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Speaker 1: No worry, you can't juice that this your club.

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Speaker 2: Part of part of juicing is you have to Like

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Speaker 2: when you're any fasting, you have to conserve your.

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Speaker 3: Energy as much as much as possible.

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Speaker 2: But with this ten day juice cleans I'm doing, it's

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Speaker 2: like I'm not eating any food at or any solid

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Speaker 2: foods at all. It's just three juices a day, water

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Speaker 2: tea if I want to. This sound can't be like

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Speaker 2: turned up, and it.

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Speaker 3: Sounds like the best excuse to get out of any

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Speaker 3: social situation that I want to be in. Yeah, you can't, ling, bro,

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Speaker 3: but I'm juicing.

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Speaker 2: No, but it's your birthday. I want to be out

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Speaker 2: for your for your be day.

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Speaker 3: Oh no, I'm saying I'm stealing this excuse for oh

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Speaker 3: yeah yeah, yeah, I'm not going to be juicy. I'm

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Speaker 3: just going to tell everyone juice cleans. I can't.

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Speaker 1: You're Irish, nobody believe.

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Speaker 3: Yeah, that's I want to get us. I want to

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Speaker 3: get us.

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Speaker 2: I want to Guinish cleans. So you're just living.

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Speaker 3: Yeah, it's got rice and hops and ship it's healthy,

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Speaker 3: a lot of greens.

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Speaker 2: So that's that's part of the reason why I don't

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Speaker 2: want to I gotta wait till next Friday before I

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Speaker 2: do any type of like social turned up ship because

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Speaker 2: my energy. This is day three of ten and I'm

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Speaker 2: already feeling like the ir Nigga reserve.

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Speaker 3: You Like I was.

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Speaker 2: Smoking yesterday, I was torturing myself. I was like shitting

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Speaker 2: Now I'm hungry, so I'm not gonna smoke.

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Speaker 3: Yeah, well, I'll be going down to.

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Speaker 2: Atlanta for work, not for d they That's what everyone

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Speaker 2: says when they go to Atlanta's work.

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Speaker 3: No man, most Orange is on that Strength of a

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Speaker 3: Woman festival, which which I mentioned it.

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Speaker 2: I wish I could go to that festival. So many

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Speaker 2: strong women in attendance.

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Speaker 3: I just love that the only male that they chose

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Speaker 3: for the Strength of a Woman festival is well, you

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Speaker 3: will leep his name out, but yeah, that's hilarious, Like

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Speaker 3: that represents the strength of a woman him absolutely, But

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Speaker 3: now it's a line up is actually fucking crazy. Mary

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Speaker 3: j Lama Chaka Kan Escape City Girls, Queen Naja Kiana.

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Speaker 3: Today I like Motional Oranges, seven Baby Tap, Ruby Rose

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Speaker 3: ms Pat like Omorica the Great is gonna tell.

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Speaker 1: Us, uh hoof not from Atlanta.

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Speaker 3: Yeah, she don't get on stage and start pointing out

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Speaker 3: people that what you're doing in my city?

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Speaker 2: Yeah, ro you are not from Atlanta. I'm not. Even

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Speaker 2: though you look like a peach, You're not from Atlanta.

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Speaker 3: You know what, I'm gonna take it as a compliment.

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Speaker 2: It is a compliment, man, you know, I'm only here

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Speaker 2: here to compliment my guy.

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Speaker 3: But it could be worse. I could look like a tomato.

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Speaker 3: I'm fresh from the desert.

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Speaker 2: Yeah, let's introduce ourselves because people stilln't know we are.

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Speaker 2: I am Rory, I'm more and this is the new

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Speaker 2: roll small and Rory and yeah whatever. So yeah, man,

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Speaker 2: how was the weekend you and Coachella?

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Speaker 3: I was? I was for Coachella legs?

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Speaker 2: Did you did you.

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Speaker 3: Walk around barefoot? Come on? Did you really get into

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Speaker 3: with the land? I? I chell it so hard. I

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Speaker 3: chill it. I knew he was going to tell I

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Speaker 3: changed like accident, like, oh my Godella, I'm chilling so hard,

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Speaker 3: My god.

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Speaker 2: Did you hear how he plaid that last chord? It

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Speaker 2: was so breath taking?

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Speaker 3: Did the streams kick in for you at?

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Speaker 2: I think?

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Speaker 3: So?

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Speaker 2: Oh, this feeling is so weird.

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Speaker 3: People just want it so by the way, I did

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Speaker 3: that the entire time I was yo.

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Speaker 2: But people just want to excuse to get together and

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Speaker 2: get high. Man, Like, don't just don't tell me you're

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Speaker 2: going to Coachella, Like where you're going to get high

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Speaker 2: and just hang out with your You want to go

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Speaker 2: to the desert. That's it, and there's nothing wrong with that.

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Speaker 3: But it's funny though when people say like, oh, yeah,

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Speaker 3: we're going out to the desert. Coachella is like they

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Speaker 3: literally put a paradise in the mid You're not in

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Speaker 3: the desert. You're surrounded by beautiful fucking palm trees and

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Speaker 3: air conditioning if you need it.

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Speaker 2: Drinks.

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Speaker 1: Well, it's dusty though, right, I've never been.

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Speaker 3: But I went weekend too, and that's when all like

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Speaker 3: the grass got dug up. So I went on the

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Speaker 3: dusty the dusty weekend. I was a dust bucket, remember

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Speaker 3: dust bucket? Can we bring dust bucket back?

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Speaker 1: People with dust buckets?

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Speaker 2: Oh yeah, it's a few dust bucks.

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Speaker 3: It describes people so well, fucking with dust bucket.

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Speaker 2: You know who a dust bucket is. You know the

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Speaker 2: dust buckets.

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Speaker 3: When you've seen them. We're bringing dust dust bucket back,

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Speaker 3: let's bring it back. So yeah, I was real dusty

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Speaker 3: out there. Uh, but it was my first time with Coachelle.

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Speaker 3: I was actually very nervous because I saw Weekend one

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Speaker 3: that picture like that aerial ship that went viral looked

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Speaker 3: like way too many people, and I was like, should

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Speaker 3: I really do this? But I'm glad I went. I

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Speaker 3: didn't see very many sets because I literally drove there

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Speaker 3: and back, like went for emotional Oranges. Caught Griselda before,

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Speaker 3: and then caught Vince after, and then I was the

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Speaker 3: fuck out of there. I wasn't sitting in traffic for

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Speaker 3: twelve hours trying to get back to l A. Yeah.

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Speaker 2: I saw some of the shows. Saw Griselda show shout

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Speaker 2: out a Griselda. Amani looks great. Amani, She's a she.

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Speaker 2: She had this outfit on Jesus Christ.

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Speaker 3: She stole the show. Not just because the outphit, but

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Speaker 3: she sounded great. She looked great. The sexiest power ranger

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Speaker 3: I've ever seen in my life.

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Speaker 2: I love Amiani.

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Speaker 3: I was gonna say Storm from X Men, but I'm

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Speaker 3: not mad at that too. A sexy storm.

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Speaker 1: Storm has a Ninja turtle fetish, so just like kind of.

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Speaker 3: Who Ormani does. No, I have a Ninja turble, I mean.

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Speaker 1: Not Ninja turtle Power Ranger fetish. Do you mentioned the

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Speaker 1: Power Rangers multiple times?

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Speaker 2: Because I never heard you bring a power if you have,

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Speaker 2: it's probably because women always wear the tight it depends

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Speaker 2: it looks like a superhero.

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Speaker 3: Well, you know what, I kind of hate and love,

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Speaker 3: I guess at the same time. I missed sun dresses.

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Speaker 3: And we'll get back to Coachella in a second. But remember,

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Speaker 3: like when Coachella comes second, Remember when sundresses worth thing?

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Speaker 3: And then one summer all chicks wanted to dress like

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Speaker 3: they were part of Swat. Yeah, it just changed.

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Speaker 2: Yea, the green leggings.

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Speaker 3: Yeah, you're all part of the fucking Swat team. Yeah,

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Speaker 3: and then I never saw a sun dress again.

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Speaker 2: Well, I think fashion Ova will take care of that

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Speaker 2: again this year. I think they last year they kind

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Speaker 2: of you know, all the women, what was it the

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Speaker 2: tight bodysuits that look with all the crescent moon crescents

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Speaker 2: all over them, that women will wear.

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Speaker 3: It looks sweaty to me. It doesn't look like it's

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Speaker 3: a proper summer attire, but they all seem to wear

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Speaker 3: it in the summer.

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Speaker 2: Yeah, and some of them look great though, so I'm

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Speaker 2: not mad at.

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Speaker 3: They look amazing, but again. And I'm not even on

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Speaker 3: the traditional ship because I love less clothing. I just

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Speaker 3: kind of missed it. And I know you guys dressed

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Speaker 3: for you and not for us. The summer dress, like

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Speaker 3: when it was poking and you had to like kind

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Speaker 3: of guess if it was under there or not. Does

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Speaker 3: she have it? Yeah?

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Speaker 2: You see her walking towards you, like she got it.

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Speaker 3: She miss that, man, I just miss she got it?

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Speaker 2: Oh if she don't, you like she cute though, But.

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Speaker 3: Just like that time when the sun dress came off,

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Speaker 3: You're like, oh, she has it, she has it. Just

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Speaker 3: that feeling is going to reveal.

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Speaker 2: It's like going to a car the showroom and you

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Speaker 2: know it's a nice car. You can see the layout

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Speaker 2: and then they ripped the fucking the cover off the car.

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Speaker 2: You're like, it's better than.

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Speaker 3: And then you get in the interior and you're like,

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Speaker 3: these leather seats are amazing.

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Speaker 2: It's amazing.

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Speaker 3: Smells. He did see absolutely, is he right? But you

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Speaker 3: said Grisella did a great job. Yeah, they brought out

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Speaker 3: the whole squad. Bodie came out. I met Stove gotten

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Speaker 3: person for the first time.

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Speaker 2: Shout out Stove though.

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Speaker 3: Yeah, a really good dude, I was there, obviously, the

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Speaker 3: three of them were. It was it was.

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Speaker 2: Fucking all the guys was there.

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Speaker 3: Yeah, it was really good.

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Speaker 2: I saw I saw some of the performances. It looked

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Speaker 2: like people were having a good time. It looked like

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Speaker 2: the artists were happy to be back, just in front

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Speaker 2: of people performing on stage.

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Speaker 3: Uh so shout out to Coachella.

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Speaker 2: Yeah so you was out West for a few days, man, Yeah,

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Speaker 2: but I didn't join this time. You know what I'm saying,

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Speaker 2: one half of the duo. You know, you had to

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Speaker 2: hold it down by yourself.

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Speaker 3: You did, you holler that Whack? I landed at one fifteen.

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Speaker 3: At one sixteen, Okay, as long as you I checked in, cool,

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Speaker 3: as long as you checked in with Whack. He was

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Speaker 3: busy this weekend though. He had his hands full, right,

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Speaker 3: A lot going on. I love the Internet. Oh god,

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Speaker 3: I don't even want to do a deep dive into

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Speaker 3: the mess that was happening. But it's it's but man,

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Speaker 3: is the internet fucking entertaining?

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Speaker 2: I love the Internet for a lot of reasons. Man,

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Speaker 2: But I you know, it's just sometimes we get caught

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Speaker 2: up in these uh and these spirals of just like

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Speaker 2: you know, just weird wold you know, crazy what is

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Speaker 2: this all about?

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Speaker 3: Type of shit?

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Speaker 2: Yeah, I think the culture was entrenched for a lot

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Speaker 2: of that in the last couple of weeks.

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Speaker 3: But but it was a different LA experience for me.

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Speaker 3: And I know, I'm sure our listeners are tired of

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Speaker 3: fucking hearing about our LA trips. But this one was

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Speaker 3: different because I had great food. Okay, never had that

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Speaker 3: in La in my life, unless I was eating Mexican food.

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Speaker 1: Well, you weren't technically in La, so that's probably.

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Speaker 2: Really you never had grateful in La.

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Speaker 3: No, everyone takes me to the fucking saddle ranch. Will relax,

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Speaker 3: that's my spot. That's my spot. Relax, saddle Ranch. I

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Speaker 3: am the saddle that's my ranch. That's Rory's ranch here.

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Speaker 3: You love that saddle Ranche.

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Speaker 2: But it's good food though.

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Speaker 3: See, everyone takes me to the trendy spots, like dog,

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Speaker 3: I've been to Beauty in Essex. I know what it

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Speaker 3: tastes like. I don't need to go there to the

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Speaker 3: real real spots. So I had amazing Korean barbecue, amazing

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Speaker 3: tie like I take back, I apologize, La. I show

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Speaker 3: on you guys for food a lot, and it's because

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Speaker 3: I've only stayed in fucking West Hollywood and went out

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Speaker 3: with people that are not from LA. So this time

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Speaker 3: I stayed. I won't say the location, but I stayed

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Speaker 3: in my man's house and he's from l A, like

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Speaker 3: for real.

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Speaker 2: So he show you some real spots.

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Speaker 3: Justice took me to an incredible Korean barbecue spot. Like,

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Speaker 3: I'm sorry, La, this is my formal apology. LA has

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Speaker 3: a good fucking amazing food.

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Speaker 2: Yeah, LA has good food, but you got to know

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Speaker 2: where to. You can't do too many of the trendy spots.

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Speaker 2: You gotta do the real real food spots.

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Speaker 3: Yeah, one spot I went to Anderson Pack owns. I

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Speaker 3: forgot the name. I look it up, but Anderson Pack

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Speaker 3: has an incredible restaurant.

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Speaker 2: Really I didn't know that.

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Speaker 3: Yeah, she was really good. It's in on a Venture

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Speaker 3: in Studio City. Okay, I highly recommend that. But yeah,

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Speaker 3: it was just a different l experience. And Coach Coachella

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Speaker 3: was what it was. I chell it and that was

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Speaker 3: about it. Vince had a great set because he's fresh

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Speaker 3: off the arena's here, so he had the same set

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Speaker 3: like he had the whole set, and that shit was great.

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Speaker 3: So shout out to me.

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Speaker 2: Shout out to Vince Stables, Shout out to all the

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Speaker 2: artists that touched the stage of Coachella. Shout out to

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Speaker 2: Coachella for another successful year. I've seen Snow legs some

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Speaker 2: of her set. She looked great.

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Speaker 3: Yeah, didn't catch it.

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Speaker 2: She looked great. Shout out to Snow. I think she's

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Speaker 2: still she might still be on tour as well too.

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Speaker 3: Well, what did you do because we had some days off?

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Speaker 3: We yea, Honestly, we doubled up on some episodes last

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Speaker 3: week and we had some time.

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Speaker 2: We had some time, and I enjoyed y'all told you,

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Speaker 2: I enjoyed every minute of just not being off, not

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Speaker 2: having to really like talk and see us.

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Speaker 3: You got so borede you had to do a juice cleanse.

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Speaker 2: Yeah, like I bring some little so you know what

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Speaker 2: it would take this time to do a cleanse, because

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Speaker 2: I know after this week off that we had, I

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Speaker 2: don't really have no time off like that, so I

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Speaker 2: try to take advantage of that.

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Speaker 3: Hose always wanted just cleanse.

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Speaker 2: No, I really needed it, though, man, because you think

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Speaker 2: about it, world, we've been doing this shit for six years,

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Speaker 2: almost NonStop, almost every week, uh, you know, and sometimes

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Speaker 2: you just get caught up and you kind of lose

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Speaker 2: yourself and you know, me just on auto pilot. So

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Speaker 2: you got to start dedicating.

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Speaker 3: More time to yourself and taking care of yourself. So listen, man,

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Speaker 3: I was you know, people put clips from the old

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Speaker 3: old podcast in my mentions in yours all the time.

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Speaker 3: When I was on tour with Paloza and we were

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Speaker 3: doing that podcast twice a week, I was fat as fuck. Yeah,

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Speaker 3: like I got fat?

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Speaker 2: Yeah, yeah I.

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Speaker 3: Didn't, cause you know, like you the last one that

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Speaker 3: like even really notice I'm not just well me at least,

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Speaker 3: I know there's people that notice every that's fucking thing

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Speaker 3: about themselves. It's weether the same. I did not know

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Speaker 3: I was that fat, Like, why how come no one

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Speaker 3: put me aside and say you are gaining a lot

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Speaker 3: of weight?

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Speaker 2: You know, It's just it's because it's a gradual thing,

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Speaker 2: you know what I'm saying.

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Speaker 1: Yeah, we just looked up one day and you were fat.

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Speaker 2: Yeah, it's kind of like you know what I mean,

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Speaker 2: Especially when you look back at a lot of the

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Speaker 2: old picks and footage, it's just like, oh my god,

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Speaker 2: I look like shit.

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Speaker 3: But dog, I was fucking on tour guzzling duce then

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Speaker 3: coming back to record twice.

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Speaker 2: A week, eating like shit late at night.

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Speaker 3: Every city we went to was a food city, like

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Speaker 3: I have to go get the best ship here, Like

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Speaker 3: I'm not going to go to Atlanta and eat a salad. Yeah,

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Speaker 3: so I got fat, man. I lost that way pretty

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Speaker 3: quick though. Yeah.

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Speaker 2: That's and that's why I wanted to do this just

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Speaker 2: ten day juice cleans, cause it's for a lot of things.

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Speaker 2: It's mentally, it's it's it's spiritually physically as well. But

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Speaker 2: it just teaches us sometime that we just gluttonous people.

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Speaker 2: You don't have to eat all day every day. You

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Speaker 2: don't have to go out to dinner every night. You

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Speaker 2: don't have to you know what I mean. It just

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Speaker 2: teaches you to focus yourself and connoscending yourself and you know,

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Speaker 2: just use your your timmy energy in other areas.

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Speaker 1: You're not working out on this clean No, okay, thank you.

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Speaker 3: I was like, are you uh socially performing? Yeah?

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Speaker 2: I mean I mean this is a socials is gonna

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Speaker 2: get no saying oh no, no, no, no, I can't.

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Speaker 3: Can you fuck on the clan? She have to be

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Speaker 3: on the cleonse to No, you.

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Speaker 2: Can but you're gonna you're gonna be very weak and

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Speaker 2: you might pass out.

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Speaker 3: Well, if she's on the cleinon too, you can just

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Speaker 3: both have an agreement this is gonna be terrible sex yeah, or.

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Speaker 2: Just face pass out. One of us is gonna pass out.

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Speaker 2: That's a lot emotion. Yeah, that's a lot of sexist

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Speaker 2: a lot. It's cardio, you know what I'm saying.

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Speaker 3: Well, if she I mean, if she loved and cared

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Speaker 3: for your health, she would just be on top. You

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Speaker 3: could just lay there.

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Speaker 2: Who wants that?

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Speaker 3: Rory me, I'll be tired sometimes.

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Speaker 2: Ye know what I mean too, But you gotta come

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Speaker 2: on now, you gotta put some work in though.

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Speaker 3: Speaking of being fat, I'm jealous of that. The big dudes, you.

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Speaker 2: Could do what I could. Pump from the bottom.

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Speaker 3: If you're at the bottom, you can you can pump

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Speaker 3: from the bottom, from the bottom, or you can.

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Speaker 2: First of all, Rory, don't ever look in you in

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Speaker 2: minds and tell me I could pump from the bottom.

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Speaker 3: I mean, you just gotta raise your hip hip hip raisers.

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Speaker 2: I don't want to get strong the marriage. I don't

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Speaker 2: want to do any hip raisers. I don't want to

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Speaker 2: do any pumping. I want to just do this juice

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Speaker 2: cleanse and just chill and relax.

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Speaker 3: But again, that's why I'm jealous.

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Speaker 2: Of like I'm going crazy after these ten days, you

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Speaker 2: hear me, bring the cameras, bring up your ed and

338
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Speaker 2: one day you're gonna get But we want to make

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Speaker 2: a record a sex.

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Speaker 3: Tape for me? Sick this hr will there be a

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Speaker 3: girl there? All right? I just didn't know you guys

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Speaker 3: didn't really guys really weren't specific. You've just invited ed.

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Speaker 2: I said, I want him to bring this record a

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Speaker 2: sex tape.

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Speaker 3: For me, but you were only talking to him.

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Speaker 2: He's the camera guy, but.

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Speaker 3: You didn't specify that that would be his role, and what.

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Speaker 1: You thought, I don't know.

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Speaker 3: Tell me what you thought. Edit Rose, Okay, if you're

350
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Speaker 3: knocket over that, he's definitely not the cameraman anymore. So

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Speaker 3: now this is even worse scenario.

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Speaker 2: Editing to come over to how set up the whole

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Speaker 2: tripod should give us the light. I need all these

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Speaker 2: lights to Editing, to pack all this sh up, and

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Speaker 2: I want to I want to say. I feel like

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Speaker 2: I feel like we should, as men, we should all.

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Speaker 3: Have a professional sex date.

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Speaker 2: I have real camera work, real lighting, real.

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Speaker 3: Angles, but we don't know our angles in four K.

360
00:14:11,679 --> 00:14:13,760
Speaker 3: We've never thought about our angles before, so that might

361
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Speaker 3: be a rude awakening when you rewatch the raw footage

362
00:14:16,200 --> 00:14:18,760
Speaker 3: no pun intended. Yeah, but you'll see a lot of

363
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Speaker 3: yourself that you didn't know you had.

364
00:14:20,440 --> 00:14:22,080
Speaker 2: Oh, I already know what's going on the here y,

365
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Speaker 2: I hate it.

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Speaker 3: There's just certain angles that I've never seen that There's

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Speaker 3: a reason why I haven't looked. Yeah, because I'm sure

368
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Speaker 3: it's not flattering.

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Speaker 2: Yeah, and under these lights is you know, you start

370
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Speaker 2: to see other ship you like, wait, that's my ass.

371
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Speaker 3: And then and then I'm gonna start feeling bad for

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Speaker 3: Shorty and like I actually might love her more, like wow,

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Speaker 3: you really you do this for me?

374
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Speaker 2: Yeah, like you love me for me?

375
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Speaker 3: Like it can bring us, It can bring us together.

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Speaker 2: Absolutely. That's why all men we need and you got

377
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Speaker 2: to bring the little red things too. So I know

378
00:14:45,400 --> 00:14:47,200
Speaker 2: which which cameras on that, Yeah, so I know which

379
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Speaker 2: way to look. Yeah, I need all of that.

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Speaker 3: I need all of that, but I don't I don't

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Speaker 3: even want to know what my sex faces look like.

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Speaker 1: So also that's what I was gonna ask. So you

383
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Speaker 1: guys have never had like a regular sex tape where

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Speaker 1: your face was in it.

385
00:14:57,840 --> 00:15:00,920
Speaker 3: I'm usually the one holding the phone. Yeah, sometimes she does,

386
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Speaker 3: but maybe it's just because my face.

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Speaker 2: I have one with my laptop. I recorded with my

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Speaker 2: laptop on the night stand.

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Speaker 3: I've done that before too. Yeah.

390
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Speaker 2: That was it.

391
00:15:09,840 --> 00:15:11,320
Speaker 3: That was I was That was a rookie.

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Speaker 2: Yeah what I was doing. The light was dark. It

393
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Speaker 2: was like, what is this ship?

394
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Speaker 1: Especially with the MacBook.

395
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Speaker 3: Yeah.

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Speaker 2: Yeah.

397
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Speaker 3: And see the thing with recording sex, though, I feel

398
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Speaker 3: like sometimes it takes away from it because then you

399
00:15:23,600 --> 00:15:25,200
Speaker 3: just start feeling like, oh, I got to smoke this

400
00:15:25,240 --> 00:15:28,560
Speaker 3: ship because it's on camera and one too much. And

401
00:15:28,640 --> 00:15:30,760
Speaker 3: when you're doing too much, sometimes it's not good sex.

402
00:15:30,800 --> 00:15:32,920
Speaker 3: It just looks and sounds better. Like I don't think

403
00:15:32,920 --> 00:15:35,040
Speaker 3: the porn stars are having good sex. They're having sex

404
00:15:35,080 --> 00:15:37,920
Speaker 3: that looks good. So when if the phone comes out,

405
00:15:37,960 --> 00:15:40,560
Speaker 3: I don't really think it's as pleasurable for either of us.

406
00:15:40,640 --> 00:15:42,960
Speaker 3: It's just now becomes all right when we watch this back.

407
00:15:43,960 --> 00:15:45,320
Speaker 3: But it looked like I'm smoking ship.

408
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Speaker 1: I've never had a sex tape and like the sound

409
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Speaker 1: of my own I don't like the sound of my

410
00:15:49,640 --> 00:15:51,920
Speaker 1: own voice on this podcast, but like the sound of

411
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Speaker 1: my own voice, it's disgusting.

412
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Speaker 2: Let me ask you something, as a woman, do you

413
00:15:55,760 --> 00:15:57,160
Speaker 2: hold the camera the.

414
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Speaker 3: Phone Horny podcast doing your sex tape? Like where you

415
00:16:00,680 --> 00:16:03,160
Speaker 3: do you put the flash on? I put the flash on,

416
00:16:03,280 --> 00:16:05,120
Speaker 3: putting the flash on it? I did that. One doesn't

417
00:16:05,200 --> 00:16:08,640
Speaker 3: doesn't compliment my pasty thighs that well, but sometimes it's needed.

418
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Speaker 2: You know, I really got an issue, Like I think

419
00:16:10,080 --> 00:16:11,440
Speaker 2: about some of the ship I've done in my life.

420
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Speaker 2: I'm really like a special person, man, I agree, even

421
00:16:14,640 --> 00:16:17,040
Speaker 2: trying to tell you like a special person like she

422
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Speaker 2: had that she was giving me head one time, this

423
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Speaker 2: girl man, and I turned the light on right in

424
00:16:20,560 --> 00:16:23,440
Speaker 2: her face and looking back, it was so funny because

425
00:16:23,440 --> 00:16:25,000
Speaker 2: she was like she still was trying to perform, but

426
00:16:25,040 --> 00:16:27,600
Speaker 2: she was like she was like, ah, she trying to

427
00:16:27,600 --> 00:16:29,800
Speaker 2: block the light. She didn't want to tell me to

428
00:16:29,840 --> 00:16:31,280
Speaker 2: cut it off, but she was kind of like, yo,

429
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Speaker 2: that she was killing me.

430
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Speaker 3: Speaking of my fat days, I definitely recorded some sex

431
00:16:35,760 --> 00:16:38,200
Speaker 3: when I was fat, and I looked back at it

432
00:16:38,240 --> 00:16:40,080
Speaker 3: thinking I was smoking her ship from behind. It just

433
00:16:40,080 --> 00:16:44,080
Speaker 3: just mad at my stomach, stomach hitting already just the

434
00:16:44,160 --> 00:16:46,480
Speaker 3: single I thought I was kidding. It was like my stomach,

435
00:16:46,520 --> 00:16:47,600
Speaker 3: it's the stomach hitting ass.

436
00:16:47,600 --> 00:16:51,120
Speaker 2: That's all like clapping it really doing already. So you

437
00:16:51,160 --> 00:16:55,760
Speaker 2: said Coachella was great, it was amazing. Yeah, man, I

438
00:16:55,800 --> 00:16:56,960
Speaker 2: haven't really seen the hose out there.

439
00:16:57,000 --> 00:16:59,040
Speaker 3: Well backstage there was, but oh you know that they

440
00:16:59,080 --> 00:17:01,360
Speaker 3: don't really bring they don't. Coach doesn't really bring them out.

441
00:17:01,560 --> 00:17:03,680
Speaker 2: Yeah, no, it's a it's a no. They bring them out.

442
00:17:03,720 --> 00:17:06,640
Speaker 2: But it's a different type because I know a few

443
00:17:07,119 --> 00:17:08,120
Speaker 2: women that was there and.

444
00:17:08,080 --> 00:17:10,399
Speaker 3: There backstage they was there, Yeah, the ones that were

445
00:17:10,440 --> 00:17:13,480
Speaker 3: invited with the off cardists, but yeah, you know, the.

446
00:17:14,160 --> 00:17:20,080
Speaker 2: Peasants, the gay, the gas general ad.

447
00:17:20,080 --> 00:17:21,760
Speaker 3: Listen, man I was. I was walking through GA most

448
00:17:21,760 --> 00:17:24,000
Speaker 3: of the time. And because a lot of coach this

449
00:17:24,440 --> 00:17:26,679
Speaker 3: is not our crowd, which I loved.

450
00:17:26,840 --> 00:17:29,960
Speaker 2: This is an unspoken about art about sitting or standing

451
00:17:30,000 --> 00:17:33,960
Speaker 2: in GA. Like you you receive the art differently, you

452
00:17:34,040 --> 00:17:36,920
Speaker 2: receive the show differently. You just have to find the

453
00:17:37,000 --> 00:17:38,720
Speaker 2: right spot to stand in GA.

454
00:17:38,840 --> 00:17:41,600
Speaker 3: Oh emotional oranges. I watched from the crowd. I wanted

455
00:17:41,640 --> 00:17:44,880
Speaker 3: to see the whole show, fucking every screen artist.

456
00:17:45,000 --> 00:17:46,520
Speaker 2: I really like it, like I want to not I

457
00:17:46,600 --> 00:17:47,400
Speaker 2: want to see the show.

458
00:17:47,440 --> 00:17:47,560
Speaker 3: Bro.

459
00:17:47,600 --> 00:17:47,920
Speaker 2: I don't.

460
00:17:47,920 --> 00:17:48,200
Speaker 3: Don't.

461
00:17:48,480 --> 00:17:50,359
Speaker 2: Don't invite me to your show and have me standing

462
00:17:50,640 --> 00:17:52,560
Speaker 2: off the stage. Then I watched the Yeah, like I

463
00:17:52,560 --> 00:17:53,880
Speaker 2: want to I want to stand out in the crowd.

464
00:17:53,880 --> 00:17:54,640
Speaker 2: I want to see your show.

465
00:17:54,720 --> 00:17:56,120
Speaker 1: Did anybody recognize you? Rory?

