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Speaker 1: The volume, no.

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Speaker 2: Cheers, welcome back.

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Speaker 1: That was Oh my asses are back. All the nova

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Speaker 1: cane has worn off. We're still getting used to the

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Speaker 1: tempts though. Okay, but oh there's still the tempts. They're

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Speaker 1: not the real ones. Yeah, I don't get the real

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Speaker 1: ones till the day before Thanksgiving. You got fake teeth?

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Speaker 2: Can I see him?

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Speaker 1: It's just my teeth, but they're just fake. No, I'm serious.

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Speaker 1: It's just a mold of what my teeth were before,

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Speaker 1: but it's they're fake. Yeah, while they make like the

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Speaker 1: real veneers and everything. Do you like? Yes, I have

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Speaker 1: fake the change?

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Speaker 2: Do you like the change?

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Speaker 1: There's really there's no change now. They're just fake, Like

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Speaker 1: it's literally a mold of what my teeth were before,

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Speaker 1: like chips and all are still here, but they're just

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Speaker 1: like fake.

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Speaker 2: Oh okay, so there's nothing to be excited about yet.

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Speaker 1: No. So yeah, now I'm just getting used to even

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Speaker 1: having the tempts because you can you can feel it.

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Speaker 2: You had dentures, Can you take them out?

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Speaker 3: And in No, No, they're like you have dentures. He

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Speaker 3: doesn't have dentes to matters. They're like, it's just me,

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Speaker 3: you only have gumsy and mouth like you don't have

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Speaker 3: no teeth. He has teeth in his mouth.

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Speaker 1: Oh okay, this isn't a plug, but how great they were.

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Speaker 1: They did throw in a mouthguard for free, which I

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Speaker 1: didn't know. Mouthguards are like five hundred bucks. Oh, because

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Speaker 1: apparently just a very calm human being like me, you

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Speaker 1: would be surprised. You know, I grind my teeth at night,

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Speaker 1: like when I sleep. I'm not me, I do too. Yeah,

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Speaker 1: so I need to get my teeth as well. So

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Speaker 1: I need to get a mouthguard. Do you sleep the one?

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Speaker 1: I was thinking about it though, I don't know. I

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Speaker 1: feel like I won't be able to sleep if I have.

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Speaker 1: I feel like I'm a football practice. It's not well yeah,

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Speaker 1: yeah it is.

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Speaker 3: It's a mouthpiece, but it's not as I don't think

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Speaker 3: it's as obnoxious as a football mouthpiece.

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Speaker 1: Though, And what if, like you know, sometimes when you're

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Speaker 1: sleeping with your soulmate, sometimes the middle of the night,

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Speaker 1: like sometimes the mood arises, Like then I got to

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Speaker 1: take the mouthguard out.

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Speaker 3: You wake up in the middle of night to have sex?

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Speaker 1: Yeah, I mean now, because I'm not having sex with anyone.

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Speaker 1: But once I'm sleep, I'm sleep. See you on the

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Speaker 1: other shoe. I've never had some time see you on

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Speaker 1: the other side of the moon. Dabe Malls definitely had

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Speaker 1: some rollover loving when you just roll over in the

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Speaker 1: middle of the night.

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Speaker 3: Yeah, in the morning, like it's like the sun push

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Speaker 3: your butt on, not like not night. If we go

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Speaker 3: to sleep at twelve, I'm not waking up at three thirty,

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Speaker 3: like yo, it was good.

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Speaker 1: Like really no, I'm sound like a frequent thing, but yeah,

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Speaker 1: it's definitely happened multiple times when you're like in a relationship.

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Speaker 3: Now we're doing like Bedrock Sundays, I'll go to sleep

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Speaker 3: and wake up and like and it felt like it

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Speaker 3: was like a whole new day and it was like

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Speaker 3: you just left. Especially now like you take do you

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Speaker 3: fall asleep at two thirty on a Sunday and wake

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Speaker 3: up at six you think it's a whole new day. Yeah,

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Speaker 3: it's like, yo, what it's nine thirty, Like six fifteen.

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Speaker 2: You wake up mad confused to like looking.

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Speaker 3: At it dark and feel like, you know, it slept

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Speaker 3: ten hours four hours in the past, especially now when

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Speaker 3: it goes you know, when it gets dark around four thirty. Yeah,

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Speaker 3: they got to get rid of rid of that daylight saving. Shit,

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Speaker 3: I'm on that side now.

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Speaker 1: I'm with you.

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Speaker 3: But it's amazing the things like I'm on the side

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Speaker 3: of now as an adult, like, yeah, we can get

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Speaker 3: rid of daylight savings. Once I found out people in

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Speaker 3: Arizona don't know nothing about that, I was.

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Speaker 1: Like, is that true? They don't do that? No, okay,

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Speaker 1: what is it for farmers and crops or something which

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Speaker 1: I still never fully understood. I'm sure there's a deeper

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Speaker 1: conspiracy to it that is insane. It probably something to

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Speaker 1: do with the roth Child's I could just say definitely,

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Speaker 1: because even though it's only in a mass, something to

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Speaker 1: do with our banking system. I'm sure.

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Speaker 4: It's just very simple. It's very simple. People who wake

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Speaker 4: up y'all don't wake up in the morning to go

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Speaker 4: to work. But people who wake up in the morning

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Speaker 4: to go to work, they want a little bit of

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Speaker 4: light to when they go, like to work.

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Speaker 1: Now, yes, right in the morning in the winter, it's dark,

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Speaker 1: Like I remember walking to the bus stop and it'd

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Speaker 1: be dark.

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Speaker 4: Yeah, it would be darker and it would take longer

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Speaker 4: to get light if they didn't do daylight savings.

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Speaker 3: Okay, So it says the historical and traditional purposes, it

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Speaker 3: was to save energy. The original goal was to conserve

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Speaker 3: fuel and energy by decreasing reliance on artificial lighting, maximize

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Speaker 3: evening daylight. Shifting clocks for it creates more usable daylight

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Speaker 3: in the evening, which was thought to encourage which was

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Speaker 3: thought to encourage outdoor activities after the workday. Makes sense.

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Speaker 3: You like to go out after work? Baby? Do you

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Speaker 3: need a little sunlight still out?

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Speaker 1: Well? I mean I kind of maybe it's just the

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Speaker 1: morbid in me. I do like in the winter that

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Speaker 1: it gets darker earlier, Like let's let's close the day

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Speaker 1: a little earlier. Summer I love, I love where it

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Speaker 1: could stay light till eight pm. That's amazing. It's a summer,

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Speaker 1: let's be outside. But in the wintertime and it's cold, Yeah,

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Speaker 1: let's shut this stay down around four forty five.

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Speaker 3: I never know. I never know how many people I

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Speaker 3: knew they had seasonal depression, Like I know a lot

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Speaker 3: of people. I'm just like, and I'm starting to notice it,

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Speaker 3: Like I'm like, oh, you have seasonal depression, like you

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Speaker 3: you get into a little funk around the fall, like summer, spring,

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Speaker 3: total different person, four winter.

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Speaker 1: No, they called me four seasons it's not a seasonal things.

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Speaker 1: That's four seasons. No, they call you something else? What

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Speaker 1: you want to come to work?

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Speaker 4: No more?

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Speaker 3: Man, we want to come to work at the workplace.

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Speaker 3: When I leave, when I get hold, what the fuck man,

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Speaker 3: I can't do ship. It's work depression. I got work depression.

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Speaker 1: But no, seasonal opressions is definitely real.

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Speaker 2: Well you don't. You don't suffer from seasonal depression at all.

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Speaker 3: No, I'm just depressed all year round, all four seasons.

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Speaker 3: I don't care what it's doing outside. Fuck y'all.

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Speaker 1: Oh that's how I give it up. So you finally

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Speaker 1: admit that depression is real. Yeah, depression, better better help

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Speaker 1: me have you back after all? No, No, I said suicide.

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Speaker 1: Here we go with suicide. I didn't say what all

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Speaker 1: I said was suicide. I didn't say what mm hmm.

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Speaker 1: Called Rory. Had better help. When you're referring to the doors,

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Speaker 1: it won't let me work there. They won't won't let

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Speaker 1: me work. You work there? Just called Rory, He'll help

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Speaker 1: you out. I mean, do you think seasonal pression comes

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Speaker 1: from having to be inside or just cold in general? Lack?

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Speaker 1: I think the hoes like to be naked and when

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Speaker 1: they can't be naked no more. They got you know,

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Speaker 1: I don't know if that's really what we define seasonal pressure,

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Speaker 1: but I see they make the culture. They can't show

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Speaker 1: well some whole show ass, I mean show ass in

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Speaker 1: your house. I think it's maybe probably just yes what well, actually, yes,

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Speaker 1: the magic the OnlyFans dot Com Forward slash everybody.

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Speaker 3: Yeah, you can definitely pay bills from home for sure.

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Speaker 1: Yeah. They probably get more work done in the winter,

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Speaker 1: of course. Yeah, unless we've flown out. Yeah, it's the

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Speaker 1: busy season. Actually, I'm sure winter is their busy season. No,

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Speaker 1: it's all the guys are inside, not doing ship. Everybody's depressed,

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Speaker 1: just hand.

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Speaker 3: That's like their tax season, just hammering their hogs.

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Speaker 2: So seasonal depression sick.

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Speaker 4: Seasonal depression is caused by disruption in the body's internal clock,

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Speaker 4: primarily due to reduce sunlight during certain seasons, which can

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Speaker 4: lead to imbalances and the brain chemical serotonin and melatonin.

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Speaker 3: Oh see, that's why we got to get rid of

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Speaker 3: daylight savings. There's nothing so help seasonal depression.

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Speaker 4: Okay, So so baby, they we are we are gonna

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Speaker 4: lose like darkness. I mean we're gonna it was light

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Speaker 4: no matter what, whether we observe daylight.

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Speaker 2: Savings or not.

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Speaker 4: Daylight savings is to try to give you a little

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Speaker 4: bit more light during the day.

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Speaker 2: There's it'll be the same amount of light no matter.

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Speaker 4: What, but they change the clock so that you get

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Speaker 4: a longer day.

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Speaker 2: Are you seeing what I'm saying? Save amount of light?

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Speaker 3: Somebody in Arizona see how this affects them because they

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Speaker 3: know nothing about it.

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Speaker 4: They don't know they don't observe daylight savings time, but

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Speaker 4: they also get a different amount of sunlight than us.

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Speaker 4: They're on a totally different coast. They're a totally different

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Speaker 4: part of the world for their.

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Speaker 1: Coast part of the world. I mean, it's like a two.

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Speaker 3: Hour flight Arizona, Arizona is like a four and a

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Speaker 3: half hour depending on what you are well, I mean

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Speaker 3: if you're in Nevada. Yeah, I thought you were referring

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Speaker 3: to where we were at the this year, right, same shit.

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Speaker 4: But yeah, like the light, the amount of light we

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Speaker 4: get will be different. It's just when you see that

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Speaker 4: light will be at different times.

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Speaker 1: Is that that town that went viral on the grounds?

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Speaker 3: Let's see what the groundhogs think?

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Speaker 1: Is there groundhogs in the Arizona Desert a whole. The

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Speaker 1: rattlesnake shadow tells them that the cat has the town

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Speaker 1: made it to y'all algorithm on Instagram. It's like the

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Speaker 1: town that has twenty four hour sunlight for half the

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Speaker 1: year and then like twenty four hour darkness for the

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Speaker 1: other half. I've heard everyone leaves their watches at the

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Speaker 1: bridge because they no longer need this. I don't believe

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Speaker 1: that's a bro No, No, The whole video is certainly AI,

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Speaker 1: but I wasn't sure if it was really a town

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Speaker 1: or not. It's it's not Alaska, it's it's somewhere Alaska.

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Speaker 2: Yeah, there's a couple of.

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Speaker 1: Them, including j Barrow.

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Speaker 3: That's Alaska. That's on Long Year begin Valordsval.

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Speaker 4: His name in the place Long Years, funniest ship.

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Speaker 1: Long Year. And you do get to like the root

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Speaker 1: of a lot of names, not the western ones that

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Speaker 1: we changed, like York and Jersey, but like the real names. Yeah,

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Speaker 1: they're all very simple, like it's green here, that's what

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Speaker 1: the word means.

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Speaker 3: In Norway, Trump's Norway. The city experience is the midnight

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Speaker 3: sun for about two months.

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Speaker 1: I think that's the one, the Norway one. What was

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Speaker 1: crazy because they showed like all this winter shit and

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Speaker 1: they were like, sometimes you can see people playing soccer

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Speaker 1: at four am, and I'm like, it's nothing but mountains

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Speaker 1: of snow and the shit who's playing soccer? So that's

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Speaker 1: why I didn't know if it was real. Would you

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Speaker 1: do the Antarctica trip? I know the flat earthers did

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Speaker 1: it and became non flat earthers, but they saw the

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Speaker 1: twenty four hours, so.

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Speaker 3: I would do that trip. I don't know if I

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Speaker 3: want to see that.

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Speaker 1: I would just want to see Antarctica and maximize my

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Speaker 1: time by seeing it because it never gets dark.

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Speaker 3: Antarctica I would like to see, But I don't know

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Speaker 3: if I want to see a sun for fucking six

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Speaker 3: was it six weeks straight?

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Speaker 1: Yeah?

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Speaker 3: Experience the sun though for about two months? Well yeah

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Speaker 3: six weeks, nah, eight weeks, but that's what I'm saying.

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Speaker 3: The city experience is the midnight sun for about two

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Speaker 3: months during the summer.

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Speaker 1: Yeah.

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Speaker 3: No, I wouldn't want that. I don't want to see

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Speaker 3: the sun for two months straight.

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Speaker 2: I would.

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Speaker 4: The sun makes me happy, The sun gets me up.

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Speaker 4: If it's a I can always tell if it's raining

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Speaker 4: before I open my fucking eyes. Because I have such

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Speaker 4: a hard time hurting up.

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Speaker 1: You know, old black mothers like to tell you it's

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Speaker 1: gonna rain.

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Speaker 3: No be the knee, her knee, the knee, sirted feet, back, arm.

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Speaker 1: But we needed this, we needed this, yeah, the middle

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Speaker 1: New York City, we needed this, We.

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Speaker 3: Needed this ring.

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Speaker 1: No, now it's just dirty or here.

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Speaker 3: No, I think the rain clean cleans New York. It brings,

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Speaker 3: it brings up all the dirt.

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Speaker 1: No.

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Speaker 3: I mean sometimes these sidewalks be so filthy, like I know,

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Speaker 3: I know when it needs to like down poor rain,

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Speaker 3: Like you can see juice on the sidewalk for three

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Speaker 3: four days. I'm like, all right, bro Like.

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Speaker 4: But the way it's been downpouring in New York not

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Speaker 4: to be too local, and it's been flooding.

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Speaker 2: New York's been flooding. That's weird as fuck. Like why

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Speaker 2: it was all.

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Speaker 3: The leaves that was like, they don't they're not cleaning

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Speaker 3: the drains. I knew that was gonna happen on Like

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Speaker 3: you still see so many leaves. I'm like, like, where

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Speaker 3: the street clean is the street sweepers at? I don't

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Speaker 3: even see those no more like.

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Speaker 1: That you do when you're about to get a parking ticket.

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Speaker 1: They just pop up.

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Speaker 3: But that's the only time to feel they're like bloody

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Speaker 3: marry in the mirror. Have you ever looked at the

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Speaker 3: street sweepers, Like sometimes the brush is not even hitting

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Speaker 3: us the street. They just and I'm like, well, you're

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Speaker 3: not clean and shit, you just you just circling the block.

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Speaker 1: I'm going to take a video next time on my

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Speaker 1: block of when the street sweepers call. They literally it's

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Speaker 1: like if you just went in a dusty ass kitchen

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Speaker 1: and just went like this and then walked out.

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Speaker 3: Yeah, that's like that we could get I think we

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Speaker 3: could get rid of it.

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Speaker 1: They leave like a wet line and then all the trash,

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Speaker 1: dust and dirt there too. Now there's just a wet line.

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Speaker 1: That's all they do. Sometimes the brush is like not

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Speaker 1: even hitting the street, it's just moving.

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Speaker 3: It's not I've noticed that for years. I'm like, I

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Speaker 3: don't don't think I think we can get rid of

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Speaker 3: this part of the sanity.

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Speaker 1: Or just like a new version of it that like

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Speaker 1: sucks up the garbage or like I just feel like

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Speaker 1: that's one thing that they have not advanced when they

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Speaker 1: could have with street sweepers. Yeah, but I mean I'm

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Speaker 1: Donnie's gonna do it. Donnie's gonna We'll probably be able

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Speaker 1: to just just walk into a street sweeper. They probably

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Speaker 1: just parking with theyre using the ignition and you can

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Speaker 1: just do it yourself.

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Speaker 3: They're gonna use you for a street but that's what

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Speaker 3: you about to be the street sweeper, that's for sure.

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Speaker 3: But uh, where are we at? I know it's been

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Speaker 3: a sort of a slow news week.

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Speaker 2: Why yeah you telling me Usher and Brian Michael Cox's beefing?

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Speaker 3: They not beefing? Ain't I beefing? You got to be Cox?

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Speaker 3: Be Cox posted a he he posted a response to it. Okay,

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Speaker 3: well I think a company. He was like that was

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Speaker 3: like like a minority like investor into something like that

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Speaker 3: in Usher going through something.

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Speaker 1: It's not Brian Michael Cox specifically, but still involved. So

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Speaker 1: for those that haven't read this, Brian Michael Cox and

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Speaker 1: his company, we're trying to open up like a restaurant

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Speaker 1: lounge in Buckhead, Atlanta. Usher invested one point seven million

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Speaker 1: dollars into it. A year passes and nobody even bought

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Speaker 1: a property. So Usher's like, yeah, let me get my

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Speaker 1: money back. I believe they gave him a million back,

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Speaker 1: but not the other seven hundred thousand, and now he's

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Speaker 1: suing for four point nine million in damages because he

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Speaker 1: hasn't received this seven hundred thousand dollars back. I did

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Speaker 1: not see what be Cox's response was. If you want

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Speaker 1: to fill them in on that and fill me up.

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Speaker 3: Oh no, he just he just posted that him and

305
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Speaker 3: Usher's relationship is still very much intact. It was just,

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00:13:03,800 --> 00:13:06,520
Speaker 3: you know, a company that he or a venture that

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Speaker 3: he was there goes right here. I've learned a lot

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Speaker 3: recently about being careful with who you choose to invest

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Speaker 3: in a business with, no matter how small the investment.

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Speaker 3: I'm currently in the middle of a failed deal that

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Speaker 3: I didn't orchestrate, and while the situation has been disappointed,

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Speaker 3: I know my name will be cleared by both sides.

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Speaker 3: It's just unfortunate that this clarity didn't come sooner. My

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Speaker 3: legal team has also advised me of a lawsuit involving

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Speaker 3: in company where I am only a passive minority shareholder.

316
00:13:30,400 --> 00:13:33,440
Speaker 3: I was not a participant in that business transaction and

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00:13:33,559 --> 00:13:35,920
Speaker 3: have no involvement in the ongoing legal process. While I'm

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Speaker 3: unable to share more details right now, I want to

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Speaker 3: make one thing absolutely clear. My twenty seven year friendship

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Speaker 3: with Usher remains fully intact. I appreciate everyone who has

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Speaker 3: reached out with concern. Thank you for the love, the

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Speaker 3: patience and understanding. So yeah, it just sounds like, you know,

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Speaker 3: they had as friends, they had an idea to open

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Speaker 3: the lounge, you know, try to do something together, and

325
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Speaker 3: sometimes you know, things don't go away everyone had anticipated

326
00:14:01,040 --> 00:14:03,760
Speaker 3: or hoped and Usha is probably like, all right, well shit,

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Speaker 3: I want my money back. And you know, because Michael

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Speaker 3: Brian Michael Cox is a minority shareholder in this investment,

329
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Speaker 3: and you know they're gonna attach it to Brian Michael

330
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Speaker 3: Cox as well. But I was glad that he to

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Speaker 3: see that because when I first read it, I was like,

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Speaker 3: damn be Cox and Usher's beefing, Like, oh man, but

333
00:14:23,280 --> 00:14:23,640
Speaker 3: this is.

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Speaker 1: Just a could lead to some good writing material.

335
00:14:25,560 --> 00:14:28,480
Speaker 3: Yeah, this is just a business venture that just didn't

336
00:14:28,480 --> 00:14:31,360
Speaker 3: go the way I think all parties anticipated. And Usher

337
00:14:31,440 --> 00:14:34,960
Speaker 3: is seeking to get his money back, and Brian Michael

338
00:14:35,000 --> 00:14:37,680
Speaker 3: Cox is just a part of the the investment.

339
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Speaker 1: Josh, can you pull up on YouTube because you don't

340
00:14:41,000 --> 00:14:44,240
Speaker 1: got to be specific YouTube division. If I get caught

341
00:14:44,400 --> 00:14:50,520
Speaker 1: DVSN hmm, not the Division sign if I get caught,

342
00:14:50,720 --> 00:14:53,640
Speaker 1: so damarus. When I read this article, initially it said

343
00:14:53,680 --> 00:14:55,920
Speaker 1: that the money was used for other things, and then

344
00:14:55,920 --> 00:15:00,520
Speaker 1: it brought me back to how expensive that video Division

345
00:15:00,560 --> 00:15:04,320
Speaker 1: did with Mal with Friends of the Show Lex Andrea, Like,

346
00:15:04,400 --> 00:15:07,800
Speaker 1: this was a really expensive video. And when the article

347
00:15:07,800 --> 00:15:10,480
Speaker 1: said the money was used for other things, now I'm

348
00:15:10,480 --> 00:15:13,520
Speaker 1: starting to think ba Cox maybe paid Mall a little

349
00:15:13,560 --> 00:15:15,720
Speaker 1: extra from his fee to get him to Atlanta and

350
00:15:15,760 --> 00:15:18,880
Speaker 1: do this video. Are you a minority share owner in

351
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Speaker 1: this company as well?

352
00:15:20,360 --> 00:15:20,400
Speaker 5: Mo?

353
00:15:21,800 --> 00:15:23,240
Speaker 1: No, I ain't like that.

354
00:15:23,360 --> 00:15:24,720
Speaker 3: No, I have nothing to do with this.

355
00:15:25,200 --> 00:15:27,240
Speaker 1: I feel like you were shocked. I just connected all

356
00:15:27,280 --> 00:15:29,160
Speaker 1: the dots and you've been caught this video if I

357
00:15:29,160 --> 00:15:30,880
Speaker 1: get called ironically is the name of the song?

358
00:15:31,000 --> 00:15:33,720
Speaker 3: No, that that is the name of the song which

359
00:15:33,760 --> 00:15:35,240
Speaker 3: has Mal has nothing to do.

360
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Speaker 1: I mean, be guy's right there right next to you.

361
00:15:37,680 --> 00:15:39,360
Speaker 1: Everyone looks at the guy. Everyone looks like they have

362
00:15:39,400 --> 00:15:41,080
Speaker 1: a lot of money in this video. Yeah, that that

363
00:15:41,280 --> 00:15:44,440
Speaker 1: had nothing to do with me, Like, like I could

364
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Speaker 1: do whatever with it.

365
00:15:45,120 --> 00:15:47,240
Speaker 3: We had a great time, had a great day shooting,

366
00:15:47,560 --> 00:15:50,800
Speaker 3: and everybody went home and that was it, all right.

367
00:15:51,240 --> 00:15:53,040
Speaker 1: But did you see a card come out who like

368
00:15:54,840 --> 00:15:57,120
Speaker 1: put the build during this whole thing. Are you ever

369
00:15:57,200 --> 00:15:58,960
Speaker 1: concerned and look at this car?

370
00:15:59,480 --> 00:16:02,200
Speaker 3: What type of this you would have to I believe

371
00:16:02,240 --> 00:16:08,400
Speaker 3: that was a my box Okay, yes, unless they reboop

372
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Speaker 3: him my ride.

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Speaker 1: I've never seen a mayback with a hookah dispensary in it.

374
00:16:13,960 --> 00:16:15,880
Speaker 1: That seems like something that you would have to pay

375
00:16:16,080 --> 00:16:19,200
Speaker 1: high dollar for. I'm around like one point seven million.

376
00:16:19,240 --> 00:16:20,640
Speaker 1: This is kind of what this video felt like to me.

377
00:16:20,680 --> 00:16:22,200
Speaker 1: That was a Daniel exclusive right there.

378
00:16:22,320 --> 00:16:24,120
Speaker 3: The way they had that just take that, the way

379
00:16:24,160 --> 00:16:26,120
Speaker 3: they had that ship taped in the back. I was like,

380
00:16:26,640 --> 00:16:28,920
Speaker 3: I don't think niggas smoke cucka in the car, but

381
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Speaker 3: whoever own.

382
00:16:30,800 --> 00:16:33,480
Speaker 1: That mayback, shout out to them, because you know people

383
00:16:33,480 --> 00:16:35,320
Speaker 1: will bring their cars to video shoots to rent them out.

384
00:16:35,400 --> 00:16:37,440
Speaker 1: Imagine you got your mayback at a video shoot. You

385
00:16:37,520 --> 00:16:41,280
Speaker 1: see someone lighting a coal, I would lose my fucking mind.

386
00:16:41,400 --> 00:16:44,080
Speaker 1: No he did, though I know he was smoking hooka

387
00:16:44,120 --> 00:16:46,160
Speaker 1: in that. Homie was like really nervous about that. That

388
00:16:46,200 --> 00:16:48,040
Speaker 1: whoka the whole night. Was it electronic or it was

389
00:16:48,120 --> 00:16:52,880
Speaker 1: really cold? I think it. I think it might have

390
00:16:53,520 --> 00:16:54,480
Speaker 1: been real cold.

391
00:16:54,920 --> 00:16:56,920
Speaker 2: He wouldn't have been nervous about electronic.

