1 00:00:01,960 --> 00:00:05,200 Speaker 1: Look at Our Radio is a radio phonic novela, which 2 00:00:05,280 --> 00:00:08,719 Speaker 1: is just a very extra way of saying a podcast. 3 00:00:09,160 --> 00:00:13,080 Speaker 1: I'm theos f M and I am Mala Mios. Local 4 00:00:13,520 --> 00:00:17,000 Speaker 1: Radio is your free, must favorite podcast hosted by us 5 00:00:17,280 --> 00:00:21,720 Speaker 1: Mala and Theosa, where two I G friends turned podcast partners, 6 00:00:21,800 --> 00:00:26,640 Speaker 1: breaking down pop culture, feminism, sexual wellness, and offering fresh 7 00:00:26,760 --> 00:00:30,400 Speaker 1: takes on strending topics through nuanced interviews with up and 8 00:00:30,440 --> 00:00:34,880 Speaker 1: coming Latin X creatives known as Las Locals, Las Mammy, 9 00:00:34,960 --> 00:00:41,360 Speaker 1: Submit and Bullshits Next Doore and Lasses. We've been podcasting 10 00:00:41,440 --> 00:00:46,320 Speaker 1: independently since and we're bringing our radiophonic novela to the 11 00:00:46,440 --> 00:00:50,600 Speaker 1: Micukura Network to continue sharing stories from the LATINOX community. 12 00:00:51,200 --> 00:00:55,880 Speaker 1: Welcome to Local Radio Season seven. Take us to your network. 13 00:01:01,240 --> 00:01:04,680 Speaker 1: So today we're so excited to talk about some of 14 00:01:04,680 --> 00:01:10,880 Speaker 1: our favorite senoras in real life, characters in film and TV, 15 00:01:11,480 --> 00:01:16,720 Speaker 1: and just both present and recently passed, recently deceased. There 16 00:01:16,720 --> 00:01:19,160 Speaker 1: are so many, Honestly, I feel like a lot of 17 00:01:19,800 --> 00:01:24,759 Speaker 1: are like attitude inspo, style inspo, career inspo. We can 18 00:01:24,800 --> 00:01:29,720 Speaker 1: trace back to a solid list of very fabulous senoras 19 00:01:29,760 --> 00:01:33,640 Speaker 1: like so we have categories, We've got entertainers. I have 20 00:01:34,000 --> 00:01:36,760 Speaker 1: a couple of my favorite senoras on Twitter, Like we're 21 00:01:36,760 --> 00:01:39,840 Speaker 1: going to go through the list, yeah, to start, you know, 22 00:01:39,880 --> 00:01:44,080 Speaker 1: when I think of like Mexican delenovelas, I and I 23 00:01:44,120 --> 00:01:49,360 Speaker 1: think of like senoras that have like been likes and 24 00:01:49,480 --> 00:01:52,720 Speaker 1: different delenovelas for decades, right, like maybe at one point 25 00:01:52,760 --> 00:01:56,360 Speaker 1: they were like the protagonists or then the villain or 26 00:01:56,360 --> 00:01:58,720 Speaker 1: then the like the elder, you know. And so one 27 00:01:58,760 --> 00:02:01,920 Speaker 1: of the persons that I thought of was Veronica Castro 28 00:02:02,480 --> 00:02:06,960 Speaker 1: Iconic she interviewed Selena. She is a Mexican actress, singer, 29 00:02:07,040 --> 00:02:11,480 Speaker 1: model and had like a very prolific career in telenovelas 30 00:02:12,000 --> 00:02:16,640 Speaker 1: in television in general. And she also had a role 31 00:02:16,760 --> 00:02:20,840 Speaker 1: in La Flordes, Netflix's hit show. And that was when 32 00:02:20,840 --> 00:02:23,160 Speaker 1: I got reintroduced to her because I forgot about her, 33 00:02:23,200 --> 00:02:25,720 Speaker 1: and I was like, yes, she's an o g. And 34 00:02:25,840 --> 00:02:30,639 Speaker 1: it was rumored that Vernica Castro was a lover and 35 00:02:31,480 --> 00:02:33,600 Speaker 1: the rumor the rumor was that like that's why she 36 00:02:33,760 --> 00:02:37,400 Speaker 1: left La Flordes Like first season two, I guess there 37 00:02:37,480 --> 00:02:41,320 Speaker 1: was like rumblings again because it was such a queer 38 00:02:41,840 --> 00:02:46,760 Speaker 1: show that it like the people were talking about it again. 39 00:02:47,280 --> 00:02:52,320 Speaker 1: So again all rumors all allegedly right, this is not factual, 40 00:02:52,560 --> 00:02:56,119 Speaker 1: But I love to think that she was ANACE lover 41 00:02:56,520 --> 00:02:58,480 Speaker 1: because I'd like to think that too. I think we 42 00:02:58,480 --> 00:03:02,600 Speaker 1: should keep that rumor going. Yes, because like that, but 43 00:03:02,680 --> 00:03:06,480 Speaker 1: Yes is like another like Senota where it's like everybody 44 00:03:06,520 --> 00:03:09,040 Speaker 1: loves her and everybody knows that she's queer, but like 45 00:03:09,160 --> 00:03:11,760 Speaker 1: nobody talks about her being queer, you know what I mean, 46 00:03:11,840 --> 00:03:14,520 Speaker 1: Like she has her amiga that she brings to the 47 00:03:14,280 --> 00:03:17,880 Speaker 1: to the stand, to the Christmas gathering, but she doesn't 48 00:03:17,960 --> 00:03:19,840 Speaker 1: really