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Speaker 1: Who's that man joking in my ear? He's Ron Burgundy.

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Speaker 1: Good morning listeners, this is Tony fingle Sticks and you're

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Speaker 1: listening to the Wait. Sorry, I don't know why I

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Speaker 1: said that. That was a real brain fart. My name

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Speaker 1: is Ron Burgundy. That's my name. I don't know what

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Speaker 1: happened there, And I'm here with a very special episode

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Speaker 1: of the Run Burgundy Podcast. Today we are sitting with

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Speaker 1: the pop sensation that is Saia. Okay, continue, no last

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Speaker 1: name like all the greats share Madonna, John h who

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Speaker 1: is John? I don't know that one. John Popper, lead

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Speaker 1: singer of Blues Traveler. You just say John. People know

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Speaker 1: who you're talking about it? Do people still listen to

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Speaker 1: Blues Traveler? Unfortunately? I'm joined today by my co host Carolina. Carolina,

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Speaker 1: do you even know who Sia is? And before you ask,

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Speaker 1: she didn't play Lilith Fair? Nick? Did you did you

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Speaker 1: hear what I just said? Of course I know who

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Speaker 1: she is. I've been listening to her for years now.

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Speaker 1: Her acoustic version of Elastic Heart really gotten through hard

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Speaker 1: time for me and my boyfriend of ten years. He

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Speaker 1: broke up with me crashing at some I've never heard

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Speaker 1: this before. Oh sorry, that's my Riah app I got

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Speaker 1: another match. I'll turn that off. Yes, for those of

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Speaker 1: you who don't know, I'm on Riah, which is a

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Speaker 1: dating app for only famous people. It's hard for us

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Speaker 1: to day in the real world, so we need a

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Speaker 1: secret online club to protect our privacy. Oh yeah, I

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Speaker 1: mean I'm a podcast personality. So I actually applied to

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Speaker 1: get on Riya. You have to fill out a little application. Really,

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Speaker 1: and um I was waitless. Oh well you were. That's

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Speaker 1: too bad, Carolina. I mean I absolutely had no idea

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Speaker 1: that would happen to you wait list. Okay, so sorry,

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Speaker 1: you know what, Have you met anyone on Ria? Yes?

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Speaker 1: I chadded with this woman, Marissa. We matched immediately. She's

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Speaker 1: an influencer, which is great because it essentially means she

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Speaker 1: does nothing lots of free time, but she also has

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Speaker 1: money and endless time to meet up and try different

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Speaker 1: restaurants with a potential lover such as myself. And did

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Speaker 1: you end up going on a date with Marissa? No,

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Speaker 1: I didn't. Marissa ended up also matching with Derek Huff

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Speaker 1: from Dancing with the Stars. I wasn't upset when she

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Speaker 1: told me. After all, he has symmetrical features and a

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Speaker 1: dancers physique. I just told her, you hit the jackpot, honey,

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Speaker 1: get that guy to put a ring on it, if

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Speaker 1: you know what's good for you. Okay, So no more

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Speaker 1: riot dates. Then, well, some ladies message me, but I

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Speaker 1: swear give them an hour on that thing, And all

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Speaker 1: of a sudden they text me a picture of Derek Huff.

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Speaker 1: You'll think I'm lying, but I was cuckolded for Derek

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Speaker 1: Huff three separate times. They're all dating Derek Huff. They're

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Speaker 1: dancing with the stars. I don't know how he does it.

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Speaker 1: Are there four of them? Just one? Right? Well, he's

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Speaker 1: cleaning up and listen. I don't want some flashy romance.

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Speaker 1: I just I just want someone to get drunk with

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Speaker 1: on a Monday night while we dance to the Cornelius Brothers,

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Speaker 1: and then we could get in a drunken argument and

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Speaker 1: make up the next morning with empty promises. I hear you. Yeah,

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Speaker 1: some days, I just I just want someone to make

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Speaker 1: Baxter breakfast before I take him to music class. Yeah,

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Speaker 1: it's hard being all on your own, like I always say,

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Speaker 1: And another one bites the dust. But why can I

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Speaker 1: not conquer love? Those are Seals lyrics because the hook

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Speaker 1: brings you back. I ain't telling you no, lie, Okay,

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Speaker 1: and I think that Blues Traveler, well, I've got thick

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Speaker 1: skin and an elastic heart. We're don't see you again.

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Speaker 1: Suck it in, Suck it in, Suck it in if

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Speaker 1: you're in Tintin or Anne Blues Traveler. Okay, we're gonna

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Speaker 1: be right back with the Ron Burgundy Podcast after this message,

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Speaker 1: which sire, Oh my god. Okay, keep listening, Carolina. How

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Speaker 1: how excited are you for our guest today? I'm very

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Speaker 1: excited on the podcast. I'm gonna be honest, and you

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Speaker 1: know me very well. I'm not often starstruck. I mean

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Speaker 1: more often than not. I don't think you've ever seen me.

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Speaker 1: I did see you chase Princess Leo once down Hollywood Bull,

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Speaker 1: I did a sweaty six ft tall Princess Leiah. But yes,

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Speaker 1: that was the only time I've seen you really freak out. Yeah,

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Speaker 1: but I mean this next, guys. I have been a

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Speaker 1: tremendous fan of her for a long time, and though

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Speaker 1: many of you know her as a bona fide pop's sensation,

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Speaker 1: her her story is not one of overnight success. It's

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Speaker 1: a It's a story of determination, survival, and undeniable talent.

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Speaker 1: As a songwriter and a solo artist, she creates music

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Speaker 1: that is somehow deeply personal and at the same time universal.

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Speaker 1: She's also a very private person, a star who shines

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Speaker 1: so bright that she shuns the spotlight. Yes, I wrote that.

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Speaker 1: Wow for her, it isn't necessary. She turns that spotlight

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Speaker 1: back on us, the audience, and makes us reflect what

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Speaker 1: is the concept of celebrity? What is art? What is music?

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Speaker 1: I consider it a gift that she's allowed us to

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Speaker 1: go deep with her today and remove the mask and

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Speaker 1: let us now swing from the true chandelier that is Siah. Oh, Hello, Siah,

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Speaker 1: How are you? Hello? Sia? I'm sorry? It is it

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Speaker 1: is me, um Hi, I'm great, good, wonderful. Commonly people

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Speaker 1: call me Sia. Also it works for me. No, You've

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Speaker 1: got to be kidding me. I've worked, I worked so

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Speaker 1: hard on that intro and I'm I'm a huge fan,

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Speaker 1: and it's it's Sia. I'm so embarrassed. I've actually never

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Speaker 1: seen you work, so I'm so embarrassed. I feel like

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Speaker 1: a boob. Oh brother, will you accept my apologies? Sia,

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Speaker 1: certainly will I'm a big fan of yours. Thank you. Wow.

