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Speaker 1: I am all in. I am all in with Scott

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Speaker 1: Patterson and I Heart Radio podcast. Hey everybody, Scott Patterson,

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Speaker 1: I am all in podcast, I Heart Radio one of

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Speaker 1: leven Productions, and I am here with the ball Club,

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Speaker 1: Riley Pellucist, Daniel Romo, Amy Sugarman, the One and Only,

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Speaker 1: And this is haunted Leg. Whatever in the heck that

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Speaker 1: means we can watch the whole episode. And then when

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Speaker 1: you guys just said the title, I was like, the

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Speaker 1: haunted leg is that is that in reference to Christopher

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Speaker 1: in some way? Because he did appear as a ghost

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Speaker 1: in that scene and haunted that scene and then disappeared

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Speaker 1: on his mother's ahead, don't jump ahead, that's right. Sorry,

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Speaker 1: I'm so sorry. Haunted We're going in order leg like

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Speaker 1: l e G. Yeah, that's what it says. Haunted leg. Yeah,

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Speaker 1: not haunted egg, not haunted, it's haunted leg. I'm reading

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Speaker 1: that as season three episode to air date October one

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Speaker 1: to Riley, take us away with your synopsis. So it's

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Speaker 1: still awkward between Emily and Laura La until she intervenes

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Speaker 1: when Christopher shows up to Friday night dinner and expectedly,

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Speaker 1: Paris and Rory are sworn into the student body at Chiltern,

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Speaker 1: but Paris is overbearing, ruling isn't sitting well with everyone else. Meanwhile,

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Speaker 1: Rory has an awkward run in with Jess at the supermarket. Yes,

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Speaker 1: that was okay, We're gonna go in order. I understand

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Speaker 1: that I'm full of I'm full of sleep. I got

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Speaker 1: a lot of sleep in the last two days. So

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Speaker 1: are you gonna You're gonna have a lot to deal

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Speaker 1: with here? What have you done in the last couple

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Speaker 1: of days? Actually, obviously just TRUEV had any sleep, So

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Speaker 1: I'm energized, and I've been on a writing jack. I've

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Speaker 1: been writing songs, so I haven't got any I don't.

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Speaker 1: I don't know if that's good necessarily, but well, yeah,

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Speaker 1: you have some news Amy about some fan reactions. Go ahead, well, yes, okay,

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Speaker 1: so they like us going in order. That definitely has

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Speaker 1: gotten a top notch review, which will do. But it's

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Speaker 1: taking everything in my body. Did not jump to the

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Speaker 1: last scene because it's like what I want to talk

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Speaker 1: about so much, But we'll go Norma, No, do you

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Speaker 1: want to give us give us your overall on the

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Speaker 1: on the episode overall? Yeah, yeah, it didn't listen. Let

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Speaker 1: me let me qualify this for the for you lovely fans. Um.

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Speaker 1: I love to argue and I love the nitpick. I

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Speaker 1: just love it. I love to analyze, I love to

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Speaker 1: break it down. Why I'm having so much fun on

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Speaker 1: this podcast. I have like minded people here with me. Um.

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Speaker 1: I love these episodes. I love every single one of them.

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Speaker 1: I love the show. I really enjoy watching them. I

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Speaker 1: think they've done people a world of good. Um. It's

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Speaker 1: a very positive force in my life, and it's a

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Speaker 1: very positive force in everybody else's lives that is in

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Speaker 1: this very sizeable global fan base. And I respect that,

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Speaker 1: and I respect the show and the creators and the actors,

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Speaker 1: and I love them all. And you know, I feel

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Speaker 1: like I've been blessed with this, this gift of this show.

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Speaker 1: And however, I am analytical and I don't like things

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Speaker 1: to make sense, and I I am a bit of

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Speaker 1: a snob when it comes to my craft and structure

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Speaker 1: and logic and all that kind of thing. So that's

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Speaker 1: all I'm doing. So, you know, don't kill the messenger here, please,

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Speaker 1: thank you very much. I'm not saying you, I'm saying

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Speaker 1: the fans, you know, because they won't. But I totally

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Speaker 1: disagree with you disagree more so, I guess we'll just

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Speaker 1: get into it. You disagree with that that I love

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Speaker 1: the show and episode that you gave it kind of

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Speaker 1: a thumbs to the side thumbs down, because I give

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Speaker 1: it a double thumbs up, really double. Oh we're gonna

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Speaker 1: be button heads today. Okay, So I guess I mean

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Speaker 1: we'll let the games begin. Gentlemen's start your engines, alright, Alright,

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Speaker 1: we open up so awkward Friday night dinner, very awkward

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Speaker 1: where Rory's trying to keep in peace and uh, there's

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Speaker 1: a mouse. So the discussion of the mouse. Got a

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Speaker 1: problem with it right off the bat. What's she doing

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Speaker 1: sitting there in her house in the first place? They

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Speaker 1: just had this She just walked out on her the

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Speaker 1: week before they had this massive abusive blowout. Where have

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Speaker 1: you ever seen Laura Lae at a loss for words?

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Speaker 1: Have you ever seen Laura la not defend herself in

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Speaker 1: a very passionate and very logical way, in a righteous way.

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Speaker 1: I haven't. That's the first time I've seen her tucktail

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Speaker 1: and just walk out because the abuse was so overwhelming

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Speaker 1: that she just had to walk out because she just

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Speaker 1: in her in her brain it was like, these people

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Speaker 1: are crazy and abusive and I am out of here.

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Speaker 1: And that's like a year long thing. That's like you

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Speaker 1: make a phone call and you go, you know what,

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Speaker 1: screw you, um take your money back. You want to

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Speaker 1: pull her out of private school, go right ahead, you

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Speaker 1: be that person. But we're not coming there until you

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Speaker 1: apologize to me. Where the hell was that scene? Where's that? Laurelie?

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Speaker 1: Well yeah, okay, So so that's an interesting point. I

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Speaker 1: looked at it like moms and daughters just kind of fight,

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Speaker 1: like it's just kind of how it goes. And but

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Speaker 1: that wasn't a mom daughter fight. That was that. That

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Speaker 1: was both of her parents just unloading on her. I agree,

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Speaker 1: I agree, But at the same time, in families, you

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Speaker 1: kind of just show up the next Friday and do

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Speaker 1: it all again. Not my family, not how I grew up.

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Speaker 1: Oh my god, we have like a huge blowout. Pass

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Speaker 1: the turkey, Like what about you guys? I agree, I

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Speaker 1: I we passed the turkey too, But this this fight,

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Speaker 1: in particular, it would have given at least one more

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Speaker 1: It would have been one week of not passing turkey,

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Speaker 1: and then the week after we would have talked, right,

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Speaker 1: and do you guys feel like, okay, you just move

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Speaker 1: forward and you show up for Friday night dinner or

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Speaker 1: does everything need to be discussed. That's the thing that

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Speaker 1: the Gilmore seemed to not do, like they never resolve

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Speaker 1: it because they don't really talk about it. Obviously, we

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Speaker 1: have a big tin at the end. But that's what

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Speaker 1: I thought it right, that's what I thought it needed.

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Speaker 1: I didn't. I was hoping that the episode was going

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Speaker 1: to begin with phone call from Laurelize saying, Mom, we

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Speaker 1: need to sit down and talk and get this you

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Speaker 1: know stuff right, because I'm not going to sit through

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Speaker 1: another tongue lashing like that. You are not going to

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Speaker 1: abuse me anymore, and I will take Roryotte at Chilton

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Speaker 1: or or you if if you want to take Rorriotte

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Speaker 1: of Chilton, that's fine. I'm renegging on the deal. I

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Speaker 1: didn't sign up for this. I agreed to this would

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Speaker 1: come Friday nights, but I didn't agree to take your

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Speaker 1: you know what, it's not very Gilmoury. It is, it is,

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Speaker 1: but it's very it's very laurel I. It's very Laureal

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Speaker 1: because think about it, she didn't just immediately go resolve

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Speaker 1: things with Luke it just but that's Luke. That's Luke.

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Speaker 1: It's a love. It's a sort of affairs of the Horns.

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Speaker 1: It's not an affair. She's not in a she's not

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Speaker 1: in an intimate relationship with their parents, for God's sake.

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Speaker 1: But she layalized coping mechanism. Even though you see her

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Speaker 1: as this feisty, you know, strong woman that takes no leap,

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Speaker 1: she doesn't do that. She reacted to the Gilmore's the

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Speaker 1: same way she dealt with the fight with you, never

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Speaker 1: directly addressing it. Mimi. No, Sorry, that's not in her

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Speaker 1: character to back down from Emily or Richard. Well, she

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Speaker 1: should have given them what for for that level of abuse.

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Speaker 1: I'm sorry, that's just how I feel. That's just how

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Speaker 1: I feel. I thought it was. I thought it was

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Speaker 1: inconsistent of her character not to go back at Emily

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Speaker 1: and Richard and say listen, you know yeah to me,

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Speaker 1: I feel like you want to pull rory at it.

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Speaker 1: I'm not coming. We're not coming to as a punishment

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Speaker 1: to just to teach you guys a lesson. You can't

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Speaker 1: talk to me that way, and we're we're punishing you

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Speaker 1: for a month. We will not come and do that

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Speaker 1: to her, their her whole life, So then she would

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Speaker 1: just have done that a hundred years ago, do you

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Speaker 1: know what I mean? Like, that's why they have this drama,

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Speaker 1: because they've been behaving like this for thirty years. So

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Speaker 1: she's not going to start now. We're not going to

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Speaker 1: agree on this. No, it's just my opinion. You have

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Speaker 1: your opinion. You know. I don't want to try to

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Speaker 1: I'm not trying to change your mind. I'm just saying

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Speaker 1: I found it a bit odd that the episode haunted

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Speaker 1: leg which we still haven't figured out what in the

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Speaker 1: heck that means. Um started off with Laura Lye and

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Speaker 1: Rory in the living room, in Emily's living room and

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Speaker 1: not talking to each other. I just found that absurd.

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Speaker 1: And so what I think is interesting, though, is you

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Speaker 1: feel the attention and Rory's trying to make it good.

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Speaker 1: But then Shanna Christie shot her husband and Emily is

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Speaker 1: like what, And then they kind of gossip about that

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Speaker 1: and she says at least she had a hu have

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Speaker 1: been to kill right. Great scene, funny all that, but

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Speaker 1: I didn't buy the scene. I didn't buy that the

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Speaker 1: scene should even have existed. It was too soon anyway,

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Speaker 1: whoever is controlling this, uh this board, can you uh

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Speaker 1: you just reduced this, uh the size of the of

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Speaker 1: what I'm seeing here? Can you widen it out again?

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Speaker 1: Because now everybody's really tiny and it's awkward weird. Yeah,

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Speaker 1: well okay. So then now we're at the diner and

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Speaker 1: Lorela has a cold, which was that triggering to anybody

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Speaker 1: that she went to the diner with the cold? Triggering

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Speaker 1: in what way did you got a cold to? No, Like,

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Speaker 1: you don't go to diners with colds anymore, you stay

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Speaker 1: at home. Yeah. Well uh, And then I noticed Scott

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Speaker 1: Luke was carrying a lot of plates. M hum, that's

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Speaker 1: what I do, Sluke. That's what I do. I carry

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Speaker 1: a lot of plates. Okay, So then the significance of

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Speaker 1: this scene, and you guys break it down one is,

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Speaker 1: obviously Luke is always looking out for lord Lyon thinks

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Speaker 1: she should eat better. And then we see Jess reading

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Speaker 1: in the background, and Shane comes in and oh boy, makeout, makeout, makeout,

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Speaker 1: and then Dean walks up. It's just it was all

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Speaker 1: just so, I don't know, it's just for me. And

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Speaker 1: here I am, I'm going to knitpick at this scene

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Speaker 1: it's like, uh, I don't know. I just didn't. I

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Speaker 1: just didn't buy it. I mean, it's just like writing

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Speaker 1: roars it did. It just didn't feel it felt staged almost,

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Speaker 1: you know, and like here comes here comes Jessica into

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Speaker 1: the diner. They make out right in front of her,

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Speaker 1: and it's like, you know, they're making this kid out

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Speaker 1: to be some kind of jerk and they're making her.

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Speaker 1: It's just I don't I don't like it. I don't

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Speaker 1: like how its staged. I don't like it's how it's

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Speaker 1: set up. I don't think everything, so I don't totally

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Speaker 1: think you're wrong. But at the same time, without that scene,

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Speaker 1: the scene at Dosy's Market wouldn't have been so true.

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Speaker 1: So for me, everything leads to the next thing. Jess

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Speaker 1: jess is just becoming obnoxious. They're ruining his character and

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Speaker 1: I don't like disagree. I think he's getting really obnoxious.

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Speaker 1: And I agree, and we're going to jump ahead. But

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Speaker 1: he did have a point. Yeah, but you know, narcissists

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Speaker 1: always have really good points, don't they always They always

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Speaker 1: make great points. Yeah, back up our boy jess here. Yeah,

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Speaker 1: I agree, Amy. I wish you guys can the people

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Speaker 1: that are listening to this. I wish you could see

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Speaker 1: our faces because we both were in just utter shock.

