WEBVTT - Rising Star

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<v Speaker 1>This show contains mature content and adult themes.

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<v Speaker 2>It may not be suitable for young audiences.

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<v Speaker 1>From Variety and iHeart Podcasts, this is season two of

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<v Speaker 1>Variety Confidential.

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<v Speaker 3>He Was.

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<v Speaker 4>Supporters St. Paulish one three.

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<v Speaker 3>Library Bokay.

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<v Speaker 1>This season on Variety Confidential, we peel back the layers

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<v Speaker 1>of actor River Phoenix's meteoric rise to fame, from his

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<v Speaker 1>unconventional childhood to becoming the alternative poster boy of a generation.

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<v Speaker 1>We'll explore his powerful performances in classics like stand By

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<v Speaker 1>Me and My Own Private Idaho, You're.

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<v Speaker 3>Never going to get out of this town now, my boy.

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<v Speaker 1>Examining how his raw talent and undeniable charisma left an

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<v Speaker 1>indelible mark on the film industry.

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<v Speaker 5>You guys were ussia dead body. A find a normal

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<v Speaker 5>family and a good upbringing, and I would have been

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<v Speaker 5>so well adjusted person.

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<v Speaker 1>Depends on what you call normal. I'm Tachiana Siegel, Executive

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<v Speaker 1>editor of Film and Media at Variety, and I'm here

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<v Speaker 1>to take you through the extraordinary life of one of

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<v Speaker 1>Hollywood's most celebrated stars, River Phoenix. His is a name

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<v Speaker 1>that still resonates with cinophiles and casual moviegoers alike. Nearly

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<v Speaker 1>three decades after his untimely passing. But River's story isn't

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<v Speaker 1>just about the bright lights of Hollywood. It's a tale

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<v Speaker 1>of youthful ambition, artistic integrity, and the dark side of fame.

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<v Speaker 1>Exclusive interviews with Rivers co stars and friends, including Corey

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<v Speaker 1>Feldman and Samantha Mathis, will shed light on who River

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<v Speaker 1>really was off camera. Whether you're a longtime fan or

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<v Speaker 1>just discovering his war, join us as we speak with

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<v Speaker 1>industry insiders and Varieties experts to explore the brilliance and

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<v Speaker 1>complexity of River Phoenix. Let's dive into the life, legacy,

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<v Speaker 1>and lasting impact of an actor who burned bright and

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<v Speaker 1>left us far too soon. This is Variety Confidential, the

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<v Speaker 1>life and legend of River Phoenix.

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<v Speaker 5>In fact, I would rather quit while I was ahead. Yeah,

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<v Speaker 5>there's no need overstanding. You're welcome.

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<v Speaker 1>River Phoenix was born on August twenty third, nineteen seventy,

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<v Speaker 1>into a family that embraced an unconventional lifestyle. His parents,

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<v Speaker 1>Arlen and John Bottom, were deeply ameshed in counterculture of

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<v Speaker 1>the nineteen sixties and lived mostly on the road with

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<v Speaker 1>their five children, River the eldest, followed by Rain, Joaquin

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<v Speaker 1>Liberty and Summer. When he was a young boy, River's

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<v Speaker 1>parents became missionaries for the religious cult Children of God,

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<v Speaker 1>also known as the Family. John and Arland's work took

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<v Speaker 1>them to South America, but they eventually became disillusioned with

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<v Speaker 1>the group and relocated the family to Florida. There, they

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<v Speaker 1>adopted a new surname, Phoenix, a symbol of rebirth. By

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<v Speaker 1>all accounts, it was a nurturing, if unusual environment. River

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<v Speaker 1>and his siblings never had a formal education, but their parents'

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<v Speaker 1>bohemian lifestyle allowed the children to explore any creativity or

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<v Speaker 1>self expression to its fullest extent. They showed an aptitude

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<v Speaker 1>for acting in music, and at times busk to help

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<v Speaker 1>bring in money for the family.

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<v Speaker 5>Well, in my family, throughout the years, we've been moving frequently,

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<v Speaker 5>whether it be for financial reasons or for different movies

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<v Speaker 5>that we were working on. So I've been very used

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<v Speaker 5>to that spontaneous, must pick it up and move on

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<v Speaker 5>kind of thing.

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<v Speaker 1>River's brother, actor Joaquin Phoenix, recently detailed their upbringing and

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<v Speaker 1>sibling dynamic on comedian Theo Vaughn's podcast this past weekend

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<v Speaker 1>with Theo Vaughn, Why was.

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<v Speaker 6>The second son uh? And uh, and my brother was

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<v Speaker 6>like quite a force and was definitely like I don't know,

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<v Speaker 6>almost like mythical or Shakespearean or you know, maybe it's

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<v Speaker 6>because he he died or something, but he's like, you know,

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<v Speaker 6>he was like the first son and he was and

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<v Speaker 6>he was he was incredible, and he was such a

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<v Speaker 6>force within our family. It was kind of like the

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<v Speaker 6>the the the guiding light in some ways. He's one

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<v Speaker 6>of the acted first and we used to sing on

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<v Speaker 6>the streets and he played guitar and kind of like

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<v Speaker 6>over singer. He was the lead singer and he was

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<v Speaker 6>the guitarist and kind of oversaw everybody. And he was

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<v Speaker 6>such a like a strong but gentle force within the family.

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<v Speaker 1>This upbringing not only shaped rivers worldview, but also ignited

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<v Speaker 1>his artistic passions early on, laying the groundwork for his

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<v Speaker 1>future career in Hollywood. His breakthrough came in nineteen eighty

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<v Speaker 1>five with the TV movie Surviving a Family and Crisis,

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<v Speaker 1>which showcased his talent to a broader audience, but it

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<v Speaker 1>was nineteen eighty six's Stand By Me that catapulted him

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<v Speaker 1>into the spotlight, establishing him as a household name in

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<v Speaker 1>Variety's Oral history of the movie. Director Rob Reiner says

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<v Speaker 1>it was Phoenix's star power that helped the movie find distribution.

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<v Speaker 1>As he tells it, nearly every studio in Hollywood had

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<v Speaker 1>passed on the Coming of Age film when they convinced

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<v Speaker 1>New Columbia Pictures production head Guy McElwain to screen it.

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<v Speaker 1>But the most crucial members of the audience were mcelwain's

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<v Speaker 1>two daughters. About halfway through, they were in love with

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<v Speaker 1>River Phoenix. Bruce A. Evans, who produced and co wrote

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<v Speaker 1>the film, remembers in the film, fourteen year old River

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<v Speaker 1>is a standout as spiritual leader Chris Chambers, alongside co

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<v Speaker 1>stars Corey Feldman as hot tempered Teddy Duchamp, Will Wheaton

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<v Speaker 1>as sensitive Gordie la Chance, and Jerry O'Connell as wisecracking

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<v Speaker 1>Verne Tessio. It's been decades since, but Corey Feldman says

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<v Speaker 1>he still cherishes those memories on the stand by Me

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<v Speaker 1>set with River, whom he called one of the great

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<v Speaker 1>iconic actors of our time.

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<v Speaker 2>I would say River was like the James Dean of

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<v Speaker 2>our generation. You know, he had all that prospect, he

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<v Speaker 2>had all that potential. Everybody knew that he was going

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<v Speaker 2>to be an Academy Award winner.

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<v Speaker 4>Everybody knew that he was going to be.

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<v Speaker 2>Hailed as one of the great iconic actors of our time,

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<v Speaker 2>and we knew it at that time.

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<v Speaker 4>We knew it.

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<v Speaker 2>I just assumed he would always be part of my life,

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<v Speaker 2>and I always assumed we'd have many more times to

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<v Speaker 2>work together. I figured we'd end up doing music together.

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<v Speaker 2>I figured we do more films together. To me, it

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<v Speaker 2>was a very open ended relationship that had only started

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<v Speaker 2>to bud. And that was that was the hardest gut

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<v Speaker 2>punch of the whole thing, was knowing that my friend

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<v Speaker 2>was gone and that wasn't going to happen again, and

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<v Speaker 2>there was no opportunity for us to ever create together

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<v Speaker 2>and to stand together. I mean to think about what

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<v Speaker 2>I've stood for in my life and the things that

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<v Speaker 2>he wanted to stand for or was standing for at

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<v Speaker 2>the time of his loss, and to think what magic

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<v Speaker 2>we could have stirred up together, the powerful statements, the

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<v Speaker 2>powerful moments, the things that we could have raised awareness

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<v Speaker 2>on if we joined forces and work together as adults,

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<v Speaker 2>you know, And that's the tragedy to me is just

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<v Speaker 2>you know, like, wow, We'll never have that chance to

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<v Speaker 2>see what might have become of it.