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Speaker 1: But look, I'm not just saying these. These aren't just

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Speaker 1: platitudes that I'm making up. I'm a serious fan. I

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Speaker 1: go back to zero seven, before your first solo album

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Speaker 1: and night Only se Right, that's that's your I'm an

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Speaker 1: O G gosh, it's Cia. All this time, I've been

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Speaker 1: saying Sia. Oh, but you probably used to get that

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Speaker 1: years ago, right. I would prefer it because, um, pretty

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Speaker 1: much everyone everyone thinks they're the first person to make

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Speaker 1: the joke, say so you would actually welcome it if you,

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Speaker 1: you know, stepped into an auditorium of ten thousand screaming

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Speaker 1: fans and they were all going, sih yeah Si, yeah, yeah,

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Speaker 1: that would be lovely. That would be lovely. It would

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Speaker 1: be lovely. Wait, okay, I'm sorry, see you hold on once.

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Speaker 1: Something's going on here. This is a long, practical joke

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Speaker 1: that my friends and the crew here have been playing

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Speaker 1: on me for years. You have all been letting me

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Speaker 1: say Sia on purpose. Carolina, are you in on this?

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Speaker 1: I'm sorry. You just know how much you love to

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Speaker 1: see and we thought it would be a funny prank.

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Speaker 1: How did you never see anyone say her name? How

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Speaker 1: did you never hear anyone say her name as Cia

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Speaker 1: for all these years? But no idea, it's weird. I

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Speaker 1: guess I would just so focused on see his music.

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Speaker 1: Normally i'd be furious at all of you, but this

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Speaker 1: is really funny. I wouldn't worry about it. I had

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Speaker 1: a lot of problems saying words when I was growing up,

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Speaker 1: you and me both. Yeah, I was like, uh, like

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Speaker 1: I didn't know how many nas Banana hadn't it could

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Speaker 1: go on forever? No, no, no, no, no no no, yeah,

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Speaker 1: it could go on. And then I also couldn't say elbow.

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Speaker 1: I couldn't say that el and the elbow. Um My

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Speaker 1: dad would say elbow and I'd say bow and would

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Speaker 1: you would you draw it out like that? Yeah? Yeah,

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Speaker 1: and then you go nearly nearly I could. I couldn't

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Speaker 1: say uh, I couldn't say refrigerator. Well, I still have

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Speaker 1: trouble refrigerator, refrigerator, refrigerator. Yeah, so I just called it

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Speaker 1: a fridge. That's uncomfortable. Comfortable, Oh, uncomfortable imfortable. That's kind

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Speaker 1: of a door. And of course nuclear and for nuclear war,

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Speaker 1: which I was terribly afraid of as a child. Computer

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Speaker 1: I used to switch up put an R in their computer.

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Speaker 1: I'm gonna go on the computer anyway. You guys have

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Speaker 1: a lot in common. I guess we did. That's that's

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Speaker 1: not That's not the worst thing, isn't me and I

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Speaker 1: have a lot in common? Okay, I'll take it. Hey,

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Speaker 1: run are you single? Yes? I am? I certainly am.

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Speaker 1: Did your voice just drop? No? This is my normal.

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Speaker 1: But anyway, see, yes, I am currently single. How could

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Speaker 1: it be? Well, that's what I tell Carolina all the time.

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Speaker 1: She makes fun of me for being single, and I'm like, look,

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Speaker 1: this is strange, strange that I'm single. Yeah, I'm not.

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Speaker 1: I'm not. I wouldn't saying I I do a lot

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Speaker 1: of gallivanting around town. So you're not a virgine. Get

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Speaker 1: out of town you But no, no, no, no, no

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Speaker 1: face sor yeah, I'm starting to sweat. You got me?

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Speaker 1: Never let him see a sweat, that's what they that's

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Speaker 1: what they say in the news game. Never let him. Yes,

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Speaker 1: thank you, Bengo. Wow, this is a real banter. Um.

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Speaker 1: I mean, Carolina, you have to back me up on

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Speaker 1: this and no more jokes and this is the truth.

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Speaker 1: But I am. I can you tell see what a

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Speaker 1: die hard fan I am. Oh my god. I mean

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Speaker 1: Ron always says that the people who were first exposed

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Speaker 1: to see his music from the ending of six ft Under,

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Speaker 1: we're total posers. Thank you, thank you. See, I'm telling

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Speaker 1: you I was there before breathe me not that, not

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Speaker 1: that I didn't cry my eyes out like the rest

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Speaker 1: of the world with that song at the end of

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Speaker 1: six ft under. Okay, no, no, we're not going to

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Speaker 1: go there. I'm gonna start crying just thinking about it

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Speaker 1: right now whenever he thinks about the marriage of your

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Speaker 1: song and the end of six ft under. Okay, Hey,

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Speaker 1: professional atmosphere, Okay, let me put myself together. Got this

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Speaker 1: interview is off to a terrible start. I feel like

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Speaker 1: a total boob. I'm sorry. Eat, that's two times you've

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Speaker 1: said you feel like a boom. Isn't a bad thing.

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Speaker 1: Let me just try to try to correct myself, collect myself. Correct.

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Speaker 1: I gotta come correct like O g that you exactly exactly.

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Speaker 1: I want to go back to your work with Crisp.

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Speaker 1: Oh yeah, I always appreciate because I think we both

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Speaker 1: share a love of jazz fusion. Do you love jazz fusion? Well,

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Speaker 1: I certainly did. Then and I actually I have to say,

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Speaker 1: I still I still do you still enjoy some Yeah?

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Speaker 1: We called ourselves, um what was it? A hip hop

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Speaker 1: jazz fusion explosion. That's what we called ourselves at the time,

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Speaker 1: hip hop pop jazz infusion fusion, yes, confusion, um yeah,

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Speaker 1: and that we yeah yeah. And he and our bass player,

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Speaker 1: he's to say, when things were cool, he would be

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Speaker 1: like that, that is crisp. Okay, that's why. Yeah, that's

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Speaker 1: why we called ourselves crisp, because we wanted to be

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Speaker 1: cool in the eyes of our bass players. Oh. I

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Speaker 1: just assumed you enjoyed what we call over here potato chips.

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Speaker 1: Oh I don't. I don't not. You do not enjoy

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Speaker 1: a crisp It's true. I like those Hawaiian ones. I

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Speaker 1: don't know if I'm familiar with the Hawaiian ones. Hawaiian chips,

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Speaker 1: Hawaiian barbecue chips, like barbecue flavor. They're just Hawaiian chips.

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Speaker 1: They just, oh gosh, they're so yummy. I I'm actually

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Speaker 1: an animal rights activist. Everyone knows this, and it's something

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Speaker 1: you and I have in common. I like that. I

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Speaker 1: just want you to know I use only cruelty free

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Speaker 1: cologne I'm currently wearing is totally cruelty free. I'm really

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Speaker 1: proud of you. It was actually it was tested Tho

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Speaker 1: was tested on Mobi. He tests all my cologes for me. Yes,

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Speaker 1: I have him tests most good food. He's a good dude.

