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Speaker 1: Well, I want to thank you for coming on here. One.

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Speaker 1: I know Thomas Value, I know you doing a thousand

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Speaker 1: things these days, dope that have you on him?

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Speaker 2: Man, thanks for having no no doubt.

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Speaker 1: I wanted to ask you right off the top man

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Speaker 1: hip hop turning fifty Man, that's crazy man. I know

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Speaker 1: I know you from Loan Beast growing up. Yeah, I

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Speaker 1: know you grew up around music. Could you talk a

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Speaker 1: little bit about just show early you know, relationship with

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Speaker 1: hip hop and coming into it and you know with

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Speaker 1: R and B and what you grew up listening to

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Speaker 1: and all that.

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Speaker 3: Just being around the neighborhood and you know, back then

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Speaker 3: the DJ was our connection to you know, learning about

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Speaker 3: all of the underground music everything. So just being around

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Speaker 3: the DJ world where you know, you had the world

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Speaker 3: class record crew, you had the DJ crew together, oh

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Speaker 3: early stereo crew okay, uh huh, and just being around

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Speaker 3: that and listening to underground music and like artists like

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Speaker 3: run dmc se Boys and even like Cool mo O

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Speaker 3: D and the you know, uh Cool HERK and Busy

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Speaker 3: Be and.

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Speaker 2: Those types of guys.

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Speaker 3: Just hearing all of that music, uh into to now

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Speaker 3: being a guy who they kind of they say it's

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Speaker 3: a legend in it and and uh it's it's it's

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Speaker 3: incredible because I learned from all of them, and that's

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Speaker 3: what made me who I am. And you know, it's

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Speaker 3: got me to the status that I am now. Uh

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Speaker 3: just being a part of the beginning uh parts of

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Speaker 3: hip hop, even just listening to him and then being

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Speaker 3: around being having a chance to hang with uh Easy

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Speaker 3: and and and Dre and you know all of the

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Speaker 3: the the vest iced T and Dove c and and

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Speaker 3: you know all those guys from back in the day Coolio,

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Speaker 3: all those guys.

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Speaker 1: So I like to think that although G's that actually

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Speaker 1: started when you when you guys are listening to the

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Speaker 1: music that is coming out commercially, the rock this way

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Speaker 1: Woul run them see and mixed it with rock, some

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Speaker 1: of the hybrids, some of the things that kind of

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Speaker 1: go away a little bit from hip hop. You know,

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Speaker 1: you know, God's rapping on it, the battling, the one

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Speaker 1: on ones and stuff like that. Was you guys hearing

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Speaker 1: a lot of the commercial stuff that was octually coming

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Speaker 1: from the East Coast. Was you guys hearing that trying

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Speaker 1: to form a West Coast version of that or create

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Speaker 1: your own version of that or was it just where

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Speaker 1: it was going and what it felt like.

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Speaker 3: It was just where it was going and what it

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Speaker 3: felt like, and it just just inspired us to just

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Speaker 3: do music, you know what I mean. But we did

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Speaker 3: it in a in a you know, West Coast style,

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Speaker 3: like our way, like more live instrumentation, even though it

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Speaker 3: was a lot of live instrumentation coming from the East Coast.

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Speaker 3: But we were heavenly inspired, you know, just being a

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Speaker 3: just watching B Street for Crush Groove, you know, movies

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Speaker 3: like that, even uh, the even the miseducation of uh what.

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Speaker 2: Is the Sun? Uh Sunny Cars.

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Speaker 3: Yeah, even just you know that stuff was was like

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Speaker 3: that was what was coming out of out of from

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Speaker 3: New York and now.

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Speaker 2: We loved that.

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Speaker 3: We loved that and uh, you know, just those movies

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Speaker 3: because it had a hip hop vibe to it, you know,

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Speaker 3: and all of that stuff just inspired us, along with

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Speaker 3: having the Dream Team and uh Arabian I'm not Arabian Prince,

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Speaker 3: but uh, god damn it, I'm it's gonna Egyptian Lover,

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Speaker 3: who was probably the majors pioneer from the West, was

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Speaker 3: Egyptian Lover because he was dealing with the East Coast

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Speaker 3: way before a lot of guys, a lot of the

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Speaker 3: O g's from California was even out and then the

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Speaker 3: l A Dream team.

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Speaker 2: Uh Ice t.

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Speaker 3: Those guys was was vets I was sitting the B Street.

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Speaker 2: Was that was that ship?

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Speaker 1: It was?

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Speaker 3: You know they showed the grimy ship where they was

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Speaker 3: in the in the in the broken down buildings, setting

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Speaker 3: up the party through the electricity. We wasn't doing that ship,

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Speaker 3: I learned, you know that was that was dope.

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Speaker 1: That's how they was doing it, pulling it in, bringing

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Speaker 1: it from other stuff. Yeah, yeah, that was originals man.

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Speaker 1: And two when I'm saying thinking about man like guys

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Speaker 1: like Iced t w A, those early those early depictions

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Speaker 1: of style, man started giving like the West Coast, like

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Speaker 1: an edgy of style in the East coast. When you

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Speaker 1: say y'all were still stormailing, but y'all was talking about

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Speaker 1: what was going on the West coast.

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Speaker 3: Yeah yeah, Uh, gang Bang was at all time high,

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Speaker 3: and uh the artist at that time was just you know,

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Speaker 3: like n w A and Easy and everybody. They were

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Speaker 3: just letting everybody know, this is this is what's going

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Speaker 3: on here, and this is our version of this is

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Speaker 3: all we can put out because this is what we're

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Speaker 3: going through.

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Speaker 2: It was really.

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Speaker 3: Gang influenced, you know, with just along with police brutality.

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Speaker 1: Did you did you see because you was in the

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Speaker 1: early parts of the depiction of what West Coast music

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Speaker 1: would be labeled ass But I remember I remember Rapp

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Speaker 1: being very inspiring. I remember teachers questions used to be

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Speaker 1: should be an uplifting of a of a sound? Yeah,

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Speaker 1: then all of a sudden, I forgot about all that

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Speaker 1: ship like you was around when talk a little bit about.

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Speaker 2: That, I was in there.

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Speaker 3: I was in the day I saw here that you

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Speaker 3: know uha, teachers, uh Q Tip and five Dog them

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Speaker 3: was my guys, even leaders of the new schools Rhymes

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Speaker 3: we was bust Rhymes and them used to come to

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Speaker 3: the West Coast and me and Snoop would go up

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Speaker 3: to the La Mandrian name and Charlie Brown and all.

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Speaker 3: Then we smoke them out, you know, yeah, you know,

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Speaker 3: just showing the West Coast hospitality, no matter who it was,

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Speaker 3: apache who had gangster big teeth in them, everybody when

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Speaker 3: they came out here, we embraced them and just let

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Speaker 3: them know how much we loved them because they inspired us,

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Speaker 3: you know, So that that whole man, poor Rochester teachers.

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Speaker 3: Uh tribe called quest Actually we got the Jazz is

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Speaker 3: one of the records that inspired me as a as

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Speaker 3: a as a hip hop producer, as an MC. You know,

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Speaker 3: I ain't no heavy MC. I'm just a storyteller. I

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Speaker 3: guess you could say, uh, but uh, all that stuff

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Speaker 3: inspired me and just being in that era and then

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Speaker 3: it turned into you know, uh one a seven on

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Speaker 3: the motherfucking cap and and I mean that it was

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Speaker 3: all it was still all all yeah around the same

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Speaker 3: times because me and Snoop was listening to special Ed

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Speaker 3: and uh second Shade of Red uh Redhead Campin.

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Speaker 1: These are all classics, right here go look all these up.

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Speaker 1: These are all classic classics, you feel me.

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Speaker 3: But still like, like, like we was talking about earlier,

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Speaker 3: what comes out of you is where you are, where

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Speaker 3: you're at, you know, And we was in Long East,

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Speaker 3: California at that time, on sixty first in London, hustling,

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Speaker 3: you know, just trying to make some some bread and

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Speaker 3: some young young teens just trying to make some bread,

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Speaker 3: just caught up in the same old hoodship right the.

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Speaker 1: One of the day, right, talk a little bit about

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Speaker 1: the dre effect. Man, you know, Drake coming from m

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Speaker 1: w A, all this knowledge, all this impact, he obviously

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Speaker 1: set the wave almost like right, you know, doctor Dre

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Speaker 1: don't really get enough credit to me. You know when

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Speaker 1: you starting to established like style and started like implementing

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Speaker 1: like how people do things. Obviously it comes from ice Ta,

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Speaker 1: it comes from guys for them, and he was talking about.

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Speaker 2: With them then Huh, dra Dre.

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Speaker 3: I think produced uh had some something to do with

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Speaker 3: the production of colors. I know he had. He was

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Speaker 3: also a producer with the I don't know if you

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Speaker 3: ever heard of the batter Ram, the vater Ram. You

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Speaker 3: can't stop it, baby, the batter Ram.

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Speaker 2: Yeah, jnoth.