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<v Speaker 1>Corey, take us back to when you were cast and

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<v Speaker 1>stand By Me. What do you remember from that time.

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<v Speaker 1>I'm filming in the summer of nineteen eighty five.

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<v Speaker 2>Well, what I remember about being cast in stand By

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<v Speaker 2>Me was going into the audition while I was working

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<v Speaker 2>on the ADR for Goonies. Actually we were on the

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<v Speaker 2>sound stages. We did about I think it was like

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<v Speaker 2>sixty days worth of ADR on Goonies.

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<v Speaker 4>It was a lot.

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<v Speaker 2>We were there for like two months. We had our

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<v Speaker 2>school trailers out in the parking line, all that stuff.

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<v Speaker 2>So I got an audition to read for a Rob

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<v Speaker 2>Ryanan movie called The Body, and that's what it was

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<v Speaker 2>called when I went into audition for it, and I

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<v Speaker 2>remember it was a pretty big call. There was a

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<v Speaker 2>lot of kids in the room, and I remember Rob

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<v Speaker 2>asking me to come in two or three times to

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<v Speaker 2>try different.

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<v Speaker 4>Things and all in the same day.

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<v Speaker 2>But I mean like going back and forth and trying

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<v Speaker 2>different things, working with the character a little.

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<v Speaker 4>Bit, and that was it.

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<v Speaker 2>I mean, it was a pretty simple process. After I

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<v Speaker 2>think there was a callback. I think there was like

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<v Speaker 2>two calls and that was it. And then we got

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<v Speaker 2>the offer.

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<v Speaker 1>So when you guys would see each other at casting

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<v Speaker 1>or whatever, were you often going up for the same roles.

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<v Speaker 2>But it was movies like Explorers where you know, I

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<v Speaker 2>was promised a role. I originally was reading for River's role.

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<v Speaker 2>River got the role. Then I ended up reading for

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<v Speaker 2>the part that Jason Present ended up playing, which I

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<v Speaker 2>believe I got and was going to me, and then

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<v Speaker 2>I got Goonies and had to turn it down. So

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<v Speaker 2>there was a lot of that kind of stuff, you know,

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<v Speaker 2>And that was it was that way always with me

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<v Speaker 2>and River, and it was also that way with me

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<v Speaker 2>and Corey Haim. So a lot of people don't realize that,

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<v Speaker 2>and I was one of those people, by the way

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<v Speaker 2>that didn't realize it. But Corey would tell me, I

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<v Speaker 2>actually met you before Laws Boys, and I was like, how,

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<v Speaker 2>And he said, on the audition for Goonies, when I

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<v Speaker 2>went into amblin, you were actually sitting in the waiting room.

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<v Speaker 2>And when I saw that you were going in for

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<v Speaker 2>the same character as me, I knew that I was

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<v Speaker 2>in trouble because I knew that you already had a

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<v Speaker 2>relationship with Steven and blah blah blah. So that was

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<v Speaker 2>kind of one of those interesting things. So Corey was

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<v Speaker 2>one of them. But you know, I didn't see him

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<v Speaker 2>as much as he was from Canada, but River and

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<v Speaker 2>I saw each other on everything. And again Explorers, you know,

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<v Speaker 2>was another movie that he ended up getting.

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<v Speaker 4>I ended up getting it too. We could have ended

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<v Speaker 4>up in that together.

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<v Speaker 2>But then because I got the opera, like I think,

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<v Speaker 2>the same week as Goonies, I couldn't do it.

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<v Speaker 4>Yeah, so there you go.

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<v Speaker 1>Okay, what was the vibe like on set?

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<v Speaker 4>Oh, it's amazing.

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<v Speaker 2>I mean it was. First of all, the thing that

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<v Speaker 2>was great about that film was the fact that you had,

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<v Speaker 2>you know, four serious actors, even though we were kids,

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<v Speaker 2>we all took our craft seriously, and you had a

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<v Speaker 2>very serious.

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<v Speaker 4>Director who had something to prove. You know. This was

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<v Speaker 4>not the Rob Reiner that we think of no of today.

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<v Speaker 2>This was the guy who really had a chip on

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<v Speaker 2>his shoulder because people kept calling him Meatball and he

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<v Speaker 2>did not want to be remembered or referred to as

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<v Speaker 2>the meatball.

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<v Speaker 4>It was like, yeah, that was cute.

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<v Speaker 2>That was a sitcom I did back in the seventies

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<v Speaker 2>and you know, early eighties.

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<v Speaker 4>But I'm done with that now. And now I'm a

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<v Speaker 4>director and I want.

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<v Speaker 2>To be taken and seeing, and so because of that,

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<v Speaker 2>I think that's what kind of got me excited about

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<v Speaker 2>the prospect when I read the stuff that I read

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<v Speaker 2>from the body and said, Okay, this, this will be serious.

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<v Speaker 2>This is not like you know, the other stuff that

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<v Speaker 2>I've done before, where it's action adventure or comedy or horror.

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<v Speaker 2>I mean, this is like really serious stuff. So we

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<v Speaker 2>all got to put our serious faces on and go

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<v Speaker 2>for it. And so when we got up there, the

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<v Speaker 2>beautiful experience was that rob knowing that we were a

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<v Speaker 2>bunch of kids who did have the intention to be serious,

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<v Speaker 2>but at the same time probably came from a myriad

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<v Speaker 2>of backgrounds regarding our instincts, regarding what we were used to.

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<v Speaker 2>If you know, some of us were trained and had class,

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<v Speaker 2>some of us did not, like myself, who never went

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<v Speaker 2>to class, never had a coach, And so some of

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<v Speaker 2>the things that he wanted to do was kind of

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<v Speaker 2>broaden our horizons by introducing us to tricks and games

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<v Speaker 2>and things that were used in acting schools, in acting

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<v Speaker 2>classes and stuff that I personally had never experienced because

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<v Speaker 2>I'd never been to those things. And so we did

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<v Speaker 2>a series of things that he called traditional you know exercises,

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<v Speaker 2>which were exercises from you know, stell Adler or whatever,

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<v Speaker 2>where we would do things like mirroring or volume games

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<v Speaker 2>where we would you know, mirror each other's movements or

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<v Speaker 2>mirror each other's volume, where we would you know, somebody

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<v Speaker 2>would say something and then we would repeat it back

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<v Speaker 2>to them at a louder level, and then they would

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<v Speaker 2>repeat it back at a louder level. Things like that,

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<v Speaker 2>just working off of each other to gain each other's sensibilities,

0:12:30.040 --> 0:12:33.839
<v Speaker 2>understand each other's timing and thought process. And then we'd

0:12:33.840 --> 0:12:37.160
<v Speaker 2>play other games, like you know, kind of fun imagination

0:12:37.360 --> 0:12:41.120
<v Speaker 2>games or improvisation games, different things, just to get our

0:12:41.120 --> 0:12:44.760
<v Speaker 2>brains working and to get us communicating in a way

0:12:44.800 --> 0:12:46.680
<v Speaker 2>that felt like we've known each other for a.

0:12:46.679 --> 0:12:47.800
<v Speaker 4>Lot longer than we had.

0:12:48.240 --> 0:12:50.760
<v Speaker 2>And with River and I, it was really easy because

0:12:51.360 --> 0:12:54.120
<v Speaker 2>River and I had known each other for many years already.

0:12:54.360 --> 0:12:57.960
<v Speaker 2>We'd been seeing each other in different casting offices, you know,

0:12:58.160 --> 0:13:00.640
<v Speaker 2>playing football in the parking lot, link be in the

0:13:00.640 --> 0:13:03.160
<v Speaker 2>parking lot. You know, that's the kind of stuff that

0:13:03.200 --> 0:13:05.720
<v Speaker 2>you did if you got along with another kid in

0:13:05.760 --> 0:13:09.600
<v Speaker 2>the industry, because generally you'd walk into these casting offices

0:13:09.640 --> 0:13:11.560
<v Speaker 2>and they'd be I mean, I'm sure it's still like this,

0:13:11.679 --> 0:13:14.520
<v Speaker 2>but you know, there was fifty kids in there, and

0:13:14.559 --> 0:13:17.040
<v Speaker 2>they're all with their stage moms, and all their stage

0:13:17.040 --> 0:13:19.360
<v Speaker 2>moms have told their kids not to talk to other kids.