have like a girlfriend, you know what I mean. 49 00:03:20,120 --> 00:03:24,760 Speaker 1: It's one of those they're wearing matching outfit pretty much. Yeah. Yeah, okay, 50 00:03:24,760 --> 00:03:32,200 Speaker 1: so wait did Veronica Castro play? Yeah? She was so that. Honestly, 51 00:03:32,320 --> 00:03:36,680 Speaker 1: Via is my favorite character on the whole show. I mean, 52 00:03:37,400 --> 00:03:42,200 Speaker 1: she was a pothead, she was dealing with some deem money. Yes, 53 00:03:43,080 --> 00:03:47,560 Speaker 1: her husband was, oh my god, her husband. But her 54 00:03:47,640 --> 00:03:52,120 Speaker 1: husband was also so hot and so charming, so trifling, 55 00:03:52,400 --> 00:03:57,120 Speaker 1: so trifling. Yeah. So that, Yeah, that was like the 56 00:03:57,160 --> 00:04:00,920 Speaker 1: first Senota that I thought of when we were like 57 00:04:01,120 --> 00:04:05,880 Speaker 1: conjuring up this episode. Very good, Senora, good one, Thank 58 00:04:05,880 --> 00:04:09,000 Speaker 1: you for bringing this. The first three, the first four, 59 00:04:09,400 --> 00:04:13,600 Speaker 1: the first five are yours that this is true? Let's 60 00:04:13,680 --> 00:04:17,320 Speaker 1: run through the list. OK. Next is see this is 61 00:04:17,360 --> 00:04:19,600 Speaker 1: like just telling my age I feel and like my 62 00:04:19,600 --> 00:04:25,400 Speaker 1: own seniora tendencies with this list because like like unless 63 00:04:25,440 --> 00:04:29,240 Speaker 1: you're like Novelira, you know, like you don't, you might 64 00:04:29,240 --> 00:04:33,440 Speaker 1: not know these actresses, but like is like another one, 65 00:04:33,839 --> 00:04:40,160 Speaker 1: also iconic Costa Rican Mexicana, another prolific tele novela actress. 66 00:04:40,320 --> 00:04:44,960 Speaker 1: And she's like someone that has like just aged really 67 00:04:45,040 --> 00:04:48,039 Speaker 1: well but has had like the nips and tucks but 68 00:04:48,200 --> 00:04:52,160 Speaker 1: so subtle where it's like everybody knows. And she's also 69 00:04:52,320 --> 00:04:55,760 Speaker 1: Senora that has kept like her really long, long dark 70 00:04:56,120 --> 00:04:59,320 Speaker 1: like black jet black hair. And I feel like there's 71 00:04:59,320 --> 00:05:02,200 Speaker 1: a pressure and once you're like reached like a Senora age, 72 00:05:02,320 --> 00:05:05,240 Speaker 1: like you have to cut your hair, like you're too 73 00:05:05,240 --> 00:05:08,640 Speaker 1: old to have long hair. But she has like which 74 00:05:08,680 --> 00:05:11,320 Speaker 1: obviously we don't ascribe to, like we don't believe that, 75 00:05:11,760 --> 00:05:14,560 Speaker 1: but I feel like there's that pressure, and she has 76 00:05:14,640 --> 00:05:20,360 Speaker 1: kept her length for decades that share like share exactly. 77 00:05:20,440 --> 00:05:23,200 Speaker 1: She does the bangs too. She does bangs. She has 78 00:05:23,240 --> 00:05:27,839 Speaker 1: the nips and the tugs. She's like body like bondage dresses, 79 00:05:28,160 --> 00:05:32,640 Speaker 1: like you know, like bondage, the bandage dresses, the band dresses, 80 00:05:34,839 --> 00:05:40,640 Speaker 1: my mind is also for y'all. Yes, well not but 81 00:05:40,680 --> 00:05:50,000 Speaker 1: I am um, you're at We endorse bondage, consensual bondage. 82 00:05:50,680 --> 00:06:01,000 Speaker 1: Um not. We do not condone bondage against your will. Yes, 83 00:06:01,160 --> 00:06:04,440 Speaker 1: get your safe for it. Okay, we don't condone kidnapping 84 00:06:04,440 --> 00:06:10,919 Speaker 1: you guys. Not here, not on my watch. I was screaming, 85 00:06:11,279 --> 00:06:14,320 Speaker 1: all right, well that's one of mine, and the next one, 86 00:06:15,160 --> 00:06:19,920 Speaker 1: the next one. Iconic. Also like all these Senodas incredible, 87 00:06:21,839 --> 00:06:29,880 Speaker 1: like the goat, incredible and award winning, Tony winning. Yeah, 88 00:06:30,040 --> 00:06:33,599 Speaker 1: she was the first ego. Yes, I was gonna say 89 00:06:33,680 --> 00:06:39,120 Speaker 1: she's an egot, which is what Emmy, Grammy Oscar Tony. Yes, 90 00:06:39,480 --> 00:06:41,640 Speaker 1: she does it all. She does it all. And I 91 00:06:41,680 --> 00:06:44,520 Speaker 1: really loved, like you know now that she is like 92 00:06:44,800 --> 00:06:47,560 Speaker 1: in her Senora age, right, or she's been in her 93 00:06:47,600 --> 00:06:50,600 Speaker 1: Senora age, but I love this. She plays like sassy 94 00:06:50,800 --> 00:06:54,160 Speaker 1: Senoras in TV, like when she was on One Day 95 00:06:54,200 --> 00:06:57,080 Speaker 1: at a Time. I loved that character. I love it. 96 00:06:57,240 --> 00:06:59,720 Speaker 1: I think her name was Lydia, right, She loved to 97 00:06:59,839 --> 00:07:03,680 Speaker 1: day as she was very much always feeling herself, like 98 00:07:03,800 --> 00:07:07,960 Speaker 1: her skincare. She had her skincare game on like amazing. 