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Speaker 1: That movie he's certainly a good dude, and he's doing

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Speaker 1: everything he can with his celebrity to help them animals.

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Speaker 1: I know animal rights is a big part of your life.

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Speaker 1: Can we just speak on that for a moment, because

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Speaker 1: it's an issue, like I said, close to both of

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Speaker 1: our arts, except for kangaroos, they're just evil. But um,

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Speaker 1: but for for for many reasons, including environmental, Do we

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Speaker 1: do we need to look at more plant based diets?

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Speaker 1: Is that? Yes? For sure? The best one is impossible

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Speaker 1: Possible foods. Impossible burgers are the most delicious thing in

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Speaker 1: the world. I had one didn't almost just like exactly

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Speaker 1: like beef, and you couldn't even tell the difference. I

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Speaker 1: walked into my butcher and I just gave him the

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Speaker 1: middle for anger. So take that. I just impossible, and

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Speaker 1: he had no idea what to make of it. I

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Speaker 1: broke his glass case in his shop and just pummeled

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Speaker 1: him with a bunch of pork chops said, how dare

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Speaker 1: you This impossible burger blows you away? Good? I'm so glad.

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Speaker 1: I mean, not about the violence part, but just then

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Speaker 1: impossible burger part. I felt good about the violence. I

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Speaker 1: don't know, because I don't give it a lot of

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Speaker 1: fist fights. I only I although that I guess you're

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Speaker 1: really you fall under my rules for violence, which is

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Speaker 1: I would only want to punch someone or cook someone

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Speaker 1: who had hurt like a dog. So you guess. I

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Speaker 1: guess they've heard a lot of animals. Sometimes there's those

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Speaker 1: nippy dogs like you know, no, run, okay, you sure

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Speaker 1: you want to make a good impression like a lopso

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Speaker 1: aso or something like that, give a little backhand. No, no,

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Speaker 1: you do? You know you know what I say, run,

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Speaker 1: I say, if your dog does something wrong, roll the

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Speaker 1: newspaper up and hit yourself in the head with it,

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Speaker 1: because it's always your fault. Were the dogs doing wrong? Though?

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Speaker 1: I thought you were gonna say something totally different. I

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Speaker 1: thought you were gonna say, take a piece of newspaper

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Speaker 1: and go to the bathroom on it in the corner.

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Speaker 1: Oh yeah, well, I mean you can do a little

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Speaker 1: pe bad, little human p bad. M hmm. I tried

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Speaker 1: diapers once because I love watching television so much. Yeah,

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Speaker 1: every was that sensation. It was, well, here's exactly what happened,

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Speaker 1: is that I pay every thirty thirty seconds thirty minutes

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Speaker 1: um usually, and so I was really frustrated because I

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Speaker 1: was watching a lot of television, which I'm addicted to.

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Speaker 1: He was terrupting the flow. It was interrupting my television.

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Speaker 1: So I ordered some diapers on Amazon whilst lying down

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Speaker 1: watching television, and then they arrived and I put them

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Speaker 1: on and I and then I watched television until I

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Speaker 1: needed to pee. And then I tried to pee, and

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Speaker 1: I realized my body wouldn't let me pee clothes on,

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Speaker 1: lying down, It just wouldn't let me. And then so

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Speaker 1: then I stood up, and I was like, can I pee? Will?

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Speaker 1: I can be in the shower? Why can't I pee? Now?

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Speaker 1: I couldn't be in the diaper standing up with clothes on.

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Speaker 1: So then I went to the toilet and I had

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Speaker 1: to sit on the toilet wearing the diaper, and then

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Speaker 1: I could pee, And then you finally could. It sounds

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Speaker 1: like you need to sue the manufacture of the diaper company.

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Speaker 1: It's weird, it's certainly. I have no idea what happened,

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Speaker 1: but it was not useful for me and my problem.

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Speaker 1: Ron had a previous girlfriend actually, who wore diapers for

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Speaker 1: a road trip. She's an astronaut. Oh yeah, this was

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Speaker 1: an act. She broke my heart and just letting you know.

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Speaker 1: The one day we met in a silver shop, really

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Speaker 1: the only good silver shop in San Diego. Fork it up,

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Speaker 1: I was. I was looking for an oyster fork for Baxter. Anyway,

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Speaker 1: let's not talk about her. Um, I want to talk

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Speaker 1: about you. See can you, I mean, do you have look?

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Speaker 1: In addition to your brilliant solo career, you've written so

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Speaker 1: many songs for other artists. Can can you indulge us

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Speaker 1: in explain to our audience what a top line songwriter is? Yes? Um, well,

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Speaker 1: you know how when you listen to a song, there's

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Speaker 1: music and instruments, and then on top of that there's singing,

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Speaker 1: melodies and harmonies and words lyrics. Yeah. So, well, a

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Speaker 1: top line writer is the person in charge of the

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Speaker 1: melody and the singing and all of the harmonies parts

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Speaker 1: and the words. Yeah. Well, to me, it's the easy

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Speaker 1: bits and the words but to some people it's the

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Speaker 1: hard bits, like to me that it would be really

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Speaker 1: hard to be a producer, which is what the name

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Speaker 1: of the person who takes care of all the music is.

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Speaker 1: Oh yeah, Plus they're the shady people, aren't they? The producers. Well,

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Speaker 1: I managed to find a pretty good bunch on a whole,

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Speaker 1: I'd say, yeah, okay, so on a whole. It's an

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Speaker 1: industry of sleeves balls. But you found a handful of

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Speaker 1: good ones. I did. I have found the good. Eat

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Speaker 1: so many, so many hits written by you, see a

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Speaker 1: fuller I mean Diamonds by Rihanna. You wrote that it's

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Speaker 1: so weird, shine bright like a diamond, Shine like a

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Speaker 1: diamond sing it. I obviously can't do it as well

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Speaker 1: as Rihanna. Yeah, she's pretty, she's amazing. I thought, well,

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Speaker 1: I actually thought me on that demo when they played

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Speaker 1: me finally her cut of the song, and I thought

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Speaker 1: they were pranking me because she had it was so

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Speaker 1: perfectly exactly the way that I had the demo that

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Speaker 1: I had sent over, and so that's what that was weird.

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Speaker 1: And then so I'm like, my Rihanna or is Rihanna

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Speaker 1: me sure? But I often have that same daydream. Is

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Speaker 1: there anything I can do vocally to make it make

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Speaker 1: my voice sound more like Rihanna? Yeah, you could bring

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Speaker 1: it up a little bit more into your nose, trying

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Speaker 1: to bring like a diamond. That's much better, but else

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Speaker 1: that's also sounds you really like one of the muppets. Well,

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Speaker 1: I don't want to sound not also not a bad thing.

