WEBVTT - Sia

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<v Speaker 1>Who's that man joking in my ear? He's Ron Burgundy.

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<v Speaker 1>Good morning listeners, this is Tony fingle Sticks and you're

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<v Speaker 1>listening to the Wait. Sorry, I don't know why I

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<v Speaker 1>said that. That was a real brain fart. My name

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<v Speaker 1>is Ron Burgundy. That's my name. I don't know what

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<v Speaker 1>happened there, And I'm here with a very special episode

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<v Speaker 1>of the Run Burgundy Podcast. Today we are sitting with

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<v Speaker 1>the pop sensation that is Saia. Okay, continue, no last

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<v Speaker 1>name like all the greats share Madonna, John h who

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<v Speaker 1>is John? I don't know that one. John Popper, lead

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<v Speaker 1>singer of Blues Traveler. You just say John. People know

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<v Speaker 1>who you're talking about it? Do people still listen to

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<v Speaker 1>Blues Traveler? Unfortunately? I'm joined today by my co host Carolina. Carolina,

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<v Speaker 1>do you even know who Sia is? And before you ask,

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<v Speaker 1>she didn't play Lilith Fair? Nick? Did you did you

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<v Speaker 1>hear what I just said? Of course I know who

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<v Speaker 1>she is. I've been listening to her for years now.

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<v Speaker 1>Her acoustic version of Elastic Heart really gotten through hard

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<v Speaker 1>time for me and my boyfriend of ten years. He

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<v Speaker 1>broke up with me crashing at some I've never heard

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<v Speaker 1>this before. Oh sorry, that's my Riah app I got

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<v Speaker 1>another match. I'll turn that off. Yes, for those of

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<v Speaker 1>you who don't know, I'm on Riah, which is a

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<v Speaker 1>dating app for only famous people. It's hard for us

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<v Speaker 1>to day in the real world, so we need a

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<v Speaker 1>secret online club to protect our privacy. Oh yeah, I

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<v Speaker 1>mean I'm a podcast personality. So I actually applied to

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<v Speaker 1>get on Riya. You have to fill out a little application. Really,

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<v Speaker 1>and um I was waitless. Oh well you were. That's

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<v Speaker 1>too bad, Carolina. I mean I absolutely had no idea

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<v Speaker 1>that would happen to you wait list. Okay, so sorry,

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<v Speaker 1>you know what, Have you met anyone on Ria? Yes?

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<v Speaker 1>I chadded with this woman, Marissa. We matched immediately. She's

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<v Speaker 1>an influencer, which is great because it essentially means she

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<v Speaker 1>does nothing lots of free time, but she also has

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<v Speaker 1>money and endless time to meet up and try different

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<v Speaker 1>restaurants with a potential lover such as myself. And did

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<v Speaker 1>you end up going on a date with Marissa? No,

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<v Speaker 1>I didn't. Marissa ended up also matching with Derek Huff

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<v Speaker 1>from Dancing with the Stars. I wasn't upset when she

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<v Speaker 1>told me. After all, he has symmetrical features and a

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<v Speaker 1>dancers physique. I just told her, you hit the jackpot, honey,

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<v Speaker 1>get that guy to put a ring on it, if

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<v Speaker 1>you know what's good for you. Okay, So no more

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<v Speaker 1>riot dates. Then, well, some ladies message me, but I

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<v Speaker 1>swear give them an hour on that thing, And all

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<v Speaker 1>of a sudden they text me a picture of Derek Huff.

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<v Speaker 1>You'll think I'm lying, but I was cuckolded for Derek

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<v Speaker 1>Huff three separate times. They're all dating Derek Huff. They're

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<v Speaker 1>dancing with the stars. I don't know how he does it.

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<v Speaker 1>Are there four of them? Just one? Right? Well, he's

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<v Speaker 1>cleaning up and listen. I don't want some flashy romance.

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<v Speaker 1>I just I just want someone to get drunk with

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<v Speaker 1>on a Monday night while we dance to the Cornelius Brothers,

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<v Speaker 1>and then we could get in a drunken argument and

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<v Speaker 1>make up the next morning with empty promises. I hear you. Yeah,

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<v Speaker 1>some days, I just I just want someone to make

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<v Speaker 1>Baxter breakfast before I take him to music class. Yeah,

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<v Speaker 1>it's hard being all on your own, like I always say,

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<v Speaker 1>And another one bites the dust. But why can I

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<v Speaker 1>not conquer love? Those are Seals lyrics because the hook

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<v Speaker 1>brings you back. I ain't telling you no, lie, Okay,

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<v Speaker 1>and I think that Blues Traveler, well, I've got thick

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<v Speaker 1>skin and an elastic heart. We're don't see you again.

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<v Speaker 1>Suck it in, Suck it in, Suck it in if

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<v Speaker 1>you're in Tintin or Anne Blues Traveler. Okay, we're gonna

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<v Speaker 1>be right back with the Ron Burgundy Podcast after this message,

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<v Speaker 1>which sire, Oh my god. Okay, keep listening, Carolina. How

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<v Speaker 1>how excited are you for our guest today? I'm very

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<v Speaker 1>excited on the podcast. I'm gonna be honest, and you

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<v Speaker 1>know me very well. I'm not often starstruck. I mean

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<v Speaker 1>more often than not. I don't think you've ever seen me.

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<v Speaker 1>I did see you chase Princess Leo once down Hollywood Bull,

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<v Speaker 1>I did a sweaty six ft tall Princess Leiah. But yes,

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<v Speaker 1>that was the only time I've seen you really freak out. Yeah,

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<v Speaker 1>but I mean this next, guys. I have been a

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<v Speaker 1>tremendous fan of her for a long time, and though

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<v Speaker 1>many of you know her as a bona fide pop's sensation,

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<v Speaker 1>her her story is not one of overnight success. It's

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<v Speaker 1>a It's a story of determination, survival, and undeniable talent.

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<v Speaker 1>As a songwriter and a solo artist, she creates music

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<v Speaker 1>that is somehow deeply personal and at the same time universal.

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<v Speaker 1>She's also a very private person, a star who shines

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<v Speaker 1>so bright that she shuns the spotlight. Yes, I wrote that.

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<v Speaker 1>Wow for her, it isn't necessary. She turns that spotlight

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<v Speaker 1>back on us, the audience, and makes us reflect what

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<v Speaker 1>is the concept of celebrity? What is art? What is music?

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<v Speaker 1>I consider it a gift that she's allowed us to

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<v Speaker 1>go deep with her today and remove the mask and

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<v Speaker 1>let us now swing from the true chandelier that is Siah. Oh, Hello, Siah,

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<v Speaker 1>How are you? Hello? Sia? I'm sorry? It is it

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<v Speaker 1>is me, um Hi, I'm great, good, wonderful. Commonly people

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<v Speaker 1>call me Sia. Also it works for me. No, You've

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<v Speaker 1>got to be kidding me. I've worked, I worked so

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<v Speaker 1>hard on that intro and I'm I'm a huge fan,

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<v Speaker 1>and it's it's Sia. I'm so embarrassed. I've actually never

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<v Speaker 1>seen you work, so I'm so embarrassed. I feel like

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<v Speaker 1>a boob. Oh brother, will you accept my apologies? Sia,

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<v Speaker 1>certainly will I'm a big fan of yours. Thank you. Wow.

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<v Speaker 1>But look, I'm not just saying these. These aren't just

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<v Speaker 1>platitudes that I'm making up. I'm a serious fan. I

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<v Speaker 1>go back to zero seven, before your first solo album

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<v Speaker 1>and night Only se Right, that's that's your I'm an

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<v Speaker 1>O G gosh, it's Cia. All this time, I've been

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<v Speaker 1>saying Sia. Oh, but you probably used to get that

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<v Speaker 1>years ago, right. I would prefer it because, um, pretty

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<v Speaker 1>much everyone everyone thinks they're the first person to make

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<v Speaker 1>the joke, say so you would actually welcome it if you,

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<v Speaker 1>you know, stepped into an auditorium of ten thousand screaming

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<v Speaker 1>fans and they were all going, sih yeah Si, yeah, yeah,

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<v Speaker 1>that would be lovely. That would be lovely. It would

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<v Speaker 1>be lovely. Wait, okay, I'm sorry, see you hold on once.