466
00:17:57,160 --> 00:17:59,919
Speaker 3: Very few that it's not really backstage. Yeah, it's Coachell,

467
00:18:00,160 --> 00:18:03,119
Speaker 3: but that white it's not really our crowd. Which I

468
00:18:03,160 --> 00:18:05,280
Speaker 3: loved because I could spend most of the time in

469
00:18:05,400 --> 00:18:07,360
Speaker 3: Jen and not that I'm fucking famous or anything, but

470
00:18:07,720 --> 00:18:10,560
Speaker 3: at certain festivals it does become a bit annoying when

471
00:18:10,560 --> 00:18:12,560
Speaker 3: I'm trying to get to a stage to watch some

472
00:18:12,640 --> 00:18:15,760
Speaker 3: ship yeah, and everyone's either drunk or on drugs and

473
00:18:15,840 --> 00:18:18,960
Speaker 3: thinks we're best friends. And like they don't even do

474
00:18:19,000 --> 00:18:20,399
Speaker 3: the they don't even ask for the photo. They just

475
00:18:20,400 --> 00:18:22,440
Speaker 3: put their arm around me and just just go yeah.

476
00:18:22,880 --> 00:18:23,920
Speaker 3: I'm like, oh, it's a video.

477
00:18:25,119 --> 00:18:26,639
Speaker 2: Now, you're taking this whether you want to or not.

478
00:18:26,720 --> 00:18:29,560
Speaker 3: Fan. That's why I watch Grizelda from behind the stage exactly.

479
00:18:29,760 --> 00:18:33,720
Speaker 2: Speaking of best friends, is is Elon Musk now the

480
00:18:34,160 --> 00:18:35,520
Speaker 2: greatest best friend in the world?

481
00:18:36,440 --> 00:18:40,800
Speaker 3: Who's he friends with? Well, it's been reported to Trump thing.

482
00:18:41,000 --> 00:18:45,240
Speaker 2: No, no, no, not yet. It's been reported that Elon

483
00:18:45,320 --> 00:18:47,679
Speaker 2: Musk has purchased Twitter for forty four billion.

484
00:18:49,640 --> 00:18:51,920
Speaker 3: Liquid chilling, liquid cash, just chilling.

485
00:18:52,280 --> 00:18:56,600
Speaker 2: Took seven escalades to oh no, Cadillac lyrics to pull

486
00:18:56,600 --> 00:18:57,200
Speaker 2: the money up.

487
00:18:57,160 --> 00:19:01,320
Speaker 3: In forty four million, it's forty four billion. If you

488
00:19:01,359 --> 00:19:03,239
Speaker 3: think Twitter costs forty four million, you got Twitter fun.

489
00:19:03,320 --> 00:19:05,240
Speaker 3: I'm buying Twitter if it's forty Me and my friend's

490
00:19:05,240 --> 00:19:05,920
Speaker 3: gonna get that money.

491
00:19:06,040 --> 00:19:07,720
Speaker 2: Forty four billion that he paid for Twitter.

492
00:19:08,640 --> 00:19:10,400
Speaker 3: You think Twitter was forty four million dollars?

493
00:19:10,560 --> 00:19:12,400
Speaker 2: No, you didn't think that. There's no way you think.

494
00:19:12,359 --> 00:19:15,200
Speaker 3: Famn clubhouse the first day was worth a beat?

495
00:19:15,880 --> 00:19:18,119
Speaker 2: Yeah, you don't think that Twitter's were forty four million?

496
00:19:18,119 --> 00:19:18,359
Speaker 3: Do you?

497
00:19:18,480 --> 00:19:18,600
Speaker 1: Like?

498
00:19:18,680 --> 00:19:20,600
Speaker 3: Literally, I thought forty four billion was low.

499
00:19:20,840 --> 00:19:23,040
Speaker 1: I wrote forty four billion down, But like when you

500
00:19:23,080 --> 00:19:24,320
Speaker 1: said it, it's just like such a.

501
00:19:24,440 --> 00:19:25,000
Speaker 3: Just can't believe that.

502
00:19:25,520 --> 00:19:29,640
Speaker 2: Just callon right by the way, yea, yeah, yeah, yeah,

503
00:19:29,640 --> 00:19:31,119
Speaker 2: he got he got money left over. That was just

504
00:19:31,160 --> 00:19:34,520
Speaker 2: pocket change. But I say that Elon Musk is the

505
00:19:34,520 --> 00:19:36,280
Speaker 2: greatest best friend in the world because.

506
00:19:36,080 --> 00:19:38,560
Speaker 3: I'm I'm I believe that Elon.

507
00:19:38,400 --> 00:19:43,760
Speaker 2: Musk only purchased Twitter because they suspended Kanye's account and

508
00:19:43,800 --> 00:19:45,680
Speaker 2: he wanted freedom of speech. He wanted Kanye to be

509
00:19:45,720 --> 00:19:48,920
Speaker 2: allowed to speak, so he purchased the platform. And now

510
00:19:49,000 --> 00:19:50,959
Speaker 2: Kanye will have his account and will be able to

511
00:19:51,280 --> 00:19:52,720
Speaker 2: speak freely the way he wants.

512
00:19:52,840 --> 00:19:56,359
Speaker 3: Oh your your party was going crazy over the weekend.

513
00:19:56,400 --> 00:19:59,720
Speaker 2: I'm just saying that's what I Fox News was.

514
00:19:59,560 --> 00:20:01,080
Speaker 3: It was a circus. I'm just saying.

515
00:20:01,480 --> 00:20:04,840
Speaker 2: Elon must didn't have any talks of purchasing Twitter before

516
00:20:04,880 --> 00:20:06,560
Speaker 2: they suspended Kanye's account.

517
00:20:06,920 --> 00:20:07,560
Speaker 3: That could be it.

518
00:20:07,840 --> 00:20:10,919
Speaker 2: And and Kanye have been together multiple times, chilling. You know,

519
00:20:10,960 --> 00:20:14,679
Speaker 2: he went to the show some Sunday services. He has

520
00:20:14,760 --> 00:20:16,040
Speaker 2: them on text, you know, that's.

521
00:20:15,840 --> 00:20:18,280
Speaker 3: His Guylon was like, oh Pete bought a ferry.

522
00:20:18,520 --> 00:20:23,960
Speaker 2: Yeah watch this show. Yeah, I'll buy the whole platform.

523
00:20:25,200 --> 00:20:28,200
Speaker 3: He bought so enjoyed the stat isn't stand down ferry free? Yeah?

524
00:20:28,240 --> 00:20:31,280
Speaker 2: Absolutely, so he bought. He bought, He bought Twitter, the

525
00:20:31,440 --> 00:20:34,119
Speaker 2: entire platform. He now owns it. And I believe he

526
00:20:34,160 --> 00:20:36,680
Speaker 2: only did it. He says freedom of speech and all

527
00:20:36,680 --> 00:20:37,840
Speaker 2: of that, that was part of his thing. And I

528
00:20:37,840 --> 00:20:39,800
Speaker 2: think he only did it because Kanye was banned. It

529
00:20:39,800 --> 00:20:43,240
Speaker 2: wasn't allowed to to tweet freely. And now Kanye will

530
00:20:43,240 --> 00:20:44,200
Speaker 2: be able to tweet freely.

531
00:20:44,359 --> 00:20:46,320
Speaker 3: Well, how do you feel we don't have to get

532
00:20:46,320 --> 00:20:47,119
Speaker 3: too political?

533
00:20:47,960 --> 00:20:48,400
Speaker 1: Good luck?

534
00:20:48,920 --> 00:20:51,720
Speaker 3: But how do you feel about that purchase being based

535
00:20:51,760 --> 00:20:55,240
Speaker 3: off people being able to say whatever they want on Twitter?

536
00:20:56,280 --> 00:20:58,639
Speaker 2: I like it. I like the fact that, you know,

537
00:20:58,720 --> 00:21:00,880
Speaker 2: Elon made that clear, like you know, that was part

538
00:21:00,920 --> 00:21:02,640
Speaker 2: of the reason why it was. Like, you know, freedom

539
00:21:02,640 --> 00:21:04,840
Speaker 2: of speech is something that we should you know, hold

540
00:21:04,880 --> 00:21:08,080
Speaker 2: on to and cherish and support no matter what people

541
00:21:08,119 --> 00:21:09,720
Speaker 2: are saying, you know what I mean, Like people should

542
00:21:09,760 --> 00:21:13,240
Speaker 2: be able to speak freely. And you know, I think

543
00:21:13,280 --> 00:21:15,719
Speaker 2: that it's a great move. I think that Elon, you know,

544
00:21:15,800 --> 00:21:17,320
Speaker 2: this was a smart move, a great move.

545
00:21:17,560 --> 00:21:18,080
Speaker 3: I know that.

546
00:21:18,800 --> 00:21:21,399
Speaker 2: You know, when you have that much money, you know,

547
00:21:21,520 --> 00:21:25,159
Speaker 2: things like this are more personal when you want to

548
00:21:25,200 --> 00:21:28,640
Speaker 2: buy an entire social media platform, it's a personal thing

549
00:21:28,680 --> 00:21:29,040
Speaker 2: behind it.

550
00:21:29,800 --> 00:21:32,879
Speaker 3: Well, and here's the thing. I am fully on the

551
00:21:32,920 --> 00:21:38,119
Speaker 3: free speech side, but I will say the amount of

552
00:21:38,200 --> 00:21:43,800
Speaker 3: misinformation that could be put out to impressionable people needs

553
00:21:43,840 --> 00:21:50,600
Speaker 3: to somehow be filtered in some degree because now, because

554
00:21:50,600 --> 00:21:53,080
Speaker 3: I mean, so much of what Twitter was doing before,

555
00:21:53,280 --> 00:21:56,360
Speaker 3: whether I agreed or not on certain stuff, was suspending

556
00:21:56,400 --> 00:22:00,199
Speaker 3: people that were either saying racist stuff, violent stuff, uh,

557
00:22:00,880 --> 00:22:05,440
Speaker 3: misinformation about health, misinformation about politics, misinformation. That's what they

558
00:22:05,440 --> 00:22:08,600
Speaker 3: were doing, which to some degree I do agree with.

559
00:22:08,720 --> 00:22:12,280
Speaker 3: Because people are so impressionable. People are stupid. Let me

560
00:22:12,320 --> 00:22:14,920
Speaker 3: not try to share colthors. People are dumb. A lot

561
00:22:14,920 --> 00:22:18,080
Speaker 3: of people are fucking dumb, and they're impressionable. And Twitter

562
00:22:18,119 --> 00:22:21,240
Speaker 3: allows you to go to the one person when you're

563
00:22:21,240 --> 00:22:24,199
Speaker 3: an impressiable person, to the one person you idolize, and

564
00:22:24,200 --> 00:22:27,359
Speaker 3: when they say go do something, and if it's violent,

565
00:22:27,440 --> 00:22:28,239
Speaker 3: they might go do it.

566
00:22:30,480 --> 00:22:31,800
Speaker 2: Trump didn't have anything to do with that.

567
00:22:31,880 --> 00:22:35,159
Speaker 3: Listen, Oh my god, listen. I know you loved your

568
00:22:35,160 --> 00:22:37,440
Speaker 3: tour of the Capitol that day, but it was he

569
00:22:37,440 --> 00:22:38,159
Speaker 3: He told you how to do it.

570
00:22:38,200 --> 00:22:39,840
Speaker 2: Had a great time, had a great time. I had

571
00:22:39,840 --> 00:22:41,800
Speaker 2: my Nike text shot and I was in there go crazy.

572
00:22:42,240 --> 00:22:45,240
Speaker 3: Oh but you know you're in the Capitol in a

573
00:22:45,280 --> 00:22:45,840
Speaker 3: Nike text.

574
00:22:46,640 --> 00:22:48,520
Speaker 2: The freedom of speech thing is with the good old

575
00:22:48,520 --> 00:22:51,280
Speaker 2: boys of the good old American boy ass.

576
00:22:51,600 --> 00:22:53,200
Speaker 3: But yeah, they call pride boys.

577
00:22:53,280 --> 00:22:55,719
Speaker 2: Proud boys, I think is what they call them. But

578
00:22:56,000 --> 00:22:59,520
Speaker 2: I understand that. You know, sometimes miss misinformation spreads quickly,

579
00:23:00,080 --> 00:23:01,719
Speaker 2: but even if both sides too.

580
00:23:01,760 --> 00:23:04,320
Speaker 3: By the way, I think Democrats and Republicans give people

581
00:23:04,359 --> 00:23:05,879
Speaker 3: misinformation constantly.

582
00:23:05,560 --> 00:23:08,919
Speaker 2: All the time. But I think that sometimes you have

583
00:23:08,960 --> 00:23:14,359
Speaker 2: to put the responsibility on the people to know or

584
00:23:14,400 --> 00:23:15,760
Speaker 2: to find the truth.

585
00:23:15,840 --> 00:23:17,439
Speaker 3: Oh, we're fucked if we do that.

586
00:23:17,560 --> 00:23:20,080
Speaker 2: I mean, you know, we do it now. Subconsciously we

587
00:23:20,119 --> 00:23:22,160
Speaker 2: go we make sure if we hear something we say nah.

588
00:23:22,359 --> 00:23:25,120
Speaker 2: We go to whatever sites, whatever pages we know is credible,

589
00:23:25,520 --> 00:23:27,280
Speaker 2: and we say nah if it's not there. Like when

590
00:23:27,320 --> 00:23:30,919
Speaker 2: news is reported about celebrities, we don't believe in until

591
00:23:31,280 --> 00:23:32,800
Speaker 2: a TMZ or somebody reports it.

592
00:23:33,240 --> 00:23:37,280
Speaker 3: Okay, but it's gotten to the point where a large

593
00:23:37,359 --> 00:23:43,040
Speaker 3: chunk of people forty five percent and another forty five

594
00:23:43,040 --> 00:23:46,720
Speaker 3: percent one listens to every last thing Fox News will say,

595
00:23:46,840 --> 00:23:50,320
Speaker 3: one listens to every last thing CNN will say both

596
00:23:50,400 --> 00:23:52,080
Speaker 3: CNN and Fox are fucking liars.

597
00:23:52,280 --> 00:23:53,120
Speaker 2: Then there's the teody.

598
00:23:53,160 --> 00:23:55,360
Speaker 3: Then there's the ten percent, which I might even be

599
00:23:56,800 --> 00:23:59,199
Speaker 3: giving a lot of grace on the ten percent that

600
00:23:59,240 --> 00:24:01,480
Speaker 3: will actually go do research to see what it's true.

601
00:24:01,560 --> 00:24:06,080
Speaker 3: That might actually lower that to one percent. So forty

602
00:24:06,200 --> 00:24:10,280
Speaker 3: nine nine whatever that math would have to be one percent,

603
00:24:10,320 --> 00:24:13,600
Speaker 3: I think. Does what you're saying. Yeah, But so most

604
00:24:13,600 --> 00:24:16,040
Speaker 3: people see the headline from the news that they watch,

605
00:24:16,080 --> 00:24:17,919
Speaker 3: and they watch only and believe everything they say and

606
00:24:17,920 --> 00:24:18,480
Speaker 3: say that's fact.

607
00:24:18,960 --> 00:24:21,240
Speaker 2: Yep, yeah, so that's so so so Again back to

608
00:24:21,280 --> 00:24:23,400
Speaker 2: the freedom of speech thing, it really comes down.

609
00:24:23,240 --> 00:24:24,960
Speaker 3: To the type of people that we're talking about.

610
00:24:25,640 --> 00:24:27,640
Speaker 2: Some people want to find the truth. Some people want

611
00:24:27,680 --> 00:24:29,840
Speaker 2: to know the truth. Some people just go with whatever's

612
00:24:29,840 --> 00:24:30,480
Speaker 2: being reported.

613
00:24:30,720 --> 00:24:32,359
Speaker 3: Most people just want to be on a team.

614
00:24:32,920 --> 00:24:36,520
Speaker 2: That too, But I think that this move is I mean,

615
00:24:36,520 --> 00:24:40,040
Speaker 2: it's iconic. It's we've never I don't think we've seen

616
00:24:41,400 --> 00:24:44,119
Speaker 2: one man spend this much money on a platform, not

617
00:24:44,160 --> 00:24:45,800
Speaker 2: a social media platform that we use.

618
00:24:46,080 --> 00:24:47,720
Speaker 3: Yeah, I mean, we could be wrong because we're not

619
00:24:47,760 --> 00:24:51,159
Speaker 3: tech people. But as far as it being in the public, like,

620
00:24:51,240 --> 00:24:52,239
Speaker 3: y yeah, this is so.

621
00:24:52,280 --> 00:24:55,679
Speaker 2: This is something that I don't think we've seen. It's

622
00:24:55,720 --> 00:24:59,359
Speaker 2: a Elon definitely stamped it, like yo, listen, I'm that guy.

623
00:25:00,200 --> 00:25:04,160
Speaker 3: Wait, does this mean Elon owns a title? Does Elliott

624
00:25:04,160 --> 00:25:04,960
Speaker 3: work for Elon? Now?

625
00:25:05,400 --> 00:25:07,080
Speaker 2: I don't think. I don't think it means that. I

626
00:25:07,119 --> 00:25:08,560
Speaker 2: think we would have we would have known that would

627
00:25:08,560 --> 00:25:08,840
Speaker 2: have been right.

628
00:25:08,840 --> 00:25:10,440
Speaker 3: If Elliot didn't get a test I'm gonna be mad.

629
00:25:10,720 --> 00:25:12,280
Speaker 2: Elliott has to get a tesla.

630
00:25:12,640 --> 00:25:15,159
Speaker 3: I think on signing there. Yeah, that's his chaining there.

631
00:25:15,359 --> 00:25:16,919
Speaker 3: They have to give him to give him a tesla.

632
00:25:17,320 --> 00:25:20,000
Speaker 3: He can tweet from the tesla from the screen right there.

633
00:25:20,400 --> 00:25:22,720
Speaker 3: He can do which I love and Elliott I'm sorry

634
00:25:22,720 --> 00:25:24,400
Speaker 3: I forgot the name, but I love his platform when

635
00:25:24,400 --> 00:25:27,080
Speaker 3: he drives in the car with the artists the car

636
00:25:27,119 --> 00:25:29,200
Speaker 3: test cart. Yes, he can do that in the tesla

637
00:25:29,240 --> 00:25:32,679
Speaker 3: absolutely with Elon driving, absolutely and get a what's his

638
00:25:32,760 --> 00:25:34,960
Speaker 3: name out the paint with carry car carrioaky ship.

639
00:25:35,960 --> 00:25:37,320
Speaker 2: I love car Carry.

640
00:25:37,320 --> 00:25:41,080
Speaker 3: That's a great show that I watched. That.

641
00:25:41,080 --> 00:25:43,800
Speaker 2: That's a great shows are on there.

642
00:25:44,200 --> 00:25:47,680
Speaker 3: Oh my god, iconic. So yeah. Shout out to Elon

643
00:25:47,800 --> 00:25:48,240
Speaker 3: musk Man.

644
00:25:48,440 --> 00:25:50,199
Speaker 2: He said now he wants to buy pep sheet on

645
00:25:50,280 --> 00:25:52,040
Speaker 2: the Coca Cola to put the cocaine back in it.

646
00:25:52,800 --> 00:25:55,320
Speaker 2: I believe it is what he tweeted. I want to

647
00:25:55,320 --> 00:25:57,159
Speaker 2: I'm gonna buy Coca Cola next so I can put

648
00:25:57,160 --> 00:25:58,040
Speaker 2: the cocaine back in it.

649
00:25:58,240 --> 00:25:58,840
Speaker 3: Listen to Elon.

650
00:25:58,880 --> 00:26:01,880
Speaker 2: If you need that food at uncut, you know how

651
00:26:02,240 --> 00:26:04,000
Speaker 2: me I will high at somebody and know somebody and

652
00:26:04,119 --> 00:26:05,280
Speaker 2: know somebody about doing something.

653
00:26:05,359 --> 00:26:07,960
Speaker 3: Could drive it from Mexico in the tesla through the border.

654
00:26:08,280 --> 00:26:11,760
Speaker 2: Our great translator, Mexican translator Eddin in the bay.

655
00:26:12,960 --> 00:26:15,600
Speaker 3: I saw all those all those fake Elon tweets were

656
00:26:15,600 --> 00:26:18,119
Speaker 3: actually hysterical. I've seen one that said, just bought Twitter,

657
00:26:18,160 --> 00:26:20,920
Speaker 3: buying Facebook, next deleting both, go outside and live your life.

658
00:26:22,920 --> 00:26:24,040
Speaker 2: I love it, man, I love it.

659
00:26:24,080 --> 00:26:26,320
Speaker 3: But I guess saw everyone up in arms. Uh even

660
00:26:26,359 --> 00:26:28,760
Speaker 3: just on the timeline with the Elon ship, like it's

661
00:26:28,800 --> 00:26:32,240
Speaker 3: not really going to affect your lives. Say no, and

662
00:26:32,280 --> 00:26:34,439
Speaker 3: all the people that the same people that said if

663
00:26:34,440 --> 00:26:37,840
Speaker 3: Trump get elected, I'm leaving the country. Stayed for all

664
00:26:37,840 --> 00:26:41,399
Speaker 3: four years, still here. If Elon bys this, I'm off Twitter. Meanwhile,

665
00:26:41,400 --> 00:26:42,800
Speaker 3: they're treating about I can't.

666
00:26:43,800 --> 00:26:45,399
Speaker 2: Yeah, I've seen a lot of people saying they're deleting

667
00:26:45,440 --> 00:26:47,800
Speaker 2: their account because Elon Musk owns it. Now, like, what

668
00:26:47,880 --> 00:26:48,560
Speaker 2: does that mean?

669
00:26:48,640 --> 00:26:51,520
Speaker 3: Why are you? Granted I don't know Jack, but what

670
00:26:51,520 --> 00:26:55,560
Speaker 3: what gave y'all like was your man like difference in that?

671
00:26:55,640 --> 00:26:56,919
Speaker 3: But Jack had a beard.

672
00:26:56,960 --> 00:26:59,080
Speaker 2: Oh it's fucking weird, man, but whatever.

673
00:26:59,280 --> 00:27:03,040
Speaker 3: Uh. New music, a lot of new music.

674
00:27:03,040 --> 00:27:05,240
Speaker 2: Got a lot of new music, a lot of new music.

675
00:27:05,760 --> 00:27:06,360
Speaker 2: Push your tea?

676
00:27:06,560 --> 00:27:08,960
Speaker 3: Can we start We're gonna talk about push, but where

677
00:27:08,960 --> 00:27:12,840
Speaker 3: you wanna start with in relation to push your tea? Okay,

678
00:27:15,080 --> 00:27:19,040
Speaker 3: we'll get to push you, but we do need to

679
00:27:19,040 --> 00:27:24,439
Speaker 3: speak about his older brother real quick? Mm hmm. I

680
00:27:24,440 --> 00:27:26,840
Speaker 3: don't have brothers, but I can imagine sometimes your older

681
00:27:26,840 --> 00:27:29,960
Speaker 3: brother comes in and just reminds you that he is

682
00:27:31,280 --> 00:27:34,440
Speaker 3: new designer drugs and emotions. I don't jin. I don't

683
00:27:34,520 --> 00:27:38,560
Speaker 3: hell cats do how you start a verse that way?

684
00:27:39,359 --> 00:27:40,600
Speaker 2: I don't hell cats.

685
00:27:41,880 --> 00:27:45,120
Speaker 3: Tell me what I missed design and drugs and emotions.

686
00:27:45,119 --> 00:27:47,840
Speaker 3: I don't get that's your return verse. That's how you

687
00:27:47,840 --> 00:27:52,560
Speaker 3: pop it off. No Malice is in. I'm sorry, No Malice,

688
00:27:52,600 --> 00:27:54,120
Speaker 3: Well he's actually labels mouse here.

689
00:27:55,520 --> 00:27:59,439
Speaker 4: Tell me what I missed new designer drugs and emotions.

690
00:27:58,880 --> 00:27:59,400
Speaker 1: Out, don jin.

691
00:28:00,040 --> 00:28:02,880
Speaker 4: I don't hell cats still paddle win our ship viet

692
00:28:02,960 --> 00:28:04,040
Speaker 4: non flashbacks.

693
00:28:04,080 --> 00:28:05,399
Speaker 3: I get triggered by a sniff.

694
00:28:05,720 --> 00:28:08,040
Speaker 4: Today's top fives only strengthened in my.

695
00:28:08,080 --> 00:28:13,359
Speaker 3: Midst nor malice, all right, maybe I'm nerding out on

696
00:28:13,359 --> 00:28:13,640
Speaker 3: the ship.

697
00:28:13,760 --> 00:28:16,120
Speaker 2: Some say he raps better than pushing. I was never

698
00:28:16,240 --> 00:28:18,200
Speaker 2: I was never on that train, but.

699
00:28:18,240 --> 00:28:19,920
Speaker 3: Most people at the time when CLIPS was around with

700
00:28:20,000 --> 00:28:24,800
Speaker 3: say malice is better. I think push got better, as

701
00:28:24,840 --> 00:28:31,320
Speaker 3: in like obviously Malice retired. But I think, well, no,

702
00:28:31,440 --> 00:28:33,920
Speaker 3: he's back, and this ain't Kingdom come long?

703
00:28:34,000 --> 00:28:37,399
Speaker 4: Gonna brush more just from chiseling the bridge, still fighting

704
00:28:37,480 --> 00:28:40,280
Speaker 4: deep and see that curses now my gift secrets out

705
00:28:40,320 --> 00:28:42,640
Speaker 4: with me. That's as deep as the abyss. That is

706
00:28:42,720 --> 00:28:46,320
Speaker 4: no coincidence. When now what's in the mix opened up.

707
00:28:46,240 --> 00:28:49,080
Speaker 2: Your nose and for people this is put into context.

708
00:28:49,120 --> 00:28:53,400
Speaker 2: We have to put in context this malice.

709
00:28:52,720 --> 00:28:54,160
Speaker 3: So my soa co exists.

710
00:28:54,360 --> 00:28:56,320
Speaker 2: But heaven know we not on the rights to this.

711
00:28:56,400 --> 00:28:59,920
Speaker 3: Song in a suit and time, like listen on the rig.

712
00:29:00,480 --> 00:29:03,760
Speaker 4: Three record deals showed me ignorance was bliss. Trying to

713
00:29:03,800 --> 00:29:05,880
Speaker 4: milk a game that is only two percent.

714
00:29:07,200 --> 00:29:09,000
Speaker 3: That might be the hardest bar of the year, trying

715
00:29:09,000 --> 00:29:10,880
Speaker 3: to milk the game. That's three record deals to show

716
00:29:10,920 --> 00:29:13,840
Speaker 3: that ignorance is bliss trying to milk Come on, trying

717
00:29:13,840 --> 00:29:15,760
Speaker 3: to milk the game that you only get two percent,

718
00:29:17,040 --> 00:29:20,280
Speaker 3: though I need a whole malice, malice, not not the malice.

719
00:29:20,280 --> 00:29:23,600
Speaker 3: Even though he smoked the Jesus is King first because

720
00:29:23,600 --> 00:29:24,800
Speaker 3: he was on he was on one of them Kanye

721
00:29:24,840 --> 00:29:28,440
Speaker 3: gospel shits. His verse was great. He was no malice

722
00:29:28,480 --> 00:29:30,320
Speaker 3: on the Kanye shit. He's malice.

723
00:29:30,800 --> 00:29:33,120
Speaker 2: He's back to malice, malice in the palace.

724
00:29:34,880 --> 00:29:38,000
Speaker 3: He fucking spased on that ship. I listen.

725
00:29:38,080 --> 00:29:41,480
Speaker 2: I always thought Malice was dope. You know, obviously the

726
00:29:41,520 --> 00:29:45,200
Speaker 2: Clips one of the best groups ever, but I was

727
00:29:45,320 --> 00:29:47,440
Speaker 2: I never felt like he raped better than Pushed, though

728
00:29:47,560 --> 00:29:49,000
Speaker 2: I was never part of that crowd.

729
00:29:49,560 --> 00:29:49,960
Speaker 3: Mm hmm.

730
00:29:50,560 --> 00:29:54,760
Speaker 2: And not to compare the two, but to compare the two, I.

731
00:29:54,640 --> 00:29:56,440
Speaker 3: Think on the first album, I think Malice might have

732
00:29:57,000 --> 00:29:57,560
Speaker 3: been better.

733
00:29:58,920 --> 00:30:00,080
Speaker 2: Yeah, first album, I I.

734
00:30:00,040 --> 00:30:03,360
Speaker 3: Would think so. Again, I think Push got better. I

735
00:30:03,400 --> 00:30:05,720
Speaker 3: think Push is the better rapper. And again he has

736
00:30:06,240 --> 00:30:09,640
Speaker 3: been rapping longer, but in the beginning, Yeah, I think

737
00:30:09,680 --> 00:30:14,200
Speaker 3: it was Malice was better. Okay, but Push now, even

738
00:30:14,240 --> 00:30:16,360
Speaker 3: though that Males verse is fucking insane. I don't think

739
00:30:16,400 --> 00:30:20,560
Speaker 3: Miles could rap simply off being retired and not rapping

740
00:30:20,600 --> 00:30:22,960
Speaker 3: all the time the way Push can. But we can't

741
00:30:22,960 --> 00:30:24,120
Speaker 3: get to Push now. I just want to start with

742
00:30:24,160 --> 00:30:27,720
Speaker 3: that Males verse because it's sucking insane. It's almost dry.

743
00:30:28,280 --> 00:30:32,080
Speaker 3: Push a tea, I know, I know, the podcast consumer.

744
00:30:32,440 --> 00:30:35,960
Speaker 2: Yeah, they're gonna.

745
00:30:35,840 --> 00:30:37,600
Speaker 3: Just they're gonna hate me because I'm not coming here

746
00:30:37,640 --> 00:30:40,160
Speaker 3: to shit on an album and I'm here to dick

747
00:30:40,280 --> 00:30:43,680
Speaker 3: rode by by their turn. This Push the t album

748
00:30:43,840 --> 00:30:46,719
Speaker 3: is really really really really really really good. I actually

749
00:30:46,760 --> 00:30:49,640
Speaker 3: don't think people are talking about it enough the way

750
00:30:49,800 --> 00:30:53,240
Speaker 3: they should, the way they talked about Daytona. I'm confused

751
00:30:53,240 --> 00:30:56,320
Speaker 3: why they're not talking about this the same way.