0:13:19.679 --> 0:13:22.160
<v Speaker 2>That's like a big thing. And for whatever reason, River

0:13:22.200 --> 0:13:24.040
<v Speaker 2>and I were both always those kids. Like we'd see

0:13:24.080 --> 0:13:25.960
<v Speaker 2>each other, hey man, how are you good? Good, what's

0:13:25.960 --> 0:13:27.839
<v Speaker 2>going on? Let's go outside and talk. Okay, when we

0:13:27.960 --> 0:13:30.480
<v Speaker 2>go outside and just start hanging, you know, and have

0:13:30.600 --> 0:13:32.839
<v Speaker 2>fun like kids do until it was time to get called.

0:13:33.360 --> 0:13:35.840
<v Speaker 2>And I guess, you know, even though we both did

0:13:35.840 --> 0:13:38.400
<v Speaker 2>have stage moms, for whatever reason, I guess they didn't

0:13:38.400 --> 0:13:40.520
<v Speaker 2>mind us hanging out because they knew that we were

0:13:40.559 --> 0:13:43.280
<v Speaker 2>probably the best of the best, and it was probably

0:13:43.320 --> 0:13:45.600
<v Speaker 2>a good idea for us to have a connection or whatever.

0:13:46.000 --> 0:13:48.280
<v Speaker 2>But the point is is that, you know, it wasn't

0:13:48.320 --> 0:13:50.720
<v Speaker 2>frowned upon for us to have that relationship, so we

0:13:50.800 --> 0:13:51.679
<v Speaker 2>kind of built.

0:13:51.440 --> 0:13:54.320
<v Speaker 4>It, you know. And I wouldn't say we were great friends.

0:13:54.360 --> 0:13:55.920
<v Speaker 4>I would just say we were acquaintances.

0:13:55.960 --> 0:13:57.920
<v Speaker 2>But we always kind of had a smile and a

0:13:57.960 --> 0:14:00.400
<v Speaker 2>fondness for when we saw each other and when we

0:14:00.480 --> 0:14:02.600
<v Speaker 2>realized that we were casting the movie together.

0:14:02.960 --> 0:14:04.600
<v Speaker 4>We were both very excited about that.

0:14:05.720 --> 0:14:08.640
<v Speaker 1>Is there an early memory from production that still stands

0:14:08.640 --> 0:14:09.080
<v Speaker 1>out to you.

0:14:10.040 --> 0:14:13.360
<v Speaker 2>I'll never forget the plane ride over, which was one

0:14:13.360 --> 0:14:15.480
<v Speaker 2>of the scariest plane rides of my life. And I'll

0:14:15.520 --> 0:14:17.800
<v Speaker 2>never forget that because River and I were sitting next

0:14:17.840 --> 0:14:20.920
<v Speaker 2>to each other on a small single engine prop lane

0:14:21.320 --> 0:14:24.520
<v Speaker 2>and you know, it's like a puddle jumper, and we

0:14:24.600 --> 0:14:27.760
<v Speaker 2>hit some really serious turbulence on the way over, and

0:14:27.800 --> 0:14:30.160
<v Speaker 2>I'll never forget River and I sitting there fearing for

0:14:30.200 --> 0:14:33.320
<v Speaker 2>our lives, like scared to death, but laughing at the

0:14:33.320 --> 0:14:36.040
<v Speaker 2>same time because the plane was going like this. It

0:14:36.080 --> 0:14:38.200
<v Speaker 2>was rocking so hard that at one point it went

0:14:38.560 --> 0:14:40.680
<v Speaker 2>all the way up on its side. So we're like, whoof,

0:14:40.840 --> 0:14:42.400
<v Speaker 2>like that all the way up on its side, and

0:14:42.440 --> 0:14:45.000
<v Speaker 2>I remember almost going upside down and I'm like kind

0:14:45.040 --> 0:14:47.280
<v Speaker 2>of He's sitting next to me and I'm looking down

0:14:47.280 --> 0:14:49.360
<v Speaker 2>and I'm like, oh my god, are we going to die?

0:14:50.960 --> 0:14:53.040
<v Speaker 2>And we shared that experience of like a near death

0:14:53.080 --> 0:14:56.560
<v Speaker 2>experience together, and that's how we started off our journey

0:14:56.880 --> 0:14:59.240
<v Speaker 2>for a Stand by Me. So I've never told that story,

0:14:59.240 --> 0:15:01.680
<v Speaker 2>but it's an interest one and what.

0:15:01.640 --> 0:15:03.520
<v Speaker 1>Do you remember about River as an actor?

0:15:04.400 --> 0:15:06.520
<v Speaker 2>You know, most young actors, you look at them and

0:15:06.560 --> 0:15:09.600
<v Speaker 2>they don't respond, or if they do respond, they're just

0:15:09.720 --> 0:15:13.200
<v Speaker 2>reading words off the page, but there's no connection there.

0:15:13.560 --> 0:15:16.960
<v Speaker 2>That's the testament of a great actor, and especially at

0:15:16.960 --> 0:15:20.400
<v Speaker 2>a young age, is somebody that's not working off the

0:15:20.440 --> 0:15:24.280
<v Speaker 2>written page, but they're working off the emotion that those

0:15:24.320 --> 0:15:29.040
<v Speaker 2>words make them feel. Whether it's comedy or serious or horror,

0:15:29.040 --> 0:15:32.000
<v Speaker 2>it doesn't matter. It's still the same value, which is

0:15:32.120 --> 0:15:35.120
<v Speaker 2>being real in the moment and giving that real moment

0:15:35.360 --> 0:15:39.480
<v Speaker 2>to your fellow actors to get them the opportunity to

0:15:39.520 --> 0:15:41.080
<v Speaker 2>share in that real moment with you.

0:15:41.680 --> 0:15:44.920
<v Speaker 4>So, yeah, that was the kinship.

0:15:44.960 --> 0:15:47.480
<v Speaker 2>I believe that we had that kind of put us

0:15:47.520 --> 0:15:50.000
<v Speaker 2>above the other guys, not in the sense of actors,

0:15:50.040 --> 0:15:52.320
<v Speaker 2>just in the sense of we had that understanding.

0:15:52.360 --> 0:15:53.720
<v Speaker 4>It was a mutual understanding.

0:15:54.360 --> 0:15:56.760
<v Speaker 2>And then will you know, I think it was kind

0:15:56.800 --> 0:15:58.920
<v Speaker 2>of more from the other side of the training, which

0:15:59.040 --> 0:16:01.920
<v Speaker 2>was very kind of stick to the words on the page.

0:16:02.440 --> 0:16:04.320
<v Speaker 4>You know, do what's in front of you. You know,

0:16:04.440 --> 0:16:05.840
<v Speaker 4>don't kind of do anything.

0:16:05.520 --> 0:16:08.320
<v Speaker 2>Outside of the box unless you're told where River and

0:16:08.360 --> 0:16:10.440
<v Speaker 2>I were much more like go on the feeling go

0:16:10.520 --> 0:16:14.520
<v Speaker 2>on the feeling and then Jerry being so young, he

0:16:14.600 --> 0:16:16.320
<v Speaker 2>was just kind of like, you know, this was his

0:16:16.360 --> 0:16:19.200
<v Speaker 2>first project where him it was like the opposite side

0:16:19.200 --> 0:16:21.000
<v Speaker 2>of the spectrum where he was just like you know,

0:16:21.600 --> 0:16:23.520
<v Speaker 2>a bird being let out of the cage for the

0:16:23.560 --> 0:16:25.120
<v Speaker 2>first time and just kind of like.

0:16:25.120 --> 0:16:27.240
<v Speaker 4>Hey, this is great, this is fun. Let's go everywhere,

0:16:27.280 --> 0:16:29.400
<v Speaker 4>you know, let's do anything. Let's yeah, this is awesome.

0:16:29.680 --> 0:16:32.040
<v Speaker 4>And he was. He brought that to his character, and

0:16:32.080 --> 0:16:35.320
<v Speaker 4>he brought that to the scenes, and all that innocence

0:16:35.360 --> 0:16:38.760
<v Speaker 4>and that sweetness that's in his character I think was

0:16:38.920 --> 0:16:41.120
<v Speaker 4>very genuine to Jerry and who he was.

0:16:42.200 --> 0:16:45.320
<v Speaker 1>What was like the vibe like when cameras aren't rolling,

0:16:45.440 --> 0:16:48.400
<v Speaker 1>he seems like almost like summer camp, like you guys

0:16:48.440 --> 0:16:50.760
<v Speaker 1>are all the same age or were not the same

0:16:50.800 --> 0:16:51.600
<v Speaker 1>age and.