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<v Speaker 1>Something's going on here. This is a long, practical joke

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<v Speaker 1>that my friends and the crew here have been playing

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<v Speaker 1>on me for years. You have all been letting me

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<v Speaker 1>say Sia on purpose. Carolina, are you in on this?

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<v Speaker 1>I'm sorry. You just know how much you love to

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<v Speaker 1>see and we thought it would be a funny prank.

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<v Speaker 1>How did you never see anyone say her name? How

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<v Speaker 1>did you never hear anyone say her name as Cia

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<v Speaker 1>for all these years? But no idea, it's weird. I

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<v Speaker 1>guess I would just so focused on see his music.

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<v Speaker 1>Normally i'd be furious at all of you, but this

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<v Speaker 1>is really funny. I wouldn't worry about it. I had

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<v Speaker 1>a lot of problems saying words when I was growing up,

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<v Speaker 1>you and me both. Yeah, I was like, uh, like

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<v Speaker 1>I didn't know how many nas Banana hadn't it could

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<v Speaker 1>go on forever? No, no, no, no, no no no, yeah,

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<v Speaker 1>it could go on. And then I also couldn't say elbow.

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<v Speaker 1>I couldn't say that el and the elbow. Um My

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<v Speaker 1>dad would say elbow and I'd say bow and would

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<v Speaker 1>you would you draw it out like that? Yeah? Yeah,

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<v Speaker 1>and then you go nearly nearly I could. I couldn't

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<v Speaker 1>say uh, I couldn't say refrigerator. Well, I still have

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<v Speaker 1>trouble refrigerator, refrigerator, refrigerator. Yeah, so I just called it

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<v Speaker 1>a fridge. That's uncomfortable. Comfortable, Oh, uncomfortable imfortable. That's kind

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<v Speaker 1>of a door. And of course nuclear and for nuclear war,

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<v Speaker 1>which I was terribly afraid of as a child. Computer

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<v Speaker 1>I used to switch up put an R in their computer.

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<v Speaker 1>I'm gonna go on the computer anyway. You guys have

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<v Speaker 1>a lot in common. I guess we did. That's that's

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<v Speaker 1>not That's not the worst thing, isn't me and I

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<v Speaker 1>have a lot in common? Okay, I'll take it. Hey,

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<v Speaker 1>run are you single? Yes? I am? I certainly am.

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<v Speaker 1>Did your voice just drop? No? This is my normal.

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<v Speaker 1>But anyway, see, yes, I am currently single. How could

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<v Speaker 1>it be? Well, that's what I tell Carolina all the time.

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<v Speaker 1>She makes fun of me for being single, and I'm like, look,

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<v Speaker 1>this is strange, strange that I'm single. Yeah, I'm not.

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<v Speaker 1>I'm not. I wouldn't saying I I do a lot

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<v Speaker 1>of gallivanting around town. So you're not a virgine. Get

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<v Speaker 1>out of town you But no, no, no, no, no

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<v Speaker 1>face sor yeah, I'm starting to sweat. You got me?

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<v Speaker 1>Never let him see a sweat, that's what they that's

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<v Speaker 1>what they say in the news game. Never let him. Yes,

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<v Speaker 1>thank you, Bengo. Wow, this is a real banter. Um.

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<v Speaker 1>I mean, Carolina, you have to back me up on

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<v Speaker 1>this and no more jokes and this is the truth.

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<v Speaker 1>But I am. I can you tell see what a

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<v Speaker 1>die hard fan I am. Oh my god. I mean

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<v Speaker 1>Ron always says that the people who were first exposed

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<v Speaker 1>to see his music from the ending of six ft Under,

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<v Speaker 1>we're total posers. Thank you, thank you. See, I'm telling

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<v Speaker 1>you I was there before breathe me not that, not

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<v Speaker 1>that I didn't cry my eyes out like the rest

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<v Speaker 1>of the world with that song at the end of

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<v Speaker 1>six ft under. Okay, no, no, we're not going to

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<v Speaker 1>go there. I'm gonna start crying just thinking about it

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<v Speaker 1>right now whenever he thinks about the marriage of your

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<v Speaker 1>song and the end of six ft under. Okay, Hey,

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<v Speaker 1>professional atmosphere, Okay, let me put myself together. Got this

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<v Speaker 1>interview is off to a terrible start. I feel like

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<v Speaker 1>a total boob. I'm sorry. Eat, that's two times you've

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<v Speaker 1>said you feel like a boom. Isn't a bad thing.

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<v Speaker 1>Let me just try to try to correct myself, collect myself. Correct.

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<v Speaker 1>I gotta come correct like O g that you exactly exactly.

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<v Speaker 1>I want to go back to your work with Crisp.

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<v Speaker 1>Oh yeah, I always appreciate because I think we both

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<v Speaker 1>share a love of jazz fusion. Do you love jazz fusion? Well,

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<v Speaker 1>I certainly did. Then and I actually I have to say,

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<v Speaker 1>I still I still do you still enjoy some Yeah?

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<v Speaker 1>We called ourselves, um what was it? A hip hop

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<v Speaker 1>jazz fusion explosion. That's what we called ourselves at the time,

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<v Speaker 1>hip hop pop jazz infusion fusion, yes, confusion, um yeah,

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<v Speaker 1>and that we yeah yeah. And he and our bass player,

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<v Speaker 1>he's to say, when things were cool, he would be

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<v Speaker 1>like that, that is crisp. Okay, that's why. Yeah, that's

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<v Speaker 1>why we called ourselves crisp, because we wanted to be

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<v Speaker 1>cool in the eyes of our bass players. Oh. I

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<v Speaker 1>just assumed you enjoyed what we call over here potato chips.

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<v Speaker 1>Oh I don't. I don't not. You do not enjoy

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<v Speaker 1>a crisp It's true. I like those Hawaiian ones. I

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<v Speaker 1>don't know if I'm familiar with the Hawaiian ones. Hawaiian chips,

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<v Speaker 1>Hawaiian barbecue chips, like barbecue flavor. They're just Hawaiian chips.

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<v Speaker 1>They just, oh gosh, they're so yummy. I I'm actually

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<v Speaker 1>an animal rights activist. Everyone knows this, and it's something

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<v Speaker 1>you and I have in common. I like that. I

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<v Speaker 1>just want you to know I use only cruelty free

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<v Speaker 1>cologne I'm currently wearing is totally cruelty free. I'm really

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<v Speaker 1>proud of you. It was actually it was tested Tho

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<v Speaker 1>was tested on Mobi. He tests all my cologes for me. Yes,

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<v Speaker 1>I have him tests most good food. He's a good dude.

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<v Speaker 1>That movie he's certainly a good dude, and he's doing

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<v Speaker 1>everything he can with his celebrity to help them animals.

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<v Speaker 1>I know animal rights is a big part of your life.

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<v Speaker 1>Can we just speak on that for a moment, because

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<v Speaker 1>it's an issue, like I said, close to both of

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<v Speaker 1>our arts, except for kangaroos, they're just evil. But um,

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<v Speaker 1>but for for for many reasons, including environmental, Do we

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<v Speaker 1>do we need to look at more plant based diets?

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<v Speaker 1>Is that? Yes? For sure? The best one is impossible

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<v Speaker 1>Possible foods. Impossible burgers are the most delicious thing in

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<v Speaker 1>the world. I had one didn't almost just like exactly

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<v Speaker 1>like beef, and you couldn't even tell the difference. I

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<v Speaker 1>walked into my butcher and I just gave him the

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<v Speaker 1>middle for anger. So take that. I just impossible, and

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<v Speaker 1>he had no idea what to make of it. I

0:15:10.960 --> 0:15:13.760
<v Speaker 1>broke his glass case in his shop and just pummeled

0:15:13.840 --> 0:15:16.480
<v Speaker 1>him with a bunch of pork chops said, how dare

0:15:16.560 --> 0:15:24.240
<v Speaker 1>you This impossible burger blows you away? Good? I'm so glad.