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Speaker 1: But but no, I I don't think Jess is a

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Speaker 1: narcissist at all. I think I'm really grossed out by

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Speaker 1: that scene where they were making out again, Um, that's

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Speaker 1: where people were eating their food. Yeah. Gross. Man. If

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Speaker 1: I was at that diner and the guy that was

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Speaker 1: working behind the counter and a girl walks in and

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Speaker 1: makes out with him, I would be like, I'm not

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Speaker 1: eating here anymore. You know what Luke's doing right now.

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Speaker 1: He's making a new sign with two tongues, like with

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Speaker 1: a crosso No no tongues, no tonguing, no French kissing

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Speaker 1: at the counter. People are trying to eat Dan, you'll

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Speaker 1: keep going. I want to take your hormones outside. I'm

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Speaker 1: team Jess and I think Rory's wrong. I'm team Jess too.

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Speaker 1: I'm also team Dean. I feel I want to give

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Speaker 1: him a hug right now. I'm just not team Rory

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Speaker 1: in this moment. Sorry, guys, I'm not. No. I mean,

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Speaker 1: I love Rory and I get that she loves Jess,

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Speaker 1: but she needs to tell Jess she wants to be

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Speaker 1: with Jess. He was so right, we can't jump ahead.

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Speaker 1: But yeah, this scene was important because the market scene,

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Speaker 1: everything's like a crescendo to me, So the whole episode

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Speaker 1: happens for the scene in the market and the scene

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Speaker 1: at the Gilmore's at the end, and we need all

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Speaker 1: the other stuff. All right, let's let's just let's get

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Speaker 1: back to the structure. Let's just go back to the

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Speaker 1: order were let's not jump ahead my bed. No, no, no, no,

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Speaker 1: we have you can't go just bit by bit because

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Speaker 1: sometimes the end affects us. Also, Lorelai loves the necklace.

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Speaker 1: I'm just gonna interject with that. Okay, now we're at

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Speaker 1: the end. Did anyone notice it was a new shot

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Speaker 1: of the inn. I'm not sure we've never seen that

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Speaker 1: angle before, which made sense to me. We're in a

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Speaker 1: new season. The inn look good with it's just in

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Speaker 1: the in the fireplace. Yeah, we saw that exterior shots.

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Speaker 1: We saw the ex they got the bit with the mouse.

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Speaker 1: M h. And and here comes Kirk talk about it. Uh,

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Speaker 1: you know, classic scene. I'd say one of the top

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Speaker 1: I don't know twenty five classic scenes in that show

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Speaker 1: all time is Kirk asking Laura Lae out on a date.

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Speaker 1: You know it's hysterical, I mean, just to lend awkwardness.

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Speaker 1: You know, the absurdity of these characters in these situations

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Speaker 1: just you know, makes for belly laughs. I mean it was,

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Speaker 1: it was really, it was really funny. If Unique doesn't

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Speaker 1: make you laugh, then there's there's always another supporting character

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Speaker 1: that's going to come in and hit it out of

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Speaker 1: the park. Um ye. Unique was still very funny. And

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Speaker 1: then Sean came in and delivered. And just when you're like,

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Speaker 1: Kirk is so awkward and dorky and I can't believe

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Speaker 1: he's doing this, he says, you're the prettiest girl I've

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Speaker 1: ever seen outside of the magazine, and you're just like,

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Speaker 1: she should let go. Yeah, I mean on that note,

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Speaker 1: sure she sure. Yeah. It's like he's I almost thought

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Speaker 1: she was gonna just pity dat him, but then obviously

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Speaker 1: I thought it was the way she handled that, which

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Speaker 1: we'll get to. It was really good. Maybe it could

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Speaker 1: have been a dream sequence like in black and white,

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Speaker 1: like a film by Kirk, right, why didn't why didn't

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Speaker 1: he do a film by Kirk and like you know,

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Speaker 1: have a lore like character in there, like his his

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Speaker 1: love letter to her. It could be I want to

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Speaker 1: date your mom. I love your mom. Oh my god. Alright,

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Speaker 1: So we go into the Gilmore house and loyalizes in

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Speaker 1: the chair while Rory sleeps because it's her last first

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Speaker 1: day of high school. Right, you know, I thought Rory

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Speaker 1: had an excellent pink robe and then she so. Lorelei

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Speaker 1: then tells Rory Kirk asked me out, which to me,

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Speaker 1: the dialogue was so hilarious in that scene, as long

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Speaker 1: as he loves you mm hmmm, yes, her daughter being

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Speaker 1: appropriately sarcastic, it was very funny. And then she says,

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Speaker 1: we're going to have to move. And then did anyone

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Speaker 1: notice they were eating a ginormous bowl of rice crispies

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Speaker 1: with Marsha clothes a lot of milk. She kept pouring

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Speaker 1: that milk in there. It's like, stop, a very inappropriate

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Speaker 1: breakfast for a teenager. But and they were sharing the bowl. Okay,

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Speaker 1: that's like, you know, eating each other's backwash. Basically, it's like, wow,

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Speaker 1: I don't mind sharing food, but you know some people

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Speaker 1: like don't share food, Like Joey doesn't share food on friends.

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Speaker 1: Joey doesn't share food. That's actually a sign of intelligence

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Speaker 1: to not your food. I don't know what I'm talking about. Ida,

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Speaker 1: And then we find out that the Spinstein never shared

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Speaker 1: his food with anybody's parents and they were Then we

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Speaker 1: find out about the ceremony and that Grandma's coming. Yes,

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Speaker 1: the ceremony. Okay, how do we find out about the ceremony?

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Speaker 1: Rory reveals it. Okay, So here's the thing. Okay, uh,

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Speaker 1: and maybe I'm jumping out a little bit, but the ceremony,

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Speaker 1: the the student body, the council whatever, giving their speeches

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Speaker 1: and kicking off the new year. I thought, here's another

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Speaker 1: logic flaw for me. Uh. It wasn't Paris all like

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Speaker 1: noodlely about joining the Puffs? Yes, okay, so what in

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Speaker 1: the hell is she doing in that meeting? Bulldozing the

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Speaker 1: head of the Puffs over ahead? Okay, well you're jumping ahead?

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Speaker 1: How far ahead am I jumping? You're like three scenes ahead? Damn.

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Speaker 1: It just hit me over the head. Okay, And it's hard.

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Speaker 1: We're gonna have to get used to it. The first

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Speaker 1: focus on the swearing in ceremony, Paris gives that like

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Speaker 1: like ridiculous speech LOREA lie was that got there at

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Speaker 1: three oh one? But Rory had lied to her, you know,

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Speaker 1: But it starts chronically late, so you gotta lie to her.

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Speaker 1: Rory gives her speech. But the other important part was

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Speaker 1: that Emily and Laura Lee were sitting together and the

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Speaker 1: first bit put the purse on the chair, the purse

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Speaker 1: goes off, first goes on. Would have been nice if

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Speaker 1: you put your purse down, And it was a lot long.

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Speaker 1: They talked about how the ceremony was a bit long.

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Speaker 1: And then they're waiting in the hallway for Rory and Emily.

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Speaker 1: You know, Rory comes out to see them, and Lorda

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Speaker 1: like blows off Emily, so she leaves while Lorea lie

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Speaker 1: waits for Rory. It's kind of like. And then Emily says,

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Speaker 1: let's have lunch. Right, So obviously there's your lunch that

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Speaker 1: you had been wanting, Scott. You've been wanting them to

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Speaker 1: make a plan to sit down and talk about this.

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Speaker 1: So I assume that's what the lunch was. But it

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Speaker 1: gets worse. Where does she want to have lunch at? What? Look?

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Speaker 1: All great stuff? All those scenes are nice little runways

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Speaker 1: to get to you know, our destinations. Um, all funny stuff,

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Speaker 1: all great stuff the lunch. So here's the question, is

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Speaker 1: it Emily's need to manipulate and be the puppet master

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Speaker 1: overlayalized life. Was laurel I justified and being so insulted

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Speaker 1: by that? Umhm? Was she was? She justified? That's the question,

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Speaker 1: because you know the meddling that is going on behind

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Speaker 1: her back with Christopher, and it's like Christopher was too much.

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Speaker 1: Emily calling Christopher is rough. Although let's not forget that

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Speaker 1: Lorelei has done the same thing with Dean. She has

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Speaker 1: had conversations with Dean about Rory, which I at the time,

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Speaker 1: please remember, I thought it was I just got mind blown. Yep. Yeah,

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Speaker 1: it's been here for what because Danielle forgot that. Everybody's

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Speaker 1: all mad at Emily. Dean's to sixteen, sixteen years old. Yeah,

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Speaker 1: you're gonna have a talk with him with Johnny Chicago,

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Speaker 1: Johnny Hormone over there. The talk it was when Lorelei

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Speaker 1: gave love advice to Dean. Oh, yeah, you didn't specify that. Okay, sorry,

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Speaker 1: So everyone's all mad at Emily's meddling, but lor Lie

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Speaker 1: medals they're the same person. I wouldn't consider Laurel I

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Speaker 1: giving Dean love advice meddling. But that's Laurel I loving

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Speaker 1: a kid who needs some guidance, who's gonna get who's

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Speaker 1: keep continues to get hurt? And she's showing empathy. Okay, fine,

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Speaker 1: So then why is Emily calling Christopher not the same

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Speaker 1: thing showing love for Christopher and her daughter and wanting

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Speaker 1: them to be together and work this out. Because Laurel

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Speaker 1: is not a sixteen year old kid. She's a grown woman,

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Speaker 1: and she wants her respect, and she wants her boundaries respected,

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Speaker 1: and those she keeps violating her boundaries, she keeps crossing

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Speaker 1: Laurelized boundaries and getting involved in her life at a

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Speaker 1: level that doesn't make her feel comfortable. And I don't

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Speaker 1: blame her for popping at her mother. Her mother is

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Speaker 1: a pain in the ass, you know. It's like she

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Speaker 1: just is. She's an abusive pain in everybody's ass. And

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Speaker 1: I'm sorry to be so blunt about it. I'm tired too.

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Speaker 1: I'm tired this woman just sort of bulldozing this girl

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Speaker 1: who's trying to live a quality of the life away

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Speaker 1: from these abusive people. And she's collected a community of

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Speaker 1: of wonderful stars, hollow people. She's got a nice little situation.

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Speaker 1: She's managing her life beautifully. Her daughter is doing beautifully.

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Speaker 1: She's made a deal with the devil. Right, she's to

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Speaker 1: get her daughter's school paid for. But they should have

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Speaker 1: done that anyway. They shouldn't put conditions on it. Why

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Speaker 1: do they put conditions on it. I'll give you the money,

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Speaker 1: but you have to come over once a week. What

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Speaker 1: is that? So? I can disagree with you that Emily

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Speaker 1: is wrong, but I just consistent that Laurel I shouldn't

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Speaker 1: have done it with Dean. You it's really you can

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Speaker 1: you're comparing apples and oranges. It's it's it's it's a

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Speaker 1: totally different These are different worlds. These are different worlds.

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Speaker 1: This is this is this is my my abusive mother

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Speaker 1: who I ran away from, won't stop disrespecting my boundaries

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Speaker 1: and meddling in my life with a guy who you

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Speaker 1: know it could have worked out now, I mean, Loreal

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Speaker 1: I is so together that she's trying to she's moved

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Speaker 1: on from Christopher. It's like, okay, you know, she got

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Speaker 1: the rug pulled out of from under again with the

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Speaker 1: shocking pregnancy news for the Christophers girlfriend. So LOYALI is

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Speaker 1: moving on, and she in her same high spirits and

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Speaker 1: and using that humor that she developed too as a

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Speaker 1: shield against her parents. Now she's using it in every

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Speaker 1: aspect of her life and it and it serves her,

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Speaker 1: you know, it keeps her saying, it keeps her going,

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Speaker 1: It keeps her buoyant. But for her, that's her personality.

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Speaker 1: That's why we enjoy this show so much, is because

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Speaker 1: we get to watch that glorious person be funny and

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Speaker 1: not and not. And you know, because the you know,

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Speaker 1: the the I hate to say it, the the shite

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Speaker 1: is piling up so hi, she's got to grow wings

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Speaker 1: to stay above it. And she's got beautiful wings and

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Speaker 1: she knows how to fly, and she's flying, but this

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Speaker 1: woman keeps throwing stuff up at her and getting it's

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00:24:59,440 --> 00:25:01,840
Speaker 1: getting on her wings and bringing her down. That's how

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Speaker 1: I see it done it again. We'll get to the end,

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Speaker 1: but thank you very Let's go back to your scene

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00:25:06,920 --> 00:25:10,040
Speaker 1: you wanted to talk about, which was the student council meeting,

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Speaker 1: the first one where it's supposed to be to get

395
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Speaker 1: to know each other and Paris never lets anyone talk, uh,

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Speaker 1: And this was where Francy brings up the hemline. And

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Speaker 1: the girl that played Francie was just terrific. Yeah, she was.

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Speaker 1: She was terrific. Yeah, just hit it out of the park.

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Speaker 1: Made the episode for me. So talking to Daris is

400
00:25:32,880 --> 00:25:38,360
Speaker 1: like shopping for a bathing suit in December. Frustrating, useless,

401
00:25:38,400 --> 00:25:43,440
Speaker 1: and a complete waste of time. Who is that actress?

