WEBVTT - Incense, Part 1

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<v Speaker 1>Welcome to stuff to blow your mind. Production of my

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<v Speaker 1>heart radio. Hey you, welcome to stuff to blow your mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick and

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<v Speaker 1>we're about to venture into, I think, a couple of

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<v Speaker 1>episodes on the topic of incense and I was looking

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<v Speaker 1>around for some fun quotes related to incense and we're

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<v Speaker 1>gonna get to some fun quotes and some mystical quotes

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<v Speaker 1>related to incense, but I was really enraptured by a

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<v Speaker 1>particular quote from Shaquille O'Neal uh, Shack himself, uh, that

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<v Speaker 1>I read without any initial context. The quote is incense books.

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<v Speaker 1>Just weird, which which raises so many questions, especially since

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<v Speaker 1>I really don't know a whole lot about about sports

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<v Speaker 1>and the life of shack and so forth. I I

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<v Speaker 1>played shack Fou the the old video game back in

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<v Speaker 1>the day, the first one, but outside of just shacks

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<v Speaker 1>General Um ever present media power and his appearance all

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<v Speaker 1>throughout media, I don't know much about him. Uh. So

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<v Speaker 1>I had to research this one a little bit and

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<v Speaker 1>not certain, but I think this is a quote from

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<v Speaker 1>shack talking about his former coach Phil Jackson. I believe

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<v Speaker 1>the situation is that during the early two thousand's, Jackson

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<v Speaker 1>would have the Lakers meditate before their games, and I

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<v Speaker 1>think he also assigned various texts for his players to read.

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<v Speaker 1>So maybe our basketball fan listeners out there can chime

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<v Speaker 1>in on this topic. Oki Doki, I have absolutely nothing

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<v Speaker 1>to offer here. I know I have almost zero shack knowledge.

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<v Speaker 1>So we've discussed the human mastery of Fire Multiple Times

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<v Speaker 1>on the podcast. How it enabled us to externalize our

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<v Speaker 1>digestion and master cooking, how it enabled us to illuminate

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<v Speaker 1>the dark and somewhat free ourselves from the shackles of night,

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<v Speaker 1>how it enabled us to master the use of minerals

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<v Speaker 1>and ultimately venture into the world of Alchymy and chemistry. Now,

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<v Speaker 1>on the subject of smoke itself. We have discussed the

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<v Speaker 1>use of smoke in long distance communication, but the use

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<v Speaker 1>of incense, the burning of specific biotic materials to produce

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<v Speaker 1>pleasing and or masking fragrances, as well as the visual

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<v Speaker 1>splendor of smoke, this is an area I don't think

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<v Speaker 1>we've really considered before. So what? What? What got you

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<v Speaker 1>going on, incense man? I think interestingly enough, I was

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<v Speaker 1>on the front porch. It had gotten cool enough to

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<v Speaker 1>work outside, have my laptop out there, but I had

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<v Speaker 1>some Anti Mosquito UH incense burning. Not not the spiral

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<v Speaker 1>kind that will reference in a bit, but one of

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<v Speaker 1>these more modern situations where you have a little gas

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<v Speaker 1>pod that's put in the bottom of the machine and

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<v Speaker 1>then you have a little cab that has a certain

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<v Speaker 1>chemicals on it that you slide in and then that

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<v Speaker 1>Burns and it creates uh, some nice, pleasant looking whiffs

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<v Speaker 1>of of Grace Molk that also keep the mosquitoes at

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<v Speaker 1>bay at least a little bit. So one thing I

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<v Speaker 1>gotta Start With an addressing incense uh is that I

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<v Speaker 1>mistakenly used to think that incense was one unique substance,

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<v Speaker 1>like it was the product of one plant or something,

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<v Speaker 1>but apparently that's not true and it's also not a

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<v Speaker 1>consistent recipe for a combination of products that that applies

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<v Speaker 1>to all incense around the world. Instead, I think we

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<v Speaker 1>should say incense is a class of substances right. It's

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<v Speaker 1>like any organic material or combination of organic materials that

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<v Speaker 1>you burn in order to release a fragrant smoke. So

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<v Speaker 1>what goes in your incense and one culture might be

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<v Speaker 1>totally different than what goes in in another and and

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<v Speaker 1>even within a culture you might use different substances. That's right. Yeah,

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<v Speaker 1>various traditions will have different blends, different materials and yeah,

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<v Speaker 1>sometimes you're talking about, uh, some sort of dried substances,

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<v Speaker 1>other times it's formed into an incense stick. Certainly we

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<v Speaker 1>have cones. Uh, they're also oiled. I mean there's a

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<v Speaker 1>a wide spectrum of substances, though I would say generally

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<v Speaker 1>we're taught not talking about things that are intended to

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<v Speaker 1>be directly inhaled. Generally we're talking more about an ambiance

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<v Speaker 1>in a room, though they of course, are gonna end

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<v Speaker 1>up inhaling some of that, but it is contributing to

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<v Speaker 1>the atmosphere. It is not, uh, something that one is

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<v Speaker 1>necessarily consuming, right. So the English word incense traces back

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<v Speaker 1>through the French to the late Latin Word Incense Um,

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<v Speaker 1>just meaning that which is burned. It's a thing that

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<v Speaker 1>you burn, and this is related to the Latin verb incendiary,

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<v Speaker 1>which means to set something on fire, to light on fire.

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<v Speaker 1>So it's something that you burn to produce an aromatic smoke,

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<v Speaker 1>especially a sweet smoke, according to a lot of early sources.

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<v Speaker 1>So while incense is a class of substances. Uh. There

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<v Speaker 1>are some specific plant products that are especially significant in

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<v Speaker 1>the history of the incense trade, and a couple that

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<v Speaker 1>really stand out to me because of, you know, all

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<v Speaker 1>my received Bible stories as a child. I think will

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<v Speaker 1>be familiar to many other listeners. This would be the

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<v Speaker 1>references to incense in the story of the birth of

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<v Speaker 1>Jesus in the Gospel of Matthew. So in this story

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<v Speaker 1>it says that when Jesus was born, uh there were

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<v Speaker 1>wise men, that this is a translation of the Latin

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<v Speaker 1>Magi or the Greek Meg Oi, wise men bringing three

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<v Speaker 1>gifts to honor the birth of Jesus, that they show

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<v Speaker 1>up and these gifts are gold, frankincense and myrrh. Now,

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<v Speaker 1>first of all I want to do one of my

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<v Speaker 1>little patented uh Joe McCormick Bible fact drops. Did you

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<v Speaker 1>know that the Bible does not actually say there were

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<v Speaker 1>three wise men? The story of the wise men bringing

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<v Speaker 1>gifts uh at the birth of Jesus appears only in

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<v Speaker 1>the Gospel of Matthew. And here's what it says. So

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<v Speaker 1>this is from the N RSV quote. In the time

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<v Speaker 1>of King Herod, after Jesus was born in Beth him

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<v Speaker 1>of Judea Magi from the east came to Jerusalem, asking

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<v Speaker 1>where is the child who has been born the king

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<v Speaker 1>of the Jews, for we observed his star in the

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<v Speaker 1>East and have come to pay him homage. So that's it.

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<v Speaker 1>It's just Maji, just a plural. Nown now there has

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<v Speaker 1>been an ocean of ink spilled over how best to

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<v Speaker 1>interpret the word Magi. Who did the author have in

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<v Speaker 1>mind when the story was written? The theory that seems

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<v Speaker 1>most convincing to me is that this is probably a

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<v Speaker 1>reference to Ptarthian or Persian Zoroastrian priests who were thought

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<v Speaker 1>to be very adept at reading portents in the stars,

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<v Speaker 1>which is why the word Magi is sometimes translated as astrologers.

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<v Speaker 1>But anyway, that's all it says. Says Magi came or

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<v Speaker 1>MEG OI came. Uh, not how many of them there were,

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<v Speaker 1>but the traditional interpretation that there were three of them

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<v Speaker 1>is probably derived from the fact that it does say

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<v Speaker 1>they brought three gifts, and those gifts again are gold,

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<v Speaker 1>frankinsence and murder. So we know what gold is, but

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<v Speaker 1>what are those other two things? Well, actual relief, Frankincense

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<v Speaker 1>and Mr are both types of incense. They are resins

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<v Speaker 1>or chunks of hardened gum or sap from two different

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<v Speaker 1>types of related trees in the Burceray C I family

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<v Speaker 1>uh and the Burceray C I family uh. These are

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<v Speaker 1>arid or semi arid tree like plants that I think

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<v Speaker 1>are typically associated with growing in the Arabian Peninsula and

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<v Speaker 1>on the on the Horn of Africa. And so these

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<v Speaker 1>two incense resins, along with gold, are probably used in

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<v Speaker 1>the story from the Gospel of Matthew because they're supposed

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<v Speaker 1>to show that the Magi or the Magi recognize Jesus

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<v Speaker 1>as a king, as a king foretold in the stars,

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<v Speaker 1>because Franken sits and Mur like gold, are expensive luxury

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<v Speaker 1>items there. They're they're associated with with power and with

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<v Speaker 1>religious significance, that they were used in religious rituals all

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<v Speaker 1>throughout the ancient Mediterranean and also to perfume the itch such,

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<v Speaker 1>as you know, in a burial ritual for a king.