99 00:07:10,080 --> 00:07:14,800 Speaker 1: Definitely not. She doesn't play she doesn't tend to play 100 00:07:14,840 --> 00:07:20,040 Speaker 1: like ever suffering you know. Women. She's playing women who 101 00:07:20,080 --> 00:07:23,920 Speaker 1: are like rejoicing in their later years. Yes, like they're 102 00:07:23,960 --> 00:07:27,080 Speaker 1: still like they're still sexy, they still got it, which 103 00:07:27,120 --> 00:07:30,200 Speaker 1: is what I appreciate about this list too, or like us, 104 00:07:30,240 --> 00:07:33,480 Speaker 1: just talking about senoras in general is like, you know, 105 00:07:34,120 --> 00:07:36,800 Speaker 1: once I feel like women reach a certain age, there's 106 00:07:36,840 --> 00:07:42,240 Speaker 1: like this tendency for society to like d sexualize, you know, 107 00:07:42,400 --> 00:07:45,000 Speaker 1: and it's like, well, no, like, no matter the age, 108 00:07:45,040 --> 00:07:48,640 Speaker 1: we're all sexual beings. And so I love when senoras 109 00:07:48,760 --> 00:07:52,000 Speaker 1: like can can play with that in their characters and 110 00:07:52,160 --> 00:07:54,760 Speaker 1: roles in film and television and the like their everyday 111 00:07:54,800 --> 00:07:58,920 Speaker 1: regular lives. Totally. It's like they reach a certain age 112 00:07:59,040 --> 00:08:01,480 Speaker 1: and they try to like forced them into like about 113 00:08:01,880 --> 00:08:05,600 Speaker 1: on screen, and Rita's like, I refuse, you will not 114 00:08:05,760 --> 00:08:10,000 Speaker 1: put me in on screen. I won't do it, obsessed. Yes, 115 00:08:10,120 --> 00:08:13,040 Speaker 1: exactly exactly that. And my next one, I feel like, 116 00:08:13,440 --> 00:08:17,160 Speaker 1: you know, was a covert Latina like she was came 117 00:08:17,240 --> 00:08:21,679 Speaker 1: up in the time where like Latina's Latina actresses, Latino 118 00:08:21,760 --> 00:08:26,800 Speaker 1: actress actors had to change their names, which is Raquel Welch, 119 00:08:27,640 --> 00:08:35,000 Speaker 1: Bolivian queen American actress whose real name is Raquel Raquel 120 00:08:36,760 --> 00:08:40,640 Speaker 1: don't don't exactly. And she's like arguably like one of 121 00:08:40,679 --> 00:08:47,040 Speaker 1: the first recognized sex symbols. Oh yeah, so hot. I 122 00:08:47,120 --> 00:08:53,280 Speaker 1: loved her in Legally Blonde as the Who did she play? 123 00:08:53,400 --> 00:08:56,640 Speaker 1: She played the mom, the step mom. What was her role? Again? 124 00:08:57,120 --> 00:09:00,440 Speaker 1: She had those court scenes, she was a witness. No, 125 00:09:01,200 --> 00:09:03,400 Speaker 1: she was in that when they visit her at the spa. 126 00:09:04,040 --> 00:09:09,360 Speaker 1: Oh that's right, okay, waited, I need to fact check that. 127 00:09:09,360 --> 00:09:12,640 Speaker 1: That's where cal But I want to say, oh, she's 128 00:09:12,679 --> 00:09:17,360 Speaker 1: the ex wife. She was the ex wife. Oh Chutney's mother. Yes, 129 00:09:20,800 --> 00:09:23,480 Speaker 1: she was Shuttney's mother. She's like have you seen the 130 00:09:23,520 --> 00:09:27,960 Speaker 1: Cavana boy, Mrs Wyndham Vandermark. There you go. She was 131 00:09:28,120 --> 00:09:33,160 Speaker 1: so good, so high. I forgot about that. Yeah. So 132 00:09:33,200 --> 00:09:37,360 Speaker 1: she has like kind of played this like sex symbol 133 00:09:37,600 --> 00:09:42,280 Speaker 1: role for like a long time, for decades. Um and 134 00:09:42,360 --> 00:09:45,440 Speaker 1: so yeah, I mean interesting, that's his own episode of like, 135 00:09:45,600 --> 00:09:48,800 Speaker 1: you know Latino actors that have been able to, you know, 136 00:09:49,160 --> 00:09:53,600 Speaker 1: position themselves in ways that other Latinos can't, right in 137 00:09:53,720 --> 00:09:55,960 Speaker 1: terms of like changing their names and like, you know, 138 00:09:56,520 --> 00:09:58,480 Speaker 1: colorism the whole thing, but we're not doing that same 139 00:09:58,559 --> 00:10:02,120 Speaker 1: we're talking about favorite senon yea, yeah and yeah, I 140 00:10:02,120 --> 00:10:06,120 Speaker 1: think that's definitely one of mine top top five. This 141 00:10:06,240 --> 00:10:09,000 Speaker 1: actually is kind of a good segue because also in 142 00:10:09,080 --> 00:10:11,520 Speaker 1: the Believe Blonde is one of my favorite senores that 143 00:10:11,559 --> 00:10:15,720 Speaker 1: I add to this list. Jennifer Coolidge plays put Bonefonte 144 00:10:16,320 --> 00:10:20,800 Speaker 1: iconic and I feel like Jennifer Coolidge and Shirlie Ralph 145 00:10:20,920 --> 00:10:25,439 Speaker 1: for having this like later in career renaissance. They both 146 00:10:25,559 --> 00:10:30,080 Speaker 1: just won Emmy's for their starring roles in TV shows, Um, 147 00:10:30,160 --> 00:10:34,959 Speaker 1: Jennifer Coolidge for White Lotus and Sharlie Ralph for Abbott Elementary. 