392
00:16:56,840 --> 00:16:58,200
Speaker 1: Yeah, I think it, but I think it was real cold.

393
00:16:58,280 --> 00:17:00,320
Speaker 1: But you know they had the foil with it up

394
00:17:00,360 --> 00:17:03,520
Speaker 1: where it wouldn't like fall off one speed bump and

395
00:17:03,600 --> 00:17:06,240
Speaker 1: buckhead is sending that cold in the mall's lap.

396
00:17:06,359 --> 00:17:08,800
Speaker 3: Yeah. Sometimes though we had a good time shoot never

397
00:17:08,840 --> 00:17:09,760
Speaker 3: do Okay, so you.

398
00:17:09,680 --> 00:17:14,719
Speaker 1: Can assure that this this came directly from LVRN.

399
00:17:14,320 --> 00:17:17,040
Speaker 3: O v O. Yes, the thing I think LVRN, you know,

400
00:17:17,160 --> 00:17:19,400
Speaker 3: covered this and everything was fine.

401
00:17:19,440 --> 00:17:21,320
Speaker 1: I mean tax records, I think are public. If you're

402
00:17:21,320 --> 00:17:23,000
Speaker 1: a questioning, we can we can do some digging.

403
00:17:23,520 --> 00:17:25,520
Speaker 4: What you mean if I get caught cheating, I don't

404
00:17:25,560 --> 00:17:27,440
Speaker 4: mean I don't love you like it just be shit.

405
00:17:27,560 --> 00:17:29,560
Speaker 4: That just don't make sense that you turn into a song.

406
00:17:30,000 --> 00:17:31,719
Speaker 3: I don't mean think I think they're a pretty director.

407
00:17:33,400 --> 00:17:38,399
Speaker 3: What is there ast act whatever? I was just wondering.

408
00:17:38,440 --> 00:17:40,200
Speaker 3: She ain't make no sense to me. I'm sorry, y'all

409
00:17:40,200 --> 00:17:42,480
Speaker 3: go back. You think that if somebody teaching, that means

410
00:17:42,480 --> 00:17:43,040
Speaker 3: they don't love you.

411
00:17:43,640 --> 00:17:45,600
Speaker 4: I think that love is a is an action, and

412
00:17:45,720 --> 00:17:48,960
Speaker 4: part of part of the verb of love is making

413
00:17:49,119 --> 00:17:52,119
Speaker 4: a commitment, not only just the commitment, the honesty portion.

414
00:17:52,200 --> 00:17:54,160
Speaker 4: We go into that because I'm currently reading all about

415
00:17:54,160 --> 00:17:56,239
Speaker 4: Love by Bell Hooks, and there's just so much more

416
00:17:56,280 --> 00:17:58,239
Speaker 4: that goes into the verb love. I think people can

417
00:17:58,280 --> 00:18:01,520
Speaker 4: care about somebody, show affection system, and have feelings for somebody,

418
00:18:01,840 --> 00:18:05,360
Speaker 4: but to actively verbally, I mean, as a verb love them.

419
00:18:05,520 --> 00:18:07,920
Speaker 3: No, So you don't believe in making mistakes.

420
00:18:08,320 --> 00:18:10,359
Speaker 4: I believe in making mistakes. But cheating ainate a mistake,

421
00:18:10,359 --> 00:18:13,440
Speaker 4: that's a choice. Didn't take mad steps to get the cheating.

422
00:18:13,520 --> 00:18:15,320
Speaker 4: I know I cheated before mad steps.

423
00:18:15,560 --> 00:18:18,680
Speaker 3: Sometimes the choices you make or turn out to be mistakes.

424
00:18:18,760 --> 00:18:21,280
Speaker 4: No, because a mistake is something like damn, like I

425
00:18:21,359 --> 00:18:23,960
Speaker 4: called you like mill and your name is Maul. That's

426
00:18:23,960 --> 00:18:25,840
Speaker 4: a mistake, Like I didn't mean to do it.

427
00:18:26,040 --> 00:18:28,880
Speaker 1: You're never intentionally not intentionally made a mistake, but intentionally

428
00:18:28,880 --> 00:18:31,679
Speaker 1: done something and then afterwards like that was a real mistake.

429
00:18:31,720 --> 00:18:34,560
Speaker 1: Even though I was very lucid in what I was doing,

430
00:18:35,119 --> 00:18:37,480
Speaker 1: I now know that that was a complete mistake on

431
00:18:37,480 --> 00:18:38,040
Speaker 1: my behalf.

432
00:18:38,119 --> 00:18:38,719
Speaker 2: Yeah, it was.

433
00:18:38,760 --> 00:18:40,360
Speaker 4: It was a choice. It just was a bad one.

434
00:18:40,400 --> 00:18:42,320
Speaker 4: It was a bad choice. It wasn't a mistake. It's

435
00:18:42,440 --> 00:18:45,280
Speaker 4: accidentally you accidentally do something that's a mistake. You just

436
00:18:45,320 --> 00:18:47,320
Speaker 4: made a bad choice or a choice that you regret,

437
00:18:47,680 --> 00:18:48,520
Speaker 4: it's not a mistake.

438
00:18:49,000 --> 00:18:50,920
Speaker 3: So if you okay, So if you're out right now

439
00:18:51,160 --> 00:18:54,879
Speaker 3: with your girls and you know, your party and dinner,

440
00:18:55,000 --> 00:18:56,680
Speaker 3: having a good time doing what y'all do.

441
00:18:58,400 --> 00:18:59,359
Speaker 1: A guy's at dinner.

442
00:18:59,520 --> 00:19:02,040
Speaker 3: Somebody's friend is a guy, y'all start just flirting whatever,

443
00:19:02,560 --> 00:19:05,800
Speaker 3: and you kiss him, but you're like, you're you know,

444
00:19:05,840 --> 00:19:06,560
Speaker 3: you've been drinking.

445
00:19:07,440 --> 00:19:09,199
Speaker 1: I'm just saying you've been drinking. It's like, you know,

446
00:19:09,280 --> 00:19:09,840
Speaker 1: you didn't.

447
00:19:09,640 --> 00:19:12,560
Speaker 3: Really mean to kiss him, but then you realize right

448
00:19:12,600 --> 00:19:15,000
Speaker 3: after kiss him, like damn, Like that was crazy, Like

449
00:19:15,080 --> 00:19:15,800
Speaker 3: that's never happened.

450
00:19:15,800 --> 00:19:16,720
Speaker 1: You never made mast.

451
00:19:16,520 --> 00:19:17,639
Speaker 2: Steps to get to that kissing.

452
00:19:17,840 --> 00:19:20,720
Speaker 4: It's mad because you had to feel something for that

453
00:19:20,760 --> 00:19:22,639
Speaker 4: person before you even kiss them. And the moment you

454
00:19:22,680 --> 00:19:25,359
Speaker 4: had any type of feeling that was inappropriate or something

455
00:19:25,359 --> 00:19:27,440
Speaker 4: that you or your partner didn't agree upon, you should

456
00:19:27,440 --> 00:19:29,200
Speaker 4: have got the fuck up out of there and realized, WHOA,

457
00:19:29,560 --> 00:19:30,480
Speaker 4: this is inappropriate?

458
00:19:30,920 --> 00:19:33,440
Speaker 1: Okay? I would say Gary V is a good good

459
00:19:33,640 --> 00:19:36,600
Speaker 1: source of reference here right. Gary V says a mistake

460
00:19:36,640 --> 00:19:39,720
Speaker 1: is an unintentional error, often caused by oversight, misunderstanding, or

461
00:19:39,800 --> 00:19:42,640
Speaker 1: lack of information, while a bad decision is a conscious,

462
00:19:42,760 --> 00:19:46,440
Speaker 1: deliberate choice to do something wrong or with a poor outcome.

463
00:19:47,400 --> 00:19:52,000
Speaker 1: So a key role is intent and accountability. Mistakes are accidents.

464
00:19:52,040 --> 00:19:55,480
Speaker 1: Bad decisions require ownership of the action and its consequences.

465
00:19:55,800 --> 00:20:00,560
Speaker 1: I'm mistakenly made a bad choice, you say.

466
00:20:00,400 --> 00:20:05,560
Speaker 3: To that baby, d She's kick I'm sorry, my bad, sorry,

467
00:20:05,600 --> 00:20:11,520
Speaker 3: I was what I think. I'm sorry I didn't hear it.

468
00:20:11,760 --> 00:20:13,159
Speaker 3: And see, I'm gonna listen back just to hear what

469
00:20:13,200 --> 00:20:14,320
Speaker 3: you just said, because I didn't say.

470
00:20:14,760 --> 00:20:15,439
Speaker 2: I was just wondering.

471
00:20:15,440 --> 00:20:17,040
Speaker 4: No, I was just I remember when you were in

472
00:20:17,040 --> 00:20:18,560
Speaker 4: that music video and I was just like, look at

473
00:20:18,600 --> 00:20:19,480
Speaker 4: what Mall's champion?

474
00:20:21,359 --> 00:20:21,520
Speaker 3: Wait?

475
00:20:21,560 --> 00:20:24,080
Speaker 1: What did he champion? The song?

476
00:20:24,160 --> 00:20:24,760
Speaker 2: That message?

477
00:20:24,920 --> 00:20:26,640
Speaker 3: I was just hanging out with my homies for the night,

478
00:20:26,720 --> 00:20:27,560
Speaker 3: Like I didn't.

479
00:20:27,480 --> 00:20:30,520
Speaker 4: They labeled when they were casting the eight Ship best Friend,

480
00:20:30,520 --> 00:20:32,560
Speaker 4: they said, I know who fits this Mall.

481
00:20:33,400 --> 00:20:36,720
Speaker 3: Well he played it. That's the wrong That's all they get.

482
00:20:39,000 --> 00:20:41,440
Speaker 3: They didn't mean to give me that title. It was

483
00:20:41,440 --> 00:20:45,000
Speaker 3: a restakingly good decisions. Wait, it wasn't. What was the

484
00:20:45,119 --> 00:20:47,159
Speaker 3: end of the video, wasn't It ended up being like, no,

485
00:20:47,400 --> 00:20:48,600
Speaker 3: my phone, it was your phone.

486
00:20:48,680 --> 00:20:50,439
Speaker 1: Yeah, Drea found my I left my phone at the

487
00:20:50,440 --> 00:20:52,200
Speaker 1: house and she thought it was Daniel's phone.

488
00:20:52,720 --> 00:20:54,399
Speaker 3: So she was standing outside waiting for us to get

489
00:20:54,400 --> 00:20:56,640
Speaker 3: back so she could raise Hell, she's already like toy

490
00:20:56,720 --> 00:20:58,840
Speaker 3: his ship up in the house, did all of that,

491
00:20:58,920 --> 00:21:02,360
Speaker 3: and then we get back and I'm like, oh shit, damn,

492
00:21:02,359 --> 00:21:05,320
Speaker 3: I left my phone, so it was like my phone.

493
00:21:05,440 --> 00:21:08,320
Speaker 3: I mean, I'm the single friends girls, Yeah, girls could

494
00:21:08,320 --> 00:21:11,080
Speaker 3: be texting me, but she's thinking girls are texting Daniel's phone.

495
00:21:11,119 --> 00:21:13,000
Speaker 3: So yeah, I.

496
00:21:12,920 --> 00:21:14,840
Speaker 1: Feel like you would know, as someone that has used

497
00:21:14,880 --> 00:21:17,920
Speaker 1: that excuse when being abruptly woken up out of their sleep,

498
00:21:18,080 --> 00:21:19,800
Speaker 1: I feel like you would know if this was your

499
00:21:19,800 --> 00:21:20,240
Speaker 1: man's phone.

500
00:21:20,280 --> 00:21:22,080
Speaker 2: Enough plot hole, because why ain't no text for me

501
00:21:22,119 --> 00:21:22,440
Speaker 2: in there?

502
00:21:23,720 --> 00:21:26,800
Speaker 1: You know, delete, deleting your girl's text messages and keeping

503
00:21:26,800 --> 00:21:27,960
Speaker 1: the others the.

504
00:21:28,000 --> 00:21:31,840
Speaker 3: Wildest Yeah no, but she didn't get into I think

505
00:21:31,920 --> 00:21:35,359
Speaker 3: she stre like the lock screen, you can see the

506
00:21:35,359 --> 00:21:38,000
Speaker 3: texts coming in, and she probably seemed like, you know,

507
00:21:38,359 --> 00:21:41,480
Speaker 3: different girls texting, but you know something you know, but

508
00:21:41,520 --> 00:21:43,919
Speaker 3: you're thinking, You're trying to think like logical, you know,

509
00:21:44,000 --> 00:21:46,000
Speaker 3: in that moment when you already think your man is

510
00:21:46,080 --> 00:21:48,840
Speaker 3: like doing dirt and you think you found the smoking

511
00:21:48,880 --> 00:21:51,280
Speaker 3: gun and you don't realize that ain't his gun. Like

512
00:21:51,359 --> 00:21:53,560
Speaker 3: it's easy to like overlook the factly that ain't even

513
00:21:53,560 --> 00:21:53,960
Speaker 3: his phone.

514
00:21:54,680 --> 00:21:58,000
Speaker 4: Nah, nah, it's a plot hole in that. I would know,

515
00:21:58,840 --> 00:22:01,640
Speaker 4: you know they lived together. It ain't like like they

516
00:22:01,680 --> 00:22:03,399
Speaker 4: live together. She knows what his phone looked like.

517
00:22:03,720 --> 00:22:07,280
Speaker 1: Ah, he could have a second phone. Let's pay that.

518
00:22:09,119 --> 00:22:12,199
Speaker 3: No, that's a big that's that's big. No, No, you

519
00:22:12,280 --> 00:22:14,080
Speaker 3: got a second phone or your girl don't know you

520
00:22:14,080 --> 00:22:15,440
Speaker 3: a whole new.

521
00:22:16,160 --> 00:22:19,080
Speaker 1: Could have thought. I just found Daniel's second phone, like,

522
00:22:19,160 --> 00:22:22,560
Speaker 1: not his main phone, his other one. Okay, so yeah,

523
00:22:23,359 --> 00:22:25,199
Speaker 1: I don't think that's a pothole in the descript he

524
00:22:25,440 --> 00:22:27,919
Speaker 1: found like he got two phones or.

525
00:22:27,960 --> 00:22:30,719
Speaker 2: You say, you don't think it's so what pothole? Plot

526
00:22:31,000 --> 00:22:31,640
Speaker 2: plots hole?

527
00:22:32,119 --> 00:22:35,800
Speaker 3: Yeah, but yes, we paid. Can't paid that pothole. The

528
00:22:35,920 --> 00:22:37,280
Speaker 3: l's don't roll out to the new.

529
00:22:38,680 --> 00:22:39,080
Speaker 2: I'm like.

530
00:22:40,560 --> 00:22:43,920
Speaker 3: They left. They let the l's at this office got

531
00:22:43,920 --> 00:22:46,200
Speaker 3: to extra for Yeah, you gotta get your l's back.

532
00:22:47,680 --> 00:22:50,840
Speaker 1: Glenndelle gave me a great discount with left the ls l's.

533
00:22:50,840 --> 00:22:51,400
Speaker 1: I gotta pay.

534
00:22:51,480 --> 00:22:53,720
Speaker 3: That's a texture for that.

535
00:22:53,880 --> 00:22:55,520
Speaker 4: I've never been in a music I feel like everybody

536
00:22:55,520 --> 00:22:57,320
Speaker 4: on staff has been in a music video, but me,

537
00:22:58,400 --> 00:22:59,119
Speaker 4: Uh yeah.

538
00:23:00,240 --> 00:23:02,879
Speaker 3: Shut your own video. That is true.

539
00:23:03,680 --> 00:23:06,560
Speaker 4: You had a video before all of us. That's whatever.

540
00:23:06,800 --> 00:23:11,320
Speaker 4: But I mean as an actor or actress, I've never

541
00:23:11,320 --> 00:23:15,119
Speaker 4: been in a music video. Y'all have y'all like video hos.

542
00:23:15,600 --> 00:23:16,679
Speaker 1: Uh you've been in.

543
00:23:16,680 --> 00:23:18,240
Speaker 2: A couple, you've been in your own, you've been in

544
00:23:18,280 --> 00:23:18,920
Speaker 2: other people's.

545
00:23:20,040 --> 00:23:21,480
Speaker 1: Oh yeah, no, I've actually not I think about it.

546
00:23:21,520 --> 00:23:23,680
Speaker 1: I have been in a lot of music videos. They

547
00:23:23,680 --> 00:23:25,040
Speaker 1: gave more a lot of shit for that, and I

548
00:23:25,080 --> 00:23:29,879
Speaker 1: just quietly sat like I've been way more doing way

549
00:23:29,960 --> 00:23:31,480
Speaker 1: worse things than all music videos.

550
00:23:31,600 --> 00:23:33,480
Speaker 3: Yeah, that was the homies. It was just the homeie

551
00:23:33,960 --> 00:23:35,720
Speaker 3: just hanging out for the day and just recorded it.

552
00:23:35,760 --> 00:23:37,959
Speaker 3: That's all that shit was literally hung out for the night.

553
00:23:38,160 --> 00:23:40,280
Speaker 3: It came out great and pressed record. That's all of

554
00:23:40,320 --> 00:23:40,840
Speaker 3: that was so.

555
00:23:41,160 --> 00:23:44,399
Speaker 1: It was fun though we could stay on music. I

556
00:23:44,440 --> 00:23:51,280
Speaker 1: feel like we we were the trend setters for having

557
00:23:51,480 --> 00:23:55,600
Speaker 1: brawls at shows that don't warrant it whatsoever. In the

558
00:23:55,640 --> 00:24:00,159
Speaker 1: greater DMV area. We had a fight at our show

559
00:24:00,200 --> 00:24:03,560
Speaker 1: at Howard theaterre was that last year, Yes, last year

560
00:24:03,600 --> 00:24:06,639
Speaker 1: for some reason, there was a fight that broke out

561
00:24:06,680 --> 00:24:10,040
Speaker 1: at a podcast show m HM. That was resolved quickly

562
00:24:10,080 --> 00:24:12,560
Speaker 1: and we continued on, nobody was harmed. But then I

563
00:24:12,600 --> 00:24:16,280
Speaker 1: see this morning that they were fighting at a Leon

564
00:24:16,359 --> 00:24:19,680
Speaker 1: Thomas show, and Leon Thomas even put a comment under,

565
00:24:19,720 --> 00:24:22,280
Speaker 1: so I got no songs that weren't the shit? Yeah, like,

566
00:24:22,320 --> 00:24:26,160
Speaker 1: what song was you fighting like? I ain't got nothing in.

567
00:24:26,119 --> 00:24:28,960
Speaker 3: His catalog that feels like knuck if you buck? Like

568
00:24:29,000 --> 00:24:30,639
Speaker 3: it ain't no reason for y'all to be fighting at

569
00:24:30,640 --> 00:24:31,080
Speaker 3: a least.

570
00:24:30,920 --> 00:24:33,760
Speaker 1: I'm trying to think what I like, what's the jakewan

571
00:24:33,920 --> 00:24:35,720
Speaker 1: Hood hop beat? That could be the same bpm in

572
00:24:35,760 --> 00:24:38,480
Speaker 1: the Mutt Like maybe they did a remix and yeah.

573
00:24:38,240 --> 00:24:40,600
Speaker 3: But the context, the lyrics, it's the vibe.

574
00:24:40,880 --> 00:24:43,159
Speaker 1: Have a dog, I'm a mutt. Let's fight, Yeah, but

575
00:24:43,200 --> 00:24:44,399
Speaker 1: that ain't fighting at it.

576
00:24:44,600 --> 00:24:47,600
Speaker 3: I never understood fighting at like shows like that, like

577
00:24:48,320 --> 00:24:50,879
Speaker 3: definitely the live podcast, but then like an R and

578
00:24:50,920 --> 00:24:51,880
Speaker 3: B show, see.

579
00:24:51,680 --> 00:24:54,040
Speaker 1: Don't do that ye fight for letus Now we diffused it.

580
00:24:54,080 --> 00:24:55,840
Speaker 1: We almost got a fight at a Summer Walker show

581
00:24:58,440 --> 00:25:01,320
Speaker 1: at Awerie Ballroom, like her first show ever, when it

582
00:25:01,400 --> 00:25:04,720
Speaker 1: was only like fifty people in the crowd. I almost

583
00:25:06,119 --> 00:25:10,080
Speaker 1: all of us why it was definitely the other people's fault.

584
00:25:10,160 --> 00:25:11,400
Speaker 1: We diffused it because we were like, well, we're trying.

585
00:25:11,440 --> 00:25:13,080
Speaker 1: We're gonna about to fight at a summer Walker show.

586
00:25:13,240 --> 00:25:14,160
Speaker 3: Oh I don't remember.

587
00:25:14,160 --> 00:25:16,200
Speaker 1: We were upstairs and yeah it was it was their fault.

588
00:25:16,200 --> 00:25:18,040
Speaker 1: They were being weak, Okay, but yeah it was. It

589
00:25:18,080 --> 00:25:18,480
Speaker 1: was close.

590
00:25:18,560 --> 00:25:20,800
Speaker 3: Now I'm now hold on because I could understand people

591
00:25:20,800 --> 00:25:24,080
Speaker 3: fighting at an R and B show. If you see

592
00:25:24,080 --> 00:25:26,240
Speaker 3: your significant other day with somebody, you didn't think that

593
00:25:26,280 --> 00:25:28,520
Speaker 3: they was Yeah, you know, it could be okay, I

594
00:25:28,520 --> 00:25:30,520
Speaker 3: didn't think about that. Yeah, it could be date night

595
00:25:30,560 --> 00:25:33,320
Speaker 3: for somebody and you ain't know your you know, your

596
00:25:33,359 --> 00:25:35,240
Speaker 3: buo was going out on something like it could be

597
00:25:35,320 --> 00:25:36,399
Speaker 3: somebody got caught cheating.

598
00:25:37,160 --> 00:25:40,760
Speaker 1: Can imagine imagine you see your girl's location and it's

599
00:25:40,840 --> 00:25:43,840
Speaker 1: at the Fillmore in Maryland, you google, oh shit, Leon

600
00:25:43,960 --> 00:25:45,480
Speaker 1: Thomas show, and then you try to go and the

601
00:25:45,480 --> 00:25:48,520
Speaker 1: ticket sold out. So now you're just sitting outside waiting

602
00:25:48,560 --> 00:25:52,439
Speaker 1: for her. I can't even go and surprise her.

603
00:25:52,480 --> 00:25:54,320
Speaker 3: I'm not doing that. I'm not sitting outside no show

604
00:25:54,359 --> 00:25:55,760
Speaker 3: that I know my girl is that way for to

605
00:25:55,760 --> 00:25:58,800
Speaker 3: come outside. I just don't want that because I know me, man,

606
00:25:58,840 --> 00:25:59,320
Speaker 3: I don't want that.

607
00:25:59,560 --> 00:26:00,840
Speaker 1: Dressing in public would be a bit.

608
00:26:00,960 --> 00:26:03,080
Speaker 3: Yeah. I don't want that problem. I don't want that.

609
00:26:03,160 --> 00:26:05,879
Speaker 3: I would just I mean, it's sometimes easy to just

610
00:26:05,920 --> 00:26:08,360
Speaker 3: be like, yo, you know what, do your thing. As

611
00:26:08,359 --> 00:26:09,679
Speaker 3: hard as that is, you know, just do your thing.

612
00:26:09,720 --> 00:26:11,359
Speaker 3: I'm not going to jail for no, no pushy, I

613
00:26:11,359 --> 00:26:11,840
Speaker 3: ain't doing that.

614
00:26:12,400 --> 00:26:14,800
Speaker 1: But also don't do that. There's words have been exchanged

615
00:26:14,880 --> 00:26:18,720
Speaker 1: division shows before of people that claimed they could fight

616
00:26:18,760 --> 00:26:21,560
Speaker 1: and that didn't want to. But maybe it was because

617
00:26:21,600 --> 00:26:23,520
Speaker 1: it was a division show that was the reason. Who

618
00:26:23,520 --> 00:26:25,840
Speaker 1: would fight at the R and B show? But I mean,

619
00:26:25,920 --> 00:26:29,399
Speaker 1: we're civilians. That person is a certified thug, so I

620
00:26:29,400 --> 00:26:31,760
Speaker 1: thought it was always old. What do I know? But yes,

621
00:26:31,800 --> 00:26:33,920
Speaker 1: people fight at R and B shows. Yes, And we

622
00:26:35,040 --> 00:26:38,040
Speaker 1: definitely almost got shaken at a Summer Walker show, which

623
00:26:38,080 --> 00:26:40,679
Speaker 1: is insane. I don't remember at Bowery Ballroom, of all places,

624
00:26:40,920 --> 00:26:42,760
Speaker 1: I don't remember that on the balcony too, there's not

625
00:26:42,800 --> 00:26:46,480
Speaker 1: really much room to fight. I can't remember that. I mean,

626
00:26:46,480 --> 00:26:48,760
Speaker 1: I do remember being able, I don't remember that almost fight.

627
00:26:49,480 --> 00:26:49,600
Speaker 3: Well.

628
00:26:49,640 --> 00:26:53,320
Speaker 1: I'm glad nobody was hurt. And I feel for Leon too,

629
00:26:53,320 --> 00:26:57,280
Speaker 1: because venues don't really research shit. They just see headlines.

630
00:26:57,400 --> 00:26:59,760
Speaker 1: And it's like, now, Leon could look like a lie.

631
00:26:59,800 --> 00:27:02,879
Speaker 1: But even though obviously he's not was he able to

632
00:27:02,920 --> 00:27:04,679
Speaker 1: finish the shut up a lot for artists.

