1 00:00:00,320 --> 00:00:03,200 Speaker 1: You own your masters, Yeah, and you were one of 2 00:00:03,200 --> 00:00:05,120 Speaker 1: the youngest to ever do that at the age of 3 00:00:05,120 --> 00:00:08,760 Speaker 1: twenty nine. Would you ever, I mean a lot of 4 00:00:08,760 --> 00:00:11,000 Speaker 1: you see a lot of artists selling the catalog. Is 5 00:00:11,080 --> 00:00:13,160 Speaker 1: that something Chris Brown would look to do in the future. 6 00:00:13,360 --> 00:00:16,000 Speaker 2: I don't think I would because I feel like, uh, 7 00:00:17,200 --> 00:00:19,480 Speaker 2: as as a black artist, that's that's what we've been 8 00:00:19,520 --> 00:00:21,680 Speaker 2: wanting forever with to be able to get that get 9 00:00:21,680 --> 00:00:24,160 Speaker 2: our masters right. So so for me to be able 10 00:00:24,200 --> 00:00:26,000 Speaker 2: to do that, like and be one of the first 11 00:00:26,200 --> 00:00:28,880 Speaker 2: young cats to do it, like it's like, oh my 12 00:00:28,960 --> 00:00:31,560 Speaker 2: I beat the game. But I feel like I feel 13 00:00:31,600 --> 00:00:33,240 Speaker 2: like I wouldn't. I wouldn't do it at this point 14 00:00:33,280 --> 00:00:36,480 Speaker 2: because that's that's something my my children's children's children. 15 00:00:36,520 --> 00:00:37,800 Speaker 3: Can he do all my life? 16 00:00:38,120 --> 00:00:41,840 Speaker 4: Grinding all my life, sacrifights, hustle, pa the price? 17 00:00:42,520 --> 00:00:43,159 Speaker 5: Want to slice? 18 00:00:43,440 --> 00:00:44,400 Speaker 3: Got the Brons? 19 00:00:44,640 --> 00:00:45,760 Speaker 5: Swap all my life? 20 00:00:46,000 --> 00:00:49,400 Speaker 4: Be grinding all my life, all my life, grinding all 21 00:00:49,400 --> 00:00:53,319 Speaker 4: my life and uh, sacrifights, hustle, pay the price one 22 00:00:53,440 --> 00:00:56,440 Speaker 4: slice the Bros. Swap all my life. 23 00:00:56,480 --> 00:01:00,240 Speaker 2: I be grinding all my life. 24 00:01:00,840 --> 00:01:03,240 Speaker 1: Hello, welcome to another edition of Club Shay Shay. I 25 00:01:03,240 --> 00:01:05,480 Speaker 1: am your host, Shannon sharp. I'm also the proprietor of 26 00:01:05,480 --> 00:01:07,760 Speaker 1: Club Sha Sha and for today we have a very 27 00:01:07,760 --> 00:01:10,320 Speaker 1: special edition of Club Shay Shay, We're. 28 00:01:10,120 --> 00:01:10,759 Speaker 5: On the Road. 29 00:01:11,120 --> 00:01:13,240 Speaker 1: He's one of the most accomplished R and B performers 30 00:01:13,240 --> 00:01:15,959 Speaker 1: and hit makers of his era. He surpassed Elvis Presley 31 00:01:16,040 --> 00:01:18,920 Speaker 1: for the most gold certified singles and Billboard Hot one 32 00:01:18,959 --> 00:01:22,320 Speaker 1: hundred entries among all male vocals in history, the first 33 00:01:22,319 --> 00:01:25,520 Speaker 1: male singer to have twenty platinum singles, the first R 34 00:01:25,560 --> 00:01:28,080 Speaker 1: and B singer in history own one hundred Hot one 35 00:01:28,160 --> 00:01:31,160 Speaker 1: hundred hits. One of the highest grossing African American touring 36 00:01:31,280 --> 00:01:34,280 Speaker 1: artists of all times, one of the best selling digital 37 00:01:34,400 --> 00:01:42,839 Speaker 1: artists of all time, a Grammy Award winner, global superstar, songwriter, dancer, actor, producer, entrepreneur, author, father. 38 00:01:43,400 --> 00:01:45,280 Speaker 1: Some call him the King of R and B. When 39 00:01:45,280 --> 00:01:47,160 Speaker 1: they say R and B is dad, I see check 40 00:01:47,200 --> 00:01:52,040 Speaker 1: this man's resume, Ladies and gentlemen, Chris Brown, freezing Man 41 00:01:52,760 --> 00:01:53,480 Speaker 1: who was a long. 42 00:01:53,360 --> 00:01:59,680 Speaker 3: Time clubbing man man King R and B. Keepit you 43 00:01:59,840 --> 00:02:01,520 Speaker 3: let me got it? Got it? 44 00:02:01,760 --> 00:02:02,280 Speaker 5: How you doing? 45 00:02:02,360 --> 00:02:03,200 Speaker 3: I'm great man. 46 00:02:03,240 --> 00:02:05,840 Speaker 1: You know before I start every show, I always I 47 00:02:05,880 --> 00:02:08,400 Speaker 1: have my own contact. I brought you a gift for you, 48 00:02:08,400 --> 00:02:10,400 Speaker 1: about you, but I want you. 49 00:02:10,360 --> 00:02:10,800 Speaker 5: To try it. 50 00:02:10,880 --> 00:02:14,079 Speaker 3: Come on, let's get it, let's do it. I was 51 00:02:14,080 --> 00:02:15,920 Speaker 3: about to do that. Okay, come on, you can op 52 00:02:15,919 --> 00:02:16,480 Speaker 3: it if you want. 53 00:02:16,520 --> 00:02:21,320 Speaker 2: You I'm gonna say that for later, Okay, I don't 54 00:02:21,320 --> 00:02:22,280 Speaker 2: want to be too saucy. 55 00:02:23,120 --> 00:02:24,880 Speaker 5: Hold hold on, we gotta get a toe, fir, we 56 00:02:24,919 --> 00:02:32,320 Speaker 5: gotta get told. F Bro continued success. 57 00:02:32,360 --> 00:02:34,720 Speaker 1: Thank you so much, grasp on everything You've done so 58 00:02:34,840 --> 00:02:42,520 Speaker 1: much more to accomplish. I appreciate you, Chris. It's smooth 59 00:02:43,240 --> 00:02:45,200 Speaker 1: move you like and you that's what you can. 60 00:02:45,600 --> 00:02:46,800 Speaker 3: Yeah. I don't like when to be like. 61 00:02:47,080 --> 00:02:50,919 Speaker 5: Yeah, you don't got that burning nice and smooth y'all. 62 00:02:51,400 --> 00:02:54,880 Speaker 5: You hurt the man, Bro, how you do it? 63 00:02:54,960 --> 00:02:56,440 Speaker 3: I'm great, man, I'm great, great. 64 00:02:56,639 --> 00:02:58,760 Speaker 5: Yeah, man, I really appreciate you taking time. 65 00:02:59,320 --> 00:03:03,000 Speaker 1: Jack Queeze started to say, Man, Chris Brown manager, trying 66 00:03:03,040 --> 00:03:04,000 Speaker 1: to get to get in touch with you. 67 00:03:03,919 --> 00:03:05,320 Speaker 5: You might not gonna give me a number. It's like 68 00:03:05,320 --> 00:03:06,519 Speaker 5: you're no problem. 69 00:03:06,720 --> 00:03:08,440 Speaker 1: And I'm like, cause you and I we had we 70 00:03:08,480 --> 00:03:10,639 Speaker 1: had talked a little bit before, and you're like, I'm 71 00:03:10,680 --> 00:03:11,320 Speaker 1: going overseas. 72 00:03:11,400 --> 00:03:13,520 Speaker 5: When I get back, let's do it. I say this, man, 73 00:03:13,560 --> 00:03:14,919 Speaker 5: beiz I see he ain't gonna find time. 74 00:03:14,960 --> 00:03:17,560 Speaker 1: And I got you to man, and it happened so 75 00:03:17,639 --> 00:03:20,240 Speaker 1: quick because this is like a week this was done. 76 00:03:20,320 --> 00:03:21,639 Speaker 1: I thought you was like, are we gonna do it 77 00:03:21,680 --> 00:03:23,440 Speaker 1: in July August? He said, nah, We're gonna do it 78 00:03:23,480 --> 00:03:23,839 Speaker 1: in a week. 79 00:03:24,000 --> 00:03:24,640 Speaker 3: Yeah. Yeah. 80 00:03:24,760 --> 00:03:27,440 Speaker 2: I had to come through because I don't like to 81 00:03:27,480 --> 00:03:28,639 Speaker 2: skip out on my promises. 82 00:03:28,680 --> 00:03:30,080 Speaker 3: Man, I know we talked. I was like, I got you, 83 00:03:30,400 --> 00:03:31,120 Speaker 3: So you did? 84 00:03:31,200 --> 00:03:32,320 Speaker 5: You say you had, but you got me. 85 00:03:32,760 --> 00:03:35,800 Speaker 1: So let's let's talk about what you got going on 86 00:03:36,640 --> 00:03:38,559 Speaker 1: before we get to that basketball. 87 00:03:38,760 --> 00:03:40,160 Speaker 5: I know you love basketball. 88 00:03:41,000 --> 00:03:44,000 Speaker 1: Ron Artees said he believed had you not chosen the 89 00:03:44,080 --> 00:03:47,120 Speaker 1: music path, you could have been an NBA player. 90 00:03:47,440 --> 00:03:52,040 Speaker 2: Yeah, with a lot more discipline. I think I definitely 91 00:03:52,080 --> 00:03:54,120 Speaker 2: think I could have pursued it. 92 00:03:54,280 --> 00:03:55,840 Speaker 3: I really I really loved it. I still love the 93 00:03:55,880 --> 00:03:57,000 Speaker 3: game I play all the time. 94 00:03:57,400 --> 00:04:00,760 Speaker 2: Uh As far as like training and having a good 95 00:04:00,800 --> 00:04:03,120 Speaker 2: conditioned I think I could have did it. And I 96 00:04:03,160 --> 00:04:06,480 Speaker 2: don't think this profession kind of made me allow you to. 97 00:04:06,440 --> 00:04:10,000 Speaker 5: Do kind of schedule as opposed to some what else is. 98 00:04:09,920 --> 00:04:12,880 Speaker 2: Getting Yeah, so I gotta kind of even get acclimated 99 00:04:12,920 --> 00:04:15,600 Speaker 2: and being a team player, right, you know what I'm saying? 100 00:04:15,640 --> 00:04:19,360 Speaker 1: So because when when I hear everybody uh snoop dogg, 101 00:04:19,400 --> 00:04:21,920 Speaker 1: I hear a lot of the NBA player there's like, okay, 102 00:04:22,080 --> 00:04:24,280 Speaker 1: what rapper could like really hoop? I'm talking about like 103 00:04:24,320 --> 00:04:27,120 Speaker 1: really really hoop. The first two names come up you 104 00:04:27,240 --> 00:04:30,520 Speaker 1: J Cole? Yeah, so one on one who win it? 105 00:04:31,040 --> 00:04:32,520 Speaker 3: Well right now, I mean J Cole. 106 00:04:32,520 --> 00:04:34,279 Speaker 2: I got to give him his credit because he's improved 107 00:04:34,279 --> 00:04:35,120 Speaker 2: his basketball game. 108 00:04:35,240 --> 00:04:35,920 Speaker 3: Like him. 109 00:04:36,040 --> 00:04:37,520 Speaker 2: I know you work with a couple of other guys 110 00:04:37,520 --> 00:04:39,760 Speaker 2: that I work with to as far as like basketball training, 111 00:04:39,800 --> 00:04:43,560 Speaker 2: but he's he's amazing. I'm still not gonna adubt me now, 112 00:04:44,120 --> 00:04:47,080 Speaker 2: you know. So give me like a week of practice 113 00:04:47,120 --> 00:04:48,440 Speaker 2: and then I think I got. 114 00:04:48,400 --> 00:04:51,640 Speaker 5: Anough a couple of guys out Drake, he'd be hooping little. 115 00:04:51,440 --> 00:04:54,120 Speaker 3: Dirt down with him this. 116 00:04:57,240 --> 00:05:00,120 Speaker 2: I think I'm gonna get j Cole though. We if 117 00:05:00,160 --> 00:05:02,720 Speaker 2: we can make that happen, I love I would love that. 118 00:05:03,160 --> 00:05:05,280 Speaker 2: I'm saying that humbly though, because Jay Cole is. 119 00:05:05,440 --> 00:05:07,279 Speaker 5: Because I watched kind of watch both of you guys 120 00:05:07,279 --> 00:05:09,560 Speaker 5: in the celebrity games at the NBA All Star Game. 121 00:05:09,800 --> 00:05:12,159 Speaker 5: See you play a couple of times with some real players. 122 00:05:12,440 --> 00:05:13,920 Speaker 5: You you for real guy game. 123 00:05:14,040 --> 00:05:15,800 Speaker 3: Yeah, if I'm if I'm serious about it, I play 124 00:05:15,920 --> 00:05:17,400 Speaker 3: most of the time. I try to just have fun. 125 00:05:17,720 --> 00:05:20,120 Speaker 3: But nah, I'm not. I'm not taking the air. I 126 00:05:20,120 --> 00:05:20,920 Speaker 3: gotta i gotta do that. 127 00:05:20,960 --> 00:05:22,839 Speaker 1: How much do we need to put up to make 128 00:05:22,839 --> 00:05:26,039 Speaker 1: sure you take it serious? If we put up one 129 00:05:26,120 --> 00:05:27,400 Speaker 1: hundred thive will to take off? 130 00:05:27,600 --> 00:05:30,360 Speaker 3: Oh no, I'm in there, that's mine. I'm taking that. 131 00:05:30,360 --> 00:05:35,040 Speaker 1: That's so so Cole got no chance. 132 00:05:35,880 --> 00:05:39,320 Speaker 3: I mean nah nah. 133 00:05:39,920 --> 00:05:42,080 Speaker 5: So if you were to say, if you're an NBA, 134 00:05:42,120 --> 00:05:45,359 Speaker 5: if your game, Chris Brown, your game reminds you me 135 00:05:45,680 --> 00:05:48,360 Speaker 5: of what NBA player you. 136 00:05:48,320 --> 00:05:51,440 Speaker 2: Know, It's funny, bro a long time ago. They but 137 00:05:51,560 --> 00:05:54,000 Speaker 2: I used to play a lot of my home theys 138 00:05:54,040 --> 00:05:54,919 Speaker 2: like you look like CJ. 139 00:05:55,040 --> 00:05:57,880 Speaker 3: Mccullor okay, And I was like why. 140 00:05:58,120 --> 00:05:59,520 Speaker 2: And then I looked at some of his like high 141 00:05:59,560 --> 00:06:01,560 Speaker 2: school pick and then some of his games like he 142 00:06:01,680 --> 00:06:04,279 Speaker 2: was he's long Lenky played like me. So I was like, 143 00:06:05,120 --> 00:06:07,640 Speaker 2: I mean, I'll take that any NBA player I would 144 00:06:07,680 --> 00:06:10,640 Speaker 2: take you to. You know, you know that's a hard profession. 145 00:06:10,200 --> 00:06:10,600 Speaker 3: To get into. 146 00:06:11,200 --> 00:06:12,320 Speaker 5: Did you hoop in high school? 147 00:06:12,440 --> 00:06:16,240 Speaker 2: Yes, definitely hooped in high school. I actually played varsity 148 00:06:17,480 --> 00:06:20,000 Speaker 2: on the JV squad. But you know as the as 149 00:06:20,040 --> 00:06:22,080 Speaker 2: a bring on, right, But I was I was always 150 00:06:22,080 --> 00:06:23,919 Speaker 2: playing with older guys as a young age. When I 151 00:06:23,960 --> 00:06:26,120 Speaker 2: was like ten or eleven years old, my dad used 152 00:06:26,120 --> 00:06:28,000 Speaker 2: to take me to the gym and drop me off. 153 00:06:28,040 --> 00:06:30,000 Speaker 3: It's like, look, I don't care get in the game. 154 00:06:30,040 --> 00:06:32,200 Speaker 3: I don't care how old it is. Get in the game. Wow, 155 00:06:32,240 --> 00:06:35,279 Speaker 3: And I'm playing with grown men, twenty seven thirty year olds, 156 00:06:35,920 --> 00:06:36,160 Speaker 3: you know. 157 00:06:36,320 --> 00:06:37,640 Speaker 5: So what's your favorite NBA team? 158 00:06:38,000 --> 00:06:40,320 Speaker 3: Favorite NBA team? Man, I'm in LA right now. I 159 00:06:40,360 --> 00:06:41,840 Speaker 3: wish I wish my Lakers could. 160 00:06:41,920 --> 00:06:44,160 Speaker 2: Yeah, you know that I really want Lebron and them 161 00:06:44,320 --> 00:06:47,839 Speaker 2: and to really do something man and make some history happen. 162 00:06:48,160 --> 00:06:50,719 Speaker 3: But I'm such a fan. 163 00:06:50,600 --> 00:06:54,040 Speaker 2: Of the game and certain areas are certain different teams, 164 00:06:54,040 --> 00:06:56,000 Speaker 2: and I'm that it's hard for me to be like, hey, 165 00:06:56,000 --> 00:06:58,040 Speaker 2: I'm this team all the way, you know, because because 166 00:06:58,040 --> 00:07:00,880 Speaker 2: it's like dang, I like friends with this guy on 167 00:07:00,920 --> 00:07:02,960 Speaker 2: this team and him have a personal relationship, so I'm 168 00:07:03,040 --> 00:07:04,920 Speaker 2: rooting for him and then on this side. 169 00:07:05,440 --> 00:07:07,360 Speaker 3: So whoever wins, the best player wins. 170 00:07:07,400 --> 00:07:09,480 Speaker 5: But who's your favorite player? 171 00:07:09,840 --> 00:07:13,000 Speaker 3: Favorite player? Kyrie, Kyrie Carie. 172 00:07:13,080 --> 00:07:14,840 Speaker 2: He's one of my one of my closest friends, too, 173 00:07:14,920 --> 00:07:18,600 Speaker 2: But as far as like seeing him play, being around him, 174 00:07:18,640 --> 00:07:21,640 Speaker 2: play playing with him, like he's probably one of the 175 00:07:21,680 --> 00:07:24,000 Speaker 2: most phenomenal guys when it comes to the English. 176 00:07:24,000 --> 00:07:25,680 Speaker 5: On that back, bro, So, what do you like so 177 00:07:25,760 --> 00:07:26,760 Speaker 5: much about Kyrie's game? 178 00:07:27,200 --> 00:07:31,720 Speaker 2: Uh, it's tenacity. He's aggressive, but it's it's graceful. 179 00:07:31,400 --> 00:07:32,200 Speaker 3: Right, you know. 180 00:07:32,280 --> 00:07:34,400 Speaker 2: And and he's he's going and he and I think 181 00:07:34,440 --> 00:07:36,680 Speaker 2: he makes other players better. I think he I think 182 00:07:36,720 --> 00:07:40,640 Speaker 2: he's getting into that to that uh that uh consciousness 183 00:07:40,640 --> 00:07:43,280 Speaker 2: of saying, hey, look, we got to do this together. 184 00:07:43,360 --> 00:07:44,960 Speaker 2: So I think he brings out a lot of a 185 00:07:44,960 --> 00:07:47,480 Speaker 2: lot of a lot of spunk and a lot of real, 186 00:07:47,520 --> 00:07:49,440 Speaker 2: real talent, a lot of a lot of players that 187 00:07:49,440 --> 00:07:52,160 Speaker 2: that probably already knew they had it, but he encourages that. 188 00:07:53,080 --> 00:07:55,080 Speaker 1: I know you followed the game closely, so you see 189 00:07:55,080 --> 00:07:57,760 Speaker 1: some of the trades that transpired, and you see Bradley 190 00:07:57,840 --> 00:08:00,600 Speaker 1: Beal goes from the Wizard to go to the Enix Sons. 191 00:08:00,880 --> 00:08:03,240 Speaker 1: So now he pairs with Kevin Durant and Devin Booker. 192 00:08:03,600 --> 00:08:05,880 Speaker 1: You see Chris Paul gets traded, he gets moved again. 193 00:08:06,000 --> 00:08:08,520 Speaker 1: Now he goes to the Golden State Warriors to go 194 00:08:08,600 --> 00:08:12,280 Speaker 1: with Steph Draymondic potentially Draymond Draymond is unrestricted free agent. 195 00:08:12,480 --> 00:08:14,760 Speaker 5: You see Jordan Poole goes to the Wizard, So. 196 00:08:15,200 --> 00:08:18,600 Speaker 1: You think this is Kevin Durant's opportunity now to get 197 00:08:18,600 --> 00:08:20,080 Speaker 1: a ring away from Golden State. 198 00:08:20,280 --> 00:08:22,680 Speaker 3: I thought it was this time. I thought it was 199 00:08:22,760 --> 00:08:25,800 Speaker 3: this time, But uh, I think it's I think it's 200 00:08:25,880 --> 00:08:27,360 Speaker 3: up in the area. I think Chris going. 201 00:08:27,240 --> 00:08:28,400 Speaker 5: To Golden State. 