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<v Speaker 1>Now I've seen enough imagery, Christian imagery of the three

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<v Speaker 1>kings uh, to you know, to to know that you know,

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<v Speaker 1>generally they are depicted as holding some sort of special

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<v Speaker 1>box that contains the Frankensense and the Murr and of

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<v Speaker 1>course I've I've seen images of frankensense itself. But I

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<v Speaker 1>still have to say, like, when I think of the

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<v Speaker 1>three kings bringing gold, Frankensense and Murr, I hear frankensense

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<v Speaker 1>and I still imagine Frankenstein's monster. Um, he said, at

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<v Speaker 1>least back there, lurking in the back of my mind,

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<v Speaker 1>even as I'm putting together this major scene in my

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<v Speaker 1>head right there with you. I I always made that

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<v Speaker 1>connection when I was a kid. It's like you got Frankenstein,

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<v Speaker 1>frank and Berry cereal and Frankensense the gift to Jesus,

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<v Speaker 1>and I don't know what that is because they never

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<v Speaker 1>explained when I was a kid. I think one time actually,

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<v Speaker 1>somebody did explain that, uh, that mirror was used for uh,

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<v Speaker 1>it was used in its like essence form or oil

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<v Speaker 1>form to anoint Berry Oles of the dead, and I

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<v Speaker 1>was like, well, that's a morbid gift to give a baby.

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<v Speaker 1>It's like here's something that we will put on you

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<v Speaker 1>when you die. But again, I think it's supposed to

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<v Speaker 1>be something that is expensive and royal and and holy

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<v Speaker 1>and shows that, you know, they recognize that the stars

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<v Speaker 1>have foretold. This is going to be a king yeah,

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<v Speaker 1>and I think these are all things to keep in

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<v Speaker 1>mind as we start, as we eventually discuss how how

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<v Speaker 1>incense factors into different cultures and different belief systems, like

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<v Speaker 1>what it means to burn this sacred substance that creates

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<v Speaker 1>a special pleasing odor. I actually found a fascinating article

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<v Speaker 1>about that that I think we're going to get into

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<v Speaker 1>more in part two of the series. But before we

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<v Speaker 1>move on from frankensince and Mura, I did want to

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<v Speaker 1>add a few more facts descriptive about their what they're

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<v Speaker 1>like and how they were used in the ancient world.

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<v Speaker 1>And Uh, this is coming from another interesting article I

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<v Speaker 1>was reading. This was an eon magazine by a University

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<v Speaker 1>College London anthropologist named Timothy Carroll, and the article was

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<v Speaker 1>called Franken since Murr both holy and heretical. And so

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<v Speaker 1>there is a background section where where Carol here is

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<v Speaker 1>describing what these these smells are like. It's kind of

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<v Speaker 1>hard to you know, we can't make you smell it

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<v Speaker 1>through the Internet here, so unfortunately we can't give samples.

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<v Speaker 1>But if you've never smelled them before differentiated them. Frankensense

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<v Speaker 1>is known to have a kind of woody or what

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<v Speaker 1>he calls a warm spiced smell. So I'm imagining that

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<v Speaker 1>is in some way roughly similar to the warm spices like,

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<v Speaker 1>I don't know, cloves, allspice, cinnamon and that kind of thing,

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<v Speaker 1>whereas Carol says that mirror is typically said to smell

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<v Speaker 1>like rose or maybe like Basil, but also is sometimes

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<v Speaker 1>said to have a kind of bitter aroma, and if

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<v Speaker 1>you think about the kind of bitter back note to

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<v Speaker 1>the smell of a rose, that makes sense to me.

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<v Speaker 1>An interesting thing about the origins of the word Frankensense.

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<v Speaker 1>Uh so you associated with Franken Stein, but actually what

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<v Speaker 1>what frankensense means is, uh, the refix. Frank there is

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<v Speaker 1>just a word that archaically means like high quality or pure.

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<v Speaker 1>So Frank instence basically means like pure incense or really

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<v Speaker 1>good incense. Another distinction is that I said both of

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<v Speaker 1>these were forms of incense, and they are, but frank instence,

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<v Speaker 1>I think, is almost always used as a as a

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<v Speaker 1>type of burned incense, so you would burn pellets of

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<v Speaker 1>it to make a smoke, whereas mirror has a lot

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<v Speaker 1>of different preparations. Sometimes it is burned as incense other

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<v Speaker 1>times people will make like an oil infusion out of

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<v Speaker 1>it and use that to like anoint people, to you know,

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<v Speaker 1>place upon their heads for religious purpose or at a

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<v Speaker 1>burial or something like that. But Carol talks about how

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<v Speaker 1>these substances were not just for the religious purposes that

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<v Speaker 1>we're going to get into in more detail. They were

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<v Speaker 1>also believed to have like practical benefits. He points out that,

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<v Speaker 1>as we've talked about on the show before, a lot

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<v Speaker 1>of in the ancient world there was a lot of

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<v Speaker 1>association between disease and bad smells. So aromatic substances were

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<v Speaker 1>used throughout the ancient Mediterranean to cleanse bad air that

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<v Speaker 1>was thought to somehow be associated with disease and also

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<v Speaker 1>to drive away vermin like rats. Okay, so, so, functionally

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<v Speaker 1>at the very least, amasking odor, but within the like

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<v Speaker 1>the crude belief systems of of the day regarding infection

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<v Speaker 1>and disease, they're cleansing, they're actually helping to protect you

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<v Speaker 1>from illness and well, I'm not sure Howard to rule

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<v Speaker 1>the prevention of rats creeping around. I mean I think

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<v Speaker 1>you could say that to various extents aromatic smokes are

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<v Speaker 1>effective at driving away especially insects. Yeah, I don't yeah,

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<v Speaker 1>but I don't know about the rats. I'd need to

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<v Speaker 1>see more. More data is required on that. But there

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<v Speaker 1>were all these alleged medical uses of these fragrant substances,

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<v Speaker 1>like Frankensin Sen Mur Carol points to the writings of

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<v Speaker 1>an ancient Greek physician named Pedanius Dioscorides, who lived from

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<v Speaker 1>forty to nineties Ce and speaking about Murr specifically, diascordes, says, quote,

0:13:05.320 --> 0:13:08.480
<v Speaker 1>rubbed on with the flesh of a snail, it cures

0:13:08.559 --> 0:13:13.000
<v Speaker 1>broken ears and exposed bones, as well as pus in

0:13:13.040 --> 0:13:17.600
<v Speaker 1>the ears and their inflammation, with meconium castoreum and glaucium.

0:13:18.160 --> 0:13:21.680
<v Speaker 1>It is rubbed on vericose veins with Cassia and honey.

0:13:22.280 --> 0:13:24.280
<v Speaker 1>Very good, very good. Some key substances in there, some

0:13:24.320 --> 0:13:26.440
<v Speaker 1>of which will come back up again, and he mentioned

0:13:26.440 --> 0:13:28.520
<v Speaker 1>some other uses too. It is thought to have to

0:13:28.679 --> 0:13:33.200
<v Speaker 1>be able to help regulate sleep, blood flow, menstruation, all

0:13:33.280 --> 0:13:35.240
<v Speaker 1>kinds of things. So this is the Murror is kind

0:13:35.240 --> 0:13:37.040
<v Speaker 1>of shaping up like a cure, all like it has

0:13:37.080 --> 0:13:40.079
<v Speaker 1>some kind of religious significance. It will, it will mask

0:13:40.280 --> 0:13:43.120
<v Speaker 1>the odors of death, it will make you seem like

0:13:43.160 --> 0:13:45.839
<v Speaker 1>a king and it will also, allegedly, like, cure all

0:13:45.880 --> 0:13:55.240
<v Speaker 1>these various diseases or regulate the processes of the body.

0:13:55.920 --> 0:13:58.160
<v Speaker 1>But to come back to the idea of incense more

0:13:58.320 --> 0:14:02.520
<v Speaker 1>generally again, we're talking about a a class of substances

0:14:02.600 --> 0:14:05.559
<v Speaker 1>that you would burn in order to produce an aromatic smoke.