633
00:27:04,720 --> 00:27:07,399
Speaker 3: Was he able to finish the show that they didn't

634
00:27:07,440 --> 00:27:11,000
Speaker 3: like fully say, but I mean, I just like the

635
00:27:11,000 --> 00:27:12,520
Speaker 3: fact that he went online and shit, listen, I ain't

636
00:27:12,560 --> 00:27:16,040
Speaker 3: got no songs that warrant. Yeah, Like this is like

637
00:27:16,200 --> 00:27:19,840
Speaker 3: I don't hear nothing that I was performing with warrants.

638
00:27:19,840 --> 00:27:20,320
Speaker 3: Try to stop?

639
00:27:20,400 --> 00:27:22,520
Speaker 1: What was the was it when fifty was doing like

640
00:27:22,600 --> 00:27:25,480
Speaker 1: his Vegas residency and they hooked him to the ship

641
00:27:25,520 --> 00:27:27,840
Speaker 1: and he was flying like fifty has no songs for you,

642
00:27:28,080 --> 00:27:28,960
Speaker 1: flying over the crowd.

643
00:27:29,680 --> 00:27:32,480
Speaker 3: It's just weird when rappers start doing like pop artist

644
00:27:32,520 --> 00:27:34,920
Speaker 3: ship think it's hilarious. It's like what you doing?

645
00:27:35,000 --> 00:27:35,240
Speaker 1: Man?

646
00:27:35,480 --> 00:27:37,080
Speaker 3: Like why are you flying around the arena?

647
00:27:37,720 --> 00:27:40,040
Speaker 1: We also don't talk enough about fifty being upside down.

648
00:27:40,080 --> 00:27:44,520
Speaker 1: You look at fifty knowing fifty, yeah, but.

649
00:27:46,440 --> 00:27:48,960
Speaker 3: Knowing fifty he did this ship on purpose, like yeah,

650
00:27:49,000 --> 00:27:52,200
Speaker 3: he know, like he know he ain't supposed to be doing.

651
00:27:52,000 --> 00:27:59,000
Speaker 1: That, yo. He was not that one like fifty. No,

652
00:27:59,080 --> 00:28:02,800
Speaker 1: he ain't supposed to be suspended midair and this looks

653
00:28:02,800 --> 00:28:06,239
Speaker 1: like it's sound check. He just chilling out, yo. That

654
00:28:06,359 --> 00:28:08,600
Speaker 1: is hilarious. Doing that to many men would be hilarious

655
00:28:09,760 --> 00:28:14,200
Speaker 1: just flying over and pointing at many men. But I mean,

656
00:28:14,560 --> 00:28:17,120
Speaker 1: if I was a superstar like fifty was and had

657
00:28:17,160 --> 00:28:19,240
Speaker 1: the budget that he did at this point, I would

658
00:28:19,280 --> 00:28:22,240
Speaker 1: just start checking things off my bucket list, like when

659
00:28:22,280 --> 00:28:24,119
Speaker 1: he does these world tours. I would just find the

660
00:28:24,160 --> 00:28:25,920
Speaker 1: wildest things that I could do.

661
00:28:27,119 --> 00:28:28,879
Speaker 3: Yeah, fifty ain't not supposed to be not supposed to

662
00:28:28,920 --> 00:28:30,840
Speaker 3: be like suspended midair though.

663
00:28:31,320 --> 00:28:33,800
Speaker 1: Like did you see the video of Chris Brown's mom

664
00:28:34,040 --> 00:28:36,040
Speaker 1: when she wanted to do the look at me now

665
00:28:36,400 --> 00:28:38,640
Speaker 1: run that he does in the stadiums Oh yeah, like

666
00:28:39,040 --> 00:28:41,600
Speaker 1: before the show. It's like an amusement park ride. If

667
00:28:41,600 --> 00:28:43,320
Speaker 1: I was on that tour, I would one thousand percent

668
00:28:43,480 --> 00:28:47,480
Speaker 1: ask like, hey, like before y'all do sound check, you

669
00:28:47,560 --> 00:28:48,320
Speaker 1: matter if I strap.

670
00:28:48,280 --> 00:28:49,840
Speaker 3: End me up and spin me around the arena real

671
00:28:49,920 --> 00:28:51,120
Speaker 3: quick and.

672
00:28:51,080 --> 00:28:53,000
Speaker 1: Then give me a mic and let me try like

673
00:28:53,040 --> 00:28:53,400
Speaker 1: to sing.

674
00:28:54,680 --> 00:28:57,760
Speaker 4: Would y'all ry, do you plan on going to Leon's show?

675
00:28:57,840 --> 00:29:00,240
Speaker 4: I mean, I hope you not shooting hands, but you

676
00:29:00,280 --> 00:29:01,760
Speaker 4: know he's here this weekend in New York.

677
00:29:02,360 --> 00:29:06,160
Speaker 1: If I can get a vibsitter, yeah, I feel like

678
00:29:06,200 --> 00:29:08,320
Speaker 1: Leon's been on tour for like three years straight, so

679
00:29:08,400 --> 00:29:10,640
Speaker 1: he needs a break. Yeah, and how is he putting

680
00:29:10,680 --> 00:29:15,520
Speaker 1: out these amazing EPs while he's also singing every single night? Yeah,

681
00:29:15,520 --> 00:29:18,680
Speaker 1: I hope Leon takes twenty twenty six to like chill.

682
00:29:19,000 --> 00:29:19,640
Speaker 1: Where's he at this?

683
00:29:19,640 --> 00:29:20,600
Speaker 3: Where's he at this week?

684
00:29:20,760 --> 00:29:21,480
Speaker 1: You said this weekend?

685
00:29:21,680 --> 00:29:24,080
Speaker 4: Yeah, he's here this weekend, He's here Sunday and Monday.

686
00:29:24,800 --> 00:29:27,040
Speaker 4: Where's he performing the Actually I am not sure.

687
00:29:27,080 --> 00:29:27,800
Speaker 2: I'll look that up.

688
00:29:29,080 --> 00:29:30,680
Speaker 3: I would definitely want to check me on out. Love.

689
00:29:31,320 --> 00:29:32,160
Speaker 2: Why you want to go with me?

690
00:29:32,880 --> 00:29:33,760
Speaker 3: No, let's do it.

691
00:29:33,840 --> 00:29:36,520
Speaker 1: No, I'll go fuck myself as cool at Brooklyn Paramount,

692
00:29:37,760 --> 00:29:40,160
Speaker 1: which I mean, if you're listening to this, that the

693
00:29:40,200 --> 00:29:44,360
Speaker 1: show has passed. But Joey Badass is there tonight, which

694
00:29:44,400 --> 00:29:45,240
Speaker 1: I know will be a good show.

695
00:29:45,320 --> 00:29:47,080
Speaker 2: If you're listening to listening to this, the show has

696
00:29:47,080 --> 00:29:47,600
Speaker 2: not passed.

697
00:29:48,800 --> 00:29:51,560
Speaker 1: Joey Bass, Oh, joe is tonight. As we're recording this,

698
00:29:51,560 --> 00:29:52,880
Speaker 1: it'll pass by the time they hear this. But yeah,

699
00:29:52,960 --> 00:29:56,960
Speaker 1: Leon Thomas November twenty third is in Brooklyn and the

700
00:29:56,960 --> 00:29:57,640
Speaker 1: twenty fourth as.

701
00:29:57,600 --> 00:30:00,280
Speaker 3: Well, both at Brooklyn Paramount.

702
00:30:00,600 --> 00:30:03,000
Speaker 1: Yeah, is he taking Thanksgiving off?

703
00:30:03,040 --> 00:30:04,920
Speaker 4: At least they got the drinks and I'm going back

704
00:30:05,000 --> 00:30:07,960
Speaker 4: to bag. I hear lea wait, which which day is

705
00:30:07,960 --> 00:30:12,040
Speaker 4: the twenty fourth. Oh, I could do Monday.

706
00:30:12,920 --> 00:30:13,760
Speaker 3: Ooh, I could do Monday.

707
00:30:13,800 --> 00:30:18,360
Speaker 1: Monday is my day. Ooh, I could do Monday when

708
00:30:18,400 --> 00:30:21,520
Speaker 1: you don't really get very many games. I heard, I

709
00:30:21,560 --> 00:30:23,480
Speaker 1: heard it. I heard the like it's a lot. Like

710
00:30:23,520 --> 00:30:25,280
Speaker 1: I can't go to the Joey Badass Show tonight, which

711
00:30:25,280 --> 00:30:27,959
Speaker 1: I would love to, but I can't. Yeah, that happens

712
00:30:28,360 --> 00:30:31,120
Speaker 1: because surprisingly, in New York, most shows are during the

713
00:30:31,160 --> 00:30:33,640
Speaker 1: week because they're going to sell out, whereas they try

714
00:30:33,680 --> 00:30:36,000
Speaker 1: to focus on smaller markets for the weekend because they

715
00:30:36,080 --> 00:30:38,760
Speaker 1: do better. In New York, people are going out every night.

716
00:30:38,800 --> 00:30:41,360
Speaker 1: It doesn't matter. So usually I have to miss most

717
00:30:41,360 --> 00:30:43,600
Speaker 1: of the shows because they're they're during the week, but

718
00:30:44,280 --> 00:30:47,880
Speaker 1: after work on Monday I usually have off. So, like,

719
00:30:48,120 --> 00:30:52,120
Speaker 1: should we go as a family? I'm down. When was

720
00:30:52,120 --> 00:30:53,640
Speaker 1: the last time you were in Brooklyn.

721
00:30:55,120 --> 00:30:55,719
Speaker 3: Last weekend?

722
00:30:55,840 --> 00:30:57,600
Speaker 1: Oh? Wow, okay, I'll bet Yeah.

723
00:30:57,640 --> 00:30:59,080
Speaker 3: They know me in Brooklyn. They love me out too,

724
00:31:00,120 --> 00:31:00,520
Speaker 3: they know you?

725
00:31:00,600 --> 00:31:02,680
Speaker 1: Yeah, they love me anyways to be a mall yeah

726
00:31:02,920 --> 00:31:03,680
Speaker 1: you hell yeah.

727
00:31:04,000 --> 00:31:07,080
Speaker 3: Brooklyniggas don't know you, bro. Brooklyn niggas don't know you, bro.

728
00:31:07,240 --> 00:31:09,840
Speaker 3: You crazy? You know what I used to be doing?

729
00:31:10,840 --> 00:31:13,720
Speaker 3: They know me, no, no, tell us No, definitely not Leon

730
00:31:13,800 --> 00:31:17,360
Speaker 3: Thomas November twenty fourth and twenty third, But you I

731
00:31:17,400 --> 00:31:19,040
Speaker 3: would definitely want to check me out out. I like him.

732
00:31:19,040 --> 00:31:20,840
Speaker 3: I want to see his h what his live show

733
00:31:20,880 --> 00:31:21,280
Speaker 3: looks like.

734
00:31:21,720 --> 00:31:22,640
Speaker 1: Where do you think they don't know?

735
00:31:22,680 --> 00:31:25,760
Speaker 3: You don't know me? I mean, it's a lot of

736
00:31:25,760 --> 00:31:27,320
Speaker 3: places they don't know me. Not I mean New York.

737
00:31:27,800 --> 00:31:29,320
Speaker 3: It's very hard for me to go in a borrow

738
00:31:29,400 --> 00:31:32,560
Speaker 3: and not know the right people because some of y'all

739
00:31:32,560 --> 00:31:34,360
Speaker 3: be knowing people in burd Blaine White know that nigga.

740
00:31:34,720 --> 00:31:36,200
Speaker 1: Fuck about that nigga and you know him?

741
00:31:36,280 --> 00:31:36,440
Speaker 3: Man?

742
00:31:36,680 --> 00:31:38,520
Speaker 1: Wait all right, So then what's the definition of they

743
00:31:38,600 --> 00:31:40,840
Speaker 1: know me out there? If somebody know me out there?

744
00:31:40,880 --> 00:31:41,680
Speaker 1: Don't they know me out there?

745
00:31:42,320 --> 00:31:43,840
Speaker 3: No, But it's a difference. It's like when you know

746
00:31:43,920 --> 00:31:46,240
Speaker 3: the right people. I get what you're saying, but but

747
00:31:46,400 --> 00:31:48,600
Speaker 3: I don't know if the random random people don't know me,

748
00:31:48,800 --> 00:31:51,400
Speaker 3: like nobody knows them the movers and shakers, Okay, got

749
00:31:51,440 --> 00:31:54,760
Speaker 3: you got the people that niggas know know me? Okay, yeah,

750
00:31:55,280 --> 00:31:57,600
Speaker 3: all right, but what what is the line and the

751
00:31:57,680 --> 00:32:00,000
Speaker 3: scale of that? Like they have to be a part

752
00:32:00,000 --> 00:32:03,000
Speaker 3: party promoter, they have to be like no party promoters.

753
00:32:03,040 --> 00:32:04,480
Speaker 3: I don't want no party promoters to know me.

754
00:32:05,440 --> 00:32:09,160
Speaker 1: Usually, I'm saying you, Usually that's a front for something. No,

755
00:32:10,080 --> 00:32:11,760
Speaker 1: just like you know the guys. You know the guys

756
00:32:11,840 --> 00:32:12,480
Speaker 1: are talking about.

757
00:32:12,520 --> 00:32:15,360
Speaker 3: They ain't afraid the guys. Yeah, they not promoting no parties.

758
00:32:15,840 --> 00:32:17,360
Speaker 3: They don't want to be on no flyers. They ain't

759
00:32:17,360 --> 00:32:17,600
Speaker 3: doing that.

760
00:32:18,760 --> 00:32:20,800
Speaker 1: Well, I guess I think I think they know me

761
00:32:22,200 --> 00:32:25,480
Speaker 1: in Brooklyn. Oh no, they ain't know me in Brooklyn. Yeah, No,

762
00:32:25,640 --> 00:32:26,000
Speaker 1: for sure.

763
00:32:26,040 --> 00:32:26,080
Speaker 5: No.

764
00:32:26,200 --> 00:32:30,840
Speaker 3: People in Brooklyn absolutely, Mom, when I said it's sound foreign.

765
00:32:30,960 --> 00:32:32,720
Speaker 1: Because I wanted you to explain to the people with

766
00:32:32,840 --> 00:32:34,680
Speaker 1: I know what you were trying to say. But some

767
00:32:34,760 --> 00:32:36,880
Speaker 1: people could take that as like, yeah, I got like

768
00:32:36,920 --> 00:32:38,600
Speaker 1: two friends from college that live in Brooklyn. They know.

769
00:32:40,840 --> 00:32:42,640
Speaker 3: That's a whole different thing. That's definitely not what I

770
00:32:42,800 --> 00:32:43,120
Speaker 3: was saying.

771
00:32:43,200 --> 00:32:46,080
Speaker 1: No, when you walk in you are protected. Yes, they

772
00:32:46,160 --> 00:32:48,840
Speaker 1: know malls and tell you I'm checking with him, just going.

773
00:32:48,760 --> 00:32:50,640
Speaker 3: To see the family. They want to see some good friends'

774
00:32:50,680 --> 00:32:52,760
Speaker 3: so man times in Brooklyn, of course.

775
00:32:56,320 --> 00:32:58,040
Speaker 1: Well, I know you're thinking about upgrading to the all

776
00:32:58,120 --> 00:33:01,480
Speaker 1: new iPhone seventeen pro, design to be the most powerful

777
00:33:01,560 --> 00:33:04,440
Speaker 1: iPhone ever, But are you also thinking about all that

778
00:33:04,720 --> 00:33:08,080
Speaker 1: traffic on your way to the store and transferring all

779
00:33:08,200 --> 00:33:11,040
Speaker 1: your data, congestion pricing, everything going on in New York

780
00:33:11,160 --> 00:33:13,840
Speaker 1: is crazy. Well, I have good news for you. When

781
00:33:13,880 --> 00:33:15,800
Speaker 1: you order a new phone online with boost Mobile, they'll

782
00:33:15,840 --> 00:33:18,720
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783
00:33:18,840 --> 00:33:22,240
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784
00:33:22,280 --> 00:33:25,400
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785
00:33:25,520 --> 00:33:28,080
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786
00:33:28,120 --> 00:33:31,960
Speaker 3: available for select devices purchased at boostmobile dot com. Terms apply.

787
00:33:38,520 --> 00:33:41,400
Speaker 1: Let's stay since so Leon in Maryland, d C. Did

788
00:33:41,440 --> 00:33:43,719
Speaker 1: you see the Wiley clip? I believe it was Breakfast

789
00:33:43,720 --> 00:33:46,320
Speaker 1: Club right. He was talking to Charlotmagne and he said

790
00:33:46,840 --> 00:33:51,240
Speaker 1: that he was talking to Cole and Kendrick about you know,

791
00:33:51,400 --> 00:33:53,920
Speaker 1: he has a child on the way, and talked about

792
00:33:53,960 --> 00:33:56,240
Speaker 1: some of his problems and just venting to the homies.

793
00:33:56,240 --> 00:33:58,479
Speaker 1: And then the next fucking day j Cole put out

794
00:33:58,520 --> 00:34:03,800
Speaker 1: false profits. Mm hmm, can we play the clip?

795
00:34:06,920 --> 00:34:10,799
Speaker 6: I remember I called Kendrick around that time. We talked

796
00:34:10,840 --> 00:34:14,560
Speaker 6: about like like we just had that was at that time,

797
00:34:15,239 --> 00:34:18,240
Speaker 6: and I remember like like getting ready.

798
00:34:18,040 --> 00:34:19,120
Speaker 3: To have my child.

799
00:34:19,200 --> 00:34:20,439
Speaker 1: I talked cold.

800
00:34:20,560 --> 00:34:23,840
Speaker 6: That was probably only two times I really leaned on

801
00:34:23,960 --> 00:34:29,040
Speaker 6: an industry person, you know. So, But the crazy thing

802
00:34:29,160 --> 00:34:32,799
Speaker 6: is FoST prophets came up the next day, post came

803
00:34:32,840 --> 00:34:36,320
Speaker 6: out this very next day after. But I ain't take it,

804
00:34:36,600 --> 00:34:40,560
Speaker 6: you know what I'm saying. But I think, nah, but

805
00:34:41,080 --> 00:34:42,719
Speaker 6: I mean he said it's not really about me. But

806
00:34:43,160 --> 00:34:46,560
Speaker 6: I mean, all I'm saying is that that's that's my

807
00:34:46,840 --> 00:34:47,879
Speaker 6: I love him, that's my brother.

808
00:34:48,120 --> 00:34:48,400
Speaker 1: Whatever.

809
00:34:49,080 --> 00:34:52,360
Speaker 6: I just I mean, I think I kind of halted

810
00:34:52,880 --> 00:34:57,960
Speaker 6: telling any industry and anything too deep like around that time,

811
00:34:58,080 --> 00:35:00,200
Speaker 6: like I just like, you know what, I only don't

812
00:35:00,200 --> 00:35:02,640
Speaker 6: even want to think that they're using this.

813
00:35:03,120 --> 00:35:04,000
Speaker 1: Like you know what I'm saying.

814
00:35:04,080 --> 00:35:09,600
Speaker 3: So nigga, what what didn't you understand? That sounds like

815
00:35:09,640 --> 00:35:13,000
Speaker 3: he was getting cut off. He's like saying, I ain't

816
00:35:13,000 --> 00:35:15,960
Speaker 3: want to you know what I say, MA say what

817
00:35:16,080 --> 00:35:19,600
Speaker 3: you're saying? That was nah, That's what I'm saying. You

818
00:35:19,680 --> 00:35:21,840
Speaker 3: say what you're saying that was whack. And as a

819
00:35:21,880 --> 00:35:24,000
Speaker 3: result of that, I don't really be talking to these

820
00:35:24,080 --> 00:35:25,759
Speaker 3: rat niggas because I don't know if they're using like

821
00:35:25,880 --> 00:35:27,840
Speaker 3: personal conversations for content.

822
00:35:27,920 --> 00:35:29,960
Speaker 1: And that's what he was saying. But that's what he

823
00:35:30,080 --> 00:35:31,520
Speaker 1: that's what he wanted to say, but that ain't what

824
00:35:31,600 --> 00:35:34,960
Speaker 1: he said. He said it though like not no, I don't,

825
00:35:36,000 --> 00:35:44,719
Speaker 1: he said, but saying like that, no people he used

826
00:35:44,719 --> 00:35:45,080
Speaker 1: against me.

827
00:35:45,200 --> 00:35:47,440
Speaker 3: But that's the thing in this industry because wile A

828
00:35:47,719 --> 00:35:50,040
Speaker 3: is a nice guy by nature, very nice guy. And

829
00:35:50,080 --> 00:35:52,360
Speaker 3: then when you find out that everybody ain't nice and

830
00:35:52,440 --> 00:35:55,279
Speaker 3: everybody ain't the way you are, then you get on

831
00:35:55,400 --> 00:35:56,919
Speaker 3: these platforms and you don't want to say it because

832
00:35:56,960 --> 00:35:58,439
Speaker 3: you don't want to seem like you're talking nobody about

833
00:35:58,480 --> 00:36:01,120
Speaker 3: nobody and not respect it about. But sometimes you got

834
00:36:01,239 --> 00:36:03,160
Speaker 3: to be like yo, listen, man, Homie did some wax shit.

835
00:36:03,239 --> 00:36:04,680
Speaker 3: And as a result of that, I don't really be

836
00:36:04,760 --> 00:36:06,879
Speaker 3: opening up to rappers and trying to get too cool

837
00:36:06,920 --> 00:36:08,719
Speaker 3: with these niggas because they move funny just.

838
00:36:08,760 --> 00:36:10,600
Speaker 1: Say that shit. But I'm not about first, so I'm

839
00:36:10,600 --> 00:36:12,200
Speaker 1: not gonna let you do that because the timeline is

840
00:36:12,360 --> 00:36:14,120
Speaker 1: is a little a little off with this, and it

841
00:36:14,200 --> 00:36:17,399
Speaker 1: definitely was resolved. And I also think j Cole, out

842
00:36:17,440 --> 00:36:21,600
Speaker 1: of all the rappers, is probably just as equally nice

843
00:36:21,880 --> 00:36:23,759
Speaker 1: as a human being as Wiles Cole.

844
00:36:24,600 --> 00:36:27,120
Speaker 3: No knocking, I'm just saying wile was sounding like he

845
00:36:27,280 --> 00:36:29,120
Speaker 3: wanted to say something at the same time he didn't

846
00:36:29,160 --> 00:36:29,839
Speaker 3: want to say nothing.

847
00:36:30,000 --> 00:36:34,040
Speaker 1: Now, in fact, if in fact they had that conversation

848
00:36:35,200 --> 00:36:38,560
Speaker 1: on let's say the first and then false profits dropped

849
00:36:38,560 --> 00:36:41,560
Speaker 1: on the second. I have to give so much credit

850
00:36:41,800 --> 00:36:45,279
Speaker 1: to Cole Felt in the creative team. The fact that

851
00:36:45,400 --> 00:36:48,759
Speaker 1: you could write that record and make Jamaica Avenue into

852
00:36:48,800 --> 00:36:53,040
Speaker 1: Willie Wanka Chocolate factory video. Wow, what a turnover to

853
00:36:53,040 --> 00:36:54,840
Speaker 1: put it out. But I'm sure he was probably paraphrase.

854
00:36:54,840 --> 00:36:57,799
Speaker 1: I'm sure it came out shortly after. But then while

855
00:36:57,840 --> 00:37:00,560
Speaker 1: a put out Groundhog's Day, which I think is one

856
00:37:00,600 --> 00:37:02,160
Speaker 1: of the more underrated I don't think it's a dis

857
00:37:02,640 --> 00:37:05,640
Speaker 1: more underrated responses like it still has replay value to me.

858
00:37:05,760 --> 00:37:07,920
Speaker 1: I still love groundhog Day. And then they went to

859
00:37:08,040 --> 00:37:10,200
Speaker 1: the I think it was a North Carolina game. The

860
00:37:10,239 --> 00:37:12,400
Speaker 1: next day they were sitting courts out together like they

861
00:37:12,520 --> 00:37:15,439
Speaker 1: resolved the entire thing. Yeah, and I don't think I'm

862
00:37:15,440 --> 00:37:18,200
Speaker 1: not saying it's beef me. It's like, you know, what's rap.

863
00:37:18,320 --> 00:37:20,680
Speaker 3: You can have a little friendly like fire, like a

864
00:37:20,719 --> 00:37:23,359
Speaker 3: friendly little like back and forth with dudes that you're

865
00:37:23,360 --> 00:37:23,880
Speaker 3: really cool with.

866
00:37:24,040 --> 00:37:25,919
Speaker 2: So, just to clarify, y'all are telling me that y'all

867
00:37:25,960 --> 00:37:27,359
Speaker 2: think false prophets. It's about wi.

868
00:37:27,640 --> 00:37:32,080
Speaker 1: Yeah, I think one verse about Kanye and one verse

869
00:37:32,120 --> 00:37:35,319
Speaker 1: about wile A. What was the first verse?

870
00:37:35,480 --> 00:37:37,560
Speaker 3: I'm trying to remember, maybe d I'm just speaking to

871
00:37:38,000 --> 00:37:40,040
Speaker 3: in this in this clip that y'all just showed me,

872
00:37:40,400 --> 00:37:43,520
Speaker 3: while A seemed like he wanted to say something but

873
00:37:43,600 --> 00:37:46,360
Speaker 3: that he didn't want to because it's resolved, And no,

874
00:37:46,480 --> 00:37:48,440
Speaker 3: I get it, I understand it, But then don't speak

875
00:37:48,480 --> 00:37:50,040
Speaker 3: on it. That's what I'm saying.

876
00:37:50,320 --> 00:37:51,480
Speaker 1: Why not you can still.

877
00:37:51,280 --> 00:37:55,879
Speaker 4: Speak about some The first verse being about Kanye makes sense, right,

878
00:37:56,320 --> 00:37:57,200
Speaker 4: second verse.

879
00:37:59,800 --> 00:38:01,239
Speaker 2: Is the one that you would say would be about

880
00:38:01,280 --> 00:38:04,200
Speaker 2: wile Yeah, okay.