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Speaker 1: I want to sound like Rihanna. He's like same, right, Diamon.

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Speaker 1: I guess it's in the throat and then the nose

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Speaker 1: face j Jame read like a diamond. It was closer

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Speaker 1: to something like sir uh, let's see shame right dying? Yeah,

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Speaker 1: okay it run, just push it out. You know you're

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Speaker 1: hearing footsteps, aren't you. Rihanna's exactly Look see, I don't

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Speaker 1: want to embarrass you, but I'm just gonna list off

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Speaker 1: some of the artists that you've written songs for because

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Speaker 1: it's it's truly amazing. Okay, So here we go, Kelly Clarkson, Shakira,

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Speaker 1: pit Bull, Beyonce, Katie Perry, Brittney Spears, Maroon five, Maroon six,

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Speaker 1: Average White Band, Bo Donaldson, and Haywoods. I mean you

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Speaker 1: wrote their song Billy don't be a hero. Incredible, incredible,

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Speaker 1: It's true. But my best work was The Wind Cries Mary,

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Speaker 1: The Wind crist Mary by Jimmie Hendriks And me, what

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Speaker 1: I mean, what is that like collaborating with an artist

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Speaker 1: as a songwriter. I mean, do you ever do you

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Speaker 1: ever have to say, hey, pit Bull, that lyric you

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Speaker 1: just wrote his crap? Fix it? Because you don't know.

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Speaker 1: I would be intimidated to say that to pit Bull. Well,

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Speaker 1: I'll sometimes challenge somebody, depends on their their temperament, but

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Speaker 1: most of the time I'm just there to work for them,

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Speaker 1: and I um, I managed their stations and their egos,

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Speaker 1: and well, I turn off. I'm not seeing the pop

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Speaker 1: star when I work for somebody, I'm seeing the songwriters.

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Speaker 1: So they are above me. And so I think you're

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Speaker 1: too nice. I think you're being too nice. Thanks. But

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Speaker 1: I I think that's the reason I get to write

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Speaker 1: so many good, fun pop songs with so many people

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Speaker 1: is because I'm not a jerk. I know. I just

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Speaker 1: go in there and I'm like, at your service, sm'am

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Speaker 1: or at your service, sir, yes, And I say how

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Speaker 1: are you feeling? And we talked about the feelings, and

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Speaker 1: then we wrote a song about that. Usually what pull

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Speaker 1: feeling usually people it was I didn't make people until

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Speaker 1: after I'd already written that song, which was definitely not

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Speaker 1: supposed to be me singing on it, because I am

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Speaker 1: certainly not shutting down any clubs once again. I would

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Speaker 1: be intimidated by pit bull. He was a good cuddler.

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Speaker 1: I met him just once afterwards, and they gave me

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Speaker 1: a big dog and it was a little beautiful. It's

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Speaker 1: good to know. It's something we don't know about old

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Speaker 1: pit bulls. He loves a good cuddle. He's a good cuddler,

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Speaker 1: you know. Truth be told. I dabbled around some songwriting myself.

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Speaker 1: I I'm embarrassed to say this, but I'm gonna say

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Speaker 1: it anyway. I co wrote the theme song to the

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Speaker 1: the old TV show Punky Brewster. Do you remember that show?

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Speaker 1: That was one of my favorite? Oh? Really? Yeah? Yeah?

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Speaker 1: Me and a guy named Gary Portnoy wrote that one together. Oh.

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Speaker 1: She was like one of my fashion icons. The other

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Speaker 1: was Whoopie Goldberg um, and then Eddie um uh it's

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Speaker 1: the comedian Eddie Murphy. Yeah, Leddie Murphy. I didn't write

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Speaker 1: a song for him. They were my fashion icons. Well,

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Speaker 1: I askew with I went onto a fashion. The only

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Speaker 1: bomber is I didn't get credit for writing the Punky

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Speaker 1: Brewster theme. It's still in litigation, so I'm sorry. I

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Speaker 1: believe you. Oh okay, you cut it out, but maybe

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Speaker 1: you can help me as a character witness when it

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Speaker 1: does go to court. Well yeah, okay, okay done. I mean,

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Speaker 1: I've got a lot of free time. We'll send contracts

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Speaker 1: over to you. Back to your incredible career. So Shandelier

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Speaker 1: was obviously a huge breakthrough hit. Did you Did you

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Speaker 1: know when you were recording that song that it was

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Speaker 1: just going to be gigantic? I didn't. I recorded it

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Speaker 1: and then I sat down and I was like, oh,

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Speaker 1: I think this one. I like it too much to

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Speaker 1: give away. But then I was like, I was like nah,

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Speaker 1: and so I sent it over to Rihanna and then

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Speaker 1: Rihanna rejected it, and I was like, oh good, And

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Speaker 1: I felt because I had sellers remorse as soon as

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Speaker 1: I pressed send, So um I kept it, and I

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Speaker 1: was really pleased because sometimes I had to get like

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Speaker 1: I gave bird Set free went to a couple of

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Speaker 1: different people before, and I had sellers remorse every time

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Speaker 1: Rihanna an Adele, and then I had sellers remorse both times,

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Speaker 1: but then both times I got it back just because

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Speaker 1: that it didn't end up on their records, and I

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Speaker 1: was relieved. You don't back to chandelier. I think what

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Speaker 1: you really capture something, because people see chandeliers every day,

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Speaker 1: and there's not a day goes by where a person

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Speaker 1: doesn't see a chandelier, and if they're if they're lucky,

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Speaker 1: they own at least three of them, like I do. So, Carolina,

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00:25:51,000 --> 00:25:53,640
Speaker 1: how many chandeliers do you own? I don't own a chandelier,

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Speaker 1: and I don't really see them every day. See, people

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00:25:56,760 --> 00:25:58,879
Speaker 1: probably send you a free chandelier all the time. You

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00:25:59,000 --> 00:26:03,480
Speaker 1: must be sick of having just chandeliers being sent to you, right. Actually,

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Speaker 1: the only person who ever sent me anything even resembling

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Speaker 1: a chandelier with Celine Dion. But it was more of

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00:26:10,560 --> 00:26:15,360
Speaker 1: an abstract work of art, and she made it herself

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Speaker 1: and I love her. I love her too. She hasn't

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00:26:20,200 --> 00:26:24,399
Speaker 1: sent her I love her three Yeah, I know she

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00:26:24,480 --> 00:26:27,800
Speaker 1: has yet to send me anything. Well, whenever you're performing

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00:26:27,880 --> 00:26:32,440
Speaker 1: in Vegas, just let her know, because that apparently that's

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Speaker 1: all I mean. I don't know if she makes presents

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00:26:34,960 --> 00:26:38,040
Speaker 1: for everybody that comes through Vegas. But I couldn't believe