0:15:24.480 --> 0:15:26.920
<v Speaker 1>I mean, not about the violence part, but just then

0:15:27.000 --> 0:15:32.040
<v Speaker 1>impossible burger part. I felt good about the violence. I

0:15:32.120 --> 0:15:35.240
<v Speaker 1>don't know, because I don't give it a lot of

0:15:35.280 --> 0:15:39.920
<v Speaker 1>fist fights. I only I although that I guess you're

0:15:40.000 --> 0:15:45.200
<v Speaker 1>really you fall under my rules for violence, which is

0:15:45.400 --> 0:15:48.040
<v Speaker 1>I would only want to punch someone or cook someone

0:15:48.160 --> 0:15:52.320
<v Speaker 1>who had hurt like a dog. So you guess. I

0:15:52.360 --> 0:15:54.800
<v Speaker 1>guess they've heard a lot of animals. Sometimes there's those

0:15:54.880 --> 0:16:02.160
<v Speaker 1>nippy dogs like you know, no, run, okay, you sure

0:16:02.280 --> 0:16:04.640
<v Speaker 1>you want to make a good impression like a lopso

0:16:04.720 --> 0:16:07.440
<v Speaker 1>aso or something like that, give a little backhand. No, no,

0:16:08.800 --> 0:16:10.680
<v Speaker 1>you do? You know you know what I say, run,

0:16:10.840 --> 0:16:14.480
<v Speaker 1>I say, if your dog does something wrong, roll the

0:16:14.560 --> 0:16:17.560
<v Speaker 1>newspaper up and hit yourself in the head with it,

0:16:18.000 --> 0:16:22.240
<v Speaker 1>because it's always your fault. Were the dogs doing wrong? Though?

0:16:22.600 --> 0:16:24.520
<v Speaker 1>I thought you were gonna say something totally different. I

0:16:24.560 --> 0:16:26.840
<v Speaker 1>thought you were gonna say, take a piece of newspaper

0:16:26.920 --> 0:16:28.600
<v Speaker 1>and go to the bathroom on it in the corner.

0:16:29.640 --> 0:16:33.680
<v Speaker 1>Oh yeah, well, I mean you can do a little

0:16:33.720 --> 0:16:37.880
<v Speaker 1>pe bad, little human p bad. M hmm. I tried

0:16:37.960 --> 0:16:42.560
<v Speaker 1>diapers once because I love watching television so much. Yeah,

0:16:43.360 --> 0:16:47.920
<v Speaker 1>every was that sensation. It was, well, here's exactly what happened,

0:16:48.240 --> 0:16:52.120
<v Speaker 1>is that I pay every thirty thirty seconds thirty minutes

0:16:52.720 --> 0:16:56.240
<v Speaker 1>um usually, and so I was really frustrated because I

0:16:56.440 --> 0:16:58.720
<v Speaker 1>was watching a lot of television, which I'm addicted to.

0:16:59.680 --> 0:17:02.680
<v Speaker 1>He was terrupting the flow. It was interrupting my television.

0:17:03.120 --> 0:17:06.040
<v Speaker 1>So I ordered some diapers on Amazon whilst lying down

0:17:06.119 --> 0:17:09.639
<v Speaker 1>watching television, and then they arrived and I put them

0:17:09.800 --> 0:17:12.320
<v Speaker 1>on and I and then I watched television until I

0:17:12.359 --> 0:17:14.240
<v Speaker 1>needed to pee. And then I tried to pee, and

0:17:14.320 --> 0:17:17.639
<v Speaker 1>I realized my body wouldn't let me pee clothes on,

0:17:17.880 --> 0:17:21.840
<v Speaker 1>lying down, It just wouldn't let me. And then so

0:17:22.000 --> 0:17:24.800
<v Speaker 1>then I stood up, and I was like, can I pee? Will?

0:17:24.840 --> 0:17:26.959
<v Speaker 1>I can be in the shower? Why can't I pee? Now?

0:17:27.080 --> 0:17:29.639
<v Speaker 1>I couldn't be in the diaper standing up with clothes on.

0:17:30.200 --> 0:17:32.119
<v Speaker 1>So then I went to the toilet and I had

0:17:32.160 --> 0:17:35.280
<v Speaker 1>to sit on the toilet wearing the diaper, and then

0:17:35.359 --> 0:17:37.679
<v Speaker 1>I could pee, And then you finally could. It sounds

0:17:37.720 --> 0:17:40.399
<v Speaker 1>like you need to sue the manufacture of the diaper company.

0:17:41.160 --> 0:17:45.600
<v Speaker 1>It's weird, it's certainly. I have no idea what happened,

0:17:45.640 --> 0:17:48.520
<v Speaker 1>but it was not useful for me and my problem.

0:17:49.400 --> 0:17:56.040
<v Speaker 1>Ron had a previous girlfriend actually, who wore diapers for

0:17:56.119 --> 0:17:59.560
<v Speaker 1>a road trip. She's an astronaut. Oh yeah, this was

0:17:59.600 --> 0:18:02.960
<v Speaker 1>an act. She broke my heart and just letting you know.

0:18:03.200 --> 0:18:06.359
<v Speaker 1>The one day we met in a silver shop, really

0:18:06.640 --> 0:18:12.320
<v Speaker 1>the only good silver shop in San Diego. Fork it up,

0:18:13.640 --> 0:18:18.560
<v Speaker 1>I was. I was looking for an oyster fork for Baxter. Anyway,

0:18:18.640 --> 0:18:21.360
<v Speaker 1>let's not talk about her. Um, I want to talk

0:18:21.400 --> 0:18:26.080
<v Speaker 1>about you. See can you, I mean, do you have look?

0:18:26.200 --> 0:18:29.080
<v Speaker 1>In addition to your brilliant solo career, you've written so

0:18:29.200 --> 0:18:33.080
<v Speaker 1>many songs for other artists. Can can you indulge us

0:18:33.080 --> 0:18:39.040
<v Speaker 1>in explain to our audience what a top line songwriter is? Yes? Um, well,

0:18:39.240 --> 0:18:41.800
<v Speaker 1>you know how when you listen to a song, there's

0:18:42.160 --> 0:18:48.480
<v Speaker 1>music and instruments, and then on top of that there's singing,

0:18:48.920 --> 0:18:54.680
<v Speaker 1>melodies and harmonies and words lyrics. Yeah. So, well, a

0:18:54.760 --> 0:18:57.440
<v Speaker 1>top line writer is the person in charge of the

0:18:57.600 --> 0:19:02.480
<v Speaker 1>melody and the singing and all of the harmonies parts

0:19:02.560 --> 0:19:04.880
<v Speaker 1>and the words. Yeah. Well, to me, it's the easy

0:19:04.920 --> 0:19:07.920
<v Speaker 1>bits and the words but to some people it's the

0:19:08.040 --> 0:19:10.760
<v Speaker 1>hard bits, like to me that it would be really

0:19:10.880 --> 0:19:12.960
<v Speaker 1>hard to be a producer, which is what the name

0:19:13.000 --> 0:19:15.480
<v Speaker 1>of the person who takes care of all the music is.

0:19:16.200 --> 0:19:20.359
<v Speaker 1>Oh yeah, Plus they're the shady people, aren't they? The producers. Well,

0:19:21.160 --> 0:19:24.760
<v Speaker 1>I managed to find a pretty good bunch on a whole,

0:19:24.920 --> 0:19:32.199
<v Speaker 1>I'd say, yeah, okay, so on a whole. It's an

0:19:32.280 --> 0:19:35.760
<v Speaker 1>industry of sleeves balls. But you found a handful of

0:19:35.840 --> 0:19:38.720
<v Speaker 1>good ones. I did. I have found the good. Eat

0:19:38.960 --> 0:19:41.440
<v Speaker 1>so many, so many hits written by you, see a

0:19:41.520 --> 0:19:46.320
<v Speaker 1>fuller I mean Diamonds by Rihanna. You wrote that it's

0:19:46.400 --> 0:19:50.280
<v Speaker 1>so weird, shine bright like a diamond, Shine like a

0:19:50.400 --> 0:19:53.480
<v Speaker 1>diamond sing it. I obviously can't do it as well

0:19:53.520 --> 0:19:58.720
<v Speaker 1>as Rihanna. Yeah, she's pretty, she's amazing. I thought, well,

0:19:58.840 --> 0:20:02.480
<v Speaker 1>I actually thought me on that demo when they played

0:20:02.560 --> 0:20:06.000
<v Speaker 1>me finally her cut of the song, and I thought

0:20:06.080 --> 0:20:09.399
<v Speaker 1>they were pranking me because she had it was so

0:20:09.760 --> 0:20:13.440
<v Speaker 1>perfectly exactly the way that I had the demo that

0:20:13.560 --> 0:20:17.280
<v Speaker 1>I had sent over, and so that's what that was weird.