202 00:08:28,560 --> 00:08:31,920 Speaker 3: Man, it's that that's a that's a good place for him. 203 00:08:32,000 --> 00:08:34,760 Speaker 2: I just want him to get a ring, right, I like, 204 00:08:35,120 --> 00:08:37,040 Speaker 2: Chris been doing this thing for a while, but I 205 00:08:37,080 --> 00:08:38,120 Speaker 2: really want him to get a ring. 206 00:08:38,160 --> 00:08:41,920 Speaker 3: But I think KD is like, you know, they gonna 207 00:08:41,920 --> 00:08:43,880 Speaker 3: be coming. They're gonna be coming. 208 00:08:43,880 --> 00:08:45,480 Speaker 5: Would you like to see in Chris Paul on the 209 00:08:45,559 --> 00:08:46,520 Speaker 5: on the Lakers. 210 00:08:47,559 --> 00:08:49,160 Speaker 3: He would have been a good asset. But I but 211 00:08:49,200 --> 00:08:50,560 Speaker 3: I feel like he would have. He would have. 212 00:08:52,200 --> 00:08:53,960 Speaker 2: You know, there's there's two types of players. There's the 213 00:08:54,000 --> 00:08:56,720 Speaker 2: coaches players and then there's the there's a okay, there's. 214 00:08:56,520 --> 00:08:58,360 Speaker 3: The militant or the follower. 215 00:08:58,679 --> 00:09:00,280 Speaker 2: So I feel like he would he would up in 216 00:09:00,320 --> 00:09:03,040 Speaker 2: the system and get it together, like you know, bringing 217 00:09:03,040 --> 00:09:06,400 Speaker 2: them all in, making sure from even even from Anthony 218 00:09:06,480 --> 00:09:08,760 Speaker 2: Davis to, Hey, look, we gotta do this, y'all. 219 00:09:08,840 --> 00:09:10,080 Speaker 3: Make sure y'all stop this. 220 00:09:10,160 --> 00:09:13,000 Speaker 2: He's gonna he has that tenacity, right, So I feel 221 00:09:13,000 --> 00:09:15,360 Speaker 2: like him and him and Lebron a with a I 222 00:09:15,360 --> 00:09:16,240 Speaker 2: think they would have paired up. 223 00:09:16,240 --> 00:09:17,640 Speaker 3: I don't think that they would have clashed. 224 00:09:18,000 --> 00:09:20,760 Speaker 2: What about a Kyrie Lebron reunion? I would love it. 225 00:09:21,280 --> 00:09:24,120 Speaker 2: I would love it. I think here in La. 226 00:09:24,240 --> 00:09:29,880 Speaker 1: Or you want Bron to go to Dallas, Nah, it's got. 227 00:09:29,840 --> 00:09:30,480 Speaker 5: To happen to La. 228 00:09:30,800 --> 00:09:33,000 Speaker 3: Yeah, it gotta be in La. I would love to 229 00:09:33,000 --> 00:09:34,160 Speaker 3: see them paired up. 230 00:09:34,200 --> 00:09:36,880 Speaker 2: I think their chemistry is like Undereniavel And I think 231 00:09:37,040 --> 00:09:39,600 Speaker 2: with seeing those two guys in motion is just gon 232 00:09:39,720 --> 00:09:43,439 Speaker 2: spark another whole nother uprise in those guys. 233 00:09:43,440 --> 00:09:44,160 Speaker 3: So I feel like. 234 00:09:44,520 --> 00:09:45,920 Speaker 2: That's what I want to see. I mean, I don't 235 00:09:45,960 --> 00:09:47,719 Speaker 2: know what Kyle I want to do, man, but I 236 00:09:47,720 --> 00:09:48,559 Speaker 2: would love to see that. 237 00:09:48,600 --> 00:09:52,000 Speaker 1: I wouldn't get you get your take on this. You've 238 00:09:52,040 --> 00:09:54,959 Speaker 1: been in the spotlight, man, basically your whole life. I mean, 239 00:09:55,000 --> 00:09:57,840 Speaker 1: since you're probably twelve thirteen. Yeah, and you get Zion 240 00:09:57,920 --> 00:10:01,360 Speaker 1: Williamson who's been in the spotlights, he's probably fifteen sixteen, 241 00:10:01,840 --> 00:10:03,880 Speaker 1: And you see the issue he having with girl. What 242 00:10:03,920 --> 00:10:05,760 Speaker 1: advice would you give him? How would you tell him 243 00:10:05,960 --> 00:10:07,320 Speaker 1: to navigate this situation? 244 00:10:07,480 --> 00:10:10,079 Speaker 5: He's in it now? Yeah, there, you can't turn them back. 245 00:10:10,360 --> 00:10:12,960 Speaker 1: He have a girl, he has one young lady pregnant, 246 00:10:13,120 --> 00:10:15,080 Speaker 1: is gonna have He's welcome with your child. And then 247 00:10:15,120 --> 00:10:16,920 Speaker 1: you have this other one over here just putting all 248 00:10:16,920 --> 00:10:17,679 Speaker 1: this business. 249 00:10:18,520 --> 00:10:20,520 Speaker 3: I mean, it's hard out here. 250 00:10:20,559 --> 00:10:26,760 Speaker 2: When I would just pray for Zion man, I feel like, hey, man, is. 251 00:10:26,720 --> 00:10:27,839 Speaker 5: That what you need? A prayer? 252 00:10:28,040 --> 00:10:31,080 Speaker 2: Just praying? You know, be be the best man you 253 00:10:31,120 --> 00:10:33,560 Speaker 2: could be at that point. You know, I'm blessed to 254 00:10:33,559 --> 00:10:36,880 Speaker 2: have three children, three different baby moms. But at the 255 00:10:36,880 --> 00:10:39,800 Speaker 2: same time, the relationship that I've built with them and 256 00:10:39,840 --> 00:10:42,480 Speaker 2: the and the uh, the energy that I that I 257 00:10:42,600 --> 00:10:44,880 Speaker 2: kind of come with is it's a little bit more 258 00:10:44,920 --> 00:10:46,559 Speaker 2: I don't know, my R and B guys, I'm. 259 00:10:47,040 --> 00:10:48,400 Speaker 3: A little bit more subtle with it. 260 00:10:48,880 --> 00:10:49,000 Speaker 1: Uh. 261 00:10:49,200 --> 00:10:49,800 Speaker 5: Is it hard? 262 00:10:49,920 --> 00:10:52,760 Speaker 2: It's very hard. You gotta but you gotta also watch out. 263 00:10:52,800 --> 00:10:55,120 Speaker 2: It's like, you know, we all want to be in 264 00:10:55,120 --> 00:10:57,960 Speaker 2: the same spots, in the same places, the clubs we 265 00:10:58,000 --> 00:10:59,800 Speaker 2: want to be to this day, I still want to 266 00:10:59,800 --> 00:11:00,760 Speaker 2: see some beautiful women. 267 00:11:00,760 --> 00:11:01,560 Speaker 3: But at the same time. 268 00:11:01,600 --> 00:11:04,480 Speaker 2: You just got to be mind full of the certain 269 00:11:04,800 --> 00:11:08,559 Speaker 2: company you will keep or the trappers that will will decept. 270 00:11:08,280 --> 00:11:09,360 Speaker 3: Themselves as athletes. 271 00:11:09,559 --> 00:11:12,000 Speaker 2: I'm pretty sure that the guys on the team probably 272 00:11:12,440 --> 00:11:13,640 Speaker 2: give him real pep talk. 273 00:11:13,679 --> 00:11:16,640 Speaker 3: Look you can't do this, look, you know, but uh, 274 00:11:17,000 --> 00:11:18,720 Speaker 3: on the road, on our on our end. 275 00:11:18,640 --> 00:11:21,640 Speaker 2: It's a it's a little bit different, but I understand 276 00:11:21,640 --> 00:11:22,520 Speaker 2: what he's going through. 277 00:11:22,840 --> 00:11:25,079 Speaker 3: So he just gotta he just gotta hold his head together. 278 00:11:25,160 --> 00:11:27,160 Speaker 3: Man hold your head. 279 00:11:28,400 --> 00:11:31,280 Speaker 1: So hopefully he's learned from some of the mistakes that 280 00:11:31,280 --> 00:11:33,880 Speaker 1: he had made, because I'm sure there this this social 281 00:11:33,920 --> 00:11:35,040 Speaker 1: media is a different animal. 282 00:11:35,040 --> 00:11:36,280 Speaker 3: Man animal animal. 283 00:11:36,360 --> 00:11:39,120 Speaker 2: I'll try to I'm engaged with the social media stuff, 284 00:11:39,120 --> 00:11:41,280 Speaker 2: but I'll try to stay away. Like my fans always 285 00:11:41,280 --> 00:11:45,040 Speaker 2: asking why you never like posting selfies or you never 286 00:11:45,440 --> 00:11:47,840 Speaker 2: I'm like, sometimes I'll just be wanting to chill because 287 00:11:47,920 --> 00:11:49,800 Speaker 2: because it's a long want to get away from that. Yeah, 288 00:11:49,880 --> 00:11:52,000 Speaker 2: sometimes you need it, Sometimes you need that piece of mind. 289 00:11:52,040 --> 00:11:54,320 Speaker 2: So I feel like in this era, it's so easy 290 00:11:54,360 --> 00:11:57,800 Speaker 2: to contact someone you know, so so if you so 291 00:11:57,960 --> 00:12:01,000 Speaker 2: even if they made it, except well, you get scroll 292 00:12:01,040 --> 00:12:03,640 Speaker 2: down your explore page and you're like, oh, man, hold 293 00:12:03,640 --> 00:12:04,520 Speaker 2: on and just say. 294 00:12:04,400 --> 00:12:07,400 Speaker 1: Hey, and they hit you back, and it's like you 295 00:12:07,440 --> 00:12:10,480 Speaker 1: can say that. Most people can't say that. They gonna 296 00:12:10,480 --> 00:12:14,800 Speaker 1: say bye. You could say how this is like is 297 00:12:14,800 --> 00:12:15,640 Speaker 1: this really you? 298 00:12:15,640 --> 00:12:19,080 Speaker 3: You say yes, yeah, you gotta use that Vanish mud. 299 00:12:20,720 --> 00:12:22,160 Speaker 5: That they disagree have to come it. 300 00:12:22,280 --> 00:12:24,439 Speaker 3: Definitely definitely let me. 301 00:12:24,400 --> 00:12:25,680 Speaker 5: Ask you this honestly. 302 00:12:26,000 --> 00:12:28,480 Speaker 1: Uh, the job Morant He was suspended for twenty the 303 00:12:28,520 --> 00:12:33,200 Speaker 1: first twenty five games of the season. Yeah, what if 304 00:12:33,600 --> 00:12:36,000 Speaker 1: if you could see if job, if John sitting right 305 00:12:36,000 --> 00:12:38,240 Speaker 1: where I'm sitting, Yeah, and you could talk to it, 306 00:12:38,600 --> 00:12:39,320 Speaker 1: what would you say? 307 00:12:40,200 --> 00:12:41,640 Speaker 2: I mean, I don't know what I what I would 308 00:12:41,679 --> 00:12:44,199 Speaker 2: saying because because I also look at my life and 309 00:12:44,240 --> 00:12:46,400 Speaker 2: I kind of look at it as a mirror with 310 00:12:46,440 --> 00:12:48,600 Speaker 2: certain things, especially when it comes to like. 311 00:12:50,040 --> 00:12:52,640 Speaker 3: Being shunned in a certain negative spotlight. 312 00:12:53,120 --> 00:12:56,200 Speaker 2: I feel like he's he's gonna I mean, everybody learns man, 313 00:12:56,240 --> 00:12:58,680 Speaker 2: he's he's young, but I feel like he's you know, 314 00:12:58,960 --> 00:13:02,800 Speaker 2: people make mistakes, you know, sometimes we make it continuous, right, 315 00:13:03,080 --> 00:13:05,880 Speaker 2: But you know, I feel like I can't. I can't 316 00:13:05,920 --> 00:13:08,040 Speaker 2: tell him how to how to write his story or 317 00:13:08,800 --> 00:13:13,000 Speaker 2: or find his path. I would just say, just just 318 00:13:13,120 --> 00:13:15,480 Speaker 2: do what you came in to do, right, I was. 319 00:13:15,559 --> 00:13:16,880 Speaker 3: That's all I can say. 320 00:13:17,040 --> 00:13:19,880 Speaker 1: You try to surround yourself with as many good people 321 00:13:20,400 --> 00:13:23,280 Speaker 1: as you possibly can. Yeah, and if you feel somebody 322 00:13:23,480 --> 00:13:28,080 Speaker 1: is not adding, you have to remove them. Have there 323 00:13:28,080 --> 00:13:30,840 Speaker 1: been a situation where you felt someone was not adding 324 00:13:30,840 --> 00:13:33,760 Speaker 1: to Chris Brown, but they were taking that you had 325 00:13:33,760 --> 00:13:36,120 Speaker 1: to like, I'm sorry, but I've got to stop the 326 00:13:36,200 --> 00:13:37,679 Speaker 1: ride here, you have to get off. 327 00:13:37,800 --> 00:13:39,200 Speaker 3: Yes, absolutely, absolutely. 328 00:13:39,200 --> 00:13:40,200 Speaker 5: Through the years, it's hard. 329 00:13:40,280 --> 00:13:41,200 Speaker 3: It's very hard. 330 00:13:40,960 --> 00:13:43,320 Speaker 2: Because you build relationships with people and you have and 331 00:13:43,360 --> 00:13:47,559 Speaker 2: you have like brotherhoods with people. People people state that 332 00:13:47,720 --> 00:13:49,560 Speaker 2: like when you're on the road, you got people with 333 00:13:49,640 --> 00:13:51,880 Speaker 2: you every day or and you know some some people, 334 00:13:51,920 --> 00:13:54,480 Speaker 2: I'm I'm a family first type of guy. Yes, but 335 00:13:54,559 --> 00:13:57,600 Speaker 2: family doesn't necessarily mean have to be biologically right. 336 00:13:57,760 --> 00:13:59,959 Speaker 5: It's not necessarily blood. You sometimes blood. 337 00:14:00,480 --> 00:14:01,080 Speaker 3: Yeah, you know. 338 00:14:01,240 --> 00:14:03,600 Speaker 2: So I feel like I have a I have a 339 00:14:03,720 --> 00:14:06,440 Speaker 2: nice entourage. Are a nice group of people now that 340 00:14:06,440 --> 00:14:09,880 Speaker 2: that are for me, that understand the bigger goal, you know. 341 00:14:09,960 --> 00:14:12,560 Speaker 2: So I think now it was very it was very 342 00:14:12,559 --> 00:14:14,680 Speaker 2: hard for me because because I would hang out with 343 00:14:15,040 --> 00:14:17,200 Speaker 2: you know, we be with gang bangers, we'd be with 344 00:14:17,400 --> 00:14:19,720 Speaker 2: the wrong type of people you will be with, you know, 345 00:14:19,920 --> 00:14:22,160 Speaker 2: just just people that don't go with the life path 346 00:14:22,200 --> 00:14:23,280 Speaker 2: that you might want to choose. 347 00:14:23,320 --> 00:14:26,600 Speaker 3: Correct, So I feel like, but but you kind of 348 00:14:26,680 --> 00:14:29,040 Speaker 3: you kind of start absorbing their energy. 349 00:14:29,280 --> 00:14:31,760 Speaker 2: So if it doesn't benefit you, I feel like you 350 00:14:31,840 --> 00:14:35,160 Speaker 2: really have to kind of like separate yourself. And I 351 00:14:35,200 --> 00:14:37,280 Speaker 2: was my children were able to kind of like get 352 00:14:37,280 --> 00:14:38,240 Speaker 2: me out of that. 353 00:14:38,600 --> 00:14:40,320 Speaker 5: So it was the kid for you. 354 00:14:40,480 --> 00:14:43,360 Speaker 2: For me, per se Yes, definitely my kids because it 355 00:14:43,400 --> 00:14:45,920 Speaker 2: made me have a real responsibility, Like I could be 356 00:14:46,000 --> 00:14:47,000 Speaker 2: reckless without what. 357 00:14:47,240 --> 00:14:49,280 Speaker 3: There was no one to care for, but you know. 358 00:14:49,280 --> 00:14:50,880 Speaker 5: My children responsibility. 359 00:14:50,960 --> 00:14:53,000 Speaker 3: Yeah, it kind of made me start thinking. 360 00:14:53,320 --> 00:14:56,240 Speaker 5: And that sees what Chris is doing, what sees what 361 00:14:56,320 --> 00:14:56,960 Speaker 5: Daddy is doing. 362 00:14:57,040 --> 00:15:01,200 Speaker 1: Yeah, so you feel that had you not had kids, 363 00:15:01,720 --> 00:15:03,280 Speaker 1: you might've been on a different path. 364 00:15:04,080 --> 00:15:09,160 Speaker 2: Possibly possibly I might have been a lot more careless, 365 00:15:09,640 --> 00:15:10,560 Speaker 2: careless because I was. 366 00:15:10,800 --> 00:15:12,920 Speaker 3: I was reckless. I was definitely I've been reckless when 367 00:15:12,960 --> 00:15:13,960 Speaker 3: I was young a lot. 368 00:15:14,320 --> 00:15:17,040 Speaker 2: But I feel you know that, right, Yeah, but I'm 369 00:15:17,600 --> 00:15:20,600 Speaker 2: I'm talking about nineteen twenty twenty one. 370 00:15:20,880 --> 00:15:24,080 Speaker 3: Yeah, I was. I was feeling myself, you know. 371 00:15:24,200 --> 00:15:26,600 Speaker 2: So I think I think now I'm able to be 372 00:15:26,680 --> 00:15:29,760 Speaker 2: appreciative of Like, let's say, if people like that song 373 00:15:29,840 --> 00:15:31,800 Speaker 2: I have or people listening to me. 374 00:15:32,040 --> 00:15:33,080 Speaker 3: You know what, I readly like that song. 375 00:15:33,120 --> 00:15:36,120 Speaker 2: I really feel it like real thank you and it's 376 00:15:36,120 --> 00:15:38,480 Speaker 2: a real thank you', not like all right right, you know. 377 00:15:38,680 --> 00:15:40,840 Speaker 2: So I think my kids made me kind of like 378 00:15:40,920 --> 00:15:43,960 Speaker 2: see other aspects that were fun in life. But we'll 379 00:15:43,960 --> 00:15:46,920 Speaker 2: still I'm still able to have my my career of 380 00:15:47,040 --> 00:15:49,520 Speaker 2: the lifestyle that I live, but maintain it in a 381 00:15:49,680 --> 00:15:50,720 Speaker 2: a in a better balance. 382 00:15:51,000 --> 00:15:53,360 Speaker 5: Do your kids make you appreciate more a life? 383 00:15:54,520 --> 00:15:57,400 Speaker 2: Yeah, they made me appreciate the stuff that I used 384 00:15:57,440 --> 00:15:59,160 Speaker 2: to do when I was a kid because they do 385 00:15:59,240 --> 00:16:00,840 Speaker 2: everything that I sued to do when I was a kid. 386 00:16:00,960 --> 00:16:02,640 Speaker 2: So and then being able to talk to them, like 387 00:16:03,240 --> 00:16:05,200 Speaker 2: my dad would tell me certain things, but there would 388 00:16:05,200 --> 00:16:07,200 Speaker 2: be kind of there would be limitations on it. 389 00:16:07,280 --> 00:16:08,960 Speaker 3: I feel like I'm just like, hey, let me tell 390 00:16:08,960 --> 00:16:09,440 Speaker 3: you this. 391 00:16:09,360 --> 00:16:12,000 Speaker 2: Because because you're gonna because I know you're gonna do this, 392 00:16:12,200 --> 00:16:14,000 Speaker 2: so let me explain to you exactly. 393 00:16:14,400 --> 00:16:15,520 Speaker 3: So it's a little different. 394 00:16:15,600 --> 00:16:18,120 Speaker 2: Like my kids are definitely my friends until I have 395 00:16:18,240 --> 00:16:20,920 Speaker 2: to be their father old old older, like older, and 396 00:16:20,920 --> 00:16:22,640 Speaker 2: I'm like, look, okay, look, you can't be doing it 397 00:16:23,120 --> 00:16:23,480 Speaker 2: right now. 398 00:16:23,600 --> 00:16:25,280 Speaker 3: Right now, I'm in the fun stages. 399 00:16:25,440 --> 00:16:29,640 Speaker 1: Right So how difficult is it for your kids considering 400 00:16:30,760 --> 00:16:34,440 Speaker 1: your parents didn't have what you have, So how difficult 401 00:16:34,480 --> 00:16:35,840 Speaker 1: is it going to be for you to read your 402 00:16:35,960 --> 00:16:38,400 Speaker 1: kids compared to how your parents rid you. 403 00:16:38,880 --> 00:16:41,840 Speaker 2: The funniest thing for that is that I love the 404 00:16:41,880 --> 00:16:42,920 Speaker 2: people that I have around. 405 00:16:43,080 --> 00:16:45,800 Speaker 3: But I always tell tell my mom, I tell their moms. 406 00:16:45,800 --> 00:16:50,960 Speaker 2: I'm like, look, I didn't have none of this, but 407 00:16:51,200 --> 00:16:53,880 Speaker 2: I still had so much fun as a child. My 408 00:16:54,000 --> 00:16:58,240 Speaker 2: mom and my father they allow me to be like kids. 409 00:16:59,640 --> 00:17:01,040 Speaker 3: You didn't I spoil them there? 