WEBVTT - All Hail the Jeanaissance!

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<v Speaker 1>Hi everyone, I'm Katie Curic, and this is next question.

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<v Speaker 1>You know, if you've been watching TV lately, you've probably

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<v Speaker 1>noticed that Jean Smart is having a moment. Or, as

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<v Speaker 1>a New Yorker put it, we seem to be in

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<v Speaker 1>the midst of a full blown gena sonce. Here's the

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<v Speaker 1>thing about me, sister Knight, I hate good guys for breakfast.

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<v Speaker 1>This all might be news to Geene herself, since she's

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<v Speaker 1>been working subtly for more than four decades. After starting

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<v Speaker 1>out as a stage actress in New York, she got

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<v Speaker 1>her first big TV role as Charlene Fraser still Field

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<v Speaker 1>on the nineteen eighties sitcom Designing Women. Stand Out performances followed,

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<v Speaker 1>and shows like twenty four look like a wedding cake. Fraser,

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<v Speaker 1>get off. You're asking a pen, Samantha, who will play

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<v Speaker 1>that game? Where do you get guess what? People would

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<v Speaker 1>guess what you're thinking about? Saying any words? You mean charades?

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<v Speaker 1>I said, no words and Fargo. The point is, don't

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<v Speaker 1>assume just because I'm an old woman to my back

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<v Speaker 1>is weak and my stomach is not strong. But it

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<v Speaker 1>was her recent one to punch as washed up Las

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<v Speaker 1>Vegas comedian Debra Vance on the HBO Max series Hacks

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<v Speaker 1>Coming and as Kate Winslet's mother Helen Fahey and mayor

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<v Speaker 1>of East Town that has finally awakened the world to

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<v Speaker 1>the genius that is Gene. I don't know how to say.

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<v Speaker 1>Oh wait, it just came to me. That was stupid.

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<v Speaker 1>I recently got the chance to talk to her about

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<v Speaker 1>her long career, what it feels like to experience a

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<v Speaker 1>resurgence of attention at seventy, the sudden loss of her

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<v Speaker 1>husband of more than thirty years, fellow actor Richard Gilliland,

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<v Speaker 1>and the coming second season of Hacks, which, by the way,

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<v Speaker 1>I loved. Hi, Gene, how are you. I'm good, I'm good.

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<v Speaker 1>You are doing the proverbial junket when you talk to

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<v Speaker 1>what scores of annoying interviewers like me. I feel so

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<v Speaker 1>bad because I've been subjected to the round robin of

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<v Speaker 1>a junket myself, and you start wanting to make up stories,

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<v Speaker 1>and you just you're so bored with yourself by the right. No,

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<v Speaker 1>it's it's everybody's been so nice and the thing has

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<v Speaker 1>been really gratifying. Is that so far everybody who has

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<v Speaker 1>seen some episodes of season two, they got its sneak peek.

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<v Speaker 1>Have have just loved it because you know, season two,

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<v Speaker 1>you you want to have something to prove. Well, that's

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<v Speaker 1>I was going to ask you about that. It's sort

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<v Speaker 1>of like you don't want to be a one hit wonder,

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<v Speaker 1>you know, or that novelist who's got the number one

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<v Speaker 1>on the New York Times bestseller list and is paralyzed

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<v Speaker 1>when it comes to writing a second How much pressure

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<v Speaker 1>was it for you all going into the season two

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<v Speaker 1>after season one was so well received. Oh it um, Chris.

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<v Speaker 1>Most of the pressure was on the writers. But no,

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<v Speaker 1>you definitely feel like people are going to be gunning

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<v Speaker 1>for you, you know, to say, oh yeah, try and

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<v Speaker 1>make me laugh. But uh, when I started reading the

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<v Speaker 1>scripts for season two, I just thought, Wow, they've they've

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<v Speaker 1>They've done it again. It's just was wonderful. Why do

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<v Speaker 1>you think the characters in this show are so fun

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<v Speaker 1>to write for? Yeah? No, I mean I you know,

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<v Speaker 1>Jen and Paul and Achia. I have been living with

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<v Speaker 1>this idea of this character, this woman Deborah for seven years,

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<v Speaker 1>thank god, and made seven years ago, because I would

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<v Speaker 1>not have been at the top of the list probably,

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<v Speaker 1>So I'm grateful that they've just percolated on it for

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<v Speaker 1>a long time. But they when they said when they

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<v Speaker 1>pitched the show to to HBO, they basically told them

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<v Speaker 1>like five years of the story. I haven't even asked

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<v Speaker 1>them where they see this this going, but they I

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<v Speaker 1>love the little, tiny, weird details about characters that put in,

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<v Speaker 1>the little idiosyncratic things, And especially in season two, they've

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<v Speaker 1>really fleshed out all the ensemble, all the supporting characters

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<v Speaker 1>who have more to do, And it's so much fun

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<v Speaker 1>to watch them because they're all a little demented, even

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<v Speaker 1>my housekeeper they are, but they're all so funny, and

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<v Speaker 1>there's something so real about them, right, because they're so multidimensional.

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<v Speaker 1>I think, each and every one of them. You see

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<v Speaker 1>them being funny, you see them being sad, you see there,

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<v Speaker 1>you know their regrets and longing. You see them try

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<v Speaker 1>to find themselves still after all these years, right, And

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<v Speaker 1>I think as a result of that richness, so many

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<v Speaker 1>people relate to it. When you first got the script,

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<v Speaker 1>did you just eat it up, Jean, did you just

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<v Speaker 1>say I have got to have this role? Absolutely? Absolutely?

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<v Speaker 1>Eye and Tech I was so I was. I've never

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<v Speaker 1>said this before, but I walked into the room with

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<v Speaker 1>the producers and I said, um, because my agent called

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<v Speaker 1>me and sent me the script. Is said they they

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<v Speaker 1>want you to do the script. And I just couldn't

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<v Speaker 1>believe how great it was. And I working around and said,

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<v Speaker 1>you're right, I'm absolutely perfect for this. Um, you should

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<v Speaker 1>hire me. Um. But no, it's it ticked off every box.