0:20:17.560 --> 0:20:20.240
<v Speaker 1>And then so I'm like, my Rihanna or is Rihanna

0:20:20.320 --> 0:20:24.680
<v Speaker 1>me sure? But I often have that same daydream. Is

0:20:24.720 --> 0:20:26.840
<v Speaker 1>there anything I can do vocally to make it make

0:20:27.119 --> 0:20:30.160
<v Speaker 1>my voice sound more like Rihanna? Yeah, you could bring

0:20:30.240 --> 0:20:34.280
<v Speaker 1>it up a little bit more into your nose, trying

0:20:34.320 --> 0:20:37.880
<v Speaker 1>to bring like a diamond. That's much better, but else

0:20:38.000 --> 0:20:43.320
<v Speaker 1>that's also sounds you really like one of the muppets. Well,

0:20:43.320 --> 0:20:45.439
<v Speaker 1>I don't want to sound not also not a bad thing.

0:20:46.240 --> 0:20:50.679
<v Speaker 1>I want to sound like Rihanna. He's like same, right, Diamon.

0:20:51.359 --> 0:20:53.480
<v Speaker 1>I guess it's in the throat and then the nose

0:20:53.600 --> 0:20:59.080
<v Speaker 1>face j Jame read like a diamond. It was closer

0:20:59.160 --> 0:21:08.240
<v Speaker 1>to something like sir uh, let's see shame right dying? Yeah,

0:21:09.119 --> 0:21:14.440
<v Speaker 1>okay it run, just push it out. You know you're

0:21:14.520 --> 0:21:21.200
<v Speaker 1>hearing footsteps, aren't you. Rihanna's exactly Look see, I don't

0:21:21.200 --> 0:21:23.199
<v Speaker 1>want to embarrass you, but I'm just gonna list off

0:21:23.280 --> 0:21:25.680
<v Speaker 1>some of the artists that you've written songs for because

0:21:25.720 --> 0:21:31.240
<v Speaker 1>it's it's truly amazing. Okay, So here we go, Kelly Clarkson, Shakira,

0:21:32.320 --> 0:21:41.320
<v Speaker 1>pit Bull, Beyonce, Katie Perry, Brittney Spears, Maroon five, Maroon six,

0:21:42.160 --> 0:21:46.280
<v Speaker 1>Average White Band, Bo Donaldson, and Haywoods. I mean you

0:21:46.359 --> 0:21:51.560
<v Speaker 1>wrote their song Billy don't be a hero. Incredible, incredible,

0:21:51.920 --> 0:21:55.199
<v Speaker 1>It's true. But my best work was The Wind Cries Mary,

0:21:55.760 --> 0:22:02.159
<v Speaker 1>The Wind crist Mary by Jimmie Hendriks And me, what

0:22:02.960 --> 0:22:05.840
<v Speaker 1>I mean, what is that like collaborating with an artist

0:22:05.960 --> 0:22:07.760
<v Speaker 1>as a songwriter. I mean, do you ever do you

0:22:07.800 --> 0:22:10.440
<v Speaker 1>ever have to say, hey, pit Bull, that lyric you

0:22:10.560 --> 0:22:13.359
<v Speaker 1>just wrote his crap? Fix it? Because you don't know.

0:22:13.680 --> 0:22:16.360
<v Speaker 1>I would be intimidated to say that to pit Bull. Well,

0:22:16.520 --> 0:22:20.359
<v Speaker 1>I'll sometimes challenge somebody, depends on their their temperament, but

0:22:20.520 --> 0:22:23.720
<v Speaker 1>most of the time I'm just there to work for them,

0:22:24.520 --> 0:22:29.840
<v Speaker 1>and I um, I managed their stations and their egos,

0:22:30.000 --> 0:22:32.640
<v Speaker 1>and well, I turn off. I'm not seeing the pop

0:22:32.680 --> 0:22:35.480
<v Speaker 1>star when I work for somebody, I'm seeing the songwriters.

0:22:35.600 --> 0:22:38.640
<v Speaker 1>So they are above me. And so I think you're

0:22:38.640 --> 0:22:43.440
<v Speaker 1>too nice. I think you're being too nice. Thanks. But

0:22:43.600 --> 0:22:46.320
<v Speaker 1>I I think that's the reason I get to write

0:22:46.400 --> 0:22:49.359
<v Speaker 1>so many good, fun pop songs with so many people

0:22:49.480 --> 0:22:52.119
<v Speaker 1>is because I'm not a jerk. I know. I just

0:22:52.240 --> 0:22:54.600
<v Speaker 1>go in there and I'm like, at your service, sm'am

0:22:54.960 --> 0:23:00.239
<v Speaker 1>or at your service, sir, yes, And I say how

0:23:00.280 --> 0:23:02.440
<v Speaker 1>are you feeling? And we talked about the feelings, and

0:23:02.520 --> 0:23:05.119
<v Speaker 1>then we wrote a song about that. Usually what pull

0:23:05.200 --> 0:23:09.240
<v Speaker 1>feeling usually people it was I didn't make people until

0:23:09.320 --> 0:23:13.240
<v Speaker 1>after I'd already written that song, which was definitely not

0:23:13.440 --> 0:23:15.959
<v Speaker 1>supposed to be me singing on it, because I am

0:23:16.080 --> 0:23:20.880
<v Speaker 1>certainly not shutting down any clubs once again. I would

0:23:20.880 --> 0:23:24.920
<v Speaker 1>be intimidated by pit bull. He was a good cuddler.

0:23:25.000 --> 0:23:27.240
<v Speaker 1>I met him just once afterwards, and they gave me

0:23:27.320 --> 0:23:29.440
<v Speaker 1>a big dog and it was a little beautiful. It's

0:23:29.480 --> 0:23:32.280
<v Speaker 1>good to know. It's something we don't know about old

0:23:32.320 --> 0:23:36.480
<v Speaker 1>pit bulls. He loves a good cuddle. He's a good cuddler,

0:23:37.520 --> 0:23:41.159
<v Speaker 1>you know. Truth be told. I dabbled around some songwriting myself.

0:23:41.359 --> 0:23:45.560
<v Speaker 1>I I'm embarrassed to say this, but I'm gonna say

0:23:45.560 --> 0:23:48.080
<v Speaker 1>it anyway. I co wrote the theme song to the

0:23:48.440 --> 0:23:50.880
<v Speaker 1>the old TV show Punky Brewster. Do you remember that show?

0:23:51.720 --> 0:23:54.680
<v Speaker 1>That was one of my favorite? Oh? Really? Yeah? Yeah?

0:23:54.800 --> 0:23:59.679
<v Speaker 1>Me and a guy named Gary Portnoy wrote that one together. Oh.