402
00:25:43,440 --> 00:25:45,320
Speaker 1: She hit it out of the part? Emily Burgle? Is

403
00:25:45,320 --> 00:25:47,800
Speaker 1: that her last name? Burgle? Oh? She was, She was terrific.

404
00:25:48,000 --> 00:25:51,040
Speaker 1: She was just terrific. She does a lot of work,

405
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Speaker 1: she works a lot. Really good for her. She should,

406
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Speaker 1: she should. But that is the part where Paris bugs me,

407
00:25:58,040 --> 00:26:00,880
Speaker 1: Like I can deal with Paris, but like the fact

408
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Speaker 1: that Paris just talked in that meeting for an hour

409
00:26:03,480 --> 00:26:09,480
Speaker 1: and doesn't let anyone talk is like that's annoying, you think, Yeah,

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Speaker 1: and plus okay, so here's the logic thing. Puffs, leader

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Speaker 1: of the Puffs, president of student council, has some power,

412
00:26:17,680 --> 00:26:22,119
Speaker 1: has some real power. Now how season one we saw

413
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Speaker 1: you know, Rory accidentally sit down and ingratiate herself to

414
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Speaker 1: the leader of the Puffs, and she was kind of accepted.

415
00:26:31,640 --> 00:26:33,840
Speaker 1: Like this girl is so oblivious. We love her, she

416
00:26:33,880 --> 00:26:36,000
Speaker 1: doesn't even know who we are lover her. Let's let

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Speaker 1: her in. Paris gets all new toly can you can

418
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Speaker 1: you have any influence with them. All of a sudden,

419
00:26:40,359 --> 00:26:43,520
Speaker 1: now she's, you know, trying to bulldoze these people. How

420
00:26:43,960 --> 00:26:45,560
Speaker 1: all of a sudden she doesn't want to be in

421
00:26:45,560 --> 00:26:49,600
Speaker 1: the Puffs were consistently over because they got so busted

422
00:26:50,160 --> 00:26:53,840
Speaker 1: who the Puffs. Remember they got Paris and Rory got

423
00:26:53,840 --> 00:26:57,920
Speaker 1: into the Puffs and they were having their initiation. Remember

424
00:26:57,960 --> 00:27:01,520
Speaker 1: they had the morning thing, and Paris looked like poop

425
00:27:01,560 --> 00:27:03,760
Speaker 1: and Rory looked perfect because lower Light told her they

426
00:27:03,760 --> 00:27:06,480
Speaker 1: were coming. And then they got so busted in the

427
00:27:07,200 --> 00:27:09,560
Speaker 1: you know, in the headmaster's office that maybe they're just

428
00:27:09,640 --> 00:27:14,200
Speaker 1: the Puffs are no more. Apparently the Puffs still exists,

429
00:27:14,200 --> 00:27:16,320
Speaker 1: and they still have influence and they still have power.

430
00:27:16,480 --> 00:27:20,840
Speaker 1: She's they still have an organization. So suddenly Paris doesn't

431
00:27:20,880 --> 00:27:24,280
Speaker 1: want to be involved with the Puffs because so you're saying,

432
00:27:24,320 --> 00:27:29,639
Speaker 1: because they have a a police record right now, that

433
00:27:29,720 --> 00:27:33,480
Speaker 1: they're not so desirable and organization to remember him. I

434
00:27:33,560 --> 00:27:36,480
Speaker 1: agree with the inconsistency you're talking about, because Paris was

435
00:27:36,600 --> 00:27:39,439
Speaker 1: so all about them, So why would she then be

436
00:27:39,520 --> 00:27:43,240
Speaker 1: such a hardass to Francy over the in shalong hemline

437
00:27:43,320 --> 00:27:45,560
Speaker 1: like it isn't consistent. I'll give you that it's not

438
00:27:45,640 --> 00:27:49,200
Speaker 1: consistent at all. She just want to be popular or not.

439
00:27:50,160 --> 00:27:52,800
Speaker 1: I mean, just because they got busted once by the headmaster,

440
00:27:52,920 --> 00:27:56,080
Speaker 1: they weren't suspended as an organization, they weren't disbanded. They're

441
00:27:56,080 --> 00:28:00,160
Speaker 1: still together, they still wield power. You know this is

442
00:28:01,040 --> 00:28:04,280
Speaker 1: there was no scene. There was no scene really explaining

443
00:28:04,320 --> 00:28:06,600
Speaker 1: that the Puffs had lost their luster and their influence

444
00:28:06,640 --> 00:28:09,760
Speaker 1: and their no no longer desirable. Otherwise the scene would

445
00:28:09,760 --> 00:28:12,760
Speaker 1: have made sense. How they that. It doesn't make sense

446
00:28:12,760 --> 00:28:15,199
Speaker 1: how important they were to Paris and how much she

447
00:28:15,359 --> 00:28:18,160
Speaker 1: wanted to be friends with Francy and then suddenly now

448
00:28:18,200 --> 00:28:24,879
Speaker 1: she's just gonna like slam Francy on everything. I agree anyway,

449
00:28:25,200 --> 00:28:29,200
Speaker 1: just an observation. But back to the end, Suki doesn't

450
00:28:29,240 --> 00:28:32,359
Speaker 1: want to serve the vegetarians, and we tee up that

451
00:28:32,440 --> 00:28:35,119
Speaker 1: the lunches today. But wait, wait, there's a life lesson.

452
00:28:35,440 --> 00:28:41,840
Speaker 1: Rory teaches Paris a life lesson about being political. She's

453
00:28:41,880 --> 00:28:44,480
Speaker 1: a real you know, Rory is a real operator. I

454
00:28:44,520 --> 00:28:47,920
Speaker 1: mean she's a real political operator. She really like you.

455
00:28:48,160 --> 00:28:50,920
Speaker 1: You want to do these small favors just in case

456
00:28:50,960 --> 00:28:53,760
Speaker 1: down the line you need something from them. You know,

457
00:28:54,040 --> 00:28:55,880
Speaker 1: we have to be political here. We can't. You just

458
00:28:55,920 --> 00:28:59,240
Speaker 1: can't be a dictator. Well, everyone in Shelton is manipulating

459
00:28:59,280 --> 00:29:03,719
Speaker 1: everyone because Francy manipulated Rory, so Rory has to manipulate Paris.

460
00:29:05,200 --> 00:29:11,920
Speaker 1: Don't even want this job college application, right, going through

461
00:29:11,960 --> 00:29:17,560
Speaker 1: the motions basically, yeah, tolerating people. Um, but I you know,

462
00:29:17,760 --> 00:29:20,440
Speaker 1: I I did like the scene. Listen, I don't dislike

463
00:29:20,480 --> 00:29:23,280
Speaker 1: these scenes. I love these scenes. I think they're beautifully acted,

464
00:29:23,320 --> 00:29:25,880
Speaker 1: and they're funny, and it's just if there's a logic question,

465
00:29:25,960 --> 00:29:31,480
Speaker 1: it kind of you're not wrong. The grill in the room,

466
00:29:31,800 --> 00:29:34,120
Speaker 1: all right. So then we have the scene with Suki

467
00:29:34,160 --> 00:29:37,200
Speaker 1: to kind of prepare us for the lunch. Then we

468
00:29:37,360 --> 00:29:40,200
Speaker 1: go back to Chilton if we're going in order, which

469
00:29:40,200 --> 00:29:42,920
Speaker 1: we kind of touched on this, and we Roy gets

470
00:29:42,960 --> 00:29:47,400
Speaker 1: pulled into the bathroom and and Francy. Great scene, my

471
00:29:47,520 --> 00:29:53,440
Speaker 1: favorite scene of the entire episode really in the bathroom.

472
00:29:53,480 --> 00:29:57,520
Speaker 1: That was so righteous, the scene that that show needed

473
00:29:57,720 --> 00:30:00,160
Speaker 1: the hard edge, they needed a gang thing that was

474
00:30:00,200 --> 00:30:03,400
Speaker 1: like that was an homage to all the great high

475
00:30:03,440 --> 00:30:07,120
Speaker 1: school gang scenes that you've ever seen. Like it was

476
00:30:07,160 --> 00:30:09,719
Speaker 1: just it was beautiful. It was beautifully acted by that

477
00:30:10,680 --> 00:30:13,560
Speaker 1: Emily Burgele and It was just such a great situation.

478
00:30:14,080 --> 00:30:17,200
Speaker 1: It took me back into high school, like like, oh

479
00:30:17,240 --> 00:30:20,360
Speaker 1: my god, high school so gnarly. Like I literally just

480
00:30:20,400 --> 00:30:27,240
Speaker 1: like transported me back into high school. Did you ever

481
00:30:27,280 --> 00:30:32,560
Speaker 1: get bullied in high school? I didn't, but like that exists,

482
00:30:32,840 --> 00:30:36,640
Speaker 1: you know, like Francine and Rory, that scene happens in

483
00:30:36,760 --> 00:30:43,800
Speaker 1: high school. For sure. I got bullied horribly. Yeah, because

484
00:30:43,800 --> 00:30:46,640
Speaker 1: I was. I was small and skinny, and as a

485
00:30:46,680 --> 00:30:53,120
Speaker 1: freshman I made you know I I I didn't start

486
00:30:53,160 --> 00:30:57,680
Speaker 1: growing until god, sophomore year. Were you a high school

487
00:30:57,680 --> 00:31:00,760
Speaker 1: based only cool? Were you cool or were you like

488
00:31:02,400 --> 00:31:06,880
Speaker 1: I wasn't cool? No? I was skinny, and I mean

489
00:31:06,920 --> 00:31:09,920
Speaker 1: I was just rail finn and kind of smallish. But

490
00:31:10,280 --> 00:31:15,280
Speaker 1: I I was in this situation where um, I beat

491
00:31:15,320 --> 00:31:21,040
Speaker 1: out like the all star local shortstop football captain quarterback

492
00:31:21,600 --> 00:31:24,600
Speaker 1: big man on cabmus guy, and all of a sudden,

493
00:31:24,600 --> 00:31:27,959
Speaker 1: I found myself playing starting at shortstop for the for

494
00:31:28,280 --> 00:31:34,000
Speaker 1: a powerhouse UH team and it I had a lot

495
00:31:34,040 --> 00:31:38,640
Speaker 1: of enemies at that. His friends used to drag me

496
00:31:38,680 --> 00:31:41,240
Speaker 1: into the wrestling room every day and beat the snot

497
00:31:41,240 --> 00:31:45,040
Speaker 1: out of me to try to force me to quit. Yeah,

498
00:31:45,160 --> 00:31:49,640
Speaker 1: did you quit baseball? No? Oh, did you ever go

499
00:31:49,680 --> 00:31:52,440
Speaker 1: back for a high school reunion? I mean I did,

500
00:31:52,520 --> 00:31:54,880
Speaker 1: I didn't. I didn't go out my junior senior year,

501
00:31:55,680 --> 00:31:58,760
Speaker 1: did I? But that was for different reasons. It wasn't

502
00:31:58,800 --> 00:32:02,520
Speaker 1: because of that. It played baseball my junior senior year

503
00:32:02,560 --> 00:32:04,520
Speaker 1: or no, I didn't. Have you ever gone back to

504
00:32:04,560 --> 00:32:11,640
Speaker 1: a high school reunion since you've been like famous? Have

505
00:32:11,720 --> 00:32:14,040
Speaker 1: you bumped into anyone from high school since you like,

506
00:32:14,840 --> 00:32:17,120
Speaker 1: since you were like that guy and then now you're

507
00:32:18,040 --> 00:32:21,120
Speaker 1: you know, I I look my tight circle of guy

508
00:32:21,160 --> 00:32:24,480
Speaker 1: friends as I grew up with. But what about like

509
00:32:25,320 --> 00:32:29,680
Speaker 1: somebody not your tight circle? So like you're back home.

510
00:32:30,520 --> 00:32:35,480
Speaker 1: I forget what your hometown was. Paddenfield, New Jersey, New Jersey. Okay,

511
00:32:35,520 --> 00:32:37,240
Speaker 1: And have you ever like bumped into anyone at the

512
00:32:37,280 --> 00:32:39,720
Speaker 1: seven eleven or whatever and they're like he school to

513
00:32:39,760 --> 00:32:45,600
Speaker 1: high school together and then you became famous. Yeah, it's

514
00:32:45,640 --> 00:32:50,200
Speaker 1: happened several times, actually, or like the girls in high

515
00:32:50,240 --> 00:32:54,360
Speaker 1: school are like, oh my god, he's Luke. Now I

516
00:32:54,400 --> 00:32:58,800
Speaker 1: haven't gotten not from I don't. I don't know that

517
00:32:58,800 --> 00:33:02,200
Speaker 1: that town is to impressed with stuff like that. You know,

518
00:33:02,320 --> 00:33:06,200
Speaker 1: that's a different kind of a place. Oh were they

519
00:33:06,200 --> 00:33:09,640
Speaker 1: more impressed that you became a professional baseball player. I

520
00:33:09,680 --> 00:33:15,719
Speaker 1: don't know that they were impressed by anything. Although they

521
00:33:15,760 --> 00:33:18,240
Speaker 1: did give me a day the mayor, the mayor in

522
00:33:18,280 --> 00:33:24,600
Speaker 1: two thousand and nineteen gave me a day. Yes, he

523
00:33:25,480 --> 00:33:28,040
Speaker 1: did do They did do that, so that was really cool.