410 00:17:03,320 --> 00:17:06,280 Speaker 2: Okay, But I always joke with my oldest daughter and 411 00:17:06,320 --> 00:17:08,720 Speaker 2: I'm like, look, I'm finna take you to the hood. 412 00:17:08,760 --> 00:17:10,959 Speaker 2: You're finna go and learn all that and stay over 413 00:17:11,000 --> 00:17:12,760 Speaker 2: there with your cousins for a couple of weekends. 414 00:17:12,840 --> 00:17:15,760 Speaker 3: Right, just so you, just so you nothing is handed 415 00:17:15,800 --> 00:17:16,000 Speaker 3: to you. 416 00:17:16,040 --> 00:17:18,000 Speaker 2: I want you to understand, like I want you to 417 00:17:18,040 --> 00:17:20,680 Speaker 2: be just as sweet how my mother is and how 418 00:17:20,720 --> 00:17:21,840 Speaker 2: my mother instilled in me. 419 00:17:22,200 --> 00:17:23,560 Speaker 3: You know what I'm saying. But at the same time, 420 00:17:23,600 --> 00:17:26,360 Speaker 3: find yourself, love life, and don't you don't have to. 421 00:17:26,280 --> 00:17:28,600 Speaker 2: Following daddy is for seventh, Like that, if they want 422 00:17:28,600 --> 00:17:31,080 Speaker 2: to sing, great, if they want to perform entertained business, 423 00:17:31,480 --> 00:17:34,840 Speaker 2: perfect but I'm just as happy if they want to 424 00:17:34,880 --> 00:17:35,920 Speaker 2: do anything. 425 00:17:35,560 --> 00:17:39,960 Speaker 1: Else with when you were growing up. Let's just say, 426 00:17:40,000 --> 00:17:42,120 Speaker 1: for the sake of ar you're seven eight seventy ten 427 00:17:42,200 --> 00:17:44,119 Speaker 1: years old. What did Chris Brown want to be? 428 00:17:45,119 --> 00:17:49,920 Speaker 3: Seven eight? Man? I'm not gonna lie. At that time, 429 00:17:51,240 --> 00:17:52,320 Speaker 3: I love so much. 430 00:17:52,359 --> 00:17:54,760 Speaker 2: I love music so much, but it was kind of 431 00:17:54,800 --> 00:17:56,880 Speaker 2: like my own personal like. 432 00:17:57,080 --> 00:17:59,240 Speaker 3: Okay, nobody really knows I love this music like this, 433 00:17:59,560 --> 00:18:03,640 Speaker 3: I really wanted to, like play sports. I wanted to I. 434 00:18:03,480 --> 00:18:05,840 Speaker 5: Wanted to do in the NBA. Did you play football? 435 00:18:05,920 --> 00:18:08,960 Speaker 3: Yes, definitely played football. Uh, ninth grade. 436 00:18:08,960 --> 00:18:12,000 Speaker 2: I'm gonna be real, like my ninth grade year, I 437 00:18:12,040 --> 00:18:14,639 Speaker 2: had broke my wrists in both and both bones. That 438 00:18:14,800 --> 00:18:18,480 Speaker 2: snapped it boom catching that catching the wide receivers. 439 00:18:18,240 --> 00:18:19,680 Speaker 3: But I caught a pass. Boom. 440 00:18:19,680 --> 00:18:22,800 Speaker 2: I'm right at the like the teen yard line. My 441 00:18:22,800 --> 00:18:25,919 Speaker 2: my cousin that plays on the other team kissed me. 442 00:18:25,960 --> 00:18:28,000 Speaker 3: Breaks my mom. He broke your wrists, broke my wrist. 443 00:18:28,080 --> 00:18:30,600 Speaker 3: It was done like this, man. I was like, what 444 00:18:30,720 --> 00:18:31,320 Speaker 3: you doing was. 445 00:18:31,240 --> 00:18:34,280 Speaker 2: He was apologizing and everything, and we went undefeated. 446 00:18:34,320 --> 00:18:36,440 Speaker 3: That y'all was so mad. But but what. 447 00:18:36,440 --> 00:18:39,440 Speaker 2: Happened was it kind of almost prohibited me from playing basketball. 448 00:18:39,480 --> 00:18:41,200 Speaker 3: So I was like, you know what, I might I 449 00:18:41,280 --> 00:18:43,440 Speaker 3: might need to if I really want to do the basketball. 450 00:18:44,600 --> 00:18:46,399 Speaker 2: Yeah, I'm gonna give it a football up, you know, 451 00:18:46,480 --> 00:18:48,520 Speaker 2: but I love football though, still love football. 452 00:18:48,960 --> 00:18:51,680 Speaker 5: Yeah, you have a team, you have a player, favorite player. 453 00:18:51,880 --> 00:18:52,080 Speaker 3: You know. 454 00:18:52,280 --> 00:18:55,359 Speaker 2: I'm from Virginia, so it's it's a whole bunch of 455 00:18:56,280 --> 00:19:00,119 Speaker 2: either the Redskins or you, or you the Cowboys, you know, 456 00:19:00,160 --> 00:19:01,880 Speaker 2: because we don't really you know, Virginia, we don't really 457 00:19:01,920 --> 00:19:05,280 Speaker 2: have a But in my household, it was the Redskins. 458 00:19:05,320 --> 00:19:08,439 Speaker 2: It was the Cowboys. And they used to argue, Yeah, so. 459 00:19:08,520 --> 00:19:10,040 Speaker 5: You like the cowboy? How how do you like that? 460 00:19:10,080 --> 00:19:10,359 Speaker 3: Allong? 461 00:19:10,640 --> 00:19:12,560 Speaker 1: If you from if you from that area, if you're 462 00:19:12,560 --> 00:19:18,760 Speaker 1: from the DC, the Maryland to Virginia, you hate the cowboys. 463 00:19:18,800 --> 00:19:21,480 Speaker 2: In our household, they love they love the cowboys. 464 00:19:21,560 --> 00:19:24,480 Speaker 5: They love the cowboys, y'all, y'all to be undercovered cowboy. 465 00:19:24,560 --> 00:19:24,760 Speaker 3: Yeah. 466 00:19:25,080 --> 00:19:27,880 Speaker 2: You put big coachs on big coats. No, don't worry 467 00:19:27,880 --> 00:19:29,160 Speaker 2: to Jersey to the game. 468 00:19:29,640 --> 00:19:31,440 Speaker 1: So seven A, You're like, okay, I think it really, 469 00:19:31,600 --> 00:19:34,360 Speaker 1: So when did you start to take music serious and say, 470 00:19:34,440 --> 00:19:36,600 Speaker 1: you know what, this basketball thing you gotta take a 471 00:19:36,640 --> 00:19:37,360 Speaker 1: back seat. 472 00:19:38,200 --> 00:19:41,600 Speaker 2: I was actually doing music secretively, like I was doing 473 00:19:41,680 --> 00:19:43,760 Speaker 2: like the like nobody in my school knew that I 474 00:19:43,880 --> 00:19:46,280 Speaker 2: that I kind of like did music. Then I could 475 00:19:46,280 --> 00:19:47,720 Speaker 2: sing in things like that, but I would be in 476 00:19:47,760 --> 00:19:52,000 Speaker 2: basketball practice. I'm saying the seventh eighth grade, ninth grade 477 00:19:52,320 --> 00:19:55,560 Speaker 2: basketball practice six thirty, didn't drive our way go to 478 00:19:55,600 --> 00:19:57,480 Speaker 2: the studio and be there till maybe that. 479 00:19:57,560 --> 00:20:00,000 Speaker 3: Say, three in the morning. They got to get back 480 00:20:00,000 --> 00:20:00,879 Speaker 3: and go back to school. 481 00:20:00,880 --> 00:20:02,600 Speaker 2: And you know, so I was doing that a while, 482 00:20:03,320 --> 00:20:06,040 Speaker 2: but I met I have met these producers, a couple 483 00:20:06,040 --> 00:20:08,159 Speaker 2: of guys that are from the area, and I was like, no, 484 00:20:08,400 --> 00:20:10,680 Speaker 2: I'm serious about it. So you know, I was a 485 00:20:10,720 --> 00:20:13,679 Speaker 2: little nervous because I never really recorded and stuff like that. 486 00:20:13,720 --> 00:20:16,040 Speaker 2: So my first time actually doing it, I was I 487 00:20:16,080 --> 00:20:19,200 Speaker 2: was kind of like just behind the ears, like, hey man, 488 00:20:19,240 --> 00:20:19,919 Speaker 2: what are we going to do? 489 00:20:20,080 --> 00:20:21,919 Speaker 3: Like how do I do this? Like and I do 490 00:20:22,000 --> 00:20:22,960 Speaker 3: I even sound good? 491 00:20:23,320 --> 00:20:25,639 Speaker 2: But I knew I had it enemy to do it, 492 00:20:25,680 --> 00:20:27,840 Speaker 2: so I just was like, this is this is kind 493 00:20:27,840 --> 00:20:30,240 Speaker 2: of calling me faster than I think the other thing 494 00:20:30,359 --> 00:20:31,080 Speaker 2: is right. 495 00:20:31,240 --> 00:20:32,240 Speaker 5: So, but how was it? 496 00:20:32,800 --> 00:20:38,520 Speaker 1: Like given so much you a child superstar and the 497 00:20:38,640 --> 00:20:40,520 Speaker 1: expectations that come along with that. 498 00:20:41,840 --> 00:20:44,760 Speaker 3: Man, I was. I was kind of still in bliss. 499 00:20:44,800 --> 00:20:47,600 Speaker 2: Like when I was like fifteen fourteen, my first song 500 00:20:47,680 --> 00:20:49,600 Speaker 2: came out, I was, I was kind of like shocked, 501 00:20:49,880 --> 00:20:53,400 Speaker 2: so everything was new. So I kind of I kind 502 00:20:53,400 --> 00:20:55,080 Speaker 2: of had tough skin because I was, you know, I 503 00:20:55,119 --> 00:20:57,159 Speaker 2: wanted to I was ready for it. 504 00:20:57,240 --> 00:20:59,399 Speaker 3: So whether they had to be doing. 505 00:21:00,359 --> 00:21:03,000 Speaker 2: Hours and hours of van rids from from the east 506 00:21:03,040 --> 00:21:05,320 Speaker 2: of the West Coast or you know, going through the 507 00:21:05,400 --> 00:21:08,960 Speaker 2: Bible Belt, doing every interview every radio station, I did. 508 00:21:09,200 --> 00:21:10,320 Speaker 3: It was something I wanted to do. 509 00:21:10,359 --> 00:21:12,439 Speaker 2: I felt like I felt like it was my calling, Like, 510 00:21:12,680 --> 00:21:14,359 Speaker 2: and I'm from a small town, so I was like, 511 00:21:14,400 --> 00:21:15,520 Speaker 2: how did I even get here? 512 00:21:15,840 --> 00:21:18,639 Speaker 3: Every step of the way. So I was appreciative, you know, 513 00:21:18,720 --> 00:21:19,640 Speaker 3: I was. I was ready for. 514 00:21:21,480 --> 00:21:24,199 Speaker 2: I think I did one actual talent show. It was 515 00:21:24,200 --> 00:21:26,800 Speaker 2: a it was at summer camp. Oh okay, it was 516 00:21:26,880 --> 00:21:27,880 Speaker 2: at like a summer camp. 517 00:21:27,880 --> 00:21:30,119 Speaker 3: I did you better have one one? 518 00:21:30,280 --> 00:21:32,080 Speaker 5: Okay, I'm gonna say because somebody got. 519 00:21:31,920 --> 00:21:35,280 Speaker 2: Bragging, right, Yeah, I know. I definitely won and I did. 520 00:21:35,359 --> 00:21:42,280 Speaker 3: It's funny. I did throng song Cisco Bro. I had 521 00:21:42,320 --> 00:21:45,879 Speaker 3: to like my little homegirl dancers, like I had to 522 00:21:45,960 --> 00:21:48,600 Speaker 3: be like Bro. I had to have been seven like 523 00:21:48,720 --> 00:21:49,280 Speaker 3: seven or eight. 524 00:21:49,400 --> 00:21:52,800 Speaker 1: Oh, I hope that was at the end of the 525 00:21:52,840 --> 00:21:54,480 Speaker 1: week camp and not the beginning of the weeknd. 526 00:21:54,480 --> 00:21:55,640 Speaker 5: They'll probably go to see you home. 527 00:21:55,760 --> 00:22:00,600 Speaker 2: Oh the camp leaders they laughed, but everybody kind of 528 00:22:00,640 --> 00:22:03,040 Speaker 2: went crazy in there, and I was like, I think 529 00:22:03,080 --> 00:22:05,240 Speaker 2: I might can do this right, you know, but that 530 00:22:05,320 --> 00:22:07,439 Speaker 2: was my first actual talent show. I didn't really like. 531 00:22:07,520 --> 00:22:09,280 Speaker 3: I used to go to the mall and see I 532 00:22:09,400 --> 00:22:11,200 Speaker 3: used to go to the mall, like my homeboys. 533 00:22:10,840 --> 00:22:12,840 Speaker 2: Would go come with me like the weekend, will go 534 00:22:12,960 --> 00:22:14,359 Speaker 2: drive up to the mall and be like and they 535 00:22:14,359 --> 00:22:16,000 Speaker 2: would see a group of girls and you know. 536 00:22:15,960 --> 00:22:18,240 Speaker 3: When like the food courses certain all yeah. 537 00:22:18,359 --> 00:22:18,600 Speaker 5: Yeah. 538 00:22:18,640 --> 00:22:20,320 Speaker 2: So I was like, you know what, they'd be like, yo, bro, 539 00:22:20,800 --> 00:22:23,960 Speaker 2: just sing and I'll sing Mario, I'll sing somebody's song 540 00:22:23,960 --> 00:22:26,840 Speaker 2: that's hot on the radio, usher song like so. And 541 00:22:26,840 --> 00:22:28,600 Speaker 2: then they would be like, hey, what's your name? And 542 00:22:28,760 --> 00:22:31,080 Speaker 2: I'd be like, Okay, We're good, Okay, I got we 543 00:22:31,119 --> 00:22:32,960 Speaker 2: can do this. We can do this every weekend, Let's 544 00:22:33,000 --> 00:22:33,199 Speaker 2: do it. 545 00:22:33,480 --> 00:22:35,960 Speaker 5: So you were saying in the mall to get the girl. Yeah, absolutely, 546 00:22:38,359 --> 00:22:39,280 Speaker 5: it worked. Every time. 547 00:22:39,760 --> 00:22:40,160 Speaker 3: It worked. 548 00:22:40,280 --> 00:22:42,200 Speaker 2: Yeah, it worked every time unless they was a two 549 00:22:42,240 --> 00:22:43,560 Speaker 2: grown They're like y'all some little boys. 550 00:22:43,560 --> 00:22:44,480 Speaker 3: If we can't mess with y'all. 551 00:22:46,640 --> 00:22:49,400 Speaker 5: So what so, what have you learned from if? What 552 00:22:49,680 --> 00:22:52,160 Speaker 5: would the thirty three I think you're thirty three about. 553 00:22:51,960 --> 00:22:54,040 Speaker 3: To be thirty thirty four? 554 00:22:54,320 --> 00:22:57,879 Speaker 5: What would the thirty four year old till the fifteen 555 00:22:58,000 --> 00:23:00,560 Speaker 5: to twenty twenty three year old Chris. 556 00:23:00,359 --> 00:23:02,480 Speaker 3: Brown fifteen to twenty three year old? 557 00:23:03,160 --> 00:23:04,800 Speaker 5: What would the thirty four year old telling. 558 00:23:07,880 --> 00:23:11,320 Speaker 2: I would say, I damn, I never thought about that. 559 00:23:11,320 --> 00:23:14,959 Speaker 3: That's crazy. I think I would tell him, be humble. 560 00:23:17,880 --> 00:23:21,520 Speaker 2: The road ahead isn't isn't the end, It's just the beginning. 561 00:23:22,320 --> 00:23:24,400 Speaker 2: So but but be humbling and everything you do. 562 00:23:25,040 --> 00:23:28,639 Speaker 5: So it said you discovered that your dad's gas station. 563 00:23:29,680 --> 00:23:32,480 Speaker 3: Yeah yeah kind of yeah. 564 00:23:31,720 --> 00:23:32,920 Speaker 5: So how did that go? Okay? 565 00:23:32,920 --> 00:23:34,960 Speaker 1: You your dand sing you out to put so did 566 00:23:34,960 --> 00:23:36,840 Speaker 1: you pump gas or you just at the gas station 567 00:23:36,920 --> 00:23:37,280 Speaker 1: with your. 568 00:23:37,200 --> 00:23:40,160 Speaker 5: Dad and you know, you just singing and people like, man. 569 00:23:40,119 --> 00:23:41,600 Speaker 3: Yeah, I used to help my dad. I used to eat. 570 00:23:41,720 --> 00:23:44,159 Speaker 2: I used to go there after school and then, uh, 571 00:23:44,520 --> 00:23:46,320 Speaker 2: you know how certain people come in and he was like, Hey, 572 00:23:46,320 --> 00:23:47,080 Speaker 2: I'm does. 573 00:23:46,960 --> 00:23:50,080 Speaker 3: Anybody in this town like do music twn or anything? 574 00:23:50,119 --> 00:23:52,320 Speaker 2: And then and I was just listening to the guy 575 00:23:52,359 --> 00:23:54,640 Speaker 2: and my dad was like, my son sings, and so 576 00:23:54,680 --> 00:23:58,680 Speaker 2: he basically gave us like his contact information, and through him, 577 00:23:58,800 --> 00:24:02,359 Speaker 2: I met the producers and the people who actually got 578 00:24:02,400 --> 00:24:04,560 Speaker 2: me to you know, getting to New York and meeting 579 00:24:04,720 --> 00:24:06,679 Speaker 2: the record labels. So a lot of a lot of that, 580 00:24:07,119 --> 00:24:08,280 Speaker 2: a lot of that time that was kind of like 581 00:24:08,280 --> 00:24:10,679 Speaker 2: a four year process, but that kind of started. 582 00:24:11,040 --> 00:24:12,000 Speaker 3: That's how I was discovering. 583 00:24:12,160 --> 00:24:16,680 Speaker 1: So, I mean, Teddy Riley's from your area, Timberland, Google. 584 00:24:17,640 --> 00:24:20,320 Speaker 5: You, Yeah, you ain't bumping another bill mate. 585 00:24:20,440 --> 00:24:22,920 Speaker 3: No, because because Virginia's Virginia's so big. 586 00:24:22,960 --> 00:24:26,080 Speaker 2: I'm sure like Virginia's big, and it's different places where 587 00:24:26,119 --> 00:24:28,240 Speaker 2: I'm from. It's maybe like I want to say, an 588 00:24:28,320 --> 00:24:30,800 Speaker 2: hour and a half away from where they are, you know, 589 00:24:30,880 --> 00:24:34,920 Speaker 2: and then we don't have like musical centers or performing 590 00:24:34,960 --> 00:24:38,119 Speaker 2: our stuff that that we can showcase our talent. It's 591 00:24:38,280 --> 00:24:41,600 Speaker 2: Virginia's really like a sports you know, a state. So 592 00:24:41,640 --> 00:24:45,080 Speaker 2: I feel like, uh, we were kind of like the 593 00:24:45,160 --> 00:24:48,200 Speaker 2: roads in the concrete. I feel like everybody, I think 594 00:24:48,240 --> 00:24:51,040 Speaker 2: everybody was kind of like, oh you made it, man, 595 00:24:51,080 --> 00:24:54,320 Speaker 2: it's amazing. But but you know, yeah, Teddy Rally and 596 00:24:54,320 --> 00:24:56,159 Speaker 2: all them, they kind of started it off because Virginia 597 00:24:56,200 --> 00:24:59,200 Speaker 2: Beach kind of was was. I remember my my moms 598 00:24:59,200 --> 00:25:01,720 Speaker 2: and aunts and pumped the back. Man they going, they said, 599 00:25:01,720 --> 00:25:03,720 Speaker 2: were going down there for the weekend. We'll never be 600 00:25:03,800 --> 00:25:06,280 Speaker 2: able to go up. Man, they was going out there 601 00:25:06,280 --> 00:25:08,120 Speaker 2: probably while Mama, hope you won't. 602 00:25:09,080 --> 00:25:10,080 Speaker 3: But see what you. 603 00:25:12,800 --> 00:25:14,879 Speaker 1: So when you tell your parents you're dropping out of 604 00:25:14,920 --> 00:25:19,320 Speaker 1: high school? Yeah, did they say, boy, you crazy? Did 605 00:25:19,359 --> 00:25:20,640 Speaker 1: this what kind of made it sound nice? 606 00:25:21,920 --> 00:25:25,040 Speaker 3: Again? I said, Mama, I got this. I got this opportunity. 