1 00:00:12,119 --> 00:00:15,800 Speaker 1: Why do pilots tell us the entire specific route, Like 2 00:00:16,720 --> 00:00:18,599 Speaker 1: am I gonna Like when you're in a car, you 3 00:00:18,680 --> 00:00:20,479 Speaker 1: might have a difference of opinion. You know what, take 4 00:00:20,520 --> 00:00:23,120 Speaker 1: that road I heard it's not traffic, or I listened 5 00:00:23,160 --> 00:00:26,560 Speaker 1: to ways, or I did Google directions, like I was 6 00:00:26,560 --> 00:00:28,320 Speaker 1: on a flight recently, and it wasn't like they were 7 00:00:28,360 --> 00:00:31,040 Speaker 1: just giving a broad stroke like Wow, we're gonna do this, 8 00:00:31,080 --> 00:00:32,479 Speaker 1: and then we're gonna go down there. They're gonna go 9 00:00:32,560 --> 00:00:34,159 Speaker 1: up twenty five thousand feet, then we're gonna do some 10 00:00:34,200 --> 00:00:35,400 Speaker 1: we think we gonna make a right and we're gonna 11 00:00:35,400 --> 00:00:37,760 Speaker 1: pass over. None of this involves us, Like I'm not 12 00:00:37,840 --> 00:00:39,120 Speaker 1: looking at anything. We don't get to look at the 13 00:00:39,120 --> 00:00:40,680 Speaker 1: window and there's gonna be a bunch of puppies, Like 14 00:00:40,960 --> 00:00:43,000 Speaker 1: it's nothing that involves us. It wasn't like, oh, we're 15 00:00:43,000 --> 00:00:45,879 Speaker 1: gonna see the Grand Canyon or the sun or the eclipse. 16 00:00:46,240 --> 00:00:49,120 Speaker 1: Like it is very strange when a pilot, because you're 17 00:00:49,120 --> 00:00:52,240 Speaker 1: watching your movies, you're trying to disconnect, decides to take 18 00:00:52,320 --> 00:00:55,160 Speaker 1: like thirty five minutes in choppy pieces and tell you 19 00:00:55,200 --> 00:00:59,240 Speaker 1: the entire specific route. This is not like a collaborative experience. 20 00:00:59,280 --> 00:01:02,640 Speaker 1: I don't get to okay, I don't. I have no 21 00:01:02,720 --> 00:01:04,720 Speaker 1: further thoughts at this time. You're on or like there's 22 00:01:04,720 --> 00:01:06,600 Speaker 1: nothing I can say. I'm not gonna interject and be 23 00:01:06,680 --> 00:01:09,520 Speaker 1: like I don't agree with the roots you're taking pilot. 24 00:01:10,040 --> 00:01:13,160 Speaker 1: I wasn't given the route ahead of time. No one 25 00:01:13,200 --> 00:01:16,000 Speaker 1: asked my opinion at which road we should take in 26 00:01:16,080 --> 00:01:19,440 Speaker 1: the air, So I just I don't understand their logic. 27 00:01:19,560 --> 00:01:22,480 Speaker 1: Like sometimes they'll do like the you know, the flight, 28 00:01:22,600 --> 00:01:24,240 Speaker 1: his hands will be funny when they do get the 29 00:01:24,280 --> 00:01:27,000 Speaker 1: mask and like it's funny, or they'll have a little 30 00:01:27,000 --> 00:01:29,320 Speaker 1: comedy and since they'll put it on the internet, that's okay, 31 00:01:29,440 --> 00:01:32,319 Speaker 1: like a little little levity's good. But when there's a 32 00:01:32,319 --> 00:01:34,200 Speaker 1: captain up front, it's just telling us the root. I 33 00:01:34,240 --> 00:01:37,480 Speaker 1: just don't understand what the hell our options are and 34 00:01:37,640 --> 00:01:40,080 Speaker 1: I don't want to know the route. What am I 35 00:01:40,240 --> 00:01:42,000 Speaker 1: have nothing to add at this time? I have nothing 36 00:01:42,040 --> 00:01:48,800 Speaker 1: further at this time. I just saw a clip of 37 00:01:48,840 --> 00:01:53,440 Speaker 1: Adam Sandler talking about how he saw Paul McCartney and 38 00:01:53,840 --> 00:01:56,480 Speaker 1: was going to approach him at his table because his 39 00:01:56,520 --> 00:01:59,160 Speaker 1: wife was cheering him on and saying go say hello, 40 00:01:59,760 --> 00:02:01,720 Speaker 1: and he saw him eating a bite and saw the 41 00:02:01,720 --> 00:02:03,400 Speaker 1: side of his head and went to approach him, and 42 00:02:03,440 --> 00:02:05,840 Speaker 1: then he saw that Ringo was at the table, and 43 00:02:05,920 --> 00:02:09,280 Speaker 1: he choked, and then he said he was gonna talk 44 00:02:09,320 --> 00:02:10,840 Speaker 1: to him again, but then he was talking to his wife, 45 00:02:10,840 --> 00:02:12,880 Speaker 1: and then he choked, and he said that the restaurant 46 00:02:13,560 --> 00:02:17,760 Speaker 1: was watching him choke when he went to say hi 47 00:02:17,840 --> 00:02:21,200 Speaker 1: to Paul McCartney. Which is so funny to me because 48 00:02:21,200 --> 00:02:28,080 Speaker 1: I was with Brynn at Mark Gervitz, his comedy manager, 49 00:02:28,639 --> 00:02:32,320 Speaker 1: his house, and Brynn cries when she thinks about her 50 00:02:32,360 --> 00:02:35,200 Speaker 1: talks about Adam Sandler, cries like there's no one you 51 00:02:35,240 --> 00:02:41,000 Speaker 1: could say justin Bieber. You could say Olivia Rodrigo, you 52 00:02:41,040 --> 00:02:45,080 Speaker 1: could say anyone. Adam Sandler is her goat, her number one. 53 00:02:45,120 --> 00:02:47,520 Speaker 1: And when we were at that party, I was so 54 00:02:47,680 --> 00:02:49,880 Speaker 1: horrified because people knew who I was there and I'm 55 00:02:49,880 --> 00:02:51,800 Speaker 1: supposed to be like at the level with them, and 56 00:02:51,800 --> 00:02:54,360 Speaker 1: I'm a peer, I'm invited, and I paid for my 57 00:02:54,400 --> 00:02:57,560 Speaker 1: own charity ticket and whatever, but like I was like 58 00:02:57,560 --> 00:03:01,120 Speaker 1: a twelve year old because I was my daughter's thirteen, 59 00:03:01,160 --> 00:03:04,560 Speaker 1: to be fair, but I was like, she wouldn't do it, 60 00:03:05,720 --> 00:03:08,160 Speaker 1: she wouldn't do it. So I was standing lingering lurking 61 00:03:08,200 --> 00:03:10,640 Speaker 1: like a weirdo. And it's so funny to be saying that, 62 00:03:10,639 --> 00:03:12,480 Speaker 1: because I was thinking more about what other people were 63 00:03:12,480 --> 00:03:14,880 Speaker 1: thinking that with, like Adam Sandler was thinking, like, it's fine, 64 00:03:14,880 --> 00:03:17,760 Speaker 1: he thinks I'm a loser, but like the other people 65 00:03:17,760 --> 00:03:20,840 Speaker 1: that watch if I'm lurking. It was just and it 66 00:03:20,880 --> 00:03:23,919 Speaker 1: happened again multiple times because we were then about to 67 00:03:23,960 --> 00:03:25,120 Speaker 1: go out to the car and he was there one 68 00:03:25,160 --> 00:03:26,600 Speaker 1: last time. I'm like, all right, Brin, you could take 69 00:03:26,600 --> 00:03:29,040 Speaker 1: a bye again, like I went in so many times 70 00:03:29,080 --> 00:03:32,760 Speaker 1: for embarrassment, Like it wasn't once, it was multiple times, 71 00:03:32,800 --> 00:03:36,120 Speaker 1: just to like get every piece of meat off the 72 00:03:36,120 --> 00:03:38,400 Speaker 1: bone for her. Oh. Right at the valet, they were 73 00:03:38,400 --> 00:03:40,400 Speaker 1: getting into the car, he and his wife and everybody else, 74 00:03:40,400 --> 00:03:42,560 Speaker 1: which is like a more vulnerable moment, like hey, we're all, 75 00:03:42,600 --> 00:03:46,480 Speaker 1: you