524
00:33:28,840 --> 00:33:32,080
Speaker 1: Days a question. I don't know. I'll have to look

525
00:33:32,080 --> 00:33:34,680
Speaker 1: at the thing. I have it somewhere. You don't remember

526
00:33:34,760 --> 00:33:40,000
Speaker 1: your day, it's like August, It's like the city. I

527
00:33:40,040 --> 00:33:42,120
Speaker 1: don't know if it was a key, but it was something.

528
00:33:42,840 --> 00:33:45,200
Speaker 1: It was. It was a wonderful. I mean, everybody showed up.

529
00:33:45,240 --> 00:33:47,120
Speaker 1: There was hundreds of people that it was really fun.

530
00:33:47,920 --> 00:33:52,920
Speaker 1: It's really fun. Your day is Saturday, August, Saturday, August

531
00:33:53,920 --> 00:34:01,640
Speaker 1: Patterson Day. Again. What hadden Field, n Jersey, Southern New Jersey,

532
00:34:02,400 --> 00:34:08,239
Speaker 1: hadden Field. Yes, this is the listen. Steven Spielberg went

533
00:34:08,280 --> 00:34:11,279
Speaker 1: to high school here, Brian to Palmer went to high

534
00:34:11,320 --> 00:34:15,320
Speaker 1: school here. Um, they have a Deborah Hill who wrote

535
00:34:15,360 --> 00:34:20,080
Speaker 1: Halloween went grew up there. Okay, this is this is

536
00:34:20,400 --> 00:34:23,160
Speaker 1: a town Joanna Cassidy's from. This is a town that

537
00:34:23,239 --> 00:34:28,160
Speaker 1: has contributed to Hollywood. Might Yes it has this this

538
00:34:28,320 --> 00:34:31,080
Speaker 1: small town, Yes we have. We have quite the pedigree

539
00:34:32,320 --> 00:34:38,040
Speaker 1: let's go back to lunch. It loops, okay, and uh,

540
00:34:38,960 --> 00:34:44,440
Speaker 1: you and Lauren, Luke and Lorela have the hilarious scene

541
00:34:45,160 --> 00:34:49,400
Speaker 1: about Kirk asking Laura lae out. I just thought was hysterical.

542
00:34:50,000 --> 00:34:53,319
Speaker 1: See that's that's that's to me, that's Gilmore girls. How's

543
00:34:53,360 --> 00:34:57,200
Speaker 1: that light touch? It's a little t zy, it's humorous.

544
00:34:57,239 --> 00:35:00,360
Speaker 1: I did not care for getting a fork throw at me.

545
00:35:00,440 --> 00:35:02,920
Speaker 1: I thought that was a little Yeah, that was a

546
00:35:03,000 --> 00:35:08,680
Speaker 1: little much. Um, it was just no. The banter. The

547
00:35:08,719 --> 00:35:11,839
Speaker 1: banter was there. It's as good as it gets. Uh,

548
00:35:11,920 --> 00:35:19,399
Speaker 1: and really enjoyed that scene. Yeah. So then Emily comes

549
00:35:19,400 --> 00:35:21,200
Speaker 1: in and of course wipes down her chair, which I

550
00:35:21,200 --> 00:35:24,000
Speaker 1: thought was hilarious, right, but but she puts it back

551
00:35:24,040 --> 00:35:28,799
Speaker 1: in her purse. It was so progressive of her. I

552
00:35:28,840 --> 00:35:30,960
Speaker 1: was like, yes, Emily, you wipe down that seat, take

553
00:35:31,000 --> 00:35:34,480
Speaker 1: off those germs. I do that on aeroplanes. I do

554
00:35:34,600 --> 00:35:38,600
Speaker 1: that on airplanes. Everybody does. Then. I also loved that

555
00:35:39,400 --> 00:35:43,560
Speaker 1: even though Emily was there, that Luke still you know,

556
00:35:43,600 --> 00:35:46,160
Speaker 1: they still are having their banter. It's not like you

557
00:35:46,239 --> 00:35:49,640
Speaker 1: put on a different persona because Emily is there and

558
00:35:49,680 --> 00:35:51,520
Speaker 1: you give the line like trying to look good for

559
00:35:51,520 --> 00:35:54,680
Speaker 1: the big day. Okay, So then we find out, you know,

560
00:35:54,800 --> 00:35:58,080
Speaker 1: loweralizes like why are we at lunch? Oh? Just to

561
00:35:58,120 --> 00:36:00,960
Speaker 1: have lunch? And then the bomb drops that she had

562
00:36:01,000 --> 00:36:05,120
Speaker 1: called Christopher and you two belong together, she said, so

563
00:36:06,480 --> 00:36:12,640
Speaker 1: discuss h just sad she just Emily is just a

564
00:36:12,680 --> 00:36:17,239
Speaker 1: sad character at this point. I mean, just Laura, I

565
00:36:17,360 --> 00:36:19,480
Speaker 1: had every right to to walk out of that. I

566
00:36:19,520 --> 00:36:22,080
Speaker 1: mean this is the second time, second episode in a row,

567
00:36:22,160 --> 00:36:25,400
Speaker 1: she's walked out on her mother, this time on turf.

568
00:36:26,680 --> 00:36:29,839
Speaker 1: So that stood out to me too. I mean it's like,

569
00:36:30,880 --> 00:36:33,080
Speaker 1: why do they even have a relationship? Why does Emily

570
00:36:33,120 --> 00:36:35,440
Speaker 1: want to keep having these dinners? And it's like at

571
00:36:35,480 --> 00:36:37,759
Speaker 1: this point, it's like, just send Rory and you don't

572
00:36:37,800 --> 00:36:40,640
Speaker 1: have to come. But then why would Rory want to come?

573
00:36:40,960 --> 00:36:44,000
Speaker 1: You know, It's it's these people need to take a

574
00:36:44,000 --> 00:36:47,279
Speaker 1: break from each other and just regroup. The walking out

575
00:36:47,320 --> 00:36:51,520
Speaker 1: bothers me. Does that bother anybody else? How is she?

576
00:36:51,840 --> 00:36:57,080
Speaker 1: But this woman just will not stop. She's like Arnold

577
00:36:57,080 --> 00:37:00,760
Speaker 1: Schwarzenegger and the Terminator. She just will not stop until

578
00:37:00,840 --> 00:37:05,680
Speaker 1: she rips everybody teenagery to walk out. I don't like it.

579
00:37:05,680 --> 00:37:08,759
Speaker 1: It's like talk it out and resolve it act like

580
00:37:08,800 --> 00:37:11,719
Speaker 1: grown ups. Emily needs to get Emily needs to get

581
00:37:11,719 --> 00:37:14,120
Speaker 1: a life. You know. It's like, get a life, go

582
00:37:14,200 --> 00:37:17,399
Speaker 1: to the country club, metal in the affairs of your

583
00:37:17,400 --> 00:37:20,480
Speaker 1: friends and you know, have a couple of drinks at

584
00:37:20,880 --> 00:37:23,280
Speaker 1: lunch and play a little golf, play a little tennis,

585
00:37:23,320 --> 00:37:27,600
Speaker 1: and just what what is the point? Emily feels like

586
00:37:28,560 --> 00:37:32,759
Speaker 1: Emily keeps trying to fix the damage that she did.

587
00:37:32,960 --> 00:37:35,799
Speaker 1: And I think she's driven by guilt. And that's what

588
00:37:35,920 --> 00:37:38,960
Speaker 1: I think this is all about. She ruined her She

589
00:37:39,040 --> 00:37:41,799
Speaker 1: thinks she ruined her daughter. Guess what, she didn't ruin

590
00:37:41,880 --> 00:37:45,680
Speaker 1: her daughter. Her daughter is made of stronger stuff than

591
00:37:46,000 --> 00:37:48,640
Speaker 1: Emily gives her credit for. And she's turned into a

592
00:37:48,719 --> 00:37:53,759
Speaker 1: spectacular person. She's raising a spectacular kid. And Emily, it

593
00:37:53,880 --> 00:37:56,840
Speaker 1: just didn't ruin your daughter. You don't need to fix anything,

594
00:37:56,880 --> 00:37:59,760
Speaker 1: So stop trying to fix everything. You didn't do anything.

595
00:37:59,800 --> 00:38:04,040
Speaker 1: Why you fixed? So Emily needs to just sort of

596
00:38:04,040 --> 00:38:07,520
Speaker 1: focus on herself, you know, in her own relationship, in

597
00:38:07,520 --> 00:38:10,560
Speaker 1: her own life. And it's like, stop sticking your nose

598
00:38:10,600 --> 00:38:14,799
Speaker 1: in that's ye. Look, you make a great point there.

599
00:38:16,760 --> 00:38:20,000
Speaker 1: Well I try, like I love arguing with you, but

600
00:38:20,040 --> 00:38:22,399
Speaker 1: I can't. You're right, like Emily does. It's like chill

601
00:38:22,520 --> 00:38:27,719
Speaker 1: out Emily. M hmm. But since she's made this, you know,

602
00:38:29,280 --> 00:38:33,920
Speaker 1: dollar year investment in her granddaughter, she's gonna put in

603
00:38:33,920 --> 00:38:37,200
Speaker 1: her two cents and she's gonna meddle to medal. I

604
00:38:37,239 --> 00:38:40,319
Speaker 1: think that she would be meddling if they had any

605
00:38:40,360 --> 00:38:42,799
Speaker 1: relationship at all, whether she's paying for school or not,

606
00:38:42,880 --> 00:38:46,839
Speaker 1: she would be meddling. It's like it's her who she is.

607
00:38:47,880 --> 00:38:50,640
Speaker 1: Emily is just angry. She's just full of full, filled

608
00:38:50,640 --> 00:38:53,120
Speaker 1: with rage at this point. See, i'd see it that

609
00:38:53,200 --> 00:38:57,160
Speaker 1: part differently. I think she just wants so desperately for

610
00:38:57,200 --> 00:38:59,840
Speaker 1: this all to work out. But the way she wants

611
00:38:59,840 --> 00:39:03,000
Speaker 1: it to work out, it's not like she's doing it

612
00:39:03,200 --> 00:39:07,000
Speaker 1: because she wants Laurel to thrive. It's like she wants

613
00:39:07,160 --> 00:39:11,360
Speaker 1: everything she wants exactly. She's not concerned with anybody's happiness

614
00:39:11,400 --> 00:39:14,880
Speaker 1: but her own. Yeah, she wants Emily's happy ending, and

615
00:39:14,920 --> 00:39:20,560
Speaker 1: that's her daughter marrying her, you know, granddaughter's dad and

616
00:39:20,640 --> 00:39:23,359
Speaker 1: in the family and and you know, like in high

617
00:39:23,360 --> 00:39:27,680
Speaker 1: class society and everything is happy, go lucky in Emily's world.

618
00:39:27,719 --> 00:39:31,640
Speaker 1: But that's not crazy how much they still love Christopher

619
00:39:31,640 --> 00:39:34,840
Speaker 1: even though Christopher's parents were so wild. She wants to

620
00:39:34,840 --> 00:39:37,440
Speaker 1: be around all the people that drink out of a

621
00:39:37,480 --> 00:39:40,920
Speaker 1: bottle likeness, but they're pink. You. She doesn't want this,

622
00:39:42,239 --> 00:39:46,239
Speaker 1: but's thing like Emily doesn't know any anything else, you know,

623
00:39:46,520 --> 00:39:50,000
Speaker 1: so like you can't Emily, she's doing it for the

624
00:39:50,080 --> 00:39:55,200
Speaker 1: right reason. Yeah, she does. She does. It's an unconscious

625
00:39:55,200 --> 00:39:59,520
Speaker 1: It's it's amazing that somebody that age is so unconscious. Yeah,

626
00:39:59,640 --> 00:40:04,839
Speaker 1: well said, yeah, it's amazing somebody that's so intelligent and

627
00:40:06,040 --> 00:40:13,160
Speaker 1: so experienced is just completely single minded. Quick interjection. You

628
00:40:13,200 --> 00:40:15,200
Speaker 1: know something. I think that's very effective that they do

629
00:40:15,320 --> 00:40:19,960
Speaker 1: on this show because ed Herman is not in a

630
00:40:20,080 --> 00:40:24,360
Speaker 1: lot of the episodes. But I think this is intentional.

631
00:40:24,440 --> 00:40:29,000
Speaker 1: You tell me, they always acknowledge Richer. They always acknowledge,

632
00:40:29,000 --> 00:40:32,960
Speaker 1: Oh he's at this business meeting or he's traveling again.