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<v Speaker 1>I mean, if I could have described what I hoped

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<v Speaker 1>my next project would be, it just had everything. It

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<v Speaker 1>just had everything. What when you say everything, I mean

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<v Speaker 1>it had it had It had the humor, it had

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<v Speaker 1>the intelligence, that had the pathos, that had offbeat fun stuff.

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<v Speaker 1>I mean, it had Vegas, had sequence, a leopard print

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<v Speaker 1>and mean it was like and Martinis. I mean, how

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<v Speaker 1>could I say Now? It has that weird mother daughter dynamic,

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<v Speaker 1>which to me is also so fun and actually at

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<v Speaker 1>times painful to watch because you know, they're just so

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<v Speaker 1>different and they really have it. They really have a

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<v Speaker 1>difficult time connecting, and and that's why I think there's

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<v Speaker 1>also kind of another mother daughter relationship that's part of

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<v Speaker 1>the show. Right. Yeah, No, I absolutely think you were

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<v Speaker 1>absolutely right. And you know, Caitlin Olsen is so amazing

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<v Speaker 1>as DJ and when you find out that DJ actually

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<v Speaker 1>stands for Deborah Jr. It's like, oh no, she actually

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<v Speaker 1>mannered kind of like George Foreman, right exactly. Yeah, I mean,

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<v Speaker 1>Caitlin is so amazing, she says. I know, she says,

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<v Speaker 1>it's like I'm a sixteen year old trap in a

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<v Speaker 1>fourty year old body. But but it's sad too, because

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<v Speaker 1>you know, as a parent, I'm sure you know, you

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<v Speaker 1>feel like you never get it right, you do too much,

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<v Speaker 1>or you do too little, or you you know, and

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<v Speaker 1>and Deborah feels like I just wanted you to be

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<v Speaker 1>with me, and her daughter sees it as you dragged

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<v Speaker 1>me all these horrible places with horrible people and when

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<v Speaker 1>I was a kid, and you know, And I think

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<v Speaker 1>it's particularly complicated when you have a mom which I

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<v Speaker 1>can relate to in the public eye in terms of

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<v Speaker 1>a daughter, you know, when I have two daughters establishing

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<v Speaker 1>their own identity. I'm wondering if, if if this resonated

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<v Speaker 1>with Eugene Um in terms of your own kids. No, absolutely,

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<v Speaker 1>I think I think I think it must be. I mean,

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<v Speaker 1>I have no idea, but it must be very hard

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<v Speaker 1>to have a kind of a famous parent. Um. I

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<v Speaker 1>remember when my oldest was young. If I would be

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<v Speaker 1>out in public and people would ask for an autograph

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<v Speaker 1>or something, I would if I was with him, I

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<v Speaker 1>would try to just really nicely say I'm so sorry.

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<v Speaker 1>I hope you don't mind if I say no, I'm

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<v Speaker 1>just I'm just mom today. You know, I'm just mom

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<v Speaker 1>right now. And people are always very nice about it.

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<v Speaker 1>And this happened several times, and finally my my son

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<v Speaker 1>looked at me and he said, no, Mom, it's okay,

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<v Speaker 1>it's okay, you can sign it. It just means they

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<v Speaker 1>really like you, you know. So that was really sweet.

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<v Speaker 1>And then my my my youngest, he didn't like it

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<v Speaker 1>when he never wanted to watch me in anything. I

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<v Speaker 1>think it made it seemed creepy do him to see

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<v Speaker 1>his mother pretending to be somebody else. I'm looking kind

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<v Speaker 1>of different, and he didn't like it if I'd come

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<v Speaker 1>home with all the hair and the makeup and everything.

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<v Speaker 1>He he just wanted me to just just be mom.

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<v Speaker 1>So they don't seem any worse for the wear. In

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<v Speaker 1>terms of you being in a hype, you know, in

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<v Speaker 1>high profile jobs, or having a mom who was on

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<v Speaker 1>TV or in movies, well, I don't know, I'm sure.

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<v Speaker 1>I just try to tell myself that if they have

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<v Speaker 1>any issues, it's not because of me, and it's between

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<v Speaker 1>them and their therapists exactly. More with the very smart

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<v Speaker 1>Gene smart. After this break, well, let's talk about sort

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<v Speaker 1>of the whole ensemble cast. I think obviously Hannah e'inbinder

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<v Speaker 1>is is a revelation. She really is wonderful in the

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<v Speaker 1>role and provides such a great contrast to to Deborah's character.

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<v Speaker 1>Tell me a little bit about working with Hannah and

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<v Speaker 1>where she came from, because she just seems to have

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<v Speaker 1>exploded onto the scene. Gene. Yes, I know. Apparently our

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<v Speaker 1>producers were fans of her comedy because Paul Downs is

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<v Speaker 1>also a stand up comic who plays my manager Jimmy

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<v Speaker 1>so brilliantly. Um, but so they had her on the

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<v Speaker 1>list of girls to audition. I guess a lot of

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<v Speaker 1>actresses read and then they brought me in to do

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<v Speaker 1>what they call, you know, a chemistry read for the

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<v Speaker 1>last handful of young women. And uh so I watched

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<v Speaker 1>some of Anna's stand up on online and I just

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<v Speaker 1>was taken with how she seemed so confident on stage

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<v Speaker 1>and she but she was very kind of quirky, and

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<v Speaker 1>I've never seen anybody do a routine quite like what

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<v Speaker 1>she was doing. And I just thought she was amazing

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<v Speaker 1>because she took her time and everything was very small,

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<v Speaker 1>and it was just I just thought she was hilarious.