752
00:30:56,440 --> 00:30:57,480
Speaker 1: So you like this more?

753
00:30:57,760 --> 00:31:00,120
Speaker 3: I think this is better than Daytona. I knew. I

754
00:31:00,120 --> 00:31:03,040
Speaker 3: think this is better than I know that's off the

755
00:31:03,080 --> 00:31:03,680
Speaker 3: one week.

756
00:31:03,840 --> 00:31:05,840
Speaker 1: I think the bars are better than Daytona. I like

757
00:31:05,920 --> 00:31:07,360
Speaker 1: Daytona's song structure.

758
00:31:07,760 --> 00:31:10,400
Speaker 3: No, I think Daytona is incredible, like I love Daytona.

759
00:31:10,480 --> 00:31:14,320
Speaker 3: I just think I just think this is a better album.

760
00:31:14,640 --> 00:31:16,800
Speaker 2: I think that the production on this, this is this

761
00:31:16,880 --> 00:31:19,640
Speaker 2: is this is PUSH's best produced album. This is his

762
00:31:19,680 --> 00:31:25,960
Speaker 2: best sounded album. I think that I like Daytona a

763
00:31:26,000 --> 00:31:29,760
Speaker 2: little more. I think he rapped it better on Daytona.

764
00:31:30,000 --> 00:31:32,560
Speaker 3: I think Daytona if you were to introduce someone to

765
00:31:32,600 --> 00:31:33,120
Speaker 3: push your tea.

766
00:31:34,080 --> 00:31:37,400
Speaker 2: And it's not to say he didn't wrap crazy on this,

767
00:31:37,760 --> 00:31:39,760
Speaker 2: I'm just saying, I think, you know, it's only been

768
00:31:39,760 --> 00:31:41,760
Speaker 2: out a week, only living with it for a week.

769
00:31:41,560 --> 00:31:46,320
Speaker 3: But I think I said, and I totally uh want

770
00:31:46,400 --> 00:31:48,800
Speaker 3: the ability to take everything I say back. Yeah, yeah,

771
00:31:49,040 --> 00:31:50,320
Speaker 3: I just think that I'm a hypocrite.

772
00:31:50,360 --> 00:31:53,320
Speaker 2: But the production on this album, to me, is easily

773
00:31:53,360 --> 00:31:54,840
Speaker 2: his best production.

774
00:31:54,960 --> 00:31:57,120
Speaker 3: Ever, I think with Daytona, if you were just if

775
00:31:57,160 --> 00:31:59,120
Speaker 3: someone to say who is pushing Tea? You would give

776
00:31:59,160 --> 00:32:04,560
Speaker 3: them Daytonah because it's the most straightforward beat, drum, sample chop,

777
00:32:05,160 --> 00:32:12,440
Speaker 3: push rapping aggressively this like I can tell pushes getting older,

778
00:32:12,640 --> 00:32:16,200
Speaker 3: like he experimented with flows on this. His tone is

779
00:32:16,200 --> 00:32:20,479
Speaker 3: different on a lot of records, the song structure is different.

780
00:32:20,560 --> 00:32:23,280
Speaker 3: It's not. That's why I like it so much, because

781
00:32:23,320 --> 00:32:26,640
Speaker 3: it's not the straight forward push when Daytona came out,

782
00:32:26,640 --> 00:32:29,320
Speaker 3: that's the push I wanted. If I got another Daytona,

783
00:32:29,440 --> 00:32:33,080
Speaker 3: I probably would have been disappointed. I saw so many

784
00:32:33,120 --> 00:32:35,240
Speaker 3: of those fucking corny blog reviews of like why is

785
00:32:35,280 --> 00:32:38,760
Speaker 3: he always talking about coke? Like okay, cool and let's

786
00:32:38,800 --> 00:32:41,040
Speaker 3: talk about coke like R and B singers talk about

787
00:32:41,080 --> 00:32:44,240
Speaker 3: love on every album. This is like, what do you

788
00:32:44,280 --> 00:32:47,720
Speaker 3: want to talk about? Beyonce stops singing about love? No,

789
00:32:47,840 --> 00:32:50,800
Speaker 3: I want her to continue to sing about that. But

790
00:32:50,920 --> 00:32:54,920
Speaker 3: the growth of like the pockets he used and the

791
00:32:55,000 --> 00:32:58,600
Speaker 3: flows and actually making like song songs. Yeah, I think

792
00:32:58,600 --> 00:33:02,120
Speaker 3: there's a ton of in this album. Sure the content

793
00:33:02,200 --> 00:33:04,880
Speaker 3: is similar, but that's what I want to hear from Push. Yeah.

794
00:33:05,280 --> 00:33:09,520
Speaker 2: Production wise, this this, this album is easily to me,

795
00:33:09,920 --> 00:33:15,440
Speaker 2: the the best push it sound we've gotten easily, I think.

796
00:33:15,480 --> 00:33:18,560
Speaker 2: The just so you remember that record is that ship.

797
00:33:18,640 --> 00:33:20,480
Speaker 2: That record is fucking insane.

798
00:33:23,480 --> 00:33:25,840
Speaker 3: Yeah, man, push it to you. He delivered. He delivered

799
00:33:25,880 --> 00:33:29,000
Speaker 3: with this album what I love about Just so you remember,

800
00:33:29,040 --> 00:33:33,600
Speaker 3: that's like Pharrell's version. It's it's a Pharrell drum kit

801
00:33:35,360 --> 00:33:40,959
Speaker 3: put together with Marvin Gaye drums like those drum Kid

802
00:33:41,040 --> 00:33:43,160
Speaker 3: those are forrel drum Well, Pharrell.

803
00:33:42,960 --> 00:33:45,440
Speaker 2: Sample Marvin Gaye before out of trouble for it.

804
00:33:45,520 --> 00:33:48,040
Speaker 3: But I'm saying those drums are very fucking Marvin Gaye.

805
00:33:48,040 --> 00:33:52,000
Speaker 3: But it not the same drum. It's the Pharrell drum kit.

806
00:33:58,000 --> 00:34:01,360
Speaker 3: This was an interesting example. You used to.

807
00:34:04,120 --> 00:34:06,920
Speaker 4: Just so you remember who you're dealing with. The number

808
00:34:06,960 --> 00:34:09,919
Speaker 4: don't change. I know who the chemist is. Break by

809
00:34:10,000 --> 00:34:11,040
Speaker 4: Brick we kept.

810
00:34:11,640 --> 00:34:14,000
Speaker 3: Just so you remember push your team from It's almost

811
00:34:14,040 --> 00:34:16,680
Speaker 3: dried in context. We're playing it because we like it.

812
00:34:16,719 --> 00:34:19,400
Speaker 3: I don't know this living a lie, but die for

813
00:34:19,440 --> 00:34:23,000
Speaker 3: your images. He spas on that on the second verse.

814
00:34:23,040 --> 00:34:25,000
Speaker 3: I kind of did want the drums to pick up,

815
00:34:25,080 --> 00:34:30,200
Speaker 3: like kind of like a on a Bingo card story

816
00:34:30,239 --> 00:34:31,960
Speaker 3: of OJ. On the second verse, when no I d

817
00:34:32,120 --> 00:34:34,600
Speaker 3: starts adding in certain drums in the second verse. That's

818
00:34:34,719 --> 00:34:36,759
Speaker 3: the only note I had on that ship. If Pharrell

819
00:34:36,800 --> 00:34:40,719
Speaker 3: would have just added some extra up temple drums on

820
00:34:40,840 --> 00:34:44,000
Speaker 3: pushing second verse. But that record is nuts.

821
00:34:44,040 --> 00:34:46,520
Speaker 2: I love the fact that you developed the confidence to

822
00:34:46,640 --> 00:34:49,120
Speaker 2: sit on our platform and tell Forrell what he should

823
00:34:49,200 --> 00:34:51,360
Speaker 2: do with his production. That's amazing. I love it.

824
00:34:51,680 --> 00:34:55,480
Speaker 3: I love the grow, I love the growth. Yeah. Since when,

825
00:34:55,719 --> 00:34:58,960
Speaker 3: since when it's every producer, every legendary producer, right all

826
00:34:58,960 --> 00:34:59,320
Speaker 3: the time?

827
00:34:59,640 --> 00:35:02,359
Speaker 2: No, no, no, I'm with you on that. I mean, they

828
00:35:02,360 --> 00:35:05,040
Speaker 2: definitely fall short. Everybody has their shortcomings, but.

829
00:35:05,040 --> 00:35:08,720
Speaker 3: Rel is, if not my favorite producer, top.

830
00:35:08,560 --> 00:35:11,239
Speaker 2: Three favorite, absolutely, I'm not. I'm not here to argue

831
00:35:11,239 --> 00:35:14,080
Speaker 2: with that. But overall, I think the album is really

832
00:35:14,120 --> 00:35:16,640
Speaker 2: really dope. It's definitely one of my favorites of the

833
00:35:16,719 --> 00:35:20,800
Speaker 2: year so far. Uh, probably the best, if I could,

834
00:35:21,280 --> 00:35:23,040
Speaker 2: probably the best rap album of the year so far.

835
00:35:23,880 --> 00:35:26,279
Speaker 3: I think it's my favorite so far. Yeah, I would

836
00:35:26,320 --> 00:35:29,680
Speaker 3: say it's probably my favorite so far. H The only

837
00:35:29,719 --> 00:35:32,239
Speaker 3: other note, so they don't say I'm just to push

838
00:35:32,280 --> 00:35:37,280
Speaker 3: a dick Rider, I'm gonna critique another legendary iconic producer.

839
00:35:37,600 --> 00:35:40,080
Speaker 3: Ship you can throw this interview out the window.

840
00:35:44,160 --> 00:35:46,680
Speaker 2: Man who needs to who used to add more bars

841
00:35:46,680 --> 00:35:47,160
Speaker 2: on this ship?

842
00:35:47,640 --> 00:35:53,440
Speaker 3: That Kanye one sample chop you didn't like it was

843
00:35:53,600 --> 00:35:58,480
Speaker 3: so fucking lazy. I agree, I'm speaking with Kanye West

844
00:35:58,520 --> 00:36:01,680
Speaker 3: is one of the best, one of the sample choppers ever.

845
00:36:02,760 --> 00:36:05,080
Speaker 3: That was the I don't I can't imagine Kanye was

846
00:36:05,120 --> 00:36:08,040
Speaker 3: the one that did that, Like that was the laziest

847
00:36:08,080 --> 00:36:10,400
Speaker 3: I could have chopped that. You know, I'm terrible.

848
00:36:10,960 --> 00:36:12,200
Speaker 1: You don't like the way he did it.

849
00:36:12,239 --> 00:36:13,960
Speaker 3: I don't like one. I don't like the idea because

850
00:36:14,480 --> 00:36:18,360
Speaker 3: super obvious sample chops like that don't work well in

851
00:36:18,360 --> 00:36:20,680
Speaker 3: that structure because it's it's too fucking obvious if you're

852
00:36:20,680 --> 00:36:22,560
Speaker 3: gonna chop it up like that, make it so we

853
00:36:22,600 --> 00:36:24,520
Speaker 3: can't really understand the words and you're just using the

854
00:36:24,560 --> 00:36:27,720
Speaker 3: tone of the sample. Okay, it's just the fucking hook

855
00:36:28,200 --> 00:36:30,799
Speaker 3: and you chipmunked it and cut it and it's too

856
00:36:30,840 --> 00:36:34,000
Speaker 3: obvious like it was. It was just very lazy to me,

857
00:36:34,160 --> 00:36:36,960
Speaker 3: like I would have just picked a different voice to

858
00:36:37,040 --> 00:36:39,560
Speaker 3: Chipmunk that wasn't so familiar. And if you're gonna do

859
00:36:39,600 --> 00:36:44,000
Speaker 3: the familiar shit, like, don't just play it outright?

860
00:36:44,239 --> 00:36:47,120
Speaker 1: One plus one plus one plus one you know, due

861
00:36:47,160 --> 00:36:47,959
Speaker 1: to drug math.

862
00:36:48,400 --> 00:36:50,400
Speaker 3: No, I get it, but you could have done that

863
00:36:50,719 --> 00:36:52,720
Speaker 3: with just the one, Like you could have just chopped

864
00:36:52,719 --> 00:36:53,080
Speaker 3: the one.

865
00:36:53,680 --> 00:36:56,719
Speaker 2: Yeah, I get what you're saying. It wasn't It could

866
00:36:56,719 --> 00:36:58,560
Speaker 2: have been a little more creative. It could have been

867
00:36:58,600 --> 00:37:02,200
Speaker 2: a little more uh colorful.

868
00:37:04,840 --> 00:37:08,080
Speaker 3: This is this is soundclick dot com in O four

869
00:37:08,600 --> 00:37:11,520
Speaker 3: type of sampling. It was definitely not I like the record.

870
00:37:11,880 --> 00:37:14,040
Speaker 3: Oh no, the record is it? Just I know what

871
00:37:14,080 --> 00:37:18,359
Speaker 3: you mean, just that sample. This is what you bought

872
00:37:18,400 --> 00:37:19,799
Speaker 3: off soundclick for like twenty.

873
00:37:19,520 --> 00:37:21,600
Speaker 2: And that's not true. That was like seven ones first

874
00:37:21,600 --> 00:37:25,160
Speaker 2: of all, one plus one plus one plus one plus Well.

875
00:37:25,040 --> 00:37:26,319
Speaker 3: This is this is Foxy drug dealing.

876
00:37:26,320 --> 00:37:31,000
Speaker 2: Now, yeah, I don't know what that is. That's like

877
00:37:31,160 --> 00:37:33,360
Speaker 2: eight you know what I'm saying, But whatever, you know,

878
00:37:33,400 --> 00:37:35,040
Speaker 2: for the for the sake of the song. I get it,

879
00:37:35,320 --> 00:37:36,680
Speaker 2: But I mean I agree with you. Now when that

880
00:37:36,760 --> 00:37:37,840
Speaker 2: sample was a little.

881
00:37:37,600 --> 00:37:39,680
Speaker 3: Like, it's still it's not a skip to me, Like

882
00:37:39,719 --> 00:37:40,759
Speaker 3: I listen, it's not a skip.

883
00:37:40,760 --> 00:37:42,479
Speaker 2: I don't think push it has any skips on this album.

884
00:37:42,520 --> 00:37:45,400
Speaker 3: It just was like, dang, you kind of wasted. Yeah,

885
00:37:45,680 --> 00:37:47,600
Speaker 3: what could have took the record to the next level.

886
00:37:47,840 --> 00:37:49,880
Speaker 2: But I could have been it could have he could

887
00:37:49,560 --> 00:37:52,880
Speaker 2: They definitely could have done a little more with that sample.

888
00:37:52,920 --> 00:37:54,800
Speaker 3: I understand what you're saying. I get that I was

889
00:37:54,840 --> 00:38:00,120
Speaker 3: super thrown off that this is a farrel beat, and

890
00:38:00,239 --> 00:38:01,640
Speaker 3: of course I know the four count in the beginning,

891
00:38:02,000 --> 00:38:05,360
Speaker 3: But when this ship hit, I thought this was a

892
00:38:05,400 --> 00:38:12,279
Speaker 3: Kanye because yeah, because this is how he chopped. This

893
00:38:12,320 --> 00:38:16,799
Speaker 3: is how he usually chopped samples. And that's yay drums too.

894
00:38:17,680 --> 00:38:19,919
Speaker 3: When I looked at the credits, it was like, damn

895
00:38:19,960 --> 00:38:20,840
Speaker 3: for real, my bad?

896
00:38:22,040 --> 00:38:25,000
Speaker 2: No, I think easily, Like I said, this is pusha

897
00:38:25,040 --> 00:38:28,160
Speaker 2: T's best produced album, This is his best sounding album.

898
00:38:28,400 --> 00:38:30,520
Speaker 2: I think I like the raps a little more on Daytona.

899
00:38:30,880 --> 00:38:35,200
Speaker 2: Even the raps on It's Almost Dry are incredible. But

900
00:38:35,239 --> 00:38:37,959
Speaker 2: I'm just happy that push It delivered. He didn't fall short,

901
00:38:38,000 --> 00:38:41,799
Speaker 2: he didn't disappoint. I think that this is one of

902
00:38:41,840 --> 00:38:45,360
Speaker 2: his easily one of his best pieces in his catalog

903
00:38:45,480 --> 00:38:47,239
Speaker 2: to date. And that's all you ever want from your

904
00:38:47,239 --> 00:38:50,440
Speaker 2: favorite rappers is to just stay consistent, uh, you know,

905
00:38:50,520 --> 00:38:53,840
Speaker 2: get better in certain areas without losing the sound that

906
00:38:53,880 --> 00:38:58,040
Speaker 2: we love, without losing uh, you know, sacrificing the lyrics

907
00:38:58,800 --> 00:39:02,400
Speaker 2: sacrificing the content. The energy was great on this album.

908
00:39:03,160 --> 00:39:07,400
Speaker 2: Love the art, loved it, loved the title, loved It's

909
00:39:07,400 --> 00:39:09,520
Speaker 2: almost Yeah, I love that title.

910
00:39:10,960 --> 00:39:13,279
Speaker 3: I just like I like the hip hop can age man.

911
00:39:13,480 --> 00:39:15,760
Speaker 3: I like that I can fuck with the kids stuff,

912
00:39:15,760 --> 00:39:19,480
Speaker 3: but I still have my childhood, is still making music

913
00:39:19,640 --> 00:39:23,440
Speaker 3: and growing in a rate that doesn't look like hip

914
00:39:23,440 --> 00:39:25,759
Speaker 3: hop is like no country for old men type shit,

915
00:39:26,040 --> 00:39:30,120
Speaker 3: like you're able to extend your career, like even I

916
00:39:30,120 --> 00:39:32,040
Speaker 3: feel like with rock and roll to some degree, some

917
00:39:32,080 --> 00:39:35,080
Speaker 3: of that iconic rock and roll artists just have to

918
00:39:35,120 --> 00:39:38,200
Speaker 3: retire and they only do like reunion tours and shit like.

919
00:39:38,239 --> 00:39:42,280
Speaker 3: I like the way the forty plus hip hop space

920
00:39:42,320 --> 00:39:46,600
Speaker 3: is moving right now, yeah between nas Jay push like

921
00:39:47,600 --> 00:39:53,200
Speaker 3: just chains like Ross well Hole was fifty well forty plus. Yeah,

922
00:39:54,080 --> 00:39:57,320
Speaker 3: I love how it's just aging as someone that's about

923
00:39:57,320 --> 00:39:59,120
Speaker 3: to be thirty two and the shit I grew up on.

924
00:39:59,239 --> 00:40:01,720
Speaker 3: They're still making music that doesn't feel weird and forced,

925
00:40:01,800 --> 00:40:05,000
Speaker 3: like do you o like come on right and still

926
00:40:06,000 --> 00:40:08,000
Speaker 3: love what the kids are doing. It's a good balance.

927
00:40:08,000 --> 00:40:09,520
Speaker 3: So that's that's just why I like this type of shit.

928
00:40:10,040 --> 00:40:13,320
Speaker 2: It's almost drop push your t available on your DSPs.

929
00:40:13,520 --> 00:40:15,960
Speaker 2: Now I know he released some merch and by the

930
00:40:15,960 --> 00:40:17,640
Speaker 2: time I saw the link, I didn't even try to

931
00:40:17,640 --> 00:40:19,359
Speaker 2: click on it because I think that ship was sold out.

932
00:40:19,760 --> 00:40:22,120
Speaker 3: Oh yeah, and I think it set designed by Donda,

933
00:40:22,200 --> 00:40:24,040
Speaker 3: so you knew that shit. Shit, don't even look at it.

934
00:40:24,040 --> 00:40:32,160
Speaker 2: You'll push send us some some merch man. What else dropped?

935
00:40:32,960 --> 00:40:35,680
Speaker 3: The Blast album came out. I was between all my

936
00:40:35,840 --> 00:40:37,560
Speaker 3: la shit and everything that was going on.

937
00:40:37,640 --> 00:40:39,920
Speaker 2: Shout Out the Blast one of my favorite artists.

938
00:40:40,000 --> 00:40:42,399
Speaker 3: Yeah, agreed, I'm gonna listen to that for our next

939
00:40:42,400 --> 00:40:46,040
Speaker 3: episode and fully give that the focus it deserves, cause

940
00:40:46,040 --> 00:40:50,640
Speaker 3: I'm with certain albums like I listen to it like

941
00:40:50,719 --> 00:40:53,759
Speaker 3: in Passing, but like with someone like Blast, hold on,

942
00:40:53,840 --> 00:40:55,440
Speaker 3: let me stop what I'm doing so I could fully

943
00:40:55,440 --> 00:40:56,840
Speaker 3: listen to this album. So I didn't want to be

944
00:40:56,880 --> 00:40:59,080
Speaker 3: busy running around and just have Blasts in the background.

945
00:40:59,560 --> 00:41:01,480
Speaker 3: That's one of the is that when I'm free, I

946
00:41:01,560 --> 00:41:03,879
Speaker 3: really got to listen to shit, idn't. I didn't want

947
00:41:03,880 --> 00:41:05,239
Speaker 3: to do that and come here and be like, yeah, no,

948
00:41:05,320 --> 00:41:05,759
Speaker 3: I heard it.

949
00:41:06,360 --> 00:41:10,280
Speaker 2: Shut Out the Blast before you Go available on DSPs now.

950
00:41:10,800 --> 00:41:13,799
Speaker 3: Super talented man Blast is but he got Grand Master

951
00:41:13,920 --> 00:41:16,759
Speaker 3: vict like from Queens.

952
00:41:17,080 --> 00:41:22,319
Speaker 2: Grand Master, vic Rick Ross Zakari. Blast is he's one

953
00:41:22,400 --> 00:41:24,760
Speaker 2: of those you know, I like Blast because he stays

954
00:41:24,800 --> 00:41:27,840
Speaker 2: in his pocket. Yeah he doesn't, He doesn't, you know,

955
00:41:27,880 --> 00:41:32,440
Speaker 2: he he's not like it's not a repetitive thing, like

956
00:41:32,520 --> 00:41:34,759
Speaker 2: it's just you know, Blast. When you hear Blast, there's

957
00:41:34,800 --> 00:41:37,040
Speaker 2: no denying him when you as soon as you hear him,

958
00:41:37,040 --> 00:41:39,719
Speaker 2: you know exactly what it is and you almost know

959
00:41:39,760 --> 00:41:40,960
Speaker 2: what type of vibe it's going to.

960
00:41:40,880 --> 00:41:42,040
Speaker 3: Be as soon as you know Blast is on the

961
00:41:42,040 --> 00:41:49,320
Speaker 3: record for sure. Well ship coming out uh today, the

962
00:41:49,760 --> 00:41:52,319
Speaker 3: Toxic King, Well, I think it's probably just a really

963
00:41:52,360 --> 00:41:55,240
Speaker 3: nice guy Future.

964
00:41:53,360 --> 00:41:58,960
Speaker 2: I never liked you Future available now if you're listening

965
00:41:58,960 --> 00:42:02,360
Speaker 2: to this, I never liked you. I like the title.

966
00:42:02,640 --> 00:42:06,640
Speaker 3: I don't really have expectations as far as what it's

967
00:42:06,680 --> 00:42:09,320
Speaker 3: going to sound like. I saw that they posted the

968
00:42:09,440 --> 00:42:12,719
Speaker 3: snippet of the Kanye record. Sounded like a typical Future record.

969
00:42:12,760 --> 00:42:15,440
Speaker 3: But I'm more and i'mna sound super hipster on the shit,

970
00:42:15,480 --> 00:42:18,600
Speaker 3: more of a B side like melodic Future fan than

971
00:42:18,600 --> 00:42:21,479
Speaker 3: I Am the hits. That's just my type of shit.

972
00:42:21,560 --> 00:42:24,640
Speaker 3: But two Drake features on there. It's a future so

973
00:42:24,800 --> 00:42:26,840
Speaker 3: I kind of know what's coming. And I mean that

974
00:42:26,880 --> 00:42:27,239
Speaker 3: a good way.

975
00:42:27,560 --> 00:42:30,680
Speaker 2: I just hope that it's I want this album to

976
00:42:30,719 --> 00:42:34,960
Speaker 2: elevate Future's artistry. Like when I say that, I mean

977
00:42:35,480 --> 00:42:39,080
Speaker 2: I want this to be an album that we get

978
00:42:39,120 --> 00:42:43,839
Speaker 2: a new future still give us that you know, your

979
00:42:43,920 --> 00:42:47,600
Speaker 2: whole future DNA and you know foundation. But I want

980
00:42:47,640 --> 00:42:50,600
Speaker 2: Future too because I think that his pen is obviously

981
00:42:50,640 --> 00:42:53,200
Speaker 2: one of the best. So I want to see I

982
00:42:53,200 --> 00:42:57,520
Speaker 2: want to hear him kind of like experiment with something

983
00:42:57,520 --> 00:42:58,000
Speaker 2: a little bit.

984
00:42:58,800 --> 00:43:00,520
Speaker 3: You could say it in a non nice way. You

985
00:43:00,520 --> 00:43:04,200
Speaker 3: don't want to sound like a typical Future that he

986
00:43:04,239 --> 00:43:05,239
Speaker 3: does a lot.

987
00:43:05,160 --> 00:43:07,239
Speaker 2: But I do want that. I do want that. I

988
00:43:07,239 --> 00:43:09,799
Speaker 2: still want that future energy though, Oh yeah, I don't

989
00:43:09,800 --> 00:43:11,600
Speaker 2: ever want him because I think that's Future is uh

990
00:43:12,000 --> 00:43:14,319
Speaker 2: a sophom his pen. I think his strength is his

991
00:43:14,520 --> 00:43:16,640
Speaker 2: energy and his presence on the track. Yeah, so I

992
00:43:16,640 --> 00:43:19,840
Speaker 2: want him to keep that. But I just maybe content wise,

993
00:43:20,239 --> 00:43:20,560
Speaker 2: did he.

994
00:43:20,560 --> 00:43:24,640
Speaker 3: Put anything out? Is he just dropping us? I don't

995
00:43:24,640 --> 00:43:26,160
Speaker 3: think he There's not a single at all. I just

996
00:43:26,200 --> 00:43:29,920
Speaker 3: saw the Kanye I don't think so. Oh wow, that's bold.

997
00:43:30,800 --> 00:43:33,160
Speaker 2: So hopefully this is hopefully this this this weekend will

998
00:43:33,200 --> 00:43:35,440
Speaker 2: be a Future soundtrack weekend.

999
00:43:35,640 --> 00:43:36,960
Speaker 3: Well, that would make me think he was going in

1000
00:43:37,040 --> 00:43:38,520
Speaker 3: the direction you just said if he's just dropping the

1001
00:43:38,560 --> 00:43:40,879
Speaker 3: album and not a single, that he's trying to switch

1002
00:43:40,880 --> 00:43:42,239
Speaker 3: it up a little bit. Yeah, like he's making a

1003
00:43:42,280 --> 00:43:43,240
Speaker 3: fucking album album.

1004
00:43:43,560 --> 00:43:45,640
Speaker 2: I hope, so, man, I hope. So. I definitely want

1005
00:43:45,680 --> 00:43:48,879
Speaker 2: to hear Future and like, just I know we want

1006
00:43:48,920 --> 00:43:52,359
Speaker 2: the toxic, the toxicity, and we want that and we

1007
00:43:52,400 --> 00:43:56,520
Speaker 2: want I want to hear I wonder what accountable Future

1008
00:43:56,600 --> 00:43:57,080
Speaker 2: sounds like.

1009
00:43:58,040 --> 00:43:59,960
Speaker 1: It wouldn't be Future, it's like a oxymore.

1010
00:44:00,000 --> 00:44:01,759
Speaker 2: I know it would still be Future, it would still

1011
00:44:01,800 --> 00:44:04,560
Speaker 2: be Future, but take accountabit. Just I just want to

1012
00:44:04,560 --> 00:44:07,960
Speaker 2: hear him take thirty percent accountability. I kind of just

1013
00:44:07,960 --> 00:44:09,640
Speaker 2: like you can still say fuck that bitch on the hook,

1014
00:44:10,600 --> 00:44:11,719
Speaker 2: but then you could be like you can come back

1015
00:44:11,760 --> 00:44:13,279
Speaker 2: on the bridge by yo. But I was tripping, like

1016
00:44:13,400 --> 00:44:14,640
Speaker 2: you know what I'm saying, Like, I wouldn't I want

1017
00:44:14,640 --> 00:44:15,359
Speaker 2: to hear him do that.

1018
00:44:16,200 --> 00:44:18,560
Speaker 3: What you're saying said, let's give me that. As toxic

1019
00:44:18,680 --> 00:44:22,400
Speaker 3: as we deem Future, I don't think he's as toxic

1020
00:44:22,480 --> 00:44:25,360
Speaker 3: even in his music as we say he is. I

1021
00:44:25,440 --> 00:44:27,319
Speaker 3: would like Future to really go with the toxic shit

1022
00:44:27,360 --> 00:44:29,279
Speaker 3: and be like it was all in bitch as fault, No.

1023
00:44:29,400 --> 00:44:31,239
Speaker 2: That's no, that's that's just that's just going.

1024
00:44:31,360 --> 00:44:35,400
Speaker 3: It was he can't like, no, listen all eighteen of

1025
00:44:35,440 --> 00:44:37,359
Speaker 3: my Baby Mother's it's all they was all wrong.

1026
00:44:37,960 --> 00:44:39,920
Speaker 2: Come on, man, because then niggas go like, all right, future,

1027
00:44:39,960 --> 00:44:42,120
Speaker 2: cut the ship, bro, like we fucking with you, but

1028
00:44:42,239 --> 00:44:44,480
Speaker 2: cut this ship man.

1029
00:44:43,840 --> 00:44:44,640
Speaker 1: Tell him to cut the ship.

1030
00:44:44,719 --> 00:44:45,239
Speaker 2: Yeah, I listen.