633
00:40:33,440 --> 00:40:37,040
Speaker 1: We feel his presence, which is why I think in

634
00:40:37,160 --> 00:40:41,120
Speaker 1: my mind he's in almost every episode. It's very smart,

635
00:40:41,360 --> 00:40:44,480
Speaker 1: like and you realize, like, oh, he's like such a star,

636
00:40:44,719 --> 00:40:48,279
Speaker 1: so they acknowledge him. So we always feel like he's there,

637
00:40:48,480 --> 00:40:52,080
Speaker 1: even though he hasn't. He's not in like the Maid

638
00:40:52,280 --> 00:40:55,120
Speaker 1: the math scene, I thought he was there. You know,

639
00:40:55,560 --> 00:40:58,880
Speaker 1: I know that's next scene, but that's all right. So

640
00:40:58,920 --> 00:41:01,920
Speaker 1: first we go back to the so okay, so I

641
00:41:01,920 --> 00:41:06,160
Speaker 1: don't want to gloss over these important scenes because that

642
00:41:06,239 --> 00:41:09,080
Speaker 1: was major what happened in the diner. We then go

643
00:41:09,160 --> 00:41:11,439
Speaker 1: back to the student council meeting and they're talking about

644
00:41:11,480 --> 00:41:15,560
Speaker 1: the dance, uh, which Paris kind of agreed, okay. And

645
00:41:15,560 --> 00:41:18,040
Speaker 1: then the senior class photos and someone has the famous

646
00:41:18,560 --> 00:41:20,719
Speaker 1: relative that's the photographer. And then we get to the

647
00:41:20,719 --> 00:41:26,200
Speaker 1: hemline issue and this is where Yt yeah, pretty famous photographer.

648
00:41:27,160 --> 00:41:29,839
Speaker 1: I'm not going to And then we get to the

649
00:41:29,840 --> 00:41:32,520
Speaker 1: hemline issue, and this is a where we kind of

650
00:41:33,000 --> 00:41:36,480
Speaker 1: Rory does her magic. Rory does her magic with Paris

651
00:41:36,560 --> 00:41:39,080
Speaker 1: on Paris. Yeah, that's where she kind of manipulates Paris

652
00:41:39,080 --> 00:41:43,280
Speaker 1: and says like, look, you need to kind of that's Rory,

653
00:41:43,600 --> 00:41:47,440
Speaker 1: Rory's political wise self kicking in and telling Paris what

654
00:41:47,560 --> 00:41:52,240
Speaker 1: should be. It's like, listen, Paris, you're an idiot, you're dumb,

655
00:41:52,640 --> 00:41:56,279
Speaker 1: You're a blunt instrument, Like you need to be more nuanced.

656
00:41:56,560 --> 00:42:00,160
Speaker 1: Stop screaming at everybody. You're boring. You're giving Sky a

657
00:42:00,239 --> 00:42:05,560
Speaker 1: headache every single episode you're in. So you shut up

658
00:42:05,840 --> 00:42:10,399
Speaker 1: and get smart and start being political. Oh my god,

659
00:42:10,440 --> 00:42:16,719
Speaker 1: I'm running out of an um. So that beautiful scene,

660
00:42:18,000 --> 00:42:21,480
Speaker 1: you know, it was pro it was it was anti headache,

661
00:42:21,520 --> 00:42:25,120
Speaker 1: and it was pro feeling good. So now we're getting

662
00:42:25,120 --> 00:42:29,520
Speaker 1: into so much meat in an episode in a short

663
00:42:29,560 --> 00:42:32,239
Speaker 1: amount of time. So here we go. So first we

664
00:42:32,320 --> 00:42:35,880
Speaker 1: at the Gilmore House and uh, they're getting ready to

665
00:42:35,880 --> 00:42:38,719
Speaker 1: go to Friday Night dinner and Kirk is on the

666
00:42:38,760 --> 00:42:42,319
Speaker 1: answering machine, which was just like hilarious. And then we

667
00:42:42,360 --> 00:42:46,800
Speaker 1: get to Friday Night dinner, they're basically discussing how Emily

668
00:42:46,840 --> 00:42:51,400
Speaker 1: can't keep a maid and then ding dong and the shite,

669
00:42:51,480 --> 00:42:56,080
Speaker 1: as you say, hits the fan. So incomes Christopher and

670
00:42:56,160 --> 00:43:00,600
Speaker 1: it is emotional, a blow up. I was crying. It

671
00:43:00,760 --> 00:43:05,279
Speaker 1: was God. I thought this. I thought this was the

672
00:43:05,320 --> 00:43:10,640
Speaker 1: lowest Gilmore Girls has ever gone. I thought it was

673
00:43:10,719 --> 00:43:14,680
Speaker 1: so soap opera. I couldn't believe it. I could not

674
00:43:14,800 --> 00:43:19,319
Speaker 1: believe what I was seeing. It was melodrama. It was

675
00:43:20,800 --> 00:43:26,399
Speaker 1: out of the blue, and I wasn't. I just I

676
00:43:26,440 --> 00:43:28,840
Speaker 1: was just I rolled my eyes. I could not believe

677
00:43:28,920 --> 00:43:33,720
Speaker 1: how hokey that the whole thing was. Yeah. Yeah, First

678
00:43:33,719 --> 00:43:37,080
Speaker 1: of all the fact that he just showed up like

679
00:43:37,360 --> 00:43:39,399
Speaker 1: you sang out of the blue. For me, it was like,

680
00:43:40,239 --> 00:43:42,839
Speaker 1: oh my god, because he knew they would be there.

681
00:43:43,400 --> 00:43:47,600
Speaker 1: I thought it was dramatic and like amazing. I groaned.

682
00:43:49,719 --> 00:43:52,960
Speaker 1: I was like, oh, this is painful to watch. Yeah,

683
00:43:53,000 --> 00:43:57,759
Speaker 1: first of all, I was stunned. I was. I loved it.

684
00:43:58,200 --> 00:44:01,280
Speaker 1: I loved it so much. I can't believe how opposite

685
00:44:01,320 --> 00:44:04,719
Speaker 1: we are on this one. Yeah, okay, do you want

686
00:44:04,719 --> 00:44:06,719
Speaker 1: to talk first? You go first, you explain why you

687
00:44:06,760 --> 00:44:10,440
Speaker 1: hated it, and I will then explain why I just did. Okay.

688
00:44:10,600 --> 00:44:13,319
Speaker 1: I thought it was hokey, and I thought it was contrived,

689
00:44:13,400 --> 00:44:19,680
Speaker 1: and I thought it was I I thought it was

690
00:44:19,800 --> 00:44:25,640
Speaker 1: very forced. It didn't feel natural. It didn't feel I mean,

691
00:44:26,440 --> 00:44:28,360
Speaker 1: I don't know. I just think you have to set

692
00:44:28,400 --> 00:44:33,960
Speaker 1: something up better than that. I so felt like we

693
00:44:33,960 --> 00:44:37,000
Speaker 1: were building towards me. No, I mean I know what

694
00:44:37,040 --> 00:44:39,600
Speaker 1: you mean. Yes, it was in a sense, but I

695
00:44:39,640 --> 00:44:45,359
Speaker 1: just wanted there to be more craft. I wanted I Okay,

696
00:44:45,400 --> 00:44:47,239
Speaker 1: So before I say why I loved it, did you

697
00:44:47,320 --> 00:44:51,919
Speaker 1: love the Emily came on as the hero so as

698
00:44:51,960 --> 00:44:54,759
Speaker 1: they're fighting fighting, fight, No, it didn't work. It just

699
00:44:54,880 --> 00:44:58,680
Speaker 1: was all hocum to me. And then Emily standing there, Christopher,

700
00:44:58,719 --> 00:45:03,680
Speaker 1: I think it's time. It was. It was the guiding light.

701
00:45:06,000 --> 00:45:09,239
Speaker 1: I'm sorry I fell out of it there. Oh my god. Okay,

702
00:45:09,239 --> 00:45:12,000
Speaker 1: wait before I say, Danielle Riley, did you guys like it?

703
00:45:12,040 --> 00:45:17,120
Speaker 1: Where do you guys stand? I know? I l O

704
00:45:17,280 --> 00:45:23,839
Speaker 1: V E dd it? Right? You thirst why you did

705
00:45:23,840 --> 00:45:29,440
Speaker 1: not like it? And then his heart you know what?

706
00:45:30,840 --> 00:45:35,480
Speaker 1: Smart too? Why did you not like it? I kind

707
00:45:35,480 --> 00:45:38,720
Speaker 1: of feel I just felt so just over the top

708
00:45:39,000 --> 00:45:41,440
Speaker 1: and I was like, christophery, you need to chill, like,

709
00:45:41,480 --> 00:45:43,040
Speaker 1: this is not the way to go about it. That's

710
00:45:43,120 --> 00:45:46,160
Speaker 1: not the way to do it. And then I felt like, well,

711
00:45:46,280 --> 00:45:48,440
Speaker 1: it was very nice of Emily to come in. I

712
00:45:48,480 --> 00:45:51,000
Speaker 1: was like, Emily, you kind of stirred this up a

713
00:45:51,040 --> 00:45:54,680
Speaker 1: little bit too. Like your and every get that we're

714
00:45:54,680 --> 00:45:59,560
Speaker 1: watching a TV show like the drama, but it's not

715
00:45:59,719 --> 00:46:02,440
Speaker 1: a yeah it's a it's not a reality show, and

716
00:46:02,560 --> 00:46:07,480
Speaker 1: be it's supposed to be this really classy drama. T right,

717
00:46:08,600 --> 00:46:13,319
Speaker 1: it was, Christopher, that was not a scene that in

718
00:46:13,400 --> 00:46:17,040
Speaker 1: any way, shape or form fit in to that world

719
00:46:17,600 --> 00:46:21,440
Speaker 1: that they had established it. It was I'm trying to

720
00:46:21,480 --> 00:46:24,239
Speaker 1: tell you they didn't set it up properly. Did you

721
00:46:24,280 --> 00:46:27,480
Speaker 1: know that Christopher was trying to reach Lorelai forty five times?

722
00:46:27,480 --> 00:46:29,319
Speaker 1: Now did you know that he was trying to reach

723
00:46:29,320 --> 00:46:33,880
Speaker 1: his daughter forty five times? They turned the audience into

724
00:46:33,920 --> 00:46:37,680
Speaker 1: observers instead of participants, and that is a flaw in

725
00:46:37,680 --> 00:46:41,120
Speaker 1: the writing. Okay, I love being an observer, so I

726
00:46:41,160 --> 00:46:43,600
Speaker 1: know you don't love being an observer. You have to

727
00:46:43,600 --> 00:46:47,120
Speaker 1: participate in the drama. They didn't give you enough information,

728
00:46:47,840 --> 00:46:51,399
Speaker 1: but it was all out of the blue. I don't

729
00:46:51,440 --> 00:46:54,000
Speaker 1: need to know everything all the time. I love that

730
00:46:54,080 --> 00:46:56,320
Speaker 1: he just showed up. I was like, I do otherwise

731
00:46:56,320 --> 00:46:58,640
Speaker 1: you're in a You're in a soap opera. Okay, well

732
00:46:58,640 --> 00:47:01,520
Speaker 1: then I love soap opera. Was like, who's at the door,

733
00:47:01,600 --> 00:47:03,759
Speaker 1: Oh my god? And then it was Christopher and he,

734
00:47:03,880 --> 00:47:07,239
Speaker 1: first of all, couldn't have looked hotter loot. I was like, whoa,

735
00:47:08,280 --> 00:47:10,640
Speaker 1: it would have been better if he had worn a mustache.

736
00:47:11,800 --> 00:47:15,600
Speaker 1: He looked so hot. He is so hot. He's just

737
00:47:15,960 --> 00:47:19,680
Speaker 1: perfect leather jacket. And the scene was ridiculous. It had

738
00:47:19,880 --> 00:47:23,239
Speaker 1: no business and it was ridiculous, and it had no

739
00:47:23,320 --> 00:47:26,560
Speaker 1: business being in the show Lawless. Scene first of all,

740
00:47:28,120 --> 00:47:29,560
Speaker 1: we find out, first of all, it had been so

741
00:47:29,600 --> 00:47:36,160
Speaker 1: hot then we find story from me. What was happening? Great, guys.

742
00:47:36,440 --> 00:47:46,040
Speaker 1: First of all, he looks so hot, so oh my goodness,

743
00:47:46,040 --> 00:47:49,320
Speaker 1: perfect hair, perfect eyes, perfect jack. It was the most

744
00:47:49,440 --> 00:47:54,840
Speaker 1: inept scene I have ever seen of the two plus years.

745
00:47:54,840 --> 00:47:58,279
Speaker 1: Oh my god, it was inept. I just cannot. I

746
00:47:58,320 --> 00:48:00,960
Speaker 1: don't know how to disagree more. I know, I don't

747
00:48:01,280 --> 00:48:04,959
Speaker 1: he and I loved Lauren's performance. She was so real,

748
00:48:05,080 --> 00:48:09,120
Speaker 1: so vulnerable. She's like, this hurt, this is killing. I'm sorry.

749
00:48:09,239 --> 00:48:12,400
Speaker 1: You gotta see it coming, they gotta. They gotta tease

750
00:48:12,480 --> 00:48:16,160
Speaker 1: it before before you know, El Greco shows up in

751
00:48:16,160 --> 00:48:20,440
Speaker 1: a mustache. She always know. You've got to tease that

752
00:48:20,560 --> 00:48:22,239
Speaker 1: he's trying to get into You got to give the

753
00:48:22,239 --> 00:48:24,719
Speaker 1: audience the information that he's trying to reach her and

754
00:48:24,719 --> 00:48:27,000
Speaker 1: that she's not getting back to him. That's a major

755
00:48:27,120 --> 00:48:32,280
Speaker 1: story flaw. It's a major hole in the story telling.