607 00:25:25,600 --> 00:25:27,000 Speaker 3: I remember being in the phone. I was. 608 00:25:27,040 --> 00:25:29,199 Speaker 2: I was in New York, but I was in the 609 00:25:29,200 --> 00:25:30,160 Speaker 2: record label's office. 610 00:25:30,160 --> 00:25:31,879 Speaker 3: But I went to the bathroom. I said, Mom, I 611 00:25:32,000 --> 00:25:33,160 Speaker 3: really young. I got a record deal. 612 00:25:33,560 --> 00:25:35,200 Speaker 2: I said, But I'm not gonna get out of school. 613 00:25:35,359 --> 00:25:37,359 Speaker 2: They'll give me a tutor, you know. You know, So 614 00:25:37,560 --> 00:25:39,840 Speaker 2: I actually finished school. So I but it took me 615 00:25:40,119 --> 00:25:43,480 Speaker 2: instead of me finishing I supposed to. Yeah, I left it. 616 00:25:43,480 --> 00:25:45,320 Speaker 2: It took me like two years because I was doing 617 00:25:45,320 --> 00:25:47,800 Speaker 2: I was on the road. I was working my ninth 618 00:25:47,840 --> 00:25:49,840 Speaker 2: and tenth grade. I left my tenth grade year and 619 00:25:49,880 --> 00:25:52,040 Speaker 2: that's when my single came out. But so I was 620 00:25:52,040 --> 00:25:53,919 Speaker 2: supposed to be class of seven, but I ended up 621 00:25:53,960 --> 00:25:55,679 Speaker 2: becoming Class of O nine because I had to. 622 00:25:55,960 --> 00:25:58,840 Speaker 5: I had to wait, why would you what made you 623 00:25:58,840 --> 00:25:59,480 Speaker 5: better on yourself? 624 00:25:59,520 --> 00:26:03,040 Speaker 1: Why would you so sure that this was the opportunity 625 00:26:03,280 --> 00:26:05,399 Speaker 1: that was too good to pass to pass up? And 626 00:26:05,440 --> 00:26:07,359 Speaker 1: I'm willing to, like, you know what, for gold my 627 00:26:07,400 --> 00:26:08,320 Speaker 1: final in two years. 628 00:26:08,680 --> 00:26:12,560 Speaker 2: I feel like the dream I never lost that when 629 00:26:12,800 --> 00:26:13,919 Speaker 2: they be like what you want to be when you 630 00:26:14,040 --> 00:26:16,320 Speaker 2: when you grew up and you still have those those 631 00:26:16,600 --> 00:26:17,720 Speaker 2: grandiose ambitions. 632 00:26:18,200 --> 00:26:20,600 Speaker 3: I felt like the light bulb was clinking, like, Hey, 633 00:26:21,280 --> 00:26:23,160 Speaker 3: this is that you've been actioning for this. 634 00:26:23,160 --> 00:26:25,640 Speaker 2: This was your action for a goal. And look, look, 635 00:26:25,840 --> 00:26:28,280 Speaker 2: look where we are in this situation. Like my my 636 00:26:28,440 --> 00:26:31,080 Speaker 2: family didn't didn't have money at all. So it's like 637 00:26:31,640 --> 00:26:35,359 Speaker 2: I wanted, I wanted to do better than my whole 638 00:26:35,480 --> 00:26:38,760 Speaker 2: like before me, in before for them, you know what 639 00:26:38,800 --> 00:26:39,160 Speaker 2: I'm saying. 640 00:26:39,160 --> 00:26:40,400 Speaker 3: I wanted to be able to say, you. 641 00:26:40,320 --> 00:26:42,560 Speaker 2: Know what, I did this out of out of everybody 642 00:26:42,560 --> 00:26:44,440 Speaker 2: in my family, right, everybody in my town. 643 00:26:44,480 --> 00:26:45,480 Speaker 3: Everything you know, I saw. 644 00:26:45,600 --> 00:26:48,280 Speaker 2: I saw the opportunity to make it a better opportunity 645 00:26:48,320 --> 00:26:51,440 Speaker 2: for them, and definitely make a better opportunity for my mom. 646 00:26:51,920 --> 00:26:55,240 Speaker 1: You leave, you moved to New York, New York is 647 00:26:55,280 --> 00:26:58,480 Speaker 1: really really different than Virginia. Yeah, they didn't man to 648 00:26:58,600 --> 00:27:00,960 Speaker 1: get lonely. Did you get home sick that you said? Damn, 649 00:27:01,040 --> 00:27:02,760 Speaker 1: I don't know if I may did the right the 650 00:27:02,840 --> 00:27:03,520 Speaker 1: right thing here. 651 00:27:03,760 --> 00:27:07,280 Speaker 3: You know what? It was fun because because of the freedom, 652 00:27:07,320 --> 00:27:07,880 Speaker 3: like my mom. 653 00:27:08,000 --> 00:27:10,159 Speaker 2: My mom didn't know at first, because a lot of 654 00:27:10,320 --> 00:27:12,760 Speaker 2: a lot of the times I would go on a 655 00:27:12,760 --> 00:27:16,080 Speaker 2: Greyhound from Virginia and go all the way to Harlem 656 00:27:16,080 --> 00:27:18,240 Speaker 2: and I would be I would be by yourself. No, 657 00:27:18,320 --> 00:27:20,320 Speaker 2: I would be with the guys who were in the 658 00:27:20,320 --> 00:27:22,680 Speaker 2: production team and they had and they had a son 659 00:27:22,760 --> 00:27:25,000 Speaker 2: and he's my brother to this day, but we were 660 00:27:25,040 --> 00:27:26,639 Speaker 2: the same age. So he kind of showed me the 661 00:27:26,720 --> 00:27:29,520 Speaker 2: ropes and he and he grew right up in Middle Halem. 662 00:27:29,560 --> 00:27:31,399 Speaker 2: So I'm like, I was kind of it was a 663 00:27:31,440 --> 00:27:33,800 Speaker 2: calture shod. It was like, man, I felt so green, 664 00:27:34,240 --> 00:27:35,840 Speaker 2: like I felt so out of it. 665 00:27:36,520 --> 00:27:38,040 Speaker 3: And I would speak to people. I would go and 666 00:27:38,040 --> 00:27:41,800 Speaker 3: see people be like, hey, how y'all doing with the 667 00:27:41,880 --> 00:27:42,199 Speaker 3: hair on? 668 00:27:43,600 --> 00:27:44,560 Speaker 5: You got it from the South. 669 00:27:45,000 --> 00:27:47,080 Speaker 2: Yeah, So I had to I had to really kind 670 00:27:47,080 --> 00:27:50,359 Speaker 2: of like get acclimated. But over over about a three 671 00:27:50,400 --> 00:27:53,080 Speaker 2: month period, I kind of started started finding my way, 672 00:27:53,119 --> 00:27:55,440 Speaker 2: and I think that kind of made me be adaptable 673 00:27:55,480 --> 00:27:58,760 Speaker 2: in every situation and being an artist going, whether it 674 00:27:58,840 --> 00:28:03,200 Speaker 2: be Belgium, whether it be London, Australia, Like I'm able 675 00:28:03,200 --> 00:28:08,120 Speaker 2: to be presentable in a room amongst different cultures and ethnicities. 676 00:28:08,320 --> 00:28:10,800 Speaker 5: Were it ever nice that you think this wasn't gonna happen? 677 00:28:11,880 --> 00:28:13,600 Speaker 3: Yeah, all the time, all the time. 678 00:28:13,800 --> 00:28:15,480 Speaker 2: I felt like a lot of like a lot of 679 00:28:15,480 --> 00:28:18,280 Speaker 2: people don't see those that everybody gets like like they 680 00:28:18,320 --> 00:28:20,320 Speaker 2: just see the success, right and they don't think that 681 00:28:20,400 --> 00:28:21,640 Speaker 2: it takes hard work. 682 00:28:21,960 --> 00:28:25,280 Speaker 5: They just got discovered. You went to this place. Boom, 683 00:28:25,280 --> 00:28:25,760 Speaker 5: it blew up. 684 00:28:25,840 --> 00:28:27,800 Speaker 2: Yeah, like it would sound like that if it was 685 00:28:27,840 --> 00:28:30,440 Speaker 2: written in a you know, fairy tale story, but not 686 00:28:30,560 --> 00:28:31,879 Speaker 2: a lot a lot of hard works, a lot of 687 00:28:31,920 --> 00:28:34,639 Speaker 2: late nights sleep it's nice, stressful nights crying in the studio, 688 00:28:35,080 --> 00:28:37,119 Speaker 2: not thinking I'm good enough, like as a as a 689 00:28:37,160 --> 00:28:39,720 Speaker 2: younger artist. But yeah, a lot of that, But I 690 00:28:39,960 --> 00:28:43,680 Speaker 2: think like I could, I didn't let that doubt overshadow 691 00:28:44,280 --> 00:28:45,160 Speaker 2: the dream. 692 00:28:45,240 --> 00:28:46,360 Speaker 3: I feel like my heart. 693 00:28:46,320 --> 00:28:49,080 Speaker 2: Was was was was in it, so I was I was, 694 00:28:49,120 --> 00:28:51,480 Speaker 2: I was ready for anything, just even to this day, 695 00:28:51,520 --> 00:28:53,840 Speaker 2: like my heart and my passion is in what I 696 00:28:53,840 --> 00:28:56,040 Speaker 2: do still that. Yeah, So so I feel like that's 697 00:28:56,040 --> 00:28:59,640 Speaker 2: what I guess keeps me consistent, or keeps people interested 698 00:28:59,840 --> 00:29:01,600 Speaker 2: or or you know, engaged in my music. 699 00:29:03,160 --> 00:29:03,760 Speaker 5: Death Jam. 700 00:29:04,080 --> 00:29:06,680 Speaker 1: You get a contract offer from death Jam. They offer 701 00:29:06,720 --> 00:29:09,280 Speaker 1: you a contract on the spot, and you turned it down. 702 00:29:09,760 --> 00:29:12,440 Speaker 1: Why did you turn it down? What is the numbers? 703 00:29:12,560 --> 00:29:15,640 Speaker 1: What made Chris Brown? Because this is your opportunity. 704 00:29:15,760 --> 00:29:18,320 Speaker 5: This is death Jam. This ain't no no, this ain't 705 00:29:18,320 --> 00:29:21,680 Speaker 5: no no glass of music. This is death Jam. They 706 00:29:21,760 --> 00:29:24,400 Speaker 5: offer you a contract, Chris, and you said, nah, I'm good. 707 00:29:24,800 --> 00:29:27,440 Speaker 3: I'm thinking I'm country. 708 00:29:27,640 --> 00:29:31,440 Speaker 2: The man wouldn't talk to my mama, huh. So basically 709 00:29:31,480 --> 00:29:34,120 Speaker 2: he wanted me to basically like with the production guys. 710 00:29:34,280 --> 00:29:36,160 Speaker 2: I'm not going to say the executive name because I 711 00:29:36,200 --> 00:29:38,280 Speaker 2: love him to this day. I'm never gonna I'm never 712 00:29:38,320 --> 00:29:41,719 Speaker 2: going to expose them. But I wanted to get him 713 00:29:41,760 --> 00:29:44,200 Speaker 2: on the phone with my mom and be like, okay, cool, 714 00:29:44,680 --> 00:29:46,400 Speaker 2: So could you explain this to my mom? 715 00:29:46,600 --> 00:29:47,280 Speaker 3: What's going on? 716 00:29:47,760 --> 00:29:50,280 Speaker 2: You know, I'm I think I'm fourteen at the time, 717 00:29:50,640 --> 00:29:53,920 Speaker 2: So yeah, fourteen, just turned fourteen, and my production crew 718 00:29:54,000 --> 00:29:56,640 Speaker 2: was there, but you know, they're my handlers at that time. 719 00:29:56,720 --> 00:29:58,280 Speaker 2: But you know, at the same time. We're all in 720 00:29:58,320 --> 00:30:00,480 Speaker 2: the same excitement. But I just wanted to makes sense, 721 00:30:00,560 --> 00:30:05,960 Speaker 2: my mom is her words, tell her, boy, so you 722 00:30:06,040 --> 00:30:08,360 Speaker 2: got to tell to my mama. So as soon as 723 00:30:08,400 --> 00:30:10,840 Speaker 2: that happened, he was like, oh no, no, no, no, I 724 00:30:10,880 --> 00:30:12,800 Speaker 2: don't need that. We were good and I and I 725 00:30:12,880 --> 00:30:15,200 Speaker 2: kind of didn't like. I didn't like what that. I 726 00:30:15,240 --> 00:30:17,719 Speaker 2: felt like they wanted to get over like I was. 727 00:30:17,800 --> 00:30:19,800 Speaker 2: You know, I wasn't I wasn't green, I was. 728 00:30:19,840 --> 00:30:22,040 Speaker 3: Very street wart. So I just was like, well, why 729 00:30:22,040 --> 00:30:25,120 Speaker 3: wouldn't you just you know, I'm not saying, hey, say 730 00:30:25,120 --> 00:30:28,520 Speaker 3: how to my mama exactly. 731 00:30:28,760 --> 00:30:32,480 Speaker 2: So so that kind of made me kind of have reservations. 732 00:30:32,520 --> 00:30:35,040 Speaker 2: But then Tina Davis, who was my manager at the time, 733 00:30:35,080 --> 00:30:37,000 Speaker 2: she was working at Death Gym. 734 00:30:37,200 --> 00:30:39,000 Speaker 3: I think she they had a merger. 735 00:30:38,760 --> 00:30:41,480 Speaker 2: So she she was she went, she went her separate ways, 736 00:30:42,000 --> 00:30:44,440 Speaker 2: but I had I had learned so much from her, 737 00:30:44,720 --> 00:30:46,880 Speaker 2: even from going into the different meetings, how to prep 738 00:30:46,920 --> 00:30:49,040 Speaker 2: how to be ready to perform. So I was like, 739 00:30:49,080 --> 00:30:51,440 Speaker 2: you know what, I need someone like that that can 740 00:30:51,520 --> 00:30:53,400 Speaker 2: show me that because I don't. I'm just I'm just 741 00:30:53,400 --> 00:30:56,240 Speaker 2: going off the raw music at this point. So she 742 00:30:56,400 --> 00:30:59,000 Speaker 2: was able to like, Tina, would you mind managing me? 743 00:30:59,360 --> 00:31:01,440 Speaker 2: And so she was like cool, let's do it. And 744 00:31:01,560 --> 00:31:04,680 Speaker 2: from there she actually got me uh all the other 745 00:31:04,800 --> 00:31:07,920 Speaker 2: other deals or other other sittings with the labels that 746 00:31:07,960 --> 00:31:08,640 Speaker 2: I was sitting with. 747 00:31:08,840 --> 00:31:12,440 Speaker 3: So yeah, did he turn you down? Yeah? Yeah? 748 00:31:12,760 --> 00:31:14,720 Speaker 5: So how did that beating go? So? 749 00:31:14,720 --> 00:31:16,440 Speaker 1: So what so how did the meeting go? And then 750 00:31:16,440 --> 00:31:18,200 Speaker 1: what did he say? Why did he turn you down? 751 00:31:18,400 --> 00:31:20,080 Speaker 2: And this was this is probably maybe two or three 752 00:31:20,120 --> 00:31:23,160 Speaker 2: years prior, so I was like eleven or twelve at 753 00:31:23,160 --> 00:31:23,600 Speaker 2: this time. 754 00:31:24,440 --> 00:31:26,280 Speaker 3: The same kid that I said that that showed me 755 00:31:26,320 --> 00:31:29,480 Speaker 3: the ropes in New York. Yeah, he he Me and 756 00:31:29,600 --> 00:31:31,400 Speaker 3: him had songs. It was like a group. 757 00:31:31,760 --> 00:31:35,040 Speaker 2: So me and him had different like uh songs that 758 00:31:35,040 --> 00:31:37,080 Speaker 2: we would do together, and I would do solo songs. 759 00:31:37,080 --> 00:31:39,880 Speaker 2: So we both got the audition. He's like, all right, cool, 760 00:31:40,120 --> 00:31:42,320 Speaker 2: let's go, let's go and meet him and let's go sing. 761 00:31:42,800 --> 00:31:44,640 Speaker 2: So we went in and we went in there together. 762 00:31:45,040 --> 00:31:47,240 Speaker 2: He was like cool, we did the song that we 763 00:31:47,320 --> 00:31:49,760 Speaker 2: have together and I'm singing on the course and so 764 00:31:49,800 --> 00:31:55,280 Speaker 2: he was just like cool, cool, Yeah, I talk to you, 765 00:31:55,280 --> 00:31:58,600 Speaker 2: you know, he yeah, can he go outside for a second, 766 00:31:58,640 --> 00:31:59,360 Speaker 2: We're gonna just talk. 767 00:32:00,120 --> 00:32:01,760 Speaker 3: Was like, nah, we don't want we don't want him. 768 00:32:02,320 --> 00:32:04,080 Speaker 5: They didn't want you want me. 769 00:32:05,000 --> 00:32:07,400 Speaker 2: So I was like, as a twelve thirteen year old, 770 00:32:07,600 --> 00:32:10,520 Speaker 2: I was in that elevator, probably crying like. 771 00:32:10,480 --> 00:32:13,600 Speaker 3: Them up so but you knew who Diddy was, right of. 772 00:32:13,560 --> 00:32:17,000 Speaker 2: Course, of course, And at the pinda, I'm like, man, 773 00:32:17,320 --> 00:32:19,400 Speaker 2: First of all, I was just excited just to meet them. 774 00:32:19,480 --> 00:32:19,720 Speaker 5: Yeah. 775 00:32:19,760 --> 00:32:22,840 Speaker 2: Like, so being in the room kind of made me, uh, 776 00:32:23,400 --> 00:32:26,920 Speaker 2: made me like shaky, So I probably was nervous and 777 00:32:27,040 --> 00:32:27,800 Speaker 2: singing crazy. 778 00:32:27,840 --> 00:32:28,800 Speaker 3: But at the same time, He's. 779 00:32:28,680 --> 00:32:31,000 Speaker 2: Like, ah, I'm gonna pass on that, right, So I 780 00:32:31,040 --> 00:32:33,400 Speaker 2: was kind of I was like, you know what, I'm 781 00:32:33,400 --> 00:32:35,880 Speaker 2: gonna show him like, so that was my that was 782 00:32:35,920 --> 00:32:39,240 Speaker 2: my motivation to keep going to It's. 783 00:32:39,160 --> 00:32:44,160 Speaker 1: So because knowing who Diddy was, for Dinny to say, nah, 784 00:32:44,200 --> 00:32:46,800 Speaker 1: you need to go on outside, it probably would be 785 00:32:46,840 --> 00:32:50,880 Speaker 1: like a basketball player said Phil Jackson said, nah, go away. 786 00:32:51,000 --> 00:32:53,400 Speaker 1: You know one of these prominent coach You said, nah, bro, 787 00:32:53,520 --> 00:32:55,960 Speaker 1: you not. I don't think you good enough, So you go. 788 00:32:56,080 --> 00:32:58,520 Speaker 1: So you're on the elevator, what are you thinking. 789 00:32:58,400 --> 00:32:59,560 Speaker 3: Like, am I not good enough? 790 00:32:59,600 --> 00:33:01,840 Speaker 5: Because he did he just told me like nah. 791 00:33:02,160 --> 00:33:05,280 Speaker 2: Of course, of course, of course, I'm definitely I was 792 00:33:05,320 --> 00:33:08,200 Speaker 2: in the elevator like a man, this might be it 793 00:33:08,240 --> 00:33:09,640 Speaker 2: for me, you know, because as a. 794 00:33:09,720 --> 00:33:11,920 Speaker 3: D when you're a kid, you think anything that's. 795 00:33:14,080 --> 00:33:15,720 Speaker 2: H But I think I think I just took I 796 00:33:15,800 --> 00:33:18,400 Speaker 2: took that motivation. Me and my me and my my homeboy. 797 00:33:18,720 --> 00:33:20,920 Speaker 2: We just was like, you know what, let's just keep 798 00:33:20,920 --> 00:33:23,080 Speaker 2: going back in the studio. Let's just let's just make 799 00:33:23,120 --> 00:33:25,360 Speaker 2: more songs. Let's get get better. We just started, so 800 00:33:26,080 --> 00:33:29,280 Speaker 2: I think, But I think I think puff for that man, 801 00:33:29,800 --> 00:33:31,680 Speaker 2: They didn't mean I appreciate it though, Like because that 802 00:33:31,760 --> 00:33:33,560 Speaker 2: made me, that made me get on my gun. 803 00:33:33,920 --> 00:33:36,240 Speaker 1: You say, you hire teena David, says your business manager. 804 00:33:36,680 --> 00:33:37,840 Speaker 1: What did you learn from her? 805 00:33:38,640 --> 00:33:43,720 Speaker 2: I learned everything from media training, to to how to 806 00:33:43,800 --> 00:33:45,840 Speaker 2: how to how to be presentable in the room, how 807 00:33:45,880 --> 00:33:48,080 Speaker 2: to how to speak to people, how to how to 808 00:33:48,440 --> 00:33:49,320 Speaker 2: listen to people. 