00:58,200 --> 00:01:03,040 Speaker 1: had to put Reba because I'm lazy. Now it's kind 24 00:01:03,040 --> 00:01:06,399 Speaker 1: of weird to hear McIntyre. Yeah, I like it. When 25 00:01:06,440 --> 00:01:09,400 Speaker 1: I'm doing liners and things, I say, Hm, Reba McIntyre 26 00:01:09,520 --> 00:01:12,360 Speaker 1: because that has a cadence for me. But just to 27 00:01:12,360 --> 00:01:14,080 Speaker 1: do Reba's fund with me too, I go with it. 28 00:01:14,120 --> 00:01:15,920 Speaker 1: I guess you have to drag out Rebay. I'm Reba. 29 00:01:16,040 --> 00:01:20,160 Speaker 1: Reba Hey, Red, Hey, I'm re McIntyre. It just sounds 30 00:01:20,200 --> 00:01:23,200 Speaker 1: better to me. It's funny to see, whenever you look 31 00:01:23,200 --> 00:01:26,679 Speaker 1: at your career, even today, how relevant you are pop 32 00:01:26,680 --> 00:01:30,959 Speaker 1: culture wise. Today I'm watching ted Lasso and they're like, hey, 33 00:01:31,200 --> 00:01:34,040 Speaker 1: we love the tickets under Reba McIntyre, and so that 34 00:01:34,040 --> 00:01:36,320 Speaker 1: that itself. And we watched that episode I think two 35 00:01:36,360 --> 00:01:38,800 Speaker 1: weeks ago, right, did they Did you know that was 36 00:01:38,800 --> 00:01:40,520 Speaker 1: going to be in that show at all? No? I 37 00:01:40,560 --> 00:01:42,920 Speaker 1: was sitting there with Riddler, my dog. I was sitting 38 00:01:42,959 --> 00:01:46,600 Speaker 1: there watching TV and and Roy Kent, my favorite character 39 00:01:46,640 --> 00:01:49,960 Speaker 1: of that whole show, comes up and says, I think 40 00:01:49,960 --> 00:01:53,000 Speaker 1: you're holding a ticket for Reba McIntyre. Riddler, did you 41 00:01:53,000 --> 00:01:56,400 Speaker 1: hear that? I was through? That's crazy Marty said the 42 00:01:56,440 --> 00:01:58,920 Speaker 1: same thing. She's sitting there with her dog Cooper. So 43 00:01:59,040 --> 00:02:02,200 Speaker 1: it was it was one the same kind of thing 44 00:02:02,280 --> 00:02:05,840 Speaker 1: because I'm on TikTok a lot when you know I'm 45 00:02:05,880 --> 00:02:09,640 Speaker 1: a survivor, is I must And it's everybody doing like 46 00:02:09,680 --> 00:02:12,040 Speaker 1: their little household things. You know, someone you know throws 47 00:02:12,040 --> 00:02:15,040 Speaker 1: away the trash. You know that became and it still 48 00:02:15,200 --> 00:02:18,919 Speaker 1: is a huge you know TikTok trend. That did that 49 00:02:18,960 --> 00:02:21,120 Speaker 1: come out of nowhere for you too? And did someone 50 00:02:21,200 --> 00:02:22,400 Speaker 1: come up and go read all of a sudden, this 51 00:02:22,400 --> 00:02:25,720 Speaker 1: song is massive on TikTok. Yeah, I think just was 52 00:02:25,760 --> 00:02:28,079 Speaker 1: the one. He sent it over to me, justin McIntosh 53 00:02:28,440 --> 00:02:31,079 Speaker 1: and uh he said, look at this looks what's look 54 00:02:31,120 --> 00:02:33,480 Speaker 1: what's going on? And I said, well, that's pretty cool. 55 00:02:34,520 --> 00:02:36,680 Speaker 1: I said, these kids weren't even born probably when it 56 00:02:36,720 --> 00:02:39,080 Speaker 1: was out first time, and he said we need to 57 00:02:39,120 --> 00:02:41,920 Speaker 1: do one. So we did, and then it just got 58 00:02:42,000 --> 00:02:45,880 Speaker 1: bigger and bigger, very flattering. It's it's it's on for 59 00:02:45,919 --> 00:02:48,040 Speaker 1: a few weeks. It was the most the thing that 60 00:02:48,080 --> 00:02:50,200 Speaker 1: I had seen the most. Now what's odd is that 61 00:02:50,760 --> 00:02:57,480 Speaker 1: um uh neon moon is having its Ronnie it texts 62 00:02:57,480 --> 00:02:59,320 Speaker 1: me and goes, hey, what's happening here? And I was like, 63 00:02:59,520 --> 00:03:01,440 Speaker 1: what do you mean, what's happening? I don't I don't know. 64 00:03:01,560 --> 00:03:04,480 Speaker 1: The guy that runs TikTok he was like, our our 65 00:03:04,639 --> 00:03:07,000 Speaker 1: song is being played all over the place. It's got 66 00:03:07,000 --> 00:03:09,240 Speaker 1: some mix and then now there's like a dance to it. 67 00:03:09,360 --> 00:03:11,880 Speaker 1: But it is really cool to see. Check that out. 68 00:03:12,080 --> 00:03:14,120 Speaker 1: And it's the easiest dance too. And some of those 69 00:03:14,200 --> 00:03:15,880 Speaker 1: dances I look at, I can't do, but it's like 70 00:03:15,919 --> 00:03:18,200 Speaker 1: to eat. But that song that Mike that remix everywhere, 71 00:03:18,240 --> 00:03:20,919 Speaker 1: isn't it everywhere? I'm a survivor. Neon Moon are probably 72 00:03:21,320 --> 00:03:23,760 Speaker 1: other than Walker Hayes's fancy, like like the two biggest 73 00:03:23,800 --> 00:03:26,360 Speaker 1: songs on TikTok. But it's it's just cool to see. 74 00:03:27,639 --> 00:03:30,720 Speaker 1: I wouldn't even say every you know, generation, which I 75 00:03:30,720 --> 00:03:32,600 Speaker 1: would say like ten years. But it's like you just 76 00:03:32,639 --> 00:03:35,600 Speaker 1: stay relevant. And if someone comes to you and says, 77 00:03:35,880 --> 00:03:38,000 Speaker 1: you know, what's the keyest staying or what how do 78 00:03:38,040 --> 00:03:41,000 Speaker 1: you do it? How do I do? How do you 79 00:03:41,120 --> 00:03:44,120 Speaker 1: do it? Do it? I don't do nothing. I've got 80 00:03:44,200 --> 00:03:46,440 Speaker 1: a great team that come up, they're young, they could 81 00:03:46,480 --> 00:03:48,720 Speaker 1: think of great things for me to do, and I 82 00:03:48,800 --> 00:03:51,600 Speaker 1: just go do it. And thank god fans like that 83 00:03:51,720 --> 00:03:54,040 Speaker 1: thought it was interesting enough to sit on the toilet 84 00:03:54,080 --> 00:03:57,440 Speaker 1: seat and change the role of toilet paper paper and 85 00:03:57,480 --> 00:04:01,520 Speaker 1: then turn into rebund. Good job. You know, I'm a survivor. 86 00:04:01,600 --> 00:04:05,120 Speaker 1: It's just cute things like that. I'm very flattered more 87 00:04:05,160 --> 00:04:08,160 Speaker 1: than anything, the songwriters. I mean I I text them 88 00:04:08,200 --> 00:04:11,000 Speaker 1: and I sent the TikTok over to them, saying, look 89 00:04:11,040 --> 00:04:13,880 Speaker 1: what's going on for y'all song? So it's something we 90 00:04:13,880 --> 00:04:16,560 Speaker 1: can all can share and celebrate with. But it is 91 00:04:16,600 --> 00:04:19,440 Speaker 1: so good and it proves one thing, a great song 92 00:04:19,440 --> 00:04:23,400 Speaker 1: will live forever. The you did a whole album with 93 00:04:23,440 --> 00:04:27,360 Speaker 1: different remixes on it. Yeah, was the remix album inspired 94 00:04:27,400 --> 00:04:29,040 Speaker 1: by it kind of blowing up again or were you 95 00:04:29,080 --> 00:04:32,000 Speaker 1: already in the works with that before it blew up 96 00:04:32,000 --> 00:04:35,200 Speaker 1: on TikTok. Cindy maybe came up with the idea of 97 00:04:35,240 --> 00:04:38,920 Speaker 1: revisiting the catalog, and so their team, my team, they 98 00:04:38,920 --> 00:04:41,240 Speaker 1: all got together and started coming up. I mean, I'm 99 00:04:41,320 --> 00:04:43,760 Speaker 1: the first time we all said at a long conference 100 00:04:43,839 --> 00:04:46,719 Speaker 1: table and they were telling me the ideas was that 101 00:04:46,920 --> 00:04:50,560 Speaker 1: two years ago or a year ago at least two 102 00:04:50,600 --> 00:04:55,279 Speaker 1: when we could without mask, And I was like, oh crap, 103 00:04:55,600 --> 00:04:59,560 Speaker 1: they're they're serious. They've got a lot of ideas here. 104 00:05:00,040 --> 00:05:02,000 Speaker 1: And after the first fifty I was like, man, this 105 00:05:02,080 --> 00:05:04,039 Speaker 1: is cool. And after that I was like, oh crap, 106 00:05:04,080 --> 00:05:06,440 Speaker 1: I'm gonna be way busier and I won't to be probably, 107 00:05:06,920 --> 00:05:09,400 Speaker 1: but they were coming up with all these ideas and 108 00:05:09,400 --> 00:05:12,720 Speaker 1: then the three albums and three ways of doing fancy, 109 00:05:12,839 --> 00:05:16,760 Speaker 1: and I thought it was just genius. And so here 110 00:05:16,839 --> 00:05:20,479 Speaker 1: we are promotment. Now did you feel precious about Okay, 111 00:05:20,520 --> 00:05:23,240 Speaker 1: I know you want to remix these songs, but to 112 00:05:23,360 --> 00:05:26,320 Speaker 1: a lot of people these songs you know, uh, defined 113 00:05:26,720 --> 00:05:28,600 Speaker 1: you know different parts of their life or were you like, hey, 114 00:05:28,600 --> 00:05:30,159 Speaker 1: have at it. I'm curious to see what you guys 115 00:05:30,160 --> 00:05:31,919 Speaker 1: do with three minutes. The latter I was saying, go 116 00:05:32,000 --> 00:05:33,960 Speaker 1: for it. Then when they said I'm a survivor as 117 00:05:34,000 --> 00:05:36,680 Speaker 1: a dance mix, I said, really, But it turned out great. 118 00:05:37,920 --> 00:05:40,719 Speaker 1: It's fun to look at your top streaming songs. Fancies 119 00:05:40,800 --> 00:05:43,120 Speaker 1: number one of all that when we went through all 120 00:05:43,160 --> 00:05:45,839 Speaker 1: the different services going added them all up, Fancies number one, 121 00:05:46,480 --> 00:05:48,680 Speaker 1: and I never and I'm probably I'm sure that you've 122 00:05:48,680 --> 00:05:51,240 Speaker 1: heard this many times. Whenever I was singing fancy as 123 00:05:51,240 --> 00:05:53,760 Speaker 1: a kid, I never really knew what Fancy was about 124 00:05:53,880 --> 00:05:55,960 Speaker 1: until I got to be an adult. And then when 125 00:05:56,160 --> 00:05:57,920 Speaker 1: when I found out what Fancy was about, I was like, wow, 126 00:05:57,960 --> 00:06:00,839 Speaker 1: I've been singing that song a little too passionately, like 127 00:06:02,000 --> 00:06:04,320 Speaker 1: seeing it. I was singing it hard. I mean, I 128 00:06:04,360 --> 00:06:07,320 Speaker 1: was really into it. And then it's like one day 129 00:06:07,400 --> 00:06:12,000 Speaker 1: you just go, oh, how about that? How about that? Yeah, 130 00:06:12,040 --> 00:06:13,960 Speaker 1: the little girl coming to school and wanting to sing 131 00:06:14,040 --> 00:06:17,400 Speaker 1: fancy for the talent not and she goes, do you 132 00:06:17,440 --> 00:06:19,760 Speaker 1: know what this is about? She's yeah, she gets a 133 00:06:19,800 --> 00:06:24,080 Speaker 1: brand new red dress from her mama. Okay, And then Okay, 134 00:06:24,279 --> 00:06:26,160 Speaker 1: if that's why you think it's about that, that's great. 135 00:06:26,800 --> 00:06:29,279 Speaker 1: So when you recorded that song, was there any talk 136 00:06:29,360 --> 00:06:32,240 Speaker 1: with your with you your team, like oh, this is 137 00:06:32,360 --> 00:06:34,440 Speaker 1: kind of an area that we're gonna be singing about 138 00:06:34,520 --> 00:06:37,240 Speaker 1: that maybe isn't talked about a whole lot in contemporary 139 00:06:37,240 --> 00:06:39,320 Speaker 1: country music. Well, when I was with Jimmy Bowen in 140 00:06:39,360 --> 00:06:41,920 Speaker 1: the eighties, he said, is there a song you want 141 00:06:41,920 --> 00:06:44,920 Speaker 1: to a remix on? And I said, yeah, Fancy. He said, oh, woman, 142 00:06:44,960 --> 00:06:47,320 Speaker 1: you don't need to be doing that. That's about a prostitute. 