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Speaker 1: So it's me Don Barris, Jimmy Kimmel's warm up stand

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Speaker 1: up cousin Sal, Jimmy Kimmel's cousin, and Frank link Yella.

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Speaker 1: So Frank is on an absolute fucking heater. Yeah, I mean,

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Speaker 1: he can't stop rolling, and we're all stacking up dollars

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Speaker 1: and stuff, and I'm just out there just like cheering

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Speaker 1: him on, just sort of doing all my like crazy

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Speaker 1: chicken dance moves and I'm doing the walk like an

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Speaker 1: Egyptian and just getting people pumped up, and I'm like, oh,

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Speaker 1: come on, people, we're taking down the house. Anyway, Frank

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Speaker 1: leans over to cousin Sal and Don Barris and he

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Speaker 1: gives them ea to the dice to blow on. But

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Speaker 1: when Don blows a spit line comes out of his

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Speaker 1: mouth and gets on the dice. Sure, and then Frank

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Speaker 1: rolls a winner of course, hard ten. You know that's

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Speaker 1: my bet, baby, the big dick. When it lands, it

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Speaker 1: sticks to the table a little bit, and they say

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Speaker 1: that the spit was like tampering with the dice. So

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Speaker 1: then they make him roll it again and he craps out, well,

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Speaker 1: that sucked.

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Speaker 2: It's called spider manning, it is it?

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Speaker 1: Does do that.

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Speaker 2: It's when Don Barris spits.

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Speaker 1: I know, okay, but I didn't think they were gonna

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Speaker 1: see it.

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Speaker 2: Was he mad that you were warming everyone up? Was

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Speaker 2: Don Barris mad? I think he was happy to have

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Speaker 2: the Yeah bustman's holidaying for him.

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Speaker 1: I mean, it's a little weird for him to see, like,

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Speaker 1: oh god, this guy is doing it, getting the crowd

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Speaker 1: really pumping in a way that maybe I don't always.

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Speaker 2: Well he I've seen him do the walk like an

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Speaker 2: Egyptian and he does the city. He puts both hands

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Speaker 2: in the same right. Instead of doing one up and

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Speaker 2: one down, he has them both going up.

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Speaker 1: Both yeah, both up. He's a both daff Yeah. So

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Speaker 1: he's almost doing like a mantis thing.

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Speaker 2: Yeah, he's It looks like people think that it's he's

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Speaker 2: trying to raise the roof and not doesn't know how

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Speaker 2: to do that, but it's actually he doesn't know how

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Speaker 2: to walk like an Egyptian.

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Speaker 1: Yeah, raise the roof. A roof is on fire. What's

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Speaker 1: the better roof thing that gets you excited?

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Speaker 2: I think it's the roof is on fire? Yeah, because right,

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Speaker 2: that says the you know, the bleeped out word, and

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Speaker 2: that that gets me very excited right after that.

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Speaker 1: To go back to the story about the hard ten.

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Speaker 1: I don't give a shit about the fucking money, you know, Yeah,

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Speaker 1: I just like to feel the electricity in the air.

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Speaker 2: That was this before for the like Consal and like

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Speaker 2: don and like Jimmy and all of them got famous

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Speaker 2: or was it after? Because for me, I honestly find

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Speaker 2: that it's the same thing. Basically, they're still.

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Speaker 1: Yeah, I do the same guys.

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Speaker 2: I don't remember which one it was. It's impossible to distinguish.

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Speaker 1: No, there's no way to tell because those guys never

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Speaker 1: changed a lick. I guess that's kind of like me.

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Speaker 1: I guess, hey, welcome.

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Speaker 2: Guide to kicking button dropping names in the red carpet

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Speaker 2: landback always of this industry week off show. But is

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Speaker 2: there not going here? You guys saw the Hollywood Reporter

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Speaker 2: came this week? Stop like like you like that? You

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Speaker 2: you were upset by that when I said, just because

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Speaker 2: I said.

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Speaker 1: Is there an echo? I don't got to talk about anything?

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Speaker 2: Are you just not going to contribute to the show.

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Speaker 1: No, dude, let's do the thing you will do.

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Speaker 2: Okay, let's do it.

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Speaker 1: Okay? Fuck you?

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Speaker 2: Are you trying to mouth it because I can. I

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Speaker 2: could distinctly hear you saying it. Everyone. It's it's very audible.

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Speaker 2: It sounds like you're accidentally saying as you try. Dude,

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Speaker 2: I don't know what you're talking about. So you said

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Speaker 2: you want to do the thing, let's do it. Okay, Brett?

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Speaker 2: You heard you? You heard it. I mean, you're the engineer.

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Speaker 1: Whatever do you do?

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Speaker 2: What is it? What is it that we're mad about?

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Speaker 2: It's that I said, is there an echo in here?

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Speaker 3: Oh?

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Speaker 1: Did you say that? I didn't even hear it. Yeah,

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Speaker 1: an echo. I don't know how to control echoes.

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Speaker 2: Well, now you I could see why you would be upset, Brett,

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Speaker 2: because that is that is part of your job. So

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Speaker 2: when I say is there an echo in here? That

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Speaker 2: is a referendum on you show that.

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Speaker 1: I don't.

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Speaker 2: Usually I'm sorry, Brett. Usually you like that kind of thing.

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Speaker 2: How what what do you usually when someone when someone

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Speaker 2: repeats someone else and if you say at the same

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Speaker 2: time you say, jinx, I know you like that, right,

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Speaker 2: it's making use it's making you smile right now? Yes, yeah,

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Speaker 2: buy me drinks by me Cooke, Or if it's like

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Speaker 2: someone says something being a kid, or if someone says

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Speaker 2: something a little after someone else already said that, you say,

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Speaker 2: is there an echo in here? I know that you

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Speaker 2: enjoy this.

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Speaker 1: As an idea, I get like, okay, like yeah, that's yeah,

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Speaker 1: it's fucking hysterical, but like to say something like that

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Speaker 1: is really really really funny. But for me being the

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Speaker 1: person who was kind of just trying to participate in

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Speaker 1: a part of the show where I don't always.

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Speaker 2: Feel like I am part of it, and that then

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Speaker 2: there was like you sort of took a shot at me,

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Speaker 2: like maybe that I was off on my timing right,

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Speaker 2: so that it so like when.

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Speaker 1: I had like actually I wanted to do it with

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Speaker 1: like with you, and then I know that I didn't

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Speaker 1: like I didn't nail it, Like I didn't get it

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Speaker 1: exactly right, and I thought we would just sort of move,

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Speaker 1: you know, move on and then to sit to double

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Speaker 1: back and be like oh, by the way, Sean, like

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Speaker 1: you fucking didn't you're like late on the queue or

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Speaker 1: like it's like is there an echo in you? Like

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Speaker 1: so yeah, it's about me. It's not about you. It's

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Speaker 1: my thing.

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Speaker 2: I didn't feel like I did as good a job

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Speaker 2: as I could have.

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Speaker 1: And I didn't want to live in that longer than.

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Speaker 2: I had to. Well, thank you for explaining that. I

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Speaker 2: really you both come up with somehow very legitimate reasons

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Speaker 2: why you would both be upset by me saying is

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Speaker 2: there an echo here?

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Speaker 1: Well, I shouldn't have said fuck you three or four times.

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Speaker 1: That's not the best way. So you are admitting that

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Speaker 1: you did say that.

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Speaker 2: I may have be Yes, Well, we all said we

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Speaker 2: were sorry and yeah, we don't have to We were

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Speaker 2: talking with that let's do this the Hollywood Reporter that

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Speaker 2: was going, well, yeah, so fun.

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Speaker 1: Yeah, the issue came. Ah.

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Speaker 2: You may have noticed that a big part of the

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Speaker 2: middle was ripped out because they did this week the

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Speaker 2: most powerful Showrunners of twenty fifteen, and it's only a

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Speaker 2: very select group of I think eighty people who run

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Speaker 2: the best, most famous eighty shows on television and online,

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Speaker 2: lots of online and also on DirecTV's exclusive channel.

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Speaker 1: Yes, and then a couple of the more select YouTube

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Speaker 1: and Sony Crackle channels.

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Speaker 2: There was a big spot in the middle that was

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Speaker 2: supposed to be us. We did the spread, we did

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Speaker 2: the shoot, we did the whole.

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Speaker 1: Thing, really funny photo shoot Hayes's plane with a beach

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Speaker 1: ball answered the questionnaire, yeah, what were you doing? Okay,

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Speaker 1: So originally I had wanted to be inside the beach

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Speaker 1: ball and have it be clear. The beach ball was

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Speaker 1: big enough, but you couldn't see me inside of it,

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Speaker 1: and so I wound up just being like, oh, well,

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Speaker 1: I'll bury myself in the sand, which I thought was

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Speaker 1: gonna be funny, but then somebody smear honey on me

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Speaker 1: and started trying to eat me. And so what I

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Speaker 1: am doing in the way were the applying salve? Why

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Speaker 1: were there? I'm a beach, Yeah, I don't know.

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Speaker 2: Mean beach. So anyway, we decided to we we decided

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Speaker 2: we wanted to do our There's like a whole questionnaire

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Speaker 2: and stuff for all the showrunners and we decided we

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Speaker 2: wanted to do it on the show.

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Speaker 1: Part of it is the category.

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Speaker 2: They split all the showrunners into four categories, the network Ambassadors,

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Speaker 2: the ratings magnets, the heavyweights, and the pop icons. And

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Speaker 2: it's like, yes, I am a network ambassador for and

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Speaker 2: we should say like the show we're talking like, Baby

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Speaker 2: Grandpa is a show. It's a grandfather, yes, Grandpa's.

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Speaker 1: Baby Grandpa became grandfather.

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Speaker 2: Yes, and so yes, we are a network ambassador and

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Speaker 2: that we do outreach for the networks. It's sort of

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Speaker 2: the identity for Fox. Now we're also a ratings magnet.

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Speaker 1: He's not suited for this, like he's not suited for

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Speaker 1: the job that he's taking. Yeah, which we came up

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Speaker 1: with that tagline because we were like, oh, he's wearing

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Speaker 1: a suit, so he is suited for it.

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Speaker 2: You could say it's a magnet as well.

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Speaker 1: Well, it absolutely is. And I don't want to skip

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Speaker 1: all the way to the end because we do have

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Speaker 1: more to cover, but it is we are pop icons

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Speaker 1: because it is a ratings magnet, and because we are

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Speaker 1: network ambassadors and we now own the.

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Speaker 2: Brand and heavyweights as well, and that yeah, ratings and

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Speaker 2: being iconic and all these factors at play. So we

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Speaker 2: just sort of wanted to do it ourselves and do

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Speaker 2: the questionnaire and answer the questions one by one that

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Speaker 2: they asked for this quiz, and so I'll just throw

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Speaker 2: them out there one by one and I'll say the

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Speaker 2: question and then we'll do the answers after I question.

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Speaker 1: First the question, the answers, Yeah.

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Speaker 2: First question. Biggest job challenge I didn't have five years ago,

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Speaker 2: Sean go.

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Speaker 1: I guess North Korea keeps hacking me. They do. You

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Speaker 1: remember when Shilah Buff says Mega Tron wants what's in

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Speaker 1: my mind? In that one part of the Transformers trailer

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Speaker 1: Revenge of the Fallen, I think, yeah, so it's a

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Speaker 1: little like that, But my Megatron is North Korean hackers.

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Speaker 1: And what's in my mind is what's in my email

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Speaker 1: because I'm always emailing myself these ideas that I have

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Speaker 1: when I'm out on the run. So let's say I'm

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Speaker 1: walking and uh, some kid on a scooter eats shit

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Speaker 1: in front of me, smash his face in the sewer.

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Speaker 1: I'll grab my phone and go, Siri, email, email me

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Speaker 1: scooter man sewer face and just I'll go, like, that's

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Speaker 1: something I can use in the show. But even if

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Speaker 1: you saw the latest Grandfathered when he is walking away

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Speaker 1: from a liquor store and he's calling out to his

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Speaker 1: son Gerald, there's a man in an alley and a

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Speaker 1: trench coat and he goes, I'll be your Gerald, And

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Speaker 1: that was your That is something that I thought of

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Speaker 1: when I saw what's funny about this homeless? What was

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Speaker 1: the code for that that you put in your phone

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Speaker 1: for that? It was man and Ali Maybe I make

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Speaker 1: him sex pervert and I just said that. But then

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Speaker 1: also North Korea got in there locked me out. Luckily,

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Speaker 1: I have two email accounts, so I could get into

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Speaker 1: the one, but the other one they locked me out

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Speaker 1: and they took it. And I understand it's a very

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Speaker 1: popular North Korean film.

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Speaker 2: At this point, you could use your second email account then,

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Speaker 2: as I guess a trojan horse to get back in.

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Speaker 1: Well, I sometimes do put ideas in there that I

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Speaker 1: want them to have, stuff about just communicating better with America,

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Speaker 1: stuff about just like sending me like whatever pringles or

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Speaker 1: something like just to see like if I can in

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Speaker 1: fact do inception on their minds.

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Speaker 2: Mine is five years ago. You know I had like

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Speaker 2: a baby.