1031
00:44:45,280 --> 00:44:48,640
Speaker 3: My favorite Future song ever is my collection? So okay

1032
00:44:49,760 --> 00:44:53,040
Speaker 3: sound wise experimental wise too, because I think he kind

1033
00:44:53,040 --> 00:44:55,480
Speaker 3: of experimented sound wise with that record. And as far

1034
00:44:55,480 --> 00:44:58,640
Speaker 3: as toxicity goes, yeah, if I hit you want you

1035
00:44:58,680 --> 00:44:59,840
Speaker 3: part of my collection.

1036
00:45:00,120 --> 00:45:01,600
Speaker 2: That's sick. He got that off.

1037
00:45:01,920 --> 00:45:04,000
Speaker 3: That was the you know what I said it seventeen times.

1038
00:45:04,040 --> 00:45:04,719
Speaker 2: You know why I'm so.

1039
00:45:04,719 --> 00:45:09,279
Speaker 1: Sick because only women captioned that more more toxic my

1040
00:45:09,360 --> 00:45:11,399
Speaker 1: collection or horses in the stable.

1041
00:45:14,000 --> 00:45:16,080
Speaker 3: My collection, my collection.

1042
00:45:16,239 --> 00:45:17,960
Speaker 2: I don't like how you said that so fast, though,

1043
00:45:17,960 --> 00:45:19,200
Speaker 2: like you ain't really think about it.

1044
00:45:19,120 --> 00:45:22,160
Speaker 3: Because, like I guess, old school, when men would compare

1045
00:45:22,200 --> 00:45:26,839
Speaker 3: in that regard, it wasn't to offend. We later found

1046
00:45:26,840 --> 00:45:28,960
Speaker 3: out that it was offensive to do that, but it

1047
00:45:29,040 --> 00:45:32,080
Speaker 3: wasn't said in a way to offend or compare a

1048
00:45:32,120 --> 00:45:35,799
Speaker 3: woman to an animal. Then we realized what we were saying.

1049
00:45:35,840 --> 00:45:37,120
Speaker 3: It was like, oh, yeah, this is bad. We should

1050
00:45:37,120 --> 00:45:39,160
Speaker 3: we should stop saying this. So we.

1051
00:45:41,360 --> 00:45:44,759
Speaker 2: To compare women to horses, but not a garden tool,

1052
00:45:44,840 --> 00:45:47,400
Speaker 2: Like what are we talking about?

1053
00:45:48,640 --> 00:45:54,160
Speaker 3: That wasn't to oh yeah, yeah, yeah, so let's not

1054
00:45:54,160 --> 00:45:57,879
Speaker 3: say it's a gender specific thing, but to just say,

1055
00:45:57,920 --> 00:45:59,880
Speaker 3: if I hit you once, you're part of my collection.

1056
00:46:00,719 --> 00:46:02,320
Speaker 3: One of the more toxic things I've ever.

1057
00:46:02,600 --> 00:46:04,239
Speaker 2: I just want future, you know what. I just want

1058
00:46:04,280 --> 00:46:06,880
Speaker 2: future to be honest with himself. Future is very emotional.

1059
00:46:06,960 --> 00:46:09,960
Speaker 3: Hold on, what's the definition of collection? Maybe it's not

1060
00:46:10,000 --> 00:46:10,560
Speaker 3: as toxic.

1061
00:46:10,920 --> 00:46:13,439
Speaker 2: Hey, look that's who you know, you know they reach

1062
00:46:13,480 --> 00:46:15,880
Speaker 2: it for. Like, what you mean, what's the definition of

1063
00:46:15,880 --> 00:46:18,800
Speaker 2: a collection? I mean, what's your collection of T shirts?

1064
00:46:19,400 --> 00:46:19,839
Speaker 3: First of all?

1065
00:46:19,840 --> 00:46:21,239
Speaker 1: Okay, hold on, make sweaters?

1066
00:46:21,360 --> 00:46:22,800
Speaker 2: Yeah, like how ma sweaters?

1067
00:46:22,800 --> 00:46:25,120
Speaker 3: You got? Hold on this? This definition almost sounds like slavery.

1068
00:46:25,239 --> 00:46:27,600
Speaker 3: That sounds the action or process of collecting someone or

1069
00:46:27,600 --> 00:46:30,080
Speaker 3: something that I think slavery.

1070
00:46:30,239 --> 00:46:34,480
Speaker 2: You can go slavery was a collection of workers, Yeah exactly.

1071
00:46:35,200 --> 00:46:38,239
Speaker 3: But like I was trying to find, there's got to

1072
00:46:38,239 --> 00:46:40,480
Speaker 3: be like a third definition of just like a group

1073
00:46:40,520 --> 00:46:42,640
Speaker 3: of the things that you've encountered.

1074
00:46:43,640 --> 00:46:45,520
Speaker 2: Well, you know, they give you, like one, two, and three,

1075
00:46:46,280 --> 00:46:48,080
Speaker 2: they give you how to use it. In the sentence.

1076
00:46:47,800 --> 00:46:50,480
Speaker 1: Literally going to collect these things. This is a purposeful

1077
00:46:50,480 --> 00:46:51,319
Speaker 1: action that you're doing.

1078
00:46:51,360 --> 00:46:53,200
Speaker 3: Okay, But if I have a collection of intimacy, now

1079
00:46:53,280 --> 00:46:56,160
Speaker 3: we're talking about something that sounds romantic, you can't.

1080
00:46:56,400 --> 00:46:57,960
Speaker 2: You can't have a collection of an emotion.

1081
00:46:58,520 --> 00:47:01,080
Speaker 3: I had an intimate moment with each of these women.

1082
00:47:02,160 --> 00:47:05,080
Speaker 3: I collected that moment. These are all my moments. I

1083
00:47:05,080 --> 00:47:06,160
Speaker 3: have a collection of intimacy.

1084
00:47:06,239 --> 00:47:07,480
Speaker 1: No, those would just be memories.

1085
00:47:08,719 --> 00:47:11,400
Speaker 3: Okay, Future, if I hit you once, you part of

1086
00:47:11,400 --> 00:47:11,960
Speaker 3: my memory bank.

1087
00:47:12,719 --> 00:47:14,719
Speaker 2: No, yes, I'm sure that was part of the thought.

1088
00:47:15,000 --> 00:47:18,040
Speaker 1: So disrespectful is collection means tangible items like this is

1089
00:47:18,080 --> 00:47:19,280
Speaker 1: something you can put your hands.

1090
00:47:19,080 --> 00:47:20,799
Speaker 3: On, Like you can go in the room, you can

1091
00:47:21,320 --> 00:47:21,919
Speaker 3: open that door.

1092
00:47:21,880 --> 00:47:25,160
Speaker 1: Right, Yeah, even want you part of my collection?

1093
00:47:26,200 --> 00:47:28,120
Speaker 3: Yo? Go yo? That fourth bedroom on the left, gold

1094
00:47:28,120 --> 00:47:29,399
Speaker 3: no Surviving on Kelly.

1095
00:47:29,440 --> 00:47:34,160
Speaker 2: Yeah you know what, go open that bedroom. You're gonna

1096
00:47:34,160 --> 00:47:34,719
Speaker 2: see who in there.

1097
00:47:35,080 --> 00:47:38,040
Speaker 3: Yeah. With that said, I just think that.

1098
00:47:38,160 --> 00:47:41,560
Speaker 2: I think. I just think that because Future really has

1099
00:47:41,600 --> 00:47:44,400
Speaker 2: the ability to like single handedly change culture if he

1100
00:47:44,600 --> 00:47:47,840
Speaker 2: like goes left with this album. Yeah, because we know

1101
00:47:47,880 --> 00:47:49,680
Speaker 2: we're in a trick. With like futures are known. He

1102
00:47:49,680 --> 00:47:50,319
Speaker 2: says he's a trick.

1103
00:47:50,360 --> 00:47:50,920
Speaker 3: You know what I'm saying.

1104
00:47:51,000 --> 00:47:53,040
Speaker 2: He doesn't, he doesn't hide and shy away from that.

1105
00:47:53,880 --> 00:47:55,759
Speaker 2: But I think if he was to come out and say, Yo,

1106
00:47:55,800 --> 00:47:57,880
Speaker 2: look man, I'm gonna be honest, I'm just very emotional,

1107
00:47:58,960 --> 00:47:59,439
Speaker 2: very hurt.

1108
00:47:59,480 --> 00:48:02,280
Speaker 3: I've been done wrong, I've done wrong.

1109
00:48:03,160 --> 00:48:06,480
Speaker 2: If he just gives us that, oh ladies, y'all, y'all

1110
00:48:06,480 --> 00:48:08,080
Speaker 2: gonna have the best, the best summer ever.

1111
00:48:08,160 --> 00:48:09,680
Speaker 1: I don't think he's getting that though, because see I

1112
00:48:09,719 --> 00:48:11,719
Speaker 1: feel that it's kind of like when Summer says she

1113
00:48:11,800 --> 00:48:13,960
Speaker 1: was recently releasing her album, and you feel like the

1114
00:48:14,120 --> 00:48:18,200
Speaker 1: energy and the women change the men. I see men

1115
00:48:18,320 --> 00:48:21,000
Speaker 1: keep screenshot and I never liked you on all that ship.

1116
00:48:21,239 --> 00:48:23,520
Speaker 3: Yeah, better get more women doing it. I'm going the

1117
00:48:23,520 --> 00:48:25,719
Speaker 3: most point of that my collection, bar I only saw women.

1118
00:48:25,840 --> 00:48:28,040
Speaker 2: Also saw women saying that my collection ball.

1119
00:48:27,920 --> 00:48:29,839
Speaker 3: Because I remember I remember that tweet the went viral,

1120
00:48:29,840 --> 00:48:33,960
Speaker 3: which I loved. Future is men's Beyonce or future is

1121
00:48:33,960 --> 00:48:38,040
Speaker 3: Beyonce for men. But I don't know. Women are just

1122
00:48:38,080 --> 00:48:40,920
Speaker 3: as toxic. They get just as excited for future, more toxic.

1123
00:48:42,080 --> 00:48:43,640
Speaker 2: I agree with that, way more toxic than.

1124
00:48:43,560 --> 00:48:46,440
Speaker 3: Men listen, man, we need Brent to come out and

1125
00:48:46,520 --> 00:48:49,440
Speaker 3: just bring accountability back, because he's not toxic the way

1126
00:48:49,520 --> 00:48:50,080
Speaker 3: y'all think he is.

1127
00:48:50,680 --> 00:48:51,879
Speaker 2: Brent, I think he's the.

1128
00:48:51,800 --> 00:48:54,840
Speaker 3: Most honest and accountable, accountable person in R and B.

1129
00:48:55,280 --> 00:48:58,640
Speaker 2: But that could be toxic. Honestly, and that's a great

1130
00:48:58,800 --> 00:49:01,319
Speaker 2: Honesty can be toxic. It shouldn't be, but it is.

1131
00:49:01,400 --> 00:49:03,360
Speaker 1: I think I told Rory this on like episode three.

1132
00:49:03,400 --> 00:49:05,319
Speaker 3: I think we had this conversation where I brought Brent up.

1133
00:49:05,560 --> 00:49:08,279
Speaker 3: When was it the brenton Scissor record or some shit? Yeah, yeah,

1134
00:49:08,280 --> 00:49:10,960
Speaker 3: that I was saying. Scissa, yeah, like takes no accountability

1135
00:49:11,080 --> 00:49:14,600
Speaker 3: whereas Brent they call toxic and Sissa honestly can be toxic.

1136
00:49:14,920 --> 00:49:16,000
Speaker 3: Scissa is toxic in music.

1137
00:49:16,000 --> 00:49:17,560
Speaker 2: I don't know about her personal life. It shouldn't be,

1138
00:49:17,640 --> 00:49:21,600
Speaker 2: but it's like it is. It honestly can be toxic.

1139
00:49:21,640 --> 00:49:24,200
Speaker 3: I just think lying is more toxic, but a.

1140
00:49:24,280 --> 00:49:27,520
Speaker 2: Lie is toxic. But if you're honest about lying.

1141
00:49:28,560 --> 00:49:30,600
Speaker 3: Well, no, Brent is just straight up saying like, y'all

1142
00:49:31,600 --> 00:49:33,279
Speaker 3: we're not going to be together, like I'm here to

1143
00:49:33,360 --> 00:49:36,040
Speaker 3: just fuck and it's like he's so toxic, Like wait

1144
00:49:36,520 --> 00:49:39,840
Speaker 3: why because he told her what his intentions were, and

1145
00:49:39,880 --> 00:49:40,960
Speaker 3: she agreed to them.

1146
00:49:41,280 --> 00:49:43,560
Speaker 2: Brent looks like he invites a girl over and like

1147
00:49:43,640 --> 00:49:45,319
Speaker 2: does drugs and then like he goes in the room

1148
00:49:45,320 --> 00:49:45,680
Speaker 2: and locks it.

1149
00:49:45,719 --> 00:49:46,879
Speaker 3: Doing leave her like in the living room.

1150
00:49:47,760 --> 00:49:48,960
Speaker 2: Nah, Brent, I knows that.

1151
00:49:49,040 --> 00:49:49,640
Speaker 3: Get there?

1152
00:49:49,719 --> 00:49:53,920
Speaker 2: Yeah, left, Why do I know?

1153
00:49:55,640 --> 00:49:57,160
Speaker 3: Why do I know? Mad men that do that.

1154
00:49:57,200 --> 00:49:59,400
Speaker 2: I'm telling you, that's a move that's crazy to me.

1155
00:49:59,760 --> 00:50:01,680
Speaker 2: And now I gotta entertain your friend. I'm like, Yo,

1156
00:50:01,680 --> 00:50:03,919
Speaker 2: Shorty just ain't here by herself. Bro, Like, I hate

1157
00:50:03,960 --> 00:50:06,960
Speaker 2: when dudes hysterious, Nigga, you better go in the living

1158
00:50:07,000 --> 00:50:08,240
Speaker 2: room and entertain your guests.

1159
00:50:09,040 --> 00:50:11,160
Speaker 3: They trying to be high and mysterious. What's he doing that?

1160
00:50:11,320 --> 00:50:12,520
Speaker 2: Why would you tell this girl to come on?

1161
00:50:12,600 --> 00:50:12,680
Speaker 3: Now?

1162
00:50:12,760 --> 00:50:15,439
Speaker 2: She in there just on her phone scrolling. I keep

1163
00:50:15,440 --> 00:50:18,440
Speaker 2: walking by giving her the fake That's so awkward.

1164
00:50:18,719 --> 00:50:21,640
Speaker 3: I've been I've been the homie doing that. Yeah, I

1165
00:50:21,640 --> 00:50:23,600
Speaker 3: don't want to keep doing both in that scenario. I've

1166
00:50:23,640 --> 00:50:24,759
Speaker 3: been the guy in the room and I've been the

1167
00:50:24,760 --> 00:50:26,120
Speaker 3: guy in the living room trying to entertain.

1168
00:50:26,239 --> 00:50:28,080
Speaker 2: Yeah, like that ship is just weird. But yeah, we

1169
00:50:28,120 --> 00:50:30,280
Speaker 2: do need a print project though I agree with that one.

1170
00:50:30,480 --> 00:50:33,200
Speaker 3: Oh, I don't want to go back to the Pushing Ship,

1171
00:50:33,320 --> 00:50:35,799
Speaker 3: but no one ever talks about the series of the

1172
00:50:35,920 --> 00:50:40,080
Speaker 3: My Bitch Pusher. Fuck. I don't want to just say bars,

1173
00:50:40,080 --> 00:50:42,719
Speaker 3: but every album Pusher will tell you exactly what he's

1174
00:50:42,719 --> 00:50:45,279
Speaker 3: gonna do your bitch, and no one really highlights it.

1175
00:50:46,600 --> 00:50:48,840
Speaker 3: At one point he was gonna buy my bitch some

1176
00:50:48,960 --> 00:50:53,120
Speaker 3: hips and yankor ribout. I wasn't that offended. Yeah I didn't.

1177
00:50:53,200 --> 00:50:55,839
Speaker 3: I didn't do it for you. Then then he said

1178
00:50:55,880 --> 00:50:58,920
Speaker 3: on this album, I'm gonna buy your bitch your flight

1179
00:50:59,120 --> 00:51:01,719
Speaker 3: to Cuba. I'm not even gonna go, just trying to

1180
00:51:01,719 --> 00:51:05,600
Speaker 3: show which firebar. I wasn't that mad, because I mean,

1181
00:51:05,600 --> 00:51:08,319
Speaker 3: at least my bitch can see the sights, like it's

1182
00:51:08,320 --> 00:51:10,560
Speaker 3: hard to get into Cuba right now, like that's a country.

1183
00:51:10,680 --> 00:51:12,520
Speaker 3: So I wasn't too mad. But I almost want to say, like, yo,

1184
00:51:12,600 --> 00:51:14,120
Speaker 3: thank you Push, and you kind of enlightened me, like

1185
00:51:14,120 --> 00:51:15,399
Speaker 3: I should have done that, But how you.

1186
00:51:15,320 --> 00:51:17,160
Speaker 2: Thinking Push for doing that? And I pick up a

1187
00:51:17,200 --> 00:51:19,560
Speaker 2: check from my homegir that's at dinner on a date,

1188
00:51:19,640 --> 00:51:23,279
Speaker 2: and I guess, because you can't rap, I'm not a

1189
00:51:23,560 --> 00:51:26,120
Speaker 2: I'm gonna tell it, I said back then. Demara did

1190
00:51:26,120 --> 00:51:28,440
Speaker 2: not if a rapper did that if you put that

1191
00:51:28,480 --> 00:51:31,239
Speaker 2: in the ball, was like, oh that's hard. Yeah, of course, y'all.

1192
00:51:31,520 --> 00:51:32,440
Speaker 2: That's whack man ya.

1193
00:51:32,920 --> 00:51:34,759
Speaker 3: What I've been told you things, When we say things,

1194
00:51:34,760 --> 00:51:36,839
Speaker 3: they don't sound cool. When you wrap things they sound cool.

1195
00:51:36,880 --> 00:51:39,520
Speaker 3: That's just so I'll tell you the one thing that

1196
00:51:39,560 --> 00:51:42,040
Speaker 3: Push did say on this album, in that scheme that

1197
00:51:42,040 --> 00:51:44,600
Speaker 3: that did bother me, because you know he did ill

1198
00:51:44,640 --> 00:51:46,839
Speaker 3: schemes that yanked rip out and all that, taking her

1199
00:51:46,880 --> 00:51:48,439
Speaker 3: to Cuba, but not going on here.

1200
00:51:48,480 --> 00:51:49,320
Speaker 2: He don't want to go to Cuba.

1201
00:51:49,360 --> 00:51:52,719
Speaker 3: No, he just said I might buy you a bitch

1202
00:51:52,719 --> 00:51:56,560
Speaker 3: of jeep. That was it. Bitch is level I was.

1203
00:51:56,800 --> 00:51:59,040
Speaker 3: I was kind of like upset. He didn't attach nothing

1204
00:51:59,040 --> 00:52:00,560
Speaker 3: to it. He's just gonna buy my bitch of jeep.

1205
00:52:00,760 --> 00:52:03,839
Speaker 2: Bitches love free ship. Bitch just don't want to pay.

1206
00:52:04,360 --> 00:52:06,560
Speaker 3: And like he didn't even if he was like I

1207
00:52:06,640 --> 00:52:08,520
Speaker 3: might buy a bitch of may back, like, oh that's fly,

1208
00:52:08,640 --> 00:52:10,799
Speaker 3: Like you was gonna buy my bitch like an affordable car?

1209
00:52:11,040 --> 00:52:12,000
Speaker 3: Like what's that saying about me?

1210
00:52:14,880 --> 00:52:17,640
Speaker 1: This is how I analyzed cars.

1211
00:52:18,560 --> 00:52:20,160
Speaker 3: I'm not car shaming at all. I drive a mas there,

1212
00:52:20,160 --> 00:52:20,880
Speaker 3: don't get it twisted.

1213
00:52:20,960 --> 00:52:23,120
Speaker 2: But would you allow man to buy your girl a car.

1214
00:52:24,480 --> 00:52:26,400
Speaker 2: I'm just asking, like, what does she be? Like your

1215
00:52:26,400 --> 00:52:28,839
Speaker 2: a friend of mine bought this for me. You're gonna

1216
00:52:28,840 --> 00:52:29,919
Speaker 2: get in like this is nice.

1217
00:52:30,000 --> 00:52:34,799
Speaker 3: You're gonna get You're gonna get down. Then't even get

1218
00:52:34,800 --> 00:52:36,880
Speaker 3: in the car, like get him, this is nice. You

1219
00:52:36,880 --> 00:52:37,880
Speaker 3: start rubbing the arms of it.

1220
00:52:38,000 --> 00:52:42,839
Speaker 2: Now you can't leaven it's that good like her seat. Yeah, nah,

1221
00:52:42,840 --> 00:52:44,000
Speaker 2: you can't. You can't get in the car.

1222
00:52:44,480 --> 00:52:44,919
Speaker 3: They tend.

1223
00:52:45,080 --> 00:52:46,440
Speaker 2: Yeah, you can't get in the car. That the man

1224
00:52:46,440 --> 00:52:47,799
Speaker 2: both for your for your lady.

1225
00:52:48,239 --> 00:52:49,960
Speaker 3: You can't wait, hold on, hold on the way. But

1226
00:52:50,200 --> 00:52:52,080
Speaker 3: I'm mad you' at the getting in the car. I'm

1227
00:52:52,080 --> 00:52:54,120
Speaker 3: not letting the man the car not even get there.

1228
00:52:54,120 --> 00:52:55,640
Speaker 3: But you wouldn't know until the car rides.

1229
00:52:55,640 --> 00:52:57,720
Speaker 2: Like you imagine you go, you look outside your window

1230
00:52:57,960 --> 00:52:59,720
Speaker 2: and you see a bowl on the car in the hood.

1231
00:53:00,360 --> 00:53:00,880
Speaker 2: Who cars this?

1232
00:53:00,960 --> 00:53:02,320
Speaker 3: She's like, oh nah, my friend just boy, he just

1233
00:53:02,360 --> 00:53:05,800
Speaker 3: texted me, say you bought that for me. I was

1234
00:53:05,840 --> 00:53:08,400
Speaker 3: about to make it. Some murdered suicides happened, but no,

1235
00:53:09,040 --> 00:53:09,760
Speaker 3: prove that ship.

1236
00:53:09,760 --> 00:53:12,200
Speaker 1: You can prove if you can prove that she ain't

1237
00:53:12,200 --> 00:53:13,000
Speaker 1: beat that's a free car.

1238
00:53:13,239 --> 00:53:15,320
Speaker 2: You could prove that she ain't bet wait, hold on,

1239
00:53:15,440 --> 00:53:18,279
Speaker 2: that's what you think, like, look me, get my ship off.

1240
00:53:18,360 --> 00:53:20,719
Speaker 2: You crazy? That said, how can I prove that you

1241
00:53:20,760 --> 00:53:22,399
Speaker 2: didn't sleep with that man? How can I prove that?

1242
00:53:22,520 --> 00:53:24,239
Speaker 1: Because if he said that the day we slept together,

1243
00:53:24,320 --> 00:53:25,840
Speaker 1: me and you was actually out.

1244
00:53:25,880 --> 00:53:28,879
Speaker 2: The day you think I want the day the date

1245
00:53:28,960 --> 00:53:32,600
Speaker 2: that y'all slept together. There's no Listen, if a car

1246
00:53:32,680 --> 00:53:35,359
Speaker 2: shows up at my crib for my girl and it's

1247
00:53:35,360 --> 00:53:37,239
Speaker 2: a ribbon noise, she's like, oh, nah, my boy just

1248
00:53:37,280 --> 00:53:37,920
Speaker 2: brought that for me.

1249
00:53:39,040 --> 00:53:39,680
Speaker 1: Okay, let's say.

1250
00:53:39,760 --> 00:53:42,080
Speaker 3: Let's say I don't care if it's her brother, her

1251
00:53:42,160 --> 00:53:46,239
Speaker 3: actual brother, a platonic friend, her gay bestie, no man

1252
00:53:47,400 --> 00:53:49,600
Speaker 3: or woman for that matter, is buying my girl a car?

1253
00:53:49,760 --> 00:53:51,479
Speaker 1: Okay you should?

1254
00:53:51,719 --> 00:53:53,680
Speaker 2: I could if I buy my sister a car, her

1255
00:53:53,719 --> 00:53:55,960
Speaker 2: boyfriend can't tell me nothing? Are you crazy, my sister?

1256
00:53:56,040 --> 00:53:56,719
Speaker 2: Are you kidding me?

1257
00:53:56,880 --> 00:54:00,719
Speaker 3: You don't have silings my sister. Look, let's take let's

1258
00:54:00,760 --> 00:54:03,680
Speaker 3: take fair, fair, fair fair. I still might feel a

1259
00:54:03,680 --> 00:54:05,520
Speaker 3: little way, though I may not say it because I'm.

1260
00:54:05,400 --> 00:54:05,759
Speaker 2: Not allowed to.

1261
00:54:05,960 --> 00:54:10,239
Speaker 3: Why it's her brother, because I could afford a car. No,

1262
00:54:12,239 --> 00:54:16,759
Speaker 3: this is just this is this is not logic. Love

1263
00:54:16,760 --> 00:54:17,840
Speaker 3: it understanding.

1264
00:54:17,880 --> 00:54:19,879
Speaker 2: I love listen this male ego.

1265
00:54:19,960 --> 00:54:23,120
Speaker 3: Yeah, you know, I don't even like my chick being

1266
00:54:23,160 --> 00:54:24,799
Speaker 3: at a section with her friends where another dude bought

1267
00:54:24,800 --> 00:54:28,200
Speaker 3: a bottle. That's different because it's I'm not going to

1268
00:54:28,200 --> 00:54:29,400
Speaker 3: get her weird with me?

1269
00:54:29,560 --> 00:54:32,400
Speaker 2: Is I have if I said, that's different because he's

1270
00:54:32,400 --> 00:54:33,880
Speaker 2: only trying to get her full of the elixure to

1271
00:54:33,920 --> 00:54:36,200
Speaker 2: take advantage of her later on. You know how niggas do.

1272
00:54:36,360 --> 00:54:39,359
Speaker 3: That's nasty first, it is, but that's gross. But we're

1273
00:54:39,360 --> 00:54:40,360
Speaker 3: gonna have a deep conversation.

1274
00:54:41,360 --> 00:54:44,600
Speaker 1: You are right, I just gonna let him get that offure.

1275
00:54:44,600 --> 00:54:46,239
Speaker 2: You know, they bring the cost and migos put their

1276
00:54:46,239 --> 00:54:48,160
Speaker 2: little juices in. It makes it shake it up, you know,

1277
00:54:48,160 --> 00:54:49,160
Speaker 2: it's alexture and all.

1278
00:54:49,200 --> 00:54:50,680
Speaker 3: Definitely bought you bitch new well once.

1279
00:54:50,960 --> 00:54:52,560
Speaker 2: Oh definitely. Yeah.

1280
00:54:52,680 --> 00:54:54,320
Speaker 3: I spent I spent. I spent way too much. I

1281
00:54:54,360 --> 00:54:55,719
Speaker 3: think I might have spent three hundred dollars on new

1282
00:54:55,840 --> 00:54:56,440
Speaker 3: That's way too much.

1283
00:54:56,480 --> 00:54:57,080
Speaker 2: That was terrible.

1284
00:54:57,719 --> 00:54:59,960
Speaker 3: I'm still my securities and insecurities are the weirdest thing

1285
00:55:00,040 --> 00:55:02,600
Speaker 3: world because I'm probably one of the more secure people

1286
00:55:02,640 --> 00:55:05,280
Speaker 3: when it comes to certain things that men are insecure about.

1287
00:55:05,920 --> 00:55:08,520
Speaker 3: I kind of just don't care about them. But like

1288
00:55:08,600 --> 00:55:11,200
Speaker 3: little ship, like, nah, you're not. I don't care what

1289
00:55:11,280 --> 00:55:13,480
Speaker 3: innocently you're not buying my girl nothing. I feel that's

1290
00:55:13,560 --> 00:55:14,120
Speaker 3: never happening.

1291
00:55:14,120 --> 00:55:14,960
Speaker 2: I feel you car, I.

1292
00:55:14,960 --> 00:55:15,960
Speaker 1: Feel like you're calling you broke.

1293
00:55:16,680 --> 00:55:19,719
Speaker 3: Yeah, even when I was broke, I wouldn't like that shit.

1294
00:55:19,760 --> 00:55:23,160
Speaker 3: If an if you buy a girl credit card, if

1295
00:55:23,200 --> 00:55:23,840
Speaker 3: you buy a girl a.

1296
00:55:23,840 --> 00:55:26,360
Speaker 2: Car, that's your bitch, Like that's your you know what

1297
00:55:26,400 --> 00:55:29,279
Speaker 2: I mean, that's just what it is. And y'all won't

1298
00:55:29,320 --> 00:55:31,759
Speaker 2: understand you god like that that ship bitch like you

1299
00:55:31,800 --> 00:55:34,160
Speaker 2: could hit that whenever you want. You know that, like

1300
00:55:34,400 --> 00:55:36,239
Speaker 2: it is what it is, Like, that's my bitch, Like

1301
00:55:36,719 --> 00:55:38,680
Speaker 2: she got a man, but that's because I don't. I

1302
00:55:38,680 --> 00:55:40,480
Speaker 2: can't dedicate that time to her like that, and.

1303
00:55:40,440 --> 00:55:42,200
Speaker 3: I don't be focusing on other men with my male.

1304
00:55:43,239 --> 00:55:44,239
Speaker 3: That ship's cold game.

1305
00:55:44,640 --> 00:55:45,399
Speaker 1: Can you buy me a car?

1306
00:55:45,880 --> 00:55:51,560
Speaker 2: No, that's sick. I like the way it was, Like No, I.

1307
00:55:51,480 --> 00:55:55,640
Speaker 3: Cannot like and also with like if I were to

1308
00:55:55,640 --> 00:55:58,959
Speaker 3: buy Jamaris a gift, I would think in my head

1309
00:55:59,320 --> 00:56:00,799
Speaker 3: she had a signific again other like.

1310
00:56:00,800 --> 00:56:02,200
Speaker 2: Keep it like professional.