143 00:06:47,360 --> 00:06:52,720 Speaker 1: I said, I'm totally aware of that. And so when 144 00:06:52,800 --> 00:06:55,640 Speaker 1: I went with Tony Brown in nineteen ninety he said, 145 00:06:56,200 --> 00:06:58,400 Speaker 1: would you like to do a song again? And I 146 00:06:58,440 --> 00:07:00,960 Speaker 1: said fancy he's Oh my gosh, that my favorite song. 147 00:07:01,360 --> 00:07:04,440 Speaker 1: So we did it. So it had been discussed years 148 00:07:04,480 --> 00:07:08,039 Speaker 1: earlier and you decided not to cover it, but I 149 00:07:08,120 --> 00:07:10,800 Speaker 1: was vetoed. Yeah, it was like, nope, I can't do that. 150 00:07:10,880 --> 00:07:13,760 Speaker 1: Well this whenever, uh, the ninth the lights went out 151 00:07:13,800 --> 00:07:17,760 Speaker 1: in Georgia, which I know that song because of Mama's 152 00:07:17,800 --> 00:07:20,920 Speaker 1: family and then you know, doing research on her and 153 00:07:20,960 --> 00:07:23,560 Speaker 1: then realizing she was a singer. You have Vicky Lawrence. Um, 154 00:07:24,360 --> 00:07:26,240 Speaker 1: when you do that song, was it similar or did 155 00:07:26,280 --> 00:07:28,360 Speaker 1: you go We're just gonna do it? And right away 156 00:07:28,360 --> 00:07:31,240 Speaker 1: the same thing. Tony said, is there another song you'd 157 00:07:31,240 --> 00:07:34,040 Speaker 1: like to do a remix? To do it again? And 158 00:07:34,080 --> 00:07:35,840 Speaker 1: I said, yeah, that's the night the last went out 159 00:07:35,840 --> 00:07:38,520 Speaker 1: in Georgia and you know Vicky that was her one 160 00:07:38,520 --> 00:07:42,640 Speaker 1: and only song she recorded went number one. That amazing. 161 00:07:42,760 --> 00:07:45,120 Speaker 1: Do you have a conversation with the person if they're alive, 162 00:07:45,160 --> 00:07:47,320 Speaker 1: Like did you talk to vickians did and what was 163 00:07:47,360 --> 00:07:49,880 Speaker 1: her thoughts? Like have at it? Oh, she was thrilled 164 00:07:49,880 --> 00:07:51,560 Speaker 1: to death. Yeah, but it was after I did it, 165 00:07:51,600 --> 00:07:53,480 Speaker 1: when I talked to. Remember she had that talk show 166 00:07:54,360 --> 00:07:56,520 Speaker 1: at TV Talk Show, and I went on and visited 167 00:07:56,560 --> 00:07:58,960 Speaker 1: with her and we sang it together on on the show. 168 00:07:59,600 --> 00:08:01,560 Speaker 1: That's pretty cool. Yeah, I would assume even for you, 169 00:08:01,560 --> 00:08:02,640 Speaker 1: that would be pretty cool. And you get to do 170 00:08:02,680 --> 00:08:05,320 Speaker 1: everything cool. Oh, everything I get to do cool. I 171 00:08:05,360 --> 00:08:07,240 Speaker 1: am thrilled to death about it. I don't take it 172 00:08:07,240 --> 00:08:09,680 Speaker 1: for granted. Still, after all this time, you're not jaded. 173 00:08:09,960 --> 00:08:12,720 Speaker 1: Oh no, No. When I got to do the video 174 00:08:12,760 --> 00:08:16,560 Speaker 1: with Dolly Parton, I was like, I was the biggest 175 00:08:16,560 --> 00:08:19,000 Speaker 1: fan in the room. You know. It's it's wild to 176 00:08:19,040 --> 00:08:22,080 Speaker 1: hear someone who I look at as being the greatest 177 00:08:22,160 --> 00:08:25,800 Speaker 1: you to look at Dolly at the greatest she is, 178 00:08:26,440 --> 00:08:28,360 Speaker 1: and to to know that you would walk into a 179 00:08:28,400 --> 00:08:31,240 Speaker 1: room with her and be like, in awe, when you 180 00:08:31,320 --> 00:08:35,920 Speaker 1: moved to Nashville, Where was it Doll? Was Dolly available 181 00:08:36,200 --> 00:08:38,959 Speaker 1: when you moved to Nashville? Or was she in l 182 00:08:39,040 --> 00:08:41,520 Speaker 1: A Was she in that phase? You don't know, I 183 00:08:41,520 --> 00:08:44,640 Speaker 1: don't know. The first time I saw Dolly was September 184 00:08:45,360 --> 00:08:48,560 Speaker 1: nine seven in person, remember the year, in the day 185 00:08:48,840 --> 00:08:51,240 Speaker 1: the hour I was going to go on and do 186 00:08:51,360 --> 00:08:54,319 Speaker 1: my first performance at the Grand Old Opry, and they 187 00:08:54,360 --> 00:08:56,160 Speaker 1: told came up and said, we're going to take one 188 00:08:56,160 --> 00:08:58,200 Speaker 1: of your songs away from you. You only do one, 189 00:08:58,280 --> 00:09:01,040 Speaker 1: And I said, why it's of Dolly Parton just pulled 190 00:09:01,080 --> 00:09:02,560 Speaker 1: in the parking lot and I said, well, she can 191 00:09:02,600 --> 00:09:05,080 Speaker 1: take both of them. Can meet her. And she walked 192 00:09:05,080 --> 00:09:10,680 Speaker 1: buying this chaffaun black pants suit and had those butterfly 193 00:09:10,840 --> 00:09:15,480 Speaker 1: round stone butterflies on and this big cotton candy hair. Allo. Man, 194 00:09:15,480 --> 00:09:17,439 Speaker 1: that must be what angels look like. That was the 195 00:09:17,440 --> 00:09:20,800 Speaker 1: most beautiful woman I ever saw in my life. And 196 00:09:21,120 --> 00:09:25,080 Speaker 1: did you say hello? I was backed up again like 197 00:09:25,160 --> 00:09:28,400 Speaker 1: everybody else was. I mean, they said, part the waves, 198 00:09:28,480 --> 00:09:31,160 Speaker 1: Dolly's coming in and I slammed back up against that 199 00:09:31,240 --> 00:09:34,400 Speaker 1: wall and just watched. I don't think her feet touched 200 00:09:34,440 --> 00:09:37,240 Speaker 1: the ground. She was an angel. And when did you 201 00:09:37,280 --> 00:09:40,120 Speaker 1: guys have your first you know where we kind of 202 00:09:40,160 --> 00:09:44,000 Speaker 1: do the same thing experience years later, and then she 203 00:09:44,040 --> 00:09:46,040 Speaker 1: came on the reab A TV show and we got 204 00:09:46,040 --> 00:09:49,120 Speaker 1: to spend the whole week together. That was precious. That's 205 00:09:49,240 --> 00:09:52,360 Speaker 1: I absolutely love that priceless. I just look at you. 206 00:09:52,360 --> 00:09:54,640 Speaker 1: Two is out of the same cut of the same cloth. 207 00:09:54,679 --> 00:10:00,160 Speaker 1: Were as country as can be. You have ambitions that 208 00:10:00,200 --> 00:10:03,200 Speaker 1: are bigger than just singing country music. Although that's your 209 00:10:03,200 --> 00:10:07,120 Speaker 1: most that's your pillar, you have ambitions other than just that. 210 00:10:08,080 --> 00:10:10,480 Speaker 1: And you both did it at a really high level. 211 00:10:11,360 --> 00:10:13,720 Speaker 1: And I would think that that hopefully she would be 212 00:10:13,760 --> 00:10:17,200 Speaker 1: someone same thing with like Taylor to you, you know, 213 00:10:17,240 --> 00:10:19,040 Speaker 1: with some of these other artists who are doing that, 214 00:10:19,040 --> 00:10:20,880 Speaker 1: that that that you could reach out to it after 215 00:10:20,880 --> 00:10:22,600 Speaker 1: a point and get advice from her. To that ever happened, 216 00:10:22,600 --> 00:10:24,520 Speaker 1: we reach out like Dolly, you know, can I can 217 00:10:24,520 --> 00:10:26,640 Speaker 1: I pick your brain at all? Oh? Yeah, yeah, I 218 00:10:26,720 --> 00:10:29,760 Speaker 1: have done that. I did that in the early nineties 219 00:10:30,440 --> 00:10:32,640 Speaker 1: a phone call, and she took my call. A matter 220 00:10:32,679 --> 00:10:34,400 Speaker 1: of fact, I called her. She was at I think 221 00:10:34,480 --> 00:10:38,040 Speaker 1: Caesar's in Vegas, and I was in Bakersfield somewhere and 222 00:10:38,080 --> 00:10:41,360 Speaker 1: I needed a piece of advice from her, and and um, 223 00:10:42,160 --> 00:10:44,679 Speaker 1: she is on the tonight show them up before and 224 00:10:44,760 --> 00:10:47,400 Speaker 1: she said she's going to Vegas, won't be at Caesar's. 225 00:10:47,480 --> 00:10:51,240 Speaker 1: So I call Caesar's. But you actually called the casino 226 00:10:51,600 --> 00:10:55,040 Speaker 1: and I said, um, I need to speak to Dolly 227 00:10:55,080 --> 00:10:58,360 Speaker 1: Parton please. She said, one moment, please, who's calling? I said, 228 00:10:58,360 --> 00:11:02,280 Speaker 1: Reebal McIntyre, And presume Dolly came on the last she said, 229 00:11:02,520 --> 00:11:05,640 Speaker 1: is this really rebuld McIntyre or some squirrel that wishes 230 00:11:05,679 --> 00:11:10,080 Speaker 1: she was rebul McIntyre. It's me. That's funny to think about. 231 00:11:10,120 --> 00:11:11,440 Speaker 1: We just have to call I mean, I haven't thought 232 00:11:11,440 --> 00:11:12,800 Speaker 1: about having to do that. We just had to call 233 00:11:12,840 --> 00:11:15,320 Speaker 1: a place to get someone to call a restaurant and 234 00:11:15,320 --> 00:11:17,520 Speaker 1: be like, hey, my uncle there. Yeah, that was like 235 00:11:17,559 --> 00:11:19,520 Speaker 1: back in the day. I want to play a little 236 00:11:19,520 --> 00:11:21,880 Speaker 1: clip of does He love You? This is you and 237 00:11:21,960 --> 00:11:27,960 Speaker 1: Dolly here this here, she loves you, he loves you, 238 00:11:28,440 --> 00:11:32,880 Speaker 1: luck loss me loves me? Does he think of you? 239 00:11:33,280 --> 00:11:41,000 Speaker 1: Does he think of you? And she was spoils? How 240 00:11:41,000 --> 00:11:43,520 Speaker 1: cool is that to hear even though you've heard it 241 00:11:43,520 --> 00:11:46,480 Speaker 1: ten thousand times? Yeah, you're right because when we first 242 00:11:46,520 --> 00:11:49,040 Speaker 1: heard it, uh, Dave Cobb was the one that produced 243 00:11:49,080 --> 00:11:53,400 Speaker 1: this one, and when we were going down the list 244 00:11:53,440 --> 00:11:57,199 Speaker 1: of all the songs and listening to him, and does 245 00:11:57,240 --> 00:12:01,040 Speaker 1: He Love You came up and I said, there and listen. 246 00:12:01,080 --> 00:12:04,080 Speaker 1: I said play it again, and we listened to it again. 247 00:12:04,600 --> 00:12:08,080 Speaker 1: It was just the best. Can I ask about the 248 00:12:08,120 --> 00:12:12,000 Speaker 1: original version? Because from me moving to Nashville, I've gotten 249 00:12:12,000 --> 00:12:16,320 Speaker 1: to know Linda Hillary's mom pretty well, like I love her. Yeah, 250 00:12:16,640 --> 00:12:19,440 Speaker 1: but I remember watching the CMT You Guys video. It 251 00:12:19,559 --> 00:12:21,920 Speaker 1: was one of the videos that and probably propped me 252 00:12:21,960 --> 00:12:23,800 Speaker 1: up beside the jukebox when I die, or probably two 253 00:12:23,840 --> 00:12:26,439 Speaker 1: that I really you know, remember and think about from 254 00:12:26,440 --> 00:12:29,680 Speaker 1: from kind of that part of my life. But originally 255 00:12:29,920 --> 00:12:31,880 Speaker 1: I had read that you thought maybe why Nona would 256 00:12:31,920 --> 00:12:35,760 Speaker 1: be the one, but Linda killed it singing it, and 257 00:12:35,760 --> 00:12:37,040 Speaker 1: you're like, we have to go with that. Is that 258 00:12:37,040 --> 00:12:40,120 Speaker 1: story true? Well, partially, Linda was on the road with me. 259 00:12:40,720 --> 00:12:44,000 Speaker 1: She and Hillary's dad, Blank Scott. They were on the 260 00:12:44,080 --> 00:12:46,760 Speaker 1: road with me, and I thought, Linda, we could do 261 00:12:46,840 --> 00:12:49,560 Speaker 1: this every night on stage because she's backup singers. I 262 00:12:49,640 --> 00:12:51,360 Speaker 1: was featuring her on some songs because she had a 263 00:12:51,400 --> 00:12:54,800 Speaker 1: record deal, and so Tony said, well, let's well the 264 00:12:54,800 --> 00:12:57,320 Speaker 1: record label of course wanted either Tricia or one Ona, 265 00:12:57,640 --> 00:12:59,920 Speaker 1: and I said, but it's right here. It's so handy, 266 00:13:00,360 --> 00:13:02,000 Speaker 1: and they said, well, let's keep working on it. And 267 00:13:02,040 --> 00:13:04,760 Speaker 1: I said, well, in the meantime while I'm recording it, 268 00:13:04,800 --> 00:13:06,960 Speaker 1: would can Lenda just step in and do the other 269 00:13:06,960 --> 00:13:10,520 Speaker 1: parts so I had somebody to sing against. They said okay, 270 00:13:10,640 --> 00:13:14,360 Speaker 1: And when she got through, Tony said, she got the part. 271 00:13:14,640 --> 00:13:16,440 Speaker 1: Did you tell her then? Hey, you're just gonna sing 272 00:13:16,440 --> 00:13:18,480 Speaker 1: this as kind of a demo version. Do you think 273 00:13:18,640 --> 00:13:20,000 Speaker 1: in her mind she was like, I'm gonna sing this 274 00:13:20,040 --> 00:13:23,160 Speaker 1: so good that hopefully they can't refuse that. You know, 275 00:13:23,280 --> 00:13:26,640 Speaker 1: Linda is so honest and so innocent. She was just 276 00:13:26,679 --> 00:13:30,200 Speaker 1: probably glad to be there and just I don't know 277 00:13:30,280 --> 00:13:33,360 Speaker 1: what was in her mind, but I knew she would 278 00:13:33,440 --> 00:13:38,000 Speaker 1: kill the song, love it. And you know, all Linda 279 00:13:38,040 --> 00:13:40,760 Speaker 1: has to do a sing and she she sells herself. 