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Speaker 1: Yeah, I have like a kid, huge one.

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Speaker 2: And you know say that right, it's too big, that's

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Speaker 2: not I don't want it. Yeah it was, Well, that

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Speaker 2: was the problem. It was too big. Now I don't

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Speaker 2: have that challenge anymore. It makes it much easier to

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Speaker 2: do television and things like that.

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Speaker 1: Television, mean, the biggest challenge that you have now that

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Speaker 1: you didn't have five years ago is a challenge you

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Speaker 1: had five years ago that you don't have anymore.

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Speaker 2: Oh, I rewrote the question because you did the you

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Speaker 2: did the other question, So which one? Like you did

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Speaker 2: a challenge that you didn't have five years ago? Yeah,

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Speaker 2: And so now I'm doing a challenge that I did

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Speaker 2: have five years.

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Speaker 1: Ago, which is almost more interesting, And maybe the Hollywood

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Speaker 1: reporter should take a little lesson from that.

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Speaker 2: I don't change their question that I don't have anymore.

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Speaker 2: Last binge Watch?

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Speaker 1: Oh okay, last binge Watch? For me? Is it weird

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Speaker 1: if I say pornography?

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Speaker 2: I mean.

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Speaker 1: Because really, when I think about, like, when's the last

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Speaker 1: time I just stacked up a bunch of something and

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Speaker 1: watched it in a row, it was porno? You just

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Speaker 1: watch all. Yeah, it's not unnecessarily like a show for me,

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Speaker 1: It's just a compilation of clips of this one thing

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Speaker 1: that I was looking to see more of.

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Speaker 2: It doesn't say it just as Last binge Watch.

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Speaker 1: Yeah, Last binge Watch one hundred percent porno.

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Speaker 2: Yeah.

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Speaker 1: And uh to see them slapping skins and these sort

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Speaker 1: of toned beautiful people, uh inside each other on each

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Speaker 1: other doing things that I want to do or that

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Speaker 1: I'm scared to do in a lot of cases, and

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Speaker 1: finding out that it's safe and that they even like it.

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Speaker 1: That to me was great all amateur don't like the

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Speaker 1: idea of them being pros at being done for money.

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Speaker 2: I wanted stationary camera. Yeah, and I like it to be.

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Speaker 1: Seem like they don't know they're being recorded whenever possible.

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Speaker 1: So that, yeah, that's probably the last thing I binge

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Speaker 1: watched per se Hemlock Grove. I guess I watched all

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Speaker 1: the episodes of that in the weekend, but that doesn't

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Speaker 1: really feel the same to me, as like when I

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Speaker 1: just sit down for a couple days of Porno.

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Speaker 2: My last binge watch, well, Christmas Hiatus will be a

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Speaker 2: blur of BoJack Horsemen sence, a Game of Thrones and

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Speaker 2: Rick and Morty. Oh wait, no, sorry, that's the answer

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Speaker 2: of The Walking Dead show runner Scott Temple.

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Speaker 1: Uh, well that is mine too.

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Speaker 2: I mean it's it's a coincidence, but I feel the

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Speaker 2: same way Christmas Heights hacked your email. Christmas Height. Yeah,

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Speaker 2: I mean that's so so crazy that. I mean, that

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Speaker 2: is kind of a coincidence, but it is true for me.

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Speaker 2: Christmas Hiatus will be a blur of BoJack Horseman sense.

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Speaker 2: He came.

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Speaker 1: So your last binge watch is and again you've changed

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Speaker 1: the question in the same way that Scott said Gemple,

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Speaker 1: your last binge watch is what you plan on doing.

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Speaker 2: It's that Christmas baking, it's my next four binge watches.

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Speaker 1: And the idea that that would be a binge watch

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Speaker 1: almost makes it sound like you haven't seen it, but

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Speaker 1: you know it would be cool to have seen it,

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Speaker 1: you know those things like you have it because for

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Speaker 1: you to binge watch bu Jack Horseman and really the

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Speaker 1: best way to binge watch something is to not have

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Speaker 1: seen it and watch all the episodes. Right. So, so

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Speaker 1: it's what you plan on doing. It's what you wish,

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Speaker 1: was your answer, and you're going to make it your

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Speaker 1: answer later. Yeah, and you know you have time and

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Speaker 1: you know what you wish. You could say you watched.

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Speaker 2: Yeah, but now I know. I mean, I'm confusing. I

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Speaker 2: don't know where gimbles mine ends in mine begins, which

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Speaker 2: I think is maybe what happens in sense E, although

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Speaker 2: I haven't I haven't seen it. But christms Hiatus is

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Speaker 2: gonna be a blur of that. So, Bratt, what's your

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Speaker 2: last binge watch?

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Speaker 1: Not goos?

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Speaker 2: Go to writers you were done, go to writer's room, takeout?

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Speaker 1: Okay, Uh, for me, it's probably uh, Hayes's Grandma's Sweet

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Speaker 1: Potato Pie, And I will call up Hayes's Sweet Little

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Speaker 1: Lady Grandma and I'll say, ooh, we in the writer's

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Speaker 1: room are really stuck on something and we just need

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Speaker 1: a big scoop of sweet potato pie. And she'll come

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Speaker 1: trotting it over. Uh.

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Speaker 2: She as a machine that she walks on. What is

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Speaker 2: it called Hayes her her machine that she walks on. Yeah,

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Speaker 2: it's like a bionic machine for walking. Well, it's like

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Speaker 2: its again, No, it's the it's the steam powered wheelchair

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Speaker 2: from Wild Wild West.

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Speaker 1: Yes, that's right. Yes, it's not really walking, but it's

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Speaker 1: instead of walking.

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Speaker 2: Well, it like eventually, uh, you know, like the character

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Speaker 2: that's based on her, she is able to fit herself

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Speaker 2: into a giant pair of steam powered walking spider legs exactly.

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Speaker 1: So she will spider her way over to the writer's

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Speaker 1: room with that sweet potato pie and four pairs of

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Speaker 1: spider legs.

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Speaker 2: That's really what she fits into one.

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Speaker 1: And I will slice it up and I'll just say, hey,

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Speaker 1: best pitch gets the first piece.

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Speaker 2: And then just get out of the way. I imagine

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Speaker 2: just being pelted with pitches.

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Speaker 1: Oh, gosh, everybody wants it, and then I know, no, no, no,

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Speaker 1: I guess I'll eat it. Mine is the Fred's ribs

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Speaker 1: ribs from a House of Cards.

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Speaker 2: From House of Cards. Yeah, they have that guy doing

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Speaker 2: real ribs.

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Speaker 1: Oh that should have been my last binge watch. Although

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Speaker 1: to me that is porno. That's how good that show is.

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Speaker 1: It makes me feel dirty afterwards.

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Speaker 2: Oh is that what you when you said porn? Is

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Speaker 2: that you were talking.

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Speaker 1: About a House of Cards and wait, he could have

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Speaker 1: been woolf.

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Speaker 2: Remember, but what that's what? But you said you want

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Speaker 2: your porno to be as if people don't know they're

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Speaker 2: being watched, which is literally every other show.

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Speaker 1: Except except that one. Yeah, it's very frustrating for me

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Speaker 1: to watch it. Yes, I mean.

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Speaker 2: When he looked out at you, my favorite You're like

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Speaker 2: in a kind of a vulnerable position for him to like, yes,

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Speaker 2: oh yeah, turn and stare at you.

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Speaker 1: You're you know, it's a very withering yes. But but

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Speaker 1: my favorite episode is the first episode of season two,

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Speaker 1: when all the way up until the last moment when

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Speaker 1: he's doing his makeup or something and he goes like,

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Speaker 1: oh you didn't think I forgot about you? And I

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Speaker 1: go like I had hopes that you did. It was

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Speaker 1: really ideally I would hope you had, but he didn't.

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Speaker 2: Strangest writing ritual, I guess just that I pee in

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Speaker 2: a bag.

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Speaker 1: Like when I'm writing, I don't always want to run

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Speaker 1: out to go to the bathroom, and so I will

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Speaker 1: pee into a bag, a cloth bag.

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Speaker 4: And.

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Speaker 1: I'll do that over and over again. Just I hate

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Speaker 1: it about myself, but that's being a writer. Like writing

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00:21:13,320 --> 00:21:15,919
Speaker 1: is the hardest part of writing, you know, like nobody

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Speaker 1: really loves it, and writing's rewriting, and rewriting is the

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Speaker 1: hardest part of writing. And so for me to ever

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Speaker 1: be leaving the room or even having a good receptacle

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Speaker 1: in the room to hold pee is going to take

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Speaker 1: away from the experience. So I guess i'd say peen

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Speaker 1: in a bag cloth bag.

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Speaker 2: For the for my I'm gonna redo biggest job challenge

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Speaker 2: I didn't have five years ago. But I'm I'm actually

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Speaker 2: gonna agree with Christopher Lloyd's The Modern Family showrunner because

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Speaker 2: he says the biggest job challenge he didn't have five

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Speaker 2: years ago is getting people on our show not to

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Speaker 2: be influenced by what they read on the child controlled internet,

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Speaker 2: because if you remember, it used to be people just

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Speaker 2: like watch TV and then you know, not like be

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Speaker 2: able to like post nasty things about it. But then

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00:22:05,200 --> 00:22:09,919
Speaker 2: in twenty ten, yeah, people really start you know, like

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00:22:10,160 --> 00:22:14,160
Speaker 2: the internet exploded and it just became like all these

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Speaker 2: nasty things on the internet everywhere.

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Speaker 1: So that.

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Speaker 2: Has become a big challenge of the last five years

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Speaker 2: from before.

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Speaker 1: Yeah, yeah, oh, I'm going to redo mine too, strangest

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00:22:27,720 --> 00:22:30,720
Speaker 1: writing habit for me. Instead, I'm going to say, uh,

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Speaker 1: I like to keep my keyboard very clean. Okay, do

384
00:22:35,680 --> 00:22:38,919
Speaker 1: you do you want that's almost more unusual? Do you

385
00:22:38,960 --> 00:22:39,680
Speaker 1: want us to.

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Speaker 2: Do anything with the thing about you peeing in a

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Speaker 2: cloth bag to leave that as an earlier one, or

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00:22:47,880 --> 00:22:49,120
Speaker 2: do you want us to use this one?

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00:22:49,320 --> 00:22:51,159
Speaker 1: I'm making it this one. You're gonna make it this

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00:22:51,200 --> 00:22:54,560
Speaker 1: one because that really is strange. How persnickety I am?

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Speaker 1: You know.

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Speaker 2: We have a great guest today.

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Speaker 1: Well, you don't have a strange writing habit?

394
00:23:01,600 --> 00:23:03,320
Speaker 2: Oh no, yes, no, I'm sorry. I do have a

395
00:23:03,359 --> 00:23:07,080
Speaker 2: strange writing habit. Mine is that I buy a new

396
00:23:07,119 --> 00:23:10,720
Speaker 2: laptop before every show I'm on. Oh god, no, I'm sorry.

397
00:23:10,760 --> 00:23:15,760
Speaker 2: This is Kenya Barriss's from Blackish.

398
00:23:15,840 --> 00:23:18,160
Speaker 1: Man You really got all your answers stepped on by

399
00:23:18,160 --> 00:23:21,400
Speaker 1: some of these other sort of knockoff hazes.

400
00:23:22,040 --> 00:23:23,600
Speaker 2: Well, I mean I just thought it was like a

401
00:23:23,640 --> 00:23:26,480
Speaker 2: really you know, exactly like he says, it gives me

402
00:23:26,520 --> 00:23:30,760
Speaker 2: a fresh start. I think it's very relatable to every

403
00:23:30,800 --> 00:23:34,639
Speaker 2: time I start writing a new project to throw a

404
00:23:34,800 --> 00:23:37,280
Speaker 2: very expensive piece of machinery in the garbage.

405
00:23:37,600 --> 00:23:40,119
Speaker 1: You and you may start writing a new project really

406
00:23:40,520 --> 00:23:44,080
Speaker 1: twice in a year. I mean, I know that I

407
00:23:44,119 --> 00:23:46,840
Speaker 1: wrote for three shows in the past year, So for

408
00:23:46,920 --> 00:23:51,520
Speaker 1: me to throw out a two thousand dollars laptop in

409
00:23:51,640 --> 00:23:55,439
Speaker 1: order to start fresh, so doing basically the same exact

410
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Speaker 1: fucking thing.

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00:23:56,119 --> 00:24:00,919
Speaker 2: Well, I mean your opening essentially word documents and the

412
00:24:01,000 --> 00:24:05,359
Speaker 2: idea of having word documents or final draft documents for

413
00:24:06,119 --> 00:24:09,560
Speaker 2: multiple shows on one computer. I mean, you just need

414
00:24:09,600 --> 00:24:10,320
Speaker 2: a fresh start.

415
00:24:10,400 --> 00:24:14,000
Speaker 1: Yeah, you gotta start over and and please, and sometimes

416
00:24:14,040 --> 00:24:16,200
Speaker 1: the shows even provide you with a computer and you

417
00:24:16,320 --> 00:24:20,760
Speaker 1: gotta just block that out and buy a new one.