know, valet getting in people and Brynn. And he 76 00:03:46,520 --> 00:03:48,240 Speaker 1: loved Brynn. He was nice to Brn. I mean, he 77 00:03:48,280 --> 00:03:50,600 Speaker 1: was like, but I was just like the embarrassing loser 78 00:03:51,040 --> 00:03:53,840 Speaker 1: facilitator that made it happen and was just lurking in 79 00:03:53,880 --> 00:03:56,960 Speaker 1: the back, you know, not even by the way, I 80 00:03:57,000 --> 00:04:01,400 Speaker 1: never did my own hello, Like I kind of withered 81 00:04:01,440 --> 00:04:06,040 Speaker 1: and vanished like I was Brinn's handler. I never was like, hey, Adam, 82 00:04:06,280 --> 00:04:08,280 Speaker 1: you know what the hell would I've said, I'm a person, 83 00:04:08,320 --> 00:04:10,720 Speaker 1: you're a person. I think he's able to see I'm 84 00:04:10,720 --> 00:04:15,760 Speaker 1: a person. But the guy that I choked to say 85 00:04:15,800 --> 00:04:20,880 Speaker 1: hello to being embarrassed to make a fool out of 86 00:04:20,880 --> 00:04:25,359 Speaker 1: myself on behalf of my beautiful daughter Brynn. That guy, 87 00:04:26,200 --> 00:04:30,960 Speaker 1: my choke guy choked when going up to Paul McCartney. 88 00:04:31,520 --> 00:04:39,120 Speaker 1: It's a full circle of embarrassing choking and Adam Sandler's 89 00:04:39,160 --> 00:04:42,360 Speaker 1: my Paul McCartney, Adam Sandler's brins, Paul McCartney. I don't 90 00:04:42,400 --> 00:04:46,240 Speaker 1: know why I am involving myself. Adam Sandler is Brind's, 91 00:04:46,440 --> 00:05:04,000 Speaker 1: Paul McCartney, Paul McCartney is Adam's. So I'm noticing something 92 00:05:04,360 --> 00:05:11,200 Speaker 1: interesting in women in their forties and fifties, and these 93 00:05:11,200 --> 00:05:14,200 Speaker 1: are public figures, but I think it's important to mention it. 94 00:05:14,800 --> 00:05:17,840 Speaker 1: So Hoda was on her show with Jenna the other 95 00:05:17,920 --> 00:05:20,880 Speaker 1: day and they were talking about how Hoda had dipped 96 00:05:20,880 --> 00:05:25,039 Speaker 1: her toe into the dating pool and had gone on 97 00:05:25,120 --> 00:05:29,240 Speaker 1: a couple of dates. And Jenna, who's married, I think 98 00:05:29,279 --> 00:05:33,480 Speaker 1: for a while, and seems to be happy. She basically 99 00:05:33,760 --> 00:05:36,400 Speaker 1: was saying to Hoda, like, you know, this is the 100 00:05:36,440 --> 00:05:40,560 Speaker 1: start of something, effectively, and Hoda was basically saying, I 101 00:05:40,680 --> 00:05:44,920 Speaker 1: just it's time to be present and not with the kids, 102 00:05:45,000 --> 00:05:48,839 Speaker 1: and it's going on a date and it's someplace to 103 00:05:48,839 --> 00:05:51,120 Speaker 1: get dressed up. And I'm paraphrasing for both of them, 104 00:05:51,160 --> 00:05:53,640 Speaker 1: but it was like Hodo was explaining that going out 105 00:05:53,640 --> 00:05:56,320 Speaker 1: on a date is like almost like it's something to do. 106 00:05:56,400 --> 00:05:58,880 Speaker 1: It's a great means you're going out. You're not with 107 00:05:58,920 --> 00:06:02,599 Speaker 1: your kids, you're not being just about like you know 108 00:06:02,640 --> 00:06:05,160 Speaker 1: how women get and we get like you're just all 109 00:06:05,200 --> 00:06:09,240 Speaker 1: about everybody else and your kids and you're boring and 110 00:06:09,320 --> 00:06:12,360 Speaker 1: the ugly pajamas, and so Hoda went on a couple 111 00:06:12,360 --> 00:06:15,200 Speaker 1: of dates and she was excited about it. And it 112 00:06:15,240 --> 00:06:18,559 Speaker 1: was interesting because Jenna said, you know, and it also 113 00:06:18,800 --> 00:06:22,840 Speaker 1: means there's hope. And it's funny because I wasn't getting 114 00:06:22,880 --> 00:06:26,200 Speaker 1: from Hoda that it even has to necessarily mean that 115 00:06:26,320 --> 00:06:28,760 Speaker 1: it means hope. It was just like she's going on 116 00:06:28,760 --> 00:06:31,040 Speaker 1: a couple of dates. It doesn't mean she's looking for anything. 