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00:26:38,119 --> 00:26:41,560
Speaker 1: the presents, so that she sent me flowers and roses,

401
00:26:41,640 --> 00:26:46,119
Speaker 1: and she sent me a beautiful, weird esque sort of

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00:26:46,280 --> 00:26:48,680
Speaker 1: lamp like a chandelier, but it had all bits and

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00:26:48,800 --> 00:26:53,159
Speaker 1: Bob's like my past record artwork on it. Well, don't you,

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00:26:53,240 --> 00:26:56,600
Speaker 1: I mean, don't you think? Chandelier is an aspirational song

405
00:26:56,680 --> 00:26:59,520
Speaker 1: and it says, Hey, world, one day, I'm I'm going

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Speaker 1: to be so effing rich. I can walk into a

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Speaker 1: chandelier store and go nuts and swing around like a

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00:27:05,320 --> 00:27:07,760
Speaker 1: maniac and wreck the place and I'll pay for the

409
00:27:07,880 --> 00:27:12,920
Speaker 1: damages like it's nothing. Well, I mean, that's something I

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00:27:13,040 --> 00:27:15,720
Speaker 1: related to in the song. I actually did that one.

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Speaker 1: You've heard, You've heard, You've heard the song, You've heard

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00:27:18,320 --> 00:27:23,840
Speaker 1: completely destroyed a chandelier store? Have you heard the song run?

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00:27:24,480 --> 00:27:28,119
Speaker 1: I think he's greatly misinterpreting the song. I just I

414
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Speaker 1: was just thinking you might have missed the point just

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00:27:30,960 --> 00:27:36,239
Speaker 1: a little bit. But it's also open to interpretation. I mean,

416
00:27:36,280 --> 00:27:39,240
Speaker 1: that's what's absolutely that's what's great. It is once I

417
00:27:39,359 --> 00:27:42,840
Speaker 1: put it out, it belongs to you. Well, seriously, though,

418
00:27:42,920 --> 00:27:45,200
Speaker 1: I do feel bad about the thousands of dollars in

419
00:27:45,359 --> 00:27:50,520
Speaker 1: damages I caused at the Chandelier store Inventura, and I'm

420
00:27:50,520 --> 00:27:53,920
Speaker 1: still making payments on that every month. But that was

421
00:27:54,000 --> 00:27:57,840
Speaker 1: the old run. That was like two months ago. I

422
00:27:58,480 --> 00:28:00,200
Speaker 1: you know, I want to talk about the way you

423
00:28:00,359 --> 00:28:04,160
Speaker 1: match your music to visuals, whether it's your stage shows

424
00:28:04,359 --> 00:28:07,760
Speaker 1: or the incredible music videos you've done with Maddie Ziegler.

425
00:28:09,080 --> 00:28:12,000
Speaker 1: Can we talk about her? What? What a discovery? Wow,

426
00:28:12,240 --> 00:28:16,720
Speaker 1: she's my little munchkin. She's my friend now still I

427
00:28:16,880 --> 00:28:19,240
Speaker 1: sort of, she's still like it, but she's not literally

428
00:28:19,280 --> 00:28:23,119
Speaker 1: a munchkin, is she? She's not. Actually, I just want

429
00:28:23,160 --> 00:28:27,280
Speaker 1: to make the listeners no, because it's about yes exactly.

430
00:28:27,359 --> 00:28:30,080
Speaker 1: Of course that was sorry. It was a real was

431
00:28:30,160 --> 00:28:33,720
Speaker 1: a real misleading statement I made there. But she's very

432
00:28:33,800 --> 00:28:37,800
Speaker 1: special to you, toll special. She's going to be eighteen

433
00:28:38,040 --> 00:28:41,840
Speaker 1: in September, and I met her when she was eleven,

434
00:28:42,160 --> 00:28:45,640
Speaker 1: and I love her very much as a daughter, and

435
00:28:46,560 --> 00:28:50,720
Speaker 1: um yeah, and sometimes I squeeze her really tight and

436
00:28:50,840 --> 00:28:53,200
Speaker 1: I say, am I smothering you? And she goes, no,

437
00:28:53,560 --> 00:28:58,240
Speaker 1: come closer, because I would be like, get off me, lady. Yeah,

438
00:28:58,360 --> 00:29:00,280
Speaker 1: I know I would be too, but you have a

439
00:29:00,320 --> 00:29:06,360
Speaker 1: special relationship. I guess that's that's to be snuggled. That's

440
00:29:06,400 --> 00:29:08,640
Speaker 1: wonderful to hear. Can I ask you this? Do you

441
00:29:09,440 --> 00:29:14,160
Speaker 1: see music visually? How does the melody? I don't have synesthesia,

442
00:29:14,240 --> 00:29:18,360
Speaker 1: but I do Um. I get out of the way

443
00:29:18,920 --> 00:29:22,720
Speaker 1: and then it just comes through. So I believe, like

444
00:29:22,920 --> 00:29:26,800
Speaker 1: whatever your higher power is or whatever you believe in,

445
00:29:27,440 --> 00:29:30,760
Speaker 1: I guess just comes like I sort of pop out

446
00:29:30,800 --> 00:29:34,440
Speaker 1: of the way and then I channel whatever that higher

447
00:29:34,560 --> 00:29:39,960
Speaker 1: power is. I I do not see music when I

448
00:29:40,040 --> 00:29:43,120
Speaker 1: close my eyes. No, I don't either, But my friend

449
00:29:43,240 --> 00:29:48,760
Speaker 1: Labyrinth does. He totally sees it. And that's called synesthesia

450
00:29:49,600 --> 00:29:53,040
Speaker 1: and is stead of disease. Well, it's not a disease,

451
00:29:53,160 --> 00:29:58,640
Speaker 1: as it's not treatable, but it's when two or more

452
00:29:58,800 --> 00:30:02,160
Speaker 1: sensations get together. So he only has a couple wants

453
00:30:02,240 --> 00:30:06,040
Speaker 1: to live. It's gonna be fine. Oh, he's fine, Okay,

454
00:30:06,560 --> 00:30:11,480
Speaker 1: it's fine. I sometimes see, well, I'll see little squiggly dots,

455
00:30:12,160 --> 00:30:15,120
Speaker 1: you know, when I close my eyes, and I'll give

456
00:30:15,200 --> 00:30:19,880
Speaker 1: them names like Fred or Steve or Cassandra. Are they

457
00:30:20,000 --> 00:30:22,600
Speaker 1: there for that long? Well, I don't know. I don't know.

458
00:30:22,720 --> 00:30:25,880
Speaker 1: I just told you that that's weird. I'm being weird,

459
00:30:26,800 --> 00:30:31,320
Speaker 1: not at all. I'm just a little nervous. It happens.