881
00:38:05,000 --> 00:38:07,799
Speaker 1: Absolutely, which I mean we we've covered when it came out.

882
00:38:08,719 --> 00:38:11,840
Speaker 1: Obviously that was a big week on Twitter of what

883
00:38:12,040 --> 00:38:16,080
Speaker 1: who's who were the verses about? But yeah, and if

884
00:38:16,920 --> 00:38:20,520
Speaker 1: if Wiley had a conversation with Cole, who he was

885
00:38:20,600 --> 00:38:23,000
Speaker 1: on tour with at the beginning of his career, slept

886
00:38:23,040 --> 00:38:24,920
Speaker 1: in the same tour bus, somebody that he probably can

887
00:38:24,960 --> 00:38:27,800
Speaker 1: fid with, like, not just some random stranger that also raps,

888
00:38:27,880 --> 00:38:30,239
Speaker 1: Like I'm pretty sure they had spent a lot of

889
00:38:30,320 --> 00:38:33,520
Speaker 1: time together in a real way. Yeah, when they were

890
00:38:33,920 --> 00:38:35,959
Speaker 1: I think it was a blueprint to three one whatever.

891
00:38:37,400 --> 00:38:40,560
Speaker 1: There's a footage of them in Denny's, like they they

892
00:38:40,680 --> 00:38:42,479
Speaker 1: lived together for a long time, they grew up together,

893
00:38:42,760 --> 00:38:47,000
Speaker 1: like that was their their college years more or less. Yeah,

894
00:38:47,000 --> 00:38:49,880
Speaker 1: I'm sure he said a lot of similar things to

895
00:38:50,000 --> 00:38:53,800
Speaker 1: him in this conversation, and Cole, having one of the

896
00:38:53,840 --> 00:38:58,680
Speaker 1: greatest pens ever, easily just put that on in rhyme form,

897
00:38:58,920 --> 00:39:00,120
Speaker 1: and while he was like, what the fuck, I just

898
00:39:00,160 --> 00:39:03,319
Speaker 1: had a conversation with you about all these talking points. Yeah,

899
00:39:03,360 --> 00:39:05,319
Speaker 1: but that's what I'm saying. I don't think what Cold

900
00:39:05,360 --> 00:39:06,040
Speaker 1: did was wrong.

901
00:39:06,880 --> 00:39:10,560
Speaker 3: Like, you know, sometimes you draw inspiration from real life things,

902
00:39:10,600 --> 00:39:12,200
Speaker 3: and if you had a conversation with the close front

903
00:39:12,200 --> 00:39:14,479
Speaker 3: of yours and it inspired you to write a verse,

904
00:39:14,600 --> 00:39:16,880
Speaker 3: like I like that. I respect that. I'm just saying,

905
00:39:17,480 --> 00:39:21,440
Speaker 3: you know, with Wila, because wile A is, you know,

906
00:39:21,840 --> 00:39:23,680
Speaker 3: we always give him as flowers. We always say that

907
00:39:23,800 --> 00:39:26,279
Speaker 3: he needs to be talked about more, and you know,

908
00:39:27,120 --> 00:39:29,200
Speaker 3: but in this clip, it just seemed like he had

909
00:39:29,280 --> 00:39:31,719
Speaker 3: something on his mind, on his heart that he wanted

910
00:39:31,760 --> 00:39:34,120
Speaker 3: to say, but then he didn't want to say something

911
00:39:34,160 --> 00:39:35,960
Speaker 3: that could be taken the wrong way. And things like that,

912
00:39:36,120 --> 00:39:37,480
Speaker 3: like that's all I'm speaking. So is just like he

913
00:39:37,560 --> 00:39:39,279
Speaker 3: sounded like he had something he wanted to say, but

914
00:39:39,360 --> 00:39:41,600
Speaker 3: at the same time he held back and was like, nah,

915
00:39:41,600 --> 00:39:42,239
Speaker 3: I don't want to say that.

916
00:39:42,880 --> 00:39:45,160
Speaker 1: Yeah, I mean, I guess this does go back to

917
00:39:45,360 --> 00:39:50,360
Speaker 1: conversations we've had just over the years. If if I

918
00:39:50,440 --> 00:39:52,799
Speaker 1: was Wila when this came out, I would I would

919
00:39:52,880 --> 00:39:55,880
Speaker 1: feel a way now outside looking and thinking what I

920
00:39:56,000 --> 00:39:58,839
Speaker 1: know wile A and Cold's relationship was at that time,

921
00:39:59,200 --> 00:40:01,160
Speaker 1: and things I SAI say to you you put on WAX.

922
00:40:01,480 --> 00:40:03,319
Speaker 1: I don't think this is a dys but it's like, damn,

923
00:40:03,360 --> 00:40:06,120
Speaker 1: you put our conversation in a song and didn't tell me.

924
00:40:06,520 --> 00:40:09,040
Speaker 1: Now if Cold have been like YO tomorrow, if you're mad,

925
00:40:09,239 --> 00:40:11,600
Speaker 1: I totally understand it. Here's the song. Just want to

926
00:40:11,600 --> 00:40:14,439
Speaker 1: give you a heads up. I would respect that more,

927
00:40:14,719 --> 00:40:17,080
Speaker 1: but I don't know if it's owed the older I've gotten,

928
00:40:17,120 --> 00:40:20,920
Speaker 1: which we've talked about multiple times, friends even in the

929
00:40:21,040 --> 00:40:23,680
Speaker 1: music industry that I consider friends not associates, I still

930
00:40:23,760 --> 00:40:27,120
Speaker 1: don't put as much stake into it as I used to,

931
00:40:27,520 --> 00:40:30,480
Speaker 1: of thinking that they would owe me anything the way

932
00:40:31,360 --> 00:40:34,279
Speaker 1: friends maybe you grew up with or don't work with

933
00:40:35,280 --> 00:40:37,400
Speaker 1: do so that happens, So I see what while they

934
00:40:37,480 --> 00:40:39,960
Speaker 1: is saying now of like, yeah, you can still talk

935
00:40:40,000 --> 00:40:42,680
Speaker 1: about feel a way and it's resolved and him and

936
00:40:42,760 --> 00:40:44,759
Speaker 1: Cole are cool. They shift, they put out a number

937
00:40:44,760 --> 00:40:49,279
Speaker 1: one record together with the Vibrant Thing sample like, but

938
00:40:49,440 --> 00:40:52,480
Speaker 1: I'm still like looking at it, like now I know

939
00:40:53,280 --> 00:40:55,520
Speaker 1: how to move with people I even thought were friends

940
00:40:56,000 --> 00:40:59,120
Speaker 1: in the industry per se. Yeah, I'm not just move

941
00:40:59,200 --> 00:41:01,120
Speaker 1: or I don't have to expect now if I say something,

942
00:41:01,280 --> 00:41:03,759
Speaker 1: it could be used against me. And that's in the

943
00:41:03,800 --> 00:41:05,160
Speaker 1: quarter of hip hop, in the court of hip hop,

944
00:41:05,239 --> 00:41:05,759
Speaker 1: yes for sure.

945
00:41:06,320 --> 00:41:09,480
Speaker 2: But okay, not cold caping, I swear because that needs to.

946
00:41:09,440 --> 00:41:12,120
Speaker 1: Be a friend is a classic record, not.

947
00:41:14,080 --> 00:41:15,360
Speaker 2: Even see what the cargan.

948
00:41:15,560 --> 00:41:16,799
Speaker 3: Okay, that was a cape.

949
00:41:17,600 --> 00:41:22,040
Speaker 4: I don't know if I'm Wila, which I've never been

950
00:41:22,080 --> 00:41:24,120
Speaker 4: wil A. I've never been famous and talented and all

951
00:41:24,160 --> 00:41:25,920
Speaker 4: of these cool things. So I know, I don't know

952
00:41:26,080 --> 00:41:30,160
Speaker 4: if I'm Wila if I hear that verse, if I'm offended,

953
00:41:30,640 --> 00:41:33,120
Speaker 4: I don't, or if I feel like I was betrayed.

954
00:41:33,760 --> 00:41:34,439
Speaker 2: You see what I'm saying.

955
00:41:34,480 --> 00:41:37,200
Speaker 4: I don't know if I feel that way, because honestly,

956
00:41:37,360 --> 00:41:39,799
Speaker 4: that verse, the first verse can very obviously be set

957
00:41:39,880 --> 00:41:42,359
Speaker 4: up to be about Kanye, right, But the second verse,

958
00:41:42,400 --> 00:41:44,879
Speaker 4: if him and Yla weren't friends, nobody would I don't

959
00:41:44,880 --> 00:41:47,280
Speaker 4: think people would assume that that verse was about Wila

960
00:41:47,400 --> 00:41:50,560
Speaker 4: because that fits. That's about so many rappers that are

961
00:41:50,640 --> 00:41:52,680
Speaker 4: doing well but maybe not as well as they feel

962
00:41:52,719 --> 00:41:54,719
Speaker 4: like they should be doing, or comparing, you know, drawing

963
00:41:54,760 --> 00:41:57,359
Speaker 4: comparisons to their peers or anything like that. You can

964
00:41:57,480 --> 00:42:00,160
Speaker 4: make that verse about so many people in in the

965
00:42:00,239 --> 00:42:02,640
Speaker 4: music industry. So that's what I'm like that And even

966
00:42:02,760 --> 00:42:04,840
Speaker 4: even so, even if I did have that conversation with

967
00:42:05,040 --> 00:42:08,080
Speaker 4: my friend, I don't know if that's the same thing

968
00:42:08,160 --> 00:42:12,120
Speaker 4: that my friend told me in private, If it's the

969
00:42:12,200 --> 00:42:13,920
Speaker 4: same the advice that you give in the verse, If

970
00:42:13,960 --> 00:42:16,080
Speaker 4: it's the same advice that my friend gave me in private,

971
00:42:16,520 --> 00:42:18,520
Speaker 4: I don't know if I feel offended or if I

972
00:42:18,560 --> 00:42:20,759
Speaker 4: feel like I should have kept that to myself. For example, Roy,

973
00:42:20,840 --> 00:42:24,120
Speaker 4: you've used You've sent me lyrics that were like yo,

974
00:42:24,200 --> 00:42:26,840
Speaker 4: I draw I drew inspiration from you and Homie. Remember,

975
00:42:28,000 --> 00:42:30,080
Speaker 4: I can't be mad at you like you betrayed me

976
00:42:30,160 --> 00:42:32,080
Speaker 4: because I was honest about my love life and you

977
00:42:32,239 --> 00:42:35,480
Speaker 4: used it in a song like that's even if you

978
00:42:35,680 --> 00:42:38,360
Speaker 4: never sent it to me beforehand. If I heard that,

979
00:42:38,400 --> 00:42:40,080
Speaker 4: I'm like, hey, that's about yeah.

980
00:42:40,160 --> 00:42:43,239
Speaker 1: But that was very much more open ended than how

981
00:42:43,440 --> 00:42:47,239
Speaker 1: direct R and B opening R and B lyrics are

982
00:42:47,719 --> 00:42:50,920
Speaker 1: really for interpretation, Like they're not as specific as what

983
00:42:51,040 --> 00:42:55,120
Speaker 1: these rap verses are. In the way Cole masterfully put

984
00:42:55,160 --> 00:42:58,440
Speaker 1: this together, it made you want to guess who exactly

985
00:42:58,520 --> 00:43:00,640
Speaker 1: he was talking about the lyrics. I said you nobody

986
00:43:00,640 --> 00:43:03,200
Speaker 1: would sit there and go like, well, who exactly is

987
00:43:03,239 --> 00:43:05,200
Speaker 1: this about? With all the clues that are in there.

988
00:43:05,880 --> 00:43:07,920
Speaker 1: But here, here's the thing where I'm a hypocrite. In

989
00:43:07,960 --> 00:43:11,800
Speaker 1: this entire conversation. I've talked about personal stuff on this podcast,

990
00:43:11,840 --> 00:43:14,080
Speaker 1: whether it be significant others, whether it be my parents,

991
00:43:14,320 --> 00:43:17,120
Speaker 1: whether it be my family members, and I never asked

992
00:43:17,160 --> 00:43:20,400
Speaker 1: for permission, never even thought to give them a heads up,

993
00:43:20,440 --> 00:43:23,279
Speaker 1: Hey this, I'm talking about this tomorrow, it's going out.

994
00:43:23,480 --> 00:43:25,480
Speaker 1: So I'm a hypocrite. And we've got that way.

995
00:43:25,480 --> 00:43:26,120
Speaker 2: We've all done that.

996
00:43:26,440 --> 00:43:29,160
Speaker 1: So it's not like I don't understand what Cole did.

997
00:43:29,680 --> 00:43:31,960
Speaker 1: I've done it way more than Cole has, so I

998
00:43:32,080 --> 00:43:35,440
Speaker 1: get it. But I understand why significant others, my family,

999
00:43:35,719 --> 00:43:37,920
Speaker 1: my parents have felt away the same way. I think

1000
00:43:38,080 --> 00:43:40,120
Speaker 1: while they would too. And on top of that, now

1001
00:43:40,200 --> 00:43:44,279
Speaker 1: everybody's in my mentions, and I already told you some

1002
00:43:44,440 --> 00:43:47,160
Speaker 1: of my anxieties with this entire thing, and that very

1003
00:43:47,239 --> 00:43:50,600
Speaker 1: thing that you took is now adding to my anxiety

1004
00:43:50,680 --> 00:43:52,640
Speaker 1: with all the fans in my mentions talking about the shit.

1005
00:43:53,680 --> 00:43:54,200
Speaker 2: So I get it.

1006
00:43:55,680 --> 00:43:57,080
Speaker 1: But I think while they handled it fine, I was

1007
00:43:57,360 --> 00:44:00,400
Speaker 1: talking about the past because they were reminiscent in that

1008
00:44:00,640 --> 00:44:05,160
Speaker 1: Breakfast Club interview about kind of those four of Cole Drake,

1009
00:44:05,280 --> 00:44:08,120
Speaker 1: Kendrick wil A and how they all started together. So

1010
00:44:09,080 --> 00:44:10,760
Speaker 1: talking about the ups and downs, I don't think it's

1011
00:44:10,760 --> 00:44:14,359
Speaker 1: a bad thing. And I'm sure while it's past, the ship,

1012
00:44:14,440 --> 00:44:17,239
Speaker 1: but he probably is, Like I'm not. I'm keeping some

1013
00:44:17,320 --> 00:44:19,719
Speaker 1: ship to myself, no matter who I think is a

1014
00:44:19,840 --> 00:44:23,160
Speaker 1: close association in the industry with stuff.

1015
00:44:23,400 --> 00:44:26,200
Speaker 3: No friends in the industry, my brothers and my brothers.

1016
00:44:27,520 --> 00:44:30,720
Speaker 3: I mean kidding me, fat, that's the fact.

1017
00:44:31,840 --> 00:44:33,840
Speaker 1: But even then, like I don't even think anything that

1018
00:44:35,440 --> 00:44:38,400
Speaker 1: jams y'all just jamming. Listen to what niggas be telling you.

1019
00:44:38,520 --> 00:44:40,360
Speaker 2: I'm sorry, I didn't know.

1020
00:44:40,440 --> 00:44:42,400
Speaker 1: I was fine, you fools listening to music and just

1021
00:44:42,400 --> 00:44:42,880
Speaker 1: skimming through it.

1022
00:44:42,960 --> 00:44:44,120
Speaker 3: I mean, I'm sorry. I didn't mean to cut you

1023
00:44:44,560 --> 00:44:45,920
Speaker 3: in the road. I went, I went, I was a

1024
00:44:45,960 --> 00:44:51,479
Speaker 3: young angel, but these niggas turn me evil. That villain

1025
00:44:51,560 --> 00:44:55,759
Speaker 3: origin story is gonna be classic. I'm telling y'all right now,

1026
00:44:56,040 --> 00:44:58,839
Speaker 3: just that Villainori. We're gonna look back and like that's

1027
00:44:58,880 --> 00:45:02,359
Speaker 3: the moment it happened. I'm telling y'all. But anyway, Yeah,

1028
00:45:02,360 --> 00:45:05,399
Speaker 3: while shot the great album, I'm still bumping that, still

1029
00:45:05,440 --> 00:45:07,799
Speaker 3: listening to that. Like it more and more every listen.

1030
00:45:08,040 --> 00:45:10,799
Speaker 3: I do like the Summer Walker album too, So you've

1031
00:45:10,960 --> 00:45:14,320
Speaker 3: finally given it some Yeah, I've been spending that the

1032
00:45:14,440 --> 00:45:19,000
Speaker 3: last like Monday and then Tuesday, I was like, okay,

1033
00:45:19,080 --> 00:45:20,320
Speaker 3: let me listen to the something. Let me see what

1034
00:45:20,400 --> 00:45:22,399
Speaker 3: she was. She really gave us on this one.

1035
00:45:22,520 --> 00:45:25,000
Speaker 2: Did to the Mariah album like I told you I did.

1036
00:45:25,960 --> 00:45:26,520
Speaker 1: I've been told you.

1037
00:45:26,560 --> 00:45:27,359
Speaker 3: I listened to that album.

1038
00:45:27,360 --> 00:45:28,920
Speaker 4: I can't remember. We talked a lot in this podcast.

1039
00:45:29,000 --> 00:45:30,439
Speaker 4: I forgot it. I forget a lot of things.

1040
00:45:30,719 --> 00:45:32,480
Speaker 3: Yeah, no, I listened to that. But I like the

1041
00:45:32,520 --> 00:45:34,640
Speaker 3: Summer album. I'm what I like the sum album.

1042
00:45:34,640 --> 00:45:35,919
Speaker 1: It's not it's very good.

1043
00:45:36,400 --> 00:45:37,719
Speaker 2: Is there any other R and B you guys are

1044
00:45:37,760 --> 00:45:39,520
Speaker 2: looking forward to like coming up.

1045
00:45:40,520 --> 00:45:43,239
Speaker 3: I'm looking forward to Division quarter. I don't know if

1046
00:45:43,239 --> 00:45:45,360
Speaker 3: they dropping. I don't know if they dropping fourth quarter, but.

1047
00:45:46,320 --> 00:45:48,640
Speaker 4: Fourth or first or even just next year because we

1048
00:45:48,719 --> 00:45:50,520
Speaker 4: got a lot this year. So is there anyone you're

1049
00:45:50,520 --> 00:45:52,279
Speaker 4: looking forward to next year?

1050
00:45:55,320 --> 00:45:57,640
Speaker 1: I think I don't think siss is going to take

1051
00:45:57,640 --> 00:46:00,520
Speaker 1: as much time off R and B you tomorrow, mm hmm.

1052
00:46:01,040 --> 00:46:04,759
Speaker 1: I think we'll get a siss A projects relatively soon.

1053
00:46:04,840 --> 00:46:08,200
Speaker 1: I want to hear the new Maida project same. I mean,

1054
00:46:08,239 --> 00:46:09,680
Speaker 1: I love the k Trinata one where she just took

1055
00:46:09,920 --> 00:46:12,240
Speaker 1: a break off the cellar it made is another.

1056
00:46:12,239 --> 00:46:13,959
Speaker 3: As an artist that I don't think people talk about

1057
00:46:14,040 --> 00:46:17,080
Speaker 3: enough when the ladies in R and B, like the

1058
00:46:17,160 --> 00:46:19,120
Speaker 3: ladies in R and B, like you know, we throw

1059
00:46:19,239 --> 00:46:22,160
Speaker 3: names around, but Mayda's name doesn't get brought up enough

1060
00:46:22,360 --> 00:46:24,800
Speaker 3: and like she's super dope, like like you said, the

1061
00:46:24,880 --> 00:46:27,320
Speaker 3: k Trinada project that was that was that was crazy.

1062
00:46:27,600 --> 00:46:29,200
Speaker 3: But then when she gets into her full R and

1063
00:46:29,280 --> 00:46:33,239
Speaker 3: B ballot bag, like Mada can sing her ass off. Yeah,

1064
00:46:33,719 --> 00:46:35,400
Speaker 3: she ain't one of the you know, even though we

1065
00:46:35,719 --> 00:46:37,600
Speaker 3: listen to the whispers, singers and all of that, Like

1066
00:46:37,840 --> 00:46:40,080
Speaker 3: Maida is not that though she can like she can

1067
00:46:40,120 --> 00:46:41,719
Speaker 3: go up there with just a piano and just a

1068
00:46:41,840 --> 00:46:43,440
Speaker 3: mic and and tear sit up.

1069
00:46:43,480 --> 00:46:45,360
Speaker 2: So for everybody that's m A. E.

1070
00:46:45,719 --> 00:46:46,120
Speaker 1: T A.

1071
00:46:46,560 --> 00:46:48,640
Speaker 2: If you've never heard of her, please go check her out.

1072
00:46:49,560 --> 00:46:55,439
Speaker 1: Out the Mada Clio Soul. I look forward to trying

1073
00:46:55,480 --> 00:46:58,200
Speaker 1: to think who would be in like album cycle at

1074
00:46:58,200 --> 00:47:01,239
Speaker 1: this time, because we did get a lot. I'm just

1075
00:47:01,280 --> 00:47:03,319
Speaker 1: looking back at twenty twenty four who dropped because maybe

1076
00:47:04,000 --> 00:47:08,400
Speaker 1: twenty six would give us that. I mean Victoria Monet definitely.

1077
00:47:08,480 --> 00:47:11,880
Speaker 1: I think that, Yeah, I think she would be somebody

1078
00:47:11,920 --> 00:47:16,120
Speaker 1: that would. Jasmine Sullivan. Where's Jasmine at Hotels?

1079
00:47:16,200 --> 00:47:16,320
Speaker 3: Is what?

1080
00:47:16,480 --> 00:47:17,120
Speaker 1: Twenty three?

1081
00:47:17,520 --> 00:47:19,000
Speaker 3: She gave us that clink to twenty three?

1082
00:47:19,960 --> 00:47:23,279
Speaker 4: Yeah, twenty two maybe twenty one for that I was saying,

1083
00:47:23,360 --> 00:47:24,959
Speaker 4: might but her her mom died?

1084
00:47:25,320 --> 00:47:26,719
Speaker 3: Oh I didn't know that.

1085
00:47:27,000 --> 00:47:29,960
Speaker 2: Yeah, yeah a year ago or something.

1086
00:47:30,000 --> 00:47:31,640
Speaker 1: Yeah, when did when did Hotels come out?

1087
00:47:31,840 --> 00:47:33,960
Speaker 2: That was like twenty into twenty twenty one? Top of

1088
00:47:34,000 --> 00:47:34,520
Speaker 2: twenty twenty two.

1089
00:47:34,520 --> 00:47:36,600
Speaker 3: If I'm not gonna say nah that y'all y'all tripping,

1090
00:47:37,000 --> 00:47:38,800
Speaker 3: I think that might be too twenty twenty.

1091
00:47:39,320 --> 00:47:41,120
Speaker 4: It was not twenty twenty bit all right. I was

1092
00:47:41,200 --> 00:47:42,920
Speaker 4: working for this podcast when it came out. It was

1093
00:47:42,960 --> 00:47:43,960
Speaker 4: like twenty hotels.

1094
00:47:44,120 --> 00:47:46,600
Speaker 1: Hotels came out. Yo, this is gonna trip you out

1095
00:47:46,600 --> 00:47:51,480
Speaker 1: even more. January eighth, twenty twenty one, twenty twenty one,

1096
00:47:51,600 --> 00:47:55,160
Speaker 1: the top eight days in have this show. Yeah, we

1097
00:47:55,160 --> 00:47:59,200
Speaker 1: didn't have the show till May twenty twenty one. Yeah, damn,

1098
00:48:00,520 --> 00:48:01,160
Speaker 1: that's what I'm saying.

1099
00:48:01,239 --> 00:48:02,600
Speaker 3: Like I knew that shit was like and I was

1100
00:48:02,960 --> 00:48:07,759
Speaker 3: I said twenty twenty January, Oh yeah, you know what

1101
00:48:07,840 --> 00:48:10,359
Speaker 3: I'm thinking about the Deluxe when the Deluxe ye, yeah,

1102
00:48:10,400 --> 00:48:12,239
Speaker 3: the Deluxe game later for sure, the Deluxe was a

1103
00:48:12,320 --> 00:48:15,000
Speaker 3: real deluxe. It had like extra songs on that ship.

1104
00:48:15,080 --> 00:48:18,040
Speaker 3: So yeah, yeah with Jasmine, I mean condolences. You know,

1105
00:48:18,120 --> 00:48:21,640
Speaker 3: she lost some moms, but you had Jazmine Culliban that

1106
00:48:22,080 --> 00:48:24,080
Speaker 3: that hotel is probably she dropped that on us, and

1107
00:48:25,520 --> 00:48:27,560
Speaker 3: it's like, y'all hold that for the next five years

1108
00:48:27,600 --> 00:48:29,160
Speaker 3: and let me know when one of these one of

1109
00:48:29,200 --> 00:48:31,959
Speaker 3: these ladies catch up to this singing right here, because

1110
00:48:32,320 --> 00:48:35,759
Speaker 3: they not catching up to Jasmine. I Love I Love

1111
00:48:35,840 --> 00:48:37,719
Speaker 3: all the Jazmine sullivans O.

1112
00:48:37,760 --> 00:48:40,520
Speaker 4: Kaylanie was actually talking about that. I had heard of

1113
00:48:40,560 --> 00:48:43,319
Speaker 4: a clip of her basically saying like or a post

1114
00:48:43,400 --> 00:48:46,239
Speaker 4: of her basically saying like Jasmine is not like these

1115
00:48:46,280 --> 00:48:48,560
Speaker 4: women's peers, Like, let's not talk like Jasmine is like

1116
00:48:48,600 --> 00:48:51,400
Speaker 4: one of the mothers of R and B at this point, Like.

1117
00:48:51,440 --> 00:48:54,160
Speaker 1: She's one of the Absolutely she's from modern R and B.