809 00:33:49,400 --> 00:33:52,760 Speaker 3: You know. I was I was like so country and like, hey, 810 00:33:52,840 --> 00:33:54,440 Speaker 3: what's up, y'all? I'm just loud. 811 00:33:54,840 --> 00:33:57,440 Speaker 2: So I felt like I feel like she guided me 812 00:33:57,480 --> 00:34:00,360 Speaker 2: through a lot of the music industry, the business of 813 00:34:00,360 --> 00:34:05,640 Speaker 2: how it works, meeting pds program directors and going to 814 00:34:05,640 --> 00:34:07,600 Speaker 2: different radio stations, teaching. 815 00:34:07,280 --> 00:34:10,000 Speaker 3: Me how to have showmanship. Like she was, she would 816 00:34:10,000 --> 00:34:10,720 Speaker 3: be like nah. 817 00:34:10,800 --> 00:34:13,239 Speaker 2: She used to tell me because because Neo's a good 818 00:34:13,239 --> 00:34:15,560 Speaker 2: friend of mine as well, and she worked with Neil before, 819 00:34:15,600 --> 00:34:18,160 Speaker 2: so she was like, She's like, nah, huh, you don't 820 00:34:18,160 --> 00:34:19,279 Speaker 2: got showman ship like Neo. 821 00:34:20,040 --> 00:34:23,800 Speaker 3: And I was like, huh, what what am I not doing? 822 00:34:24,320 --> 00:34:25,680 Speaker 3: So I would have. 823 00:34:25,920 --> 00:34:29,480 Speaker 2: Just rehearsals, not even dance, just rehearsals of me just 824 00:34:29,960 --> 00:34:32,560 Speaker 2: figuring out how to be me on stage or what 825 00:34:32,560 --> 00:34:34,320 Speaker 2: what was me when I get on stage? 826 00:34:34,680 --> 00:34:34,880 Speaker 3: You know? 827 00:34:35,520 --> 00:34:38,359 Speaker 1: So when you hear that first song you hear come 828 00:34:38,400 --> 00:34:41,400 Speaker 1: on the radio, what's going through your mind? 829 00:34:42,360 --> 00:34:45,160 Speaker 2: Man, I'm cussing first, and I'm in the basement, so 830 00:34:45,200 --> 00:34:47,720 Speaker 2: my mama don't hear me, but I'm cussing. I remember 831 00:34:47,800 --> 00:34:50,759 Speaker 2: I had a spot in Jersey because right when I 832 00:34:50,800 --> 00:34:53,520 Speaker 2: signed my deal, I wasn't out of school yet, but 833 00:34:53,560 --> 00:34:55,440 Speaker 2: they had they had to push put me in a 834 00:34:55,480 --> 00:34:55,920 Speaker 2: place to. 835 00:34:55,840 --> 00:34:58,360 Speaker 3: Where I could be closer to the label to start working. 836 00:34:58,880 --> 00:35:01,160 Speaker 2: So I was still doing in school in Virginia and 837 00:35:01,239 --> 00:35:03,200 Speaker 2: I had just left them, and I was like, yeah, 838 00:35:03,200 --> 00:35:04,439 Speaker 2: I'm about to I'm about to be in the radio. 839 00:35:04,480 --> 00:35:07,000 Speaker 3: Everybody radio, what are you talking about? 840 00:35:07,200 --> 00:35:10,200 Speaker 2: So then when they say I remember the song came on. 841 00:35:10,640 --> 00:35:13,960 Speaker 2: My cousins was calling me, like, Bro, they playing you 842 00:35:14,000 --> 00:35:17,040 Speaker 2: on the radio, bro, And I'm like you lying, And 843 00:35:17,080 --> 00:35:19,439 Speaker 2: I remember I turned it on. I think I sat 844 00:35:19,600 --> 00:35:22,759 Speaker 2: in the corner. It was like and yaled for like 845 00:35:22,920 --> 00:35:24,479 Speaker 2: five minutes straight, like I. 846 00:35:24,360 --> 00:35:26,840 Speaker 3: Felt it was the best feeling. Like I still feel 847 00:35:26,880 --> 00:35:28,319 Speaker 3: like that when I when I hear my songs on 848 00:35:28,320 --> 00:35:28,719 Speaker 3: the radio. 849 00:35:28,760 --> 00:35:32,560 Speaker 2: Now it's not the same excitement, but it's still the same. 850 00:35:32,840 --> 00:35:34,919 Speaker 3: Yeah, yeah, yeah, it's definitely definitely run. 851 00:35:34,920 --> 00:35:37,200 Speaker 1: It made you the first artist is ninety five to 852 00:35:37,239 --> 00:35:41,160 Speaker 1: have a debut single to talk the charts man, did 853 00:35:41,200 --> 00:35:44,160 Speaker 1: you know that song? I mean, obviously it was the 854 00:35:44,160 --> 00:35:46,960 Speaker 1: first song that was released, but did you know that 855 00:35:47,040 --> 00:35:48,560 Speaker 1: song would forever change your life? 856 00:35:49,280 --> 00:35:51,319 Speaker 3: No? No, I'm gonna be real. 857 00:35:51,680 --> 00:35:54,799 Speaker 2: When I did that song, we were in Miami and 858 00:35:54,960 --> 00:35:59,680 Speaker 2: Hit Factory Scott Storch, Sean Garrett like, and I was 859 00:35:59,719 --> 00:36:01,880 Speaker 2: just and I was a student because this is my 860 00:36:01,960 --> 00:36:04,839 Speaker 2: first ever album, so any producer would me and I'm 861 00:36:04,880 --> 00:36:07,840 Speaker 2: just soaking it all in, you know. So I'm scared. 862 00:36:07,840 --> 00:36:10,360 Speaker 2: I'm thinking, like, I don't sound good. I don't know 863 00:36:10,360 --> 00:36:12,719 Speaker 2: if they do I sound good. I hate I don't 864 00:36:12,719 --> 00:36:15,359 Speaker 2: know if I like the song because I was too 865 00:36:15,360 --> 00:36:17,919 Speaker 2: nervous in my head. But then they was like, nah, 866 00:36:17,920 --> 00:36:19,680 Speaker 2: this is the one. But I knew I wanted to 867 00:36:19,760 --> 00:36:22,680 Speaker 2: dance in it. The music was bumping, so I was like, look, 868 00:36:23,000 --> 00:36:24,879 Speaker 2: I want to dance. I just want to showcase this. 869 00:36:25,360 --> 00:36:27,759 Speaker 2: But I didn't know. I think I never had an 870 00:36:27,840 --> 00:36:31,200 Speaker 2: expectation that it would have the success that it put 871 00:36:31,200 --> 00:36:31,480 Speaker 2: me at. 872 00:36:31,880 --> 00:36:35,879 Speaker 1: You know, So, what's your your favorite song of all 873 00:36:35,920 --> 00:36:37,960 Speaker 1: the songs you've done, what's your favorite song? 874 00:36:38,000 --> 00:36:38,919 Speaker 5: And give me your top three? 875 00:36:39,480 --> 00:36:40,319 Speaker 3: My top three. 876 00:36:41,719 --> 00:36:46,680 Speaker 2: Man, it's so hard with me because I have this, 877 00:36:46,920 --> 00:36:50,040 Speaker 2: just to be honest, I have about fifteen thousand unreleased songs, 878 00:36:50,120 --> 00:36:54,120 Speaker 2: right what, Yeah, I got like in my phone alone, 879 00:36:54,760 --> 00:36:57,719 Speaker 2: like my in certain apps I have I want to say, 880 00:36:57,840 --> 00:36:59,280 Speaker 2: maybe eighteen hundred. 881 00:37:00,000 --> 00:37:01,680 Speaker 3: It's eighteen hundred to like. Yeah. 882 00:37:01,719 --> 00:37:04,520 Speaker 1: So obviously we're in your studio, so you come down 883 00:37:04,520 --> 00:37:09,120 Speaker 1: here like you know, it's like and just crank out songs. 884 00:37:09,440 --> 00:37:11,680 Speaker 3: Yeah. Yeah, it was a point. 885 00:37:11,719 --> 00:37:13,319 Speaker 2: It was a point where I used to stay in 886 00:37:13,360 --> 00:37:15,759 Speaker 2: the studio, Like when I was doing a lot of 887 00:37:15,800 --> 00:37:17,280 Speaker 2: my earlier albums. 888 00:37:17,480 --> 00:37:18,160 Speaker 3: I had to learn. 889 00:37:18,600 --> 00:37:20,680 Speaker 2: But but around I want to say, around the Fame 890 00:37:20,719 --> 00:37:22,480 Speaker 2: album and certain stuff like that, I was kind of 891 00:37:22,520 --> 00:37:24,680 Speaker 2: like in my in my zone, I knew how, I 892 00:37:24,719 --> 00:37:28,160 Speaker 2: knew what I wanted. Yeah, So even for me now, 893 00:37:28,360 --> 00:37:31,600 Speaker 2: I put the studio in my house because like I 894 00:37:31,600 --> 00:37:33,960 Speaker 2: can draw inspiration faster, Like if I think of something, 895 00:37:34,000 --> 00:37:35,719 Speaker 2: if I think of an idea, like oh I got 896 00:37:35,719 --> 00:37:37,200 Speaker 2: an idea for this song, I don't have to like 897 00:37:37,280 --> 00:37:39,040 Speaker 2: wait or set up the studio and like, okay, I 898 00:37:39,080 --> 00:37:40,080 Speaker 2: gotta go to studio now. 899 00:37:40,320 --> 00:37:41,640 Speaker 5: So if you in your bed at night and you 900 00:37:41,680 --> 00:37:44,440 Speaker 5: think of something, you just come down here and just Yeah. 901 00:37:44,520 --> 00:37:47,839 Speaker 2: It depends because I'll make sure my engineers. Await, if 902 00:37:47,840 --> 00:37:49,440 Speaker 2: it's like five six in the morning, I'm like, man, 903 00:37:49,480 --> 00:37:51,160 Speaker 2: I'll just do it in the morning, right, But like 904 00:37:51,360 --> 00:37:53,000 Speaker 2: if it's maybe if it's me and that, I'm like, hey, 905 00:37:53,000 --> 00:37:54,640 Speaker 2: man up, let's let's let's do it. 906 00:37:54,840 --> 00:37:55,120 Speaker 3: Wow. 907 00:37:55,680 --> 00:38:03,600 Speaker 1: So eighteen thousand unreleased songs? What I mean, how do 908 00:38:03,680 --> 00:38:05,279 Speaker 1: you how do you get to eight? How do you 909 00:38:05,320 --> 00:38:07,560 Speaker 1: get to like a hundred? Okay, if somebody said, you know, 910 00:38:07,600 --> 00:38:10,120 Speaker 1: I got like twenty, I got fifty unreleased songs, but 911 00:38:10,200 --> 00:38:11,799 Speaker 1: you saying, like in some of your apps, you have 912 00:38:11,840 --> 00:38:15,880 Speaker 1: eighteen hundreds. So you just like like go days, months, years, 913 00:38:16,120 --> 00:38:17,240 Speaker 1: Well you just record? 914 00:38:17,480 --> 00:38:21,879 Speaker 2: Yeah, I literally recorded like four songs yesterday, but I did, 915 00:38:22,040 --> 00:38:24,799 Speaker 2: like I do it in spurts, So sometimes some days 916 00:38:24,800 --> 00:38:25,440 Speaker 2: I'll just relax. 917 00:38:25,480 --> 00:38:27,799 Speaker 3: I might do one song, but then some. 918 00:38:27,760 --> 00:38:29,640 Speaker 2: Days it's just like we just because I feel like 919 00:38:30,000 --> 00:38:33,440 Speaker 2: it's like sharpening your sword man, like being better at 920 00:38:33,480 --> 00:38:34,279 Speaker 2: your craft, like. 921 00:38:34,440 --> 00:38:35,799 Speaker 3: Shooting jump getting your jump shot. 922 00:38:35,840 --> 00:38:38,200 Speaker 2: So like, I feel like I don't want to be 923 00:38:38,239 --> 00:38:42,040 Speaker 2: complacent and thinking I'm I got it all figured out. 924 00:38:42,160 --> 00:38:44,200 Speaker 2: I never want to think that, Oh, I'm Chris Brown. 925 00:38:44,280 --> 00:38:46,200 Speaker 2: So whatever I'll put out it's gonna be great. I 926 00:38:46,200 --> 00:38:47,200 Speaker 2: want to make sure it is. 927 00:38:47,520 --> 00:38:49,719 Speaker 1: You know, are there any songs that you wrote for 928 00:38:49,760 --> 00:38:52,440 Speaker 1: an artist that if people actually knew you wrote it, 929 00:38:52,480 --> 00:38:53,440 Speaker 1: they would be surprised? 930 00:38:56,880 --> 00:38:58,800 Speaker 2: I think back in the day they did. I wrote 931 00:38:58,800 --> 00:39:01,680 Speaker 2: a I wrote a a couple of pop records. I 932 00:39:01,680 --> 00:39:03,720 Speaker 2: wrote a couple of Jonas Brothers songs. 933 00:39:04,320 --> 00:39:07,520 Speaker 3: I wrote a couple uh well, I wrote a couple 934 00:39:07,560 --> 00:39:12,319 Speaker 3: of Rihanna songs. Uh damn. I do a couple of 935 00:39:12,360 --> 00:39:13,640 Speaker 3: country country records. 936 00:39:14,640 --> 00:39:16,719 Speaker 2: I used to write a lot for for a lot 937 00:39:16,760 --> 00:39:18,759 Speaker 2: of different artists, but it was more it was more 938 00:39:18,840 --> 00:39:22,600 Speaker 2: so me experimenting with with what music was like. I 939 00:39:22,640 --> 00:39:24,800 Speaker 2: wasn't just doing R and b so I would just write. 940 00:39:24,880 --> 00:39:25,600 Speaker 3: But I but I've. 941 00:39:25,719 --> 00:39:28,840 Speaker 2: LaToya lucky I've written for. There's been it's been a 942 00:39:28,880 --> 00:39:32,279 Speaker 2: lot of people I've written for. But I feel like 943 00:39:33,040 --> 00:39:35,040 Speaker 2: a lot of people didn't know I really write because 944 00:39:35,040 --> 00:39:36,719 Speaker 2: as an artist, you know, you get a lot of 945 00:39:36,880 --> 00:39:39,000 Speaker 2: a lot of uh you know, a lot of artists 946 00:39:39,000 --> 00:39:41,440 Speaker 2: that music artists that don't do them. 947 00:39:41,840 --> 00:39:44,319 Speaker 3: Yeah, but and I I can't. 948 00:39:44,360 --> 00:39:46,239 Speaker 2: I can't shun them because I work with a lot 949 00:39:46,280 --> 00:39:48,640 Speaker 2: of producers, a lot of writers, and we do different things. 950 00:39:48,640 --> 00:39:51,319 Speaker 2: But I've also had time to sit down and just 951 00:39:51,360 --> 00:39:53,680 Speaker 2: really have my own songs that people are love and I'm. 952 00:39:53,600 --> 00:39:55,439 Speaker 3: Like, I'm glad they love that I wrote that song. 953 00:39:55,840 --> 00:39:56,040 Speaker 3: You know. 954 00:39:56,400 --> 00:39:59,840 Speaker 5: So yeah, what what's your favorite music genre? 955 00:40:00,120 --> 00:40:00,600 Speaker 3: Is the pop? 956 00:40:00,760 --> 00:40:03,680 Speaker 5: Is R and b uh dance, euro rap? 957 00:40:03,840 --> 00:40:04,560 Speaker 3: I'm eclectic. 958 00:40:04,800 --> 00:40:08,360 Speaker 2: I'm eclectic, So I like I like certain songs, Like 959 00:40:08,440 --> 00:40:10,480 Speaker 2: I think, when the song comes out and it just 960 00:40:10,600 --> 00:40:12,840 Speaker 2: m it moves me, I I just like it. It 961 00:40:12,840 --> 00:40:14,560 Speaker 2: cul It could be a country song, it could be 962 00:40:15,040 --> 00:40:18,520 Speaker 2: our piano song, it could be uh a heavy metal song, 963 00:40:18,640 --> 00:40:20,960 Speaker 2: Like you know, I think, I just think whatever whatever 964 00:40:21,000 --> 00:40:23,960 Speaker 2: frequency that that tunes me to it is is is 965 00:40:23,960 --> 00:40:25,680 Speaker 2: what I what I kind of gravitate to. In my 966 00:40:25,760 --> 00:40:28,319 Speaker 2: lane of my music, I love doing. I just love 967 00:40:28,400 --> 00:40:30,080 Speaker 2: doing feel good music, fun music. 968 00:40:30,600 --> 00:40:30,880 Speaker 3: Music. 969 00:40:30,880 --> 00:40:33,280 Speaker 2: People can dance too, But at the same time, give 'em, 970 00:40:33,320 --> 00:40:36,000 Speaker 2: give them certain s s things that get them through 971 00:40:36,000 --> 00:40:36,439 Speaker 2: their life. 972 00:40:36,480 --> 00:40:37,959 Speaker 3: Cause I cause I'll see a lot of my fans 973 00:40:38,040 --> 00:40:38,560 Speaker 3: or I talk to. 974 00:40:38,600 --> 00:40:41,239 Speaker 2: 'em, whether it's meet and grease, whether it's discord or 975 00:40:41,239 --> 00:40:43,759 Speaker 2: whatever it is, and we talking and it's like they 976 00:40:43,840 --> 00:40:46,040 Speaker 2: they explain to me how certain songs got them through 977 00:40:46,080 --> 00:40:48,680 Speaker 2: life situations, and and I'm like, wow, that really it 978 00:40:48,760 --> 00:40:50,879 Speaker 2: kind of sinks in with me. It makes me makes 979 00:40:50,920 --> 00:40:52,959 Speaker 2: me kind of like dang, I I'm I'm really doing 980 00:40:52,960 --> 00:40:53,680 Speaker 2: the music. 981 00:40:53,440 --> 00:40:54,520 Speaker 3: For it actual purpose. 982 00:40:54,560 --> 00:40:57,719 Speaker 2: So when I do certain songs speak from my experience, 983 00:40:57,800 --> 00:41:00,600 Speaker 2: but also try to speak to uplift somebody, make them 984 00:41:00,640 --> 00:41:02,839 Speaker 2: have fun or make them be like, man, this makes 985 00:41:02,880 --> 00:41:04,320 Speaker 2: you makes me feel good inside. 986 00:41:04,440 --> 00:41:07,440 Speaker 1: Are there any features that you turned down? You was like, damn, 987 00:41:07,640 --> 00:41:08,960 Speaker 1: I should have hopped on that one. 988 00:41:11,320 --> 00:41:15,880 Speaker 3: Any features that I turned down? A lot? No, I 989 00:41:15,880 --> 00:41:17,520 Speaker 3: ain't gonna lie. I'm on a lot of features. 990 00:41:18,640 --> 00:41:20,640 Speaker 2: I feel like, I feel like it's certain songs that 991 00:41:20,680 --> 00:41:22,799 Speaker 2: I wish that I was on. 992 00:41:23,320 --> 00:41:24,680 Speaker 3: When I would hear certain songs. 993 00:41:24,719 --> 00:41:26,759 Speaker 2: But then I would be like, that's just that's just 994 00:41:26,840 --> 00:41:29,839 Speaker 2: my artist ego wanted to be a part of it. Yeah, 995 00:41:29,880 --> 00:41:33,359 Speaker 2: but but I feel like I feel like evens there's 996 00:41:33,360 --> 00:41:34,760 Speaker 2: certain records out now that I'll. 997 00:41:34,640 --> 00:41:37,160 Speaker 3: Hear and I'm like, man, that's amazing. 998 00:41:37,960 --> 00:41:40,120 Speaker 2: But but I think that's that's good for me because 999 00:41:40,120 --> 00:41:43,560 Speaker 2: I'm not I don't think I get convoluted in what 1000 00:41:43,680 --> 00:41:46,879 Speaker 2: I sound like. I'm able to appreciate other people music, 1001 00:41:46,920 --> 00:41:48,520 Speaker 2: and I'd be like, oh, it's just only about me. 1002 00:41:48,920 --> 00:41:50,680 Speaker 5: Have you ever been removed from a song after it's 1003 00:41:50,680 --> 00:41:51,280 Speaker 5: been recorded? 1004 00:41:52,160 --> 00:41:52,840 Speaker 3: I don't think so. 1005 00:41:55,920 --> 00:41:58,440 Speaker 5: Have you removed somebody from a song after it's been recorded? 1006 00:41:58,920 --> 00:41:59,120 Speaker 3: Yes? 1007 00:42:02,480 --> 00:42:04,600 Speaker 5: So, so how do you how do you go about? 1008 00:42:04,840 --> 00:42:08,040 Speaker 1: How do you go about telling them or telling him 1009 00:42:08,160 --> 00:42:12,279 Speaker 1: or her that their verse is gonna make it? 1010 00:42:13,960 --> 00:42:15,000 Speaker 3: Man? Uh? 1011 00:42:15,160 --> 00:42:16,759 Speaker 1: Do you tell them? When you have somebody else call 1012 00:42:16,840 --> 00:42:18,879 Speaker 1: and tell him. I think it'd be better coming from you. 1013 00:42:18,840 --> 00:42:20,960 Speaker 2: Though, Yeah, I would tell him. I would tell him 1014 00:42:21,239 --> 00:42:22,960 Speaker 2: I've done I've done songs. 