0:23:59.800 --> 0:24:02.160
<v Speaker 1>She was like one of my fashion icons. The other

0:24:02.400 --> 0:24:07.280
<v Speaker 1>was Whoopie Goldberg um, and then Eddie um uh it's

0:24:07.280 --> 0:24:13.360
<v Speaker 1>the comedian Eddie Murphy. Yeah, Leddie Murphy. I didn't write

0:24:13.359 --> 0:24:16.280
<v Speaker 1>a song for him. They were my fashion icons. Well,

0:24:16.320 --> 0:24:19.160
<v Speaker 1>I askew with I went onto a fashion. The only

0:24:19.200 --> 0:24:21.600
<v Speaker 1>bomber is I didn't get credit for writing the Punky

0:24:21.640 --> 0:24:26.000
<v Speaker 1>Brewster theme. It's still in litigation, so I'm sorry. I

0:24:26.160 --> 0:24:31.080
<v Speaker 1>believe you. Oh okay, you cut it out, but maybe

0:24:31.119 --> 0:24:32.879
<v Speaker 1>you can help me as a character witness when it

0:24:32.960 --> 0:24:37.439
<v Speaker 1>does go to court. Well yeah, okay, okay done. I mean,

0:24:37.520 --> 0:24:39.960
<v Speaker 1>I've got a lot of free time. We'll send contracts

0:24:40.000 --> 0:24:45.480
<v Speaker 1>over to you. Back to your incredible career. So Shandelier

0:24:46.000 --> 0:24:48.760
<v Speaker 1>was obviously a huge breakthrough hit. Did you Did you

0:24:48.840 --> 0:24:50.639
<v Speaker 1>know when you were recording that song that it was

0:24:50.720 --> 0:24:53.800
<v Speaker 1>just going to be gigantic? I didn't. I recorded it

0:24:53.920 --> 0:24:55.840
<v Speaker 1>and then I sat down and I was like, oh,

0:24:56.600 --> 0:24:58.680
<v Speaker 1>I think this one. I like it too much to

0:24:58.720 --> 0:25:01.280
<v Speaker 1>give away. But then I was like, I was like nah,

0:25:01.560 --> 0:25:04.080
<v Speaker 1>and so I sent it over to Rihanna and then

0:25:04.280 --> 0:25:07.040
<v Speaker 1>Rihanna rejected it, and I was like, oh good, And

0:25:07.119 --> 0:25:09.879
<v Speaker 1>I felt because I had sellers remorse as soon as

0:25:09.920 --> 0:25:14.760
<v Speaker 1>I pressed send, So um I kept it, and I

0:25:15.000 --> 0:25:17.879
<v Speaker 1>was really pleased because sometimes I had to get like

0:25:17.960 --> 0:25:20.480
<v Speaker 1>I gave bird Set free went to a couple of

0:25:20.560 --> 0:25:24.320
<v Speaker 1>different people before, and I had sellers remorse every time

0:25:24.400 --> 0:25:27.920
<v Speaker 1>Rihanna an Adele, and then I had sellers remorse both times,

0:25:28.000 --> 0:25:30.960
<v Speaker 1>but then both times I got it back just because

0:25:31.040 --> 0:25:33.920
<v Speaker 1>that it didn't end up on their records, and I

0:25:34.000 --> 0:25:37.639
<v Speaker 1>was relieved. You don't back to chandelier. I think what

0:25:37.880 --> 0:25:41.320
<v Speaker 1>you really capture something, because people see chandeliers every day,

0:25:42.080 --> 0:25:44.520
<v Speaker 1>and there's not a day goes by where a person

0:25:44.640 --> 0:25:47.000
<v Speaker 1>doesn't see a chandelier, and if they're if they're lucky,

0:25:47.040 --> 0:25:50.960
<v Speaker 1>they own at least three of them, like I do. So, Carolina,

0:25:51.000 --> 0:25:53.640
<v Speaker 1>how many chandeliers do you own? I don't own a chandelier,

0:25:53.640 --> 0:25:56.720
<v Speaker 1>and I don't really see them every day. See, people

0:25:56.760 --> 0:25:58.879
<v Speaker 1>probably send you a free chandelier all the time. You

0:25:59.000 --> 0:26:03.480
<v Speaker 1>must be sick of having just chandeliers being sent to you, right. Actually,

0:26:03.600 --> 0:26:06.600
<v Speaker 1>the only person who ever sent me anything even resembling

0:26:06.640 --> 0:26:10.480
<v Speaker 1>a chandelier with Celine Dion. But it was more of

0:26:10.560 --> 0:26:15.360
<v Speaker 1>an abstract work of art, and she made it herself

0:26:15.880 --> 0:26:20.160
<v Speaker 1>and I love her. I love her too. She hasn't

0:26:20.200 --> 0:26:24.399
<v Speaker 1>sent her I love her three Yeah, I know she

0:26:24.480 --> 0:26:27.800
<v Speaker 1>has yet to send me anything. Well, whenever you're performing

0:26:27.880 --> 0:26:32.440
<v Speaker 1>in Vegas, just let her know, because that apparently that's

0:26:32.480 --> 0:26:34.879
<v Speaker 1>all I mean. I don't know if she makes presents

0:26:34.960 --> 0:26:38.040
<v Speaker 1>for everybody that comes through Vegas. But I couldn't believe

0:26:38.119 --> 0:26:41.560
<v Speaker 1>the presents, so that she sent me flowers and roses,

0:26:41.640 --> 0:26:46.119
<v Speaker 1>and she sent me a beautiful, weird esque sort of

0:26:46.280 --> 0:26:48.680
<v Speaker 1>lamp like a chandelier, but it had all bits and

0:26:48.800 --> 0:26:53.159
<v Speaker 1>Bob's like my past record artwork on it. Well, don't you,

0:26:53.240 --> 0:26:56.600
<v Speaker 1>I mean, don't you think? Chandelier is an aspirational song

0:26:56.680 --> 0:26:59.520
<v Speaker 1>and it says, Hey, world, one day, I'm I'm going

0:26:59.560 --> 0:27:01.680
<v Speaker 1>to be so effing rich. I can walk into a

0:27:01.840 --> 0:27:05.200
<v Speaker 1>chandelier store and go nuts and swing around like a

0:27:05.320 --> 0:27:07.760
<v Speaker 1>maniac and wreck the place and I'll pay for the

0:27:07.880 --> 0:27:12.920
<v Speaker 1>damages like it's nothing. Well, I mean, that's something I

0:27:13.040 --> 0:27:15.720
<v Speaker 1>related to in the song. I actually did that one.

0:27:15.760 --> 0:27:18.240
<v Speaker 1>You've heard, You've heard, You've heard the song, You've heard

0:27:18.320 --> 0:27:23.840
<v Speaker 1>completely destroyed a chandelier store? Have you heard the song run?

0:27:24.480 --> 0:27:28.119
<v Speaker 1>I think he's greatly misinterpreting the song. I just I

0:27:28.280 --> 0:27:30.720
<v Speaker 1>was just thinking you might have missed the point just

0:27:30.960 --> 0:27:36.239
<v Speaker 1>a little bit. But it's also open to interpretation. I mean,

0:27:36.280 --> 0:27:39.240
<v Speaker 1>that's what's absolutely that's what's great. It is once I

0:27:39.359 --> 0:27:42.840
<v Speaker 1>put it out, it belongs to you. Well, seriously, though,

0:27:42.920 --> 0:27:45.200
<v Speaker 1>I do feel bad about the thousands of dollars in

0:27:45.359 --> 0:27:50.520
<v Speaker 1>damages I caused at the Chandelier store Inventura, and I'm

0:27:50.520 --> 0:27:53.920
<v Speaker 1>still making payments on that every month. But that was

0:27:54.000 --> 0:27:57.840
<v Speaker 1>the old run. That was like two months ago. I

0:27:58.480 --> 0:28:00.200
<v Speaker 1>you know, I want to talk about the way you

0:28:00.359 --> 0:28:04.160
<v Speaker 1>match your music to visuals, whether it's your stage shows

0:28:04.359 --> 0:28:07.760
<v Speaker 1>or the incredible music videos you've done with Maddie Ziegler.

0:28:09.080 --> 0:28:12.000
<v Speaker 1>Can we talk about her? What? What a discovery? Wow,

0:28:12.240 --> 0:28:16.720
<v Speaker 1>she's my little munchkin. She's my friend now still I

0:28:16.880 --> 0:28:19.240
<v Speaker 1>sort of, she's still like it, but she's not literally

0:28:19.280 --> 0:28:23.119
<v Speaker 1>a munchkin, is she? She's not. Actually, I just want

0:28:23.160 --> 0:28:27.280
<v Speaker 1>to make the listeners no, because it's about yes exactly.