460
00:30:32,520 --> 00:30:36,160
Speaker 1: That's like the dumbest thing I've ever said. Okay, it's

461
00:30:36,200 --> 00:30:39,680
Speaker 1: just an aura. Probably, See how we live in this

462
00:30:39,880 --> 00:30:43,560
Speaker 1: culture of celebrity that can quite frankly, be very toxic.

463
00:30:43,680 --> 00:30:50,520
Speaker 1: And you navigated so well, what are your thoughts on celebrity? Yucky? Yes? Right,

464
00:30:51,360 --> 00:30:57,120
Speaker 1: pretty yucky? Yucky? Yep, so I just got just famous

465
00:30:57,280 --> 00:31:01,680
Speaker 1: enough to notice it was yucky before I um decided

466
00:31:01,760 --> 00:31:07,280
Speaker 1: to quickly put wigs on it, taking measures to counteract that.

467
00:31:07,920 --> 00:31:12,120
Speaker 1: Very very good on you. Yes, I swiftly realized fame

468
00:31:12,280 --> 00:31:15,360
Speaker 1: wasn't for me, and I realized that the only thing

469
00:31:15,480 --> 00:31:18,520
Speaker 1: missing in pop was mystery, So why not take up

470
00:31:18,600 --> 00:31:22,600
Speaker 1: that space? So smart, smart cookie, Let's see you telling

471
00:31:22,640 --> 00:31:28,360
Speaker 1: your Carolina. I know he see that little sound you

472
00:31:28,480 --> 00:31:35,480
Speaker 1: admitted you emitted, emitted, Emit shows signs of intelligence. It's true.

473
00:31:36,520 --> 00:31:40,479
Speaker 1: A dolphin like a dolphin exactly. M m m hm.

474
00:31:46,200 --> 00:31:51,360
Speaker 1: Did you ever see Day of the Dolphin? Hello, Oh,

475
00:31:51,360 --> 00:31:57,960
Speaker 1: oh my gosh, you're really good at that. Talk about

476
00:31:58,000 --> 00:31:59,960
Speaker 1: a movie that will make me cry. Day the Dolphin?

477
00:32:00,040 --> 00:32:04,000
Speaker 1: That is that really a movie? It really is Okay,

478
00:32:04,040 --> 00:32:05,960
Speaker 1: I'm going to go see it as soon as look

479
00:32:06,000 --> 00:32:08,600
Speaker 1: it up, because you know, I woke up ten minutes

480
00:32:08,680 --> 00:32:12,200
Speaker 1: before this interview, and then I spilled coffee on my pants,

481
00:32:12,400 --> 00:32:15,320
Speaker 1: and then I realized the dog had showed my shoelace,

482
00:32:15,800 --> 00:32:18,520
Speaker 1: so I had to find a spare shoelace, and I

483
00:32:18,760 --> 00:32:21,360
Speaker 1: thread my shoelace on the way here to the studio

484
00:32:22,040 --> 00:32:24,920
Speaker 1: and got my shoe on just in time, and then

485
00:32:25,040 --> 00:32:28,520
Speaker 1: walked in just on time to be in conversation with

486
00:32:28,680 --> 00:32:34,000
Speaker 1: you here, um and um. Now, as soon as we're finished,

487
00:32:34,000 --> 00:32:36,200
Speaker 1: I'll be going to get back into bed to watch

488
00:32:36,240 --> 00:32:38,640
Speaker 1: because I have a projector that projects onto my ceiling.

489
00:32:38,640 --> 00:32:40,479
Speaker 1: And you're going to pop in Day of the Dolphin

490
00:32:41,280 --> 00:32:46,320
Speaker 1: YEP with George C. Scott. Sure see. I I asked

491
00:32:46,400 --> 00:32:49,240
Speaker 1: this a lot of guests, But how do you deal

492
00:32:49,360 --> 00:32:54,040
Speaker 1: with the haters? You know? I just don't go on

493
00:32:54,520 --> 00:33:00,640
Speaker 1: any social media, so I have my managers they manage

494
00:33:00,680 --> 00:33:03,800
Speaker 1: my social media, and occasionally I have Twitter on my

495
00:33:03,880 --> 00:33:06,400
Speaker 1: phone so I can say something if I want to,

496
00:33:06,600 --> 00:33:09,600
Speaker 1: But then I actually have the self will to not

497
00:33:09,760 --> 00:33:11,960
Speaker 1: go back on and look at anything that they say

498
00:33:12,040 --> 00:33:15,760
Speaker 1: back unless I know it's going to be a nice

499
00:33:15,800 --> 00:33:18,560
Speaker 1: conversation like I just said, hey, I love you. What

500
00:33:18,680 --> 00:33:21,920
Speaker 1: are you guys watching purs usage? Because you don't need

501
00:33:21,960 --> 00:33:26,920
Speaker 1: that bull crap. No, it was part of why again

502
00:33:27,040 --> 00:33:29,800
Speaker 1: another reason I just thought, oh, I don't like being

503
00:33:29,880 --> 00:33:32,800
Speaker 1: famous at all. Because there was a period where they

504
00:33:32,840 --> 00:33:37,120
Speaker 1: were like die, goldfish die, and I was like, I

505
00:33:37,200 --> 00:33:39,880
Speaker 1: look like a goldfish. Well I don't think. It was

506
00:33:40,000 --> 00:33:44,400
Speaker 1: like thank you, and then I'll like die, horse face die.

507
00:33:45,320 --> 00:33:47,880
Speaker 1: I was like, do I look like a horse of

508
00:33:48,000 --> 00:33:52,920
Speaker 1: a horse face? And yeah, horses are beautiful creatures. Well

509
00:33:53,040 --> 00:33:55,320
Speaker 1: I think so too, But at the time I just

510
00:33:55,480 --> 00:33:57,600
Speaker 1: felt a little shocking because I thought I had a

511
00:33:57,720 --> 00:34:01,520
Speaker 1: human face, and so I was made me feel really

512
00:34:01,600 --> 00:34:05,760
Speaker 1: uncomfortable and sad and insecure. Um yeah, and then so

513
00:34:05,960 --> 00:34:09,279
Speaker 1: the when I got off it Twitter, Yeah, well I'm

514
00:34:09,320 --> 00:34:12,800
Speaker 1: still on it. I'm still getting pummeled. Actually asks people

515
00:34:12,840 --> 00:34:14,839
Speaker 1: what they think about how he works all the time,

516
00:34:15,480 --> 00:34:20,360
Speaker 1: because eventually someone will say something nice. I like to away,

517
00:34:20,480 --> 00:34:26,359
Speaker 1: your eyes are so little that my eyes are so little? Yeah,

518
00:34:26,400 --> 00:34:30,799
Speaker 1: and that's so little. I wish. I wish I hadn't

519
00:34:30,800 --> 00:34:32,560
Speaker 1: heard that before, but I've heard I heard a lot