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00:24:20,960 --> 00:24:23,320
Speaker 2: So you well, no, you take the you take the

419
00:24:23,359 --> 00:24:25,680
Speaker 2: watch for the show, and you throw that one and

420
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Speaker 2: your old one at the trash.

421
00:24:27,400 --> 00:24:29,640
Speaker 1: Please, And then I'm looking for a fresh start here.

422
00:24:32,280 --> 00:24:34,040
Speaker 2: Well, I already said we had a great guest.

423
00:24:35,280 --> 00:24:42,760
Speaker 1: So and it's uh, either Stephanie or it's gonna be

424
00:24:43,280 --> 00:24:47,120
Speaker 1: Joe Lingered and brand and branding content both great, both

425
00:24:47,160 --> 00:24:49,400
Speaker 1: really good shows.

426
00:24:49,920 --> 00:24:52,320
Speaker 2: But I guess you'll have a sense when it comes

427
00:24:52,320 --> 00:24:56,160
Speaker 2: on which one we got. Try try to infer why

428
00:24:56,320 --> 00:25:01,160
Speaker 2: we made the decision that we made on all with handbook.

429
00:25:01,680 --> 00:25:02,880
Speaker 5: Hollywood handbook.

430
00:25:07,800 --> 00:25:10,480
Speaker 1: So I look down at the table, I look at him.

431
00:25:10,520 --> 00:25:11,320
Speaker 1: I look at the table.

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00:25:11,440 --> 00:25:15,359
Speaker 2: I look at him, and I go, Jorn Vander, salute

433
00:25:16,560 --> 00:25:23,879
Speaker 2: forgetting something amazing. Wha. I go whoa, whoa, And I'm like, uh,

434
00:25:23,920 --> 00:25:27,080
Speaker 2: your diet sprite remix has no coaster under it. Jorin,

435
00:25:28,600 --> 00:25:32,879
Speaker 2: I got water rings all over the table. Lot of

436
00:25:33,200 --> 00:25:36,560
Speaker 2: a lot of them. He keeps picking it, moving it.

437
00:25:36,600 --> 00:25:37,600
Speaker 2: There must have been.

438
00:25:37,520 --> 00:25:43,840
Speaker 1: A dozen of them, and he didn't even apologize. Was

439
00:25:43,880 --> 00:25:48,520
Speaker 1: this at your house? Yeah? It was at your house?

440
00:25:48,560 --> 00:25:50,679
Speaker 1: Well not, it might not at my house, not in

441
00:25:50,800 --> 00:25:53,399
Speaker 1: my kick ass basement apartment that I live in, my

442
00:25:53,480 --> 00:25:56,440
Speaker 1: dad's house. But it was at Steffie's house, would you know?

443
00:25:57,600 --> 00:26:01,280
Speaker 2: Oh yeah, oh yeah, because I she's screen bloody murder

444
00:26:01,320 --> 00:26:02,760
Speaker 2: when she saw the coffee table.

445
00:26:02,800 --> 00:26:04,159
Speaker 1: Well what that what?

446
00:26:04,840 --> 00:26:06,679
Speaker 2: And because I wonder if that would betray that you

447
00:26:06,720 --> 00:26:09,640
Speaker 2: had been that you had had food in the living room,

448
00:26:11,320 --> 00:26:13,120
Speaker 2: which is I mean, the place is like a goddamn

449
00:26:13,160 --> 00:26:16,000
Speaker 2: fucking museum and I and I love her to death,

450
00:26:16,040 --> 00:26:17,800
Speaker 2: and I understand it's it's like a it's like a

451
00:26:18,080 --> 00:26:19,959
Speaker 2: I mean, I just want to clarify what you're phrasing.

452
00:26:20,000 --> 00:26:21,480
Speaker 2: People might think that you were sorry, but it is

453
00:26:21,480 --> 00:26:22,879
Speaker 2: like a fucking museum.

454
00:26:23,320 --> 00:26:23,600
Speaker 1: Yeah.

455
00:26:23,720 --> 00:26:27,880
Speaker 2: Yeah, there's all kinds of like very valuable uh sexual

456
00:26:27,960 --> 00:26:32,560
Speaker 2: artifacts from the past, you know, the first sort of.

457
00:26:34,119 --> 00:26:38,119
Speaker 1: Penetration machine. Uh. And so that these these sorts of

458
00:26:38,160 --> 00:26:40,879
Speaker 1: things litter the home and it's gives it a cool

459
00:26:40,920 --> 00:26:42,399
Speaker 1: American horror story vibe.

460
00:26:43,560 --> 00:26:47,639
Speaker 2: Hey, welcome to guys, are kicking butt and dropping in

461
00:26:47,680 --> 00:26:49,960
Speaker 2: the red carpet line back hallways of this industry we

462
00:26:50,000 --> 00:26:53,240
Speaker 2: call show business. What we love having guests on the

463
00:26:53,280 --> 00:26:57,000
Speaker 2: show and got talking to them the whole thing. It's

464
00:26:57,160 --> 00:27:01,000
Speaker 2: makes it worth doing. And today we got one and

465
00:27:01,520 --> 00:27:06,160
Speaker 2: she's here and it's special today, don't you think because.

466
00:27:05,880 --> 00:27:06,560
Speaker 1: We had.

467
00:27:08,040 --> 00:27:11,760
Speaker 2: Aaron Whitehead, we had had Lauren lap Kid done that,

468
00:27:11,920 --> 00:27:12,800
Speaker 2: and we had.

469
00:27:13,320 --> 00:27:22,240
Speaker 6: The Missy Missy Holloway and it's and she's so nice

470
00:27:22,600 --> 00:27:26,840
Speaker 6: and and and watch blank talk and and so that

471
00:27:27,119 --> 00:27:30,760
Speaker 6: and that rules now, but what.

472
00:27:30,760 --> 00:27:34,080
Speaker 2: Did those guys, yes have and they're missing to make

473
00:27:34,119 --> 00:27:37,719
Speaker 2: them the same that's there to be wild horses. And

474
00:27:37,800 --> 00:27:41,280
Speaker 2: one more is Stephanie Allen and she came to and

475
00:27:41,320 --> 00:27:44,280
Speaker 2: the last see the big guest, and.

476
00:27:44,520 --> 00:27:51,760
Speaker 1: That's one the most ones. Come on, hi, come on, hey,

477
00:27:51,960 --> 00:27:53,600
Speaker 1: come on, don't be so coy.

478
00:27:54,280 --> 00:27:57,679
Speaker 2: Yes, we should do more of the thing that you

479
00:27:57,720 --> 00:27:59,560
Speaker 2: know how Pete Holmes does where it like starts in

480
00:27:59,560 --> 00:28:01,159
Speaker 2: the middle, and the guess is always like, are we

481
00:28:01,240 --> 00:28:03,120
Speaker 2: doing it right? Yeah?

482
00:28:03,160 --> 00:28:05,080
Speaker 1: Where they go have you heard this kind of thing

483
00:28:05,080 --> 00:28:07,160
Speaker 1: where they go, you've done that? Are going already?

484
00:28:07,280 --> 00:28:07,399
Speaker 4: Oh?

485
00:28:07,440 --> 00:28:09,040
Speaker 5: And it's already yeah, And.

486
00:28:09,000 --> 00:28:11,320
Speaker 1: Then it's it and they're like having a conversation that

487
00:28:11,359 --> 00:28:13,800
Speaker 1: clearly they didn't think was for any kind of performance reason.

488
00:28:13,840 --> 00:28:16,280
Speaker 1: And then the hosts will go like, oh, we're going, baby,

489
00:28:16,320 --> 00:28:19,160
Speaker 1: We're yeah, We're I mean, we're yeah, we've been going.

490
00:28:19,200 --> 00:28:21,320
Speaker 1: This is how we do that's yeah. Yeah.

491
00:28:21,600 --> 00:28:23,080
Speaker 2: The host will say, sometimes so can.

492
00:28:22,920 --> 00:28:27,000
Speaker 5: You so can you just go are we going?

493
00:28:27,240 --> 00:28:31,080
Speaker 1: Yeah? Oh, we're oh, we're going stuff. Yeah, No, we've

494
00:28:31,119 --> 00:28:39,320
Speaker 1: been yeah, no totally. So women in comedy, uh, is

495
00:28:39,320 --> 00:28:43,160
Speaker 1: there a bigger champion for them that this show, it's

496
00:28:43,440 --> 00:28:45,320
Speaker 1: hard to say yes to that we've had.

497
00:28:46,160 --> 00:28:50,600
Speaker 2: I think how many white guys have we had in

498
00:28:50,640 --> 00:28:52,960
Speaker 2: a row? I want to say six team.

499
00:28:53,720 --> 00:28:57,120
Speaker 1: For the past. Yes, but we mentioned three women that

500
00:28:57,160 --> 00:28:59,920
Speaker 1: we have had on and if this isn't a fourth one,

501
00:29:00,000 --> 00:29:02,920
Speaker 1: well then I'll eat my hat. Mm hm. So so

502
00:29:03,080 --> 00:29:04,520
Speaker 1: what about that speak on it?

503
00:29:04,640 --> 00:29:05,000
Speaker 5: Thanks?

504
00:29:05,120 --> 00:29:08,040
Speaker 3: Yeah, speaking female first in person second?

505
00:29:08,320 --> 00:29:08,840
Speaker 2: Mm hmmm.

506
00:29:09,160 --> 00:29:14,840
Speaker 1: Yes, very brave to say, continue speaking on the whole thing,

507
00:29:15,400 --> 00:29:16,680
Speaker 1: our bravery and your own.

508
00:29:17,320 --> 00:29:20,680
Speaker 3: Oh I'm I don't even think of myself as like

509
00:29:20,800 --> 00:29:23,560
Speaker 3: being here as a woman, but it's the very true

510
00:29:23,600 --> 00:29:24,480
Speaker 3: fact us.

511
00:29:24,520 --> 00:29:28,360
Speaker 1: Neither, because it's every because funny is just funny? Is

512
00:29:28,400 --> 00:29:28,880
Speaker 1: that right?

513
00:29:29,400 --> 00:29:29,600
Speaker 5: Right?

514
00:29:29,720 --> 00:29:33,440
Speaker 1: Engineered Brett? Yeah, do you care who makes you laugh?

515
00:29:33,520 --> 00:29:35,200
Speaker 1: Or you just want to bust up?

516
00:29:36,960 --> 00:29:37,200
Speaker 4: Yeah?

517
00:29:37,240 --> 00:29:39,040
Speaker 1: I mean I have a lot of thought on that, but.

518
00:29:40,640 --> 00:29:44,120
Speaker 2: You have a lot of a single thought on that. Well,

519
00:29:44,160 --> 00:29:46,160
Speaker 2: we have room to hear one. Why don't you lay

520
00:29:46,200 --> 00:29:47,560
Speaker 2: it out there? Sounds like a big one.

521
00:29:48,920 --> 00:29:50,680
Speaker 1: I just think I.

522
00:29:50,600 --> 00:29:53,040
Speaker 2: Think with Brett it is kind of like everything in

523
00:29:53,120 --> 00:29:55,640
Speaker 2: his mind is sort of a percentage of one thought.

524
00:29:55,800 --> 00:29:56,240
Speaker 2: Mm hmm.

525
00:29:57,120 --> 00:29:59,200
Speaker 1: Yeah, he has this one thought that's sort of this

526
00:29:59,360 --> 00:30:02,840
Speaker 1: slug with me many arms and sometimes he's like focused

527
00:30:02,880 --> 00:30:05,720
Speaker 1: on one of its arms. But essentially there's just one thought,

528
00:30:05,720 --> 00:30:12,280
Speaker 1: which is like, meet Brett. Maybe that is a question,

529
00:30:12,520 --> 00:30:13,280
Speaker 1: how do sound?

530
00:30:13,360 --> 00:30:14,440
Speaker 2: Do you know?

531
00:30:15,280 --> 00:30:19,080
Speaker 1: So that's sort of just from knowing you, I kind

532
00:30:19,080 --> 00:30:21,640
Speaker 1: of have got a sense of what's happening in there,

533
00:30:22,360 --> 00:30:25,160
Speaker 1: But I don't give a shit what your freaking pieces are.

534
00:30:25,200 --> 00:30:29,200
Speaker 1: If you're making me pussed up, who cares. I'd just

535
00:30:29,320 --> 00:30:33,520
Speaker 1: like to laugh at this time.

536
00:30:33,560 --> 00:30:35,760
Speaker 2: It happens to be a man making you laugh, which

537
00:30:35,880 --> 00:30:37,240
Speaker 2: is you yourself.

538
00:30:37,400 --> 00:30:41,640
Speaker 1: Yes, well, And I never hold that against me because

539
00:30:41,640 --> 00:30:44,320
Speaker 1: I just don't. It's like it's like Stephanie, our guest, said,

540
00:30:44,360 --> 00:30:47,560
Speaker 1: I don't think of it that way, and we just don't.

541
00:30:47,680 --> 00:30:50,240
Speaker 1: It's like I don't see race.