148 00:10:35,000 --> 00:10:37,560 Speaker 1: That's been very fun to see. I love to see 149 00:10:37,559 --> 00:10:39,800 Speaker 1: like them. And then like Betty White r I P. 150 00:10:40,360 --> 00:10:43,079 Speaker 1: Who people kind of like rediscovered her and became obsessed 151 00:10:43,120 --> 00:10:46,520 Speaker 1: with her in her twilight years, but she's been working 152 00:10:46,880 --> 00:10:50,040 Speaker 1: for decades, right. Yeah. I love that you brought up 153 00:10:50,120 --> 00:10:52,520 Speaker 1: Jennifer Coolidge because they feel like there is like a 154 00:10:52,640 --> 00:10:56,800 Speaker 1: new found appreciation for her for like newer fans or 155 00:10:56,840 --> 00:10:59,920 Speaker 1: maybe folks that are like newly being exposed to her. 156 00:11:00,760 --> 00:11:04,000 Speaker 1: I love when she's talking, there's like this real she's 157 00:11:04,000 --> 00:11:07,760 Speaker 1: being interviewed by I don't recall which publication, but she's 158 00:11:07,840 --> 00:11:11,280 Speaker 1: talking about, you know, when she first became an actress 159 00:11:11,360 --> 00:11:13,640 Speaker 1: in her life, and she says, I was having a 160 00:11:13,640 --> 00:11:19,000 Speaker 1: lot of sex. That's how she remembers this era, she 161 00:11:19,120 --> 00:11:21,079 Speaker 1: was having a lot of sex. I'm like, yeah, same, 162 00:11:21,120 --> 00:11:24,240 Speaker 1: good for you girl, Hell yeah she and she does. 163 00:11:25,040 --> 00:11:28,840 Speaker 1: I love Jennifer Coolidge so much because she's able to 164 00:11:29,040 --> 00:11:35,160 Speaker 1: very effortlessly like be this sexy figure and she has 165 00:11:35,200 --> 00:11:39,480 Speaker 1: this sexy energy, but she also has always embodied and 166 00:11:39,480 --> 00:11:45,120 Speaker 1: typified like that bimbo energy very effortlessly and without it 167 00:11:45,160 --> 00:11:50,080 Speaker 1: being like a caricature. This is just this is just 168 00:11:50,360 --> 00:11:54,079 Speaker 1: her her, this is just who she is. And yeah, 169 00:11:54,320 --> 00:11:56,520 Speaker 1: very fun to see. So those are two of mine, 170 00:11:56,800 --> 00:11:59,719 Speaker 1: um my favorite senoras right now. And very much like 171 00:12:00,040 --> 00:12:02,280 Speaker 1: a Dolly Pardon, which I know we love on this show. 172 00:12:02,840 --> 00:12:08,920 Speaker 1: You know, that personifies that like bimbo culture, a bimbo blonde, 173 00:12:09,360 --> 00:12:11,840 Speaker 1: but like does it with so much sas confidence and 174 00:12:11,920 --> 00:12:14,720 Speaker 1: intention that it's like, yes, I love it, Give give 175 00:12:14,800 --> 00:12:19,320 Speaker 1: us more, give us more. The Yeah, who else I 176 00:12:19,360 --> 00:12:23,280 Speaker 1: had on this list? Also, so recently I was on 177 00:12:23,320 --> 00:12:26,360 Speaker 1: the Bechtel Cast and we were talking about real women 178 00:12:26,400 --> 00:12:29,640 Speaker 1: have curbs. So we had like a good little chunk 179 00:12:29,640 --> 00:12:34,880 Speaker 1: where we talked about loupeos and she, for me too, 180 00:12:35,000 --> 00:12:38,559 Speaker 1: is also such a skilled actress. She plays the mother, 181 00:12:39,240 --> 00:12:42,240 Speaker 1: and of course the mother character is kind of like 182 00:12:42,880 --> 00:12:46,679 Speaker 1: unbearable and like for mean, but the way she performs her, 183 00:12:46,760 --> 00:12:50,720 Speaker 1: she's also very endearing and hilarious and like even when 184 00:12:50,720 --> 00:12:55,319 Speaker 1: she's being impossible to America. For his character Anna, it's like, 185 00:12:55,960 --> 00:12:58,160 Speaker 1: you know, she's still talking at your heartstrings even as 186 00:12:58,280 --> 00:13:02,360 Speaker 1: she's like calling her a booth and stuff and telling 187 00:13:02,400 --> 00:13:07,440 Speaker 1: her to put down the plan. You know, moms. I 188 00:13:07,480 --> 00:13:09,440 Speaker 1: mean we need to have a deep dive. I feel 189 00:13:09,440 --> 00:13:11,960 Speaker 1: like our own deep dive on that episode because I 190 00:13:11,960 --> 00:13:15,199 Speaker 1: think it just turned like twenty years oh yeah, on 191 00:13:15,600 --> 00:13:19,560 Speaker 1: the film the film, yeah, iconic film. Yeah. You know 192 00:13:19,559 --> 00:13:21,320 Speaker 1: who else who you're making me think of? Like do 193 00:13:21,360 --> 00:13:26,520 Speaker 1: you remember in Hintified the Mother she's Carrie Martin. Carrie 194 00:13:26,520 --> 00:13:32,280 Speaker 1: Martin's mom, Ana Morales write her her on the show, um, 195 00:13:32,360 --> 00:13:36,600 Speaker 1: and so her mother, Patrice Morale, is played by Louda. 