0:14:06.120 --> 0:14:10.920
<v Speaker 1>That's right, and and certainly fragrant woods, herbs, oils other

0:14:10.920 --> 0:14:14.800
<v Speaker 1>such substances. They can be added to many different heat sources,

0:14:14.840 --> 0:14:18.360
<v Speaker 1>many different flames, including flames that are primarily used for

0:14:18.400 --> 0:14:23.080
<v Speaker 1>illumination or cooking, Um like on. On the subject of cooking,

0:14:24.240 --> 0:14:27.520
<v Speaker 1>I don't really barbecue much anymore. When I do cook something,

0:14:27.560 --> 0:14:30.080
<v Speaker 1>I use a gas grill, but I remember growing up

0:14:30.680 --> 0:14:33.840
<v Speaker 1>when you do the charcoal grill and occasionally cooking certain

0:14:34.120 --> 0:14:35.880
<v Speaker 1>cuts of meat, it was desired to get like some

0:14:35.960 --> 0:14:41.120
<v Speaker 1>hickory branches to add to the coals underneath, uh, and

0:14:41.200 --> 0:14:43.080
<v Speaker 1>so you know, there are various things like that one,

0:14:43.120 --> 0:14:46.320
<v Speaker 1>of course, can do within say, a culinary tradition. Yeah,

0:14:46.360 --> 0:14:48.800
<v Speaker 1>and smoking meat has multiple effect. I mean, on one

0:14:48.800 --> 0:14:51.560
<v Speaker 1>hand it's just pleasurable. People like the taste of of smoke,

0:14:51.680 --> 0:14:55.040
<v Speaker 1>but also it has preservative effects, yes, but it's also

0:14:55.080 --> 0:14:58.680
<v Speaker 1>a rich global tradition of creating specialized sensors or other

0:14:58.840 --> 0:15:03.520
<v Speaker 1>artifacts does signed and built exclusively for burning incense of

0:15:03.600 --> 0:15:06.560
<v Speaker 1>some sort. Now a lot of these devices are tied

0:15:06.600 --> 0:15:09.480
<v Speaker 1>into practices that involve the burning of incense for pleasure

0:15:10.040 --> 0:15:13.000
<v Speaker 1>and or religious purposes, and we'll get into many of

0:15:13.040 --> 0:15:15.680
<v Speaker 1>those in a bit. But I wanted to touch a

0:15:15.680 --> 0:15:19.760
<v Speaker 1>little bit on the idea of of of practical incense burning,

0:15:19.880 --> 0:15:22.120
<v Speaker 1>functional instance burning kind of like we're talking about earlier

0:15:22.160 --> 0:15:25.320
<v Speaker 1>to drive the rats away at the bad air UM.

0:15:25.520 --> 0:15:28.120
<v Speaker 1>And coming back to my earlier example of of of

0:15:28.200 --> 0:15:32.200
<v Speaker 1>mosquito repellent, because really the first place my mind went

0:15:32.400 --> 0:15:34.880
<v Speaker 1>when I started thinking about this, in part because I

0:15:34.920 --> 0:15:38.480
<v Speaker 1>was keeping mosquitoes away with with special smoke at the time,

0:15:38.720 --> 0:15:42.360
<v Speaker 1>is the humble mosquito coil. Everyone, I think it's probably

0:15:42.360 --> 0:15:46.120
<v Speaker 1>seen this usually green. It's a coil, it's it's essentially

0:15:46.120 --> 0:15:49.400
<v Speaker 1>an incense you start burning the the outer edge of

0:15:49.400 --> 0:15:52.680
<v Speaker 1>the coil and it slowly burns and spirals in towards

0:15:52.720 --> 0:15:56.760
<v Speaker 1>the center. Generally this is the coil itself. Contains Pyrethrum,

0:15:57.480 --> 0:16:01.720
<v Speaker 1>which is naturally occurring, and acticide. UH, there may be

0:16:01.760 --> 0:16:05.280
<v Speaker 1>some other ingredients in there and you're generally talking about

0:16:05.400 --> 0:16:08.760
<v Speaker 1>six inches length coiled up in one of these, and

0:16:08.800 --> 0:16:11.600
<v Speaker 1>it will take up to about twelve hours to burn through.

0:16:12.000 --> 0:16:14.120
<v Speaker 1>I don't have a lot of direct experience with these

0:16:14.240 --> 0:16:16.600
<v Speaker 1>that I was just looking up some general stats about them.

0:16:16.680 --> 0:16:19.840
<v Speaker 1>It's apparently a Japanese invention of the eighteen hundreds uh

0:16:19.920 --> 0:16:22.120
<v Speaker 1>that that of course, really takes off once you have

0:16:22.480 --> 0:16:25.800
<v Speaker 1>mass production capabilities in place for it. It's a design

0:16:25.840 --> 0:16:29.160
<v Speaker 1>that effectively allows you to have a super long incense

0:16:29.160 --> 0:16:32.480
<v Speaker 1>stick that will burn for a long time but also

0:16:32.760 --> 0:16:35.600
<v Speaker 1>doesn't take up a lot of space, because imagine if

0:16:35.680 --> 0:16:38.800
<v Speaker 1>you had, instead of it being in a spiral, it

0:16:38.840 --> 0:16:41.800
<v Speaker 1>was just like just a long incense stick. It could

0:16:41.920 --> 0:16:44.080
<v Speaker 1>kind of be a pain to to lay out somewhere

0:16:44.200 --> 0:16:46.840
<v Speaker 1>that if it covered the entire length of the picnic table,

0:16:46.880 --> 0:16:50.080
<v Speaker 1>for example, that wouldn't be as as cool of an experience.

0:16:50.880 --> 0:16:53.840
<v Speaker 1>Now again, I don't know exactly how dependable the idea

0:16:53.920 --> 0:16:56.360
<v Speaker 1>of up to twelve hours is. I don't know what

0:16:56.520 --> 0:17:00.760
<v Speaker 1>affects that rate of consumption, but it does bring to

0:17:00.840 --> 0:17:03.160
<v Speaker 1>mind this really and this is where I really got

0:17:03.200 --> 0:17:07.040
<v Speaker 1>interested in the topic of Incense. Is that okay? You

0:17:07.080 --> 0:17:08.760
<v Speaker 1>can look at the basics here. If it takes x

0:17:08.800 --> 0:17:11.240
<v Speaker 1>amount of time to burn through an incense stick or

0:17:11.240 --> 0:17:14.880
<v Speaker 1>an instant spiral, then perhaps that rate of change can

0:17:14.920 --> 0:17:19.040
<v Speaker 1>be used to measure time. And Uh and yeah, this

0:17:19.080 --> 0:17:23.040
<v Speaker 1>is a whole area of combustion based timekeeping and there

0:17:23.040 --> 0:17:25.720
<v Speaker 1>are a number of things you can loop under this heading. There's,

0:17:25.760 --> 0:17:27.960
<v Speaker 1>of course, the candle clock, which makes use of the

0:17:28.000 --> 0:17:31.359
<v Speaker 1>gradual rate of change in a burning candle. We see

0:17:31.400 --> 0:17:34.080
<v Speaker 1>these in the traditions and traditions of the East, West

0:17:34.119 --> 0:17:37.240
<v Speaker 1>and Middle East, with a council in Chinese writing going back,

0:17:37.240 --> 0:17:40.439
<v Speaker 1>I believe, as far as the sixth century CE. And

0:17:40.480 --> 0:17:43.680
<v Speaker 1>then there are also oil lamp clocks. Now I think

0:17:43.760 --> 0:17:46.400
<v Speaker 1>these only go back a couple of centuries, in part

0:17:46.440 --> 0:17:48.720
<v Speaker 1>I'm guessing, because you need a dependable way of making

0:17:48.960 --> 0:17:53.040
<v Speaker 1>the decrease in oil Um visual, you know. So that's

0:17:53.040 --> 0:17:55.520
<v Speaker 1>gonna be harder with some of the oil lamp constructions

0:17:55.520 --> 0:17:57.920
<v Speaker 1>of old. And so some of the examples that were

0:17:57.920 --> 0:17:59.920
<v Speaker 1>coming up from me when I was researching this sort

0:17:59.920 --> 0:18:03.080
<v Speaker 1>of eighteenth century designs, and they're really beautiful looking, but

0:18:03.119 --> 0:18:06.240
<v Speaker 1>of course they involve a lot of elegant metal and glass.