542
00:30:50,000 --> 00:30:54,400
Speaker 2: And gender and all that crap that the Democrats want

543
00:30:54,440 --> 00:30:57,400
Speaker 2: me to focus on so much seeing about you and

544
00:30:57,480 --> 00:31:01,200
Speaker 2: the news people places the mm hmmmmmm.

545
00:31:02,240 --> 00:31:08,680
Speaker 1: What's the other diary? And Frank? Yes, well no, not that.

546
00:31:09,160 --> 00:31:12,320
Speaker 5: What is that the Diaryvan Frank?

547
00:31:13,600 --> 00:31:17,600
Speaker 3: It's it's a published diary about a girl who was.

548
00:31:19,480 --> 00:31:20,920
Speaker 5: In hiding during.

549
00:31:21,120 --> 00:31:25,520
Speaker 2: With the unicorn stickers and the rainbows. You remember those

550
00:31:25,560 --> 00:31:28,840
Speaker 2: binders that she had, Yeah.

551
00:31:28,760 --> 00:31:32,960
Speaker 1: Diary and Frank and a Frank, I don't.

552
00:31:33,080 --> 00:31:35,360
Speaker 5: I don't know if that's what her diary looked like.

553
00:31:36,840 --> 00:31:40,360
Speaker 1: I do. Actually, yeah, we've seen it. Yes, did you?

554
00:31:40,440 --> 00:31:42,160
Speaker 1: And you were saying she was in hiding for what.

555
00:31:43,840 --> 00:31:46,440
Speaker 5: She was in hiding from the Nazis during.

556
00:31:46,520 --> 00:31:47,480
Speaker 1: Stop Get Out?

557
00:31:47,560 --> 00:31:50,560
Speaker 5: You wrote that, No, it has nothing to do with me.

558
00:31:50,800 --> 00:31:55,120
Speaker 2: Oh wow, that's a good idea. You're separating yourself from it.

559
00:31:55,360 --> 00:31:56,840
Speaker 2: You're this disowning.

560
00:31:56,920 --> 00:31:59,200
Speaker 1: You were channeling something when you wrote it. It was

561
00:31:59,240 --> 00:32:02,600
Speaker 1: like it was speaking through you.

562
00:32:02,320 --> 00:32:05,000
Speaker 5: Uh no, I never wrote it, have nothing to do

563
00:32:05,080 --> 00:32:05,680
Speaker 5: with it?

564
00:32:06,000 --> 00:32:12,080
Speaker 1: So humble? What is it about doing acting and everything

565
00:32:12,120 --> 00:32:13,520
Speaker 1: that really gets you off?

566
00:32:17,120 --> 00:32:17,400
Speaker 3: I like?

567
00:32:17,520 --> 00:32:18,719
Speaker 5: I like being other people.

568
00:32:20,920 --> 00:32:27,280
Speaker 2: Yeah, which like the people and of people, places, things,

569
00:32:27,480 --> 00:32:30,840
Speaker 2: the eponymous people of that.

570
00:32:31,200 --> 00:32:36,640
Speaker 3: Right, Yeah, I'm a person in that and yeah, anything

571
00:32:36,680 --> 00:32:37,840
Speaker 3: I'm in, I'm a person.

572
00:32:38,640 --> 00:32:45,400
Speaker 2: It's nice speaking of people sometimes they like to be

573
00:32:45,480 --> 00:32:48,680
Speaker 2: in love and kiss and all that. Y and after

574
00:32:48,760 --> 00:32:51,000
Speaker 2: that comes wedding bells.

575
00:32:51,880 --> 00:32:52,080
Speaker 3: Yep.

576
00:32:52,240 --> 00:32:55,720
Speaker 2: We know you're getting married sometimes, do you want to

577
00:32:55,760 --> 00:32:57,400
Speaker 2: say when and where that is?

578
00:32:58,800 --> 00:33:03,400
Speaker 5: I know, but I am getting married this month.

579
00:33:03,240 --> 00:33:06,280
Speaker 1: This month, and this is October. I can see why

580
00:33:06,280 --> 00:33:07,120
Speaker 1: you wouldn't want to say that.

581
00:33:07,160 --> 00:33:09,000
Speaker 2: In front of Engineer Brett, who is something of a

582
00:33:09,000 --> 00:33:10,320
Speaker 2: notorious wedding crasher.

583
00:33:11,640 --> 00:33:14,040
Speaker 1: He could not get enough of that movie.

584
00:33:15,520 --> 00:33:17,880
Speaker 5: But I can say, we're getting married in Mississippi.

585
00:33:18,680 --> 00:33:31,560
Speaker 2: Ah am, I okay, okay, mm hm hmm yeah near

586
00:33:31,640 --> 00:33:32,640
Speaker 2: the river or.

587
00:33:34,120 --> 00:33:34,840
Speaker 1: Old Muddy.

588
00:33:37,160 --> 00:33:42,680
Speaker 3: Well, near the Old Muddy seems like a missed opportune.

589
00:33:43,080 --> 00:33:47,480
Speaker 1: So when getting married, it's something very personal to me,

590
00:33:47,560 --> 00:33:50,640
Speaker 1: of course, because Stephie and I just renewed our vows

591
00:33:50,960 --> 00:33:54,840
Speaker 1: and I break for you to applaud that. In some way, I.

592
00:33:56,600 --> 00:34:00,800
Speaker 2: Was pumping my fist. I mean, people can't hear that,

593
00:34:00,920 --> 00:34:02,240
Speaker 2: I guess, but is that not enough?

594
00:34:02,360 --> 00:34:04,480
Speaker 1: I thought you were telling a nearby big rig to

595
00:34:04,520 --> 00:34:05,280
Speaker 1: honk its horn.

596
00:34:06,040 --> 00:34:06,080
Speaker 2: No.

597
00:34:06,240 --> 00:34:07,560
Speaker 1: I was saying like yes.

598
00:34:07,800 --> 00:34:10,120
Speaker 5: Oh, and I raised my eyebrows.

599
00:34:09,600 --> 00:34:15,200
Speaker 2: Like gro yes, Yeah, I noticed that that I appreciated. Yeah,

600
00:34:15,360 --> 00:34:19,760
Speaker 2: I could almost hear it because they've gotten huge.

601
00:34:19,960 --> 00:34:21,080
Speaker 5: Yeah, let them grow out?

602
00:34:22,719 --> 00:34:22,960
Speaker 1: Is that?

603
00:34:23,480 --> 00:34:25,759
Speaker 2: Uh why those Geicoke cave men?

604
00:34:26,560 --> 00:34:28,960
Speaker 3: No, you know, like certain models that just have really

605
00:34:29,040 --> 00:34:36,840
Speaker 3: pushy eyebrows that natural nell look. Yeah, when you renew

606
00:34:36,960 --> 00:34:42,320
Speaker 3: your vows, do you rewrite them or do you renew

607
00:34:42,360 --> 00:34:44,000
Speaker 3: the ones that you did before?

608
00:34:44,600 --> 00:34:47,080
Speaker 1: For me, I had to do new ones, a lot

609
00:34:47,080 --> 00:34:49,480
Speaker 1: of topical references. Yes, the ones I had done were

610
00:34:49,600 --> 00:34:57,040
Speaker 1: very out of date. Oh there was I mean there

611
00:34:57,200 --> 00:34:59,880
Speaker 1: was not room in the old ones to sort of

612
00:35:00,200 --> 00:35:03,120
Speaker 1: just drop in the references that I needed to have.

613
00:35:03,320 --> 00:35:09,400
Speaker 1: The dress left Chark, the ice bucket challenge and flake

614
00:35:10,160 --> 00:35:14,040
Speaker 1: deflate gay. Yes, so that stuff had to be in

615
00:35:14,080 --> 00:35:16,799
Speaker 1: there because that's so part and parcel with what me

616
00:35:16,840 --> 00:35:21,719
Speaker 1: and Stepfi are about, which is just what's now. And

617
00:35:21,760 --> 00:35:23,680
Speaker 1: so it meant I had to kick a lot of

618
00:35:23,680 --> 00:35:26,360
Speaker 1: stuff to the curb. We had just renewed our vows

619
00:35:27,120 --> 00:35:29,640
Speaker 1: maybe eighteen months ago, and so that had like troubled

620
00:35:29,680 --> 00:35:36,000
Speaker 1: to find people's names, you know, it had a lot

621
00:35:36,000 --> 00:35:39,879
Speaker 1: of that kind of shit in there. Yeah, so.

622
00:35:43,320 --> 00:35:46,120
Speaker 2: That had to go. But you know, we try to

623
00:35:46,160 --> 00:35:51,799
Speaker 2: renew our vows just every time enough like funny shit

624
00:35:51,880 --> 00:35:52,719
Speaker 2: has stacked up.

625
00:35:54,719 --> 00:35:55,920
Speaker 5: Uh huh.

626
00:35:55,960 --> 00:35:58,480
Speaker 2: If I if I feel like I got enough singers,

627
00:35:58,520 --> 00:35:59,879
Speaker 2: it's like ton to renew the vows.

628
00:36:00,400 --> 00:36:02,399
Speaker 1: And you invite everybody there. And you know this because

629
00:36:02,400 --> 00:36:04,719
Speaker 1: you're planning wedding. You invite everyone. It's like planning a

630
00:36:04,760 --> 00:36:05,600
Speaker 1: big show.

631
00:36:06,000 --> 00:36:08,920
Speaker 2: Yes, it says your wedding is a Hollywood wedding, and

632
00:36:09,080 --> 00:36:11,320
Speaker 2: everyone there is going to be pretty wealthy and stuff,

633
00:36:11,320 --> 00:36:13,200
Speaker 2: which is why you can force them to travel a

634
00:36:13,320 --> 00:36:14,240
Speaker 2: very long destance.

635
00:36:16,280 --> 00:36:18,880
Speaker 1: And you're from Mississippi. No, I'm so it's just a

636
00:36:18,960 --> 00:36:19,600
Speaker 1: random thing.

637
00:36:20,400 --> 00:36:22,359
Speaker 5: No, my fiance is from there.

638
00:36:22,520 --> 00:36:24,040
Speaker 1: Okay, well, okay.

639
00:36:25,880 --> 00:36:27,359
Speaker 5: Yeah, we didn't randomly pick it.

640
00:36:27,920 --> 00:36:32,400
Speaker 3: Yeah, but Mississippi is surprisingly stunning on the Gulf coast.

641
00:36:32,520 --> 00:36:36,600
Speaker 1: Okay, yeah, on the coast, not you know, not coast

642
00:36:36,640 --> 00:36:40,520
Speaker 1: all the money. But so you're inviting the rich people

643
00:36:40,600 --> 00:36:42,880
Speaker 1: and you're putting on the show, and what are some

644
00:36:42,920 --> 00:36:45,880
Speaker 1: of the big events you have planned the big surprise?

645
00:36:47,239 --> 00:36:51,160
Speaker 5: Yes, uh, we're not really going for that vibe. It's

646
00:36:51,360 --> 00:36:53,960
Speaker 5: very Southern charm and kind of.

647
00:36:54,560 --> 00:36:55,879
Speaker 1: Like that Pola Dean And.

648
00:36:57,560 --> 00:37:00,560
Speaker 2: There's this getting back to the old way of doing

649
00:37:00,600 --> 00:37:04,360
Speaker 2: things where honestly everyone was happier with that arrangement.

650
00:37:04,600 --> 00:37:06,799
Speaker 1: May I ask, will the colonel be there?

651
00:37:10,719 --> 00:37:13,440
Speaker 5: No, that's not exactly because.

652
00:37:13,200 --> 00:37:15,759
Speaker 1: You aren't comedy. And Norm m MacDonald is the colonel now,

653
00:37:15,840 --> 00:37:19,400
Speaker 1: and I wonder if maybe he comes dressed as the colonel.

654
00:37:20,680 --> 00:37:24,280
Speaker 3: No, no, no, colonel, No, Norm McDonald.

655
00:37:23,880 --> 00:37:26,720
Speaker 2: What colonel did you think we were talking about? Colonel Mustard?

656
00:37:26,840 --> 00:37:26,920
Speaker 3: No?

657
00:37:27,040 --> 00:37:30,840
Speaker 1: Thanks, he might kill somebody one bleak of the prospective murderer.

658
00:37:32,080 --> 00:37:33,799
Speaker 1: He's on the short list of people who may have

659
00:37:33,800 --> 00:37:36,680
Speaker 1: committed a murder anyways.

660
00:37:36,760 --> 00:37:41,480
Speaker 5: Yeah, it's sort of a it's on the beach one.

661
00:37:41,280 --> 00:37:44,319
Speaker 1: Thing don't make sense about that game. So I get

662
00:37:44,360 --> 00:37:46,400
Speaker 1: not knowing who did the crime when you find a

663
00:37:46,440 --> 00:37:49,040
Speaker 1: dead body, but you definitely know what the murder weapon

664
00:37:49,160 --> 00:37:50,480
Speaker 1: was right away, right.

665
00:37:51,160 --> 00:37:53,160
Speaker 2: Of those things you would think you would know.