196 00:13:37,559 --> 00:13:39,880 Speaker 1: I feel like has that same energy where she's like 197 00:13:40,000 --> 00:13:43,160 Speaker 1: really tough and it's like it can be kind of 198 00:13:43,200 --> 00:13:45,560 Speaker 1: like unbearable because I'm like being my mom is not 199 00:13:45,679 --> 00:13:47,960 Speaker 1: tough like that at all. Like I can't relate. So 200 00:13:48,040 --> 00:13:50,720 Speaker 1: seeing that on screen, I was like, oh my god, 201 00:13:50,880 --> 00:13:55,679 Speaker 1: Senora like relax um. But yeah, I mean I also 202 00:13:55,800 --> 00:13:59,000 Speaker 1: like that different representation of like Senora energy where it's 203 00:13:59,040 --> 00:14:02,920 Speaker 1: like they're kind to mean. Oh yeah. And what's interesting 204 00:14:02,960 --> 00:14:06,000 Speaker 1: to me too, is like there's so much stuff on 205 00:14:06,040 --> 00:14:11,040 Speaker 1: the internet about and you're lettin a mom having a 206 00:14:11,040 --> 00:14:15,000 Speaker 1: short fuse or like throwing things that you are hitting you. 207 00:14:16,600 --> 00:14:19,360 Speaker 1: I can't relate. My mother has never thrown anything at me. 208 00:14:19,680 --> 00:14:24,120 Speaker 1: So sorry, guys, I wasn't traumatized physically, just emotionally. My 209 00:14:24,240 --> 00:14:27,360 Speaker 1: parents didn't not hit me with objects as a kid, 210 00:14:27,840 --> 00:14:32,080 Speaker 1: you know. Oops. Um. And so that's something that I 211 00:14:32,080 --> 00:14:35,520 Speaker 1: think is really interesting because I feel like our moms, 212 00:14:36,120 --> 00:14:39,840 Speaker 1: you know, moms have their own ways of doing things. 213 00:14:39,920 --> 00:14:42,840 Speaker 1: But I think my mom is much more subtle. You know, 214 00:14:43,360 --> 00:14:47,880 Speaker 1: there's a subtlety there. Your mom can read you. Yes, 215 00:14:48,760 --> 00:14:52,160 Speaker 1: she won't throw anything at you, but she's like subtle 216 00:14:52,280 --> 00:14:57,080 Speaker 1: jobs indeed does which is kind of like my mom. Yeah, 217 00:14:57,600 --> 00:15:01,040 Speaker 1: you know, I think maybe that's where Okay, we can 218 00:15:01,200 --> 00:15:05,520 Speaker 1: we can appreciate like a rita moreno type character in 219 00:15:05,600 --> 00:15:10,480 Speaker 1: Lydia because she's throwing like little verbal jabs her daughter 220 00:15:11,400 --> 00:15:14,240 Speaker 1: throughout the show, right, but she's still like caring and 221 00:15:14,320 --> 00:15:18,600 Speaker 1: supportive and like and fabulous, right And and that's like, 222 00:15:18,600 --> 00:15:20,280 Speaker 1: like you're saying, that's probably why we can relate to 223 00:15:20,320 --> 00:15:22,760 Speaker 1: these women because we see them like also our moms 224 00:15:22,800 --> 00:15:25,400 Speaker 1: are very much in that light, in that realm of 225 00:15:25,480 --> 00:15:30,600 Speaker 1: like Senora. Oh yeah, but you know what's done with style? Yes, yes, 226 00:15:32,640 --> 00:15:35,560 Speaker 1: you know what. You know what I've been wondering about saying, 227 00:15:35,600 --> 00:15:39,720 Speaker 1: like entering a Senora era because I see, like you know, 228 00:15:39,880 --> 00:15:43,440 Speaker 1: there's all these different there's these different signs right according 229 00:15:43,600 --> 00:15:45,880 Speaker 1: like on TikTok where people talk about like I'm entering 230 00:15:45,880 --> 00:15:48,840 Speaker 1: my Senora era because I have plants. I'm just sitting 231 00:15:48,880 --> 00:15:52,800 Speaker 1: silently in this chair in my backyard, I'm watching the neighbors. 