0:16:52.000 --> 0:16:53.080
<v Speaker 4>Had to do a lot of fun.

0:16:53.280 --> 0:16:57.320
<v Speaker 2>It was amazing until River had his family upheaved him

0:16:57.360 --> 0:17:00.240
<v Speaker 2>from the hotel and moved them all to a house

0:17:00.360 --> 0:17:03.120
<v Speaker 2>outside of town. So when we were all staying in

0:17:03.160 --> 0:17:05.920
<v Speaker 2>the same hotel, it was a blast. We were having

0:17:05.960 --> 0:17:08.159
<v Speaker 2>an amazing time. It was maybe a little bit too

0:17:08.280 --> 0:17:13.200
<v Speaker 2>much fun. But when his family, his Mam Marlene, decided

0:17:13.280 --> 0:17:15.800
<v Speaker 2>that they wanted to rent a little, you know, family

0:17:15.920 --> 0:17:20.000
<v Speaker 2>ranch home outside in the suburbs, which was about forty

0:17:20.040 --> 0:17:21.159
<v Speaker 2>minutes away from city.

0:17:21.720 --> 0:17:21.919
<v Speaker 4>You know.

0:17:22.000 --> 0:17:24.720
<v Speaker 2>Obviously I would go out there and stay with them sometimes,

0:17:24.880 --> 0:17:26.840
<v Speaker 2>or River would come stay in my hotel room with

0:17:26.880 --> 0:17:29.720
<v Speaker 2>me sometimes. But for the most part, it created the

0:17:29.800 --> 0:17:32.439
<v Speaker 2>separation between us, which was kind of depressing because we

0:17:32.440 --> 0:17:36.199
<v Speaker 2>were really excited and enjoying that camaraderie and enjoying that

0:17:36.280 --> 0:17:39.000
<v Speaker 2>kind of summer camp vibe, which of course you still

0:17:39.000 --> 0:17:40.479
<v Speaker 2>got on the set, but it was a little bit

0:17:40.520 --> 0:17:41.520
<v Speaker 2>different because you're working.

0:17:41.960 --> 0:17:43.720
<v Speaker 4>So but we had some great times.

0:17:43.760 --> 0:17:46.720
<v Speaker 2>I mean, that was the first nightclub I ever went

0:17:46.760 --> 0:17:49.240
<v Speaker 2>to in my life, was with River, and it was

0:17:49.280 --> 0:17:54.200
<v Speaker 2>an under eighteen, like an age fifteen to eighteen type nightclub.

0:17:54.680 --> 0:17:56.159
<v Speaker 2>And I don't even know how. I guess it was

0:17:56.200 --> 0:17:58.400
<v Speaker 2>all ages because we were not that old. We were

0:17:58.440 --> 0:18:01.240
<v Speaker 2>only thirteen. I don't know how we got into that place,

0:18:01.280 --> 0:18:03.480
<v Speaker 2>but they were letting us in. So we went to

0:18:03.520 --> 0:18:05.720
<v Speaker 2>our first night club for kids, and it was all,

0:18:05.800 --> 0:18:08.040
<v Speaker 2>you know, like I said, thirteen to eighteen year olds,

0:18:08.560 --> 0:18:12.159
<v Speaker 2>you know, dancing to depeche Mode and all the goth

0:18:12.280 --> 0:18:14.360
<v Speaker 2>type eighties music that was out there, and I'd come

0:18:14.359 --> 0:18:16.800
<v Speaker 2>in and River and I would have little Michael Jackson

0:18:16.920 --> 0:18:19.880
<v Speaker 2>dance offs. People don't realize this, but River could also

0:18:20.040 --> 0:18:23.639
<v Speaker 2>dance and he liked to dance like Michael also, although

0:18:23.680 --> 0:18:26.160
<v Speaker 2>it was never seen on camera, but he would do it.

0:18:26.720 --> 0:18:29.720
<v Speaker 2>And we would go to this nightclub called the Met

0:18:30.240 --> 0:18:32.240
<v Speaker 2>that was the name of the club. Actually just ran

0:18:32.320 --> 0:18:35.639
<v Speaker 2>into somebody at the comic con that I did last

0:18:35.640 --> 0:18:39.680
<v Speaker 2>weekend who was like, Oh, I remember you from Eugene, Oregon.

0:18:39.720 --> 0:18:41.200
<v Speaker 2>I don't know if you know this, but I went

0:18:41.240 --> 0:18:43.200
<v Speaker 2>to that nightclub with you. I said, what was it called.

0:18:43.240 --> 0:18:45.040
<v Speaker 2>They said it was the Met. I was like, that's right,

0:18:45.359 --> 0:18:47.520
<v Speaker 2>so that's what I have that information fresh on me.

0:18:47.560 --> 0:18:50.119
<v Speaker 2>But yeah, So we would go to that nightclub together.

0:18:50.720 --> 0:18:54.480
<v Speaker 2>You know, we famously got drunk together. I think it

0:18:54.560 --> 0:18:57.159
<v Speaker 2>was my first time being drunk, I'm not sure about his.

0:18:57.320 --> 0:19:00.040
<v Speaker 2>And then we also famously smoked weed together for the

0:19:00.040 --> 0:19:04.080
<v Speaker 2>first time, which is really weird, but that was on

0:19:04.160 --> 0:19:07.199
<v Speaker 2>set offset of the movie. We didn't do it on

0:19:07.240 --> 0:19:10.480
<v Speaker 2>set obviously while we were working, but it was through

0:19:11.160 --> 0:19:14.440
<v Speaker 2>people that were associated with the set, and that's how

0:19:14.480 --> 0:19:16.879
<v Speaker 2>we ended up getting the weed in the first place.

0:19:16.920 --> 0:19:19.720
<v Speaker 2>So basically one of the crew members brought us to

0:19:19.840 --> 0:19:23.280
<v Speaker 2>his room and smoked us out, And of course that

0:19:23.400 --> 0:19:26.240
<v Speaker 2>was not you know, that's typely right. We shouldn't be

0:19:26.240 --> 0:19:29.159
<v Speaker 2>doing that, but they did anyway. So but you know,

0:19:29.200 --> 0:19:31.520
<v Speaker 2>it was all in good fun. I mean, I wouldn't

0:19:31.560 --> 0:19:34.920
<v Speaker 2>say that they were trying to, you know, taint the

0:19:35.760 --> 0:19:39.760
<v Speaker 2>clean perception of a young adolescent. But we came to him.

0:19:39.800 --> 0:19:41.560
<v Speaker 2>It's not like he was pushing it on us. We

0:19:41.560 --> 0:19:44.120
<v Speaker 2>were saying, you know, all these kids are smoking weed

0:19:44.160 --> 0:19:46.119
<v Speaker 2>in town and they keep talking to us about it,

0:19:46.160 --> 0:19:48.360
<v Speaker 2>and we don't want to just you know, run off

0:19:48.400 --> 0:19:50.280
<v Speaker 2>with some kids. We'd rather do it with an adult

0:19:50.359 --> 0:19:52.320
<v Speaker 2>who knows what they're doing. And you know, maybe we

0:19:52.359 --> 0:19:54.439
<v Speaker 2>saw that you have a bong in your room. You know,

0:19:54.480 --> 0:19:56.520
<v Speaker 2>we were like hanging out with this guy on the

0:19:56.560 --> 0:19:58.080
<v Speaker 2>crew and we saw a bong in his room in

0:19:58.200 --> 0:20:01.360
<v Speaker 2>River said, you know, look he's got I was like, oh,

0:20:01.520 --> 0:20:04.040
<v Speaker 2>he's like, well, maybe we can ask him. So that's

0:20:04.040 --> 0:20:07.000
<v Speaker 2>what it was about. But anyway, we did it. Rivers

0:20:07.000 --> 0:20:08.960
<v Speaker 2>said he never felt it that day, by the way,

0:20:09.280 --> 0:20:11.800
<v Speaker 2>so I got stoned out of my mind.

0:20:12.080 --> 0:20:13.400
<v Speaker 4>He never felt anything.

0:20:13.920 --> 0:20:17.560
<v Speaker 2>And then I think we tried again another time, and

0:20:17.640 --> 0:20:20.600
<v Speaker 2>that time he did feel it. But and then I

0:20:20.640 --> 0:20:23.120
<v Speaker 2>remember cut to like New York when we were doing

0:20:23.119 --> 0:20:25.720
<v Speaker 2>the press tour and I was there with my dad.

0:20:25.520 --> 0:20:27.480
<v Speaker 4>And I remember going over the River's room.