666
00:37:53,640 --> 00:37:56,960
Speaker 1: There's some debate between like eitherrow a wrench or the

667
00:37:57,040 --> 00:38:01,120
Speaker 1: candlestick or something, but like, yeah, the lead pipe, that's

668
00:38:01,120 --> 00:38:04,640
Speaker 1: what I mean. Yeah, so like those maybe I could

669
00:38:04,640 --> 00:38:06,120
Speaker 1: be like, well, they got hit in the head with

670
00:38:06,120 --> 00:38:08,200
Speaker 1: one of these two things, but poison is off the

671
00:38:08,239 --> 00:38:11,759
Speaker 1: table at that point for me. And when their skulls caved.

672
00:38:11,440 --> 00:38:14,640
Speaker 5: In or they have a bullet hole.

673
00:38:15,280 --> 00:38:17,520
Speaker 1: Oh yeah, then I go like it had to be

674
00:38:17,560 --> 00:38:22,400
Speaker 1: this rope. JK, I'm frigging around. Did you get that, Brett?

675
00:38:23,000 --> 00:38:28,359
Speaker 1: And please don't text if you think you can handle it.

676
00:38:30,360 --> 00:38:33,840
Speaker 1: So you're doing Southern charm? What that looks like?

677
00:38:35,280 --> 00:38:35,600
Speaker 5: What is?

678
00:38:39,000 --> 00:38:41,720
Speaker 3: You know, just a lot of like magnolias and white

679
00:38:41,760 --> 00:38:45,000
Speaker 3: flowers and stealing natural light.

680
00:38:47,160 --> 00:38:52,280
Speaker 2: Remember the frogs. Interesting thing to build a wet egg around.

681
00:38:52,320 --> 00:38:57,560
Speaker 1: But yeah, what is you? Do you remember?

682
00:38:58,160 --> 00:38:58,319
Speaker 5: No?

683
00:38:58,600 --> 00:39:04,520
Speaker 2: Ma oh from Laura Laura Harden.

684
00:39:05,719 --> 00:39:10,640
Speaker 1: Riley a young black child doing a rap about a

685
00:39:10,680 --> 00:39:21,600
Speaker 1: prophet if you recall sprawling cast Hoffman Robards.

686
00:39:21,640 --> 00:39:26,200
Speaker 3: Okay, and it's not a magnolia, not the movie.

687
00:39:26,360 --> 00:39:27,760
Speaker 5: No, it hasn't d with the movie.

688
00:39:28,040 --> 00:39:33,359
Speaker 2: Henry Gibson mm hmmm, uh okay, what what's some other?

689
00:39:35,280 --> 00:39:37,880
Speaker 1: Okay? So she's like, what is that? And then it's like,

690
00:39:38,600 --> 00:39:41,040
Speaker 1: and we did say, Laura Harden that we weren't saying.

691
00:39:41,040 --> 00:39:43,279
Speaker 3: Women very familiar with the movie just thought it. You

692
00:39:43,360 --> 00:39:46,160
Speaker 3: might have thought I was doing a magnolia themed wedding

693
00:39:46,680 --> 00:39:48,840
Speaker 3: like the movie with the movie put Right.

694
00:39:49,520 --> 00:39:53,000
Speaker 1: Pisses himself on the quiz show, could piece his pants.

695
00:39:53,960 --> 00:39:55,520
Speaker 1: That's gonna have it at the wedding. I hope not.

696
00:39:56,440 --> 00:39:59,200
Speaker 1: You know, No, that's good then that you're not doing it.

697
00:39:59,280 --> 00:40:01,560
Speaker 1: So it's steel magnolias and it's.

698
00:40:01,560 --> 00:40:10,360
Speaker 3: Just uh because that's yeah, it's nobody Hopefully nobody dies croaks.

699
00:40:10,520 --> 00:40:12,399
Speaker 1: Yeah, I almost don't want to say it.

700
00:40:14,640 --> 00:40:17,440
Speaker 2: Well, are the pistol shrimp is going to be there?

701
00:40:17,840 --> 00:40:18,120
Speaker 6: Yeah?

702
00:40:18,280 --> 00:40:20,560
Speaker 5: A good amount of them. Some couldn't make it.

703
00:40:20,680 --> 00:40:24,399
Speaker 1: Oh yeah, which ones? Which ones? There were? No gooes

704
00:40:24,520 --> 00:40:28,120
Speaker 1: for you. No, I invited everyone really, but some of

705
00:40:28,160 --> 00:40:29,879
Speaker 1: them you made it for a date that you knew

706
00:40:29,880 --> 00:40:30,520
Speaker 1: they couldn't do.

707
00:40:33,080 --> 00:40:37,359
Speaker 5: Uh no, hm hm, who's.

708
00:40:37,080 --> 00:40:37,960
Speaker 2: Cashing in on that?

709
00:40:38,000 --> 00:40:40,400
Speaker 1: What? What? What? What piece of the take do you

710
00:40:40,480 --> 00:40:41,000
Speaker 1: get from that?

711
00:40:42,200 --> 00:40:45,520
Speaker 2: From all the licenses? I mean, every individual player on

712
00:40:45,560 --> 00:40:48,080
Speaker 2: the team is turning it into a pilot? Is that right?

713
00:40:48,239 --> 00:40:48,799
Speaker 5: Yeah?

714
00:40:48,920 --> 00:40:51,719
Speaker 2: And which which network do you get to do?

715
00:40:52,560 --> 00:40:55,919
Speaker 5: I don't have a pilot for it?

716
00:40:56,640 --> 00:41:06,759
Speaker 1: Oh no, oh wow, oh Stephanie. Yeah, that is tragic,

717
00:41:07,160 --> 00:41:10,719
Speaker 1: is it? Because what what happened? You made a shot

718
00:41:10,719 --> 00:41:15,080
Speaker 1: in the wrong basket? Oh Stephanie, that could help. So

719
00:41:15,160 --> 00:41:16,760
Speaker 1: you gave a pilot to the other dude.

720
00:41:18,360 --> 00:41:19,880
Speaker 5: I wrote a pilot and handed it on.

721
00:41:20,120 --> 00:41:22,560
Speaker 1: Oh no, who's going to have the pilot?

722
00:41:22,640 --> 00:41:22,839
Speaker 5: Now?

723
00:41:22,920 --> 00:41:27,680
Speaker 1: The Luci ballers are what they got your.

724
00:41:27,560 --> 00:41:30,600
Speaker 5: Pilot, pilot, They got your pilot.

725
00:41:32,880 --> 00:41:34,319
Speaker 1: That really steams me up.

726
00:41:34,800 --> 00:41:38,360
Speaker 3: That said, I want to see like the pistol shrimps drama,

727
00:41:38,560 --> 00:41:39,280
Speaker 3: our drama.

728
00:41:40,640 --> 00:41:46,719
Speaker 1: Okay, oh yeah, right? What is some dramatic stuff that

729
00:41:46,840 --> 00:41:49,040
Speaker 1: happens that maybe we don't know about because we hear

730
00:41:49,120 --> 00:41:50,200
Speaker 1: so much about the laughs?

731
00:41:53,840 --> 00:41:58,520
Speaker 5: Oh Jesus, uh, I don't. I'm not sure.

732
00:42:00,160 --> 00:42:03,640
Speaker 3: Side do you guys times during the games, I personally

733
00:42:03,880 --> 00:42:06,120
Speaker 3: am working on keeping my cool.

734
00:42:06,760 --> 00:42:13,640
Speaker 1: Whoa, and this is juicy She's trying to keep her

735
00:42:13,640 --> 00:42:14,520
Speaker 1: cool during the games.

736
00:42:14,560 --> 00:42:17,880
Speaker 2: Hey, yeah, I mean I imagine that would be pretty

737
00:42:17,880 --> 00:42:19,719
Speaker 2: scary to see on TV. You would have to I

738
00:42:19,719 --> 00:42:23,480
Speaker 2: guess water it down a little for for network. Certainly,

739
00:42:24,080 --> 00:42:28,080
Speaker 2: the idea of someone trying to maintain her cool a

740
00:42:28,200 --> 00:42:32,520
Speaker 2: character like that sounds pretty unrelatable, almost unhinged.

741
00:42:34,120 --> 00:42:37,399
Speaker 1: Yeah. I can't root for that relatable. I can't really

742
00:42:37,480 --> 00:42:42,680
Speaker 1: root for that. So why today? We've got a big

743
00:42:42,760 --> 00:42:44,560
Speaker 1: question about this, which is why today?

744
00:42:44,719 --> 00:42:46,319
Speaker 2: And how do the characters know each other?

745
00:42:46,520 --> 00:42:46,839
Speaker 3: M hm?

746
00:42:46,920 --> 00:42:48,080
Speaker 1: And for how long?

747
00:42:48,360 --> 00:42:51,880
Speaker 5: Yeah? Yeah, yeah, I guess that's all that stuff you got.

748
00:42:53,239 --> 00:42:59,680
Speaker 1: Unfortunately, the violot, unfortunately, Stepfany, that is storytelling, and I

749
00:42:59,680 --> 00:43:02,440
Speaker 1: think that is actually I don't think it's unfortunate at all.

750
00:43:02,440 --> 00:43:06,719
Speaker 1: I think it's very fortunate, well unfortunately for what she's describing. Now,

751
00:43:06,800 --> 00:43:08,120
Speaker 1: have you written your vows yet?

752
00:43:09,200 --> 00:43:11,759
Speaker 3: I've thought about them, but I haven't actually written them down.

753
00:43:11,880 --> 00:43:13,920
Speaker 1: Okay, you want to crack into it right now?

754
00:43:15,520 --> 00:43:16,160
Speaker 5: Right them here?

755
00:43:16,480 --> 00:43:19,080
Speaker 1: Yeah, Well, we maybe we just talk about like what's

756
00:43:19,120 --> 00:43:22,840
Speaker 1: some like cool topic that's happened recently that maybe you

757
00:43:22,840 --> 00:43:24,520
Speaker 1: could drop in and we'll work on a way to

758
00:43:24,560 --> 00:43:25,919
Speaker 1: make it sort of about love.

759
00:43:28,239 --> 00:43:30,279
Speaker 5: You like something that's happened in our life.

760
00:43:30,200 --> 00:43:33,320
Speaker 2: Something in the news, or something for you, but you're

761
00:43:33,680 --> 00:43:37,680
Speaker 2: more related. Yeah, let's look at Facebook even, see what's trending. Yeah, Facebook,

762
00:43:39,960 --> 00:43:41,040
Speaker 2: beace of no nation.

763
00:43:41,880 --> 00:43:48,440
Speaker 1: Beace of no nation. Love is like a beast. Yeah no, no,

764
00:43:48,600 --> 00:43:52,000
Speaker 1: what's next? The head of the Charles Regatta.

765
00:43:52,080 --> 00:43:55,919
Speaker 2: It's like a rowing thing and maybe there's a river there,

766
00:43:55,960 --> 00:43:57,000
Speaker 2: so that could be something.

767
00:43:57,800 --> 00:44:00,959
Speaker 1: Love is a powerful current that's sweeping away no matter

768
00:44:01,000 --> 00:44:05,200
Speaker 1: how hard you row against it. You know, that's not

769
00:44:05,239 --> 00:44:12,080
Speaker 1: really funny. What else, hayes? Uh, let me see Tom Hanks.

770
00:44:12,800 --> 00:44:15,920
Speaker 2: Oh he he did something funny on Jimmy fowlon last night.

771
00:44:16,080 --> 00:44:17,760
Speaker 5: Oh oh yeah.

772
00:44:17,800 --> 00:44:20,520
Speaker 1: So oh what about this lamar odu thing?

773
00:44:22,960 --> 00:44:24,960
Speaker 2: Is there room for that? That could be good? He

774
00:44:25,000 --> 00:44:28,560
Speaker 2: took like seventeen herbal viagras and wound up in a coma.

775
00:44:28,880 --> 00:44:30,840
Speaker 1: And a bunny ranch in Nevada.

776
00:44:31,000 --> 00:44:35,280
Speaker 2: Yeah, because he's depressed because his child died of SIDS

777
00:44:35,320 --> 00:44:38,520
Speaker 2: a while ago. And so that's that's a funny thing

778
00:44:38,600 --> 00:44:39,560
Speaker 2: to baby like.

779
00:44:39,719 --> 00:44:42,360
Speaker 1: Well, you wrap it in, I mean that's not inherently funny,

780
00:44:42,400 --> 00:44:44,400
Speaker 1: but the way you reference it in the vows and

781
00:44:44,760 --> 00:44:47,360
Speaker 1: Stephie and I always do this with I said love shark.

782
00:44:47,400 --> 00:44:50,360
Speaker 1: And some of the cool stuff we talk about is

783
00:44:50,400 --> 00:44:54,239
Speaker 1: you sort of surprise him by how you drop it in, right, Yeah, like.

784
00:44:54,200 --> 00:44:56,399
Speaker 2: If you combined that with el chappos somehow, that could

785
00:44:56,440 --> 00:44:57,120
Speaker 2: be really funny.