0:28:27.359 --> 0:28:30.080
<v Speaker 1>Of course that was sorry. It was a real was

0:28:30.160 --> 0:28:33.720
<v Speaker 1>a real misleading statement I made there. But she's very

0:28:33.800 --> 0:28:37.800
<v Speaker 1>special to you, toll special. She's going to be eighteen

0:28:38.040 --> 0:28:41.840
<v Speaker 1>in September, and I met her when she was eleven,

0:28:42.160 --> 0:28:45.640
<v Speaker 1>and I love her very much as a daughter, and

0:28:46.560 --> 0:28:50.720
<v Speaker 1>um yeah, and sometimes I squeeze her really tight and

0:28:50.840 --> 0:28:53.200
<v Speaker 1>I say, am I smothering you? And she goes, no,

0:28:53.560 --> 0:28:58.240
<v Speaker 1>come closer, because I would be like, get off me, lady. Yeah,

0:28:58.360 --> 0:29:00.280
<v Speaker 1>I know I would be too, but you have a

0:29:00.320 --> 0:29:06.360
<v Speaker 1>special relationship. I guess that's that's to be snuggled. That's

0:29:06.400 --> 0:29:08.640
<v Speaker 1>wonderful to hear. Can I ask you this? Do you

0:29:09.440 --> 0:29:14.160
<v Speaker 1>see music visually? How does the melody? I don't have synesthesia,

0:29:14.240 --> 0:29:18.360
<v Speaker 1>but I do Um. I get out of the way

0:29:18.920 --> 0:29:22.720
<v Speaker 1>and then it just comes through. So I believe, like

0:29:22.920 --> 0:29:26.800
<v Speaker 1>whatever your higher power is or whatever you believe in,

0:29:27.440 --> 0:29:30.760
<v Speaker 1>I guess just comes like I sort of pop out

0:29:30.800 --> 0:29:34.440
<v Speaker 1>of the way and then I channel whatever that higher

0:29:34.560 --> 0:29:39.960
<v Speaker 1>power is. I I do not see music when I

0:29:40.040 --> 0:29:43.120
<v Speaker 1>close my eyes. No, I don't either, But my friend

0:29:43.240 --> 0:29:48.760
<v Speaker 1>Labyrinth does. He totally sees it. And that's called synesthesia

0:29:49.600 --> 0:29:53.040
<v Speaker 1>and is stead of disease. Well, it's not a disease,

0:29:53.160 --> 0:29:58.640
<v Speaker 1>as it's not treatable, but it's when two or more

0:29:58.800 --> 0:30:02.160
<v Speaker 1>sensations get together. So he only has a couple wants

0:30:02.240 --> 0:30:06.040
<v Speaker 1>to live. It's gonna be fine. Oh, he's fine, Okay,

0:30:06.560 --> 0:30:11.480
<v Speaker 1>it's fine. I sometimes see, well, I'll see little squiggly dots,

0:30:12.160 --> 0:30:15.120
<v Speaker 1>you know, when I close my eyes, and I'll give

0:30:15.200 --> 0:30:19.880
<v Speaker 1>them names like Fred or Steve or Cassandra. Are they

0:30:20.000 --> 0:30:22.600
<v Speaker 1>there for that long? Well, I don't know. I don't know.

0:30:22.720 --> 0:30:25.880
<v Speaker 1>I just told you that that's weird. I'm being weird,

0:30:26.800 --> 0:30:31.320
<v Speaker 1>not at all. I'm just a little nervous. It happens.

0:30:32.520 --> 0:30:36.160
<v Speaker 1>That's like the dumbest thing I've ever said. Okay, it's

0:30:36.200 --> 0:30:39.680
<v Speaker 1>just an aura. Probably, See how we live in this

0:30:39.880 --> 0:30:43.560
<v Speaker 1>culture of celebrity that can quite frankly, be very toxic.

0:30:43.680 --> 0:30:50.520
<v Speaker 1>And you navigated so well, what are your thoughts on celebrity? Yucky? Yes? Right,

0:30:51.360 --> 0:30:57.120
<v Speaker 1>pretty yucky? Yucky? Yep, so I just got just famous

0:30:57.280 --> 0:31:01.680
<v Speaker 1>enough to notice it was yucky before I um decided

0:31:01.760 --> 0:31:07.280
<v Speaker 1>to quickly put wigs on it, taking measures to counteract that.

0:31:07.920 --> 0:31:12.120
<v Speaker 1>Very very good on you. Yes, I swiftly realized fame

0:31:12.280 --> 0:31:15.360
<v Speaker 1>wasn't for me, and I realized that the only thing

0:31:15.480 --> 0:31:18.520
<v Speaker 1>missing in pop was mystery, So why not take up

0:31:18.600 --> 0:31:22.600
<v Speaker 1>that space? So smart, smart cookie, Let's see you telling

0:31:22.640 --> 0:31:28.360
<v Speaker 1>your Carolina. I know he see that little sound you

0:31:28.480 --> 0:31:35.480
<v Speaker 1>admitted you emitted, emitted, Emit shows signs of intelligence. It's true.

0:31:36.520 --> 0:31:40.479
<v Speaker 1>A dolphin like a dolphin exactly. M m m hm.

0:31:46.200 --> 0:31:51.360
<v Speaker 1>Did you ever see Day of the Dolphin? Hello, Oh,

0:31:51.360 --> 0:31:57.960
<v Speaker 1>oh my gosh, you're really good at that. Talk about

0:31:58.000 --> 0:31:59.960
<v Speaker 1>a movie that will make me cry. Day the Dolphin?

0:32:00.040 --> 0:32:04.000
<v Speaker 1>That is that really a movie? It really is Okay,

0:32:04.040 --> 0:32:05.960
<v Speaker 1>I'm going to go see it as soon as look

0:32:06.000 --> 0:32:08.600
<v Speaker 1>it up, because you know, I woke up ten minutes

0:32:08.680 --> 0:32:12.200
<v Speaker 1>before this interview, and then I spilled coffee on my pants,

0:32:12.400 --> 0:32:15.320
<v Speaker 1>and then I realized the dog had showed my shoelace,

0:32:15.800 --> 0:32:18.520
<v Speaker 1>so I had to find a spare shoelace, and I

0:32:18.760 --> 0:32:21.360
<v Speaker 1>thread my shoelace on the way here to the studio

0:32:22.040 --> 0:32:24.920
<v Speaker 1>and got my shoe on just in time, and then

0:32:25.040 --> 0:32:28.520
<v Speaker 1>walked in just on time to be in conversation with

0:32:28.680 --> 0:32:34.000
<v Speaker 1>you here, um and um. Now, as soon as we're finished,

0:32:34.000 --> 0:32:36.200
<v Speaker 1>I'll be going to get back into bed to watch

0:32:36.240 --> 0:32:38.640
<v Speaker 1>because I have a projector that projects onto my ceiling.

0:32:38.640 --> 0:32:40.479
<v Speaker 1>And you're going to pop in Day of the Dolphin

0:32:41.280 --> 0:32:46.320
<v Speaker 1>YEP with George C. Scott. Sure see. I I asked

0:32:46.400 --> 0:32:49.240
<v Speaker 1>this a lot of guests, But how do you deal

0:32:49.360 --> 0:32:54.040
<v Speaker 1>with the haters? You know? I just don't go on

0:32:54.520 --> 0:33:00.640
<v Speaker 1>any social media, so I have my managers they manage

0:33:00.680 --> 0:33:03.800
<v Speaker 1>my social media, and occasionally I have Twitter on my

0:33:03.880 --> 0:33:06.400
<v Speaker 1>phone so I can say something if I want to,

0:33:06.600 --> 0:33:09.600
<v Speaker 1>But then I actually have the self will to not

0:33:09.760 --> 0:33:11.960
<v Speaker 1>go back on and look at anything that they say

0:33:12.040 --> 0:33:15.760
<v Speaker 1>back unless I know it's going to be a nice

0:33:15.800 --> 0:33:18.560
<v Speaker 1>conversation like I just said, hey, I love you. What

0:33:18.680 --> 0:33:21.920
<v Speaker 1>are you guys watching purs usage? Because you don't need

0:33:21.960 --> 0:33:26.920
<v Speaker 1>that bull crap. No, it was part of why again

0:33:27.040 --> 0:33:29.800
<v Speaker 1>another reason I just thought, oh, I don't like being

0:33:29.880 --> 0:33:32.800
<v Speaker 1>famous at all. Because there was a period where they

0:33:32.840 --> 0:33:37.120
<v Speaker 1>were like die, goldfish die, and I was like, I

0:33:37.200 --> 0:33:39.880
<v Speaker 1>look like a goldfish. Well I don't think. It was

0:33:40.000 --> 0:33:44.400
<v Speaker 1>like thank you, and then I'll like die, horse face die.