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<v Speaker 1>And uh, I actually called her the night before our audition,

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<v Speaker 1>just to introduce myself, and I think I called two

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<v Speaker 1>of the girls. I didn't call all of them. Feel bad,

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<v Speaker 1>but I just wanted to put them at ease a

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<v Speaker 1>little bit, you know, because that's always weird to be

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<v Speaker 1>in that position. And plus we had to meet. It

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<v Speaker 1>was like something out of a spy movie. We met

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<v Speaker 1>in this huge, dark, dark, empty sound stage with one

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<v Speaker 1>light bulb on a stand like you're gonna be interrogated

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<v Speaker 1>and tortured, right, you know, and two straight backed chairs

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<v Speaker 1>about sounds very off off Broadway. Yes, through plexiglass, you know,

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<v Speaker 1>because of COVID. Yes, it was insane. So I'm glad

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<v Speaker 1>that we had chit chat on the phone a little bit.

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<v Speaker 1>But but she was great. She was great, and she

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<v Speaker 1>was definitely my my first choice, and I was glad

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<v Speaker 1>they at least let me have some input, and luckily

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<v Speaker 1>they agreed with me. And after we've been working together

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<v Speaker 1>about two weeks. She was she was still she was

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<v Speaker 1>stealing awe of me back then, but that's completely gone.

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<v Speaker 1>She came up to me and she said, I just

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<v Speaker 1>really wanted to thank you because you know, I heard

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<v Speaker 1>that you really went to bat for me with the producers,

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<v Speaker 1>and I said I did. I said you were absolutely

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<v Speaker 1>my first choice. I said, in fact, I told them

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<v Speaker 1>that if they didn't hire you, I was gonna do

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<v Speaker 1>the show. And she said really, I said, no, I'm nice,

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<v Speaker 1>but not that nice. I hesitated for just a second

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<v Speaker 1>before I say, said, should I say this is just

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<v Speaker 1>too mean? No, she's a comedian, she can take it.

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<v Speaker 1>And I remember we ran into each other at the

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<v Speaker 1>Vanity Fair Oscar dinner, which was kind of interesting. But um,

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<v Speaker 1>I remember you telling me about her background and her mom.

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<v Speaker 1>Can you share with everybody? Sort of because when I

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<v Speaker 1>heard that, I was like, are you kidding me? Yes,

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<v Speaker 1>speaking of kids growing up with famous parents, her mom

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<v Speaker 1>is Lorraine Newman from SNL fame, fabulous comedian, and uh

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<v Speaker 1>so it was kind of in her blood. And she

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<v Speaker 1>started doing stand up in college and she's been doing

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<v Speaker 1>it ever since. And she her boyfriend is also a

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<v Speaker 1>successful stand up comic. He's got a show in New

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<v Speaker 1>York right now. It's been they keep renewing it and

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<v Speaker 1>renewing it and renewing it. And he's very funny, very nice,

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<v Speaker 1>very nice guy. And it must be nice for Eugene

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<v Speaker 1>as somebody who's who's been around for a while to

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<v Speaker 1>see to see this, this kind of a breakthrough role

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<v Speaker 1>for this young woman. It must be really exciting to watch.

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<v Speaker 1>And wait, oh, it is absolutely. I mean, I'm so

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<v Speaker 1>happy for her, and I won't insist on my five percent,

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<v Speaker 1>but you know, but no, and it's she said, it's

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<v Speaker 1>really you know, changed things for her, you know, and

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<v Speaker 1>and uh, she said she thinks it's made her a

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<v Speaker 1>better comic. And but you know what, it's true. It's

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<v Speaker 1>true about singers too. To be a really good stand

0:13:53.200 --> 0:13:56.040
<v Speaker 1>up comic, And I also think to be a really

0:13:56.040 --> 0:13:59.640
<v Speaker 1>good singer, you have to really be an actor, you know,

0:13:59.760 --> 0:14:02.800
<v Speaker 1>you to act your material. So I don't I don't

0:14:02.840 --> 0:14:06.800
<v Speaker 1>think it's you know, surprising that you know, she's as

0:14:06.840 --> 0:14:11.600
<v Speaker 1>good as she is. She's just so she's just so natural. Um,

0:14:11.800 --> 0:14:17.720
<v Speaker 1>I can't believe it's really her first role. Meanwhile, I mean,

0:14:17.760 --> 0:14:21.280
<v Speaker 1>you're amazing in it gene and it's so you know,

0:14:21.400 --> 0:14:24.560
<v Speaker 1>for me, somebody who's watched you my whole life and

0:14:25.120 --> 0:14:29.880
<v Speaker 1>cheered you on in all the iterations that you've been in, um,

0:14:29.920 --> 0:14:33.560
<v Speaker 1>it's just been. It was. It was so exciting for

0:14:33.640 --> 0:14:36.240
<v Speaker 1>me as a fan, and I'm sure for you as

0:14:36.360 --> 0:14:41.320
<v Speaker 1>the the lucky recipient of these roles to have this

0:14:41.440 --> 0:14:45.160
<v Speaker 1>incredible year. You know, I I don't want to bore

0:14:45.240 --> 0:14:48.760
<v Speaker 1>you with the genisance and all that jazz, and you know,

0:14:48.880 --> 0:14:52.600
<v Speaker 1>the New Yorker writing Jeane Smart never went anywhere, which

0:14:52.680 --> 0:14:56.720
<v Speaker 1>is true. But having said that, it was a pretty

0:14:57.200 --> 0:15:00.480
<v Speaker 1>great year for you because you had Hacks, which was

0:15:00.600 --> 0:15:05.280
<v Speaker 1>awesome and continues obviously in season two to be awesome.

0:15:05.320 --> 0:15:08.880
<v Speaker 1>But you had Mayor of Easttown. And I know that

0:15:08.920 --> 0:15:13.320
<v Speaker 1>you have said the fact that these two shows came

0:15:13.360 --> 0:15:18.200
<v Speaker 1>on simultaneously almost is one of the reasons that people

0:15:18.280 --> 0:15:22.320
<v Speaker 1>really stood up and took notice of your performances because

0:15:22.360 --> 0:15:24.600
<v Speaker 1>it was such a study in contrast, I mean to

0:15:24.640 --> 0:15:27.800
<v Speaker 1>say the least, Yeah, no, And I meant that because

0:15:28.160 --> 0:15:30.720
<v Speaker 1>you know, there are so many brilliant actors out there

0:15:30.760 --> 0:15:34.400
<v Speaker 1>who never get the credit for for what they do.