786
00:44:57,200 --> 00:44:59,360
Speaker 1: And this is just a quick examp, like this is

787
00:44:59,440 --> 00:45:00,800
Speaker 1: just like off the top of my head, and I

788
00:45:00,840 --> 00:45:02,879
Speaker 1: don't have the wording for it, but something in the

789
00:45:02,920 --> 00:45:05,320
Speaker 1: lines of like you make me hornier than lamar odein

790
00:45:05,520 --> 00:45:08,080
Speaker 1: was you know, because I don't know.

791
00:45:09,320 --> 00:45:13,560
Speaker 3: I don't think i'd want to use the word horny.

792
00:45:12,960 --> 00:45:17,120
Speaker 5: I said, I don't words I said that or viagra.

793
00:45:17,760 --> 00:45:22,440
Speaker 2: No, no, no, that's issue, that's the rights issue. Yeah,

794
00:45:22,520 --> 00:45:22,960
Speaker 2: it's yeah.

795
00:45:23,000 --> 00:45:25,600
Speaker 1: And it wasn't viagra. It was some herbal version of agra.

796
00:45:25,719 --> 00:45:29,080
Speaker 1: And I use that, you know, because it's just a

797
00:45:29,120 --> 00:45:29,759
Speaker 1: word we all know.

798
00:45:30,360 --> 00:45:32,640
Speaker 2: Right, So let's start from the time you say you

799
00:45:32,719 --> 00:45:35,680
Speaker 2: start with the funny name. I see you're trying to

800
00:45:35,680 --> 00:45:37,719
Speaker 2: segue into something us but I want to keep talking

801
00:45:37,719 --> 00:45:38,040
Speaker 2: about this.

802
00:45:38,160 --> 00:45:39,680
Speaker 1: Get her name wrong or something.

803
00:45:39,760 --> 00:45:41,800
Speaker 2: Yeah, just like with the funny cute name, that you

804
00:45:42,080 --> 00:45:44,520
Speaker 2: guys call each other. Yeah, be like the first thing

805
00:45:45,440 --> 00:45:45,640
Speaker 2: do you?

806
00:45:45,920 --> 00:45:48,239
Speaker 5: Isn't that kind of personal?

807
00:45:48,360 --> 00:45:48,600
Speaker 4: Though?

808
00:45:49,600 --> 00:45:51,960
Speaker 1: It could be more personal than the union of two

809
00:45:52,040 --> 00:45:54,680
Speaker 1: people for life. I mean, are you taking this seriously?

810
00:45:54,719 --> 00:45:55,000
Speaker 4: Stuff?

811
00:45:55,040 --> 00:45:55,879
Speaker 1: I'm worried now.

812
00:45:57,719 --> 00:46:00,560
Speaker 3: You know, just certain things I wouldn't want to share,

813
00:46:00,680 --> 00:46:02,080
Speaker 3: you know, they would want to keep private.

814
00:46:02,480 --> 00:46:04,200
Speaker 1: Oh you don't want to talk about lamar odom. You

815
00:46:04,239 --> 00:46:06,200
Speaker 1: don't want to talk about yourselves? Who are we going

816
00:46:06,280 --> 00:46:10,600
Speaker 1: to talk about this? Wedding engineer Brett I'm here.

817
00:46:12,920 --> 00:46:15,120
Speaker 2: That's what he wants when he does a crash. That's

818
00:46:15,160 --> 00:46:17,640
Speaker 2: what he wants is for people to just kind of

819
00:46:17,640 --> 00:46:19,320
Speaker 2: be talking about him. Could be interesting to get the

820
00:46:19,360 --> 00:46:23,400
Speaker 2: real wedding crashers there. Or I think actually Andrew Wilson,

821
00:46:24,840 --> 00:46:30,760
Speaker 2: Owen's brother is now going around performing like as Owen

822
00:46:31,640 --> 00:46:34,120
Speaker 2: doing wedding crashing sort.

823
00:46:33,880 --> 00:46:36,400
Speaker 1: Of an oen two yeah Gallagher.

824
00:46:36,040 --> 00:46:38,640
Speaker 5: Two mm hmmm in real life.

825
00:46:38,760 --> 00:46:39,760
Speaker 1: So that could be fun.

826
00:46:40,400 --> 00:46:42,600
Speaker 2: And like you guys are doing your vows and then

827
00:46:42,680 --> 00:46:44,239
Speaker 2: the guys show up and are like.

828
00:46:45,080 --> 00:46:49,719
Speaker 1: Stop, we're horny. I mean, I know you don't have

829
00:46:49,800 --> 00:46:50,360
Speaker 1: to say.

830
00:46:50,400 --> 00:46:52,320
Speaker 2: I don't know, you don't want to say it seems

831
00:46:52,320 --> 00:46:53,840
Speaker 2: like I don't know what the wedding crashers are going

832
00:46:53,920 --> 00:46:59,120
Speaker 2: to do if they can't say horny.

833
00:46:57,600 --> 00:46:59,680
Speaker 1: That's kind of why they crashed the wedding stuff, and

834
00:46:59,719 --> 00:47:03,080
Speaker 1: because they take that away from that Yeah, from that film.

835
00:47:03,280 --> 00:47:04,319
Speaker 5: No, I didn't, I didn't.

836
00:47:04,400 --> 00:47:05,359
Speaker 1: You can pick that up.

837
00:47:05,480 --> 00:47:07,560
Speaker 5: Yeah, that's what they were looking for.

838
00:47:07,640 --> 00:47:10,040
Speaker 1: Dobkins is not going to want to hear that. Director,

839
00:47:10,080 --> 00:47:15,759
Speaker 1: David Dobkin. Uh So we're big foodies. What are we

840
00:47:15,760 --> 00:47:16,880
Speaker 1: going to eat at this wedding.

841
00:47:19,080 --> 00:47:20,960
Speaker 5: It's a lot of Southern food.

842
00:47:20,800 --> 00:47:26,080
Speaker 3: Mmmmm yeah, Pauladene Yeah nothing, no, nothing related to paladines.

843
00:47:26,360 --> 00:47:30,640
Speaker 3: Just kind of traditional Southern dishes. I mean, I guess that's.

844
00:47:30,520 --> 00:47:33,719
Speaker 2: Very closely really, that's about as closely related to paladine

845
00:47:33,760 --> 00:47:34,400
Speaker 2: as you can be.

846
00:47:35,680 --> 00:47:43,920
Speaker 1: Yeah, so it's Southern dishes, but the kernel's not there. Okay.

847
00:47:46,840 --> 00:47:47,879
Speaker 5: Does that sound good?

848
00:47:48,040 --> 00:47:52,279
Speaker 2: Or it just seems like the wedding planner is having

849
00:47:52,320 --> 00:47:55,160
Speaker 2: to do a lot of the heavy lifting on this.

850
00:47:56,680 --> 00:47:59,040
Speaker 1: And sometimes sometimes the way you answer our question makes

851
00:47:59,040 --> 00:48:00,799
Speaker 1: me think you don't want to talk about all the

852
00:48:00,800 --> 00:48:02,480
Speaker 1: details of your wedding with us.

853
00:48:03,000 --> 00:48:07,839
Speaker 3: No, No I do, I just.

854
00:48:06,280 --> 00:48:07,239
Speaker 1: Will you tell us.

855
00:48:07,680 --> 00:48:09,960
Speaker 2: Yeah, it's about being open and honest and making a

856
00:48:09,960 --> 00:48:12,160
Speaker 2: weird on the show, and so the weirder the better.

857
00:48:13,520 --> 00:48:14,120
Speaker 5: I think that.

858
00:48:14,160 --> 00:48:23,600
Speaker 3: It's just having a different taste in weddings. Maybe, uh yeah,

859
00:48:23,640 --> 00:48:24,440
Speaker 3: I wouldn't want to.

860
00:48:25,400 --> 00:48:27,040
Speaker 5: I don't know if I'm going for humor.

861
00:48:27,600 --> 00:48:29,880
Speaker 1: Okay, what's the funniest thing that will happen?

862
00:48:29,920 --> 00:48:30,120
Speaker 5: Though?

863
00:48:30,920 --> 00:48:33,040
Speaker 3: I mean, how how would I know? I mean, you

864
00:48:33,080 --> 00:48:34,719
Speaker 3: go into your wedding, do you know the funniest thing

865
00:48:34,760 --> 00:48:35,480
Speaker 3: that's going to happen.

866
00:48:35,600 --> 00:48:37,880
Speaker 1: I've got some lines with a couple of check marks

867
00:48:37,880 --> 00:48:39,799
Speaker 1: next to them that really killed in the dry run.

868
00:48:43,480 --> 00:48:45,160
Speaker 1: I got a couple of triple checkers in there.

869
00:48:45,280 --> 00:48:48,400
Speaker 2: A lot of well, the weddings, A lot of people

870
00:48:48,560 --> 00:48:52,760
Speaker 2: whose weddings got crashed by those guys thought beforehand.

871
00:48:52,200 --> 00:48:54,959
Speaker 1: That they wouldn't want that to happen.

872
00:48:55,200 --> 00:48:59,520
Speaker 2: Mm hmm. But then you know their friends are, Yes,

873
00:48:59,600 --> 00:49:06,160
Speaker 2: there's are friends are getting nudely thrown onto the bed afterwards, Yes,

874
00:49:06,200 --> 00:49:08,560
Speaker 2: on the same bed that ends up in a pretty

875
00:49:08,560 --> 00:49:09,400
Speaker 2: interesting place.

876
00:49:09,640 --> 00:49:14,120
Speaker 1: Yes, as they get boned out. Yeah, but that yeah,

877
00:49:14,200 --> 00:49:17,040
Speaker 1: that is always. One of the cool things about weddings

878
00:49:17,080 --> 00:49:18,560
Speaker 1: is they can be unpredictable.

879
00:49:19,800 --> 00:49:23,600
Speaker 3: My sister went to a wedding where when the bride

880
00:49:23,640 --> 00:49:26,520
Speaker 3: was coming down the aisle, somebody in a pew ahead

881
00:49:26,560 --> 00:49:29,200
Speaker 3: of her realized she left something in her car and

882
00:49:29,280 --> 00:49:32,200
Speaker 3: came out of the pew and said excuse me to

883
00:49:32,360 --> 00:49:36,120
Speaker 3: the bride and passed her on the side during the ceremony.

884
00:49:36,400 --> 00:49:37,800
Speaker 1: What was the thing in her car?

885
00:49:38,360 --> 00:49:38,879
Speaker 5: I don't know.

886
00:49:39,560 --> 00:49:40,320
Speaker 2: Wow.

887
00:49:40,480 --> 00:49:41,600
Speaker 1: And she didn't go the.

888
00:49:41,640 --> 00:49:43,880
Speaker 3: Other way to go out the other way, and she

889
00:49:43,920 --> 00:49:46,440
Speaker 3: didn't wait, she turned to pass.

890
00:49:48,239 --> 00:49:51,279
Speaker 1: That's pretty good something like that you're going to do.

891
00:49:52,440 --> 00:49:54,920
Speaker 3: I would be pretty amused if that happened to me.

892
00:49:55,880 --> 00:49:57,520
Speaker 3: I saw somebody coming at me.

893
00:49:58,000 --> 00:50:00,120
Speaker 2: Right, it's your special day.

894
00:50:00,800 --> 00:50:01,920
Speaker 5: Yeah, in that moment.

895
00:50:03,000 --> 00:50:05,040
Speaker 1: You don't have to be that punk rock for us.

896
00:50:08,080 --> 00:50:10,600
Speaker 5: No, that really I would think that was really funny.

897
00:50:10,640 --> 00:50:11,600
Speaker 2: Can I have the sound please?

898
00:50:11,719 --> 00:50:12,440
Speaker 1: It's already up.

899
00:50:15,440 --> 00:50:18,160
Speaker 2: And so this is going to be a special wedding

900
00:50:18,200 --> 00:50:21,080
Speaker 2: then version of us just a normal one.

901
00:50:21,880 --> 00:50:22,359
Speaker 1: Oh yeah.

902
00:50:23,680 --> 00:50:25,560
Speaker 2: It was supposed to be like here comes the Bribe

903
00:50:25,760 --> 00:50:26,120
Speaker 2: and like.

904
00:50:27,800 --> 00:50:32,760
Speaker 1: It comes the Popcorn Gallery all dressed in the butter.

905
00:50:34,200 --> 00:50:38,160
Speaker 1: It's about movie. So that song is about the Popcorn Gallery.

906
00:50:38,160 --> 00:50:40,080
Speaker 1: And that's when we got questions from the audience for

907
00:50:40,160 --> 00:50:42,760
Speaker 1: some of our guests and the audience is the Popcorn Gallery?

908
00:50:42,760 --> 00:50:46,560
Speaker 1: Do you understand why?

909
00:50:47,680 --> 00:50:47,839
Speaker 4: Uh?

910
00:50:48,400 --> 00:50:53,280
Speaker 5: It seemed pretty simple. Your guests are popcorn gallery.

911
00:50:53,520 --> 00:50:56,120
Speaker 1: Yes, yes, I guess the popcorn Gallery. I think you're

912
00:50:56,160 --> 00:51:00,600
Speaker 1: the first person to actually get that. So, uh, we've

913
00:51:00,600 --> 00:51:01,480
Speaker 1: got the questions.