0:33:45.320 --> 0:33:47.880
<v Speaker 1>I was like, do I look like a horse of

0:33:48.000 --> 0:33:52.920
<v Speaker 1>a horse face? And yeah, horses are beautiful creatures. Well

0:33:53.040 --> 0:33:55.320
<v Speaker 1>I think so too, But at the time I just

0:33:55.480 --> 0:33:57.600
<v Speaker 1>felt a little shocking because I thought I had a

0:33:57.720 --> 0:34:01.520
<v Speaker 1>human face, and so I was made me feel really

0:34:01.600 --> 0:34:05.760
<v Speaker 1>uncomfortable and sad and insecure. Um yeah, and then so

0:34:05.960 --> 0:34:09.279
<v Speaker 1>the when I got off it Twitter, Yeah, well I'm

0:34:09.320 --> 0:34:12.800
<v Speaker 1>still on it. I'm still getting pummeled. Actually asks people

0:34:12.840 --> 0:34:14.839
<v Speaker 1>what they think about how he works all the time,

0:34:15.480 --> 0:34:20.360
<v Speaker 1>because eventually someone will say something nice. I like to away,

0:34:20.480 --> 0:34:26.359
<v Speaker 1>your eyes are so little that my eyes are so little? Yeah,

0:34:26.400 --> 0:34:30.799
<v Speaker 1>and that's so little. I wish. I wish I hadn't

0:34:30.800 --> 0:34:32.560
<v Speaker 1>heard that before, but I've heard I heard a lot

0:34:33.239 --> 0:34:35.360
<v Speaker 1>of little beady eyes like a rat. They call me

0:34:35.520 --> 0:34:39.080
<v Speaker 1>rat face. That's the animal I get a lot. I

0:34:39.239 --> 0:34:45.960
<v Speaker 1>love them. They're beautiful. It's because I think the uniqueness

0:34:46.160 --> 0:34:53.800
<v Speaker 1>is beautiful and they're uniquely little. You don't see it. Gosh,

0:34:54.960 --> 0:34:59.520
<v Speaker 1>forgive me if this is totally inappropriate. Whatever you're gonna say,

0:35:00.239 --> 0:35:04.399
<v Speaker 1>this is totally inappropriate, Carolina, Relax. I am not going

0:35:04.480 --> 0:35:07.480
<v Speaker 1>to do anything inappropriate. I just have to admit that

0:35:07.600 --> 0:35:10.840
<v Speaker 1>the whole time during this interview, I've been sensing a

0:35:10.960 --> 0:35:15.360
<v Speaker 1>vibe and I'd be kicking myself if I didn't go

0:35:15.600 --> 0:35:18.960
<v Speaker 1>for this moment. Just don't see you. I would I

0:35:19.000 --> 0:35:22.040
<v Speaker 1>would like to ask you out for a romantic dinner. Well,

0:35:22.120 --> 0:35:25.239
<v Speaker 1>I would love to come because although I am very

0:35:25.360 --> 0:35:30.200
<v Speaker 1>busy watching television in my diaper um most of the time,

0:35:30.680 --> 0:35:36.200
<v Speaker 1>which I so far, so good. I actually my adopted son,

0:35:36.560 --> 0:35:41.120
<v Speaker 1>he's turned eighteen and you know, so he's out there

0:35:41.239 --> 0:35:44.840
<v Speaker 1>in the world, and I do have time. I have

0:35:45.080 --> 0:35:48.719
<v Speaker 1>made time. I have my time for love. So you

0:35:48.760 --> 0:35:52.640
<v Speaker 1>would got totally go on a date with you. Totally,

0:35:53.760 --> 0:35:56.000
<v Speaker 1>by the way, so you do not have to do this.

0:35:56.560 --> 0:36:00.839
<v Speaker 1>This is yeah, and thanks no, but truly I am

0:36:01.200 --> 0:36:05.920
<v Speaker 1>interested in uh yeah, I'm interested in that idea that

0:36:07.200 --> 0:36:11.239
<v Speaker 1>is wonderful. That's just absolutely what you are. Beautiful. See

0:36:11.280 --> 0:36:14.680
<v Speaker 1>a fuller and I know a wonderful vegan restaurant. It's intimate,

0:36:15.120 --> 0:36:16.960
<v Speaker 1>and we'll go and we won't talk about the biz.

0:36:17.080 --> 0:36:18.719
<v Speaker 1>We'll just get to know each other and I swear

0:36:18.760 --> 0:36:22.160
<v Speaker 1>I'll be a total gentleman. Okay, I'm sure you will run.

0:36:22.960 --> 0:36:28.759
<v Speaker 1>I can't believe this is happening. This, this is amazing. Um.

0:36:29.640 --> 0:36:33.080
<v Speaker 1>So there you have it. Will we will make arrangements

0:36:33.200 --> 0:36:38.040
<v Speaker 1>for this date Sea, Yeah, I'll probably pick you up.

0:36:38.880 --> 0:36:43.279
<v Speaker 1>Does eight pm work? Yeah? Okay, that gives me enough

0:36:43.360 --> 0:36:46.200
<v Speaker 1>time to watch the Dolphin movie before perfect. We'll have

0:36:46.280 --> 0:36:49.600
<v Speaker 1>something to talk about. That's great exactly until you won't

0:36:49.640 --> 0:36:51.800
<v Speaker 1>have to worry and I won't have to worry about

0:36:51.840 --> 0:36:54.680
<v Speaker 1>what we're going to talk about. I will be pulling

0:36:54.800 --> 0:36:59.200
<v Speaker 1>up in my beige Catalina and I don't know what

0:36:59.320 --> 0:37:03.800
<v Speaker 1>that is. I'll good before it's a very very highly

0:37:03.840 --> 0:37:07.120
<v Speaker 1>sought after muscle car from the from the mid seventies.

0:37:08.200 --> 0:37:11.920
<v Speaker 1>Sounds great, I see I. I just can't thank you

0:37:12.080 --> 0:37:16.680
<v Speaker 1>enough for joining us today and it's just been extraordinary. Caroline.

0:37:16.719 --> 0:37:19.160
<v Speaker 1>Do you mind writing down my my phone number for

0:37:19.280 --> 0:37:23.920
<v Speaker 1>see you there? Sure? It's one eight hundred. It's an

0:37:23.960 --> 0:37:27.080
<v Speaker 1>eight hundred number. Yeah, I'll get it to your manager.

0:37:28.080 --> 0:37:33.799
<v Speaker 1>That's the beginning of the suicide hotline. Um, people, it's

0:37:33.960 --> 0:37:36.759
<v Speaker 1>it's not it's one number off. Trust me, it's one

0:37:36.840 --> 0:37:41.960
<v Speaker 1>number off. Alright. Um. He feels a lot of hard calls.

0:37:42.880 --> 0:37:46.560
<v Speaker 1>So see I I'll I'll see you in a in

0:37:46.640 --> 0:37:52.640
<v Speaker 1>about six or seven hours. That sound good? Yay, okay, right,

0:37:54.480 --> 0:37:57.560
<v Speaker 1>and I'm going to shine bright like a diamond for you. Yes,

0:37:57.800 --> 0:38:04.799
<v Speaker 1>I'm right, like like a naming. That's right. That's um,

0:38:05.200 --> 0:38:07.000
<v Speaker 1>see a fuller. We can't thank you enough for being

0:38:07.040 --> 0:38:09.040
<v Speaker 1>on the podcast, and I can't thank you enough for

0:38:10.480 --> 0:38:15.040
<v Speaker 1>what this adventure may lead to. Um. One more just

0:38:15.200 --> 0:38:19.200
<v Speaker 1>slightly heartbreaking thing for you, probably is that actually see

0:38:19.239 --> 0:38:25.000
<v Speaker 1>a furler. Oh my god. But don't worry because I

0:38:25.120 --> 0:38:30.160
<v Speaker 1>don't care further. I'm sorry. Look, if you don't, if

0:38:30.200 --> 0:38:32.080
<v Speaker 1>you don't want to have this date, I understand now

0:38:32.120 --> 0:38:34.319
<v Speaker 1>because I've blown your first name in your last name,

0:38:34.400 --> 0:38:37.000
<v Speaker 1>and because guess what, I have my friends call me

0:38:37.120 --> 0:38:43.160
<v Speaker 1>something entirely different, both of those things. So the dates

0:38:43.200 --> 0:38:46.640
<v Speaker 1>still on. It's still on. She called it a date.