280 00:13:40,800 --> 00:13:43,000 Speaker 1: It's wonderful. Did you know that Dolly would say yes 281 00:13:43,040 --> 00:13:45,440 Speaker 1: if you asked her to do that? Did you worry 282 00:13:45,440 --> 00:13:47,720 Speaker 1: she wouldn't say yes? That's why I said managers talked 283 00:13:47,760 --> 00:13:50,840 Speaker 1: to managers. I didn't want to put Dolly on the spot. Besides, 284 00:13:50,840 --> 00:13:52,640 Speaker 1: I don't have her phone number, so I thought it 285 00:13:52,640 --> 00:13:54,880 Speaker 1: would be a good idea just to go in that way. 286 00:13:54,920 --> 00:13:56,440 Speaker 1: She had an out if she didn't want to do it. 287 00:13:57,040 --> 00:14:00,160 Speaker 1: The new box that revived, remixed, re revisited it is 288 00:14:00,200 --> 00:14:03,319 Speaker 1: out now. Uh, that is on the box set. You're 289 00:14:03,360 --> 00:14:06,559 Speaker 1: also doing the Christmas and Tune, which is the Lifetime movie. 290 00:14:07,640 --> 00:14:10,839 Speaker 1: Where does the acting rank on your passions? Now? I 291 00:14:10,920 --> 00:14:13,520 Speaker 1: love to act. I don't like to sit around hurry 292 00:14:13,559 --> 00:14:15,720 Speaker 1: up and wait. I don't like that part of it, 293 00:14:15,760 --> 00:14:19,360 Speaker 1: but I'm doing several episodes of Young Sheldon on CBS. 294 00:14:19,440 --> 00:14:22,120 Speaker 1: I love to do that. I love the acting. I 295 00:14:22,200 --> 00:14:25,560 Speaker 1: love the preparation. I love to memorize my lines. I 296 00:14:25,760 --> 00:14:28,360 Speaker 1: like almost all of it. I like the being an 297 00:14:28,400 --> 00:14:31,840 Speaker 1: executive producer. I like being at the beginning. I like 298 00:14:31,960 --> 00:14:35,240 Speaker 1: to rewrite and uh if they let me do that 299 00:14:35,320 --> 00:14:37,120 Speaker 1: once in a while, and they've been they were really 300 00:14:37,200 --> 00:14:39,320 Speaker 1: nice on Christmas and tune to let me do that. 301 00:14:40,160 --> 00:14:43,720 Speaker 1: Rex helped me tremendously. My boyfriend, Rex Lynn, he was boy. 302 00:14:43,760 --> 00:14:46,240 Speaker 1: He would make me rehearse every day. I knew not 303 00:14:46,320 --> 00:14:49,640 Speaker 1: only my lines, but I knew everybody else's lines because 304 00:14:49,680 --> 00:14:51,720 Speaker 1: he would be every other character and I'd be me. 305 00:14:52,280 --> 00:14:54,680 Speaker 1: So it was fun. It was I was very prepared 306 00:14:54,760 --> 00:14:58,480 Speaker 1: for that role. Whenever you started to do reboad your 307 00:14:58,480 --> 00:15:00,640 Speaker 1: your television series, did you guys get a straight deal 308 00:15:00,760 --> 00:15:02,320 Speaker 1: or did you do a pilot and then the pilot 309 00:15:02,360 --> 00:15:07,360 Speaker 1: got picked up? Do you remember, I'm getting them all 310 00:15:07,400 --> 00:15:12,600 Speaker 1: mixed up? Because then we did Malibu Country. Um, I 311 00:15:12,640 --> 00:15:14,920 Speaker 1: was in the midst of doing any Get Your Gun. 312 00:15:16,080 --> 00:15:19,440 Speaker 1: We went in in April. I took ten days off 313 00:15:19,440 --> 00:15:21,760 Speaker 1: from and he gets your gun to do, go to 314 00:15:21,840 --> 00:15:26,200 Speaker 1: California shoot the pilot. Then we went to Upfronts, which 315 00:15:26,240 --> 00:15:29,760 Speaker 1: is in May, and I had done eight shows that week. 316 00:15:30,080 --> 00:15:33,240 Speaker 1: I got Monday off. Tuesday morning was up front, so 317 00:15:33,280 --> 00:15:35,680 Speaker 1: I had to be but crack of dawn over there. 318 00:15:36,360 --> 00:15:40,480 Speaker 1: And they changed the name three times. When we filmed 319 00:15:40,960 --> 00:15:45,040 Speaker 1: the show for the pilot, it was the script was 320 00:15:45,080 --> 00:15:48,480 Speaker 1: called Sally, and Marvin went to him and said, you know, 321 00:15:48,720 --> 00:15:53,400 Speaker 1: if you did the afternoon filming as Sally and then 322 00:15:53,400 --> 00:15:57,080 Speaker 1: in front of the audience tape it and Reba Briba 323 00:15:57,360 --> 00:16:00,240 Speaker 1: instead of Sally, then let's see how that test out. 324 00:16:00,320 --> 00:16:05,200 Speaker 1: And they said, okay, so the title went from Sally. 325 00:16:05,560 --> 00:16:07,880 Speaker 1: By the time I got to Upfronts, it was deep 326 00:16:07,880 --> 00:16:11,360 Speaker 1: in the heart because we were off from Houston, Texas 327 00:16:11,360 --> 00:16:14,920 Speaker 1: and we were the Heart family. So then there came 328 00:16:14,920 --> 00:16:18,640 Speaker 1: out this thing on the USA today that they're publisist. 329 00:16:18,880 --> 00:16:24,280 Speaker 1: Publicists had said, why the w B had ever hired 330 00:16:24,280 --> 00:16:27,240 Speaker 1: rebut mac and Tire for this part is ridiculous. She's 331 00:16:27,240 --> 00:16:33,680 Speaker 1: not ever what do you call it? Um? People that watch, Yeah, 332 00:16:34,080 --> 00:16:38,360 Speaker 1: she's not our demographics, and so the head of the 333 00:16:38,360 --> 00:16:40,200 Speaker 1: company called. By the time we got back to the 334 00:16:40,240 --> 00:16:43,880 Speaker 1: hotel after upfronts and said terribly sorry, terribly sorry. What 335 00:16:43,960 --> 00:16:46,240 Speaker 1: can we do to make up for this? Well, I'd 336 00:16:46,240 --> 00:16:48,800 Speaker 1: already gone back to bed. I had a performance that night. 337 00:16:48,840 --> 00:16:50,880 Speaker 1: So Norvel was talking to Hernie. He heard me get 338 00:16:50,960 --> 00:16:52,200 Speaker 1: up and go to the bathroom and out of the 339 00:16:52,200 --> 00:16:55,040 Speaker 1: other room and he said, um, hang on, let me 340 00:16:55,040 --> 00:16:57,880 Speaker 1: put REEB on the line. Banged on the bathroom doors 341 00:16:57,920 --> 00:17:00,760 Speaker 1: to pick up the phone and I so I said hello. 342 00:17:01,280 --> 00:17:03,600 Speaker 1: I said, we're terribly sorry, what happened and what was 343 00:17:03,640 --> 00:17:06,280 Speaker 1: in the USA today? What can we do to make 344 00:17:06,320 --> 00:17:08,199 Speaker 1: this up to you? And I was half asleep and 345 00:17:08,240 --> 00:17:11,360 Speaker 1: I said, uh oh, well, she said, well Marvell said 346 00:17:11,359 --> 00:17:13,399 Speaker 1: if we call it Reba, you'll be happy with that. 347 00:17:13,440 --> 00:17:16,159 Speaker 1: And I said that's a wonderful idea. Thank you, hung up, 348 00:17:16,280 --> 00:17:18,560 Speaker 1: went back to bed. So that's how I got the 349 00:17:18,640 --> 00:17:21,360 Speaker 1: name Reba. And so you go, did you move out 350 00:17:21,400 --> 00:17:24,040 Speaker 1: to l All because it was that like you said, Hey, 351 00:17:24,080 --> 00:17:25,560 Speaker 1: I got I just gotta go. If I'm gonna do this, 352 00:17:25,960 --> 00:17:27,560 Speaker 1: I don't need to visit it, I need to go 353 00:17:27,680 --> 00:17:30,720 Speaker 1: live it. Oh we had. We were there three weeks. 354 00:17:30,880 --> 00:17:32,600 Speaker 1: So what happened was I got through it and he 355 00:17:32,640 --> 00:17:35,480 Speaker 1: gets your Gun. On June, we went to Ireland for 356 00:17:35,520 --> 00:17:38,720 Speaker 1: a vacation. I did five weeks All Girl Tour and 357 00:17:38,760 --> 00:17:42,119 Speaker 1: then went to l A. Found a found an apartment, 358 00:17:42,440 --> 00:17:45,000 Speaker 1: a condo we lived in for the first season because 359 00:17:45,040 --> 00:17:49,040 Speaker 1: you never know, it could go thirteen weeks and you 360 00:17:49,080 --> 00:17:51,080 Speaker 1: don't get picked up. But then we got picked up 361 00:17:51,080 --> 00:17:53,600 Speaker 1: on the back nine, and then Marvel went house hunting 362 00:17:53,640 --> 00:17:55,520 Speaker 1: and we bought a house and we were there for 363 00:17:55,560 --> 00:17:57,879 Speaker 1: six and a half seasons. Did that ever feel like 364 00:17:57,920 --> 00:18:02,600 Speaker 1: home out there? I loved live in l A. I'd 365 00:18:02,640 --> 00:18:06,240 Speaker 1: love to go back and do another show. Oh yeah, absolutely. 366 00:18:06,359 --> 00:18:08,879 Speaker 1: Have you guys, you know, explored different versions of that. 367 00:18:09,760 --> 00:18:13,000 Speaker 1: Have you been close, real close? Have you shot a 368 00:18:13,040 --> 00:18:16,400 Speaker 1: pilot to anything? Yeah, the Mark Cherry pilot. We did 369 00:18:16,800 --> 00:18:21,000 Speaker 1: one called ox Blood and they passed on it. It's 370 00:18:21,000 --> 00:18:22,880 Speaker 1: always a weird thing because I've shot a few pilots 371 00:18:22,880 --> 00:18:26,399 Speaker 1: and had it passed on, where you feel like everybody 372 00:18:26,480 --> 00:18:30,520 Speaker 1: so pumped about it and everybody loves it. But then 373 00:18:31,160 --> 00:18:33,480 Speaker 1: might have been talk shows like, oh, this is it. 374 00:18:34,600 --> 00:18:38,080 Speaker 1: Research has been great, Yeah, it's been It's tested so wonderfully. Well, 375 00:18:38,280 --> 00:18:42,480 Speaker 1: let's spend some month. Well it's just right now? Is 376 00:18:42,520 --> 00:18:46,280 Speaker 1: that show. That show is done. That show is done, unfortunately, 377 00:18:46,320 --> 00:18:48,520 Speaker 1: which I thought it was going to, you know, last forever. 378 00:18:48,840 --> 00:18:50,800 Speaker 1: I thought I'd retire off of that show. I mean 379 00:18:50,840 --> 00:18:54,440 Speaker 1: the ox Blood that show. That's it. Yeah. Yeah, Mark Cherry, 380 00:18:54,800 --> 00:18:56,919 Speaker 1: I love his show now Why Women Kill It's just 381 00:18:57,040 --> 00:18:59,920 Speaker 1: he is a genius. I saw my wife watching that 382 00:19:00,000 --> 00:19:01,159 Speaker 1: show one day and I was like, why are you 383 00:19:01,200 --> 00:19:04,280 Speaker 1: watching Why? I don't know what it was about, just 384 00:19:04,320 --> 00:19:11,480 Speaker 1: exactly what are your motives are from this show? Yes? What? 385 00:19:11,920 --> 00:19:16,680 Speaker 1: My My favorite duet in country music, the Cowgirls Don't 386 00:19:16,720 --> 00:19:20,280 Speaker 1: Cry That thanks. That song to me, I think is 387 00:19:20,320 --> 00:19:22,919 Speaker 1: the sad It's We're in the land of sad songs. 388 00:19:23,240 --> 00:19:26,160 Speaker 1: I mean, we have the format of the greatest sad 389 00:19:26,200 --> 00:19:27,480 Speaker 1: songs of all time, because I think we have the 390 00:19:27,480 --> 00:19:30,480 Speaker 1: format of the realist songs of all time. Cow Girls 391 00:19:30,520 --> 00:19:32,480 Speaker 1: Don't Cry that song to me? And maybe it's because 392 00:19:32,520 --> 00:19:34,639 Speaker 1: I just didn't have a dad growing up. Maybe it 393 00:19:34,680 --> 00:19:36,320 Speaker 1: hits me like that and I'm not a cow girl, 394 00:19:36,560 --> 00:19:39,960 Speaker 1: but you know there's that relationship like when when you 395 00:19:40,040 --> 00:19:45,720 Speaker 1: heard that song, like, were you moved? Yes? Because I 396 00:19:45,760 --> 00:19:48,320 Speaker 1: am a cow girl and my daddy was a cowboy 397 00:19:48,480 --> 00:19:53,280 Speaker 1: and a very strict uh, Cowboy. And so when we 398 00:19:53,359 --> 00:19:57,080 Speaker 1: do that song on stage in Vegas, there is a 399 00:19:57,240 --> 00:20:02,000 Speaker 1: huge screen behind the stay age, behind the setup, and 400 00:20:02,119 --> 00:20:04,639 Speaker 1: I'm walking on stage for my part and running and 401 00:20:04,680 --> 00:20:06,960 Speaker 1: kicks are already out there, and I happened to look 402 00:20:07,040 --> 00:20:10,560 Speaker 1: up and see that Cowboy. I barely got my notes out. 403 00:20:11,080 --> 00:20:13,520 Speaker 1: It choked me up so bad. I mean, that song 404 00:20:13,640 --> 00:20:16,440 Speaker 1: still doesn't anytime we do or anytime someone's interviewing me 405 00:20:16,480 --> 00:20:19,639 Speaker 1: about country music and they're talking about emotion and song like, 406 00:20:19,680 --> 00:20:22,080 Speaker 1: that's the one I still go to after all these years. 