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Speaker 1: One eight hundred d uy Away now offering free remote

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Speaker 1: consultations by phone or video conference for any criminal offense.

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Speaker 1: Trust Brook, Jeffrey and Jose's friends with a free remote

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Speaker 1: consultation from Bradley Johnson Lawyers. Visit one eight hundred duy

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Speaker 1: away dot com or call eight hundred.

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Speaker 2: Do you y away? It is time for your phone tap.

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Speaker 2: And a little while ago we did a second date

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Speaker 2: update in a British accent. Oh, easily, Brooke was the

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Speaker 2: best one in the room by far Bro. Show us

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Speaker 2: your accent. Why thank you, Jeffrey, Oh, Jeffrey chap Wow.

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Speaker 1: I don't know.

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Speaker 2: I didn't warm up hard to beat that.

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Speaker 3: I feel like I'm in London.

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Speaker 1: I mean I think if I go watch Bridgerton first, it.

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Speaker 2: Would have been better. Well, today I'm going to try

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Speaker 2: to match Brooks blokyism and say that I'm from the

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Speaker 2: BBC calling a woman about a show idea that she

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Speaker 2: pitched to the network and somehow it ended up on

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Speaker 2: my desk. Well that sounds delightful, Jeffrey. It's all because

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Speaker 2: of her friend who set her up. But you'll hear

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Speaker 2: it your phone tap right now? Another Hello, Hello? Is

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Speaker 2: this Alona?

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Speaker 3: Yes? This is she.

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Speaker 2: My My name is Crispin Featherwick. I'm a network executive

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Speaker 2: from the BBC. Hello.

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Speaker 3: How are you, Crispin?

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Speaker 2: I'm quite well. Thanks for asking and you.

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Speaker 3: I'm doing great. What can I do for you?

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Speaker 2: Well? The reason for my call I saw a pitch

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Speaker 2: for a brilliant show come across my desk today and

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Speaker 2: I was like, whoa, wait a tick, this is new,

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Speaker 2: this is innovative, and word got around. You were the

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Speaker 2: creative genius who hatched this idea.

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Speaker 3: Wow are you talking about.

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Speaker 2: Yeah, it's a crime drama.

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Speaker 3: Yes, oh oh my gosh, wow, thank you, thank you

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Speaker 3: so much.

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Speaker 2: Of course, now that being said, if we were to

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Speaker 2: move forward, we would like to make just a few changes.

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Speaker 2: Make it a ted bit edgier. Okay, I mean you

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Speaker 2: like you like gritty, some gritty shows.

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Speaker 3: Yeah, yeah, I like gritty. I was kind of hoping

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Speaker 3: for this to be a little bit more wholesome than gritty.

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Speaker 2: But listen to love Alana, sweetheart. I'm a network executive.

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Speaker 2: I work with a lot of projects, so I think

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Speaker 2: I know what's best and personally, I would like to

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Speaker 2: make a change and think it's better suited as a

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Speaker 2: musical crime sitcom.

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Speaker 3: A musical crime sitcom.

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Speaker 2: Right, a humor music you canned laughter.

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Speaker 3: That is definitely a lot different than what I had

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Speaker 3: in mind.

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Speaker 2: A lot better.

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Speaker 3: Yeah, well, a definite tone shift, he me, Alon.

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Speaker 2: Just imagine detectives solving crimes, but through song and dance.

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Speaker 2: Quite entertaining.

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Speaker 3: Well, then that may be entertaining, it's not quite really

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Speaker 3: even in the ballpark of what I've created.

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Speaker 2: It's an improvement, and he is the kicker. I want

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Speaker 2: all the suspects to be talking animals.

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Speaker 3: Okay, isn't it. How would that even work?

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Speaker 2: Well, just picture in your mind a lama put into handcuffs. Okay,

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Speaker 2: put them in the back of a cop car. You know,

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Speaker 2: he's a tall animal, so of course the officers have

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Speaker 2: pushed his head down into the vehicle.

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Speaker 3: Okay. Oh look, obviously I would really love for this

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Speaker 3: script to be optioned and the opportunity to work with

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Speaker 3: you and the BBC. I just I'm not sure that

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Speaker 3: I am able to make the shift with this story,

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Speaker 3: with this script.

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Speaker 2: What you're saying is you don't want the BBC to

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Speaker 2: purchase this turn it into a major show.

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Speaker 3: Please don't misunderstand. It's just the framework of the story

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Speaker 3: to don't quite lend itself there yet.

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Speaker 2: Well, the framework will work itself out. The concept is

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Speaker 2: what's most important here. Haven't you seen the teenage Mutant

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Speaker 2: Ninja Turtles?

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Speaker 3: Yeah, I've I've seen a Ninja turtle.

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Speaker 2: You know. In that show, there's one bad guy. He's

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Speaker 2: a rhino. His name's Bebop. It was quite popular. So

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Speaker 2: now we're trying to make the adult version of that.

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Speaker 3: I'm open to two ideas and workshopping and making changes.

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Speaker 3: But what you are pitching is.

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Speaker 2: Is your problem because of the title, Because I have

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Speaker 2: some other working options that I was considering. What do

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Speaker 2: you think about Broadway in order? It's a bit of

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Speaker 2: a play on words there, excuse me that or cluetoons.

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Speaker 2: I'm sorry, I just whiskers of justice. I'm just coming

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Speaker 2: up with these off the top of my head. Yeah, spitballing,

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Speaker 2: as you Yankees would say.

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Speaker 3: I don't.

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Speaker 2: So what do you say? Should we finalize a deal?

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Speaker 3: Okay? Look, I'm sorry, I just can you I don't.

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Speaker 2: It's perf ficked. We'll give it a go, and we'll

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Speaker 2: tell your friend Adam that we.

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Speaker 3: Approve my friend Adam.

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Speaker 2: Like Adam, he listens to a radio show called Brook

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Speaker 2: and Jeffrey in the Morning, and he set you up

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Speaker 2: for a phone tap, love Joe.

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Speaker 3: Oh my god. Well, I mean because I was crying

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Speaker 3: so hard to be polite.

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Speaker 1: And I honestly thought.

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Speaker 3: This whole thing was real.

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Speaker 2: Iron It's very real, with low life animals being arrested

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Speaker 2: by singing human.

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Speaker 3: Cops that they're human coppers.

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Speaker 2: I forgot about human policemen arresting criminal animals, crime animals. Oh,

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Speaker 2: we have it. We have the new title criminals.

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Speaker 3: You know what. Good luck with that, y'all.

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Speaker 1: Wake up Every morning was funk taps weekday mornings on

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Speaker 1: the twenties Brooke and Jeffrey in the Morning,