117 00:06:31,080 --> 00:06:33,320 Speaker 1: It doesn't mean anyone has anything she needs. She has 118 00:06:33,360 --> 00:06:39,080 Speaker 1: beautiful children, she has a great career. She is successful 119 00:06:39,320 --> 00:06:45,720 Speaker 1: and wealthy. She has a fulfilling job, you know, like 120 00:06:45,880 --> 00:06:49,200 Speaker 1: it's got passion, and she does philanthropy and she's just 121 00:06:49,240 --> 00:06:54,880 Speaker 1: a very proactive, just grab life type of person. She's 122 00:06:54,960 --> 00:06:58,479 Speaker 1: a survivor. I mean, she's just that person. Okay, So 123 00:06:58,600 --> 00:07:02,240 Speaker 1: then you move on to to other women in daytime television. 124 00:07:02,320 --> 00:07:11,320 Speaker 1: Drew Barrymore also attractive, also single, also quote unquote marketable, smart, successful, 125 00:07:12,560 --> 00:07:18,120 Speaker 1: successful career to say the least, also wealthy, has a 126 00:07:18,160 --> 00:07:25,120 Speaker 1: great cosmetics beauty business, has her show, has a production company, 127 00:07:25,680 --> 00:07:28,200 Speaker 1: has a lot to offer, and she's got kids, and 128 00:07:28,240 --> 00:07:33,240 Speaker 1: she's got an intense job that she's chosen and fulfills 129 00:07:33,280 --> 00:07:35,840 Speaker 1: her also, and you see that like she sort of 130 00:07:35,840 --> 00:07:38,160 Speaker 1: will go on a date here and there, but she 131 00:07:38,400 --> 00:07:42,480 Speaker 1: too she cares and it's a good conversation to have. 132 00:07:42,560 --> 00:07:44,920 Speaker 1: And she kind of cares and like that self deprecating, 133 00:07:45,120 --> 00:07:48,560 Speaker 1: self deprecating girlfriend way, you know, in that sex and 134 00:07:48,640 --> 00:07:51,440 Speaker 1: city way, but like she doesn't seem to be particularly 135 00:07:51,440 --> 00:07:53,440 Speaker 1: bothered by it, doesn't seem to be sad. I mean, 136 00:07:53,480 --> 00:07:56,680 Speaker 1: I don't know her. I'm not with her on the holidays, 137 00:07:57,040 --> 00:08:02,240 Speaker 1: but like she could definitely date someone. She's it's a choice. 138 00:08:02,280 --> 00:08:05,960 Speaker 1: It doesn't feel like there's anything that anyone has that 139 00:08:06,000 --> 00:08:10,080 Speaker 1: she needs. It feels like Hodah's in the same position. 140 00:08:11,240 --> 00:08:13,600 Speaker 1: And then I saw that Kelly Clarkson, when Hoda was 141 00:08:13,640 --> 00:08:20,520 Speaker 1: on Kelly Clarkson doing a daytime crossover, she asked Kelly 142 00:08:20,640 --> 00:08:22,560 Speaker 1: if she was going on any date, so she had 143 00:08:22,600 --> 00:08:26,640 Speaker 1: any interest in dating, and Kelly said, hell no, hell no, 144 00:08:27,200 --> 00:08:30,680 Speaker 1: Like she has a career, she went through a brutal divorce, 145 00:08:30,920 --> 00:08:34,560 Speaker 1: she has her children. It's just an interesting thing that 146 00:08:34,640 --> 00:08:38,800 Speaker 1: these women that are also role models, they could each 147 00:08:38,960 --> 00:08:41,559 Speaker 1: be