0:15:34.480 --> 0:15:38.000
<v Speaker 1>And I was very fortunate that I too, amazing roles

0:15:38.040 --> 0:15:42.680
<v Speaker 1>that were so incredibly different into beautifully written projects, high

0:15:42.760 --> 0:15:48.920
<v Speaker 1>profile like back to back, and so people had a

0:15:49.000 --> 0:15:53.120
<v Speaker 1>chance to sort of compare, you know, and look. But

0:15:53.200 --> 0:15:56.160
<v Speaker 1>you know, it's true, most actors, even even the three

0:15:56.800 --> 0:16:01.200
<v Speaker 1>of the Actors Union that actually makes a living at acting,

0:16:03.040 --> 0:16:08.360
<v Speaker 1>even among those lucky people, there's very few of them

0:16:08.440 --> 0:16:11.720
<v Speaker 1>to whoever really get the chance to do to show

0:16:11.800 --> 0:16:15.960
<v Speaker 1>what they can really do, because unlike any other art form,

0:16:16.040 --> 0:16:19.280
<v Speaker 1>you kind of have to wait for someone to invite

0:16:19.280 --> 0:16:21.240
<v Speaker 1>you to do what you do and to give you

0:16:21.280 --> 0:16:24.760
<v Speaker 1>the opportunity. And unlike being a writer or a painter

0:16:25.040 --> 0:16:28.160
<v Speaker 1>or a dancer, I mean you can. You can do

0:16:28.200 --> 0:16:30.720
<v Speaker 1>all those things on your own. Whether or not you're

0:16:30.720 --> 0:16:32.560
<v Speaker 1>gonna pay it, that's another matter, but you can at

0:16:32.640 --> 0:16:37.040
<v Speaker 1>least do them. You can practice them, you can express yourself. Yes,

0:16:37.080 --> 0:16:39.560
<v Speaker 1>you can't really do that as an actor. I suppose. Yes,

0:16:39.560 --> 0:16:42.160
<v Speaker 1>you can put together a one woman show or something,

0:16:42.200 --> 0:16:47.480
<v Speaker 1>but it's um you have to be invited to do

0:16:47.560 --> 0:16:50.320
<v Speaker 1>what you want to do. And I think it's interesting

0:16:50.360 --> 0:16:54.320
<v Speaker 1>when you were when you're called versatile, I never thought

0:16:54.320 --> 0:16:59.560
<v Speaker 1>of this because basically you said, well, that's what I'm

0:16:59.600 --> 0:17:04.479
<v Speaker 1>that's what I do right, I mean is right? Um,

0:17:04.520 --> 0:17:07.000
<v Speaker 1>But having said that, it must have been fun for

0:17:07.040 --> 0:17:13.560
<v Speaker 1>you to play two such different characters. Um, mayor's mom

0:17:13.640 --> 0:17:17.239
<v Speaker 1>who was a total pisser. I guess that's what they

0:17:17.320 --> 0:17:22.320
<v Speaker 1>might say in Delco right. And then you obviously are

0:17:22.400 --> 0:17:28.000
<v Speaker 1>playing depravants who's completely I mean talk about a completely

0:17:28.119 --> 0:17:31.640
<v Speaker 1>different kind of woman. How I mean, did you ever

0:17:31.680 --> 0:17:35.399
<v Speaker 1>get them confused? Or how was that sho? Now? They

0:17:35.680 --> 0:17:40.919
<v Speaker 1>were just again so so well defined and and in

0:17:41.000 --> 0:17:46.680
<v Speaker 1>both cases, I was working with such amazing group of actors, um,

0:17:46.760 --> 0:17:49.920
<v Speaker 1>amazing actors, and I think in both shows, I mean,

0:17:50.000 --> 0:17:52.320
<v Speaker 1>what a gift that must be. And you know, I

0:17:52.800 --> 0:17:56.679
<v Speaker 1>interviewed Kate Winslett for mayor of East Town and I

0:17:56.720 --> 0:18:00.359
<v Speaker 1>did her first television interview when she was to annec

0:18:01.040 --> 0:18:04.200
<v Speaker 1>yes or maybe wait no sorry? I think it was

0:18:04.280 --> 0:18:08.080
<v Speaker 1>sense and sensibility and she was so lovely because they

0:18:08.160 --> 0:18:13.040
<v Speaker 1>had that predated Titanic and um, you all must have

0:18:13.119 --> 0:18:17.000
<v Speaker 1>gotten on famously. I hope that's a yes we did.

0:18:17.359 --> 0:18:19.960
<v Speaker 1>She has invited us to London. I hope we get

0:18:20.000 --> 0:18:25.280
<v Speaker 1>to go. Um. She's such a doll. She she she

0:18:25.440 --> 0:18:28.800
<v Speaker 1>called me the other day because she found out about

0:18:28.800 --> 0:18:31.600
<v Speaker 1>the Star on the Walk of Fame and and she

0:18:31.720 --> 0:18:38.439
<v Speaker 1>was doing her alter ego. His name is Hortensio. No

0:18:38.520 --> 0:18:41.840
<v Speaker 1>one told me about just start the Boston's. I just

0:18:41.920 --> 0:18:46.400
<v Speaker 1>said she something marvelous And when did that happen your

0:18:46.440 --> 0:18:52.439
<v Speaker 1>star last week? And and what was that? Like? I

0:18:52.560 --> 0:18:55.040
<v Speaker 1>was nervous for some reason. I was really really nervous.

0:18:55.040 --> 0:18:57.560
<v Speaker 1>I don't know what what that was. I don't usually

0:18:57.600 --> 0:19:00.760
<v Speaker 1>get nervous. But um, but it was very nice. My

0:19:00.800 --> 0:19:07.400
<v Speaker 1>friend Joe Montana spoke, and Hannah spoke. She was hilarious. Um.