0:20:27.280 --> 0:20:29.280
<v Speaker 2>And like I could smell weed coming all the way

0:20:29.280 --> 0:20:30.760
<v Speaker 2>down the hallway. I was like, well, I guess he

0:20:30.840 --> 0:20:34.480
<v Speaker 2>figured it out. But anyway, so.

0:20:34.560 --> 0:20:37.200
<v Speaker 4>Yeah, that was there, you go. That was it, at the.

0:20:37.240 --> 0:20:41.200
<v Speaker 2>End of innocence in the truest form, and that moment

0:20:41.359 --> 0:20:45.359
<v Speaker 2>of crossing from you know, puberty, you know, being kids,

0:20:45.400 --> 0:20:49.760
<v Speaker 2>being rambunctious, trying to understand the world and everything around us,

0:20:50.040 --> 0:20:52.879
<v Speaker 2>and then experimenting with these things that we, you know,

0:20:53.040 --> 0:20:55.879
<v Speaker 2>probably shouldn't have been. But I think it was pretty

0:20:55.920 --> 0:20:59.119
<v Speaker 2>much on par with what every other kid our age.

0:20:59.000 --> 0:20:59.920
<v Speaker 4>Was doing at the time.

0:21:00.080 --> 0:21:01.840
<v Speaker 2>I mean, I don't think we were really doing anything

0:21:01.880 --> 0:21:05.560
<v Speaker 2>that crazier out of control, and certainly we never did

0:21:05.560 --> 0:21:07.280
<v Speaker 2>hard drugs together or anything like that.

0:21:07.920 --> 0:21:10.000
<v Speaker 1>Did he stay in touch after the film wrapped or

0:21:10.040 --> 0:21:11.240
<v Speaker 1>after the press tour.

0:21:11.880 --> 0:21:12.359
<v Speaker 4>Yeah, we did.

0:21:12.600 --> 0:21:15.119
<v Speaker 2>We stayed friends for many years, you know, and then

0:21:15.160 --> 0:21:17.560
<v Speaker 2>we kind of then we kind of stopped talking.

0:21:17.600 --> 0:21:20.880
<v Speaker 4>I think probably around sixteen to eighteen.

0:21:21.000 --> 0:21:23.440
<v Speaker 2>We didn't talk for a while, and then I saw

0:21:23.520 --> 0:21:26.520
<v Speaker 2>him when I turned eighteen at the Academy Awards, and

0:21:26.560 --> 0:21:28.159
<v Speaker 2>I remember it had been about two years and he

0:21:28.240 --> 0:21:30.760
<v Speaker 2>was there with Martha Plimpton. I was there with Drew Barrymore.

0:21:31.119 --> 0:21:34.040
<v Speaker 2>I was performing that year. He was nominated for Running

0:21:34.080 --> 0:21:37.040
<v Speaker 2>on Empty and so I remember going and visiting him,

0:21:37.080 --> 0:21:39.119
<v Speaker 2>like we would go to each other's sets, so like

0:21:39.160 --> 0:21:41.280
<v Speaker 2>we'd both be working on the Warner Brothers lot. I

0:21:41.280 --> 0:21:44.520
<v Speaker 2>think he was working on First No, No, No, before

0:21:44.840 --> 0:21:45.960
<v Speaker 2>before Running on Empty.

0:21:46.000 --> 0:21:48.600
<v Speaker 4>There was that movie that he did, Jimmy Ruden. Was

0:21:48.640 --> 0:21:49.439
<v Speaker 4>it Jimmy Ruden?

0:21:49.600 --> 0:21:53.840
<v Speaker 2>Yeah, might have been, But anyway, he was working on

0:21:53.880 --> 0:21:56.000
<v Speaker 2>a movie on the lot on the Warner Brothers lot.

0:21:56.040 --> 0:21:58.399
<v Speaker 2>I was working on I think Lost Boys, And we

0:21:58.480 --> 0:22:00.840
<v Speaker 2>kind of hooked up there and out on each other's

0:22:00.880 --> 0:22:04.040
<v Speaker 2>sets a little bit. And then the next time I

0:22:04.040 --> 0:22:06.919
<v Speaker 2>saw him after that was the Academy Awards, and it

0:22:07.000 --> 0:22:09.280
<v Speaker 2>was like, wow, look here we are. Now you're nominated.

0:22:09.359 --> 0:22:11.359
<v Speaker 2>I'm performing, Like this is kind of a big deal.

0:22:11.480 --> 0:22:13.800
<v Speaker 2>We've done well for ourselves.

0:22:14.200 --> 0:22:16.320
<v Speaker 1>Okay, let's go back to that night at the Shrine

0:22:16.359 --> 0:22:19.880
<v Speaker 1>Auditorium in nineteen eighty nine for the Oscar Ceremony.

0:22:20.400 --> 0:22:22.800
<v Speaker 7>The nominates for the best actor in the supporting role.

0:22:25.800 --> 0:22:31.359
<v Speaker 3>Now like Dennis and Little Dog, Gentlemen, Kevin Klein in

0:22:31.400 --> 0:22:37.320
<v Speaker 3>a Fish called wand Martin Landau in Tucker the Man

0:22:37.480 --> 0:22:44.120
<v Speaker 3>and His Dreams, River Phoenix and running on empty.

0:22:43.920 --> 0:22:52.760
<v Speaker 7>Dean Stockworld in Marriage with them All and the Oscar

0:22:52.880 --> 0:22:58.960
<v Speaker 7>goes to Kevin Klein and a Fish called wand Corey.

0:22:59.000 --> 0:22:59.879
<v Speaker 1>What happened next?

0:23:00.800 --> 0:23:03.920
<v Speaker 2>And then the very next contact was when I had

0:23:03.960 --> 0:23:08.800
<v Speaker 2>gotten through rehab and I was nineteen, and I had

0:23:08.840 --> 0:23:11.399
<v Speaker 2>just come out of rehab, and I was working on

0:23:11.480 --> 0:23:14.800
<v Speaker 2>a movie that I'm not hugely proud of, but it

0:23:14.880 --> 0:23:18.400
<v Speaker 2>was called Happy Campers, which was a broad kind of comedy,

0:23:18.520 --> 0:23:19.840
<v Speaker 2>camp comedy whatever.

0:23:20.119 --> 0:23:22.760
<v Speaker 4>But anyway, point being that.

0:23:23.280 --> 0:23:25.760
<v Speaker 2>The first a d saw how serious I was trying

0:23:25.800 --> 0:23:28.720
<v Speaker 2>to help people get sober, and she brought up to

0:23:28.760 --> 0:23:32.640
<v Speaker 2>me that River was going through some of his own

0:23:32.640 --> 0:23:35.280
<v Speaker 2>personal demons. And I don't want to get too into

0:23:35.480 --> 0:23:37.480
<v Speaker 2>the details of that, but I'll say that when I

0:23:37.560 --> 0:23:39.640
<v Speaker 2>heard that he was struggling with some of the same

0:23:39.680 --> 0:23:43.600
<v Speaker 2>things that I had just recovered from, I obviously wanted

0:23:43.600 --> 0:23:45.320
<v Speaker 2>to help in any way I could. So I reached

0:23:45.359 --> 0:23:49.199
<v Speaker 2>out to him a few times and we did speak,

0:23:49.280 --> 0:23:51.280
<v Speaker 2>we did connect, and The plan was that when I

0:23:51.320 --> 0:23:54.000
<v Speaker 2>got back from filming, we were going to get together.

0:23:54.440 --> 0:23:56.679
<v Speaker 2>And my plan was that I was going to get

0:23:56.760 --> 0:24:00.960
<v Speaker 2>him into twelve step recovery. And I was actually making

0:24:00.960 --> 0:24:03.119
<v Speaker 2>a plan to do that, to do like an intervention.

0:24:03.880 --> 0:24:06.720
<v Speaker 2>And then when I got back, I contacted him, never

0:24:06.760 --> 0:24:10.520
<v Speaker 2>reached him. His guy, his name was Sky, who was

0:24:10.560 --> 0:24:12.840
<v Speaker 2>with him actually the whole time of the filming of

0:24:12.840 --> 0:24:15.480
<v Speaker 2>the Standpy. I mean, he was his guardian, his onset guardian,

0:24:15.880 --> 0:24:18.640
<v Speaker 2>his name was. They called him Sky Phoenix, and Sky

0:24:18.720 --> 0:24:20.560
<v Speaker 2>and I are still very close friends today.

0:24:20.560 --> 0:24:22.800
<v Speaker 4>But Sky was the one that entered the phone that

0:24:22.880 --> 0:24:23.280
<v Speaker 4>day and he.