1015 00:42:23,760 --> 00:42:27,040 Speaker 3: Uh, Like, even even with my I ain't gonna say 1016 00:42:27,080 --> 00:42:27,520 Speaker 3: their names. 1017 00:42:27,719 --> 00:42:29,799 Speaker 2: Certain artists that that that are that are like real 1018 00:42:29,880 --> 00:42:32,799 Speaker 2: friends with me, and we've done songs. But I may 1019 00:42:32,920 --> 00:42:35,680 Speaker 2: have I may have had like two songs already with them. 1020 00:42:35,760 --> 00:42:37,600 Speaker 2: I'm like, look, I ain't you I ain't gonna'm gonna 1021 00:42:37,600 --> 00:42:39,200 Speaker 2: take you off this one because we already got this 1022 00:42:39,239 --> 00:42:41,000 Speaker 2: other song, you know, So I've done that. 1023 00:42:41,000 --> 00:42:42,560 Speaker 5: But then that's the way, that's what you tell them. 1024 00:42:42,719 --> 00:42:46,040 Speaker 2: No, No, that's been the reason. But the other ones 1025 00:42:46,040 --> 00:42:47,799 Speaker 2: that got taken off just to get taken off. 1026 00:42:47,880 --> 00:42:48,719 Speaker 3: It just didn't fit. 1027 00:42:48,960 --> 00:42:51,279 Speaker 2: It didn't fit the record, and I felt like the 1028 00:42:51,360 --> 00:42:53,799 Speaker 2: time in with it, and we just I'll explain it 1029 00:42:53,800 --> 00:42:55,640 Speaker 2: to him and I'll be like, look, it just doesn't 1030 00:42:55,640 --> 00:42:57,279 Speaker 2: fit the time in for for what we're doing and 1031 00:42:57,320 --> 00:42:59,520 Speaker 2: how we want to shoot the record. But I haven't 1032 00:42:59,600 --> 00:43:02,800 Speaker 2: let down too many people. That down too many people. 1033 00:43:04,040 --> 00:43:06,440 Speaker 3: You're a fit guy. You in the train, you like 1034 00:43:06,480 --> 00:43:06,920 Speaker 3: to work out. 1035 00:43:06,960 --> 00:43:08,200 Speaker 1: So what do you do? So, so what do you 1036 00:43:08,200 --> 00:43:11,000 Speaker 1: do you on tour? How does Chris Brown manage to 1037 00:43:11,040 --> 00:43:14,000 Speaker 1: stay in shape? Because you gotta get you you're a performer. 1038 00:43:14,239 --> 00:43:17,160 Speaker 1: You're not just a singer. You're a performer. You're an entertainer. 1039 00:43:17,200 --> 00:43:20,040 Speaker 1: Let me take that back. You're an entertainer. So singing 1040 00:43:20,000 --> 00:43:22,759 Speaker 1: and dancing, that's a part of the act. Yeah, So 1041 00:43:22,800 --> 00:43:27,800 Speaker 1: how do you maintain that level night after night after night, 1042 00:43:28,080 --> 00:43:30,600 Speaker 1: week after week after month after month. 1043 00:43:31,120 --> 00:43:35,280 Speaker 3: Man, I just think I got more, uh more. 1044 00:43:37,160 --> 00:43:39,759 Speaker 2: But at the same time, my team, man, I think 1045 00:43:39,800 --> 00:43:43,239 Speaker 2: everybody keeps a tight schedule when it comes to what 1046 00:43:43,280 --> 00:43:44,080 Speaker 2: we're doing on the road. 1047 00:43:44,160 --> 00:43:46,640 Speaker 3: Right, our chef make sure we eat the right stuff. 1048 00:43:46,680 --> 00:43:46,960 Speaker 3: I don't. 1049 00:43:47,160 --> 00:43:49,120 Speaker 2: I don't try to eat stuff that's gonna see heavy. 1050 00:43:49,160 --> 00:43:52,000 Speaker 2: I want to see anything that builds my protein up, 1051 00:43:52,000 --> 00:43:55,359 Speaker 2: just builds my addurance. That's what I'm on you. I'm 1052 00:43:55,400 --> 00:43:58,840 Speaker 2: really and I'm really uh, I'm finicky about it, like 1053 00:43:59,120 --> 00:44:01,840 Speaker 2: because we also have after parties after shows on tourists. 1054 00:44:02,000 --> 00:44:02,759 Speaker 3: It's a long road. 1055 00:44:02,800 --> 00:44:04,319 Speaker 2: But at the same time, I make sure I at 1056 00:44:04,400 --> 00:44:06,719 Speaker 2: least get my eight hours of sleep, right, So the 1057 00:44:06,800 --> 00:44:10,000 Speaker 2: rest is that me and my dancers that workout is 1058 00:44:10,239 --> 00:44:11,520 Speaker 2: like no, man, So. 1059 00:44:11,600 --> 00:44:13,360 Speaker 3: You know we got our workout regimen. 1060 00:44:13,400 --> 00:44:16,840 Speaker 2: We do our like fifteen to thirty minute a flash 1061 00:44:16,880 --> 00:44:19,239 Speaker 2: set before we go, before we get on stage, and 1062 00:44:19,280 --> 00:44:22,040 Speaker 2: then and then repeat it over and over, right, So 1063 00:44:22,640 --> 00:44:25,480 Speaker 2: I've been able to have this fast metabolism. 1064 00:44:25,560 --> 00:44:26,960 Speaker 3: Hopefully it never slows up. 1065 00:44:29,440 --> 00:44:31,080 Speaker 5: I'm just trying to figure out, how do you protect 1066 00:44:31,080 --> 00:44:32,600 Speaker 5: your voice with me? 1067 00:44:32,840 --> 00:44:35,600 Speaker 3: Well, I wouldn't I wouldn't advise this to everybody else 1068 00:44:35,600 --> 00:44:36,120 Speaker 3: because I do. 1069 00:44:36,239 --> 00:44:40,759 Speaker 2: I do smoke every now and then a lot. But 1070 00:44:41,560 --> 00:44:44,840 Speaker 2: for me, I have that I use these there's there's 1071 00:44:44,920 --> 00:44:47,319 Speaker 2: these pills the call mullet Mulon pills. 1072 00:44:47,360 --> 00:44:48,640 Speaker 3: They're good for your for your lungs. 1073 00:44:48,719 --> 00:44:51,920 Speaker 2: So and I make sure that I'm not just smoking 1074 00:44:51,960 --> 00:44:54,439 Speaker 2: smoking smoking before I go on stage. So a lot 1075 00:44:54,440 --> 00:44:58,000 Speaker 2: of the times i'm whenever I am smoking, I'm doing 1076 00:44:58,000 --> 00:45:01,840 Speaker 2: something that counteracted. I'm making sure i'm t and vocal 1077 00:45:01,920 --> 00:45:05,000 Speaker 2: rest is the best. Like like I'm yelling on stage 1078 00:45:05,000 --> 00:45:07,000 Speaker 2: two and a half hours, right. 1079 00:45:06,880 --> 00:45:10,120 Speaker 3: You know, so after that, chill out, after that, right, 1080 00:45:10,160 --> 00:45:11,880 Speaker 3: say what's up? Bro? Cool? 1081 00:45:12,200 --> 00:45:12,400 Speaker 1: You know? 1082 00:45:12,680 --> 00:45:15,840 Speaker 2: I try to I try to refrain from doing anything 1083 00:45:15,880 --> 00:45:17,560 Speaker 2: that's gonna put too much of a strain on my book. 1084 00:45:18,360 --> 00:45:20,400 Speaker 5: What I have to applaud, bro, I don't know. 1085 00:45:20,480 --> 00:45:22,480 Speaker 1: I mean I have to go back to like James Brown, 1086 00:45:22,800 --> 00:45:25,840 Speaker 1: to see somebody to sing. 1087 00:45:25,680 --> 00:45:30,239 Speaker 5: And perform like you think. I mean, it's continuous, it's NonStop. 1088 00:45:30,520 --> 00:45:32,680 Speaker 1: I mean I first, when the first time I ever 1089 00:45:32,719 --> 00:45:34,839 Speaker 1: heard of Chris Brown, I heard you say something like, 1090 00:45:34,960 --> 00:45:35,799 Speaker 1: oh I can I dance? 1091 00:45:35,920 --> 00:45:36,080 Speaker 5: USh? 1092 00:45:36,320 --> 00:45:39,600 Speaker 1: I said, man, this man, this damn About thirteen he 1093 00:45:39,680 --> 00:45:41,920 Speaker 1: already liked who talked this man a lot like this 1094 00:45:42,040 --> 00:45:42,640 Speaker 1: at thirteen? 1095 00:45:43,360 --> 00:45:47,200 Speaker 5: And then I watched it. I like, and then you like, 1096 00:45:47,400 --> 00:45:49,719 Speaker 5: I might get my Michael. I was like, I don't know, 1097 00:45:49,840 --> 00:45:50,359 Speaker 5: he might. 1098 00:45:50,920 --> 00:45:52,840 Speaker 1: I mean to see the way he moved, man, and 1099 00:45:52,880 --> 00:45:54,320 Speaker 1: the way he can adore his body. 1100 00:45:54,760 --> 00:45:58,960 Speaker 5: I don't know, he might be on the something. How 1101 00:46:00,000 --> 00:46:01,480 Speaker 5: when did you learn to do that? 1102 00:46:02,320 --> 00:46:05,480 Speaker 3: I watched that. That's being a kid at the cookout. Man. 1103 00:46:06,880 --> 00:46:08,880 Speaker 3: Your uncle's like, come man, come out here, man, do that? 1104 00:46:08,960 --> 00:46:09,879 Speaker 3: Do that dance you'd be doing. 1105 00:46:10,280 --> 00:46:14,279 Speaker 2: So I feel like, uh, my childhood gave me that 1106 00:46:14,360 --> 00:46:18,439 Speaker 2: freedom to really, like you know, be from mc Hammer. 1107 00:46:18,120 --> 00:46:20,760 Speaker 3: Watching mc ham Michael Jackson. 1108 00:46:21,040 --> 00:46:23,759 Speaker 2: I always was moving and I had a fascination in 1109 00:46:23,800 --> 00:46:26,560 Speaker 2: love with with rhythms. So I feel like, you know, 1110 00:46:26,640 --> 00:46:29,160 Speaker 2: even even in sports, you gotta have the rhythm, right, 1111 00:46:29,239 --> 00:46:31,759 Speaker 2: So so that just was like natural to me. It 1112 00:46:31,800 --> 00:46:33,399 Speaker 2: came natural. I feel like it's from the soul. 1113 00:46:33,560 --> 00:46:33,880 Speaker 5: Yeah. 1114 00:46:33,920 --> 00:46:34,839 Speaker 3: So I feel like. 1115 00:46:35,120 --> 00:46:38,200 Speaker 2: Even even dancing now, like I can learn technical stuff. 1116 00:46:38,200 --> 00:46:40,480 Speaker 2: I can learn stuff, but I like to just I 1117 00:46:40,560 --> 00:46:42,840 Speaker 2: like when people to see it to be like that 1118 00:46:42,920 --> 00:46:44,840 Speaker 2: feel good he having fun doing it. 1119 00:46:44,920 --> 00:46:46,480 Speaker 1: Yeah, but you do realize that a lot of the 1120 00:46:46,520 --> 00:46:48,239 Speaker 1: stuff you do they can't do right, Like you know 1121 00:46:48,239 --> 00:46:49,520 Speaker 1: what I mean, you like the only one that can 1122 00:46:49,600 --> 00:46:53,200 Speaker 1: do that do it? Yeah, I mean I like to 1123 00:46:53,200 --> 00:46:55,720 Speaker 1: see a dance like you. Okay, you move, walk, okay, breakdown. 1124 00:46:55,760 --> 00:46:57,839 Speaker 1: I mean you do a little breakdancing, but a lot 1125 00:46:57,880 --> 00:47:00,319 Speaker 1: of the stuff that you be doing rib like, man, 1126 00:47:00,320 --> 00:47:01,520 Speaker 1: people gonna break their neck. 1127 00:47:01,719 --> 00:47:01,919 Speaker 3: Yeah. 1128 00:47:01,960 --> 00:47:04,000 Speaker 2: Yeah, I wouldn't invite people to try some of the 1129 00:47:04,040 --> 00:47:05,719 Speaker 2: stuff I do. That's why it's good to just see 1130 00:47:05,719 --> 00:47:08,040 Speaker 2: it at the show. Kids, y'all can have fun. Y'all 1131 00:47:08,040 --> 00:47:10,319 Speaker 2: a little bit more flexible. But at the same time, 1132 00:47:10,400 --> 00:47:12,799 Speaker 2: like I just I'm thankful to be able to still 1133 00:47:12,840 --> 00:47:16,520 Speaker 2: have these needs to be Yeah, and I don't get. 1134 00:47:16,400 --> 00:47:18,759 Speaker 3: Up like, oh man, I'm tired. I gotta go dance. 1135 00:47:19,120 --> 00:47:21,440 Speaker 2: I love it right, So, so as long as I'm 1136 00:47:21,480 --> 00:47:23,640 Speaker 2: able and God blesses me to be able to dance 1137 00:47:23,800 --> 00:47:27,120 Speaker 2: and showcase this talent and hopefully inspired the world, I'm 1138 00:47:27,120 --> 00:47:27,880 Speaker 2: gonna keep doing it. 1139 00:47:28,040 --> 00:47:32,080 Speaker 1: Why don't you think other artists have adopted your approach 1140 00:47:32,239 --> 00:47:35,719 Speaker 1: to become performance? I mean, sometimes you see performers or 1141 00:47:35,760 --> 00:47:38,560 Speaker 1: you see like singers. I mean, there's nothing wrong. I mean, 1142 00:47:38,880 --> 00:47:41,560 Speaker 1: but I look at you as an entertainer. I look 1143 00:47:41,600 --> 00:47:46,239 Speaker 1: at Beyonces, but their singers. Dan was a singer. Yeah, 1144 00:47:47,960 --> 00:47:51,080 Speaker 1: you got a mermaid dress on. She on that Mic 1145 00:47:51,120 --> 00:47:54,640 Speaker 1: I saw. I saw the observatory unbelievable. But I saw 1146 00:47:54,719 --> 00:47:57,960 Speaker 1: Beyonce and I'm like, how should you do that? For 1147 00:47:58,000 --> 00:47:58,520 Speaker 1: two hours? 1148 00:47:58,760 --> 00:48:01,360 Speaker 5: I watch you? I'm like, he do that for two hours? 1149 00:48:01,760 --> 00:48:03,960 Speaker 2: I think, I think because you know, different, I think 1150 00:48:03,960 --> 00:48:06,279 Speaker 2: it's different stars. Man, it's different stars in the sky. 1151 00:48:06,400 --> 00:48:08,120 Speaker 2: So I kind of I kind of my take on 1152 00:48:08,200 --> 00:48:11,600 Speaker 2: it is everybody has their thing, right, you know. 1153 00:48:11,920 --> 00:48:16,239 Speaker 3: I feel like in our in our genre, it's it's 1154 00:48:16,280 --> 00:48:18,160 Speaker 3: a it's like an old art. 1155 00:48:18,360 --> 00:48:21,920 Speaker 2: But you know, because you got to really do your researcher, 1156 00:48:21,960 --> 00:48:23,239 Speaker 2: you got to really, you know, want it. 1157 00:48:23,280 --> 00:48:25,640 Speaker 3: And I think Beyonce, I gott always give her a credit. 1158 00:48:26,239 --> 00:48:28,360 Speaker 3: She wants it. She has always wanted it, you know 1159 00:48:28,400 --> 00:48:30,799 Speaker 3: what I'm saying. So and she is it. You know. 1160 00:48:31,120 --> 00:48:34,200 Speaker 3: I feel like with me, I've always I've always wanted it. 1161 00:48:34,239 --> 00:48:37,920 Speaker 2: I always wanted to leave a legacy of of of being. 1162 00:48:37,760 --> 00:48:39,840 Speaker 3: One of the baddest. You know, I don't got to 1163 00:48:39,840 --> 00:48:41,440 Speaker 3: be the baddest, but I'm gonna be one of them. 1164 00:48:41,920 --> 00:48:44,839 Speaker 1: You know, what does it make you feel like when 1165 00:48:44,920 --> 00:48:47,520 Speaker 1: other artists come up to you and say, Braud, that 1166 00:48:47,600 --> 00:48:48,919 Speaker 1: was unbelievable. 1167 00:48:48,320 --> 00:48:52,840 Speaker 2: Form, I'm still in shot, like I have an imposter syndrome. 1168 00:48:53,600 --> 00:48:56,759 Speaker 3: I wake up to this day and be like, am 1169 00:48:56,760 --> 00:48:57,719 Speaker 3: I how did I get here? 1170 00:48:58,239 --> 00:49:03,279 Speaker 2: Like so when people even ignore, I'm more receptive and appreciative. 1171 00:49:03,520 --> 00:49:05,759 Speaker 2: I'm kind of like, for real, Okay, cool, they like 1172 00:49:05,800 --> 00:49:08,520 Speaker 2: my stuff. I'm still fans of other artists. It's like, 1173 00:49:08,840 --> 00:49:11,759 Speaker 2: so it's still me being like, Okay, they really love 1174 00:49:11,800 --> 00:49:14,440 Speaker 2: what I'm doing, right, I'm gonna keep doing it right 1175 00:49:14,480 --> 00:49:14,879 Speaker 2: all right. 1176 00:49:16,080 --> 00:49:18,520 Speaker 5: When you first started out, you used to open up 1177 00:49:18,520 --> 00:49:19,080 Speaker 5: for Beyonce. 1178 00:49:19,360 --> 00:49:22,920 Speaker 1: Yeah, you like you know that. I would try to 1179 00:49:22,920 --> 00:49:25,439 Speaker 1: swipe some of her fan. I walks over her fan 1180 00:49:25,480 --> 00:49:27,680 Speaker 1: because I know what she's gonna do after me. Man, 1181 00:49:27,920 --> 00:49:29,960 Speaker 1: I need to make sure I do something before so 1182 00:49:30,000 --> 00:49:31,160 Speaker 1: them people talk about. 1183 00:49:30,960 --> 00:49:32,759 Speaker 5: Yeah Beyonce, it was great, but you should have saw 1184 00:49:32,840 --> 00:49:34,839 Speaker 5: Chris Brown. Chris Brown was unbelievable. 1185 00:49:34,960 --> 00:49:39,000 Speaker 3: Yeah. Yeah, I was a student being on there. I 1186 00:49:39,080 --> 00:49:41,160 Speaker 3: was with Destiny Shot. I think I was like sixteen 1187 00:49:41,200 --> 00:49:42,600 Speaker 3: or seventeen. I opened up for. 1188 00:49:42,560 --> 00:49:45,880 Speaker 2: Them in Australia and for that that was just a 1189 00:49:46,360 --> 00:49:49,279 Speaker 2: blessing because to be able to go from me having 1190 00:49:49,320 --> 00:49:52,000 Speaker 2: a little TV and me watching these people performing and 1191 00:49:52,120 --> 00:49:54,120 Speaker 2: being able to see them and they're like, hi. 1192 00:49:54,080 --> 00:49:54,759 Speaker 3: They know my name. 1193 00:49:54,800 --> 00:49:56,920 Speaker 2: I'm like, oh my god, they said hi to me 1194 00:49:57,560 --> 00:50:01,160 Speaker 2: watching them perform from stage, presence, lighting. 1195 00:50:00,960 --> 00:50:03,320 Speaker 3: Production, dancers, timing. 1196 00:50:03,840 --> 00:50:06,040 Speaker 2: I learned so much from all of those experiences, and 1197 00:50:06,120 --> 00:50:08,319 Speaker 2: I soaked it up and I said, well, I don't 1198 00:50:08,320 --> 00:50:11,480 Speaker 2: want to copy anybody, but okay, well if I could 1199 00:50:11,520 --> 00:50:13,640 Speaker 2: do that, I'll do it like this. So I was 1200 00:50:13,680 --> 00:50:16,279 Speaker 2: able to digest and and and and learn from from 1201 00:50:16,360 --> 00:50:21,040 Speaker 2: all those experiences. So it was it was actually a blessing. 1202 00:50:21,120 --> 00:50:21,840 Speaker 2: It was a blessing. 1203 00:50:22,719 --> 00:50:24,600 Speaker 1: I had Drew Skale on my show and he said 1204 00:50:24,600 --> 00:50:29,560 Speaker 1: he would on tour with you. He said, it's unbelievable 1205 00:50:29,800 --> 00:50:32,600 Speaker 1: the amount of distractions that's going on, like girls just 1206 00:50:32,680 --> 00:50:33,960 Speaker 1: running everywhere. 1207 00:50:33,920 --> 00:50:36,200 Speaker 5: With your laser focus on what you need to do. 1208 00:50:36,480 --> 00:50:39,759 Speaker 2: Yeah, because because because I look at it, like these 1209 00:50:39,800 --> 00:50:42,319 Speaker 2: people spending money to come see me, like even to 1210 00:50:42,320 --> 00:50:45,560 Speaker 2: this day, like you spend a ticket or whatever for 1211 00:50:45,600 --> 00:50:48,160 Speaker 2: your family coming through with your it's kids, there's grown 1212 00:50:48,200 --> 00:50:49,520 Speaker 2: people there, it's all ages. 1213 00:50:49,800 --> 00:50:50,720 Speaker 3: But the one thing. 