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Speaker 1: I gotta y'all got that right. We noted that. We

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Speaker 1: got that noted the slady okay, bo, I'm gonna look

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Speaker 1: that up. I gotta look that up. It's called the

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Speaker 1: Battle What.

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Speaker 2: The batter Ram?

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Speaker 1: And who is that by?

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Speaker 3: That was by Toddy T and Mixed Master Spect. I

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Speaker 3: think Dre uh DJ Pooh, I think they all was

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Speaker 3: all co producers in that Quick.

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Speaker 1: They don't get enough credit. You don't never hear it

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Speaker 1: when you talk about pone of style. You never hear pool.

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Speaker 1: You never hear quick.

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Speaker 3: Quick as dope. Pool is dope. I guess they they

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Speaker 3: you know, they just you know, just don't really be

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Speaker 3: looking for a lot of publicity. They just want to

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Speaker 3: do They want to pay music to speak for you know,

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Speaker 3: for them.

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Speaker 2: Uh but they they dope. You know, you know them

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Speaker 2: my guys, no doubt.

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Speaker 1: Man, I love Uh I want to talk about them

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Speaker 1: early days with two one three man, talk about your

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Speaker 1: first group. That's your first group and Snoop how they

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Speaker 1: come together?

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Speaker 3: Uh well, we we've known each other all our lives,

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Speaker 3: elementary school and church. Uh So as we got older,

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Speaker 3: Like I said, when we was in our young teens,

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Speaker 3: me and Snoop was over on sixty first Street, we

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Speaker 3: was hustling, you know, doing different things and moving around

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Speaker 3: and uh we we he was actually doing music then,

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Speaker 3: you know, we just you know, we're just doing it

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Speaker 3: just for the homies.

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Speaker 2: It wasn't for the masses.

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Speaker 3: We was doing it for the homeboys, the neighborhood and everybody.

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Speaker 2: Just a party.

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Speaker 3: Two and uh so one day, you know Snoop and

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Speaker 3: Nate that was was at Poly together doing music and

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Speaker 3: Nate had went off to the Marines. So after he

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Speaker 3: got out, he had heard about us doing music. So

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Speaker 3: one day we was on the spot and they pulled up,

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Speaker 3: uh on sixty.

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Speaker 2: First Street, you know, uh pulled up on us. And

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Speaker 2: then we from there.

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Speaker 3: We just started just start doing music and Snoop was like,

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Speaker 3: he's still singing.

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Speaker 2: He was like yeah, So we.

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Speaker 3: Just started collaborating and just started doing music together.

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Speaker 1: Three three geniuses, all bringing a whole different flavor to it.

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Speaker 2: Man.

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Speaker 3: We went and did our first demo, Uh what uh

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Speaker 3: would DJ Money be from?

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Speaker 2: From Long Beach?

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Speaker 3: That's when we h we had a uh actually you

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Speaker 3: know what. I remember we were just talking about quick,

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Speaker 3: but he quick inspired us as well. He had an

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Speaker 3: underground tape that was out.

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Speaker 2: That ship was hard than the motherfucker. So it was hard.

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Speaker 3: Yeah, So that's that's what made us do the underground

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Speaker 3: tape thing, you know. So that's when we formed two

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Speaker 3: on three and we we did our demo with Money

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Speaker 3: B and it was called Long Beaches a motherfucker. Oh wow,

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Speaker 3: that motherfuckers hard to this day, I should have brought

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Speaker 3: it up here, Dan, straight up, Long Beach is a mother.

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Speaker 1: So I got to so I gotta even say this, man.

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Speaker 1: So if we fast forward a lot of your friends

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Speaker 1: go to death Row right, you end up signing with

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Speaker 1: death Child.

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Speaker 2: Yeah.

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Speaker 1: Yeah, you got to take us through the story. I

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Speaker 1: think I've heard the story, but I want I want

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Speaker 1: to hear this story right here on Certified.

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Speaker 2: Like I mean, I was.

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Speaker 3: I was there, did a lot of work with you know,

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Speaker 3: with Dre and and and Snoopy, our whole crew.

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Speaker 2: We all was there working and doing our thing.

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Speaker 3: And then once things kind of blew up a little bit,

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Speaker 3: tours started and things like that, you know, it was

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Speaker 3: time for people to have their roles.

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Speaker 2: Yeah, and my role was I was a.

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Speaker 3: Producer slash DJ uh and I would I would rap too,

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Speaker 3: but you know, when it came time to start moving,

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Speaker 3: you know, I wasn't involved. M you know, I wasn't

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Speaker 3: being invited into the tour or you know, whatever was

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Speaker 3: going on. So you know it it it kind of

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Speaker 3: had me upset.

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Speaker 1: So it fuck with the friendship a little bit between

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Speaker 1: uh everybody.

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Speaker 3: I mean, it didn't really fuck with the friendship. I

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Speaker 3: just didn't didn't Uh. I didn't know how to to

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Speaker 3: uh accept a blessing pretty much because Dre must have

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Speaker 3: seen something that I wasn't saying as far as just

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Speaker 3: being around, uh, you know, getting myself caught up in

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Speaker 3: a situation, you know, cause I was pretty much I

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Speaker 3: was alive while around that time, and I I was,

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Speaker 3: you know down, you know, really down to do whatever

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Speaker 3: right and uh and uh he he pretty much seeing

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Speaker 3: that pretty much and was just like, man, you need

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Speaker 3: to go and to be your own man. M you

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Speaker 3: know it hurt, you know, I was upset a little bit,

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Speaker 3: but I went when did my own thing. I went

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Speaker 3: back to sleeping on the floor. UH had my NPC sixty,

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Speaker 3: I had my creative records and just started producing, just

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Speaker 3: start doing my shit again and start you know, making

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Speaker 3: songs with with other artists outside of the guys that

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Speaker 3: I was with, which that's how I came up with

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Speaker 3: uh Endo Smoke, which was pretty much my first UH production.

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Speaker 3: That was my introduction as a producer and a artist,

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Speaker 3: cause I wrapped on it and I produced it, and

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Speaker 3: I you know, helped write with Grim's uh verse. Even

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Speaker 3: though Grim is he's incredible, but I helped out with

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Speaker 3: I gave him some of the flavor that we had,

264
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Speaker 3: you know, like that H and R stuff to puff

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Speaker 3: in your lungs, smoking on the chronic, getting straight sprung.

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Speaker 2: That's that was our.

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Speaker 3: That was a style that I that that I used,

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Speaker 3: that that we all you know had around that time.

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Speaker 3: That uh, but that that actually introduced me into doing

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Speaker 3: indo smoking also introduced me into producing definition.

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Speaker 2: Of a thug for Tupac yup. Cause I was at

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Speaker 2: the studio.

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Speaker 3: I came around after you know, I was kind of

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Speaker 3: like distant for a while. UH came to the studio

275
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Speaker 3: and Draden was working on a on a the UH

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Speaker 3: actually depot of just the soundtrack they was doing the

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Speaker 3: record for. And I bumped hears with Paul Stewart and

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Speaker 3: John Singleton and I was like, look, man, I was

279
00:15:08,240 --> 00:15:10,920
Speaker 3: like a starving student. I was like, look, do you

280
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Speaker 3: guys have any room on y'all soundtrack?

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Speaker 2: You know?

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Speaker 3: If you do, could you please listen to the song

283
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Speaker 3: I got. So Paul was like, all right, I'll listened

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Speaker 3: to it. I said, well, can we go to my car?

285
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Speaker 3: So I had a burgundy rigle. We went, sat in

286
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Speaker 3: the regal, I put the tape in. I started playing

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Speaker 3: it and it went for about maybe fifteen twenty seconds

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Speaker 3: and Paul.

289
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Speaker 2: Was like boom. He's like stop, stop and stop. So

290
00:15:34,960 --> 00:15:39,320
Speaker 2: I stopped it and he was like I kind of

291
00:15:39,360 --> 00:15:43,760
Speaker 2: looked at him like like this motherfucker. Okay, another motherfucker tripping,

292
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Speaker 2: don't wanna you know, gonna shoot me down. So he

293
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Speaker 2: was like, can I take the tape with me? I

294
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Speaker 2: said hell, yeah, take it.

295
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Speaker 3: He said, just give me your number and I paid you,

296
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Speaker 3: you know, and let you know what we think. And

297
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Speaker 3: so for that was like ninety three, ninety four, ninety

298
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Speaker 3: n ninety three.

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Speaker 2: It was ninety three.

300
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Speaker 3: Ninety It was like n in like ninety three. I

301
00:16:08,240 --> 00:16:08,880
Speaker 3: think it was like.

302
00:16:08,960 --> 00:16:11,120
Speaker 2: Yes, ninety three, and one song was on the tape,

303
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Speaker 2: the Winner of ninety three.

304
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Speaker 1: What song was on the tape?

305
00:16:14,440 --> 00:16:15,400
Speaker 2: It was Indo Smoke.

306
00:16:16,120 --> 00:16:19,720
Speaker 3: And so I got a call that Monday, and and

307
00:16:20,080 --> 00:16:23,400
Speaker 3: Paul Stewart was like, then we want this to be

308
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Speaker 3: our first single off the Poetic Justice soundtrack.