0:24:23.280 --> 0:24:26.639
<v Speaker 2>Said, oh, Rivers not available, he's sleeping or whatever, and

0:24:26.680 --> 0:24:28.520
<v Speaker 2>he never put him on the phone with me, and

0:24:28.560 --> 0:24:32.000
<v Speaker 2>we never reconnected. And because we never reconnected, I never

0:24:32.040 --> 0:24:34.400
<v Speaker 2>had the chance to get him into that twelve step recovery.

0:24:34.400 --> 0:24:37.480
<v Speaker 2>And it was only about maybe a couple months after

0:24:37.560 --> 0:24:41.680
<v Speaker 2>that that he that he oded. So it's a terrible

0:24:41.880 --> 0:24:44.040
<v Speaker 2>piece of my history, and it's very sad.

0:24:44.240 --> 0:24:44.480
<v Speaker 4>You know.

0:24:45.400 --> 0:24:47.600
<v Speaker 2>It's one of those things that you know, you ask

0:24:47.680 --> 0:24:50.280
<v Speaker 2>yourself over and over, could I have done more? You know,

0:24:50.359 --> 0:24:52.159
<v Speaker 2>I wish, I wish I would have thought more. I

0:24:52.160 --> 0:24:54.679
<v Speaker 2>wish I would have realized how serious it was and

0:24:54.800 --> 0:24:58.720
<v Speaker 2>made more of an aggressive plan to you know, make

0:24:58.760 --> 0:25:01.359
<v Speaker 2>myself present, to go, you know, pound on his door,

0:25:01.440 --> 0:25:03.679
<v Speaker 2>drag him out. Whatever I had to do, I should

0:25:03.680 --> 0:25:05.600
<v Speaker 2>have I should have done more, and I don't know

0:25:05.640 --> 0:25:07.919
<v Speaker 2>if I'll ever really completely forgive myself for that.

0:25:08.560 --> 0:25:08.840
<v Speaker 7>Hmm.

0:25:09.800 --> 0:25:12.000
<v Speaker 1>It sounds like my own private Idaho was the film

0:25:12.040 --> 0:25:14.320
<v Speaker 1>that really pushed him over the edge.

0:25:14.560 --> 0:25:17.240
<v Speaker 2>Yep, that's what he had. That's that's what the lady,

0:25:17.520 --> 0:25:20.440
<v Speaker 2>her name was Chris Kringle. She had just worked with

0:25:20.520 --> 0:25:22.680
<v Speaker 2>him on that film, and that's why I was getting

0:25:22.680 --> 0:25:25.960
<v Speaker 2>the feedback what had happened on that set, and you

0:25:26.000 --> 0:25:28.400
<v Speaker 2>know what kind of condition he was in, and that's

0:25:28.400 --> 0:25:30.280
<v Speaker 2>why I was like, oh my god, I gotta do something.

0:25:30.359 --> 0:25:34.119
<v Speaker 2>So I did emphatically try to reach him. Several times.

0:25:34.240 --> 0:25:37.360
<v Speaker 2>We did connect, but briefly, and then by the time

0:25:37.400 --> 0:25:40.920
<v Speaker 2>I got home, you know, people get distracted. I got,

0:25:41.040 --> 0:25:43.200
<v Speaker 2>you know, right into a next movie. He goes into

0:25:43.240 --> 0:25:44.919
<v Speaker 2>his next you know how it is. It's just, you know,

0:25:45.000 --> 0:25:47.760
<v Speaker 2>you go your different paths and then by the time

0:25:47.800 --> 0:25:50.320
<v Speaker 2>you circle back sometimes it's too late.

0:25:50.400 --> 0:25:51.280
<v Speaker 4>And that's what happened.

0:25:52.000 --> 0:25:54.200
<v Speaker 1>What do you recall was your reaction when you heard

0:25:54.200 --> 0:25:55.639
<v Speaker 1>the news that he had passed away.

0:25:57.359 --> 0:26:07.160
<v Speaker 2>Oh just awful, what loss. What a beautiful soul. I mean,

0:26:07.200 --> 0:26:10.479
<v Speaker 2>we had so much in common. That's why I respected him.

0:26:10.520 --> 0:26:13.600
<v Speaker 2>I mean not to sound self indulgent, but like, he

0:26:13.640 --> 0:26:16.919
<v Speaker 2>was a vegetarian, he loved animals, he loved humans, he

0:26:17.000 --> 0:26:20.000
<v Speaker 2>loved giving. He was a musician, he was, you know,

0:26:20.080 --> 0:26:22.119
<v Speaker 2>an artist. He liked to dance, he liked to sing,

0:26:22.160 --> 0:26:24.399
<v Speaker 2>he liked to quick. We made a music video together.

0:26:24.440 --> 0:26:26.560
<v Speaker 2>A lot of people don't know this, but him and

0:26:26.600 --> 0:26:30.359
<v Speaker 2>his sister Rain did some very early recordings of some

0:26:30.480 --> 0:26:34.119
<v Speaker 2>family songs, kind of like Partridge Family type stuff, and

0:26:34.160 --> 0:26:37.480
<v Speaker 2>they asked me to star in the video because he

0:26:37.600 --> 0:26:39.440
<v Speaker 2>liked the way I danced, and you know, he knew

0:26:39.440 --> 0:26:41.320
<v Speaker 2>that I was trying to get into music. He was

0:26:41.400 --> 0:26:44.160
<v Speaker 2>further advanced than I was, because I didn't start writing

0:26:44.800 --> 0:26:48.359
<v Speaker 2>until probably after that. I think around stand by Me

0:26:48.480 --> 0:26:50.520
<v Speaker 2>is when I started first putting pen to paper and

0:26:50.560 --> 0:26:51.439
<v Speaker 2>trying to write music.

0:26:51.640 --> 0:26:54.520
<v Speaker 4>And it wasn't until really around Lost Boys that I.

0:26:54.760 --> 0:26:57.520
<v Speaker 2>Put together my first single in my first video, which

0:26:57.560 --> 0:26:59.800
<v Speaker 2>was Rotten Away, which I never released even but I

0:27:00.400 --> 0:27:02.320
<v Speaker 2>was kind of working on music at that time, so

0:27:02.400 --> 0:27:04.440
<v Speaker 2>He had me probably by about a year or two,

0:27:05.000 --> 0:27:07.399
<v Speaker 2>and when he was already working on his music and

0:27:07.440 --> 0:27:08.159
<v Speaker 2>he would play it for me.

0:27:08.200 --> 0:27:10.359
<v Speaker 4>I was like, this is great, this is great. He's like,

0:27:10.440 --> 0:27:12.000
<v Speaker 4>why do you start one of the videos. We want

0:27:12.040 --> 0:27:13.240
<v Speaker 4>to make a video and I want you to start.

0:27:13.359 --> 0:27:13.840
<v Speaker 4>I was like okay.

0:27:13.920 --> 0:27:17.879
<v Speaker 2>So he directed the video and it was me taking

0:27:17.920 --> 0:27:21.080
<v Speaker 2>his little sister out on a date or something like that.

0:27:21.160 --> 0:27:23.560
<v Speaker 2>It was really sweet and really cute. But you know,

0:27:23.600 --> 0:27:25.800
<v Speaker 2>I show up with flowers and I knock on the

0:27:25.840 --> 0:27:27.720
<v Speaker 2>door and the little girl comes to the door and

0:27:27.760 --> 0:27:29.879
<v Speaker 2>we go up on this date holding hands.

0:27:29.600 --> 0:27:32.720
<v Speaker 4>And it was just the sweetest, was innocent little thing.

0:27:33.520 --> 0:27:35.480
<v Speaker 2>So yeah, I go back to those dimes, and I

0:27:35.520 --> 0:27:38.280
<v Speaker 2>go back to those memories of why we were so

0:27:38.400 --> 0:27:42.359
<v Speaker 2>connected and why we were so linked together spiritually because

0:27:42.400 --> 0:27:44.159
<v Speaker 2>we were like the same we were cut from the

0:27:44.200 --> 0:27:47.000
<v Speaker 2>same cloth, and I just had so much love and

0:27:47.040 --> 0:27:49.480
<v Speaker 2>respect and admiration for him. So when I you know,

0:27:50.400 --> 0:27:51.879
<v Speaker 2>when I turned on the news that night, and it

0:27:51.920 --> 0:27:53.520
<v Speaker 2>was Halloween night, so I think i'd.

0:27:53.400 --> 0:27:55.400
<v Speaker 4>Been out as well, you know, and I came home and.