0:19:07.520 --> 0:19:12.760
<v Speaker 1>She started she started saying things like, you know, Jean,

0:19:13.080 --> 0:19:14.800
<v Speaker 1>you know, I just I love you so much and

0:19:14.800 --> 0:19:17.440
<v Speaker 1>I'm so happy for you, and you know, and every

0:19:17.520 --> 0:19:21.920
<v Speaker 1>day being with you has been, you know, such a joy.

0:19:22.040 --> 0:19:25.120
<v Speaker 1>I wake up in the morning and I I look

0:19:25.160 --> 0:19:27.960
<v Speaker 1>in your eyes and then she says, wait a second,

0:19:28.040 --> 0:19:31.399
<v Speaker 1>because I'm sorry. I lost I lost my place. I

0:19:31.480 --> 0:19:33.240
<v Speaker 1>lost my and I thought she really had lost her

0:19:33.240 --> 0:19:38.480
<v Speaker 1>place and she said, what what, oh God, I'm sorry. Um,

0:19:38.600 --> 0:19:41.040
<v Speaker 1>and she holds up this folder with her She was

0:19:41.280 --> 0:19:44.080
<v Speaker 1>I switched to folders and she holds up this folder,

0:19:44.080 --> 0:19:51.480
<v Speaker 1>says wedding vows it's ridiculous. But Linda Bloodworth Thomas and

0:19:51.520 --> 0:19:54.159
<v Speaker 1>who wrote Designing Women, was actually going to speak, but

0:19:54.240 --> 0:19:58.719
<v Speaker 1>unfortunately she got COVID. She was just heartsick about it,

0:19:58.840 --> 0:20:02.760
<v Speaker 1>and so show very nicely wrote this beautiful speech that

0:20:02.760 --> 0:20:05.359
<v Speaker 1>I could not have paid someone to write. Um that

0:20:05.480 --> 0:20:13.720
<v Speaker 1>Linda had written. Uh, really nice. More with Gene Gene

0:20:13.760 --> 0:20:25.960
<v Speaker 1>the Comedy Machine right after this, Well, of course I

0:20:25.960 --> 0:20:29.680
<v Speaker 1>have to ask you a couple of questions about Designing Women, Geen.

0:20:30.000 --> 0:20:33.920
<v Speaker 1>And you know, again, that was a very formative show

0:20:34.000 --> 0:20:36.960
<v Speaker 1>for me, just at the same time Murphy Brown was,

0:20:37.000 --> 0:20:39.480
<v Speaker 1>and it was one of the first shows that really

0:20:39.520 --> 0:20:44.199
<v Speaker 1>showed the lives of working women. And I mean, what

0:20:44.280 --> 0:20:47.760
<v Speaker 1>are your most vivid memories and why do you think

0:20:47.800 --> 0:20:51.600
<v Speaker 1>that show was such a hit. I think it was

0:20:51.640 --> 0:20:58.800
<v Speaker 1>a combination of Linda's really unusual writing, because unlike any

0:20:58.800 --> 0:21:02.399
<v Speaker 1>other sitcom i'd ever same. She would give us page

0:21:02.480 --> 0:21:07.320
<v Speaker 1>long speeches, um, which just doesn't heard of in a sitcom,

0:21:07.400 --> 0:21:09.719
<v Speaker 1>and sometimes she'd rewrite the right before the audience came

0:21:09.720 --> 0:21:13.000
<v Speaker 1>in and be like, oh God. And uh, we said,

0:21:13.040 --> 0:21:15.600
<v Speaker 1>you know, she's lucky. She's got four actresses who were

0:21:15.640 --> 0:21:18.200
<v Speaker 1>like word processors. We just choped to turn it out.

0:21:18.280 --> 0:21:22.280
<v Speaker 1>But um, it was the first time you've seen just

0:21:22.760 --> 0:21:27.480
<v Speaker 1>basically just women, with the exception of our Garling Misha Taylor,

0:21:28.200 --> 0:21:34.520
<v Speaker 1>just women and working women, um, single women, uh, and

0:21:34.600 --> 0:21:38.359
<v Speaker 1>also Southern women. Southern characters were usually depicted in a

0:21:38.440 --> 0:21:42.280
<v Speaker 1>very one or two dimensional way. Um, so that was fun.

0:21:42.880 --> 0:21:45.280
<v Speaker 1>Although at the first table read for the studio and

0:21:45.280 --> 0:21:50.239
<v Speaker 1>all the suits, uh, everybody was happy. Everybody loved it.

0:21:50.359 --> 0:21:52.800
<v Speaker 1>And then we were talking to Linda and Harry and

0:21:52.840 --> 0:21:55.639
<v Speaker 1>they said, but they don't want you guys to do

0:21:55.720 --> 0:21:59.919
<v Speaker 1>Southern accents, but they love the show, right, that was

0:22:00.040 --> 0:22:04.959
<v Speaker 1>what I said. I was like, no, no, no, no, no, no, no, no, no,

0:22:05.000 --> 0:22:06.919
<v Speaker 1>don't say that, you know. And I was the only

0:22:07.040 --> 0:22:08.800
<v Speaker 1>Yankee in the bunch, you know, I was the only one.

0:22:09.800 --> 0:22:14.320
<v Speaker 1>And I thought, you can't just take away the accent.

0:22:14.400 --> 0:22:17.840
<v Speaker 1>It's not the same person. An accent is part of

0:22:17.880 --> 0:22:20.880
<v Speaker 1>a person, every part of them. And did you say

0:22:20.880 --> 0:22:24.720
<v Speaker 1>and it's it's it's in Atlanta, folks, thank you. They

0:22:24.720 --> 0:22:29.480
<v Speaker 1>were afraid that people would not understand what we were saying. Damn.