1118
00:48:54,280 --> 00:48:56,680
Speaker 3: Absolutely, Yeah, Jazmine Celman, she could be in the room

1119
00:48:56,760 --> 00:48:57,120
Speaker 3: with you know.

1120
00:48:57,840 --> 00:49:02,040
Speaker 1: She's legacy, the legend. Yeah, but still very much relevant

1121
00:49:02,400 --> 00:49:03,359
Speaker 1: and the songs.

1122
00:49:03,040 --> 00:49:05,560
Speaker 4: Are like, it's not just like because I feel like

1123
00:49:06,520 --> 00:49:09,399
Speaker 4: Jennifer Hudson has the issue of she hasn't been able

1124
00:49:09,440 --> 00:49:12,920
Speaker 4: to keep up the music quality or the song quality

1125
00:49:12,960 --> 00:49:16,040
Speaker 4: has not kept up with her voice quality, whereas with Jasmine,

1126
00:49:16,080 --> 00:49:18,439
Speaker 4: she has the voice quality, but the songs are also

1127
00:49:18,520 --> 00:49:21,600
Speaker 4: bomb as fucked too, Like it's not just yelling, it's

1128
00:49:21,640 --> 00:49:23,080
Speaker 4: not she doesn't just showcase her voice.

1129
00:49:23,080 --> 00:49:25,120
Speaker 1: It's an over sing and not to say Jennifer does,

1130
00:49:25,200 --> 00:49:27,399
Speaker 1: but that is usually the main part of the song,

1131
00:49:27,440 --> 00:49:31,520
Speaker 1: which ends up being very much here's my ballads, here's

1132
00:49:31,640 --> 00:49:35,120
Speaker 1: my version of pop, and here's a traditional Like Jasmine

1133
00:49:35,160 --> 00:49:38,040
Speaker 1: really experimented with hotels that made it sound like the

1134
00:49:38,160 --> 00:49:39,960
Speaker 1: era that it was in. It didn't even sound like

1135
00:49:40,280 --> 00:49:43,719
Speaker 1: past Jasmine projects like she kept up. Yeah is a

1136
00:49:43,760 --> 00:49:46,799
Speaker 1: classic a classic. Hell, yeah, absolutely, you know what I watched.

1137
00:49:46,800 --> 00:49:52,880
Speaker 3: I watched the what was the Jasmine Sullivan? What was

1138
00:49:52,920 --> 00:49:54,480
Speaker 3: the live series they was doing on YouTube?

1139
00:49:55,480 --> 00:49:57,080
Speaker 2: It was useful when she was singing with her with

1140
00:49:57,200 --> 00:49:58,160
Speaker 2: the plants in the background.

1141
00:50:00,120 --> 00:50:03,799
Speaker 3: Is that it that sounds familiar? I know her came out. Yeah,

1142
00:50:03,920 --> 00:50:05,080
Speaker 3: and they did that song together.

1143
00:50:05,400 --> 00:50:06,720
Speaker 2: It was like mad plans in the background.

1144
00:50:06,719 --> 00:50:09,040
Speaker 1: She had like it was tiny desk, it wasting. It

1145
00:50:09,080 --> 00:50:11,399
Speaker 1: was her tiny desk love from tiny desk. Oh you're

1146
00:50:11,400 --> 00:50:13,600
Speaker 1: talking about her tiny desk, yes, okay, but it wasn't

1147
00:50:13,640 --> 00:50:15,120
Speaker 1: in the tiny desk setup that they have now.

1148
00:50:15,400 --> 00:50:19,040
Speaker 3: Yeah, this I watched this at least once a month,

1149
00:50:19,200 --> 00:50:20,600
Speaker 3: like just to like, you know, you're going to just

1150
00:50:20,800 --> 00:50:23,880
Speaker 3: hear some live music and see somebody Jazzmine Sullivan is

1151
00:50:23,920 --> 00:50:25,040
Speaker 3: on an entirely.

1152
00:50:24,760 --> 00:50:29,080
Speaker 2: Different level and she's so beautiful too, just full package

1153
00:50:29,200 --> 00:50:29,520
Speaker 2: love her.

1154
00:50:31,480 --> 00:50:36,279
Speaker 1: I'm curious what Lucky Day does, like what direction he

1155
00:50:36,360 --> 00:50:40,640
Speaker 1: goes after Algorithm because they smoked out. I love that

1156
00:50:40,680 --> 00:50:43,360
Speaker 1: album so much, but it was a very specific sound,

1157
00:50:43,640 --> 00:50:47,680
Speaker 1: kind of outside of what Lucky had done prior. I'm

1158
00:50:47,719 --> 00:50:51,400
Speaker 1: curious where he goes sonically form here m because he

1159
00:50:51,480 --> 00:50:53,400
Speaker 1: did he did not take a full shift, but it

1160
00:50:53,680 --> 00:50:57,120
Speaker 1: was it was different, And I'm curious what he wants to.

1161
00:50:57,160 --> 00:50:59,800
Speaker 2: Do next, are you guys Friday fans?

1162
00:51:00,280 --> 00:51:01,080
Speaker 1: Yeah, I love Friday.

1163
00:51:02,000 --> 00:51:05,520
Speaker 2: I'm interested in seeing what he does next to Friday.

1164
00:51:06,320 --> 00:51:09,080
Speaker 1: Friday's active too, like he'll put out Lucy's and stuff

1165
00:51:09,160 --> 00:51:12,800
Speaker 1: like I really fuck with Friday. I hate the I

1166
00:51:12,840 --> 00:51:15,400
Speaker 1: wish he'd lock in and just give us just focus

1167
00:51:15,480 --> 00:51:18,080
Speaker 1: for two years on an album, because I think he's

1168
00:51:18,120 --> 00:51:21,640
Speaker 1: capable of putting together an incredible, incredible project. But you

1169
00:51:21,760 --> 00:51:24,680
Speaker 1: know he's he moves away. Younger artists need to move now.

1170
00:51:25,000 --> 00:51:27,800
Speaker 1: You gotta stay active and not just say that it

1171
00:51:27,840 --> 00:51:30,480
Speaker 1: doesn't take away from the quality, but if you if

1172
00:51:30,480 --> 00:51:32,400
Speaker 1: you really just lock in and take some time. But

1173
00:51:32,640 --> 00:51:36,440
Speaker 1: I don't know, do people care outside of like not

1174
00:51:36,560 --> 00:51:39,719
Speaker 1: this podcast per se, but people like us. Do people

1175
00:51:39,840 --> 00:51:43,360
Speaker 1: care that much about albums anymore?

1176
00:51:43,680 --> 00:51:44,120
Speaker 3: I think so?

1177
00:51:44,320 --> 00:51:44,719
Speaker 2: I think so.

1178
00:51:45,120 --> 00:51:49,480
Speaker 1: Yeah, Like the casual fan, I'm not saying there's a

1179
00:51:49,560 --> 00:51:51,640
Speaker 1: large group of people, like a huge group of people

1180
00:51:51,760 --> 00:51:56,279
Speaker 1: like us that obsess over bodies of work. But I mean,

1181
00:51:56,400 --> 00:51:57,680
Speaker 1: is that still if.

1182
00:51:57,640 --> 00:51:59,560
Speaker 3: You love R and B The thing, If you like

1183
00:51:59,680 --> 00:52:03,720
Speaker 3: really love R and B music, you absolutely love albums

1184
00:52:04,560 --> 00:52:06,680
Speaker 3: like R and B is one of those things like, well,

1185
00:52:07,040 --> 00:52:08,719
Speaker 3: you know, when R and B artists used to make

1186
00:52:08,880 --> 00:52:12,360
Speaker 3: the traditional R and B music, the album was like

1187
00:52:13,000 --> 00:52:15,840
Speaker 3: the story. It was a whole like movie that they

1188
00:52:15,920 --> 00:52:18,640
Speaker 3: put together. So I mean I was raised in that

1189
00:52:19,360 --> 00:52:23,080
Speaker 3: type of R and B. Like the entire project was dope,

1190
00:52:23,200 --> 00:52:25,560
Speaker 3: like from top to bottom, every song you loved, Every

1191
00:52:25,600 --> 00:52:28,640
Speaker 3: song had its own meaning, and you know you just

1192
00:52:28,680 --> 00:52:31,080
Speaker 3: wanted to be a part of that. But now you know,

1193
00:52:31,120 --> 00:52:33,000
Speaker 3: you got R and B artists that put a song

1194
00:52:33,040 --> 00:52:35,400
Speaker 3: out in January. They'll put a song out and then

1195
00:52:35,400 --> 00:52:38,000
Speaker 3: they won't put out an another song until like August,

1196
00:52:38,080 --> 00:52:39,600
Speaker 3: and you're like, yo, bro, I don't even know what

1197
00:52:39,760 --> 00:52:42,160
Speaker 3: to like. You're gonna give us another single the end

1198
00:52:42,160 --> 00:52:43,680
Speaker 3: of the year and then next year give us the

1199
00:52:43,719 --> 00:52:45,800
Speaker 3: full like I don't. So it's like now I'm not

1200
00:52:45,880 --> 00:52:49,799
Speaker 3: really attached to a full project because you're not giving

1201
00:52:49,840 --> 00:52:51,759
Speaker 3: me the full project. You're giving me a song here,

1202
00:52:52,000 --> 00:52:53,600
Speaker 3: let's see what it does. Then you give me another

1203
00:52:53,680 --> 00:52:56,759
Speaker 3: song five months later. It's like I don't really want

1204
00:52:56,800 --> 00:52:59,600
Speaker 3: to with the where's the album at give the whole project.

1205
00:52:59,360 --> 00:53:01,440
Speaker 4: Which they need to stop doing too, because it's not

1206
00:53:01,680 --> 00:53:03,320
Speaker 4: that single is not going to be a measure of

1207
00:53:03,360 --> 00:53:06,200
Speaker 4: how the album is going to do or how people

1208
00:53:06,239 --> 00:53:09,279
Speaker 4: are going to perceive the album. I think that if

1209
00:53:09,360 --> 00:53:11,680
Speaker 4: you give us a good album, people care about your albums.

1210
00:53:12,280 --> 00:53:15,000
Speaker 4: If you give us a good album, people will care

1211
00:53:15,000 --> 00:53:17,920
Speaker 4: about your albums. But if you don't, then that's fine.

1212
00:53:18,400 --> 00:53:21,560
Speaker 4: People won't care. But what you specialize in people will

1213
00:53:21,560 --> 00:53:23,960
Speaker 4: care about. If you're a good featured artist, people will

1214
00:53:23,960 --> 00:53:25,000
Speaker 4: always care about your features.

1215
00:53:25,040 --> 00:53:26,960
Speaker 2: They'll run to it. But you have to show us

1216
00:53:27,000 --> 00:53:29,279
Speaker 2: our specialty before we can know what we want from you.

1217
00:53:29,640 --> 00:53:30,760
Speaker 3: Give us the entree.

1218
00:53:31,200 --> 00:53:33,520
Speaker 1: Yeah, but I mean I don't like I guess, for example,

1219
00:53:34,120 --> 00:53:38,000
Speaker 1: an artist like Coco Jones who puts together great bodies work.

1220
00:53:39,400 --> 00:53:42,920
Speaker 1: Do you think the labels in her ears saying focus

1221
00:53:43,040 --> 00:53:47,600
Speaker 1: on singles or focus on take your time like disappear

1222
00:53:47,840 --> 00:53:49,279
Speaker 1: and give us a body of work.

1223
00:53:49,320 --> 00:53:50,960
Speaker 4: I don't think they're saying let her disappear. I think

1224
00:53:50,960 --> 00:53:52,880
Speaker 4: they're saying, focused on the album. But why you focus

1225
00:53:52,960 --> 00:53:54,600
Speaker 4: it on the album? Give us what you whatever you

1226
00:53:54,680 --> 00:53:56,400
Speaker 4: got over there in that lunchbox. Let me get a

1227
00:53:56,440 --> 00:53:57,799
Speaker 4: piece of that until dinner's done.

1228
00:53:58,000 --> 00:54:00,640
Speaker 1: Like yeah, but even like to multiple too, because I

1229
00:54:00,920 --> 00:54:03,239
Speaker 1: feel you that it does suck when someone puts out

1230
00:54:03,239 --> 00:54:05,480
Speaker 1: a single, five months past single, and then the album's

1231
00:54:05,520 --> 00:54:09,200
Speaker 1: next year. Should I've done that? I a lot of

1232
00:54:09,239 --> 00:54:11,360
Speaker 1: times the label will be like, yo, chill, I know

1233
00:54:11,400 --> 00:54:13,040
Speaker 1: you're ready to go, but we need to work this

1234
00:54:13,120 --> 00:54:15,680
Speaker 1: single's working a little bit, let us work it more.

1235
00:54:15,800 --> 00:54:17,600
Speaker 1: And then five months past and it's like, well, my

1236
00:54:17,760 --> 00:54:19,359
Speaker 1: fans are asking for music, and like, all right, we'll

1237
00:54:19,360 --> 00:54:21,719
Speaker 1: give another one. Then we'll work that single, and now

1238
00:54:21,760 --> 00:54:24,240
Speaker 1: you're on a whole year and a half like trajectory

1239
00:54:24,280 --> 00:54:29,560
Speaker 1: of album cycle. And it makes it disconnects from the

1240
00:54:29,640 --> 00:54:31,360
Speaker 1: core fan base at that point because like, what's going on,

1241
00:54:31,400 --> 00:54:33,320
Speaker 1: You're just thrown out records. Yeah, but that's usually the

1242
00:54:33,400 --> 00:54:36,080
Speaker 1: label saying we need to work this record, let's get

1243
00:54:36,120 --> 00:54:38,319
Speaker 1: our ry on this and try to build some type

1244
00:54:38,320 --> 00:54:40,440
Speaker 1: of buzz for the project. That's why you get songs

1245
00:54:40,440 --> 00:54:42,480
Speaker 1: that are two years old that are on albums that

1246
00:54:42,640 --> 00:54:44,680
Speaker 1: come out later, which and I.

1247
00:54:44,760 --> 00:54:47,319
Speaker 3: Skipped, like I'm even on the summer album like Heart

1248
00:54:47,360 --> 00:54:48,880
Speaker 3: of a Woman. I skipped that immediately.

1249
00:54:49,719 --> 00:54:50,840
Speaker 1: Why I don't want it?

1250
00:54:50,920 --> 00:54:52,480
Speaker 2: We had tired of it. He' sired of it.

1251
00:54:52,640 --> 00:54:54,520
Speaker 3: Okay, we've had it for months, you know what I'm saying.

1252
00:54:54,520 --> 00:54:56,480
Speaker 3: It's like fair okay, fair good. We then with the

1253
00:54:56,520 --> 00:54:58,200
Speaker 3: double disto I hear you. There's there's so much more

1254
00:54:58,719 --> 00:54:59,960
Speaker 3: on the song, but it's like, I'm not going to

1255
00:55:00,320 --> 00:55:02,279
Speaker 3: I've been listening to that for When did the Heart

1256
00:55:02,320 --> 00:55:02,440
Speaker 3: of a.

1257
00:55:02,440 --> 00:55:04,640
Speaker 2: Woman come out for a very long so damn near

1258
00:55:04,680 --> 00:55:05,120
Speaker 2: a year ago?

1259
00:55:05,600 --> 00:55:07,640
Speaker 1: Yeah, no, it was the top of this year.

1260
00:55:08,800 --> 00:55:10,600
Speaker 2: We almost at the top of next year, that's know.

1261
00:55:10,600 --> 00:55:13,319
Speaker 1: That's what I'm saying. I just feel like I've been

1262
00:55:13,360 --> 00:55:15,239
Speaker 1: listening to Heart of a Woman for months, That's know

1263
00:55:15,239 --> 00:55:19,440
Speaker 1: what I'm saying. It came out Nah, No, what's October

1264
00:55:20,320 --> 00:55:21,520
Speaker 1: October twenty twenty four.

1265
00:55:23,120 --> 00:55:25,920
Speaker 2: Yeah, yeah, god damn more than a very long time.

1266
00:55:26,080 --> 00:55:27,759
Speaker 3: Yeah, Like that's what I'm saying. It's like I don't

1267
00:55:27,800 --> 00:55:31,040
Speaker 3: want to hear that. Yeah, a good song, but it's like, yeah,

1268
00:55:31,360 --> 00:55:32,960
Speaker 3: I'm at God girl now you know what I'm saying.

1269
00:55:33,800 --> 00:55:35,600
Speaker 3: That's why, man, let me get to that, Like I'm

1270
00:55:35,640 --> 00:55:37,200
Speaker 3: not really let me get the one hundred hard break

1271
00:55:37,600 --> 00:55:39,440
Speaker 3: not really with woman no more.

1272
00:55:39,760 --> 00:55:42,840
Speaker 1: But as far as album cycles, I'm looking forward hopefully

1273
00:55:42,920 --> 00:55:45,799
Speaker 1: twenty twenty six we had Sizza. I'm just looking at

1274
00:55:45,840 --> 00:55:48,080
Speaker 1: my album list from like twenty twenty two of people

1275
00:55:48,120 --> 00:55:51,880
Speaker 1: that didn't put anything out. I know Robert Glasper's put

1276
00:55:51,920 --> 00:55:53,759
Speaker 1: out a bunch. I'd love Black Radio four to come

1277
00:55:53,800 --> 00:55:56,840
Speaker 1: out in twenty twenty six. Amber Mark, I love. I

1278
00:55:56,920 --> 00:55:59,479
Speaker 1: hope she puts something out. Ariy Lennox is already putting

1279
00:55:59,480 --> 00:56:02,160
Speaker 1: records out now, so I assume she'll be dropping first

1280
00:56:02,280 --> 00:56:06,000
Speaker 1: or second quarter. She's not on Dreams on twenty twenty six. No,

1281
00:56:07,880 --> 00:56:10,160
Speaker 1: Alex Ozley has been active, but I would love for

1282
00:56:10,239 --> 00:56:11,839
Speaker 1: her and Jack to get back and give us an

1283
00:56:12,120 --> 00:56:13,279
Speaker 1: album in twenty twenty six.

1284
00:56:13,360 --> 00:56:17,600
Speaker 3: Hey, please do, Alex, please please, You and Jack gotta

1285
00:56:17,640 --> 00:56:19,719
Speaker 3: get do. Give us something, give us, give us a

1286
00:56:19,760 --> 00:56:21,040
Speaker 3: little six pack of something.

1287
00:56:21,280 --> 00:56:24,560
Speaker 1: Yeah. And also we were talking with PJ Morton at

1288
00:56:24,600 --> 00:56:28,839
Speaker 1: the BT Awards. He now owns Stevie Wonders Farm. Yes,

1289
00:56:29,880 --> 00:56:31,960
Speaker 1: he has a host set up there. Yeah, and as

1290
00:56:32,000 --> 00:56:34,480
Speaker 1: a bunch of young artists, I'm excited just to see

1291
00:56:34,520 --> 00:56:37,400
Speaker 1: what he does with his kind of new I mean,

1292
00:56:37,640 --> 00:56:39,720
Speaker 1: I want to say label per se that he's starting

1293
00:56:39,719 --> 00:56:44,800
Speaker 1: over there, but you know he's doing joint projects with rappers, singers.

1294
00:56:45,040 --> 00:56:47,839
Speaker 1: I'm excited to see what PJ does in twenty twenty six.

1295
00:56:47,960 --> 00:56:49,759
Speaker 1: And I'm coming out in twenty twenty six. There you

1296
00:56:49,840 --> 00:56:54,359
Speaker 1: go hey now, so you know, hope hopefully no one

1297
00:56:54,440 --> 00:56:54,879
Speaker 1: comes up.

1298
00:56:55,640 --> 00:56:58,480
Speaker 3: So it could be just you. They put a new

1299
00:56:58,520 --> 00:57:03,080
Speaker 3: team to Turn the Project the same day you dropped

1300
00:57:04,040 --> 00:57:04,960
Speaker 3: Tina Turn the Projects.

1301
00:57:04,960 --> 00:57:06,880
Speaker 4: I would like a little bit longer of an album

1302
00:57:06,960 --> 00:57:09,160
Speaker 4: from Nao. I know she put out Jupiter at the

1303
00:57:09,280 --> 00:57:12,400
Speaker 4: top of this year, but it's only thirty three minutes

1304
00:57:12,480 --> 00:57:13,200
Speaker 4: eleven songs.

1305
00:57:13,200 --> 00:57:15,520
Speaker 3: I will want something a little bit longer, yeah from her.

1306
00:57:16,160 --> 00:57:18,840
Speaker 3: I fuck with that project though, Yeah, that project is great.

1307
00:57:20,000 --> 00:57:22,960
Speaker 3: Ship Mac Airs. I always mispronounce his name, but Mac

1308
00:57:23,080 --> 00:57:26,360
Speaker 3: is incredible. Shout out to to New York. But yeah,

1309
00:57:26,360 --> 00:57:27,640
Speaker 3: I know, I know we're we're dragging the R and

1310
00:57:27,720 --> 00:57:29,080
Speaker 3: B shit. I know a lot of our listeners are

1311
00:57:29,120 --> 00:57:31,800
Speaker 3: not R and B heads like us listening.

1312
00:57:31,560 --> 00:57:34,240
Speaker 1: To Yeah than us for I don't trust nobody that

1313
00:57:34,400 --> 00:57:36,840
Speaker 1: just listening to rap. No, some people just don't want

1314
00:57:36,880 --> 00:57:38,960
Speaker 1: to hear thirty minutes of just R and B.

1315
00:57:39,440 --> 00:57:42,160
Speaker 3: Like, actually, problem, got a balance, It's the problem your

1316
00:57:42,240 --> 00:57:44,440
Speaker 3: nervous systems is like, oh, I mean, I agree. I

1317
00:57:44,480 --> 00:57:46,520
Speaker 3: think you'll just R and get some R and B

1318
00:57:46,640 --> 00:57:48,840
Speaker 3: in your in your in your uh, your diet.

1319
00:57:49,080 --> 00:57:51,000
Speaker 1: R R and B will make you appreciate how you

1320
00:57:51,080 --> 00:57:53,800
Speaker 1: listen to hip hop, more might be oh, don't don't

1321
00:57:53,800 --> 00:57:56,280
Speaker 1: do that? Was that wasn't that profound? That wasn't that profound?

1322
00:57:56,480 --> 00:57:59,120
Speaker 1: That wasn't that profound? You didn't. It really wasn't. It

1323
00:57:59,200 --> 00:58:02,280
Speaker 1: really wasn't. But but if you get into the DNA

1324
00:58:02,360 --> 00:58:04,680
Speaker 1: of R and B, that is mostly what all the

1325
00:58:04,800 --> 00:58:06,680
Speaker 1: hip hop samples that you love, like you, you do

1326
00:58:06,800 --> 00:58:08,960
Speaker 1: listen to hip hop differently if you have a love

1327
00:58:09,160 --> 00:58:11,760
Speaker 1: for R and B, because that's really what it is.

1328
00:58:11,960 --> 00:58:13,840
Speaker 1: Post you know, ninety.

1329
00:58:13,600 --> 00:58:16,800
Speaker 3: Five, I saw a clip of Jermaine Duprix and he

1330
00:58:16,920 --> 00:58:20,720
Speaker 3: was talking about the greatest, the greatest group ever is

1331
00:58:20,840 --> 00:58:26,240
Speaker 3: New Audition And he's absolutely right. Did he give criteria?

1332
00:58:26,840 --> 00:58:28,400
Speaker 3: I'd never be mad at the take what every New

1333
00:58:28,560 --> 00:58:31,280
Speaker 3: Edition being the greatest group? Every artist that went solo

1334
00:58:31,600 --> 00:58:35,200
Speaker 3: the album went platinum. Yeah, And when you say that,

1335
00:58:35,440 --> 00:58:37,640
Speaker 3: it's like you can't argue that as great as the

1336
00:58:37,720 --> 00:58:40,560
Speaker 3: Jackson Now what Michael did solo? Obviously you know what

1337
00:58:40,600 --> 00:58:43,800
Speaker 3: I'm saying. But but does that make them the greatest

1338
00:58:43,880 --> 00:58:46,640
Speaker 3: group when y'all can all go solo and go platinum?

1339
00:58:47,040 --> 00:58:49,840
Speaker 1: Well, belt, well, would you consider that so I mean

1340
00:58:50,040 --> 00:58:50,720
Speaker 1: solo per se?

1341
00:58:51,080 --> 00:58:52,680
Speaker 3: Yeah, there's the three of them. Yeah, I mean it's

1342
00:58:52,720 --> 00:58:54,280
Speaker 3: still they still broke off from the group, That's what

1343
00:58:54,320 --> 00:58:59,360
Speaker 3: I'm saying. Yeah, Wait, Ralph platinum. Wait his solo album is.

1344
00:58:59,560 --> 00:59:01,920
Speaker 2: Platinum them, but how long it took for it to

1345
00:59:01,960 --> 00:59:02,560
Speaker 2: go plast.

1346
00:59:02,360 --> 00:59:03,560
Speaker 1: It don't matter. It's platinum.

1347
00:59:04,560 --> 00:59:05,640
Speaker 3: Don't know it, don't.

1348
00:59:05,680 --> 00:59:06,680
Speaker 2: Tweaker went platinum.

1349
00:59:06,720 --> 00:59:10,040
Speaker 1: By the way, if you think about it, Tweaker and

1350
00:59:10,120 --> 00:59:11,040
Speaker 1: New Edition are the same.

1351
00:59:11,160 --> 00:59:14,120
Speaker 2: No, I'm just saying, like, like I hear you, but

1352
00:59:14,280 --> 00:59:15,880
Speaker 2: like the Jackson five is the Jackson five.

1353
00:59:15,920 --> 00:59:18,080
Speaker 1: We talking about the arrow where it was album sales,

1354
00:59:18,160 --> 00:59:23,680
Speaker 1: not streams, and of course the Jackson five kids everything.