0:27:55.359 --> 0:27:56.600
<v Speaker 2>I just saw it and it was just it. I

0:27:56.600 --> 0:27:58.919
<v Speaker 2>couldn't even believe it was real. You know, it was

0:27:59.040 --> 0:28:06.560
<v Speaker 2>just it was horrifying, and yeah, it's just a huge laws.

0:28:07.080 --> 0:28:10.360
<v Speaker 1>To further discuss the cultural phenomenon that would stand By

0:28:10.400 --> 0:28:14.280
<v Speaker 1>Me were turned to Variety is chief film critic Owen Gleiberman.

0:28:14.840 --> 0:28:17.080
<v Speaker 8>I think the movie that really put him on the

0:28:17.080 --> 0:28:20.439
<v Speaker 8>map for me was stand By Me. You know, he

0:28:20.520 --> 0:28:24.000
<v Speaker 8>had that kind of wolf cub look about him, and

0:28:24.080 --> 0:28:27.080
<v Speaker 8>he already, you know, in hindsight, had the quality that

0:28:27.119 --> 0:28:30.880
<v Speaker 8>would define him as an actor, which is that under

0:28:30.920 --> 0:28:36.840
<v Speaker 8>this cool facade, there was this very tender and sincere quality.

0:28:37.119 --> 0:28:40.760
<v Speaker 8>It's kind of effortless gravitas that he had. And in

0:28:40.760 --> 0:28:42.920
<v Speaker 8>that sense, you know, he was a prototype in a

0:28:42.960 --> 0:28:46.240
<v Speaker 8>way for a new generation of stars, a new paradigm

0:28:46.240 --> 0:28:49.520
<v Speaker 8>of Hollywood startup. You know, he'd started out as a

0:28:49.560 --> 0:28:53.040
<v Speaker 8>teen star doing after school specials and things like that,

0:28:53.600 --> 0:28:55.760
<v Speaker 8>and in a way that felt very ahead of the curve.

0:28:55.920 --> 0:28:59.360
<v Speaker 8>He was sort of like Harry Styles or Robert Pattinson

0:29:00.200 --> 0:29:03.680
<v Speaker 8>in that when he crossed over into an adult persona,

0:29:03.760 --> 0:29:06.440
<v Speaker 8>he had to sort of fight for his credibility. But

0:29:06.560 --> 0:29:09.320
<v Speaker 8>I think, you know, from stand by Me on you

0:29:09.440 --> 0:29:13.560
<v Speaker 8>really saw that he just had this quality that stood out,

0:29:13.720 --> 0:29:17.880
<v Speaker 8>this stillness about him that made you want to watch him,

0:29:17.920 --> 0:29:21.840
<v Speaker 8>where he could just effortlessly own a scene. Just about

0:29:21.840 --> 0:29:24.920
<v Speaker 8>the highest compliment you can give a young actor is

0:29:25.000 --> 0:29:28.880
<v Speaker 8>to say that he's a James Dean. Now, a million

0:29:28.960 --> 0:29:32.760
<v Speaker 8>young actors have been compared to James Dean, and ninety

0:29:32.880 --> 0:29:35.680
<v Speaker 8>nine percent of them do not live up to that.

0:29:35.960 --> 0:29:40.000
<v Speaker 8>But River Phoenix really was a James Dean. And you

0:29:40.040 --> 0:29:42.200
<v Speaker 8>start with that look. I mean, he was just very

0:29:42.240 --> 0:29:45.680
<v Speaker 8>handsome with that dark blonde hair, but there was a

0:29:45.720 --> 0:29:48.240
<v Speaker 8>soul to him. He looked like a wolf, very wild

0:29:48.240 --> 0:29:52.640
<v Speaker 8>and mysterious, and he had this quality of melancholy about

0:29:52.680 --> 0:29:58.120
<v Speaker 8>him that always came through very glamorous but also vulnerable, haunted.

0:30:00.040 --> 0:30:03.720
<v Speaker 8>But that gave him this intoxicating quality where he could

0:30:03.760 --> 0:30:07.640
<v Speaker 8>be doing absolutely nothing and you wanted to watch me.

0:30:08.800 --> 0:30:11.880
<v Speaker 8>And part of what was so James Dean like about

0:30:11.960 --> 0:30:14.880
<v Speaker 8>River Phoenix is that he did seem to be nursing

0:30:14.960 --> 0:30:19.280
<v Speaker 8>some buried, kind of far off ache, some kind of wound,

0:30:19.520 --> 0:30:21.520
<v Speaker 8>and you wanted to get in touch with that. You

0:30:21.560 --> 0:30:23.440
<v Speaker 8>wanted to know what it was. You kind of wanted

0:30:23.480 --> 0:30:24.040
<v Speaker 8>to take.

0:30:23.920 --> 0:30:24.600
<v Speaker 4>Care of him.

0:30:25.000 --> 0:30:28.560
<v Speaker 8>I think River Phoenix stood out in that movie by

0:30:28.640 --> 0:30:34.680
<v Speaker 8>seeming more like a seventies actor. I think those kids

0:30:35.240 --> 0:30:37.680
<v Speaker 8>were all pretty good in the movie, but you know,

0:30:37.760 --> 0:30:40.720
<v Speaker 8>they were kind of punchy and a little bit sticky

0:30:40.880 --> 0:30:44.040
<v Speaker 8>son of them, and he was. He was willing to

0:30:44.200 --> 0:30:47.600
<v Speaker 8>kind of be laid back and not say anything and

0:30:47.760 --> 0:30:51.440
<v Speaker 8>just you know, kind of command a scene through his presence.

0:30:52.360 --> 0:30:56.160
<v Speaker 8>And I think that's the quality he carried through all

0:30:56.440 --> 0:30:59.960
<v Speaker 8>his roles. He often played these kind of quiet, introspective

0:31:00.200 --> 0:31:05.160
<v Speaker 8>characters where he wasn't ruling a scene through dialogue, although

0:31:05.160 --> 0:31:09.120
<v Speaker 8>he could do that too, and there was something it

0:31:09.160 --> 0:31:12.280
<v Speaker 8>was more like just his presence. There was this quality

0:31:12.280 --> 0:31:15.400
<v Speaker 8>he had that drew you to it. It was very

0:31:15.440 --> 0:31:19.800
<v Speaker 8>nonverbal in a way, and I think that comes across

0:31:19.840 --> 0:31:22.160
<v Speaker 8>and stand by me, that's what makes him the most

0:31:22.240 --> 0:31:27.440
<v Speaker 8>magnetic of those four is that he's the one. He's

0:31:27.480 --> 0:31:29.760
<v Speaker 8>the one of these boys who has kind of a

0:31:29.840 --> 0:31:35.520
<v Speaker 8>quality of mystery about him.

0:31:35.720 --> 0:31:39.360
<v Speaker 1>With his new phone fame, River took on ambitious roles

0:31:39.360 --> 0:31:43.200
<v Speaker 1>that further highlighted his talent. Films like The Mosquito Coast

0:31:43.320 --> 0:31:47.200
<v Speaker 1>and Running on Empty earned him critical acclaim and solidified

0:31:47.240 --> 0:31:50.280
<v Speaker 1>his status as a rise in star Let's Listen to

0:31:50.280 --> 0:31:54.200
<v Speaker 1>this nineteen eighty eight interview from Toronto's CFTO News.

0:31:55.200 --> 0:31:57.840
<v Speaker 8>Phoenix has met with considerable success in his brief career,

0:31:58.080 --> 0:32:01.000
<v Speaker 8>but doesn't consider himself an actor as much as a comedian.

0:32:01.680 --> 0:32:05.880
<v Speaker 5>To me, an actor is like a Shakespearean actor, and

0:32:06.720 --> 0:32:11.320
<v Speaker 5>I just feel like I can blend well and can

0:32:12.600 --> 0:32:17.840
<v Speaker 5>take on a character and somehow make it feel somewhat

0:32:17.920 --> 0:32:19.560
<v Speaker 5>organic and spontaneous.

0:32:20.040 --> 0:32:24.120
<v Speaker 1>Yet with success came personal challenges. River struggled with the

0:32:24.120 --> 0:32:28.280
<v Speaker 1>pressures of his newfound fame, the financial responsibility of being

0:32:28.280 --> 0:32:31.760
<v Speaker 1>a breadwinner for his family, his tendency to throw his

0:32:31.960 --> 0:32:35.320
<v Speaker 1>entire self into a role, and a complex personal life

0:32:35.320 --> 0:32:38.560
<v Speaker 1>that included an on again, off again relationship with his

0:32:38.680 --> 0:32:42.640
<v Speaker 1>Mosquito Coast and running on Empty coastar Martha Plumpton. He

0:32:42.720 --> 0:32:46.280
<v Speaker 1>also began experimenting with drugs and alcohol during this time.