407 00:20:22,119 --> 00:20:25,720 Speaker 1: And and you know, we could was fifty great sad songs, 408 00:20:26,040 --> 00:20:28,080 Speaker 1: but that one to me, and maybe it's the time 409 00:20:28,119 --> 00:20:30,520 Speaker 1: I when it cut and how it hits me personally. 410 00:20:30,720 --> 00:20:32,280 Speaker 1: And I'm not even a cow girl, like I said, 411 00:20:32,880 --> 00:20:40,280 Speaker 1: no'all girl to me. I was talking to my wife, 412 00:20:40,480 --> 00:20:43,919 Speaker 1: she's she's an Oki, and she was talking about how 413 00:20:43,920 --> 00:20:46,399 Speaker 1: all the towns in Oklahoma are a lot of them 414 00:20:46,480 --> 00:20:48,640 Speaker 1: are set in different ways, and she's talking about it's 415 00:20:48,640 --> 00:20:54,480 Speaker 1: not Miami, Oklahoma, it's me Miama, Oklahoma, right, And so 416 00:20:54,600 --> 00:20:57,040 Speaker 1: you were born in say it for me it is Chalky. 417 00:20:57,320 --> 00:20:59,679 Speaker 1: I was born in McAllister and went to school at 418 00:20:59,720 --> 00:21:02,080 Speaker 1: Kyle Wall, which the town she was talking about, it 419 00:21:02,640 --> 00:21:06,520 Speaker 1: said two different ways. Not Kyowa. It's Kawa. That's why 420 00:21:06,560 --> 00:21:09,960 Speaker 1: we say it the Kiowa Indians. And then I lived 421 00:21:10,000 --> 00:21:14,680 Speaker 1: in Chalky and then I lived before I left Oklahoma, 422 00:21:14,760 --> 00:21:17,240 Speaker 1: lived in Stringtown. Just keep going south. But I went 423 00:21:17,280 --> 00:21:19,160 Speaker 1: to college for three and a half years in Durant. 424 00:21:19,960 --> 00:21:22,280 Speaker 1: That's a lot of Oklahoma. There's a lot of towns 425 00:21:22,320 --> 00:21:26,800 Speaker 1: that kind of help help represent what town. I guess 426 00:21:26,800 --> 00:21:28,680 Speaker 1: they probably all feel like they're your town, like when 427 00:21:28,680 --> 00:21:31,280 Speaker 1: you go do they all represent you in some way? 428 00:21:31,600 --> 00:21:34,600 Speaker 1: Girlhood home, born here, went to college here. Yeah, that's 429 00:21:34,600 --> 00:21:37,040 Speaker 1: gotta be pretty cool. It is cool, and I go back. 430 00:21:37,560 --> 00:21:42,360 Speaker 1: I go back quite often, probably will Moore in the future. Um. 431 00:21:42,600 --> 00:21:45,680 Speaker 1: Mom and daddy were worked real, real hard to gain 432 00:21:45,720 --> 00:21:48,199 Speaker 1: a lot of land by a lot of property, and 433 00:21:48,280 --> 00:21:50,760 Speaker 1: so they split it four ways between us us kids, 434 00:21:50,800 --> 00:21:54,040 Speaker 1: and now we are managing our own properties and it's 435 00:21:54,080 --> 00:21:56,439 Speaker 1: a lot of fun. I'm curious about your mom because 436 00:21:57,119 --> 00:21:59,840 Speaker 1: rememberything I've read about her. She was she could see, 437 00:22:00,119 --> 00:22:02,439 Speaker 1: uh huh, and she wanted to be a singer, but 438 00:22:02,480 --> 00:22:04,960 Speaker 1: she ended up being a school teacher and teaching music too. Kids. 439 00:22:06,720 --> 00:22:10,920 Speaker 1: Did her desire to be a singer. Influenced your desire 440 00:22:11,000 --> 00:22:14,000 Speaker 1: to be a singer, Yes, they did her once make 441 00:22:14,040 --> 00:22:17,959 Speaker 1: you want it. So because when we were rodeo and 442 00:22:17,960 --> 00:22:20,000 Speaker 1: we didn't have a radio in the car and four 443 00:22:20,080 --> 00:22:22,960 Speaker 1: kids in the back seat, rassling was getting would get 444 00:22:23,000 --> 00:22:25,639 Speaker 1: on anybody's nerves, and so Mama would get us to 445 00:22:25,720 --> 00:22:28,600 Speaker 1: sing to keep us out of trouble, keep us occupied. 446 00:22:28,880 --> 00:22:31,600 Speaker 1: Then first grade, uh, the teacher would say, all right, 447 00:22:31,640 --> 00:22:34,040 Speaker 1: we're having a Christmas program. Anybody want to sing? And 448 00:22:34,080 --> 00:22:36,960 Speaker 1: I'd raised my hand and Mama would encourage me on that, 449 00:22:37,400 --> 00:22:39,960 Speaker 1: just like she did pack Allison Susy. And so when 450 00:22:40,000 --> 00:22:42,720 Speaker 1: we got in the high school junior high years, we 451 00:22:42,960 --> 00:22:46,160 Speaker 1: they formed a little country western band and we played 452 00:22:46,160 --> 00:22:49,240 Speaker 1: at the football games and had little concerts. And then 453 00:22:49,280 --> 00:22:51,680 Speaker 1: when I went on to college, I took Mama made 454 00:22:51,680 --> 00:22:54,359 Speaker 1: sure I took eighteen hours, keep me out of trouble, 455 00:22:54,960 --> 00:23:00,520 Speaker 1: a lot of hours and so, but they were mostly 456 00:23:00,640 --> 00:23:03,600 Speaker 1: music classes. And so when I went to the national 457 00:23:03,640 --> 00:23:06,520 Speaker 1: finals rodeo Oklomba City and seventy four, I was a sophomore, 458 00:23:07,040 --> 00:23:08,800 Speaker 1: Daddy knew I was up there party and having a 459 00:23:08,800 --> 00:23:10,560 Speaker 1: good time, and he said, won't you get you a job? 460 00:23:10,600 --> 00:23:12,440 Speaker 1: While you're up there. And I said, shoot, that would 461 00:23:12,440 --> 00:23:15,119 Speaker 1: interfere with all my fun I said, doing what and 462 00:23:15,119 --> 00:23:17,840 Speaker 1: he said sing the Nashal anthem. And that's when Red 463 00:23:17,840 --> 00:23:21,840 Speaker 1: Steagall heard me. So fast forward. That was in December 464 00:23:21,880 --> 00:23:25,840 Speaker 1: seventy four, seventy five. He said, Jack, bring Reba down 465 00:23:26,320 --> 00:23:30,159 Speaker 1: and we'll cut a demonstration tape. I didn't really want to. 466 00:23:30,480 --> 00:23:32,639 Speaker 1: I didn't know anybody in the music business. I had 467 00:23:32,640 --> 00:23:34,520 Speaker 1: all my friends in the rodeo. I wanted to be 468 00:23:34,560 --> 00:23:38,399 Speaker 1: a world champion barrel racer. So about halfway from Oklahoma 469 00:23:38,480 --> 00:23:41,439 Speaker 1: here Mama, I said, let's stop here and do this. 470 00:23:41,600 --> 00:23:43,679 Speaker 1: Mamma said, you know, if you don't want to do this, 471 00:23:43,800 --> 00:23:47,600 Speaker 1: that's fine, let's just go home. But if you do this, 472 00:23:48,440 --> 00:23:51,640 Speaker 1: I'll be living all my dreams through you. I said, 473 00:23:51,640 --> 00:23:54,200 Speaker 1: we'll thunder. What didn't you say? So get in the car, 474 00:23:54,320 --> 00:23:58,480 Speaker 1: let's go. And when Mama died, I told Susie because 475 00:23:58,520 --> 00:24:02,000 Speaker 1: we were cleaning up Mama's house. I said, I don't 476 00:24:02,000 --> 00:24:04,840 Speaker 1: think I want to do this anymore. She said why. 477 00:24:05,000 --> 00:24:07,679 Speaker 1: I said, I was doing it for mama. When you 478 00:24:07,800 --> 00:24:11,040 Speaker 1: do it now, are you still doing it for your mom? Yeah? Yeah, 479 00:24:11,119 --> 00:24:14,080 Speaker 1: but it took me good three months to say call 480 00:24:14,160 --> 00:24:19,640 Speaker 1: Susie back, say okay, I'm I'm back, I'll do it. Wow, 481 00:24:19,920 --> 00:24:24,159 Speaker 1: your dad, I am assuming he instilled the work ethic 482 00:24:24,200 --> 00:24:26,560 Speaker 1: that you must have to get to this point. Like 483 00:24:26,600 --> 00:24:28,800 Speaker 1: I'm assuming your dad was like, this is a two B. 484 00:24:29,240 --> 00:24:32,160 Speaker 1: We do the hard work because you're living on a ranch. 485 00:24:32,560 --> 00:24:33,960 Speaker 1: What what kind of work was there to do around 486 00:24:33,960 --> 00:24:37,680 Speaker 1: the place? Oh? Before school, we'd get up at four 487 00:24:37,680 --> 00:24:41,359 Speaker 1: in the morning and uh Peg and I would go 488 00:24:41,440 --> 00:24:45,840 Speaker 1: out and catch probably four to five horses out in 489 00:24:45,840 --> 00:24:49,439 Speaker 1: a forty acre pasture that were frisky because it was September. 490 00:24:50,040 --> 00:24:52,280 Speaker 1: And then we'd have to saddle him up and send 491 00:24:52,400 --> 00:24:55,080 Speaker 1: them up. They kind of walk back step on your feet, 492 00:24:55,119 --> 00:24:59,080 Speaker 1: and then we'd go in. Daddy'd have breakfast cooked and 493 00:24:59,400 --> 00:25:01,160 Speaker 1: Mom would be in. They're getting ready for work because 494 00:25:01,200 --> 00:25:07,600 Speaker 1: she was the superintendent's assistant secretary, And so we would 495 00:25:07,600 --> 00:25:10,400 Speaker 1: go start gathering one end and then bring them all 496 00:25:10,440 --> 00:25:12,359 Speaker 1: down to the pens. Mom would stay there at the 497 00:25:12,400 --> 00:25:14,000 Speaker 1: scale and she had weigh them. We'd put them on 498 00:25:14,040 --> 00:25:16,480 Speaker 1: the trucks and then we'd go to school. That's before school. 499 00:25:16,720 --> 00:25:19,439 Speaker 1: That's a day's work before school. Yeah, that wasn't all 500 00:25:19,480 --> 00:25:21,399 Speaker 1: the time. That was in the fall, and in the 501 00:25:21,480 --> 00:25:24,600 Speaker 1: spring we would get cattle in and we'd have to 502 00:25:24,640 --> 00:25:27,880 Speaker 1: work them, you know, vaccinate on the horn on, castrate 503 00:25:27,960 --> 00:25:31,600 Speaker 1: on random, and then put them out in one pasture 504 00:25:31,680 --> 00:25:33,480 Speaker 1: and make sure they're all right to go into the 505 00:25:33,520 --> 00:25:35,399 Speaker 1: bigger pasture, and then put them up in the hills. 506 00:25:35,680 --> 00:25:37,199 Speaker 1: All those same things have been done to me since 507 00:25:37,240 --> 00:25:39,920 Speaker 1: I got married a couple of months ago. Vaccinated castrate. 