309
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Speaker 2: And I was like huh.

310
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Speaker 3: He was like, yeah, we want this to be our

311
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Speaker 3: first single. So I called Mr Graham like, man, we

312
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Speaker 3: got a single with uh John Singleton and Paul Stewart

313
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Speaker 3: over there at New Deal. Uh, so they want to

314
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Speaker 3: meet with us. So we went up, had to meet

315
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Speaker 3: and everything was great. Oh wow, Uh did the deal

316
00:16:44,840 --> 00:16:47,280
Speaker 3: with him? You know, we got some cheese out of it.

317
00:16:47,360 --> 00:16:50,280
Speaker 3: And and that w That was pretty much my first

318
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Speaker 3: introduction to as an artist and a producer, uh, into

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Speaker 3: the music game.

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Speaker 1: Yeah. Man, I was thinking about this the other day. Man,

321
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Speaker 1: it's been twelve years since Nate been gone. Does it

322
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Speaker 1: feel like twelve? Uh?

323
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Speaker 3: Yeah, you know, it feels like it a lot because

324
00:17:13,240 --> 00:17:16,439
Speaker 3: when up, you know a lot. We worked together a

325
00:17:16,480 --> 00:17:23,439
Speaker 3: whole lot more than everybody. And he really understood my music,

326
00:17:23,640 --> 00:17:25,840
Speaker 3: you know, as far as my production, and he knew

327
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Speaker 3: what to do with it. And I say that, you know,

328
00:17:29,920 --> 00:17:32,399
Speaker 3: sometime when I work with artists, they don't really understand

329
00:17:33,359 --> 00:17:33,960
Speaker 3: what's there.

330
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Speaker 2: You know.

331
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Speaker 3: Nate would understand it, and he had dissect and then

332
00:17:37,359 --> 00:17:40,159
Speaker 3: he'll put the vibe to it and the shit is

333
00:17:40,800 --> 00:17:45,119
Speaker 3: a classic. But some artists to today will be listening

334
00:17:45,200 --> 00:17:47,159
Speaker 3: like damn, okay, I'm trying to catch a vibe with

335
00:17:47,240 --> 00:17:52,520
Speaker 3: this and this, and it's like, what are you thinking about?

336
00:17:52,760 --> 00:17:53,960
Speaker 2: Just go wow?

337
00:17:54,200 --> 00:17:57,360
Speaker 3: You know, but Nate knew what to do, and uh,

338
00:17:57,800 --> 00:18:00,439
Speaker 3: just not having them around, you know, just to to

339
00:18:00,480 --> 00:18:03,919
Speaker 3: get down on on certain records that I do, or

340
00:18:04,000 --> 00:18:07,760
Speaker 3: me producing for him or him hearing him, you know,

341
00:18:07,880 --> 00:18:10,919
Speaker 3: on a record with Snoop or Dre or or you know,

342
00:18:11,119 --> 00:18:14,480
Speaker 3: anybody in the industry is just like wow. But we

343
00:18:14,600 --> 00:18:19,240
Speaker 3: still hear it every day, all day r year after year,

344
00:18:19,320 --> 00:18:22,239
Speaker 3: every since he died and before when we when we

345
00:18:22,280 --> 00:18:25,600
Speaker 3: put the record out, it's still it's still going. So

346
00:18:25,720 --> 00:18:29,399
Speaker 3: that's that's what uh, you know it. It makes me

347
00:18:29,480 --> 00:18:31,840
Speaker 3: feel good just to know that it it's still keeping

348
00:18:32,000 --> 00:18:36,199
Speaker 3: his name alive along with with mine as well on

349
00:18:36,320 --> 00:18:39,600
Speaker 3: what we did together as far as to regulate uh record.

350
00:18:40,080 --> 00:18:43,199
Speaker 3: You know, we did that shit right in my apartment.

351
00:18:43,920 --> 00:18:47,320
Speaker 3: Uh little small apartment with no furniture, just a bed

352
00:18:47,400 --> 00:18:52,040
Speaker 3: and my dogs shitting everywhere and studio equipment in one room,

353
00:18:52,080 --> 00:18:55,439
Speaker 3: and uh we did that motherfucker right in there, you know,

354
00:18:55,880 --> 00:19:01,720
Speaker 3: and from there, you know it a uh what was

355
00:19:01,720 --> 00:19:02,159
Speaker 3: a trip?

356
00:19:02,359 --> 00:19:04,399
Speaker 2: Was I was at the studio. Now this is a

357
00:19:04,400 --> 00:19:05,160
Speaker 2: whole nother story.

358
00:19:06,640 --> 00:19:07,080
Speaker 1: Uh.

359
00:19:08,400 --> 00:19:09,200
Speaker 2: I was up at the.

360
00:19:09,119 --> 00:19:13,080
Speaker 3: Studio with Dray uh him and Mike Lynn. So I

361
00:19:13,080 --> 00:19:16,560
Speaker 3: told Mike, I said, Mike, I got the song I

362
00:19:16,600 --> 00:19:19,359
Speaker 3: want you to hear because I know I knew that

363
00:19:19,400 --> 00:19:22,399
Speaker 3: they was doing above the rim uh soundtrack.

364
00:19:22,480 --> 00:19:24,600
Speaker 2: So Michael was all right, come on, let's go.

365
00:19:24,680 --> 00:19:27,159
Speaker 3: So we got in the car once again, pushed the

366
00:19:27,200 --> 00:19:30,720
Speaker 3: tape and that it was regulate and uh.

367
00:19:33,520 --> 00:19:36,879
Speaker 2: Yeah, it was finished. It was finished. Uh it wasn't mixed,

368
00:19:36,920 --> 00:19:38,359
Speaker 2: but it was a rough draft of it.

369
00:19:38,960 --> 00:19:42,640
Speaker 3: And uh so it played. Mike was like this ship bang.

370
00:19:42,680 --> 00:19:44,560
Speaker 3: It was like, you let dra hear this. I was like, nah,

371
00:19:44,560 --> 00:19:47,760
Speaker 3: I ain't let him hear it. So he said, I'm

372
00:19:47,760 --> 00:19:49,560
Speaker 3: gonna I'm gonna let Dre here and I'm gonna let

373
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Speaker 3: Jimmy hear it, he said, And I'll get it, you know,

374
00:19:52,800 --> 00:19:55,600
Speaker 3: I'll get back to you. So once again, this was

375
00:19:55,600 --> 00:19:57,800
Speaker 3: a CD. It's actually not a tape with a CD.

376
00:19:57,960 --> 00:19:59,879
Speaker 3: So I gave them a CD.

377
00:19:59,640 --> 00:20:00,320
Speaker 2: And uh, uh.

378
00:20:02,000 --> 00:20:04,439
Speaker 3: Warn we want this to be a single, our single

379
00:20:04,480 --> 00:20:06,159
Speaker 3: for above the brand soundtrack.

380
00:20:06,400 --> 00:20:06,680
Speaker 1: Damn.

381
00:20:07,440 --> 00:20:12,520
Speaker 2: And that was regularly so I was like, damn, you.

382
00:20:12,480 --> 00:20:17,080
Speaker 1: Know, I want to say two days ago. So, first off,

383
00:20:18,200 --> 00:20:20,840
Speaker 1: Regulators probably is one of those, one of the one

384
00:20:20,840 --> 00:20:22,600
Speaker 1: of them, one of them joints that is going to

385
00:20:22,640 --> 00:20:26,679
Speaker 1: be forever in my top ten forever, right, just vibe

386
00:20:26,800 --> 00:20:29,359
Speaker 1: just I can throw that on. I can feel like

387
00:20:29,400 --> 00:20:31,640
Speaker 1: I'm on pH you know, like I can, I can.

388
00:20:31,680 --> 00:20:34,840
Speaker 1: I can give you moments in my life that I've had.

389
00:20:34,920 --> 00:20:38,240
Speaker 1: Regulators be like the soundtrack to that to those moments, right,

390
00:20:40,240 --> 00:20:42,800
Speaker 1: you know we got kids. Yeah, you know, kids on

391
00:20:43,440 --> 00:20:47,280
Speaker 1: all apps, TikTok, fucking all socials, right, yeah, my kid

392
00:20:47,400 --> 00:20:52,600
Speaker 1: is scrolling and she stops and she's I'm driving. I

393
00:20:52,600 --> 00:20:56,359
Speaker 1: can hear Regulators playing It's just Dad is your song?

394
00:20:56,400 --> 00:20:58,560
Speaker 1: And I said okay, And in the middle of the

395
00:20:58,600 --> 00:21:00,280
Speaker 1: song it flipped Unt Tree.

396
00:21:00,920 --> 00:21:04,240
Speaker 2: Oh yeah that.

397
00:21:04,359 --> 00:21:07,280
Speaker 1: Was I was in that motherfucker doing this right here.

398
00:21:07,359 --> 00:21:11,080
Speaker 1: Bro on you hear me, I was getting out. Yeah, man, listen.