0:22:29.800 --> 0:22:34.359
<v Speaker 1>So anyway, we kind of soft and they were trying

0:22:34.400 --> 0:22:37.440
<v Speaker 1>to be more careful the first towards the bed, but

0:22:37.480 --> 0:22:39.600
<v Speaker 1>then they finally just kind of never said anything else,

0:22:39.600 --> 0:22:42.320
<v Speaker 1>and we just didn't pull out. I was like, oh

0:22:42.359 --> 0:22:43.879
<v Speaker 1>my god, I can't imagine what the show would have

0:22:43.920 --> 0:22:45.800
<v Speaker 1>been like if we all sounded like we came from

0:22:45.920 --> 0:22:49.600
<v Speaker 1>you know, Chicago or something. Well. One of the reasons

0:22:49.680 --> 0:22:53.800
<v Speaker 1>I love Designing Women is not only were you all

0:22:53.960 --> 0:22:58.080
<v Speaker 1>quote unquote steel Magnolia's, but it was quite political. And

0:22:58.240 --> 0:23:02.800
<v Speaker 1>of course Linda, long time friend of the Clinton's um,

0:23:03.320 --> 0:23:08.919
<v Speaker 1>had a lot of very strong feminist messaging in that show.

0:23:09.119 --> 0:23:14.840
<v Speaker 1>So beneath sort of the pretty exterior, Uh, they were

0:23:15.359 --> 0:23:21.160
<v Speaker 1>very strong, very tough, and quite political, especially I think

0:23:21.240 --> 0:23:24.879
<v Speaker 1>Dixie Carter's character. It was it was. It was really

0:23:24.920 --> 0:23:31.320
<v Speaker 1>Dixie and Annie's characters. Because Delta and Delta's characters Susanna

0:23:31.320 --> 0:23:37.119
<v Speaker 1>and me Charlene, we were rather woefully unenlightened, but you

0:23:37.240 --> 0:23:41.720
<v Speaker 1>provided I think feminism or anything like that. Yeah, it

0:23:41.720 --> 0:23:43.440
<v Speaker 1>wouldn't have been it wouldn't have been real if we'd

0:23:43.440 --> 0:23:46.439
<v Speaker 1>all been on the same page. But it was funny because, uh,

0:23:47.119 --> 0:23:50.320
<v Speaker 1>we were all Democrats except for Dixie, and Dixie was

0:23:50.359 --> 0:23:55.639
<v Speaker 1>the one who had the long, limberal rants. And she'd say, okay, Linda,

0:23:55.880 --> 0:23:58.960
<v Speaker 1>she says, but for every one of these I get

0:23:59.000 --> 0:24:03.800
<v Speaker 1>to sing a song, so she bartered with them, you know.

0:24:04.480 --> 0:24:07.600
<v Speaker 1>And and Dixie was the loveliest person. I still miss

0:24:07.640 --> 0:24:11.040
<v Speaker 1>her dearly. I know, I was so so sad she

0:24:11.440 --> 0:24:14.960
<v Speaker 1>um she she died when she was just seventy of

0:24:15.440 --> 0:24:22.959
<v Speaker 1>endomitrial cancer. And um, of course married to the legend.

0:24:22.320 --> 0:24:26.639
<v Speaker 1>Oh my god, how I mean we got married Richard?

0:24:26.680 --> 0:24:30.199
<v Speaker 1>I got married in their rose garden. That must have

0:24:30.200 --> 0:24:35.240
<v Speaker 1>been beautiful looking white colonial Where was their rose garden

0:24:36.480 --> 0:24:43.000
<v Speaker 1>in bell Air? And um? Also, uh, my sister. I

0:24:43.040 --> 0:24:47.119
<v Speaker 1>think Dixie died I think in March or April of

0:24:47.200 --> 0:24:50.800
<v Speaker 1>two thousand ten. And my sister had died at the

0:24:50.800 --> 0:24:55.520
<v Speaker 1>age of sixty one in January, so it was. And

0:24:55.560 --> 0:25:02.159
<v Speaker 1>then my best friend died in August. Awful, terrible year, terrible.

0:25:02.200 --> 0:25:06.800
<v Speaker 1>How did your sister die? Should brain cancer, glib bust, dolma.

0:25:07.920 --> 0:25:10.240
<v Speaker 1>That is a very tough my sister. Also, I have

0:25:10.320 --> 0:25:16.119
<v Speaker 1>two sisters. My oldest sister died of pancreatic cancer. And uh,

0:25:16.200 --> 0:25:21.359
<v Speaker 1>it's just it's just, you know, excruciating to say the least. Well,

0:25:21.920 --> 0:25:24.280
<v Speaker 1>since we're on that subject, you know, you and I

0:25:24.320 --> 0:25:27.879
<v Speaker 1>are both widows. I lost my husband when I was

0:25:28.040 --> 0:25:37.360
<v Speaker 1>forty one to colorectal cancer. And you lost Richard very recently, um,

0:25:37.400 --> 0:25:41.639
<v Speaker 1>and and and very suddenly you had met on the

0:25:41.680 --> 0:25:46.000
<v Speaker 1>set of Designing Women. He was in the show. Memory

0:25:46.040 --> 0:25:49.000
<v Speaker 1>of the show, I'm sure, I'm sure it must have

0:25:49.040 --> 0:25:52.000
<v Speaker 1>been something to fall in love with your you know,

0:25:52.119 --> 0:25:55.920
<v Speaker 1>your fellow cast member. But um, tell me a little

0:25:55.920 --> 0:25:58.280
<v Speaker 1>bit about him, because I looked him up, you know,

0:25:58.359 --> 0:26:01.400
<v Speaker 1>and preparing for this interview, of course I recognized him

0:26:02.080 --> 0:26:05.399
<v Speaker 1>and he had such a nice space. He looked like

0:26:05.560 --> 0:26:11.760
<v Speaker 1>such a kind, decent, low key person. Tell me, tell

0:26:11.760 --> 0:26:13.879
<v Speaker 1>me a little bit about him. Well, I don't know