232 00:15:52,840 --> 00:15:55,040 Speaker 1: Like all these little like signals that like, Okay, you're 233 00:15:55,120 --> 00:15:58,240 Speaker 1: entering your Senora era. And what I've always wondered is, 234 00:15:58,320 --> 00:16:02,760 Speaker 1: like do you become a Senyoda like officially when you 235 00:16:02,800 --> 00:16:09,840 Speaker 1: get married, because like Spanish, like in Spanish language wise, 236 00:16:09,960 --> 00:16:13,560 Speaker 1: like you're Senorita up until you get married, then you're 237 00:16:13,560 --> 00:16:17,640 Speaker 1: like Senoda. What have you whatever last name, And so 238 00:16:17,840 --> 00:16:22,800 Speaker 1: I like, is there an actual, like technical transition from 239 00:16:22,800 --> 00:16:25,120 Speaker 1: like Senorita to Senoa and is it signaled by like 240 00:16:25,200 --> 00:16:28,600 Speaker 1: actually marriage. That's a really good question, and I almost 241 00:16:28,600 --> 00:16:31,360 Speaker 1: feel like we need to find like an etiquette expert, 242 00:16:31,920 --> 00:16:34,120 Speaker 1: so like break it down, because I'm sure there's like 243 00:16:34,240 --> 00:16:37,520 Speaker 1: there is a specific rule and cut off. Yeah, I 244 00:16:37,560 --> 00:16:40,000 Speaker 1: think there is. Like at what point are you, like, 245 00:16:40,000 --> 00:16:43,760 Speaker 1: like when you become Alonna, Like you know, when you're 246 00:16:43,760 --> 00:16:46,320 Speaker 1: a grandma, is that when you're Ada, When you're like 247 00:16:46,400 --> 00:16:49,800 Speaker 1: the matriarch, you're Adonia. If you have your own ranch, 248 00:16:50,400 --> 00:16:56,920 Speaker 1: you're Adonia. And so for me, I don't know. I 249 00:16:56,960 --> 00:16:59,840 Speaker 1: feel like the women, I mean, I don't know whether 250 00:17:00,040 --> 00:17:01,800 Speaker 1: not all of these women have been married. I think 251 00:17:01,840 --> 00:17:05,000 Speaker 1: most of them have been married maybe a few times, 252 00:17:05,520 --> 00:17:09,880 Speaker 1: you know, maybe a few times to the same person um. 253 00:17:10,680 --> 00:17:13,560 Speaker 1: In the case of j Lo, Jayla loves to get married. 254 00:17:13,720 --> 00:17:16,560 Speaker 1: She loves to get married, loves to get married, she 255 00:17:16,600 --> 00:17:19,520 Speaker 1: loves matrimony. And Jlo is not someone that I picture 256 00:17:19,640 --> 00:17:22,840 Speaker 1: like as a Senora. Like I wouldn't call her Senora 257 00:17:23,040 --> 00:17:27,480 Speaker 1: jal you know what I mean, Senora a fleck um, 258 00:17:27,520 --> 00:17:31,199 Speaker 1: but she is, She's in her fifties, like she is like, 259 00:17:31,359 --> 00:17:38,800 Speaker 1: technically Senora age. It's true, it's true, so I'm very 260 00:17:38,800 --> 00:17:42,120 Speaker 1: well she wears it. Well, would she consider herself a Senota? 261 00:17:42,200 --> 00:17:45,439 Speaker 1: I don't know, Probably not, probably not. She'd be so 262 00:17:45,520 --> 00:17:48,600 Speaker 1: offended she would be Yeah, I didn't she gets ahold 263 00:17:48,640 --> 00:17:51,120 Speaker 1: of this audio, that would be amazing. Come on, j Loo, 264 00:17:51,480 --> 00:17:56,120 Speaker 1: come on to radio. You know. I do feel like 265 00:17:56,119 --> 00:17:59,760 Speaker 1: like I share a similar similar vein similar feeling, like 266 00:18:00,080 --> 00:18:03,480 Speaker 1: hypothetically of j Lo. Right, it does not claim Senoda. 267 00:18:03,760 --> 00:18:08,040 Speaker 1: That's me. I'm like clinging onto Senoita forever. Like I'm 268 00:18:08,080 --> 00:18:11,680 Speaker 1: not Senoa. I'm Senorita. I may have some Senora tendencies, 269 00:18:11,720 --> 00:18:15,320 Speaker 1: but like, don't call me sanoa, right, No, I agree 270 00:18:15,359 --> 00:18:18,840 Speaker 1: with you. I feel like it's also I don't know Senora. 271 00:18:18,960 --> 00:18:23,439 Speaker 1: To me sounds like, yeah, you're over fifty, maybe you 272 00:18:23,560 --> 00:18:28,440 Speaker 1: have kids, adult kids, maybe you have grandkids, may have 273 00:18:28,520 --> 00:18:31,000 Speaker 1: you've been married a couple of times. You know, it's 274 00:18:31,080 --> 00:18:35,080 Speaker 1: you've earned that title, right, you gotta you gotta accumulate 275 00:18:35,160 --> 00:18:39,399 Speaker 1: some life experiences and some years before you slap that 276 00:18:39,440 --> 00:18:43,040 Speaker 1: onto somebody. That's how I feel about it. I haven't 277 00:18:43,080 --> 00:18:46,639 Speaker 1: done anything to earn a Senora. Title nothing me either, 278 00:18:49,240 --> 00:18:53,200 Speaker 1: so sen is forever. Yeah. I get offended when when 279 00:18:53,320 --> 00:18:55,640 Speaker 1: like if I'm at a restaurant and someone calls me Senoa, 280 00:18:55,720 --> 00:19:02,639 Speaker 1: I'm like, who where behind me? Not me? Has that happened? 