399
00:21:11,880 --> 00:21:13,879
Speaker 1: First off, I'm a fan of all music, don't give

400
00:21:13,880 --> 00:21:18,160
Speaker 1: a fuck what it is. Frob fucking classic jazz, everything, right,

401
00:21:18,200 --> 00:21:21,280
Speaker 1: So I'm a fan. When they flipped country, bro, I

402
00:21:21,320 --> 00:21:25,080
Speaker 1: think it flipped my country too, Like it flipped the

403
00:21:25,119 --> 00:21:26,639
Speaker 1: country and me, you know what I'm saying. And I

404
00:21:27,280 --> 00:21:32,240
Speaker 1: know I'm yeah, yeah, I'm going and I'm being funny.

405
00:21:32,240 --> 00:21:36,040
Speaker 1: But the point I'm making here is that, man, someone

406
00:21:36,080 --> 00:21:38,480
Speaker 1: told me, the biggest form of flatteries to be copied

407
00:21:38,920 --> 00:21:42,239
Speaker 1: someone to use your stuff or to inspire. When you

408
00:21:42,320 --> 00:21:46,119
Speaker 1: hear when you hear Regulators, you hear those remixes, like

409
00:21:46,520 --> 00:21:48,320
Speaker 1: where does it take you? Like, what are you thinking

410
00:21:48,320 --> 00:21:50,480
Speaker 1: when you hear you heard the country version? What would

411
00:21:50,520 --> 00:21:50,919
Speaker 1: it take you?

412
00:21:51,320 --> 00:21:55,080
Speaker 2: I was like, that's it's dope.

413
00:21:55,760 --> 00:22:00,400
Speaker 3: I would say that was like, it's dope, right. I

414
00:22:00,520 --> 00:22:07,840
Speaker 3: uh just talked to uh Jennifer Horton, who's actually we're

415
00:22:07,880 --> 00:22:10,400
Speaker 3: partnering up. That's she's going to start doing some work

416
00:22:10,440 --> 00:22:14,680
Speaker 3: with me. Shout out to Jennifer management wise, and she's

417
00:22:14,720 --> 00:22:17,240
Speaker 3: tight with his people. He talked to his people and like,

418
00:22:17,359 --> 00:22:19,639
Speaker 3: what do you guys want to do? You got so

419
00:22:20,640 --> 00:22:25,320
Speaker 3: I told them that I could do a brand new

420
00:22:25,440 --> 00:22:30,600
Speaker 3: version with new verses to regulate for that, you know,

421
00:22:30,600 --> 00:22:33,280
Speaker 3: if he wants his version of his parts to still

422
00:22:33,320 --> 00:22:36,040
Speaker 3: stay as is, or he could do some new new

423
00:22:36,160 --> 00:22:43,720
Speaker 3: verses and we're just creator a new regulate twenty twenty three.

424
00:22:43,880 --> 00:22:46,480
Speaker 1: We need good vos right now. Yeah, you're getting ready

425
00:22:46,480 --> 00:22:46,960
Speaker 1: to go tour?

426
00:22:47,560 --> 00:22:51,200
Speaker 2: Yeah? Yeah, high school reunion tour.

427
00:22:51,920 --> 00:22:57,439
Speaker 3: Me snoop whiz and too short and burning. That's a

428
00:22:57,600 --> 00:22:58,400
Speaker 3: smoke affair.

429
00:23:00,720 --> 00:23:02,280
Speaker 1: Tell me, tell me, tell me a little bit about it.

430
00:23:02,440 --> 00:23:03,359
Speaker 1: Where where does it start?

431
00:23:04,200 --> 00:23:07,920
Speaker 3: We start off in Canada, Vancouver, Canada. Uh, and then

432
00:23:08,040 --> 00:23:11,160
Speaker 3: from there we do the Northwest, and then we ease

433
00:23:11,200 --> 00:23:14,520
Speaker 3: over into the Midwest, and then from the Midwest we

434
00:23:14,680 --> 00:23:21,280
Speaker 3: go Uh. I think we start heading towards Pennsylvania. Uh, Indianapolis,

435
00:23:21,280 --> 00:23:24,240
Speaker 3: and then we do Brooklyn, New Jersey. I think we

436
00:23:24,320 --> 00:23:27,480
Speaker 3: do two days in Brooklyn, then we do I mean

437
00:23:27,920 --> 00:23:31,919
Speaker 3: New Jersey, then we do a day in Brooklyn, and

438
00:23:33,080 --> 00:23:35,639
Speaker 3: we're all over the place. It's it's two months to

439
00:23:35,800 --> 00:23:38,720
Speaker 3: a two month tour. So we're gonna be hitting like

440
00:23:39,160 --> 00:23:43,159
Speaker 3: everywhere and I'm gonna have fun, man, uh and tapping

441
00:23:43,200 --> 00:23:45,879
Speaker 3: in with everybody in every city, you know, on that

442
00:23:45,960 --> 00:23:47,280
Speaker 3: barbecue the whole now.

443
00:23:49,320 --> 00:23:52,840
Speaker 1: So take me like, what's the what's the what's the

444
00:23:53,119 --> 00:23:56,520
Speaker 1: what's the what's the constant with with tours? Like are

445
00:23:56,520 --> 00:24:01,840
Speaker 1: they headaches? Are the nerve wrecking leading up to it? Like?

446
00:24:01,960 --> 00:24:03,879
Speaker 1: Take me through I know what sports is like. We

447
00:24:03,960 --> 00:24:06,280
Speaker 1: have a training camp to get ready for a season.

448
00:24:06,800 --> 00:24:08,480
Speaker 1: You go to season, you play the whole season. You

449
00:24:08,520 --> 00:24:11,520
Speaker 1: gotta playoffs. Like, take me through a tour though it's

450
00:24:11,560 --> 00:24:17,080
Speaker 1: the same thing. Really, it's the same thing. Some get

451
00:24:17,119 --> 00:24:17,960
Speaker 1: you get, you get.

452
00:24:18,000 --> 00:24:20,920
Speaker 3: You love doing it, but you get burnt out sometime

453
00:24:21,000 --> 00:24:23,320
Speaker 3: with with some of the things that that you're doing.

454
00:24:24,040 --> 00:24:24,359
Speaker 2: Uh.

455
00:24:25,160 --> 00:24:27,960
Speaker 3: As far as partying every day, lot, it's a lot

456
00:24:28,000 --> 00:24:30,359
Speaker 3: of partying every day. You gotta you gotta get into

457
00:24:30,400 --> 00:24:36,240
Speaker 3: that party vibe every day, damn. And Uh, you know,

458
00:24:36,320 --> 00:24:38,200
Speaker 3: it's a lot of drinking and smoking.

459
00:24:38,640 --> 00:24:40,280
Speaker 2: Uh, a lot of vibe, you know.

460
00:24:40,400 --> 00:24:42,840
Speaker 3: Yeah, just just just a bunch of stuff like that

461
00:24:42,840 --> 00:24:46,760
Speaker 3: that's constantly going on and some sometimes you get kind

462
00:24:46,760 --> 00:24:47,679
Speaker 3: of burnt out on it.

463
00:24:48,720 --> 00:24:49,080
Speaker 2: I do.

464
00:24:49,680 --> 00:24:52,240
Speaker 1: Uh, are y'all collabing on your music? I know it

465
00:24:52,240 --> 00:24:53,800
Speaker 1: ain't all party a working.

466
00:24:54,119 --> 00:24:55,480
Speaker 2: Know we we work, we work.

467
00:24:55,640 --> 00:24:55,840
Speaker 1: Uh.

468
00:24:56,640 --> 00:24:59,560
Speaker 3: Everybody carries like a portable studio you can set up

469
00:24:59,640 --> 00:25:02,199
Speaker 3: right in your dress a room, you know, with the

470
00:25:02,240 --> 00:25:05,399
Speaker 3: with the lungs. The music is already done and formatted.

471
00:25:05,600 --> 00:25:08,160
Speaker 3: You just pop your headphones on, get your booth up,

472
00:25:08,840 --> 00:25:12,480
Speaker 3: start playing like I'll be like, sort, I need a

473
00:25:12,560 --> 00:25:15,760
Speaker 3: verse a snoop, I need this wiz come on. But

474
00:25:16,160 --> 00:25:20,600
Speaker 3: I'm actually working on a record right now for me

475
00:25:20,680 --> 00:25:24,600
Speaker 3: snooping wiz oh wow to drop before we leave in July.

476
00:25:24,840 --> 00:25:27,199
Speaker 1: I was gonna say, in this situation, when you have

477
00:25:27,240 --> 00:25:29,360
Speaker 1: a tour, do you do you do you focus on

478
00:25:29,440 --> 00:25:31,359
Speaker 1: new music or do you just your chance to put

479
00:25:31,400 --> 00:25:32,080
Speaker 1: new music out?

480
00:25:33,080 --> 00:25:33,280
Speaker 2: Yeah?

481
00:25:33,320 --> 00:25:37,760
Speaker 3: I definitely focus on new music, and and it's just

482
00:25:37,840 --> 00:25:40,600
Speaker 3: another vehicle to push.

483
00:25:40,359 --> 00:25:41,080
Speaker 2: That new music.