914
00:51:02,120 --> 00:51:05,480
Speaker 2: So this question is from in the bag. Got to

915
00:51:05,480 --> 00:51:21,640
Speaker 2: reach into the bag? Right, it's uh magnolia.

916
00:51:23,080 --> 00:51:25,959
Speaker 1: And so my friend Mark from high school does these

917
00:51:25,960 --> 00:51:30,520
Speaker 1: sound drops for us. And what he'll do is make

918
00:51:30,560 --> 00:51:33,000
Speaker 1: the sound of digging around in a popcorn bag, and

919
00:51:33,040 --> 00:51:35,080
Speaker 1: then he'll pull something out of the popcorn bag that's

920
00:51:35,120 --> 00:51:37,920
Speaker 1: sort of relevant to our guests or the show, and

921
00:51:38,000 --> 00:51:40,480
Speaker 1: that will represent the question, and then you'll get asked

922
00:51:40,520 --> 00:51:41,360
Speaker 1: the actual question.

923
00:51:41,640 --> 00:51:42,160
Speaker 5: Okay.

924
00:51:42,239 --> 00:51:44,239
Speaker 2: He I think has started to do these for a

925
00:51:44,280 --> 00:51:45,480
Speaker 2: lot of other shows.

926
00:51:46,080 --> 00:51:47,000
Speaker 1: Yes, And I.

927
00:51:46,920 --> 00:51:50,920
Speaker 2: Think that is it's almost as if he's taking this

928
00:51:51,040 --> 00:51:53,680
Speaker 2: first opportunity that we gave him for Granted, I think

929
00:51:53,719 --> 00:51:55,120
Speaker 2: that was the worst.

930
00:51:54,760 --> 00:51:57,440
Speaker 1: One, the worst one he's ever done. He's ever done.

931
00:51:58,120 --> 00:52:00,720
Speaker 2: Some of them have been very local ad of the past,

932
00:52:00,719 --> 00:52:04,400
Speaker 2: but they seemed like he was trying genuinely making an effort.

933
00:52:04,560 --> 00:52:05,920
Speaker 1: Yes, this one felt.

934
00:52:05,800 --> 00:52:08,080
Speaker 5: Lazy like popcorn.

935
00:52:08,840 --> 00:52:11,040
Speaker 2: It didn't it didn't even sound it didn't sound like

936
00:52:11,120 --> 00:52:12,680
Speaker 2: it didn't even sound like popcorn.

937
00:52:13,120 --> 00:52:15,120
Speaker 1: Related to Mark, he's super busy, but I'll give them

938
00:52:15,160 --> 00:52:15,680
Speaker 1: these notes.

939
00:52:17,760 --> 00:52:21,600
Speaker 2: So here's a question from I haven't read these yet,

940
00:52:21,640 --> 00:52:25,800
Speaker 2: but here, just here is the one that I'm seeing.

941
00:52:25,800 --> 00:52:30,200
Speaker 2: Here's a question from dev Scoots and it's Stephanie. How

942
00:52:30,200 --> 00:52:34,680
Speaker 2: come your hair so nice? Like we said, this is

943
00:52:34,719 --> 00:52:37,319
Speaker 2: a great show for women to be odd.

944
00:52:37,600 --> 00:52:39,320
Speaker 1: Our fans are.

945
00:52:41,640 --> 00:52:46,280
Speaker 2: Very progressive and they'll ask a good female specific questions,

946
00:52:46,840 --> 00:52:49,399
Speaker 2: which is which is what? Which is what you want?

947
00:52:49,440 --> 00:52:50,239
Speaker 1: So how come?

948
00:52:52,080 --> 00:52:52,400
Speaker 5: God?

949
00:52:52,520 --> 00:52:57,480
Speaker 3: I guess it's the way that grows out of my head. Okay,

950
00:52:58,320 --> 00:53:02,120
Speaker 3: and I use a leave and canditioner mm hmmm.

951
00:53:03,920 --> 00:53:05,399
Speaker 1: So plug.

952
00:53:06,560 --> 00:53:12,400
Speaker 5: Plug product plug, oh asked me if I wore plus.

953
00:53:12,480 --> 00:53:14,520
Speaker 2: If you just have hair, if you have hair plugs,

954
00:53:15,680 --> 00:53:19,480
Speaker 2: no hair, the way it grows out of your head,

955
00:53:20,120 --> 00:53:21,359
Speaker 2: that is some special way.

956
00:53:21,400 --> 00:53:22,000
Speaker 1: It seems like.

957
00:53:22,080 --> 00:53:25,920
Speaker 3: I guess if your hair follicles are tighter, then you

958
00:53:26,040 --> 00:53:30,839
Speaker 3: have thicker hair. Mm hmm otherwise or otherwise it would

959
00:53:30,880 --> 00:53:36,239
Speaker 3: be like a looser, straighter piece of hair. Okay, So

960
00:53:37,239 --> 00:53:38,920
Speaker 3: I hope I answered their question.

961
00:53:40,719 --> 00:53:46,359
Speaker 2: Why let's get another question out of the bag.

962
00:53:56,320 --> 00:54:01,759
Speaker 1: Oh it's uh one of the Scloor brothers. Okay, Now

963
00:54:01,840 --> 00:54:04,200
Speaker 1: I think you're right because I did sounds like he was.

964
00:54:04,320 --> 00:54:07,760
Speaker 1: That sounds like did that drop for somebody else's show?

965
00:54:07,960 --> 00:54:08,240
Speaker 2: Yes?

966
00:54:09,640 --> 00:54:13,040
Speaker 1: Oh wow, that really sounds like that was really sounds

967
00:54:13,040 --> 00:54:16,040
Speaker 1: like it meant for another show. Yes, I will talk

968
00:54:16,080 --> 00:54:16,279
Speaker 1: to him.

969
00:54:16,320 --> 00:54:18,440
Speaker 2: I think that's how they get introduced at the beginning

970
00:54:18,440 --> 00:54:22,399
Speaker 2: of it, mixed up his files and yeah, okay, Well

971
00:54:22,400 --> 00:54:25,120
Speaker 2: there is a question anyway, and it's from Robotam and

972
00:54:25,120 --> 00:54:27,560
Speaker 2: it says, Stephanie, you were on an episode of the League.

973
00:54:27,800 --> 00:54:29,960
Speaker 2: Did that guy ever show any signs that he hadn't

974
00:54:29,960 --> 00:54:39,000
Speaker 2: really been involved in nine to eleven? I am interested

975
00:54:39,040 --> 00:54:40,719
Speaker 2: in that too, like, did it ever? Did he ever

976
00:54:40,800 --> 00:54:43,719
Speaker 2: say anything that you were kind of like, huh like,

977
00:54:44,239 --> 00:54:46,319
Speaker 2: justn't like the way he was describing it, because I'm

978
00:54:46,320 --> 00:54:48,920
Speaker 2: sure he probably did describe it to you, like what

979
00:54:49,040 --> 00:54:50,719
Speaker 2: was going on? It must have up.

980
00:54:51,880 --> 00:54:55,640
Speaker 5: I can't recall. I don't think he mentioned nine to

981
00:54:55,680 --> 00:54:56,600
Speaker 5: eleven that day.

982
00:54:57,000 --> 00:54:59,560
Speaker 2: Well that's also not something who was in that doesn't

983
00:54:59,560 --> 00:55:01,160
Speaker 2: really that doesn't make sense.

984
00:55:01,320 --> 00:55:08,080
Speaker 3: Yeah right, yeah, yeah, I don't think so.

985
00:55:08,400 --> 00:55:09,680
Speaker 1: Did he seem traumatized?

986
00:55:12,160 --> 00:55:14,439
Speaker 5: Yeah, no, he seems.

987
00:55:14,120 --> 00:55:16,480
Speaker 4: Like that whoa.

988
00:55:16,600 --> 00:55:18,680
Speaker 2: In my conversations with him, he said it on the

989
00:55:18,719 --> 00:55:20,759
Speaker 2: lid off it. In my conversations with him. He said

990
00:55:20,840 --> 00:55:25,200
Speaker 2: it was messed up, which does check out?

991
00:55:25,320 --> 00:55:26,520
Speaker 1: Oh yeah, I agree.

992
00:55:27,000 --> 00:55:29,760
Speaker 2: Uh, And so I actually wonder if he if he

993
00:55:29,840 --> 00:55:34,960
Speaker 2: was there and was tired of getting too much attention

994
00:55:35,040 --> 00:55:37,719
Speaker 2: for it instead of like a firefighter or something, and

995
00:55:37,800 --> 00:55:40,279
Speaker 2: said that he now was saying that he wasn't there,

996
00:55:40,800 --> 00:55:44,160
Speaker 2: or if it was so messed up that it actually

997
00:55:44,239 --> 00:55:48,439
Speaker 2: blocked out his memory of being there. Yes, that would

998
00:55:48,480 --> 00:55:51,040
Speaker 2: be the most likely person to say, like, I wasn't there.

999
00:55:51,520 --> 00:55:55,120
Speaker 2: It's someone trippy. It was someone who was actually there.

1000
00:55:55,440 --> 00:55:59,600
Speaker 1: Yo, that's trippy. Think about that. The people who were

1001
00:55:59,719 --> 00:56:01,920
Speaker 1: there are the ones who think they weren't.

1002
00:56:02,480 --> 00:56:02,880
Speaker 2: Yeah.

1003
00:56:03,360 --> 00:56:09,120
Speaker 1: Oh wow, gosh, that's tripping me out. We got any

1004
00:56:09,120 --> 00:56:09,760
Speaker 1: more questions?

1005
00:56:09,960 --> 00:56:13,160
Speaker 2: Yes, well see if it's in the bag.

1006
00:56:16,080 --> 00:56:24,560
Speaker 1: It's bee pollen. You made it weird? Okay, So that

1007
00:56:24,600 --> 00:56:27,080
Speaker 1: feels like our show, Yes it does.

1008
00:56:28,520 --> 00:56:32,560
Speaker 2: Okay. This one's from Joe mcgurrell. Hello, Stephanie, it's Joe mcgirl,

1009
00:56:32,600 --> 00:56:35,799
Speaker 2: your old friend from Bible Camp. My question is this,

1010
00:56:36,200 --> 00:56:38,560
Speaker 2: what is one non food item that you wish you

1011
00:56:38,600 --> 00:56:39,080
Speaker 2: could eat?

1012
00:56:39,480 --> 00:56:39,840
Speaker 1: Mmmm?

1013
00:56:42,000 --> 00:56:44,080
Speaker 5: A non food item I wish I could you.

1014
00:56:44,120 --> 00:56:44,959
Speaker 1: Wish you could eat?

1015
00:56:45,239 --> 00:56:48,840
Speaker 2: And other than I guess your hair as well, because

1016
00:56:49,040 --> 00:56:50,520
Speaker 2: we already talked about that. Hm.

1017
00:56:51,040 --> 00:56:53,680
Speaker 3: I actually I think I well, this just reminded me

1018
00:56:53,719 --> 00:56:56,719
Speaker 3: of something. One of the grossest things I've ever seen

1019
00:56:56,880 --> 00:57:01,560
Speaker 3: was like you remember those like Real World or they

1020
00:57:01,560 --> 00:57:03,520
Speaker 3: were like, no, it wasn't Real World. There's like MTV

1021
00:57:03,680 --> 00:57:06,600
Speaker 3: spring break shows where like they were like down on

1022
00:57:06,680 --> 00:57:09,839
Speaker 3: the beach doing weird things. And they gave this good

1023
00:57:09,840 --> 00:57:11,680
Speaker 3: It was this girl with really long hair, and they

1024
00:57:11,719 --> 00:57:14,160
Speaker 3: gave her money if she would cut it shave it off.

1025
00:57:14,600 --> 00:57:17,400
Speaker 3: And so they gave her money. She shaved off all

1026
00:57:17,480 --> 00:57:19,720
Speaker 3: of her hair. Then they put her hair in a

1027
00:57:19,760 --> 00:57:22,480
Speaker 3: bowl of butter, in melted butter and baled it up,

1028
00:57:22,840 --> 00:57:25,720
Speaker 3: and then they asked somebody if they would eat it

1029
00:57:26,200 --> 00:57:31,480
Speaker 3: for money, and then somebody chewed the butter hair. And

1030
00:57:31,560 --> 00:57:33,560
Speaker 3: I still think it's the grossest thing I've ever seen.

1031
00:57:33,600 --> 00:57:36,000
Speaker 2: Oh my god, Oh dad. And this was the girl

1032
00:57:36,040 --> 00:57:37,240
Speaker 2: who got up in the wedding.

1033
00:57:40,160 --> 00:57:42,040
Speaker 5: No, maybe this wasn't her.

1034
00:57:43,160 --> 00:57:47,160
Speaker 1: Oh wow, And she got up at the wedding. Maybe

1035
00:57:47,240 --> 00:57:49,160
Speaker 1: she let her hair growing back. Maybe she left her

1036
00:57:49,200 --> 00:57:53,520
Speaker 1: hat in my car, that might be right, or her

1037
00:57:53,600 --> 00:57:54,920
Speaker 1: butter or a weig.

1038
00:57:56,440 --> 00:57:59,440
Speaker 5: Wow, maybe that's what it was.