508 00:25:45,240 --> 00:25:50,240 Speaker 1: Your dad being a world champion roper, was he practicing 509 00:25:50,280 --> 00:25:52,439 Speaker 1: a lot? Do you remember them practicing a lot as 510 00:25:52,440 --> 00:25:55,960 Speaker 1: a kid, Yeah, like was he younger? Younger younger? And 511 00:25:56,000 --> 00:25:59,920 Speaker 1: then Grandpapa always told us when they were all at home, 512 00:26:00,200 --> 00:26:02,760 Speaker 1: Daddy would be out there roping. He said, Clark, get 513 00:26:02,760 --> 00:26:05,280 Speaker 1: out there and rope and got to practice. And Daddy 514 00:26:05,320 --> 00:26:09,800 Speaker 1: would practice roping chickens, he'd rope anything. Yeah that's hard 515 00:26:09,800 --> 00:26:12,159 Speaker 1: to do. Yeah, that's really hard to do. Yeah, and 516 00:26:12,200 --> 00:26:15,320 Speaker 1: he'd get it done. And so Daddy told us one 517 00:26:15,320 --> 00:26:18,440 Speaker 1: time that Grand Pap said, now, son, if the house 518 00:26:18,480 --> 00:26:21,080 Speaker 1: catches on far men, your ma all take care of it. 519 00:26:21,119 --> 00:26:22,879 Speaker 1: You just stay out there at the roping pen and 520 00:26:22,960 --> 00:26:26,639 Speaker 1: keep practicing. They were because Grandpap was a nineteen thirty 521 00:26:26,640 --> 00:26:30,800 Speaker 1: four world champions tire roper. What is your lineage? Well, 522 00:26:30,880 --> 00:26:35,200 Speaker 1: where did okay, your your dad, your grandfather, Where did 523 00:26:35,240 --> 00:26:37,359 Speaker 1: your family come from? Because this is some kind of 524 00:26:37,400 --> 00:26:39,240 Speaker 1: work ethics something. I mean you guys, how you can 525 00:26:39,280 --> 00:26:45,040 Speaker 1: sing your athletes, you work hard like I think it 526 00:26:45,080 --> 00:26:48,840 Speaker 1: comes from being a survivor, I really do. Daddy, Daddy 527 00:26:48,920 --> 00:26:52,359 Speaker 1: didn't rope for the fame. Daddy, Now that's pretty much me. 528 00:26:52,480 --> 00:26:55,560 Speaker 1: I love attention, so I like I like the fame. 529 00:26:55,760 --> 00:26:58,440 Speaker 1: I love it. But Daddy he'd rather been at home. 530 00:26:59,000 --> 00:27:01,960 Speaker 1: He went out he could make money by roping and 531 00:27:02,000 --> 00:27:05,239 Speaker 1: winning ropings, and he would bring the money home. He 532 00:27:05,280 --> 00:27:08,160 Speaker 1: would make a payment for the land and cattle at 533 00:27:08,160 --> 00:27:11,320 Speaker 1: the bank and pay off the grocery bill, and that 534 00:27:11,480 --> 00:27:13,160 Speaker 1: was the main two thing. Then he'ld go do another 535 00:27:13,240 --> 00:27:16,080 Speaker 1: roping to make more money to buy more land, more cattle. 536 00:27:17,440 --> 00:27:19,480 Speaker 1: You say you like fame. When did you feel famous 537 00:27:19,520 --> 00:27:22,360 Speaker 1: for the first time? Well, you're like, oh man, this 538 00:27:22,400 --> 00:27:24,760 Speaker 1: is a this is a lot of opportunities now that 539 00:27:24,760 --> 00:27:27,960 Speaker 1: I get to have because of fame. Right here talking 540 00:27:28,000 --> 00:27:34,240 Speaker 1: to you, we know that's not true because I would 541 00:27:34,240 --> 00:27:37,560 Speaker 1: have to imagine it's just famous was so different even 542 00:27:37,600 --> 00:27:40,240 Speaker 1: ten years ago, like I'm just now starting to get 543 00:27:40,240 --> 00:27:42,560 Speaker 1: my first real experience of going places I've never been 544 00:27:42,560 --> 00:27:44,920 Speaker 1: and people being like, recognize you from this TV show 545 00:27:44,920 --> 00:27:46,879 Speaker 1: at this rate, and for me it still hits me 546 00:27:46,880 --> 00:27:50,200 Speaker 1: a little weird. But there are there ten million famous people. Now. 547 00:27:50,600 --> 00:27:52,480 Speaker 1: You can be famous on TikTok, you'll be famous on 548 00:27:52,480 --> 00:27:56,439 Speaker 1: YouTube on. But when you were famous, I mean you 549 00:27:56,440 --> 00:27:58,920 Speaker 1: can even in the nineties, but read the TV show. 550 00:27:59,280 --> 00:28:00,879 Speaker 1: It was just a different were all because there weren't 551 00:28:00,920 --> 00:28:03,399 Speaker 1: five hundred thousand famous people. They were kind of just 552 00:28:03,600 --> 00:28:06,080 Speaker 1: two hundred famous people period, and you were one of them. 553 00:28:06,119 --> 00:28:08,920 Speaker 1: When for you did you go, wow, I'm actually famous. 554 00:28:08,960 --> 00:28:12,040 Speaker 1: This is crazy. When I was ordering something on the 555 00:28:12,040 --> 00:28:16,600 Speaker 1: telephone before Internet and I was I'm saying, okay, I'd 556 00:28:16,640 --> 00:28:20,080 Speaker 1: like this rug number in three or four or five seven, 557 00:28:20,560 --> 00:28:24,160 Speaker 1: she says, hold on, they knew you by your voice. 558 00:28:24,640 --> 00:28:29,040 Speaker 1: There is this rabe entire I hadn't given her my 559 00:28:29,119 --> 00:28:35,480 Speaker 1: name or anything. I said, yeah, hold on, I was okay, 560 00:28:35,720 --> 00:28:38,920 Speaker 1: I blah blah back what else would you like? So 561 00:28:38,960 --> 00:28:42,480 Speaker 1: I thought, wow, my voices. But you know I can't 562 00:28:42,520 --> 00:28:45,600 Speaker 1: get a commercial, you know, like this is the kind 563 00:28:45,640 --> 00:28:49,400 Speaker 1: of truck you need voice over. I've done movies, you know, 564 00:28:49,600 --> 00:28:52,520 Speaker 1: in cartoons, animation, of which I love to do that. 565 00:28:53,240 --> 00:28:57,440 Speaker 1: I was talking to Clarence whenever you were doing the 566 00:28:57,560 --> 00:29:01,680 Speaker 1: Kentucky Fried Chicken the Colonel Sanders, and he had mentioned 567 00:29:01,720 --> 00:29:03,720 Speaker 1: to me that there was so much that went into 568 00:29:03,760 --> 00:29:06,880 Speaker 1: even you getting dressed as Colonel Sanders because they have 569 00:29:07,040 --> 00:29:10,080 Speaker 1: very strict protocol at what Colonel Sanders can wear can 570 00:29:10,240 --> 00:29:12,680 Speaker 1: look like. And I was like, really, even Reba as 571 00:29:12,720 --> 00:29:14,320 Speaker 1: Colonel Sanders are like, oh, yeah, it needs to be 572 00:29:14,360 --> 00:29:17,040 Speaker 1: exactly like this. Like that was like that, but that 573 00:29:17,080 --> 00:29:18,720 Speaker 1: seemed like a commercial. It would be a lot of work. 574 00:29:19,440 --> 00:29:21,920 Speaker 1: It was super cool, It was fun, but I gotta 575 00:29:21,960 --> 00:29:24,040 Speaker 1: imagine if you have to abide by the Colonel Sanders 576 00:29:24,040 --> 00:29:27,640 Speaker 1: handbook of you know, exact living that that's probably a 577 00:29:27,680 --> 00:29:29,760 Speaker 1: lot leading into a shoot just of hair and makeup. Right. 578 00:29:29,960 --> 00:29:32,080 Speaker 1: The thing I remembered more than anything is the length 579 00:29:32,120 --> 00:29:34,680 Speaker 1: of the fringe. Could we put Ryan Stones and fringe 580 00:29:34,760 --> 00:29:37,000 Speaker 1: on my outfit? Like was it a question of what 581 00:29:37,160 --> 00:29:39,160 Speaker 1: would they allow it? Yeah? Would they allow it? And 582 00:29:39,160 --> 00:29:41,640 Speaker 1: they did? They approved it, and then we had to 583 00:29:41,680 --> 00:29:43,840 Speaker 1: get I had to get my mustache and my beard. 584 00:29:44,320 --> 00:29:47,680 Speaker 1: All I had to get fitted for my beard. That's 585 00:29:47,760 --> 00:29:52,320 Speaker 1: weird and then my hairpiece. But it was fun. I 586 00:29:52,480 --> 00:29:54,120 Speaker 1: enjoyed it. I just imagine there's a team with a 587 00:29:54,120 --> 00:29:57,000 Speaker 1: bunch of clipboards walking around you with chicken, going all right, 588 00:29:57,040 --> 00:30:00,400 Speaker 1: this is not work. We gotta the ears are too high? 589 00:30:00,480 --> 00:30:03,640 Speaker 1: Did you do that whole campaign before you announced it? So? 590 00:30:03,680 --> 00:30:05,240 Speaker 1: Did you? Was that a one you have to keep secret? 591 00:30:05,280 --> 00:30:07,840 Speaker 1: Or no? Do you? Because I remember it was annound 592 00:30:07,840 --> 00:30:13,200 Speaker 1: everbody kind of flipped out a little bit. Yeah. Was 593 00:30:13,240 --> 00:30:15,120 Speaker 1: that an automatic yes from you? Or did someone have 594 00:30:15,200 --> 00:30:17,800 Speaker 1: to convince you? No. Clarence came to me and I said, oh, 595 00:30:17,960 --> 00:30:21,480 Speaker 1: I don't know about that, and then he presented it 596 00:30:21,520 --> 00:30:25,760 Speaker 1: to his son, Aaron, who's a little younger than Shelby, 597 00:30:25,840 --> 00:30:29,120 Speaker 1: my son. And Aaron said, that's the coolest thing ever. Okay, 598 00:30:29,120 --> 00:30:32,840 Speaker 1: I'll do it because you, you know how your generation 599 00:30:32,920 --> 00:30:35,760 Speaker 1: might think about it, but what would the next two 600 00:30:35,880 --> 00:30:40,800 Speaker 1: three generations below think about it? Younger? And when Aaron said, oh, man, 601 00:30:40,840 --> 00:30:42,920 Speaker 1: that's the coolest thing ever, I thought, Okay, that's hip. 602 00:30:42,960 --> 00:30:45,400 Speaker 1: I'll do it. Do they give you any sort of 603 00:30:45,480 --> 00:30:48,720 Speaker 1: chicken for life or I'm sure they give enough money 604 00:30:48,800 --> 00:30:52,840 Speaker 1: to buy chicken for life. I'm sure that's not a 605 00:30:52,880 --> 00:30:54,800 Speaker 1: that's not a cheap get that was really cool. I 606 00:30:54,800 --> 00:30:56,640 Speaker 1: really liked it was Colonel Sanders Banks. I had a 607 00:30:56,680 --> 00:30:58,880 Speaker 1: blast doing it. And what's the great thing about it 608 00:30:58,920 --> 00:31:01,080 Speaker 1: is you only do it once. Then they find somebody 609 00:31:01,120 --> 00:31:03,880 Speaker 1: else the next time. It's the one time thing. Did 610 00:31:03,880 --> 00:31:05,360 Speaker 1: you have to do a bunch of different shoots over 611 00:31:05,440 --> 00:31:07,080 Speaker 1: weeks or did you go in for like a few 612 00:31:07,160 --> 00:31:09,080 Speaker 1: days and do it all the same just one week? 613 00:31:10,760 --> 00:31:13,080 Speaker 1: That's pretty cool and I will always remember that for 614 00:31:13,200 --> 00:31:16,360 Speaker 1: years and years you as Colonel's Anders the last show 615 00:31:16,400 --> 00:31:18,400 Speaker 1: you watched and you thought, I can't wait to see 616 00:31:18,400 --> 00:31:20,960 Speaker 1: the next episode, Like right now, are you watching anything 617 00:31:21,000 --> 00:31:23,600 Speaker 1: where you're just like, what is absolutely? Ted Lasts? So 618 00:31:24,400 --> 00:31:27,560 Speaker 1: I'm I'm so into that show. I love it. It's 619 00:31:27,600 --> 00:31:31,440 Speaker 1: a it's really goofy, silly, but lots of heart and 620 00:31:31,440 --> 00:31:34,480 Speaker 1: and and it makes you feel good. Yeah, Ted Lasso. 621 00:31:34,560 --> 00:31:36,160 Speaker 1: And they're not done yet this season. They're still more 622 00:31:36,160 --> 00:31:38,760 Speaker 1: to come. Do you like when shows are coming out 623 00:31:38,800 --> 00:31:40,840 Speaker 1: each week? Or do you like when you can binge 624 00:31:40,840 --> 00:31:45,040 Speaker 1: it all too? And Ted Last? So I'm like, come on, yeah, 625 00:31:45,200 --> 00:31:47,520 Speaker 1: let's go. We're watching Only Murders in the Building right 626 00:31:47,560 --> 00:31:51,120 Speaker 1: now with Steve Martin Martin Short and Selena Gomez and 627 00:31:51,160 --> 00:31:54,640 Speaker 1: it comes out every week and it's so good. But 628 00:31:54,680 --> 00:31:56,160 Speaker 1: I'm like, I would like to see them all please 629 00:31:56,240 --> 00:31:59,560 Speaker 1: true What I'm really excited about Ozart comes back, the 630 00:31:59,600 --> 00:32:05,600 Speaker 1: last succession and it comes back, Peaky Blinders comes back, 631 00:32:06,400 --> 00:32:09,760 Speaker 1: and I have so many favorites that I absolutely knocked 632 00:32:09,760 --> 00:32:12,600 Speaker 1: out the ballpark when during COVID, you know, you can 633 00:32:12,680 --> 00:32:14,920 Speaker 1: just sit and watch and Bene and I went back. 634 00:32:15,120 --> 00:32:18,400 Speaker 1: Rex hadn't seen Boardwalk Empire, so we started that one 635 00:32:18,480 --> 00:32:21,760 Speaker 1: over again. I just love it. Are you able or 636 00:32:21,800 --> 00:32:26,400 Speaker 1: do you ever just go into Starbucks and getting coffee? You? Yeah, 637 00:32:26,600 --> 00:32:28,800 Speaker 1: you can just go into Starbucks and you have grocery 638 00:32:28,800 --> 00:32:32,600 Speaker 1: shopping everything. You you're telling me that you will just 639 00:32:32,640 --> 00:32:37,240 Speaker 1: go to the grocery store ye by myself at two am? 640 00:32:37,240 --> 00:32:42,120 Speaker 1: Oh no, no, are you Thursdays? Did you know? Did 641 00:32:42,120 --> 00:32:44,360 Speaker 1: you know Thursdays and Wednesdays are the best time to go? 642 00:32:45,400 --> 00:32:48,640 Speaker 1: Why are they? That's when they restock. You will just 643 00:32:48,760 --> 00:32:50,320 Speaker 1: get in your car and go to the grocery store. 