1311
00:56:02,280 --> 00:56:04,959
Speaker 3: Well that's why I said no, yeah, because I still

1312
00:56:04,960 --> 00:56:08,719
Speaker 3: give the same break. If she did, I would think

1313
00:56:08,719 --> 00:56:10,880
Speaker 3: about what gift I was given because that wait, do

1314
00:56:10,920 --> 00:56:11,720
Speaker 3: you could cause.

1315
00:56:13,280 --> 00:56:15,719
Speaker 2: You said I might, I might.

1316
00:56:17,080 --> 00:56:19,200
Speaker 1: Cut off that ship. Okay, I don't have a man.

1317
00:56:19,280 --> 00:56:19,480
Speaker 3: Okay.

1318
00:56:20,880 --> 00:56:22,640
Speaker 1: So y'all wanted to buy me a car, y'all.

1319
00:56:22,840 --> 00:56:23,480
Speaker 2: All good, we got it.

1320
00:56:23,560 --> 00:56:25,319
Speaker 3: Okay, But what what happens if you meet a new

1321
00:56:25,360 --> 00:56:27,319
Speaker 3: man and then he asked, oh this is this is

1322
00:56:27,320 --> 00:56:29,160
Speaker 3: fly where you got it? And then don't worry more

1323
00:56:29,200 --> 00:56:29,560
Speaker 3: about it?

1324
00:56:29,680 --> 00:56:32,120
Speaker 1: Y'all are my bosses. It's a company.

1325
00:56:31,680 --> 00:56:37,319
Speaker 2: Car, you see, it's a company car.

1326
00:56:37,440 --> 00:56:37,800
Speaker 3: Company.

1327
00:56:37,800 --> 00:56:39,400
Speaker 2: Well, we're going to the company tomorrow. I want to

1328
00:56:39,400 --> 00:56:41,839
Speaker 2: meet everybody at the company. I want to see who

1329
00:56:41,920 --> 00:56:43,520
Speaker 2: signed off on this. We're gonna get to the bottom

1330
00:56:43,520 --> 00:56:45,279
Speaker 2: of it. Who signed off for? The insurance is under

1331
00:56:45,280 --> 00:56:48,880
Speaker 2: who I wanted to meet? The company? Fuck out the

1332
00:56:49,000 --> 00:56:49,719
Speaker 2: company car.

1333
00:56:49,800 --> 00:56:51,160
Speaker 3: Yeah, but see if.

1334
00:56:51,160 --> 00:56:53,520
Speaker 1: I want and got into a into a relationship with

1335
00:56:53,560 --> 00:56:55,480
Speaker 1: a man and y'all did do something like that for me,

1336
00:56:55,560 --> 00:56:57,520
Speaker 1: Let's say this podcast just blows the funk up, and

1337
00:56:57,560 --> 00:57:00,520
Speaker 1: y'all want to buy me a customized wrangling kind of

1338
00:57:00,520 --> 00:57:02,360
Speaker 1: like the one Little Baby bought jadaway.

1339
00:57:02,480 --> 00:57:02,719
Speaker 3: Whatever.

1340
00:57:02,840 --> 00:57:04,160
Speaker 1: Just you know, if you guys are looking for a

1341
00:57:04,160 --> 00:57:06,919
Speaker 1: blue prison and he had a problem with you, guys

1342
00:57:06,960 --> 00:57:08,560
Speaker 1: doing that for me, I would like look at him

1343
00:57:08,560 --> 00:57:09,280
Speaker 1: like he was crazy.

1344
00:57:09,280 --> 00:57:10,680
Speaker 3: Well, here's the thing. I know. Women are gonna kill

1345
00:57:10,680 --> 00:57:11,719
Speaker 3: me from my male ego and be like, why are

1346
00:57:11,719 --> 00:57:13,359
Speaker 3: you focusing on other men? That's that's some gay ship.

1347
00:57:13,400 --> 00:57:15,839
Speaker 3: That's how women talk, not me. That's what they say.

1348
00:57:15,840 --> 00:57:17,840
Speaker 3: Anytime we have a male ego and talk about things

1349
00:57:17,840 --> 00:57:19,560
Speaker 3: with other men, they say that I didn't say that.

1350
00:57:20,400 --> 00:57:21,640
Speaker 2: Well you said it, but you didn't say it.

1351
00:57:21,720 --> 00:57:22,400
Speaker 3: I was quoting them.

1352
00:57:22,640 --> 00:57:24,120
Speaker 2: I made it hot line, they made it hot song.

1353
00:57:24,160 --> 00:57:27,240
Speaker 3: I get it that the hot song, the hottest song.

1354
00:57:27,280 --> 00:57:32,680
Speaker 3: I get it. That female ego, well, I think surpasses

1355
00:57:32,760 --> 00:57:35,240
Speaker 3: us wild ours is very fragile. Don't get it twisted.

1356
00:57:35,360 --> 00:57:36,840
Speaker 3: I just think y'all have a bigger ego.

1357
00:57:36,840 --> 00:57:37,720
Speaker 1: How do I have a bigger ego?

1358
00:57:37,720 --> 00:57:39,440
Speaker 3: We deal with y'all bought me a birth If a

1359
00:57:39,520 --> 00:57:42,920
Speaker 3: chick buys me a birthday present next Wednesday, and it's

1360
00:57:42,920 --> 00:57:47,480
Speaker 3: better than your present. And you're my girl. Yeah, look

1361
00:57:47,480 --> 00:57:49,760
Speaker 3: at your face, Look at your face, and you pour

1362
00:57:50,080 --> 00:57:51,920
Speaker 3: that one. You shooting this ship up?

1363
00:57:53,200 --> 00:57:55,960
Speaker 2: I shoot up ship. The woman the female ego is crazy,

1364
00:57:56,040 --> 00:57:59,560
Speaker 2: like a quick story my homegirl. I guess she was

1365
00:57:59,560 --> 00:58:03,919
Speaker 2: talking to this guy, and he I think he left

1366
00:58:03,920 --> 00:58:08,440
Speaker 2: a message or message. He left a comment under a

1367
00:58:08,440 --> 00:58:11,960
Speaker 2: a young woman's picture, and me and the other young

1368
00:58:11,960 --> 00:58:15,160
Speaker 2: woman happened to be following each other. So my homegirl

1369
00:58:15,200 --> 00:58:17,000
Speaker 2: hits me. She sends me the girl's picture. She's like, Yo,

1370
00:58:17,040 --> 00:58:19,600
Speaker 2: do you know this girl? So I'm like, yeah, like

1371
00:58:19,640 --> 00:58:22,520
Speaker 2: I don't you know? Don't we just Instagram? We follow

1372
00:58:22,560 --> 00:58:25,600
Speaker 2: each other, like I don't really know her. But and

1373
00:58:25,680 --> 00:58:29,240
Speaker 2: she goes, I need you to slut her out? WHOA?

1374
00:58:30,160 --> 00:58:32,960
Speaker 2: So I'm like, she sounds ill though right, I'm like,

1375
00:58:33,360 --> 00:58:34,640
Speaker 2: I'm like, whoa, you came in hot.

1376
00:58:35,440 --> 00:58:36,680
Speaker 3: You came in hot with that. I was like, WHOA?

1377
00:58:36,760 --> 00:58:38,640
Speaker 3: Was like what do you mean? Like I wasn't even

1378
00:58:38,680 --> 00:58:40,520
Speaker 3: knowing hornytime? You know what I'm saying. I'm like, slutter out.

1379
00:58:41,120 --> 00:58:43,560
Speaker 3: I'm sitting here, you got horny?

1380
00:58:43,600 --> 00:58:46,680
Speaker 5: Some words hit you to a parent, like, oh my god,

1381
00:58:48,360 --> 00:58:50,080
Speaker 5: you want me to slutter someone's daughter?

1382
00:58:50,560 --> 00:58:53,200
Speaker 2: Like what are you talking about? She's like, I don't care.

1383
00:58:53,680 --> 00:58:55,800
Speaker 2: I'll give you money to fly her out. I want

1384
00:58:55,800 --> 00:58:57,360
Speaker 2: you to fucking just just slut her out.

1385
00:58:57,400 --> 00:58:59,800
Speaker 3: I'm like that's fire, and she a madam my god.

1386
00:59:00,040 --> 00:59:02,760
Speaker 2: So so so I was talking to my homegirl about it.

1387
00:59:02,840 --> 00:59:06,840
Speaker 2: I'm like, she was like, that's how women move when

1388
00:59:07,000 --> 00:59:08,400
Speaker 2: you know, they want to show the god that they

1389
00:59:08,520 --> 00:59:10,080
Speaker 2: like the today. This is what you're like, Well, look

1390
00:59:10,120 --> 00:59:13,080
Speaker 2: she's a slut. My homeboys slutted her out.

1391
00:59:13,400 --> 00:59:16,640
Speaker 3: Ah see, but even catch the strategy. But I had

1392
00:59:16,680 --> 00:59:16,920
Speaker 3: to look.

1393
00:59:17,080 --> 00:59:18,840
Speaker 5: All I was thinking about was slutting her out. Yeah,

1394
00:59:19,120 --> 00:59:21,400
Speaker 5: Like I'm like, but male brain, we.

1395
00:59:21,320 --> 00:59:24,160
Speaker 2: Don't we don't think. We don't go that deep into

1396
00:59:24,200 --> 00:59:26,520
Speaker 2: the thought like our shit is more surface. Oh for sure,

1397
00:59:26,560 --> 00:59:27,840
Speaker 2: you know what I'm saying. Like, I'm just like, wait,

1398
00:59:27,920 --> 00:59:31,320
Speaker 2: so she wanted to use me to sluck this young

1399
00:59:31,400 --> 00:59:35,840
Speaker 2: lady out to show the guy that she was talking

1400
00:59:35,880 --> 00:59:39,520
Speaker 2: to or dating that girls that you are out here

1401
00:59:39,600 --> 00:59:41,000
Speaker 2: thirsty for are sluts.

1402
00:59:41,320 --> 00:59:43,920
Speaker 3: Yeah that sounds like a woman thinks that's offensive to

1403
00:59:43,960 --> 00:59:46,000
Speaker 3: YouTube like that. And that's what I had to say.

1404
00:59:46,040 --> 00:59:46,640
Speaker 3: That's fucked up.

1405
00:59:46,680 --> 00:59:48,840
Speaker 2: I'm like, yo, yo, side, that's really fun because if

1406
00:59:48,880 --> 00:59:51,840
Speaker 2: that was the way around, yeah, we'd be crucified.

1407
00:59:52,280 --> 00:59:53,480
Speaker 3: So this is what I'm trying to say. So I'm

1408
00:59:53,480 --> 00:59:55,480
Speaker 3: looking at it like, Yo, it's.

1409
00:59:55,280 --> 00:59:57,440
Speaker 2: So crazy that you would even hit me as the

1410
00:59:57,440 --> 00:59:59,640
Speaker 2: guy that you want to use for his whole skip

1411
01:00:00,880 --> 01:00:01,720
Speaker 2: I used to be a whole.

1412
01:00:01,800 --> 01:00:03,720
Speaker 3: Like I'm I go to my meetings.

1413
01:00:04,080 --> 01:00:05,760
Speaker 2: I go to my meetings every Y're still working on

1414
01:00:05,800 --> 01:00:08,360
Speaker 2: yours every weekend. I make all of my meetings.

1415
01:00:08,880 --> 01:00:09,880
Speaker 3: You are not your mistakes.

1416
01:00:09,960 --> 01:00:11,840
Speaker 1: When did you stop being a hole? Quickly?

1417
01:00:12,240 --> 01:00:14,400
Speaker 3: I stopped being a hole. He's rehearsed this at the

1418
01:00:14,400 --> 01:00:15,360
Speaker 3: meeting right before.

1419
01:00:16,640 --> 01:00:21,040
Speaker 2: Uh what was it two thousand and.

1420
01:00:20,640 --> 01:00:24,120
Speaker 3: Yeah, he's trying to Yeah, remember what girl, what year did?

1421
01:00:24,600 --> 01:00:26,120
Speaker 3: It's given that would get mad if he said a

1422
01:00:26,120 --> 01:00:29,040
Speaker 3: certain way year to take Care come up. You are

1423
01:00:29,160 --> 01:00:31,240
Speaker 3: lying off if you did not stop being a whole

1424
01:00:31,280 --> 01:00:32,120
Speaker 3: twenty eleven.

1425
01:00:31,880 --> 01:00:33,160
Speaker 1: Take Care came out twenty.

1426
01:00:33,440 --> 01:00:35,040
Speaker 2: Yeah, No, it was the other joint. It was the

1427
01:00:35,040 --> 01:00:36,680
Speaker 2: other album it was. That's how I know when I

1428
01:00:36,680 --> 01:00:38,000
Speaker 2: stopped being the whole, Like you gotta know when the

1429
01:00:38,040 --> 01:00:39,960
Speaker 2: album that came up. But no, I haven't been a

1430
01:00:40,000 --> 01:00:42,120
Speaker 2: hole for quite some time.

1431
01:00:42,440 --> 01:00:44,520
Speaker 3: I've slowed down a lot. I don't go out, I

1432
01:00:44,520 --> 01:00:46,520
Speaker 3: don't do ship. You could be a whole. You could

1433
01:00:46,520 --> 01:00:47,960
Speaker 3: be even more of a hole on the comfort of

1434
01:00:48,000 --> 01:00:48,280
Speaker 3: your home.

1435
01:00:49,080 --> 01:00:51,240
Speaker 1: It just be like, oh, I'm a homebody. Yeah, you

1436
01:00:51,280 --> 01:00:53,720
Speaker 1: a whole body. Those homebodies are the biggest holes.

1437
01:00:53,920 --> 01:00:54,680
Speaker 3: Well, you're talking.

1438
01:00:54,520 --> 01:00:57,400
Speaker 2: About chicks that are always taking pictures with the fucking

1439
01:00:57,400 --> 01:01:00,360
Speaker 2: emergency exit signed to the hotel on the door behind, Like,

1440
01:01:00,360 --> 01:01:01,800
Speaker 2: those are chicks that just why are you in the

1441
01:01:01,840 --> 01:01:04,400
Speaker 2: hotel every week? Can we talk about them hoes in.

1442
01:01:04,360 --> 01:01:05,960
Speaker 3: Your own city? You're in a hotel in your own city.

1443
01:01:06,080 --> 01:01:07,840
Speaker 3: I mean that kind of goes without saying. I don't

1444
01:01:07,840 --> 01:01:10,960
Speaker 3: even know who need to speak on that content and non,

1445
01:01:11,400 --> 01:01:12,600
Speaker 3: hold on, we love hose here.

1446
01:01:13,480 --> 01:01:16,000
Speaker 1: But don't put that out in the jacket because in

1447
01:01:16,040 --> 01:01:19,640
Speaker 1: the content creating world now, almost everybody creates free content

1448
01:01:19,720 --> 01:01:20,400
Speaker 1: in hotels.

1449
01:01:20,680 --> 01:01:23,600
Speaker 3: So just letting you know, yeah, only fans content. We

1450
01:01:23,640 --> 01:01:25,440
Speaker 3: got it, we understand. And shouts are one of the

1451
01:01:25,480 --> 01:01:27,200
Speaker 3: only fans. I subscribed the.

1452
01:01:27,120 --> 01:01:29,520
Speaker 1: Bad Baby, by the way, fifty two million.

1453
01:01:29,600 --> 01:01:31,480
Speaker 3: And that's a good point, though I'm not jacking by

1454
01:01:31,640 --> 01:01:32,880
Speaker 3: the way she showed up.

1455
01:01:34,040 --> 01:01:35,000
Speaker 2: I know how photoshop works.

1456
01:01:35,000 --> 01:01:37,040
Speaker 3: I'm not jacking. It was a photo, it was I

1457
01:01:37,040 --> 01:01:38,360
Speaker 3: think she makes a lot of money off that ship.

1458
01:01:38,360 --> 01:01:40,120
Speaker 3: I'm not just sure. No, I think she made first

1459
01:01:40,120 --> 01:01:40,400
Speaker 3: of all.

1460
01:01:40,520 --> 01:01:42,920
Speaker 2: First of all, if she did make fifty two million,

1461
01:01:43,120 --> 01:01:45,040
Speaker 2: she's stupid for telling people she made fifty two million.

1462
01:01:45,120 --> 01:01:46,840
Speaker 3: Number one, Why would she be stupid.

1463
01:01:46,560 --> 01:01:48,240
Speaker 1: For she has the well, only fans, you have to pay.

1464
01:01:48,440 --> 01:01:50,040
Speaker 1: She's not bringing home fifty two million.

1465
01:01:50,320 --> 01:01:50,800
Speaker 3: We know that.

1466
01:01:50,920 --> 01:01:52,680
Speaker 2: Yeah, but I'm saying she's not making an em in

1467
01:01:52,760 --> 01:01:55,440
Speaker 2: telling y'all she's stupid. Fifty two Do I think she

1468
01:01:55,480 --> 01:01:58,360
Speaker 2: made fifty two million? Hell no, I don't. I think

1469
01:01:58,440 --> 01:01:59,800
Speaker 2: she made a lot of fucking money.

1470
01:02:00,160 --> 01:02:00,919
Speaker 3: Fifty two million.

1471
01:02:01,680 --> 01:02:03,000
Speaker 1: I think I believe her. I think you did it

1472
01:02:03,040 --> 01:02:03,680
Speaker 1: and you wont know why.

1473
01:02:03,880 --> 01:02:04,080
Speaker 3: Well.

1474
01:02:04,560 --> 01:02:07,200
Speaker 1: I was having a conversation with a friend of mine

1475
01:02:07,200 --> 01:02:09,360
Speaker 1: and he was like, you know, she just turned you know,

1476
01:02:09,480 --> 01:02:12,200
Speaker 1: of age recently, and she has a little a little

1477
01:02:12,200 --> 01:02:12,880
Speaker 1: girl's body.

1478
01:02:13,080 --> 01:02:16,680
Speaker 2: Yeah, pedophiles out here that want to look at little

1479
01:02:16,720 --> 01:02:18,240
Speaker 2: young girls, young bodies.

1480
01:02:18,600 --> 01:02:22,840
Speaker 3: I get it. Fifty two millionaire, all you got to

1481
01:02:22,880 --> 01:02:24,840
Speaker 3: do is get one rich a couple of rich ones.

1482
01:02:26,280 --> 01:02:27,600
Speaker 1: You get twelve rich ones.

1483
01:02:27,680 --> 01:02:29,880
Speaker 3: I'm not twelve rich ones in a year. Fifty tel

1484
01:02:30,000 --> 01:02:31,680
Speaker 3: rich ones are not going on only fans to give

1485
01:02:31,680 --> 01:02:34,280
Speaker 3: you the money, though, they're just directly give you the money.

1486
01:02:34,360 --> 01:02:36,400
Speaker 1: Yeah, they can find you on only fans, and then

1487
01:02:36,400 --> 01:02:38,200
Speaker 1: I only fans. You guys know, you can tip people,

1488
01:02:38,240 --> 01:02:40,200
Speaker 1: they can send you, you can make personal.

1489
01:02:40,160 --> 01:02:44,320
Speaker 2: I would actually be flying her to them exactly, bring

1490
01:02:44,320 --> 01:02:47,320
Speaker 2: that little young frame here and dance in front of

1491
01:02:47,320 --> 01:02:48,600
Speaker 2: me to fucking baby shark.

1492
01:02:50,480 --> 01:02:53,640
Speaker 3: Yo, this is all right, I'm uncomfortable. That's what these

1493
01:02:53,680 --> 01:02:55,720
Speaker 3: sick niggas want, No I know out there.

1494
01:02:56,560 --> 01:02:59,560
Speaker 2: Yeah, but ma is no, she's of age.

1495
01:02:59,600 --> 01:03:00,320
Speaker 3: No, I know she's of age.

1496
01:03:00,400 --> 01:03:01,720
Speaker 1: How old she might be nineteen?

1497
01:03:02,640 --> 01:03:05,200
Speaker 3: Uh, that's nasty.

1498
01:03:04,960 --> 01:03:06,240
Speaker 1: It's solid nineteen years old.

1499
01:03:06,320 --> 01:03:10,120
Speaker 3: Yeah, that's still she So she turned eighteen, person, and

1500
01:03:10,160 --> 01:03:12,960
Speaker 3: I think you would creep if you say, oh, she's

1501
01:03:13,000 --> 01:03:15,040
Speaker 3: eighteen or she's nineteen. Well, I think that's I also

1502
01:03:15,080 --> 01:03:18,600
Speaker 3: think that's creepy if you justify seventeen to nineteen. Ain't

1503
01:03:18,600 --> 01:03:20,560
Speaker 3: that big of a fucking thing when you when you're

1504
01:03:21,360 --> 01:03:22,640
Speaker 3: let's even past twenty five.

1505
01:03:22,640 --> 01:03:24,520
Speaker 2: How deep that one to go? Because you can shoot

1506
01:03:24,560 --> 01:03:27,800
Speaker 2: porn at eighteen? True, So we watched porn with some

1507
01:03:27,800 --> 01:03:29,280
Speaker 2: of the peoples that we love can die.

1508
01:03:29,200 --> 01:03:31,880
Speaker 1: For our country at eighteen to type a young teen

1509
01:03:32,240 --> 01:03:33,160
Speaker 1: and they pop right up.

1510
01:03:33,440 --> 01:03:33,640
Speaker 3: Yeah.

1511
01:03:33,680 --> 01:03:34,840
Speaker 2: So it's a sick world we live in.

1512
01:03:35,320 --> 01:03:39,760
Speaker 3: She made fifty two million, though, no, I don't think

1513
01:03:39,800 --> 01:03:40,640
Speaker 3: she made fifty two million.

1514
01:03:41,160 --> 01:03:44,040
Speaker 1: Rolls made like three white counted pockets or two million,

1515
01:03:44,080 --> 01:03:44,840
Speaker 1: and she put.

1516
01:03:44,680 --> 01:03:46,800
Speaker 2: Her pockets she put her pockets on display, like I

1517
01:03:46,880 --> 01:03:49,920
Speaker 2: was just the whole breakdown. I was in her pocket.

1518
01:03:49,960 --> 01:03:51,240
Speaker 2: She put it in front of my face, like, oh

1519
01:03:51,240 --> 01:03:53,480
Speaker 2: she put it, put it in my pocket, like, oh,

1520
01:03:53,520 --> 01:03:55,480
Speaker 2: fifty two million. I don't believe it, but okay whatever.

1521
01:03:56,800 --> 01:03:58,880
Speaker 2: But if she did, I mean, hey, listen, shout out

1522
01:03:58,880 --> 01:04:00,400
Speaker 2: to her. That's the hell of a fucking come up.

1523
01:04:00,800 --> 01:04:02,720
Speaker 3: I hadn't heard heard her name in a minute.

1524
01:04:03,320 --> 01:04:05,680
Speaker 2: She was been counting my money. She's been so busy

1525
01:04:05,720 --> 01:04:06,320
Speaker 2: counting money.

1526
01:04:06,920 --> 01:04:08,360
Speaker 3: I mean, I hope she got Doctor Phil like a

1527
01:04:08,440 --> 01:04:09,680
Speaker 3: nice Christmas gift.

1528
01:04:10,960 --> 01:04:12,160
Speaker 2: Why she was on Doctor Phil.

1529
01:04:12,480 --> 01:04:13,880
Speaker 3: That's her bird man, that's who put her on. But

1530
01:04:13,960 --> 01:04:14,560
Speaker 3: that should put her on.

1531
01:04:14,720 --> 01:04:15,600
Speaker 2: That's how she got a start.

1532
01:04:15,880 --> 01:04:19,360
Speaker 3: Yeah, she was like one of the bad kids. Oh

1533
01:04:19,440 --> 01:04:20,960
Speaker 3: she's oh yes, yes, I remember that.

1534
01:04:20,960 --> 01:04:21,440
Speaker 2: I remember that.

1535
01:04:21,480 --> 01:04:24,120
Speaker 1: Yeah, I was cashing outside. Her mother plotted that whole

1536
01:04:24,240 --> 01:04:25,440
Speaker 1: entire Yes, and.

1537
01:04:25,400 --> 01:04:28,920
Speaker 2: Now she's made fifty million dollars from nasty, old, creepy

1538
01:04:28,920 --> 01:04:30,000
Speaker 2: men who like young girls.

1539
01:04:30,240 --> 01:04:31,800
Speaker 3: Her mom was in on that entire thing. That was

1540
01:04:31,800 --> 01:04:33,560
Speaker 3: like a oh, shout out to mom.

1541
01:04:33,760 --> 01:04:36,600
Speaker 1: But people people say that she wasn't but her giving

1542
01:04:36,600 --> 01:04:40,480
Speaker 1: them trauma Forever ship like yeah, this, yeah, every people

1543
01:04:40,520 --> 01:04:42,160
Speaker 1: do weird ship to go viral, as you can see

1544
01:04:42,160 --> 01:04:43,240
Speaker 1: from Buccini's podcast.

1545
01:04:43,320 --> 01:04:50,960
Speaker 3: But anyway, and I was just thinking too, man, like,

1546
01:04:51,240 --> 01:04:54,800
Speaker 3: what were you thinking, Rory? If I could afford a

1547
01:04:54,880 --> 01:04:57,320
Speaker 3: card that's more expensive than a jeep and you buy

1548
01:04:57,320 --> 01:04:59,960
Speaker 3: my bitch of jeep? That was like, she must really

1549
01:05:00,120 --> 01:05:02,919
Speaker 3: like you if she accepts it, Like, because I could,

1550
01:05:03,040 --> 01:05:05,040
Speaker 3: I could buy her a better car than a jeep.

1551
01:05:05,080 --> 01:05:06,080
Speaker 3: But she took the jeep from you.

1552
01:05:06,760 --> 01:05:09,400
Speaker 2: She like you, what about if you tell your girl YO,

1553
01:05:09,560 --> 01:05:11,080
Speaker 2: send it back to him and she'd be like, well,

1554
01:05:11,080 --> 01:05:12,080
Speaker 2: he's not going to accept it.

1555
01:05:13,360 --> 01:05:14,160
Speaker 3: He won't faxt her.

1556
01:05:14,160 --> 01:05:15,240
Speaker 2: Well, he won't take it back.

1557
01:05:16,160 --> 01:05:17,000
Speaker 3: We going to dealership.

1558
01:05:17,000 --> 01:05:18,560
Speaker 2: Then, as you know a lot about him, you know

1559
01:05:18,560 --> 01:05:21,640
Speaker 2: what he won't accept. What he will accept. It's going

1560
01:05:21,720 --> 01:05:23,400
Speaker 2: back packed this ship.

1561
01:05:23,480 --> 01:05:25,080
Speaker 3: Up. I bought a phone.

1562
01:05:25,640 --> 01:05:27,080
Speaker 2: Have I ever bought a girl a phone?

1563
01:05:28,200 --> 01:05:31,200
Speaker 3: Phone? No? I bought a girl a MacBook before mac

1564
01:05:31,360 --> 01:05:34,880
Speaker 3: I've done that too, m h and out the phone

1565
01:05:34,920 --> 01:05:35,640
Speaker 3: with a MacBook.

1566
01:05:36,760 --> 01:05:37,800
Speaker 2: I've gifted women.

1567
01:05:38,000 --> 01:05:39,320
Speaker 3: You cleared, you cleared the credit up.

1568
01:05:39,640 --> 01:05:40,840
Speaker 2: I don't know about that part, but.

1569
01:05:40,920 --> 01:05:43,960
Speaker 3: I bought you paid rent, paid rent.

1570
01:05:44,400 --> 01:05:48,560
Speaker 2: Uh, that's probably used uh some money that I've given

1571
01:05:48,600 --> 01:05:51,800
Speaker 2: her for rent. Yeah, I've never like contacted the landlord

1572
01:05:51,840 --> 01:05:52,600
Speaker 2: and said, hey, this.

1573
01:05:52,480 --> 01:05:56,360
Speaker 3: Is contacting landlord and tenant in four h.

1574
01:05:56,480 --> 01:05:58,920
Speaker 2: Like I'm taking care of it this month. No, I've

1575
01:05:58,920 --> 01:05:59,640
Speaker 2: never done that.

1576
01:06:00,920 --> 01:06:03,320
Speaker 3: Pull them aside in the lobby.

1577
01:06:03,400 --> 01:06:06,720
Speaker 1: Go to gift, Go to gift, Go to gift. You've

1578
01:06:06,720 --> 01:06:08,040
Speaker 1: been dating a girl six months.

1579
01:06:08,080 --> 01:06:10,800
Speaker 3: I can't do that because then if I don't admit that,

1580
01:06:11,280 --> 01:06:13,440
Speaker 3: then there may be women that will start adding up.

1581
01:06:13,440 --> 01:06:14,240
Speaker 3: They all the same gift.

1582
01:06:14,600 --> 01:06:18,680
Speaker 2: Yeah, uh I do. I usually do things like pay

1583
01:06:18,720 --> 01:06:21,440
Speaker 2: attention to some ship that they've been talking about wanting

1584
01:06:21,720 --> 01:06:24,160
Speaker 2: spot spot dates are always.

1585
01:06:23,840 --> 01:06:25,520
Speaker 1: Like that's more for you than for her.

1586
01:06:25,840 --> 01:06:28,520
Speaker 2: I know, I'm not going, oh, well, used.

1587
01:06:28,360 --> 01:06:29,000
Speaker 1: That spot date.

1588
01:06:29,120 --> 01:06:30,920
Speaker 2: So that's like I'm like sitting on a spot date.

1589
01:06:31,160 --> 01:06:32,560
Speaker 2: Like she can go to the spat full dead at

1590
01:06:32,560 --> 01:06:38,120
Speaker 2: the spa, facial massage, Manny Patty, you know, spend a

1591
01:06:38,160 --> 01:06:39,200
Speaker 2: few hours at at the spa.

1592
01:06:39,400 --> 01:06:42,960
Speaker 3: I gifted a woman, uh, painting, accustomed painting of her

1593
01:06:42,960 --> 01:06:45,840
Speaker 3: grandmother that she had just lost. That she really loved you,

1594
01:06:45,960 --> 01:06:49,360
Speaker 3: was in love love. That's that's my it's the homie

1595
01:06:49,520 --> 01:06:51,840
Speaker 3: the queen. Yeah, I mean we're friends to this day.