0:38:46.719 --> 0:38:51.719
<v Speaker 1>It's a date, Carolina, I have a date. It's unambiguously

0:38:51.840 --> 0:38:56.560
<v Speaker 1>a date, Fler. Okay, so what do we do now?

0:38:57.040 --> 0:38:59.800
<v Speaker 1>Is anyone known? Do we think we will a commercial?

0:39:00.000 --> 0:39:06.839
<v Speaker 1>Do we do? Okay? This is Ron Burgundy and I'm

0:39:06.920 --> 0:39:09.040
<v Speaker 1>going on a date with c So everyone else can

0:39:09.280 --> 0:39:13.279
<v Speaker 1>suck my fat one. Okay, we'll be right back on

0:39:13.360 --> 0:39:30.360
<v Speaker 1>the Ron Burgundy podcast. That's okay, And we are back

0:39:31.040 --> 0:39:36.520
<v Speaker 1>with the Ron Burgundy Podcast. And oh my god, today's episode.

0:39:37.360 --> 0:39:40.560
<v Speaker 1>Was that not just the greatest episode we've ever done.

0:39:41.239 --> 0:39:44.239
<v Speaker 1>I mean it's not even an episode. It's transcendent. It

0:39:44.480 --> 0:39:49.000
<v Speaker 1>is literally the greatest moment in my life and probably

0:39:49.080 --> 0:39:55.880
<v Speaker 1>in your measly life, Carolina. Right? Am I right? Texting manager?

0:39:56.000 --> 0:39:58.279
<v Speaker 1>Or am I wrong? And if I'm wrong, I don't

0:39:58.360 --> 0:40:00.840
<v Speaker 1>care because I know I'm right. I'm just waiting to

0:40:00.960 --> 0:40:04.560
<v Speaker 1>see what's going on here. I don't know they're little

0:40:04.880 --> 0:40:10.440
<v Speaker 1>cupids dancing above your head right now, Carolina, what an incredible,

0:40:10.719 --> 0:40:12.960
<v Speaker 1>credible moment. I mean, I don't know if this was

0:40:13.040 --> 0:40:17.960
<v Speaker 1>a dare or I'm texting with CIA's manager about what

0:40:18.120 --> 0:40:21.000
<v Speaker 1>plans for our date. Look reminds Cia that I'm going

0:40:21.040 --> 0:40:23.880
<v Speaker 1>to pick her up around eight and and ask her

0:40:23.960 --> 0:40:27.759
<v Speaker 1>to pack enough clothes for a week, also to pack

0:40:27.800 --> 0:40:32.560
<v Speaker 1>for tropical weather, but also for no I'm texting him

0:40:32.600 --> 0:40:34.919
<v Speaker 1>to see if CEO was joking. I feel like maybe

0:40:34.960 --> 0:40:37.640
<v Speaker 1>she was joking or it is a bet or something

0:40:37.840 --> 0:40:42.080
<v Speaker 1>or what. I'm just wait, what is that text? I'm

0:40:42.200 --> 0:40:44.160
<v Speaker 1>texting him right now. I'm just trying to see, well,

0:40:44.239 --> 0:40:47.400
<v Speaker 1>what did he say? Did he right back? I'm I

0:40:47.560 --> 0:40:51.279
<v Speaker 1>see him at Derek Off. Oh my god, this is real.

0:40:51.640 --> 0:40:56.920
<v Speaker 1>Her manager just Texted's cio really likes Ron and it's

0:40:57.000 --> 0:41:00.040
<v Speaker 1>excited to get to know him more. I'm so it

0:41:00.320 --> 0:41:03.000
<v Speaker 1>just seems so unlikely. Okay, So that means I'm going

0:41:03.040 --> 0:41:06.440
<v Speaker 1>to delete my Riot account. That means I'm getting serious.

0:41:06.719 --> 0:41:11.040
<v Speaker 1>Listen as your friends, colleague, but continue as your colleague.

0:41:11.200 --> 0:41:13.719
<v Speaker 1>I just want you to know that you should just

0:41:15.120 --> 0:41:17.480
<v Speaker 1>play it cool. This is a really amazing woman. You

0:41:17.560 --> 0:41:21.400
<v Speaker 1>don't want to blow it. Um, I know, Okay, you

0:41:21.440 --> 0:41:23.719
<v Speaker 1>don't think I know. Wait do you think I'm going

0:41:23.800 --> 0:41:26.640
<v Speaker 1>to blow it? What? Why are you trying to get

0:41:26.680 --> 0:41:30.480
<v Speaker 1>me nervous? Or is this reverse psychology and you're you're

0:41:30.480 --> 0:41:33.440
<v Speaker 1>trying to make me calm? Oh my god? Wait do

0:41:33.520 --> 0:41:37.640
<v Speaker 1>I pronounce her name Saia or Sia? Now? I've forgotten. Okay,

0:41:37.719 --> 0:41:43.000
<v Speaker 1>you'll be great. Oh gosh, Carolina, I pray I don't

0:41:43.160 --> 0:41:46.200
<v Speaker 1>start as sweating. You know when I get the sweat

0:41:46.280 --> 0:41:48.520
<v Speaker 1>mark in the down, the crack down, the crack of

0:41:48.640 --> 0:41:56.840
<v Speaker 1>mine jeansine before the shocking. It's shocking because it's a

0:41:57.000 --> 0:42:00.320
<v Speaker 1>major imprint out there. It looks like I sat in

0:42:00.400 --> 0:42:02.759
<v Speaker 1>a puddle. Don't overthink it, but think of what you

0:42:03.000 --> 0:42:06.680
<v Speaker 1>usually do, um and do something close to the opposite,

0:42:06.760 --> 0:42:11.600
<v Speaker 1>the exact opposite of your normal behavior. So, okay, I

0:42:11.800 --> 0:42:16.279
<v Speaker 1>usually go to a steakhouse. Since she's a vegan, exactly,

0:42:16.520 --> 0:42:20.879
<v Speaker 1>you'll take her to it. To the zoo, not too close,

0:42:20.920 --> 0:42:25.120
<v Speaker 1>actually far away. Listeners, you're on this romantic roller coaster

0:42:25.280 --> 0:42:28.440
<v Speaker 1>with me. You're gonna want to strap in for this.

0:42:32.000 --> 0:42:36.800
<v Speaker 1>It doesn't matter. The Ron Burgundy Podcast is a production

0:42:36.880 --> 0:42:40.600
<v Speaker 1>of I Heart Radio. I'm Ron Burgundy. The host, writer

0:42:40.920 --> 0:42:45.000
<v Speaker 1>and executive producer. Carolina Barlow is my co host, writer

0:42:45.239 --> 0:42:49.719
<v Speaker 1>and producer. Our producer is Nick Stump. Our talent coordinator

0:42:50.040 --> 0:42:54.080
<v Speaker 1>is annas Day. Writers are Andrew Steele and Jake Fogo

0:42:54.160 --> 0:42:58.400
<v Speaker 1>mist this episode, Who's engineered, mixed and edited by Nick Stone.

0:42:58.719 --> 0:43:01.440
<v Speaker 1>Until next time. This is Ron Berg and he got

0:43:01.600 --> 0:43:09.439
<v Speaker 1>to keep it out, and it don't matter you are

0:43:12.920 --> 0:43:17.480
<v Speaker 1>if I'm doing my job. It's Gors that wag because

0:43:17.600 --> 0:43:20.160
<v Speaker 1>the whole brings U