484
00:25:41,119 --> 00:25:43,800
Speaker 3: By being on the road, you can introduce them in

485
00:25:43,880 --> 00:25:46,240
Speaker 3: the show, the new music as well. While it's on

486
00:25:46,280 --> 00:25:50,120
Speaker 3: the radio plan getting people familiar with it they can

487
00:25:50,160 --> 00:25:55,120
Speaker 3: see it as well, and then that that it works together. Yeah,

488
00:25:55,119 --> 00:25:57,360
Speaker 3: I just did one with Little Wayne too. That's that's

489
00:25:57,359 --> 00:26:01,840
Speaker 3: pretty dope. That's actually that motherfuckers push play on you.

490
00:26:02,720 --> 00:26:03,640
Speaker 1: We got to go to the brig.

491
00:26:04,040 --> 00:26:07,160
Speaker 3: Yeah, it's dope. I mean, it's really dope.

492
00:26:07,520 --> 00:26:10,280
Speaker 1: Now I gotta I gotta ask about what feels like.

493
00:26:10,400 --> 00:26:12,960
Speaker 1: I know music is your love, but man, bro, when

494
00:26:13,000 --> 00:26:15,960
Speaker 1: I talk when I talk rubs and I talk when

495
00:26:15,960 --> 00:26:18,480
Speaker 1: I talk grilling, when I talk grilling to you and

496
00:26:18,640 --> 00:26:21,679
Speaker 1: smoking and the barbecuing, Bro, you light up like a

497
00:26:21,720 --> 00:26:24,600
Speaker 1: whole nother bro, Like what is the I know you

498
00:26:24,600 --> 00:26:26,760
Speaker 1: said your pops, man, but this is your true this

499
00:26:26,840 --> 00:26:29,199
Speaker 1: is your true passion right here, Like grilling is your

500
00:26:29,200 --> 00:26:29,840
Speaker 1: true passion.

501
00:26:29,960 --> 00:26:31,520
Speaker 2: I mean, it's it's just fun.

502
00:26:33,119 --> 00:26:36,719
Speaker 3: It's a getaway because I don't have to deal with

503
00:26:37,800 --> 00:26:42,720
Speaker 3: like any politics or any you know, any clearances or

504
00:26:43,240 --> 00:26:48,879
Speaker 3: anything like that. I'm in my own world and and

505
00:26:48,920 --> 00:26:52,080
Speaker 3: whoever's around we just having a good time and feeling

506
00:26:52,160 --> 00:26:56,240
Speaker 3: good and just conversating like we are right now, just

507
00:26:56,280 --> 00:26:59,840
Speaker 3: having a good time conversating and it's just feel good,

508
00:27:00,160 --> 00:27:02,800
Speaker 3: you know, And it just it just it's an escape

509
00:27:02,840 --> 00:27:07,240
Speaker 3: for me away from the things that go on in

510
00:27:07,280 --> 00:27:10,400
Speaker 3: the music business, like, for instance, me trying to get

511
00:27:10,400 --> 00:27:14,280
Speaker 3: my masters back, you know, and it's been thirty years.

512
00:27:15,480 --> 00:27:18,199
Speaker 3: You know, they've been juicing me that long. You know,

513
00:27:18,240 --> 00:27:21,000
Speaker 3: I didn't put so many kids through college, high school.

514
00:27:21,119 --> 00:27:24,320
Speaker 3: They brought so many houses for all these kids. And

515
00:27:24,720 --> 00:27:26,760
Speaker 3: all I asked you guys to do for me doing

516
00:27:26,800 --> 00:27:30,000
Speaker 3: what I did by saving the company is to give

517
00:27:30,040 --> 00:27:32,240
Speaker 3: me my master's back. That's the best gift you could

518
00:27:32,240 --> 00:27:37,520
Speaker 3: give me. But they just juicing me still, so it

519
00:27:37,560 --> 00:27:38,800
Speaker 3: takes me away from all of that.

520
00:27:39,600 --> 00:27:45,560
Speaker 1: Yeah, y'all got all thought, y'all, I go, man, fun,

521
00:27:46,680 --> 00:27:50,160
Speaker 1: that's the rap and no man, that's been certified today. Man,

522
00:27:50,200 --> 00:27:51,720
Speaker 1: we had warned you come in here. In short, it's

523
00:27:51,720 --> 00:27:55,200
Speaker 1: the whole joint, from fucking rubs, the sauces to tang

524
00:27:55,320 --> 00:27:59,240
Speaker 1: ye to barbecue the hot. But y'all ain't ready. What's

525
00:27:59,280 --> 00:28:00,120
Speaker 1: this shiit say?

526
00:28:00,640 --> 00:28:07,000
Speaker 2: Sniffing griffins, sniffing griffin Smoke me out? Oh yeah, smoking

527
00:28:07,080 --> 00:28:08,480
Speaker 2: me out. We brings heat and.

528
00:28:08,400 --> 00:28:13,240
Speaker 1: A brings heat. Oh yeah, I'm gonna ask me, what's

529
00:28:13,280 --> 00:28:15,880
Speaker 1: the process is something like that? That's a long process.

530
00:28:16,359 --> 00:28:19,919
Speaker 1: I'm fighting for something that you created something this technically.

531
00:28:19,600 --> 00:28:22,200
Speaker 3: Yes, it's been a it's like I said, it's it's

532
00:28:22,240 --> 00:28:27,399
Speaker 3: thirty years. You know, I haven't really start I just

533
00:28:27,440 --> 00:28:30,320
Speaker 3: started really like focusing on that like in the last

534
00:28:30,400 --> 00:28:34,840
Speaker 3: maybe like ten years as far as you know, Like, damn,

535
00:28:34,880 --> 00:28:38,200
Speaker 3: why wasn't I thinking when I was younger about my

536
00:28:38,320 --> 00:28:40,600
Speaker 3: masters and I could have done these deals while I

537
00:28:40,640 --> 00:28:44,400
Speaker 3: still had ownership within my masters? I own my publishing catalog.

538
00:28:44,560 --> 00:28:46,240
Speaker 3: That's the biggest shit ever, right.

539
00:28:47,840 --> 00:28:49,920
Speaker 2: You know, a lot of guys don't facts, you know.

540
00:28:50,000 --> 00:28:52,080
Speaker 3: But the guys that do, you see these deals being

541
00:28:52,120 --> 00:28:55,320
Speaker 3: made like dre Facts with the two hundred and summer,

542
00:28:55,320 --> 00:28:57,440
Speaker 3: and I think that's just for the chronic right.

543
00:28:59,120 --> 00:28:59,360
Speaker 1: Right.

544
00:28:59,520 --> 00:29:01,560
Speaker 2: And they come to me like we wanna do half

545
00:29:01,600 --> 00:29:04,960
Speaker 2: of d D I say, hey, we may be able

546
00:29:04,960 --> 00:29:08,480
Speaker 2: to do that.

547
00:29:08,560 --> 00:29:09,000
Speaker 1: Business.

548
00:29:09,720 --> 00:29:12,400
Speaker 3: Yeah, but I cause I still don't you know. You hey,

549
00:29:12,440 --> 00:29:15,080
Speaker 3: you guys just you know, came in a little bit

550
00:29:15,080 --> 00:29:16,400
Speaker 3: as a partner, right.

551
00:29:16,920 --> 00:29:20,360
Speaker 1: You know, but uh, have you ever thought about taking

552
00:29:20,400 --> 00:29:22,480
Speaker 1: some of these young guns and putting them on the

553
00:29:22,520 --> 00:29:24,560
Speaker 1: you umbrella and kind of give them like a little

554
00:29:24,600 --> 00:29:25,280
Speaker 1: script or whatever.

555
00:29:25,760 --> 00:29:28,240
Speaker 3: All the time, Like a lot of the young artists

556
00:29:28,600 --> 00:29:34,560
Speaker 3: uh VG Perrico, uh Zoel Somema's and you know, like

557
00:29:34,680 --> 00:29:38,280
Speaker 3: all glasses alone like these like underground artists here like

558
00:29:38,360 --> 00:29:39,160
Speaker 3: that people.

559
00:29:38,840 --> 00:29:40,440
Speaker 2: Really don't know about yet. Yep.

560
00:29:40,840 --> 00:29:43,040
Speaker 3: But a lot of even the artists, even like ty

561
00:29:43,120 --> 00:29:45,880
Speaker 3: Dolla signed guys like that, A lot a lot of

562
00:29:45,880 --> 00:29:49,280
Speaker 3: these guys they called me and aksed me about all

563
00:29:49,320 --> 00:29:51,160
Speaker 3: of this shit, and then I give him a a

564
00:29:51,200 --> 00:29:55,640
Speaker 3: blueprint of how to move Like BEG Perrico called me,

565
00:29:55,720 --> 00:29:58,920
Speaker 3: and I he was just like, uh, you know, like

566
00:29:59,000 --> 00:30:00,120
Speaker 3: what what can I do to to.

567
00:30:01,880 --> 00:30:05,560
Speaker 2: You know, try to make my shit move better?