0:18:07.400 --> 0:18:11.200
<v Speaker 1>But the incense clock, UH, yeah, this takes us into

0:18:11.320 --> 0:18:16.200
<v Speaker 1>Chinese traditions, and before I get to the invention itself,

0:18:16.560 --> 0:18:19.440
<v Speaker 1>I wanted to share some some some neat insight about

0:18:19.440 --> 0:18:22.880
<v Speaker 1>the role of incense in Chinese culture, as I think

0:18:22.880 --> 0:18:25.200
<v Speaker 1>it'll all be worth keeping in mind as we take

0:18:25.200 --> 0:18:28.439
<v Speaker 1>the additional step and considering incense as a timekeeping measure

0:18:28.760 --> 0:18:31.960
<v Speaker 1>and also generally, I think flows with some of these

0:18:32.200 --> 0:18:35.200
<v Speaker 1>larger and even global ideas about incense. I was reading

0:18:35.240 --> 0:18:38.240
<v Speaker 1>Stuart's Sergeant's two thousand and one article from the Journal

0:18:38.480 --> 0:18:43.719
<v Speaker 1>of the American Oriental Society titled Wanting Jen's incense of awareness,

0:18:43.800 --> 0:18:46.359
<v Speaker 1>and while it largely deals with specific lines from the

0:18:46.400 --> 0:18:50.360
<v Speaker 1>poetry of this Song Dynasty calligrapher, painter and poet who

0:18:50.359 --> 0:18:54.160
<v Speaker 1>lived ten forty five through eleven oh five, it also

0:18:54.240 --> 0:18:57.439
<v Speaker 1>covers the role of incense in Chinese culture in general

0:18:57.480 --> 0:19:00.359
<v Speaker 1>at this time. and Um, I'm not going to skip

0:19:00.400 --> 0:19:03.720
<v Speaker 1>over the translated poetry either, because it's the paper points out.

0:19:03.960 --> 0:19:08.000
<v Speaker 1>He's very much leaning into the analysis of how the

0:19:08.359 --> 0:19:13.840
<v Speaker 1>ritual use of incense affects one's state of mind. So here, here's,

0:19:13.880 --> 0:19:16.760
<v Speaker 1>here's the first bit of poetry from wanting gin. A

0:19:16.920 --> 0:19:22.359
<v Speaker 1>sense of peril like wandering ten thousand fathoms, high impatient

0:19:22.480 --> 0:19:27.199
<v Speaker 1>desires engender the five weapons within. I lean on the

0:19:27.320 --> 0:19:32.440
<v Speaker 1>arm rest with a single strand of incense, the numenous ESTRADE.

0:19:33.480 --> 0:19:38.679
<v Speaker 1>This is a spiritual platform, or Dais Dallas de Terminology

0:19:38.720 --> 0:19:43.760
<v Speaker 1>for the mind. Um, the numinous estrade is clear, empty

0:19:43.800 --> 0:19:47.119
<v Speaker 1>and bright. Okay, so it sounds like he's describing an

0:19:47.160 --> 0:19:51.000
<v Speaker 1>association between burning a strand of incense and having a

0:19:51.080 --> 0:19:55.080
<v Speaker 1>kind of clear or elevated state of mind. Yeah, yeah,

0:19:55.200 --> 0:19:59.720
<v Speaker 1>overcoming the fears and anxieties within by being able to

0:19:59.720 --> 0:20:03.000
<v Speaker 1>clear mind, focusing on this, on this smoke, and in

0:20:03.080 --> 0:20:05.920
<v Speaker 1>this it's interesting because this this seems to be focusing

0:20:06.119 --> 0:20:09.480
<v Speaker 1>as much or more on the visual of the smoke,

0:20:09.560 --> 0:20:12.439
<v Speaker 1>which I think is is easy to overlook, but I

0:20:12.440 --> 0:20:14.280
<v Speaker 1>mean not if you guess, if you're really into incense,

0:20:14.280 --> 0:20:17.760
<v Speaker 1>but like watching the smoke from incense rise and curl

0:20:17.880 --> 0:20:22.640
<v Speaker 1>through a room. I mean it's it's it's instantly captivating. Well, yeah,

0:20:22.680 --> 0:20:25.080
<v Speaker 1>a lot of the writings about incense really emphasized the

0:20:25.160 --> 0:20:27.720
<v Speaker 1>smell and that does seem to be, you know, the

0:20:27.720 --> 0:20:30.080
<v Speaker 1>primary sense that's engaged by it. But when you watch

0:20:30.160 --> 0:20:32.480
<v Speaker 1>the smoke, I think that also brings in a lot

0:20:32.560 --> 0:20:36.200
<v Speaker 1>of the ideas of I don't know the kind of

0:20:36.680 --> 0:20:40.000
<v Speaker 1>ideas about religion or consciousness that are associated with it.

0:20:40.000 --> 0:20:42.520
<v Speaker 1>It has to do with watching the smoke rise up

0:20:42.520 --> 0:20:45.240
<v Speaker 1>into the sky and dissipate, which, on one hand, I

0:20:45.240 --> 0:20:48.639
<v Speaker 1>think is a reason why the burning of incense or

0:20:48.720 --> 0:20:50.920
<v Speaker 1>the burning of things in general, was often assumed to

0:20:50.920 --> 0:20:52.960
<v Speaker 1>be a way of communicating with the Gods, you know,

0:20:53.000 --> 0:20:55.800
<v Speaker 1>if the Gods live up above and the skies. I mean,

0:20:55.840 --> 0:20:58.040
<v Speaker 1>not every belief about God's is like that, but many

0:20:58.040 --> 0:21:00.119
<v Speaker 1>people believe the gods are up in the sky and

0:21:00.200 --> 0:21:02.320
<v Speaker 1>the smoke rises up to them. So it's a way

0:21:02.320 --> 0:21:05.760
<v Speaker 1>of reaching them with something you do. But then the

0:21:05.800 --> 0:21:09.200
<v Speaker 1>other thing is like the it's it's an act that

0:21:09.200 --> 0:21:11.680
<v Speaker 1>that you can kind of like watch have a consequence

0:21:11.760 --> 0:21:14.560
<v Speaker 1>that then eventually disappears, like the way that the thing

0:21:14.640 --> 0:21:17.200
<v Speaker 1>burns and then the smoke dissipates in front of your

0:21:17.240 --> 0:21:20.000
<v Speaker 1>eyes is, uh, I don't know, some kind of significant

0:21:20.000 --> 0:21:24.000
<v Speaker 1>transformation or symbol of ephemerality. Yeah, I I saw the

0:21:24.080 --> 0:21:28.879
<v Speaker 1>line drawn in different sources between, uh, the the original

0:21:29.000 --> 0:21:33.520
<v Speaker 1>archaic burning of sacrifices, burnt offerings, and the use, even

0:21:33.560 --> 0:21:36.600
<v Speaker 1>the modern use, of incense, so as whereas one in

0:21:36.680 --> 0:21:40.960
<v Speaker 1>ancient times may have burnt them, you know, the carcass

0:21:41.000 --> 0:21:45.040
<v Speaker 1>of a bull or other sacrificial animal, uh, the the

0:21:45.160 --> 0:21:47.639
<v Speaker 1>this would be a version of that. Instead of burning

0:21:47.680 --> 0:21:50.720
<v Speaker 1>the animal, burning the remains of the animal, burning this sacred,

0:21:51.040 --> 0:21:54.560
<v Speaker 1>sweet smelling substance. Oh, that's not even a connection that

0:21:54.600 --> 0:21:57.000
<v Speaker 1>you have to like hypothesize, like, thinking back on it,

0:21:57.000 --> 0:22:01.199
<v Speaker 1>the connection was made by by some ancient really jens themselves. Like,

0:22:01.359 --> 0:22:04.040
<v Speaker 1>for example, if you look at the Hebrew Bible, there's

0:22:04.080 --> 0:22:07.560
<v Speaker 1>like the first chapter of the book of Leviticus. Uh,

0:22:07.640 --> 0:22:10.159
<v Speaker 1>the Lord is giving instructions to Moses on how to

0:22:10.200 --> 0:22:14.480
<v Speaker 1>perform sacrifices of livestock, and this involves, you know, they'll say,

0:22:14.480 --> 0:22:16.000
<v Speaker 1>you bring in the bull and you do this and

0:22:16.119 --> 0:22:18.399
<v Speaker 1>you do that, and then a few verses later, at

0:22:18.400 --> 0:22:21.240
<v Speaker 1>the beginning of chapter two, it says if somebody's making

0:22:21.280 --> 0:22:24.240
<v Speaker 1>a grain offering instead of an offering of livestock, you

0:22:24.280 --> 0:22:27.520
<v Speaker 1>need to burn incense with the grain. I'M gonna come

0:22:27.560 --> 0:22:29.639
<v Speaker 1>back to that in part two when we discuss the

0:22:29.720 --> 0:22:33.840
<v Speaker 1>idea that God or the Gods do enjoy smells. All right, well,

0:22:33.920 --> 0:22:37.119
<v Speaker 1>let's let's go back into the poetry of lunch Gen here. UH,

0:22:37.359 --> 0:22:41.800
<v Speaker 1>here's another one. That's that's really good. Midday Meal Birds

0:22:41.960 --> 0:22:45.920
<v Speaker 1>Peer at the dais, sitting in peace. The Sun passes

0:22:45.960 --> 0:22:49.440
<v Speaker 1>the steps. Vulgar atmosphere has no way to come near.