644 00:32:51,840 --> 00:32:53,240 Speaker 1: And do you feel like you can for the most 645 00:32:53,240 --> 00:32:56,120 Speaker 1: part grocery shop and people are just cool. Yeah, and 646 00:32:56,120 --> 00:32:57,880 Speaker 1: they'll let you grocery. I gotta tell you the funniest 647 00:32:57,880 --> 00:33:01,160 Speaker 1: story the other day happened. I was checking out and 648 00:33:01,200 --> 00:33:05,000 Speaker 1: the grocery sat girl was sitting there and she was 649 00:33:05,040 --> 00:33:08,120 Speaker 1: going through all the stuff and she was narrating and 650 00:33:08,320 --> 00:33:12,520 Speaker 1: commenting on everything that I had bought. And she picks 651 00:33:12,600 --> 00:33:15,760 Speaker 1: up a bottle of beano. She said, is this for you? 652 00:33:17,120 --> 00:33:21,000 Speaker 1: I said, yeah it is. She said, well does it work? 653 00:33:22,520 --> 00:33:25,760 Speaker 1: Everybody in line? I what looked at everybody as said 654 00:33:26,080 --> 00:33:29,479 Speaker 1: works great advertisement? Right here, just going the bag if 655 00:33:29,520 --> 00:33:32,280 Speaker 1: you would. You had to love and not for the 656 00:33:32,360 --> 00:33:36,480 Speaker 1: reason but to wear a mask though people probably didn't 657 00:33:36,480 --> 00:33:37,560 Speaker 1: know it was you. A lot of the time, A 658 00:33:37,560 --> 00:33:39,960 Speaker 1: lot of the times, until I talk, they don't um. 659 00:33:40,000 --> 00:33:43,000 Speaker 1: And I will stop and ask other people shopping do 660 00:33:43,160 --> 00:33:45,560 Speaker 1: you have any idea where so and so is? And 661 00:33:45,600 --> 00:33:49,480 Speaker 1: they'll go, it's are you? Yeah? Are you really? You're 662 00:33:49,480 --> 00:33:52,680 Speaker 1: out shopping? Yeah? You know where the bacon soda is? 663 00:33:53,200 --> 00:33:55,560 Speaker 1: They said, yes, it's right down that aisle. Okay, thanks. 664 00:34:01,640 --> 00:34:04,320 Speaker 1: I'm curious about the Grand ol Opery and for for 665 00:34:04,360 --> 00:34:07,160 Speaker 1: a lot of reasons. One my grandmother raised me for 666 00:34:07,200 --> 00:34:09,319 Speaker 1: a lot of my life, and so that's what we did. 667 00:34:09,480 --> 00:34:12,640 Speaker 1: We watched it on TNN or or whatever channel it 668 00:34:12,760 --> 00:34:14,920 Speaker 1: was on because it's kind of had its different, you know, 669 00:34:14,960 --> 00:34:17,640 Speaker 1: iterations of being on television. Mostly for me it was 670 00:34:17,640 --> 00:34:20,240 Speaker 1: TNN back in the day. But when you were inducted, 671 00:34:20,560 --> 00:34:22,839 Speaker 1: how I'd invited into the Grand ol Opry, which are 672 00:34:22,840 --> 00:34:25,440 Speaker 1: two big things, but they're different. Do you remember your 673 00:34:25,480 --> 00:34:29,040 Speaker 1: invitation into the Grand ol Opry when they said, reb 674 00:34:29,120 --> 00:34:30,520 Speaker 1: we would like for you to be a member. No, 675 00:34:31,600 --> 00:34:34,600 Speaker 1: I don't. I do remember in eighty four when I 676 00:34:34,640 --> 00:34:38,520 Speaker 1: got inducted. Who inducted you? Do you remember that night? 677 00:34:38,560 --> 00:34:41,759 Speaker 1: And was it just because I will go now and 678 00:34:41,800 --> 00:34:43,239 Speaker 1: some of my friends are getting inducted and it's like 679 00:34:43,280 --> 00:34:45,560 Speaker 1: the coolest thing and I'm so proud for them, and 680 00:34:45,600 --> 00:34:47,440 Speaker 1: it's a massive deal. What was it like when you 681 00:34:47,440 --> 00:34:50,239 Speaker 1: were inducted? I got to stand on that circle. I 682 00:34:50,360 --> 00:34:52,440 Speaker 1: was really thrilled because I've gotten to stand on the 683 00:34:52,480 --> 00:34:56,880 Speaker 1: circle septem seven now, Bobby. The reason I remember that 684 00:34:57,000 --> 00:35:00,080 Speaker 1: date so well is because thirty years prior, Daddy the 685 00:35:00,120 --> 00:35:03,680 Speaker 1: all around at the Pendleton, Oregon round Up. And then 686 00:35:03,719 --> 00:35:05,840 Speaker 1: you remember this next day at being like the anniversary 687 00:35:05,840 --> 00:35:10,320 Speaker 1: of the same day that you saw. Yeah, so um 688 00:35:10,920 --> 00:35:15,600 Speaker 1: being the day that I got in conducted. Uh, wasn't 689 00:35:15,640 --> 00:35:19,840 Speaker 1: as huge a time as it was in September, because 690 00:35:19,880 --> 00:35:22,200 Speaker 1: Mom and Daddy and Alice drove from Oklahoma just to 691 00:35:22,239 --> 00:35:24,880 Speaker 1: be there with me my first time. We'd been to 692 00:35:24,920 --> 00:35:27,040 Speaker 1: the Grand Old Opry at the rheman lots of times. 693 00:35:27,040 --> 00:35:30,040 Speaker 1: That was our only vacation. But when we pulled up 694 00:35:30,080 --> 00:35:33,160 Speaker 1: to the gate, Daddy rolled down his wind and said, UM, 695 00:35:33,360 --> 00:35:36,480 Speaker 1: got Reba McIntyre. She's gonna saying on the opera tonight. 696 00:35:36,520 --> 00:35:39,360 Speaker 1: And gentlemen looked on his clipboard and he said, who, No, 697 00:35:39,520 --> 00:35:42,759 Speaker 1: she's not. They said, yes she is. He said, she's 698 00:35:42,760 --> 00:35:45,120 Speaker 1: not on this clipboard. She's not gonna be I said, Daddy, 699 00:35:45,200 --> 00:35:47,640 Speaker 1: let's just go across the interstate that getting going. I'll 700 00:35:47,640 --> 00:35:51,120 Speaker 1: call Shorty and Dick. That was Shorty Lavender and Dick Blake, 701 00:35:51,160 --> 00:35:53,239 Speaker 1: who were my book and agents got me on the gig. 702 00:35:54,480 --> 00:35:56,160 Speaker 1: So I went over there and I put the quarter 703 00:35:56,280 --> 00:35:59,200 Speaker 1: in and I called I think it was Dick, and 704 00:35:59,280 --> 00:36:02,080 Speaker 1: I said they won't let me in. He said, um, 705 00:36:02,200 --> 00:36:04,080 Speaker 1: you just go right back over there. And I'm terribly 706 00:36:04,120 --> 00:36:07,200 Speaker 1: sorry this happened. So Daddy pulls up and rolls down 707 00:36:07,239 --> 00:36:09,719 Speaker 1: his wind and is it, asked Mr mcintigo, right over 708 00:36:09,760 --> 00:36:12,239 Speaker 1: here on number sixty seven. You park right there, You're 709 00:36:12,480 --> 00:36:15,799 Speaker 1: glad to see y'all. So that was a night we'll 710 00:36:15,800 --> 00:36:17,640 Speaker 1: never forget. And then I got one of my songs 711 00:36:17,680 --> 00:36:19,919 Speaker 1: month because Dolly's there, but we're still thrilled. The old 712 00:36:19,920 --> 00:36:22,879 Speaker 1: babies in the air, we just loved it. I think 713 00:36:22,920 --> 00:36:26,440 Speaker 1: I've done stand up at the Opera probably twenty times 714 00:36:26,480 --> 00:36:29,120 Speaker 1: if I produced the TV show. And I'm gonna get 715 00:36:29,160 --> 00:36:30,719 Speaker 1: to the story where you come in and I now 716 00:36:30,800 --> 00:36:32,560 Speaker 1: tell the story I've told you a couple of times 717 00:36:32,560 --> 00:36:35,000 Speaker 1: at the Opery, but you were maybe a month and 718 00:36:35,000 --> 00:36:37,440 Speaker 1: a half ago. You were performing at the Opery and 719 00:36:37,440 --> 00:36:40,640 Speaker 1: then there was a change over, and then you performed 720 00:36:40,800 --> 00:36:44,200 Speaker 1: on an NBC special and so I done stand up 721 00:36:44,200 --> 00:36:46,000 Speaker 1: earlier and they said, hey, go fill some time between 722 00:36:46,080 --> 00:36:48,759 Speaker 1: rabe change over. I was like, cool, no problem. So 723 00:36:48,800 --> 00:36:50,960 Speaker 1: I go and I'm doing some jokes. I'm it's it's 724 00:36:50,960 --> 00:36:52,440 Speaker 1: hard for me to write new jokes because you can't 725 00:36:52,440 --> 00:36:54,400 Speaker 1: practice in front of people, right because the pandemic has 726 00:36:54,440 --> 00:36:56,880 Speaker 1: allowed me to do no touring. Jokes aren't like songs. 727 00:36:56,920 --> 00:36:58,879 Speaker 1: I can't practice in my room. I could say them, 728 00:36:58,920 --> 00:37:00,520 Speaker 1: but if less people are laughing, you don't know if 729 00:37:00,520 --> 00:37:03,719 Speaker 1: it's funny, and so I'm up and they're like, okay, 730 00:37:03,719 --> 00:37:05,600 Speaker 1: Rebe's gonna be like a minute. So I do another 731 00:37:05,680 --> 00:37:07,760 Speaker 1: joke and then you come. You're on the side stage 732 00:37:08,280 --> 00:37:11,200 Speaker 1: and you look at me and you point at me, 733 00:37:11,320 --> 00:37:13,000 Speaker 1: and for some reason, I thought you were about to 734 00:37:13,000 --> 00:37:15,560 Speaker 1: invite me into the Grand Old Operate and I remember going, oh, 735 00:37:15,680 --> 00:37:19,040 Speaker 1: this is the this is it, because between between all 736 00:37:19,120 --> 00:37:21,960 Speaker 1: my performances, I've probably been on that stage two hundred times, 737 00:37:22,000 --> 00:37:24,560 Speaker 1: between the ship, hosting the TV show, all during the pandemic, 738 00:37:24,960 --> 00:37:26,520 Speaker 1: and like it's been a dream. And you pointed at 739 00:37:26,560 --> 00:37:28,239 Speaker 1: me as you were coming onto the stage to do 740 00:37:28,280 --> 00:37:30,279 Speaker 1: your second thing, and for some reason I thought it 741 00:37:30,320 --> 00:37:32,720 Speaker 1: was an extra sincere point and inside even went about 742 00:37:32,719 --> 00:37:34,400 Speaker 1: to be invited to become remember the opery, and you 743 00:37:34,480 --> 00:37:37,440 Speaker 1: came closer and you were like hey, thanks, and I 744 00:37:37,440 --> 00:37:39,200 Speaker 1: was ready for you, and you said okay, I'll go, 745 00:37:39,320 --> 00:37:40,840 Speaker 1: and I was like okay. I walked off and I 746 00:37:40,840 --> 00:37:44,200 Speaker 1: was like, well that did instead of that just happened, 747 00:37:44,239 --> 00:37:47,120 Speaker 1: I was like, well that didn't just happen, And so 748 00:37:47,480 --> 00:37:49,120 Speaker 1: I wished it had to be in there. You know what, 749 00:37:49,640 --> 00:37:51,960 Speaker 1: I think it's a better story that it hasn't yet. 750 00:37:51,960 --> 00:37:53,680 Speaker 1: But For for a split second, I thought, reb it 751 00:37:53,760 --> 00:37:54,960 Speaker 1: was inviting me to be a member of the Grand 752 00:37:54,960 --> 00:37:57,880 Speaker 1: ol Opry, and my life was perfect. For that second, 753 00:37:58,040 --> 00:38:02,040 Speaker 1: my life was perfect. Where does your love of corn 754 00:38:02,080 --> 00:38:09,440 Speaker 1: dogs come from? County fairs, state fairs? Uh, that's it. 755 00:38:09,719 --> 00:38:14,120 Speaker 1: I see the meme everywhere corn dogs. I see the 756 00:38:14,160 --> 00:38:15,640 Speaker 1: meme of you with the corn dog in a private 757 00:38:15,680 --> 00:38:18,319 Speaker 1: jet like the living the life, mean, that's what that is. 758 00:38:18,600 --> 00:38:20,200 Speaker 1: You with a corn dog in a private jet is 759 00:38:20,239 --> 00:38:23,480 Speaker 1: like nothing else could be better than this moment. And 760 00:38:23,560 --> 00:38:26,640 Speaker 1: to be memed itself one time. You're memed in every way, 761 00:38:26,719 --> 00:38:30,319 Speaker 1: all these positive ways. It's the most amazing thing. Did 762 00:38:30,440 --> 00:38:31,960 Speaker 1: did someone come to you and go read but you're 763 00:38:31,960 --> 00:38:35,120 Speaker 1: now a corn dog meme? No? No, I found it 764 00:38:35,120 --> 00:38:38,080 Speaker 1: out by somebody. Oh yeah, somebody did come to me 765 00:38:38,120 --> 00:38:41,080 Speaker 1: and tell me that you're exactly right. Yes, I want 766 00:38:41,080 --> 00:38:43,040 Speaker 1: to do a thing, and then I do want to 767 00:38:43,040 --> 00:38:44,480 Speaker 1: get back into the music for a second. But I 768 00:38:44,560 --> 00:38:46,920 Speaker 1: want to do a um an Urban legends thing about 769 00:38:46,960 --> 00:38:48,719 Speaker 1: you because there are so many things that you hear 770 00:38:48,760 --> 00:38:50,520 Speaker 1: and you go is it true or isn't it true? 771 00:38:50,640 --> 00:38:53,359 Speaker 1: Once I heard you died this season on this there 772 00:38:53,400 --> 00:38:55,920 Speaker 1: was a big yeah, I think we had to even 773 00:38:55,960 --> 00:38:58,160 Speaker 1: come out and say you didn't doubt, which is a 774 00:38:58,160 --> 00:39:00,720 Speaker 1: weird conversation to have to have with people. My nephew 775 00:39:01,120 --> 00:39:05,120 Speaker 1: was in Arkansas traveling and he walked into a convenience 776 00:39:05,160 --> 00:39:08,440 Speaker 1: store and everybody was saying, Rube McIntyre just got killed. 