1596
01:06:52,000 --> 01:06:55,560
Speaker 2: I know friends. We are just running listen, not arguing.

1597
01:06:57,080 --> 01:06:59,920
Speaker 3: It feels like you're arguing with your tone. Here's the

1598
01:07:00,080 --> 01:07:02,480
Speaker 3: like you. It sounds like no, no, no no. That's what

1599
01:07:02,520 --> 01:07:03,280
Speaker 3: people do. They argue.

1600
01:07:05,720 --> 01:07:08,480
Speaker 2: That's what I'm not arguing with that. I believe you, bro.

1601
01:07:09,880 --> 01:07:12,000
Speaker 3: That's usually what people say when they don't believe me,

1602
01:07:12,080 --> 01:07:17,480
Speaker 3: when they don't believe me. Ship yeah, exactly, instant karma. Yeah.

1603
01:07:17,520 --> 01:07:20,120
Speaker 2: I saw a picture of a of a Jack holl

1604
01:07:20,200 --> 01:07:21,760
Speaker 2: on the cover Rolling Stone, and I didn't like it.

1605
01:07:22,840 --> 01:07:23,680
Speaker 3: Damn that.

1606
01:07:23,720 --> 01:07:24,240
Speaker 1: I love Jack.

1607
01:07:24,320 --> 01:07:25,280
Speaker 3: I love Jack too.

1608
01:07:25,400 --> 01:07:28,360
Speaker 2: Listen. I just said I love the fucking nail tech record.

1609
01:07:28,360 --> 01:07:31,520
Speaker 2: I love the first class record talented. Just didn't like

1610
01:07:31,560 --> 01:07:31,960
Speaker 2: the photo.

1611
01:07:33,000 --> 01:07:35,600
Speaker 3: Can you show me photocause will put the photo right

1612
01:07:35,640 --> 01:07:37,320
Speaker 3: exactly like you see it right here? Okay, but I

1613
01:07:37,360 --> 01:07:39,080
Speaker 3: need to actually to comment on Oh you didn't see

1614
01:07:39,080 --> 01:07:42,560
Speaker 3: the photo? Yeah, I just didn't like the photo. I

1615
01:07:42,680 --> 01:07:45,560
Speaker 3: just I love Jack. I think he's an amazing talent.

1616
01:07:45,640 --> 01:07:48,080
Speaker 3: What's well, what was your photo for the wrong stuf?

1617
01:07:48,360 --> 01:07:50,000
Speaker 3: I get but it's.

1618
01:07:51,320 --> 01:07:55,960
Speaker 2: Well, I've rolled some other Stones. I get it. It's

1619
01:07:56,000 --> 01:07:59,880
Speaker 2: a playoff the Michael Jackson thriller Poles. I believe that's

1620
01:07:59,880 --> 01:08:01,440
Speaker 2: how Mike can you put to Michael Jackson thriller.

1621
01:08:01,720 --> 01:08:03,480
Speaker 3: I think Gibbs did that better for his album cover.

1622
01:08:05,320 --> 01:08:06,919
Speaker 2: I think that I think that I think the Jack

1623
01:08:06,920 --> 01:08:08,200
Speaker 2: Harlow Poles was it was a.

1624
01:08:08,120 --> 01:08:08,960
Speaker 3: Place you didn't like it?

1625
01:08:09,000 --> 01:08:10,480
Speaker 1: Did it turn you on? It's turning me on? Did

1626
01:08:10,480 --> 01:08:11,880
Speaker 1: it turn you on? Is that what you don't like it?

1627
01:08:12,000 --> 01:08:18,800
Speaker 3: Wh listen? I like Jack Jackets jackets, No, no, no,

1628
01:08:18,080 --> 01:08:21,479
Speaker 3: no talking to you? Did you just ask me if

1629
01:08:21,520 --> 01:08:22,760
Speaker 3: I was turned on by a minion?

1630
01:08:22,760 --> 01:08:24,479
Speaker 1: Because you can't tell me why you don't like it?

1631
01:08:25,160 --> 01:08:28,040
Speaker 2: Because I just don't think that this is a cool pick.

1632
01:08:28,160 --> 01:08:30,200
Speaker 3: How tight his tanking. But here's the thing. I don't

1633
01:08:30,200 --> 01:08:32,600
Speaker 3: think he shot this for you. He shot this. He

1634
01:08:32,680 --> 01:08:35,360
Speaker 3: shot this for his I g DM request.

1635
01:08:35,120 --> 01:08:38,559
Speaker 2: Well, keeping on your I g not the Rolling Stone exactly,

1636
01:08:38,600 --> 01:08:41,040
Speaker 2: Like this is a magazine you debscribe, it gets sense

1637
01:08:41,040 --> 01:08:43,000
Speaker 2: your house. But I walked past sucking the news stand

1638
01:08:43,000 --> 01:08:44,559
Speaker 2: every day, and I'm going to see the Rolling Stone.

1639
01:08:44,560 --> 01:08:46,400
Speaker 2: And now I have to see Jack covering his nipples.

1640
01:08:46,439 --> 01:08:47,360
Speaker 3: He saw it on his doorstep.

1641
01:08:47,400 --> 01:08:48,639
Speaker 2: Of what is this ship?

1642
01:08:48,840 --> 01:08:51,360
Speaker 3: And Jack's defense? Though I do understand, I have I

1643
01:08:51,360 --> 01:08:52,880
Speaker 3: don't really have poses, so I don't really know what

1644
01:08:52,920 --> 01:08:54,760
Speaker 3: to do. In photos. I have done this one before

1645
01:08:54,760 --> 01:08:56,280
Speaker 3: because I didn't know what to do. You have never

1646
01:08:57,120 --> 01:08:57,920
Speaker 3: had I've probably done this.

1647
01:08:58,080 --> 01:08:59,080
Speaker 2: When have you posed like that?

1648
01:08:59,160 --> 01:09:04,920
Speaker 3: So I wasn't laying down your kidneys. What you stood

1649
01:09:05,000 --> 01:09:05,400
Speaker 3: up and did.

1650
01:09:05,439 --> 01:09:08,080
Speaker 2: This one of my big experience. If you want to

1651
01:09:08,080 --> 01:09:10,519
Speaker 2: praise the flag, it's here, Rory, it's not here. Right

1652
01:09:10,600 --> 01:09:11,840
Speaker 2: here is for the flag.

1653
01:09:11,920 --> 01:09:13,200
Speaker 3: You did the pledge of a legions every day in

1654
01:09:13,200 --> 01:09:13,680
Speaker 3: school right.

1655
01:09:14,000 --> 01:09:14,600
Speaker 2: Unfortunately.

1656
01:09:14,680 --> 01:09:18,080
Speaker 3: Yes, a girl from Manhattan that I know says her

1657
01:09:18,080 --> 01:09:20,599
Speaker 3: school didn't do that. She's lying, that's what I said.

1658
01:09:21,000 --> 01:09:22,840
Speaker 3: And then I started doing the pledge. She's like, I've

1659
01:09:22,880 --> 01:09:24,519
Speaker 3: never heard that that high school. I don't know. I

1660
01:09:24,560 --> 01:09:26,760
Speaker 3: don't think. No, no, no, no no never high school, gret school, yeah,

1661
01:09:26,760 --> 01:09:29,640
Speaker 3: grad school, Yeah, absolutely yeah. Every fucking morning you had to.

1662
01:09:29,760 --> 01:09:31,000
Speaker 3: It was part of it was like home room.

1663
01:09:31,800 --> 01:09:33,439
Speaker 2: They played it over the speaker. You had to stand

1664
01:09:33,479 --> 01:09:34,720
Speaker 2: up and look at the chalk ball.

1665
01:09:34,760 --> 01:09:37,160
Speaker 1: And we had we had like a neighborhood like me.

1666
01:09:37,280 --> 01:09:42,959
Speaker 2: We said in Spanish too, Spanish star spangled banner, National.

1667
01:09:43,040 --> 01:09:45,640
Speaker 1: Religions, Allegians, the Pledge of Allegiance.

1668
01:09:45,320 --> 01:09:46,960
Speaker 2: Spangle banners, the same thing.

1669
01:09:47,280 --> 01:09:53,840
Speaker 3: It's two different records right inside by side. What's the Spanish? Uh,

1670
01:09:53,880 --> 01:09:55,439
Speaker 3: I cannot. I would not be able to tell you

1671
01:09:55,520 --> 01:09:58,240
Speaker 3: that America I used to do. I used to know

1672
01:09:58,280 --> 01:10:01,519
Speaker 3: the Puerto Rican national anthem.

1673
01:10:01,640 --> 01:10:06,040
Speaker 2: Yeah, it was like body can't getty And it was

1674
01:10:06,080 --> 01:10:09,280
Speaker 2: something I heard that I had to learn that. I

1675
01:10:09,320 --> 01:10:12,439
Speaker 2: had to learn it where because when I was in

1676
01:10:12,439 --> 01:10:14,280
Speaker 2: the choir we went to Puerto Rican we had to sing.

1677
01:10:15,800 --> 01:10:16,200
Speaker 3: That makes sense.

1678
01:10:16,200 --> 01:10:17,240
Speaker 2: Sorry, So it was something like that.

1679
01:10:17,240 --> 01:10:18,160
Speaker 3: It was very weird times.

1680
01:10:18,320 --> 01:10:21,280
Speaker 2: But yeah, so this is like a playoff the Thriller I.

1681
01:10:21,240 --> 01:10:24,439
Speaker 3: Believe right and the Pledge of Allegiance. I don't know,

1682
01:10:24,479 --> 01:10:27,639
Speaker 3: there's a bunch of lay down albums like the Thriller.

1683
01:10:27,680 --> 01:10:28,479
Speaker 3: One is not the only one.

1684
01:10:28,600 --> 01:10:31,120
Speaker 2: Well, yeah, Thriller MICUs doesn't have his hand over his.

1685
01:10:31,760 --> 01:10:33,960
Speaker 3: I think this was just maybe Jack just felt like

1686
01:10:34,000 --> 01:10:36,320
Speaker 3: being Jack and just wanted to lay down and just relax.

1687
01:10:36,400 --> 01:10:40,519
Speaker 3: You know, I have never laid like that. Well, you've

1688
01:10:40,520 --> 01:10:42,320
Speaker 3: never been to a picnic and laid in the grass,

1689
01:10:42,439 --> 01:10:44,519
Speaker 3: because that's how I lay when I'm in the in

1690
01:10:44,560 --> 01:10:44,920
Speaker 3: the grass.

1691
01:10:44,920 --> 01:10:47,600
Speaker 2: He's not in the grass.

1692
01:10:47,920 --> 01:10:49,760
Speaker 3: Mentally, he could be in the ground his arm breaking

1693
01:10:49,760 --> 01:10:50,120
Speaker 3: of yours.

1694
01:10:50,120 --> 01:10:50,800
Speaker 1: That's what I feel like.

1695
01:10:51,240 --> 01:10:54,240
Speaker 3: Damn, I really that's what that's what.

1696
01:10:54,160 --> 01:10:57,559
Speaker 1: That poses for? That poses the flex that bicep right there?

1697
01:10:57,680 --> 01:11:01,960
Speaker 3: Wait, that's our toe up. Yeah, that didn't know that

1698
01:11:02,360 --> 01:11:02,680
Speaker 3: to do that?

1699
01:11:02,720 --> 01:11:04,760
Speaker 1: Back with the hit one hip popped out and yeah,

1700
01:11:06,160 --> 01:11:07,519
Speaker 1: so then yeah that's it.

1701
01:11:07,760 --> 01:11:09,200
Speaker 2: Are you looking at Mall's arms?

1702
01:11:10,320 --> 01:11:10,720
Speaker 1: Want to fight?

1703
01:11:10,840 --> 01:11:11,040
Speaker 3: Yeah?

1704
01:11:11,040 --> 01:11:12,880
Speaker 2: I'm still I'm still on that, like she trying me

1705
01:11:12,920 --> 01:11:14,280
Speaker 2: first of what she asked me. If I was turned

1706
01:11:14,320 --> 01:11:16,639
Speaker 2: on and they said Jack's arms are bigger than mine,

1707
01:11:17,120 --> 01:11:18,679
Speaker 2: you don't know how photoshop works to matters.

1708
01:11:18,680 --> 01:11:20,920
Speaker 3: I see you believe bad bad baby what's her name,

1709
01:11:20,960 --> 01:11:21,920
Speaker 3: bad bunny? What's her name?

1710
01:11:22,000 --> 01:11:24,920
Speaker 2: Bad baby? Bad baby? And you believe Jack's arms are

1711
01:11:24,920 --> 01:11:25,320
Speaker 2: that big?

1712
01:11:26,000 --> 01:11:28,599
Speaker 3: All right, Let's see what happens with when Jack put

1713
01:11:28,600 --> 01:11:30,439
Speaker 3: you in the headlock. I'm not doing nothing for I'm

1714
01:11:30,479 --> 01:11:31,240
Speaker 3: not helping you at all.

1715
01:11:31,960 --> 01:11:34,320
Speaker 2: If y'all think that Jack always put me in the headlock?

1716
01:11:35,280 --> 01:11:36,760
Speaker 3: Who do you think he ran down on me in

1717
01:11:36,760 --> 01:11:37,479
Speaker 3: the airport? I didn't know.

1718
01:11:37,479 --> 01:11:38,360
Speaker 2: Did he put you in the headlock?

1719
01:11:38,439 --> 01:11:43,120
Speaker 3: No, he just said put me in Jackson. Ye, Hey,

1720
01:11:43,120 --> 01:11:43,519
Speaker 3: it's small.

1721
01:11:43,520 --> 01:11:44,160
Speaker 2: How you doing, bro?

1722
01:11:44,720 --> 01:11:45,040
Speaker 3: Fanny?

1723
01:11:45,040 --> 01:11:46,360
Speaker 2: Your ship headlocked?

1724
01:11:46,360 --> 01:11:49,080
Speaker 3: What you think this is why Jack can't work out?

1725
01:11:49,160 --> 01:11:51,479
Speaker 3: That can't be Jack's Jack looked like he worked out,

1726
01:11:51,640 --> 01:11:53,640
Speaker 3: like he's in shape. Definitely like he's in shape. But

1727
01:11:53,680 --> 01:11:55,640
Speaker 3: I just didn't like that rolling Stone cover. I like this.

1728
01:11:55,800 --> 01:11:57,760
Speaker 3: I like that picture. I'm more offended by this one

1729
01:11:57,760 --> 01:11:59,720
Speaker 3: than I am the cover that looked like a good old,

1730
01:11:59,720 --> 01:12:03,040
Speaker 3: proud American boy. That looks like a Levi's commercial.

1731
01:12:03,280 --> 01:12:05,120
Speaker 2: Yeah, he's a good proud American boy.

1732
01:12:05,320 --> 01:12:06,120
Speaker 3: You love the problem.

1733
01:12:06,240 --> 01:12:07,200
Speaker 2: That pose is nasty.

1734
01:12:07,640 --> 01:12:10,200
Speaker 3: But see this is the thing that's not.

1735
01:12:10,520 --> 01:12:12,360
Speaker 2: When the shoulders is like this, when you sit.

1736
01:12:12,760 --> 01:12:14,519
Speaker 3: Yeah, I can't even. He's getting his angle with it.

1737
01:12:14,960 --> 01:12:16,320
Speaker 3: He's trying to show the fellas that we can have.

1738
01:12:16,960 --> 01:12:20,760
Speaker 2: This pose is nasty. The marriage, this post.

1739
01:12:22,280 --> 01:12:25,320
Speaker 3: You get them. Don't say, y'all, I'm on jack side here.

1740
01:12:25,479 --> 01:12:30,599
Speaker 3: When you're like that, when you don't ask me cancel

1741
01:12:30,680 --> 01:12:32,040
Speaker 3: my contract?

1742
01:12:32,800 --> 01:12:33,680
Speaker 2: You would sit like that?

1743
01:12:33,800 --> 01:12:34,400
Speaker 3: No, I wouldn't.

1744
01:12:34,439 --> 01:12:36,000
Speaker 2: But that's nasty poses.

1745
01:12:36,439 --> 01:12:37,800
Speaker 1: You like it real quick, worry to the fans.

1746
01:12:37,880 --> 01:12:38,200
Speaker 2: Don't do it.

1747
01:12:38,280 --> 01:12:38,960
Speaker 3: Don't do it. Don't do it.

1748
01:12:38,960 --> 01:12:41,479
Speaker 2: She's trying to trying to sabotage you know, I'm not.

1749
01:12:41,640 --> 01:12:44,240
Speaker 2: Don't do it. They're gonna turn you, bro, They're gonna

1750
01:12:44,240 --> 01:12:46,360
Speaker 2: turn you into it. I'm trying to save the boy.

1751
01:12:46,520 --> 01:12:49,439
Speaker 3: He won't listen. Yeah, I mean.

1752
01:12:50,920 --> 01:12:51,639
Speaker 1: Like when you want to talk.

1753
01:12:51,800 --> 01:12:53,920
Speaker 3: Most of my photos.

1754
01:12:53,080 --> 01:12:54,559
Speaker 2: That's how girls sit on it when they don't want

1755
01:12:54,560 --> 01:12:55,479
Speaker 2: to take it all at first.

1756
01:12:59,160 --> 01:13:01,200
Speaker 1: He's wrong with It's very clear.

1757
01:13:01,240 --> 01:13:06,200
Speaker 3: I'm not. It's like ahead, it's some more that keep sitting.

1758
01:13:06,920 --> 01:13:10,639
Speaker 3: It was all good for it's well enough, like don't

1759
01:13:10,640 --> 01:13:13,520
Speaker 3: try to.

1760
01:13:15,720 --> 01:13:18,880
Speaker 1: For the sorry mall is really horny. He hasn't eating

1761
01:13:18,920 --> 01:13:20,920
Speaker 1: pussy or food. I'm not in ten days.

1762
01:13:21,040 --> 01:13:24,120
Speaker 3: He's delusion that food, Yo, can ask somebody turned it

1763
01:13:24,160 --> 01:13:24,360
Speaker 3: to me.

1764
01:13:24,479 --> 01:13:24,719
Speaker 1: Roy.

1765
01:13:24,760 --> 01:13:27,439
Speaker 2: You saw he was just sitting that's nasty. You can't

1766
01:13:27,680 --> 01:13:30,840
Speaker 2: look at him. The marriage just.

1767
01:13:30,760 --> 01:13:31,760
Speaker 3: Got to look at Jack.

1768
01:13:32,000 --> 01:13:34,080
Speaker 2: Nah, so she got you looking crazy.

1769
01:13:34,680 --> 01:13:37,559
Speaker 3: Just imagine I have curls, yo, Josh crazy.

1770
01:13:38,120 --> 01:13:39,960
Speaker 2: I'm guessing these are all photos in the in the

1771
01:13:40,040 --> 01:13:40,800
Speaker 2: Rollerstone artist.

1772
01:13:40,920 --> 01:13:43,880
Speaker 3: Oh my god, shout to Jack guy. Don't don't let

1773
01:13:43,880 --> 01:13:45,400
Speaker 3: more bring you down.

1774
01:13:45,400 --> 01:13:48,759
Speaker 2: I'm smoke this copor Jack all over. He looked crazy

1775
01:13:48,760 --> 01:13:51,160
Speaker 2: and these peo he los sexy poses are.

1776
01:13:51,080 --> 01:13:52,719
Speaker 3: Crazy saying, y'all, I'm on his side.

1777
01:13:52,760 --> 01:13:57,200
Speaker 2: Men ain't supposed to pose sexy, Yes, they pose sex.

1778
01:13:57,280 --> 01:14:00,519
Speaker 3: Calvin Klein's entire ad ship since thirty.

1779
01:14:00,640 --> 01:14:02,639
Speaker 2: Marky Mark just had on some fucking underwear.

1780
01:14:02,680 --> 01:14:04,880
Speaker 3: Bro that was going house the street right now, there's

1781
01:14:04,920 --> 01:14:06,800
Speaker 3: a big ass common clin billboard with a new dude

1782
01:14:06,840 --> 01:14:09,720
Speaker 3: every other week. Yeah, but that's probably Jaydon Smith will

1783
01:14:09,720 --> 01:14:13,400
Speaker 3: be there tomorrow. I'm sure he's a fucking rapper. Now

1784
01:14:13,400 --> 01:14:14,280
Speaker 3: you about to be a model.

1785
01:14:14,320 --> 01:14:17,360
Speaker 2: That's nasty poses, man, that's that pose is nasty. The

1786
01:14:17,360 --> 01:14:19,040
Speaker 2: one with the two arms on the sides and like

1787
01:14:19,080 --> 01:14:20,759
Speaker 2: you just got out the pool and you're trying to tank.

1788
01:14:21,280 --> 01:14:22,000
Speaker 2: That's nasty.

1789
01:14:22,280 --> 01:14:23,719
Speaker 1: Yeah, he looks like he just shook his curls.

1790
01:14:23,800 --> 01:14:24,719
Speaker 3: Yeah, that's nasty.

1791
01:14:24,760 --> 01:14:27,400
Speaker 1: But hey, get jacket up some pussy. Jack, it's here

1792
01:14:27,439 --> 01:14:27,920
Speaker 1: if you want it.

1793
01:14:27,960 --> 01:14:30,439
Speaker 2: I was thinking, man, some things you can't do for

1794
01:14:30,439 --> 01:14:30,840
Speaker 2: the pussy.

1795
01:14:30,840 --> 01:14:35,400
Speaker 3: I'm stop offering services on you.

1796
01:14:35,520 --> 01:14:38,280
Speaker 2: Ask to Jack Hallow like that, Like see what I'm saying.

1797
01:14:38,640 --> 01:14:42,599
Speaker 3: She just delivered it. Jack is here, yo, and not

1798
01:14:42,640 --> 01:14:44,760
Speaker 3: seeing that because we were trying to we were showing

1799
01:14:44,800 --> 01:14:46,439
Speaker 3: new episode with him and every I can't do that.

1800
01:14:46,680 --> 01:14:48,759
Speaker 1: I wasn't talking about my pussy. I'm saying the pussy

1801
01:14:48,880 --> 01:14:52,360
Speaker 1: is here for if he's not mine.

1802
01:14:53,400 --> 01:14:58,599
Speaker 3: Sounded very specific. Definitely, she's using our platform to sell.

1803
01:14:58,640 --> 01:14:59,040
Speaker 1: That's not.

1804
01:15:01,280 --> 01:15:05,280
Speaker 3: It's a sex trafficking podcast. This is insane. The fuck

1805
01:15:05,400 --> 01:15:05,800
Speaker 3: is going on?

1806
01:15:05,920 --> 01:15:07,960
Speaker 2: Yo, man, Jack, I fuck with Jack Man, but that

1807
01:15:08,000 --> 01:15:09,559
Speaker 2: I had to cut him up for them Rolling Stone

1808
01:15:09,560 --> 01:15:12,720
Speaker 2: Pictures The ship is absolutely crazy. Fuck with Jack Caller though,

1809
01:15:12,720 --> 01:15:14,120
Speaker 2: man dope artist for sure.

1810
01:15:14,360 --> 01:15:17,560
Speaker 3: Same we were trying to get to music that was

1811
01:15:17,600 --> 01:15:20,240
Speaker 3: coming out today, what's coming out of the future. Kaylanie's

1812
01:15:20,240 --> 01:15:21,680
Speaker 3: albums coming out, which I'm really excited for.

1813
01:15:24,120 --> 01:15:26,599
Speaker 2: We Love You Please. Rory told me that you are

1814
01:15:26,640 --> 01:15:29,439
Speaker 2: scared him the last time you saw you as we

1815
01:15:29,479 --> 01:15:31,840
Speaker 2: love you, we support you, and that's that's my I

1816
01:15:31,840 --> 01:15:34,400
Speaker 2: think you're super talented. I think you're super dope and

1817
01:15:34,560 --> 01:15:36,200
Speaker 2: looking forward to this new project I have.

1818
01:15:36,360 --> 01:15:39,559
Speaker 3: I have super high expectations because I view her as

1819
01:15:39,640 --> 01:15:42,519
Speaker 3: a top tier, top fucking tier Army artist.

1820
01:15:43,080 --> 01:15:45,400
Speaker 2: She's an amazing I'm mad she didn't add another verse

1821
01:15:45,439 --> 01:15:46,280
Speaker 2: to that water record.

1822
01:15:46,280 --> 01:15:47,360
Speaker 3: But I see what you're saying.

1823
01:15:47,360 --> 01:15:50,559
Speaker 2: It's so good. Yeah maybe, yeah, I'm mad. I was,

1824
01:15:50,840 --> 01:15:52,360
Speaker 2: come on, Kaylin, give me another.

1825
01:15:54,400 --> 01:15:57,880
Speaker 3: Where is Kaylanie's pen ranked in current R and B.

1826
01:15:58,800 --> 01:16:01,280
Speaker 1: I would say at the top because I'm saying writing

1827
01:16:01,320 --> 01:16:01,879
Speaker 1: the song.

1828
01:16:01,840 --> 01:16:02,519
Speaker 3: That's what I'm saying.

1829
01:16:03,600 --> 01:16:07,320
Speaker 2: No, Kaylanie is definitely the best I don't even want

1830
01:16:07,320 --> 01:16:08,120
Speaker 2: to say female pens.

1831
01:16:08,120 --> 01:16:10,040
Speaker 3: Bet. I'm not even talking about writers that just write

1832
01:16:10,040 --> 01:16:12,080
Speaker 3: and give records. I'm talking about artists that write, they ship.

1833
01:16:13,160 --> 01:16:15,559
Speaker 3: When you're talking just pen outside of Kaylani's music being

1834
01:16:15,600 --> 01:16:17,679
Speaker 3: really well, just focusing on her pen of the current

1835
01:16:17,760 --> 01:16:21,000
Speaker 3: R and B girl, kay Lonnie might be number one, definitely.

1836
01:16:21,360 --> 01:16:22,200
Speaker 3: Kline's pen might.

1837
01:16:22,160 --> 01:16:25,439
Speaker 2: Be number one, number one. I'm not ready to do that.

1838
01:16:26,800 --> 01:16:27,160
Speaker 2: I don't know.

1839
01:16:27,600 --> 01:16:30,040
Speaker 3: Scissors pen is really fucking good, Summer's pen is really

1840
01:16:30,080 --> 01:16:33,680
Speaker 3: fucking good too. But if you just going off like

1841
01:16:34,000 --> 01:16:35,720
Speaker 3: the ship kay Lonnie be writing.

1842
01:16:36,320 --> 01:16:39,360
Speaker 1: Like if you were aligned their lyrics up and not

1843
01:16:39,520 --> 01:16:41,679
Speaker 1: have them sung to you and not have them put

1844
01:16:41,720 --> 01:16:44,320
Speaker 1: behind you in a melody, and you just read is.

1845
01:16:44,280 --> 01:16:46,960
Speaker 3: A post that substance that she puts in her ship

1846
01:16:47,120 --> 01:16:49,599
Speaker 3: is just different. Like, Kaylanie's pen might be number one.

1847
01:16:49,800 --> 01:16:51,880
Speaker 1: Yeah, I agree, and I'm sure.

1848
01:16:51,800 --> 01:16:55,760
Speaker 3: Number one saying as far as like literally just and

1849
01:16:56,120 --> 01:17:00,320
Speaker 3: scissor as well as very much a poet. But if

1850
01:17:00,360 --> 01:17:02,800
Speaker 3: you really just printed out the lyrics and looked at

1851
01:17:02,800 --> 01:17:04,960
Speaker 3: that ship, yeah, Kaylanie might be never one.

1852
01:17:06,160 --> 01:17:08,519
Speaker 2: I'm not mad at that. I mean, Kaylanie is definitely

1853
01:17:08,520 --> 01:17:10,880
Speaker 2: one of the best R and B artists that we have.

1854
01:17:12,640 --> 01:17:14,559
Speaker 2: I'm just trying to think about all the other female pain.

1855
01:17:14,439 --> 01:17:16,720
Speaker 3: And I'm not saying this because are we.

1856
01:17:16,680 --> 01:17:19,599
Speaker 1: Saying Chloe and Halley have a sick ass pen too?

1857
01:17:19,920 --> 01:17:22,240
Speaker 1: Even over her music is not if their music is

1858
01:17:22,240 --> 01:17:25,040
Speaker 1: not for you there if you, like we said, you're printing.

1859
01:17:24,760 --> 01:17:27,559
Speaker 3: Out lyrics, okay, but they they're similar to what because

1860
01:17:27,640 --> 01:17:30,439
Speaker 3: Kaylanie was really really young. She came out so granted

1861
01:17:30,479 --> 01:17:32,040
Speaker 3: she had went through a lot of life experience, but

1862
01:17:32,120 --> 01:17:34,599
Speaker 3: she was still young. And I was like, all right,

1863
01:17:34,600 --> 01:17:37,040
Speaker 3: if she has this talent of pen this young, wait

1864
01:17:37,160 --> 01:17:39,679
Speaker 3: till she goes through more ship, she's gonna be incredible,

1865
01:17:39,680 --> 01:17:43,120
Speaker 3: which is where she's at now. When when Chloe and Haley,

1866
01:17:43,479 --> 01:17:46,439
Speaker 3: Oh my bad. When Chloe and Haley like go through

1867
01:17:46,439 --> 01:17:50,200
Speaker 3: some life ship and like she breaks up with Gunna

1868
01:17:50,280 --> 01:17:54,280
Speaker 3: and like, we're gonna get some real Chloe music because

1869
01:17:54,280 --> 01:17:56,400
Speaker 3: they're super talented and they can really write. They just

1870
01:17:56,439 --> 01:17:59,720
Speaker 3: start have the perspective of a young person. Oh, this

1871
01:18:00,080 --> 01:18:01,840
Speaker 3: ain't really been through it yet. Does Jazmine Sulliman write

1872
01:18:01,840 --> 01:18:04,880
Speaker 3: her own ship? I would think so. Jazmin's definitely up there.

1873
01:18:05,520 --> 01:18:09,240
Speaker 3: Does Mbrea writer her own ship? I would think so. Yeah,

1874
01:18:09,320 --> 01:18:11,040
Speaker 3: I think she's written for other people too.

1875
01:18:11,520 --> 01:18:15,560
Speaker 1: You know who's really underrated seven Streeter. I don't think seven.