0:26:13.880 --> 0:26:15.480
<v Speaker 1>if he was low key, but he was very kind

0:26:15.520 --> 0:26:19.200
<v Speaker 1>and he was he was hilarious. I don't know, Maybe

0:26:19.240 --> 0:26:22.560
<v Speaker 1>I think of low key just sort of um maybe

0:26:22.600 --> 0:26:26.040
<v Speaker 1>that's the wrong word. But he looked he looked easy

0:26:26.200 --> 0:26:29.040
<v Speaker 1>to be with, Is that right. Characters were like that, Yes,

0:26:29.080 --> 0:26:33.119
<v Speaker 1>but he he was I was. He was fast paced

0:26:33.200 --> 0:26:35.000
<v Speaker 1>kind of person. You know. It's like I said, your dad,

0:26:35.359 --> 0:26:37.040
<v Speaker 1>my kids, I said, your dad does everything fast with me.

0:26:37.400 --> 0:26:44.000
<v Speaker 1>Thinks faster, talks faster, he sleeps faster, breaks faster. But yeah, no,

0:26:44.240 --> 0:26:47.480
<v Speaker 1>I mean, what a sweet man. And you know, we

0:26:47.480 --> 0:26:49.560
<v Speaker 1>we were never apart after the day we met on

0:26:49.600 --> 0:26:54.320
<v Speaker 1>the set. He you know, I I don't know. I

0:26:54.320 --> 0:26:58.960
<v Speaker 1>remember I saw him and I just thought, wow, who's that?

0:26:59.200 --> 0:27:03.640
<v Speaker 1>I love last lines around his eyes and his hands

0:27:03.720 --> 0:27:05.320
<v Speaker 1>and I don't know, he just had the greatest he

0:27:05.359 --> 0:27:07.320
<v Speaker 1>was talking to me, the greatest smile on his face.

0:27:07.359 --> 0:27:09.720
<v Speaker 1>And we were in this building on this on the

0:27:09.720 --> 0:27:13.760
<v Speaker 1>Warner Brothers lot, and we're a few shows would do

0:27:13.800 --> 0:27:16.800
<v Speaker 1>their table reads and things, and I thought, oh, I

0:27:16.840 --> 0:27:19.760
<v Speaker 1>wonder if he's gonna be on our show. And lo

0:27:19.880 --> 0:27:21.960
<v Speaker 1>and behold, there he was sitting across the table from me.

0:27:23.040 --> 0:27:25.280
<v Speaker 1>And it was episode five. We hadn't even gone on

0:27:25.320 --> 0:27:27.880
<v Speaker 1>the air yet, we hadn't even aired the show ever yet,

0:27:28.040 --> 0:27:29.960
<v Speaker 1>and it was episode five and he was playing He

0:27:30.080 --> 0:27:36.080
<v Speaker 1>came on to play Annie's boyfriend, and UM, I just

0:27:36.680 --> 0:27:38.560
<v Speaker 1>I don't know, I've never been so aggressive. I mean,

0:27:38.920 --> 0:27:41.440
<v Speaker 1>you know, I invited him into my trailer to help

0:27:41.440 --> 0:27:47.560
<v Speaker 1>me with the crossroom puzzle, and um, and we started

0:27:47.600 --> 0:27:50.000
<v Speaker 1>talking on the phone every night. You know, we lived

0:27:50.040 --> 0:27:51.760
<v Speaker 1>like fifteen minutes apart. We talked on the phone for

0:27:51.800 --> 0:27:54.920
<v Speaker 1>two hours every night, and he invited me to see

0:27:54.960 --> 0:27:58.400
<v Speaker 1>this play he was doing, and and we were never

0:27:58.480 --> 0:28:02.000
<v Speaker 1>apart from that day and how many years were you

0:28:02.040 --> 0:28:07.440
<v Speaker 1>all married? Thirty four years. Well, you had an incredible

0:28:07.480 --> 0:28:11.720
<v Speaker 1>life together, but it's it's never long enough. And he

0:28:11.880 --> 0:28:15.040
<v Speaker 1>was he was very young, and our young he was

0:28:15.080 --> 0:28:19.160
<v Speaker 1>only seventy one, and our youngest was only twelve, which

0:28:19.240 --> 0:28:23.480
<v Speaker 1>is really hard, you know, especially for boys to lose

0:28:23.520 --> 0:28:29.480
<v Speaker 1>their dad's um. And how are the boys doing. They're

0:28:29.520 --> 0:28:32.199
<v Speaker 1>they're doing in a way, they did better, They were

0:28:32.200 --> 0:28:36.399
<v Speaker 1>doing better than me. But I think that it's um,

0:28:36.520 --> 0:28:40.560
<v Speaker 1>my youngest especially keeps things inside kind of you know. Yeah,

0:28:40.840 --> 0:28:43.000
<v Speaker 1>it comes, you know how it is, you know exactly

0:28:43.080 --> 0:28:47.720
<v Speaker 1>what it is. It comes in waves, you know, um,

0:28:47.760 --> 0:28:50.080
<v Speaker 1>and there will be one you think you're doing fine,

0:28:50.080 --> 0:28:52.360
<v Speaker 1>and then they'll you'll you'll see something or hear something

0:28:52.440 --> 0:28:55.360
<v Speaker 1>or read something and it just kind of washes over

0:28:55.440 --> 0:28:59.680
<v Speaker 1>you again. You know. Um, it still seems unreal. Sometimes

0:28:59.680 --> 0:29:01.959
<v Speaker 1>it's been just over a year. I can't believe. It

0:29:02.000 --> 0:29:04.840
<v Speaker 1>feels like it's been maybe a few months. Yeah, I

0:29:04.840 --> 0:29:07.920
<v Speaker 1>haven't been able to go out to his office and

0:29:08.080 --> 0:29:10.800
<v Speaker 1>do anything with this stuff. Well, it took me a

0:29:10.800 --> 0:29:14.200
<v Speaker 1>long time to do that, and uh, it does give