756
00:48:32,600 --> 00:48:37,320
Speaker 1: I'm sorry. These people are brilliant. Amy and Dan are brilliant,

757
00:48:37,400 --> 00:48:39,440
Speaker 1: The writing staff is brilliant, but they missed it on

758
00:48:39,480 --> 00:48:42,719
Speaker 1: this one. Listen, I'm I'm calling it out. How I

759
00:48:42,960 --> 00:48:45,640
Speaker 1: call him? How I sam Okay, I'm firm, but I'm fair,

760
00:48:46,480 --> 00:48:49,560
Speaker 1: all right, I'm when things are awesome, and they usually are.

761
00:48:49,640 --> 00:48:51,839
Speaker 1: And I'll do with anybody's acting. I'll do it with

762
00:48:51,840 --> 00:48:54,319
Speaker 1: my own acting. I'll do it with the writing. I'll

763
00:48:54,320 --> 00:48:57,000
Speaker 1: do it. I don't care, you know, let the let

764
00:48:57,000 --> 00:49:01,320
Speaker 1: the you know, cast dispersions at me, slings and arrows,

765
00:49:01,320 --> 00:49:05,200
Speaker 1: I'll take them. But that was not worthy of the

766
00:49:05,200 --> 00:49:09,440
Speaker 1: Gilmore Girls. That was not worthy of the show. Loved

767
00:49:09,480 --> 00:49:14,200
Speaker 1: it so much. I loved it so much. I was crying.

768
00:49:14,480 --> 00:49:17,000
Speaker 1: I was crying, crying, and this is the place part

769
00:49:17,040 --> 00:49:20,120
Speaker 1: for me. This wasn't the last scene in the episode.

770
00:49:20,320 --> 00:49:24,040
Speaker 1: That was the sappiest scene I've ever seen. I loved it.

771
00:49:24,080 --> 00:49:28,399
Speaker 1: And then Rory was like mad too, and She's like, no,

772
00:49:28,560 --> 00:49:32,600
Speaker 1: you promised me, which he did. She was right, honestly.

773
00:49:33,320 --> 00:49:36,360
Speaker 1: Rory came in and was like you messed up, and

774
00:49:36,480 --> 00:49:40,440
Speaker 1: like okay, but don't you okay, so listen, I'm I

775
00:49:40,480 --> 00:49:44,600
Speaker 1: don't want to. I'm glad that you enjoyed it, But

776
00:49:44,719 --> 00:49:47,560
Speaker 1: don't you think it could have been better? Nope? No,

777
00:49:48,320 --> 00:49:51,919
Speaker 1: five out of five. Had we had some knowledge that

778
00:49:51,960 --> 00:49:54,320
Speaker 1: this guy was trying to get in touch with them

779
00:49:54,440 --> 00:49:57,080
Speaker 1: and have these little scenes, but like, who was that? Mom?

780
00:49:57,120 --> 00:50:00,400
Speaker 1: That was Christopher? And then they're like Oh, well, you

781
00:50:00,440 --> 00:50:03,120
Speaker 1: know he's pissing me off. Why didn't you take the call?

782
00:50:03,280 --> 00:50:05,000
Speaker 1: I don't want what mom? You should call him back?

783
00:50:05,040 --> 00:50:08,040
Speaker 1: Why did you call him back? Mom? Create some tension,

784
00:50:08,320 --> 00:50:13,279
Speaker 1: create the goout the episode. It just shows how hurt

785
00:50:13,480 --> 00:50:16,680
Speaker 1: Laurela is that she can't even talk about it. I

786
00:50:16,800 --> 00:50:20,799
Speaker 1: understand that part, but we didn't know about it. Does

787
00:50:21,600 --> 00:50:26,279
Speaker 1: it does? In my opinion, it does. Good writing is

788
00:50:26,320 --> 00:50:31,960
Speaker 1: that you you help your audience to participate in whatever

789
00:50:32,160 --> 00:50:35,600
Speaker 1: is going on. And they turned me into an observer

790
00:50:35,719 --> 00:50:38,000
Speaker 1: who just started throwing tomatoes at the screen at that

791
00:50:38,719 --> 00:50:41,839
Speaker 1: because they didn't take me along for that ride. And

792
00:50:41,960 --> 00:50:45,400
Speaker 1: I thought it was absurd. I thought that scene was absurd,

793
00:50:46,000 --> 00:50:50,040
Speaker 1: Oh my god, part and ineffective and it could have

794
00:50:50,160 --> 00:50:53,560
Speaker 1: had and see it didn't pay off because they didn't

795
00:50:53,560 --> 00:50:56,759
Speaker 1: set it up. They didn't set it up the right way.

796
00:50:56,840 --> 00:50:59,319
Speaker 1: That's part for me of the scene was that I

797
00:50:59,360 --> 00:51:01,719
Speaker 1: didn't know who was at the door. So for me,

798
00:51:01,840 --> 00:51:04,520
Speaker 1: that was like, who's at the door. But you should

799
00:51:04,520 --> 00:51:07,759
Speaker 1: have known who was at the door. You should have suspected.

800
00:51:07,800 --> 00:51:10,560
Speaker 1: Oh god, that's Christopher, because that helps you to participate

801
00:51:10,640 --> 00:51:13,480
Speaker 1: in it. I love not knowing. And then I was

802
00:51:13,520 --> 00:51:19,040
Speaker 1: like No, here's the thing in great wh Look how

803
00:51:19,080 --> 00:51:20,680
Speaker 1: far behind the story do you want to be as

804
00:51:20,719 --> 00:51:23,600
Speaker 1: an audience? Do you want to become in another county?

805
00:51:23,719 --> 00:51:25,319
Speaker 1: Do you want to be in another universe? And then

806
00:51:25,360 --> 00:51:27,360
Speaker 1: all of a sudden they introduced this scene or do

807
00:51:27,400 --> 00:51:29,600
Speaker 1: you want to be a little bit behind the story?

808
00:51:30,200 --> 00:51:31,640
Speaker 1: Do you want to be a little bit ahead of

809
00:51:31,640 --> 00:51:34,320
Speaker 1: the story. But also, we knew Christopher was going to

810
00:51:34,440 --> 00:51:37,080
Speaker 1: come at some point, right, you know, like I saw

811
00:51:37,120 --> 00:51:40,400
Speaker 1: that coming. I saw him coming at some point. Was

812
00:51:40,400 --> 00:51:42,440
Speaker 1: it at Emily's house that I thought you would come? No?

813
00:51:42,840 --> 00:51:46,359
Speaker 1: But I loved that it was. Yeah, I thought it

814
00:51:46,440 --> 00:51:51,000
Speaker 1: made him look weaker than Emily. I disagree he came

815
00:51:51,000 --> 00:51:54,239
Speaker 1: in because it too you know, they're talking. It's like

816
00:51:54,280 --> 00:51:57,680
Speaker 1: when you grow care and and either no, it's either

817
00:51:57,760 --> 00:52:00,400
Speaker 1: stay away and deal with your pregnant girl friend and

818
00:52:00,440 --> 00:52:03,799
Speaker 1: marry her, or claimed Laura, like, don't come in and

819
00:52:03,840 --> 00:52:06,279
Speaker 1: say where? Why aren't you taking my phone calls? I mean,

820
00:52:06,320 --> 00:52:08,360
Speaker 1: I've never seen that guy look more like a whimp

821
00:52:09,200 --> 00:52:12,040
Speaker 1: and an indecisive whimp. I'm sorry, God, I thought it was.

822
00:52:12,200 --> 00:52:16,879
Speaker 1: I loved it. It was totally No, it was it's

823
00:52:16,960 --> 00:52:20,759
Speaker 1: total character destruction. They made that guy look like a

824
00:52:20,840 --> 00:52:25,280
Speaker 1: whimp and an indecisive whimp. Why isn't he with his girlfriend,

825
00:52:25,320 --> 00:52:28,600
Speaker 1: I mean with with his pregnant girlfriend who's gonna marry

826
00:52:28,840 --> 00:52:32,520
Speaker 1: Rory is also his daughter. For God's sake, handle your business,

827
00:52:33,400 --> 00:52:37,040
Speaker 1: I mean business, for God's sake. He comes charging in,

828
00:52:37,360 --> 00:52:40,160
Speaker 1: you know, on his motorcycle without a helmet and with

829
00:52:40,200 --> 00:52:43,960
Speaker 1: no goggles, and he rides away without his helmet, no goggles,

830
00:52:43,960 --> 00:52:46,080
Speaker 1: and tonight, do you know what it's like riding a

831
00:52:46,080 --> 00:52:50,319
Speaker 1: motorcycle without I wear? It's like the next time we

832
00:52:50,360 --> 00:52:54,160
Speaker 1: see Christopher, he's going to be blind. But I also

833
00:52:54,239 --> 00:52:58,359
Speaker 1: love that Rory goes up stairs and Laura like, even

834
00:52:58,360 --> 00:53:00,479
Speaker 1: though she's so mad at Christopher and she's so hurt

835
00:53:00,480 --> 00:53:04,200
Speaker 1: by him, she still is the mom and goes out

836
00:53:04,239 --> 00:53:07,319
Speaker 1: to him and says, give it time. I didn't buy it.

837
00:53:07,480 --> 00:53:10,600
Speaker 1: I didn't buy into it because it was just out

838
00:53:10,640 --> 00:53:13,960
Speaker 1: of the blue. It was too absurd to even engage.

839
00:53:14,640 --> 00:53:20,520
Speaker 1: I don't even know how to function. I just don't.

840
00:53:20,640 --> 00:53:22,920
Speaker 1: I don't even know. I don't even know, Like, do

841
00:53:22,960 --> 00:53:25,080
Speaker 1: we have to take a break. I need a breath.

842
00:53:25,960 --> 00:53:29,359
Speaker 1: So pissed, but he looked good. That's the important thing.

843
00:53:29,360 --> 00:53:31,480
Speaker 1: He looked really good. So that's really all that matters.

844
00:53:32,640 --> 00:53:34,400
Speaker 1: And I love that he had the motorcycle and not

845
00:53:34,600 --> 00:53:37,800
Speaker 1: the wolbo and everything about. Look, if you're gonna if

846
00:53:37,840 --> 00:53:42,799
Speaker 1: you're gonna be like a nothing, spineless, wimpy character, it's

847
00:53:42,960 --> 00:53:47,480
Speaker 1: important that you look good, right, that's the important thing.

848
00:53:47,680 --> 00:53:57,200
Speaker 1: What about what about God? Be somebody else's dad? It

849
00:53:57,320 --> 00:54:02,000
Speaker 1: was so dramatic and amazing, like hokey. It was, look

850
00:54:02,040 --> 00:54:04,240
Speaker 1: at here's my thing. You don't have to be perfect

851
00:54:04,239 --> 00:54:07,040
Speaker 1: for me to love you. So Christopher can be flawed,

852
00:54:07,080 --> 00:54:10,200
Speaker 1: but I heard love him perfect. He's the farthest thing

853
00:54:10,320 --> 00:54:14,960
Speaker 1: from perfect. He's a was Are you kidding me? He's

854
00:54:14,960 --> 00:54:17,799
Speaker 1: not fighting for his daughter. I feel like I need

855
00:54:17,800 --> 00:54:21,880
Speaker 1: to have a whole comment with Justin. I agree, I

856
00:54:21,880 --> 00:54:24,439
Speaker 1: can letly agree with you. I am shocked. I thought

857
00:54:24,480 --> 00:54:26,440
Speaker 1: literally Scott was going to be like this was the

858
00:54:26,480 --> 00:54:30,160
Speaker 1: one scene I loved. No, I hated it more than

859
00:54:30,239 --> 00:54:34,719
Speaker 1: anything I've ever Emily like right on, Emily like, I

860
00:54:34,840 --> 00:54:39,719
Speaker 1: agree ultimately, Emily because now she understands, and so she

861
00:54:39,880 --> 00:54:43,760
Speaker 1: had lorealized back. She's all yeah, I was laughing throughout

862
00:54:43,760 --> 00:54:47,760
Speaker 1: the whole scene, but I was laughing at them laughing.

863
00:54:47,800 --> 00:54:50,759
Speaker 1: I was crying, rying. I was like emotionally and I

864
00:54:50,800 --> 00:54:53,759
Speaker 1: was stunned. I was like in the beginning of that

865
00:54:53,800 --> 00:54:58,880
Speaker 1: scene when we find out it's Christopher andre Legos mom

866
00:54:59,080 --> 00:55:01,440
Speaker 1: or Emily whatever she said, and she was like, I

867
00:55:01,480 --> 00:55:03,480
Speaker 1: did not do this, and she's like, yes, you did.

868
00:55:03,840 --> 00:55:06,799
Speaker 1: I did not do this, and I was like, oh oh,

869
00:55:06,920 --> 00:55:12,239
Speaker 1: she didn't like I was at first, says what do

870
00:55:12,280 --> 00:55:16,959
Speaker 1: you want from me? I was like, oh my god, Riley, Riley,

871
00:55:17,000 --> 00:55:22,520
Speaker 1: how you doing that? It felt so toxic. He could

872
00:55:22,520 --> 00:55:25,479
Speaker 1: have done it in such a different way. Their life

873
00:55:25,520 --> 00:55:27,719
Speaker 1: is toxic. Of course it's going to be toxic. I know.