281 00:19:03,640 --> 00:19:06,520 Speaker 1: Not often, but when it does, I get very upset. Yeah, 282 00:19:07,600 --> 00:19:12,800 Speaker 1: I'll usually take yes, mamming is mamming is mamming. Mammy 283 00:19:12,960 --> 00:19:17,120 Speaker 1: is like equivalent to Senora. I feel like I miss 284 00:19:17,400 --> 00:19:20,680 Speaker 1: and that's it. Can't you see I'm a miss? I'm 285 00:19:20,720 --> 00:19:24,440 Speaker 1: a miss. I'm technically like I'm like a teenager. Still, 286 00:19:24,880 --> 00:19:27,440 Speaker 1: can't you see that my bare finger with no ring 287 00:19:27,520 --> 00:19:32,760 Speaker 1: on it? I'm a miss? Yes, that's how I feel truly. Yeah, 288 00:19:33,240 --> 00:19:35,879 Speaker 1: yeah we should. Actually it would be kind of interesting 289 00:19:37,320 --> 00:19:41,280 Speaker 1: to take an etiquette class because I because I feel 290 00:19:41,320 --> 00:19:44,280 Speaker 1: like like a lot of this terminology. Sometimes I'm like, 291 00:19:44,320 --> 00:19:47,520 Speaker 1: are you calling me ma'am? Because maybe you don't actually 292 00:19:47,520 --> 00:19:50,200 Speaker 1: know the proper use of the words. That's what I think. 293 00:19:50,680 --> 00:19:53,399 Speaker 1: You know what you mean? It's not me, it's them, 294 00:19:54,040 --> 00:19:57,680 Speaker 1: They are the price. I feel like. So I've definitely 295 00:19:57,720 --> 00:19:59,840 Speaker 1: talked about this on the show before, but like my dad, 296 00:20:00,000 --> 00:20:02,560 Speaker 1: it is like very strict when it comes to like 297 00:20:02,640 --> 00:20:06,359 Speaker 1: Spanish rules and grammar. And etiquette, which is why I 298 00:20:06,400 --> 00:20:10,040 Speaker 1: feel like Senora isn't Senora until you're married, and Senorita 299 00:20:10,160 --> 00:20:13,240 Speaker 1: is you know, pre marriage, because I feel like it's 300 00:20:13,280 --> 00:20:15,879 Speaker 1: like you're saying, like it's very much like either you 301 00:20:15,880 --> 00:20:18,399 Speaker 1: know or you don't know because and I and with that, 302 00:20:18,480 --> 00:20:20,359 Speaker 1: I feel like it's in the same like if we 303 00:20:20,359 --> 00:20:22,040 Speaker 1: were to put these in a Venn diagram, it's like 304 00:20:22,080 --> 00:20:26,600 Speaker 1: the same as like like you can't like anyone like 305 00:20:26,640 --> 00:20:30,320 Speaker 1: you use for a certain type of person right there, elder, 306 00:20:30,359 --> 00:20:34,240 Speaker 1: they're a family member. And then like a doo is 307 00:20:34,280 --> 00:20:37,560 Speaker 1: like you and me like someone like a friend, you're 308 00:20:37,640 --> 00:20:41,359 Speaker 1: peer and so and so when he hears people like 309 00:20:41,720 --> 00:20:46,320 Speaker 1: ya again, he's like that's incorrect, that's wrong. And so 310 00:20:46,480 --> 00:20:48,400 Speaker 1: I kind of feel like it's like, well, they don't know, 311 00:20:48,640 --> 00:20:51,200 Speaker 1: they don't know, And that's very much like what you're saying, 312 00:20:51,200 --> 00:20:52,680 Speaker 1: Like are you saying ma'am because you don't know? And 313 00:20:52,760 --> 00:20:55,720 Speaker 1: you think you're being respectful, but you're actually disrespecting me 314 00:20:56,080 --> 00:21:00,359 Speaker 1: because you're not calling me miss? How dare you? And 315 00:21:00,400 --> 00:21:03,480 Speaker 1: then if you think about it, like in a more 316 00:21:03,560 --> 00:21:08,400 Speaker 1: hood setting, when someone's like, oh me, my old lady, right, 317 00:21:08,440 --> 00:21:11,000 Speaker 1: it's like okay, no, we are partnered, we're married, and 318 00:21:11,040 --> 00:21:15,720 Speaker 1: so like she's my old lady, right, she's literally my 319 00:21:15,800 --> 00:21:18,280 Speaker 1: via hat, you know what I mean, Like it's there 320 00:21:18,359 --> 00:21:22,880 Speaker 1: is a direct translation there, right. Also depends like what 321 00:21:22,880 --> 00:21:26,880 Speaker 1: what region. Like when my my grand my father used 322 00:21:26,880 --> 00:21:30,680 Speaker 1: to call my grandpa Viejo, and so when he went 323 00:21:30,720 --> 00:21:37,320 Speaker 1: to Mexico, look, they were like wait, like like like 324 00:21:37,400 --> 00:21:41,959 Speaker 1: your man, and he's like he's like yeah, because you know, 325 00:21:42,040 --> 00:21:45,720 Speaker 1: my Dad's like yeah, that's my father. And so again 326 00:21:45,800 --> 00:21:48,720 Speaker 1: it's like it just depends on the context and who 327 00:21:48,800 --> 00:21:51,960 Speaker 1: knows what exactly, who are you talking to, who's doing 328 00:21:52,000 --> 00:21:57,919 Speaker 1: the talking exactly? Get misconstrued? Oh I love that, that's funny. 