0:29:14.240 --> 0:29:18.160
<v Speaker 1>me some comfort obviously. You know, you had quite a

0:29:18.200 --> 0:29:20.880
<v Speaker 1>love affair. The two of you, and and I wrote

0:29:20.880 --> 0:29:23.680
<v Speaker 1>about this in my book Gene, and it sounds sort

0:29:23.680 --> 0:29:27.920
<v Speaker 1>of probably cheesy, but but when I was so upset

0:29:27.960 --> 0:29:31.000
<v Speaker 1>when my mom died, you know, so upset when you know,

0:29:31.400 --> 0:29:33.640
<v Speaker 1>my husband died, and my sister and my dad, I

0:29:33.680 --> 0:29:37.320
<v Speaker 1>was obviously incredibly close to all of them. But my

0:29:37.440 --> 0:29:43.080
<v Speaker 1>minister said, you know, those who who love deeply grieve deeply,

0:29:44.520 --> 0:29:50.400
<v Speaker 1>and it turned it from sadness to to gratitude in

0:29:50.440 --> 0:29:52.960
<v Speaker 1>a weird way. You know, it's true that you actually

0:29:52.960 --> 0:29:57.000
<v Speaker 1>had the opportunity to grieve a relationship like that, right

0:29:57.080 --> 0:30:00.680
<v Speaker 1>and to have that kind of love. I read that

0:30:00.760 --> 0:30:04.800
<v Speaker 1>you had to do that funeral scene shortly after Richard died,

0:30:04.880 --> 0:30:09.880
<v Speaker 1>which must have been very surreal. Um, it was that

0:30:10.000 --> 0:30:14.360
<v Speaker 1>that one. I was scared. I remember, I'll be perfectly honest.

0:30:14.360 --> 0:30:18.040
<v Speaker 1>I Um, I took a little pill because I was

0:30:18.040 --> 0:30:20.479
<v Speaker 1>starting to hyperventilate, and I thought I wasn't gonna make

0:30:20.520 --> 0:30:23.440
<v Speaker 1>it through the day. But it turned out to be

0:30:24.560 --> 0:30:27.280
<v Speaker 1>a great scene and a fun scene. And you know,

0:30:28.440 --> 0:30:30.840
<v Speaker 1>but yeah, they gave me a choice. I could either

0:30:30.880 --> 0:30:33.320
<v Speaker 1>come back to work and just knock all the last

0:30:33.320 --> 0:30:35.560
<v Speaker 1>five days out, or I could take a couple of

0:30:35.600 --> 0:30:37.960
<v Speaker 1>weeks off and then do it, or I could spread

0:30:38.000 --> 0:30:39.600
<v Speaker 1>it out over a couple of weeks that we were

0:30:39.640 --> 0:30:41.960
<v Speaker 1>so kind, and I said, no, I just I want to.

0:30:42.000 --> 0:30:43.480
<v Speaker 1>I want to. I was still in shocks, so in

0:30:43.520 --> 0:30:45.600
<v Speaker 1>a way it was easier, so I just no, no, no no,

0:30:45.760 --> 0:30:47.080
<v Speaker 1>I just want to. I don't get it down and

0:30:47.080 --> 0:30:49.000
<v Speaker 1>get back to my kids in my my house and

0:30:50.640 --> 0:30:54.200
<v Speaker 1>excuse me. So that's that's what I did. It probably

0:30:54.280 --> 0:30:58.480
<v Speaker 1>was helpful ultimately. Well, I'm just I'm just I'm so

0:30:58.560 --> 0:31:02.760
<v Speaker 1>sorry for your loss, Gene, and uh, and I thought

0:31:02.800 --> 0:31:07.320
<v Speaker 1>about you a lot when I heard the news, and um,

0:31:07.360 --> 0:31:14.160
<v Speaker 1>but I'm also so so happy about your success and um,

0:31:14.200 --> 0:31:16.920
<v Speaker 1>it's just such a thrill to see you kicking ass.

0:31:17.280 --> 0:31:20.479
<v Speaker 1>And I also think it's great for women of a

0:31:20.520 --> 0:31:25.240
<v Speaker 1>certain age, you know, I'm about your age to see

0:31:25.440 --> 0:31:28.840
<v Speaker 1>you know, to see us represented and to see us

0:31:28.880 --> 0:31:36.320
<v Speaker 1>have these big meatia roles that convey a person in full. No. Absolutely,

0:31:36.440 --> 0:31:42.200
<v Speaker 1>I I'm eternally grateful. It's still amazed some days that

0:31:42.240 --> 0:31:44.600
<v Speaker 1>the roles I've been getting, especially the last you know,

0:31:44.720 --> 0:31:48.800
<v Speaker 1>five or six years. Um. Actually I had no idea

0:31:48.800 --> 0:31:52.920
<v Speaker 1>it would work out that way. You can see Jean

0:31:53.440 --> 0:32:06.400
<v Speaker 1>right now and Hack season two on HBO Max. Next

0:32:06.440 --> 0:32:08.720
<v Speaker 1>Question with Katie Kurik is a production of I Heart

0:32:08.800 --> 0:32:13.280
<v Speaker 1>Media and Katie Currik Media. The executive producers Army, Katie Curic,

0:32:13.400 --> 0:32:18.040
<v Speaker 1>and Courtney Litz. The supervising producer is Lauren Hansen. Associate

0:32:18.080 --> 0:32:22.520
<v Speaker 1>producers Derek Clements and Adriana Fasio. The show is edited

0:32:22.600 --> 0:32:26.880
<v Speaker 1>and mixed by Derrick Clements. For more information about today's episode,

0:32:27.040 --> 0:32:29.560
<v Speaker 1>or to sign up for my morning newsletter, wake Up Call,

0:32:29.840 --> 0:32:32.560
<v Speaker 1>go to Katie Currek dot com. You can also find

0:32:32.560 --> 0:32:35.479
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0:32:35.520 --> 0:32:39.560
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