874
00:55:27,960 --> 00:55:30,160
Speaker 1: But if he wants to prove himself and like prove

875
00:55:30,280 --> 00:55:32,719
Speaker 1: that like he is the person for her, he could

876
00:55:32,760 --> 00:55:34,440
Speaker 1: have come at this like he could have come in

877
00:55:34,800 --> 00:55:38,080
Speaker 1: or like picked a different time. Let's play let's play this,

878
00:55:38,520 --> 00:55:41,560
Speaker 1: let's play this really quick. How would you guys, like,

879
00:55:42,960 --> 00:55:45,920
Speaker 1: how would you have liked Christopher to do it? Like

880
00:55:45,960 --> 00:55:49,000
Speaker 1: what in your mind? What would what would have been better?

881
00:55:49,680 --> 00:55:56,120
Speaker 1: Laura Lee by herself like audience and she won't call

882
00:55:56,200 --> 00:55:59,080
Speaker 1: him back. Your mommy said I should come here and

883
00:55:59,120 --> 00:56:01,879
Speaker 1: I'm going to store man looking really good. Your mom

884
00:56:03,280 --> 00:56:06,800
Speaker 1: didn't because he knew. That's even worse actually than he

885
00:56:06,880 --> 00:56:09,560
Speaker 1: did that he knew she was going to be there.

886
00:56:09,760 --> 00:56:11,840
Speaker 1: I mean, what a why didn't he have sit on

887
00:56:11,840 --> 00:56:14,800
Speaker 1: the porch of the house or like like go somewhere

888
00:56:14,840 --> 00:56:17,560
Speaker 1: where Rory's not there, where you know Rory will get

889
00:56:17,560 --> 00:56:20,520
Speaker 1: emotional and you know here the conversation, it could have

890
00:56:20,520 --> 00:56:23,640
Speaker 1: just been done in more of a mature, non toxic

891
00:56:24,000 --> 00:56:27,919
Speaker 1: triggering way. That's a Dean. That's a dean move right there.

892
00:56:29,680 --> 00:56:34,239
Speaker 1: Never do that. You know, he's so wimpy, he'd just

893
00:56:34,280 --> 00:56:41,160
Speaker 1: be at home. Yeah, like, come on, you just up here. Yeah,

894
00:56:42,000 --> 00:56:45,239
Speaker 1: he's totally stuck. That's the thing, he says, that's why

895
00:56:45,320 --> 00:56:48,800
Speaker 1: loyal lies. Like are you Harry And he's like yes,

896
00:56:48,960 --> 00:56:53,480
Speaker 1: And it's just like I honestly, this scene mirrored the

897
00:56:53,600 --> 00:56:57,319
Speaker 1: next scene, you know what I mean, just flipped right.

898
00:56:58,120 --> 00:57:04,080
Speaker 1: I've got about You've got to prepare for this scene.

899
00:57:04,520 --> 00:57:09,399
Speaker 1: As a writer, I need to see so scenes that

900
00:57:09,480 --> 00:57:12,879
Speaker 1: tease this that we need. This needs to be there

901
00:57:12,920 --> 00:57:16,560
Speaker 1: needs to be an inevitability about it. Nope, sorry it

902
00:57:16,600 --> 00:57:19,280
Speaker 1: didn't work. Look, it didn't work for me at all.

903
00:57:19,880 --> 00:57:21,840
Speaker 1: And I thought it was a ridiculous scene. I thought

904
00:57:21,880 --> 00:57:25,200
Speaker 1: everybody looked like idiots. And I loved everything about it,

905
00:57:25,360 --> 00:57:27,720
Speaker 1: and I loved everyone in it. I loved Christopher, I

906
00:57:27,760 --> 00:57:30,240
Speaker 1: loved Rory, I loved Laura la and I loved Emily.

907
00:57:30,640 --> 00:57:32,840
Speaker 1: I felt sorry for Lauren that she had to be

908
00:57:32,880 --> 00:57:36,320
Speaker 1: in the scene. I felt sorry for for all of

909
00:57:36,360 --> 00:57:37,920
Speaker 1: them that they had to be in the scene. This

910
00:57:38,000 --> 00:57:41,280
Speaker 1: was not their fault. But I felt this was not

911
00:57:41,400 --> 00:57:46,480
Speaker 1: their fault. Okay, they have acting jobs. I'm sure Lauren

912
00:57:47,000 --> 00:57:50,720
Speaker 1: had some notes and Emily probably said, Jesus, we really

913
00:57:50,720 --> 00:57:54,960
Speaker 1: have to film this, hope. I'm sure they did. I'm

914
00:57:55,040 --> 00:57:58,000
Speaker 1: sure they did. This is awesome. They are very astute,

915
00:57:58,560 --> 00:58:01,320
Speaker 1: the two of them. They're very astute, and they know

916
00:58:01,400 --> 00:58:04,919
Speaker 1: when something's gonna you know, land, like a you know what,

917
00:58:06,400 --> 00:58:11,200
Speaker 1: like awesomeness. Yeah, pure awesomeness. The outcome of that scene

918
00:58:11,280 --> 00:58:14,680
Speaker 1: is everything, is everything we needed. It's Emily backing up

919
00:58:14,760 --> 00:58:16,880
Speaker 1: lower like it's loyal lie standing up to this guy

920
00:58:16,880 --> 00:58:19,440
Speaker 1: and being like, yours, you screwed up, not my problem.

921
00:58:19,840 --> 00:58:25,120
Speaker 1: It's Rory being like that. It comes down to execution.

922
00:58:25,400 --> 00:58:28,640
Speaker 1: It's how it was executed. I agree with you on

923
00:58:28,680 --> 00:58:32,840
Speaker 1: all of that. But they didn't left. It was not

924
00:58:33,080 --> 00:58:36,200
Speaker 1: it was not set up that's just my opinion. Cannot

925
00:58:36,200 --> 00:58:40,840
Speaker 1: wait for the comments on the Instagram literally, like can

926
00:58:40,880 --> 00:58:44,720
Speaker 1: I start checking the Instagram right now? Like, oh my god.

927
00:58:45,640 --> 00:58:49,200
Speaker 1: Then the best thing is the show wasn't over like

928
00:58:49,240 --> 00:58:53,600
Speaker 1: I was, like it was for me, continued, I went

929
00:58:53,600 --> 00:58:57,200
Speaker 1: to a refrigerator after that. Just Apple's drama, drama, drama

930
00:58:57,680 --> 00:59:02,000
Speaker 1: brings it, brings it back and the town and here

931
00:59:02,040 --> 00:59:04,920
Speaker 1: comes Kurk, which I thought, oh my god, no way,

932
00:59:05,520 --> 00:59:09,640
Speaker 1: like guys, it was genius. So then here comes Kirk

933
00:59:09,960 --> 00:59:12,760
Speaker 1: where Loralai has to say, I can't go out with

934
00:59:12,840 --> 00:59:17,840
Speaker 1: you because I'm so hung up on this other thing. Yeah,

935
00:59:21,800 --> 00:59:23,480
Speaker 1: I thought that was one of the That was a

936
00:59:23,480 --> 00:59:26,640
Speaker 1: great line from Kirk. I just need to know how

937
00:59:26,760 --> 00:59:32,920
Speaker 1: you feel about tuna fish. And when she says, but

938
00:59:33,040 --> 00:59:36,080
Speaker 1: she let him down in in a in a very

939
00:59:36,080 --> 00:59:40,280
Speaker 1: classy way I thought, really protected his feelings and you

940
00:59:40,320 --> 00:59:44,040
Speaker 1: know what she was. She was also somewhat honest that

941
00:59:44,120 --> 00:59:47,760
Speaker 1: she'd been through the ringer you know, on the you know,

942
00:59:47,800 --> 00:59:51,640
Speaker 1: with the dating scene and used to take a long breather.

943
00:59:52,360 --> 00:59:56,200
Speaker 1: This show is so genius because we have the most

944
00:59:56,240 --> 00:59:59,520
Speaker 1: important or second most important have you looking at scene

945
00:59:59,560 --> 01:00:04,800
Speaker 1: of the episode in Docie's market when Jess and Rory

946
01:00:04,920 --> 01:00:08,520
Speaker 1: bump into each other, and Jess was like, on, girl,

947
01:00:08,920 --> 01:00:13,280
Speaker 1: you don't get to be upset at me. You're breaking

948
01:00:13,360 --> 01:00:16,280
Speaker 1: my heart, Like you don't want to be with me.

949
01:00:16,480 --> 01:00:18,920
Speaker 1: You didn't call me, you didn't write me. You're not

950
01:00:18,960 --> 01:00:20,800
Speaker 1: breaking up with Dean. I have to see you two

951
01:00:20,880 --> 01:00:23,840
Speaker 1: all around town. Of course I'm gonna go kiss Shane,

952
01:00:24,320 --> 01:00:28,360
Speaker 1: like Jess is right, Jess is right. You can't tell

953
01:00:28,400 --> 01:00:31,080
Speaker 1: me not to kiss Shane because you're the one that's

954
01:00:31,080 --> 01:00:34,800
Speaker 1: not meeting me. Yeah, what is he supposed to do?

955
01:00:35,360 --> 01:00:39,400
Speaker 1: She's being so act like a man and go to

956
01:00:39,800 --> 01:00:45,880
Speaker 1: go to Washington. Why why didn't he call her? Hang on?

957
01:00:46,320 --> 01:00:49,880
Speaker 1: Hang on? What? Why didn't he call her? Here's the thing.

958
01:00:50,000 --> 01:00:52,840
Speaker 1: I was on your I was on your team, Scott

959
01:00:52,920 --> 01:00:57,560
Speaker 1: last episode. I was there and I totally converted after

960
01:00:57,680 --> 01:01:00,200
Speaker 1: the last scene of this episode. But why was the

961
01:01:00,320 --> 01:01:03,320
Speaker 1: right way he can call her? How are you doing?

962
01:01:04,600 --> 01:01:08,560
Speaker 1: You know she's still with Dean. He like it is

963
01:01:08,600 --> 01:01:11,240
Speaker 1: wrong of him to try to be pursuing somebody that

964
01:01:11,400 --> 01:01:17,600
Speaker 1: is in a relationship with somebody else, that she would

965
01:01:17,600 --> 01:01:19,440
Speaker 1: he start to look like Dean though if he kept

966
01:01:19,480 --> 01:01:24,720
Speaker 1: calling and kept but he knew look he knew that.

967
01:01:24,760 --> 01:01:27,479
Speaker 1: All he had to do was make one phone call.

968
01:01:27,600 --> 01:01:30,240
Speaker 1: How you doing house Washington? Hey, I want to come visit.

969
01:01:31,400 --> 01:01:33,959
Speaker 1: You can't do that. You can't do that? Who can't

970
01:01:34,000 --> 01:01:38,120
Speaker 1: do that? Because that's like he wanted. He did the

971
01:01:38,200 --> 01:01:42,760
Speaker 1: grand all of a sudden, he's got morals. Before he

972
01:01:42,760 --> 01:01:45,200
Speaker 1: didn't give a darn when she was in town. So

973
01:01:45,280 --> 01:01:48,720
Speaker 1: here's the thing. So there's a selective morality. Yeah, Jess

974
01:01:48,800 --> 01:01:51,360
Speaker 1: is a good dude. He's like, might be troubled and

975
01:01:51,360 --> 01:01:52,800
Speaker 1: he might be kind of a bad boy, but he's

976
01:01:52,800 --> 01:01:54,760
Speaker 1: a good dude. And you know what, I don't want

977
01:01:54,760 --> 01:01:57,080
Speaker 1: to ruin it. But gosh, do we share learn that

978
01:01:57,240 --> 01:02:01,080
Speaker 1: when we come back for the movies. Jess is a

979
01:02:01,160 --> 01:02:06,760
Speaker 1: good dude and Jess as a stud, So come on, like, Rory,

980
01:02:06,800 --> 01:02:10,680
Speaker 1: this is Rory. What's she expecting? It's like so she

981
01:02:10,680 --> 01:02:12,440
Speaker 1: she gets to have her cake and eat it too.

982
01:02:12,640 --> 01:02:15,080
Speaker 1: She gets to like have Jess loving her and he's

983
01:02:15,120 --> 01:02:17,120
Speaker 1: not supposed to make out with Shane, but yet she's

984
01:02:17,160 --> 01:02:20,000
Speaker 1: still dating Dean. Jess said it, are you still with

985
01:02:20,120 --> 01:02:24,240
Speaker 1: Dean at the end of the day? If you know

986
01:02:24,320 --> 01:02:30,240
Speaker 1: it's right? Wild horses couldn't drag you away from what

987
01:02:30,440 --> 01:02:34,760
Speaker 1: is right and what you feel should be in an

988
01:02:34,760 --> 01:02:40,680
Speaker 1: interpersonal relationship. So go you don't need it, doesn't care

989
01:02:40,680 --> 01:02:43,360
Speaker 1: how old a person is. If you want somebody, if

990
01:02:43,360 --> 01:02:46,560
Speaker 1: you want it to work, you go make it work.

991
01:02:47,040 --> 01:02:50,720
Speaker 1: You don't make excuses. He was like, you know, every

992
01:02:50,720 --> 01:02:53,960
Speaker 1: you know excuses her, Like you know, what's everybody's got one.