1355
00:59:23,840 --> 00:59:25,439
Speaker 1: I get that, but you still have to put boys

1356
00:59:25,440 --> 00:59:28,800
Speaker 1: to men attach New Edition Like, I mean, I get it,

1357
00:59:29,360 --> 00:59:32,480
Speaker 1: I do get it. Just saying JD makes a lot

1358
00:59:32,520 --> 00:59:36,600
Speaker 1: of sense with that take. Yeah, I mean, that's one

1359
00:59:36,600 --> 00:59:39,480
Speaker 1: that I probably wouldn't argue. You can argue it, but

1360
00:59:39,560 --> 00:59:42,000
Speaker 1: I'm not mad at to take whatsoever. I mean, I

1361
00:59:42,080 --> 00:59:44,120
Speaker 1: mean just now, but with some of your favorite groups

1362
00:59:44,240 --> 00:59:51,680
Speaker 1: like that would rival. I mean, but even where jodses

1363
00:59:51,960 --> 00:59:59,080
Speaker 1: DNA starts with them too, Like, yeah, it's tough. I'm

1364
00:59:59,160 --> 01:00:02,600
Speaker 1: just saying, man, he makes a lot of sense. And

1365
01:00:02,840 --> 01:00:03,920
Speaker 1: I and I and I always.

1366
01:00:04,000 --> 01:00:06,240
Speaker 3: I mean, New Edition is one of my favorite groups

1367
01:00:06,280 --> 01:00:08,919
Speaker 3: ever before Jade even says this. But when you say

1368
01:00:09,080 --> 01:00:14,520
Speaker 3: the greatest group, you're telling R and B. It's like,

1369
01:00:14,640 --> 01:00:16,240
Speaker 3: damn you would, or you would, you would, you would

1370
01:00:16,280 --> 01:00:20,040
Speaker 3: go to the Jackson five. People say that's pop whatever whatever,

1371
01:00:21,200 --> 01:00:23,520
Speaker 3: But the greatest group being New Addition, I'm not mad

1372
01:00:23,560 --> 01:00:23,680
Speaker 3: at that.

1373
01:00:23,760 --> 01:00:27,600
Speaker 1: If you go remember remember if there's a pause there,

1374
01:00:27,760 --> 01:00:31,120
Speaker 1: pause it. Yeah, the Jackson five versus New Edition doesn't

1375
01:00:31,120 --> 01:00:33,680
Speaker 1: even like like remotely compare.

1376
01:00:33,800 --> 01:00:36,800
Speaker 3: Yeah, it's different. You got Michael, we know what little

1377
01:00:36,840 --> 01:00:43,480
Speaker 3: Michael did you three here about thirty niggas. Michael Jackson

1378
01:00:43,640 --> 01:00:49,000
Speaker 3: is about thirty niggas. But Randy rest in peace. You

1379
01:00:49,040 --> 01:00:51,880
Speaker 3: know the brothers that pass Tito Jamaine like all, but

1380
01:00:52,880 --> 01:00:54,440
Speaker 3: they didn't they solo albums.

1381
01:00:54,200 --> 01:00:55,520
Speaker 1: Didn't, didn't didn't do it.

1382
01:00:55,680 --> 01:00:56,560
Speaker 2: Okay, So hear me out.

1383
01:00:56,840 --> 01:00:59,240
Speaker 1: It'd be a good versus were Young New Edition versus

1384
01:00:59,400 --> 01:01:02,320
Speaker 1: Jackson five, to be honest, hear me out. And then

1385
01:01:02,600 --> 01:01:04,560
Speaker 1: that far and then there's that part of.

1386
01:01:04,680 --> 01:01:08,840
Speaker 4: Every member of Destiny's Child has one platinum. I'm just saying,

1387
01:01:09,640 --> 01:01:11,120
Speaker 4: if that's what we're saying.

1388
01:01:11,280 --> 01:01:14,360
Speaker 1: The original like the original Destiny Child or Michelle Kelly

1389
01:01:14,400 --> 01:01:17,040
Speaker 1: and Beyonce Michelle Kelly. I mean, okay, I get that.

1390
01:01:17,360 --> 01:01:21,240
Speaker 1: I'm just saying, but all right, Michelle sol album went platinum. Yeah,

1391
01:01:21,280 --> 01:01:22,680
Speaker 1: she did a gospel Yes.

1392
01:01:23,920 --> 01:01:26,000
Speaker 2: And she's also on Broadway killing.

1393
01:01:26,480 --> 01:01:30,360
Speaker 1: Just saying, and not to take anything away from Destiny's Child.

1394
01:01:30,400 --> 01:01:33,120
Speaker 1: If you go through l Bib Devot, Bobby Brown solo,

1395
01:01:33,280 --> 01:01:37,120
Speaker 1: Ralph tresvent Uh, Johnny like it just it's not close.

1396
01:01:37,160 --> 01:01:38,680
Speaker 1: It's kind of not even your Listen.

1397
01:01:38,760 --> 01:01:41,560
Speaker 3: Bobby Brown when he went solo, see y'all too young,

1398
01:01:41,640 --> 01:01:45,439
Speaker 3: that shit hit you. Bobby Brown's solo career, That shit

1399
01:01:45,640 --> 01:01:49,680
Speaker 3: hit like an Adam Baum. That nigga, Bobby Brown was everywhere,

1400
01:01:50,080 --> 01:01:52,440
Speaker 3: every award show, every Billboard.

1401
01:01:52,600 --> 01:01:56,000
Speaker 1: The nigga was in Ghostbusters like this. Bobby Brown was

1402
01:01:56,080 --> 01:01:56,760
Speaker 1: that nigga.

1403
01:01:57,600 --> 01:01:59,439
Speaker 2: I'm not I'm not fighting you. I was just saying,

1404
01:01:59,560 --> 01:02:03,080
Speaker 2: if we bring I just you know, do another no listen.

1405
01:02:03,120 --> 01:02:05,840
Speaker 3: Destiny's Child obviously is one of the greatest groups for sure.

1406
01:02:06,080 --> 01:02:09,360
Speaker 3: I mean, yo, what new addition did though, bell bil

1407
01:02:09,400 --> 01:02:11,160
Speaker 3: the one Ny when Belle build the Vote.

1408
01:02:11,120 --> 01:02:14,480
Speaker 1: Did they thing? It's like and these niggas rap it

1409
01:02:14,600 --> 01:02:17,439
Speaker 1: was just like they could do no wrong. I don't

1410
01:02:17,440 --> 01:02:19,320
Speaker 1: want to throw what if in because that doesn't really matter.

1411
01:02:19,400 --> 01:02:24,640
Speaker 1: Let's deal with what TLC had contracts been what it was,

1412
01:02:24,920 --> 01:02:27,680
Speaker 1: and unfortunately everything that happened with Left Eye, like TLC

1413
01:02:27,800 --> 01:02:30,200
Speaker 1: I think would have branched the way New Addition did

1414
01:02:30,440 --> 01:02:34,640
Speaker 1: and would have went on to be crazy in that regard,

1415
01:02:35,000 --> 01:02:37,520
Speaker 1: like their run was just cut short because of bullshit.

1416
01:02:37,600 --> 01:02:39,920
Speaker 1: Plus unfortunately Left Our passing.

1417
01:02:40,000 --> 01:02:43,520
Speaker 3: But we're not gonna knock New Addition because it's happened

1418
01:02:43,560 --> 01:02:44,600
Speaker 3: with TLC. Personally.

1419
01:02:45,160 --> 01:02:47,560
Speaker 1: We love I know New Addition is older, but New

1420
01:02:47,600 --> 01:02:49,600
Speaker 1: Addition is Wu tang like they're.

1421
01:02:49,440 --> 01:02:53,320
Speaker 3: Wu tang yo and were talking about from the early eighties.

1422
01:02:54,040 --> 01:02:58,040
Speaker 3: They were children with hits early eighties. Like go back

1423
01:02:58,080 --> 01:03:00,280
Speaker 3: and just do your do your history on New Addition

1424
01:03:00,320 --> 01:03:02,400
Speaker 3: to music. I know that we got the show that

1425
01:03:02,520 --> 01:03:04,320
Speaker 3: came out and everybody loved that, but like a lot

1426
01:03:04,360 --> 01:03:06,880
Speaker 3: of people still don't know the music of New Addition

1427
01:03:06,960 --> 01:03:09,920
Speaker 3: from the start, not just when they were young men.

1428
01:03:09,920 --> 01:03:12,360
Speaker 3: I'm talking about when they were little kids. Go back

1429
01:03:12,400 --> 01:03:15,640
Speaker 3: to that and just listen. It's incredible to create that

1430
01:03:15,640 --> 01:03:18,640
Speaker 3: they had and there on tour next year, I would

1431
01:03:18,640 --> 01:03:20,360
Speaker 3: love to see New Addition boys to men.

1432
01:03:20,640 --> 01:03:21,640
Speaker 2: So you're choose a new addition.

1433
01:03:21,640 --> 01:03:23,160
Speaker 4: I was gonna say, are you choosing a new addition

1434
01:03:23,320 --> 01:03:26,400
Speaker 4: over Boys to Men as a group not their solo

1435
01:03:26,480 --> 01:03:28,920
Speaker 4: careist as a group Boys the Men shadalog over new

1436
01:03:29,040 --> 01:03:29,720
Speaker 4: edition catalog?

1437
01:03:30,360 --> 01:03:31,760
Speaker 3: Y'all might have to take new addition.

1438
01:03:32,920 --> 01:03:36,280
Speaker 1: That's tough. I might have to take new addition because

1439
01:03:36,280 --> 01:03:37,400
Speaker 1: of my I love Boys to Men.

1440
01:03:37,400 --> 01:03:38,120
Speaker 3: I might have to take.

1441
01:03:38,320 --> 01:03:40,520
Speaker 1: Because of my age. Boys to Men was a way

1442
01:03:40,640 --> 01:03:44,880
Speaker 1: bigger part of my life. But going back to stuff,

1443
01:03:44,960 --> 01:03:47,920
Speaker 1: and I don't know, man like, yeah, I think I

1444
01:03:48,000 --> 01:03:49,560
Speaker 1: have to go new edition, new addition, is it?

1445
01:03:49,760 --> 01:03:50,240
Speaker 3: I'm telling you?

1446
01:03:50,400 --> 01:03:52,200
Speaker 1: And it's funny. I know Boys to Men would say

1447
01:03:52,600 --> 01:03:54,960
Speaker 1: new addition. Yeah, we don't get Boys to Men without knowing.

1448
01:03:55,000 --> 01:03:55,960
Speaker 1: Of course you know what I'm saying.

1449
01:03:56,000 --> 01:04:00,440
Speaker 3: But I just like we didn't feel the same way

1450
01:04:00,520 --> 01:04:03,480
Speaker 3: about you know, when the guys went solo and to

1451
01:04:03,560 --> 01:04:05,760
Speaker 3: day thing. Even though Sean and Wan Yah, you know,

1452
01:04:05,800 --> 01:04:07,960
Speaker 3: they had some some good solo songs and things like that.

1453
01:04:08,120 --> 01:04:10,959
Speaker 3: But when you talk about what Bobby Brown was able

1454
01:04:11,000 --> 01:04:14,880
Speaker 3: to do, what Johnny Gill was able to do with

1455
01:04:15,120 --> 01:04:17,040
Speaker 3: Ralph Chessvan was able to like it was, it's just no,

1456
01:04:17,200 --> 01:04:18,480
Speaker 3: it's no comparing.

1457
01:04:18,120 --> 01:04:21,880
Speaker 4: Bro okay, So if I if I do just a

1458
01:04:21,960 --> 01:04:23,840
Speaker 4: quick little verses, real quick, y'all choose for me.

1459
01:04:24,360 --> 01:04:26,600
Speaker 2: New addition, can you Stand in the rain? Versus boys

1460
01:04:26,640 --> 01:04:26,880
Speaker 2: the men?

1461
01:04:27,000 --> 01:04:27,520
Speaker 4: End of the Road?

1462
01:04:28,760 --> 01:04:29,720
Speaker 3: Can you stand the ring.

1463
01:04:31,800 --> 01:04:31,960
Speaker 1: Song?

1464
01:04:32,040 --> 01:04:32,439
Speaker 2: I'm taking?

1465
01:04:33,280 --> 01:04:35,480
Speaker 3: But but but can you stand the rain? Is like,

1466
01:04:35,720 --> 01:04:38,280
Speaker 3: come on, man, I'm taking. End of the Road is

1467
01:04:38,320 --> 01:04:41,400
Speaker 3: a bigger song. Don't get it twisted like Boomerang soundtrack,

1468
01:04:41,480 --> 01:04:46,440
Speaker 3: what that did for that soundtrack, iconic iconic movie, iconic soundtrack,

1469
01:04:46,800 --> 01:04:50,800
Speaker 3: legendary record. But can you stand in the rain? Like

1470
01:04:50,880 --> 01:04:53,600
Speaker 3: if you throw into the road on the party, we

1471
01:04:53,720 --> 01:04:55,320
Speaker 3: had an R and B party throwing End of the Road.

1472
01:04:55,880 --> 01:04:57,880
Speaker 3: Niggas are like, now this was that ship you throwing?

1473
01:04:58,000 --> 01:05:00,640
Speaker 3: Can you stand the rain? Niggas is picking they phones

1474
01:05:00,680 --> 01:05:03,320
Speaker 3: like I gotta call it dog, I'm tripping. That's just

1475
01:05:03,480 --> 01:05:05,800
Speaker 3: it's just a different type of feel when you hear

1476
01:05:05,880 --> 01:05:06,320
Speaker 3: can you stand?

1477
01:05:06,640 --> 01:05:08,080
Speaker 1: That's one of those If we were on drink Champs,

1478
01:05:08,120 --> 01:05:10,440
Speaker 1: I would drink. I don't even know what to pick on.

1479
01:05:10,560 --> 01:05:12,080
Speaker 1: That End of the Road is probably one of the

1480
01:05:12,200 --> 01:05:16,800
Speaker 1: biggest songs in R and B history. But can you

1481
01:05:16,880 --> 01:05:19,480
Speaker 1: Stay in the rain? Is that ship? Though? Put the

1482
01:05:19,840 --> 01:05:21,160
Speaker 1: songs that everyone know every lyric.

1483
01:05:24,160 --> 01:05:25,760
Speaker 2: Did we get to the and start doing that ship?

1484
01:05:26,400 --> 01:05:32,600
Speaker 1: I don't know, yeah, ah man, I don't know can

1485
01:05:32,640 --> 01:05:34,160
Speaker 1: you stand in the ring? But when Ralph come in

1486
01:05:34,200 --> 01:05:36,280
Speaker 1: on can you Stand the Rain? Like I think that match.

1487
01:05:36,560 --> 01:05:39,280
Speaker 3: Johnny came in and said on a perfect day. I

1488
01:05:40,960 --> 01:05:45,600
Speaker 3: said this, nigga, Johnny. They wasn't jacking Johnny joined the group.

1489
01:05:45,920 --> 01:05:47,880
Speaker 3: They wasn't fucking with him. They was kind of giving

1490
01:05:47,920 --> 01:05:49,880
Speaker 3: them ship like, yo, you're trying to take Bobby spot that.

1491
01:05:49,960 --> 01:05:52,680
Speaker 3: And the third when that nigga said I know that

1492
01:05:52,840 --> 01:05:56,480
Speaker 3: I can't tell you. I said this niggas in Bobby

1493
01:05:56,560 --> 01:05:58,720
Speaker 3: who like this nigga Johnny? That was it.

1494
01:05:58,880 --> 01:06:01,960
Speaker 1: Can you Stand the Rain? I love, I Love. I

1495
01:06:02,080 --> 01:06:05,000
Speaker 1: sang end of the Road in fucking grade school like

1496
01:06:05,040 --> 01:06:07,439
Speaker 1: at a talent show. Yeah, that's definitely a go to talent.

1497
01:06:07,520 --> 01:06:09,560
Speaker 1: So I love you Standing the Rain. It's kind of

1498
01:06:09,560 --> 01:06:11,040
Speaker 1: a challenge the rain.

1499
01:06:11,240 --> 01:06:12,919
Speaker 4: Can you Stand the Rain is an old talent show

1500
01:06:12,920 --> 01:06:14,440
Speaker 4: song Okay, round two, Round two.

1501
01:06:14,960 --> 01:06:17,880
Speaker 1: And they do the choreography to Kings in the Ring

1502
01:06:17,960 --> 01:06:23,040
Speaker 1: You Love You Love? What's the movie the best do

1503
01:06:23,120 --> 01:06:23,920
Speaker 1: that today?

1504
01:06:24,080 --> 01:06:26,960
Speaker 2: Best Man Holiday is like such a traumatic movie, but

1505
01:06:27,000 --> 01:06:28,120
Speaker 2: I watch it every Christmas.

1506
01:06:28,720 --> 01:06:31,080
Speaker 1: So that movie I want this way to being a

1507
01:06:31,240 --> 01:06:32,880
Speaker 1: Christmas must watch, I think.

1508
01:06:32,880 --> 01:06:34,760
Speaker 2: Is already said a Christmas musch watch for me.

1509
01:06:34,840 --> 01:06:36,440
Speaker 3: I don't know, I don't know. We're not putting it.

1510
01:06:36,560 --> 01:06:39,800
Speaker 3: I mean, it's tough, but that's best Man. Best Man

1511
01:06:39,880 --> 01:06:42,120
Speaker 3: too is best Man. Holliday is definitely on the list.

1512
01:06:42,520 --> 01:06:44,720
Speaker 4: Holiday might be better than the best Man. Don't shoot me,

1513
01:06:45,880 --> 01:06:50,440
Speaker 4: don't shoot me, don't shoot me. Best Man Holliday might

1514
01:06:50,560 --> 01:06:51,640
Speaker 4: be better than the best Man.

1515
01:06:52,520 --> 01:06:55,440
Speaker 3: I ain't gonna I know why really mad at that.

1516
01:06:55,520 --> 01:06:56,880
Speaker 3: I don't see why you say that. I get why

1517
01:06:56,960 --> 01:06:57,280
Speaker 3: you say that.

1518
01:06:57,560 --> 01:06:58,640
Speaker 1: I'm not mad at that take.

1519
01:06:59,160 --> 01:07:01,280
Speaker 3: I get why you say that. But it's definitely moving

1520
01:07:01,360 --> 01:07:04,320
Speaker 3: in that realm of like when Christmas coming around. You

1521
01:07:04,320 --> 01:07:06,800
Speaker 3: gotta watch the first die Hard movie for sure, got

1522
01:07:06,920 --> 01:07:11,360
Speaker 3: to watch Home Alone. Best Man Holiday might be in there.

1523
01:07:12,520 --> 01:07:14,640
Speaker 1: Yeah, and the three you just named are so cryptic

1524
01:07:14,720 --> 01:07:17,280
Speaker 1: in Trauma. It's so funny that their holiday movie like

1525
01:07:17,400 --> 01:07:20,920
Speaker 1: this happened. Things like really good about these Christmas?

1526
01:07:22,280 --> 01:07:22,560
Speaker 3: All right?

1527
01:07:22,960 --> 01:07:26,360
Speaker 4: Second round, Second round, New edition. If it isn't love

1528
01:07:27,640 --> 01:07:30,240
Speaker 4: boys to men, I'll make love to you, I'll.

1529
01:07:30,080 --> 01:07:30,560
Speaker 1: Make love to you.

1530
01:07:30,840 --> 01:07:31,560
Speaker 2: I'll make love to you.

1531
01:07:31,720 --> 01:07:32,520
Speaker 3: If it isn't love.

1532
01:07:34,160 --> 01:07:35,000
Speaker 1: That's the age difference.

1533
01:07:35,040 --> 01:07:39,320
Speaker 5: I think, yeah, yeah, if it is in love, do

1534
01:07:39,480 --> 01:07:42,440
Speaker 5: I feel this way? It's just a different bot. It's

1535
01:07:42,480 --> 01:07:45,880
Speaker 5: a weird she stay on my mind.

1536
01:07:46,160 --> 01:07:49,840
Speaker 1: And then the choreography they need that, y'all don't even y'all.

1537
01:07:50,440 --> 01:07:55,000
Speaker 3: Y'all just wasn't outside, man, y'all wasn't outside.

1538
01:07:55,080 --> 01:07:58,640
Speaker 1: We did, we did watch Avon Barksdale teach them the choreography.

1539
01:07:58,960 --> 01:08:03,120
Speaker 3: But y'all wasn't there. Man, when John that video is Ralph?

1540
01:08:03,160 --> 01:08:05,280
Speaker 3: Had you pull up the video? John Ralph had the

1541
01:08:05,400 --> 01:08:07,160
Speaker 3: pitts that went into the shoe.

1542
01:08:08,160 --> 01:08:09,120
Speaker 1: I don't think that's a fair.

1543
01:08:11,560 --> 01:08:14,560
Speaker 4: It was tough with the two groups because New Audition

1544
01:08:14,720 --> 01:08:18,000
Speaker 4: has more up tempo and Boys of Men is more ballad.

1545
01:08:18,360 --> 01:08:22,080
Speaker 1: Get that you know they don't even tee and Jodicy

1546
01:08:22,320 --> 01:08:25,400
Speaker 1: is more of a versus sonically to me than New

1547
01:08:25,520 --> 01:08:26,519
Speaker 1: Edition and Boice.

1548
01:08:26,400 --> 01:08:28,519
Speaker 3: Men well versus they would be performing correct.

1549
01:08:29,000 --> 01:08:32,000
Speaker 1: Oh, then it's over. But the New Audition wins every round?

1550
01:08:32,080 --> 01:08:33,240
Speaker 1: What about? No, that's not what.

1551
01:08:36,400 --> 01:08:39,519
Speaker 3: I wanted those, my mom, the woking side with the

1552
01:08:39,640 --> 01:08:41,160
Speaker 3: no socks, with the loafers.

1553
01:08:41,240 --> 01:08:42,439
Speaker 1: I wanted to go outside with.

1554
01:08:42,520 --> 01:08:44,559
Speaker 2: Those, all right?

1555
01:08:44,760 --> 01:08:49,280
Speaker 4: All right, up tempo crowd pleasers. Round three, Let's do

1556
01:08:49,479 --> 01:08:53,519
Speaker 4: new edition. Mister telephone man, yep, boys to men Motown Philly.

1557
01:08:53,960 --> 01:08:55,280
Speaker 1: Mister tell mister telephone man.

1558
01:08:55,760 --> 01:08:57,320
Speaker 4: Yeah, I would have to go, mister Telephonia. But I

1559
01:08:57,439 --> 01:08:59,960
Speaker 4: love Motown Philly. I love Motown Philly.

1560
01:09:01,120 --> 01:09:03,519
Speaker 1: Mister telephone said, hello, can I help you?

1561
01:09:03,640 --> 01:09:06,920
Speaker 3: Please? The telephone man ain't ofvering. Y'all don't even y'all

1562
01:09:06,920 --> 01:09:09,639
Speaker 3: have land lines no more. Well, I think y'all don't

1563
01:09:09,640 --> 01:09:11,519
Speaker 3: even know what it is to have a landline. And

1564
01:09:11,680 --> 01:09:14,080
Speaker 3: y'all don't y'all don't know. Man, y'all don't know.

1565
01:09:14,320 --> 01:09:16,599
Speaker 1: You weren't trying. That was actually very close to Ralph

1566
01:09:16,840 --> 01:09:18,400
Speaker 1: impression right there. If you try that one more time

1567
01:09:18,439 --> 01:09:19,080
Speaker 1: and try to sound like.

1568
01:09:19,120 --> 01:09:21,120
Speaker 3: Ralph, No, I can't sound like bro Ralph voice is

1569
01:09:21,160 --> 01:09:22,040
Speaker 3: too high, okay.

1570
01:09:22,120 --> 01:09:23,720
Speaker 1: And that's another thing. You kind of had it a

1571
01:09:23,720 --> 01:09:25,960
Speaker 1: little bit. That's another thing. People don't look at that.

1572
01:09:26,520 --> 01:09:28,960
Speaker 3: That was whole their whole thing was catered around trying

1573
01:09:28,960 --> 01:09:30,200
Speaker 3: to sound like Jackson five.

1574
01:09:30,280 --> 01:09:32,800
Speaker 1: Yeah, for sure, Ralph was close. He wasn't Little Michael.

1575
01:09:32,800 --> 01:09:34,240
Speaker 1: I ain't gonna come on, We ain't gona getting crazy.

1576
01:09:34,280 --> 01:09:36,040
Speaker 1: No one's saying that he wasn't Little Michael, but he

1577
01:09:36,400 --> 01:09:39,920
Speaker 1: was close. He was close. Candy Rain like he was close.

1578
01:09:40,720 --> 01:09:41,519
Speaker 1: He was very close.

1579
01:09:44,320 --> 01:09:48,639
Speaker 2: I'm bend Ney, Damn Yo, you are you are Josh

1580
01:09:49,439 --> 01:09:49,880
Speaker 2: would be the.

1581
01:09:49,920 --> 01:09:52,560
Speaker 1: Most random songs that that just make it just like

1582
01:09:53,040 --> 01:09:56,719
Speaker 1: Josh Yah, you're out his music team whatsoever.

1583
01:09:57,640 --> 01:09:58,360
Speaker 2: I'm Benddney.

1584
01:09:58,520 --> 01:10:00,439
Speaker 4: Boys to Man again. This is a differ from vibe

1585
01:10:00,520 --> 01:10:06,439
Speaker 4: New Addition. Cool it now, it's a different vibe. Yeah,

1586
01:10:06,439 --> 01:10:08,599
Speaker 4: that's not that's just that's just a weird two different vibes.

1587
01:10:09,040 --> 01:10:12,640
Speaker 4: It's tough. New Edition Crucial versus Boys to Men. A

1588
01:10:12,720 --> 01:10:17,200
Speaker 4: song for Mama, New Addition Crucial versus song for Mama. No,

1589
01:10:17,920 --> 01:10:22,200
Speaker 4: you told me anything and everything me always keep it inside.