1214 00:50:50,600 --> 00:50:53,000 Speaker 2: I need them to do is leave happy. I need 1215 00:50:53,040 --> 00:50:55,480 Speaker 2: them to leave, not not for my pockets. You know, 1216 00:50:55,920 --> 00:50:58,800 Speaker 2: they need to leave happy for my soul. Like this 1217 00:50:58,800 --> 00:51:01,239 Speaker 2: this ability that I'm made able to have, or this 1218 00:51:01,239 --> 00:51:04,240 Speaker 2: this talent that I'm going with, I want to express 1219 00:51:04,280 --> 00:51:06,160 Speaker 2: it with love the frequency I want to give out 1220 00:51:06,160 --> 00:51:08,480 Speaker 2: his love. So like that's what gets me going. And 1221 00:51:08,520 --> 00:51:10,520 Speaker 2: when they when they get coming here, I'm excited. 1222 00:51:10,560 --> 00:51:12,360 Speaker 3: I'm more nervous than they is. 1223 00:51:12,719 --> 00:51:14,759 Speaker 2: So but but I'm gonna make sure that they gonna 1224 00:51:15,080 --> 00:51:16,400 Speaker 2: leave and be like, you know what I got my 1225 00:51:16,440 --> 00:51:16,960 Speaker 2: money's worth? 1226 00:51:17,239 --> 00:51:17,399 Speaker 3: Man. 1227 00:51:17,440 --> 00:51:20,040 Speaker 1: I read that you this guy broke up with his girl. 1228 00:51:20,280 --> 00:51:23,239 Speaker 1: You call this girl up on stage and gave the lady, 1229 00:51:23,880 --> 00:51:26,520 Speaker 1: gave the young lady a lap bad and he broke 1230 00:51:26,600 --> 00:51:27,240 Speaker 1: up with a prie. 1231 00:51:27,239 --> 00:51:32,160 Speaker 3: You do that man. See it wasn't intentional, but happen. 1232 00:51:32,360 --> 00:51:34,120 Speaker 3: See I didn't know she had a had a had 1233 00:51:34,120 --> 00:51:35,200 Speaker 3: a guy. 1234 00:51:35,560 --> 00:51:37,319 Speaker 5: That's her fault. Because she knows she had a guy. 1235 00:51:37,360 --> 00:51:38,120 Speaker 3: She should have said it. 1236 00:51:39,120 --> 00:51:42,560 Speaker 2: She definitely should have said my My dancers pull up 1237 00:51:42,560 --> 00:51:45,080 Speaker 2: a girl on stage during our set, and we usually 1238 00:51:45,080 --> 00:51:47,560 Speaker 2: we just we usually like to give the fans an opportunity. 1239 00:51:47,680 --> 00:51:50,520 Speaker 3: But sometimes it's very very very. 1240 00:51:50,280 --> 00:51:54,440 Speaker 2: Attractive women come and say so I'm like, okay, cool. 1241 00:51:54,520 --> 00:51:56,799 Speaker 2: So me grinding on him. They don't really have a 1242 00:51:56,840 --> 00:52:00,560 Speaker 2: problem with it. It's just I guess she had a 1243 00:52:00,600 --> 00:52:02,879 Speaker 2: man there, right, So but I didn't know. I didn't 1244 00:52:02,880 --> 00:52:05,120 Speaker 2: find out that. Afterwards. I was like, man, we should 1245 00:52:05,160 --> 00:52:08,480 Speaker 2: have just do we send him flowers or sending her flowers? 1246 00:52:08,880 --> 00:52:14,360 Speaker 1: Should said no, see, I mean not that, no, no, no, no, 1247 00:52:15,040 --> 00:52:17,800 Speaker 1: the lady. See, if I'm out with a young lady, 1248 00:52:17,880 --> 00:52:19,600 Speaker 1: it's not my job to check the guy. 1249 00:52:19,719 --> 00:52:20,359 Speaker 5: It's her job. 1250 00:52:20,480 --> 00:52:21,920 Speaker 3: She should have been like, no, you know, there you go, 1251 00:52:22,200 --> 00:52:23,000 Speaker 3: and I can't come up. 1252 00:52:23,000 --> 00:52:25,360 Speaker 5: I'm with someone, right, And if a lady check on me, 1253 00:52:25,480 --> 00:52:27,640 Speaker 5: if you're not gonna be forget it there you be 1254 00:52:27,760 --> 00:52:30,279 Speaker 5: like okay, great, right, and you'd have been okay, but. 1255 00:52:31,840 --> 00:52:34,799 Speaker 1: He gonna he the one man. But I'm surprised. First 1256 00:52:34,840 --> 00:52:36,520 Speaker 1: of all, I commend him for going. 1257 00:52:36,719 --> 00:52:39,000 Speaker 5: Yeah, I mean not a whole lot of guys are 1258 00:52:39,000 --> 00:52:41,280 Speaker 5: going with the girls that they might. 1259 00:52:41,200 --> 00:52:41,719 Speaker 3: Go, but. 1260 00:52:44,360 --> 00:52:45,960 Speaker 2: They might be a little bit further back, like, nah, 1261 00:52:46,000 --> 00:52:48,680 Speaker 2: you ain't getting from right, he's not finna look at. 1262 00:52:48,560 --> 00:52:52,520 Speaker 1: You at let's talk about I'm looking at the Grammys. Yeah, 1263 00:52:52,800 --> 00:52:58,480 Speaker 1: and you have one. But reading you and researching this, 1264 00:52:58,880 --> 00:52:59,839 Speaker 1: you feel you should have. 1265 00:53:01,239 --> 00:53:02,880 Speaker 3: Yes, I feel like a lot of artists feel like 1266 00:53:02,880 --> 00:53:03,480 Speaker 3: they should have one. 1267 00:53:04,000 --> 00:53:06,200 Speaker 2: Uh, But you know, I feel like I don't want 1268 00:53:06,200 --> 00:53:09,400 Speaker 2: to discredited Grammys or discimins or feel like the angry 1269 00:53:09,640 --> 00:53:10,560 Speaker 2: artist when it comes to that. 1270 00:53:10,600 --> 00:53:12,080 Speaker 5: I feel like he will be the first, he will 1271 00:53:12,080 --> 00:53:12,560 Speaker 5: be the last. 1272 00:53:12,600 --> 00:53:15,520 Speaker 2: Yeah, I feel like it's just I feel like music 1273 00:53:15,560 --> 00:53:18,920 Speaker 2: out of state right now is it's not based on 1274 00:53:19,000 --> 00:53:22,120 Speaker 2: what people love. I feel like I feel like, well 1275 00:53:22,160 --> 00:53:24,880 Speaker 2: with the Grammys, no disrespect to y'all, but I just 1276 00:53:24,880 --> 00:53:27,000 Speaker 2: feel like it's a lot of old ears over there, 1277 00:53:27,440 --> 00:53:29,040 Speaker 2: a lot of old ears. There's a lot of people 1278 00:53:29,040 --> 00:53:31,359 Speaker 2: that's that's not really too th into what's going on. 1279 00:53:31,880 --> 00:53:34,279 Speaker 2: So and and you know, it's just it's a broad 1280 00:53:34,360 --> 00:53:36,120 Speaker 2: range of artists that I that I can think of 1281 00:53:36,239 --> 00:53:40,360 Speaker 2: now that that deserve more Grammys and more recognition. But 1282 00:53:40,880 --> 00:53:42,759 Speaker 2: you know, I feel like at this point in my 1283 00:53:42,920 --> 00:53:45,000 Speaker 2: in my career, in my life, I'm like, you know what. 1284 00:53:45,040 --> 00:53:49,239 Speaker 3: I have one? Right, that's good enough? You know for me, 1285 00:53:49,360 --> 00:53:49,920 Speaker 3: I feel like. 1286 00:53:50,040 --> 00:53:53,560 Speaker 2: He lonely, though he could be lonely, but but he 1287 00:53:53,600 --> 00:53:56,879 Speaker 2: could be lonely. I'd rather mind what what I get, 1288 00:53:56,960 --> 00:54:00,480 Speaker 2: what I get my joy from is feeling them stands 1289 00:54:00,520 --> 00:54:02,879 Speaker 2: like I could care less about getting on the stage 1290 00:54:02,920 --> 00:54:04,400 Speaker 2: where I would love to get on the stage at 1291 00:54:04,400 --> 00:54:05,840 Speaker 2: a Grammys or any awards. 1292 00:54:06,040 --> 00:54:07,120 Speaker 3: I don't have a problem with it. 1293 00:54:07,400 --> 00:54:09,799 Speaker 2: But it doesn't feel my heart more than it does 1294 00:54:10,160 --> 00:54:14,120 Speaker 2: to see twice as many people in a a in 1295 00:54:14,160 --> 00:54:16,919 Speaker 2: an arena, or I'll go over and I sell out 1296 00:54:16,920 --> 00:54:18,640 Speaker 2: six nights like that. 1297 00:54:18,640 --> 00:54:19,600 Speaker 3: That's priceless to me. 1298 00:54:19,680 --> 00:54:22,440 Speaker 2: Right, So I feel like I've just started loving what 1299 00:54:22,520 --> 00:54:25,479 Speaker 2: I love the most about what I do, just. 1300 00:54:25,360 --> 00:54:27,560 Speaker 3: The music and the passion, and just focused on that. 1301 00:54:27,640 --> 00:54:31,040 Speaker 1: You caught some flat because you wrote Robert Glasper you say, 1302 00:54:31,600 --> 00:54:32,399 Speaker 1: who is this cat? 1303 00:54:32,560 --> 00:54:32,799 Speaker 3: Yeah? 1304 00:54:32,840 --> 00:54:35,960 Speaker 1: And I mean he did the single the song with 1305 00:54:36,239 --> 00:54:39,120 Speaker 1: Michelle and Diegoceello, who's my favorite all time artist and 1306 00:54:39,320 --> 00:54:43,920 Speaker 1: her great song, and you you know, you say no disrespect. 1307 00:54:43,960 --> 00:54:47,160 Speaker 5: You took it back. Tell me what your mindset was. Okay, 1308 00:54:47,160 --> 00:54:53,000 Speaker 5: you're sitting at home, impulse. So that's where hold up? 1309 00:54:53,000 --> 00:54:54,320 Speaker 5: Who the homeboy? 1310 00:54:54,120 --> 00:54:55,919 Speaker 1: He give me that because you about to do something, 1311 00:54:56,000 --> 00:54:57,719 Speaker 1: You about to do something, Give me that and put 1312 00:54:57,760 --> 00:54:57,920 Speaker 1: it in. 1313 00:54:57,920 --> 00:54:58,560 Speaker 5: His back pocket. 1314 00:54:58,640 --> 00:54:58,799 Speaker 3: Yeah. 1315 00:54:58,800 --> 00:55:03,439 Speaker 2: They probably was maybe fifteen seconds to letter by that time, 1316 00:55:03,520 --> 00:55:03,799 Speaker 2: I think. 1317 00:55:03,840 --> 00:55:06,680 Speaker 3: But at the time, because me, I was missing for him. 1318 00:55:06,800 --> 00:55:08,440 Speaker 2: So even even when I had to I had to 1319 00:55:08,440 --> 00:55:11,200 Speaker 2: do my research and like, you know what this these guys, 1320 00:55:12,200 --> 00:55:14,000 Speaker 2: you know, and I reached out to him. I said, look, 1321 00:55:14,320 --> 00:55:15,640 Speaker 2: I said, look, I don't want you to think that 1322 00:55:15,880 --> 00:55:18,040 Speaker 2: I have ill ill will towards. 1323 00:55:17,640 --> 00:55:19,560 Speaker 3: You or anything. Be sure work. 1324 00:55:19,880 --> 00:55:20,400 Speaker 5: Yeah. 1325 00:55:21,160 --> 00:55:23,080 Speaker 3: Yeah, So so he reached back out to me. So, yeah, 1326 00:55:23,080 --> 00:55:24,920 Speaker 3: we're gonna, were gonna get in the studio work. But 1327 00:55:25,400 --> 00:55:28,200 Speaker 3: that was me. That's you know, being a sorro push. 1328 00:55:28,600 --> 00:55:33,440 Speaker 1: You know, are you disappointed that the award shows, given 1329 00:55:33,480 --> 00:55:36,319 Speaker 1: your background, given what you've done, given how you packed 1330 00:55:36,320 --> 00:55:39,520 Speaker 1: the arenas, given how the numbers speak more than Elvis 1331 00:55:39,520 --> 00:55:40,080 Speaker 1: and a. 1332 00:55:40,040 --> 00:55:43,000 Speaker 5: Billion this and that, Yeah, that they haven't allowed you. 1333 00:55:42,960 --> 00:55:48,960 Speaker 2: To perform at times you want her to perform in 1334 00:55:49,000 --> 00:55:51,520 Speaker 2: front of your peers. I want to showcase what I 1335 00:55:51,640 --> 00:55:56,279 Speaker 2: what I'm really capable of at all times. But I've 1336 00:55:56,320 --> 00:56:00,600 Speaker 2: taken I've taken my position to say I'm not stopping right. 1337 00:56:00,560 --> 00:56:04,759 Speaker 3: You know, So it'll happen. It'll happen, you know, it'll happen. 1338 00:56:04,880 --> 00:56:07,319 Speaker 5: Do you remember the last award show you performed at? 1339 00:56:07,800 --> 00:56:12,120 Speaker 2: My last awards show might have been BT last show 1340 00:56:12,200 --> 00:56:13,600 Speaker 2: might have been BT Awards. 1341 00:56:14,080 --> 00:56:17,640 Speaker 1: Yeah, yeah, Kelly rolled supported you. 1342 00:56:17,760 --> 00:56:19,799 Speaker 5: Yeah, she got some criticism. 1343 00:56:20,080 --> 00:56:25,399 Speaker 1: Yeah, I love you, Kelly. I mean, what's I mean, Lizzo? Yeah, 1344 00:56:26,040 --> 00:56:30,399 Speaker 1: say your favorite criticism and cheering. Some others have come 1345 00:56:30,440 --> 00:56:33,400 Speaker 1: to your like the man is unbelievable and they call criticism. 1346 00:56:33,600 --> 00:56:35,120 Speaker 1: What is it with this cancel culture? 1347 00:56:35,520 --> 00:56:38,440 Speaker 2: I think it's I don't think it's even the cancel culture. 1348 00:56:38,480 --> 00:56:41,399 Speaker 2: I think because my my fans and the people who 1349 00:56:41,560 --> 00:56:43,960 Speaker 2: who do love me, like they. 1350 00:56:43,880 --> 00:56:46,000 Speaker 3: Kind of overshadow and I'm still here, you know. But 1351 00:56:46,080 --> 00:56:48,760 Speaker 3: I feel like I just feel like people are sensitive 1352 00:56:48,760 --> 00:56:49,360 Speaker 3: as hell today. 1353 00:56:49,400 --> 00:56:51,520 Speaker 2: Man, Like we don't get we don't get to really 1354 00:56:51,920 --> 00:56:53,600 Speaker 2: shoot the ship, or we don't get to say what 1355 00:56:53,680 --> 00:56:55,279 Speaker 2: we really want to say. A lot of times, a 1356 00:56:55,320 --> 00:56:58,120 Speaker 2: lot of things. It's contrive to conform. You don't get 1357 00:56:58,120 --> 00:57:00,680 Speaker 2: to be yourself because you can't have it. And open 1358 00:57:00,800 --> 00:57:04,040 Speaker 2: expression and freedom freedom to say anything if you don't 1359 00:57:04,040 --> 00:57:07,800 Speaker 2: have to discredit anybody or or cut anybody out, or 1360 00:57:07,800 --> 00:57:10,960 Speaker 2: say anything rude about anybody. But I feel like everybody's 1361 00:57:10,960 --> 00:57:12,640 Speaker 2: too dairmb sensitive at this point, right. 1362 00:57:13,080 --> 00:57:15,359 Speaker 1: But you've mentioned some of the people that that's in 1363 00:57:15,440 --> 00:57:18,760 Speaker 1: this business, Yeah, that have had some transgressions, Yeah, that 1364 00:57:18,800 --> 00:57:22,280 Speaker 1: have been forgiven and gone onto. And it hasn't stopped 1365 00:57:22,280 --> 00:57:25,880 Speaker 1: you from making money. But those people were able to 1366 00:57:25,920 --> 00:57:29,160 Speaker 1: go back, be on stage, get in movies, and do 1367 00:57:29,240 --> 00:57:30,240 Speaker 1: all these other things. 1368 00:57:30,560 --> 00:57:33,960 Speaker 2: It's my smile, and I think I think it's I 1369 00:57:33,960 --> 00:57:36,120 Speaker 2: think it's because I think people think I have a 1370 00:57:36,200 --> 00:57:38,120 Speaker 2: careless outlook on it. 1371 00:57:38,120 --> 00:57:39,840 Speaker 3: It's not that I have a careless outlet. 1372 00:57:40,000 --> 00:57:42,880 Speaker 2: I don't care to make you believe that I'm a 1373 00:57:43,040 --> 00:57:45,000 Speaker 2: I'm a great person or a good person. 1374 00:57:45,520 --> 00:57:49,120 Speaker 3: I'm just gonna be one. So I feel like with that, you. 1375 00:57:49,080 --> 00:57:52,320 Speaker 2: Know, I mean, and I don't take no nonsense. I'm like, 1376 00:57:52,560 --> 00:57:55,080 Speaker 2: I'm I'm a humble guy. I'll be cool, but I 1377 00:57:55,120 --> 00:57:57,360 Speaker 2: really don't. I really don't take nonsense. I try to 1378 00:57:57,440 --> 00:57:59,960 Speaker 2: stay in my lane, get out the way, don't bother nobody. 1379 00:58:00,560 --> 00:58:02,560 Speaker 2: But I'm not gonna take no nonsense. 1380 00:58:03,000 --> 00:58:05,040 Speaker 1: If you were to get back, if if they called, 1381 00:58:05,080 --> 00:58:09,760 Speaker 1: and says Chris this year's grammysh we want you to perform. 1382 00:58:09,240 --> 00:58:12,680 Speaker 3: Yeah you there, of course I do it. 1383 00:58:13,280 --> 00:58:13,959 Speaker 5: No, ill Will. 1384 00:58:14,360 --> 00:58:16,520 Speaker 2: It wouldn't be ill Will because because it would be 1385 00:58:16,520 --> 00:58:18,640 Speaker 2: about the performance. I would want, I would want to 1386 00:58:18,640 --> 00:58:21,360 Speaker 2: get that to my fans. It wouldn't be it wouldn't 1387 00:58:21,360 --> 00:58:24,280 Speaker 2: be necessarily about the Grammys. It would be about putting 1388 00:58:24,320 --> 00:58:24,800 Speaker 2: on the best. 1389 00:58:25,520 --> 00:58:28,880 Speaker 3: Chris and just and just and just going out there 1390 00:58:28,880 --> 00:58:29,240 Speaker 3: and doing that. 1391 00:58:29,360 --> 00:58:29,960 Speaker 5: You'll kill it. 1392 00:58:31,440 --> 00:58:33,600 Speaker 1: This This might be the greatest book, This might be 1393 00:58:33,640 --> 00:58:35,640 Speaker 1: the greatest stage performance. 1394 00:58:37,320 --> 00:58:38,320 Speaker 5: Anybody's ever seen. 1395 00:58:38,440 --> 00:58:40,200 Speaker 2: Well, I'm gonna try to make it that every time, 1396 00:58:40,600 --> 00:58:45,200 Speaker 2: every time, anytime that opportunity gives, like gives itself that opportunity, even. 1397 00:58:45,040 --> 00:58:47,080 Speaker 3: On my on my when you come to my shows, 1398 00:58:48,360 --> 00:58:48,920 Speaker 3: I want. 1399 00:58:48,760 --> 00:58:51,000 Speaker 2: To make it like you're you're watching it on an 1400 00:58:50,920 --> 00:58:53,600 Speaker 2: award show. I want it needs to be theater. It 1401 00:58:53,640 --> 00:58:55,640 Speaker 2: needs to be needs to be fun. 1402 00:58:55,960 --> 00:58:58,120 Speaker 5: When you try to leave, you try to the fan. 1403 00:58:58,200 --> 00:59:01,960 Speaker 1: You want the fan to leave, said, I've never seen 1404 00:59:02,000 --> 00:59:02,960 Speaker 1: anybody do that before. 1405 00:59:03,800 --> 00:59:07,640 Speaker 2: Yeah, yeah, every absolutely. I want to do that every time. 1406 00:59:08,080 --> 00:59:10,640 Speaker 2: And and just like I said, give them that joy 1407 00:59:10,720 --> 00:59:13,000 Speaker 2: and give them that uh that it factor. 1408 00:59:13,000 --> 00:59:15,080 Speaker 3: I'm trying to I'm trying to be the greatest to 1409 00:59:15,120 --> 00:59:16,440 Speaker 3: do it while I still can do it. 1410 00:59:16,880 --> 00:59:20,560 Speaker 5: When they say R and B is dead, Chris Brown says, what. 1411 00:59:21,480 --> 00:59:24,400 Speaker 2: It's not, it's not just hip hop is is more prevalent. 1412 00:59:24,520 --> 00:59:29,440 Speaker 2: I would just say hip hop is has has been influential. 