993
01:02:54,000 --> 01:02:56,720
Speaker 1: He had a million excuses in the market. The one

994
01:02:56,760 --> 01:03:01,040
Speaker 1: thing he didn't do is he didn't act. He went

995
01:03:01,080 --> 01:03:04,800
Speaker 1: to the excuses. He had facts. He had the facts,

996
01:03:05,440 --> 01:03:09,320
Speaker 1: but not gonna get the girl. The one fact that

997
01:03:09,360 --> 01:03:11,880
Speaker 1: matters the most is are you still a Dean? Yes? No.

998
01:03:12,040 --> 01:03:15,760
Speaker 1: The one fact that matters. I'm not with Rory. That's

999
01:03:15,800 --> 01:03:18,760
Speaker 1: the one fact that matters. Yeah, but you can't be

1000
01:03:18,840 --> 01:03:21,400
Speaker 1: with Worry if Rory is with somebody else. But the

1001
01:03:21,440 --> 01:03:25,360
Speaker 1: bottom line, you cannot, Yes you can, you don't if

1002
01:03:25,400 --> 01:03:28,600
Speaker 1: she's with Dean. Dean was so weakened at this point.

1003
01:03:28,640 --> 01:03:31,040
Speaker 1: He's like, you know, the Matador and the bull he had,

1004
01:03:31,200 --> 01:03:33,520
Speaker 1: he had so many swords in him at this point,

1005
01:03:34,040 --> 01:03:37,840
Speaker 1: from the master Mattador of Jess. Jess was like sticking

1006
01:03:37,920 --> 01:03:41,919
Speaker 1: that damn bull, like the bull was dying for God's sake.

1007
01:03:42,480 --> 01:03:45,800
Speaker 1: Terrible analogy. I'm sorry if it upset people. We're all

1008
01:03:45,880 --> 01:03:48,160
Speaker 1: interrupting each other, so I'm preparing for those, but I'm

1009
01:03:48,200 --> 01:03:52,880
Speaker 1: so upset. I don't actually function right now. I cannot function.

1010
01:03:55,320 --> 01:03:57,240
Speaker 1: Where he had so many letters, you talked all over

1011
01:03:57,280 --> 01:04:00,480
Speaker 1: each other, You're interrupting each other. I don't what to

1012
01:04:00,560 --> 01:04:09,360
Speaker 1: do right, don't want to do. I'm like Dean was

1013
01:04:09,400 --> 01:04:15,840
Speaker 1: like a pinaa. You know, there were time episode, but

1014
01:04:17,760 --> 01:04:19,960
Speaker 1: kind of a rival as that. I mean, it was

1015
01:04:20,040 --> 01:04:22,840
Speaker 1: nothing that Jess was clean, mopping up the floor with him,

1016
01:04:22,840 --> 01:04:25,560
Speaker 1: and all of a sudden, you wouldn't call me. What

1017
01:04:25,600 --> 01:04:28,160
Speaker 1: am I supposed to do? You know, he didn't go

1018
01:04:28,320 --> 01:04:31,880
Speaker 1: get her, He did not get her back to start,

1019
01:04:32,000 --> 01:04:34,080
Speaker 1: allow to get her, and she won't break up with Dean,

1020
01:04:34,240 --> 01:04:38,040
Speaker 1: and she left again, and she's got the letter she's

1021
01:04:38,080 --> 01:04:41,680
Speaker 1: trying to write him. This is on her. She's thinking

1022
01:04:41,720 --> 01:04:46,240
Speaker 1: about Jess. She's obsessed with Jess. She she needed he

1023
01:04:46,360 --> 01:04:49,000
Speaker 1: all he needed to go go to Washington, make a

1024
01:04:49,080 --> 01:04:53,040
Speaker 1: magic moment and then she's yours. But why aren't you

1025
01:04:53,080 --> 01:04:57,880
Speaker 1: holding Brewery accountable at all? Right? It's not unheard to

1026
01:04:58,080 --> 01:05:01,120
Speaker 1: pursue him. The whole thing is on her. We're talking

1027
01:05:01,160 --> 01:05:03,600
Speaker 1: about her. Thing is on her? She is it is

1028
01:05:03,640 --> 01:05:09,680
Speaker 1: not on her? What Washington? What are you talking about?

1029
01:05:10,160 --> 01:05:13,800
Speaker 1: I am flab literally doesn't say, Danielle, I need to

1030
01:05:14,080 --> 01:05:17,080
Speaker 1: lay down, I need to take crap. Like I don't

1031
01:05:17,120 --> 01:05:24,680
Speaker 1: even understand. Is this April fools fools happening? I just

1032
01:05:24,720 --> 01:05:28,800
Speaker 1: don't shock. What's so hard? You get on a bus,

1033
01:05:29,200 --> 01:05:32,920
Speaker 1: you your book a restaurant, you have some violins and

1034
01:05:32,960 --> 01:05:36,560
Speaker 1: some flowers, you book a hotel room. You make that

1035
01:05:36,680 --> 01:05:39,439
Speaker 1: magic and it's a great evening. And it's it's how

1036
01:05:39,520 --> 01:05:47,000
Speaker 1: your relationship started in earnest with with love, with vulnerability.

1037
01:05:47,240 --> 01:05:49,040
Speaker 1: And then the next day she's got a big smile

1038
01:05:49,080 --> 01:05:51,160
Speaker 1: on her face and he's on the bus back to

1039
01:05:51,240 --> 01:05:53,840
Speaker 1: stars Hollow and going with a big smile. Then there's

1040
01:05:53,880 --> 01:05:58,000
Speaker 1: no gross tongues at the counter, you know, I mean,

1041
01:05:58,040 --> 01:06:01,480
Speaker 1: what's what's the big deal? He if you want somebody

1042
01:06:01,520 --> 01:06:04,080
Speaker 1: to go after them, you guys have just completely shut down.

1043
01:06:03,920 --> 01:06:10,800
Speaker 1: I can't even believe because they're so disagree Planet crazy

1044
01:06:10,920 --> 01:06:15,320
Speaker 1: right now, Planet crazy. This is so crazy because I

1045
01:06:15,400 --> 01:06:17,760
Speaker 1: know I'm right. I know that's not a question of

1046
01:06:17,800 --> 01:06:20,640
Speaker 1: being right. Look, we just have our opinions. Yeah, I

1047
01:06:21,480 --> 01:06:25,080
Speaker 1: think I think Dean turned was transformed into a pinata.

1048
01:06:25,760 --> 01:06:29,760
Speaker 1: They're just there's they're slamming him. There's no candy in there. Okay,

1049
01:06:30,080 --> 01:06:32,320
Speaker 1: you weaken that character, you killed that character. Now you

1050
01:06:32,400 --> 01:06:35,640
Speaker 1: build up this whole thing with these two and it's like,

1051
01:06:35,720 --> 01:06:41,800
Speaker 1: let him, let him get on with it, key scenes

1052
01:06:41,920 --> 01:06:44,640
Speaker 1: in the doses diner. But you didn't call me? But

1053
01:06:44,680 --> 01:06:47,920
Speaker 1: you didn't all of a sudden, it's a big impediment

1054
01:06:47,960 --> 01:06:51,000
Speaker 1: when before he didn't give a damn. I think Jess

1055
01:06:51,160 --> 01:06:54,720
Speaker 1: is doing exactly what he should and is standing down

1056
01:06:55,040 --> 01:06:58,640
Speaker 1: until Rory finally crosses the line with well, guess what

1057
01:06:58,680 --> 01:07:01,720
Speaker 1: he didn't get the girl? Did he he didn't get her?

1058
01:07:02,800 --> 01:07:06,560
Speaker 1: It would be wrong. He's doing the right thing. Hey,

1059
01:07:06,600 --> 01:07:09,280
Speaker 1: if if having those two together is wrong, I don't

1060
01:07:09,280 --> 01:07:13,840
Speaker 1: want to be right. I can agree with you on that.

1061
01:07:14,360 --> 01:07:16,760
Speaker 1: As as an audience, I want to see them together.

1062
01:07:16,880 --> 01:07:20,000
Speaker 1: I don't want to see him making excuses why you

1063
01:07:20,040 --> 01:07:24,760
Speaker 1: know you didn't call me? You're with him and with Dean.

1064
01:07:25,280 --> 01:07:27,920
Speaker 1: You know, it's like she goes back to the pinata

1065
01:07:28,000 --> 01:07:34,280
Speaker 1: and she's happy. So well, that was an episode. Boy O,

1066
01:07:34,480 --> 01:07:38,560
Speaker 1: boy boy. The fur was flying on that one. That

1067
01:07:38,680 --> 01:07:42,280
Speaker 1: might have been a most heated episode to date. Good God,

1068
01:07:45,000 --> 01:07:48,680
Speaker 1: Amy's quiet. Amy's just gone. I've given up. I just

1069
01:07:48,720 --> 01:07:58,440
Speaker 1: have said my peace. She's just out. Look at her.

1070
01:07:58,560 --> 01:08:04,200
Speaker 1: She's truly blown away. Is defining. Why don't don't feel

1071
01:08:04,240 --> 01:08:06,920
Speaker 1: don't don't say goodbye like this? We had it. We

1072
01:08:06,960 --> 01:08:09,120
Speaker 1: had a disagreement. First of all, I love you guys.

1073
01:08:09,360 --> 01:08:11,040
Speaker 1: I love this episode. I stand by it, and I

1074
01:08:11,040 --> 01:08:17,920
Speaker 1: just can't wait for the comments. It's gonna be great. Uh,

1075
01:08:18,080 --> 01:08:21,839
Speaker 1: it's a great episode. It is not a great episode.

1076
01:08:21,840 --> 01:08:26,000
Speaker 1: Oh it was so good. I don't know why it's

1077
01:08:26,000 --> 01:08:28,719
Speaker 1: called Haunted Leg but Ton out of ten well Riley.

1078
01:08:29,000 --> 01:08:32,240
Speaker 1: Riley informed us that Laura is a line from Laura.

1079
01:08:32,320 --> 01:08:34,920
Speaker 1: I put that what it was? I just was did

1080
01:08:34,960 --> 01:08:37,439
Speaker 1: you guys say that out loud? Just no, no no, no, no, no.

1081
01:08:37,479 --> 01:08:39,679
Speaker 1: I missed it too. I missed it too, she said

1082
01:08:40,080 --> 01:08:42,679
Speaker 1: Laura I says at one point, yeah, I'm not feeling

1083
01:08:42,760 --> 01:08:47,320
Speaker 1: so good. My leg is haunted. So there you go again,

1084
01:08:47,720 --> 01:08:52,320
Speaker 1: another you know, another bone head title for a less

1085
01:08:52,360 --> 01:08:55,639
Speaker 1: than great episode, Haunted Leg. What the hell does that mean?

1086
01:08:56,840 --> 01:08:59,360
Speaker 1: This one was off for me. I'm sorry. Although I

1087
01:08:59,479 --> 01:09:02,840
Speaker 1: enjoyed it, I really enjoyed it. I enjoyed discussing it.

1088
01:09:02,880 --> 01:09:08,960
Speaker 1: With you very astute ladies. And uh, I can't wait

1089
01:09:09,040 --> 01:09:13,360
Speaker 1: till next week. I don't even know. Was it because

1090
01:09:13,439 --> 01:09:18,479
Speaker 1: Christopher didn't have a leg to stand on or a

1091
01:09:18,520 --> 01:09:22,120
Speaker 1: spine to hold him up right? So that was good.

1092
01:09:23,160 --> 01:09:31,080
Speaker 1: Don't laugh, don't laugh at that, seeds of discontent. Oh no,

1093
01:09:31,800 --> 01:09:36,200
Speaker 1: that was good. All right, guys, everybody, Look, thank you

1094
01:09:36,280 --> 01:09:39,439
Speaker 1: for hanging in there with us. Uh, we definitely need

1095
01:09:39,439 --> 01:09:42,320
Speaker 1: to towel down. We need to get amy some I

1096
01:09:42,439 --> 01:09:43,920
Speaker 1: told you have to go lay down. I just she's

1097
01:09:43,920 --> 01:09:47,240
Speaker 1: got somewhere, she's gonna take a couple of laps in

1098
01:09:47,240 --> 01:09:53,600
Speaker 1: the pool. Um. Thanks for downloading. I love y'all, and uh,

1099
01:09:53,880 --> 01:09:57,280
Speaker 1: let us know how you feel, okay, because we were

1100
01:09:57,360 --> 01:10:00,439
Speaker 1: so shy that we have a hard time at expressing

1101
01:10:00,479 --> 01:10:04,320
Speaker 1: our opinions. But you just unleash. Go ahead anyway, all

1102
01:10:04,360 --> 01:10:37,120
Speaker 1: the best, stay safety, hey everybody, and don't forget follow

1103
01:10:37,200 --> 01:10:41,040
Speaker 1: us on Instagram at I Am all In podcast and

1104
01:10:41,160 --> 01:10:46,040
Speaker 1: Emailie at Gilmore at I heart radio dot com. Oh

1105
01:10:46,120 --> 01:10:47,920
Speaker 1: you Gilmore fans. If you're looking for the best cup

1106
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1108
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1109
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