0:32:47.000 --> 0:32:50.200
<v Speaker 1>Martha recently spoke about River and their four year romance

0:32:50.320 --> 0:32:54.440
<v Speaker 1>on her friend Jesse Tyler Ferguson's Dinners on Me podcast.

0:32:55.200 --> 0:32:58.120
<v Speaker 9>River was certainly more famous than I ever was. I mean,

0:32:58.200 --> 0:33:02.880
<v Speaker 9>he got an Oscar nomination, obviously, but I think we

0:33:02.880 --> 0:33:05.680
<v Speaker 9>were both really good at knowing that we didn't really

0:33:06.040 --> 0:33:09.880
<v Speaker 9>want that attention anyway, and so we really weren't exposed

0:33:09.920 --> 0:33:12.200
<v Speaker 9>really that much in that way, and neither of us

0:33:12.320 --> 0:33:15.200
<v Speaker 9>was terribly comfortable with that sort of thing, And it

0:33:15.240 --> 0:33:20.560
<v Speaker 9>was before we were even like understood really like what

0:33:20.720 --> 0:33:21.680
<v Speaker 9>that meant, you know.

0:33:22.680 --> 0:33:24.800
<v Speaker 4>I think it.

0:33:24.720 --> 0:33:29.160
<v Speaker 9>Got harder as we got older and River became more famous.

0:33:29.880 --> 0:33:34.720
<v Speaker 9>It got harder for him. I think, well, I know

0:33:35.000 --> 0:33:43.000
<v Speaker 9>it was harder for him, and he was not as

0:33:43.040 --> 0:33:48.320
<v Speaker 9>equipped I think as maybe some other people might be

0:33:48.520 --> 0:33:53.160
<v Speaker 9>to handle that stuff because he was a very at heart,

0:33:53.320 --> 0:34:00.520
<v Speaker 9>very innocent and and like a driven by love human being,

0:34:01.320 --> 0:34:05.480
<v Speaker 9>so that the contradictions of Hollywood and show business were

0:34:05.640 --> 0:34:08.359
<v Speaker 9>much more difficult for him. Yeah, and you know when

0:34:08.400 --> 0:34:11.040
<v Speaker 9>we did break up eventually, we were together for about

0:34:11.080 --> 0:34:15.759
<v Speaker 9>four years, and then when we did break up, we

0:34:15.800 --> 0:34:18.359
<v Speaker 9>did remain friends, and we were each other's first love.

0:34:18.560 --> 0:34:22.200
<v Speaker 9>That relationship never really goes away. You can't ever let

0:34:22.239 --> 0:34:25.360
<v Speaker 9>something like that go. It's just too important and too

0:34:26.120 --> 0:34:28.759
<v Speaker 9>like altering. I mean, it's part of it's made you

0:34:28.840 --> 0:34:32.480
<v Speaker 9>who you are, you know, especially in those really formative years.

0:34:32.560 --> 0:34:35.400
<v Speaker 4>I mean, it's a huge part of who I am.

0:34:35.880 --> 0:34:39.920
<v Speaker 9>So yeah, so, and of course we stayed friends, but

0:34:40.040 --> 0:34:44.040
<v Speaker 9>I think fame was really hard on River. I think

0:34:44.080 --> 0:34:47.279
<v Speaker 9>he really just didn't know what to do with all

0:34:47.320 --> 0:34:50.279
<v Speaker 9>of that kind and he wanted to do good, but

0:34:50.360 --> 0:34:53.719
<v Speaker 9>it was really it's just the contradictions of it were

0:34:53.760 --> 0:34:54.440
<v Speaker 9>too difficult.

0:34:54.920 --> 0:34:57.800
<v Speaker 4>Yeah, it seems like he was really lucky.

0:34:57.600 --> 0:34:58.080
<v Speaker 3>To have you.

0:34:58.360 --> 0:35:01.359
<v Speaker 9>Well, I think he was lucky to have me and

0:35:01.480 --> 0:35:06.799
<v Speaker 9>his family, his brothers and sisters. I think, you know,

0:35:06.960 --> 0:35:17.160
<v Speaker 9>his personality or his affliction, his illness was incredibly difficult

0:35:18.040 --> 0:35:21.120
<v Speaker 9>for him to manage on his own, and he never

0:35:21.160 --> 0:35:24.160
<v Speaker 9>really got the help that I think he would have

0:35:24.200 --> 0:35:27.680
<v Speaker 9>done amazingly well with If he had gotten that help,

0:35:27.719 --> 0:35:31.520
<v Speaker 9>I think he would have been an incredible advocate for

0:35:31.640 --> 0:35:37.279
<v Speaker 9>sobriety and for people struggling with addiction. And unfortunately it

0:35:37.440 --> 0:35:41.000
<v Speaker 9>just got him before he had a chance to do that.

0:35:41.680 --> 0:35:46.799
<v Speaker 9>But yeah, I mean I miss him every single day,

0:35:47.520 --> 0:35:49.520
<v Speaker 9>every single day.

0:35:49.560 --> 0:35:52.040
<v Speaker 1>It all came to a head on October thirty first,

0:35:52.120 --> 0:35:55.640
<v Speaker 1>nineteen ninety three, at the Viper Room in Los Angeles,

0:35:55.840 --> 0:35:59.040
<v Speaker 1>when Phoenix died of an overdose. He was twenty three

0:35:59.120 --> 0:36:03.719
<v Speaker 1>years old. That Halloween night, his girlfriend, Samantha Mathis, was

0:36:03.800 --> 0:36:05.080
<v Speaker 1>right by riverside.

0:36:05.719 --> 0:36:09.640
<v Speaker 10>I think he was an iconic person for our generation,

0:36:10.640 --> 0:36:12.879
<v Speaker 10>just like my parents talk about they knew where they

0:36:12.920 --> 0:36:14.000
<v Speaker 10>were when John F.

0:36:14.120 --> 0:36:15.080
<v Speaker 4>Kennedy was killed.

0:36:15.160 --> 0:36:18.480
<v Speaker 10>Pretty Much everyone I know knows exactly where they were

0:36:18.600 --> 0:36:22.839
<v Speaker 10>when River died, and what a loss of hope that

0:36:23.040 --> 0:36:25.200
<v Speaker 10>was for our generation.

0:36:27.840 --> 0:36:30.960
<v Speaker 1>We've only just begun to uncover the remarkable life of

0:36:31.040 --> 0:36:35.680
<v Speaker 1>River Phoenix, from his unorthodox upbringing to his rapid rise

0:36:35.719 --> 0:36:40.040
<v Speaker 1>as a Hollywood icon. In the next episode, we'll delve

0:36:40.080 --> 0:36:43.160
<v Speaker 1>deeper into the pressures that came with fame and the

0:36:43.280 --> 0:36:48.120
<v Speaker 1>artistic choices that defined his legacy, including his films Dogfight

0:36:48.520 --> 0:36:52.799
<v Speaker 1>and My Own Private Idaho. Join us next time for

0:36:52.920 --> 0:36:57.040
<v Speaker 1>more on Variety Confidential, the life and legend of River Phoenix.

0:36:57.680 --> 0:37:02.400
<v Speaker 1>Don't forget to subscribe wherever you listen to podcasts. Variety

0:37:02.400 --> 0:37:06.880
<v Speaker 1>Confidential is created by Dea Lawrence and Stephen Gados. Season

0:37:06.920 --> 0:37:11.200
<v Speaker 1>two is hosted by Tatiana Siegal, produced by Karen Misagucci

0:37:11.480 --> 0:37:16.000
<v Speaker 1>and Sydney Kramer. Executive produced by da Lawrence and Tatiana Siegal.

0:37:16.680 --> 0:37:22.120
<v Speaker 1>Written by Anna Moslin, Karen Mazagucci and Tatiana Siegal, Variety's

0:37:22.160 --> 0:37:26.920
<v Speaker 1>co editor in Chief Cynthia Littleton, and Ramin Sechuda. Variety

0:37:26.960 --> 0:37:31.600
<v Speaker 1>Content Studio Executive produced by Alex Hughes, Edited and mixed

0:37:31.600 --> 0:37:35.799
<v Speaker 1>by Aaron Greenawald. Please refer to sources and citations on

0:37:35.880 --> 0:37:47.359
<v Speaker 1>variety dot com