1413 00:59:29,400 --> 00:59:31,760 Speaker 3: Over the over the whole world. But I feel like 1414 00:59:31,920 --> 00:59:32,360 Speaker 3: R and B. 1415 00:59:33,200 --> 00:59:36,120 Speaker 2: R and B has has its place, and there's a 1416 00:59:36,160 --> 00:59:38,160 Speaker 2: lot of there's a lot of R and B artists 1417 00:59:38,200 --> 00:59:40,000 Speaker 2: out because I don't want to discredit it. It's a 1418 00:59:40,040 --> 00:59:42,760 Speaker 2: lot of great R and B female wise and male wise. 1419 00:59:43,200 --> 00:59:45,960 Speaker 2: I just feel like we just have to have platforms. 1420 00:59:46,000 --> 00:59:46,800 Speaker 2: I feel like we need. 1421 00:59:46,720 --> 00:59:49,440 Speaker 3: Bigger platforms to show music videos. I think we need 1422 00:59:49,760 --> 00:59:51,560 Speaker 3: not just for R and B, just for music period. 1423 00:59:51,600 --> 00:59:52,880 Speaker 2: Like we used to have one on six in part, 1424 00:59:53,320 --> 00:59:55,560 Speaker 2: you know, we used to have have outlets to where 1425 00:59:55,840 --> 00:59:58,000 Speaker 2: people would be engaged and have to see you at 1426 00:59:58,000 --> 01:00:00,360 Speaker 2: a certain time and have to be invested in your 1427 01:00:00,400 --> 01:00:01,520 Speaker 2: music and certain things like that. 1428 01:00:01,560 --> 01:00:03,440 Speaker 3: There's other avenues like that on the internet. 1429 01:00:03,440 --> 01:00:05,960 Speaker 1: But Tyler Perry did by just just by BT, so 1430 01:00:06,040 --> 01:00:07,160 Speaker 1: maybe he'll he'll bring one. 1431 01:00:07,240 --> 01:00:08,840 Speaker 3: Yeah, yeah. 1432 01:00:08,880 --> 01:00:12,040 Speaker 2: Let us let us start showcasing new artists, new talent 1433 01:00:12,120 --> 01:00:14,240 Speaker 2: so people can and so everybody just have to go 1434 01:00:14,360 --> 01:00:17,880 Speaker 2: find an artists, like, like, let these talented artists be broadcasted, 1435 01:00:18,040 --> 01:00:19,520 Speaker 2: like let them, let them, let them wrong. 1436 01:00:19,640 --> 01:00:21,440 Speaker 3: I feel like it's it's needed. 1437 01:00:21,520 --> 01:00:23,960 Speaker 2: I feel like I go to flip through my channels 1438 01:00:24,040 --> 01:00:25,920 Speaker 2: unless I have to type in the name of the artists. 1439 01:00:25,920 --> 01:00:29,160 Speaker 2: It's cool, but I would like to be presented with 1440 01:00:29,400 --> 01:00:30,840 Speaker 2: artists like, oh man, that's that's tight. 1441 01:00:30,880 --> 01:00:31,720 Speaker 3: Who is that guy? 1442 01:00:31,920 --> 01:00:33,960 Speaker 5: How do we get R and B? Will R and 1443 01:00:34,000 --> 01:00:35,280 Speaker 5: B ever be what it once was? 1444 01:00:35,320 --> 01:00:37,120 Speaker 1: Because I was talking Timberland, I thought I think it 1445 01:00:37,160 --> 01:00:39,400 Speaker 1: was Timberland, and he says, I don't think it to 1446 01:00:39,480 --> 01:00:41,360 Speaker 1: be at the height it once was. 1447 01:00:41,920 --> 01:00:45,800 Speaker 2: The R It depends because because everything shifts, there's always 1448 01:00:45,800 --> 01:00:48,880 Speaker 2: a shift in music. Uh so, so it just depends 1449 01:00:48,880 --> 01:00:52,520 Speaker 2: on the right artist, depends on the right the right timing, 1450 01:00:52,720 --> 01:00:55,280 Speaker 2: the season, what the world is, what the state of the. 1451 01:00:55,200 --> 01:00:57,080 Speaker 3: World is, what people are going through. 1452 01:00:57,160 --> 01:00:59,960 Speaker 2: Like, you know, music, music, especially R and B come 1453 01:01:00,080 --> 01:01:01,400 Speaker 2: from pain, a lot of pain. 1454 01:01:01,600 --> 01:01:02,880 Speaker 3: There's a lot of pain on on the world. 1455 01:01:02,960 --> 01:01:05,400 Speaker 2: But I think we're trying to I think right there, 1456 01:01:05,400 --> 01:01:08,080 Speaker 2: everybody's trying to kind of like Negate that trying to 1457 01:01:08,120 --> 01:01:08,400 Speaker 2: be like. 1458 01:01:08,320 --> 01:01:10,520 Speaker 3: You know what, Hey, I just want to feel better. 1459 01:01:11,000 --> 01:01:14,000 Speaker 2: I want to talk about substances and records and whatever 1460 01:01:14,040 --> 01:01:14,880 Speaker 2: crazy stuff it is. 1461 01:01:14,920 --> 01:01:18,120 Speaker 3: But I think I think I think it has it's 1462 01:01:18,160 --> 01:01:19,040 Speaker 3: gonna be time for it. 1463 01:01:19,240 --> 01:01:22,600 Speaker 5: What's your thought on AI you like it? 1464 01:01:22,600 --> 01:01:25,640 Speaker 3: It's yeah, I'm kind of, oh, I'm kind of I'm 1465 01:01:25,720 --> 01:01:28,280 Speaker 3: kind of uh, I'm. 1466 01:01:28,120 --> 01:01:33,440 Speaker 2: Fifty to fifty because the capabilities of the scientific community. 1467 01:01:33,480 --> 01:01:34,640 Speaker 3: I love it. 1468 01:01:34,720 --> 01:01:36,360 Speaker 1: You know, they can make me sound like Chris Brown. 1469 01:01:36,760 --> 01:01:39,840 Speaker 1: That's crazy, and then they won't need real Chris Brown. See, 1470 01:01:39,880 --> 01:01:40,960 Speaker 1: I can play your half of that. 1471 01:01:41,240 --> 01:01:43,480 Speaker 2: I said this, this, this, This is what I said 1472 01:01:43,800 --> 01:01:45,400 Speaker 2: if I heard it when I hear when I hear 1473 01:01:45,440 --> 01:01:48,000 Speaker 2: the AI version of Chris Brown, and it's just a 1474 01:01:48,000 --> 01:01:51,000 Speaker 2: complete song, and it's a great song. I'm gonna figure 1475 01:01:51,040 --> 01:01:55,840 Speaker 2: out if we're gonna license our voices out right, because 1476 01:01:56,560 --> 01:01:58,080 Speaker 2: I know I'm not going to be the one to 1477 01:01:58,120 --> 01:01:59,920 Speaker 2: do it, but there's gonna be an artist that's the 1478 01:02:00,080 --> 01:02:03,120 Speaker 2: I'm like, no, that's me, that's me, right, and they 1479 01:02:03,400 --> 01:02:05,360 Speaker 2: just and they're gonna they're gonna benefit from it. 1480 01:02:05,400 --> 01:02:06,840 Speaker 3: But I'm fifty to fifty. 1481 01:02:06,920 --> 01:02:10,960 Speaker 2: I feel like it takes away a lot of the 1482 01:02:10,960 --> 01:02:13,520 Speaker 2: the mystery or the artistry that makes you a beautiful artist. 1483 01:02:13,560 --> 01:02:16,800 Speaker 3: Right, if you could just have challenge beauty. 1484 01:02:16,920 --> 01:02:20,640 Speaker 2: Yeah, yeah, it's crazy, but I feel like I'm still 1485 01:02:20,960 --> 01:02:23,360 Speaker 2: I'm in this technological world too, so I'm fascinated with 1486 01:02:23,480 --> 01:02:24,000 Speaker 2: it as well. 1487 01:02:24,320 --> 01:02:25,960 Speaker 5: You know, I'm gonna get you out here on these 1488 01:02:25,960 --> 01:02:26,520 Speaker 5: two right here. 1489 01:02:27,200 --> 01:02:30,400 Speaker 1: You're a very good businessman, reported that you own fourteen 1490 01:02:30,480 --> 01:02:34,080 Speaker 1: Burger Kings. How are you able to become so business 1491 01:02:34,160 --> 01:02:35,760 Speaker 1: savage at such a young age. 1492 01:02:36,320 --> 01:02:39,800 Speaker 2: My team, my team, I've been able to have a 1493 01:02:39,840 --> 01:02:42,120 Speaker 2: great team that you know, I've been through my ups 1494 01:02:42,120 --> 01:02:45,520 Speaker 2: and downs, Like I felt a lot financially in the beginning. 1495 01:02:45,680 --> 01:02:48,160 Speaker 2: Just you know, uh, you make mistakes, yeah, you know. 1496 01:02:48,600 --> 01:02:51,440 Speaker 2: But now it's about it's about just trying to. 1497 01:02:51,520 --> 01:02:51,880 Speaker 3: I want to. 1498 01:02:51,920 --> 01:02:54,480 Speaker 2: I want to create stuff that's going to create stuff, 1499 01:02:54,800 --> 01:02:55,320 Speaker 2: you know, right. 1500 01:02:55,360 --> 01:02:56,160 Speaker 3: I want to be able. 1501 01:02:56,080 --> 01:02:57,880 Speaker 2: To have stuff that's going to be here for everybody, 1502 01:02:57,920 --> 01:03:00,400 Speaker 2: for rajevity, so and it doesn't necessari have to be 1503 01:03:00,480 --> 01:03:04,600 Speaker 2: titled around uh my actual name or brand. I just 1504 01:03:04,640 --> 01:03:06,960 Speaker 2: want to be able to have a legacy for my 1505 01:03:07,120 --> 01:03:10,280 Speaker 2: for my family outside of music, you know, I want to. 1506 01:03:10,320 --> 01:03:12,120 Speaker 3: I want to be wealthy instead of rich. 1507 01:03:12,680 --> 01:03:16,280 Speaker 1: You know. Okay, your catalogs, that seems to be a 1508 01:03:16,280 --> 01:03:19,880 Speaker 1: big You own your masters. Yeah, and you were one 1509 01:03:19,880 --> 01:03:21,760 Speaker 1: of the youngest to ever do that at the age 1510 01:03:21,800 --> 01:03:22,480 Speaker 1: of twenty nine. 1511 01:03:24,360 --> 01:03:24,920 Speaker 5: Would you ever? 1512 01:03:25,000 --> 01:03:26,160 Speaker 1: I mean a lot of you see a lot of 1513 01:03:26,440 --> 01:03:28,959 Speaker 1: artists selling the catalog Is that's something Chris Brown would 1514 01:03:29,000 --> 01:03:29,920 Speaker 1: look to do in the future. 1515 01:03:32,200 --> 01:03:34,480 Speaker 2: I don't know, It depends it depends on I would. 1516 01:03:34,760 --> 01:03:36,680 Speaker 2: I don't think I would sell them. I think I might, 1517 01:03:36,920 --> 01:03:40,800 Speaker 2: I might do least them out and stuff like that later, 1518 01:03:40,840 --> 01:03:42,760 Speaker 2: but I don't think. I don't think I would because 1519 01:03:42,760 --> 01:03:47,280 Speaker 2: I feel like, as a black artist, that's that's what 1520 01:03:47,320 --> 01:03:49,520 Speaker 2: we've been wanting forever to be able to get that 1521 01:03:49,680 --> 01:03:52,120 Speaker 2: get our masters right. So so for me to be 1522 01:03:52,120 --> 01:03:53,800 Speaker 2: able to do that, like and be one of the 1523 01:03:53,800 --> 01:03:57,040 Speaker 2: first young cats to do it, like it's like, oh my, 1524 01:03:57,160 --> 01:03:59,760 Speaker 2: I beat the game. But I feel like I feel 1525 01:03:59,800 --> 01:04:01,400 Speaker 2: like I wouldn't. I wouldn't do it at this point 1526 01:04:01,480 --> 01:04:04,800 Speaker 2: because that's that's something my my children's children's children can 1527 01:04:04,880 --> 01:04:05,880 Speaker 2: eat off, you know. 1528 01:04:06,440 --> 01:04:08,600 Speaker 3: So I think I'm a temper. 1529 01:04:08,680 --> 01:04:12,680 Speaker 5: The story by jockeys, jacque said he came to a head. 1530 01:04:12,680 --> 01:04:15,960 Speaker 5: He lived in the crib. Yeah so so so Jock. 1531 01:04:16,400 --> 01:04:20,320 Speaker 3: He's been around me since he was teenagers bracest everything. Uh. 1532 01:04:20,760 --> 01:04:24,640 Speaker 2: I've seen Jacqueze's videos through through mutual friends. 1533 01:04:24,360 --> 01:04:26,240 Speaker 3: That we knew, and I knew that he was a 1534 01:04:26,320 --> 01:04:28,560 Speaker 3: fan of me, and I'm not. I'm not like if 1535 01:04:28,600 --> 01:04:30,360 Speaker 3: I see talent and I see and I see the 1536 01:04:30,440 --> 01:04:32,880 Speaker 3: same spunk that I had in my eye. But I 1537 01:04:33,000 --> 01:04:33,720 Speaker 3: was like, you know, what this. 1538 01:04:33,880 --> 01:04:37,000 Speaker 2: This kid is really really talented. So he came to 1539 01:04:37,160 --> 01:04:38,520 Speaker 2: l A for like a week he was staying. He 1540 01:04:38,600 --> 01:04:41,040 Speaker 2: was staying at a hotel. I was like, bro, why 1541 01:04:41,120 --> 01:04:44,040 Speaker 2: you waste your money at the hotel? The people we 1542 01:04:44,160 --> 01:04:45,640 Speaker 2: both know they had my crib. 1543 01:04:45,720 --> 01:04:48,480 Speaker 3: We chill him. You good, bro, It ain't no it's 1544 01:04:48,560 --> 01:04:50,240 Speaker 3: no no parents at the house gonna tell you what 1545 01:04:50,360 --> 01:04:52,440 Speaker 3: to do. Come to the house. But so I just 1546 01:04:52,440 --> 01:04:53,520 Speaker 3: showed him the ropes like he was. 1547 01:04:53,840 --> 01:04:55,640 Speaker 2: He was around and he was able to He was 1548 01:04:55,720 --> 01:04:57,320 Speaker 2: able to learn from me in the studio as well, 1549 01:04:57,480 --> 01:04:59,360 Speaker 2: Like like so I would be in a studio with 1550 01:04:59,440 --> 01:05:00,360 Speaker 2: him and just teach stuff. 1551 01:05:00,360 --> 01:05:03,360 Speaker 3: He was actually like, big bro, what's this? Is this 1552 01:05:03,520 --> 01:05:05,040 Speaker 3: cool to do? This is not cool to do? And 1553 01:05:05,080 --> 01:05:06,600 Speaker 3: I would just I would just telling him, hey, bro, 1554 01:05:06,680 --> 01:05:07,320 Speaker 3: don't don't do this. 1555 01:05:07,720 --> 01:05:10,400 Speaker 2: Don't do what they doing. That's that's fine, you know. 1556 01:05:10,560 --> 01:05:12,760 Speaker 2: So a lot of the things with John Cueze's it's 1557 01:05:12,840 --> 01:05:15,000 Speaker 2: real family. So when I see him do his thing 1558 01:05:15,440 --> 01:05:17,480 Speaker 2: and where he's at now, I'm proud of him, man, 1559 01:05:17,520 --> 01:05:21,200 Speaker 2: because because I saw the grind before before everybody else saw. 1560 01:05:21,480 --> 01:05:24,000 Speaker 1: You know, I had Timberlon. I'm get you out of him. 1561 01:05:24,040 --> 01:05:26,400 Speaker 1: This one he said he got some great advice from you. 1562 01:05:26,800 --> 01:05:30,360 Speaker 1: He said, uh, you called him and said, bro, don't 1563 01:05:30,360 --> 01:05:32,680 Speaker 1: do any more interviews. High You remember that conversation. 1564 01:05:32,920 --> 01:05:37,320 Speaker 2: Yeah, yeah, yeah, yeah because me, because you know Tims 1565 01:05:37,400 --> 01:05:38,360 Speaker 2: Timmys is. 1566 01:05:41,360 --> 01:05:43,640 Speaker 3: So I learned so much from him. But I remember, 1567 01:05:43,920 --> 01:05:47,040 Speaker 3: you know, I love I love weed, so so we 1568 01:05:47,160 --> 01:05:48,960 Speaker 3: used to smoke a lot of time. And then I 1569 01:05:49,080 --> 01:05:50,920 Speaker 3: just remember seeing them on that's a don't do that 1570 01:05:51,000 --> 01:05:53,840 Speaker 3: that well, don't do that. We can't do it. It's 1571 01:05:53,880 --> 01:05:55,480 Speaker 3: not it's not a good it's not a good look. 1572 01:05:55,680 --> 01:05:56,480 Speaker 3: It's not a good look. 1573 01:05:56,840 --> 01:05:58,760 Speaker 1: You got a new sing single, the new singers out 1574 01:05:58,840 --> 01:06:02,840 Speaker 1: summer to Yeah, eleven sol album, leven solo album is 1575 01:06:02,960 --> 01:06:05,600 Speaker 1: on the way. Yeah, what can your fans? What can 1576 01:06:05,760 --> 01:06:08,920 Speaker 1: we expect from Chris Brown on this album? Less songs, 1577 01:06:09,200 --> 01:06:09,800 Speaker 1: less songs? 1578 01:06:10,040 --> 01:06:12,280 Speaker 3: Yes, only only saying that my fans good. I mean 1579 01:06:12,320 --> 01:06:13,240 Speaker 3: because I'm used to putting. 1580 01:06:13,280 --> 01:06:16,720 Speaker 2: I think my last album had like thirty something songs. 1581 01:06:17,520 --> 01:06:19,600 Speaker 2: The one before that had like fifty six. 1582 01:06:20,320 --> 01:06:21,360 Speaker 3: Like, so it's a lot. 1583 01:06:21,480 --> 01:06:23,400 Speaker 5: Can we get like twelve thirteen? 1584 01:06:23,960 --> 01:06:25,520 Speaker 3: Yeah, it's the albums. 1585 01:06:25,560 --> 01:06:27,800 Speaker 2: The album's gonna be called eleven eleven, right, it's my 1586 01:06:27,840 --> 01:06:30,280 Speaker 2: eleventh album and it's only gonna have eleven songs. 1587 01:06:30,080 --> 01:06:33,800 Speaker 3: Right, so but eleven eleven is gonna be released in November. 1588 01:06:34,160 --> 01:06:37,640 Speaker 2: No, we're trying to figure it out. Possibly, but we're 1589 01:06:37,680 --> 01:06:40,080 Speaker 2: trying to figure it out now right. As of now, 1590 01:06:40,720 --> 01:06:42,320 Speaker 2: I'm still in the studio. We got a lot of 1591 01:06:42,360 --> 01:06:44,760 Speaker 2: good records that I've been cutting and in the new song, 1592 01:06:44,840 --> 01:06:46,360 Speaker 2: I just put it. I just put that out basically 1593 01:06:46,480 --> 01:06:49,439 Speaker 2: to just have something for the summer. Have people haven't 1594 01:06:49,480 --> 01:06:51,360 Speaker 2: feeling good again, because I know it's about to start 1595 01:06:51,400 --> 01:06:54,480 Speaker 2: getting hot hot out here, so let's just have fun. 1596 01:06:54,880 --> 01:06:57,040 Speaker 2: I'm you know the videos coming, were about to dance 1597 01:06:57,360 --> 01:06:59,800 Speaker 2: about the dance, about the dance again on them. 1598 01:07:00,160 --> 01:07:03,120 Speaker 1: Congratulations with all they success, y'all. Thank you performing at 1599 01:07:03,200 --> 01:07:04,560 Speaker 1: DRE on the twenty nine. 1600 01:07:04,720 --> 01:07:06,320 Speaker 3: Yeah. Fight, Yeah, you're gonna be in the fight. 1601 01:07:06,360 --> 01:07:07,040 Speaker 5: I'm gonna be at the fight. 1602 01:07:07,040 --> 01:07:08,320 Speaker 3: Oh yeah, i' gonna be that too. So yeah, we 1603 01:07:08,360 --> 01:07:11,560 Speaker 3: got a link up man. Thank you, brother, Congratulations of 1604 01:07:11,640 --> 01:07:12,240 Speaker 3: all these success. 1605 01:07:12,400 --> 01:07:15,000 Speaker 5: Thank you for having me, God blessed brother. Thank you, brother, 1606 01:07:15,640 --> 01:07:16,160 Speaker 5: Chris Brown. 1607 01:07:17,480 --> 01:07:21,680 Speaker 4: All my life, grinding all my life, sacrifice, hustle, bad 1608 01:07:21,720 --> 01:07:26,080 Speaker 4: the price, want slice got the brother all my life. 1609 01:07:26,160 --> 01:07:29,800 Speaker 5: I've been grinding all my life, all my life, grinding all. 1610 01:07:29,760 --> 01:07:34,520 Speaker 4: My life, sacrifice, hustle, bad to price, one slice, not 1611 01:07:34,680 --> 01:07:36,720 Speaker 4: the brother, all my life. 1612 01:07:36,800 --> 01:07:38,120 Speaker 5: I've been grinding all my life.