777 00:39:08,440 --> 00:39:10,960 Speaker 1: She fell off a mountain. He went running to a 778 00:39:11,040 --> 00:39:14,799 Speaker 1: phone to call his mama. My sister said, Bob died. 779 00:39:15,160 --> 00:39:17,759 Speaker 1: What happened? And she said, oh, no, I'd have been 780 00:39:17,760 --> 00:39:19,840 Speaker 1: the first one to find that out. Nope, she's fine, 781 00:39:20,040 --> 00:39:21,719 Speaker 1: And that's a weird thing to go. I'm not dead, 782 00:39:21,760 --> 00:39:24,520 Speaker 1: Look at me. How did that even start? Somebody just 783 00:39:24,520 --> 00:39:26,960 Speaker 1: on Twitter? There was a trend going on there for 784 00:39:27,000 --> 00:39:30,759 Speaker 1: a while that the fake death announcement. No, I think 785 00:39:30,760 --> 00:39:33,760 Speaker 1: it's before Twitter wasn't. Ye. Here are a few things, okay. 786 00:39:33,960 --> 00:39:35,640 Speaker 1: Is it true that you were in the running to 787 00:39:36,040 --> 00:39:39,719 Speaker 1: being Titanic the movie? Yes? And I had the part 788 00:39:40,080 --> 00:39:43,520 Speaker 1: you so you did, and you thought, what unsinkable Molly 789 00:39:43,560 --> 00:39:45,239 Speaker 1: Brown was the part I was gonna play. I went 790 00:39:45,239 --> 00:39:51,160 Speaker 1: auditioned for James Cameron and we were back on tour 791 00:39:51,719 --> 00:39:55,080 Speaker 1: and they needed like August, September, and October, so we 792 00:39:55,160 --> 00:39:59,200 Speaker 1: moved our concerts to November, December and then January, and 793 00:39:59,239 --> 00:40:02,120 Speaker 1: then they I mean, you start getting all the venues. 794 00:40:02,640 --> 00:40:05,560 Speaker 1: We were promoting ourselves, and you get all that set 795 00:40:06,080 --> 00:40:08,440 Speaker 1: and then they'll come back and go, you know, we're 796 00:40:08,440 --> 00:40:10,319 Speaker 1: gonna have to move it three months for Well, you 797 00:40:10,320 --> 00:40:13,560 Speaker 1: can't do that. I've got people that are depending on 798 00:40:13,719 --> 00:40:17,439 Speaker 1: me for their livelihood, that's their paycheck, and I just said, 799 00:40:17,440 --> 00:40:21,440 Speaker 1: I gotta choose. I got so I said, sorry, I 800 00:40:21,480 --> 00:40:24,040 Speaker 1: can't do this to my people. So I turned down 801 00:40:24,800 --> 00:40:27,879 Speaker 1: that part. You were a serious, like a really good 802 00:40:27,920 --> 00:40:31,640 Speaker 1: basketball player when you were younger. False, Well, we didn't 803 00:40:31,680 --> 00:40:34,799 Speaker 1: have that many people on the team, so I got 804 00:40:34,840 --> 00:40:37,520 Speaker 1: to play a lot. I was a guard that was 805 00:40:37,560 --> 00:40:40,400 Speaker 1: back in the day when it was uh six, you know, 806 00:40:40,480 --> 00:40:43,919 Speaker 1: three on three, not full court, thank god. But I 807 00:40:43,960 --> 00:40:47,399 Speaker 1: loved it. I went to basketball camp every summer. That's 808 00:40:47,440 --> 00:40:52,600 Speaker 1: another place I learned how to volunteer. Coaches love volunteers. 809 00:40:52,680 --> 00:40:55,719 Speaker 1: I wasn't that good at all, but because I was 810 00:40:55,760 --> 00:40:58,759 Speaker 1: a volunteer, I stayed on the coaches good side. There's 811 00:40:58,760 --> 00:41:01,440 Speaker 1: an urban legend about Faith Hill trying to sing background 812 00:41:01,480 --> 00:41:04,520 Speaker 1: for you. Um, she did audition to be a background 813 00:41:04,520 --> 00:41:07,000 Speaker 1: singer and she didn't get it, and Marvel and I 814 00:41:07,000 --> 00:41:09,360 Speaker 1: looked at each other and said, she's gonna be a star, 815 00:41:09,640 --> 00:41:12,719 Speaker 1: big star one day. So you could see stardom in her, 816 00:41:13,320 --> 00:41:15,480 Speaker 1: but you didn't think it was that she was right 817 00:41:15,520 --> 00:41:17,279 Speaker 1: to be a backup singer because she was too big 818 00:41:17,320 --> 00:41:19,719 Speaker 1: for the job. She was saying she wasn't that good 819 00:41:19,760 --> 00:41:24,719 Speaker 1: of a harmony singer at that time. Um no, what 820 00:41:24,880 --> 00:41:27,879 Speaker 1: meant to be. That's pretty cool though, that you could 821 00:41:27,880 --> 00:41:30,000 Speaker 1: tell she was going to be a star, you know, 822 00:41:30,080 --> 00:41:33,640 Speaker 1: and back ond singing is different than just me just 823 00:41:33,640 --> 00:41:37,000 Speaker 1: singing the melody of a song to Okay, let's let's 824 00:41:37,080 --> 00:41:39,520 Speaker 1: let's roll through some of this, this this new stuff here, 825 00:41:39,560 --> 00:41:41,000 Speaker 1: because I have it up on our people to hear 826 00:41:41,040 --> 00:41:42,640 Speaker 1: this so they can check out the box set, so 827 00:41:42,680 --> 00:41:45,480 Speaker 1: they can check out we played does He Love You? Mike? 828 00:41:45,520 --> 00:41:48,880 Speaker 1: What do we have over there of the remixes? All 829 00:41:48,920 --> 00:41:52,240 Speaker 1: those on netlis right there on the up top. Okay, 830 00:41:52,520 --> 00:41:56,640 Speaker 1: here we go, play me. I'm a survivor of the 831 00:41:56,719 --> 00:42:04,279 Speaker 1: dance remix her Kids and Never Stops with Lands and 832 00:42:04,360 --> 00:42:11,279 Speaker 1: the Heart of the fid I'm a survive What do 833 00:42:11,280 --> 00:42:13,200 Speaker 1: you think about that? I don't think it's that different. 834 00:42:13,280 --> 00:42:15,680 Speaker 1: I don't either. I think it sounds it's cool, yeah, 835 00:42:16,239 --> 00:42:18,000 Speaker 1: but I don't think it went total euro which is 836 00:42:18,000 --> 00:42:19,520 Speaker 1: not would be what I would be afraid of on 837 00:42:19,560 --> 00:42:22,680 Speaker 1: that song, or which is like, yeah, there's some of 838 00:42:22,719 --> 00:42:25,480 Speaker 1: them that it's you know, it takes ten minutes to 839 00:42:25,480 --> 00:42:29,040 Speaker 1: get into the song because of the little hook line 840 00:42:29,080 --> 00:42:33,160 Speaker 1: that they found. But I enjoyed listening to it. I 841 00:42:33,200 --> 00:42:36,279 Speaker 1: really did. That's gotta be a really special talent. I've 842 00:42:36,320 --> 00:42:38,480 Speaker 1: never seen anybody do it. But it's got to be 843 00:42:38,480 --> 00:42:40,400 Speaker 1: a lot of work to remix a song. I have 844 00:42:40,400 --> 00:42:42,000 Speaker 1: no idea. Yeah, it's like me, I just I'm like, 845 00:42:42,040 --> 00:42:43,480 Speaker 1: that sounds good, that doesn't and I have no idea 846 00:42:43,520 --> 00:42:47,920 Speaker 1: what I'm talking about. It's very fancy. Here's the remix 847 00:42:47,920 --> 00:42:58,879 Speaker 1: of fancy she said you don't any day again. There's 848 00:42:58,880 --> 00:43:02,279 Speaker 1: some part of that. It's like it's a yes she was, Yes, 849 00:43:02,360 --> 00:43:06,680 Speaker 1: she was chimed, the Queen chimed, the king a congress 850 00:43:06,719 --> 00:43:09,359 Speaker 1: bud and there's there's something that they put back in 851 00:43:09,440 --> 00:43:12,839 Speaker 1: and the video is pretty funny to somebody did a 852 00:43:13,120 --> 00:43:16,920 Speaker 1: video of the remix. One more Let's do consider me gone. 853 00:43:17,080 --> 00:43:23,960 Speaker 1: This is the revisited can better then I guess weird. 854 00:43:24,840 --> 00:43:31,719 Speaker 1: Let's not track this on, consider me go, what do 855 00:43:31,800 --> 00:43:37,279 Speaker 1: you here different about that? It's relaxed, it's mellow, it's 856 00:43:37,400 --> 00:43:41,120 Speaker 1: um not so confrontational. It feels like the percussion on 857 00:43:41,160 --> 00:43:43,840 Speaker 1: it too as much. It's a little soft. Very sorry 858 00:43:43,880 --> 00:43:47,000 Speaker 1: cahe more cahone e. It was than it is a 859 00:43:47,080 --> 00:43:49,080 Speaker 1: snare And that's the first time I heard it. That's 860 00:43:49,120 --> 00:43:51,680 Speaker 1: what I thought too. Yeah, that was Dave Cobb, and 861 00:43:51,719 --> 00:43:54,240 Speaker 1: we had five musicians and they'd bring in a fiddle 862 00:43:54,280 --> 00:43:57,959 Speaker 1: player or a still guitar player for specialty, and it 863 00:43:58,040 --> 00:44:02,000 Speaker 1: was just so relaxed. The difference in consider me going 864 00:44:02,320 --> 00:44:06,040 Speaker 1: on what you just heard and the original, Uh, the 865 00:44:06,080 --> 00:44:09,600 Speaker 1: original was more in your face, screaming you know, how 866 00:44:09,680 --> 00:44:12,359 Speaker 1: dare you? You're an idiot? And this one's kind of like, 867 00:44:12,400 --> 00:44:18,160 Speaker 1: you know, it's just not working out. Let's just it's 868 00:44:18,200 --> 00:44:21,359 Speaker 1: just so much more mature. It's not throwing a fit. 869 00:44:21,760 --> 00:44:31,640 Speaker 1: It's just I like it better. The new box set Revived, Remixed, 870 00:44:31,680 --> 00:44:35,640 Speaker 1: Revisited is available now. The Dolly Does He Love You 871 00:44:35,680 --> 00:44:38,520 Speaker 1: remake is also on this box set. The Lifetime movie 872 00:44:38,640 --> 00:44:42,560 Speaker 1: Christmas and Tune premieres on November. I would like to 873 00:44:42,560 --> 00:44:46,799 Speaker 1: ask about one more song being from Arkansas Little Rock 874 00:44:46,880 --> 00:44:50,239 Speaker 1: was played everywhere this song. I was a kid, I 875 00:44:50,280 --> 00:44:52,320 Speaker 1: remember hearing it on the radio probably more than anywhere 876 00:44:52,320 --> 00:44:57,000 Speaker 1: else because it was us, the song about us. So 877 00:44:57,640 --> 00:44:59,600 Speaker 1: when someone wants to name check a city and Mike, 878 00:44:59,640 --> 00:45:07,440 Speaker 1: you can play that if I would have to imagine 879 00:45:07,440 --> 00:45:08,840 Speaker 1: in a song where you name check a city and 880 00:45:08,840 --> 00:45:11,319 Speaker 1: you get to play in that city, everybody's just just 881 00:45:11,440 --> 00:45:15,239 Speaker 1: waiting to hear the song about their town. Like, right, 882 00:45:15,600 --> 00:45:17,960 Speaker 1: can you imagine being so stupid not to play little Rock? 883 00:45:18,000 --> 00:45:19,800 Speaker 1: When you played little Rock, even if you took it 884 00:45:19,840 --> 00:45:21,200 Speaker 1: off your set, lest later you have to put it 885 00:45:21,200 --> 00:45:24,160 Speaker 1: back on. Right when you go back to everybody, refresh 886 00:45:24,200 --> 00:45:28,600 Speaker 1: your memory? What what has been so close? Because I 887 00:45:28,640 --> 00:45:32,120 Speaker 1: came out and watched you and Kicks and Ronnie in Vegas. 