0:22:49.760 --> 0:22:53.960
<v Speaker 1>The smoke drifts up and forms a massed defense. Now

0:22:53.960 --> 0:22:57.720
<v Speaker 1>the vulgar atmosphere is not just like the stink here.

0:22:57.840 --> 0:23:01.960
<v Speaker 1>This is apparently, according to the author, this is referring

0:23:02.000 --> 0:23:06.240
<v Speaker 1>to like the vulgar world itself. Um, the in the

0:23:06.280 --> 0:23:11.040
<v Speaker 1>vulgar atmosphere of this world, again setting aside one space,

0:23:11.080 --> 0:23:15.280
<v Speaker 1>one sacred space, from the rest of reality. Now here's

0:23:15.280 --> 0:23:19.080
<v Speaker 1>another one. This one comes back to snails as well

0:23:19.119 --> 0:23:24.520
<v Speaker 1>as honey. Stone honey transforms snails armor. In quint's juice

0:23:24.760 --> 0:23:29.280
<v Speaker 1>is boiled aloes wood from the potion sensor. A lone

0:23:29.320 --> 0:23:34.240
<v Speaker 1>smoke rises. Facing this scene, I shiver with awe. Okay,

0:23:34.240 --> 0:23:37.639
<v Speaker 1>that may sound a little cryptic. So in the paper

0:23:37.720 --> 0:23:41.320
<v Speaker 1>sergeant explains this. That the first line here talking about

0:23:41.359 --> 0:23:45.600
<v Speaker 1>stone honey transforming the snails armor. Uh, it sounds cryptic,

0:23:45.680 --> 0:23:47.760
<v Speaker 1>but this is a reference to the manufacture of a

0:23:47.800 --> 0:23:52.280
<v Speaker 1>particular incense of the day. Then included the operculum of

0:23:52.280 --> 0:23:55.480
<v Speaker 1>a snail's Shell. This is like the like the LID.

0:23:55.960 --> 0:23:59.120
<v Speaker 1>Uh that I think that's sometimes described as looking like

0:23:58.840 --> 0:24:03.240
<v Speaker 1>a like a shriveled black ear, human ear. Um. It's

0:24:03.240 --> 0:24:06.600
<v Speaker 1>treated with wine or honey before it's used in this process.

0:24:07.359 --> 0:24:10.560
<v Speaker 1>And then the potion, he explains, is a vessel for

0:24:10.640 --> 0:24:13.679
<v Speaker 1>burning incense that was introduced in the Hon Dynasty. That

0:24:13.800 --> 0:24:18.040
<v Speaker 1>has a top shaped like the sacred mountain of Mount

0:24:18.080 --> 0:24:21.119
<v Speaker 1>Po Rising out of the sea. And these, these are

0:24:21.200 --> 0:24:24.600
<v Speaker 1>quite beautiful. Definitely look these up. Uh. They're sometimes referred

0:24:24.600 --> 0:24:28.040
<v Speaker 1>to in English as hill sensors and, uh yeah, they're

0:24:28.040 --> 0:24:32.240
<v Speaker 1>just absolutely beautiful, because the mountains are often depicted. The

0:24:32.280 --> 0:24:34.440
<v Speaker 1>peaks of the mountains are are kind of flame like,

0:24:34.680 --> 0:24:37.520
<v Speaker 1>kind of water like. It has this very, you know,

0:24:37.600 --> 0:24:40.959
<v Speaker 1>it mystical appearance to it. It's because this is not

0:24:41.320 --> 0:24:43.240
<v Speaker 1>just a this is not a mundane mountain, this is

0:24:43.280 --> 0:24:45.840
<v Speaker 1>a celestial mountain. This is the place where the Gods live.

0:24:46.280 --> 0:24:48.000
<v Speaker 1>And and also there's kind of like an egg like

0:24:48.560 --> 0:24:52.600
<v Speaker 1>quality to it, especially towards the bottom. Uh, it's it's

0:24:52.600 --> 0:24:55.680
<v Speaker 1>they're they're quite beautiful. Right. Here's another bit of poetry

0:24:56.000 --> 0:24:58.880
<v Speaker 1>twisting and turning. The business of the incense is over

0:24:59.280 --> 0:25:02.399
<v Speaker 1>thick and the it sticks to the books and paintings,

0:25:02.760 --> 0:25:06.320
<v Speaker 1>who can come into my room take off your worldly shackles.

0:25:06.720 --> 0:25:08.960
<v Speaker 1>Now this one I particularly love because it's basically the

0:25:09.000 --> 0:25:13.440
<v Speaker 1>shock quote from the beginning of the episode. Incense books

0:25:13.480 --> 0:25:17.119
<v Speaker 1>just weird. It brings to mind like detachment in the

0:25:17.240 --> 0:25:20.040
<v Speaker 1>learned man's study, like this is where my books are,

0:25:20.080 --> 0:25:23.000
<v Speaker 1>my paintings, and the smell of incense, like this is

0:25:23.040 --> 0:25:26.640
<v Speaker 1>my space. So this is just weird in a positive way. Yeah, yeah,

0:25:26.640 --> 0:25:29.679
<v Speaker 1>that's the way I'm I'm uh interpreting or applying the

0:25:29.720 --> 0:25:32.359
<v Speaker 1>shock quote like, and I guess I'm thinking back to

0:25:32.400 --> 0:25:35.320
<v Speaker 1>some of the various Chinese poets and writers that we've

0:25:35.320 --> 0:25:37.840
<v Speaker 1>discussed in the past who are known even during the

0:25:37.920 --> 0:25:41.800
<v Speaker 1>day for their weirdness, like their elongated finger nails and

0:25:41.800 --> 0:25:45.840
<v Speaker 1>and so forth, their fascination with with the strange and

0:25:45.880 --> 0:25:48.280
<v Speaker 1>the bizarre, like you know, those are the those are

0:25:48.280 --> 0:25:50.879
<v Speaker 1>the souls I really connect with. So I'm like, Yeah,

0:25:51.000 --> 0:25:54.960
<v Speaker 1>incense books and weirdness. For instance, Lee, who comes to mind,

0:25:55.000 --> 0:25:59.639
<v Speaker 1>a Tang poet who lived seven ninety through sixteen. Uh,

0:25:59.680 --> 0:26:03.040
<v Speaker 1>we we've covered some of his writings on the show before.

0:26:03.080 --> 0:26:05.919
<v Speaker 1>He had this wonderful line that goes owls that have

0:26:06.040 --> 0:26:09.840
<v Speaker 1>lived a hundred years turned forest demons laugh wildly as

0:26:09.840 --> 0:26:13.119
<v Speaker 1>an emerald fire leaps from their nests. This is a

0:26:13.119 --> 0:26:15.480
<v Speaker 1>stupid comparison. I don't know why that always makes me

0:26:15.520 --> 0:26:20.320
<v Speaker 1>think of like strawberry alarm clock. Oh, I didn't even

0:26:20.359 --> 0:26:29.600
<v Speaker 1>make the connection incense and peppermints. Than all right. Now.

0:26:29.640 --> 0:26:32.560
<v Speaker 1>The next bit of poetry that Sergeant Brings Up, that

0:26:32.560 --> 0:26:35.360
<v Speaker 1>that I thought was worth mentioning here, goes as follows.

0:26:36.240 --> 0:26:40.440
<v Speaker 1>Pheasant tail fans cover the sound of whips. A golden

0:26:40.560 --> 0:26:44.640
<v Speaker 1>censor brushes against the great purity. Your ranks are near,

0:26:45.160 --> 0:26:48.000
<v Speaker 1>you smell the incense sooner and by the time you

0:26:48.119 --> 0:26:52.439
<v Speaker 1>returned you had mastered it. Okay, so this quote is

0:26:52.720 --> 0:26:57.720
<v Speaker 1>referring to smelling the special incense Um all the emperor

0:26:57.800 --> 0:27:01.679
<v Speaker 1>in the imperial capital Um, which of course, the imperial capital.