520
00:34:33,239 --> 00:34:35,360
Speaker 1: of little beady eyes like a rat. They call me

521
00:34:35,520 --> 00:34:39,080
Speaker 1: rat face. That's the animal I get a lot. I

522
00:34:39,239 --> 00:34:45,960
Speaker 1: love them. They're beautiful. It's because I think the uniqueness

523
00:34:46,160 --> 00:34:53,800
Speaker 1: is beautiful and they're uniquely little. You don't see it. Gosh,

524
00:34:54,960 --> 00:34:59,520
Speaker 1: forgive me if this is totally inappropriate. Whatever you're gonna say,

525
00:35:00,239 --> 00:35:04,399
Speaker 1: this is totally inappropriate, Carolina, Relax. I am not going

526
00:35:04,480 --> 00:35:07,480
Speaker 1: to do anything inappropriate. I just have to admit that

527
00:35:07,600 --> 00:35:10,840
Speaker 1: the whole time during this interview, I've been sensing a

528
00:35:10,960 --> 00:35:15,360
Speaker 1: vibe and I'd be kicking myself if I didn't go

529
00:35:15,600 --> 00:35:18,960
Speaker 1: for this moment. Just don't see you. I would I

530
00:35:19,000 --> 00:35:22,040
Speaker 1: would like to ask you out for a romantic dinner. Well,

531
00:35:22,120 --> 00:35:25,239
Speaker 1: I would love to come because although I am very

532
00:35:25,360 --> 00:35:30,200
Speaker 1: busy watching television in my diaper um most of the time,

533
00:35:30,680 --> 00:35:36,200
Speaker 1: which I so far, so good. I actually my adopted son,

534
00:35:36,560 --> 00:35:41,120
Speaker 1: he's turned eighteen and you know, so he's out there

535
00:35:41,239 --> 00:35:44,840
Speaker 1: in the world, and I do have time. I have

536
00:35:45,080 --> 00:35:48,719
Speaker 1: made time. I have my time for love. So you

537
00:35:48,760 --> 00:35:52,640
Speaker 1: would got totally go on a date with you. Totally,

538
00:35:53,760 --> 00:35:56,000
Speaker 1: by the way, so you do not have to do this.

539
00:35:56,560 --> 00:36:00,839
Speaker 1: This is yeah, and thanks no, but truly I am

540
00:36:01,200 --> 00:36:05,920
Speaker 1: interested in uh yeah, I'm interested in that idea that

541
00:36:07,200 --> 00:36:11,239
Speaker 1: is wonderful. That's just absolutely what you are. Beautiful. See

542
00:36:11,280 --> 00:36:14,680
Speaker 1: a fuller and I know a wonderful vegan restaurant. It's intimate,

543
00:36:15,120 --> 00:36:16,960
Speaker 1: and we'll go and we won't talk about the biz.

544
00:36:17,080 --> 00:36:18,719
Speaker 1: We'll just get to know each other and I swear

545
00:36:18,760 --> 00:36:22,160
Speaker 1: I'll be a total gentleman. Okay, I'm sure you will run.

546
00:36:22,960 --> 00:36:28,759
Speaker 1: I can't believe this is happening. This, this is amazing. Um.

547
00:36:29,640 --> 00:36:33,080
Speaker 1: So there you have it. Will we will make arrangements

548
00:36:33,200 --> 00:36:38,040
Speaker 1: for this date Sea, Yeah, I'll probably pick you up.

549
00:36:38,880 --> 00:36:43,279
Speaker 1: Does eight pm work? Yeah? Okay, that gives me enough

550
00:36:43,360 --> 00:36:46,200
Speaker 1: time to watch the Dolphin movie before perfect. We'll have

551
00:36:46,280 --> 00:36:49,600
Speaker 1: something to talk about. That's great exactly until you won't

552
00:36:49,640 --> 00:36:51,800
Speaker 1: have to worry and I won't have to worry about

553
00:36:51,840 --> 00:36:54,680
Speaker 1: what we're going to talk about. I will be pulling

554
00:36:54,800 --> 00:36:59,200
Speaker 1: up in my beige Catalina and I don't know what

555
00:36:59,320 --> 00:37:03,800
Speaker 1: that is. I'll good before it's a very very highly

556
00:37:03,840 --> 00:37:07,120
Speaker 1: sought after muscle car from the from the mid seventies.

557
00:37:08,200 --> 00:37:11,920
Speaker 1: Sounds great, I see I. I just can't thank you

558
00:37:12,080 --> 00:37:16,680
Speaker 1: enough for joining us today and it's just been extraordinary. Caroline.

559
00:37:16,719 --> 00:37:19,160
Speaker 1: Do you mind writing down my my phone number for

560
00:37:19,280 --> 00:37:23,920
Speaker 1: see you there? Sure? It's one eight hundred. It's an

561
00:37:23,960 --> 00:37:27,080
Speaker 1: eight hundred number. Yeah, I'll get it to your manager.

562
00:37:28,080 --> 00:37:33,799
Speaker 1: That's the beginning of the suicide hotline. Um, people, it's

563
00:37:33,960 --> 00:37:36,759
Speaker 1: it's not it's one number off. Trust me, it's one

564
00:37:36,840 --> 00:37:41,960
Speaker 1: number off. Alright. Um. He feels a lot of hard calls.

565
00:37:42,880 --> 00:37:46,560
Speaker 1: So see I I'll I'll see you in a in

566
00:37:46,640 --> 00:37:52,640
Speaker 1: about six or seven hours. That sound good? Yay, okay, right,

567
00:37:54,480 --> 00:37:57,560
Speaker 1: and I'm going to shine bright like a diamond for you. Yes,

568
00:37:57,800 --> 00:38:04,799
Speaker 1: I'm right, like like a naming. That's right. That's um,

569
00:38:05,200 --> 00:38:07,000
Speaker 1: see a fuller. We can't thank you enough for being

570
00:38:07,040 --> 00:38:09,040
Speaker 1: on the podcast, and I can't thank you enough for

571
00:38:10,480 --> 00:38:15,040
Speaker 1: what this adventure may lead to. Um. One more just

572
00:38:15,200 --> 00:38:19,200
Speaker 1: slightly heartbreaking thing for you, probably is that actually see

573
00:38:19,239 --> 00:38:25,000
Speaker 1: a furler. Oh my god. But don't worry because I

574
00:38:25,120 --> 00:38:30,160
Speaker 1: don't care further. I'm sorry. Look, if you don't, if

575
00:38:30,200 --> 00:38:32,080
Speaker 1: you don't want to have this date, I understand now

576
00:38:32,120 --> 00:38:34,319
Speaker 1: because I've blown your first name in your last name,

577
00:38:34,400 --> 00:38:37,000
Speaker 1: and because guess what, I have my friends call me

578
00:38:37,120 --> 00:38:43,160
Speaker 1: something entirely different, both of those things. So the dates

579
00:38:43,200 --> 00:38:46,640
Speaker 1: still on. It's still on. She called it a date.