568
00:30:05,600 --> 00:30:09,400
Speaker 3: I said, be different, you know, be different and quit

569
00:30:09,480 --> 00:30:13,520
Speaker 3: talking about ops in every song. Uh, you don't have

570
00:30:13,600 --> 00:30:15,600
Speaker 3: to do that in every song. Just tell Just paint

571
00:30:15,640 --> 00:30:21,600
Speaker 3: a picture and tell your story. Mm, whether it's good, bad,

572
00:30:22,520 --> 00:30:25,400
Speaker 3: whatever it is, just paint a a whole movie a picture.

573
00:30:26,040 --> 00:30:28,840
Speaker 3: So people don't just have to hear you saying, well,

574
00:30:28,840 --> 00:30:31,120
Speaker 3: i'm'a do this or do that to some motherfucker all

575
00:30:31,160 --> 00:30:31,600
Speaker 3: the time.

576
00:30:32,680 --> 00:30:33,240
Speaker 1: What that.

577
00:30:33,480 --> 00:30:35,520
Speaker 2: People don't wanna hear that every day. We wanna feel

578
00:30:35,560 --> 00:30:37,320
Speaker 2: good sometimes, you.

579
00:30:37,280 --> 00:30:41,560
Speaker 3: Know, be different, you know, like myself, I talk some shit,

580
00:30:42,040 --> 00:30:44,920
Speaker 3: you know, but then I'll I I still spit some

581
00:30:45,000 --> 00:30:48,240
Speaker 3: game at the same time as far as how a

582
00:30:48,400 --> 00:30:51,760
Speaker 3: guide you in a direction where a positive direction too,

583
00:30:52,240 --> 00:30:53,960
Speaker 3: you know. But I'll talk some shit cause that's some

584
00:30:53,960 --> 00:30:56,960
Speaker 3: shit that I went through at that time. So I'm

585
00:30:56,960 --> 00:31:00,040
Speaker 3: gonna tell you my whole the story and the vibe

586
00:31:00,080 --> 00:31:02,040
Speaker 3: of of how I'm feeling, of what I'm going through.

587
00:31:02,040 --> 00:31:07,840
Speaker 3: And it's just like, I'm not no gang bang motherfucker

588
00:31:07,960 --> 00:31:10,440
Speaker 3: like out rowdy and doing all kinds of shit.

589
00:31:10,520 --> 00:31:12,800
Speaker 2: I just told my story, just.

590
00:31:12,800 --> 00:31:17,760
Speaker 3: A young teen coming out of Long Beach, California, just

591
00:31:17,800 --> 00:31:21,479
Speaker 3: tryna survive, just tryna be something in life. But I

592
00:31:21,520 --> 00:31:25,680
Speaker 3: had to go through all of this shit to to

593
00:31:25,720 --> 00:31:30,360
Speaker 3: see and say that I don't wanna be in this

594
00:31:30,480 --> 00:31:32,520
Speaker 3: type of shit. I still fuck with you niggas. I

595
00:31:32,560 --> 00:31:35,160
Speaker 3: love y'all right, I still fuck with all you guys,

596
00:31:35,320 --> 00:31:38,840
Speaker 3: but I don't wanna still be coming in the hood,

597
00:31:38,880 --> 00:31:40,920
Speaker 3: hanging in the motherfucking hood. I love the hood and

598
00:31:40,960 --> 00:31:44,800
Speaker 3: I give back all the time, but living in that motherfucker.

599
00:31:45,040 --> 00:31:47,160
Speaker 3: Hell no, I'm trying to get the fuck away, and

600
00:31:47,160 --> 00:31:50,360
Speaker 3: that's what I did, right, And I still fuck with everybody,

601
00:31:50,360 --> 00:31:53,280
Speaker 3: but shit, I pop through for ten or fifteen minutes

602
00:31:54,120 --> 00:31:56,719
Speaker 3: each spot. I'm not gonna sit there long, cause if

603
00:31:56,760 --> 00:31:59,360
Speaker 3: I sit there too long, i'm'a get myself in some trouble.

604
00:31:59,400 --> 00:32:02,160
Speaker 3: So I gotta get out of the right. You know, Hey,

605
00:32:03,280 --> 00:32:06,080
Speaker 3: smoke a joint, we have a shot whatever. Boom boom boom,

606
00:32:06,120 --> 00:32:09,640
Speaker 3: smoke a joint. Look, I'm gone. I love you, I

607
00:32:09,840 --> 00:32:13,440
Speaker 3: love you, and I'll be back, you know, because I

608
00:32:13,440 --> 00:32:17,240
Speaker 3: don't want to fuck up my shit by shooting somebody

609
00:32:17,280 --> 00:32:19,520
Speaker 3: or hurting somebody who don't know me, even though I

610
00:32:19,560 --> 00:32:21,600
Speaker 3: don't go through that right, but I don't want to

611
00:32:21,640 --> 00:32:23,480
Speaker 3: have to put myself in that position where I have

612
00:32:23,600 --> 00:32:28,720
Speaker 3: to say, Okay, thanks, you're tripping with me for what

613
00:32:28,960 --> 00:32:32,440
Speaker 3: you know, you don't even know me, or somebody just

614
00:32:32,520 --> 00:32:36,640
Speaker 3: on some bulls shit because I'm blasting. I ain't like

615
00:32:36,760 --> 00:32:39,360
Speaker 3: these other mother players. And I ain't gonna sit up

616
00:32:39,360 --> 00:32:41,520
Speaker 3: there and get on the record talking about I'm fuposed

617
00:32:41,520 --> 00:32:42,440
Speaker 3: to do this or do that.

618
00:32:42,560 --> 00:32:43,320
Speaker 2: I'm not gonna do that.

619
00:32:43,360 --> 00:32:45,320
Speaker 3: I'm just protecting myself, my family.

620
00:32:46,960 --> 00:32:48,719
Speaker 2: That's it, you know, I and I.

621
00:32:48,720 --> 00:32:52,560
Speaker 3: If I'm with my homeboys and some shit going on,

622
00:32:52,840 --> 00:32:56,000
Speaker 3: I'm damn. I'm with it is what it is. We

623
00:32:55,760 --> 00:32:57,520
Speaker 3: We just gotta do what we gotta do.

624
00:32:57,720 --> 00:33:00,120
Speaker 2: Facts.

625
00:33:00,160 --> 00:33:03,800
Speaker 3: But other than that, hey, I'm softest Peter Cotton tale, shit,

626
00:33:03,920 --> 00:33:04,600
Speaker 3: I ain't tripping.

627
00:33:05,800 --> 00:33:08,600
Speaker 1: I heard you. I heard you say when you said

628
00:33:09,120 --> 00:33:12,080
Speaker 1: about your masters and how you when you were younger,

629
00:33:12,080 --> 00:33:15,880
Speaker 1: you was thinking a whole nother way. How important is

630
00:33:17,000 --> 00:33:20,280
Speaker 1: the script in which we give to each other, or

631
00:33:20,320 --> 00:33:23,200
Speaker 1: the script in which we inherit, or when we talk

632
00:33:23,280 --> 00:33:27,120
Speaker 1: to our og to get dope information. How important is

633
00:33:27,160 --> 00:33:30,040
Speaker 1: that script to be able to be handed down to

634
00:33:30,120 --> 00:33:32,040
Speaker 1: the next generation. How important is.

635
00:33:32,000 --> 00:33:38,680
Speaker 3: That It's very important so they don't go through the

636
00:33:38,680 --> 00:33:41,640
Speaker 3: ship the things that we went through. It's very important

637
00:33:41,680 --> 00:33:45,480
Speaker 3: so they don't go through the things that we've been through.

638
00:33:45,760 --> 00:33:46,000
Speaker 1: You know.

639
00:33:46,440 --> 00:33:49,480
Speaker 3: Even even with my kids, I tell them, I said, look,

640
00:33:50,840 --> 00:33:54,000
Speaker 3: you y'all talk to me like y'all think y'all slick

641
00:33:54,560 --> 00:33:57,240
Speaker 3: or something, or I'll slick everything that you didn't been

642
00:33:57,320 --> 00:33:59,640
Speaker 3: through and gonna go through. I've been through it already.

643
00:33:59,640 --> 00:34:02,240
Speaker 3: That's why I try to tell you ahead of the

644
00:34:02,320 --> 00:34:05,720
Speaker 3: game on certain situations that you're going through, this is

645
00:34:05,720 --> 00:34:07,520
Speaker 3: how you gotta handle that situation.

646
00:34:08,200 --> 00:34:09,600
Speaker 2: And I do that for artists.

647
00:34:10,200 --> 00:34:12,880
Speaker 3: I do that for my kids, and it's it's really

648
00:34:12,920 --> 00:34:16,759
Speaker 3: important to pass it down. I'm not sure how many

649
00:34:17,080 --> 00:34:22,840
Speaker 3: guys do. But I even DM Kodak Black when he

650
00:34:22,960 --> 00:34:24,520
Speaker 3: was going through all the stuff before he.

651
00:34:24,520 --> 00:34:25,200
Speaker 2: Went to jail.