1039
00:58:00,000 --> 00:58:01,440
Speaker 1: One time a girl I went into high school with

1040
00:58:01,520 --> 00:58:04,400
Speaker 1: was on one of those shows. Imagine you're watching spring

1041
00:58:04,440 --> 00:58:06,720
Speaker 1: Break and they're putting some bikini girl and making her

1042
00:58:06,840 --> 00:58:09,560
Speaker 1: into a giant burrito, and you go, like, that's Shanna mcketta.

1043
00:58:14,720 --> 00:58:17,760
Speaker 2: Somebody asked a question that reminds me of a different question, Stephanie,

1044
00:58:18,480 --> 00:58:20,840
Speaker 2: You and you and take met on the set of

1045
00:58:20,880 --> 00:58:21,520
Speaker 2: In a World?

1046
00:58:22,040 --> 00:58:22,520
Speaker 1: Is that right?

1047
00:58:23,280 --> 00:58:26,880
Speaker 2: Is that gonna be tough to explain to people? Like

1048
00:58:27,120 --> 00:58:29,120
Speaker 2: have you considered changing it to the set of a

1049
00:58:29,160 --> 00:58:34,120
Speaker 2: movie with like more like permanence, like Awesome Powers or something.

1050
00:58:34,280 --> 00:58:36,680
Speaker 1: Yeah? Well, you feel like an unfinished sentence every time

1051
00:58:36,680 --> 00:58:37,760
Speaker 1: you say where you met.

1052
00:58:37,840 --> 00:58:39,520
Speaker 5: Yeah, in a World?

1053
00:58:39,640 --> 00:58:42,120
Speaker 2: Yeah, because you have to like explain the like what

1054
00:58:42,200 --> 00:58:45,040
Speaker 2: the movie. It just wasn't like a huge movie, you know,

1055
00:58:45,200 --> 00:58:47,520
Speaker 2: so you'll have to explain what it was about and stuff.

1056
00:58:47,840 --> 00:58:50,160
Speaker 2: When you could say, like we met on the set

1057
00:58:50,280 --> 00:58:52,600
Speaker 2: of any of the Austin Powers movies.

1058
00:58:53,120 --> 00:58:56,960
Speaker 1: Literally gold Member, you could do right, spy who shagged me?

1059
00:58:57,120 --> 00:58:57,840
Speaker 1: That makes sense?

1060
00:58:59,160 --> 00:58:59,360
Speaker 2: Yeah?

1061
00:58:59,480 --> 00:59:00,760
Speaker 1: What do you is his mojo?

1062
00:59:01,640 --> 00:59:05,880
Speaker 2: He lost his mojo and the spy who shagged me? Okay,

1063
00:59:06,000 --> 00:59:08,520
Speaker 2: so I believe. So what else am I thinking of?

1064
00:59:09,920 --> 00:59:11,400
Speaker 1: What do you mean? What else are you thinking of?

1065
00:59:11,480 --> 00:59:16,520
Speaker 1: What's the other Austin Powers gold member gold member? I say,

1066
00:59:16,600 --> 00:59:20,520
Speaker 1: Spice shagged me there? Oh you are you thinking of

1067
00:59:20,520 --> 00:59:23,160
Speaker 1: as Powers one International Man of Mystery? Yes?

1068
00:59:23,840 --> 00:59:26,200
Speaker 2: Is that the one you were? You forgot is awesome power?

1069
00:59:26,320 --> 00:59:27,040
Speaker 2: The first one?

1070
00:59:27,400 --> 00:59:32,960
Speaker 1: Yeah, the weakest of the series. I didn't even know

1071
00:59:32,960 --> 00:59:36,680
Speaker 1: who this guy was yet, So is that something to consider?

1072
00:59:36,720 --> 00:59:40,600
Speaker 3: It considered that and I haven't really run into that

1073
00:59:40,720 --> 00:59:43,320
Speaker 3: problem When I say it that people saying.

1074
00:59:43,320 --> 00:59:46,240
Speaker 2: Now, I'm that's now now everyone's talking about in a

1075
00:59:46,320 --> 00:59:50,520
Speaker 2: world but in you know, seven or eight years years

1076
00:59:50,560 --> 00:59:54,320
Speaker 2: from now, God willing, you guys are still together praying.

1077
00:59:54,040 --> 00:59:55,760
Speaker 5: For powers will hold up.

1078
00:59:56,960 --> 00:59:59,320
Speaker 1: Well, how old is it right now? Yeah? We're still

1079
00:59:59,360 --> 01:00:03,160
Speaker 1: talking about it literally every day it comes up. And

1080
01:00:03,200 --> 01:00:05,280
Speaker 1: if you can't, you can't swing a cat in this

1081
01:00:05,360 --> 01:00:07,520
Speaker 1: town without hearing Shaggaedelic.

1082
01:00:09,000 --> 01:00:11,480
Speaker 2: And the time travel element. I mean, as we do

1083
01:00:11,520 --> 01:00:14,800
Speaker 2: get closer to like using that technology, people start to

1084
01:00:14,880 --> 01:00:19,120
Speaker 2: consider like maybe doing that for real, sending Austin Powers

1085
01:00:20,160 --> 01:00:21,600
Speaker 2: into the future for real.

1086
01:00:21,800 --> 01:00:25,280
Speaker 3: Mm hmmmmm, well yeah, something to think on, but yeah,

1087
01:00:26,160 --> 01:00:26,840
Speaker 3: probably not.

1088
01:00:27,760 --> 01:00:29,600
Speaker 5: M I don't like to lie.

1089
01:00:29,760 --> 01:00:32,320
Speaker 1: He wasn't really sent into the future though, right, I mean,

1090
01:00:32,400 --> 01:00:35,440
Speaker 1: he got frozen until the future came about naturally, then

1091
01:00:35,440 --> 01:00:36,800
Speaker 1: he got sent into the past.

1092
01:00:39,280 --> 01:00:41,600
Speaker 2: He did get remember, I.

1093
01:00:41,640 --> 01:00:44,800
Speaker 5: Of don't remember. I've seen them, but they all blur together.

1094
01:00:45,320 --> 01:00:47,800
Speaker 2: Oh you were so between what were you on mushrooms

1095
01:00:47,880 --> 01:00:53,160
Speaker 2: or some shit? No, it's okay. That's the way you

1096
01:00:53,280 --> 01:00:56,320
Speaker 2: gotta watch Austin Powers. That way is drip it out.

1097
01:00:56,920 --> 01:00:59,360
Speaker 2: Oh brother, those scenes.

1098
01:00:59,200 --> 01:01:03,440
Speaker 1: Where they're all dance and stuff. One pill makes you smaller,

1099
01:01:03,840 --> 01:01:05,680
Speaker 1: you know what I mean? Like, that's the way to

1100
01:01:05,760 --> 01:01:09,160
Speaker 1: fucking really get into what Mike Myres is putting down.

1101
01:01:13,120 --> 01:01:14,840
Speaker 2: I guess between the two of us, we know what

1102
01:01:14,960 --> 01:01:17,720
Speaker 2: the full movie, what the whole universe is, because you

1103
01:01:17,880 --> 01:01:19,880
Speaker 2: seem to know a lot about the time travel element,

1104
01:01:19,960 --> 01:01:21,920
Speaker 2: and I know about the first movie that.

1105
01:01:22,040 --> 01:01:24,840
Speaker 1: Yeah, you remember the first one, and then yes, and

1106
01:01:25,480 --> 01:01:27,280
Speaker 1: I know the rest of the Power verse.

1107
01:01:28,960 --> 01:01:31,400
Speaker 2: Oh, Stephanie, thanks for coming on the show.

1108
01:01:31,800 --> 01:01:34,920
Speaker 1: It was so good. What else do you want to say?

1109
01:01:36,240 --> 01:01:41,240
Speaker 3: Mmm, you can come to a Wild Horses show at UCB.

1110
01:01:42,000 --> 01:01:44,760
Speaker 1: Dam we know we can just walk. I mean we

1111
01:01:44,920 --> 01:01:47,760
Speaker 1: know a lot of people. I'm actually able to walk in.

1112
01:01:47,800 --> 01:01:49,360
Speaker 1: And I went to a show last night with no

1113
01:01:49,480 --> 01:01:53,880
Speaker 1: ticket and I got a seat. And so you're also

1114
01:01:54,120 --> 01:01:57,320
Speaker 1: doing that podcast on Howell That's Big Bucks.

1115
01:01:58,240 --> 01:01:59,959
Speaker 2: Yeah, we were talking about this a little bit before

1116
01:02:00,080 --> 01:02:00,400
Speaker 2: the show.

1117
01:02:00,520 --> 01:02:00,840
Speaker 5: Just what.

1118
01:02:03,440 --> 01:02:06,560
Speaker 2: Have you hired a new money manager because I find

1119
01:02:06,600 --> 01:02:09,920
Speaker 2: that my the one I'm currently using is starting to

1120
01:02:10,040 --> 01:02:11,720
Speaker 2: be a little out of her depth.

1121
01:02:12,080 --> 01:02:17,560
Speaker 1: Yes, the stacks and stacks and stacks of howl Mulu

1122
01:02:17,800 --> 01:02:23,280
Speaker 1: that is coming in is making you know, our current

1123
01:02:23,320 --> 01:02:25,200
Speaker 1: money money woman uncomfortable.

1124
01:02:26,440 --> 01:02:28,920
Speaker 2: She's starting to hate money. Yes, it's ruining.

1125
01:02:29,440 --> 01:02:31,680
Speaker 1: It's become her enemy in a way because all of

1126
01:02:31,680 --> 01:02:34,000
Speaker 1: her stress comes from that she loved.

1127
01:02:34,720 --> 01:02:36,680
Speaker 5: Yeah, the howmony is And.

1128
01:02:36,640 --> 01:02:40,680
Speaker 2: Are you question I really really hesitate to bring this up, Stephanie,

1129
01:02:40,680 --> 01:02:42,560
Speaker 2: And I mean I'm really sorry to do it, But

1130
01:02:43,080 --> 01:02:45,720
Speaker 2: does it make you question takes motivations at all.

1131
01:02:48,120 --> 01:02:50,960
Speaker 1: Just based on like, oh, it's pretty convenient, like right

1132
01:02:51,000 --> 01:02:52,120
Speaker 1: around the time.

1133
01:02:52,240 --> 01:02:56,360
Speaker 3: Actually very close to when we did our house.

1134
01:02:56,320 --> 01:02:58,320
Speaker 1: Close and all of a sudden it's like, hey, this

1135
01:02:58,400 --> 01:03:01,320
Speaker 1: could be a permanent thing. I like maybe we split

1136
01:03:01,360 --> 01:03:02,240
Speaker 1: all our stuff up.

1137
01:03:02,280 --> 01:03:05,400
Speaker 2: It's like, uh, it's extremely suspicious.

1138
01:03:05,720 --> 01:03:08,840
Speaker 1: It's just timing wise. It looks bad and I wish

1139
01:03:09,040 --> 01:03:11,400
Speaker 1: you know because it's like, well, why didn't it come

1140
01:03:11,440 --> 01:03:13,840
Speaker 1: up before you'd been dating for a little while it's like,

1141
01:03:13,920 --> 01:03:16,000
Speaker 1: all of a sudden, how it comes knocking, and like,

1142
01:03:16,160 --> 01:03:17,960
Speaker 1: so does the fucking ring show up?

1143
01:03:18,000 --> 01:03:20,360
Speaker 2: And it sounds like, based on your description, that this

1144
01:03:20,400 --> 01:03:22,880
Speaker 2: wedding is sort of like thrown together very quickly.

1145
01:03:23,440 --> 01:03:26,080
Speaker 1: And from what I like food, we'll just have like

1146
01:03:26,120 --> 01:03:28,720
Speaker 1: southern food, southern food. It sounds like it's literally the

1147
01:03:28,720 --> 01:03:31,240
Speaker 1: food you can get there right where you are. You

1148
01:03:31,280 --> 01:03:32,920
Speaker 1: weren't able to get a spot on the banks of

1149
01:03:32,960 --> 01:03:36,640
Speaker 1: Old Muddy and and so it's starting to feel like

1150
01:03:37,080 --> 01:03:39,440
Speaker 1: half the pistol strips aren't even gonna be there. Like

1151
01:03:39,640 --> 01:03:41,840
Speaker 1: from everything you've told me, it feels like a pretty

1152
01:03:41,840 --> 01:03:42,880
Speaker 1: fly by night affair.

1153
01:03:44,520 --> 01:03:47,840
Speaker 5: Well no, okay, actually not.

1154
01:03:48,160 --> 01:03:50,880
Speaker 2: Okay, refusing to even consider it, and.

1155
01:03:50,880 --> 01:03:56,520
Speaker 1: You're reminding me of another famous river now Denial.

1156
01:03:56,680 --> 01:04:06,960
Speaker 4: Baby Bye, Hollywood, and book is brought to you by

1157
01:04:07,040 --> 01:04:11,200
Speaker 4: Wolf Cool Productions, a subsidiary of Calvin Dhibbes.

1158
01:04:11,720 --> 01:04:15,520
Speaker 1: Our Baby