1876
01:18:15,360 --> 01:18:18,600
Speaker 3: Rates no, no, no, I've seen, I've I've been in

1877
01:18:18,600 --> 01:18:20,840
Speaker 3: the studio and watching and writes for other artists. She writes,

1878
01:18:21,160 --> 01:18:24,840
Speaker 3: I've watched seven put fucking penda paper. Yeah, her part

1879
01:18:24,960 --> 01:18:27,439
Speaker 3: is great. Seven shit is amazing. I think she probably

1880
01:18:27,520 --> 01:18:29,920
Speaker 3: is taken because she's also in the R and B

1881
01:18:29,960 --> 01:18:32,519
Speaker 3: pop world. I'm sure she's given records.

1882
01:18:32,160 --> 01:18:34,439
Speaker 1: Her well, this is this is my thing with her.

1883
01:18:35,040 --> 01:18:37,000
Speaker 3: I'm just throwing its gonna tell. I just don't know,

1884
01:18:37,040 --> 01:18:39,400
Speaker 3: because they've kept her so mysterious. I don't know if

1885
01:18:39,400 --> 01:18:39,800
Speaker 3: her rites.

1886
01:18:40,080 --> 01:18:41,560
Speaker 2: I just I just find it hard to believe that

1887
01:18:42,479 --> 01:18:44,760
Speaker 2: play as many instruments.

1888
01:18:44,000 --> 01:18:47,200
Speaker 3: As her, right, Yeah, I just think she just has

1889
01:18:47,200 --> 01:18:51,040
Speaker 3: a such an amazing internal team. Absolutely she has.

1890
01:18:51,280 --> 01:18:54,160
Speaker 1: But her first I think HER's best music came from that,

1891
01:18:54,400 --> 01:18:57,880
Speaker 1: her album, that first Grip. This album, I'm pretty sure

1892
01:18:57,880 --> 01:19:00,519
Speaker 1: she wrote that because that was before she was before

1893
01:19:00,560 --> 01:19:02,040
Speaker 1: she had like that.

1894
01:19:01,920 --> 01:19:03,559
Speaker 3: Album is by far.

1895
01:19:03,520 --> 01:19:05,559
Speaker 1: That's one of my favorite albums of all time.

1896
01:19:05,600 --> 01:19:08,479
Speaker 3: And she was talking on that ship. She was talking

1897
01:19:08,520 --> 01:19:09,160
Speaker 3: talking on that But.

1898
01:19:09,200 --> 01:19:13,120
Speaker 1: I'm excited for this Caline album were talking about if

1899
01:19:13,160 --> 01:19:15,800
Speaker 1: we talk about lyrics, Keana today is really underrated when

1900
01:19:15,840 --> 01:19:17,760
Speaker 1: it comes to her lyrics. I don't know if I

1901
01:19:17,760 --> 01:19:20,439
Speaker 1: identify so much because she's an Aries and she talks

1902
01:19:20,439 --> 01:19:23,439
Speaker 1: a lot of spicy shit. That's not like toxic spicy shit.

1903
01:19:23,479 --> 01:19:25,080
Speaker 1: It's just like spicy shit a lot. There's a lot

1904
01:19:25,120 --> 01:19:27,559
Speaker 1: of attitude and a lot of aggression lyrics.

1905
01:19:28,000 --> 01:19:29,120
Speaker 3: Huh, you're an Aries though.

1906
01:19:29,200 --> 01:19:31,799
Speaker 1: Yeah, that's why I said that's I might be biased

1907
01:19:31,840 --> 01:19:32,400
Speaker 1: because I'm there.

1908
01:19:32,800 --> 01:19:33,919
Speaker 3: You said you couldn't identify.

1909
01:19:34,160 --> 01:19:36,960
Speaker 1: No, no, no, I'm saying I don't know if I cannot.

1910
01:19:36,960 --> 01:19:39,000
Speaker 1: It's just because I can identify with her so much

1911
01:19:39,040 --> 01:19:39,840
Speaker 1: because she's in there.

1912
01:19:39,800 --> 01:19:41,120
Speaker 3: Because like you guys are pieces of ship.

1913
01:19:45,080 --> 01:19:47,400
Speaker 1: You know what season it's coming up, and I can't

1914
01:19:48,360 --> 01:19:51,240
Speaker 1: Oh wait, yeah we're here, we're here. Did we decide

1915
01:19:51,240 --> 01:19:51,639
Speaker 1: what we're doing?

1916
01:19:51,640 --> 01:19:55,240
Speaker 3: For the most least talked about sign ever. Maybe that's

1917
01:19:55,240 --> 01:19:56,840
Speaker 3: why I never got into astrology because no one ever

1918
01:19:56,880 --> 01:19:58,160
Speaker 3: talked about my son.

1919
01:20:00,160 --> 01:20:02,200
Speaker 2: It's because Ford kind of like dominated the whole.

1920
01:20:02,080 --> 01:20:07,240
Speaker 3: Tourst okay, but with marketing, Cancer still talked about they

1921
01:20:07,320 --> 01:20:08,439
Speaker 3: had the worst marketing plan ever.

1922
01:20:08,479 --> 01:20:11,479
Speaker 1: They're cancers to cancer so dating a cancer is like

1923
01:20:11,520 --> 01:20:12,160
Speaker 1: having cancer.

1924
01:20:12,360 --> 01:20:14,599
Speaker 3: They're like a crab. What damn have you ever.

1925
01:20:14,560 --> 01:20:15,160
Speaker 1: Dated a cancer?

1926
01:20:15,240 --> 01:20:17,080
Speaker 3: If you did, no one to cancer. I don't know

1927
01:20:17,080 --> 01:20:18,200
Speaker 3: what anyone is.

1928
01:20:18,240 --> 01:20:19,639
Speaker 2: I probably have dated a cancer.

1929
01:20:19,680 --> 01:20:21,840
Speaker 3: I don't know what anyone's. First of all, you started

1930
01:20:21,880 --> 01:20:23,639
Speaker 3: line from me when I wrote that, but you wrote

1931
01:20:23,680 --> 01:20:26,080
Speaker 3: that it's in our sketch. Once you said are you

1932
01:20:26,120 --> 01:20:27,439
Speaker 3: a cancer? I said, I've been called that.

1933
01:20:27,800 --> 01:20:29,200
Speaker 1: Yeah, I didn't steal that bar.

1934
01:20:29,360 --> 01:20:34,400
Speaker 3: You remixed my bar boom. I don't know why. It

1935
01:20:34,439 --> 01:20:38,840
Speaker 3: was so funny. It was a camera on I'm juicing, bro,

1936
01:20:38,960 --> 01:20:40,800
Speaker 3: my energy is all I listened. Bro, I'm just here.

1937
01:20:41,160 --> 01:20:42,960
Speaker 3: I'm gonna put.

1938
01:20:44,040 --> 01:20:52,559
Speaker 2: Else coming out besides coming out Bobby Schmurder.

1939
01:20:53,560 --> 01:20:56,680
Speaker 3: Hm hmm. What are we expecting from? Is this? Is

1940
01:20:56,720 --> 01:20:59,280
Speaker 3: this the full album? I believe this album.

1941
01:20:59,439 --> 01:21:02,680
Speaker 2: Yes, I'm looking forward to this. I need to hear

1942
01:21:02,680 --> 01:21:03,519
Speaker 2: what Bobby cooked up.

1943
01:21:04,040 --> 01:21:06,080
Speaker 1: I have you liked any of his singles that he's

1944
01:21:06,160 --> 01:21:07,280
Speaker 1: released since he's been out?

1945
01:21:08,240 --> 01:21:11,960
Speaker 2: Honestly, not really, But that doesn't mean I won't like

1946
01:21:12,000 --> 01:21:15,240
Speaker 2: the album. Yeah. Sometimes they lead with the wrong records

1947
01:21:15,240 --> 01:21:16,640
Speaker 2: and you're like, why didn't they leave with this? Like

1948
01:21:16,680 --> 01:21:17,280
Speaker 2: this is the one?

1949
01:21:18,160 --> 01:21:19,880
Speaker 3: But I am looking forward to it because I think

1950
01:21:19,920 --> 01:21:22,200
Speaker 3: this is overdue.

1951
01:21:22,400 --> 01:21:25,439
Speaker 2: And he think, yeah, it's all we're doing. Just I'm

1952
01:21:25,479 --> 01:21:27,760
Speaker 2: just happy that he's been able to finish it. I

1953
01:21:27,800 --> 01:21:30,040
Speaker 2: also think it just to get it, just get that

1954
01:21:30,200 --> 01:21:31,040
Speaker 2: ship you.

1955
01:21:31,080 --> 01:21:33,360
Speaker 3: Got off him. I gotta get it off. There was

1956
01:21:33,400 --> 01:21:36,479
Speaker 3: too much anticipation from myself, included when he got out

1957
01:21:36,520 --> 01:21:38,599
Speaker 3: of like all right, you had the hottest record ever,

1958
01:21:38,640 --> 01:21:40,559
Speaker 3: you went to jail for seven years, and then you

1959
01:21:40,600 --> 01:21:42,640
Speaker 3: came back. Like that's too much pressure for someone that

1960
01:21:42,760 --> 01:21:44,920
Speaker 3: just got out of jail when they were a damn

1961
01:21:44,960 --> 01:21:48,880
Speaker 3: there child to be able to come back and try

1962
01:21:48,920 --> 01:21:52,320
Speaker 3: to get back to regular life. Off the anticipation, like

1963
01:21:52,360 --> 01:21:54,240
Speaker 3: I'm glad, just get this one off. Even if this

1964
01:21:54,280 --> 01:21:56,920
Speaker 3: one don't hit, that's fine, Like, just get this shit off,

1965
01:21:57,360 --> 01:22:00,000
Speaker 3: get it off you, and then get back to regular life.

1966
01:22:00,640 --> 01:22:02,360
Speaker 3: I don't think you have to compete because you've been

1967
01:22:02,439 --> 01:22:04,360
Speaker 3: gone for so many years. Don't think you have to

1968
01:22:04,400 --> 01:22:08,160
Speaker 3: compete with the people that have been free for mad years.

1969
01:22:08,200 --> 01:22:11,240
Speaker 2: Like this album feels like it's to close that chapter, yeah,

1970
01:22:11,400 --> 01:22:14,200
Speaker 2: and to move forward. So that's why to me, it's

1971
01:22:14,240 --> 01:22:16,639
Speaker 2: important that he got this album done and got it out.

1972
01:22:16,640 --> 01:22:19,400
Speaker 2: So congratulations to Bobby Schmurder on getting his album done,

1973
01:22:19,439 --> 01:22:22,040
Speaker 2: getting it out. I know, for you know, artists, getting

1974
01:22:22,040 --> 01:22:24,320
Speaker 2: a release date and actually you know, seeing that release

1975
01:22:24,400 --> 01:22:26,679
Speaker 2: date and seeing your project go out into the world

1976
01:22:26,840 --> 01:22:29,000
Speaker 2: is a big is a big deal, especially from somebody

1977
01:22:29,000 --> 01:22:30,639
Speaker 2: like Bobby who has been through what he's been through.

1978
01:22:31,680 --> 01:22:33,320
Speaker 2: So I know this is a is a proud time

1979
01:22:33,360 --> 01:22:35,080
Speaker 2: for him in a in a big moment for him.

1980
01:22:35,080 --> 01:22:36,879
Speaker 2: So salute to Bobby Schmurder.

1981
01:22:37,080 --> 01:22:41,320
Speaker 3: And I'm excited anytime there's more Rowdy versus I'm excited.

1982
01:22:41,080 --> 01:22:44,880
Speaker 2: Yeah, because Rowdy is a He's a star. He's I

1983
01:22:44,880 --> 01:22:46,719
Speaker 2: always said he was a He's a star.

1984
01:22:47,040 --> 01:22:48,400
Speaker 3: I mean, computers is the one.

1985
01:22:49,479 --> 01:22:51,439
Speaker 2: I ain't gotta talk about that. That's that's the one

1986
01:22:51,439 --> 01:22:58,520
Speaker 2: from them, Action Bronson and Alchemist, Yeah, and and and Alchemy.

1987
01:22:58,960 --> 01:23:02,120
Speaker 2: I call him Alchemy, my man, Alchemy, Action Brons, el

1988
01:23:02,240 --> 01:23:05,639
Speaker 2: Cocodrilourbo And then I say that right, uh ed El

1989
01:23:05,680 --> 01:23:11,160
Speaker 2: Coco Drido, El Coco Drido Threeohdrillo.

1990
01:23:10,920 --> 01:23:15,280
Speaker 3: Thrio El Cocorio Turbo. I think I think Alchemists may

1991
01:23:15,320 --> 01:23:17,960
Speaker 3: have some ship on this because he was I've never

1992
01:23:18,000 --> 01:23:23,320
Speaker 3: seen also like confidently move through public at Coachella, like

1993
01:23:23,400 --> 01:23:25,080
Speaker 3: al doesn't like people. Al is one of those people

1994
01:23:25,120 --> 01:23:27,439
Speaker 3: that lives in the studio. He chills and get everyone

1995
01:23:27,479 --> 01:23:29,599
Speaker 3: the fuck away from me. I'm a genius and I

1996
01:23:29,760 --> 01:23:34,960
Speaker 3: don't like human interaction unless it's with people from Queensbridge,

1997
01:23:36,479 --> 01:23:39,440
Speaker 3: right right, I only feel comfortable in the studio in Queensbridge.

1998
01:23:40,320 --> 01:23:42,760
Speaker 3: I was moving through Coachella, man, I went to the

1999
01:23:42,800 --> 01:23:44,680
Speaker 3: Griselta set, then went to the EO one and then

2000
01:23:45,120 --> 01:23:46,639
Speaker 3: mad time. It passed and I just wanted to catch

2001
01:23:46,720 --> 01:23:51,680
Speaker 3: Vince and I'm standing in GA watching Vince out comes. Well,

2002
01:23:51,680 --> 01:23:54,400
Speaker 3: I'm like, you're still here. I thought you was jetting.

2003
01:23:54,439 --> 01:23:56,400
Speaker 3: After that, Griselda said, no, I'm chilling.

2004
01:23:56,479 --> 01:23:57,560
Speaker 2: I'm walking around.

2005
01:23:59,240 --> 01:24:01,679
Speaker 3: Might be some shit on that album, man, I'm looking

2006
01:24:01,680 --> 01:24:04,000
Speaker 3: forward to it. He was confident. Fuck with Action.

2007
01:24:04,160 --> 01:24:07,320
Speaker 2: I think he's the biggest one of the biggest personalities

2008
01:24:07,360 --> 01:24:09,320
Speaker 2: in our culture, is not. I don't think there's nothing

2009
01:24:09,360 --> 01:24:12,280
Speaker 2: you can't put Action to do in front of a camera,

2010
01:24:12,320 --> 01:24:13,639
Speaker 2: and he's not going to fucking deliver.

2011
01:24:13,760 --> 01:24:16,960
Speaker 3: So yeah, and I love the last project that I

2012
01:24:17,200 --> 01:24:19,120
Speaker 3: and Action did. Uh is that maybe a year and

2013
01:24:19,160 --> 01:24:20,760
Speaker 3: a half ago that they came back a year they

2014
01:24:20,800 --> 01:24:25,639
Speaker 3: came back pretty quick. Yeah, so excited for that, but uh,

2015
01:24:25,800 --> 01:24:26,879
Speaker 3: give us the quick hits.

2016
01:24:27,439 --> 01:24:32,479
Speaker 2: The Brooklyn Nets got swept. Uh, And I'm being honest,

2017
01:24:32,479 --> 01:24:34,960
Speaker 2: that was a disappointment for me. I had Brooklyn going

2018
01:24:35,000 --> 01:24:37,760
Speaker 2: to at least the Eastern Conference Finals.

2019
01:24:38,120 --> 01:24:39,240
Speaker 3: If not a chance to win it.

2020
01:24:39,320 --> 01:24:42,920
Speaker 2: Yeah, and Katie and Kyrie getting swept is one of

2021
01:24:42,920 --> 01:24:45,639
Speaker 2: the biggest for me, one of the biggest disappointments ever.

2022
01:24:46,240 --> 01:24:49,320
Speaker 2: I just I don't I still don't understand how to happen.

2023
01:24:49,320 --> 01:24:53,360
Speaker 2: And again, I don't like to blame coaches. I hate

2024
01:24:53,400 --> 01:24:57,320
Speaker 2: doing that because coaches don't play. But the Nets lost

2025
01:24:57,400 --> 01:25:03,600
Speaker 2: every game by uh four points, five points. To me,

2026
01:25:03,760 --> 01:25:10,800
Speaker 2: that's substitutions, that's play calling, that's timeouts, that's you know,

2027
01:25:10,880 --> 01:25:13,439
Speaker 2: it's little nuances of the game that the coach can

2028
01:25:13,520 --> 01:25:16,400
Speaker 2: kind of play with. And that says to me, like,

2029
01:25:17,160 --> 01:25:19,240
Speaker 2: you know, if you only lose him by four points

2030
01:25:20,120 --> 01:25:23,040
Speaker 2: every game, I gotta look at the coach and say, Yo,

2031
01:25:23,320 --> 01:25:24,960
Speaker 2: maybe shouldn't have took that guy out at that time,

2032
01:25:25,040 --> 01:25:26,680
Speaker 2: should have put this guy in instead of him? You

2033
01:25:26,680 --> 01:25:29,080
Speaker 2: should have little things like that. Then of course, free

2034
01:25:29,120 --> 01:25:31,120
Speaker 2: throws missing free throws, you know, it comes down to

2035
01:25:31,120 --> 01:25:33,320
Speaker 2: that type of shit. But it's just a big disappointment

2036
01:25:33,360 --> 01:25:36,040
Speaker 2: to me that the Nets got swept. And I love

2037
01:25:36,160 --> 01:25:39,800
Speaker 2: Jason Tatum. I think he's I said it his rookie

2038
01:25:39,840 --> 01:25:41,760
Speaker 2: year when he dunked on Lebron in the playoffs and

2039
01:25:41,760 --> 01:25:43,479
Speaker 2: they were still down by like six or eight at

2040
01:25:43,520 --> 01:25:45,560
Speaker 2: that time, and it was like twenty seconds left and

2041
01:25:45,600 --> 01:25:46,920
Speaker 2: he was yelling in Lebron's face.

2042
01:25:47,439 --> 01:25:48,960
Speaker 3: I'm like, younger, y'all about to go home.

2043
01:25:49,000 --> 01:25:52,360
Speaker 2: But I like that energy. Yeah, obviously grew up watching

2044
01:25:52,400 --> 01:25:54,120
Speaker 2: Lebron and for him to have that moment and dunk

2045
01:25:54,120 --> 01:25:56,439
Speaker 2: on Lebron in the playoffs, you know it just it

2046
01:25:56,520 --> 01:25:59,920
Speaker 2: shows the type of player that Jason Tatum is back

2047
01:26:00,040 --> 01:26:02,600
Speaker 2: than his rookie year. So I love Jason Tatum. I

2048
01:26:02,600 --> 01:26:04,759
Speaker 2: think Jaylen Brown is one of the most underrated players

2049
01:26:04,760 --> 01:26:09,840
Speaker 2: in the NBA. Marcus Smart is obviously defensive Player of

2050
01:26:09,880 --> 01:26:12,200
Speaker 2: the Year. To me, still one of the most underrated

2051
01:26:12,200 --> 01:26:15,280
Speaker 2: players in the NBA. They have a great team. I

2052
01:26:15,280 --> 01:26:18,519
Speaker 2: think they The Boston Celtics head coach is a great coach.

2053
01:26:18,560 --> 01:26:22,519
Speaker 2: He comes from the Greg Popovich tree. But I still

2054
01:26:22,560 --> 01:26:24,559
Speaker 2: didn't expect them to sweep the fucking Brooklyn Nets.

2055
01:26:24,560 --> 01:26:28,559
Speaker 3: Bro. I mean, as my friend Ash put it, who

2056
01:26:28,560 --> 01:26:31,320
Speaker 3: works in sports, media and shit, She tweeted. Steve Nash

2057
01:26:31,400 --> 01:26:35,400
Speaker 3: needs to come up off them courtside seats. Brooklyn needs

2058
01:26:35,400 --> 01:26:37,439
Speaker 3: to take his court side seats away. You're not doing nothing,

2059
01:26:38,040 --> 01:26:39,960
Speaker 3: You're just watching the game courts size. It's not only that.

2060
01:26:40,120 --> 01:26:42,479
Speaker 2: It's not that Steve Nash isn't doing anything. And I

2061
01:26:42,479 --> 01:26:44,439
Speaker 2: love Steve Nash, one of my favorite point guards ever.

2062
01:26:44,680 --> 01:26:46,400
Speaker 2: Has nothing to do with his coach, No, no, no, But

2063
01:26:46,439 --> 01:26:49,599
Speaker 2: the thing is, the players said early in the season

2064
01:26:49,640 --> 01:26:52,160
Speaker 2: that they don't need him or they feel like they

2065
01:26:52,160 --> 01:26:53,840
Speaker 2: didn't need him all their coaching themselves type. But I

2066
01:26:53,880 --> 01:26:56,120
Speaker 2: think whatever they said, and to me, that says a

2067
01:26:56,120 --> 01:26:58,439
Speaker 2: lot like when you publicly say that or you feel

2068
01:26:58,439 --> 01:27:00,240
Speaker 2: like ye're like, nah, we don't need no coach.

2069
01:27:00,160 --> 01:27:02,519
Speaker 3: And not in a Lebron situation where he is the

2070
01:27:02,560 --> 01:27:04,920
Speaker 3: coach and we're just gonna put someone there, like he's like, no,

2071
01:27:04,960 --> 01:27:05,559
Speaker 3: we need a coach.

2072
01:27:05,880 --> 01:27:07,480
Speaker 2: Yeah, So that's a disappointment.

2073
01:27:07,600 --> 01:27:09,839
Speaker 3: Uh. But slew to the Boston Celtics.

2074
01:27:10,920 --> 01:27:12,800
Speaker 2: I think that the Bucks beat the ball, So the

2075
01:27:12,840 --> 01:27:15,240
Speaker 2: Bucks in the Celtics now will play each other. That's

2076
01:27:15,240 --> 01:27:19,200
Speaker 2: gonna be fun to watch. The Warriors beat the Nuggets

2077
01:27:19,280 --> 01:27:24,120
Speaker 2: last night. Steph Curry Uh, Steph has that he has

2078
01:27:24,160 --> 01:27:26,559
Speaker 2: that that that that look in his eye, He has

2079
01:27:26,600 --> 01:27:29,600
Speaker 2: that that bounce to him where it looks like he

2080
01:27:29,720 --> 01:27:30,960
Speaker 2: might be going for another ring.

2081
01:27:31,680 --> 01:27:32,080
Speaker 3: Mm hmm.

2082
01:27:33,000 --> 01:27:37,599
Speaker 2: He got his partner back in Klay Thompson. Dremond seems

2083
01:27:37,640 --> 01:27:40,559
Speaker 2: to have found another gear as far as just passion

2084
01:27:40,680 --> 01:27:44,920
Speaker 2: and and you know, just leading the team defensively. Jordan Poole,

2085
01:27:44,920 --> 01:27:46,479
Speaker 2: I think is gonna be one of the best players

2086
01:27:46,479 --> 01:27:48,000
Speaker 2: in the league for a few years to come.

2087
01:27:48,800 --> 01:27:49,120
Speaker 3: Uh.

2088
01:27:49,560 --> 01:27:51,880
Speaker 2: I think they got it still with Gary Payton junr.

2089
01:27:53,040 --> 01:27:54,880
Speaker 2: The Warriors have a really good team and they missing

2090
01:27:54,960 --> 01:27:55,920
Speaker 2: it starting big man.

2091
01:27:56,000 --> 01:27:57,800
Speaker 3: So the Warriors got a really good team.

2092
01:27:57,840 --> 01:28:00,240
Speaker 2: I think Steph Curry, you know, he's back in in

2093
01:28:00,360 --> 01:28:05,280
Speaker 2: championship form, I believe. But I still like the Phoenix Suns.

2094
01:28:05,280 --> 01:28:07,360
Speaker 2: That Devin Booker injury scares me. I don't I don't

2095
01:28:07,400 --> 01:28:10,640
Speaker 2: know exactly how long he's gonna be out. But I

2096
01:28:10,640 --> 01:28:12,600
Speaker 2: want Chris Paul to get a ring. I said it

2097
01:28:12,680 --> 01:28:14,840
Speaker 2: last year they got to the finals. I want Chris

2098
01:28:14,880 --> 01:28:18,320
Speaker 2: Paul to get a ring. But yeah, man, you know,

2099
01:28:18,720 --> 01:28:20,240
Speaker 2: we got to continue to watch it because right now,

2100
01:28:20,240 --> 01:28:24,280
Speaker 2: I don't know injuries and you know, the Celtics doing

2101
01:28:24,320 --> 01:28:26,920
Speaker 2: what they did. It's like, you know, everything that I

2102
01:28:26,920 --> 01:28:29,559
Speaker 2: thought was gonna happen in Memphis too. Shout out them

2103
01:28:29,760 --> 01:28:32,559
Speaker 2: to the Grizzlies because they I don't they play tonight,

2104
01:28:32,600 --> 01:28:36,040
Speaker 2: I believe or they played play tonight, So we'll see

2105
01:28:36,040 --> 01:28:39,800
Speaker 2: where that series go. But yeah, man, shout out to KD.

2106
01:28:39,920 --> 01:28:42,680
Speaker 2: Shout out to Kyrie, two of my favorite players. I

2107
01:28:42,720 --> 01:28:45,080
Speaker 2: know it's been a long year on and off the

2108
01:28:45,120 --> 01:28:49,400
Speaker 2: court for for both of those players. Sad to see

2109
01:28:49,439 --> 01:28:52,040
Speaker 2: them go out the way they did, but I know

2110
01:28:52,080 --> 01:28:54,800
Speaker 2: they'll be back next year and hopefully they'll have a

2111
01:28:54,840 --> 01:28:56,960
Speaker 2: new fire up under them and you know, they'll have

2112
01:28:57,000 --> 01:29:00,960
Speaker 2: a new new passion. And you know, they obviously loved

2113
01:29:00,960 --> 01:29:02,400
Speaker 2: the game. But I think this ship just a lot

2114
01:29:02,400 --> 01:29:04,720
Speaker 2: of you know, political ship and off the court ship

2115
01:29:04,840 --> 01:29:07,120
Speaker 2: kind of gotten away and kind of drained them mentally.

2116
01:29:07,640 --> 01:29:09,320
Speaker 3: Yeah, and I.

2117
01:29:09,320 --> 01:29:11,759
Speaker 2: Think they didn't have enough time together to really gel

2118
01:29:12,840 --> 01:29:16,040
Speaker 2: as much as they should have. But you know, things happened.

2119
01:29:16,280 --> 01:29:18,080
Speaker 2: Not to take nothing away from the bosson Celsis, they

2120
01:29:18,120 --> 01:29:19,800
Speaker 2: played great. Shout out to the Celtics, Shout out to

2121
01:29:19,800 --> 01:29:22,599
Speaker 2: their fans. Uh, But yeah, man, I still got Phoenix.

2122
01:29:22,760 --> 01:29:25,679
Speaker 2: I like Phoenix, I like Golden State and I like, Uh,

2123
01:29:26,200 --> 01:29:29,599
Speaker 2: I like Boston, so we'll see what happens there.

2124
01:29:30,600 --> 01:29:33,640
Speaker 3: Uh what else we got, Rory, I wanted to give

2125
01:29:33,680 --> 01:29:34,880
Speaker 3: us the quick gossipy hits.

2126
01:29:35,720 --> 01:29:38,760
Speaker 1: There's I think you guys talked everything mainly gossip. There's

2127
01:29:38,760 --> 01:29:42,919
Speaker 1: nothing really happened. Okay, Steven went off on Ben Simmons, Steve.

2128
01:29:43,160 --> 01:29:43,639
Speaker 2: Off and everybody.

2129
01:29:43,680 --> 01:29:44,400
Speaker 3: I saw him go off on.

2130
01:29:44,520 --> 01:29:47,759
Speaker 2: Uh the Netskins swept and he kind of blamed Kyrie

2131
01:29:47,840 --> 01:29:52,200
Speaker 2: for that, And listen, man, I it's the vaccine. Yeah,

2132
01:29:52,280 --> 01:29:55,920
Speaker 2: I you know, listen, I get it. But you can't

2133
01:29:55,920 --> 01:29:57,360
Speaker 2: blame one one person for that.

2134
01:29:57,680 --> 01:30:00,599
Speaker 3: They played, They played hard. They had some off games.

2135
01:30:00,680 --> 01:30:02,960
Speaker 2: Katie and Kyrie had some games where it was kind

2136
01:30:02,960 --> 01:30:05,040
Speaker 2: of they you know, it just wasn't there night. But again,

2137
01:30:05,040 --> 01:30:06,880
Speaker 2: they only lost it. They didn't get blown out any

2138
01:30:06,880 --> 01:30:08,360
Speaker 2: of the games. They lost by like four and a

2139
01:30:08,400 --> 01:30:10,439
Speaker 2: half points each game or something like that. So it's not,

2140
01:30:11,080 --> 01:30:13,639
Speaker 2: you know, it's not like they got their asses kicked.

2141
01:30:13,680 --> 01:30:15,040
Speaker 2: They just they didn't close out.

2142
01:30:15,080 --> 01:30:15,880
Speaker 3: It doesn't really matter.

2143
01:30:15,960 --> 01:30:17,760
Speaker 2: I know, it should lose every game by one and

2144
01:30:17,800 --> 01:30:19,439
Speaker 2: win the championship, you know what I'm saying. So it's

2145
01:30:19,479 --> 01:30:22,519
Speaker 2: like it is what it is. But yeah, I mean

2146
01:30:22,520 --> 01:30:22,880
Speaker 2: you could not.

2147
01:30:23,240 --> 01:30:24,479
Speaker 3: You can cancel your tour and have to go in

2148
01:30:24,479 --> 01:30:26,200
Speaker 3: the press run like anything's possible.

2149
01:30:28,400 --> 01:30:29,479
Speaker 1: There's something in the water.