580
00:38:46,719 --> 00:38:51,719
Speaker 1: It's a date, Carolina, I have a date. It's unambiguously

581
00:38:51,840 --> 00:38:56,560
Speaker 1: a date, Fler. Okay, so what do we do now?

582
00:38:57,040 --> 00:38:59,800
Speaker 1: Is anyone known? Do we think we will a commercial?

583
00:39:00,000 --> 00:39:06,839
Speaker 1: Do we do? Okay? This is Ron Burgundy and I'm

584
00:39:06,920 --> 00:39:09,040
Speaker 1: going on a date with c So everyone else can

585
00:39:09,280 --> 00:39:13,279
Speaker 1: suck my fat one. Okay, we'll be right back on

586
00:39:13,360 --> 00:39:30,360
Speaker 1: the Ron Burgundy podcast. That's okay, And we are back

587
00:39:31,040 --> 00:39:36,520
Speaker 1: with the Ron Burgundy Podcast. And oh my god, today's episode.

588
00:39:37,360 --> 00:39:40,560
Speaker 1: Was that not just the greatest episode we've ever done.

589
00:39:41,239 --> 00:39:44,239
Speaker 1: I mean it's not even an episode. It's transcendent. It

590
00:39:44,480 --> 00:39:49,000
Speaker 1: is literally the greatest moment in my life and probably

591
00:39:49,080 --> 00:39:55,880
Speaker 1: in your measly life, Carolina. Right? Am I right? Texting manager?

592
00:39:56,000 --> 00:39:58,279
Speaker 1: Or am I wrong? And if I'm wrong, I don't

593
00:39:58,360 --> 00:40:00,840
Speaker 1: care because I know I'm right. I'm just waiting to

594
00:40:00,960 --> 00:40:04,560
Speaker 1: see what's going on here. I don't know they're little

595
00:40:04,880 --> 00:40:10,440
Speaker 1: cupids dancing above your head right now, Carolina, what an incredible,

596
00:40:10,719 --> 00:40:12,960
Speaker 1: credible moment. I mean, I don't know if this was

597
00:40:13,040 --> 00:40:17,960
Speaker 1: a dare or I'm texting with CIA's manager about what

598
00:40:18,120 --> 00:40:21,000
Speaker 1: plans for our date. Look reminds Cia that I'm going

599
00:40:21,040 --> 00:40:23,880
Speaker 1: to pick her up around eight and and ask her

600
00:40:23,960 --> 00:40:27,759
Speaker 1: to pack enough clothes for a week, also to pack

601
00:40:27,800 --> 00:40:32,560
Speaker 1: for tropical weather, but also for no I'm texting him

602
00:40:32,600 --> 00:40:34,919
Speaker 1: to see if CEO was joking. I feel like maybe

603
00:40:34,960 --> 00:40:37,640
Speaker 1: she was joking or it is a bet or something

604
00:40:37,840 --> 00:40:42,080
Speaker 1: or what. I'm just wait, what is that text? I'm

605
00:40:42,200 --> 00:40:44,160
Speaker 1: texting him right now. I'm just trying to see, well,

606
00:40:44,239 --> 00:40:47,400
Speaker 1: what did he say? Did he right back? I'm I

607
00:40:47,560 --> 00:40:51,279
Speaker 1: see him at Derek Off. Oh my god, this is real.

608
00:40:51,640 --> 00:40:56,920
Speaker 1: Her manager just Texted's cio really likes Ron and it's

609
00:40:57,000 --> 00:41:00,040
Speaker 1: excited to get to know him more. I'm so it

610
00:41:00,320 --> 00:41:03,000
Speaker 1: just seems so unlikely. Okay, So that means I'm going

611
00:41:03,040 --> 00:41:06,440
Speaker 1: to delete my Riot account. That means I'm getting serious.

612
00:41:06,719 --> 00:41:11,040
Speaker 1: Listen as your friends, colleague, but continue as your colleague.

613
00:41:11,200 --> 00:41:13,719
Speaker 1: I just want you to know that you should just

614
00:41:15,120 --> 00:41:17,480
Speaker 1: play it cool. This is a really amazing woman. You

615
00:41:17,560 --> 00:41:21,400
Speaker 1: don't want to blow it. Um, I know, Okay, you

616
00:41:21,440 --> 00:41:23,719
Speaker 1: don't think I know. Wait do you think I'm going

617
00:41:23,800 --> 00:41:26,640
Speaker 1: to blow it? What? Why are you trying to get

618
00:41:26,680 --> 00:41:30,480
Speaker 1: me nervous? Or is this reverse psychology and you're you're

619
00:41:30,480 --> 00:41:33,440
Speaker 1: trying to make me calm? Oh my god? Wait do

620
00:41:33,520 --> 00:41:37,640
Speaker 1: I pronounce her name Saia or Sia? Now? I've forgotten. Okay,

621
00:41:37,719 --> 00:41:43,000
Speaker 1: you'll be great. Oh gosh, Carolina, I pray I don't

622
00:41:43,160 --> 00:41:46,200
Speaker 1: start as sweating. You know when I get the sweat

623
00:41:46,280 --> 00:41:48,520
Speaker 1: mark in the down, the crack down, the crack of

624
00:41:48,640 --> 00:41:56,840
Speaker 1: mine jeansine before the shocking. It's shocking because it's a

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Speaker 1: major imprint out there. It looks like I sat in

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Speaker 1: a puddle. Don't overthink it, but think of what you

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Speaker 1: usually do, um and do something close to the opposite,

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Speaker 1: the exact opposite of your normal behavior. So, okay, I

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Speaker 1: usually go to a steakhouse. Since she's a vegan, exactly,

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Speaker 1: you'll take her to it. To the zoo, not too close,

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Speaker 1: actually far away. Listeners, you're on this romantic roller coaster

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Speaker 1: with me. You're gonna want to strap in for this.

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Speaker 1: It doesn't matter. The Ron Burgundy Podcast is a production

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Speaker 1: of I Heart Radio. I'm Ron Burgundy. The host, writer

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Speaker 1: and executive producer. Carolina Barlow is my co host, writer

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00:42:45,239 --> 00:42:49,719
Speaker 1: and producer. Our producer is Nick Stump. Our talent coordinator

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00:42:50,040 --> 00:42:54,080
Speaker 1: is annas Day. Writers are Andrew Steele and Jake Fogo

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00:42:54,160 --> 00:42:58,400
Speaker 1: mist this episode, Who's engineered, mixed and edited by Nick Stone.

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Speaker 1: Until next time. This is Ron Berg and he got

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Speaker 1: to keep it out, and it don't matter you are

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Speaker 1: if I'm doing my job. It's Gors that wag because

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Speaker 1: the whole brings U