1590
01:10:22,520 --> 01:10:24,320
Speaker 4: You are the driving fortune.

1591
01:10:24,439 --> 01:10:25,960
Speaker 3: I'm about to call my mama and hold on.

1592
01:10:26,439 --> 01:10:28,000
Speaker 1: And R and B took that flow and ran with

1593
01:10:28,080 --> 01:10:31,000
Speaker 1: it too. All right, well marriage. You also have to

1594
01:10:31,040 --> 01:10:34,439
Speaker 1: add in solo ship because that versus if you're in

1595
01:10:34,520 --> 01:10:37,080
Speaker 1: a like you're playing a bunch of lock ship against

1596
01:10:37,200 --> 01:10:42,000
Speaker 1: against fab like, yeah, let's get Bobby now, let's pull.

1597
01:10:42,040 --> 01:10:45,080
Speaker 4: Some body ship. Let's get into Bobby. I said, as

1598
01:10:45,120 --> 01:10:47,479
Speaker 4: a group alone. Obviously, if you start, if you allow

1599
01:10:47,760 --> 01:10:48,800
Speaker 4: single songs.

1600
01:10:48,479 --> 01:10:50,599
Speaker 1: Like if you if you do Bobby against the Boys

1601
01:10:50,640 --> 01:10:52,840
Speaker 1: to my record, doesn't have to be solo.

1602
01:10:53,120 --> 01:10:55,160
Speaker 4: That's not But again that's why I said to keep

1603
01:10:55,200 --> 01:10:57,080
Speaker 4: it fair. I'm saying, just group, it's not fair.

1604
01:10:57,120 --> 01:11:00,920
Speaker 1: That's why we're saying New Addition is is it because

1605
01:11:01,400 --> 01:11:04,360
Speaker 1: poison could beat a bunch of poison that records.

1606
01:11:04,640 --> 01:11:07,120
Speaker 3: Yeah, that's a fact. I'm just saying. Man, JD he

1607
01:11:08,040 --> 01:11:11,000
Speaker 3: got that one right. When you first hear it, it's

1608
01:11:11,080 --> 01:11:13,920
Speaker 3: like huh. But then when you start doing we're doing

1609
01:11:13,960 --> 01:11:17,120
Speaker 3: getting into the music, like really, it's a lot of

1610
01:11:17,160 --> 01:11:20,160
Speaker 3: groups that cannot fuck with New Addition. Okay. That's why

1611
01:11:20,200 --> 01:11:22,280
Speaker 3: I'm excited that they're going on tour because I think

1612
01:11:22,320 --> 01:11:25,120
Speaker 3: this is gonna help solidify. Like, Yo, this is the

1613
01:11:25,200 --> 01:11:28,479
Speaker 3: coldest group ever in R and B ever. Like them,

1614
01:11:28,560 --> 01:11:32,280
Speaker 3: niggas had hits. They went decades with hits, Like they

1615
01:11:32,360 --> 01:11:34,599
Speaker 3: crossed from the eighties to the nineties to the early

1616
01:11:34,640 --> 01:11:35,559
Speaker 3: two thousands, like.

1617
01:11:36,000 --> 01:11:38,840
Speaker 1: With hit records. Yeah, though not even come on you

1618
01:11:38,960 --> 01:11:40,280
Speaker 1: throwing Johnny Ruby the right.

1619
01:11:40,200 --> 01:11:43,600
Speaker 2: Way my mo, ma mo.

1620
01:11:44,800 --> 01:11:47,080
Speaker 3: When that came out, when he went solo with that,

1621
01:11:47,200 --> 01:11:49,640
Speaker 3: it was like, nah, these niggas is cheating. I mean

1622
01:11:49,640 --> 01:11:52,040
Speaker 3: when everybody got a bomb. The real verses I wanted

1623
01:11:52,040 --> 01:11:55,719
Speaker 3: to do, which I know sounds laughable. But Young Jackson

1624
01:11:55,800 --> 01:11:59,240
Speaker 3: five verse, Young new Edition, I think new addition is hanging.

1625
01:12:00,240 --> 01:12:04,800
Speaker 3: Sounds kind of blasphemous. They hanging just even I don't

1626
01:12:04,800 --> 01:12:07,640
Speaker 3: know if they I don't know if they're gonna win,

1627
01:12:07,720 --> 01:12:11,439
Speaker 3: but I know good versus. I would pay to see that.

1628
01:12:11,479 --> 01:12:12,639
Speaker 1: They would, they would hang.

1629
01:12:12,920 --> 01:12:17,080
Speaker 3: Yeah, But once they start getting into them, them them

1630
01:12:17,200 --> 01:12:20,000
Speaker 3: them deep Jackson five cuts, it's like, yeah, man, just

1631
01:12:20,080 --> 01:12:22,439
Speaker 3: go ahead and leave little Michael alone. Y'all can't that

1632
01:12:23,280 --> 01:12:26,240
Speaker 3: little Michael was. Don't leave him alone when he had

1633
01:12:26,280 --> 01:12:28,360
Speaker 3: when he got the fro and he put that cowboy

1634
01:12:28,439 --> 01:12:28,680
Speaker 3: hat on.

1635
01:12:30,360 --> 01:12:32,519
Speaker 1: I'll never forget the first time boy had over a fro.

1636
01:12:32,720 --> 01:12:33,360
Speaker 2: Crazy as fuck.

1637
01:12:33,360 --> 01:12:35,719
Speaker 3: I never forget the first time I saw that on TV.

1638
01:12:35,840 --> 01:12:37,880
Speaker 3: Like I remember as a as a little kid, seeing

1639
01:12:37,880 --> 01:12:40,600
Speaker 3: Michael Jackson as a little kid, Like I understand how

1640
01:12:40,680 --> 01:12:43,080
Speaker 3: kids now that are born or like ename it with Michael.

1641
01:12:43,160 --> 01:12:45,599
Speaker 3: It's like it's something about him when you see him

1642
01:12:45,600 --> 01:12:47,200
Speaker 3: on TV as a kid, but you just can't stop

1643
01:12:47,280 --> 01:12:50,439
Speaker 3: looking at him. Yeah, because kids that are born now, Michael,

1644
01:12:50,640 --> 01:12:54,679
Speaker 3: Michael Jackson, there were ten years probably no longer longer

1645
01:12:54,680 --> 01:12:59,439
Speaker 3: than that he died ship like sixteen years sixteen oh nine.

1646
01:12:59,479 --> 01:13:00,840
Speaker 2: I don't know why thought I was five you right?

1647
01:13:01,720 --> 01:13:06,960
Speaker 1: Yeah? Uh okay, yeah, they'll hang. But I do take

1648
01:13:07,000 --> 01:13:11,240
Speaker 1: back a lot of much about coming out. I mean,

1649
01:13:11,360 --> 01:13:13,479
Speaker 1: I want you back as my ship ABC goes out

1650
01:13:13,520 --> 01:13:17,320
Speaker 1: saying I'll be there, like, I don't even know many

1651
01:13:17,439 --> 01:13:21,719
Speaker 1: songs that could beat that. Yeah, never can say goodbye

1652
01:13:23,640 --> 01:13:26,800
Speaker 1: You're loving you? John, I want to I want to

1653
01:13:26,840 --> 01:13:28,600
Speaker 1: put where you at your Who's Loving You?

1654
01:13:30,840 --> 01:13:30,880
Speaker 5: No?

1655
01:13:31,040 --> 01:13:32,840
Speaker 1: That ain't you want to be where you? Yeah? Nah,

1656
01:13:32,960 --> 01:13:35,280
Speaker 1: I'm all right. Listen, new edition is allowed, young, new

1657
01:13:35,280 --> 01:13:37,720
Speaker 1: addition is allowed on the stage with him, I'll say

1658
01:13:38,280 --> 01:13:40,120
Speaker 1: for sure. But when Mike game was that with the

1659
01:13:40,240 --> 01:13:44,000
Speaker 1: hat Who's Loving You and the Edge seller Bro Listen, man,

1660
01:13:44,160 --> 01:13:44,960
Speaker 1: y'all don't even.

1661
01:13:44,840 --> 01:13:49,479
Speaker 3: Understand what this kid in the Black household that look

1662
01:13:49,520 --> 01:13:51,240
Speaker 3: at little Michael look at him?

1663
01:13:52,720 --> 01:13:56,400
Speaker 2: Mm hmm? What the fuck you just say?

1664
01:14:00,200 --> 01:14:00,320
Speaker 3: Yo?

1665
01:14:01,800 --> 01:14:03,120
Speaker 1: That's how Bruno Mars feel.

1666
01:14:02,880 --> 01:14:05,439
Speaker 2: Like it's look mall is a name or now Ma's like.

1667
01:14:07,080 --> 01:14:11,880
Speaker 1: Performance they performances. I will never forget this, Like this

1668
01:14:12,120 --> 01:14:12,799
Speaker 1: was crazy.

1669
01:14:13,520 --> 01:14:17,840
Speaker 4: He was perfect. He was absolutely perfect. That's a different

1670
01:14:18,000 --> 01:14:22,080
Speaker 4: that's spiritual talent. That's a different type of you. Gotta

1671
01:14:22,120 --> 01:14:24,280
Speaker 4: be born. You were born, God wanted you.

1672
01:14:24,400 --> 01:14:27,200
Speaker 1: This was a chosen thing. Yeah, despite all the work

1673
01:14:27,320 --> 01:14:30,400
Speaker 1: Mike put in, no this some ship just lines up

1674
01:14:30,520 --> 01:14:32,320
Speaker 1: that you were just the chosen one for everything.

1675
01:14:32,520 --> 01:14:35,559
Speaker 2: Yeah, it's different over there, real different.

1676
01:14:35,840 --> 01:14:42,080
Speaker 1: Yeah, Mike, my uncle. Today's show is brought to you

1677
01:14:42,160 --> 01:14:45,160
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1678
01:14:45,640 --> 01:14:45,880
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1679
01:14:46,040 --> 01:14:49,200
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1680
01:14:49,400 --> 01:14:53,200
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1681
01:14:53,320 --> 01:14:55,519
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1682
01:14:55,840 --> 01:14:58,760
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1690
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1691
01:15:20,520 --> 01:15:23,920
Speaker 1: I'm usually betting on the Knicks, but with Jalen down.

1692
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Speaker 3: It changes things a little bit.

1693
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Speaker 1: Oh yeah, yeah, yeah, betting against my guys hurts, but yeah,

1694
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1695
01:15:31,960 --> 01:15:32,519
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1696
01:15:32,560 --> 01:15:34,320
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1697
01:15:34,360 --> 01:15:37,240
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1699
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1700
01:15:41,320 --> 01:15:43,680
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1701
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1702
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1704
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1705
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1706
01:15:59,000 --> 01:16:01,760
Speaker 3: concerned about gambling in Florida called one A three three

1707
01:16:01,840 --> 01:16:04,080
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1708
01:16:04,200 --> 01:16:06,680
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1709
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1710
01:16:09,680 --> 01:16:15,479
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1711
01:16:22,680 --> 01:16:24,680
Speaker 2: But you're gonna go into voicemails actually.

1712
01:16:24,880 --> 01:16:27,320
Speaker 3: For sure, we have a voicemail from little Michael.

1713
01:16:30,560 --> 01:16:34,760
Speaker 1: Should we change the voicemail segment to mister telephone man?

1714
01:16:35,280 --> 01:16:38,400
Speaker 1: There you go, sponsor. This is mister telephone Man sponsored

1715
01:16:38,400 --> 01:16:39,120
Speaker 1: by Boost Mobile.

1716
01:16:39,280 --> 01:16:40,120
Speaker 3: You've got mail.

1717
01:16:41,000 --> 01:16:43,720
Speaker 7: Got a question for the pie. So what was your

1718
01:16:43,920 --> 01:16:48,759
Speaker 7: childhood stereotype? Because everybody knew those kids that fit something,

1719
01:16:49,360 --> 01:16:52,639
Speaker 7: whether it was the snot nos kid you know five

1720
01:16:52,720 --> 01:16:54,840
Speaker 7: years old, let's not just running down his nose, like,

1721
01:16:55,000 --> 01:16:55,280
Speaker 7: come on.

1722
01:16:55,360 --> 01:17:00,120
Speaker 1: Now, wipe your nose, bro. Then you got the rage crier, the.

1723
01:17:00,160 --> 01:17:03,519
Speaker 7: One that puff and puff as soon as them tears

1724
01:17:03,600 --> 01:17:06,800
Speaker 7: start bron they scream and yell and they ready to

1725
01:17:06,880 --> 01:17:10,080
Speaker 7: fight somebody. Then you got the little girl, you know,

1726
01:17:10,320 --> 01:17:13,040
Speaker 7: just struggling with them little eight bowl reds in the head.

1727
01:17:13,120 --> 01:17:15,000
Speaker 1: You know that type of stuff.

1728
01:17:15,800 --> 01:17:19,080
Speaker 7: Me, I was the cousin that nobody wanted to sleep

1729
01:17:19,160 --> 01:17:22,120
Speaker 7: next to because I pissed into bed. I appreciate the

1730
01:17:22,200 --> 01:17:25,920
Speaker 7: point where in my family be like little by going

1731
01:17:25,960 --> 01:17:28,800
Speaker 7: there and use the bathroom. And if you piss on

1732
01:17:28,920 --> 01:17:34,800
Speaker 7: yourself tonight, I'm being your ass. But anyway, my question

1733
01:17:35,040 --> 01:17:37,640
Speaker 7: is for y'all, what was y'all stereotype?

1734
01:17:40,280 --> 01:17:42,679
Speaker 3: I mean I stopped peeing the bed pretty young, pretty early,

1735
01:17:43,680 --> 01:17:46,880
Speaker 3: So that wasn't that. I was never a snotty nosed

1736
01:17:46,960 --> 01:17:49,479
Speaker 3: kid running around with boogers. It's never that.

1737
01:17:52,240 --> 01:17:52,640
Speaker 1: I don't know.

1738
01:17:53,400 --> 01:17:55,919
Speaker 3: Maybe I was just was always just I was real talkative.

1739
01:17:55,920 --> 01:17:57,639
Speaker 3: I was always running my mouth.

1740
01:17:58,360 --> 01:18:00,720
Speaker 1: It was loud. Maybe I thought you might have been

1741
01:18:00,840 --> 01:18:04,439
Speaker 1: like the you know, the chill baby, like it's leg

1742
01:18:04,600 --> 01:18:06,360
Speaker 1: up against the wall, like I feel like your whole life.

1743
01:18:06,400 --> 01:18:08,160
Speaker 1: He was just like, oh no, it's just chilling as

1744
01:18:08,200 --> 01:18:09,719
Speaker 1: a baby like this and that, not as.

1745
01:18:09,640 --> 01:18:12,479
Speaker 3: A baby like that was like around like eight nine

1746
01:18:12,520 --> 01:18:13,040
Speaker 3: teen years old.

1747
01:18:13,160 --> 01:18:15,040
Speaker 4: Ma gave me like the flirty baby, you know, the

1748
01:18:15,080 --> 01:18:18,200
Speaker 4: little babies that's always in women's faces, like baby.

1749
01:18:18,320 --> 01:18:21,519
Speaker 1: Since I got in trouble because I remember, I don't

1750
01:18:21,560 --> 01:18:22,120
Speaker 1: know who it was.

1751
01:18:22,800 --> 01:18:24,360
Speaker 3: One of my mother's friends came out and she had

1752
01:18:24,360 --> 01:18:27,880
Speaker 3: like this long sun dress on, and like I just

1753
01:18:27,960 --> 01:18:30,360
Speaker 3: kept looking at it, and I went under her dress,

1754
01:18:30,439 --> 01:18:33,040
Speaker 3: like I picked her dress up and like went under

1755
01:18:33,080 --> 01:18:34,960
Speaker 3: her dress and was like just standing there just like

1756
01:18:35,040 --> 01:18:35,519
Speaker 3: looking at her.

1757
01:18:35,560 --> 01:18:38,560
Speaker 1: But I'll never forget that. And my mother's like, I

1758
01:18:38,600 --> 01:18:39,880
Speaker 1: don't know what it was like what caused me to

1759
01:18:40,000 --> 01:18:41,000
Speaker 1: It wasn't like a perverted thing.

1760
01:18:41,040 --> 01:18:42,280
Speaker 3: It was just I was looking at the dress when

1761
01:18:42,280 --> 01:18:43,840
Speaker 3: she was walking in the house, and I remember I

1762
01:18:43,920 --> 01:18:45,880
Speaker 3: just went like this, Little boys do that a lot.

1763
01:18:46,000 --> 01:18:46,960
Speaker 2: They do that so much.

1764
01:18:47,320 --> 01:18:50,519
Speaker 1: Word, I wasn't the first. My my uncle's made me

1765
01:18:50,600 --> 01:18:52,280
Speaker 1: do that at I don't have a memory of it.

1766
01:18:52,360 --> 01:18:54,720
Speaker 1: They just tell the story my uncles convinced me to

1767
01:18:54,800 --> 01:18:58,120
Speaker 1: do that at a family member's wedding, to go on

1768
01:18:58,200 --> 01:18:59,160
Speaker 1: somebody's dress fries.

1769
01:19:00,600 --> 01:19:01,639
Speaker 2: Oh, your uncles are terrible.

1770
01:19:01,680 --> 01:19:07,439
Speaker 1: People are horrible. I told you guys about the group chat. Yeah,

1771
01:19:07,560 --> 01:19:08,680
Speaker 1: I don't think. Yeah, that was it.

1772
01:19:08,800 --> 01:19:10,439
Speaker 3: I was just like the I might have been that,

1773
01:19:10,840 --> 01:19:11,640
Speaker 3: if anything, I was that.

1774
01:19:12,120 --> 01:19:13,640
Speaker 4: It was so funny that he said that because the

1775
01:19:13,680 --> 01:19:15,519
Speaker 4: moment he started talking like the moment he mentioned that,

1776
01:19:15,560 --> 01:19:17,639
Speaker 4: I started laughing because me and my dad were having

1777
01:19:17,680 --> 01:19:19,640
Speaker 4: a long conversation yesterday when we were hanging out, and

1778
01:19:20,120 --> 01:19:22,280
Speaker 4: we literally were talking about the fact that I was

1779
01:19:22,320 --> 01:19:26,240
Speaker 4: the bier, I was the kidnapping. I bit a hole

1780
01:19:26,320 --> 01:19:28,120
Speaker 4: through my cousin. Shout out to my cousin Desa. I

1781
01:19:28,200 --> 01:19:29,920
Speaker 4: bit a hole through my cousin Dasa's lip when she

1782
01:19:30,000 --> 01:19:31,719
Speaker 4: was a kid. She still has the scar as an adult,

1783
01:19:31,720 --> 01:19:33,080
Speaker 4: and every time she see me, she bring up that

1784
01:19:33,160 --> 01:19:35,640
Speaker 4: damn Scar, I was a bier, and you know it's

1785
01:19:35,640 --> 01:19:37,800
Speaker 4: so crazy. As an adult, when I get angry, my

1786
01:19:37,880 --> 01:19:40,200
Speaker 4: first instinct I want to bite people. Granted, because I'm

1787
01:19:40,200 --> 01:19:42,519
Speaker 4: an adult, I have to like control that urge, but

1788
01:19:42,640 --> 01:19:45,040
Speaker 4: when I'm really really upset or hungry, I want to

1789
01:19:45,040 --> 01:19:45,519
Speaker 4: bite somebody.

1790
01:19:45,640 --> 01:19:47,519
Speaker 1: At your age, now, when was the last time that

1791
01:19:47,640 --> 01:19:50,280
Speaker 1: you had that urge to bite somebody in anger?

1792
01:19:50,560 --> 01:19:50,880
Speaker 6: I do that.

1793
01:19:51,080 --> 01:19:53,040
Speaker 4: I wanted to bite you last week. I literally like,

1794
01:19:53,080 --> 01:19:55,200
Speaker 4: when I get upset, I want to bite people. I

1795
01:19:55,400 --> 01:19:58,320
Speaker 4: bit I bit my boyfriend, I broke skin, like I'm

1796
01:19:58,360 --> 01:20:00,400
Speaker 4: a bier white people.

1797
01:20:00,560 --> 01:20:04,679
Speaker 3: That is crazy, you know, that's like a problem, that's

1798
01:20:04,800 --> 01:20:06,719
Speaker 3: really angry. They were supposed to take.

1799
01:20:06,560 --> 01:20:08,320
Speaker 1: You to the special class when you were a kid,

1800
01:20:08,439 --> 01:20:10,320
Speaker 1: like and like you got lipon space camp. Yeah, like

1801
01:20:10,360 --> 01:20:12,599
Speaker 1: biting you was a bite too. I told the story

1802
01:20:12,640 --> 01:20:15,160
Speaker 1: how I got a kicked out of takecare. I pushed

1803
01:20:15,200 --> 01:20:17,639
Speaker 1: the kid down the steps and middlem and my mother

1804
01:20:17,680 --> 01:20:19,559
Speaker 1: picked me up, drove me past where my dad worked,

1805
01:20:19,800 --> 01:20:22,320
Speaker 1: just to like threatening scare me, Like when he get home,

1806
01:20:23,800 --> 01:20:25,479
Speaker 1: what did that? What did what did you you think

1807
01:20:25,520 --> 01:20:27,439
Speaker 1: you learned that from though, because that's like a that

1808
01:20:27,560 --> 01:20:29,600
Speaker 1: has to be a learned thing like kids don't just

1809
01:20:29,720 --> 01:20:29,920
Speaker 1: do that.

1810
01:20:30,160 --> 01:20:32,960
Speaker 4: I never There was never anybody else around that bit.

1811
01:20:33,120 --> 01:20:34,439
Speaker 4: My parents didn't bite me.

1812
01:20:34,680 --> 01:20:38,839
Speaker 3: The kids say, because I mean, you used to identify

1813
01:20:38,920 --> 01:20:40,280
Speaker 3: the kids that would bite us. They had like the

1814
01:20:40,560 --> 01:20:43,000
Speaker 3: silver caps on their teeth, like the white they guy.

1815
01:20:42,880 --> 01:20:47,040
Speaker 1: To give vin ears. It's just from the years of biting. Yeah, yeah,

1816
01:20:47,120 --> 01:20:49,120
Speaker 1: like a bitter Yeah I was. I was.

1817
01:20:49,200 --> 01:20:51,320
Speaker 2: I was the bier kid like I bit other kids.

1818
01:20:52,360 --> 01:20:54,439
Speaker 4: I have cousins. My cousins were like. I had one

1819
01:20:54,479 --> 01:20:56,719
Speaker 4: cousin who was a scratcher like she and her nails

1820
01:20:56,800 --> 01:20:59,280
Speaker 4: from a young kid. She used her nails used to

1821
01:20:59,280 --> 01:21:01,200
Speaker 4: be so long, and my mother used to used to like,

1822
01:21:01,280 --> 01:21:03,880
Speaker 4: don't fight with her because she was scratched. Like I

1823
01:21:03,920 --> 01:21:05,639
Speaker 4: would come of scratches on my face. When we would

1824
01:21:05,640 --> 01:21:07,720
Speaker 4: play fight or real fight, she would scratch me.

1825
01:21:08,000 --> 01:21:10,840
Speaker 1: That was my sister's go to when we used to fight.

1826
01:21:11,120 --> 01:21:12,960
Speaker 1: She used to scratch the ship out of me. Old.

1827
01:21:13,000 --> 01:21:14,479
Speaker 3: I still got scars on my off for my sisters.

1828
01:21:14,520 --> 01:21:15,240
Speaker 3: Let me and my sister fight.

1829
01:21:15,280 --> 01:21:17,400
Speaker 1: When we was kid, My older cousin, Mike, used to

1830
01:21:17,680 --> 01:21:19,760
Speaker 1: bite the top of my head right here.

1831
01:21:19,920 --> 01:21:20,600
Speaker 2: He is psychopath.

1832
01:21:20,720 --> 01:21:24,200
Speaker 1: I don't think there's a a worst pain on her

1833
01:21:24,280 --> 01:21:25,680
Speaker 1: to all the youth, because we have a lot of

1834
01:21:25,720 --> 01:21:27,320
Speaker 1: youth to listen to us. If you want to get

1835
01:21:27,360 --> 01:21:29,719
Speaker 1: back at one of your family members with the most

1836
01:21:29,800 --> 01:21:33,200
Speaker 1: excruciating pain of all time, just lock like right here,

1837
01:21:33,439 --> 01:21:35,679
Speaker 1: just put top of your your jaw right here, bottom

1838
01:21:35,760 --> 01:21:37,200
Speaker 1: right here. It's the worst pain on all time.

1839
01:21:37,320 --> 01:21:39,639
Speaker 2: Oh he bitch your soft spot. Yeah, that's awful.

1840
01:21:39,920 --> 01:21:42,759
Speaker 1: It hurts so much. And even like as adults, sometimes

1841
01:21:42,800 --> 01:21:44,360
Speaker 1: he would do it just to fuck with me, like, hey,

1842
01:21:44,479 --> 01:21:47,080
Speaker 1: remember this and remember this is crazy.

1843
01:21:47,120 --> 01:21:50,880
Speaker 3: It's an adult. I'm calling the police. No, first of all,

1844
01:21:50,960 --> 01:21:51,639
Speaker 3: don't around.

1845
01:21:51,960 --> 01:21:54,879
Speaker 1: Don't and the police would like to talk to you downstairs,

1846
01:21:54,960 --> 01:21:58,280
Speaker 1: like go outside, fucking bite me as it would hurt

1847
01:21:58,439 --> 01:21:58,720
Speaker 1: so much.

1848
01:21:58,760 --> 01:21:59,960
Speaker 2: Were you one of them kids I used to flip

1849
01:22:00,040 --> 01:22:01,200
Speaker 2: their eyelids inside.

1850
01:22:01,880 --> 01:22:02,560
Speaker 3: I never did that.