2150
01:30:29,720 --> 01:30:30,120
Speaker 3: Uh.

2151
01:30:30,320 --> 01:30:34,000
Speaker 1: Lineup came out in festival. It's coming back and had

2152
01:30:34,000 --> 01:30:37,160
Speaker 1: a hiatus for a couple of years. It's not in

2153
01:30:37,240 --> 01:30:39,280
Speaker 1: Virginia Beach anymore. It's in DC.

2154
01:30:40,160 --> 01:30:43,720
Speaker 3: I saw that that festival lineup is crazy. It's a

2155
01:30:43,720 --> 01:30:48,080
Speaker 3: lot of talent, I mean emotional oranges. Yeah, yeah, you

2156
01:30:48,120 --> 01:30:50,080
Speaker 3: know the oranges had to be there, of course. Yeah,

2157
01:30:50,200 --> 01:30:51,679
Speaker 3: well you can't. You can't have something in the water

2158
01:30:51,680 --> 01:30:54,960
Speaker 3: without orange is always in the water. Yeo, Roy, shut

2159
01:30:55,000 --> 01:30:58,879
Speaker 3: the fuck up, but we out, of course, you think

2160
01:30:58,560 --> 01:31:04,800
Speaker 3: I'll take care of it. Okay, listen, man, I it's

2161
01:31:04,840 --> 01:31:09,519
Speaker 3: gonna sound corny. I'm honored. The emotional argest part of that,

2162
01:31:10,200 --> 01:31:15,679
Speaker 3: I don't even know what worries me is how we're

2163
01:31:15,720 --> 01:31:18,120
Speaker 3: even going to experience all of that. Yeah, like with

2164
01:31:18,320 --> 01:31:22,080
Speaker 3: the stages and how they I'm gonna miss five acts

2165
01:31:22,080 --> 01:31:24,160
Speaker 3: that I'm gonna want to see to go see another

2166
01:31:24,200 --> 01:31:27,000
Speaker 3: act like that is what kind of sucks with festivals

2167
01:31:27,000 --> 01:31:28,160
Speaker 3: that have insane lineups.

2168
01:31:28,200 --> 01:31:30,080
Speaker 1: A couple of people that are on there just to

2169
01:31:30,080 --> 01:31:33,200
Speaker 1: give the listeners some back up Forell and friends and

2170
01:31:33,240 --> 01:31:35,840
Speaker 1: some people they can't announce. I'm excited about whoever the

2171
01:31:35,880 --> 01:31:37,360
Speaker 1: fuck those people are gonna be. I know I'm gonna

2172
01:31:37,360 --> 01:31:39,519
Speaker 1: be excited. You have Lucky Day, you have a little

2173
01:31:39,600 --> 01:31:42,400
Speaker 1: uzi vert little Baby.

2174
01:31:41,520 --> 01:31:42,439
Speaker 2: Has the album of the year.

2175
01:31:42,960 --> 01:31:45,400
Speaker 3: So far, Well, Caylni comes out today.

2176
01:31:45,600 --> 01:31:47,800
Speaker 1: So far, that's what so far, that's what so far

2177
01:31:47,840 --> 01:31:52,000
Speaker 1: comes here y, Yeah, Tiana is going to be making

2178
01:31:52,040 --> 01:31:55,559
Speaker 1: her come back. There uh snow a legras a brand

2179
01:31:55,600 --> 01:32:01,040
Speaker 1: of Claudio, Roddy Rich Tear a Whack Usher Tyler, Creator

2180
01:32:01,760 --> 01:32:04,760
Speaker 1: Black Ashanti and Jah Rule, Calvin Harris. I am not

2181
01:32:04,800 --> 01:32:09,840
Speaker 1: missing that for anything. Chloe and Haley, like every everybody is.

2182
01:32:10,479 --> 01:32:11,679
Speaker 3: It's everyone we love.

2183
01:32:11,560 --> 01:32:13,560
Speaker 1: And Emotional Oranges, Earth Gang.

2184
01:32:13,479 --> 01:32:16,400
Speaker 3: Fucking Usher is on this bill. Yeah you know that

2185
01:32:16,840 --> 01:32:18,639
Speaker 3: Dave Matthews band is on this blast.

2186
01:32:19,080 --> 01:32:19,320
Speaker 1: Yeah.

2187
01:32:19,360 --> 01:32:22,120
Speaker 3: That is insane that Lina business saying we should have

2188
01:32:22,200 --> 01:32:22,760
Speaker 3: some fun there.

2189
01:32:23,000 --> 01:32:24,479
Speaker 1: Push your tea, Push your tea.

2190
01:32:24,800 --> 01:32:27,800
Speaker 3: Pharrell and friends and some people we can't announce. How

2191
01:32:27,800 --> 01:32:32,800
Speaker 3: you can't announce the friends Carell and friends plus friends.

2192
01:32:33,160 --> 01:32:34,880
Speaker 2: And friends just means he's going to have some of

2193
01:32:34,880 --> 01:32:38,200
Speaker 2: his friends come out, but he doesn't have any confirmations yet.

2194
01:32:38,320 --> 01:32:39,720
Speaker 3: Oh no, of course, I mean I know how the

2195
01:32:39,920 --> 01:32:42,240
Speaker 3: friends thing goes. But then also you put in some

2196
01:32:42,280 --> 01:32:44,960
Speaker 3: people we can't announce and friends and some people.

2197
01:32:45,320 --> 01:32:48,280
Speaker 2: Yes, yeah, because some of those some of the people

2198
01:32:48,320 --> 01:32:51,200
Speaker 2: we can't announce. It's not my friends. Those at my friends.

2199
01:32:51,240 --> 01:32:52,320
Speaker 2: They just artists that I've worked.

2200
01:32:52,360 --> 01:32:53,799
Speaker 3: Yeah, exactly, you know what I'm saying.

2201
01:32:53,960 --> 01:32:56,080
Speaker 1: Yeah, but yeah, hopefully the whole staff can go. It

2202
01:32:56,120 --> 01:32:58,840
Speaker 1: is June seventeenth through nineteen, so we might have some

2203
01:32:59,000 --> 01:33:03,360
Speaker 1: special weekend we might be doing. Yes, I'm sure some things.

2204
01:33:03,080 --> 01:33:05,080
Speaker 2: That clear schedule. We ain't doing ship that week and

2205
01:33:05,360 --> 01:33:07,040
Speaker 2: make sure that something in the water that the name

2206
01:33:07,080 --> 01:33:09,200
Speaker 2: of it right, something in the water, yes, something in

2207
01:33:09,240 --> 01:33:09,559
Speaker 2: the water.

2208
01:33:09,600 --> 01:33:12,559
Speaker 1: Okay. So yeah, because when I was about to when

2209
01:33:12,560 --> 01:33:14,200
Speaker 1: I was thinking about buying my tickets, I was scared

2210
01:33:14,200 --> 01:33:15,960
Speaker 1: because I'm like, I might have to work that weekend

2211
01:33:16,080 --> 01:33:17,280
Speaker 1: doing what we're going to be doing.

2212
01:33:17,240 --> 01:33:18,640
Speaker 2: The marriage clear the schedule, all right?

2213
01:33:19,000 --> 01:33:21,240
Speaker 3: Wait, do we have something already booked for that now? Y'o?

2214
01:33:21,760 --> 01:33:23,640
Speaker 2: And if we do, clear sedure ut A.

2215
01:33:23,720 --> 01:33:26,680
Speaker 3: Knows for any touring ships we're not, we're going to

2216
01:33:26,720 --> 01:33:30,200
Speaker 3: be there. Yeah. Well, I'm sorry, what is that you

2217
01:33:30,320 --> 01:33:31,679
Speaker 3: just didro what are you doing?

2218
01:33:32,040 --> 01:33:36,000
Speaker 2: You ever seen doing?

2219
01:33:36,240 --> 01:33:36,280
Speaker 4: You?

2220
01:33:36,360 --> 01:33:39,679
Speaker 3: Ever seen an office space? Not the app? The movie? Yes,

2221
01:33:40,479 --> 01:33:42,720
Speaker 3: you know what was his name that got fired years

2222
01:33:42,720 --> 01:33:46,400
Speaker 3: ago but just kept showing up to work. I'm not

2223
01:33:46,400 --> 01:33:49,680
Speaker 3: good at remembering characters names like that in movies. I

2224
01:33:49,720 --> 01:33:51,559
Speaker 3: forgot his name, but that's edding like you fire him

2225
01:33:51,560 --> 01:33:56,240
Speaker 3: every week and he just continues to show. Can I

2226
01:33:56,280 --> 01:33:58,639
Speaker 3: have your badge? After that noise?

2227
01:33:58,680 --> 01:34:00,720
Speaker 2: I think I agree with just off of you to

2228
01:34:00,720 --> 01:34:01,839
Speaker 2: go bro, just stay out.

2229
01:34:01,760 --> 01:34:03,720
Speaker 3: Because I think it's what in our contract fifty we

2230
01:34:03,720 --> 01:34:05,640
Speaker 3: both have to agree on a fire. Yes, I think

2231
01:34:05,640 --> 01:34:06,400
Speaker 3: I finally agree.

2232
01:34:06,479 --> 01:34:09,200
Speaker 1: Wait seriously, yes, why you're firing?

2233
01:34:09,560 --> 01:34:13,519
Speaker 2: Yes, Rory can't fire anybody without Oh.

2234
01:34:13,360 --> 01:34:15,519
Speaker 3: My god, I wouldn't do that. I shouldn't be.

2235
01:34:15,800 --> 01:34:18,120
Speaker 1: MA can't fire me unless Rory give them the okay.

2236
01:34:18,320 --> 01:34:21,200
Speaker 3: That makes me feel better. I'm pretty sure I think

2237
01:34:21,200 --> 01:34:21,879
Speaker 3: I might fire.

2238
01:34:21,720 --> 01:34:26,080
Speaker 2: You before yea, I would never fire you.

2239
01:34:26,240 --> 01:34:27,920
Speaker 1: If Rory was like the Marrior ship fire, I'm like,

2240
01:34:27,960 --> 01:34:28,719
Speaker 1: all right, I'll talk.

2241
01:34:28,560 --> 01:34:30,160
Speaker 3: To you tomorrow. I was like that that would be

2242
01:34:30,160 --> 01:34:31,040
Speaker 3: the response if.

2243
01:34:31,080 --> 01:34:31,800
Speaker 1: MA fired me.

2244
01:34:31,880 --> 01:34:33,840
Speaker 3: I will I fired ed in three weeks ago when

2245
01:34:33,840 --> 01:34:34,439
Speaker 3: he's still here.

2246
01:34:35,040 --> 01:34:39,280
Speaker 2: Clearly nobody here respects my fucking word, and clearly it's

2247
01:34:39,600 --> 01:34:40,760
Speaker 2: like what they didn't cut?

2248
01:34:41,600 --> 01:34:42,040
Speaker 3: Hey? Edit?

2249
01:34:42,240 --> 01:34:45,639
Speaker 2: Wait, like what the fuck is going on around hey

2250
01:34:45,720 --> 01:34:50,479
Speaker 2: Eddie Jesus God. Oh so yeah, man, I think we

2251
01:34:50,560 --> 01:34:54,479
Speaker 2: covered all we need to cover for the week other

2252
01:34:54,560 --> 01:34:56,080
Speaker 2: than some gossip. Gossip, shouldn't I.

2253
01:34:56,120 --> 01:34:57,559
Speaker 1: Just want to I want to ask the listeners and

2254
01:34:57,600 --> 01:34:59,920
Speaker 1: listeners we're in this podcast, so you could just tell me,

2255
01:35:00,160 --> 01:35:05,080
Speaker 1: like in like my uh inbox or mentions or whatever. Men,

2256
01:35:05,520 --> 01:35:07,920
Speaker 1: when your female friends or even a female you like,

2257
01:35:08,000 --> 01:35:10,320
Speaker 1: looks nice, what do you say to her when you

2258
01:35:10,360 --> 01:35:11,680
Speaker 1: see her? Do you look her up and down and

2259
01:35:11,680 --> 01:35:13,519
Speaker 1: say you look nice? Or do you say where are

2260
01:35:13,520 --> 01:35:13,920
Speaker 1: you going?

2261
01:35:13,960 --> 01:35:16,559
Speaker 3: Can we give context to this? Yeah? Like, can we

2262
01:35:16,640 --> 01:35:18,640
Speaker 3: save this for this is an intro topic to the

2263
01:35:19,160 --> 01:35:19,559
Speaker 3: next show.

2264
01:35:19,640 --> 01:35:21,960
Speaker 2: Yeah, because you ain't giving no and the marriage don't

2265
01:35:21,960 --> 01:35:23,800
Speaker 2: do that. Because when I walked in the green room,

2266
01:35:23,800 --> 01:35:24,639
Speaker 2: what did I say?

2267
01:35:24,640 --> 01:35:27,679
Speaker 1: When I not talking about you, though, but what I said,

2268
01:35:28,240 --> 01:35:30,599
Speaker 1: Maul told me I looked nice, but immediately after said

2269
01:35:30,640 --> 01:35:32,680
Speaker 1: where you going? Ed and straight came in and said, look

2270
01:35:32,720 --> 01:35:34,080
Speaker 1: me up and down and say you're going to an interview?

2271
01:35:35,240 --> 01:35:36,680
Speaker 3: I said, You're going on to date? I said, I

2272
01:35:36,720 --> 01:35:38,240
Speaker 3: love your hair color. You colored your hair.

2273
01:35:38,920 --> 01:35:41,160
Speaker 2: I noticed, you think guys don't. Men don't notice. I noticed.

2274
01:35:41,640 --> 01:35:43,120
Speaker 2: I said it looks nice. I said, I believe that's

2275
01:35:43,120 --> 01:35:44,720
Speaker 2: an Ombreak number six or something like that.

2276
01:35:44,920 --> 01:35:46,320
Speaker 3: I know that color. I know that palette.

2277
01:35:46,320 --> 01:35:49,679
Speaker 2: That's like auburn, ombrea, auburn type of whatever.

2278
01:35:50,479 --> 01:35:53,080
Speaker 3: Every girl did that after which Rihanna album? Was it? No?

2279
01:35:53,200 --> 01:35:55,600
Speaker 3: That was after I didn't go that color, not that No, no,

2280
01:35:55,600 --> 01:35:57,760
Speaker 3: I'm saying, but everyone it didn't go that red. They

2281
01:35:57,760 --> 01:35:58,559
Speaker 3: went the darker red.

2282
01:35:59,040 --> 01:36:01,200
Speaker 2: No, no, I'm gonna I'm gonna show my age, unapologetic.

2283
01:36:01,760 --> 01:36:03,320
Speaker 2: I'm gonna show my age on this one. That's the

2284
01:36:03,360 --> 01:36:05,760
Speaker 2: same color I think that Mary had her hair. And

2285
01:36:06,000 --> 01:36:08,840
Speaker 2: I'm not gonna cry. You think she had that same color?

2286
01:36:08,880 --> 01:36:09,280
Speaker 3: I think you are.

2287
01:36:09,600 --> 01:36:11,360
Speaker 2: I could be wrong, but I think that's the same color.

2288
01:36:11,479 --> 01:36:13,120
Speaker 2: That's the way it takes hell read right there.

2289
01:36:13,280 --> 01:36:17,639
Speaker 1: Okay, I'm not going through anything I wanted. I had

2290
01:36:17,680 --> 01:36:20,240
Speaker 1: to come here and yell at you going through growing,

2291
01:36:20,400 --> 01:36:22,080
Speaker 1: come and yell at you.

2292
01:36:22,080 --> 01:36:24,120
Speaker 2: You like a butterfly coming out of It's like you

2293
01:36:24,240 --> 01:36:26,080
Speaker 2: like a worm coming out of It's like a con

2294
01:36:26,160 --> 01:36:28,639
Speaker 2: to a butterfly. Because it's spring you're springing with color

2295
01:36:28,920 --> 01:36:32,439
Speaker 2: and energy, vibes and aura. Look at your aura, queen.

2296
01:36:32,520 --> 01:36:35,479
Speaker 2: Look at you, you are a queen. Look how you walk,

2297
01:36:35,479 --> 01:36:37,720
Speaker 2: Look how you talk, Look how you built. Only God

2298
01:36:37,760 --> 01:36:40,280
Speaker 2: could do that. And then let me help let me

2299
01:36:40,320 --> 01:36:46,280
Speaker 2: borrow fight dollars, niggas get you all that, like fam

2300
01:36:46,360 --> 01:36:48,000
Speaker 2: you just gave you all the motivation to go out

2301
01:36:48,000 --> 01:36:51,520
Speaker 2: in the world. Like now you're trying to tap my pocket.

2302
01:36:51,240 --> 01:36:53,639
Speaker 3: Because I know you got fight out that.

2303
01:36:52,960 --> 01:36:53,559
Speaker 2: That's a fact.

2304
01:36:54,560 --> 01:36:57,519
Speaker 1: Yeah, but I just I want to know that for

2305
01:36:57,600 --> 01:36:59,559
Speaker 1: the listeners, because Rory asked me if I was going

2306
01:36:59,600 --> 01:37:00,599
Speaker 1: on a date and at the next day.

2307
01:37:01,439 --> 01:37:04,639
Speaker 3: To our notes, So we don't forget that conversation because

2308
01:37:04,640 --> 01:37:07,000
Speaker 3: that is a full full combo okay, And I mean

2309
01:37:07,000 --> 01:37:08,400
Speaker 3: the boots come on that once at the knees, you

2310
01:37:08,479 --> 01:37:10,400
Speaker 3: going something anywhere?

2311
01:37:10,439 --> 01:37:11,880
Speaker 1: I had to come and yell aty' all day so

2312
01:37:11,880 --> 01:37:13,880
Speaker 1: I couldn't yell at y'all in sweat. I had to

2313
01:37:13,880 --> 01:37:17,639
Speaker 1: come yell in like a professional attire. So you took

2314
01:37:17,680 --> 01:37:18,200
Speaker 1: me serious.

2315
01:37:18,720 --> 01:37:22,040
Speaker 3: They take you serious regardless. At some point next week,

2316
01:37:22,040 --> 01:37:23,080
Speaker 3: can you come to my house and make that mac

2317
01:37:23,080 --> 01:37:23,559
Speaker 3: and cheese? Gain?

2318
01:37:24,840 --> 01:37:28,320
Speaker 2: Oh the marriage. The listeners found a great, uh vegan

2319
01:37:28,360 --> 01:37:31,320
Speaker 2: mac and cheese, but they tagged the damn I'm not

2320
01:37:31,320 --> 01:37:33,320
Speaker 2: gonna hold you, but they want you to. They trying

2321
01:37:33,360 --> 01:37:35,360
Speaker 2: to put you ont like good vegan mac bro.

2322
01:37:35,479 --> 01:37:37,640
Speaker 1: I will make any vegan recipe in the world. I

2323
01:37:37,680 --> 01:37:41,560
Speaker 1: love experimenting with different cuisines, different recipes. I'm not disrespecting

2324
01:37:41,600 --> 01:37:44,680
Speaker 1: mac and cheese by making mac soy. I'm good. That's

2325
01:37:44,720 --> 01:37:45,040
Speaker 1: mac and.

2326
01:37:45,040 --> 01:37:48,479
Speaker 3: Soy bro macing soy, I'm good.

2327
01:37:50,680 --> 01:37:51,160
Speaker 1: I'm.

2328
01:37:52,640 --> 01:37:54,800
Speaker 3: That's She's not wrong, it is macing like. That's the

2329
01:37:54,840 --> 01:37:55,920
Speaker 3: fun of recent when it is.

2330
01:37:57,400 --> 01:37:59,599
Speaker 2: So Yeah, I don't think we have any more ship

2331
01:37:59,640 --> 01:38:01,400
Speaker 2: to talk for this week. I think we all.

2332
01:38:01,640 --> 01:38:02,559
Speaker 3: Have a lot of ships to talk.

2333
01:38:02,560 --> 01:38:04,479
Speaker 1: But I'm just the next time you guys will hear,

2334
01:38:04,720 --> 01:38:06,479
Speaker 1: we will. We will have balloons and we will be

2335
01:38:06,479 --> 01:38:09,719
Speaker 1: celebrating his birthday the next time will yes.

2336
01:38:09,600 --> 01:38:11,840
Speaker 3: It's my gosh. Well, no, we have another recording before

2337
01:38:11,840 --> 01:38:12,760
Speaker 3: his birthday. We will.

2338
01:38:12,960 --> 01:38:14,760
Speaker 1: Yeah, that's the next time we speak, the next time

2339
01:38:14,760 --> 01:38:17,639
Speaker 1: we talk, that will be our last recording. Give me together, Queen,

2340
01:38:17,720 --> 01:38:19,720
Speaker 1: that's his birth that's his birthday recording. So we're going

2341
01:38:19,760 --> 01:38:24,000
Speaker 1: to bring balloons and cake and bitches, bitches, cakes and bitches.

2342
01:38:24,080 --> 01:38:27,680
Speaker 3: But you can hear. Yeah, I can't have any of

2343
01:38:27,720 --> 01:38:28,000
Speaker 3: that one.

2344
01:38:28,040 --> 01:38:32,519
Speaker 2: I still be like, that's the juicing. Yeah, I can't.

2345
01:38:32,600 --> 01:38:33,640
Speaker 2: I can't eat until I.

2346
01:38:33,680 --> 01:38:36,080
Speaker 3: Can't get morell A minute made and I'll take the bitches.

2347
01:38:36,520 --> 01:38:39,400
Speaker 2: I can't eat it till next Friday. Well, damn, wasn't

2348
01:38:39,400 --> 01:38:40,640
Speaker 2: about to say I didn't just threw me off with

2349
01:38:40,680 --> 01:38:44,439
Speaker 2: that ship man bitches to Maria's birthday something.

2350
01:38:45,520 --> 01:38:47,200
Speaker 3: I don't know whatever, it's.

2351
01:38:47,000 --> 01:38:50,160
Speaker 1: All yea, his brain y'all know his brain cells dying.

2352
01:38:50,200 --> 01:38:51,400
Speaker 1: He hasn't had solid food.

2353
01:38:53,040 --> 01:38:53,439
Speaker 3: That's not.

2354
01:38:55,160 --> 01:38:57,080
Speaker 2: That's not true. The Maria two people my brain I'm

2355
01:38:57,080 --> 01:38:59,680
Speaker 2: a crack head. I smoke crack. My brain cells are dying.

2356
01:38:59,720 --> 01:39:02,080
Speaker 3: Didn't I almost had the runs for three days. I'm

2357
01:39:02,160 --> 01:39:03,120
Speaker 3: not man, it's not that.

2358
01:39:03,240 --> 01:39:05,920
Speaker 1: But are you're telling me you haven't taken some some

2359
01:39:06,200 --> 01:39:08,920
Speaker 1: wet shits no from this juicing.

2360
01:39:09,000 --> 01:39:10,320
Speaker 3: Because it's not like that. It's not.

2361
01:39:11,160 --> 01:39:17,960
Speaker 2: Honestly, after probably tomorrow, I probably won't even really ship.

2362
01:39:18,320 --> 01:39:19,679
Speaker 3: No, I would assume it's just straight.

2363
01:39:20,000 --> 01:39:22,040
Speaker 2: Yeah's just straight, you know, pissed.

2364
01:39:22,720 --> 01:39:25,439
Speaker 3: I just feel like that's not healthy. Well, my bowers

2365
01:39:25,439 --> 01:39:26,280
Speaker 3: are completely empty.

2366
01:39:26,360 --> 01:39:28,479
Speaker 1: Man, it's not it's not healthy at all.

2367
01:39:29,479 --> 01:39:30,080
Speaker 2: It is healthy.

2368
01:39:30,360 --> 01:39:32,520
Speaker 1: No if if you were doing Ghandi.

2369
01:39:32,320 --> 01:39:33,920
Speaker 3: Didn't eat a drink for what? How many days?

2370
01:39:34,040 --> 01:39:34,560
Speaker 2: Pull it up at it?

2371
01:39:34,600 --> 01:39:35,960
Speaker 3: How many days?

2372
01:39:36,120 --> 01:39:37,320
Speaker 2: It was? Forty days and forty nights.

2373
01:39:37,400 --> 01:39:39,320
Speaker 3: That's Jesus future.

2374
01:39:39,760 --> 01:39:41,840
Speaker 2: No, Gandhi was way more than forty years. Gandhi might

2375
01:39:41,880 --> 01:39:46,320
Speaker 2: have been like one hundred and something days.

2376
01:39:43,280 --> 01:39:43,360
Speaker 3: No.

2377
01:39:44,840 --> 01:39:45,519
Speaker 2: Food, no water.

2378
01:39:45,600 --> 01:39:49,479
Speaker 3: Gandhi was also a racist, But we're all racist, Rory, Well,

2379
01:39:49,520 --> 01:39:51,400
Speaker 3: I haven't come. I'm wearing an orange shirt, of course.

2380
01:39:52,680 --> 01:39:55,000
Speaker 3: How many days was that? And did you get it?

2381
01:39:55,040 --> 01:39:55,760
Speaker 2: Twenty one days?

2382
01:39:56,640 --> 01:39:57,000
Speaker 3: Gandhi.

2383
01:39:57,479 --> 01:39:59,800
Speaker 2: Gandhi didn't eat a drink for twenty one days. I'm

2384
01:39:59,760 --> 01:40:00,639
Speaker 2: going Gandhi nigga?

2385
01:40:00,880 --> 01:40:01,920
Speaker 3: What year was Gandhi born?

2386
01:40:01,920 --> 01:40:03,880
Speaker 2: I thought it was like ninety one hundred days or

2387
01:40:03,880 --> 01:40:04,320
Speaker 2: something like that.

2388
01:40:04,400 --> 01:40:09,760
Speaker 3: Is anyone alive at MEC Gandhi? Yeah? Maybe? How like?

2389
01:40:09,800 --> 01:40:10,880
Speaker 3: What was his age?

2390
01:40:11,240 --> 01:40:13,360
Speaker 2: I think I saw Quincy Jones like with him at

2391
01:40:13,400 --> 01:40:16,840
Speaker 2: one point you thought I was gonna say doctor dre

2392
01:40:17,800 --> 01:40:20,360
Speaker 2: By the way, Kendrick didn't meet Gandhi.

2393
01:40:20,400 --> 01:40:21,880
Speaker 3: No, Quincy Jones would be the one that I would

2394
01:40:21,880 --> 01:40:22,760
Speaker 3: think out of anyone.

2395
01:40:22,520 --> 01:40:25,120
Speaker 2: On Quincy is the political leader. Whitzy Jones is the

2396
01:40:25,160 --> 01:40:26,360
Speaker 2: only man that's still alive.

2397
01:40:26,400 --> 01:40:28,200
Speaker 3: That met gan and he's gonna reveal that he ends

2398
01:40:28,240 --> 01:40:28,679
Speaker 3: up being again.

2399
01:40:29,000 --> 01:40:29,799
Speaker 2: That's mec Gandhi.

2400
01:40:30,439 --> 01:40:35,040
Speaker 3: He was born on October second, eighteen sixty nine. When

2401
01:40:35,080 --> 01:40:36,439
Speaker 3: need he died, I didn't tell me when he was

2402
01:40:36,479 --> 01:40:39,800
Speaker 3: born eighteen sixty Wait Gandhi was that he was not?

2403
01:40:40,000 --> 01:40:41,439
Speaker 3: I thought Ghandi was rather than the nineties.

2404
01:40:41,560 --> 01:40:49,120
Speaker 1: No, he is not. Man della nigga. I cannot no my.

2405
01:40:50,680 --> 01:40:50,960
Speaker 3: Gandhi.

2406
01:40:51,640 --> 01:40:53,080
Speaker 2: We're out of here. We're not gonna get the Ghanhi.

2407
01:40:53,120 --> 01:40:54,840
Speaker 2: We're not gonna get at the Gandhi. He died in

2408
01:40:54,880 --> 01:40:55,639
Speaker 2: nineteen forty eight.

2409
01:40:56,000 --> 01:40:58,559
Speaker 3: I think Quincy Jones met him, for sure. No one

2410
01:40:58,600 --> 01:41:01,640
Speaker 3: thinks that that Quincy Jones is he. I don't even

2411
01:41:01,680 --> 01:41:03,639
Speaker 3: know if Quincy you'll think Quincy Jones the original Whack

2412
01:41:03,680 --> 01:41:04,040
Speaker 3: one Hunter.

2413
01:41:05,360 --> 01:41:08,880
Speaker 2: I'm not letting. I'm not letting you do that. Yo, listen,

2414
01:41:09,000 --> 01:41:09,719
Speaker 2: I'm black, nigga.

2415
01:41:09,760 --> 01:41:13,760
Speaker 3: He's you ain't read. I'm not you ain't read that

2416
01:41:13,880 --> 01:41:16,519
Speaker 3: last Quincy interview. Never forget it.

2417
01:41:16,560 --> 01:41:20,080
Speaker 1: I remember, I remember and Quincy's mind he met Gandhi.

2418
01:41:20,680 --> 01:41:22,679
Speaker 2: I think I think I've seen the picture of Gandhi

2419
01:41:22,720 --> 01:41:24,519
Speaker 2: and Quincy Quincy.

2420
01:41:24,640 --> 01:41:27,599
Speaker 3: I've definitely never seen the picture. Of Jones.

2421
01:41:28,800 --> 01:41:30,000
Speaker 2: Yo, listen, man, were out of here.

2422
01:41:30,000 --> 01:41:30,599
Speaker 3: What talked to y'all?

2423
01:41:30,640 --> 01:41:31,000
Speaker 2: Next week?

2424
01:41:31,040 --> 01:41:33,599
Speaker 3: Be safe, have a fun weekend. Who can your favorite

2425
01:41:33,680 --> 01:41:36,519
Speaker 3: artists by your.

2426
01:41:36,400 --> 01:41:38,960
Speaker 2: Favorite hype beast sneakers? I don't know what the.

2427
01:41:38,920 --> 01:41:43,200
Speaker 1: Fun y'all do because we have more good people.

2428
01:41:43,160 --> 01:41:46,840
Speaker 2: And stay sucker free and stop streaming suckers in their platforms. Man,

2429
01:41:47,120 --> 01:41:50,760
Speaker 2: those peace, No worry en