329 00:22:00,040 --> 00:22:04,159 Speaker 1: It So yeah, who else? I feel like over the years, 330 00:22:05,119 --> 00:22:06,760 Speaker 1: if you've been listening to look at about our radio 331 00:22:06,800 --> 00:22:10,840 Speaker 1: over the years, you've probably heard me talk about I 332 00:22:10,880 --> 00:22:14,160 Speaker 1: think she's an iconic senora as well, who just has 333 00:22:14,240 --> 00:22:17,000 Speaker 1: dropped a lot of really funny one liners and lyrics 334 00:22:17,000 --> 00:22:21,080 Speaker 1: over the years. And also asterisk every single one of 335 00:22:21,080 --> 00:22:25,280 Speaker 1: these senoras has done something sucked up and problematic publicly 336 00:22:27,600 --> 00:22:30,199 Speaker 1: on like a large scale, just like da is okay, 337 00:22:30,440 --> 00:22:35,119 Speaker 1: like arthas okay, So we know we acknowledge, Yes, it's bad. 338 00:22:35,480 --> 00:22:37,800 Speaker 1: We hear you. What can you do? They're old, they're 339 00:22:37,800 --> 00:22:40,160 Speaker 1: gonna die soon. We still love them while they're here, 340 00:22:40,840 --> 00:22:48,760 Speaker 1: and that's it. Yes, I'm not wishing death on any 341 00:22:48,800 --> 00:22:54,200 Speaker 1: of them. Not right, You're We're just we're just acknowledging that, 342 00:22:54,320 --> 00:22:57,359 Speaker 1: like problematic things may have been said in the past, 343 00:22:57,480 --> 00:23:00,040 Speaker 1: and we're not condoning that. We're just talking about the 344 00:23:00,160 --> 00:23:05,600 Speaker 1: Senora is Yeah, I mean speaking of senoda's I've been 345 00:23:05,680 --> 00:23:09,360 Speaker 1: I've been feding has put me on to this Senora 346 00:23:09,440 --> 00:23:13,600 Speaker 1: Catolica who went viral on TikTok and I've been sending 347 00:23:13,640 --> 00:23:18,800 Speaker 1: her to Mala and has lots of opinions about like 348 00:23:19,760 --> 00:23:22,840 Speaker 1: what women do with their bodies, the type of like 349 00:23:22,880 --> 00:23:25,240 Speaker 1: the sex that they should be having, it should only 350 00:23:25,280 --> 00:23:30,640 Speaker 1: be missionary, um, all these different like really essentially Catholic rules. 351 00:23:31,280 --> 00:23:35,119 Speaker 1: But it's like a Senora telling you, like telling you 352 00:23:35,119 --> 00:23:38,199 Speaker 1: you're going to go to hell if in your your sinner. 353 00:23:38,920 --> 00:23:42,160 Speaker 1: And so she's not my favorite Senoda, but I recognize 354 00:23:42,960 --> 00:23:46,119 Speaker 1: that that's a type of Senyoda, you know, it's so, 355 00:23:46,560 --> 00:23:51,560 Speaker 1: but she's like hilarious, she's hilarious, but she's serious like us. 356 00:23:51,640 --> 00:23:56,280 Speaker 1: It's funny because We're like, girl, Senora, come on, there 357 00:23:56,400 --> 00:23:58,880 Speaker 1: was this one that you sent me where she's like, 358 00:23:59,640 --> 00:24:02,159 Speaker 1: when you master bait and play with your clitter, is 359 00:24:02,400 --> 00:24:08,480 Speaker 1: you are having sex with the devil, And she's like 360 00:24:09,800 --> 00:24:15,320 Speaker 1: her hand. Yeah I am actually yes, I'm thinking about 361 00:24:15,359 --> 00:24:20,480 Speaker 1: my demon. The devil is hot. I love my sleep 362 00:24:20,520 --> 00:24:24,440 Speaker 1: paralysis demon. He looks like a lumberjack. Yeah. Actually scary, 363 00:24:25,600 --> 00:24:30,200 Speaker 1: but very scary, my sleep paralysis demon. I haven't seen 364 00:24:30,280 --> 00:24:32,240 Speaker 1: him in a long time. I've seen him like maybe 365 00:24:32,280 --> 00:24:36,200 Speaker 1: three times, like total in life. But he was always 366 00:24:36,320 --> 00:24:41,160 Speaker 1: just like a big, blooming, like brooding lumberjack mountain man 367 00:24:41,240 --> 00:24:43,280 Speaker 1: just in the corner and he never did anything. He 368 00:24:43,320 --> 00:24:47,240 Speaker 1: never moved. He just stood there and it was both 369 00:24:47,359 --> 00:24:52,080 Speaker 1: terrifying and also kind of enticing. I'm like, make a move, bro, 370 00:24:54,160 --> 00:25:00,280 Speaker 1: what are we doing here? Oh my god? Any well, 371 00:25:00,320 --> 00:25:03,040 Speaker 1: I think it's time to end this episode because I 372 00:25:03,600 --> 00:25:07,000 Speaker 1: think we overshared already. We've had enough. This has been 373 00:25:07,040 --> 00:25:10,360 Speaker 1: another episode of Look at the Radio radiophonic novella. I'm 374 00:25:10,359 --> 00:25:13,920 Speaker 1: your host, Mala mun and I'm Fosta fam So I'll 375 00:25:13,960 --> 00:25:17,080 Speaker 1: catch you next time. Look at That Our Radio is 376 00:25:17,080 --> 00:25:20,520 Speaker 1: a production of Look at That. Our productions in partnership 377 00:25:20,600 --> 00:25:24,840 Speaker 1: with I Hearts Michael podcast Network. For more podcasts, listen 378 00:25:24,880 --> 00:25:28,320 Speaker 1: to the I Heart Radio app, Apple Podcasts, or wherever 379 00:25:28,400 --> 00:25:42,679 Speaker 1: you listen to your favorite shows us look at our 380 00:25:42,800 --> 00:26:33,000 Speaker 1: radio radiophonic novella posted by Malamus and take us to 381 00:26:33,080 --> 00:26:33,760 Speaker 1: your network