with men if they wanted to. They're all saying 148 00:08:42,760 --> 00:08:48,120 Speaker 1: to each other and to the audience, I don't need 149 00:08:48,160 --> 00:08:51,080 Speaker 1: a man. And they're not being defiant and like men suck. 150 00:08:51,160 --> 00:08:57,000 Speaker 1: I mean, they just are conveying that they're strong women 151 00:08:57,160 --> 00:08:59,800 Speaker 1: and their careers and their children and their lives are 152 00:08:59,800 --> 00:09:05,560 Speaker 1: for filling. And they've all been married before. That's interesting too. 153 00:09:05,679 --> 00:09:12,040 Speaker 1: They've all been married before, and I know at least 154 00:09:12,120 --> 00:09:14,840 Speaker 1: one of them has had a challenging divorce, and you 155 00:09:14,920 --> 00:09:18,280 Speaker 1: just don't know how the previous situation affects the next situation. 156 00:09:18,400 --> 00:09:21,120 Speaker 1: And you also don't know how children affect your decisions, 157 00:09:21,160 --> 00:09:23,760 Speaker 1: and it's just it's there are people that I see 158 00:09:23,760 --> 00:09:27,120 Speaker 1: on TikTok all the time that are sad and they 159 00:09:27,200 --> 00:09:29,000 Speaker 1: feel lonely, and they're so young, and they want to 160 00:09:29,000 --> 00:09:33,320 Speaker 1: wrap their whole lives into a perfect Tiffany box with 161 00:09:33,360 --> 00:09:36,000 Speaker 1: a bow. And I think it's nice that these women 162 00:09:36,040 --> 00:09:41,400 Speaker 1: are being honest about how they really feel. And they're 163 00:09:41,480 --> 00:09:45,400 Speaker 1: also not sort of living and feeling like they're going 164 00:09:45,440 --> 00:09:49,000 Speaker 1: to need to go hunt for something, or like Rene 165 00:09:49,080 --> 00:09:54,880 Speaker 1: Zellweger said in the movie with Tom Cruise, you know 166 00:09:55,040 --> 00:09:58,080 Speaker 1: you complete me, like they feel like Jerry Maguire, like 167 00:09:58,120 --> 00:10:01,800 Speaker 1: someone needs to complete them, like they're completing themselves, and 168 00:10:01,880 --> 00:10:04,480 Speaker 1: if they do meet someone then it will be a 169 00:10:04,600 --> 00:10:08,880 Speaker 1: choice or additive. But they're basically role models to other 170 00:10:08,920 --> 00:10:16,320 Speaker 1: women saying, nothing's wrong with a relationship, but I'm good 171 00:10:16,320 --> 00:10:20,360 Speaker 1: and fulfilled and happy and satisfied on my own. And 172 00:10:20,400 --> 00:10:26,240 Speaker 1: they have this power because they have these careers and 173 00:10:26,480 --> 00:10:32,720 Speaker 1: this amazing source of incommon passion too, like purpose is interesting, 174 00:10:32,760 --> 00:10:38,199 Speaker 1: someplace to go, something to do, somebody, to mean something 175 00:10:38,280 --> 00:10:45,840 Speaker 1: to some currency that you're not only trading, but like 176 00:10:45,920 --> 00:10:48,839 Speaker 1: you're providing a value in people's lives. So I think 177 00:10:48,880 --> 00:10:52,959 Speaker 1: that's interesting for all three of them also in similar careers, 178 00:10:53,440 --> 00:10:56,000 Speaker 1: so anyway, I just thought that was interesting as I 179 00:10:56,000 --> 00:11:00,280 Speaker 1: watch young women worry so much about getting their ring, 180 00:11:00,520 --> 00:11:05,160 Speaker 1: getting the dress, getting the guy you know, and wanting 181 00:11:05,160 --> 00:11:10,840 Speaker 1: the guy who's wealthy, and these are beautiful women doing 182 00:11:10,880 --> 00:11:12,559 Speaker 1: it on their own. M