0:27:01.680 --> 0:27:04.679
<v Speaker 1>This also has celestial associations because of course the the

0:27:04.760 --> 0:27:09.520
<v Speaker 1>emperor himself, has a has a divine connection in these traditions.

0:27:09.840 --> 0:27:12.119
<v Speaker 1>And the whips that are mentioned here, that's those are

0:27:12.119 --> 0:27:15.639
<v Speaker 1>the whips clearing the way for the emperor's procession. So

0:27:15.920 --> 0:27:19.000
<v Speaker 1>I love how this it paints a nice picture, or well,

0:27:19.040 --> 0:27:22.840
<v Speaker 1>maybe not a nice picture. It paints a distinct picture of, yeah,

0:27:22.880 --> 0:27:26.080
<v Speaker 1>here's the sound of whips giving way to the pheasant

0:27:26.119 --> 0:27:29.240
<v Speaker 1>tail fans, and then here's the burning of this very

0:27:29.280 --> 0:27:33.560
<v Speaker 1>special incense. And Uh and and then there's this idea that, yeah,

0:27:33.560 --> 0:27:37.360
<v Speaker 1>you can smell it and then you can potentially master it.

0:27:37.840 --> 0:27:40.280
<v Speaker 1>And Uh, and this is something that sergeant brings to

0:27:40.359 --> 0:27:43.879
<v Speaker 1>mind here as well. Quote Huangting Jin, close enough to

0:27:43.920 --> 0:27:46.760
<v Speaker 1>the imperial entourage or the high officials to get a

0:27:46.760 --> 0:27:49.720
<v Speaker 1>whiff of the court incense, is expert enough to be

0:27:49.760 --> 0:27:52.800
<v Speaker 1>able to go home and duplicate it on the basis

0:27:52.960 --> 0:27:56.040
<v Speaker 1>of what his nose has analyzed. Oh, he's like the

0:27:56.040 --> 0:28:00.600
<v Speaker 1>guy in that book perfume. Yeah, they're. There are other

0:28:00.800 --> 0:28:02.640
<v Speaker 1>like bits of poetry from this guy where he talks

0:28:02.640 --> 0:28:06.800
<v Speaker 1>about like the craving of Incense. Like this is a

0:28:06.800 --> 0:28:09.200
<v Speaker 1>guy who liked his incense. But, but, but, all these

0:28:09.240 --> 0:28:13.720
<v Speaker 1>various examples. Um, sergeant breaks down the uses of of

0:28:13.800 --> 0:28:17.119
<v Speaker 1>incense that are highlighted in his poetry and he he

0:28:17.200 --> 0:28:19.080
<v Speaker 1>singles out ten of them. Some of them are kind

0:28:19.119 --> 0:28:21.000
<v Speaker 1>of closely related, but I'm going to roll through them

0:28:21.000 --> 0:28:26.000
<v Speaker 1>real quick. Number One, to aid in meditation, blocking external disruptions,

0:28:26.359 --> 0:28:30.199
<v Speaker 1>to a barrier against the vulgar world and an outdoor scene.

0:28:30.760 --> 0:28:34.280
<v Speaker 1>Uh number three, the composite of its ingredients and an

0:28:34.280 --> 0:28:38.719
<v Speaker 1>awe inspiring phenomenon for a baffler against the vulgar world

0:28:38.720 --> 0:28:41.960
<v Speaker 1>and an indoor scene, a kind of connects to two. Five,

0:28:42.080 --> 0:28:46.840
<v Speaker 1>a token of an interpersonal relationship, interesting for the straddled

0:28:46.920 --> 0:28:50.440
<v Speaker 1>social barrier. Number six, the product of another person's skill.

0:28:51.280 --> 0:28:54.040
<v Speaker 1>Uh number seven, an agent to defeat the power of

0:28:54.160 --> 0:28:58.360
<v Speaker 1>sense objects in another person's life. ATE, an object in

0:28:58.400 --> 0:29:01.760
<v Speaker 1>a scene that has a mood but no apparent message. Nine,

0:29:01.800 --> 0:29:04.640
<v Speaker 1>a sign of political status as well as the other

0:29:04.680 --> 0:29:08.400
<v Speaker 1>person's technical skill, again, being able to duplicate that Special

0:29:08.520 --> 0:29:12.000
<v Speaker 1>Imperial Incense that you've caught a whiff of. And then

0:29:12.040 --> 0:29:17.320
<v Speaker 1>also as an attribute of enlightenment. Uh So, I like

0:29:17.400 --> 0:29:20.200
<v Speaker 1>these are all interesting to keep in mind as we

0:29:20.280 --> 0:29:23.080
<v Speaker 1>move move forward with this, with this upcoming example from

0:29:23.160 --> 0:29:25.360
<v Speaker 1>Chinese culture, but also I think some of these can

0:29:25.400 --> 0:29:27.600
<v Speaker 1>be applied, if not all of these can to be

0:29:27.600 --> 0:29:31.240
<v Speaker 1>applied to varying degrees, with other cultural traditions of incense

0:29:31.280 --> 0:29:34.080
<v Speaker 1>as well. I mean, it seems like a number of

0:29:34.120 --> 0:29:38.360
<v Speaker 1>these are oriented around creating a kind of separation or

0:29:38.440 --> 0:29:42.440
<v Speaker 1>spirit of difference, whether that is uh, sort of putting

0:29:42.440 --> 0:29:45.320
<v Speaker 1>yourself in a in a mind space of peace and

0:29:45.560 --> 0:29:49.480
<v Speaker 1>disconnection from the profane world, or in the idea of

0:29:49.520 --> 0:29:52.200
<v Speaker 1>even just like straight up class like you, you are

0:29:52.440 --> 0:29:55.160
<v Speaker 1>a rich and powerful ruler. Thus you are surrounded by

0:29:55.200 --> 0:29:59.520
<v Speaker 1>incense and that sort of marks you as special and different. Yeah, yeah,

0:29:59.640 --> 0:30:02.719
<v Speaker 1>you create a different atmosphere around you. And a lot

0:30:02.720 --> 0:30:06.400
<v Speaker 1>of this also applies to just every day uses of incense. Today,

0:30:06.400 --> 0:30:08.480
<v Speaker 1>like some people when they're writing, they like to burn

0:30:08.480 --> 0:30:12.000
<v Speaker 1>a little incident. Certainly if someone is exercising or or

0:30:12.080 --> 0:30:14.840
<v Speaker 1>practicing yoga or meditation, they may burn some incense as well.

0:30:15.400 --> 0:30:18.800
<v Speaker 1>And Uh, you know, that can also have practical uh

0:30:19.480 --> 0:30:23.840
<v Speaker 1>purposes as well, especially like an exercise class. Exercise, especially

0:30:23.880 --> 0:30:28.440
<v Speaker 1>group exercise, can can have a certain effect on odors

0:30:28.440 --> 0:30:30.520
<v Speaker 1>in the room and you can mask those odors with incense.

0:30:30.560 --> 0:30:34.280
<v Speaker 1>So I mean it's it's kind of UH double per

0:30:34.440 --> 0:30:38.120
<v Speaker 1>dual purpose there. Oh, it's the it's the environmental equivalent

0:30:38.200 --> 0:30:41.360
<v Speaker 1>of don't have time for a shower, better spray the armpits.

0:30:42.320 --> 0:30:44.240
<v Speaker 1>I don't know, that sounds more like the vulgar world

0:30:44.240 --> 0:30:47.760
<v Speaker 1>to me, but I guess it depends on the incanse.

0:30:48.240 --> 0:30:51.360
<v Speaker 1>I'm not advocating that by the way. I mean, though,

0:30:51.600 --> 0:30:54.280
<v Speaker 1>it does bring up an interesting point. Is something maybe

0:30:54.280 --> 0:30:56.880
<v Speaker 1>we'll have to explore in another episode. But yeah, when

0:30:56.920 --> 0:30:59.680
<v Speaker 1>you get into the whole world of incenses and perfumes,

0:30:59.720 --> 0:31:01.400
<v Speaker 1>and yeah, I mean perfumes, we could do a whole

0:31:01.400 --> 0:31:04.520
<v Speaker 1>episode on that. There's a rich global history of perfume use.