652
00:34:25,320 --> 00:34:29,720
Speaker 3: M him and a baby soldier. Okay, it was Kodak

653
00:34:29,800 --> 00:34:33,399
Speaker 3: Black I reached out to. Actually I reached out, reached

654
00:34:33,440 --> 00:34:36,000
Speaker 3: out the baby Soldier because he was in jail for

655
00:34:36,160 --> 00:34:39,719
Speaker 3: murder and him and Kodak Black, they they was tight,

656
00:34:40,160 --> 00:34:43,000
Speaker 3: you know. But this would be actually before he went

657
00:34:43,040 --> 00:34:45,920
Speaker 3: to jail for the murder situation, which he beat and

658
00:34:46,000 --> 00:34:49,040
Speaker 3: he got out and he's back in jail for a violation.

659
00:34:49,160 --> 00:34:53,120
Speaker 3: I think Baby Soldier and I told him, I said, look,

660
00:34:53,800 --> 00:34:56,239
Speaker 3: talk to Kodak Black and have him call me. I

661
00:34:56,280 --> 00:34:59,480
Speaker 3: want to talk to him because he don't have no

662
00:34:59,480 --> 00:35:01,040
Speaker 3: nobody trying to guide him.

663
00:35:00,880 --> 00:35:01,840
Speaker 2: In the right direction.

664
00:35:02,000 --> 00:35:04,799
Speaker 3: So I reached out, and I reached out to Kodak Black,

665
00:35:04,840 --> 00:35:06,960
Speaker 3: but he went to jail. I don't even know if

666
00:35:07,000 --> 00:35:11,239
Speaker 3: he even seen it. But just me being from here

667
00:35:11,320 --> 00:35:13,440
Speaker 3: way on the West coast, cause I I stay in

668
00:35:13,480 --> 00:35:17,000
Speaker 3: tune with all the younger artists, all artists my age whatever,

669
00:35:17,400 --> 00:35:21,840
Speaker 3: I stay tune tune with everything. Sho and uh I

670
00:35:21,960 --> 00:35:25,040
Speaker 3: s I was just somebody gotta say something to this dude.

671
00:35:25,080 --> 00:35:28,920
Speaker 3: So I just reached out the baby soldier then reached

672
00:35:28,920 --> 00:35:31,640
Speaker 3: out to him and talked to both of 'em, and uh,

673
00:35:31,760 --> 00:35:34,320
Speaker 3: baby soldier, he got it. You know, I was looking

674
00:35:34,320 --> 00:35:37,560
Speaker 3: out for him while he was locked up too. And uh,

675
00:35:39,360 --> 00:35:41,560
Speaker 3: it just it's it feels good to pass it down.

676
00:35:41,800 --> 00:35:44,680
Speaker 3: And and Kodak is starting to get it mm a little.

677
00:35:44,880 --> 00:35:46,960
Speaker 3: He's starting to get it, right cause I seen he

678
00:35:47,000 --> 00:35:52,200
Speaker 3: started investing in in uh real estate and and things

679
00:35:52,280 --> 00:35:57,240
Speaker 3: like that, and uh and just moving in a different

680
00:35:57,239 --> 00:35:59,640
Speaker 3: direction a little. Even though he get had a dirty

681
00:36:00,600 --> 00:36:05,560
Speaker 3: you know, he's still trying to move in the right

682
00:36:05,600 --> 00:36:10,680
Speaker 3: direction by building you know, building you know wealth for

683
00:36:10,800 --> 00:36:13,799
Speaker 3: the neighborhood that he came up in, and you know,

684
00:36:13,920 --> 00:36:16,640
Speaker 3: making it possible for for people there to have jobs

685
00:36:16,640 --> 00:36:17,440
Speaker 3: and stuff like that.

686
00:36:18,200 --> 00:36:19,240
Speaker 2: So that's pretty dope.

687
00:36:19,480 --> 00:36:21,799
Speaker 1: Got to that. Yeah, that script has got to be

688
00:36:21,840 --> 00:36:24,160
Speaker 1: out there. I got to ask you about your Raiders.

689
00:36:24,160 --> 00:36:29,040
Speaker 3: Man with the Raiders, I mean, I got major love

690
00:36:29,120 --> 00:36:33,080
Speaker 3: for the Raiders. I'm kind of uh I think we

691
00:36:33,120 --> 00:36:36,440
Speaker 3: should have Uh. I mean, I know it was contract

692
00:36:36,520 --> 00:36:37,359
Speaker 3: thing with Car.

693
00:36:37,719 --> 00:36:39,239
Speaker 2: Car my God, I love Car.

694
00:36:39,320 --> 00:36:44,600
Speaker 1: But you got Jimmy, Yeah, he's straight.

695
00:36:44,120 --> 00:36:48,920
Speaker 2: He just gotta stay he gotta stay healthy. You gotta

696
00:36:48,960 --> 00:36:49,600
Speaker 2: stay healthy.

697
00:36:49,640 --> 00:36:53,200
Speaker 1: I like points start Jimmy Benning, like, I'm down with it.

698
00:36:54,040 --> 00:36:57,080
Speaker 1: Y'all got a y'all got a super super athlete and

699
00:36:57,160 --> 00:37:01,600
Speaker 1: the wide receiver in atoms Man. Yeah, it takes a

700
00:37:01,640 --> 00:37:03,000
Speaker 1: certain arm to get it to him.

701
00:37:03,000 --> 00:37:04,719
Speaker 2: Man, Yeah, straight up.

702
00:37:05,040 --> 00:37:07,759
Speaker 1: Yeah. I like y'all. Man, I like y'all. Team. Ain't

703
00:37:07,800 --> 00:37:08,400
Speaker 1: like how y'all.

704
00:37:08,239 --> 00:37:10,680
Speaker 3: Went saying Aaron Rodgers was gonna come. That would have

705
00:37:10,719 --> 00:37:11,520
Speaker 3: been that would have.

706
00:37:11,480 --> 00:37:12,400
Speaker 2: Been a legend.

707
00:37:13,160 --> 00:37:14,560
Speaker 1: They just shut Vegas down.

708
00:37:14,880 --> 00:37:16,040
Speaker 2: Yeah, it ain't.

709
00:37:15,960 --> 00:37:19,879
Speaker 1: Enough, Hyahwashington, Vegas. You know what I'm saying, That would

710
00:37:19,920 --> 00:37:23,680
Speaker 1: have been legendary. That would been different to Vegas. Handle

711
00:37:23,719 --> 00:37:28,160
Speaker 1: Anon Rodgers now fresh out of Green bayle like, yeah, ship,

712
00:37:28,320 --> 00:37:29,920
Speaker 1: that's the party capital.

713
00:37:32,440 --> 00:37:32,960
Speaker 2: Yeah.

714
00:37:33,480 --> 00:37:36,279
Speaker 1: I was talking to you earlier and uh, y'all going

715
00:37:36,320 --> 00:37:38,799
Speaker 1: on tour. I gotta think that on some of these

716
00:37:38,840 --> 00:37:40,800
Speaker 1: tours you're gonna hit some of these barbecue spots and

717
00:37:40,880 --> 00:37:41,360
Speaker 1: some of these.

718
00:37:41,320 --> 00:37:44,080
Speaker 3: Like, man, I'm going to every city I go to.

719
00:37:44,360 --> 00:37:47,520
Speaker 3: I'm tapping in with every barbecue pit master there is.

720
00:37:47,640 --> 00:37:51,359
Speaker 1: Y'all hurt that Barbie. We're coming straight live, straight lived

721
00:37:51,440 --> 00:37:53,200
Speaker 1: to you. You know what I'm saying. Warrann g the tour going.

722
00:37:53,280 --> 00:37:54,239
Speaker 1: You know what I'm saying. What's the name of the

723
00:37:54,320 --> 00:37:54,719
Speaker 1: toy again?

724
00:37:55,160 --> 00:37:59,080
Speaker 3: It's called the High School Reunion Tour. Snoop Dogg too Short,

725
00:37:59,200 --> 00:38:05,640
Speaker 3: Warren g U whis Kalif and Berner in uh DJ drama.

726
00:38:06,040 --> 00:38:07,200
Speaker 2: It's gonna be a classic.

727
00:38:07,239 --> 00:38:09,879
Speaker 3: We're gonna have a good time and we're gonna show

728
00:38:09,960 --> 00:38:11,960
Speaker 3: your life on tour.

729
00:38:12,200 --> 00:38:15,600
Speaker 1: A Yes, indeed, yes, sir, We're gonna crack on this guy.

730
00:38:15,719 --> 00:38:18,800
Speaker 1: Damn barbecue. I gotta asked, what's your favorite thing to smoke?

731
00:38:18,960 --> 00:38:20,400
Speaker 1: And what's your favorite thing to grill?

732
00:38:22,200 --> 00:38:23,920
Speaker 2: You had the favorite thing to smoke?

733
00:38:24,239 --> 00:38:31,319
Speaker 3: Uh uh it's brisket. Yeah, brisket, That's my favorite thing

734
00:38:31,360 --> 00:38:36,919
Speaker 3: to smoke. And then as far as grilling, Oh way.

735
00:38:36,400 --> 00:38:38,480
Speaker 1: I can't pick them all. You're gonna pick one.