888 00:45:32,719 --> 00:45:35,640 Speaker 1: What's that relationship been like? And why after all these 889 00:45:35,719 --> 00:45:37,759 Speaker 1: years are you guys still together and still doing these 890 00:45:38,040 --> 00:45:41,560 Speaker 1: these shows together. We grew up together. We toured three 891 00:45:41,600 --> 00:45:45,000 Speaker 1: or four times in the nineties. Um, they opened the 892 00:45:45,040 --> 00:45:47,520 Speaker 1: show for me the first time we toured, and then 893 00:45:47,600 --> 00:45:51,120 Speaker 1: we were you know, co headlining and having fun and 894 00:45:51,480 --> 00:45:54,840 Speaker 1: playing pranks on each other and going on vacations together 895 00:45:55,040 --> 00:46:00,160 Speaker 1: and um, hanging out. It was just a great relationship up. 896 00:46:00,760 --> 00:46:05,400 Speaker 1: They're they're not my brothers. We're very close. Our children 897 00:46:05,440 --> 00:46:10,879 Speaker 1: grew up together and we're just buds. Are you sad 898 00:46:10,920 --> 00:46:12,520 Speaker 1: to see that run come to an end because you 899 00:46:12,520 --> 00:46:14,560 Speaker 1: guys are about to finish up these shows. Yeah, I'm 900 00:46:14,680 --> 00:46:17,560 Speaker 1: very sad about it. It was the gig of a lifetime. 901 00:46:18,040 --> 00:46:21,040 Speaker 1: You got to stay in this nice sweet you got 902 00:46:21,080 --> 00:46:27,160 Speaker 1: this perform on this absolutely incredibly well um lit and 903 00:46:27,200 --> 00:46:33,200 Speaker 1: the sound was incredible. Stage restaurants over the chart. People 904 00:46:33,280 --> 00:46:35,279 Speaker 1: came from all over the world to come see you. 905 00:46:36,239 --> 00:46:39,960 Speaker 1: And it was a consistency that we're not familiar with. 906 00:46:40,440 --> 00:46:44,680 Speaker 1: We're used to three different cities, three different days, and 907 00:46:44,760 --> 00:46:47,279 Speaker 1: to to get to do that and they could go 908 00:46:47,360 --> 00:46:50,440 Speaker 1: play golf, Ronnie could go off and take pictures. I 909 00:46:50,480 --> 00:46:53,200 Speaker 1: could stay upstairs and play all the games I wanted 910 00:46:53,520 --> 00:46:56,719 Speaker 1: and with my family and friends. It was it was 911 00:46:56,760 --> 00:46:59,640 Speaker 1: a dream job. Were there any parallels and that job 912 00:46:59,640 --> 00:47:01,240 Speaker 1: and when you did and you get your gun because 913 00:47:01,320 --> 00:47:04,040 Speaker 1: you're playing in the same theater. Yeah, you're not touring, 914 00:47:04,040 --> 00:47:07,080 Speaker 1: you know, did you have to do two shows a day? Ever? 915 00:47:07,160 --> 00:47:09,399 Speaker 1: When you were? Because I had friends that it shows 916 00:47:09,400 --> 00:47:11,359 Speaker 1: on Broadway and they were like, man, we'd have off 917 00:47:11,360 --> 00:47:13,520 Speaker 1: a Monday. But then we're doing two shows, you know, 918 00:47:13,520 --> 00:47:16,719 Speaker 1: on weekends, two shows on Wednesday, two shows on Saturday. 919 00:47:16,800 --> 00:47:19,680 Speaker 1: You had Monday off eight shows a week. Hardest job 920 00:47:19,719 --> 00:47:21,040 Speaker 1: I've ever had in my life. But I was gonna 921 00:47:21,080 --> 00:47:25,880 Speaker 1: ask the only, the only parallel, the similarity. But too, 922 00:47:26,840 --> 00:47:29,200 Speaker 1: I was in the same hotel room, I was in 923 00:47:29,239 --> 00:47:33,879 Speaker 1: the same dressing room, in the same stage. Did that 924 00:47:34,680 --> 00:47:37,279 Speaker 1: make you want to do more on Broadway or less? Oh? 925 00:47:37,360 --> 00:47:39,040 Speaker 1: I asked Carol Burnett that, I said, do you think 926 00:47:39,040 --> 00:47:41,959 Speaker 1: you'll ever do another Broadway play? She said, sure, only 927 00:47:42,000 --> 00:47:46,160 Speaker 1: if I can do the matinees only. I thought, well, 928 00:47:46,160 --> 00:47:47,719 Speaker 1: I like that woman and the fact that you bring 929 00:47:47,800 --> 00:47:49,880 Speaker 1: up Carol Burnette too, just a hero to me as 930 00:47:49,920 --> 00:47:53,800 Speaker 1: someone who loves comedy too, love her just the best, 931 00:47:54,360 --> 00:47:56,640 Speaker 1: just the best. Well, I appreciate you coming by you 932 00:47:56,680 --> 00:47:59,719 Speaker 1: have again, I am. What amazes me the most and 933 00:47:59,760 --> 00:48:04,400 Speaker 1: what I see other artists try to emulate is just 934 00:48:05,800 --> 00:48:09,400 Speaker 1: almost being ubiquitous with the time, always like it's it's 935 00:48:09,400 --> 00:48:14,040 Speaker 1: it's every few years, there's something else that is new Reba. 936 00:48:14,480 --> 00:48:16,480 Speaker 1: It's not you just going here, here's old reb Let's 937 00:48:16,520 --> 00:48:18,360 Speaker 1: make old Reba cool again. It's like new Reba is 938 00:48:18,360 --> 00:48:21,279 Speaker 1: always cool, and so you have. I don't know if 939 00:48:21,280 --> 00:48:22,640 Speaker 1: they've told you that. If you haven't, I don't know 940 00:48:22,640 --> 00:48:25,760 Speaker 1: what it is people may not have. I'm gonna identify it. 941 00:48:26,360 --> 00:48:27,800 Speaker 1: You're not right for this job, but you have it. 942 00:48:27,880 --> 00:48:32,160 Speaker 1: I'm like faith, you're gonna be a star. Reba Um. 943 00:48:32,200 --> 00:48:34,040 Speaker 1: You're just the best. And I appreciate you coming over 944 00:48:34,080 --> 00:48:37,040 Speaker 1: and and you know, just being you, Mike, is anything 945 00:48:37,040 --> 00:48:39,200 Speaker 1: you'd like to say? I think you're the only other 946 00:48:39,200 --> 00:48:40,920 Speaker 1: person that I know who is a fan of the 947 00:48:40,960 --> 00:48:44,439 Speaker 1: game Phase ten? Is that one of your favorite games 948 00:48:44,440 --> 00:48:46,480 Speaker 1: to play? It is one of my favorites. I'm into 949 00:48:46,520 --> 00:48:49,759 Speaker 1: Rummy Cube now also and a new one called sky 950 00:48:49,960 --> 00:48:53,120 Speaker 1: Joe to check those out. And I'm like, you know, 951 00:48:53,160 --> 00:48:57,320 Speaker 1: the only other person who likes this is the game player. 952 00:48:57,400 --> 00:48:59,640 Speaker 1: I love games. One read one question from you. You You 953 00:48:59,719 --> 00:49:01,040 Speaker 1: said some then that you were gonna ask for you 954 00:49:01,040 --> 00:49:02,239 Speaker 1: but if you had a chance, do you remember what 955 00:49:02,239 --> 00:49:05,920 Speaker 1: it was? Oh? Yeah, your cameo and the Little Rascals 956 00:49:06,040 --> 00:49:10,440 Speaker 1: changed my life? Are you kidding? Oh my gosh. I 957 00:49:10,480 --> 00:49:13,239 Speaker 1: grew up on that movie. I can remember being and 958 00:49:13,320 --> 00:49:16,479 Speaker 1: my Grandma's uh and I would eat strawberry ice cream 959 00:49:16,520 --> 00:49:20,120 Speaker 1: and watch that movie. Non stop. That is too cute. Yeah, 960 00:49:20,120 --> 00:49:22,319 Speaker 1: people get recognized you for everything. I was there for 961 00:49:22,360 --> 00:49:26,600 Speaker 1: people one day to shoot, and I was hearing all 962 00:49:26,640 --> 00:49:29,319 Speaker 1: the stories, you know. After the kids would do their 963 00:49:29,360 --> 00:49:31,000 Speaker 1: line one time, they don't want to do it again, 964 00:49:31,040 --> 00:49:33,680 Speaker 1: you know, they were like, I don't, I don't WNT play. Okay, 965 00:49:33,719 --> 00:49:35,920 Speaker 1: I'll give you a piece of candy. And then it 966 00:49:36,040 --> 00:49:38,239 Speaker 1: got to I'll give you a dollar if you just 967 00:49:38,280 --> 00:49:41,000 Speaker 1: say that line one more time. But they said that 968 00:49:41,120 --> 00:49:43,759 Speaker 1: it was a really fun time to get to do 969 00:49:43,880 --> 00:49:46,840 Speaker 1: the movie. Had to do the remake of Little Rascals. 970 00:49:46,880 --> 00:49:50,000 Speaker 1: But you're right, Of all the movies I've ever done, 971 00:49:50,000 --> 00:49:53,279 Speaker 1: Tremors and Little Rascals are the two that I get 972 00:49:53,320 --> 00:49:55,759 Speaker 1: recognized and talked about more man and I bet you 973 00:49:55,760 --> 00:49:57,879 Speaker 1: can tell what the person is going to recognize you from. Again. 974 00:49:57,880 --> 00:50:01,080 Speaker 1: We talk about demos like almost if they're a fan 975 00:50:01,120 --> 00:50:02,799 Speaker 1: of your music, or if they're they're they're a fan 976 00:50:02,840 --> 00:50:04,320 Speaker 1: of the TV show. If they say, hey, I'm a 977 00:50:04,360 --> 00:50:05,759 Speaker 1: big fan, you can kind of go, oh, I bet 978 00:50:05,760 --> 00:50:08,040 Speaker 1: you're a fan of this. Yeah, well listen, I will 979 00:50:08,120 --> 00:50:10,520 Speaker 1: let you go. But thank you so much. You've got 980 00:50:10,560 --> 00:50:12,440 Speaker 1: so much out. Well we'll talk about it again. In 981 00:50:12,440 --> 00:50:15,480 Speaker 1: a second. But if it's music, it's the Christmas movie, 982 00:50:15,960 --> 00:50:21,040 Speaker 1: it's Dolly, it's the shows that Brooks and done. Uh 983 00:50:21,280 --> 00:50:26,280 Speaker 1: new tour next year? Are we talking about that? Yeah? Okay, 984 00:50:25,920 --> 00:50:29,600 Speaker 1: well then what's happening? Well, starting in January we'll be 985 00:50:29,640 --> 00:50:32,360 Speaker 1: going out on tour, the Reba tour, me and the band, 986 00:50:32,560 --> 00:50:35,680 Speaker 1: which we were supposed to do in do you also 987 00:50:35,719 --> 00:50:37,759 Speaker 1: it's so it's that, okay, you're doing the tour that 988 00:50:37,800 --> 00:50:39,399 Speaker 1: got delayed. You know what I thought it was cool 989 00:50:39,400 --> 00:50:40,920 Speaker 1: is when you put out the YouTube concert of the 990 00:50:41,200 --> 00:50:43,040 Speaker 1: of your shows from back in the day. I thought 991 00:50:43,080 --> 00:50:45,560 Speaker 1: that was so cool that, Yeah, that was just a 992 00:50:45,600 --> 00:50:47,560 Speaker 1: brilliant idea. I watched the whole thing. I didn't come 993 00:50:47,640 --> 00:50:50,239 Speaker 1: up with that. I can't take credit, but I think 994 00:50:50,280 --> 00:50:52,520 Speaker 1: it was justin that came up with it, justin McIntosh, 995 00:50:52,640 --> 00:50:55,160 Speaker 1: and we had it and why not get it and 996 00:50:55,239 --> 00:50:57,200 Speaker 1: you know, get it ready and put it out on 997 00:50:57,280 --> 00:50:59,839 Speaker 1: television let people know that, you know, we have been 998 00:50:59,840 --> 00:51:02,000 Speaker 1: doing in this a while. In a way, that's bad 999 00:51:02,040 --> 00:51:04,680 Speaker 1: because the first one was pretty poor quality, not up 1000 00:51:04,760 --> 00:51:07,200 Speaker 1: to standards that we see today. The second one was 1001 00:51:07,200 --> 00:51:10,279 Speaker 1: a lot better, but um, I was still very proud 1002 00:51:10,360 --> 00:51:13,759 Speaker 1: of it. When when you're out on tour and we 1003 00:51:13,800 --> 00:51:17,480 Speaker 1: will end with this, she'll be out January. Do you 1004 00:51:17,520 --> 00:51:19,640 Speaker 1: feel like you have put an unhealthy expectation of you 1005 00:51:19,680 --> 00:51:21,319 Speaker 1: having to wear all the great clothes all the time. Yes, 1006 00:51:21,320 --> 00:51:22,600 Speaker 1: don't you ever just want to go and sweats and 1007 00:51:22,640 --> 00:51:24,360 Speaker 1: be like, I'm gonna sing you eight songs and sweats. 1008 00:51:24,400 --> 00:51:29,560 Speaker 1: I'll never forget seeing Shania Twain come out. Um. I 1009 00:51:29,680 --> 00:51:31,719 Speaker 1: wasn't there in person, but I saw it and she 1010 00:51:31,880 --> 00:51:35,600 Speaker 1: had those fluffy little workout pants on and tennis shoes 1011 00:51:35,680 --> 00:51:37,359 Speaker 1: and her hair in a ponytail, and I was like, 1012 00:51:37,880 --> 00:51:41,360 Speaker 1: I'm way overthinking this. And she had all her dancer 1013 00:51:41,400 --> 00:51:44,520 Speaker 1: and be Bob Brown. It was so cool and I thought, man, 1014 00:51:44,680 --> 00:51:47,799 Speaker 1: why didn't I think of that? Okay, thank you Reba, 1015 00:51:47,880 --> 00:51:51,000 Speaker 1: thank you Bobby. Nice to see all these That was awesome.