0:31:04.960 --> 0:31:06.760
<v Speaker 1>Like there are, of course, so many things to take

0:31:06.800 --> 0:31:10.080
<v Speaker 1>into account personal taste even today, but you get into

0:31:10.120 --> 0:31:13.880
<v Speaker 1>historical taste as well, like what constituted a good masking

0:31:13.960 --> 0:31:18.560
<v Speaker 1>body perfume in various cultures and distinct points in time,

0:31:18.600 --> 0:31:22.240
<v Speaker 1>you know, based on available materials. Yeah, totally. Now getting

0:31:22.560 --> 0:31:25.920
<v Speaker 1>back into the into questions of okay, different sensors. Already

0:31:25.920 --> 0:31:29.920
<v Speaker 1>mentioned the the Mount Po Sensor. There's another type of

0:31:29.920 --> 0:31:32.000
<v Speaker 1>sensor that this particular paper mentions, and I had to

0:31:32.000 --> 0:31:35.360
<v Speaker 1>look up examples of it. A Golden Duck was apparently

0:31:35.360 --> 0:31:39.200
<v Speaker 1>a popular sensor for incense during this time and you

0:31:39.200 --> 0:31:41.880
<v Speaker 1>can still see examples of this today. It is exactly

0:31:41.920 --> 0:31:46.120
<v Speaker 1>what it sounds like, a golden or golden looking duck

0:31:46.760 --> 0:31:49.360
<v Speaker 1>um where you can take the top off of the Duck,

0:31:49.760 --> 0:31:51.760
<v Speaker 1>put the incense in there, get the incense burning, put

0:31:51.800 --> 0:31:54.160
<v Speaker 1>the top half of the duck back on and smoke

0:31:54.280 --> 0:31:57.520
<v Speaker 1>will rise out of the duck's mouth. Yeah, that's interesting.

0:31:57.560 --> 0:31:59.960
<v Speaker 1>It almost looks like, uh, I don't know, it symbolize.

0:32:00.040 --> 0:32:03.520
<v Speaker 1>Says that the duck is making a sound or something. Yeah,

0:32:03.600 --> 0:32:05.680
<v Speaker 1>but I think the most for me anyway, the most

0:32:05.720 --> 0:32:10.480
<v Speaker 1>amazing example of of a sensor for incense is that

0:32:10.640 --> 0:32:15.120
<v Speaker 1>of the incense clock, as it's often referred to in English,

0:32:15.160 --> 0:32:19.040
<v Speaker 1>and I was reading a very good summary and article

0:32:19.080 --> 0:32:23.440
<v Speaker 1>about these in J store daily by Amelia Soft titled

0:32:23.520 --> 0:32:28.080
<v Speaker 1>Keeping Time With Incense clocks, citing a few different scholars work,

0:32:28.120 --> 0:32:30.959
<v Speaker 1>but I think one in particular is Andrew B Lou

0:32:31.040 --> 0:32:33.920
<v Speaker 1>and it goes the article goes into detail about these,

0:32:34.200 --> 0:32:37.000
<v Speaker 1>the splendid artifacts that date back at least to the

0:32:37.040 --> 0:32:40.920
<v Speaker 1>sixth century, when a poet by the name of of you,

0:32:41.120 --> 0:32:45.040
<v Speaker 1>John Wu, wrote quote. By Burning Incense we know the o'

0:32:45.040 --> 0:32:49.080
<v Speaker 1>clock of the night. With graduated candle we confirm the

0:32:49.160 --> 0:32:52.880
<v Speaker 1>tally of the watch. That's an English translation, of course,

0:32:52.880 --> 0:32:55.120
<v Speaker 1>but I like the this kind of a novel translation.

0:32:55.200 --> 0:32:57.840
<v Speaker 1>I like by you talking about knowing the o' clock

0:32:57.920 --> 0:33:01.320
<v Speaker 1>of the night. Uh Huh, but again referencing the idea

0:33:01.360 --> 0:33:04.920
<v Speaker 1>that you could create a contraption for burning incense in

0:33:04.960 --> 0:33:07.440
<v Speaker 1>such a way that it had a pretty dependable rate

0:33:07.440 --> 0:33:11.880
<v Speaker 1>of consumption and by that you could tell time right right.

0:33:11.920 --> 0:33:14.440
<v Speaker 1>So that Second Line mentions a candle, and this is,

0:33:14.480 --> 0:33:17.520
<v Speaker 1>I think, a reference to candle as a combustion based

0:33:17.520 --> 0:33:21.600
<v Speaker 1>timekeeping device. But then by burning incense. This is where

0:33:21.680 --> 0:33:24.800
<v Speaker 1>it's really interesting, because this is not it's not it's

0:33:24.840 --> 0:33:27.120
<v Speaker 1>not a case of just having, okay, a super long

0:33:27.160 --> 0:33:29.920
<v Speaker 1>incense stick it will take all night to burn, or

0:33:29.920 --> 0:33:34.320
<v Speaker 1>even a night long spiral of incense. These incense clocks,

0:33:34.720 --> 0:33:37.080
<v Speaker 1>and you'll definitely have to look up an image of these.

0:33:37.440 --> 0:33:42.200
<v Speaker 1>These were ornate metal boxes with lids and compartments that

0:33:42.280 --> 0:33:46.080
<v Speaker 1>contain specialized parts for their use, such as a UH,

0:33:46.320 --> 0:33:48.760
<v Speaker 1>they just the author here describes a little shovel, a

0:33:48.760 --> 0:33:53.080
<v Speaker 1>little damper and also various stencils for the laying out

0:33:53.480 --> 0:33:57.360
<v Speaker 1>of an incense labyrinth within the box. AH, so you're

0:33:57.360 --> 0:34:01.800
<v Speaker 1>making the smoldering and snake around in a maze, that's

0:34:01.920 --> 0:34:05.360
<v Speaker 1>right now winding path of incense, and you have the

0:34:05.360 --> 0:34:09.040
<v Speaker 1>different stencils, not just because you want different shapes but because,

0:34:09.080 --> 0:34:12.840
<v Speaker 1>of course the length of the night changes with the seasons,

0:34:12.880 --> 0:34:15.959
<v Speaker 1>and so different seasons will require a different Stencil, because

0:34:16.000 --> 0:34:19.719
<v Speaker 1>the idea here is again the incense clock burns all night,

0:34:20.440 --> 0:34:25.120
<v Speaker 1>it burns throughout the span of darkness and and you know,

0:34:25.239 --> 0:34:28.800
<v Speaker 1>marks the passage of time via the scent of incense.

0:34:29.160 --> 0:34:31.200
<v Speaker 1>You know. This actually reminds me of a technique I

0:34:31.239 --> 0:34:34.640
<v Speaker 1>have used in a when trying to cook something for

0:34:34.680 --> 0:34:37.360
<v Speaker 1>a long time over low heat and a charcoal grill

0:34:37.480 --> 0:34:41.560
<v Speaker 1>before uh, and the method is essentially the snake. You

0:34:41.600 --> 0:34:44.920
<v Speaker 1>create a kind of winding snake of charcoal and then

0:34:45.000 --> 0:34:47.279
<v Speaker 1>you you put a lit coal on one end, and

0:34:47.320 --> 0:34:50.120
<v Speaker 1>so the idea is that it's not all gonna like,

0:34:50.280 --> 0:34:53.000
<v Speaker 1>catch on fire too fast and make the grill too hot. Instead,

0:34:53.040 --> 0:34:57.080
<v Speaker 1>it will slowly burn into the next coal along the

0:34:57.120 --> 0:34:59.840
<v Speaker 1>way and keep a low temperature as it creeps around

0:34:59.840 --> 0:35:02.360
<v Speaker 1>the snake. Oh Wow, I don't think I've heard of

0:35:02.440 --> 0:35:04.640
<v Speaker 1>that technique before. What, what sorts of things would you

0:35:04.640 --> 0:35:08.080
<v Speaker 1>be cooking over a fire like that? Oh, like, you know, barbecue, basically,

0:35:08.120 --> 0:35:10.239
<v Speaker 1>if you're trying to do something, you know, for a

0:35:10.280 --> 0:35:14.120
<v Speaker 1>long time without it getting too hot. Interesting. Okay, so

0:35:14.200 --> 0:35:18.400
<v Speaker 1>these incense UH clocks, as as they're sometimes referred these

0:35:18.400 --> 0:35:20.520
<v Speaker 1>would these would again burn all night and there were noted.

0:35:20.520 --> 0:35:24.359
<v Speaker 1>There were noted use in Beijing's tall drum tower during

0:35:24.400 --> 0:35:30.400
<v Speaker 1>the Qing Dynasty, h four through nineteen, eleven soft sites.