736
00:38:38,960 --> 00:38:44,040
Speaker 2: Grilling uh mm hmm. Damn. Let me see.

737
00:38:48,760 --> 00:38:52,680
Speaker 3: I say, I really like to do uh like salmon

738
00:38:52,800 --> 00:38:56,319
Speaker 3: grilling it. Yeah, hide and fast, you know, get the

739
00:38:56,360 --> 00:38:57,560
Speaker 3: skin crispy.

740
00:38:57,239 --> 00:38:58,520
Speaker 2: On the bottom.

741
00:38:58,600 --> 00:39:01,880
Speaker 1: Yes, indeed, Now winter, is it safe to say with

742
00:39:02,120 --> 00:39:05,600
Speaker 1: all of this that you set up today, right, is

743
00:39:05,600 --> 00:39:07,239
Speaker 1: it safe to say that we're gonna see the ware

744
00:39:07,280 --> 00:39:09,640
Speaker 1: g Regulated cookbook someday?

745
00:39:09,920 --> 00:39:12,080
Speaker 2: Definitely, Sniff and griffins BBQ.

746
00:39:12,239 --> 00:39:14,160
Speaker 1: Okay, what about the rubs in the season.

747
00:39:14,719 --> 00:39:18,680
Speaker 3: The rubs and seasons is already in action. Uh, that's

748
00:39:18,719 --> 00:39:21,520
Speaker 3: on sniffing griffins BBQ dot Sniffing griffins.

749
00:39:21,560 --> 00:39:23,000
Speaker 1: Y'all hear that sniffing griffins.

750
00:39:23,160 --> 00:39:28,680
Speaker 2: Sniffing grigriffs BBQ dot com. I got dot com. Yes, indeed,

751
00:39:28,760 --> 00:39:29,279
Speaker 2: sniffing grif.

752
00:39:29,360 --> 00:39:30,479
Speaker 1: What sniffing grif? You gotta give.

753
00:39:30,920 --> 00:39:35,279
Speaker 3: Sniff sniff and griffins is my Uh my rubs have

754
00:39:35,320 --> 00:39:38,360
Speaker 3: an all purpose rub, I have an original.

755
00:39:39,760 --> 00:39:42,120
Speaker 2: I have smoky sauce.

756
00:39:42,160 --> 00:39:45,720
Speaker 3: I have a damn Actually the names is we bring heat,

757
00:39:46,080 --> 00:39:49,600
Speaker 3: smoking me out and O G my O G sauce

758
00:39:49,640 --> 00:39:54,200
Speaker 3: and really good sauces. It's a different, different flavor.

759
00:39:54,280 --> 00:39:56,960
Speaker 1: Hold on, man, you jumping through anything. You got barbecue

760
00:39:56,960 --> 00:40:02,320
Speaker 1: sauces too, Barbi diesel sauces. Yeah, so we need to

761
00:40:02,360 --> 00:40:05,239
Speaker 1: see the whole boy, we see the whole thing thing.

762
00:40:05,320 --> 00:40:07,160
Speaker 1: Do tell me? I got salad dress and this ship

763
00:40:07,200 --> 00:40:07,640
Speaker 1: coming too.

764
00:40:08,920 --> 00:40:13,360
Speaker 3: I'm I'm doing everything kg. Yeah, hot sauce that's coming.

765
00:40:13,440 --> 00:40:16,400
Speaker 3: I got a yellow sauce coming. I even have a

766
00:40:16,480 --> 00:40:20,680
Speaker 3: season in salt coming. Then I have flavors, some flavored salts.

767
00:40:20,719 --> 00:40:21,920
Speaker 2: That's coming as.

768
00:40:21,760 --> 00:40:29,200
Speaker 3: Well as well as uh uh plant based seasonings.

769
00:40:29,400 --> 00:40:31,640
Speaker 1: Yeah, it's gonna ask you that man. As a chef, Man,

770
00:40:31,680 --> 00:40:34,480
Speaker 1: how much do you vegan about? How much of the

771
00:40:34,520 --> 00:40:36,799
Speaker 1: wave you gotta? You gotta pay attention to that and

772
00:40:37,040 --> 00:40:39,800
Speaker 1: implement a little bit of kind of like where food

773
00:40:39,880 --> 00:40:42,360
Speaker 1: is going. Everything's healthy or everything's plant based.

774
00:40:42,520 --> 00:40:45,279
Speaker 3: I mean, I'm I'm right up in there.

775
00:40:45,440 --> 00:40:48,000
Speaker 2: I do. Uh.

776
00:40:48,080 --> 00:40:55,080
Speaker 3: Portobello burgers is really good, or I eat it without anything.

777
00:40:55,160 --> 00:40:59,320
Speaker 3: I just love the grilla or or smoke them too. Uh,

778
00:41:00,120 --> 00:41:02,799
Speaker 3: just how juicy and flavorful they are. I taste damn

779
00:41:02,840 --> 00:41:03,560
Speaker 3: in like a steak.

780
00:41:04,239 --> 00:41:05,040
Speaker 1: I gotta get on that.

781
00:41:05,280 --> 00:41:07,040
Speaker 2: Oh yeah, Portobello mushrooms.

782
00:41:07,520 --> 00:41:12,759
Speaker 3: Uh, take some olive oil or avocado oil, you know,

783
00:41:12,880 --> 00:41:16,440
Speaker 3: rub it down and seizing it up and get the cooking.

784
00:41:16,640 --> 00:41:17,680
Speaker 2: You'll know when it's done.

785
00:41:18,040 --> 00:41:20,319
Speaker 1: Man. You know what I want to do? Man, one

786
00:41:20,360 --> 00:41:25,920
Speaker 1: time when you go to Vegas and you what you

787
00:41:25,960 --> 00:41:29,040
Speaker 1: call it when you go to the football games tail game,

788
00:41:29,080 --> 00:41:30,920
Speaker 1: when you tailgate it the Raiders game. I want I

789
00:41:30,960 --> 00:41:32,560
Speaker 1: want to I want to be that. Oh yeah, I

790
00:41:32,560 --> 00:41:33,319
Speaker 1: want to be there for that.

791
00:41:33,520 --> 00:41:34,560
Speaker 2: Yes, indeed, yes, the.

792
00:41:34,640 --> 00:41:37,319
Speaker 1: Camers We're gonna we're gonna certify We're gonna chill right there.

793
00:41:37,480 --> 00:41:39,520
Speaker 1: Money watch do you watch the game right there? You

794
00:41:39,640 --> 00:41:39,880
Speaker 1: go in?

795
00:41:40,120 --> 00:41:41,160
Speaker 2: No, I go in, but.

796
00:41:42,680 --> 00:41:44,359
Speaker 1: Some sit right there and watch it from right there.

797
00:41:44,400 --> 00:41:45,480
Speaker 2: Though I have been there.

798
00:41:45,520 --> 00:41:49,759
Speaker 3: I have watched it before the Raiders and Chargers when

799
00:41:49,800 --> 00:41:52,279
Speaker 3: they used to battle. We we go up to the

800
00:41:52,360 --> 00:41:55,560
Speaker 3: Chargers game about a hundred deep, and we start with

801
00:41:55,600 --> 00:41:58,440
Speaker 3: breakfast lunch, and then we have another meal when people

802
00:41:58,480 --> 00:42:01,319
Speaker 3: come out from the game. Everybody that goes in, because

803
00:42:01,320 --> 00:42:03,480
Speaker 3: some people just stay out. When they come back out,

804
00:42:04,680 --> 00:42:07,240
Speaker 3: feed again. Everybody's a whole new batch of food.

805
00:42:07,600 --> 00:42:09,160
Speaker 1: Is it you? Is it free?

806
00:42:10,160 --> 00:42:14,040
Speaker 2: It's free all of us. It's a whole that, our

807
00:42:14,080 --> 00:42:14,640
Speaker 2: whole crew.

808
00:42:14,719 --> 00:42:17,960
Speaker 3: You got the frying man, you got the barbecue man,

809
00:42:18,480 --> 00:42:23,080
Speaker 3: you got the the what was the breakfast man? We

810
00:42:23,120 --> 00:42:27,600
Speaker 3: had every we had every type of food. We had

811
00:42:27,640 --> 00:42:30,440
Speaker 3: it all right there with breakfast lunch in the late

812
00:42:31,719 --> 00:42:33,560
Speaker 3: I guess I don't want to say dinner, but meal

813
00:42:33,640 --> 00:42:34,840
Speaker 3: after after the game.

814
00:42:34,800 --> 00:42:39,280
Speaker 2: Music going, Oh yeah, party, the party.

815
00:42:39,440 --> 00:42:42,200
Speaker 1: Put this on the list. You heard it first.

816
00:42:42,640 --> 00:42:49,200
Speaker 3: Oh yeah, I appreciate thanks for having me. Man, Yes, indeed, Man.

817
00:42:49,120 --> 00:42:52,239
Speaker 1: Shout you your family, everybody. Man know what it is.

818
00:42:52,280 --> 00:43:00,279
Speaker 1: Man certified a ship. Yeah,