1851
01:22:03,720 --> 01:22:05,519
Speaker 1: Of course it was Peach. She's like that was me.

1852
01:22:06,080 --> 01:22:07,240
Speaker 1: My best friend did that.

1853
01:22:07,600 --> 01:22:10,360
Speaker 4: I never like like that shit, just like it hurt

1854
01:22:10,600 --> 01:22:12,720
Speaker 4: because they say or when like I used to go

1855
01:22:12,760 --> 01:22:14,280
Speaker 4: cross side my parents, was like your I was gonna

1856
01:22:14,280 --> 01:22:15,920
Speaker 4: get stuck like that and it neared me.

1857
01:22:16,080 --> 01:22:17,760
Speaker 1: The kids that were able to do that with their

1858
01:22:17,800 --> 01:22:21,559
Speaker 1: eyelids now can open a beer with their teeth. It's

1859
01:22:21,560 --> 01:22:22,800
Speaker 1: the same person. You know.

1860
01:22:23,040 --> 01:22:24,599
Speaker 3: One thing I used to hate and like my cousin

1861
01:22:24,680 --> 01:22:26,040
Speaker 3: used to do it to me every time I saw

1862
01:22:26,479 --> 01:22:27,320
Speaker 3: crack your knuckles.

1863
01:22:28,240 --> 01:22:30,040
Speaker 1: I never understood how kids used to be sitting in

1864
01:22:30,080 --> 01:22:33,200
Speaker 1: the class. I did that my whole life. I still do.

1865
01:22:33,320 --> 01:22:36,920
Speaker 3: I never understood that the sound, the sound drives me crazy.

1866
01:22:36,960 --> 01:22:37,880
Speaker 3: The feeling drives me crazy.

1867
01:22:37,960 --> 01:22:39,960
Speaker 4: When I just went to get a massage recently, the

1868
01:22:40,080 --> 01:22:42,120
Speaker 4: lady when she was massage on my feet, she pulled

1869
01:22:42,160 --> 01:22:43,000
Speaker 4: and cracked my toes.

1870
01:22:43,280 --> 01:22:44,840
Speaker 2: I kicked her at, don't ever what.

1871
01:22:44,880 --> 01:22:45,479
Speaker 1: A great feeling.

1872
01:22:45,680 --> 01:22:46,400
Speaker 2: Don't ever do that.

1873
01:22:46,720 --> 01:22:49,120
Speaker 3: Toes is tough to crack, but I cracked my I

1874
01:22:49,240 --> 01:22:51,360
Speaker 3: cracked my toes, like when I'm in the crib relaxing,

1875
01:22:51,600 --> 01:22:53,080
Speaker 3: but cracking your hands.

1876
01:22:52,880 --> 01:22:56,160
Speaker 2: Though, thinking of them all sitting in his crib, because

1877
01:22:56,160 --> 01:22:56,800
Speaker 2: you could just do that.

1878
01:22:56,800 --> 01:22:58,519
Speaker 1: Shit yourself, like you know what I'm saying, Like, but

1879
01:22:58,640 --> 01:22:59,719
Speaker 1: like doing this in class?

1880
01:23:00,120 --> 01:23:00,280
Speaker 6: You do?

1881
01:23:00,760 --> 01:23:01,160
Speaker 7: What do you do?

1882
01:23:01,320 --> 01:23:01,920
Speaker 2: Hate this sound?

1883
01:23:02,160 --> 01:23:04,200
Speaker 1: It's bad for you too, Like it does lead to

1884
01:23:04,320 --> 01:23:07,160
Speaker 1: arthritis and ship like you shouldn't do it, and I

1885
01:23:07,360 --> 01:23:08,560
Speaker 1: do that ship all the time. Yeah it's not And

1886
01:23:08,640 --> 01:23:10,559
Speaker 1: I've read your knuckles does lead to that ship.

1887
01:23:10,600 --> 01:23:12,800
Speaker 3: But I've read that it's not even your knuckles that's cracked,

1888
01:23:12,840 --> 01:23:15,880
Speaker 3: and it's just like air in between you're like points

1889
01:23:15,920 --> 01:23:19,800
Speaker 3: and ship. That's just like, yeah, I was never a

1890
01:23:19,840 --> 01:23:20,240
Speaker 3: fan of that.

1891
01:23:20,600 --> 01:23:22,679
Speaker 1: I could find any I know how to do every

1892
01:23:22,840 --> 01:23:23,479
Speaker 1: every last one?

1893
01:23:23,920 --> 01:23:26,240
Speaker 2: Wait, Amara got like a is Amara? Does she fit

1894
01:23:26,280 --> 01:23:27,200
Speaker 2: into a stereotype?

1895
01:23:28,560 --> 01:23:32,439
Speaker 1: Amara pushes and she started to bite. She doesn't bite me.

1896
01:23:33,680 --> 01:23:35,960
Speaker 1: I'm exept for some reason of all of her like

1897
01:23:36,640 --> 01:23:40,599
Speaker 1: bad traits, she doesn't do it. She says push when

1898
01:23:40,640 --> 01:23:43,560
Speaker 1: she pushes, which I think is like cute, but I

1899
01:23:43,640 --> 01:23:48,000
Speaker 1: tell her people's like you're trying to disciplining your kid

1900
01:23:48,040 --> 01:23:51,960
Speaker 1: and laughing to say, like, don't do that. She's letting you, Amara,

1901
01:23:52,080 --> 01:23:54,760
Speaker 1: don't do that. She's letting you know what next move.

1902
01:23:55,160 --> 01:23:56,880
Speaker 1: She's like, you know I'm about to push you, so

1903
01:23:57,040 --> 01:23:59,720
Speaker 1: like prepare yourself. Should exchange baby shark for forty eight

1904
01:23:59,760 --> 01:24:03,000
Speaker 1: laws power, Like stop you telling everyone your next move?

1905
01:24:04,240 --> 01:24:06,439
Speaker 1: A lot of people like that. She's been biting though,

1906
01:24:06,479 --> 01:24:08,600
Speaker 1: but like not in an aggressive way, but like in

1907
01:24:08,840 --> 01:24:11,200
Speaker 1: a funny way, a little nibble, yeah, like whether her

1908
01:24:11,240 --> 01:24:13,640
Speaker 1: mom shall bite, but not not an aggressive way at all.

1909
01:24:14,280 --> 01:24:15,439
Speaker 2: Well, you must not taste good.

1910
01:24:16,360 --> 01:24:19,360
Speaker 1: She's never tried to bite me what her.

1911
01:24:19,280 --> 01:24:22,400
Speaker 4: Mom risk probably tastes good, like, probably don't want to

1912
01:24:22,400 --> 01:24:22,840
Speaker 4: buy I.

1913
01:24:22,840 --> 01:24:24,839
Speaker 1: Got the salty one. Yeah it's crazy.

1914
01:24:25,920 --> 01:24:28,000
Speaker 4: But forty eight Laws of Power. You were asking why

1915
01:24:28,040 --> 01:24:29,200
Speaker 4: people like that book so much?

1916
01:24:29,800 --> 01:24:31,000
Speaker 3: I never understand how people like that.

1917
01:24:31,320 --> 01:24:31,920
Speaker 2: Have you ever read it?

1918
01:24:32,200 --> 01:24:32,400
Speaker 3: Yeah?

1919
01:24:33,400 --> 01:24:34,160
Speaker 1: I read it before too.

1920
01:24:34,360 --> 01:24:36,840
Speaker 3: It's just manipulation, Like why do people want to learn

1921
01:24:36,920 --> 01:24:37,519
Speaker 3: how to manipulate?

1922
01:24:37,640 --> 01:24:40,799
Speaker 2: Well, manipulation gets you very far in life, coming from.

1923
01:24:40,680 --> 01:24:42,320
Speaker 1: And being solid get your fall in life too.

1924
01:24:42,920 --> 01:24:45,200
Speaker 4: Being solid, dude, don't get you far in the manipulation.

1925
01:24:45,560 --> 01:24:48,599
Speaker 4: Being solid gets you blessings. Manipulation, but that's.

1926
01:24:48,439 --> 01:24:50,799
Speaker 3: What I want. I don't want what come up, manipulation?

1927
01:24:51,040 --> 01:24:51,880
Speaker 3: Show me all the blessed?

1928
01:24:52,080 --> 01:24:52,320
Speaker 6: I was?

1929
01:24:52,800 --> 01:24:54,400
Speaker 1: Was it? During the press run in my mom? I

1930
01:24:54,439 --> 01:24:56,240
Speaker 1: did a podcast where we talked about forty Laws of

1931
01:24:56,240 --> 01:24:57,880
Speaker 1: Power and I said the exact same thing that you

1932
01:24:58,040 --> 01:24:59,840
Speaker 1: just said that When I was reading it, I was

1933
01:25:00,080 --> 01:25:02,280
Speaker 1: kind of like turned off by it, like this is

1934
01:25:02,439 --> 01:25:03,519
Speaker 1: like this is bad.

1935
01:25:03,800 --> 01:25:05,679
Speaker 3: You're like when I say this is like I remember

1936
01:25:05,720 --> 01:25:07,160
Speaker 3: going to a girl's house when she had it like

1937
01:25:07,200 --> 01:25:08,960
Speaker 3: on coffee table, and that just was like I was like,

1938
01:25:09,240 --> 01:25:09,880
Speaker 3: I was like, you like that.

1939
01:25:10,680 --> 01:25:12,040
Speaker 1: She didn't know why I was asking, but I knew

1940
01:25:12,040 --> 01:25:12,559
Speaker 1: why I was asking.

1941
01:25:12,720 --> 01:25:14,000
Speaker 3: She was like, I love that book. I was just like,

1942
01:25:14,200 --> 01:25:14,840
Speaker 3: you'll never.

1943
01:25:14,800 --> 01:25:15,360
Speaker 1: See me again.

1944
01:25:15,520 --> 01:25:17,200
Speaker 4: Well, see, I don't think that that's fair though, because

1945
01:25:17,200 --> 01:25:18,920
Speaker 4: I think that, Well, now I feel bad because when

1946
01:25:18,960 --> 01:25:19,920
Speaker 4: I was reading forty eight Laws of.

1947
01:25:19,880 --> 01:25:21,960
Speaker 2: Power, I was like, oh, I already know all that shit.

1948
01:25:22,320 --> 01:25:25,720
Speaker 4: But with forty eight Laws of Power, it depends on

1949
01:25:25,840 --> 01:25:28,200
Speaker 4: where you apply it, because there's some places that you

1950
01:25:28,360 --> 01:25:31,360
Speaker 4: shouldn't apply manipulation. Granted, we manipulate in every area of

1951
01:25:31,400 --> 01:25:34,240
Speaker 4: our lives. No one is above manipulation, whether you're trying

1952
01:25:34,280 --> 01:25:37,519
Speaker 4: to do it intentionally or not. But I think it

1953
01:25:37,640 --> 01:25:40,280
Speaker 4: was originally well maybe it's not originally, but I know

1954
01:25:40,320 --> 01:25:44,320
Speaker 4: a lot of people use it for business, for negotiation purpose.

1955
01:25:44,200 --> 01:25:45,719
Speaker 2: For sure, and that makes sense.

1956
01:25:45,800 --> 01:25:48,200
Speaker 1: You have to be like that for sure. But a

1957
01:25:48,240 --> 01:25:51,520
Speaker 1: lot of that book is really based on your relationships

1958
01:25:51,560 --> 01:25:54,559
Speaker 1: with people. Yeah, it can be, it can be put

1959
01:25:54,640 --> 01:25:55,519
Speaker 1: into business.

1960
01:25:55,600 --> 01:25:57,800
Speaker 3: For I read that, sh I was like, now I

1961
01:25:57,880 --> 01:26:00,479
Speaker 3: see why. I was never as like I got the

1962
01:26:00,520 --> 01:26:02,439
Speaker 3: way When it was like forty of Power, I was

1963
01:26:02,520 --> 01:26:02,720
Speaker 3: just like.

1964
01:26:03,840 --> 01:26:11,040
Speaker 1: Works I read. I was like, read, Unfortunately it does work.

1965
01:26:11,080 --> 01:26:13,760
Speaker 4: It studies the way that people are and how they

1966
01:26:13,840 --> 01:26:16,160
Speaker 4: react to certain things, and you can make people do

1967
01:26:16,280 --> 01:26:17,800
Speaker 4: what you want them to do and react the way

1968
01:26:17,800 --> 01:26:20,680
Speaker 4: you want them to react in certain situations if you

1969
01:26:20,760 --> 01:26:24,440
Speaker 4: pay attention to if you master the power of manipulation.

1970
01:26:24,560 --> 01:26:28,000
Speaker 4: The artist Seduction I read is very very well, very

1971
01:26:28,040 --> 01:26:29,559
Speaker 4: good as well. I read that as a younger woman.

1972
01:26:29,560 --> 01:26:30,800
Speaker 4: I'm reading again as a older woman.

1973
01:26:30,880 --> 01:26:34,320
Speaker 1: But I haven't read that, But I do understand books

1974
01:26:34,360 --> 01:26:38,600
Speaker 1: like forty Laws of Power and uh, everything that Machiavelli

1975
01:26:38,680 --> 01:26:41,200
Speaker 1: wrote is popular in prisons because you're in an environment

1976
01:26:41,280 --> 01:26:45,559
Speaker 1: where manipulation may be survival wore. Yeah, Like I get

1977
01:26:45,760 --> 01:26:49,280
Speaker 1: that in certain environments people are in. But yeah, if

1978
01:26:49,280 --> 01:26:51,160
Speaker 1: you're reading that just to manipulate the people around you,

1979
01:26:51,640 --> 01:26:53,559
Speaker 1: that's a that's a deeper, darker thing that you need

1980
01:26:53,640 --> 01:26:58,920
Speaker 1: to like probably deal with. But yeah, I forgot what

1981
01:26:59,000 --> 01:27:01,160
Speaker 1: podcast it was, but I had the same thought. I

1982
01:27:01,240 --> 01:27:03,559
Speaker 1: was like, why did everyone love this? This is never

1983
01:27:03,640 --> 01:27:04,280
Speaker 1: really that.

1984
01:27:04,600 --> 01:27:07,280
Speaker 3: I never understood how people loved that book. That's just like,

1985
01:27:08,080 --> 01:27:10,000
Speaker 3: look at people a little diferent, like forty Loads of Power.

1986
01:27:10,000 --> 01:27:15,360
Speaker 3: I'll be like, no, not to ever watch that, nigga, watch.

1987
01:27:15,200 --> 01:27:17,160
Speaker 1: It really, you know, it's actually, you know, it's a

1988
01:27:17,200 --> 01:27:20,920
Speaker 1: really good book, fifty Laws of Power by fifty cent

1989
01:27:21,160 --> 01:27:23,040
Speaker 1: and it's not really about manipulation. It's just how to

1990
01:27:23,160 --> 01:27:25,320
Speaker 1: move in business and the examples that he used throughout

1991
01:27:25,360 --> 01:27:27,400
Speaker 1: his career. Fifty Laws of Power is a really really

1992
01:27:27,439 --> 01:27:31,160
Speaker 1: good book that I would suggest people. I mean the

1993
01:27:31,200 --> 01:27:33,519
Speaker 1: audiobook is great too. It's fifty just talking to you,

1994
01:27:33,640 --> 01:27:34,160
Speaker 1: so it's funny.

1995
01:27:35,160 --> 01:27:38,240
Speaker 3: Oh now that okay, that's different. I could definitely shit

1996
01:27:38,280 --> 01:27:39,400
Speaker 3: and listen to fifty just read.

1997
01:27:39,479 --> 01:27:42,439
Speaker 1: No, but it's super important. It's not like it's a

1998
01:27:42,520 --> 01:27:46,040
Speaker 1: very serious book. It's really a good business type man.

1999
01:27:46,439 --> 01:27:48,759
Speaker 1: But it's fifty talking like how he's talking and raising Kanaan.

2000
01:27:50,120 --> 01:27:52,120
Speaker 1: Sometimes it slips in. Yeah, okay.

2001
01:27:52,600 --> 01:27:55,280
Speaker 4: There's not many books that I will say change my life,

2002
01:27:55,400 --> 01:27:58,160
Speaker 4: like self help books, but the Art of Science, Art

2003
01:27:58,200 --> 01:28:02,679
Speaker 4: and Science of Respect by Jay Prince changed my life.

2004
01:28:02,680 --> 01:28:05,040
Speaker 1: I remember shout out to jazz Fly, yeah, rest and

2005
01:28:05,040 --> 01:28:05,680
Speaker 1: pieces of jazz Fly.

2006
01:28:07,400 --> 01:28:10,000
Speaker 4: Just to summarize real quick a chapter he had where

2007
01:28:10,000 --> 01:28:12,560
Speaker 4: he was like, you know, to reach my goals, I

2008
01:28:12,640 --> 01:28:15,240
Speaker 4: wrote them down, and everything I did from then on

2009
01:28:15,479 --> 01:28:17,360
Speaker 4: or everything I did in my day to day I

2010
01:28:17,479 --> 01:28:19,800
Speaker 4: had to ask myself the question of is does this

2011
01:28:19,960 --> 01:28:20,920
Speaker 4: contribute to my goal?

2012
01:28:21,040 --> 01:28:22,720
Speaker 2: If not, I needed I did. I needed to not

2013
01:28:22,840 --> 01:28:23,240
Speaker 2: be doing it.

2014
01:28:23,479 --> 01:28:25,280
Speaker 4: And that was from the moment I opened my eyes

2015
01:28:25,320 --> 01:28:27,760
Speaker 4: to the moment I closed them, every single move I made.

2016
01:28:27,880 --> 01:28:30,400
Speaker 2: Does this contribute to my goals? If not, then I

2017
01:28:30,479 --> 01:28:32,080
Speaker 2: don't need to be doing this. It's a waste of

2018
01:28:32,160 --> 01:28:32,519
Speaker 2: my time.

2019
01:28:33,240 --> 01:28:35,920
Speaker 4: Which can be a little intense, right, But some people

2020
01:28:36,000 --> 01:28:38,760
Speaker 4: work well with intents, so I don't know.

2021
01:28:39,040 --> 01:28:39,840
Speaker 2: I really liked that book.

2022
01:28:39,840 --> 01:28:40,000
Speaker 1: It was.

2023
01:28:40,080 --> 01:28:42,639
Speaker 2: It was really good. No matter how you feel about

2024
01:28:42,720 --> 01:28:44,280
Speaker 2: Jay Prince, I do think it's one worth three.

2025
01:28:46,160 --> 01:28:47,240
Speaker 1: He's sitting right next to us.

2026
01:28:48,400 --> 01:28:49,400
Speaker 2: He's so disrespectful.

2027
01:28:49,680 --> 01:28:53,200
Speaker 1: What did I do? Not all black people look like? Worry? Oh,

2028
01:28:53,600 --> 01:28:54,880
Speaker 1: I know, I agree with you, but you and j

2029
01:28:55,000 --> 01:29:01,080
Speaker 1: Prince look like don't like what I like? I do.

2030
01:29:01,200 --> 01:29:06,840
Speaker 1: I hear what you're saying, but nah. I'm actually currently

2031
01:29:06,960 --> 01:29:12,800
Speaker 1: reading the book Rework, which focuses on the way in

2032
01:29:12,920 --> 01:29:18,879
Speaker 1: which you're productive, where overworking sometimes can lead to less production.

2033
01:29:19,760 --> 01:29:22,680
Speaker 1: It's called Rework. It's it's it's really interesting. I just

2034
01:29:22,720 --> 01:29:25,760
Speaker 1: started it, so I can't give a full review, but

2035
01:29:25,800 --> 01:29:27,559
Speaker 1: I've enjoyed it so far. But it does. It focuses

2036
01:29:27,720 --> 01:29:32,320
Speaker 1: on how you structure your work schedule, and that overworking

2037
01:29:32,439 --> 01:29:35,160
Speaker 1: is is probably a bad idea when it comes to

2038
01:29:35,240 --> 01:29:36,720
Speaker 1: being productive more or less.

2039
01:29:37,000 --> 01:29:42,040
Speaker 2: Okay, Mal, are you currently reading anything? You should we

2040
01:29:42,040 --> 01:29:42,960
Speaker 2: should start a book club.

2041
01:29:42,960 --> 01:29:44,599
Speaker 4: I'm currently reading, Like I told you guys earlier, I'm

2042
01:29:44,600 --> 01:29:46,800
Speaker 4: currently reading All about Love by belt Hooks, which is

2043
01:29:46,920 --> 01:29:51,479
Speaker 4: a study of love, but in an intellectual way, not

2044
01:29:51,640 --> 01:29:54,840
Speaker 4: an emotional way. And she talks a lot about how

2045
01:29:55,320 --> 01:29:57,439
Speaker 4: a lot of us idea a lot of our ideas

2046
01:29:57,520 --> 01:29:59,880
Speaker 4: of love come from what our parents showed us. But

2047
01:30:00,040 --> 01:30:01,840
Speaker 4: a lot of what our parents showed us is again

2048
01:30:02,680 --> 01:30:05,960
Speaker 4: care and affection but not love is a verb because

2049
01:30:06,040 --> 01:30:10,720
Speaker 4: love and abuse can can't coexist, love and negligence can't coexist.

2050
01:30:10,840 --> 01:30:13,960
Speaker 4: So it's just a way to read look at love

2051
01:30:14,080 --> 01:30:17,880
Speaker 4: because a lot of us want we all wanted, but

2052
01:30:17,960 --> 01:30:20,320
Speaker 4: it's not studied the way other things that we all

2053
01:30:20,400 --> 01:30:21,679
Speaker 4: want is studied.

2054
01:30:21,800 --> 01:30:24,720
Speaker 1: So I would be down to do a podcast like

2055
01:30:25,840 --> 01:30:28,240
Speaker 1: book club with the listeners. Not so much that I

2056
01:30:28,280 --> 01:30:30,639
Speaker 1: would say we have to like do the book club

2057
01:30:30,720 --> 01:30:32,439
Speaker 1: powows where we all going to circle and say what

2058
01:30:32,520 --> 01:30:34,400
Speaker 1: it meant to us, but just to keep everybody honest

2059
01:30:34,520 --> 01:30:37,360
Speaker 1: of chapters that we need to read by this this time.

2060
01:30:37,479 --> 01:30:39,280
Speaker 1: I wouldn't be mad at that, because that's why I

2061
01:30:39,400 --> 01:30:42,320
Speaker 1: like the fitness shit of like with groups of people.

2062
01:30:43,479 --> 01:30:47,000
Speaker 1: Fuck the camaraderie. Just keep me honest, like I'm yeah,

2063
01:30:47,640 --> 01:30:48,840
Speaker 1: so I would be down to do that.

2064
01:30:50,200 --> 01:30:51,320
Speaker 3: Yeah, I just feel like saying that.

2065
01:30:51,360 --> 01:30:51,640
Speaker 6: I don't know.

2066
01:30:51,960 --> 01:30:52,439
Speaker 3: Did you see?

2067
01:30:52,520 --> 01:30:56,280
Speaker 1: Do you know where we're at from? I fell down

2068
01:30:56,320 --> 01:30:57,800
Speaker 1: a rabbit. It's funny.

2069
01:30:58,040 --> 01:30:59,960
Speaker 3: When I was just dying left, I was Internet.

2070
01:31:00,040 --> 01:31:01,559
Speaker 1: I thought you're about to say a different word. It's

2071
01:31:01,680 --> 01:31:02,240
Speaker 1: so confused.

2072
01:31:02,320 --> 01:31:04,960
Speaker 4: No, it's a This girl did a few a fool

2073
01:31:05,000 --> 01:31:06,560
Speaker 4: review and I want to give her I want to

2074
01:31:06,560 --> 01:31:08,479
Speaker 4: give her name because she's a creator and she's funny

2075
01:31:08,479 --> 01:31:11,360
Speaker 4: at ship. She's also a really good singer. She did

2076
01:31:11,400 --> 01:31:14,280
Speaker 4: a food review and she was eating something.

2077
01:31:16,200 --> 01:31:18,720
Speaker 2: And she ate it and she was like, but.

2078
01:31:20,960 --> 01:31:21,960
Speaker 1: This is this ship is crazy.

2079
01:31:22,040 --> 01:31:23,240
Speaker 2: Let me see if I can find it.

2080
01:31:26,040 --> 01:31:28,800
Speaker 1: She would do it on Patreon. I'm down to do

2081
01:31:28,840 --> 01:31:29,400
Speaker 1: this on Patreon.

2082
01:31:30,360 --> 01:31:31,680
Speaker 2: Hubbard shout out to Ariana.

2083
01:31:31,720 --> 01:31:34,600
Speaker 1: Patreon, doctor Forward, slash new or mall. We will be

2084
01:31:34,640 --> 01:31:39,040
Speaker 1: breaking down the term right away. Appreciate you guys. We'll

2085
01:31:39,080 --> 01:31:43,599
Speaker 1: be back soon. We have oh no, if you're listening

2086
01:31:43,640 --> 01:31:46,840
Speaker 1: to you just heard day Lot so no, no, okay,

2087
01:31:46,880 --> 01:31:48,679
Speaker 1: we have day Lot Soul this week, which I'm super

2088
01:31:48,720 --> 01:31:52,160
Speaker 1: excited about. My favorite interviews ever. So if your legendary

2089
01:31:52,240 --> 01:31:54,879
Speaker 1: days you're still listening at this point in the podcast,

2090
01:31:54,920 --> 01:31:56,760
Speaker 1: we thank you when we have day Lot Soul this week.

2091
01:31:57,560 --> 01:31:58,759
Speaker 1: I'm so excited.

2092
01:31:59,200 --> 01:32:00,680
Speaker 3: All right, we'll talk to you are soon on the

2093
01:32:00,720 --> 01:32:05,280
Speaker 3: Patreon we Go. I'm that Nigga's just ginger peace, no warrant,

2094
01:32:05,520 --> 01:32:05,560
Speaker 3: no