0:35:30.680 --> 0:35:34.680
<v Speaker 1>Another author, a historian of scientific instruments by the name

0:35:34.719 --> 0:35:38.319
<v Speaker 1>of Silvio Bedini, who indicates that one could lay out

0:35:38.320 --> 0:35:41.480
<v Speaker 1>a path of of not just one type of incense

0:35:41.960 --> 0:35:46.040
<v Speaker 1>in one of these clocks, but alternating varieties of incense,

0:35:46.760 --> 0:35:50.320
<v Speaker 1>or you could have scented wood chips placed at different

0:35:50.480 --> 0:35:55.240
<v Speaker 1>points along the path and this would change the scent

0:35:55.520 --> 0:35:59.200
<v Speaker 1>or have punctuated moments of scent that would be part

0:35:59.280 --> 0:36:03.120
<v Speaker 1>of the olfactory experience of being in the vicinity of

0:36:03.160 --> 0:36:06.319
<v Speaker 1>one of these clocks, so that you could you could

0:36:06.440 --> 0:36:10.359
<v Speaker 1>essentially know what the hour is, know where you are

0:36:10.520 --> 0:36:14.279
<v Speaker 1>in the journey through night based on the scent of

0:36:14.320 --> 0:36:16.719
<v Speaker 1>the air. That's really interesting. So you wouldn't have to

0:36:16.719 --> 0:36:19.120
<v Speaker 1>go look at it and check. Instead, there would be

0:36:19.160 --> 0:36:22.200
<v Speaker 1>a an ambient difference, just like there is in the daytime.

0:36:22.280 --> 0:36:24.680
<v Speaker 1>You can roughly tell what time of day it is by,

0:36:24.719 --> 0:36:26.719
<v Speaker 1>you know, the position of the Sun, what the sky

0:36:27.120 --> 0:36:29.600
<v Speaker 1>feels like in the light and all that, but this

0:36:29.600 --> 0:36:31.600
<v Speaker 1>would allow you to do the same thing at night,

0:36:31.680 --> 0:36:33.920
<v Speaker 1>except through your sense of smell. You just kind of

0:36:33.960 --> 0:36:36.680
<v Speaker 1>have a vibe that it's as roughly, you know, four

0:36:36.760 --> 0:36:40.319
<v Speaker 1>to five am. It's. It's fascinating because we have, you know,

0:36:40.320 --> 0:36:43.359
<v Speaker 1>we're such visual creatures. Were certainly more visual than uh,

0:36:44.239 --> 0:36:47.759
<v Speaker 1>than than smell base, but uh, and especially today, like

0:36:47.800 --> 0:36:49.359
<v Speaker 1>if you want to know what hour of the night

0:36:49.400 --> 0:36:50.960
<v Speaker 1>it is when you wake up in the night, of

0:36:51.000 --> 0:36:54.479
<v Speaker 1>course we reach for our various timekeeping devices and find out.

0:36:55.120 --> 0:36:57.840
<v Speaker 1>But you know that there's this this, this other approach

0:36:57.840 --> 0:36:59.800
<v Speaker 1>of simply sort of observing the world. And granted, a

0:36:59.800 --> 0:37:03.400
<v Speaker 1>lot of that observation would be visual, but but this

0:37:03.480 --> 0:37:07.440
<v Speaker 1>is tying into a far more, far less visual route,

0:37:07.480 --> 0:37:09.160
<v Speaker 1>though of course you could, I guess, just look at

0:37:09.200 --> 0:37:11.640
<v Speaker 1>the incense clock as well and see where you are

0:37:11.680 --> 0:37:15.800
<v Speaker 1>in the journey. So if also references a dragon shaped

0:37:15.880 --> 0:37:19.160
<v Speaker 1>fire clock, they also involved the use of incense and

0:37:19.160 --> 0:37:22.360
<v Speaker 1>this is a different design. It would look like a dragon,

0:37:22.520 --> 0:37:24.319
<v Speaker 1>it would be kind of long and it would have

0:37:24.400 --> 0:37:27.480
<v Speaker 1>a like a trough of incense running through the center

0:37:27.960 --> 0:37:31.160
<v Speaker 1>and as this burned down again, kind of kind of

0:37:31.200 --> 0:37:34.120
<v Speaker 1>like the snaking coals that you described, you know it's

0:37:34.120 --> 0:37:35.960
<v Speaker 1>gonna Start on one end and burn towards the other,

0:37:36.000 --> 0:37:39.280
<v Speaker 1>almost like a fuse, but slow, like a slow fuse

0:37:39.360 --> 0:37:42.480
<v Speaker 1>of incense. But along the way they're going to be

0:37:42.520 --> 0:37:47.000
<v Speaker 1>these little threads with metal balls hanging, and so it

0:37:47.120 --> 0:37:51.359
<v Speaker 1>will regular intervals burn through those those those little bits

0:37:51.360 --> 0:37:55.160
<v Speaker 1>of thread and make a ball drop into a metal pan,

0:37:55.560 --> 0:37:58.719
<v Speaker 1>producing a sound, and that will mark the passing of

0:37:58.760 --> 0:38:02.520
<v Speaker 1>the hours. Okay, but I like all of this too

0:38:02.520 --> 0:38:04.520
<v Speaker 1>because it also brings to mind this idea of like

0:38:04.560 --> 0:38:07.719
<v Speaker 1>the night is. It's like it's something to keep vigil through.

0:38:07.840 --> 0:38:10.800
<v Speaker 1>You know, you need this sort of sacred time keeping

0:38:10.920 --> 0:38:15.440
<v Speaker 1>in place to get you from from dust to dawn. Yeah,

0:38:15.560 --> 0:38:17.239
<v Speaker 1>so I found all that just super interesting. I was

0:38:17.239 --> 0:38:19.520
<v Speaker 1>not familiar with with incense clocks and I don't think

0:38:19.560 --> 0:38:23.360
<v Speaker 1>I'd really given much thought to combustion based time keeping

0:38:23.560 --> 0:38:26.400
<v Speaker 1>as well, aside from just sort of the the obvious

0:38:26.520 --> 0:38:28.759
<v Speaker 1>environmental factors, and I guess this was probably something as well.

0:38:28.800 --> 0:38:32.560
<v Speaker 1>I mean you go back into into really ancient prehistoric practices.

0:38:32.600 --> 0:38:35.600
<v Speaker 1>You had the camp fire burning and maybe you keep

0:38:35.600 --> 0:38:37.560
<v Speaker 1>that burning all night. Maybe it's a situation where it's

0:38:37.600 --> 0:38:41.880
<v Speaker 1>kept burning Um for much longer, but there is that

0:38:41.960 --> 0:38:45.799
<v Speaker 1>reality of the campfire burning down as time passes after

0:38:45.840 --> 0:38:49.080
<v Speaker 1>you've stopped feeding the fire and then by morning it's

0:38:49.120 --> 0:38:53.880
<v Speaker 1>reduced to nothing, or very little at all. Speaking of which,

0:38:53.920 --> 0:38:56.600
<v Speaker 1>it looks like our incense for this episode has burnt

0:38:56.600 --> 0:38:59.200
<v Speaker 1>all the way through, so we're gonna have to call

0:38:59.280 --> 0:39:01.840
<v Speaker 1>it here. But we'll be back on Thursday with another

0:39:01.880 --> 0:39:07.640
<v Speaker 1>episode dealing with Incense, UH, some of the technology involved

0:39:07.680 --> 0:39:12.600
<v Speaker 1>historically withincense and also other practices of pertaining to incense.

0:39:12.640 --> 0:39:15.920
<v Speaker 1>So be sure to check out part two. I think

0:39:15.920 --> 0:39:18.360
<v Speaker 1>it'll be a fun ride. Those are our core episodes,

0:39:18.400 --> 0:39:21.200
<v Speaker 1>Tuesdays and Thursdays. On Monday's we do listener mail, on

0:39:21.239 --> 0:39:24.120
<v Speaker 1>Wednesday we do a short form artifact or monster fact,

0:39:24.400 --> 0:39:26.759
<v Speaker 1>and on Fridays we do weird how cinema. That's our

0:39:26.800 --> 0:39:29.440
<v Speaker 1>time to set aside most serious concerns and just talk

0:39:29.480 --> 0:39:32.560
<v Speaker 1>about a strange film. Huge thanks, as always, to our

0:39:32.640 --> 0:39:36.279
<v Speaker 1>excellent audio producer, Seth Nicholas Johnson. If you would like

0:39:36.360 --> 0:39:38.440
<v Speaker 1>to get in touch with us with feedback on this

0:39:38.480 --> 0:39:40.840
<v Speaker 1>episode or any other, to suggest a topic for the

0:39:40.880 --> 0:39:43.239
<v Speaker 1>future or just to say hello, you can email us

0:39:43.280 --> 0:39:53.720
<v Speaker 1>at contact at stuff to blow your mind dot com.

0:39:53.800 --> 0:39:55.919
<v Speaker 1>Stuff to blow your mind. It's production of I heart

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